1 00:00:00,360 --> 00:00:04,120 Speaker 1: Women. It's Women's Month. I love powerful women that are 2 00:00:04,240 --> 00:00:09,640 Speaker 1: unafraid to say, Hey, get off my neck, get out 3 00:00:09,680 --> 00:00:13,920 Speaker 1: my space, move over here, you know I want my money. 4 00:00:14,240 --> 00:00:17,880 Speaker 1: I love all those women that aren't afraid to speak 5 00:00:17,920 --> 00:00:21,639 Speaker 1: about something that everyone's scared to step on. You know 6 00:00:21,680 --> 00:00:24,600 Speaker 1: what I mean. I just I wish I had the 7 00:00:24,640 --> 00:00:27,280 Speaker 1: boldness that they have. So I do what I can 8 00:00:27,880 --> 00:00:31,120 Speaker 1: to support them. Retweet. When I see them, I say 9 00:00:31,160 --> 00:00:34,520 Speaker 1: thank you and they say thank you for the music. 10 00:00:34,600 --> 00:00:37,640 Speaker 1: So I'm doing something. It may not be what they're 11 00:00:37,680 --> 00:00:38,760 Speaker 1: doing or. 12 00:00:38,720 --> 00:00:40,360 Speaker 2: That's all doing something. 13 00:00:40,440 --> 00:00:42,600 Speaker 1: We're doing something. 14 00:00:42,960 --> 00:00:45,800 Speaker 2: Sit back, relax and welcome. Let us ee to Naked. 15 00:00:55,440 --> 00:00:58,000 Speaker 3: It's the greatest suspense and entertainment can make you win. 16 00:00:58,240 --> 00:01:01,120 Speaker 3: Every champion make Cary Chappy is going to be a champion. 17 00:01:01,160 --> 00:01:04,880 Speaker 3: A champion. They care a chapion the champion. They care 18 00:01:04,920 --> 00:01:06,319 Speaker 3: with champion and care with chat. 19 00:01:09,319 --> 00:01:12,000 Speaker 2: Hey, everybody, welcome to a new edition of Naked. 20 00:01:12,040 --> 00:01:15,120 Speaker 4: It is Women's History Month, and I just want to 21 00:01:15,240 --> 00:01:16,759 Speaker 4: do a couple of things. I want to shout out 22 00:01:16,760 --> 00:01:18,759 Speaker 4: a couple of women. Hey, you know what I want 23 00:01:18,760 --> 00:01:20,640 Speaker 4: to shout out myself. I want to thank myself. 24 00:01:20,840 --> 00:01:21,160 Speaker 2: Thank you. 25 00:01:21,240 --> 00:01:24,520 Speaker 4: Nissie Nash for reminding us that we should just thank ourselves. 26 00:01:25,120 --> 00:01:27,319 Speaker 4: Life is is is one of these things that make 27 00:01:27,360 --> 00:01:31,600 Speaker 4: you laugh, and it also can be, obviously for many people, 28 00:01:32,120 --> 00:01:36,360 Speaker 4: really difficult. And I think oftentimes a conversation that me 29 00:01:36,400 --> 00:01:39,840 Speaker 4: and my girlfriends have often is as a black woman, 30 00:01:39,959 --> 00:01:42,760 Speaker 4: we don't feel seen or heard and and and depending 31 00:01:42,760 --> 00:01:44,399 Speaker 4: on who you're talking to, if you're talking to someone 32 00:01:44,440 --> 00:01:46,120 Speaker 4: who's not a black woman, they may roll their eyes. 33 00:01:46,160 --> 00:01:47,800 Speaker 2: They're like, what does that mean? What does that mean? 34 00:01:48,720 --> 00:01:52,600 Speaker 4: And it means that we could be doing the same 35 00:01:52,680 --> 00:01:55,200 Speaker 4: job that our male counterpart is doing, or we could 36 00:01:55,200 --> 00:01:58,200 Speaker 4: be doing the same exact work that our our white 37 00:01:58,240 --> 00:02:02,560 Speaker 4: female counterpart is doing. But we we often don't feel acknowledged, 38 00:02:02,920 --> 00:02:07,160 Speaker 4: and we often feel like our words fall on ears 39 00:02:07,160 --> 00:02:08,200 Speaker 4: that are not listening. 40 00:02:08,280 --> 00:02:10,760 Speaker 2: Right, They're just like death, No one wants to hear it. 41 00:02:11,160 --> 00:02:14,440 Speaker 4: And I see all these wonderful women in certain spaces 42 00:02:14,480 --> 00:02:18,760 Speaker 4: that have these these titles with their jobs. But I 43 00:02:18,840 --> 00:02:22,960 Speaker 4: also know, as we celebrate Women's History Month, that these 44 00:02:23,080 --> 00:02:25,680 Speaker 4: jobs and these big, these big titles that some people 45 00:02:25,720 --> 00:02:28,040 Speaker 4: have like I'm the CEO of this or the CEO 46 00:02:28,240 --> 00:02:32,200 Speaker 4: of that, rarely do black women have those titles with 47 00:02:32,280 --> 00:02:34,600 Speaker 4: the power and what I mean is you give it 48 00:02:34,600 --> 00:02:37,160 Speaker 4: to me because it looks good, but when I try 49 00:02:37,160 --> 00:02:40,720 Speaker 4: to assert my power, I am not allowed to assert 50 00:02:40,720 --> 00:02:41,240 Speaker 4: my power. 51 00:02:41,280 --> 00:02:42,200 Speaker 2: There's an asterisk. 52 00:02:42,600 --> 00:02:45,800 Speaker 4: Okay, you may be the cm O, the chief marketing 53 00:02:45,840 --> 00:02:49,359 Speaker 4: officer for a company, but now you're doing something that 54 00:02:49,480 --> 00:02:53,040 Speaker 4: is really out of your range and we can't trust you. 55 00:02:53,080 --> 00:02:55,360 Speaker 4: So we're gonna let your other counterpart, your your white 56 00:02:55,360 --> 00:02:58,960 Speaker 4: male counterpart, or your white female counterpart, have a little 57 00:02:59,000 --> 00:03:00,720 Speaker 4: more power than you do. 58 00:03:01,400 --> 00:03:02,440 Speaker 2: And it's unfortunate. 59 00:03:02,639 --> 00:03:04,160 Speaker 4: So I just want to give a shout out to 60 00:03:04,320 --> 00:03:08,320 Speaker 4: all women as we celebrate Women's History Month. But I 61 00:03:08,360 --> 00:03:10,359 Speaker 4: want to give a special love, some special love to 62 00:03:10,520 --> 00:03:13,200 Speaker 4: my sister's in a struggle. I see you, I know you, 63 00:03:13,919 --> 00:03:15,960 Speaker 4: I feel you, even if I don't know you. But 64 00:03:16,040 --> 00:03:17,840 Speaker 4: what I do know, if I'm being honest with you, 65 00:03:18,919 --> 00:03:23,640 Speaker 4: the underlying feeling of I want more, I deserve more, 66 00:03:23,720 --> 00:03:28,440 Speaker 4: I need to be acknowledged is real. And I encourage 67 00:03:28,440 --> 00:03:30,920 Speaker 4: you not to give up. I encourage you to stay focused. 68 00:03:31,000 --> 00:03:34,720 Speaker 4: I encourage you to get through it all, to focus 69 00:03:34,760 --> 00:03:37,920 Speaker 4: on the good in life, if you will, to focus 70 00:03:37,960 --> 00:03:41,760 Speaker 4: on what's good. Because if I'm complaining, there's someone looking 71 00:03:41,840 --> 00:03:45,360 Speaker 4: at me. Saying, you're complaining about the stuff you dreamed about. 72 00:03:45,800 --> 00:03:47,560 Speaker 4: This was all a dream at one point, Carrie, So 73 00:03:47,560 --> 00:03:50,640 Speaker 4: how the heck you complaining? And I understand, Like I said, 74 00:03:50,720 --> 00:03:53,280 Speaker 4: it's tiring, but I encourage you all to focus on 75 00:03:53,320 --> 00:03:55,600 Speaker 4: the good this month. The good that you've been able 76 00:03:55,640 --> 00:03:57,480 Speaker 4: to do, the good that you've been able to accomplish, 77 00:03:57,520 --> 00:03:59,200 Speaker 4: the good that is still yet to come. 78 00:03:59,520 --> 00:04:00,320 Speaker 2: And that is real. 79 00:04:01,040 --> 00:04:05,280 Speaker 4: And with that being said, I'm leading into our next 80 00:04:05,320 --> 00:04:07,800 Speaker 4: guest because she is doing that with her latest album. 81 00:04:08,000 --> 00:04:10,160 Speaker 2: She is focusing on the good. 82 00:04:10,760 --> 00:04:14,600 Speaker 4: Can you imagine? Y'all know lettusy And if you don't, 83 00:04:14,680 --> 00:04:16,719 Speaker 4: I don't know where you've been. And when I tell 84 00:04:16,760 --> 00:04:19,840 Speaker 4: you to download her latest album, to listen to her 85 00:04:19,880 --> 00:04:22,000 Speaker 4: past albums and play it in your house, play it 86 00:04:22,040 --> 00:04:26,159 Speaker 4: in your car. Her music is healing. It makes you 87 00:04:26,920 --> 00:04:30,719 Speaker 4: feel good about yourself. It makes you, even if it 88 00:04:30,839 --> 00:04:33,440 Speaker 4: is a sad topic, you're still like I can get through. 89 00:04:33,560 --> 00:04:37,360 Speaker 4: It's calming and we need calm in this day and age. 90 00:04:37,400 --> 00:04:39,800 Speaker 4: Trust me, we really really do. And because it is 91 00:04:39,800 --> 00:04:44,360 Speaker 4: Women's History Month, we are going to talk about what 92 00:04:44,400 --> 00:04:48,040 Speaker 4: I believe is one of our great singers. She is 93 00:04:48,080 --> 00:04:50,640 Speaker 4: not only a singer she's an actress. She's played the 94 00:04:50,720 --> 00:04:54,799 Speaker 4: likes of a Patti LaBelle, Gladys Knight, Mahelia Jackson in Selma. 95 00:04:54,920 --> 00:05:00,440 Speaker 4: If you saw Selma. It takes someone with a crazy 96 00:05:00,440 --> 00:05:03,359 Speaker 4: amount of fortitude to say I'm going to use my 97 00:05:03,560 --> 00:05:07,560 Speaker 4: voice to recreate those grades. 98 00:05:07,640 --> 00:05:10,279 Speaker 2: Glad as Night, Mahelia Jackson, Petty Label. Are you kidding me? 99 00:05:10,360 --> 00:05:12,840 Speaker 2: You're not intimidating. That has to be for a singer 100 00:05:12,880 --> 00:05:16,560 Speaker 2: to say I can do what they do well. She 101 00:05:16,640 --> 00:05:18,040 Speaker 2: does it, and she does it well. 102 00:05:18,440 --> 00:05:21,400 Speaker 4: She's also a professor at the Berkeley School of Music, 103 00:05:21,880 --> 00:05:26,000 Speaker 4: and I'd like to call her an activist. She doesn't 104 00:05:26,000 --> 00:05:30,560 Speaker 4: necessarily live necessarily in the political atmosphere, but she's an 105 00:05:30,640 --> 00:05:34,320 Speaker 4: activist at her core, a musical activist, an activist for 106 00:05:34,480 --> 00:05:36,600 Speaker 4: the culture, and activist for the people. She is a 107 00:05:36,640 --> 00:05:39,000 Speaker 4: renaissance woman in every single way, and she is here 108 00:05:39,000 --> 00:05:42,680 Speaker 4: today on Naked to talk about her journey and her 109 00:05:42,720 --> 00:05:47,560 Speaker 4: latest album, Good Life. Everybody, sit back, relax, turn up 110 00:05:47,560 --> 00:05:50,320 Speaker 4: the valume, and I know I already know what you're 111 00:05:50,360 --> 00:05:50,880 Speaker 4: about to say. 112 00:05:51,480 --> 00:05:52,520 Speaker 2: There's so many commercials. 113 00:05:52,520 --> 00:05:54,120 Speaker 4: You can fast forward to those commercials so you can 114 00:05:54,120 --> 00:05:57,320 Speaker 4: get right to this juice, this education, this Ted talk 115 00:05:57,400 --> 00:05:58,400 Speaker 4: she's about to give us. 116 00:05:58,960 --> 00:06:03,400 Speaker 2: Sit back, relax and welcome. Let usy to Naked. 117 00:06:02,600 --> 00:06:04,440 Speaker 1: Champion, and care with Chatpian. 118 00:06:04,120 --> 00:06:04,840 Speaker 2: And care with Chat. 119 00:06:05,880 --> 00:06:09,080 Speaker 4: I normally just start with an origin story because what 120 00:06:09,160 --> 00:06:11,520 Speaker 4: I'm really interested in When I meet people that are 121 00:06:11,560 --> 00:06:17,279 Speaker 4: really talented, I'm always curious about how that talent was fostered. 122 00:06:17,320 --> 00:06:20,080 Speaker 4: When did they know they have had that certain talent? 123 00:06:20,279 --> 00:06:23,440 Speaker 4: And I'm reading your story and you come from a 124 00:06:23,520 --> 00:06:27,160 Speaker 4: musical family, and I'm curious because you talked about this 125 00:06:27,240 --> 00:06:33,400 Speaker 4: as a kid. You remember your mother singing and performing, 126 00:06:33,600 --> 00:06:36,320 Speaker 4: And I want to know when you're seven or eight 127 00:06:36,400 --> 00:06:38,159 Speaker 4: years old, because I usually think that's when we know 128 00:06:38,360 --> 00:06:40,920 Speaker 4: we want to do something. Maybe take me back to 129 00:06:40,960 --> 00:06:43,400 Speaker 4: when you were seven or eight years old as a child, 130 00:06:43,480 --> 00:06:46,240 Speaker 4: growing up in a musical household, How did you know 131 00:06:46,279 --> 00:06:47,120 Speaker 4: you had a talent? 132 00:06:48,120 --> 00:06:54,159 Speaker 1: My mom was my Michael Jackson, right. She was the 133 00:06:54,240 --> 00:06:58,000 Speaker 1: person that I cared about. Her opinion mattered to me 134 00:06:58,120 --> 00:07:02,000 Speaker 1: most because I saw her do what I wanted to do, 135 00:07:02,240 --> 00:07:05,840 Speaker 1: so when she approved it, then it felt good. And 136 00:07:05,880 --> 00:07:08,880 Speaker 1: the other reason is I got more friends when I 137 00:07:08,920 --> 00:07:12,080 Speaker 1: started to sing. I was like, oh, I can make friends. 138 00:07:12,120 --> 00:07:14,800 Speaker 1: I can use this to make friends. So I knew 139 00:07:16,480 --> 00:07:18,880 Speaker 1: my votes had a ring to it that would just 140 00:07:19,000 --> 00:07:22,679 Speaker 1: ring out and make people change or do something nicer, 141 00:07:23,480 --> 00:07:27,440 Speaker 1: it calm things. So that's when I knew I had something. 142 00:07:28,040 --> 00:07:30,040 Speaker 1: What it was, I don't know. You don't know at 143 00:07:30,080 --> 00:07:33,160 Speaker 1: seven or eight. You just know when you use whatever 144 00:07:33,200 --> 00:07:37,720 Speaker 1: that bell is to make people calmer or nicer, or 145 00:07:38,040 --> 00:07:42,440 Speaker 1: react or feel. Then I did. I knew I want 146 00:07:42,480 --> 00:07:43,560 Speaker 1: to use this gift. 147 00:07:43,760 --> 00:07:45,679 Speaker 2: So did your mother say to you when you were little, 148 00:07:45,720 --> 00:07:47,320 Speaker 2: seeing what I singing? Hum? 149 00:07:47,800 --> 00:07:50,440 Speaker 4: When do you just when do you start singing? When 150 00:07:50,440 --> 00:07:53,720 Speaker 4: do you just say, uh oh, that sounds good? Because 151 00:07:53,800 --> 00:07:56,160 Speaker 4: I thought, I, you know, that's a gift that everyone wants. 152 00:07:56,160 --> 00:07:58,040 Speaker 4: Everyone wants to learn how to sing. You sing in 153 00:07:58,040 --> 00:08:00,280 Speaker 4: the shower, I would love, And then I learned quickly 154 00:08:00,360 --> 00:08:02,520 Speaker 4: I was. There was no singing for me ever in 155 00:08:02,560 --> 00:08:06,560 Speaker 4: my life. So when did you go that you, at 156 00:08:06,600 --> 00:08:09,239 Speaker 4: such a young age had something special. 157 00:08:09,320 --> 00:08:11,400 Speaker 2: Did you just start singing because you heard your mom sing? 158 00:08:12,440 --> 00:08:12,960 Speaker 2: I don't know. 159 00:08:13,240 --> 00:08:15,560 Speaker 1: I don't remember the reason. My mom said, I just 160 00:08:15,640 --> 00:08:19,080 Speaker 1: one day in the kitchen, because we sang a lot 161 00:08:19,080 --> 00:08:22,120 Speaker 1: in the kitchen, Well, my mom did, I just in 162 00:08:22,160 --> 00:08:25,640 Speaker 1: New Orleans, I just started singing. Reasons out the blue. 163 00:08:26,680 --> 00:08:29,000 Speaker 1: I knew the song. I didn't tell them I could sing. 164 00:08:29,080 --> 00:08:32,600 Speaker 1: My mom is not the stage mom. She didn't force anything. 165 00:08:32,679 --> 00:08:34,880 Speaker 1: She didn't say sing this sing back to me. We 166 00:08:34,920 --> 00:08:37,360 Speaker 1: didn't do any of that. She just let it happen. 167 00:08:38,000 --> 00:08:40,320 Speaker 1: And so naturally, one day I just started singing, and 168 00:08:40,360 --> 00:08:43,720 Speaker 1: everybody looked, and they didn't know that I could say what. 169 00:08:44,600 --> 00:08:47,559 Speaker 1: I was like, you just sang Reasons by Earth when 170 00:08:47,559 --> 00:08:50,200 Speaker 1: a Fire like Phillip Bailey and hitting all the notes 171 00:08:50,880 --> 00:08:55,240 Speaker 1: on pitch because she is very particular. She's a quick 172 00:08:55,280 --> 00:08:59,040 Speaker 1: cap record, so she's like, yeah, born on the first 173 00:08:59,200 --> 00:09:03,400 Speaker 1: of January. Uh, she's real particular about every little thing. 174 00:09:03,720 --> 00:09:07,480 Speaker 1: She said. You were on pitch, you real tiny, sitting 175 00:09:08,600 --> 00:09:12,040 Speaker 1: in your seat and just wailing, and I was like, wow, 176 00:09:12,200 --> 00:09:15,120 Speaker 1: those notes are I reason to. 177 00:09:15,200 --> 00:09:17,559 Speaker 4: Say the least, And you just started seeing it. She 178 00:09:17,559 --> 00:09:19,560 Speaker 4: didn't even know you knew the song. And everyone stops 179 00:09:19,559 --> 00:09:21,280 Speaker 4: in their tracks and they look at you, like, wow, 180 00:09:21,360 --> 00:09:22,080 Speaker 4: this is special. 181 00:09:22,480 --> 00:09:22,680 Speaker 2: Yeah. 182 00:09:22,679 --> 00:09:25,719 Speaker 1: So I became that family member where the baby get 183 00:09:25,800 --> 00:09:31,079 Speaker 1: up and sing, get up and dance. 184 00:09:33,040 --> 00:09:35,560 Speaker 2: For me, it was read the church program because you 185 00:09:35,559 --> 00:09:37,800 Speaker 2: can read well, get on and do that. Big words 186 00:09:37,800 --> 00:09:41,800 Speaker 2: I could even pronounce. So I understand that I think 187 00:09:41,840 --> 00:09:45,400 Speaker 2: that is really special. I also I also know that 188 00:09:45,480 --> 00:09:50,400 Speaker 2: you just said something. Your voice calms people. So when 189 00:09:50,440 --> 00:09:53,040 Speaker 2: I play your music in my house, like on the speakers, 190 00:09:53,480 --> 00:09:58,920 Speaker 2: my house feels warm, it filmed, it feels welcoming. It 191 00:09:59,000 --> 00:10:01,200 Speaker 2: feels like I could leave it all day. 192 00:10:01,880 --> 00:10:03,959 Speaker 4: I could clean, I could walk, I could talk, I 193 00:10:04,000 --> 00:10:05,719 Speaker 4: could be on the phone, I could be I can 194 00:10:05,760 --> 00:10:06,480 Speaker 4: do errands. 195 00:10:07,400 --> 00:10:09,640 Speaker 2: Do you believe that's a God given gift? 196 00:10:10,240 --> 00:10:16,400 Speaker 1: Absolutely, there's no no afterthought about that is definitely not 197 00:10:17,120 --> 00:10:20,520 Speaker 1: of my doing. Entirely. I am doing the work, but 198 00:10:21,160 --> 00:10:23,640 Speaker 1: it comes from a special place because there are days 199 00:10:23,679 --> 00:10:27,200 Speaker 1: I don't know how how I'm doing what I do. 200 00:10:27,480 --> 00:10:30,960 Speaker 1: I had a friend come to my rehearsal, our final 201 00:10:31,000 --> 00:10:33,560 Speaker 1: tour rehearsal. We've been best friends a long time, and 202 00:10:33,600 --> 00:10:37,840 Speaker 1: he still goes, I don't know how you do. He 203 00:10:37,960 --> 00:10:41,600 Speaker 1: studies music, he knows the voice. But he says, you're 204 00:10:41,920 --> 00:10:46,560 Speaker 1: not You're an alien. They can do the things you do. 205 00:10:47,000 --> 00:10:49,480 Speaker 1: And I say, well, I said, I don't feel like it. 206 00:10:49,520 --> 00:10:55,079 Speaker 1: I'm working hard and I like doing the same amount 207 00:10:55,120 --> 00:10:57,800 Speaker 1: of work as everybody else. But he's like, no, but 208 00:10:57,840 --> 00:11:00,960 Speaker 1: it looks so you look so relaxed. When you do it, 209 00:11:01,000 --> 00:11:04,600 Speaker 1: you look so calm. I said, no, there there's a 210 00:11:04,640 --> 00:11:06,400 Speaker 1: fire alarm under my armpits. 211 00:11:07,360 --> 00:11:08,040 Speaker 2: You know what I mean. 212 00:11:08,240 --> 00:11:13,079 Speaker 1: It's like it's like I'm I'm nervous all the time, 213 00:11:13,320 --> 00:11:17,120 Speaker 1: like interesting. I want to be like anybody else. I 214 00:11:17,120 --> 00:11:20,199 Speaker 1: want to do a great job and kick but at 215 00:11:20,200 --> 00:11:23,560 Speaker 1: what I do, it's like a workout. I give a lot. 216 00:11:23,640 --> 00:11:26,680 Speaker 1: That's why at the end, I'm like, I don't know 217 00:11:26,720 --> 00:11:28,960 Speaker 1: what else to give, But I just gave a whole bunch, 218 00:11:29,120 --> 00:11:30,720 Speaker 1: you know what I mean. And I don't get the 219 00:11:30,800 --> 00:11:35,960 Speaker 1: opportunity to do it small. Everything I do is with 220 00:11:36,760 --> 00:11:42,120 Speaker 1: great intention, and I feel like I'm connected to another source. 221 00:11:43,160 --> 00:11:47,920 Speaker 1: I call it God that comes and I honor all 222 00:11:47,960 --> 00:11:50,600 Speaker 1: the spaces and people that came before me as well 223 00:11:50,640 --> 00:11:54,480 Speaker 1: as myself and my parents, you know, legacy. So I 224 00:11:54,520 --> 00:11:57,680 Speaker 1: have a point to prove, which is I belong here 225 00:11:57,960 --> 00:12:01,040 Speaker 1: and I'm here to help with with using my craft. 226 00:12:01,480 --> 00:12:04,800 Speaker 1: That's what the greats did. You know? Mahelia, when she spoke, 227 00:12:04,880 --> 00:12:07,840 Speaker 1: she helped Martin. When she's sang, she helped the movement. 228 00:12:08,160 --> 00:12:13,400 Speaker 1: When Marian Anderson, same thing she was the first to do, 229 00:12:14,360 --> 00:12:17,280 Speaker 1: make a create a moment for a movement, we all 230 00:12:18,600 --> 00:12:21,960 Speaker 1: my kind of singers. That's what we do. We have 231 00:12:22,200 --> 00:12:25,200 Speaker 1: the get. God only gives it to certain people to 232 00:12:25,320 --> 00:12:27,520 Speaker 1: do that. So I know what I have. It took 233 00:12:27,520 --> 00:12:29,480 Speaker 1: me a while to just go ahead and accept it 234 00:12:29,840 --> 00:12:35,400 Speaker 1: because it comes with enormous amount of pressure to be 235 00:12:35,480 --> 00:12:38,000 Speaker 1: a certain way. You know, you don't get off. 236 00:12:37,920 --> 00:12:41,640 Speaker 4: Day when you say it took you a while to 237 00:12:41,840 --> 00:12:45,920 Speaker 4: accept it, That is a radical acceptance of what you have. 238 00:12:46,840 --> 00:12:48,760 Speaker 2: Why did it take you a while to accept it? 239 00:12:48,840 --> 00:12:51,160 Speaker 2: Was there too much pressure associated with it? 240 00:12:51,320 --> 00:12:54,240 Speaker 4: Or maybe you felt like you wanted you felt pressure 241 00:12:54,280 --> 00:12:56,839 Speaker 4: to do something different, to have a different type of music. 242 00:12:56,920 --> 00:12:58,440 Speaker 2: Do you know music? 243 00:12:58,679 --> 00:13:02,400 Speaker 1: None of that. It was more so people's perception of 244 00:13:02,440 --> 00:13:05,959 Speaker 1: the box they want to keep you in. It was external. 245 00:13:06,640 --> 00:13:09,840 Speaker 1: It's like when we love something, if only they would 246 00:13:09,920 --> 00:13:12,320 Speaker 1: just stay here and do this because I love what 247 00:13:12,360 --> 00:13:16,480 Speaker 1: they do here. A voice like mine belongs everywhere that 248 00:13:16,520 --> 00:13:20,319 Speaker 1: I could possibly go. It doesn't belong in one space. 249 00:13:20,520 --> 00:13:24,480 Speaker 1: But I do honor where I started. I honored the 250 00:13:24,600 --> 00:13:28,240 Speaker 1: root and all that stuff. But I think I get 251 00:13:28,320 --> 00:13:33,600 Speaker 1: nervous about titles. You know that those things bother me 252 00:13:34,160 --> 00:13:34,920 Speaker 1: with my voice? 253 00:13:35,559 --> 00:13:37,720 Speaker 2: What are the titles that make. 254 00:13:37,600 --> 00:13:40,560 Speaker 1: Oh, you're only an RB singer. That's why I did 255 00:13:40,679 --> 00:13:44,240 Speaker 1: let us see sings. Nina, You're not really a jazzing 256 00:13:44,280 --> 00:13:47,200 Speaker 1: because you do R and B. But I do do jazz. 257 00:13:47,240 --> 00:13:51,520 Speaker 1: I can scatch just like every instrument that I love, 258 00:13:51,760 --> 00:13:55,280 Speaker 1: you know love. I started there. That's how I got 259 00:13:55,320 --> 00:13:57,800 Speaker 1: made a living to pay bills, you know what I mean. 260 00:13:58,280 --> 00:14:00,280 Speaker 1: Nobody wanted to hear me sing R and B and 261 00:14:00,640 --> 00:14:03,800 Speaker 1: I'm a horrible background singer, so that didn't work for me. 262 00:14:05,240 --> 00:14:10,280 Speaker 1: That's try. But anyway that I don't know what else 263 00:14:10,320 --> 00:14:12,319 Speaker 1: I'm talking about. I haven't eaten yet, but I'm here. 264 00:14:12,559 --> 00:14:16,960 Speaker 2: That's okay me too. I'm starving, but I work better 265 00:14:16,960 --> 00:14:17,160 Speaker 2: that way. 266 00:14:17,200 --> 00:14:20,520 Speaker 4: Otherwise I get exactly, I get the itis advice, and 267 00:14:20,560 --> 00:14:22,040 Speaker 4: I'm like, girl that I'll be sleep during this. 268 00:14:23,280 --> 00:14:28,160 Speaker 2: I think that what you said was really powerful. 269 00:14:28,880 --> 00:14:30,760 Speaker 4: They want to put you as an R and B singer, 270 00:14:30,800 --> 00:14:34,080 Speaker 4: but a voice that yours belongs in so many places 271 00:14:34,120 --> 00:14:37,720 Speaker 4: because it's necessary, because it does have this healing, this calming, 272 00:14:38,160 --> 00:14:43,880 Speaker 4: this happiness. And oftentimes I say this about comedians. Those 273 00:14:43,920 --> 00:14:46,880 Speaker 4: who make us happy always usually are the ones that 274 00:14:47,200 --> 00:14:48,880 Speaker 4: may suffer because it's torture. 275 00:14:49,320 --> 00:14:51,440 Speaker 2: Do you do you ever deal with that? Like you 276 00:14:51,480 --> 00:14:52,760 Speaker 2: can your music makes. 277 00:14:52,560 --> 00:14:56,560 Speaker 4: People so happy, but sometimes you're not happy like you 278 00:14:56,600 --> 00:14:59,200 Speaker 4: could put You could put out album after album. I 279 00:14:59,200 --> 00:15:02,960 Speaker 4: think you've been nominated. I think twelve times. 280 00:15:03,080 --> 00:15:03,960 Speaker 2: I think twelve times. 281 00:15:03,960 --> 00:15:07,160 Speaker 1: For a grand I think it's more, but I can't 282 00:15:07,160 --> 00:15:07,800 Speaker 1: remember a time. 283 00:15:09,000 --> 00:15:13,000 Speaker 2: I think it's fourteen. Yes, okay, I want to make 284 00:15:13,000 --> 00:15:13,760 Speaker 2: sure I get that right. 285 00:15:13,920 --> 00:15:16,120 Speaker 1: It doesn't matter. It's been a lot. 286 00:15:16,600 --> 00:15:20,560 Speaker 4: It's been a lot, and that means you resonate with people. 287 00:15:21,320 --> 00:15:23,880 Speaker 4: Do you find it hard to be the one that 288 00:15:23,920 --> 00:15:26,520 Speaker 4: makes everyone smile in the room or feel good in 289 00:15:26,560 --> 00:15:26,960 Speaker 4: the room. 290 00:15:27,400 --> 00:15:30,320 Speaker 1: I don't feel. I feel like I have songs that 291 00:15:30,360 --> 00:15:36,040 Speaker 1: are chaotic. There's some dysfunctional tunes. If you what happens 292 00:15:36,160 --> 00:15:40,440 Speaker 1: is it feels so good? Yeah, you're missing the message. 293 00:15:40,640 --> 00:15:43,080 Speaker 2: On one hundred percent. 294 00:15:44,480 --> 00:15:47,480 Speaker 1: I feel I'm telling all the human experience. I'm not 295 00:15:48,520 --> 00:15:51,880 Speaker 1: avoiding it. I don't have see what's funny is this 296 00:15:52,000 --> 00:15:56,120 Speaker 1: album good life? I gotta talk about it because I 297 00:15:56,160 --> 00:15:59,520 Speaker 1: didn't have I have the least amount of connection to 298 00:15:59,640 --> 00:16:03,400 Speaker 1: it in a personal way. I actually felt like I 299 00:16:03,440 --> 00:16:06,840 Speaker 1: had the fight was trying to be personal in it 300 00:16:06,880 --> 00:16:09,920 Speaker 1: instead of just releasing that and writing as a songwriter, 301 00:16:10,680 --> 00:16:14,400 Speaker 1: write about human experience, create a story like how I 302 00:16:14,480 --> 00:16:18,520 Speaker 1: do when you're acting, get to create a story or 303 00:16:19,080 --> 00:16:22,320 Speaker 1: a character that's going through something. And I had to 304 00:16:22,360 --> 00:16:25,800 Speaker 1: do that in order to be involved in this project. 305 00:16:26,280 --> 00:16:29,400 Speaker 1: Normally I put myself more in it. This time I couldn't. 306 00:16:29,760 --> 00:16:33,360 Speaker 2: It was the only album that you've done that that 307 00:16:33,440 --> 00:16:35,640 Speaker 2: particular approach is it's the only album you've done that 308 00:16:35,680 --> 00:16:36,680 Speaker 2: with with Good Life. 309 00:16:36,880 --> 00:16:41,440 Speaker 1: Majority of the biggest amount the wild Card. I did 310 00:16:41,440 --> 00:16:44,560 Speaker 1: it a little bit. I started understanding what it means 311 00:16:44,560 --> 00:16:48,200 Speaker 1: to be a songwriter interesting. I carried it over into 312 00:16:48,280 --> 00:16:50,480 Speaker 1: this because it was hard to be We don't have 313 00:16:50,600 --> 00:16:54,880 Speaker 1: anything interesting going on here. It's like our life is 314 00:16:54,920 --> 00:16:58,720 Speaker 1: our life, and like regular people, you know, we're interesting 315 00:16:58,760 --> 00:16:59,560 Speaker 1: about us moving. 316 00:17:00,160 --> 00:17:01,720 Speaker 2: Yes, I want to hear about that. 317 00:17:02,320 --> 00:17:04,480 Speaker 1: It's kind of day to day. 318 00:17:05,200 --> 00:17:06,640 Speaker 2: What you're gonna eat, what you're gonna cook. 319 00:17:06,680 --> 00:17:10,840 Speaker 4: I'm with you. I was like, these are real problems. 320 00:17:11,240 --> 00:17:12,879 Speaker 4: I don't know if you you know in California my 321 00:17:12,960 --> 00:17:17,520 Speaker 4: leaks started leaking, my roof was leaking, Yeah, the rain. 322 00:17:17,640 --> 00:17:19,440 Speaker 4: I was like, can someone give me a song about this? 323 00:17:19,840 --> 00:17:20,320 Speaker 4: This is. 324 00:17:22,080 --> 00:17:24,840 Speaker 2: That people want to hear about. What are we doing? 325 00:17:25,200 --> 00:17:28,159 Speaker 1: You didn't have anything, so I was let me think 326 00:17:28,280 --> 00:17:33,480 Speaker 1: about human experience and dysfunctional chaos, and you know, good 327 00:17:33,520 --> 00:17:36,960 Speaker 1: life is to me about getting through. It's not it's 328 00:17:36,960 --> 00:17:39,800 Speaker 1: the messy parts, it's the beautiful part, but it's how 329 00:17:39,840 --> 00:17:42,680 Speaker 1: you got through it, How did you get through things? 330 00:17:42,800 --> 00:17:45,160 Speaker 1: You know, we don't talk about that at. 331 00:17:45,000 --> 00:17:48,479 Speaker 4: All, and we're not transparent. But for me, music is 332 00:17:48,800 --> 00:17:52,040 Speaker 4: has been revolutionary. It is an act of resistance. It 333 00:17:52,240 --> 00:17:56,000 Speaker 4: is my advocacy. It gives me the words that I 334 00:17:56,040 --> 00:17:59,000 Speaker 4: don't have when I I'm like, I feel that I 335 00:17:59,040 --> 00:18:01,199 Speaker 4: feel what you said, but I didn't have the words 336 00:18:01,240 --> 00:18:02,040 Speaker 4: for what you said. 337 00:18:02,080 --> 00:18:02,840 Speaker 2: It's sad. It's sad. 338 00:18:03,160 --> 00:18:05,919 Speaker 3: Every champion and carry champion is to be a champion, 339 00:18:06,119 --> 00:18:09,440 Speaker 3: a champion and carry Chappion and carried Chap beata champion 340 00:18:09,480 --> 00:18:12,520 Speaker 3: and carried Chappion and carrie Chaps his sporsion. 341 00:18:12,720 --> 00:18:14,000 Speaker 4: Entertainment can nake you weirder? 342 00:18:19,080 --> 00:18:21,920 Speaker 3: Kerry Champion and carry Champion is to be a champion 343 00:18:22,080 --> 00:18:26,400 Speaker 3: of champion and carri Chapion the champion and carry Chapion 344 00:18:26,440 --> 00:18:29,120 Speaker 3: and carried chap Entertainment. 345 00:18:29,119 --> 00:18:29,880 Speaker 2: Get nick you word. 346 00:18:30,359 --> 00:18:34,359 Speaker 4: I wonder is it difficult to make that transition to acting. 347 00:18:34,440 --> 00:18:39,440 Speaker 4: You've made it seem seamless. Although Lake Gladys Knight Mahelia Jackson, 348 00:18:40,040 --> 00:18:43,720 Speaker 4: I understand that, Pet Labell. I believe I was that 349 00:18:43,840 --> 00:18:47,600 Speaker 4: difficult for you because it seems to me when you 350 00:18:48,600 --> 00:18:51,320 Speaker 4: sing from your soul and then someone gives you words 351 00:18:51,520 --> 00:18:55,640 Speaker 4: to say that they don't go together. Those two things 352 00:18:55,760 --> 00:18:58,520 Speaker 4: just don't go together. To me, one seems more authentic 353 00:18:58,640 --> 00:19:01,400 Speaker 4: and one seems more formed. But you are a performer, 354 00:19:01,800 --> 00:19:04,000 Speaker 4: are you know? So is it difficult to transition? 355 00:19:04,880 --> 00:19:05,280 Speaker 2: It was? 356 00:19:05,600 --> 00:19:08,320 Speaker 1: And when I was learning it on my own, but 357 00:19:08,480 --> 00:19:13,359 Speaker 1: having an acting coach understands and then working with Billy 358 00:19:13,480 --> 00:19:18,400 Speaker 1: Porter in theater that was an experienced life changing. He said, 359 00:19:18,600 --> 00:19:22,639 Speaker 1: you're a singer and they don't teach you how to 360 00:19:22,960 --> 00:19:27,200 Speaker 1: transfer that over into theater. He taught me some things. 361 00:19:27,320 --> 00:19:30,199 Speaker 1: Chester Gregory and my acting coach taught me a lot 362 00:19:30,240 --> 00:19:32,520 Speaker 1: of things. He said, what would you do do? What 363 00:19:32,560 --> 00:19:35,520 Speaker 1: would let us see do? Would let us say it 364 00:19:35,680 --> 00:19:40,920 Speaker 1: like that? He always says, good, can we have some realness? 365 00:19:41,000 --> 00:19:43,080 Speaker 1: And that I want the let us see to do it? 366 00:19:43,920 --> 00:19:44,840 Speaker 1: Now be the character? 367 00:19:45,920 --> 00:19:46,520 Speaker 2: You know what I mean? 368 00:19:46,640 --> 00:19:47,680 Speaker 1: How would let usye do it? 369 00:19:47,840 --> 00:19:47,879 Speaker 2: That? 370 00:19:48,000 --> 00:19:52,639 Speaker 1: We want authenticity as natural and like you would do it? 371 00:19:52,840 --> 00:19:55,440 Speaker 1: And that's how I think I just add the extra 372 00:19:55,720 --> 00:19:58,840 Speaker 1: components on top of it. And Billy was the same way, 373 00:19:59,600 --> 00:20:01,840 Speaker 1: but they weren't taught that. They had to learn it 374 00:20:01,880 --> 00:20:07,320 Speaker 1: because they're and also classes help understanding It's like a song. 375 00:20:07,440 --> 00:20:09,560 Speaker 1: The same way I sing it is the same way 376 00:20:09,600 --> 00:20:13,720 Speaker 1: I would say it. Yeah, but as like a conversation. 377 00:20:13,400 --> 00:20:13,840 Speaker 2: Like you and I. 378 00:20:14,960 --> 00:20:15,240 Speaker 3: Do you. 379 00:20:16,720 --> 00:20:20,240 Speaker 2: Like working with other actors? Ie? You do? 380 00:20:20,640 --> 00:20:22,400 Speaker 4: Is there an actor that you work with that you're 381 00:20:22,480 --> 00:20:25,080 Speaker 4: like this person I'm in awe of? Or is there 382 00:20:25,080 --> 00:20:26,480 Speaker 4: an actor that you want to work with? 383 00:20:27,200 --> 00:20:34,440 Speaker 1: Oh? Man, I would love to. It's more of writers 384 00:20:34,520 --> 00:20:37,640 Speaker 1: for me. I want to work with writers actors definitely. 385 00:20:40,480 --> 00:20:43,160 Speaker 1: I still I'm still learning that world. But it's really 386 00:20:43,520 --> 00:20:47,040 Speaker 1: writing that I love the most. The writing I get. 387 00:20:47,080 --> 00:20:50,159 Speaker 1: I'm becoming a fan of even more how things are written. 388 00:20:50,560 --> 00:20:55,640 Speaker 1: I would love to get lessons from Divine. She's incredible 389 00:20:56,720 --> 00:21:01,439 Speaker 1: because I seeing her in different roles and has been 390 00:21:01,520 --> 00:21:06,159 Speaker 1: amazing how she approaches her characters, meaning the little nuances 391 00:21:06,680 --> 00:21:09,680 Speaker 1: she does, It's just beautiful. I love this lady named 392 00:21:09,760 --> 00:21:13,720 Speaker 1: Kimberly Gregory. She's one of my favorites. She's not as 393 00:21:13,800 --> 00:21:17,160 Speaker 1: popular as everybody, but she's she's just incredible. 394 00:21:17,359 --> 00:21:18,639 Speaker 2: She's a writer and an actor. 395 00:21:19,160 --> 00:21:22,359 Speaker 1: She can write, but she's a great actress. What is 396 00:21:22,440 --> 00:21:25,600 Speaker 1: she on? Some stuff on the shy oh okay, she 397 00:21:25,760 --> 00:21:29,960 Speaker 1: also did. I can't remember all her stuff right now, 398 00:21:30,119 --> 00:21:34,480 Speaker 1: but she's incredible. She's like divine to me, one of 399 00:21:34,560 --> 00:21:38,200 Speaker 1: the It takes a while for the greats to get seen, 400 00:21:38,520 --> 00:21:41,960 Speaker 1: and it's Divine's time now. But she's been great long 401 00:21:42,040 --> 00:21:43,199 Speaker 1: before everybody caught up. 402 00:21:44,160 --> 00:21:45,760 Speaker 2: Did you read Viola Davis's book? 403 00:21:46,600 --> 00:21:49,480 Speaker 4: No, not yet, And by read, I mean download an audio, 404 00:21:49,600 --> 00:21:51,160 Speaker 4: because I don't be reading like that, So I don't 405 00:21:51,200 --> 00:21:55,320 Speaker 4: want you to. Like my really good friend who I 406 00:21:55,320 --> 00:21:57,280 Speaker 4: think you know, Jamel Hill, she loves to tell me 407 00:21:58,040 --> 00:21:59,160 Speaker 4: she's so easy. 408 00:22:00,960 --> 00:22:01,879 Speaker 2: She's like my grandma. 409 00:22:01,880 --> 00:22:03,760 Speaker 4: About to download this book and we can talk about 410 00:22:03,760 --> 00:22:08,159 Speaker 4: it later. But Viola talks about the craft of acting 411 00:22:08,240 --> 00:22:11,000 Speaker 4: in such a special way. And and and the Biker 412 00:22:11,240 --> 00:22:12,160 Speaker 4: was arguably. 413 00:22:11,840 --> 00:22:12,240 Speaker 2: One of the best. 414 00:22:12,240 --> 00:22:13,800 Speaker 4: That's why I was a New York Times bestseller. Just 415 00:22:13,840 --> 00:22:16,359 Speaker 4: the poverty she came from and how she uses a 416 00:22:16,400 --> 00:22:21,080 Speaker 4: lot of that trauma in what she does. How would 417 00:22:21,119 --> 00:22:24,880 Speaker 4: you describe your your your your life? Has there been 418 00:22:25,520 --> 00:22:29,200 Speaker 4: pain like personally that really you were able to create 419 00:22:29,240 --> 00:22:31,720 Speaker 4: some great music because everyone got mad when Mary. 420 00:22:32,080 --> 00:22:32,560 Speaker 2: When Mary J. 421 00:22:32,720 --> 00:22:35,080 Speaker 4: Blige started to heal, we didn't get what we needed. 422 00:22:35,200 --> 00:22:40,800 Speaker 4: We were like, Mary, how you gonna heal and not 423 00:22:40,920 --> 00:22:42,919 Speaker 4: give us the music we need because we out here 424 00:22:42,960 --> 00:22:44,960 Speaker 4: in the streets dealing with these trifling negroes. 425 00:22:45,760 --> 00:22:49,840 Speaker 2: Money and we and we need it. Now you you 426 00:22:49,960 --> 00:22:53,879 Speaker 2: all healed and rich and healthy. I guess we need that. 427 00:22:54,720 --> 00:22:57,800 Speaker 1: You know what I don't. We don't need that. We 428 00:22:58,040 --> 00:23:02,040 Speaker 1: want to you know edge, you want the edge? I 429 00:23:02,200 --> 00:23:05,600 Speaker 1: get it. My friends used to say back in the day, 430 00:23:05,880 --> 00:23:08,200 Speaker 1: Ooh you mad tonight. Oh it's gonna be a good show. 431 00:23:10,200 --> 00:23:14,560 Speaker 2: You got something to say? Oh I'm mad at him? 432 00:23:14,920 --> 00:23:16,760 Speaker 2: Wait till I get out there. 433 00:23:19,800 --> 00:23:23,760 Speaker 1: You know, I write it in such songs. My earlier work, 434 00:23:23,800 --> 00:23:26,639 Speaker 1: I was more raw with it, but now I just 435 00:23:27,080 --> 00:23:30,840 Speaker 1: I'm more poetic as I've gotten older, because I hold 436 00:23:31,000 --> 00:23:34,320 Speaker 1: information for myself now and work out my trauma in 437 00:23:34,400 --> 00:23:35,119 Speaker 1: different ways. 438 00:23:35,600 --> 00:23:39,000 Speaker 2: You know, for yourself. You don't give it to us, No, 439 00:23:39,000 --> 00:23:39,520 Speaker 2: don't give. 440 00:23:39,359 --> 00:23:42,000 Speaker 1: It to you, guys. I just do. I just try to. 441 00:23:42,560 --> 00:23:44,840 Speaker 1: I don't think people want to hear all that. I mean, 442 00:23:44,920 --> 00:23:49,840 Speaker 1: maybe they do podcasts now, but that's you know, certain things. 443 00:23:49,920 --> 00:23:51,879 Speaker 4: I just work it out on my own yeah, and 444 00:23:51,960 --> 00:23:53,680 Speaker 4: you and that was a season, as that was a 445 00:23:53,760 --> 00:23:54,480 Speaker 4: season for Mary. 446 00:23:54,680 --> 00:23:57,320 Speaker 1: Right, it's a season and it's okay, yeah, but it 447 00:23:57,720 --> 00:24:01,520 Speaker 1: does make great music. I can't lie because all righte trauma, Okay, 448 00:24:01,880 --> 00:24:04,119 Speaker 1: how I'm I pay these dang on bills? What am 449 00:24:04,119 --> 00:24:09,000 Speaker 1: I gonna do? So it's like survival mode, you know 450 00:24:09,080 --> 00:24:11,160 Speaker 1: what I mean, back in the day. So I get 451 00:24:11,240 --> 00:24:14,520 Speaker 1: it and it does help because someone else is going 452 00:24:14,600 --> 00:24:16,440 Speaker 1: through it, and I think that's why people relate to 453 00:24:16,520 --> 00:24:19,880 Speaker 1: my music. But good Life on the song good Light, 454 00:24:20,040 --> 00:24:23,600 Speaker 1: actual song, I was exhausted and you hear it. 455 00:24:23,680 --> 00:24:24,080 Speaker 2: I say it. 456 00:24:24,480 --> 00:24:26,600 Speaker 1: I throw out my hands, thank you for this life 457 00:24:27,160 --> 00:24:29,720 Speaker 1: blessings over me. I try to think positive about it. 458 00:24:30,359 --> 00:24:30,760 Speaker 2: I don't know. 459 00:24:31,000 --> 00:24:35,240 Speaker 1: I cry till there's no more tears. Like I'm saying, 460 00:24:35,560 --> 00:24:38,280 Speaker 1: I'm done. I'm depleted. I don't know what else to 461 00:24:38,359 --> 00:24:43,720 Speaker 1: do but surrender, so help make this work. I'm still grateful. 462 00:24:44,640 --> 00:24:49,040 Speaker 1: I'm exhausted, you know. So I put those little things 463 00:24:49,280 --> 00:24:52,280 Speaker 1: in the music and say the truth. And then on 464 00:24:52,440 --> 00:24:57,040 Speaker 1: another song, I say about like we're not we always 465 00:24:57,119 --> 00:25:01,600 Speaker 1: gaslight each other, and what way like we when we 466 00:25:01,720 --> 00:25:06,280 Speaker 1: talk about relationships, I'm talking about in if you're going 467 00:25:06,359 --> 00:25:09,040 Speaker 1: to be here, be here. If you're not, then move 468 00:25:09,119 --> 00:25:11,800 Speaker 1: out the way, so I don't waste my time, you know, 469 00:25:11,920 --> 00:25:15,399 Speaker 1: because you can't get time back all we have, so 470 00:25:16,080 --> 00:25:18,959 Speaker 1: we want to use our time preciously and choose who 471 00:25:19,040 --> 00:25:23,879 Speaker 1: we want there to enjoy our time with whomever. But 472 00:25:24,000 --> 00:25:25,560 Speaker 1: there are people that come in and make it in 473 00:25:25,640 --> 00:25:28,520 Speaker 1: the way. So be honest about it. And that's why 474 00:25:28,520 --> 00:25:30,919 Speaker 1: I love getting older, because you could just say whatever 475 00:25:30,960 --> 00:25:34,600 Speaker 1: you want to say, that's right, worry about the consequences, 476 00:25:34,760 --> 00:25:36,119 Speaker 1: Like I just need to know so I. 477 00:25:36,119 --> 00:25:40,000 Speaker 2: Can go and waste my time. I don't have it. 478 00:25:40,359 --> 00:25:41,240 Speaker 2: I got life to live. 479 00:25:42,119 --> 00:25:44,160 Speaker 1: So maybe I'm working it out that way. 480 00:25:44,560 --> 00:25:48,399 Speaker 4: Yes, that's what I said. That's another way of it. 481 00:25:48,520 --> 00:25:50,679 Speaker 4: It's the same, but it's just a much more mature, 482 00:25:51,600 --> 00:25:54,560 Speaker 4: curated way of saying what you feel. But it also 483 00:25:54,680 --> 00:25:56,840 Speaker 4: reflects where you're at. I think in your life too, 484 00:25:57,160 --> 00:25:58,560 Speaker 4: Like what you've been through, You're like, I don't have 485 00:25:58,600 --> 00:26:00,520 Speaker 4: to I don't have the time to cry. Who want 486 00:26:00,560 --> 00:26:02,160 Speaker 4: to cry and fight? But you won't do that all 487 00:26:02,160 --> 00:26:04,680 Speaker 4: the time. But it does give you, you know that 488 00:26:04,760 --> 00:26:07,080 Speaker 4: great music, but it can be it can manifest in 489 00:26:07,119 --> 00:26:11,960 Speaker 4: different ways. Is there an artist that you would never 490 00:26:12,080 --> 00:26:13,920 Speaker 4: work with again, but you wouldn't say their names? 491 00:26:14,240 --> 00:26:14,680 Speaker 2: Have you ever? 492 00:26:17,359 --> 00:26:19,879 Speaker 4: Wait? Wait you see I didn't said it very casually 493 00:26:19,920 --> 00:26:23,680 Speaker 4: like no big deal. There's a story behind this too, because. 494 00:26:26,880 --> 00:26:30,480 Speaker 1: If I was as brave as you, I just cannot. 495 00:26:30,840 --> 00:26:34,880 Speaker 4: You were like, you don't have to say a name, 496 00:26:35,040 --> 00:26:36,639 Speaker 4: but you're like, yeah, no, I was working with I 497 00:26:36,720 --> 00:26:37,520 Speaker 4: was working on this project. 498 00:26:37,560 --> 00:26:39,320 Speaker 2: I'm like, I ain't fooling with him no more or her. 499 00:26:39,760 --> 00:26:41,439 Speaker 4: I have that about people in my field, like as 500 00:26:41,480 --> 00:26:43,520 Speaker 4: a journalist, I'm like, I don't feel like I respect 501 00:26:43,560 --> 00:26:43,840 Speaker 4: what they do. 502 00:26:43,920 --> 00:26:46,840 Speaker 2: They're the greatest. I've never I can say. 503 00:26:46,920 --> 00:26:51,880 Speaker 1: I have had a person's number and I've called over 504 00:26:51,920 --> 00:26:52,280 Speaker 1: and over. 505 00:26:52,960 --> 00:26:54,480 Speaker 2: Oh I hate that able to. 506 00:26:54,720 --> 00:26:59,600 Speaker 1: Work with them, and they and they are incredible in 507 00:26:59,680 --> 00:27:02,320 Speaker 1: their own right, and I'll just keep calling to try to, 508 00:27:03,800 --> 00:27:07,920 Speaker 1: you know, make it happen, and then they don't respond. 509 00:27:08,119 --> 00:27:10,840 Speaker 1: But when you see them in person, oh, here's the 510 00:27:10,920 --> 00:27:16,320 Speaker 1: same number, and hey call me here and you do 511 00:27:16,440 --> 00:27:19,520 Speaker 1: the same cycle. That kind of stuff. Yeah, I've totally 512 00:27:19,640 --> 00:27:22,119 Speaker 1: let go of all that kind of stuff. That's gaslighting. 513 00:27:22,200 --> 00:27:25,560 Speaker 4: But that's also a compliment because to your talent and 514 00:27:25,640 --> 00:27:30,399 Speaker 4: who you are, and they think, oh, for sure, Oh 515 00:27:30,520 --> 00:27:30,920 Speaker 4: for sure. 516 00:27:31,359 --> 00:27:32,320 Speaker 1: I don't know whether it is. 517 00:27:32,359 --> 00:27:34,359 Speaker 4: It's almost like we should get together and then, or 518 00:27:34,400 --> 00:27:36,800 Speaker 4: we should do this and we should do that. That's 519 00:27:36,840 --> 00:27:39,240 Speaker 4: a compliment. I take it as a compliment. When someone 520 00:27:39,320 --> 00:27:41,600 Speaker 4: tells me you love that, that's a compliment. She's like, 521 00:27:42,000 --> 00:27:44,159 Speaker 4: or he's like, or whomever is like. I don't know 522 00:27:44,280 --> 00:27:48,919 Speaker 4: the person. They know what you are, and maybe perhaps 523 00:27:49,000 --> 00:27:52,000 Speaker 4: they're shine could bring more shine to you, or perhaps 524 00:27:52,119 --> 00:27:54,440 Speaker 4: you're shine would out shine them. But whatever it is, 525 00:27:55,280 --> 00:27:57,440 Speaker 4: that is, you're not thinking that way. 526 00:27:57,480 --> 00:27:58,159 Speaker 2: You just want to do. 527 00:27:58,440 --> 00:28:00,840 Speaker 4: You want to do art, you want to but for 528 00:28:00,960 --> 00:28:03,320 Speaker 4: that to like you, it's a calculated thing, you know 529 00:28:03,320 --> 00:28:05,000 Speaker 4: what I mean. Like you can't keep coming to me 530 00:28:05,119 --> 00:28:07,560 Speaker 4: saying let's work together and then or I keep coming 531 00:28:07,600 --> 00:28:08,879 Speaker 4: you say on this work together or call you and 532 00:28:08,920 --> 00:28:10,760 Speaker 4: ignore me. Then when every time you see me and 533 00:28:10,920 --> 00:28:12,120 Speaker 4: stop it don't be that way. 534 00:28:12,640 --> 00:28:15,639 Speaker 1: So well, now I just avoid the dialogue. 535 00:28:15,280 --> 00:28:17,600 Speaker 2: And like it's not even time. Okay. I appreciate that. 536 00:28:17,840 --> 00:28:21,040 Speaker 2: I love you for that because there's just no need. 537 00:28:21,200 --> 00:28:22,000 Speaker 2: I ain't fooling with you. 538 00:28:22,359 --> 00:28:23,480 Speaker 1: I don't have time. 539 00:28:23,560 --> 00:28:26,960 Speaker 4: Forday, Yeah, last night you talked about writers last night 540 00:28:27,640 --> 00:28:30,840 Speaker 4: when this podcast there on Monday. It will be Thursday night. 541 00:28:31,400 --> 00:28:35,760 Speaker 4: Thursday night, Lisa Ray had a party call Where the 542 00:28:35,800 --> 00:28:37,520 Speaker 4: Black People At? This is why you love her because 543 00:28:37,520 --> 00:28:39,600 Speaker 4: the party is called where are the Black People At? 544 00:28:40,560 --> 00:28:43,000 Speaker 4: And it was just a it was a casual thing, right, 545 00:28:43,240 --> 00:28:45,680 Speaker 4: tons of people show up. I see this man that 546 00:28:45,720 --> 00:28:48,240 Speaker 4: I've had a crush on forever. He's a writer. I 547 00:28:48,240 --> 00:28:51,240 Speaker 4: have a crush on him forever. To your point, like 548 00:28:51,360 --> 00:28:55,440 Speaker 4: we all we DM we exchange, we'd be dming be exchanging. 549 00:28:56,080 --> 00:29:00,880 Speaker 4: He'd be hardened, I'd be heartened. See this full in person. 550 00:29:00,960 --> 00:29:02,480 Speaker 2: And he's like what, I what? 551 00:29:03,160 --> 00:29:04,600 Speaker 4: And I was like, see now, I don't like you. 552 00:29:04,640 --> 00:29:07,000 Speaker 4: He's trying to pretend like he doesn't remember any of 553 00:29:07,040 --> 00:29:09,320 Speaker 4: our exchanges. And I was like, I was about to 554 00:29:09,360 --> 00:29:10,040 Speaker 4: upgrade your life. 555 00:29:10,040 --> 00:29:12,840 Speaker 2: It is over. You are real, Hollywood. I don't respect that. 556 00:29:13,000 --> 00:29:14,840 Speaker 2: I want you to be who you are. You know 557 00:29:14,880 --> 00:29:15,800 Speaker 2: what I mean? Yeah? 558 00:29:15,960 --> 00:29:18,000 Speaker 1: Every time, every time. 559 00:29:17,840 --> 00:29:19,960 Speaker 2: Because we're too old for that. You're too old for that. 560 00:29:20,160 --> 00:29:20,960 Speaker 2: What're too old for that? 561 00:29:21,160 --> 00:29:23,600 Speaker 4: To your point, and I just just like I get it, 562 00:29:23,680 --> 00:29:27,120 Speaker 4: so I know what you're feeling in this. In case, 563 00:29:27,160 --> 00:29:30,680 Speaker 4: it was he's just whatever. But I don't know why 564 00:29:30,680 --> 00:29:31,440 Speaker 4: I told you that story. 565 00:29:31,880 --> 00:29:32,680 Speaker 1: No, but I love it. 566 00:29:32,800 --> 00:29:33,240 Speaker 4: I love it. 567 00:29:33,400 --> 00:29:34,640 Speaker 1: You were like, what is going on? 568 00:29:35,080 --> 00:29:37,480 Speaker 2: I was like, it was agreeing that I forgot I downgrade. 569 00:29:37,520 --> 00:29:39,400 Speaker 2: I'll come back to that. 570 00:29:39,520 --> 00:29:41,760 Speaker 4: Oh, it was the writing of it all. But he's 571 00:29:41,800 --> 00:29:44,160 Speaker 4: still an amazing writer. And you say you're interested in 572 00:29:44,280 --> 00:29:46,800 Speaker 4: working with amazing writers. Is there some movie that you've 573 00:29:46,840 --> 00:29:49,560 Speaker 4: seen this Award season where you felt like the writing 574 00:29:49,680 --> 00:29:51,120 Speaker 4: was phenomenal? I want to work with this. 575 00:29:52,040 --> 00:29:55,720 Speaker 1: American Fiction was incredible written. 576 00:29:55,840 --> 00:30:00,080 Speaker 2: I love that. Why did you like American fiction? What 577 00:30:00,200 --> 00:30:02,440 Speaker 2: did he give you? I saw it too. I love it. 578 00:30:02,600 --> 00:30:06,200 Speaker 1: But I like the comedy. I like the comedy. I 579 00:30:06,360 --> 00:30:11,600 Speaker 1: like the honesty of it. I like the ending a lot, 580 00:30:12,760 --> 00:30:15,800 Speaker 1: and I love the actors, the delivery of it. You 581 00:30:15,840 --> 00:30:19,200 Speaker 1: can tell where it's some of it is just more natural. 582 00:30:19,480 --> 00:30:22,600 Speaker 1: You can tell the writer made space for them to play. 583 00:30:23,680 --> 00:30:27,680 Speaker 1: And the Erica is everything. I love seeing Erica in this. 584 00:30:27,880 --> 00:30:32,840 Speaker 1: It was different because she did she had moments that 585 00:30:32,920 --> 00:30:36,200 Speaker 1: weren't funny that I liked. I hadn't seen that part 586 00:30:36,240 --> 00:30:39,280 Speaker 1: of her in a long time, so I had I agree. 587 00:30:39,360 --> 00:30:41,239 Speaker 1: I love that they made her a girlfriend. I love 588 00:30:41,360 --> 00:30:44,360 Speaker 1: that she was sexy and all the things. I was like, 589 00:30:44,440 --> 00:30:48,000 Speaker 1: I want more of that for us. Do you think 590 00:30:48,080 --> 00:30:49,160 Speaker 1: that you will? 591 00:30:49,880 --> 00:30:51,320 Speaker 4: And of course you will, But I know that a 592 00:30:51,360 --> 00:30:52,880 Speaker 4: lot of the roles where people I've seen you, you've 593 00:30:52,920 --> 00:30:57,280 Speaker 4: played other actresses, you, you've played other singers. Would you 594 00:30:57,480 --> 00:31:02,680 Speaker 4: want to do something that's a crazy departure? What is 595 00:31:02,720 --> 00:31:05,120 Speaker 4: a what would be a crazy departure for you? 596 00:31:06,000 --> 00:31:11,360 Speaker 1: I would love to play someone completely dysfunctional and mean 597 00:31:12,200 --> 00:31:17,280 Speaker 1: and uh and comedy. I would love like someone whose 598 00:31:17,360 --> 00:31:19,680 Speaker 1: loud mouth, that auntie that come in the room and 599 00:31:19,760 --> 00:31:22,880 Speaker 1: cut up. I would love to play that that you're like, 600 00:31:23,040 --> 00:31:27,440 Speaker 1: say that, like that. I would love to be that. 601 00:31:28,400 --> 00:31:31,400 Speaker 1: Anything that has to do with being boisterous love I 602 00:31:31,520 --> 00:31:34,520 Speaker 1: love that and unexpected. Are you the opposite of that 603 00:31:34,680 --> 00:31:38,120 Speaker 1: in your life? Am I the opposite? And I'm that 604 00:31:38,320 --> 00:31:41,320 Speaker 1: way with my band? I cut up with my band, Yeah, 605 00:31:41,880 --> 00:31:44,360 Speaker 1: but not in front of a bunch of people. You know. 606 00:31:44,400 --> 00:31:46,960 Speaker 1: I'm from nos We classy, yeah. 607 00:31:48,200 --> 00:31:52,320 Speaker 2: I Do you consider yourself an introvert around other people? 608 00:31:52,400 --> 00:31:54,200 Speaker 2: Are you shy when you're in a different room. 609 00:31:54,960 --> 00:31:57,920 Speaker 1: Sometime until you get to know me? But I'm a 610 00:31:57,960 --> 00:32:00,640 Speaker 1: little bit of both. I've had I had to become 611 00:32:01,000 --> 00:32:04,400 Speaker 1: a little bit of both because you can't just sit 612 00:32:04,480 --> 00:32:06,760 Speaker 1: in the corner and watch people. He had to get 613 00:32:06,800 --> 00:32:09,280 Speaker 1: out there and talk to folks. So I do that 614 00:32:09,400 --> 00:32:12,840 Speaker 1: a lot a lot more better. I think the twenty 615 00:32:12,920 --> 00:32:16,240 Speaker 1: twenty taught me how to be more sociable. Okay, out 616 00:32:17,040 --> 00:32:20,600 Speaker 1: like wow to my audience, and because you couldn't reach 617 00:32:20,720 --> 00:32:22,760 Speaker 1: them any other way, so I had to be on 618 00:32:22,880 --> 00:32:25,600 Speaker 1: the internet. That The Internet is what scares me the most, 619 00:32:25,760 --> 00:32:29,080 Speaker 1: like this zooming stuff. That's just not my thing. But 620 00:32:29,200 --> 00:32:33,480 Speaker 1: I do it anyway and try to personality in the box, 621 00:32:33,720 --> 00:32:36,880 Speaker 1: you know what I mean. But I'm a laugher. I 622 00:32:37,000 --> 00:32:40,480 Speaker 1: love laughing loud. I love hanging out. I'm that that 623 00:32:40,640 --> 00:32:43,360 Speaker 1: part of the Everybody loves seeing that. And I cussed 624 00:32:43,360 --> 00:32:45,320 Speaker 1: a little bit, you know what I mean. People love 625 00:32:45,400 --> 00:32:48,640 Speaker 1: seeing that. I posted this little clip of me cussing 626 00:32:48,720 --> 00:32:55,120 Speaker 1: in the studio. Everybody's like, oh, I'm grown. I cuss, 627 00:32:55,360 --> 00:32:56,000 Speaker 1: you know what I mean. 628 00:32:56,200 --> 00:32:58,720 Speaker 2: It's like it happened loud. I still love the Lord, 629 00:32:59,200 --> 00:32:59,920 Speaker 2: Like okay, I'm. 630 00:33:00,680 --> 00:33:03,479 Speaker 1: I'm still one. But I cut up a little bit, 631 00:33:03,600 --> 00:33:06,920 Speaker 1: and that's my thing. And people are shocked when I 632 00:33:07,000 --> 00:33:11,360 Speaker 1: say yeah I can sing, They're like really, yeah, it's 633 00:33:11,400 --> 00:33:14,080 Speaker 1: not being arrogant, it's just saying that's what I do. 634 00:33:14,640 --> 00:33:16,160 Speaker 1: I'm a whole call me to do. 635 00:33:17,240 --> 00:33:19,320 Speaker 2: I sing with an A. I can sing, you can, 636 00:33:19,480 --> 00:33:21,680 Speaker 2: you don't sing, you can do all of that stuffs. 637 00:33:22,640 --> 00:33:26,720 Speaker 1: And then teaching is fun too. I love when teaching. 638 00:33:26,800 --> 00:33:29,520 Speaker 1: I'm direct with teaching too. I don't mess around with 639 00:33:29,640 --> 00:33:30,040 Speaker 1: that stuff. 640 00:33:30,040 --> 00:33:31,560 Speaker 2: What do you mean when you teach other people to sing? 641 00:33:31,960 --> 00:33:35,080 Speaker 1: When I teach, I teach at Berkeley College of Music, right, 642 00:33:35,280 --> 00:33:38,760 Speaker 1: I teach it with the the Jazz and Gender Justice, 643 00:33:38,800 --> 00:33:42,840 Speaker 1: which is a program out of Berkeley College of Music 644 00:33:42,920 --> 00:33:47,120 Speaker 1: that Terry Lane Carrington founded. A Grammy Award winning professor. 645 00:33:47,200 --> 00:33:51,240 Speaker 1: She's incredible to musician. She likes to make sure there's 646 00:33:51,320 --> 00:33:56,800 Speaker 1: diversity with women in musicianship and uh in music spaces, 647 00:33:57,040 --> 00:33:59,480 Speaker 1: behind the scenes, in front and whatever. But she's the 648 00:33:59,520 --> 00:34:02,680 Speaker 1: one that helped me become a professor there. And we 649 00:34:02,840 --> 00:34:08,759 Speaker 1: teach Africana studies, We teach masterclasses with singing, We teach 650 00:34:08,840 --> 00:34:12,279 Speaker 1: about legends you know that came before me, and all 651 00:34:12,360 --> 00:34:15,160 Speaker 1: the things. I feel that singers need to learn how 652 00:34:15,239 --> 00:34:18,759 Speaker 1: to perform and own their space in the world and 653 00:34:18,920 --> 00:34:22,320 Speaker 1: not feel timid about it. Just be unapologetic and stand 654 00:34:22,360 --> 00:34:24,560 Speaker 1: in your space and go, you know, what I mean, 655 00:34:24,640 --> 00:34:28,080 Speaker 1: This is who I am erics and because everybody thinks 656 00:34:28,160 --> 00:34:31,160 Speaker 1: per they're imperfections, they're all. That's the first thing they 657 00:34:31,239 --> 00:34:35,240 Speaker 1: focus on this era because the because of social media, 658 00:34:35,400 --> 00:34:37,879 Speaker 1: like you can't be you got to be perfect. It's 659 00:34:38,000 --> 00:34:41,080 Speaker 1: like no, your imperfections make you who you are, So 660 00:34:41,440 --> 00:34:42,120 Speaker 1: just eat that. 661 00:34:43,280 --> 00:34:43,400 Speaker 4: Well. 662 00:34:43,480 --> 00:34:45,640 Speaker 1: My other teacher said I shouldn't sing here. I said, 663 00:34:45,640 --> 00:34:48,160 Speaker 1: why not this part of your voice? Use it for 664 00:34:48,280 --> 00:34:51,160 Speaker 1: something else, Move it out the way it maybe it 665 00:34:51,200 --> 00:34:53,680 Speaker 1: doesn't work for this style of music, but save it 666 00:34:53,800 --> 00:34:56,200 Speaker 1: for something else. I use every part of my voice 667 00:34:56,640 --> 00:34:59,360 Speaker 1: and they're shocked, you know, But that's those are the 668 00:34:59,440 --> 00:35:02,600 Speaker 1: kind I'm the rebellious one. I'm very rebel like I 669 00:35:02,760 --> 00:35:06,520 Speaker 1: just I don't follow the rules that great. But people 670 00:35:06,600 --> 00:35:08,680 Speaker 1: don't know that about me because you're not hanging out 671 00:35:08,719 --> 00:35:11,120 Speaker 1: with me. You don't see how I teach or move. 672 00:35:11,239 --> 00:35:14,879 Speaker 1: You just see this record, you know what I mean. 673 00:35:15,360 --> 00:35:18,000 Speaker 1: And I'm not always online to show that part. 674 00:35:18,680 --> 00:35:21,080 Speaker 4: And whether it's intentional or not intentional, because I don't 675 00:35:21,080 --> 00:35:22,719 Speaker 4: think you have to put everything on social media. I 676 00:35:22,760 --> 00:35:25,800 Speaker 4: don't think everything that you have is met for social media, 677 00:35:25,880 --> 00:35:29,640 Speaker 4: although society today will tell you that. But I've always 678 00:35:29,719 --> 00:35:32,800 Speaker 4: thought that music was the biggest for our culture, for 679 00:35:32,880 --> 00:35:36,239 Speaker 4: black folks, especially one of the biggest ways in which 680 00:35:36,280 --> 00:35:40,799 Speaker 4: we advocate for ourselves and tell people how to fight 681 00:35:41,080 --> 00:35:41,760 Speaker 4: the justice. 682 00:35:41,920 --> 00:35:44,719 Speaker 2: And I'm black and I'm proud, you know what I mean? 683 00:35:45,120 --> 00:35:51,120 Speaker 2: Do you consider yourself an advocate? Absolutely? In what way? 684 00:35:51,960 --> 00:35:59,880 Speaker 1: In wellness? In balance? That chaos is real, messy is real. 685 00:36:02,360 --> 00:36:07,800 Speaker 1: I advocate. You don't know that I advocate. My closest 686 00:36:07,840 --> 00:36:11,080 Speaker 1: friends know me. Musician friends know they see me behind 687 00:36:11,080 --> 00:36:13,880 Speaker 1: the scenes advocating. I don't show that part of me. 688 00:36:14,040 --> 00:36:16,719 Speaker 1: I'm like, I guess how they said Prince was where 689 00:36:16,800 --> 00:36:19,840 Speaker 1: he does stuff and they just now finding out about it. 690 00:36:20,200 --> 00:36:22,399 Speaker 1: I'm one of those kind of people like I don't 691 00:36:22,480 --> 00:36:24,880 Speaker 1: have to brag about my advocacy. I was shocked. I 692 00:36:24,920 --> 00:36:27,480 Speaker 1: did an interview and someone found out about it, you 693 00:36:27,560 --> 00:36:29,440 Speaker 1: know what I mean, And they're like, I was like, oh, 694 00:36:29,520 --> 00:36:31,279 Speaker 1: we're talking about that. I didn't know. You know, I 695 00:36:31,360 --> 00:36:34,560 Speaker 1: have a care for musicians' rights, and I advocate for 696 00:36:35,239 --> 00:36:38,479 Speaker 1: you know, with recording academy for the youth and making 697 00:36:38,520 --> 00:36:43,360 Speaker 1: sure there's balance between the old school and new school, 698 00:36:43,480 --> 00:36:47,839 Speaker 1: making sure everybody is seen and heard, not just being 699 00:36:47,920 --> 00:36:50,680 Speaker 1: relevant all the time. Sometimes it's not about that, it's 700 00:36:50,719 --> 00:36:52,960 Speaker 1: about the quality of the work. Well, for me, it's 701 00:36:52,960 --> 00:36:57,040 Speaker 1: always about that and preserving history. I love history and 702 00:36:57,200 --> 00:37:02,680 Speaker 1: people and I don't know. I just think I'm an 703 00:37:02,719 --> 00:37:06,920 Speaker 1: advocate in my own way, kind of like how Mahela 704 00:37:07,160 --> 00:37:11,040 Speaker 1: was her money where she needed to. She sang the 705 00:37:11,200 --> 00:37:14,600 Speaker 1: songs to unite people. Same thing. Bob Marley did, same thing, 706 00:37:14,719 --> 00:37:20,320 Speaker 1: Marion did, same thing. So many others have done to 707 00:37:20,640 --> 00:37:25,839 Speaker 1: unite people, or to ignite people, or to make people 708 00:37:25,960 --> 00:37:29,080 Speaker 1: think about how they feel about things, or say the 709 00:37:29,160 --> 00:37:32,800 Speaker 1: things they can't say. And I have to remind some 710 00:37:32,960 --> 00:37:36,440 Speaker 1: of the elders. Look, they is wild out here. We 711 00:37:36,600 --> 00:37:39,040 Speaker 1: need to talk about those things. Nothing's wrong with it 712 00:37:39,280 --> 00:37:42,440 Speaker 1: is here. So let's let them talk about it. Or 713 00:37:42,600 --> 00:37:45,080 Speaker 1: I'll say it, but I'll say it in a different 714 00:37:45,120 --> 00:37:48,040 Speaker 1: way than the other person will. But it needs to 715 00:37:48,120 --> 00:37:51,080 Speaker 1: be said, you know. And they're like, well that's too this. 716 00:37:51,320 --> 00:37:53,400 Speaker 1: I said, I love it. We need all of us, 717 00:37:53,760 --> 00:37:56,360 Speaker 1: all of the things out there, to find out what 718 00:37:56,520 --> 00:37:59,759 Speaker 1: it is and see, you know, is it hurting us 719 00:38:00,640 --> 00:38:03,360 Speaker 1: or is it not. That's why I love. I just 720 00:38:03,520 --> 00:38:06,560 Speaker 1: love what I do. I add a space of safety. 721 00:38:08,000 --> 00:38:11,000 Speaker 1: I'm not judging you be who you are, do what 722 00:38:11,160 --> 00:38:14,960 Speaker 1: you do, but don't but remember there's a root to 723 00:38:15,040 --> 00:38:17,600 Speaker 1: you too. What's your history, what's your legacy? What are 724 00:38:17,640 --> 00:38:20,360 Speaker 1: you leaving behind? What will that say about your line 725 00:38:20,400 --> 00:38:23,080 Speaker 1: of family members? I still trust and love that part 726 00:38:23,120 --> 00:38:26,200 Speaker 1: of us, So I'm holding on to it, and so 727 00:38:26,520 --> 00:38:29,040 Speaker 1: and a lot of other people are. But I don't judge. 728 00:38:30,719 --> 00:38:31,560 Speaker 1: That's not my theme. 729 00:38:32,480 --> 00:38:35,480 Speaker 3: Every champion and carry champions. To be a champion, a 730 00:38:35,560 --> 00:38:38,720 Speaker 3: champion and carry champion and carry chappy y'all? A champion 731 00:38:38,840 --> 00:38:40,680 Speaker 3: and carry champion and carry champion? 732 00:38:41,440 --> 00:38:42,480 Speaker 4: Sports and entertainment? 733 00:38:42,520 --> 00:38:43,440 Speaker 2: Can naked weird. 734 00:38:43,480 --> 00:38:52,720 Speaker 3: Look very champion and cary champions? To be a champion, 735 00:38:52,920 --> 00:38:56,200 Speaker 3: A champion and carry champion? Niggers City yat a champion 736 00:38:56,280 --> 00:38:59,920 Speaker 3: and carry champion and carry champion entertainment? 737 00:39:00,040 --> 00:39:03,799 Speaker 2: Can I get work as an activist? Do you? Would 738 00:39:03,800 --> 00:39:05,800 Speaker 2: you if you had a title? People love titles. You 739 00:39:05,840 --> 00:39:06,719 Speaker 2: don't have to have one. 740 00:39:07,360 --> 00:39:12,320 Speaker 4: But would you call yourself a musical activist, a political activist, 741 00:39:13,120 --> 00:39:15,520 Speaker 4: an activist in general? Do you live in all of 742 00:39:15,600 --> 00:39:19,399 Speaker 4: these spaces? I did a quick and this is quick 743 00:39:19,520 --> 00:39:21,239 Speaker 4: when I tell you, it wasn't deep, but it's a quick, 744 00:39:21,280 --> 00:39:23,320 Speaker 4: little deep dive. I and I noticed that you follow 745 00:39:23,400 --> 00:39:25,200 Speaker 4: so many of my really good girlfriends and they are 746 00:39:25,360 --> 00:39:27,960 Speaker 4: about fight the power to the p O W E 747 00:39:28,200 --> 00:39:29,320 Speaker 4: R and I. 748 00:39:29,640 --> 00:39:31,680 Speaker 2: And I thought to myself, what this is of interest? 749 00:39:31,800 --> 00:39:35,040 Speaker 2: This is? This is? This is she cares, she sees 750 00:39:35,480 --> 00:39:37,439 Speaker 2: you know, the distance from where we were and where 751 00:39:37,480 --> 00:39:40,440 Speaker 2: we need to go. Women. 752 00:39:40,600 --> 00:39:44,600 Speaker 1: It's Women's Month. I love powerful women that are unafraid 753 00:39:45,440 --> 00:39:50,560 Speaker 1: to say, hey, get off my neck, get out my space, 754 00:39:51,600 --> 00:39:54,440 Speaker 1: move over here. You know I want my money. I 755 00:39:54,600 --> 00:39:59,279 Speaker 1: love I love all those women that aren't afraid to 756 00:39:59,440 --> 00:40:02,880 Speaker 1: speak about out something that everyone's scared to step on. 757 00:40:03,360 --> 00:40:03,960 Speaker 2: You know what I mean. 758 00:40:05,560 --> 00:40:08,480 Speaker 1: I just I wish I had the boldness that they have. 759 00:40:08,800 --> 00:40:12,200 Speaker 1: So I do what I can to support them retweet. 760 00:40:12,640 --> 00:40:16,040 Speaker 1: When I see them, I say thank you and they 761 00:40:16,120 --> 00:40:18,480 Speaker 1: say thank you for the music. So I'm doing something. 762 00:40:19,040 --> 00:40:20,960 Speaker 1: It may not be what they're doing. 763 00:40:21,400 --> 00:40:23,120 Speaker 2: Or that's all doing something. 764 00:40:23,239 --> 00:40:27,640 Speaker 1: We're doing something. So when they're there, I support and 765 00:40:27,760 --> 00:40:29,760 Speaker 1: I say it out loud so they see my face 766 00:40:29,800 --> 00:40:32,719 Speaker 1: in my eyes, I love you, thank you. And there 767 00:40:32,800 --> 00:40:36,600 Speaker 1: are days I've needed them, I mean on the other 768 00:40:36,719 --> 00:40:42,240 Speaker 1: side of the screen. Yes, girls say it please, because 769 00:40:42,760 --> 00:40:45,359 Speaker 1: it's like, is anybody else gonna say that this woman 770 00:40:45,520 --> 00:40:49,200 Speaker 1: is hurt, this woman has been wronged. Is anyone to 771 00:40:49,320 --> 00:40:52,120 Speaker 1: stand up for this woman like we do when it's 772 00:40:52,200 --> 00:40:56,439 Speaker 1: the black man? Are we gonna help black? I black women. 773 00:40:56,520 --> 00:41:02,400 Speaker 1: I love black women. I love our are just we 774 00:41:02,520 --> 00:41:03,600 Speaker 1: don't know beings. 775 00:41:04,080 --> 00:41:06,520 Speaker 2: We are the moral conscience of this whole damn country. 776 00:41:06,719 --> 00:41:10,120 Speaker 2: We have their children, we have raised them, we have 777 00:41:10,200 --> 00:41:13,840 Speaker 2: stood by our man, and still no one is speaking 778 00:41:13,920 --> 00:41:16,719 Speaker 2: for us if we don't speak for ourselves. And it 779 00:41:16,920 --> 00:41:18,359 Speaker 2: is so frustrating. 780 00:41:18,520 --> 00:41:20,840 Speaker 4: So when you say that, and yes, it is Women's 781 00:41:20,880 --> 00:41:23,360 Speaker 4: History Month, but when I talk about the special sauce 782 00:41:23,400 --> 00:41:26,880 Speaker 4: that we bring to everything that we do, your music, 783 00:41:27,080 --> 00:41:30,520 Speaker 4: which is here, you know, I'm just like we do 784 00:41:30,719 --> 00:41:34,000 Speaker 4: it like none other. And with that, I just think 785 00:41:34,040 --> 00:41:37,240 Speaker 4: to myself, Okay, I see what she's saying. I feel 786 00:41:37,280 --> 00:41:40,320 Speaker 4: what you feel, and you are necessary and you're important. 787 00:41:40,440 --> 00:41:42,839 Speaker 4: And I will say this just as a fan. If 788 00:41:42,880 --> 00:41:46,879 Speaker 4: you don't feel that, know that there are so many 789 00:41:46,960 --> 00:41:49,040 Speaker 4: of us who are thinking that, who have said that, 790 00:41:49,200 --> 00:41:50,640 Speaker 4: and who are sending you that energy. 791 00:41:51,800 --> 00:41:56,799 Speaker 1: I've promised you. I feel it all the time, even 792 00:41:56,840 --> 00:42:02,120 Speaker 1: when I just a phone call, but little texts means 793 00:42:02,320 --> 00:42:06,640 Speaker 1: everything to me. There I don't feel the heavy anymore. 794 00:42:07,160 --> 00:42:10,959 Speaker 1: I just remind people the heavy was there. Keep going 795 00:42:11,320 --> 00:42:14,800 Speaker 1: like a little post here and there. But my black 796 00:42:14,920 --> 00:42:18,200 Speaker 1: circle of women, the black women around me, they don't play. 797 00:42:18,440 --> 00:42:19,160 Speaker 2: They cut. 798 00:42:20,760 --> 00:42:24,200 Speaker 1: Girl. They tell you the truth. Hey, true, blah blah blah. 799 00:42:24,320 --> 00:42:24,440 Speaker 4: You know. 800 00:42:25,360 --> 00:42:27,600 Speaker 1: I just got off the phone before we talked with 801 00:42:28,520 --> 00:42:31,160 Speaker 1: Queen Anita Baker. She's so proud of me, she had 802 00:42:31,200 --> 00:42:34,160 Speaker 1: to call. I said, you don't have to call. She's like, no, No, 803 00:42:34,280 --> 00:42:36,719 Speaker 1: I need you to know. Listen, I need you to know. 804 00:42:37,400 --> 00:42:39,680 Speaker 1: I'm so proud of you. You're doing your work. You're 805 00:42:39,719 --> 00:42:44,360 Speaker 1: doing the real work. People are healing people. You're healing, 806 00:42:44,760 --> 00:42:47,560 Speaker 1: and you're saying the things that need to be said. 807 00:42:48,120 --> 00:42:53,319 Speaker 1: You know, somebody needs this today. Is everything coming from 808 00:42:53,400 --> 00:42:54,560 Speaker 1: her because her music. 809 00:42:55,480 --> 00:42:59,720 Speaker 4: Man, you know, I ain't even got this step cleaning 810 00:42:59,840 --> 00:43:04,000 Speaker 4: up the house on a Saturday. Mama, sweep this carpet 811 00:43:04,000 --> 00:43:06,000 Speaker 4: because you can't. You might vacuum a penny, so you 812 00:43:06,080 --> 00:43:07,000 Speaker 4: can't use the vacuum. 813 00:43:07,040 --> 00:43:08,960 Speaker 1: So I had to say, oh, you had to sweep. 814 00:43:11,440 --> 00:43:12,839 Speaker 2: And tell me. Anita got me through. 815 00:43:13,280 --> 00:43:15,160 Speaker 4: And then you didn't do it right, you didn't get 816 00:43:15,160 --> 00:43:18,680 Speaker 4: the corners. I I feel it that, I feel it. 817 00:43:19,560 --> 00:43:22,799 Speaker 4: No and there's just something special about the black woman 818 00:43:22,800 --> 00:43:27,360 Speaker 4: who understands that. It's so great your your latest album, congratulations, 819 00:43:27,440 --> 00:43:29,400 Speaker 4: you deserve, you deserve, You deserve. And that has been 820 00:43:29,440 --> 00:43:32,200 Speaker 4: my mantra for all my favorite for all my black women, period, 821 00:43:32,360 --> 00:43:32,560 Speaker 4: all my. 822 00:43:32,640 --> 00:43:35,719 Speaker 1: I'm gonna say that to you now now rap out 823 00:43:35,760 --> 00:43:35,920 Speaker 1: of it. 824 00:43:36,600 --> 00:43:37,640 Speaker 2: Yeah you deserve. 825 00:43:38,760 --> 00:43:41,000 Speaker 4: What do you want when people go out and buy 826 00:43:41,040 --> 00:43:43,400 Speaker 4: this album or listen to this album? What do you 827 00:43:43,560 --> 00:43:46,319 Speaker 4: want them to to take away if you had, If 828 00:43:46,320 --> 00:43:47,680 Speaker 4: you had a message. 829 00:43:48,960 --> 00:43:53,480 Speaker 1: It's about getting through it, just through feel good and 830 00:43:54,200 --> 00:43:57,719 Speaker 1: find the good in every moment of it. Good life 831 00:43:58,080 --> 00:44:01,160 Speaker 1: even when it's chaotic. What what is good about this though? 832 00:44:01,320 --> 00:44:02,160 Speaker 2: What if I learned? 833 00:44:02,320 --> 00:44:06,920 Speaker 1: What can I do better and get through it? The 834 00:44:07,080 --> 00:44:13,200 Speaker 1: message parts, the beautiful parts, and yourself? Love yourself, love 835 00:44:13,560 --> 00:44:16,920 Speaker 1: yourself better than I have a husband. I love him, 836 00:44:16,960 --> 00:44:20,560 Speaker 1: he loves me great. But I gotta love me, you know. 837 00:44:21,400 --> 00:44:23,600 Speaker 1: I gotta like or are you soul? 838 00:44:25,400 --> 00:44:26,000 Speaker 2: You know what I mean? 839 00:44:26,040 --> 00:44:30,360 Speaker 1: I gotta be constantly loving on myself and giving myself 840 00:44:30,480 --> 00:44:36,000 Speaker 1: time so that I want for anybody, male, female, whatever, 841 00:44:36,719 --> 00:44:39,719 Speaker 1: love yourself as you let us. 842 00:44:39,640 --> 00:44:41,719 Speaker 2: See, we love you as you are. We're letting you go. 843 00:44:41,920 --> 00:44:43,960 Speaker 2: Thank you for being so patient and being so kind 844 00:44:44,000 --> 00:44:48,359 Speaker 2: with us. Today. We will obviously meet again. I feel 845 00:44:48,440 --> 00:44:49,920 Speaker 2: like I manifest this. 846 00:44:49,960 --> 00:44:51,799 Speaker 4: I'm gonna bump into you somewhere and just roll up 847 00:44:51,840 --> 00:44:54,719 Speaker 4: on you, and don't be absolutely surprised. 848 00:44:54,920 --> 00:44:59,719 Speaker 2: I'd be loved how comfortable I am. 849 00:45:00,120 --> 00:45:01,320 Speaker 1: Done, did better. 850 00:45:02,080 --> 00:45:04,720 Speaker 2: It's gonna be like that. It's gonna be a reunion. 851 00:45:05,239 --> 00:45:06,880 Speaker 2: I think there's gonna be a family. 852 00:45:07,400 --> 00:45:08,680 Speaker 1: Glad I got to meet you. 853 00:45:09,080 --> 00:45:11,080 Speaker 2: I am too. I appreciate you. 854 00:45:11,080 --> 00:45:14,200 Speaker 4: You are so fun, you are a blessing. Thank you 855 00:45:14,320 --> 00:45:17,080 Speaker 4: so much for coming on naked. You were beautiful and naked, 856 00:45:17,200 --> 00:45:17,720 Speaker 4: So thank. 857 00:45:17,600 --> 00:45:19,239 Speaker 1: You, Thank you so much much. 858 00:45:19,640 --> 00:45:22,200 Speaker 4: You guys, She's a key key. I may have edited 859 00:45:22,239 --> 00:45:24,279 Speaker 4: some of that stuff out, but she is a key key. Like, 860 00:45:24,400 --> 00:45:26,319 Speaker 4: we had a really good time and I enjoyed her. 861 00:45:26,480 --> 00:45:30,360 Speaker 4: She is a real, real, real woman. What a refreshing 862 00:45:30,680 --> 00:45:33,040 Speaker 4: thought to have, right, Like, have you ever met someone 863 00:45:33,120 --> 00:45:36,120 Speaker 4: and you walk away feeling, Oh, they're authentic, they're genuine 864 00:45:36,600 --> 00:45:39,520 Speaker 4: And in this world it's so rare because we often 865 00:45:39,560 --> 00:45:41,759 Speaker 4: feel like we need to perform, and we do right. 866 00:45:42,000 --> 00:45:43,800 Speaker 4: We do need to perform a little in our jobs. 867 00:45:43,840 --> 00:45:46,040 Speaker 4: We do need to perform a little bit in our lifestyles. 868 00:45:46,080 --> 00:45:48,040 Speaker 4: We do need to perform a little bit on social media. 869 00:45:49,440 --> 00:45:50,479 Speaker 2: That is the name of the game. 870 00:45:50,880 --> 00:45:53,560 Speaker 4: You don't have to play it to a certain extent, 871 00:45:53,680 --> 00:45:55,840 Speaker 4: but there is some part of that that comes with 872 00:45:55,920 --> 00:45:58,800 Speaker 4: the job. Nowadays, you can't just sit at home and 873 00:45:58,840 --> 00:46:01,800 Speaker 4: mind your business. Does dagg Internet made it difficult. But 874 00:46:02,200 --> 00:46:06,759 Speaker 4: it is her eleventh album. It is out today and 875 00:46:06,960 --> 00:46:10,360 Speaker 4: I need as in listen to it right now, go 876 00:46:10,520 --> 00:46:14,600 Speaker 4: buy it today as you hear this podcast today and 877 00:46:14,719 --> 00:46:20,360 Speaker 4: support what she's doing. She's an independent artist. She has freedom, 878 00:46:20,760 --> 00:46:23,840 Speaker 4: but with that freedom comes more responsibilities. You heard her 879 00:46:23,880 --> 00:46:27,919 Speaker 4: talk about being an activist for other artists. She's talking 880 00:46:27,920 --> 00:46:31,520 Speaker 4: about legacy and what it means when people talk about legacy, 881 00:46:32,000 --> 00:46:34,440 Speaker 4: it's important to know where you've come from and what 882 00:46:34,560 --> 00:46:37,840 Speaker 4: you're leaving behind, and she does. She does know that 883 00:46:38,600 --> 00:46:41,719 Speaker 4: she has given credit to Nina Simone has a huge 884 00:46:41,840 --> 00:46:44,320 Speaker 4: influence on her life. If you're not familiar with Nina Simone, 885 00:46:44,400 --> 00:46:48,759 Speaker 4: get your education again. Legacy because everything that's happening in 886 00:46:48,800 --> 00:46:53,080 Speaker 4: our world today with art, with music, with people that 887 00:46:53,239 --> 00:46:56,839 Speaker 4: you might know and love, there was someone who influenced them, 888 00:46:56,920 --> 00:46:58,640 Speaker 4: who was doing it exactly the way that they are 889 00:46:58,719 --> 00:47:01,080 Speaker 4: doing it. Just with the new bound twist of today. 890 00:47:02,400 --> 00:47:05,840 Speaker 4: Legacy is important and I appreciate. Let us see for 891 00:47:06,040 --> 00:47:09,240 Speaker 4: being here on Naked Today again. Go out and support 892 00:47:09,520 --> 00:47:12,680 Speaker 4: this system. We're wrapping it up. I'll be back next 893 00:47:12,719 --> 00:47:16,320 Speaker 4: week again. Tell some woman you love her. Is Women's 894 00:47:16,400 --> 00:47:20,000 Speaker 4: History Monk, Give somebody a shout out. Cash at somebody, 895 00:47:20,200 --> 00:47:25,120 Speaker 4: cash at me, celebrate us, cash out the Naked crew. 896 00:47:25,360 --> 00:47:27,160 Speaker 4: I'll defend it. I'll send it out to the women 897 00:47:27,200 --> 00:47:29,560 Speaker 4: that are on. Is Women's History Month. But we're doing 898 00:47:30,160 --> 00:47:32,600 Speaker 4: Give us a dollar, a Starbucks card. 899 00:47:33,120 --> 00:47:35,080 Speaker 2: You know what I mean. You get what I'm saying. 900 00:47:35,680 --> 00:47:37,440 Speaker 2: Have a great day. Talk to y'all soon about