WEBVTT - The Writer Behind the Medal of Honor

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<v Speaker 1>Bushkin this season on Medal of Honor Stories of Courage.

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<v Speaker 1>We brought you incredible stories from Medal of Honor recipients

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<v Speaker 1>who fought in conflicts from the Civil War to the

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<v Speaker 1>Iraq War. And I always said John Chapman was the

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<v Speaker 1>last episode of our season, but I lied. We're back

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<v Speaker 1>with a bonus. To wrap up our season, I invited

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<v Speaker 1>Meredith Rollins, the writer behind the series, to come in

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<v Speaker 1>for a little chat. Meredith is an old friend of mine.

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<v Speaker 1>Her dad was a second lieutenant in the United States

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<v Speaker 1>Marine Corps, and I wanted to talk with her about

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<v Speaker 1>what we both learned from all the stories we've told

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<v Speaker 1>this season about contagious courage, self sacrifice, and a secret

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<v Speaker 1>theme in nearly all these stories, the importance of strong moms.

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<v Speaker 1>We talked a little about moments that didn't make the cut,

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<v Speaker 1>what surprised us and what made us cry. If you've

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<v Speaker 1>got moments of your own to share, we want to

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<v Speaker 1>hear from you. You can find us on most social

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<v Speaker 1>media at Pushkin pods. All right, onto my conversation with Meredith. Hello, everyone,

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<v Speaker 1>this is Malcolm Glowell. I am here with Meredith Rollins.

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<v Speaker 1>Who is the power behind the Throne in the Medal

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<v Speaker 1>of Honor series. She's the one who wrote all the episodes,

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<v Speaker 1>did all the research. She's the genius who brought it

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<v Speaker 1>all together. Meredith, thank you for joining.

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<v Speaker 2>Me, Thanks for having me. It's fun to be on

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<v Speaker 2>the microphone.

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<v Speaker 1>It is. Yes, we thought we would be remiss in

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<v Speaker 1>our Medal of Honor series if we didn't talk to

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<v Speaker 1>the person who found all these incredible stories. You tell

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<v Speaker 1>me first, how much did you enjoy this?

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<v Speaker 2>I have really loved it, and not for a few

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<v Speaker 2>to reasons. The first is when you and I first

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<v Speaker 2>started talking about this project. I remember I said to you,

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<v Speaker 2>I don't think that I am the right person for

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<v Speaker 2>this project because I don't know anything about military history

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<v Speaker 2>or the military or history. I mean, whatever I knew,

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<v Speaker 2>i'd sort of forgotten. And you, I think, very rightly

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<v Speaker 2>pointed out that this was going to make the whole

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<v Speaker 2>exploration and investigation of these stories more fun for me

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<v Speaker 2>and potentially more inclusive for an audience that doesn't necessarily

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<v Speaker 2>have a background where they know a ton about you know,

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<v Speaker 2>the Battle of Guadalcanal, for example. And my dad was

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<v Speaker 2>a marine.

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<v Speaker 1>I know that, yeah, in what War Korea?

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<v Speaker 2>No, he was actually in between Korea and Vietnam, so

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<v Speaker 2>he was deployed to Okinawa. He went through the Marine

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<v Speaker 2>Officer Training program. He went to Purdue on a scholarship

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<v Speaker 2>and spent four years in the service, and it was

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<v Speaker 2>a really defining thing for him. He absolutely loved it.

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<v Speaker 2>Being having been a marine was the first thing he

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<v Speaker 2>would really impressing. He would say, Yeah, I did not

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<v Speaker 2>know that.

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<v Speaker 1>I knew you did just business should know. I've known

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<v Speaker 1>Meredith for many, many years, and I knew your dad.

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<v Speaker 1>I did not know that that was such a crucial

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<v Speaker 1>part of his life story. Yeah, And you know, it's

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<v Speaker 1>interesting my father in law also serve in the Marine Corps,

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<v Speaker 1>so I have this kind of military influence. But this.

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<v Speaker 2>Project has been a really interesting way to dive into

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<v Speaker 2>what being in the service is all about. To learn

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<v Speaker 2>the stories of these people who have done these extraordinary things,

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<v Speaker 2>and also to really reintroduce myself to those different periods

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<v Speaker 2>of American history that are so compelling and really inform

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<v Speaker 2>where we are as a country today. And also just

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<v Speaker 2>looking into all these stories because you know, threey five

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<v Speaker 2>hundred and nineteen people have won the Medal of Honor,

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<v Speaker 2>so it's a vast resource of people to look through,

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<v Speaker 2>but kind of doing the detective work to find out

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<v Speaker 2>which stories are most compelling, to find a diverse and

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<v Speaker 2>interesting group who are all a little bit different, and

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<v Speaker 2>then just some of the battlefield drama has been really,

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<v Speaker 2>really exciting.

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<v Speaker 1>I was surprised. I've been continually surprised through this series

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<v Speaker 1>at how how little I knew about these battles you're describing.

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<v Speaker 1>I mean, I'm actually, when I say that, as someone

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<v Speaker 1>who I probably have I have hundreds of books on

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<v Speaker 1>wars and military things in my library. I mean, I'm

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<v Speaker 1>someone who considers themselves well above average in their obsession

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<v Speaker 1>with the world, wars and other things. I didn't know

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<v Speaker 1>half the stuff, the Okinawa stuff from Bob Bush Bobus.

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<v Speaker 1>I mean, I knew the Pacific Theater was a nasty place.

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<v Speaker 1>I just had no idea the scale of the casualties there.

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<v Speaker 1>It's mind boggling, it is.

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<v Speaker 2>And also, I mean for me that that piece of

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<v Speaker 2>the research really getting deep into the weeds of thesearious battlefields.

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<v Speaker 2>I mean, what it means is that I have now

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<v Speaker 2>become sort of boring when you have a conversation with

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<v Speaker 2>me about what I'm doing, because I'm like, oh, let

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<v Speaker 2>me tell can I tell you something about Okinawa's it.

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<v Speaker 2>Here's a hot tip Buguada canal. This is my cocktail

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<v Speaker 2>party conversation.

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<v Speaker 1>Now you know you are that. Yes, you're the person

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<v Speaker 1>we all avoided, although I've been the person you should

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<v Speaker 1>avoided a party for most of my life. So I'm

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<v Speaker 1>Missy Love's company. I really the next time we'll hang

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<v Speaker 1>out together and we can trade. No, it's but that's

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<v Speaker 1>the kind of lovely thing about doing getting immersed in

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<v Speaker 1>a subject like this and the other thing I was

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<v Speaker 1>thinking about that. You know, every time you plunge into

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<v Speaker 1>one of these stories, you have a certainty that some

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<v Speaker 1>transcendent thing is at the end.

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<v Speaker 2>Well, I feel as though the story is going well

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<v Speaker 2>if I am crying by the end, And of course

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<v Speaker 2>I'm just I'll put it out there. I'm the kind

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<v Speaker 2>of person who cries at lots of things.

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<v Speaker 1>I'm you know, the person who cries. Give me some crime,

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<v Speaker 1>give me your top crying moments in the series.

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<v Speaker 2>Well, but the Bob Bush story when he talks about

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<v Speaker 2>he's been through this terrible battle in Okinawa, and what's

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<v Speaker 2>his big takeaway? Not that he survived, not that he's

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<v Speaker 2>saved someone's life. It's that he was then able to

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<v Speaker 2>have children, and he talks about what a wonderful thing

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<v Speaker 2>that is, or hearing Jay Vargas choke up about when

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<v Speaker 2>he talks about his mom, and I don't know, hopefully

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<v Speaker 2>listeners will be able to tell this when he tells

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<v Speaker 2>the story about having his mother's name on the back

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<v Speaker 2>of his medal and he calls and he gets Richard

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<v Speaker 2>Nixon on the phone, which of course is hilarious, but

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<v Speaker 2>he's he kind of is is hesitant and coughing a

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<v Speaker 2>little bit in that original tape because he was trying

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<v Speaker 2>not to cry. And there's something about that that these

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<v Speaker 2>guys are incredibly tough. Obviously, they're battle hardened, They've been

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<v Speaker 2>in the worst possible scenarios, and yet you know, he

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<v Speaker 2>talks about his mom with a tear in his eye.

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<v Speaker 2>It's just the best.

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<v Speaker 1>Yeah yeah to me. When I think back on what

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<v Speaker 1>the most moving moment I it's the guy who goes

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<v Speaker 1>to the grave.

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<v Speaker 2>Of his Oh yeah, Doug Monroe.

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<v Speaker 1>Doug Monroe, his.

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<v Speaker 2>Best friend from childhood, who goes and raises and lowers

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<v Speaker 2>the flag at his grave for forty years or forty years,

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<v Speaker 2>it's wild.

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<v Speaker 1>Yeah.

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<v Speaker 2>You know.

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<v Speaker 1>The thing about that's part of that story is you

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<v Speaker 1>know that it really was every day. Oh yeah, like

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<v Speaker 1>it's not he wasn't speaking metaphorically. There's nothing metaphorical about

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<v Speaker 1>the devotion of these men to these memories. It's real.

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<v Speaker 1>It's like he went every day. It was like part

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<v Speaker 1>of like that. For some reason when I I had

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<v Speaker 1>a really really hard time keeping it together when I

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<v Speaker 1>got to that part of that story.

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<v Speaker 2>Oh, it's so it's just so amazing. And then the

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<v Speaker 2>Tybar Rubens story, there are a million moments in that

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<v Speaker 2>when he learned that his mom has followed his little

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<v Speaker 2>sister into the gas chamber. That's a heartbreaking thing. When

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<v Speaker 2>the people that he saved to talk about how he

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<v Speaker 2>picked lice off of them, like all of that stuff

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<v Speaker 2>is just you cannot believe the devotion and the time

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<v Speaker 2>that he spent, which is just a different way of

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<v Speaker 2>looking at heroism, the fact that he and so many

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<v Speaker 2>of these guys just again and again and again we're

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<v Speaker 2>helping the people around them.

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<v Speaker 1>Yeah. Yeah, Well, one of the interesting kind of psychological

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<v Speaker 1>insights I got from these stories is how much of

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<v Speaker 1>courage is just a or heroism is an offshoot simply

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<v Speaker 1>of devotion. Yeah, it's the same impulse. It just that thought,

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<v Speaker 1>as obvious as it seems, is not something that ever

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<v Speaker 1>occurred to me. I assumed that they were, you know,

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<v Speaker 1>opposite ends of some beneficial continuum. They're not. It's the

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<v Speaker 1>same impulse, just expressed in a different way. It's a

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<v Speaker 1>lot of these guys. It's a it's the high testostero

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<v Speaker 1>and twenty two year old man's way of saying I

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<v Speaker 1>love you, I mean glad. These guys are their high

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<v Speaker 1>disoster two year old guys.

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<v Speaker 2>Yes, yes, for sure. But at the same time, there

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<v Speaker 2>is that there's this devotion to the people that they

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<v Speaker 2>are serving with and to the cause that they're serving

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<v Speaker 2>to the of course deeply patriotic. But one of the

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<v Speaker 2>things that we don't really include so much in this

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<v Speaker 2>series is that almost all of them say at some

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<v Speaker 2>point in an interview that they were just doing their job,

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<v Speaker 2>that what they were doing on that day was no

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<v Speaker 2>different from what they were doing the thirty days before that.

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<v Speaker 2>It just happened that they were doing their job in

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<v Speaker 2>this extraordinary circumstance. And I don't think I've listened to

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<v Speaker 2>an interview with any one of these people where they've

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<v Speaker 2>said I deserve this metal, I did this thing that

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<v Speaker 2>was above and beyond. That's how the military defines it.

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<v Speaker 2>But that's not how they define it. They define it

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<v Speaker 2>as I was doing something that anybody else would have

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<v Speaker 2>done in the same circumstance.

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<v Speaker 1>Now, but of course that isn't true, right right, So

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<v Speaker 1>it's this really interesting. This is another interesting fact about

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<v Speaker 1>these that there is a kind of culture that says

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<v Speaker 1>this was an act that you know, anyone would be

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<v Speaker 1>capable of. I just did. At the same time, the

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<v Speaker 1>act itself is completely out of the ordinary, and when

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<v Speaker 1>we read about it, we're like, how on earth could

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<v Speaker 1>anyone do that? Now, I just want to talk a

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<v Speaker 1>little bit more. That's a really interesting tension or contradiction

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<v Speaker 1>or something in these stories which I never managed to resolve.

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<v Speaker 1>Are they Is it just that that's the way you're

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<v Speaker 1>expected to talk about it, or is it that they

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<v Speaker 1>truly do feel that this is something anyone could have done.

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<v Speaker 2>If I were to venture a guess, I would say

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<v Speaker 2>that they sincerely feel that anybody in the same situation

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<v Speaker 2>would have And maybe the subtext is should have done

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<v Speaker 2>exactly what I chose to do. I mean there are

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<v Speaker 2>obvious things that are you know, people that don't fall

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<v Speaker 2>into that rule, like tib War. Part of what was

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<v Speaker 2>interesting about tiber Ruben was that he had this whole

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<v Speaker 2>set of experiences that nobody else in the camp had,

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<v Speaker 2>so they wouldn't necessarily have known to do the things

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<v Speaker 2>that he did. At the same time, he talks endlessly

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<v Speaker 2>about their shared humanity and how anybody he believed he

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<v Speaker 2>was taught by his parents that anybody should do these

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<v Speaker 2>wonderful things for other people. It's just what you are.

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<v Speaker 1>But someone like all Win with Cash, all in Cash, Yeah,

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<v Speaker 1>it goes back into the burning vehicle. We don't need

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<v Speaker 1>seven times seven times to pull people out. So there's

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<v Speaker 1>our good case study. Now suppose Allwin Cash said, well,

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<v Speaker 1>anyone would have done that? Well, no, I can tell

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<v Speaker 1>you right now I'm not. I would never go back

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<v Speaker 1>seven times into a burning vehicle.

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<v Speaker 2>Actually I think it was maybe it was five times anyway,

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<v Speaker 2>but yeah, Alan Cash goes back over and over again

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<v Speaker 2>because he's devoted. To go back to your idea of devotion,

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<v Speaker 2>he's devoted to his what he called his boys, He's

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<v Speaker 2>devoted to them. He's not going to leave any of

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<v Speaker 2>them behind. And as long as he can keep going

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<v Speaker 2>back for them, he's going to keep doing it. And

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<v Speaker 2>it's true because some of the eyewitnesses say, you know, yeah,

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<v Speaker 2>we got there and we wanted to help as well,

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<v Speaker 2>but he was doing it. He'd pulled everybody out. So

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<v Speaker 2>I do think maybe it's a mix between that mindset

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<v Speaker 2>that you can do it, and well, nobody else is

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<v Speaker 2>doing it, so I guess I have to do it,

0:12:45.236 --> 0:12:47.756
<v Speaker 2>and also this feeling of well, why wouldn't I do it.

0:12:48.596 --> 0:12:49.836
<v Speaker 2>I don't know that I'm being particular.

0:12:49.956 --> 0:12:54.236
<v Speaker 1>I think what they're doing is they are almost unconsciously

0:12:54.316 --> 0:12:59.716
<v Speaker 1>confusing would and should. What they say anyone would do this,

0:12:59.796 --> 0:13:03.516
<v Speaker 1>What they really mean is anyone everyone should do this. Yeah,

0:13:03.596 --> 0:13:06.036
<v Speaker 1>that's what they're saying. They're saying, I did what I

0:13:06.036 --> 0:13:08.756
<v Speaker 1>would expect a human being to do in that situation,

0:13:09.156 --> 0:13:12.356
<v Speaker 1>and they're absolutely but that's not the same. Sadly though,

0:13:12.996 --> 0:13:15.676
<v Speaker 1>most human beings would not do what they should do

0:13:16.836 --> 0:13:22.316
<v Speaker 1>correct rights. That's what they're and what they're trying to

0:13:22.356 --> 0:13:24.716
<v Speaker 1>explain to us. I think again, maybe it is just

0:13:24.796 --> 0:13:28.476
<v Speaker 1>unconscious they're trying to explain to us that they think

0:13:28.516 --> 0:13:33.236
<v Speaker 1>the gap between wood and should is too is too.

0:13:33.076 --> 0:13:37.476
<v Speaker 2>Great, Yes, And I think that part of it, of course,

0:13:37.596 --> 0:13:40.156
<v Speaker 2>is training, part of it is passion, part of it

0:13:40.236 --> 0:13:42.316
<v Speaker 2>is patriotism. Part of it is the heat and the

0:13:42.636 --> 0:13:44.996
<v Speaker 2>heat of the battle. There were certainly stories that we

0:13:45.076 --> 0:13:49.076
<v Speaker 2>didn't tell where these guys look back on the action

0:13:49.716 --> 0:13:53.316
<v Speaker 2>and say, I don't remember having done it. Yes, I

0:13:53.396 --> 0:13:55.516
<v Speaker 2>know that I threw myself on a grenade, but I

0:13:55.556 --> 0:13:59.236
<v Speaker 2>don't remember that moment. So I do think that part

0:13:59.236 --> 0:14:04.156
<v Speaker 2>of it is just this instant gut reaction that you

0:14:04.236 --> 0:14:06.236
<v Speaker 2>see something that needs to be done and you just

0:14:06.436 --> 0:14:08.836
<v Speaker 2>do it because you aren't even thinking about what the

0:14:08.876 --> 0:14:10.356
<v Speaker 2>content sequences are for yourself.

0:14:10.676 --> 0:14:32.956
<v Speaker 1>Yeah. Yeah, we'll be back in a minute. Let's talk

0:14:32.956 --> 0:14:34.796
<v Speaker 1>a little bit about First of all, did you have

0:14:34.836 --> 0:14:37.276
<v Speaker 1>a favorite story, one that you loved doing more than

0:14:37.276 --> 0:14:37.676
<v Speaker 1>any other.

0:14:38.316 --> 0:14:43.196
<v Speaker 2>Oh that's really hard. I you know now, I feel

0:14:43.196 --> 0:14:46.236
<v Speaker 2>like I love all of my children equally, Malcolm, So no,

0:14:46.676 --> 0:14:50.156
<v Speaker 2>I don't really have a favorite. I think the fun

0:14:50.196 --> 0:14:52.876
<v Speaker 2>thing for me has been finding the interesting angle to

0:14:53.316 --> 0:14:56.276
<v Speaker 2>sort of take a different look at a story that

0:14:56.556 --> 0:15:02.436
<v Speaker 2>perhaps you've heard before. Working on Mary Walker, the only

0:15:02.876 --> 0:15:06.556
<v Speaker 2>woman to win the Medal of Honor, was incredibly fun

0:15:06.676 --> 0:15:08.596
<v Speaker 2>and I think at a certain point I realized I

0:15:08.676 --> 0:15:10.676
<v Speaker 2>was having too much fun with it. I kept on

0:15:11.116 --> 0:15:14.156
<v Speaker 2>making pants jokes, which I eventually took out because I

0:15:14.236 --> 0:15:17.436
<v Speaker 2>was being too lighthearted about something that actually what she

0:15:17.516 --> 0:15:20.836
<v Speaker 2>did was was incredibly serious and extraordinary, but kind of

0:15:20.876 --> 0:15:23.236
<v Speaker 2>getting to know her as a person, and I think

0:15:23.236 --> 0:15:26.196
<v Speaker 2>that she probably was really tough to be around and

0:15:26.276 --> 0:15:28.156
<v Speaker 2>kind of ye I was going to say, kind of

0:15:28.196 --> 0:15:33.036
<v Speaker 2>intense and sort of a little nuts, but in the

0:15:33.076 --> 0:15:36.116
<v Speaker 2>best possible way. She was just a woman like way

0:15:36.196 --> 0:15:38.796
<v Speaker 2>beyond her time. That just she wasn't going to take

0:15:38.796 --> 0:15:41.396
<v Speaker 2>no for an answer, and it was delightful every time

0:15:41.436 --> 0:15:43.836
<v Speaker 2>I found out something new about her, you know, the

0:15:43.876 --> 0:15:47.556
<v Speaker 2>fact that she kind of moved into the home of

0:15:47.676 --> 0:15:50.916
<v Speaker 2>Ulysses Grant and stayed there until she got a job.

0:15:51.076 --> 0:15:53.556
<v Speaker 2>And then you know, because you and I have talked

0:15:53.596 --> 0:15:57.276
<v Speaker 2>about this a bit, and the other people who are

0:15:57.276 --> 0:15:58.996
<v Speaker 2>working on this podcast with me have heard me say

0:15:59.036 --> 0:16:01.436
<v Speaker 2>it now way too many times. My favorite thing about

0:16:01.436 --> 0:16:03.756
<v Speaker 2>all of these is when the mom shows up, Because

0:16:03.756 --> 0:16:07.196
<v Speaker 2>the moms show up over and over again. Yeah, well

0:16:07.236 --> 0:16:11.156
<v Speaker 2>I will say that. So I work on this podcast

0:16:11.756 --> 0:16:16.156
<v Speaker 2>with Constanza Gardo, Benette f. Haffrey, and Izzy Carter, who

0:16:16.236 --> 0:16:18.276
<v Speaker 2>are the three most brilliant people I've ever worked with,

0:16:18.356 --> 0:16:21.116
<v Speaker 2>other than you, of course, Malcolm, which but maybe even

0:16:21.116 --> 0:16:24.636
<v Speaker 2>a little bit more. And the joke that we have

0:16:24.756 --> 0:16:29.796
<v Speaker 2>constantly because I'm the only middle aged mom in the group,

0:16:30.436 --> 0:16:33.036
<v Speaker 2>is that I keep on picking these stories with big

0:16:33.076 --> 0:16:36.236
<v Speaker 2>mom energy.

0:16:36.596 --> 0:16:39.316
<v Speaker 1>Only you would do would be drawn to a series

0:16:39.396 --> 0:16:43.636
<v Speaker 1>on war heroes because you were interested in the whole

0:16:43.716 --> 0:16:44.716
<v Speaker 1>mom side of the.

0:16:44.676 --> 0:16:48.116
<v Speaker 2>Story, right, exactly, big mom energy. But I do think

0:16:48.716 --> 0:16:52.036
<v Speaker 2>it is part of it is that you listen to

0:16:52.036 --> 0:16:54.316
<v Speaker 2>these stories and you realize that they are so personal

0:16:54.396 --> 0:16:59.316
<v Speaker 2>and they are so emotional. And of course, obviously some

0:16:59.036 --> 0:17:02.196
<v Speaker 2>of our episodes focus on people who died in battle,

0:17:02.676 --> 0:17:06.036
<v Speaker 2>and some of them, like Henry Johnson, were never recorded

0:17:06.036 --> 0:17:10.196
<v Speaker 2>that we know of, but the ones who were always

0:17:10.396 --> 0:17:14.596
<v Speaker 2>have at a certain point that catch in their voice.

0:17:15.356 --> 0:17:20.596
<v Speaker 2>They all have a real emotional reaction to telling their

0:17:20.636 --> 0:17:24.836
<v Speaker 2>stories or something about their stories, and it just happens

0:17:24.876 --> 0:17:26.076
<v Speaker 2>to be that a lot. For a lot of them,

0:17:26.116 --> 0:17:26.996
<v Speaker 2>it's their moms.

0:17:27.396 --> 0:17:29.956
<v Speaker 1>Yeah, it is mom's on parade. But who's the best

0:17:29.996 --> 0:17:32.596
<v Speaker 1>of all moms? Is it Jave Argus's mom.

0:17:33.036 --> 0:17:38.956
<v Speaker 2>Jave Argus's mom was fantastic and my but my favorite

0:17:38.956 --> 0:17:40.916
<v Speaker 2>mom has to be Doug mon Ro's mom, who then

0:17:40.956 --> 0:17:45.196
<v Speaker 2>went on to join Right the Coast Guard at the

0:17:45.236 --> 0:17:48.156
<v Speaker 2>age of forty eight, and then they proceeded to refer

0:17:48.196 --> 0:17:52.276
<v Speaker 2>to her as the old Lady, which I thought was

0:17:52.796 --> 0:17:56.356
<v Speaker 2>hilarious and also depressing. But nevertheless, but.

0:17:56.356 --> 0:17:59.236
<v Speaker 1>You wait, you're not forty eight yet, are you, merediths I.

0:17:59.236 --> 0:18:01.316
<v Speaker 2>Don't feel like we need to have this discussion in

0:18:01.356 --> 0:18:05.476
<v Speaker 2>this particular book at this time, but anyway, I feel

0:18:05.516 --> 0:18:08.276
<v Speaker 2>like there was this kind of you know, Bob Bush's

0:18:08.316 --> 0:18:10.636
<v Speaker 2>mom is like, me, you should go to You're seventeen,

0:18:10.676 --> 0:18:13.396
<v Speaker 2>but maybe you should go ahead and join up. Jay Vargas'

0:18:13.516 --> 0:18:16.116
<v Speaker 2>mom is like, please, don't join the Marines, and then

0:18:16.156 --> 0:18:16.676
<v Speaker 2>he does.

0:18:18.156 --> 0:18:18.996
<v Speaker 1>We're the dads.

0:18:20.236 --> 0:18:23.196
<v Speaker 2>I don't, don't we don't. For whatever reason, I just

0:18:23.236 --> 0:18:26.796
<v Speaker 2>didn't stumble across a great dad story. But no, no, no, yes,

0:18:26.876 --> 0:18:27.956
<v Speaker 2>this is season two.

0:18:27.996 --> 0:18:31.796
<v Speaker 1>This is no no, this is my theory of parental asymmetry.

0:18:31.836 --> 0:18:34.396
<v Speaker 1>I've ever heard this theory. No, it is at any

0:18:34.436 --> 0:18:37.356
<v Speaker 1>given time, it changes about our life. But at any

0:18:37.396 --> 0:18:41.756
<v Speaker 1>given time in our lives, we are only really able

0:18:41.796 --> 0:18:46.996
<v Speaker 1>to construct narratives about one of our parents. So there's

0:18:47.036 --> 0:18:50.956
<v Speaker 1>a moment when you can't it's for some reason that

0:18:51.036 --> 0:18:55.316
<v Speaker 1>I don't particularly understand. We cannot integrate the contributions of

0:18:55.356 --> 0:18:57.596
<v Speaker 1>our parents to who we are. So what we do

0:18:57.716 --> 0:19:01.076
<v Speaker 1>is we toggle. So there's a you know, you talk

0:19:01.156 --> 0:19:03.436
<v Speaker 1>to someone at fourteen and they just talk about how

0:19:03.516 --> 0:19:07.596
<v Speaker 1>my mom drives me crazier. You talk to them at

0:19:07.636 --> 0:19:10.676
<v Speaker 1>you know, thirty, and it's like, my dad played Little

0:19:10.756 --> 0:19:13.316
<v Speaker 1>League with me, and then at sixty it's like, my

0:19:13.516 --> 0:19:16.396
<v Speaker 1>mom is my ma, Ma, Ma Mom. And I just

0:19:16.436 --> 0:19:18.796
<v Speaker 1>think that's the pattern in it just goes back and

0:19:19.196 --> 0:19:21.036
<v Speaker 1>I look at my own life. I'm like, totally what

0:19:21.076 --> 0:19:23.996
<v Speaker 1>I did. Yeah, it just catch me. On a given day,

0:19:23.996 --> 0:19:26.876
<v Speaker 1>it's mom and then it's dad, And I think there's

0:19:26.916 --> 0:19:30.436
<v Speaker 1>something about And this goes to what we were saying

0:19:30.436 --> 0:19:34.276
<v Speaker 1>earlier about how what courage really is is devotion. Is

0:19:34.316 --> 0:19:37.876
<v Speaker 1>that they grasp that and they think of the person

0:19:37.916 --> 0:19:45.356
<v Speaker 1>in their life who embodied devotion, who embodied love, right,

0:19:45.796 --> 0:19:49.036
<v Speaker 1>and it's their mom. So their heroism, that's the mistake.

0:19:49.436 --> 0:19:52.996
<v Speaker 1>Their heroism does not remind them of the strong male

0:19:53.076 --> 0:19:56.556
<v Speaker 1>figure they had growing up. No, no, no, Their heroism reminds

0:19:56.556 --> 0:20:00.036
<v Speaker 1>them of the mom who nurtured them and who you know,

0:20:00.756 --> 0:20:03.796
<v Speaker 1>birthed them and who wipe their noses. I think that's

0:20:04.156 --> 0:20:06.556
<v Speaker 1>that's one of those things that is incredibly beautiful about.

0:20:06.276 --> 0:20:10.396
<v Speaker 2>This It is and of course I feel like I

0:20:10.476 --> 0:20:13.436
<v Speaker 2>gravitate towards those stories naturally, as I am a mom

0:20:13.556 --> 0:20:15.756
<v Speaker 2>and I have to, you know what, I've got two boys,

0:20:16.476 --> 0:20:21.476
<v Speaker 2>and for me thinking about them, think about the Bob

0:20:21.516 --> 0:20:24.916
<v Speaker 2>Busch story. For example, he's seventeen when he enlists. I

0:20:24.916 --> 0:20:25.836
<v Speaker 2>have a seventeen year old.

0:20:25.916 --> 0:20:27.596
<v Speaker 1>You was a seventeen year old. I was good, you know,

0:20:27.636 --> 0:20:30.396
<v Speaker 1>it's funny at that moment in that story, I thought

0:20:30.436 --> 0:20:32.596
<v Speaker 1>immediately view about how you have a seventeen year old,

0:20:32.596 --> 0:20:35.796
<v Speaker 1>and I thought, can you imagine if you had to

0:20:35.836 --> 0:20:38.796
<v Speaker 1>send your eldest off to war right now? Like right now?

0:20:39.276 --> 0:20:43.876
<v Speaker 2>No, it's it's it's just it's really it's really unthinkable

0:20:43.956 --> 0:20:46.516
<v Speaker 2>thinkable it is. And then at the same time, and

0:20:46.596 --> 0:20:51.756
<v Speaker 2>this is World War two and he was watching every

0:20:51.876 --> 0:20:55.316
<v Speaker 2>other teenager go to war as quickly as they could.

0:20:55.316 --> 0:20:57.516
<v Speaker 2>They wanted to get out there, they wanted to serve.

0:20:57.996 --> 0:21:01.156
<v Speaker 2>I think it's a different mindset than it is than

0:21:01.196 --> 0:21:06.996
<v Speaker 2>how we think about combat now. Not everyone, obviously, but

0:21:07.076 --> 0:21:09.636
<v Speaker 2>I do think that there was just this feeling of

0:21:10.076 --> 0:21:11.716
<v Speaker 2>as soon as I get as soon as I can

0:21:11.756 --> 0:21:14.116
<v Speaker 2>get out there. I want to get out there, and

0:21:14.396 --> 0:21:16.876
<v Speaker 2>I want to do my part. And I don't want

0:21:16.916 --> 0:21:18.196
<v Speaker 2>to be I don't want to be trapped. I don't

0:21:18.196 --> 0:21:21.196
<v Speaker 2>want to be trapped at home with my mom not

0:21:21.316 --> 0:21:24.036
<v Speaker 2>being able to serve. So on the one hand, I

0:21:24.076 --> 0:21:29.036
<v Speaker 2>can understand his teenage hormonal get me out there. I

0:21:29.036 --> 0:21:31.556
<v Speaker 2>have no idea what I'm getting into. But the fact

0:21:31.596 --> 0:21:34.156
<v Speaker 2>that the mom was like, I think maybe this is

0:21:34.196 --> 0:21:37.276
<v Speaker 2>a good idea for you, that piece of it just

0:21:37.316 --> 0:21:41.716
<v Speaker 2>feels incredibly, incredibly foreign to me. Real. Yeah.

0:21:42.716 --> 0:21:45.676
<v Speaker 1>And also it was going on the Bob Busch story

0:21:46.076 --> 0:21:50.436
<v Speaker 1>when he says it sixty seven people from his high

0:21:50.436 --> 0:21:53.676
<v Speaker 1>school died in the war in a town of ten

0:21:53.716 --> 0:21:54.356
<v Speaker 1>thousand people.

0:21:54.516 --> 0:21:56.316
<v Speaker 2>Yeah, and they were only twenty five kids per grade

0:21:56.316 --> 0:21:56.996
<v Speaker 2>in high school.

0:21:57.076 --> 0:22:00.676
<v Speaker 1>It's just it's just bananas. It is bananas, totally bananas,

0:22:00.756 --> 0:22:06.276
<v Speaker 1>It really is. The Henry Johnson story was another complete

0:22:06.356 --> 0:22:09.516
<v Speaker 1>surprise to me. But it's funny because it's something that

0:22:09.556 --> 0:22:12.996
<v Speaker 1>I have been thinking about and writing about a little bit,

0:22:13.476 --> 0:22:15.116
<v Speaker 1>which is this question of what do you do with

0:22:15.156 --> 0:22:18.396
<v Speaker 1>your anger? So he's of all the stories you tell,

0:22:18.476 --> 0:22:21.476
<v Speaker 1>he's the one who comes home angry. Yeah, it's such

0:22:21.476 --> 0:22:23.996
<v Speaker 1>a weird. First of all, that ideal is part of

0:22:24.036 --> 0:22:26.476
<v Speaker 1>the reason why this series is so fascinating is that

0:22:26.676 --> 0:22:30.156
<v Speaker 1>there are so many emotional dimensions to it. And here

0:22:30.196 --> 0:22:33.476
<v Speaker 1>we have this guy who comes home angry, and the

0:22:33.516 --> 0:22:36.356
<v Speaker 1>great question he faces is what he does with his anger?

0:22:37.036 --> 0:22:39.716
<v Speaker 2>Right, and the fact that he I mean, of course,

0:22:39.756 --> 0:22:45.316
<v Speaker 2>he was coming home and he's lauded as this war hero,

0:22:45.836 --> 0:22:50.836
<v Speaker 2>and I think he, like the other men in the

0:22:50.876 --> 0:22:54.516
<v Speaker 2>Harlem Hell Fighters, thought we're being treated as war heroes.

0:22:54.956 --> 0:22:58.676
<v Speaker 2>The world has changed, America's changed. Here we are things

0:22:58.676 --> 0:23:00.476
<v Speaker 2>are going to be different now. And then, of course

0:23:00.676 --> 0:23:04.516
<v Speaker 2>Henry realizes very quickly that he's back in exactly the

0:23:04.556 --> 0:23:09.356
<v Speaker 2>same society that he left, and that question of what

0:23:09.396 --> 0:23:11.996
<v Speaker 2>to do with your anger? Do you retreat, do you

0:23:12.116 --> 0:23:14.396
<v Speaker 2>keep to yourself, or do you go out there and

0:23:14.436 --> 0:23:16.956
<v Speaker 2>give voice to it? The fact that he did give

0:23:17.036 --> 0:23:20.996
<v Speaker 2>voice to it then leads to him being essentially banished, well,

0:23:21.036 --> 0:23:26.236
<v Speaker 2>banished from the speaking circuit, but also he eventually dies

0:23:26.476 --> 0:23:33.036
<v Speaker 2>alone and penniless and generally forgotten. And I think that

0:23:33.156 --> 0:23:35.996
<v Speaker 2>feeling of I've done I've done this thing, and you

0:23:35.996 --> 0:23:39.396
<v Speaker 2>can actually see that in the Mary Walker episode as well.

0:23:39.676 --> 0:23:42.676
<v Speaker 2>You know, she has served her country and now she

0:23:42.836 --> 0:23:45.236
<v Speaker 2>wants to be allowed to wear pants and vote and

0:23:45.236 --> 0:23:47.076
<v Speaker 2>fight for all of these other things that are that

0:23:47.116 --> 0:23:52.156
<v Speaker 2>are important to her. And this idea that if you've served,

0:23:52.316 --> 0:23:54.796
<v Speaker 2>and if you've if you've put yourself in harm's way

0:23:54.836 --> 0:23:59.436
<v Speaker 2>for your country, then you should expect something in return.

0:23:59.996 --> 0:24:03.636
<v Speaker 2>And neither one of them necessarily expected the medal or

0:24:03.676 --> 0:24:06.276
<v Speaker 2>the honor. What they expected was to be treated like

0:24:06.316 --> 0:24:09.876
<v Speaker 2>a full citizen of the country they had served. And

0:24:10.596 --> 0:24:12.636
<v Speaker 2>that element is really interesting to me.

0:24:12.756 --> 0:24:14.876
<v Speaker 1>From the idea that the rest of so they had

0:24:14.916 --> 0:24:17.036
<v Speaker 1>this notion that it's not that they are none of

0:24:17.036 --> 0:24:21.076
<v Speaker 1>them say that they're owed this. No, they just they

0:24:21.076 --> 0:24:25.396
<v Speaker 1>expect part of their definition of a kind of just

0:24:25.476 --> 0:24:28.596
<v Speaker 1>outcome to their service. You know that it is the

0:24:28.676 --> 0:24:31.796
<v Speaker 1>inability of the rest of society to make that same

0:24:31.916 --> 0:24:36.316
<v Speaker 1>leap that's so kind of fascinating, Like so that everyone

0:24:36.356 --> 0:24:40.636
<v Speaker 1>else looks at Henry Johnson and says, the implications of

0:24:40.716 --> 0:24:44.996
<v Speaker 1>your contribution, your bravery do not extend beyond the battlefield.

0:24:45.356 --> 0:24:48.236
<v Speaker 1>It's basically what they're saying to him is, sure, you

0:24:48.276 --> 0:24:50.276
<v Speaker 1>did this incredible thing. You said all these lives and

0:24:50.316 --> 0:24:53.076
<v Speaker 1>you've thought so bravely, and you surrendered your own health

0:24:53.116 --> 0:24:57.196
<v Speaker 1>and blah blah blah, you came home. That's it. The

0:24:57.236 --> 0:24:59.876
<v Speaker 1>story ends there. Right, you don't have a right. The

0:24:59.916 --> 0:25:02.556
<v Speaker 1>fight is not you get to keep fighting. You don't

0:25:02.596 --> 0:25:04.116
<v Speaker 1>need to. You don't need you don't get to kind

0:25:04.116 --> 0:25:08.516
<v Speaker 1>of perpetuate some chain of consequences from your actions over

0:25:08.516 --> 0:25:13.596
<v Speaker 1>in Europe. And that's his anguish is he doesn't understand

0:25:13.716 --> 0:25:14.516
<v Speaker 1>that right.

0:25:14.436 --> 0:25:16.236
<v Speaker 2>Right, you know, they'll say, Okay, we're going to throw

0:25:16.276 --> 0:25:19.076
<v Speaker 2>you a bone, we're going to put some money together

0:25:19.116 --> 0:25:21.476
<v Speaker 2>to buy you a house, and we're going to name

0:25:21.516 --> 0:25:24.156
<v Speaker 2>a road after you. All of that's going to happen.

0:25:24.156 --> 0:25:26.916
<v Speaker 2>And then the moment that he tells the truth, and

0:25:26.956 --> 0:25:30.156
<v Speaker 2>he really did not do much more than just tell

0:25:30.316 --> 0:25:33.156
<v Speaker 2>the truth of what had happened in Europe to him,

0:25:33.436 --> 0:25:37.476
<v Speaker 2>all of that stuff goes away and he sees it.

0:25:37.876 --> 0:25:39.796
<v Speaker 2>He must have seen it for the sort of fiction

0:25:40.196 --> 0:25:42.916
<v Speaker 2>that it was. That he was only allowed to be

0:25:43.236 --> 0:25:46.756
<v Speaker 2>one thing. He was defined in one very specific way,

0:25:47.356 --> 0:25:49.996
<v Speaker 2>and that was all he was allowed to be.

0:25:51.316 --> 0:25:54.436
<v Speaker 1>It's funny the Henry Johnson story is of all of

0:25:54.476 --> 0:25:59.676
<v Speaker 1>the stories, it is the most contemporary because the whole

0:25:59.716 --> 0:26:01.436
<v Speaker 1>time I was listening to. That was what I was

0:26:01.436 --> 0:26:04.796
<v Speaker 1>thinking about, was the fact that of some portion, a

0:26:04.836 --> 0:26:08.676
<v Speaker 1>significant portion of the homelessness problem in his country is veterans,

0:26:08.836 --> 0:26:12.156
<v Speaker 1>right right, often with some form of PTSD or who

0:26:12.276 --> 0:26:16.476
<v Speaker 1>come home unable to function and have effectively in many

0:26:16.476 --> 0:26:20.436
<v Speaker 1>communities been cast aside. Yes, And I didn't realize this

0:26:20.516 --> 0:26:23.236
<v Speaker 1>until I did a story of Revision's History episode once

0:26:23.716 --> 0:26:26.636
<v Speaker 1>and I went to Jacksonville, Florida, which is one of

0:26:26.676 --> 0:26:29.076
<v Speaker 1>these quite a progressive place when it comes to dealing

0:26:29.076 --> 0:26:32.876
<v Speaker 1>with homelessness. And like many towns, they do a census

0:26:32.916 --> 0:26:35.316
<v Speaker 1>of their homeless and they can tell you exactly who

0:26:35.316 --> 0:26:38.236
<v Speaker 1>they're homeless, are, where they come from, and and there

0:26:38.276 --> 0:26:40.156
<v Speaker 1>are certain they said, there was certain communities in the

0:26:40.156 --> 0:26:43.596
<v Speaker 1>country where the homelessness problem is a veteran problem, like

0:26:43.636 --> 0:26:48.636
<v Speaker 1>depending on your proximity to you know, military bases or

0:26:49.116 --> 0:26:52.476
<v Speaker 1>parts of the country where veterans and like that's this,

0:26:52.716 --> 0:26:57.076
<v Speaker 1>it's the Henry Johnson story. Yeah right. They came home

0:26:57.716 --> 0:27:02.276
<v Speaker 1>in pieces having done something on behalf of their country,

0:27:02.596 --> 0:27:06.596
<v Speaker 1>and the country said it's over right, right, we no

0:27:06.676 --> 0:27:08.396
<v Speaker 1>longer Yeah you did this great thing. We don't have

0:27:08.436 --> 0:27:13.556
<v Speaker 1>any ongoing obligation towards you. That's Henry Johnson. Is this weird.

0:27:13.676 --> 0:27:17.676
<v Speaker 1>It's a powerful story because it's we didn't learn from

0:27:17.716 --> 0:27:21.636
<v Speaker 1>it at all. What he was saying was, you still

0:27:21.676 --> 0:27:23.476
<v Speaker 1>have an obligation to me after I come home. We

0:27:23.556 --> 0:27:24.036
<v Speaker 1>still don't.

0:27:24.476 --> 0:27:26.876
<v Speaker 2>Yeah, well, I mean that there's a difference, of course,

0:27:26.916 --> 0:27:30.196
<v Speaker 2>between the veteran services that you had after World War One,

0:27:30.236 --> 0:27:34.316
<v Speaker 2>which were incredibly minimal, and PTSD wasn't really recognized as

0:27:34.356 --> 0:27:36.756
<v Speaker 2>a thing and not dealt with. I mean even through

0:27:36.796 --> 0:27:39.516
<v Speaker 2>World War Two where we talk about, you know, tiber

0:27:39.596 --> 0:27:41.356
<v Speaker 2>comes home, he doesn't really want to talk about what

0:27:41.436 --> 0:27:43.396
<v Speaker 2>happened to him. You know, there's this feeling of like,

0:27:43.676 --> 0:27:45.716
<v Speaker 2>you know, the man in the gray flannel suit, you

0:27:45.756 --> 0:27:48.036
<v Speaker 2>come home, you just tamp it all down, you don't

0:27:48.076 --> 0:27:51.156
<v Speaker 2>deal with it. And I think what's interesting to me

0:27:51.436 --> 0:27:54.076
<v Speaker 2>about the Jay Vargas story in this regard is that

0:27:54.476 --> 0:27:58.556
<v Speaker 2>he went on he had this incredibly traumatic experience in

0:27:58.636 --> 0:28:02.996
<v Speaker 2>Vietnam where they were fighting, you know, hand to hand.

0:28:03.076 --> 0:28:07.116
<v Speaker 2>I mean, the descriptions of it are mind blowing. And

0:28:07.156 --> 0:28:10.476
<v Speaker 2>then he continues on as a marine for thirty years

0:28:11.196 --> 0:28:14.196
<v Speaker 2>and never talks about it. And then it's finally after

0:28:14.236 --> 0:28:16.876
<v Speaker 2>he retires from the core and he goes into Veterans

0:28:16.916 --> 0:28:19.596
<v Speaker 2>Services that he really comes face to face with how

0:28:19.636 --> 0:28:22.876
<v Speaker 2>important it is to deal with mental health of veterans.

0:28:23.516 --> 0:28:27.156
<v Speaker 2>He admits that he had PTSD, but he couldn't even

0:28:27.156 --> 0:28:30.116
<v Speaker 2>talk about his story for thirty six years. And here's

0:28:30.236 --> 0:28:31.996
<v Speaker 2>this is, of course, the other interesting thing about the

0:28:32.036 --> 0:28:35.236
<v Speaker 2>Medal of Honors that it does become this platform. And

0:28:35.356 --> 0:28:39.036
<v Speaker 2>jvarc is an example of somebody who took that platform

0:28:39.156 --> 0:28:42.676
<v Speaker 2>and said, we need to do more for our veterans

0:28:42.676 --> 0:28:45.116
<v Speaker 2>with PTSD. And one of the things that we need

0:28:45.156 --> 0:28:47.396
<v Speaker 2>to do is be talking about these stories and giving

0:28:47.436 --> 0:28:49.036
<v Speaker 2>them the mental health help that they need.

0:28:49.836 --> 0:28:52.556
<v Speaker 1>Yeah, we'll be back.

0:28:52.476 --> 0:29:08.116
<v Speaker 3>In a minute.

0:29:09.196 --> 0:29:12.276
<v Speaker 1>Whether there's a what's the equivalent outside the world of

0:29:12.516 --> 0:29:14.876
<v Speaker 1>is really equivalent in any other part of society to

0:29:14.956 --> 0:29:19.236
<v Speaker 1>the Medal of Honor, to the implications of it, to

0:29:20.356 --> 0:29:22.396
<v Speaker 1>the kind of platform it gives you. I mean, I

0:29:22.436 --> 0:29:25.276
<v Speaker 1>suppose you could the Nobel Yeah, I was going to

0:29:25.676 --> 0:29:29.996
<v Speaker 1>sort of the Nobel Prize for is that rarefied It

0:29:30.076 --> 0:29:32.236
<v Speaker 1>is the Fields Medal, which is that's the one they

0:29:32.236 --> 0:29:33.636
<v Speaker 1>give to brilliant mathematicians.

0:29:34.636 --> 0:29:37.836
<v Speaker 2>Well, and it also is one of those things where

0:29:38.236 --> 0:29:41.156
<v Speaker 2>I did not understand until I started working on this,

0:29:41.476 --> 0:29:45.716
<v Speaker 2>how incredibly difficult it is, particularly these days, to get

0:29:45.716 --> 0:29:47.756
<v Speaker 2>a Medal of Honor. I mean, obviously you have to

0:29:47.756 --> 0:29:50.316
<v Speaker 2>have done something above and beyond. But that was what

0:29:50.356 --> 0:29:53.596
<v Speaker 2>the Alwan Cash episode was all about, was how incredibly

0:29:53.636 --> 0:29:57.196
<v Speaker 2>difficult it is to be approved for a Medal of Honor.

0:29:57.676 --> 0:30:01.316
<v Speaker 2>And the John Chapman episode is the same idea that

0:30:01.956 --> 0:30:07.436
<v Speaker 2>he's done this incredibly brave and courageous thing, and then

0:30:08.236 --> 0:30:11.516
<v Speaker 2>years later there's fight to elevate his award to the

0:30:11.516 --> 0:30:13.796
<v Speaker 2>Medal of Honor, and there was a huge fight to

0:30:13.796 --> 0:30:17.716
<v Speaker 2>get Henry Johnson the medal too. So it just it's

0:30:17.716 --> 0:30:21.076
<v Speaker 2>one of those things where you have to check all

0:30:21.076 --> 0:30:25.716
<v Speaker 2>these boxes because they want it, I mean, the military

0:30:25.796 --> 0:30:28.476
<v Speaker 2>wants and needs it to feel like it is only

0:30:28.516 --> 0:30:31.996
<v Speaker 2>given to a very select few. And then, of course

0:30:32.116 --> 0:30:33.876
<v Speaker 2>there are the people who get their medal taken away,

0:30:33.916 --> 0:30:36.356
<v Speaker 2>like Mary Walker in the Great Purge of nineteen seventy.

0:30:36.436 --> 0:30:37.436
<v Speaker 1>Didn't you ever get it back?

0:30:37.516 --> 0:30:40.356
<v Speaker 2>Yeah, she got it back in the nineteen seventies. Jimmy

0:30:40.396 --> 0:30:43.036
<v Speaker 2>Carter gave it back to her in the nineteen seventies

0:30:43.396 --> 0:30:47.556
<v Speaker 2>after sort of distant members of her family had pressed

0:30:48.676 --> 0:30:51.596
<v Speaker 2>the military to look at her records again, and so

0:30:51.716 --> 0:30:56.516
<v Speaker 2>the decision from nineteen seventeen was overturned, but they rescinded

0:30:56.676 --> 0:30:57.836
<v Speaker 2>nine hundred medals.

0:30:58.556 --> 0:31:00.876
<v Speaker 1>These are I know that in each of these cases

0:31:00.956 --> 0:31:05.396
<v Speaker 1>the amount of material of in some cases it's hundreds

0:31:05.396 --> 0:31:07.996
<v Speaker 1>of pages, right, that goes into your Medal of honor file.

0:31:09.476 --> 0:31:12.756
<v Speaker 1>We tell stories at our thirty minutes. You must have

0:31:12.836 --> 0:31:16.516
<v Speaker 1>left an extraordinary amount on the cutting room floor. Tell

0:31:16.596 --> 0:31:18.636
<v Speaker 1>us a little bit about what you had to leave out.

0:31:19.836 --> 0:31:22.396
<v Speaker 2>Well, my favorite things that I had to leave out.

0:31:22.876 --> 0:31:26.956
<v Speaker 2>There is a great Jay Vargus anecdote of running into

0:31:27.436 --> 0:31:33.476
<v Speaker 2>then Texas Governor George Bush at some veterans golf event

0:31:34.316 --> 0:31:38.516
<v Speaker 2>and George Bush says to Jave Vargas, I want you

0:31:38.556 --> 0:31:41.436
<v Speaker 2>to come and work for me, and Jay Vargas says,

0:31:41.516 --> 0:31:45.116
<v Speaker 2>I have no interest in going to Texas. Sorry, not

0:31:45.196 --> 0:31:48.516
<v Speaker 2>going to happen. And George Bush, who's i think at

0:31:48.516 --> 0:31:51.476
<v Speaker 2>this point not even really running for president yet, is like, no, no, no, no,

0:31:51.916 --> 0:31:53.956
<v Speaker 2>when I'm in the White House, you can come and

0:31:53.996 --> 0:31:56.436
<v Speaker 2>work for me there, and Jay Vargas sort of laughs

0:31:56.436 --> 0:31:59.076
<v Speaker 2>and he's like, just shows how he thought then and

0:31:59.156 --> 0:32:04.596
<v Speaker 2>now and then lo and behold George Bush takes office

0:32:04.676 --> 0:32:07.116
<v Speaker 2>and Jay Barcas gets a phone call and it's George

0:32:07.116 --> 0:32:09.036
<v Speaker 2>Bush saying, all right, I told you, I want you.

0:32:09.196 --> 0:32:11.156
<v Speaker 2>I want you to work with me in veterans affairs.

0:32:11.756 --> 0:32:14.756
<v Speaker 2>And the fact that Jay Vargas was continually on the

0:32:14.796 --> 0:32:17.076
<v Speaker 2>phone with some president or another was like my favorite

0:32:17.116 --> 0:32:18.836
<v Speaker 2>thing about him, other than the thing about his mother,

0:32:18.876 --> 0:32:21.476
<v Speaker 2>which of course I loved. And he's so sort of

0:32:21.476 --> 0:32:22.876
<v Speaker 2>goofy and charming about it.

0:32:23.156 --> 0:32:26.276
<v Speaker 1>Yeah, and he did go oh.

0:32:26.316 --> 0:32:28.356
<v Speaker 2>Yeah, yeah. I mean, he stayed on the West Coast,

0:32:28.556 --> 0:32:31.956
<v Speaker 2>but he was kind of the West Coast veterans affairs person.

0:32:32.196 --> 0:32:34.516
<v Speaker 1>So anything else that you loved that you.

0:32:34.636 --> 0:32:37.516
<v Speaker 2>Couldn't choose, well, I mean, there was a whole story

0:32:37.596 --> 0:32:40.156
<v Speaker 2>about the training of the Harlem Hell Fighters. They were

0:32:40.196 --> 0:32:45.596
<v Speaker 2>initially sent to South Carolina to train, and the community

0:32:45.716 --> 0:32:49.076
<v Speaker 2>at the time really didn't want black soldiers there, and

0:32:49.196 --> 0:32:52.436
<v Speaker 2>so just from the moment that they got into uniform

0:32:52.516 --> 0:32:54.956
<v Speaker 2>and started to train for war, they were treated totally

0:32:54.996 --> 0:32:58.076
<v Speaker 2>differently than the white soldiers were. And there was a

0:32:58.156 --> 0:33:02.436
<v Speaker 2>whole story about that that was incredibly moving and depressing,

0:33:03.196 --> 0:33:05.596
<v Speaker 2>and it just kind of got in the way of

0:33:05.716 --> 0:33:10.116
<v Speaker 2>the action moving the story forward, but very interesting and

0:33:10.236 --> 0:33:14.956
<v Speaker 2>Mary Walker did a million different things in between her

0:33:15.036 --> 0:33:18.596
<v Speaker 2>battlefield stints. She was like the busiest person on the planet.

0:33:18.956 --> 0:33:21.156
<v Speaker 2>She would go back to Washington, d C. When she

0:33:21.276 --> 0:33:24.636
<v Speaker 2>wasn't tending to soldiers on the battlefield and start little

0:33:24.716 --> 0:33:29.436
<v Speaker 2>charities and help people. And she set up a home

0:33:29.436 --> 0:33:31.956
<v Speaker 2>for wives and mothers who were in the capitol looking

0:33:31.996 --> 0:33:36.836
<v Speaker 2>for their wounded you know, brothers, sons, fathers, husbands. She

0:33:36.916 --> 0:33:40.236
<v Speaker 2>was just incredibly active. She had like the energy of

0:33:40.276 --> 0:33:43.316
<v Speaker 2>fifteen people. Yeah, if you could meet one of these people,

0:33:43.556 --> 0:33:46.636
<v Speaker 2>who would it be? Well, I would love to meet

0:33:46.636 --> 0:33:48.676
<v Speaker 2>Mary Walker. I wouldn't really want to be stuck in

0:33:48.676 --> 0:33:50.356
<v Speaker 2>an elevator with her because I think it would be

0:33:50.436 --> 0:33:52.596
<v Speaker 2>like a little bit too much. I would like to

0:33:52.596 --> 0:33:54.516
<v Speaker 2>meet her for a short period of time if I

0:33:54.556 --> 0:33:56.076
<v Speaker 2>had an exit at the end of it, because I

0:33:56.116 --> 0:33:58.796
<v Speaker 2>sort of feel like she was just and she was

0:33:58.836 --> 0:34:00.356
<v Speaker 2>a lot. There was a lot there.

0:34:02.156 --> 0:34:03.676
<v Speaker 1>I know the answer you I know what name You're

0:34:03.676 --> 0:34:04.156
<v Speaker 1>going to say.

0:34:05.036 --> 0:34:08.356
<v Speaker 2>What are you think I'm going to say, Oh, my god, yes,

0:34:08.676 --> 0:34:13.036
<v Speaker 2>Tedru one cutest man on the planet, which, of course,

0:34:13.276 --> 0:34:16.276
<v Speaker 2>you know. Here's the other thing is that these guys

0:34:16.316 --> 0:34:18.196
<v Speaker 2>and I can just gay guys because there are so

0:34:18.236 --> 0:34:21.436
<v Speaker 2>many of them are so adorable. You see their pictures

0:34:21.476 --> 0:34:23.556
<v Speaker 2>when they first join up in the service, and it's

0:34:23.716 --> 0:34:28.116
<v Speaker 2>just a parade of good looking guys. I mean, it's

0:34:28.156 --> 0:34:34.636
<v Speaker 2>somewhat ridiculous, but Tybar Ruben seems like the most charming

0:34:35.276 --> 0:34:39.676
<v Speaker 2>of gentlemen and hilarious, and I hope when you listen

0:34:39.716 --> 0:34:41.756
<v Speaker 2>to it you can sort of get past is incredibly

0:34:41.796 --> 0:34:44.956
<v Speaker 2>thick Hungarian accent, which of course he never lost, because

0:34:44.956 --> 0:34:49.316
<v Speaker 2>he's really funny and just as cute as he could

0:34:49.356 --> 0:34:52.316
<v Speaker 2>possibly be, which you know, for me is high praise.

0:34:54.436 --> 0:34:58.516
<v Speaker 1>He's the one. I feel like, if if you had

0:34:58.556 --> 0:35:01.636
<v Speaker 1>to write a book about one of these stories, it

0:35:01.636 --> 0:35:03.476
<v Speaker 1>would be Tiba Rubin, wouldn't it.

0:35:03.476 --> 0:35:07.516
<v Speaker 2>It would be or a movie. I think that, you know,

0:35:07.556 --> 0:35:11.156
<v Speaker 2>the Tybar Ruben story. Why Steven Spielberg has not made

0:35:11.196 --> 0:35:15.076
<v Speaker 2>this movie is completely bizarre to me, because it really is.

0:35:15.156 --> 0:35:18.956
<v Speaker 2>There is NonStop action, there's a real kind of molden

0:35:19.116 --> 0:35:23.716
<v Speaker 2>heart at the center of it. He was devastatingly good looking, so,

0:35:23.956 --> 0:35:25.716
<v Speaker 2>you know, fun to cast that role.

0:35:26.076 --> 0:35:29.556
<v Speaker 1>Jake Jillenhall. I was watching Jake Jillenhall and presumed innocent.

0:35:29.676 --> 0:35:34.036
<v Speaker 1>My whole thing was like, he's he's too handsome, much

0:35:34.196 --> 0:35:37.756
<v Speaker 1>too much. Wait, what's he doing is working as a prosecutor.

0:35:37.916 --> 0:35:39.356
<v Speaker 1>He should be like a male model.

0:35:39.476 --> 0:35:42.476
<v Speaker 2>Yeah there you go. Yeah, No, Tyvor or Tyler Rubin

0:35:42.596 --> 0:35:45.796
<v Speaker 2>was just he was. He was the whole package. But

0:35:45.836 --> 0:35:48.596
<v Speaker 2>then you know, got back from got back from Korea,

0:35:49.436 --> 0:35:53.676
<v Speaker 2>and Hollywood also saw how good looking he was, because

0:35:53.676 --> 0:35:55.436
<v Speaker 2>you know, there are these pictures of him on a

0:35:56.116 --> 0:35:58.876
<v Speaker 2>stretcher coming off the you know whatever, the ship that

0:35:58.916 --> 0:36:03.076
<v Speaker 2>brought him back from North Korea. I mean, he's just,

0:36:03.156 --> 0:36:06.436
<v Speaker 2>you know, looks like Marlon Brando, and so Hollywood, you know,

0:36:06.476 --> 0:36:08.916
<v Speaker 2>he lived in California, So Hollywood sees his picture and

0:36:08.956 --> 0:36:12.756
<v Speaker 2>he's starts swaning around while with these starlits and taking

0:36:12.796 --> 0:36:15.756
<v Speaker 2>them to premieres and stuff. And there's talk that they're

0:36:15.756 --> 0:36:18.436
<v Speaker 2>going to make a movie of his life. And he's like, nah,

0:36:18.596 --> 0:36:21.196
<v Speaker 2>I don't really want to talk about it. I'm fine, thanks,

0:36:21.396 --> 0:36:24.276
<v Speaker 2>and he goes he had this beloved brother, Emory, who

0:36:24.316 --> 0:36:26.316
<v Speaker 2>opened a liquor store, and he went worked for him

0:36:26.716 --> 0:36:28.836
<v Speaker 2>and had a family and got married and the whole thing.

0:36:28.916 --> 0:36:31.316
<v Speaker 2>But you know, he would have told you like, oh,

0:36:31.316 --> 0:36:34.236
<v Speaker 2>there's nothing that interesting about my life, which he says

0:36:34.316 --> 0:36:34.916
<v Speaker 2>in the tape.

0:36:34.956 --> 0:36:37.756
<v Speaker 1>You know, he says, when did he died? You know,

0:36:38.716 --> 0:36:41.876
<v Speaker 1>it breaks my heart that we're doing this twenty fifteen.

0:36:42.396 --> 0:36:43.636
<v Speaker 1>He dies in twenty fifteen.

0:36:44.156 --> 0:36:45.636
<v Speaker 2>Yeah, he died in twenty fifteen.

0:36:45.756 --> 0:36:47.476
<v Speaker 1>We're looking him up right now. In case you're wondering

0:36:47.516 --> 0:36:50.476
<v Speaker 1>what's happening here, he is. In fact, I can confirm

0:36:50.836 --> 0:36:58.876
<v Speaker 1>incredibly handsome. Yeah, Meret. On that note, thank you so much,

0:36:59.036 --> 0:37:01.396
<v Speaker 1>Thank you so much for this series, which has been amazing,

0:37:01.836 --> 0:37:06.356
<v Speaker 1>and please, please please let's do season two and continue

0:37:06.356 --> 0:37:08.956
<v Speaker 1>the big mom energy for as long as we can.

0:37:09.516 --> 0:37:11.516
<v Speaker 2>Wow, you know, big dad energy for even two.

0:37:11.596 --> 0:37:14.476
<v Speaker 1>Big d Okay, thank you, Meredith.

0:37:14.556 --> 0:37:14.876
<v Speaker 2>Thanks.

0:37:17.236 --> 0:37:19.996
<v Speaker 1>Medal of Honor. Stories of Courage is written by Meredith

0:37:20.076 --> 0:37:25.636
<v Speaker 1>Rollins and produced by Meredith Rollins, Costanza Gallardo, and Izzy Carter.

0:37:26.196 --> 0:37:29.076
<v Speaker 1>Our editor is ben A d Alfh Haffrey. Sound design

0:37:29.156 --> 0:37:33.676
<v Speaker 1>and additional music by Jake Gorsky, Recording engineering by Nina Lawrence,

0:37:34.076 --> 0:37:38.676
<v Speaker 1>fact checking by Arthur Gombert's Original music by Eric Phillips.

0:37:39.436 --> 0:37:43.836
<v Speaker 1>Special thanks to series creator Dan McGinn to the Congressional

0:37:43.916 --> 0:37:48.556
<v Speaker 1>Medal of Honor Society and Adam Plumpton. I'm your host,

0:37:49.196 --> 0:37:49.916
<v Speaker 1>Malcolm Bappa