WEBVTT - Interviews Part 2 (Brian Huskey/Rekha Shankar/Jojo Wright)

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<v Speaker 1>This is This is Americans Live. I'm producer Andy, filling

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<v Speaker 1>in for our host Ari, who's busy on Saturday Night Live. Yes,

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<v Speaker 1>I wasn't joking. Last week he's joined the cast of

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<v Speaker 1>Saturday Night Live, which is so so great for him. Anyway,

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<v Speaker 1>he's left me in charge. Much like last week, this

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<v Speaker 1>week's episode will also be a little different than usual.

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<v Speaker 1>I think we've established that the best part of This

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<v Speaker 1>is American's Live is me, producer Andy, and my ability

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<v Speaker 1>to sift through the archives and find footage from the

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<v Speaker 1>lives of our guest contributors during the interview. As well.

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<v Speaker 1>This week, we're going to replay three more of my

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<v Speaker 1>favorite interviews from this season so far. Brian Husky, Rica Shankar,

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<v Speaker 1>and radio personality Joe Joe. Right, all right, let's get

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<v Speaker 1>into the first interview. Brian Husky enjoy especially guest contributed

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<v Speaker 1>Brisky you today. Oh, I'm very good. Thanks for having me.

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<v Speaker 1>I'm I've only eve been listening to the show. I

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<v Speaker 1>you know, I came to it maybe about halfway through

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<v Speaker 1>your run. You know, I had some people so recommend

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<v Speaker 1>it to me. I always trust her a word of

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<v Speaker 1>mouth and um, and these people were you know, really

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<v Speaker 1>sort of tapped into a lot of Zeitgeists podcasts and

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<v Speaker 1>and so I really felt like that's uh that spoke

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<v Speaker 1>to me for a long time. Yeah, and and for

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<v Speaker 1>me to go back and sort of go find all

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<v Speaker 1>these archives. It's also a time capsule, you know, like

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<v Speaker 1>you're focusing on the first cell phone and you know, yeah,

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<v Speaker 1>and then sort of you know when when small inspection

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<v Speaker 1>stations closed down, like these big moments in society, that

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<v Speaker 1>the shifts, we actually had that small inspections one. I've

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<v Speaker 1>always been there, you know, we have that in the

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<v Speaker 1>archives that when the small such as it's such a

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<v Speaker 1>cause a family runs small inspection empire, when that goes down,

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<v Speaker 1>that I mean, it's heartbreaking, it's really heartbreaking. Any it's

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<v Speaker 1>number inspection house, uh, any chain of different small inspections

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<v Speaker 1>across the Houston Metroplex area shut down for really two days.

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<v Speaker 1>People who need to get their cars inspected and you

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<v Speaker 1>know the status of the smock of their own cars,

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<v Speaker 1>we're just sitting there with their pockets and ends. Yeah.

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<v Speaker 1>Well we've had this our family for must have been

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<v Speaker 1>three years now, you have three three years and nine

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<v Speaker 1>months this Tuesday. Yeah, we don't want to Yeah, we

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<v Speaker 1>want to say four years, but it's not four years yet,

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<v Speaker 1>but we will be in two months, in one week. Yeah,

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<v Speaker 1>but we didn't want to say that it was four

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<v Speaker 1>years because we know you're a journalist and we don't

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<v Speaker 1>want to be any gotcha journalism. We want we want

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<v Speaker 1>to be factual for you, and also we want to

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<v Speaker 1>be factual about we're closing down, but not for any

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<v Speaker 1>kind of criminal reasons. We really want to emphasize that,

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<v Speaker 1>which are you ever going to devote to people? Well,

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<v Speaker 1>you just say any closed down. We'll divulge all the

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<v Speaker 1>reasons why, all the reasons that are not reasons why

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<v Speaker 1>we close down. Like will say, like, we did not

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<v Speaker 1>close down because for criminal reasons. Yeah, well, we did

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<v Speaker 1>not close down because theft or future arson like if that,

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<v Speaker 1>if that happens in the future. We did not burn

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<v Speaker 1>it for insurance money purposes because it got to be

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<v Speaker 1>too much not having this place open very long. We

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<v Speaker 1>got miles to feed. We did not try to cash in.

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<v Speaker 1>I burned the place down. We do not have a

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<v Speaker 1>gambling problem that is currently up ending our existence. Surely

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<v Speaker 1>after the interview, all four locations burned in the hell

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<v Speaker 1>fire and the two brothers twin brother smug inspection banished

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<v Speaker 1>the blue deating a lot of people with no smug

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<v Speaker 1>inspection places to go to. Yes, I would like to

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<v Speaker 1>apply for a driver's license. Um, I am not trying

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<v Speaker 1>to get a new identity. I'm not flying a law.

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<v Speaker 1>They just had to accompany him to the d n V. Sir,

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<v Speaker 1>I can only help one of y'all. So who who

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<v Speaker 1>needs the I D and who does not? I'll do

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<v Speaker 1>not not need it. Okay, I don't have I do

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<v Speaker 1>not have time for this, and I am I am

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<v Speaker 1>not a word play person. To I am not a

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<v Speaker 1>double entendre. If you're trying to post some of that crap,

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<v Speaker 1>you can take it right out of here. Rad Namma

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<v Speaker 1>for him was in That was a good one. It was. Yeah.

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<v Speaker 1>I kind of is a young me, very much a

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<v Speaker 1>round over version, and I thought it was really interesting. Yeah,

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<v Speaker 1>and you did the last act on her, which is honestly,

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<v Speaker 1>I mean that there wasn't much to her. She was

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<v Speaker 1>kind of just a woman who worked at the d

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<v Speaker 1>m V. Yeah. Negative. So I don't want to give you,

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<v Speaker 1>but I love your work. We do. We actually we

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<v Speaker 1>have that too. By the way of the third act

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<v Speaker 1>of that episode when you were talking when you followed

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<v Speaker 1>the the m V woman around. Yeah, you guys, I

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<v Speaker 1>have to play it. What I'm serious? What just trying

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<v Speaker 1>to make you up here? I know you're sorry. I'm sorry, ma'am.

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<v Speaker 1>I'm just trying to I know, but I do not.

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<v Speaker 1>Can I get a check one too, please? In right now?

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<v Speaker 1>Check one to check one to sibilants, sibilants like in

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<v Speaker 1>that SNL sketch about sound. I know what y'all do.

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<v Speaker 1>Go ahead, now, go ahead, you're you're in my living

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<v Speaker 1>room now, in my my one evening off. I gave

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<v Speaker 1>you my time, so let's do this interview. Yeah, that

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<v Speaker 1>was a very tough interview. Yeah. Yeah, I don't know

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<v Speaker 1>why I included that stuff and just saying I used

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<v Speaker 1>to have his dad back in the day when I

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<v Speaker 1>just did everything that I've included, I would just put

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<v Speaker 1>it out there. You know. I just really very much

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<v Speaker 1>about transparency. You've really grown and it tells about yourself.

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<v Speaker 1>Oh wow, that's a good interview question. I'm from originally

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<v Speaker 1>from Charlotte, North Carolina, and uh now I live in

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<v Speaker 1>Los Angeles. I went to a college in Charlotte. You

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<v Speaker 1>did in Charlotte for ten years? Oh my god, where'd

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<v Speaker 1>you live in Charlotte? Was passing in the night? Yeah,

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<v Speaker 1>the Queen City. You lived in New York? He moved here? Yes,

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<v Speaker 1>I was in Uh. I moved there in ninety six. Yeah,

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<v Speaker 1>and then I moved out here in two thousand and six.

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<v Speaker 1>But you in New York for ten years? Ten years

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<v Speaker 1>in math? Did you enjoy your time? Dude? I I did,

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<v Speaker 1>and then I got exhausted with it. It's an exhausting city.

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<v Speaker 1>It takes a lot of energy, right, And I broke

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<v Speaker 1>my toe because I kicked the wall after my car

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<v Speaker 1>was broken into for the seventh time, and um, subways

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<v Speaker 1>uh started to make me sad, so uh. And there's

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<v Speaker 1>no more work there. All the work was out in

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<v Speaker 1>l A. I was gonna say, there's no more work

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<v Speaker 1>in New York? Right, what kind of work do you do?

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<v Speaker 1>I've got to get there. Really seem to take a while.

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<v Speaker 1>That was the kind of look you do. Oh, I'm

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<v Speaker 1>an actor and a writer, mainline actor. Have I seen

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<v Speaker 1>you and stuff? I don't know what you watch. I

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<v Speaker 1>watch all kind of stuff. I'd watch a lot of old,

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<v Speaker 1>old movies from the nineteen eighties, yeah. I mean I'm

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<v Speaker 1>in most of those. Tell us about what you've been

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<v Speaker 1>working on. Now these days you'll stop hearing record? Do

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<v Speaker 1>we have let me step recluding? Okay, So when we're

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<v Speaker 1>in this part, do I sort of talk about the reality,

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<v Speaker 1>like the harsh reality we've all been through with a

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<v Speaker 1>COVID and stuff, or do I steer away from that? Well,

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<v Speaker 1>I would say, like, well, the past year and a half,

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<v Speaker 1>I haven't really been doing much. I've had my own

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<v Speaker 1>podcasts and stuff. But I got a podcast called bald

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<v Speaker 1>Talk on. We'll talk about that, yeah, And and then um,

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<v Speaker 1>I've auditioning. I did some commercials. I do voices for

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<v Speaker 1>Bob's Burgers. Do that. We'll talk about that. Okay, all right,

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<v Speaker 1>so when we go when when you when you ask

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<v Speaker 1>the question again, are you taking notes? I don't have

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<v Speaker 1>a pen Okay, podcast, Bob's Burgers. Yeah, auditioning, but you know,

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<v Speaker 1>trying to generate work. I think that's a you know, Okay,

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<v Speaker 1>do you have any podcast it's going on? Oh? Sure,

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<v Speaker 1>I've got a podcast called bald Talk. Let's just try

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<v Speaker 1>that one again. I just I'd like a clean one

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<v Speaker 1>and we'll just kind of Okay, do you want me

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<v Speaker 1>to be him? Do you want me to do you

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<v Speaker 1>want do you want to run run the lines with me? Right?

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<v Speaker 1>Use this audio and then we'll use your your thing. Okay,

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<v Speaker 1>So okay, um tell me about Hey, can you not

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<v Speaker 1>do it in his voice? Because yeah, what is that?

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<v Speaker 1>What the fund is that even you've been doing impictions

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<v Speaker 1>to me behind my back? That's a that's a new

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<v Speaker 1>character on Mark. You know, I don't I don't need to.

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<v Speaker 1>I don't need the question. I'll just say okay three

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<v Speaker 1>to one. So I have a podcast called Bald Talk.

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<v Speaker 1>It's myself and Charlie Sanders. Uh, two bald comedians interview

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<v Speaker 1>bald everybody. We've had actors, directors, musicians, wig makers. We

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<v Speaker 1>just interviewed them about being bald, and then it kind

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<v Speaker 1>of goes from there into their creative work and their

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<v Speaker 1>insecurities and sort of the idea of like vanity and

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<v Speaker 1>perception and stuff. Are there any things that you discovered

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<v Speaker 1>that you didn't know of other people's perspectives and being bald?

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<v Speaker 1>The big takeaway is that, uh, it's always a bigger

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<v Speaker 1>hang up for you than anybody else in the whole world,

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<v Speaker 1>and especially if you have a hang up about dating.

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<v Speaker 1>Women do not give a f They really don't. So

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<v Speaker 1>take that away. If you're if you're listening and you're bald,

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<v Speaker 1>it's fine, it's totally fine. Well, thank you guys. Are

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<v Speaker 1>you welcome? You usly want to leave. I don't know.

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<v Speaker 1>It seemed like it was just I just eating. You

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<v Speaker 1>do get very close to people's face when you talk

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<v Speaker 1>to them, I think to make sure that they can

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<v Speaker 1>hear any way it comes out of my mouth. Have

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<v Speaker 1>headphones microphones? Yeah, that's what the mike's from. I mean

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<v Speaker 1>we're literally on both on your mic. You started on

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<v Speaker 1>the other side of the room. You are now out

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<v Speaker 1>over with me because I don't want I don't want

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<v Speaker 1>to throw you know, I don't want to mess up.

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<v Speaker 1>We guys have. But it's just just some feedback. If

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<v Speaker 1>if if you guys were to make a survey available

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<v Speaker 1>to me, I would take it and give some feedback.

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<v Speaker 1>But you know, actually have that survey. We have a

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<v Speaker 1>line phone number. I have to press the button, well,

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<v Speaker 1>you have to press several buttons because you're down the number.

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<v Speaker 1>What is it again, It's one, It's the one and

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<v Speaker 1>this is Americans Live Survey. This is Americans Life numbers right,

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<v Speaker 1>it's like way too many. Oh hold on, sorry, sorry guys,

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<v Speaker 1>my phone's ringing. Thank you for calling. This is American's

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<v Speaker 1>Live Customer Service. This is Andy the producer. Can I

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<v Speaker 1>are you taking the survey for me? I feel like

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<v Speaker 1>I should take the say, would you get away from

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<v Speaker 1>my mic so I can take the survey? Please? Please,

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<v Speaker 1>just for this moment, step away, like a second? Okay,

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<v Speaker 1>thank you? Yeah, Hi, Hi Brian? Yes, oh hey, how

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<v Speaker 1>you doing. Hey you're you're calling the survey line. Yeah,

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<v Speaker 1>I just wanted to give some feedback on the interview section. Okay,

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<v Speaker 1>how's it going so far? Are you enjoying it? I mean, yeah,

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<v Speaker 1>there's some problem. I mean I feel like there's some

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<v Speaker 1>elements to it that I'm not totally psyched about. Like

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<v Speaker 1>he gets a little close and and I felt like

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<v Speaker 1>when you ask opening questions like tell me about yourself? Yeah,

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<v Speaker 1>I mean what am I supposed to? Well? You know, free? Sorry,

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<v Speaker 1>can your hand just one second? I'm getting another call please,

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<v Speaker 1>All right, I've got Brian on the survey. Yeah. I

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<v Speaker 1>know he's saying that I can see you talking to him.

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<v Speaker 1>I can turn around if it's can you do me?

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<v Speaker 1>Could you do me a favorite. Just turn around real quick. Yeah,

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<v Speaker 1>what's that? Yeah, he's on the phoniest bitching again about again.

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<v Speaker 1>This is what he sounds like right now, he's suing

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<v Speaker 1>too close to me again. I'm sorry, I turn back around.

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<v Speaker 1>You guys gave me the option, Like I just said,

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<v Speaker 1>is there a survey? And so you're letting me do

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<v Speaker 1>a survey? But now just now you're sort of uptended.

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<v Speaker 1>I'm this is weird. You know, if you have a

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<v Speaker 1>survey about your survey, I would I would give some

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<v Speaker 1>feedback on that. As a matter of fact, we're going

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<v Speaker 1>to end it on this. We actually have one. This

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<v Speaker 1>is American's Live survey survey. Who's calling it? I'll do it.

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<v Speaker 1>I have a new I have a new phone. I

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<v Speaker 1>want to Yeah, yeah, I'm just gonna do a voicing

0:11:19.200 --> 0:11:25.320
<v Speaker 1>one eight hundred. This in a shift number one hundred.

0:11:26.040 --> 0:11:30.240
<v Speaker 1>This is Americans Live Survey Survey. I'm sorry, did you

0:11:30.280 --> 0:11:33.920
<v Speaker 1>mean one eight hundred? This is Americans Live Survey, no

0:11:34.360 --> 0:11:37.880
<v Speaker 1>survey survey. I'm sorry, did you mean this is Americans

0:11:37.920 --> 0:11:40.480
<v Speaker 1>live survey? I think it might be a confusing the

0:11:40.520 --> 0:11:43.920
<v Speaker 1>phone because we say survey twice tobably. I'm gonna I'm

0:11:43.920 --> 0:11:46.320
<v Speaker 1>gonna hang out making the call. I'm gonna call it

0:11:46.360 --> 0:11:52.360
<v Speaker 1>survey quick, did it now? Hey, guys, one second, my

0:11:52.360 --> 0:11:55.080
<v Speaker 1>phone's ringing. Sure, I'm gonna grab it. Thank you for

0:11:55.120 --> 0:11:58.720
<v Speaker 1>calling the This is Americans Live survey line. This is Andy.

0:11:58.760 --> 0:12:01.839
<v Speaker 1>How can I help you? How was your How was

0:12:02.240 --> 0:12:04.200
<v Speaker 1>how's it going? Alright? We'd love it if you just

0:12:04.280 --> 0:12:06.760
<v Speaker 1>let me start talking at some point. Oh, okay, I

0:12:06.760 --> 0:12:08.840
<v Speaker 1>have a problem with my producer. Can I tell you

0:12:08.880 --> 0:12:11.080
<v Speaker 1>what it is. He's too great, he's too great, it's

0:12:11.120 --> 0:12:13.720
<v Speaker 1>too funny. He's asking me to play different parts of

0:12:13.720 --> 0:12:16.080
<v Speaker 1>the archives. And you know how many tapes we have

0:12:16.080 --> 0:12:20.440
<v Speaker 1>any archives? Thousands? Right? Huh? And then now we've got

0:12:20.480 --> 0:12:23.839
<v Speaker 1>to end on this. I'm sorry, I got I'm getting

0:12:23.800 --> 0:12:27.400
<v Speaker 1>a call. One a second. Hey, Brian. He's on the phone,

0:12:27.480 --> 0:12:36.520
<v Speaker 1>always on the phone. Really good. He's like, like, what

0:12:36.640 --> 0:12:39.800
<v Speaker 1>he's doing? You do it? I don't think he sounds

0:12:39.840 --> 0:12:44.080
<v Speaker 1>like a yeah. He sounds like a dying librarian or tydeing. Alright,

0:12:44.280 --> 0:12:46.679
<v Speaker 1>what are you doing here? I've been here the whole time.

0:12:47.600 --> 0:12:50.960
<v Speaker 1>He's listening to here. Got a bit of shit. I'm

0:12:51.040 --> 0:12:53.439
<v Speaker 1>really sorry. I'm sorry. I think I I caused the

0:12:53.480 --> 0:12:57.520
<v Speaker 1>problem in this problem, just like the thing is that

0:12:57.679 --> 0:13:01.920
<v Speaker 1>I do my best to move these it's along. Sometimes

0:13:02.200 --> 0:13:06.000
<v Speaker 1>my producer gets a little archive crazy, and then we

0:13:06.040 --> 0:13:08.320
<v Speaker 1>started dipping into things and then all of a sudden

0:13:08.480 --> 0:13:10.960
<v Speaker 1>we have no time for nothing. I really like the

0:13:11.000 --> 0:13:13.720
<v Speaker 1>way that you're tired. I'm gonna call the survey. Here

0:13:13.760 --> 0:13:18.480
<v Speaker 1>we go again. Hold on lift phones. Hello, Hey, it's me. Hey,

0:13:18.520 --> 0:13:21.400
<v Speaker 1>what's up? Well? Ari is kind of being a dick

0:13:21.520 --> 0:13:25.720
<v Speaker 1>right now to you? I know, okay? Well by zero

0:13:25.760 --> 0:13:28.680
<v Speaker 1>stars guys contributed by NSKY, Thank you so much for

0:13:28.679 --> 0:13:32.040
<v Speaker 1>this opportunity. Yeah, coming up, our interview with Ka Shankar.

0:13:32.280 --> 0:13:34.240
<v Speaker 1>But first a word from our sponsors who make this

0:13:34.320 --> 0:13:44.440
<v Speaker 1>high quality show possible. Stay with us. Welcome back to

0:13:44.520 --> 0:13:46.800
<v Speaker 1>This Is Americans Live. I'm producer Andy filling in for

0:13:46.840 --> 0:13:48.880
<v Speaker 1>our host, Ari, who was away in New York as

0:13:48.920 --> 0:13:54.800
<v Speaker 1>an SNL cast member. Which is really something, really really something.

0:13:55.040 --> 0:13:58.479
<v Speaker 1>I'm here playing some of my favorite guest contributor interviews

0:13:58.520 --> 0:14:01.160
<v Speaker 1>that we've had during this first season of this amazing

0:14:01.360 --> 0:14:05.640
<v Speaker 1>top shell show. Up next, Raka Shankar, enjoy my especially

0:14:05.640 --> 0:14:09.679
<v Speaker 1>guys contributor. Hello, how are you doing today? I'm great?

0:14:09.760 --> 0:14:12.240
<v Speaker 1>Thank you so tell us how long have you been

0:14:12.240 --> 0:14:15.679
<v Speaker 1>listening to our show? As long as it's been on,

0:14:15.880 --> 0:14:21.560
<v Speaker 1>which is maybe you've released five episodes, but there's been

0:14:21.640 --> 0:14:27.200
<v Speaker 1>ten recorded. We've released more than five. You're something you

0:14:27.320 --> 0:14:29.800
<v Speaker 1>told me before and a number I'm forgetting, but that's

0:14:29.800 --> 0:14:32.160
<v Speaker 1>how many I've listened to. So you've been listening for

0:14:32.520 --> 0:14:36.520
<v Speaker 1>three years? Yeah, decades? Even Do you remember any of

0:14:36.560 --> 0:14:39.240
<v Speaker 1>the shows that I was on prior to doing this show?

0:14:39.520 --> 0:14:43.800
<v Speaker 1>I do remember? Which one ed? A cooking show? Yeah?

0:14:43.960 --> 0:14:48.760
<v Speaker 1>Can I finished? What else? What other shows did I have? Oh?

0:14:48.800 --> 0:14:52.480
<v Speaker 1>I mean we both remember, right, all the stuff that

0:14:52.520 --> 0:14:56.680
<v Speaker 1>you've done. So it goes without saying almost, but I

0:14:56.920 --> 0:14:59.160
<v Speaker 1>I'm asking you to say it, right, a cooking show?

0:14:59.800 --> 0:15:10.560
<v Speaker 1>You probably did something with Poe Hi. You say politics, pe,

0:15:10.840 --> 0:15:13.600
<v Speaker 1>Politics pot Pie. We actually have shows. Yeah, we actually

0:15:13.640 --> 0:15:16.000
<v Speaker 1>have that in the archives that your episode of Politics,

0:15:16.880 --> 0:15:19.480
<v Speaker 1>one of the highest rated episodes of Politics pot Pie,

0:15:19.600 --> 0:15:23.480
<v Speaker 1>which was episode forty eight. Who was that? Um? You

0:15:23.880 --> 0:15:28.480
<v Speaker 1>I know that? And Hillary Rodham Clinton, Oh my god,

0:15:28.560 --> 0:15:32.000
<v Speaker 1>that was an incredible episode. Remember, Yeah, we use that

0:15:32.400 --> 0:15:40.680
<v Speaker 1>too thousand and sixteen when she was running for president.

0:15:41.000 --> 0:15:47.800
<v Speaker 1>I remember my especially guys written thank you for Kenning,

0:15:48.240 --> 0:15:53.760
<v Speaker 1>thank you for having me. I'm so happy to be here.

0:15:54.480 --> 0:15:58.520
<v Speaker 1>Tell you've been speaking of that in different times. Feeling

0:15:58.880 --> 0:16:03.800
<v Speaker 1>very rasped, I am not doing too good. The only

0:16:03.880 --> 0:16:07.320
<v Speaker 1>thing that would make me feel better is a hot

0:16:07.480 --> 0:16:11.800
<v Speaker 1>piping pot. Bye, let's make them. That was the show

0:16:11.840 --> 0:16:13.280
<v Speaker 1>for the most part. I don't know if you remember.

0:16:13.400 --> 0:16:15.400
<v Speaker 1>I just have a guest on even though its supposed

0:16:15.400 --> 0:16:17.600
<v Speaker 1>to be political, It's called political Popeye. I just have

0:16:17.680 --> 0:16:22.800
<v Speaker 1>somebody on the show who was politically and poet. Again,

0:16:23.640 --> 0:16:25.000
<v Speaker 1>it was the things we were going to talk about,

0:16:25.480 --> 0:16:27.480
<v Speaker 1>dicks maybe just talked about Poppy. I'm sure it was

0:16:27.480 --> 0:16:29.200
<v Speaker 1>a relief to a lot of the politicians are sick

0:16:29.200 --> 0:16:31.640
<v Speaker 1>with talking about politics. Just sit down with a pop pie.

0:16:31.720 --> 0:16:35.120
<v Speaker 1>It's nice. Can you imagine to pick a politician and

0:16:34.280 --> 0:16:38.360
<v Speaker 1>I do an episode with him? Okay, pick a politician, anyone,

0:16:38.720 --> 0:16:41.480
<v Speaker 1>Pete Pewter, judge, Pete Poota judge. It was my What

0:16:41.560 --> 0:16:43.720
<v Speaker 1>episode is that I was? That was one of the

0:16:43.800 --> 0:16:46.280
<v Speaker 1>later ones, with a more recent right now, I don't

0:16:46.320 --> 0:16:49.640
<v Speaker 1>know if we have that one in the archive. Welcome

0:16:49.720 --> 0:16:56.040
<v Speaker 1>to Politic Poppy. Very happy to be here. I'm oh my,

0:16:56.080 --> 0:16:58.320
<v Speaker 1>I think I need a lozenge. And the only thing

0:16:58.400 --> 0:17:03.200
<v Speaker 1>that's going to help if pop Piping pot Pie the thing.

0:17:03.240 --> 0:17:05.040
<v Speaker 1>If I'm most compelling about that show, it was like

0:17:05.320 --> 0:17:09.200
<v Speaker 1>when I feel sick or like like my throat hurts,

0:17:09.240 --> 0:17:12.880
<v Speaker 1>and I don't really reach for a pot pie super something.

0:17:13.440 --> 0:17:15.080
<v Speaker 1>So it's interesting a lot of your guests seem to

0:17:15.119 --> 0:17:17.040
<v Speaker 1>have like a throat issue and we're like, oh, I

0:17:17.040 --> 0:17:22.359
<v Speaker 1>want like a big, thick pot pie. Yeah you could see, yeah,

0:17:22.280 --> 0:17:25.359
<v Speaker 1>would you had more of that kind of consistency, but

0:17:25.480 --> 0:17:28.399
<v Speaker 1>they did swallowing like chicken chunks. Well, I hate to

0:17:28.440 --> 0:17:30.720
<v Speaker 1>break it to the two of you, but I think

0:17:30.760 --> 0:17:33.720
<v Speaker 1>that's all we have in the archives anyway. So okay, Wow,

0:17:33.840 --> 0:17:36.040
<v Speaker 1>do you think I learned? There won't be a third example?

0:17:36.119 --> 0:17:39.000
<v Speaker 1>I mean, my god, I'm trying to remember some of

0:17:39.080 --> 0:17:43.600
<v Speaker 1>my other favorite episodes Politicians and pot Pie only recorded

0:17:43.600 --> 0:17:48.160
<v Speaker 1>to numbered them. Strangely, there wasn't like a weird Mike

0:17:48.240 --> 0:17:52.520
<v Speaker 1>Pence one. Did I dream that? Wait? Wait, I think

0:17:52.560 --> 0:17:54.560
<v Speaker 1>there is. I think the Mike pens one though, sounded

0:17:54.560 --> 0:17:57.879
<v Speaker 1>a lot like people. Oh it did, Yeah, we can

0:17:57.960 --> 0:18:01.440
<v Speaker 1>check it. When would that have been? It was episode

0:18:02.600 --> 0:18:08.000
<v Speaker 1>just as MP fans and military police. Oh interesting how

0:18:08.160 --> 0:18:09.760
<v Speaker 1>it could mean both? It could be where they were

0:18:10.000 --> 0:18:13.720
<v Speaker 1>a press play. Now I have been working for the

0:18:13.880 --> 0:18:18.200
<v Speaker 1>military police more quite some time. I'm sorry, my throat hurts.

0:18:18.280 --> 0:18:23.240
<v Speaker 1>I need a a cold, papa. Yeah, that's a little

0:18:23.240 --> 0:18:26.160
<v Speaker 1>bit about yourself. Okay. Great. Um, I'm a comedy writer.

0:18:26.680 --> 0:18:29.600
<v Speaker 1>I knew that. Okay, great, you're on top of it.

0:18:29.680 --> 0:18:31.520
<v Speaker 1>You're writing on the show now, are you guys talking

0:18:31.520 --> 0:18:35.640
<v Speaker 1>about it? Yeah? I was writing for Animaniacs recently, and

0:18:35.840 --> 0:18:38.399
<v Speaker 1>now I'm writing for show called Grand Crew that's on NBC.

0:18:38.560 --> 0:18:41.119
<v Speaker 1>It's come out in January. When you're writing for the

0:18:41.200 --> 0:18:44.760
<v Speaker 1>show like Animaniacs and those characters have been around for

0:18:44.760 --> 0:18:47.080
<v Speaker 1>a long time, Yeah, do they give you a little

0:18:47.119 --> 0:18:49.240
<v Speaker 1>bit of attitude when you write something for them and

0:18:49.240 --> 0:18:51.639
<v Speaker 1>they just don't want to do it? Yeah? So their

0:18:51.880 --> 0:18:54.639
<v Speaker 1>their cartoons, so they don't really give you much attitude

0:18:55.000 --> 0:18:59.960
<v Speaker 1>since they're not people. Um, I mean is that supposed

0:18:59.960 --> 0:19:02.720
<v Speaker 1>to mean? Yeah, I guess that was fucked up. Just

0:19:02.760 --> 0:19:05.760
<v Speaker 1>because you hear someone's voice you don't necessarily see their face,

0:19:06.119 --> 0:19:09.280
<v Speaker 1>doesn't mean they're not And I wasn't meaning to insult

0:19:09.520 --> 0:19:14.040
<v Speaker 1>you as a radio person, for sure. All those people

0:19:14.080 --> 0:19:17.440
<v Speaker 1>are are people, and you know those voice act their

0:19:17.520 --> 0:19:21.760
<v Speaker 1>voice actors is the thing. And you know, so I

0:19:21.800 --> 0:19:23.760
<v Speaker 1>didn't mean in any offense to you. I think people

0:19:23.760 --> 0:19:27.880
<v Speaker 1>who work in radio are really talented and and and

0:19:27.920 --> 0:19:31.119
<v Speaker 1>you know, it's justesting this happens to be something entirely

0:19:31.119 --> 0:19:35.280
<v Speaker 1>different from what you do. So you write jokes cartoons. Yeah,

0:19:35.359 --> 0:19:37.560
<v Speaker 1>you're working on a new show, Yes, a live action

0:19:37.600 --> 0:19:40.480
<v Speaker 1>show called Grand Crew, and it's been a blast. It's

0:19:40.520 --> 0:19:43.680
<v Speaker 1>you know, about friends hanging out at a wine bar. Uh,

0:19:43.720 --> 0:19:46.359
<v Speaker 1>it's very cool. Are you a wine guy? Am I

0:19:46.400 --> 0:19:48.679
<v Speaker 1>allowed to flip the interview a little bit. I think

0:19:48.800 --> 0:19:51.040
<v Speaker 1>that's some wine. And what I think, you know, back

0:19:51.040 --> 0:19:52.960
<v Speaker 1>in the day when we first started doing this show,

0:19:53.119 --> 0:19:57.040
<v Speaker 1>which was back in what you was that the Topeak

0:19:57.040 --> 0:20:01.120
<v Speaker 1>a year, I used to drink a yeah, and then

0:20:01.200 --> 0:20:04.320
<v Speaker 1>I mean, if you want to hear excipt from that episode,

0:20:04.480 --> 0:20:08.520
<v Speaker 1>you can see you could just tell, yeah, welcome to

0:20:09.720 --> 0:20:15.400
<v Speaker 1>episode of This is America's Live. I mean, I'm sorry,

0:20:15.640 --> 0:20:17.800
<v Speaker 1>I mean you can tell the difference. Yeah, you sound.

0:20:17.960 --> 0:20:20.879
<v Speaker 1>I mean that was like clearly in Toxic is a

0:20:20.920 --> 0:20:25.760
<v Speaker 1>Big Year. No doubt was lasting through heart, No doubt

0:20:25.760 --> 0:20:29.520
<v Speaker 1>it was. But you were also on the show another recently. Yeah,

0:20:29.520 --> 0:20:33.560
<v Speaker 1>I did a little cameo on hacks total total blasts made.

0:20:33.720 --> 0:20:36.760
<v Speaker 1>They made a makeshift casino in downtown l A really

0:20:36.800 --> 0:20:42.200
<v Speaker 1>fun Yeah, you get started in comedy comedy. I actually

0:20:42.359 --> 0:20:45.600
<v Speaker 1>I started as an assistant video editor for true crime television.

0:20:46.280 --> 0:20:48.159
<v Speaker 1>That was a racket, and so I did that for

0:20:48.160 --> 0:20:50.240
<v Speaker 1>a while and then was what was writing comedy on

0:20:50.280 --> 0:20:52.600
<v Speaker 1>the side, and transitioned out of it by just um

0:20:52.680 --> 0:20:56.280
<v Speaker 1>quitting and then freelancing. You mean, by writing comedy on

0:20:56.359 --> 0:20:58.200
<v Speaker 1>the side that you were writing jokes in the side,

0:20:58.480 --> 0:21:01.640
<v Speaker 1>writing sketches, you know how, and dditing background so right,

0:21:01.760 --> 0:21:04.159
<v Speaker 1>and direct sketches and then cut them myself and that

0:21:04.480 --> 0:21:07.920
<v Speaker 1>kind of wrote little articles for places like Protectress and

0:21:07.920 --> 0:21:10.919
<v Speaker 1>stuff like that, and putting my sketches out online, and

0:21:10.920 --> 0:21:13.720
<v Speaker 1>then started applying to more comedy things. Um, it was

0:21:13.920 --> 0:21:15.720
<v Speaker 1>a lot of fun. Do you always make a funny

0:21:15.760 --> 0:21:19.520
<v Speaker 1>type put up? No? Um? I mean I wanted to be,

0:21:19.680 --> 0:21:23.080
<v Speaker 1>but you know, I wasn't like class clown type of person.

0:21:23.160 --> 0:21:26.520
<v Speaker 1>I was a pretty academic person. I went to biomedical

0:21:26.600 --> 0:21:29.400
<v Speaker 1>research camp when I was fifteen. That's the only overnight

0:21:29.480 --> 0:21:32.920
<v Speaker 1>camp I've been to, so pretty academic. And then only

0:21:32.960 --> 0:21:35.480
<v Speaker 1>in college did I decided to go into film and

0:21:35.480 --> 0:21:40.160
<v Speaker 1>TV production. Does most child memory. I remember going mini

0:21:40.200 --> 0:21:44.320
<v Speaker 1>golfing with my cousin and there's a bug on his

0:21:44.480 --> 0:21:46.919
<v Speaker 1>back and I don't know why didn't just flick it

0:21:46.960 --> 0:21:48.439
<v Speaker 1>off or whatever. I was little and I was like,

0:21:48.440 --> 0:21:49.960
<v Speaker 1>there's a bug on your back. And he freaked out

0:21:50.240 --> 0:21:52.320
<v Speaker 1>and he's like, get off, get it off. And I

0:21:52.359 --> 0:21:54.120
<v Speaker 1>was like, okay, here's the way I think you think

0:21:54.160 --> 0:21:56.600
<v Speaker 1>of to do that. And I took my mini golf

0:21:56.600 --> 0:21:59.240
<v Speaker 1>club and just swung it and hit him in the head.

0:22:00.400 --> 0:22:04.119
<v Speaker 1>So we we have we do we have We have

0:22:04.160 --> 0:22:07.040
<v Speaker 1>the hospital, visip, we have the hospital. I can't believe

0:22:07.119 --> 0:22:10.919
<v Speaker 1>you guys have that. Yeah, we have that. Actually the hospital. Um,

0:22:10.960 --> 0:22:13.120
<v Speaker 1>so can you tell us where you're here? By the way,

0:22:13.160 --> 0:22:16.240
<v Speaker 1>there was a bug on me and and I did

0:22:16.280 --> 0:22:19.000
<v Speaker 1>everything I could, did everything I could to help him. Yeah,

0:22:19.040 --> 0:22:21.159
<v Speaker 1>and then why is he here because he has a

0:22:21.160 --> 0:22:25.320
<v Speaker 1>bug on his back? I had one, and she she m,

0:22:25.480 --> 0:22:28.480
<v Speaker 1>can I hear explaining this? If I talked to you like,

0:22:28.560 --> 0:22:31.600
<v Speaker 1>it's just one on one real quick, I'm just kiding comfortables.

0:22:31.640 --> 0:22:34.320
<v Speaker 1>I'm sorry, man, I'm okay. But let me just say

0:22:34.560 --> 0:22:38.399
<v Speaker 1>he's a vicious slyer. He's a viciously a troll and

0:22:38.440 --> 0:22:40.760
<v Speaker 1>a free and everything that he says, it's gonna be

0:22:40.800 --> 0:22:42.240
<v Speaker 1>a lie. If you want the real story, you kind

0:22:42.240 --> 0:22:48.560
<v Speaker 1>of me afterwards afterwards, Okay, you gotta help me. What happened?

0:22:48.600 --> 0:22:50.480
<v Speaker 1>She claimed that there was a bug on my back.

0:22:50.720 --> 0:22:52.679
<v Speaker 1>There would have been no way for me to know

0:22:53.080 --> 0:22:55.679
<v Speaker 1>because it was on my back, and then she just

0:22:55.720 --> 0:22:59.399
<v Speaker 1>started hitting me over and or where a mini golf club.

0:23:00.280 --> 0:23:03.480
<v Speaker 1>I have to call somebody. Okay, wait, wait to see

0:23:03.520 --> 0:23:06.800
<v Speaker 1>a phone. I see and let me fine. I love

0:23:06.840 --> 0:23:10.359
<v Speaker 1>I love my cousin. She loves me. Okay, I'm calling

0:23:10.400 --> 0:23:14.040
<v Speaker 1>the authorities. Now, okay, you're calling the authorities where you

0:23:14.080 --> 0:23:16.080
<v Speaker 1>can call it. I saw a bug on his back.

0:23:16.280 --> 0:23:18.320
<v Speaker 1>It was huge. I don't know what to do. He said,

0:23:18.320 --> 0:23:19.480
<v Speaker 1>get it off. I was like, okay, well, I'm not

0:23:19.480 --> 0:23:21.639
<v Speaker 1>gonna touch with my hands. It's disgusting. It's big. So

0:23:21.680 --> 0:23:23.879
<v Speaker 1>I took the golf cloth. If they wouldn't die. She

0:23:23.920 --> 0:23:27.359
<v Speaker 1>calls me the thing the leads game. Next thing, because

0:23:27.400 --> 0:23:30.360
<v Speaker 1>it was in a questioning room looking at the lineup

0:23:30.680 --> 0:23:33.320
<v Speaker 1>of different people. It's cousin being one of the people.

0:23:33.560 --> 0:23:36.520
<v Speaker 1>All right, step forward and say the line, please, the

0:23:36.520 --> 0:23:38.320
<v Speaker 1>line with you. You have a bug on your back,

0:23:38.480 --> 0:23:40.199
<v Speaker 1>Come here. Let me hit you with this. All right,

0:23:40.440 --> 0:23:43.960
<v Speaker 1>step forward, seeing it's her hold on, I mean, suspect

0:23:44.040 --> 0:23:46.320
<v Speaker 1>number one. Please step forward to the line identified. You

0:23:46.359 --> 0:23:48.280
<v Speaker 1>have a book on your back. Let me hit you

0:23:48.320 --> 0:23:52.159
<v Speaker 1>with this. She's doing an accent the number two. Step forward,

0:23:52.359 --> 0:23:54.560
<v Speaker 1>you have a book on your back. Let me just

0:23:54.600 --> 0:23:56.800
<v Speaker 1>go club. It was the first one. She was just

0:23:56.840 --> 0:24:01.240
<v Speaker 1>doing a different accent. It is my COVID, A bug

0:24:01.280 --> 0:24:04.199
<v Speaker 1>on your bab me with this Gulf club? What the

0:24:04.240 --> 0:24:06.320
<v Speaker 1>hell I'm know? Why do we have to have a lineup?

0:24:06.359 --> 0:24:09.240
<v Speaker 1>I already identified my cousin as being the one who

0:24:09.280 --> 0:24:17.280
<v Speaker 1>didn't swiftly with eating as I sentence you to six weeks,

0:24:17.320 --> 0:24:27.640
<v Speaker 1>said Bio medical Camp. That's a fucking lime. Yes, it's

0:24:27.640 --> 0:24:30.240
<v Speaker 1>been a pleasure. Great to be here. Thanks guys. Coming

0:24:30.320 --> 0:24:32.720
<v Speaker 1>up our interview with radio personality Joe Joe. Right, But

0:24:32.800 --> 0:24:35.320
<v Speaker 1>first a word from some of our sponsors. Stay with us,

0:24:41.880 --> 0:24:44.280
<v Speaker 1>Welcome back to This is Americans Live. I'm producer Andy

0:24:44.320 --> 0:24:46.159
<v Speaker 1>filling in for our host Ari, who has joined the

0:24:46.200 --> 0:24:48.560
<v Speaker 1>cast of Saturday Night Live and things are going great

0:24:48.840 --> 0:24:51.080
<v Speaker 1>for him. He'll be back, but this week he left

0:24:51.080 --> 0:24:52.399
<v Speaker 1>it up to me to re air some of our

0:24:52.440 --> 0:24:55.399
<v Speaker 1>favorite interviews from our guest contributors. Up next, you know

0:24:55.480 --> 0:24:58.159
<v Speaker 1>him from l A's number one hit music station one

0:24:58.240 --> 0:25:00.800
<v Speaker 1>or two point seven, Kiss Him and the I Heart

0:25:00.840 --> 0:25:04.000
<v Speaker 1>Radio Countdown. A very well produced show. By the way,

0:25:04.160 --> 0:25:07.800
<v Speaker 1>Jojo Rights enjoy Jojo Thanks, It's a pleasure to be here.

0:25:08.040 --> 0:25:09.800
<v Speaker 1>It's a pleasure to have you. Thank you very much.

0:25:10.080 --> 0:25:12.480
<v Speaker 1>Good to see you. How long have you have you

0:25:12.520 --> 0:25:16.280
<v Speaker 1>been a fan of the show. Well, this is uh

0:25:16.480 --> 0:25:19.720
<v Speaker 1>my first experience with the show. I've never le chant again.

0:25:20.400 --> 0:25:25.520
<v Speaker 1>I've been a huge, huge fan for very good years years.

0:25:26.080 --> 0:25:29.879
<v Speaker 1>And what was the first episode that you The first

0:25:29.880 --> 0:25:32.040
<v Speaker 1>one that I listened to was the thing where you

0:25:32.040 --> 0:25:34.639
<v Speaker 1>guys had and the lady was she was kind of

0:25:34.680 --> 0:25:37.159
<v Speaker 1>screaming and then you guys you know, had the she

0:25:37.240 --> 0:25:42.000
<v Speaker 1>was eating a sandwich. Don't we have that in the archives? Uh? Yeah,

0:25:42.080 --> 0:25:52.200
<v Speaker 1>I guess we do. Unfortunately, Ellen was a very experimental

0:25:52.240 --> 0:25:54.959
<v Speaker 1>one because nobody knew she was making a sandwich. That's

0:25:55.240 --> 0:25:57.800
<v Speaker 1>kind of where I stopped listening is with the sandwich.

0:25:57.640 --> 0:26:04.480
<v Speaker 1>But it hooked me. It was a second favorite. That

0:26:04.600 --> 0:26:09.639
<v Speaker 1>was episode was my second favorite there in that one.

0:26:09.760 --> 0:26:13.080
<v Speaker 1>Episode sixty four was when the UFO blew in and

0:26:13.640 --> 0:26:15.760
<v Speaker 1>then um he picked it, went to pick up the cow,

0:26:15.880 --> 0:26:18.120
<v Speaker 1>but it was you know it was actually it wasn't

0:26:18.119 --> 0:26:20.199
<v Speaker 1>a cow. It's like the school teacher. We have that

0:26:20.240 --> 0:26:31.439
<v Speaker 1>though that episode that we find it and what I

0:26:31.440 --> 0:26:35.119
<v Speaker 1>did find it? You me, me, me, me me me,

0:26:36.600 --> 0:26:45.920
<v Speaker 1>I have thought at a young cow school. Get that cow.

0:26:46.040 --> 0:26:49.159
<v Speaker 1>It's pretty heavy. I don't know if we can. You

0:26:49.240 --> 0:26:52.760
<v Speaker 1>trying to take my COWT know, no, not of course not,

0:26:52.960 --> 0:26:55.640
<v Speaker 1>but you're just trying to had this guy a little

0:26:55.640 --> 0:27:00.400
<v Speaker 1>tick down. More tic tics are on my my cows

0:27:00.640 --> 0:27:03.119
<v Speaker 1>of God. I saw one NBC news reports, are you

0:27:03.200 --> 0:27:06.040
<v Speaker 1>are full sighting over the hillside of Kentucky a cow

0:27:06.160 --> 0:27:08.480
<v Speaker 1>is being looted off the ground. So he ran outside

0:27:08.600 --> 0:27:10.359
<v Speaker 1>and he said, I think I said, TikTok up in

0:27:10.400 --> 0:27:12.400
<v Speaker 1>the sky and he said, I'm coking my shotgun. I said,

0:27:12.400 --> 0:27:15.159
<v Speaker 1>there ain't no way there is a unfelop in that

0:27:15.200 --> 0:27:18.720
<v Speaker 1>skuy and uh he ran outside. Damn near from your

0:27:18.760 --> 0:27:21.639
<v Speaker 1>damn near name dad ding. No, that was that was

0:27:21.680 --> 0:27:24.320
<v Speaker 1>a great episode. That was pretty pretty wild. I couldn't

0:27:24.320 --> 0:27:26.560
<v Speaker 1>believe that they have the UFOs right now. We had

0:27:26.640 --> 0:27:29.080
<v Speaker 1>to cut that episode as that lady kept going on

0:27:29.200 --> 0:27:32.000
<v Speaker 1>and on because you can finish your sentence, the name

0:27:32.080 --> 0:27:34.040
<v Speaker 1>and name name, but it's that on North Sam Hill,

0:27:34.080 --> 0:27:36.119
<v Speaker 1>Sam Hill up on the end. Still. I was decided

0:27:36.119 --> 0:27:37.399
<v Speaker 1>to play it one more time to see if I

0:27:37.440 --> 0:27:39.520
<v Speaker 1>could find the point where you finished. But she never dies.

0:27:40.080 --> 0:27:41.520
<v Speaker 1>So tell us a little bit about yourself, what you've

0:27:41.560 --> 0:27:43.760
<v Speaker 1>done well. I live in l A. I'm originally from Texas,

0:27:43.800 --> 0:27:45.520
<v Speaker 1>but I live in l A for the last twenties

0:27:45.840 --> 0:27:51.000
<v Speaker 1>something years to a radio show on FM in Los Angeles.

0:27:51.119 --> 0:27:52.960
<v Speaker 1>Was at a big dream come shooting you. It was

0:27:53.720 --> 0:27:56.200
<v Speaker 1>when I got the offer come to kiss. It was

0:27:56.560 --> 0:27:59.320
<v Speaker 1>I was in San Francisco. Nice. Then they said you

0:27:59.359 --> 0:28:01.119
<v Speaker 1>want to come to l A. I'm like, yeah, absolutely,

0:28:01.240 --> 0:28:03.080
<v Speaker 1>so I came to l A. And that's surely after

0:28:03.080 --> 0:28:06.920
<v Speaker 1>that's where I heard your first podcast twenty years twenty

0:28:07.000 --> 0:28:10.240
<v Speaker 1>years ago. The first Wow, it's I know you're a

0:28:10.320 --> 0:28:12.560
<v Speaker 1>long time you're a you're a long hauler. That's a

0:28:12.640 --> 0:28:17.080
<v Speaker 1>that's go. The first episode of that, I guess, all right,

0:28:17.119 --> 0:28:21.640
<v Speaker 1>this is ari uh and uh, this is uh my throat,

0:28:21.960 --> 0:28:27.600
<v Speaker 1>let's talking. My Throat'll be fine. Oh good, because there's

0:28:27.600 --> 0:28:30.240
<v Speaker 1>no way that we can maintain that for the entire

0:28:30.480 --> 0:28:33.760
<v Speaker 1>length of the show. What my voice eyes is so Horse,

0:28:36.400 --> 0:28:39.360
<v Speaker 1>that's better. Oh good, because nobody wants to hear that. Alright,

0:28:39.480 --> 0:28:42.200
<v Speaker 1>so let's start the first show. That was a great episode,

0:28:42.400 --> 0:28:43.960
<v Speaker 1>It was amazing. But that's when I first moved to

0:28:44.120 --> 0:28:46.240
<v Speaker 1>l A. Yeah, right about that time. Well, what was

0:28:46.320 --> 0:28:48.480
<v Speaker 1>it about l A that made you feel like it's

0:28:48.480 --> 0:28:50.280
<v Speaker 1>just gonna be your new home? I think there were

0:28:50.320 --> 0:28:54.800
<v Speaker 1>more opportunities in l A. Uh in Hollywood is here.

0:28:54.840 --> 0:28:56.760
<v Speaker 1>So you want to do anything in the world of entertainment,

0:28:57.080 --> 0:28:59.320
<v Speaker 1>this is this is where it's at. Because you feel

0:28:59.360 --> 0:29:03.040
<v Speaker 1>like in Houston, Europe, big fishing, a little tiny, you know,

0:29:03.720 --> 0:29:07.280
<v Speaker 1>Houston bond um. In Houston, I felt like I was,

0:29:07.680 --> 0:29:09.960
<v Speaker 1>you know, I was still surrounded by my childhood friends.

0:29:10.280 --> 0:29:13.400
<v Speaker 1>Maybe I needed to branch out and meet new people.

0:29:13.600 --> 0:29:15.320
<v Speaker 1>They just didn't believe in you. They didn't believe me.

0:29:15.440 --> 0:29:16.960
<v Speaker 1>It hurt. I think we have that in the archives.

0:29:18.680 --> 0:29:25.600
<v Speaker 1>You fucking suck alone. I wanna be big, yeah big?

0:29:25.680 --> 0:29:30.880
<v Speaker 1>Like what that dude? God, I hate you. Get out

0:29:30.880 --> 0:29:35.560
<v Speaker 1>of your Jojo, You'll never leave this Houston pie. And

0:29:35.640 --> 0:29:39.600
<v Speaker 1>then we cut to the high school reunion. Oh hey, Jojo, good,

0:29:39.680 --> 0:29:42.280
<v Speaker 1>good to see you again. Uh, I haven't han't seen

0:29:42.320 --> 0:29:44.120
<v Speaker 1>you in a while. I mean, what do we do?

0:29:44.160 --> 0:29:46.800
<v Speaker 1>You want to meet my five kids? Um? No, I would.

0:29:46.960 --> 0:29:48.880
<v Speaker 1>I'm sure they're fine, but I don't want to meet

0:29:48.880 --> 0:29:50.840
<v Speaker 1>you want to meet my seven kids? I don't. He's

0:29:50.840 --> 0:29:54.120
<v Speaker 1>got seven? I got a from four different wives. Are

0:29:54.160 --> 0:29:57.280
<v Speaker 1>all four wives here tonight? Um? They're all in prison,

0:29:57.320 --> 0:29:59.000
<v Speaker 1>every single one of them? What do you do? What

0:29:59.280 --> 0:30:01.080
<v Speaker 1>are you doing now? Of them? Are you know? Parents

0:30:01.640 --> 0:30:05.640
<v Speaker 1>gave birth to the stuff? The stutter never went away?

0:30:05.760 --> 0:30:08.800
<v Speaker 1>What do you what are you doing now? Man? I

0:30:08.880 --> 0:30:13.320
<v Speaker 1>do a radio show in Los Angeles? Wait, you're Jojo? No, no,

0:30:13.640 --> 0:30:17.120
<v Speaker 1>wait a minute, you're Jojo wait on the radio from

0:30:17.200 --> 0:30:18.920
<v Speaker 1>kissing him? I know, I know, it's a yeah, it's

0:30:18.920 --> 0:30:21.160
<v Speaker 1>pretty crazy to think it is me? It's me? What

0:30:21.280 --> 0:30:23.800
<v Speaker 1>did we do with our lives? Dude? Literally nothing? Are

0:30:23.840 --> 0:30:26.560
<v Speaker 1>you in the same Jojo? That hosty? I heard radio countdown?

0:30:26.760 --> 0:30:29.880
<v Speaker 1>That that is that is me? Yes? I love that

0:30:30.120 --> 0:30:32.360
<v Speaker 1>you listen a lot? Yeah, I love it. I love

0:30:32.440 --> 0:30:34.960
<v Speaker 1>the way I love I love the way you you pull.

0:30:35.560 --> 0:30:37.600
<v Speaker 1>You pull a lot out of all the guests and

0:30:38.200 --> 0:30:40.800
<v Speaker 1>the guy who who says the numbers and the song titles,

0:30:42.040 --> 0:30:43.960
<v Speaker 1>and I guess what you were like in high school? Sure?

0:30:44.200 --> 0:30:46.520
<v Speaker 1>Are you like a heavy metal dude. I would have

0:30:46.680 --> 0:30:50.480
<v Speaker 1>take you for like a skater artist type. Know. I

0:30:50.640 --> 0:30:53.800
<v Speaker 1>was pretty pretty shy as a kid, very shy. And

0:30:53.960 --> 0:30:56.280
<v Speaker 1>then uh, it hit me that I wanted to try

0:30:56.600 --> 0:30:58.440
<v Speaker 1>something in the entertainment world, maybe just so I can

0:30:58.440 --> 0:31:01.080
<v Speaker 1>break down on my shell. And radio became the thing.

0:31:01.360 --> 0:31:03.440
<v Speaker 1>My dad got me a job at a small, little

0:31:03.440 --> 0:31:06.320
<v Speaker 1>bity small radio station and a M radio station. What

0:31:06.520 --> 0:31:08.880
<v Speaker 1>was it called k b U k K buck. That

0:31:09.040 --> 0:31:11.280
<v Speaker 1>was the first place that I had a job. Wait

0:31:11.320 --> 0:31:13.160
<v Speaker 1>a minute, I think I remember you know. Let's play

0:31:13.160 --> 0:31:16.720
<v Speaker 1>the art, guys I have. My name is Darry. What's

0:31:16.720 --> 0:31:21.040
<v Speaker 1>your name? This is my son, my son Jojo. Are

0:31:21.080 --> 0:31:23.240
<v Speaker 1>you doing today's first day? I want you to show

0:31:23.320 --> 0:31:26.040
<v Speaker 1>him around the studio. I could be on the radio today. Yes,

0:31:26.240 --> 0:31:27.920
<v Speaker 1>you get to be on the radio. I promised you.

0:31:28.080 --> 0:31:30.040
<v Speaker 1>I promised you got you would get to be on

0:31:30.080 --> 0:31:31.360
<v Speaker 1>the radio, and then I would take you out for

0:31:31.400 --> 0:31:33.720
<v Speaker 1>ice cream after your air shift a r K k K.

0:31:36.080 --> 0:31:39.000
<v Speaker 1>Let me just talk to Jojo. Okay, by, guys, I

0:31:39.040 --> 0:31:43.080
<v Speaker 1>did'd see you later. Just stay close by, Jojo. Let

0:31:43.120 --> 0:31:47.120
<v Speaker 1>me tell you something. Yeah, no, funk with me. This

0:31:47.320 --> 0:31:49.480
<v Speaker 1>is my realm. If each had to take my spot.

0:31:49.880 --> 0:31:52.960
<v Speaker 1>I'll fucking kick your ass all right now, you guys

0:31:53.040 --> 0:31:57.640
<v Speaker 1>got reacquainted. Isn't always such a nice guy? It's carefully

0:31:58.560 --> 0:32:01.680
<v Speaker 1>he's great, right what what? Why? Crying? Son? Bug? Bit me?

0:32:01.960 --> 0:32:04.040
<v Speaker 1>Ari will will make you feel better because he's a

0:32:04.080 --> 0:32:06.120
<v Speaker 1>real nice guy. I'm gonna step away from it a second.

0:32:06.840 --> 0:32:10.200
<v Speaker 1>Funk with me, don't with my radio. I just want

0:32:10.240 --> 0:32:12.960
<v Speaker 1>to be on the radio. Are you telling me? All right? Guys?

0:32:13.120 --> 0:32:17.040
<v Speaker 1>Mac hey, hey, why you Your face is even redder

0:32:17.120 --> 0:32:19.920
<v Speaker 1>than before, and you're crying even more profusely than you

0:32:20.040 --> 0:32:24.720
<v Speaker 1>were when I'm back. I'm sorry. Yeah, I want to

0:32:25.040 --> 0:32:28.640
<v Speaker 1>thank you for comforting him and his time and need

0:32:28.840 --> 0:32:33.560
<v Speaker 1>right now. Thank you, just preemptively. Okay, you know what

0:32:34.560 --> 0:32:37.560
<v Speaker 1>I think, y'all are gonna be best friends for life.

0:32:37.760 --> 0:32:40.800
<v Speaker 1>And I can't wait until thirty years from an hours

0:32:40.880 --> 0:32:44.600
<v Speaker 1>so when he's a guest on your show, all right,

0:32:45.880 --> 0:32:49.200
<v Speaker 1>by forever. I didn't realize it. I was. I was

0:32:49.240 --> 0:32:51.040
<v Speaker 1>that mean to you. I'm so sorry that was It

0:32:51.120 --> 0:32:53.880
<v Speaker 1>was uncalled for the whole you know I was. I

0:32:53.960 --> 0:32:57.440
<v Speaker 1>was very aggressive in my early days in radio. You

0:32:57.520 --> 0:32:59.760
<v Speaker 1>have a podcast, yes, you tell us about it. I

0:32:59.840 --> 0:33:05.600
<v Speaker 1>have podcast called paranormal Ish. Which is you know about ghost, UFOs,

0:33:05.880 --> 0:33:08.680
<v Speaker 1>anything under that umbrella of paranormal. If you've had a

0:33:08.720 --> 0:33:11.320
<v Speaker 1>paranormal experience, I'd love to hear it you personally have

0:33:11.400 --> 0:33:16.000
<v Speaker 1>any experience with paranormal. I have had doors slam on

0:33:16.120 --> 0:33:19.200
<v Speaker 1>me with no other explanation other than something being paranormal.

0:33:19.320 --> 0:33:22.360
<v Speaker 1>Did they have been spring hinged? I forgot to check

0:33:22.400 --> 0:33:24.160
<v Speaker 1>for the spring. I guess it's possible, but I don't

0:33:24.160 --> 0:33:26.480
<v Speaker 1>think it was. Do you have guests on your show

0:33:26.640 --> 0:33:28.320
<v Speaker 1>How to Do It? Can? Well? Tell me the format?

0:33:29.080 --> 0:33:32.200
<v Speaker 1>On the podcast, I'll have guests who have had paranormal encounters,

0:33:32.560 --> 0:33:34.680
<v Speaker 1>and then they'll tell me their story, and sometimes I'll

0:33:34.720 --> 0:33:37.640
<v Speaker 1>do research on a particular location where they had this

0:33:37.760 --> 0:33:40.400
<v Speaker 1>incident happened. Sometimes we just take their story. Sometimes I

0:33:40.480 --> 0:33:43.960
<v Speaker 1>have the UFO investigators jump on and talk about, you know, working,

0:33:44.400 --> 0:33:47.920
<v Speaker 1>you know, researching people's claims of experiencing a UFO or

0:33:47.920 --> 0:33:49.920
<v Speaker 1>an abduction or a lot of a lot of crazy things.

0:33:50.000 --> 0:33:51.520
<v Speaker 1>Sometimes you believe them, sometimes you don't. You want to

0:33:51.520 --> 0:33:55.880
<v Speaker 1>hear a paranormal story. Yeah, this girl, she lived in Northridge.

0:33:55.960 --> 0:33:57.600
<v Speaker 1>This was she was when she told me the story.

0:33:57.640 --> 0:33:59.960
<v Speaker 1>She's probably mid twenties. But this happened when they were younger.

0:34:00.120 --> 0:34:03.479
<v Speaker 1>Three sisters seven, eight, nine ish years old, and they

0:34:03.520 --> 0:34:06.280
<v Speaker 1>live with mom and dad and grandmother in Northridge. Grandmother

0:34:06.760 --> 0:34:10.040
<v Speaker 1>passed away um, but the family were so torn up

0:34:10.040 --> 0:34:13.520
<v Speaker 1>about it they didn't tell the daughters that grandmother had passed.

0:34:13.680 --> 0:34:15.520
<v Speaker 1>They kept this on for about a year. They didn't

0:34:15.520 --> 0:34:17.839
<v Speaker 1>know grandmother had passed for an entire year. They would

0:34:17.880 --> 0:34:20.919
<v Speaker 1>use excuses like she's with Uncle so, and so, she's

0:34:20.960 --> 0:34:23.520
<v Speaker 1>with Aunt so and so, she's in the hospital, back

0:34:23.600 --> 0:34:25.080
<v Speaker 1>and forth, you know, because that would be things she

0:34:25.080 --> 0:34:27.680
<v Speaker 1>would typically do. So they didn't know once again that

0:34:28.080 --> 0:34:30.560
<v Speaker 1>she had passed away until a year later, well about

0:34:30.560 --> 0:34:34.160
<v Speaker 1>a week after the funeral, Mom calls upstairs and says, hey,

0:34:34.239 --> 0:34:36.440
<v Speaker 1>come down for dinner, and uh one of the daughters.

0:34:36.560 --> 0:34:38.320
<v Speaker 1>Keeping in mind they don't know for another year that

0:34:38.400 --> 0:34:40.839
<v Speaker 1>she's gone, one of the daughters says, I can't come down, Mom,

0:34:40.920 --> 0:34:46.120
<v Speaker 1>I'm braiding grandmother's hair. She had a ladies, a lady

0:34:46.239 --> 0:34:48.640
<v Speaker 1>her grandmother in the room. She was braiding her hair.

0:34:48.920 --> 0:34:51.160
<v Speaker 1>She thought it was her, and she of course just disappeared.

0:34:51.280 --> 0:34:53.719
<v Speaker 1>Mom came up running and she told Mom, you made

0:34:53.760 --> 0:34:55.799
<v Speaker 1>you made Grandma leave. They never spoke about it until

0:34:55.880 --> 0:34:59.879
<v Speaker 1>years later. Crazy story. Right, I didn't like that story

0:35:00.000 --> 0:35:03.279
<v Speaker 1>at all. Well, where can we hear that show? By

0:35:03.320 --> 0:35:06.399
<v Speaker 1>the way, you can hear that show on the radio

0:35:06.440 --> 0:35:10.719
<v Speaker 1>app Spotify, Apple podcast most podcast platform, jo Right, thank

0:35:10.800 --> 0:35:13.279
<v Speaker 1>you again for being a guest on the show. For

0:35:13.360 --> 0:35:17.120
<v Speaker 1>our host are special guest contributors Brian Husky, Kashankar, and

0:35:17.280 --> 0:35:21.120
<v Speaker 1>Jojoe Right. I'm producer Andy and this was This is

0:35:21.200 --> 0:35:24.200
<v Speaker 1>Americans Live joined us next time, won't you. This is

0:35:24.239 --> 0:35:27.200
<v Speaker 1>Americans Live can be found wherever you get your podcasts.

0:35:27.280 --> 0:35:29.839
<v Speaker 1>Be sure to subscribe, rate and review. You can also

0:35:29.920 --> 0:35:32.840
<v Speaker 1>find that This is Americans Live on Instagram at this

0:35:33.080 --> 0:35:37.000
<v Speaker 1>is Americans Live and on Twitter at Americans Live.