WEBVTT - Alex Hodges

0:00:08.600 --> 0:00:12.320
<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

0:00:12.920 --> 0:00:15.680
<v Speaker 1>My guest today is a man who's done it all,

0:00:16.000 --> 0:00:22.240
<v Speaker 1>agent manager presently a promoter as CEO of meter Lander Concerts,

0:00:22.280 --> 0:00:26.240
<v Speaker 1>Alex Hodges. Thank you, Bob, glad to be here. Okay,

0:00:26.280 --> 0:00:28.800
<v Speaker 1>So what's the status of the concert business today? It's

0:00:28.960 --> 0:00:32.520
<v Speaker 1>it's robust. You always gotta look over your shoulder though

0:00:32.600 --> 0:00:34.960
<v Speaker 1>you never know when the economy or something else is

0:00:35.000 --> 0:00:38.640
<v Speaker 1>gonna fight you. But it's really strong right now. What

0:00:38.680 --> 0:00:42.400
<v Speaker 1>do you think accounts for that? I think a strong economy.

0:00:42.440 --> 0:00:44.640
<v Speaker 1>I think that people have a jingle in their pocket,

0:00:44.720 --> 0:00:48.640
<v Speaker 1>or that with job they'll spend money on entertainment. Okay.

0:00:48.880 --> 0:00:52.520
<v Speaker 1>That leads to the point where sometimes shows are put

0:00:52.600 --> 0:00:56.520
<v Speaker 1>on for put up for sale like over a year before.

0:00:57.280 --> 0:00:59.960
<v Speaker 1>Is that basically an economic thing? Hey, let's get the

0:01:00.040 --> 0:01:03.240
<v Speaker 1>money while they have it or what. It's a good question.

0:01:03.760 --> 0:01:06.640
<v Speaker 1>I think part of it is beat the competition, get

0:01:06.680 --> 0:01:11.520
<v Speaker 1>on sale early, uh, take money out of the market, um,

0:01:11.640 --> 0:01:15.959
<v Speaker 1>and all the other reasons. You know you're controlling somebody's money.

0:01:16.120 --> 0:01:18.679
<v Speaker 1>You got it in the bank. Okay. For those who

0:01:18.680 --> 0:01:22.240
<v Speaker 1>are unfamiliar, tell us more about the purview of needle

0:01:22.319 --> 0:01:26.960
<v Speaker 1>Leander Concerts for needle Lander Concerts part of a family

0:01:27.400 --> 0:01:33.920
<v Speaker 1>owned operation organization. UM. The needle Leander family started in

0:01:34.160 --> 0:01:39.960
<v Speaker 1>uh Detroit in the theater business in the early nineteen hundreds.

0:01:40.040 --> 0:01:43.080
<v Speaker 1>So it's family owned and over a hundred years old

0:01:43.840 --> 0:01:47.040
<v Speaker 1>and not for sale. This is so there is a

0:01:47.080 --> 0:01:50.240
<v Speaker 1>certain sense of stability. That's right. It's a good thing,

0:01:50.480 --> 0:01:56.000
<v Speaker 1>unlike the rest of corporate America. UM. In the seventies,

0:01:56.120 --> 0:01:59.920
<v Speaker 1>Jimmie needle Lander Sr. Just to be clear, they left

0:02:00.320 --> 0:02:03.360
<v Speaker 1>the Midwest, and they're like the number one player on Broadway, right,

0:02:03.480 --> 0:02:06.200
<v Speaker 1>don't they have the most theaters? Well, they may not

0:02:06.280 --> 0:02:08.360
<v Speaker 1>have the most theaters, but I'll say the best and

0:02:08.400 --> 0:02:14.760
<v Speaker 1>they have not so it's pretty robust. Um. Um. They

0:02:14.760 --> 0:02:18.600
<v Speaker 1>have Broadway theaters in Chicago, London, New York, l A.

0:02:18.960 --> 0:02:25.280
<v Speaker 1>And interest in San Francisco. Uh in booking arrangements for

0:02:25.360 --> 0:02:31.040
<v Speaker 1>Broadway and other cities like Durham, North Carolina. Uh So

0:02:31.160 --> 0:02:36.440
<v Speaker 1>the Broadway peace is the bigger family. And we say

0:02:36.480 --> 0:02:39.120
<v Speaker 1>it's really the biggest Hamilton's please in the needle Leander Theater.

0:02:39.360 --> 0:02:45.239
<v Speaker 1>Yes and many. Okay, we're going back to Jimmy in

0:02:45.280 --> 0:02:50.560
<v Speaker 1>the seventies, so, uh, Jimmy Needle Lander and his brothers.

0:02:50.720 --> 0:02:57.800
<v Speaker 1>There was Robert and Harry and UH and um um

0:02:57.960 --> 0:03:01.760
<v Speaker 1>who else Joey and one other wasn't in the music

0:03:01.800 --> 0:03:07.560
<v Speaker 1>business Freddie Anyway, Jimmy need Landers sr. Uh went into

0:03:08.440 --> 0:03:12.600
<v Speaker 1>New York from from Detroit years ago to start and

0:03:12.680 --> 0:03:16.240
<v Speaker 1>challenge the Broadway scene in the in the city. In

0:03:16.280 --> 0:03:20.320
<v Speaker 1>the seventies, had an opportunity to work with Lost in

0:03:20.440 --> 0:03:26.560
<v Speaker 1>Los Angeles with the city on reviving UH in recreating

0:03:27.240 --> 0:03:30.560
<v Speaker 1>or you know, building up the Greek Theater in l A.

0:03:30.560 --> 0:03:35.600
<v Speaker 1>Also had an opportunity to purchase the Pentageous Theater with

0:03:35.640 --> 0:03:39.120
<v Speaker 1>a local partner. So all of a sudden it was

0:03:40.040 --> 0:03:42.800
<v Speaker 1>do you want to go west? And I think Mr

0:03:42.880 --> 0:03:46.200
<v Speaker 1>needle Lander's friends all said, don't do it, You'll be

0:03:46.440 --> 0:03:49.840
<v Speaker 1>This's the stupidest thing, is terrible, But he'd done something

0:03:49.880 --> 0:03:53.960
<v Speaker 1>stupid before and it worked out okay. In the process,

0:03:54.000 --> 0:03:58.640
<v Speaker 1>they also built Amphitheaters, Popular Creek in Chicago, pin nob

0:03:58.720 --> 0:04:04.000
<v Speaker 1>Music Theater and in Clarkston, Michigan, which is Detroit, Mariweather

0:04:04.040 --> 0:04:08.360
<v Speaker 1>Post Pavilion, UH in Columbia, Maryland outside of Washington, d C.

0:04:08.680 --> 0:04:14.640
<v Speaker 1>And between there in Baltimore and others and including Pacific

0:04:14.680 --> 0:04:19.640
<v Speaker 1>Amphitheater in Los Angeles. So the outdoor music, contemporary music

0:04:19.800 --> 0:04:28.479
<v Speaker 1>concert UM experience UM was really led by the Netherlander family. Really,

0:04:28.480 --> 0:04:30.160
<v Speaker 1>they were the first ones who were doing it before

0:04:30.200 --> 0:04:34.640
<v Speaker 1>it became a thing with Universal Conscience Center. Yes, UM.

0:04:35.200 --> 0:04:40.080
<v Speaker 1>After they really had this equation dominated, a lot of

0:04:40.120 --> 0:04:44.000
<v Speaker 1>people wanted to copy it. UM m C A Universal

0:04:44.120 --> 0:04:49.520
<v Speaker 1>Concerts competed, Pace Music competed out of Texas, and so

0:04:49.600 --> 0:04:54.599
<v Speaker 1>they became more UM. There's some historic venues of course,

0:04:55.760 --> 0:05:00.040
<v Speaker 1>Red Rocks in Denver, Tanglewood in Massachusetts. Tanglewood, mass to

0:05:00.160 --> 0:05:05.159
<v Speaker 1>choose it's UM UM Blossom Music Theater is pretty you know,

0:05:05.200 --> 0:05:08.520
<v Speaker 1>it's been around a long time in Cleveland. Some of

0:05:08.560 --> 0:05:12.800
<v Speaker 1>them then later came under m C A Universal Watch

0:05:13.160 --> 0:05:16.880
<v Speaker 1>and some were Needle Ender. They really they really changed

0:05:16.960 --> 0:05:22.760
<v Speaker 1>the model and everybody followed. Okay, so how long have

0:05:22.839 --> 0:05:25.200
<v Speaker 1>you been working for need Leander. Well, I've worked for

0:05:25.240 --> 0:05:30.839
<v Speaker 1>them twice and even work at this time. I came

0:05:30.880 --> 0:05:36.160
<v Speaker 1>back to the company in April of two thousand and seven. Okay,

0:05:36.200 --> 0:05:39.760
<v Speaker 1>so what are you concentrating on now? We're concentrating on

0:05:40.760 --> 0:05:45.400
<v Speaker 1>more venues to book uh, working as a as an

0:05:45.400 --> 0:05:49.640
<v Speaker 1>extension of the venue ownership and management. Sometimes we don't

0:05:49.640 --> 0:05:52.760
<v Speaker 1>own it, we don't manage it. It could be municipally owned,

0:05:53.200 --> 0:05:56.840
<v Speaker 1>it could be privately owned. Uh. And if we come

0:05:56.839 --> 0:06:00.080
<v Speaker 1>in and make a dedicated emphasis on booking it with

0:06:00.240 --> 0:06:03.600
<v Speaker 1>focus trying to you know, not just do an occasional

0:06:03.640 --> 0:06:06.480
<v Speaker 1>one off, but really concentrate as an advocate for a

0:06:06.560 --> 0:06:09.559
<v Speaker 1>venue in the market, we found out we can change

0:06:09.560 --> 0:06:13.760
<v Speaker 1>the landscape. Give me an example. Uh, there's several and

0:06:13.920 --> 0:06:18.800
<v Speaker 1>San Jose for example, it's a civic auditorium in San Jose.

0:06:19.120 --> 0:06:24.400
<v Speaker 1>It was essentially abandoned for concerts. How many Uh what's capacity?

0:06:24.360 --> 0:06:26.880
<v Speaker 1>Yea three thousand, so you can set it up a

0:06:26.880 --> 0:06:31.039
<v Speaker 1>little under or slightly more. There's a balcony. It's a

0:06:31.080 --> 0:06:36.080
<v Speaker 1>civic center from the thirties and it was in the

0:06:38.000 --> 0:06:43.080
<v Speaker 1>in the seventies into the eighties. Bill Graham tried to

0:06:43.080 --> 0:06:48.799
<v Speaker 1>do concerts there. Um. This the venue needed an uplift,

0:06:49.320 --> 0:06:55.400
<v Speaker 1>needed a lot of uplift in anyway, the Bill Graham

0:06:55.480 --> 0:07:00.680
<v Speaker 1>decided to not go back at a point and interestingly,

0:07:00.760 --> 0:07:02.480
<v Speaker 1>a lot of the shows that he did there were

0:07:02.480 --> 0:07:06.960
<v Speaker 1>booked by me and my agent career. Uh, so it

0:07:07.040 --> 0:07:10.200
<v Speaker 1>was it was kind of a loss of an opportunity

0:07:10.240 --> 0:07:12.520
<v Speaker 1>to play another date in the Bay Area when he

0:07:12.600 --> 0:07:18.000
<v Speaker 1>quit doing the midsize with the smaller, smaller spaces UM.

0:07:18.160 --> 0:07:22.280
<v Speaker 1>So fast forward all these years where it was essentially abandoned,

0:07:22.760 --> 0:07:27.400
<v Speaker 1>used for a minor league basketball experiment for a little while, useful,

0:07:27.520 --> 0:07:35.280
<v Speaker 1>some graduations, used for overflow for convention city convention UH business,

0:07:35.360 --> 0:07:42.040
<v Speaker 1>but primarily UM just an extra room in the city,

0:07:42.080 --> 0:07:46.920
<v Speaker 1>and the city recognized they needed to maybe consider renovating

0:07:47.680 --> 0:07:50.720
<v Speaker 1>UH put together a budget, and one of the things

0:07:50.760 --> 0:07:54.200
<v Speaker 1>when we were introduced to the venue in two thousand

0:07:54.280 --> 0:08:00.120
<v Speaker 1>and eight, and probably because no one was interested them,

0:08:00.800 --> 0:08:04.440
<v Speaker 1>the thing that caught my attention was was that the

0:08:04.480 --> 0:08:07.760
<v Speaker 1>city had spent a million dollars on a boiler. And

0:08:07.800 --> 0:08:10.280
<v Speaker 1>I'm going like, that's the last thing on my agenda,

0:08:10.520 --> 0:08:13.760
<v Speaker 1>but it's maybe should be the first, because it represents

0:08:14.080 --> 0:08:18.360
<v Speaker 1>a real commitment to the venue, you know, the underpinnings,

0:08:18.400 --> 0:08:21.720
<v Speaker 1>the infrastructure to make it work. If they would do

0:08:21.840 --> 0:08:25.080
<v Speaker 1>that that's not seen and not cosmetic, maybe they would

0:08:25.120 --> 0:08:28.680
<v Speaker 1>do a good job with the other amenities that would

0:08:28.680 --> 0:08:31.760
<v Speaker 1>make it a hospitable place for rock and roll bands.

0:08:32.400 --> 0:08:35.240
<v Speaker 1>How much money, So ultimately was the city's money or

0:08:35.240 --> 0:08:39.120
<v Speaker 1>need only enters, money, cities money. I did some uh

0:08:39.720 --> 0:08:45.600
<v Speaker 1>consulting for free, also contributed to pay some consultants to

0:08:45.720 --> 0:08:51.600
<v Speaker 1>help advise on certain specifics. And we started actually booking

0:08:52.360 --> 0:08:56.240
<v Speaker 1>during some of the construction in two thousand and nine.

0:08:56.800 --> 0:09:01.200
<v Speaker 1>And that was probably a little premature. Okay, you're the

0:09:01.240 --> 0:09:04.360
<v Speaker 1>exclusive booker for the building. We were, and now we're

0:09:04.360 --> 0:09:09.079
<v Speaker 1>the primary booker. But there's some other promoters, international promoters

0:09:09.080 --> 0:09:12.520
<v Speaker 1>and specialty promoters that do some shows, so we do

0:09:12.880 --> 0:09:16.880
<v Speaker 1>almost all. And how many shows this that we do, um,

0:09:17.400 --> 0:09:20.720
<v Speaker 1>you know, fifty shows. Uh, there's twelve months a year.

0:09:21.360 --> 0:09:26.520
<v Speaker 1>And uh, when when I spoke about turning a venue around, Uh,

0:09:26.600 --> 0:09:30.160
<v Speaker 1>that takes the money, It takes some vision, it takes

0:09:30.160 --> 0:09:34.640
<v Speaker 1>some uh staying power. When we did our first thirteen shows,

0:09:34.679 --> 0:09:38.240
<v Speaker 1>we lost on twelve. Really, why do you think that

0:09:38.400 --> 0:09:44.920
<v Speaker 1>was new unfamiliar or the familiarity content was not good? Actually,

0:09:45.000 --> 0:09:46.960
<v Speaker 1>after we satned the deal, was the first time I

0:09:47.000 --> 0:09:52.560
<v Speaker 1>read the Yelp reviews and they were terrible. You literally

0:09:52.559 --> 0:09:55.560
<v Speaker 1>had to turn it around. Oh goodness. I trusted my

0:09:55.720 --> 0:09:59.880
<v Speaker 1>vision though, and uh and Jimmy Nata Lander let me

0:10:00.200 --> 0:10:05.199
<v Speaker 1>keep going, which was terrific. So now it's a robust,

0:10:05.280 --> 0:10:08.199
<v Speaker 1>and we we were just doing a great job. You

0:10:08.240 --> 0:10:10.640
<v Speaker 1>don't make money on every show, but losing on twelve

0:10:10.679 --> 0:10:13.520
<v Speaker 1>by the thirteen was not good. So now we'll make

0:10:13.559 --> 0:10:18.280
<v Speaker 1>money on you know, almost all. So other than showing

0:10:18.440 --> 0:10:21.600
<v Speaker 1>that the building was new and booking good talent, what

0:10:21.640 --> 0:10:25.040
<v Speaker 1>else did need to Leander do to improve the situation?

0:10:25.040 --> 0:10:28.360
<v Speaker 1>What was need to leander special sauce, Well, we made

0:10:28.360 --> 0:10:33.000
<v Speaker 1>a lot of recommendations on making the consumer like interested

0:10:33.360 --> 0:10:39.599
<v Speaker 1>and and that included such important things as um um,

0:10:39.640 --> 0:10:42.559
<v Speaker 1>you know, ah, outlets in the dressing room so they

0:10:42.600 --> 0:10:47.320
<v Speaker 1>could tune a guitar, areas for the crew to work

0:10:48.280 --> 0:10:51.920
<v Speaker 1>behind the staging area to star dressing rooms, not one,

0:10:52.800 --> 0:10:57.240
<v Speaker 1>renovating the upstairs dressing rooms, and then outside in the hallways.

0:10:57.360 --> 0:11:00.280
<v Speaker 1>We thought, what's gonna make this appealing? That in you,

0:11:00.600 --> 0:11:04.599
<v Speaker 1>having been built in the thirties had a rich history,

0:11:04.720 --> 0:11:10.640
<v Speaker 1>so we thought about um, big life size posters framed

0:11:10.880 --> 0:11:14.600
<v Speaker 1>put on the walls. The memorialized the date that the

0:11:14.760 --> 0:11:17.680
<v Speaker 1>stars have been there. And it's pretty interesting when you've

0:11:17.760 --> 0:11:22.199
<v Speaker 1>realized that the who would played their Frank Sinatra played there, uh,

0:11:22.559 --> 0:11:26.960
<v Speaker 1>Barbra Streischan had played there, so um um, you know

0:11:27.040 --> 0:11:32.520
<v Speaker 1>Santana and UM, so many, so many others. But it's

0:11:32.559 --> 0:11:36.719
<v Speaker 1>all a long time ago, from the thirties, forties, fifties, sixties, seventies,

0:11:36.880 --> 0:11:42.240
<v Speaker 1>eighties and stopped. So we reincarnated the history, you know,

0:11:42.640 --> 0:11:47.760
<v Speaker 1>with the slogan legends played here and and uh, big

0:11:47.840 --> 0:11:51.880
<v Speaker 1>huge pictures. So all the fans come and they go wow.

0:11:52.440 --> 0:11:55.840
<v Speaker 1>They stand in front of it and take each other's pictures,

0:11:55.880 --> 0:12:00.720
<v Speaker 1>along with some historic great you know, artists rolling stones.

0:12:00.800 --> 0:12:03.800
<v Speaker 1>They'll stand in front of that and take pictures, so

0:12:04.200 --> 0:12:11.400
<v Speaker 1>that that liven the otherwise, you know, rather dull um,

0:12:11.440 --> 0:12:17.640
<v Speaker 1>you know, concourse and what other buildings you book in um.

0:12:17.679 --> 0:12:21.320
<v Speaker 1>Another story of of turning around is much more recent.

0:12:21.440 --> 0:12:24.680
<v Speaker 1>In two thousand thirteen, a winery and pass of Robles

0:12:24.679 --> 0:12:30.720
<v Speaker 1>built and opened a three thousand seats amphitheater um fixed

0:12:30.720 --> 0:12:34.960
<v Speaker 1>seats two thousand, one thousand long and on the pit

0:12:35.160 --> 0:12:37.440
<v Speaker 1>you can use it open pit or you can. In

0:12:37.480 --> 0:12:43.840
<v Speaker 1>any case, it was we we were interested, but the

0:12:43.200 --> 0:12:47.520
<v Speaker 1>the deal made did not provide, in my mind, an

0:12:47.520 --> 0:12:50.280
<v Speaker 1>opportunity to make money. So someone else went in there

0:12:50.920 --> 0:12:53.240
<v Speaker 1>and they lost a lot of money. Why did it not?

0:12:53.960 --> 0:12:57.199
<v Speaker 1>Uh was it not going to be profitable? Well, first

0:12:57.200 --> 0:13:01.360
<v Speaker 1>of all, it's new. Second, it's local. Asian is Pastor Robots.

0:13:01.880 --> 0:13:04.959
<v Speaker 1>That's not a big population, so you have to go

0:13:05.120 --> 0:13:07.880
<v Speaker 1>for those people aunt familiar. What's the closest big city

0:13:07.880 --> 0:13:12.120
<v Speaker 1>to the closest small big city is Sant Louis Obispo.

0:13:13.160 --> 0:13:16.080
<v Speaker 1>And how far is it from San Louis Bispo? You know,

0:13:16.240 --> 0:13:21.040
<v Speaker 1>call it fifteen miles, but hundred and four miles to Bakersfield,

0:13:21.080 --> 0:13:24.360
<v Speaker 1>a hundred and four miles to Fresno. So you've got

0:13:24.400 --> 0:13:28.640
<v Speaker 1>this gigantics center central part of the state, creating a

0:13:28.880 --> 0:13:32.040
<v Speaker 1>kind of what I call a triangle almost to get

0:13:32.080 --> 0:13:36.079
<v Speaker 1>people to come. And anything new then requires like you

0:13:36.160 --> 0:13:40.200
<v Speaker 1>gotta book it. Agents have to you know, accept the vision,

0:13:40.800 --> 0:13:43.000
<v Speaker 1>take a risk. You have to, we have to pay

0:13:43.080 --> 0:13:46.800
<v Speaker 1>for it, so it's all at our dollar risk. Then

0:13:47.600 --> 0:13:51.080
<v Speaker 1>then the fans don't know of it because it's new.

0:13:52.040 --> 0:13:53.720
<v Speaker 1>Uh So in this case, it was good to be

0:13:53.800 --> 0:13:58.000
<v Speaker 1>sucking in and we just did a great job. Also,

0:13:58.480 --> 0:14:01.800
<v Speaker 1>it took time. So last year twenty nineteen was the

0:14:01.840 --> 0:14:08.439
<v Speaker 1>first really robust, profitable, you know, uh bottom line profitable

0:14:08.920 --> 0:14:13.520
<v Speaker 1>year in uh in in Pastor Robels at Vena roeblassed

0:14:13.559 --> 0:14:18.480
<v Speaker 1>Amphitheater is fantastic venue, and now we we think we're there,

0:14:19.120 --> 0:14:22.800
<v Speaker 1>recognition from the fans, recognition from agents and managers and

0:14:22.920 --> 0:14:29.680
<v Speaker 1>artists and how many shows did you do there last year? Okay, now, uh,

0:14:29.800 --> 0:14:32.160
<v Speaker 1>let's talk about the elephant in the room. Nider Lander

0:14:32.320 --> 0:14:35.360
<v Speaker 1>is big, but also there's Live Nation in a G.

0:14:36.320 --> 0:14:39.600
<v Speaker 1>How does need a leader fit in the landscape. Well,

0:14:39.640 --> 0:14:46.520
<v Speaker 1>you're talking about a very big elephant. Maybe too, there

0:14:46.560 --> 0:14:50.040
<v Speaker 1>is a couple of big elephants, and and uh it's interesting,

0:14:50.240 --> 0:14:56.840
<v Speaker 1>um uh those younger people in the industry who haven't

0:14:56.880 --> 0:15:00.520
<v Speaker 1>really experienced the days of the independent promoter in almost

0:15:00.560 --> 0:15:05.200
<v Speaker 1>every major city. In smaller cities, um, I really don't

0:15:05.280 --> 0:15:09.240
<v Speaker 1>know how the landscape has changed. So a young agent

0:15:09.320 --> 0:15:14.440
<v Speaker 1>will go, wow, I just got fifty tour offer from

0:15:14.680 --> 0:15:19.720
<v Speaker 1>Live Nation. That's uh, that's hard to compete with. And

0:15:19.720 --> 0:15:25.040
<v Speaker 1>and so we're trying to identifying markets and venues we

0:15:25.080 --> 0:15:28.840
<v Speaker 1>can work in and make the experience unique and then

0:15:29.000 --> 0:15:33.000
<v Speaker 1>just not lose the opportunities to the Live Nation or

0:15:33.040 --> 0:15:35.920
<v Speaker 1>the a G national tour. And there's a couple of

0:15:35.960 --> 0:15:40.080
<v Speaker 1>other things that have made it difficult, like the casino

0:15:40.200 --> 0:15:43.320
<v Speaker 1>business is unique and they can afford to pay artists

0:15:43.320 --> 0:15:46.880
<v Speaker 1>on another type of P and L than just looking

0:15:46.920 --> 0:15:54.360
<v Speaker 1>at ticket sales and then um um um there's fairs.

0:15:54.520 --> 0:15:57.760
<v Speaker 1>That's that's a unique animal. Not really competitive day to

0:15:57.840 --> 0:16:02.600
<v Speaker 1>day to what we do. Uh. So it's it's difficult.

0:16:03.280 --> 0:16:10.160
<v Speaker 1>I recommend to young agents stay an agent. Okay, since

0:16:10.160 --> 0:16:13.200
<v Speaker 1>you've done anything. You were born where I was born

0:16:13.200 --> 0:16:17.680
<v Speaker 1>in Decatur, Georgia in Emery hospital. What what was like

0:16:17.840 --> 0:16:20.640
<v Speaker 1>living in Georgia back then? Was it as southern as

0:16:20.720 --> 0:16:23.120
<v Speaker 1>we felt up north or what was going on? Of

0:16:23.160 --> 0:16:27.200
<v Speaker 1>course not? Uh, you know, major cities of major cities

0:16:27.280 --> 0:16:30.880
<v Speaker 1>with variety of population. Know why was deketor de Keta?

0:16:30.960 --> 0:16:33.920
<v Speaker 1>What was there that drove the Decatur. That's a good

0:16:34.000 --> 0:16:37.800
<v Speaker 1>question because I think, Uh, for years, I used to

0:16:37.840 --> 0:16:41.080
<v Speaker 1>just answer the question, where I'm from is Atlanta? So

0:16:41.160 --> 0:16:45.400
<v Speaker 1>Decatur is um, sort of a bedroom community of Atlanta,

0:16:45.480 --> 0:16:48.160
<v Speaker 1>but it was it was a county seat of De

0:16:48.240 --> 0:16:52.120
<v Speaker 1>Cabb County. So good schools, a lot of good schools,

0:16:52.600 --> 0:16:59.200
<v Speaker 1>amazing um high school football team, um and um. You know,

0:16:59.280 --> 0:17:02.400
<v Speaker 1>so you would ache to trolley or the bus or

0:17:02.400 --> 0:17:07.080
<v Speaker 1>an automobile to Atlanta for major shopping trips. But the

0:17:07.119 --> 0:17:11.800
<v Speaker 1>Decatur was very significantly important. And then years and years

0:17:11.840 --> 0:17:14.720
<v Speaker 1>and years ago, you know, train came through and stopped

0:17:14.720 --> 0:17:16.760
<v Speaker 1>and so forth. So it was it was a bustling,

0:17:17.280 --> 0:17:22.679
<v Speaker 1>bustling uh uh community. And so what'd your father do

0:17:22.760 --> 0:17:28.160
<v Speaker 1>for a living? My father, um was an executive at

0:17:28.160 --> 0:17:32.480
<v Speaker 1>a company called Pure Oil Company, and I think later

0:17:32.520 --> 0:17:35.560
<v Speaker 1>a lot of their stations in the Southeast and other

0:17:35.600 --> 0:17:39.480
<v Speaker 1>places gave way to Golf Oil. But he had been

0:17:40.200 --> 0:17:44.679
<v Speaker 1>he had It's interesting he had been uh uh, you know,

0:17:44.720 --> 0:17:51.680
<v Speaker 1>like oil and petroleum salesperson before the automobiles really proliferated,

0:17:51.720 --> 0:17:55.640
<v Speaker 1>and before there was a service station on every other corner.

0:17:56.480 --> 0:18:04.359
<v Speaker 1>Uh So when the world changed for automobiles, he was

0:18:04.400 --> 0:18:07.840
<v Speaker 1>in charge of the entire Southeast on a smaller company

0:18:07.880 --> 0:18:11.119
<v Speaker 1>called Wofford Oil, and they picked up a contract for

0:18:11.200 --> 0:18:15.960
<v Speaker 1>distribution of gas. And my father actually visited small towns

0:18:16.480 --> 0:18:21.200
<v Speaker 1>knocking on doors, meeting people at the barbershop, uh and saying,

0:18:21.520 --> 0:18:24.879
<v Speaker 1>you need a service station in your town. And he

0:18:24.960 --> 0:18:27.679
<v Speaker 1>did that all over the Southeast. So he was pretty

0:18:27.800 --> 0:18:31.840
<v Speaker 1>uh it was pretty interesting too to know that he

0:18:32.680 --> 0:18:34.800
<v Speaker 1>was a part of that, you know, before it was

0:18:34.840 --> 0:18:38.360
<v Speaker 1>at anything. Well, it's all so fascinating. Living in Los Angeles,

0:18:38.560 --> 0:18:42.200
<v Speaker 1>gas stations keep disappearing. I know now when you want

0:18:42.200 --> 0:18:44.000
<v Speaker 1>to get gas, you gotta think about where you're going.

0:18:44.440 --> 0:18:46.560
<v Speaker 1>There used to be a station on every corner. How

0:18:46.560 --> 0:18:51.760
<v Speaker 1>many kids in the family. I'm the baby of four brothers. Okay,

0:18:52.240 --> 0:18:54.760
<v Speaker 1>and the other three brothers, what are they up to?

0:18:55.119 --> 0:19:03.520
<v Speaker 1>So uh listen, I'm the baby, um four brothers. Um,

0:19:03.600 --> 0:19:06.240
<v Speaker 1>I'm enough junior that I got the benefit of having

0:19:06.880 --> 0:19:11.040
<v Speaker 1>a four older brothers. How what was the gap between

0:19:11.040 --> 0:19:13.879
<v Speaker 1>my ma and my closest brother. He's eleven years older

0:19:14.840 --> 0:19:17.320
<v Speaker 1>and he's still kicking. And how about your old the

0:19:17.400 --> 0:19:25.639
<v Speaker 1>oldest brother, Um turned January the third, and he's still kicking.

0:19:25.800 --> 0:19:29.400
<v Speaker 1>How has he got all his marbles? He does remarkably

0:19:29.440 --> 0:19:32.360
<v Speaker 1>because my girlfriends marbles. I was talking to my mother

0:19:32.359 --> 0:19:36.440
<v Speaker 1>earlier than she's She knows who I am. But it's,

0:19:36.520 --> 0:19:39.399
<v Speaker 1>you know, getting got a bad it's it's it's you know,

0:19:39.440 --> 0:19:41.840
<v Speaker 1>to see the aging. You know, we have a mother

0:19:41.880 --> 0:19:44.439
<v Speaker 1>in law who's going through some issues. And but my

0:19:44.520 --> 0:19:49.320
<v Speaker 1>brothers did well. My old my second oldest brother did

0:19:49.440 --> 0:19:54.920
<v Speaker 1>nine and he was exhausted, really after being a caregiver

0:19:55.080 --> 0:19:59.280
<v Speaker 1>for his wife who had Alzheimer's. That's a tough one.

0:19:59.400 --> 0:20:03.199
<v Speaker 1>It's a long goodbye. And your other brother one was

0:20:03.240 --> 0:20:06.399
<v Speaker 1>a doctor. He was in the navy, you know, during

0:20:06.440 --> 0:20:11.280
<v Speaker 1>the World War Two. He was in the peace building

0:20:11.320 --> 0:20:15.000
<v Speaker 1>part of the navy. Uh as a Navy doctor stationed

0:20:15.040 --> 0:20:20.560
<v Speaker 1>in Japan. After the war was over, and he moved

0:20:20.600 --> 0:20:25.920
<v Speaker 1>around a lot. Uh then he settled in North Georgia,

0:20:26.680 --> 0:20:30.840
<v Speaker 1>uh as a you know, a country or a mountain doctor.

0:20:31.000 --> 0:20:33.879
<v Speaker 1>Now are you close with your brothers and real close? Okay,

0:20:33.880 --> 0:20:35.800
<v Speaker 1>what lessons did you learn from them? I don't have

0:20:35.840 --> 0:20:38.960
<v Speaker 1>any brothers, so being the youngest at having three older

0:20:39.000 --> 0:20:43.000
<v Speaker 1>brothers interesting. I had to speak at the brother who died.

0:20:43.040 --> 0:20:45.800
<v Speaker 1>I had to speak at his service, and at first

0:20:45.840 --> 0:20:48.600
<v Speaker 1>I couldn't think of a story. I mean, my mind

0:20:48.640 --> 0:20:53.320
<v Speaker 1>went blank. And uh, you know, so I wrote notes

0:20:53.400 --> 0:20:56.240
<v Speaker 1>on three by five cards in my practice in front

0:20:56.240 --> 0:20:58.560
<v Speaker 1>of my wife, and she said, very nice, but anybody

0:20:58.560 --> 0:21:02.440
<v Speaker 1>could say those generality these and and she was right.

0:21:02.560 --> 0:21:05.240
<v Speaker 1>She said, they need people need to hear some stories

0:21:05.280 --> 0:21:09.879
<v Speaker 1>that they have forgotten or never heard. And so um

0:21:09.920 --> 0:21:12.440
<v Speaker 1>I did it. I found found a way and it

0:21:12.480 --> 0:21:17.919
<v Speaker 1>triggered something that I started jotting down any story that

0:21:18.000 --> 0:21:20.639
<v Speaker 1>I had heard from the older brothers. And one of

0:21:20.680 --> 0:21:23.840
<v Speaker 1>the things that my brothers carried over from my father

0:21:23.880 --> 0:21:26.000
<v Speaker 1>and my mother is when you're gonna do something, do

0:21:26.080 --> 0:21:29.840
<v Speaker 1>it right. Just do it right. That's the big message.

0:21:30.280 --> 0:21:32.879
<v Speaker 1>Don't shortcut it. Okay, So what kind of kid are you?

0:21:32.920 --> 0:21:37.040
<v Speaker 1>In school? Popular? Reasonably? I was a president of the

0:21:37.040 --> 0:21:42.040
<v Speaker 1>Hot Rods Club. What was that like? Well, you know,

0:21:42.240 --> 0:21:46.640
<v Speaker 1>we uh we saw these uh thirty nine Ford coups

0:21:46.680 --> 0:21:49.479
<v Speaker 1>and we saw these and they had passed on and

0:21:49.520 --> 0:21:54.760
<v Speaker 1>we saw that people some race car guys. We're putting uh,

0:21:54.800 --> 0:21:58.879
<v Speaker 1>you know, chevallet motors in them, and uh, you know,

0:21:59.080 --> 0:22:01.360
<v Speaker 1>it was just kind of a cool thing. I think

0:22:01.440 --> 0:22:04.359
<v Speaker 1>drag racing had its moment at in in the in

0:22:04.400 --> 0:22:09.560
<v Speaker 1>the fifties, right in in early sixties maybe, so maybe

0:22:09.600 --> 0:22:12.080
<v Speaker 1>my parents kind of backed and gave us a garage

0:22:12.119 --> 0:22:14.840
<v Speaker 1>to work in. And I created at school a hot

0:22:14.920 --> 0:22:20.040
<v Speaker 1>rock club called the Idlers, and we had we took minutes,

0:22:20.119 --> 0:22:24.080
<v Speaker 1>we had rules, we had meetings and votes and all

0:22:24.160 --> 0:22:27.280
<v Speaker 1>kinds of stuff. And it was part of some of

0:22:27.280 --> 0:22:30.240
<v Speaker 1>the other experiences in school from my brothers and hearing

0:22:30.280 --> 0:22:33.560
<v Speaker 1>that they were in in uh you know, different classes

0:22:33.600 --> 0:22:36.000
<v Speaker 1>and clubs and so forth. So it's just a matter

0:22:36.040 --> 0:22:40.920
<v Speaker 1>of participation. And uh, I did build a hot rod. Okay,

0:22:40.960 --> 0:22:43.560
<v Speaker 1>tell me about your hot right. I belt it was uh,

0:22:43.840 --> 0:22:51.240
<v Speaker 1>no fenders, uh thirty four ford uh uh convertible H

0:22:51.440 --> 0:22:53.960
<v Speaker 1>might have been a Cooper originally, but no top when

0:22:54.000 --> 0:22:57.520
<v Speaker 1>I got it, and I put in a two eighty

0:22:57.560 --> 0:23:03.159
<v Speaker 1>three uh chevallet V eight engine to four barrel carburetors,

0:23:03.520 --> 0:23:06.639
<v Speaker 1>and I got it going where it was really drivable

0:23:06.880 --> 0:23:10.600
<v Speaker 1>and uh and and really pretty awesome and time around

0:23:10.600 --> 0:23:14.000
<v Speaker 1>out I went to college and uh so I went

0:23:14.040 --> 0:23:16.920
<v Speaker 1>to Mercery University. But what happened to the well, that's

0:23:17.119 --> 0:23:19.800
<v Speaker 1>that's part of it. What a parents do when kids

0:23:19.800 --> 0:23:23.879
<v Speaker 1>go to they sell something. So my hot rod was

0:23:23.920 --> 0:23:26.760
<v Speaker 1>put up for sale by my father, and a guy

0:23:26.880 --> 0:23:30.000
<v Speaker 1>came and got it. Our father wanted his garage back,

0:23:30.040 --> 0:23:35.199
<v Speaker 1>all right, I don't blame him. Um so, uh. The

0:23:35.320 --> 0:23:39.960
<v Speaker 1>fellow that bought it raced it and had race it.

0:23:40.000 --> 0:23:42.880
<v Speaker 1>He raced it and he brought to the house right

0:23:42.960 --> 0:23:46.240
<v Speaker 1>the door bell knocked on the door, met my father

0:23:46.560 --> 0:23:49.439
<v Speaker 1>and said your son might be happy to know, and

0:23:49.480 --> 0:23:54.200
<v Speaker 1>showed him a trophield winning a quarter track, you know. Right,

0:23:54.320 --> 0:23:56.440
<v Speaker 1>so that was cool. I just kind of felt good.

0:23:56.960 --> 0:23:59.440
<v Speaker 1>So you can do cars are all computer righted now?

0:23:59.640 --> 0:24:02.359
<v Speaker 1>But only speaking. You're completely familiar with how cars are.

0:24:02.520 --> 0:24:08.879
<v Speaker 1>That's why I have in truck was a Mustang engine

0:24:08.880 --> 0:24:11.439
<v Speaker 1>in it. How did you put the engine in? Now? Okay?

0:24:11.440 --> 0:24:14.240
<v Speaker 1>How often do you drive that? Once a week? Really?

0:24:14.800 --> 0:24:17.760
<v Speaker 1>What's that like? This is cool? You know, it looks,

0:24:17.840 --> 0:24:21.560
<v Speaker 1>it looks it's shiny, and it's black and it you know,

0:24:22.520 --> 0:24:26.240
<v Speaker 1>it looks pretty interesting. Cool and the big big white

0:24:26.240 --> 0:24:29.720
<v Speaker 1>walls and uh, nobody thinks that they think they don't

0:24:29.720 --> 0:24:32.040
<v Speaker 1>want to be behind me because I'll be real slow

0:24:33.119 --> 0:24:36.080
<v Speaker 1>and then I'm in front of everybody. And then but

0:24:36.320 --> 0:24:38.439
<v Speaker 1>that has pneumatic breaks. You have to stand on the

0:24:38.480 --> 0:24:42.760
<v Speaker 1>brakes right to stop it. Yesterday, We're pretty good, okay,

0:24:42.880 --> 0:24:47.880
<v Speaker 1>and you can down down shift. How many years? Three? Okay?

0:24:47.960 --> 0:24:52.080
<v Speaker 1>So Mercer College? What's that like? Well, Mercer University and

0:24:52.240 --> 0:24:56.240
<v Speaker 1>how I ended up deciding to go. There was one

0:24:56.280 --> 0:24:58.680
<v Speaker 1>brother went to Emory, one brother went to the University

0:24:58.680 --> 0:25:01.720
<v Speaker 1>of Georgia, one brother went to Georgia Tech. And in

0:25:01.880 --> 0:25:06.080
<v Speaker 1>Georgia there was four kind of major educational institutions there.

0:25:06.119 --> 0:25:10.040
<v Speaker 1>There's now more who have grown in their statue. But

0:25:10.200 --> 0:25:13.840
<v Speaker 1>that left Mercer and I applied for uh to Mercer,

0:25:13.960 --> 0:25:17.919
<v Speaker 1>I applied I made one application to one school. Uh.

0:25:18.080 --> 0:25:21.280
<v Speaker 1>Those days were different. Now you gotta kinda make, you know,

0:25:21.359 --> 0:25:25.480
<v Speaker 1>twenty applications. Anyway, I was, I learned what the word

0:25:25.520 --> 0:25:28.639
<v Speaker 1>tentative meant. So I got accepted. But the word tentative

0:25:28.880 --> 0:25:32.320
<v Speaker 1>was in this sentence, and I'm going, I really wish

0:25:32.400 --> 0:25:35.720
<v Speaker 1>I knew for sure. Uh. Anyway, I got into mercer

0:25:35.800 --> 0:25:38.720
<v Speaker 1>and it was it was a good experience and that

0:25:38.720 --> 0:25:45.040
<v Speaker 1>that uh Uh. Interestingly, this plays into my my brother's

0:25:45.080 --> 0:25:48.440
<v Speaker 1>at war uniform and uh in World War two, uh,

0:25:48.720 --> 0:25:52.160
<v Speaker 1>closest brother uniform and he was he got a bronze

0:25:52.160 --> 0:25:55.720
<v Speaker 1>bronze star for building schools in South Korea as they

0:25:55.720 --> 0:25:59.280
<v Speaker 1>were cleaning minds up, you know, and then building schools

0:25:59.440 --> 0:26:04.280
<v Speaker 1>and so uh, you know. And I'd worn uniform in

0:26:04.440 --> 0:26:06.919
<v Speaker 1>RTC in high school. I didn't want to do it again.

0:26:07.680 --> 0:26:11.000
<v Speaker 1>So first day of college, I get a letter from

0:26:11.240 --> 0:26:16.000
<v Speaker 1>high school buddy who had gone into the Marine Corps.

0:26:16.680 --> 0:26:20.280
<v Speaker 1>He wrote and said, dropped some class and go sign

0:26:20.359 --> 0:26:22.560
<v Speaker 1>up for r OTC. You do not want to be

0:26:22.600 --> 0:26:26.320
<v Speaker 1>an enlisted man in the service. And I did it.

0:26:26.920 --> 0:26:29.320
<v Speaker 1>So I wore a uniform in college one day that week,

0:26:30.520 --> 0:26:33.840
<v Speaker 1>and um, so you graduated, was there any war going

0:26:33.880 --> 0:26:36.159
<v Speaker 1>on when you graduated. Not really, I kind of missed.

0:26:36.160 --> 0:26:38.320
<v Speaker 1>I kind of I went. I guess I'm you know,

0:26:38.600 --> 0:26:42.399
<v Speaker 1>UH participated when during during the Cold War, mainly I

0:26:42.480 --> 0:26:45.879
<v Speaker 1>went to Turkey. I was near in Stanbull and that

0:26:46.080 --> 0:26:48.879
<v Speaker 1>was fun um almost two years, not quiet. And then

0:26:48.880 --> 0:26:51.800
<v Speaker 1>I came to California because everybody wants to go to California,

0:26:51.840 --> 0:26:55.280
<v Speaker 1>of course, and I got my orders for California to

0:26:55.359 --> 0:26:57.800
<v Speaker 1>Fort Irwin, and I don't know if you know where

0:26:57.840 --> 0:27:01.200
<v Speaker 1>it was. I didn't either, so so I looked it up.

0:27:01.680 --> 0:27:06.760
<v Speaker 1>Slap dab in the middle of the Mojave Desert. That's

0:27:06.760 --> 0:27:12.880
<v Speaker 1>a long beach. Okay. So in the old days, if

0:27:12.920 --> 0:27:17.000
<v Speaker 1>you were in r OTC okay, So then you had

0:27:17.000 --> 0:27:20.640
<v Speaker 1>to go in the army for two years after exactly, okay.

0:27:20.680 --> 0:27:22.639
<v Speaker 1>And that was the Army, not the Marine. I was

0:27:22.680 --> 0:27:26.280
<v Speaker 1>a finance officer in head of finance department. So I

0:27:26.320 --> 0:27:29.399
<v Speaker 1>had a nice office and you know, it's pretty pretty

0:27:29.400 --> 0:27:34.800
<v Speaker 1>pretty neat job. And what did you study at Mercer? Uh? Economics,

0:27:34.840 --> 0:27:37.879
<v Speaker 1>not just business vantage but economics, and what was the

0:27:37.880 --> 0:27:42.320
<v Speaker 1>plate history? Economics? History was my mind or the plan

0:27:42.520 --> 0:27:45.040
<v Speaker 1>was to go to law school, and uh, I did

0:27:45.080 --> 0:27:46.960
<v Speaker 1>for a little while. So really I didn't know that,

0:27:47.040 --> 0:27:50.040
<v Speaker 1>but I I you know, I was kind of schooled

0:27:50.040 --> 0:27:52.200
<v Speaker 1>out in a while. Oh man. I went to law school,

0:27:52.240 --> 0:27:54.200
<v Speaker 1>but I think at least two years off. It just

0:27:54.640 --> 0:27:56.960
<v Speaker 1>I didn't take any time off. And I also went

0:27:57.000 --> 0:27:59.840
<v Speaker 1>to summer school a lot, and I worked you know,

0:28:00.080 --> 0:28:02.800
<v Speaker 1>one or two jobs during summer school and all. And

0:28:02.840 --> 0:28:05.439
<v Speaker 1>I booked bands in that period too. In college. But

0:28:06.119 --> 0:28:09.560
<v Speaker 1>law school, I just was, I guess schooled out. So

0:28:09.560 --> 0:28:10.960
<v Speaker 1>I went to the dean and said I want to

0:28:11.040 --> 0:28:13.639
<v Speaker 1>drop out and he should stick out the quarter of

0:28:13.720 --> 0:28:16.040
<v Speaker 1>the semester. He said, you're doing better than you think

0:28:16.080 --> 0:28:20.960
<v Speaker 1>you are, because I was, you know, dean student all

0:28:21.000 --> 0:28:24.399
<v Speaker 1>the time and an undergraduate. H This was where the

0:28:24.440 --> 0:28:27.760
<v Speaker 1>law school, it was part of Mercer Walter F. George

0:28:27.840 --> 0:28:31.320
<v Speaker 1>School of Law, Mercer of School of Law. And uh

0:28:31.840 --> 0:28:34.560
<v Speaker 1>so I said, you know, i'll I'll uh good. He said,

0:28:34.560 --> 0:28:38.680
<v Speaker 1>you can always come back, but finish your finish this

0:28:38.840 --> 0:28:42.840
<v Speaker 1>great you know this period. Uh And I got okay marks,

0:28:42.920 --> 0:28:45.600
<v Speaker 1>you know, they were okay. It's not good enough for me,

0:28:45.720 --> 0:28:49.600
<v Speaker 1>but it was it was, you know, never any thought

0:28:49.600 --> 0:28:53.640
<v Speaker 1>about going back, of course, really, of course, but my

0:28:53.720 --> 0:28:59.440
<v Speaker 1>brothers told me something you're gonna make officers pay, You're

0:28:59.440 --> 0:29:04.040
<v Speaker 1>not gonna go back to school. How good was officers pay?

0:29:04.600 --> 0:29:07.240
<v Speaker 1>Pretty good when you've been selling shoes on Friday night

0:29:07.240 --> 0:29:11.360
<v Speaker 1>and Saturday afternoon for you know. Okay, So tell me

0:29:11.360 --> 0:29:13.240
<v Speaker 1>about big book and bands in college. I did get

0:29:13.240 --> 0:29:17.080
<v Speaker 1>started in that. Well, you know, I love music, popular music,

0:29:17.240 --> 0:29:19.920
<v Speaker 1>and I always always had a propensity to listen to

0:29:20.200 --> 0:29:24.720
<v Speaker 1>something that necessarily my older brothers didn't listen to or

0:29:24.880 --> 0:29:27.760
<v Speaker 1>parents didn't listen to. So like a lot of kids,

0:29:27.760 --> 0:29:30.400
<v Speaker 1>you know, you get your own bands, your own music,

0:29:30.600 --> 0:29:33.080
<v Speaker 1>and you And when I went off to college, you know,

0:29:33.080 --> 0:29:36.400
<v Speaker 1>I had my own music and and uh, but I

0:29:36.560 --> 0:29:40.200
<v Speaker 1>also something that plays a part, I think in my

0:29:41.160 --> 0:29:45.360
<v Speaker 1>overall career. I was exposed to an older generation of

0:29:45.680 --> 0:29:48.720
<v Speaker 1>music growing up and from my mother and my brother,

0:29:48.880 --> 0:29:52.840
<v Speaker 1>so already I was sore being various, you know, different

0:29:52.920 --> 0:29:57.080
<v Speaker 1>decades of music, not just mine but others, and uh,

0:29:57.160 --> 0:29:59.880
<v Speaker 1>and that and that's given me, uh, I think maybe

0:30:00.000 --> 0:30:05.480
<v Speaker 1>a pretty pretty good at appreciation of the of music

0:30:05.640 --> 0:30:09.480
<v Speaker 1>through the through the years. But anyway, I was um

0:30:10.520 --> 0:30:13.360
<v Speaker 1>a friend of mine, we were turned fraternity brothers find

0:30:13.400 --> 0:30:18.120
<v Speaker 1>alta Thedo, uh Phil Walden and uh Phil. Phil was

0:30:18.320 --> 0:30:22.360
<v Speaker 1>a fraternity brother, Yes, while you were there, right, we

0:30:22.360 --> 0:30:26.920
<v Speaker 1>were five alta thedo and uh, and he was president

0:30:27.000 --> 0:30:29.280
<v Speaker 1>of the other class. I joined late. I didn't join

0:30:29.320 --> 0:30:31.840
<v Speaker 1>the fraternity of the first couple of years of of

0:30:31.960 --> 0:30:35.200
<v Speaker 1>mercer Um. But I was helping all of these guys.

0:30:35.240 --> 0:30:38.080
<v Speaker 1>And I had buddies that were five aults, including Phil,

0:30:38.640 --> 0:30:40.760
<v Speaker 1>and some of them I was helping study, and some

0:30:40.840 --> 0:30:43.360
<v Speaker 1>of them I was taking their money because I could

0:30:43.360 --> 0:30:48.840
<v Speaker 1>type and I was typing. So in any case, one

0:30:48.920 --> 0:30:54.920
<v Speaker 1>day after a history class, I'm standing in the hallway

0:30:55.040 --> 0:30:58.280
<v Speaker 1>and phills down the hall after another class and I

0:30:58.320 --> 0:31:00.800
<v Speaker 1>went down to the end of the hall and I

0:31:00.880 --> 0:31:06.080
<v Speaker 1>and I always remember this, uh, this conversation. Um. He

0:31:06.160 --> 0:31:09.800
<v Speaker 1>smoked cigarettes. I didn't, but in those days you weren't

0:31:09.800 --> 0:31:15.320
<v Speaker 1>bothered by people's cigarettes anywhere because everybody did. Um. But

0:31:15.400 --> 0:31:17.959
<v Speaker 1>he was lighting a cigarette and he had a little matchbook.

0:31:18.000 --> 0:31:21.000
<v Speaker 1>And you know, you always look to see if it's from,

0:31:21.040 --> 0:31:25.320
<v Speaker 1>you know, a vacation in Miami, or you know something

0:31:25.520 --> 0:31:30.360
<v Speaker 1>on the massment or restaurant. And uh, there's an odd logo.

0:31:30.720 --> 0:31:34.200
<v Speaker 1>I said, what's that logo? He said, it's a it's

0:31:34.000 --> 0:31:38.440
<v Speaker 1>a designed a p W for Phil Walden and I'm

0:31:38.480 --> 0:31:42.800
<v Speaker 1>gonna book bands full time after classes and quit my

0:31:42.920 --> 0:31:49.200
<v Speaker 1>cousin's store. I'll go that's interesting, pretty pretty cool, right,

0:31:50.280 --> 0:31:54.120
<v Speaker 1>So chit chat right before class he said, when do

0:31:54.200 --> 0:31:56.280
<v Speaker 1>you get out of school? He said, I'm getting I'm

0:31:56.280 --> 0:31:59.520
<v Speaker 1>going to take an office over w IRBB Radio. And

0:31:59.560 --> 0:32:02.400
<v Speaker 1>I knew of that was because it was across the

0:32:02.440 --> 0:32:06.320
<v Speaker 1>street from an apartment complex that I had become the

0:32:06.360 --> 0:32:10.880
<v Speaker 1>resident manager on before I moved to another location, another apartment.

0:32:16.840 --> 0:32:20.960
<v Speaker 1>Where is Mercer Mercers in Making Maker, Georgia, right in

0:32:20.960 --> 0:32:27.400
<v Speaker 1>the center of the state and small still small, still small,

0:32:27.480 --> 0:32:31.480
<v Speaker 1>Making or Mercer Mercer is bigger than it was, Making

0:32:31.640 --> 0:32:34.040
<v Speaker 1>is still small. So what was Making like when you

0:32:34.080 --> 0:32:37.120
<v Speaker 1>were going to college? Probably a ninety thousand people and uh,

0:32:37.760 --> 0:32:41.239
<v Speaker 1>you know, quite kind of quiet. Uh uh you know,

0:32:41.680 --> 0:32:44.280
<v Speaker 1>but it was the county seat to a bib county,

0:32:45.040 --> 0:32:47.680
<v Speaker 1>you know, so it was just h you know, just

0:32:47.760 --> 0:32:51.680
<v Speaker 1>to kind of a you know, hallmark, small town little

0:32:51.760 --> 0:32:56.960
<v Speaker 1>college college. Interestingly, Mercy Makon now so had the first,

0:32:57.000 --> 0:32:59.560
<v Speaker 1>I think the first chartered woman's college in the world,

0:33:00.240 --> 0:33:05.920
<v Speaker 1>Westleyan really and making and uh rich rich history for

0:33:05.920 --> 0:33:10.040
<v Speaker 1>for westleyn in particular, and also for mercer. Um, so

0:33:10.160 --> 0:33:12.479
<v Speaker 1>I'm standing wait, wait, wait, a couple of questions. How

0:33:12.520 --> 0:33:16.440
<v Speaker 1>far as mercer from Atlanta nine emails? Okay, how did

0:33:16.480 --> 0:33:20.200
<v Speaker 1>you meet Phil Walton? Never mind this episode with promotion,

0:33:20.760 --> 0:33:23.960
<v Speaker 1>you know, in classes, hanging out talking about music. Was

0:33:24.000 --> 0:33:27.680
<v Speaker 1>he a charismatic guy? He was? He was? And then

0:33:28.000 --> 0:33:32.440
<v Speaker 1>for the fraternity he was, he was president and he

0:33:32.560 --> 0:33:37.080
<v Speaker 1>was pretty charismatic and an interesting guy. Um, a lot

0:33:37.120 --> 0:33:41.760
<v Speaker 1>of self confidence and uh, I don't know, we've struck up.

0:33:43.120 --> 0:33:45.920
<v Speaker 1>So he said, a kins right, and he said, okay,

0:33:45.920 --> 0:33:47.760
<v Speaker 1>when when do you classes that? What are you doing?

0:33:48.040 --> 0:33:51.000
<v Speaker 1>And I said, you know whatever time. He says, well,

0:33:51.040 --> 0:33:55.600
<v Speaker 1>I get out an hour earlier. And I have collected.

0:33:55.680 --> 0:33:58.360
<v Speaker 1>I've gone to the libraries and written down the addresses

0:33:58.400 --> 0:34:03.800
<v Speaker 1>of every school, every unity, every entertainment committee, and more

0:34:05.160 --> 0:34:08.520
<v Speaker 1>from the library, from the phone books that are in

0:34:08.560 --> 0:34:12.840
<v Speaker 1>the libraries. And he says, so I'm writing letters about

0:34:12.920 --> 0:34:15.160
<v Speaker 1>the bands. I'm going to book and I've got these

0:34:15.200 --> 0:34:19.040
<v Speaker 1>local musicians and they have names because they're all the bands.

0:34:19.520 --> 0:34:21.719
<v Speaker 1>You know, you can have a garage, man, you've got

0:34:21.719 --> 0:34:24.960
<v Speaker 1>to give it a name. So everybody had names of bands,

0:34:25.719 --> 0:34:29.320
<v Speaker 1>and they could also play anybody's music so the names

0:34:29.320 --> 0:34:35.239
<v Speaker 1>could change. Um in any case, Uh, he said, I

0:34:35.320 --> 0:34:37.879
<v Speaker 1>can't type, and I got to send these letters out.

0:34:38.960 --> 0:34:41.680
<v Speaker 1>And all the girls at the school want to come

0:34:41.719 --> 0:34:45.319
<v Speaker 1>down and do this. Uh, they're doing their thing. And

0:34:45.440 --> 0:34:49.520
<v Speaker 1>uh so instead of whatever I was getting for the

0:34:49.600 --> 0:34:51.880
<v Speaker 1>type in term papers, now I'm going to get something

0:34:52.000 --> 0:34:57.120
<v Speaker 1>for typing letters about bands. So Phil would write them

0:34:57.239 --> 0:35:02.440
<v Speaker 1>on this cheapest yellow pay people you could buy, and

0:35:02.560 --> 0:35:06.040
<v Speaker 1>I'd come down and uh type them and answer the

0:35:06.120 --> 0:35:10.719
<v Speaker 1>one phone. You know, actually we had I think two

0:35:10.719 --> 0:35:15.880
<v Speaker 1>phones and two numbers. There's no rolling over a conference calling.

0:35:15.880 --> 0:35:19.360
<v Speaker 1>It was just two numbers. And uh. He had bought

0:35:19.360 --> 0:35:22.880
<v Speaker 1>an old military desk and a couple of them, and

0:35:22.960 --> 0:35:26.959
<v Speaker 1>I put Uh. I went and bought flat doors from

0:35:27.000 --> 0:35:30.560
<v Speaker 1>you know, Mountford doing yourself for the lumber company. And

0:35:30.719 --> 0:35:33.200
<v Speaker 1>I've varnished them and painted them and stained them. And

0:35:33.239 --> 0:35:37.000
<v Speaker 1>so we had two executive desks. So how long after

0:35:37.000 --> 0:35:40.319
<v Speaker 1>you started typing did he actually book a band? Well,

0:35:40.320 --> 0:35:43.320
<v Speaker 1>first I told I told Phil, when you go to lunch,

0:35:43.680 --> 0:35:45.799
<v Speaker 1>I'll answer the phone, but I'm not going to try

0:35:45.840 --> 0:35:50.160
<v Speaker 1>to book a band. And I have, you know, over

0:35:50.200 --> 0:35:52.799
<v Speaker 1>the years, mentoring some people in the business and not

0:35:52.880 --> 0:35:59.520
<v Speaker 1>everybody thinks that they can could sell and sell it. Um.

0:35:59.560 --> 0:36:03.600
<v Speaker 1>And I didn't think I could sell ladies shoes. I

0:36:03.640 --> 0:36:07.040
<v Speaker 1>could sell door to door. I could sell if I

0:36:07.080 --> 0:36:10.239
<v Speaker 1>could see somebody. But I didn't think I could sell

0:36:11.000 --> 0:36:14.160
<v Speaker 1>by listening to somebody and talking to them on the phone.

0:36:14.800 --> 0:36:17.319
<v Speaker 1>And then one day Phil had gone to pick up

0:36:17.320 --> 0:36:20.640
<v Speaker 1>some lunch and sandwiches for us, and I'm answering the

0:36:20.680 --> 0:36:23.279
<v Speaker 1>phone and they asked me about a band. And I've

0:36:23.320 --> 0:36:26.040
<v Speaker 1>been typing all the letters and I knew all the musicians,

0:36:26.760 --> 0:36:30.640
<v Speaker 1>and uh so I sell some guys, uh, some school

0:36:30.760 --> 0:36:38.080
<v Speaker 1>or band, and I'm going, gee, was that worked? And

0:36:38.160 --> 0:36:40.760
<v Speaker 1>you learned to listen, you know. I learned to listen

0:36:40.800 --> 0:36:43.879
<v Speaker 1>to my brothers and my mother learned a lot of

0:36:44.800 --> 0:36:48.520
<v Speaker 1>basic good life things. And I was always observing, you know,

0:36:48.760 --> 0:36:51.560
<v Speaker 1>my uncle and my brothers and other people in the school.

0:36:52.239 --> 0:36:54.719
<v Speaker 1>I had decided to be a good student, not a

0:36:54.760 --> 0:36:58.840
<v Speaker 1>bad one. So uh. Also my parents were helping. They

0:36:58.840 --> 0:37:01.600
<v Speaker 1>would pay for the books and tuition I paid for

0:37:01.680 --> 0:37:07.160
<v Speaker 1>over my my living in school. Um. The the idea

0:37:07.200 --> 0:37:10.960
<v Speaker 1>to sell on the telephone was really foreign. But you

0:37:11.160 --> 0:37:16.640
<v Speaker 1>learn how that you don't have to listen to yourself.

0:37:16.680 --> 0:37:18.560
<v Speaker 1>You learn you have to listen to the guy on

0:37:18.600 --> 0:37:20.960
<v Speaker 1>the other phone, on the other side of the phone

0:37:21.000 --> 0:37:24.360
<v Speaker 1>that you can't see, so you get no body language

0:37:24.400 --> 0:37:30.120
<v Speaker 1>except from voice. And it's really fascinating too to allow

0:37:30.840 --> 0:37:34.880
<v Speaker 1>void to be filled by one of the two of

0:37:35.000 --> 0:37:40.239
<v Speaker 1>us and find out the interest and somebody's going to

0:37:40.320 --> 0:37:44.439
<v Speaker 1>ask a question. I'm gonna just talk my head off

0:37:44.480 --> 0:37:48.680
<v Speaker 1>about the musicianship, wrong move. You talk a little bit

0:37:49.320 --> 0:37:51.640
<v Speaker 1>and then and then if the person on the other

0:37:51.800 --> 0:37:54.240
<v Speaker 1>end of the phone is interested, they'll ask a question

0:37:54.280 --> 0:37:57.080
<v Speaker 1>and that and they will create, you know, a good

0:37:57.120 --> 0:38:01.319
<v Speaker 1>exchange dialogue and you can almost vision your lies the

0:38:01.440 --> 0:38:04.239
<v Speaker 1>person on the other side of the phone. And I

0:38:04.239 --> 0:38:08.800
<v Speaker 1>think we missed that today with texting and emails to

0:38:08.800 --> 0:38:11.719
<v Speaker 1>to work through a problem on a band and routing

0:38:11.800 --> 0:38:15.399
<v Speaker 1>and so forth. It's just so much better if you're

0:38:15.440 --> 0:38:19.160
<v Speaker 1>talking on the phone. But that's but today, as another story,

0:38:19.360 --> 0:38:23.640
<v Speaker 1>how important was it to not talk business on the phone,

0:38:24.000 --> 0:38:26.560
<v Speaker 1>like talk about sports of the weather to try to

0:38:26.680 --> 0:38:31.040
<v Speaker 1>establish a rapport. Well, since the phones were a little

0:38:31.040 --> 0:38:34.400
<v Speaker 1>bit more expensive by the clock, Um, there was a

0:38:34.400 --> 0:38:39.160
<v Speaker 1>certain sense of efficiency that was needed. Um, you might

0:38:39.239 --> 0:38:42.240
<v Speaker 1>ask a question, you might say something, but that student

0:38:42.360 --> 0:38:45.960
<v Speaker 1>union person or or or fraternity person was really calling

0:38:46.000 --> 0:38:49.000
<v Speaker 1>with a with a purpose, so you had to stay

0:38:49.080 --> 0:38:53.879
<v Speaker 1>and you didn't didn't have that kind of of relationship

0:38:53.960 --> 0:38:56.600
<v Speaker 1>with them. Yet you might develop it and then you

0:38:56.600 --> 0:38:59.759
<v Speaker 1>would ask about the team of the football team at

0:38:59.760 --> 0:39:02.879
<v Speaker 1>that university and you have, but that was after you've

0:39:02.920 --> 0:39:07.239
<v Speaker 1>done business more than once. Really they were interested in

0:39:07.880 --> 0:39:10.799
<v Speaker 1>and uh, and there was a lot of interest I

0:39:10.840 --> 0:39:13.680
<v Speaker 1>think buying a band, but buying a band for the

0:39:13.680 --> 0:39:16.840
<v Speaker 1>Southern school of buying a band since somebody that was

0:39:16.880 --> 0:39:20.600
<v Speaker 1>in New York City, I mean, they didn't want to

0:39:20.640 --> 0:39:22.719
<v Speaker 1>buy from New York City. I think they felt like

0:39:22.760 --> 0:39:25.680
<v Speaker 1>they always had to until we started, and you had

0:39:25.680 --> 0:39:27.960
<v Speaker 1>no competition other than New York City. There was a

0:39:28.000 --> 0:39:32.640
<v Speaker 1>guy in uh in South Carolina who was booking cover

0:39:32.760 --> 0:39:37.920
<v Speaker 1>bands and and he was pretty successful with it. But

0:39:38.040 --> 0:39:41.640
<v Speaker 1>we thought we could do it differently more novel have

0:39:41.880 --> 0:39:46.840
<v Speaker 1>musicians around Macon who were really good and um, and

0:39:47.000 --> 0:39:50.759
<v Speaker 1>we did it. Uh, we weren't. We weren't in the

0:39:50.800 --> 0:39:54.080
<v Speaker 1>beach music. We were into what you would know as

0:39:54.200 --> 0:39:57.560
<v Speaker 1>rhythm and blues. Okay, but you're doing that, but then

0:39:57.600 --> 0:40:01.960
<v Speaker 1>you ultimately go into the army. Yeah, well, I'll tell you.

0:40:02.000 --> 0:40:04.840
<v Speaker 1>It was the army was good in several ways. How

0:40:04.880 --> 0:40:08.480
<v Speaker 1>did you tell Phil, Hey, I'm gonna go well, oh, interestingly,

0:40:08.840 --> 0:40:13.480
<v Speaker 1>Phil went the army first. So I got a letter

0:40:13.520 --> 0:40:17.760
<v Speaker 1>where Phil saying, you know, uh, in the Phil's Allan

0:40:18.200 --> 0:40:22.960
<v Speaker 1>Allan Walden, Alan Walden, Phil's younger brother came in to help.

0:40:23.760 --> 0:40:29.880
<v Speaker 1>And Phil's father Um retired from the cousins or whoever

0:40:30.200 --> 0:40:34.720
<v Speaker 1>owned the clothing store or a hat store, and uh,

0:40:34.800 --> 0:40:39.680
<v Speaker 1>he came in sometimes to help, and he established Alan.

0:40:39.880 --> 0:40:44.480
<v Speaker 1>Phil myself and C. B. Walden had a relationship with

0:40:44.520 --> 0:40:49.919
<v Speaker 1>an up and coming singer named Otis fretting. Okay, let's

0:40:49.920 --> 0:40:52.600
<v Speaker 1>slow down, but let me go back to Phil good

0:40:52.680 --> 0:40:55.680
<v Speaker 1>in the service a second. So here's Phil in the service.

0:40:55.920 --> 0:40:57.560
<v Speaker 1>He had a better gig than I did because he

0:40:57.600 --> 0:41:02.440
<v Speaker 1>was putting bands together in Europe. But I was a

0:41:02.520 --> 0:41:06.480
<v Speaker 1>fun dance guy when I went in. Anyway, Phils in Europe,

0:41:06.800 --> 0:41:10.520
<v Speaker 1>and the letters in the mail or all of his

0:41:10.840 --> 0:41:14.759
<v Speaker 1>visions back and forth letters, A few calls but not

0:41:14.880 --> 0:41:19.959
<v Speaker 1>many to uh, you know, enhance the office or book

0:41:20.120 --> 0:41:22.920
<v Speaker 1>band or sign another band, and all of a sudden

0:41:23.600 --> 0:41:27.239
<v Speaker 1>things were more vibrant. Then he came back, but I

0:41:27.320 --> 0:41:30.560
<v Speaker 1>was transitioning to go in and we had you know,

0:41:30.600 --> 0:41:33.799
<v Speaker 1>i'll call it ten minutes of overlap. But and I was,

0:41:34.200 --> 0:41:37.440
<v Speaker 1>I was in the service. A considerable part of my

0:41:37.520 --> 0:41:41.560
<v Speaker 1>two years was when was when UH Phil had been back.

0:41:42.239 --> 0:41:46.920
<v Speaker 1>So Alan and myself book bands and Phil was in

0:41:46.960 --> 0:41:52.040
<v Speaker 1>the service, and Alan really carried carry the torch well

0:41:52.040 --> 0:41:53.920
<v Speaker 1>because then I had to go in the service and

0:41:53.960 --> 0:41:57.719
<v Speaker 1>I needed some money aside, a couple of other jobs

0:41:58.880 --> 0:42:03.760
<v Speaker 1>in addition, but hard to pay commissions at that level.

0:42:04.080 --> 0:42:06.359
<v Speaker 1>And then he just got better and it got a

0:42:06.400 --> 0:42:09.160
<v Speaker 1>little bit better. Then all of a sudden, I'm on

0:42:09.320 --> 0:42:12.400
<v Speaker 1>active duty and I'm shipped off to UH. I went

0:42:12.520 --> 0:42:16.880
<v Speaker 1>for Ben Harrison in Indiana Indian Indianapolis, Indiana was first

0:42:17.560 --> 0:42:20.800
<v Speaker 1>and my wasn' a very good student in finance class.

0:42:20.800 --> 0:42:25.520
<v Speaker 1>They called me lieutenant sleepy um. But uh so they

0:42:25.560 --> 0:42:29.440
<v Speaker 1>sent me to the one of the more remote places

0:42:29.440 --> 0:42:33.520
<v Speaker 1>outside of Turkey. And the guy that I replaced, who

0:42:33.640 --> 0:42:35.840
<v Speaker 1>was going to teach me everything, had already been gone

0:42:35.840 --> 0:42:39.320
<v Speaker 1>for two weeks. So here I'm a lieutenant, I'm ahead

0:42:39.360 --> 0:42:42.560
<v Speaker 1>of a finance unit. I've got five people who work

0:42:42.640 --> 0:42:45.920
<v Speaker 1>for me, and I know nothing. And it was more

0:42:45.960 --> 0:42:50.080
<v Speaker 1>interesting than that because this particular unit part of NATO.

0:42:50.239 --> 0:42:57.120
<v Speaker 1>I guess anyway, um tooth log Turkish US logistics. Wow.

0:42:58.560 --> 0:43:01.719
<v Speaker 1>I reported Air Force and I reported the Army. But

0:43:01.840 --> 0:43:04.759
<v Speaker 1>I was an Army officer. The cool thing about that

0:43:04.880 --> 0:43:08.400
<v Speaker 1>I got to go to meetings in Heidelberg and I

0:43:08.440 --> 0:43:11.920
<v Speaker 1>got to go to meetings in Athens, Greece. So that

0:43:12.160 --> 0:43:16.040
<v Speaker 1>was it was pretty cool yet pretty large. Okay, yeah,

0:43:16.440 --> 0:43:19.520
<v Speaker 1>but Phil was back and when I was in the service,

0:43:19.640 --> 0:43:22.799
<v Speaker 1>he and his brother would send me albums and they

0:43:22.840 --> 0:43:25.960
<v Speaker 1>were signing bands, and Ortis Redding was becoming a star.

0:43:26.640 --> 0:43:29.880
<v Speaker 1>I mean a really just sit down for a second. One.

0:43:30.280 --> 0:43:33.120
<v Speaker 1>When you're in the Army, do you think when you're done,

0:43:33.160 --> 0:43:35.760
<v Speaker 1>you're gonna go back to work with these characters? That

0:43:35.960 --> 0:43:40.919
<v Speaker 1>was Phil's idea while he was in the service, and

0:43:40.960 --> 0:43:43.200
<v Speaker 1>he and I still have the letter that he wrote

0:43:43.600 --> 0:43:46.560
<v Speaker 1>with that vision. Did I believe in it? No? I

0:43:46.600 --> 0:43:50.080
<v Speaker 1>thought I'd go back to law school. Okay, was making

0:43:50.440 --> 0:43:54.879
<v Speaker 1>known as a musicians hangout, musicians town. No, so how

0:43:54.880 --> 0:43:58.080
<v Speaker 1>did you meet Otis Redding? And with one exception, a

0:43:58.080 --> 0:44:01.960
<v Speaker 1>little Richard to come from the All right, but when

0:44:01.960 --> 0:44:06.600
<v Speaker 1>you look at Georgia and Racharles had come from Albany. Uh,

0:44:06.760 --> 0:44:09.960
<v Speaker 1>James Brown was in augusta little Richard had been in

0:44:10.040 --> 0:44:14.160
<v Speaker 1>making and he moved to California, and then this uh

0:44:14.640 --> 0:44:17.920
<v Speaker 1>young artist was starting to take off. And what it

0:44:17.920 --> 0:44:23.600
<v Speaker 1>took was a combination of vision and energy from some

0:44:23.760 --> 0:44:31.160
<v Speaker 1>young guys and a similarly aged young musician, uh who

0:44:31.520 --> 0:44:37.000
<v Speaker 1>were serious about his career and could envision getting bigger

0:44:37.120 --> 0:44:41.800
<v Speaker 1>whatever that might mean. Uh. So that's Otis and Phil

0:44:41.960 --> 0:44:45.600
<v Speaker 1>and me and Allen. Okay, so Otis was from making

0:44:46.200 --> 0:44:51.879
<v Speaker 1>Yes and maybe Hawkinsville right out and when you signed him,

0:44:51.880 --> 0:44:56.240
<v Speaker 1>what was his level of reach? Well when when Philing

0:44:56.320 --> 0:45:01.360
<v Speaker 1>known him even before my going in and open letters.

0:45:01.400 --> 0:45:04.359
<v Speaker 1>So Otis was sort of the catalyst for a lot

0:45:04.400 --> 0:45:06.880
<v Speaker 1>of the musicians because it's such a good singer. But

0:45:06.920 --> 0:45:10.440
<v Speaker 1>Phil had a lot of confidence in the career of

0:45:10.120 --> 0:45:13.399
<v Speaker 1>a of another musician, a left handed guitar player named

0:45:13.440 --> 0:45:17.000
<v Speaker 1>Johnny Jenkins who never really made it right became a

0:45:17.000 --> 0:45:21.960
<v Speaker 1>big studio musician. Not so much, not so much. Why

0:45:22.000 --> 0:45:24.640
<v Speaker 1>do you think Johnny Jenkins didn't make it? I think

0:45:24.719 --> 0:45:29.680
<v Speaker 1>it was had to do with being in the cups, uh,

0:45:29.680 --> 0:45:34.879
<v Speaker 1>which means drinking, and he just he was an emotional guy.

0:45:34.920 --> 0:45:39.880
<v Speaker 1>He was a great guy. Um, you know, he wasn't

0:45:39.880 --> 0:45:44.960
<v Speaker 1>a you know, you know, like a irresponsible oddeball. But

0:45:45.040 --> 0:45:48.200
<v Speaker 1>he but he couldn't. He didn't have quite the drive

0:45:48.280 --> 0:45:50.440
<v Speaker 1>of the discipline in the in the in the self

0:45:50.480 --> 0:45:56.360
<v Speaker 1>discipline that you need to have. Okay, so you're in

0:45:56.400 --> 0:45:58.960
<v Speaker 1>the army. He's selling sending you these records. He's sending

0:45:59.000 --> 0:46:01.680
<v Speaker 1>you what kind of record? Well, it's pretty cool because

0:46:02.719 --> 0:46:07.080
<v Speaker 1>because the adjutant of my post it told me that,

0:46:07.280 --> 0:46:10.040
<v Speaker 1>you know, the commander wouldn't let you go out on

0:46:10.080 --> 0:46:12.680
<v Speaker 1>the sign out on the weekends because we were kind

0:46:12.680 --> 0:46:16.960
<v Speaker 1>of remote. And uh, he picked me up in a

0:46:16.960 --> 0:46:19.680
<v Speaker 1>personal car for door chevallet and I said, how you

0:46:19.719 --> 0:46:22.920
<v Speaker 1>get a personal car? Overefe says, I'll tell you all

0:46:22.920 --> 0:46:26.120
<v Speaker 1>about that later. And you can fill out papers and

0:46:26.200 --> 0:46:27.960
<v Speaker 1>have a car shipped over and then you sell it

0:46:28.480 --> 0:46:30.640
<v Speaker 1>and then it becomes a taxi cab. But anyway, I

0:46:30.680 --> 0:46:33.319
<v Speaker 1>looked over in the back seat. I was telling me,

0:46:34.320 --> 0:46:36.799
<v Speaker 1>uh that I was going to just be in my

0:46:37.360 --> 0:46:41.280
<v Speaker 1>in my quarters and in my room for the next

0:46:41.440 --> 0:46:46.080
<v Speaker 1>year and a half. And I'm and I'm going like, wow,

0:46:46.280 --> 0:46:49.120
<v Speaker 1>you got a Ray Charles album on the back seat

0:46:49.120 --> 0:46:51.759
<v Speaker 1>of your car. You know he's from Georgia. Even though

0:46:51.760 --> 0:46:56.560
<v Speaker 1>he's living in California. Ray Charles is awesome. He says, oh,

0:46:56.719 --> 0:47:00.000
<v Speaker 1>how I made up? You know, told him I was

0:47:00.000 --> 0:47:02.799
<v Speaker 1>story and I said it was a young musician that

0:47:03.200 --> 0:47:08.399
<v Speaker 1>uh is uh it's taken hold and uh as these

0:47:08.520 --> 0:47:11.000
<v Speaker 1>arms of mine and pain in my heart. I've already

0:47:11.000 --> 0:47:14.200
<v Speaker 1>been out and had some traction said you ever heard

0:47:14.200 --> 0:47:17.520
<v Speaker 1>of votice reading? And I don't. I don't remember his answer,

0:47:18.520 --> 0:47:21.680
<v Speaker 1>but it started a friendship between me and this captain.

0:47:21.760 --> 0:47:25.560
<v Speaker 1>So here, I'm a young, you know, white lieutenant, and

0:47:25.600 --> 0:47:31.040
<v Speaker 1>he's an African American captain from Los Angeles, and we're

0:47:31.080 --> 0:47:33.680
<v Speaker 1>stationed in the middle of nowhere in Turkey, but it's

0:47:33.680 --> 0:47:35.879
<v Speaker 1>not the middle of nowhere because we're only twenty eight

0:47:35.880 --> 0:47:39.080
<v Speaker 1>miles from Misson Bulls. Okay. He ultimately let you out

0:47:39.080 --> 0:47:42.239
<v Speaker 1>on the weekends, he and he would tell the commander

0:47:42.400 --> 0:47:47.880
<v Speaker 1>only Lieutenant Hodges has requested. So we would go to

0:47:47.960 --> 0:47:52.600
<v Speaker 1>embassy parties and I would take the albums Sam and

0:47:52.800 --> 0:47:56.320
<v Speaker 1>Dave and all of these really cool albums from Stacks

0:47:56.400 --> 0:48:00.719
<v Speaker 1>Records that Phil would send me. And I take these

0:48:00.760 --> 0:48:03.120
<v Speaker 1>records and you put them on and they were vinyl,

0:48:03.320 --> 0:48:06.160
<v Speaker 1>and uh, you know, it was just like a cool

0:48:06.360 --> 0:48:10.120
<v Speaker 1>it was a cool deal, um and fun and you

0:48:10.160 --> 0:48:14.040
<v Speaker 1>know some histon bullism metropolis and attracts a lot of

0:48:14.080 --> 0:48:17.160
<v Speaker 1>interesting people, and you know, an author like James Baldwin

0:48:17.360 --> 0:48:19.920
<v Speaker 1>would be at one and just different, different people and

0:48:19.960 --> 0:48:22.839
<v Speaker 1>of course girls too, and it was and it was,

0:48:23.520 --> 0:48:25.960
<v Speaker 1>it was cool. So I had this outlet, and I

0:48:26.040 --> 0:48:29.480
<v Speaker 1>had a pal who had you know, he was in

0:48:29.560 --> 0:48:31.960
<v Speaker 1>the in the chain of command. It was, it was.

0:48:32.120 --> 0:48:34.720
<v Speaker 1>It was a good deal, and I had a good staff,

0:48:35.080 --> 0:48:37.600
<v Speaker 1>and I did get my four door chevallet over there,

0:48:38.280 --> 0:48:41.560
<v Speaker 1>so it was great. And then I put in for

0:48:42.160 --> 0:48:45.160
<v Speaker 1>change to orders to go to California, and I asked

0:48:45.200 --> 0:48:49.600
<v Speaker 1>for Presidio San Francisco Ford order up that way, uh,

0:48:49.640 --> 0:48:53.359
<v Speaker 1>because you know, young kid growing up in Georgia wants

0:48:53.400 --> 0:48:59.520
<v Speaker 1>to come to California. Of course. So anyway, I got orders,

0:48:59.840 --> 0:49:04.839
<v Speaker 1>and I asked somebody, you know, Ford Irwin, and when

0:49:05.360 --> 0:49:08.200
<v Speaker 1>officer said, uh, I was stationed there. Let me tell

0:49:08.200 --> 0:49:10.080
<v Speaker 1>you the good and the bad, he said, And then

0:49:10.080 --> 0:49:12.600
<v Speaker 1>he said here's the bad. I said, you never finished

0:49:12.640 --> 0:49:16.520
<v Speaker 1>the good, he said, he said, there isn't it. But

0:49:16.600 --> 0:49:18.920
<v Speaker 1>it was okay. Actually I had a good time. I

0:49:19.000 --> 0:49:22.320
<v Speaker 1>replaced a major in his position, took over a failing

0:49:22.400 --> 0:49:28.000
<v Speaker 1>finance office passed. UH. Mustard got the civilian troops and

0:49:28.040 --> 0:49:32.399
<v Speaker 1>the civilian employees in line. UH taught them what they're

0:49:32.400 --> 0:49:35.600
<v Speaker 1>supposed to know that I didn't know by reading and

0:49:35.640 --> 0:49:40.200
<v Speaker 1>talking to them. And then the military guys had a

0:49:40.239 --> 0:49:45.360
<v Speaker 1>good relationship with with every level. UH, and I was

0:49:45.239 --> 0:49:49.480
<v Speaker 1>I was now a first lieutenant, had replaced a major,

0:49:50.400 --> 0:49:55.600
<v Speaker 1>and UM it was. It was pretty cool. So I'd

0:49:55.600 --> 0:49:59.759
<v Speaker 1>come to UH. I'd come into Los Angeles almost every

0:49:59.760 --> 0:50:03.520
<v Speaker 1>week INN. But there was one weekend when I said

0:50:03.560 --> 0:50:05.359
<v Speaker 1>I was going to go to Los Angeles and the

0:50:05.400 --> 0:50:08.240
<v Speaker 1>commander had sent somebody to tell me. I was invited

0:50:08.280 --> 0:50:12.760
<v Speaker 1>to the Officers Club for New Year's Day for a

0:50:12.800 --> 0:50:16.840
<v Speaker 1>special brunch. And I announced that I was going to

0:50:16.960 --> 0:50:19.720
<v Speaker 1>be in Los Angeles on New Year's even I wouldn't

0:50:19.719 --> 0:50:23.319
<v Speaker 1>be able to make it. And the gentleman said, have

0:50:23.440 --> 0:50:28.120
<v Speaker 1>you ever heard of command performance? And I go, that

0:50:28.160 --> 0:50:31.080
<v Speaker 1>means I have to And he said you have dressed blues,

0:50:31.120 --> 0:50:34.560
<v Speaker 1>don't you? And that was the dress blue uniform and

0:50:34.640 --> 0:50:37.640
<v Speaker 1>so forth. So I don't remember if I went to

0:50:37.800 --> 0:50:41.680
<v Speaker 1>l A and then made it, but I did make it. UH.

0:50:41.719 --> 0:50:44.200
<v Speaker 1>Maybe I canceled LA. I can't imagine at that age

0:50:44.200 --> 0:50:47.719
<v Speaker 1>I would have canceled l a trip um but it was.

0:50:47.840 --> 0:50:54.399
<v Speaker 1>It was good and uh even even uh, I think

0:50:54.440 --> 0:50:57.120
<v Speaker 1>I think a part I was I'm kind of missing

0:50:57.200 --> 0:51:01.880
<v Speaker 1>here is that when I was transitioning from Turkey and

0:51:02.000 --> 0:51:07.680
<v Speaker 1>visiting home in Georgia and family filling and Alan asked

0:51:07.680 --> 0:51:11.680
<v Speaker 1>me to drop down to making and uh, you know,

0:51:11.880 --> 0:51:15.680
<v Speaker 1>ninety miles getting the car, drive down seeing Uncle, see

0:51:15.719 --> 0:51:20.840
<v Speaker 1>Phil and Allen, and everybody's driving these brand new Thunderbirds

0:51:20.880 --> 0:51:24.279
<v Speaker 1>and cool cars, and I'm going, what in the world.

0:51:24.360 --> 0:51:28.279
<v Speaker 1>They said, you you just can't. You had to come

0:51:28.320 --> 0:51:30.919
<v Speaker 1>see it, and that's what they had said, You've got

0:51:30.920 --> 0:51:36.280
<v Speaker 1>to drive down here and see it. And it's just wow.

0:51:36.440 --> 0:51:39.600
<v Speaker 1>They had bought an office building which had been a

0:51:39.680 --> 0:51:44.200
<v Speaker 1>chicken cleaning and selling. You know, the basement was feathers

0:51:44.280 --> 0:51:46.880
<v Speaker 1>and but they'd already cleaned it up and it was

0:51:46.920 --> 0:51:51.240
<v Speaker 1>a gorgeous two story basement story in one street level

0:51:51.800 --> 0:51:56.520
<v Speaker 1>offices for Otis, for Phil, for Alan, uh, for another

0:51:56.560 --> 0:52:02.319
<v Speaker 1>booker and is like, wow, So here's your salary when

0:52:02.400 --> 0:52:06.200
<v Speaker 1>you get out, and you'll go pick out the best

0:52:06.239 --> 0:52:10.600
<v Speaker 1>furniture at the furniture store and you'll have enough money

0:52:10.640 --> 0:52:17.520
<v Speaker 1>about a new car, and when do you get out

0:52:17.520 --> 0:52:20.799
<v Speaker 1>of the service. So probably when I finally got out

0:52:20.840 --> 0:52:25.120
<v Speaker 1>of the service, I just probably went home for a

0:52:25.160 --> 0:52:28.400
<v Speaker 1>week and then down to making. And that was what

0:52:28.560 --> 0:52:32.320
<v Speaker 1>that was. What year in in sixty seven? Sixty seven? Okay,

0:52:33.000 --> 0:52:36.360
<v Speaker 1>so spring, spring, late winter and spring sixty and so

0:52:36.480 --> 0:52:42.920
<v Speaker 1>what's going on there at Phil Walden making in sixty seven? Uh,

0:52:43.040 --> 0:52:49.239
<v Speaker 1>otis was just getting bigger about a minute. Um, Sam

0:52:49.320 --> 0:52:53.520
<v Speaker 1>and Dave had been signed, Eddie Floyd was the song

0:52:53.600 --> 0:52:57.840
<v Speaker 1>knock on Wood had been signed, Percy Sledge was signed

0:52:57.840 --> 0:53:02.520
<v Speaker 1>out of Alabama, and uh with the best version of

0:53:04.040 --> 0:53:08.759
<v Speaker 1>When a Man Loves a Woman? Uh. Great, And I

0:53:08.800 --> 0:53:11.640
<v Speaker 1>had a conversation with Michael Bolton one night about about

0:53:11.880 --> 0:53:14.200
<v Speaker 1>Percy and that song. It was just you know, it

0:53:14.280 --> 0:53:22.160
<v Speaker 1>was just nice. And Uh anyway, um brother artists. Otis

0:53:22.160 --> 0:53:25.680
<v Speaker 1>had discovered a young singer I think maybe out of

0:53:25.719 --> 0:53:30.920
<v Speaker 1>Baltimore area, UH named Arthur Connolly, and Otis wrote sweet

0:53:30.920 --> 0:53:33.840
<v Speaker 1>soul music for him. So we had a hit. And

0:53:34.000 --> 0:53:38.960
<v Speaker 1>Phil and Phil had struck up a relationship with Clarence Carter.

0:53:40.000 --> 0:53:42.799
<v Speaker 1>Uh he had a number one hit. Funny back then

0:53:43.080 --> 0:53:46.400
<v Speaker 1>sometimes the number one hit was the B side. Now

0:53:46.440 --> 0:53:49.120
<v Speaker 1>they quit doing that A side and B side, And

0:53:49.160 --> 0:53:53.839
<v Speaker 1>it's probably a mistake because several number one hits were

0:53:53.880 --> 0:53:59.560
<v Speaker 1>not intended back in those days. So it was pretty cool. Anyway,

0:54:00.560 --> 0:54:08.640
<v Speaker 1>things were rolling, they were really really uh great interesting

0:54:08.960 --> 0:54:13.280
<v Speaker 1>and uh so I didn't go back to Mercer law school.

0:54:13.920 --> 0:54:15.920
<v Speaker 1>And you're working there, and what do you You're selling

0:54:15.960 --> 0:54:18.040
<v Speaker 1>bands at that point, you're involved in management. What are

0:54:18.080 --> 0:54:21.320
<v Speaker 1>you doing out phil as a manager? Uh? With a

0:54:21.440 --> 0:54:26.120
<v Speaker 1>dream of having a label and filling and filling. Otis

0:54:26.160 --> 0:54:30.879
<v Speaker 1>had a publishing together and and I was a book

0:54:30.960 --> 0:54:35.040
<v Speaker 1>or an agent. No, that was it, you know, at

0:54:35.040 --> 0:54:37.719
<v Speaker 1>a job and a good job and paying more than

0:54:37.719 --> 0:54:41.959
<v Speaker 1>an army and so uh, Otis dies, what is what's

0:54:41.960 --> 0:54:46.040
<v Speaker 1>that like? Well, the weekend of that trip, I had

0:54:46.080 --> 0:54:49.080
<v Speaker 1>booked the tour. Uh it was a weekend to what

0:54:49.600 --> 0:54:55.239
<v Speaker 1>was at this moment Otis was doing uh you know,

0:54:55.440 --> 0:54:58.440
<v Speaker 1>like a few dates and then taking them, you know,

0:54:58.480 --> 0:55:01.440
<v Speaker 1>a week off or something. And I was supposed to

0:55:01.480 --> 0:55:04.480
<v Speaker 1>go with him on Friday, and and I had some

0:55:04.520 --> 0:55:07.000
<v Speaker 1>trouble on a tour. I had my bagpacked at the office.

0:55:07.040 --> 0:55:09.479
<v Speaker 1>He came into the office, he said, are you ready

0:55:09.520 --> 0:55:12.600
<v Speaker 1>to go? And I said, I can't. I got some Uh,

0:55:12.640 --> 0:55:16.800
<v Speaker 1>I just got work to do and uh, um, solving

0:55:16.840 --> 0:55:19.480
<v Speaker 1>a routing problem or something with a promoter or a

0:55:19.560 --> 0:55:22.359
<v Speaker 1>band or I don't even have any idea what it was,

0:55:22.440 --> 0:55:27.799
<v Speaker 1>but you know, duty calls and uh Otis said, uh, uh,

0:55:28.800 --> 0:55:31.840
<v Speaker 1>I'll see you. He had to go to Memphis and

0:55:32.000 --> 0:55:35.279
<v Speaker 1>doing a little bit more overdubbing, and he said, I'll

0:55:35.280 --> 0:55:37.600
<v Speaker 1>see you Monday and next weekend we'll take the plane

0:55:37.680 --> 0:55:42.960
<v Speaker 1>go to the Bahamas. And Sunday night, I'm in my apartment.

0:55:43.120 --> 0:55:46.640
<v Speaker 1>I got the call asking what city Otis was to

0:55:46.800 --> 0:55:53.440
<v Speaker 1>be in, and they wanted some extra verification of you

0:55:53.480 --> 0:55:55.400
<v Speaker 1>know that it was this plane that I crashed, and

0:55:56.400 --> 0:56:02.880
<v Speaker 1>like Manona, Wisconsin, there you go. I stayed on for

0:56:02.920 --> 0:56:08.680
<v Speaker 1>a while. Sam and Dave were hot. But the spirit,

0:56:10.440 --> 0:56:16.239
<v Speaker 1>the mood, the spirit, energy, the emotional content inside you

0:56:16.760 --> 0:56:20.800
<v Speaker 1>changed and I wouldn't got a suit and tie job,

0:56:21.760 --> 0:56:27.239
<v Speaker 1>which was what helping some people run for election in

0:56:27.320 --> 0:56:32.880
<v Speaker 1>the South. Um, and uh yeah, I'll moved to Atlanta

0:56:33.360 --> 0:56:38.880
<v Speaker 1>and uh you know it was you know, interesting stuff, um,

0:56:39.200 --> 0:56:45.239
<v Speaker 1>closer to the family. Um. And then Phil and I

0:56:45.280 --> 0:56:48.640
<v Speaker 1>would keep in touch and go to lunch on occasion

0:56:48.719 --> 0:56:52.520
<v Speaker 1>on a Saturday in Atlanta, he started dating a girl

0:56:52.560 --> 0:56:58.840
<v Speaker 1>in Atlanta, and fast forward about two years. He brought

0:56:58.880 --> 0:57:05.439
<v Speaker 1>me uh ascetate, which is uh, you know, pressing test

0:57:05.480 --> 0:57:11.759
<v Speaker 1>pressing for an album, white label, Nope, no art, see

0:57:11.840 --> 0:57:14.279
<v Speaker 1>go home, listen to this. If you like it, we'll

0:57:14.320 --> 0:57:17.760
<v Speaker 1>go see the band play tomorrow night. So I didn't

0:57:17.800 --> 0:57:19.600
<v Speaker 1>go out that night and listen or maybe out of

0:57:19.680 --> 0:57:21.440
<v Speaker 1>day or something. I don't know, but I listened to

0:57:21.440 --> 0:57:25.600
<v Speaker 1>the album like all day and all day Sunday and

0:57:24.280 --> 0:57:29.040
<v Speaker 1>uh and uh. It was first album of the Owner

0:57:29.080 --> 0:57:35.000
<v Speaker 1>Brothers band. So I said, I can be back in

0:57:35.160 --> 0:57:41.040
<v Speaker 1>making on such and such a day. You know. I

0:57:41.120 --> 0:57:44.120
<v Speaker 1>was like, crazy, how do you make a decision like

0:57:44.200 --> 0:57:48.520
<v Speaker 1>that off of one album? That's because you're in your

0:57:48.560 --> 0:57:53.080
<v Speaker 1>twenties different and also you could live on a lot

0:57:53.160 --> 0:57:56.000
<v Speaker 1>less money today people don't take those risks. They don't.

0:57:56.560 --> 0:57:59.240
<v Speaker 1>So you go to work with the Almond Brothers. Now

0:57:59.280 --> 0:58:05.920
<v Speaker 1>he's got his evil Capricorn through Atlantic Records, and what

0:58:05.960 --> 0:58:11.120
<v Speaker 1>are you doing? Well? Interesting on Capricorn, uh and Atlantic

0:58:11.200 --> 0:58:14.600
<v Speaker 1>Records in the label and the Almond Brothers. It had

0:58:14.640 --> 0:58:18.840
<v Speaker 1>gone back. It really still had an association with Muscle

0:58:18.920 --> 0:58:23.600
<v Speaker 1>shoals and and not really stacked, but Atlantic and Jerry

0:58:23.680 --> 0:58:26.400
<v Speaker 1>Wexler had said to feel, you know, I want to

0:58:26.440 --> 0:58:30.760
<v Speaker 1>introduce you to Dwayne Alman. And then Dwayne wanted to

0:58:30.800 --> 0:58:34.720
<v Speaker 1>do a band. They had had had bands, the guys

0:58:34.760 --> 0:58:38.080
<v Speaker 1>that had some bands before and playing in Florida in

0:58:38.120 --> 0:58:42.600
<v Speaker 1>different places and and uh but nothing really really stuck.

0:58:43.240 --> 0:58:48.200
<v Speaker 1>And Dwayne was having this great experience and and enhanced reputation,

0:58:48.720 --> 0:58:52.760
<v Speaker 1>you know from his studio work pretty amazing, and uh

0:58:52.880 --> 0:58:55.720
<v Speaker 1>so then they put together the Almer Brothers band. I

0:58:55.760 --> 0:58:59.280
<v Speaker 1>think in originally they thought Dwayne could sing, but but

0:58:59.400 --> 0:59:04.400
<v Speaker 1>he could, saying they needed they needed his brother. Um

0:59:04.440 --> 0:59:08.040
<v Speaker 1>so I was. I went down as a part owner

0:59:08.280 --> 0:59:14.800
<v Speaker 1>of an old reincarnated but therefore a new agency and

0:59:14.960 --> 0:59:19.840
<v Speaker 1>came up with a new name and called it Paragon Agency.

0:59:20.400 --> 0:59:24.040
<v Speaker 1>And uh uh still had an R and B roster

0:59:24.160 --> 0:59:30.720
<v Speaker 1>still in Percy Sledge, I think Arthur Connelly, um Clarence

0:59:30.760 --> 0:59:37.600
<v Speaker 1>Carter and Candy State and signed Tyrone Davis and had

0:59:37.720 --> 0:59:41.760
<v Speaker 1>Joe Simon. And that's interesting because I put Joe Simon

0:59:41.800 --> 0:59:44.760
<v Speaker 1>out on the road room several bookings and a week

0:59:44.880 --> 0:59:47.160
<v Speaker 1>later he and his brother walked in my office with

0:59:47.240 --> 0:59:52.920
<v Speaker 1>a with uh you know, like like eight foot by

0:59:54.160 --> 1:00:02.479
<v Speaker 1>five ft you know, big plowwood looking your board. Upon

1:00:02.640 --> 1:00:05.720
<v Speaker 1>the board was a fixed a map. It was the

1:00:05.880 --> 1:00:10.280
<v Speaker 1>United States largest United States highway map I've seen maybe

1:00:10.320 --> 1:00:13.680
<v Speaker 1>since the you know, I don't know, but huge map.

1:00:15.400 --> 1:00:20.880
<v Speaker 1>And they said this is for you because I had

1:00:21.000 --> 1:00:24.320
<v Speaker 1>stretched the driving between two gigs a little too far.

1:00:25.400 --> 1:00:27.320
<v Speaker 1>They made it, but they didn't want to do it again.

1:00:29.000 --> 1:00:33.600
<v Speaker 1>Routing is an art at several levels, and uh, and

1:00:33.720 --> 1:00:36.520
<v Speaker 1>that was good. I knew it, but I probably knew

1:00:36.560 --> 1:00:39.400
<v Speaker 1>I was pushing the envelope and they accepted it. So

1:00:39.480 --> 1:00:41.960
<v Speaker 1>in the band that, you know, and the artist accepts it,

1:00:42.080 --> 1:00:44.439
<v Speaker 1>you go. They accepted it. But it wasn't a time

1:00:44.480 --> 1:00:47.840
<v Speaker 1>to argue about that. They didn't even complain. They brought

1:00:47.880 --> 1:00:56.840
<v Speaker 1>me a map. So how long are you at the

1:00:56.880 --> 1:01:02.680
<v Speaker 1>Paragraph Agency? Well, it was as as I said, it

1:01:02.800 --> 1:01:07.560
<v Speaker 1>was kind of the old agency because interestingly, uh Otis

1:01:07.560 --> 1:01:13.280
<v Speaker 1>Redding's brother had, after Otis died, had joined to be

1:01:13.400 --> 1:01:16.600
<v Speaker 1>an agent. And that was waldin artist's promotions. But when

1:01:16.640 --> 1:01:21.040
<v Speaker 1>I came back in seventy and we you know, it

1:01:21.040 --> 1:01:26.600
<v Speaker 1>took over, took some ownership and renamed it and you know,

1:01:27.200 --> 1:01:31.640
<v Speaker 1>mapped down a new mission, uh, naming it Paragon. That

1:01:31.680 --> 1:01:35.720
<v Speaker 1>would have been in uh in the spring of seventy

1:01:35.960 --> 1:01:44.000
<v Speaker 1>and um we we found that some musicians were just

1:01:44.120 --> 1:01:46.880
<v Speaker 1>getting in a van and coming to making because they

1:01:46.920 --> 1:01:50.800
<v Speaker 1>wanted an opportunity to record. Even though there had been

1:01:50.880 --> 1:01:55.520
<v Speaker 1>muscle shows and so forth. This was looked upon as

1:01:55.600 --> 1:01:59.400
<v Speaker 1>new and fresh to a lot of young, aspiring, aspiring

1:01:59.720 --> 1:02:03.960
<v Speaker 1>rock bands. Um so there was a studio in addition, Yeah,

1:02:04.000 --> 1:02:08.360
<v Speaker 1>so Phil and Frank Finter had opened the studio of

1:02:08.480 --> 1:02:12.959
<v Speaker 1>Capricorn Records, and so what Willie, for example, drove over

1:02:13.000 --> 1:02:19.480
<v Speaker 1>from Alabama and other bands and musicians started accumulating. Dwayne

1:02:20.120 --> 1:02:23.720
<v Speaker 1>had his reputation, and then the Allman Brothers first album

1:02:23.960 --> 1:02:29.560
<v Speaker 1>came out. But even as it's almost simultaneously, all of

1:02:29.600 --> 1:02:33.680
<v Speaker 1>these things were happening, and musicians showing up, and even

1:02:33.800 --> 1:02:37.840
<v Speaker 1>parents coming in and bringing their young young musicians down.

1:02:38.600 --> 1:02:41.200
<v Speaker 1>And one of the things I noticed in in in

1:02:41.320 --> 1:02:46.840
<v Speaker 1>all of those uh you know, uh, aspiration from the

1:02:46.920 --> 1:02:51.760
<v Speaker 1>young musicians, the better the presentation from them and their

1:02:52.480 --> 1:02:57.240
<v Speaker 1>brother or manager or parents was the worst of music

1:02:57.440 --> 1:02:59.720
<v Speaker 1>was I find the same thing the people who said

1:02:59.720 --> 1:03:03.280
<v Speaker 1>to the really long emails are terrible in real life people,

1:03:03.400 --> 1:03:05.480
<v Speaker 1>is like one sentence. In real life you could talk

1:03:05.520 --> 1:03:08.960
<v Speaker 1>for hours. The best musicians didn't have the greatest presentation,

1:03:09.680 --> 1:03:14.480
<v Speaker 1>and it was interesting. And then so Capricorn was signing bands.

1:03:14.560 --> 1:03:17.160
<v Speaker 1>I was listening to them and listening to the demos

1:03:17.200 --> 1:03:21.560
<v Speaker 1>and listening to the product and making some you know,

1:03:21.800 --> 1:03:27.680
<v Speaker 1>some subjective judgment on whether they could be good. Then

1:03:27.720 --> 1:03:29.640
<v Speaker 1>I would go see him in the club, and then

1:03:29.680 --> 1:03:33.240
<v Speaker 1>that would add to my sense of confidence that they

1:03:33.480 --> 1:03:38.760
<v Speaker 1>could make it. I found two. It's like oversimplification, but

1:03:38.880 --> 1:03:41.080
<v Speaker 1>sometimes you look at a band play and you see

1:03:41.080 --> 1:03:45.560
<v Speaker 1>two bands, but only one on stage a little bit slower.

1:03:45.640 --> 1:03:48.600
<v Speaker 1>What are we saying? So? And that's why this is

1:03:48.640 --> 1:03:52.760
<v Speaker 1>a This is isn't as complicated as it sounds. You

1:03:52.840 --> 1:03:56.280
<v Speaker 1>see a band and it doesn't work, but they're all good,

1:03:57.920 --> 1:04:01.440
<v Speaker 1>so you're just going like, wow, it doesn't work. They

1:04:01.440 --> 1:04:03.960
<v Speaker 1>don't jell together. I don't seem they have a sense

1:04:04.000 --> 1:04:08.760
<v Speaker 1>of who they are as a band. So maybe one

1:04:08.760 --> 1:04:11.160
<v Speaker 1>of the musicians will end up being the road manager

1:04:11.200 --> 1:04:14.880
<v Speaker 1>and they'll reform, and sometimes they'll just split up. But

1:04:15.000 --> 1:04:18.600
<v Speaker 1>you have to you can you can sense it whether

1:04:18.640 --> 1:04:21.680
<v Speaker 1>they have the right commitment and whether they have the

1:04:21.880 --> 1:04:26.000
<v Speaker 1>right chemistry. And I'll get I'll tell you this. It

1:04:26.120 --> 1:04:30.160
<v Speaker 1>was an interesting thing. I don't remember this very often

1:04:30.320 --> 1:04:33.600
<v Speaker 1>or or say it, but I'm sitting with Phil one

1:04:33.680 --> 1:04:39.120
<v Speaker 1>day in his office and Dwayne had been in Florida. Um,

1:04:39.160 --> 1:04:44.200
<v Speaker 1>but Eric Clapton on the session for Layla and uh

1:04:45.960 --> 1:04:50.960
<v Speaker 1>ah he came in and uh. He started talking about

1:04:51.960 --> 1:04:55.120
<v Speaker 1>musicians and showing us a couple of snapshots he had

1:04:55.120 --> 1:04:59.320
<v Speaker 1>had one I think with it with Eric and uh

1:04:59.480 --> 1:05:03.520
<v Speaker 1>and spoke about James Taylor and his complexity of his

1:05:03.760 --> 1:05:07.080
<v Speaker 1>music and the beauty of it, which which was just

1:05:07.120 --> 1:05:12.280
<v Speaker 1>a great conversation. You talk about his band and that

1:05:12.360 --> 1:05:14.160
<v Speaker 1>they were a little tired, have to come off the

1:05:14.240 --> 1:05:16.760
<v Speaker 1>road baby pretty soon for a couple of weeks and

1:05:16.840 --> 1:05:26.439
<v Speaker 1>to get some rest and um, and another musician came

1:05:26.520 --> 1:05:34.360
<v Speaker 1>in and was struggling in another band, and uh, the

1:05:34.440 --> 1:05:40.240
<v Speaker 1>side conversation was Dwayne said to the other guy, he said,

1:05:40.520 --> 1:05:45.640
<v Speaker 1>keep playing. If you play long enough, you'll find the

1:05:45.680 --> 1:05:51.760
<v Speaker 1>guys you're supposed to play with. Wow. Powerful, and that

1:05:51.880 --> 1:05:57.120
<v Speaker 1>explains my you know, simple oversimplification and sounds complex of

1:05:57.600 --> 1:06:01.560
<v Speaker 1>see a band playing on stage and there and they're green,

1:06:02.440 --> 1:06:07.480
<v Speaker 1>and you just sent that they're all good. They should

1:06:07.560 --> 1:06:13.280
<v Speaker 1>probably find other guys to play with. And uh. Anyway,

1:06:13.600 --> 1:06:17.320
<v Speaker 1>we you know, the Marshall Tucker Band came through Macon.

1:06:18.360 --> 1:06:21.760
<v Speaker 1>Phil and Frank Finner were considering offers to sell some

1:06:21.920 --> 1:06:26.640
<v Speaker 1>masters in bands before the big push would be would come,

1:06:26.880 --> 1:06:32.480
<v Speaker 1>and I remember saying, uh, uh, this song, can't you

1:06:32.600 --> 1:06:37.400
<v Speaker 1>see for Marshall Tucker Man is gonna be a live

1:06:37.480 --> 1:06:40.560
<v Speaker 1>performance anthem. Whether you make it a hit or whether

1:06:40.680 --> 1:06:46.600
<v Speaker 1>or not. I think that that song alone and the

1:06:46.840 --> 1:06:52.480
<v Speaker 1>songwriting of toy carwell you you gotta keep this band, um,

1:06:52.560 --> 1:06:55.040
<v Speaker 1>you know. And the rest is known of course, but

1:06:55.320 --> 1:06:59.520
<v Speaker 1>you know, it's just just a great time. What Willie

1:06:59.600 --> 1:07:04.760
<v Speaker 1>came played in a tent uh at Alex Cooley's Atlanta

1:07:04.960 --> 1:07:09.120
<v Speaker 1>Pop Festival and on the night before and I don't

1:07:09.120 --> 1:07:11.480
<v Speaker 1>know if they had a spot on the stage during

1:07:11.480 --> 1:07:16.400
<v Speaker 1>the festival, but I saw them entertaining all of the workers,

1:07:17.720 --> 1:07:20.920
<v Speaker 1>uh you know, for the food break and stuff on

1:07:21.040 --> 1:07:24.800
<v Speaker 1>the night before to set up, and I thought this

1:07:24.880 --> 1:07:30.440
<v Speaker 1>one's pretty interesting. And uh so, you know, uh, Phil

1:07:30.520 --> 1:07:35.320
<v Speaker 1>and Frank signed wet Willie ban um, you know, just

1:07:35.440 --> 1:07:38.280
<v Speaker 1>a lot of interesting stuff. And Chuck Levell, who I

1:07:38.320 --> 1:07:42.600
<v Speaker 1>think everybody knows from from his keyboard work with the

1:07:42.640 --> 1:07:46.440
<v Speaker 1>Armer Brothers and also currently and for many many years

1:07:46.480 --> 1:07:49.680
<v Speaker 1>now with the Rolling Stones, he had a band and

1:07:49.760 --> 1:07:52.080
<v Speaker 1>he had come over and uh, you know it was

1:07:52.160 --> 1:07:57.320
<v Speaker 1>just his talent was remarkable. His first band with Capricorn

1:07:57.360 --> 1:08:00.280
<v Speaker 1>didn't didn't go anywhere. He laughs about it, but it

1:08:00.600 --> 1:08:04.040
<v Speaker 1>uh uh you know they were probably better than you think.

1:08:04.160 --> 1:08:08.280
<v Speaker 1>But again it did it didn't work, but but he

1:08:08.440 --> 1:08:11.240
<v Speaker 1>was so amazing that uh, you know, what a what

1:08:11.360 --> 1:08:13.880
<v Speaker 1>a great guy and what a great career. So there's

1:08:13.920 --> 1:08:16.240
<v Speaker 1>so many others and we kept the R and B roster,

1:08:16.320 --> 1:08:20.480
<v Speaker 1>and I kept signing people and uh and Los Angeles

1:08:20.600 --> 1:08:26.400
<v Speaker 1>resident singer songwriter uh named Bobby Walmac had recorded in

1:08:26.640 --> 1:08:31.960
<v Speaker 1>uh in Alabama. Um, and I guess it must have shows,

1:08:32.040 --> 1:08:36.679
<v Speaker 1>I think and uh probably with Rick Holds, guy's gonna

1:08:36.720 --> 1:08:41.640
<v Speaker 1>look all that stuff up. UM. So Bobby, we invited

1:08:42.120 --> 1:08:44.720
<v Speaker 1>or found a way to invite Bobby Warmack over to

1:08:45.200 --> 1:08:47.800
<v Speaker 1>Los Angeles, I mean over to excuse me over to

1:08:47.920 --> 1:08:51.840
<v Speaker 1>making and uh and I told him I could put

1:08:51.840 --> 1:08:54.719
<v Speaker 1>a band behind him and he wouldn't have to worry

1:08:54.760 --> 1:09:00.360
<v Speaker 1>about being the you know, the the the band wouldn't

1:09:00.360 --> 1:09:02.479
<v Speaker 1>have to worry about the band because he'd been in

1:09:02.600 --> 1:09:05.600
<v Speaker 1>bands and he with his brother and the Valentinos and

1:09:05.960 --> 1:09:10.800
<v Speaker 1>Cleveland and and what a remarkable history. And Bobby and

1:09:10.840 --> 1:09:14.439
<v Speaker 1>I struck up a friendship and I put some regional

1:09:14.479 --> 1:09:17.280
<v Speaker 1>bands with Independent on where I was going to book him,

1:09:17.360 --> 1:09:20.120
<v Speaker 1>and then he got the Santana tour one year and

1:09:20.200 --> 1:09:24.200
<v Speaker 1>that was great. But he had some uh, some great,

1:09:24.520 --> 1:09:28.720
<v Speaker 1>great recordings, you know. Part of part of that was

1:09:28.800 --> 1:09:33.680
<v Speaker 1>that we I'd always felt from the early days that

1:09:33.920 --> 1:09:39.639
<v Speaker 1>if you have uh, if you're having success, you want

1:09:39.640 --> 1:09:45.160
<v Speaker 1>to keep it and be you gotta look for maybe

1:09:45.320 --> 1:09:48.719
<v Speaker 1>the next challenge to go along with it. And uh,

1:09:48.800 --> 1:09:53.280
<v Speaker 1>and that's just been uh, if you sit on status quote,

1:09:53.240 --> 1:09:55.280
<v Speaker 1>it's not so good. And that goes to the band,

1:09:55.720 --> 1:10:00.920
<v Speaker 1>the songwriter, the publisher, and for a an agent. And

1:10:01.320 --> 1:10:07.760
<v Speaker 1>so Paragon had a good basically a ten year run. Uh.

1:10:07.920 --> 1:10:11.040
<v Speaker 1>And then something happened and I made a decision to

1:10:11.080 --> 1:10:17.040
<v Speaker 1>start a new agency in uh night UH and I

1:10:17.160 --> 1:10:22.600
<v Speaker 1>named it uh Empire Agency and no particular reason, but

1:10:22.840 --> 1:10:28.120
<v Speaker 1>Atlanta was the uh uh kind of empire city of

1:10:28.240 --> 1:10:31.760
<v Speaker 1>the South. And but I started it in making out

1:10:31.800 --> 1:10:37.240
<v Speaker 1>of my home. Um and Okay, what what actually happened?

1:10:37.240 --> 1:10:42.840
<v Speaker 1>Why did you break away? They'll break away from was

1:10:42.960 --> 1:10:50.559
<v Speaker 1>happening organically? Not any cause or intent on my part.

1:10:50.840 --> 1:10:52.360
<v Speaker 1>I would have been happy if we had had a

1:10:52.400 --> 1:10:56.200
<v Speaker 1>twenty year career together, you know, with with Phil or

1:10:56.520 --> 1:11:01.040
<v Speaker 1>Capricorn Paragon Agency. In fact, we should have or it

1:11:01.080 --> 1:11:05.920
<v Speaker 1>should have been a thirty years um. But things occur,

1:11:07.120 --> 1:11:11.400
<v Speaker 1>driven sometimes by success and not opening your mind up

1:11:11.479 --> 1:11:15.559
<v Speaker 1>to new ideas and music. And I think Phil had

1:11:15.560 --> 1:11:18.840
<v Speaker 1>a moment of getting stale, and he had a moment

1:11:18.920 --> 1:11:27.000
<v Speaker 1>of of the excesses of success taking over. So lo

1:11:27.200 --> 1:11:31.160
<v Speaker 1>and behold. I get a phone call from an accountant saying,

1:11:31.640 --> 1:11:37.680
<v Speaker 1>better bring your own accountant in. I got you. That

1:11:37.800 --> 1:11:43.600
<v Speaker 1>pretty much tells the story. So you're you're in Atlanta

1:11:43.680 --> 1:11:48.120
<v Speaker 1>with the Empire. So who your acts? Then? So when

1:11:48.160 --> 1:11:52.000
<v Speaker 1>I started in, I signed UMU, the all my brothers,

1:11:52.040 --> 1:11:55.960
<v Speaker 1>mand the Charlie daniels Man who had been my client before,

1:11:57.080 --> 1:12:02.840
<v Speaker 1>UM Atlanta Rhythm Section, a member of the Outlaws for

1:12:02.840 --> 1:12:09.800
<v Speaker 1>a little while, and U UM whom I missing, you know,

1:12:10.680 --> 1:12:14.680
<v Speaker 1>maybe one more band. But we we started small and

1:12:14.760 --> 1:12:18.760
<v Speaker 1>started out of my house in Bcon and a young

1:12:18.880 --> 1:12:22.320
<v Speaker 1>woman who had been working at Capricorn or Phil Wallons

1:12:22.360 --> 1:12:26.519
<v Speaker 1>management company was out of a job, and I thought

1:12:26.560 --> 1:12:29.640
<v Speaker 1>she was an amazing talent and she came over to

1:12:29.680 --> 1:12:32.800
<v Speaker 1>help me with some books as I was closing up

1:12:33.320 --> 1:12:40.519
<v Speaker 1>the Paragon days. And her name was Carol Kensel. So

1:12:40.760 --> 1:12:44.360
<v Speaker 1>Carol uh came in to work in my living room

1:12:44.400 --> 1:12:46.880
<v Speaker 1>and I worked in the four year or vice versa,

1:12:47.760 --> 1:12:53.000
<v Speaker 1>and my secretary came and worked in the hallway, and

1:12:53.280 --> 1:12:57.479
<v Speaker 1>my son sat on the steps and tried to mimic us,

1:12:58.000 --> 1:13:03.760
<v Speaker 1>and my wife made lunch. And that started Empire Agency

1:13:03.880 --> 1:13:06.800
<v Speaker 1>and the first big tour I book. Then Charlie Daniels

1:13:06.920 --> 1:13:09.320
<v Speaker 1>broke his arm on his farm and I had to

1:13:09.360 --> 1:13:13.240
<v Speaker 1>cancel the whole thing. Now here we're starting a new company,

1:13:13.520 --> 1:13:16.880
<v Speaker 1>and uh, you know, it's like how do you how

1:13:16.880 --> 1:13:19.759
<v Speaker 1>do you you know, get by? And all my brothers

1:13:19.760 --> 1:13:24.880
<v Speaker 1>were known for their taking a hiatus frequently, often broke

1:13:25.000 --> 1:13:30.160
<v Speaker 1>up and come back and so forth. They changed managers UM,

1:13:30.400 --> 1:13:37.080
<v Speaker 1>so they you know, you know, the the Capricorn Records

1:13:37.320 --> 1:13:44.880
<v Speaker 1>was going bankrupt or did go bankrupt. I started over

1:13:45.840 --> 1:13:48.960
<v Speaker 1>and it was it was fun again. But I signed

1:13:49.040 --> 1:13:55.599
<v Speaker 1>another artist a couple of years into Empire UM who

1:13:55.720 --> 1:14:01.559
<v Speaker 1>was working clubs, nothing bigger than clubs. And a friend

1:14:01.600 --> 1:14:04.960
<v Speaker 1>of mine said, come see this band, and I sent

1:14:05.040 --> 1:14:12.479
<v Speaker 1>it young guy. I had hired named named Rick Alter.

1:14:13.760 --> 1:14:17.599
<v Speaker 1>I sent him to Texas to see a young UH

1:14:18.120 --> 1:14:20.800
<v Speaker 1>musician who was no longer a baby, but he was

1:14:20.800 --> 1:14:25.679
<v Speaker 1>still pretty young, named Stevie Ray Vaughan. And Rick came

1:14:25.720 --> 1:14:30.760
<v Speaker 1>back and said, Alex, this this is for you. Ge

1:14:31.000 --> 1:14:39.600
<v Speaker 1>just felt it right and I go okay um. Now, interestingly,

1:14:40.080 --> 1:14:44.640
<v Speaker 1>you know Stevie is a guitar band, and isn't a

1:14:44.960 --> 1:14:48.479
<v Speaker 1>time in the early eighties where no label wanted a

1:14:48.520 --> 1:14:52.639
<v Speaker 1>guitar band. The music had changed, and I had changed

1:14:52.720 --> 1:14:54.960
<v Speaker 1>with it to a degree. Even though I had all

1:14:54.960 --> 1:15:00.320
<v Speaker 1>my brothers and in the Atlanta rhythm section, Charlie down unuals.

1:15:01.040 --> 1:15:05.160
<v Speaker 1>I had been at at at Paragon Agency. We had

1:15:05.200 --> 1:15:09.559
<v Speaker 1>employed it. We had brought in Squeeze in getting four

1:15:11.439 --> 1:15:14.400
<v Speaker 1>before the New York agencies were bringing any of those

1:15:14.600 --> 1:15:19.000
<v Speaker 1>artists into the States, and we also brought in the police.

1:15:19.960 --> 1:15:25.240
<v Speaker 1>So I was stretching myself to listen to new music

1:15:25.720 --> 1:15:30.360
<v Speaker 1>and we were doing that. Consequently, we were also doing

1:15:30.400 --> 1:15:34.640
<v Speaker 1>that at UH at MPORE. But I had encouraged me

1:15:34.680 --> 1:15:39.599
<v Speaker 1>in coping. You know, young guy UH and John Huey

1:15:39.760 --> 1:15:43.639
<v Speaker 1>young guy go to New York starting agency and they

1:15:43.680 --> 1:15:48.920
<v Speaker 1>started FBI and really had a great run. So but

1:15:49.360 --> 1:15:55.280
<v Speaker 1>you know, back to my chapter, Um, we put Stevie

1:15:55.360 --> 1:15:59.120
<v Speaker 1>ray Van on as an opener to Greg Alman at

1:15:59.439 --> 1:16:03.679
<v Speaker 1>uh UP in Atlanta, across the street from the Fox Theater.

1:16:04.800 --> 1:16:07.679
<v Speaker 1>Um pretty sure it was Alex Cooley was a promoter,

1:16:07.840 --> 1:16:12.560
<v Speaker 1>but if sometimes that club had been booked by different promoters.

1:16:16.720 --> 1:16:21.320
<v Speaker 1>So uh, anyway, I went early because the manager was

1:16:21.360 --> 1:16:23.720
<v Speaker 1>a friend that I hadn't seen in ten years, and

1:16:23.760 --> 1:16:28.040
<v Speaker 1>I didn't go to Texas to check it out. I

1:16:28.040 --> 1:16:31.840
<v Speaker 1>had sent somebody, So I felt obliged in early March

1:16:31.960 --> 1:16:36.280
<v Speaker 1>to go to the show and be there when they arrived.

1:16:36.760 --> 1:16:40.879
<v Speaker 1>And I'm sitting in this little outdoor patio and then

1:16:41.240 --> 1:16:46.439
<v Speaker 1>walks Chestlee and the band and Stevie ray Van and uh,

1:16:47.080 --> 1:16:50.200
<v Speaker 1>you know, so I remember standing up introducing myself for

1:16:50.320 --> 1:16:56.280
<v Speaker 1>being introduced. It's just some kind of click that our contact.

1:16:56.479 --> 1:17:01.040
<v Speaker 1>We we sort of had a a pretty cool on, right,

1:17:01.479 --> 1:17:04.479
<v Speaker 1>you know from the get go we're talking about Stevie Stevie.

1:17:04.880 --> 1:17:07.800
<v Speaker 1>I had not seen him play, and I didn't know

1:17:07.920 --> 1:17:11.000
<v Speaker 1>much about his reputation. I had heard a little bit

1:17:11.160 --> 1:17:16.679
<v Speaker 1>about him. Umu Ray Benson from Asleep at the Will

1:17:16.720 --> 1:17:19.639
<v Speaker 1>had called me one day and said, uh, you gotta

1:17:19.720 --> 1:17:22.400
<v Speaker 1>check out Stevie ray Von, somebody else that's said Stevie,

1:17:22.439 --> 1:17:26.880
<v Speaker 1>everyone is gonna sign with Rolling Stones Records, and you know,

1:17:27.080 --> 1:17:30.920
<v Speaker 1>and how do you you know, just tidbits of information.

1:17:31.840 --> 1:17:34.280
<v Speaker 1>But I hadn't gone to see him. I hadn't sought

1:17:34.360 --> 1:17:38.559
<v Speaker 1>him out. Chestly called, I sent somebody. I didn't go myself.

1:17:39.000 --> 1:17:41.439
<v Speaker 1>And now here I am putting him on a show

1:17:42.280 --> 1:17:45.200
<v Speaker 1>and having to meet with Chestly and say what commitment

1:17:45.240 --> 1:17:48.679
<v Speaker 1>I would make, And Chestly said, you've got to. You've

1:17:48.720 --> 1:17:51.479
<v Speaker 1>got to. You've got to tell me and live up

1:17:51.520 --> 1:17:54.000
<v Speaker 1>to it that no show will be under a thousand dollars,

1:17:54.920 --> 1:17:58.880
<v Speaker 1>so not much money, but at the club scene that

1:18:00.000 --> 1:18:02.240
<v Speaker 1>there's a lot of five hundred, seven hundred fifty and

1:18:02.280 --> 1:18:05.080
<v Speaker 1>eight hundred dollar gigs, you know. So I made the

1:18:05.080 --> 1:18:08.479
<v Speaker 1>commitment and it wasn't an average amount, No single show

1:18:09.600 --> 1:18:13.880
<v Speaker 1>would be under a thousand dollars, and uh so I

1:18:13.920 --> 1:18:17.840
<v Speaker 1>committed and they and of course he hadn't played yet,

1:18:19.520 --> 1:18:23.440
<v Speaker 1>but I just felt there was enough information and confidence

1:18:23.479 --> 1:18:27.800
<v Speaker 1>in my young guy worked for me um and I

1:18:28.000 --> 1:18:30.560
<v Speaker 1>found out that he was, you know, had some a

1:18:30.640 --> 1:18:32.599
<v Speaker 1>lot a lot of had done a lot of work

1:18:32.960 --> 1:18:37.120
<v Speaker 1>in those various clubs just needed somebody to push it

1:18:37.200 --> 1:18:43.519
<v Speaker 1>a little harder. Um. He went on stage and you

1:18:43.680 --> 1:18:46.479
<v Speaker 1>just you know, your your jaw drops and your eyes

1:18:46.560 --> 1:18:48.840
<v Speaker 1>get bigger, and you just got don't believe it. And

1:18:48.840 --> 1:18:53.200
<v Speaker 1>he's just absolutely that good. And you know, you always

1:18:53.320 --> 1:18:58.240
<v Speaker 1>wonder if you are in a receptive mode, and it's

1:18:58.280 --> 1:19:03.240
<v Speaker 1>not really that good, right, right, right, So all of

1:19:03.320 --> 1:19:08.400
<v Speaker 1>Greg's musicians just came and said, oh my god, unbelievable,

1:19:09.000 --> 1:19:14.800
<v Speaker 1>just as just just just just totally unreal. And UM,

1:19:15.640 --> 1:19:18.400
<v Speaker 1>so I congratulated him on a good set and we

1:19:18.479 --> 1:19:23.040
<v Speaker 1>went to work. Then we got him. I had Carol

1:19:23.080 --> 1:19:26.000
<v Speaker 1>actually booked the show at the bottom Line in New York.

1:19:26.960 --> 1:19:32.000
<v Speaker 1>Uh and uh Stevie uh Stevie took the headlines as

1:19:32.040 --> 1:19:38.600
<v Speaker 1>the opener. Um who was the headliner again? Um, I

1:19:38.640 --> 1:19:41.200
<v Speaker 1>probably wouldn't have remembered except for a story Rob like

1:19:41.400 --> 1:19:46.040
<v Speaker 1>told me in the last couple of years. Um, Uh,

1:19:46.439 --> 1:19:50.360
<v Speaker 1>Bryan Adams, I think I'm pretty sure we shouldn't look

1:19:50.400 --> 1:19:54.120
<v Speaker 1>that up. But anyway, UM took the headlines, you know,

1:19:54.280 --> 1:19:56.560
<v Speaker 1>like who would be afraid of a little of the

1:19:56.760 --> 1:20:00.720
<v Speaker 1>three piece of guitar band to open up at the

1:20:00.760 --> 1:20:05.519
<v Speaker 1>bottom Line? Um, chastely had been in the industry from

1:20:05.760 --> 1:20:09.720
<v Speaker 1>Columbia Records in uh in Uh London had worked with

1:20:09.760 --> 1:20:13.320
<v Speaker 1>A Grateful Dead in San Francisco and at at a

1:20:13.320 --> 1:20:15.800
<v Speaker 1>lot of friends and a lot of places, and he

1:20:15.840 --> 1:20:19.720
<v Speaker 1>had invited uh Mick Jagger to see Stevie at the

1:20:19.760 --> 1:20:23.120
<v Speaker 1>bottom Line and and Mick Jagger has a way of

1:20:23.160 --> 1:20:26.040
<v Speaker 1>slipping and slipping out without being seen, but he was.

1:20:26.200 --> 1:20:31.479
<v Speaker 1>He was there, and others wanted, uh, um, you know,

1:20:32.120 --> 1:20:35.400
<v Speaker 1>we're blown away, you know, I mean in New York

1:20:36.080 --> 1:20:39.640
<v Speaker 1>at the bottom Line at some other clubs. You know,

1:20:40.120 --> 1:20:43.439
<v Speaker 1>people are always curious about what's going on, and sometimes

1:20:43.479 --> 1:20:46.920
<v Speaker 1>people missed the opening act. But it was pat and

1:20:46.960 --> 1:20:50.520
<v Speaker 1>Stevie did did did this thing. It was just amazing.

1:20:50.840 --> 1:20:53.479
<v Speaker 1>But he was also going to go on tour um

1:20:54.600 --> 1:20:57.880
<v Speaker 1>with David Boye. And I remember in the dressing room

1:20:57.920 --> 1:21:01.320
<v Speaker 1>and saying, uh, you know, we'll book some side dates.

1:21:01.400 --> 1:21:05.360
<v Speaker 1>We'll book on off dates, will and our well, your

1:21:05.400 --> 1:21:08.559
<v Speaker 1>record is now out. The record was out and it

1:21:08.680 --> 1:21:14.400
<v Speaker 1>was exploding, not exploding, and CBS record he didn't make

1:21:14.400 --> 1:21:16.280
<v Speaker 1>a deal with Rolling On. The album came out on

1:21:16.320 --> 1:21:20.799
<v Speaker 1>CBS on Epic part of the CBS company, right Um

1:21:20.920 --> 1:21:25.040
<v Speaker 1>John Hammond signing, and I mentioned earlier that nobody was

1:21:25.040 --> 1:21:32.080
<v Speaker 1>signing guitar bands. John Hammond, Um, I guess Chesty went

1:21:32.120 --> 1:21:36.519
<v Speaker 1>to a lot of labels. Actually, Stevie was helped by

1:21:36.800 --> 1:21:40.120
<v Speaker 1>Jackson Brownie Larned in Miss Studio for some for some

1:21:40.240 --> 1:21:47.080
<v Speaker 1>of the work that came out on Texas Flood anyway, Um, uh,

1:21:47.680 --> 1:21:50.759
<v Speaker 1>nobody wanted a guitar band. They pressed ten thousand units

1:21:50.800 --> 1:21:57.519
<v Speaker 1>originally Hello Nothing. They were sold in three days, and

1:21:57.600 --> 1:22:00.960
<v Speaker 1>not just in Texas, but could sidill be in Texas?

1:22:01.040 --> 1:22:03.800
<v Speaker 1>They relabeled it, gave it a new number, put it

1:22:03.800 --> 1:22:07.880
<v Speaker 1>out again, and and pushed the envelope and uh, you know,

1:22:07.960 --> 1:22:11.360
<v Speaker 1>Stevie was did a video and Stevie was recouped in

1:22:11.360 --> 1:22:13.760
<v Speaker 1>the first nine months. I don't know that it went

1:22:14.080 --> 1:22:17.080
<v Speaker 1>gold in nine months, but it was soon to go gold.

1:22:17.760 --> 1:22:21.879
<v Speaker 1>And of course, uh he continued to put out records,

1:22:21.920 --> 1:22:27.240
<v Speaker 1>all recouped within a very short time. When I say

1:22:27.240 --> 1:22:31.080
<v Speaker 1>it was exploding, what exploding like you saw during a

1:22:31.800 --> 1:22:34.759
<v Speaker 1>later period of time where you know, four hundred thousand

1:22:34.840 --> 1:22:38.240
<v Speaker 1>albums and win a week. But it was it was

1:22:38.479 --> 1:22:42.920
<v Speaker 1>really taken off. And uh so I think we did

1:22:43.000 --> 1:22:46.760
<v Speaker 1>probably you know, he had you know gold in in

1:22:47.520 --> 1:22:51.760
<v Speaker 1>X number of months maybe first year and then later platinum.

1:22:51.800 --> 1:22:57.759
<v Speaker 1>But here's here's uh you know again, um swimming upstream

1:22:57.840 --> 1:23:03.400
<v Speaker 1>against the grain and uh. But Stevie was so unique,

1:23:04.640 --> 1:23:08.720
<v Speaker 1>uh and patient. I didn't want something wasn't earned or

1:23:08.800 --> 1:23:14.200
<v Speaker 1>wasn't there. Um, listen to me, and we got the

1:23:14.240 --> 1:23:21.320
<v Speaker 1>opportunity to to do the Moody Blues tour. Here's Stevie

1:23:21.400 --> 1:23:33.519
<v Speaker 1>ray Van you know nineteen four, Um, would you put

1:23:33.600 --> 1:23:39.519
<v Speaker 1>him on the Moody Blues tour? And that was the

1:23:39.640 --> 1:23:47.240
<v Speaker 1>common thought. No, And I said yes. I talked chestly

1:23:47.320 --> 1:23:50.960
<v Speaker 1>into it, which was not easy. Uh. And Stevie was

1:23:51.040 --> 1:23:55.479
<v Speaker 1>open minded. That really helped found something in common over

1:23:55.560 --> 1:23:58.559
<v Speaker 1>the years with certain musicians who would listen and we're

1:23:58.640 --> 1:24:04.040
<v Speaker 1>open minded and could could uh, except they could They

1:24:04.040 --> 1:24:08.040
<v Speaker 1>could know when something wasn't right and say no. They

1:24:08.040 --> 1:24:10.720
<v Speaker 1>could know. And something was so easy to say yes

1:24:10.800 --> 1:24:15.000
<v Speaker 1>to even questioned it, and when something was a little

1:24:15.040 --> 1:24:19.000
<v Speaker 1>more difficult, they could kind of think it through. Uh.

1:24:19.400 --> 1:24:22.400
<v Speaker 1>Ultimately Stevie said, let's go do this. This would be

1:24:23.640 --> 1:24:28.200
<v Speaker 1>that it's an arena tour. Part of my logic was

1:24:29.520 --> 1:24:31.439
<v Speaker 1>who the fans of the Moody Blues. Why aren't they

1:24:31.479 --> 1:24:37.760
<v Speaker 1>the same fans of Clapton rockers just just think about it, right,

1:24:38.320 --> 1:24:45.439
<v Speaker 1>So Stevie has to get the experience of an arena level. Um,

1:24:46.080 --> 1:24:50.320
<v Speaker 1>it's a different experience. And you know, how was he

1:24:50.360 --> 1:24:53.360
<v Speaker 1>gonna you know do how was they? How are they gonna?

1:24:53.640 --> 1:24:56.360
<v Speaker 1>It's not so much how would they accept him? But

1:24:57.520 --> 1:25:00.800
<v Speaker 1>that's certainly a consideration and a part of it. But

1:25:00.840 --> 1:25:04.640
<v Speaker 1>he needed the exposure then the and the experience, and

1:25:04.720 --> 1:25:08.760
<v Speaker 1>he needed it with um, in my opinion, fans that

1:25:08.800 --> 1:25:13.400
<v Speaker 1>would adapt to him and accept him really quickly. There

1:25:13.560 --> 1:25:16.679
<v Speaker 1>was some I just today you would call them blogs.

1:25:16.720 --> 1:25:19.479
<v Speaker 1>There was some you know, sheets that were out that

1:25:19.880 --> 1:25:25.320
<v Speaker 1>we're very critical. Wanted Stevie to be the traditional new

1:25:25.520 --> 1:25:30.360
<v Speaker 1>blues guy, nothing more and nothing less, just blues guy.

1:25:30.680 --> 1:25:36.120
<v Speaker 1>Not trying to you know, rank it in any particular way.

1:25:36.120 --> 1:25:43.599
<v Speaker 1>But but Stevie saw himself, um, being unique, different and

1:25:43.760 --> 1:25:47.040
<v Speaker 1>committed to the words guitar band. He knew what he

1:25:47.160 --> 1:25:51.120
<v Speaker 1>wanted to do, and he challenged himself musically and he

1:25:51.200 --> 1:25:55.920
<v Speaker 1>was still doing so when he when he died. Um,

1:25:55.920 --> 1:25:58.400
<v Speaker 1>but that was that was a big decision. We're not

1:25:58.520 --> 1:26:01.160
<v Speaker 1>sharing an easy one, and not everybody went along with it,

1:26:01.200 --> 1:26:05.479
<v Speaker 1>but it worked and then of course, you know, things passed.

1:26:05.600 --> 1:26:09.200
<v Speaker 1>The arena tours only so many dates. I'd have to

1:26:09.240 --> 1:26:11.040
<v Speaker 1>look it up. I don't remember how many days. But

1:26:11.120 --> 1:26:14.040
<v Speaker 1>then what are you gonna do? Well, then you go

1:26:14.160 --> 1:26:20.880
<v Speaker 1>back to clubs and theaters. But his reputation was enhanced,

1:26:21.120 --> 1:26:27.400
<v Speaker 1>the fan base was bigger, we could command more money.

1:26:27.720 --> 1:26:30.559
<v Speaker 1>So it was it was, you know, the right thing

1:26:30.600 --> 1:26:33.040
<v Speaker 1>to do, and it was a part of the chapter

1:26:33.200 --> 1:26:37.800
<v Speaker 1>of stepping up. Later on we did Robert Plant tour

1:26:38.360 --> 1:26:41.840
<v Speaker 1>and then much later on uh in a fairly short

1:26:42.040 --> 1:26:46.120
<v Speaker 1>recording career. But I would say, you know, a bit

1:26:46.240 --> 1:26:51.639
<v Speaker 1>later on, Yeah, the conversation came about whether we would

1:26:52.040 --> 1:26:57.439
<v Speaker 1>co headline or do a tour with Jeff Beck and

1:26:57.479 --> 1:27:02.800
<v Speaker 1>I remember the conversations. Uh. Jeff thatch Hauld canceled a

1:27:02.840 --> 1:27:06.599
<v Speaker 1>tour or two in the States, I believe, going home early.

1:27:06.760 --> 1:27:10.559
<v Speaker 1>But in any case, it didn't. It was like, you know,

1:27:10.800 --> 1:27:14.080
<v Speaker 1>where's Stevie and where's Jeff? And Epic Records had picked

1:27:14.120 --> 1:27:19.600
<v Speaker 1>him up and had a really cool album out. UM

1:27:19.720 --> 1:27:26.880
<v Speaker 1>and Stevie and I discussed it and this this is

1:27:27.280 --> 1:27:33.640
<v Speaker 1>unfortunately Stevie and and Chestly my friend had broken up. UH.

1:27:33.880 --> 1:27:38.040
<v Speaker 1>I had suggested different managers for Stevie to interview with

1:27:38.880 --> 1:27:43.000
<v Speaker 1>and then they didn't click. And uh, I said, well,

1:27:43.320 --> 1:27:46.000
<v Speaker 1>you know, have the chenth meeting and if and if

1:27:46.040 --> 1:27:51.800
<v Speaker 1>there's a you're still not you know, clicking with one

1:27:51.840 --> 1:27:58.080
<v Speaker 1>of these prospective managers who would love to be involved. Um,

1:27:58.280 --> 1:28:02.120
<v Speaker 1>then put my my name down as number eleven and

1:28:02.200 --> 1:28:05.879
<v Speaker 1>he said, then it's a list of one, not eleven.

1:28:07.280 --> 1:28:10.160
<v Speaker 1>And that was in a hotel room and that's how

1:28:11.280 --> 1:28:15.720
<v Speaker 1>I started managing Stevie. So we ended up with this

1:28:15.840 --> 1:28:19.559
<v Speaker 1>Jeff Beck tour and uh, you know, you read things

1:28:19.600 --> 1:28:22.320
<v Speaker 1>that people put out, whether you're writing something or somebody

1:28:22.320 --> 1:28:25.519
<v Speaker 1>else's and the consensus was it wasn't going to be

1:28:26.120 --> 1:28:32.280
<v Speaker 1>a successful arena level tour. Um, but we won tour

1:28:32.520 --> 1:28:36.120
<v Speaker 1>Package of the Year and two publications. We had a

1:28:36.240 --> 1:28:41.320
<v Speaker 1>very successful tour. Sev closed in New York City and

1:28:41.360 --> 1:28:44.759
<v Speaker 1>we had sold three hundred and sixty degrees twenty thousand

1:28:44.840 --> 1:28:48.280
<v Speaker 1>people and everybody saying, do you have an extra ticket

1:28:48.280 --> 1:28:51.160
<v Speaker 1>because we run it to the box office and it

1:28:51.240 --> 1:28:54.120
<v Speaker 1>was it was. The whole thing was amazing. It was

1:28:54.120 --> 1:28:58.120
<v Speaker 1>really great. It was a lot of fun. I don't

1:28:58.160 --> 1:29:00.880
<v Speaker 1>know what we've missed in all that miss We missed

1:29:00.920 --> 1:29:03.639
<v Speaker 1>a lot of stuff. Well wait, wait, wait, wait, so Stevie,

1:29:03.680 --> 1:29:06.479
<v Speaker 1>that continues. Now you're a manager, when do you start

1:29:06.520 --> 1:29:11.320
<v Speaker 1>managing Greg Allman? Uh? When the Allmer Brothers had broken

1:29:11.400 --> 1:29:15.479
<v Speaker 1>up and I was in Marriotta still with UH with

1:29:15.600 --> 1:29:19.240
<v Speaker 1>the Empire Agency, and before I moved to California with

1:29:19.320 --> 1:29:26.280
<v Speaker 1>our cm um, the Armor Brothers were on tour and

1:29:26.880 --> 1:29:33.200
<v Speaker 1>something had happened in the band was not getting along, uh,

1:29:33.200 --> 1:29:36.840
<v Speaker 1>and they broke up. UM. I think at that time

1:29:36.880 --> 1:29:40.680
<v Speaker 1>they may have been on Ariostol Records. It wasn't a

1:29:40.680 --> 1:29:44.320
<v Speaker 1>great album. I don't think Clive Davis was really happy

1:29:44.439 --> 1:29:48.080
<v Speaker 1>and they weren't happy with each other. And uh, but

1:29:48.160 --> 1:29:52.080
<v Speaker 1>Greg wanted to work and Dicky wanted to work, so

1:29:52.160 --> 1:29:56.320
<v Speaker 1>we were booking both and Dreg didn't have a manager.

1:29:58.360 --> 1:30:06.120
<v Speaker 1>Whatever it happened with different possibilities of management. So UM,

1:30:06.320 --> 1:30:11.280
<v Speaker 1>his attorney, who's a fellow in Atlanta, said well, let's

1:30:11.280 --> 1:30:14.400
<v Speaker 1>start a management company and call it Rescue Productions or

1:30:14.439 --> 1:30:19.240
<v Speaker 1>something like that. And Uh, I said, that's really not

1:30:19.280 --> 1:30:22.599
<v Speaker 1>what I'm doing. You know, I'm an agent, but let

1:30:22.600 --> 1:30:26.040
<v Speaker 1>me help you on this. So we started, you know,

1:30:28.320 --> 1:30:31.719
<v Speaker 1>formulating how to do that, and he and his wife

1:30:31.800 --> 1:30:34.479
<v Speaker 1>were the lawyer and his wife were doing the books

1:30:34.520 --> 1:30:37.360
<v Speaker 1>and take care of that aspect. But he wasn't in

1:30:37.400 --> 1:30:41.320
<v Speaker 1>a music business. So I ended up running the running

1:30:41.320 --> 1:30:48.200
<v Speaker 1>of the store. And um Greg called me one day said, UM,

1:30:48.520 --> 1:30:55.840
<v Speaker 1>get rid of this guy. So and his mother asked

1:30:55.840 --> 1:30:58.920
<v Speaker 1>me one day if you talked to that fellow, and

1:30:59.000 --> 1:31:01.280
<v Speaker 1>I said not yet. She said, well, you know when

1:31:01.280 --> 1:31:04.840
<v Speaker 1>it's the right time. Greg's mom was really smart and

1:31:05.080 --> 1:31:08.640
<v Speaker 1>uh and uh and a and a good lady. Anyway,

1:31:08.920 --> 1:31:14.639
<v Speaker 1>um we UM. I started managing Greg um in his

1:31:15.280 --> 1:31:19.880
<v Speaker 1>band with the Tola Brothers and uh because Greg liked

1:31:19.920 --> 1:31:22.559
<v Speaker 1>to work, you know, if he wasn't working with an

1:31:22.680 --> 1:31:27.479
<v Speaker 1>organized situation, he'd show up and work with musicians that

1:31:27.520 --> 1:31:30.040
<v Speaker 1>he would know and find himself with a band and

1:31:30.240 --> 1:31:33.599
<v Speaker 1>out there pick up some pick up some change and work.

1:31:33.680 --> 1:31:39.799
<v Speaker 1>He liked. He liked to work, um, but he needed

1:31:40.120 --> 1:31:43.879
<v Speaker 1>he needed a new career. Almer brothers needed a new career.

1:31:44.600 --> 1:31:50.559
<v Speaker 1>But they were not speaking and uh, I was listening

1:31:50.600 --> 1:31:56.599
<v Speaker 1>to songs for with the band and in Florida they

1:31:56.600 --> 1:32:01.960
<v Speaker 1>had a means of doing demos all right, So the

1:32:02.160 --> 1:32:06.120
<v Speaker 1>two demos, I'd send them around and get rejected even

1:32:06.160 --> 1:32:12.120
<v Speaker 1>from friends who had had previously loved the owner brothers. Man. Uh.

1:32:12.360 --> 1:32:17.680
<v Speaker 1>One guy says, like selling a used hire ally and uh,

1:32:17.680 --> 1:32:22.559
<v Speaker 1>but I was Uh, I was convinced that it could

1:32:22.560 --> 1:32:28.720
<v Speaker 1>be a new start, you know. Um one of his

1:32:28.800 --> 1:32:30.840
<v Speaker 1>managers said to me one day, he said, Greg could

1:32:30.840 --> 1:32:33.160
<v Speaker 1>singing this, you know the phone book, you know, but

1:32:34.760 --> 1:32:40.400
<v Speaker 1>I felt there was viability. But the time was you know,

1:32:40.760 --> 1:32:46.640
<v Speaker 1>the mood is just the time wasn't there. And and

1:32:47.120 --> 1:32:49.599
<v Speaker 1>Greg says, you know, I'm probably gonna be the only

1:32:49.600 --> 1:32:53.240
<v Speaker 1>guy with long hair left, but that's not gonna change.

1:32:53.800 --> 1:32:57.200
<v Speaker 1>And uh. Anyway, we did photo sessions, and we did

1:32:57.200 --> 1:33:00.559
<v Speaker 1>this and that, and I listened to songs. I mean

1:33:00.800 --> 1:33:07.960
<v Speaker 1>I listened two hundred thousands of songs on albums to

1:33:08.040 --> 1:33:12.200
<v Speaker 1>try to find one. I listened to tapes that people

1:33:12.560 --> 1:33:18.599
<v Speaker 1>sent and all of a sudden, somebody and I should

1:33:18.800 --> 1:33:20.920
<v Speaker 1>you know, I apologize to that person. Now I don't

1:33:20.960 --> 1:33:25.160
<v Speaker 1>remember who sent me the tape, but I'm no angel

1:33:25.439 --> 1:33:29.160
<v Speaker 1>was on it. And uh. I was moving to l A.

1:33:29.280 --> 1:33:32.920
<v Speaker 1>And Greg came to l A. Uh. We had some

1:33:32.960 --> 1:33:36.479
<v Speaker 1>work to do and some interviews and things to do.

1:33:36.479 --> 1:33:39.120
<v Speaker 1>It came to the O c M office and I

1:33:39.240 --> 1:33:42.320
<v Speaker 1>played him a tape for the first time when I'm

1:33:42.400 --> 1:33:46.040
<v Speaker 1>No Angel the demo that was sent and he said

1:33:46.080 --> 1:33:50.320
<v Speaker 1>I could do that. So Willie Parkins was my partner

1:33:50.400 --> 1:33:54.840
<v Speaker 1>on Greg Almand, and UH got it to the band,

1:33:55.000 --> 1:33:57.599
<v Speaker 1>got the tape to the band, they worked it up,

1:33:57.800 --> 1:34:00.600
<v Speaker 1>went in the studio in Florida and did a dumb to.

1:34:00.760 --> 1:34:05.680
<v Speaker 1>How similar was their version to the original demo? Pretty

1:34:05.680 --> 1:34:12.440
<v Speaker 1>pretty close? Pretty close? UM changed a little, you know something, UM,

1:34:12.560 --> 1:34:15.320
<v Speaker 1>maybe not change as much as Stevie changed cross Fire,

1:34:15.400 --> 1:34:18.320
<v Speaker 1>which is another story of the you know, bandmates of

1:34:18.439 --> 1:34:21.479
<v Speaker 1>his and others wrote cross Fire. And I was on

1:34:21.560 --> 1:34:24.599
<v Speaker 1>a bus and listened to that tape and I said,

1:34:24.640 --> 1:34:26.760
<v Speaker 1>this is the one you should listen to Stevie and

1:34:27.280 --> 1:34:30.960
<v Speaker 1>see if you want to actually massogy and work it

1:34:30.960 --> 1:34:34.800
<v Speaker 1>out and record it and h But anyway, so I'm

1:34:35.200 --> 1:34:41.559
<v Speaker 1>I'm No Angel, and I I sent so many you know,

1:34:41.840 --> 1:34:46.840
<v Speaker 1>I mean, I even I would cut out ads from

1:34:46.840 --> 1:34:51.240
<v Speaker 1>Billboard from a label and they'd show the titles of

1:34:51.439 --> 1:34:54.360
<v Speaker 1>six albums you know that. I would say, how can

1:34:54.400 --> 1:35:01.160
<v Speaker 1>I take their ad and superimposed it, cut and pay east, UH,

1:35:01.479 --> 1:35:05.320
<v Speaker 1>put Greg's name in on top or third or something,

1:35:05.479 --> 1:35:08.240
<v Speaker 1>and then may point an hour to it and send

1:35:08.320 --> 1:35:11.920
<v Speaker 1>them a demo and send them their own ad. But

1:35:12.680 --> 1:35:16.960
<v Speaker 1>you know, with with Greg Allman band, uh name on it,

1:35:18.080 --> 1:35:21.519
<v Speaker 1>I'd go to meetings, I'd fly out here and play it.

1:35:22.479 --> 1:35:27.120
<v Speaker 1>Nothing couldn't get I could get in the door. That

1:35:27.240 --> 1:35:30.799
<v Speaker 1>was a compliment, you know. But and I was working

1:35:30.800 --> 1:35:33.519
<v Speaker 1>with Stevie, and I was an agent and had had

1:35:33.560 --> 1:35:37.479
<v Speaker 1>all of these years of some notoriety of success. I

1:35:37.560 --> 1:35:41.439
<v Speaker 1>could get in the door, but nobody was buying. And

1:35:41.560 --> 1:35:45.360
<v Speaker 1>I had all these really cool songs, I thought. But

1:35:45.439 --> 1:35:47.759
<v Speaker 1>all of a sudden, you know, Greg did this demo,

1:35:48.520 --> 1:35:50.960
<v Speaker 1>so I put you know, call it three songs, I

1:35:50.960 --> 1:35:53.799
<v Speaker 1>don't really remember, and the two or three songs, and

1:35:53.960 --> 1:36:03.320
<v Speaker 1>uh send them around and uh um M, I think

1:36:03.479 --> 1:36:14.840
<v Speaker 1>an epic in New York. Um is it Bill Barrett? Anyway,

1:36:16.080 --> 1:36:22.439
<v Speaker 1>maybe Lendy piece the record that my little demo that

1:36:22.479 --> 1:36:25.320
<v Speaker 1>we've done for Greg and his musicians in the band.

1:36:25.640 --> 1:36:31.800
<v Speaker 1>And it was given to somebody who was flying back. Um,

1:36:31.840 --> 1:36:34.280
<v Speaker 1>and it wasn't Harvey Leeds. He got into it as

1:36:34.320 --> 1:36:36.479
<v Speaker 1>soon as he got to hear the demo. But in

1:36:36.840 --> 1:36:41.920
<v Speaker 1>any case, uh, um, you know, on a plane listening

1:36:42.000 --> 1:36:47.440
<v Speaker 1>to tapes and I gotta call, like you know, January

1:36:47.520 --> 1:36:54.000
<v Speaker 1>the third of whatever year that was. Um, we like this,

1:36:54.840 --> 1:36:58.240
<v Speaker 1>we can get a hundred stations on this. Let's go

1:36:58.400 --> 1:37:01.759
<v Speaker 1>do it. And I'm going like I'm out of pensioned myself.

1:37:03.040 --> 1:37:06.600
<v Speaker 1>It is crazy, I said. Okay, So anyway, we ultimately

1:37:06.880 --> 1:37:10.280
<v Speaker 1>made a deal with Epic. Uh. Years later, I saw

1:37:11.160 --> 1:37:16.280
<v Speaker 1>an executive who who tapped me on the shoulder at

1:37:16.280 --> 1:37:19.320
<v Speaker 1>a restaurant and said, because I'm no angel on the

1:37:19.360 --> 1:37:22.400
<v Speaker 1>demo that I had, I said, you'll have to go

1:37:22.439 --> 1:37:27.760
<v Speaker 1>back and find that demo. Okay, just to be clear

1:37:27.960 --> 1:37:30.120
<v Speaker 1>your empire, at what point do you move to the

1:37:30.120 --> 1:37:35.439
<v Speaker 1>West Coast and what's your decision to do that? About well,

1:37:35.680 --> 1:37:38.000
<v Speaker 1>partly because some people said you worked for yourself for

1:37:38.040 --> 1:37:40.599
<v Speaker 1>so long, you won't work for anybody else, and uh,

1:37:40.720 --> 1:37:44.360
<v Speaker 1>I thought that's an interesting comment. But I wondered what

1:37:44.560 --> 1:37:52.040
<v Speaker 1>it was like at a large agency, a full service agency,

1:37:52.200 --> 1:37:54.760
<v Speaker 1>and I could bring clients and I could do this

1:37:54.880 --> 1:37:58.639
<v Speaker 1>job and I and I had, you know, with all

1:37:58.640 --> 1:38:00.840
<v Speaker 1>of my experience, I knew had a lot to learn,

1:38:01.000 --> 1:38:05.280
<v Speaker 1>you know, because it's a big world out there. Um

1:38:05.320 --> 1:38:12.880
<v Speaker 1>so um, we talked for a long time, quiet for

1:38:12.920 --> 1:38:22.200
<v Speaker 1>a while, talked again, went to New York, talked and um,

1:38:22.360 --> 1:38:28.679
<v Speaker 1>Jeffberg was in the South or in Atlanta, and grabbed

1:38:28.680 --> 1:38:32.680
<v Speaker 1>a car and drove to my home in Marietta. And

1:38:32.800 --> 1:38:36.400
<v Speaker 1>I said, you moved me out there, You're gonna move

1:38:37.560 --> 1:38:44.320
<v Speaker 1>me wife, two children, two dogs, cars, you know, my

1:38:44.400 --> 1:38:48.840
<v Speaker 1>forty one four truck and a sixty tea bird. And

1:38:49.120 --> 1:38:51.920
<v Speaker 1>I said, you know, are you sure you want to

1:38:51.960 --> 1:38:55.160
<v Speaker 1>do this? You know, because he's we've moved people before.

1:38:56.400 --> 1:38:58.439
<v Speaker 1>I probably had the biggest moving bill. They'd say it

1:38:58.479 --> 1:39:02.840
<v Speaker 1>along and any case I moved out. It was like

1:39:03.080 --> 1:39:05.599
<v Speaker 1>I met with my team. I said, here's a plan,

1:39:06.439 --> 1:39:10.520
<v Speaker 1>keep booking. I worked out this deal. I'm gonna soarb everybody.

1:39:10.640 --> 1:39:13.559
<v Speaker 1>You don't have to look for a job tomorrow. UH

1:39:13.800 --> 1:39:16.320
<v Speaker 1>need you to stay on and have a kind of

1:39:16.360 --> 1:39:22.559
<v Speaker 1>a smooth transition and um and showed up around Memorial Day.

1:39:23.360 --> 1:39:30.639
<v Speaker 1>Uh and uh. And you know, when you're in certain

1:39:30.680 --> 1:39:32.800
<v Speaker 1>towns in the old days, you can pull in a

1:39:32.800 --> 1:39:39.479
<v Speaker 1>service station and ask ask the service station attendant or

1:39:39.520 --> 1:39:43.040
<v Speaker 1>somebody you know, saying how do I get to and

1:39:43.120 --> 1:39:47.120
<v Speaker 1>they'll tell you, well, I was staying at La Park Hotel,

1:39:47.280 --> 1:39:50.559
<v Speaker 1>and nobody at any service station or anywhere else had

1:39:50.640 --> 1:39:55.200
<v Speaker 1>any clue of the streets or La Park hotel or

1:39:55.200 --> 1:39:58.519
<v Speaker 1>how to direct me? And I think I finally went

1:39:58.560 --> 1:40:02.320
<v Speaker 1>into some store in bottatime Alma Scott. Uh took me

1:40:02.439 --> 1:40:04.679
<v Speaker 1>hours to get back to my hotel that night because

1:40:04.720 --> 1:40:07.080
<v Speaker 1>I have a habit of working when everybody else is gone.

1:40:07.760 --> 1:40:11.120
<v Speaker 1>And uh, in any case, Uh, it was funny. We

1:40:11.120 --> 1:40:14.640
<v Speaker 1>were on Beverly Boulevard and I was on and I

1:40:14.680 --> 1:40:18.840
<v Speaker 1>think the sixth floor, and um, and it was pretty cool.

1:40:19.080 --> 1:40:23.160
<v Speaker 1>It had me a very nice corner office. It was amazing.

1:40:24.160 --> 1:40:28.000
<v Speaker 1>And it wasn't too long after that a friend who

1:40:28.040 --> 1:40:32.439
<v Speaker 1>had known over the years for different associations brought me

1:40:34.120 --> 1:40:37.040
<v Speaker 1>a band to sign and book and we did it.

1:40:37.160 --> 1:40:42.920
<v Speaker 1>It's called Loudness Japanese rock band Hard Rock Man Japanese band.

1:40:43.080 --> 1:40:45.720
<v Speaker 1>Great gave me a watch I still have that the

1:40:45.800 --> 1:40:50.519
<v Speaker 1>sun makes that's this, you know, the the symbol of

1:40:50.600 --> 1:40:54.240
<v Speaker 1>the come. I just like, you know, kind of interesting.

1:40:54.800 --> 1:40:57.960
<v Speaker 1>And I put them at Santa Monica at the San

1:40:58.120 --> 1:41:03.679
<v Speaker 1>Jose Civic with Bill Graham and uh, there's a poster

1:41:03.800 --> 1:41:07.960
<v Speaker 1>of that now that we've re re reframed and well

1:41:08.000 --> 1:41:11.600
<v Speaker 1>put up found anyway here it is in the in

1:41:11.680 --> 1:41:19.840
<v Speaker 1>the you know, four eighty five. Um, and I said, okay,

1:41:19.840 --> 1:41:22.639
<v Speaker 1>give me some material to listen to and I'll turn

1:41:22.720 --> 1:41:26.120
<v Speaker 1>it over the guys. Fellow hands me the smallest album

1:41:26.200 --> 1:41:29.880
<v Speaker 1>I've ever seen. So it turns out, you know, it

1:41:30.360 --> 1:41:32.280
<v Speaker 1>was a compact test right, it was a c D

1:41:33.160 --> 1:41:36.799
<v Speaker 1>and we didn't even have one purchase in the office,

1:41:37.800 --> 1:41:43.000
<v Speaker 1>So that was the band. Loudness led to us investing in,

1:41:43.320 --> 1:41:45.880
<v Speaker 1>uh some equipment to play c D s at I

1:41:45.960 --> 1:41:50.240
<v Speaker 1>see m pretty funny story, absolutely, although you know it's funny.

1:41:50.240 --> 1:41:51.800
<v Speaker 1>I went to the music heres they still give it

1:41:51.760 --> 1:41:54.599
<v Speaker 1>away a c D. It's like, hey, my computer doesn't

1:41:54.600 --> 1:41:57.080
<v Speaker 1>even have a CD there? Okay, how does it end

1:41:57.080 --> 1:42:04.160
<v Speaker 1>with I? C m um? So many interesting stories about

1:42:04.160 --> 1:42:09.960
<v Speaker 1>and I C m um um. I became a responsible

1:42:10.000 --> 1:42:12.599
<v Speaker 1>agent for bands that I hadn't like grown up with

1:42:13.040 --> 1:42:16.439
<v Speaker 1>from first album in the Capricorn days, or hadn't had

1:42:16.439 --> 1:42:20.880
<v Speaker 1>a story of, like STEVI abing unsigned and all of

1:42:20.920 --> 1:42:25.080
<v Speaker 1>a sudden, here's you got this monster roster and C

1:42:25.360 --> 1:42:30.080
<v Speaker 1>A A is is blossoming and poaching all the agents

1:42:30.160 --> 1:42:35.760
<v Speaker 1>and poaching all the bands, and uh and uh, so

1:42:35.840 --> 1:42:39.599
<v Speaker 1>you've really got to meet new people and absorb yourself

1:42:39.680 --> 1:42:42.960
<v Speaker 1>and get some sense of confidence from them and hire

1:42:43.040 --> 1:42:45.920
<v Speaker 1>and fire and coach and do all of those things

1:42:45.960 --> 1:42:50.880
<v Speaker 1>all at once very quickly. Um uh fascinating. And the

1:42:51.040 --> 1:42:56.719
<v Speaker 1>routing from from territorially, the West Coast office was booking

1:42:56.960 --> 1:43:01.320
<v Speaker 1>the Western States and it's not as many cities and

1:43:01.880 --> 1:43:05.800
<v Speaker 1>you know in the Midwest and the East and the southeast,

1:43:06.720 --> 1:43:12.280
<v Speaker 1>so uh, you know, different, just a different deal big

1:43:13.000 --> 1:43:16.840
<v Speaker 1>and uh. But I enjoyed it. But I met Don Hardon,

1:43:17.080 --> 1:43:22.280
<v Speaker 1>famous manager, yes, Sharon Osborne's father. Yeah, I meant, I

1:43:22.360 --> 1:43:25.440
<v Speaker 1>became a responsible agent for a couple of his clients.

1:43:26.240 --> 1:43:30.160
<v Speaker 1>And I was thrown into You're gonna be the West

1:43:30.160 --> 1:43:33.719
<v Speaker 1>Coast guy to you know, to talk to John Denver,

1:43:34.520 --> 1:43:37.200
<v Speaker 1>and you know, all of a sudden, you know that

1:43:37.439 --> 1:43:43.080
<v Speaker 1>they had this roster um and they needed uh, you know,

1:43:43.160 --> 1:43:46.080
<v Speaker 1>they had a new guy. And I'm a new guy

1:43:46.120 --> 1:43:51.240
<v Speaker 1>with a Southern accent. And I'm sure the the hierarchy

1:43:51.320 --> 1:43:54.160
<v Speaker 1>and the pecking order of all of Los Angeles who

1:43:54.320 --> 1:43:58.160
<v Speaker 1>might know I see him, had heard this guy in

1:43:58.280 --> 1:44:02.960
<v Speaker 1>times had changed music le uh. And I was probably

1:44:03.000 --> 1:44:05.519
<v Speaker 1>given no more than six months by any betting card.

1:44:06.600 --> 1:44:09.680
<v Speaker 1>But I'm still here. So how long do you work

1:44:09.760 --> 1:44:14.759
<v Speaker 1>for I CM? I worked for them until uh, I'd

1:44:14.760 --> 1:44:19.080
<v Speaker 1>say I think it was January an interested now just

1:44:19.120 --> 1:44:22.880
<v Speaker 1>sounded a new contract. But I got an interesting offer

1:44:23.400 --> 1:44:26.880
<v Speaker 1>from Jimmie natal Lander. So when I tell you I'd

1:44:26.880 --> 1:44:31.720
<v Speaker 1>worked for Landers twice the first time started in and

1:44:31.880 --> 1:44:36.160
<v Speaker 1>was it the same operations, the same job, pretty much similar,

1:44:36.560 --> 1:44:38.320
<v Speaker 1>you know? And how long do you don't think we

1:44:38.400 --> 1:44:42.000
<v Speaker 1>had titles back then? Right? How long did you do

1:44:42.040 --> 1:44:45.840
<v Speaker 1>that for? I was, I was how long? What? How

1:44:45.880 --> 1:44:47.880
<v Speaker 1>long did you work with dieter Lando the first time

1:44:52.280 --> 1:44:58.240
<v Speaker 1>through most of the season of ninety four and then

1:44:58.280 --> 1:45:01.800
<v Speaker 1>you go to h O B. There was there was

1:45:02.439 --> 1:45:04.400
<v Speaker 1>There was really no h O B. I think they

1:45:04.439 --> 1:45:10.479
<v Speaker 1>were still putting up folk art on sunset Um. But

1:45:12.320 --> 1:45:17.960
<v Speaker 1>um I met with uh the m c A folks

1:45:18.400 --> 1:45:21.800
<v Speaker 1>and one of the guys was out. J Marciano was

1:45:21.960 --> 1:45:31.839
<v Speaker 1>in and uh um So they had talked to me before,

1:45:32.400 --> 1:45:38.519
<v Speaker 1>but this was ninety four and in done some really

1:45:38.520 --> 1:45:41.680
<v Speaker 1>cool things with Needle Lander. We had done uh I

1:45:41.800 --> 1:45:43.920
<v Speaker 1>was a point guy. We had done two dates of

1:45:44.080 --> 1:45:48.200
<v Speaker 1>Pink Florida at Yankee Stadium. We had opened the pond

1:45:48.680 --> 1:45:52.080
<v Speaker 1>which is now und of center, when had six shows

1:45:52.120 --> 1:45:56.559
<v Speaker 1>of Barber Stwis in two nights. I think of Rod Stewart.

1:45:56.800 --> 1:46:00.320
<v Speaker 1>We were doing dates at the Sports Arena, plus of

1:46:00.360 --> 1:46:07.200
<v Speaker 1>course the Greek Theater and Pacific Amphitheater, so here I was.

1:46:07.680 --> 1:46:11.120
<v Speaker 1>You know, this was and they had their amphitheaters which

1:46:11.160 --> 1:46:16.560
<v Speaker 1>we you know described and we talked about. So I'm

1:46:16.600 --> 1:46:20.240
<v Speaker 1>managing Stevie ray Van. I've got the Greek Theater under

1:46:20.280 --> 1:46:23.800
<v Speaker 1>my umbrella. I got my own private management company, and

1:46:23.800 --> 1:46:27.439
<v Speaker 1>I worked for Jimmy Needlander. This is pretty damn good.

1:46:29.600 --> 1:46:35.240
<v Speaker 1>So uh but nur um, you know, they knocked on

1:46:35.320 --> 1:46:40.440
<v Speaker 1>my door and I'm you know, reciprocated, I suppose, and uh,

1:46:40.479 --> 1:46:45.080
<v Speaker 1>I told Jimmy that I had an offer, and I

1:46:45.120 --> 1:46:48.840
<v Speaker 1>think sometime around September and the fall, I took the

1:46:48.880 --> 1:46:52.800
<v Speaker 1>offer and moved over to Uh you know, I think

1:46:52.840 --> 1:46:54.920
<v Speaker 1>at first it was a closet that they gave me.

1:46:54.960 --> 1:47:00.720
<v Speaker 1>But yeah, you know, with an air, I was right

1:47:01.120 --> 1:47:03.120
<v Speaker 1>on my head. I got it flew right off the bat.

1:47:03.439 --> 1:47:07.440
<v Speaker 1>What was your responsibility there? Now? In all in all seriousness,

1:47:07.720 --> 1:47:10.920
<v Speaker 1>they you know, you gotta get you got, you gotta

1:47:10.960 --> 1:47:16.920
<v Speaker 1>get officers ready, and you gotta assimilate and uh and

1:47:16.960 --> 1:47:21.560
<v Speaker 1>get yourself into a new position and and so uh,

1:47:22.160 --> 1:47:25.639
<v Speaker 1>booking would be one of my responsibilities. I was vice

1:47:25.680 --> 1:47:28.840
<v Speaker 1>president or executive vice president of senior vice president or

1:47:28.840 --> 1:47:33.040
<v Speaker 1>some some some level. I don't think it was executive

1:47:33.400 --> 1:47:36.280
<v Speaker 1>vice president title. But it was decent and good pay

1:47:36.479 --> 1:47:39.479
<v Speaker 1>and an ice offer and all of a sudden a

1:47:39.520 --> 1:47:47.360
<v Speaker 1>new environment. UM, so you know, a lot of vibrancy.

1:47:47.880 --> 1:47:53.479
<v Speaker 1>Jay was getting the Toronto amphitheater UH finished up and

1:47:53.800 --> 1:47:58.160
<v Speaker 1>had had his eyes on opening an amphitheater and San Diego.

1:47:59.000 --> 1:48:03.719
<v Speaker 1>All of this was uh in order. UM we had

1:48:04.160 --> 1:48:08.559
<v Speaker 1>UM we had an amphitheater deal in uh Cleveland and

1:48:09.200 --> 1:48:12.960
<v Speaker 1>one in Dallas in Atlanta, and you know it's I

1:48:12.960 --> 1:48:16.360
<v Speaker 1>mean it's a big operation. They had m c A

1:48:16.479 --> 1:48:22.479
<v Speaker 1>had a booking office in New York. UM, so you know,

1:48:22.520 --> 1:48:27.080
<v Speaker 1>it was kind of similar, but a different. Inventory of venues.

1:48:27.560 --> 1:48:33.680
<v Speaker 1>In Universal Amphitheater was the twelve months a year competition

1:48:34.320 --> 1:48:38.799
<v Speaker 1>to the Greek Theater. Greek being seasonal and outdoors. Universal

1:48:38.840 --> 1:48:43.280
<v Speaker 1>Amphitheater UH indoors and twelve months a year. And so

1:48:43.479 --> 1:48:46.040
<v Speaker 1>I became, you know, one of the one of the

1:48:46.120 --> 1:48:51.759
<v Speaker 1>key bookers for that. We recruited uh Melissa Miller before

1:48:51.800 --> 1:48:56.679
<v Speaker 1>she was married Melissa Ormond now uh uh as well

1:48:57.240 --> 1:48:59.720
<v Speaker 1>Larry Vallen was still there. He was doing some of

1:48:59.720 --> 1:49:04.000
<v Speaker 1>the nues in transitioning a little bit away from Universal.

1:49:04.800 --> 1:49:10.639
<v Speaker 1>Um and UH met a young girl, lady in uh uh,

1:49:10.880 --> 1:49:17.800
<v Speaker 1>young woman in special events who was helping to work

1:49:17.880 --> 1:49:22.840
<v Speaker 1>on the Latin shows. And so I started working with

1:49:22.920 --> 1:49:27.280
<v Speaker 1>her closer um, you know, getting rid of her bosses

1:49:27.280 --> 1:49:32.320
<v Speaker 1>and bringing her up in statue. And anyway, there we

1:49:32.520 --> 1:49:38.439
<v Speaker 1>are at uh the calendar for Universal Amphitheater. And as

1:49:38.439 --> 1:49:43.720
<v Speaker 1>a booker, as an as a as a promoter with

1:49:43.840 --> 1:49:47.320
<v Speaker 1>a venue, I mean, whether it be the Greek or

1:49:47.320 --> 1:49:50.880
<v Speaker 1>whether it be Universals or two you know, great venues,

1:49:52.080 --> 1:49:59.200
<v Speaker 1>iconic venues, and so matter the calendar and and and

1:49:59.320 --> 1:50:01.679
<v Speaker 1>making that cho us is and being competitive and pay

1:50:01.760 --> 1:50:04.240
<v Speaker 1>more money than the other guy, doing a better job

1:50:04.280 --> 1:50:07.320
<v Speaker 1>at marketing than the other guy. So we we had

1:50:07.320 --> 1:50:09.280
<v Speaker 1>a good We had a good run. And then one

1:50:09.360 --> 1:50:14.080
<v Speaker 1>day the company was sold Edgar Braffman, and then Edgar

1:50:14.120 --> 1:50:17.680
<v Speaker 1>Brochman decided he wanted every label in the world and

1:50:17.760 --> 1:50:20.559
<v Speaker 1>he was going to get rid of some smaller and

1:50:20.560 --> 1:50:27.439
<v Speaker 1>boutique companies and didn't really put the equation together that

1:50:28.280 --> 1:50:34.880
<v Speaker 1>the concert promoting wing company or division was synergistically important

1:50:34.960 --> 1:50:38.280
<v Speaker 1>a core to the record business. And you can make

1:50:38.280 --> 1:50:41.280
<v Speaker 1>the argument one way or the other, but you know,

1:50:41.360 --> 1:50:45.479
<v Speaker 1>live music well certainly have changed after the turn of

1:50:45.520 --> 1:50:48.920
<v Speaker 1>the century. Dry Okay, So then you're with h O B.

1:50:50.520 --> 1:50:52.799
<v Speaker 1>And then and then the h O B things interesting

1:50:52.800 --> 1:50:55.599
<v Speaker 1>because we were interested in making a deal to kind

1:50:55.640 --> 1:51:01.640
<v Speaker 1>of acquire this h O B equation uh into m

1:51:01.720 --> 1:51:05.360
<v Speaker 1>c A Universal Concerts. And I think the name of

1:51:05.640 --> 1:51:09.000
<v Speaker 1>Universal Concerts m c A Concerts changed a couple of times,

1:51:09.439 --> 1:51:13.040
<v Speaker 1>you know, and and um, it makes designers happy because

1:51:13.040 --> 1:51:21.400
<v Speaker 1>they redo the cards. Um. So we ultimately go, wow,

1:51:21.600 --> 1:51:28.120
<v Speaker 1>we need we need a new home. Our company is

1:51:28.160 --> 1:51:34.240
<v Speaker 1>being sold. So s f X or Clear Channel or

1:51:35.280 --> 1:51:42.519
<v Speaker 1>a SMG facility management company now merged in a s

1:51:42.720 --> 1:51:49.760
<v Speaker 1>M And what's what's going to happen here? Um? Ultimately,

1:51:49.840 --> 1:51:53.439
<v Speaker 1>with the blanking equation and the investment equation of House

1:51:53.479 --> 1:51:57.839
<v Speaker 1>of Blues, they thought, and we thought, and the selling

1:51:57.880 --> 1:52:00.720
<v Speaker 1>party m c A thought it would be good to,

1:52:01.479 --> 1:52:04.160
<v Speaker 1>you know, figure out how to have a merger or

1:52:04.240 --> 1:52:08.760
<v Speaker 1>acquisition of House of Blues and pick up m c

1:52:08.920 --> 1:52:13.600
<v Speaker 1>A Concerts. So m c A Concerts becomes House of

1:52:13.640 --> 1:52:19.880
<v Speaker 1>Blues Concerts and often running the House of Blues ultimately

1:52:20.160 --> 1:52:23.880
<v Speaker 1>was affected by their investments in all kinds of new technology.

1:52:24.000 --> 1:52:26.800
<v Speaker 1>It was imploding. How do you ultimately get from House

1:52:26.840 --> 1:52:31.639
<v Speaker 1>and Blues back to need the enter Well, a couple

1:52:31.680 --> 1:52:34.920
<v Speaker 1>of chapters and a couple of things. In particular, they're one.

1:52:35.880 --> 1:52:38.240
<v Speaker 1>The House of Blues thought they had the new model

1:52:38.400 --> 1:52:44.599
<v Speaker 1>for of you know, videoing concerts, concerts and the clubs,

1:52:45.439 --> 1:52:52.120
<v Speaker 1>and there was some people there, Uh, we're convinced that

1:52:52.200 --> 1:52:55.360
<v Speaker 1>it was going to change the outcome of selling albums

1:52:55.439 --> 1:52:58.680
<v Speaker 1>to the extent that they wouldn't have to pay royalties

1:52:59.640 --> 1:53:04.040
<v Speaker 1>and get releases from the artists they were recording. I

1:53:04.280 --> 1:53:08.880
<v Speaker 1>don't think that worked out so well. The the thing

1:53:08.960 --> 1:53:12.920
<v Speaker 1>that really worked was that you had two good divisions

1:53:13.000 --> 1:53:18.439
<v Speaker 1>to You had the concert group with this new logo

1:53:19.080 --> 1:53:23.600
<v Speaker 1>and brand, and you had a pretty amazing brand with

1:53:23.760 --> 1:53:27.439
<v Speaker 1>House of Blues. And I say amazing because I could

1:53:27.520 --> 1:53:31.479
<v Speaker 1>check in a hotel almost any city and in the States,

1:53:31.760 --> 1:53:34.679
<v Speaker 1>and we'll be on an airplane and somebody say, well,

1:53:34.720 --> 1:53:37.280
<v Speaker 1>I love the House of Blues in my city, And

1:53:37.320 --> 1:53:39.599
<v Speaker 1>I said, where do you live in the Napolis, Indiana?

1:53:39.680 --> 1:53:42.960
<v Speaker 1>They don't have a House of Seattle, Washington, they didn't

1:53:43.000 --> 1:53:48.160
<v Speaker 1>have a house. But you know, the brand was huge

1:53:48.479 --> 1:53:51.960
<v Speaker 1>and almost went public. They were the company almost went public.

1:53:52.600 --> 1:53:57.479
<v Speaker 1>But this this UM dot com bubble kind of burst

1:53:58.280 --> 1:54:00.439
<v Speaker 1>and that was one of the that was one of

1:54:00.439 --> 1:54:04.040
<v Speaker 1>the equations to take the dot com thing and in

1:54:04.680 --> 1:54:08.280
<v Speaker 1>all of that new technology, and that was going to

1:54:08.400 --> 1:54:12.679
<v Speaker 1>be explosive and take us into the public world and

1:54:12.800 --> 1:54:19.639
<v Speaker 1>you know, be a very successful stock market equation. Uh,

1:54:19.680 --> 1:54:24.960
<v Speaker 1>it didn't happen, but we were still doing business doing

1:54:25.000 --> 1:54:29.400
<v Speaker 1>it well. A lot of you know changes around the

1:54:29.479 --> 1:54:36.720
<v Speaker 1>scene UM outside UM meaning SFX, the Clear Channels to

1:54:36.880 --> 1:54:41.320
<v Speaker 1>then the spinoff of Live Nation and ultimately in two

1:54:41.360 --> 1:54:45.240
<v Speaker 1>thousand and six, Michael Lupino got his board to make

1:54:45.280 --> 1:54:49.680
<v Speaker 1>a pretty during big offer for the House of Blues.

1:54:50.800 --> 1:54:54.040
<v Speaker 1>And I stayed on a few months and uh it

1:54:54.160 --> 1:54:58.240
<v Speaker 1>was one of the last concert executives to leave, and

1:54:58.400 --> 1:55:04.240
<v Speaker 1>a lot of changes and then uh I left and

1:55:05.880 --> 1:55:09.000
<v Speaker 1>was sitting at home helping my son book a tour

1:55:09.120 --> 1:55:12.000
<v Speaker 1>that never happened on a band, but we had it routed,

1:55:12.160 --> 1:55:15.520
<v Speaker 1>had some deposits that just didn't happen. It's kind of

1:55:15.520 --> 1:55:20.480
<v Speaker 1>having fun, you know, UH plan plan with with adult

1:55:20.520 --> 1:55:24.360
<v Speaker 1>toys and helping my son and this and that. Uh

1:55:25.800 --> 1:55:29.720
<v Speaker 1>and I remember going shopping for a gift from my

1:55:29.760 --> 1:55:36.560
<v Speaker 1>wife and running into a house neatle Lander executive who said, Uh,

1:55:37.080 --> 1:55:41.520
<v Speaker 1>you gotta come back, Jimmy, won't you back? And uh,

1:55:43.200 --> 1:55:47.080
<v Speaker 1>ultimately we started talking and I walked in the door

1:55:47.120 --> 1:55:50.720
<v Speaker 1>in April of two thousand and seven. If you hadn't

1:55:50.760 --> 1:55:53.160
<v Speaker 1>gone back to Nita land or do you think you

1:55:53.200 --> 1:55:55.360
<v Speaker 1>would have been done? Or would you find something else?

1:55:55.640 --> 1:55:57.720
<v Speaker 1>I probably found something else. I mean I was thinking

1:55:57.720 --> 1:56:02.960
<v Speaker 1>about the agency world with um, you know, the routing

1:56:03.000 --> 1:56:06.160
<v Speaker 1>of bands the other side of the is the same equation,

1:56:06.280 --> 1:56:09.320
<v Speaker 1>you know? And and how the book. I don't think

1:56:09.360 --> 1:56:12.000
<v Speaker 1>I would have was listening in to those skills. But

1:56:12.080 --> 1:56:15.480
<v Speaker 1>I didn't have any Uh, I didn't have any clients

1:56:15.600 --> 1:56:18.880
<v Speaker 1>and for the agency world, and Stevie Raybone had died

1:56:18.960 --> 1:56:22.080
<v Speaker 1>in nineteen nineties, so all of a sudden, you was

1:56:22.200 --> 1:56:27.280
<v Speaker 1>sixteen years later and uh when they sold, and seventeen

1:56:27.320 --> 1:56:30.400
<v Speaker 1>years later when I walked back in the door. Uh.

1:56:30.640 --> 1:56:35.440
<v Speaker 1>Certainly I missed every chapter that I went through, and

1:56:35.520 --> 1:56:39.680
<v Speaker 1>all of these iterations I missed them. And somebody said,

1:56:39.720 --> 1:56:42.440
<v Speaker 1>will you remember the good stuff? And I, of course

1:56:42.480 --> 1:56:47.000
<v Speaker 1>I'll remember the good stuff. I remember the hard stuff. Um,

1:56:47.040 --> 1:56:49.280
<v Speaker 1>but I I like what I do now and I

1:56:49.360 --> 1:56:52.400
<v Speaker 1>like what I did then. So it answers you a question.

1:56:53.080 --> 1:56:57.360
<v Speaker 1>If if I hadn't gone back to needle Land or

1:56:57.480 --> 1:57:00.720
<v Speaker 1>I wouldn't, I would have, and I was talking to

1:57:00.800 --> 1:57:03.160
<v Speaker 1>some people I would have. I would have stayed uh

1:57:03.840 --> 1:57:07.840
<v Speaker 1>in the business and probably on the live music tide,

1:57:08.680 --> 1:57:14.160
<v Speaker 1>possibly as an agent, possibly another promoting company. Okay, so

1:57:14.560 --> 1:57:17.560
<v Speaker 1>we've heard your long story career. Are you gonna be

1:57:17.560 --> 1:57:20.200
<v Speaker 1>a book like that guy who died during the show

1:57:20.600 --> 1:57:23.680
<v Speaker 1>two weeks ago? Are you gonna die at the venue?

1:57:24.840 --> 1:57:29.600
<v Speaker 1>I don't think so, but um I might die at

1:57:29.640 --> 1:57:32.920
<v Speaker 1>a new venue that we haven't opened yet. Well, I

1:57:32.920 --> 1:57:36.720
<v Speaker 1>guess I'm saying without using the euphemism, are you ever

1:57:36.760 --> 1:57:41.760
<v Speaker 1>gonna retire? You know I have? I have hobbies and

1:57:41.920 --> 1:57:45.320
<v Speaker 1>things that I like to do, like water skiing. Water

1:57:45.440 --> 1:57:50.080
<v Speaker 1>skiing in particular. I'm at my age, I'm pretty all

1:57:50.200 --> 1:57:54.839
<v Speaker 1>my nephews, niece's brothers, and they've all quit water skiing,

1:57:55.240 --> 1:57:59.080
<v Speaker 1>and I still slalom water skiing, cut back and four

1:57:59.200 --> 1:58:05.560
<v Speaker 1>across way. Uh. You know, I enjoy it. It gets me.

1:58:05.840 --> 1:58:08.520
<v Speaker 1>It gets me going. I'll say, my breast gets out

1:58:08.520 --> 1:58:10.800
<v Speaker 1>a little sooner than it used to. So I gotta

1:58:10.840 --> 1:58:14.840
<v Speaker 1>work on my my my legs and my cardio. But

1:58:14.840 --> 1:58:18.320
<v Speaker 1>but I love that I love anything on the water.

1:58:19.120 --> 1:58:23.720
<v Speaker 1>I could probably uh figure out something that allowed me

1:58:23.760 --> 1:58:25.880
<v Speaker 1>to be on the water or and be a happy

1:58:25.920 --> 1:58:28.960
<v Speaker 1>camper um. But I like what I do. I like

1:58:29.040 --> 1:58:32.720
<v Speaker 1>the challenges. I have always been uh in an underdog

1:58:32.880 --> 1:58:36.920
<v Speaker 1>situation if you go back to the very beginning story

1:58:37.200 --> 1:58:39.440
<v Speaker 1>that I've told you, and I forget the story in

1:58:39.520 --> 1:58:42.320
<v Speaker 1>the transition, because you gotta go to work every day.

1:58:42.360 --> 1:58:48.440
<v Speaker 1>But you know, small making Georgia, and we aren't the biggest.

1:58:48.440 --> 1:58:54.520
<v Speaker 1>Now we're a small independent promoting company thank fully supported

1:58:54.600 --> 1:58:59.080
<v Speaker 1>by the Needle Leander family, by Jimmy Needle Lander, you know,

1:58:59.200 --> 1:59:03.320
<v Speaker 1>Jimmy senior son, Uh, James L. Nada Lander is a

1:59:03.360 --> 1:59:06.440
<v Speaker 1>great boss and a great partner and a great friend

1:59:07.080 --> 1:59:14.640
<v Speaker 1>and enormously supportive to our you know, to our staff.

1:59:15.080 --> 1:59:18.640
<v Speaker 1>So we'll like to think we're the you know, really

1:59:18.720 --> 1:59:24.880
<v Speaker 1>unique in in and how we find a way to

1:59:25.000 --> 1:59:27.480
<v Speaker 1>keep doing it and didn't do it better and then

1:59:27.600 --> 1:59:31.760
<v Speaker 1>grow and you know, three consecutive years of improvement since

1:59:31.800 --> 1:59:33.960
<v Speaker 1>the city took over the Greek and we still book

1:59:34.040 --> 1:59:37.720
<v Speaker 1>shows at the Greek. So as long as there's a challenge.

1:59:37.800 --> 1:59:41.960
<v Speaker 1>I'm probably up for it. Okay, you've seen so much,

1:59:42.000 --> 1:59:46.400
<v Speaker 1>you book so much, your two favorite shows ever. Oh boy,

1:59:46.440 --> 1:59:48.680
<v Speaker 1>that's hard, I know, but I'm gonna make you do it.

1:59:55.480 --> 1:59:57.960
<v Speaker 1>You want to give me six now? Okay, I'll give

1:59:58.000 --> 1:59:59.240
<v Speaker 1>you a few more if you got on the top

1:59:59.280 --> 2:00:02.160
<v Speaker 1>of your head. Well, you know, uh, when before I

2:00:02.160 --> 2:00:05.560
<v Speaker 1>could drive, I saw I saw Elvis Presley at the

2:00:05.600 --> 2:00:09.200
<v Speaker 1>Fox there in Atlanta, Georgia, and it was an indelible imprint.

2:00:10.080 --> 2:00:15.240
<v Speaker 1>It was just cool and it was a matinee show. Um,

2:00:15.280 --> 2:00:18.800
<v Speaker 1>and I couldn't drive. So when you think about, you

2:00:18.840 --> 2:00:20.880
<v Speaker 1>know how that plays, I don't know really how it

2:00:20.960 --> 2:00:24.760
<v Speaker 1>plays except and able to scream it aloud. You couldn't

2:00:24.800 --> 2:00:28.520
<v Speaker 1>hear everything the way you wanted to. But it was

2:00:28.920 --> 2:00:36.200
<v Speaker 1>totally indelible. Amazing. Did that have anything to do with

2:00:36.560 --> 2:00:40.320
<v Speaker 1>the career that I later have? Who knows? Are you

2:00:40.440 --> 2:00:44.520
<v Speaker 1>directed by some unseen force? You know? I have no idea,

2:00:44.800 --> 2:00:46.880
<v Speaker 1>but I know people go to shows and it will

2:00:47.000 --> 2:00:53.240
<v Speaker 1>end up being an agent. Um, I would guess. Uh.

2:00:53.400 --> 2:01:00.720
<v Speaker 1>One of my favorites would be would be um Steve

2:01:00.800 --> 2:01:06.320
<v Speaker 1>very Van at Madison Square Garden. If you take the

2:01:06.360 --> 2:01:11.280
<v Speaker 1>whole thing and put it together that I had told him.

2:01:11.400 --> 2:01:15.520
<v Speaker 1>I had asked him, have you been an opening act

2:01:15.600 --> 2:01:21.040
<v Speaker 1>at Medicine Square Garden before we met or He said no,

2:01:21.240 --> 2:01:25.160
<v Speaker 1>and I haven't even been in Madison Garden. And I said,

2:01:25.520 --> 2:01:32.000
<v Speaker 1>you won't go to Madison Square Garden to play or

2:01:33.240 --> 2:01:39.240
<v Speaker 1>you know, until we can headline and in that particular venue.

2:01:39.400 --> 2:01:41.920
<v Speaker 1>My goal for you is the headline and we'll be

2:01:42.000 --> 2:01:46.440
<v Speaker 1>able to sell three sixty all the way around. Meantime,

2:01:46.520 --> 2:01:51.480
<v Speaker 1>we'll do New Jersey and Long Island, anything and everything else,

2:01:51.640 --> 2:01:53.879
<v Speaker 1>but we're not going to go to Madison Square Garden

2:01:54.400 --> 2:01:57.400
<v Speaker 1>until you can head on and we can sell three sixty.

2:01:57.520 --> 2:02:00.880
<v Speaker 1>And we accomplished that. It was pretty amazing. Everything about

2:02:00.960 --> 2:02:05.960
<v Speaker 1>that day was amazing. Um, pretty cool. You gotta really

2:02:06.120 --> 2:02:12.520
<v Speaker 1>add some some you know. When we did um Barber

2:02:12.560 --> 2:02:16.680
<v Speaker 1>Striching at the Pond, that was totally special. Some of

2:02:16.720 --> 2:02:20.640
<v Speaker 1>the shows that I that I remember, you know that

2:02:20.720 --> 2:02:26.000
<v Speaker 1>I really liked a lot, uh uh you know, you

2:02:26.040 --> 2:02:28.440
<v Speaker 1>knowing the police did I always thought was great and

2:02:28.520 --> 2:02:34.200
<v Speaker 1>we were involved. I thought, I you know, sometimes you

2:02:34.200 --> 2:02:38.800
<v Speaker 1>gotta pay for a ticket. And John Huey, who had

2:02:38.920 --> 2:02:41.160
<v Speaker 1>hired and worked for me and making had moved to

2:02:41.200 --> 2:02:44.040
<v Speaker 1>New York and working with Ian and I flew to

2:02:44.120 --> 2:02:46.640
<v Speaker 1>New York and we got on the train and we

2:02:46.680 --> 2:02:49.720
<v Speaker 1>went to Long Island to see the Wall Pink Floyd

2:02:49.760 --> 2:02:55.440
<v Speaker 1>the Wall that first time. And uh, I'm telling you

2:02:55.840 --> 2:02:59.560
<v Speaker 1>that that's got a rank and you know, a top three. Now, my,

2:03:00.640 --> 2:03:06.160
<v Speaker 1>you're just pretty pretty amazing. Um. So, I don't know,

2:03:06.200 --> 2:03:10.880
<v Speaker 1>they're really they're really hard to to pinpoint. I thank you.

2:03:10.880 --> 2:03:14.240
<v Speaker 1>If I had, if I, if I had a drink

2:03:14.280 --> 2:03:17.040
<v Speaker 1>with you on Saturday and a drink with you on Sunday,

2:03:17.640 --> 2:03:20.080
<v Speaker 1>and I'll drink with you on Monday. And you asked

2:03:20.080 --> 2:03:22.560
<v Speaker 1>me the same question, i'd probably for the most part,

2:03:22.600 --> 2:03:25.400
<v Speaker 1>pick different shows. I don't know if they'd be the same,

2:03:25.480 --> 2:03:31.520
<v Speaker 1>but maybe these were. These were pretty pretty special, pretty indelible. Okay, Alex,

2:03:31.600 --> 2:03:33.360
<v Speaker 1>I know we've only scratched for knowing you for all

2:03:33.400 --> 2:03:36.560
<v Speaker 1>these scratch the surface. There's so many storm stories. Maybe

2:03:36.560 --> 2:03:39.440
<v Speaker 1>another type of thanks for being here, your thank you

2:03:39.600 --> 2:03:44.120
<v Speaker 1>for having it's been fun. Absolutely, thank you until next time.

2:03:44.240 --> 2:03:45.400
<v Speaker 1>This is Bob left Sid