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Speaker 1: It's time for the Bobby Bones post show.

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Speaker 2: Here's your host, Bobby Bones.

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Speaker 1: Hello.

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Speaker 3: I saw Kine said Kane Brown said, he's going to

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Speaker 3: do his tour till June. He's going to take a

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Speaker 3: break for music for a while and just focus on acting,

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Speaker 3: which is good.

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Speaker 1: I guess Everybone wants to be an actor. Now that's bored.

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Speaker 4: Yeah, I guess he's acting in his family.

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Speaker 1: Who Kane? Yeah, I know.

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Speaker 5: Yeah.

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Speaker 3: I remember Kane was telling me about because I hang

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Speaker 3: out with Kane a little bit, and so Kane was

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Speaker 3: telling me about the role that he had in that

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Speaker 3: Fireman show fire Country.

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Speaker 1: Yeah. Yeah, that's awesome.

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Speaker 3: He was talking about that, and so, yeah, I know

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Speaker 3: that he's been working on it and he's doing it.

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Speaker 1: But I'm mostly talking about you guys like me.

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Speaker 5: Want to quit the show for a little bit and

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Speaker 5: go concentrate on acting. Is that what you're saying, do

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Speaker 5: it lunch.

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Speaker 1: No, what I'm saying is there's just not a lot

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Speaker 1: to do.

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Speaker 3: I guess guys are all actors now, you know what,

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Speaker 3: I don't know. It feels like you guys have everything

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Speaker 3: under control. So now you're gonna try a little dibble.

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Speaker 3: Devil at acting maybe not enough, he thinks more committed

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Speaker 3: lunch boxer Amy Amy, Yeah, me too. I think Amy's

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Speaker 3: taking serious classes. Me too, I agree, lunch boxer. What

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Speaker 3: was he doing?

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Speaker 5: Zooms?

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Speaker 1: What are you doing?

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Speaker 2: Zoom classes? I can't help it. It's up to the

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Speaker 2: class and you read like Dawson's creakers, so you can help.

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Speaker 2: But you can go to a different class.

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Speaker 5: Yeah, but then I just threw away money with this

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Speaker 5: class for now.

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Speaker 3: No, you paid money to take those lessons. It's not

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Speaker 3: like you're moving up within a system. It's not like

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Speaker 3: you're in an improv group.

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Speaker 2: But no, you can get in the better classes, like

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Speaker 2: when they promote you like Sharper zooms like this.

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Speaker 3: But you've been in this zoom for two three years,

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Speaker 3: two years, two years.

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Speaker 1: You should be promoted by now, right, Yah, should.

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Speaker 3: At least be doing like hour long dramas. We know

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Speaker 3: we've done a movie, the whole thing, Yeah.

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Speaker 6: The whole.

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Speaker 5: Clue.

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Speaker 1: Who are you Mustard?

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Speaker 5: I might have been Mustard?

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Speaker 1: Colonel Mustard. You don't remember your role?

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Speaker 5: I mean, listen, when you're an after you have so

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Speaker 5: many roles you don't remember.

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Speaker 1: Have you ever been paid to act?

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Speaker 5: Yeah? Friday Night Lights gosh.

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Speaker 1: What do they pay you? Do you remember? It's extra? Right?

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Speaker 5: Yeah? I may got like seventy two bucks boom.

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Speaker 3: Yeah that night I think where you did your line,

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Speaker 3: I was out there too. I wasn't in that show

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Speaker 3: that where we went maybe where we were doing crowd

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Speaker 3: control or something. Yeah, like we all were just I

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Speaker 3: thought I was gonna be in a crack control. I

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Speaker 3: remember that it was at a football high school football

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Speaker 3: stadium in Flugerville.

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Speaker 5: No, no, my night it wasn't.

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Speaker 1: That wasn't your night.

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Speaker 5: Now my night was out by the airport.

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Speaker 1: Yeah, ok, yeah, we weren't over there. Got it? And

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Speaker 1: you've been paid handsomely, I would say, yes.

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Speaker 4: And so it's not like I just thought I just

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Speaker 4: out of nowhere. It was like, oh, I want to

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Speaker 4: be an actress. I always had a dream of doing

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Speaker 4: a Hallmark type movie for Chris this time because I

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Speaker 4: love those movies.

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Speaker 3: No, I guess my point is, And I got an

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Speaker 3: email the company going, hey, will Amy do this?

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Speaker 1: Can she lee? I was like, yeah, no problem with it.

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Speaker 1: Maybe you just took to it like a fish in water.

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Speaker 4: So yes, I feel like my day on set was

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Speaker 4: really fun for me. I didn't think I mean, I

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Speaker 4: could have easily gone and done that and like, okay,

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Speaker 4: that was cool but not my thing. But I went

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Speaker 4: and I did it, and I left there with my

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Speaker 4: cup full, and so I was like, well, I want

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Speaker 4: to see if I can tap into this a little more,

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Speaker 4: because I really did enjoy it. So we'll see what happens.

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Speaker 3: Who do you think is the better actor of Morgan

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Speaker 3: Lunchbox and Amy? Not knowing Eddy just going because we're

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Speaker 3: not actors.

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Speaker 1: Yeah, did you watch my movie? I did watch your movie,

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Speaker 1: but I mean you haven't seen Morgan. Never seen Morgan.

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Speaker 1: I knew that she was a Thespian.

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Speaker 3: But if you're just guessing based on nothing, this is

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Speaker 3: not any sort of indicator for real.

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Speaker 1: Because we have no idea. But who do you think

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Speaker 1: who would you hire for a role? Blindly? Blindly?

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Speaker 3: I feel like Morgan would be the better actor because

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Speaker 3: Amy she played herself, so I mean I kind of

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Speaker 3: like know kind of what she can do there.

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Speaker 1: But Morgan. I feel like Morgan can be like.

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Speaker 5: Hello, you forgot me?

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Speaker 1: No no, no, no.

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Speaker 3: Like you try to cry and it sounds like no, no,

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Speaker 3: my cry is excellent.

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Speaker 1: All right, let's uh, let's get a cry here on

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Speaker 1: the spot whole.

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Speaker 3: That's liked because you never know when a director is

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Speaker 3: come up and be like, our casting agent is gonna

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Speaker 3: be like, hey, we're looking for a good crier.

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Speaker 1: You look like you could be. Yet any chance you

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Speaker 1: could cry for me? Ready? Three two to one?

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Speaker 7: That that.

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Speaker 1: Don't cover your eyes? We want to see your face.

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Speaker 8: While you come in your eyes again, No, you're covering.

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Speaker 5: That's called chops acting.

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Speaker 4: Jomp to come with me.

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Speaker 1: I don't know what what script do you think?

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Speaker 5: I may have learned that in.

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Speaker 2: Miss Dawson's class back in seventh grade at Marcuson Middle School.

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Speaker 1: I don't know Raymond the movie Friddy Got fingered.

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Speaker 2: That's what I'm saying, Like, I don't know where I

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Speaker 2: got it. I was just good from an early eight.

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Speaker 1: Dang, it's good. Yeah, I was.

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Speaker 5: Maybe I should have done this in high school, but

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Speaker 5: I didn't.

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Speaker 3: For that anyway, Kane said he's going to focus on

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Speaker 3: acting a little bit him. I don't get a bunch

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Speaker 3: of cool roles. I mean, I'm a little anxious. Our

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Speaker 3: CFO is coming to town tomorrow to play golf with me.

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Speaker 5: What is that? What does CFO mean?

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Speaker 4: No answer?

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Speaker 1: Go ahead, I don't know. Now you got a guess.

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Speaker 5: What's the C C C chief?

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Speaker 4: There you go, F?

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Speaker 5: Well what a CEO? Then chief? Is that also chief?

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Speaker 5: So we got multiple chiefs.

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Speaker 1: That sound like a tribe. Very balanced, does it?

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Speaker 4: Okay?

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Speaker 1: F too many chiefs in the kitchen.

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Speaker 5: Chefs frontier chief? No, that ain't it.

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Speaker 3: Hey, what if it's the F frontal?

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Speaker 1: That's you went to?

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Speaker 4: What?

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Speaker 1: What? What?

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Speaker 4: Well?

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Speaker 2: What what division do we have that is F in

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Speaker 2: our company?

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Speaker 5: Like we have radio? We don't have any film? Oh? Chief? Film?

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Speaker 1: Do we have a film?

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Speaker 5: I don't know. That's what I'm asking.

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Speaker 1: It's chief.

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Speaker 3: What would you if someone says operator, you have to

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Speaker 3: absolutely pick something and here's one hundred bucks you're betting

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Speaker 3: on it.

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Speaker 1: What would you bet? CFO means oh chief first officer.

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Speaker 1: Oh that's good. Close a lot of first chief financial officer. Oh.

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Speaker 5: He's a charge of the finances.

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Speaker 1: He's like one of the two big bosses.

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Speaker 3: So he has to look at all the the whole company,

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Speaker 3: like the money money, Yeah, over the whole company.

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Speaker 5: Hey, we should talk to him.

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Speaker 1: Do you know who runs the company?

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Speaker 5: You got that guy Pittman, Bob Pittman.

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Speaker 3: Okay, he's a CEO. Okay, so he runs it and

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Speaker 3: the CFO.

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Speaker 5: I don't know who that is.

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Speaker 1: You don't know his name, you've met him?

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Speaker 5: Probably not. He probably don't know who I.

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Speaker 1: Am met him. So he knows who you are, rich.

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Speaker 5: Alem at Google.

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Speaker 1: No, it's okay, what's the last name. It doesn't matter.

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Speaker 3: Anybody's coming to town tomorrow to play golf.

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Speaker 4: Is he coming in here?

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Speaker 1: No, not that I know of. He's like, no he could.

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Speaker 1: I don't know he could.

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Speaker 3: So we got no sweat, no sweatpants, chance, no joggers.

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Speaker 5: You know, I've seen this guy before.

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Speaker 3: Yeah, he's always right next to Bob.

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Speaker 5: Yeah, but I don't think he's ever talked to me.

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Speaker 1: He probably has, you just don't remember.

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Speaker 5: Maybe not. Maybe, I mean, I mean, I know there's.

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Speaker 1: What what I just choose your words wisely.

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Speaker 3: But the point is that they could come by tomorrow.

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Speaker 3: So yeah, I think tomorrow's a no sweat today, just

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Speaker 3: in case the lunch.

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Speaker 1: Box comes in a suit. Hello, mister CFO.

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Speaker 4: Larious run the money.

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Speaker 1: You should dress up? I could use you should. Do

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Speaker 1: you have any extra money?

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Speaker 5: You're here to give out money.

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Speaker 3: So I'm nervous because he's pretty good and I've been

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Speaker 3: playing terrible, and the worst thing is to go out

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Speaker 3: and play so bad that you like slow the group down.

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Speaker 3: And I've been playing that bad, and so I'm pretty

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Speaker 3: anxious about it because he's flying into play.

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Speaker 1: So that's who else school was?

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Speaker 4: We don't have to say, I don't know. Are you

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Speaker 4: on the phone just now we're you're trying to get

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Speaker 4: a lesson or something.

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Speaker 1: No, I would never take a lesson the day before

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Speaker 1: I was supposed to do something.

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Speaker 3: That would be yeah, and then you'd be all like

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Speaker 3: trying new crap when you're yeah, no, no, no, no, What

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Speaker 3: was the question?

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Speaker 5: I said? Who he's flying? Who's playing with him?

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Speaker 3: He's bringing somebody and me and Jake are playing together.

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Speaker 1: I don't know.

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Speaker 5: Oh, I bet you know? Is it old Pittman?

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Speaker 3: And then why would you say it like that, like

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Speaker 3: it's a secret it?

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Speaker 2: I mean, anyway, I feel like you're being secretive, like

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Speaker 2: you don't want us to know who the fourth is.

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Speaker 3: No, I would tell I mean, if I could tell you,

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Speaker 3: I would tell you. And if I knew and couldn't

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Speaker 3: tell you, I'd say I know, but can't tell you.

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Speaker 4: But the truth is, you just don't.

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Speaker 3: But the truth is, I don't know, got it, so,

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Speaker 3: but that's tomorrow.

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Speaker 4: I feel like, has he ever done this before?

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Speaker 3: No, And there are circumstances as to why. Probably, But

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Speaker 3: we were together in New York and he's like, let's

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Speaker 3: play some golfs.

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Speaker 1: I called him. I said, hey, come down, we'll play it.

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Speaker 5: Oh, so you're pitching him some money ideas.

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Speaker 1: Nope, we'll go to Jake's club. And that's what we're

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Speaker 1: gonna do. That's a good choice.

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Speaker 3: And so we're gonna go and I'm gonna try not

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Speaker 3: to ruin the round for everyone.

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Speaker 1: Don't take him to our club, that's the goal. The

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Speaker 1: public course. Don't take them there. Sometimes they're out of

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Speaker 1: hot dogs.

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Speaker 3: So that's tomorrow. But that being said, it's a great

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Speaker 3: point he could come by. So yeah, because he'll be

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Speaker 3: here in the morning. I don't know if he's gonna

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Speaker 3: go straight to the club or if he's going to

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Speaker 3: come here from the airport the club.

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Speaker 9: Oh, the golf club. He's going to the club he

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Speaker 9: flies in. I gotta go to the club first. Okay, yes,

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Speaker 9: it could.

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Speaker 1: Be your moment, though, I would dress up lunchbox, just

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Speaker 1: a suit and the time job you want to be

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Speaker 1: why not? Why not?

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Speaker 5: I don't know.

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Speaker 1: I'm good, but I mean, this is your chance to

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Speaker 1: like put on a If not, I.

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Speaker 5: Will I tell him what up?

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Speaker 1: What does that mean?

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Speaker 4: What?

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Speaker 3: Uh?

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Speaker 5: I mean? If he comes in, I'll say what up?

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Speaker 1: But what does that mean?

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Speaker 5: What up?

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Speaker 3: You wouldn't just go what up? You'd have more to say,

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Speaker 3: or you would say, hey, how's it going?

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Speaker 5: Yeah? What up? How's it going?

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Speaker 3: I mean that's but if you want these positions that

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Speaker 3: you always talk about hosting national things, this is the

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Speaker 3: person they can make that happen.

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Speaker 2: I'll talk to him then about it. Hey, you ever

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Speaker 2: thought about me putting me on the national stage?

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Speaker 1: Oh?

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Speaker 4: So I just got an email from like Rick and

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Speaker 4: Julie about actually hosting something where Rich is getting an

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Speaker 4: award for a volunteer.

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Speaker 1: I didn't get that emails. Where do you go to

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Speaker 1: do that?

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Speaker 4: It's here? So it's in Nashville at one of the hotels.

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Speaker 4: I don't know, but there's what day it's a luncheon?

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Speaker 4: What day it's in June?

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Speaker 1: Got it?

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Speaker 5: Oh? Rick back and be like, hey guys, you guys

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Speaker 5: let me off an.

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Speaker 4: Email meant to cause the thing it's meant to be like, oh,

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Speaker 4: I think that. I don't know. I assumed Bobby was

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Speaker 4: or they don't want to bother with it, or he

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Speaker 4: was busy, but because sometimes that's how it works for me,

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Speaker 4: which is totally fine. I'll take it. If you're busy

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Speaker 4: and they call me next, I'm ready.

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Speaker 1: Well, that's what happens with secrest.

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Speaker 3: To me, there be many times where they've been like, hey,

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Speaker 3: Secrets can't do it, can you do it?

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Speaker 1: Let's go careful though you don't want to get Wally pipped?

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Speaker 1: Why who?

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Speaker 3: That would mean I'm out, Like I'm injured. You can't

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Speaker 3: get there and replace it. And then they're like, oh,

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Speaker 3: we like Amy, that's great, and then bones, that's not

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Speaker 3: exactly all Pip.

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Speaker 5: No know what Amy can do.

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Speaker 3: It's like, no, it's not even that it's Wallypip had

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Speaker 3: no choice, he could not play. Therefore he was replaced,

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Speaker 3: but he was never going to get better. Yes, but

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Speaker 3: Luke Garry was so good when he came in. There

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Speaker 3: was nothing he could do. If I chose not to

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Speaker 3: do it or didn't get asked to do it, that's

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Speaker 3: not me being Wally Pipped.

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Speaker 1: Okay, I need to read more about Wally Pip. Yeah,

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Speaker 1: probably a little bit. I don't know the whole situation.

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Speaker 3: They're doing a series based on the Menindez Brothers on Netflix.

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Speaker 3: That's crazy, So wait, well who are they again, Eric

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Speaker 3: and Lyle, Well, I tell you. So they have this

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Speaker 3: monster series and they did Jeffrey Dahmer and now they're

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Speaker 3: doing the brothers and depending on what story you believe,

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Speaker 3: because they're in prison forever. But you know, they say

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Speaker 3: their dads sexually halted them. They say that they were abused.

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Speaker 3: They killed their dad. Now, but there were also some

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Speaker 3: financial considerations, meaning if they get the inheritance, but they

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Speaker 3: killed their dad, and so they're going to make a

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Speaker 3: whole Netflix series on this. It doesn't feel as dark

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Speaker 3: as the Jeffrey Dahmer because Dahmer eight people.

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Speaker 1: That's weird.

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Speaker 4: Yeah, that was hard to watch. I didn't even finish it.

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Speaker 4: I think I got episode one.

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Speaker 3: I started, I kept and I kept going maybe I

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Speaker 3: should have watched that, and then I just couldn't never

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Speaker 3: push play on it. So yeah, Eric and Lyle Menendez,

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Speaker 3: So that's what's up. What do you know about that case?

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Speaker 1: Lunchbox?

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Speaker 2: I know that they waited for him to come home

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Speaker 2: from a day with their mom.

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Speaker 5: And shot him on the front porch.

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Speaker 3: It felt like it was an anger because again it

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Speaker 3: was on the front porch more than it was trying

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Speaker 3: to secretly kill him so he would just die and

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Speaker 3: they would get the money. So were they Were they

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Speaker 3: the immediate suspects or did they think someone else did

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Speaker 3: it first?

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Speaker 5: I think they said they met.

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Speaker 1: Yeah they did.

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Speaker 5: This is so long ago. Yeah they had shotguns and.

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Speaker 1: Yeah, nineteen eighty nine. So I mean, it's crazy.

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Speaker 2: I remember that as an eight year old, and I

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Speaker 2: remember their names and everything.

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Speaker 3: Eric was eighteen, Lyle was twenty one. They told police

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Speaker 3: their parents had been killed by unon intruders. However, the

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Speaker 3: brothers started spending a whole bunch of money.

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Speaker 1: Oh well, so they didn't get caught right away, Okay.

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Speaker 2: Wow.

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Speaker 3: In March they confessed to the murders to a psychologist.

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Speaker 3: The brothers were arrested in charge of two counts first

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Speaker 3: grade murder. I didn't know there was like a year

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Speaker 3: and a half in between them.

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Speaker 1: Wow, maybe it was a half March. Everybody Jane July

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Speaker 1: August like nine months in between that.

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Speaker 3: During the trial, the prosecution argued that the brothers had

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Speaker 3: committed the murder's financial gain as they stood to inherit

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Speaker 3: their parents' fortune.

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Speaker 1: That does make it different.

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Speaker 3: If they tried to say intruders killed the dad, then

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Speaker 3: if they were like, yeah, we did it correct, that

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Speaker 3: does make it different.

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Speaker 4: And they're very very preppy.

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Speaker 1: Yoh they're rich.

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Speaker 5: Oh they were super rich.

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Speaker 1: Yeah, they're rich, good rich, good looking kids.

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Speaker 3: And so they told the therapists, thinking they were just

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Speaker 3: getting therapy. And then the therapist is like, hold on

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Speaker 3: one second.

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Speaker 1: He picks up the phone. He rotary dials. Wait, why

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Speaker 1: did you doubt that's the long one?

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Speaker 5: Is that nine? Wait?

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Speaker 1: That's the one.

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Speaker 3: The defense argued the brothers had suffered years of physical, emotional,

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Speaker 3: and sexual abuse at the hands of their parents, and

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Speaker 3: they had acted in self defense. After two trials, the

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Speaker 3: brothers were found guilty of first scream murder in nineteen

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Speaker 3: ninety six. They were sending us to life in prison

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Speaker 3: without the possibility of parole. Their case attracted widespread media

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Speaker 3: attention and was the subject of several documentaries and TV shows.

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Speaker 3: Lyle and Eric Mendez remained incarcerated at the Richard J.

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Speaker 3: Donnovan Correctional Facility in San Diego. It's from biography dot

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Speaker 3: com Man they'd be interesting to re examine that case,

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Speaker 3: but there's really nothing to re examine as far as

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Speaker 3: evidence because they know they killed.

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Speaker 2: Them, right, But how can they prove the molestation because

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Speaker 2: it's their word against nobody's word because they're not here, right,

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Speaker 2: I mean, there's it's only them too.

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Speaker 1: But did they don't think they kill them?

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Speaker 4: Mom?

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Speaker 1: Did they? They killed them both?

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Speaker 5: I think they called them both?

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Speaker 1: They did?

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Speaker 3: What's how much? I guess I didn't remember everything about this. Yeah,

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Speaker 3: parents had been killed.

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Speaker 5: Yeah, I think they when they came back from a

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Speaker 5: day they.

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Speaker 3: I remember seeing a headline like the last couple of

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Speaker 3: days about like a Menudo band member connected to them

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Speaker 3: that possibly, if I remember correctly, the dad may be

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Speaker 3: sexually abused to Oh wow, well you looked.

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Speaker 1: That up, Mike. I just remember that popped up, like,

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Speaker 1: I don't know, a few days ago.

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Speaker 3: It feels, as I say that, it feels like that

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Speaker 3: was a story or somebody related to it because I

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Speaker 3: saw the same thing.

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Speaker 1: Wow, Okay, here we go. A Menudo boy bander's disturbing

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Speaker 1: link to the Menindas brothers. That's the headline. I saw two.

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Speaker 3: Sensational stories collide. A new three part documentary are on Peacock.

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Speaker 3: We don't subscribe, so we can't read the rest.

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Speaker 1: Come on, man, pay it, come on scoll Uh. Wow,

402
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Speaker 1: he's got a work around, Mike's don't worry about it.

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Speaker 5: I'll get in. That's crazy.

404
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Speaker 1: Oh that's where you go. What's he doing? That's wild?

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Speaker 5: Okay, here we go.

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Speaker 2: Uh.

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Speaker 3: The nineteen eighty murder of Jose and Kitty Malin Menendez,

408
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Speaker 3: former Puerto Rican boy band Sensation, and long standing sexual

409
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Speaker 3: abuse allegations against the groups manager Edguardo Diez, is that

410
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Speaker 3: the the Menendez brothers soever.

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Speaker 1: Mike, is that the same guy? But whose daz? But

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Speaker 1: their last name is Menendez.

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Speaker 5: Oh theres now, I get it.

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Speaker 1: That's the link with disease. Okay, here we go now.

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Speaker 3: A former Menudo member, Roy Rossolio, has claimed that Jose Menendez,

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Speaker 3: then an executive at RCAA Records, raped him in the

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Speaker 3: Beverly Hills home. The implication of the docuseries, I mean,

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Speaker 3: if that comes out, what if that were true, Dan

419
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Speaker 3: and those other brothers were saying, that's what happened to them.

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Speaker 1: Yeah, because they don't have to be separate things.

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Speaker 3: They could have also, they could have murdered him because

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Speaker 3: they were abused and felt threatened and then just went

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Speaker 3: and spent the money after that. It doesn't have to

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Speaker 3: be one or the other. Like if it's they spent

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Speaker 3: the money, then they couldn't have done it because of that.

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Speaker 1: So you may not know the answer to this.

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Speaker 3: But if you kill them because of the suspected stuff

428
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Speaker 3: that happened like this abuse, is that make it only

429
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Speaker 3: if it's a threat they feel if they feel her

430
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Speaker 3: in date, well, but to find danger to find threat.

431
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Speaker 3: So if you just go I was molested by this

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Speaker 3: person five years ago, I'm gonna go murder them.

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Speaker 1: You murder them, you go to jail. Right, that's vigilante justice.

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Speaker 3: And you can't do that if you're and again you

435
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Speaker 3: get in the definition of what being in danger or

436
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Speaker 3: a threat is.

437
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Speaker 1: That's that's different.

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Speaker 4: Okay. So in reading about it just a little bit,

439
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Speaker 4: it says that the abuse is from the dad and

440
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Speaker 4: the mom.

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Speaker 1: And from which the boys are the Menudo kid.

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Speaker 4: Oh sorry, I'm talking back to the Meninda's brothers that

443
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Speaker 4: we were talking about. So it's said that both boys

444
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Speaker 4: had negative effects from the abuse and it made them

445
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Speaker 4: hyper vigilant and fearful and anxious, nearly all the time,

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Speaker 4: like around their parents, because it looks here, yes there

447
00:19:00,800 --> 00:19:03,879
Speaker 4: was sexual abuse, and to Lunchbox's question, I don't know

448
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Speaker 4: if they have proof of these pictures, but that their

449
00:19:06,119 --> 00:19:12,320
Speaker 4: parents would photograph them naked and bro pornographic type stuff.

450
00:19:12,320 --> 00:19:15,240
Speaker 4: But also there was tons of physical abuse, like Lyle

451
00:19:15,280 --> 00:19:17,280
Speaker 4: would have to play tennis for many hours to the

452
00:19:17,280 --> 00:19:19,679
Speaker 4: point of exhaustion, and then his dad would even make

453
00:19:19,760 --> 00:19:22,320
Speaker 4: him play while injured and throw tennis balls at his face.

454
00:19:22,800 --> 00:19:26,160
Speaker 4: The mom did similar abuse like pulling, kicking.

455
00:19:26,480 --> 00:19:29,760
Speaker 3: If they were to revisit the story and bring out

456
00:19:29,800 --> 00:19:33,159
Speaker 3: the facts that they had in the case, I wonder

457
00:19:33,200 --> 00:19:37,160
Speaker 3: if we'd feel different about it, because from two stories,

458
00:19:37,280 --> 00:19:42,120
Speaker 3: we're not going to know everything. But if it's true,

459
00:19:42,359 --> 00:19:44,720
Speaker 3: because this guy, well he claims that the dad's not

460
00:19:44,760 --> 00:19:47,600
Speaker 3: here anymore because he was murdered, obviously, But if he's like, yeah,

461
00:19:47,800 --> 00:19:51,520
Speaker 3: Jose Menendez rape me. If somebody else come, I mean,

462
00:19:51,640 --> 00:19:53,199
Speaker 3: because I'm sure that's just not a one or two

463
00:19:53,240 --> 00:19:59,080
Speaker 3: person thing, yeah, then you probably start to reconsider. And

464
00:19:59,119 --> 00:20:00,919
Speaker 3: I don't know the if you can appeal something you've

465
00:20:00,920 --> 00:20:02,960
Speaker 3: alread appealed, I don't know what the deal is you

466
00:20:03,000 --> 00:20:04,000
Speaker 3: want to make it a murder.

467
00:20:04,080 --> 00:20:04,920
Speaker 1: What's that roll about?

468
00:20:05,080 --> 00:20:06,120
Speaker 5: Well, see, that's what I'm saying.

469
00:20:06,160 --> 00:20:08,000
Speaker 2: Like, you only get a certain amount of appeals, and

470
00:20:08,000 --> 00:20:09,800
Speaker 2: then you have to go to different courts, and if

471
00:20:09,800 --> 00:20:11,600
Speaker 2: you've gone to all those courts, you have to have

472
00:20:12,200 --> 00:20:15,400
Speaker 2: new evidence that allows you to read. There's all sorts

473
00:20:15,440 --> 00:20:17,760
Speaker 2: of laws. It's really weird when you read this stuff,

474
00:20:18,320 --> 00:20:20,800
Speaker 2: and I think about it as like, man, but they

475
00:20:20,920 --> 00:20:23,880
Speaker 2: planned this murder. It's not like it was a oh

476
00:20:23,960 --> 00:20:27,640
Speaker 2: instinctual like I'm in. They laid in wait for their

477
00:20:27,720 --> 00:20:28,720
Speaker 2: parents to come home.

478
00:20:28,800 --> 00:20:30,040
Speaker 3: Yeah, but you can do that if you feel like

479
00:20:30,080 --> 00:20:32,120
Speaker 3: when they come home it's going to be I guess

480
00:20:32,200 --> 00:20:33,960
Speaker 3: that's true, then doing that sure?

481
00:20:34,480 --> 00:20:34,880
Speaker 5: Wow?

482
00:20:35,000 --> 00:20:38,120
Speaker 4: Yeah, I mean I have no idea because psychologically, if

483
00:20:38,119 --> 00:20:40,080
Speaker 4: you had years and years and years built up of

484
00:20:40,119 --> 00:20:42,720
Speaker 4: this type of use, if what I'm reading is true,

485
00:20:43,240 --> 00:20:47,960
Speaker 4: like you could I you snap at some point you're like, okay,

486
00:20:48,000 --> 00:20:50,119
Speaker 4: we are no longer. I can't take this anymore, and

487
00:20:50,160 --> 00:20:52,639
Speaker 4: you have so much resentment and hurt.

488
00:20:52,680 --> 00:20:56,000
Speaker 1: And the snapping though, is not an excuse.

489
00:20:56,200 --> 00:20:56,720
Speaker 4: I know it's not.

490
00:20:56,920 --> 00:20:57,600
Speaker 1: I'm just saying.

491
00:20:57,680 --> 00:20:59,760
Speaker 3: But the feeling like they're going to come home and

492
00:20:59,760 --> 00:21:03,440
Speaker 3: do it again, Yeah, is a reason that I could

493
00:21:03,520 --> 00:21:06,800
Speaker 3: see a case not ending in a guilty verdict.

494
00:21:06,920 --> 00:21:07,120
Speaker 5: Yeah.

495
00:21:07,160 --> 00:21:09,280
Speaker 3: This isn't like people that you can stay away from.

496
00:21:09,359 --> 00:21:11,080
Speaker 3: These are your parents, right, this is where you live.

497
00:21:11,160 --> 00:21:12,760
Speaker 3: These are the people that you trust the most.

498
00:21:12,960 --> 00:21:15,600
Speaker 2: I mean, I say that, but I'm like, he was

499
00:21:15,680 --> 00:21:18,160
Speaker 2: twenty one, I mean when that was eighteen though, Yeah,

500
00:21:18,160 --> 00:21:18,840
Speaker 2: the eighteen year old.

501
00:21:18,960 --> 00:21:19,199
Speaker 3: I mean.

502
00:21:19,680 --> 00:21:21,199
Speaker 5: And then then they went and spent the money.

503
00:21:21,640 --> 00:21:24,560
Speaker 2: And it's interesting it took two trials, two trials to

504
00:21:24,600 --> 00:21:25,360
Speaker 2: find them guilty.

505
00:21:25,400 --> 00:21:26,240
Speaker 5: So that's even.

506
00:21:26,040 --> 00:21:28,920
Speaker 1: Because the first one did not end. There was no verdict.

507
00:21:28,960 --> 00:21:31,440
Speaker 1: It was hungary. I believe that's right, So even they

508
00:21:31,480 --> 00:21:32,280
Speaker 1: struggled with it.

509
00:21:32,560 --> 00:21:34,639
Speaker 3: But if you also think that they didn't penalize those

510
00:21:34,680 --> 00:21:36,119
Speaker 3: kids because they are rich kids.

511
00:21:36,800 --> 00:21:40,360
Speaker 1: Like, of course they did, right. I want to watch

512
00:21:40,359 --> 00:21:42,200
Speaker 1: this one. Yeah, it's not out. It's not out yet.

513
00:21:42,200 --> 00:21:42,760
Speaker 1: When is it out?

514
00:21:42,800 --> 00:21:43,040
Speaker 5: I don't know.

515
00:21:43,080 --> 00:21:44,280
Speaker 1: I turned to the story away. I just know it's

516
00:21:44,280 --> 00:21:44,600
Speaker 1: coming out.

517
00:21:44,640 --> 00:21:47,400
Speaker 5: Has anybody watched the Jared Vogel one, the subway guy?

518
00:21:47,560 --> 00:21:50,159
Speaker 1: No, they're no, No, I'm not watching that. What's that on?

519
00:21:50,520 --> 00:21:50,680
Speaker 7: Well?

520
00:21:50,760 --> 00:21:51,720
Speaker 4: This guy kind of the same.

521
00:21:51,880 --> 00:21:55,120
Speaker 3: Umm, no, but this is about the two kids, right,

522
00:21:55,160 --> 00:21:55,840
Speaker 3: the murder?

523
00:21:55,960 --> 00:21:58,080
Speaker 5: Yeah, Jared, Yeah, I don't know.

524
00:21:58,160 --> 00:21:59,479
Speaker 2: I saw it was coming out and I was like, man,

525
00:21:59,520 --> 00:22:01,360
Speaker 2: I need to watch Oh you haven't watched it either, No,

526
00:22:01,400 --> 00:22:03,200
Speaker 2: but I've been wanting to.

527
00:22:03,320 --> 00:22:05,160
Speaker 5: But it's a pretty sad boy.

528
00:22:05,280 --> 00:22:08,280
Speaker 1: Sub used to be awesome. We go to subway, it

529
00:22:08,359 --> 00:22:09,560
Speaker 1: was like the greatest.

530
00:22:09,880 --> 00:22:10,919
Speaker 4: Oh catching a monster.

531
00:22:12,200 --> 00:22:13,800
Speaker 5: Yeah, I don't know.

532
00:22:13,960 --> 00:22:17,600
Speaker 1: Subway. You go get a meatball sub Oh, that's great.

533
00:22:17,680 --> 00:22:18,640
Speaker 1: Meatball saves are great.

534
00:22:19,160 --> 00:22:21,480
Speaker 3: And sometimes when I get a football on, i'd save

535
00:22:21,560 --> 00:22:23,439
Speaker 3: half for the next day. I just knew right now,

536
00:22:23,400 --> 00:22:25,440
Speaker 3: I'm my home out of a six inch meatball.

537
00:22:25,560 --> 00:22:27,720
Speaker 1: Oh. I've been a subway in a while though.

538
00:22:28,440 --> 00:22:31,440
Speaker 3: All right, the newest you did put a subway last night?

539
00:22:31,520 --> 00:22:34,240
Speaker 4: Yeah, Stevenson wanted to belt nice.

540
00:22:34,720 --> 00:22:36,680
Speaker 1: I haven't been a subway a while. I like the tuna. No,

541
00:22:36,920 --> 00:22:37,760
Speaker 1: that wasn't real tuna.

542
00:22:37,800 --> 00:22:38,000
Speaker 5: Dude.

543
00:22:38,000 --> 00:22:41,800
Speaker 1: Well, I don't know that that's accurate. That's what they say.

544
00:22:42,240 --> 00:22:44,960
Speaker 3: There's a new COVID variant that comes to pink eye. Hey,

545
00:22:45,280 --> 00:22:48,359
Speaker 3: oh my god, that's it?

546
00:22:48,840 --> 00:22:49,320
Speaker 5: What Wow?

547
00:22:49,359 --> 00:22:50,639
Speaker 4: And I wonder it was so contagerous.

548
00:22:50,680 --> 00:22:52,920
Speaker 5: Guys, I never had pink eye.

549
00:22:53,080 --> 00:22:55,320
Speaker 3: I know you had COVID and with pink eye, it

550
00:22:55,480 --> 00:22:56,320
Speaker 3: just said it comes.

551
00:22:56,160 --> 00:22:57,760
Speaker 5: To pink guy. If I didn't have pink eye, then

552
00:22:57,800 --> 00:22:58,520
Speaker 5: I couldn't have it.

553
00:22:58,840 --> 00:23:01,760
Speaker 3: Okay, I'm gonna do a couple voicemail SA vidiots. This

554
00:23:01,920 --> 00:23:03,960
Speaker 3: is Ashley from Central Texas.

555
00:23:04,400 --> 00:23:08,119
Speaker 7: I'm thirty six years old and I still kiss my

556
00:23:08,240 --> 00:23:12,240
Speaker 7: dad on the lip, usually after we've gone a long

557
00:23:12,280 --> 00:23:15,480
Speaker 7: time without seeing each other. It's a quick tech and

558
00:23:15,560 --> 00:23:18,640
Speaker 7: I think this is totally fine. I never felt any

559
00:23:18,680 --> 00:23:21,520
Speaker 7: type of way about it until your conversation with Lunchbox.

560
00:23:21,600 --> 00:23:23,639
Speaker 7: Just think you need this. Accept it for what it is.

561
00:23:23,640 --> 00:23:25,480
Speaker 7: It's just family, it's love, no big deal.

562
00:23:26,200 --> 00:23:29,399
Speaker 3: I hear you, Ashley, But it's who it's coming from, specifically,

563
00:23:29,480 --> 00:23:32,280
Speaker 3: the guy who judges everybody for everything if it's not

564
00:23:32,359 --> 00:23:35,240
Speaker 3: something that he does or something that he finds to

565
00:23:35,320 --> 00:23:39,280
Speaker 3: be socially acceptable. He yells people as nerds, idiots, disgusting,

566
00:23:40,160 --> 00:23:42,120
Speaker 3: And when he kisses his dad on the lips, that's

567
00:23:42,160 --> 00:23:45,080
Speaker 3: normal to him, right, And we're just going, hey, buddy,

568
00:23:45,720 --> 00:23:46,240
Speaker 3: that's you.

569
00:23:46,280 --> 00:23:46,600
Speaker 2: Do you.

570
00:23:47,080 --> 00:23:49,720
Speaker 1: However, a lot of people see this as weird.

571
00:23:50,520 --> 00:23:53,679
Speaker 2: Yeah, which they don't understand the world.

572
00:23:52,520 --> 00:23:55,000
Speaker 5: But his kid on the lips.

573
00:23:55,200 --> 00:23:55,960
Speaker 1: He's a kid.

574
00:23:56,359 --> 00:23:58,520
Speaker 5: But I'm a kid to my dad. I will again.

575
00:23:58,720 --> 00:24:00,000
Speaker 3: We always think that we think that's kind of weird

576
00:24:00,040 --> 00:24:02,560
Speaker 3: to Edie because he's getting older now. But that being said,

577
00:24:03,080 --> 00:24:06,040
Speaker 3: our point is not that it's wrong, but you do this,

578
00:24:06,200 --> 00:24:07,600
Speaker 3: but when you judge other people.

579
00:24:07,440 --> 00:24:10,320
Speaker 2: From yes, because I am like normal society, Like I

580
00:24:10,680 --> 00:24:11,520
Speaker 2: am the realm of.

581
00:24:11,480 --> 00:24:14,520
Speaker 3: Normal, not really the realm of normalty. Yes, Like I

582
00:24:14,800 --> 00:24:16,320
Speaker 3: know what does that mean exactly?

583
00:24:16,440 --> 00:24:18,280
Speaker 2: It means I am in touch with what is pretty

584
00:24:18,359 --> 00:24:22,040
Speaker 2: much normal and acceptable. Like when other things happen, I'm like,

585
00:24:22,200 --> 00:24:24,880
Speaker 2: if it sticks out to me, then it's weird and strange.

586
00:24:25,200 --> 00:24:27,120
Speaker 2: Star Wars weird strange?

587
00:24:27,359 --> 00:24:29,040
Speaker 4: Are you American? Are you American?

588
00:24:29,800 --> 00:24:29,960
Speaker 6: Right?

589
00:24:30,160 --> 00:24:33,000
Speaker 4: Okay? It says here the father may come from a

590
00:24:33,040 --> 00:24:35,359
Speaker 4: culture where that is done generally a father kissing his

591
00:24:35,440 --> 00:24:37,080
Speaker 4: son on the lips. It is not something that happens

592
00:24:37,080 --> 00:24:39,720
Speaker 4: in the American culture. Ha And you just you just

593
00:24:39,720 --> 00:24:41,000
Speaker 4: said you were normal America.

594
00:24:41,200 --> 00:24:42,000
Speaker 5: Where did it come from?

595
00:24:43,080 --> 00:24:43,800
Speaker 4: Different cultures?

596
00:24:44,080 --> 00:24:46,080
Speaker 1: But what culture?

597
00:24:46,200 --> 00:24:47,760
Speaker 4: So many around the world, right, right?

598
00:24:47,800 --> 00:24:50,479
Speaker 2: But you know my grandparents they moved here from another country,

599
00:24:50,480 --> 00:24:54,240
Speaker 2: which one. Ah, my grandpa was from Ireland, my grandma

600
00:24:54,320 --> 00:24:55,520
Speaker 2: from was from Bohemia.

601
00:24:56,560 --> 00:25:01,120
Speaker 1: And where's Bohemia? You know where they ratity? Where is that?

602
00:25:01,480 --> 00:25:02,600
Speaker 1: Where's your grandmother from?

603
00:25:03,200 --> 00:25:05,040
Speaker 5: Bohemia. Where is that never been?

604
00:25:05,760 --> 00:25:06,480
Speaker 1: Where do you think it is?

605
00:25:06,560 --> 00:25:08,800
Speaker 3: Though? If you could guess where Bohemia was exactly by

606
00:25:08,960 --> 00:25:12,040
Speaker 3: like Poland, and how would you get there?

607
00:25:12,640 --> 00:25:13,879
Speaker 5: I don't know a plane?

608
00:25:14,880 --> 00:25:17,200
Speaker 1: Well yeah, yeah, yeah, I mean I would assume, yeah.

609
00:25:17,200 --> 00:25:19,120
Speaker 4: Okay, here it is Czech Republic.

610
00:25:19,320 --> 00:25:21,640
Speaker 5: Thank you. Poland.

611
00:25:21,840 --> 00:25:24,040
Speaker 4: That's what it's called today. Bohemia.

612
00:25:24,160 --> 00:25:25,919
Speaker 1: Yeah, it's not called Bohemia anymore, but.

613
00:25:25,920 --> 00:25:26,800
Speaker 5: That's where she was from.

614
00:25:27,359 --> 00:25:29,680
Speaker 2: So so I'm saying so, I mean, they brought their

615
00:25:29,720 --> 00:25:31,040
Speaker 2: customs and that's what we do.

616
00:25:31,119 --> 00:25:34,480
Speaker 3: Like him going I'm from the state of New Amsterdam. Well, no,

617
00:25:34,560 --> 00:25:38,000
Speaker 3: that's called New York Bohemia. But she wasn't from the

618
00:25:38,040 --> 00:25:40,720
Speaker 3: Texas public exactly. Did like people going to Texas State.

619
00:25:40,920 --> 00:25:42,560
Speaker 3: They went to Texas State in nineteen ninety two.

620
00:25:42,640 --> 00:25:44,280
Speaker 5: My sister went to Texas State in what.

621
00:25:44,320 --> 00:25:48,760
Speaker 1: Year though, Well she was by Southwest south West Texas.

622
00:25:48,800 --> 00:25:51,400
Speaker 2: She started at Southwest Texas, but she graduated from Texas State,

623
00:25:51,440 --> 00:25:53,040
Speaker 2: so it switched in the middle of her tenure.

624
00:25:55,240 --> 00:25:57,440
Speaker 1: Kyler and Missouri left this voicemail.

625
00:25:57,840 --> 00:26:01,679
Speaker 6: I didn't know this is weird until I met my wife.

626
00:26:01,880 --> 00:26:04,760
Speaker 6: We've been together like ten years, but I don't remember

627
00:26:04,760 --> 00:26:06,680
Speaker 6: the last time I pooped put the shirt on. It

628
00:26:06,760 --> 00:26:08,600
Speaker 6: just gets in the way. It doesn't matter for my

629
00:26:09,000 --> 00:26:12,480
Speaker 6: Low's or Walmart, I just go in, sure comes off.

630
00:26:12,520 --> 00:26:14,480
Speaker 6: I thought it was normal until I met my wife.

631
00:26:14,520 --> 00:26:17,400
Speaker 6: She's like, you're a freaking weirdo. But yeah, there you go.

632
00:26:18,800 --> 00:26:19,160
Speaker 5: That's weird.

633
00:26:19,200 --> 00:26:21,720
Speaker 1: It's defoe Okay, so that's weird.

634
00:26:21,840 --> 00:26:23,600
Speaker 2: Oh if you go into a target and take your

635
00:26:23,600 --> 00:26:25,440
Speaker 2: shirt off to poop is absolutely weird.

636
00:26:25,440 --> 00:26:27,800
Speaker 1: That's weird. I know that is. Yeah, it is different.

637
00:26:28,000 --> 00:26:29,800
Speaker 5: It's not saying they say that is nothing.

638
00:26:29,840 --> 00:26:31,919
Speaker 1: Nowhere in a kissing it down on the mountain and

639
00:26:32,000 --> 00:26:32,560
Speaker 1: no culture.

640
00:26:32,600 --> 00:26:34,240
Speaker 5: Would that be normal American?

641
00:26:35,080 --> 00:26:38,000
Speaker 4: Maybe his grandma is from Bohemia. You don't know what

642
00:26:38,040 --> 00:26:38,560
Speaker 4: they do there.

643
00:26:38,680 --> 00:26:40,320
Speaker 5: I do because my grandma was from there.

644
00:26:41,240 --> 00:26:42,359
Speaker 1: I think we're gonna wrap it there.

645
00:26:42,960 --> 00:26:46,399
Speaker 3: Hey, did you see that draft where just talking about

646
00:26:46,400 --> 00:26:47,480
Speaker 3: weird things?

647
00:26:47,880 --> 00:26:49,920
Speaker 1: Yeah? First, who was that girl? I don't want to

648
00:26:49,920 --> 00:26:50,439
Speaker 1: get it wrong, but.

649
00:26:50,640 --> 00:26:52,160
Speaker 5: Was the son's girlfriend?

650
00:26:52,240 --> 00:26:56,720
Speaker 3: Yeah? The son's girlfriend? Yes, and she's actually a player

651
00:26:56,720 --> 00:26:57,639
Speaker 3: in the NFL's sister.

652
00:26:57,800 --> 00:26:58,840
Speaker 1: Really Yeah.

653
00:26:59,000 --> 00:27:00,800
Speaker 3: Yeah, that was strange and I didn't notice it when

654
00:27:00,800 --> 00:27:03,600
Speaker 3: it was live. My wife was watching it and she goes, hey,

655
00:27:03,720 --> 00:27:04,320
Speaker 3: rewind that.

656
00:27:04,400 --> 00:27:04,840
Speaker 5: Oh, you guys.

657
00:27:05,000 --> 00:27:06,680
Speaker 1: She saw it live. We were watching it like I.

658
00:27:06,640 --> 00:27:08,880
Speaker 3: Just saw clips because I didn't watch every single pick,

659
00:27:08,920 --> 00:27:10,760
Speaker 3: and I didn't think anything about it, but because I

660
00:27:10,760 --> 00:27:12,640
Speaker 3: thought maybe it's his daughter. I don't know, and then

661
00:27:12,640 --> 00:27:14,720
Speaker 3: my wife's like, rewind that even if it's his daughter,

662
00:27:15,000 --> 00:27:15,920
Speaker 3: that's what my wife said.

663
00:27:16,080 --> 00:27:18,159
Speaker 1: It's like I just didn't think twice about it. The

664
00:27:18,200 --> 00:27:21,040
Speaker 1: players Lucas van Ness plays for the Packers. Now, Andy,

665
00:27:21,040 --> 00:27:24,120
Speaker 1: do you know about this dad?

666
00:27:24,200 --> 00:27:27,119
Speaker 3: Kind of not kind of he slaps her, she like

667
00:27:27,160 --> 00:27:29,719
Speaker 3: hugs them kind of like, and he slaps her butt.

668
00:27:30,280 --> 00:27:33,560
Speaker 1: She has a white pants and it was like no pocket,

669
00:27:33,640 --> 00:27:35,639
Speaker 1: so you can like see where he slapped her exactly.

670
00:27:35,640 --> 00:27:38,720
Speaker 4: I mean it was like this, and who is she

671
00:27:38,840 --> 00:27:39,200
Speaker 4: to him?

672
00:27:39,840 --> 00:27:43,920
Speaker 3: Lucas sneaking his son's girlfriend. She's hugging him and he

673
00:27:43,960 --> 00:27:45,480
Speaker 3: boom boom, he hits her on the butt twice.

674
00:27:46,000 --> 00:27:46,600
Speaker 1: I don't know.

675
00:27:46,720 --> 00:27:49,080
Speaker 3: I almost feel like too, like just a natural. I

676
00:27:49,119 --> 00:27:51,320
Speaker 3: get it. It is weird, but I just feel like

677
00:27:51,320 --> 00:27:52,520
Speaker 3: that may have been instinct.

678
00:27:53,359 --> 00:27:55,760
Speaker 5: Is his son's great?

679
00:27:55,960 --> 00:27:59,480
Speaker 1: He doesn't. It's almost like a sports pack. Yes, he doesn't, cup,

680
00:27:59,520 --> 00:28:00,159
Speaker 1: I get it it.

681
00:28:01,320 --> 00:28:02,720
Speaker 5: No, no, no, no, you.

682
00:28:02,680 --> 00:28:04,399
Speaker 1: Don't do that if you don't do that. That's right,

683
00:28:04,400 --> 00:28:05,360
Speaker 1: because their cameras, they don't.

684
00:28:05,400 --> 00:28:09,000
Speaker 4: Don't do it anyway, You don't do that, yes, because like,

685
00:28:09,400 --> 00:28:12,240
Speaker 4: is that that's probably he's a coach.

686
00:28:12,720 --> 00:28:14,760
Speaker 1: No, No, no one said that, Dan.

687
00:28:15,160 --> 00:28:16,680
Speaker 4: Why in my head did I have him as.

688
00:28:16,600 --> 00:28:18,560
Speaker 1: Like a that's his son's girlfriend.

689
00:28:18,600 --> 00:28:23,239
Speaker 4: No, I hear that. I'm just trying to think that

690
00:28:23,320 --> 00:28:26,800
Speaker 4: for a split second, think he was like, you know,

691
00:28:27,760 --> 00:28:28,240
Speaker 4: good job.

692
00:28:28,680 --> 00:28:32,480
Speaker 3: Sure if his son is a now a professional athlete,

693
00:28:32,520 --> 00:28:37,360
Speaker 3: he's obviously if he's not in sports, he's had some background.

694
00:28:36,280 --> 00:28:38,880
Speaker 4: Because that looks like a sports like like he would

695
00:28:38,920 --> 00:28:39,280
Speaker 4: do that.

696
00:28:39,240 --> 00:28:40,719
Speaker 1: To a bull, you just can't do that.

697
00:28:41,160 --> 00:28:42,960
Speaker 5: It doesn't matter. He would do it to a boy.

698
00:28:43,080 --> 00:28:46,479
Speaker 2: She's a girl, his son's I mean, that's like if

699
00:28:46,560 --> 00:28:49,240
Speaker 2: Caitlin's sister came over and you gave her a butt back,

700
00:28:49,520 --> 00:28:50,360
Speaker 2: it ain't allowed.

701
00:28:51,040 --> 00:28:53,200
Speaker 1: I don't think it's exactly a little different. It's yeah,

702
00:28:53,240 --> 00:28:54,160
Speaker 1: it's a little different.

703
00:28:54,200 --> 00:28:55,760
Speaker 3: I just think though that this guy's played a bunch

704
00:28:55,760 --> 00:28:58,320
Speaker 3: of sports, and it just looked instinctual because even at

705
00:28:58,320 --> 00:28:59,640
Speaker 3: the end of yeah he slapped.

706
00:28:59,360 --> 00:29:01,080
Speaker 1: At twice, he's not looking down at it, and he's

707
00:29:01,080 --> 00:29:01,560
Speaker 1: not cupping.

708
00:29:01,680 --> 00:29:05,120
Speaker 4: Here's what it would be like if Arkansas Keith Patty

709
00:29:05,200 --> 00:29:06,160
Speaker 4: Caitlin on the butt like that.

710
00:29:06,800 --> 00:29:09,560
Speaker 1: Yeah, and if it was like this, I would think

711
00:29:09,560 --> 00:29:10,440
Speaker 1: that's just him doing a thing.

712
00:29:10,480 --> 00:29:11,520
Speaker 5: But if it was like this.

713
00:29:14,960 --> 00:29:16,840
Speaker 2: And he's dad shows up for a visit and he

714
00:29:16,880 --> 00:29:18,720
Speaker 2: starts patting Eddy's wife on the butt.

715
00:29:18,600 --> 00:29:19,440
Speaker 1: Yeah, and I punched him.

716
00:29:19,440 --> 00:29:21,080
Speaker 3: But I also think it's not the same because you're

717
00:29:21,080 --> 00:29:25,640
Speaker 3: talking about special athlete families. Yeah, if this kid's about

718
00:29:25,640 --> 00:29:27,200
Speaker 3: to be a pro, his dad had to do something

719
00:29:27,320 --> 00:29:28,040
Speaker 3: very athletic too.

720
00:29:28,080 --> 00:29:29,080
Speaker 1: See, this is why I brought it up.

721
00:29:29,560 --> 00:29:34,000
Speaker 4: Well, I see it as sporty, but it's not a

722
00:29:34,040 --> 00:29:34,760
Speaker 4: sporty moment.

723
00:29:34,840 --> 00:29:36,320
Speaker 1: But he's getting drafted.

724
00:29:36,920 --> 00:29:39,400
Speaker 5: She's not getting drafted. Guys, she's not the athlete.

725
00:29:39,400 --> 00:29:41,160
Speaker 1: But he can be pumped. I don't know, it's weird.

726
00:29:41,200 --> 00:29:42,520
Speaker 1: I'm not saying it's not weird. You know, there's a

727
00:29:42,520 --> 00:29:45,080
Speaker 1: camera read the room. Camera, it's in there for the draft.

728
00:29:45,320 --> 00:29:48,200
Speaker 3: That's why I think it wasn't a feel up because

729
00:29:48,320 --> 00:29:50,920
Speaker 3: there's a camera there and he would have known.

730
00:29:51,000 --> 00:29:52,080
Speaker 1: I probably can't get away with.

731
00:29:52,080 --> 00:29:54,800
Speaker 4: It right now, like he for sure regrets that, but

732
00:29:54,960 --> 00:29:56,240
Speaker 4: oh yeah he did because he's.

733
00:29:56,520 --> 00:29:59,520
Speaker 1: But it happened too. There's always something in the grabbed

734
00:29:59,520 --> 00:30:02,680
Speaker 1: a girlfriend, but awesome. Maybe it's a thing. Every year,

735
00:30:02,800 --> 00:30:04,800
Speaker 1: same situation ish last year.

736
00:30:04,880 --> 00:30:09,480
Speaker 5: Maybe it's a tradition. Maybe all right, I'm thank you guys, have.

737
00:30:09,440 --> 00:30:12,440
Speaker 1: A great day. We'll see you tomorrow on the show. Goodbye, everybody,