1 00:00:15,356 --> 00:00:24,076 Speaker 1: Pushkin. Six years ago, before podcasting was even a twinkle 2 00:00:24,076 --> 00:00:27,116 Speaker 1: in my eye, I wrote a screenplay for a TV series. 3 00:00:27,556 --> 00:00:31,276 Speaker 1: It was called Druet Hills, my first and only screenplay. 4 00:00:31,716 --> 00:00:35,196 Speaker 1: I spent a year on it. In the opening scene, 5 00:00:35,396 --> 00:00:38,636 Speaker 1: a battered Honda pulls up to a house on a long, 6 00:00:38,996 --> 00:00:39,756 Speaker 1: leafy street. 7 00:00:42,356 --> 00:00:48,516 Speaker 2: Angela Nation thirty one is behind the wheel, jeans, Afro sunglasses. 8 00:00:49,196 --> 00:00:52,916 Speaker 2: She's beautiful, though trying not to be. The car looks 9 00:00:52,916 --> 00:00:55,676 Speaker 2: like a family's been living in the back seat. She 10 00:00:55,796 --> 00:01:00,516 Speaker 2: pulls up to an immaculate Victorian. A petite, very proper 11 00:01:00,556 --> 00:01:04,956 Speaker 2: African American woman comes out the front door, Ingrid James 12 00:01:05,356 --> 00:01:07,676 Speaker 2: sixty three. She gets in. 13 00:01:09,316 --> 00:01:12,316 Speaker 1: Beak clear, nothing happened with Drewett Hills. I got as 14 00:01:12,316 --> 00:01:15,236 Speaker 1: far as pitching it to a Hollywood studio. I shouldn't 15 00:01:15,236 --> 00:01:18,956 Speaker 1: say who, Well, okay, it was Fox. Imagine a room 16 00:01:18,996 --> 00:01:22,036 Speaker 1: full of TV executives around a table. I talked about 17 00:01:22,036 --> 00:01:26,596 Speaker 1: the big themes, the theories, race, conscience, conspiracies, corruption, blah 18 00:01:26,676 --> 00:01:28,516 Speaker 1: blah blah. I waved my hands in the air for 19 00:01:28,556 --> 00:01:31,956 Speaker 1: a good hour. The room was hushed, and when I 20 00:01:32,036 --> 00:01:35,596 Speaker 1: was done, the executive in charge said, we love it, 21 00:01:36,196 --> 00:01:38,076 Speaker 1: but do you think you could work in a car chase. 22 00:01:39,196 --> 00:01:48,516 Speaker 1: Things went downhill from there. My name is Malcolm Gladwell. 23 00:01:48,676 --> 00:01:52,636 Speaker 1: You're listening to Revisionist History, my podcast about things overlooked 24 00:01:53,036 --> 00:01:56,756 Speaker 1: and misunderstood. This is part one of what will be 25 00:01:56,876 --> 00:02:01,036 Speaker 1: two bonus episodes for the holiday season. I'm going to 26 00:02:01,076 --> 00:02:06,196 Speaker 1: answer your listener questions, riff on things Revisionist History ish, 27 00:02:06,236 --> 00:02:10,076 Speaker 1: and tell random stories, including in part two, what about 28 00:02:10,116 --> 00:02:13,556 Speaker 1: my Dad, another about a famous rapper, and beginning in 29 00:02:13,596 --> 00:02:17,436 Speaker 1: an act of shameless self promotion, with the story of 30 00:02:17,476 --> 00:02:23,436 Speaker 1: my failed screenplay. We brought it to life with the 31 00:02:23,476 --> 00:02:27,556 Speaker 1: help of the Pushkin theatrical players. I promise the point 32 00:02:27,596 --> 00:02:29,036 Speaker 1: of all this will be clear. 33 00:02:29,036 --> 00:02:36,836 Speaker 2: In a moment, Angela looks over at Ingrid season Atlanta 34 00:02:36,916 --> 00:02:39,156 Speaker 2: Hawks cap in the bag by Ingrid's feet. 35 00:02:40,036 --> 00:02:45,476 Speaker 3: Oh, Ingrid a Hawks cap? Wait? You made Wyatt take 36 00:02:45,516 --> 00:02:46,276 Speaker 3: you to a game. 37 00:02:47,076 --> 00:02:49,516 Speaker 2: Ingrid leans forward and pushes the cap down in the 38 00:02:49,516 --> 00:02:54,076 Speaker 2: bag so it's no longer visible. My one indulgence, Angela 39 00:02:54,276 --> 00:02:56,196 Speaker 2: rarely gets the upper hand on Ingrid. 40 00:02:57,596 --> 00:03:00,156 Speaker 3: Do you have one of those big phone number one hands? 41 00:03:00,396 --> 00:03:01,596 Speaker 2: I most certainly do not. 42 00:03:02,796 --> 00:03:05,716 Speaker 3: Will you make buy you big things of popcorn? 43 00:03:06,316 --> 00:03:11,956 Speaker 2: Ingrid shutters involuntarily, then with a mischievous flint. Although I 44 00:03:11,996 --> 00:03:15,076 Speaker 2: did once try out for the Hawk's cheerleading team. What 45 00:03:15,596 --> 00:03:19,276 Speaker 2: it was the seventies. She makes a dismissive move with 46 00:03:19,356 --> 00:03:23,276 Speaker 2: her hand, as if that explains everything. I thought they 47 00:03:23,276 --> 00:03:27,156 Speaker 2: were dances. I did ballet, you know, I didn't realize 48 00:03:27,196 --> 00:03:31,756 Speaker 2: it would be so vulgar. The men play a beautiful game, 49 00:03:32,516 --> 00:03:38,396 Speaker 2: the women shake their bosoms. Angela instinctively does up the 50 00:03:38,436 --> 00:03:41,636 Speaker 2: lower of the two open buttons on her blouse. They 51 00:03:41,676 --> 00:03:49,196 Speaker 2: had a player named John Drew. Oh my Ingrid gazes 52 00:03:49,236 --> 00:03:55,796 Speaker 2: out the window. It's nice to be reminded of those days. 53 00:03:57,316 --> 00:04:00,396 Speaker 1: My screenplay was set in Atlanta. Now why did I 54 00:04:00,436 --> 00:04:04,236 Speaker 1: write a screenplay set in Atlanta? Because I'm obsessed with Atlanta. 55 00:04:04,996 --> 00:04:07,996 Speaker 1: Ask anyone who knows me. I'm always threatening to move there. 56 00:04:11,556 --> 00:04:11,756 Speaker 4: You know. 57 00:04:11,876 --> 00:04:14,636 Speaker 1: People always say such and such as the future of America. 58 00:04:15,316 --> 00:04:18,436 Speaker 1: Texas is the future of America, Florida is the future 59 00:04:18,436 --> 00:04:21,836 Speaker 1: of America. No, no, no. Best case scenario for all 60 00:04:21,876 --> 00:04:24,916 Speaker 1: of us is if Atlanta is the future of America. 61 00:04:25,436 --> 00:04:28,676 Speaker 1: Because Atlanta is the most wonderful mashup of all the 62 00:04:28,716 --> 00:04:32,196 Speaker 1: most wonderful bits and pieces of this country. Birthplace of 63 00:04:32,276 --> 00:04:35,556 Speaker 1: the Civil Rights Movement, Janelle Manet in Wonderland, and Gucci 64 00:04:35,636 --> 00:04:38,436 Speaker 1: Mane and Migos, and basically half the entire hip hop 65 00:04:38,476 --> 00:04:43,236 Speaker 1: world CNN, Jimmy Carter, Stacy Abrams, the best Indian food 66 00:04:43,276 --> 00:04:46,516 Speaker 1: in the US outside of Queen's, the Running Oval at 67 00:04:46,516 --> 00:04:49,676 Speaker 1: Piedmont Park, Little Tart bake Shop, I could go on. 68 00:04:50,196 --> 00:04:52,516 Speaker 1: I was once in my favorite coffee shop in Atlanta 69 00:04:52,756 --> 00:04:56,356 Speaker 1: and realized that around me were a rock band writing lyrics, 70 00:04:56,516 --> 00:04:59,356 Speaker 1: a couple of folks having a Bible study, someone from 71 00:04:59,356 --> 00:05:02,836 Speaker 1: the Mayor's office, and a handful of moms with kids, 72 00:05:02,876 --> 00:05:06,996 Speaker 1: all representing, by my count at least six different ethnicities 73 00:05:07,196 --> 00:05:11,036 Speaker 1: and an age range of maybe seventy. How beautiful is that? 74 00:05:12,116 --> 00:05:14,836 Speaker 1: I love Atlanta? And I thought that if I set 75 00:05:14,916 --> 00:05:18,956 Speaker 1: a TV series in Atlanta and somehow magically it got made, 76 00:05:19,116 --> 00:05:21,996 Speaker 1: then I'd have an excuse to go there all the time. 77 00:05:26,236 --> 00:05:32,276 Speaker 3: How have you been, I'm recovering getting there. I've spent 78 00:05:32,436 --> 00:05:37,156 Speaker 3: seven years buried away day and night. Then one day 79 00:05:37,316 --> 00:05:43,316 Speaker 3: it's over. It's almost like I got a divorce. I'll 80 00:05:43,316 --> 00:05:44,556 Speaker 3: tell you the whole story someday. 81 00:05:45,876 --> 00:05:51,516 Speaker 2: I already know Jesus, I will always watch out for you, my. 82 00:05:51,516 --> 00:05:56,316 Speaker 1: Dear, remember that by the way to break in here. 83 00:05:56,796 --> 00:05:59,716 Speaker 1: This is an allusion to the dark mystery at the 84 00:05:59,716 --> 00:06:00,556 Speaker 1: heart of the story. 85 00:06:01,796 --> 00:06:07,276 Speaker 2: She reaches over and grasps Angela's hand briefly. Ingred is 86 00:06:07,316 --> 00:06:11,836 Speaker 2: not one for prolonged displays of a mother. The two 87 00:06:11,836 --> 00:06:16,716 Speaker 2: of them sit in companionable silence from Grant Park, the 88 00:06:16,756 --> 00:06:23,956 Speaker 2: grittiness of the old fourth ward, finally regal Druid Hills, 89 00:06:25,036 --> 00:06:30,796 Speaker 2: leafy streets, turn of the Sentry Mansions. Ingrid is now 90 00:06:30,836 --> 00:06:33,996 Speaker 2: back to her church lady routine, adjusting her hair in 91 00:06:34,036 --> 00:06:39,156 Speaker 2: the visor mirror, subject closed, we see a big sign 92 00:06:39,756 --> 00:06:45,596 Speaker 2: Emory University Hospital. Angela heads toward the main entrance. Ingrid 93 00:06:45,636 --> 00:06:48,996 Speaker 2: shakes her head. Angela keeps driving around to the loading 94 00:06:49,036 --> 00:06:53,316 Speaker 2: docks at the back. Ingrid smiles at Angela touches her 95 00:06:53,436 --> 00:06:58,316 Speaker 2: arm affectionately as she exits the car. There's something so 96 00:06:58,476 --> 00:07:01,396 Speaker 2: ostentatious about the front door, don't you think? 97 00:07:03,596 --> 00:07:08,036 Speaker 1: Our hero Angela Nation and her mysterious sidekick Ingrid James 98 00:07:08,396 --> 00:07:11,876 Speaker 1: are brilliant scientists on the faculty of the Medical Center 99 00:07:12,316 --> 00:07:16,516 Speaker 1: at Emory University, hence the title Druwood Hills. That's the 100 00:07:16,516 --> 00:07:20,796 Speaker 1: neighborhood in Atlanta, where Emory is now. You may have 101 00:07:20,876 --> 00:07:24,116 Speaker 1: noticed that Emory University is the sponsor of this bonus 102 00:07:24,116 --> 00:07:27,836 Speaker 1: episode of our Visionist History. Emory came to us and 103 00:07:27,876 --> 00:07:29,516 Speaker 1: asked if they could talk about some of the work 104 00:07:29,516 --> 00:07:32,996 Speaker 1: they've been doing during the pandemic. And it's super interesting, 105 00:07:33,076 --> 00:07:35,516 Speaker 1: as you'll hear in a moment. But the offer made 106 00:07:35,516 --> 00:07:41,276 Speaker 1: me happy for more selfish reasons as well. The first 107 00:07:41,276 --> 00:07:44,636 Speaker 1: time I went to Atlanta nearly thirty years ago was 108 00:07:44,636 --> 00:07:47,356 Speaker 1: to visit Emory. I was a science reporter back then 109 00:07:47,396 --> 00:07:50,676 Speaker 1: for the Washington Post, and if you write about American medicine, 110 00:07:50,836 --> 00:07:55,676 Speaker 1: you eventually make the pilgrimage to Emory. Emory is how 111 00:07:55,676 --> 00:07:59,916 Speaker 1: I got obsessed with Atlanta. My disaster of a screenplay 112 00:08:00,196 --> 00:08:03,236 Speaker 1: was a medical mystery set at Emory. I mean, what 113 00:08:03,316 --> 00:08:06,436 Speaker 1: are the odds? How often does life come together so 114 00:08:06,636 --> 00:08:11,036 Speaker 1: beautifully and serendipitously under the sacred umbrella of the four 115 00:08:11,116 --> 00:08:15,036 Speaker 1: h four area code. See here we are Revisionist History 116 00:08:15,236 --> 00:08:23,436 Speaker 1: Bonus Holiday Atlanta Addition Part one. All Right, before we 117 00:08:23,476 --> 00:08:26,156 Speaker 1: go any further, I want to explain why Emory is 118 00:08:26,196 --> 00:08:29,836 Speaker 1: such a magical place for people interested in medicine. 119 00:08:30,356 --> 00:08:33,796 Speaker 5: Healthcare has been part of Emory since the campus moved 120 00:08:33,836 --> 00:08:39,196 Speaker 5: from a small town east of Atlanta to Atlanta in 121 00:08:39,396 --> 00:08:43,236 Speaker 5: about nineteen fifteen, and at that point the Atlanta Medical 122 00:08:43,276 --> 00:08:46,836 Speaker 5: College became part of Emory University as a school of Medicine. 123 00:08:47,236 --> 00:08:50,036 Speaker 1: This is Greg Fenvis, the university's president. 124 00:08:50,556 --> 00:08:53,756 Speaker 5: A decade or so after that. One of the most 125 00:08:53,796 --> 00:08:58,756 Speaker 5: important benefactors for Emory University Robert W. Woodruff. 126 00:08:58,996 --> 00:09:00,596 Speaker 1: He's the Coca Cola guy, right. 127 00:09:00,516 --> 00:09:05,516 Speaker 5: He is the legendary CEO of Coca Cola. But mister Woodruff, 128 00:09:05,516 --> 00:09:08,836 Speaker 5: as we call him here at Emory, loved the rural 129 00:09:08,876 --> 00:09:13,676 Speaker 5: areas in his ranch in South Georgia. Malaria was a 130 00:09:13,756 --> 00:09:17,956 Speaker 5: huge problem, and so Georgia as a state was one 131 00:09:17,996 --> 00:09:22,356 Speaker 5: of the leaders in developing treatments for malaria in the 132 00:09:23,196 --> 00:09:27,756 Speaker 5: early part of the twentieth century. Years later, after World 133 00:09:27,756 --> 00:09:32,516 Speaker 5: War Two, mister Woodroffe was very good friends with Dwight D. Eisenhower. 134 00:09:33,276 --> 00:09:35,676 Speaker 5: Malary had been a big problem in World War Two 135 00:09:35,756 --> 00:09:40,116 Speaker 5: that Eisenhower had had to deal with, and so the 136 00:09:40,156 --> 00:09:45,196 Speaker 5: federal government wanted to establish a research center to solve malaria, 137 00:09:45,276 --> 00:09:49,676 Speaker 5: treat malaria, prevent malaria, and mister Woodroff, through his friendship 138 00:09:49,716 --> 00:09:55,356 Speaker 5: with President Eisenhower had it located on Emory property, which 139 00:09:55,396 --> 00:09:58,956 Speaker 5: became the Center for Disease Control and Prevention that is 140 00:09:59,036 --> 00:10:02,076 Speaker 5: now not only across the street, it's actually on the 141 00:10:02,116 --> 00:10:08,356 Speaker 5: Emory campus. And so that relationship between Emory It's School 142 00:10:08,396 --> 00:10:13,156 Speaker 5: of Medicine and focus on infectious diseases, and the CDC 143 00:10:13,236 --> 00:10:16,116 Speaker 5: has been very, very close since World War Two. 144 00:10:16,876 --> 00:10:19,596 Speaker 1: One of the heroes of the AIDS epidemic was Jim Curran, 145 00:10:19,956 --> 00:10:22,556 Speaker 1: head of the CDC in the nineteen eighties. He's now 146 00:10:22,556 --> 00:10:25,356 Speaker 1: the dean of the Public Health School at Emory. Emory 147 00:10:25,436 --> 00:10:27,836 Speaker 1: was where one of the most important drugs against HIV 148 00:10:28,356 --> 00:10:31,956 Speaker 1: M treva was discovered. When the American medical workers who 149 00:10:31,996 --> 00:10:34,476 Speaker 1: had fallen ill with ebola in Africa a few years 150 00:10:34,516 --> 00:10:37,516 Speaker 1: ago came home to be treated, where did they go 151 00:10:38,236 --> 00:10:41,196 Speaker 1: Emory because Emory was one of the few places set 152 00:10:41,236 --> 00:10:44,276 Speaker 1: up in this country to treat them. Tucked away in 153 00:10:44,356 --> 00:10:48,036 Speaker 1: Druid Hills is a really remarkable place that has played 154 00:10:48,036 --> 00:10:51,196 Speaker 1: a key role in our understanding of infectious diseases for 155 00:10:51,316 --> 00:10:54,476 Speaker 1: seventy five years, which is something to be grateful for, 156 00:10:55,236 --> 00:10:59,076 Speaker 1: especially now. My favorite part of Emory is the Yerkees 157 00:10:59,196 --> 00:11:02,636 Speaker 1: National Primate Research Center, one of the oldest and biggest 158 00:11:02,796 --> 00:11:06,556 Speaker 1: non human research centers in the country. Three thousand non 159 00:11:06,636 --> 00:11:11,676 Speaker 1: human primates and eight thousand rodents eight thousand. Do you 160 00:11:11,716 --> 00:11:14,236 Speaker 1: know what the plot of my screenplay was. Our hero 161 00:11:14,396 --> 00:11:18,476 Speaker 1: Angela was testing an experimental drug for Huntington's disease on 162 00:11:18,556 --> 00:11:22,396 Speaker 1: a specially engineered strain of mice created by her boss, 163 00:11:22,956 --> 00:11:27,876 Speaker 1: Rajen at the Yerkie Center. The whole story was about mice. 164 00:11:29,236 --> 00:11:29,756 Speaker 3: And this. 165 00:11:31,276 --> 00:11:33,436 Speaker 2: Angela opens and adjoining door. 166 00:11:33,956 --> 00:11:36,356 Speaker 3: Is where Rajon keeps his mice. 167 00:11:36,796 --> 00:11:41,596 Speaker 2: In metal cages. We see mouse after mouse, dozens of them, 168 00:11:41,636 --> 00:11:46,756 Speaker 2: moving like old men. Rajon's Huntington's mice. The air is 169 00:11:46,836 --> 00:11:49,236 Speaker 2: filled with a sound of feeble squeaks. 170 00:11:49,956 --> 00:11:52,156 Speaker 3: Rajon is much better with mice than people. 171 00:11:56,236 --> 00:11:58,556 Speaker 1: If there is anyone out there in Movieland who is 172 00:11:58,596 --> 00:12:02,036 Speaker 1: interested in a screenplay about two black women from Atlanta 173 00:12:02,276 --> 00:12:04,796 Speaker 1: trying to cure a deadly disease co starring a room 174 00:12:04,836 --> 00:12:07,716 Speaker 1: full of specially engineered lab mice at the Yerkei Center, 175 00:12:08,356 --> 00:12:14,516 Speaker 1: call me let's make this happen. Okay, Time for the 176 00:12:14,556 --> 00:12:18,956 Speaker 1: listener mailbag. Ryan am asks, if you could have dinner 177 00:12:18,996 --> 00:12:21,716 Speaker 1: with any three people from history, who would they be 178 00:12:21,836 --> 00:12:25,996 Speaker 1: and why I think it would be my great grandmother's. 179 00:12:26,516 --> 00:12:29,356 Speaker 1: I only met one of them, Martha Nation, a very 180 00:12:29,396 --> 00:12:32,036 Speaker 1: regal Jamaican lady who when she died in her late 181 00:12:32,116 --> 00:12:35,276 Speaker 1: nineties had just a few strands of gray hair. She 182 00:12:35,436 --> 00:12:38,876 Speaker 1: was the embodiment of black Don't Crack. But I never 183 00:12:38,916 --> 00:12:43,076 Speaker 1: met the other three. How great would that be? Here's 184 00:12:43,076 --> 00:12:46,876 Speaker 1: a comment from a listener on iTunes, DC Commute. You 185 00:12:46,916 --> 00:12:50,956 Speaker 1: know I read the comments right. DC Commute says, I 186 00:12:50,996 --> 00:12:54,796 Speaker 1: think you should revisit The Obscure Virus Club, Season four, 187 00:12:55,156 --> 00:12:59,676 Speaker 1: episode ten. The recent success of vaccine development stands on 188 00:12:59,756 --> 00:13:03,156 Speaker 1: the shoulders of giants. This is actually a great point 189 00:13:03,276 --> 00:13:07,156 Speaker 1: and it deserves a long answer. Obscure Virus Club, if 190 00:13:07,196 --> 00:13:09,716 Speaker 1: you haven't listened to it was about all group of 191 00:13:09,796 --> 00:13:13,836 Speaker 1: virologists who spent years and years in a scientific wilderness 192 00:13:14,236 --> 00:13:17,276 Speaker 1: studying a group of weird animal viruses that no one 193 00:13:17,276 --> 00:13:22,916 Speaker 1: else thought were even remotely meaningful. They were ridiculed, ostracized. 194 00:13:23,396 --> 00:13:26,276 Speaker 1: Then one day all those naysayers woke up and realized, oh, 195 00:13:27,196 --> 00:13:30,276 Speaker 1: the work these people were doing, often the shadows is 196 00:13:30,316 --> 00:13:32,316 Speaker 1: going to save the world. And if you want to 197 00:13:32,356 --> 00:13:34,836 Speaker 1: know how the Obscure Virus Club saved the world, you'll 198 00:13:34,836 --> 00:13:36,916 Speaker 1: have to listen to the episode because I don't want 199 00:13:36,916 --> 00:13:39,836 Speaker 1: to give away the ending. The point of the episode 200 00:13:39,876 --> 00:13:45,036 Speaker 1: was that's how science works. Everything important and beautiful begins 201 00:13:45,156 --> 00:13:49,076 Speaker 1: years and years earlier with someone's quixotic obsession. And so 202 00:13:49,196 --> 00:13:52,836 Speaker 1: thanks for your comment, DC Commute. This is absolutely the 203 00:13:52,916 --> 00:13:56,476 Speaker 1: case with COVID vaccines as well. There are countless examples. 204 00:13:56,716 --> 00:13:59,636 Speaker 1: But since we're telling Emory stories, let me pick one 205 00:13:59,676 --> 00:14:02,956 Speaker 1: from one of their scientists, a guy named Rama Amara, 206 00:14:03,236 --> 00:14:06,756 Speaker 1: who is so obscure Virus Club. In his case, his 207 00:14:06,796 --> 00:14:10,676 Speaker 1: obsession was with something called the envy a vaccine. This 208 00:14:10,756 --> 00:14:14,156 Speaker 1: is a vaccine made from the pox virus family. A 209 00:14:14,236 --> 00:14:16,916 Speaker 1: version of it has been used as a vaccine against smallpox. 210 00:14:17,636 --> 00:14:20,196 Speaker 1: It's been tweaked so that it can't cause disease anymore, 211 00:14:20,396 --> 00:14:24,236 Speaker 1: but because it still resembles something menacing, the immune system 212 00:14:24,276 --> 00:14:26,476 Speaker 1: goes on high alert the minute it comes across it. 213 00:14:27,116 --> 00:14:29,916 Speaker 1: And the theory that scientists like Amara had was that 214 00:14:29,996 --> 00:14:33,916 Speaker 1: if you tinkered with MVA and customized it, you could 215 00:14:33,916 --> 00:14:38,156 Speaker 1: produce an immune response against other deadly infectious diseases. 216 00:14:38,596 --> 00:14:42,876 Speaker 6: I was working on tuberculosis vaccines and I used to 217 00:14:42,916 --> 00:14:48,956 Speaker 6: go to TV sanitoria to collect samples from TV patients. 218 00:14:49,996 --> 00:14:53,036 Speaker 6: That's when I started seeing HIV infection. 219 00:14:53,476 --> 00:14:55,436 Speaker 1: That's amara So then. 220 00:14:55,556 --> 00:15:00,476 Speaker 6: I developed interest in also developing a HIV vaccine. That's 221 00:15:00,516 --> 00:15:02,436 Speaker 6: how I came to Emory to. 222 00:15:02,396 --> 00:15:05,476 Speaker 1: Work on that problem. He moves to Atlanta to Emory, 223 00:15:05,996 --> 00:15:08,596 Speaker 1: and just to put this in perspective, he moves to 224 00:15:08,636 --> 00:15:12,316 Speaker 1: Atlanta in the year two thousand. So for twenty years 225 00:15:12,476 --> 00:15:15,276 Speaker 1: his lab works on the problem, learning everything they can 226 00:15:15,516 --> 00:15:19,996 Speaker 1: about how this particular vaccine, emery MVA, interacts with the 227 00:15:20,036 --> 00:15:23,356 Speaker 1: body's immune system. You've been working on this vaccine for 228 00:15:24,156 --> 00:15:27,876 Speaker 1: this model for twenty years, as yet nothing had reached 229 00:15:27,876 --> 00:15:32,436 Speaker 1: the market. Did you get discouraged? Did you wonder whether anything, 230 00:15:32,516 --> 00:15:34,316 Speaker 1: whether this research was ever going to bear fruit. 231 00:15:34,756 --> 00:15:38,996 Speaker 6: Personally, I was not, but I have heard a lot 232 00:15:38,996 --> 00:15:42,556 Speaker 6: of times from my friends that you know, this is 233 00:15:42,596 --> 00:15:46,596 Speaker 6: going to be a long road, maybe you should start 234 00:15:46,916 --> 00:15:52,236 Speaker 6: working on other vaccines as well, so that there is 235 00:15:53,156 --> 00:15:56,796 Speaker 6: some result at the end. So I was never going 236 00:15:56,876 --> 00:16:02,276 Speaker 6: to leave the HIV vaccine at foot, but I did 237 00:16:02,676 --> 00:16:07,636 Speaker 6: think about branching into other vaccines as well. So I 238 00:16:07,876 --> 00:16:12,316 Speaker 6: was thinking too. We started actually working on vaccines for 239 00:16:12,396 --> 00:16:16,356 Speaker 6: TB so that was that's where I started it's again 240 00:16:16,436 --> 00:16:17,236 Speaker 6: a hard target. 241 00:16:17,436 --> 00:16:21,596 Speaker 1: So you picked two of the toughest targets out there. Yes, 242 00:16:21,796 --> 00:16:24,476 Speaker 1: you're someone with a you're a glutton for punishment. 243 00:16:25,076 --> 00:16:30,756 Speaker 6: That's true. So but I wanted to tackle something really challenging. 244 00:16:31,396 --> 00:16:34,436 Speaker 1: And then what happens and we had. 245 00:16:34,316 --> 00:16:37,916 Speaker 6: A meeting in the center at the Erkes Primate Center, 246 00:16:38,036 --> 00:16:42,036 Speaker 6: and all our colleagues got together and we were talking 247 00:16:42,036 --> 00:16:45,156 Speaker 6: about what we should be doing. I think that was 248 00:16:45,476 --> 00:16:49,156 Speaker 6: towards the end of February or beginning of March. I 249 00:16:49,156 --> 00:16:54,836 Speaker 6: think then at that point it, you know, I came 250 00:16:54,916 --> 00:16:58,836 Speaker 6: back to my lab from the meeting. Then I was 251 00:16:58,876 --> 00:17:03,116 Speaker 6: discussing with my people. You know, it would be good 252 00:17:03,116 --> 00:17:06,756 Speaker 6: to make a vaccine, but do you think we have 253 00:17:08,196 --> 00:17:11,676 Speaker 6: the band right now? And then they all said no, no, no, 254 00:17:11,756 --> 00:17:14,196 Speaker 6: we really want to do it, and they're also excited. 255 00:17:15,276 --> 00:17:18,236 Speaker 6: Everybody wanted to do it, so that gave me a 256 00:17:18,276 --> 00:17:22,596 Speaker 6: lot of push and then I decided that we should 257 00:17:22,636 --> 00:17:23,996 Speaker 6: do one. We should make one. 258 00:17:24,196 --> 00:17:27,116 Speaker 1: And what the idea was that if you'd made such 259 00:17:27,196 --> 00:17:31,956 Speaker 1: progress against HIV and HIV is much harder target, the 260 00:17:32,076 --> 00:17:34,276 Speaker 1: notion was, well, we should be able to make really 261 00:17:34,276 --> 00:17:36,356 Speaker 1: good inroads against COVID. Was that the thinking. 262 00:17:36,556 --> 00:17:39,436 Speaker 6: Yes, that's the thinking. 263 00:17:40,236 --> 00:17:43,036 Speaker 1: HIV is hard to make a vaccine against because it 264 00:17:43,156 --> 00:17:46,316 Speaker 1: mutates like crazy, So you have to design a vaccine 265 00:17:46,356 --> 00:17:50,636 Speaker 1: that can handle all these constant changes. And HIV integrates 266 00:17:50,676 --> 00:17:53,876 Speaker 1: into your body's DNA, it literally becomes part of you. 267 00:17:54,476 --> 00:17:58,276 Speaker 1: HIV is mount Everest. Then COVID comes along and it 268 00:17:58,316 --> 00:18:01,396 Speaker 1: doesn't mutate as much, doesn't hide in your DNA, and 269 00:18:01,476 --> 00:18:04,836 Speaker 1: Amara realizes, I can make my vaccine climb that mountain. 270 00:18:05,516 --> 00:18:09,756 Speaker 1: Had you not done those two decades of prepper work, 271 00:18:10,116 --> 00:18:12,076 Speaker 1: you would not have been in a position to jump on. 272 00:18:12,556 --> 00:18:16,156 Speaker 1: You wouldn't know whether MVA was a safe and effective 273 00:18:16,236 --> 00:18:18,716 Speaker 1: vehicle for COVID. If you hadn't done all of that 274 00:18:18,836 --> 00:18:19,756 Speaker 1: preparatory work with. 275 00:18:19,836 --> 00:18:23,636 Speaker 6: HIVA, no, I would not have any clue. 276 00:18:23,916 --> 00:18:26,716 Speaker 1: Now, will the Emory MVA vaccine turn out to be 277 00:18:26,796 --> 00:18:30,716 Speaker 1: effective against COVID? We don't know yet. It's still being tested. 278 00:18:31,076 --> 00:18:34,516 Speaker 1: At best, it's a second generation vaccine after the first 279 00:18:34,516 --> 00:18:37,916 Speaker 1: wave of vaccines that were created in record time. But 280 00:18:38,116 --> 00:18:41,956 Speaker 1: if the Emory vaccine works, it will be a crucial addition. 281 00:18:42,556 --> 00:18:45,836 Speaker 1: The first wave vaccines are all super specific. They work 282 00:18:45,876 --> 00:18:49,916 Speaker 1: against COVID nineteen. This COVID, the Emory MVA vaccine would 283 00:18:49,956 --> 00:18:53,636 Speaker 1: be different because it triggers a much broader immune response. 284 00:18:54,196 --> 00:18:56,916 Speaker 1: It could work against news strains of COVID. It could 285 00:18:56,996 --> 00:19:00,436 Speaker 1: conceivably be used as a booster to extend your initial 286 00:19:00,516 --> 00:19:05,036 Speaker 1: vaccine immunity. Here's my point. The lone success story in 287 00:19:05,076 --> 00:19:08,396 Speaker 1: the pandemic thus far has been medical science. We have 288 00:19:08,516 --> 00:19:11,916 Speaker 1: vaccines available just over a year after the pandemic started. 289 00:19:12,276 --> 00:19:15,156 Speaker 1: That's bananas. But we shouldn't draw the lesson from this 290 00:19:15,476 --> 00:19:19,516 Speaker 1: that science is fast. Science only looks fast. It's actually 291 00:19:19,596 --> 00:19:23,716 Speaker 1: really slow. The quote unquote sudden development usually has twenty 292 00:19:23,756 --> 00:19:26,356 Speaker 1: years of work behind it, and you can't order up 293 00:19:26,436 --> 00:19:29,996 Speaker 1: progress because sometimes the magic happens only at the end 294 00:19:30,276 --> 00:19:33,596 Speaker 1: of a wandering, serendipitous journey that may have looked like 295 00:19:33,676 --> 00:19:36,956 Speaker 1: folly before it became a success. And what all this 296 00:19:37,076 --> 00:19:40,316 Speaker 1: means is that progress doesn't come from ideas. It comes 297 00:19:40,316 --> 00:19:43,996 Speaker 1: from places where smart people have the time and freedom 298 00:19:44,236 --> 00:19:48,116 Speaker 1: to wander around and make mistakes and pursue interesting ideas 299 00:19:48,476 --> 00:19:51,076 Speaker 1: that one day may end up saving your life. Well, 300 00:19:51,076 --> 00:19:54,636 Speaker 1: thank you so much and good luck, Thank you much. 301 00:19:54,636 --> 00:19:55,516 Speaker 1: We're all cheering for you. 302 00:19:55,956 --> 00:19:57,116 Speaker 6: Thank you, thank you very much. 303 00:19:57,116 --> 00:20:17,316 Speaker 1: Okay, we're back with more of your insightful listener questions. 304 00:20:18,916 --> 00:20:25,556 Speaker 1: Marianna Missic at Mariana Missic writes, do you actually watch Friends? 305 00:20:26,436 --> 00:20:28,956 Speaker 1: This is actually a question related to my book Talking 306 00:20:28,956 --> 00:20:32,476 Speaker 1: to Strangers, which had an entire chapter on friends. And 307 00:20:33,076 --> 00:20:36,436 Speaker 1: in answer to the question, of course I do. And 308 00:20:36,476 --> 00:20:38,316 Speaker 1: while we're on the subject of friends, let me tell 309 00:20:38,356 --> 00:20:41,996 Speaker 1: you the following true story. Now you need to know 310 00:20:42,036 --> 00:20:44,996 Speaker 1: something about me before I start. I'm not good with faces. 311 00:20:45,556 --> 00:20:48,356 Speaker 1: I usually identify people by the way they walk or 312 00:20:48,396 --> 00:20:51,676 Speaker 1: how they dress. So this is years ago. I'm in 313 00:20:51,716 --> 00:20:54,996 Speaker 1: a coffee shop in Miami, working away. Woman sits down 314 00:20:55,076 --> 00:20:58,716 Speaker 1: next to me, leans over and says, super friendly, Hey, 315 00:20:59,396 --> 00:21:02,236 Speaker 1: what's that you're eating? Is that good? And I'm working 316 00:21:02,756 --> 00:21:05,676 Speaker 1: so I kind of grunt and ignore her. Five minutes 317 00:21:05,716 --> 00:21:09,956 Speaker 1: past and I think, you know, she was really attractive. 318 00:21:10,876 --> 00:21:14,436 Speaker 1: Five more minutes past, and I think you know, she 319 00:21:14,556 --> 00:21:18,916 Speaker 1: looked really familiar. Five more minutes past and I'm like, 320 00:21:19,196 --> 00:21:25,036 Speaker 1: oh my god, Jennifer Aniston. By that time she was gone. 321 00:21:25,276 --> 00:21:31,196 Speaker 1: My big chance at tabloid immortality, and I blew it. Next. 322 00:21:31,556 --> 00:21:37,156 Speaker 1: Courtney Miller at co A, Miller asks, is Canada better 323 00:21:37,196 --> 00:21:41,396 Speaker 1: than America? Is even a question I actually thought of? 324 00:21:41,396 --> 00:21:43,836 Speaker 1: This a lot this past summer, during all the George 325 00:21:43,876 --> 00:21:47,996 Speaker 1: Floyd protests. You know how police departments all have slogans. 326 00:21:48,396 --> 00:21:52,196 Speaker 1: In Los Angeles, the LAPD motto is to protect and 327 00:21:52,236 --> 00:21:56,716 Speaker 1: to serve. In New York City it's fidelis ad mortem, 328 00:21:56,716 --> 00:22:00,276 Speaker 1: faithful unto death. You know what it is in my 329 00:22:00,356 --> 00:22:05,436 Speaker 1: hometown in Ontario, people helping people. Now, I don't want 330 00:22:05,436 --> 00:22:08,036 Speaker 1: to read too much into the meaning of mottoes, but 331 00:22:08,076 --> 00:22:11,076 Speaker 1: if you live in a society struggling with persistent problems 332 00:22:11,076 --> 00:22:14,556 Speaker 1: of police violence, would you be happier with the police 333 00:22:14,556 --> 00:22:18,076 Speaker 1: department that thinks of itself as a quasi military force 334 00:22:18,436 --> 00:22:21,996 Speaker 1: engaged in life or desk struggles, or one that chooses 335 00:22:22,036 --> 00:22:27,036 Speaker 1: to self identify as people helping people. I don't know. 336 00:22:28,716 --> 00:22:33,476 Speaker 1: Mitch at Papa MITCHI asks who's smarter, you or Michael 337 00:22:33,516 --> 00:22:37,156 Speaker 1: Lewis Michael is. It's not even close. Let's put it 338 00:22:37,156 --> 00:22:39,716 Speaker 1: this way. If you said to me, would I trade 339 00:22:39,796 --> 00:22:42,756 Speaker 1: Michael's literary output for my own? Would I do it? 340 00:22:42,956 --> 00:22:45,676 Speaker 1: And the answer is in a heartbeat, I actually think 341 00:22:45,836 --> 00:22:48,836 Speaker 1: that The blind Side is a perfect book. I would 342 00:22:48,876 --> 00:22:52,836 Speaker 1: have retired after writing that and his podcast Against the Rules, 343 00:22:53,276 --> 00:22:56,276 Speaker 1: which he does for pushkin, I might add, is so good. 344 00:22:58,196 --> 00:23:00,396 Speaker 1: This is actually a great time for me to give 345 00:23:00,436 --> 00:23:04,636 Speaker 1: you my grand unified theory of Michael Lewis. Ready, it's 346 00:23:04,716 --> 00:23:08,396 Speaker 1: that virtually every one of his books is a biblical allegory. 347 00:23:08,716 --> 00:23:14,116 Speaker 1: It's why they strike such a chord. So Liar's Poker, 348 00:23:14,276 --> 00:23:16,996 Speaker 1: his book about being a young naive college grad in 349 00:23:17,036 --> 00:23:20,476 Speaker 1: the heart of a hostile Wall Street bank. That's Daniel 350 00:23:20,516 --> 00:23:23,836 Speaker 1: in the Lionstan The blind Side is Easy. A couple 351 00:23:23,916 --> 00:23:27,396 Speaker 1: rescues a young boy literally as he is walking alone 352 00:23:27,436 --> 00:23:30,156 Speaker 1: and neglected by the side of the road. That's the 353 00:23:30,156 --> 00:23:33,956 Speaker 1: Good Samaritan Flashboys, his book about a group of people 354 00:23:33,996 --> 00:23:36,796 Speaker 1: trying to clean up crooked trading on Wall Street. That's 355 00:23:36,916 --> 00:23:40,116 Speaker 1: Jesus and the money Changers. My father's temple is a 356 00:23:40,156 --> 00:23:42,196 Speaker 1: house of prayer. You have turned it into a nest 357 00:23:42,196 --> 00:23:46,156 Speaker 1: of thieves. Moneyball, which is about a group of baseball 358 00:23:46,196 --> 00:23:50,236 Speaker 1: executives finding value in a group of players others have overlooked. 359 00:23:50,516 --> 00:23:53,916 Speaker 1: I mean, come on, that's Jesus and Mary Magdalen, the 360 00:23:53,996 --> 00:23:58,276 Speaker 1: prostitute and the outcast he drafts onto his team. Just 361 00:23:58,316 --> 00:24:00,996 Speaker 1: so you know, I once ran this theory by Michael Lewis, 362 00:24:01,236 --> 00:24:08,276 Speaker 1: and he looked at me like I was crazy. This 363 00:24:08,356 --> 00:24:10,116 Speaker 1: next one is actually more of a comment than a 364 00:24:10,236 --> 00:24:15,796 Speaker 1: question from Ryan x J nine hundred on iTunes boring 365 00:24:16,116 --> 00:24:21,276 Speaker 1: two stars. I tried, it just didn't interest me. Scroll 366 00:24:21,356 --> 00:24:24,476 Speaker 1: through the episode titles and see for yourself. It's kind 367 00:24:24,476 --> 00:24:30,156 Speaker 1: of random and nothing all too interesting. Mah wait, isn't 368 00:24:30,276 --> 00:24:33,716 Speaker 1: it's kind of random? A compliment I live for kind 369 00:24:33,716 --> 00:24:38,996 Speaker 1: of random, Ryan, dude, lighten up? Okay? Final question from 370 00:24:39,036 --> 00:24:44,436 Speaker 1: Twitter from normal guy one. What show idea that didn't 371 00:24:44,516 --> 00:24:48,356 Speaker 1: make the cut was most surprising? Also? What idea ended 372 00:24:48,396 --> 00:24:54,356 Speaker 1: up being different than expected? Well, it was this, Wait, Casey, 373 00:24:54,516 --> 00:24:56,196 Speaker 1: can you play that song for us? Is it going 374 00:24:56,276 --> 00:24:56,676 Speaker 1: to be two? 375 00:24:56,916 --> 00:25:15,676 Speaker 7: Let's say? Okay, okay, Well we'll see if this happens. 376 00:25:16,396 --> 00:25:23,596 Speaker 8: She grew up playing Calgary girl in Reilroadtown. 377 00:25:23,836 --> 00:25:26,236 Speaker 7: Dream and she'd see oh shoot, hold on. 378 00:25:27,356 --> 00:25:29,516 Speaker 1: I went to Nashville when I was reporting the final 379 00:25:29,556 --> 00:25:32,436 Speaker 1: episode of season three, which may be my favorite ever 380 00:25:32,756 --> 00:25:38,316 Speaker 1: analysis parapraxis Elvis. It's about the one song Elvis couldn't sing, 381 00:25:39,036 --> 00:25:41,436 Speaker 1: and I arranged for a session musician to do a 382 00:25:41,516 --> 00:25:45,156 Speaker 1: version of Elvis's song for me, very straightforward. So this musician, 383 00:25:45,316 --> 00:25:48,956 Speaker 1: Casey Bowles, shows up. We start talking and eventually I 384 00:25:49,076 --> 00:25:52,556 Speaker 1: persuaded her to sing one of her own songs, and 385 00:25:52,556 --> 00:25:55,436 Speaker 1: it's one of the most magical moments I think in 386 00:25:55,596 --> 00:25:57,316 Speaker 1: all of Revision's history. 387 00:25:58,876 --> 00:26:05,876 Speaker 8: Dream and she'd see Hollywood Sunday, she do some distant 388 00:26:06,116 --> 00:26:11,516 Speaker 8: Friday night at just right. 389 00:26:13,316 --> 00:26:14,516 Speaker 4: Fate would come in. 390 00:26:14,596 --> 00:26:16,036 Speaker 1: And carry her away. 391 00:26:20,436 --> 00:26:23,636 Speaker 8: It's far shake cut safe from there. 392 00:26:24,636 --> 00:26:27,556 Speaker 1: I never thought when I started this podcast that it 393 00:26:27,556 --> 00:26:30,916 Speaker 1: would be a way of making friends, but it has. Anyway. 394 00:26:30,996 --> 00:26:33,516 Speaker 1: I've stayed in touch with Casey and she's made some 395 00:26:33,596 --> 00:26:36,716 Speaker 1: new music, including a song for kids called Dare to 396 00:26:36,716 --> 00:26:39,836 Speaker 1: Be Me, which is really really lovely. 397 00:26:44,156 --> 00:26:48,236 Speaker 4: Dare to be Dead to be Dare to be. 398 00:26:51,236 --> 00:26:55,036 Speaker 1: Stay tuned to this feed for another bonus episode because 399 00:26:55,156 --> 00:26:58,596 Speaker 1: I can't quit you, Atlanta, but for now, this is 400 00:26:58,636 --> 00:27:01,996 Speaker 1: what I'd like to leave you with, Casey Bowls, Dare 401 00:27:02,076 --> 00:27:07,716 Speaker 1: to Be Me. Happy Holidays everyone, well of again, said Zaga. 402 00:27:07,796 --> 00:27:08,556 Speaker 3: Back would dance a. 403 00:27:08,596 --> 00:27:14,916 Speaker 8: Roundside of the papering of Lion Anna Scotforto pigeonsality and 404 00:27:15,076 --> 00:27:19,516 Speaker 8: sergic composition, no carbon copy, afta. 405 00:27:19,196 --> 00:27:22,796 Speaker 1: Money relaize my amazing when the speed of a Varri 406 00:27:25,596 --> 00:27:28,996 Speaker 1: Origin's history is produced by Mia Label and Lee m 407 00:27:29,116 --> 00:27:33,836 Speaker 1: Gistu with Jacob Smith, Elouise Linton, Kobe Guildford and Anna 408 00:27:33,916 --> 00:27:38,836 Speaker 1: nim Our. Editor is Julia Barton. Original scoring by Luis Skierra, 409 00:27:39,316 --> 00:27:43,436 Speaker 1: mastering by Flan Williams. Special thanks to the Pushkin Crew 410 00:27:43,876 --> 00:27:48,556 Speaker 1: head Fame Carly Migliori, Maya Knigg, Maggie Taylor, Eric Sandler, 411 00:27:48,916 --> 00:27:54,596 Speaker 1: Jason Gambrel, Emily Rostek and of course el Hafe Jacob Weisberg. 412 00:27:54,996 --> 00:27:58,356 Speaker 1: And special thanks to our actors. Angel Nation was played 413 00:27:58,356 --> 00:28:02,356 Speaker 1: by Miriam Victorias Simmons, Ingrid James and the narrator were 414 00:28:02,396 --> 00:28:05,316 Speaker 1: all played by Anto Jacob, who actually has a short 415 00:28:05,356 --> 00:28:08,076 Speaker 1: film out called Love and Submission which you should look up. 416 00:28:08,436 --> 00:28:14,476 Speaker 1: And finally, extra special things to Emory University Greg Friends, Rama, Amara, 417 00:28:14,796 --> 00:28:18,476 Speaker 1: Robert Goddard and my mysterious behind the scenes friend Dan 418 00:28:18,996 --> 00:28:23,596 Speaker 1: who made this happen. Oh and will someone please buy 419 00:28:23,636 --> 00:28:28,316 Speaker 1: my screenplay please? I'm Malcolm Grado. 420 00:28:42,236 --> 00:28:49,036 Speaker 4: To me, damn, damn to me, damn to me, to me, 421 00:28:50,396 --> 00:29:00,436 Speaker 4: to me, damn to me. 422 00:29:07,516 --> 00:29:16,956 Speaker 2: Interior Doctors, Emory University Hospital Day. An elderly African American 423 00:29:16,996 --> 00:29:22,116 Speaker 2: woman sits alone. Eden Cummings seventy six is dressed as 424 00:29:22,156 --> 00:29:27,396 Speaker 2: if for church, blue dress, pearls, her hair is all gray. 425 00:29:28,556 --> 00:29:34,676 Speaker 2: She's reading Brown Face, Big Master. The door opens in 426 00:29:34,876 --> 00:29:39,556 Speaker 2: walks Angela Nation, reviewing a clipboard in her hand. Nurves, 427 00:29:39,756 --> 00:29:43,156 Speaker 2: can you tell me when the doctor gets here? Angela stops. 428 00:29:43,956 --> 00:29:47,516 Speaker 2: She turns to face Eden, and for a long tense moment, 429 00:29:47,796 --> 00:29:48,876 Speaker 2: their eyes lock. 430 00:29:49,516 --> 00:29:57,276 Speaker 9: They break into peals of laughter. You must get that lot, 431 00:29:58,516 --> 00:29:59,516 Speaker 9: not as much as you do. 432 00:30:00,156 --> 00:30:01,556 Speaker 2: Eden nods her head slowly. 433 00:30:02,396 --> 00:30:03,036 Speaker 3: How is Mike. 434 00:30:03,716 --> 00:30:06,396 Speaker 2: He drove to the supermarket last week and turned left 435 00:30:06,396 --> 00:30:10,076 Speaker 2: out the driveway instead of right. He's made that term 436 00:30:10,116 --> 00:30:13,916 Speaker 2: for forty years. It's time to take away its keys. 437 00:30:14,716 --> 00:30:15,396 Speaker 3: He's eighty four. 438 00:30:15,996 --> 00:30:20,796 Speaker 2: He's eighty four. Angela says nothing. She waits for Eden 439 00:30:20,876 --> 00:30:23,516 Speaker 2: to speak again. Why did you want me to come 440 00:30:23,556 --> 00:30:27,076 Speaker 2: in by myself? Doctor Bennett always had us come in together. 441 00:30:27,756 --> 00:30:29,956 Speaker 3: I know what doctor Cole did, but you're stuck with 442 00:30:30,036 --> 00:30:33,596 Speaker 3: me now. If Mike comes here, the optimologists will get 443 00:30:33,596 --> 00:30:36,596 Speaker 3: all worked up about his glyocoma, give him drops which 444 00:30:36,636 --> 00:30:39,276 Speaker 3: will irritate his eyes, even though he's ten years before 445 00:30:39,316 --> 00:30:42,276 Speaker 3: that becomes a problem. The cardiologists will tell him to 446 00:30:42,356 --> 00:30:44,516 Speaker 3: change his diet and eat things that he's hated his 447 00:30:44,676 --> 00:30:48,516 Speaker 3: entire life, and I'll diagnose him with early stage Alzheimer's, 448 00:30:48,556 --> 00:30:51,156 Speaker 3: which will turn him from a human being into a patient. 449 00:30:51,756 --> 00:30:52,436 Speaker 3: He's eighty four. 450 00:30:53,716 --> 00:30:56,876 Speaker 2: Eden is becoming emotional and trying her best to hide it. 451 00:30:57,316 --> 00:31:00,276 Speaker 2: Angela waits, lets her regain her composure. 452 00:31:00,876 --> 00:31:05,036 Speaker 3: Are the two of you happy eating nods? How are 453 00:31:05,036 --> 00:31:06,956 Speaker 3: the grandkids good? 454 00:31:07,476 --> 00:31:08,516 Speaker 2: Eating nods? 455 00:31:09,356 --> 00:31:12,476 Speaker 3: You don't need me, not yet. 456 00:31:12,956 --> 00:31:15,876 Speaker 2: She escorts Eden to the door, sits back down at 457 00:31:15,876 --> 00:31:19,236 Speaker 2: her desk, takes out an enormous ham sandwich in a 458 00:31:19,276 --> 00:31:23,956 Speaker 2: bag of potato chips, and painstakingly places the contents of 459 00:31:23,996 --> 00:31:30,396 Speaker 2: the bag, chip by chip between the two slices. Then 460 00:31:30,436 --> 00:31:33,556 Speaker 2: she takes out her cellphone, takes a picture of the 461 00:31:33,636 --> 00:31:37,436 Speaker 2: fortified sandwich and posts it to her Instagram