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Speaker 1: All right, I want to thank Roman for supporting today's

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Speaker 1: I Am rapp Reports Stereo podcast. Roman is a men's

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Speaker 1: a free online visit, get Roman dot com slash champ.

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Speaker 1: The I Am Rappaport stereoio podcast liveport. Yes I am

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Speaker 1: Alber Rappaport. Yes, I am Alberbrapaport. Yes, I am Albert,

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Speaker 1: Yes I am better tune in. I am Rappaport dot

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Speaker 1: com because every single polity case, you know, we drops bombs.

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Speaker 1: Seeing him on set a season vet with True Town,

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Speaker 1: catch him on his way to course fit rocking the

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Speaker 1: New Balance. He asked me to do the track because

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Speaker 1: you know I round the league. But I'm just waiting

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Speaker 1: for the Robert the Nero line of the week. Rightface

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Speaker 1: the Champions hosted Bagel, Cream, Cheese and Lock. This is

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Speaker 1: I Am rapping Board. The show never stopped. Might catch

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Speaker 1: a mountain public stretching his knees. But if you don't

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Speaker 1: listen to the show. Yo, we're gonna pleading with We're

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Speaker 1: gonna please podcast. What's up? This is Michael rap Board.

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Speaker 1: I am seeking the fuck out because I have to

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Speaker 1: say when it comes to a podcast, I'm gonna be

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Speaker 1: totally honest that I pulled off a minor fucking miracle.

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Speaker 1: As you know November enter the thirty six Chambers by

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Speaker 1: the Wu Tang Clan came out and Midnight Marauders by

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Speaker 1: a Tribe call Quest came out. Today is the twenty

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Speaker 1: anniversary of both those records. We pulled off a minor

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Speaker 1: fucking miracle at the Iron Rapp Reports Stereo podcast. Today

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Speaker 1: on the IM Wrappaport Stereo Podcast special guests The abstract

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Speaker 1: poetic Q Tip from a Tribe call Quest is on

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Speaker 1: the Iron Rapp Reports Tereo podcast, and and you Fuck

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Speaker 1: to cal To Cal method Man is on the I

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Speaker 1: Am Rappaport Stereo Podcast. This is what the fuck it's

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Speaker 1: all about. This is why we podcast, This is why

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Speaker 1: we podcast. I'm pretty fucking sure that the first ever

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Speaker 1: Iron Rapp Reports Stereo podcast, when I was rattling off

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Speaker 1: my list of dream team people that I wanted, both

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Speaker 1: those guys names were in their Method Man came on

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Speaker 1: once before. It was a five star classic. Q Tip

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Speaker 1: is on the Iron Rapports Stereo podcast talking all things

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Speaker 1: Enter the thirty six Chambers and Midnight Marauders. Method Man

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Speaker 1: from the Wu Tang Clan is on the Iron Rapports

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Speaker 1: Stereo podcast talking all things Midnight Marauders and Enter the

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Speaker 1: thirty six Chambers. Miles Jordan's you know you gotta give

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Speaker 1: me something really nice, really fucking proper, because this is

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Speaker 1: what it's all about. Yo. I'm not bullshit. I'm not bullshit.

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Speaker 1: I I'm so proud exciting about this. I am wrap

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Speaker 1: for stereo podcast. We've been celebrating I think the last

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Speaker 1: truly great day in golden era hip hop. I'm quoting

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Speaker 1: quest Love from the roots. He said that at one time,

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Speaker 1: I don't know if it's the last great day, but

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Speaker 1: it's certainly one of the greatest days in hip hop.

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Speaker 1: Um the release of Midnight Erauders and Entered the thirty

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Speaker 1: six Chambers. UM, I couldn't be more fucking thrilled. I

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Speaker 1: couldn't be more happy, UM with the two people that

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Speaker 1: I have on to talk about that time, talk about

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Speaker 1: those records and and talk some ship We're gonna get

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Speaker 1: into that in a little bit. Uh. First, I gotta

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Speaker 1: acknowledge the horror, the the the terrible shooting that took

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Speaker 1: place in uh Ventura last night. Um. There's nothing to say. Uh,

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Speaker 1: there's nothing to say except for my heart goes out

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Speaker 1: to all the people that are suffering that. You know,

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Speaker 1: that's like thirty minutes from where I live. I mean,

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Speaker 1: you know, you it's the fact that it's in California

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Speaker 1: and it's close to where I live makes it, you know,

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Speaker 1: just a little bit crazy. But I have nothing to

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Speaker 1: do with it. Um. I saw this young father talk

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Speaker 1: about losing his son. Um. It's been all over the

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Speaker 1: news and it's just devastating. Man, it's just devastating. Um.

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Speaker 1: And just another tragedy, you know, another gun tragedy. And

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Speaker 1: I'm not gonna go down that rabbit hole, but I

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Speaker 1: have to acknowledge it. And just you know, I don't

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Speaker 1: know how it's gonna stop, where it's gonna stop, what

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Speaker 1: to do about it, But it's just it's just a funking.

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Speaker 1: It takes the breath out of you, and you're just

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Speaker 1: like I can't believe this ship happened again. Like I

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Speaker 1: can't believe this happened. Again, nothing ever good comes from

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Speaker 1: a store about guns. Ever, there's never a happy ending

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Speaker 1: when a story about guns is on the news. It

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Speaker 1: just it just never, It's never the case. And I'm

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Speaker 1: I'm gonna leave it at that. Um. I don't want

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Speaker 1: to get too deep into that. Uh, I want to

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Speaker 1: move forward. And again, just thoughts and prayers and and

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Speaker 1: whatever you're into, however you articulate uh your feelings about

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Speaker 1: what happened. Um, and we just have to move forward

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Speaker 1: and and just I don't even know what else to say. UM.

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Speaker 1: See I am Rapports Stereo Pockets. If you never listened

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Speaker 1: to the I Am Wrap Reports Stereo podcast, this is

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Speaker 1: the world wide phenomenon. If you're listening on iTunes, subscribe,

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Speaker 1: rate and review us. Um, Like I said, I couldn't

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Speaker 1: be more elated. Uh. For our guest q Tip and

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Speaker 1: method Man Um talking about the greatness of Enter the

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Speaker 1: thirty six Chambers and Midnight More Orders. Q Tip is

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Speaker 1: telling some bugged out stories about uh hanging out with

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Speaker 1: meThe Man, running into meThe Man the night that both

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Speaker 1: the records dropped, Um, and just there's jewels, there was

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Speaker 1: jewels when when when? When I recorded the interviews. I

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Speaker 1: sent them to uh, Miles Miles Davis, the the the

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Speaker 1: sound engineer, h slash producer, one of the Dust Brothers,

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Speaker 1: and I called him. I said, Yo, you're gonna get

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Speaker 1: these two files. I'm literally sending diamonds over the internet.

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Speaker 1: Like I felt like, I was like literally like transporting

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Speaker 1: like diamond, diamond little speckles because every word of what

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Speaker 1: both these dudes said is just fucking ill. Um. So

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Speaker 1: the big news, big fucking news in the NBA today. Literally,

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Speaker 1: no one is talking about anything else in the NBA

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Speaker 1: the last twenty four hours except for Lebron James is

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Speaker 1: wearing a headband. Again. That's right, folks. That was front front.

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Speaker 1: That was like first word news on a lot of

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Speaker 1: these sports shows. Lebron James is wearing a headband. Um.

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Speaker 1: The Internet. Twitter went crazy that Lebron James is wearing

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Speaker 1: a headband in the NBA. Uh. And I personally could

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Speaker 1: give two ships and and and I gotta say, um.

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Speaker 1: Jordan Winter, one of the other producers of the Iron

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Speaker 1: Rapport stereo pockets, we were having a conversation about this. Um.

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Speaker 1: We were like, do these people that are like have

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Speaker 1: these these Twitter pages and these Instagram pages and they're

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Speaker 1: like NBA fanatic and I love the NBA and all

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Speaker 1: things basketball. Did they even watch the fucking games. I

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Speaker 1: don't think people are even watching the games. I think

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Speaker 1: it's like some form of like E news. It's like

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Speaker 1: some TMZ ship Because Okay, Lebron James is wearing a headband.

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Speaker 1: The cocksucker has been going bold for fifteen years. We know.

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Speaker 1: I wrote a full part of a chapter in my

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Speaker 1: book about it. Ha ha, very funny. Somehow somewhere he

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Speaker 1: hasn't gone fully bald. I like the fact that he

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Speaker 1: hasn't gone fully bold, so we could still laugh about it.

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Speaker 1: But Jesus Christ, I mean, I like to beat a

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Speaker 1: dead horse. I love to just you know, have a

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Speaker 1: joke and just kick it into the fucking ground. But

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Speaker 1: enough is enough with the fucking hair in the headband.

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Speaker 1: I don't give a ship. Grown man, grown ass man

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Speaker 1: on Twitter that this is just a few and I

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Speaker 1: had like ten of them, grown ass man. These are

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Speaker 1: actual quotes from actual men. Some of them are verified

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Speaker 1: on Twitter. Quote unquote. Yo, I'm not feeling this new

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Speaker 1: look by Lebron Duke. This is not fashion with this

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Speaker 1: this new look this is this is what you're talking

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Speaker 1: about when you when you watch the Lakers play, when

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Speaker 1: you watch one of the greatest basketball players ever his look.

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Speaker 1: We're not in Paris. That's upsetting you. You're not feeling

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Speaker 1: this look that another man is wearing while he's playing basketball.

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Speaker 1: Another guy said, Yo, I really like that black headband

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Speaker 1: and how it contrasts the purple and gold. This is

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Speaker 1: an actual tweet. I like the black headband and how

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Speaker 1: it contrasts the purple and gold. This is what you

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Speaker 1: take away from watching a basketball game. I don't. I

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Speaker 1: don't understand how that's an important thing. Another treat. You

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Speaker 1: know why you gotta rock the headband again. Now I

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Speaker 1: gotta go out and buy me a headband that I

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Speaker 1: can rock when I play Duke. You're not Brian Brian,

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Speaker 1: You're not King James. You can rock a fucking headband.

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Speaker 1: You can rock a do rag, you can rock a

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Speaker 1: fitted hat. You still ain't ship like this is like

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Speaker 1: you actually think about the outfit you wear when you

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Speaker 1: go play two on two in the park a grown

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Speaker 1: fucking man. This is your This is some telling me.

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Speaker 1: This is some tam z E entertainment ship. It's like

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Speaker 1: we need to get my man Mario Lopez to do

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Speaker 1: a sports segment on entertainment tonight because people are there's

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Speaker 1: a there's an avenue for that for where you don't

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Speaker 1: talk about plays. All you talk about is what they're

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Speaker 1: wearing and and the gossip and the fighting and the

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Speaker 1: Jamal Murray, Kyrie Irving beef that there's also still talking

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Speaker 1: about which I aired out on the last premium I

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Speaker 1: Am Rappaport stereo podcast, which was a smacker. By the way,

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Speaker 1: it's a seventy five minute smacker. If you don't have

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Speaker 1: the premium I Am wrapp Reports Stereo podcast app, ask

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Speaker 1: yourself why not a seventy five minute smacker talked all

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Speaker 1: kinds of ship about all kinds of things. Plus the

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Speaker 1: official unofficial political correspondent, Eli Lake came down and objectively

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Speaker 1: broke down the midterm elections. I don't know what the

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Speaker 1: funk else I could do here. I don't know what

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Speaker 1: the what else I could do or that was in

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Speaker 1: prime time. We call it p p P Premium prime

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Speaker 1: time podcasting again, I'll say it. I'll say it again,

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Speaker 1: p p P Premium prime Time podcasting. But that's in

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Speaker 1: the past. I'm all hyped up. I'm all, I'm all

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Speaker 1: jacked up because of these interviews, because of the day,

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Speaker 1: because of this podcast. I'm so excited about it. This

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Speaker 1: is this is why we do it. Uh, this is

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Speaker 1: exactly you know that uh that NBA commercial maybe it's

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Speaker 1: an NFL commercial. This is why we play. This is

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Speaker 1: why we podcast is because of this episode and this

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Speaker 1: excitement UM about this episode and talking about this episode. UM,

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Speaker 1: you know, just for me to be able to fan

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Speaker 1: out um about these two records that mean so much

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Speaker 1: to me and so many other people, UM is exciting.

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Speaker 1: One of the things that people are talking about still

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Speaker 1: from the mid term elections is the problems with the

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Speaker 1: voting booths. Some of them didn't work. Obviously, there was

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Speaker 1: overcrowded Um, there was machines apparently that weren't plugged in.

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Speaker 1: Probably every fucking time there's an election, this happens. Where

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Speaker 1: Bill Gates? Where the funk are you at? Where the

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Speaker 1: fuck is Bill Gates at? Where? Where where is he? Uh?

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Speaker 1: Where is uh that other fat guy from Apple? Uh? Microsoft?

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Speaker 1: Are you guys around this? This seems like an easy fix.

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Speaker 1: Make one kind of voting booth, one kind of voting machine,

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Speaker 1: and send it out there. They got uh charging stations

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Speaker 1: all over New York City. I'm in New York City

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Speaker 1: right now. They have charging stations where you could stop

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Speaker 1: on the street, plug your your phone charger and and

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Speaker 1: charge your phone right there in the middle of Manhattan rain, sleet,

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Speaker 1: or snow. But you can't figure out somehow, some way

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Speaker 1: to make these fucking voting booths work. Bloomberg. Somebody, somebody

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Speaker 1: make one kind of voting booth and that's it. There's

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Speaker 1: no oh, well, this district has that, uh, this county

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Speaker 1: has that. Funk all that there. There's gotta be one tech.

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Speaker 1: I mean, then you'll make a fortune charge the country

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Speaker 1: for it. I don't know how it works, and I

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Speaker 1: don't want to hear about this ship they're doing recounts

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Speaker 1: in Florida. You know it's not over votes weren't tallied.

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Speaker 1: Some votes were mailed in all this machines didn't. I

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Speaker 1: don't want to hear this nonsense about the machines. We

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Speaker 1: got enough factors, enough stress, enough different things to to

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Speaker 1: try to figure out when it comes to an election.

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Speaker 1: The last thing that should be an issue. In two

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Speaker 1: thousand eighteen, we got phones. We have cell phones that

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Speaker 1: you can get that are either bigger than your cock

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Speaker 1: or smaller than your cock. Okay, we got cell phones,

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Speaker 1: we got iPads, all these devices, Google glasses, you could

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Speaker 1: start your car while you're in bed, all these remote

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Speaker 1: this that another. We can't figure out a simple way

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Speaker 1: to make the voting booths unified across the country. Who's smart?

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Speaker 1: I don't know who's smart. Who's the smart? Ilean musk?

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Speaker 1: You fucking blunt, smoking weeds smoking freak, figure this ship

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Speaker 1: out the center of these Oh, I'm gonna build a tunnel.

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Speaker 1: You'll get you from Los Angeles to Vegas in fifteen minutes.

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Speaker 1: You're not doing that. It's never happened. This ain't the

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Speaker 1: Jetson's duke. Figure out the voting boots. You figure out

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Speaker 1: your fucking car. You're you're tesla, which I'm never getting

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Speaker 1: a Tesla. By the way, I don't care how cool

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Speaker 1: they are. People are like, well, the screen inside is huge. Yo.

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Speaker 1: I'm distracted enough when I drive, okay, with my own thoughts.

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Speaker 1: My own thoughts distract me, honestly, my phone, uh, you know,

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Speaker 1: and just life itself. I don't need a sixteen inch

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Speaker 1: TV screen in my car. Are okay? I'm not getting

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Speaker 1: a test. I feel like Elean Musk after he I

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Speaker 1: feel like he jumped the shark when he went on

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Speaker 1: Joe Rogan and smoked weed, and then a couple of

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Speaker 1: days later he was fine twenty million dollars for something

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Speaker 1: something to do with Tesla, and the guy who invented

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Speaker 1: the Tesla is no longer working at Tesla. So if

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Speaker 1: you get a Tesla car and it's totally electric and

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Speaker 1: all that ship, you know, those things have problems. I

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Speaker 1: know two friends that have Teslas and like, yeah, sometimes

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Speaker 1: there's problems. You know, they're figuring it out. I'm not

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Speaker 1: spending that kind of money where they're like, oh, we're

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Speaker 1: figuring it out. You spend that kind of money where

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Speaker 1: you don't have to figure it out. You go on

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Speaker 1: the cheap. When you're like, yeah, well I went on

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Speaker 1: the cheap, so you know they're still figuring it out.

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Speaker 1: I don't spend you know, the extra four or five, six, seven,

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Speaker 1: eight hundred dollars whatever the funk it is each month

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Speaker 1: where I need to go to the shop, okay, and

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Speaker 1: then they're gonna give me another car that might break

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Speaker 1: down because it hasn't been figured out. Fuck that Tesla car.

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Speaker 1: I mean, how we got on that ship but we're here. Yes, yes, sure,

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Speaker 1: watching football is fun. I love it, but I gotta

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Speaker 1: at my Bookie dot ag. Whether you're an expert or

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Speaker 1: a rookie, you should only be betting at my bookie.

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Speaker 1: Another Iron Rapports Stereo podcast news. Um, of course we

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Speaker 1: had the Paul wall Grill Contest. Paul Wall Baby Friend

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Speaker 1: of the Iron Rapp Reports Stereo podcast Sick Fuck of

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Speaker 1: the Week officionado. The man has become a sick Funk

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Speaker 1: of the Week aficionado. I said it one, I said

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Speaker 1: it many times. Um, I accept all applications, all submissions

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Speaker 1: is the better word for sick fox. Uh. It takes

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Speaker 1: a village to really air out all the sick fox.

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Speaker 1: It takes a village to really get all the sick

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Speaker 1: fox organized and and to share them with the with

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Speaker 1: the world. And Paul wall Baby Houston Zone. Um, we're

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Speaker 1: by the way. Nineteen Black Women in Houston, nineteen Black

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Speaker 1: women were nominated as judges, which is just crazy and

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Speaker 1: dope and exciting and hopefully they'll wind up being great judges.

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Speaker 1: But you gotta like be like, Wow, that's a fucking

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Speaker 1: that's a fucking change. That's a cool fucking thing. But

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Speaker 1: we had this contest last week and we said that

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Speaker 1: Paul wall was giving away a grill, and we were

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Speaker 1: taking all video submissions why you should get the grill,

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Speaker 1: why you should win this contest, and we got overwhelmed, flooded,

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00:20:05,880 --> 00:20:09,399
Speaker 1: to be honest with you, especially when we extended it

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Speaker 1: flooded with submissions. Some people said their teeth were fucked up. Uh,

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Speaker 1: some people saying he wanted to do it to impress

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Speaker 1: his girl. All different reasons uh, why they should win

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Speaker 1: the grill. And I gotta be honest. I'll be fucking

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Speaker 1: dead honest. Here the Iron Rapports Stereo podcast Think Take.

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Speaker 1: At one point, I was gonna send it to Paul

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Speaker 1: Wallen to like, you picked the winner, but we were

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Speaker 1: so overwhelmed we couldn't pick the winner. I was like,

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Speaker 1: I'm not fucking gonna drag Paul wall into this. He

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Speaker 1: was nice enough to offer the custom grill so me.

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Speaker 1: Jordan's and Miles and I gotta be honest. I tossed

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Speaker 1: and turned who should be the winner, who should be

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Speaker 1: the guy to win the grill um and it was

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Speaker 1: hard to just pick one. So so what we're gonna

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Speaker 1: do is, yes, there's only one winner of the Paul

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Speaker 1: Wall Grill and we're gonna get to him later. But

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Speaker 1: we had to pick some some runners up, and we

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Speaker 1: didn't offer this in the beginning, and we were just

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Speaker 1: like these guys they gotta get something because they went

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Speaker 1: so hard. So we have six runners up, and trust me,

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Speaker 1: I don't feel good about only one winner, okay, but uh,

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Speaker 1: you know, we had to pick it. We have six

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Speaker 1: runners up that are gonna receive butter soft I am

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Speaker 1: Rappaport Stereo podcast t shirts, okay, just for e for effort,

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Speaker 1: And they could have easily been been winners. And like

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Speaker 1: I said, it was a tough choice. So the six

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Speaker 1: people that didn't win that are runner ups are at

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Speaker 1: mac Book Malley, at I A. Delgado at Nick clement

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Speaker 1: Clemente nine, at T T R I S T e

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Speaker 1: R at T T Trister, at Rizzy the God, and

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Speaker 1: at H Towns Dark Night. Congratulations, you guys are all

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Speaker 1: runners up, and there there's listen, there's winners and there's losers.

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Speaker 1: Don't consider yourself a loser, You're a runner up. It

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Speaker 1: was a tough, hard fought contest. You guys are gonna

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00:22:14,640 --> 00:22:18,680
Speaker 1: all be receiving contact personally from me, and we're gonna

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Speaker 1: send you a butter soft I am Wrap Reports Stereo podcast.

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Speaker 1: But the winner, and again you won. But don't get cocky. Okay,

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Speaker 1: but we made a decision. Yours was was the best

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Speaker 1: and it was by a fucking nose. The winner. Can

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Speaker 1: I get a drum roll? The winner of the Iron

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Speaker 1: Rapports Stereo podcast Paul Wall Grill Giveaway contest is at

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Speaker 1: Meaty Baby m E E d y Baby. Yes, congratulations.

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Speaker 1: Here is the audio for his video that he submitted.

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Speaker 1: Um check this out. Uh, why do I feel like

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Speaker 1: I need this grill? Um? A couple of reasons. Mike

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Speaker 1: Rap huge huge fan listened to every single uh episode

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Speaker 1: of your podcast. Congrats on episode five hundred the fucking

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00:23:07,480 --> 00:23:13,119
Speaker 1: huge accomplishment. Paul Wall absolute legend. Was obsessed, obsessed with

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Speaker 1: Paula music and the whole Houston movement. Swish at House

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Speaker 1: t J screw the Grill Movement TV Johnny. I used

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00:23:20,119 --> 00:23:22,440
Speaker 1: to go shoot you not when I was in middle school.

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00:23:22,520 --> 00:23:24,560
Speaker 1: Used to go on TV Johnny's website in seven three

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Speaker 1: eighth grade and and wanted to grow so bad. Sister

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Speaker 1: A grills all day and I almost bought a grill,

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Speaker 1: but um, you know it didn't do it. My teeth.

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Speaker 1: My teeth were also really fucked up back then. I

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Speaker 1: had a big gap right here, and I was like,

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Speaker 1: you know, is my girl gonna have fucked up teeth?

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Speaker 1: Doesn't work like invisial line. I wasn't really sure, but anyways,

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Speaker 1: I would love to get a grill. Uh. Internet going

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Speaker 1: Nuts by Paul Wall one of the greatest songs of

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Speaker 1: all time. Uh, Mike crap if you haven't heard that song,

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Speaker 1: Internet going Nuts fucking classic. I love you guys, Thanks

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00:23:51,520 --> 00:23:53,639
Speaker 1: to you for for listening to this and hope hopefully

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Speaker 1: I get to this grill man, I mean fuck right. Um,

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Speaker 1: I'd play some of the maybe we'll play some of

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Speaker 1: the audio for for other people's stuff on the next

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Speaker 1: I Am Wrap Ports Stereo podcast. Uh you guys, all

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Speaker 1: the winners d m me the six people that I

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Speaker 1: I gave the runners up to and Meaty Baby the

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Speaker 1: the winner and you should hold your fucking chest out high.

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Speaker 1: Um d M, I said, I am Wrappaport for details,

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00:24:19,800 --> 00:24:23,640
Speaker 1: I am Wrappaport on Instagram for details. Will also reach

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Speaker 1: out try to get you your T shirts and your

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Speaker 1: grill A S A P. And do not look at

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Speaker 1: these T shirts, this participation trophies because we got about

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Speaker 1: i'd say forty something really really creative, strong passionate videos

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Speaker 1: and it was hard enough to wean it down to you. Guys.

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Speaker 1: These are not participation T shirts. Uh. Their butter Soft

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Speaker 1: Iron Rapports Tereo Podcast T shirts and anybody who wants

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Speaker 1: Podcast T shirt, the whole collection, the Stickman collection, all

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Speaker 1: the different variations of the Iron rapp Report design. Uh,

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Speaker 1: you know, the sucker Ship T shirt. It's all available

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Speaker 1: at district lines dot com, forward slash I am rapp Report.

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Speaker 1: But congratulations to act meaty baby with a D. Now.

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Speaker 1: I did mention that Paul Wall was quickly becoming a

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Speaker 1: sick Funk of the Week officionado, which is a great

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Speaker 1: segue to get into the award winning I Am Wrap

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Speaker 1: Report Stereo Podcast Sick Fuck of the Week segment. Yes,

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Speaker 1: you hear the theme song. That's the music. Yes, that's

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00:25:42,880 --> 00:25:46,160
Speaker 1: the sick Funck of the Week theme song. This award

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00:25:47,000 --> 00:25:50,240
Speaker 1: goes out to not just anybody, no, no, no, no,

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00:25:50,240 --> 00:25:53,040
Speaker 1: no no. It goes out to a certain type of

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00:25:53,040 --> 00:25:55,840
Speaker 1: person with a certain uh what do the French day

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00:25:55,960 --> 00:26:01,800
Speaker 1: um a genese qua a certain a certain hanaj um.

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Speaker 1: The sick Funk of the Week is an award that

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00:26:03,280 --> 00:26:05,720
Speaker 1: has earned not given. The sick Funk of the Week

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00:26:05,760 --> 00:26:08,600
Speaker 1: as an award that has earned not given. The first

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00:26:08,640 --> 00:26:14,200
Speaker 1: award goes out to uh and ohio mom. Uh Noel

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00:26:14,440 --> 00:26:19,320
Speaker 1: Heinz who she kind of fits the look for a

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00:26:19,359 --> 00:26:22,080
Speaker 1: sick Funk of the week. Uh, she definitely fucked up,

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00:26:22,440 --> 00:26:25,800
Speaker 1: Noel Heines, You sick fuck you. She stole more than

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Speaker 1: sixteen hundred dollars of Girl Scout cookies from her daughter's

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Speaker 1: troop sixteen You stole Girl Scout cookies. That's like, that's

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00:26:38,720 --> 00:26:43,639
Speaker 1: like mugging Santa Claus. Noel Hines allegedly accepted a large

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00:26:43,640 --> 00:26:47,119
Speaker 1: cookie order to sell for the troop, but when the

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00:26:47,160 --> 00:26:53,720
Speaker 1: funds were due, her scout never received them. But Noel

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00:26:53,880 --> 00:26:59,840
Speaker 1: did small investigation nabbed her. Uh, she's got a payback.

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00:26:59,880 --> 00:27:04,199
Speaker 1: The money, she was arrested, and on top of all that,

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Speaker 1: you are an Iron rapports stereo podcast sick Fuck of

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Speaker 1: the Week, great job. Uh. Secondly, in China, the I

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00:27:15,359 --> 00:27:18,080
Speaker 1: can't pronounce it, China's I can't pronounce it. It's something

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00:27:18,160 --> 00:27:21,920
Speaker 1: in Chinese, but China's whatever the word is news Agency

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00:27:22,080 --> 00:27:29,440
Speaker 1: made its debut with a robot powered newsman. It's the

423
00:27:29,520 --> 00:27:37,400
Speaker 1: world's first virtual newsman. So fuck you, Walter Cronkite, Uh Eda, Dick,

424
00:27:37,800 --> 00:27:42,760
Speaker 1: Barbara Walters, Dan Rather, Katie Kirk. You're fucking done. Your

425
00:27:42,880 --> 00:27:49,320
Speaker 1: days are fucking numbered because China doesn't need you. China

426
00:27:49,440 --> 00:27:52,880
Speaker 1: has a virtual reality a robot you and the guy

427
00:27:52,960 --> 00:27:55,480
Speaker 1: looks like a real person. He sounds kind of robotic.

428
00:27:55,640 --> 00:27:57,359
Speaker 1: But if you're not really paying attention to you're like,

429
00:27:57,359 --> 00:27:59,360
Speaker 1: this is a real person. I'm gonna tell you something.

430
00:27:59,400 --> 00:28:02,040
Speaker 1: You sick over there in China. You ain't gonna have

431
00:28:02,160 --> 00:28:06,119
Speaker 1: no fucking robot taking my fucking job. Okay, I'm the

432
00:28:06,240 --> 00:28:09,440
Speaker 1: fucking host of this podcast. You're not getting some robot

433
00:28:10,320 --> 00:28:16,040
Speaker 1: c G I AI powered motherfucker to uh host this show. Okay,

434
00:28:17,119 --> 00:28:18,760
Speaker 1: I don't know what the fun the world's come down.

435
00:28:18,760 --> 00:28:21,240
Speaker 1: I want to I want to see a person do

436
00:28:21,400 --> 00:28:23,400
Speaker 1: the news. I don't want to fucking robot. This ain't

437
00:28:23,440 --> 00:28:28,240
Speaker 1: two thousand one Space Odyssey. Okay, I don't know where

438
00:28:28,280 --> 00:28:33,200
Speaker 1: the fuck Anderson Cooper, Bill O'Reilly and Diane Sawyer at

439
00:28:34,160 --> 00:28:37,240
Speaker 1: but I'm starting Yo. I'm with you, guys. I don't

440
00:28:37,359 --> 00:28:39,720
Speaker 1: know fucking robot trying to, like, you know, plug in

441
00:28:39,840 --> 00:28:42,880
Speaker 1: play and kick me out of being the host of

442
00:28:42,960 --> 00:28:46,120
Speaker 1: the world's greatest podcast. This here, I am Rapp Reports

443
00:28:46,120 --> 00:28:49,680
Speaker 1: Stereo Podcast China. Congratulations, you were now on the sick

444
00:28:49,880 --> 00:28:55,160
Speaker 1: Funk of the Week list. This next sick Funk of

445
00:28:55,200 --> 00:29:02,080
Speaker 1: the Week goes to, uh, the entire state of Las Vegas.

446
00:29:02,280 --> 00:29:04,560
Speaker 1: I know it's cute and it's fun, and he was beloved.

447
00:29:05,880 --> 00:29:09,240
Speaker 1: But Dennis Hoff, you know, the the the founder and

448
00:29:09,720 --> 00:29:13,880
Speaker 1: president and big daddy pimp of the famous Love Ranch

449
00:29:14,000 --> 00:29:16,520
Speaker 1: and Nevada, you know what I'm talking about. He we

450
00:29:16,600 --> 00:29:20,120
Speaker 1: we acknowledge him. He passed away. Uh. Some people were saying,

451
00:29:20,160 --> 00:29:22,040
Speaker 1: is he a stick man? Is he not a stick man?

452
00:29:22,080 --> 00:29:24,760
Speaker 1: I I think we inevitably voted on the side that

453
00:29:24,840 --> 00:29:26,800
Speaker 1: he's not a stick man. He's but he is truly

454
00:29:26,880 --> 00:29:34,160
Speaker 1: pimping Dennis Hoff. Weeks weeks after passing away. Uh he

455
00:29:34,320 --> 00:29:43,000
Speaker 1: died on October six, was still still elected and one

456
00:29:43,960 --> 00:29:49,440
Speaker 1: the Nevada legislative race. These people are so sick they

457
00:29:49,600 --> 00:29:53,440
Speaker 1: nominated and elected he actually won. God rest his soul.

458
00:29:53,760 --> 00:29:57,000
Speaker 1: He's dead. You sick fox you he's not coming back.

459
00:29:58,240 --> 00:30:01,880
Speaker 1: You're not getting a discount at the love ranch. Now,

460
00:30:01,960 --> 00:30:04,320
Speaker 1: what if they try to bring in the great Ron

461
00:30:04,440 --> 00:30:09,040
Speaker 1: Jeremy to fill his seat? You want Ronnie j Big

462
00:30:09,160 --> 00:30:10,960
Speaker 1: dick Ron as they used to call, and that's what

463
00:30:11,000 --> 00:30:13,120
Speaker 1: they used to call Ron Jeremy, one of the great

464
00:30:13,600 --> 00:30:16,040
Speaker 1: porn stars from the seventies and eighties. He's like the

465
00:30:16,440 --> 00:30:19,680
Speaker 1: the Bill Russell, the Bob Couzy of porn stars. Doesn't

466
00:30:19,720 --> 00:30:22,160
Speaker 1: get the credit he deserved. Changed the game when he

467
00:30:22,280 --> 00:30:27,520
Speaker 1: was doing it, and he was famous for sucking his

468
00:30:27,600 --> 00:30:29,240
Speaker 1: own dick. Now, I don't know if that's something that

469
00:30:29,720 --> 00:30:33,120
Speaker 1: you should be proud of, but Ron Jeremy was very

470
00:30:33,200 --> 00:30:36,640
Speaker 1: proud of it. He would suck his own dick on film,

471
00:30:37,320 --> 00:30:41,400
Speaker 1: on camera. And I believe he was Jewish, so it's

472
00:30:41,440 --> 00:30:43,480
Speaker 1: great for the Jews. Listen, we have one of the

473
00:30:43,800 --> 00:30:48,040
Speaker 1: probably the most famous male porn star uh ever. Um.

474
00:30:48,400 --> 00:30:52,640
Speaker 1: But he's known for a porn star who sucks his

475
00:30:52,720 --> 00:30:53,960
Speaker 1: own dick. I'm sorry, I don't want to say it

476
00:30:54,160 --> 00:30:57,360
Speaker 1: say it again, but that is that is true. And finally, uh,

477
00:30:57,520 --> 00:31:01,920
Speaker 1: this this is definitely a late a late uh push

478
00:31:02,120 --> 00:31:04,400
Speaker 1: for sick funk of the year. Uh. And this again,

479
00:31:04,520 --> 00:31:07,880
Speaker 1: this happened in Los Angeles, in North Hollywood. If you're

480
00:31:07,880 --> 00:31:13,200
Speaker 1: not from l A, North Hollywood is fifteen minutes from Hollywood.

481
00:31:13,840 --> 00:31:17,640
Speaker 1: They have surveillance video of this motherfucker and he looks

482
00:31:17,680 --> 00:31:23,200
Speaker 1: like a hipster fuck with a trucker hat and yellow sunglasses.

483
00:31:23,520 --> 00:31:26,960
Speaker 1: He's got a red sweatshirt on. They have surveillance video

484
00:31:27,040 --> 00:31:31,000
Speaker 1: and I swear to goodness, I would like to offer

485
00:31:31,120 --> 00:31:34,200
Speaker 1: myself up. If you put me in drag, I will

486
00:31:34,320 --> 00:31:36,720
Speaker 1: I will walk the streets in the day or night.

487
00:31:37,040 --> 00:31:38,640
Speaker 1: Maybe I can get the shooter. We can do what

488
00:31:38,720 --> 00:31:42,000
Speaker 1: we could both pass ourselves off as author orthodox women.

489
00:31:42,920 --> 00:31:47,720
Speaker 1: This sick fuck in North Hollywood, California, is walking around

490
00:31:47,800 --> 00:31:54,720
Speaker 1: North Hollywood snatching the wigs off Hasidic Jewish women. You

491
00:31:54,960 --> 00:31:58,880
Speaker 1: piece of shit, you sick fuck you. The man targeted

492
00:31:59,400 --> 00:32:03,720
Speaker 1: victims on Young Kipper September nine. He did it to

493
00:32:03,800 --> 00:32:06,840
Speaker 1: an eighty year old woman as she walked alone. You

494
00:32:06,920 --> 00:32:08,800
Speaker 1: know how scary that is. An eight year old woman

495
00:32:09,040 --> 00:32:12,880
Speaker 1: walked alone in North Hollywood. He did a couple of

496
00:32:12,960 --> 00:32:15,160
Speaker 1: days later to a thirty six year old woman. I'm

497
00:32:15,160 --> 00:32:17,840
Speaker 1: gonna put a wig on you. Fuck, I put my

498
00:32:18,080 --> 00:32:22,600
Speaker 1: fucking wig on. I'll put a fucking dress on. Come

499
00:32:22,720 --> 00:32:26,960
Speaker 1: snatch my fucking wig, you crieck cock suck? Are you

500
00:32:27,960 --> 00:32:32,640
Speaker 1: you wig snatching? Mother fuck? Are you? Come snatch my

501
00:32:32,880 --> 00:32:38,760
Speaker 1: fucking wig. I'm gonna fucking tackle your fucking ass. And

502
00:32:38,840 --> 00:32:41,760
Speaker 1: when I'm fucking laying on you, You're gonna feel a

503
00:32:41,880 --> 00:32:45,160
Speaker 1: fucking bulge in my pants. And yes it's gonna be

504
00:32:45,520 --> 00:32:48,920
Speaker 1: because I'm happy to see you, you cock suck? Are

505
00:32:49,000 --> 00:32:55,320
Speaker 1: you you? Wig snatching? Perfect sunglass hipster wearing motherfuck? Are you?

506
00:32:58,240 --> 00:33:00,520
Speaker 1: Anybody in North Hollywood be on to look out for

507
00:33:00,640 --> 00:33:03,239
Speaker 1: this piece of shit. They got a picture of him,

508
00:33:03,240 --> 00:33:06,120
Speaker 1: hopefully hopefully they identify him. And I want to follow up.

509
00:33:06,440 --> 00:33:09,320
Speaker 1: If anybody sees any follow up news on this fucking clown,

510
00:33:10,080 --> 00:33:14,520
Speaker 1: this piece of ship punk wig snatching fuck, please let

511
00:33:14,600 --> 00:33:17,200
Speaker 1: us know what the Iron rapp Rewards stereo podcast because

512
00:33:17,200 --> 00:33:20,720
Speaker 1: I I that's just terrible to do that to terrible,

513
00:33:20,760 --> 00:33:23,120
Speaker 1: to do that to a woman it's it's considered a

514
00:33:23,160 --> 00:33:26,160
Speaker 1: hate crime. Uh and to do that to an eighty

515
00:33:26,240 --> 00:33:30,680
Speaker 1: year old woman who's a practicing uh Hasidic Jew or whatever,

516
00:33:30,800 --> 00:33:32,640
Speaker 1: even if even if they weren't to just run up

517
00:33:32,680 --> 00:33:35,080
Speaker 1: on people and do that ship, but now to know

518
00:33:35,200 --> 00:33:38,000
Speaker 1: that he's doing it because they are Jewish. Woman. Fuck

519
00:33:38,120 --> 00:33:40,600
Speaker 1: this guy, and he's got no lips by the way,

520
00:33:40,640 --> 00:33:43,680
Speaker 1: he looks like Toby McGuire looking. Motherfucker. All Right, I've

521
00:33:43,720 --> 00:33:47,480
Speaker 1: said it all. I've said every single thing I could

522
00:33:47,520 --> 00:33:51,080
Speaker 1: possibly say. I've been talking about this for a week,

523
00:33:51,600 --> 00:33:53,920
Speaker 1: probably a little bit more than a week. We've been

524
00:33:54,000 --> 00:33:57,280
Speaker 1: celebrating it at the Iron Rapports stereo podcast all week long.

525
00:33:57,640 --> 00:34:01,040
Speaker 1: The last three podcast we've talked about different things, different

526
00:34:01,120 --> 00:34:06,160
Speaker 1: reasons why Midnight Marauders and enter the thirty six Chambers

527
00:34:06,480 --> 00:34:10,240
Speaker 1: by tripical Quest and Wu Tang Clan is so Special

528
00:34:10,560 --> 00:34:13,839
Speaker 1: without further ado Coming up next on the I Am

529
00:34:13,960 --> 00:34:21,040
Speaker 1: Rappaport stereo podcast, Method Man, followed up by Q tip

530
00:34:23,280 --> 00:34:27,160
Speaker 1: Let's trust me. I know this. Men are terrible at

531
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Speaker 1: taking care of their health, whether it's a knee injury,

532
00:34:30,640 --> 00:34:34,040
Speaker 1: a bad back, a bad elbow, or something worth Guys

533
00:34:34,360 --> 00:34:37,560
Speaker 1: are usually more comfortable rubbing some dirt on it than

534
00:34:37,640 --> 00:34:41,400
Speaker 1: seeing a doctor. The same is true for erectile dysfunction.

535
00:34:42,120 --> 00:34:46,320
Speaker 1: That's just the fact e D erectile dysfunction. It's not

536
00:34:46,440 --> 00:34:49,520
Speaker 1: something that we're proud of, but studies show about seventy

537
00:34:50,080 --> 00:34:52,960
Speaker 1: guys who experience e D don't even get it treated,

538
00:34:53,480 --> 00:34:55,160
Speaker 1: and it is nothing to be ashamed of it. It

539
00:34:55,280 --> 00:34:59,640
Speaker 1: is something that you can get treated. Thankfully, Roman created

540
00:34:59,680 --> 00:35:01,680
Speaker 1: in the e easy way to get checked out by

541
00:35:01,760 --> 00:35:07,640
Speaker 1: a doctor and get treated for e D privately, discreetly online.

542
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Speaker 1: Roman is a one stop shop where licensed US physicians

543
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Speaker 1: can diagnose e D and ship medication discreetly to your door.

544
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Speaker 1: No waiting rooms, no uncomfortable, embarrassing face to face conversations,

545
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Speaker 1: and no standing in lines at pharmacies. We could just

546
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Speaker 1: be miserable. At Roman, you can now handle everything discreetly online.

547
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548
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Speaker 1: com slash champ. That's get roman dot com slash champ,

549
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Speaker 1: bill out a brief medical onboarding, chat with the doctor

550
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551
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Speaker 1: to your door in a discreet, unmarked package. For a

552
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Speaker 1: free online visit, go to get Roman dot com slash champ.

553
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Speaker 1: That's get roman dot com slash champ. For a free

554
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Speaker 1: online visit, check out get ron dot com slash champ

555
00:36:02,600 --> 00:36:14,520
Speaker 1: now and don't feel any shamed about it, all right,

556
00:36:15,680 --> 00:36:21,480
Speaker 1: M E T h O D man ha ha. It's

557
00:36:21,480 --> 00:36:26,080
Speaker 1: a humongous day in hip hop in my opinion, one

558
00:36:26,160 --> 00:36:28,480
Speaker 1: of the one of the great days in hip hop. Obviously,

559
00:36:29,239 --> 00:36:32,920
Speaker 1: you know history, uh well tells all the tales. Twenty

560
00:36:33,080 --> 00:36:38,200
Speaker 1: five motherfucking years ago. On the same day, which you

561
00:36:38,280 --> 00:36:41,280
Speaker 1: can't predict or make these things, uh you know, happen

562
00:36:41,840 --> 00:36:46,839
Speaker 1: with any premeditation, twenty five years ago, two records came

563
00:36:46,880 --> 00:36:51,400
Speaker 1: out on the same day, Enter the thirty six Chambers

564
00:36:52,280 --> 00:36:55,719
Speaker 1: by your group, the Wu Tang Clan, and on the

565
00:36:55,880 --> 00:36:59,880
Speaker 1: same day the third tribe called Quest record Midnight Reward

566
00:37:00,000 --> 00:37:04,279
Speaker 1: as Dropped, which when you look back on it's fucking nuts.

567
00:37:04,320 --> 00:37:09,759
Speaker 1: So I wanted to talk to you about Midnight Marauders

568
00:37:09,920 --> 00:37:13,480
Speaker 1: and Tripical Quest because, uh, you know, obviously you know

569
00:37:13,600 --> 00:37:17,359
Speaker 1: you could talk about Wu Tang at Nauseum at Beautiful Norse,

570
00:37:17,840 --> 00:37:21,400
Speaker 1: but speak about Trick, talk about about that record, what

571
00:37:21,560 --> 00:37:24,000
Speaker 1: you remember about that record, what you like about that record,

572
00:37:24,040 --> 00:37:26,680
Speaker 1: because the groups, you guys were like coming from the

573
00:37:26,840 --> 00:37:30,640
Speaker 1: same chambers, but totally different. Like the sounds when you

574
00:37:30,719 --> 00:37:34,160
Speaker 1: look back at the record, the sounds are so different, Um,

575
00:37:34,320 --> 00:37:38,440
Speaker 1: but they're so well crafted. And the e collectiveness of

576
00:37:38,560 --> 00:37:41,359
Speaker 1: the m c s and you know, the whole clan

577
00:37:41,560 --> 00:37:44,279
Speaker 1: and then Fife and Tip and Ali. So just just

578
00:37:44,440 --> 00:37:47,960
Speaker 1: speak on on Tribe and Midnight Marauders and that record

579
00:37:47,960 --> 00:37:50,279
Speaker 1: of what it means to you, all right, Well, first

580
00:37:50,320 --> 00:37:53,040
Speaker 1: of all, it was recorded, well part of it was

581
00:37:53,080 --> 00:37:57,239
Speaker 1: recorded at Battery Studios, which is a staple in New

582
00:37:57,360 --> 00:38:00,080
Speaker 1: York for hip hop. A lot of people record that

583
00:38:00,600 --> 00:38:03,960
Speaker 1: their albums and Battery Studios, whether it's the sound or

584
00:38:04,040 --> 00:38:07,320
Speaker 1: maybe just the atmosphere was always dope in there. But

585
00:38:07,560 --> 00:38:10,120
Speaker 1: for me, were really stood out about that album, not

586
00:38:10,280 --> 00:38:14,040
Speaker 1: just to cover, but they had dropped it on Midnight

587
00:38:15,200 --> 00:38:18,360
Speaker 1: at um at Um What was the name of that store.

588
00:38:18,400 --> 00:38:23,120
Speaker 1: It was right there in the village on Tower Records,

589
00:38:23,200 --> 00:38:26,839
Speaker 1: bro Chiwer Records. They had an in store there, right

590
00:38:27,200 --> 00:38:32,920
Speaker 1: and I remember Um this was their third studio album

591
00:38:33,120 --> 00:38:37,640
Speaker 1: and at this point Native Tongues was pretty much defunct,

592
00:38:38,440 --> 00:38:43,400
Speaker 1: even though we respected the movement. She Tip, Fight Ali

593
00:38:44,160 --> 00:38:51,279
Speaker 1: and let's let's not forget um Roby Um, they kept

594
00:38:51,320 --> 00:38:56,840
Speaker 1: the movement going, but they went they didn't. They stayed conscious,

595
00:38:57,400 --> 00:39:01,640
Speaker 1: but it was more. This album was more and eclectic

596
00:39:01,800 --> 00:39:07,680
Speaker 1: type of if that's even possible, eclectic hip hop, from

597
00:39:07,719 --> 00:39:13,839
Speaker 1: electric relaxation to a war tour to oh my god, um,

598
00:39:15,160 --> 00:39:17,640
Speaker 1: I mean ship they put it down, Mike, What could

599
00:39:17,640 --> 00:39:21,000
Speaker 1: I say? Man? That album was five mics and the source,

600
00:39:21,040 --> 00:39:25,600
Speaker 1: which at that point was unheard of, especially for a

601
00:39:25,680 --> 00:39:30,359
Speaker 1: group that wasn't considered a hardcore rap group. And it's

602
00:39:30,400 --> 00:39:34,600
Speaker 1: crazy because obviously Wu Tang it was hardcore, and Tribe,

603
00:39:35,120 --> 00:39:38,320
Speaker 1: you know, it wasn't considered hardcore. But one of the

604
00:39:38,400 --> 00:39:40,480
Speaker 1: things that Tribe was it was so interesting is that

605
00:39:40,600 --> 00:39:45,239
Speaker 1: they appealed to the hardcore audience. And it's a weird

606
00:39:45,320 --> 00:39:47,960
Speaker 1: balance because like the beats and and the essence of it,

607
00:39:48,360 --> 00:39:50,759
Speaker 1: it wasn't like they were on some flower ship. And

608
00:39:50,880 --> 00:39:53,799
Speaker 1: even with the peace positivity and when they first came

609
00:39:53,840 --> 00:39:56,560
Speaker 1: out with the the Chikis and all that ship, like

610
00:39:56,719 --> 00:40:00,319
Speaker 1: the music was so New York. It was so get hype,

611
00:40:00,560 --> 00:40:02,480
Speaker 1: you know what I mean? Yeah, but that was a

612
00:40:02,560 --> 00:40:05,240
Speaker 1: reflection of the times, the Dashikis and all that, because

613
00:40:05,320 --> 00:40:09,680
Speaker 1: they made it cool to wear African beans. You know,

614
00:40:10,080 --> 00:40:13,080
Speaker 1: instead of jewelry and all the golden and stuff like that,

615
00:40:13,600 --> 00:40:19,080
Speaker 1: they made the things that they cared about attainable for everybody. Man.

616
00:40:19,239 --> 00:40:21,880
Speaker 1: So you know that grounded, that grounded in this right there.

617
00:40:22,000 --> 00:40:25,360
Speaker 1: Hip Hop's gonna respect that. Whether it's um P M,

618
00:40:25,480 --> 00:40:30,600
Speaker 1: Dawn or cares One. If it's grounded and it's good,

619
00:40:31,280 --> 00:40:33,360
Speaker 1: hip hop's gonna respect it. I don't know where that

620
00:40:33,560 --> 00:40:37,920
Speaker 1: changed that over the years, but Tribe definitely had a major,

621
00:40:38,640 --> 00:40:42,240
Speaker 1: major influence in the game, and when Midnight Marauders dropped,

622
00:40:42,280 --> 00:40:45,800
Speaker 1: it solidified them as one of the premiyer groups in

623
00:40:45,960 --> 00:40:49,319
Speaker 1: hip hop. Were you guys aware, I mean, you guys

624
00:40:49,360 --> 00:40:51,680
Speaker 1: were like, you know, hungry it was the first time out,

625
00:40:52,040 --> 00:40:54,239
Speaker 1: Like were you aware, Like, oh, ship, we're dropping our

626
00:40:54,320 --> 00:40:56,479
Speaker 1: first record. At the same time, like at this time,

627
00:40:57,080 --> 00:40:59,120
Speaker 1: Tribe was at the pinnacle of their ship. It was

628
00:40:59,200 --> 00:41:02,120
Speaker 1: like you knew Tribe, you knew men that Routers was coming.

629
00:41:02,680 --> 00:41:05,279
Speaker 1: You know, there're three records in their stars. Were you

630
00:41:05,360 --> 00:41:07,560
Speaker 1: guys aware, like, fun, maybe we should wait, you know

631
00:41:07,719 --> 00:41:11,600
Speaker 1: till next Tuesday or anything like that. Honestly, I personally

632
00:41:11,680 --> 00:41:13,600
Speaker 1: didn't care because I knew that what we had to

633
00:41:13,719 --> 00:41:16,680
Speaker 1: offer was totally different than what tribe was offering. Plus

634
00:41:16,719 --> 00:41:19,760
Speaker 1: I really liked those dudes. But of course record labels

635
00:41:19,800 --> 00:41:23,560
Speaker 1: are very conscious of these things. And I think the

636
00:41:23,800 --> 00:41:26,880
Speaker 1: major push that they got was that five mics and

637
00:41:26,960 --> 00:41:29,200
Speaker 1: the source when that ship really meant, you know what

638
00:41:29,280 --> 00:41:33,840
Speaker 1: I mean? And and then coming from the Native Tongue movement,

639
00:41:34,320 --> 00:41:38,560
Speaker 1: we respected them. We respected them first and foremost because

640
00:41:38,640 --> 00:41:40,439
Speaker 1: of that movement, you know what I mean. There wasn't

641
00:41:40,480 --> 00:41:42,920
Speaker 1: no buffoonery and ship going on that That was some

642
00:41:43,080 --> 00:41:47,200
Speaker 1: serious ship and and and it's not for real. I mean,

643
00:41:47,320 --> 00:41:48,960
Speaker 1: come on, look at look at the people that came

644
00:41:48,960 --> 00:41:53,759
Speaker 1: out of that movement. They lost. So Jungle Brothers, Latifa, uh,

645
00:41:54,000 --> 00:41:57,759
Speaker 1: money Love, UM, a lot of well, that's that's all

646
00:41:57,800 --> 00:41:59,200
Speaker 1: I can name, right, Yeah, I mean it was and

647
00:41:59,320 --> 00:42:02,680
Speaker 1: you know, beat Nuts was around it, Uh, Brand Nubians

648
00:42:02,800 --> 00:42:05,480
Speaker 1: was around it. I mean, people forget how good Jungle

649
00:42:05,560 --> 00:42:09,400
Speaker 1: Brothers was a motherfucker. That first album is a fucking

650
00:42:09,920 --> 00:42:11,920
Speaker 1: and the second album, but that first album is a

651
00:42:12,080 --> 00:42:16,520
Speaker 1: fucking beast, the whole fucking album. Yeah, that that song,

652
00:42:16,719 --> 00:42:19,120
Speaker 1: Jim Browski, I ain't gonna lie. I think I might

653
00:42:19,160 --> 00:42:21,160
Speaker 1: have been the last person to know what the hell

654
00:42:21,280 --> 00:42:24,520
Speaker 1: Jim Browski meant and when I got it. When I

655
00:42:24,680 --> 00:42:27,520
Speaker 1: got it, I felt like that part of the M crowd,

656
00:42:27,719 --> 00:42:30,160
Speaker 1: you know what I mean, the same ship with Wu Tang,

657
00:42:30,239 --> 00:42:34,040
Speaker 1: Like when people started to here our different philosophies in

658
00:42:34,120 --> 00:42:36,560
Speaker 1: our way of life, and you know how thirty six

659
00:42:36,640 --> 00:42:39,479
Speaker 1: and is nine members and three and six equals nine

660
00:42:39,560 --> 00:42:41,200
Speaker 1: and a bunch of ship, you know what I mean,

661
00:42:41,320 --> 00:42:44,000
Speaker 1: the squares on the chess board and all that. When

662
00:42:44,080 --> 00:42:49,000
Speaker 1: people started to to break that ship down, it was like,

663
00:42:49,080 --> 00:42:52,239
Speaker 1: wait a minute, you ain't up on Wu Tang that

664
00:42:52,960 --> 00:42:55,160
Speaker 1: it sounds like some And then they started to break

665
00:42:55,200 --> 00:42:58,680
Speaker 1: down the different members and the and the different luction

666
00:42:58,760 --> 00:43:02,320
Speaker 1: and it was like, Yo, these incredible. That's how I

667
00:43:02,480 --> 00:43:06,560
Speaker 1: felt about Tribe Day Live and all those dudes, man,

668
00:43:06,960 --> 00:43:10,280
Speaker 1: because Q Tip actually came up underneath the Jungle Brothers.

669
00:43:10,360 --> 00:43:13,920
Speaker 1: It was a stone called the promo. Right. Basically they

670
00:43:13,920 --> 00:43:19,080
Speaker 1: are they are responsible for a tribe called Quest Let's

671
00:43:19,120 --> 00:43:22,160
Speaker 1: just put it that way, yo, even black sheet, right,

672
00:43:22,400 --> 00:43:25,200
Speaker 1: black sheet, I mean the fucking native tongues they were.

673
00:43:25,680 --> 00:43:30,279
Speaker 1: That was a long, fucking, beautiful, fucking list of motherfucker's

674
00:43:30,440 --> 00:43:33,960
Speaker 1: and and even if they were an official native yes,

675
00:43:34,800 --> 00:43:38,520
Speaker 1: speak on on the contrast of Tip and Fife and

676
00:43:38,680 --> 00:43:41,239
Speaker 1: what worked because at that time you're you're a fan,

677
00:43:41,400 --> 00:43:43,680
Speaker 1: like you know before you're doing it, the reason why

678
00:43:43,760 --> 00:43:45,920
Speaker 1: you start doing this because you're a fan. But speak

679
00:43:46,000 --> 00:43:48,680
Speaker 1: on on those two guys and what worked so so

680
00:43:48,840 --> 00:43:55,240
Speaker 1: well about Tipping Fife's contrast alright? Well, Tip was always

681
00:43:55,360 --> 00:43:59,840
Speaker 1: that smooth. He always came across as the smooth conscious

682
00:44:00,000 --> 00:44:04,560
Speaker 1: of that wasn't above having a good time. Fife always

683
00:44:04,600 --> 00:44:09,600
Speaker 1: struck me as that hardcore underground hip hop. And see backwards,

684
00:44:09,640 --> 00:44:12,680
Speaker 1: if you looked up in the dictionary, you see a

685
00:44:12,760 --> 00:44:16,279
Speaker 1: picture Fife dog there, you know what I mean? Um?

686
00:44:16,719 --> 00:44:19,240
Speaker 1: And they worked so well together, not just the tones

687
00:44:19,320 --> 00:44:22,360
Speaker 1: of their voices, but the fact that there was something

688
00:44:22,800 --> 00:44:25,799
Speaker 1: for everybody if you liked it. Hardcore had Fife, if

689
00:44:25,840 --> 00:44:28,520
Speaker 1: you liked the conscious and and just that party vibe

690
00:44:28,920 --> 00:44:35,759
Speaker 1: and I mean Tipping smoothest voices in the game. And

691
00:44:35,880 --> 00:44:38,200
Speaker 1: he proved that when he came with his solo joint

692
00:44:38,320 --> 00:44:40,759
Speaker 1: and you know, from Vibrant Thing to all the other

693
00:44:40,880 --> 00:44:43,520
Speaker 1: singles that he had off of that joint, and they

694
00:44:43,560 --> 00:44:46,399
Speaker 1: were well passed their hey day. When Q Tip came

695
00:44:46,440 --> 00:44:49,239
Speaker 1: out with those records and scored, you know what I mean?

696
00:44:49,680 --> 00:44:53,640
Speaker 1: But that voice alone lures you in, and Fife Dog

697
00:44:54,480 --> 00:44:58,359
Speaker 1: is what kept you there, right right right? That makes sense? Um,

698
00:44:59,200 --> 00:45:00,960
Speaker 1: all right, well rememb didn't. I just wanted to have

699
00:45:01,120 --> 00:45:03,520
Speaker 1: you speak on it. I mean I was like like

700
00:45:03,880 --> 00:45:05,759
Speaker 1: just you know, when I was thinking about like you know,

701
00:45:05,880 --> 00:45:08,600
Speaker 1: this this day, like and as a fan and and uh,

702
00:45:09,680 --> 00:45:13,640
Speaker 1: you know, like those two records, and like how they're

703
00:45:13,719 --> 00:45:16,440
Speaker 1: just so fucking great and you go, you think twenty

704
00:45:16,520 --> 00:45:19,160
Speaker 1: five years later, you think, first of all, getting fucking old,

705
00:45:19,520 --> 00:45:22,520
Speaker 1: and second of all, like you know, you know, I've

706
00:45:22,560 --> 00:45:24,239
Speaker 1: been listening to them, you know, because like for me,

707
00:45:24,360 --> 00:45:26,080
Speaker 1: it's like just such a fan, you know, like I'm

708
00:45:26,120 --> 00:45:28,239
Speaker 1: trying to listen to them, you know, like for the

709
00:45:28,320 --> 00:45:32,560
Speaker 1: first time, and both the records, you know, the musicality,

710
00:45:32,760 --> 00:45:36,600
Speaker 1: all your voices, Tribe and Wootang, all your voices, they're

711
00:45:36,640 --> 00:45:40,799
Speaker 1: just they're like classic American music, you know, and uh,

712
00:45:41,560 --> 00:45:43,400
Speaker 1: it's just it was just such a special time and

713
00:45:43,520 --> 00:45:46,200
Speaker 1: like that entire year, so much ship dropped, you know,

714
00:45:46,440 --> 00:45:52,320
Speaker 1: Black Moon, U Tupac, I mean, fucking KRS one, Black Sunday, Cyper.

715
00:45:52,360 --> 00:45:54,440
Speaker 1: So it was a fucking ninth This is just you know,

716
00:45:54,480 --> 00:45:59,520
Speaker 1: a few records in one year. So it's just a

717
00:45:59,640 --> 00:46:04,279
Speaker 1: special time. And Uh, one specific Woo Tank question that

718
00:46:04,400 --> 00:46:06,920
Speaker 1: I that I wanted to ask you is what the

719
00:46:07,040 --> 00:46:09,600
Speaker 1: funk ever happened to the Killer tap? Where's the Killer

720
00:46:09,680 --> 00:46:16,440
Speaker 1: Tate method? Actually, uh, the camera I gave Chef a

721
00:46:16,560 --> 00:46:20,960
Speaker 1: Killer Tate was like, here's your Killer Tate back, Chef actuality.

722
00:46:21,000 --> 00:46:23,560
Speaker 1: The real story is it was my killer tape. I

723
00:46:23,719 --> 00:46:27,680
Speaker 1: bought a bootleg and that ship floated around everybody's cramping

724
00:46:27,760 --> 00:46:30,560
Speaker 1: the hood and I never got that ship back. So

725
00:46:30,760 --> 00:46:33,640
Speaker 1: that was like that was like an inside joke around

726
00:46:33,680 --> 00:46:36,480
Speaker 1: the way you Makiller take Back, and it just made

727
00:46:36,520 --> 00:46:40,360
Speaker 1: it onto the album man, which just shows that the

728
00:46:40,520 --> 00:46:44,480
Speaker 1: things that we find normal, that we normalized around our

729
00:46:44,560 --> 00:46:47,799
Speaker 1: everyday lives and ship is intriguing to somebody that wasn't

730
00:46:48,600 --> 00:46:51,520
Speaker 1: from there, you know, and that's the beauty of hip hop.

731
00:46:51,560 --> 00:46:54,400
Speaker 1: It's like you opening your door inviting people into your

732
00:46:54,480 --> 00:46:58,719
Speaker 1: home on some Mr. Rogers ship. All right, Well, Matt,

733
00:46:58,760 --> 00:47:00,600
Speaker 1: I just wanted to just you know, have you speak

734
00:47:00,640 --> 00:47:02,680
Speaker 1: on this ship and you know, like I said, you know,

735
00:47:02,760 --> 00:47:04,680
Speaker 1: I funk with you, I'm a fan of yours and

736
00:47:04,880 --> 00:47:07,640
Speaker 1: just you know, like that both those records in that

737
00:47:07,800 --> 00:47:10,600
Speaker 1: time and obviously thirty six Chambers mean so fucking much

738
00:47:11,120 --> 00:47:14,920
Speaker 1: to me and so many people, and you know, I

739
00:47:15,000 --> 00:47:17,960
Speaker 1: mean obviously right not to cut you off, but that

740
00:47:18,320 --> 00:47:23,520
Speaker 1: that record right there helped to establish the second golden

741
00:47:23,600 --> 00:47:25,759
Speaker 1: Ajia hip hop, because they always say the nineties is

742
00:47:25,840 --> 00:47:28,719
Speaker 1: the golden aj hip hop that set it off right there?

743
00:47:29,360 --> 00:47:32,359
Speaker 1: No DK, Yeah you know what I'm saying. Yeah, yeah,

744
00:47:33,000 --> 00:47:35,799
Speaker 1: sot that out. Q Tip and all those dudes, man,

745
00:47:36,160 --> 00:47:41,640
Speaker 1: Q Tip Fife resting rest in Paradise, Roby Ali Ali

746
00:47:41,760 --> 00:47:43,800
Speaker 1: still doing this thing. Lucy Pearl is one of my

747
00:47:43,880 --> 00:47:46,680
Speaker 1: favorite bangs. Bro Yo, what did you just say something

748
00:47:46,719 --> 00:47:51,720
Speaker 1: about it? There's a documentary? Yeah, it's documentary. Oh ship,

749
00:47:52,680 --> 00:47:56,200
Speaker 1: all right, well I gotta check that. Where's it gonna be? Um?

750
00:47:57,080 --> 00:47:59,279
Speaker 1: I don't know what channel they're gonna be on? No

751
00:47:59,440 --> 00:48:03,080
Speaker 1: Master did it? And Ghost just post this something about it?

752
00:48:03,160 --> 00:48:07,319
Speaker 1: But Ghost is an executive producer. Son know these things?

753
00:48:08,480 --> 00:48:10,759
Speaker 1: All right? Matt, Well, I appreciate you. You're coming on

754
00:48:10,840 --> 00:48:12,960
Speaker 1: the podcast again, and uh, you know, you know, I

755
00:48:13,000 --> 00:48:16,080
Speaker 1: don't do anything for you the rapper, come on, man

756
00:48:16,280 --> 00:48:19,080
Speaker 1: met the cow my motherfucking man, like I always get like,

757
00:48:19,160 --> 00:48:21,399
Speaker 1: oh Ship, Matt is coming to funk with me man,

758
00:48:21,480 --> 00:48:26,640
Speaker 1: I funk with you hard, Matt. Thank you brother. I'll

759
00:48:26,680 --> 00:48:29,359
Speaker 1: talk to you soon, my man. All right. Shout out

760
00:48:29,400 --> 00:48:38,240
Speaker 1: to Ernie Petticola, peace piece, Fellas. Confidence is important, okay.

761
00:48:38,680 --> 00:48:42,719
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762
00:48:42,800 --> 00:48:46,800
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763
00:48:46,800 --> 00:48:48,879
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764
00:48:49,000 --> 00:48:51,200
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765
00:48:51,239 --> 00:48:56,920
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766
00:48:57,080 --> 00:48:59,919
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767
00:49:00,320 --> 00:49:03,160
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768
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769
00:49:07,640 --> 00:49:10,359
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770
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771
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772
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773
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774
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775
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776
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777
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779
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781
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782
00:49:59,800 --> 00:50:17,960
Speaker 1: the club. What up? Que tipped? The abstract? That is,

783
00:50:18,000 --> 00:50:20,480
Speaker 1: I s do your students? And then why you call

784
00:50:20,560 --> 00:50:27,239
Speaker 1: you professor? Yo? It's crazy. I got some chicks sing

785
00:50:27,360 --> 00:50:34,160
Speaker 1: me as my professor song? How does it go? Prossy

786
00:50:34,800 --> 00:50:40,600
Speaker 1: me a boy? What's the story? Was? The story? Was

787
00:50:40,640 --> 00:50:44,360
Speaker 1: the story? You know? People keep saying, why don't you

788
00:50:44,400 --> 00:50:46,480
Speaker 1: put out some music? There's your fucking hook for your

789
00:50:46,520 --> 00:50:50,799
Speaker 1: next joint. You're sucking around, You're sitting on a hit

790
00:50:50,880 --> 00:50:59,120
Speaker 1: there as it is hilarious. Mikey raps, what's going on

791
00:50:59,280 --> 00:51:02,600
Speaker 1: with this? Get hump up a country that I love

792
00:51:02,760 --> 00:51:07,560
Speaker 1: so much? Fucking ding bats out here fucking slinging all

793
00:51:07,640 --> 00:51:11,360
Speaker 1: this ship. I can't even make motherfucking heads or tails

794
00:51:11,440 --> 00:51:15,280
Speaker 1: and his ship you got, motherfucker's not wanting to fucking recuse,

795
00:51:16,600 --> 00:51:20,160
Speaker 1: just recuse you cocksucker. This guy, I just I never

796
00:51:20,280 --> 00:51:23,560
Speaker 1: heard that word, be honest, listen, being up a fucking

797
00:51:23,640 --> 00:51:28,800
Speaker 1: heard this fucking Encyclopedia Joe word ever my fucking life,

798
00:51:29,239 --> 00:51:32,000
Speaker 1: and you read books and ship and I read fucking

799
00:51:32,080 --> 00:51:35,279
Speaker 1: books and all that ship. I'm upset, Mike. It's a

800
00:51:35,400 --> 00:51:38,560
Speaker 1: fucking ship show. People are getting shot left and right,

801
00:51:38,960 --> 00:51:43,839
Speaker 1: people going up to synagogues and malls and fucking it's

802
00:51:43,880 --> 00:51:48,120
Speaker 1: going crazy. What the fuck? Yo? But do you sometimes,

803
00:51:48,440 --> 00:51:50,239
Speaker 1: like when you're alone, you could be like on the

804
00:51:50,719 --> 00:51:53,560
Speaker 1: the treadmill, or if you're driving, or even if you're

805
00:51:53,600 --> 00:51:55,799
Speaker 1: like you're brushing your teeth, do you ever like sit

806
00:51:55,880 --> 00:51:57,839
Speaker 1: there when you have a quiet moment and be like, Yo,

807
00:51:58,040 --> 00:52:01,839
Speaker 1: I'm from the same counting queen as Dick Staining Donald Trump?

808
00:52:02,080 --> 00:52:05,000
Speaker 1: Like does that ever? Like does that ever? Has that

809
00:52:05,080 --> 00:52:06,840
Speaker 1: woken you up out of your sleep? The fact that

810
00:52:06,920 --> 00:52:10,040
Speaker 1: you're from the exact same not even from Queen's Like

811
00:52:10,160 --> 00:52:13,080
Speaker 1: he's from your county, right. I try not to think

812
00:52:13,160 --> 00:52:16,320
Speaker 1: about that ship, to be honest, I was like, this

813
00:52:16,680 --> 00:52:23,040
Speaker 1: mother fucking waspy, waspy motherfucker is from the hood. You

814
00:52:23,160 --> 00:52:28,160
Speaker 1: know he's staying to borrow. He fucked us up big time. Yeah,

815
00:52:28,160 --> 00:52:30,720
Speaker 1: I mean yeah, there's been a lot of wild from queens.

816
00:52:30,960 --> 00:52:34,759
Speaker 1: We may need to give run DMC and LLL and

817
00:52:35,640 --> 00:52:38,400
Speaker 1: pity and all the Jamaica casts to come out do

818
00:52:38,560 --> 00:52:43,040
Speaker 1: a fucking uh Kumbaya concert in Jamaica Park something something,

819
00:52:43,160 --> 00:52:51,440
Speaker 1: get fifty and job rule to make up? Yo, um man.

820
00:52:51,719 --> 00:52:54,480
Speaker 1: But before I get into this thirty six chambership that

821
00:52:54,560 --> 00:52:58,440
Speaker 1: I'm so hyped to talk to you about, you know,

822
00:52:59,160 --> 00:53:01,000
Speaker 1: how are you feeling in b A wise? Because because

823
00:53:01,080 --> 00:53:03,920
Speaker 1: a lot of motherfucker's don't know how hard body you

824
00:53:04,040 --> 00:53:09,920
Speaker 1: are with your NBA. Obviously, the great five Dog, you know,

825
00:53:10,000 --> 00:53:14,040
Speaker 1: he did a lot of the sports references, um and

826
00:53:14,160 --> 00:53:16,040
Speaker 1: he was the sports guy. But one of the things

827
00:53:16,120 --> 00:53:18,880
Speaker 1: that I know, you guys, you know growing up his friends,

828
00:53:19,000 --> 00:53:21,760
Speaker 1: you guys were both sports heads. But you're like an NBA,

829
00:53:22,840 --> 00:53:26,279
Speaker 1: you know, like a low key NBA dude. Where are

830
00:53:26,320 --> 00:53:30,879
Speaker 1: you at with the NBA right now? Man? Look, I've

831
00:53:30,880 --> 00:53:33,640
Speaker 1: been getting turned thought like, I mean, I'll still look

832
00:53:33,719 --> 00:53:35,759
Speaker 1: at it, you know, That's it why I'm still follow it,

833
00:53:36,520 --> 00:53:38,799
Speaker 1: you know, I tell you, wait a minute, did Duke

834
00:53:38,880 --> 00:53:41,719
Speaker 1: be Kansas last night? They beat their ass? Yeah? Oh

835
00:53:41,840 --> 00:53:44,600
Speaker 1: my god, they're gonna go and defeat it. You know,

836
00:53:44,640 --> 00:53:46,400
Speaker 1: they should be in the D League. They should take

837
00:53:46,440 --> 00:53:48,080
Speaker 1: them out of n t A and just put him

838
00:53:48,120 --> 00:53:50,600
Speaker 1: in the D League because there's three dudes on that

839
00:53:50,719 --> 00:53:53,320
Speaker 1: team that could literally be the one, two and three picks.

840
00:53:53,320 --> 00:53:56,839
Speaker 1: You know, they kind of remind me of a low

841
00:53:56,960 --> 00:54:01,960
Speaker 1: key like you and l V and in Angy yep

842
00:54:02,160 --> 00:54:06,160
Speaker 1: dad squad. They Yo, they could go undefeated and winning

843
00:54:06,160 --> 00:54:10,080
Speaker 1: the chick. They could do some fucking luol sending the

844
00:54:10,200 --> 00:54:14,440
Speaker 1: fucking fucking John Boy UCLA ship. Yeah, they're they're on

845
00:54:14,600 --> 00:54:17,720
Speaker 1: some ship. That kid, Zion Williams is like, oh my god,

846
00:54:17,880 --> 00:54:25,560
Speaker 1: he's a problem. Ah he got fucking hops and hends.

847
00:54:26,560 --> 00:54:29,360
Speaker 1: Oh my god. But see, they ain't really got a

848
00:54:29,440 --> 00:54:31,680
Speaker 1: Jimmy out there, and I nobody shooting the shooting the

849
00:54:31,719 --> 00:54:35,319
Speaker 1: shooting the tray whop out there. You know what I'm saying.

850
00:54:35,840 --> 00:54:37,919
Speaker 1: They gotta get somebody to flash that. But they don't

851
00:54:37,920 --> 00:54:39,919
Speaker 1: really need that. Man, he's so quick and that. Okay,

852
00:54:40,000 --> 00:54:42,560
Speaker 1: So the n B A I digress. You give me Mike.

853
00:54:43,440 --> 00:54:47,239
Speaker 1: That shows you how how lackluster nicks off. But I

854
00:54:47,520 --> 00:54:52,279
Speaker 1: you know, I am. I'm optimistic about our coach, you

855
00:54:52,320 --> 00:54:54,600
Speaker 1: know what I'm saying. He seemed like he's like on

856
00:54:54,800 --> 00:54:57,480
Speaker 1: his own ship, Like he's not taking no ship. No,

857
00:54:57,640 --> 00:55:00,040
Speaker 1: he's good. He understands what it is, and he know,

858
00:55:00,160 --> 00:55:02,520
Speaker 1: he knows he's playing. He's playing a lot of young horses.

859
00:55:03,160 --> 00:55:06,200
Speaker 1: I'm you know, I think the Lakers. You know, obviously

860
00:55:06,280 --> 00:55:10,960
Speaker 1: everybody looks at the Lakers because Lebron um that shou

861
00:55:11,000 --> 00:55:17,279
Speaker 1: ain't gonna get together. Yeah, you know, I don't know, man,

862
00:55:17,760 --> 00:55:21,320
Speaker 1: that was and and I did Lebron to Lebron He's

863
00:55:21,440 --> 00:55:24,239
Speaker 1: he's probably one of the most talented dudes they ever

864
00:55:24,360 --> 00:55:27,680
Speaker 1: do it. And his talent, talent wise, I mean, he's

865
00:55:27,719 --> 00:55:30,920
Speaker 1: not he's And I'm a Knicks fan to the to

866
00:55:31,040 --> 00:55:33,080
Speaker 1: the end, you know that. But I gotta give it

867
00:55:33,160 --> 00:55:35,359
Speaker 1: up for m J on that, you know what I'm saying,

868
00:55:35,400 --> 00:55:38,960
Speaker 1: Like he's he's he's the greatest hit he's the greatest.

869
00:55:39,400 --> 00:55:42,040
Speaker 1: But I mean, you know, it's so early in the season.

870
00:55:42,120 --> 00:55:45,360
Speaker 1: You never know. You gotta make sure, no there's no injuries,

871
00:55:45,480 --> 00:55:48,160
Speaker 1: and you gotta get past this whole All Star bullshit.

872
00:55:48,920 --> 00:55:51,200
Speaker 1: That's what I'm disgusted at the All Star Game. That's

873
00:55:51,520 --> 00:55:54,080
Speaker 1: a joke. It used to be competitive, it used to

874
00:55:54,120 --> 00:55:56,600
Speaker 1: be hyped. That's just like they fucking pushed out of

875
00:55:56,680 --> 00:55:59,839
Speaker 1: fucking Elton John's smoke machine for one of his cons

876
00:56:00,000 --> 00:56:03,000
Speaker 1: SARTs and and put some glod in that ship and

877
00:56:04,200 --> 00:56:06,840
Speaker 1: just and just hit the button and it's just all pizzas.

878
00:56:06,920 --> 00:56:09,400
Speaker 1: It's like a Bob Poss show. Yeah. Yeah, it's all

879
00:56:09,480 --> 00:56:12,600
Speaker 1: funked up. But now your queens do because I know

880
00:56:12,719 --> 00:56:16,680
Speaker 1: you guys are still are you a Jet dude? They

881
00:56:16,800 --> 00:56:19,719
Speaker 1: left Shape Stadium fucking thirty years ago. Man, you gotta

882
00:56:19,760 --> 00:56:23,120
Speaker 1: move on from that ship. Free yourself hard. I can't

883
00:56:23,440 --> 00:56:25,920
Speaker 1: see that's that that's that queenship. Like, you know, we're

884
00:56:25,960 --> 00:56:28,680
Speaker 1: not coming back to Queenlan. I'm a Yankees fan, though,

885
00:56:29,239 --> 00:56:30,840
Speaker 1: I know, but I want you to. You need to

886
00:56:30,920 --> 00:56:36,640
Speaker 1: liberate your NFL self. Mark Gassino, Joe Cleco, Richard Todd.

887
00:56:37,320 --> 00:56:40,320
Speaker 1: They're not coming back be ever, It's not no. But

888
00:56:40,440 --> 00:56:42,800
Speaker 1: you know what, I like our quarterback. I like Donald

889
00:56:42,840 --> 00:56:47,120
Speaker 1: you know, I think that the offensive coordinator sucks. I

890
00:56:47,280 --> 00:56:50,520
Speaker 1: like Todd Bowls for what his birthplace. I I think

891
00:56:50,600 --> 00:56:53,719
Speaker 1: he's just a defensive coordinator. Man. He had a good

892
00:56:53,760 --> 00:56:57,120
Speaker 1: spring in Arizona when he had Carson Palmla and they

893
00:56:57,160 --> 00:56:59,120
Speaker 1: went to the playoffs. That Yeah, he did really good.

894
00:56:59,239 --> 00:57:02,000
Speaker 1: He had a crazy defense. And this Jet defense is

895
00:57:02,080 --> 00:57:05,600
Speaker 1: really good. I can't front like they really a solid Yeah,

896
00:57:05,600 --> 00:57:07,680
Speaker 1: but I want you to liberate your mind, be like

897
00:57:07,800 --> 00:57:10,720
Speaker 1: you deserve to, like you're being loyal to a fault

898
00:57:10,800 --> 00:57:15,040
Speaker 1: like you fucking guys from Queens. Man, you gotta yourself.

899
00:57:15,480 --> 00:57:17,960
Speaker 1: I should because I got the fucking the Knicks that

900
00:57:18,160 --> 00:57:22,520
Speaker 1: fuckings were sucking were sucking balls, and then the Jets

901
00:57:22,600 --> 00:57:25,680
Speaker 1: is sucking balls. You know what I mean. Most New Yorkers,

902
00:57:26,080 --> 00:57:28,200
Speaker 1: they'll have the Knicks sucked balls, but then they'll have

903
00:57:28,320 --> 00:57:31,439
Speaker 1: the Giants, and the giants may make a wild card

904
00:57:31,520 --> 00:57:34,680
Speaker 1: push here or there. You know what I'm saying. But um,

905
00:57:34,840 --> 00:57:36,960
Speaker 1: I don't know. I guess I'm just a massacus man,

906
00:57:37,040 --> 00:57:42,720
Speaker 1: I don't know. All right, twenty five years ago now,

907
00:57:42,840 --> 00:57:46,040
Speaker 1: we could talk about Midnight Marauders easily. You know, some

908
00:57:46,200 --> 00:57:50,840
Speaker 1: would say make a documentary about it, But um, I

909
00:57:50,960 --> 00:57:54,000
Speaker 1: figured because it's such a humongous day in hip hop

910
00:57:54,160 --> 00:57:56,120
Speaker 1: when I look back on it as a fan, and

911
00:57:56,200 --> 00:57:59,120
Speaker 1: I know, you know you got into all of this

912
00:57:59,320 --> 00:58:03,600
Speaker 1: because obviously you were a fan. So getting away from

913
00:58:03,800 --> 00:58:08,040
Speaker 1: you discussing the greatness of Midnight Marauders, I wanted to

914
00:58:08,120 --> 00:58:11,880
Speaker 1: talk to you about the greatness of thirty six Chambers

915
00:58:11,960 --> 00:58:17,200
Speaker 1: that coincidentally came out on the same fucking day twenty

916
00:58:17,560 --> 00:58:22,120
Speaker 1: five years ago. M hm. So my first question is

917
00:58:22,200 --> 00:58:25,120
Speaker 1: is you guys were three albums deep, you know, like

918
00:58:25,320 --> 00:58:28,720
Speaker 1: you guys were peaking. Did you know about Wu Tang Clan?

919
00:58:28,920 --> 00:58:32,000
Speaker 1: I remember you said once to me that old Dirty

920
00:58:32,120 --> 00:58:34,080
Speaker 1: before before he was even Old Dirty used to come

921
00:58:34,160 --> 00:58:36,600
Speaker 1: up to your high school. Murray Bertram and Rhyme did like,

922
00:58:36,760 --> 00:58:38,720
Speaker 1: did you know they were coming that same day? Were

923
00:58:38,760 --> 00:58:42,840
Speaker 1: you aware of that group? Yeah? I was away of definitely.

924
00:58:43,000 --> 00:58:46,000
Speaker 1: Like you said, like, I've had a personal issue with

925
00:58:46,120 --> 00:58:49,600
Speaker 1: them because as he a song or Dirty came out

926
00:58:49,640 --> 00:58:53,560
Speaker 1: to the high school to battle me because I was

927
00:58:53,640 --> 00:58:57,120
Speaker 1: battling niggas and it was getting around whatever. And then

928
00:58:57,560 --> 00:58:59,640
Speaker 1: my man, my man from school, was like I got somebody.

929
00:59:01,200 --> 00:59:04,040
Speaker 1: I was like whatever, nicking whatever. You know what I'm saying.

930
00:59:04,120 --> 00:59:06,840
Speaker 1: So he brought him up there. It was so funny

931
00:59:06,840 --> 00:59:10,560
Speaker 1: because he was like, Yo, weird, you weird? Is Jay nice?

932
00:59:12,160 --> 00:59:15,240
Speaker 1: I want to see him? Man, see I want that

933
00:59:15,440 --> 00:59:19,320
Speaker 1: man like it was he was always that nigger and

934
00:59:19,480 --> 00:59:22,160
Speaker 1: we went at it and we remained cool after that.

935
00:59:22,320 --> 00:59:24,720
Speaker 1: You know. It was kind of ill because I went

936
00:59:24,880 --> 00:59:27,640
Speaker 1: and then he went and he did some some crazy ship.

937
00:59:27,720 --> 00:59:32,760
Speaker 1: He said something about the dak dack naver like fact

938
00:59:33,160 --> 00:59:36,920
Speaker 1: and everybody was just laughing, dying, laughing. So when it

939
00:59:37,040 --> 00:59:39,520
Speaker 1: wasn't really and I was laughing and we just spoked

940
00:59:39,600 --> 00:59:43,080
Speaker 1: whatever and we remained cool. And then he introduced me

941
00:59:43,880 --> 00:59:47,840
Speaker 1: to his cousin rock King and Rakima had to join

942
00:59:47,960 --> 00:59:51,840
Speaker 1: out on Tommy Boy, and then he introduced me to

943
00:59:52,080 --> 00:59:56,400
Speaker 1: his cousin Genius. I was always cool with them. I

944
00:59:56,520 --> 00:59:58,520
Speaker 1: was always rooting for them to you know what I'm saying.

945
00:59:58,960 --> 01:00:02,440
Speaker 1: So I ran into eight Son when I was he

946
01:00:02,560 --> 01:00:06,120
Speaker 1: was going up to Radio City to see our run

947
01:00:06,200 --> 01:00:09,320
Speaker 1: the NBC or whatever, and um, they was only where.

948
01:00:09,360 --> 01:00:11,040
Speaker 1: I was like, yo, what nig He was like, yeah,

949
01:00:11,120 --> 01:00:14,560
Speaker 1: we got it's the boutang I said. The one he

950
01:00:14,640 --> 01:00:19,040
Speaker 1: said the was um he was with Raking yeah, and

951
01:00:19,120 --> 01:00:21,000
Speaker 1: Rocky was like yeah, yeah, yeah, yeah what up. JA

952
01:00:21,080 --> 01:00:24,400
Speaker 1: dice to kaha q Tip that that I he was

953
01:00:24,440 --> 01:00:26,120
Speaker 1: telling me about the group and then when they came

954
01:00:26,160 --> 01:00:29,800
Speaker 1: out and that that first twelve this trap. I went

955
01:00:29,920 --> 01:00:32,280
Speaker 1: to go get that ship. Prior to I heard by

956
01:00:32,360 --> 01:00:35,920
Speaker 1: Beato played by Beato and Stretch. The next day I

957
01:00:35,920 --> 01:00:39,680
Speaker 1: went Jamaica Avenue. I coped, I got two copies. I

958
01:00:39,880 --> 01:00:42,320
Speaker 1: came immediately the fight stouts. I was thinking, listen to this,

959
01:00:42,400 --> 01:00:46,640
Speaker 1: SA was crazy. I was like the crazy, crazy fans.

960
01:00:46,720 --> 01:00:49,520
Speaker 1: So when the day came for the album would come out,

961
01:00:50,240 --> 01:00:52,880
Speaker 1: you know, they had had was making noise, but I

962
01:00:52,960 --> 01:00:55,040
Speaker 1: think the day before we had knew that that the

963
01:00:55,160 --> 01:00:57,800
Speaker 1: dish was coming on the same day, so it was

964
01:00:57,880 --> 01:00:59,520
Speaker 1: just all good. And they were up the block where

965
01:00:59,560 --> 01:01:02,560
Speaker 1: we did an in the store on for from Broadway,

966
01:01:04,040 --> 01:01:07,520
Speaker 1: um at midnight, and they were up the block and

967
01:01:07,600 --> 01:01:11,080
Speaker 1: I ran it up ned I read it to bed

968
01:01:12,120 --> 01:01:15,080
Speaker 1: right before and Memphis like, yo, you've got a lot

969
01:01:15,160 --> 01:01:19,000
Speaker 1: of white he's out here. That it was funny. We

970
01:01:19,200 --> 01:01:22,320
Speaker 1: laughed this ship, but it was so love because this

971
01:01:22,440 --> 01:01:26,120
Speaker 1: ship was hard body karate as you say. And then

972
01:01:26,600 --> 01:01:30,040
Speaker 1: the week after Snoop Drop, you know, you know what

973
01:01:30,080 --> 01:01:35,360
Speaker 1: I'm saying with the doggy style. Next week is twenty

974
01:01:35,440 --> 01:01:40,640
Speaker 1: five anniversary of Snoop shout out. That's my nigga right there.

975
01:01:41,160 --> 01:01:45,320
Speaker 1: You know what I'm saying. And oh, actually I'm lying, Mike.

976
01:01:45,920 --> 01:01:49,560
Speaker 1: We had had a tape and we were going to

977
01:01:49,640 --> 01:01:52,960
Speaker 1: a show probably a week before. We had a rough

978
01:01:53,080 --> 01:01:54,920
Speaker 1: tape of a lot of the ship they was working on.

979
01:01:55,000 --> 01:01:58,160
Speaker 1: It was on an album and this ship just stayed on.

980
01:01:59,200 --> 01:02:01,200
Speaker 1: So when you heard the ship, like when I was,

981
01:02:01,320 --> 01:02:03,520
Speaker 1: you know, I was really hyped about this day, you know,

982
01:02:04,000 --> 01:02:06,600
Speaker 1: as a fan, Like I was just like, damn, you know,

983
01:02:06,680 --> 01:02:08,880
Speaker 1: it's crazy twenty five years later because you don't know,

984
01:02:08,960 --> 01:02:11,840
Speaker 1: you put Mint maroordas now you put thirty six chambers out,

985
01:02:12,080 --> 01:02:14,360
Speaker 1: you don't know how it's gonna last the span of

986
01:02:14,480 --> 01:02:16,640
Speaker 1: time and last the test of time. And then you're like,

987
01:02:16,920 --> 01:02:20,920
Speaker 1: these fucking joints both are gonna last forever. And they

988
01:02:21,040 --> 01:02:23,439
Speaker 1: both came out on the same day, and there's such

989
01:02:23,520 --> 01:02:28,600
Speaker 1: a contrast um musically, uh m c wise from both

990
01:02:28,640 --> 01:02:31,000
Speaker 1: of you guys, but it's all New York and it's

991
01:02:31,080 --> 01:02:34,800
Speaker 1: all soul. You know. Tribe obviously had you know, a

992
01:02:34,920 --> 01:02:37,280
Speaker 1: certain kind of appeal and Wu Tang had the same

993
01:02:37,360 --> 01:02:40,080
Speaker 1: kind of people. But both albums would appeal to both people,

994
01:02:40,480 --> 01:02:42,520
Speaker 1: the same kind of people, but they were totally fucking,

995
01:02:42,960 --> 01:02:46,640
Speaker 1: totally fucking sonically that's your word. I never heard that

996
01:02:46,680 --> 01:02:49,000
Speaker 1: word until I started working with you. Sonically, I don't

997
01:02:49,000 --> 01:02:52,200
Speaker 1: know what the fucking means sonically different, But like what

998
01:02:52,480 --> 01:02:55,520
Speaker 1: is like just from from like a production point breakdown,

999
01:02:56,120 --> 01:02:59,080
Speaker 1: what Wu Tang thirty six Chambers is like, what is

1000
01:02:59,200 --> 01:03:02,920
Speaker 1: that sound? Well, Rizzar was working on for the UM

1001
01:03:03,640 --> 01:03:06,520
Speaker 1: the A s R ten which is A which was

1002
01:03:06,640 --> 01:03:11,520
Speaker 1: a sampling MIDI keyboard, right, so it was like thirty

1003
01:03:11,600 --> 01:03:16,120
Speaker 1: two thirty two key keyboard and you could dump your

1004
01:03:16,160 --> 01:03:18,520
Speaker 1: own sounds and you can sample it and you committed it,

1005
01:03:18,720 --> 01:03:22,080
Speaker 1: you could whatever. So and it had it had mad

1006
01:03:22,200 --> 01:03:26,440
Speaker 1: long sample time. So visited all his ship in there,

1007
01:03:26,520 --> 01:03:28,520
Speaker 1: and he put the vocals in there, and he was

1008
01:03:28,760 --> 01:03:32,120
Speaker 1: he would hit the vocals on a key like say

1009
01:03:32,240 --> 01:03:36,640
Speaker 1: the key of C middle C, and then the lower

1010
01:03:37,080 --> 01:03:40,120
Speaker 1: like the lower octave below the middle C. He would

1011
01:03:40,200 --> 01:03:43,040
Speaker 1: put like a drum on the lower C than the

1012
01:03:43,120 --> 01:03:47,360
Speaker 1: baseline on the D and maybe us like he would

1013
01:03:47,400 --> 01:03:50,240
Speaker 1: string the samples from E too. I know I'm talking

1014
01:03:50,360 --> 01:03:54,560
Speaker 1: Greek right now. And then he would just keep moving

1015
01:03:54,640 --> 01:03:57,120
Speaker 1: around on the melodies and ship. So he was doing

1016
01:03:57,200 --> 01:03:59,400
Speaker 1: all that ship. It's kind of genius. He was doing

1017
01:03:59,440 --> 01:04:03,400
Speaker 1: all of that ship with one hand. At the same

1018
01:04:03,480 --> 01:04:06,439
Speaker 1: time he would fire off the vocals, so he would

1019
01:04:06,480 --> 01:04:11,160
Speaker 1: get niggas the rhyme into the keyboard recorded and then

1020
01:04:11,280 --> 01:04:15,240
Speaker 1: fired them ships off and saying so and that call

1021
01:04:15,360 --> 01:04:18,320
Speaker 1: for the grid like that. It was a sixteen bit.

1022
01:04:18,840 --> 01:04:22,400
Speaker 1: If I'm not mistaken, I'm sure you know y'all could

1023
01:04:22,440 --> 01:04:24,800
Speaker 1: correct me in the comments or whatever. But I believe

1024
01:04:24,880 --> 01:04:27,640
Speaker 1: that the A s R ten was a sixteen bit

1025
01:04:28,040 --> 01:04:32,560
Speaker 1: um keyboard. And what that is is it speaks to

1026
01:04:32,680 --> 01:04:36,400
Speaker 1: the dynamics of the output that you get right, So

1027
01:04:37,360 --> 01:04:42,880
Speaker 1: you know, sixteen bit makes it more um crunchier. There's

1028
01:04:43,000 --> 01:04:46,040
Speaker 1: not too much basis really a lot of low mids

1029
01:04:47,480 --> 01:04:50,240
Speaker 1: to like, and it's very warm. It's not like a

1030
01:04:50,320 --> 01:04:56,920
Speaker 1: lot of like um five k highs. So the spectrum

1031
01:04:56,960 --> 01:04:59,919
Speaker 1: of sound it gets, it's squished, and it gets hard,

1032
01:05:00,000 --> 01:05:03,400
Speaker 1: hard and brittle. So you know what I'm saying, Like,

1033
01:05:04,040 --> 01:05:06,200
Speaker 1: that's why that ship was just banging like that and

1034
01:05:06,320 --> 01:05:09,680
Speaker 1: sounded like a motherfucking a shoe box underneath your bed

1035
01:05:09,800 --> 01:05:13,760
Speaker 1: with all your money's and your weed underneath it. Because

1036
01:05:13,880 --> 01:05:16,360
Speaker 1: that ship was that that. She just sounded dirty as fun.

1037
01:05:16,800 --> 01:05:18,920
Speaker 1: And then you have them, and then on top of

1038
01:05:19,000 --> 01:05:22,120
Speaker 1: it they vocals, which is why all of them was

1039
01:05:22,240 --> 01:05:25,600
Speaker 1: kind of like really dynamic vocals. They will all yell,

1040
01:05:25,720 --> 01:05:29,280
Speaker 1: you know, ghose face cast the birth from my hip

1041
01:05:29,400 --> 01:05:31,760
Speaker 1: first to hike first. You know what I'm saying, Like,

1042
01:05:32,720 --> 01:05:35,440
Speaker 1: you know, I'm man aster the trick just like Nixon.

1043
01:05:35,880 --> 01:05:38,600
Speaker 1: You know, he's yelling that ship, you know what I'm saying.

1044
01:05:39,000 --> 01:05:42,200
Speaker 1: So the six team bit when he's yelling into it

1045
01:05:42,280 --> 01:05:45,200
Speaker 1: and it is recording, a sixteen bit is processing it.

1046
01:05:46,680 --> 01:05:49,080
Speaker 1: It's an anal, it's an animal processor in there, and

1047
01:05:49,200 --> 01:05:53,480
Speaker 1: it crunches it down to give it that same hard,

1048
01:05:53,720 --> 01:05:57,479
Speaker 1: brittle sound. But the compressors in it makes the high

1049
01:05:57,560 --> 01:06:02,000
Speaker 1: part of ghost Face Verse right there poked through, and

1050
01:06:02,120 --> 01:06:04,600
Speaker 1: it's just it just has a certain snap. It's a

1051
01:06:04,680 --> 01:06:08,600
Speaker 1: certain charm with that ship. I like that. I fucking

1052
01:06:08,720 --> 01:06:12,520
Speaker 1: like that ship. Yo, don't don't, don't do this this

1053
01:06:12,680 --> 01:06:16,480
Speaker 1: leaf o be like and it's ill, Mike, because you know,

1054
01:06:16,720 --> 01:06:20,160
Speaker 1: it was wild competitive back in the day and ship

1055
01:06:20,320 --> 01:06:22,040
Speaker 1: but niggas was always working with each other, you know

1056
01:06:22,040 --> 01:06:24,240
Speaker 1: what I'm saying. But for me, I was just like

1057
01:06:24,400 --> 01:06:27,800
Speaker 1: a super duper fan, Like it just didn't even you

1058
01:06:27,840 --> 01:06:31,000
Speaker 1: couldn't help you because ship was just so fucking raw.

1059
01:06:31,560 --> 01:06:33,200
Speaker 1: I was like, Yo, damn, I need to rip my

1060
01:06:33,280 --> 01:06:37,720
Speaker 1: ship up and start again, right. You know what I'm saying.

1061
01:06:38,400 --> 01:06:41,360
Speaker 1: That it was lethal and I love it, but it

1062
01:06:41,840 --> 01:06:44,360
Speaker 1: was awesome, like you know what I'm saying, Like it

1063
01:06:44,520 --> 01:06:46,680
Speaker 1: was a guy did these things. Is just the ship

1064
01:06:47,280 --> 01:06:50,600
Speaker 1: and they repped so hard with all that ship be

1065
01:06:50,920 --> 01:06:53,240
Speaker 1: with the with the karate, with the Komu ship, the

1066
01:06:53,320 --> 01:06:56,320
Speaker 1: Channel five you know what that is a Saturday, yo,

1067
01:06:56,760 --> 01:07:00,120
Speaker 1: but see Saturdays at three three pm, right, you know

1068
01:07:00,120 --> 01:07:02,320
Speaker 1: what I'm saying on Channel five, that's what he was doing.

1069
01:07:03,680 --> 01:07:07,040
Speaker 1: And all the like you know, the thirty six and

1070
01:07:07,120 --> 01:07:09,680
Speaker 1: there was nine members, and you know all the little

1071
01:07:09,720 --> 01:07:11,480
Speaker 1: ship you'd hear about like you know, there would be

1072
01:07:11,560 --> 01:07:13,800
Speaker 1: like theories you or heard this meant that and this

1073
01:07:13,960 --> 01:07:16,400
Speaker 1: meant that and all the you know, the skits and

1074
01:07:16,520 --> 01:07:21,280
Speaker 1: where's my killer tape and all that funny ship the skits,

1075
01:07:22,080 --> 01:07:24,280
Speaker 1: y know. And the thing of the thing I love

1076
01:07:24,320 --> 01:07:28,320
Speaker 1: about the two right right because Rock came you know,

1077
01:07:28,440 --> 01:07:31,000
Speaker 1: he had his first ship with Tommy boys, so and

1078
01:07:31,120 --> 01:07:33,200
Speaker 1: then he watched his cousin go through with with with

1079
01:07:33,400 --> 01:07:37,840
Speaker 1: with Toy, with Toy and at co chilling. So they

1080
01:07:37,960 --> 01:07:46,000
Speaker 1: already had an understanding of how to make records, um,

1081
01:07:47,240 --> 01:07:54,720
Speaker 1: how to um you know, develop like uh concepts, you know,

1082
01:07:55,120 --> 01:07:57,760
Speaker 1: like like actively because they because they had done it.

1083
01:07:57,840 --> 01:07:59,600
Speaker 1: And the thing I love about the is is that

1084
01:07:59,680 --> 01:08:01,960
Speaker 1: they did and give up and they went back retoold

1085
01:08:02,000 --> 01:08:05,439
Speaker 1: it and redid it like like I don't. I don't

1086
01:08:05,480 --> 01:08:09,160
Speaker 1: really hang the genius chag on too many people. I'm

1087
01:08:09,320 --> 01:08:12,200
Speaker 1: really I don't. I don't do that a lot. But

1088
01:08:12,880 --> 01:08:15,840
Speaker 1: Riz is a bona fide genius. Yeah, I agree, it's

1089
01:08:15,840 --> 01:08:18,840
Speaker 1: a bona fide genius. I remember in like nineties, six

1090
01:08:19,040 --> 01:08:21,840
Speaker 1: nine seven, me and you used to be on the

1091
01:08:21,920 --> 01:08:24,439
Speaker 1: phone bugging. We were bullshit each other. I'd call you

1092
01:08:24,560 --> 01:08:27,080
Speaker 1: and hang up and I'd be like blue and Queen, sup.

1093
01:08:28,000 --> 01:08:30,400
Speaker 1: So just just speak on ghosts and you remember we

1094
01:08:30,520 --> 01:08:32,920
Speaker 1: used to do that. Should I for like it was

1095
01:08:33,000 --> 01:08:35,439
Speaker 1: like a joke for like a year and you just

1096
01:08:35,520 --> 01:08:37,519
Speaker 1: call me up and tell me about the wallabies you

1097
01:08:37,600 --> 01:08:41,040
Speaker 1: were gonna get the blue and cream and then hang

1098
01:08:41,120 --> 01:08:44,479
Speaker 1: up on me. But just just speak about ghost first,

1099
01:08:44,520 --> 01:08:47,120
Speaker 1: and then just speak about Rais mcs in regards to

1100
01:08:47,200 --> 01:08:50,639
Speaker 1: like what they represented and they still represent because they're

1101
01:08:50,680 --> 01:08:55,920
Speaker 1: still still still still still still eat your food. You

1102
01:08:55,960 --> 01:08:58,320
Speaker 1: know what I'm saying, I'm dues is you know ghost

1103
01:08:58,439 --> 01:09:00,880
Speaker 1: is like a pipe dimon and I don't say it,

1104
01:09:00,960 --> 01:09:02,920
Speaker 1: and the and in the way that his ship is

1105
01:09:03,000 --> 01:09:04,639
Speaker 1: like you know what I'm saying, Like I silt when

1106
01:09:04,640 --> 01:09:06,479
Speaker 1: I started talking about it. But I started talking like

1107
01:09:06,840 --> 01:09:11,080
Speaker 1: you're sad, Like he's just like, oh man, what can

1108
01:09:11,120 --> 01:09:14,240
Speaker 1: you guys say that? He's like just he's that nigga man,

1109
01:09:14,400 --> 01:09:18,760
Speaker 1: Like his ship is just so soulful, but it's so picturesque,

1110
01:09:19,840 --> 01:09:23,240
Speaker 1: and I love all of the fucking food references that

1111
01:09:23,400 --> 01:09:27,360
Speaker 1: he does. You could tell the nigga isself effacing. He

1112
01:09:27,479 --> 01:09:30,200
Speaker 1: has a sense of humor, but he's still that nigga

1113
01:09:30,240 --> 01:09:33,439
Speaker 1: you don't want to test at the same time, you know,

1114
01:09:34,360 --> 01:09:37,800
Speaker 1: you know, and he just has a certain way him

1115
01:09:37,840 --> 01:09:40,519
Speaker 1: and Ray like, and Ray is the same way Ray

1116
01:09:40,640 --> 01:09:44,240
Speaker 1: has this day. They just have a certain sensibility about

1117
01:09:44,840 --> 01:09:47,080
Speaker 1: how they attack them bars and how they go with

1118
01:09:47,160 --> 01:09:49,719
Speaker 1: the rond, how they describe ship. Like I was talking

1119
01:09:49,760 --> 01:09:51,840
Speaker 1: to Ray the other the other day like that, that's

1120
01:09:51,880 --> 01:09:53,920
Speaker 1: my dude, we need him be sucking a brown out

1121
01:09:53,960 --> 01:09:56,400
Speaker 1: here and ship moving around shouts out to big Bro

1122
01:09:56,640 --> 01:10:00,160
Speaker 1: right there. Um, So I was hitting the on the

1123
01:10:00,280 --> 01:10:03,160
Speaker 1: other day. I want to read you to check please,

1124
01:10:04,640 --> 01:10:08,759
Speaker 1: because it's just so flavorful at all at all times.

1125
01:10:08,840 --> 01:10:10,880
Speaker 1: The way he speaks and the way he like. I've

1126
01:10:10,920 --> 01:10:12,960
Speaker 1: had conversations with him and I'm like, yo, I'm like

1127
01:10:13,040 --> 01:10:15,320
Speaker 1: sitting there with my mouth the gap because he's he's

1128
01:10:15,439 --> 01:10:17,720
Speaker 1: I'm like, Yo, this is really like the way he

1129
01:10:17,880 --> 01:10:22,040
Speaker 1: uses the language. Yeah, it's so right though, hold on

1130
01:10:22,040 --> 01:10:25,479
Speaker 1: a second, so you know, I'll be here. I'll be like,

1131
01:10:26,280 --> 01:10:31,240
Speaker 1: what up, kings King. He's like, Yo, slaws, almighty, almighty.

1132
01:10:31,360 --> 01:10:34,519
Speaker 1: How you He's like, yes, it's time we got I said, Yo,

1133
01:10:34,560 --> 01:10:36,560
Speaker 1: it's too long. We gotta let's connect. Let's get in

1134
01:10:36,680 --> 01:10:40,120
Speaker 1: this thing. He's like, yeah, it's time. I figured you

1135
01:10:40,280 --> 01:10:46,360
Speaker 1: was on the float like the Jetsons. Yeah, and then

1136
01:10:46,479 --> 01:10:49,800
Speaker 1: you know he was like, I was like, yo, you know,

1137
01:10:49,840 --> 01:10:51,800
Speaker 1: I'm just checking in. He's like, yeah, yeah, I've just

1138
01:10:51,920 --> 01:10:55,280
Speaker 1: been extremely moving, you know what I'm saying. Like just

1139
01:10:55,439 --> 01:10:59,240
Speaker 1: the way they put the words together, it's so m

1140
01:10:59,640 --> 01:11:01,799
Speaker 1: I love ship like that when you get to contort

1141
01:11:02,000 --> 01:11:05,080
Speaker 1: language like that ship, like they funk with the slang

1142
01:11:05,160 --> 01:11:09,320
Speaker 1: like they they're slang game with some other ship. Yep.

1143
01:11:09,880 --> 01:11:12,599
Speaker 1: They Willie Bow was really slick, you know what I'm saying.

1144
01:11:13,160 --> 01:11:16,200
Speaker 1: And just talk about Meth because like Meth the man ship.

1145
01:11:16,720 --> 01:11:19,760
Speaker 1: You know, he's like, I mean he blew the funk up,

1146
01:11:19,880 --> 01:11:21,640
Speaker 1: like you know. It's it was crazy because there was

1147
01:11:22,040 --> 01:11:24,439
Speaker 1: so many of these motherfucker's and each one of them.

1148
01:11:24,880 --> 01:11:27,360
Speaker 1: Though he's better than this one. I funk with this one.

1149
01:11:27,520 --> 01:11:30,439
Speaker 1: I'm gravitating Twitter. Yeah yeah, yeah, yeah yeah. It was

1150
01:11:30,560 --> 01:11:33,560
Speaker 1: like a real life superhero ship, right and it was

1151
01:11:33,640 --> 01:11:36,560
Speaker 1: like a super team kind of like yeah yeah and

1152
01:11:36,720 --> 01:11:40,240
Speaker 1: Meth see the nigga Meth was and I loved that,

1153
01:11:40,360 --> 01:11:44,080
Speaker 1: shouts out Toth. You know what I'm saying, He's always

1154
01:11:44,200 --> 01:11:46,479
Speaker 1: just that, he's another one. Always his lethal within is

1155
01:11:46,720 --> 01:11:50,200
Speaker 1: it's the depth of his boys and like his charisma,

1156
01:11:50,280 --> 01:11:54,720
Speaker 1: his his comedic approach to the ship, like he just

1157
01:11:54,960 --> 01:11:56,760
Speaker 1: was so he was just he was like this the

1158
01:11:56,920 --> 01:12:00,160
Speaker 1: Matt they started, you know what I'm saying, Like just

1159
01:12:00,280 --> 01:12:03,360
Speaker 1: sucked with him heavy and ship. But he never played

1160
01:12:03,400 --> 01:12:05,080
Speaker 1: to that ship, you know what I'm saying, Like he

1161
01:12:05,240 --> 01:12:07,880
Speaker 1: just kept on his yo. That makes me want to

1162
01:12:07,960 --> 01:12:10,840
Speaker 1: just get dirtier and dirtier and grimy and grier, you

1163
01:12:10,880 --> 01:12:14,320
Speaker 1: know what I'm saying. And I remember we did the

1164
01:12:14,479 --> 01:12:18,760
Speaker 1: arsenty we did an Arsenio Hall show from for all

1165
01:12:18,840 --> 01:12:21,160
Speaker 1: y'all who don't know our Senior. Hall was a black

1166
01:12:21,320 --> 01:12:26,280
Speaker 1: comedian who had a talk show in the nineties and

1167
01:12:27,640 --> 01:12:30,440
Speaker 1: it rivaled Carson for a few years. He put Farrakhan

1168
01:12:30,560 --> 01:12:33,040
Speaker 1: on it and then they kicked him out, so he had, um,

1169
01:12:34,000 --> 01:12:36,920
Speaker 1: he had his last show, so he had all of

1170
01:12:37,360 --> 01:12:39,720
Speaker 1: everybody in hip hop basically came and we did like

1171
01:12:39,800 --> 01:12:43,000
Speaker 1: a cipher the ship. So they was there, We was there.

1172
01:12:43,120 --> 01:12:45,479
Speaker 1: And this was the same year. This was like a

1173
01:12:45,560 --> 01:12:48,800
Speaker 1: couple of months into thirty six and a couple of

1174
01:12:48,880 --> 01:12:51,880
Speaker 1: months into Marauders. He was back. He was chopping it

1175
01:12:51,960 --> 01:12:55,040
Speaker 1: and ship and you know them niggas at that moment

1176
01:12:55,080 --> 01:12:58,480
Speaker 1: because Snoop was don't forget now. Snoop put his motherfucker

1177
01:12:58,560 --> 01:13:01,320
Speaker 1: out the following week. It did not hunt it out

1178
01:13:01,400 --> 01:13:06,000
Speaker 1: this bit at that first week. And then I'm talking

1179
01:13:06,080 --> 01:13:10,000
Speaker 1: like you know what I mean, and um, he was

1180
01:13:10,080 --> 01:13:13,840
Speaker 1: backstage kicking it and methis like Joe que Chip, you

1181
01:13:13,880 --> 01:13:16,840
Speaker 1: know what I'm saying, Like, I really you know this

1182
01:13:17,000 --> 01:13:19,720
Speaker 1: whole this whole industry thing, man, it's just really some

1183
01:13:19,880 --> 01:13:21,800
Speaker 1: other ship. You know what I'm saying. I'm not built

1184
01:13:21,880 --> 01:13:25,040
Speaker 1: like this for this thing. Man. You know, we had

1185
01:13:25,120 --> 01:13:29,439
Speaker 1: like the little conversation and ship yo yo yo yo yo,

1186
01:13:29,560 --> 01:13:31,840
Speaker 1: guard like you I may need you to like tell

1187
01:13:31,880 --> 01:13:33,880
Speaker 1: me how to go left to the grad. Can't really

1188
01:13:33,960 --> 01:13:35,960
Speaker 1: think of this industry shipped out and then I'm out

1189
01:13:36,040 --> 01:13:38,840
Speaker 1: here with my brothers and this relationship. I hate this ship,

1190
01:13:38,960 --> 01:13:42,960
Speaker 1: you know what I'm saying. Yeah, but he was just

1191
01:13:43,200 --> 01:13:46,720
Speaker 1: he had that kind of um, I don't want to

1192
01:13:46,760 --> 01:13:51,760
Speaker 1: say sensitivity, but he his instinct and ship for ship,

1193
01:13:51,960 --> 01:13:54,840
Speaker 1: like he saw a ship kind of like beforehand, you

1194
01:13:54,880 --> 01:13:57,560
Speaker 1: know what I'm saying. And and that and Deck was

1195
01:13:57,680 --> 01:14:01,519
Speaker 1: just that dude. He was just always like just hip

1196
01:14:01,560 --> 01:14:03,920
Speaker 1: hoop and there was all hip hop heads too. That

1197
01:14:04,040 --> 01:14:06,080
Speaker 1: was the real ship, like you know what I'm saying.

1198
01:14:06,680 --> 01:14:10,600
Speaker 1: And Rizzar was just comandering that ship like if you

1199
01:14:10,640 --> 01:14:12,800
Speaker 1: would have took. And then after that, you know, he

1200
01:14:12,920 --> 01:14:18,519
Speaker 1: came with with with Cuban and Liquid Sword's and I mean,

1201
01:14:18,640 --> 01:14:21,960
Speaker 1: my god, and then return to thirty six and then

1202
01:14:22,040 --> 01:14:26,640
Speaker 1: the second joint as a classic like them dudes was

1203
01:14:26,800 --> 01:14:30,160
Speaker 1: just phenomenal, man. And the thing about thirty six Chambers

1204
01:14:30,720 --> 01:14:33,600
Speaker 1: is that you put that ship on now and it

1205
01:14:33,760 --> 01:14:36,800
Speaker 1: still has that. It feels like a fucking classic Black

1206
01:14:36,880 --> 01:14:40,519
Speaker 1: Sabbath album, a Deep Purple or some ship. It just

1207
01:14:40,680 --> 01:14:42,840
Speaker 1: takes you there, you know what I mean, Or like

1208
01:14:42,960 --> 01:14:45,160
Speaker 1: you you put on like a like a like a

1209
01:14:46,040 --> 01:14:48,200
Speaker 1: like a guns and Road like it's like a hard

1210
01:14:48,400 --> 01:14:52,360
Speaker 1: rock album it takes you there, It really transports you there.

1211
01:14:52,520 --> 01:14:54,759
Speaker 1: You just can't stop. Believe you have to hear every

1212
01:14:54,880 --> 01:14:57,599
Speaker 1: song because you can't miss the skits because the Skids

1213
01:14:57,640 --> 01:15:00,479
Speaker 1: are just as classic as this song. It's like this,

1214
01:15:00,720 --> 01:15:02,880
Speaker 1: it's it's my favorite hip hop album all the time,

1215
01:15:02,960 --> 01:15:07,200
Speaker 1: my personal favorite, right, personal favorite hip hop album all

1216
01:15:07,200 --> 01:15:10,920
Speaker 1: the time. That's fucking big um. All right, well, listen,

1217
01:15:11,439 --> 01:15:13,439
Speaker 1: you fucked my head up a few times with this ship.

1218
01:15:13,520 --> 01:15:14,960
Speaker 1: I don't want I mean, I know you could keep

1219
01:15:15,640 --> 01:15:17,920
Speaker 1: keep going on and on about the ship, you know,

1220
01:15:18,160 --> 01:15:23,160
Speaker 1: but how yo, they were It's crazy. How you know

1221
01:15:23,200 --> 01:15:25,200
Speaker 1: what I just did. I was in Brooklyn and my

1222
01:15:25,320 --> 01:15:27,160
Speaker 1: man was gonna drive me back through his traffic. I

1223
01:15:27,280 --> 01:15:29,439
Speaker 1: was like, fuck it. I just literally before I got

1224
01:15:29,479 --> 01:15:31,600
Speaker 1: on the phone, you know, I was texting you. I

1225
01:15:31,720 --> 01:15:35,639
Speaker 1: took the train, the L train all the way to Manhattan,

1226
01:15:35,680 --> 01:15:37,439
Speaker 1: and then that the other and then the four train

1227
01:15:37,560 --> 01:15:39,720
Speaker 1: to my Career and listened to the whole thirty six

1228
01:15:39,800 --> 01:15:41,599
Speaker 1: Chambers because I knew I was gonna talk to about

1229
01:15:41,600 --> 01:15:43,640
Speaker 1: it in my headphones on the train, and I was like, Yo,

1230
01:15:43,760 --> 01:15:46,840
Speaker 1: this is this is subway music, Like this music was

1231
01:15:46,920 --> 01:15:52,120
Speaker 1: made for the subway. Yeah, yeah, absolutely, and you know,

1232
01:15:52,479 --> 01:15:57,160
Speaker 1: I will say this like, um ship, who could have

1233
01:15:57,400 --> 01:16:00,160
Speaker 1: could have designed it? Man? That done? Two joints came

1234
01:16:00,160 --> 01:16:02,360
Speaker 1: out the same day. You know what I mean, Like

1235
01:16:02,439 --> 01:16:07,120
Speaker 1: I couldn't. I can't be more happier and proud, you know,

1236
01:16:07,439 --> 01:16:09,960
Speaker 1: just to share that with them, you know what I'm saying, Like,

1237
01:16:10,120 --> 01:16:13,320
Speaker 1: for it's not only for the woutang. It's not only

1238
01:16:13,400 --> 01:16:15,600
Speaker 1: for a chrial core request, you know, r I P

1239
01:16:16,320 --> 01:16:19,120
Speaker 1: a song or ip my bro fight. You know what

1240
01:16:19,160 --> 01:16:22,200
Speaker 1: I'm saying, Like, it's not only for them brothers, but

1241
01:16:22,280 --> 01:16:24,360
Speaker 1: it's for it's for all of us, not just hip

1242
01:16:24,400 --> 01:16:27,519
Speaker 1: hop hiss, but lovers of music. You know what I'm saying, Like,

1243
01:16:28,280 --> 01:16:30,720
Speaker 1: it's just it's just a great considering where all is

1244
01:16:30,920 --> 01:16:34,120
Speaker 1: muck and maya bullshit that we see every time we

1245
01:16:34,280 --> 01:16:40,120
Speaker 1: fucking turn on this motherfucking news and we see fucking

1246
01:16:41,160 --> 01:16:44,760
Speaker 1: we see the fucking the the cheeto man up there perplexed.

1247
01:16:45,640 --> 01:16:48,120
Speaker 1: You know, go get some headphones, man and throw on

1248
01:16:48,200 --> 01:16:51,360
Speaker 1: that thirty six chambers man and then throwing them men

1249
01:16:51,439 --> 01:16:55,040
Speaker 1: named Roder's man, and then and then do that ship again. Manage,

1250
01:16:55,040 --> 01:16:57,840
Speaker 1: just let us transport you for few management and throw

1251
01:16:57,920 --> 01:16:59,880
Speaker 1: something on the TV like a game or something. Man,

1252
01:17:00,320 --> 01:17:02,280
Speaker 1: put something up in the air, Roll up that good

1253
01:17:02,320 --> 01:17:04,639
Speaker 1: twenty from your honey. Man. You know I'm saying, listen

1254
01:17:04,680 --> 01:17:06,679
Speaker 1: to my man, Mike Rep. You know, if you ain't

1255
01:17:06,720 --> 01:17:08,960
Speaker 1: working with this podcast, you know what I'm saying. You

1256
01:17:09,120 --> 01:17:12,040
Speaker 1: really you're a real dirt bag. You know, fuck yourself

1257
01:17:12,080 --> 01:17:14,200
Speaker 1: a jerk off. You know what I'm saying. And you

1258
01:17:14,320 --> 01:17:15,880
Speaker 1: know you know what I'm saying. This is how we

1259
01:17:16,000 --> 01:17:17,680
Speaker 1: do it. Wait, you know what I'm saying. Y'all need

1260
01:17:17,720 --> 01:17:20,400
Speaker 1: to go put that thirty six Chambers on. Go put

1261
01:17:20,439 --> 01:17:23,040
Speaker 1: that mm on. Man. We're five out here. Man, go

1262
01:17:23,240 --> 01:17:25,080
Speaker 1: roll up something and put it up in the air, man,

1263
01:17:25,160 --> 01:17:30,160
Speaker 1: and and pin the tail on the fucking trump. Yo.

1264
01:17:30,360 --> 01:17:33,479
Speaker 1: This was This was beyond fucking perfect and and made

1265
01:17:33,479 --> 01:17:37,240
Speaker 1: me my My face is smiling super fucking wide because

1266
01:17:37,240 --> 01:17:39,479
Speaker 1: I knew you would be hyped chalk about that ship.

1267
01:17:39,760 --> 01:17:44,400
Speaker 1: What you know that anything? Anytime you need I should

1268
01:17:44,439 --> 01:17:46,760
Speaker 1: be you know what, for the show, for the podcast,

1269
01:17:47,200 --> 01:17:50,439
Speaker 1: whenever you get into your woo bag or anything. Yo. Man,

1270
01:17:50,840 --> 01:17:52,679
Speaker 1: we're gonna have to do this like cash camp. Let's

1271
01:17:52,680 --> 01:17:55,160
Speaker 1: call and see if Tip is around, because we gotta

1272
01:17:55,920 --> 01:17:59,679
Speaker 1: he's gonna be on woo tank coraling experts. I'm recording

1273
01:17:59,720 --> 01:18:05,880
Speaker 1: this motherfucker said, don't I'm dead as I'm dead ass.

1274
01:18:06,960 --> 01:18:08,960
Speaker 1: I would love it. I would love it because you know,

1275
01:18:09,520 --> 01:18:12,000
Speaker 1: you know, the way you articulate music is just is

1276
01:18:12,040 --> 01:18:14,639
Speaker 1: just good. And I know that, like I said, before

1277
01:18:15,040 --> 01:18:17,360
Speaker 1: you were doing it, you were a fan. And uh

1278
01:18:17,520 --> 01:18:20,000
Speaker 1: that's why I'm glad that you broke the ship down.

1279
01:18:20,120 --> 01:18:22,679
Speaker 1: And listen, I'm gonna fan out for just a second.

1280
01:18:23,120 --> 01:18:27,280
Speaker 1: You know how I feel about tribe congratulateing lations. You know,

1281
01:18:27,400 --> 01:18:31,880
Speaker 1: I love fucking tribe co quest again, you know, Peach

1282
01:18:31,920 --> 01:18:37,680
Speaker 1: to the beautiful Fife Jerobi Ali Shahid Mohammed, and uh,

1283
01:18:38,479 --> 01:18:43,280
Speaker 1: just congratulations on making something that twenty five years later

1284
01:18:43,439 --> 01:18:47,360
Speaker 1: people are still excited about and that's literally lasted the

1285
01:18:47,439 --> 01:18:50,160
Speaker 1: test of time. Like it. It doesn't sound corny. It

1286
01:18:50,240 --> 01:18:53,040
Speaker 1: doesn't even sound like do wop like do wop sounds

1287
01:18:53,040 --> 01:18:56,160
Speaker 1: like do whop like midnight. I know, yeah, I know

1288
01:18:56,240 --> 01:18:58,080
Speaker 1: what you mean. I know what you mean, I know

1289
01:18:58,200 --> 01:19:01,479
Speaker 1: what you mean. I mean you know we were just blessed.

1290
01:19:01,479 --> 01:19:03,880
Speaker 1: I can't take any full credit for none of that.

1291
01:19:03,960 --> 01:19:07,479
Speaker 1: Ship man, like you know how it is, Mike and Yo,

1292
01:19:08,040 --> 01:19:10,320
Speaker 1: thank you for fucking shotting the light on us. You

1293
01:19:10,320 --> 01:19:11,840
Speaker 1: know what I'm saying with the doc, I know we

1294
01:19:12,120 --> 01:19:14,519
Speaker 1: we had our ship or publicly I'm gonna say, you

1295
01:19:14,600 --> 01:19:18,519
Speaker 1: know we. I'm so thankful and grateful. Man. You know

1296
01:19:18,520 --> 01:19:20,560
Speaker 1: what I'm saying for doing that ship. I love you

1297
01:19:20,680 --> 01:19:22,720
Speaker 1: for that ship. Boy, I love you anyway, you know

1298
01:19:22,760 --> 01:19:25,599
Speaker 1: what I'm saying. And I appreciate you shining a light

1299
01:19:25,680 --> 01:19:28,599
Speaker 1: on the culture always and shine the light on New

1300
01:19:28,720 --> 01:19:31,599
Speaker 1: York ship and doing your thing. Man, it's still doing

1301
01:19:31,680 --> 01:19:34,519
Speaker 1: your ship. And I really like you and appreciate you, bro.

1302
01:19:34,640 --> 01:19:36,680
Speaker 1: And I'm here man, so I love you too. I

1303
01:19:36,760 --> 01:19:39,400
Speaker 1: appreciate that. And uh now now you're gonna be you're

1304
01:19:39,400 --> 01:19:41,439
Speaker 1: gonna block my calls because next we're gonna be like, Yo,

1305
01:19:41,560 --> 01:19:44,000
Speaker 1: let's talk about liquid swords seven in the morning. Yo.

1306
01:19:44,200 --> 01:19:46,639
Speaker 1: I'm telling you I'm ready to go at any time.

1307
01:19:46,960 --> 01:19:50,280
Speaker 1: You don't understand. If I Yo, if I could get

1308
01:19:50,400 --> 01:19:53,200
Speaker 1: posters and put them in my wall, there is I

1309
01:19:53,240 --> 01:19:56,600
Speaker 1: would do it. You gotta get the ripped ships like

1310
01:19:56,720 --> 01:19:58,840
Speaker 1: the like the ships that have like started to turn brown,

1311
01:19:58,880 --> 01:20:03,880
Speaker 1: and the corners like turn up and ship you should

1312
01:20:03,920 --> 01:20:06,000
Speaker 1: do a like a whole I mean, I'm sure you

1313
01:20:06,160 --> 01:20:07,840
Speaker 1: covered it in the class and where you but you

1314
01:20:07,880 --> 01:20:10,439
Speaker 1: should do like a fucking wou tang, like a class

1315
01:20:10,920 --> 01:20:13,439
Speaker 1: like on on the whole. I don't even know that

1316
01:20:13,600 --> 01:20:16,680
Speaker 1: that that that needs to be done, and and you're right,

1317
01:20:16,760 --> 01:20:18,639
Speaker 1: and I probably will when I go back in this ship,

1318
01:20:18,760 --> 01:20:20,800
Speaker 1: probably try to get the boys in in do that.

1319
01:20:21,080 --> 01:20:23,800
Speaker 1: That would be fucking nuts. And you break down as

1320
01:20:23,920 --> 01:20:26,000
Speaker 1: much as you can, because it's like, I don't even

1321
01:20:26,080 --> 01:20:28,280
Speaker 1: think three or four months could cover the whole thing

1322
01:20:28,360 --> 01:20:31,680
Speaker 1: the way you'll do it, but like something because you know,

1323
01:20:31,880 --> 01:20:33,800
Speaker 1: I just know how passionate you are about it and

1324
01:20:33,920 --> 01:20:37,040
Speaker 1: like you're able to articulate the sort of the everyman

1325
01:20:37,160 --> 01:20:40,519
Speaker 1: ship and also the music nerds sonic ship, and just yeah,

1326
01:20:42,280 --> 01:20:45,920
Speaker 1: I think it's yeah, man, Thank you, Mike. I'll talk

1327
01:20:45,960 --> 01:20:56,040
Speaker 1: to you soon. My man Week ten NFL Week ten.

1328
01:20:56,120 --> 01:20:59,240
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1329
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Speaker 1: Week ten. I picks every single game at sports bet

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Speaker 1: Collective dot com with commentary written by me that you

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1332
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Speaker 1: my Thursday pick? Did you miss out? It doesn't matter.

1333
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Speaker 1: Get ready for Sunday. Your first pick and analysis is free,

1334
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Speaker 1: and any additional picks of course, just a buck or

1335
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Speaker 1: less if you buy a pack of five. I'm here

1336
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Speaker 1: to win you money. Okay, I love it. I don't

1337
01:21:27,600 --> 01:21:29,120
Speaker 1: do it for the honey. I do it to win

1338
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Speaker 1: you that fucking money. What the funk my opinion? Just

1339
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Speaker 1: course the buck. I'll say it again, what the fuck

1340
01:21:35,320 --> 01:21:38,120
Speaker 1: my opinion? Of course just a buck. But if you

1341
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1342
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1345
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Speaker 1: bet Collective dot com. Yo. Like I said earlier, this

1346
01:21:56,600 --> 01:21:58,960
Speaker 1: is why we podcast. I want to thank both you

1347
01:21:59,080 --> 01:22:03,240
Speaker 1: guys for breaking down the records, breaking down why you

1348
01:22:03,400 --> 01:22:06,800
Speaker 1: love hip hop, everything good about hip hop, everything good

1349
01:22:06,840 --> 01:22:12,960
Speaker 1: about tribe and the clan. Um. I cannot thank you enough.

1350
01:22:13,320 --> 01:22:15,720
Speaker 1: UM so fucking honored that both of you guys were

1351
01:22:15,760 --> 01:22:18,680
Speaker 1: able to uh join me, gave me the privilege of

1352
01:22:18,720 --> 01:22:22,160
Speaker 1: interviewing on the Iron Rap Hoort Stereo podcast. UM, I'm out.

1353
01:22:22,640 --> 01:22:24,200
Speaker 1: You know if your first time you ever listened to

1354
01:22:24,240 --> 01:22:27,880
Speaker 1: the show, UH subscribe, rate and review us. Tell a

1355
01:22:27,960 --> 01:22:30,160
Speaker 1: friend to tell a friend to tell a friend. My

1356
01:22:30,280 --> 01:22:32,719
Speaker 1: name is Michael rapport a k. The Gringo Man Dingle

1357
01:22:32,760 --> 01:22:35,760
Speaker 1: a k. The J Clamata Podcasting You have now been

1358
01:22:35,880 --> 01:22:36,559
Speaker 1: rocking with the best