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Speaker 1: Has this been happening?

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Speaker 2: Go ahead?

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Speaker 1: Where so last last record we did, I showed up

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Speaker 1: in the studio. I did not remember how I got

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Speaker 1: there to the studio, to the studio, and it was

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Speaker 1: a different studio, and I don't even I don't know

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Speaker 1: why that was. But it wasn't this room. It was

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Speaker 1: a completely different place. No one explained to me.

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Speaker 2: I didn't know how I got there, didn't know how

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Speaker 2: I got into the room. I was either what you

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Speaker 2: did that studio?

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Speaker 1: No, okay, this one.

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Speaker 2: I have bits and pieces, and I'm actually afraid of

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Speaker 2: recovering the rest of the memory today.

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Speaker 1: You just have bits and piece.

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Speaker 2: I have bits and PA and I and I. Some

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Speaker 2: people will go, oh, don't you like wish that you

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Speaker 2: knew all the details of it? Actually, don't onto, because

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Speaker 2: whatever happened that brought me here was unpleasant.

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Speaker 3: I just watched an HBO Max series called.

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Speaker 4: Curious called The Curious Task Curious Case of And there

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Speaker 4: was a woman who poisoned people with this drug that

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Speaker 4: they've only made in the USSR. You know if you remember, Yeah,

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Speaker 4: and they would forget what happened.

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Speaker 3: She used to kill people, so you might have been poisoned.

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Speaker 2: Okay, was the woman.

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Speaker 3: Well, so it's not her. Oh, I mean you can.

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Speaker 3: You can have a wife that's incarcerated.

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Speaker 1: Oh believe me.

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Speaker 2: I know you know a couple of them, because they

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Speaker 2: don't really compare to No.

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Speaker 3: If there's different jails.

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Speaker 1: Yeah, unless you're like you have to. The challenge is

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Speaker 1: to not be such a good husband that it really

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Speaker 1: like gets around the jewel assistant like that, like the

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Speaker 1: prison system. You know what I mean? Ye that you

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Speaker 1: become like basically famous for being the imagine this.

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Speaker 2: Imagine that everyone that's your goal. But imagine you have

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Speaker 2: two You basically are one of these you know, men

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Speaker 2: with two different families, but you have two different prison lives,

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Speaker 2: and then one of them is getting transferred into the

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Speaker 2: prison that the other one. This is an HBO Max series.

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Speaker 2: I mean really about this? What are we going to do?

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Speaker 2: You know?

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Speaker 4: And the paramount plus Yeah, they.

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Speaker 2: Murder Are you brought it up?

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Speaker 4: Here?

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Speaker 3: We go?

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Speaker 1: No? I was.

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Speaker 2: It was a big debate. So people don't hear before

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Speaker 2: we start recording. It was a big debate are we

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Speaker 2: going to get into it?

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Speaker 4: And I got the emails to saying they would They

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Speaker 4: asked that.

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Speaker 3: We don't do it. This episode but.

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Speaker 2: I can't. I can't be anyone but myself.

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Speaker 1: Yeah, it feels a little weird, you know, like when

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Speaker 1: your friends become friends. Yeah, you know, when you have

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Speaker 1: like your two like well the ones.

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Speaker 2: It's kind of like when your prison wife gets transferred

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Speaker 2: to the same prison. I mean, isn't that a batter example?

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Speaker 2: Where you go, these two are now comparing notes about me.

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Speaker 4: Yeah, now I have to go into that office scrap.

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Speaker 2: I'd like to think I'm the same person no matter

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Speaker 2: who I'm talking to, but the fact is we're in sales. Sales, Yeah, exactly.

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Speaker 2: You're an actor, you're a writer, you're that You're really

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Speaker 2: a salesperson. And I have been known to when I'm

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Speaker 2: in the Warner Brothers office say, those fucking idiots at

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Speaker 2: Paramount don't know their FLBO. They don't know what And

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Speaker 2: then I go over to Paramount and go, you should

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Speaker 2: have heard what Warner Brothers said about you. I said,

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Speaker 2: I stormed out.

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Speaker 1: I said, I won't sell.

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Speaker 2: This show here they wanted it. I said, I won't

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Speaker 2: sell it to you.

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Speaker 1: You talked about my friend.

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Speaker 2: That way, and I love so now they're gonna, yeah,

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Speaker 2: probably find that out.

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Speaker 3: I think that's what they do.

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Speaker 4: First they sit in a room and they're like, all right,

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Speaker 4: spill who's talked about us?

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Speaker 1: Let's tire from the things you use?

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Speaker 3: Which one of your friends has talked about us?

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Speaker 2: That's tea.

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Speaker 1: My thing is to the fobs work, you know, that's

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Speaker 1: the question for me if I if I beat my

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Speaker 1: paramount fob, does does the gate open for me? Can

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Speaker 1: I get into you b with like with this other fob.

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Speaker 2: That's been really frustrating? Are you double fobbed over there?

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Speaker 1: Yeah?

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Speaker 3: Well they're both blue.

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Speaker 2: Yeah, this is my fusing Huh.

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Speaker 1: This is my basin set of keys. So when I'm

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Speaker 1: in the basin like this gets me into the basin studios,

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Speaker 1: when I'm in the valley valley fobs.

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Speaker 3: Well, how can you tell the difference?

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Speaker 2: I don't think colors?

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Speaker 1: Well, no, this is my this is my base intet

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Speaker 1: of blue. So these are blue.

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Speaker 3: But if they're but they're different fobs.

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Speaker 1: Yeah, my valley fobs. Yeah that was Yeah.

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Speaker 2: I just got the one blue.

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Speaker 3: Black black fos and obviously.

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Speaker 2: Yeah, h.

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Speaker 3: Cecily, we got we.

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Speaker 2: We gotta fix. Have you seen the news at all?

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Speaker 1: The news is so crazy.

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Speaker 3: It's crazy out there. Everything going on.

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Speaker 2: I've been, tell me I've been this exact, don't even

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Speaker 2: tell me. Right then, I still got to do a job.

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Speaker 2: I still got to go, So I'm still a salesperson.

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Speaker 2: I gotta keep I gotta keep a smile on my face.

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Speaker 1: And this is not a political show, not traditionally. This

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Speaker 1: is a place where people can get away from.

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Speaker 2: The We don't take a position like you guys dead

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Speaker 2: this person Spencer.

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Speaker 1: Because he stands outside of that.

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Speaker 4: He's one of us, honestly.

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Speaker 1: That's right.

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Speaker 2: But he's not corrupted by all the you know, horse

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Speaker 2: trading that goes on in these political rooms. He's just

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Speaker 2: the guy who just basically tells it like it is.

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Speaker 3: Married a talented singer and.

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Speaker 1: Yeah, even under that mask, do you believe it? And

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Speaker 1: I knew it was well.

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Speaker 2: I mean he's a musician in his own right. I

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Speaker 2: don't know if you were tall, but yeah, he had

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Speaker 2: a rap single.

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Speaker 4: Wait do you have that track?

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Speaker 1: Do you can you.

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Speaker 2: Play on I'm a Celebrity, Get Me out of Here?

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Speaker 2: By Spencer Pratt, Specifically the line where he says this

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Speaker 2: is ringtone rap, because that's a bar and it doesn't

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Speaker 2: hold up today, but at the time, ringtone rap was.

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Speaker 1: Yeah, yeah, and so we know we don't want to

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Speaker 1: weigh in on this stuff never like this is good,

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Speaker 1: that is bad. Never, but it's really bad. But we

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Speaker 1: can agree that it's crazy. It's so crazy.

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Speaker 3: I'm with you, Yeah, too crazy for me.

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Speaker 2: Who's going to solve it?

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Speaker 3: I'm on threads, I'm looking at it.

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Speaker 1: You're putting in work on threads. Yeah, your miner's helmet.

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Speaker 2: The thread count is high. Egyptian cotton is looking up

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Speaker 2: at you.

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Speaker 4: Like that's done that yet?

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Speaker 1: Thanks?

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Speaker 2: Yeah, thank you.

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Speaker 1: But when we go back and we think, like, what happened?

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Speaker 1: When did this all get so crazy? What was actually

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Speaker 1: the last thing that was kind of like holding it

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Speaker 1: all together before it all went sideways? Mm hmm.

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Speaker 3: Are you asking me what what my point is?

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Speaker 1: He's saying when he looks at it, When I look

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Speaker 1: at this and I actually did research and I look

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Speaker 1: back and I was like, and did all this start?

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Speaker 3: Yeah?

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Speaker 1: It was after Cecily Strung hosts What House Correspondence dinner?

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Speaker 2: Doesn't it feel that way?

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Speaker 3: My god?

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Speaker 2: If we really twenty three yeah right, and look at

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Speaker 2: the timing of that.

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Speaker 1: Next year, Cecily Strung does not host What House Correspondent dinner.

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Speaker 1: Everything is crazy.

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Speaker 2: Everything gets nuts a year after that. Not good, not

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Speaker 2: bad necessarily, but very crazy.

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Speaker 1: Yeah right, cesysl String does not host What House correspondents

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Speaker 1: in twenty seventeen, twenty eighteen, twenty nineteen. We continue to

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Speaker 1: not learn our lesson twenty twenty happens ye twenty two,

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Speaker 1: twenty three, twenty four, twenty five.

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Speaker 2: What do we have to keep going? Cecily, I get it.

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Speaker 3: It start a host again.

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Speaker 1: Well, we want someone to fix it.

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Speaker 3: We have to we have to go back and I

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Speaker 3: don't host.

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Speaker 1: No, we have to go back. No, sorry, we have to.

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Speaker 2: We have to go back to where you were hosting,

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Speaker 2: to the future.

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Speaker 4: I thought we were going.

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Speaker 3: We were time traveling to get me to not host

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Speaker 3: the dinner, and then it's the future.

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Speaker 2: We have to go back. It's not back the future,

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Speaker 2: it's more lost. We have to go back where we

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Speaker 2: have to go back to the island. But we were

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Speaker 2: to the which was the podium. You're on an island

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Speaker 2: up there, huh, just you and the mic.

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Speaker 4: I didn't watch Lost, and I know I'm the only

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Speaker 4: person and I'm not proud of that, but I wanted

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Speaker 4: to for this conversation.

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Speaker 2: Okay, Okay, watch it and come back.

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Speaker 3: I'm just going to go on pause.

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Speaker 1: Okay, okay, oh yeah, not what I was told.

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Speaker 3: You know what, I just my TV is.

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Speaker 1: It's messed up. You just look there and you could

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Speaker 1: see that it was visibly were good.

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Speaker 3: Yeah, I'm just looking at it now. There's a big crack's.

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Speaker 1: A big crack at.

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Speaker 3: Yeah, I forgot. I got angry.

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Speaker 2: You don't want to go to the store.

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Speaker 1: The news, the news, it wasn't you were angry at

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Speaker 1: that the poisoning woman or freaking news tried to incarcerate her.

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Speaker 2: Mm hmmm.

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Speaker 3: Well they succeeded.

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Speaker 2: She's incarcerated, poisoning them for no reason. I doubt it.

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Speaker 2: I hate to say more than one side every story. Robbery, Yeah, robbery, okay, okay,

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Speaker 2: her her stuff back or their stuff.

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Speaker 1: Their stuff, like what kind of stuff though?

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Speaker 4: I guess money, cashel, some valuables, yeah, maybe some jewels.

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Speaker 1: Okay, Okay, I'm going to have.

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Speaker 4: To so you can learn a little more. I wish

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Speaker 4: I could remember the name of this drug.

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Speaker 2: Mm hmmm.

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Speaker 1: You know, it was like a thing that I.

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Speaker 4: Thought, I want to drop this into a conversation. Drug name,

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Speaker 4: and now I blew it yeah, the name of the drug.

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Speaker 1: If we get you back at that this year, don't

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Speaker 1: you think can we just sort of like what kind of.

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Speaker 3: I'm Johnny to do it again?

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Speaker 1: I know, I know, I know.

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Speaker 4: It's they say it's the best room in the well.

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Speaker 2: It's only gotten back with all the crazy news. I mean,

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Speaker 2: there's so much material there for you.

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Speaker 3: You know what I would do something about like mar

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Speaker 3: A Lago face.

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Speaker 1: Yeah, okay, you know how it's I think it would

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Speaker 1: because this is actually a great way.

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Speaker 3: To workshops and stuff.

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Speaker 2: Because I do not want to I don't want to

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Speaker 2: fumble this opportunity.

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Speaker 1: Let's let's set tones here.

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Speaker 3: Because we know who's listening.

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Speaker 1: I mean yeah, I mean like a lot of it's

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Speaker 1: a very popular show.

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Speaker 2: So like the show's only gotten bigger recently.

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Speaker 3: Yeah, yeah, great.

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Speaker 2: And this is a new studio for us as well.

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Speaker 3: This is right, So that's the new.

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Speaker 2: Five which we also we've been getting some feedback and

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Speaker 2: I do want to get to the dinner. We've be

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Speaker 2: getting some feedback that the appearance of the studio is

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Speaker 2: very drabs. People are making some kind of mean comments

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Speaker 2: about it.

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Speaker 1: And.

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Speaker 2: I'm wondering, what's the solution here? Is it grateful dead posters.

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Speaker 1: Oh she has a big plant.

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Speaker 2: You know what I mean, She's got a plant.

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Speaker 3: It's a fake plant, took.

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Speaker 4: Yeah, the plants say, I there's a peloton mm hmm. Yeah,

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Speaker 4: not to brag, but there's a peloton back there, careful.

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Speaker 3: New York City apartment peloton, fake plant.

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Speaker 4: Big Yeah, I'm that girl.

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Speaker 1: It's guilty.

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Speaker 5: You know.

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Speaker 2: I love that you own it. You gotta so it

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Speaker 2: felt like a no on the grateful dead posters. So

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Speaker 2: I will keep work shopping.

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Speaker 4: But let's get what I'm drinking.

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Speaker 1: Yeahhhh, and it's two trains going into going through a tunnel.

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Speaker 2: I guess, yeah, cup, I use this to drink my juice, right.

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Speaker 3: I use it to drink my just some water.

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Speaker 1: Hmm.

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Speaker 2: Okay, I'm in trouble. But I can go back to

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Speaker 2: the back to the tool ship and figure that out.

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Speaker 4: Syllable wise.

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Speaker 2: Yeah, because I was doing sort of a farmhouse parody

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Speaker 2: and juice slotted right in there with just the one.

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Speaker 2: If I go, if I make that water, I've got

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Speaker 2: to go tinker with some of the lead up. And

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Speaker 2: by the way, and thank you for the challenge. Yeah,

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Speaker 2: you know what I mean, I go, oh like some people,

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Speaker 2: and I know you're like this too. Some people go,

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Speaker 2: I got more work to do me and I go, oh,

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Speaker 2: more work to you.

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Speaker 1: Yeah, I'm looking yeah, yes, knife and fork Is that

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Speaker 1: what you're Yeah?

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Speaker 2: Yeah, yeah, yeah, yell me tasty stuff.

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Speaker 1: Fire the menu. You ever do that?

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Speaker 3: You ever go a restaurant, it's a fire the men.

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Speaker 1: Fire the menu.

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Speaker 2: I haven't. How do I mean when I say that.

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Speaker 1: I'm to eat it all tonight, I'm to eat it all.

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Speaker 1: Uh huh?

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Speaker 2: When when works on the menu?

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Speaker 4: Yeah, it's work, yeah, but does it work if you

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Speaker 4: love to eat it?

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Speaker 1: But kind of fun with real food too, And then

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Speaker 1: they bring it all in just like after one thing,

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Speaker 1: you're just kind of.

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Speaker 5: Like, I.

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Speaker 3: Didn't know this was a seafood place.

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Speaker 1: Yeah, I don't like seafood.

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Speaker 2: I'm allergic.

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Speaker 1: I'm sick. Yeah, I don't like this food. Yeah, if

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Speaker 1: you say that, I think they I don't think they

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Speaker 1: would like it, but I do think they would have

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Speaker 1: to honesty, Like I don't like this food.

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Speaker 2: They gotta respect that.

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Speaker 1: Oh is it like? Was it cooked and something? I

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Speaker 1: don't like it?

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Speaker 3: And they're like, thank god, finally someone real.

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Speaker 1: Somebody because they don't like it. Either they must know

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Speaker 1: they're carrying around all the time they've tried every.

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Speaker 2: Waiter likes every item on the menu.

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Speaker 1: I doubt it.

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Speaker 3: I don't think so.

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Speaker 2: They probably have to pretend they do. But if you're

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Speaker 2: really being straight up with them, I bet they give

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Speaker 2: you a little wink back.

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Speaker 3: They want it. Yeah, they're like, finally I can actually to.

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Speaker 1: Them to lose that.

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Speaker 2: I don't get that out of here. Take the corn

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Speaker 2: beans off the menu, you know.

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Speaker 1: And that's the kind of humor. It's observational. Yes, it's.

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Speaker 2: Correspondence dinner, you know what I mean.

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Speaker 1: And so we're talking about marlwa face. I think we

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Speaker 1: would want to talk about it like in a positive one.

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00:16:04,720 --> 00:16:06,120
Speaker 1: It's cute, like it's good.

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Speaker 3: Definitely, I want all positive.

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Speaker 1: Good just good vibes.

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Speaker 3: It's been to unite people.

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Speaker 4: People are looking for that, they're looking for really like

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Speaker 4: fun joking in that room and just people want to

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Speaker 4: see these people laugh and.

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Speaker 3: Oh yeah, complimented.

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Speaker 2: I mean, even you saying unite people reminds me of

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Speaker 2: a joke I saw on a T shirt once that

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Speaker 2: says like bad spellers of the world, untie, And I

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Speaker 2: feel like that could be and you just you know

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Speaker 2: you're high fiving. Whoever answer you and I transposed to

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Speaker 2: the Yeah, the community.

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Speaker 1: Did you want a tea at the end as well?

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Speaker 3: Did I untight?

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Speaker 1: But even really bad spelling? Yeah?

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00:17:01,840 --> 00:17:10,800
Speaker 2: Yeah, so that could be really bad spellers of the world. Yeah, yes, no,

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Speaker 2: that could be great. So we've got opener hold for laughs.

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00:17:18,280 --> 00:17:20,720
Speaker 1: Yeah, talk about I mean like it might help for

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Speaker 1: us if you can talk about, like this room, why

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00:17:24,680 --> 00:17:29,120
Speaker 1: it was the warmest room you've ever performed in. Why

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00:17:29,280 --> 00:17:33,120
Speaker 1: you're just like standing up there like thinking I wish

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00:17:33,200 --> 00:17:37,000
Speaker 1: I could be here forever with these people. Yes, I

340
00:17:37,040 --> 00:17:38,760
Speaker 1: feel like this is my family now.

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Speaker 4: Hm. I mean it's just you're they're the big stars

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00:17:43,840 --> 00:17:45,720
Speaker 4: that you want to see.

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Speaker 2: Yeah, you network a little bit. I mean we're all guilty.

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00:17:48,520 --> 00:17:51,840
Speaker 4: Yeah, you're gonna you're gonna meet people and you're gonna

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Speaker 4: rub elbows after. So it helps if you do a

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Speaker 4: good set.

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Speaker 1: Yeah.

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Speaker 3: Sure, because you're going to the Vanity Fair party. Wow,

349
00:18:00,600 --> 00:18:01,720
Speaker 3: let's be real.

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00:18:01,840 --> 00:18:03,760
Speaker 1: Yes, yes, yes.

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Speaker 4: And really you know they're all they don't mike the

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Speaker 4: audience too, so because I don't even like feedback.

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Speaker 3: Honestly, I don't want to hear any laughs or cheers.

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Speaker 2: It's distracting. I know what the material is, you know,

355
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Speaker 2: I know what going Yes.

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Speaker 4: Yeah, I can't. I don't want to be interrupted.

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Speaker 1: I laugh my job right.

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Speaker 3: Yeah, because I'm like, we've got twenty five minutes.

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00:18:31,200 --> 00:18:34,280
Speaker 2: It's not a two hander. You know, this material was

360
00:18:34,280 --> 00:18:37,120
Speaker 2: written for one person to perform. Yeah, so I don't

361
00:18:37,160 --> 00:18:41,200
Speaker 2: really need the all the like trying to time out

362
00:18:41,280 --> 00:18:42,159
Speaker 2: what's going on for you?

363
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Speaker 1: Are you?

364
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Speaker 2: Because if you're laughing, you're not listening exactly.

365
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Speaker 3: And I don't want it to inform my performance or

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Speaker 3: my delivery. How I think of the jokes.

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Speaker 2: Oh yeah, you want to be pure. You're an artist

368
00:18:58,960 --> 00:19:01,200
Speaker 2: up there, We always say, you know, because we do.

369
00:19:01,440 --> 00:19:02,720
Speaker 2: We've done this podcast for a while.

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Speaker 1: People go, oh, you.

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00:19:03,680 --> 00:19:05,679
Speaker 2: Guys, do stand up or you know, do you ever

372
00:19:05,760 --> 00:19:09,679
Speaker 2: perform on stage? And we go no, No. The medium

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00:19:09,720 --> 00:19:13,119
Speaker 2: for us is we do this to silence. We know

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Speaker 2: it's funny, we know it's good.

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Speaker 3: We leave.

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00:19:17,640 --> 00:19:20,760
Speaker 2: We never talk to anyone who has heard it.

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00:19:21,040 --> 00:19:24,680
Speaker 4: And but you cat you can see like little comments

378
00:19:25,119 --> 00:19:26,920
Speaker 4: on the on the podcast platform.

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00:19:27,320 --> 00:19:36,600
Speaker 2: Read the comments, Yeah, don't read them. Those people are jealous.

380
00:19:37,359 --> 00:19:39,200
Speaker 2: Do you like the comments?

381
00:19:39,240 --> 00:19:40,720
Speaker 3: I love the comments?

382
00:19:40,760 --> 00:19:43,120
Speaker 2: Okay, Well, I look at most of them. Yeah, but

383
00:19:43,200 --> 00:19:44,200
Speaker 2: they're jealous.

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00:19:44,320 --> 00:19:46,199
Speaker 1: Do you want to have a chance to We just

385
00:19:46,240 --> 00:19:49,639
Speaker 1: had William H. Macy on and he did that. He

386
00:19:49,680 --> 00:19:52,679
Speaker 1: did want to speak to the commenters directly. Do you

387
00:19:52,800 --> 00:19:55,200
Speaker 1: want a chance to just like kind of make your

388
00:19:55,640 --> 00:19:58,760
Speaker 1: introduce yourself, just say like, would love to read some

389
00:19:58,800 --> 00:20:01,720
Speaker 1: really good comments, that kind of stuff you want to

390
00:20:01,760 --> 00:20:05,400
Speaker 1: read comments about just like what you're just areas.

391
00:20:05,440 --> 00:20:07,320
Speaker 2: You don't have to dictate the actual language.

392
00:20:07,400 --> 00:20:09,080
Speaker 3: Now what are we saying? What are we call it?

393
00:20:09,119 --> 00:20:09,879
Speaker 3: The Egyptian?

394
00:20:12,880 --> 00:20:17,560
Speaker 4: Yeah, the high thread Count? Yes, walk like an Egyptian.

395
00:20:17,720 --> 00:20:20,400
Speaker 4: I would love to kind of play on that in.

396
00:20:20,359 --> 00:20:22,640
Speaker 2: That zone with like a culture.

397
00:20:23,160 --> 00:20:24,920
Speaker 1: You want the count.

398
00:20:28,520 --> 00:20:29,200
Speaker 4: Egyptians?

399
00:20:29,359 --> 00:20:30,240
Speaker 1: Yes, Okay, but.

400
00:20:30,240 --> 00:20:30,840
Speaker 3: I don't want to.

401
00:20:30,920 --> 00:20:34,800
Speaker 4: I'm not talking about Egyptians. I'm talking about my Threads fan.

402
00:20:35,200 --> 00:20:37,639
Speaker 1: So let's make that clear, Hey Egyptians, not.

403
00:20:37,600 --> 00:20:39,840
Speaker 3: You, Hey Egyptians.

404
00:20:40,000 --> 00:20:43,000
Speaker 4: I'm talking about my Threads fam that heard us talking

405
00:20:43,040 --> 00:20:44,320
Speaker 4: about the High thread Count.

406
00:20:45,400 --> 00:20:48,480
Speaker 3: So anyway, i'd be like, hey Egyptians, what's up? It's

407
00:20:48,520 --> 00:20:54,000
Speaker 3: your girl says I'm here Hollywood Handbook. Please leave us

408
00:20:54,040 --> 00:20:57,200
Speaker 3: a comment. We love the feedback so good.

409
00:20:57,240 --> 00:21:00,600
Speaker 2: We should just use Yes, we should just this from everyone.

410
00:21:01,240 --> 00:21:04,720
Speaker 4: Give let's give them an Egyptian Hello, like we do.

411
00:21:06,480 --> 00:21:08,920
Speaker 1: What was in your mind?

412
00:21:09,160 --> 00:21:11,680
Speaker 2: Like, what is the Egyptian Hello in your mind? Because

413
00:21:11,720 --> 00:21:14,760
Speaker 2: it's it seems like you're very confident.

414
00:21:15,600 --> 00:21:19,280
Speaker 3: It's like Ratio. It's like Ratio.

415
00:21:20,400 --> 00:21:22,280
Speaker 1: Ratio us in the comments.

416
00:21:23,000 --> 00:21:28,080
Speaker 3: Yeah, I'm learning a lot of this stuff. Yeah, Ratio.

417
00:21:28,320 --> 00:21:30,280
Speaker 2: You have to you have to learn this stuff. And

418
00:21:30,320 --> 00:21:31,840
Speaker 2: when we were coming up, and I don't want to

419
00:21:31,880 --> 00:21:33,720
Speaker 2: know how old I am, but it was it wasn't

420
00:21:33,720 --> 00:21:37,600
Speaker 2: part of the game, was it. Noe? Nope, the Ratio

421
00:21:38,200 --> 00:21:40,720
Speaker 2: the Egyptian Hello.

422
00:21:40,840 --> 00:21:44,080
Speaker 1: We knew about Ratio from friends, am I right?

423
00:21:45,440 --> 00:21:45,640
Speaker 2: Yeah?

424
00:21:45,960 --> 00:21:48,879
Speaker 3: She had the hairstyles.

425
00:21:47,840 --> 00:21:50,680
Speaker 1: Horatio Sands mm hm. I kind of agree.

426
00:21:50,840 --> 00:21:52,320
Speaker 3: That's our favorite ratio.

427
00:21:52,800 --> 00:21:57,879
Speaker 2: Oh that's a ratio, yeah, Ratio. Yeah, so I'll do

428
00:21:57,960 --> 00:21:58,400
Speaker 2: one too.

429
00:21:58,880 --> 00:22:01,800
Speaker 3: Oh you're doing Ratio that racial friends, I guess.

430
00:22:01,720 --> 00:22:04,960
Speaker 2: Ratio the Cuba Gooding Junior movie.

431
00:22:05,320 --> 00:22:05,520
Speaker 1: Sure.

432
00:22:06,480 --> 00:22:12,399
Speaker 2: Oh yes, and we all had to do one and

433
00:22:12,480 --> 00:22:14,199
Speaker 2: you guys have used two of them.

434
00:22:14,920 --> 00:22:19,679
Speaker 4: My friend went as as radio for Halloween once. I

435
00:22:19,680 --> 00:22:21,240
Speaker 4: thought it was great.

436
00:22:22,520 --> 00:22:23,000
Speaker 3: Costume.

437
00:22:23,400 --> 00:22:28,440
Speaker 1: Famous friend, she's kind of famous, okay, okay, good for

438
00:22:29,000 --> 00:22:30,080
Speaker 1: Her name is Rashida.

439
00:22:30,280 --> 00:22:32,480
Speaker 3: She was on jury duty a lot of people watch

440
00:22:32,680 --> 00:22:33,480
Speaker 3: Jury Duty.

441
00:22:33,720 --> 00:22:35,680
Speaker 2: Yeah, the new one's coming out.

442
00:22:35,800 --> 00:22:36,440
Speaker 1: Are you on it?

443
00:22:37,720 --> 00:22:38,120
Speaker 4: No?

444
00:22:38,119 --> 00:22:41,320
Speaker 2: No, okay, because they seek people in there and they

445
00:22:41,359 --> 00:22:42,840
Speaker 2: surprise us with them.

446
00:22:43,520 --> 00:22:50,240
Speaker 4: Egyptian fam get to amazon A, tellhone, tell you're on

447
00:22:50,320 --> 00:22:51,160
Speaker 4: jury duty too.

448
00:22:51,359 --> 00:22:53,159
Speaker 3: I know it's not, but I'm sure.

449
00:22:53,040 --> 00:22:55,040
Speaker 2: But still they can't get you in there.

450
00:22:55,160 --> 00:23:01,000
Speaker 4: And I'm sure there's something thing like bezos can't make

451
00:23:01,080 --> 00:23:01,720
Speaker 4: something happen?

452
00:23:01,800 --> 00:23:02,679
Speaker 3: I think not.

453
00:23:03,440 --> 00:23:08,560
Speaker 2: No, he's got it. He's got some little uh the technique.

454
00:23:08,720 --> 00:23:10,600
Speaker 3: Yes, yes, yes.

455
00:23:10,280 --> 00:23:12,480
Speaker 2: He could do he could make things happen.

456
00:23:13,840 --> 00:23:14,080
Speaker 4: Yeah.

457
00:23:21,160 --> 00:23:26,280
Speaker 1: Is it distracting? So you're performing in front of the

458
00:23:26,400 --> 00:23:27,840
Speaker 1: news basically.

459
00:23:29,480 --> 00:23:32,600
Speaker 3: Yeah, we're back to w h C D.

460
00:23:34,200 --> 00:23:38,560
Speaker 1: Should we anticipate different like reactions from like my understanding?

461
00:23:38,800 --> 00:23:40,679
Speaker 1: And I don't know how distracting this was. Is that

462
00:23:40,800 --> 00:23:45,720
Speaker 1: David muirr snaps instead of clapping or laughing, and so

463
00:23:45,920 --> 00:23:48,640
Speaker 1: like you do a joke and he does a little

464
00:23:48,720 --> 00:23:52,960
Speaker 1: like a cool snap.

465
00:23:53,920 --> 00:23:54,960
Speaker 4: It's very cool.

466
00:23:55,480 --> 00:23:56,000
Speaker 1: Give it up.

467
00:23:56,800 --> 00:24:00,560
Speaker 3: But if you get Mrror, you're like, I'm good.

468
00:24:00,640 --> 00:24:04,040
Speaker 2: Okay, if you got that good because everyone's looking at him.

469
00:24:04,040 --> 00:24:05,919
Speaker 2: It's the bus, they're watching him more.

470
00:24:05,800 --> 00:24:14,400
Speaker 4: Than you, and then they go yea, yeah, oh you got.

471
00:24:14,200 --> 00:24:17,920
Speaker 1: Mer that's nice. And I hear he has a kazoo

472
00:24:19,119 --> 00:24:20,520
Speaker 1: that he uses to react with.

473
00:24:22,720 --> 00:24:24,480
Speaker 4: Yeah, he didn't.

474
00:24:24,520 --> 00:24:25,640
Speaker 3: He didn't end up.

475
00:24:25,680 --> 00:24:27,800
Speaker 1: Did not end up busting out the kazoo for you.

476
00:24:28,240 --> 00:24:30,359
Speaker 1: Is he kind of reaching for it in the shirt pocket?

477
00:24:31,800 --> 00:24:34,440
Speaker 4: I've been He does it when he's like about to.

478
00:24:35,400 --> 00:24:38,240
Speaker 2: Teases you a little bit oka. Yeah, exactly, And that

479
00:24:38,440 --> 00:24:42,840
Speaker 2: actually can be at the end of the fishing rocks

480
00:24:44,280 --> 00:24:48,080
Speaker 2: too slow, you know, he hits you with the too slow.

481
00:24:48,240 --> 00:24:49,040
Speaker 1: That's slick.

482
00:24:49,880 --> 00:24:52,560
Speaker 3: It sucks, honestly though too when you're on stage to

483
00:24:52,600 --> 00:24:53,040
Speaker 3: see that.

484
00:24:53,359 --> 00:24:56,840
Speaker 2: It sucks if you never if you never get him.

485
00:24:57,800 --> 00:25:02,560
Speaker 2: But if it is to breaking it, as I always say,

486
00:25:02,600 --> 00:25:04,280
Speaker 2: that's the carrot on the end of the fishing Poleon

487
00:25:06,200 --> 00:25:11,240
Speaker 2: I I I. I have been working on something because

488
00:25:11,280 --> 00:25:17,159
Speaker 2: you gave this great acronym w h c D and

489
00:25:17,200 --> 00:25:21,720
Speaker 2: can we do anything with that? Welcome to the w

490
00:25:22,080 --> 00:25:26,320
Speaker 2: hc D, which of course stands for you know, we've

491
00:25:26,359 --> 00:25:30,320
Speaker 2: done we're doing wordplay, we've done bad Spellers on Tidied, Yeah,

492
00:25:30,440 --> 00:25:35,040
Speaker 2: and we're now we're doing right something with this whc D.

493
00:25:35,200 --> 00:25:38,720
Speaker 2: You've been I've been thinking about we got to have

494
00:25:38,840 --> 00:25:41,960
Speaker 2: something for this, and I've been working up a little bit.

495
00:25:42,320 --> 00:25:46,520
Speaker 2: So now you're putting me on the spot. I would

496
00:25:46,560 --> 00:25:49,560
Speaker 2: say that you said you'd been working. Well, I wasn't

497
00:25:49,600 --> 00:25:53,280
Speaker 2: listening during all the David Muir snapping because I was

498
00:25:53,480 --> 00:25:59,840
Speaker 2: going no. And that's not always, you know, indicative of

499
00:25:59,880 --> 00:26:02,800
Speaker 2: me not listening. Sometimes it is me not having something

500
00:26:02,840 --> 00:26:05,720
Speaker 2: which I also don't now and I'm gonna I'm gonna

501
00:26:05,920 --> 00:26:08,200
Speaker 2: try to get through. So it's w h C D

502
00:26:08,840 --> 00:26:13,840
Speaker 2: and I think it would be we have conquered democracy.

503
00:26:14,400 --> 00:26:20,280
Speaker 1: Wow, look at that, and that really nice?

504
00:26:20,520 --> 00:26:24,000
Speaker 2: You know, you could really see it a couple of

505
00:26:24,040 --> 00:26:29,200
Speaker 2: different ways. Sure, yeah, but it may but also maybe

506
00:26:29,200 --> 00:26:30,240
Speaker 2: it should be sillier.

507
00:26:30,480 --> 00:26:32,760
Speaker 3: We have conquered democracy.

508
00:26:32,920 --> 00:26:36,080
Speaker 2: The occasion is serious. Maybe it should be sillier.

509
00:26:36,800 --> 00:26:41,040
Speaker 1: But I could see that really playing. Well, what is conquered?

510
00:26:41,080 --> 00:26:41,320
Speaker 5: Wrong?

511
00:26:41,920 --> 00:26:46,960
Speaker 1: That's what I think, Like conquered bad spelling thing.

512
00:26:47,200 --> 00:26:50,320
Speaker 3: Yeah, because maybe it's spelled out in.

513
00:26:50,359 --> 00:26:51,840
Speaker 2: Grapes, conquered grape.

514
00:26:52,000 --> 00:26:53,439
Speaker 1: We have conquered democracy.

515
00:26:53,440 --> 00:26:57,480
Speaker 2: We have conquered democracy.

516
00:26:55,280 --> 00:27:01,440
Speaker 1: Gott Yes, that's right, and we to make your your wine.

517
00:27:01,480 --> 00:27:05,399
Speaker 3: Are you enjoying the wine? Say we have conquered.

518
00:27:05,600 --> 00:27:09,480
Speaker 1: Democracy, Gregos, and that you say veno, greg BNOs In

519
00:27:09,520 --> 00:27:13,320
Speaker 1: the crowd. Give it up, you know, yes, yes, give

520
00:27:16,480 --> 00:27:18,680
Speaker 1: give it up for him. I guess you did already.

521
00:27:18,320 --> 00:27:21,160
Speaker 2: Inveno verite verite.

522
00:27:21,359 --> 00:27:24,719
Speaker 1: Yes, yeah, yes, greg verite.

523
00:27:25,400 --> 00:27:31,560
Speaker 2: That's really good grapes. So we have now almost a

524
00:27:31,680 --> 00:27:33,879
Speaker 2: minute of material and it's.

525
00:27:33,800 --> 00:27:36,240
Speaker 4: Nice because you definitely want, you know, you want to

526
00:27:36,280 --> 00:27:37,760
Speaker 4: call out people that are in the crowd.

527
00:27:38,640 --> 00:27:41,520
Speaker 2: Yeah, like like crowd, Well it tells the cameras where

528
00:27:41,560 --> 00:27:45,479
Speaker 2: to go to and.

529
00:27:45,640 --> 00:27:48,879
Speaker 1: Not me. He's yes, he's enjoying it.

530
00:27:54,840 --> 00:27:56,280
Speaker 3: I'm that guy.

531
00:27:57,320 --> 00:27:59,960
Speaker 1: Yeah, I knew I was supposed to sit in the front.

532
00:28:00,200 --> 00:28:04,119
Speaker 4: Oh my god, I know she's got something no being short,

533
00:28:05,160 --> 00:28:07,960
Speaker 4: and I'm like, no, it's about wine, dude, wine.

534
00:28:09,400 --> 00:28:12,879
Speaker 1: It's really fun and people are there to have fun.

535
00:28:13,000 --> 00:28:16,880
Speaker 1: And just like, yeah, it's not that it's not the night,

536
00:28:17,640 --> 00:28:19,479
Speaker 1: it's not the night for the nasty stuff.

537
00:28:19,920 --> 00:28:23,000
Speaker 3: No, like you know, influencers are there.

538
00:28:22,960 --> 00:28:26,400
Speaker 1: And yeah, yeah, yeah, it's.

539
00:28:26,240 --> 00:28:27,560
Speaker 3: Like who's who they call it?

540
00:28:27,760 --> 00:28:32,560
Speaker 2: Nerd proma Yes, yes, which I wouldn't say that.

541
00:28:34,400 --> 00:28:34,880
Speaker 3: You wouldn't.

542
00:28:34,920 --> 00:28:35,880
Speaker 2: I wouldn't say that.

543
00:28:37,359 --> 00:28:41,600
Speaker 3: Are you worried about offending?

544
00:28:42,360 --> 00:28:44,800
Speaker 2: You're thinking that I don't want to hear anybody's feeling.

545
00:28:45,160 --> 00:28:48,360
Speaker 4: You're thinking about the nerds I think you're thinking about

546
00:28:48,400 --> 00:28:48,760
Speaker 4: that word.

547
00:28:48,840 --> 00:28:52,479
Speaker 2: You know, we used to talk a lot about nerds

548
00:28:52,560 --> 00:28:56,040
Speaker 2: is cool now, Uh, the jocks and the bullies are

549
00:28:56,040 --> 00:28:59,000
Speaker 2: pumping our gas and we've taken over the world and

550
00:28:59,040 --> 00:29:03,040
Speaker 2: we stop. But it doesn't mean that that doesn't still

551
00:29:03,080 --> 00:29:04,120
Speaker 2: live in on I'd say.

552
00:29:04,000 --> 00:29:06,320
Speaker 3: Like election twenty four, right.

553
00:29:07,440 --> 00:29:09,440
Speaker 1: And we do, like we do have a nerd who

554
00:29:09,520 --> 00:29:15,400
Speaker 1: listens to the show, A huge one. Yeah, it's like

555
00:29:15,440 --> 00:29:20,920
Speaker 1: a really like like a like a nerd, a huge nerd.

556
00:29:20,960 --> 00:29:22,600
Speaker 2: Do you ever watched The Survivor.

557
00:29:23,600 --> 00:29:23,840
Speaker 4: No?

558
00:29:24,600 --> 00:29:27,840
Speaker 2: Oh, sorry, there's this kind of cockr who won the

559
00:29:27,880 --> 00:29:28,480
Speaker 2: show once.

560
00:29:29,920 --> 00:29:35,840
Speaker 1: Anyway, Oh okay, I just don't want to say it

561
00:29:35,840 --> 00:29:36,160
Speaker 1: from me.

562
00:29:36,240 --> 00:29:38,640
Speaker 2: He's a really nice guy. I don't want to say

563
00:29:38,760 --> 00:29:41,720
Speaker 2: nerd prom and yeah, nice to.

564
00:29:42,000 --> 00:29:44,320
Speaker 3: The Survivor guy, just so I can look it up.

565
00:29:44,400 --> 00:29:44,600
Speaker 1: Yeah.

566
00:29:44,680 --> 00:29:48,360
Speaker 2: Cochrane CEO c h R A N.

567
00:29:48,280 --> 00:29:50,920
Speaker 3: Cochron Yeah sounds like.

568
00:29:51,640 --> 00:29:55,040
Speaker 2: Well, and that you could make as a joke, I think,

569
00:29:55,720 --> 00:29:58,719
Speaker 2: because that's kind of the key joke. You think he's

570
00:29:58,760 --> 00:30:00,120
Speaker 2: heard it.

571
00:30:00,280 --> 00:30:01,920
Speaker 3: Yeah, probably at school.

572
00:30:01,680 --> 00:30:06,600
Speaker 4: Right, I guess about cock rings and they're like, I'm

573
00:30:06,680 --> 00:30:07,840
Speaker 4: learning about it in class.

574
00:30:08,120 --> 00:30:09,400
Speaker 3: You're you're a cockran.

575
00:30:09,480 --> 00:30:12,320
Speaker 1: He's crazy about school. He's a school nerd.

576
00:30:13,760 --> 00:30:17,800
Speaker 2: Yeah, school, So I just don't. I don't want to

577
00:30:17,840 --> 00:30:18,880
Speaker 2: go after him.

578
00:30:19,120 --> 00:30:21,960
Speaker 3: You know, we're doing this your guy, he was.

579
00:30:21,920 --> 00:30:25,000
Speaker 2: On the show ten years ago. And then I'm going

580
00:30:25,080 --> 00:30:27,479
Speaker 2: to make this episode during you know, one of our

581
00:30:27,480 --> 00:30:33,480
Speaker 2: most exciting March yeah times time month, it's March. We've

582
00:30:33,480 --> 00:30:37,200
Speaker 2: got Cecily Strong here. We're talking about like solving some

583
00:30:37,400 --> 00:30:41,640
Speaker 2: huge problems. And then I'm going to stop down to

584
00:30:42,200 --> 00:30:45,120
Speaker 2: pick on like this guy, like call him a nerd,

585
00:30:45,240 --> 00:30:46,600
Speaker 2: like just not doesn't make sense.

586
00:30:46,600 --> 00:30:47,240
Speaker 1: It's not a good.

587
00:30:47,080 --> 00:30:48,960
Speaker 2: Way to hear the episode, you know.

588
00:30:49,680 --> 00:30:55,080
Speaker 4: Yeah, okay, should you set it that out? When I said, like,

589
00:30:55,280 --> 00:30:55,560
Speaker 4: you know.

590
00:30:55,920 --> 00:30:58,760
Speaker 2: Nerd prom Yeah, should you come out Bunny?

591
00:30:59,720 --> 00:31:04,360
Speaker 1: Oh you're just like bad Bunny and you look at

592
00:31:04,800 --> 00:31:09,520
Speaker 1: President mister Trump and say, boo, what was that is that?

593
00:31:09,560 --> 00:31:10,880
Speaker 3: Do we both do a noise?

594
00:31:11,200 --> 00:31:12,120
Speaker 4: What did you say?

595
00:31:12,360 --> 00:31:15,200
Speaker 1: Like you say boo? Like it's it's scary to him.

596
00:31:15,360 --> 00:31:18,720
Speaker 1: You know, I was thinking, like because that's the sound

597
00:31:18,720 --> 00:31:22,200
Speaker 1: that he makes. I don't listen to this stuff. I

598
00:31:22,280 --> 00:31:26,800
Speaker 1: respect it, Like I think people should be able to

599
00:31:26,960 --> 00:31:29,240
Speaker 1: do different songs.

600
00:31:30,040 --> 00:31:31,960
Speaker 2: I like a lot.

601
00:31:33,320 --> 00:31:35,880
Speaker 4: With my baby, and I just know, you know, the

602
00:31:35,960 --> 00:31:38,120
Speaker 4: one part I can kind of sing along.

603
00:31:38,160 --> 00:31:38,600
Speaker 1: It is like.

604
00:31:40,280 --> 00:31:41,320
Speaker 2: That part and she.

605
00:31:41,440 --> 00:31:43,280
Speaker 3: Really likes that, and I say it unto her.

606
00:31:43,160 --> 00:31:47,680
Speaker 4: Foot that part, yeah, that part, that part.

607
00:31:49,000 --> 00:31:52,400
Speaker 1: It's important for the baby to remember. This is like,

608
00:31:53,200 --> 00:31:56,040
Speaker 1: thank you for reminding me of this that you are

609
00:31:56,120 --> 00:32:01,480
Speaker 1: still the talent. Yeah, and so crucial. They are the

610
00:32:01,600 --> 00:32:04,200
Speaker 1: microphone at best, and they're lucky to be that.

611
00:32:06,000 --> 00:32:06,960
Speaker 2: You're part of the show.

612
00:32:08,440 --> 00:32:09,040
Speaker 1: You are you.

613
00:32:09,440 --> 00:32:11,040
Speaker 4: Show me show, Honey.

614
00:32:13,080 --> 00:32:15,240
Speaker 1: You're the audience in the front seat, and your foot

615
00:32:15,320 --> 00:32:19,440
Speaker 1: is the microphone, and you are being used to amplify

616
00:32:20,160 --> 00:32:23,440
Speaker 1: the voice of the talent, and you inspire the talent.

617
00:32:24,080 --> 00:32:25,160
Speaker 1: Mm hmm. Yeah.

618
00:32:25,400 --> 00:32:28,160
Speaker 4: I think it's like whoever has the most teeth is

619
00:32:28,400 --> 00:32:29,680
Speaker 4: going to be the star.

620
00:32:29,960 --> 00:32:31,400
Speaker 3: That's a good rule for me.

621
00:32:31,520 --> 00:32:34,440
Speaker 1: Right now. Signal boost. Signal boost that.

622
00:32:36,080 --> 00:32:39,440
Speaker 2: Please, signal boost that in the comments all my Egyptian

623
00:32:39,520 --> 00:32:41,480
Speaker 2: friends and listeners, Well.

624
00:32:41,400 --> 00:32:43,800
Speaker 4: Now signal boost is what mm hmm.

625
00:32:44,880 --> 00:32:46,200
Speaker 3: And now signal.

626
00:32:45,800 --> 00:32:47,840
Speaker 1: Boosts like the people's mic.

627
00:32:48,480 --> 00:32:53,800
Speaker 4: Yes, okay, I'm because I'm still learning, I'm doing a

628
00:32:53,800 --> 00:32:54,200
Speaker 4: lot like.

629
00:32:54,200 --> 00:32:55,800
Speaker 3: This so that you can see my.

630
00:32:55,840 --> 00:32:58,680
Speaker 2: Hands, well, it helps me trust.

631
00:32:59,560 --> 00:33:02,680
Speaker 4: This isn't a normal I don't normally talk with my

632
00:33:02,720 --> 00:33:05,000
Speaker 4: hands up here, but I wanted you to see.

633
00:33:05,040 --> 00:33:08,520
Speaker 2: Yeah, high ten. We could give each other in a

634
00:33:08,520 --> 00:33:11,440
Speaker 2: way over the zoom screen and let people know there's

635
00:33:11,440 --> 00:33:15,680
Speaker 2: a connection here. All done, Oh chef, is that chef?

636
00:33:16,920 --> 00:33:17,400
Speaker 3: All done?

637
00:33:17,720 --> 00:33:21,840
Speaker 1: This is yes, chef. Here's the thing about all done though,

638
00:33:22,440 --> 00:33:24,240
Speaker 1: that I've also learned from these babies.

639
00:33:25,080 --> 00:33:30,800
Speaker 2: They'll do that, but they're not not. They haven't even started.

640
00:33:30,920 --> 00:33:34,360
Speaker 1: So they start with all done, so they'll do the

641
00:33:34,400 --> 00:33:35,960
Speaker 1: all done. It's like, no, you're not.

642
00:33:36,160 --> 00:33:38,440
Speaker 3: They mean this, yeah, and you're like you mean this.

643
00:33:38,520 --> 00:33:40,600
Speaker 1: You mean this, and it's actually going to be more

644
00:33:40,760 --> 00:33:42,680
Speaker 1: right now. It's actually more right now.

645
00:33:43,000 --> 00:33:46,360
Speaker 4: This is not it's no all done, noll you ain't

646
00:33:46,400 --> 00:33:50,000
Speaker 4: all done. You ain't all that, and you ain't all done.

647
00:33:51,560 --> 00:33:53,920
Speaker 2: We got that. This is why they're not the talent. Yeah,

648
00:33:54,040 --> 00:33:56,760
Speaker 2: it's it's called show business, not show babies.

649
00:33:58,120 --> 00:34:00,240
Speaker 1: Yeah, we teach them the more in the all done.

650
00:34:00,320 --> 00:34:04,240
Speaker 1: It's like we tell you, yeah, you know, you don't

651
00:34:04,280 --> 00:34:04,880
Speaker 1: tell us.

652
00:34:05,560 --> 00:34:10,080
Speaker 2: Yeah. People are so baby communicate with them, but I go,

653
00:34:10,280 --> 00:34:12,799
Speaker 2: they should just be listening right now at this point,

654
00:34:12,840 --> 00:34:14,719
Speaker 2: they should be listening. There's very little that can tell you.

655
00:34:15,680 --> 00:34:21,640
Speaker 3: Yes, yeah, she's gonna know it's going to be from me.

656
00:34:24,120 --> 00:34:29,960
Speaker 1: Yeah, and won't it be nice when she's in her thirties.

657
00:34:30,719 --> 00:34:36,359
Speaker 1: You're on stage performed I'm dead. No, No, don't say that.

658
00:34:37,040 --> 00:34:38,919
Speaker 3: I'm just saying it's an older parent.

659
00:34:39,040 --> 00:34:44,760
Speaker 2: I love dark humor. You know, we all do. There's

660
00:34:44,800 --> 00:34:46,520
Speaker 2: a line we don't cross.

661
00:34:46,719 --> 00:34:47,080
Speaker 1: You are.

662
00:34:48,120 --> 00:34:50,960
Speaker 3: I'm looking at the email you sent, and I'm sorry.

663
00:34:50,640 --> 00:34:55,920
Speaker 2: I know not self compassion number one. You are self compassion.

664
00:34:55,960 --> 00:34:58,480
Speaker 3: Yeah, I'm looking at that. Yeah.

665
00:34:58,520 --> 00:35:05,960
Speaker 1: You're playing Annie on stage in twenty fifty nine.

666
00:35:07,400 --> 00:35:10,239
Speaker 3: Yes, and we're announcing it tonight. I love this.

667
00:35:10,320 --> 00:35:14,359
Speaker 1: Yes, and your daughter is sitting in the front row

668
00:35:14,640 --> 00:35:16,839
Speaker 1: and just kind of unconsciously lifting her.

669
00:35:16,719 --> 00:35:21,520
Speaker 4: Fifty nine, so she's like she's eighteen. No, wait, I'm

670
00:35:21,600 --> 00:35:28,120
Speaker 4: using my age. Sorry about that. I just added eighteen.

671
00:35:28,360 --> 00:35:32,080
Speaker 4: I just added to my age twenty fifty nine. I

672
00:35:32,120 --> 00:35:33,960
Speaker 4: acted like I was going to be fifty nine. I

673
00:35:33,960 --> 00:35:35,359
Speaker 4: don't need to explain this to you. I don't need

674
00:35:35,400 --> 00:35:39,040
Speaker 4: to explain myself that. You explain what just happened inside

675
00:35:39,080 --> 00:35:42,560
Speaker 4: my head for that mistake twenty twenty nine.

676
00:35:43,160 --> 00:35:45,359
Speaker 3: Twenty fifty nine is in.

677
00:35:45,880 --> 00:35:47,840
Speaker 1: Thirty three years, isn't thirty three?

678
00:35:48,480 --> 00:35:50,719
Speaker 3: So she's going to be just about thirty four.

679
00:35:50,880 --> 00:35:54,279
Speaker 1: Yes, And you are on stage I'm performing as the.

680
00:35:54,320 --> 00:35:55,600
Speaker 4: Character I'm playing Annie.

681
00:35:55,760 --> 00:36:05,120
Speaker 1: Yes, and her foot is just rising subconsciously singing her foot.

682
00:36:05,880 --> 00:36:12,000
Speaker 2: She needs to help mommy her barefoot. Wow, conditioning.

683
00:36:12,239 --> 00:36:14,719
Speaker 1: Could be nice to have her at the correspondence dinner too,

684
00:36:15,600 --> 00:36:16,040
Speaker 1: mm hm.

685
00:36:16,080 --> 00:36:18,319
Speaker 2: Oh, even just for her to watch and realize who

686
00:36:18,320 --> 00:36:19,879
Speaker 2: the real talent is, you know.

687
00:36:20,560 --> 00:36:23,520
Speaker 3: And maybe her to feel the energy of that room.

688
00:36:24,280 --> 00:36:26,560
Speaker 1: Yes, oh yes, let her.

689
00:36:26,480 --> 00:36:29,000
Speaker 3: See mommy cook as they say, you know.

690
00:36:30,480 --> 00:36:36,200
Speaker 2: Yeah, yeah, when does this you do this? Mm hmm

691
00:36:37,600 --> 00:36:42,520
Speaker 2: all done, folks, done? Yep, and that's I just cooked

692
00:36:42,560 --> 00:36:47,400
Speaker 2: a done mm hmmm all done. That could be really powerful.

693
00:36:47,440 --> 00:36:50,800
Speaker 2: So we've got the ending. We've got two jokes. I

694
00:36:50,840 --> 00:36:52,560
Speaker 2: don't know if the CD was a joke.

695
00:36:52,640 --> 00:36:54,720
Speaker 1: Bad Bunny fits.

696
00:36:55,360 --> 00:36:58,719
Speaker 2: What's the bad bunny looks that you feel like would

697
00:36:58,800 --> 00:37:00,920
Speaker 2: sell it for you?

698
00:37:00,920 --> 00:37:05,200
Speaker 4: You know? I guess I'm just I'm really I'm just

699
00:37:05,320 --> 00:37:08,919
Speaker 4: picturing only the white outfit from the super Bowl.

700
00:37:10,520 --> 00:37:12,480
Speaker 3: That's kind of the only thing that's coming to my

701
00:37:12,520 --> 00:37:13,200
Speaker 3: mind right now.

702
00:37:13,280 --> 00:37:18,280
Speaker 4: So maybe something like that, or like a T shirt

703
00:37:18,360 --> 00:37:21,839
Speaker 4: that says Puerto Rico, doesn't he.

704
00:37:22,080 --> 00:37:26,360
Speaker 1: Have big shoulders? I think, So, aren't you from the

705
00:37:26,400 --> 00:37:27,480
Speaker 1: city of big Shoulders?

706
00:37:28,760 --> 00:37:29,040
Speaker 4: Oh?

707
00:37:29,120 --> 00:37:33,000
Speaker 3: Yeah, yeah, yeah, I'll done.

708
00:37:34,200 --> 00:37:37,520
Speaker 1: Gotta be something there with the shoulders. Yeah, and you

709
00:37:37,560 --> 00:37:43,520
Speaker 1: said this is our thing? Yes, you said desist now

710
00:37:44,040 --> 00:37:45,880
Speaker 1: Chicago's here to collect.

711
00:37:46,080 --> 00:37:48,200
Speaker 2: Yes, yes, that's good.

712
00:37:48,960 --> 00:37:50,160
Speaker 3: Yeah, kind of safe.

713
00:37:50,480 --> 00:37:51,760
Speaker 1: You get your own idea.

714
00:37:53,040 --> 00:37:55,439
Speaker 2: Are you open to joking around about your name?

715
00:37:57,160 --> 00:37:57,880
Speaker 3: I would love that.

716
00:37:57,960 --> 00:38:00,400
Speaker 2: Yeah, I mean your last name is a word strong.

717
00:38:00,640 --> 00:38:00,920
Speaker 4: Hello.

718
00:38:01,040 --> 00:38:04,080
Speaker 2: I've been trying to I've been working. I haven't been

719
00:38:04,120 --> 00:38:06,239
Speaker 2: really listening for a while. In the episode, I've been

720
00:38:06,280 --> 00:38:09,759
Speaker 2: trying to figure something out with your name, which I

721
00:38:09,760 --> 00:38:11,919
Speaker 2: feel like there has to be something again, I don't

722
00:38:11,920 --> 00:38:12,319
Speaker 2: know if this.

723
00:38:12,320 --> 00:38:15,080
Speaker 3: Is Did you just miss all the Puerto Rican stuff?

724
00:38:16,680 --> 00:38:17,000
Speaker 2: Wow?

725
00:38:18,120 --> 00:38:21,080
Speaker 1: You didn't even know there was even hearing that happened,

726
00:38:22,320 --> 00:38:27,080
Speaker 1: because usually I'm like, I'm like, you usually have a

727
00:38:27,120 --> 00:38:28,120
Speaker 1: lot you want to do.

728
00:38:28,520 --> 00:38:33,440
Speaker 2: It's one of my pet interests. But I did miss it,

729
00:38:33,560 --> 00:38:38,120
Speaker 2: and I will have the great pleasure of listening to

730
00:38:38,200 --> 00:38:41,680
Speaker 2: this episode alone in my car and chiming in with

731
00:38:41,760 --> 00:38:46,320
Speaker 2: all of the little jokes and observations I could have made.

732
00:38:46,200 --> 00:38:48,800
Speaker 4: About it, like, well, why didn't I say that?

733
00:38:49,640 --> 00:38:54,759
Speaker 2: I don't, but I no regrets I didn't I say that.

734
00:38:54,960 --> 00:38:57,879
Speaker 2: I say, if this ever comes up again, I'll say

735
00:38:57,920 --> 00:38:59,839
Speaker 2: this because we do have the same six or seven

736
00:38:59,840 --> 00:39:01,719
Speaker 2: conversations on the podcast over and over.

737
00:39:02,440 --> 00:39:07,200
Speaker 4: Okay, I guess, yeah, thirteen years so the so you're

738
00:39:07,200 --> 00:39:09,000
Speaker 4: doing the podcast nine.

739
00:39:09,440 --> 00:39:13,120
Speaker 3: Yeah, and we're doing what's your first what's your first?

740
00:39:14,760 --> 00:39:15,640
Speaker 3: Like discussion?

741
00:39:16,200 --> 00:39:19,839
Speaker 1: The first you're opening this EPISODEE I go, I go, here,

742
00:39:20,040 --> 00:39:20,279
Speaker 1: I go.

743
00:39:20,440 --> 00:39:21,759
Speaker 2: Here's our game you're doing?

744
00:39:21,800 --> 00:39:22,200
Speaker 3: Annie?

745
00:39:22,440 --> 00:39:24,439
Speaker 2: Yeah, well, I say, here's our guest. You can catch

746
00:39:24,440 --> 00:39:27,480
Speaker 2: her right now on Broadway. And Annie, don't sit next

747
00:39:27,520 --> 00:39:32,080
Speaker 2: to her daughter, if you, if you, if you don't

748
00:39:32,120 --> 00:39:35,600
Speaker 2: want to smell any but ladies and gentlemen, this is

749
00:39:35,800 --> 00:39:39,320
Speaker 2: uh Cecily Strong any relation to Boston Strong.

750
00:39:40,760 --> 00:39:44,840
Speaker 3: Ooh ooh, that's nice.

751
00:39:45,000 --> 00:39:48,719
Speaker 2: So that I've got I've I've introduced you. I said,

752
00:39:48,719 --> 00:39:51,840
Speaker 2: you know, I say, this is of course a return guest.

753
00:39:51,880 --> 00:39:54,440
Speaker 2: This is her second time on the show. We say

754
00:39:54,520 --> 00:39:59,560
Speaker 2: roll the clip, we go all the way back for everyone.

755
00:40:00,000 --> 00:40:04,160
Speaker 4: It's getting hologrammed into people's apartments, because that's probably how

756
00:40:04,200 --> 00:40:04,919
Speaker 4: podcasts are.

757
00:40:04,960 --> 00:40:07,919
Speaker 2: Then you've hopefully watched Lost in the interim A Blade

758
00:40:07,960 --> 00:40:10,440
Speaker 2: Runner twenty forty nine, which at that point will have

759
00:40:10,520 --> 00:40:12,120
Speaker 2: been ten years ago.

760
00:40:11,920 --> 00:40:13,600
Speaker 4: Ten years the old news.

761
00:40:13,840 --> 00:40:20,360
Speaker 1: Yeah, on a day armist living robotically in your apartment.

762
00:40:20,400 --> 00:40:21,400
Speaker 1: Do you see that movie?

763
00:40:21,600 --> 00:40:23,319
Speaker 2: Have you seen that one?

764
00:40:23,760 --> 00:40:24,000
Speaker 5: No?

765
00:40:24,400 --> 00:40:29,319
Speaker 2: Well no, what is it about media that you find

766
00:40:29,360 --> 00:40:30,160
Speaker 2: so distasteful?

767
00:40:30,880 --> 00:40:32,839
Speaker 4: If I won't, well, I, like I said, I will

768
00:40:32,880 --> 00:40:37,840
Speaker 4: watch the HBO Max show Curious Case.

769
00:40:37,600 --> 00:40:38,600
Speaker 1: Of Curious Case.

770
00:40:39,440 --> 00:40:47,080
Speaker 4: I'm really I'm a real docuseries, some reality kind of person.

771
00:40:47,080 --> 00:40:50,000
Speaker 1: Not survivor and not survivor.

772
00:40:50,160 --> 00:40:50,920
Speaker 3: Unfortunately.

773
00:40:51,760 --> 00:40:59,040
Speaker 4: Yeah, Yeahrunner Blade Runner.

774
00:40:59,040 --> 00:41:01,200
Speaker 2: Didn't seem that familiar Anny when we brought it up.

775
00:41:01,560 --> 00:41:04,759
Speaker 1: Can I just say selt anything out?

776
00:41:04,920 --> 00:41:06,359
Speaker 2: Yeah, you're in Annie, And.

777
00:41:06,280 --> 00:41:10,480
Speaker 4: The look on her face was, oh no, that was

778
00:41:10,560 --> 00:41:14,640
Speaker 4: like I punched the twelve year old inside me, like, no,

779
00:41:14,960 --> 00:41:15,839
Speaker 4: we're not doing that.

780
00:41:15,920 --> 00:41:16,160
Speaker 5: Now.

781
00:41:17,320 --> 00:41:21,240
Speaker 4: You have a freaking reputation the Egyptian the Egyptian Thread

782
00:41:21,840 --> 00:41:25,400
Speaker 4: five is on here. Please do not sing Annie.

783
00:41:26,000 --> 00:41:29,640
Speaker 1: Do you want to say goodbye to them? Like most

784
00:41:29,640 --> 00:41:33,759
Speaker 1: of our guests like, don't really say goodbye to the commenters?

785
00:41:34,440 --> 00:41:37,840
Speaker 1: And yeah, you can feel that, you know, the commenters

786
00:41:37,840 --> 00:41:41,000
Speaker 1: are really kind of hurt bye.

787
00:41:40,920 --> 00:41:43,799
Speaker 2: They're leaving comments, but there's a little bit of.

788
00:41:44,719 --> 00:41:46,400
Speaker 1: Okay, goodbye, I guess.

789
00:41:46,400 --> 00:41:50,799
Speaker 2: A stung sort of undertone there, and so yes, if

790
00:41:50,840 --> 00:41:52,600
Speaker 2: you could give them a farewell, I know you did

791
00:41:52,600 --> 00:41:54,360
Speaker 2: the all done. Signal with your hands. A lot of

792
00:41:54,400 --> 00:41:56,359
Speaker 2: people wh leave the comments are not the people who

793
00:41:56,360 --> 00:41:57,640
Speaker 2: subscribe to the video tier?

794
00:41:59,200 --> 00:42:03,080
Speaker 3: Really, yes, how do you find that out?

795
00:42:03,120 --> 00:42:08,880
Speaker 2: Even h I live in this yere I just yes,

796
00:42:09,160 --> 00:42:14,840
Speaker 2: I am grinding on the subscription names and I'm cross

797
00:42:14,920 --> 00:42:17,399
Speaker 2: referencing that with all their social media accounts.

798
00:42:17,800 --> 00:42:20,040
Speaker 3: Yeah, and like was that IP address right?

799
00:42:20,120 --> 00:42:21,200
Speaker 1: IP address?

800
00:42:21,400 --> 00:42:24,600
Speaker 2: I just really love the fans. I just really love

801
00:42:24,600 --> 00:42:28,319
Speaker 2: our fans. Like I would have none of this, this

802
00:42:28,400 --> 00:42:31,040
Speaker 2: tiny water, but I wouldn't have any of it without them.

803
00:42:31,360 --> 00:42:36,680
Speaker 4: Think about that, say, fans, thank you for getting through

804
00:42:36,719 --> 00:42:37,560
Speaker 4: this with us.

805
00:42:37,800 --> 00:42:38,319
Speaker 3: I love you.

806
00:42:38,440 --> 00:42:40,759
Speaker 4: I'll see you at the WHCD, I'll see you at

807
00:42:40,760 --> 00:42:43,440
Speaker 4: ANNIE twenty fifteen nine, I'll see you at MSG for

808
00:42:43,600 --> 00:42:48,799
Speaker 4: fish next New Year's But more importantly, I'll see you

809
00:42:48,840 --> 00:42:50,960
Speaker 4: on threads Egyptians.

810
00:42:50,520 --> 00:42:53,160
Speaker 1: And maybe say just like a little good night because

811
00:42:53,239 --> 00:42:54,200
Speaker 1: they're about to go to bed.

812
00:42:54,440 --> 00:42:58,880
Speaker 2: Maybe getting through this with us felt a little bit excut.

813
00:42:59,040 --> 00:43:01,120
Speaker 1: I know I did what I said it to me,

814
00:43:01,760 --> 00:43:05,040
Speaker 1: so maybe just like that's they're also kind of worried.

815
00:43:05,040 --> 00:43:06,879
Speaker 1: They have this thing, they're worried that their ears are

816
00:43:06,880 --> 00:43:07,640
Speaker 1: going to get too hot.

817
00:43:07,680 --> 00:43:09,920
Speaker 4: They also but they know, like I talk about a

818
00:43:09,920 --> 00:43:11,759
Speaker 4: lot of personal stuff with them, so they know what

819
00:43:11,800 --> 00:43:12,080
Speaker 4: I mean.

820
00:43:12,600 --> 00:43:14,640
Speaker 1: Just on the side, just another.

821
00:43:15,239 --> 00:43:18,480
Speaker 3: Like I guess for like everyone else. Yeah, okay, I guess.

822
00:43:18,520 --> 00:43:24,120
Speaker 5: Like good night, sleep well and I hope things are

823
00:43:24,320 --> 00:43:29,080
Speaker 5: less crazy when we wake up tomorrow. And we're working

824
00:43:29,120 --> 00:43:31,840
Speaker 5: for that with this podcast.

825
00:43:32,880 --> 00:43:35,080
Speaker 1: Okay. So they're saying that you you actually shut the

826
00:43:35,080 --> 00:43:39,720
Speaker 1: door too loud when you were leaving the room, and

827
00:43:39,800 --> 00:43:42,000
Speaker 1: they're mad. That actually made them really upset.

828
00:43:43,840 --> 00:43:47,760
Speaker 4: I'm so I no, no, that was I wasn't mad.

829
00:43:48,400 --> 00:43:51,920
Speaker 4: That wasn't mad. I actually I that was an accident.

830
00:43:52,040 --> 00:43:54,560
Speaker 4: I kind of slipped and I'm so sorry. I just

831
00:43:54,640 --> 00:43:55,040
Speaker 4: shut it.

832
00:43:55,080 --> 00:43:59,680
Speaker 1: So and what.

833
00:43:59,600 --> 00:44:02,200
Speaker 4: You say, no, I'm okay.

834
00:44:02,320 --> 00:44:04,600
Speaker 6: There was water on the floor I think because it

835
00:44:04,640 --> 00:44:10,319
Speaker 6: was raining inside because it was raining outside, and I

836
00:44:10,480 --> 00:44:12,680
Speaker 6: walked it and I'm covered with.

837
00:44:14,239 --> 00:44:16,640
Speaker 4: Yeah my glosses them up by the floor, but I'm

838
00:44:17,040 --> 00:44:19,280
Speaker 4: when I take them off, you pull them.

839
00:44:19,120 --> 00:44:22,319
Speaker 3: Off your feet and they kind of goes everywhere, you know.

840
00:44:23,040 --> 00:44:30,879
Speaker 2: Let me take a crack at it. Bye, okay, ho

841
00:44:31,440 --> 00:44:32,200
Speaker 2: Ham