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Speaker 1: Welcome to Jenkins and Jones on the Volume podcast Network.

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Speaker 2: It is Monday, September sixth. It is Labor Day, but

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Speaker 2: we are laboring.

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Speaker 1: Our hands look like this, so your hands don't look

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Speaker 1: like this. This is our music episode of Jenkins and Jones.

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Speaker 1: That's all anyone's talking about. It's all we've really been

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Speaker 1: talking about.

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Speaker 3: So we're week good.

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Speaker 2: We are not We are not breaking down the DeAndre Jordan's.

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Speaker 4: Signing Andre Jordan buyout put a fucking gun to my head.

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Speaker 2: We are not talking about.

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Speaker 3: Today.

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Speaker 1: As always, Jenkins and Jones is hosted by my good buddies,

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Speaker 1: Dragonfly Jones aka Tyler.

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Speaker 2: Jethro Jenkins. Yeah yeah, Mike.

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Speaker 1: Tyler has a mic stand uh this week, so he's

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Speaker 1: got room to put the extra slabber on the.

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Speaker 5: Yeah.

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Speaker 1: Okay, so uh, Drake dropped an album and I feel

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Speaker 1: like this might be I don't know the next time. Well,

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Speaker 1: I mean, I guess when Kendrick comes out, but like

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Speaker 1: it's very rare at this point that an album drops

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Speaker 1: and everyone listens to it at the same time and

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Speaker 1: talks about it for a day. Just I feel like

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Speaker 1: it was a very throwback experience. So what did you

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Speaker 1: guys think of the album and did you enjoy that

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Speaker 1: kind of like group listening nineteen ninety six?

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Speaker 2: Ass Twitter had that.

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Speaker 6: This used to be a thing hasn't been as a

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Speaker 6: late for so, you know, not for a minute.

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Speaker 5: Yeah, I love it.

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Speaker 4: I didn't I don't really live tweet too much with

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Speaker 4: certain artists when they dropped because I know I'm going

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Speaker 4: to get a lot of assholes in my mentioned, So

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Speaker 4: you know, I didn't really do participating in the live

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Speaker 4: tweeting of Drake because Drake is one of those guys

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Speaker 4: who brings the assholes out, you know what I mean.

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Speaker 5: But I love the album.

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Speaker 6: I got like I got clown for enjoying the marketing

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Speaker 6: of it.

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Speaker 3: Like I was like, the marketing of this is brilliant,

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Speaker 3: you know what I mean, Because I'm.

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Speaker 6: Thinking of like, you know, the billboard and how you

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Speaker 6: know it's a tactile way of marketing or dated one

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Speaker 6: but they made it a viral one. I thought it

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Speaker 6: was really interesting and creative, you know what I'm saying,

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Speaker 6: using the people that were in the other cities to

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Speaker 6: support them, you know what I mean, and garner their

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Speaker 6: excitement as well.

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Speaker 3: And Nigga was like, yeah, I like marketing too. Mocked me.

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Speaker 4: Right, Like I don't get bro. It was a brilliant

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Speaker 4: marketing campaign. Like it was a campaign that we're gonna

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Speaker 4: remember forever. It was original, it was fun, It made

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Speaker 4: fans participate, It build fans anticipation.

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Speaker 5: Like it was perfect.

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Speaker 4: Like how can you you know, criticize that, Like I

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Speaker 4: love marketing, motherfucker. I wasn't just marketing. Marketing is it's saying,

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Speaker 4: you know, new album on together, you know what I mean?

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Speaker 3: Like people were saying it was lazy. It's just a billboard.

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Speaker 6: You know how much fucking time went into that billboard

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Speaker 6: and dropping it at that point? You like they picked

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Speaker 6: the fucking the fonts, the typefaces that are used. There's

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Speaker 6: like hours and days of you know that are putting

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Speaker 6: into that alone, like you know, art, direction, strategy, all

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Speaker 6: that shit, and.

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Speaker 3: I love that shit.

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Speaker 6: Like I gotta said, I got a fucking subscription that

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Speaker 6: week I'm a nerd about this shit, so I didn't

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Speaker 6: even notice it wasn't know he was clowning me until

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Speaker 6: hours later when I looked and they were fired.

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Speaker 2: This this is just so John tweeted. John tweeted about how.

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Speaker 1: Much he loved the marketing, and this dude quote tweeted

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Speaker 1: him and said, I also love marketing, and John was like, right,

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Speaker 1: because marketing is really actually artistic and like the whole time,

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Speaker 1: the dude was like, look at this nerd motherfucker talking

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Speaker 1: about he was like the next treet.

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Speaker 6: He was like blind blind, like you know, you know whatever,

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Speaker 6: Like loving your artist blindly is bad.

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Speaker 3: I'm like, Nigga, I'm not. I don't even fuck with

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Speaker 3: track nigga like that. The marketing got me excited about

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Speaker 3: love Boy, like c O B. That's what got me excited.

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Speaker 3: The advertisements, you know.

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Speaker 4: What I mean, motherfuckers be too cool to be impressed, dog,

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Speaker 4: that's all motherfuckers think. They be too cool to be impressed.

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Speaker 4: And this was an impressive marketing campaign. It intrigued the

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Speaker 4: funk out of me. And like you, I don't I

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Speaker 4: Drake is cool with me, you know what I mean?

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Speaker 6: Like I'm a yeah, like views all that shit.

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Speaker 1: I mean, you know, like I think all three of

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Speaker 1: us have gotten fired the fuck up on Twitter by

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Speaker 1: the masses for saying negative things.

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Speaker 3: I mean, I talk about what he did.

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Speaker 1: Like that none of us are like, oh, the new

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Speaker 1: Drake album, Like I would say, I was more excited

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Speaker 1: about this album release than I've been about any other

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Speaker 1: Drake album.

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Speaker 3: This was, dude.

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Speaker 6: This was like the playoffs this year, where I enjoyed

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Speaker 6: them with no rooting interests, you know what I mean.

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Speaker 3: That's how I felt listening to Drake, Like I didn't

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Speaker 3: care if it was good or not.

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Speaker 6: I was interested because I felt like if this wasn't

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Speaker 6: a good album, this might we might be watching the decline.

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Speaker 6: I still think he's plataoning, but he's still platowying at

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Speaker 6: the fucking peak.

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Speaker 3: Of the mountain, you know what I mean. Like, I

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Speaker 3: don't think he's really for me.

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Speaker 6: I would say, like, like, like you said, this is

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Speaker 6: a mosta. I was excited about the album coming out.

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Speaker 6: I enjoyed the fuck that. I was high as fuck

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Speaker 6: when it drop.

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Speaker 3: It was twelve. I am listening to fucking Project Pat, you

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Speaker 3: know what I.

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Speaker 6: Mean, And like twenty one Saturage, I'm I'm a dancing

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Speaker 6: ass nigga, Like I'm top three car dancers on the planet.

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Speaker 3: Nigga, this is a perfect album to car dance too,

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Speaker 3: you know what I mean, Like, Nigga, this is what

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Speaker 3: this has been made for me, Nigga. I enjoyed that.

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Speaker 3: It's fun. It's fun.

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Speaker 6: And like you said, we talked about this Tyler Clown

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Speaker 6: and Nigga because he was saying, we definitely don't need

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Speaker 6: to talk about that those you know, like the abortion ruley.

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Speaker 1: Someone someone tweeted like, why doesn't Drake talk about social issues.

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Speaker 6: Like a more one of them niggas, Like, like, you know,

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Speaker 6: he was like he's probably a barber, you know what I.

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Speaker 7: Mean, Like you know, like I had a lot of

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Speaker 7: stars on this, you know what I mean, Like on

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Speaker 7: this Koofie one of them niggas.

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Speaker 3: You feel what I'm saying.

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Speaker 4: Yeah, so yeah, we we We absolutely do not need

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Speaker 4: Drake's comments on the military withdrawing from Afghanistan, like that

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Speaker 4: is not what we go to uvar four bro. But

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Speaker 4: I will say I say, though, there is a discussion

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Speaker 4: about the lack of growth in his music that I

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Speaker 4: think has some merit. Though I think that's a discussion

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Speaker 4: worth it. I think he has a formula that he

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Speaker 4: sticks to perfectly. And and like you said, he's plateaued,

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Speaker 4: but he's still at the mountain top with it, right,

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Speaker 4: Like that formula is still clicking on all cylinders. But

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Speaker 4: I understand people saying, Bro, you're still looking at life

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Speaker 4: and relationships and such through the same lens you did

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Speaker 4: when you were twenty two. And you're thirty five now, right,

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Speaker 4: And and the thing is, you know, all rappers, truth

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Speaker 4: be told, all rappers are one two trick ponies, right.

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Speaker 4: All rappers have their one lane that they stick in, Like,

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Speaker 4: you know, you got a rapper like Currency his lane

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Speaker 4: is weeding cars.

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Speaker 5: You're never gonna be too old to rap about that.

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Speaker 3: You know.

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Speaker 4: A rapper like Rick Cross, his lane is luxury living.

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Speaker 4: You're never gonna be too old to rap about that.

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Speaker 4: But these Drake bars like like, oh, you're not returning

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Speaker 4: my text, but I see you posting on Instagram. You're

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Speaker 4: gonna age out of that shit. Bro, You're thirty five, now, you.

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Speaker 5: Know what I mean?

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Speaker 4: Like and and and the thing with which, which is

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Speaker 4: why I think a lot of people have these issues

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Speaker 4: with Drake is Drake sold his fan base his his

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Speaker 4: listeners on the journey he was trying to make right,

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Speaker 4: Like he was like, I'm here now, I'm trying to

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Speaker 4: figure this life shit out. I'm trying to get to

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Speaker 4: hear and it does look like he's progressing to be there,

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Speaker 4: you know what I mean? So I get that that criticism.

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Speaker 1: Do you remember when we had we had Dan Levittard

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Speaker 1: on and I asked him about he was always the

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Speaker 1: anti establishment guy at ESPN and now he's got a

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Speaker 1: billion dollar media company, is it right? And he said

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Speaker 1: it was really useful being at ESPN to have that

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Speaker 1: thing to throw rocks at, right, and now you have

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Speaker 1: to figure out what to do when when you don't

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Speaker 1: have that. Drake sold the underdog story and he's been

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Speaker 1: the biggest rapper.

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Speaker 4: Biggest in time now, biggest artist period perhaps in all

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Speaker 4: the music right, Like, like, you're not the hunderdog who

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Speaker 4: no one believed in anymore. You know, you got a

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Speaker 4: song called no Industry Friends. You've got half the fucking

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Speaker 4: industry on your album, bro, Like you know rappers don't

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Speaker 4: be living in raps, But goddamn, Drake, you know this

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Speaker 4: shit this mappen happy or do?

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Speaker 2: Right? And so I think so I was just gonna

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Speaker 2: say so.

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Speaker 1: I think, like that's very fair, Like he's still the

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Speaker 1: difference is he's still popular, but his songwriting has progressed

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Speaker 1: about as much as Weezer's has from when they first

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Speaker 1: came out, right, Like he's still kind of doing the

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Speaker 1: like nineteen year old fucking songwriting in terms of relationships

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Speaker 1: and stuff. And it's like you are now talking about

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Speaker 1: women who are richer than anyone listening to your album.

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Speaker 2: You know what I mean?

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Speaker 3: This is just Drake is in.

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Speaker 6: A song talking about he won't tell anyone, and he's

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Speaker 6: telling everybody in the song.

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Speaker 3: He's talking about the relationship he had with it. I

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Speaker 3: think it's his baby mom.

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Speaker 6: I think that's what he's saying about, like the experiences

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Speaker 6: or whatever, like I'm supporting a stripper having a baby

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Speaker 6: or whatever. Like and it's like, you know, I won't

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Speaker 6: tell you. I'm like Nigga, But you know he's aware

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Speaker 6: of this. He just I really think Drake's music doesn't

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Speaker 6: change because Drake's a little slut bro. I think he's

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Speaker 6: a little a little slut, a little bit got the

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Speaker 6: heart tATu, like like he takes the little cute pictures

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Speaker 6: with his shoulder out with the car to get on

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Speaker 6: and you know what I'm saying, Like with his little shoulder.

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Speaker 3: Out of the Drake's a little wild boy.

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Speaker 6: And I think the thing is he's always he just

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Speaker 6: I think he's actually realized he's just a little slut

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Speaker 6: and so he just sticks to that ship, you know

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Speaker 6: what I mean, Like he's I think Drake's music has

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Speaker 6: to change because his life hasn't changed.

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Speaker 3: He has a kid now and he talks about.

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Speaker 6: That and that experience like you don't love me like

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Speaker 6: my son.

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Speaker 3: But as far as daily, I think he's still out

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Speaker 3: here wider.

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Speaker 6: It good for him, Man, lean into who you are,

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Speaker 6: you know what I mean, You know what I'm saying, Like,

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Speaker 6: and I think.

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Speaker 3: That's what he's.

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Speaker 6: That's that's why I think his music has to change

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Speaker 6: because his life hasn't even yet, you know what I mean?

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Speaker 3: And I and I don't. I don't, I don't.

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Speaker 6: It's not got to the point where like it's still

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Speaker 6: fun enough because he has people like you saw the

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Speaker 6: all the like the the features she had which made

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Speaker 6: it fun, like you.

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Speaker 3: Know what I mean. But I'll say this, I didn't

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Speaker 3: need Drake on that project path. I didn't need him

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Speaker 3: on the Knife talk. He should have just let Project

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Speaker 3: patt he should get a Project Pact more. Well, you

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Speaker 3: know what I'm saying, let him do more. Project Past

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Speaker 3: ship him in twenty one. I think Project Past and

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Speaker 3: twenty one should.

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Speaker 6: Drop an EP five to seven songs straight fucking heat.

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Speaker 3: You know what I mean. And I'm a break a sweat.

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Speaker 3: Listen to that motherfucker shit. That ship would be perfect.

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Speaker 4: I also think a part of why he hasn't matured

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Speaker 4: much is that he's probably still dealing with the same

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Speaker 4: age group of women he's been dealing with for twelve years.

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Speaker 5: Right.

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Speaker 4: Like, he's got a song called TSU on that motherfucker

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Speaker 4: Texas Southern University where he's talking about that's what you're

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Speaker 4: talking about.

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Speaker 3: That's what I heard about it, he said, I'm not

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Speaker 3: gonna tell you. I think, yeah, not talking about the

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Speaker 3: chicky was the baby Mama. I thought he was talking

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Speaker 3: about herd That's what I thought he was about.

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Speaker 5: No, No, he was.

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Speaker 4: So he's talking about a chick thumb from from Houston,

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Speaker 4: who was you know.

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Speaker 6: And I'll say this, bro, like people talk about tricky Bro.

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Speaker 3: I would be the same nigga if I had Drake.

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Speaker 6: Money, bro, I'm supporting all of my friends, all of

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Speaker 6: your friends.

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Speaker 3: Holler at me. It ain't trick it, and you got

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Speaker 3: I get that. You know what I'm saying. I don't

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Speaker 3: need all this damn money.

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Speaker 5: Yeah, but there was there was this post.

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Speaker 4: There was this post that I think perfectly summarized, you know,

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Speaker 4: Drake and his progression or lack thereof. That I'm gonna

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Speaker 4: read right now. It's from Damon Young some thoughts on

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Speaker 4: Certified lover Boy. I think someone once said that Drake's

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Speaker 4: base audience is nigga's not clever enough to write their

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Speaker 4: own ig captions. I think that someone was me seventeen

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Speaker 4: minutes ago. I think I have jokes. I think Drake

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Speaker 4: create creates aggressively accessible art. I think that seems like

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Speaker 4: an insult, but it ain't. His genius is in the

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Speaker 4: mastery of whichever algorithmic process is necessary to create consistent earworms.

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Speaker 4: I think it takes tremendous effort to make success seem

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Speaker 4: so effortless. It seems easy enough that anyone can do it,

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Speaker 4: but anyone can't just him.

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Speaker 5: So it ain't.

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Speaker 4: I think that accessibility comes at a cost, and I

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Speaker 4: think the flip side of it is disposability. I think

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Speaker 4: rap is inherently political even with the Even when the

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Speaker 4: politics are terrible, such as Kanye, They're still present in

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Speaker 4: the music. I think another way of saying aggressively accessible

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Speaker 4: is a political I think remaining a political in twenty

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Speaker 4: twenty one is a choice. I think Drake's albums give

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Speaker 4: no indication of what's happening in the world outside of

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Speaker 4: his certified lovel Boar could have been dropped with this

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Speaker 4: exact same content in twenty twelve and nothing was the

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Speaker 4: same could have been dropped today. I think the only

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Speaker 4: way you know what year it is when you listening

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Speaker 4: to a Drake album is by who's chosen for the features.

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Speaker 4: I think a charitable takeaway from this is that his

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Speaker 4: music is timeless, and uncharitable takeaway is that it's tripe.

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Speaker 4: I think it's unfair to expect rappers to create art

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Speaker 4: that feels untrue to them. It's not Drake's fault that

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Speaker 4: the world is burning around him, nor should we expect

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Speaker 4: him to engage with it. And I think the low stakes,

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Speaker 4: ease and predictability of his art can be an escapist

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Speaker 4: bomb and an anxiety alleviator, both of which are vital,

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Speaker 4: especially now. It's just frustrating sometimes because it's just that

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Speaker 4: and nothing else. I think that's my fault, though not his.

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Speaker 4: I think he's the world's most lucrative and effective padalate cleanser.

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Speaker 4: And I think if you're hungry for something more tactile

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Speaker 4: in his art now thirteen years in, you deserve the star.

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Speaker 5: I think you hit the uba.

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Speaker 3: No. On that hand, there, Bubba.

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Speaker 1: I think the most interesting thing that human beings do

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Speaker 1: with art is that is that Shakespeare goes from being

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Speaker 1: someone who wrote for like who is like a popular artist, right,

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Speaker 1: Like there were there were high brow artists when Shakespeare

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Speaker 1: was writing, and he was.

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Speaker 2: Not one of them. Right.

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Speaker 1: But now, if your stuff survives long enough, the way

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Speaker 1: it survives is in criticism and academia to some extent.

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Speaker 1: And so Shakespeare and Charles Dickens they were writing friends

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Speaker 1: bro right, I mean like they were writing Seinfeld.

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Speaker 2: For their era.

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Speaker 3: There's a difference there.

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Speaker 2: People didn't think Dickens people. People didn't think Dickens was

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Speaker 2: smartan people's.

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Speaker 3: I think Shakespeare at the time friends shakes.

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Speaker 5: Shakespeare got hell of fart jokes in his work. Bro

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Speaker 5: I'm just I'm not on top of this.

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Speaker 1: I mean, we're talking to two thousand, We're talking yeah,

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Speaker 1: we're talking to twenty twenty one.

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Speaker 2: But if this podcast was happening four hundred years ago.

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Speaker 1: You might have been saying, uh, Marlowe is smart, Shakespeare's not,

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Speaker 1: you know what I mean? Yeah, But so like this,

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Speaker 1: and I'm a snobbish ass person at my core, I'm

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Speaker 1: also like a you know, I'm truly like English Lit major,

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Speaker 1: like snobbery, and then I'm not that at the same time,

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Speaker 1: but I think that's how most people are.

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Speaker 2: Harold Bloom was a literary.

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Speaker 1: Critic who wrote exactly what this dude just wrote about

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Speaker 1: Drake about Edgar Allan Poe. Like Edgar Allan Poe was not,

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Speaker 1: let you know, like he, he criticized him for for

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Speaker 1: prioritizing access over technique, you know, et cetera, et cetera,

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Speaker 1: et cetera. But the thing that that misses out on

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Speaker 1: and I, like Harold Bloom and snobbish ask people because

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Speaker 1: they put me onto good stuff I wouldn't have heard

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Speaker 1: of otherwise, and many times, but what they don't understand

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Speaker 1: is that, like Edgar Allen Poe succeeds because he connects.

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Speaker 2: To everybody, and Drake is the same thing.

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Speaker 1: And I like that in that piece that he wrote,

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Speaker 1: he understands that that is a skill that Drake has,

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Speaker 1: even if it's annoying, if it's one of those things

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Speaker 1: where people talk about selling out or you know, being

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Speaker 1: a political or being overly accessible. If everyone could do that,

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Speaker 1: most people would do it, like most people would trade

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Speaker 1: whatever artistic aspirations they have for the amount of commercial success.

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Speaker 2: That Drake has.

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Speaker 1: What interests me, if there is anything about Drake that

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Speaker 1: interests me artistically, is he has the tension of someone

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Speaker 1: who wants the respect of an underground artist and the

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Speaker 1: status of the number one music artist in and I

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Speaker 1: think that tension is genuinely accuriated.

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Speaker 6: Whereas Life one or two songs where it's like, bitch,

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Speaker 6: I'm just rapping, but let you know who the fuck

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Speaker 6: I really am. And I think I think the thing

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Speaker 6: is like, I think Drake is brilliant. I think his

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Speaker 6: music is a political and all that, but I don't

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Speaker 6: think Drake is I think Drake is a very smart dude.

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Speaker 3: I think he's very very talented.

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Speaker 6: When you hear Drake talk, you know, he knows exactly

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Speaker 6: what he's doing, you know what I mean.

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Speaker 3: I think he chooses that.

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Speaker 6: But if you look at Drake, like we know the

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Speaker 6: cover of and Drake knew this, the cover of CLB,

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Speaker 6: it's not pretty.

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Speaker 3: It's not a pretty cover.

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Speaker 6: It's not a good cover you're looking at artistically, but

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Speaker 6: when you look at the results of it, it was

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Speaker 6: mean Hella's which helped to advertise the album, like.

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Speaker 1: People, every social media manager for every brand in America

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Speaker 1: from mid major researching that ship.

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Speaker 5: Like you know what I'm saying.

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Speaker 6: So like the album cover it's it's not it's artistically

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Speaker 6: it's not good, the effect of it was great.

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Speaker 3: And that's what Drake was looking at. What is the

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Speaker 3: effect of this, you know, and and and then his

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Speaker 3: whole team not just drag his team. What's the effect

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Speaker 3: of this cover?

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Speaker 6: Not like I don't give a fuck about you know,

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Speaker 6: like is it a beautiful aesthetic you know, aesthetically pleasing

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Speaker 6: album cover?

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Speaker 3: You know what I'm saying. And that's how he approaches things.

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Speaker 6: So it might be and I think, like, so, I mean,

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Speaker 6: there's brilliant, like there's like Kendrick everything Kendrick does.

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Speaker 3: I don't know if you peat like his like his

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Speaker 3: album cover, his fucking every bar, every fuck.

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Speaker 6: You know what I'm saying is meant, but he doesn't

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Speaker 6: waste everything means he's searching for like aesthetically pleasing you

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Speaker 6: know what I mean. You know what I mean, Like

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Speaker 6: it's a particular like level of art in everything he does.

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Speaker 6: Drake's not like that, but that's why you know, you know,

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Speaker 6: Kendrick is incredible and it has a hell of a

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Speaker 6: lot of success. But I don't you know what I'm saying,

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Speaker 6: but Drake's success, he's breaking records on fucking Spotify because

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Speaker 6: of how he approaches it.

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Speaker 3: And they're both brilliant, They're just different.

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Speaker 6: So like what you do said is I completely agree,

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Speaker 6: But I think like you know, like I think Drake's

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Speaker 6: music and how he approaches it.

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Speaker 3: Is there's brilliance in that as well.

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Speaker 6: It's just not you know, it's I mean, it depends

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Speaker 6: on how you look at it.

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Speaker 2: And he and Kendrick are both doing who they are.

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Speaker 3: I don't think.

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Speaker 6: I don't think like I think Drake, like Drake is

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Speaker 6: a fense being nigga, Like he's a when you see

409
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Speaker 6: him doing like mimicking people and ship like You see,

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Speaker 6: he's very.

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Speaker 3: Like like dude, like he like when he when.

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Speaker 6: He did Manifacio, You know what I mean, Like dude,

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Speaker 6: he like the details. I mean, he's he's very detail oriented,

414
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Speaker 6: but he thinks about it and approaches shit in a

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Speaker 6: different way, you know what I mean, for success, as

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Speaker 6: far as the numbers and stuff like you said out

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Speaker 6: like they use the word word algorithm, algorithm. Nobody uses

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Speaker 6: an algorithm better than fucking Drake.

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Speaker 3: You know what I mean.

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Speaker 6: He understands the Internet in a way that is abnormal,

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Speaker 6: and he approaches making music in a in that same

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Speaker 6: way like you know what I'm saying, And his marketing

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Speaker 6: is the same.

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Speaker 3: You know what I mean. So I respect both of them.

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Speaker 3: I like Kendrick, I like Drake. You know what I mean.

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Speaker 6: I'm not watching Drake's videos four years later like I'm

427
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Speaker 6: watching you know what I'm saying.

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Speaker 3: You know what Kendrick did.

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Speaker 6: You know what I'm saying With Dave three and all

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Speaker 6: that artisicity is beautiful, you know what I mean. But

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Speaker 6: I still respect both approaches, you feel what I'm saying.

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Speaker 4: Yeah, going back to what Mike said about how how

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Speaker 4: Drake is has his eyes on being the biggest artist

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Speaker 4: in the world and also being respected by the you know,

435
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Speaker 4: most grimiest, most gutterous rappers for you know his talent.

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00:20:31,880 --> 00:20:35,720
Speaker 4: Drake is a dude who who knows that making himself

437
00:20:35,720 --> 00:20:37,800
Speaker 4: the butt of the joke at times will expand his

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Speaker 4: reach further than being the serious rapper guy, you know

439
00:20:40,320 --> 00:20:42,520
Speaker 4: what i mean. Like like the cover for instance, the

440
00:20:42,560 --> 00:20:45,399
Speaker 4: Way Too Sexy video is fucking comedy great, you know

441
00:20:45,400 --> 00:20:48,399
Speaker 4: what I mean, It's hilarious, and you know, his his

442
00:20:48,600 --> 00:20:51,760
Speaker 4: SNL appearances and such, so he knows, you know, when

443
00:20:51,800 --> 00:20:53,680
Speaker 4: it's time to make himself the butt of the joke

444
00:20:53,760 --> 00:20:54,800
Speaker 4: to further his reach.

445
00:20:54,960 --> 00:20:56,840
Speaker 5: He that's something that he's very massive lat too.

446
00:20:57,320 --> 00:20:59,160
Speaker 6: And like there's like if you look, if you look

447
00:20:59,160 --> 00:21:01,639
Speaker 6: at like everything he does, like even the way to

448
00:21:01,640 --> 00:21:04,560
Speaker 6: the Way Too Sexy joint, Like that's it's a very creative.

449
00:21:04,600 --> 00:21:06,320
Speaker 3: It's a great you know what I'm saying. It's just

450
00:21:06,400 --> 00:21:07,000
Speaker 3: not that.

451
00:21:07,080 --> 00:21:10,840
Speaker 6: Upper tier niche shit that that that that Kendrick does,

452
00:21:10,880 --> 00:21:11,560
Speaker 6: you know what I'm saying.

453
00:21:11,920 --> 00:21:14,160
Speaker 3: But they both will be talked about in the future,

454
00:21:14,440 --> 00:21:14,919
Speaker 3: you know what I mean.

455
00:21:14,920 --> 00:21:17,640
Speaker 6: And we can't ignore the brilliance of both of them,

456
00:21:17,680 --> 00:21:18,200
Speaker 6: you know what I'm saying.

457
00:21:18,240 --> 00:21:19,320
Speaker 3: I think I think both.

458
00:21:20,240 --> 00:21:22,600
Speaker 6: I think if you're looking for what that's that's why

459
00:21:22,640 --> 00:21:24,199
Speaker 6: I don't think we need that ship, because we have

460
00:21:24,320 --> 00:21:24,960
Speaker 6: Kendricks and.

461
00:21:25,040 --> 00:21:27,600
Speaker 3: We got books. Nigga, you know what I'm saying, Like

462
00:21:27,720 --> 00:21:30,080
Speaker 3: you can read about that ship. You know what I'm saying,

463
00:21:30,160 --> 00:21:31,320
Speaker 3: there's great.

464
00:21:31,560 --> 00:21:32,760
Speaker 2: I just I just don't.

465
00:21:33,680 --> 00:21:35,639
Speaker 1: I don't. I just I don't think Drake would be

466
00:21:35,680 --> 00:21:38,919
Speaker 1: successful trying to do what Kendrick does any more than

467
00:21:39,000 --> 00:21:41,240
Speaker 1: Kendrick would be successful trying to do what Drake does.

468
00:21:41,320 --> 00:21:43,720
Speaker 1: Like I just and I think that's that's why they

469
00:21:43,760 --> 00:21:46,080
Speaker 1: both have risen to the level that they have, is

470
00:21:46,119 --> 00:21:48,320
Speaker 1: that they're perfecting who that. We talk about that with

471
00:21:48,359 --> 00:21:51,080
Speaker 1: athletes all the time. If your personality is Michael Jordan,

472
00:21:51,600 --> 00:21:54,440
Speaker 1: be Michael Jordan. But if you're a shack and you're

473
00:21:54,440 --> 00:21:57,040
Speaker 1: trying to act like Michael Jordan, it's not gonna work

474
00:21:57,040 --> 00:21:58,720
Speaker 1: because that's not who you are, you know what I mean.

475
00:21:58,720 --> 00:22:01,600
Speaker 1: So I think they they both succeeded in that regard.

476
00:22:01,600 --> 00:22:05,440
Speaker 1: And I agree that we don't need a seven AM

477
00:22:05,480 --> 00:22:09,520
Speaker 1: in the West Wing intro track about whether the military

478
00:22:09,600 --> 00:22:12,880
Speaker 1: can be deployed successfully in humanitarian efforts or whatever.

479
00:22:12,880 --> 00:22:16,720
Speaker 6: The daily we don't need him rapping about those topics though,

480
00:22:16,800 --> 00:22:17,639
Speaker 6: you knowe what I'm saying.

481
00:22:18,480 --> 00:22:20,560
Speaker 3: You know what I'm saying, Like we're good on that.

482
00:22:20,800 --> 00:22:23,600
Speaker 2: We got the Daily Tyler? Can you, Tyler?

483
00:22:23,640 --> 00:22:28,040
Speaker 1: Can you explain the world's most boring beef between Drake

484
00:22:28,160 --> 00:22:31,359
Speaker 1: and Kanye? And how did Andre three thousand? I be

485
00:22:31,400 --> 00:22:33,800
Speaker 1: honest with you, man, I was off Twitter, like what what?

486
00:22:34,160 --> 00:22:34,240
Speaker 3: Like?

487
00:22:34,280 --> 00:22:36,199
Speaker 2: What happened? Can you explain the ship to me?

488
00:22:36,920 --> 00:22:37,120
Speaker 3: Shit?

489
00:22:37,440 --> 00:22:40,800
Speaker 4: Drake and and fucking Kanye been beef and it seems

490
00:22:40,840 --> 00:22:42,680
Speaker 4: like it really took off around the Push of Tea

491
00:22:42,760 --> 00:22:47,840
Speaker 4: time when when when Drake kind of accused Kanye of

492
00:22:47,920 --> 00:22:50,440
Speaker 4: leaking information to to push a tea that push a

493
00:22:50,520 --> 00:22:53,960
Speaker 4: t weaponized in their beef and push your Tea denied it,

494
00:22:54,040 --> 00:22:56,240
Speaker 4: said there's a moment Obo camp who leaked all that info?

495
00:22:56,320 --> 00:22:58,199
Speaker 4: Maybe he's coming for a guy. Maybe that's true. But

496
00:22:58,600 --> 00:23:01,800
Speaker 4: and then the fucking what was the song in My

497
00:23:01,840 --> 00:23:06,040
Speaker 4: Feelings dropped by Drake off Scorpion and Kanye. Y'all rememberh

498
00:23:06,080 --> 00:23:08,600
Speaker 4: Kanye got on Instagram live thinking Drake was talking to

499
00:23:08,720 --> 00:23:10,639
Speaker 4: Kim Kardashian with the Keiki do you love me?

500
00:23:10,720 --> 00:23:10,920
Speaker 3: Shit?

501
00:23:11,400 --> 00:23:12,280
Speaker 5: Yeah, So so.

502
00:23:12,160 --> 00:23:14,160
Speaker 4: That's that's kind of where it all started from rap

503
00:23:14,200 --> 00:23:16,320
Speaker 4: beats have started from dumber shit, but this was a

504
00:23:16,359 --> 00:23:19,199
Speaker 4: pretty dumb start for this rap beat too. But but

505
00:23:20,080 --> 00:23:23,240
Speaker 4: in more recent developments, Andre d thousand hopped on a

506
00:23:23,320 --> 00:23:24,800
Speaker 4: track that was supposed to make Donda.

507
00:23:24,800 --> 00:23:25,160
Speaker 5: It didn't.

508
00:23:25,480 --> 00:23:27,600
Speaker 4: It's and he just, I mean poured his heart out

509
00:23:27,640 --> 00:23:29,880
Speaker 4: about his his his mom who passed right.

510
00:23:29,920 --> 00:23:31,160
Speaker 2: It was just it was just.

511
00:23:31,200 --> 00:23:36,000
Speaker 4: A beautiful, beautiful, introspective, reflective verse. And then Kanye hops

512
00:23:36,000 --> 00:23:37,679
Speaker 4: on and talking about his beef with Drake and how

513
00:23:37,680 --> 00:23:39,439
Speaker 4: he put Vergil and Drake in the group text and

514
00:23:39,480 --> 00:23:42,720
Speaker 4: told and told Drake to leave Virgil alone. And then

515
00:23:42,960 --> 00:23:46,520
Speaker 4: Drake leaks this, like, I feel like Kanye is lame

516
00:23:46,800 --> 00:23:50,040
Speaker 4: for hopping on, you know, such a an introspective record

517
00:23:50,040 --> 00:23:52,280
Speaker 4: that Andre two thousand made about his mom and dragging

518
00:23:52,280 --> 00:23:53,879
Speaker 4: that Drake beef into And I feel like Drake is

519
00:23:54,000 --> 00:23:57,159
Speaker 4: lame for releasing such a personal verse from three thousand

520
00:23:57,200 --> 00:23:59,440
Speaker 4: without three thousands permission. So I feel like this lame

521
00:23:59,600 --> 00:24:03,240
Speaker 4: is is this beef is lame all around. There's no

522
00:24:03,440 --> 00:24:05,320
Speaker 4: it's it's not the good old fashion rat beat. I'm

523
00:24:05,320 --> 00:24:06,760
Speaker 4: gonna beat you up and take your girl when I

524
00:24:06,800 --> 00:24:09,960
Speaker 4: see you. Like that's the entertaining ship. It's just two

525
00:24:10,080 --> 00:24:12,960
Speaker 4: dads in fucking in Calabasa's beefing.

526
00:24:13,040 --> 00:24:13,200
Speaker 3: Bro.

527
00:24:13,600 --> 00:24:17,440
Speaker 4: This is like, this is like lawn care beef right now.

528
00:24:17,480 --> 00:24:19,119
Speaker 4: You know what I'm saying, Like, motherfucker's fighting out who

529
00:24:19,200 --> 00:24:21,560
Speaker 4: got the best looking lawn? And shit it's boring, Dog,

530
00:24:21,680 --> 00:24:22,200
Speaker 4: it's boring.

531
00:24:22,240 --> 00:24:25,919
Speaker 2: Who got that marathon too? From lows?

532
00:24:26,000 --> 00:24:27,720
Speaker 3: You know what I'm saying, Like, you know what I mean,

533
00:24:27,760 --> 00:24:29,960
Speaker 3: This is a box beef. It's you know what I mean.

534
00:24:29,960 --> 00:24:32,520
Speaker 6: But like I want to get Andre three thousand out

535
00:24:32,560 --> 00:24:35,320
Speaker 6: here playing flute for strangers, and you gonna get this

536
00:24:35,440 --> 00:24:39,080
Speaker 6: nigga involved in your beef a flute playing ass You're like.

537
00:24:39,200 --> 00:24:42,160
Speaker 3: No, I'm not Andre. And then like like you said

538
00:24:42,280 --> 00:24:46,240
Speaker 3: that verse like it like it was. I listened to

539
00:24:46,280 --> 00:24:49,480
Speaker 3: it on the toylet this morning and I was emotionally

540
00:24:50,320 --> 00:24:52,920
Speaker 3: I had a taking this ship.

541
00:24:53,080 --> 00:24:53,720
Speaker 6: You know what I mean?

542
00:24:55,240 --> 00:24:56,120
Speaker 3: You may turn that.

543
00:24:56,200 --> 00:25:00,280
Speaker 6: Toilet experience, it to an experienced, you feel what I'm saying, Like,

544
00:25:00,560 --> 00:25:03,080
Speaker 6: but it's like, dog, you gonna beef with this verse.

545
00:25:03,640 --> 00:25:07,000
Speaker 6: We's talking about their mom's meeting and how he's you know,

546
00:25:07,040 --> 00:25:08,840
Speaker 6: like we said somebody he's talking about it were like

547
00:25:09,280 --> 00:25:10,080
Speaker 6: you know, like he's.

548
00:25:10,000 --> 00:25:13,800
Speaker 8: Questioning heaven, because if there's a heaven, wouldn't wouldn't.

549
00:25:13,480 --> 00:25:16,520
Speaker 3: They let the moms talk to their sons, like, and

550
00:25:16,760 --> 00:25:20,320
Speaker 3: you're gonna throw that out there, nigga, So they cut that.

551
00:25:20,280 --> 00:25:22,560
Speaker 6: That would have been I didn't really listen to to

552
00:25:22,720 --> 00:25:25,399
Speaker 6: Kanye's i'ma be honest with you. I'm I'm two hours nigga.

553
00:25:25,400 --> 00:25:27,399
Speaker 6: I got nigga, I got responsibilities, my.

554
00:25:27,480 --> 00:25:31,320
Speaker 3: Nigga, you feel me. And also I don't like, I'm

555
00:25:31,320 --> 00:25:32,520
Speaker 3: not the nigga's going see.

556
00:25:33,080 --> 00:25:34,440
Speaker 2: I have a baby on the way.

557
00:25:36,200 --> 00:25:38,119
Speaker 3: I can listen to it to the background, I guess,

558
00:25:38,119 --> 00:25:38,399
Speaker 3: but you.

559
00:25:38,400 --> 00:25:40,960
Speaker 6: Know what I mean, nigga, I just turned on gospel

560
00:25:41,040 --> 00:25:43,520
Speaker 6: and cry listen to fucking you know what I'm saying,

561
00:25:43,920 --> 00:25:45,640
Speaker 6: BB and CC and some shit.

562
00:25:45,720 --> 00:25:50,760
Speaker 3: Theigga like, no, listen to the whinings, you know what

563
00:25:50,800 --> 00:25:53,399
Speaker 3: I mean? But Na, man like, I don't know dog like.

564
00:25:53,520 --> 00:25:55,800
Speaker 6: That was the like that that was unfortunate to me

565
00:25:56,359 --> 00:25:58,000
Speaker 6: out of all people, this is the dude.

566
00:25:57,840 --> 00:26:01,240
Speaker 3: You're gonna have in between y'all ship and that verse.

567
00:26:01,600 --> 00:26:05,200
Speaker 6: All of it was just fucking whack, all of it,

568
00:26:05,280 --> 00:26:09,119
Speaker 6: but that but that verse though, who I'm glad that

569
00:26:09,240 --> 00:26:10,240
Speaker 6: verse came to lot I got.

570
00:26:10,359 --> 00:26:13,200
Speaker 3: I'm glad I got experienced that first. But like Andre said,

571
00:26:13,560 --> 00:26:15,639
Speaker 3: that's not the way we should experience it.

572
00:26:15,640 --> 00:26:17,960
Speaker 6: But I love how you're saying. I'm hungry said, I

573
00:26:17,960 --> 00:26:20,440
Speaker 6: would have liked to been on CLB. I want to

574
00:26:20,480 --> 00:26:22,960
Speaker 6: work with Tyler. I want to we're gonna get it.

575
00:26:23,000 --> 00:26:25,560
Speaker 6: Seems like we're gonna get more verses from Andre, and

576
00:26:25,640 --> 00:26:28,160
Speaker 6: I think those verses would be great on other albums

577
00:26:28,200 --> 00:26:30,120
Speaker 6: like Tyler the Creator, maybe Kendrick.

578
00:26:30,160 --> 00:26:32,199
Speaker 3: He said, mention that too, that would be fires.

579
00:26:32,240 --> 00:26:35,760
Speaker 4: But yeah, I guess the good thing to come out

580
00:26:35,760 --> 00:26:38,080
Speaker 4: of this is three thousand. Put that bad signal because

581
00:26:38,400 --> 00:26:40,320
Speaker 4: a lot of people probably stop stop hitting his phone

582
00:26:40,320 --> 00:26:42,520
Speaker 4: making he wasn't working with right right, Maybe we'll get

583
00:26:42,520 --> 00:26:44,960
Speaker 4: some more three thousand verses from this fingers and a three.

584
00:26:44,840 --> 00:26:48,560
Speaker 6: Thousand verse with Kendrick that that that diverse deserves to

585
00:26:48,560 --> 00:26:48,840
Speaker 6: be on.

586
00:26:48,800 --> 00:26:51,720
Speaker 3: A Kendrick album. It didn't this what we got.

587
00:26:52,680 --> 00:26:55,919
Speaker 6: I watched I watched the Donda Experience like on Apple,

588
00:26:55,960 --> 00:26:57,480
Speaker 6: and it was interesting with the visuals.

589
00:26:57,520 --> 00:26:59,600
Speaker 3: I wasn't interested in the music. That's why they listen

590
00:26:59,640 --> 00:27:01,760
Speaker 3: to the album. But I've heard the songs, but.

591
00:27:01,720 --> 00:27:03,919
Speaker 6: I mean, I don't know if I want that in

592
00:27:04,000 --> 00:27:07,080
Speaker 6: between that verse, in between that other ship that was

593
00:27:07,119 --> 00:27:08,679
Speaker 6: on Donda, I would have I don't even know if

594
00:27:08,720 --> 00:27:11,000
Speaker 6: i'd want that verse on CEO be honestly, I think

595
00:27:11,040 --> 00:27:12,800
Speaker 6: that verse would be great on Kendrick.

596
00:27:12,880 --> 00:27:15,200
Speaker 3: You feel what I'm saying, or you know what I'm saying.

597
00:27:15,640 --> 00:27:18,359
Speaker 6: Somebody who's talking about that type of shit or deserves

598
00:27:18,400 --> 00:27:20,480
Speaker 6: to have one hundred two thousand on their album, you

599
00:27:20,520 --> 00:27:21,119
Speaker 6: know what I'm saying.

600
00:27:25,200 --> 00:27:29,520
Speaker 1: All Right, I want to ask you about whussy Uh

601
00:27:30,240 --> 00:27:35,359
Speaker 1: tweeting about Little Nasac's sucking dick at six.

602
00:27:35,440 --> 00:27:41,600
Speaker 3: Forty in the morning that nigga woke up like like

603
00:27:42,440 --> 00:27:51,760
Speaker 3: like wait, like wait, realize say this. I'm gonna say this,

604
00:27:51,880 --> 00:27:54,720
Speaker 3: like I'm gonna just say this. And I think I

605
00:27:54,720 --> 00:27:58,320
Speaker 3: don't think the means I think have some truth to them.

606
00:27:58,880 --> 00:28:02,600
Speaker 6: I think, though little his scan be popping, he's intriguing

607
00:28:02,640 --> 00:28:04,040
Speaker 6: and interesting, you.

608
00:28:04,000 --> 00:28:04,520
Speaker 3: Know what I mean.

609
00:28:04,960 --> 00:28:08,879
Speaker 6: Like, I think I think Boosy really is interested in

610
00:28:08,960 --> 00:28:10,800
Speaker 6: Little nas X in a way, like I don't know

611
00:28:10,800 --> 00:28:13,480
Speaker 6: if he's like how people were saying, like he he won't.

612
00:28:13,359 --> 00:28:15,760
Speaker 3: The man sexually. I don't notice that.

613
00:28:16,080 --> 00:28:20,360
Speaker 6: But I think he's interested in Little Naz because he's

614
00:28:20,400 --> 00:28:23,200
Speaker 6: fucking homophobia. You won't allow himself to be interested in

615
00:28:23,280 --> 00:28:26,720
Speaker 6: a dude that's really interesting, and that's why he slashes

616
00:28:26,760 --> 00:28:31,359
Speaker 6: out in these really idiotic, fucking problematic, dangerous fucking ways, you.

617
00:28:31,400 --> 00:28:31,960
Speaker 3: Know what I'm saying.

618
00:28:32,760 --> 00:28:34,760
Speaker 6: But I think there's I mean, dude, I think Little

619
00:28:34,800 --> 00:28:36,639
Speaker 6: Naza is one of the most interesting artists out.

620
00:28:36,680 --> 00:28:38,320
Speaker 3: I think he's one of the most brilliant artists when

621
00:28:38,320 --> 00:28:40,480
Speaker 3: he comes to Internet. I mean, this nigga was he was.

622
00:28:40,480 --> 00:28:43,360
Speaker 6: A bar so he was birthed like he seems he

623
00:28:43,520 --> 00:28:45,440
Speaker 6: learned them through the fires, you know what I'm saying,

624
00:28:45,560 --> 00:28:47,680
Speaker 6: Like and so like, oh, there's nothing wrong to be

625
00:28:47,720 --> 00:28:48,840
Speaker 6: interested in somebody.

626
00:28:48,520 --> 00:28:49,640
Speaker 3: That's really interesting.

627
00:28:50,160 --> 00:28:53,840
Speaker 6: But because he's like taking birth birth like pregnancy photos

628
00:28:53,880 --> 00:28:57,080
Speaker 6: talking about his album, it makes a weird ass nigga

629
00:28:57,160 --> 00:28:59,640
Speaker 6: like bousy uncomfortable this art nigga.

630
00:29:00,120 --> 00:29:04,479
Speaker 4: Yeah, yeah, everybody run into that tired ass. What are

631
00:29:04,480 --> 00:29:06,440
Speaker 4: we gonna tell our kids about that shit?

632
00:29:06,560 --> 00:29:06,760
Speaker 5: Bro?

633
00:29:08,600 --> 00:29:12,800
Speaker 4: For one motherfucking Nickelodeon like fairly Odd Parents, Cosmo got pregnant.

634
00:29:12,840 --> 00:29:14,640
Speaker 4: One of those episodes, Nigga, we grew up with the

635
00:29:14,680 --> 00:29:17,440
Speaker 4: Cosby episode, the Cosby Show episode with those where all

636
00:29:17,440 --> 00:29:20,320
Speaker 4: the dads were pregnant and gave birth to sub Sandwiches.

637
00:29:20,320 --> 00:29:23,160
Speaker 4: I remember that shit, like like we didn't need a

638
00:29:23,200 --> 00:29:25,600
Speaker 4: man being pregnant explained to us because we knew that

639
00:29:25,960 --> 00:29:30,920
Speaker 4: doesn't fucking happen. But yeah, Boosy, I don't know Boosey's

640
00:29:30,960 --> 00:29:34,720
Speaker 4: obsession with not only Lil nas ex, but anytime there's

641
00:29:34,800 --> 00:29:38,120
Speaker 4: something you know, quote unquote, you know that he thinks

642
00:29:38,200 --> 00:29:41,040
Speaker 4: is pushing the bullshit Kyo Jenna that doesn't fucking exist,

643
00:29:41,160 --> 00:29:43,520
Speaker 4: Like he just jumps to arms, you know what I mean.

644
00:29:43,560 --> 00:29:45,200
Speaker 5: So I don't know, bro, some shit he gotta work

645
00:29:45,200 --> 00:29:45,600
Speaker 5: out there.

646
00:29:45,600 --> 00:29:49,920
Speaker 1: But let me tell you something that my gay dad,

647
00:29:50,000 --> 00:29:53,360
Speaker 1: who is closeted for most of his life, told me,

648
00:29:54,680 --> 00:29:57,680
Speaker 1: if someone always is talking about gay.

649
00:29:57,480 --> 00:30:01,840
Speaker 2: People, there's a reason they're always talking. He's like, gay

650
00:30:01,880 --> 00:30:04,360
Speaker 2: people don't always talk about straight people.

651
00:30:08,000 --> 00:30:10,520
Speaker 1: But I mean my dad, when I was twelve, he

652
00:30:10,640 --> 00:30:13,320
Speaker 1: was just like, anytime you hear a Republican who's really

653
00:30:13,360 --> 00:30:17,120
Speaker 1: fired up about gay people, I'll bet you everything I had.

654
00:30:17,800 --> 00:30:19,880
Speaker 2: There's a reason he's really fired up.

655
00:30:21,800 --> 00:30:22,960
Speaker 3: It's just for me.

656
00:30:23,000 --> 00:30:25,719
Speaker 6: It's just like it's like there's people that agree with this,

657
00:30:25,840 --> 00:30:28,200
Speaker 6: Like he has followers that he is like, you know what,

658
00:30:28,200 --> 00:30:30,520
Speaker 6: I'm saying, that's what that's where it's really dangerous.

659
00:30:30,920 --> 00:30:33,040
Speaker 3: There's niggas that you know what I'm saying that that.

660
00:30:33,080 --> 00:30:37,480
Speaker 8: Will agree and spreading this bullshit. But like, yeah, bro,

661
00:30:37,600 --> 00:30:41,120
Speaker 8: like that's that boosy shit. Man, Like Bro, Boosy, It's okay.

662
00:30:41,440 --> 00:30:43,960
Speaker 8: You know what I'm saying. Little Nax is very interesting.

663
00:30:44,040 --> 00:30:47,920
Speaker 3: His fucking art is he's created this fu bo. You

664
00:30:48,000 --> 00:30:49,120
Speaker 3: know what I mean? We need to We need to

665
00:30:49,160 --> 00:30:51,480
Speaker 3: have a sit down with this man, talk to a why. Look,

666
00:30:52,480 --> 00:30:53,720
Speaker 3: you can be it's.

667
00:30:53,600 --> 00:30:56,640
Speaker 6: So, it's okay to be who you are and I'll

668
00:30:56,680 --> 00:30:57,880
Speaker 6: be honest, that's gonna be good.

669
00:30:57,960 --> 00:31:01,080
Speaker 3: Nigg it can't be popping. I'm like he dropped the

670
00:31:01,200 --> 00:31:05,120
Speaker 3: skin rich mother wrong.

671
00:31:05,440 --> 00:31:08,360
Speaker 6: You know what I'm saying to me, Honest, I've been

672
00:31:08,360 --> 00:31:10,680
Speaker 6: seeing some beautiful ass niggas out here too, like that

673
00:31:10,760 --> 00:31:12,320
Speaker 6: Nigga beautiful, This motherfucker.

674
00:31:12,440 --> 00:31:17,000
Speaker 3: Ain't nothing wrong with nigga beautiful. Nigga beautiful too. It's okay, man,

675
00:31:17,080 --> 00:31:18,200
Speaker 3: We all good out here?

676
00:31:18,680 --> 00:31:19,040
Speaker 2: Did that?

677
00:31:19,160 --> 00:31:19,719
Speaker 3: Did that?

678
00:31:20,240 --> 00:31:23,320
Speaker 2: Would you? When you were sixteen? Though?

679
00:31:23,560 --> 00:31:27,000
Speaker 1: If you noticed a man who was beautiful, did you

680
00:31:27,040 --> 00:31:27,480
Speaker 1: think that?

681
00:31:27,520 --> 00:31:29,240
Speaker 2: And if you thought that, did you?

682
00:31:29,280 --> 00:31:30,479
Speaker 3: I didn't know what the fuck I was.

683
00:31:30,760 --> 00:31:33,680
Speaker 6: I mean, like, this is me getting comfortable, Like this

684
00:31:33,760 --> 00:31:36,920
Speaker 6: is me, this is comfortable Like if I was gay,

685
00:31:37,320 --> 00:31:38,720
Speaker 6: I'd be gay as fuck, you.

686
00:31:38,680 --> 00:31:40,320
Speaker 3: Know what I mean, Like you know what I'm saying,

687
00:31:40,400 --> 00:31:41,400
Speaker 3: Like I.

688
00:31:41,360 --> 00:31:43,240
Speaker 6: Mean like this is nigga comfortable with me knowing that

689
00:31:43,360 --> 00:31:44,880
Speaker 6: whatever I want to be, I can do this.

690
00:31:44,920 --> 00:31:45,680
Speaker 3: Motherfucker don't here.

691
00:31:45,720 --> 00:31:47,960
Speaker 6: But fuck nobody think for real like I do, but

692
00:31:48,080 --> 00:31:49,560
Speaker 6: I don't, Like it's not gonna stop me, you know

693
00:31:49,600 --> 00:31:50,080
Speaker 6: what I'm saying.

694
00:31:50,360 --> 00:31:52,120
Speaker 3: So Like I mean.

695
00:31:52,400 --> 00:31:55,000
Speaker 1: Also, but I think that's the thing that that's the

696
00:31:55,040 --> 00:31:57,920
Speaker 1: thing about the anytime you see Boozy tweeting about that ship,

697
00:31:58,000 --> 00:32:01,440
Speaker 1: it's like I think almost every straight man I know

698
00:32:01,680 --> 00:32:05,480
Speaker 1: had that mentality at some point in their adolescence.

699
00:32:06,120 --> 00:32:10,120
Speaker 6: Earlier we were taught to exist within and we realized,

700
00:32:10,160 --> 00:32:10,880
Speaker 6: like my.

701
00:32:11,400 --> 00:32:14,000
Speaker 2: I was taught that buying my gay father. You know

702
00:32:14,040 --> 00:32:14,560
Speaker 2: what I'm saying.

703
00:32:16,240 --> 00:32:18,360
Speaker 6: He was going, I hope this nigga ain't going through

704
00:32:18,400 --> 00:32:19,440
Speaker 6: the same ship I'm going through.

705
00:32:20,120 --> 00:32:23,160
Speaker 2: That's why he was positive and you know what I mean, Like, Yeah.

706
00:32:24,400 --> 00:32:27,280
Speaker 3: One time he tweeted this was do these boxes you

707
00:32:27,280 --> 00:32:37,400
Speaker 3: guys live in? Stink was brilliant, Like.

708
00:32:36,840 --> 00:32:39,800
Speaker 6: Like I put, that's too head on my neck, Nigga,

709
00:32:39,840 --> 00:32:41,640
Speaker 6: you feel what I'm saying. Like, but like, yeah, bro,

710
00:32:41,760 --> 00:32:44,600
Speaker 6: like we existed in boxes and they were restricting and

711
00:32:44,640 --> 00:32:46,760
Speaker 6: we were uncomfortable in them too, you know what I mean.

712
00:32:46,920 --> 00:32:49,320
Speaker 3: But when you get older, you get more comfortable with yourself.

713
00:32:49,480 --> 00:32:52,040
Speaker 6: I don't give before, Like I mean, like, you know

714
00:32:52,080 --> 00:32:54,000
Speaker 6: who I really think switched it up?

715
00:32:54,400 --> 00:32:54,600
Speaker 3: Young?

716
00:32:55,520 --> 00:32:58,400
Speaker 6: I think Young the being a nigga from the fucking

717
00:32:58,440 --> 00:33:02,040
Speaker 6: streets who niggas say was certified really about that ship

718
00:33:02,480 --> 00:33:05,240
Speaker 6: taking a fucking photo on his covers.

719
00:33:05,600 --> 00:33:07,120
Speaker 3: I forgot the name of the album, but it was

720
00:33:07,160 --> 00:33:09,600
Speaker 3: probably I think it was one of my favorite albums, goods.

721
00:33:10,200 --> 00:33:12,120
Speaker 6: Where he read a dress on it, you know what

722
00:33:12,160 --> 00:33:15,280
Speaker 6: I'm saying, and nig calling his dudes lovers and we

723
00:33:15,280 --> 00:33:16,720
Speaker 6: were all weird about that ship.

724
00:33:17,240 --> 00:33:19,560
Speaker 3: But now a lot of niggas niggas. I love my niggas,

725
00:33:19,560 --> 00:33:20,080
Speaker 3: you know what I'm saying.

726
00:33:20,080 --> 00:33:22,719
Speaker 6: It taught us how you know, there's there's a you know,

727
00:33:22,840 --> 00:33:25,200
Speaker 6: there's there's space for all of that ship.

728
00:33:25,280 --> 00:33:27,160
Speaker 3: You know what I mean. Boosy ain't there yet, you know,

729
00:33:27,280 --> 00:33:30,680
Speaker 3: And it's like, nigga, you making it hard on you,

730
00:33:30,680 --> 00:33:31,400
Speaker 3: you know what I'm saying.

731
00:33:31,760 --> 00:33:35,800
Speaker 6: By existing within these invisible boxes that it's not even necessary.

732
00:33:35,840 --> 00:33:38,800
Speaker 3: Bro, you can still be boosy and watch Little nase

733
00:33:39,000 --> 00:33:41,560
Speaker 3: X and be like, damn that nigga skin look good, niggas.

734
00:33:42,280 --> 00:33:44,120
Speaker 6: You know what I'm saying, ain't nothing wrong with it, baby,

735
00:33:44,120 --> 00:33:47,040
Speaker 6: were good cool Nipsey's.

736
00:33:47,160 --> 00:33:49,720
Speaker 4: Nipsy's homies told a real funny story about the first

737
00:33:49,720 --> 00:33:51,520
Speaker 4: time they met Young U. They said he came to

738
00:33:51,560 --> 00:33:53,200
Speaker 4: the studio in the dress and they were all kind

739
00:33:53,240 --> 00:33:54,760
Speaker 4: of like, you know, it was this nigga. Then they

740
00:33:54,760 --> 00:33:58,200
Speaker 4: said he pulled a motherfucking draco out the dress and

741
00:33:58,200 --> 00:34:02,480
Speaker 4: it was like, Okay, this is a real nigga.

742
00:34:03,080 --> 00:34:05,040
Speaker 5: Some the duality of young dougs man.

743
00:34:05,120 --> 00:34:08,239
Speaker 3: Yeah, they're going to do all of your young thug too.

744
00:34:08,239 --> 00:34:10,440
Speaker 6: And I think how it's affected everything since he's come

745
00:34:10,440 --> 00:34:12,880
Speaker 6: out and he's very not just musically, but how he

746
00:34:13,000 --> 00:34:16,840
Speaker 6: moves has been very influential and how the you know,

747
00:34:17,400 --> 00:34:20,360
Speaker 6: black men that fucked with that type of ship are moving,

748
00:34:20,400 --> 00:34:22,319
Speaker 6: You have moved since then, you know what I'm saying. Like,

749
00:34:22,680 --> 00:34:24,440
Speaker 6: you know, they make fun of like there was like

750
00:34:24,760 --> 00:34:27,520
Speaker 6: a Drew Skie made a video talking about Atlanta niggas,

751
00:34:27,520 --> 00:34:30,200
Speaker 6: talking about my lover, talking about the homie and ship

752
00:34:30,320 --> 00:34:30,920
Speaker 6: twin and all that.

753
00:34:30,960 --> 00:34:34,120
Speaker 3: You know what I'm saying, Like, bro, niggas wasn't doing

754
00:34:34,160 --> 00:34:36,719
Speaker 3: that before. You know what I'm saying. But these some

755
00:34:36,760 --> 00:34:40,520
Speaker 3: real niggas talking about the homies my lover, you know

756
00:34:41,640 --> 00:34:42,960
Speaker 3: like that? I love it.

757
00:34:43,040 --> 00:34:49,480
Speaker 6: I love it pulling a Draco the motherfucker dressy.

758
00:34:49,719 --> 00:34:52,399
Speaker 5: That's my type of hooting and hollering. That's an anti

759
00:34:52,440 --> 00:34:53,800
Speaker 5: okh that.

760
00:34:53,680 --> 00:34:58,319
Speaker 3: Big long ass twenty minutes to get that big gass.

761
00:35:01,160 --> 00:35:03,840
Speaker 3: You know that's a beautiful less.

762
00:35:05,440 --> 00:35:09,239
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763
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764
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766
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769
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786
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787
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789
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791
00:36:36,880 --> 00:36:41,719
Speaker 1: problem called one eight hundred gambler speaking of fluidity and duality,

792
00:36:42,560 --> 00:36:44,840
Speaker 1: what was the question one of you were asking about

793
00:36:45,000 --> 00:36:47,360
Speaker 1: gummy bears when I was coming back from the bathroom.

794
00:36:47,800 --> 00:36:50,680
Speaker 5: Oh yeah, okay, shouts shouts the mahomi mo.

795
00:36:51,200 --> 00:36:54,560
Speaker 4: Miss Peacherino on Twitter, she posed a very interesting question

796
00:36:55,120 --> 00:36:56,319
Speaker 4: our gummy bears.

797
00:36:56,080 --> 00:36:59,360
Speaker 3: Candy or crusnat? You said candy or I would.

798
00:36:59,239 --> 00:37:03,840
Speaker 5: Like, yeah, candy or fruit snack? So which way do you? Guys?

799
00:37:03,920 --> 00:37:06,319
Speaker 5: Lean inquiring minds want to know?

800
00:37:06,400 --> 00:37:07,800
Speaker 3: It's candy.

801
00:37:08,040 --> 00:37:09,640
Speaker 6: It's candy to me, and I think part of it

802
00:37:09,680 --> 00:37:12,000
Speaker 6: is packaging. You don't really see food snacks. I mean

803
00:37:12,000 --> 00:37:14,879
Speaker 6: maybe now you do, but like you know, I haven't

804
00:37:14,880 --> 00:37:18,759
Speaker 6: seeing like a pack of fucking six fucking gummy bears.

805
00:37:19,080 --> 00:37:20,960
Speaker 6: You know, you buy a big I mean gummy bears

806
00:37:20,960 --> 00:37:22,799
Speaker 6: and Twizzers and shit, you buy them in the same way.

807
00:37:22,840 --> 00:37:24,160
Speaker 3: You know what I mean. I think it's candy bro

808
00:37:24,840 --> 00:37:25,719
Speaker 3: to me. You know what I mean?

809
00:37:25,920 --> 00:37:28,400
Speaker 6: Sales self fruit snacks at the fucking at the movies,

810
00:37:28,440 --> 00:37:30,200
Speaker 6: my nigga, You knowe what I'm saying.

811
00:37:31,520 --> 00:37:31,759
Speaker 5: They do.

812
00:37:32,120 --> 00:37:37,280
Speaker 4: They did a little week ass welch is fruit snacks.

813
00:37:37,320 --> 00:37:38,560
Speaker 2: As a man who's been.

814
00:37:40,120 --> 00:37:42,279
Speaker 1: I've been to I saw a Candy Man and Shank

815
00:37:42,360 --> 00:37:43,960
Speaker 1: she I've been in the movies twice in a week

816
00:37:44,080 --> 00:37:48,480
Speaker 1: for the first time in two years. Definitely, Yeah, they

817
00:37:48,520 --> 00:37:51,400
Speaker 1: had the welches fruit snacks. I would guess I've eaten

818
00:37:51,400 --> 00:37:53,640
Speaker 1: more candy than anyone else on this podcast. And I'm

819
00:37:53,640 --> 00:37:56,200
Speaker 1: confident I've eaten more gummy bears than anyone else on

820
00:37:56,239 --> 00:37:56,920
Speaker 1: this podcast.

821
00:37:57,360 --> 00:38:00,319
Speaker 2: I bought a pack of gummy bears last week. How

822
00:38:00,360 --> 00:38:03,120
Speaker 2: do you bow be branded America?

823
00:38:03,120 --> 00:38:04,120
Speaker 3: Black Forest Fire too?

824
00:38:07,800 --> 00:38:10,280
Speaker 2: Y'all had over the horribos.

825
00:38:10,520 --> 00:38:12,919
Speaker 4: This is this is this is why I lean towards

826
00:38:12,960 --> 00:38:15,880
Speaker 4: them being fruit snacks. All Benese uses real fruit juice

827
00:38:15,920 --> 00:38:17,160
Speaker 4: in their gummy bears.

828
00:38:17,560 --> 00:38:20,000
Speaker 3: That's a fruit snack, bro probably because that's I mean,

829
00:38:20,040 --> 00:38:21,799
Speaker 3: that's your preference. You know what I'm saying, il I've

830
00:38:21,800 --> 00:38:22,839
Speaker 3: never I've never seen them.

831
00:38:23,600 --> 00:38:26,080
Speaker 5: You you think candy has real folks, I don't.

832
00:38:26,080 --> 00:38:27,640
Speaker 3: I don't think. I mean, I think maybe certain is,

833
00:38:27,719 --> 00:38:29,680
Speaker 3: but I don't think so. But like the only.

834
00:38:29,440 --> 00:38:34,680
Speaker 1: Ones that has an actual rainbow in packaging, Skittles is

835
00:38:34,719 --> 00:38:36,720
Speaker 1: made with Skittles is made with actual rainbow.

836
00:38:37,640 --> 00:38:39,040
Speaker 5: Lots of people don't know that.

837
00:38:39,280 --> 00:38:41,160
Speaker 3: People don't know.

838
00:38:41,239 --> 00:38:43,760
Speaker 6: I mean like no, but I mean the most version

839
00:38:43,760 --> 00:38:46,600
Speaker 6: of people eat are not it's not made with fruit juice. Like,

840
00:38:46,800 --> 00:38:48,680
Speaker 6: I've never even heard of those Albanese joints you talk

841
00:38:48,719 --> 00:38:50,520
Speaker 6: about my nigga and I need to get hit. They

842
00:38:50,520 --> 00:38:54,280
Speaker 6: sound fire as fu. But my my my preferred rebo

843
00:38:54,400 --> 00:38:57,000
Speaker 6: which I think the German joints are Black Forest and

844
00:38:57,000 --> 00:38:57,799
Speaker 6: them ships.

845
00:38:57,560 --> 00:39:03,320
Speaker 4: Is them Maribos hours go crazy bro the sour Herribo

846
00:39:04,000 --> 00:39:04,960
Speaker 4: crazy crazy.

847
00:39:05,400 --> 00:39:07,799
Speaker 6: Oh yeah, absolutely, something about regular gummy bears, I think,

848
00:39:07,840 --> 00:39:10,279
Speaker 6: you know, I think black for is probably I think

849
00:39:10,280 --> 00:39:11,840
Speaker 6: I'm kind of leaning into them a little.

850
00:39:11,680 --> 00:39:14,920
Speaker 1: Bit more than they're not shelved with the fruit snacks,

851
00:39:15,480 --> 00:39:17,040
Speaker 1: but they're shelved with the candy.

852
00:39:17,160 --> 00:39:19,359
Speaker 6: This is a really interesting I wish we had her

853
00:39:19,400 --> 00:39:22,719
Speaker 6: on here to break down you know what I'm saying,

854
00:39:22,800 --> 00:39:23,839
Speaker 6: like our thinking.

855
00:39:23,800 --> 00:39:27,480
Speaker 1: Because she's probably thought that she probably has before she'sdropped.

856
00:39:27,640 --> 00:39:29,640
Speaker 6: She knew what she that he was coming for, so

857
00:39:29,680 --> 00:39:31,480
Speaker 6: she had, you know, she she had her ship all

858
00:39:31,520 --> 00:39:31,960
Speaker 6: played out.

859
00:39:32,080 --> 00:39:32,960
Speaker 3: Feel me, I know she did.

860
00:39:33,040 --> 00:39:36,440
Speaker 1: You think It's like my thing about how gatorade is juice,

861
00:39:36,960 --> 00:39:39,160
Speaker 1: Like I have a counter argument for every argument.

862
00:39:39,880 --> 00:39:44,160
Speaker 3: It's juice, doesn't juice something, it's juice.

863
00:39:44,880 --> 00:39:45,520
Speaker 5: It's fruit juice.

864
00:39:45,600 --> 00:39:47,520
Speaker 4: Used that all in Gator eight though, because like even

865
00:39:47,560 --> 00:39:50,239
Speaker 4: the bullshit juice is like, you know, fruit juice, you

866
00:39:50,280 --> 00:39:50,759
Speaker 4: know what I mean.

867
00:39:50,840 --> 00:39:53,200
Speaker 1: That's my thing is if you don't think gatorade is juice,

868
00:39:53,200 --> 00:39:55,480
Speaker 1: then most of the things that you would term juice.

869
00:39:55,239 --> 00:39:55,839
Speaker 2: Are not juice.

870
00:39:55,840 --> 00:39:58,320
Speaker 3: Orange juice is like three percent actual orange juice.

871
00:39:59,120 --> 00:40:01,839
Speaker 2: It's usual less like Sunny Delight, like I have.

872
00:40:01,840 --> 00:40:03,680
Speaker 6: Any of it that's fruit in it, that.

873
00:40:04,880 --> 00:40:12,840
Speaker 5: That ship is anti anti. You should not be able.

874
00:40:12,920 --> 00:40:15,400
Speaker 4: You should not be able to choose something you drink

875
00:40:15,480 --> 00:40:17,759
Speaker 4: bro Like Sunny Delight is its own category.

876
00:40:17,800 --> 00:40:21,760
Speaker 1: Now Sonny Delight freezes at negative ten degrees celsia.

877
00:40:22,960 --> 00:40:27,680
Speaker 6: That would be closer to data rade and probably like so,

878
00:40:27,719 --> 00:40:29,760
Speaker 6: I don't know, yes, interesting, there's there's there's.

879
00:40:29,560 --> 00:40:32,000
Speaker 3: A points to be made there, you know what I mean.

880
00:40:34,000 --> 00:40:40,600
Speaker 1: Okay, we don't really have a great uh booger boy

881
00:40:40,640 --> 00:40:42,960
Speaker 1: of the Week candidate, So I'm just gonna go to

882
00:40:43,200 --> 00:40:44,120
Speaker 1: old Reliable.

883
00:40:44,840 --> 00:40:48,000
Speaker 2: I'm gonna pull I'm gonna pull Old Reliable out of

884
00:40:48,040 --> 00:40:50,680
Speaker 2: the case at Terry Crews.

885
00:40:50,719 --> 00:40:54,560
Speaker 1: The best thing about being uninvited to the cookout dot

886
00:40:54,600 --> 00:40:56,640
Speaker 1: dot dot ellipses.

887
00:40:57,040 --> 00:41:00,000
Speaker 2: Is you never you never drank the kool aid.

888
00:41:00,640 --> 00:41:04,040
Speaker 6: The most interesting part of their tweet is that ellipses

889
00:41:04,480 --> 00:41:08,160
Speaker 6: in Twitter are now they can find me. They like

890
00:41:08,680 --> 00:41:11,360
Speaker 6: take out the spacing. Did you see how they twitch

891
00:41:11,440 --> 00:41:13,120
Speaker 6: that up now on Twitter?

892
00:41:13,960 --> 00:41:19,360
Speaker 2: He said, what you did nerd marketing?

893
00:41:22,400 --> 00:41:25,400
Speaker 5: No, you use the word curning. I love you so much.

894
00:41:27,320 --> 00:41:27,800
Speaker 3: I'm nerdy.

895
00:41:27,840 --> 00:41:30,640
Speaker 6: I just cutry ass nerdy as.

896
00:41:32,360 --> 00:41:33,960
Speaker 3: But no, that's why I mean when.

897
00:41:33,920 --> 00:41:36,080
Speaker 1: We used to have to lay the newspaper out in college,

898
00:41:36,160 --> 00:41:37,960
Speaker 1: curring that was my ship. I was like, if we

899
00:41:38,040 --> 00:41:40,280
Speaker 1: bump it up to plus two and a half curning,

900
00:41:40,360 --> 00:41:41,160
Speaker 1: it fills the call.

901
00:41:43,280 --> 00:41:47,160
Speaker 6: But no, man like I used the word. My response

902
00:41:47,200 --> 00:41:50,840
Speaker 6: to that literally was good grief. That's it turned me

903
00:41:50,840 --> 00:41:56,280
Speaker 6: into Charlie Brown. I said, good grief, What the fuck

904
00:41:56,400 --> 00:41:56,759
Speaker 6: is this?

905
00:41:58,000 --> 00:42:01,600
Speaker 3: Nigga? You really are this? Now? You leaning in? It

906
00:42:01,680 --> 00:42:04,080
Speaker 3: is like and nobody likes him, like it's not like

907
00:42:04,120 --> 00:42:06,200
Speaker 3: the right side. It's not he's getting like the.

908
00:42:06,239 --> 00:42:09,279
Speaker 6: Bag from the from the right, you know what I mean?

909
00:42:09,560 --> 00:42:11,759
Speaker 6: Or you know, because for being his nigga, just he's

910
00:42:11,800 --> 00:42:14,480
Speaker 6: just becoming a nigga that everybody's like, who the fuck

911
00:42:14,760 --> 00:42:15,160
Speaker 6: is this?

912
00:42:15,320 --> 00:42:18,360
Speaker 3: You feel me like? It's wild? It's wild?

913
00:42:20,440 --> 00:42:24,000
Speaker 4: Yeah, it's it's like, you know, lots of people were

914
00:42:24,040 --> 00:42:25,879
Speaker 4: riding with him when he was you know, taking us,

915
00:42:26,040 --> 00:42:30,160
Speaker 4: you know that that stand against you know, the the

916
00:42:30,160 --> 00:42:32,680
Speaker 4: perfect And then it was like, bro, and it was

917
00:42:32,719 --> 00:42:34,839
Speaker 4: time for you to you know, kind of return the

918
00:42:34,840 --> 00:42:36,520
Speaker 4: favor of people who are riding for you. He was like,

919
00:42:36,840 --> 00:42:38,600
Speaker 4: that ain't my business. I ain't in it, you know,

920
00:42:38,680 --> 00:42:41,279
Speaker 4: I'm like dog like. That's when everyone was like, well

921
00:42:41,320 --> 00:42:44,680
Speaker 4: fuck this guy. You know, so he burned pretty He

922
00:42:44,719 --> 00:42:47,520
Speaker 4: built a lot of goodwill that he just threw all

923
00:42:47,560 --> 00:42:49,640
Speaker 4: the way away, just flushed down the toilet with you know,

924
00:42:49,640 --> 00:42:50,879
Speaker 4: a little bullshit like this.

925
00:42:51,120 --> 00:42:54,040
Speaker 3: And now you're talking about don't talk about it. We

926
00:42:54,080 --> 00:42:58,440
Speaker 3: know you Yeah, yeah, you doing. You're throwing carrots on

927
00:42:58,480 --> 00:43:01,040
Speaker 3: the fucking grill. The FuG.

928
00:43:02,840 --> 00:43:06,520
Speaker 2: Your chesticles. There's no barbecue chesticles.

929
00:43:09,800 --> 00:43:11,960
Speaker 5: I remember, I remember where it all went down here

930
00:43:12,000 --> 00:43:12,279
Speaker 5: for him.

931
00:43:12,280 --> 00:43:15,600
Speaker 4: When Gabrielle Union said that she faced discrimination on some

932
00:43:15,680 --> 00:43:17,719
Speaker 4: ship that he, her and Terry CU's were working together on.

933
00:43:17,760 --> 00:43:20,120
Speaker 4: I forget the show, but you know, and Terry Crews

934
00:43:20,120 --> 00:43:22,279
Speaker 4: was a guy who you know, faced discrimination too, and

935
00:43:22,760 --> 00:43:25,080
Speaker 4: Cabby was going hard at fuck for Terry doing this ship.

936
00:43:25,160 --> 00:43:27,600
Speaker 4: And then they looked at Terry Crews, and he said

937
00:43:27,680 --> 00:43:30,880
Speaker 4: some bullshit like the only woman in this world to

938
00:43:30,920 --> 00:43:34,239
Speaker 4: have to be loyal to is my wife, who he.

939
00:43:34,239 --> 00:43:36,160
Speaker 3: Ain't nobody talking about on the head.

940
00:43:37,760 --> 00:43:39,880
Speaker 4: Yeah, like god damn, you can't call out some function,

941
00:43:40,400 --> 00:43:42,200
Speaker 4: you know for someone who called out some functions.

942
00:43:42,239 --> 00:43:43,959
Speaker 6: But it's like, I think the term is like ad

943
00:43:43,960 --> 00:43:46,440
Speaker 6: hominem or some shit, like when you like make up

944
00:43:46,560 --> 00:43:47,640
Speaker 6: totally different.

945
00:43:48,000 --> 00:43:49,680
Speaker 3: You know what I'm saying. Argument has nothing to do

946
00:43:49,719 --> 00:43:52,400
Speaker 3: with it. In order to defend the nigga, what the

947
00:43:52,440 --> 00:43:54,680
Speaker 3: fuck is you want right now? You know what I mean?

948
00:43:54,760 --> 00:43:58,160
Speaker 6: Like he fucked himself up when he didn't have to,

949
00:43:59,239 --> 00:44:01,080
Speaker 6: you can also shut the funk.

950
00:44:00,880 --> 00:44:02,440
Speaker 3: Up and you know people will ask.

951
00:44:02,360 --> 00:44:03,440
Speaker 5: What is what he wants?

952
00:44:03,880 --> 00:44:05,960
Speaker 3: You don't forget that option.

953
00:44:06,400 --> 00:44:10,600
Speaker 1: He he watched the scene in the Joker movie where

954
00:44:10,600 --> 00:44:13,719
Speaker 1: he's bombing on stage that that meme came from, and he.

955
00:44:13,800 --> 00:44:18,239
Speaker 2: Was like, this is it for me. That's what this is.

956
00:44:18,840 --> 00:44:21,600
Speaker 1: This is what I'm looking for, not to still image,

957
00:44:21,640 --> 00:44:22,680
Speaker 1: but the whole video.

958
00:44:22,840 --> 00:44:24,959
Speaker 2: That's the life that I want to lift.

959
00:44:25,160 --> 00:44:27,919
Speaker 3: His said, you don't have to drink the kool aid.

960
00:44:28,000 --> 00:44:31,000
Speaker 3: I bet he hit that motherfucking dropped it, Like I got.

961
00:44:30,760 --> 00:44:33,000
Speaker 2: That gass big what the.

962
00:44:35,719 --> 00:44:37,520
Speaker 4: Put his finger in the air like like Larry Bird

963
00:44:37,520 --> 00:44:39,439
Speaker 4: at the three point contest.

964
00:44:39,800 --> 00:44:42,600
Speaker 9: I remember his tweets like you know what I'm saying,

965
00:44:44,880 --> 00:44:49,800
Speaker 9: saying you know bro.

966
00:44:50,719 --> 00:44:52,960
Speaker 4: I remember him tweeting when people ask why he wasn't

967
00:44:53,000 --> 00:44:55,080
Speaker 4: riding with Gabrielle Union after all she did for him,

968
00:44:55,080 --> 00:44:57,720
Speaker 4: And he tweeted some ship like like I'm a pig,

969
00:44:57,960 --> 00:45:00,399
Speaker 4: you're a chicken just because you give me a don't

970
00:45:00,400 --> 00:45:01,719
Speaker 4: mean out, oh you bacon or.

971
00:45:01,680 --> 00:45:04,280
Speaker 5: Some ship like that. I was like that, this fucking

972
00:45:04,360 --> 00:45:05,560
Speaker 5: dumbo crow out of here.

973
00:45:05,600 --> 00:45:06,919
Speaker 3: Who is this motherfucker?

974
00:45:08,280 --> 00:45:18,040
Speaker 1: He said, fish ass right, he.

975
00:45:18,120 --> 00:45:23,640
Speaker 5: Is a clown of perpetual bigger boy. We can light

976
00:45:23,680 --> 00:45:24,239
Speaker 5: his ass up.

977
00:45:24,719 --> 00:45:26,319
Speaker 4: We can come back and light his ass up whenever

978
00:45:26,400 --> 00:45:28,360
Speaker 4: we don't have anyone problem.

979
00:45:28,680 --> 00:45:31,160
Speaker 6: We need a booger boy, we know right where to go,

980
00:45:33,239 --> 00:45:34,200
Speaker 6: right to that nigga time.

981
00:45:35,800 --> 00:45:38,200
Speaker 2: You might have a sponsorship lined up. He might have

982
00:45:38,239 --> 00:45:44,839
Speaker 2: a sponsorship line. So okay, Tyler, you tweeted about this.

983
00:45:45,040 --> 00:45:45,400
Speaker 3: J R.

984
00:45:45,440 --> 00:45:49,520
Speaker 1: Smith is going through a classic first year at an

985
00:45:49,760 --> 00:45:51,720
Speaker 1: HBCU radicalization.

986
00:45:51,920 --> 00:45:53,360
Speaker 2: Can you explain you please?

987
00:45:55,120 --> 00:45:57,040
Speaker 5: He's going through He's going through.

988
00:45:56,920 --> 00:46:02,160
Speaker 4: The freshman African American history radicalization at a HBCU see that.

989
00:46:02,239 --> 00:46:03,560
Speaker 4: That's one of the things that I you know, I've

990
00:46:03,560 --> 00:46:05,960
Speaker 4: said it before, is that HBCU professor, especially at my

991
00:46:06,000 --> 00:46:08,200
Speaker 4: alma out of Anti, where JR. Smith is at, they

992
00:46:08,280 --> 00:46:12,120
Speaker 4: shoot straight right, like they tell us, there's no sugarcoating

993
00:46:12,160 --> 00:46:14,279
Speaker 4: of the of the history. That's what I love most

994
00:46:14,320 --> 00:46:18,080
Speaker 4: about Anti is when I went there, our professors made

995
00:46:18,239 --> 00:46:21,040
Speaker 4: no qualms about, Yo, we're preparing you for a world

996
00:46:21,120 --> 00:46:23,080
Speaker 4: that you're going to be at a disadvantage of because

997
00:46:23,080 --> 00:46:23,560
Speaker 4: you're black.

998
00:46:23,880 --> 00:46:24,399
Speaker 5: You know what I mean.

999
00:46:24,400 --> 00:46:27,160
Speaker 4: They didn't sugarcoat that shit, right, And so JR Is

1000
00:46:27,200 --> 00:46:29,560
Speaker 4: getting hit with these truth bombs that he's you know,

1001
00:46:30,080 --> 00:46:32,440
Speaker 4: that are just opening his eyes because you know Jr's

1002
00:46:32,480 --> 00:46:34,320
Speaker 4: admittedly said, yo, I wasn't big on school.

1003
00:46:34,360 --> 00:46:36,160
Speaker 5: You know, he skipped college, went straight to the NBA.

1004
00:46:36,239 --> 00:46:38,040
Speaker 4: School ain't for everybody, but I'm glad he's making this

1005
00:46:38,080 --> 00:46:42,520
Speaker 4: step here, and it's it's it's just heartwarming for me

1006
00:46:42,680 --> 00:46:47,080
Speaker 4: to know that every HBCU freshman, regardless of age, kind

1007
00:46:47,080 --> 00:46:48,880
Speaker 4: of goes to a bit of a radicalization when they

1008
00:46:48,920 --> 00:46:50,680
Speaker 4: go through those African American history classes.

1009
00:46:50,719 --> 00:46:52,360
Speaker 5: So that kind of you, that's.

1010
00:46:52,160 --> 00:46:54,520
Speaker 3: Why you're talking about you know, I probably should have

1011
00:46:54,560 --> 00:46:55,360
Speaker 3: went to a HBCU.

1012
00:46:55,400 --> 00:46:59,440
Speaker 6: I would have enjoyed at least certain subjects I've always

1013
00:46:59,560 --> 00:46:59,960
Speaker 6: loved learn.

1014
00:47:00,640 --> 00:47:03,400
Speaker 3: I just didn't learn things I thought were interesting, you

1015
00:47:03,480 --> 00:47:03,919
Speaker 3: know what I mean?

1016
00:47:04,040 --> 00:47:07,200
Speaker 6: Like I had I read Malcolm X in college autobiography

1017
00:47:07,239 --> 00:47:09,360
Speaker 6: because I wanted the reason read it. They didn't assign

1018
00:47:09,440 --> 00:47:11,319
Speaker 6: that to me because, like I said, I didn't have

1019
00:47:11,320 --> 00:47:13,279
Speaker 6: a black teacher. You feel me, so like seeing him

1020
00:47:13,280 --> 00:47:15,720
Speaker 6: go through that and get excited about shit is really

1021
00:47:15,760 --> 00:47:18,000
Speaker 6: dope because he's catching he's learning about shit. He actually

1022
00:47:18,000 --> 00:47:20,600
Speaker 6: gives a fuck about. And I think that's the difference

1023
00:47:20,760 --> 00:47:22,719
Speaker 6: if I was at the AGEBCU, Like, yeah, we're gonna

1024
00:47:22,719 --> 00:47:25,560
Speaker 6: have the same general general edge, but the way they

1025
00:47:25,560 --> 00:47:26,680
Speaker 6: approach is gonna be different.

1026
00:47:26,680 --> 00:47:28,640
Speaker 3: It's gonna be tailored more for me. And what the

1027
00:47:28,640 --> 00:47:30,160
Speaker 3: fuck I'm gonna give a fuck about you know what

1028
00:47:30,200 --> 00:47:30,640
Speaker 3: I'm saying?

1029
00:47:30,719 --> 00:47:33,920
Speaker 6: So uh And also, you know what I mean, everything

1030
00:47:33,960 --> 00:47:35,600
Speaker 6: else around him, I'm gonna be black as fuck too.

1031
00:47:39,880 --> 00:47:41,960
Speaker 3: Yet shit, you feel me whole thing.

1032
00:47:42,360 --> 00:47:44,359
Speaker 6: But yeah, I think that's done to see like him

1033
00:47:44,360 --> 00:47:45,480
Speaker 6: talking about that, like we.

1034
00:47:45,480 --> 00:47:47,000
Speaker 3: Got a seventy one out of seventy five.

1035
00:47:47,040 --> 00:47:49,360
Speaker 6: You know, jeral Smith just needed something he's gonna be

1036
00:47:49,360 --> 00:47:50,600
Speaker 6: interested in, you feel me.

1037
00:47:50,760 --> 00:47:53,520
Speaker 3: And he found that and I love that shit. I

1038
00:47:53,560 --> 00:47:54,200
Speaker 3: love that shit.

1039
00:47:57,120 --> 00:47:59,520
Speaker 1: Shout out to mister Moula Hill, my eighth grade US

1040
00:47:59,560 --> 00:48:02,600
Speaker 1: history teacher at Hughes Middle School, go owls for.

1041
00:48:02,760 --> 00:48:03,839
Speaker 2: He literally did that.

1042
00:48:03,960 --> 00:48:06,400
Speaker 1: He he was a like third eye, like I'm teaching

1043
00:48:06,440 --> 00:48:08,760
Speaker 1: you the real history of America type of a teacher.

1044
00:48:08,800 --> 00:48:11,120
Speaker 2: And he did that with the globe. He was like,

1045
00:48:11,200 --> 00:48:13,319
Speaker 2: this is the this is what you were taught the

1046
00:48:13,360 --> 00:48:14,239
Speaker 2: world looks like.

1047
00:48:14,640 --> 00:48:16,600
Speaker 1: This is what the world really looks like with the

1048
00:48:16,640 --> 00:48:19,040
Speaker 1: sizes of the continents and ship and we were all

1049
00:48:19,080 --> 00:48:21,200
Speaker 1: like we didn't. We're like, you were the one who

1050
00:48:21,239 --> 00:48:23,120
Speaker 1: is gonna teach us what the world looked like. So

1051
00:48:23,200 --> 00:48:25,800
Speaker 1: you're just telling us the real thing first, which is great,

1052
00:48:26,120 --> 00:48:29,440
Speaker 1: but it gave me a skewed idea of what most

1053
00:48:29,480 --> 00:48:30,760
Speaker 1: people knew about America.

1054
00:48:30,880 --> 00:48:36,080
Speaker 10: My sister, My sister brought bro Africa, Africa is huge, huge,

1055
00:48:36,680 --> 00:48:38,759
Speaker 10: my sister, I was gonna say, Africa is huge, and

1056
00:48:38,880 --> 00:48:42,319
Speaker 10: and and that Mercader projection is a fucking racist ass

1057
00:48:43,400 --> 00:48:46,200
Speaker 10: flat out that she got Greenland like the size of Africa.

1058
00:48:46,239 --> 00:48:48,239
Speaker 5: Bro, Like, what the fuck are we doing here? Doog right?

1059
00:48:48,520 --> 00:48:48,880
Speaker 6: He was.

1060
00:48:49,320 --> 00:48:51,680
Speaker 2: He was explaining that to us in eighth grade. Bro,

1061
00:48:52,120 --> 00:48:52,680
Speaker 2: you know what I mean.

1062
00:48:52,800 --> 00:48:54,120
Speaker 1: So we got to high school, it was like, I

1063
00:48:54,120 --> 00:48:55,799
Speaker 1: don't even need to be deprogrammed from.

1064
00:48:55,719 --> 00:48:59,120
Speaker 4: Mcdonna's No, I'm I'm gonna tell you. I'm gonna tell you.

1065
00:48:59,120 --> 00:49:01,680
Speaker 4: The first time we're out was probably quote unquote woke.

1066
00:49:02,400 --> 00:49:05,560
Speaker 4: Was when we found out the Seven Continents and Europe

1067
00:49:05,560 --> 00:49:07,560
Speaker 4: and Asia were two different kindents. I was like, bro,

1068
00:49:08,080 --> 00:49:10,880
Speaker 4: how this is the same motherfucking land mass, you know

1069
00:49:10,920 --> 00:49:12,719
Speaker 4: what I'm saying. And there's been a shift towards that

1070
00:49:12,719 --> 00:49:14,560
Speaker 4: where people a kind of teaching eur Asia as a

1071
00:49:14,600 --> 00:49:17,360
Speaker 4: single content. But yeah, yeah, but when we were going up,

1072
00:49:17,400 --> 00:49:20,239
Speaker 4: it was Europe and Asia, and the only difference it's

1073
00:49:20,239 --> 00:49:21,520
Speaker 4: cultural between Europe and Asia.

1074
00:49:21,520 --> 00:49:22,600
Speaker 5: It's the same fucking.

1075
00:49:22,360 --> 00:49:23,319
Speaker 3: Content, you know what I mean.

1076
00:49:23,440 --> 00:49:25,520
Speaker 6: My sister brought this up when we was when I

1077
00:49:25,600 --> 00:49:28,040
Speaker 6: was rapping yesterday and she was talking about how I

1078
00:49:28,040 --> 00:49:29,759
Speaker 6: always like I didn't want to say the pleasure with

1079
00:49:29,760 --> 00:49:31,160
Speaker 6: the just I used to talk about how I felt

1080
00:49:31,160 --> 00:49:32,960
Speaker 6: like I was being brainwashed, Like why the fuck are

1081
00:49:33,000 --> 00:49:34,480
Speaker 6: we doing on masking this shit in like middle school?

1082
00:49:34,520 --> 00:49:35,279
Speaker 3: Whatnot? You know what I mean?

1083
00:49:35,520 --> 00:49:37,400
Speaker 6: And so that's what school felt like to me. So

1084
00:49:37,440 --> 00:49:39,239
Speaker 6: if I had teachers that brought that ship up like

1085
00:49:39,320 --> 00:49:41,200
Speaker 6: this is okay, I would have.

1086
00:49:41,120 --> 00:49:41,920
Speaker 3: Tapped all the way in.

1087
00:49:42,040 --> 00:49:44,560
Speaker 6: But they was all, you know, drinking, drinking the kool aid.

1088
00:49:44,520 --> 00:49:46,879
Speaker 3: Like C said, like everybody else.

1089
00:49:47,000 --> 00:49:49,400
Speaker 5: And I'm like, nigga, I'm a pig. You were chicken

1090
00:49:49,400 --> 00:49:50,080
Speaker 5: just because you got.

1091
00:49:52,440 --> 00:49:53,920
Speaker 3: I'm a pig and it was a chicken.

1092
00:49:53,960 --> 00:49:55,920
Speaker 4: You know what I mean, You was a pig and

1093
00:49:56,320 --> 00:49:58,680
Speaker 4: chicken just because you had Megan don't means you gotta

1094
00:49:58,680 --> 00:49:59,640
Speaker 4: give you the eggs or whatever.

1095
00:49:59,680 --> 00:49:59,920
Speaker 6: The fuck.

1096
00:50:00,480 --> 00:50:03,000
Speaker 3: I was like, Damn, I had like three Alabama his history.

1097
00:50:03,040 --> 00:50:04,959
Speaker 3: I'm like, damn, I mean I think I had enough

1098
00:50:05,040 --> 00:50:08,040
Speaker 3: Alabama history. Nigga. What's going on in other countries? By nigga?

1099
00:50:08,040 --> 00:50:10,640
Speaker 3: God damn at least other states? Shit fuck out of here.

1100
00:50:10,680 --> 00:50:13,120
Speaker 3: But anyway, we get it.

1101
00:50:14,760 --> 00:50:15,239
Speaker 2: All right.

1102
00:50:15,320 --> 00:50:18,080
Speaker 1: We'll end with I know this is a longer episode,

1103
00:50:18,120 --> 00:50:19,960
Speaker 1: but if you're listening to it on a holiday, you

1104
00:50:20,000 --> 00:50:21,719
Speaker 1: probably really need this podcast.

1105
00:50:21,719 --> 00:50:23,480
Speaker 2: So we're gonna throw in one more topic.

1106
00:50:23,800 --> 00:50:25,799
Speaker 1: My wife and I saw Shang Chee yesterday, so I

1107
00:50:25,960 --> 00:50:28,480
Speaker 1: very much want to talk about some superhero shit. And

1108
00:50:28,600 --> 00:50:32,799
Speaker 1: somebody tweeted basically about just how trash it would be

1109
00:50:33,520 --> 00:50:36,640
Speaker 1: to exist in a city as a civilian where there

1110
00:50:36,680 --> 00:50:38,959
Speaker 1: were superheroes. And I want to give them credit because

1111
00:50:38,960 --> 00:50:42,600
Speaker 1: they got is at Jams eighty four. They have like

1112
00:50:42,680 --> 00:50:46,080
Speaker 1: twelve thousand fucking quote tweets on the shit damn of

1113
00:50:46,280 --> 00:50:50,440
Speaker 1: just people imagining how horrible it would be to just

1114
00:50:50,520 --> 00:50:52,680
Speaker 1: be stuck in a traffic jam trying to get to

1115
00:50:52,719 --> 00:50:56,200
Speaker 1: work on a Tuesday because Superman and Doomsday are fighting

1116
00:50:56,239 --> 00:50:57,000
Speaker 1: on the overpass.

1117
00:50:57,040 --> 00:50:59,239
Speaker 6: So what's funny is that's our favorite part of the

1118
00:50:59,239 --> 00:51:00,400
Speaker 6: movies is this instruction.

1119
00:51:00,880 --> 00:51:03,680
Speaker 3: And there's a whole bunch of civilians like Nigga. They

1120
00:51:03,680 --> 00:51:07,000
Speaker 3: don't got insurance for this. You know what I'm saying.

1121
00:51:07,239 --> 00:51:10,160
Speaker 6: Superman threw my car in a fight, Bitch, that sounds

1122
00:51:10,160 --> 00:51:11,759
Speaker 6: like a personal prop.

1123
00:51:12,080 --> 00:51:15,799
Speaker 3: That is not bro.

1124
00:51:15,960 --> 00:51:17,839
Speaker 5: You would you would probably legit have to have.

1125
00:51:17,920 --> 00:51:21,759
Speaker 4: You'd probably legit have to buy superhero damage coverage on

1126
00:51:21,800 --> 00:51:23,759
Speaker 4: your insurance. And it's probably my fucking skipping that ship

1127
00:51:23,840 --> 00:51:25,840
Speaker 4: left and right until they come out and see the

1128
00:51:25,880 --> 00:51:28,000
Speaker 4: goddamn Hope through a building on top of their Supero

1129
00:51:28,040 --> 00:51:29,719
Speaker 4: and now they shot out of UK. Now, I used

1130
00:51:29,760 --> 00:51:31,719
Speaker 4: to have got three years left to pay because you

1131
00:51:31,760 --> 00:51:33,640
Speaker 4: ain't signed up for them for the superhero destruction.

1132
00:51:33,920 --> 00:51:36,560
Speaker 5: You know, deduct amall and a half.

1133
00:51:39,080 --> 00:51:42,400
Speaker 3: What do you what do you do insurance? And say,

1134
00:51:42,560 --> 00:51:44,799
Speaker 3: you know what I mean, what do you say to this?

1135
00:51:44,800 --> 00:51:46,640
Speaker 3: This is over for you, that's coming out of your pocket.

1136
00:51:47,239 --> 00:51:50,120
Speaker 1: I'm I'm imagining you live in a major city, but

1137
00:51:50,160 --> 00:51:52,920
Speaker 1: it's not La Chicago or New York, like you live

1138
00:51:52,920 --> 00:51:53,640
Speaker 1: in Seattle.

1139
00:51:54,239 --> 00:51:56,920
Speaker 2: And you're like, I can skip that. Well, there's no

1140
00:51:56,960 --> 00:51:58,240
Speaker 2: superheroes in Seattle.

1141
00:51:58,560 --> 00:52:02,279
Speaker 1: And then you watch one Superman gets punched across four

1142
00:52:02,440 --> 00:52:05,200
Speaker 1: states and you're like, oh shit, now.

1143
00:52:05,040 --> 00:52:07,080
Speaker 2: He's in Idaho, that's not that far away.

1144
00:52:07,480 --> 00:52:10,440
Speaker 1: And then it gets punched again and he's in he's

1145
00:52:10,480 --> 00:52:14,040
Speaker 1: in the Olympia and you're like, oh no.

1146
00:52:14,960 --> 00:52:18,040
Speaker 6: Godzilla might walk out the water only your ship, you

1147
00:52:18,080 --> 00:52:18,520
Speaker 6: feel me?

1148
00:52:18,840 --> 00:52:21,040
Speaker 3: And is that is that a superhero or not?

1149
00:52:21,520 --> 00:52:23,480
Speaker 6: Now we got some you know what I'm saying, there's

1150
00:52:23,520 --> 00:52:24,960
Speaker 6: some issues there.

1151
00:52:24,800 --> 00:52:29,160
Speaker 1: There's definitely an insurance adjuster saying no, no, no, you

1152
00:52:29,200 --> 00:52:33,040
Speaker 1: had you had superhero insurance, not monster insurance.

1153
00:52:35,360 --> 00:52:38,200
Speaker 6: There's a there's an additional six ninety nine a month

1154
00:52:38,239 --> 00:52:39,640
Speaker 6: for that, and you didn't have it.

1155
00:52:40,000 --> 00:52:40,760
Speaker 3: You know what I'm saying.

1156
00:52:43,160 --> 00:52:46,080
Speaker 6: Renners Insurance all that shit because they toss the whole buildings.

1157
00:52:46,120 --> 00:52:49,000
Speaker 3: Nigga, they be fighting with a whole building. You know

1158
00:52:49,040 --> 00:52:54,399
Speaker 3: what I'm saying. That shit would be wild though, But yeah,

1159
00:52:54,560 --> 00:52:55,480
Speaker 3: Bunny asked.

1160
00:52:55,280 --> 00:52:57,880
Speaker 4: Me, Yeah, but yeah, I think it will be a

1161
00:52:57,920 --> 00:53:00,520
Speaker 4: world like it's portrayed in The Bull, you know what

1162
00:53:00,560 --> 00:53:03,360
Speaker 4: I mean, where there'll be a lot of shitty superheroes.

1163
00:53:03,600 --> 00:53:05,839
Speaker 4: You know what I mean, because we've seen that any

1164
00:53:05,880 --> 00:53:08,799
Speaker 4: type of power that a lot of human gets corrupts them,

1165
00:53:08,920 --> 00:53:11,680
Speaker 4: you know what I mean. So, like, I remember the

1166
00:53:11,719 --> 00:53:14,320
Speaker 4: first scene in The Boys that fucked me up was

1167
00:53:14,320 --> 00:53:16,200
Speaker 4: was the scene where they do was with his girlfriend

1168
00:53:16,280 --> 00:53:17,200
Speaker 4: and then the fast dude.

1169
00:53:17,280 --> 00:53:22,240
Speaker 3: Yeah, seconds into the fucking film into the series.

1170
00:53:21,960 --> 00:53:24,440
Speaker 5: Bro, I was like, God damn left that.

1171
00:53:24,960 --> 00:53:28,360
Speaker 3: He turned her into two hands and the rest of her.

1172
00:53:28,280 --> 00:53:30,480
Speaker 5: Was juice juice, and.

1173
00:53:32,760 --> 00:53:35,440
Speaker 6: He didn't even you know what I'm saying, Like, like,

1174
00:53:35,920 --> 00:53:37,640
Speaker 6: what am I supposed to do with this?

1175
00:53:38,080 --> 00:53:44,120
Speaker 3: You just got hands in your fucking That's some cold

1176
00:53:44,200 --> 00:53:45,000
Speaker 3: a ship, bro.

1177
00:53:45,160 --> 00:53:47,160
Speaker 6: But yeah, I think I think it would be like that,

1178
00:53:47,280 --> 00:53:49,960
Speaker 6: and we don't even like with all the nigga you

1179
00:53:50,080 --> 00:53:54,000
Speaker 6: might be in that Prius they got tossed a mile

1180
00:53:54,040 --> 00:53:54,560
Speaker 6: and a half.

1181
00:53:55,200 --> 00:53:58,960
Speaker 3: You know what I mean, Like Superman ain't so super

1182
00:53:59,000 --> 00:54:01,200
Speaker 3: when you toss your that's with the pre is nigga.

1183
00:54:01,760 --> 00:54:02,760
Speaker 3: You know what I'm saying.

1184
00:54:04,840 --> 00:54:09,799
Speaker 2: That ship Man, it's fun in the movies. It's fun.

1185
00:54:09,800 --> 00:54:13,440
Speaker 2: To me, it's fun, and it's fun to pretend Shang

1186
00:54:13,520 --> 00:54:14,120
Speaker 2: Chee was great.

1187
00:54:15,239 --> 00:54:17,360
Speaker 3: That sounds great. That's like my whole ship, you know

1188
00:54:17,360 --> 00:54:17,759
Speaker 3: what I mean.

1189
00:54:18,680 --> 00:54:22,000
Speaker 6: It's really I was like, it feels like a kung

1190
00:54:22,080 --> 00:54:22,919
Speaker 6: fu joint for real.

1191
00:54:25,280 --> 00:54:28,440
Speaker 1: It feels like it feels like I mean, there's references

1192
00:54:28,480 --> 00:54:30,520
Speaker 1: to a couple of different types of martial arts movies,

1193
00:54:30,560 --> 00:54:33,520
Speaker 1: but there are definitely The stuff that was most exciting

1194
00:54:33,560 --> 00:54:36,040
Speaker 1: to me is there's two or three fight scenes in

1195
00:54:36,080 --> 00:54:39,760
Speaker 1: there that are like top tier Jackie Chan type street

1196
00:54:40,000 --> 00:54:43,600
Speaker 1: fighting movies that are It was just like, how are

1197
00:54:43,600 --> 00:54:45,440
Speaker 1: we getting this in the Marvel universe?

1198
00:54:45,600 --> 00:54:46,560
Speaker 2: Like you know what I mean?

1199
00:54:48,160 --> 00:54:48,960
Speaker 3: Kung Fu Hustle.

1200
00:54:49,640 --> 00:54:52,759
Speaker 6: I really wasn't interested when they first marketed it and

1201
00:54:52,840 --> 00:54:55,040
Speaker 6: I saw it one day like just on like TV.

1202
00:54:55,719 --> 00:54:59,879
Speaker 6: Like this ship, nigga, This ship is fucking perfect. It's

1203
00:54:59,880 --> 00:55:02,359
Speaker 6: a perfect fucking movie. I don't know, God, God peep

1204
00:55:02,360 --> 00:55:07,520
Speaker 6: it yet. Hustle is nobody talks about this and that's

1205
00:55:07,560 --> 00:55:08,239
Speaker 6: what tripped me out.

1206
00:55:08,520 --> 00:55:11,719
Speaker 3: It's such a good film. Please watch Kunk Husk. It's

1207
00:55:11,719 --> 00:55:15,600
Speaker 3: incredibly good.

1208
00:55:15,360 --> 00:55:18,200
Speaker 5: How does Shane Chee tied to the whole fucking Marvel

1209
00:55:18,360 --> 00:55:20,040
Speaker 5: Universe phase? What face?

1210
00:55:20,120 --> 00:55:20,239
Speaker 3: By?

1211
00:55:20,320 --> 00:55:21,759
Speaker 5: Whatever the fuck we're on that we got going?

1212
00:55:22,840 --> 00:55:23,719
Speaker 2: Yeah, I don't, I don't.

1213
00:55:23,800 --> 00:55:26,080
Speaker 1: I don't even know if they're still doing the phases now,

1214
00:55:26,239 --> 00:55:28,399
Speaker 1: because it was like that. Now they're calling the first

1215
00:55:28,400 --> 00:55:31,120
Speaker 1: three phases the Infinity Saga, and so I think we're

1216
00:55:31,200 --> 00:55:34,719
Speaker 1: just on the other side of that. It's there's some

1217
00:55:34,840 --> 00:55:37,520
Speaker 1: like fun interactions with the other movies that I don't

1218
00:55:37,520 --> 00:55:40,920
Speaker 1: want to spoil for the people like me who don't

1219
00:55:41,560 --> 00:55:44,080
Speaker 1: read every fucking piece of information that comes out about

1220
00:55:44,080 --> 00:55:47,720
Speaker 1: these movies. But there's some people from the other movies

1221
00:55:47,760 --> 00:55:50,520
Speaker 1: that are in it. And then the scene at the end,

1222
00:55:50,920 --> 00:55:55,000
Speaker 1: it's definitely like more of an origin story about him.

1223
00:55:55,280 --> 00:55:56,960
Speaker 1: And then I think you kind of see at the

1224
00:55:57,080 --> 00:56:00,680
Speaker 1: end how hit the ten rings that are sort of

1225
00:56:00,680 --> 00:56:03,319
Speaker 1: these objects of power are gonna end up tying into

1226
00:56:03,360 --> 00:56:07,000
Speaker 1: some of the multiverse other universal type shit. I don't

1227
00:56:07,040 --> 00:56:10,200
Speaker 1: think that's spoiling anything that's that's coming into other stuff.

1228
00:56:10,280 --> 00:56:14,120
Speaker 2: So very good. It's hard for me not.

1229
00:56:14,080 --> 00:56:17,720
Speaker 1: To disclose the cameos because there was very fun scenes

1230
00:56:18,280 --> 00:56:21,759
Speaker 1: involving that. But yeah, I mean it is interesting, bro,

1231
00:56:21,880 --> 00:56:24,560
Speaker 1: Like the bigger than Marvel Universe gets. It's like they've

1232
00:56:24,600 --> 00:56:26,800
Speaker 1: basically said that the next Doctor Strange movie is a

1233
00:56:26,840 --> 00:56:29,960
Speaker 1: horror movie. This is just a straight up like you know,

1234
00:56:30,040 --> 00:56:32,520
Speaker 1: this is just like a straight up martial arts movie

1235
00:56:32,880 --> 00:56:35,359
Speaker 1: like Origin Story for I mean, they could just do

1236
00:56:35,440 --> 00:56:36,439
Speaker 1: ten shang Chi movies.

1237
00:56:36,440 --> 00:56:37,319
Speaker 2: I have nothing to do.

1238
00:56:37,280 --> 00:56:39,720
Speaker 1: With the Marvel Universe, but like, as it keeps getting bigger,

1239
00:56:40,080 --> 00:56:42,200
Speaker 1: I love that there's these different kinds of movies in

1240
00:56:42,280 --> 00:56:46,360
Speaker 1: it that you just think about us watching the Michael

1241
00:56:46,400 --> 00:56:50,640
Speaker 1: Keaton Batman Michael Keaton, Tim Burton Batman movie and like

1242
00:56:51,320 --> 00:56:54,759
Speaker 1: this shit would not have made any fucking sense, you

1243
00:56:54,800 --> 00:56:57,520
Speaker 1: know that. It's like, oh, actually, it's like the superhero

1244
00:56:57,560 --> 00:56:59,880
Speaker 1: movie is like a medium now, and there's genres with

1245
00:57:00,080 --> 00:57:01,680
Speaker 1: in the superhero medium.

1246
00:57:02,880 --> 00:57:05,480
Speaker 2: Like it's it's crazy, bro, but go see it. It's

1247
00:57:05,560 --> 00:57:05,879
Speaker 2: very good.

1248
00:57:05,960 --> 00:57:07,080
Speaker 3: We'll be tapping in.

1249
00:57:08,480 --> 00:57:09,120
Speaker 2: Did you see Ken?

1250
00:57:09,960 --> 00:57:10,160
Speaker 3: Yet?

1251
00:57:10,800 --> 00:57:12,640
Speaker 6: People are saying the plot was not a good thing,

1252
00:57:12,880 --> 00:57:16,440
Speaker 6: like I heard his beautifully shot, you know, like I

1253
00:57:16,480 --> 00:57:18,520
Speaker 6: don't think people go into movies.

1254
00:57:19,080 --> 00:57:20,280
Speaker 2: The plot is pretty predictable.

1255
00:57:20,560 --> 00:57:28,520
Speaker 3: But that's like, you know what I'm saying.

1256
00:57:25,520 --> 00:57:27,480
Speaker 2: Guess what happens when you say his name in a mirror,

1257
00:57:28,040 --> 00:57:28,440
Speaker 2: right right?

1258
00:57:28,520 --> 00:57:32,200
Speaker 3: You know? Like I just I just don't.

1259
00:57:32,320 --> 00:57:35,360
Speaker 6: I think people go to movies expecting like you know

1260
00:57:35,400 --> 00:57:38,080
Speaker 6: what I'm saying, Like, you don't have to get these don't.

1261
00:57:38,120 --> 00:57:41,280
Speaker 6: Don't I'm approach Canny Man how I approached Drake Outs,

1262
00:57:41,320 --> 00:57:42,840
Speaker 6: and I'll think I enjoy it, you.

1263
00:57:42,760 --> 00:57:43,400
Speaker 3: Know what I'm saying.

1264
00:57:45,320 --> 00:57:45,640
Speaker 2: Correct?

1265
00:57:45,680 --> 00:57:48,640
Speaker 1: Well, I remember when Avatar came out and I had

1266
00:57:48,680 --> 00:57:51,360
Speaker 1: friends who are like, the script really left something to

1267
00:57:51,400 --> 00:57:53,600
Speaker 1: be desired, And I was like this, like talking about

1268
00:57:53,600 --> 00:57:55,880
Speaker 1: the special effects in Pride and Prejudice, Bro, you don't

1269
00:57:55,880 --> 00:57:58,600
Speaker 1: go to see fucking Avatar for character development. He went

1270
00:57:58,640 --> 00:58:00,919
Speaker 1: for the special effects. You don't go to Candy Man

1271
00:58:01,520 --> 00:58:04,520
Speaker 1: for a completely unexpected I mean I didn't.

1272
00:58:04,640 --> 00:58:05,320
Speaker 2: It was much more.

1273
00:58:05,440 --> 00:58:07,800
Speaker 1: It was much more beautifully shot than I would have

1274
00:58:07,920 --> 00:58:10,800
Speaker 1: expected ay Man horror movie to be.

1275
00:58:11,240 --> 00:58:12,760
Speaker 3: People go to that, people go to like you know

1276
00:58:12,760 --> 00:58:13,200
Speaker 3: what I'm saying.

1277
00:58:13,920 --> 00:58:16,800
Speaker 6: So and so was like, you know, die Hard seventeen

1278
00:58:17,000 --> 00:58:19,160
Speaker 6: was a bad film, of course, just Die Hard seventeen.

1279
00:58:19,200 --> 00:58:21,520
Speaker 3: You go for the fucking explosions make you know, what

1280
00:58:21,520 --> 00:58:22,960
Speaker 3: I'm saying, We're not going for like you know what

1281
00:58:22,960 --> 00:58:25,120
Speaker 3: I mean. Like, it's just but I don't know. I

1282
00:58:25,760 --> 00:58:28,960
Speaker 3: think I'm expecting to like it because I'm approaching in.

1283
00:58:28,880 --> 00:58:30,600
Speaker 6: A way I'm not gonna approach it how I approached

1284
00:58:30,840 --> 00:58:36,160
Speaker 6: my French films that I watch in the Criterion, you

1285
00:58:36,240 --> 00:58:36,800
Speaker 6: know what I mean?

1286
00:58:37,240 --> 00:58:40,880
Speaker 3: Fuck you me weird.

1287
00:58:43,480 --> 00:58:46,760
Speaker 6: I'll be taking my little batht on Tuesdays and watch

1288
00:58:46,800 --> 00:58:47,800
Speaker 6: me a little French film.

1289
00:58:47,880 --> 00:58:48,720
Speaker 3: You feel what I'm saying.

1290
00:58:52,280 --> 00:58:52,800
Speaker 2: Blessings?

1291
00:58:53,360 --> 00:58:59,560
Speaker 1: All right, that's your Labor Day edition of Jenkins and Jones.

1292
00:58:59,600 --> 00:59:04,400
Speaker 1: We will be back on Thursday. As a reminder, uh

1293
00:59:04,720 --> 00:59:07,440
Speaker 1: read uh, they can't kill us until they kill us.

1294
00:59:07,520 --> 00:59:09,560
Speaker 1: I think Haney's going to be joining us on the

1295
00:59:09,600 --> 00:59:10,560
Speaker 1: next episode.

1296
00:59:10,640 --> 00:59:13,160
Speaker 4: Yeah, we are going to have Hanif Abdurra keep on.

1297
00:59:13,840 --> 00:59:15,760
Speaker 4: We're going to tweet out you know, the whole shoot

1298
00:59:15,800 --> 00:59:17,840
Speaker 4: us your questions things, you know, this week.

1299
00:59:17,920 --> 00:59:20,120
Speaker 5: So so we'll get that going. It's gonna be fun, man.

1300
00:59:20,720 --> 00:59:23,360
Speaker 4: Which we're trying to do a hands on interactive book

1301
00:59:23,400 --> 00:59:27,480
Speaker 4: club where we're authors.

1302
00:59:27,800 --> 00:59:29,240
Speaker 2: Yeah, and so look for that.

1303
00:59:29,240 --> 00:59:32,160
Speaker 1: We'll tweet that out on Tuesday or Monday or at

1304
00:59:32,160 --> 00:59:35,000
Speaker 1: some point and uh, and get your questions in and

1305
00:59:35,040 --> 00:59:36,439
Speaker 1: then next.

1306
00:59:36,400 --> 00:59:38,360
Speaker 2: Week we will be reading the.

1307
00:59:38,280 --> 00:59:41,160
Speaker 1: First half of of How the Word Is Passed by

1308
00:59:41,200 --> 00:59:43,720
Speaker 1: Clint Smith, who, by the way, I noticed was in

1309
00:59:43,760 --> 00:59:46,160
Speaker 1: the acknowledgments uh for Hanife's book.

1310
00:59:46,640 --> 00:59:49,480
Speaker 2: So we're that's just our thing is, we're just reading.

1311
00:59:49,920 --> 00:59:54,840
Speaker 1: We're reading books by poets who wrote nonfiction books that are.

1312
00:59:54,720 --> 00:59:56,560
Speaker 2: Captivating and who are friends.

1313
00:59:56,720 --> 01:00:01,480
Speaker 1: So but I'll give the specific chapters, but plan on

1314
01:00:01,560 --> 01:00:04,920
Speaker 1: getting that book and then too Wednesday two Thursday.

1315
01:00:04,520 --> 01:00:06,440
Speaker 2: Episodes we'll talk about the first half of that. So

1316
01:00:07,000 --> 01:00:07,640
Speaker 2: book Club.

1317
01:00:11,800 --> 01:00:13,600
Speaker 3: I might start watching football again, guys.

1318
01:00:13,760 --> 01:00:16,440
Speaker 6: I think maybe being in the South has made me

1319
01:00:16,480 --> 01:00:19,640
Speaker 6: feel like I want to like maybe when remember when I.

1320
01:00:19,600 --> 01:00:20,960
Speaker 3: Go back to Cali.

1321
01:00:21,240 --> 01:00:23,800
Speaker 1: I won't care as I unless I'm not doing fantasy

1322
01:00:23,840 --> 01:00:26,560
Speaker 1: football or pix Ley, I'm not doing anything, but I

1323
01:00:26,680 --> 01:00:29,280
Speaker 1: might end up watching. I'm more excited for football. But

1324
01:00:29,360 --> 01:00:31,160
Speaker 1: that's also because the forty nine ers have a good

1325
01:00:31,240 --> 01:00:33,600
Speaker 1: young quarterback. So I don't know, it's more of.

1326
01:00:33,560 --> 01:00:35,680
Speaker 2: A personal personal shits to me.

1327
01:00:35,720 --> 01:00:36,040
Speaker 7: I don't know.

1328
01:00:36,280 --> 01:00:38,640
Speaker 6: I'll actually turn on a football game this year, probably

1329
01:00:38,840 --> 01:00:39,560
Speaker 6: the NFL.

1330
01:00:39,600 --> 01:00:41,080
Speaker 2: I'll just watch the Chiefs.

1331
01:00:41,160 --> 01:00:44,000
Speaker 1: You watch the Chiefs and you know, pretend they're from

1332
01:00:44,040 --> 01:00:46,840
Speaker 1: Saint Louis and you'll fucking fall in love with football.

1333
01:00:47,400 --> 01:00:51,120
Speaker 3: You really clown Kansas City niggas. It's Saint Louis, bro real,

1334
01:00:51,840 --> 01:00:54,880
Speaker 3: it's like country ass. Like me, ain't country? You feel

1335
01:00:55,120 --> 01:00:58,919
Speaker 3: like country ass? Kansas City niggas. You know what I'm saying.

1336
01:00:58,920 --> 01:01:01,160
Speaker 3: But we the same ship, but not really don't. St.

1337
01:01:01,200 --> 01:01:03,400
Speaker 3: Louis is way better for city in my opinion.

1338
01:01:04,040 --> 01:01:06,720
Speaker 1: You sound like every Long Beach Dodgers fan that I

1339
01:01:06,760 --> 01:01:11,360
Speaker 1: know hundred hundred percent. I mean, I don't like wearing

1340
01:01:11,400 --> 01:01:13,560
Speaker 1: an l A hat, but you know it's like but

1341
01:01:13,760 --> 01:01:15,560
Speaker 1: I mean the Dodgers filing.

1342
01:01:16,120 --> 01:01:20,480
Speaker 2: Yeah, exactly. All right, thanks for fucking with us. We'll

1343
01:01:20,480 --> 01:01:23,160
Speaker 2: be back on Thursday. Bye bye bye

1344
01:01:26,440 --> 01:01:26,480
Speaker 3: H