WEBVTT - S2  [9] Ophelia | The Ballad of Billy Balls

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<v Speaker 1>Wow. I never thought there would be an actual eyewitness

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<v Speaker 1>report of what happened, and we have absolutely no way

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<v Speaker 1>of knowing whether that's true at all. I'm showing my

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<v Speaker 1>dad Seth the police report from Billy's shooting. Is he

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<v Speaker 1>saying that Billy came into the bathroom with a pistol drawn?

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<v Speaker 1>That makes no sense. The subject came into the bathroom

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<v Speaker 1>and observed the PO writing on the paper. At that point,

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<v Speaker 1>the subject drew a caliber automatic and stated to the PO,

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<v Speaker 1>give me the fucking paper. Give me the paper, and

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<v Speaker 1>then the PO took out money to make the deal

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<v Speaker 1>while the purpose was holding the gun on him and

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<v Speaker 1>to unloaded. While you're holding that gun on you, Let's

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<v Speaker 1>do this deal. That's what happened. He's saying, Okay, you see,

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<v Speaker 1>no those facts? Is that the truth? Am I looking

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<v Speaker 1>at the truth? Is that? What this is? When people

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<v Speaker 1>put this like money, like decoration around it and stamp

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<v Speaker 1>it from the city, this is truth from the perspective

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<v Speaker 1>of the perpetrators of a homicide. I mean, you know,

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<v Speaker 1>the police do have a reputation. New York was a

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<v Speaker 1>very dangerous city. It was a very poor city, and

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<v Speaker 1>in terms of the way the city ran. It was broken.

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<v Speaker 1>You know. The cops were dirty, and they were violent

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<v Speaker 1>and they were corrupt. When you're doing a documentary like

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<v Speaker 1>this in which there are culprits and victims, and the

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<v Speaker 1>tendency to think that there is an absolute truth is

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<v Speaker 1>perhaps false, you know, because there are two people in

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<v Speaker 1>a room to kill somebody. Both of them have a

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<v Speaker 1>perspective on what happened, and one of their perspectives was

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<v Speaker 1>shut off. And we'll never going to hear that perspective.

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<v Speaker 1>We're never gonna get Billy's idea of what happened. Ever.

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<v Speaker 1>For Rebecca, I think this will be just a thousand

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<v Speaker 1>years of nightmares. So protect her from this. My dad's

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<v Speaker 1>worried about how my mom might react to seeing the

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<v Speaker 1>police report. I feel defensive of her. I feel protective

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<v Speaker 1>of her. If somebody you love dies of cancer, or

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<v Speaker 1>somebody you love falls off of peer and drowns, that's

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<v Speaker 1>one thing. But if somebody who you thought was your

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<v Speaker 1>life partner, your protector, you're gladiator, You're like soul mate

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<v Speaker 1>is viciously murdered and then their body thrown into an

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<v Speaker 1>unmarked grave, and you're denied even the right to mourn

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<v Speaker 1>through the ritual of burial. If you're ripped away from

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<v Speaker 1>that person in the way that Rebecca was torn away

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<v Speaker 1>from her life with Billy, your grief is of a

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<v Speaker 1>different nature. It's not distinguishable from anger. It's raging grief.

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<v Speaker 1>It's like slaughter. Everybody grief today on the show, My

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<v Speaker 1>Mother's grief in the years following Billy's death leads her

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<v Speaker 1>to an unlikely source of comfort and a big surprise

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<v Speaker 1>me from crime Town. I'm io till it right, and

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<v Speaker 1>this is the ballad of Billy balls By was you know,

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<v Speaker 1>into the socks, which, like all pure speed, really good

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<v Speaker 1>pure speed, goild. Rebecca always seemed very vibrant and happy,

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<v Speaker 1>and he seemed happy. They were great together. They were

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<v Speaker 1>great together. I remember Rebecca called me, you know, she

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<v Speaker 1>called me right after it happened, had Billy been shot.

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<v Speaker 1>I remember just the raw feeling of the the fucking

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<v Speaker 1>pain of grief, and I would like to not remember

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<v Speaker 1>that feeling. Quiz the weakening this stopped It was you

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<v Speaker 1>being worn. Chapter nine, Ophelia, do you remember the first

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<v Speaker 1>time you ever saw my mother? Yes, I do do,

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<v Speaker 1>tell um. I went up town to a party. It

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<v Speaker 1>was my dad was in his late twenties and working

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<v Speaker 1>as an experimental theater director. One summer night, he headed

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<v Speaker 1>to a party uptown. It was one of those nice

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<v Speaker 1>Upper West Side apartments that are owned by a shrink

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<v Speaker 1>or something. And she was lying on the floor and

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<v Speaker 1>naked in a triangle of sunlight in a party where

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<v Speaker 1>people were standing around with beers and drinks, and there

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<v Speaker 1>she was, you know, this like leggy blonde. It was

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<v Speaker 1>so it was so outrageous what she was doing because

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<v Speaker 1>she wasn't really talking to anybody at the party. She

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<v Speaker 1>was just sunbathing on the floor with no clothes on

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<v Speaker 1>in the party. And I definitely made a mental note

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<v Speaker 1>to get to know uh that person perhaps at another opportunity.

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<v Speaker 1>That opportunity came a few weeks later when my dad

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<v Speaker 1>was out at a nightclub. I had a flask in

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<v Speaker 1>my jacket and I took a drink and I got

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<v Speaker 1>this huge hand black on my color and it was

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<v Speaker 1>the bouncer, and he said get out of the club,

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<v Speaker 1>and he, you know, dragged me by my neck. And

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<v Speaker 1>on the other arm, he was dragging this girl and

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<v Speaker 1>it was Rebecca. He was throwing her out and throwing

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<v Speaker 1>me out at the same time. And so it was

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<v Speaker 1>like it was like a it was like a romantic comedy,

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<v Speaker 1>you know, slammed the door shut and we were both

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<v Speaker 1>landed on the sidewalk, and it was like, oh, what

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<v Speaker 1>did you do? You know? I was like I was

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<v Speaker 1>just trying to drink out of my flask and what

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<v Speaker 1>did you do? Some ship? You know and whatever, and

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<v Speaker 1>then we just went walking together, and um, we kind of.

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<v Speaker 1>I was very attracted to her, you know, her combination

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<v Speaker 1>of extraordinary femininity like a show girl. She was like

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<v Speaker 1>a show girl, but it was more like a show

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<v Speaker 1>girl that could throw a spear, you know, and bring

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<v Speaker 1>down a horse at a hundred meters type of show girl.

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<v Speaker 1>And she liked me, and we had a kind of

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<v Speaker 1>a date after that, but it was by then it

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<v Speaker 1>was already five in the morning or something, so what date.

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<v Speaker 1>My dad quickly realized that my mom wasn't an easy

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<v Speaker 1>person to get to know Rebecca, Like from the very beginning,

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<v Speaker 1>it was extraordinarily KG about any kind of details like

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<v Speaker 1>exact address or exact phone number or exact anything. My

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<v Speaker 1>mom is still KG about personal details. Where is this,

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<v Speaker 1>I don't know. Actually, she didn't want to discuss my

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<v Speaker 1>dad at all for this project or something. I don't

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<v Speaker 1>know you were. Every time he came up, she changed

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<v Speaker 1>the subject. I was stick to the subject. For Christ's sake.

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<v Speaker 1>You are the subject, so you won't be hearing her

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<v Speaker 1>perspective on their relationship. Rebecca was like somebody walking around

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<v Speaker 1>with a big bundle of secrets, or who had learned

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<v Speaker 1>the hard way that you don't share personal information with

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<v Speaker 1>anyone because it will be come back and bite you

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<v Speaker 1>in the s as she would say, you know. The

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<v Speaker 1>third time I met her was on the street on

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<v Speaker 1>the Bowery, walking down south, and she was carrying a

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<v Speaker 1>whole bunch of plastic bags and looked extremely distraught. She

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<v Speaker 1>was her fingers were all screwed up and wrapped around

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<v Speaker 1>the plastic bags, and she looked absolutely desperate. Then I

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<v Speaker 1>said to her, what's what's the matter with you? And

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<v Speaker 1>she's like, I can't go home. I can't go home.

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<v Speaker 1>Wanta thugs and ship heads and creepy bastards, you know,

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<v Speaker 1>like I at the doors busted, the windows busted, the

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<v Speaker 1>heats busted, the I don't feel safe there. I'm like, well,

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<v Speaker 1>come and stay in my place. You could stay in

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<v Speaker 1>my kitchen and there's a room you know, if you

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<v Speaker 1>want to come by, And she did come by and

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<v Speaker 1>she didn't leave. After that, my mom moved into my

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<v Speaker 1>dad's railroad apartment, a narrow old place with a bathtub

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<v Speaker 1>in the kitchen, and that's like a perfect setup for

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<v Speaker 1>an exhibitionist and for a wild ass like Rebecca. It's

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<v Speaker 1>just like perfect. You know, she could be cooking and

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<v Speaker 1>having a bath. And I took the little middle bed

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<v Speaker 1>and a half room. Rebecca never slept, so there wasn't

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<v Speaker 1>necessity for a bedroom for Rebecca, which is a very

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<v Speaker 1>strange thing when you think about it. I never saw

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<v Speaker 1>her sleep in months, the first few months that I

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<v Speaker 1>knew her, I had never seen her sleep. My dad

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<v Speaker 1>was a director and my mom was a performer, so

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<v Speaker 1>they got closer by making things together. I was shooting

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<v Speaker 1>a video, kind of very low rent video of Hamlet,

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<v Speaker 1>and it occurred to me that Rebecca, with this wild

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<v Speaker 1>blonde hair and this extraordinary kind of power in her

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<v Speaker 1>eyes and in her face and in her hands. You know,

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<v Speaker 1>she radiates like physical energy and strength, could play Ophelia

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<v Speaker 1>in a much stronger way than the like shrinking violet

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<v Speaker 1>with flowers in her hair that's traditionally in Shakespeare's Hamlet.

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<v Speaker 1>Ophelia is Hamlet's love interest who eventually goes mad with grief.

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<v Speaker 1>And I thought that that had cinematically, that that could

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<v Speaker 1>be something very beautiful if I could capture that on camera.

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<v Speaker 1>By just by st charity a lack five for Shane.

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<v Speaker 1>Young men will do if they come to by Cock,

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<v Speaker 1>they aunt, blame. And then Rebecca would grab the book

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<v Speaker 1>and go up on the roof and start reading these

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<v Speaker 1>intense scenes. So what are you done? By his son?

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<v Speaker 1>But and thou hast not come to my bed? It

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<v Speaker 1>was this an incredibly dramatized, forceful way that she had

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<v Speaker 1>of doing it. It wasn't acting. It was like like

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<v Speaker 1>a volcanic impersonation. And I don't know, for me, it

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<v Speaker 1>was coming together into a very interesting version of Hamlet.

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<v Speaker 1>Come my coach, Good nights, ladies, good night, sweet ladies,

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<v Speaker 1>good night, good night. And that's when she told me

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<v Speaker 1>about Billy. That's when she started to trust me enough

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<v Speaker 1>to share the story. Right, My mom finally told him

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<v Speaker 1>what had happened. She recounted Billy's death in painful detail.

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<v Speaker 1>She knew who had come to visit Billy that night,

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<v Speaker 1>that she knew that it was a police officer and

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<v Speaker 1>off duty police officer and a cowboy hat. He had

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<v Speaker 1>so many slugs in him that that's the act of

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<v Speaker 1>somebody that wants to finish you off, you know, doesn't

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<v Speaker 1>want you speaking, doesn't want you living. I didn't realize

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<v Speaker 1>that that I was a very opportunistic and rather sick

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<v Speaker 1>of me to want her to play Ophelia because she

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<v Speaker 1>was made crazy by an event that took place in

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<v Speaker 1>her life that literally made her mad, you know, and

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<v Speaker 1>I mean mad in the old sense of the word insane,

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<v Speaker 1>with grief and anger. So it's not something you want

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<v Speaker 1>to hold the cameras on, you know. It's very intimate,

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<v Speaker 1>that grief and anger. It started to show up in

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<v Speaker 1>their apartment. So when I would come home sometimes and

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<v Speaker 1>hear the music on super allowed, like in my apartment

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<v Speaker 1>wherever Becca was, and I would open the door. Becca

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<v Speaker 1>would be with a bottle of whiskey in one hand,

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<v Speaker 1>yelling into the speakers, singing at the top of her

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<v Speaker 1>loans the songs that she and Billy really loved together,

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<v Speaker 1>you know, and I would go, we're stop, and she

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<v Speaker 1>nothing would stop her. My dad says, the grief over

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<v Speaker 1>Billy's murder sparked a fear in my mom that followed

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<v Speaker 1>them everywhere they went. So I'm like on St. Mark's Place,

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<v Speaker 1>somewhere around there, walking with Rebecca and there's two cops

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<v Speaker 1>sitting in a cup car on the corner, and Rebecca

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<v Speaker 1>gets all pale and kind of freaky h and I'm like,

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<v Speaker 1>what's the matter, what's the matter? And she's like turned around,

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<v Speaker 1>turned around, turning around, no face that way. I'm like, why,

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<v Speaker 1>what what? What? And I turned around, of course, you know,

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<v Speaker 1>and I see these two cops sitting in the car

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<v Speaker 1>and I'm like, what is this? Is those two cops

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<v Speaker 1>in the car, And she's like, I can't look at

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<v Speaker 1>that guy. I can't look at that guy. We gotta

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<v Speaker 1>get away from you. We're gonna walk away from you.

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<v Speaker 1>And then so we're walking away, I'm going in said

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<v Speaker 1>the guy? Is that the guy? What are you talking about?

0:14:56.960 --> 0:15:01.600
<v Speaker 1>Is that the cowboy? And she wouldn't reply, and she

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<v Speaker 1>wouldn't tell me, and she wouldn't go any further with

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<v Speaker 1>any any detail whatsoever, but that she wanted us to

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<v Speaker 1>get the funk out of there, and that that got

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<v Speaker 1>that cop that was near the window side where we

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<v Speaker 1>were walking by freaked her out entirely, and that she

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<v Speaker 1>recognized him and that and I said to her, I

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<v Speaker 1>was walking up the street like nervously going to something

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<v Speaker 1>to do with Billy's is the Billy thing? What's going

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<v Speaker 1>to come on? Come out? Rebecca, tell me nothing. You know.

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<v Speaker 1>My mom never explained to my dad what she saw. Instead,

0:15:36.840 --> 0:15:39.760
<v Speaker 1>she added it to her big bundle of secrets and

0:15:39.760 --> 0:15:42.720
<v Speaker 1>tried to keep life moving by going to auditions and

0:15:42.760 --> 0:15:47.200
<v Speaker 1>pursuing her career. She had already worked with some big names.

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<v Speaker 1>How many startedst memories us freeing, No, No, No, we

0:15:52.760 --> 0:15:55.840
<v Speaker 1>are com broke down. I didn't have a leading role.

0:15:55.920 --> 0:15:58.160
<v Speaker 1>It was just hired as an extra and I got

0:15:58.240 --> 0:16:00.760
<v Speaker 1>bumped up. He gave me lives in US. Have liked me.

0:16:01.480 --> 0:16:03.960
<v Speaker 1>You know, you should make a film about flying sauces.

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<v Speaker 1>I also did a movie with Lisa man Alle and

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<v Speaker 1>the original Arthur Dudley Moore. You're not gonna want to

0:16:12.080 --> 0:16:15.440
<v Speaker 1>be a waitress for the rest of your life. I

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<v Speaker 1>did a walk for Luther V Andrew's first music video.

0:16:21.160 --> 0:16:23.920
<v Speaker 1>You know this song, that's me walking in the video.

0:16:25.760 --> 0:16:36.280
<v Speaker 1>I had a million dollar walk o Caul. My mom

0:16:36.400 --> 0:16:39.880
<v Speaker 1>was disciplined in her career and living in my dad's kitchen.

0:16:40.000 --> 0:16:44.560
<v Speaker 1>Was working out fine somehow, and then in the spring

0:16:44.640 --> 0:16:50.160
<v Speaker 1>of something caught my dad's eye. I had noticed that

0:16:50.320 --> 0:16:52.600
<v Speaker 1>she had a little bit of a bump, you know,

0:16:52.680 --> 0:16:55.080
<v Speaker 1>and for Rebecca to be a pound over, she just

0:16:55.440 --> 0:16:58.520
<v Speaker 1>was working out extra hard in the last month, trying

0:16:58.520 --> 0:17:02.120
<v Speaker 1>to get rid of this slight expansion of her waist.

0:17:02.960 --> 0:17:05.440
<v Speaker 1>And she would talk about it like I can't fucking

0:17:05.480 --> 0:17:06.959
<v Speaker 1>get rid of this, you know. I'm like, what am

0:17:07.000 --> 0:17:09.360
<v Speaker 1>I doing? I can't be getting weight, It's not possible.

0:17:09.400 --> 0:17:11.200
<v Speaker 1>I was like, ah, you know, she'd be like doing

0:17:11.640 --> 0:17:18.600
<v Speaker 1>ninety thousand sit ups. And then one night I was

0:17:18.680 --> 0:17:20.840
<v Speaker 1>just sitting in bed and watching her at four in

0:17:20.920 --> 0:17:23.000
<v Speaker 1>the morning, thinking, how God's name am I going to

0:17:23.040 --> 0:17:25.520
<v Speaker 1>go to sleep. She's stirring a pot on the stove

0:17:25.640 --> 0:17:28.840
<v Speaker 1>and she had her hand on her belly and it

0:17:28.960 --> 0:17:32.959
<v Speaker 1>was the classic person protecting their belly from the stove,

0:17:33.280 --> 0:17:37.240
<v Speaker 1>the fire, a splatter or something. She was holding herself

0:17:37.359 --> 0:17:40.919
<v Speaker 1>and I just said to her, Rebecca, you are with child,

0:17:43.160 --> 0:17:46.639
<v Speaker 1>and she was like, get the funk out of here.

0:17:46.680 --> 0:17:51.480
<v Speaker 1>You know. I'm like, Rebecca, you're pregnant. You're pregnant, and

0:17:51.560 --> 0:17:55.320
<v Speaker 1>she said that is insane. Don't tell me. I'm a woman,

0:17:55.400 --> 0:17:57.160
<v Speaker 1>I know my own body. You don't tell me what's

0:17:57.160 --> 0:17:59.000
<v Speaker 1>going on inside my body. And I'm like, you know what,

0:17:59.440 --> 0:18:04.840
<v Speaker 1>you don't know. Shit. Then we went and she saw

0:18:05.160 --> 0:18:09.520
<v Speaker 1>a doctor and was examined. She was five and a

0:18:09.560 --> 0:18:12.760
<v Speaker 1>half months pregnant. She wasn't you know, a little pregnant,

0:18:12.800 --> 0:18:15.880
<v Speaker 1>and she was was It was very, very far down

0:18:15.920 --> 0:18:23.320
<v Speaker 1>the line. And that's when Rebecca admitted to me, you

0:18:23.440 --> 0:18:27.639
<v Speaker 1>know there's some uh or I've been I do a

0:18:27.760 --> 0:18:35.080
<v Speaker 1>little USh. I commune with Billy and I'm like, what's like, well,

0:18:35.119 --> 0:18:40.359
<v Speaker 1>I take his drug and I'm like, oh yeah, what

0:18:40.520 --> 0:18:44.399
<v Speaker 1>drug is that? You know? And so that's when she

0:18:44.480 --> 0:18:48.879
<v Speaker 1>said to Soxon. And that's when I looked up to

0:18:49.000 --> 0:18:56.560
<v Speaker 1>Sox and to Soxon Billy's drug of choice a prescription methemphetamine.

0:18:57.480 --> 0:19:00.359
<v Speaker 1>And I called up the company that made it and

0:19:00.960 --> 0:19:04.760
<v Speaker 1>they said, yeah, oh yeah, it's definitely taratogenic. And I'm like,

0:19:05.000 --> 0:19:07.960
<v Speaker 1>can you be more specific than like paratogenic foot coming

0:19:08.000 --> 0:19:12.200
<v Speaker 1>out of head, you know, arm from but you know,

0:19:12.840 --> 0:19:17.080
<v Speaker 1>anything can happen. And I just kind of, you know,

0:19:17.200 --> 0:19:23.560
<v Speaker 1>like went to pieces what how did she like what happened? Then?

0:19:25.560 --> 0:19:32.520
<v Speaker 1>Did she stop. Oh yes, immediately immediately, she absolutely uh

0:19:34.920 --> 0:19:39.200
<v Speaker 1>did everything to be healthy and to be strong. My

0:19:39.359 --> 0:19:45.399
<v Speaker 1>mom got clean and kept performing. This is her in

0:19:45.440 --> 0:19:49.399
<v Speaker 1>a movie called Sleepwalk by Sarah Driver. Man, what are

0:19:49.400 --> 0:19:51.520
<v Speaker 1>you doing? I want to have anything to do it

0:19:53.240 --> 0:19:59.240
<v Speaker 1>Sarah's movie Sleepwalk. Um playing the fence. Uh, very pregnant,

0:19:59.359 --> 0:20:02.080
<v Speaker 1>just like a mom before I was born. My mom

0:20:02.200 --> 0:20:05.040
<v Speaker 1>is seriously pregnant. In the clip, in a wife beater

0:20:05.359 --> 0:20:08.720
<v Speaker 1>on a nasty downtown street, a guy pulls up and

0:20:08.960 --> 0:20:12.720
<v Speaker 1>stolen hoop tie and nothing is wrong with a car.

0:20:13.400 --> 0:20:17.119
<v Speaker 1>I don't deal with kids. You don't have. He's bringing

0:20:17.160 --> 0:20:19.880
<v Speaker 1>a stolen car and he doesn't know if it. There's

0:20:19.880 --> 0:20:22.520
<v Speaker 1>a little kid to sleep in the back seat. What

0:20:22.640 --> 0:20:26.040
<v Speaker 1>a waiting on? Stupid? Get this fucking car out of him.

0:20:26.280 --> 0:20:28.520
<v Speaker 1>It's a really good scene. I'll get rid of the

0:20:28.600 --> 0:20:30.880
<v Speaker 1>kid to bring back the car. No, man, don't bring

0:20:30.960 --> 0:20:33.760
<v Speaker 1>the car back. Don't you come back. Don't come back

0:20:33.840 --> 0:20:36.040
<v Speaker 1>with the car. We had Get in the car and split,

0:20:37.480 --> 0:20:43.640
<v Speaker 1>Get in the car and split. Don't you split? Just yet?

0:20:44.320 --> 0:20:56.879
<v Speaker 1>Coming up after the break a special delivery me. You know,

0:20:56.960 --> 0:20:58.760
<v Speaker 1>we wanted to have you on the kitchen floor, and

0:20:58.960 --> 0:21:01.440
<v Speaker 1>we had prepared everything thing to have a birth at home,

0:21:01.920 --> 0:21:05.040
<v Speaker 1>but we immediately discovered that you were backwards. You were

0:21:05.080 --> 0:21:08.320
<v Speaker 1>facing out spine to spine, which you can be very

0:21:08.359 --> 0:21:10.920
<v Speaker 1>painful birth. And before I even took a breath, I

0:21:11.040 --> 0:21:14.520
<v Speaker 1>was causing problems. So my parents took a cab to St.

0:21:14.600 --> 0:21:19.920
<v Speaker 1>Vincent's Hospital where I was born on September two, and

0:21:20.560 --> 0:21:24.120
<v Speaker 1>she delivered you and put you right in my arms,

0:21:25.119 --> 0:21:27.240
<v Speaker 1>and I checked if there was a hand coming out

0:21:27.280 --> 0:21:33.480
<v Speaker 1>of your forehead, and you opened your eyes in my arms.

0:21:33.960 --> 0:21:39.600
<v Speaker 1>You point point looked right at me, And that was

0:21:39.640 --> 0:21:43.159
<v Speaker 1>how you were born. What did my mom do with

0:21:43.400 --> 0:21:46.159
<v Speaker 1>me when you first got home from the hospital. She

0:21:46.320 --> 0:21:49.879
<v Speaker 1>went from I don't want the babies bothering me. You're

0:21:49.920 --> 0:21:52.240
<v Speaker 1>gonna build a wall right here in the kitchen, and

0:21:52.320 --> 0:21:54.480
<v Speaker 1>the babies on that side and I'm on nest side,

0:21:54.520 --> 0:21:58.840
<v Speaker 1>and you know, it's the whole thing two like a

0:21:59.000 --> 0:22:02.159
<v Speaker 1>dragon with a eagan egg. And she just became the

0:22:02.240 --> 0:22:08.080
<v Speaker 1>most protective, wildly defensive, utterly devoted mother you will ever

0:22:08.119 --> 0:22:10.040
<v Speaker 1>see in your life. She just like put you under

0:22:10.080 --> 0:22:12.560
<v Speaker 1>her arm and wouldn't let anyone even near you. You know,

0:22:15.760 --> 0:22:17.680
<v Speaker 1>my mom and dad try to make it work for

0:22:17.720 --> 0:22:21.119
<v Speaker 1>a while. We thought we would try to be together

0:22:21.200 --> 0:22:24.080
<v Speaker 1>to create a kind of stable couple for you. But

0:22:24.200 --> 0:22:27.560
<v Speaker 1>we never thought you're right for me and I'm right

0:22:27.600 --> 0:22:29.200
<v Speaker 1>for you, and we're gonna make a life together. That

0:22:29.280 --> 0:22:33.480
<v Speaker 1>just wasn't It was obviously. Actually the contrary was obvious.

0:22:34.119 --> 0:22:40.040
<v Speaker 1>You know that we were utterly incompatible. Very quickly, Rebecca's

0:22:41.119 --> 0:22:43.320
<v Speaker 1>choices about what was the right way to raise a

0:22:43.440 --> 0:22:48.480
<v Speaker 1>child became just absolutely intrangigan. I decided to move out.

0:22:52.240 --> 0:22:54.560
<v Speaker 1>My dad moved to a nearby loft when I was

0:22:54.640 --> 0:22:58.159
<v Speaker 1>around one. They had some fundamental differences that they just

0:22:58.240 --> 0:23:02.440
<v Speaker 1>couldn't work through. In terms of health and nutrition. Her

0:23:02.640 --> 0:23:08.000
<v Speaker 1>ideas were so extreme and so violently enforced. You couldn't

0:23:08.080 --> 0:23:12.400
<v Speaker 1>eat this, you couldn't eat that, and I was completely

0:23:12.880 --> 0:23:17.800
<v Speaker 1>against that form of upbringing. Her extreme was was really

0:23:17.840 --> 0:23:20.560
<v Speaker 1>to the point of just like steamed vegetables in her

0:23:20.640 --> 0:23:25.000
<v Speaker 1>fingers being handed to you at your mouth. You and

0:23:25.080 --> 0:23:27.280
<v Speaker 1>I would go out together and you'd eat a Drake's cake,

0:23:27.480 --> 0:23:29.199
<v Speaker 1>and I'd come home and bring you home, and Rebecca

0:23:29.200 --> 0:23:33.440
<v Speaker 1>would go Drake's cake. That would be like so freaky.

0:23:37.240 --> 0:23:40.160
<v Speaker 1>But it wasn't just the strict diet. There was something

0:23:40.240 --> 0:23:43.800
<v Speaker 1>else that really bothered my dad. Rebecca decided that you

0:23:43.840 --> 0:23:46.439
<v Speaker 1>were going to be in show biz, and I suddenly

0:23:46.480 --> 0:23:52.800
<v Speaker 1>realized that my worst fear of what Rebecca could become

0:23:52.880 --> 0:23:55.080
<v Speaker 1>in relation to you was actually coming true, that she

0:23:55.240 --> 0:24:00.720
<v Speaker 1>was becoming a stage mum. Yeah, still planned not the

0:24:00.800 --> 0:24:05.320
<v Speaker 1>guitar a little saying, this is my first role when

0:24:05.359 --> 0:24:08.000
<v Speaker 1>I was too in a movie called Kiss Daddy, Goodnight.

0:24:08.760 --> 0:24:11.440
<v Speaker 1>You gave me twenty. I gave you a fifty, Rebecca,

0:24:11.560 --> 0:24:12.680
<v Speaker 1>what did you do with the rest of the money.

0:24:12.760 --> 0:24:15.600
<v Speaker 1>Steve BISHEMI played my dad, Go get your own beer,

0:24:16.000 --> 0:24:19.280
<v Speaker 1>and my mom played my mom. The movie was Uma

0:24:19.359 --> 0:24:32.920
<v Speaker 1>Thurman's debut two Listen, but Hollywood was only a piece

0:24:33.000 --> 0:24:35.439
<v Speaker 1>of my mom's master plan for me. You were going

0:24:35.480 --> 0:24:40.560
<v Speaker 1>to be a Broadway dancer, tap dancer, singer, or a

0:24:40.600 --> 0:24:42.800
<v Speaker 1>star or whatever. You were going to go to audition

0:24:43.240 --> 0:24:49.440
<v Speaker 1>after audition after audition. It was a horror to me.

0:24:50.760 --> 0:24:54.639
<v Speaker 1>But she was so insisting that you do this. So

0:24:54.840 --> 0:24:58.639
<v Speaker 1>that battle um turned into a series of fights that

0:24:58.800 --> 0:25:01.000
<v Speaker 1>were just so off old that I thought for you

0:25:01.160 --> 0:25:03.760
<v Speaker 1>it was unhealthy. I thought it was psychically unhealthy for you.

0:25:04.119 --> 0:25:07.200
<v Speaker 1>That she was like pulling you out of my arms

0:25:07.240 --> 0:25:14.359
<v Speaker 1>and like yelling in the street, and he feared that

0:25:14.680 --> 0:25:17.399
<v Speaker 1>she might have been slipping back into an old habit.

0:25:18.040 --> 0:25:22.119
<v Speaker 1>But I was detecting that Rebecca might have been returning

0:25:22.200 --> 0:25:28.040
<v Speaker 1>to dis oxen occasionally. Um, she would have episodes, and

0:25:28.240 --> 0:25:30.960
<v Speaker 1>these episodes, I think now that I know more, we're

0:25:31.000 --> 0:25:34.879
<v Speaker 1>a combination of alcohol into oxen, where she literally behaved

0:25:34.920 --> 0:25:37.880
<v Speaker 1>in a psychotic manner. You know, she yelled and shouted

0:25:37.960 --> 0:25:42.360
<v Speaker 1>and screamed and hung onto lamp posts and was completely

0:25:42.400 --> 0:25:45.320
<v Speaker 1>incoherent what she was saying, and her eyes were kind

0:25:45.320 --> 0:25:48.640
<v Speaker 1>of like lacquered over with something, and she wasn't looking

0:25:48.680 --> 0:25:50.480
<v Speaker 1>at you directly, and I didn't know what was going on,

0:25:50.640 --> 0:26:01.040
<v Speaker 1>and it was a horrifying circumstance. My dad's new loft

0:26:01.200 --> 0:26:03.359
<v Speaker 1>was only a couple of blocks away, and I'd go

0:26:03.480 --> 0:26:08.080
<v Speaker 1>stay with him on weekends. What was our relationship like perfect?

0:26:08.520 --> 0:26:14.560
<v Speaker 1>We were absolutely like fascinated in love. Um, you know,

0:26:14.680 --> 0:26:17.159
<v Speaker 1>we had lots of theatrics in the house. We played

0:26:17.440 --> 0:26:22.879
<v Speaker 1>all kinds of role games of gangster Warrior. We built

0:26:23.040 --> 0:26:26.120
<v Speaker 1>little chateaus and palaces. We went to the park a lot.

0:26:26.200 --> 0:26:28.520
<v Speaker 1>We played a lot of ball together, like you were

0:26:28.640 --> 0:26:31.760
<v Speaker 1>like a master ball player of any kind of ball.

0:26:31.880 --> 0:26:36.639
<v Speaker 1>And I'm like a sports spastic. But for you, I

0:26:37.000 --> 0:26:39.720
<v Speaker 1>did everything that I could. I don't know. We just

0:26:39.800 --> 0:26:42.200
<v Speaker 1>had fun. We went everywhere. We went to museums, we

0:26:42.240 --> 0:26:46.320
<v Speaker 1>went to we walked a lot, you know, and we

0:26:46.440 --> 0:26:49.200
<v Speaker 1>just did ship. I mean, I just recall always having

0:26:49.240 --> 0:26:51.280
<v Speaker 1>the best time with you. And this made things even

0:26:51.359 --> 0:26:54.320
<v Speaker 1>worse because then when you would have to go back

0:26:54.359 --> 0:26:57.000
<v Speaker 1>to Rebecca, you wouldn't want to go. And it was

0:26:57.280 --> 0:27:02.960
<v Speaker 1>every single time this violent ripping away, like literally you

0:27:03.200 --> 0:27:05.920
<v Speaker 1>screaming and saying, Dad, I don't want to go, I

0:27:05.960 --> 0:27:07.920
<v Speaker 1>don't want to go, I don't and go, and Rebecca

0:27:08.119 --> 0:27:12.000
<v Speaker 1>like feeling infuriated that you didn't want to go with her.

0:27:16.359 --> 0:27:19.600
<v Speaker 1>And then when I was six, my dad took a

0:27:19.720 --> 0:27:23.360
<v Speaker 1>job with a traveling dance company and left the country.

0:27:24.680 --> 0:27:27.440
<v Speaker 1>He wouldn't move back to New York for over a decade.

0:27:29.440 --> 0:27:32.840
<v Speaker 1>For a long time, I couldn't reconcile how or why

0:27:33.000 --> 0:27:37.159
<v Speaker 1>he would have left me behind like that. But there

0:27:37.280 --> 0:27:39.520
<v Speaker 1>was a key piece of information that I didn't have.

0:27:42.720 --> 0:27:46.840
<v Speaker 1>There was something that you were hiding from me. I

0:27:46.880 --> 0:27:50.960
<v Speaker 1>didn't tell you that I was a harmonetic and I

0:27:51.119 --> 0:27:58.760
<v Speaker 1>was very ill, you know, one day without a hundred

0:27:58.760 --> 0:28:02.440
<v Speaker 1>and fifty bucks worth of her when and I'm practically

0:28:02.480 --> 0:28:08.440
<v Speaker 1>a dead body. So it's not like I'm kind of

0:28:08.560 --> 0:28:12.000
<v Speaker 1>a valiant night able to rescue you. I mean myself

0:28:12.800 --> 0:28:17.040
<v Speaker 1>deeply impaired, you know, so you know, in the end,

0:28:17.480 --> 0:28:18.880
<v Speaker 1>not in the end, but in the middle, it became

0:28:18.880 --> 0:28:24.200
<v Speaker 1>a question of what what do you rescue? First? My

0:28:24.359 --> 0:28:27.159
<v Speaker 1>dad explains that he left New York because he was

0:28:27.280 --> 0:28:31.040
<v Speaker 1>convinced he'd never be able to get clean there, and

0:28:31.119 --> 0:28:32.920
<v Speaker 1>it was very hard for you to see that. And

0:28:33.000 --> 0:28:34.920
<v Speaker 1>I think it's still it's hard for you to imagine

0:28:35.880 --> 0:28:39.200
<v Speaker 1>that I would take certain decisions in order not to um,

0:28:39.600 --> 0:28:43.640
<v Speaker 1>you know, in order to survive that. It's just hard

0:28:43.680 --> 0:28:45.800
<v Speaker 1>to imagine if you're not in that position yourself, if

0:28:45.840 --> 0:28:48.920
<v Speaker 1>you're not really in that perspective of being a dope fiend,

0:28:51.600 --> 0:28:56.440
<v Speaker 1>the um kind of strangely super dad, you know, when

0:28:56.560 --> 0:29:00.120
<v Speaker 1>Dad's high, Dad's like, oh so much fun. That's aly

0:29:00.160 --> 0:29:02.920
<v Speaker 1>an awful thing for a child. It gives no parameter

0:29:03.080 --> 0:29:07.480
<v Speaker 1>or balance to a child. We are not even ourselves,

0:29:07.600 --> 0:29:09.760
<v Speaker 1>you know, the finality of someone saying, well, it wasn't

0:29:09.800 --> 0:29:14.720
<v Speaker 1>myself that day, Well, I wasn't myself that decade. Not

0:29:14.880 --> 0:29:17.040
<v Speaker 1>only was I not myself, but I am not a

0:29:17.160 --> 0:29:20.760
<v Speaker 1>really reliable reporter on my own behavior. I should not

0:29:20.920 --> 0:29:24.520
<v Speaker 1>be narrating my own existence at that time, because you

0:29:24.560 --> 0:29:28.400
<v Speaker 1>will not be getting the facts. I was not a

0:29:28.440 --> 0:29:32.320
<v Speaker 1>possession of the facts. This is a really hard thing

0:29:32.400 --> 0:29:39.000
<v Speaker 1>to describe to people. You know, I'm sorry. I'm just

0:29:39.080 --> 0:29:41.520
<v Speaker 1>having a moment because I've never heard you own it

0:29:41.680 --> 0:29:44.680
<v Speaker 1>so completely. So I'm just kind of well, I'm learning.

0:29:44.840 --> 0:29:51.000
<v Speaker 1>It's a life process. But I do not expect or

0:29:51.200 --> 0:29:56.680
<v Speaker 1>want forgiveness or absolution of any kind. The only thing

0:29:56.760 --> 0:30:07.920
<v Speaker 1>I could ever hope for is understanding in the same way,

0:30:08.000 --> 0:30:09.880
<v Speaker 1>in the same vein as me asking you what our

0:30:10.040 --> 0:30:13.160
<v Speaker 1>relationship was like? What did you experience my relationship with

0:30:13.320 --> 0:30:21.560
<v Speaker 1>my mom as when I was that little. I'm a

0:30:21.600 --> 0:30:25.240
<v Speaker 1>little worried that we're going into family. Should I not

0:30:25.400 --> 0:30:29.640
<v Speaker 1>worry about this because it's your show? But I mean,

0:30:29.720 --> 0:30:31.960
<v Speaker 1>this is a very difficult, very complex stuff, and I

0:30:32.040 --> 0:30:34.640
<v Speaker 1>don't know if if this is the forum. I'm not

0:30:34.800 --> 0:30:37.560
<v Speaker 1>I'm not, I'm a little bit. I'm just wondering. Let's

0:30:37.600 --> 0:30:40.600
<v Speaker 1>take a five minute break, Let's let's get some air

0:30:40.720 --> 0:30:42.680
<v Speaker 1>and come back, and then we'll do it. Are you

0:30:42.760 --> 0:30:44.560
<v Speaker 1>sure this is where you want to go. I get

0:30:44.640 --> 0:30:47.560
<v Speaker 1>the feeling that you're like tating it back that length,

0:30:47.600 --> 0:30:49.200
<v Speaker 1>So like, let's talk about it, but let's go out

0:30:49.240 --> 0:30:54.440
<v Speaker 1>the outward. It's not so hot. Wondering, we step outside

0:30:54.480 --> 0:30:58.440
<v Speaker 1>the studio to talk. My dad says he's nervous about

0:30:58.520 --> 0:31:01.560
<v Speaker 1>painting my mom is some kind of villain. He says

0:31:01.680 --> 0:31:04.000
<v Speaker 1>he doesn't want to hurt her, and that he's worried

0:31:04.040 --> 0:31:07.480
<v Speaker 1>about what I'm doing with this project. After a half

0:31:07.520 --> 0:31:10.360
<v Speaker 1>hour in debate, he agrees to talk about his concerns

0:31:10.440 --> 0:31:13.080
<v Speaker 1>on Mike. It's not that I'm not prepared to talk

0:31:13.080 --> 0:31:15.320
<v Speaker 1>about it, but it's just under the under the circumstances

0:31:15.400 --> 0:31:20.360
<v Speaker 1>of us recording our conversation about your life in some

0:31:20.880 --> 0:31:25.600
<v Speaker 1>vague connection to Billy Balls. I don't know if it's

0:31:25.640 --> 0:31:30.360
<v Speaker 1>the best place to um. Well, it's not so vaguely

0:31:31.000 --> 0:31:38.920
<v Speaker 1>connected to Billy Balls. I explained to my dad that

0:31:39.080 --> 0:31:42.760
<v Speaker 1>Billy's story is incomplete without the story of the lives

0:31:42.880 --> 0:31:47.560
<v Speaker 1>his death affected. His killing caused a rupture in my

0:31:47.680 --> 0:31:51.320
<v Speaker 1>mom's psyche, a trauma that rippled into my own life.

0:31:53.280 --> 0:31:55.960
<v Speaker 1>I grew up in a house of grief, helping her

0:31:56.040 --> 0:31:59.640
<v Speaker 1>carry the weight of her loss, and sometimes that grief

0:31:59.760 --> 0:32:05.240
<v Speaker 1>was explosive that I became collateral damage. As an adult,

0:32:05.760 --> 0:32:08.200
<v Speaker 1>I refused to let her go, to shut her out,

0:32:08.600 --> 0:32:11.960
<v Speaker 1>to give up on her. But to do that, to

0:32:12.120 --> 0:32:14.560
<v Speaker 1>keep her close to me, I have to find some

0:32:14.760 --> 0:32:17.400
<v Speaker 1>understanding of the pain that made her lash out so

0:32:17.600 --> 0:32:23.120
<v Speaker 1>viciously during my childhood, you know, learning to forgive like

0:32:23.280 --> 0:32:26.320
<v Speaker 1>that's such a like a It's like on a Hallmark

0:32:26.440 --> 0:32:31.680
<v Speaker 1>card somewhere. But at a certain point we have to

0:32:32.040 --> 0:32:35.600
<v Speaker 1>acknowledge and accept that there were things that happened that

0:32:35.720 --> 0:32:42.200
<v Speaker 1>caused trauma. The only success I have ever had in

0:32:42.360 --> 0:32:46.680
<v Speaker 1>finding any peace around my relationship with my mother specifically,

0:32:47.840 --> 0:32:54.160
<v Speaker 1>has been from understanding that is why I am doing

0:32:54.600 --> 0:33:14.479
<v Speaker 1>this project. Could in the next chapter of The Ballad

0:33:14.560 --> 0:33:18.240
<v Speaker 1>of Billy Balls this is it is Yeah, this is

0:33:18.280 --> 0:33:22.040
<v Speaker 1>the building. I'll never forget these columns. Ever, So the

0:33:22.120 --> 0:33:26.920
<v Speaker 1>New York County Family Court, really bad ship happened here

0:33:38.200 --> 0:33:42.600
<v Speaker 1>Crimetown is Zack Stewart Pontier and Mark Smarling. The Ballad

0:33:42.640 --> 0:33:45.640
<v Speaker 1>of Billy Balls is hosted by me Io Tillip Right

0:33:46.000 --> 0:33:49.200
<v Speaker 1>and made in partnership with Caden's thirteen. You can find

0:33:49.280 --> 0:33:51.840
<v Speaker 1>me on the Internet. Um Io loves You on everything,

0:33:52.520 --> 0:33:54.320
<v Speaker 1>and if you're interested in my story, I wrote a

0:33:54.320 --> 0:33:56.960
<v Speaker 1>book about all of this stuff. It's called Darling Days.

0:33:58.440 --> 0:34:00.480
<v Speaker 1>We also want to hear from you. We have a

0:34:00.560 --> 0:34:02.360
<v Speaker 1>voicemail that we set up for you to call us.

0:34:02.720 --> 0:34:05.560
<v Speaker 1>Here's Yucca. I know that you've been concerned about whether

0:34:05.640 --> 0:34:07.560
<v Speaker 1>this podcast is the right thing to do for your mom,

0:34:07.680 --> 0:34:10.800
<v Speaker 1>but um, I think it's wise to not leave yourself

0:34:10.840 --> 0:34:14.880
<v Speaker 1>out of that equation. His death is probably this inextricable

0:34:14.920 --> 0:34:17.360
<v Speaker 1>part of your identity. I don't know, Maybe it doesn't

0:34:17.400 --> 0:34:19.800
<v Speaker 1>matter if this is the best thing to do or

0:34:19.840 --> 0:34:21.960
<v Speaker 1>the right thing to do for your mom, because it

0:34:22.000 --> 0:34:24.239
<v Speaker 1>seems like maybe something that you need to do, and

0:34:24.360 --> 0:34:26.359
<v Speaker 1>I really admire you for doing it. I think it's

0:34:26.400 --> 0:34:31.200
<v Speaker 1>super gusty and inspiring. Thank you, Yuka. If there's something

0:34:31.239 --> 0:34:34.920
<v Speaker 1>on your mind, thoughts, feelings, complaints, a joke, whatever, call

0:34:35.040 --> 0:34:37.640
<v Speaker 1>us and leave us a voicemail at five seven oh

0:34:38.080 --> 0:34:42.760
<v Speaker 1>three nine to nine zero. I love hearing from you guys.

0:34:44.080 --> 0:34:46.719
<v Speaker 1>You can also get into our discussion forum on our website,

0:34:46.800 --> 0:34:56.120
<v Speaker 1>The Ballad of Billie Balls dot com. The show is

0:34:56.200 --> 0:35:00.480
<v Speaker 1>produced by me, Kevin Sheppard, and Ryan Swygert. Our senior

0:35:00.560 --> 0:35:05.120
<v Speaker 1>producer is Austin Mitchell, editing by Zack Stewart Pontier and

0:35:05.239 --> 0:35:09.920
<v Speaker 1>Mark Smirlin fact checking by Jennifer Blackman. This episode was

0:35:10.040 --> 0:35:14.160
<v Speaker 1>mixed by Sam Bear, Sound design and music by Kenny

0:35:14.239 --> 0:35:18.800
<v Speaker 1>q C Jack. Additional music by Shebo Pampolonia. Thank you,

0:35:18.880 --> 0:35:22.960
<v Speaker 1>Shebo Dope name. Our title track is Dark Allies by

0:35:23.040 --> 0:35:32.400
<v Speaker 1>Light Asylum. Archival research by Brennan Reese. Special thanks this

0:35:32.480 --> 0:35:35.759
<v Speaker 1>week to my dad Seth for being so open and

0:35:35.880 --> 0:35:40.760
<v Speaker 1>honest and always growing with me. Thanks to Daniella Ariah,

0:35:41.040 --> 0:35:45.480
<v Speaker 1>Rachel Lee Right, Emily Wiederman, Green Card Pictures, Alessandro Sentauro,

0:35:45.920 --> 0:35:50.000
<v Speaker 1>Bill Clegg, Ben Davis, Orn Rosenbaum, and the team at

0:35:50.080 --> 0:35:54.279
<v Speaker 1>Caden's thirteen. Special thanks to Steve Halterman for letting me

0:35:54.360 --> 0:35:58.040
<v Speaker 1>into the station to record this one, and of course,

0:35:58.520 --> 0:36:01.560
<v Speaker 1>my mom, without whom none of this would be possible,