WEBVTT - #299 - Blxst 0:00:00.160 --> 0:00:02.320 Yo, what's up. It's your boy Blast. You could check 0:00:02.320 --> 0:00:08.480 me out on a Bulet Cab podcast, Boutlet Cab Show 0:00:08.720 --> 0:00:11.639 Special guests in here. Just drop the nice little four 0:00:11.680 --> 0:00:15.800 piece on the due Bulet cav Blast is back, baby, Yes, sir, 0:00:16.120 --> 0:00:19.239 what's up? Just for clarity out right now? Oh taping 0:00:19.400 --> 0:00:22.400 shout already, shout out lerke Jie and Mustard. I feel 0:00:22.400 --> 0:00:26.759 like Martin, you and Roddy Rich together is like it's 0:00:26.800 --> 0:00:29.760 like the fucking mighty Morphin Power Rangers of like La Hooks. 0:00:30.520 --> 0:00:33.120 That's good compliment. I like that. I like that. I 0:00:33.120 --> 0:00:35.280 feel like people was waiting on this, but I feel 0:00:35.280 --> 0:00:38.040 like it was per perfect time and too. Everybody was 0:00:38.080 --> 0:00:40.400 like when are y'all going to little song together? That 0:00:40.560 --> 0:00:42.840 was like the one guy. I feel like everybody was like, Man, 0:00:42.840 --> 0:00:46.400 a Roddy and Blast record would be fucking nuts. Yeah, 0:00:46.720 --> 0:00:49.120 perfect time, man, how does that work? Does that work? Where? 0:00:49.120 --> 0:00:51.159 Like you send him the record because I know you 0:00:51.360 --> 0:00:54.360 like to work on your own, usually at the house, right. Yeah, Well, 0:00:55.640 --> 0:00:58.000 I did a record with Roddy a minute ago that 0:00:58.080 --> 0:01:02.240 I just produce actually, but yeah, I just sent him 0:01:02.240 --> 0:01:04.280 a beatpack for this. I sent it to Keifa. Actually, 0:01:04.319 --> 0:01:06.600 they were sitting on it for a minute, and then 0:01:06.680 --> 0:01:09.240 Roddy was like, I got something perfect for us, sent 0:01:09.280 --> 0:01:12.479 that through. That was the one passionate. So how long 0:01:12.480 --> 0:01:15.039 ago did you have to beat with Roddy? Because you, 0:01:15.120 --> 0:01:16.600 for people don't know. I mean we talk about this 0:01:16.640 --> 0:01:18.640 a lot, but you're like a og out here for sure. 0:01:18.800 --> 0:01:21.479 Obviously you've taken off the last year or four years, 0:01:21.480 --> 0:01:24.360 but before that you were producing a lot, Yeah, for sure. 0:01:24.520 --> 0:01:26.399 So I mean that's pretty much how I got my 0:01:26.480 --> 0:01:29.760 name amongst the city locally, just producing like the song 0:01:29.959 --> 0:01:33.800 Forcano for real, for real, right with it? Yeah, most 0:01:33.800 --> 0:01:40.759 of Beano's early catalog. But the Roddy situation, I'm kind 0:01:40.760 --> 0:01:42.720 of tripping on the initial question. I was gonna say. 0:01:42.760 --> 0:01:44.560 You said that you had originally produced a beat for 0:01:44.640 --> 0:01:46.760 Roddy back in the day. Oh yeah, yeah, just being 0:01:46.800 --> 0:01:49.640 around organically. How long ago was that though? That was 0:01:49.680 --> 0:01:52.880 probably four years ago at this point, because I knew 0:01:52.960 --> 0:01:55.040 Roddy a minute and the first time my medal was 0:01:55.080 --> 0:01:58.600 in Compton, you know Womanton Arms projects. Just randomly it 0:01:58.680 --> 0:02:01.200 was like yo, you do music, and I know his people, 0:02:01.440 --> 0:02:03.960 you know, we just connected like that. So just to 0:02:04.000 --> 0:02:06.600 see his grind and see everything come full circle like 0:02:06.640 --> 0:02:09.600 he's seen me before. I was anybody too, And I 0:02:09.639 --> 0:02:11.520 feel like this was a dope moment to you know, 0:02:12.120 --> 0:02:14.440 link up. But uh, they've been sitting on that beaf 0:02:14.440 --> 0:02:17.640 for like three four years. Oh damn. So the beat 0:02:17.680 --> 0:02:21.720 that you just dropped he got three years ago. Yeah, 0:02:21.800 --> 0:02:25.600 oh shit, damn. And then you could tell too, because 0:02:25.760 --> 0:02:28.679 the sonics of the sound is like my six tape 0:02:28.720 --> 0:02:31.240 one type vibes, like the early things I did with Beano. 0:02:31.560 --> 0:02:35.080 It's the same type of sonics. And now, okay, so 0:02:35.240 --> 0:02:37.080 the original beat that you produced for him, did that 0:02:37.120 --> 0:02:38.880 ever come out? No? I never came out. Never even 0:02:38.960 --> 0:02:41.560 dropped a whole different vibe too. That was a whole 0:02:41.600 --> 0:02:45.080 different vibe, but it never came Yeah. Well look, man, 0:02:45.320 --> 0:02:46.800 I do feel like you kind of have You do 0:02:46.880 --> 0:02:49.760 make timeless music. So a three or four year old 0:02:49.800 --> 0:02:54.480 song still sounds good. Absolutely not the song. The song 0:02:54.560 --> 0:02:57.000 was recorded more recently, but the beat was made three 0:02:57.080 --> 0:02:59.280 or four years ago. You go, there, are you still 0:02:59.320 --> 0:03:02.400 recording at home a lot? Absolutely? I feel like I'm 0:03:02.800 --> 0:03:05.240 like I'm used to recording that. Huh. That's like my 0:03:05.360 --> 0:03:08.320 safe space. You know how to engineer yourself if it 0:03:08.360 --> 0:03:11.400 ain't broke while I fix it. So like, will you like, 0:03:11.600 --> 0:03:13.359 if you're out of town and you go to the studio, 0:03:13.560 --> 0:03:15.799 are you like sitting at the board recording yourself or 0:03:15.800 --> 0:03:18.160 do you use the other engineer for the studio? Yeah? 0:03:18.280 --> 0:03:20.639 I still, you know, oping myself to work with other 0:03:20.720 --> 0:03:23.160 engineers and things like that. I got a couple that 0:03:23.240 --> 0:03:26.440 I work with. Shout out to the lance, shout out 0:03:26.520 --> 0:03:30.480 Chris at Paramount. But for the most part, yea, I'm 0:03:30.520 --> 0:03:33.040 outside the booth. I'm sitting like this with him. You know, 0:03:33.080 --> 0:03:35.880 I need that genuine often of connection when I'm recording, 0:03:36.240 --> 0:03:38.000 and it feels like I'm at home when I record 0:03:38.080 --> 0:03:41.960 like that, versus standing in the booth and feeling disconnected 0:03:42.000 --> 0:03:45.160 with the you know, I know you had said before 0:03:45.240 --> 0:03:47.440 that you were recording a lot of these early records 0:03:47.520 --> 0:03:49.440 on just that road like kit that you would get 0:03:49.440 --> 0:03:52.440 a guitar center if you're at Paramount, what Mike you 0:03:52.560 --> 0:03:55.440 picking see I'm not even that tapped into the names 0:03:55.480 --> 0:03:58.320 and stuff. But I like the Norman U eighty seven. Mike, 0:03:58.760 --> 0:04:00.880 that's what I just got hipped on to shout out tick. 0:04:00.920 --> 0:04:02.720 He just bought me that mic. It's a great MIC's 0:04:02.720 --> 0:04:06.800 like a three thousand mic. Yeah, I love it. There's 0:04:06.840 --> 0:04:08.320 that one, and then I think the other one everyone 0:04:08.400 --> 0:04:10.760 likes is that the eight hundred to Sony, that big 0:04:11.520 --> 0:04:14.160 black one. Yeah, with the big booty on the back, 0:04:14.280 --> 0:04:20.600 yep for sure. How often, like, okay, you, I feel 0:04:20.600 --> 0:04:23.240 like you've had a pretty insane run. When we think 0:04:23.240 --> 0:04:25.000 about just some of the legends you've been able to 0:04:25.040 --> 0:04:27.359 record with, You've been on records with nas Rick Ross, 0:04:27.839 --> 0:04:31.240 we can go on and on and on. How often 0:04:31.240 --> 0:04:33.200 are you able to kind of like step out of 0:04:33.520 --> 0:04:37.440 the moment and kind of appreciate the journey that you've 0:04:37.440 --> 0:04:39.400 been on in just the last three or four years. 0:04:39.400 --> 0:04:41.919 It's been crazy to see. Yeah, I don't think I 0:04:42.000 --> 0:04:47.080 ever well this far as far as I've been recording, 0:04:47.120 --> 0:04:48.960 I don't feel like I ever got to that moment 0:04:49.839 --> 0:04:52.880 because I feel like I'm still living a dream. Bro 0:04:52.960 --> 0:04:57.080 Like I can't even nas is like my uncle's favorite rapper, 0:04:57.160 --> 0:05:00.080 you feel me, Kendrick is like my favorite rappers. It 0:05:00.160 --> 0:05:03.480 was like, all this shit is unreal. I'm still trying 0:05:03.480 --> 0:05:05.920 to unpack it off, still trying to create a name 0:05:05.920 --> 0:05:09.760 for myself, still setting my foundation, my infrastructure. So it's 0:05:09.839 --> 0:05:12.320 just I don't know. I just look at it as reinsurance. 0:05:12.400 --> 0:05:14.920 You know that I'm that I'm on the right path 0:05:15.040 --> 0:05:18.360 over everything. I love it. Man, How for you, like, 0:05:19.040 --> 0:05:22.320 I feel like you're still hop like popping in on 0:05:22.320 --> 0:05:25.200 people's projects. But I feel like the last like six months, 0:05:25.320 --> 0:05:27.200 so you've been a little quiet. I'm like getting on 0:05:27.200 --> 0:05:29.400 other people sit. Is it because you're in an album mode? Yes, 0:05:29.640 --> 0:05:32.360 definitely in album mode. Okay, we're cooking up. I've been 0:05:32.400 --> 0:05:35.480 on tour, Hella, you're on tour. Yeah, you feel me. 0:05:35.520 --> 0:05:38.839 So I went to Australia for the first time. What 0:05:38.960 --> 0:05:42.000 we did around out there Melbourne is crazy. I heard 0:05:42.040 --> 0:05:44.640 that that's the best city I've ever been to so far. 0:05:44.839 --> 0:05:48.599 I heard all the women look like Iggy. I actually 0:05:48.640 --> 0:05:51.240 hear that, and I actually listen. I have friends who 0:05:51.279 --> 0:05:53.960 have gone there who are African American, and they say, 0:05:53.960 --> 0:05:56.520 if you look like us, you're getting all the pussy. 0:05:56.320 --> 0:05:59.159 I can't vouch for it a lot, but they did 0:05:59.160 --> 0:06:03.520 treat us like real here, and they just embraced the 0:06:03.600 --> 0:06:05.800 LA culture too. I feel like they knew about artists 0:06:05.839 --> 0:06:08.159 like Kayling. Yeah for real, for real. It was a 0:06:08.160 --> 0:06:10.560 group of girls liked there. To me, like we're kaling Man. 0:06:11.960 --> 0:06:15.400 That's how they said it. Accent. I can't do the accent, 0:06:15.440 --> 0:06:17.920 but I'm not feeling look crazy trying to do it either, 0:06:18.360 --> 0:06:20.720 is it? I heard if you say Melbourne, they get mad. 0:06:20.960 --> 0:06:23.760 It's supposed to be like Melbourne, Melbourne, Melbourne. Yeah, make 0:06:23.800 --> 0:06:26.080 sure I stay it the right way. Jesus put some 0:06:26.120 --> 0:06:28.560 respect on them. So you were just in Australia living 0:06:28.560 --> 0:06:31.040 your best life. Yeah, we did Australia Run. We did 0:06:31.120 --> 0:06:34.280 like five four or five cities out there. How was 0:06:34.320 --> 0:06:36.120 the food in Australia? Said the same. Is it kind 0:06:36.160 --> 0:06:41.120 of like just America? But like not, I really don't recall. 0:06:42.080 --> 0:06:44.080 It was in and out. You feel me in terms 0:06:44.120 --> 0:06:46.600 of the vibe of Australia, is it like an American 0:06:46.720 --> 0:06:48.040 vibe or is it like do you feel like you're 0:06:48.040 --> 0:06:49.920 in like a whole other place. You definitely feel like 0:06:49.960 --> 0:06:53.080 you're in a whole different place, just even driving by 0:06:53.240 --> 0:06:57.120 certain sites of buildings, the infrastructures of buildings, everything just 0:06:57.160 --> 0:07:00.840 like different. So Melbourne is your favorite city been to? Yeah? 0:07:00.920 --> 0:07:04.000 So far? Just the people outside of everything, just the 0:07:04.000 --> 0:07:07.560 way they embraced us, the way they actually genuinely was fans. 0:07:08.240 --> 0:07:11.480 We did like an after party after It was cracking, 0:07:11.560 --> 0:07:13.680 Like everybody that came to the show was at the 0:07:13.720 --> 0:07:17.480 after party too. It was lit. Any tour stuff coming 0:07:17.520 --> 0:07:19.960 up this year, it's gonna be a light year. I 0:07:19.960 --> 0:07:24.920 felt like I definitely am dedicating this year to be 0:07:25.040 --> 0:07:28.480 more creative. You feel me. It gave my debut album. Yeah, 0:07:28.480 --> 0:07:32.760 but I'm gonna do select dates, different festivals and college shows, 0:07:32.800 --> 0:07:35.480 things like that. So I'm still outside. But we're not 0:07:35.560 --> 0:07:42.680 even considering you having any albums out yet. Yeah, call 0:07:42.760 --> 0:07:45.200 it what you want. But I felt like I haven't 0:07:45.840 --> 0:07:47.960 put out an album yet, Like I haven't sat down 0:07:48.000 --> 0:07:52.040 and genuinely been like album mode. Everything I've been making 0:07:52.080 --> 0:07:54.680 been on the move. So like now you put out 0:07:54.680 --> 0:07:57.560 the four pack just to kind of appease everybody yet, like, yo, 0:07:57.600 --> 0:07:59.680 I got these four where you did it before obviously, Yeah, 0:08:00.840 --> 0:08:03.480 this is kind of the appetizer to the debut albums, 0:08:03.520 --> 0:08:06.080 the advertizer, and you can tell too, I'm staying true 0:08:06.080 --> 0:08:08.800 to my sound, but for the for the album, it's 0:08:08.800 --> 0:08:12.600 gonna be more experimental. Definitely still standing true to my 0:08:12.640 --> 0:08:15.040 sound for the album too, but it's an elevator version 0:08:15.080 --> 0:08:16.960 of that. So I'm excited for the fans. So I 0:08:17.000 --> 0:08:19.360 feel like they can predict what I'm doing. But I'm 0:08:19.360 --> 0:08:21.320 feel hit on with a left jab real quick. I 0:08:21.360 --> 0:08:23.240 was gonna say, how are you experimenting? Because I do 0:08:23.280 --> 0:08:27.880 feel like you have your signature sound. Yeah, you have 0:08:28.560 --> 0:08:30.680 your I feel like you have your pocket. If we 0:08:30.720 --> 0:08:33.360 think of like what a blast bpm is, like we 0:08:33.440 --> 0:08:35.280 kind of know what your pocket is. How are you 0:08:35.320 --> 0:08:38.960 expanding the sound? How are you experimenting? Man? For me, 0:08:39.040 --> 0:08:42.120 it's just opening my mind to different creators as well. 0:08:42.760 --> 0:08:44.360 A lot of the times I be in the house 0:08:44.400 --> 0:08:46.920 by myself, Like it's only so much inspiration you can 0:08:46.920 --> 0:08:51.040 pull from a bedroom and isolation, right, So I'm opening 0:08:52.000 --> 0:08:55.679 my mind with different writers, different producers, different creatives, even 0:08:55.800 --> 0:08:58.800 just people with good conversation. I'm just you know, putting 0:08:58.800 --> 0:09:01.559 myself more out there. I'll be to myself a lot, 0:09:01.960 --> 0:09:03.880 so you know, it's a challenge for me, but I'm 0:09:03.880 --> 0:09:05.640 willing to go over that hump. Would you say you're 0:09:05.640 --> 0:09:09.360 an introvert, I'm like an introvert extrovert, Like if you 0:09:09.480 --> 0:09:11.840 know me, you know I'm goofy. You know I'm extra 0:09:11.960 --> 0:09:14.560 talking and playful. But you know, the people I'm not 0:09:14.640 --> 0:09:16.680 really comfortable with. It may take some time for me 0:09:16.720 --> 0:09:21.080 to get open with you. You You and Righty Richard very similar. Definitely, Yeah, yeah, 0:09:21.200 --> 0:09:23.280 we just we just shot the video to passion it 0:09:23.640 --> 0:09:25.160 and it was like y'all got to open up more. 0:09:25.280 --> 0:09:27.000 He was like, you know, we two niggas, you know, 0:09:27.080 --> 0:09:32.319 like turn down video shoot shout out Righty, that's good people, Yo, 0:09:32.360 --> 0:09:34.400 this is an amazing jacket. Shout out to Jeff Hamilton. 0:09:34.400 --> 0:09:37.240 You said this is accustomed, Jack Hamilton. Jeff Hamilton, Man, 0:09:37.280 --> 0:09:39.079 we did a you know, a custom piece for the 0:09:39.520 --> 0:09:43.200 before you go to our merch so fans bought this too. Yeah, 0:09:43.600 --> 0:09:46.080 what's that? At least a rack twelve hundred and fifteen hundred? 0:09:46.160 --> 0:09:48.160 You feel that leather man? No, no, listen, I know 0:09:48.200 --> 0:09:51.080 I'm a regular degular. He made a son's jacket and 0:09:51.120 --> 0:09:53.280 I put it on at my boys shop guest list 0:09:53.320 --> 0:09:56.240 in Phoenix and then he was like it's twelve hundred 0:09:56.280 --> 0:09:58.120 and I took it right off and put it back. 0:09:58.160 --> 0:10:01.160 I said, shout out to Jack Man out Jeff Man. 0:10:01.240 --> 0:10:04.840 He good people. Yeah for you. How are you guys 0:10:04.960 --> 0:10:07.640 expanding the Eagle brand because if it's gonna be kind 0:10:07.640 --> 0:10:10.040 of a quiet year for you after this four pack? 0:10:10.360 --> 0:10:14.040 Working on the album, Are you guys gonna be putting 0:10:14.040 --> 0:10:16.000 out artists? I know we've talked to you guys, have 0:10:16.080 --> 0:10:18.160 had you guys signed artist? Obviously we talked about that 0:10:18.200 --> 0:10:20.360 last time. Is there gonna be any music coming out? 0:10:20.720 --> 0:10:22.400 It's gonna be a lot of things coming out us. 0:10:22.440 --> 0:10:24.439 Vict like likes to say, we like to keep the 0:10:24.520 --> 0:10:28.240 channel noisy, right. So we got the venture side of Eagle, 0:10:28.480 --> 0:10:31.080 We got the publishing side of Eagle, We got the 0:10:31.120 --> 0:10:36.040 label side. We got artists like Jay Million that we're developing. 0:10:36.160 --> 0:10:40.280 We got producers and artists like Grandmaster, Vic j Pilot, 0:10:40.679 --> 0:10:42.880 so we pushing them out in different endeavors as well. 0:10:42.880 --> 0:10:45.640 They're gonna be working on my project too. But and 0:10:45.679 --> 0:10:48.160 then we got the you know, the investment side of things. 0:10:48.160 --> 0:10:51.200 We were heavy on that side too. Are you guys 0:10:51.200 --> 0:10:54.600 investing in We got the Creative Wreck in Philly? Okay, 0:10:54.640 --> 0:10:58.440 what's that Philly Reck? Philly? It's a creator for gems. 0:10:58.600 --> 0:11:00.920 I mean it's a jail for creators. My bad. So 0:11:00.960 --> 0:11:03.120 when you say it's a gym for creative yeah, it's 0:11:03.160 --> 0:11:06.000 like where people who are creative go to like lift weights. 0:11:07.920 --> 0:11:10.920 It's like it's like a workshop for creatives. So you 0:11:10.960 --> 0:11:12.760 may go in. You may want to know. You could 0:11:12.760 --> 0:11:15.000 come here, you can lift weights. No one's gonna judge 0:11:15.000 --> 0:11:18.480 you if you got paid on your hands and ship. Nah, 0:11:18.600 --> 0:11:21.000 it's like a gym for creator. So when I say that, 0:11:21.080 --> 0:11:24.640 it's like a workshop where you may link with somebody 0:11:24.640 --> 0:11:27.000 who know how to print up some merch. You may 0:11:27.080 --> 0:11:29.800 link with somebody who's a producer, or you know, somebody 0:11:29.800 --> 0:11:32.480 who's on the brander side of things. Yeah, so it's 0:11:32.520 --> 0:11:34.960 like a hub for that. But they also just partner 0:11:35.040 --> 0:11:38.720 with a with Diddy for Miami Wreck as well, So 0:11:38.760 --> 0:11:40.559 we're part of that, or you're just part of the 0:11:40.600 --> 0:11:43.640 Philly location. We're part of the whole thing. Oh yeah, 0:11:43.800 --> 0:11:46.840 so check you out in business with Diddy? Kind of yes, 0:11:46.920 --> 0:11:48.960 you can say literally, you can say that. Have you 0:11:48.960 --> 0:11:53.280 ever talked to Diddy? No? Not personally? Why not? I 0:11:53.320 --> 0:11:58.000 mean never, It's just it hasn't been a hard encounter yet. 0:11:58.080 --> 0:11:59.959 I'm pretty sure we're gonna run into each other something. 0:12:00.480 --> 0:12:02.440 He's supposed to be putting out an R and B album. Man, 0:12:02.760 --> 0:12:05.200 he's going crazy. He going crazy with jos Zy too, 0:12:05.200 --> 0:12:08.920 Shout out Joe Love Records. They're going stupid. You gotta 0:12:08.960 --> 0:12:11.559 be on the Diddy R and B album I work 0:12:11.600 --> 0:12:14.480 with Jazz shout out jos Zy. Have you uh, because 0:12:14.520 --> 0:12:18.200 I do feel like you're kind of like when we 0:12:18.240 --> 0:12:20.680 think of like West Coast the last five years or so, 0:12:20.880 --> 0:12:24.480 it's really like you and Roddy Rich in terms of 0:12:24.480 --> 0:12:28.760 commercial success. Do you feel like, really, I really, I 0:12:28.760 --> 0:12:32.240 mean commercials we leave out Tyler the creator. Yeah, you're right, 0:12:32.320 --> 0:12:35.360 Fuck everyone does that, including me, apparently just I would 0:12:35.360 --> 0:12:39.439 say this, it's literally Tyler, yeah, and then Tyler. We 0:12:39.480 --> 0:12:42.960 gotta put Tyler number one of these. I just got 0:12:41.000 --> 0:12:46.040 to his own festival, the Drama's listening party, and I 0:12:46.080 --> 0:12:48.480 was like, Bro, every time we speak about the West, 0:12:48.520 --> 0:12:50.560 I don't know why people leave your name. I don't 0:12:50.559 --> 0:12:53.480 even like mentally see him as even like I didn't 0:12:53.480 --> 0:12:56.599 mention Kendrick right now, I guess I'm thinking like I 0:12:56.640 --> 0:12:59.880 don't though, Yeah, I understand what I'm talking about, like 0:12:59.880 --> 0:13:01.959 the new generation. Like I feel like you and Roddy 0:13:01.960 --> 0:13:04.199 have obviously each kind of hit your stride in the 0:13:04.320 --> 0:13:07.600 last five years. But do you feel do you feel 0:13:07.640 --> 0:13:10.679 like the pressure of like kind of like because when 0:13:10.720 --> 0:13:12.680 we think of LA, I think a lot of people 0:13:12.760 --> 0:13:16.760 who aren't from LA feel like LA has a certain 0:13:16.800 --> 0:13:21.040 sound that isn't necessarily palatable nationwide a lot. But then 0:13:21.040 --> 0:13:23.800 you got guys like yourself and Roddy who come through 0:13:24.120 --> 0:13:26.959 and are making these like anthems that everybody all over 0:13:27.000 --> 0:13:29.240 the world are being able to like consume. And like, 0:13:29.520 --> 0:13:31.560 do you feel like any pressure in terms of just 0:13:31.600 --> 0:13:33.120 representing the West on that scale or do you not 0:13:33.120 --> 0:13:35.080 even think about it? You're just making music. I don't 0:13:35.080 --> 0:13:37.560 even think. I don't even think that deep into it. 0:13:37.600 --> 0:13:40.400 I just do me for the most part. But I 0:13:40.480 --> 0:13:42.640 get it though, you know, But I also feel like 0:13:42.679 --> 0:13:46.480 it starts with the producers as well, Like we have 0:13:46.520 --> 0:13:50.560 a certain sonic that we are, you know, like not 0:13:50.720 --> 0:13:52.880 letting go at all. So we just got to get 0:13:52.920 --> 0:13:56.439 more experimental, and the producers got to be more mindful 0:13:56.440 --> 0:13:59.280 of that as well, and also collaborating with the artists. 0:13:59.320 --> 0:14:02.200 Got to collaborate producers outside of LA Yeah that part. 0:14:02.440 --> 0:14:05.160 Get on them YouTube beats man that use a lotsarati 0:14:05.240 --> 0:14:07.360 success you. I mean, they couldn't box some men from 0:14:07.360 --> 0:14:09.920 the jump, so you can't predict what you're finna do. 0:14:10.400 --> 0:14:12.520 It's bootleg. keV here got to stop the interview to 0:14:12.520 --> 0:14:15.960 tell you about our good friends at King palm. Now, listen, guys, 0:14:16.600 --> 0:14:18.320 all I do is smoke out of King Pom. If 0:14:18.320 --> 0:14:21.080 you see me smoking, it's out of King Pom, all right, 0:14:21.120 --> 0:14:23.880 and I'm gonna shout them out because it's all natural, 0:14:24.720 --> 0:14:30.400 no tobacco. It's a tobacco free product. 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