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Speaker 1: Hey, listen, are just a quick word to let you

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Speaker 1: know that Alchemy This will be performing live on stage

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Speaker 1: at the Dynast Typewriter Theater on May seven. Go to

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Speaker 1: Dynasty Typewriter dot com for tickets. Were performing May seven.

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Speaker 1: We'd love to have you come out and join us

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Speaker 1: right to us in fact after the show and let

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Speaker 1: us know how much you enjoyed it. See you all

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Speaker 1: May seven at Alchemy This Live at the Dynast Typewriter Theater.

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Speaker 1: Welcome back to the episode of Alchemy This. I'm your host,

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Speaker 1: Kevin Poll. Guess that Kevin Poll was that? Well? Now

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Speaker 1: when I said I wanted fries with that, you thought

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Speaker 1: I said I wanted lies with that. And now my

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Speaker 1: turkey burger is completely overwhelmed by all these I love you,

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Speaker 1: I'll never leave you the funk man, but I digress.

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Speaker 1: I'm happy to welcome you all to another episode of

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Speaker 1: Alchemy There is. Now let's meet today's Alchemy show. We

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Speaker 1: know particular order. Say hello, Banessa Niche. When the clock

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Speaker 1: strikes three? What happens again? The mass place with me? Also,

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Speaker 1: I don't feel safe next time It's James Heeney, Jimmy Jonga,

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Speaker 1: could you in fact, take it or leave it. I

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Speaker 1: would like to take it, and if I don't need

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Speaker 1: it afterwards, I'll find a place for it. Look out,

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Speaker 1: Greig Atkowski has landed Kikao. Are those eyes reel? One

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Speaker 1: of them is yeah? Do I see Joey Greer Greer

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Speaker 1: Abbey Mama, say, Mama, Sammakusa. I don't want to bring

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Speaker 1: that song up right now. Show me on this contigua

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Speaker 1: where he touched you, but on your butcher's butcher's galli.

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Speaker 1: If you think him leaves, it's Chris Alvarado, Chris Universe,

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Speaker 1: Pageant two thousand nineteen. If a stitch in time saves nine,

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Speaker 1: what saves ten? I think? Actually that's right? All right,

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Speaker 1: then let's get to our first scene, shall we. All

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Speaker 1: of today's scene suggestions were gathered from our listeners emails.

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Speaker 1: I'd like if you'd like to submit yours, please write

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Speaker 1: to us at your name here at alchemy this dot com.

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Speaker 1: We'd love to hear from you in any way, shape

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Speaker 1: or form, and also submit a scene if and you

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Speaker 1: will your name here at alchemy this dot com. Our

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Speaker 1: first scene comes from Scott Waterhouse, who suggested, Hi, there,

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Speaker 1: I started listening to your show, just over a month

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Speaker 1: ago and it's a lot of fun. Thanks. My suggestion

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Speaker 1: is a couple of people complaining about their co worker

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Speaker 1: in the lunch room. Then that co worker comes in

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Speaker 1: and they try to cover it up by pretending they

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Speaker 1: were talking about someone else, and then the co worker

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Speaker 1: joins in bitching about that someone else, and then of

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Speaker 1: course that someone else comes in, etcetera, etcetera. Let's just

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Speaker 1: say the workplace is okay um oh, And he's suggesting

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Speaker 1: what the workplace is maybe a big camping and fishing

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Speaker 1: outdoors type place. Thanks again for the podcast. Scott Waterhouse, Brisbane,

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Speaker 1: Australia from the Internet. He makes spoons and they're beautiful.

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Speaker 1: Pause spoons, the beautiful. Shout out to scott Water spoon

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Speaker 1: crafter and it's beautiful, beautiful spoon. Hey, let me just

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Speaker 1: begin in behind you get the almond me. You know what,

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Speaker 1: just it's just nuts to me to think that you

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Speaker 1: know what you're going to say. Don't say no, I

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Speaker 1: don't care. Every day I don't I don't care. I

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Speaker 1: don't care. Alright, Like Daniel is just always going around

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Speaker 1: we breathe greathing no matter how close or far he

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Speaker 1: is from you. It feels like he's on your neck,

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Speaker 1: you know usually, and his breath is warmer than other

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Speaker 1: people's breath. It's hot. It's hot. It's hot hot. It's

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Speaker 1: going to be a problem. That's going to be something churning.

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Speaker 1: And I'm not saying like our normal core temperature is warm,

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Speaker 1: you know what I mean, the air used to That's

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Speaker 1: what I'm saying. But his his breath is hot. You

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Speaker 1: were in a chamber of your own air, it would

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Speaker 1: feel like nothing. Because you're already you're that Why don't

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Speaker 1: you say something to him? What do you say to

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Speaker 1: us every morning when we're getting coffee and trying to

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Speaker 1: start our day, because I feel like I just want

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Speaker 1: to just talk for a second. I'm not much just

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Speaker 1: and I would just like to start one day without this. Okay, Louis,

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Speaker 1: maybe you should just bring your own coffee from home.

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Speaker 1: Yeah in a Okay, we're so amazing contiguos. Have you

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Speaker 1: seen the new good their customed there, the way that

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Speaker 1: the fingers groove in the triple triple? Hey guys, what's

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Speaker 1: going on? Danel? What's going on? Daniel? Good morning? Good

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Speaker 1: morning everyone? How's it going? Um? Great? Great? Yeah? What

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Speaker 1: are you guys talking. I'm goout, go to the bathroom.

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Speaker 1: We were talking about the new contiguos. Ye, the new

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Speaker 1: that's Spanish for with you. Okay, you guys are not bilingual.

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Speaker 1: I'm not as much as I don'da one one in

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Speaker 1: la biblio Teca. That's about as far as I got

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Speaker 1: John's in the library. Yep, yeah, got that. Why can't

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Speaker 1: we keep the name Wan? Yeah? Why does it have

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Speaker 1: to become John? Yeah? When they can translate. Why can't

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Speaker 1: people just have their own name? Right? Why did I

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Speaker 1: anglicize it? Yeah? I don't think a Mexican person would

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Speaker 1: ask you to call them John. They would rather be

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Speaker 1: called one. I think, Hey, Daniel, can I ask you

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Speaker 1: a question? Now? I don't know? Can I ask you

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Speaker 1: a question? What's up with Pete? Have you noticed the

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Speaker 1: pizza everybody's business? Yeah? Yeah, he's all up in my

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Speaker 1: up in my grill. Right. The other thing we were

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Speaker 1: talking about before you came in, you're talking about Pete.

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Speaker 1: With Pete occupied occupied, just just could you mind if

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Speaker 1: I just sneak in real quick Pete? No, okay, but

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Speaker 1: I can just sneak in real quick, get my job done.

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Speaker 1: Ill you go with your pants all the way down

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Speaker 1: to the ankle. So this is my personal time. This

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Speaker 1: is my personal time. Do back to back and then

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Speaker 1: we'll flip it down between our whatever stream comes between.

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Speaker 1: It's we don't know who's who. Oh Jesus, why didn't

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Speaker 1: you lock the door? Okay, I gotta go to the bathroom. Yeah,

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Speaker 1: I have figured as much. Why are your pants around

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Speaker 1: your ankles? What is this? This is my private time.

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Speaker 1: It's a it's a bathroom. It's all this private time.

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Speaker 1: You're wow, wow, wow, we ware I got a three

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Speaker 1: sausage special's room. You really shouldn't be in here, Oh

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Speaker 1: I shouldn't. What year are you from? It says gender neutral?

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Speaker 1: You beast Marshal? Come on, that wasn't which South of

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Speaker 1: jama going to choose? Marshall? Pete Janet? Not today? Okay,

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Speaker 1: not today. You don't want to play, No, I don't

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Speaker 1: want to play at guys looking shot? Huh? Do your

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Speaker 1: pig a little piggly wiggly? Come on, don't make fun

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Speaker 1: of Ferris size. It's a nice size, such a good Yes,

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Speaker 1: it's travel size. Just looks small next to us, Yeah,

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Speaker 1: just okay? And I would I really want to put

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Speaker 1: it away but I can't. Don't I own it, honor it.

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Speaker 1: I need to finish peeing. But I've stopped. I've been

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Speaker 1: I've been held up because of this. To come out

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Speaker 1: of that thing, you don't know? Do you know how

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Speaker 1: much rip? Now? I don't. Look. Today's a stressful day

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Speaker 1: because I have to, you know, have to pitch the

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Speaker 1: new item to Daniel. I can't listen to this my

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Speaker 1: way around a second? Yeah? Yeah, I made a name.

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Speaker 1: You want to call him that? No breath? You feel

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Speaker 1: that way too, don't you like? It's just so hot,

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Speaker 1: you know, don't say hot on my neck? Well we're

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Speaker 1: just close. I got pee. I'm not going to move around.

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Speaker 1: So Janek has to clean up my peace in here,

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Speaker 1: thank you? And the other thing about Pete, I mean,

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Speaker 1: have you seen him cutting his toenails at his desk?

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Speaker 1: Anyone do that? Well? I watched him cut his tonails

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Speaker 1: at his desk. Watch. Well that's another thing. But yeah,

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Speaker 1: to give him more space? Are you done at the copy? Everybody? Space?

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Speaker 1: I disagree? I respectfully disagree. Look, I'm trying to sell

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Speaker 1: fishing supplies and one spoons here right right, So Daniel, uh,

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Speaker 1: what do you think we should say? To Pete because

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Speaker 1: I feel like, why do you want to have an as?

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Speaker 1: Because I don't understand why everyone is dumping their ship

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Speaker 1: on me. I think you're kind of getting in the mix.

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Speaker 1: Really like people can just walk away from this, you know.

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Speaker 1: I like a good mix. Yeah, I mean, I don't

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Speaker 1: want to start anything, but um, Louis is getting on

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Speaker 1: my nerves. Talk about it, talk about I don't want

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Speaker 1: I'm not starting anything. I'm not starting. Hold on, okay,

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Speaker 1: you're pooping trying to it's hard standing up with a

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Speaker 1: little curly hairs. Yeah, the curly curly hairs go right

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Speaker 1: under the eyes and they come out through the ears.

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Speaker 1: What are we gonna call him? Oh, you're the one

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Speaker 1: who makes the names squiggle his? Am I wrong? Or

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Speaker 1: is he kind of annoying? You're not wrong at all,

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Speaker 1: not at all, not at all, Sorry, Janet active, you're

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Speaker 1: feeling justified man, and you're based on your personal Okay,

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Speaker 1: I can't do this anymore. Are you sure all right?

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Speaker 1: I'll leave you two here? Or did you really leave

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Speaker 1: commercials gone? He went to the fence. Lasha went through

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Speaker 1: the Thanks, Hey, Pete, thanks for coming in. We got

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Speaker 1: your pitch is ready? Honest? Him. Yes, oh, great, great, great, great. Well,

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Speaker 1: whenever you're ready, just jump on in. Um. Well, I

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Speaker 1: had one idea for a product. But sorry, sorry, i'm

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Speaker 1: running late. Let me sit down. Every day, did you

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Speaker 1: come through the ceiling? I like to travel through the vents.

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Speaker 1: It's actually faster than you'd think. When you see how

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Speaker 1: clutted the hallways, kid, everyone is impressed by it. I

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Speaker 1: was in the bathroom. I overheard Pete say, never mind,

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Speaker 1: never mind, what are you doing. It's not a big deal,

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Speaker 1: not for the pitch, and then you start ship immediately.

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Speaker 1: I didn't want to start ship. It's just I feel

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Speaker 1: like you have the right to know that. I question you.

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Speaker 1: Guys were in the bathroom together, and you're saying you

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Speaker 1: you've saved time because you went through the vent. But

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Speaker 1: yet he was here first. He certainly was and ready

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Speaker 1: to pick. And I'm doing the details. You know, I'm

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Speaker 1: a spreadsheet gal, and this just doesn't add up. I

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Speaker 1: don't think that the events save time. I'm with you, Well,

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Speaker 1: I guess I will take the stairs next time. I

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Speaker 1: thought the events were fast. Speaking of time to time,

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Speaker 1: you've cost this pitch is already insurmountable. So speaking of insurmountable.

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Speaker 1: Speaking of insturmountable, the attitude, the everest, the attitude that

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Speaker 1: you're bringing into this room is insurmountable. O my god,

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Speaker 1: for the pitch. I want to hear the pitch. It's

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Speaker 1: just about to pick. Let's let's let's go ahead. Okay,

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Speaker 1: Daniel can use Can you roll your chair towards you more?

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Speaker 1: I think we're missing one person? Should we wait? Did

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Speaker 1: you want to wait for Williams? I mean it seems

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Speaker 1: like Williams is probably busy taking up everybody's parking spaces. Right, okay,

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Speaker 1: all right, you know I'm gonna get started, so jump

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Speaker 1: in place. Well. I brought this this, this look at

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Speaker 1: that with posterboard on it, and I was going to

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Speaker 1: reveal the new version of the wooden spoons that we

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Speaker 1: should be selling. But I'm not going to pitch that.

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Speaker 1: After all, I'm pitching something else for the workplace, all right,

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Speaker 1: mess it up? Something else for the workplace. A better attitude.

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Speaker 1: How do you to each other? If we want to

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Speaker 1: see more sales on the sales floor, we need to

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Speaker 1: have more joy in the office. Bush this question that

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Speaker 1: we should be more respectful to each other. He's king

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Speaker 1: disrespect I'm not keen disrespect and if I am keen disrespecting,

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Speaker 1: off with your head. Okay, well, well there is there

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Speaker 1: someone here a good help me? Just want to buy this.

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Speaker 1: I guess something about something. Yeah, it's just there's no

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Speaker 1: one here at the desk. I don't know where. Well

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Speaker 1: I've listen. I know every nuking cranny at this place.

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Speaker 1: Oh great, can you just ring this up? But just

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Speaker 1: want to get these spoons. What is a spoon? Huh,

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Speaker 1: it's wooden spoons. For the two dollars for these spoons?

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Speaker 1: All right, the mood to later some hatch some spoons. Yeah,

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Speaker 1: haven't you got a fishing trip coming up? I need

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Speaker 1: spoons to fish, so okay, I understand you're gonna need

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Speaker 1: a spoon to fish. I don't know how to press

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Speaker 1: the buttons on this machine, okay, but I can accept cash?

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Speaker 1: Is there? Well, you just make me get that. I've

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Speaker 1: just been kind of seeing you, Miranda around the sales floor.

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Speaker 1: I just don't know if you're been walking with a

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Speaker 1: purpose on me. I got a bucket in one man,

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Speaker 1: all right, I just would like to see a sales associated,

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Speaker 1: sales associate. What's your name? Giving your I d Okay,

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Speaker 1: hold on, here we go. It's dust and black dustn't

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Speaker 1: flacking flaking? What kind of name is flacking? I'm gonna

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Speaker 1: take this. I'm gonna confiscate this. That's my credit card.

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Speaker 1: Picture of my kids. That's too bad, ugly little heads

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Speaker 1: on their neck. And I think a way that we

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Speaker 1: can start better communication right now is by implementing some

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Speaker 1: of the things we learned in that corporate improv I'm sorry,

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Speaker 1: thank you for joining up. Okay, so when do we

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Speaker 1: do this? Let's fill it in. We're getting better attitudes

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Speaker 1: because so much to me, I just don't want to

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Speaker 1: sit next to Daniel telling Okay, this is what I'm telling.

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Speaker 1: Don't want to sit next stop reading, gosh, okay, follow me,

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Speaker 1: following me. Unrolling window. I don't know what we're in. Well,

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Speaker 1: these rolls out windows, don't roll back up. Okay, what

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Speaker 1: do we go? This is going to be a quick exercise.

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Speaker 1: It's called telephone. Let's do it. I'm going to whisper

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Speaker 1: something into it's called telegram, No telephone. This part is

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Speaker 1: called listening ahead. I'm going to whisper something into Phil's ear,

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Speaker 1: and then it's going to make it all the way

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Speaker 1: around and I want to see if we're good at communication,

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Speaker 1: not embellishing or adding any negativity. Here we go. Go ahead.

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Speaker 1: My monkey washes his bomb. Okay, hey, get over. I

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Speaker 1: hate this game. My monkey walk to the store. Don't

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Speaker 1: touch my leg. Did you touch your leg? It's okay,

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Speaker 1: just keep going, Um, stop touching me. That's just part

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Speaker 1: of this. Is not part of my goo go go go.

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Speaker 1: Is anyone on the sales floor right now? I just

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Speaker 1: don't understand perfectly well. I almost stick a Cara Beaner

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Speaker 1: in this part. Okay, okay, uh, the monkey has the

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Speaker 1: right to return any anything to the store. What is happening.

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Speaker 1: I have no idea I'm supposed to touch you right here.

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Speaker 1: I can't wait to get whispered to. Okay, okay, you

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Speaker 1: can just say it at a normal voice. Oh my god,

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Speaker 1: Oh say it, Daniel Monica. Monica wanted Monica wanted the beach.

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Speaker 1: Monica wanted the beach in her hair. Okay, my uncle

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Speaker 1: wanted a knee hair. That's not important. We need to

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Speaker 1: know what he said to you to me, I have to,

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Speaker 1: but you just read it information. You want me to

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Speaker 1: whisper again? I could smell it, okay, Okay, so it

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Speaker 1: ended with my uncle wanted a knee hair, okay, and

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Speaker 1: it started with my monkey washes his bump. Why did

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Speaker 1: that change? That's a good question. Anybody here tell me, No,

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Speaker 1: it changed. Oh yeah, it was improblem No, but that's

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Speaker 1: not why it changed. Changed because we were all recoiling

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Speaker 1: from the touch of one another and trying to just

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Speaker 1: grab what we could. It's also hard to hear when

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Speaker 1: we were whispering, because that's not normally how we should

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Speaker 1: be speaking. Let's reverse it. Okay, fine, all right, let's

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Speaker 1: see how that goes. Sir. You don't have a receipt

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Speaker 1: for this. You can't leave the store. You're shoplifting. Oh no,

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Speaker 1: I paid. I played with a bucket and she said, no,

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Speaker 1: where's your I d MYDC has it? Please? I got

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Speaker 1: all these countaners on my skin. You're lucky that I don't.

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Speaker 1: Just this is a sporting good store. If Daddy doesn't

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Speaker 1: come home with the spoons, no one's eating. No, no

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Speaker 1: one's eating. But it's a sandwich. We need the spoons.

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Speaker 1: You look, if you arrest me, my kids are not

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Speaker 1: gonna eat. They're they're just is the reason we have

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Speaker 1: such high prices problem? Yeah, we got a shoplifter, I paid,

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Speaker 1: I haven't yet. I don't know if he has rights yet.

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Speaker 1: I don't know what he's right. He doesn't have an

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Speaker 1: I d I how did you get here? What do

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Speaker 1: you mean? I mean, how did you get you know?

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Speaker 1: I have a no, No, there was a woman or

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Speaker 1: a man with a bucket, someone your lives. I heard

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Speaker 1: Daniel has flaming hot breath, and we all want him gone. Okay,

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Speaker 1: nobody said it started with the rainbows, bring joy to smiles?

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Speaker 1: Can we just can we just do around without Daniel?

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Speaker 1: Is that okay? Maybe that would change something. How do

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Speaker 1: you think that makes Daniel feel? I don't care. Let's

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Speaker 1: ask you, Daniel, how does that make you feel? I

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Speaker 1: feel terrible about that. There's something wrong with my breath. Guys,

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Speaker 1: it's not. It doesn't smell. So let's be honest. Then,

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Speaker 1: why don't we take a moment to be honest. Okay,

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Speaker 1: I'll say one thing, be honest. Let's go around, okay.

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Speaker 1: Two One, I appreciate the work ethic in this room.

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Speaker 1: I like this, depreciate the jerk ethic. Okay, this is

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Speaker 1: this is Daniel. Daniel's really good A telephone Daniel. Each

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Speaker 1: one of us is going to share an honest feeling

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Speaker 1: while the others anyone on the sales floor. Yes, I

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Speaker 1: think we have security guards out there right now. Okay,

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Speaker 1: f hear me, you hear me. We're sending that host

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Speaker 1: all right. Okay, So that was nice. That was nice. Um,

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Speaker 1: you're honest about how you feel about people being heartful.

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Speaker 1: I'm just hungry at lunchtime. That's all being hungry. That's

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Speaker 1: great to be honest, Wias, I think that every Williams

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Speaker 1: just speak from your hearme. I think Daniel should go honestly.

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Speaker 1: I think Daniel is discussing. I think he's ugly. I

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Speaker 1: think he smells funky. And it's just like, we want

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Speaker 1: a better work environment, Okay, we want people that don't stinky. Daniel.

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Speaker 1: I'm sorry, Daniel. You don't have to apologize for telling

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Speaker 1: the truth. You're being told to be vulnerable. Your life

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Speaker 1: would be better if Daniel were gone. Yes, but I

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Speaker 1: don't mean it personally. It's not a dig at the workplace.

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Speaker 1: He is gone at the workplace. You're saying, not personally.

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Speaker 1: Like so if you gont it to be your roommate

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Speaker 1: where you live, you'd be fine with that. No, I

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Speaker 1: want him gone. Personally, I am looking for a place

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Speaker 1: to live. It's not personal. I just want to Daniel,

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Speaker 1: but he just said he's looking for a place to live,

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Speaker 1: crashing with my sister right now. That's temporary. Williams's going

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Speaker 1: to be your place at six. I can't. You can't

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Speaker 1: do that, this person reach out into my home, my

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Speaker 1: home home. Well, I don't mean to have to pull

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Speaker 1: up the contract that you signed when you first started

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Speaker 1: working here. I signed that when I was eighteen. Coop.

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Speaker 1: Let's pull up. Let's pull up. You'll haunt us forever.

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Speaker 1: We'll do that. When I was the point team. Get

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Speaker 1: that and how do you know? Yeah, thank you, thank you.

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Speaker 1: I keep track. You did not respond to my birthday

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Speaker 1: letter to nine okay, usually sent that to the company email. Oh,

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Speaker 1: me and Daniel are on the same the same last name.

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Speaker 1: It's gone. It's the same last name. That's why it's

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Speaker 1: just it's not it's because the same last name is

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Speaker 1: because it was always gifts. I bring gifts. I know,

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Speaker 1: I know, I know that you're supposed to bring gifts,

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Speaker 1: not gifts. I bring gifts, I know, but you make

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Speaker 1: us all look around your phone enough. I've heard enough.

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Speaker 1: I'm making changes right now from this point on. All right,

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Speaker 1: why are you breaking ranges? Because something has to be done, Daniel.

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Speaker 1: I'm here to save you. This is to help you.

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Speaker 1: You were having some sort of a pitch. I thought

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Speaker 1: you were lower on the totem poles. I was, but

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Speaker 1: I'm using the contract that we all signed to. Okay,

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Speaker 1: I'm here with one of the hostages right now. So

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Speaker 1: what more were you feeling? Are you? Okay? I thought

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Speaker 1: I was controlling. Now it's out of controlling. There. I

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Speaker 1: was security, but I wasn't prepared for something like this.

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Speaker 1: Somebody see me. So you were security and you were

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Speaker 1: one of the first people to leave. We want is that.

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Speaker 1: I can hear them asking for sandwiches right now. So

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Speaker 1: accountability partners, Okay, everybody put your name in this hat

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Speaker 1: and whoever you draw will be your accountability partner. Are

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Speaker 1: you talking about actually sketching somebody? No, I just mean

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Speaker 1: writing your name. Okay, But I don't want Daniel, I'm

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Speaker 1: not doing. Okay, That's what I'm saying is going to

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Speaker 1: be in there. Then you take Daniel, you take in

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Speaker 1: ok here we go now, Okay, it's you withel with agreed. Yeah,

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Speaker 1: same last name. I love with your partners. What's our

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Speaker 1: first project? You know what I've got the first project here?

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Speaker 1: What do we think happened to Daniel? Just in general,

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Speaker 1: you just go from work to work, from business to

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Speaker 1: business and alienate everyone on a day. One poor bastard

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Speaker 1: just wanted to get along and he has a good heart. Yeah,

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Speaker 1: and it's like it's a great heart. It's an indigestion thing.

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Speaker 1: It's about scene too comes from Toby Dear Alchemists, Greetings

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Speaker 1: from London. I jumped onto your podcast when the first

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Speaker 1: episode aired and haven't looked back. Love love most of

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Speaker 1: what you do at Uh just come back for holiday

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Speaker 1: and Thailand being on limited means I couldn't afford to

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Speaker 1: fly direct, had to change a couple of times, which

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Speaker 1: means a lot of lengthen layovers and lots of time

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Speaker 1: spending queuing up with other weary travelers. This leads me

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Speaker 1: to my scenario idea. The Alchemists are airport staff manning

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Speaker 1: women ing the pre flight checks, passport control, metal detectors,

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Speaker 1: baggage claim all that jazz overworked, underpaid. They have to

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Speaker 1: deal with all manner of weird and wacky passengers and

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Speaker 1: problems from service animals to smugglers. Well, just beautiful literation

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Speaker 1: all the way through there, Toby. Thank you must be

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Speaker 1: speaking to kings of English. It would be such a

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Speaker 1: thrill for me if this got picked. But I'll be

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Speaker 1: tuning in and laughing regardless of what you guys decided

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Speaker 1: to run with. Best way, Just next, here's next, I'm next. Okay, um,

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Speaker 1: I'm pre check. So anything to declare no, Mmm, I

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Speaker 1: don't like to look in your eyes. Listen, I'm pre check.

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Speaker 1: I I paid money to be able to go through

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Speaker 1: this line. Your pre check. Think your royalty in some ways, right,

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Speaker 1: I not royalty. What was your purpose of the trip vacation?

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Speaker 1: So pleasure? Yeah, pleasure? And you didn't do any shopping.

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Speaker 1: I mean I shopped, sure, but I used whatever I

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Speaker 1: needed to use. I went through everything that was receipts.

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Speaker 1: I'm not I'm not claiming these things. This is just

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Speaker 1: for fun. So you didn't buy anything you're bringing home? No? No,

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Speaker 1: you just bought sundown lotion. Are you saying you had

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Speaker 1: that coat you're wearing now before you came? Yeah? Yeah,

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Speaker 1: I have an extensive collection. I've got lots of First

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Speaker 1: I can literally smell the fears. It's not fear, it's for.

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Speaker 1: It's for. It's hot here God, when you sweating first?

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Speaker 1: Please let me through. All right, here we go, Thank you? Next, Hello,

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Speaker 1: where are you coming from? I'm coming from a Ruba?

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Speaker 1: If you will? I did. It was wonderful. I fell

401
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Speaker 1: in love with a person or the place with both, yes,

402
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Speaker 1: but a person, yes, a special someone. Where's that someone?

403
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Speaker 1: Walking on air? Wish this could get me all the

404
00:24:33,160 --> 00:24:35,480
Speaker 1: way home instead of getting on the plane. Where's that someone? Now?

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Speaker 1: Here's your my time? Man? Oh? Thank you very much.

406
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Speaker 1: Anything else you need? I would like you to sit

407
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Speaker 1: on my left I really, I really can't do that. Carlos, Carlos.

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Speaker 1: Am I pronouncing that correctly? Carlos, Carlos, Look at your eyes.

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Speaker 1: I can't look at my own eyes. Oh if you could,

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Speaker 1: you'd never stop. Okay, Just are you signing for the

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Speaker 1: room or rose petals? Carlos? Are you signing for the room?

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Speaker 1: I can put it on the room. Okay, I have

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Speaker 1: a room. Which room is it? It's room one? No? No, no,

414
00:25:14,119 --> 00:25:16,480
Speaker 1: just just take a peek at it. Keep it in

415
00:25:16,480 --> 00:25:21,120
Speaker 1: your pocket, Carlos, take your top off. It's hot out here.

416
00:25:22,880 --> 00:25:26,479
Speaker 1: You're making me feel lonely, one topless girl on the beach.

417
00:25:29,960 --> 00:25:33,560
Speaker 1: I'm really trying to avert my gaze right now, Come on, Carlos,

418
00:25:33,560 --> 00:25:37,040
Speaker 1: I have a little fun. Did you make this drink yourself?

419
00:25:37,480 --> 00:25:42,679
Speaker 1: I know the bartender did deliver it, Carlos, So I

420
00:25:42,720 --> 00:25:46,040
Speaker 1: just need a signal ring on your finger. No ring line,

421
00:25:46,400 --> 00:25:51,560
Speaker 1: good sign, good sign, long lifeline though, Please let go.

422
00:25:52,119 --> 00:25:54,560
Speaker 1: You're gonna have three children, you know what. I'm supposed

423
00:25:54,560 --> 00:25:58,040
Speaker 1: to have three children? To look at our palms, Carlos,

424
00:25:58,080 --> 00:26:00,840
Speaker 1: Are you freaking out right now? You you think you're

425
00:26:01,040 --> 00:26:11,800
Speaker 1: you're still having three children? Don't lie? Round up. I'm

426
00:26:14,040 --> 00:26:21,639
Speaker 1: fifty two. Okay, that's a nice little adam together. It's

427
00:26:21,640 --> 00:26:26,040
Speaker 1: a cute number. That's how old my grandmother was when

428
00:26:26,080 --> 00:26:31,840
Speaker 1: she passed. Okay, somebody's waving to be over there. Please

429
00:26:31,960 --> 00:26:34,520
Speaker 1: I don't. I don't have anything to wipe my tears.

430
00:26:34,560 --> 00:26:38,760
Speaker 1: My bikini tip is gone. Are you guys done them?

431
00:26:39,160 --> 00:26:43,040
Speaker 1: I think we're almost gone. Are we done? Yeah? Okay?

432
00:26:43,880 --> 00:26:45,920
Speaker 1: Who I want to take? Yeah, welcome back to the

433
00:26:46,040 --> 00:26:49,440
Speaker 1: United States. Thank you so much. Serve me help you. Yep,

434
00:26:49,600 --> 00:26:53,200
Speaker 1: here's my passport. Okay, what was a person of your trip?

435
00:26:56,000 --> 00:26:59,840
Speaker 1: That's other business or pleasure business. Business, it's definitely a business.

436
00:26:59,880 --> 00:27:05,399
Speaker 1: And what was your business? Drug smuggling? Oh that's great,

437
00:27:05,720 --> 00:27:08,880
Speaker 1: that's great. Most people don't even try that joke. It's

438
00:27:08,920 --> 00:27:12,119
Speaker 1: a favorite on our side of what sort of trucks

439
00:27:12,160 --> 00:27:18,119
Speaker 1: were your smuggling? Dan? Um? Black tar? Heroin stuffed in

440
00:27:18,119 --> 00:27:24,679
Speaker 1: my butt? Sometimes it looks like that does I'm always

441
00:27:24,680 --> 00:27:28,840
Speaker 1: like so funny over there, clipp guys killing me. Oh,

442
00:27:28,880 --> 00:27:32,200
Speaker 1: this is cliff are how are you doing up? There's

443
00:27:33,000 --> 00:27:36,920
Speaker 1: Roder Roder Hey, come here, buddy. Ro loves this guy,

444
00:27:38,040 --> 00:27:41,520
Speaker 1: but all up in it. Look he likes but he

445
00:27:41,560 --> 00:27:48,680
Speaker 1: likes my butt. That's the antal candle Roder boys, good buddy, Dan.

446
00:27:49,320 --> 00:27:52,560
Speaker 1: How long were you in the Ruba? Forty eight hours? Wow?

447
00:27:52,640 --> 00:27:55,080
Speaker 1: Quick trip, So just enough time to get the block.

448
00:27:55,160 --> 00:27:57,439
Speaker 1: Just just load all this stuff in my asses. You

449
00:27:57,480 --> 00:28:02,040
Speaker 1: know how it goes. He's got black tar? I never

450
00:28:02,040 --> 00:28:06,240
Speaker 1: heard that one man. Sure there's not a clothing or

451
00:28:06,280 --> 00:28:09,199
Speaker 1: anything else. Let me see, let me see. Nope, just

452
00:28:09,240 --> 00:28:13,159
Speaker 1: the drugs. What do you do in the States, Dan,

453
00:28:13,880 --> 00:28:20,160
Speaker 1: I sell this to your school children? Yeah? How about

454
00:28:20,200 --> 00:28:22,919
Speaker 1: those reds this year? Huh? Have a good series. That's

455
00:28:22,960 --> 00:28:25,280
Speaker 1: what I was thinking. That's what I was thinking. All right, well, Dan,

456
00:28:25,359 --> 00:28:27,160
Speaker 1: it's great to meet you. Man. I wish you could

457
00:28:27,200 --> 00:28:29,200
Speaker 1: hang out with you guys. Well you can. We've got

458
00:28:29,200 --> 00:28:35,520
Speaker 1: an application if you shut up. Router. But yeah, well

459
00:28:37,280 --> 00:28:40,120
Speaker 1: here's my number. This is crazy, here's my card. Take

460
00:28:40,160 --> 00:28:42,360
Speaker 1: my card, all right, give me a coffee? Went some

461
00:28:42,400 --> 00:28:46,600
Speaker 1: black tart? That's right, It says drug dealer on the

462
00:28:46,640 --> 00:28:50,840
Speaker 1: car literally says al right, gentlemen, you guys are great.

463
00:28:51,040 --> 00:28:53,240
Speaker 1: You guys are damn good day. What about that? Dan?

464
00:28:53,840 --> 00:28:58,120
Speaker 1: It was great? Yep? What do you got that business?

465
00:28:58,120 --> 00:29:01,680
Speaker 1: Your pleasure? Grieff, You were in a room. But for grief,

466
00:29:02,160 --> 00:29:05,800
Speaker 1: I'm not sure we've heard that one. Oh it's so sad,

467
00:29:06,480 --> 00:29:12,680
Speaker 1: is it? It's in my way? It was a funeral, wow, okay.

468
00:29:12,880 --> 00:29:16,280
Speaker 1: And don't you want to know the details. Well I do,

469
00:29:16,360 --> 00:29:20,760
Speaker 1: and I don't. We're supposed to stay impartial, right and

470
00:29:20,880 --> 00:29:24,040
Speaker 1: treat everybody the same. So I'm sorry for your grief. Funeral,

471
00:29:24,600 --> 00:29:28,360
Speaker 1: your sister she passed. I'm sorry for your loss. She

472
00:29:28,600 --> 00:29:34,720
Speaker 1: was a snorkeler. She died doing what she loves. No

473
00:29:34,560 --> 00:29:38,719
Speaker 1: no driving. I see, Uh, what kind of car did

474
00:29:38,800 --> 00:29:43,240
Speaker 1: you drive? It was a small bug Volkswagen. That's right,

475
00:29:44,680 --> 00:29:46,960
Speaker 1: So hold on. So you're telling me that I'm going

476
00:29:47,000 --> 00:29:48,880
Speaker 1: to go first and see that I have drugs in

477
00:29:48,880 --> 00:29:51,760
Speaker 1: my butt, or we're actually gonna put the drugs in Sarah's.

478
00:29:51,800 --> 00:29:54,880
Speaker 1: But must what I'm telling you. It seems like you're

479
00:29:54,880 --> 00:30:00,160
Speaker 1: going to go with my butt. Yeah, I don't What

480
00:30:00,320 --> 00:30:02,480
Speaker 1: you can fit in my back drives me a lot.

481
00:30:02,560 --> 00:30:07,440
Speaker 1: There's miles have been to put it in my banana

482
00:30:07,520 --> 00:30:14,440
Speaker 1: Dakari Margarita. Than you. Thank you, Carlos, Thank you, cheers, cheers, cheers, Carlos.

483
00:30:14,440 --> 00:30:16,800
Speaker 1: Have you ever looked at your own eyes in the mirror?

484
00:30:16,840 --> 00:30:24,640
Speaker 1: I guess lucky. Can't you sit on my lup? Sure? Okay,

485
00:30:24,680 --> 00:30:26,720
Speaker 1: So just just want to make this clerk in. I'm

486
00:30:26,720 --> 00:30:28,800
Speaker 1: gonna say out loud that I have drugs in my butt.

487
00:30:29,080 --> 00:30:30,520
Speaker 1: But we're not putting the drugs in my butt. We're

488
00:30:30,520 --> 00:30:32,480
Speaker 1: putting him up her butt. You have a strong bed.

489
00:30:32,720 --> 00:30:35,720
Speaker 1: Are we going to But don't worry about that, boy,

490
00:30:35,760 --> 00:30:37,680
Speaker 1: carlle Is, you're gonna think of something. Huh, here's twenty bucks.

491
00:30:37,720 --> 00:30:39,680
Speaker 1: What do you think about that girl? So she was

492
00:30:39,760 --> 00:30:47,840
Speaker 1: driving a bug. She was driving oh down allergic, I'm allergic.

493
00:30:48,040 --> 00:30:53,640
Speaker 1: He likes everybody. Yeah, that's what's up there? Man? My

494
00:30:53,680 --> 00:31:01,080
Speaker 1: but that's a favorite of rouders. Yeah, it's all that's

495
00:31:01,120 --> 00:31:07,840
Speaker 1: in there. He's impartial. It's very forward. Looks like we

496
00:31:07,920 --> 00:31:09,959
Speaker 1: got a woman over here, might be uh having drugs up,

497
00:31:10,040 --> 00:31:11,800
Speaker 1: but we're gonna send a team down there. A step

498
00:31:11,840 --> 00:31:15,880
Speaker 1: asep butth hole. Second jukes on the butt with a

499
00:31:15,880 --> 00:31:19,720
Speaker 1: butth hole. You had to check both um section nineteen

500
00:31:19,960 --> 00:31:24,640
Speaker 1: gate two. Yeah, okay, I'm looking at camera. See now?

501
00:31:25,080 --> 00:31:27,480
Speaker 1: How long were you in rub I was in a

502
00:31:27,560 --> 00:31:31,080
Speaker 1: ruba for seven horrible day? Right, you had to make

503
00:31:31,080 --> 00:31:33,680
Speaker 1: a lot of We had rain on four of the days,

504
00:31:33,920 --> 00:31:43,160
Speaker 1: which days Monday, right Wednesday? Luminous. A woman here, get

505
00:31:43,160 --> 00:31:49,040
Speaker 1: on the ground, map the dog. Get those guys were

506
00:31:49,040 --> 00:31:54,640
Speaker 1: a fresh router the corund Get that dog. He can't

507
00:31:54,680 --> 00:31:57,200
Speaker 1: get on the ground. Put right here. We gotta check

508
00:31:57,200 --> 00:31:59,520
Speaker 1: her butt now, all right, put this tent up quick,

509
00:32:01,080 --> 00:32:05,000
Speaker 1: get that dog out of there. Around soon we're turn

510
00:32:05,040 --> 00:32:08,200
Speaker 1: around to open your button, Cuff. I can't open my butt.

511
00:32:08,360 --> 00:32:11,240
Speaker 1: We're gonna turn around open your buttonuff. I've never opened

512
00:32:11,240 --> 00:32:13,560
Speaker 1: my button my life. Man, if you have to do this,

513
00:32:13,600 --> 00:32:21,720
Speaker 1: you will beats. Man. You don't have to open your butt.

514
00:32:21,960 --> 00:32:24,600
Speaker 1: What is your problem? I just want to fit in.

515
00:32:25,680 --> 00:32:27,720
Speaker 1: You guys are having some fun down here on the floor.

516
00:32:27,760 --> 00:32:30,800
Speaker 1: I get I get a little cool, very aggressive, I know,

517
00:32:30,960 --> 00:32:32,640
Speaker 1: but I don't get to work the deadsk you know.

518
00:32:32,760 --> 00:32:34,920
Speaker 1: I just get to carry. They are gonna walk around

519
00:32:34,960 --> 00:32:37,040
Speaker 1: on the table. We're gonna fit in my chilling a

520
00:32:37,160 --> 00:32:40,120
Speaker 1: woman chance to open her But yeah, you're probably right.

521
00:32:40,480 --> 00:32:43,320
Speaker 1: You could have asked me nicely. Let's try that scenario.

522
00:32:43,400 --> 00:32:45,640
Speaker 1: Come on in again and ask your nights. Okay, so

523
00:32:45,680 --> 00:32:52,880
Speaker 1: you were how long I was? Seven things? Get off?

524
00:32:52,920 --> 00:32:55,040
Speaker 1: Would you tell him that rain was Monday and Wednesday

525
00:32:55,280 --> 00:32:57,640
Speaker 1: and then Thursday, and then it looked like it was

526
00:32:57,680 --> 00:33:01,480
Speaker 1: going to be gone, Friday was and then around I'm sorry,

527
00:33:01,520 --> 00:33:04,760
Speaker 1: excuse me? Yes, would you mind showing me your but

528
00:33:09,120 --> 00:33:11,320
Speaker 1: who would phrase it like that? I don't know. I

529
00:33:11,360 --> 00:33:13,440
Speaker 1: don't date much. No, I don't talk to a lot

530
00:33:13,480 --> 00:33:17,840
Speaker 1: of people. I wow, this plaice looks very fancy. Yeah,

531
00:33:17,840 --> 00:33:21,000
Speaker 1: it's really fancy. You know they let you open carry here.

532
00:33:21,160 --> 00:33:23,680
Speaker 1: So what is it? What is that I'm allowed to

533
00:33:23,760 --> 00:33:27,400
Speaker 1: have my side arm exposed? Can I start you guys

534
00:33:27,400 --> 00:33:31,120
Speaker 1: off with something to drink? Yes? Please? Um, yeah, I'll

535
00:33:31,160 --> 00:33:34,760
Speaker 1: have Is that a kennel in the back. Oh, it's

536
00:33:34,840 --> 00:33:38,440
Speaker 1: just an alley dog. Nothing worried. I'm not worried at all.

537
00:33:38,560 --> 00:33:41,640
Speaker 1: I have a well big gun, have a saw off shotgun.

538
00:33:41,680 --> 00:33:44,640
Speaker 1: Run on my hip. Um, you know what, Well, I'll

539
00:33:44,680 --> 00:33:48,320
Speaker 1: have all have a warm tomato, juice, salt pepper on

540
00:33:48,360 --> 00:33:51,000
Speaker 1: the side, and a small little saucer. I'd like soy sauce.

541
00:33:51,040 --> 00:33:53,440
Speaker 1: If you could just in a teaspoon amount. I'd like

542
00:33:53,600 --> 00:33:56,080
Speaker 1: a shot of vodka, shot tequila, shot of brandy. Don't

543
00:33:56,080 --> 00:33:57,920
Speaker 1: mix any of them because I like my liquor separate.

544
00:33:58,320 --> 00:34:01,000
Speaker 1: And then if I could have as a plate of ice,

545
00:34:01,040 --> 00:34:04,160
Speaker 1: that of ice, got no problem. And for you, I'm

546
00:34:04,200 --> 00:34:12,080
Speaker 1: leaving another one left. Do you still want me to

547
00:34:12,320 --> 00:34:16,560
Speaker 1: bring that extensive drink order? Yeah, I guess I'll just

548
00:34:16,760 --> 00:34:23,359
Speaker 1: might as well make it a double stand down. I'm

549
00:34:23,400 --> 00:34:26,040
Speaker 1: going to go back to the office. Okay, thank you. You

550
00:34:25,920 --> 00:34:31,040
Speaker 1: You have a granddaughter, Okay, hot little number. Maybe we

551
00:34:31,080 --> 00:34:35,120
Speaker 1: should see if she's available some nice Sure. Does she

552
00:34:35,520 --> 00:34:38,239
Speaker 1: come into Dallas or does she live in Dallas? Or

553
00:34:38,520 --> 00:34:42,440
Speaker 1: she nesn't live in Dallas. No, she lives in Montana.

554
00:34:43,680 --> 00:34:45,560
Speaker 1: Why would you ask me that? I don't know. We're

555
00:34:45,560 --> 00:34:50,160
Speaker 1: in Dallas, but she lives in Montana. Okay, well it's appropriate,

556
00:34:50,200 --> 00:34:55,520
Speaker 1: ask and everything rude and invasive. Open my button? Does

557
00:34:55,560 --> 00:34:59,960
Speaker 1: your granddaughter live in Dallas? Sorry? Sorry? If you ever

558
00:35:00,000 --> 00:35:03,680
Speaker 1: go to Montana? Is this lin I'm gonna move or what? Yes,

559
00:35:03,800 --> 00:35:07,719
Speaker 1: We're gonna get you when we can. Please. So, did

560
00:35:07,760 --> 00:35:11,600
Speaker 1: you catch her? No? But what happened? They let her go?

561
00:35:11,800 --> 00:35:14,520
Speaker 1: They let her go. You you're supposed to stop her.

562
00:35:14,640 --> 00:35:16,480
Speaker 1: It's not that easy, Okay. There's a lot of pure

563
00:35:16,520 --> 00:35:20,080
Speaker 1: pressures so society. No. I tried to get her cough

564
00:35:20,120 --> 00:35:22,719
Speaker 1: with her butt open, but no one would let it on.

565
00:35:22,800 --> 00:35:25,360
Speaker 1: What did you show them your badge? Weren't it? But

566
00:35:25,400 --> 00:35:32,040
Speaker 1: it just it wasn't Router. Yeah, goddamn dog adopted Router

567
00:35:32,200 --> 00:35:35,719
Speaker 1: and a lot of PTSD with the pub And I

568
00:35:35,840 --> 00:35:39,440
Speaker 1: need you to go stop her from entering the United States.

569
00:35:39,600 --> 00:35:43,319
Speaker 1: Already entered. This is you need to go track her down.

570
00:35:43,400 --> 00:35:45,799
Speaker 1: This is your job. You're gonna let that black tar

571
00:35:45,880 --> 00:35:49,000
Speaker 1: heroin hit the streets. It's already in. I can't control

572
00:35:49,520 --> 00:35:54,920
Speaker 1: conty gangsters just being gangsters. You're all very good at

573
00:35:55,440 --> 00:35:59,200
Speaker 1: and no, I'm not you man. You gotta let us

574
00:35:59,200 --> 00:36:02,520
Speaker 1: know you're a cut Okay, I'm not. He's not giving

575
00:36:02,560 --> 00:36:05,279
Speaker 1: a break. Yeah, so we got a big shipment coming

576
00:36:05,320 --> 00:36:09,080
Speaker 1: in in the way of an old lady. Okay, so

577
00:36:09,320 --> 00:36:11,719
Speaker 1: why do you be so like specific about this ship?

578
00:36:12,800 --> 00:36:17,840
Speaker 1: He's being informative. Man. This guy's a one who comes

579
00:36:17,840 --> 00:36:19,360
Speaker 1: in here is a cop. What do I gotta do

580
00:36:19,400 --> 00:36:20,880
Speaker 1: to proof to you? I'm not a cop? I'm a

581
00:36:20,960 --> 00:36:32,680
Speaker 1: kid cop. We got one in the back. Yeah, this

582
00:36:32,800 --> 00:36:36,440
Speaker 1: is okay. Can I whisper? I like to whisper to

583
00:36:36,480 --> 00:36:40,440
Speaker 1: my bidings before I calls sick. I'm gonna get you

584
00:36:40,440 --> 00:36:45,240
Speaker 1: out of here. What are you guys putting the telephone?

585
00:36:46,080 --> 00:36:47,640
Speaker 1: He's not going to be good because he can't say

586
00:36:47,640 --> 00:36:50,600
Speaker 1: what he hurt. I like to I like to get

587
00:36:50,640 --> 00:36:53,799
Speaker 1: really menacing. Let's chuck, I know your wife and kids.

588
00:36:54,120 --> 00:37:01,320
Speaker 1: I'll take care of them. What do you say? We

589
00:37:01,360 --> 00:37:03,719
Speaker 1: know what he says? No, no, no, no, leave the

590
00:37:03,719 --> 00:37:06,560
Speaker 1: tape on and leave the tape on. Ship. I love

591
00:37:06,600 --> 00:37:08,840
Speaker 1: this guy, manz Chuck, I'm gonna have to put with

592
00:37:08,960 --> 00:37:18,360
Speaker 1: your head. Okay, alright, alright, Hey, I'm gonna gettings. No problem,

593
00:37:18,400 --> 00:37:21,239
Speaker 1: here we go. This is nine millimeter and we know

594
00:37:21,280 --> 00:37:27,000
Speaker 1: what it is. Cops carrying this guy's co incidental? All right?

595
00:37:27,360 --> 00:37:30,000
Speaker 1: His haircuts like cop hair. That's how I do it,

596
00:37:30,000 --> 00:37:33,560
Speaker 1: all right, This one last thing, I'm gonna whisper to Charlie. Charlie,

597
00:37:35,000 --> 00:37:36,440
Speaker 1: wait a second, hold on his thing? How do you

598
00:37:36,480 --> 00:37:39,239
Speaker 1: know his name? What you can hear me? Whisper? How

599
00:37:39,239 --> 00:37:41,400
Speaker 1: did you know his name? How did you hear? One

600
00:37:41,440 --> 00:37:43,719
Speaker 1: last thing? I'm going to whisper to Charlie. You told

601
00:37:43,840 --> 00:37:47,560
Speaker 1: us you wanted to whisper one last thing to Charlie.

602
00:37:50,120 --> 00:37:58,200
Speaker 1: He's obviously sorry for ever doubting. Hey, Linda, yeah, you know,

603
00:37:58,600 --> 00:38:03,480
Speaker 1: good to see you. Charlie has been missing, going on

604
00:38:03,480 --> 00:38:11,040
Speaker 1: those little missions with you know, but uncle Danny Lee

605
00:38:11,120 --> 00:38:15,200
Speaker 1: day so much? Yeah, okay, saying this is his daddy. Oh,

606
00:38:15,640 --> 00:38:21,239
Speaker 1: I can't understand. It's all the gun balls and that's

607
00:38:21,239 --> 00:38:25,560
Speaker 1: going to be here soon. What you doing here, you

608
00:38:25,640 --> 00:38:28,680
Speaker 1: hot dog? Oh? I'm good. You look at the picture

609
00:38:28,880 --> 00:38:36,719
Speaker 1: me for Isn't that the cutest picture? That's me him

610
00:38:36,800 --> 00:38:43,840
Speaker 1: and his father forever Land ever land to Oh no,

611
00:38:44,000 --> 00:38:47,120
Speaker 1: thank you. I love standing up. I've been doing a

612
00:38:47,160 --> 00:38:52,239
Speaker 1: bar class. Try a long lean muscle. I have two

613
00:38:52,360 --> 00:38:55,600
Speaker 1: things I need to tell you. It's very important. Sure,

614
00:38:55,680 --> 00:38:57,480
Speaker 1: maybe send the little man to his room. Do you

615
00:38:57,520 --> 00:39:00,640
Speaker 1: want to go to your room now and listen. Okay,

616
00:39:02,920 --> 00:39:06,920
Speaker 1: uh do you want a soda mountain? Do I do? I?

617
00:39:07,040 --> 00:39:09,799
Speaker 1: Do you know where it? Can I get a warm

618
00:39:09,800 --> 00:39:12,080
Speaker 1: glass of a tomato juice by a chance? Oh? Sure,

619
00:39:12,280 --> 00:39:16,799
Speaker 1: we've got some on the boiler. All right. I got

620
00:39:16,800 --> 00:39:20,839
Speaker 1: good news, great news, and I've got terrible news. Did

621
00:39:20,840 --> 00:39:26,280
Speaker 1: you guys make detective at the same time, the detective

622
00:39:26,320 --> 00:39:31,399
Speaker 1: party and get off of me. Look at me, Son,

623
00:39:31,880 --> 00:39:35,520
Speaker 1: Look at me, Danny. Danny, let him go. I killed

624
00:39:35,560 --> 00:39:39,120
Speaker 1: your father? What? I put multiple bullets through his head?

625
00:39:39,600 --> 00:39:47,279
Speaker 1: He did? What? What? What? Glenda? The second thing is

626
00:39:47,560 --> 00:39:55,759
Speaker 1: give you're in? I'm oh no, I think my army

627
00:39:55,840 --> 00:40:06,440
Speaker 1: is ground to call off. Carlos come into my office. Yes, sir,

628
00:40:07,040 --> 00:40:10,600
Speaker 1: I saw you were sitting on someone's lap out there. Again. Well,

629
00:40:10,640 --> 00:40:12,840
Speaker 1: I mean he's a big time heroin dealer, so I

630
00:40:12,920 --> 00:40:17,040
Speaker 1: really didn't feel like I had strict no sitting on

631
00:40:17,160 --> 00:40:23,399
Speaker 1: laps policy here. I was afraid of that. Why you, Carlos,

632
00:40:24,160 --> 00:40:27,040
Speaker 1: please stop sitting on the lapse of customers. I don't

633
00:40:27,080 --> 00:40:30,480
Speaker 1: want to believe me. I don't excuse me. Is Carlos

634
00:40:30,520 --> 00:40:36,040
Speaker 1: in here? Yes, Carlos, is there something I can help

635
00:40:36,080 --> 00:40:39,120
Speaker 1: you with? Why did Carlos put his shirt back on. Um,

636
00:40:39,239 --> 00:40:42,160
Speaker 1: we have a strict shirted policy for all of our employees.

637
00:40:42,239 --> 00:40:45,560
Speaker 1: Oh you as supervisor. I'm the owner of this hotel.

638
00:40:45,680 --> 00:40:49,040
Speaker 1: Oh it's beautiful. I'm in room one four. I would

639
00:40:49,440 --> 00:40:51,920
Speaker 1: give you the key, but I would give it to Carlos.

640
00:40:51,960 --> 00:40:56,000
Speaker 1: I don't want the key. Give me yes, here it

641
00:40:56,080 --> 00:40:58,680
Speaker 1: is okay, thank you, ma'am. Please take your key back.

642
00:40:59,040 --> 00:41:00,600
Speaker 1: I'm going to take it back and then I'm going

643
00:41:00,680 --> 00:41:04,560
Speaker 1: to give it back to Carlos. Carlos, give that. Uh

644
00:41:04,600 --> 00:41:07,680
Speaker 1: excuse me? Is this is where you check passports? I

645
00:41:07,719 --> 00:41:12,880
Speaker 1: wanted to clare asylum asylum? Where are you from? Ruba? Okay?

646
00:41:13,239 --> 00:41:18,719
Speaker 1: I want to requested sylum student sexual violence? We understand,

647
00:41:18,760 --> 00:41:24,279
Speaker 1: We appreciate your situation. What what's your citizenship? A reuben? Okay?

648
00:41:24,440 --> 00:41:30,000
Speaker 1: Check out? What's what's this guy's problems? Checking out? Right now?

649
00:41:30,120 --> 00:41:32,880
Speaker 1: So I'm wrong over here. Uh, this gentleman is a

650
00:41:33,160 --> 00:41:36,319
Speaker 1: seeking asylum apparently from a Ruba. Let's let's do what

651
00:41:36,320 --> 00:41:39,440
Speaker 1: you got. You mind taking your shirt off? I have

652
00:41:39,520 --> 00:41:43,000
Speaker 1: to do it all the time at work. Sure, Yeah,

653
00:41:43,120 --> 00:41:44,839
Speaker 1: a lot of crows in there to hide the drug.

654
00:41:45,840 --> 00:41:48,000
Speaker 1: Oh I know, I don't have any drugs. The only

655
00:41:48,000 --> 00:41:50,359
Speaker 1: one way to find out. Crack this coconut or we're

656
00:41:50,360 --> 00:41:51,719
Speaker 1: gonna dump it on top of this kid and make

657
00:41:51,719 --> 00:41:54,319
Speaker 1: sure there's nothing that was picking up a heroine smell.

658
00:41:54,320 --> 00:41:55,759
Speaker 1: It's only because I sat in the lap of a

659
00:41:55,760 --> 00:41:59,919
Speaker 1: heroin dealing. Is that so good? On the ground kid

660
00:41:59,920 --> 00:42:17,440
Speaker 1: on Carlos cry, you please get this man out of here?

661
00:42:17,640 --> 00:42:27,040
Speaker 1: Absolutely the state. Why did I picture Router getting on

662
00:42:27,080 --> 00:42:30,560
Speaker 1: all four us when you sit down? Pictured the dog?

663
00:42:32,040 --> 00:42:35,160
Speaker 1: The same three comes to us from Joshua L, who writes, Hey,

664
00:42:35,200 --> 00:42:37,480
Speaker 1: alchemis I am excited to here that you will be

665
00:42:37,480 --> 00:42:40,560
Speaker 1: putting out two episodes a week. Yes, we are too

666
00:42:40,600 --> 00:42:44,400
Speaker 1: excited about that. Please tell everyone you've ever met Joshua L.

667
00:42:44,520 --> 00:42:46,200
Speaker 1: This is excellent news, and I'm sure I am one

668
00:42:46,200 --> 00:42:48,360
Speaker 1: of the many fans were related with this announcement. My

669
00:42:48,400 --> 00:42:52,760
Speaker 1: first exposure to the show was the replacing Zuckerberg scene,

670
00:42:53,040 --> 00:42:55,160
Speaker 1: and I've been super hooked ever since. I look forward

671
00:42:55,200 --> 00:42:57,440
Speaker 1: to all your new episodes and always go back to

672
00:42:57,600 --> 00:42:59,840
Speaker 1: re listen to my favorites again and again. We love this.

673
00:43:00,000 --> 00:43:03,000
Speaker 1: I love listening Oh this someone who works at my heart?

674
00:43:03,000 --> 00:43:07,279
Speaker 1: Now that then I made that. I love listening to

675
00:43:07,320 --> 00:43:10,000
Speaker 1: you go on during my commute at working at a gym,

676
00:43:10,040 --> 00:43:15,080
Speaker 1: although I've learned to not do that while I'm bench pressing,

677
00:43:15,120 --> 00:43:18,279
Speaker 1: as I've almost killed myself twise from laughing in the

678
00:43:18,320 --> 00:43:20,799
Speaker 1: middle of my set with weights above my head. Yeah,

679
00:43:20,840 --> 00:43:22,920
Speaker 1: we should probably have that disclaimer at the beginning of

680
00:43:22,960 --> 00:43:27,400
Speaker 1: every show. Do not listen while well bench pressing by

681
00:43:28,239 --> 00:43:31,279
Speaker 1: I love that you create superlargs rememorable characters in the

682
00:43:31,320 --> 00:43:34,000
Speaker 1: spur of the mom My Favorites all right with Martin

683
00:43:34,040 --> 00:43:40,040
Speaker 1: McCune in Room fourteen twelve, Tinko and Zack and Jack Oh,

684
00:43:40,080 --> 00:43:42,880
Speaker 1: I love zaching. Okay, I'd love to offer up a

685
00:43:42,880 --> 00:43:45,879
Speaker 1: scene here for a charitable cause. A lineup of rock

686
00:43:45,920 --> 00:43:48,800
Speaker 1: stars are brought together for a once in a lifetime

687
00:43:48,880 --> 00:43:52,560
Speaker 1: supergroup in the recording studio with an eccentric producer who

688
00:43:52,640 --> 00:43:56,400
Speaker 1: is constantly trying to get the perfect take again and

689
00:43:56,440 --> 00:43:59,320
Speaker 1: again and again and again and again and again. I

690
00:43:59,600 --> 00:44:02,520
Speaker 1: just i'll I'm doing I'm doing the drums exactly know

691
00:44:02,520 --> 00:44:07,520
Speaker 1: why I done it? Nothing different now, there's nothing chined different.

692
00:44:07,760 --> 00:44:09,840
Speaker 1: I justting we should just put a drum machine on

693
00:44:09,880 --> 00:44:13,400
Speaker 1: that we can program it to do it. A little

694
00:44:13,440 --> 00:44:18,799
Speaker 1: machine though, the machine that would be different to doing

695
00:44:18,840 --> 00:44:22,319
Speaker 1: the same thing every single time, and you don't want it.

696
00:44:22,320 --> 00:44:25,160
Speaker 1: It's not a mate al right, Right, the artists are

697
00:44:25,200 --> 00:44:27,319
Speaker 1: waiting for to start the next take, sir, Do you

698
00:44:27,320 --> 00:44:29,640
Speaker 1: want to just give them instructions and so we can

699
00:44:29,680 --> 00:44:33,279
Speaker 1: move on to the next take? Maybe? Honestly, I just

700
00:44:33,320 --> 00:44:37,080
Speaker 1: want the artists to be in the moment. I don't

701
00:44:37,080 --> 00:44:40,839
Speaker 1: want to feel that. I understand, but it's take ninety one,

702
00:44:41,000 --> 00:44:43,600
Speaker 1: and I feel we're gonna lose some of them soon. Well,

703
00:44:43,719 --> 00:44:46,719
Speaker 1: the ones that we'd lose are the ones that the

704
00:44:46,840 --> 00:44:49,279
Speaker 1: musical body is attrophied. Maybe you go in there and

705
00:44:49,320 --> 00:44:52,400
Speaker 1: have a word. All right, I'm gonna fucking quit if

706
00:44:52,440 --> 00:44:59,960
Speaker 1: we don't get a This is fucking bullshit. Hello, I'm

707
00:45:00,160 --> 00:45:06,640
Speaker 1: good in the room. In the room, are you taking

708
00:45:06,640 --> 00:45:08,920
Speaker 1: the pace? Is that what you're doing? You're taking the piss?

709
00:45:10,040 --> 00:45:13,800
Speaker 1: How do you not have something usual? On something, p

710
00:45:14,040 --> 00:45:17,279
Speaker 1: on something, p in things and on things? Right? So,

711
00:45:17,320 --> 00:45:21,960
Speaker 1: what can we do differently to make you happy? I

712
00:45:22,000 --> 00:45:25,680
Speaker 1: just think at the moment, the magic that I had

713
00:45:25,760 --> 00:45:31,279
Speaker 1: heard I'm not hearing right now saying that. It's a

714
00:45:31,280 --> 00:45:36,439
Speaker 1: good question saying that, And we've been here all sucking

715
00:45:36,520 --> 00:45:38,759
Speaker 1: day though, right, Well, if it takes all fucking year,

716
00:45:38,840 --> 00:45:45,520
Speaker 1: you're gonna be here. I got a family. I don't

717
00:45:45,640 --> 00:45:50,279
Speaker 1: do this anymore. You lost your family long gone to

718
00:45:50,360 --> 00:45:54,359
Speaker 1: actually do that. You've got three family stuft and none

719
00:45:54,360 --> 00:45:57,160
Speaker 1: of them are left. They've all left you. Oh well

720
00:45:57,200 --> 00:45:59,880
Speaker 1: that makes sense, but that's because I'm Scott. Such hard touring.

721
00:46:00,920 --> 00:46:03,400
Speaker 1: As excuses go, this is not a great one. Okay,

722
00:46:05,120 --> 00:46:09,160
Speaker 1: birds feed, that's a good. That's a good. Every single

723
00:46:09,200 --> 00:46:13,400
Speaker 1: one of your homes, your lives are being taken care of, okay,

724
00:46:14,239 --> 00:46:19,080
Speaker 1: three of my families. It means I was scary, You're fine.

725
00:46:19,160 --> 00:46:23,359
Speaker 1: Scary things are frightening us. I'm not fredding anybody. You're

726
00:46:23,360 --> 00:46:25,920
Speaker 1: frightening us. I'm not fredding anybody. You're threatening us. I

727
00:46:26,560 --> 00:46:30,480
Speaker 1: feel freatened. No one's getting feel freed, my words, feel freatened.

728
00:46:31,920 --> 00:46:34,359
Speaker 1: Your home is fine, everything's being taken care of. Did

729
00:46:34,360 --> 00:46:35,879
Speaker 1: not even know how to take care of? Mc call.

730
00:46:36,440 --> 00:46:40,920
Speaker 1: I'm sure they do these because like regular birds. Yes,

731
00:46:41,040 --> 00:46:43,480
Speaker 1: so how are they doing? What's different than I'm a car?

732
00:46:44,040 --> 00:46:51,640
Speaker 1: I've got high emotional intelligence, pigeon food, different ecosystems. All right, Look,

733
00:46:52,080 --> 00:46:54,560
Speaker 1: this is kind of what I would call it. Fifty

734
00:46:54,640 --> 00:46:56,920
Speaker 1: years old can I ask a question? Yes? All right,

735
00:46:57,000 --> 00:46:59,239
Speaker 1: So you've put Tony Bennett with the group with all

736
00:46:59,239 --> 00:47:02,720
Speaker 1: of us in here, and he's contributing. But he's ninety four, mate,

737
00:47:03,280 --> 00:47:07,440
Speaker 1: So can we get this whole? I can't wait to sing, baby,

738
00:47:07,680 --> 00:47:10,400
Speaker 1: he's still got the spirit's still got emotional Henry T.

739
00:47:10,880 --> 00:47:14,040
Speaker 1: Could you talk to him? Just honestly? Out of everybody here,

740
00:47:14,080 --> 00:47:18,000
Speaker 1: he's the only one I trust. So he's still a

741
00:47:18,040 --> 00:47:24,279
Speaker 1: lot of fifty years. Yeah, that's a calling card. Suit. Look,

742
00:47:24,280 --> 00:47:27,879
Speaker 1: Tony Benn is here as a favor, right beat one

743
00:47:27,880 --> 00:47:30,360
Speaker 1: more time, because that's really got a swinging beat. Baby,

744
00:47:30,520 --> 00:47:31,960
Speaker 1: all right, Now, one of you is gonna have to

745
00:47:32,000 --> 00:47:33,279
Speaker 1: take care of him. Okay, you're gonna have to clean

746
00:47:33,320 --> 00:47:37,760
Speaker 1: him up. He's right right, But how about Huey Lewis

747
00:47:37,960 --> 00:47:41,600
Speaker 1: We talked to him now he's just doing this as

748
00:47:41,640 --> 00:47:43,240
Speaker 1: a favorite. Well, I mean we talked to him online

749
00:47:43,280 --> 00:47:46,040
Speaker 1: that we haven't spoken person along a long time. Okay,

750
00:47:46,120 --> 00:47:48,200
Speaker 1: why don't you see how he's doing? But I also

751
00:47:48,239 --> 00:47:50,279
Speaker 1: trusted him a lot to the people. I have an

752
00:47:50,280 --> 00:47:52,640
Speaker 1: issue with us, then what is the problem? Because we're

753
00:47:52,680 --> 00:47:55,239
Speaker 1: here all we're doing the same thing over and over again.

754
00:47:55,280 --> 00:47:58,920
Speaker 1: We can't get anything. Right, the music isn't hitting right,

755
00:47:59,000 --> 00:48:01,160
Speaker 1: so none of us applying music, Mate was singing. So

756
00:48:01,360 --> 00:48:03,680
Speaker 1: if the music is not okay, how about this? You

757
00:48:03,680 --> 00:48:05,160
Speaker 1: know what, why don't you follow me in this other

758
00:48:05,239 --> 00:48:09,839
Speaker 1: room real quick. I've lost a lot of jobs with that.

759
00:48:10,040 --> 00:48:11,880
Speaker 1: They tell you you and then all of a sudden

760
00:48:11,920 --> 00:48:14,200
Speaker 1: you're fired and they give you all your stuff. You're

761
00:48:14,239 --> 00:48:19,120
Speaker 1: not going to get fireday, no, check, no, look at

762
00:48:19,160 --> 00:48:23,719
Speaker 1: this nice right pirate team here? All right, this is

763
00:48:23,719 --> 00:48:26,440
Speaker 1: going to be an escape room. All right. Now, I'm

764
00:48:26,440 --> 00:48:29,480
Speaker 1: gonna leave you guys, and I'm gonna leave the room,

765
00:48:29,600 --> 00:48:32,279
Speaker 1: and you gotta work together as a team, Tony, once

766
00:48:32,320 --> 00:48:36,080
Speaker 1: you take lead, all right, all right, Well, the first

767
00:48:36,080 --> 00:48:38,200
Speaker 1: thing we should do is look for clues. Anything that's

768
00:48:38,239 --> 00:48:40,640
Speaker 1: not nailed down, it could possibly be a clue. Clue

769
00:48:40,680 --> 00:48:43,000
Speaker 1: clue for what Mate to get out of the room

770
00:48:43,040 --> 00:48:45,719
Speaker 1: and bitch walk to this door. Well check it out.

771
00:48:46,320 --> 00:48:51,480
Speaker 1: I've got a globe. Hey, hey, there's push pins in

772
00:48:51,520 --> 00:48:54,919
Speaker 1: this globe. That's got to mean something. If you want

773
00:48:54,920 --> 00:48:59,680
Speaker 1: to fight your way out, you gotta work together. That's

774
00:48:59,719 --> 00:49:03,520
Speaker 1: not giving us any new information, that animatronic right, he

775
00:49:03,560 --> 00:49:07,120
Speaker 1: already said that. But actually maybe there was a clue

776
00:49:07,160 --> 00:49:08,719
Speaker 1: in the fact that it was the voice of a

777
00:49:08,800 --> 00:49:12,919
Speaker 1: McCaw bard. That's my bird? Is it your bird? Could

778
00:49:12,920 --> 00:49:17,080
Speaker 1: your book say that? I want? I don't understand why

779
00:49:17,120 --> 00:49:19,120
Speaker 1: we're in an escape room to begin with, right, Mickey

780
00:49:19,160 --> 00:49:21,239
Speaker 1: Daland's you're you're American. You should be able to help

781
00:49:21,320 --> 00:49:23,920
Speaker 1: us out here. There's the escape room started in America.

782
00:49:24,040 --> 00:49:29,640
Speaker 1: What how do it do this? Didn't you see that? Maybe? Yeah,

783
00:49:29,680 --> 00:49:34,799
Speaker 1: I was over here smoking might leather jacket. I think. Look,

784
00:49:34,840 --> 00:49:37,680
Speaker 1: here's the deal. People looks like leather. Everyone here in

785
00:49:37,680 --> 00:49:40,720
Speaker 1: this room is done. What's that mean? You're all done?

786
00:49:41,400 --> 00:49:44,719
Speaker 1: And that young hip engineer is giving you an opportunity

787
00:49:44,760 --> 00:49:48,040
Speaker 1: to change things because you're all done. Go on, I'm

788
00:49:48,080 --> 00:49:50,960
Speaker 1: just getting started. Baby. You'll be dead by the end

789
00:49:50,960 --> 00:49:53,680
Speaker 1: of the week, and the rest of you have died

790
00:49:53,800 --> 00:50:01,000
Speaker 1: years ago. Dead. Your music is dead. Your music is dead,

791
00:50:01,160 --> 00:50:04,120
Speaker 1: Your bitch and complain like children. They called us, you're

792
00:50:04,160 --> 00:50:06,399
Speaker 1: not playing like they called us, yeah, because they thought

793
00:50:06,400 --> 00:50:08,200
Speaker 1: maybe you had something in you. But I guess they

794
00:50:08,239 --> 00:50:10,479
Speaker 1: were wrong. So unless you can get out of this room,

795
00:50:12,640 --> 00:50:15,040
Speaker 1: you say, okay, yeah, just are you saying if we

796
00:50:15,360 --> 00:50:17,600
Speaker 1: set all of our egos and all the demands aside

797
00:50:17,640 --> 00:50:20,279
Speaker 1: and just work together and figure this out together as

798
00:50:20,400 --> 00:50:23,359
Speaker 1: people relating to each other. And we got this room

799
00:50:23,640 --> 00:50:30,719
Speaker 1: will be better recording in the other room. Wait a minute,

800
00:50:31,000 --> 00:50:36,160
Speaker 1: work work together, work the word together. But Tony, the

801
00:50:36,200 --> 00:50:43,040
Speaker 1: word together can be anagram to get others disappearing in

802
00:50:43,080 --> 00:50:49,520
Speaker 1: the rule will start flooding in twenty minutes. Mickey tones

803
00:50:49,680 --> 00:50:53,160
Speaker 1: just puffed into feathers. But what's that? Don't get distracted.

804
00:50:54,200 --> 00:50:57,560
Speaker 1: Let's work one flue at a time. Anybody but the

805
00:50:57,680 --> 00:51:01,120
Speaker 1: floors wet, The floors wet, an'll think it's filling up

806
00:51:01,200 --> 00:51:04,799
Speaker 1: with That was a quick twenty men um. I think

807
00:51:04,840 --> 00:51:06,360
Speaker 1: this is really good what you're doing putting them in

808
00:51:06,400 --> 00:51:10,200
Speaker 1: that escape room. Thanks man. Yeah, quick question about myself?

809
00:51:11,040 --> 00:51:14,879
Speaker 1: What do you know about me? Tell me a little

810
00:51:14,880 --> 00:51:19,719
Speaker 1: bit about my music past making such an egomaniac. Give

811
00:51:19,760 --> 00:51:23,920
Speaker 1: it to me. Honestly, I think you're your your approach

812
00:51:23,960 --> 00:51:28,719
Speaker 1: of the traditional things. I got a pizza here. Yeah, wow,

813
00:51:28,760 --> 00:51:33,560
Speaker 1: Hey you're Mickey Dolan's for the monkeys. Uh uh, you're

814
00:51:33,560 --> 00:51:37,160
Speaker 1: the one who's not Peter Tork, David Jones and Mike Mesmith. Yeah, okay,

815
00:51:37,280 --> 00:51:39,759
Speaker 1: all right, you want an autograph? Wow? Are you saying

816
00:51:39,840 --> 00:51:42,239
Speaker 1: daydream believer. Hey, we're just going with the pizza man.

817
00:51:42,320 --> 00:51:47,160
Speaker 1: Thank you? Okay, you sure, I'll do it. Yeah, we

818
00:51:47,239 --> 00:51:51,600
Speaker 1: don't need you. I got more. How was that drop off?

819
00:51:51,640 --> 00:51:53,600
Speaker 1: How was that drop off? In? There? Didn't there any cool?

820
00:51:53,640 --> 00:51:59,560
Speaker 1: And they're way Oh my god? Which one he's the

821
00:51:59,640 --> 00:52:02,799
Speaker 1: one's not Peter, Michael or Davy, but the one who's

822
00:52:02,800 --> 00:52:05,040
Speaker 1: sanging most of the song. He's saying most of the songs.

823
00:52:05,400 --> 00:52:09,279
Speaker 1: Oh no, I said he sang daydream believable. You gotta

824
00:52:09,280 --> 00:52:16,319
Speaker 1: get back so like I mean the majority. Mr. I'm

825
00:52:16,400 --> 00:52:19,120
Speaker 1: so sorry. I'm so sorry that I said you sang

826
00:52:19,200 --> 00:52:22,560
Speaker 1: a song that you didn't sing. That you're saying, I'm

827
00:52:22,640 --> 00:52:27,400
Speaker 1: a believer, not daydream believer, can't believer, which is of

828
00:52:27,480 --> 00:52:33,400
Speaker 1: course written by Neil Diamond. It's Neil Diamond here. He's

829
00:52:33,440 --> 00:52:35,880
Speaker 1: getting in tomorrow. What is this some sort of charitable single?

830
00:52:35,960 --> 00:52:39,239
Speaker 1: Are they still doing? What? You're going to come back?

831
00:52:39,600 --> 00:52:41,680
Speaker 1: I mean, should we just drive around the block or something?

832
00:52:41,840 --> 00:52:45,400
Speaker 1: Or what? He's been up there for forty minutes? Hey, guys, listen,

833
00:52:45,840 --> 00:52:49,880
Speaker 1: when somebody orders a pizza, it only takes one person

834
00:52:50,040 --> 00:52:53,680
Speaker 1: to deliver it, one, not four of you. So four

835
00:52:53,719 --> 00:52:56,400
Speaker 1: of us together should not go, But what if we

836
00:52:56,440 --> 00:53:01,879
Speaker 1: want to go? That's not how this works. You run register. Yeah, okay, yeah,

837
00:53:02,080 --> 00:53:05,280
Speaker 1: I understand that. Yeah, that's that's the head of the floor.

838
00:53:05,360 --> 00:53:07,560
Speaker 1: I get that. Okay, So what you have a question? No,

839
00:53:07,719 --> 00:53:09,879
Speaker 1: I'm just saying, we work at Dominos. Who gives this ship?

840
00:53:09,920 --> 00:53:12,719
Speaker 1: I get lonely because it makes me feel weird, makes

841
00:53:12,760 --> 00:53:15,760
Speaker 1: you feel like you guys out of your jurisdiction. Who cares.

842
00:53:15,880 --> 00:53:18,800
Speaker 1: I'm just saying I feel like you guys like Roger

843
00:53:18,920 --> 00:53:22,680
Speaker 1: more than me because still knows all this fun stuff.

844
00:53:23,200 --> 00:53:26,959
Speaker 1: But I gotta sit here alone. It's an angle. Maybe

845
00:53:26,960 --> 00:53:29,839
Speaker 1: if you could tell us something about a musical act.

846
00:53:30,680 --> 00:53:35,759
Speaker 1: I don't know much, Frank, it's just your ice cold

847
00:53:35,880 --> 00:53:37,719
Speaker 1: this kind of stuff you've got like cold knowledge, like

848
00:53:39,360 --> 00:53:42,560
Speaker 1: night last week and it was just bad. All right?

849
00:53:42,680 --> 00:53:47,000
Speaker 1: Okay for the final questions, is grand a chance to win? Two?

850
00:53:47,480 --> 00:53:53,640
Speaker 1: Three pictures to the table? I got It's question a question.

851
00:53:53,760 --> 00:53:56,600
Speaker 1: We're all in, Yeah, we're all in. Give it to me. Okay,

852
00:53:57,040 --> 00:54:00,439
Speaker 1: you said you have it? Yeah, so what's your answer? Um? Okay,

853
00:54:00,480 --> 00:54:05,040
Speaker 1: I'm looking at my good friends. I question. Okay, I'm

854
00:54:05,080 --> 00:54:10,560
Speaker 1: thinking it's uh Domino's Pizza. Yeah, Okay, that's all right,

855
00:54:10,600 --> 00:54:12,440
Speaker 1: And then for the rest of the team, we lost

856
00:54:12,440 --> 00:54:14,480
Speaker 1: all our points because you thought it was where we

857
00:54:14,640 --> 00:54:16,719
Speaker 1: work was the answer. That was every answer you had

858
00:54:16,840 --> 00:54:20,600
Speaker 1: was Domino's Pizzas were the Domino's crew. Maybe you're a

859
00:54:20,600 --> 00:54:24,480
Speaker 1: little hung up on the corporate culture. Are you somebody's nephew?

860
00:54:24,760 --> 00:54:29,839
Speaker 1: How don't you even get somebody's sit down? Sit down?

861
00:54:32,080 --> 00:54:35,440
Speaker 1: I got you your job here, you've been doing register.

862
00:54:35,600 --> 00:54:41,560
Speaker 1: You're making money. Yeah, people hate you. That's hurtful. That's hurtful.

863
00:54:41,600 --> 00:54:45,239
Speaker 1: That's the nicest way I could put it. People, the

864
00:54:45,520 --> 00:54:48,360
Speaker 1: entire shop clears out when someone orders a pizza. You

865
00:54:48,480 --> 00:54:51,279
Speaker 1: know why, they're going to a recording studio. That's not

866
00:54:51,280 --> 00:54:53,680
Speaker 1: the only people who order pizzas, the only one where

867
00:54:53,680 --> 00:54:56,200
Speaker 1: everybody gets into a car and drives away for Oh

868
00:54:56,280 --> 00:54:58,640
Speaker 1: so it's not about it's nothing. They don't like me. Now,

869
00:54:58,760 --> 00:55:01,520
Speaker 1: it's about you could because you've ruined your record. Dad.

870
00:55:01,600 --> 00:55:03,719
Speaker 1: Hey dad, I just opened up with two new franchises.

871
00:55:04,480 --> 00:55:07,960
Speaker 1: Oh hey, Frank, I just want to come come in here.

872
00:55:08,040 --> 00:55:09,640
Speaker 1: Let you know that business is going well and I

873
00:55:09,719 --> 00:55:11,719
Speaker 1: love you very much. Well, I expect nothing less from you.

874
00:55:11,800 --> 00:55:14,879
Speaker 1: Thank you. You know what your brothers having a hard

875
00:55:14,960 --> 00:55:20,520
Speaker 1: time with social skills again. I'm gonna I'm gonna quit

876
00:55:21,880 --> 00:55:24,279
Speaker 1: and I'm gonna write my own song. I'm gonna get

877
00:55:24,280 --> 00:55:28,800
Speaker 1: my own recording studio, and I'm gonna change the world forever. Okay,

878
00:55:28,840 --> 00:55:32,759
Speaker 1: we listened to your demo and I gotta say it

879
00:55:32,800 --> 00:55:35,840
Speaker 1: sounds like it sounded a little bit like the Monkeys,

880
00:55:36,320 --> 00:55:38,640
Speaker 1: and you sounded like sounded a lot like the Monkeys.

881
00:55:38,719 --> 00:55:40,440
Speaker 1: So you're saying you were trying, you were going for

882
00:55:40,560 --> 00:55:45,080
Speaker 1: that inspired by I know, I know everything there is

883
00:55:45,120 --> 00:55:47,160
Speaker 1: in about you know. I think you'd be interesting if

884
00:55:47,200 --> 00:55:51,440
Speaker 1: we get them in the studio. Dooex it. I work

885
00:55:51,560 --> 00:55:55,200
Speaker 1: very well with others, you do, and so other people

886
00:55:55,280 --> 00:55:56,920
Speaker 1: have comment and how well you work with us. It

887
00:55:57,000 --> 00:55:58,799
Speaker 1: seems to be a theme in my life. Yeah, people

888
00:55:58,920 --> 00:56:01,520
Speaker 1: love to collaborate rate with me. All right, Well, we

889
00:56:01,760 --> 00:56:05,120
Speaker 1: happen to have a supergroup here in the in the

890
00:56:05,200 --> 00:56:07,520
Speaker 1: building today. Why do we throw them in the mixt

891
00:56:07,760 --> 00:56:11,080
Speaker 1: So this is an Australian pop synth band and you're

892
00:56:11,120 --> 00:56:14,680
Speaker 1: gonna like them to go by Rudy Do So okay,

893
00:56:15,120 --> 00:56:17,800
Speaker 1: you might want to just kind of hear it for

894
00:56:17,880 --> 00:56:19,680
Speaker 1: a bit before you go in or I'm not sure

895
00:56:19,719 --> 00:56:21,920
Speaker 1: you're prossed. That sounds good. Maybe I can just hear

896
00:56:21,960 --> 00:56:30,279
Speaker 1: a couple of bars of one of their sound when

897
00:56:30,280 --> 00:56:37,440
Speaker 1: you go to gard So that's just a little bit.

898
00:56:37,920 --> 00:56:40,000
Speaker 1: You can't really tell. That's a digital do in the bag?

899
00:56:40,200 --> 00:56:43,440
Speaker 1: Who's playing it? Sounds like Tony Bennett? It is? Well,

900
00:56:43,760 --> 00:56:46,719
Speaker 1: is it Tony Bennetts playing? Did you red? Yeah? Never mind?

901
00:56:46,719 --> 00:56:48,839
Speaker 1: Who's playing? What? Man? Okay, we need to see how

902
00:56:48,880 --> 00:56:52,840
Speaker 1: you fit in, so in this Okay, let's put him in.

903
00:56:53,880 --> 00:56:58,040
Speaker 1: All right, everyone, this is we want to introduce a

904
00:56:58,120 --> 00:57:02,520
Speaker 1: new guy. This is Rank. Is great to meet your

905
00:57:02,560 --> 00:57:08,480
Speaker 1: frank time which one they caught him? Old blue Eyes.

906
00:57:11,080 --> 00:57:14,760
Speaker 1: We got out in an escape room that was gradually

907
00:57:14,800 --> 00:57:17,520
Speaker 1: filling up with water. But that's that's a cliff hacking

908
00:57:17,600 --> 00:57:21,280
Speaker 1: to be picked up. Some of the time, it's very gradual.

909
00:57:21,400 --> 00:57:24,200
Speaker 1: It was just seeping through the floor. What's your deal, mite,

910
00:57:25,000 --> 00:57:30,760
Speaker 1: I'm a I'm a hit maker. Chose that? Yeah, you

911
00:57:30,880 --> 00:57:32,560
Speaker 1: got a few on her hands already. I used to

912
00:57:32,640 --> 00:57:36,880
Speaker 1: be in the culinary area. You see a good Dominoes, okay,

913
00:57:38,320 --> 00:57:43,000
Speaker 1: and it was very popular Domino's pizza. Ch avoid the

914
00:57:44,600 --> 00:57:51,360
Speaker 1: god that Why do you want to start it off? Then,

915
00:57:51,400 --> 00:57:55,240
Speaker 1: and we'll see how he joins it. Yeah, I figured

916
00:57:55,320 --> 00:57:57,600
Speaker 1: that we can just use that sound with what he's

917
00:57:57,600 --> 00:57:59,360
Speaker 1: working with. I think he's going to count me in.

918
00:58:00,280 --> 00:58:03,560
Speaker 1: We'll let you choice. Hey, guys, let's make a hit.

919
00:58:04,400 --> 00:58:06,520
Speaker 1: Let me just pick up this digrely do, and let

920
00:58:06,560 --> 00:58:10,680
Speaker 1: me remind you I am available to sing at any point. No, No,

921
00:58:11,000 --> 00:58:13,520
Speaker 1: are you really good at that? Tony? We really like

922
00:58:13,680 --> 00:58:16,919
Speaker 1: you on the dig you do. I'm going to count

923
00:58:16,960 --> 00:58:31,560
Speaker 1: myself in. Oh God, three two three to one? What

924
00:58:36,640 --> 00:58:40,120
Speaker 1: are you doing there? Mate? Just adding my vocals to

925
00:58:40,200 --> 00:58:43,400
Speaker 1: some situation? Yea, some larus. Can we get a copy

926
00:58:43,480 --> 00:58:46,560
Speaker 1: of those copy of the lyrics? Lyrics you're I can

927
00:58:46,640 --> 00:58:49,919
Speaker 1: just telling to you it goes. I'm so alone, wait

928
00:58:50,000 --> 00:58:53,560
Speaker 1: for it, and then I'm so alone. Not exactly, Samon,

929
00:58:53,640 --> 00:58:55,640
Speaker 1: God is a kid. I don't know who that what

930
00:58:55,840 --> 00:58:59,000
Speaker 1: that means, do not even know if it's a person

931
00:58:59,120 --> 00:59:01,520
Speaker 1: or a concept. Yeah, that's why I stuttered, because I

932
00:59:01,680 --> 00:59:05,480
Speaker 1: was like, yeah, I thought, where are you from? From Australia.

933
00:59:05,680 --> 00:59:08,080
Speaker 1: I thought there was an English group earlier. This is

934
00:59:08,080 --> 00:59:12,880
Speaker 1: an Australian synthpop band. Oh yes, that's right. But before

935
00:59:15,080 --> 00:59:20,000
Speaker 1: people drown, one drown The lady drown. Okay, but the

936
00:59:20,280 --> 00:59:24,360
Speaker 1: guy that lost all his family and then and then

937
00:59:24,480 --> 00:59:27,200
Speaker 1: wasn't there another guy in your band who wasn't the

938
00:59:28,200 --> 00:59:31,320
Speaker 1: sound engineer? There was that guy. He was really rougher

939
00:59:31,400 --> 00:59:37,720
Speaker 1: on the edges. Okay. Also, Huey Lewis was here. You've

940
00:59:37,760 --> 00:59:42,080
Speaker 1: got big shoes here, I am babyc one radio. I'm

941
00:59:42,080 --> 00:59:44,720
Speaker 1: here with Rhody Do and with Frank. The number one

942
00:59:44,800 --> 00:59:47,720
Speaker 1: hit signals all that people going nuts for it. London

943
00:59:47,800 --> 00:59:50,600
Speaker 1: is all the chatter and it's one of those things

944
00:59:50,760 --> 00:59:53,600
Speaker 1: you hear no sound and automatically you're thinking to yourself,

945
00:59:53,880 --> 00:59:56,120
Speaker 1: how did this come about? I can't stop saying I'm alone.

946
00:59:56,160 --> 01:00:01,720
Speaker 1: I'm alone more because it's true, right, you hear it,

947
01:00:01,800 --> 01:00:04,760
Speaker 1: and it was not alone. Every man's in Ireland? So

948
01:00:04,880 --> 01:00:06,960
Speaker 1: what about it when it comes first? So we're here

949
01:00:07,000 --> 01:00:10,920
Speaker 1: with Roaldy doing Frank say hello, your baby, say one hello?

950
01:00:12,360 --> 01:00:14,760
Speaker 1: How long have you been working together? A collaboration? You know?

951
01:00:14,960 --> 01:00:18,120
Speaker 1: We bit in the studio. Actually they put us together

952
01:00:18,240 --> 01:00:20,880
Speaker 1: sort of like old fashioned. They're bringing in an artist

953
01:00:21,000 --> 01:00:22,560
Speaker 1: and I hadn't worked with him, and the rest of

954
01:00:22,560 --> 01:00:24,640
Speaker 1: my then had worked with him. Torny had never met him.

955
01:00:25,440 --> 01:00:28,919
Speaker 1: He came in with this freshness sound, and Tony liked

956
01:00:28,960 --> 01:00:32,280
Speaker 1: it and we went with it. And would you describe

957
01:00:32,280 --> 01:00:33,720
Speaker 1: the sound if you had to the world, I mean

958
01:00:33,800 --> 01:00:38,760
Speaker 1: to me personally, it's said, and you know, sure Mont

959
01:00:39,840 --> 01:00:44,640
Speaker 1: not musical yet. Yeah, but people need to pipe up.

960
01:00:44,920 --> 01:00:48,320
Speaker 1: If there was a critical boyfriend, Jerry, it is repetitive.

961
01:00:48,440 --> 01:00:52,760
Speaker 1: Welcome jet, I thought, Jerry, just pull up a check.

962
01:00:54,240 --> 01:00:58,720
Speaker 1: The only critique about your band was that they were

963
01:00:58,760 --> 01:01:01,040
Speaker 1: too upbeat. So this was nice change of pace for

964
01:01:01,080 --> 01:01:03,360
Speaker 1: you guys. I guess sorry, you know I don't care

965
01:01:03,480 --> 01:01:07,960
Speaker 1: for it, but said Tony, it's it's celebrating a hundred

966
01:01:08,000 --> 01:01:17,080
Speaker 1: and twenty five years today. Yeah, don't get up, Frank

967
01:01:17,360 --> 01:01:20,280
Speaker 1: a little bit. So wait, you're the boyfriend now asking

968
01:01:20,280 --> 01:01:22,200
Speaker 1: me a question. Now mine's kind of blending the two.

969
01:01:22,320 --> 01:01:27,880
Speaker 1: Mate A right, okay, her boyfriend comingside my body and

970
01:01:27,920 --> 01:01:30,800
Speaker 1: then it all kind of Jerry's voice come out of

971
01:01:30,880 --> 01:01:33,280
Speaker 1: him because Jerry doesn't want to get up. There's no

972
01:01:33,400 --> 01:01:38,840
Speaker 1: microphone in the big is going through the baby seagull? Whoa,

973
01:01:40,000 --> 01:01:45,840
Speaker 1: how we do it? Over here? Where are you from? Um? Richmond, Virginia?

974
01:01:46,840 --> 01:01:52,040
Speaker 1: The one over here over here? Right? And so it's

975
01:01:52,080 --> 01:01:54,760
Speaker 1: just true you were working at Domino's Pizza before this gig.

976
01:01:55,280 --> 01:01:57,760
Speaker 1: Not only is that true, I have a big announcement

977
01:01:57,800 --> 01:02:03,520
Speaker 1: to make news break, news break, I'm leaving the band.

978
01:02:04,640 --> 01:02:07,520
Speaker 1: You got one hit and you're going I'm going back

979
01:02:07,600 --> 01:02:13,080
Speaker 1: into the culinary world. Wow. Great here that's to business.

980
01:02:13,120 --> 01:02:16,360
Speaker 1: But good luck it. We even really invited you into

981
01:02:16,400 --> 01:02:18,720
Speaker 1: the band, so you know, I never felt very welcome.

982
01:02:18,880 --> 01:02:21,120
Speaker 1: I made a hit, and now I gotta make something.

983
01:02:21,720 --> 01:02:25,080
Speaker 1: We made a hit, right, I did the back you know,

984
01:02:25,200 --> 01:02:30,080
Speaker 1: the backbone of the hit, the heartbeat. Probably sure, if

985
01:02:30,120 --> 01:02:32,080
Speaker 1: you've got to go, do it, you know what I mean.

986
01:02:32,640 --> 01:02:35,800
Speaker 1: Don't feel like you need to stay here? Right? What

987
01:02:35,880 --> 01:02:39,120
Speaker 1: does your Boyreen have to say about this though, Jerry, Jerry,

988
01:02:39,200 --> 01:02:41,400
Speaker 1: what do you think? I think it's for a night.

989
01:02:41,520 --> 01:02:46,160
Speaker 1: I think he's something. We have two different guys. It's

990
01:02:46,200 --> 01:02:50,960
Speaker 1: more than fine. Now I don't want to allow anybody.

991
01:02:51,040 --> 01:02:54,280
Speaker 1: But but the room is filling up with water. Sorry,

992
01:02:54,600 --> 01:02:57,400
Speaker 1: look around for clues. Anything that's not mailed down. Blame

993
01:02:57,440 --> 01:03:01,520
Speaker 1: it on y. I blame it on Jerry oh Man. Uh.

994
01:03:02,160 --> 01:03:08,120
Speaker 1: Let's thank our engineer Doug bad and our post design

995
01:03:08,360 --> 01:03:13,480
Speaker 1: sound design artists wrapped by Brucer's Topi like Aiman and Lastly,

996
01:03:13,600 --> 01:03:17,440
Speaker 1: I heart radio, I heart media. Be down. I encourage

997
01:03:17,440 --> 01:03:19,040
Speaker 1: you all to write a review. Tell everyone you've ever

998
01:03:19,120 --> 01:03:22,240
Speaker 1: met all about us. We so much love to hear

999
01:03:22,320 --> 01:03:23,960
Speaker 1: from you, so continue to write to us. Your name

1000
01:03:24,000 --> 01:03:26,400
Speaker 1: here at community dot com. Let's go around. Joe and

1001
01:03:26,440 --> 01:03:28,320
Speaker 1: you were talking about something before the show that we

1002
01:03:28,400 --> 01:03:30,360
Speaker 1: wanted to put out there. Yeah. I wanted to say

1003
01:03:30,400 --> 01:03:32,400
Speaker 1: this in the beginning. I forgot but we were talking.

1004
01:03:32,400 --> 01:03:34,920
Speaker 1: If anybody wanted to animate one of these things, right,

1005
01:03:35,880 --> 01:03:38,880
Speaker 1: please do uh there? You know any of the pieces

1006
01:03:39,360 --> 01:03:42,640
Speaker 1: character just run with it. We would love to have

1007
01:03:42,800 --> 01:03:45,480
Speaker 1: that short interaction. Yeah, whatever. Any any artists out there

1008
01:03:45,520 --> 01:03:49,960
Speaker 1: who'd like to You know, you can draw stick figures

1009
01:03:51,160 --> 01:03:53,720
Speaker 1: and they don't move. I don't like motion, so that's

1010
01:03:53,760 --> 01:03:56,400
Speaker 1: just like a personal thing. I have vertigo. But yeah,

1011
01:03:56,600 --> 01:03:59,680
Speaker 1: so anyone doesn't have that and they want to create something,

1012
01:03:59,760 --> 01:04:02,000
Speaker 1: We're totally down. Please. I think Chris might send him

1013
01:04:02,040 --> 01:04:07,040
Speaker 1: something to do it. James Heeney, I also was talking

1014
01:04:07,120 --> 01:04:09,880
Speaker 1: about wanting somebody else to do the work of animating

1015
01:04:10,000 --> 01:04:12,400
Speaker 1: before the show. I'd like to take it. It's almost

1016
01:04:12,480 --> 01:04:15,959
Speaker 1: my idea of asking someone else to do I said,

1017
01:04:15,960 --> 01:04:18,240
Speaker 1: I'd like somebody else to do it first, I understand,

1018
01:04:18,280 --> 01:04:23,040
Speaker 1: but it just seems like it would be so cool.

1019
01:04:23,240 --> 01:04:26,800
Speaker 1: Um but yeah so and then also find me on

1020
01:04:27,040 --> 01:04:30,120
Speaker 1: Twitter at the hen Yeah. We love the Hayne Kakowski.

1021
01:04:30,760 --> 01:04:32,760
Speaker 1: I'd love to see some fan art of Tony Bennett

1022
01:04:32,760 --> 01:04:36,160
Speaker 1: playing at Digity Do, because a legend like that can

1023
01:04:36,200 --> 01:04:40,160
Speaker 1: get away with cultural appropriation. And you can always follow

1024
01:04:40,200 --> 01:04:42,880
Speaker 1: me at at Kokowski on Twitter. I love that, Vanessa

1025
01:04:42,960 --> 01:04:50,680
Speaker 1: raglan Hi, I love cartoons Dynasty, Love you, chrisop Farado

1026
01:04:51,120 --> 01:04:56,320
Speaker 1: at Chris Rodo perfect. All right, Uh that is our

1027
01:04:56,320 --> 01:04:58,120
Speaker 1: show today. Continue to write to it's your name here

1028
01:04:58,120 --> 01:04:59,960
Speaker 1: and knocking me this dot com and until next time,

1029
01:05:00,000 --> 01:05:31,160
Speaker 1: I'm ok and hell and hell