WEBVTT - Episode 192 "DJ DRAMA"

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<v Speaker 1>Hold up, Hold up. This is welcome to the Ballor

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<v Speaker 1>Alert Show podcast available everywhere you get your podcast. I

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<v Speaker 1>go over in the name of your best dec you know, BT.

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<v Speaker 1>I'm in the building with that oh special guests today

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<v Speaker 1>and all Red. How's it going, Mr DJ Trauma, what's up? Family?

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<v Speaker 1>What's up? Gang? How are your feeling? We appreciate you

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<v Speaker 1>coming to our studio interview with us. Thanks for having

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<v Speaker 1>me you you guys having an amazing beautiful facility here

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<v Speaker 1>over here in mean street. This is this is this

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<v Speaker 1>is beautiful. We actually get a lot of love for

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<v Speaker 1>the studio. We have a wall of great artists that

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<v Speaker 1>come by check it out. All that in the little

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<v Speaker 1>side of run saw that too. That's offices. We got security.

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<v Speaker 1>I mean we've kind of decked out, but don't that.

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<v Speaker 1>Don't get the inside joke. This is really his studio, Atlanta, Georgia. Okay,

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<v Speaker 1>DJ Drama Grammy Award. We are not only in the

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<v Speaker 1>room of greatness. We are in a facility that hosts

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<v Speaker 1>a million great people. You probably had a million amazing

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<v Speaker 1>verses come out of the studio. A lot of amazing

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<v Speaker 1>stuff has come out of the studio, one being the

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<v Speaker 1>ball l podcast. Um, you know this room that we're

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<v Speaker 1>in now actually was the first room that I built. Here.

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<v Speaker 1>A little backstory, like, so when I first built the studio,

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<v Speaker 1>you know, I have went to Serious XM and I

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<v Speaker 1>was like, yo, like maybe I should you know. I

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<v Speaker 1>was at the time myself, Green Lantern, Nina nine Screen,

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<v Speaker 1>We all had shows on on Serious and I was like,

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<v Speaker 1>you know, if I build a studio, when you guys

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<v Speaker 1>partnered with me like maybe making like a serious XM

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<v Speaker 1>South or something, and they were like, yeah, we're down

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<v Speaker 1>to do that. So I went ahead and built this

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<v Speaker 1>room right here and did it. And then I was like, hey,

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<v Speaker 1>look guys, I did it and they were like, yes,

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<v Speaker 1>it's nice, but we don't really have any money. And

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<v Speaker 1>I was like damn. So I was like, you know, well,

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<v Speaker 1>um I incurgent right. I was like, well, fun it.

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<v Speaker 1>I'm gonna keep on building. So you know, we built

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<v Speaker 1>the the B room which is next door and everything,

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<v Speaker 1>and I kept going and like when I would we

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<v Speaker 1>would do our show in here, that's how I would

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<v Speaker 1>I would introduce people to the studio. I was like, yo,

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<v Speaker 1>f well, I like, you know, when people were coming

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<v Speaker 1>as a guest and everything, um. I would show him

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<v Speaker 1>around and just kind of get them to like, you know,

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<v Speaker 1>try to do work or or you know, use the studio.

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<v Speaker 1>And then I started. Then I was building. I had

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<v Speaker 1>this beautiful building and nobody was really working out of it.

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<v Speaker 1>And then one day I just called Metro booming and

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<v Speaker 1>I was like, yo, bro, like you know, I got

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<v Speaker 1>the studio. Um, I'm just give you some free time

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<v Speaker 1>and what have you. And Metro came over here into

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<v Speaker 1>the b room and then you know, he started working

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<v Speaker 1>out of there. And this is around the time when

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<v Speaker 1>the was really but this is this is like twenty

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<v Speaker 1>I originally started building twenty I bought. I bought the

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<v Speaker 1>build in twenty eleven, really started building it out, and

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<v Speaker 1>then like um, Metro came in. And then because the

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<v Speaker 1>Metro came in, Thug. That was my first time meeting Thug,

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<v Speaker 1>and Thug came in and that was you know, our

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<v Speaker 1>first interaction, and he was like this this is your studio.

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<v Speaker 1>I like it. I like it. You know. Then Thug

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<v Speaker 1>started working out of here, and then you know, around

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<v Speaker 1>the same time, it was when I did my deal

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<v Speaker 1>at Atlantic and I came on as an A and

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<v Speaker 1>R and uh co on prey through KP was vice

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<v Speaker 1>president of k Chard KP and you know, I was like, hey,

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<v Speaker 1>by the way, you know, I'm building a studio in Atlanta,

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<v Speaker 1>Um if you guys might want to partner with me,

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<v Speaker 1>So they set KP over here um to check it out,

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<v Speaker 1>and KP was like, yeah, it's dope, it's a great idea.

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<v Speaker 1>So when I came on in Atlantic, you know, we

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<v Speaker 1>got them. I started using their money and built out

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<v Speaker 1>the rest of the building, you know, um around the

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<v Speaker 1>corner of the ink side and the other room. And

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<v Speaker 1>you know, the back room actually wound up turning out

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<v Speaker 1>to be like the Sunny Digital metro booming room at

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<v Speaker 1>the time when they did this deal. But you know,

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<v Speaker 1>like the room next door here, like is in the

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<v Speaker 1>photo shoot, the photosome room, but before that was that

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<v Speaker 1>room right there was the original room where I had

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<v Speaker 1>before we had all this equipment. I had all my

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<v Speaker 1>stuff in there. I used to do radio, my my

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<v Speaker 1>mixtapes in there. I did. I did h True Religion

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<v Speaker 1>in that room to chains and it wasn't the anniversary.

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<v Speaker 1>It is actually the anniversary of True Religion eleven eleven

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<v Speaker 1>years I did. UM. I think I did Dream Chasers

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<v Speaker 1>maybe one over there in that room and this before

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<v Speaker 1>everything was built, and then you know, like uh, when

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<v Speaker 1>it was when we first saw Uzi he came down

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<v Speaker 1>here for his first time meeting. Thug was in there,

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<v Speaker 1>and you know, Susy did the whole Love His Rage

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<v Speaker 1>and that b room that was his room. Nipsey, you know,

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<v Speaker 1>the Nipsey Rest in Peace of Nipsey, the Nipsey and

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<v Speaker 1>Thug records. Nip Nip was working out of here. Playboy Cardi,

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<v Speaker 1>Cardi B did her whole album Invasion of Privacy a

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<v Speaker 1>lot in this building. It's been some legendary stuff in here.

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<v Speaker 1>I mean, you know, just the way that the way

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<v Speaker 1>the building is set up, like you know, people were

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<v Speaker 1>running to people in the in the in the um

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<v Speaker 1>in the an area and like you know, gonna gonna

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<v Speaker 1>with just being there chilling it before he was quote

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<v Speaker 1>unquote Ghanna um Bad and Bougie uh was made over there.

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<v Speaker 1>It's been a lot. It's been a lot through this,

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<v Speaker 1>but I mean Main Streets has become quite legendary, and

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<v Speaker 1>you know, in an Atlanta fixture, So I'm pretty proud

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<v Speaker 1>of it as you are yourself legendary. Thank you very much.

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<v Speaker 1>I appreciated. I want to take our time to give

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<v Speaker 1>you your flowers. Um, your name is DJ Drama Man,

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<v Speaker 1>Like that's a household name as a DJ in a

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<v Speaker 1>world where DJs tend to be local. Yeah, um, and

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<v Speaker 1>they could be popping locally. I don't want to make

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<v Speaker 1>it seem local, like local was a bad thing. But

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<v Speaker 1>when a DJ's recognized nationally, that's a and you globally. Um,

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<v Speaker 1>that's such a big deal. So I just want to

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<v Speaker 1>take our time to thank you. Flies. Are you ready

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<v Speaker 1>because we're gonna We're gonna know I'm here. I I

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<v Speaker 1>wanted you to bring it to that. You should have

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<v Speaker 1>told me. I would have brought it. Man, definitely would

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<v Speaker 1>have brought it. I got I just built this, like

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<v Speaker 1>you Standford case, glass case. I did. I drunk um.

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<v Speaker 1>The first time I drunk out of it was on tour.

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<v Speaker 1>When I first I first got it, I drunk. I

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<v Speaker 1>think I took a shot at Cosimigos. I was when

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<v Speaker 1>I was on the Whiz tour this summer, in front

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<v Speaker 1>of like the whole crowd, I drunk out of it.

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<v Speaker 1>And then like when we dropped Snowfall, uh Me and

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<v Speaker 1>Jeez were on Live and you know when we played

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<v Speaker 1>the song Grammy, I took a shot out of it

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<v Speaker 1>um on on live when I was in I was

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<v Speaker 1>in my uh my little trophy room, well before the Grammy.

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<v Speaker 1>I just want to take it back. I want to

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<v Speaker 1>go back to Philly. How was hip hop growing up

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<v Speaker 1>in hip hop at that time in Philly, you know,

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<v Speaker 1>before Atlanta, before college and all that. It was. It

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<v Speaker 1>was great. Ironically enough, I just ran in the Omar

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<v Speaker 1>Epps last week, and you know he's like one of

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<v Speaker 1>my biggest inspirations for being a DJ. Yeah, off the

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<v Speaker 1>movie Juice. You know I went to go see Juice

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<v Speaker 1>when I was in about to go to high school, uh,

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<v Speaker 1>the summer between eighth grade and ninth grade. And you know,

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<v Speaker 1>before I was big, before I became a DJ, I

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<v Speaker 1>was I was really in the skateboarding, but I was

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<v Speaker 1>I was trash and like in Philly at the time,

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<v Speaker 1>they used to there was like this this like um

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<v Speaker 1>this this this little scene of like black skateboarders that

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<v Speaker 1>used to kind of congregate downtown in the spot called

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<v Speaker 1>Love Park. Um. I'm not if you're familiar with Stevie Williams,

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<v Speaker 1>but you know he started d G k UM internationally known.

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<v Speaker 1>You know, I grew up. Me and Stevie came up

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<v Speaker 1>together and everything. So out of all the you know,

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<v Speaker 1>young black skateboarders, I was like the worst. So I

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<v Speaker 1>was trash, thankfully. So when I saw Juice, I was like, man,

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<v Speaker 1>you know that that's that might be something I want

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<v Speaker 1>to do, like, you know, as a hobby. So I

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<v Speaker 1>started DJ and I came up, um you know, like

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<v Speaker 1>in Philly. Um, I literally watched the Roots like kind

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<v Speaker 1>of that was my first example of like watching somebody

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<v Speaker 1>really get on and like make it in the music business.

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<v Speaker 1>Like I watched them go from like local talent to

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<v Speaker 1>getting their record deal to turning on Rap City on

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<v Speaker 1>two raps and seeing distortion the static video to you know,

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<v Speaker 1>going to their um album really or signing party where

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<v Speaker 1>you know they were on tour with the Fuji's and

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<v Speaker 1>opening up and you know, like, um, quest Love. I

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<v Speaker 1>used to run into him just like downtown playing video

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<v Speaker 1>games or Black Thought used to and Emily be Rust

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<v Speaker 1>and Beach used to like do freestyles for me on

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<v Speaker 1>my little mix tapes and everything. So um yeah, I

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<v Speaker 1>mean Philly had a nice little buzzing hip hop scene.

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<v Speaker 1>Another person that really put me on. Was this UM

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<v Speaker 1>female artist in Bahamadia who was actually like my next

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<v Speaker 1>door neighbor to where my dad lived in West Philly,

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<v Speaker 1>and she she was signed to Guru from Gang Star,

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<v Speaker 1>and you know, she kind of took me under her

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<v Speaker 1>wing early on and used to take me like to

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<v Speaker 1>New York and go to like, you know, a little

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<v Speaker 1>industry parties and everything. So I was before I came

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<v Speaker 1>to college. I was making a little local name for

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<v Speaker 1>myself and I was making like little local mixtapes Philly

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<v Speaker 1>and everything. Yeah, I got that name UM. I think

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<v Speaker 1>I was like fifteen sixteen. Where did it come from?

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<v Speaker 1>So I had these two friends I used to I

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<v Speaker 1>used to work for this organization that did UM like UM.

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<v Speaker 1>It was called Reconstruction, and it was like an outreach

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<v Speaker 1>program for UM not for young black men who were

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<v Speaker 1>coming out of prison and looking to you know, get

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<v Speaker 1>back uh into society and what have you. And so

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<v Speaker 1>I was doing like you know, kind of like internship

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<v Speaker 1>type work for for that organization. I had these two

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<v Speaker 1>homeboys that worked with me there, and one was named

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<v Speaker 1>Hakim and one was named Bakari. And Hakin was like

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<v Speaker 1>the biggest Tupac fan ever I just always remember that

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<v Speaker 1>he was super tuer. Bak Fan McCary was from Senegal,

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<v Speaker 1>So his name was Baccari Drama and he used to um.

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<v Speaker 1>He used to like sell like mixtapes and incense and like,

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<v Speaker 1>you know, dabble a little bit in DJ. And he

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<v Speaker 1>used to sell sell stuff on like Broad and Gerard

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<v Speaker 1>and Philly. So I came used to always call Bacari

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<v Speaker 1>DJ Drama because his last name was Drama. UM, and

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<v Speaker 1>I was like, damn, that sounds like that's a fire name.

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<v Speaker 1>And at the time I didn't really have a DJ name,

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<v Speaker 1>and Barry wasn't like real, he wasn't like taking his

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<v Speaker 1>DJ ship that serious. He was like the name I

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<v Speaker 1>asked him. I was like, yo, with what you're doing

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<v Speaker 1>with that? You're using it? He was like, no, you

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<v Speaker 1>can have it. So he gave me. He handed me

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<v Speaker 1>over the name DJ Drama. The name I want to

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<v Speaker 1>ask about. How you feel now you gotta grammy, how

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<v Speaker 1>do you like? Does that change? Come say hi kid?

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<v Speaker 1>Then come on, come on hi Gollo. Yeah, speaking of

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<v Speaker 1>Don Cannon. Uh you where y'all met? Right? We met you?

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<v Speaker 1>So I met kennon my sophomore year. Um. He was

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<v Speaker 1>you know this this tall lanky kid that just came on.

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<v Speaker 1>He did he played basketball in high school ever, and

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<v Speaker 1>play Cannon's gotta be six eight six nine. He's uh,

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<v Speaker 1>I think he's might never man. So Cannon used to

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<v Speaker 1>like kind of try to like befriend me on campus

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<v Speaker 1>and everything. And I had this other homeboy, Kyle, and

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<v Speaker 1>then went to high school together. So Kyle had kind

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<v Speaker 1>of put in my head that Cannon was a nut right,

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<v Speaker 1>like he was like he was like not no, just

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<v Speaker 1>like that's Philly slang, like he's a nutball. Like so

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<v Speaker 1>Cannon used to you know, you know, I had already

0:11:33.360 --> 0:11:38.199
<v Speaker 1>I had a little rep on campus already, like by

0:11:38.280 --> 0:11:39.920
<v Speaker 1>you know, after my freshman year, and me and me

0:11:39.960 --> 0:11:42.040
<v Speaker 1>and since used to do all the parties and everything together.

0:11:42.280 --> 0:11:45.079
<v Speaker 1>So finally, so finally, one day Cannon was like, Yo,

0:11:45.120 --> 0:11:47.880
<v Speaker 1>I want to give you my bat C D and um,

0:11:47.920 --> 0:11:49.280
<v Speaker 1>he gave me his bt c D and I went

0:11:49.320 --> 0:11:52.599
<v Speaker 1>home and that ship was fired. Like ship. He was

0:11:52.640 --> 0:11:55.719
<v Speaker 1>like baby premier. And the next day I was like, Yo,

0:11:55.760 --> 0:11:58.640
<v Speaker 1>this ship is hot, bro, and like we should be friends,

0:11:58.679 --> 0:12:01.880
<v Speaker 1>you know what I'm saying. So um, and then you know,

0:12:01.960 --> 0:12:04.760
<v Speaker 1>after that, we just you know, we were inseparable. I mean,

0:12:04.920 --> 0:12:08.320
<v Speaker 1>you know, it's literally been twenty well I want to

0:12:08.320 --> 0:12:11.720
<v Speaker 1>age myself too much, but you know, two decades plus

0:12:11.760 --> 0:12:15.000
<v Speaker 1>that you know, we've been We've been um friends and partners,

0:12:15.040 --> 0:12:17.560
<v Speaker 1>business partners and working together and everything. But yeah, we

0:12:17.640 --> 0:12:20.640
<v Speaker 1>literally met on CU campus. And I I don't think everybody

0:12:20.679 --> 0:12:23.320
<v Speaker 1>knew that you went to a Yeah, yeah, I went

0:12:23.320 --> 0:12:24.920
<v Speaker 1>to Clark, Atlanta. I mean that was what got me.

0:12:25.160 --> 0:12:27.080
<v Speaker 1>That's that's why I came to Atlanta. Like you know,

0:12:27.280 --> 0:12:30.280
<v Speaker 1>I came um to Atlanta to A ten Clark and

0:12:30.320 --> 0:12:31.839
<v Speaker 1>like the way when I was in Philly, I always

0:12:31.840 --> 0:12:34.400
<v Speaker 1>thought I was gonna wind up in New York, um,

0:12:34.480 --> 0:12:37.720
<v Speaker 1>you know, living in Brooklyn, like on the Brownstone, you know.

0:12:37.920 --> 0:12:40.680
<v Speaker 1>And but I came down to visit Atlanta a couple

0:12:40.679 --> 0:12:43.319
<v Speaker 1>of times with my pop, and I just loved the culture.

0:12:43.440 --> 0:12:45.760
<v Speaker 1>Like you know, anybody that comes down here you can

0:12:45.760 --> 0:12:48.560
<v Speaker 1>see like it's just a place of you know, as

0:12:48.559 --> 0:12:50.920
<v Speaker 1>we call it now, Wakonda. But you know, it was

0:12:50.960 --> 0:12:53.640
<v Speaker 1>just like you can you can feel the vibrant energy

0:12:53.720 --> 0:12:57.600
<v Speaker 1>of it was amazing in the nineties, like you know,

0:12:57.720 --> 0:13:02.840
<v Speaker 1>just young people of color everywhere into everything, and it

0:13:02.880 --> 0:13:04.280
<v Speaker 1>was it was the place to be, and I came

0:13:04.280 --> 0:13:06.520
<v Speaker 1>in like the right, I came into very Tail and

0:13:06.640 --> 0:13:09.560
<v Speaker 1>Freaknick and even like the first Freak Nick, so I

0:13:09.600 --> 0:13:11.880
<v Speaker 1>came in ninety six, and so they say that like

0:13:11.920 --> 0:13:14.719
<v Speaker 1>the last Freaknick was literally like ninety seven, and in

0:13:14.840 --> 0:13:17.920
<v Speaker 1>ninety seven for Freak Nick instaid of me, like, you know,

0:13:17.960 --> 0:13:20.600
<v Speaker 1>I've always been a hustler, So like I bought, I

0:13:20.679 --> 0:13:24.120
<v Speaker 1>bought a bunch of T shirts wholesale, and during Freaknick,

0:13:24.160 --> 0:13:26.120
<v Speaker 1>I was hustling T shirts. So everybody used to know

0:13:26.160 --> 0:13:27.920
<v Speaker 1>me as like hustle man beating back in the day.

0:13:28.040 --> 0:13:30.520
<v Speaker 1>Come on us, man. So you come to Atlanta already

0:13:30.600 --> 0:13:33.760
<v Speaker 1>established as DJ Drama. You're doing the mix tapes, and

0:13:33.800 --> 0:13:35.600
<v Speaker 1>we know that there's probably a lot of like Philly

0:13:35.640 --> 0:13:38.040
<v Speaker 1>sounds from New York sound, but I feel like the

0:13:38.080 --> 0:13:40.720
<v Speaker 1>South was still trying to figure out, like what is

0:13:40.760 --> 0:13:44.480
<v Speaker 1>our staples? Now? How did you find yourself in the

0:13:44.520 --> 0:13:46.800
<v Speaker 1>mix of Atlanta music? Because you know, Atlanta is a

0:13:47.280 --> 0:13:49.920
<v Speaker 1>we are a bubble, right absolutely, you know, we accept

0:13:49.960 --> 0:13:53.880
<v Speaker 1>what we want to accept, right, So I mean, thankfully

0:13:54.000 --> 0:13:56.960
<v Speaker 1>enough for me coming down here and becoming to school

0:13:57.000 --> 0:13:59.760
<v Speaker 1>because I was very very East Coast stubborn and a

0:13:59.760 --> 0:14:03.160
<v Speaker 1>lot of ways. Um I was. I had always been

0:14:03.160 --> 0:14:05.880
<v Speaker 1>a big outcast fan for sure, like even you know,

0:14:06.120 --> 0:14:08.800
<v Speaker 1>even before I got here. But you know, going to

0:14:08.840 --> 0:14:12.520
<v Speaker 1>school in the a u C. You have kids from everywhere,

0:14:12.679 --> 0:14:15.760
<v Speaker 1>like all over the country, and everybody wants to be pleased,

0:14:15.840 --> 0:14:18.840
<v Speaker 1>you know, especially in college parties like DC niggas wanting

0:14:18.880 --> 0:14:21.520
<v Speaker 1>here go go Florida want to hear base at the Tom.

0:14:21.880 --> 0:14:24.320
<v Speaker 1>West Coast niggas won da hear West Coach sh it.

0:14:24.840 --> 0:14:27.720
<v Speaker 1>You know, Texas want to hear they ship, like Louisiana

0:14:27.760 --> 0:14:31.440
<v Speaker 1>one to hear they ship like New York Try State.

0:14:31.480 --> 0:14:33.880
<v Speaker 1>Everybody wanted to hear their ship. So it trained me

0:14:34.200 --> 0:14:36.680
<v Speaker 1>how to be very well rounded as a DJ in

0:14:36.720 --> 0:14:39.200
<v Speaker 1>that sense. And then but I still was kind of

0:14:39.240 --> 0:14:42.440
<v Speaker 1>like you know, I was. I was still I still

0:14:42.440 --> 0:14:45.320
<v Speaker 1>had my backpacker roots too, So you know, there used

0:14:45.320 --> 0:14:48.000
<v Speaker 1>to be this thing called Lyricist Lounge, and like you know,

0:14:48.240 --> 0:14:50.880
<v Speaker 1>my my roommate at the Tom was was best friends

0:14:50.880 --> 0:14:53.640
<v Speaker 1>with Live Quality. So I came up like you know,

0:14:53.880 --> 0:14:56.280
<v Speaker 1>hanging out with Black Star when they would come to Atlanta.

0:14:56.360 --> 0:14:58.880
<v Speaker 1>So I was, you know, I was. I was kind

0:14:58.880 --> 0:15:00.600
<v Speaker 1>of like a renaissance man in a lot of ways.

0:15:00.640 --> 0:15:04.160
<v Speaker 1>So then when I started doing mix tapes, you know, um,

0:15:04.240 --> 0:15:05.920
<v Speaker 1>or when I when I got back into mix tapes

0:15:05.960 --> 0:15:07.560
<v Speaker 1>when I was in school. You know, I would set

0:15:07.640 --> 0:15:10.800
<v Speaker 1>up on campus and you know, literally sell my own

0:15:11.040 --> 0:15:13.240
<v Speaker 1>my own tapes and then turned into CD. So I

0:15:13.280 --> 0:15:16.560
<v Speaker 1>would have like East Coast tape, Reggae tape, and Neil

0:15:16.680 --> 0:15:19.160
<v Speaker 1>Soult tape. And then when I did I finally did

0:15:19.160 --> 0:15:21.400
<v Speaker 1>a South tape, like that ship just took off like

0:15:21.480 --> 0:15:24.640
<v Speaker 1>hot cakes. And you know, I remember like my first

0:15:24.640 --> 0:15:27.440
<v Speaker 1>South tape ever, the first song on there was like

0:15:27.480 --> 0:15:29.920
<v Speaker 1>Bling Blaine. So this had to be about ninety and

0:15:29.960 --> 0:15:33.120
<v Speaker 1>ninety nine, around the cash Money era run And when

0:15:33.120 --> 0:15:36.280
<v Speaker 1>I got to Atlanta, um, it was in the midst

0:15:36.480 --> 0:15:41.760
<v Speaker 1>of the Big Own dominance. So shout the Jelly Monte,

0:15:42.440 --> 0:15:44.640
<v Speaker 1>you know, like Big when it came to the mixed

0:15:44.720 --> 0:15:47.600
<v Speaker 1>mix tapes and mixed CDs, they ran the South and

0:15:47.600 --> 0:15:51.240
<v Speaker 1>they ran Atlanta like that was that was it, Like

0:15:51.440 --> 0:15:55.120
<v Speaker 1>Big was everywhere. They had their own stores, you know,

0:15:55.400 --> 0:15:58.920
<v Speaker 1>and you know that was literally like that that was

0:15:59.000 --> 0:16:03.000
<v Speaker 1>the sound of of the mixtape scene in Atlanta. So

0:16:03.320 --> 0:16:05.360
<v Speaker 1>just to fast forward a little bit, when I when

0:16:05.400 --> 0:16:10.600
<v Speaker 1>I started Gangster Girls, and like I remember people telling

0:16:10.600 --> 0:16:14.000
<v Speaker 1>me like, yo, if you do a South mixtape, like

0:16:14.080 --> 0:16:17.080
<v Speaker 1>you know, they don't want to hear people talk on there,

0:16:17.440 --> 0:16:19.160
<v Speaker 1>or they don't want to hear new music or no

0:16:19.320 --> 0:16:22.560
<v Speaker 1>freestyles or none of that ship like and because that

0:16:22.640 --> 0:16:24.440
<v Speaker 1>was they were kind of used to a certain sound

0:16:24.520 --> 0:16:26.880
<v Speaker 1>just based off what people were doing. And even at

0:16:26.880 --> 0:16:30.200
<v Speaker 1>the time, like um camping, then they didn't really have

0:16:30.360 --> 0:16:33.240
<v Speaker 1>like covers or you know, they would just like have

0:16:33.360 --> 0:16:35.840
<v Speaker 1>their CDs with the number, you know, whatever number CD

0:16:35.920 --> 0:16:38.680
<v Speaker 1>it was and what have you. And then I kind

0:16:38.680 --> 0:16:41.040
<v Speaker 1>of just went against the grain like of what people

0:16:41.080 --> 0:16:43.960
<v Speaker 1>were telling me, nigga's in the South want to hear

0:16:44.240 --> 0:16:48.480
<v Speaker 1>and I really like applied like up North formula to

0:16:48.880 --> 0:16:51.080
<v Speaker 1>Southern music. So I was you know at the time,

0:16:51.200 --> 0:16:54.480
<v Speaker 1>like having a host was was something that was popular

0:16:55.000 --> 0:16:56.840
<v Speaker 1>up north from the East Coast. So you know, I

0:16:56.840 --> 0:16:58.680
<v Speaker 1>got a little John the host. That's how the Gangster

0:16:58.680 --> 0:17:01.160
<v Speaker 1>Girl Drop was born. And then I started just like

0:17:01.480 --> 0:17:04.760
<v Speaker 1>kind of talking on tapes and I was like getting like,

0:17:05.040 --> 0:17:08.679
<v Speaker 1>you know, local artists. Local at the time, nigga's like

0:17:08.800 --> 0:17:11.760
<v Speaker 1>Tip and you know, David Banner and Killer Mike to

0:17:11.840 --> 0:17:15.199
<v Speaker 1>like do freestyles and stuff, and you know, and I

0:17:15.240 --> 0:17:17.960
<v Speaker 1>was putting a lot of effort into the covers and

0:17:18.160 --> 0:17:20.359
<v Speaker 1>things of that nature, and the ship just took off,

0:17:20.480 --> 0:17:23.840
<v Speaker 1>you know. And so basically like you know, me going

0:17:23.880 --> 0:17:27.359
<v Speaker 1>against the grain of what people told me, niggas wanted

0:17:27.400 --> 0:17:30.040
<v Speaker 1>to hear, and me, you know, trying something different. It

0:17:30.119 --> 0:17:33.960
<v Speaker 1>worked and at the time, nobody in Atlanta or in

0:17:33.960 --> 0:17:37.560
<v Speaker 1>the South were making tapes like what Gangster Whels was

0:17:37.640 --> 0:17:40.840
<v Speaker 1>and then ship took off. Okay, wait, so my big

0:17:40.920 --> 0:17:43.919
<v Speaker 1>dog Jessy was on Drink Champs earlier, um, and he

0:17:44.040 --> 0:17:48.520
<v Speaker 1>said you didn't want to do his mixtapes. You said

0:17:48.640 --> 0:17:51.879
<v Speaker 1>he wasn't hot enough. Now you are on the Baller

0:17:52.000 --> 0:17:54.520
<v Speaker 1>Show podcast. Do you have a rebuttal, sir? Or is

0:17:54.560 --> 0:17:57.359
<v Speaker 1>this accurate? And yeah, that's not that's not all the

0:17:57.359 --> 0:18:00.840
<v Speaker 1>way accurate. That's not all that's not what happened. Um.

0:18:00.920 --> 0:18:05.639
<v Speaker 1>So the part that's true was he definitely used to

0:18:05.680 --> 0:18:08.000
<v Speaker 1>make I used to make show CDs for him, and

0:18:08.080 --> 0:18:14.280
<v Speaker 1>I didn't make him charged in my hundred dollars d First, yeah,

0:18:14.520 --> 0:18:17.040
<v Speaker 1>hundred dollars was driving the land but it was nothing.

0:18:17.080 --> 0:18:20.240
<v Speaker 1>Then yeah, I was living in the full for it

0:18:20.280 --> 0:18:22.320
<v Speaker 1>in the duplex, which is still there. Did you make

0:18:22.400 --> 0:18:24.680
<v Speaker 1>him take it I didn't make him taking shoes. That

0:18:24.720 --> 0:18:27.400
<v Speaker 1>part of the story is true. I made him take

0:18:28.000 --> 0:18:30.399
<v Speaker 1>I made him taking shoes off to coming to my

0:18:30.400 --> 0:18:34.359
<v Speaker 1>my humble about four for and I would make I

0:18:34.400 --> 0:18:37.000
<v Speaker 1>would make a show c ds for him. And everything

0:18:37.320 --> 0:18:40.760
<v Speaker 1>about the part about me turning him down to do

0:18:40.800 --> 0:18:44.119
<v Speaker 1>a tape, that's that's not true. What really happened was

0:18:44.400 --> 0:18:47.280
<v Speaker 1>I was I was making gangster Grills and you know,

0:18:47.320 --> 0:18:49.280
<v Speaker 1>I was getting some buzz to it. And then I

0:18:49.320 --> 0:18:53.120
<v Speaker 1>had did a party Shout the Cloud nine and Batty

0:18:52.480 --> 0:18:54.800
<v Speaker 1>uh By we did a we did a gangster Grills

0:18:54.840 --> 0:18:59.040
<v Speaker 1>party in Buckhead at the time, and that was my

0:18:59.080 --> 0:19:02.120
<v Speaker 1>first gangster grills already. I had tip posting. I think

0:19:02.280 --> 0:19:04.920
<v Speaker 1>Um bone Crusher was there. I think Fab was Fab

0:19:05.040 --> 0:19:10.760
<v Speaker 1>was there? Um? Who else was that? Maybe maybe Scrappy? Yeah?

0:19:10.840 --> 0:19:12.919
<v Speaker 1>So and Jez was there in the cut. You know

0:19:13.480 --> 0:19:16.720
<v Speaker 1>he wasn't you know Jeez the superstar rapper yet so

0:19:16.960 --> 0:19:21.320
<v Speaker 1>coaching jeez Um told me they wanted to take me

0:19:21.359 --> 0:19:24.080
<v Speaker 1>to lunch and have a meeting. So we went to

0:19:24.200 --> 0:19:28.480
<v Speaker 1>harry AND's sons and we sat down and Jeez told me, like, yo,

0:19:28.520 --> 0:19:30.919
<v Speaker 1>I was at your party. I don't know if you know,

0:19:31.000 --> 0:19:33.159
<v Speaker 1>but the streets really funk with you, like and I

0:19:33.240 --> 0:19:35.280
<v Speaker 1>was like, oh, were like you know, and you know,

0:19:35.320 --> 0:19:37.760
<v Speaker 1>I was in the streets like doing mixtapes, but I

0:19:37.800 --> 0:19:40.399
<v Speaker 1>wasn't in the streets, so he was telling me the

0:19:40.440 --> 0:19:43.280
<v Speaker 1>streets funk with me. So um, he was like, look,

0:19:43.320 --> 0:19:45.399
<v Speaker 1>I got this idea, like, you know, I got this

0:19:45.520 --> 0:19:48.399
<v Speaker 1>vision to do this project. And that was Jez was

0:19:48.440 --> 0:19:50.480
<v Speaker 1>the first person to ever pay me to do a mix,

0:19:50.560 --> 0:19:52.879
<v Speaker 1>to do like a gangst grow so so they gave me.

0:19:52.920 --> 0:19:54.560
<v Speaker 1>They gave me a thousand dollars. That was the first

0:19:54.560 --> 0:19:57.080
<v Speaker 1>time I got paid to do it against growth and

0:19:57.359 --> 0:20:00.280
<v Speaker 1>you know, but I was like, he told me, said,

0:20:00.359 --> 0:20:03.040
<v Speaker 1>I got a vision. This is what my movement is.

0:20:03.320 --> 0:20:06.159
<v Speaker 1>And you know, originally the tape was called geez Up.

0:20:07.040 --> 0:20:09.720
<v Speaker 1>Before it was called Streets Is Watching, but Scrappy's crew

0:20:09.800 --> 0:20:11.919
<v Speaker 1>was called gee Up, so we wanted up changing the

0:20:12.000 --> 0:20:14.280
<v Speaker 1>name of it to the Streets Is Watching. But at

0:20:14.280 --> 0:20:16.040
<v Speaker 1>the time, you know, I was like, all right, whatever,

0:20:16.200 --> 0:20:18.320
<v Speaker 1>you know, he's trying to pay me for a mixtape.

0:20:18.480 --> 0:20:21.840
<v Speaker 1>I'm cool with it, you know. Um. And then I

0:20:21.880 --> 0:20:25.440
<v Speaker 1>went into the tape and then you know, my man

0:20:25.680 --> 0:20:30.040
<v Speaker 1>rolled up on me on the on Glenn Iris Glenn

0:20:30.080 --> 0:20:32.800
<v Speaker 1>Irish when I was on Glenn Irish after this Streets

0:20:32.840 --> 0:20:34.879
<v Speaker 1>Is Watching and he was like, Yo, that new the

0:20:35.119 --> 0:20:37.600
<v Speaker 1>Geez tape. That's the best gangster grills ever. And I

0:20:37.600 --> 0:20:40.880
<v Speaker 1>was like, what like the new nigga? You know, like

0:20:41.640 --> 0:20:44.800
<v Speaker 1>I just did like a t I tape And I'm like, huh,

0:20:44.840 --> 0:20:46.760
<v Speaker 1>And you were never paid for like t I tape. Now,

0:20:46.760 --> 0:20:48.840
<v Speaker 1>I never got paid for nothing before that. I was

0:20:48.880 --> 0:20:51.760
<v Speaker 1>just doing tapes like you know, I was, I was

0:20:51.880 --> 0:20:55.160
<v Speaker 1>selling them, but nobody ever paid me to do just

0:20:55.440 --> 0:20:59.440
<v Speaker 1>like their tape. And then, um, yeah, you know, next thing,

0:20:59.480 --> 0:21:02.480
<v Speaker 1>you know, fucking Streets Is Watching is the hottest thing

0:21:03.240 --> 0:21:05.680
<v Speaker 1>in the South East. You can't go nowhere without hearing

0:21:05.680 --> 0:21:08.240
<v Speaker 1>that music. And you had to hear me all over

0:21:08.280 --> 0:21:10.479
<v Speaker 1>it because that was the only place that existed was

0:21:10.560 --> 0:21:15.359
<v Speaker 1>on that you know, on that platform. So um so yeah.

0:21:16.200 --> 0:21:19.240
<v Speaker 1>The part about the part about me telling him now

0:21:19.280 --> 0:21:21.960
<v Speaker 1>you're not hot enough, he he fabricated that a little,

0:21:22.000 --> 0:21:27.639
<v Speaker 1>but I'd say seventy five. So I gotta I got

0:21:27.720 --> 0:21:32.000
<v Speaker 1>a question. So do you feel like DJ Kelly is

0:21:32.080 --> 0:21:37.080
<v Speaker 1>duck in the smoke? Um? Yeah, is he duck in

0:21:37.119 --> 0:21:39.840
<v Speaker 1>the smoke? I don't know. I mean because you've been

0:21:39.880 --> 0:21:42.960
<v Speaker 1>calling him out. I ain't been calling him out. I've

0:21:43.000 --> 0:21:46.280
<v Speaker 1>been calling anybody out, like I'm just not running, you know.

0:21:47.720 --> 0:21:50.919
<v Speaker 1>I guess I guess the difference in the interviews is

0:21:50.960 --> 0:21:54.439
<v Speaker 1>that in the interviews that I've done, you know, his

0:21:54.560 --> 0:21:57.720
<v Speaker 1>name comes up, So I guess the difference needs to

0:21:57.800 --> 0:22:01.760
<v Speaker 1>be you know, whenever he gets on a platform, you know,

0:22:02.080 --> 0:22:05.919
<v Speaker 1>someone specifically needs to bring my name up, you know

0:22:05.920 --> 0:22:09.159
<v Speaker 1>what I'm saying. So you know, I don't know, I

0:22:09.359 --> 0:22:11.360
<v Speaker 1>you know, I mean, I don't know if my name

0:22:11.400 --> 0:22:14.000
<v Speaker 1>came up and drink Champs, you know, when Nori did

0:22:14.000 --> 0:22:17.040
<v Speaker 1>the interview. I don't know. We have to ask Nori.

0:22:17.520 --> 0:22:21.399
<v Speaker 1>But you know, in the interviews that I've done, obviously

0:22:21.560 --> 0:22:24.840
<v Speaker 1>his name has came up, and I've said that I'm

0:22:24.880 --> 0:22:28.240
<v Speaker 1>with all the smoke, you know what I'm saying. So um, yeah,

0:22:28.240 --> 0:22:30.560
<v Speaker 1>I think that that I've already answered it, you know

0:22:30.560 --> 0:22:32.200
<v Speaker 1>what I mean. I think that's more of a question

0:22:32.240 --> 0:22:35.119
<v Speaker 1>for him. Someone needs to bring my name up, and

0:22:35.280 --> 0:22:37.040
<v Speaker 1>you know, and it's all love. I think at the

0:22:37.080 --> 0:22:39.320
<v Speaker 1>end of the day, like it would be great for

0:22:39.359 --> 0:22:42.439
<v Speaker 1>the culture, you know what I'm saying, to see DJ's

0:22:42.520 --> 0:22:45.520
<v Speaker 1>on our level, like you know, as we know, versus

0:22:45.560 --> 0:22:47.640
<v Speaker 1>to be a celebration, you know what I'm saying, Like

0:22:48.040 --> 0:22:49.760
<v Speaker 1>you know, and it's all you know, hip hop is

0:22:49.760 --> 0:22:53.920
<v Speaker 1>a very competitive sport. I don't I don't care where

0:22:53.920 --> 0:22:58.280
<v Speaker 1>it is. Like I'm I'm I'm coming a ball, you

0:22:58.320 --> 0:23:00.359
<v Speaker 1>know what I mean? Like you know, like I haven't

0:23:00.359 --> 0:23:06.359
<v Speaker 1>an extreme catalog, you know, um as does calid. You

0:23:06.359 --> 0:23:09.199
<v Speaker 1>know what I'm saying. So um I think it just

0:23:09.320 --> 0:23:11.120
<v Speaker 1>it would be a great time, you know what I mean.

0:23:11.240 --> 0:23:14.200
<v Speaker 1>So I'm with I'm with all, I'm with all the fun,

0:23:14.440 --> 0:23:16.560
<v Speaker 1>and I'm with all the smoke, so we can go

0:23:16.680 --> 0:23:19.199
<v Speaker 1>whatever way with it, you know what I mean. I'm

0:23:19.240 --> 0:23:22.400
<v Speaker 1>I'm ready to bless anybody else. There are so many

0:23:22.400 --> 0:23:26.040
<v Speaker 1>people that just don't understand why mixtapes were so big,

0:23:26.680 --> 0:23:28.879
<v Speaker 1>so important in two thous and for those of you

0:23:28.960 --> 0:23:31.400
<v Speaker 1>that don't know, you didn't really need clearance like you can.

0:23:31.720 --> 0:23:33.760
<v Speaker 1>It was like the wild West. Yeah it was. It

0:23:33.800 --> 0:23:36.840
<v Speaker 1>was a free for all and that's what mixtapes so

0:23:36.880 --> 0:23:38.359
<v Speaker 1>great because you did not have to go through the

0:23:38.359 --> 0:23:43.240
<v Speaker 1>regality or not. And it was great until the cop came.

0:23:44.440 --> 0:23:47.840
<v Speaker 1>It was crazy back then. Why were they on you

0:23:48.400 --> 0:23:53.040
<v Speaker 1>as hard as they were? Um? I mean, you know,

0:23:53.080 --> 0:23:55.600
<v Speaker 1>I was the top of the food chain, like you

0:23:55.640 --> 0:23:59.560
<v Speaker 1>know I was like when I was the mixtape king,

0:23:59.640 --> 0:24:03.520
<v Speaker 1>Like yeah, it was. You know I was when you

0:24:03.680 --> 0:24:06.160
<v Speaker 1>when you watch the footage and they came and confiscated

0:24:06.240 --> 0:24:10.280
<v Speaker 1>fifties six thousand CDs like you know, we were, we

0:24:10.280 --> 0:24:13.399
<v Speaker 1>was getting to it, you know what I'm saying. So, um,

0:24:13.440 --> 0:24:15.359
<v Speaker 1>I don't know why they want me so hard because

0:24:16.560 --> 0:24:19.199
<v Speaker 1>at the time, like I was, you know, I was

0:24:19.800 --> 0:24:22.520
<v Speaker 1>working directly with the artists, Like I wasn't a bootlegger,

0:24:22.600 --> 0:24:24.679
<v Speaker 1>you know what I'm saying. It wasn't like I was

0:24:24.760 --> 0:24:28.320
<v Speaker 1>stealing Nigga's music and putting it out or labels couldn't

0:24:28.320 --> 0:24:32.560
<v Speaker 1>control it. They couldn't exactly, and and the labels weren't

0:24:32.600 --> 0:24:37.320
<v Speaker 1>all the way into cahoots. So like the promotions department, um,

0:24:37.400 --> 0:24:39.879
<v Speaker 1>and you know the marketing department I was, you know,

0:24:40.000 --> 0:24:43.280
<v Speaker 1>they haraled to me, but you know, the legal department

0:24:43.520 --> 0:24:46.800
<v Speaker 1>or the other side probably didn't understand, like why are

0:24:46.800 --> 0:24:49.800
<v Speaker 1>we giving this guy this music or allowing our artists

0:24:49.800 --> 0:24:53.080
<v Speaker 1>to you know, use his platform and put these CDs

0:24:53.119 --> 0:24:56.000
<v Speaker 1>out that are not you know, sanctioned by us. You

0:24:56.040 --> 0:24:58.879
<v Speaker 1>know what I'm saying. So um, yeah, it was. I

0:24:58.920 --> 0:25:00.520
<v Speaker 1>think it was just at a time, um, in the

0:25:00.600 --> 0:25:02.840
<v Speaker 1>space where the music industry was going through a lot

0:25:02.920 --> 0:25:06.359
<v Speaker 1>of hits and you know they were watching like their

0:25:06.520 --> 0:25:11.439
<v Speaker 1>their bottom dollar kind of um, kind of not making sense,

0:25:11.480 --> 0:25:13.840
<v Speaker 1>and you know they came after me, you know what

0:25:13.880 --> 0:25:16.760
<v Speaker 1>I mean. And yeah, it was. It was a crazy time.

0:25:17.000 --> 0:25:18.920
<v Speaker 1>You know. Um it was the gay the day the

0:25:18.960 --> 0:25:21.800
<v Speaker 1>game change, you know, the mixtape game. And I was like,

0:25:22.560 --> 0:25:25.760
<v Speaker 1>you know, for me, like because growing up such a

0:25:25.760 --> 0:25:28.720
<v Speaker 1>fan of mix tapes and mixtape culture, like you know,

0:25:28.800 --> 0:25:30.920
<v Speaker 1>I felt a lot of guilt at first, like damn,

0:25:30.960 --> 0:25:34.119
<v Speaker 1>I can't watch this culture like die on my shoulders

0:25:34.160 --> 0:25:36.560
<v Speaker 1>that I you know that I that I grew up

0:25:36.960 --> 0:25:39.160
<v Speaker 1>loving so much. And then I become you know that

0:25:39.240 --> 0:25:41.840
<v Speaker 1>guy and then here they try to you know, destroy

0:25:41.880 --> 0:25:44.040
<v Speaker 1>it or take it down while while I'm in control.

0:25:44.160 --> 0:25:47.240
<v Speaker 1>So um, but yeah, I mean, you know, and it

0:25:47.320 --> 0:25:49.440
<v Speaker 1>was crazy. It's like if you watch the reports sty

0:25:49.600 --> 0:25:52.600
<v Speaker 1>you know, when they're going to news, the cops says, normally,

0:25:52.640 --> 0:25:57.320
<v Speaker 1>any situations we find guns and drugs. Um, this circumstance

0:25:57.359 --> 0:26:00.480
<v Speaker 1>we didn't like. Thankfully, they came on like a Monday morning,

0:26:00.640 --> 0:26:02.960
<v Speaker 1>like when we just got back from m oka weekend.

0:26:03.040 --> 0:26:06.720
<v Speaker 1>They didn't find one split, one handgun, no nothing, just

0:26:06.800 --> 0:26:09.119
<v Speaker 1>CD s, you know, so they tried to make it

0:26:09.160 --> 0:26:12.240
<v Speaker 1>out obviously you know the criminalization of hip hop and like,

0:26:12.640 --> 0:26:14.159
<v Speaker 1>you know, I don't know if they thought they was

0:26:14.200 --> 0:26:18.199
<v Speaker 1>gonna really like come us some big ass, you know,

0:26:18.760 --> 0:26:21.679
<v Speaker 1>crime organization, like because you know, they really hit me

0:26:21.720 --> 0:26:24.760
<v Speaker 1>with the rico, like you some real ship, you know

0:26:24.800 --> 0:26:28.480
<v Speaker 1>what I'm saying. And I was like, what making I'm

0:26:28.480 --> 0:26:31.000
<v Speaker 1>making mixtapes. Yeah, I'm a sucking DJ. Like what are

0:26:31.040 --> 0:26:34.960
<v Speaker 1>you talking about until monetize? I do have a question. Um,

0:26:35.080 --> 0:26:38.000
<v Speaker 1>we never really I don't know. I haven't seen anyone

0:26:37.960 --> 0:26:42.399
<v Speaker 1>to ask you this question. Affiliates, Okay, I always wanted

0:26:42.400 --> 0:26:44.800
<v Speaker 1>an affiliate change because I was I remember I was

0:26:44.840 --> 0:26:47.520
<v Speaker 1>around at the time, and I was like, damn, that

0:26:47.640 --> 0:26:49.639
<v Speaker 1>was actually one of the reasons why I wanted to.

0:26:49.680 --> 0:26:55.320
<v Speaker 1>I started doing mixtapes watching You have a Crew, and

0:26:55.440 --> 0:26:58.800
<v Speaker 1>I remember I was at compound. Um. I wasn't supposed

0:26:58.800 --> 0:27:02.680
<v Speaker 1>to be there. Um, I was old, had to be eighteen,

0:27:02.840 --> 0:27:07.240
<v Speaker 1>crazy um. And I saw all these affiliate change in

0:27:07.280 --> 0:27:09.119
<v Speaker 1>the building. Then I saw you walk past me. I

0:27:09.160 --> 0:27:12.320
<v Speaker 1>was like, whole ship, that's DJ drama and I've just

0:27:12.320 --> 0:27:17.160
<v Speaker 1>seen everybody needs affiliate change. Where did that name come from?

0:27:17.240 --> 0:27:19.160
<v Speaker 1>And like, I want to talk about that era because

0:27:19.160 --> 0:27:20.720
<v Speaker 1>that was a that was a nice little era in

0:27:20.760 --> 0:27:23.439
<v Speaker 1>the pocket you was in on that they were all

0:27:23.480 --> 0:27:26.560
<v Speaker 1>they were colorful and long. There was the Long Change.

0:27:27.680 --> 0:27:33.240
<v Speaker 1>Um yeah. So basically it was actually after the CU days.

0:27:33.359 --> 0:27:37.800
<v Speaker 1>We were out of school and at the time we

0:27:37.800 --> 0:27:42.000
<v Speaker 1>were part of uh crew called the super Friends. UM

0:27:42.320 --> 0:27:47.240
<v Speaker 1>where that was you know shout the DJ Mars, DJ Trauma, UM,

0:27:47.560 --> 0:27:55.159
<v Speaker 1>DJ Doc, uh Cowboy Rock Fahrenheit. Um. Yeah, it was

0:27:55.960 --> 0:27:58.159
<v Speaker 1>so and they were like older than us, so they

0:27:58.160 --> 0:28:01.239
<v Speaker 1>were like, you know, they were pretty much to go

0:28:01.359 --> 0:28:06.280
<v Speaker 1>to DJ's in Atlanta, you know, um um, and you

0:28:06.280 --> 0:28:09.840
<v Speaker 1>know Mars, Mars and Trauma were like kind of we

0:28:09.880 --> 0:28:12.760
<v Speaker 1>were me Cannon and sense kind of like looked up

0:28:12.800 --> 0:28:14.359
<v Speaker 1>to them in a lot of ways. You know, they

0:28:14.400 --> 0:28:17.760
<v Speaker 1>were like somewhat mentors in a sense and what have you.

0:28:17.960 --> 0:28:23.000
<v Speaker 1>And and we they made us part of the super Friends,

0:28:23.080 --> 0:28:25.800
<v Speaker 1>so we became like kind of the youngest members of

0:28:25.800 --> 0:28:28.960
<v Speaker 1>the super Friends, and we were you know, super friends

0:28:29.000 --> 0:28:32.040
<v Speaker 1>were on fire in Atlanta, like I guess from like

0:28:32.400 --> 0:28:35.920
<v Speaker 1>you know, good Oh one too. You know, those those

0:28:35.960 --> 0:28:40.080
<v Speaker 1>those years formidable years before the Affiliates came along, So

0:28:40.560 --> 0:28:44.320
<v Speaker 1>at the time we were having some differences with them,

0:28:44.600 --> 0:28:49.840
<v Speaker 1>and um, the main fallout. Um. Then my version of

0:28:49.880 --> 0:28:54.360
<v Speaker 1>the story, um was that basically Jacob York offered the

0:28:54.440 --> 0:28:59.080
<v Speaker 1>super Friends opportunity to do an album and he was

0:28:59.280 --> 0:29:01.640
<v Speaker 1>going to give them like fifty grand or something to

0:29:01.720 --> 0:29:05.360
<v Speaker 1>like do a super Friends album, and we were so

0:29:05.720 --> 0:29:08.080
<v Speaker 1>I remember we used to have meetings and everything. So

0:29:08.120 --> 0:29:10.160
<v Speaker 1>then when they when they came to the table, they

0:29:10.160 --> 0:29:11.800
<v Speaker 1>were like, all right, well, if we do an album,

0:29:12.040 --> 0:29:14.080
<v Speaker 1>we need to we should call it Gangster Grills because

0:29:14.120 --> 0:29:17.080
<v Speaker 1>that's like the hottest brand, you know. But they were

0:29:17.120 --> 0:29:21.120
<v Speaker 1>like really party like, like very focused on parties, and

0:29:21.160 --> 0:29:24.400
<v Speaker 1>we were trying we were focused on mixtapes, and you know,

0:29:24.440 --> 0:29:26.480
<v Speaker 1>at the time, they like kind of told us like yo,

0:29:26.520 --> 0:29:29.840
<v Speaker 1>like Jelly Monte oomed camp, like they got the mix

0:29:29.880 --> 0:29:32.480
<v Speaker 1>tape ship, like when it comes to like getting sponsorships

0:29:32.480 --> 0:29:34.960
<v Speaker 1>and everything, we need to use this money towards parties.

0:29:34.960 --> 0:29:36.720
<v Speaker 1>So we were kind of like, damn, we can't get

0:29:36.760 --> 0:29:39.600
<v Speaker 1>no money to sponsor our mix tapes because all the

0:29:39.600 --> 0:29:42.440
<v Speaker 1>money was going to the parties. So I didn't really

0:29:42.440 --> 0:29:46.280
<v Speaker 1>want to use Gangster Grills as the title for the

0:29:46.280 --> 0:29:49.840
<v Speaker 1>album because I was, you know, feeling somewhat indifferent at

0:29:49.880 --> 0:29:53.840
<v Speaker 1>the time, and um, they pretty much kicked me out.

0:29:53.960 --> 0:29:56.040
<v Speaker 1>They were like, well, we can't use Gangster Girls you

0:29:56.040 --> 0:29:59.840
<v Speaker 1>know for the title, like, you know, they removed they

0:30:00.200 --> 0:30:03.760
<v Speaker 1>don't come to the bowling party. The next we were

0:30:03.800 --> 0:30:06.520
<v Speaker 1>having we were having some with some I was having

0:30:06.560 --> 0:30:09.800
<v Speaker 1>some issues with them the management at the time of

0:30:10.520 --> 0:30:13.560
<v Speaker 1>you know, just just the management of of the super Friends,

0:30:13.600 --> 0:30:15.800
<v Speaker 1>Like I just was kind of, you know, we weren't

0:30:15.840 --> 0:30:17.840
<v Speaker 1>seeing eye to eye, and I just was like, yo,

0:30:18.120 --> 0:30:20.440
<v Speaker 1>you know, gangs Girls was my baby, Like I didn't

0:30:20.440 --> 0:30:23.480
<v Speaker 1>want the super Friends album to be the Gangster Girls album.

0:30:24.000 --> 0:30:27.760
<v Speaker 1>So yeah, so they pretty much like you know, kind

0:30:27.760 --> 0:30:30.840
<v Speaker 1>of kicked me out. And then you know, Sentin Cannon,

0:30:31.000 --> 0:30:34.440
<v Speaker 1>you know, those being my brothers, you know, they were like, yo,

0:30:34.480 --> 0:30:37.479
<v Speaker 1>if job goes, we go. So we left. We had

0:30:37.640 --> 0:30:39.440
<v Speaker 1>we had this other friend of ours that I've known

0:30:39.560 --> 0:30:42.320
<v Speaker 1>literally since like sixth grade. His name is Ace McLeod

0:30:42.360 --> 0:30:45.040
<v Speaker 1>E's from Philly two and he was pretty much like, man,

0:30:45.120 --> 0:30:46.840
<v Speaker 1>funk that ship. We don't need them, Like, let's do

0:30:46.880 --> 0:30:48.800
<v Speaker 1>our own ship, Like we could start our own group.

0:30:49.240 --> 0:30:51.000
<v Speaker 1>And he came up with the Affiliates, and the A

0:30:51.240 --> 0:30:55.920
<v Speaker 1>was for Atlanta and Affiliates spelled it, yeah for pH

0:30:56.040 --> 0:31:01.320
<v Speaker 1>I L L was that was tipped to debt. So

0:31:01.360 --> 0:31:04.360
<v Speaker 1>we started so because because we left the super Friends,

0:31:04.400 --> 0:31:08.080
<v Speaker 1>we started the Affiliates. And interestingly enough, there was this

0:31:08.160 --> 0:31:10.800
<v Speaker 1>little magazine that was coming to do a story on

0:31:11.280 --> 0:31:13.600
<v Speaker 1>us being super friends, and we told him like, yo,

0:31:14.400 --> 0:31:16.720
<v Speaker 1>we're not super friends no more. Like we started this

0:31:16.760 --> 0:31:18.720
<v Speaker 1>new group and they were like, all right, well cool,

0:31:18.720 --> 0:31:21.200
<v Speaker 1>we'll put you all in the covers the Affiliates. So

0:31:21.760 --> 0:31:25.960
<v Speaker 1>you know, like next thing, you know, it was like, um,

0:31:26.720 --> 0:31:28.680
<v Speaker 1>the Affiliates were like you know, the new kids on

0:31:28.720 --> 0:31:31.840
<v Speaker 1>the block, you know, and Gangster Girls was was heating up,

0:31:31.880 --> 0:31:34.360
<v Speaker 1>and you know what I'm saying, and you know, super

0:31:34.400 --> 0:31:36.760
<v Speaker 1>Friends and Affiliates we went. You know, we had little

0:31:36.800 --> 0:31:39.920
<v Speaker 1>competitive back and forths and all types of you know,

0:31:40.080 --> 0:31:42.960
<v Speaker 1>little things here and there, which again this is twenty

0:31:43.080 --> 0:31:45.760
<v Speaker 1>years ago, so we're all homies now to this day.

0:31:45.840 --> 0:31:48.640
<v Speaker 1>Like but but yeah, but I mean, yeah, that was

0:31:48.720 --> 0:31:51.080
<v Speaker 1>literally how we came up with the Affiliates because we

0:31:51.120 --> 0:31:53.520
<v Speaker 1>wound up leaving the super Friends and starting our own ship.

0:31:53.760 --> 0:31:56.160
<v Speaker 1>And then you know, around that time and it was.

0:31:56.360 --> 0:31:58.080
<v Speaker 1>It was tough. I just sit on um when I

0:31:58.200 --> 0:32:01.120
<v Speaker 1>when I sat on Seti's tape, like yo. It was

0:32:01.160 --> 0:32:04.720
<v Speaker 1>literally around that time, I was like going broke and

0:32:04.760 --> 0:32:07.880
<v Speaker 1>almost moved back to Philly because I was like, you know,

0:32:08.400 --> 0:32:11.560
<v Speaker 1>Gangster Grills is lit. Gangster Grills was just getting lit.

0:32:12.160 --> 0:32:15.360
<v Speaker 1>But I wasn't seeing no real money like I was.

0:32:16.200 --> 0:32:18.600
<v Speaker 1>You know, like the bootleggers was making way more money

0:32:18.600 --> 0:32:21.000
<v Speaker 1>off gangs girls than I was. I was just just

0:32:21.400 --> 0:32:23.800
<v Speaker 1>breaking even type ship, you know, just making them. But

0:32:23.920 --> 0:32:27.040
<v Speaker 1>the Gangs girls was was still a thing. But I

0:32:27.080 --> 0:32:31.400
<v Speaker 1>was like, yo' I'm not you know, yeah, I couldn't.

0:32:31.480 --> 0:32:34.200
<v Speaker 1>It wasn't enough to really cover the bills. And almost,

0:32:34.680 --> 0:32:37.320
<v Speaker 1>you know, I almost went home and then and then

0:32:37.520 --> 0:32:39.880
<v Speaker 1>you know, one thing led to another that affiliates started,

0:32:40.000 --> 0:32:43.760
<v Speaker 1>and then Gangster Grills just like took off. I feel

0:32:43.800 --> 0:32:46.360
<v Speaker 1>like with you DJ since don Kan, I think what

0:32:46.520 --> 0:32:48.760
<v Speaker 1>you guys were able to accomplish is so amazing. It

0:32:48.840 --> 0:32:51.360
<v Speaker 1>kind of reminds me of like Ja Big and Bigs

0:32:51.360 --> 0:32:54.960
<v Speaker 1>and Dame Um how they stuck together and got their

0:32:55.000 --> 0:32:57.640
<v Speaker 1>stuff together. And I just think that it's just amazing.

0:32:57.680 --> 0:33:00.520
<v Speaker 1>I think your story is amazing and you have like

0:33:00.560 --> 0:33:04.920
<v Speaker 1>a documentary later on or anything. I'm working on it. Um.

0:33:04.960 --> 0:33:09.479
<v Speaker 1>I've had numerous production companies and numerous people come to

0:33:09.480 --> 0:33:12.840
<v Speaker 1>me about telling my story and the documentary. So, um,

0:33:13.040 --> 0:33:15.760
<v Speaker 1>I'm actually in the process of doing it now, just

0:33:15.800 --> 0:33:21.600
<v Speaker 1>trying to do it accurately, um and tell the right story.

0:33:21.840 --> 0:33:23.840
<v Speaker 1>And there's a couple of different stories to be told,

0:33:23.840 --> 0:33:27.920
<v Speaker 1>but I'm definitely working on it. But there's like, so

0:33:28.000 --> 0:33:31.400
<v Speaker 1>there's an NPR, there's a Tiny Desk podcast that kind

0:33:31.440 --> 0:33:34.080
<v Speaker 1>of tells somewhat in my story, but a lot of

0:33:34.120 --> 0:33:36.680
<v Speaker 1>the focus is about the raid. And then like you know,

0:33:36.760 --> 0:33:40.760
<v Speaker 1>like Hip Hop Evolutions did an episode on this on Netflix. Um,

0:33:40.800 --> 0:33:44.240
<v Speaker 1>so there's different pieces here and there, but like at

0:33:44.280 --> 0:33:46.920
<v Speaker 1>some point I'm definitely gonna tell like the DJ drama

0:33:46.920 --> 0:33:49.600
<v Speaker 1>against the Girls story for sure. And then you know,

0:33:49.680 --> 0:33:52.160
<v Speaker 1>like you said, like you know, just myself and Cannon

0:33:52.240 --> 0:33:55.000
<v Speaker 1>and Sense and even Lake show, like you know, we

0:33:55.000 --> 0:33:58.560
<v Speaker 1>we we all know each other since college, you know

0:33:58.600 --> 0:34:01.280
<v Speaker 1>what I mean, And like we say, we're a prime

0:34:01.320 --> 0:34:04.560
<v Speaker 1>example that friends and business can mix, you know what

0:34:04.560 --> 0:34:07.720
<v Speaker 1>I mean, Like we've literally been friends for twenty plus

0:34:07.840 --> 0:34:11.239
<v Speaker 1>years and been in business for you know, just that

0:34:11.320 --> 0:34:13.640
<v Speaker 1>amount of time in so many ways, and like we

0:34:13.680 --> 0:34:16.400
<v Speaker 1>know each other's strengths, we know each other's weaknesses. We

0:34:16.480 --> 0:34:19.279
<v Speaker 1>crack jokes about each other all day, Like you know,

0:34:19.480 --> 0:34:22.600
<v Speaker 1>we have internal arguments and you know, don't always see

0:34:22.600 --> 0:34:24.359
<v Speaker 1>eye to eye at something. You know, it was a

0:34:24.360 --> 0:34:26.399
<v Speaker 1>time and space for me and Canada had fell out

0:34:26.960 --> 0:34:29.719
<v Speaker 1>and then you know we came back together. But um,

0:34:29.880 --> 0:34:33.200
<v Speaker 1>but yeah, I mean, you know, similar to you know,

0:34:33.400 --> 0:34:36.879
<v Speaker 1>the the origins of of Rockefeller, Like you know, us

0:34:36.880 --> 0:34:39.560
<v Speaker 1>coming up together like that definitely is a is a

0:34:39.600 --> 0:34:41.719
<v Speaker 1>dope story that I think needs to be told. Sure,

0:34:42.000 --> 0:34:44.680
<v Speaker 1>do you feel like a new sense of energy around

0:34:44.719 --> 0:34:47.680
<v Speaker 1>your career legacy? Because I don't know if it's just me,

0:34:47.760 --> 0:34:51.840
<v Speaker 1>but noticing like Usher and like all these people that um,

0:34:51.880 --> 0:34:55.440
<v Speaker 1>you know have had amazing careers are like really getting

0:34:55.440 --> 0:34:58.160
<v Speaker 1>their flowers. Us it's on a whole run, making a

0:34:58.200 --> 0:35:01.359
<v Speaker 1>whole new bag old. So right, what do you think

0:35:01.360 --> 0:35:02.960
<v Speaker 1>this is? Do you think the hip hop community is

0:35:03.000 --> 0:35:05.919
<v Speaker 1>just little better about giving flowers? Are we just paying

0:35:05.920 --> 0:35:08.719
<v Speaker 1>more attention to our leaders? What do you think this

0:35:08.800 --> 0:35:12.680
<v Speaker 1>new energy is? Um? You know, I think everything just

0:35:13.400 --> 0:35:16.839
<v Speaker 1>comes full circle or it has his moment of nostalgia,

0:35:17.000 --> 0:35:20.200
<v Speaker 1>you know, So I think that you know, I'm in

0:35:20.200 --> 0:35:23.719
<v Speaker 1>a space of you know, after there's a there's an

0:35:23.800 --> 0:35:26.680
<v Speaker 1>error of that like literally grew up on me. You

0:35:26.680 --> 0:35:28.279
<v Speaker 1>know what I'm saying that there's a there's an error

0:35:28.360 --> 0:35:30.000
<v Speaker 1>that came up with me, and there's an arraa that

0:35:30.040 --> 0:35:32.560
<v Speaker 1>grew up on me, like one of those being Tyler

0:35:32.600 --> 0:35:35.279
<v Speaker 1>for an example. You know. So for him, it was

0:35:35.280 --> 0:35:37.880
<v Speaker 1>always a dream of him, dream of his to have

0:35:37.960 --> 0:35:41.360
<v Speaker 1>a Gangster Girls or you know how influential Gangster Grills

0:35:41.520 --> 0:35:44.120
<v Speaker 1>was to him, like the Farrell tape or you know

0:35:44.160 --> 0:35:46.279
<v Speaker 1>the Wayane tapes and everything. So for him to make

0:35:46.360 --> 0:35:49.799
<v Speaker 1>his album into Against Girls album and then for us

0:35:49.840 --> 0:35:53.000
<v Speaker 1>to you know, go ahead and it you know, be

0:35:53.160 --> 0:35:56.560
<v Speaker 1>this amazing body of work. Um, and then you know

0:35:56.680 --> 0:36:00.799
<v Speaker 1>the space that I'm in right now, Like I know,

0:36:00.840 --> 0:36:05.120
<v Speaker 1>I feel in uh an energy, you know, just myself,

0:36:05.480 --> 0:36:07.839
<v Speaker 1>you know, with what I've what I've done and accomplished.

0:36:07.840 --> 0:36:09.440
<v Speaker 1>And you know, for me, it was like even when

0:36:09.440 --> 0:36:11.320
<v Speaker 1>I first got on, like you know, I was like

0:36:11.400 --> 0:36:13.520
<v Speaker 1>all right, like you know, and it I felt like

0:36:13.560 --> 0:36:15.400
<v Speaker 1>it took me like a good Like I started DJ

0:36:15.480 --> 0:36:17.880
<v Speaker 1>at ninety two. I feel like I got on maybe

0:36:17.920 --> 0:36:21.239
<v Speaker 1>like oh four oh five, like so that was like

0:36:21.600 --> 0:36:24.320
<v Speaker 1>twelve years of like grinding it out, you know what

0:36:24.360 --> 0:36:26.080
<v Speaker 1>I'm saying, And it was like, all right, now that

0:36:26.120 --> 0:36:27.960
<v Speaker 1>I got here, like how do you stay here? Like,

0:36:28.440 --> 0:36:30.000
<v Speaker 1>you know, how do you stay relevant? You know what

0:36:30.040 --> 0:36:34.319
<v Speaker 1>I'm saying. So to be in two after you know,

0:36:35.120 --> 0:36:38.080
<v Speaker 1>thirty years of DJ and or after like you know,

0:36:39.160 --> 0:36:42.280
<v Speaker 1>after really making a name for myself at oh five,

0:36:42.440 --> 0:36:45.239
<v Speaker 1>and to be like probably like you know, we talked

0:36:45.239 --> 0:36:47.760
<v Speaker 1>about this last week, like having one of the hottest

0:36:47.800 --> 0:36:50.600
<v Speaker 1>moments in my career. Like he's a real testament, you

0:36:50.600 --> 0:36:54.680
<v Speaker 1>know what I'm saying. So you know, it's like it's

0:36:54.760 --> 0:36:57.640
<v Speaker 1>it's like on top of all the legacy of what

0:36:57.719 --> 0:37:01.040
<v Speaker 1>I've already accomplished, and then too then go after after

0:37:01.120 --> 0:37:04.399
<v Speaker 1>the Affiliates and Gangster Grills and then start generation now

0:37:04.520 --> 0:37:06.680
<v Speaker 1>and then you know, to be part of the success

0:37:06.719 --> 0:37:10.440
<v Speaker 1>of Oozy's career and and and Jack Harlow and you know,

0:37:10.520 --> 0:37:12.759
<v Speaker 1>and now just for Surgeon a gangster Grills just like

0:37:13.360 --> 0:37:15.440
<v Speaker 1>it's a whole new life. I mean, it's give your

0:37:15.440 --> 0:37:18.359
<v Speaker 1>way to a lifetime achievement war you know, one day

0:37:18.600 --> 0:37:20.800
<v Speaker 1>and then then I still got a lot to accomplish,

0:37:20.840 --> 0:37:23.600
<v Speaker 1>you know what I mean. So I'm you know, I'm

0:37:23.640 --> 0:37:25.120
<v Speaker 1>loving it. You know what I mean, I'm I'm I'm

0:37:25.200 --> 0:37:27.759
<v Speaker 1>forty four years old, and even just being on it,

0:37:27.960 --> 0:37:29.640
<v Speaker 1>like I said, like I went on tour Whids and

0:37:29.680 --> 0:37:31.719
<v Speaker 1>Logic this summer and I was walking. When I walk

0:37:31.800 --> 0:37:33.880
<v Speaker 1>out and do my first set, these kids are literally

0:37:33.920 --> 0:37:37.760
<v Speaker 1>like chanting my name and like he's like eighteen, nineteen

0:37:37.960 --> 0:37:40.359
<v Speaker 1>twenty year old kids, and you know, and then my

0:37:40.400 --> 0:37:43.760
<v Speaker 1>first set, I'm playing Tyler and I'm playing I'm playing

0:37:43.880 --> 0:37:47.239
<v Speaker 1>stick off the dreamvill tape and everything, and you know,

0:37:47.400 --> 0:37:49.360
<v Speaker 1>or my daughter, my sixteen year old daughter showing me

0:37:49.400 --> 0:37:52.880
<v Speaker 1>text messages of her friends like hype off the NBA,

0:37:52.960 --> 0:37:56.000
<v Speaker 1>young Boy, Gangster Grills, you know what I mean. So um,

0:37:56.680 --> 0:37:58.840
<v Speaker 1>it's it's it's a great space to be in, you know.

0:37:58.880 --> 0:38:01.200
<v Speaker 1>And it's just again it's a it's a testament of

0:38:01.239 --> 0:38:04.400
<v Speaker 1>how much like I love the music, I love the

0:38:04.440 --> 0:38:06.400
<v Speaker 1>culture like I love what I do, you know what

0:38:06.520 --> 0:38:09.320
<v Speaker 1>I mean, Like, it doesn't matter if I was making

0:38:09.360 --> 0:38:14.640
<v Speaker 1>no money or you know, eight figures, nine figures, like

0:38:15.000 --> 0:38:19.440
<v Speaker 1>I love hip hop like to its very core and

0:38:19.480 --> 0:38:21.840
<v Speaker 1>its essence. And it was always a point for me

0:38:21.920 --> 0:38:25.560
<v Speaker 1>to show how invested into the culture I am and

0:38:25.760 --> 0:38:28.680
<v Speaker 1>have been my whole life. It's a legendary DJ drama

0:38:28.680 --> 0:38:31.839
<v Speaker 1>on the Boiler Show. Um, I got a question, so

0:38:31.920 --> 0:38:33.879
<v Speaker 1>after I just wanna go back to Jeezy real quick.

0:38:34.520 --> 0:38:36.600
<v Speaker 1>After he paid you for that, did you get paid

0:38:36.640 --> 0:38:39.839
<v Speaker 1>for the Wane tape next? Or were they paying you afterwards?

0:38:40.280 --> 0:38:42.480
<v Speaker 1>So I didn't I didn't pay for Wane tape? So Wayne,

0:38:42.560 --> 0:38:46.200
<v Speaker 1>after I did the G I did Jeez Streets is

0:38:46.239 --> 0:38:50.040
<v Speaker 1>Watching and then that popped, and then I did we

0:38:50.080 --> 0:38:53.319
<v Speaker 1>did Trapper Die, and then I didn't get I didn't

0:38:53.320 --> 0:38:55.239
<v Speaker 1>get paid for Trapper Die. I don't think I gotta

0:38:55.239 --> 0:38:57.839
<v Speaker 1>pay for TRAFFI paid from Trapper Do Why I made

0:38:57.920 --> 0:39:00.440
<v Speaker 1>money off of trapper Dot? Oh god. So by that

0:39:00.480 --> 0:39:03.280
<v Speaker 1>point we had already like made it. You know, trap

0:39:03.680 --> 0:39:06.200
<v Speaker 1>was crazy? Yeah, we was. We was no, no, no no.

0:39:06.880 --> 0:39:10.520
<v Speaker 1>When the dedication comes, So basically after I did Trapper Die,

0:39:10.520 --> 0:39:12.600
<v Speaker 1>I was like, damn, what the funk I'm gonna do next? Like,

0:39:13.080 --> 0:39:16.160
<v Speaker 1>how am I going to top this dedication and the

0:39:16.760 --> 0:39:20.680
<v Speaker 1>dedication to how many years? Now there's seven dedications because

0:39:20.680 --> 0:39:23.719
<v Speaker 1>there's six and there's a six point five? So is

0:39:23.760 --> 0:39:26.040
<v Speaker 1>my favorite? Yeah? She is my favorite? To two is

0:39:26.160 --> 0:39:29.600
<v Speaker 1>two is incredible? Um, so yeah, so I was you know,

0:39:29.640 --> 0:39:33.759
<v Speaker 1>the dedication series came. The first dedication came right after

0:39:33.840 --> 0:39:37.239
<v Speaker 1>Trapper Die, like literally dropped within months of each other.

0:39:37.680 --> 0:39:40.439
<v Speaker 1>But so I didn't I didn't get like I didn't

0:39:40.520 --> 0:39:43.520
<v Speaker 1>charge Wayne for a tape. But then they were already like, yo,

0:39:43.560 --> 0:39:46.400
<v Speaker 1>Gotti paid me for a tape. Um, so you're charging

0:39:46.440 --> 0:39:48.800
<v Speaker 1>at this particular moment. So I started charging, like people

0:39:48.800 --> 0:39:51.520
<v Speaker 1>started paying me for gangster girls after after that, probably

0:39:51.719 --> 0:39:56.359
<v Speaker 1>a lot. Alright, So I mean legally, can you say, like,

0:39:56.680 --> 0:39:58.919
<v Speaker 1>what's the number? He was about to say, you're about

0:39:58.920 --> 0:40:01.960
<v Speaker 1>go ahead? I can. Yeah, I think God mean God's

0:40:02.000 --> 0:40:05.800
<v Speaker 1>first tape. I think God he gave me like sism.

0:40:05.880 --> 0:40:08.360
<v Speaker 1>So that was early on, and then like the numbers

0:40:08.360 --> 0:40:12.200
<v Speaker 1>went to like tens, they went to tens, they went

0:40:12.239 --> 0:40:17.799
<v Speaker 1>to fifteen, they went to twenties. Just cover to here

0:40:17.840 --> 0:40:24.799
<v Speaker 1>talking some with the number now crazy all right, so

0:40:24.840 --> 0:40:29.359
<v Speaker 1>what about snowfalls? How much? This is? What's the number now? Sir?

0:40:29.640 --> 0:40:35.160
<v Speaker 1>What's that? The numbers now? Yesterday price? It's not two

0:40:35.280 --> 0:40:38.160
<v Speaker 1>days rice snowfall? How did that have because you know

0:40:38.200 --> 0:40:41.520
<v Speaker 1>that's my guy, you're my guy. How did this conversation happen?

0:40:41.760 --> 0:40:44.480
<v Speaker 1>So can it happen without me, and I'm I'm perplexed.

0:40:45.080 --> 0:40:48.600
<v Speaker 1>Plex God, I'm perplexed. I I'm over here, like wait,

0:40:48.680 --> 0:40:51.359
<v Speaker 1>it's been in discussions for like over a year now

0:40:51.840 --> 0:40:55.120
<v Speaker 1>that we've been planning this. Um. It really started between

0:40:55.200 --> 0:40:59.680
<v Speaker 1>Cannon and Jeez. They had gotten back in, you know,

0:40:59.760 --> 0:41:02.879
<v Speaker 1>can came up with the title UM and you know

0:41:03.120 --> 0:41:05.520
<v Speaker 1>they were you know, working on working on the music

0:41:05.560 --> 0:41:07.600
<v Speaker 1>together and everything. They brought me in about a year

0:41:07.600 --> 0:41:10.600
<v Speaker 1>ago and it's just like, Yo, you know, I think

0:41:10.800 --> 0:41:13.320
<v Speaker 1>it's time, like you know, let's let's make it a

0:41:13.360 --> 0:41:18.280
<v Speaker 1>Gangster girls. And I was like it's been time. Um.

0:41:18.320 --> 0:41:20.319
<v Speaker 1>So yeah. So then you know, we went through a

0:41:20.360 --> 0:41:25.760
<v Speaker 1>little tweaked hearing are over the last maybe six seven months,

0:41:25.760 --> 0:41:27.839
<v Speaker 1>and then we got back in a couple of months

0:41:27.880 --> 0:41:30.799
<v Speaker 1>ago and just really like buckled down and got on

0:41:30.840 --> 0:41:34.960
<v Speaker 1>the project and like you know, it's like ship feels

0:41:34.960 --> 0:41:36.680
<v Speaker 1>like oh five oh six again, And it was just

0:41:36.880 --> 0:41:40.360
<v Speaker 1>it's just amazing, Timmy, you know what I'm saying. Um

0:41:40.440 --> 0:41:43.439
<v Speaker 1>that you know, it came out just you know when

0:41:43.440 --> 0:41:47.600
<v Speaker 1>it came out, and it's fire and it's crazy. How

0:41:47.600 --> 0:41:49.120
<v Speaker 1>do you how did you link over NB A young

0:41:49.160 --> 0:41:54.520
<v Speaker 1>boy that nigga just but young Boy, don't funk with nobody,

0:41:55.239 --> 0:42:00.040
<v Speaker 1>man with nobody. My nigga shout the fee um on

0:42:00.200 --> 0:42:04.320
<v Speaker 1>fee forever, you know from from Young Money days, and

0:42:04.320 --> 0:42:08.239
<v Speaker 1>if he just randomly hit me and was like, um yo,

0:42:08.360 --> 0:42:10.040
<v Speaker 1>young boy, w why do you want to haul at you?

0:42:10.719 --> 0:42:14.040
<v Speaker 1>That's crazy? So we got we got on the phone

0:42:15.080 --> 0:42:17.560
<v Speaker 1>and he was just like you know, he you know,

0:42:17.640 --> 0:42:22.240
<v Speaker 1>he talks in a very like um um way and everything,

0:42:22.760 --> 0:42:24.480
<v Speaker 1>and he's just like, Yo, I got this new tape.

0:42:24.640 --> 0:42:27.520
<v Speaker 1>I want you to do it. And I bet he

0:42:27.640 --> 0:42:29.960
<v Speaker 1>was like, damn, I got like two other tapes coming out.

0:42:30.640 --> 0:42:32.520
<v Speaker 1>You did Want with Snoop, I Did Want with Snoop

0:42:32.560 --> 0:42:35.040
<v Speaker 1>and I did Jeezy. And then I literally got the

0:42:35.080 --> 0:42:40.520
<v Speaker 1>call like the week of fuck it about it. It's

0:42:40.520 --> 0:42:43.799
<v Speaker 1>about to be Gangster Grill season. So people knew that

0:42:43.840 --> 0:42:48.440
<v Speaker 1>the the Jeezy and the and the Snoop tape were dropping.

0:42:48.920 --> 0:42:51.280
<v Speaker 1>Nobody knew about the Young Boy, and I was like, yeah,

0:42:51.320 --> 0:42:53.200
<v Speaker 1>I was. I was the shock when that came out,

0:42:53.239 --> 0:42:56.400
<v Speaker 1>Like fun, these niggas up, like Nigga's gonna be like

0:42:56.440 --> 0:42:59.560
<v Speaker 1>hold on wait, Trum just want to grammy Trum just

0:42:59.600 --> 0:43:02.240
<v Speaker 1>got these Yeah the year and this thing is dropping

0:43:02.320 --> 0:43:05.960
<v Speaker 1>three gangster girl. No, this is not fair like this

0:43:06.040 --> 0:43:08.759
<v Speaker 1>is this is this is getting unfair. That is not fair, sir.

0:43:08.840 --> 0:43:11.720
<v Speaker 1>We have a game. We have a game, a game

0:43:12.040 --> 0:43:16.560
<v Speaker 1>called Baller Bliss Handler to you, oh ct are you ready?

0:43:16.640 --> 0:43:19.160
<v Speaker 1>We got the legendary DJ drama. We're gonna dig into

0:43:19.160 --> 0:43:21.680
<v Speaker 1>crates a little bit. I'm gonna do five songs. You're

0:43:21.719 --> 0:43:25.040
<v Speaker 1>gonna let me know what sample uh is sampled out

0:43:25.040 --> 0:43:30.200
<v Speaker 1>of the song. So alright, first up, Beyonce, break my soul?

0:43:30.560 --> 0:43:35.480
<v Speaker 1>What is the sample? Um, isn't it Robin s is?

0:43:35.600 --> 0:43:43.560
<v Speaker 1>Robin s Um? I forget the name Robin is? Alright? Cool,

0:43:41.400 --> 0:43:49.040
<v Speaker 1>al alright? Second, we got Burner Boy. Last last, that's

0:43:49.040 --> 0:43:53.799
<v Speaker 1>a sample he gave he gave I didn't know that. Yeah,

0:43:53.920 --> 0:43:55.680
<v Speaker 1>he gave her, He gave her the he gave her

0:43:55.719 --> 0:43:59.919
<v Speaker 1>the publishing I believe too. Right, here's a clue. That's

0:44:00.120 --> 0:44:05.279
<v Speaker 1>rhymes Relaxton. Oh oh Tony Braxton. Yeah, okay, man enough

0:44:05.320 --> 0:44:07.640
<v Speaker 1>for me? Oh it's man oh man enough for me?

0:44:07.760 --> 0:44:10.480
<v Speaker 1>Oh yeah, you're right? That is that? All right? It's

0:44:10.480 --> 0:44:13.279
<v Speaker 1>sound good. Here you go, Here you go for the

0:44:13.360 --> 0:44:18.040
<v Speaker 1>third one. Jack Harlow first class, Um, I wonder what

0:44:18.200 --> 0:44:22.000
<v Speaker 1>that is? Furgo this ship shot, the shot the furging

0:44:22.040 --> 0:44:23.799
<v Speaker 1>on that one. Yeah. I tried to pull all the

0:44:23.840 --> 0:44:25.880
<v Speaker 1>dog on that one and shout to what I am on.

0:44:26.000 --> 0:44:28.520
<v Speaker 1>I thought that was glamorous life. It was glamorous. Like

0:44:28.640 --> 0:44:32.279
<v Speaker 1>I'm just saying, okay, it's glam it's glamorous life. Yeah,

0:44:32.680 --> 0:44:36.240
<v Speaker 1>saying her name. All right. Fourth, we got MEGANA Stallion

0:44:36.280 --> 0:44:42.080
<v Speaker 1>playing b um um. Oh that's freaking you Joe to

0:44:42.120 --> 0:44:46.160
<v Speaker 1>see right? Yeah all right. Last one maybe a tough one,

0:44:46.719 --> 0:44:50.840
<v Speaker 1>Drake Jimmy Cooks. Damn, I don't know that yet. I

0:44:50.840 --> 0:44:54.640
<v Speaker 1>don't know that one either. I don't know that one.

0:44:55.160 --> 0:45:01.600
<v Speaker 1>That is you were gone by Brook Benton six that

0:45:02.040 --> 0:45:06.720
<v Speaker 1>was digging into crate with the legendary DJ. Yeah. Yeah,

0:45:11.160 --> 0:45:15.960
<v Speaker 1>you gave me the toy. Yeah yeah. We'll be right

0:45:15.960 --> 0:45:24.920
<v Speaker 1>back with more of the Baller Alert Show message. It

0:45:25.120 --> 0:45:32.600
<v Speaker 1>is time for Baller Male Deir Baler Show. I've been

0:45:32.600 --> 0:45:35.480
<v Speaker 1>married for twelve years. Beautiful kids, beautiful wife. I absolutely

0:45:35.560 --> 0:45:38.440
<v Speaker 1>love her and adore her, but I believe she's cheating

0:45:38.600 --> 0:45:42.799
<v Speaker 1>on me. She texts me by accident last weekend and

0:45:42.880 --> 0:45:47.000
<v Speaker 1>said that was the greatest sex ever, and her and

0:45:47.040 --> 0:45:50.280
<v Speaker 1>I haven't had sex and over two weeks I applied

0:45:50.320 --> 0:45:52.040
<v Speaker 1>to that text, and she wrote that she was talking

0:45:52.080 --> 0:45:54.960
<v Speaker 1>about a sex scene on p Valley in her female

0:45:55.000 --> 0:45:58.440
<v Speaker 1>group chat. She refused to send the screenshot to the

0:45:58.480 --> 0:46:04.440
<v Speaker 1>conversation threat. What do you guys stay? Twelve years? Twelve

0:46:04.560 --> 0:46:09.640
<v Speaker 1>years kids, beautiful wife. I adore her and I love her.

0:46:10.520 --> 0:46:13.319
<v Speaker 1>I mean that's not bad though, two weeks, like for

0:46:13.440 --> 0:46:16.120
<v Speaker 1>married couples after twelve years, Like I thought you was

0:46:16.160 --> 0:46:19.680
<v Speaker 1>gonna say, like a year or like six months. I

0:46:19.719 --> 0:46:22.560
<v Speaker 1>know people that's married that don't have a lot of sex.

0:46:23.280 --> 0:46:29.480
<v Speaker 1>So well, have you ever been married? Yeah, I mean

0:46:29.600 --> 0:46:33.320
<v Speaker 1>you know, married, but not that long. How often do

0:46:33.400 --> 0:46:36.959
<v Speaker 1>you have sex if you don't mind sex? About twice

0:46:37.000 --> 0:46:42.879
<v Speaker 1>a week? Okay, how long you've been married? Yeah, I mean,

0:46:43.239 --> 0:46:46.520
<v Speaker 1>you know they say as the time, you know, everybody's different,

0:46:46.560 --> 0:46:48.600
<v Speaker 1>but as the time goes, like you know, when you

0:46:48.640 --> 0:46:50.480
<v Speaker 1>get married, it's a lot of other things. You gotta

0:46:50.560 --> 0:46:52.879
<v Speaker 1>have kids, like you know, the kids are there, Like

0:46:53.640 --> 0:46:57.040
<v Speaker 1>you know, sex is not always at the forefront. I

0:46:57.080 --> 0:46:59.279
<v Speaker 1>mean it's it's a very important thing. And we're to

0:46:59.480 --> 0:47:03.200
<v Speaker 1>looking at like man that like you are you saying

0:47:03.200 --> 0:47:05.959
<v Speaker 1>that she'mating him? No? No, no, no no, I'm not saying

0:47:05.960 --> 0:47:09.200
<v Speaker 1>she's not cheating on him. What I'm saying is the

0:47:09.239 --> 0:47:13.759
<v Speaker 1>fact that it's only been two weeks, like you know,

0:47:13.880 --> 0:47:16.800
<v Speaker 1>I mean, first she should address her you know, and

0:47:17.000 --> 0:47:19.640
<v Speaker 1>you know, now if she if she continues to lie

0:47:19.719 --> 0:47:22.920
<v Speaker 1>on it, it might be time to hanging up. But

0:47:23.520 --> 0:47:26.879
<v Speaker 1>you know, if she admits to it, you know, things

0:47:26.920 --> 0:47:29.879
<v Speaker 1>happen in relationships. Maybe they should go to counseling and

0:47:30.000 --> 0:47:34.520
<v Speaker 1>you know, see if they can work through it. M Now,

0:47:34.560 --> 0:47:37.279
<v Speaker 1>if she's a habitual cheater, then it's like, oh, yeah,

0:47:37.280 --> 0:47:39.200
<v Speaker 1>you gotta chunk up the duce because you only get

0:47:39.200 --> 0:47:42.080
<v Speaker 1>one life. Only get one life, so nobody wants to

0:47:42.080 --> 0:47:46.760
<v Speaker 1>be unhappy. Your wife needs sex. Your wife wants sex,

0:47:46.800 --> 0:47:49.399
<v Speaker 1>and if you're not giving it to her. But where

0:47:49.600 --> 0:47:52.480
<v Speaker 1>you're saying, but two weeks is like, that's not that long.

0:47:52.560 --> 0:47:56.000
<v Speaker 1>Clearly she needs sex, clearly, Like if she couldn't wait

0:47:56.040 --> 0:47:58.359
<v Speaker 1>for her husband, then clearly I'm not. First of all,

0:47:58.360 --> 0:48:01.160
<v Speaker 1>she should. Yeah, she that came doing first and like

0:48:01.280 --> 0:48:03.719
<v Speaker 1>y'all like, And she may have and he may have

0:48:03.760 --> 0:48:06.320
<v Speaker 1>ignored it because he said, what you said, we got kids,

0:48:06.360 --> 0:48:10.080
<v Speaker 1>we got jobs. Honestly, she may have said it and

0:48:10.120 --> 0:48:12.560
<v Speaker 1>he may have ignored her needs. Takes a lot for

0:48:12.560 --> 0:48:16.319
<v Speaker 1>a woman to cheat. It takes a lot, so you

0:48:16.400 --> 0:48:19.760
<v Speaker 1>may not have been listening to her. Sir. Again, cheating

0:48:19.880 --> 0:48:21.640
<v Speaker 1>is not right. If you get to some point that

0:48:21.680 --> 0:48:23.200
<v Speaker 1>you feel like you gotta cheat, pull your partner to

0:48:23.280 --> 0:48:26.600
<v Speaker 1>the side of that baby, I need to stick, Like,

0:48:26.680 --> 0:48:29.120
<v Speaker 1>what's the problem. I need some passion, I need some love.

0:48:29.280 --> 0:48:31.920
<v Speaker 1>Where twelve years? Should they hang it up if she

0:48:32.080 --> 0:48:34.160
<v Speaker 1>if he finds out she is cheating? No, I think

0:48:34.200 --> 0:48:35.480
<v Speaker 1>they should work on I think that they should have

0:48:35.520 --> 0:48:38.280
<v Speaker 1>a real conversation. What are her needs? What are his needs?

0:48:38.760 --> 0:48:41.040
<v Speaker 1>How do as your wife? How can I make you

0:48:41.080 --> 0:48:44.640
<v Speaker 1>more comfortable to want to be intimate with me? And

0:48:44.719 --> 0:48:49.040
<v Speaker 1>vice versa. It's gotta be something. You say, He hasn't

0:48:49.280 --> 0:48:51.359
<v Speaker 1>ejaculated at all in two weeks, like you don't think

0:48:51.360 --> 0:48:55.600
<v Speaker 1>that he may be pleasured himself. A man can go

0:48:55.680 --> 0:49:02.279
<v Speaker 1>two weeks, two weeks. Mom, to you, what are your thoughts?

0:49:02.440 --> 0:49:05.359
<v Speaker 1>Please speak it to the micro sir, one of two

0:49:05.360 --> 0:49:08.000
<v Speaker 1>weeks for you? Two weeks, I can't go along, I

0:49:08.040 --> 0:49:10.359
<v Speaker 1>can't go I can go two weeks, two weeks. I

0:49:10.400 --> 0:49:14.759
<v Speaker 1>think women, y'all really just does is she cheating on him? Yes?

0:49:14.880 --> 0:49:17.600
<v Speaker 1>Or no? You said, what is she cheating on him.

0:49:17.680 --> 0:49:21.160
<v Speaker 1>She's definitely cheating on him. Somebody definitely pushed push that

0:49:21.239 --> 0:49:25.279
<v Speaker 1>box back. That's all I'm gonna say. If I was

0:49:25.400 --> 0:49:28.560
<v Speaker 1>him and I get a text, man, she said, that's

0:49:28.560 --> 0:49:32.480
<v Speaker 1>the best sex ever. Whatever guns is in the house,

0:49:32.520 --> 0:49:33.959
<v Speaker 1>you might not want to come back because I'm about

0:49:34.000 --> 0:49:38.640
<v Speaker 1>to be standing outside like what he had. Bring up

0:49:38.640 --> 0:49:41.839
<v Speaker 1>to the house. You ain't gotta hide that baby, put

0:49:41.880 --> 0:49:43.560
<v Speaker 1>the kids sleep, You tell your little friend to come

0:49:43.560 --> 0:49:48.440
<v Speaker 1>home and tires up too. I'm gonna be on that

0:49:49.000 --> 0:49:51.120
<v Speaker 1>bring your friend. Oh, you ain't gotta hide that baby.

0:49:52.680 --> 0:49:54.480
<v Speaker 1>Doubt I doubt it was. I doubt it was a

0:49:54.480 --> 0:49:56.840
<v Speaker 1>woman that. I doubt it was a woman too. And

0:49:56.880 --> 0:50:00.080
<v Speaker 1>she had the best sex ever with so. But so

0:50:00.160 --> 0:50:04.040
<v Speaker 1>basically the question he's asking is, Yeah, he's just asking

0:50:04.040 --> 0:50:06.399
<v Speaker 1>if she not asking us, if he needs to leave

0:50:06.440 --> 0:50:12.120
<v Speaker 1>her or none of that. Yeah, she his his insecurities

0:50:12.200 --> 0:50:15.200
<v Speaker 1>has spiked. Man, Listen, women do First of all, women

0:50:15.239 --> 0:50:17.840
<v Speaker 1>don't make mistakes. Don't make mistakes like they're sending the

0:50:17.880 --> 0:50:21.560
<v Speaker 1>wrong text message. That's what dudes. We do something like that,

0:50:21.560 --> 0:50:25.080
<v Speaker 1>that's careless like that, or she might have wanted him

0:50:25.120 --> 0:50:29.200
<v Speaker 1>to She might have wanted him to investigate, dagn to

0:50:29.360 --> 0:50:35.120
<v Speaker 1>it and then have toxic sex. They got a TV

0:50:35.160 --> 0:50:40.279
<v Speaker 1>show about that too on Netflix. Could be toxic. What's

0:50:40.320 --> 0:50:43.799
<v Speaker 1>it called sex life? For us to get up out

0:50:43.840 --> 0:50:49.000
<v Speaker 1>of here, to be toxic. Women like that toxic she

0:50:49.080 --> 0:50:52.600
<v Speaker 1>holds be toxic. That's why people like brad Fire asks

0:50:52.680 --> 0:50:54.600
<v Speaker 1>lit because the whole want to hear that toxic ship.

0:50:54.640 --> 0:50:56.719
<v Speaker 1>They like starting fight. So you're getting mad at him

0:50:56.719 --> 0:51:00.319
<v Speaker 1>and choke him out, and you choking him and so

0:51:00.520 --> 0:51:04.560
<v Speaker 1>come on, you know, like, don't act like you ain't never.

0:51:04.680 --> 0:51:06.080
<v Speaker 1>Don't act like you ain't ever try to make a

0:51:06.120 --> 0:51:08.240
<v Speaker 1>nigga math so you grip you to funk up sounding

0:51:09.000 --> 0:51:11.520
<v Speaker 1>you know you like that ship. I don't know you

0:51:11.600 --> 0:51:13.520
<v Speaker 1>have to take a math for that. I thought you

0:51:13.520 --> 0:51:17.839
<v Speaker 1>could just ask for it. Okay, to get up out

0:51:17.840 --> 0:51:22.520
<v Speaker 1>of here. We'll be right back with more of the

0:51:22.560 --> 0:51:37.040
<v Speaker 1>baller Alert Show. Thank you DJ Drama for coming. It's

0:51:37.080 --> 0:51:40.080
<v Speaker 1>a pleasure. Give us some shout out, sir. I'm man.

0:51:40.080 --> 0:51:42.560
<v Speaker 1>Shout to y'all. Man shout to y'all for you know, uh,

0:51:42.760 --> 0:51:45.360
<v Speaker 1>holding the ball Alert podcast down, for doing your things

0:51:45.960 --> 0:51:48.839
<v Speaker 1>as a unit and individually. You know, I know all

0:51:48.880 --> 0:51:51.080
<v Speaker 1>of you are very well and you know you're all

0:51:51.120 --> 0:51:54.279
<v Speaker 1>doing your think uh in your respective careers, and I'm

0:51:54.360 --> 0:51:57.279
<v Speaker 1>very proud of y'all. Uh. You know, skies not the limit,

0:51:57.320 --> 0:51:58.920
<v Speaker 1>skies what you just stand on, the reason to be

0:51:59.000 --> 0:52:01.520
<v Speaker 1>on and you know this is our first time really

0:52:01.800 --> 0:52:04.960
<v Speaker 1>interacting but the same as well. And you know, I

0:52:05.000 --> 0:52:06.840
<v Speaker 1>just uh, I salute to you all man, thanks for

0:52:06.840 --> 0:52:10.399
<v Speaker 1>having me appreciate that. It's it's definitely a tough week,

0:52:10.440 --> 0:52:13.680
<v Speaker 1>a tough day for hip hop. We have lost yet

0:52:13.719 --> 0:52:17.280
<v Speaker 1>another young man had not even seen the age of thirty.

0:52:18.719 --> 0:52:21.480
<v Speaker 1>I don't want to get a baby. Um. Definitely been

0:52:21.520 --> 0:52:26.000
<v Speaker 1>praying for the Megos and their families all day. Um,

0:52:26.040 --> 0:52:28.680
<v Speaker 1>this is tough, praying for de Vito who lost his

0:52:28.680 --> 0:52:31.640
<v Speaker 1>three year old child. Just celebrated the third birthday. So

0:52:31.960 --> 0:52:34.120
<v Speaker 1>it's an honor to have DJ Drama here and give

0:52:34.160 --> 0:52:37.000
<v Speaker 1>you your flowers and the flesh. Thank you for doing

0:52:37.080 --> 0:52:40.720
<v Speaker 1>what you do and for sumporting us. And please go vote,

0:52:41.360 --> 0:52:43.920
<v Speaker 1>go vote, go vote, go vote, and tune into the

0:52:43.920 --> 0:52:47.360
<v Speaker 1>Bothers Our Show podcast available wherever you get your podcast.

0:52:48.719 --> 0:52:50.480
<v Speaker 1>I do want to say, you know Resci pieces take

0:52:50.520 --> 0:52:57.640
<v Speaker 1>off for sure, um, um if anything, dedicate this to him. UM. Yeah,

0:52:58.600 --> 0:53:02.640
<v Speaker 1>it's definitely a tough day, you know, another cloud over

0:53:02.680 --> 0:53:05.680
<v Speaker 1>the city. You know what I'm saying, Um, take was

0:53:06.120 --> 0:53:09.200
<v Speaker 1>you know I've known him, I know him for since

0:53:09.200 --> 0:53:14.680
<v Speaker 1>he was eighteen nineteen. Great kid, you know. Um. So

0:53:14.840 --> 0:53:16.960
<v Speaker 1>he will be missed and you know we definitely will

0:53:17.040 --> 0:53:19.720
<v Speaker 1>keep his legacy alive. Yeah. Man, I just want to

0:53:19.760 --> 0:53:22.040
<v Speaker 1>shout out you Drama for coming through. We know you

0:53:22.320 --> 0:53:24.920
<v Speaker 1>extremely busy and you know we appreciate you coming in

0:53:25.040 --> 0:53:28.040
<v Speaker 1>rocking with us. Uh yeah, And I'm just shout out

0:53:28.040 --> 0:53:32.680
<v Speaker 1>to you Drama, so again. Um. I I don't want

0:53:32.680 --> 0:53:37.080
<v Speaker 1>to have taylored my entire how you articulate yourself, how

0:53:37.120 --> 0:53:39.480
<v Speaker 1>you carry yourself. But I look to you as a

0:53:39.520 --> 0:53:44.359
<v Speaker 1>motivational purpose because very very seldom like because my parents

0:53:44.400 --> 0:53:46.960
<v Speaker 1>didn't understand what I was trying to do. So I

0:53:47.000 --> 0:53:48.160
<v Speaker 1>was like, I want to be a DJ, I want

0:53:48.160 --> 0:53:50.239
<v Speaker 1>to be on the radio. They didn't understand it, and

0:53:50.600 --> 0:53:53.480
<v Speaker 1>I didn't really have anybody to look for look towards

0:53:53.520 --> 0:53:55.719
<v Speaker 1>to kind of say that's who I want to be

0:53:55.800 --> 0:53:58.440
<v Speaker 1>like that in my case, that was you, you d

0:53:58.719 --> 0:54:03.480
<v Speaker 1>holiday um screen Um, and I saw your guys as template.

0:54:03.560 --> 0:54:05.880
<v Speaker 1>You guys kind of had a template, even Cannon and

0:54:05.920 --> 0:54:08.760
<v Speaker 1>so I just appreciate our friendship. We'll talk to you often,

0:54:09.040 --> 0:54:12.040
<v Speaker 1>play pool, we need play I phone pool ant, but

0:54:12.080 --> 0:54:16.080
<v Speaker 1>I think I was busting your ass like too much. Yeah,

0:54:16.120 --> 0:54:19.000
<v Speaker 1>because I went on a run. Remember that run right, Yeah,

0:54:19.680 --> 0:54:23.000
<v Speaker 1>we're running back the hell of a run on them.

0:54:23.040 --> 0:54:25.680
<v Speaker 1>But I appreciate it. It's so funny because people don't

0:54:25.760 --> 0:54:27.880
<v Speaker 1>don't think that we talk as often we do, but

0:54:27.920 --> 0:54:30.879
<v Speaker 1>we actually talk pretty often often. And I appreciate you

0:54:31.120 --> 0:54:34.480
<v Speaker 1>just for your friendship because you have no idea how

0:54:34.560 --> 0:54:38.040
<v Speaker 1>much that motivates me. Just a normal conversation and you

0:54:38.080 --> 0:54:39.560
<v Speaker 1>know that means a lot to me. Bro. You know,

0:54:39.719 --> 0:54:42.560
<v Speaker 1>just just to hear stories like that. You know, I

0:54:42.640 --> 0:54:45.239
<v Speaker 1>know me coming up and I tell you all my

0:54:45.280 --> 0:54:47.359
<v Speaker 1>accomplishments when I get them every time I do something big,

0:54:47.600 --> 0:54:49.960
<v Speaker 1>and I love to hear and so and it's like,

0:54:50.000 --> 0:54:53.600
<v Speaker 1>you know, for for me to to be inspiration to

0:54:53.800 --> 0:54:56.680
<v Speaker 1>someone you know, and I'm someone that loves to give

0:54:56.760 --> 0:54:59.480
<v Speaker 1>flowers and to you know, to pay homage to people.

0:54:59.520 --> 0:55:02.920
<v Speaker 1>So you know, for you to to to look at

0:55:02.920 --> 0:55:05.400
<v Speaker 1>me for that like that, that that's part of the

0:55:05.440 --> 0:55:08.399
<v Speaker 1>greatest gift of what I do. To think that Dan

0:55:08.560 --> 0:55:11.359
<v Speaker 1>somebody like I wanted to become a DJ because of

0:55:11.360 --> 0:55:13.000
<v Speaker 1>what I was doing. You know what I'm saying. So

0:55:13.280 --> 0:55:16.879
<v Speaker 1>you know, so to you, yes, I would definitely say

0:55:16.920 --> 0:55:19.799
<v Speaker 1>your story is legendary, like just researching it. I'm just

0:55:19.880 --> 0:55:21.920
<v Speaker 1>like I'm a student of the game. So I just

0:55:22.000 --> 0:55:24.719
<v Speaker 1>love to I love documentaries and I can't wait when

0:55:24.760 --> 0:55:26.880
<v Speaker 1>yours come out because I want to know about the

0:55:26.960 --> 0:55:29.560
<v Speaker 1>drama Philly. I want to know about the hip hop

0:55:29.600 --> 0:55:32.640
<v Speaker 1>back then all the way up into now. It's just

0:55:32.719 --> 0:55:35.160
<v Speaker 1>amazing and I just want to say we appreciate you.

0:55:35.400 --> 0:55:37.880
<v Speaker 1>And um lastly, we have work a word from our

0:55:37.920 --> 0:55:41.000
<v Speaker 1>ballers today. You are our baller and it's just an inspiration,

0:55:41.640 --> 0:55:44.840
<v Speaker 1>uh speak to anybody coming up, just like a Ferrari

0:55:44.920 --> 0:55:47.719
<v Speaker 1>said in your Footsteps or anything like that you can give.

0:55:47.920 --> 0:55:50.800
<v Speaker 1>You know, I always I tell people this all the time,

0:55:51.040 --> 0:55:54.640
<v Speaker 1>Like you know, for anybody that's coming in the game

0:55:54.680 --> 0:55:56.719
<v Speaker 1>and wanting to be in the game. You know a

0:55:56.760 --> 0:56:01.000
<v Speaker 1>lot of times, uh we aspire to like you know,

0:56:01.120 --> 0:56:04.960
<v Speaker 1>to reach the top or you know, the highest of

0:56:05.000 --> 0:56:08.200
<v Speaker 1>the high where people have to realize, like hip hop

0:56:08.360 --> 0:56:13.480
<v Speaker 1>is is built out of like you know, movements, like

0:56:13.480 --> 0:56:16.040
<v Speaker 1>like organic movements, you know what I mean, And like

0:56:16.600 --> 0:56:19.440
<v Speaker 1>you know now in today's world, it's very easy for

0:56:19.480 --> 0:56:22.240
<v Speaker 1>someone to try to like d M, d J Drama

0:56:22.360 --> 0:56:25.560
<v Speaker 1>or d M Young Jeez and say, yo, I wanna

0:56:25.920 --> 0:56:27.560
<v Speaker 1>do this with you or do that with you. But

0:56:27.600 --> 0:56:29.520
<v Speaker 1>it's like, you know, look to your left, look to

0:56:29.560 --> 0:56:33.080
<v Speaker 1>your right. You know, if it wasn't for people like

0:56:33.200 --> 0:56:36.200
<v Speaker 1>Tip and Geez who were you know, coach ca Lib

0:56:36.239 --> 0:56:39.879
<v Speaker 1>around the corner from me, like um, Jason Jeter who

0:56:39.880 --> 0:56:42.399
<v Speaker 1>was tas manager, got my my number off the back

0:56:42.400 --> 0:56:44.759
<v Speaker 1>of a c D you know, a mixtape in the

0:56:44.760 --> 0:56:48.800
<v Speaker 1>barbershop and brought this young kid through. Like it's about

0:56:48.840 --> 0:56:52.600
<v Speaker 1>creating movements. So before you try to, you know, go

0:56:52.800 --> 0:56:57.160
<v Speaker 1>and d M your favorite artist, who's you know already

0:56:57.239 --> 0:57:00.759
<v Speaker 1>a list or like the people around you are the

0:57:00.800 --> 0:57:03.520
<v Speaker 1>ones for you to come up with and to to

0:57:03.640 --> 0:57:06.680
<v Speaker 1>make those movements with movements with And I tell people

0:57:06.680 --> 0:57:09.640
<v Speaker 1>that all the time, Like that's that's out of anything

0:57:09.640 --> 0:57:12.120
<v Speaker 1>what people respect about our culture and about hip hop

0:57:12.280 --> 0:57:16.439
<v Speaker 1>more than anything. Prime example, the meks you know, who

0:57:16.440 --> 0:57:18.440
<v Speaker 1>would have who would have known if or if they

0:57:18.440 --> 0:57:21.920
<v Speaker 1>would have known that you know, you know um uh

0:57:22.200 --> 0:57:26.240
<v Speaker 1>three family members you know would create this this sound

0:57:26.320 --> 0:57:29.120
<v Speaker 1>and this style that all of hip hop would go

0:57:29.240 --> 0:57:32.480
<v Speaker 1>on to mimic and try to do you know some

0:57:32.560 --> 0:57:34.480
<v Speaker 1>neig is from North side of Atlanta. You know what

0:57:34.520 --> 0:57:37.520
<v Speaker 1>I'm saying that change the world, you know, change culture.

0:57:38.120 --> 0:57:40.720
<v Speaker 1>So you know, yeah, that would be my my ball,

0:57:41.160 --> 0:57:44.920
<v Speaker 1>my ball advice. All right, did you drama the ball Alert,

0:57:44.920 --> 0:57:48.920
<v Speaker 1>show the shape. I can't get enough of baller Alert.

0:57:49.000 --> 0:57:52.120
<v Speaker 1>Follow us on all social media platforms at baller alert,

0:57:52.520 --> 0:57:54.480
<v Speaker 1>going to baller alert dot com.