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Speaker 1: Look may oh, I see you my own look over

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Speaker 1: there is that culture.

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Speaker 2: Yes, goodness loves cult dulling.

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Speaker 1: Oh, you're a little hot on the mic, little on

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Speaker 1: the first of all, you you just got dressed down

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Speaker 1: by Doug, so you can't talk.

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Speaker 2: To me about the mine.

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Speaker 1: No, I am this is not out of my own

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Speaker 1: bruised ego. I am just telling you I hear spiking Doug.

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Speaker 2: Doug, get in here, Doug. Am I too hot on

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Speaker 2: the mic? It doesn't sound like it's distorting. It is

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Speaker 2: a little bit louder than bowen. Okay, well maybe that

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Speaker 2: can just be my excitement. Are you using the MV

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Speaker 2: seven No, we're not the Doug over. We're not doing

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Speaker 2: this like this is supposed to be a fun thing.

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Speaker 2: You're gonna come in with all the terminology, the envy.

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Speaker 2: You got to go go pet that dog. Did we

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Speaker 2: have a lot to talk about today?

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Speaker 1: Okay, we really do. Gone, he's gone.

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Speaker 2: No, it's just us girls. We love Doug. When Doug,

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Speaker 2: Doug is our king. As we all know, Dougie is

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Speaker 2: ar king.

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Speaker 1: Lots to talk about. Oh, the life of a podcaster.

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Speaker 2: The life of a podcaster. Remember when we thought I

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Speaker 2: literally as of like.

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Speaker 1: Yesterday morning was like, oh, how great, Like not a

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Speaker 1: lot happened. We're gonna be able to recap the culture

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Speaker 1: Awards like and then and then it's horror movie logic

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Speaker 1: and well more on that later, but it's you know,

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Speaker 1: just when you think you're safe, ooh, no, killers right

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Speaker 1: behind you. The Wendy Williams killer, the killer. But in

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Speaker 1: this case, I'm so happy that the killer has arrived.

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Speaker 1: Do you know what actually bummed me out?

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Speaker 2: Though? I went to my closet to sort of have

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Speaker 2: like a fun experience for me and you on the zoom,

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Speaker 2: I was gonna wear orange. I don't have an orange.

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Speaker 1: Thing, and that's probably for the best, I don't think. So.

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Speaker 2: Orange is just tough.

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Speaker 1: It's just tough on human skin until until we have

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Speaker 1: blue skin, until we're navy, until Avatar comes out.

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Speaker 2: The New York Mets coded mets, but it.

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Speaker 1: Looks good on the Mets on mister Met and Missmet. Yeah, yeah,

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Speaker 1: I actually there was one time in my life.

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Speaker 2: I think I was in elementary school. I might have

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Speaker 2: been like fifth grade and someone told me you look

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Speaker 2: good in orange, and I remember I was like, huh,

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Speaker 2: well thought about that.

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Speaker 1: It's your neutral tone. It's the olive tone, and so

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Speaker 1: maybe that that's it. It's it's your hellenic sorry Mediterranean.

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Speaker 2: Lineage.

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Speaker 1: But you know, blue and orange is a class at

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Speaker 1: Combo Denver Broncos.

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Speaker 2: That was big, you.

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Speaker 1: Know, blue and orange, blue and orange either are other examples.

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Speaker 2: I'm sure didn't you wear orange for something we did once?

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Speaker 2: Were you an orange and popullette way back in the day?

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Speaker 2: I remember you wearing orange. I was golden rod. You

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Speaker 2: were golden rod.

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Speaker 1: That was your color? Okay, well, light difference. I think

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Speaker 1: none of us were brave enough to do orange.

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Speaker 2: Well, who is brave enough to sort of do orange

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Speaker 2: is Taylor Swift, who has announced the life of a

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Speaker 2: show girl. Her album TS twelve as it were oranges

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Speaker 2: all over it and also some mint green which we

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Speaker 2: can also which we can only describe as tictach coded.

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Speaker 1: It's tic tech coded. I would say that it is

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Speaker 1: more green. I think the orange was a mislead and

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Speaker 1: because she didn't want to double up on green with

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Speaker 1: debut with it, and so maybe that.

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Speaker 2: Was the air color.

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Speaker 1: But I think the overall story is mostly meant green

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Speaker 1: touches of orange, because even she is not is not

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Speaker 1: knows that it is not the color.

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Speaker 2: It would just be a lot to be exclusively orange.

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Speaker 2: But then again, I don't put anything past her. I

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Speaker 2: mean during eras and she looked good in the color.

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Speaker 2: She did.

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Speaker 1: And you know what, should we look at the aerostur

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Speaker 1: book just to see if she drop any Easter eggs

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Speaker 1: in that and to get it?

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Speaker 2: Is it by you? Oh you're talking about the the

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Speaker 2: the official Oh wow, the hard the hardcover book.

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Speaker 1: So they don't think I have this the note inside

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Speaker 1: when she said see you next era, Okay, what does

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Speaker 1: it say? You know, her talking about Ariostour, Aeros tour.

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Speaker 1: We can do it with the broken heart, We do it.

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Speaker 1: The life comes in phases way. It was brilliant flurs

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Speaker 1: of magical moments, all these seeing someth together. Green hairs, okay,

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Speaker 1: there's some just like orange. Emphasis line is orange?

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Speaker 2: You glad you came to the Aras Tour?

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Speaker 1: Oh my god, you're right. She did an orange pun

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Speaker 1: right there?

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Speaker 2: She did it? Oh wow?

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Speaker 1: Anyway, Okay, maybe maybe I was misremembering things. Maybe it

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Speaker 1: was a Mandela effect situation. I'm blaming a lot of

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Speaker 1: things on the Mandela effect lately. That's my that's my

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Speaker 1: toxic track.

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Speaker 2: Define the Mandela effect.

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Speaker 1: Bear Stain bear Stain bears. Oh, you know, if you

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Speaker 1: know the countless examples, like if you know Popeye had

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Speaker 1: a green shirt instead of a black one or whatever,

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Speaker 1: like that's that's I'm making that one up.

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Speaker 2: That's now I immediately remember what it is, so we

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Speaker 2: could be doing that. But the thing is like life

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Speaker 2: of a show Girl orange and mint green, like all

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Speaker 2: these things, like I can't say that on the face value,

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Speaker 2: there they go together. But I am more excited than

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Speaker 2: I've been in a while. Like it was like three

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Speaker 2: days ago. I wasn't even thinking about this. I was obviously,

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Speaker 2: we were thinking about other things, and then all of

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Speaker 2: a sudden, I was like, okay, yes, I'm ready. I'm

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Speaker 2: really ready. And you know, the showgirl imagery, it's just

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Speaker 2: it just goes to show. No pop girlly is safe

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Speaker 2: from a circus esque show girl esque masquerade esque era.

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Speaker 1: Well, and this is true of everyone, including Taylor at

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Speaker 1: some point. These girls, I'm sorry, these women reckon with

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Speaker 1: the fact that they are that the most legible metaphor

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Speaker 1: on their journey through performance and being an object of

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Speaker 1: whatever is like you know, being on display is the circus.

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Speaker 2: Which actually like, I don't. I don't totally.

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Speaker 1: Poop who it, don't. I like the circus eras.

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Speaker 2: I think it's gonna be great. I think that she

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Speaker 2: she clearly got something from that I can do it

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Speaker 2: with a broken heart type of performance she was doing

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Speaker 2: at Aerostour. That's so clearly like tips to this. But

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Speaker 2: my old thing is so there's been some and I

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Speaker 2: hesitate to really go here because leaks are leaks. But

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Speaker 2: there's some imagery floating online. We don't know yet if

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Speaker 2: it's real or not, but it actually points to her

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Speaker 2: having a kind of era which I have seen for

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Speaker 2: her in the past, and I can't remember if I've

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Speaker 2: said it on this podcast, but the imagery that the

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Speaker 2: life of a Showgirl thing and even the colors is

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Speaker 2: sort of pointing to, is sort of like an Annie Lennox.

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Speaker 1: Diva type, grandiose energy, and she's also like the rumor

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Speaker 1: is that she worked with Max Martin on a lot

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Speaker 1: of this, which to me makes it feel like we're

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Speaker 1: going into a big pop era like if you know,

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Speaker 1: nineteen eighty nine reputation lover type thing, as opposed to

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Speaker 1: we're clearly not in a depressive moment. No, I mean,

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Speaker 1: I'm sure it will be a little Travis Maudlin, Oh, yeah,

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Speaker 1: but I'm just saying like there will be elements of

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Speaker 1: like sadness there.

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Speaker 2: There's dementia to all our work.

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Speaker 1: I think. I remember I also recalled you saying, I

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Speaker 1: think after reputation you were predicting a Pat Benattar adjacent thing.

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Speaker 1: I feel like maybe it's not quite that. It's not this.

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Speaker 2: I feel like my thing is like some one of

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Speaker 2: the pop girl least was going to try to do

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Speaker 2: like a Pat Menatar type of thing, and I think

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Speaker 2: some of them have hinted at it. I feel like

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Speaker 2: the person that's been closest to really kind of doing

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Speaker 2: that has been Miley.

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Speaker 1: Yeah, but I don't know, it's not really the I

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Speaker 1: guess that was the plastic carts era and it didn't

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Speaker 1: really pop off. Yeah, I think we are floating with

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Speaker 1: I mean, there's a lot to work with here, right

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Speaker 1: Because I went to you and Jared, I said Vegas Residency,

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Speaker 1: and I said, what better venue than the Spear, what

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Speaker 1: better you know, like it can hold a lot of

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Speaker 1: people every on a given night. Mm hmm. My new

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Speaker 1: thought is just I hope she incorporates Elizabeth Berkeley, Geinia

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Speaker 1: Kershawan in some capacity.

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Speaker 2: Oh absolutely, from Bring It Back Together.

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Speaker 1: Have a moment where it's like, you know, Torture, Post Department,

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Speaker 1: Dead Poets, society may draw.

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Speaker 2: Connect the dots to cinema lead single, her and Kyle

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Speaker 2: McLachlin thrashing around on the pool.

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Speaker 1: I mean, why not her getting a lap dance, her

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Speaker 1: getting a pussy out lap dance from Elizabeth Berkeley.

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Speaker 2: I feel as though it's the all they move, It's

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Speaker 2: the only MOVI. But you know what, though, in a

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Speaker 2: real way, the life of a showgirl thing kind of

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Speaker 2: gives super Bowl more than anything else she's done, you

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Speaker 2: know what I mean?

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Speaker 1: And that when we think and we think that's the terminus,

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Speaker 1: that's like the endpoint for this.

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Speaker 2: I don't necessarily know about end point, but I'm just thinking,

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Speaker 2: like in terms of esthetics that go with something in

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Speaker 2: culture that she hasn't yet impacted, that being the super

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Speaker 2: Bowl halftime show obviously the Travis of it all, you

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Speaker 2: know what I mean, Like in a world where it

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Speaker 2: feels like these people can predict the future somehow or

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Speaker 2: just are able to manifest this shit like him going

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Speaker 2: to the super Bowl feels real during the Life of

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Speaker 2: a show Girl era totally. I do think it's interesting

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Speaker 2: that Taylor Swift has now done a podcast. I'm just

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Speaker 2: saying it's.

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Speaker 1: Interesting she has done a podcast with men who have

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Speaker 1: been in the straight male friend sketch. Wow, there's avenues.

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Speaker 1: But my opinion is she she she should be the

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Speaker 1: second to last episode of this podcast. Whenever that happens,

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Speaker 1: oh my god, and then the last would just be us.

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Speaker 1: The last would just be us.

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Speaker 2: I feel like the last episode can't be Taylor because

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Speaker 2: we're going to want to talk to each other. But

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Speaker 2: this is not in the plans anyway. Everyone.

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Speaker 1: You're just saying holistically, we could be sixty years old

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Speaker 1: and Taylor brings her talented ass in mm hmm. But yeah,

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Speaker 1: I mean, there's not much to know yet, but I

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Speaker 1: am excited. I will say, maybe we'll cut this out.

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Speaker 1: But there was an ask we did. There was outreach

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Speaker 1: to her for something in the Culture Awards, especially in

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Speaker 1: the end absent show, which we'll get to. What we

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Speaker 1: got back was now is not a good time, And

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Speaker 1: you know, obviously it made sense, and it makes even

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Speaker 1: more sense now. It's like she's going to wait for

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Speaker 1: her first quote unquote like appearance on something be very

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Speaker 1: intentional because of course the album is coming out. This

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Speaker 1: was what I was going to say, didn't We also

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Speaker 1: hear rumblings of abba infused Swedish pop, Max Martin. The

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Speaker 1: scuttle butt was that it was ace of basse Abba

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Speaker 1: Swedish pop.

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Speaker 2: Like you were just saying, like it was like that

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Speaker 2: kind of stuff you'd like, it's giving Eurovision happy pop.

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Speaker 2: In of I get that it kind of reads the

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Speaker 2: color orange, like orange in the mid green of it

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Speaker 2: all they feel like upper colors creamsicle. Also her sitting

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Speaker 2: on her boyfriend's podcast and giggling and laughing. It's just it's,

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Speaker 2: you know, she's she's gonna she's gonna attempt.

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Speaker 1: To make the world happy and we need it, certainly do.

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Speaker 1: We certainly do. And for now we are waiting with

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Speaker 1: bated breath. I think by the time this comes out,

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Speaker 1: so I think the New Heights episode comes out on

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Speaker 1: the same day this episode does, I think I am

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Speaker 1: they will unblur the album cover, so at this point

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Speaker 1: we do not know what that looks like. Yeah, so

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Speaker 1: you know, exciting times. But more to say next week,

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Speaker 1: well more to say next week and then our and

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Speaker 1: Arra did point out that she liked a tweet where

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Speaker 1: someone pointed out that this is the twelve year anniversary

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Speaker 1: of applausees. Twelve twelve years this rollout, you know, like

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Speaker 1: is and then she liked the tweet, which is either

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Speaker 1: an acknowledge of the coincidence, which is purely coincidence, or

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Speaker 1: it is the intentional thing. Twelve weeks since she announced

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Speaker 1: that she bought her master's back. Whoa, And so that's

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Speaker 1: also there's there, you know, let's just keep digging through

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Speaker 1: the numerology here. The eastrands are usually just numerical and

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Speaker 1: how which is not say which is not to say

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Speaker 1: just it's like, let's focus on numbers exclusively, our softies,

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Speaker 1: you know, like let's let's let's go in that direction,

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Speaker 1: but keep going.

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Speaker 2: Do you remember her.

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Speaker 1: Walking out in the stadium with the cat and she

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Speaker 1: was in section A twelve August twelve. Yeah, So basically, like,

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Speaker 1: there are so many there are so many examples of

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Speaker 1: this that it's either completely insane.

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Speaker 2: How accurate and like how methodical they are with this

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Speaker 2: numerical stuff in the easter egg of it all, or

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Speaker 2: at least some of these things are coincidences in a

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Speaker 2: way that it's like, if people worked hard enough on anything,

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Speaker 2: they could find a line to draw it at any

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Speaker 2: of these things, if you really worked hard enough. Like

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Speaker 2: it just feels crazy to me that she would be like, Okay,

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Speaker 2: well it has to be this day because it's twelve

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Speaker 2: years since applause and we months prior like walked out

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Speaker 2: at a twelve. Like, I have no idea what it's

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Speaker 2: like to be someone at that level, And I wonder

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Speaker 2: if every single day is planned out add on.

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Speaker 1: I mean, it's certainly possible that she outsources the planning

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Speaker 1: to a team of people.

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Speaker 2: Yeah, a team of scientists.

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Speaker 1: A team of scientist, a calendar, scientists, astronomers and astrologers. Yes,

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Speaker 1: she has six astronomers and six astrologers and she puts.

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Speaker 2: Them all in her room. Twelve by the way, that.

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Speaker 1: Was my astrology twelve twelve months of the year.

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Speaker 2: Holy shit, bo oh my god. There might be something

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Speaker 2: to this number. She let us have a week, you

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Speaker 2: know what I mean. Like, the thing about Taylor Swift

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Speaker 2: is she she saw lost Culture Assist Cultural Awards were

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Speaker 2: coming out. I don't know that she watched them. I'm

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Speaker 2: not even seeing they were coming out. She said oh,

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Speaker 2: give him a week. I'll give him a week Diet

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Speaker 2: Pepsi cover right and be the viral thing for a

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Speaker 2: week totally.

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Speaker 1: And next week is the twelve year anniversary of Art

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Speaker 1: of Applause. Okay, I'll do it then. Yeah, that'll be

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Speaker 1: a drop that feels right. Speaking of die Pepsi, Ben Platt,

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Speaker 1: thank you so much, Matt Rogers for bringing that into

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Speaker 1: the world.

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Speaker 2: You can attest to this. It was one of the

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Speaker 2: things we knew was happening in the show for the

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Speaker 2: longest early time. Like that was truly like a blue

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Speaker 2: that was part of the blue sky was like Ben

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Speaker 2: Platt is gonna sing Diet Pepsi, which was a Record

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Speaker 2: of the Year nominee before we knew he was going

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Speaker 2: to be performing, and then I was like, oh, that

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Speaker 2: he should do that. That would be good.

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Speaker 1: It was a nominee that we had established early on,

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Speaker 1: and then Ben was booked.

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Speaker 2: And we were so excited that Ben was on.

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Speaker 1: Of course, yeah, and that was it was the blue

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Speaker 1: sky on top of a blue sky because it's like, well,

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Speaker 1: Ben Platt can sang anything and sing it beautifully.

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Speaker 2: It was not.

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Speaker 1: I mean, it's a beautiful cosmic alignment that he sang

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Speaker 1: that song, but for a minute there it was this

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Speaker 1: like open question as to what he would sing.

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Speaker 2: Yeah, and it was absolutely intended as a joke. I

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Speaker 2: was like, Oh, he should sing diet PEPSI. That would

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Speaker 2: be funny, and I bet in the I remember was like,

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Speaker 2: I think, I bet it's going to be gorgeous too,

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Speaker 2: Like we'll find a way and then you know Leland

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Speaker 2: and Gabe Lopez and who are the producers on it?

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Speaker 2: And did our whole all of our music for the show.

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Speaker 1: Bowen and I actually went to the studio the day

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Speaker 1: that Ben was there and correct me if I'm wrong, But.

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Speaker 2: I hadn't even really. We had been so busy with

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Speaker 2: so many other parts of the show that him doing

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Speaker 2: that song just kind of became like a given. And

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Speaker 2: so we go there and I remember being so excited

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Speaker 2: because he was coming. We were going to see him

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Speaker 2: in the booth, and I was like, Oh, this is

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Speaker 2: going to be so fun. And then he started doing it,

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Speaker 2: and I remember I looked at you and I was

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Speaker 2: just like, wait, is this like the moment of the show.

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Speaker 1: And I don't take videos of a lot of stuff,

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Speaker 1: but I took I recorded one of the takes while

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Speaker 1: we were there.

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Speaker 2: I was like, ooh, this is this is something. Brett

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Speaker 2: was like, you're gonna want this. M Brett Brett Brett.

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Speaker 2: He's always like that whenever I'm in the studio with him.

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Speaker 2: He's like, take a video of this, You're gonna want this.

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Speaker 2: And he was right about this because.

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Speaker 1: Ben is just in the booth, just shredding and like

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Speaker 1: the meaning it and so many people know saying they're

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Speaker 1: listening to the words for the first time, like it's stunning.

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Speaker 1: Oh no, Addison Tour, by the way, I think there's

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Speaker 1: a place there's some discourse about like them being deleterious,

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Speaker 1: like one song sort of eating up another. No, it's

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Speaker 1: not that, oh Bet having Kelly clarkson the song. But

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Speaker 1: here's the thing, Like I get what people are saying.

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Speaker 1: Of course he did Kelly clarkson the song. He covered

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Speaker 1: the song in a way that like a legit singer

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Speaker 1: would do it. And but for me, it's just like

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Speaker 1: what it does is it actually shines a light on

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Speaker 1: the fact that that song is really fucking doing really good,

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Speaker 1: and like it has it has a completely different valence.

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Speaker 1: When Addison Ray herself sings about losing her innocence in

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Speaker 1: the backseat, you know, like there's like an irony and

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Speaker 1: but a different kind of sweetness, a different kind of

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Speaker 1: emotion behind Ben Platt singing it not even irony, like

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Speaker 1: he fucking earnestly sang the share out of that song.

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Speaker 1: I just love the journey of it. And I was

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Speaker 1: talking to him afterwards because he was completely blown away

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Speaker 1: by the response to it, Like I remember when we

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Speaker 1: were in the booth that day.

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Speaker 2: I turned to him and I was.

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Speaker 1: Like, you're gonna have to release this, and he goes,

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Speaker 1: I mean, if there's a demand, like we could talk

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Speaker 1: about it, but I don't know.

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Speaker 2: There you go. And then it became this thing of

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Speaker 2: you know, it going sort of totally off on TikTok,

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Speaker 2: And my whole thing was like it was really the

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Speaker 2: journey of the audience that made it. Because we were

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Speaker 2: talking and he was like, I feel like to go

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Speaker 2: into the studio and now put out like a canned

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Speaker 2: version of it, like we would have to rush that,

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Speaker 2: et cetera. Let's just put out the live version. And

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Speaker 2: I was like, that's my favorite thing about it is people.

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Speaker 1: Discovering the fact that they're moved while it's happening. The

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Speaker 1: laughs at the beginning of the song from the audience

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Speaker 1: are actually a really important, yeah, a core coordinate for

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Speaker 1: the journey of the song.

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Speaker 2: I think, well, that like is the culture I remember

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Speaker 2: like we were putting the show together and I kept

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Speaker 2: being like the sentence I feel like we were saying to.

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Speaker 1: Like validate that something should move forward. Was that's the

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Speaker 1: Cultural Awards, you know what I mean? Like Ben Platt

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Speaker 1: singing diet Pepsi, which on its face value was funny

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Speaker 1: to me, which is the reason why it came up

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Speaker 1: during Our Blue Sky. But then what makes it the

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Speaker 1: Culture Awards isn't actually sort of work worked right, And

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Speaker 1: that's like the case for so many things in the show.

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Speaker 1: And we were just I feel like I can speak

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Speaker 1: for myself. But after Abrika Dabra I could relax because

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Speaker 1: we had done it and then we were just watching

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00:19:11,720 --> 00:19:15,639
Speaker 1: it and it's it was trackicking laid Yeah, to your point,

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00:19:15,720 --> 00:19:19,240
Speaker 1: it was a mad libs vibe check. It was yes, okay,

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00:19:19,480 --> 00:19:22,600
Speaker 1: Blank is presenting Blank to Blank, Sasha Kolby is presenting

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Speaker 1: Best New Artists to Gabby Wendy.

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00:19:24,160 --> 00:19:25,760
Speaker 2: Yes, the Culture Awards, Yes.

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Speaker 1: Like you know that is that is sort of the

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Speaker 1: DNA behind the whole thing. I think Matt and I

385
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Speaker 1: did mention last episode that we had watched the final

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Speaker 1: cut together and it was a very wonderful experience just

387
00:19:39,280 --> 00:19:40,840
Speaker 1: to like have our arm moment with it before it

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Speaker 1: got released, because I kept I mean, there were moments

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Speaker 1: where I felt to my knees it just like I

390
00:19:44,680 --> 00:19:47,159
Speaker 1: can't believe what I'm watching and I just and that

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Speaker 1: sounds a little bit masturbatory for me to say about

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Speaker 1: my own thing, But like I had gone back from China,

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00:19:52,920 --> 00:19:55,160
Speaker 1: I was not on the edit. Matt really took point

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00:19:55,160 --> 00:19:57,479
Speaker 1: there with Janemun and Lord Mandel, and I mean I

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Speaker 1: watching it, I was like, holy moly, just like the

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Speaker 1: I mean, the thing that took me out. The two

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00:20:02,880 --> 00:20:05,159
Speaker 1: things that took me out were Angie Kats Andavus doing

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00:20:06,640 --> 00:20:10,479
Speaker 1: the full victory pose, hands fanned out completely well, being

399
00:20:10,600 --> 00:20:11,520
Speaker 1: on while the.

400
00:20:11,440 --> 00:20:12,640
Speaker 2: Parthenon was behind her.

401
00:20:12,720 --> 00:20:15,719
Speaker 1: And then the second thing was stupest pronouns, which we

402
00:20:15,760 --> 00:20:19,679
Speaker 1: could not post to socials for various reasons. Well we'll

403
00:20:19,760 --> 00:20:22,159
Speaker 1: let you guess why we can post them based on

404
00:20:22,280 --> 00:20:23,320
Speaker 1: like the IP, but.

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Speaker 2: We're thrilled it's in the show because the show, the

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00:20:26,960 --> 00:20:30,840
Speaker 2: whole time, we were like pushing so hard to get

407
00:20:30,880 --> 00:20:33,680
Speaker 2: this in and it was the one thing where we

408
00:20:33,680 --> 00:20:37,040
Speaker 2: were literally going back and forth like okay, like are

409
00:20:37,080 --> 00:20:38,639
Speaker 2: you guys gonna take this away from us at the

410
00:20:38,720 --> 00:20:41,600
Speaker 2: last second, like please, please, please please. It was in

411
00:20:42,080 --> 00:20:45,480
Speaker 2: Joel Kimbooster and Darcy Cord and nailed that like just

412
00:20:45,640 --> 00:20:47,399
Speaker 2: exactly the energy that we wanted to be.

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Speaker 1: We were watching it literally Bowen.

414
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Speaker 2: Was a multiple time we had to rewind it because

415
00:20:52,440 --> 00:20:55,280
Speaker 2: it's just so fucking stupid. I we love it. And

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Speaker 2: congratulations to Stitch.

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Speaker 1: By the way, he is so happy that E's pronouns

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Speaker 1: are known.

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Speaker 2: To the world.

420
00:21:04,920 --> 00:21:07,960
Speaker 1: I love ah and I hope that wherever he is

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Speaker 1: they're having an amazing day.

422
00:21:11,520 --> 00:21:14,199
Speaker 2: He is having an amazing day. I'm I'm sorry to correct,

423
00:21:15,320 --> 00:21:24,560
Speaker 2: he is having an amazing day. Yes, yes, When you

424
00:21:24,600 --> 00:21:26,840
Speaker 2: look at it all collectively, it's like you're talking about

425
00:21:26,840 --> 00:21:30,439
Speaker 2: like it sounds masturbatory, Like no, here's the thing. We

426
00:21:30,480 --> 00:21:32,960
Speaker 2: should love the things that we create, and like I'm

427
00:21:33,000 --> 00:21:35,800
Speaker 2: looking at that and I'm being like, I love this,

428
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Speaker 2: and the only thing I ever want is to walk

429
00:21:39,560 --> 00:21:44,359
Speaker 2: away from something that we create. I create, anyone creates.

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Speaker 2: I feel like you just want to leave being like

431
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Speaker 2: I could not have done it better at this stage

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Speaker 2: in my life, Like I'm walking away from that. Yeah,

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Speaker 2: I'm sure. It's like when I watch my special, it's

434
00:21:55,720 --> 00:21:57,400
Speaker 2: like now it's been a few years and I look

435
00:21:57,440 --> 00:22:00,240
Speaker 2: at it and I'm like, I could do it better now,

436
00:22:00,320 --> 00:22:02,960
Speaker 2: but at the time, I could not have done it better.

437
00:22:03,000 --> 00:22:05,119
Speaker 2: And I feel like, I know it looks like it's

438
00:22:05,160 --> 00:22:08,280
Speaker 2: big budget because we had an incredible team of people

439
00:22:08,320 --> 00:22:11,320
Speaker 2: working on it. We did really not have a big budget.

440
00:22:11,560 --> 00:22:15,240
Speaker 2: We did not actually have the infrastructure to do that show,

441
00:22:15,320 --> 00:22:18,040
Speaker 2: but we still did it because we were surrounded by

442
00:22:18,080 --> 00:22:21,240
Speaker 2: people that like believed it and wanted to make it happen.

443
00:22:21,359 --> 00:22:24,080
Speaker 2: And to talk about the talent that came to do

444
00:22:24,160 --> 00:22:26,880
Speaker 2: the show, like they all wanted to be a part

445
00:22:26,880 --> 00:22:29,800
Speaker 2: of it. No one was getting much out of doing it,

446
00:22:29,880 --> 00:22:30,880
Speaker 2: just out of you know.

447
00:22:31,000 --> 00:22:34,880
Speaker 1: It just felt like a real team effort that yes,

448
00:22:34,920 --> 00:22:37,879
Speaker 1: we spearheaded, and so I can look at it and

449
00:22:37,920 --> 00:22:42,159
Speaker 1: be like, yeah, extremely proud of how fucking dumb and

450
00:22:42,480 --> 00:22:46,520
Speaker 1: fun that is the thing that I think is pulling

451
00:22:47,080 --> 00:22:50,280
Speaker 1: with the budgetary restrictions of it. There's people who were

452
00:22:50,320 --> 00:22:52,560
Speaker 1: at a lower rate than they usually would and it's

453
00:22:52,760 --> 00:22:57,280
Speaker 1: just because they had this shared love of and belief

454
00:22:57,320 --> 00:22:59,240
Speaker 1: in what we were doing, which to me was the

455
00:22:59,280 --> 00:23:01,480
Speaker 1: thing that kind of like gave me the drive to

456
00:23:01,560 --> 00:23:04,679
Speaker 1: keep going. It was not easy at many stages. It

457
00:23:04,720 --> 00:23:07,159
Speaker 1: was challenging just on the body, on the mind, on

458
00:23:07,280 --> 00:23:11,560
Speaker 1: the creative sort of like wheels that were spinning, Like

459
00:23:11,600 --> 00:23:13,320
Speaker 1: we had to make a lot of we had to

460
00:23:13,320 --> 00:23:15,640
Speaker 1: move a lot of puzzle pieces, and the puzzle pieces

461
00:23:15,680 --> 00:23:19,919
Speaker 1: were tenfold of on ten tenfold of on tenfold upon tenfold,

462
00:23:19,960 --> 00:23:22,919
Speaker 1: because it was okay, who is the available talent and

463
00:23:22,960 --> 00:23:24,680
Speaker 1: that was changing all the time, day by day.

464
00:23:24,960 --> 00:23:26,360
Speaker 2: What are the categories that are in play?

465
00:23:26,359 --> 00:23:29,159
Speaker 1: Because those were changing day by day based on the

466
00:23:29,200 --> 00:23:31,879
Speaker 1: talent that was available. And then there were sponsorship things

467
00:23:31,920 --> 00:23:33,760
Speaker 1: that we had to you know, take care of in

468
00:23:33,800 --> 00:23:37,560
Speaker 1: terms of obligations and all these other things. On top

469
00:23:37,600 --> 00:23:41,840
Speaker 1: of that, the jokes, on top of that, just the

470
00:23:41,880 --> 00:23:44,800
Speaker 1: movements and the writing, and we had to plug this

471
00:23:45,080 --> 00:23:48,600
Speaker 1: in can which kind of knocked us on our asses.

472
00:23:48,840 --> 00:23:52,399
Speaker 1: That was exhaustic, Like we were going to canon and

473
00:23:52,440 --> 00:23:55,600
Speaker 1: coming back and like not being able to get equilibrium

474
00:23:55,600 --> 00:23:57,440
Speaker 1: again for like a week and still writing the show.

475
00:23:57,520 --> 00:24:00,919
Speaker 1: Big shout out our teachers, and these experience is Liz Patrick,

476
00:24:00,960 --> 00:24:04,280
Speaker 1: our director, Jane Munner, showrunner, Lauren Ndell, our co producer,

477
00:24:04,400 --> 00:24:09,960
Speaker 1: Olivia Gurky, our manager, EP friend, everyone at linees Gate,

478
00:24:10,000 --> 00:24:15,520
Speaker 1: Lauren Lemue, Jonah McMichael, Matt Catty, our choreographer, all the dancers,

479
00:24:15,760 --> 00:24:21,360
Speaker 1: all the dancers, phenomenal, Matt Steinbrenner are production designer, everyone

480
00:24:21,400 --> 00:24:24,280
Speaker 1: at Pentagram. I feel like I'm giving an award speech,

481
00:24:24,320 --> 00:24:27,080
Speaker 1: but everyone at Pentagram. Emily Oberman. I just called him

482
00:24:27,080 --> 00:24:28,960
Speaker 1: Pentagon when Josh and Aaron were on the show because

483
00:24:29,119 --> 00:24:33,399
Speaker 1: brain feart, but just incredible, incredible people.

484
00:24:33,680 --> 00:24:35,679
Speaker 2: And also I want to say one thing about one

485
00:24:35,720 --> 00:24:39,119
Speaker 2: of the dancers. So basically we are, we're running abricadabra,

486
00:24:39,480 --> 00:24:45,399
Speaker 2: we're learning it, and behind me are two of the dancers,

487
00:24:45,800 --> 00:24:48,399
Speaker 2: Taylor and Hannah, and I say to them, I'm like, so,

488
00:24:48,400 --> 00:24:51,360
Speaker 2: who's your favorite because I had heard that.

489
00:24:51,320 --> 00:24:52,840
Speaker 1: A lot of you know, a lot of the dancers

490
00:24:52,840 --> 00:24:54,920
Speaker 1: like these are like working dancers. They dance for a

491
00:24:54,960 --> 00:24:57,280
Speaker 1: lot of the girls. So I'm like, who's your favorite

492
00:24:57,320 --> 00:25:00,840
Speaker 1: person that you've danced for? And all dancers kind of

493
00:25:00,840 --> 00:25:05,439
Speaker 1: look at Taylor and she goes, I mean Taylor Swift,

494
00:25:05,960 --> 00:25:10,239
Speaker 1: And that's when I realized. I was like, you are

495
00:25:10,280 --> 00:25:14,800
Speaker 1: from the aerostur. Yeah, she went by Banks in the aerostour.

496
00:25:14,880 --> 00:25:19,320
Speaker 1: She had the long upbraids, and I'm like you I

497
00:25:19,440 --> 00:25:21,679
Speaker 1: hit the floor. I was like, are you kidding me

498
00:25:21,800 --> 00:25:24,639
Speaker 1: that you're here doing this? You're a celebrity to me, like,

499
00:25:24,760 --> 00:25:26,560
Speaker 1: and she was like I was. I of course, I

500
00:25:26,560 --> 00:25:29,320
Speaker 1: had a million questions. I was just like, I was like,

501
00:25:29,359 --> 00:25:33,200
Speaker 1: what was the best show? But literally she was from

502
00:25:33,240 --> 00:25:36,520
Speaker 1: the Arera's door and that gave me strength and my

503
00:25:36,680 --> 00:25:38,240
Speaker 1: thing that I put it out that I was like,

504
00:25:38,800 --> 00:25:42,360
Speaker 1: Taylor Swift, do you legend I said, she let at

505
00:25:42,440 --> 00:25:45,639
Speaker 1: least one other tailor in that in that space.

506
00:25:46,000 --> 00:25:48,320
Speaker 2: Well she went by Banks. Well, of course she went

507
00:25:48,320 --> 00:25:49,240
Speaker 2: by Banks. But it's like.

508
00:25:50,640 --> 00:25:52,719
Speaker 1: Whatever, you know, you know, like there's It's not like

509
00:25:52,960 --> 00:25:55,080
Speaker 1: it wouldn't it would be somewhat reasonable to be like, okay,

510
00:25:55,080 --> 00:25:56,720
Speaker 1: you know what, it's actually kind of confusing.

511
00:25:56,920 --> 00:25:58,000
Speaker 2: We can't have another tailor.

512
00:25:58,040 --> 00:26:01,560
Speaker 1: We can't have another tailor, Like, no, have another tailor. No.

513
00:26:02,000 --> 00:26:04,439
Speaker 2: She was great and by the way, those dancers were epic.

514
00:26:04,920 --> 00:26:07,080
Speaker 2: Did you see Baden?

515
00:26:08,119 --> 00:26:11,119
Speaker 1: Baden did a TikTok about how he because I remember

516
00:26:11,119 --> 00:26:14,680
Speaker 1: when my mic puff fell to the ground. Yep, Baden

517
00:26:14,960 --> 00:26:17,280
Speaker 1: went in and saved. There's a TikTok of this, and

518
00:26:17,320 --> 00:26:19,920
Speaker 1: he is a true professional. And then what resulted was

519
00:26:19,960 --> 00:26:24,800
Speaker 1: an iconic shot of Baden lunging across the floor and

520
00:26:25,160 --> 00:26:29,320
Speaker 1: while I was doing the afrikadabra arms and iconic and

521
00:26:29,400 --> 00:26:30,320
Speaker 1: thank you during.

522
00:26:30,119 --> 00:26:35,240
Speaker 2: That TikTok in one of like just like showing exactly

523
00:26:36,600 --> 00:26:39,679
Speaker 2: how like it, just like he incredibly remained in character

524
00:26:39,800 --> 00:26:42,360
Speaker 2: while also taking that thing. It was really really good,

525
00:26:42,520 --> 00:26:46,400
Speaker 2: poof remarkable, remarkable, Those performances highlights of my life doing

526
00:26:46,440 --> 00:26:48,520
Speaker 2: those with you, especially. I don't want to miss a

527
00:26:48,520 --> 00:26:49,440
Speaker 2: thing with Lucy.

528
00:26:50,160 --> 00:26:51,840
Speaker 1: Especially, I don't want to miss a thing with Lucy,

529
00:26:51,880 --> 00:26:58,200
Speaker 1: who bless her to the heavens on high just so good,

530
00:26:58,560 --> 00:27:04,200
Speaker 1: so a dommodating like took the lower harmony, not because

531
00:27:04,200 --> 00:27:07,199
Speaker 1: we asked, but because she you know, felt like it

532
00:27:07,240 --> 00:27:09,240
Speaker 1: was it was the right thing. And I mean it

533
00:27:09,320 --> 00:27:11,040
Speaker 1: was so special to get to sing with her that

534
00:27:11,280 --> 00:27:13,919
Speaker 1: she sounded amazing, she sounded great on that. I was

535
00:27:14,000 --> 00:27:15,920
Speaker 1: like that running that the three of us in the

536
00:27:15,960 --> 00:27:17,919
Speaker 1: Drowsing Room two will be a life memory.

537
00:27:18,040 --> 00:27:18,640
Speaker 2: So many of.

538
00:27:18,600 --> 00:27:21,840
Speaker 1: Those, so many of those, so many of those, as

539
00:27:21,840 --> 00:27:23,440
Speaker 1: you revealed on the Today Show, which, by the way,

540
00:27:23,480 --> 00:27:28,520
Speaker 1: congratulations on another fantastic week with John always Fun. Thank

541
00:27:28,560 --> 00:27:33,040
Speaker 1: you Always Fun. As you revealed Gaga the night of

542
00:27:33,600 --> 00:27:36,760
Speaker 1: the night of the special, reached out, was very proud

543
00:27:36,760 --> 00:27:40,119
Speaker 1: of us and that is that is a life memory

544
00:27:40,160 --> 00:27:42,840
Speaker 1: for both of us. Yeah, that was amazing. She was like,

545
00:27:42,880 --> 00:27:45,400
Speaker 1: you guys are incredible. And also, you know who else

546
00:27:45,480 --> 00:27:48,440
Speaker 1: loved the performance of the thing, Diane Warren.

547
00:27:48,760 --> 00:27:52,960
Speaker 2: We heard that Diane Warren loved the performance, so we're

548
00:27:53,080 --> 00:27:53,760
Speaker 2: very pleased.

549
00:27:54,880 --> 00:27:59,240
Speaker 1: We think Diane certainly if she's available.

550
00:28:00,840 --> 00:28:04,320
Speaker 2: For a culture. By the way, shout out to I

551
00:28:04,320 --> 00:28:06,480
Speaker 2: got my vocal coach in there, Doug Peck, to work

552
00:28:06,480 --> 00:28:07,480
Speaker 2: with us on the songs.

553
00:28:08,200 --> 00:28:11,960
Speaker 1: That's the number one man. That's number one man. Doug Peck,

554
00:28:12,560 --> 00:28:15,960
Speaker 1: you legend. Thank you so much for working with us,

555
00:28:16,000 --> 00:28:17,880
Speaker 1: for putting us in your schedule.

556
00:28:17,960 --> 00:28:19,200
Speaker 2: You are very in demand.

557
00:28:19,720 --> 00:28:24,720
Speaker 1: I think he really he just quantum leaped me into

558
00:28:24,800 --> 00:28:25,919
Speaker 1: something that I didn't know.

559
00:28:25,920 --> 00:28:26,520
Speaker 2: I was able to do.

560
00:28:26,640 --> 00:28:30,520
Speaker 1: Can I just say putting this out there, Yes, Leland

561
00:28:30,560 --> 00:28:33,600
Speaker 1: and Gablopez Breton Gabe did mix me a little bit.

562
00:28:33,720 --> 00:28:35,800
Speaker 1: I don't know about how much they did for you.

563
00:28:35,800 --> 00:28:38,160
Speaker 1: Your sounded very raw and clean. Everyone just gets a

564
00:28:38,160 --> 00:28:42,000
Speaker 1: little mixed. Everyone everyone gets mixed. I will say people

565
00:28:42,000 --> 00:28:44,400
Speaker 1: who maybe not were incredulous that I hit those high

566
00:28:44,480 --> 00:28:45,960
Speaker 1: armonies on don't want to miss a thing that was

567
00:28:46,000 --> 00:28:47,840
Speaker 1: me and that was that was absolutely him.

568
00:28:47,840 --> 00:28:50,720
Speaker 2: We sang those songs live. I'm sorry, listen, you might

569
00:28:50,800 --> 00:28:54,400
Speaker 2: not want it to be true, but it is true.

570
00:28:54,400 --> 00:28:55,440
Speaker 2: We did sing them live.

571
00:28:55,880 --> 00:28:58,840
Speaker 1: Well known fact, well established and documented that Matt Rodgers

572
00:28:58,960 --> 00:29:02,640
Speaker 1: is a professional vocalist. I think I have. I have

573
00:29:02,640 --> 00:29:04,240
Speaker 1: an ear for harmony that I'm very proud of.

574
00:29:04,440 --> 00:29:05,000
Speaker 2: You have are.

575
00:29:05,320 --> 00:29:07,160
Speaker 1: I told Doug when we were rehearsing, I was like,

576
00:29:07,200 --> 00:29:08,880
Speaker 1: but one has one of the best ears, which is

577
00:29:08,920 --> 00:29:12,040
Speaker 1: why I'm confident he should be on the harmony because

578
00:29:12,080 --> 00:29:12,720
Speaker 1: it's high.

579
00:29:12,960 --> 00:29:14,920
Speaker 2: Your voice is higher than you think.

580
00:29:14,960 --> 00:29:17,160
Speaker 1: And I was excited for you to learn about like

581
00:29:17,360 --> 00:29:20,320
Speaker 1: because it blew me away when I started working with

582
00:29:20,320 --> 00:29:23,400
Speaker 1: the vocal coach about how you really can just allow

583
00:29:23,480 --> 00:29:25,560
Speaker 1: the mic to do a lot of work. You don't

584
00:29:25,560 --> 00:29:29,200
Speaker 1: have to push just because something sounds big right A

585
00:29:29,200 --> 00:29:31,640
Speaker 1: lot of times. That's just like technique and good, good

586
00:29:31,680 --> 00:29:34,680
Speaker 1: mic technique. But I was in my mix, like between

587
00:29:34,680 --> 00:29:38,600
Speaker 1: my falsetto and my like my quote unquote chest voice,

588
00:29:39,240 --> 00:29:40,760
Speaker 1: which I guess is a gender term.

589
00:29:40,800 --> 00:29:42,440
Speaker 2: Whatever. That's why I'm putting quotes on it. Oh God,

590
00:29:42,440 --> 00:29:43,760
Speaker 2: who who cares?

591
00:29:43,840 --> 00:29:45,960
Speaker 1: But I was in my mix and I was like,

592
00:29:46,000 --> 00:29:48,160
Speaker 1: I don't I think this doesn't sound as strong as

593
00:29:48,200 --> 00:29:50,400
Speaker 1: if I like gave it full chest, and Doug was like,

594
00:29:50,440 --> 00:29:52,720
Speaker 1: and both of you were like, no, keep it there,

595
00:29:52,840 --> 00:29:55,480
Speaker 1: keep it right there on the cusp. And then you're

596
00:29:55,520 --> 00:29:57,200
Speaker 1: right like, I'm listening to it back, I'm like, oh wait,

597
00:29:57,520 --> 00:29:59,960
Speaker 1: it sounds the same, right, It's a game change.

598
00:30:00,480 --> 00:30:04,320
Speaker 2: Yeah. Yeah, Like like for anyone out there that's you know,

599
00:30:04,640 --> 00:30:08,120
Speaker 2: has an interest in taking voice lesson, I love it.

600
00:30:08,120 --> 00:30:10,520
Speaker 2: It's like therapy. It makes you feel confident.

601
00:30:11,600 --> 00:30:13,840
Speaker 1: My my highlight in college I took one through Steinhart

602
00:30:13,880 --> 00:30:17,200
Speaker 1: to this wonderful, wonderful teacher and she was she was

603
00:30:17,240 --> 00:30:18,360
Speaker 1: a sligh and it was only it was like a

604
00:30:18,400 --> 00:30:20,520
Speaker 1: half a credit, but still it was like half an

605
00:30:20,520 --> 00:30:24,440
Speaker 1: hour each week. I got I sang I Sang Jesus

606
00:30:24,480 --> 00:30:29,720
Speaker 1: incorporated by Wilco and and she and she really like,

607
00:30:29,920 --> 00:30:31,920
Speaker 1: you know, she like didn't care about Wilcom, but she

608
00:30:32,000 --> 00:30:33,160
Speaker 1: like really like sat down with me.

609
00:30:33,200 --> 00:30:35,240
Speaker 2: She's like, what do you think this song is about?

610
00:30:35,640 --> 00:30:39,280
Speaker 1: God? It's the best though. See I also did at

611
00:30:39,400 --> 00:30:41,680
Speaker 1: n Yu Steinhardt. I did the same type of vocal

612
00:30:41,760 --> 00:30:42,200
Speaker 1: credit as you.

613
00:30:42,680 --> 00:30:45,320
Speaker 2: And my vocal coach was like a younger guy and

614
00:30:45,360 --> 00:30:47,960
Speaker 2: he was a big snob at the time. I don't

615
00:30:48,000 --> 00:30:51,320
Speaker 2: know what his deal is now, but he was very

616
00:30:51,600 --> 00:30:55,480
Speaker 2: very he was sort of like very superior with me,

617
00:30:55,560 --> 00:30:58,080
Speaker 2: and like it wasn't it wasn't a great mix.

618
00:30:58,520 --> 00:30:58,640
Speaker 1: Now.

619
00:30:58,920 --> 00:31:02,320
Speaker 2: We actually got into a fight one time, just like

620
00:31:03,400 --> 00:31:05,600
Speaker 2: voice teacher who was probably I don't know, eighteen months

621
00:31:05,640 --> 00:31:08,120
Speaker 2: older than me, and I think he was insecure about that.

622
00:31:08,400 --> 00:31:11,040
Speaker 2: Sounds like you got the better teacher for you.

623
00:31:11,480 --> 00:31:15,040
Speaker 1: For me, a brain fearter, it's not Jesus incorporated Jesus

624
00:31:15,000 --> 00:31:20,000
Speaker 1: et cetera. Anyway, Jesus Jesus incorporated his LLC has LLCUS.

625
00:31:20,000 --> 00:31:21,840
Speaker 2: When he comes back one of these days, he's gonna

626
00:31:22,000 --> 00:31:24,880
Speaker 2: immediately start influencing, build a brand on TikTok and then

627
00:31:24,920 --> 00:31:31,040
Speaker 2: he's gonna have to incorporate and Jesus incorporated LLC. Yeah,

628
00:31:31,200 --> 00:31:34,240
Speaker 2: just make his name. Have some statistics about the winners,

629
00:31:34,280 --> 00:31:37,280
Speaker 2: so just to sort of go through, Okay. The big

630
00:31:37,320 --> 00:31:40,000
Speaker 2: winner of the Lost cult Esays Cultural Awards was Lady

631
00:31:40,040 --> 00:31:43,240
Speaker 2: Gaga with three wins Lady Gaga, Album of the Year

632
00:31:43,280 --> 00:31:46,240
Speaker 2: for Mayhem, Record of the Year for Abracadabra, and Social

633
00:31:46,320 --> 00:31:49,800
Speaker 2: Change Moment of the Year for Gaga Chella Congrats Gaga.

634
00:31:50,680 --> 00:31:53,520
Speaker 2: Dylan Ephron won two Cultural Awards. These are his first

635
00:31:53,560 --> 00:31:56,240
Speaker 2: two cultural awards, Best Picture Literal Picture for Having his

636
00:31:56,280 --> 00:31:58,520
Speaker 2: Butt in the Air, as well as People Magazine Sexiest

637
00:31:58,520 --> 00:32:02,040
Speaker 2: Man Alive Welcome to the Culture Welcome. The word Never

638
00:32:02,480 --> 00:32:05,320
Speaker 2: won Best Word to Whisper and Best Word to Screen,

639
00:32:05,360 --> 00:32:09,360
Speaker 2: performed by Greta Titleman in an exemplary display of how

640
00:32:09,360 --> 00:32:13,040
Speaker 2: you say those words both screamed and whispered, but both

641
00:32:13,280 --> 00:32:19,120
Speaker 2: equally impactful. Absolutely congratus to Charlie XCX. She continues to

642
00:32:19,200 --> 00:32:21,560
Speaker 2: have a great time in her career. She has won

643
00:32:21,640 --> 00:32:22,360
Speaker 2: Best Note.

644
00:32:22,120 --> 00:32:26,040
Speaker 1: Ever Sung for Sometimes and the Sweat Tour Award for

645
00:32:26,120 --> 00:32:28,480
Speaker 1: Best Indoor Live Performance went to the Brat Tour.

646
00:32:28,800 --> 00:32:31,560
Speaker 2: It actually beat out the Sweat Beat. So sorry, Troy,

647
00:32:32,240 --> 00:32:34,200
Speaker 2: you should come to the awards next time instead of

648
00:32:34,240 --> 00:32:36,360
Speaker 2: being on a boat in the Balaric Islands. So thank

649
00:32:36,360 --> 00:32:40,200
Speaker 2: you for sending in the video. Grief of the Year

650
00:32:40,320 --> 00:32:42,440
Speaker 2: and Best Thing We texted our high school friends about.

651
00:32:42,440 --> 00:32:45,280
Speaker 2: Both went to White Lotus a winner of two Culture Awards.

652
00:32:45,280 --> 00:32:49,520
Speaker 2: Congratulations to White Lotus. Andy Cohen won the Father Award

653
00:32:49,520 --> 00:32:53,120
Speaker 2: and Best Gay Guy Famous. He returns to that winner

654
00:32:53,160 --> 00:32:57,360
Speaker 2: circle for that award from two years ago. And in

655
00:32:57,440 --> 00:33:00,200
Speaker 2: terms of the major awards, Miss Piggy deserved the one

656
00:33:00,280 --> 00:33:03,720
Speaker 2: Artist the Millennium Gabby Windy Best New Artist. Audrey McDonald

657
00:33:03,760 --> 00:33:06,400
Speaker 2: won the Team That's Turner Legend Award. It was Seth

658
00:33:06,480 --> 00:33:09,000
Speaker 2: Meyer's second year in a row, taking home Best Five

659
00:33:09,040 --> 00:33:12,440
Speaker 2: hands down and a lot of first time Cultural Awards

660
00:33:12,440 --> 00:33:16,720
Speaker 2: winners Quinta Brunson, Lisa Rinna, Paige Desorbo doctr Orna Gerrellinik,

661
00:33:16,800 --> 00:33:20,320
Speaker 2: Demi Moore, RuPaul Benito Skinner, Meghan Veahee Toad from Mario

662
00:33:20,440 --> 00:33:22,840
Speaker 2: Sutton Foster all now Cultural Award winners.

663
00:33:23,200 --> 00:33:26,960
Speaker 1: I mean a name after name, I said, legends and

664
00:33:27,240 --> 00:33:31,000
Speaker 1: maybe congratulate Jenna Bushager on her second win for the

665
00:33:31,000 --> 00:33:32,920
Speaker 1: Today Show Excellence in the Morning Award, second year in.

666
00:33:32,920 --> 00:33:35,520
Speaker 2: A row, and as well as Angie Katsanevs won her

667
00:33:35,600 --> 00:33:40,000
Speaker 2: second Individual Cultural Award for Most Iconic Exchange of Words.

668
00:33:40,040 --> 00:33:42,160
Speaker 2: As you mentioned earlier last year, she took home to

669
00:33:42,200 --> 00:33:45,040
Speaker 2: Alison Williams Coolgirl Award, which was won by page this year,

670
00:33:45,080 --> 00:33:49,920
Speaker 2: presented by a diet Coke clad Megan Stalter, Yes, who

671
00:33:50,040 --> 00:33:51,320
Speaker 2: unfortunately was not nominated.

672
00:33:51,320 --> 00:33:55,280
Speaker 1: But Angie also has a group award with the cast

673
00:33:55,360 --> 00:33:58,520
Speaker 1: of the Real House of Selic City for the Best

674
00:33:58,560 --> 00:34:00,080
Speaker 1: Way to Write with her Bitches Award and.

675
00:34:00,200 --> 00:34:02,200
Speaker 2: The Hags Award for Abbreviated Things to Say.

676
00:34:02,280 --> 00:34:06,040
Speaker 1: So while those you can't really attribute those two Angie,

677
00:34:06,080 --> 00:34:09,760
Speaker 1: but Angie was definitely in the Winter Circle alongside Lady Gaga.

678
00:34:10,200 --> 00:34:13,440
Speaker 2: Absolutely yeah, it was a really big.

679
00:34:13,320 --> 00:34:18,279
Speaker 1: Night for Angie and Gaga and Dylan and Andy and

680
00:34:18,400 --> 00:34:19,280
Speaker 1: countless other people.

681
00:34:19,920 --> 00:34:22,759
Speaker 2: Countless other people. I mean this this and also like

682
00:34:23,080 --> 00:34:24,719
Speaker 2: just to speak about like because we didn't talk too

683
00:34:24,800 --> 00:34:27,879
Speaker 2: much about it. Page Disorbo probably turned her best look

684
00:34:27,880 --> 00:34:31,120
Speaker 2: of all time at the awards. God, that's a feeler

685
00:34:31,200 --> 00:34:31,560
Speaker 2: end thing.

686
00:34:32,760 --> 00:34:38,400
Speaker 1: Gorgeos Lie Sarana wore Scaparelli on the carpet before wearing

687
00:34:38,520 --> 00:34:39,799
Speaker 1: five of the outfits of the Year.

688
00:34:39,920 --> 00:34:41,040
Speaker 2: This was a highlight for me.

689
00:34:41,680 --> 00:34:48,280
Speaker 1: I mean, did she send you flowers? I I don't

690
00:34:48,320 --> 00:34:50,640
Speaker 1: know if I've gotten flowers yet because I haven't been

691
00:34:50,680 --> 00:34:51,799
Speaker 1: to my apartment in New York.

692
00:34:51,840 --> 00:34:54,920
Speaker 2: It's getting like fully renovated, painted, et cetera. Right now.

693
00:34:55,320 --> 00:34:58,440
Speaker 2: But if that's lovely, she she has been. We've been

694
00:34:58,480 --> 00:34:59,120
Speaker 2: in contact.

695
00:34:59,520 --> 00:35:03,640
Speaker 1: We've been in contact, and look, don't hustle the hustler

696
00:35:03,920 --> 00:35:07,120
Speaker 1: and at least a fucking arena. Just a wonderful night.

697
00:35:07,160 --> 00:35:11,160
Speaker 1: Thank you, sincerely so much for watching. It means so

698
00:35:11,280 --> 00:35:15,000
Speaker 1: much that you guys even tuned in at all, had

699
00:35:15,120 --> 00:35:18,880
Speaker 1: people over to watch with, you, went to a bar, however,

700
00:35:18,920 --> 00:35:21,719
Speaker 1: you watched it, and especially if you're international, we know

701
00:35:21,880 --> 00:35:23,960
Speaker 1: they're a little bit there. There are a little bit

702
00:35:23,960 --> 00:35:26,319
Speaker 1: more roadblocks in then, and depending on where you live,

703
00:35:27,000 --> 00:35:30,440
Speaker 1: it might still be hard to access. We are we

704
00:35:30,520 --> 00:35:34,239
Speaker 1: are doing our very best to proliferate it as much

705
00:35:34,239 --> 00:35:38,319
Speaker 1: as we can. But hey, I was talking about this

706
00:35:38,360 --> 00:35:41,200
Speaker 1: to someone earlier this week, like there is something delightful

707
00:35:41,239 --> 00:35:42,840
Speaker 1: about like the searching of it, which is not to

708
00:35:42,920 --> 00:35:44,520
Speaker 1: like make your lives harder, but it's like I just

709
00:35:44,640 --> 00:35:49,120
Speaker 1: was reminiscing on like going to borders, flipping through CDs,

710
00:35:49,360 --> 00:35:53,080
Speaker 1: slipping through books, Like there's something about like the crate digging,

711
00:35:53,120 --> 00:35:56,560
Speaker 1: which is again not to romanticize how inaccessible the show

712
00:35:56,600 --> 00:35:59,960
Speaker 1: might be in your area. It's just that's not so bad,

713
00:36:00,360 --> 00:36:01,399
Speaker 1: is that sense?

714
00:36:01,520 --> 00:36:03,839
Speaker 2: No? I also feel like a lot of it taking

715
00:36:03,840 --> 00:36:06,839
Speaker 2: place on social media ended up being I just want

716
00:36:06,840 --> 00:36:10,600
Speaker 2: to say one thing about Ben, which is, you know

717
00:36:10,640 --> 00:36:13,480
Speaker 2: how they always say that like it's an overused expression,

718
00:36:13,480 --> 00:36:17,919
Speaker 2: but blank blank, you will always be famous, like they

719
00:36:18,239 --> 00:36:22,040
Speaker 2: tend to say that about someone who like no matter what,

720
00:36:22,200 --> 00:36:24,880
Speaker 2: like media narrative happens, the ups and downs of really

721
00:36:24,920 --> 00:36:29,640
Speaker 2: anyone's career that has longevity in this business, Ben Platt,

722
00:36:29,680 --> 00:36:33,080
Speaker 2: you will always be famous because no one can sing

723
00:36:33,200 --> 00:36:35,800
Speaker 2: like that. And it's very similar to like Kelly Clarkson,

724
00:36:35,800 --> 00:36:38,640
Speaker 2: whereas like lots of ups and downs in her very

725
00:36:38,680 --> 00:36:43,160
Speaker 2: long career in public life. And by the way, yeah,

726
00:36:43,280 --> 00:36:46,120
Speaker 2: I just want to send and I know Bowen as well,

727
00:36:46,160 --> 00:36:51,959
Speaker 2: and I'm sure all of you all of our deepest condolences,

728
00:36:52,080 --> 00:36:56,560
Speaker 2: love and support to Kelly whose ex husband passed and

729
00:36:56,800 --> 00:36:59,360
Speaker 2: this is has to be an incredibly difficult time and

730
00:36:59,480 --> 00:37:02,120
Speaker 2: they've asked for privacy, so we will give that. But

731
00:37:02,560 --> 00:37:05,080
Speaker 2: I just want to send all my love to someone

732
00:37:05,080 --> 00:37:06,879
Speaker 2: who works so hard and it is such a great

733
00:37:06,960 --> 00:37:10,000
Speaker 2: mom and such a hero to me and to so

734
00:37:10,040 --> 00:37:13,760
Speaker 2: many people, and I just my heart breaks for everyone

735
00:37:13,760 --> 00:37:14,360
Speaker 2: in the family.

736
00:37:15,640 --> 00:37:20,200
Speaker 1: I hope that she feels a sense of piece in

737
00:37:20,320 --> 00:37:23,000
Speaker 1: terms of the time that she did spend with him

738
00:37:23,640 --> 00:37:25,840
Speaker 1: in the in the final months, and a lot of

739
00:37:25,880 --> 00:37:28,480
Speaker 1: things were moved around, and I think that was hopefully

740
00:37:28,520 --> 00:37:30,120
Speaker 1: that was for the best for everyone involved.

741
00:37:30,440 --> 00:37:33,640
Speaker 2: And we love you, Kelly, We just love you so much.

742
00:37:33,880 --> 00:37:38,200
Speaker 1: And yeah, but just about this is it's like it's

743
00:37:38,239 --> 00:37:40,520
Speaker 1: like it's like, you know, any anytime anyone in the

744
00:37:40,560 --> 00:37:42,680
Speaker 1: media gets like a hard time and then comes back

745
00:37:42,760 --> 00:37:45,000
Speaker 1: because they're just that fucking good.

746
00:37:45,480 --> 00:37:49,000
Speaker 2: And I've been loving seeing that narrative online of just

747
00:37:49,000 --> 00:37:51,480
Speaker 2: being like some of you like had fun like ripping

748
00:37:51,520 --> 00:37:53,680
Speaker 2: him up when you have the opportunity to. But the

749
00:37:53,760 --> 00:37:57,360
Speaker 2: fact is, like, listen to this song, see this performance,

750
00:37:57,400 --> 00:37:59,880
Speaker 2: watch him on this show, et cetera. It's like he

751
00:38:00,120 --> 00:38:04,160
Speaker 2: has proven it so many times. There are reasons she

752
00:38:04,400 --> 00:38:09,000
Speaker 2: was like, I guess like quote unquote away or.

753
00:38:09,040 --> 00:38:13,800
Speaker 1: Down or like like narrativize a certain in a certain

754
00:38:13,800 --> 00:38:15,040
Speaker 1: fashion were bullshit.

755
00:38:15,200 --> 00:38:16,799
Speaker 2: You know, It's like they always are.

756
00:38:17,160 --> 00:38:21,120
Speaker 1: I mean, like the Zionism shit, no, that was that's

757
00:38:21,120 --> 00:38:24,400
Speaker 1: not even a thing. That wasn't like And then Ana

758
00:38:24,480 --> 00:38:28,920
Speaker 1: came out and was very vocal about the opposite and

759
00:38:29,040 --> 00:38:34,400
Speaker 1: so whatever, and then it's just like there's it just

760
00:38:34,480 --> 00:38:36,800
Speaker 1: so happens. It's just this is the way Alison Williams

761
00:38:36,840 --> 00:38:39,120
Speaker 1: cool Girl says it. It's just she started on third

762
00:38:39,120 --> 00:38:43,000
Speaker 1: base and most other people start at home plate and

763
00:38:43,040 --> 00:38:46,440
Speaker 1: so like, and that's and that's and that's just how

764
00:38:46,480 --> 00:38:49,200
Speaker 1: it is. And it's not it's not any one person's

765
00:38:49,360 --> 00:38:54,160
Speaker 1: fault for like opting in if they have the drive,

766
00:38:54,239 --> 00:38:56,799
Speaker 1: the interest, the talent, the work ethic, which I mean,

767
00:38:56,840 --> 00:38:59,440
Speaker 1: you know, yeah, we're talking about.

768
00:38:59,239 --> 00:39:01,680
Speaker 2: Someone who was one of the best singers on earth.

769
00:39:02,680 --> 00:39:04,560
Speaker 1: Like it's and it's not like he's also not an

770
00:39:04,560 --> 00:39:10,759
Speaker 1: incredibly lovely and lovely person, so kind, so supportive of us,

771
00:39:11,239 --> 00:39:13,920
Speaker 1: always like the best energy, best vibe ever.

772
00:39:14,320 --> 00:39:18,080
Speaker 2: And it was also an incredibly talented actor. Yeah, Like,

773
00:39:18,360 --> 00:39:22,040
Speaker 2: so it's just kind of tired and boring to even

774
00:39:22,160 --> 00:39:23,920
Speaker 2: like have done this in the first place. But I

775
00:39:23,920 --> 00:39:27,359
Speaker 2: guess I'm glad that everyone is, you know, to appreciating

776
00:39:27,440 --> 00:39:30,080
Speaker 2: him for what it is, because it's just it's just

777
00:39:30,120 --> 00:39:30,760
Speaker 2: so dumb.

778
00:39:31,040 --> 00:39:32,440
Speaker 1: I just think it's worth calling out that, like the

779
00:39:32,520 --> 00:39:36,160
Speaker 1: reasons why he's being reappreciated or are built on like

780
00:39:36,239 --> 00:39:39,520
Speaker 1: kind of silly things. He is A link later film

781
00:39:39,560 --> 00:39:42,120
Speaker 1: away from Winning from Egotting from egotting.

782
00:39:42,120 --> 00:39:43,919
Speaker 2: It's like, that's my thing is. I'm like, it would

783
00:39:43,920 --> 00:39:45,800
Speaker 2: be one thing to be like, yeah, sure that person

784
00:39:45,840 --> 00:39:48,120
Speaker 2: is NEPO, so they get work. You don't, You're not

785
00:39:48,239 --> 00:39:51,920
Speaker 2: just like NEPO, and then like keep getting opportunities and

786
00:39:51,960 --> 00:39:56,200
Speaker 2: succeeding to literally the highest standard in your field again

787
00:39:56,320 --> 00:39:59,480
Speaker 2: and again and again and again, Like it's that's not

788
00:39:59,480 --> 00:40:03,799
Speaker 2: how it works, Like NEPO isn't in the industry plant shit,

789
00:40:03,960 --> 00:40:08,400
Speaker 2: Like that's not a thing because if the person keeps working,

790
00:40:08,719 --> 00:40:11,520
Speaker 2: it's because people wanted to keep working with them. I

791
00:40:11,560 --> 00:40:15,000
Speaker 2: don't know. It just like the surety that people have

792
00:40:15,080 --> 00:40:17,560
Speaker 2: out there that they know how things work. It's like,

793
00:40:18,160 --> 00:40:19,759
Speaker 2: and I think it's really just because we have so

794
00:40:19,840 --> 00:40:23,800
Speaker 2: much access to now everyone's opinions about everything and everyone's

795
00:40:23,800 --> 00:40:26,960
Speaker 2: feedback to everything. That makes it feel a little bit overwhelming.

796
00:40:27,000 --> 00:40:30,960
Speaker 1: But it's just like, yeah, this is exactly the way

797
00:40:31,120 --> 00:40:40,840
Speaker 1: Ben Platt should be treated by audiences. Yes, speaking of

798
00:40:41,920 --> 00:40:45,240
Speaker 1: feedback or forms of feedback, I do want to address.

799
00:40:45,760 --> 00:40:51,560
Speaker 1: I posted this reel on Sunday because this thing had

800
00:40:51,600 --> 00:40:53,640
Speaker 1: been bugging me for a couple of days about the

801
00:40:53,680 --> 00:40:57,879
Speaker 1: way that The Times changed a headline. Yeah, I took

802
00:40:57,920 --> 00:40:59,279
Speaker 1: it down because I was like, oh wait, because it

803
00:40:59,320 --> 00:41:02,080
Speaker 1: was people kind of for the most part understanding it.

804
00:41:02,120 --> 00:41:03,440
Speaker 1: But a lot of people were like, don't give the

805
00:41:03,480 --> 00:41:06,120
Speaker 1: haters any gas. I don't think it's that this is

806
00:41:06,160 --> 00:41:10,440
Speaker 1: something different. This is me still, I think rightfully, being

807
00:41:10,520 --> 00:41:15,160
Speaker 1: a little annoyed at the way that shows like ours

808
00:41:15,200 --> 00:41:19,319
Speaker 1: are covered and like this is this is not a

809
00:41:19,400 --> 00:41:22,120
Speaker 1: knock on the writer, because it's an editor, as far

810
00:41:22,120 --> 00:41:24,280
Speaker 1: as I understand, especially at a place like The Times,

811
00:41:24,320 --> 00:41:29,080
Speaker 1: who looks at the engagement on a certain article and goes,

812
00:41:29,480 --> 00:41:32,680
Speaker 1: let's tweak this. And the tweak was from the five

813
00:41:32,719 --> 00:41:36,160
Speaker 1: moments from the Culture Awards to can just anybody host

814
00:41:36,160 --> 00:41:37,879
Speaker 1: an award show with a picture of us?

815
00:41:38,080 --> 00:41:39,000
Speaker 2: You have to click in.

816
00:41:39,280 --> 00:41:42,920
Speaker 1: So like the way this story gets embedded in a

817
00:41:43,000 --> 00:41:47,279
Speaker 1: CEO or on Facebook, let's say, or other platforms, is

818
00:41:47,400 --> 00:41:49,279
Speaker 1: they just see the headline maybe the byline, but they

819
00:41:49,280 --> 00:41:51,200
Speaker 1: don't see the subhead which was, oh but if you're

820
00:41:51,200 --> 00:41:53,719
Speaker 1: as funny as Matt Bowen, then yes. But like it's

821
00:41:53,840 --> 00:41:57,960
Speaker 1: still even with that compliment, I think it undercuts so

822
00:41:58,080 --> 00:42:00,440
Speaker 1: many things. Chiefly, the thing that bugs me the most

823
00:42:00,600 --> 00:42:04,160
Speaker 1: is that this was one hundred plus people working their

824
00:42:04,320 --> 00:42:06,719
Speaker 1: asses off seven days a week to make this work.

825
00:42:06,760 --> 00:42:09,160
Speaker 1: Like we were, you know, Matt and I were fielding calls,

826
00:42:09,160 --> 00:42:12,359
Speaker 1: solving problems at like eleven pm on a Sunday or

827
00:42:12,400 --> 00:42:17,040
Speaker 1: like nine pm on a Saturday, like like problem solving, writing,

828
00:42:17,320 --> 00:42:21,600
Speaker 1: constantly throwing copy away, writing new stuff, shifting things around

829
00:42:21,640 --> 00:42:24,080
Speaker 1: a million pieces, We're moving up until the day of

830
00:42:24,120 --> 00:42:27,120
Speaker 1: the show. People dropping out. Yeah, it was minimizing. It

831
00:42:27,200 --> 00:42:31,040
Speaker 1: was very diminishing, and they didn't care about us enough

832
00:42:31,040 --> 00:42:34,080
Speaker 1: to not traffick in this whatever. So it's not that

833
00:42:34,120 --> 00:42:37,120
Speaker 1: I'm giving haters gas. It's not that, like no, it's

834
00:42:37,120 --> 00:42:39,960
Speaker 1: not that like I'm either of us are above this

835
00:42:40,040 --> 00:42:43,600
Speaker 1: or shouldn't address this. It's that like it's also and

836
00:42:43,640 --> 00:42:45,200
Speaker 1: I said this in the video, it's like, it's not

837
00:42:45,280 --> 00:42:48,640
Speaker 1: groundbreaking that comedians would host an award show, which we are.

838
00:42:48,360 --> 00:42:50,520
Speaker 1: We are, we are, I'm sorry at this point, we're

839
00:42:50,520 --> 00:42:52,080
Speaker 1: like in our mid thirties. We've been doing this for

840
00:42:52,080 --> 00:42:54,880
Speaker 1: a while. I guess seasoned. I said, we have chops,

841
00:42:54,960 --> 00:42:57,200
Speaker 1: dare I say? And it's not a coup that an

842
00:42:57,200 --> 00:42:59,160
Speaker 1: award show is entertaining all the way through. There's no

843
00:42:59,200 --> 00:43:01,440
Speaker 1: need to frame it. You need to frame it this

844
00:43:01,440 --> 00:43:04,840
Speaker 1: way of like, well, if can anybody off the street

845
00:43:04,880 --> 00:43:09,799
Speaker 1: host an award show? No, also with my with my

846
00:43:09,960 --> 00:43:12,200
Speaker 1: chest like fuck the New York Times.

847
00:43:12,320 --> 00:43:14,440
Speaker 2: Oh absolutely, I mean, this is the thing is It's like,

848
00:43:14,560 --> 00:43:17,040
Speaker 2: you're not It's not even it's not even giving the haters.

849
00:43:17,080 --> 00:43:21,000
Speaker 2: Guess it's calling out the paper of record for reducing

850
00:43:21,040 --> 00:43:24,759
Speaker 2: themselves to a clickbait headline. I don't want to bring

851
00:43:24,760 --> 00:43:27,600
Speaker 2: it to a place of like responding to critics because

852
00:43:27,640 --> 00:43:31,480
Speaker 2: we don't have anything to prove literally at all. But

853
00:43:31,640 --> 00:43:34,239
Speaker 2: you know, again, like a learning experience, the life of

854
00:43:34,239 --> 00:43:35,840
Speaker 2: a show girl anyway.

855
00:43:35,560 --> 00:43:39,080
Speaker 1: The life of a show girl is the title of

856
00:43:39,200 --> 00:43:42,800
Speaker 1: this episode going to be the life of a showgirls? Yes,

857
00:43:43,600 --> 00:43:46,560
Speaker 1: the life of a show girls? I like with a

858
00:43:46,600 --> 00:43:51,040
Speaker 1: capital S. Of course, it's a capital ce bo. I

859
00:43:51,080 --> 00:43:53,920
Speaker 1: always say, Taylor speaks to you exactly where you are

860
00:43:53,920 --> 00:43:56,279
Speaker 1: in your life. You know who also says this?

861
00:43:56,719 --> 00:43:58,560
Speaker 2: Who says this? Katie Crutchfield.

862
00:43:58,680 --> 00:44:01,120
Speaker 1: She goes, I think that my album really, through Roxahachi,

863
00:44:01,200 --> 00:44:03,200
Speaker 1: have been very aligned with Taylor's journey.

864
00:44:03,600 --> 00:44:05,520
Speaker 2: I mean, and I hope she still feels this way.

865
00:44:06,120 --> 00:44:07,880
Speaker 2: We'll have to touch base with her, and we'll have

866
00:44:07,880 --> 00:44:10,359
Speaker 2: to touch base with Katie. I sent you I sent

867
00:44:10,440 --> 00:44:12,879
Speaker 2: you something a little special that we've been wanting to

868
00:44:13,000 --> 00:44:16,920
Speaker 2: read on the podcast. So basically just just just as

869
00:44:16,920 --> 00:44:21,520
Speaker 2: a background. Oh yeah, Originally we were going to have

870
00:44:21,640 --> 00:44:23,200
Speaker 2: all the you know, at the end of a commercial

871
00:44:23,200 --> 00:44:25,680
Speaker 2: on an award show, it says coming up, and then

872
00:44:25,719 --> 00:44:28,040
Speaker 2: you hear the things that are going to happen after

873
00:44:28,080 --> 00:44:31,600
Speaker 2: the break. So originally our idea was to have all

874
00:44:31,640 --> 00:44:34,160
Speaker 2: of these be jokes and none of them be real,

875
00:44:34,239 --> 00:44:36,680
Speaker 2: because we it was our opinion at the outset that

876
00:44:36,760 --> 00:44:39,400
Speaker 2: like literally every single thing that happened in the Culture

877
00:44:39,400 --> 00:44:41,560
Speaker 2: Awards should be stupid and dumb and gay and fake

878
00:44:41,600 --> 00:44:47,160
Speaker 2: and a joke. We were convinced to and rightfully to

879
00:44:47,360 --> 00:44:49,719
Speaker 2: actually sort of you know, say what was going to

880
00:44:49,760 --> 00:44:52,480
Speaker 2: be happening in the show after the break, because you know,

881
00:44:52,960 --> 00:44:55,200
Speaker 2: it's just better to keep people engaged that way, and

882
00:44:55,239 --> 00:44:58,040
Speaker 2: we did have such great talent involved. But yes, we

883
00:44:58,120 --> 00:44:59,839
Speaker 2: do have a document in front of us which are

884
00:44:59,840 --> 00:45:03,160
Speaker 2: all of our coming up jokes, and so I feel

885
00:45:03,280 --> 00:45:05,799
Speaker 2: like Bowen and I will read them now and shall

886
00:45:05,840 --> 00:45:06,480
Speaker 2: we just rotate?

887
00:45:07,080 --> 00:45:08,920
Speaker 1: Let's just rote And this is by the way, like

888
00:45:09,000 --> 00:45:13,600
Speaker 1: a collective yeah, calling together of jokes written by Matt

889
00:45:14,239 --> 00:45:17,200
Speaker 1: myself study Green Celestian and Frank Lespian are wonderful writers.

890
00:45:17,200 --> 00:45:18,680
Speaker 2: Assistant katsus Ysowski.

891
00:45:19,400 --> 00:45:20,840
Speaker 1: So this is this is from all of us, So

892
00:45:20,880 --> 00:45:25,319
Speaker 1: let's just read days okay. Coming up, A deeply uncomfortable

893
00:45:25,400 --> 00:45:29,600
Speaker 1: Seventh Heaven Reunion, A full hot topic segment from the View.

894
00:45:29,960 --> 00:45:33,720
Speaker 1: A moment of explicit violence we're all forced to witness.

895
00:45:34,000 --> 00:45:38,000
Speaker 1: Perez Hilton has finally tried for his crimes. Ash Ketchum

896
00:45:38,080 --> 00:45:43,719
Speaker 1: presents Best Soda, sponsored by Emergency. The Traveling Pants, a

897
00:45:43,800 --> 00:45:48,240
Speaker 1: live reading of Under the Tuscan Sun. Barbara Streisand's Cloned

898
00:45:48,360 --> 00:45:52,319
Speaker 1: Dogs and Sugar Ray covers the Pokemon theme song as

899
00:45:52,360 --> 00:45:56,200
Speaker 1: the Earth collapses in on itself, a duet by Jen

900
00:45:56,280 --> 00:46:01,120
Speaker 1: Shatt and Elizabeth Holmes Medusa. Adam Dry throws a big

901
00:46:01,239 --> 00:46:04,799
Speaker 1: chair when noona ryder in the Christmas Lights. She is

902
00:46:04,880 --> 00:46:10,479
Speaker 1: so back. Glenn Close performs button dancing the Samba fran

903
00:46:10,600 --> 00:46:14,680
Speaker 1: Lebowitz and her partner Derek Cuff. The hind Sisters reveal

904
00:46:14,719 --> 00:46:18,840
Speaker 1: which Powerpuff Girl they think they are. Christina Aguilera says

905
00:46:18,960 --> 00:46:22,880
Speaker 1: ha ha. Florence Pugh realizes it's all a simulation.

906
00:46:23,520 --> 00:46:26,279
Speaker 2: We unfreeze Jane Austen and she shakes her head in

907
00:46:26,320 --> 00:46:28,160
Speaker 2: disappointment at the modern world.

908
00:46:28,920 --> 00:46:31,440
Speaker 1: Jennifer Holliday holds a big note.

909
00:46:31,840 --> 00:46:34,960
Speaker 2: Moodan got old, so we replace her with someone younger,

910
00:46:35,200 --> 00:46:35,719
Speaker 2: fuck her.

911
00:46:36,719 --> 00:46:39,800
Speaker 1: Simon Cowell sing sixteen bars of a pop rock song

912
00:46:40,000 --> 00:46:44,000
Speaker 1: for head Judge Fantasia. Catherine Zita Jones reads from her

913
00:46:44,080 --> 00:46:49,120
Speaker 1: dream journal and it's actually really beautiful. Cynthia Rivo sings

914
00:46:49,160 --> 00:46:52,440
Speaker 1: the Thong song. We pass out the scantron sheets for

915
00:46:52,480 --> 00:46:53,000
Speaker 1: the test.

916
00:46:53,760 --> 00:46:54,200
Speaker 2: Very good.

917
00:46:54,719 --> 00:46:57,080
Speaker 1: Mariah Carey sprints six hundred meters.

918
00:46:57,480 --> 00:47:00,960
Speaker 2: Jay Diaz wins an Emmy for their earnest comedy Special.

919
00:47:01,640 --> 00:47:04,600
Speaker 1: Black Pink reunites to help each other pitch a big tent.

920
00:47:05,120 --> 00:47:08,759
Speaker 2: The original cast of CSI flops in an escape room.

921
00:47:09,760 --> 00:47:13,000
Speaker 1: Jack Schlasberg love bombs Matt and then dumps him for bowing,

922
00:47:13,640 --> 00:47:16,680
Speaker 1: and a member of the crew has a psychotic break.

923
00:47:16,840 --> 00:47:17,720
Speaker 2: It's been a lot.

924
00:47:18,719 --> 00:47:21,960
Speaker 1: Winnie the Pooh debuts his first pair of pants. Jessica

925
00:47:22,040 --> 00:47:27,360
Speaker 1: Chastain kills Bin Laden Doula Peep Princess Peach makes.

926
00:47:27,160 --> 00:47:29,680
Speaker 2: Out with Zelda in a win for the male Gaze.

927
00:47:30,680 --> 00:47:35,160
Speaker 1: Anne Hathaway says, Kalma, Kalma, a water break.

928
00:47:35,239 --> 00:47:39,160
Speaker 2: You're supposed to drink ten gallons a day. Rihanna is Smurfette.

929
00:47:39,520 --> 00:47:42,239
Speaker 2: Rachel Zegglers a Vita bodyguard.

930
00:47:42,320 --> 00:47:47,680
Speaker 1: Please be nice, I know CD, but please be nice.

931
00:47:47,680 --> 00:47:51,040
Speaker 1: Please be nice, Please be nice. Emmanuel Matkron gets shoved

932
00:47:51,040 --> 00:47:51,800
Speaker 1: by his wife.

933
00:47:52,040 --> 00:47:54,480
Speaker 2: Bowen and Nut play pregnancy Roulette.

934
00:47:55,200 --> 00:47:59,480
Speaker 1: A young Hugh Grant Okay technology the Hoka Award for

935
00:47:59,520 --> 00:48:03,640
Speaker 1: Best Actor. The cast of the Labooboo Movie, which is

936
00:48:03,680 --> 00:48:04,560
Speaker 1: rated R by the Way.

937
00:48:05,320 --> 00:48:07,880
Speaker 2: Tan France looks at a French tuck and goes, you

938
00:48:07,920 --> 00:48:09,040
Speaker 2: know what, it's weird.

939
00:48:10,120 --> 00:48:13,600
Speaker 1: Patti LaBelle finally finds her background singers.

940
00:48:13,840 --> 00:48:16,520
Speaker 2: Five Little Shop, Seymour's Fight to the Death.

941
00:48:17,360 --> 00:48:20,239
Speaker 1: Tate McCrae teaches the sportscar choreo to the Baby from

942
00:48:20,280 --> 00:48:24,399
Speaker 1: Ali McBeal. Harry Daniels turns Blake Shelton's share with Edna

943
00:48:24,480 --> 00:48:28,440
Speaker 1: James's I'd Rather Go Blind, an apology from the Big

944
00:48:28,480 --> 00:48:31,399
Speaker 1: Bad Wolf, and he does have a ukulele. We play

945
00:48:31,480 --> 00:48:34,640
Speaker 1: squid Game, but gentle one of us will get the

946
00:48:34,640 --> 00:48:39,120
Speaker 1: severance procedure live one of us. Freaky Friday is with

947
00:48:39,280 --> 00:48:42,799
Speaker 1: Nara Smith. We lip sync for our Lives to the

948
00:48:42,840 --> 00:48:43,960
Speaker 1: trilogy song.

949
00:48:43,960 --> 00:48:46,759
Speaker 2: A Ferbie comes back to life and no, it does

950
00:48:46,880 --> 00:48:48,000
Speaker 2: not have batteries.

951
00:48:48,719 --> 00:48:50,760
Speaker 1: We get makeovers from Lisa Frank.

952
00:48:51,280 --> 00:48:53,840
Speaker 2: JK. Rowling says something normal JK.

953
00:48:54,800 --> 00:48:56,960
Speaker 1: Laura Dern tells us it's all gonna be okay.

954
00:48:57,440 --> 00:49:01,000
Speaker 2: The Veggie Tales veggies reveal some nasty secrets.

955
00:49:01,400 --> 00:49:03,640
Speaker 1: We'll show you how to use your step mom shower

956
00:49:04,040 --> 00:49:07,680
Speaker 1: a drag. Queen grooms my dog and wow, she looks amazing.

957
00:49:08,480 --> 00:49:11,640
Speaker 1: We teach a robot to love and unfortunately also to

958
00:49:11,719 --> 00:49:14,560
Speaker 1: love bomb. I guess Megan two point zero is really

959
00:49:14,600 --> 00:49:18,440
Speaker 1: into taro. Now the significance of andor explained.

960
00:49:18,800 --> 00:49:21,040
Speaker 2: We found your mom's little book of passwords and we're

961
00:49:21,040 --> 00:49:22,720
Speaker 2: gonna read them all out loud.

962
00:49:23,320 --> 00:49:26,920
Speaker 1: Your favorite male comedian gets a diagnosis and it's exactly

963
00:49:26,960 --> 00:49:29,399
Speaker 1: what you think. We announced the cast of the Real

964
00:49:29,480 --> 00:49:34,360
Speaker 1: Housewives of Upper Darby, Pennsylvania. We make Tom Kalikio a PBNJ,

965
00:49:35,200 --> 00:49:39,840
Speaker 1: the ghost of TBS, the first ever facelift on a baby,

966
00:49:40,239 --> 00:49:42,600
Speaker 1: and Lauren Bolbert's PEM.

967
00:49:44,400 --> 00:49:49,279
Speaker 2: There you go. Those are our coming ups. I mean fabulous.

968
00:49:49,360 --> 00:49:52,960
Speaker 2: Those are really fun. But the thing is like coming

969
00:49:53,040 --> 00:49:56,000
Speaker 2: up next. Alison Brien Dave Frankel present the award for

970
00:49:56,080 --> 00:49:59,160
Speaker 2: Best Batman Woman Like is one of those so their

971
00:49:59,320 --> 00:50:02,160
Speaker 2: works and it were the truth. Our producer Laurum was like,

972
00:50:02,360 --> 00:50:05,200
Speaker 2: I just think people might think Adam Driver would come

973
00:50:05,239 --> 00:50:07,239
Speaker 2: out and throw a big chair. And I was like,

974
00:50:07,320 --> 00:50:09,280
Speaker 2: that's fair, that's reallyzing.

975
00:50:09,600 --> 00:50:11,560
Speaker 1: This already gives us a document. I mean, we can't

976
00:50:11,560 --> 00:50:13,440
Speaker 1: do them now because we've already told everybody them, but

977
00:50:13,560 --> 00:50:16,000
Speaker 1: like this is like this Actually, I think an exercise

978
00:50:16,000 --> 00:50:17,960
Speaker 1: for if we're lucky enough to do this next year

979
00:50:18,360 --> 00:50:20,359
Speaker 1: is to start with the coming ups and then see

980
00:50:20,400 --> 00:50:21,480
Speaker 1: how many we can actually do.

981
00:50:21,800 --> 00:50:24,200
Speaker 2: Oh, I love that. That's our news guy just coming

982
00:50:24,200 --> 00:50:26,480
Speaker 2: out with coming guys. If you really want to see

983
00:50:26,480 --> 00:50:28,880
Speaker 2: Adam Driver throw a big chair on the Cultural Awards

984
00:50:28,920 --> 00:50:32,239
Speaker 2: next year, let us know online. We might be able

985
00:50:32,239 --> 00:50:34,319
Speaker 2: to make it happen. There's a lot of lead time now,

986
00:50:34,719 --> 00:50:38,000
Speaker 2: so it's not impossible. As you know, we did a

987
00:50:38,040 --> 00:50:40,600
Speaker 2: lot of stuff. We did a lot a lot to happen.

988
00:50:41,120 --> 00:50:43,319
Speaker 1: The Mariah Carey one made me think, I just we

989
00:50:43,400 --> 00:50:45,600
Speaker 1: haven't really talked about this MC sixteen.

990
00:50:45,880 --> 00:50:46,760
Speaker 2: Here for it all.

991
00:50:47,680 --> 00:50:49,600
Speaker 1: I do just want to say, I want both of

992
00:50:49,680 --> 00:50:51,959
Speaker 1: us to really lock in here, and I encourage readers

993
00:50:52,000 --> 00:50:53,920
Speaker 1: Kati's Pelpus is finalist Kyles to do this as well.

994
00:50:54,400 --> 00:50:57,759
Speaker 1: Let us really cherish this time that Mariah Carey is

995
00:50:57,800 --> 00:51:00,480
Speaker 1: back on an album cycle. We don't know, we know

996
00:51:00,560 --> 00:51:02,759
Speaker 1: this doesn't happen very often. We don't know when the

997
00:51:02,760 --> 00:51:05,440
Speaker 1: next time this will happen. It's been a while since Caution,

998
00:51:05,760 --> 00:51:09,239
Speaker 1: and I had spent the intervening years saying when is

999
00:51:09,280 --> 00:51:12,040
Speaker 1: Mariah Carey going to follow up Caution? And now it's here,

1000
00:51:12,440 --> 00:51:15,000
Speaker 1: and I just really want to point out the fun

1001
00:51:15,120 --> 00:51:17,879
Speaker 1: that we all had with her being informed that Katie

1002
00:51:17,920 --> 00:51:18,800
Speaker 1: Perry went to space.

1003
00:51:19,360 --> 00:51:21,520
Speaker 2: Yeah, yeah, no she if you, if you, if you

1004
00:51:21,560 --> 00:51:23,719
Speaker 2: catch Mariah in the right moment, She's gonna give it

1005
00:51:23,719 --> 00:51:24,360
Speaker 2: to you.

1006
00:51:24,400 --> 00:51:26,880
Speaker 1: No, And that that interview has so many I mean, obviously,

1007
00:51:26,920 --> 00:51:28,600
Speaker 1: the big line is I think I've done enough, which

1008
00:51:28,600 --> 00:51:29,800
Speaker 1: is still connect.

1009
00:51:30,320 --> 00:51:31,279
Speaker 2: I think I've done enough.

1010
00:51:31,440 --> 00:51:34,320
Speaker 1: My favorite thing is my two favorite things are where'd

1011
00:51:34,360 --> 00:51:35,800
Speaker 1: she go to space?

1012
00:51:36,520 --> 00:51:36,879
Speaker 2: All right?

1013
00:51:36,960 --> 00:51:37,480
Speaker 1: Katie?

1014
00:51:38,160 --> 00:51:42,400
Speaker 2: All right, Katie, all right, Katie? I love that supportive

1015
00:51:42,920 --> 00:51:48,800
Speaker 2: all right, Katie. Wow. I think our Blue Origin two?

1016
00:51:49,600 --> 00:51:52,040
Speaker 2: Oh yeah, A moment that was also fun going to

1017
00:51:52,080 --> 00:51:55,040
Speaker 2: space and all it felt like we were there. When

1018
00:51:55,080 --> 00:51:57,200
Speaker 2: I was watching the opening package, I was like, oh,

1019
00:51:57,280 --> 00:52:04,080
Speaker 2: we're up in this, Astronauts down Okay, you saw weapons, y'all.

1020
00:52:04,800 --> 00:52:05,600
Speaker 2: I you know.

1021
00:52:05,560 --> 00:52:07,160
Speaker 1: What, can I tell you the thought that I had

1022
00:52:07,480 --> 00:52:09,840
Speaker 1: up until the halfway point of the movie, I said,

1023
00:52:10,320 --> 00:52:12,799
Speaker 1: I can watch this. This isn't so scary at all.

1024
00:52:13,120 --> 00:52:15,920
Speaker 1: But then and then at the halfway point, if you know,

1025
00:52:16,040 --> 00:52:22,040
Speaker 1: you know, shit goes down, a certain thing happens to

1026
00:52:22,120 --> 00:52:22,840
Speaker 1: a gay couple.

1027
00:52:24,080 --> 00:52:26,239
Speaker 2: Do you want to say spoiler alert and then sort

1028
00:52:26,280 --> 00:52:26,759
Speaker 2: of go off.

1029
00:52:27,080 --> 00:52:29,560
Speaker 1: I'm not gonna. I'm not gonna spoil what I feel.

1030
00:52:29,640 --> 00:52:31,799
Speaker 1: It feels even I know you will never see this movie,

1031
00:52:31,800 --> 00:52:34,200
Speaker 1: but it feels wrong to even spoil to you because

1032
00:52:34,239 --> 00:52:35,799
Speaker 1: these are these are really things that you were meant

1033
00:52:35,840 --> 00:52:38,120
Speaker 1: to experience in the experience of watching it.

1034
00:52:38,560 --> 00:52:41,239
Speaker 2: What is it with gay couples catching strays in these

1035
00:52:41,239 --> 00:52:45,040
Speaker 2: horror movies? Because didn't this also happen in It Part two? See,

1036
00:52:45,040 --> 00:52:47,120
Speaker 2: I didn't see it, Okay, so I know.

1037
00:52:47,160 --> 00:52:51,520
Speaker 1: For a fact a gay couple like really got it

1038
00:52:51,880 --> 00:52:52,839
Speaker 1: in It Part two.

1039
00:52:53,440 --> 00:52:54,280
Speaker 2: This gay couple.

1040
00:52:54,640 --> 00:52:57,359
Speaker 1: It made me for the first time in a long

1041
00:52:57,800 --> 00:53:01,680
Speaker 1: not since ready Passion of the crew have I had

1042
00:53:01,719 --> 00:53:02,840
Speaker 1: to cover my eyes.

1043
00:53:03,560 --> 00:53:04,400
Speaker 2: It was that bad.

1044
00:53:06,080 --> 00:53:09,080
Speaker 1: Why the gays, It's it's not because they're gay, It's

1045
00:53:09,120 --> 00:53:12,719
Speaker 1: just an incidental thing. But I mean, all I'll say

1046
00:53:12,840 --> 00:53:16,279
Speaker 1: is Amy Madigan, you legend for all time. But this

1047
00:53:16,400 --> 00:53:18,759
Speaker 1: is just a wonderful ensemble. Ande. I know you talked

1048
00:53:18,760 --> 00:53:20,560
Speaker 1: to Julia Gardner. Did you talk to Brolin too? When

1049
00:53:20,560 --> 00:53:21,160
Speaker 1: he was on Today?

1050
00:53:21,160 --> 00:53:23,680
Speaker 2: I talked to both of them. They were on Today's show. Wonderful.

1051
00:53:23,760 --> 00:53:25,960
Speaker 2: What was Brolin's vibe? I love him.

1052
00:53:26,200 --> 00:53:26,840
Speaker 1: I know.

1053
00:53:28,600 --> 00:53:33,640
Speaker 2: He was great, very laid back and honestly, uh yeah,

1054
00:53:33,880 --> 00:53:36,040
Speaker 2: really really attractive in person.

1055
00:53:36,360 --> 00:53:39,280
Speaker 1: Yeah, I mean, but just just wonderful man, wonderful actor,

1056
00:53:39,719 --> 00:53:43,400
Speaker 1: icon legend. But Julia's fantastic. But like you know, you

1057
00:53:43,440 --> 00:53:47,000
Speaker 1: don't spend too much time with one character in a

1058
00:53:47,040 --> 00:53:50,120
Speaker 1: way that really helps and really works. The structure of

1059
00:53:50,120 --> 00:53:51,840
Speaker 1: it is so cool. I mean, there's precedent for it.

1060
00:53:51,840 --> 00:53:55,080
Speaker 1: It's very Magnolia, very Rastroman. But I just want to

1061
00:53:55,120 --> 00:53:59,959
Speaker 1: point out Austin Abrams fantastic in this truly wonderful work.

1062
00:54:00,320 --> 00:54:02,800
Speaker 1: And I think the most like pulling it quote unquote

1063
00:54:02,800 --> 00:54:04,480
Speaker 1: polling in stretch in the film. And I say this

1064
00:54:04,560 --> 00:54:06,279
Speaker 1: because I do want to point out, you know, we

1065
00:54:06,320 --> 00:54:09,120
Speaker 1: talked about this with Joel can Booster, like really nice

1066
00:54:09,120 --> 00:54:11,319
Speaker 1: and refreshing for a horror movie to not have an

1067
00:54:11,320 --> 00:54:14,640
Speaker 1: allegory really nice, because there's been this thing in elevated

1068
00:54:14,640 --> 00:54:17,359
Speaker 1: horror quote unquote where it always has to map onto something.

1069
00:54:17,400 --> 00:54:18,839
Speaker 1: I mean, you can make the argument that like this

1070
00:54:18,880 --> 00:54:20,840
Speaker 1: is about like school shooting.

1071
00:54:21,000 --> 00:54:22,160
Speaker 2: Yeah, that's what I've heard.

1072
00:54:22,239 --> 00:54:25,640
Speaker 1: Yeah, I would not go so far as to say

1073
00:54:25,680 --> 00:54:28,719
Speaker 1: that it's just a It's just a horror movie for

1074
00:54:28,760 --> 00:54:31,760
Speaker 1: horror sake, and sometimes that's enough. Not all the dots

1075
00:54:31,800 --> 00:54:35,960
Speaker 1: have to be connected. It's just a really bang for

1076
00:54:36,000 --> 00:54:41,000
Speaker 1: your buck, really entertaining movie. And the last I would say,

1077
00:54:41,120 --> 00:54:43,360
Speaker 1: what ten minutes, fifteen minutes, just the ending of the

1078
00:54:43,440 --> 00:54:46,080
Speaker 1: movie are rapturous. I was like, this is the most

1079
00:54:46,080 --> 00:54:48,080
Speaker 1: fun I've had in the movies in a very long time.

1080
00:54:48,239 --> 00:54:49,480
Speaker 2: That's what everyone is saying.

1081
00:54:49,760 --> 00:54:51,600
Speaker 1: Yeah, And all I say is, I don't want to

1082
00:54:51,600 --> 00:54:54,200
Speaker 1: spoil anything, but the people who shot that lot, the

1083
00:54:54,280 --> 00:54:56,719
Speaker 1: group of people who shot that last scene must have

1084
00:54:56,800 --> 00:54:59,920
Speaker 1: had a blast. You can tell that it was some

1085
00:55:00,160 --> 00:55:02,160
Speaker 1: fun days on set for everyone involved.

1086
00:55:02,239 --> 00:55:05,200
Speaker 2: That's all yo. I want to shout out whitmore Thomas Winmer,

1087
00:55:05,280 --> 00:55:08,960
Speaker 2: Thomas who had fun with a fork in the film

1088
00:55:09,040 --> 00:55:11,080
Speaker 2: Go Okay, he had fun with a little a little

1089
00:55:11,080 --> 00:55:12,680
Speaker 2: too much fun, but he was just he was just

1090
00:55:12,760 --> 00:55:15,040
Speaker 2: so good. But when I when I saw him at first,

1091
00:55:15,080 --> 00:55:16,680
Speaker 2: I was like, is that wit I was like, oh

1092
00:55:16,719 --> 00:55:20,400
Speaker 2: my god, that's Whitmer. And then he just has.

1093
00:55:20,239 --> 00:55:23,799
Speaker 1: A really really lovely scenes where he's just incredibly You know,

1094
00:55:24,080 --> 00:55:27,120
Speaker 1: as an audience member, you are immediately invested in him

1095
00:55:27,520 --> 00:55:30,120
Speaker 1: as a character in the time that you see him,

1096
00:55:30,120 --> 00:55:31,840
Speaker 1: and then things turn and then you're like, well fuck,

1097
00:55:31,960 --> 00:55:34,120
Speaker 1: and then uh, just a great movie.

1098
00:55:34,160 --> 00:55:38,480
Speaker 2: And Amy Madigan people are people are there's a ground

1099
00:55:38,480 --> 00:55:40,160
Speaker 2: swelve support for Amy Madigan.

1100
00:55:40,880 --> 00:55:43,600
Speaker 1: And you know, I think, did you ever see the

1101
00:55:43,640 --> 00:55:46,279
Speaker 1: movie she wanted to Oscar for with Gene Hackman, or

1102
00:55:46,400 --> 00:55:48,160
Speaker 1: that she was nominated for twice in a life time.

1103
00:55:48,160 --> 00:55:50,680
Speaker 2: I've never seen twice in a lifetime. No, I have to.

1104
00:55:50,600 --> 00:55:53,360
Speaker 1: Say, I'm sort of I have a little bit of

1105
00:55:53,400 --> 00:55:56,960
Speaker 1: a Madigan blind spot. Are I think you and I

1106
00:55:57,000 --> 00:55:59,960
Speaker 1: maybe share this. Our first introduction to Madigan was great.

1107
00:56:00,160 --> 00:56:02,880
Speaker 2: Yeah, okay, what was she? Youngers and enemy? She was

1108
00:56:02,960 --> 00:56:07,280
Speaker 2: Meredith therapist in season four. Yes, she was Meredith therapist.

1109
00:56:07,360 --> 00:56:08,960
Speaker 2: Oh my god, that's how we know her.

1110
00:56:09,239 --> 00:56:11,160
Speaker 1: They have great scenes together.

1111
00:56:11,480 --> 00:56:13,920
Speaker 2: I remember that's back. They're really good.

1112
00:56:14,080 --> 00:56:16,279
Speaker 1: Oh wow, and she sort of gets to go all

1113
00:56:16,280 --> 00:56:18,680
Speaker 1: the way off. She gets to go all the way

1114
00:56:18,719 --> 00:56:24,920
Speaker 1: off in the most indelible hairdoos, whether it's wig, whether

1115
00:56:24,960 --> 00:56:28,680
Speaker 1: it's spoiler alert microbraids, It's like, what the fuck am

1116
00:56:28,680 --> 00:56:32,480
Speaker 1: I seeing? I heard it's giving like a new classic

1117
00:56:33,440 --> 00:56:37,400
Speaker 1: villain type. I was watching a couple scenes with her,

1118
00:56:37,400 --> 00:56:40,000
Speaker 1: and I was like, she's giving iconic cinema, Like she's

1119
00:56:40,040 --> 00:56:43,279
Speaker 1: giving memorable cinema in these moments like did you tex

1120
00:56:43,360 --> 00:56:45,440
Speaker 1: to me after and you were like, I really want

1121
00:56:45,480 --> 00:56:47,719
Speaker 1: you to see this, but I really don't think it

1122
00:56:47,760 --> 00:56:50,480
Speaker 1: would be a good idea. I don't think you can

1123
00:56:50,560 --> 00:56:50,920
Speaker 1: handle it.

1124
00:56:51,000 --> 00:56:53,560
Speaker 2: I mean, I think, well, how's that? Can I can

1125
00:56:53,600 --> 00:56:54,560
Speaker 2: I put this forward?

1126
00:56:54,840 --> 00:56:57,880
Speaker 1: How would it be if you watched a movie, a

1127
00:56:57,920 --> 00:57:00,640
Speaker 1: horror movie like this that is gruesome, but by the

1128
00:57:00,840 --> 00:57:03,840
Speaker 1: end has this like cathartic release moment.

1129
00:57:04,120 --> 00:57:07,640
Speaker 2: I've done it before. It's just about, you know what,

1130
00:57:08,040 --> 00:57:10,120
Speaker 2: let me figure out my anxiety and then we'll get back.

1131
00:57:10,320 --> 00:57:12,640
Speaker 2: I have a meeting with the psych this weekend, and

1132
00:57:12,719 --> 00:57:14,080
Speaker 2: I mean this week so you know what I mean,

1133
00:57:14,520 --> 00:57:17,360
Speaker 2: maybe let's maybe get me on some on some new

1134
00:57:17,440 --> 00:57:20,480
Speaker 2: tip and then we'll try to figure out how I

1135
00:57:20,480 --> 00:57:22,920
Speaker 2: cannot internalize things that are happening on a screen and

1136
00:57:22,960 --> 00:57:25,960
Speaker 2: not in my life. I am pathetic. I do know this.

1137
00:57:26,120 --> 00:57:30,160
Speaker 1: No no, no, that's this is not like it is no, no, no,

1138
00:57:30,160 --> 00:57:32,240
Speaker 1: I should be able to watch this movie. I mean,

1139
00:57:32,600 --> 00:57:34,800
Speaker 1: I'm going to do it my best.

1140
00:57:34,840 --> 00:57:37,040
Speaker 2: You know. The substance was a big leap forward for me,

1141
00:57:37,120 --> 00:57:37,880
Speaker 2: and I loved it.

1142
00:57:37,920 --> 00:57:40,400
Speaker 1: As we all know, I would not say that because

1143
00:57:40,440 --> 00:57:42,240
Speaker 1: you can clear that, hurl that you can clear this,

1144
00:57:42,400 --> 00:57:44,800
Speaker 1: and and Joel was like, if you watched Hereditary, you can,

1145
00:57:45,120 --> 00:57:48,240
Speaker 1: but you didn't. And I think this is a little

1146
00:57:48,240 --> 00:57:51,040
Speaker 1: bit it's even more just gruesome than Hereditary to me

1147
00:57:51,440 --> 00:57:52,760
Speaker 1: in some moments. But I just I just want to

1148
00:57:52,760 --> 00:57:54,760
Speaker 1: shout out. I mean, Zach Kreger, he's two for two

1149
00:57:54,840 --> 00:57:58,760
Speaker 1: on these like really great innovative. I would say horror

1150
00:57:58,760 --> 00:58:02,080
Speaker 1: movies with interesting structure is really interesting turns, whether it's

1151
00:58:02,080 --> 00:58:03,479
Speaker 1: in the middle of the film or you know, quarter

1152
00:58:03,480 --> 00:58:04,040
Speaker 1: of the way through.

1153
00:58:04,800 --> 00:58:06,680
Speaker 2: And I just love it. He's a he's a comedy guy.

1154
00:58:06,720 --> 00:58:09,000
Speaker 2: He's like, he's a skitch guys, one of us. And

1155
00:58:09,080 --> 00:58:11,680
Speaker 2: so really, how many people know how to do horror?

1156
00:58:11,800 --> 00:58:15,040
Speaker 1: I mean, like it is, it is in the genes,

1157
00:58:16,120 --> 00:58:18,640
Speaker 1: it's it's it's you know, tension release or whatever. Not

1158
00:58:18,640 --> 00:58:21,080
Speaker 1: to be a Heina Gatsby about it, but I'm really

1159
00:58:21,120 --> 00:58:23,959
Speaker 1: exciting that he's doing the new Resident Evil. He's he's

1160
00:58:24,000 --> 00:58:27,200
Speaker 1: he's he's doing those and really funny.

1161
00:58:27,320 --> 00:58:28,520
Speaker 2: Was Weapons funny as well?

1162
00:58:29,320 --> 00:58:33,160
Speaker 1: I think there are moments of true like human it's

1163
00:58:33,200 --> 00:58:35,000
Speaker 1: not like a hard comedy, but there are moments of like,

1164
00:58:35,000 --> 00:58:36,960
Speaker 1: oh that's really funny. I mean the ending is like

1165
00:58:37,680 --> 00:58:40,520
Speaker 1: the ending has a lot of fun. That's all I'll say. Well,

1166
00:58:41,440 --> 00:58:43,160
Speaker 1: you know, I ended up seeing The Naked Gun for

1167
00:58:43,200 --> 00:58:44,280
Speaker 1: a third time.

1168
00:58:44,400 --> 00:58:45,440
Speaker 2: So that was your third.

1169
00:58:45,840 --> 00:58:47,720
Speaker 1: Yeah, I've been meaning to see a multiple times to

1170
00:58:47,800 --> 00:58:50,000
Speaker 1: do because the velocity of the jokes is that I

1171
00:58:50,080 --> 00:58:52,880
Speaker 1: missed of ten things. So Greta and Abe wanted to go,

1172
00:58:52,920 --> 00:58:54,720
Speaker 1: and I was just like, I'll go with you because

1173
00:58:55,200 --> 00:58:56,960
Speaker 1: like if there's there was nothing, I didn't have anything

1174
00:58:57,000 --> 00:58:57,200
Speaker 1: to do.

1175
00:58:57,240 --> 00:58:58,640
Speaker 2: And I was just like, oh, they're going, I want

1176
00:58:58,640 --> 00:59:01,320
Speaker 2: to go again. Like it's one of those things i'd

1177
00:59:01,400 --> 00:59:03,880
Speaker 2: be supporting. Kind of a nice little moment for the

1178
00:59:03,920 --> 00:59:05,600
Speaker 2: box office. I love it.

1179
00:59:05,640 --> 00:59:08,760
Speaker 1: This is really good, not for nothing, but speaks to

1180
00:59:09,800 --> 00:59:15,880
Speaker 1: you know, this idea that more moderately budgeted things can succeed.

1181
00:59:16,320 --> 00:59:18,480
Speaker 2: You know what I mean like that. I just hope

1182
00:59:19,040 --> 00:59:21,120
Speaker 2: I saw a rumor that, like, as a result of

1183
00:59:21,160 --> 00:59:25,360
Speaker 2: you know, Sinners and Weapons, and you know the success

1184
00:59:25,400 --> 00:59:27,800
Speaker 2: of these movies that are not attached to franchises, that

1185
00:59:28,120 --> 00:59:31,919
Speaker 2: there might be a movement towards original stories with lower

1186
00:59:31,960 --> 00:59:35,640
Speaker 2: budgets like that would be in huge, That would be amazing.

1187
00:59:35,680 --> 00:59:39,480
Speaker 1: It would be such an better use of money, time, talent.

1188
00:59:41,480 --> 00:59:44,920
Speaker 2: How long was Weapons? Two hours and five minutes? Okay?

1189
00:59:45,480 --> 00:59:48,600
Speaker 1: And you I think you can see Cinners low key?

1190
00:59:48,800 --> 00:59:50,880
Speaker 2: Oh no, no, no, I'm definitely seeing Sinners.

1191
00:59:51,160 --> 00:59:52,600
Speaker 1: I don't think it's scary.

1192
00:59:52,880 --> 00:59:56,080
Speaker 2: I'm not. That's one. I just literally haven't done it yet,

1193
00:59:56,120 --> 00:59:59,240
Speaker 2: which is crazy excellent, and I will before. I'm sure it,

1194
00:59:59,440 --> 01:00:01,520
Speaker 2: you know, become quite a big topic at the end

1195
01:00:01,520 --> 01:00:02,840
Speaker 2: of the year. I think so.

1196
01:00:03,320 --> 01:00:05,840
Speaker 1: But speaking of you, said Austin Abrams. I went to

1197
01:00:05,880 --> 01:00:10,320
Speaker 1: the concert of Gracie Abrams. Yes, I loved it. I

1198
01:00:10,360 --> 01:00:12,360
Speaker 1: was there when she did her all too well covered.

1199
01:00:13,280 --> 01:00:14,520
Speaker 1: I wonder if she knew.

1200
01:00:14,640 --> 01:00:17,440
Speaker 2: I'm gonna ask. I'm gonna ask her if she knew.

1201
01:00:17,600 --> 01:00:21,360
Speaker 2: I'm sure she was in the now hmmmmm. I'm gonna

1202
01:00:21,360 --> 01:00:25,680
Speaker 2: I'm gonna figure it out. But honestly, like vocals, incredible

1203
01:00:25,800 --> 01:00:28,720
Speaker 2: in concerts. Definitely the most beautiful woman alive.

1204
01:00:29,520 --> 01:00:32,560
Speaker 1: I can't believe what she looks like on those screens.

1205
01:00:32,560 --> 01:00:34,240
Speaker 1: I was like looking at her like I was like

1206
01:00:34,400 --> 01:00:39,320
Speaker 1: breathless the whole time. And her fans I was watching

1207
01:00:39,520 --> 01:00:43,880
Speaker 1: so many people have like formative coreies.

1208
01:00:43,440 --> 01:00:46,760
Speaker 2: Like even more than at the erastour. These girls were

1209
01:00:47,240 --> 01:00:51,280
Speaker 2: holding each other and sobbing. It was so just like

1210
01:00:52,120 --> 01:00:56,320
Speaker 2: they love her so much, like she's got that. I think, honestly,

1211
01:00:56,400 --> 01:00:58,760
Speaker 2: Sky's the limit when it comes to because it's the

1212
01:00:58,800 --> 01:01:00,960
Speaker 2: songwriting right. It's like you can see the girls like

1213
01:01:01,280 --> 01:01:05,120
Speaker 2: absolutely screaming these songs. It means something to them. He's

1214
01:01:05,120 --> 01:01:09,840
Speaker 2: a great writer, fantastic way. Yeah. No, I loved it.

1215
01:01:09,880 --> 01:01:10,360
Speaker 2: I loved it.

1216
01:01:10,440 --> 01:01:14,200
Speaker 1: And you know, I'm a I'm a Gracie Ventry's my Benbow.

1217
01:01:14,680 --> 01:01:17,080
Speaker 2: We have yet to meet in person, but we we

1218
01:01:17,200 --> 01:01:19,160
Speaker 2: have a lovely text relationship and.

1219
01:01:19,200 --> 01:01:23,360
Speaker 1: Gracey will come on the show, Grace will there you go? Finalist.

1220
01:01:23,560 --> 01:01:26,360
Speaker 1: Congratulations to Finalist of the Year, by the way, Megan Fayhee, Yes.

1221
01:01:26,240 --> 01:01:29,080
Speaker 2: Megan Faihee a Finalist of the Year winner, And.

1222
01:01:29,080 --> 01:01:33,120
Speaker 1: Speaking of Gracey, Andre Hibbert's album is coming out this Friday.

1223
01:01:32,920 --> 01:01:35,680
Speaker 2: Before we go into I don't Things, so, honey, I

1224
01:01:35,720 --> 01:01:38,440
Speaker 2: had one thing I wanted to say, which is the

1225
01:01:38,520 --> 01:01:42,120
Speaker 2: dog Matt Rogers was adopted. Oh my god, and he

1226
01:01:42,160 --> 01:01:45,880
Speaker 2: looks so happy. He lives in Queens now he's happy.

1227
01:01:47,160 --> 01:01:49,560
Speaker 2: It brings me such joy that that happened. God, this

1228
01:01:49,640 --> 01:01:52,840
Speaker 2: week full of great narratives, love that, at least in

1229
01:01:52,960 --> 01:01:53,600
Speaker 2: some regard.

1230
01:01:54,160 --> 01:01:56,680
Speaker 1: Yeah. Yeah, one of those little things that just made

1231
01:01:56,680 --> 01:02:01,720
Speaker 1: you happy, and a see of otherwise dark things. Truly, truly, truly, mall.

1232
01:02:01,800 --> 01:02:05,120
Speaker 1: We hope you're just having a great time at Corona

1233
01:02:05,160 --> 01:02:08,320
Speaker 1: Park and Flushing or whatever. Just you're living your best

1234
01:02:08,400 --> 01:02:12,440
Speaker 1: queen's life. Well, the Queens. Don't sleep on Queens, y'all,

1235
01:02:12,560 --> 01:02:15,800
Speaker 1: don't sleep on Queens. We'll be there soon, will we?

1236
01:02:16,400 --> 01:02:17,560
Speaker 1: Then the Open we'll be at the US.

1237
01:02:17,880 --> 01:02:19,520
Speaker 2: Oh, we're gonna go to the Open. Yes, what day?

1238
01:02:19,600 --> 01:02:21,960
Speaker 2: Well we'll talk about what day you're going. We'll talk. Yeah, yeah,

1239
01:02:21,960 --> 01:02:28,680
Speaker 2: we'll talk. Okay, you're ready for a don to think, so, honey,

1240
01:02:28,880 --> 01:02:31,560
Speaker 2: I am, okay. This is I don't think so honey.

1241
01:02:31,640 --> 01:02:33,960
Speaker 2: This is the one minute segment of our podcast where

1242
01:02:34,000 --> 01:02:37,680
Speaker 2: we take sixty seconds exactly one minute, as it were,

1243
01:02:37,880 --> 01:02:40,440
Speaker 2: to rail and more against something in culture that we

1244
01:02:40,600 --> 01:02:42,760
Speaker 2: need to dress down. I have something.

1245
01:02:43,200 --> 01:02:45,080
Speaker 1: Okay, this is Matt Rogers. I don't think so, honey.

1246
01:02:45,120 --> 01:02:46,200
Speaker 1: As time starts now.

1247
01:02:46,360 --> 01:02:49,400
Speaker 2: I don't think so honey. No more kind judging on

1248
01:02:49,480 --> 01:02:53,280
Speaker 2: reality shows. Law Roach has come YaST a Tragic Runway

1249
01:02:53,480 --> 01:02:56,600
Speaker 2: and showed us all what we've been missing, which is truthful,

1250
01:02:57,080 --> 01:03:01,160
Speaker 2: harsh judging. The steaks are back when it comes to

1251
01:03:01,400 --> 01:03:05,560
Speaker 2: assessing reality show contestants, and you know what, it's been time.

1252
01:03:06,080 --> 01:03:09,200
Speaker 1: I have to say, law Roach, we appreciate you coming

1253
01:03:09,240 --> 01:03:11,160
Speaker 1: to the Culture Awards presenting Alpha of the Year to

1254
01:03:11,240 --> 01:03:13,800
Speaker 1: Lisa Rinna for whatever the fuck she wants to wear.

1255
01:03:14,240 --> 01:03:19,520
Speaker 2: But what really really really has won me over again

1256
01:03:19,760 --> 01:03:22,760
Speaker 2: with you because you speak for yourself like your reputation proceeds.

1257
01:03:22,840 --> 01:03:24,920
Speaker 2: Then you come to the show, are lovely and delightful.

1258
01:03:25,080 --> 01:03:27,360
Speaker 1: And then I turned on Project Runway because I want

1259
01:03:27,360 --> 01:03:29,640
Speaker 1: to have a good time and I didn't even know

1260
01:03:29,680 --> 01:03:32,320
Speaker 1: I was gonna have a spectacular time because of the

1261
01:03:32,320 --> 01:03:36,280
Speaker 1: way you were tearing these people up. And also shout

1262
01:03:36,280 --> 01:03:38,720
Speaker 1: out to the casting this year on Project Runway. Not

1263
01:03:38,840 --> 01:03:41,160
Speaker 1: only do we have Utica Queen, but we've got some

1264
01:03:41,240 --> 01:03:44,480
Speaker 1: big personalities that are getting into it with Law and

1265
01:03:44,640 --> 01:03:46,320
Speaker 1: Game has met Game. I'm loving this.

1266
01:03:46,360 --> 01:03:48,080
Speaker 2: I don't think so, honey, that it can ever go

1267
01:03:48,160 --> 01:03:50,680
Speaker 2: back to the way it was Law Roach forever. I

1268
01:03:50,760 --> 01:03:51,120
Speaker 2: love this.

1269
01:03:51,160 --> 01:03:52,760
Speaker 1: Thank you for pointing this out, because I think this

1270
01:03:53,000 --> 01:03:55,960
Speaker 1: is a shared thing. Like we are all very thrilled

1271
01:03:55,960 --> 01:03:57,680
Speaker 1: about this. I've been meaning to watch the season.

1272
01:03:58,160 --> 01:04:00,960
Speaker 2: It's good. And also just like so the way the

1273
01:04:01,080 --> 01:04:03,800
Speaker 2: first episode of the season ends, by the way, Heidi

1274
01:04:03,840 --> 01:04:04,640
Speaker 2: Klum is back.

1275
01:04:04,800 --> 01:04:08,160
Speaker 1: And so it's like the they're all judging it's Heidi, Nina, Law,

1276
01:04:08,200 --> 01:04:12,120
Speaker 1: Roach and Christian, which is like feels perfect and so

1277
01:04:12,960 --> 01:04:15,120
Speaker 1: they go all right, so we have our tops on

1278
01:04:15,120 --> 01:04:18,760
Speaker 1: our bottoms. But there was a lot of discussion and

1279
01:04:18,800 --> 01:04:21,520
Speaker 1: there was a debate about it. So then you come

1280
01:04:21,560 --> 01:04:26,480
Speaker 1: to understand that Law is on completely different pages than

1281
01:04:26,520 --> 01:04:27,160
Speaker 1: everyone else.

1282
01:04:27,240 --> 01:04:29,120
Speaker 2: Like there was someone who was filling at the top

1283
01:04:29,160 --> 01:04:31,600
Speaker 2: and he was like, I can't stand this. Look I

1284
01:04:31,680 --> 01:04:32,040
Speaker 2: hate this.

1285
01:04:32,160 --> 01:04:36,760
Speaker 1: It's that and I'm just like wow, like without reservation,

1286
01:04:37,440 --> 01:04:41,400
Speaker 1: Law is giving his take and like you did see

1287
01:04:41,400 --> 01:04:46,040
Speaker 1: it on the leg and you saw it back in

1288
01:04:46,040 --> 01:04:48,520
Speaker 1: the day on Top Model when he actually went too far.

1289
01:04:48,960 --> 01:04:52,080
Speaker 2: But now it's perfect because he's Law Roach. Like now

1290
01:04:52,120 --> 01:04:54,440
Speaker 2: He's a part of the cultural fabric and it's just like,

1291
01:04:54,800 --> 01:04:58,400
Speaker 2: I'm sorry, but it will be hard to argue with

1292
01:04:58,440 --> 01:05:00,360
Speaker 2: anything he says because he is the one.

1293
01:05:00,480 --> 01:05:02,640
Speaker 1: And I really just also want to point out, OMG

1294
01:05:02,800 --> 01:05:06,160
Speaker 1: fashion he gives oh god, ral fun quick. I mean,

1295
01:05:06,160 --> 01:05:08,760
Speaker 1: this is what his like sixth the reality show competition.

1296
01:05:08,920 --> 01:05:11,160
Speaker 1: This man, this man knows what he's doing.

1297
01:05:11,880 --> 01:05:14,840
Speaker 2: He shows up and does the gig, and he does

1298
01:05:14,880 --> 01:05:18,960
Speaker 2: it true to him and it is true superstardom. Like

1299
01:05:19,000 --> 01:05:24,520
Speaker 2: I don't think I've seen a reality show judge like

1300
01:05:24,680 --> 01:05:26,960
Speaker 2: pop and be this compelling and the show will be

1301
01:05:27,040 --> 01:05:30,520
Speaker 2: about them since like, and I'm not arguing that this

1302
01:05:30,560 --> 01:05:33,720
Speaker 2: holds up, but like the very early days of Simon Cowell,

1303
01:05:33,880 --> 01:05:36,840
Speaker 2: you know, and it's not like that he's not cruel

1304
01:05:36,880 --> 01:05:41,160
Speaker 2: for cruel sake on the runway, but it is just like, no, no, no,

1305
01:05:41,480 --> 01:05:43,880
Speaker 2: I'm not it's not gonna be smiles in rainbows, like

1306
01:05:43,920 --> 01:05:48,400
Speaker 2: you're here to compete on the Olympics of drag for

1307
01:05:48,560 --> 01:05:50,000
Speaker 2: fashion and I'm gonna give it to you.

1308
01:05:50,680 --> 01:05:53,080
Speaker 1: I Mean, the thing with Simon is that it's soured

1309
01:05:53,200 --> 01:05:57,360
Speaker 1: kind of quickly. With Law It's been going on for

1310
01:05:57,440 --> 01:05:59,760
Speaker 1: at least like seven years now since he's been on

1311
01:06:00,080 --> 01:06:04,400
Speaker 1: reality shows and then like that compounded with all the

1312
01:06:04,440 --> 01:06:08,000
Speaker 1: styling work he's done, it's like, okay, like he he's

1313
01:06:08,040 --> 01:06:09,800
Speaker 1: an image architect, as he says.

1314
01:06:09,800 --> 01:06:12,880
Speaker 2: Yes, it's surely having an impact in the world in

1315
01:06:12,960 --> 01:06:16,960
Speaker 2: real time in that industry. Whereas like Simon unfortunately like

1316
01:06:17,000 --> 01:06:20,240
Speaker 2: clowned himself too many times. Simon is on the record

1317
01:06:20,720 --> 01:06:24,640
Speaker 2: as saying that Beyonce can't sing and isn't pretty. Like

1318
01:06:24,880 --> 01:06:26,040
Speaker 2: that's hard to come back from.

1319
01:06:26,080 --> 01:06:29,440
Speaker 1: If you're like a talent show judge, you can't say

1320
01:06:29,480 --> 01:06:32,600
Speaker 1: that at one point and then be like, yeah, I'm

1321
01:06:32,600 --> 01:06:33,680
Speaker 1: someone to be listened to.

1322
01:06:33,880 --> 01:06:37,760
Speaker 2: Like he had to go like, you know, America's got talent.

1323
01:06:37,840 --> 01:06:40,800
Speaker 2: I'm smiling the whole time. I'm actually standing up and clapping.

1324
01:06:40,920 --> 01:06:44,760
Speaker 2: I'm even dancing in my seat because you know, he

1325
01:06:45,240 --> 01:06:47,800
Speaker 2: kind of just kind of got invalidated.

1326
01:06:48,280 --> 01:06:52,000
Speaker 1: Yeah, totally, Well, thank you for sharing that I've got something.

1327
01:06:52,320 --> 01:06:56,040
Speaker 1: Here we go this everyone.

1328
01:06:56,240 --> 01:06:58,280
Speaker 2: Is Bowen Yang's I don't think so, honey, his time

1329
01:06:58,320 --> 01:07:00,000
Speaker 2: starts now. I don't think so, honey.

1330
01:07:00,240 --> 01:07:04,720
Speaker 1: Letterboxed unlisting the Culture Awards and you know, not letting

1331
01:07:04,760 --> 01:07:09,160
Speaker 1: that be a place for some wonderful feedback to live.

1332
01:07:09,320 --> 01:07:11,120
Speaker 1: I mean, I'm sure they have the reasons why I'm

1333
01:07:11,120 --> 01:07:12,600
Speaker 1: not actually going after a Letterbox.

1334
01:07:12,640 --> 01:07:16,040
Speaker 2: We love you, but come.

1335
01:07:15,880 --> 01:07:18,360
Speaker 1: On, well, for a while there our our bar graph

1336
01:07:18,400 --> 01:07:21,160
Speaker 1: on the stars. We were up in the fives in

1337
01:07:21,200 --> 01:07:24,320
Speaker 1: a way that I have not seen in a long time.

1338
01:07:24,680 --> 01:07:26,160
Speaker 1: But then I think at some point, you know what,

1339
01:07:26,200 --> 01:07:28,840
Speaker 1: there's just been some existential confusion. Peacock put us on

1340
01:07:28,840 --> 01:07:30,960
Speaker 1: a show first, and then we're on as a movie.

1341
01:07:31,160 --> 01:07:33,320
Speaker 1: Letterbox puts us on Letterbox, and then they take us down.

1342
01:07:33,720 --> 01:07:36,280
Speaker 1: You know what, I love it. Y'all don't know what

1343
01:07:36,280 --> 01:07:41,080
Speaker 1: to do with us, guessing mama, but I just liked

1344
01:07:41,120 --> 01:07:43,120
Speaker 1: that little moment where people got to go in Letterboxed

1345
01:07:43,160 --> 01:07:45,800
Speaker 1: and fifteen give their honest opinions about the culture wars,

1346
01:07:45,840 --> 01:07:48,520
Speaker 1: because people are nothing if not honest on Letterboxed, as

1347
01:07:48,520 --> 01:07:52,360
Speaker 1: we all know. But you know, anyway, I guess let's

1348
01:07:52,400 --> 01:07:53,920
Speaker 1: let's have a platform for award shows.

1349
01:07:53,960 --> 01:07:57,120
Speaker 2: I can review these things anyway.

1350
01:07:57,200 --> 01:07:58,960
Speaker 1: Letterbox, come on, put us back.

1351
01:07:59,440 --> 01:08:01,120
Speaker 2: And that's why minute.

1352
01:08:01,800 --> 01:08:04,479
Speaker 1: Yeah, we we They didn't know how what to call

1353
01:08:04,560 --> 01:08:06,960
Speaker 1: us because we were a TV show, we were a movie,

1354
01:08:07,040 --> 01:08:08,120
Speaker 1: we were on Letterbox.

1355
01:08:08,160 --> 01:08:10,560
Speaker 2: We weren't We're really just a comedy special, which I

1356
01:08:10,600 --> 01:08:14,560
Speaker 2: think ultimately would fall under TV. But I'm not gonna

1357
01:08:14,600 --> 01:08:15,440
Speaker 2: argue with peacock.

1358
01:08:15,520 --> 01:08:18,160
Speaker 1: We think peacock, we always think peacock. Oh no, No, that's

1359
01:08:18,160 --> 01:08:19,519
Speaker 1: not what I'm doing here. I'm just going you know,

1360
01:08:19,560 --> 01:08:26,360
Speaker 1: we we defy categorization because what was it? I love

1361
01:08:26,439 --> 01:08:29,800
Speaker 1: that question just to wait, I'm what I'm realizing is

1362
01:08:30,320 --> 01:08:32,760
Speaker 1: one thing we missed talking about in our like little

1363
01:08:32,800 --> 01:08:37,240
Speaker 1: recap there. And this is not to say that every single.

1364
01:08:36,960 --> 01:08:39,080
Speaker 2: Person were not indebted to for coming, Thank you, thank you,

1365
01:08:39,120 --> 01:08:41,280
Speaker 2: but I wanted to shout out to people in particular,

1366
01:08:41,760 --> 01:08:45,920
Speaker 2: which is Jensen, McCrae and Remy Wolfe. Oh.

1367
01:08:46,040 --> 01:08:50,240
Speaker 1: I have loved both of those songs, like for a

1368
01:08:50,439 --> 01:08:56,799
Speaker 1: long time, and especially with Jensen, just that.

1369
01:08:56,680 --> 01:08:58,800
Speaker 2: Moment in the show. I'm just so proud that that's

1370
01:08:58,840 --> 01:09:01,640
Speaker 2: there and Ready brought so much energy in fun and

1371
01:09:01,640 --> 01:09:05,080
Speaker 2: the live vocal was so sick. They both were amazing,

1372
01:09:05,439 --> 01:09:08,200
Speaker 2: so good, just that we were a platform where talent

1373
01:09:08,320 --> 01:09:11,519
Speaker 2: like that could be displayed, and you know, just also

1374
01:09:11,760 --> 01:09:13,679
Speaker 2: holding Jensen's brother.

1375
01:09:13,520 --> 01:09:16,880
Speaker 1: Who came and accompanied her on that gorgeous song, like

1376
01:09:16,920 --> 01:09:18,240
Speaker 1: you really should be streaming.

1377
01:09:17,880 --> 01:09:20,760
Speaker 2: Her whole album everybody. I mean, it's so good.

1378
01:09:21,320 --> 01:09:23,760
Speaker 1: I've been a Remy fan since twenty twenty one, and

1379
01:09:23,800 --> 01:09:26,040
Speaker 1: I told her since the jump, like photo I d.

1380
01:09:26,520 --> 01:09:28,880
Speaker 1: I was like, who the fuck is this person? I've

1381
01:09:28,920 --> 01:09:31,360
Speaker 1: loved her for a very long time. I'm so happy

1382
01:09:31,360 --> 01:09:36,280
Speaker 1: she's getting more success, especially with her album with Big

1383
01:09:36,320 --> 01:09:37,000
Speaker 1: Ideas being.

1384
01:09:36,840 --> 01:09:37,439
Speaker 2: A year old.

1385
01:09:38,200 --> 01:09:40,639
Speaker 1: I was like, this, this has this still has life

1386
01:09:40,640 --> 01:09:43,160
Speaker 1: in it. I'm still listen, I'm still spinning this like

1387
01:09:43,200 --> 01:09:47,720
Speaker 1: it is a really really amazing album, the best. I mean,

1388
01:09:47,760 --> 01:09:51,639
Speaker 1: like she's incredibly gifted, as is Jensen, as is been,

1389
01:09:51,800 --> 01:09:52,439
Speaker 1: as is Lucy.

1390
01:09:52,520 --> 01:09:56,320
Speaker 2: Everyone that performed on the show. I mean that was Yeah.

1391
01:09:57,400 --> 01:09:58,719
Speaker 2: I just can't believe it even happened.

1392
01:09:58,760 --> 01:10:01,360
Speaker 1: And you can still stream it on Peacock, you know,

1393
01:10:01,800 --> 01:10:04,400
Speaker 1: because like I said, it is a comedy special and

1394
01:10:04,439 --> 01:10:08,439
Speaker 1: not an actual award show exactly. Hopefully there's more clarity

1395
01:10:08,479 --> 01:10:11,320
Speaker 1: on what this is for people in the in the

1396
01:10:11,439 --> 01:10:14,519
Speaker 1: incoming years, just for everybody involved, for people who want

1397
01:10:14,520 --> 01:10:16,439
Speaker 1: to come to the show, people want to watch the show,

1398
01:10:16,520 --> 01:10:19,840
Speaker 1: people who want to do the show, and their publicists therein.

1399
01:10:20,280 --> 01:10:24,920
Speaker 2: But next week we'll probably have tons to catch up

1400
01:10:24,920 --> 01:10:26,800
Speaker 2: on about the tailor of it all. Maybe we'll even

1401
01:10:26,880 --> 01:10:30,000
Speaker 2: have a new song. The Life of a Showgirls.

1402
01:10:29,720 --> 01:10:32,280
Speaker 1: The Life of a Showgirls. Well, and we're gonna be

1403
01:10:32,320 --> 01:10:34,360
Speaker 1: in Peetown. We'll be in pee Town. I know we're

1404
01:10:34,400 --> 01:10:37,519
Speaker 1: going to Yeah, we'll bring our mics. We'll bring our mics. Yes,

1405
01:10:37,560 --> 01:10:38,080
Speaker 1: I will do that.

1406
01:10:38,320 --> 01:10:41,640
Speaker 2: We'll have another chaotic Peetown episode, maybe even with a

1407
01:10:41,680 --> 01:10:43,960
Speaker 2: new Tailor single. Wow that she released it just in

1408
01:10:44,040 --> 01:10:46,880
Speaker 2: time for Carnival. She knew we're gonna do Taylor Tub.

1409
01:10:47,640 --> 01:10:50,479
Speaker 2: Taylor's Pea Tub. I love Taylor Tub.

1410
01:10:50,600 --> 01:10:52,720
Speaker 1: Was it? Taylor Tub was for people who we might

1411
01:10:52,720 --> 01:10:54,719
Speaker 1: not have mentioned on the pot. It was four hours

1412
01:10:54,720 --> 01:10:57,680
Speaker 1: of us being stoned out of our bards in a

1413
01:10:57,720 --> 01:11:01,160
Speaker 1: hot tub on Fire Island, just playing four hours of

1414
01:11:01,200 --> 01:11:02,120
Speaker 1: Taylor music.

1415
01:11:01,920 --> 01:11:07,960
Speaker 2: Honestly in our in our truest form. Really yea, truly.

1416
01:11:08,479 --> 01:11:13,960
Speaker 2: We end every episode with the song to Pass with

1417
01:11:14,160 --> 01:11:39,720
Speaker 2: the Animals. I don't want just listen to that song.

1418
01:11:40,280 --> 01:11:42,080
Speaker 1: Doesn't watch the Culture Awards, but.

1419
01:11:44,080 --> 01:11:46,080
Speaker 2: Last Culture is. This is the production by Will Ferrell's

1420
01:11:46,080 --> 01:11:47,479
Speaker 2: Big Money Players in the Heart radio.

1421
01:11:47,320 --> 01:11:50,800
Speaker 1: Podcasts, created and hosted by Matt Rogers and Bowen Yek,

1422
01:11:50,960 --> 01:11:54,479
Speaker 1: Executive produced by Ana Hasby, and produced by Becker Ramos,

1423
01:11:54,640 --> 01:11:56,559
Speaker 1: Edited in mixed by Dutch beans and our.

1424
01:11:56,520 --> 01:11:59,800
Speaker 2: Music is by Henrik Firsky.

1425
01:12:00,400 --> 01:12:01,479
Speaker 1: I stood with me