1 00:00:00,160 --> 00:00:02,320 Speaker 1: Yo, what's up. It's your boy Blast. You could check 2 00:00:02,320 --> 00:00:08,480 Speaker 1: me out on a Bulet Cab podcast, Boutlet Cab Show 3 00:00:08,720 --> 00:00:11,639 Speaker 1: Special guests in here. Just drop the nice little four 4 00:00:11,680 --> 00:00:15,800 Speaker 1: piece on the due Bulet cav Blast is back, baby, Yes, sir, 5 00:00:16,120 --> 00:00:19,239 Speaker 1: what's up? Just for clarity out right now? Oh taping 6 00:00:19,400 --> 00:00:22,400 Speaker 1: shout already, shout out lerke Jie and Mustard. I feel 7 00:00:22,400 --> 00:00:26,759 Speaker 1: like Martin, you and Roddy Rich together is like it's 8 00:00:26,800 --> 00:00:29,760 Speaker 1: like the fucking mighty Morphin Power Rangers of like La Hooks. 9 00:00:30,520 --> 00:00:33,120 Speaker 1: That's good compliment. I like that. I like that. I 10 00:00:33,120 --> 00:00:35,280 Speaker 1: feel like people was waiting on this, but I feel 11 00:00:35,280 --> 00:00:38,040 Speaker 1: like it was per perfect time and too. Everybody was 12 00:00:38,080 --> 00:00:40,400 Speaker 1: like when are y'all going to little song together? That 13 00:00:40,560 --> 00:00:42,840 Speaker 1: was like the one guy. I feel like everybody was like, Man, 14 00:00:42,840 --> 00:00:46,400 Speaker 1: a Roddy and Blast record would be fucking nuts. Yeah, 15 00:00:46,720 --> 00:00:49,120 Speaker 1: perfect time, man, how does that work? Does that work? Where? 16 00:00:49,120 --> 00:00:51,159 Speaker 1: Like you send him the record because I know you 17 00:00:51,360 --> 00:00:54,360 Speaker 1: like to work on your own, usually at the house, right. Yeah, Well, 18 00:00:55,640 --> 00:00:58,000 Speaker 1: I did a record with Roddy a minute ago that 19 00:00:58,080 --> 00:01:02,240 Speaker 1: I just produce actually, but yeah, I just sent him 20 00:01:02,240 --> 00:01:04,280 Speaker 1: a beatpack for this. I sent it to Keifa. Actually, 21 00:01:04,319 --> 00:01:06,600 Speaker 1: they were sitting on it for a minute, and then 22 00:01:06,680 --> 00:01:09,240 Speaker 1: Roddy was like, I got something perfect for us, sent 23 00:01:09,280 --> 00:01:12,479 Speaker 1: that through. That was the one passionate. So how long 24 00:01:12,480 --> 00:01:15,039 Speaker 1: ago did you have to beat with Roddy? Because you, 25 00:01:15,120 --> 00:01:16,600 Speaker 1: for people don't know. I mean we talk about this 26 00:01:16,640 --> 00:01:18,640 Speaker 1: a lot, but you're like a og out here for sure. 27 00:01:18,800 --> 00:01:21,479 Speaker 1: Obviously you've taken off the last year or four years, 28 00:01:21,480 --> 00:01:24,360 Speaker 1: but before that you were producing a lot, Yeah, for sure. 29 00:01:24,520 --> 00:01:26,399 Speaker 1: So I mean that's pretty much how I got my 30 00:01:26,480 --> 00:01:29,760 Speaker 1: name amongst the city locally, just producing like the song 31 00:01:29,959 --> 00:01:33,800 Speaker 1: Forcano for real, for real, right with it? Yeah, most 32 00:01:33,800 --> 00:01:40,759 Speaker 1: of Beano's early catalog. But the Roddy situation, I'm kind 33 00:01:40,760 --> 00:01:42,720 Speaker 1: of tripping on the initial question. I was gonna say. 34 00:01:42,760 --> 00:01:44,560 Speaker 1: You said that you had originally produced a beat for 35 00:01:44,640 --> 00:01:46,760 Speaker 1: Roddy back in the day. Oh yeah, yeah, just being 36 00:01:46,800 --> 00:01:49,640 Speaker 1: around organically. How long ago was that though? That was 37 00:01:49,680 --> 00:01:52,880 Speaker 1: probably four years ago at this point, because I knew 38 00:01:52,960 --> 00:01:55,040 Speaker 1: Roddy a minute and the first time my medal was 39 00:01:55,080 --> 00:01:58,600 Speaker 1: in Compton, you know Womanton Arms projects. Just randomly it 40 00:01:58,680 --> 00:02:01,200 Speaker 1: was like yo, you do music, and I know his people, 41 00:02:01,440 --> 00:02:03,960 Speaker 1: you know, we just connected like that. So just to 42 00:02:04,000 --> 00:02:06,600 Speaker 1: see his grind and see everything come full circle like 43 00:02:06,640 --> 00:02:09,600 Speaker 1: he's seen me before. I was anybody too, And I 44 00:02:09,639 --> 00:02:11,520 Speaker 1: feel like this was a dope moment to you know, 45 00:02:12,120 --> 00:02:14,440 Speaker 1: link up. But uh, they've been sitting on that beaf 46 00:02:14,440 --> 00:02:17,640 Speaker 1: for like three four years. Oh damn. So the beat 47 00:02:17,680 --> 00:02:21,720 Speaker 1: that you just dropped he got three years ago. Yeah, 48 00:02:21,800 --> 00:02:25,600 Speaker 1: oh shit, damn. And then you could tell too, because 49 00:02:25,760 --> 00:02:28,679 Speaker 1: the sonics of the sound is like my six tape 50 00:02:28,720 --> 00:02:31,240 Speaker 1: one type vibes, like the early things I did with Beano. 51 00:02:31,560 --> 00:02:35,080 Speaker 1: It's the same type of sonics. And now, okay, so 52 00:02:35,240 --> 00:02:37,080 Speaker 1: the original beat that you produced for him, did that 53 00:02:37,120 --> 00:02:38,880 Speaker 1: ever come out? No? I never came out. Never even 54 00:02:38,960 --> 00:02:41,560 Speaker 1: dropped a whole different vibe too. That was a whole 55 00:02:41,600 --> 00:02:45,080 Speaker 1: different vibe, but it never came Yeah. Well look, man, 56 00:02:45,320 --> 00:02:46,800 Speaker 1: I do feel like you kind of have You do 57 00:02:46,880 --> 00:02:49,760 Speaker 1: make timeless music. So a three or four year old 58 00:02:49,800 --> 00:02:54,480 Speaker 1: song still sounds good. Absolutely not the song. The song 59 00:02:54,560 --> 00:02:57,000 Speaker 1: was recorded more recently, but the beat was made three 60 00:02:57,080 --> 00:02:59,280 Speaker 1: or four years ago. You go, there, are you still 61 00:02:59,320 --> 00:03:02,400 Speaker 1: recording at home a lot? Absolutely? I feel like I'm 62 00:03:02,800 --> 00:03:05,240 Speaker 1: like I'm used to recording that. Huh. That's like my 63 00:03:05,360 --> 00:03:08,320 Speaker 1: safe space. You know how to engineer yourself if it 64 00:03:08,360 --> 00:03:11,400 Speaker 1: ain't broke while I fix it. So like, will you like, 65 00:03:11,600 --> 00:03:13,359 Speaker 1: if you're out of town and you go to the studio, 66 00:03:13,560 --> 00:03:15,799 Speaker 1: are you like sitting at the board recording yourself or 67 00:03:15,800 --> 00:03:18,160 Speaker 1: do you use the other engineer for the studio? Yeah? 68 00:03:18,280 --> 00:03:20,639 Speaker 1: I still, you know, oping myself to work with other 69 00:03:20,720 --> 00:03:23,160 Speaker 1: engineers and things like that. I got a couple that 70 00:03:23,240 --> 00:03:26,440 Speaker 1: I work with. Shout out to the lance, shout out 71 00:03:26,520 --> 00:03:30,480 Speaker 1: Chris at Paramount. But for the most part, yea, I'm 72 00:03:30,520 --> 00:03:33,040 Speaker 1: outside the booth. I'm sitting like this with him. You know, 73 00:03:33,080 --> 00:03:35,880 Speaker 1: I need that genuine often of connection when I'm recording, 74 00:03:36,240 --> 00:03:38,000 Speaker 1: and it feels like I'm at home when I record 75 00:03:38,080 --> 00:03:41,960 Speaker 1: like that, versus standing in the booth and feeling disconnected 76 00:03:42,000 --> 00:03:45,160 Speaker 1: with the you know, I know you had said before 77 00:03:45,240 --> 00:03:47,440 Speaker 1: that you were recording a lot of these early records 78 00:03:47,520 --> 00:03:49,440 Speaker 1: on just that road like kit that you would get 79 00:03:49,440 --> 00:03:52,440 Speaker 1: a guitar center if you're at Paramount, what Mike you 80 00:03:52,560 --> 00:03:55,440 Speaker 1: picking see I'm not even that tapped into the names 81 00:03:55,480 --> 00:03:58,320 Speaker 1: and stuff. But I like the Norman U eighty seven. Mike, 82 00:03:58,760 --> 00:04:00,880 Speaker 1: that's what I just got hipped on to shout out tick. 83 00:04:00,920 --> 00:04:02,720 Speaker 1: He just bought me that mic. It's a great MIC's 84 00:04:02,720 --> 00:04:06,800 Speaker 1: like a three thousand mic. Yeah, I love it. There's 85 00:04:06,840 --> 00:04:08,320 Speaker 1: that one, and then I think the other one everyone 86 00:04:08,400 --> 00:04:10,760 Speaker 1: likes is that the eight hundred to Sony, that big 87 00:04:11,520 --> 00:04:14,160 Speaker 1: black one. Yeah, with the big booty on the back, 88 00:04:14,280 --> 00:04:20,600 Speaker 1: yep for sure. How often, like, okay, you, I feel 89 00:04:20,600 --> 00:04:23,240 Speaker 1: like you've had a pretty insane run. When we think 90 00:04:23,240 --> 00:04:25,000 Speaker 1: about just some of the legends you've been able to 91 00:04:25,040 --> 00:04:27,359 Speaker 1: record with, You've been on records with nas Rick Ross, 92 00:04:27,839 --> 00:04:31,240 Speaker 1: we can go on and on and on. How often 93 00:04:31,240 --> 00:04:33,200 Speaker 1: are you able to kind of like step out of 94 00:04:33,520 --> 00:04:37,440 Speaker 1: the moment and kind of appreciate the journey that you've 95 00:04:37,440 --> 00:04:39,400 Speaker 1: been on in just the last three or four years. 96 00:04:39,400 --> 00:04:41,919 Speaker 1: It's been crazy to see. Yeah, I don't think I 97 00:04:42,000 --> 00:04:47,080 Speaker 1: ever well this far as far as I've been recording, 98 00:04:47,120 --> 00:04:48,960 Speaker 1: I don't feel like I ever got to that moment 99 00:04:49,839 --> 00:04:52,880 Speaker 1: because I feel like I'm still living a dream. Bro 100 00:04:52,960 --> 00:04:57,080 Speaker 1: Like I can't even nas is like my uncle's favorite rapper, 101 00:04:57,160 --> 00:05:00,080 Speaker 1: you feel me, Kendrick is like my favorite rappers. It 102 00:05:00,160 --> 00:05:03,480 Speaker 1: was like, all this shit is unreal. I'm still trying 103 00:05:03,480 --> 00:05:05,920 Speaker 1: to unpack it off, still trying to create a name 104 00:05:05,920 --> 00:05:09,760 Speaker 1: for myself, still setting my foundation, my infrastructure. So it's 105 00:05:09,839 --> 00:05:12,320 Speaker 1: just I don't know. I just look at it as reinsurance. 106 00:05:12,400 --> 00:05:14,920 Speaker 1: You know that I'm that I'm on the right path 107 00:05:15,040 --> 00:05:18,360 Speaker 1: over everything. I love it. Man, How for you, like, 108 00:05:19,040 --> 00:05:22,320 Speaker 1: I feel like you're still hop like popping in on 109 00:05:22,320 --> 00:05:25,200 Speaker 1: people's projects. But I feel like the last like six months, 110 00:05:25,320 --> 00:05:27,200 Speaker 1: so you've been a little quiet. I'm like getting on 111 00:05:27,200 --> 00:05:29,400 Speaker 1: other people sit. Is it because you're in an album mode? Yes, 112 00:05:29,640 --> 00:05:32,360 Speaker 1: definitely in album mode. Okay, we're cooking up. I've been 113 00:05:32,400 --> 00:05:35,480 Speaker 1: on tour, Hella, you're on tour. Yeah, you feel me. 114 00:05:35,520 --> 00:05:38,839 Speaker 1: So I went to Australia for the first time. What 115 00:05:38,960 --> 00:05:42,000 Speaker 1: we did around out there Melbourne is crazy. I heard 116 00:05:42,040 --> 00:05:44,640 Speaker 1: that that's the best city I've ever been to so far. 117 00:05:44,839 --> 00:05:48,599 Speaker 1: I heard all the women look like Iggy. I actually 118 00:05:48,640 --> 00:05:51,240 Speaker 1: hear that, and I actually listen. I have friends who 119 00:05:51,279 --> 00:05:53,960 Speaker 1: have gone there who are African American, and they say, 120 00:05:53,960 --> 00:05:56,520 Speaker 1: if you look like us, you're getting all the pussy. 121 00:05:56,320 --> 00:05:59,159 Speaker 1: I can't vouch for it a lot, but they did 122 00:05:59,160 --> 00:06:03,520 Speaker 1: treat us like real here, and they just embraced the 123 00:06:03,600 --> 00:06:05,800 Speaker 1: LA culture too. I feel like they knew about artists 124 00:06:05,839 --> 00:06:08,159 Speaker 1: like Kayling. Yeah for real, for real. It was a 125 00:06:08,160 --> 00:06:10,560 Speaker 1: group of girls liked there. To me, like we're kaling Man. 126 00:06:11,960 --> 00:06:15,400 Speaker 1: That's how they said it. Accent. I can't do the accent, 127 00:06:15,440 --> 00:06:17,920 Speaker 1: but I'm not feeling look crazy trying to do it either, 128 00:06:18,360 --> 00:06:20,720 Speaker 1: is it? I heard if you say Melbourne, they get mad. 129 00:06:20,960 --> 00:06:23,760 Speaker 1: It's supposed to be like Melbourne, Melbourne, Melbourne. Yeah, make 130 00:06:23,800 --> 00:06:26,080 Speaker 1: sure I stay it the right way. Jesus put some 131 00:06:26,120 --> 00:06:28,560 Speaker 1: respect on them. So you were just in Australia living 132 00:06:28,560 --> 00:06:31,040 Speaker 1: your best life. Yeah, we did Australia Run. We did 133 00:06:31,120 --> 00:06:34,280 Speaker 1: like five four or five cities out there. How was 134 00:06:34,320 --> 00:06:36,120 Speaker 1: the food in Australia? Said the same. Is it kind 135 00:06:36,160 --> 00:06:41,120 Speaker 1: of like just America? But like not, I really don't recall. 136 00:06:42,080 --> 00:06:44,080 Speaker 1: It was in and out. You feel me in terms 137 00:06:44,120 --> 00:06:46,600 Speaker 1: of the vibe of Australia, is it like an American 138 00:06:46,720 --> 00:06:48,040 Speaker 1: vibe or is it like do you feel like you're 139 00:06:48,040 --> 00:06:49,920 Speaker 1: in like a whole other place. You definitely feel like 140 00:06:49,960 --> 00:06:53,080 Speaker 1: you're in a whole different place, just even driving by 141 00:06:53,240 --> 00:06:57,120 Speaker 1: certain sites of buildings, the infrastructures of buildings, everything just 142 00:06:57,160 --> 00:07:00,840 Speaker 1: like different. So Melbourne is your favorite city been to? Yeah? 143 00:07:00,920 --> 00:07:04,000 Speaker 1: So far? Just the people outside of everything, just the 144 00:07:04,000 --> 00:07:07,560 Speaker 1: way they embraced us, the way they actually genuinely was fans. 145 00:07:08,240 --> 00:07:11,480 Speaker 1: We did like an after party after It was cracking, 146 00:07:11,560 --> 00:07:13,680 Speaker 1: Like everybody that came to the show was at the 147 00:07:13,720 --> 00:07:17,480 Speaker 1: after party too. It was lit. Any tour stuff coming 148 00:07:17,520 --> 00:07:19,960 Speaker 1: up this year, it's gonna be a light year. I 149 00:07:19,960 --> 00:07:24,920 Speaker 1: felt like I definitely am dedicating this year to be 150 00:07:25,040 --> 00:07:28,480 Speaker 1: more creative. You feel me. It gave my debut album. Yeah, 151 00:07:28,480 --> 00:07:32,760 Speaker 1: but I'm gonna do select dates, different festivals and college shows, 152 00:07:32,800 --> 00:07:35,480 Speaker 1: things like that. So I'm still outside. But we're not 153 00:07:35,560 --> 00:07:42,680 Speaker 1: even considering you having any albums out yet. Yeah, call 154 00:07:42,760 --> 00:07:45,200 Speaker 1: it what you want. But I felt like I haven't 155 00:07:45,840 --> 00:07:47,960 Speaker 1: put out an album yet, Like I haven't sat down 156 00:07:48,000 --> 00:07:52,040 Speaker 1: and genuinely been like album mode. Everything I've been making 157 00:07:52,080 --> 00:07:54,680 Speaker 1: been on the move. So like now you put out 158 00:07:54,680 --> 00:07:57,560 Speaker 1: the four pack just to kind of appease everybody yet, like, yo, 159 00:07:57,600 --> 00:07:59,680 Speaker 1: I got these four where you did it before obviously, Yeah, 160 00:08:00,840 --> 00:08:03,480 Speaker 1: this is kind of the appetizer to the debut albums, 161 00:08:03,520 --> 00:08:06,080 Speaker 1: the advertizer, and you can tell too, I'm staying true 162 00:08:06,080 --> 00:08:08,800 Speaker 1: to my sound, but for the for the album, it's 163 00:08:08,800 --> 00:08:12,600 Speaker 1: gonna be more experimental. Definitely still standing true to my 164 00:08:12,640 --> 00:08:15,040 Speaker 1: sound for the album too, but it's an elevator version 165 00:08:15,080 --> 00:08:16,960 Speaker 1: of that. So I'm excited for the fans. So I 166 00:08:17,000 --> 00:08:19,360 Speaker 1: feel like they can predict what I'm doing. But I'm 167 00:08:19,360 --> 00:08:21,320 Speaker 1: feel hit on with a left jab real quick. I 168 00:08:21,360 --> 00:08:23,240 Speaker 1: was gonna say, how are you experimenting? Because I do 169 00:08:23,280 --> 00:08:27,880 Speaker 1: feel like you have your signature sound. Yeah, you have 170 00:08:28,560 --> 00:08:30,680 Speaker 1: your I feel like you have your pocket. If we 171 00:08:30,720 --> 00:08:33,360 Speaker 1: think of like what a blast bpm is, like we 172 00:08:33,440 --> 00:08:35,280 Speaker 1: kind of know what your pocket is. How are you 173 00:08:35,320 --> 00:08:38,960 Speaker 1: expanding the sound? How are you experimenting? Man? For me, 174 00:08:39,040 --> 00:08:42,120 Speaker 1: it's just opening my mind to different creators as well. 175 00:08:42,760 --> 00:08:44,360 Speaker 1: A lot of the times I be in the house 176 00:08:44,400 --> 00:08:46,920 Speaker 1: by myself, Like it's only so much inspiration you can 177 00:08:46,920 --> 00:08:51,040 Speaker 1: pull from a bedroom and isolation, right, So I'm opening 178 00:08:52,000 --> 00:08:55,679 Speaker 1: my mind with different writers, different producers, different creatives, even 179 00:08:55,800 --> 00:08:58,800 Speaker 1: just people with good conversation. I'm just you know, putting 180 00:08:58,800 --> 00:09:01,559 Speaker 1: myself more out there. I'll be to myself a lot, 181 00:09:01,960 --> 00:09:03,880 Speaker 1: so you know, it's a challenge for me, but I'm 182 00:09:03,880 --> 00:09:05,640 Speaker 1: willing to go over that hump. Would you say you're 183 00:09:05,640 --> 00:09:09,360 Speaker 1: an introvert, I'm like an introvert extrovert, Like if you 184 00:09:09,480 --> 00:09:11,840 Speaker 1: know me, you know I'm goofy. You know I'm extra 185 00:09:11,960 --> 00:09:14,560 Speaker 1: talking and playful. But you know, the people I'm not 186 00:09:14,640 --> 00:09:16,680 Speaker 1: really comfortable with. It may take some time for me 187 00:09:16,720 --> 00:09:21,080 Speaker 1: to get open with you. You You and Righty Richard very similar. Definitely, Yeah, yeah, 188 00:09:21,200 --> 00:09:23,280 Speaker 1: we just we just shot the video to passion it 189 00:09:23,640 --> 00:09:25,160 Speaker 1: and it was like y'all got to open up more. 190 00:09:25,280 --> 00:09:27,000 Speaker 1: He was like, you know, we two niggas, you know, 191 00:09:27,080 --> 00:09:32,319 Speaker 1: like turn down video shoot shout out Righty, that's good people, Yo, 192 00:09:32,360 --> 00:09:34,400 Speaker 1: this is an amazing jacket. Shout out to Jeff Hamilton. 193 00:09:34,400 --> 00:09:37,240 Speaker 1: You said this is accustomed, Jack Hamilton. Jeff Hamilton, Man, 194 00:09:37,280 --> 00:09:39,079 Speaker 1: we did a you know, a custom piece for the 195 00:09:39,520 --> 00:09:43,200 Speaker 1: before you go to our merch so fans bought this too. Yeah, 196 00:09:43,600 --> 00:09:46,080 Speaker 1: what's that? At least a rack twelve hundred and fifteen hundred? 197 00:09:46,160 --> 00:09:48,160 Speaker 1: You feel that leather man? No, no, listen, I know 198 00:09:48,200 --> 00:09:51,080 Speaker 1: I'm a regular degular. He made a son's jacket and 199 00:09:51,120 --> 00:09:53,280 Speaker 1: I put it on at my boys shop guest list 200 00:09:53,320 --> 00:09:56,240 Speaker 1: in Phoenix and then he was like it's twelve hundred 201 00:09:56,280 --> 00:09:58,120 Speaker 1: and I took it right off and put it back. 202 00:09:58,160 --> 00:10:01,160 Speaker 1: I said, shout out to Jack Man out Jeff Man. 203 00:10:01,240 --> 00:10:04,840 Speaker 1: He good people. Yeah for you. How are you guys 204 00:10:04,960 --> 00:10:07,640 Speaker 1: expanding the Eagle brand because if it's gonna be kind 205 00:10:07,640 --> 00:10:10,040 Speaker 1: of a quiet year for you after this four pack? 206 00:10:10,360 --> 00:10:14,040 Speaker 1: Working on the album, Are you guys gonna be putting 207 00:10:14,040 --> 00:10:16,000 Speaker 1: out artists? I know we've talked to you guys, have 208 00:10:16,080 --> 00:10:18,160 Speaker 1: had you guys signed artist? Obviously we talked about that 209 00:10:18,200 --> 00:10:20,360 Speaker 1: last time. Is there gonna be any music coming out? 210 00:10:20,720 --> 00:10:22,400 Speaker 1: It's gonna be a lot of things coming out us. 211 00:10:22,440 --> 00:10:24,439 Speaker 1: Vict like likes to say, we like to keep the 212 00:10:24,520 --> 00:10:28,240 Speaker 1: channel noisy, right. So we got the venture side of Eagle, 213 00:10:28,480 --> 00:10:31,080 Speaker 1: We got the publishing side of Eagle, We got the 214 00:10:31,120 --> 00:10:36,040 Speaker 1: label side. We got artists like Jay Million that we're developing. 215 00:10:36,160 --> 00:10:40,280 Speaker 1: We got producers and artists like Grandmaster, Vic j Pilot, 216 00:10:40,679 --> 00:10:42,880 Speaker 1: so we pushing them out in different endeavors as well. 217 00:10:42,880 --> 00:10:45,640 Speaker 1: They're gonna be working on my project too. But and 218 00:10:45,679 --> 00:10:48,160 Speaker 1: then we got the you know, the investment side of things. 219 00:10:48,160 --> 00:10:51,200 Speaker 1: We were heavy on that side too. Are you guys 220 00:10:51,200 --> 00:10:54,600 Speaker 1: investing in We got the Creative Wreck in Philly? Okay, 221 00:10:54,640 --> 00:10:58,440 Speaker 1: what's that Philly Reck? Philly? It's a creator for gems. 222 00:10:58,600 --> 00:11:00,920 Speaker 1: I mean it's a jail for creators. My bad. So 223 00:11:00,960 --> 00:11:03,120 Speaker 1: when you say it's a gym for creative yeah, it's 224 00:11:03,160 --> 00:11:06,000 Speaker 1: like where people who are creative go to like lift weights. 225 00:11:07,920 --> 00:11:10,920 Speaker 1: It's like it's like a workshop for creatives. So you 226 00:11:10,960 --> 00:11:12,760 Speaker 1: may go in. You may want to know. You could 227 00:11:12,760 --> 00:11:15,000 Speaker 1: come here, you can lift weights. No one's gonna judge 228 00:11:15,000 --> 00:11:18,480 Speaker 1: you if you got paid on your hands and ship. Nah, 229 00:11:18,600 --> 00:11:21,000 Speaker 1: it's like a gym for creator. So when I say that, 230 00:11:21,080 --> 00:11:24,640 Speaker 1: it's like a workshop where you may link with somebody 231 00:11:24,640 --> 00:11:27,000 Speaker 1: who know how to print up some merch. You may 232 00:11:27,080 --> 00:11:29,800 Speaker 1: link with somebody who's a producer, or you know, somebody 233 00:11:29,800 --> 00:11:32,480 Speaker 1: who's on the brander side of things. Yeah, so it's 234 00:11:32,520 --> 00:11:34,960 Speaker 1: like a hub for that. But they also just partner 235 00:11:35,040 --> 00:11:38,720 Speaker 1: with a with Diddy for Miami Wreck as well, So 236 00:11:38,760 --> 00:11:40,559 Speaker 1: we're part of that, or you're just part of the 237 00:11:40,600 --> 00:11:43,640 Speaker 1: Philly location. We're part of the whole thing. Oh yeah, 238 00:11:43,800 --> 00:11:46,840 Speaker 1: so check you out in business with Diddy? Kind of yes, 239 00:11:46,920 --> 00:11:48,960 Speaker 1: you can say literally, you can say that. Have you 240 00:11:48,960 --> 00:11:53,280 Speaker 1: ever talked to Diddy? No? Not personally? Why not? I 241 00:11:53,320 --> 00:11:58,000 Speaker 1: mean never, It's just it hasn't been a hard encounter yet. 242 00:11:58,080 --> 00:11:59,959 Speaker 1: I'm pretty sure we're gonna run into each other something. 243 00:12:00,480 --> 00:12:02,440 Speaker 1: He's supposed to be putting out an R and B album. Man, 244 00:12:02,760 --> 00:12:05,200 Speaker 1: he's going crazy. He going crazy with jos Zy too, 245 00:12:05,200 --> 00:12:08,920 Speaker 1: Shout out Joe Love Records. They're going stupid. You gotta 246 00:12:08,960 --> 00:12:11,559 Speaker 1: be on the Diddy R and B album I work 247 00:12:11,600 --> 00:12:14,480 Speaker 1: with Jazz shout out jos Zy. Have you uh, because 248 00:12:14,520 --> 00:12:18,200 Speaker 1: I do feel like you're kind of like when we 249 00:12:18,240 --> 00:12:20,680 Speaker 1: think of like West Coast the last five years or so, 250 00:12:20,880 --> 00:12:24,480 Speaker 1: it's really like you and Roddy Rich in terms of 251 00:12:24,480 --> 00:12:28,760 Speaker 1: commercial success. Do you feel like, really, I really, I 252 00:12:28,760 --> 00:12:32,240 Speaker 1: mean commercials we leave out Tyler the creator. Yeah, you're right, 253 00:12:32,320 --> 00:12:35,360 Speaker 1: Fuck everyone does that, including me, apparently just I would 254 00:12:35,360 --> 00:12:39,439 Speaker 1: say this, it's literally Tyler, yeah, and then Tyler. We 255 00:12:39,480 --> 00:12:42,960 Speaker 1: gotta put Tyler number one of these. I just got 256 00:12:41,000 --> 00:12:46,040 Speaker 1: to his own festival, the Drama's listening party, and I 257 00:12:46,080 --> 00:12:48,480 Speaker 1: was like, Bro, every time we speak about the West, 258 00:12:48,520 --> 00:12:50,560 Speaker 1: I don't know why people leave your name. I don't 259 00:12:50,559 --> 00:12:53,480 Speaker 1: even like mentally see him as even like I didn't 260 00:12:53,480 --> 00:12:56,599 Speaker 1: mention Kendrick right now, I guess I'm thinking like I 261 00:12:56,640 --> 00:12:59,880 Speaker 1: don't though, Yeah, I understand what I'm talking about, like 262 00:12:59,880 --> 00:13:01,959 Speaker 1: the new generation. Like I feel like you and Roddy 263 00:13:01,960 --> 00:13:04,199 Speaker 1: have obviously each kind of hit your stride in the 264 00:13:04,320 --> 00:13:07,600 Speaker 1: last five years. But do you feel do you feel 265 00:13:07,640 --> 00:13:10,679 Speaker 1: like the pressure of like kind of like because when 266 00:13:10,720 --> 00:13:12,680 Speaker 1: we think of LA, I think a lot of people 267 00:13:12,760 --> 00:13:16,760 Speaker 1: who aren't from LA feel like LA has a certain 268 00:13:16,800 --> 00:13:21,040 Speaker 1: sound that isn't necessarily palatable nationwide a lot. But then 269 00:13:21,040 --> 00:13:23,800 Speaker 1: you got guys like yourself and Roddy who come through 270 00:13:24,120 --> 00:13:26,959 Speaker 1: and are making these like anthems that everybody all over 271 00:13:27,000 --> 00:13:29,240 Speaker 1: the world are being able to like consume. And like, 272 00:13:29,520 --> 00:13:31,560 Speaker 1: do you feel like any pressure in terms of just 273 00:13:31,600 --> 00:13:33,120 Speaker 1: representing the West on that scale or do you not 274 00:13:33,120 --> 00:13:35,080 Speaker 1: even think about it? You're just making music. I don't 275 00:13:35,080 --> 00:13:37,560 Speaker 1: even think. I don't even think that deep into it. 276 00:13:37,600 --> 00:13:40,400 Speaker 1: I just do me for the most part. But I 277 00:13:40,480 --> 00:13:42,640 Speaker 1: get it though, you know, But I also feel like 278 00:13:42,679 --> 00:13:46,480 Speaker 1: it starts with the producers as well, Like we have 279 00:13:46,520 --> 00:13:50,560 Speaker 1: a certain sonic that we are, you know, like not 280 00:13:50,720 --> 00:13:52,880 Speaker 1: letting go at all. So we just got to get 281 00:13:52,920 --> 00:13:56,439 Speaker 1: more experimental, and the producers got to be more mindful 282 00:13:56,440 --> 00:13:59,280 Speaker 1: of that as well, and also collaborating with the artists. 283 00:13:59,320 --> 00:14:02,200 Speaker 1: Got to collaborate producers outside of LA Yeah that part. 284 00:14:02,440 --> 00:14:05,160 Speaker 1: Get on them YouTube beats man that use a lotsarati 285 00:14:05,240 --> 00:14:07,360 Speaker 1: success you. I mean, they couldn't box some men from 286 00:14:07,360 --> 00:14:09,920 Speaker 1: the jump, so you can't predict what you're finna do. 287 00:14:10,400 --> 00:14:12,520 Speaker 1: It's bootleg. keV here got to stop the interview to 288 00:14:12,520 --> 00:14:15,960 Speaker 1: tell you about our good friends at King palm. Now, listen, guys, 289 00:14:16,600 --> 00:14:18,320 Speaker 1: all I do is smoke out of King Pom. 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Now, let's get back 396 00:19:32,720 --> 00:19:36,359 Speaker 1: to the interview. Has anybody made any blast hooks through 397 00:19:36,560 --> 00:19:40,840 Speaker 1: artificial intelligence yet? The AI? Have you seen this? I've 398 00:19:40,840 --> 00:19:42,680 Speaker 1: seen that you're talking about, like where you kid like 399 00:19:44,640 --> 00:19:46,640 Speaker 1: he just did a whole verse. He wrapped it as 400 00:19:46,680 --> 00:19:49,679 Speaker 1: himself like he was Kanye, and then he ran it 401 00:19:49,720 --> 00:19:52,720 Speaker 1: through artificial intelligence and it's it sounds like a fucking 402 00:19:52,760 --> 00:19:55,840 Speaker 1: Kanye song. So people can literally be out here with 403 00:19:55,840 --> 00:19:59,160 Speaker 1: bootleg blast versus I swear cap. It'll be probably it's 404 00:19:59,160 --> 00:20:03,080 Speaker 1: probably easier raps, but like singing, I don't know, man, 405 00:20:03,720 --> 00:20:07,080 Speaker 1: we gotta let you find out a singer AI singer. 406 00:20:07,400 --> 00:20:11,600 Speaker 1: If someone like hypothetical situation, somebody puts up a fake 407 00:20:11,680 --> 00:20:16,080 Speaker 1: blast record. Yeah, and it goes crazy, right, they write it, 408 00:20:16,119 --> 00:20:19,760 Speaker 1: they sing it, then they put their own verses on it. 409 00:20:19,760 --> 00:20:22,840 Speaker 1: It goes crazy, though, are you making them take it down? 410 00:20:24,000 --> 00:20:25,199 Speaker 1: I mean, if I could be a part of it, 411 00:20:25,280 --> 00:20:28,000 Speaker 1: let's get this back. Okay, like yo, get that bag. 412 00:20:28,680 --> 00:20:30,879 Speaker 1: I'm not gonna hate on it, but I gotta be 413 00:20:30,880 --> 00:20:32,560 Speaker 1: a part of it for sure. Do you ever look 414 00:20:32,640 --> 00:20:37,720 Speaker 1: up blast type beats on YouTube? Yeah? Dude? Ever anything fire? Yeah, 415 00:20:37,840 --> 00:20:40,760 Speaker 1: you may come across something. I always wanted that. Like, 416 00:20:40,880 --> 00:20:42,520 Speaker 1: I'm like, heo, if I'm a rapper, I'm just like 417 00:20:42,800 --> 00:20:46,200 Speaker 1: type beating myself on YouTube or pause all the time. 418 00:20:48,119 --> 00:20:50,640 Speaker 1: You got a sick one. No, I'm just saying. I mean, 419 00:20:51,000 --> 00:20:53,600 Speaker 1: I can't talk about beating myself on the internet. Nah, Nah, 420 00:20:53,680 --> 00:20:55,440 Speaker 1: I don't. I don't think it's like I feel like 421 00:20:55,480 --> 00:20:57,679 Speaker 1: you gotta go to the originator for that, for the 422 00:20:57,720 --> 00:21:00,800 Speaker 1: blast type beats, you know, with shout out all the producers, 423 00:21:00,800 --> 00:21:03,560 Speaker 1: that's you know, taking as sauce and running with it. 424 00:21:04,160 --> 00:21:07,959 Speaker 1: Would you say in twenty twenty three, because I do 425 00:21:08,000 --> 00:21:11,840 Speaker 1: feel like being a producer, it's a very heavily saturated 426 00:21:11,960 --> 00:21:15,680 Speaker 1: game and unfortunately, as a producer, I feel like you're 427 00:21:15,760 --> 00:21:18,159 Speaker 1: kind of underappreciated in the same way that photographers and 428 00:21:18,240 --> 00:21:21,719 Speaker 1: videographers are underappreciated in it producers the same way. Like 429 00:21:21,960 --> 00:21:24,359 Speaker 1: what would be some advice you would give producers in 430 00:21:24,400 --> 00:21:26,800 Speaker 1: twenty twenty three, whether it's having their business right or 431 00:21:27,800 --> 00:21:30,439 Speaker 1: you know, I think some people chase placements as opposed to, like, 432 00:21:31,280 --> 00:21:34,879 Speaker 1: you know, there's other routes to monetize your talent. You 433 00:21:34,920 --> 00:21:37,000 Speaker 1: know what I love and shout out to hip Boy 434 00:21:37,000 --> 00:21:41,600 Speaker 1: because I feel like he's pinpointing this. But like producers 435 00:21:41,600 --> 00:21:45,560 Speaker 1: that work with that artist and just build a whole sound, 436 00:21:45,600 --> 00:21:47,760 Speaker 1: a whole sonic, like what he did with Benny the Butcher. 437 00:21:48,080 --> 00:21:50,439 Speaker 1: What are you doing with nas? Things like that? I 438 00:21:50,440 --> 00:21:52,119 Speaker 1: feel like we need to get back to that, like 439 00:21:52,200 --> 00:21:55,320 Speaker 1: Timolin and miss Yelli, Like we don't really get those 440 00:21:55,480 --> 00:21:58,600 Speaker 1: full bodies of work like that. So that's what I'm like. 441 00:21:58,720 --> 00:22:01,639 Speaker 1: If you're up becoming producer in like Indiana or something like, 442 00:22:01,720 --> 00:22:03,520 Speaker 1: find a dope artist that's in your city and like 443 00:22:03,800 --> 00:22:06,080 Speaker 1: try to build a sound. I think that's doper than 444 00:22:06,200 --> 00:22:09,320 Speaker 1: just getting that one hit record with that popular artist already. 445 00:22:09,359 --> 00:22:11,080 Speaker 1: It's like it's better when you build something from the 446 00:22:11,240 --> 00:22:14,840 Speaker 1: from the mud. Well you checked Riddy off the list 447 00:22:14,880 --> 00:22:17,040 Speaker 1: of artists that people want to see you work with. 448 00:22:17,119 --> 00:22:19,159 Speaker 1: Is there anybody else you really want to work with it? 449 00:22:19,200 --> 00:22:24,199 Speaker 1: For whatever reason, it just hasn't aligned yet. Uh, nobody specifically. 450 00:22:24,240 --> 00:22:26,439 Speaker 1: I mean I always say for real, but that's like 451 00:22:26,520 --> 00:22:29,400 Speaker 1: more so I want him to executive produce a project 452 00:22:29,440 --> 00:22:32,160 Speaker 1: later down the line if I'm able to, if he's 453 00:22:32,200 --> 00:22:35,320 Speaker 1: able to. But nobody specifically right now, I'm trying to 454 00:22:35,320 --> 00:22:41,040 Speaker 1: focus on myself. Yeah, nobody on the R and B side, Nah, 455 00:22:41,200 --> 00:22:44,040 Speaker 1: pretty much work with a lot of people. I gotta 456 00:22:44,080 --> 00:22:48,760 Speaker 1: get back to the blast story for sure. Yeah, I 457 00:22:48,800 --> 00:22:50,560 Speaker 1: mean I've been going for I've been I've been feeling 458 00:22:50,560 --> 00:22:55,200 Speaker 1: like t Pain last year feature crazy Future Crazy. Nowadays, 459 00:22:55,800 --> 00:22:59,720 Speaker 1: let's say major label calls it's a new artist they signed. 460 00:23:00,200 --> 00:23:01,879 Speaker 1: You have no idea who it is, but they're on 461 00:23:02,080 --> 00:23:06,880 Speaker 1: Atlantic and they want that blast sauce. That fucking what's 462 00:23:06,920 --> 00:23:09,879 Speaker 1: that hitting for? You know? I never charged for a 463 00:23:09,960 --> 00:23:14,240 Speaker 1: feature ever ever. No, really, So you're doing it only 464 00:23:14,280 --> 00:23:16,719 Speaker 1: if you truly want to truly like the song. You 465 00:23:16,720 --> 00:23:19,320 Speaker 1: have to like the song, you have to like the artist. Yeah, 466 00:23:20,080 --> 00:23:22,359 Speaker 1: I'm talking about up front. It's a back end cause 467 00:23:22,600 --> 00:23:24,239 Speaker 1: but if I like the song. I'm not gonna give 468 00:23:24,240 --> 00:23:25,919 Speaker 1: you that hash So you feel me? The back end 469 00:23:26,000 --> 00:23:30,240 Speaker 1: is just like the bag or is it the It 470 00:23:30,240 --> 00:23:33,760 Speaker 1: may be the video, it may be the wardrobe for 471 00:23:33,880 --> 00:23:36,520 Speaker 1: the video, things of that nature. You feel me. You 472 00:23:36,560 --> 00:23:38,880 Speaker 1: still got to show up as Blast. I'm still a brand, 473 00:23:38,880 --> 00:23:41,120 Speaker 1: I'm still a company. But on the front end, I'm 474 00:23:41,119 --> 00:23:42,600 Speaker 1: not fee to be like I need fifteen just to 475 00:23:42,640 --> 00:23:45,160 Speaker 1: record the first I need you know. Yo. It sucks 476 00:23:45,200 --> 00:23:47,000 Speaker 1: too because a lot of artists will pay that to 477 00:23:47,240 --> 00:23:50,800 Speaker 1: these features and then the song doesn't get clear. Yeah, 478 00:23:51,119 --> 00:23:55,080 Speaker 1: it's cold games. They got the money. Hey, get your money? 479 00:23:55,119 --> 00:23:57,600 Speaker 1: How you get it? Couldn't be met a What about 480 00:23:57,600 --> 00:24:02,280 Speaker 1: you and T Pain? That'll be crazy? I love T Paying. 481 00:24:02,359 --> 00:24:04,280 Speaker 1: Have you seen his any of his covers? He just 482 00:24:04,280 --> 00:24:06,639 Speaker 1: did a whole album. Yeah, I've been watching that. He 483 00:24:06,680 --> 00:24:10,720 Speaker 1: didn't get the Ozzy Osbourne war Pigs, Yeah he did. 484 00:24:11,640 --> 00:24:14,359 Speaker 1: He did at Sam Cook, Sam Cook, he did Chris 485 00:24:14,359 --> 00:24:17,359 Speaker 1: Stables in the country guy, Oh come man. Yeah, T 486 00:24:17,520 --> 00:24:20,200 Speaker 1: Paying a legend. You guys have never connected never can. 487 00:24:20,320 --> 00:24:21,840 Speaker 1: I think we were supposed to. I think I know 488 00:24:21,920 --> 00:24:26,359 Speaker 1: his manager actually, but he never got on the table officially. 489 00:24:26,400 --> 00:24:28,439 Speaker 1: You gotta make that happen. Man. Yeah, because you're kind 490 00:24:28,440 --> 00:24:30,919 Speaker 1: of like the hook guy now, you know. Yeah, I 491 00:24:30,920 --> 00:24:33,360 Speaker 1: need some songs. I need to ask him a thousand questions. 492 00:24:33,840 --> 00:24:35,520 Speaker 1: When I did the video of Rick Ross, I asked 493 00:24:35,600 --> 00:24:38,280 Speaker 1: him a thousand questions. What questions did you ask a cross? 494 00:24:38,400 --> 00:24:40,520 Speaker 1: I was like, what did you do with your first million? 495 00:24:41,240 --> 00:24:43,160 Speaker 1: What are you saying? It was like the first thing 496 00:24:43,200 --> 00:24:47,399 Speaker 1: I did, I saved it. But he was telling me 497 00:24:47,440 --> 00:24:49,119 Speaker 1: it was like because I told him I lived in 498 00:24:49,240 --> 00:24:50,880 Speaker 1: la He was like, that's the worst place to buy 499 00:24:50,960 --> 00:24:54,239 Speaker 1: real estate. Get something in Atlanta. Atlanta's for sales. It's 500 00:24:54,240 --> 00:24:59,280 Speaker 1: a lot of land. So also the state taxes here suck. Yeah, 501 00:25:00,000 --> 00:25:01,879 Speaker 1: tell me about it. Are you realizing that now that 502 00:25:01,920 --> 00:25:06,560 Speaker 1: you're rich? I wouldn't say that, but you've got that 503 00:25:06,600 --> 00:25:08,359 Speaker 1: guy Vic over there. He will give you some terrible 504 00:25:08,359 --> 00:25:12,440 Speaker 1: tax advice. According to Fuck with Viral, you could write 505 00:25:12,440 --> 00:25:16,920 Speaker 1: your drawer. You know how many CPAs were that he 506 00:25:17,040 --> 00:25:20,280 Speaker 1: cleared it up on the last interview. You know what 507 00:25:20,320 --> 00:25:22,600 Speaker 1: you gotta do. You gotta set up the address in Nevada, 508 00:25:23,800 --> 00:25:27,040 Speaker 1: buy a house out there, just let it sit or 509 00:25:27,119 --> 00:25:28,760 Speaker 1: just have some people rent it. But all the bills 510 00:25:28,760 --> 00:25:31,160 Speaker 1: are in your name. Hey, I take all the advice 511 00:25:31,480 --> 00:25:34,160 Speaker 1: and then you past no state tax because Nevada's that's 512 00:25:34,200 --> 00:25:37,040 Speaker 1: what you do. No, but a rapper who you have 513 00:25:37,080 --> 00:25:41,600 Speaker 1: a lot of songs with does that? Yeah, he's from 514 00:25:41,720 --> 00:25:45,159 Speaker 1: La and like a lot of songs more than two. No, 515 00:25:45,200 --> 00:25:46,919 Speaker 1: I think you only have one or two with them, Okay, 516 00:25:47,040 --> 00:25:50,640 Speaker 1: I think yes, whatever, Yeah, not a lot of songs. 517 00:25:50,720 --> 00:25:52,240 Speaker 1: Speaking of a lot of songs. Have you talked to 518 00:25:52,240 --> 00:25:53,880 Speaker 1: Mazzi if you wrote him since he's been in jailer, 519 00:25:54,040 --> 00:25:56,879 Speaker 1: I haven't. Haven't talked to Mazzi free Mazi man. I 520 00:25:56,960 --> 00:25:59,679 Speaker 1: talked to Davo though, and uh, you say, you know 521 00:25:59,760 --> 00:26:02,600 Speaker 1: he good spirits. So when he gets out, I think 522 00:26:02,640 --> 00:26:05,040 Speaker 1: you guys should do another like dude, just for clarity 523 00:26:05,080 --> 00:26:08,080 Speaker 1: three just all Mazzi features. That'd be crazy. Nah. I 524 00:26:08,119 --> 00:26:10,520 Speaker 1: definitely want to check that off my list sooner or later, 525 00:26:10,600 --> 00:26:13,800 Speaker 1: like a Mazi some type of project, whether it be 526 00:26:14,320 --> 00:26:16,960 Speaker 1: four songs, ten songs, something, because I feel like the 527 00:26:17,040 --> 00:26:20,399 Speaker 1: chemistry we got we ain't missed yet. I feel like 528 00:26:20,400 --> 00:26:22,240 Speaker 1: to Mazzi was like an early believer in you in 529 00:26:22,280 --> 00:26:25,399 Speaker 1: terms of like just like collaborating, and you know, I 530 00:26:25,400 --> 00:26:27,840 Speaker 1: feel like Mazi has a huge following and I feel 531 00:26:27,840 --> 00:26:29,879 Speaker 1: like he put you on some shit that you know 532 00:26:30,119 --> 00:26:33,240 Speaker 1: at that time. I remember a lot of people found 533 00:26:33,280 --> 00:26:37,119 Speaker 1: you through MAZZI definitely shout out Dava for really making 534 00:26:37,119 --> 00:26:40,440 Speaker 1: a play, but I always stay between Mazi and Eric Bellinger. 535 00:26:40,880 --> 00:26:44,080 Speaker 1: That was the first two artists that gave me that platform. 536 00:26:44,200 --> 00:26:45,919 Speaker 1: What did Eric do for you? He gave me a 537 00:26:45,960 --> 00:26:49,119 Speaker 1: feature early. This was before Beno. Eric's great. Yeah, he 538 00:26:49,160 --> 00:26:51,119 Speaker 1: gave me a hook early on. He give you a 539 00:26:51,119 --> 00:26:54,600 Speaker 1: hook early, just through to you. Well we swapped, you know, 540 00:26:54,720 --> 00:26:56,880 Speaker 1: I gave him a hook as well. Has he put 541 00:26:56,920 --> 00:26:59,200 Speaker 1: yours out? Yeah? Okay, I didn't know if he was 542 00:26:59,240 --> 00:27:01,560 Speaker 1: like holding on to you because I've been hearing random 543 00:27:01,600 --> 00:27:03,080 Speaker 1: hooks or years they are like four years old. When 544 00:27:03,119 --> 00:27:05,320 Speaker 1: rappers play me songs, they'd be like, yeah, I got 545 00:27:05,359 --> 00:27:07,480 Speaker 1: a record with Blast. I'm like, I was like, yeah, 546 00:27:07,480 --> 00:27:09,960 Speaker 1: we did this shit in like twenty seventeen, right right right? 547 00:27:10,200 --> 00:27:14,479 Speaker 1: Why haven't you released it? Did you ever like have 548 00:27:14,560 --> 00:27:18,680 Speaker 1: to take shit down online because it's old or unauthorized? 549 00:27:18,840 --> 00:27:21,240 Speaker 1: I did that early on. I did that early on. 550 00:27:21,320 --> 00:27:25,000 Speaker 1: I had a lot of you know, unpolished music up 551 00:27:25,440 --> 00:27:27,199 Speaker 1: and I felt like as a brand, it wasn't you know, 552 00:27:27,720 --> 00:27:29,800 Speaker 1: I mean, I mean like an artist who maybe has 553 00:27:29,800 --> 00:27:32,240 Speaker 1: had a hook for like oh no, no, no no, well, 554 00:27:33,080 --> 00:27:36,919 Speaker 1: I don't know that they've never had to drop on somebody. 555 00:27:38,440 --> 00:27:41,160 Speaker 1: I feel like we are tight knit company. We don't 556 00:27:41,200 --> 00:27:44,439 Speaker 1: really leak too much. We have a small circle anyway 557 00:27:44,480 --> 00:27:47,280 Speaker 1: as far as the creative team, So none of that 558 00:27:47,320 --> 00:27:51,159 Speaker 1: ever happened to me. They did try to leak the 559 00:27:51,160 --> 00:27:53,600 Speaker 1: The Passionate record though, me and Roddy before it came out. 560 00:27:53,640 --> 00:27:56,480 Speaker 1: It was like two days before it came out. Really, yeah, 561 00:27:56,520 --> 00:28:00,280 Speaker 1: but it was also on the Insecure show, like maybe 562 00:28:00,280 --> 00:28:02,359 Speaker 1: a month or two prior so, somebody had it. It's 563 00:28:02,400 --> 00:28:05,040 Speaker 1: been through a lot of hands, yeah, it was, yeah, 564 00:28:05,560 --> 00:28:07,760 Speaker 1: but we got it under control. Yeah. Once it's on 565 00:28:07,800 --> 00:28:09,720 Speaker 1: a TV show. Who knows how many people have touched 566 00:28:09,720 --> 00:28:12,199 Speaker 1: the song or had it in their email at that point. Yeah, 567 00:28:12,359 --> 00:28:15,480 Speaker 1: pretty much. Damn. I remember I used to shout I 568 00:28:15,520 --> 00:28:17,240 Speaker 1: got my name because I used to get the lead 569 00:28:18,520 --> 00:28:21,560 Speaker 1: and made a whole brand off of it, stealing met 570 00:28:22,160 --> 00:28:25,119 Speaker 1: seventeen studios and everything. He doing a bit you're the 571 00:28:25,200 --> 00:28:27,560 Speaker 1: rich one. No no, no, no no, no, you're the rich one. 572 00:28:27,600 --> 00:28:31,120 Speaker 1: Ever since you got that that platinum plaque behind you, 573 00:28:31,119 --> 00:28:33,800 Speaker 1: E've ben running up the bag yeah, what's the next 574 00:28:33,800 --> 00:28:35,720 Speaker 1: song that's about to that? I can get a plaque 575 00:28:35,760 --> 00:28:38,840 Speaker 1: for what's the next song? You gotta have some more certifications. 576 00:28:39,320 --> 00:28:44,280 Speaker 1: Have the the die hard mm hm plaque. That'll be legendary. 577 00:28:45,120 --> 00:28:47,280 Speaker 1: They have they done plaques for that. Not that yet, 578 00:28:48,080 --> 00:28:52,320 Speaker 1: but yeah, that's a legendary situation right there. I'm excited 579 00:28:52,360 --> 00:28:56,160 Speaker 1: for that one. Is it already platinum? We can look 580 00:28:56,200 --> 00:28:59,760 Speaker 1: it up and do the math, but I haven't. Hey, 581 00:28:59,800 --> 00:29:01,200 Speaker 1: we got to stop the interview real quick to tell 582 00:29:01,200 --> 00:29:03,600 Speaker 1: you about our family at odd Socks. Baby, that's right, 583 00:29:03,880 --> 00:29:06,680 Speaker 1: shout out to odd Socks, little godfather sock right there. 584 00:29:06,920 --> 00:29:10,400 Speaker 1: Craziest licenses in the game, the most comfortable socks period. 585 00:29:10,720 --> 00:29:13,120 Speaker 1: And if you go to odd socksofficial dot com right 586 00:29:13,160 --> 00:29:16,080 Speaker 1: now use the promo code Bootleg, you're gonna get twenty 587 00:29:16,240 --> 00:29:18,720 Speaker 1: percent off at checkout now. They also got the underwear 588 00:29:18,800 --> 00:29:21,960 Speaker 1: going on. These are some street fighter draws. Pop these 589 00:29:21,960 --> 00:29:26,560 Speaker 1: boys open check them out? Oh yeah, oh yeah, little 590 00:29:26,600 --> 00:29:33,560 Speaker 1: chun Lee versus Blanco? What amazing? Do you like you 591 00:29:33,600 --> 00:29:36,560 Speaker 1: Who so much that you'd wear you Who on your feet? 592 00:29:37,480 --> 00:29:40,600 Speaker 1: There's people running around out here with goddamn hot cheeto 593 00:29:40,720 --> 00:29:42,840 Speaker 1: jumpsuits right now, so of course you would shout out 594 00:29:42,840 --> 00:29:45,720 Speaker 1: to you who they got crazy licenses. We already mentioned 595 00:29:45,760 --> 00:29:50,040 Speaker 1: street Fighter, Coca Cola, Pepsi, Yes, they got the they 596 00:29:50,080 --> 00:29:52,240 Speaker 1: got the both there. They got Pepsi and Coca cola. 597 00:29:52,800 --> 00:29:55,840 Speaker 1: They also got scarface breaking bad Wwe so many dope 598 00:29:55,880 --> 00:29:58,440 Speaker 1: licenses plus their odd socks basics line, which are these 599 00:29:58,560 --> 00:30:01,320 Speaker 1: just kind of the normal socks? In my opinion, are 600 00:30:01,360 --> 00:30:04,120 Speaker 1: the most comfortable socks I've ever put on my feet. 601 00:30:04,800 --> 00:30:07,920 Speaker 1: I promise you you've got to go to odd socksoficial 602 00:30:07,960 --> 00:30:10,880 Speaker 1: dot com right now and use the promo code Bootleg 603 00:30:11,240 --> 00:30:14,560 Speaker 1: save twenty percent off your entire order, all right, So 604 00:30:14,640 --> 00:30:17,960 Speaker 1: go do that. Odd socksofficial dot Com. Also want to 605 00:30:17,960 --> 00:30:19,880 Speaker 1: give a shout out to our family at hard Dean. 606 00:30:20,080 --> 00:30:23,680 Speaker 1: That's right, Hardan, the craziest dispensary you've ever walked into 607 00:30:23,720 --> 00:30:26,840 Speaker 1: in your life. Hardan, Las Vegas. You gotta pull up. 608 00:30:26,880 --> 00:30:30,480 Speaker 1: Follow them on Instagram, Harden Underscore Las Vegas. You see 609 00:30:30,480 --> 00:30:32,760 Speaker 1: the hat, you see the logo. Shout out to the 610 00:30:32,800 --> 00:30:35,640 Speaker 1: family at Hardean. If you're in Vegas, you gotta stop off, 611 00:30:36,040 --> 00:30:37,640 Speaker 1: you gotta go pick you up some weed. It is 612 00:30:37,720 --> 00:30:40,280 Speaker 1: legal in Vegas. Tell them I sent you. They will 613 00:30:40,320 --> 00:30:43,160 Speaker 1: take care of you, all right. Make sure you follow them. 614 00:30:43,200 --> 00:30:46,360 Speaker 1: Hardening Underscore Las Vegas the largest selection of previous cannabis 615 00:30:46,440 --> 00:30:49,280 Speaker 1: I've ever seen in my life, the best smelling place 616 00:30:49,320 --> 00:30:51,160 Speaker 1: I've ever walked into in my life. They have a 617 00:30:51,160 --> 00:30:53,480 Speaker 1: signature scent that's fucking insane. So shout out to Harden. 618 00:30:53,840 --> 00:30:56,080 Speaker 1: Go follow them Harden Underscore, Las Vegas. Check out more 619 00:30:56,120 --> 00:30:59,680 Speaker 1: info about them at Hardean Las Vegas dot com. Let's 620 00:30:59,680 --> 00:31:02,360 Speaker 1: get back to the interview. YO. I want to say, 621 00:31:02,560 --> 00:31:04,239 Speaker 1: when I was you came out? Did you come out 622 00:31:04,280 --> 00:31:07,520 Speaker 1: with Kendrick at Staple or at Crypto? I didn't, Okay, 623 00:31:07,720 --> 00:31:10,280 Speaker 1: maybe that's what. Maybe I remember being disappointed that you 624 00:31:10,280 --> 00:31:12,480 Speaker 1: didn't because I went to two of the shows. I 625 00:31:12,840 --> 00:31:15,000 Speaker 1: was there at. That show was Legend. I was like, 626 00:31:15,000 --> 00:31:16,920 Speaker 1: this would be a great opportunity to bring Blast out, 627 00:31:17,240 --> 00:31:20,320 Speaker 1: but it was such a like very unique set. I 628 00:31:20,320 --> 00:31:23,280 Speaker 1: feel like it'd be kind of weird to like implement 629 00:31:23,400 --> 00:31:26,400 Speaker 1: like a yeah, the way that show was, it was 630 00:31:26,440 --> 00:31:30,360 Speaker 1: so like choreography and it was very and I was 631 00:31:30,400 --> 00:31:32,960 Speaker 1: on tour at the same time too. We actually performed 632 00:31:33,400 --> 00:31:36,360 Speaker 1: in London. I want to say back to back dates 633 00:31:36,480 --> 00:31:38,680 Speaker 1: like and his venue was right across the street from mine. 634 00:31:39,480 --> 00:31:41,920 Speaker 1: Oh too? Did he give you any advice in terms of, like, 635 00:31:42,040 --> 00:31:43,760 Speaker 1: you know, Rick Ross told you to move out of 636 00:31:43,800 --> 00:31:47,160 Speaker 1: California Kendrick alone, I'm gonna hit him when when I 637 00:31:47,240 --> 00:31:50,080 Speaker 1: really really really need his advice, But i know he'd 638 00:31:50,080 --> 00:31:51,960 Speaker 1: be in his own world, so I'm gonna treat that 639 00:31:52,040 --> 00:31:56,240 Speaker 1: relationship sacredly. There it is, man So album on the way, 640 00:31:56,440 --> 00:31:59,040 Speaker 1: the four pack is out. Now you got a song 641 00:31:59,080 --> 00:32:03,280 Speaker 1: with Larry June. Yeah, who's been killing shit? How long 642 00:32:03,280 --> 00:32:05,760 Speaker 1: have you been hip to Larry's movement? Because he's been 643 00:32:06,840 --> 00:32:08,720 Speaker 1: for the better part of the last ten years building 644 00:32:08,720 --> 00:32:11,400 Speaker 1: an independent powerhouse. Right. I actually got put on Larry 645 00:32:11,480 --> 00:32:15,000 Speaker 1: Jones from VIC. Yeah, he put me onto his music, 646 00:32:15,040 --> 00:32:18,640 Speaker 1: and I really just liked how he branded everything, his 647 00:32:18,960 --> 00:32:23,600 Speaker 1: aesthetic organic. It's all very consistent. Yours is too, though. 648 00:32:23,760 --> 00:32:25,920 Speaker 1: You guys are very purposeful in terms of the branding 649 00:32:25,920 --> 00:32:27,840 Speaker 1: and the aesthetic of all your I feel like all 650 00:32:27,840 --> 00:32:30,800 Speaker 1: your art, everything just flows together right, and I feel 651 00:32:30,840 --> 00:32:32,640 Speaker 1: like it was only right. And I pay attention to 652 00:32:32,640 --> 00:32:35,200 Speaker 1: the comments too, as far as like with the fans 653 00:32:35,200 --> 00:32:37,920 Speaker 1: be wanting from me and stuff, and they always preached 654 00:32:37,920 --> 00:32:40,040 Speaker 1: about Larry Jones. I got a heavy fan base in 655 00:32:40,080 --> 00:32:43,080 Speaker 1: the Bay, so it was perfect. You guys do a swap. 656 00:32:43,800 --> 00:32:46,600 Speaker 1: No we didn't. We didn't not yet you gotta do 657 00:32:46,640 --> 00:32:48,840 Speaker 1: one for him, now, yeah, that's inevitab. We definitely gonna 658 00:32:48,880 --> 00:32:51,320 Speaker 1: cook up some more. Even he just he just popped 659 00:32:51,320 --> 00:32:55,240 Speaker 1: out of my Ja's residency at the in Vegas. Right. 660 00:32:55,880 --> 00:32:59,760 Speaker 1: I forgot you're doing now, yeah, you're rich. What do 661 00:32:59,840 --> 00:33:02,800 Speaker 1: we talking about? You're you gotta They don't be giving 662 00:33:02,840 --> 00:33:06,840 Speaker 1: Dre's residencies. They no lightweights out here. We're building the relationships. 663 00:33:06,960 --> 00:33:08,960 Speaker 1: That's all I could say. How is it like doing 664 00:33:09,000 --> 00:33:13,320 Speaker 1: because I've been to Dre's a million times, and when 665 00:33:13,360 --> 00:33:16,000 Speaker 1: you perform at Dre's, you're performing for your fans, but 666 00:33:16,040 --> 00:33:19,040 Speaker 1: you're also performing for just like tourists that are in town. Right, 667 00:33:19,440 --> 00:33:22,120 Speaker 1: So is it different like when you do a Dre's show? 668 00:33:22,200 --> 00:33:24,040 Speaker 1: Like how because is it kind of like doing a 669 00:33:24,040 --> 00:33:28,520 Speaker 1: club show or is it it's like that pocket right 670 00:33:28,560 --> 00:33:30,920 Speaker 1: in the middle of a like an actual show in 671 00:33:31,000 --> 00:33:33,760 Speaker 1: a club show, but the crowd it felt like it 672 00:33:33,840 --> 00:33:35,800 Speaker 1: was nothing but blast fans up in there the way 673 00:33:35,840 --> 00:33:38,440 Speaker 1: that was screaming word for word. How often are you 674 00:33:38,480 --> 00:33:42,400 Speaker 1: doing it. Well, we just did the first one earlier 675 00:33:42,440 --> 00:33:46,200 Speaker 1: this year. I have another residence residency out there right 676 00:33:46,200 --> 00:33:49,040 Speaker 1: now at daylight. But we're cooking up right now. We're 677 00:33:49,080 --> 00:33:50,880 Speaker 1: just building a relationship for the most part. Do you 678 00:33:50,920 --> 00:33:54,440 Speaker 1: gamble when you're in Vegas? Slightly at the tables? What 679 00:33:54,520 --> 00:33:57,880 Speaker 1: do you play? Though? Cras Craps is the best funniest 680 00:33:57,920 --> 00:34:00,880 Speaker 1: game you could win, really one when you lose him though, 681 00:34:00,880 --> 00:34:04,600 Speaker 1: because you can lose fast exactly, Man Craps, You'll be 682 00:34:04,600 --> 00:34:06,040 Speaker 1: fucking on a run and they'd be like, let me 683 00:34:06,040 --> 00:34:09,000 Speaker 1: buy all the fucking numbers. That's seven in Still. Yeah, 684 00:34:09,000 --> 00:34:10,920 Speaker 1: I'm still a student though, so I you know, I 685 00:34:11,000 --> 00:34:13,399 Speaker 1: play sale. You know who's really good at crabs. Who 686 00:34:13,440 --> 00:34:15,880 Speaker 1: taught me was DJ Head. He's a degenerate gambler. He 687 00:34:15,920 --> 00:34:19,120 Speaker 1: would never let you picture him gambling, of course, not 688 00:34:19,160 --> 00:34:21,719 Speaker 1: because he's perfect, but he is a that is his 689 00:34:21,800 --> 00:34:25,080 Speaker 1: one black mark. He got something on him. He's a gambler. 690 00:34:25,400 --> 00:34:28,240 Speaker 1: Motherfucker on the trap table. It's like watching Tiger Woods 691 00:34:28,239 --> 00:34:31,160 Speaker 1: play golf. That's crazy. I just I never knew how 692 00:34:31,200 --> 00:34:32,880 Speaker 1: to play crabs until me and Head went to Vegas 693 00:34:32,960 --> 00:34:36,720 Speaker 1: and it was like watching art. Yeah, he's amazing. At crabs. 694 00:34:36,719 --> 00:34:38,040 Speaker 1: I don't know if you could be good at craps, 695 00:34:38,040 --> 00:34:40,680 Speaker 1: but he was, Yeah, yeah, craps is fun. That's grazy. 696 00:34:40,680 --> 00:34:43,120 Speaker 1: I cannot picture DJ head gambling. You've been in any 697 00:34:43,200 --> 00:34:46,600 Speaker 1: Vegas strip clubs? Not at all. You gotta go stay 698 00:34:46,600 --> 00:34:50,879 Speaker 1: away from ship clubs. Why just a smart thing to do. 699 00:34:51,360 --> 00:34:54,799 Speaker 1: Save your dollars. No, you go and you eat, you 700 00:34:54,920 --> 00:34:56,640 Speaker 1: go and eat. You gotta go and get the chicken 701 00:34:56,680 --> 00:34:59,200 Speaker 1: wings out, eat chicken. See, I don't got no reason 702 00:34:59,200 --> 00:35:02,879 Speaker 1: at the club vegan something like that. What's that mean? 703 00:35:03,560 --> 00:35:07,279 Speaker 1: A vegan? Are you vegan? I'm a I'm a picky eater. 704 00:35:07,760 --> 00:35:10,439 Speaker 1: I'm tired of the titles. You feel me. You don't 705 00:35:10,480 --> 00:35:13,279 Speaker 1: eat chicken? No, I haven't ate chicken in probably like 706 00:35:13,320 --> 00:35:17,120 Speaker 1: twelve years. Why so good? So where do you get 707 00:35:17,120 --> 00:35:20,040 Speaker 1: your protein from? It's a lot of Yeah, we're not 708 00:35:20,040 --> 00:35:22,319 Speaker 1: even finna dive all the way. You eat fish? Where 709 00:35:22,360 --> 00:35:27,000 Speaker 1: do cows get their protein from? What about gorilla's? This 710 00:35:27,080 --> 00:35:30,799 Speaker 1: guy's fucking This guy right here is the same. He's like, yeah, 711 00:35:30,840 --> 00:35:35,560 Speaker 1: you tell him, motherfucker. So you don't eat fish or anything? Yeah, 712 00:35:35,640 --> 00:35:38,560 Speaker 1: you fish occasionally. That's like the only thing I go 713 00:35:38,640 --> 00:35:41,040 Speaker 1: to as far as when I tell you had a steak, 714 00:35:42,280 --> 00:35:44,400 Speaker 1: I don't think I ever had a steak in my life. 715 00:35:44,680 --> 00:35:47,160 Speaker 1: Oh you're I never liked even as a kid, that 716 00:35:47,320 --> 00:35:50,200 Speaker 1: poor guy and likes too chewy. You don't You never 717 00:35:50,239 --> 00:35:52,880 Speaker 1: had an in and out? Yeah? I probably had in 718 00:35:52,960 --> 00:35:56,520 Speaker 1: and out when I was younger. You don't need burgers, 719 00:35:56,840 --> 00:35:59,600 Speaker 1: vecchi burgers. It's the same thing. It's twenty twenty three. 720 00:35:59,600 --> 00:36:01,359 Speaker 1: You're trying to tell me a veggie burger that tastes 721 00:36:01,400 --> 00:36:04,560 Speaker 1: like ass cheeks is the same You ever have urger? Guys? 722 00:36:04,680 --> 00:36:07,520 Speaker 1: Nobody wants none of that bullshit. Shut out burger guys, 723 00:36:07,520 --> 00:36:10,440 Speaker 1: black independent, shout out to them, support the company. They 724 00:36:10,520 --> 00:36:14,200 Speaker 1: going crazy, fire, better than in and out, better than everything. 725 00:36:14,239 --> 00:36:17,360 Speaker 1: You're a fucking liar. Don't tell people that this is crazy. 726 00:36:17,920 --> 00:36:21,640 Speaker 1: I'm serious. Try it so you okay? On a daily basis, 727 00:36:21,680 --> 00:36:23,799 Speaker 1: you wait, like, are you eating salads all fucking day? 728 00:36:24,120 --> 00:36:27,799 Speaker 1: Peanut butter? What are you eating? I eat everything you 729 00:36:28,480 --> 00:36:30,839 Speaker 1: regular person would eat. Just a veggie style, a lot 730 00:36:30,840 --> 00:36:33,880 Speaker 1: of potato chips, a lot of cereal. I am a 731 00:36:33,880 --> 00:36:37,000 Speaker 1: heavy potato chippy eater. Unfortunately that's what your favorite choice. 732 00:36:37,840 --> 00:36:40,960 Speaker 1: I like hot cheetos. That will fuck you up. It 733 00:36:41,000 --> 00:36:42,560 Speaker 1: will you won't need a steak, but you're gonna eat 734 00:36:42,560 --> 00:36:45,319 Speaker 1: that bullshit? No? Yeah, tell me about it. What do 735 00:36:45,320 --> 00:36:50,280 Speaker 1: you think is worse for you the steak? You're crazy? 736 00:36:50,800 --> 00:36:53,279 Speaker 1: What about Do you eat a lot of cereal? I 737 00:36:53,280 --> 00:36:56,359 Speaker 1: don't eat cereal at all, never in life. No, I'm 738 00:36:56,360 --> 00:36:59,239 Speaker 1: more of a fruit guy before cereal as a kid, 739 00:36:59,320 --> 00:37:02,560 Speaker 1: you didn't eat Yeah, growing up, I ate you know 740 00:37:03,080 --> 00:37:07,319 Speaker 1: you never bust nine PM bowl of Lucky Charms. Na. 741 00:37:08,320 --> 00:37:14,719 Speaker 1: I'm a noodles type of guy, like ramon am the pack. Yeah. 742 00:37:15,400 --> 00:37:17,319 Speaker 1: Do you have anything special with the noodles? Are we 743 00:37:17,360 --> 00:37:19,800 Speaker 1: putting in hot sauce or cheese or anything? Nah, I 744 00:37:19,800 --> 00:37:22,120 Speaker 1: ain't going to We're not in jail now. We're gonna 745 00:37:22,160 --> 00:37:25,040 Speaker 1: eat them regular. We ain't making a spread. We gotta 746 00:37:25,080 --> 00:37:28,840 Speaker 1: get you some cereal and some steak. What's your favorite cereal? Ever? 747 00:37:30,160 --> 00:37:32,439 Speaker 1: It goes back and forth. I got three. I lose 748 00:37:32,480 --> 00:37:34,200 Speaker 1: the one with the frog on it that used to 749 00:37:34,239 --> 00:37:38,799 Speaker 1: be SPACs. I love. I like peanut butter crunch, even 750 00:37:38,800 --> 00:37:41,200 Speaker 1: though it's the roof of your mouth up. Yeah. I 751 00:37:41,280 --> 00:37:47,759 Speaker 1: like apple jacks and Lucky Charms. Everything with sugar. Se 752 00:37:47,880 --> 00:37:49,400 Speaker 1: you used to put the extra sugar you know how 753 00:37:49,440 --> 00:37:52,480 Speaker 1: people put that only in cheerios. You get the regular cheerios, 754 00:37:52,520 --> 00:37:54,400 Speaker 1: you put the sugar in it. Yeah, that's real. Ghetto 755 00:37:54,840 --> 00:37:58,000 Speaker 1: is a ghetto unhealthy? You eat hot cheetos. I don't 756 00:37:58,000 --> 00:38:03,080 Speaker 1: want a steak. Yeah, steak is good. It's dead. Well, 757 00:38:03,120 --> 00:38:05,080 Speaker 1: I mean, you would you rather meet by a live 758 00:38:05,160 --> 00:38:08,759 Speaker 1: cow's ass? You know? Actually I don't, you have a 759 00:38:10,400 --> 00:38:13,799 Speaker 1: says the guy with the dead cow on his fucking coat. 760 00:38:13,880 --> 00:38:18,759 Speaker 1: Right now, you've got come on now, you're too good 761 00:38:18,760 --> 00:38:20,719 Speaker 1: to eat it, but you'll wear the cow. This is 762 00:38:20,800 --> 00:38:25,400 Speaker 1: Jeff Hamilton. It's different. It's premium. You're you know what 763 00:38:25,440 --> 00:38:29,560 Speaker 1: you are. You're a hypocrite, You're right, I am all right, 764 00:38:29,600 --> 00:38:32,480 Speaker 1: Well listen, man, I'm human. That's what I am. Everybody's 765 00:38:32,480 --> 00:38:34,680 Speaker 1: a hypocrite. Yeah, look, we gotta get you on some 766 00:38:34,760 --> 00:38:37,280 Speaker 1: fucking meat. Bro. Pause, you know what I mean. I'm mighty. 767 00:38:38,280 --> 00:38:41,320 Speaker 1: Ya have a good day. Blast. The new single with 768 00:38:41,440 --> 00:38:45,239 Speaker 1: Roddy Rich is out everywhere requested obviously. The four pack 769 00:38:45,360 --> 00:38:49,120 Speaker 1: is out just for clarity to absolute album before the 770 00:38:49,200 --> 00:38:51,120 Speaker 1: end of the year. It's we don't know yet, we 771 00:38:51,120 --> 00:38:54,719 Speaker 1: don't know yet. You're very methodical. Yeah, yeah, yeah, we're 772 00:38:54,719 --> 00:38:57,799 Speaker 1: gonna be in your face though regardless. Pause, okay, and 773 00:38:58,000 --> 00:39:01,239 Speaker 1: uh is the video was body out yet? No? It's not. 774 00:39:01,400 --> 00:39:04,600 Speaker 1: It's dropping real soon. Did you direct it? I did not? 775 00:39:05,239 --> 00:39:08,960 Speaker 1: Is that all Blue sat direct? Dave? There it is? Well, look, 776 00:39:08,960 --> 00:39:11,520 Speaker 1: go support this guy. We need to start a go 777 00:39:11,600 --> 00:39:14,120 Speaker 1: fund me for him to be better. We just all 778 00:39:14,160 --> 00:39:17,120 Speaker 1: need to just get you some Kobe beef. You're rich. 779 00:39:17,160 --> 00:39:19,000 Speaker 1: We don't need to give you a go funding. We 780 00:39:19,000 --> 00:39:22,640 Speaker 1: need to take you to a nice steakhouse. Vic. Are 781 00:39:22,680 --> 00:39:27,400 Speaker 1: you on the same level good at least not everyone 782 00:39:27,400 --> 00:39:33,000 Speaker 1: in your team's in team? Yeah? Would you go fish 783 00:39:34,719 --> 00:39:40,000 Speaker 1: eat you like chicken nuggets? Hell? Vegan chicken nuggets? Hell? Yeah? 784 00:39:40,239 --> 00:39:45,840 Speaker 1: That ship? Is that? Sh is? It tastes like fucking 785 00:39:46,400 --> 00:39:48,000 Speaker 1: First of all, they can't call it you. I'm tired 786 00:39:48,000 --> 00:39:51,520 Speaker 1: of these vegan fucks calling things vegan something like vegan 787 00:39:51,600 --> 00:39:56,480 Speaker 1: chicken wings. Just call it like a chick pee ball. 788 00:39:56,840 --> 00:39:59,440 Speaker 1: It's not a fucking chicken anyway. That's how we in 789 00:39:59,480 --> 00:40:02,960 Speaker 1: the interview, Guy us Shuttle Dietary shout out the bouleg 790 00:40:03,200 --> 00:40:05,279 Speaker 1: my guy. I appreciate you, brother, appreciate Yes, sir,