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Speaker 1: So I say to Glenn pumplick, you can come in.

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Speaker 2: Tom stays outside because if he comes into the party,

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Speaker 2: I know like he's gonna pull some prank and I'm

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Speaker 2: gonna end up sniffing his butt. Glenn unlocks my cellar

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Speaker 2: door without me seeing. Tom gets inside. Sure enough, just

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Speaker 2: before the party is over. He comes in and like

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Speaker 2: the butt man outfit, and I'm sniffing on it real good.

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Speaker 1: But what they don't tell?

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Speaker 2: What he doesn't tell you, And I don't feel bad

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Speaker 2: about letting this out at all. When he puts that

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Speaker 2: costume on that's not his real butt, Oh well then

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Speaker 2: you're protected in a Yes, it certainly didn't smell like

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Speaker 2: a real butt. And so like me as a fan

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Speaker 2: before that, the experience of sniffing the fake butt was like.

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Speaker 3: I don't I believe it's a bum in this case?

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Speaker 1: It's a bum? Do you know what I mean?

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Speaker 3: Well is because it's the bum bum song that's the

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Speaker 3: film was on the Swedish.

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Speaker 2: If you recall, do you ever go out and like

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Speaker 2: go to that Swedish and like take pictures and stuff.

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Speaker 3: Yes, I've had some family events at the Swedish, my

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Speaker 3: daughter's christening.

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Speaker 1: What else did we do with the Swedish? Oh, my

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Speaker 1: niece is Kinsonia.

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Speaker 2: Hey, welcome Towsiders, got a kicking button dropping names in

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Speaker 2: the red car. But my back hallways of this industry

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Speaker 2: we call show.

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Speaker 1: Yes, show biz Yes, what up? What up?

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Speaker 2: And and and and more like holiday handbook than Hollywood handbooks.

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Speaker 2: Because it is holidays. It is time for it to

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Speaker 2: be Christmas. Uh.

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Speaker 1: We like to do something special for Christmas, which is.

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Speaker 2: We like to give gifts. And the gift that we

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Speaker 2: want to give this year is to our listeners, allowing well,

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Speaker 2: basically what we want to do is allow our listeners

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Speaker 2: to participate in the show. We're going to do our

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Speaker 2: first call in episode. This is going to be probably

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Speaker 2: the only one we ever do it until next Christmas.

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Speaker 2: It's not it's going to be very bad. Everyone who's

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Speaker 2: calling in has no experience in performing or public conversation

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Speaker 2: of any kind. They probably have some stuff prepared that's

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Speaker 2: not going to land.

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Speaker 3: Yes, they most likely have an idea of something very

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Speaker 3: funny to do or ask, and I think it's going

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Speaker 3: to fall flat on its face. And I think it'll

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Speaker 3: make me look bad because I'll be working with an

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Speaker 3: amateur and that can sometimes make even a professional like

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Speaker 3: a Haze or a Sean look like it'll.

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Speaker 1: Sound like we're struggling, when really we're so funny. Yes

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Speaker 1: it's they are nice, and yes, yes.

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Speaker 3: It's just being too close. It's being right next to

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Speaker 3: uh something and having the light of their failure reflected

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Speaker 3: on you.

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Speaker 2: And so it be that just what makes it a

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Speaker 2: gift that is a sacrifice for us.

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Speaker 1: That's something that we should not be doing.

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Speaker 3: I'm willing to put a bad show out in the world,

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Speaker 3: no reading, to do it as.

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Speaker 2: A gift, just for the five or six people who

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Speaker 2: who end up calling in. So when you do call,

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Speaker 2: if you're listening, if you called, you can't hear this

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Speaker 2: right now because there's not it's not being broadcast anywhere

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Speaker 2: except through the phones. But the number is three four

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Speaker 2: seven five one four wolf three four seven five one

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Speaker 2: four nine six five three. You can't hear this again,

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Speaker 2: it's not there's nowhere that it's being played.

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Speaker 3: And that number again is three four seven something something wolf.

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Speaker 3: And if you listened and you wrote it down, then

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Speaker 3: you're one better than me because I don't know what

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Speaker 3: the number is. But please do no for next Christmas

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Speaker 3: or for if anything happens with time where you're able

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Speaker 3: to move through time back to when we were recording

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Speaker 3: this after listening and call in and hopefully you know,

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Speaker 3: be a better caller and you know who I'm talking to?

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Speaker 1: Yes, Polly, sure.

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Speaker 2: And if we do this again and it's not Christmas,

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Speaker 2: then you know we're in huge trouble.

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Speaker 3: Well you know that that's been prescribed to us by

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Speaker 3: uh Jeff ol Rich type.

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Speaker 2: And don't let us say later that it was like

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Speaker 2: because we eat because this one went really well, or

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Speaker 2: something like that.

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Speaker 1: It's not gonna go very well.

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Speaker 2: It will be because of something like we didn't get

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Speaker 2: a guest like the very last second.

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Speaker 1: Yes, and that happened to us. Uh So, shall we

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Speaker 1: take a call? Inter and Andy?

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Speaker 2: Is is feeding calls through? How does how we how

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Speaker 2: does this? How does this happen? How do we do this?

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Speaker 2: Is it through the computer?

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Speaker 4: Yeah?

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Speaker 1: I can, this is Brett.

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Speaker 4: Hey, I have all the calls here.

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Speaker 5: I can just feed them to you guys.

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Speaker 3: He pointing at a screen for listeners. Engineer Brett's pointing

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Speaker 3: at a screen when he says, I have all the calls.

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Speaker 5: The calls are, the calls are, so I control the boards. Okay,

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Speaker 5: and I can give I can tell you guys the

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Speaker 5: name of the caller.

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Speaker 1: And the calls will be in the headphones.

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Speaker 4: Yes, okay, it'll be fan directly to the Howard trip.

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Speaker 1: I controlled the boards, and did you see he puffed

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Speaker 1: himself up?

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Speaker 2: I say, I let him have that kind of stuff

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Speaker 2: when he says that.

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Speaker 3: Okay, Brett, well go ahead and control the boards and

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Speaker 3: give us a phone caller.

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Speaker 4: Okay, here's the Mike from Chicago.

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Speaker 2: Okay, Hello Mike, Hello, Hey Mike, Yes, hey guys, Hi, can.

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Speaker 1: You hear us?

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Speaker 6: Yeah? Can you hear me?

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Speaker 1: Yes? How are you? Mike? Are you from the forums?

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Speaker 6: I am yeah, I'm a salad. Let's say raael oh.

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Speaker 1: Sala jesse RAI. Congratulations on the pro version.

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Speaker 6: Yeah, thank you. That was great. I do that dance

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Speaker 6: all the time.

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Speaker 2: Oh, he's from the episode. Yes, good memory, good memory.

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Speaker 2: And Mike, Mike, you're from Chicago, so you must eat

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Speaker 2: that big pizza.

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Speaker 3: Yeah, yes, I've heard that on the bridge.

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Speaker 1: It smells like chocolate at night.

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Speaker 6: It smells like chocolate all downtown.

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Speaker 1: Yes, I've heard that. And what's doing that?

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Speaker 3: Is it? Is there chocolate? Is it Willy Wonka or

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Speaker 3: something over there. I mean that sounds nice. Yeah.

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Speaker 6: I think they're a Willy Wonka factory downtown and the

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Speaker 6: wind blows it.

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Speaker 2: Mike pause.

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Speaker 3: People sort of see how it feels like Hayes and

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Speaker 3: I are up in this tower and we can't talk

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Speaker 3: to normal people. But if you are interested and a

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Speaker 3: student of life in this country, then just from hearing

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Speaker 3: someone's town, you can make great conversation and that can

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Speaker 3: come into play in the Hollywood industry, can.

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Speaker 1: It, Hays? Yes?

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Speaker 2: And just to continue the great conversation were we were

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Speaker 2: having about the pizza, I gotta tell you, Mike, I

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Speaker 2: prefer a nice, big, wet slice of New York pizza.

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Speaker 2: And I don't take that big Chicago pizza is any

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Speaker 2: good at all. And so what do you say about that?

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Speaker 2: I like the I like the New York pizza with

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Speaker 2: the big chunky tomato and it's it's got water all

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Speaker 2: over the top.

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Speaker 6: That's not a meal, though. The Chicago pizza is like

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Speaker 6: a meal. You know, it's so thick.

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Speaker 2: He eats more than he eats more than one slice though, Mike,

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Speaker 2: you can eat as many slices in New York, mic

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Speaker 2: you can eat as many slices as you want. And

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Speaker 2: I don't know what they're doing in Chicago where they

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Speaker 2: only let you have one big slice and then they

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Speaker 2: say that's your meal in the day.

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Speaker 3: And nearly no water on the top. And tell me

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Speaker 3: if that's not true.

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Speaker 6: You can have more than one slice. You can get

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Speaker 6: a whole pizza in that. It's just gonna be more food. Well,

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Speaker 6: people are probably fatter here.

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Speaker 2: Well, you can share in New York, Mike, you can

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Speaker 2: share it. You can share the pizza.

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Speaker 1: They do let you, yes, and the police won't be mad.

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Speaker 2: You can share it with the police who are heroes.

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Speaker 1: Yes.

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Speaker 3: And and let me tell you something else. The water

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Speaker 3: is what makes it so good in New York.

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Speaker 1: Is that good water? And that's why you can't find

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Speaker 1: it here.

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Speaker 7: Mm hmm.

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Speaker 2: They have to bring in the water to other places

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Speaker 2: to make the pizza so good because it has wied

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Speaker 2: in a chopper, it has sodium particles.

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Speaker 6: Yes, okay, I didn't know that. I was just thinking

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Speaker 6: you could put any sort of water.

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Speaker 1: But I know you don't know.

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Speaker 3: I know you don't know it. I know you don't

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Speaker 3: know that. You don't have to say you don't know

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Speaker 3: something when we tell you something, and then you take it,

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Speaker 3: and then if you meet someone from York, now you

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Speaker 3: have something to talk about, just like I had the

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Speaker 3: good chocolate story and Hayes I had the good pizza.

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Speaker 3: And so all this is for your benefits, So you

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Speaker 3: don't necessarily tell us you don't know that. We know

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Speaker 3: you don't know that.

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Speaker 6: Okay, Okay, I understand, Mike.

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Speaker 3: Is there something in particular you wanted to say that

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Speaker 3: you were calling about.

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Speaker 2: Mike, did you go see when Obama one? When you

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Speaker 2: pas for one second when Obama one, did you go

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Speaker 2: see Obama do his whole like the whole rally, the

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Speaker 2: big celebration at the Zoo or wherever that was.

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Speaker 1: He's from Chicago.

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Speaker 6: No, No, I didn't end up going.

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Speaker 2: To that, thank god, Okay, because the whole thing, it's like,

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Speaker 2: what is he? You know, if people remember this. When

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Speaker 2: he got elected, it was like he was like some

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Speaker 2: big celebrity in going up there and like almost basically

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Speaker 2: acting like a movie star, and like they set up

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Speaker 2: a whole stage for him, and everyone's supposed to show

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Speaker 2: up and congratulations.

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Speaker 3: I wish he was just folks, and I like my

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Speaker 3: president to be folks like me. Yes, just don't make

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Speaker 3: just don't make such a big deal at it and

201
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Speaker 3: acting so smart all the time, and just tell me

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Speaker 3: what's it?

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Speaker 2: Did you know? Did you accomplish a mission or not?

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Speaker 2: It's like, be it's fine to be president. Just don't

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Speaker 2: It doesn't have to be such a big like celebration

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Speaker 2: of you every day.

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Speaker 3: Yes, is that what you wanted to talk about, Mike?

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Speaker 3: I know you had started to try to say something.

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Speaker 1: Is that what it was?

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Speaker 6: Yeah? That was it exactly?

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Speaker 3: Actually, Okay, you're just gonna tell us you didn't go

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Speaker 3: to the Obama thing.

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Speaker 2: Okay, Well, thanks so much, Mike.

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Speaker 1: It's been really cool.

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Speaker 2: And please, uh do.

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Speaker 1: What do I want to tell Mike to do? Take

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Speaker 1: care of your body? Yes, Mike, please take care of

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Speaker 1: your body for us.

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Speaker 6: Okay, do you guys have any tips on how to

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Speaker 6: do that?

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Speaker 2: Oh, we were just so close to a nice conclusion

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Speaker 2: to nice exit wants to he've instead, there's gonna be

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Speaker 2: sort of this trail off where we're discussing what he

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Speaker 2: did and then he just gets cut off and then

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Speaker 2: you roll.

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Speaker 1: Right into a new collar.

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Speaker 2: Should we just do that?

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Speaker 1: Well? And I almost wish Engineer Brett had just take

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Speaker 1: that as.

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Speaker 5: His cue to do that okay, by Mike, next color please,

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Speaker 5: this is a chance.

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Speaker 2: It's a little brick. Okay, I would love to have

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Speaker 2: gotten this out of the way first. If we do

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Speaker 2: this again, Brett Chance, and just like be quiet for

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Speaker 2: one second. Okay, if we do this again, huh, do

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Speaker 2: put Chance in there first, get him out of the way.

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Speaker 3: Yes, when I still have the energy to deal with

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Speaker 3: a Chanson type, Yes, I'd like to get that going

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Speaker 3: right away and then get that out of the system

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Speaker 3: and then we can sort of just.

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Speaker 1: Have a nice show.

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Speaker 2: Okay, Chance in first, chanting first, short and sweet, he

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Speaker 2: does his thing, and then we move on to the

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Speaker 2: rest of the callers.

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Speaker 1: And then that number again is three four nine something something.

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Speaker 4: Well, the rest is a fair game after that.

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Speaker 1: Oh, any order you aret?

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Speaker 2: Okay, yes, okay, okay, chanting.

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Speaker 8: Hey, Hi guys.

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Speaker 2: Chanton, how are you. It's it's really nice to talk

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Speaker 2: to you. Thanks for calling in.

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Speaker 8: Yeah, it doesn't sound like you guys are show that way,

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Speaker 8: but but yeah.

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Speaker 2: No, we do, we do, and we you're one of

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Speaker 2: you're one of us our earliest fans, and you always

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Speaker 2: have some constructive criticism for the show, and uh and

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Speaker 2: we we really you know, We're always trying to get

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Speaker 2: better for you, and so we we.

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Speaker 1: We do appreciate.

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Speaker 3: It's so rare that I feel like a fan of

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Speaker 3: ours thinks I have so much to learn from them,

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Speaker 3: do you.

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Speaker 2: Know what I mean? Chanson?

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Speaker 1: A lot of times they're just enjoying the show.

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Speaker 8: It's hard. It's hard to enjoy the show with you

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Speaker 8: on it. Sean, I don't know just.

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Speaker 2: What he's being fake mean, that's his thing. He likes

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Speaker 2: to be a fake, mean guy.

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Speaker 3: Okay, this is a kind of humor, and we haven't

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Speaker 3: covered this in our segments all, but there's a kind

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Speaker 3: of humor that's starting to mean humor really get in

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Speaker 3: vogue with the young folks. And it is a mean humor,

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Speaker 3: and it is having a mean joke, and it's and

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Speaker 3: sometimes I'm not even sure if it is a joke,

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Speaker 3: Like let's look at the anatomy of this joke. It's

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Speaker 3: hard to enjoy the show with you on it. And

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Speaker 3: that said to me, right, who is the show? Who

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Speaker 3: is big part of the show and a nice guy

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Speaker 3: and smart, nice, funny.

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Speaker 8: No, I'm sure, I'm sure you're nice, Like I think

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Speaker 8: you're probably a great person. I'm like, I'm sure you are.

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Speaker 2: Well, see is on its way towards the floor. I

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Speaker 2: already feel it. Chansa, don't finish the thought. I can't

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Speaker 2: bear it.

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Speaker 1: Chanson.

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Speaker 2: Are you on that little forest island where you live

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Speaker 2: in Seattle?

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Speaker 8: I am, Yeah, I'm on, I'm on Vah.

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Speaker 1: Yeah. Is that the one where the bike is in

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Speaker 1: the tree? It is? Yeah, yeah, yeah, I know I

291
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Speaker 1: know about that. I know you're drinking coffee and because Seattle,

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Speaker 1: I mean.

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Speaker 8: I mean I'm not I'm drinking toad zero if I

294
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Speaker 8: can plug that, Okay, So no, that's just a no.

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Speaker 2: Yeah, yeah, it's a no chance.

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Speaker 1: And why do I know all these things about you?

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Speaker 2: Why do I know that you're going to school and

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Speaker 2: you're and that you live on this little island?

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Speaker 1: Like, why do I have all this information?

300
00:14:02,800 --> 00:14:03,160
Speaker 6: Well?

301
00:14:03,480 --> 00:14:05,000
Speaker 8: I can think of a few different ways.

302
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Speaker 1: Because I'm on the show.

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00:14:06,120 --> 00:14:08,160
Speaker 2: I'm the one on the show, I'm talking to you,

304
00:14:08,760 --> 00:14:12,480
Speaker 2: and yet somehow I have all this information about you

305
00:14:12,520 --> 00:14:15,280
Speaker 2: that I'm not using in my daily life. I know

306
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Speaker 2: more about you than I know about me, you know

307
00:14:18,000 --> 00:14:19,800
Speaker 2: what I mean? It just is weird to me.

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00:14:21,920 --> 00:14:24,760
Speaker 8: It's weird to me too. I'd love to hear more about.

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Speaker 1: That about all this stuff I know about you.

310
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Speaker 2: You have a dog, I do, I do beard, Yeah, yeah,

311
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Speaker 2: I have a beard. It's too much, it's too much.

312
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Speaker 1: It's a lot of I'm carrying around a lot.

313
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Speaker 3: Of opinions on the world and politics and finance and anything.

314
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Speaker 2: You're a men's rights activist. I know that about you.

315
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Speaker 2: I respect that a lot.

316
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Speaker 3: A lot of classic rants. There's a lot of chance

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Speaker 3: and rants. You know.

318
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Speaker 2: Chansen goes on the forums a lot, and he'll speak

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Speaker 2: up for this is a group that has not always

320
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Speaker 2: got a fair sh certainly in recent years, which is

321
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Speaker 2: white men.

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Speaker 1: Yes, and they're being marginalized.

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Speaker 2: Yes, And that is what I appreciate when Chansen does

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Speaker 2: that on the forums. I say, see, this is useful.

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Speaker 2: This is a voice that we don't have out there.

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Speaker 3: And here's what we don't think about, and Chanson has

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Speaker 3: pointed this out, is when you do.

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Speaker 2: Take a group.

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Speaker 3: That has been underrepresented because they're a smaller group, yes,

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Speaker 3: and you try to put them at the forefront. Someone

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Speaker 3: is a victim, and the victim ninety nine point nine

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Speaker 3: percent of the time plus point one percent, which means

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Speaker 3: always is white men.

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Speaker 1: Like Chansen, would.

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Speaker 2: You agree with that Chase. I mean, I mean, you've

336
00:15:40,400 --> 00:15:41,000
Speaker 2: said as much.

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Speaker 8: I don't know if that's how I would characterize that debate,

338
00:15:44,240 --> 00:15:48,080
Speaker 8: but that's definitely an opinion some people have, and that's

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Speaker 8: I guess, okay.

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Speaker 2: And I appreciate that. It's it's it's someone has to

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Speaker 2: There's so many people out there now that are talking

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Speaker 2: about civil rights for like only a select group and

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Speaker 2: talking about that only a certain number of people's lives matter,

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Speaker 2: and you're there saying, which I appreciate, shouldn't everyone's lives matter?

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Speaker 2: Like why is it that, like only these guys' lives matter?

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Speaker 3: Right? Like?

347
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Speaker 2: What about me life? Does my life not matter? Right?

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Speaker 9: Yeah?

349
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Speaker 1: It seems extremely mean.

350
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Speaker 3: It's like just because certain people were undervalued doesn't mean

351
00:16:19,280 --> 00:16:22,040
Speaker 3: I've been overvalued? And can't I get even more of

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Speaker 3: what I've had? And I also wanted to bring up

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Speaker 3: with you Chance and because you did something so cool

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Speaker 3: on the forums recently and you had a rant of

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Speaker 3: yours and then you sort of threatened to, you know,

356
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Speaker 3: lay some real hard truths on me and Hayes, and

357
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Speaker 3: this is was your phrasing.

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Speaker 1: Drop the mic afterwards.

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Speaker 3: And the image that comes of a comic on stage

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Speaker 3: and I've seen some do this where they let go

361
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Speaker 3: of the microphone and it falls to the stage, and

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00:16:53,640 --> 00:16:55,480
Speaker 3: that's sort of such a definitive ending.

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Speaker 2: Is that cool what you did?

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00:17:00,080 --> 00:17:00,240
Speaker 10: Well?

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Speaker 8: I think if you go back and look at what

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Speaker 8: I said, I said that if.

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Speaker 2: If I'd rather not, I'd actually rather not.

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Speaker 3: No. I just want to talk about the concept of

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Speaker 3: dropping the mic, A new fresh idea of dropping the

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Speaker 3: mic chanting.

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Speaker 1: Is your dog around?

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Speaker 6: She is?

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Speaker 8: Yeah, she's right here.

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Speaker 1: Can I talk to your dog?

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Speaker 2: Yes, yeah, if you want to.

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Speaker 8: Okay, she would love that.

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Speaker 1: I bet. Okay, tell me when she's going to be on.

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Speaker 1: And what's her name?

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Speaker 8: All right, she's gone. Her name is Drado.

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Speaker 1: Okay, Drado. All right, she's gone, right now, Drado. Run

381
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Speaker 1: go Drado, Drado.

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Speaker 2: Get out of the house as fast as you can.

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Speaker 2: It's not safe for you there, Drado. There's a car

384
00:17:42,800 --> 00:17:47,600
Speaker 2: waiting for you outside, right into the forest. Bite him

385
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Speaker 2: on his rear end and go go out the door.

386
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Speaker 2: Go at night, however, you can move. Go at nice.

387
00:17:55,240 --> 00:17:58,119
Speaker 1: There's a car waiting at the corner. When you get in.

388
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Speaker 1: They have dog food, they have everything you need. You'll

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Speaker 1: come to me.

390
00:18:01,640 --> 00:18:04,720
Speaker 2: And it's not easy because that's why he lives on

391
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Speaker 2: an island, so it's hard it's harder for you to escape.

392
00:18:06,960 --> 00:18:08,399
Speaker 1: Oh hey, Chance, and what's up? How are you?

393
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Speaker 3: Ye?

394
00:18:09,080 --> 00:18:09,439
Speaker 1: Dude?

395
00:18:11,400 --> 00:18:15,200
Speaker 8: Hi guys? Did you guys like talking to Drady.

396
00:18:15,440 --> 00:18:18,520
Speaker 2: She's a very nice baby and she's a very sweet

397
00:18:18,520 --> 00:18:19,040
Speaker 2: baby girl.

398
00:18:19,080 --> 00:18:24,320
Speaker 1: And we're we're pulling for and good Chanson.

399
00:18:24,840 --> 00:18:27,720
Speaker 2: Thank you so much for listening to the show and

400
00:18:28,040 --> 00:18:30,120
Speaker 2: for you were a fan of the reality show show

401
00:18:30,160 --> 00:18:33,080
Speaker 2: for a long time and we really appreciate it. And

402
00:18:33,119 --> 00:18:34,919
Speaker 2: if you can tell we are listening to you, and

403
00:18:34,960 --> 00:18:36,440
Speaker 2: I think the show you. I think you can hear

404
00:18:36,480 --> 00:18:39,840
Speaker 2: when you listen to the show your criticism, Yes, that

405
00:18:39,920 --> 00:18:42,920
Speaker 2: it's been being considered and actually making the show better.

406
00:18:42,960 --> 00:18:43,600
Speaker 1: Can you hear that?

407
00:18:45,720 --> 00:18:50,920
Speaker 2: I mean, yeah, okay, okay, good, okay.

408
00:18:50,960 --> 00:18:52,840
Speaker 1: I'm glad you can hear it. Well, Chance, And thank

409
00:18:52,880 --> 00:18:53,800
Speaker 1: you so much for calling in.

410
00:18:53,880 --> 00:18:58,760
Speaker 2: Brett. Brett, he's gone, he's gone. Okay. See that's what

411
00:18:58,800 --> 00:19:01,679
Speaker 2: happens when he's not when he he has to be first, Yes,

412
00:19:03,160 --> 00:19:07,640
Speaker 2: you have okay, yeah, first, yeah.

413
00:19:07,160 --> 00:19:08,639
Speaker 1: Just roll right there or do we take.

414
00:19:08,520 --> 00:19:11,399
Speaker 2: Some kind of I don't know, is there any how

415
00:19:11,400 --> 00:19:13,560
Speaker 2: many people do we have on the line.

416
00:19:13,800 --> 00:19:15,400
Speaker 4: It's completely lit up?

417
00:19:16,080 --> 00:19:16,679
Speaker 2: What does that mean?

418
00:19:17,560 --> 00:19:17,600
Speaker 3: That?

419
00:19:17,800 --> 00:19:19,160
Speaker 4: Like seven calls?

420
00:19:19,920 --> 00:19:21,679
Speaker 1: That's that's what completely lit up is.

421
00:19:22,960 --> 00:19:26,320
Speaker 3: Yeah, don't don't say the numbers so they can hear it.

422
00:19:27,680 --> 00:19:30,840
Speaker 2: Okay, should we check in with Andy really fast? I

423
00:19:30,840 --> 00:19:40,440
Speaker 2: guess hang on second and Sweetie, Okay, just coming.

424
00:19:41,040 --> 00:19:43,400
Speaker 3: And it's like he's making friends with them and he's

425
00:19:43,440 --> 00:19:46,240
Speaker 3: sort of using this opportunity and I can't blame him.

426
00:19:46,880 --> 00:19:50,600
Speaker 2: Hi, Andy, Hey, how's it going pretty good? Well?

427
00:19:52,200 --> 00:19:53,959
Speaker 1: So, what like when these people call in?

428
00:19:54,040 --> 00:19:54,720
Speaker 2: What do they do?

429
00:19:54,720 --> 00:19:58,240
Speaker 11: Do they They just mostly just say their name and

430
00:19:58,240 --> 00:20:00,919
Speaker 11: then I say thanks and then I put them, Okay

431
00:20:01,000 --> 00:20:02,040
Speaker 11: in the queue.

432
00:20:02,240 --> 00:20:04,560
Speaker 3: You having a longer conversation than that when we open

433
00:20:04,640 --> 00:20:07,080
Speaker 3: the door, and I wonder are you making friends with them?

434
00:20:07,160 --> 00:20:10,159
Speaker 1: And is this some sort of dating service?

435
00:20:10,200 --> 00:20:13,600
Speaker 2: And can I say something else? Sure? First of all,

436
00:20:13,720 --> 00:20:15,959
Speaker 2: don't please don't try to date any of the callers.

437
00:20:15,960 --> 00:20:19,680
Speaker 2: Sean raises a good point. Second, what is the name

438
00:20:19,720 --> 00:20:24,080
Speaker 2: of the job that you're doing? Screener? Okay, you seem

439
00:20:24,119 --> 00:20:26,840
Speaker 2: to think that means let them all like if you

440
00:20:26,880 --> 00:20:33,040
Speaker 2: picture a screen, Okay, it's designed to keep out mosquitoes, right, yeah, right,

441
00:20:33,080 --> 00:20:33,719
Speaker 2: that's what it's for.

442
00:20:33,880 --> 00:20:36,440
Speaker 3: Yeah, Yes, what can get in is like a cool

443
00:20:36,520 --> 00:20:40,400
Speaker 3: breeze can get something refreshing, but what can't get in

444
00:20:40,720 --> 00:20:41,879
Speaker 3: is a mosquito or.

445
00:20:42,000 --> 00:20:44,200
Speaker 2: Chance it, yes, the human mosquito.

446
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Speaker 1: Does that make sense? Yeah, I think I get it.

447
00:20:49,000 --> 00:20:52,280
Speaker 2: Okay, yeah, okay, so I'll go be a good screen

448
00:20:53,040 --> 00:20:54,680
Speaker 2: if country has What if.

449
00:20:54,640 --> 00:20:56,800
Speaker 11: They just come on and say like, hey, my name's

450
00:20:56,840 --> 00:20:58,959
Speaker 11: Sam and I don't know who, Well, then you have

451
00:20:59,040 --> 00:21:01,520
Speaker 11: to ask more questions. Oh okay, you have to try

452
00:21:01,560 --> 00:21:03,320
Speaker 11: to tease out what their intentions are.

453
00:21:03,440 --> 00:21:05,800
Speaker 3: Andy and me and Hayes love science so much, and

454
00:21:05,880 --> 00:21:07,560
Speaker 3: I think I have a nice way to sort of

455
00:21:07,720 --> 00:21:11,440
Speaker 3: illustrate this. Are you familiar with a semi permeable membrane?

456
00:21:11,720 --> 00:21:14,520
Speaker 1: Oh yeah, I think yes in my cells.

457
00:21:14,560 --> 00:21:17,280
Speaker 2: And what you didn't They don't teach it and so

458
00:21:18,400 --> 00:21:18,679
Speaker 2: and so.

459
00:21:18,960 --> 00:21:21,960
Speaker 3: What my science teacher, one of the many good ones

460
00:21:22,000 --> 00:21:24,159
Speaker 3: I've had, used to say, and this is truly what

461
00:21:24,240 --> 00:21:26,760
Speaker 3: he used to say in my high school, back when

462
00:21:26,760 --> 00:21:31,040
Speaker 3: they did teach it in high school, is some elements

463
00:21:31,080 --> 00:21:34,960
Speaker 3: can get through the membrane. For them, it's permeable, but others,

464
00:21:35,000 --> 00:21:38,680
Speaker 3: when they hit the wall, no ticky, no Washee, you

465
00:21:38,760 --> 00:21:39,520
Speaker 3: can't get in.

466
00:21:42,119 --> 00:21:44,840
Speaker 1: So that's a good thing to say to someone like chances.

467
00:21:44,880 --> 00:21:45,280
Speaker 1: If there's a.

468
00:21:45,320 --> 00:21:47,240
Speaker 3: Chance and you just say no, thank you for calling,

469
00:21:47,359 --> 00:21:49,560
Speaker 3: no Ticky, no Washee, you can get in.

470
00:21:51,040 --> 00:21:51,359
Speaker 2: Okay.

471
00:21:51,440 --> 00:21:53,520
Speaker 11: I'm going to keep that in mind, and I am

472
00:21:53,560 --> 00:21:55,840
Speaker 11: gonna see what I can do about Thanks.

473
00:21:55,840 --> 00:21:58,200
Speaker 1: Andy, And the calls are coming through now, and so you're.

474
00:21:58,119 --> 00:21:59,040
Speaker 2: Gonna want to get back. Okay.

475
00:21:59,240 --> 00:22:00,800
Speaker 1: It's been taking year and.

476
00:22:00,760 --> 00:22:01,760
Speaker 2: I can shut the door. O.

477
00:22:01,920 --> 00:22:03,359
Speaker 1: Yes, already taking too long.

478
00:22:03,600 --> 00:22:06,840
Speaker 2: Okay, who do we have, Brett.

479
00:22:07,200 --> 00:22:08,720
Speaker 1: Let's give give us some options.

480
00:22:08,720 --> 00:22:09,199
Speaker 2: How about that?

481
00:22:09,280 --> 00:22:18,720
Speaker 5: Okay, there's Sam Grant Burger ho Bozo's okay. Anastasia okay, Oh,

482
00:22:18,800 --> 00:22:19,200
Speaker 5: let's have it.

483
00:22:19,560 --> 00:22:22,440
Speaker 1: Let's have a refreshing female female voice.

484
00:22:22,520 --> 00:22:25,399
Speaker 3: Yes, so people know that that's okay to be a

485
00:22:25,560 --> 00:22:26,959
Speaker 3: woman and be a fan of ours.

486
00:22:27,080 --> 00:22:28,080
Speaker 4: Here's Anastasia.

487
00:22:28,800 --> 00:22:30,720
Speaker 1: Anastasia.

488
00:22:31,040 --> 00:22:33,879
Speaker 2: Hi, guys, Hi, how are you? This is Hayes talking.

489
00:22:34,000 --> 00:22:36,280
Speaker 2: How are you Anastasia?

490
00:22:36,480 --> 00:22:37,120
Speaker 9: I'm doing well.

491
00:22:37,160 --> 00:22:38,080
Speaker 10: How are you guys doing?

492
00:22:38,320 --> 00:22:39,480
Speaker 1: We're doing very well.

493
00:22:39,560 --> 00:22:42,840
Speaker 3: Yes, I think we settled on. I believe your name

494
00:22:42,880 --> 00:22:46,399
Speaker 3: is Anastasia. Now, isn't that right, Hayes. Didn't we decide

495
00:22:46,440 --> 00:22:48,280
Speaker 3: to have a fancy pronunciation.

496
00:22:47,800 --> 00:22:48,360
Speaker 2: For your name?

497
00:22:48,520 --> 00:22:48,760
Speaker 1: Yes?

498
00:22:48,840 --> 00:22:51,560
Speaker 2: I think that was right because it matches the Vigo Better, who,

499
00:22:51,600 --> 00:22:55,920
Speaker 2: if you remember, was the villain in Ghost Breakers.

500
00:22:56,280 --> 00:22:59,120
Speaker 8: Yes, I haven't seen that movie.

501
00:22:59,720 --> 00:23:06,399
Speaker 2: Oh on a Sasia. You have to where are you from?

502
00:23:07,880 --> 00:23:09,760
Speaker 1: You're from the Bay Area? Is that right?

503
00:23:09,840 --> 00:23:12,359
Speaker 2: Oh Arizona? Why what makes me think you were in

504
00:23:12,400 --> 00:23:13,920
Speaker 2: the Bay Area?

505
00:23:14,280 --> 00:23:15,840
Speaker 10: Well, I live in Oakland, now.

506
00:23:16,200 --> 00:23:21,399
Speaker 2: I see, well I think Actually, just when Baby the

507
00:23:21,440 --> 00:23:26,399
Speaker 2: Ghost movie takes place in parts of it are in Arizona.

508
00:23:26,440 --> 00:23:28,680
Speaker 2: The end of it where the marshmallow is coming through,

509
00:23:29,040 --> 00:23:33,199
Speaker 2: that part is in Arizona. Well, don't say mm hm

510
00:23:33,280 --> 00:23:35,080
Speaker 2: if you haven't seen it, say oh, that's interesting.

511
00:23:36,160 --> 00:23:37,520
Speaker 9: Oh that's interesting.

512
00:23:40,640 --> 00:23:46,240
Speaker 1: Arizona. What an interesting place? Well, it's it's heat down there.

513
00:23:47,720 --> 00:23:52,480
Speaker 2: Oh, it's interesting to me. Is you have in Arizona

514
00:23:53,160 --> 00:23:58,199
Speaker 2: the phoenix cardinals? And it's like the phoenix is already

515
00:23:58,200 --> 00:24:03,040
Speaker 2: a bird. Yeah, so it's really like saying the bird birds.

516
00:24:03,840 --> 00:24:07,439
Speaker 3: And is it the phoenix a burnt up regular bird

517
00:24:07,520 --> 00:24:09,439
Speaker 3: that now has powers of fire?

518
00:24:10,800 --> 00:24:14,159
Speaker 1: So it's very strange. And the same for the phoenix suns.

519
00:24:14,200 --> 00:24:16,919
Speaker 2: That's an interesting thing because then you're saying, like a

520
00:24:16,960 --> 00:24:18,600
Speaker 2: bird with sun power.

521
00:24:18,320 --> 00:24:20,040
Speaker 1: There's firebird sons.

522
00:24:20,600 --> 00:24:23,639
Speaker 2: Yeah, And then it's like you're you're almost repeating yourself.

523
00:24:23,640 --> 00:24:26,600
Speaker 2: It's less interesting to have a son than a phoenix.

524
00:24:27,480 --> 00:24:31,520
Speaker 3: And when a bird gets lit on fire, doesn't it

525
00:24:31,640 --> 00:24:32,600
Speaker 3: just get cooked?

526
00:24:32,720 --> 00:24:34,120
Speaker 1: And can you explain.

527
00:24:33,760 --> 00:24:34,159
Speaker 2: That to me?

528
00:24:34,280 --> 00:24:37,040
Speaker 1: Why your town is uh wrong like that?

529
00:24:40,160 --> 00:24:43,879
Speaker 9: Well, they're not really great decision makers down there, so

530
00:24:44,400 --> 00:24:45,040
Speaker 9: I think.

531
00:24:44,880 --> 00:24:48,800
Speaker 2: That and that's why you had to leave it just right?

532
00:24:50,080 --> 00:24:54,160
Speaker 3: Did you call up to talk about when that government

533
00:24:54,160 --> 00:24:56,960
Speaker 3: woman got shot there? Because that's a very sad topic

534
00:24:57,000 --> 00:24:57,480
Speaker 3: for the show.

535
00:24:57,560 --> 00:25:00,439
Speaker 2: It's not really yes, I will say, Honestoga, it's not

536
00:25:00,480 --> 00:25:03,920
Speaker 2: really an appropriate conversation to talk about Gabrielle gefforts.

537
00:25:03,960 --> 00:25:05,360
Speaker 1: On this program.

538
00:25:05,400 --> 00:25:10,240
Speaker 2: We usually talk about Hollywood and happy TV and movies.

539
00:25:10,400 --> 00:25:11,040
Speaker 2: I mean, I guess.

540
00:25:10,960 --> 00:25:13,440
Speaker 3: Palin's in the Hollywood world, and she did put out

541
00:25:13,440 --> 00:25:15,640
Speaker 3: a hit on her, But I don't think that that

542
00:25:16,760 --> 00:25:18,800
Speaker 3: in itself is enough of a reason to call.

543
00:25:18,880 --> 00:25:20,280
Speaker 1: So did you have a better reason? What did you

544
00:25:20,280 --> 00:25:21,360
Speaker 1: want to say, Anastasia?

545
00:25:23,600 --> 00:25:27,359
Speaker 9: Well, I was thinking about how long you guys have

546
00:25:27,440 --> 00:25:29,080
Speaker 9: been in the industry.

547
00:25:28,960 --> 00:25:34,880
Speaker 2: And not something I like, thinking about how do.

548
00:25:34,880 --> 00:25:37,919
Speaker 9: We how do you stay in the how do you

549
00:25:37,920 --> 00:25:40,120
Speaker 9: stay relevant? I guess how do you stay interesting?

550
00:25:42,080 --> 00:25:44,400
Speaker 1: Callers like you? I mean, is that what you want

551
00:25:44,440 --> 00:25:49,119
Speaker 1: to hear? You see what you're getting.

552
00:25:49,240 --> 00:25:52,560
Speaker 2: Okay, you wanted to say that, you know, being friends

553
00:25:52,560 --> 00:25:57,199
Speaker 2: with Anastasias, Yes, that's how we're able to stay. And

554
00:25:57,240 --> 00:26:00,960
Speaker 2: she tells us about all the cool Christmas music and

555
00:26:01,000 --> 00:26:02,760
Speaker 2: stuff for the forums, and.

556
00:26:03,359 --> 00:26:06,440
Speaker 3: She gives, yeah, the picture of her dog is the

557
00:26:06,560 --> 00:26:11,240
Speaker 3: thing that made it all the we now Hollywood, Okay,

558
00:26:11,480 --> 00:26:12,000
Speaker 3: I mean.

559
00:26:12,520 --> 00:26:14,520
Speaker 1: You know, I mean it's for me. Sorry, I can't

560
00:26:14,520 --> 00:26:14,840
Speaker 1: do it.

561
00:26:14,920 --> 00:26:17,480
Speaker 2: You can't. No, I can't do it. That's you know,

562
00:26:17,760 --> 00:26:19,320
Speaker 2: I could see what she wants.

563
00:26:19,440 --> 00:26:21,000
Speaker 3: I was gonna suck it up and do it at

564
00:26:21,080 --> 00:26:23,639
Speaker 3: a Stazio, but you know, Hayes just can't. And I

565
00:26:23,800 --> 00:26:25,800
Speaker 3: now sort of see where he's coming from. That we

566
00:26:25,920 --> 00:26:28,520
Speaker 3: have to have a certain amount of integrity on the show.

567
00:26:28,600 --> 00:26:30,359
Speaker 3: And that's what you like about it is that we

568
00:26:30,440 --> 00:26:32,480
Speaker 3: are being real and we are being raw.

569
00:26:32,600 --> 00:26:34,399
Speaker 2: And if we were to give that out as real

570
00:26:34,480 --> 00:26:38,560
Speaker 2: advice to all our listeners at being friends with you

571
00:26:38,680 --> 00:26:40,640
Speaker 2: is how to stay relevant in Hollywood? That just that

572
00:26:40,640 --> 00:26:42,560
Speaker 2: that wouldn't be fair to all of them, because it's

573
00:26:42,560 --> 00:26:45,280
Speaker 2: not true. That would be like supporting a product in

574
00:26:45,320 --> 00:26:50,280
Speaker 2: our advertisements that we don't personally love. Yes, like that

575
00:26:50,359 --> 00:26:55,520
Speaker 2: the guy who makes the poop music. But I'm saying

576
00:26:55,520 --> 00:26:57,600
Speaker 2: that would be an example, like if if we didn't

577
00:26:57,840 --> 00:27:01,199
Speaker 2: like that music, to clarify, and we were doing an

578
00:27:01,200 --> 00:27:04,560
Speaker 2: advertisement for it, that would be a lie.

579
00:27:04,600 --> 00:27:05,440
Speaker 1: That would be wrong.

580
00:27:05,800 --> 00:27:10,280
Speaker 2: Please, So you're a big fan of that music, Yes,

581
00:27:10,320 --> 00:27:12,119
Speaker 2: I'm saying that we really like it. That's why we

582
00:27:12,160 --> 00:27:13,879
Speaker 2: do advertisements for it, saying it's.

583
00:27:13,720 --> 00:27:17,160
Speaker 3: Good, the musicianship and the funniness, the combination of the two.

584
00:27:18,000 --> 00:27:20,879
Speaker 3: You could just play a song or you could just

585
00:27:21,040 --> 00:27:23,040
Speaker 3: say the word poop, and either one of those would

586
00:27:23,040 --> 00:27:28,960
Speaker 3: be pretty good. But the concept of doing both simultaneously, well,

587
00:27:29,000 --> 00:27:32,760
Speaker 3: I've got to tell you, Anastasia, I don't I'm jealous.

588
00:27:32,800 --> 00:27:36,320
Speaker 3: I didn't think of it first because it seems like, uh,

589
00:27:36,640 --> 00:27:41,159
Speaker 3: it seems like, uh, you gotta bail me out.

590
00:27:41,160 --> 00:27:44,040
Speaker 1: I don't have an end of my sentence. It seems

591
00:27:44,040 --> 00:27:45,400
Speaker 1: like a good music. Yo.

592
00:27:45,440 --> 00:27:51,840
Speaker 3: Gosh, yes, hello, now we're really talking.

593
00:27:52,960 --> 00:27:56,080
Speaker 2: And so we've turned down opportunities excuse me pause for

594
00:27:56,160 --> 00:28:00,520
Speaker 2: one second. We've turned down ads for stuff like Sony

595
00:28:01,560 --> 00:28:06,840
Speaker 2: and like Penguin books, things like that, stuff that we

596
00:28:06,960 --> 00:28:08,640
Speaker 2: don't endorse, in order to.

597
00:28:08,600 --> 00:28:11,640
Speaker 1: Do stuff we do endorse, like the poop music. Does

598
00:28:11,680 --> 00:28:12,120
Speaker 1: that make sense?

599
00:28:12,160 --> 00:28:16,440
Speaker 2: To you now, Anastasia, do you understand now why you're

600
00:28:16,440 --> 00:28:17,920
Speaker 2: trying to get us to say it wasn't really fair

601
00:28:17,960 --> 00:28:18,800
Speaker 2: to the other listeners.

602
00:28:19,880 --> 00:28:21,320
Speaker 9: Yeah, I completely understand.

603
00:28:21,680 --> 00:28:25,200
Speaker 1: Might make might make there not be any artists.

604
00:28:26,200 --> 00:28:28,600
Speaker 2: It might make it might make there not be any artists. Yes,

605
00:28:28,640 --> 00:28:31,560
Speaker 2: and would you like that? I doubt it, or maybe

606
00:28:31,600 --> 00:28:32,680
Speaker 2: you would.

607
00:28:32,960 --> 00:28:34,840
Speaker 3: Well, they're all friends with you now instead of being

608
00:28:34,840 --> 00:28:36,840
Speaker 3: an artist. I mean, that's what you're really trying to create.

609
00:28:36,880 --> 00:28:39,320
Speaker 3: And I don't think we always think about the consequences

610
00:28:39,360 --> 00:28:43,480
Speaker 3: of these things. We're trying to get Snooze to be

611
00:28:43,520 --> 00:28:47,840
Speaker 3: a sponsor, you know, the uh smokeless tobacco. What do

612
00:28:47,880 --> 00:28:49,800
Speaker 3: you think about that? Would that be a good fit

613
00:28:49,840 --> 00:28:52,040
Speaker 3: for our show? Do you have any contexts there? Do

614
00:28:52,120 --> 00:28:52,840
Speaker 3: you Snooze?

615
00:28:53,040 --> 00:28:53,240
Speaker 2: Yeah?

616
00:28:53,240 --> 00:28:54,160
Speaker 1: Are you snoozing? Now?

617
00:28:55,640 --> 00:28:58,800
Speaker 2: I don't Actually what's your brand?

618
00:28:58,960 --> 00:29:00,400
Speaker 10: But I quit ago?

619
00:29:00,920 --> 00:29:01,120
Speaker 3: Oh?

620
00:29:01,160 --> 00:29:04,080
Speaker 1: What's so you are used to snooster?

621
00:29:06,560 --> 00:29:07,040
Speaker 3: That's right?

622
00:29:07,800 --> 00:29:11,320
Speaker 1: So what's your brand now? Kodiak?

623
00:29:11,520 --> 00:29:12,400
Speaker 9: I quit smoking?

624
00:29:12,760 --> 00:29:13,080
Speaker 2: School.

625
00:29:13,200 --> 00:29:14,520
Speaker 9: I want to try and be healthy.

626
00:29:14,480 --> 00:29:16,920
Speaker 2: Yes, we know you quit smoking, but what do you

627
00:29:17,040 --> 00:29:21,840
Speaker 2: dip with now? Yes, obviously you quit smoking. What do

628
00:29:21,960 --> 00:29:27,640
Speaker 2: you shove in your maw and periodically spit into some.

629
00:29:27,520 --> 00:29:31,600
Speaker 3: Sort of water bottle or whatever you have on you

630
00:29:32,360 --> 00:29:35,120
Speaker 3: in order to get the same buzz from smoking without

631
00:29:35,160 --> 00:29:36,640
Speaker 3: all that nasty inhalation.

632
00:29:39,960 --> 00:29:43,760
Speaker 9: Probably a nice uh English breakfast tea.

633
00:29:44,520 --> 00:29:49,000
Speaker 1: Oh wow, that can work, all right.

634
00:29:49,120 --> 00:29:51,680
Speaker 3: Well, I didn't think you'd have an answer, but Anstasia,

635
00:29:51,840 --> 00:29:52,960
Speaker 3: you uh.

636
00:29:52,960 --> 00:29:55,000
Speaker 1: Gets me so jittery when I do that. I can't

637
00:29:55,000 --> 00:29:55,720
Speaker 1: really do you know.

638
00:29:55,920 --> 00:29:59,240
Speaker 3: Oh yes, and well I just and my body's just

639
00:29:59,360 --> 00:30:02,040
Speaker 3: changing and I used to be able to handle that stuff.

640
00:30:02,120 --> 00:30:03,959
Speaker 2: Yeah, and I actually heard it's a car centergenetic and

641
00:30:03,960 --> 00:30:05,600
Speaker 2: you should use white tea.

642
00:30:05,760 --> 00:30:09,240
Speaker 1: Is the one that they bleach. They bleach the carcent engen.

643
00:30:09,480 --> 00:30:17,120
Speaker 2: Ah, good to know, thanks, Anastasia. Yes, we snooze. That's

644
00:30:17,160 --> 00:30:20,120
Speaker 2: the whole thing. We love to snooze. Yea, the snooze

645
00:30:20,120 --> 00:30:22,400
Speaker 2: is loose. Hit the snooze button.

646
00:30:23,400 --> 00:30:23,640
Speaker 5: You know.

647
00:30:23,960 --> 00:30:32,080
Speaker 2: Okay, Brett prep Brett Bye? Nice girl. Who is she?

648
00:30:32,080 --> 00:30:37,800
Speaker 2: She must be somebody's mom or something, some male listeners mom.

649
00:30:38,080 --> 00:30:39,760
Speaker 3: And he wanted to play it in the car and

650
00:30:39,800 --> 00:30:41,840
Speaker 3: then she sort of got used to it that way.

651
00:30:42,120 --> 00:30:44,440
Speaker 2: No, I think he's just making her call in and

652
00:30:44,480 --> 00:30:47,360
Speaker 2: pretend to be because he knows that just for balance,

653
00:30:47,840 --> 00:30:48,040
Speaker 2: is it?

654
00:30:48,120 --> 00:30:54,880
Speaker 3: Vigo mortens I mean, is it? Is it actually Vigo Morton's.

655
00:30:54,800 --> 00:30:56,600
Speaker 2: He didn't want to get too far away from his

656
00:30:57,720 --> 00:31:01,200
Speaker 2: real name. Yes, who else do we have?

657
00:31:02,560 --> 00:31:07,080
Speaker 4: There's Sam, There's Grant, burger Ho, Bozo's aj.

658
00:31:07,320 --> 00:31:10,440
Speaker 5: They're all staying on the line, Bruce Reid Robinson.

659
00:31:10,520 --> 00:31:12,240
Speaker 2: Oh my god, they just have nothing.

660
00:31:12,840 --> 00:31:13,240
Speaker 4: Sam.

661
00:31:13,320 --> 00:31:15,600
Speaker 3: We got to move faster through these guys because I

662
00:31:15,680 --> 00:31:17,000
Speaker 3: feel bad that we don't get to it.

663
00:31:17,160 --> 00:31:19,280
Speaker 4: I can put I agree all of them on at

664
00:31:19,280 --> 00:31:19,880
Speaker 4: once too.

665
00:31:19,960 --> 00:31:22,040
Speaker 2: That's that's terrible. Well we could do that at the end.

666
00:31:22,440 --> 00:31:24,520
Speaker 2: What a fitting awful conclusion.

667
00:31:24,760 --> 00:31:26,680
Speaker 3: Yes, that would be nice to have all of them

668
00:31:27,040 --> 00:31:32,200
Speaker 3: at once. Who should we take? Now, let's take a

669
00:31:32,280 --> 00:31:32,960
Speaker 3: burger hoe?

670
00:31:33,280 --> 00:31:38,040
Speaker 1: Okay, yes, burger hose on the air.

671
00:31:38,920 --> 00:31:43,520
Speaker 2: Hi, burger ho. And let's use real names. Let's use

672
00:31:43,520 --> 00:31:45,800
Speaker 2: real names for this. Isn't it Brian or something?

673
00:31:47,040 --> 00:31:47,360
Speaker 6: It is?

674
00:31:47,400 --> 00:31:51,240
Speaker 8: It is Brian an okay?

675
00:31:51,920 --> 00:31:54,040
Speaker 1: Oh and calm down please.

676
00:31:54,840 --> 00:31:55,479
Speaker 7: Oh okay.

677
00:31:55,720 --> 00:31:56,920
Speaker 10: Yeah.

678
00:31:57,000 --> 00:31:59,560
Speaker 2: It sounds like you're speaking from an apartment that you

679
00:31:59,680 --> 00:32:02,480
Speaker 2: just moved into. You haven't really quite furnished it yet,

680
00:32:03,520 --> 00:32:03,959
Speaker 2: Is that right?

681
00:32:04,040 --> 00:32:06,239
Speaker 7: Yeah, there's a lot of dead walls, not a lot

682
00:32:06,240 --> 00:32:07,560
Speaker 7: of furniture, not a lot of carpet.

683
00:32:07,720 --> 00:32:08,800
Speaker 2: Yes, that's what it sounds.

684
00:32:09,040 --> 00:32:10,560
Speaker 7: I wish, I wish I could do something about that.

685
00:32:10,720 --> 00:32:12,600
Speaker 10: But here we are.

686
00:32:13,320 --> 00:32:15,400
Speaker 2: And so you're from Boston, is that right?

687
00:32:16,960 --> 00:32:19,240
Speaker 7: I'm from California. I'm from San Diego. I go to

688
00:32:19,320 --> 00:32:20,520
Speaker 7: school out here in Boston.

689
00:32:21,600 --> 00:32:27,240
Speaker 1: Okay, so bolt up, bolt up, yes, san Diego, bolt up?

690
00:32:27,360 --> 00:32:27,640
Speaker 7: Yeah?

691
00:32:27,680 --> 00:32:32,800
Speaker 2: Indeed, Well what do you think about all this Freedom

692
00:32:32,880 --> 00:32:37,320
Speaker 2: trail stuff? Mmm? Seems like everyone's going to Boston these days,

693
00:32:37,360 --> 00:32:39,280
Speaker 2: and like it's this big fad now to walk the

694
00:32:39,320 --> 00:32:42,400
Speaker 2: Freedom Trail, that these kids are all doing this, and

695
00:32:42,440 --> 00:32:43,720
Speaker 2: I don't fully understand it.

696
00:32:44,280 --> 00:32:46,360
Speaker 1: And can I say this before you even answer.

697
00:32:47,400 --> 00:32:50,120
Speaker 3: A car should be a car, a boat should be

698
00:32:50,160 --> 00:32:53,959
Speaker 3: a boat, and a duck, ladies, a gentleman should be

699
00:32:54,040 --> 00:32:57,960
Speaker 3: a duck. If it looks like a duck, well certainly

700
00:32:58,000 --> 00:33:00,760
Speaker 3: shouldn't drive and be able to get on water.

701
00:33:01,640 --> 00:33:03,800
Speaker 2: That is not okay with me.

702
00:33:04,160 --> 00:33:09,080
Speaker 3: Sorry, science back to the drawing board and ramped over,

703
00:33:09,280 --> 00:33:12,840
Speaker 3: and now you can talk Burger ho Brian.

704
00:33:13,880 --> 00:33:15,080
Speaker 9: I completely agree.

705
00:33:15,120 --> 00:33:18,280
Speaker 7: I've actually made it an initiative to not do any

706
00:33:18,360 --> 00:33:21,040
Speaker 7: of the historical stuff here. So I haven't done the

707
00:33:21,120 --> 00:33:24,280
Speaker 7: Freeme trail. Certainly, I haven't been on a duck tour. I've

708
00:33:24,360 --> 00:33:26,480
Speaker 7: tried to learn as little as possible about the city.

709
00:33:26,680 --> 00:33:30,720
Speaker 2: It's so misleading to call it a duck tour because

710
00:33:30,760 --> 00:33:32,280
Speaker 2: you pay all that money for it.

711
00:33:32,600 --> 00:33:34,240
Speaker 1: I'd love to go on a duck tour.

712
00:33:34,080 --> 00:33:37,040
Speaker 2: And you're expecting to see a bunch of ducks.

713
00:33:37,160 --> 00:33:39,160
Speaker 3: Well, I thought we'd go underwater and we see them

714
00:33:39,400 --> 00:33:42,560
Speaker 3: their feet moving when they're swimming, because there's such a

715
00:33:42,560 --> 00:33:45,400
Speaker 3: calm on the surface, but underneath their feet are churning

716
00:33:45,560 --> 00:33:47,440
Speaker 3: like mad And isn't that I.

717
00:33:47,480 --> 00:33:51,200
Speaker 2: Actually visualized that metaphor, which is the one by which

718
00:33:51,200 --> 00:33:55,000
Speaker 2: I live my life, would be so helpful for my

719
00:33:55,200 --> 00:33:58,040
Speaker 2: future just day to day because I'm thinking about it

720
00:33:58,080 --> 00:34:00,480
Speaker 2: so much that the life of an artist doing yes, that's.

721
00:34:01,400 --> 00:34:04,720
Speaker 3: Come and on the inside, just beneath the surface, there's

722
00:34:04,800 --> 00:34:06,000
Speaker 3: so much turmoil.

723
00:34:06,600 --> 00:34:08,399
Speaker 2: But then you go on the tour and they don't

724
00:34:08,400 --> 00:34:10,399
Speaker 2: show you any ducks. And if you do see a duck,

725
00:34:10,520 --> 00:34:12,880
Speaker 2: you try to get them to stop. They won't stop.

726
00:34:13,000 --> 00:34:14,120
Speaker 2: They just keep going.

727
00:34:14,280 --> 00:34:16,080
Speaker 3: Oh and by the way, if you chase the duck,

728
00:34:16,080 --> 00:34:19,200
Speaker 3: and if you happen to get lucky and catch it, uh,

729
00:34:19,239 --> 00:34:23,719
Speaker 3: you can get arrested and speak on that. And isn't

730
00:34:23,760 --> 00:34:26,399
Speaker 3: it kind of dangerous to be just arresting every duck

731
00:34:26,480 --> 00:34:29,240
Speaker 3: chaser when there's actually real crime guys out there.

732
00:34:30,840 --> 00:34:32,960
Speaker 7: I think it's super dangerous because they're not I mean

733
00:34:32,960 --> 00:34:34,680
Speaker 7: a lot of these people are tourists. They're not from

734
00:34:34,800 --> 00:34:36,480
Speaker 7: Boston proper. They don't know the rules.

735
00:34:36,640 --> 00:34:39,400
Speaker 2: Okay, Brian, don't pander to me to get arrested. It

736
00:34:39,520 --> 00:34:42,360
Speaker 2: is a priorities issue with these police, and it's a

737
00:34:42,600 --> 00:34:44,600
Speaker 2: it's a you know, the heads up, don't shoot thing.

738
00:34:44,920 --> 00:34:46,480
Speaker 2: It doesn't make total sense to me because if you

739
00:34:46,480 --> 00:34:48,280
Speaker 2: put your hands up that the duck will fly.

740
00:34:48,200 --> 00:34:52,880
Speaker 7: Away, Yeah, exactly exactly where the breadcumbs are going to

741
00:34:52,920 --> 00:34:54,640
Speaker 7: fall out. And then if you don't get arrested, what

742
00:34:54,719 --> 00:34:56,000
Speaker 7: are you supposed to do for the rest of the day.

743
00:34:56,080 --> 00:34:58,520
Speaker 2: I just heard my own voice on the because you're

744
00:34:58,520 --> 00:35:01,360
Speaker 2: listening to us through the right or through the radio

745
00:35:01,480 --> 00:35:04,080
Speaker 2: or something. Is that what's happening, Brett? Yes, because it

746
00:35:04,200 --> 00:35:06,399
Speaker 2: scared me because I wasn't talking and then I heard

747
00:35:06,400 --> 00:35:07,080
Speaker 2: myself talking.

748
00:35:07,160 --> 00:35:10,319
Speaker 3: Well, I thought someone was making fun of you.

749
00:35:10,600 --> 00:35:12,919
Speaker 1: See now I just heard you. Well, then I feel

750
00:35:12,920 --> 00:35:14,680
Speaker 1: like they're making fun of me. It's making me very

751
00:35:14,719 --> 00:35:19,719
Speaker 1: uncomfortable and scared. Brian, we have, Brian, we have to go.

752
00:35:19,960 --> 00:35:21,040
Speaker 1: We have to go, we have to go.

753
00:35:21,080 --> 00:35:23,160
Speaker 3: Thanks by, thank you so much, and I'm sorry, and

754
00:35:23,200 --> 00:35:24,680
Speaker 3: good luck with your burger hole thing.

755
00:35:26,000 --> 00:35:26,439
Speaker 4: He's gone.

756
00:35:26,960 --> 00:35:30,920
Speaker 1: That was paralyzing with fear to hear your own voice

757
00:35:31,280 --> 00:35:33,560
Speaker 1: when you are not the one who's speaking.

758
00:35:34,360 --> 00:35:36,080
Speaker 3: Chieled me to the bone, and I felt like I

759
00:35:36,120 --> 00:35:37,560
Speaker 3: was in jeepers creepers too.

760
00:35:39,360 --> 00:35:44,840
Speaker 2: Let's shuffle through these Grant, should we talk to Grant?

761
00:35:44,960 --> 00:35:47,000
Speaker 4: Okay, okay, who Grant?

762
00:35:47,960 --> 00:35:53,480
Speaker 1: Yes, this is sort of a mystery character. Hello Grant?

763
00:35:52,920 --> 00:35:55,600
Speaker 1: What up? What up?

764
00:35:55,680 --> 00:35:55,799
Speaker 6: Hi?

765
00:35:57,040 --> 00:35:59,200
Speaker 1: Hi? Grant? Are you from the forums?

766
00:35:59,680 --> 00:36:01,080
Speaker 12: Yeah, I'm trying to for Brown.

767
00:36:02,000 --> 00:36:06,120
Speaker 3: Oh, Charlie Murphy Brown, Oh baby, Well, thank you for

768
00:36:06,280 --> 00:36:09,440
Speaker 3: and your latest song. Charlie Murphy Brown, Can I say

769
00:36:09,800 --> 00:36:12,080
Speaker 3: took some real steps in the right direction for me

770
00:36:12,560 --> 00:36:15,040
Speaker 3: because I noticed that I could hear some of the

771
00:36:15,080 --> 00:36:17,680
Speaker 3: things I had been saying and Hayes had been saying,

772
00:36:17,760 --> 00:36:20,320
Speaker 3: and it was so much nicer than hearing. Sometimes people

773
00:36:20,320 --> 00:36:22,560
Speaker 3: put these songs and I don't know who's even making

774
00:36:22,600 --> 00:36:23,160
Speaker 3: the noise.

775
00:36:24,040 --> 00:36:27,520
Speaker 2: Charlie Murphy Brown is a listener of ours. He's sort

776
00:36:27,520 --> 00:36:33,160
Speaker 2: of an eccentric musical genius who's not really for society,

777
00:36:33,560 --> 00:36:35,160
Speaker 2: not really for being in society.

778
00:36:35,200 --> 00:36:36,120
Speaker 1: Would you agree with that?

779
00:36:36,760 --> 00:36:39,440
Speaker 6: Yeah, I would agree with that hardly.

780
00:36:40,760 --> 00:36:43,920
Speaker 2: What's your what's your living situation?

781
00:36:45,960 --> 00:36:47,680
Speaker 12: I'm in Arizona. I'm in Arizona.

782
00:36:48,000 --> 00:36:51,200
Speaker 1: You're in Arizona as well? Okay, in a home or

783
00:36:51,360 --> 00:36:52,160
Speaker 1: just so round?

784
00:36:53,280 --> 00:36:54,480
Speaker 12: Yes, I'm in a home.

785
00:36:54,560 --> 00:36:56,680
Speaker 2: And I would only say that this is Arizona kind

786
00:36:56,719 --> 00:36:58,280
Speaker 2: of what you would say is your house.

787
00:36:58,840 --> 00:37:01,200
Speaker 1: Oh, talk about the Phoenix car This is actually interesting

788
00:37:01,200 --> 00:37:01,400
Speaker 1: to me.

789
00:37:01,480 --> 00:37:05,600
Speaker 12: Yes, yes, now they're the Arizona Cardinals. They were the

790
00:37:05,600 --> 00:37:07,840
Speaker 12: Phoenix Cardls before that. They were from Saint Louis and

791
00:37:07,880 --> 00:37:11,520
Speaker 12: they originated in Chicago back in like the thirties.

792
00:37:11,600 --> 00:37:13,759
Speaker 2: So see, this is the kind of thing we want

793
00:37:13,960 --> 00:37:16,600
Speaker 2: to talk about, is sports history.

794
00:37:17,400 --> 00:37:20,760
Speaker 1: So thank you, Charlie Murphy Brown. Talk about the Diamondbacks.

795
00:37:23,360 --> 00:37:25,359
Speaker 12: They won the World Series in two thousand and one.

796
00:37:26,280 --> 00:37:29,719
Speaker 2: Mmmm. Cast you a question, Yeah, lay it on me.

797
00:37:30,440 --> 00:37:32,200
Speaker 1: I got all day. You called.

798
00:37:32,520 --> 00:37:37,160
Speaker 12: Yeah, Hypothetically, which of you two would win in an

799
00:37:37,280 --> 00:37:38,240
Speaker 12: arm wrestling match?

800
00:37:38,520 --> 00:37:38,840
Speaker 2: Oh?

801
00:37:39,280 --> 00:37:43,360
Speaker 3: I shudder to think. Everyone loses. Everyone loses if we

802
00:37:43,520 --> 00:37:43,799
Speaker 3: do that.

803
00:37:44,600 --> 00:37:47,040
Speaker 2: And I will say, perish the thought to something like that,

804
00:37:47,120 --> 00:37:51,880
Speaker 2: because the idea of hurting Sean is so antithetical to

805
00:37:51,920 --> 00:37:54,920
Speaker 2: what I'm trying to do in my life, or being

806
00:37:55,000 --> 00:37:58,200
Speaker 2: hurt by Sean would be so much greater than a

807
00:37:58,239 --> 00:37:59,040
Speaker 2: normal injury.

808
00:37:59,200 --> 00:38:03,120
Speaker 1: If I'm a hurt Hayes, I never trust again. Yes,

809
00:38:03,760 --> 00:38:04,160
Speaker 1: mm hmm.

810
00:38:05,080 --> 00:38:06,600
Speaker 12: So what about a thumb war.

811
00:38:07,440 --> 00:38:12,000
Speaker 2: And see then you're not understanding get it through your

812
00:38:12,040 --> 00:38:14,480
Speaker 2: thick skull. You don't want We don't want to battle

813
00:38:14,520 --> 00:38:17,520
Speaker 2: each other, Charlie Murphy Brown, not a competition. We're just

814
00:38:17,880 --> 00:38:21,000
Speaker 2: not in this to have battles with each other who

815
00:38:21,000 --> 00:38:24,040
Speaker 2: are supposed to be our friends. Okay, so what you

816
00:38:24,040 --> 00:38:28,160
Speaker 2: should be doing is I think sticking to having musical

817
00:38:28,239 --> 00:38:32,080
Speaker 2: thoughts when you think you mostly think in trumpet noises, right,

818
00:38:33,480 --> 00:38:35,080
Speaker 2: t yeah, trombone?

819
00:38:35,160 --> 00:38:37,319
Speaker 1: Yes, okay, okay, so.

820
00:38:40,080 --> 00:38:43,720
Speaker 3: Ahead, No, I had nothing we forgot to say pause

821
00:38:43,800 --> 00:38:46,240
Speaker 3: failed me out, please?

822
00:38:46,320 --> 00:38:49,920
Speaker 12: I was collectively collectively what's your guys favorite novel that

823
00:38:50,080 --> 00:38:55,640
Speaker 12: if you want to work together on something with two minds.

824
00:38:54,440 --> 00:38:57,640
Speaker 1: Our favorite novel collectively novel?

825
00:38:57,719 --> 00:38:58,200
Speaker 12: Yeah?

826
00:38:58,280 --> 00:39:01,439
Speaker 2: Yeah, I guess we could say it at the same time.

827
00:39:02,000 --> 00:39:10,319
Speaker 2: Mm hmm. Catcher in the Rye mocking You gotta read

828
00:39:10,360 --> 00:39:13,520
Speaker 2: this book, Charlie. You've got to read Catcher in the

829
00:39:13,600 --> 00:39:17,560
Speaker 2: Rye if you haven't read it, it'll explain everything, especially

830
00:39:17,600 --> 00:39:18,439
Speaker 2: even this town.

831
00:39:18,760 --> 00:39:21,520
Speaker 1: The idea of phonies being something you don't like.

832
00:39:22,000 --> 00:39:25,040
Speaker 3: Oh, baby, can I tell you that that is really

833
00:39:25,080 --> 00:39:27,000
Speaker 3: something relevant in my life?

834
00:39:27,920 --> 00:39:29,799
Speaker 2: I realized that there are lots of phonies out there,

835
00:39:29,840 --> 00:39:31,520
Speaker 2: but there are some people who are cool and actually

836
00:39:31,560 --> 00:39:34,839
Speaker 2: get it, like holding cauliflower and the details of all

837
00:39:35,000 --> 00:39:35,600
Speaker 2: of them.

838
00:39:35,719 --> 00:39:38,000
Speaker 1: Having a crazy red hunting hat on.

839
00:39:39,120 --> 00:39:43,080
Speaker 2: Yes, Ed, can we return to the subject of ducks.

840
00:39:43,160 --> 00:39:46,400
Speaker 2: There's lots of interesting duck questions in there. Oh yes,

841
00:39:46,600 --> 00:39:51,320
Speaker 2: where do they go when it's when the ice is frozen?

842
00:39:52,120 --> 00:39:57,680
Speaker 3: And something to think about. Did mister Antalini really do

843
00:39:57,880 --> 00:40:02,320
Speaker 3: anything wrong? Or is it just a situation that could

844
00:40:02,480 --> 00:40:06,200
Speaker 3: possibly be interpreted as wrong because he'd never got a

845
00:40:06,280 --> 00:40:07,480
Speaker 3: chance to really explain.

846
00:40:09,000 --> 00:40:11,120
Speaker 2: Is he was he just being a friendly teacher?

847
00:40:12,360 --> 00:40:17,400
Speaker 3: Are you a secret slob like that devilish strad Ladder

848
00:40:19,320 --> 00:40:22,440
Speaker 3: keeping his razor unclean? Meanwhile he's off making time with

849
00:40:22,520 --> 00:40:25,879
Speaker 3: a girl.

850
00:40:26,280 --> 00:40:28,080
Speaker 8: That's the question, slob.

851
00:40:28,239 --> 00:40:30,080
Speaker 2: See, you don't understand because you haven't read the book.

852
00:40:30,080 --> 00:40:31,680
Speaker 2: And I can tell I could tell when you first

853
00:40:31,719 --> 00:40:33,080
Speaker 2: called in that you haven't read it.

854
00:40:33,160 --> 00:40:34,520
Speaker 1: Oh, we can hear it in your voice.

855
00:40:34,560 --> 00:40:36,719
Speaker 3: If you haven't read this book, you're a real You're more,

856
00:40:36,880 --> 00:40:38,560
Speaker 3: you're a real Prince Aclee kid.

857
00:40:39,080 --> 00:40:42,160
Speaker 2: And so that's something there's just a hint of phoniness.

858
00:40:42,200 --> 00:40:44,160
Speaker 2: And but if you read this book, you'll wash it

859
00:40:44,160 --> 00:40:48,400
Speaker 2: write out. I promise you did.

860
00:40:48,440 --> 00:40:50,840
Speaker 12: You guys know today's twelve thirteen fourteen.

861
00:40:53,440 --> 00:40:54,520
Speaker 1: You know I did know that.

862
00:40:56,200 --> 00:40:59,520
Speaker 2: And I mean, what I think is a missed opportunity

863
00:40:59,760 --> 00:41:02,040
Speaker 2: is they should have come out with a movie today.

864
00:41:02,960 --> 00:41:05,640
Speaker 2: There should have been the cool count. It should have

865
00:41:05,680 --> 00:41:07,480
Speaker 2: been about well, it should have been a movie called

866
00:41:07,480 --> 00:41:10,279
Speaker 2: fifteen Yes. They should have made a movie called fifteen No,

867
00:41:11,040 --> 00:41:13,960
Speaker 2: that's right. The movie should have been called fifteen yes,

868
00:41:14,520 --> 00:41:15,640
Speaker 2: or eleven or eleven.

869
00:41:15,760 --> 00:41:18,160
Speaker 3: I mean, eleven's may be better because you should say

870
00:41:18,200 --> 00:41:19,000
Speaker 3: the name of the movie.

871
00:41:19,120 --> 00:41:21,400
Speaker 1: See eleven twelve thirteen fourteen.

872
00:41:21,560 --> 00:41:21,799
Speaker 10: Yes.

873
00:41:22,120 --> 00:41:24,879
Speaker 2: Imagine imagine how big that movie could have been at

874
00:41:24,920 --> 00:41:30,239
Speaker 2: fifteen It could have been about a group of robbers.

875
00:41:29,520 --> 00:41:33,840
Speaker 1: Hmm, yes or yes? What else could it have been about?

876
00:41:33,840 --> 00:41:36,399
Speaker 1: What's something that? Don't do that to me? What?

877
00:41:36,680 --> 00:41:37,160
Speaker 2: He keep?

878
00:41:37,280 --> 00:41:37,440
Speaker 1: What?

879
00:41:37,560 --> 00:41:38,479
Speaker 2: I say? Yes?

880
00:41:38,520 --> 00:41:41,600
Speaker 3: And then he goes yes this time, And I know

881
00:41:41,680 --> 00:41:43,839
Speaker 3: I'm not hearing me coming out of your computer, and

882
00:41:43,880 --> 00:41:47,400
Speaker 3: I know you are making fun of me, of you yes.

883
00:41:47,160 --> 00:41:49,399
Speaker 12: Oh no, I'm not making fun of you for sure,

884
00:41:49,480 --> 00:41:53,520
Speaker 12: that's yes. And I've learned the tricks from listening to podcasts.

885
00:41:53,600 --> 00:41:56,880
Speaker 12: What these people do to seem like they are, you know,

886
00:41:57,040 --> 00:41:59,920
Speaker 12: not just a phony like you were saying. They make

887
00:42:00,160 --> 00:42:03,279
Speaker 12: noise is in the spaces and it's interesting.

888
00:42:04,120 --> 00:42:06,040
Speaker 2: Let's see, this is what I'm talking about. Like I

889
00:42:06,080 --> 00:42:09,000
Speaker 2: can tell that you just want to be speaking at

890
00:42:09,080 --> 00:42:15,160
Speaker 2: traw bones and that spoken conversation is not your natural

891
00:42:15,239 --> 00:42:16,160
Speaker 2: form of communicating.

892
00:42:16,239 --> 00:42:18,520
Speaker 3: Yes, you're mimicking my sound. You're following it with a

893
00:42:18,560 --> 00:42:20,880
Speaker 3: similar sound, which is what you would do in music.

894
00:42:20,960 --> 00:42:23,480
Speaker 3: If I'm playing a seed, then you just play a

895
00:42:23,520 --> 00:42:25,320
Speaker 3: seat and you know how the circle of fiths works.

896
00:42:25,640 --> 00:42:28,879
Speaker 3: But but that's sort of what you're you're doing here

897
00:42:28,920 --> 00:42:31,279
Speaker 3: in conversation. Is I make the noise and then you

898
00:42:31,320 --> 00:42:33,480
Speaker 3: go like yes to sort of trail off it. And

899
00:42:33,520 --> 00:42:34,759
Speaker 3: that's not what people like.

900
00:42:34,960 --> 00:42:35,960
Speaker 2: No, no, no, no no.

901
00:42:36,680 --> 00:42:39,160
Speaker 12: But Charlie, thank you, Charlie.

902
00:42:39,200 --> 00:42:41,520
Speaker 2: We have a famous which Charlie, we have a famous

903
00:42:41,520 --> 00:42:44,080
Speaker 2: person coming in really soon, so pause on you and

904
00:42:44,480 --> 00:42:51,759
Speaker 2: also hang up than just just miss Charlie.

905
00:42:51,480 --> 00:42:53,680
Speaker 3: Got his shout out out, and you almost want to

906
00:42:53,719 --> 00:42:56,040
Speaker 3: start with your shout out, because you really don't know

907
00:42:56,080 --> 00:42:59,439
Speaker 3: how much time you'll have. Maybe some of the time

908
00:42:59,520 --> 00:43:04,359
Speaker 3: spent mocking me could have been spent shouting out.

909
00:43:04,600 --> 00:43:06,799
Speaker 1: Okay, we got a lot of people. We go yeh huh.

910
00:43:06,880 --> 00:43:08,840
Speaker 4: Sam's been waiting for forty seven minutes.

911
00:43:08,920 --> 00:43:09,840
Speaker 1: Okay, let's talk to this.

912
00:43:09,960 --> 00:43:14,520
Speaker 3: Okay, Sam, it's better not be, better.

913
00:43:14,360 --> 00:43:16,160
Speaker 2: Not be, but it probably is.

914
00:43:16,920 --> 00:43:18,840
Speaker 9: Hello, I have no engineer.

915
00:43:19,000 --> 00:43:20,480
Speaker 6: Hello, Hi, Hi.

916
00:43:21,200 --> 00:43:22,960
Speaker 2: It does sound a little bit like him, doesn't it.

917
00:43:22,960 --> 00:43:24,480
Speaker 2: And isn't that the first thing you would say if

918
00:43:24,520 --> 00:43:28,439
Speaker 2: you were engineer Sam? Yes, yeah, Hi Sam?

919
00:43:29,040 --> 00:43:30,400
Speaker 1: What's your name on the forums?

920
00:43:31,880 --> 00:43:34,359
Speaker 9: I got the proversion last three week, Thank you very much.

921
00:43:34,400 --> 00:43:36,600
Speaker 9: I was a revolver and Nico.

922
00:43:36,400 --> 00:43:40,000
Speaker 2: Yes, Velvet Revolver and Nico yes, yes. And we love

923
00:43:41,080 --> 00:43:43,720
Speaker 2: music as well, and when we know that's an homage

924
00:43:43,719 --> 00:43:46,920
Speaker 2: to Lewis Reed, who is a very close friend of ours.

925
00:43:46,800 --> 00:43:50,080
Speaker 3: Edgy music, And don't you remember that one part of

926
00:43:50,080 --> 00:43:55,279
Speaker 3: the movie where they played his songs.

927
00:43:53,920 --> 00:43:56,240
Speaker 4: And very influential counter culture.

928
00:43:56,600 --> 00:44:00,360
Speaker 3: And I've heard that every person who saw the Velvet

929
00:44:00,400 --> 00:44:03,960
Speaker 3: Underground play a concert went home and started a band,

930
00:44:05,160 --> 00:44:08,279
Speaker 3: but only Donald Fagan wanted to start a band that

931
00:44:08,440 --> 00:44:10,839
Speaker 3: was the polar opposite of what he'd seen. You see,

932
00:44:10,880 --> 00:44:14,120
Speaker 3: the Velvet Underground was such a disorganized mess that he said,

933
00:44:14,440 --> 00:44:18,480
Speaker 3: I want to do some sort of measured, precise, studio

934
00:44:18,520 --> 00:44:22,240
Speaker 3: friendly band. And that's why we have these different sounds,

935
00:44:22,280 --> 00:44:25,120
Speaker 3: because I do appreciate Velvet Underground, but steely dance named

936
00:44:25,160 --> 00:44:25,920
Speaker 3: after a dildo?

937
00:44:28,320 --> 00:44:29,799
Speaker 1: Do you guys read Lewis Ree?

938
00:44:29,800 --> 00:44:33,400
Speaker 2: Would you agree that he was the original punk Yeah,

939
00:44:33,560 --> 00:44:34,200
Speaker 2: he's got to be.

940
00:44:34,400 --> 00:44:35,080
Speaker 1: He has to be.

941
00:44:35,239 --> 00:44:38,919
Speaker 2: And his story is so amazing of being brave enough

942
00:44:39,200 --> 00:44:42,359
Speaker 2: to make this music that you know, he wasn't sure

943
00:44:42,360 --> 00:44:45,080
Speaker 2: that anyone would like, but people really did like it,

944
00:44:45,320 --> 00:44:48,000
Speaker 2: and he ended up up being very rich and dying

945
00:44:48,080 --> 00:44:50,640
Speaker 2: in a huge, huge house. I think he was doing

946
00:44:50,719 --> 00:44:52,880
Speaker 2: yoga in his backyard because he had nothing else to do.

947
00:44:53,080 --> 00:44:55,960
Speaker 2: Because he was so rich, he never had to work again.

948
00:44:56,040 --> 00:44:58,720
Speaker 2: And isn't that just kind of like the great punk

949
00:44:58,800 --> 00:45:00,360
Speaker 2: rock meritive.

950
00:45:00,080 --> 00:45:03,640
Speaker 3: From when I'm putting the money in my bank? And

951
00:45:03,680 --> 00:45:06,320
Speaker 3: that's a little joke about Lewis Read's heroin song.

952
00:45:07,200 --> 00:45:10,080
Speaker 1: So what'd you want to say? Dip wad?

953
00:45:11,080 --> 00:45:14,920
Speaker 3: I fucking with you, Sam.

954
00:45:15,200 --> 00:45:17,800
Speaker 9: I wondered if you guys were scared about these sony

955
00:45:17,840 --> 00:45:20,239
Speaker 9: hacks or if you guys are prepared for it because

956
00:45:20,280 --> 00:45:22,400
Speaker 9: of Gmail Roulette.

957
00:45:23,560 --> 00:45:27,440
Speaker 3: It sounds like you have an answer to your question already. Well,

958
00:45:27,440 --> 00:45:29,200
Speaker 3: he's got a good suggestion for an answer that we

959
00:45:29,239 --> 00:45:31,960
Speaker 3: could use it. I'm going to take it. I'm prepared

960
00:45:31,960 --> 00:45:34,359
Speaker 3: for it because of Gmail Roulette. I think I'm used

961
00:45:34,360 --> 00:45:38,200
Speaker 3: to having my private emails exposed and glad that we

962
00:45:38,280 --> 00:45:39,480
Speaker 3: did that brave practice.

963
00:45:39,520 --> 00:45:41,880
Speaker 2: And we're also they're not going to do anything to

964
00:45:41,960 --> 00:45:45,640
Speaker 2: us because we're doing a movie about saving Kim drong

965
00:45:45,719 --> 00:45:50,480
Speaker 2: un from Seth Rogan. Yes that he's he's coming to

966
00:45:50,520 --> 00:45:54,880
Speaker 2: kill Kim drong Un, and we beat him up because.

967
00:45:54,680 --> 00:45:57,280
Speaker 3: As a bit of counterprogramming, when we heard that movie

968
00:45:57,400 --> 00:46:00,160
Speaker 3: was being made, we sort of sniffed out the opportunity

969
00:46:00,200 --> 00:46:02,279
Speaker 3: because we know they're not going to like having him

970
00:46:02,280 --> 00:46:05,160
Speaker 3: get beat up by jam Franco Seth Rogen. And so

971
00:46:05,320 --> 00:46:08,160
Speaker 3: what Hayes and I did was we put on our

972
00:46:08,239 --> 00:46:11,359
Speaker 3: Captain America outfits. We're both Captain America and this one

973
00:46:12,120 --> 00:46:15,720
Speaker 3: one shield and we share yes, And when Seth and

974
00:46:17,040 --> 00:46:20,560
Speaker 3: Jimmy are getting just so close and they're about to

975
00:46:20,640 --> 00:46:23,799
Speaker 3: really land a big punch, that's when they get a

976
00:46:23,880 --> 00:46:29,400
Speaker 3: shield in the kisser. Oh well, I think that necking

977
00:46:29,480 --> 00:46:32,520
Speaker 3: is kissing sometimes, so I think that works both ways.

978
00:46:33,239 --> 00:46:35,080
Speaker 3: We haven't finished editing, so we don't know where the

979
00:46:35,080 --> 00:46:39,719
Speaker 3: shield hits them. We got to keep rolling through these, right, Yeah. Yeah,

980
00:46:39,880 --> 00:46:41,840
Speaker 3: you got your question out and you should be satisfied

981
00:46:41,880 --> 00:46:44,200
Speaker 3: with that. And you want to do a quick shout out, Yeah,

982
00:46:44,280 --> 00:46:45,440
Speaker 3: do a shout out.

983
00:46:46,239 --> 00:46:49,560
Speaker 2: Oh he's gone almost out Brett in the future. Just

984
00:46:49,640 --> 00:46:55,239
Speaker 2: let them say shout out and then Okay, who's next? Bozos?

985
00:46:55,320 --> 00:46:57,239
Speaker 4: Bozos? Yeah, you're right.

986
00:46:57,600 --> 00:47:00,000
Speaker 1: Hello Bozos.

987
00:47:00,080 --> 00:47:00,400
Speaker 8: Else.

988
00:47:01,520 --> 00:47:04,399
Speaker 2: Oh, this is not how I expected amiliar, not how

989
00:47:04,400 --> 00:47:06,080
Speaker 2: I expected the Bozos to sound.

990
00:47:07,920 --> 00:47:09,560
Speaker 10: Sorry, do I not sound like a clown?

991
00:47:10,400 --> 00:47:10,680
Speaker 1: Yeah?

992
00:47:10,719 --> 00:47:13,359
Speaker 2: Well that is sort of what I was expecting, because

993
00:47:13,360 --> 00:47:16,239
Speaker 2: if you name yourself Bozos, you are opening yourself up

994
00:47:16,280 --> 00:47:17,880
Speaker 2: to people expecting you to be a clown.

995
00:47:18,960 --> 00:47:20,440
Speaker 10: Well, what about Homie the clown?

996
00:47:22,320 --> 00:47:25,480
Speaker 3: What about him? He's not named Bozos and he is

997
00:47:25,520 --> 00:47:27,600
Speaker 3: a clown. I mean, what about What does it have

998
00:47:27,680 --> 00:47:30,000
Speaker 3: to do with anything he is? But that is a

999
00:47:30,040 --> 00:47:32,239
Speaker 3: funny character. I'm glad you brought him up because the

1000
00:47:32,320 --> 00:47:36,120
Speaker 3: idea of a black guy being silly in that way

1001
00:47:36,760 --> 00:47:41,320
Speaker 3: and also a clown that don't play many things.

1002
00:47:41,640 --> 00:47:42,680
Speaker 1: Yes, I mean, there's not just one.

1003
00:47:42,719 --> 00:47:45,440
Speaker 3: People forget there's not just one thing that Homie don't play.

1004
00:47:46,320 --> 00:47:48,600
Speaker 3: There's a lot of things that Homie don't play. Do

1005
00:47:48,680 --> 00:47:51,080
Speaker 3: you wonder how many other characters it would have been interesting?

1006
00:47:51,120 --> 00:47:52,759
Speaker 3: You know that show has gone before it's time, but

1007
00:47:52,880 --> 00:47:56,239
Speaker 3: how many other things they could have dressed up a

1008
00:47:56,280 --> 00:47:58,560
Speaker 3: black guy in that were like funny that you were

1009
00:47:58,600 --> 00:48:01,080
Speaker 3: a place where you wouldn't expect to see him, Yes,

1010
00:48:01,239 --> 00:48:01,960
Speaker 3: that's right.

1011
00:48:01,840 --> 00:48:05,560
Speaker 1: And had him be kind of mean Homie the fisherman.

1012
00:48:05,920 --> 00:48:10,680
Speaker 3: Yes, Homie the engineer, Frank, I mean, if you remember

1013
00:48:10,760 --> 00:48:12,719
Speaker 3: him before he left?

1014
00:48:14,000 --> 00:48:17,120
Speaker 2: What was your what was your question? We already did.

1015
00:48:17,160 --> 00:48:20,279
Speaker 2: You're from Boston, right, We already did the doctor conversation.

1016
00:48:21,160 --> 00:48:23,560
Speaker 10: We did all that. Yeah, I was gonna you.

1017
00:48:23,520 --> 00:48:25,000
Speaker 1: Didn't don't know what we did.

1018
00:48:25,560 --> 00:48:29,759
Speaker 3: We paused, don't take pause, Yes, don't take credit for

1019
00:48:29,840 --> 00:48:30,640
Speaker 3: what we did.

1020
00:48:30,880 --> 00:48:32,759
Speaker 2: We did it. And you say you guys, and.

1021
00:48:32,760 --> 00:48:33,960
Speaker 1: We say we we mean us.

1022
00:48:34,040 --> 00:48:36,200
Speaker 3: Yes, you guys get that already, and we did it

1023
00:48:36,239 --> 00:48:39,279
Speaker 3: with somebody else, now go ahead, and.

1024
00:48:39,360 --> 00:48:43,080
Speaker 10: Uh sorry, you guys have already done that. So I

1025
00:48:43,160 --> 00:48:46,480
Speaker 10: just want to say that the way that Andy is portraying,

1026
00:48:47,080 --> 00:48:50,000
Speaker 10: the way the call screening is going is not exactly

1027
00:48:50,040 --> 00:48:50,279
Speaker 10: the way.

1028
00:48:50,520 --> 00:48:50,840
Speaker 1: Thank you.

1029
00:48:50,920 --> 00:48:53,360
Speaker 2: We appreciate this because we only have his word to

1030
00:48:53,400 --> 00:48:56,600
Speaker 2: go on what is actually what is actually happening out there.

1031
00:48:56,640 --> 00:49:01,000
Speaker 2: I just hear a constant chittering from him in the

1032
00:49:01,040 --> 00:49:03,200
Speaker 2: other room, and he shouldn't be talking so much.

1033
00:49:03,040 --> 00:49:05,080
Speaker 1: And he should be quiet when he talks.

1034
00:49:06,080 --> 00:49:08,040
Speaker 10: Well with me, he was getting really randy.

1035
00:49:09,400 --> 00:49:11,319
Speaker 1: Okay, oh this.

1036
00:49:11,520 --> 00:49:13,680
Speaker 2: I was worried about this.

1037
00:49:13,800 --> 00:49:16,520
Speaker 3: I was really scared about it because he's been randy

1038
00:49:16,560 --> 00:49:19,000
Speaker 3: on calls before and we heard him talk to ms

1039
00:49:19,239 --> 00:49:23,239
Speaker 3: Lapkis yes, And I told him explicitly before I came in,

1040
00:49:23,239 --> 00:49:24,960
Speaker 3: and I said, if you're going to screen these calls,

1041
00:49:25,760 --> 00:49:30,000
Speaker 3: do what you need to do. And I think we

1042
00:49:30,040 --> 00:49:34,399
Speaker 3: all know in order to not be all horned up.

1043
00:49:34,800 --> 00:49:36,440
Speaker 1: It is something about the phone for him.

1044
00:49:36,640 --> 00:49:39,439
Speaker 2: And I've had this conversation with Rob where he gets

1045
00:49:39,480 --> 00:49:41,200
Speaker 2: a phone bill at the end of the month and

1046
00:49:41,239 --> 00:49:43,719
Speaker 2: there are lots of these one nine hundred numbers that

1047
00:49:43,760 --> 00:49:46,560
Speaker 2: are showing up in there, and Andy has this excuse

1048
00:49:46,600 --> 00:49:48,720
Speaker 2: that he's just, you know, he's trying to get video

1049
00:49:48,760 --> 00:49:49,839
Speaker 2: game cheats or something.

1050
00:49:50,040 --> 00:49:52,000
Speaker 3: Why what Andy does too, is he calls these nine

1051
00:49:52,080 --> 00:49:54,000
Speaker 3: hundred numbers and then he calls his credit card company

1052
00:49:54,040 --> 00:49:55,920
Speaker 3: and goes like, oh my card was stolen? Were there

1053
00:49:55,960 --> 00:49:58,319
Speaker 3: any charges? And it's like you can't keep doing that?

1054
00:49:59,480 --> 00:50:02,160
Speaker 3: Hang on, I I think our celebrities calling me. Okay,

1055
00:50:02,160 --> 00:50:02,600
Speaker 3: locked up.

1056
00:50:02,760 --> 00:50:05,239
Speaker 2: We have a big celebrity coming Bozos. But we we

1057
00:50:05,560 --> 00:50:09,759
Speaker 2: are going to do your podcast. Great, We've already corresponded

1058
00:50:09,800 --> 00:50:13,319
Speaker 2: with you about that, and and that'll just be a

1059
00:50:13,320 --> 00:50:15,920
Speaker 2: good lesson to all the other podcasts on your wolf

1060
00:50:15,960 --> 00:50:17,840
Speaker 2: that if they asked us to do it, we would

1061
00:50:17,840 --> 00:50:20,000
Speaker 2: have done theirs. But it's too late. So now we're

1062
00:50:20,000 --> 00:50:24,520
Speaker 2: going to do Bozos podcast first. So you snooze, you loose,

1063
00:50:25,160 --> 00:50:28,960
Speaker 2: if you if you know what I mean. So it's

1064
00:50:29,040 --> 00:50:31,359
Speaker 2: just now I'm all by myself, shines out of the room,

1065
00:50:31,400 --> 00:50:34,960
Speaker 2: and it's it's you get a little anxiety, so just

1066
00:50:35,000 --> 00:50:39,680
Speaker 2: hang up. Who else is on the line?

1067
00:50:40,680 --> 00:50:40,960
Speaker 9: A J.

1068
00:50:41,200 --> 00:50:46,240
Speaker 5: Bruce Reid Robinson. Another sam As texts Anthony got another

1069
00:50:46,440 --> 00:50:46,920
Speaker 5: too many?

1070
00:50:46,920 --> 00:50:51,000
Speaker 2: It's too many and it's too many. It's too many, Brett,

1071
00:50:51,000 --> 00:50:52,480
Speaker 2: what are we going to do? Put them all on

1072
00:50:52,520 --> 00:50:52,920
Speaker 2: it once?

1073
00:50:53,400 --> 00:50:56,840
Speaker 1: Do you want to just me versus all the callers?

1074
00:50:56,960 --> 00:51:00,960
Speaker 2: Is a little too much for me to bear. I mean,

1075
00:51:01,000 --> 00:51:02,840
Speaker 2: I'm worried that it's just the sound that will just

1076
00:51:02,960 --> 00:51:05,279
Speaker 2: play in my head for eternity when they all say,

1077
00:51:05,400 --> 00:51:11,080
Speaker 2: like all those male voices, hey, all at once? Can

1078
00:51:11,120 --> 00:51:12,480
Speaker 2: you imagine.

1079
00:51:14,600 --> 00:51:18,160
Speaker 4: I'm tempted? You know, I have a lot of power right.

1080
00:51:18,040 --> 00:51:21,279
Speaker 2: Now, and Brett, I will admit that right now you

1081
00:51:21,280 --> 00:51:23,000
Speaker 2: do have a decision to make, because you, right now

1082
00:51:23,080 --> 00:51:27,279
Speaker 2: are capable of destroying me if you put through all

1083
00:51:27,360 --> 00:51:33,000
Speaker 2: these twenty three to twenty nine year old men to

1084
00:51:33,320 --> 00:51:34,640
Speaker 2: try and talk to me at the same time.

1085
00:51:35,280 --> 00:51:42,400
Speaker 1: Hi, Sean's back. Is our celebrity able to get in? Yes,

1086
00:51:42,440 --> 00:51:44,239
Speaker 1: our celebrities on the phone with me now? And he's

1087
00:51:44,239 --> 00:51:44,759
Speaker 1: coming in.

1088
00:51:45,120 --> 00:51:47,440
Speaker 2: Oh okay, So I guess we should go through him

1089
00:51:47,440 --> 00:51:50,279
Speaker 2: all at once, and we'll just say we'll put him

1090
00:51:50,280 --> 00:51:51,879
Speaker 2: on all at once, and we'll say a little thing

1091
00:51:51,920 --> 00:51:52,880
Speaker 2: about each of them.

1092
00:51:53,160 --> 00:51:55,480
Speaker 3: And Thomas, if you're still on one thing you should

1093
00:51:55,480 --> 00:51:57,520
Speaker 3: know is we are doing a live call in show.

1094
00:51:57,560 --> 00:51:59,719
Speaker 3: So I've put you on speaker and we were all

1095
00:51:59,760 --> 00:52:01,719
Speaker 3: the is that we didn't have time for. We're going

1096
00:52:01,800 --> 00:52:03,439
Speaker 3: to just put on it once and what a thrill

1097
00:52:03,480 --> 00:52:05,120
Speaker 3: for them to be on the phone with you as well.

1098
00:52:08,440 --> 00:52:12,799
Speaker 1: Okay, put them all on. I'm I'm putting them through

1099
00:52:13,920 --> 00:52:15,680
Speaker 1: so he's not going to be able to hear them.

1100
00:52:15,920 --> 00:52:17,960
Speaker 3: Okay, you can't hear them? Times we can And Hi,

1101
00:52:18,040 --> 00:52:19,839
Speaker 3: everybody and all please speak at once.

1102
00:52:21,320 --> 00:52:31,160
Speaker 2: Hello, Hello, oh man, awful, awful, awful. Okay, Well we'll

1103
00:52:31,160 --> 00:52:33,759
Speaker 2: go through and say something about each of you. Astex,

1104
00:52:33,840 --> 00:52:37,000
Speaker 2: you have a nice white cat, and you came to

1105
00:52:37,080 --> 00:52:38,319
Speaker 2: our show that one time.

1106
00:52:38,480 --> 00:52:39,240
Speaker 1: That was nice.

1107
00:52:41,160 --> 00:52:43,719
Speaker 2: Say thank you, thank you.

1108
00:52:43,800 --> 00:52:44,320
Speaker 10: That's true.

1109
00:52:45,440 --> 00:52:47,560
Speaker 1: A j you're a teacher, right.

1110
00:52:48,160 --> 00:52:49,359
Speaker 6: I am, Yes, I am.

1111
00:52:49,680 --> 00:52:54,120
Speaker 1: Okay. Who else? Hi, Thomas? How are you said?

1112
00:52:54,760 --> 00:52:55,160
Speaker 2: Who else?

1113
00:52:55,280 --> 00:52:57,560
Speaker 1: Who else? Who else? Who else?

1114
00:52:57,640 --> 00:53:03,279
Speaker 3: Is one of the read Bruce re Robers, Jason manzukis

1115
00:53:03,280 --> 00:53:04,320
Speaker 3: some sort of scientists.

1116
00:53:04,400 --> 00:53:06,160
Speaker 1: Yes, you're a fan of too many other shows on

1117
00:53:06,200 --> 00:53:06,640
Speaker 1: the network.

1118
00:53:06,840 --> 00:53:07,440
Speaker 9: We don't like that.

1119
00:53:07,600 --> 00:53:10,280
Speaker 3: We don't necessarily want one of our primary forum members

1120
00:53:10,480 --> 00:53:11,200
Speaker 3: too much overlap.

1121
00:53:11,400 --> 00:53:13,600
Speaker 2: And can I say something but this is to all

1122
00:53:13,640 --> 00:53:17,360
Speaker 2: of you, and tell your other forum people too. No,

1123
00:53:17,360 --> 00:53:21,560
Speaker 2: none of the C plus stuff on the forums. No like,

1124
00:53:21,760 --> 00:53:24,719
Speaker 2: no you talking YouTube to me references? No, Like he

1125
00:53:24,920 --> 00:53:29,319
Speaker 2: likes chemicals, so he's like Walter White or something. None

1126
00:53:29,320 --> 00:53:29,520
Speaker 2: of that.

1127
00:53:30,320 --> 00:53:33,799
Speaker 3: Not a single thing that isn't explicitly about our show.

1128
00:53:33,960 --> 00:53:38,399
Speaker 2: If I see another uh what like we want some

1129
00:53:38,440 --> 00:53:40,760
Speaker 2: friggin t shirts or whatever it is of the forum.

1130
00:53:40,640 --> 00:53:43,080
Speaker 3: That shows up in my forum. Again, I'm shutting the

1131
00:53:43,080 --> 00:53:45,960
Speaker 3: whole thing that shows done. And it's a privilege, so

1132
00:53:46,920 --> 00:53:51,359
Speaker 3: try not to abuse that. Who's whose background noise is that?

1133
00:53:52,719 --> 00:53:53,319
Speaker 2: Oh it's mine?

1134
00:53:53,719 --> 00:53:55,280
Speaker 1: Who's that? Who's mine?

1135
00:53:55,640 --> 00:53:58,040
Speaker 2: Doctor blue jeans, doctor, blue.

1136
00:53:57,800 --> 00:54:00,759
Speaker 1: Jeans doctor, doctor? And thanks for talking in basketball with

1137
00:54:00,880 --> 00:54:01,480
Speaker 1: me one time.

1138
00:54:02,640 --> 00:54:04,240
Speaker 10: Oh yeah, that was fun.

1139
00:54:04,520 --> 00:54:10,960
Speaker 1: And there's pretty please please don't go any further. Fritish

1140
00:54:11,000 --> 00:54:12,200
Speaker 1: Andrew is on the line.

1141
00:54:12,280 --> 00:54:18,120
Speaker 2: His avatar is the guy from the Ocean movie Wes Anderson.

1142
00:54:18,160 --> 00:54:20,440
Speaker 1: Did I don't know if that would have been my choice.

1143
00:54:20,160 --> 00:54:23,839
Speaker 2: Necessarily Steves z zoo Steve's zu.

1144
00:54:24,440 --> 00:54:27,839
Speaker 1: Did you ever get the soundtrack for that? Oh my gosh, yes,

1145
00:54:28,080 --> 00:54:31,760
Speaker 1: Portuguese bowie. It's great for running on the beach.

1146
00:54:32,400 --> 00:54:34,640
Speaker 2: I'll run on the beach and I'll play that Portuguese

1147
00:54:34,680 --> 00:54:41,600
Speaker 2: bowie song on repeat. And who else is there's another Sam?

1148
00:54:41,920 --> 00:54:43,040
Speaker 8: I'm here right now?

1149
00:54:43,400 --> 00:54:47,680
Speaker 1: Oh what a sinister James Gum.

1150
00:54:49,760 --> 00:54:50,840
Speaker 2: Jesus Christ?

1151
00:54:50,960 --> 00:54:52,360
Speaker 1: Who are you on the forums?

1152
00:54:53,840 --> 00:54:54,719
Speaker 2: I'm not on the forum.

1153
00:54:54,800 --> 00:54:56,080
Speaker 6: My dad doesn't let me go on.

1154
00:54:56,880 --> 00:54:58,840
Speaker 1: Oh okay, so how do you know about us? Is

1155
00:54:58,880 --> 00:54:59,560
Speaker 1: this a joke?

1156
00:55:01,360 --> 00:55:01,560
Speaker 9: No?

1157
00:55:01,760 --> 00:55:03,680
Speaker 8: I know you from the podcast.

1158
00:55:05,360 --> 00:55:07,560
Speaker 3: Okay, well, this is a good time as I need

1159
00:55:07,600 --> 00:55:12,160
Speaker 3: to wrap this up. I know you from the podcast. Yeah, no,

1160
00:55:12,400 --> 00:55:20,360
Speaker 3: fucking ship, dude, that's what you're on. Okay, Well, Merry Christmas, everybody.

1161
00:55:20,400 --> 00:55:22,000
Speaker 3: We did this as a gift to you, and the

1162
00:55:22,040 --> 00:55:23,920
Speaker 3: whole show we do is a gift, but this was

1163
00:55:23,960 --> 00:55:26,040
Speaker 3: an even bigger gift because you got to talk to us.

1164
00:55:25,920 --> 00:55:28,480
Speaker 1: And to Thomas. Just do it. Oh yeah, Hi Thomas.

1165
00:55:29,320 --> 00:55:33,520
Speaker 3: Hi, he's saying, Hi, don't you talk on the phone?

1166
00:55:33,560 --> 00:55:36,080
Speaker 3: Now take two, Thomas, and I know you know what

1167
00:55:36,120 --> 00:55:36,439
Speaker 3: that means.

1168
00:55:36,440 --> 00:55:37,000
Speaker 2: You're an actor.

1169
00:55:38,080 --> 00:55:38,239
Speaker 3: Hi.

1170
00:55:39,360 --> 00:55:40,279
Speaker 1: Action much.

1171
00:55:40,960 --> 00:55:43,440
Speaker 2: It's much better, and we'll just do a mass hang.

1172
00:55:43,360 --> 00:55:49,120
Speaker 4: Up now, Okay, shut up, Cody.

1173
00:55:50,000 --> 00:55:55,799
Speaker 2: Cody got into the Okay, that was a satisfying Well,

1174
00:55:55,880 --> 00:55:58,719
Speaker 2: I know I'm late, but I don't know what the

1175
00:55:58,719 --> 00:56:01,480
Speaker 2: hell happened. Well, well we'll clear it up for you

1176
00:56:01,600 --> 00:56:03,680
Speaker 2: right after you. You didn't show up. You didn't show up

1177
00:56:03,680 --> 00:56:05,439
Speaker 2: on time, so we got nervous and so we had

1178
00:56:05,440 --> 00:56:09,399
Speaker 2: to take sorry, hundreds of calls at the same time.

1179
00:56:09,920 --> 00:56:12,840
Speaker 1: Yes, try Engineer Brett back us up. That's how many.

1180
00:56:13,280 --> 00:56:17,840
Speaker 3: Now, please, thanks for doing the live call in show, everybody,

1181
00:56:17,960 --> 00:56:20,680
Speaker 3: and uh talk to us on the forums, Like us

1182
00:56:20,680 --> 00:56:23,480
Speaker 3: on Facebook, rate us on iTunes, write a nice review,

1183
00:56:25,320 --> 00:56:28,719
Speaker 3: give us a high five using Mailchimp, Hello Cereal uh,

1184
00:56:29,080 --> 00:56:32,319
Speaker 3: and everything else that you could possibly do to support us.

1185
00:56:32,320 --> 00:56:34,040
Speaker 3: Please make sure you do it and come up with

1186
00:56:34,120 --> 00:56:37,240
Speaker 3: new ways. Thank you, more effective ways.

1187
00:56:37,280 --> 00:56:39,120
Speaker 2: Bye.

1188
00:56:42,960 --> 00:56:45,959
Speaker 3: This has been an Earwolf Media production Executive producers Jeff

1189
00:56:46,000 --> 00:56:46,960
Speaker 3: Ulrick and Scott Ackerman.

1190
00:56:47,120 --> 00:56:54,960
Speaker 1: For more information, visit earwolf dot com, ear War Radio,

1191
00:56:55,360 --> 00:56:55,960
Speaker 1: Boom

1192
00:56:56,480 --> 00:57:04,360
Speaker 2: Calm, the World Dead