WEBVTT - The Off-Air Show - 'Being Set Up On A Date' - Ep.41

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<v Speaker 1>That's that's not the song. What are you talking about?

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<v Speaker 1>It's not what he's talking it's not the that's not

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<v Speaker 1>the song that he's in dancing in the barn. I know,

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<v Speaker 1>I'm trying to find me that's the song we want. No, yes,

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<v Speaker 1>we do need that song, but that's not what it is.

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<v Speaker 1>That's Bonnie Tyler. Bonnie Tyler. No, it's not Bonnie's holding

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<v Speaker 1>up for an era. No, that's not pulling out for

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<v Speaker 1>Bonnie Tyler. No right here, no, this one. Yeah, Rand

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<v Speaker 1>is like you know, he's an outcast, so angry. I

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<v Speaker 1>just pulled that up. I just want a story, and

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<v Speaker 1>then I wanted to use some running music. I want

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<v Speaker 1>to just start the podcast. Okay, you to tell us

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<v Speaker 1>on the podcast the whole day is already complete. Ship

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<v Speaker 1>as it is. Okay, I could see it's going to

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<v Speaker 1>feel a fun one. Elvis Drand presents off air shows

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<v Speaker 1>Steery Jones and Great Tea. Yeah it's episode number forty one.

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<v Speaker 1>Yes it is. I'm glad you remember that without the outline,

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<v Speaker 1>we somehow bypassed our midlife crisis show and didn't even

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<v Speaker 1>mention it. Yeah, well, we were busy with the billionaire

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<v Speaker 1>musician guy we got you're talking to imperson I was

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<v Speaker 1>impersonator yesterday on our show, the off Air Show, we

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<v Speaker 1>had um sir Ian sir Ivan in his castle. If

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<v Speaker 1>you didn't hear that podcast, go check out after this one.

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<v Speaker 1>It's a it's a pretty motivational stuff. And I think

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<v Speaker 1>I need to say for the record that I thought

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<v Speaker 1>he was very cool. I don't think I ever gave

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<v Speaker 1>off an depression that I didn't like him or wasn't

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<v Speaker 1>into him or at all was no, no, no no.

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<v Speaker 1>A couple of listeners wrote in at the off air

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<v Speaker 1>show on Twitter that bald Freak was making fun of him,

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<v Speaker 1>calling him a stoner and did he not come on?

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<v Speaker 1>I saw this first of all. That is that is

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<v Speaker 1>me paying paying homage to you, my friend. That is

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<v Speaker 1>not me making fun of you. I thought he was

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<v Speaker 1>very cool, I really did, and he is come on,

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<v Speaker 1>come on. And then I received a tweet which I

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<v Speaker 1>blocked because and you know who you are and I

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<v Speaker 1>really care. And now they're listening, you know what he

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<v Speaker 1>is from Gregg t to you. You are blocked, and

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<v Speaker 1>I don't give a ship. You're blocked. What happened to

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<v Speaker 1>somebody like dropped me some stupid tweet about like that

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<v Speaker 1>that like I was cutting him off when he was

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<v Speaker 1>speaking or something which I didn't even happen anyway, or

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<v Speaker 1>whatever it was. It was such such nonsense that I

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<v Speaker 1>don't even remember your tweets. You're listening right now, but

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<v Speaker 1>I don't care. You can't let that get on the podcast.

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<v Speaker 1>On the podcast, so I don't remember that. It was

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<v Speaker 1>some unconstructive criticism. We love it all be all on

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<v Speaker 1>this podcast because there are people in the world that

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<v Speaker 1>think that they can tell you their thoughts and that

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<v Speaker 1>they're just being like constructive. You know, they're gonna be

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<v Speaker 1>constructive criticism and you're supposed to take it. These are

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<v Speaker 1>people that have no clue about podcasts or radio or

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<v Speaker 1>starting off. I don't want to start off like that.

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<v Speaker 1>You have to. What they don't know behind the scenes

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<v Speaker 1>is how much work and effort and and what we

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<v Speaker 1>put in to make the off air show happen. But

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<v Speaker 1>some of these people also have to have Twitter names,

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<v Speaker 1>and then they go under this assumed name, a fake name,

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<v Speaker 1>and then they tweet us and think that we don't

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<v Speaker 1>know who they are, when clearly we know they are,

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<v Speaker 1>and they're trying to take it down hold on a second,

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<v Speaker 1>hold on you saying that people are negative tweeting one

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<v Speaker 1>handle and then on the other handle they are who

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<v Speaker 1>they are, regular person person because when you look them up,

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<v Speaker 1>they only have like three tweets and like they've never

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<v Speaker 1>even tweeted ever, or three followers or whatever. You are

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<v Speaker 1>saying that there's a person on Twitter who's not who

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<v Speaker 1>he claims or she claims to be, that is criticizing you,

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<v Speaker 1>correct under an assumed name. Correct, but it's actually a

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<v Speaker 1>person correct that you know you are correct, freaking you are.

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<v Speaker 1>That's exactly what happened. So, so what happened was I

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<v Speaker 1>received a tweet at a at a very late hour

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<v Speaker 1>when when I know that this person is still like

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<v Speaker 1>up for whatever strange, and then this person tweeted me

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<v Speaker 1>under a different name, and then I wanted to go

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<v Speaker 1>look it up, and they had like, you know, like

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<v Speaker 1>they've never even tweeted before, they're only following three people,

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<v Speaker 1>And I'm like, Okay, I know who you are. It

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<v Speaker 1>couldn't be possible that it's a real person who only

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<v Speaker 1>has three followers. No, it's a person that really just

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<v Speaker 1>wants to tear us down because they're freaking jealous. That's okay.

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<v Speaker 1>Then all of a sudden, then they dropped us an

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<v Speaker 1>email and when I went to go look up their

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<v Speaker 1>email name, their email name was John. It sounds pretty

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<v Speaker 1>fishy to me, John John, because what kind of name

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<v Speaker 1>is a peculiar name? John? Just John? That's very odd.

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<v Speaker 1>Let me let me go this this bird, John, actually

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<v Speaker 1>look stuff. I know that. I Rule number one is

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<v Speaker 1>we are sitting in the studio. Rule number two, we

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<v Speaker 1>have the microphones. Rulnumber three. This is our creativity. Rule

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<v Speaker 1>number four. You're never gonna be liked by everybody. And

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<v Speaker 1>you can't let this crap oother you because those that

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<v Speaker 1>tweet and text us about criticism. I'm really have no idea.

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<v Speaker 1>What's really going on on the scene. Is this twitter

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<v Speaker 1>at John? No, it doesn't matter. What a free day, man,

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<v Speaker 1>what a day? What are you? What are you getting at?

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<v Speaker 1>What am I getting at? Is that that led me

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<v Speaker 1>into today? Okay? So this is just the start of

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<v Speaker 1>a bad series of events that you're gonna recount for

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<v Speaker 1>us right now. It is. It's a domino keep going.

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<v Speaker 1>I like, I'm liking this. I'm just gonna sit back.

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<v Speaker 1>I don't even want to start tale like this. But

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<v Speaker 1>we are scary have to do? Oh please that the

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<v Speaker 1>horns are driving me nuts. I just got out of

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<v Speaker 1>the city's I swear that's what it was like. The

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<v Speaker 1>guy was great. I'm having flashbacks what happened to That's

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<v Speaker 1>what it was like. I'm gonna go, go, go go

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<v Speaker 1>right now. That's what it's like outside right now. This

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<v Speaker 1>is this is that the reality of New York City. Okay,

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<v Speaker 1>that's my I'm black stag. So I have to go

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<v Speaker 1>get something at the part of Manhattan you don't want

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<v Speaker 1>to go to. You just can't move, you know. And

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<v Speaker 1>I get to the store. It hey, at the store.

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<v Speaker 1>The store does open up till eleven o'clock in the morning,

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<v Speaker 1>because in New York it's a cool thing to do

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<v Speaker 1>to open up at eleven. Don't open up in like

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<v Speaker 1>eight or nine. You know. I want to cry. I

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<v Speaker 1>don't even know what's stressing you out yet trying I'm

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<v Speaker 1>trying to. It's a hundred very New York City three

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<v Speaker 1>heat wave, you know, and it's and everything's concrete, and

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<v Speaker 1>it's like it's just like you're in an oven. They

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<v Speaker 1>call it the concrete jungle, you know. And I'm trying

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<v Speaker 1>to get back here to make the podcast. Thank you

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<v Speaker 1>appreciate that. And I'm hating New York City's so bad.

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<v Speaker 1>I'm hating it and I do not have what I need.

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<v Speaker 1>And now I'm back here and I had to make

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<v Speaker 1>some phone calls to find it. Luckily I found it

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<v Speaker 1>in a town called Freehold, New Jersey, a woman in Gloria.

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<v Speaker 1>So sometimes what you're telling me, thank you for. Some

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<v Speaker 1>people love New York for this reason. They love the grind,

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<v Speaker 1>the greediness, they love the hustle and bustle, they love

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<v Speaker 1>the traffic, they all of it because they love the people. Right,

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<v Speaker 1>That's what makes this city so great. But it's really

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<v Speaker 1>not great because to you, that's great. Make the best

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<v Speaker 1>of this city. This city will eat you up and

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<v Speaker 1>just spit you out, and they will kill on the daily.

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<v Speaker 1>It will. So yeah, okay, so yeah, yeah, you hate

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<v Speaker 1>New York today, but you got what you needed. So

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<v Speaker 1>things are looking up. I got what I needed from

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<v Speaker 1>a nice woman that's is not in Manhattan, she's in

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<v Speaker 1>New Jersey. And sorry, we have no song about New Jersey.

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<v Speaker 1>We get some bruson er bon Jovi. Come alright, let's okay.

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<v Speaker 1>So so you're trying, okay, so so with the moral

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<v Speaker 1>of your story is last night I've been anger this

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<v Speaker 1>last night and it just got it was the tweet

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<v Speaker 1>followed by this morning leaving the show and now you're

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<v Speaker 1>now you're sweating, your arm pits are all soaked. What's

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<v Speaker 1>going on? And I don't know. I don't want to

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<v Speaker 1>be like this. I really don't want to be. To

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<v Speaker 1>tell you what, I'll give you ten bucks if you

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<v Speaker 1>lick my armpit. I'm not licking your arm ball for

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<v Speaker 1>you look my art. If you look my armpit, it's

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<v Speaker 1>gonna be on my tongue like all day, you know.

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<v Speaker 1>To dedicate this song to Greg t the frap? What

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<v Speaker 1>type of is it? The spray or the or the

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<v Speaker 1>app applicating? No, I'm just curious. I think is gonna

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<v Speaker 1>do it for ten I want to tell you what

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<v Speaker 1>happened to me? Can I tell you what happened to

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<v Speaker 1>me yesterday to kind of ruined my day for a little.

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<v Speaker 1>We had a bad day. I had a good day.

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<v Speaker 1>And then I've left in the afternoon and I'm standing

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<v Speaker 1>outside the building and it's hot as balls out yesterday,

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<v Speaker 1>just like it was today. It's disgusting out there, and

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<v Speaker 1>I'm taking my fifteen minute walk back to the train,

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<v Speaker 1>and I have to get my music ready, so I

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<v Speaker 1>stand close to by the side of the building and

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<v Speaker 1>I start picking out, like what am I gonna play?

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<v Speaker 1>And I let me make a disclaimer here. I hate

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<v Speaker 1>people who are like stand in the middle of the

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<v Speaker 1>side walking in there there, up and around with their phone.

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<v Speaker 1>They're walking with their phone in their face. That's a

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<v Speaker 1>big pet peeve of mine. But I'm off to the side.

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<v Speaker 1>I understand, following the proper etiquette. I understand. And so

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<v Speaker 1>this post on a second. Here we go see one

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<v Speaker 1>everybody singing because he had a bad day. One down.

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<v Speaker 1>Tell me it's like a bad hour. It was a

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<v Speaker 1>bad hour. I need tell you what happened. I'm standing

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<v Speaker 1>there and this older woman comes up to me and

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<v Speaker 1>just unsolicited, she smacks my hand and she says something like,

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<v Speaker 1>why do you a whole are you're doing? Huh? Just

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<v Speaker 1>like just out of nowhere. Obviously she was on crack.

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<v Speaker 1>And I just stood there and was like, I had

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<v Speaker 1>that moment, you know, at that moment where it's like

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<v Speaker 1>just walk away, just walk away. So you were minding

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<v Speaker 1>you were minding your own business right in the middle

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<v Speaker 1>of sidewalk. That thing, it's like that happened a crazy person.

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<v Speaker 1>A crazy person comes up to me and smack you.

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<v Speaker 1>Don't smack my hand. We'll tell you something. You want

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<v Speaker 1>to yell at me, you don't. You don't touch me,

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<v Speaker 1>don't touch me. I agree, But I could have possibly

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<v Speaker 1>been upset about just about being crazy. I'm just the

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<v Speaker 1>crazy person walking down the street. So how does it okay?

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<v Speaker 1>So so you're not dealing with a rational person. So

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<v Speaker 1>but still, why does it affect you in anyway? Because

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<v Speaker 1>you don't like you don't touch you, don't lay your

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<v Speaker 1>hands on me. Don't you know what she was doing? Doctor? Doctor? Scary?

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<v Speaker 1>We're scary. So so I chased her down that you

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<v Speaker 1>went after her. I went after you. Like jazz music.

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<v Speaker 1>A lot of times when you go to see a psychologist,

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<v Speaker 1>have jazz music. Crazy, So I go after her. And

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<v Speaker 1>I'm like, now, I'm like standing next to her, she's

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<v Speaker 1>on the left, and we're walking down the street together

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<v Speaker 1>and just look at her and I'm waiting for her

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<v Speaker 1>to make eye contact me. I don't say anything, and

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<v Speaker 1>she looks at me, and I could tell like she

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<v Speaker 1>she recognized me. For you're the guys in whose hand?

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<v Speaker 1>I just slapped your hand? And I said, you better

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<v Speaker 1>be careful like whose hand you slap? Right, You don't,

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<v Speaker 1>You never know whose hand you're gonna slap, I said,

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<v Speaker 1>And then she continue to curse at me, and I

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<v Speaker 1>just walked across the street. Okay, but you don't know.

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<v Speaker 1>You don't know the motive. You don't know why she

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<v Speaker 1>was cursing it. But I'm just saying it put me

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<v Speaker 1>in a bed. You don't know why she slapped your hand.

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<v Speaker 1>But why do you guys let it get to you? Can't?

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<v Speaker 1>You guys just let it roll. It's a certain person

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<v Speaker 1>like yourself, and I think that you, scary are a

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<v Speaker 1>very special person where you can you can let things

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<v Speaker 1>roll off your shoulder. I got a long I can do.

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<v Speaker 1>I'm te flon man, I really am. You guys both

0:11:34.600 --> 0:11:36.640
<v Speaker 1>make the mountain out of a mole hill. I think

0:11:36.679 --> 0:11:40.839
<v Speaker 1>you're right. I think it's crazy. Yeah, so what somebody

0:11:40.880 --> 0:11:43.280
<v Speaker 1>tweeted some negative crap at You're right, let it go,

0:11:43.520 --> 0:11:45.679
<v Speaker 1>and they're pretending to be somebody they're not. I can't

0:11:45.880 --> 0:11:47.960
<v Speaker 1>and they're hiding behind the guys of another name. You're

0:11:48.040 --> 0:11:52.920
<v Speaker 1>right at John, John at John? All right, that's fine though.

0:11:53.120 --> 0:11:56.079
<v Speaker 1>All right, so listen, you got something you about my day,

0:11:56.240 --> 0:11:58.640
<v Speaker 1>and I feel like I've stolens got something for us.

0:11:58.960 --> 0:12:03.480
<v Speaker 1>Oh boy, tell us somebody they're scary. Well, yesterday I

0:12:04.200 --> 0:12:08.280
<v Speaker 1>went into the bodega to buy me some nuts. I

0:12:08.320 --> 0:12:12.400
<v Speaker 1>wanted those raw raw almonds. And you have no allergies,

0:12:12.400 --> 0:12:15.439
<v Speaker 1>good for you nuts, unlike you needs an epipet wherever

0:12:15.520 --> 0:12:17.920
<v Speaker 1>he goes, right. And I walked into the store and

0:12:17.960 --> 0:12:20.640
<v Speaker 1>it was raw almonds and it was a big, giant

0:12:20.720 --> 0:12:27.320
<v Speaker 1>box and the price said, I mean, they're expensive again,

0:12:27.360 --> 0:12:31.000
<v Speaker 1>another reason why New York City sucks. So I went

0:12:31.040 --> 0:12:34.240
<v Speaker 1>to go check the box, the big, the clear, the

0:12:34.360 --> 0:12:39.360
<v Speaker 1>clear plastic box for freshness, and I'm like, add this one.

0:12:39.559 --> 0:12:41.839
<v Speaker 1>Expiration dates coming up sooner than this one. So I

0:12:41.920 --> 0:12:43.440
<v Speaker 1>wanted the one. I wanted the one that was the

0:12:43.440 --> 0:12:46.679
<v Speaker 1>most in the future, and I just grabbed the next

0:12:46.720 --> 0:12:49.080
<v Speaker 1>one and I went and I want to go pay

0:12:49.120 --> 0:12:51.920
<v Speaker 1>for it. And then I got to the radio station

0:12:52.480 --> 0:12:58.959
<v Speaker 1>with my nuts nuts, and I realized that they had

0:12:59.000 --> 0:13:04.280
<v Speaker 1>mislabeled container nuts. It Actually this price they charged me

0:13:04.400 --> 0:13:06.880
<v Speaker 1>was eight fifty nine, not ten fifty nine. Because the

0:13:06.960 --> 0:13:11.880
<v Speaker 1>label says cash you cash, and they're cheaper. Cashes are

0:13:11.880 --> 0:13:15.280
<v Speaker 1>two dollars cheaper than almonds nuts, but they wore almonds

0:13:15.280 --> 0:13:17.560
<v Speaker 1>in the box, so they just put the wrong labe.

0:13:17.559 --> 0:13:19.959
<v Speaker 1>They slapped the wrong label on and so I kind

0:13:20.000 --> 0:13:23.280
<v Speaker 1>of feel like I short changed the bodega by two

0:13:23.360 --> 0:13:26.079
<v Speaker 1>dollars because I really got my almonds which were really

0:13:26.080 --> 0:13:29.600
<v Speaker 1>supposed to be ten fifty nine and these cost eight fifty.

0:13:30.000 --> 0:13:31.760
<v Speaker 1>You know, cashes cost eight fifty nine, so I paid

0:13:31.760 --> 0:13:33.959
<v Speaker 1>the fifty nine for the but they're from How do

0:13:34.040 --> 0:13:46.720
<v Speaker 1>we turn to stay around guys? Cheap? N? I'm faced

0:13:46.720 --> 0:13:49.280
<v Speaker 1>with I'm faced with with a question, why do you

0:13:49.320 --> 0:13:51.319
<v Speaker 1>want to eat the ship? N? No, No, it's not

0:13:51.440 --> 0:13:52.920
<v Speaker 1>got nothing to do with that. Are you guys even

0:13:52.960 --> 0:13:55.720
<v Speaker 1>listening to me? We are? We feel bad for you?

0:13:56.080 --> 0:13:59.120
<v Speaker 1>What is it a store? Cheap? Knots? No, you dick

0:13:59.720 --> 0:14:07.719
<v Speaker 1>I And now you feel like it feels like so

0:14:07.760 --> 0:14:09.839
<v Speaker 1>I feel like I short changed it by two dollars.

0:14:09.880 --> 0:14:11.720
<v Speaker 1>So my question is do I owe that? Do I

0:14:11.840 --> 0:14:13.840
<v Speaker 1>owe it to them to go back into the store

0:14:14.520 --> 0:14:17.280
<v Speaker 1>and buy and give them two dollars because like short

0:14:17.360 --> 0:14:25.040
<v Speaker 1>change the cheap now rather than think about it? Can

0:14:25.040 --> 0:14:26.560
<v Speaker 1>you give me your feedback? But I hope you don't

0:14:26.600 --> 0:14:32.040
<v Speaker 1>fall down, because then you'll be a klutz. And well,

0:14:32.120 --> 0:14:33.880
<v Speaker 1>do I owe them money? Or is it? I mean

0:14:33.920 --> 0:14:36.240
<v Speaker 1>they screwed up, they put the wrong Come on, it

0:14:36.280 --> 0:14:38.440
<v Speaker 1>doesn't at all come out in the wash. That's the

0:14:38.480 --> 0:14:40.280
<v Speaker 1>way I look at it. I find a penny, Give

0:14:40.320 --> 0:14:42.560
<v Speaker 1>a penny, Take a penny, penny, take a pen the right,

0:14:42.680 --> 0:14:45.920
<v Speaker 1>Take a penny somewhere and somewhere down the line, the

0:14:46.000 --> 0:14:49.080
<v Speaker 1>universe is gonna come back and recharge you two dollars

0:14:49.120 --> 0:14:51.920
<v Speaker 1>for something else, and it's gonna be I'm scary Jones.

0:14:52.320 --> 0:14:54.840
<v Speaker 1>I get paid seventeen thousand dollars for an appearance. What's

0:14:54.880 --> 0:14:58.960
<v Speaker 1>the two dollars? Take a penny, so I save them alone.

0:14:59.000 --> 0:15:00.920
<v Speaker 1>You want me to leave the late who smacked my

0:15:01.000 --> 0:15:03.800
<v Speaker 1>hand like an ass, and then you leave the two

0:15:03.800 --> 0:15:05.720
<v Speaker 1>dollar nuts alone? All right? You want me to forget

0:15:05.760 --> 0:15:07.960
<v Speaker 1>about the bad tweet that I received in the bead email.

0:15:08.360 --> 0:15:10.320
<v Speaker 1>You have a penny, take up, just forget this whole

0:15:10.320 --> 0:15:14.760
<v Speaker 1>podcast ever happened. Just walk out, penny awesome? Alright, great, alright,

0:15:14.760 --> 0:15:18.000
<v Speaker 1>so we're all done. You got Penny Lane, Penny Lane. No,

0:15:18.400 --> 0:15:24.560
<v Speaker 1>we're not going into that. When coming up, Penny Lover

0:15:25.680 --> 0:15:29.040
<v Speaker 1>Lover is a great song. What are some of those songs?

0:15:29.040 --> 0:15:31.520
<v Speaker 1>A penny? I wanted to hear the whole foot Loose song.

0:15:31.560 --> 0:15:33.600
<v Speaker 1>What happened? We just got to play it? Where's the song?

0:15:33.640 --> 0:15:35.600
<v Speaker 1>Where's the song? Scared? I think that's the song that's

0:15:35.640 --> 0:15:37.320
<v Speaker 1>gonna I want to dance around the studio to the

0:15:37.360 --> 0:15:39.800
<v Speaker 1>foot lot. Might need that song. I'm saying that will

0:15:39.840 --> 0:15:41.840
<v Speaker 1>get me out of the rut that I am in

0:15:42.320 --> 0:15:44.760
<v Speaker 1>by being slapped by a crazy person on the street.

0:15:44.840 --> 0:15:47.120
<v Speaker 1>Can we explain why were we even searching that song?

0:15:47.240 --> 0:15:48.920
<v Speaker 1>Because I wanted to describe to you what it was

0:15:48.960 --> 0:15:50.080
<v Speaker 1>like when I got out of the cab in the

0:15:50.080 --> 0:15:54.160
<v Speaker 1>middle of traffic and I ran four blocks to try

0:15:54.160 --> 0:15:55.880
<v Speaker 1>to get here. So this was the great team running

0:15:55.960 --> 0:15:59.160
<v Speaker 1>music that we never played. Right here. I was playing

0:15:59.160 --> 0:16:02.280
<v Speaker 1>New York, New York and go, okay, ready give me

0:16:02.320 --> 0:16:06.920
<v Speaker 1>the horns, giving hockey the horns. There. I am sitting

0:16:06.920 --> 0:16:10.000
<v Speaker 1>in the back of the taxi and I'm looking everyone

0:16:10.080 --> 0:16:12.080
<v Speaker 1>trying to get out, and I tell the taxi driver

0:16:12.400 --> 0:16:13.600
<v Speaker 1>I need to get out now. I need to get

0:16:13.600 --> 0:16:15.440
<v Speaker 1>out now, but the tax driver just want to let

0:16:15.440 --> 0:16:19.680
<v Speaker 1>me out with the exactly when I said, I said,

0:16:19.680 --> 0:16:20.840
<v Speaker 1>so I have to get out. I have to get

0:16:20.920 --> 0:16:24.720
<v Speaker 1>back to work. Get out of my Cox shrink and

0:16:24.720 --> 0:16:29.520
<v Speaker 1>I'm like, we're not going anywhere. So finally he says, fine, fine,

0:16:29.880 --> 0:16:32.560
<v Speaker 1>hard get out of my dog. Try I take my money.

0:16:32.640 --> 0:16:35.120
<v Speaker 1>I throw it through the middle of the taxi waydow

0:16:35.280 --> 0:16:38.080
<v Speaker 1>money out here. I get it out of the taxicab.

0:16:38.440 --> 0:16:40.520
<v Speaker 1>When we're going, I start to get up, and I'm

0:16:40.560 --> 0:16:44.200
<v Speaker 1>got you you cars, I'm got you back. There's a

0:16:44.280 --> 0:16:54.440
<v Speaker 1>carry car and I'm starting from one round. I start

0:16:54.520 --> 0:16:58.040
<v Speaker 1>on the hood, getting had to like escalated over the top.

0:16:59.320 --> 0:17:06.360
<v Speaker 1>I'm not telling off to the street and already says

0:17:06.440 --> 0:17:11.520
<v Speaker 1>I said time. I got to go. You're so great.

0:17:12.040 --> 0:17:17.480
<v Speaker 1>Thank kids. Somewhere as I'm running, as I finally see

0:17:17.520 --> 0:17:19.280
<v Speaker 1>our building a distance, I can make it. I can

0:17:19.280 --> 0:17:28.280
<v Speaker 1>make you find I slide right past the car. I

0:17:28.359 --> 0:17:30.879
<v Speaker 1>get back up. After I dropped my phone, which by

0:17:30.920 --> 0:17:34.399
<v Speaker 1>the way, my screen cracked. I picked it back up

0:17:34.720 --> 0:17:39.840
<v Speaker 1>and I continue my run. Go too late. Come on,

0:17:40.000 --> 0:17:45.640
<v Speaker 1>the song is over. I'm always there. Can't start all over.

0:17:46.359 --> 0:17:48.720
<v Speaker 1>We don't have the technology. Instead, you went to see

0:17:48.760 --> 0:17:53.479
<v Speaker 1>Fantoms the opera on Broadway. Yeah, so come on give

0:17:53.520 --> 0:17:58.359
<v Speaker 1>it we had finish. I'm almost there. No, we you

0:17:58.440 --> 0:18:02.760
<v Speaker 1>we you feel you said he left you f in time.

0:18:03.800 --> 0:18:05.959
<v Speaker 1>He left you right in the middle of your premature.

0:18:06.359 --> 0:18:12.360
<v Speaker 1>Stay tuned next week the part continuation will Gregg t Survive?

0:18:13.359 --> 0:18:15.480
<v Speaker 1>So yesterday, a couple of days ago on the show,

0:18:15.560 --> 0:18:18.760
<v Speaker 1>we had a question for the ball frequent questions on

0:18:18.760 --> 0:18:21.159
<v Speaker 1>that we needed a female persponsive. Question, we need a

0:18:21.200 --> 0:18:24.720
<v Speaker 1>female perspective? And uh, what were those questions? Gregg? But

0:18:24.760 --> 0:18:28.159
<v Speaker 1>why don't we take us all um time take a

0:18:28.200 --> 0:18:30.000
<v Speaker 1>speed doo doo doo doo doo doo doo. You can

0:18:30.160 --> 0:18:35.440
<v Speaker 1>take me back in time. Bob was, yeah, I was

0:18:35.480 --> 0:18:37.400
<v Speaker 1>trying to get took it back out for my story

0:18:37.440 --> 0:18:40.200
<v Speaker 1>when I was running, give me my back in time.

0:18:40.240 --> 0:18:48.600
<v Speaker 1>He's like, and then there we were back in time.

0:18:49.040 --> 0:18:51.439
<v Speaker 1>When I said, what did you say the other day?

0:18:51.480 --> 0:18:53.000
<v Speaker 1>On the other you said we need a female's opinion,

0:18:53.000 --> 0:18:55.359
<v Speaker 1>I said, you can't go out with Lauren because Laurence

0:18:55.359 --> 0:18:57.440
<v Speaker 1>I found out as twenty seven years old and you're

0:18:57.440 --> 0:18:59.680
<v Speaker 1>a lot older than her. You're forty. So we fourd

0:18:59.720 --> 0:19:01.600
<v Speaker 1>into seven doesn't match. You guys are not in the

0:19:01.680 --> 0:19:05.000
<v Speaker 1>same page. But that's besides the point. All right, what's

0:19:05.040 --> 0:19:06.800
<v Speaker 1>your what's your point? The point is is that you

0:19:06.920 --> 0:19:09.600
<v Speaker 1>two are not You're not on the same page. You

0:19:09.640 --> 0:19:11.680
<v Speaker 1>guys are both doing different things in your lives. This

0:19:11.840 --> 0:19:14.360
<v Speaker 1>relationship will not work. I need to set up ship.

0:19:14.520 --> 0:19:16.359
<v Speaker 1>I want to set morn up with somebody that's in

0:19:16.400 --> 0:19:18.760
<v Speaker 1>her own age, like Chris manzel. I didn't want to

0:19:18.800 --> 0:19:20.679
<v Speaker 1>go out with this girl. Number one and number two

0:19:20.880 --> 0:19:23.840
<v Speaker 1>is what relationship Scary. I like them because it shops

0:19:23.920 --> 0:19:25.680
<v Speaker 1>up Lulu Lemon. But you were talking about going to

0:19:25.720 --> 0:19:28.320
<v Speaker 1>most tavern on The Simpsons. I just wanted I just

0:19:28.400 --> 0:19:31.560
<v Speaker 1>wanted to do that. I don't like a relationship. Does

0:19:31.640 --> 0:19:33.320
<v Speaker 1>this have to do with anything? We needed a female's

0:19:33.320 --> 0:19:36.280
<v Speaker 1>opinion and then and then we wanted to know because

0:19:36.280 --> 0:19:38.879
<v Speaker 1>I wanted to set mourn up with Chris Manzeo, and

0:19:39.119 --> 0:19:41.760
<v Speaker 1>you Scary said to me, that's awkward. People don't set

0:19:41.800 --> 0:19:44.280
<v Speaker 1>each other up anymore. Now. You go online and you

0:19:44.400 --> 0:19:46.760
<v Speaker 1>find somebody on an internet site, Yeah you go, Yeah,

0:19:46.880 --> 0:19:50.399
<v Speaker 1>you use dating sites. You use like what what you use?

0:19:50.440 --> 0:19:53.280
<v Speaker 1>Bumble tender, things like that, And I think that that's ridiculous.

0:19:53.359 --> 0:19:55.159
<v Speaker 1>What's the difference. And that's where we need share to

0:19:55.240 --> 0:19:58.920
<v Speaker 1>come in exactly, Share are you with us? Share? I'm

0:19:59.000 --> 0:20:03.120
<v Speaker 1>here guys. Yeah, share what share? You know? Okay? Share?

0:20:03.240 --> 0:20:05.720
<v Speaker 1>First of all? Come no, no, no, Hold on a second.

0:20:06.240 --> 0:20:08.960
<v Speaker 1>Give the last time I played share for share and

0:20:09.160 --> 0:20:13.240
<v Speaker 1>she was like, what that's so corny, it's a little cliche.

0:20:13.400 --> 0:20:15.000
<v Speaker 1>We have to come up with a new one. Okay,

0:20:15.119 --> 0:20:17.720
<v Speaker 1>we'll do that for next time. What do you want

0:20:17.720 --> 0:20:21.400
<v Speaker 1>to riot? Yeah, you're quite riot. Why are we stuck

0:20:21.440 --> 0:20:26.320
<v Speaker 1>in the eighties? People? Share? I try and do stuff

0:20:26.359 --> 0:20:28.240
<v Speaker 1>that's current, and these two one of them is in

0:20:28.280 --> 0:20:30.159
<v Speaker 1>the sixties and the other ones in the seventies and

0:20:30.200 --> 0:20:38.080
<v Speaker 1>then nineties, two thousand. Up with a proper intro for

0:20:38.160 --> 0:20:41.800
<v Speaker 1>you next time, appreciate Why don't you reintroduce share? Scary?

0:20:41.880 --> 0:20:44.920
<v Speaker 1>Tell everybody, I mean, we gotta put first of all,

0:20:45.000 --> 0:20:46.760
<v Speaker 1>the next time you make an appearance, the first time

0:20:46.760 --> 0:20:48.399
<v Speaker 1>you make an appearance in our studio, we're gonna take

0:20:48.400 --> 0:20:49.760
<v Speaker 1>a picture with you. We're gonna throw it up on

0:20:50.119 --> 0:20:52.760
<v Speaker 1>the Graham. You know, we're still back in time. We

0:20:52.840 --> 0:20:55.960
<v Speaker 1>come back. Yeah, we're back. We're back from back into it.

0:20:56.440 --> 0:20:58.200
<v Speaker 1>Hold on a second, we're still stuck in the time.

0:20:59.160 --> 0:21:02.800
<v Speaker 1>Do do that's the sound effects? Okay, now we're officially back.

0:21:03.080 --> 0:21:05.800
<v Speaker 1>We were recounting a story and we have these sound

0:21:05.800 --> 0:21:08.359
<v Speaker 1>effects made by I felt like we were back on

0:21:08.440 --> 0:21:11.560
<v Speaker 1>the skype from when she was away. Yeah exactly. Let's

0:21:11.600 --> 0:21:13.040
<v Speaker 1>we don't want to go back in time to that. No,

0:21:13.200 --> 0:21:15.160
<v Speaker 1>that's a that was a really bad moment in history.

0:21:15.800 --> 0:21:18.080
<v Speaker 1>What I don't understand now that I'm back here, how

0:21:18.160 --> 0:21:21.879
<v Speaker 1>come you're not here? I'm gonna make my grand appearance

0:21:22.040 --> 0:21:28.200
<v Speaker 1>next week? What you make your appearance this week ago? Yeah? Alright?

0:21:28.359 --> 0:21:31.040
<v Speaker 1>So Share is a sort of one of those triple

0:21:31.160 --> 0:21:34.560
<v Speaker 1>threats in life. You know, she's a she's a p I.

0:21:34.720 --> 0:21:41.119
<v Speaker 1>He's a tenacious rebounder's she's a licensed to carry a model,

0:21:41.200 --> 0:21:44.000
<v Speaker 1>she's an actress, she does it all. She's a chameleon.

0:21:45.800 --> 0:21:47.400
<v Speaker 1>What do you want? Bad boys? I don't know which

0:21:47.480 --> 0:21:49.960
<v Speaker 1>role she's gonna be playing today. Because Gregg t you

0:21:50.080 --> 0:21:51.640
<v Speaker 1>had a couple of questions for her. You said, let's

0:21:51.640 --> 0:21:54.240
<v Speaker 1>write these questions downright. Let's start with the first question,

0:21:54.320 --> 0:21:56.200
<v Speaker 1>so real quick, then, okay, So here's what I want

0:21:56.200 --> 0:21:59.960
<v Speaker 1>to know. Share, is there an awkward moment between two

0:22:00.160 --> 0:22:02.640
<v Speaker 1>people when one is a certain age and then there's

0:22:02.760 --> 0:22:06.040
<v Speaker 1>quite a huge difference in age, like a huge age gap, Like,

0:22:06.160 --> 0:22:08.760
<v Speaker 1>so what is it? What's what's up a bad age gap? Like,

0:22:08.880 --> 0:22:11.280
<v Speaker 1>what is the what? What's what's up? What's what I'm

0:22:11.320 --> 0:22:13.520
<v Speaker 1>looking for? Is there is there an age gap that

0:22:13.760 --> 0:22:15.800
<v Speaker 1>works in an age gap that doesn't work? Right? Because

0:22:15.840 --> 0:22:18.479
<v Speaker 1>Greg t wanted to set that his hot friend Lauren up,

0:22:18.560 --> 0:22:22.640
<v Speaker 1>who's twenty seven years old with the forty one year

0:22:22.720 --> 0:22:28.320
<v Speaker 1>old bald freak older. Yeah, I mean really wanted your

0:22:28.359 --> 0:22:32.399
<v Speaker 1>female expertise on that one. Just be all right. So

0:22:32.560 --> 0:22:34.560
<v Speaker 1>here's the thing, Like, it's depending upon and how you

0:22:34.680 --> 0:22:36.680
<v Speaker 1>feel about the guy and what the guys like. It

0:22:36.760 --> 0:22:40.960
<v Speaker 1>depends like if he's a really mature guy for his age,

0:22:41.000 --> 0:22:42.560
<v Speaker 1>that maybe it wouldn't work out, or if he's a

0:22:42.600 --> 0:22:44.760
<v Speaker 1>lot of fun and he's somebody that although the maturity

0:22:44.800 --> 0:22:47.440
<v Speaker 1>has got his stuff together, it's still someone that knows

0:22:47.520 --> 0:22:49.880
<v Speaker 1>how to roll and have some fun. Sounds like depends

0:22:50.200 --> 0:22:55.240
<v Speaker 1>also depends on the girl. Okay, right, in your experiences,

0:22:55.520 --> 0:22:58.520
<v Speaker 1>does a twenty seven year old work out with somebody

0:22:58.560 --> 0:23:02.640
<v Speaker 1>that's forty two? It really depended the situations what she's saying. Yeah,

0:23:02.840 --> 0:23:05.200
<v Speaker 1>but what if the numbers were younger? What if it

0:23:05.320 --> 0:23:09.320
<v Speaker 1>was like a nineteen year old girl and like year

0:23:09.359 --> 0:23:12.600
<v Speaker 1>old guy. What what area of the world are we

0:23:12.680 --> 0:23:14.639
<v Speaker 1>in when we're talking about this, because do you remember

0:23:14.880 --> 0:23:17.560
<v Speaker 1>you live between you know, you know, I lived between

0:23:17.600 --> 0:23:19.800
<v Speaker 1>New York and l A. And so there's a lot

0:23:19.880 --> 0:23:22.600
<v Speaker 1>of differences with age gaps in different states as well.

0:23:23.280 --> 0:23:26.400
<v Speaker 1>Things are well. I happen to think that I see

0:23:26.520 --> 0:23:29.399
<v Speaker 1>a lot of really happy couples that are like major

0:23:29.520 --> 0:23:32.040
<v Speaker 1>adrians of the park, but they have being common that

0:23:32.160 --> 0:23:35.119
<v Speaker 1>just makes it work, especially in Los Angeles. I mean,

0:23:35.160 --> 0:23:37.160
<v Speaker 1>you've got people that are, like, you know, sixty three

0:23:37.240 --> 0:23:41.920
<v Speaker 1>year old billionaire dudes dating five year olds and they're

0:23:42.000 --> 0:23:46.000
<v Speaker 1>really happy. That's called prostitution, by the way. Okay, so share.

0:23:46.080 --> 0:23:48.680
<v Speaker 1>So in l A, if there's a major age gap,

0:23:49.160 --> 0:23:51.320
<v Speaker 1>that's more more likely to work out than if you

0:23:51.400 --> 0:23:54.399
<v Speaker 1>were into New York City. It's more socially acceptable. No, no,

0:23:54.840 --> 0:23:56.840
<v Speaker 1>you saying, wait a second, it's not more likely to

0:23:56.920 --> 0:24:01.400
<v Speaker 1>work out that it's more common, that it's not something

0:24:01.480 --> 0:24:04.480
<v Speaker 1>that's so strange to talk about, like it doesn't come up.

0:24:04.560 --> 0:24:06.760
<v Speaker 1>Age just doesn't come up anymore. I feel like society

0:24:06.840 --> 0:24:11.480
<v Speaker 1>just totally ruled out age. I'm shocked sometimes, I'm really

0:24:11.520 --> 0:24:14.200
<v Speaker 1>shocked sometimes, but things just seem to work out between

0:24:14.280 --> 0:24:17.040
<v Speaker 1>couples based on like where their heads are at. You know. Okay,

0:24:17.119 --> 0:24:20.040
<v Speaker 1>so you're okay, so you're saying that I'm making too

0:24:20.080 --> 0:24:21.680
<v Speaker 1>big of a deal of it, and that's something that's

0:24:21.720 --> 0:24:25.720
<v Speaker 1>twenty seven can absolutely date somebody and be successful with

0:24:25.880 --> 0:24:31.520
<v Speaker 1>someone that forty two absolutely okay, really happy, could be

0:24:31.680 --> 0:24:35.640
<v Speaker 1>really happy a seven year old guy and a forty

0:24:35.680 --> 0:24:38.760
<v Speaker 1>two year old woman. Does that Does it make any difference? Oh,

0:24:38.840 --> 0:24:42.120
<v Speaker 1>you'd be shocked. That could work out really well. I've

0:24:42.760 --> 0:24:44.800
<v Speaker 1>I've seen that worked out really well too. I mean,

0:24:45.160 --> 0:24:46.800
<v Speaker 1>I think that's your friends for a second. You guys

0:24:46.840 --> 0:24:48.879
<v Speaker 1>have to have friends that are in certain categories and

0:24:48.960 --> 0:24:51.280
<v Speaker 1>groups where either it's a guy that got married when

0:24:51.280 --> 0:24:53.160
<v Speaker 1>he was like twenty years old and then got divorced

0:24:53.240 --> 0:24:55.320
<v Speaker 1>and he's just looking to that right someone and he

0:24:55.440 --> 0:24:58.439
<v Speaker 1>meets someone that's younger, or a girl who ended up

0:24:58.440 --> 0:25:00.560
<v Speaker 1>getting married when she was like twenty and you know,

0:25:00.680 --> 0:25:03.080
<v Speaker 1>she even has a kid and now she's moved on

0:25:03.200 --> 0:25:05.920
<v Speaker 1>with her life and she found somebody that's great, and

0:25:06.400 --> 0:25:09.480
<v Speaker 1>you know, the guy's younger, the guy's older. I feel

0:25:09.520 --> 0:25:13.040
<v Speaker 1>like it's just like guy's got more energy, has got

0:25:13.080 --> 0:25:15.480
<v Speaker 1>a lot more energy. He keeps it going. You know,

0:25:15.680 --> 0:25:18.119
<v Speaker 1>That's what kill her Share, What about a seven year

0:25:18.160 --> 0:25:21.400
<v Speaker 1>old boy and an one year old lady can work out?

0:25:21.800 --> 0:25:23.760
<v Speaker 1>I mean, we're just throwing out random numbers here. Let's

0:25:23.760 --> 0:25:26.479
<v Speaker 1>just want to get all the whole spectrum, all right.

0:25:27.160 --> 0:25:29.639
<v Speaker 1>I don't care if you're in New York or l A.

0:25:29.760 --> 0:25:32.480
<v Speaker 1>That one just does not working. Ever. Have you ever

0:25:32.560 --> 0:25:35.000
<v Speaker 1>heard of a relationship like that that has failed? All right?

0:25:35.800 --> 0:25:38.720
<v Speaker 1>I think about think about. Let let it be known.

0:25:39.600 --> 0:25:43.760
<v Speaker 1>Share Share has showed me the way I'm wrong. Share

0:25:43.840 --> 0:25:45.880
<v Speaker 1>showed me. Okay, I'm a little more open mind and great,

0:25:45.880 --> 0:25:48.159
<v Speaker 1>you have another question. My second question, though, Share is

0:25:48.240 --> 0:25:49.680
<v Speaker 1>this though, Now, this is the one that's Scary is

0:25:49.720 --> 0:25:52.200
<v Speaker 1>debating me on now. I would like to set Loring

0:25:52.320 --> 0:25:55.040
<v Speaker 1>up now, who's twenty seven with someone that is her

0:25:55.080 --> 0:25:57.120
<v Speaker 1>own age, and I want to set them up because

0:25:57.160 --> 0:25:59.200
<v Speaker 1>I know this person. But now Scary is telling me

0:25:59.240 --> 0:26:01.440
<v Speaker 1>that people don't do that anymore, that now they find

0:26:01.480 --> 0:26:08.479
<v Speaker 1>each other on internet websites by saying these things, this thing,

0:26:08.560 --> 0:26:13.280
<v Speaker 1>what is this thing called internet? You mean internet dating?

0:26:13.640 --> 0:26:17.199
<v Speaker 1>Internet dating? You know, like so staris saying that they

0:26:17.320 --> 0:26:18.960
<v Speaker 1>that that I should stay out of it and you

0:26:19.000 --> 0:26:22.680
<v Speaker 1>don't set people up anymore? Is that correct? No? That's

0:26:22.720 --> 0:26:25.040
<v Speaker 1>not correct. You can meet somebody by getting set up,

0:26:25.240 --> 0:26:27.280
<v Speaker 1>But the thing is is that she you know, it's

0:26:27.280 --> 0:26:29.080
<v Speaker 1>funny you just say that they're both the same age,

0:26:29.160 --> 0:26:32.040
<v Speaker 1>because actually then comes the whole idea of where people's

0:26:32.080 --> 0:26:34.440
<v Speaker 1>heads are at, because a lot of times twenty seven

0:26:34.520 --> 0:26:37.160
<v Speaker 1>year old girls heads there different space than twenty seven

0:26:37.240 --> 0:26:39.520
<v Speaker 1>year old guys head, so that might not even be

0:26:39.640 --> 0:26:41.720
<v Speaker 1>a perfect match just based off age. I'm glad you

0:26:41.760 --> 0:26:43.600
<v Speaker 1>guys brought up the age thing, but as far as

0:26:43.680 --> 0:26:46.400
<v Speaker 1>meeting people, it just depends what you want. I feel

0:26:46.440 --> 0:26:48.080
<v Speaker 1>like a lot of the sites, some of them really

0:26:48.119 --> 0:26:50.360
<v Speaker 1>work out and people get married on them, and other

0:26:50.480 --> 0:26:54.920
<v Speaker 1>sites they're just really for play. So much like like

0:26:55.080 --> 0:26:57.399
<v Speaker 1>a girl, they'll meet on Bustle if it's meant to

0:26:57.480 --> 0:27:02.240
<v Speaker 1>be or e Harmony or or match or Tinder, they

0:27:02.280 --> 0:27:05.239
<v Speaker 1>don't need Greg t coming in to officiate. But if

0:27:05.280 --> 0:27:07.800
<v Speaker 1>I know both parties, what is the harm in me

0:27:08.040 --> 0:27:10.040
<v Speaker 1>just calling someone and trying to say hey, because we

0:27:10.119 --> 0:27:12.200
<v Speaker 1>just set it up. There's too much pressure there. It's

0:27:12.200 --> 0:27:15.520
<v Speaker 1>a little okay, it's a little awkward. Yeah, it gets

0:27:15.520 --> 0:27:18.760
<v Speaker 1>a little old school because if something goes wrong, you

0:27:18.840 --> 0:27:21.080
<v Speaker 1>don't also want to be that involved. Right, Like, in

0:27:21.119 --> 0:27:23.960
<v Speaker 1>a sense, it's kind of nice if somebody definitely has

0:27:24.000 --> 0:27:26.760
<v Speaker 1>this idea let's meet. But what happens if it goes

0:27:26.800 --> 0:27:30.239
<v Speaker 1>really bad? You feel like it's your faults. Sometimes it's

0:27:30.320 --> 0:27:35.879
<v Speaker 1>nicer when it just happens, you know, okay, share? So

0:27:35.960 --> 0:27:37.600
<v Speaker 1>then so then what do I do if I feel

0:27:37.600 --> 0:27:39.600
<v Speaker 1>like I have a good thing here and I really

0:27:39.640 --> 0:27:41.119
<v Speaker 1>want to set them up, but now you're tell me

0:27:41.240 --> 0:27:43.480
<v Speaker 1>I can't. So now what do I do? I have

0:27:43.560 --> 0:27:45.280
<v Speaker 1>the idea. What you have to do is make it

0:27:45.359 --> 0:27:47.360
<v Speaker 1>more You have to make it more relax. It has

0:27:47.400 --> 0:27:49.359
<v Speaker 1>to be something that happens a little more casual. So

0:27:49.800 --> 0:27:51.760
<v Speaker 1>let's say you're having like a barbecue at your house

0:27:52.040 --> 0:27:54.600
<v Speaker 1>and you can invite a bunch of people. Let's see

0:27:54.600 --> 0:27:57.520
<v Speaker 1>if it happens with them among a big social setting.

0:27:57.600 --> 0:27:59.680
<v Speaker 1>Don't make it so awkward where it's like, oh, here's

0:27:59.720 --> 0:28:01.560
<v Speaker 1>my remember and you should call her and oh take

0:28:01.600 --> 0:28:04.880
<v Speaker 1>her out of dinner. Instead of doing that, it's more fun,

0:28:05.000 --> 0:28:08.600
<v Speaker 1>you know, like do I tip them off and say, listen,

0:28:08.720 --> 0:28:11.600
<v Speaker 1>at this event, there might be someone there that I'm

0:28:11.600 --> 0:28:15.160
<v Speaker 1>trying to set you up. Well, now here's what you do, sure, shure,

0:28:15.200 --> 0:28:16.440
<v Speaker 1>And I mean I think you might agree with me,

0:28:16.960 --> 0:28:20.120
<v Speaker 1>do like what do you like? Look? You tell the guy, hey, look,

0:28:20.720 --> 0:28:22.760
<v Speaker 1>you let you and me be boys, will go out

0:28:22.840 --> 0:28:25.800
<v Speaker 1>for a couple for drinks. Hold on, and then you

0:28:25.960 --> 0:28:29.000
<v Speaker 1>call her and you tell her, hey, look, I'm going

0:28:29.040 --> 0:28:30.680
<v Speaker 1>out with a couple of my guy friends. Bring a

0:28:30.760 --> 0:28:32.840
<v Speaker 1>couple of your girls. Let's go out for a couple

0:28:33.400 --> 0:28:36.399
<v Speaker 1>and you bring them together in a public venue like

0:28:36.520 --> 0:28:39.360
<v Speaker 1>a bar, and you all have a few, and then

0:28:39.480 --> 0:28:42.720
<v Speaker 1>while they're there in person, you whispering each other's ears. Hey,

0:28:42.760 --> 0:28:47.880
<v Speaker 1>what do you think of her? What is the harm?

0:28:49.600 --> 0:28:52.400
<v Speaker 1>Is the harm? And scary calling Chris and tipping him

0:28:52.440 --> 0:28:55.040
<v Speaker 1>off and let him know that I have this girlfriend

0:28:55.120 --> 0:28:58.760
<v Speaker 1>of mine. So I'd love to set you contrive. Come on,

0:29:00.440 --> 0:29:02.960
<v Speaker 1>you also want to make this guy sound so like desperate.

0:29:03.240 --> 0:29:05.480
<v Speaker 1>I mean in the sense it might not sound good

0:29:05.560 --> 0:29:07.360
<v Speaker 1>to the girl either that he doesn't have his own

0:29:07.400 --> 0:29:09.240
<v Speaker 1>game and he can't just figure out how to pick

0:29:09.320 --> 0:29:11.080
<v Speaker 1>up on her if he's in a social setting with her.

0:29:11.600 --> 0:29:14.160
<v Speaker 1>You know what if you're all together in the setting

0:29:14.520 --> 0:29:18.040
<v Speaker 1>and then you said you said to her, um, hey, um,

0:29:18.440 --> 0:29:20.440
<v Speaker 1>he thinks you're you're you're hot, and then you go

0:29:20.520 --> 0:29:22.440
<v Speaker 1>to him and say, hey, she thinks you're hot, and

0:29:22.480 --> 0:29:24.480
<v Speaker 1>you get the feedback on both ends and you listen

0:29:24.520 --> 0:29:27.600
<v Speaker 1>to might think there might be uh, some fireworks there.

0:29:28.360 --> 0:29:30.120
<v Speaker 1>There might be fireworks. But then again, you can also

0:29:30.280 --> 0:29:32.520
<v Speaker 1>kill it completely. I don't think i'd do it. I

0:29:32.600 --> 0:29:34.760
<v Speaker 1>think i'd let them just see if they actually come together.

0:29:34.960 --> 0:29:36.760
<v Speaker 1>The only thing you could say is that some people

0:29:36.800 --> 0:29:38.920
<v Speaker 1>that are going to be hanging out are single. Obviously

0:29:39.000 --> 0:29:41.160
<v Speaker 1>both of them are single, right, so you could say

0:29:41.200 --> 0:29:43.080
<v Speaker 1>something like that that keeps it a little more open

0:29:43.160 --> 0:29:45.640
<v Speaker 1>and fun. You know, you can bring up something that

0:29:46.080 --> 0:29:48.240
<v Speaker 1>you know they both have in comments, like if you

0:29:48.360 --> 0:29:50.640
<v Speaker 1>know your boy like loves baseball and she happens to

0:29:50.720 --> 0:29:52.440
<v Speaker 1>like baseball, you could be like, oh my god, guess

0:29:52.480 --> 0:29:54.200
<v Speaker 1>what you guys like totally roots for the same team,

0:29:54.240 --> 0:29:56.440
<v Speaker 1>like something silly? You know, Are you listen to this, freak?

0:29:56.440 --> 0:29:59.200
<v Speaker 1>Are you paying attention to this. They're both agreements right

0:29:59.240 --> 0:30:01.160
<v Speaker 1>now that I can not set Lauren up with Chris

0:30:01.280 --> 0:30:03.120
<v Speaker 1>man so and they're like, it's you shouldn't do it.

0:30:03.160 --> 0:30:05.440
<v Speaker 1>I can't do it. Yeah, I think that's wrong. And

0:30:05.480 --> 0:30:07.440
<v Speaker 1>I can't even tip them off that she'll be in

0:30:07.520 --> 0:30:09.320
<v Speaker 1>the same spot he might be at the same time.

0:30:09.560 --> 0:30:12.120
<v Speaker 1>You want to just do what you want following your

0:30:12.160 --> 0:30:14.440
<v Speaker 1>hard because Share is a dating expert and she says

0:30:14.480 --> 0:30:16.320
<v Speaker 1>it's awkward and you can't do it, and Scary already

0:30:16.320 --> 0:30:19.200
<v Speaker 1>said you can't do it. We would have READERX why

0:30:19.200 --> 0:30:20.920
<v Speaker 1>don't even read light green light party here. He's an

0:30:20.920 --> 0:30:27.280
<v Speaker 1>expert on donuts. How does this opinion count party? Throw

0:30:27.320 --> 0:30:30.120
<v Speaker 1>a party that will make it happen organically? An expert

0:30:30.160 --> 0:30:32.800
<v Speaker 1>on the black and white cookie. Oh, I do love

0:30:32.840 --> 0:30:35.080
<v Speaker 1>the black white cookies. The black boy cookies are always

0:30:35.160 --> 0:30:37.480
<v Speaker 1>very black and white. They really are. No, lie, Share,

0:30:37.520 --> 0:30:39.400
<v Speaker 1>don't you like the black and white cookie? I do,

0:30:39.640 --> 0:30:42.360
<v Speaker 1>but I don't need a lot of cookies? No, I know?

0:30:43.080 --> 0:30:44.800
<v Speaker 1>All right, Share, thank you very much. That's what we're

0:30:44.800 --> 0:30:46.400
<v Speaker 1>gonna do for time from from a time of time.

0:30:46.520 --> 0:30:49.440
<v Speaker 1>We're gonna collect a bunch of questions that obviously us

0:30:49.520 --> 0:30:52.120
<v Speaker 1>yougs can't figure out, and we'll throw the questions to you.

0:30:53.840 --> 0:30:57.040
<v Speaker 1>Young Young is guy backwards? It's cooler? Okay? You would

0:30:57.400 --> 0:31:02.760
<v Speaker 1>what would be alert? Yeah? Share, you are a top

0:31:03.120 --> 0:31:09.400
<v Speaker 1>LERG a hot ler. You're a hot girl, so it's

0:31:09.560 --> 0:31:12.920
<v Speaker 1>top backwards and lurg is girl backwards. Right, Get with

0:31:12.960 --> 0:31:16.280
<v Speaker 1>the program. You're a toler can I have that name

0:31:16.320 --> 0:31:20.160
<v Speaker 1>tag when I walk through the doors. Yeah, yes, and

0:31:20.200 --> 0:31:23.360
<v Speaker 1>you're not a tulse? No, not are you a tuls

0:31:23.680 --> 0:31:28.200
<v Speaker 1>She's not a tulse? Okay, you guys are confusing, right,

0:31:29.320 --> 0:31:33.560
<v Speaker 1>this is this is like a typical r figure out.

0:31:33.880 --> 0:31:35.600
<v Speaker 1>You hear this all the time in the club. Comes

0:31:35.600 --> 0:31:37.680
<v Speaker 1>after your hey todd lerg say hey, my name is

0:31:37.760 --> 0:31:41.400
<v Speaker 1>Sharon Sharing, I'm a tulse. This when you set people up,

0:31:41.440 --> 0:31:44.840
<v Speaker 1>please don't say I'm Share. I'm a tuls These are

0:31:44.840 --> 0:31:48.240
<v Speaker 1>the guys you're playing off share these two don Juan's Yeah,

0:31:48.440 --> 0:31:52.200
<v Speaker 1>really over here, I think I think I think you

0:31:52.240 --> 0:31:54.320
<v Speaker 1>should set yourself off. That's what I say. That's what

0:31:54.400 --> 0:31:58.280
<v Speaker 1>I'm talking about. What did you figure out what Tulsa is? Backwards?

0:31:58.400 --> 0:32:03.800
<v Speaker 1>I'm in charge. Uh yeah, it's it's it's slut. But

0:32:03.880 --> 0:32:10.720
<v Speaker 1>anyway to say that, you guys really all right? Thank you?

0:32:11.960 --> 0:32:18.040
<v Speaker 1>Next kidding? I love you. Alright, Fine, we're not over yet.

0:32:18.080 --> 0:32:19.680
<v Speaker 1>We're still talk about what we're gonna be this weekend.

0:32:19.760 --> 0:32:22.600
<v Speaker 1>We know we're not done. You hit the button. There's

0:32:22.600 --> 0:32:25.239
<v Speaker 1>nothing you can do now, shut it off. That's the end.

0:32:26.320 --> 0:32:28.280
<v Speaker 1>I gotta go. Anyway, Why don't you plug it really quick?

0:32:28.320 --> 0:32:29.800
<v Speaker 1>Gregg Where you're gonna be? Where are you gonna be?

0:32:30.400 --> 0:32:33.280
<v Speaker 1>I'm gonna be at mount Airy Casino Resort all weekend long,

0:32:33.560 --> 0:32:36.080
<v Speaker 1>especially Saturday night. We got guys weekend, but ladies are

0:32:36.440 --> 0:32:41.600
<v Speaker 1>are allowed to come. We gotta go quick coming from

0:32:42.160 --> 0:32:45.560
<v Speaker 1>Katie You Buddy Buddy Covey's gonna be there and pro

0:32:45.680 --> 0:32:48.240
<v Speaker 1>Style is gonna be spinning. So I'll be this Saturday night.

0:32:48.320 --> 0:32:51.560
<v Speaker 1>It's not a music something in the Poconos. It's called

0:32:51.560 --> 0:32:53.840
<v Speaker 1>the Get Wet Ultrapool Party. How much you getting paid

0:32:53.840 --> 0:32:59.160
<v Speaker 1>for that? One? Um charity? Everybody did find it to

0:32:59.200 --> 0:33:00.760
<v Speaker 1>show up and it's you. Where are you gonna be?

0:33:01.080 --> 0:33:02.960
<v Speaker 1>Just give me some money music, give on, give me

0:33:03.040 --> 0:33:05.280
<v Speaker 1>some money, music for some money. I love this gre

0:33:05.320 --> 0:33:08.520
<v Speaker 1>you gonna be great money music? Where you gonna be

0:33:08.560 --> 0:33:11.480
<v Speaker 1>a great Tomorrow night? There's a really cool um it's

0:33:11.520 --> 0:33:13.520
<v Speaker 1>it's a cruise around the city. It's called the Hornblower.

0:33:13.880 --> 0:33:16.120
<v Speaker 1>So I'm gonna be hosting another night on the Hornblower.

0:33:16.240 --> 0:33:25.520
<v Speaker 1>It's called Live after five Money. It's called Lost Live

0:33:25.600 --> 0:33:33.920
<v Speaker 1>after five and Molly Molly greet and will buy you

0:33:34.040 --> 0:33:38.000
<v Speaker 1>both free money for you makes money, makes some money. Yeah,

0:33:38.400 --> 0:33:44.400
<v Speaker 1>it's gonna smoke weed on his Yeah, we get and

0:33:44.560 --> 0:33:49.600
<v Speaker 1>make money, money, money, money, money, money, money, money, money, money,

0:33:49.720 --> 0:33:52.800
<v Speaker 1>money more. What do you guys ever? Relaxed during the

0:33:52.840 --> 0:33:56.520
<v Speaker 1>weekend and this Sunday Sunday down the Jersey Shore, I'll

0:33:56.560 --> 0:34:00.920
<v Speaker 1>be at a place called Coney's Waffles and ice Cream Waffle.

0:34:01.200 --> 0:34:03.960
<v Speaker 1>Cont that with you. That's usually down down Sunday in Belmar,

0:34:04.000 --> 0:34:06.640
<v Speaker 1>New Jersey. You drive me down one o'clock. I will

0:34:06.680 --> 0:34:11.839
<v Speaker 1>be there. I'll be at the blackjack table. Money Monday, Monday, money, money, money, money,

0:34:12.000 --> 0:34:15.960
<v Speaker 1>Monday's see you guys on Monday, Monday, Monday, Monday, Monday, Monday.

0:34:17.560 --> 0:34:33.200
<v Speaker 1>Just watch me now, it's just last I guess, swatchwatch.

0:34:36.120 --> 0:34:42.240
<v Speaker 1>I guess yeah, it's just watch