WEBVTT - Druid Hills

0:00:15.356 --> 0:00:24.076
<v Speaker 1>Pushkin. Six years ago, before podcasting was even a twinkle

0:00:24.076 --> 0:00:27.116
<v Speaker 1>in my eye, I wrote a screenplay for a TV series.

0:00:27.556 --> 0:00:31.276
<v Speaker 1>It was called Druet Hills, my first and only screenplay.

0:00:31.716 --> 0:00:35.196
<v Speaker 1>I spent a year on it. In the opening scene,

0:00:35.396 --> 0:00:38.636
<v Speaker 1>a battered Honda pulls up to a house on a long,

0:00:38.996 --> 0:00:39.756
<v Speaker 1>leafy street.

0:00:42.356 --> 0:00:48.516
<v Speaker 2>Angela Nation thirty one is behind the wheel, jeans, Afro sunglasses.

0:00:49.196 --> 0:00:52.916
<v Speaker 2>She's beautiful, though trying not to be. The car looks

0:00:52.916 --> 0:00:55.676
<v Speaker 2>like a family's been living in the back seat. She

0:00:55.796 --> 0:01:00.516
<v Speaker 2>pulls up to an immaculate Victorian. A petite, very proper

0:01:00.556 --> 0:01:04.956
<v Speaker 2>African American woman comes out the front door, Ingrid James

0:01:05.356 --> 0:01:07.676
<v Speaker 2>sixty three. She gets in.

0:01:09.316 --> 0:01:12.316
<v Speaker 1>Beak clear, nothing happened with Drewett Hills. I got as

0:01:12.316 --> 0:01:15.236
<v Speaker 1>far as pitching it to a Hollywood studio. I shouldn't

0:01:15.236 --> 0:01:18.956
<v Speaker 1>say who, Well, okay, it was Fox. Imagine a room

0:01:18.996 --> 0:01:22.036
<v Speaker 1>full of TV executives around a table. I talked about

0:01:22.036 --> 0:01:26.596
<v Speaker 1>the big themes, the theories, race, conscience, conspiracies, corruption, blah

0:01:26.676 --> 0:01:28.516
<v Speaker 1>blah blah. I waved my hands in the air for

0:01:28.556 --> 0:01:31.956
<v Speaker 1>a good hour. The room was hushed, and when I

0:01:32.036 --> 0:01:35.596
<v Speaker 1>was done, the executive in charge said, we love it,

0:01:36.196 --> 0:01:38.076
<v Speaker 1>but do you think you could work in a car chase.

0:01:39.196 --> 0:01:48.516
<v Speaker 1>Things went downhill from there. My name is Malcolm Gladwell.

0:01:48.676 --> 0:01:52.636
<v Speaker 1>You're listening to Revisionist History, my podcast about things overlooked

0:01:53.036 --> 0:01:56.756
<v Speaker 1>and misunderstood. This is part one of what will be

0:01:56.876 --> 0:02:01.036
<v Speaker 1>two bonus episodes for the holiday season. I'm going to

0:02:01.076 --> 0:02:06.196
<v Speaker 1>answer your listener questions, riff on things Revisionist History ish,

0:02:06.236 --> 0:02:10.076
<v Speaker 1>and tell random stories, including in part two, what about

0:02:10.116 --> 0:02:13.556
<v Speaker 1>my Dad, another about a famous rapper, and beginning in

0:02:13.596 --> 0:02:17.436
<v Speaker 1>an act of shameless self promotion, with the story of

0:02:17.476 --> 0:02:23.436
<v Speaker 1>my failed screenplay. We brought it to life with the

0:02:23.476 --> 0:02:27.556
<v Speaker 1>help of the Pushkin theatrical players. I promise the point

0:02:27.596 --> 0:02:29.036
<v Speaker 1>of all this will be clear.

0:02:29.036 --> 0:02:36.836
<v Speaker 2>In a moment, Angela looks over at Ingrid season Atlanta

0:02:36.916 --> 0:02:39.156
<v Speaker 2>Hawks cap in the bag by Ingrid's feet.

0:02:40.036 --> 0:02:45.476
<v Speaker 3>Oh, Ingrid a Hawks cap? Wait? You made Wyatt take

0:02:45.516 --> 0:02:46.276
<v Speaker 3>you to a game.

0:02:47.076 --> 0:02:49.516
<v Speaker 2>Ingrid leans forward and pushes the cap down in the

0:02:49.516 --> 0:02:54.076
<v Speaker 2>bag so it's no longer visible. My one indulgence, Angela

0:02:54.276 --> 0:02:56.196
<v Speaker 2>rarely gets the upper hand on Ingrid.

0:02:57.596 --> 0:03:00.156
<v Speaker 3>Do you have one of those big phone number one hands?

0:03:00.396 --> 0:03:01.596
<v Speaker 2>I most certainly do not.

0:03:02.796 --> 0:03:05.716
<v Speaker 3>Will you make buy you big things of popcorn?

0:03:06.316 --> 0:03:11.956
<v Speaker 2>Ingrid shutters involuntarily, then with a mischievous flint. Although I

0:03:11.996 --> 0:03:15.076
<v Speaker 2>did once try out for the Hawk's cheerleading team. What

0:03:15.596 --> 0:03:19.276
<v Speaker 2>it was the seventies. She makes a dismissive move with

0:03:19.356 --> 0:03:23.276
<v Speaker 2>her hand, as if that explains everything. I thought they

0:03:23.276 --> 0:03:27.156
<v Speaker 2>were dances. I did ballet, you know, I didn't realize

0:03:27.196 --> 0:03:31.756
<v Speaker 2>it would be so vulgar. The men play a beautiful game,

0:03:32.516 --> 0:03:38.396
<v Speaker 2>the women shake their bosoms. Angela instinctively does up the

0:03:38.436 --> 0:03:41.636
<v Speaker 2>lower of the two open buttons on her blouse. They

0:03:41.676 --> 0:03:49.196
<v Speaker 2>had a player named John Drew. Oh my Ingrid gazes

0:03:49.236 --> 0:03:55.796
<v Speaker 2>out the window. It's nice to be reminded of those days.

0:03:57.316 --> 0:04:00.396
<v Speaker 1>My screenplay was set in Atlanta. Now why did I

0:04:00.436 --> 0:04:04.236
<v Speaker 1>write a screenplay set in Atlanta? Because I'm obsessed with Atlanta.

0:04:04.996 --> 0:04:07.996
<v Speaker 1>Ask anyone who knows me. I'm always threatening to move there.

0:04:11.556 --> 0:04:11.756
<v Speaker 4>You know.

0:04:11.876 --> 0:04:14.636
<v Speaker 1>People always say such and such as the future of America.

0:04:15.316 --> 0:04:18.436
<v Speaker 1>Texas is the future of America, Florida is the future

0:04:18.436 --> 0:04:21.836
<v Speaker 1>of America. No, no, no. Best case scenario for all

0:04:21.876 --> 0:04:24.916
<v Speaker 1>of us is if Atlanta is the future of America.

0:04:25.436 --> 0:04:28.676
<v Speaker 1>Because Atlanta is the most wonderful mashup of all the

0:04:28.716 --> 0:04:32.196
<v Speaker 1>most wonderful bits and pieces of this country. Birthplace of

0:04:32.276 --> 0:04:35.556
<v Speaker 1>the Civil Rights Movement, Janelle Manet in Wonderland, and Gucci

0:04:35.636 --> 0:04:38.436
<v Speaker 1>Mane and Migos, and basically half the entire hip hop

0:04:38.476 --> 0:04:43.236
<v Speaker 1>world CNN, Jimmy Carter, Stacy Abrams, the best Indian food

0:04:43.276 --> 0:04:46.516
<v Speaker 1>in the US outside of Queen's, the Running Oval at

0:04:46.516 --> 0:04:49.676
<v Speaker 1>Piedmont Park, Little Tart bake Shop, I could go on.

0:04:50.196 --> 0:04:52.516
<v Speaker 1>I was once in my favorite coffee shop in Atlanta

0:04:52.756 --> 0:04:56.356
<v Speaker 1>and realized that around me were a rock band writing lyrics,

0:04:56.516 --> 0:04:59.356
<v Speaker 1>a couple of folks having a Bible study, someone from

0:04:59.356 --> 0:05:02.836
<v Speaker 1>the Mayor's office, and a handful of moms with kids,

0:05:02.876 --> 0:05:06.996
<v Speaker 1>all representing, by my count at least six different ethnicities

0:05:07.196 --> 0:05:11.036
<v Speaker 1>and an age range of maybe seventy. How beautiful is that?

0:05:12.116 --> 0:05:14.836
<v Speaker 1>I love Atlanta? And I thought that if I set

0:05:14.916 --> 0:05:18.956
<v Speaker 1>a TV series in Atlanta and somehow magically it got made,

0:05:19.116 --> 0:05:21.996
<v Speaker 1>then I'd have an excuse to go there all the time.

0:05:26.236 --> 0:05:32.276
<v Speaker 3>How have you been, I'm recovering getting there. I've spent

0:05:32.436 --> 0:05:37.156
<v Speaker 3>seven years buried away day and night. Then one day

0:05:37.316 --> 0:05:43.316
<v Speaker 3>it's over. It's almost like I got a divorce. I'll

0:05:43.316 --> 0:05:44.556
<v Speaker 3>tell you the whole story someday.

0:05:45.876 --> 0:05:51.516
<v Speaker 2>I already know Jesus, I will always watch out for you, my.

0:05:51.516 --> 0:05:56.316
<v Speaker 1>Dear, remember that by the way to break in here.

0:05:56.796 --> 0:05:59.716
<v Speaker 1>This is an allusion to the dark mystery at the

0:05:59.716 --> 0:06:00.556
<v Speaker 1>heart of the story.

0:06:01.796 --> 0:06:07.276
<v Speaker 2>She reaches over and grasps Angela's hand briefly. Ingred is

0:06:07.316 --> 0:06:11.836
<v Speaker 2>not one for prolonged displays of a mother. The two

0:06:11.836 --> 0:06:16.716
<v Speaker 2>of them sit in companionable silence from Grant Park, the

0:06:16.756 --> 0:06:23.956
<v Speaker 2>grittiness of the old fourth ward, finally regal Druid Hills,

0:06:25.036 --> 0:06:30.796
<v Speaker 2>leafy streets, turn of the Sentry Mansions. Ingrid is now

0:06:30.836 --> 0:06:33.996
<v Speaker 2>back to her church lady routine, adjusting her hair in

0:06:34.036 --> 0:06:39.156
<v Speaker 2>the visor mirror, subject closed, we see a big sign

0:06:39.756 --> 0:06:45.596
<v Speaker 2>Emory University Hospital. Angela heads toward the main entrance. Ingrid

0:06:45.636 --> 0:06:48.996
<v Speaker 2>shakes her head. Angela keeps driving around to the loading

0:06:49.036 --> 0:06:53.316
<v Speaker 2>docks at the back. Ingrid smiles at Angela touches her

0:06:53.436 --> 0:06:58.316
<v Speaker 2>arm affectionately as she exits the car. There's something so

0:06:58.476 --> 0:07:01.396
<v Speaker 2>ostentatious about the front door, don't you think?

0:07:03.596 --> 0:07:08.036
<v Speaker 1>Our hero Angela Nation and her mysterious sidekick Ingrid James

0:07:08.396 --> 0:07:11.876
<v Speaker 1>are brilliant scientists on the faculty of the Medical Center

0:07:12.316 --> 0:07:16.516
<v Speaker 1>at Emory University, hence the title Druwood Hills. That's the

0:07:16.516 --> 0:07:20.796
<v Speaker 1>neighborhood in Atlanta, where Emory is now. You may have

0:07:20.876 --> 0:07:24.116
<v Speaker 1>noticed that Emory University is the sponsor of this bonus

0:07:24.116 --> 0:07:27.836
<v Speaker 1>episode of our Visionist History. Emory came to us and

0:07:27.876 --> 0:07:29.516
<v Speaker 1>asked if they could talk about some of the work

0:07:29.516 --> 0:07:32.996
<v Speaker 1>they've been doing during the pandemic. And it's super interesting,

0:07:33.076 --> 0:07:35.516
<v Speaker 1>as you'll hear in a moment. But the offer made

0:07:35.516 --> 0:07:41.276
<v Speaker 1>me happy for more selfish reasons as well. The first

0:07:41.276 --> 0:07:44.636
<v Speaker 1>time I went to Atlanta nearly thirty years ago was

0:07:44.636 --> 0:07:47.356
<v Speaker 1>to visit Emory. I was a science reporter back then

0:07:47.396 --> 0:07:50.676
<v Speaker 1>for the Washington Post, and if you write about American medicine,

0:07:50.836 --> 0:07:55.676
<v Speaker 1>you eventually make the pilgrimage to Emory. Emory is how

0:07:55.676 --> 0:07:59.916
<v Speaker 1>I got obsessed with Atlanta. My disaster of a screenplay

0:08:00.196 --> 0:08:03.236
<v Speaker 1>was a medical mystery set at Emory. I mean, what

0:08:03.316 --> 0:08:06.436
<v Speaker 1>are the odds? How often does life come together so

0:08:06.636 --> 0:08:11.036
<v Speaker 1>beautifully and serendipitously under the sacred umbrella of the four

0:08:11.116 --> 0:08:15.036
<v Speaker 1>h four area code. See here we are Revisionist History

0:08:15.236 --> 0:08:23.436
<v Speaker 1>Bonus Holiday Atlanta Addition Part one. All Right, before we

0:08:23.476 --> 0:08:26.156
<v Speaker 1>go any further, I want to explain why Emory is

0:08:26.196 --> 0:08:29.836
<v Speaker 1>such a magical place for people interested in medicine.

0:08:30.356 --> 0:08:33.796
<v Speaker 5>Healthcare has been part of Emory since the campus moved

0:08:33.836 --> 0:08:39.196
<v Speaker 5>from a small town east of Atlanta to Atlanta in

0:08:39.396 --> 0:08:43.236
<v Speaker 5>about nineteen fifteen, and at that point the Atlanta Medical

0:08:43.276 --> 0:08:46.836
<v Speaker 5>College became part of Emory University as a school of Medicine.

0:08:47.236 --> 0:08:50.036
<v Speaker 1>This is Greg Fenvis, the university's president.

0:08:50.556 --> 0:08:53.756
<v Speaker 5>A decade or so after that. One of the most

0:08:53.796 --> 0:08:58.756
<v Speaker 5>important benefactors for Emory University Robert W. Woodruff.

0:08:58.996 --> 0:09:00.596
<v Speaker 1>He's the Coca Cola guy, right.

0:09:00.516 --> 0:09:05.516
<v Speaker 5>He is the legendary CEO of Coca Cola. But mister Woodruff,

0:09:05.516 --> 0:09:08.836
<v Speaker 5>as we call him here at Emory, loved the rural

0:09:08.876 --> 0:09:13.676
<v Speaker 5>areas in his ranch in South Georgia. Malaria was a

0:09:13.756 --> 0:09:17.956
<v Speaker 5>huge problem, and so Georgia as a state was one

0:09:17.996 --> 0:09:22.356
<v Speaker 5>of the leaders in developing treatments for malaria in the

0:09:23.196 --> 0:09:27.756
<v Speaker 5>early part of the twentieth century. Years later, after World

0:09:27.756 --> 0:09:32.516
<v Speaker 5>War Two, mister Woodroffe was very good friends with Dwight D. Eisenhower.

0:09:33.276 --> 0:09:35.676
<v Speaker 5>Malary had been a big problem in World War Two

0:09:35.756 --> 0:09:40.116
<v Speaker 5>that Eisenhower had had to deal with, and so the

0:09:40.156 --> 0:09:45.196
<v Speaker 5>federal government wanted to establish a research center to solve malaria,

0:09:45.276 --> 0:09:49.676
<v Speaker 5>treat malaria, prevent malaria, and mister Woodroff, through his friendship

0:09:49.716 --> 0:09:55.356
<v Speaker 5>with President Eisenhower had it located on Emory property, which

0:09:55.396 --> 0:09:58.956
<v Speaker 5>became the Center for Disease Control and Prevention that is

0:09:59.036 --> 0:10:02.076
<v Speaker 5>now not only across the street, it's actually on the

0:10:02.116 --> 0:10:08.356
<v Speaker 5>Emory campus. And so that relationship between Emory It's School

0:10:08.396 --> 0:10:13.156
<v Speaker 5>of Medicine and focus on infectious diseases, and the CDC

0:10:13.236 --> 0:10:16.116
<v Speaker 5>has been very, very close since World War Two.

0:10:16.876 --> 0:10:19.596
<v Speaker 1>One of the heroes of the AIDS epidemic was Jim Curran,

0:10:19.956 --> 0:10:22.556
<v Speaker 1>head of the CDC in the nineteen eighties. He's now

0:10:22.556 --> 0:10:25.356
<v Speaker 1>the dean of the Public Health School at Emory. Emory

0:10:25.436 --> 0:10:27.836
<v Speaker 1>was where one of the most important drugs against HIV

0:10:28.356 --> 0:10:31.956
<v Speaker 1>M treva was discovered. When the American medical workers who

0:10:31.996 --> 0:10:34.476
<v Speaker 1>had fallen ill with ebola in Africa a few years

0:10:34.516 --> 0:10:37.516
<v Speaker 1>ago came home to be treated, where did they go

0:10:38.236 --> 0:10:41.196
<v Speaker 1>Emory because Emory was one of the few places set

0:10:41.236 --> 0:10:44.276
<v Speaker 1>up in this country to treat them. Tucked away in

0:10:44.356 --> 0:10:48.036
<v Speaker 1>Druid Hills is a really remarkable place that has played

0:10:48.036 --> 0:10:51.196
<v Speaker 1>a key role in our understanding of infectious diseases for

0:10:51.316 --> 0:10:54.476
<v Speaker 1>seventy five years, which is something to be grateful for,

0:10:55.236 --> 0:10:59.076
<v Speaker 1>especially now. My favorite part of Emory is the Yerkees

0:10:59.196 --> 0:11:02.636
<v Speaker 1>National Primate Research Center, one of the oldest and biggest

0:11:02.796 --> 0:11:06.556
<v Speaker 1>non human research centers in the country. Three thousand non

0:11:06.636 --> 0:11:11.676
<v Speaker 1>human primates and eight thousand rodents eight thousand. Do you

0:11:11.716 --> 0:11:14.236
<v Speaker 1>know what the plot of my screenplay was. Our hero

0:11:14.396 --> 0:11:18.476
<v Speaker 1>Angela was testing an experimental drug for Huntington's disease on

0:11:18.556 --> 0:11:22.396
<v Speaker 1>a specially engineered strain of mice created by her boss,

0:11:22.956 --> 0:11:27.876
<v Speaker 1>Rajen at the Yerkie Center. The whole story was about mice.

0:11:29.236 --> 0:11:29.756
<v Speaker 3>And this.

0:11:31.276 --> 0:11:33.436
<v Speaker 2>Angela opens and adjoining door.

0:11:33.956 --> 0:11:36.356
<v Speaker 3>Is where Rajon keeps his mice.

0:11:36.796 --> 0:11:41.596
<v Speaker 2>In metal cages. We see mouse after mouse, dozens of them,

0:11:41.636 --> 0:11:46.756
<v Speaker 2>moving like old men. Rajon's Huntington's mice. The air is

0:11:46.836 --> 0:11:49.236
<v Speaker 2>filled with a sound of feeble squeaks.

0:11:49.956 --> 0:11:52.156
<v Speaker 3>Rajon is much better with mice than people.

0:11:56.236 --> 0:11:58.556
<v Speaker 1>If there is anyone out there in Movieland who is

0:11:58.596 --> 0:12:02.036
<v Speaker 1>interested in a screenplay about two black women from Atlanta

0:12:02.276 --> 0:12:04.796
<v Speaker 1>trying to cure a deadly disease co starring a room

0:12:04.836 --> 0:12:07.716
<v Speaker 1>full of specially engineered lab mice at the Yerkei Center,

0:12:08.356 --> 0:12:14.516
<v Speaker 1>call me let's make this happen. Okay, Time for the

0:12:14.556 --> 0:12:18.956
<v Speaker 1>listener mailbag. Ryan am asks, if you could have dinner

0:12:18.996 --> 0:12:21.716
<v Speaker 1>with any three people from history, who would they be

0:12:21.836 --> 0:12:25.996
<v Speaker 1>and why I think it would be my great grandmother's.

0:12:26.516 --> 0:12:29.356
<v Speaker 1>I only met one of them, Martha Nation, a very

0:12:29.396 --> 0:12:32.036
<v Speaker 1>regal Jamaican lady who when she died in her late

0:12:32.116 --> 0:12:35.276
<v Speaker 1>nineties had just a few strands of gray hair. She

0:12:35.436 --> 0:12:38.876
<v Speaker 1>was the embodiment of black Don't Crack. But I never

0:12:38.916 --> 0:12:43.076
<v Speaker 1>met the other three. How great would that be? Here's

0:12:43.076 --> 0:12:46.876
<v Speaker 1>a comment from a listener on iTunes, DC Commute. You

0:12:46.916 --> 0:12:50.956
<v Speaker 1>know I read the comments right. DC Commute says, I

0:12:50.996 --> 0:12:54.796
<v Speaker 1>think you should revisit The Obscure Virus Club, Season four,

0:12:55.156 --> 0:12:59.676
<v Speaker 1>episode ten. The recent success of vaccine development stands on

0:12:59.756 --> 0:13:03.156
<v Speaker 1>the shoulders of giants. This is actually a great point

0:13:03.276 --> 0:13:07.156
<v Speaker 1>and it deserves a long answer. Obscure Virus Club, if

0:13:07.196 --> 0:13:09.716
<v Speaker 1>you haven't listened to it was about all group of

0:13:09.796 --> 0:13:13.836
<v Speaker 1>virologists who spent years and years in a scientific wilderness

0:13:14.236 --> 0:13:17.276
<v Speaker 1>studying a group of weird animal viruses that no one

0:13:17.276 --> 0:13:22.916
<v Speaker 1>else thought were even remotely meaningful. They were ridiculed, ostracized.

0:13:23.396 --> 0:13:26.276
<v Speaker 1>Then one day all those naysayers woke up and realized, oh,

0:13:27.196 --> 0:13:30.276
<v Speaker 1>the work these people were doing, often the shadows is

0:13:30.316 --> 0:13:32.316
<v Speaker 1>going to save the world. And if you want to

0:13:32.356 --> 0:13:34.836
<v Speaker 1>know how the Obscure Virus Club saved the world, you'll

0:13:34.836 --> 0:13:36.916
<v Speaker 1>have to listen to the episode because I don't want

0:13:36.916 --> 0:13:39.836
<v Speaker 1>to give away the ending. The point of the episode

0:13:39.876 --> 0:13:45.036
<v Speaker 1>was that's how science works. Everything important and beautiful begins

0:13:45.156 --> 0:13:49.076
<v Speaker 1>years and years earlier with someone's quixotic obsession. And so

0:13:49.196 --> 0:13:52.836
<v Speaker 1>thanks for your comment, DC Commute. This is absolutely the

0:13:52.916 --> 0:13:56.476
<v Speaker 1>case with COVID vaccines as well. There are countless examples.

0:13:56.716 --> 0:13:59.636
<v Speaker 1>But since we're telling Emory stories, let me pick one

0:13:59.676 --> 0:14:02.956
<v Speaker 1>from one of their scientists, a guy named Rama Amara,

0:14:03.236 --> 0:14:06.756
<v Speaker 1>who is so obscure Virus Club. In his case, his

0:14:06.796 --> 0:14:10.676
<v Speaker 1>obsession was with something called the envy a vaccine. This

0:14:10.756 --> 0:14:14.156
<v Speaker 1>is a vaccine made from the pox virus family. A

0:14:14.236 --> 0:14:16.916
<v Speaker 1>version of it has been used as a vaccine against smallpox.

0:14:17.636 --> 0:14:20.196
<v Speaker 1>It's been tweaked so that it can't cause disease anymore,

0:14:20.396 --> 0:14:24.236
<v Speaker 1>but because it still resembles something menacing, the immune system

0:14:24.276 --> 0:14:26.476
<v Speaker 1>goes on high alert the minute it comes across it.

0:14:27.116 --> 0:14:29.916
<v Speaker 1>And the theory that scientists like Amara had was that

0:14:29.996 --> 0:14:33.916
<v Speaker 1>if you tinkered with MVA and customized it, you could

0:14:33.916 --> 0:14:38.156
<v Speaker 1>produce an immune response against other deadly infectious diseases.

0:14:38.596 --> 0:14:42.876
<v Speaker 6>I was working on tuberculosis vaccines and I used to

0:14:42.916 --> 0:14:48.956
<v Speaker 6>go to TV sanitoria to collect samples from TV patients.

0:14:49.996 --> 0:14:53.036
<v Speaker 6>That's when I started seeing HIV infection.

0:14:53.476 --> 0:14:55.436
<v Speaker 1>That's amara So then.

0:14:55.556 --> 0:15:00.476
<v Speaker 6>I developed interest in also developing a HIV vaccine. That's

0:15:00.516 --> 0:15:02.436
<v Speaker 6>how I came to Emory to.

0:15:02.396 --> 0:15:05.476
<v Speaker 1>Work on that problem. He moves to Atlanta to Emory,

0:15:05.996 --> 0:15:08.596
<v Speaker 1>and just to put this in perspective, he moves to

0:15:08.636 --> 0:15:12.316
<v Speaker 1>Atlanta in the year two thousand. So for twenty years

0:15:12.476 --> 0:15:15.276
<v Speaker 1>his lab works on the problem, learning everything they can

0:15:15.516 --> 0:15:19.996
<v Speaker 1>about how this particular vaccine, emery MVA, interacts with the

0:15:20.036 --> 0:15:23.356
<v Speaker 1>body's immune system. You've been working on this vaccine for

0:15:24.156 --> 0:15:27.876
<v Speaker 1>this model for twenty years, as yet nothing had reached

0:15:27.876 --> 0:15:32.436
<v Speaker 1>the market. Did you get discouraged? Did you wonder whether anything,

0:15:32.516 --> 0:15:34.316
<v Speaker 1>whether this research was ever going to bear fruit.

0:15:34.756 --> 0:15:38.996
<v Speaker 6>Personally, I was not, but I have heard a lot

0:15:38.996 --> 0:15:42.556
<v Speaker 6>of times from my friends that you know, this is

0:15:42.596 --> 0:15:46.596
<v Speaker 6>going to be a long road, maybe you should start

0:15:46.916 --> 0:15:52.236
<v Speaker 6>working on other vaccines as well, so that there is

0:15:53.156 --> 0:15:56.796
<v Speaker 6>some result at the end. So I was never going

0:15:56.876 --> 0:16:02.276
<v Speaker 6>to leave the HIV vaccine at foot, but I did

0:16:02.676 --> 0:16:07.636
<v Speaker 6>think about branching into other vaccines as well. So I

0:16:07.876 --> 0:16:12.316
<v Speaker 6>was thinking too. We started actually working on vaccines for

0:16:12.396 --> 0:16:16.356
<v Speaker 6>TB so that was that's where I started it's again

0:16:16.436 --> 0:16:17.236
<v Speaker 6>a hard target.

0:16:17.436 --> 0:16:21.596
<v Speaker 1>So you picked two of the toughest targets out there. Yes,

0:16:21.796 --> 0:16:24.476
<v Speaker 1>you're someone with a you're a glutton for punishment.

0:16:25.076 --> 0:16:30.756
<v Speaker 6>That's true. So but I wanted to tackle something really challenging.

0:16:31.396 --> 0:16:34.436
<v Speaker 1>And then what happens and we had.

0:16:34.316 --> 0:16:37.916
<v Speaker 6>A meeting in the center at the Erkes Primate Center,

0:16:38.036 --> 0:16:42.036
<v Speaker 6>and all our colleagues got together and we were talking

0:16:42.036 --> 0:16:45.156
<v Speaker 6>about what we should be doing. I think that was

0:16:45.476 --> 0:16:49.156
<v Speaker 6>towards the end of February or beginning of March. I

0:16:49.156 --> 0:16:54.836
<v Speaker 6>think then at that point it, you know, I came

0:16:54.916 --> 0:16:58.836
<v Speaker 6>back to my lab from the meeting. Then I was

0:16:58.876 --> 0:17:03.116
<v Speaker 6>discussing with my people. You know, it would be good

0:17:03.116 --> 0:17:06.756
<v Speaker 6>to make a vaccine, but do you think we have

0:17:08.196 --> 0:17:11.676
<v Speaker 6>the band right now? And then they all said no, no, no,

0:17:11.756 --> 0:17:14.196
<v Speaker 6>we really want to do it, and they're also excited.

0:17:15.276 --> 0:17:18.236
<v Speaker 6>Everybody wanted to do it, so that gave me a

0:17:18.276 --> 0:17:22.596
<v Speaker 6>lot of push and then I decided that we should

0:17:22.636 --> 0:17:23.996
<v Speaker 6>do one. We should make one.

0:17:24.196 --> 0:17:27.116
<v Speaker 1>And what the idea was that if you'd made such

0:17:27.196 --> 0:17:31.956
<v Speaker 1>progress against HIV and HIV is much harder target, the

0:17:32.076 --> 0:17:34.276
<v Speaker 1>notion was, well, we should be able to make really

0:17:34.276 --> 0:17:36.356
<v Speaker 1>good inroads against COVID. Was that the thinking.

0:17:36.556 --> 0:17:39.436
<v Speaker 6>Yes, that's the thinking.

0:17:40.236 --> 0:17:43.036
<v Speaker 1>HIV is hard to make a vaccine against because it

0:17:43.156 --> 0:17:46.316
<v Speaker 1>mutates like crazy, So you have to design a vaccine

0:17:46.356 --> 0:17:50.636
<v Speaker 1>that can handle all these constant changes. And HIV integrates

0:17:50.676 --> 0:17:53.876
<v Speaker 1>into your body's DNA, it literally becomes part of you.

0:17:54.476 --> 0:17:58.276
<v Speaker 1>HIV is mount Everest. Then COVID comes along and it

0:17:58.316 --> 0:18:01.396
<v Speaker 1>doesn't mutate as much, doesn't hide in your DNA, and

0:18:01.476 --> 0:18:04.836
<v Speaker 1>Amara realizes, I can make my vaccine climb that mountain.

0:18:05.516 --> 0:18:09.756
<v Speaker 1>Had you not done those two decades of prepper work,

0:18:10.116 --> 0:18:12.076
<v Speaker 1>you would not have been in a position to jump on.

0:18:12.556 --> 0:18:16.156
<v Speaker 1>You wouldn't know whether MVA was a safe and effective

0:18:16.236 --> 0:18:18.716
<v Speaker 1>vehicle for COVID. If you hadn't done all of that

0:18:18.836 --> 0:18:19.756
<v Speaker 1>preparatory work with.

0:18:19.836 --> 0:18:23.636
<v Speaker 6>HIVA, no, I would not have any clue.

0:18:23.916 --> 0:18:26.716
<v Speaker 1>Now, will the Emory MVA vaccine turn out to be

0:18:26.796 --> 0:18:30.716
<v Speaker 1>effective against COVID? We don't know yet. It's still being tested.

0:18:31.076 --> 0:18:34.516
<v Speaker 1>At best, it's a second generation vaccine after the first

0:18:34.516 --> 0:18:37.916
<v Speaker 1>wave of vaccines that were created in record time. But

0:18:38.116 --> 0:18:41.956
<v Speaker 1>if the Emory vaccine works, it will be a crucial addition.

0:18:42.556 --> 0:18:45.836
<v Speaker 1>The first wave vaccines are all super specific. They work

0:18:45.876 --> 0:18:49.916
<v Speaker 1>against COVID nineteen. This COVID, the Emory MVA vaccine would

0:18:49.956 --> 0:18:53.636
<v Speaker 1>be different because it triggers a much broader immune response.

0:18:54.196 --> 0:18:56.916
<v Speaker 1>It could work against news strains of COVID. It could

0:18:56.996 --> 0:19:00.436
<v Speaker 1>conceivably be used as a booster to extend your initial

0:19:00.516 --> 0:19:05.036
<v Speaker 1>vaccine immunity. Here's my point. The lone success story in

0:19:05.076 --> 0:19:08.396
<v Speaker 1>the pandemic thus far has been medical science. We have

0:19:08.516 --> 0:19:11.916
<v Speaker 1>vaccines available just over a year after the pandemic started.

0:19:12.276 --> 0:19:15.156
<v Speaker 1>That's bananas. But we shouldn't draw the lesson from this

0:19:15.476 --> 0:19:19.516
<v Speaker 1>that science is fast. Science only looks fast. It's actually

0:19:19.596 --> 0:19:23.716
<v Speaker 1>really slow. The quote unquote sudden development usually has twenty

0:19:23.756 --> 0:19:26.356
<v Speaker 1>years of work behind it, and you can't order up

0:19:26.436 --> 0:19:29.996
<v Speaker 1>progress because sometimes the magic happens only at the end

0:19:30.276 --> 0:19:33.596
<v Speaker 1>of a wandering, serendipitous journey that may have looked like

0:19:33.676 --> 0:19:36.956
<v Speaker 1>folly before it became a success. And what all this

0:19:37.076 --> 0:19:40.316
<v Speaker 1>means is that progress doesn't come from ideas. It comes

0:19:40.316 --> 0:19:43.996
<v Speaker 1>from places where smart people have the time and freedom

0:19:44.236 --> 0:19:48.116
<v Speaker 1>to wander around and make mistakes and pursue interesting ideas

0:19:48.476 --> 0:19:51.076
<v Speaker 1>that one day may end up saving your life. Well,

0:19:51.076 --> 0:19:54.636
<v Speaker 1>thank you so much and good luck, Thank you much.

0:19:54.636 --> 0:19:55.516
<v Speaker 1>We're all cheering for you.

0:19:55.956 --> 0:19:57.116
<v Speaker 6>Thank you, thank you very much.

0:19:57.116 --> 0:20:17.316
<v Speaker 1>Okay, we're back with more of your insightful listener questions.

0:20:18.916 --> 0:20:25.556
<v Speaker 1>Marianna Missic at Mariana Missic writes, do you actually watch Friends?

0:20:26.436 --> 0:20:28.956
<v Speaker 1>This is actually a question related to my book Talking

0:20:28.956 --> 0:20:32.476
<v Speaker 1>to Strangers, which had an entire chapter on friends. And

0:20:33.076 --> 0:20:36.436
<v Speaker 1>in answer to the question, of course I do. And

0:20:36.476 --> 0:20:38.316
<v Speaker 1>while we're on the subject of friends, let me tell

0:20:38.356 --> 0:20:41.996
<v Speaker 1>you the following true story. Now you need to know

0:20:42.036 --> 0:20:44.996
<v Speaker 1>something about me before I start. I'm not good with faces.

0:20:45.556 --> 0:20:48.356
<v Speaker 1>I usually identify people by the way they walk or

0:20:48.396 --> 0:20:51.676
<v Speaker 1>how they dress. So this is years ago. I'm in

0:20:51.716 --> 0:20:54.996
<v Speaker 1>a coffee shop in Miami, working away. Woman sits down

0:20:55.076 --> 0:20:58.716
<v Speaker 1>next to me, leans over and says, super friendly, Hey,

0:20:59.396 --> 0:21:02.236
<v Speaker 1>what's that you're eating? Is that good? And I'm working

0:21:02.756 --> 0:21:05.676
<v Speaker 1>so I kind of grunt and ignore her. Five minutes

0:21:05.716 --> 0:21:09.956
<v Speaker 1>past and I think, you know, she was really attractive.

0:21:10.876 --> 0:21:14.436
<v Speaker 1>Five more minutes past, and I think you know, she

0:21:14.556 --> 0:21:18.916
<v Speaker 1>looked really familiar. Five more minutes past and I'm like,

0:21:19.196 --> 0:21:25.036
<v Speaker 1>oh my god, Jennifer Aniston. By that time she was gone.

0:21:25.276 --> 0:21:31.196
<v Speaker 1>My big chance at tabloid immortality, and I blew it. Next.

0:21:31.556 --> 0:21:37.156
<v Speaker 1>Courtney Miller at co A, Miller asks, is Canada better

0:21:37.196 --> 0:21:41.396
<v Speaker 1>than America? Is even a question I actually thought of?

0:21:41.396 --> 0:21:43.836
<v Speaker 1>This a lot this past summer, during all the George

0:21:43.876 --> 0:21:47.996
<v Speaker 1>Floyd protests. You know how police departments all have slogans.

0:21:48.396 --> 0:21:52.196
<v Speaker 1>In Los Angeles, the LAPD motto is to protect and

0:21:52.236 --> 0:21:56.716
<v Speaker 1>to serve. In New York City it's fidelis ad mortem,

0:21:56.716 --> 0:22:00.276
<v Speaker 1>faithful unto death. You know what it is in my

0:22:00.356 --> 0:22:05.436
<v Speaker 1>hometown in Ontario, people helping people. Now, I don't want

0:22:05.436 --> 0:22:08.036
<v Speaker 1>to read too much into the meaning of mottoes, but

0:22:08.076 --> 0:22:11.076
<v Speaker 1>if you live in a society struggling with persistent problems

0:22:11.076 --> 0:22:14.556
<v Speaker 1>of police violence, would you be happier with the police

0:22:14.556 --> 0:22:18.076
<v Speaker 1>department that thinks of itself as a quasi military force

0:22:18.436 --> 0:22:21.996
<v Speaker 1>engaged in life or desk struggles, or one that chooses

0:22:22.036 --> 0:22:27.036
<v Speaker 1>to self identify as people helping people. I don't know.

0:22:28.716 --> 0:22:33.476
<v Speaker 1>Mitch at Papa MITCHI asks who's smarter, you or Michael

0:22:33.516 --> 0:22:37.156
<v Speaker 1>Lewis Michael is. It's not even close. Let's put it

0:22:37.156 --> 0:22:39.716
<v Speaker 1>this way. If you said to me, would I trade

0:22:39.796 --> 0:22:42.756
<v Speaker 1>Michael's literary output for my own? Would I do it?

0:22:42.956 --> 0:22:45.676
<v Speaker 1>And the answer is in a heartbeat, I actually think

0:22:45.836 --> 0:22:48.836
<v Speaker 1>that The blind Side is a perfect book. I would

0:22:48.876 --> 0:22:52.836
<v Speaker 1>have retired after writing that and his podcast Against the Rules,

0:22:53.276 --> 0:22:56.276
<v Speaker 1>which he does for pushkin, I might add, is so good.

0:22:58.196 --> 0:23:00.396
<v Speaker 1>This is actually a great time for me to give

0:23:00.436 --> 0:23:04.636
<v Speaker 1>you my grand unified theory of Michael Lewis. Ready, it's

0:23:04.716 --> 0:23:08.396
<v Speaker 1>that virtually every one of his books is a biblical allegory.

0:23:08.716 --> 0:23:14.116
<v Speaker 1>It's why they strike such a chord. So Liar's Poker,

0:23:14.276 --> 0:23:16.996
<v Speaker 1>his book about being a young naive college grad in

0:23:17.036 --> 0:23:20.476
<v Speaker 1>the heart of a hostile Wall Street bank. That's Daniel

0:23:20.516 --> 0:23:23.836
<v Speaker 1>in the Lionstan The blind Side is Easy. A couple

0:23:23.916 --> 0:23:27.396
<v Speaker 1>rescues a young boy literally as he is walking alone

0:23:27.436 --> 0:23:30.156
<v Speaker 1>and neglected by the side of the road. That's the

0:23:30.156 --> 0:23:33.956
<v Speaker 1>Good Samaritan Flashboys, his book about a group of people

0:23:33.996 --> 0:23:36.796
<v Speaker 1>trying to clean up crooked trading on Wall Street. That's

0:23:36.916 --> 0:23:40.116
<v Speaker 1>Jesus and the money Changers. My father's temple is a

0:23:40.156 --> 0:23:42.196
<v Speaker 1>house of prayer. You have turned it into a nest

0:23:42.196 --> 0:23:46.156
<v Speaker 1>of thieves. Moneyball, which is about a group of baseball

0:23:46.196 --> 0:23:50.236
<v Speaker 1>executives finding value in a group of players others have overlooked.

0:23:50.516 --> 0:23:53.916
<v Speaker 1>I mean, come on, that's Jesus and Mary Magdalen, the

0:23:53.996 --> 0:23:58.276
<v Speaker 1>prostitute and the outcast he drafts onto his team. Just

0:23:58.316 --> 0:24:00.996
<v Speaker 1>so you know, I once ran this theory by Michael Lewis,

0:24:01.236 --> 0:24:08.276
<v Speaker 1>and he looked at me like I was crazy. This

0:24:08.356 --> 0:24:10.116
<v Speaker 1>next one is actually more of a comment than a

0:24:10.236 --> 0:24:15.796
<v Speaker 1>question from Ryan x J nine hundred on iTunes boring

0:24:16.116 --> 0:24:21.276
<v Speaker 1>two stars. I tried, it just didn't interest me. Scroll

0:24:21.356 --> 0:24:24.476
<v Speaker 1>through the episode titles and see for yourself. It's kind

0:24:24.476 --> 0:24:30.156
<v Speaker 1>of random and nothing all too interesting. Mah wait, isn't

0:24:30.276 --> 0:24:33.716
<v Speaker 1>it's kind of random? A compliment I live for kind

0:24:33.716 --> 0:24:38.996
<v Speaker 1>of random, Ryan, dude, lighten up? Okay? Final question from

0:24:39.036 --> 0:24:44.436
<v Speaker 1>Twitter from normal guy one. What show idea that didn't

0:24:44.516 --> 0:24:48.356
<v Speaker 1>make the cut was most surprising? Also? What idea ended

0:24:48.396 --> 0:24:54.356
<v Speaker 1>up being different than expected? Well, it was this, Wait, Casey,

0:24:54.516 --> 0:24:56.196
<v Speaker 1>can you play that song for us? Is it going

0:24:56.276 --> 0:24:56.676
<v Speaker 1>to be two?

0:24:56.916 --> 0:25:15.676
<v Speaker 7>Let's say? Okay, okay, Well we'll see if this happens.

0:25:16.396 --> 0:25:23.596
<v Speaker 8>She grew up playing Calgary girl in Reilroadtown.

0:25:23.836 --> 0:25:26.236
<v Speaker 7>Dream and she'd see oh shoot, hold on.

0:25:27.356 --> 0:25:29.516
<v Speaker 1>I went to Nashville when I was reporting the final

0:25:29.556 --> 0:25:32.436
<v Speaker 1>episode of season three, which may be my favorite ever

0:25:32.756 --> 0:25:38.316
<v Speaker 1>analysis parapraxis Elvis. It's about the one song Elvis couldn't sing,

0:25:39.036 --> 0:25:41.436
<v Speaker 1>and I arranged for a session musician to do a

0:25:41.516 --> 0:25:45.156
<v Speaker 1>version of Elvis's song for me, very straightforward. So this musician,

0:25:45.316 --> 0:25:48.956
<v Speaker 1>Casey Bowles, shows up. We start talking and eventually I

0:25:49.076 --> 0:25:52.556
<v Speaker 1>persuaded her to sing one of her own songs, and

0:25:52.556 --> 0:25:55.436
<v Speaker 1>it's one of the most magical moments I think in

0:25:55.596 --> 0:25:57.316
<v Speaker 1>all of Revision's history.

0:25:58.876 --> 0:26:05.876
<v Speaker 8>Dream and she'd see Hollywood Sunday, she do some distant

0:26:06.116 --> 0:26:11.516
<v Speaker 8>Friday night at just right.

0:26:13.316 --> 0:26:14.516
<v Speaker 4>Fate would come in.

0:26:14.596 --> 0:26:16.036
<v Speaker 1>And carry her away.

0:26:20.436 --> 0:26:23.636
<v Speaker 8>It's far shake cut safe from there.

0:26:24.636 --> 0:26:27.556
<v Speaker 1>I never thought when I started this podcast that it

0:26:27.556 --> 0:26:30.916
<v Speaker 1>would be a way of making friends, but it has. Anyway.

0:26:30.996 --> 0:26:33.516
<v Speaker 1>I've stayed in touch with Casey and she's made some

0:26:33.596 --> 0:26:36.716
<v Speaker 1>new music, including a song for kids called Dare to

0:26:36.716 --> 0:26:39.836
<v Speaker 1>Be Me, which is really really lovely.

0:26:44.156 --> 0:26:48.236
<v Speaker 4>Dare to be Dead to be Dare to be.

0:26:51.236 --> 0:26:55.036
<v Speaker 1>Stay tuned to this feed for another bonus episode because

0:26:55.156 --> 0:26:58.596
<v Speaker 1>I can't quit you, Atlanta, but for now, this is

0:26:58.636 --> 0:27:01.996
<v Speaker 1>what I'd like to leave you with, Casey Bowls, Dare

0:27:02.076 --> 0:27:07.716
<v Speaker 1>to Be Me. Happy Holidays everyone, well of again, said Zaga.

0:27:07.796 --> 0:27:08.556
<v Speaker 3>Back would dance a.

0:27:08.596 --> 0:27:14.916
<v Speaker 8>Roundside of the papering of Lion Anna Scotforto pigeonsality and

0:27:15.076 --> 0:27:19.516
<v Speaker 8>sergic composition, no carbon copy, afta.

0:27:19.196 --> 0:27:22.796
<v Speaker 1>Money relaize my amazing when the speed of a Varri

0:27:25.596 --> 0:27:28.996
<v Speaker 1>Origin's history is produced by Mia Label and Lee m

0:27:29.116 --> 0:27:33.836
<v Speaker 1>Gistu with Jacob Smith, Elouise Linton, Kobe Guildford and Anna

0:27:33.916 --> 0:27:38.836
<v Speaker 1>nim Our. Editor is Julia Barton. Original scoring by Luis Skierra,

0:27:39.316 --> 0:27:43.436
<v Speaker 1>mastering by Flan Williams. Special thanks to the Pushkin Crew

0:27:43.876 --> 0:27:48.556
<v Speaker 1>head Fame Carly Migliori, Maya Knigg, Maggie Taylor, Eric Sandler,

0:27:48.916 --> 0:27:54.596
<v Speaker 1>Jason Gambrel, Emily Rostek and of course el Hafe Jacob Weisberg.

0:27:54.996 --> 0:27:58.356
<v Speaker 1>And special thanks to our actors. Angel Nation was played

0:27:58.356 --> 0:28:02.356
<v Speaker 1>by Miriam Victorias Simmons, Ingrid James and the narrator were

0:28:02.396 --> 0:28:05.316
<v Speaker 1>all played by Anto Jacob, who actually has a short

0:28:05.356 --> 0:28:08.076
<v Speaker 1>film out called Love and Submission which you should look up.

0:28:08.436 --> 0:28:14.476
<v Speaker 1>And finally, extra special things to Emory University Greg Friends, Rama, Amara,

0:28:14.796 --> 0:28:18.476
<v Speaker 1>Robert Goddard and my mysterious behind the scenes friend Dan

0:28:18.996 --> 0:28:23.596
<v Speaker 1>who made this happen. Oh and will someone please buy

0:28:23.636 --> 0:28:28.316
<v Speaker 1>my screenplay please? I'm Malcolm Grado.

0:28:42.236 --> 0:28:49.036
<v Speaker 4>To me, damn, damn to me, damn to me, to me,

0:28:50.396 --> 0:29:00.436
<v Speaker 4>to me, damn to me.

0:29:07.516 --> 0:29:16.956
<v Speaker 2>Interior Doctors, Emory University Hospital Day. An elderly African American

0:29:16.996 --> 0:29:22.116
<v Speaker 2>woman sits alone. Eden Cummings seventy six is dressed as

0:29:22.156 --> 0:29:27.396
<v Speaker 2>if for church, blue dress, pearls, her hair is all gray.

0:29:28.556 --> 0:29:34.676
<v Speaker 2>She's reading Brown Face, Big Master. The door opens in

0:29:34.876 --> 0:29:39.556
<v Speaker 2>walks Angela Nation, reviewing a clipboard in her hand. Nurves,

0:29:39.756 --> 0:29:43.156
<v Speaker 2>can you tell me when the doctor gets here? Angela stops.

0:29:43.956 --> 0:29:47.516
<v Speaker 2>She turns to face Eden, and for a long tense moment,

0:29:47.796 --> 0:29:48.876
<v Speaker 2>their eyes lock.

0:29:49.516 --> 0:29:57.276
<v Speaker 9>They break into peals of laughter. You must get that lot,

0:29:58.516 --> 0:29:59.516
<v Speaker 9>not as much as you do.

0:30:00.156 --> 0:30:01.556
<v Speaker 2>Eden nods her head slowly.

0:30:02.396 --> 0:30:03.036
<v Speaker 3>How is Mike.

0:30:03.716 --> 0:30:06.396
<v Speaker 2>He drove to the supermarket last week and turned left

0:30:06.396 --> 0:30:10.076
<v Speaker 2>out the driveway instead of right. He's made that term

0:30:10.116 --> 0:30:13.916
<v Speaker 2>for forty years. It's time to take away its keys.

0:30:14.716 --> 0:30:15.396
<v Speaker 3>He's eighty four.

0:30:15.996 --> 0:30:20.796
<v Speaker 2>He's eighty four. Angela says nothing. She waits for Eden

0:30:20.876 --> 0:30:23.516
<v Speaker 2>to speak again. Why did you want me to come

0:30:23.556 --> 0:30:27.076
<v Speaker 2>in by myself? Doctor Bennett always had us come in together.

0:30:27.756 --> 0:30:29.956
<v Speaker 3>I know what doctor Cole did, but you're stuck with

0:30:30.036 --> 0:30:33.596
<v Speaker 3>me now. If Mike comes here, the optimologists will get

0:30:33.596 --> 0:30:36.596
<v Speaker 3>all worked up about his glyocoma, give him drops which

0:30:36.636 --> 0:30:39.276
<v Speaker 3>will irritate his eyes, even though he's ten years before

0:30:39.316 --> 0:30:42.276
<v Speaker 3>that becomes a problem. The cardiologists will tell him to

0:30:42.356 --> 0:30:44.516
<v Speaker 3>change his diet and eat things that he's hated his

0:30:44.676 --> 0:30:48.516
<v Speaker 3>entire life, and I'll diagnose him with early stage Alzheimer's,

0:30:48.556 --> 0:30:51.156
<v Speaker 3>which will turn him from a human being into a patient.

0:30:51.756 --> 0:30:52.436
<v Speaker 3>He's eighty four.

0:30:53.716 --> 0:30:56.876
<v Speaker 2>Eden is becoming emotional and trying her best to hide it.

0:30:57.316 --> 0:31:00.276
<v Speaker 2>Angela waits, lets her regain her composure.

0:31:00.876 --> 0:31:05.036
<v Speaker 3>Are the two of you happy eating nods? How are

0:31:05.036 --> 0:31:06.956
<v Speaker 3>the grandkids good?

0:31:07.476 --> 0:31:08.516
<v Speaker 2>Eating nods?

0:31:09.356 --> 0:31:12.476
<v Speaker 3>You don't need me, not yet.

0:31:12.956 --> 0:31:15.876
<v Speaker 2>She escorts Eden to the door, sits back down at

0:31:15.876 --> 0:31:19.236
<v Speaker 2>her desk, takes out an enormous ham sandwich in a

0:31:19.276 --> 0:31:23.956
<v Speaker 2>bag of potato chips, and painstakingly places the contents of

0:31:23.996 --> 0:31:30.396
<v Speaker 2>the bag, chip by chip between the two slices. Then

0:31:30.436 --> 0:31:33.556
<v Speaker 2>she takes out her cellphone, takes a picture of the

0:31:33.636 --> 0:31:37.436
<v Speaker 2>fortified sandwich and posts it to her Instagram