1 00:00:01,440 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan. Number two. 2 00:00:06,400 --> 00:00:09,520 Speaker 1: What's up, y'all, Welcome to the Best Bits podcast. This 3 00:00:09,600 --> 00:00:12,720 Speaker 1: is just the Bits, y'all Part one with Amy. We 4 00:00:12,840 --> 00:00:15,360 Speaker 1: broke down so many things, talked about who we'd love 5 00:00:15,440 --> 00:00:18,520 Speaker 1: to go on tour with, what situations it's acceptable to 6 00:00:18,680 --> 00:00:21,120 Speaker 1: not talk to an employee, and when you're giving us 7 00:00:21,200 --> 00:00:24,520 Speaker 1: getting a service done. We talked about some food worlds. 8 00:00:24,520 --> 00:00:27,040 Speaker 1: It is a super fun conversation and of course we 9 00:00:27,080 --> 00:00:29,120 Speaker 1: had a little bit of therapy mixed in there too, 10 00:00:29,240 --> 00:00:31,680 Speaker 1: So make sure you check out Part one of the 11 00:00:31,760 --> 00:00:34,640 Speaker 1: Best Bits with Amy. But this right now is just 12 00:00:34,720 --> 00:00:38,320 Speaker 1: the bits, So without further ado, let's starve with number seven. 13 00:00:38,479 --> 00:00:41,559 Speaker 1: But guys this week admitted some things about their marriages, 14 00:00:41,640 --> 00:00:45,120 Speaker 1: how they are in marriages, not just marriages, but how 15 00:00:45,120 --> 00:00:48,280 Speaker 1: they are in their marriages and what they do or 16 00:00:48,440 --> 00:00:51,400 Speaker 1: don't do. Number seven. All right, we have a good 17 00:00:51,400 --> 00:00:55,840 Speaker 1: amount of dudes on this show, lunchbox, Eddie who self, 18 00:00:55,920 --> 00:00:57,920 Speaker 1: So the four of us here, we're gonna take this quiz. 19 00:00:58,600 --> 00:01:00,680 Speaker 1: Are these things that we do because if we do 20 00:01:00,680 --> 00:01:04,320 Speaker 1: them it drives our wives or girlfriends, But we're all married. 21 00:01:04,600 --> 00:01:07,760 Speaker 1: Crazy Number one, when you're going to fix it mode, 22 00:01:07,760 --> 00:01:09,800 Speaker 1: meaning not allowing a problem to be solved over time 23 00:01:09,880 --> 00:01:11,720 Speaker 1: or having patience. You just want to fix it right now. 24 00:01:12,440 --> 00:01:14,479 Speaker 1: I would say. This is what I'm absolutely the worst at. 25 00:01:14,560 --> 00:01:17,360 Speaker 1: If there's something that is bothering her or she is 26 00:01:17,480 --> 00:01:20,800 Speaker 1: upset about something, I only go I'm gonna fix it 27 00:01:20,880 --> 00:01:22,800 Speaker 1: right now. It doesn't matter what it is, but I 28 00:01:22,840 --> 00:01:24,840 Speaker 1: will take care of it. I don't even really want 29 00:01:24,840 --> 00:01:27,920 Speaker 1: to listen anymore. I just want to go and kick 30 00:01:28,000 --> 00:01:30,360 Speaker 1: down the wall and fix the problem. It's not good. 31 00:01:30,400 --> 00:01:33,319 Speaker 1: And sometimes they don't need the problem fix Sometimes she 32 00:01:33,360 --> 00:01:36,800 Speaker 1: just wants me to hear her feel what she's feeling, 33 00:01:37,680 --> 00:01:39,759 Speaker 1: and that's all I would say most of the time. 34 00:01:40,040 --> 00:01:44,440 Speaker 1: That's crazy to me, the fact that there's a problem 35 00:01:44,600 --> 00:01:46,440 Speaker 1: and you don't want me to go and stomp out 36 00:01:46,480 --> 00:01:51,600 Speaker 1: the problem by either stomping or massaging. Right, there's two ways. Oh, 37 00:01:51,800 --> 00:01:55,200 Speaker 1: this is the number one for me. I'm terrible at it. So, yes, 38 00:01:55,240 --> 00:01:57,560 Speaker 1: I would get that edd's happened to you. Man, you 39 00:01:57,560 --> 00:01:59,160 Speaker 1: would think as long as I've been married, I would 40 00:01:59,240 --> 00:02:02,000 Speaker 1: know that. But I still try to fix everything. Lunchbox. 41 00:02:02,200 --> 00:02:03,920 Speaker 1: I'm a fixer. I try to help my wife she 42 00:02:03,920 --> 00:02:05,880 Speaker 1: has problems. I'm gonna fix it. She tells me something's 43 00:02:05,880 --> 00:02:08,200 Speaker 1: lose the door handle. No, they're not talking about it, 44 00:02:08,360 --> 00:02:11,799 Speaker 1: not literal. We're talking about problems like issues in life. 45 00:02:12,680 --> 00:02:14,840 Speaker 1: Sometimes we just need to vent and share and have 46 00:02:14,919 --> 00:02:16,960 Speaker 1: someone listen. No, I don't try to fix those problems. 47 00:02:17,080 --> 00:02:23,760 Speaker 1: You don't do you do? You just listen? Kinds Okay, right, yeah, 48 00:02:23,800 --> 00:02:26,200 Speaker 1: we're gonna fix it. It It doesn't linger too long. Okay. 49 00:02:26,240 --> 00:02:28,680 Speaker 1: Next one up. When you don't balance your hobbies well 50 00:02:28,960 --> 00:02:30,639 Speaker 1: meaning if you have a hobby and you spend eight 51 00:02:30,720 --> 00:02:33,560 Speaker 1: nineteen hours doing it, it it takes time away from everybody. Um, 52 00:02:33,639 --> 00:02:37,480 Speaker 1: I would insert work into this for me where that's 53 00:02:37,480 --> 00:02:39,320 Speaker 1: a big struggle where sometimes I would just lose track 54 00:02:39,320 --> 00:02:42,400 Speaker 1: of time because I'm so dialed into a project or 55 00:02:42,440 --> 00:02:44,560 Speaker 1: writing something. And she's like, hey, yeah, I've been working 56 00:02:44,600 --> 00:02:47,240 Speaker 1: for like fifteen hours a day. You know, any chance 57 00:02:47,280 --> 00:02:50,080 Speaker 1: you want to eat or you know? Yeah, And that 58 00:02:50,160 --> 00:02:51,960 Speaker 1: is that is something I'm trying to work on. I'm 59 00:02:51,960 --> 00:02:53,960 Speaker 1: trying to do better at it. But I wouldn't say 60 00:02:53,960 --> 00:02:55,919 Speaker 1: it's hobbies. But I will say I will sit on 61 00:02:55,960 --> 00:02:58,799 Speaker 1: the PlayStation sometimes and lose track, and then what will 62 00:02:58,840 --> 00:03:01,080 Speaker 1: happen too is I will work for all day twelve 63 00:03:01,120 --> 00:03:02,800 Speaker 1: hours and then I'll go. I just need to go 64 00:03:02,800 --> 00:03:04,640 Speaker 1: and relax and play PlayStation for a little bit for 65 00:03:04,680 --> 00:03:06,079 Speaker 1: four hours and no time time go to bed, and 66 00:03:06,080 --> 00:03:08,600 Speaker 1: I haven't seen anybody except work and PlayStation. So the 67 00:03:08,720 --> 00:03:12,160 Speaker 1: balancing I'm getting better at, but I'm still pretty bad, Eddie. Nah, 68 00:03:12,200 --> 00:03:14,200 Speaker 1: I have no problem with balance. I am pretty good 69 00:03:14,240 --> 00:03:16,920 Speaker 1: at doing whatever I'm going to do on the size, hobbies, go, 70 00:03:17,000 --> 00:03:19,960 Speaker 1: and then spending family time wifetime. I can do all that. 71 00:03:20,160 --> 00:03:22,160 Speaker 1: The next one is not complimenting her, right, you have 72 00:03:22,160 --> 00:03:24,040 Speaker 1: an issue with this? Are you good? I try to 73 00:03:24,040 --> 00:03:27,600 Speaker 1: compliment her, especially at the pool rocking that bikini. Oh nice. 74 00:03:27,800 --> 00:03:30,560 Speaker 1: I compliment my wife a lot. I make a point 75 00:03:30,600 --> 00:03:32,600 Speaker 1: to do that. So that one I'm okay. Yet the 76 00:03:32,600 --> 00:03:34,760 Speaker 1: next one they say is when you can't leave work 77 00:03:34,840 --> 00:03:39,000 Speaker 1: stress at the door, meaning you bring it home, Eddie. 78 00:03:39,160 --> 00:03:42,080 Speaker 1: I mean I have about two hours of where I 79 00:03:42,120 --> 00:03:45,400 Speaker 1: can decompress without them being there because my kids and 80 00:03:45,440 --> 00:03:47,600 Speaker 1: my wife don't get home till about four, so I 81 00:03:47,640 --> 00:03:50,080 Speaker 1: have that time. But you don't get home till three. 82 00:03:50,160 --> 00:03:51,600 Speaker 1: I get there about three and then I play, I 83 00:03:51,600 --> 00:03:54,480 Speaker 1: don't need to be you're always here till three. Yeah, 84 00:03:54,480 --> 00:03:59,000 Speaker 1: I'm working. Ray, Yeah, Eddie, you're funny, man, you're flunny. 85 00:03:59,200 --> 00:04:02,240 Speaker 1: But no, no, no, no, I'm good. You don't have 86 00:04:02,240 --> 00:04:05,520 Speaker 1: to worry about me, lunchbox. I don't stress over work. Yeah, yeah, 87 00:04:05,760 --> 00:04:08,000 Speaker 1: zero stress. Yeah, I don't think I stress over I 88 00:04:08,000 --> 00:04:10,680 Speaker 1: just always I'm in it. But maybe that is stress. 89 00:04:11,080 --> 00:04:13,960 Speaker 1: These are things that your wives or girlfriends find that 90 00:04:14,120 --> 00:04:16,480 Speaker 1: will drive them crazy. Fighting dirty, meaning if you get 91 00:04:16,480 --> 00:04:17,880 Speaker 1: into an argument you say things you're like, oh, man, 92 00:04:17,920 --> 00:04:21,159 Speaker 1: I wish I wouldn't have said that. Yeah, I just 93 00:04:21,200 --> 00:04:22,800 Speaker 1: am too competitive in every part of my life that 94 00:04:22,839 --> 00:04:24,480 Speaker 1: I just want to win everything all the time. It 95 00:04:24,520 --> 00:04:26,240 Speaker 1: doesn't matter where it is, a game, on the show, 96 00:04:26,600 --> 00:04:31,159 Speaker 1: a disagreement. I probably could do better at this, Yeah, 97 00:04:31,320 --> 00:04:33,520 Speaker 1: probably a lot better. Yeah yeah, yeah, anybody else, I'll 98 00:04:33,560 --> 00:04:36,320 Speaker 1: say the same blow. Oh you do, I go low blow. No, 99 00:04:36,560 --> 00:04:39,479 Speaker 1: that's the first thing you go for, like what you 100 00:04:39,560 --> 00:04:41,360 Speaker 1: just go low blow? Or bring up something she did 101 00:04:41,360 --> 00:04:43,960 Speaker 1: in the past and she did in the past, yeah, 102 00:04:44,000 --> 00:04:45,480 Speaker 1: because let me write this down hole and go ahead, 103 00:04:46,040 --> 00:04:48,640 Speaker 1: just listen. And so you're in this argument and maybe 104 00:04:48,640 --> 00:04:50,719 Speaker 1: if you're gonna lose this argument, maybe she has a point. 105 00:04:50,720 --> 00:04:52,799 Speaker 1: You're like, dang, you go, well, you did this remember 106 00:04:52,839 --> 00:04:54,760 Speaker 1: two weeks ago? And it's something you just bring up 107 00:04:54,760 --> 00:04:57,000 Speaker 1: an old argument like seeing you do things wrong too, 108 00:04:57,200 --> 00:04:59,400 Speaker 1: and take the whole focus off that argument, and then 109 00:04:59,440 --> 00:05:00,960 Speaker 1: she gets mad that you went back to the past 110 00:05:01,160 --> 00:05:03,200 Speaker 1: focus off argument. I don't write that down. No, no, no no, 111 00:05:03,279 --> 00:05:06,279 Speaker 1: I'm gonna use this work hit her with like what 112 00:05:06,400 --> 00:05:09,760 Speaker 1: she's most insecure about, stuff like that. Yeah, gets all right. 113 00:05:09,800 --> 00:05:12,760 Speaker 1: The final one is do you ever compare her to 114 00:05:12,800 --> 00:05:15,880 Speaker 1: other women? Oh? Yeah, don't do that. I would never 115 00:05:15,920 --> 00:05:18,559 Speaker 1: do that. Never, I would never do that. Yeah, No, 116 00:05:19,880 --> 00:05:21,840 Speaker 1: what do you what do you say? Like, Well, it's 117 00:05:21,839 --> 00:05:24,039 Speaker 1: just easy. It's sort of like, oh, you don't see 118 00:05:24,080 --> 00:05:25,960 Speaker 1: her doing this, or you know, you don't see her 119 00:05:25,960 --> 00:05:28,279 Speaker 1: eating that, or you don't see her like Sally wears 120 00:05:28,279 --> 00:05:31,479 Speaker 1: a thong. Ye, I don't know that I've ever meta 121 00:05:31,560 --> 00:05:34,839 Speaker 1: Sally that I want to wear. Ang. Yeah, Sally Jesse Raffael, 122 00:05:35,000 --> 00:05:40,280 Speaker 1: that's it. I'm yeah, yeah, that's only two salies. I know. 123 00:05:42,040 --> 00:05:44,240 Speaker 1: Comparing your wife to other women? Ray ever for any reason. Now, 124 00:05:44,320 --> 00:05:46,440 Speaker 1: my wife's been throwing these women out there, like movie 125 00:05:46,440 --> 00:05:49,000 Speaker 1: stars and stuff, and I'm just like, nah, not into that. Same. Yeah, 126 00:05:49,040 --> 00:05:50,320 Speaker 1: I'm like, what do you mean you're not. I'm like this, 127 00:05:50,520 --> 00:05:56,520 Speaker 1: just stop. So those are the things that we do 128 00:05:56,839 --> 00:05:58,520 Speaker 1: that drives them crazy and we got to stop doing it, 129 00:05:58,560 --> 00:06:01,600 Speaker 1: comparing to other women fighting dirty, not leaving stress at 130 00:06:01,600 --> 00:06:04,400 Speaker 1: the door, not complimenting are enough, not balancing well, and 131 00:06:04,400 --> 00:06:07,000 Speaker 1: then when we try to fix problems, not door knobs, 132 00:06:07,040 --> 00:06:10,560 Speaker 1: but like im emotional Yeah, I don't know, that's her deal, 133 00:06:10,839 --> 00:06:13,120 Speaker 1: that's what. That's her deal when she has an emotional problem, 134 00:06:13,480 --> 00:06:15,760 Speaker 1: solve it, Like she doesn't solve my emotional problems because 135 00:06:15,800 --> 00:06:19,000 Speaker 1: guess what, I ain't got any good point. Why don't 136 00:06:19,040 --> 00:06:22,080 Speaker 1: you what is there a good emotional about everybody? Does 137 00:06:22,320 --> 00:06:25,680 Speaker 1: you know? Anger's an emotion? Right? I don't have anger? Okay, 138 00:06:25,720 --> 00:06:30,200 Speaker 1: I have annoyance by people like you read thank you? 139 00:06:30,520 --> 00:06:34,320 Speaker 1: The more you know, it's the best bits of the 140 00:06:34,360 --> 00:06:39,240 Speaker 1: week with Morgan. Number two, we had Ali Colleen on 141 00:06:39,279 --> 00:06:42,440 Speaker 1: the show this week. She performed her new song Halos 142 00:06:42,480 --> 00:06:45,600 Speaker 1: and Horns and it was absolutely fabulous. Not only that, 143 00:06:45,839 --> 00:06:49,240 Speaker 1: she also talked about all of her tattoos, which was 144 00:06:49,800 --> 00:06:52,039 Speaker 1: such a fun story to hear, especially about her face 145 00:06:52,080 --> 00:06:56,279 Speaker 1: tattoos and how they're temporary. But like, uh not, I 146 00:06:56,279 --> 00:06:58,120 Speaker 1: don't know. You just gotta listen to the interview to 147 00:06:58,160 --> 00:07:00,360 Speaker 1: hear everything about it, because I promise you it's such 148 00:07:00,360 --> 00:07:03,480 Speaker 1: a fun one, especially getting to hear her new song 149 00:07:04,040 --> 00:07:06,960 Speaker 1: number six. All right, moments away from Alie Colleen in 150 00:07:07,000 --> 00:07:09,000 Speaker 1: the interview. Here, she's going to perform in studio and 151 00:07:09,080 --> 00:07:12,200 Speaker 1: she'll probably mention it. I'm not gonna bring it up 152 00:07:12,240 --> 00:07:14,120 Speaker 1: because I think you know she's a great artist on 153 00:07:14,160 --> 00:07:17,720 Speaker 1: her own, but she's a singer songwriter. She's also the 154 00:07:17,800 --> 00:07:20,680 Speaker 1: daughter of Garth Brooks. Her grandmother is the one that 155 00:07:21,120 --> 00:07:23,920 Speaker 1: really got her interested in singing. And she's performing on 156 00:07:23,920 --> 00:07:26,880 Speaker 1: our show before, really great, and she's here now like 157 00:07:26,960 --> 00:07:31,040 Speaker 1: an in all right, here we go Ali Colleen on 158 00:07:31,160 --> 00:07:34,360 Speaker 1: the Bobby Bones Show. Now, Allie Colleen, Ali got to 159 00:07:34,360 --> 00:07:37,280 Speaker 1: see again. Good morning. So I want to start this 160 00:07:37,320 --> 00:07:41,440 Speaker 1: with We had a guy in named Jellyroll. I don't 161 00:07:41,480 --> 00:07:43,480 Speaker 1: know if you're familiar with his music. He's like a 162 00:07:43,600 --> 00:07:46,760 Speaker 1: rapper also has it okay, well great, And Amy goes 163 00:07:46,800 --> 00:07:49,640 Speaker 1: to him immediately because he has a tear drop tattoo 164 00:07:49,840 --> 00:07:52,440 Speaker 1: and goes, hey, that tear drop tattoo. It's filled in, 165 00:07:52,680 --> 00:07:55,320 Speaker 1: And we're like no, no, no, no, no, don't ask 166 00:07:55,360 --> 00:07:58,480 Speaker 1: about that, because what that means usually is they killed somebody. 167 00:07:58,680 --> 00:08:03,000 Speaker 1: If it's empty, it's attempted, and if it's full, they did, 168 00:08:03,120 --> 00:08:05,400 Speaker 1: and I believe it's answer. We didn't even wanted to 169 00:08:05,400 --> 00:08:08,680 Speaker 1: ask it, and she asked it and he's like, well, 170 00:08:08,760 --> 00:08:11,840 Speaker 1: let me just say promise is fulfilled or something like that. 171 00:08:12,120 --> 00:08:14,160 Speaker 1: I'm not even sure what happened. If it represents the 172 00:08:14,240 --> 00:08:17,440 Speaker 1: scariest way to answer a question, here's that chat or something. Yes, 173 00:08:17,800 --> 00:08:20,960 Speaker 1: So that being said, I'm gonna ask. I'm gonna ask her. 174 00:08:21,000 --> 00:08:23,040 Speaker 1: I'm gonna break like you your tear drop tattoo? Did 175 00:08:23,080 --> 00:08:25,880 Speaker 1: you kill somebody? Um? I get that question a lot 176 00:08:25,920 --> 00:08:28,400 Speaker 1: on TikTok. I get a lot of nice prison tat 177 00:08:28,400 --> 00:08:30,120 Speaker 1: and I'm always like, you understand if that's the case, 178 00:08:30,160 --> 00:08:32,480 Speaker 1: I'm out right, what is that tattoo? It's not a 179 00:08:32,520 --> 00:08:35,440 Speaker 1: tear drop too, so today it's a ninety eight for 180 00:08:35,520 --> 00:08:37,680 Speaker 1: you guys. It's not real. Oh that's not a real 181 00:08:37,760 --> 00:08:39,960 Speaker 1: tattoo under your eye. No, because I thought it was 182 00:08:40,040 --> 00:08:42,079 Speaker 1: new and I thought she'd possibly just murdered someone in 183 00:08:42,080 --> 00:08:44,440 Speaker 1: the last few days. Well that I'm not I'm not 184 00:08:44,440 --> 00:08:46,880 Speaker 1: discrediting any of that, but this right here is a 185 00:08:46,960 --> 00:08:51,040 Speaker 1: fake tattoo. No, Um, I do because for my my 186 00:08:51,200 --> 00:08:53,400 Speaker 1: throat tattoo. I wore temporaries for a long time to 187 00:08:53,440 --> 00:08:55,400 Speaker 1: make sure that, like I liked the placement and like, 188 00:08:55,400 --> 00:08:56,920 Speaker 1: if I looked this way, you could still tell what 189 00:08:56,920 --> 00:08:59,679 Speaker 1: it was, and like all those different things, and so 190 00:08:59,720 --> 00:09:02,560 Speaker 1: then and I love face hats. I think they're wrap. 191 00:09:03,280 --> 00:09:04,800 Speaker 1: Are you thinking about it? I really do, so I 192 00:09:04,840 --> 00:09:06,720 Speaker 1: was thinking about it, so I started wearing temporaries for that. 193 00:09:07,080 --> 00:09:10,200 Speaker 1: But then it just became this whole thing. So when 194 00:09:10,200 --> 00:09:11,880 Speaker 1: I go to like my friend shows, I put their 195 00:09:11,880 --> 00:09:14,439 Speaker 1: logo as my face tat or like today the big 196 00:09:14,520 --> 00:09:17,400 Speaker 1: ninety eight is the facetat um. Usually it's a horseshoe 197 00:09:17,600 --> 00:09:21,280 Speaker 1: or like a rose or something like that. But it's 198 00:09:21,280 --> 00:09:22,760 Speaker 1: just kind of became a thing. And now our fan 199 00:09:22,800 --> 00:09:24,600 Speaker 1: club will pick the tat per show, like I'll give 200 00:09:24,640 --> 00:09:26,040 Speaker 1: him a couple of options and let's pick what they 201 00:09:26,040 --> 00:09:27,920 Speaker 1: want to see. And it's just it's been like a 202 00:09:27,960 --> 00:09:30,040 Speaker 1: really really cool thing. And now that I can have 203 00:09:30,200 --> 00:09:33,520 Speaker 1: anything from something silly to something meaningful to whatever, like, 204 00:09:33,920 --> 00:09:35,880 Speaker 1: I really like being able to change it all time. 205 00:09:35,920 --> 00:09:37,080 Speaker 1: So I don't know if I would ever get it, 206 00:09:37,120 --> 00:09:38,800 Speaker 1: but I think it's rat. Yeah, I get a temporary 207 00:09:38,800 --> 00:09:41,120 Speaker 1: face tattoo. Yeah right, but then I know me then 208 00:09:41,120 --> 00:09:42,679 Speaker 1: I'll be like, no, I looks good. I should get 209 00:09:42,720 --> 00:09:46,920 Speaker 1: it for real. That you will, I know you brought 210 00:09:46,920 --> 00:09:49,599 Speaker 1: it up. We'll talking about your throat, your throat or 211 00:09:49,679 --> 00:09:52,160 Speaker 1: neck tattoo. I'm not for sure what how you would 212 00:09:52,240 --> 00:09:56,120 Speaker 1: call that? What do you say throat neck? You have chat? 213 00:09:56,240 --> 00:09:59,440 Speaker 1: What is this tattooin? I say throat tattoo. That's a butterfly. 214 00:10:00,080 --> 00:10:03,480 Speaker 1: It's a firefly, Okay, and it's real. Yeah, I got 215 00:10:03,520 --> 00:10:07,640 Speaker 1: it in January twenty twenty. Um. But it's so funny. 216 00:10:07,679 --> 00:10:10,200 Speaker 1: I get people come up to my shows and they're 217 00:10:10,200 --> 00:10:12,520 Speaker 1: so sweet and they'll they'll bring me gifts and they'll 218 00:10:12,559 --> 00:10:15,640 Speaker 1: hand it to me and they go tell us about 219 00:10:15,679 --> 00:10:18,480 Speaker 1: the dragonfly. And I have so many dragonfly gifts at 220 00:10:18,480 --> 00:10:20,440 Speaker 1: home that I just like glue to Ryan Stone to 221 00:10:20,480 --> 00:10:22,280 Speaker 1: the butt and called it good and said that it 222 00:10:22,320 --> 00:10:25,080 Speaker 1: was a firefly. But um, so it's not even it 223 00:10:25,160 --> 00:10:28,199 Speaker 1: is a firefly. We're saying that right now officially, yes, 224 00:10:28,360 --> 00:10:30,360 Speaker 1: stop at the dragon's got a little light bulb on 225 00:10:30,440 --> 00:10:32,600 Speaker 1: the bottom of like the thing like when you look 226 00:10:32,640 --> 00:10:34,920 Speaker 1: up close on it. But it's a firefly. Um, it's 227 00:10:34,960 --> 00:10:38,719 Speaker 1: literally for Princess and the frog. That's pretty cool. I mean, 228 00:10:38,760 --> 00:10:41,679 Speaker 1: I'm I don't have this strength or pain tolerance to 229 00:10:41,720 --> 00:10:43,640 Speaker 1: get one there, or I'm not cool enough, but I 230 00:10:43,760 --> 00:10:45,880 Speaker 1: like it. It's a pretty cool place to have a tattoo. Dang, 231 00:10:45,920 --> 00:10:49,400 Speaker 1: I I want to face tattoo. Now get temps? Yeah, 232 00:10:50,160 --> 00:10:51,960 Speaker 1: you get those, though, how do you get temporary fate? 233 00:10:51,960 --> 00:10:55,360 Speaker 1: Where is that custom ones? Well, like this is eyeliner, 234 00:10:55,440 --> 00:10:58,120 Speaker 1: so I just I draw it. Um so the custom 235 00:10:58,120 --> 00:11:00,000 Speaker 1: ones I have to draw? I think you can't order them, 236 00:11:00,040 --> 00:11:02,120 Speaker 1: but I haven't found a company that like you can 237 00:11:02,160 --> 00:11:06,000 Speaker 1: pick your sizes, but like Altered State or like any 238 00:11:06,800 --> 00:11:09,280 Speaker 1: store on the planet usually has like finger tattoo packs 239 00:11:09,520 --> 00:11:13,480 Speaker 1: manatos what I look with a face tattoo? I get 240 00:11:13,480 --> 00:11:15,400 Speaker 1: the respect I've always wanted. I bet we have some 241 00:11:15,480 --> 00:11:18,360 Speaker 1: eyeliner right now. I drive, I do in case mine 242 00:11:18,440 --> 00:11:21,600 Speaker 1: rubs off. So I got you, I got you. Okay, 243 00:11:21,720 --> 00:11:23,839 Speaker 1: Well you know I was listening to you sound check 244 00:11:23,840 --> 00:11:25,200 Speaker 1: and I will say this, and I mean this in 245 00:11:25,240 --> 00:11:28,240 Speaker 1: the best best way since the time we've met you. 246 00:11:28,280 --> 00:11:30,760 Speaker 1: I feel like you're still getting so much better as 247 00:11:30,800 --> 00:11:34,160 Speaker 1: a performer. Yes, thank you so much. Just and I 248 00:11:33,960 --> 00:11:36,000 Speaker 1: want what we should just play now and talk more later. 249 00:11:36,080 --> 00:11:38,120 Speaker 1: But just listening to your sound check and I was like, 250 00:11:38,200 --> 00:11:39,600 Speaker 1: and I knew you were great last time you're here, 251 00:11:39,640 --> 00:11:41,800 Speaker 1: but I was like, holy crap, I think somehow she's 252 00:11:41,800 --> 00:11:44,240 Speaker 1: even gotten better. Do you feel like you're still growing 253 00:11:44,280 --> 00:11:48,400 Speaker 1: as a performer? Absolutely? Absolutely, And it's it's it's really 254 00:11:48,400 --> 00:11:51,560 Speaker 1: fun and it's really encouraging. Um, because that tends to 255 00:11:51,600 --> 00:11:54,200 Speaker 1: be the main compliment that we get on the road, 256 00:11:54,240 --> 00:11:55,719 Speaker 1: you know, was Hey, we saw you in Scoreboard and 257 00:11:55,760 --> 00:11:58,200 Speaker 1: Nashville four years ago and it was amazing. It was great, 258 00:11:58,240 --> 00:12:01,480 Speaker 1: it was fun, but like completely different artists, it seems 259 00:12:01,520 --> 00:12:04,200 Speaker 1: like now and I think that's the goal. Cool, right, 260 00:12:04,200 --> 00:12:06,320 Speaker 1: you just want to keep growing. Yes, However, if someone 261 00:12:06,360 --> 00:12:08,120 Speaker 1: said to me, dang, you are way better now than 262 00:12:08,120 --> 00:12:09,600 Speaker 1: you were three years Ago'll be like, are you saying 263 00:12:09,600 --> 00:12:12,319 Speaker 1: I sucked three years ago? I am not as mature 264 00:12:12,360 --> 00:12:14,840 Speaker 1: as you, and I do not understand how to take compliments. Well, 265 00:12:14,840 --> 00:12:16,160 Speaker 1: when y'all are so kind to have me on the 266 00:12:16,160 --> 00:12:18,120 Speaker 1: show the first time, you know, we brought this really 267 00:12:18,120 --> 00:12:20,560 Speaker 1: sweet encouraging song called work in Progress, you know, and 268 00:12:20,600 --> 00:12:22,120 Speaker 1: the whole point of it is I'm the best I've 269 00:12:22,120 --> 00:12:24,040 Speaker 1: ever been, but not the best will ever be, So 270 00:12:24,600 --> 00:12:27,200 Speaker 1: I think that it really caters to myself as an 271 00:12:27,280 --> 00:12:29,160 Speaker 1: artist and the career and stuff for that to always 272 00:12:29,160 --> 00:12:31,640 Speaker 1: be the case. I want to play just a clip 273 00:12:31,720 --> 00:12:34,160 Speaker 1: of work in progress. You may remember this from Ali 274 00:12:34,200 --> 00:12:43,480 Speaker 1: being here last time. So this song here that you're 275 00:12:43,480 --> 00:12:47,240 Speaker 1: going to play us is called Halos and Horns. So 276 00:12:47,480 --> 00:12:51,200 Speaker 1: tell me about just the song in general. You wrote it, 277 00:12:51,480 --> 00:12:53,319 Speaker 1: So you're in the room and where did this idea 278 00:12:53,360 --> 00:12:56,040 Speaker 1: come from? Halos and Horns is really rud at something 279 00:12:56,040 --> 00:12:57,920 Speaker 1: that we're very proud of. I wrote it with Stephen 280 00:12:57,960 --> 00:13:01,000 Speaker 1: Hunley and Eric Dodd, and we just kind we kind 281 00:13:01,040 --> 00:13:03,360 Speaker 1: of seemed to be this this little magic writing team 282 00:13:03,400 --> 00:13:06,160 Speaker 1: for me, Um, I love everything that we do, and 283 00:13:06,640 --> 00:13:10,640 Speaker 1: Halos and Horns is just it's just that archaic theme 284 00:13:10,679 --> 00:13:15,000 Speaker 1: of good and evil for the hero of a cowboy, 285 00:13:15,440 --> 00:13:18,320 Speaker 1: you know, and just like what that life looks like 286 00:13:18,400 --> 00:13:21,440 Speaker 1: between all those archaic elements of the cowboy good and bad, 287 00:13:21,480 --> 00:13:23,600 Speaker 1: you know, like they never stay, but also they work 288 00:13:23,640 --> 00:13:25,760 Speaker 1: harder than anybody else, all of those things, and just 289 00:13:25,800 --> 00:13:28,480 Speaker 1: like really trying to find that lifeline and life between 290 00:13:29,920 --> 00:13:32,600 Speaker 1: just good and bad and and honestly what that even 291 00:13:32,679 --> 00:13:37,199 Speaker 1: means as we all know, my family has this this 292 00:13:37,240 --> 00:13:40,120 Speaker 1: big supporting matra of everything that is a blessing is 293 00:13:40,160 --> 00:13:42,559 Speaker 1: a curse. And I think that that has been u 294 00:13:42,960 --> 00:13:45,160 Speaker 1: something that's been ever present in my life just being 295 00:13:45,160 --> 00:13:47,120 Speaker 1: a kid, you know, trying to sort out who I 296 00:13:47,160 --> 00:13:51,920 Speaker 1: am between an amazing legacy that my family has and 297 00:13:51,920 --> 00:13:54,000 Speaker 1: then just who I am as an artist on my own. 298 00:13:54,240 --> 00:13:56,760 Speaker 1: And it's been it's been challenging, it's been difficult. And 299 00:13:56,760 --> 00:13:59,400 Speaker 1: Halos and Horns is just this really rad song, fairly 300 00:13:59,440 --> 00:14:01,200 Speaker 1: similar to Work in Progress that just kind of lets 301 00:14:01,200 --> 00:14:03,880 Speaker 1: you know that there is an ever going battle on 302 00:14:04,320 --> 00:14:06,400 Speaker 1: for me, you know, to figure out who I am 303 00:14:06,400 --> 00:14:08,760 Speaker 1: and how to be represented truthfully. And I think all 304 00:14:08,800 --> 00:14:11,079 Speaker 1: of us do that in a sense. And Halos and 305 00:14:11,120 --> 00:14:13,600 Speaker 1: Horns just says it in a really rodway. Right here. 306 00:14:13,640 --> 00:14:16,240 Speaker 1: She is Ali Clean, and she's gonna play her new song. 307 00:14:16,760 --> 00:14:31,480 Speaker 1: Halos and Horns, go ahead. Ali, I'm a sunny morning 308 00:14:31,520 --> 00:14:35,320 Speaker 1: center in a white church, all my knees pray until 309 00:14:35,400 --> 00:14:40,040 Speaker 1: it hurts in the back rod with all the other lossles. 310 00:14:41,680 --> 00:14:44,240 Speaker 1: I'm a double shot of whiskey in a dive bar, 311 00:14:44,680 --> 00:14:48,000 Speaker 1: a cowboy looking for a wild card I can take 312 00:14:48,080 --> 00:14:54,120 Speaker 1: home for the sun. I'm a long gone. I'm boiling hot, 313 00:14:54,240 --> 00:14:59,200 Speaker 1: I'm freezing cold, holding on, letting go, and I don't 314 00:14:59,240 --> 00:15:04,760 Speaker 1: know why I can't pick a side. I'm a shirt 315 00:15:04,840 --> 00:15:11,840 Speaker 1: for bad. I'm alongside can By, He's it alive, but 316 00:15:12,000 --> 00:15:16,560 Speaker 1: I'm hard to hit on now. I'm an angel mixed 317 00:15:16,560 --> 00:15:19,400 Speaker 1: with a hell being, a revel got a heart of God. 318 00:15:19,560 --> 00:15:22,280 Speaker 1: I'm a silver time devil and I don't know why 319 00:15:23,040 --> 00:15:29,480 Speaker 1: I'm always horn. This is the way I had. I 320 00:15:29,520 --> 00:15:37,400 Speaker 1: was borned in a halo and a horn tweena halo 321 00:15:37,640 --> 00:15:46,760 Speaker 1: and ah, holy crap, that was awesome. I'm telling you, man, 322 00:15:48,200 --> 00:15:50,160 Speaker 1: the last time you came in, we were like, dang all, 323 00:15:50,160 --> 00:15:53,720 Speaker 1: he's good. Like that's you've just groans. You're so good, 324 00:15:53,920 --> 00:15:55,960 Speaker 1: thank you, that's so good. It's been a really really 325 00:15:55,960 --> 00:15:58,600 Speaker 1: fun song to work on. I um, I love my 326 00:15:58,680 --> 00:16:01,480 Speaker 1: rider Stephen Henley and Eric Dog and then um the 327 00:16:01,560 --> 00:16:04,240 Speaker 1: producers are Lee Bryce and Jared Neeman and myself and 328 00:16:04,360 --> 00:16:06,720 Speaker 1: Cody LaBelle and that was just a really rad process 329 00:16:06,760 --> 00:16:10,080 Speaker 1: to do with them and to experiment with that, and 330 00:16:10,080 --> 00:16:13,600 Speaker 1: it's just been rad. So Eric Dodt of Vacation Fame. 331 00:16:13,600 --> 00:16:14,840 Speaker 1: I don't know if you're familiar with there a God 332 00:16:15,320 --> 00:16:17,440 Speaker 1: he's writing a couple of big smashes, Vacation one and 333 00:16:17,520 --> 00:16:20,240 Speaker 1: ray Win's vacation. Haven't right to think Actually for connecting 334 00:16:20,280 --> 00:16:22,880 Speaker 1: me with with Eric dot Great Bay connect do with 335 00:16:22,960 --> 00:16:24,400 Speaker 1: Eric a couple of years ago. We've been writing a 336 00:16:24,400 --> 00:16:26,720 Speaker 1: long time. Ray Win's vacation took him in a couple 337 00:16:26,720 --> 00:16:28,840 Speaker 1: of weeks. I don't know why it's taking this along, right. 338 00:16:30,520 --> 00:16:33,280 Speaker 1: So we were talking a little bit before we went 339 00:16:33,280 --> 00:16:34,640 Speaker 1: on the air here, and you'd mentioned that one of 340 00:16:34,640 --> 00:16:38,000 Speaker 1: your fears is being stabbed from behind while doing a 341 00:16:38,680 --> 00:16:42,560 Speaker 1: TikTok live um, you know, And we were in that 342 00:16:42,560 --> 00:16:44,120 Speaker 1: conversation and it was like, oh, we gotta go on 343 00:16:44,120 --> 00:16:46,440 Speaker 1: the air now. But I did not know that this 344 00:16:46,560 --> 00:16:49,280 Speaker 1: was a big fear of yours. I understand not liking it. 345 00:16:49,320 --> 00:16:51,120 Speaker 1: The thought of it does sound pretty bad. I didn't 346 00:16:51,120 --> 00:16:52,960 Speaker 1: know that somebody had thought about before. Well, so goofy 347 00:16:53,000 --> 00:16:55,160 Speaker 1: It happened because just one night I was on live 348 00:16:55,240 --> 00:16:57,080 Speaker 1: really late, and I was doing stuff and I just 349 00:16:57,160 --> 00:16:59,240 Speaker 1: kept hearing all these really weird sounds like coming from 350 00:16:59,320 --> 00:17:01,600 Speaker 1: us like my house, and like nothing happened. But I 351 00:17:01,680 --> 00:17:05,200 Speaker 1: just kept thinking, like, what are you guys gonna do 352 00:17:05,640 --> 00:17:08,360 Speaker 1: if someone busts in my house right now, you know 353 00:17:08,359 --> 00:17:10,159 Speaker 1: what I mean? And it just ever since that night, 354 00:17:10,160 --> 00:17:12,480 Speaker 1: I've kind of thought about it. And then again before 355 00:17:12,520 --> 00:17:14,399 Speaker 1: the show, we were talking about just people's comments and 356 00:17:14,400 --> 00:17:16,359 Speaker 1: how weird they can be, and like some of the 357 00:17:16,400 --> 00:17:19,080 Speaker 1: comments will be like, oh my gosh, there's somebody behind you, 358 00:17:19,200 --> 00:17:21,040 Speaker 1: and it's just it's just so you turn around and 359 00:17:21,080 --> 00:17:22,520 Speaker 1: freak out, you know what I mean, or like whatever 360 00:17:22,560 --> 00:17:25,080 Speaker 1: the case is, even though you can see the reflection 361 00:17:25,119 --> 00:17:26,800 Speaker 1: on your front camera, but it's just people are just 362 00:17:26,840 --> 00:17:29,320 Speaker 1: goofy and I'm goofy in it. Yeah, it's fair. The 363 00:17:29,400 --> 00:17:31,760 Speaker 1: problem is if the one time you don't turn around 364 00:17:31,760 --> 00:17:34,639 Speaker 1: the rest someone behind you stabbing you. I know. So 365 00:17:34,720 --> 00:17:36,480 Speaker 1: you have share on every time just in case. Yeah, 366 00:17:36,560 --> 00:17:38,560 Speaker 1: new anxiety unlocked for why are you playing? Are you 367 00:17:38,600 --> 00:17:40,280 Speaker 1: playing so late? Are you playing at four in the morning. 368 00:17:40,280 --> 00:17:43,520 Speaker 1: I'm live, I mean I'm waking up. Did come to 369 00:17:43,640 --> 00:17:45,479 Speaker 1: the show, But that's that's a late night. I have 370 00:17:45,680 --> 00:17:48,800 Speaker 1: such a kind and supporting following and like Scotland and 371 00:17:48,840 --> 00:17:51,680 Speaker 1: Ireland and in the UK, and like that's when they're 372 00:17:51,680 --> 00:17:54,720 Speaker 1: waking up, you know, and like especially like around so 373 00:17:54,760 --> 00:17:56,720 Speaker 1: I usually go on from like two to four or 374 00:17:56,800 --> 00:17:58,879 Speaker 1: three to five or whatever the case is. And and 375 00:17:58,960 --> 00:18:01,440 Speaker 1: they're just so much find her, you know, I find 376 00:18:01,440 --> 00:18:04,320 Speaker 1: that if I go TikTok live at five pm here, 377 00:18:04,920 --> 00:18:10,119 Speaker 1: it's just gonna be continual comments of just absolute nonsense, 378 00:18:10,200 --> 00:18:11,639 Speaker 1: you know, and like half of its rude, half of 379 00:18:11,640 --> 00:18:15,280 Speaker 1: its nonsense, half its whatever. And I do read every 380 00:18:15,280 --> 00:18:16,960 Speaker 1: single comment on the lives, so I read them while 381 00:18:16,960 --> 00:18:18,439 Speaker 1: I'm singing. I do all that stuff so like it 382 00:18:18,480 --> 00:18:20,240 Speaker 1: will affect the live a lot for me if that's 383 00:18:20,280 --> 00:18:23,600 Speaker 1: what all the comments are. So I just just cocoon 384 00:18:23,640 --> 00:18:25,080 Speaker 1: and just do it at two in the morning when 385 00:18:25,119 --> 00:18:27,880 Speaker 1: there's just a kind listening audience. I guess you care 386 00:18:27,960 --> 00:18:30,000 Speaker 1: so much about your people. I mean me, I don't 387 00:18:30,000 --> 00:18:31,680 Speaker 1: even want to wake up Earliver East Coast much lunch 388 00:18:31,680 --> 00:18:35,399 Speaker 1: another country. I listen, Boston, we love you, but I 389 00:18:35,440 --> 00:18:37,440 Speaker 1: don't get that hour to spare in all fairness, and 390 00:18:37,480 --> 00:18:39,879 Speaker 1: I was explaining this lunchboxes, I don't wake up to 391 00:18:39,920 --> 00:18:41,920 Speaker 1: go on these lives, you know. I just I'm already 392 00:18:41,960 --> 00:18:43,720 Speaker 1: up day yea, yeah, I'm already up. And I don't 393 00:18:43,760 --> 00:18:45,640 Speaker 1: wake up. I'm not up early in the morning, so 394 00:18:46,040 --> 00:18:48,240 Speaker 1: my hours are just different than everybody else's. I read 395 00:18:48,280 --> 00:18:50,639 Speaker 1: a story about a girl back in the nineties, some 396 00:18:50,720 --> 00:18:54,160 Speaker 1: actress that she liked going to clubs, but she would 397 00:18:54,480 --> 00:18:57,080 Speaker 1: go to bed at like five or six pm and 398 00:18:57,119 --> 00:18:58,720 Speaker 1: sleep until two or three. Then she would just start 399 00:18:58,720 --> 00:19:00,399 Speaker 1: her day. But she started at the club. You know, 400 00:19:00,440 --> 00:19:02,639 Speaker 1: she'd go on two or three in the morning. She'd 401 00:19:02,640 --> 00:19:04,040 Speaker 1: go to club of on wake up and have fun 402 00:19:04,080 --> 00:19:05,920 Speaker 1: and then just go to work and not do that. 403 00:19:06,640 --> 00:19:08,480 Speaker 1: Like that's out pretty cool. But I don't want to 404 00:19:08,480 --> 00:19:10,840 Speaker 1: wake I mean I wake up crazy hours. But listen 405 00:19:11,320 --> 00:19:13,920 Speaker 1: enough about me. I wake up that you were gonna 406 00:19:14,080 --> 00:19:15,359 Speaker 1: I don't know where I'm gonna go. I don't know 407 00:19:15,400 --> 00:19:18,520 Speaker 1: what club. There's nowhere, there's no where. All right, Well, 408 00:19:18,600 --> 00:19:20,640 Speaker 1: just my hours and I'm gonna do that. You ever 409 00:19:20,920 --> 00:19:23,040 Speaker 1: play like early on when you're like I think I 410 00:19:23,080 --> 00:19:24,280 Speaker 1: want to play, You ever go and do like the 411 00:19:24,600 --> 00:19:26,800 Speaker 1: long bar sessions where you play for hours and hours? 412 00:19:27,040 --> 00:19:28,960 Speaker 1: Did you ever have to do that at all? Oh? Yeah, 413 00:19:29,000 --> 00:19:31,119 Speaker 1: I had what I called a residence. I called a 414 00:19:31,119 --> 00:19:34,040 Speaker 1: residency because it sounds cool. But Scoreboard um here in 415 00:19:34,119 --> 00:19:37,200 Speaker 1: Nashville was my place for about five years. And what 416 00:19:37,280 --> 00:19:38,560 Speaker 1: was that night like for you? If you went to 417 00:19:38,560 --> 00:19:40,200 Speaker 1: play there? For about five years? I would play on 418 00:19:40,200 --> 00:19:43,199 Speaker 1: Saturday nights and I would play three hour sets, and um, 419 00:19:43,440 --> 00:19:46,400 Speaker 1: I loved Scoreboard and I became very touched to Scoreboard 420 00:19:46,440 --> 00:19:48,840 Speaker 1: because you know, Nashville so rat and there's so many 421 00:19:48,880 --> 00:19:51,840 Speaker 1: places to find musicians. But there's also a very interesting 422 00:19:51,880 --> 00:19:56,320 Speaker 1: relationship with with venues that is not necessarily happening so 423 00:19:56,400 --> 00:19:59,760 Speaker 1: much because musicians here are just playing everywhere they can't 424 00:19:59,760 --> 00:20:02,200 Speaker 1: all the time. And so it was very important for 425 00:20:02,240 --> 00:20:05,199 Speaker 1: me to find a venue that one champion to me 426 00:20:05,280 --> 00:20:08,320 Speaker 1: two honestly, probably more importantly than that, let me play 427 00:20:08,320 --> 00:20:12,720 Speaker 1: original music, you know, and that kind of thing and 428 00:20:12,720 --> 00:20:14,640 Speaker 1: and do that. So it was kind of a cool 429 00:20:14,680 --> 00:20:16,320 Speaker 1: thing between Scoreboard and I was like, if you wanted 430 00:20:16,320 --> 00:20:18,280 Speaker 1: to see Ali Colleen, you had to go to Scoreboard. 431 00:20:18,560 --> 00:20:20,760 Speaker 1: And then Scoreboard wasn't giving that night to anyone else, 432 00:20:20,880 --> 00:20:22,640 Speaker 1: you know, but me, because we just had that deal 433 00:20:22,720 --> 00:20:25,479 Speaker 1: kind of thing, and it was so cool. I've been 434 00:20:25,560 --> 00:20:27,480 Speaker 1: lucky enough to do the Broadway stuff with like friends 435 00:20:27,480 --> 00:20:29,480 Speaker 1: of mine when they get scheduled, but I've never been 436 00:20:29,480 --> 00:20:32,800 Speaker 1: a Broadway player by any means. I don't know Scoreboard. 437 00:20:33,080 --> 00:20:36,479 Speaker 1: Scoreboards by like by Nashville Palace over there across from 438 00:20:36,480 --> 00:20:38,439 Speaker 1: like Gaylord opry Land and stuff. I know where that is, 439 00:20:38,440 --> 00:20:40,360 Speaker 1: all right, it's the big path. I don't know where 440 00:20:40,440 --> 00:20:42,720 Speaker 1: anything is. I've lived here for nine years. I can't 441 00:20:42,760 --> 00:20:45,040 Speaker 1: get anywhere without GPS, so I'm lucky I get home 442 00:20:45,080 --> 00:20:49,280 Speaker 1: sometimes after the show without GPS. Um, you still ride horses? Yes? 443 00:20:49,520 --> 00:20:52,920 Speaker 1: Is that still the like one of the passions? Well, um, 444 00:20:52,960 --> 00:20:56,680 Speaker 1: it's funny because the cover for halos and horns. I'm 445 00:20:56,720 --> 00:21:01,280 Speaker 1: on my horse Einstein, which is um who when uh? 446 00:21:01,359 --> 00:21:03,119 Speaker 1: The bays and I went out to go ride that day. 447 00:21:03,160 --> 00:21:04,399 Speaker 1: That was the one that she wrote. So she got 448 00:21:04,440 --> 00:21:06,560 Speaker 1: to ride Einstein that day. Um, so he's on it. 449 00:21:06,600 --> 00:21:10,679 Speaker 1: But yeah, still at the boys, so they rode Einstein? 450 00:21:11,400 --> 00:21:13,399 Speaker 1: Which horse to my wife right now? She rode Einstein, 451 00:21:13,480 --> 00:21:17,159 Speaker 1: Bay rode Jack soste my boy. I put Einstein, I 452 00:21:17,240 --> 00:21:19,480 Speaker 1: put I put your wife on Einstein. And that's the 453 00:21:19,480 --> 00:21:20,840 Speaker 1: one that's on the cover of this. Yes, and that's 454 00:21:20,840 --> 00:21:22,840 Speaker 1: the one that I can see him now. I can 455 00:21:22,880 --> 00:21:24,520 Speaker 1: take you be like, look here's your horse. Yes, so 456 00:21:24,600 --> 00:21:26,199 Speaker 1: you can see it. You can see her on there. Um, 457 00:21:26,560 --> 00:21:29,159 Speaker 1: because I have Jack in Einstein, and I just I 458 00:21:29,200 --> 00:21:31,199 Speaker 1: trust those horses a lot and they're very good. So 459 00:21:31,280 --> 00:21:33,520 Speaker 1: that day, the girls rode them and I rode just 460 00:21:33,560 --> 00:21:35,320 Speaker 1: another horse that my buddy had kind of thing. His 461 00:21:35,440 --> 00:21:37,159 Speaker 1: name is Paco. What do you mean you trust a 462 00:21:37,200 --> 00:21:39,320 Speaker 1: horse like to not steal your watch or what does 463 00:21:39,320 --> 00:21:42,040 Speaker 1: that mean? I don't trust anything to not see my watch. 464 00:21:42,480 --> 00:21:45,040 Speaker 1: But as far as like, I know that if I 465 00:21:45,040 --> 00:21:47,399 Speaker 1: put the girls on Einstein or Jack, like, they're going 466 00:21:47,440 --> 00:21:49,720 Speaker 1: to be safe and they're gonna be They're gonna be okay, 467 00:21:49,840 --> 00:21:53,160 Speaker 1: you know, like starry rider will be fine on them. 468 00:21:53,200 --> 00:21:55,440 Speaker 1: A snake comes out near Einstein, is he gonna go 469 00:21:56,480 --> 00:21:58,600 Speaker 1: He's gonna he's gonna get away from the snake, but 470 00:21:58,680 --> 00:22:00,879 Speaker 1: he's not gonna like buck or freak out or anything 471 00:22:00,920 --> 00:22:03,280 Speaker 1: like that. And then Jack on the other hand, which 472 00:22:05,400 --> 00:22:07,359 Speaker 1: you could like literally a firecracker on her Jack and 473 00:22:07,400 --> 00:22:09,520 Speaker 1: he's not going to move, And it's strictly a laziness, 474 00:22:09,560 --> 00:22:11,520 Speaker 1: like he's just a lazy horse and get the best, 475 00:22:11,600 --> 00:22:13,680 Speaker 1: but he's just a lazy horse. He didn't even close 476 00:22:13,680 --> 00:22:15,040 Speaker 1: his mouth all the time. He just leaves his lip 477 00:22:15,040 --> 00:22:16,399 Speaker 1: open because he didn't want to hold it up. Do 478 00:22:16,440 --> 00:22:19,520 Speaker 1: you feel like you could communicate with your horses? Yeah? Effectively? 479 00:22:19,520 --> 00:22:23,119 Speaker 1: How did you do they know words? So my family 480 00:22:23,240 --> 00:22:26,600 Speaker 1: does wildlife rehabilitation in Oklahoma. So I grew up in 481 00:22:26,600 --> 00:22:30,119 Speaker 1: this really rad wildlife clinic back home, and all my 482 00:22:30,160 --> 00:22:32,879 Speaker 1: friends until I was probably like fifteen or animals, and 483 00:22:32,960 --> 00:22:34,760 Speaker 1: I just think that animals are the coolest thing on 484 00:22:34,800 --> 00:22:38,400 Speaker 1: the planet. And horses respond completely off a body language 485 00:22:38,400 --> 00:22:40,919 Speaker 1: and pressure, so they know as soon as you get 486 00:22:40,960 --> 00:22:42,480 Speaker 1: on them if you've ever wrote them or not, you 487 00:22:42,520 --> 00:22:44,639 Speaker 1: know kind of thing. And that's and that's why I 488 00:22:44,640 --> 00:22:47,320 Speaker 1: put her on Einstein, because she had a little experienced riding, 489 00:22:47,400 --> 00:22:50,280 Speaker 1: or Laura didn't. And I know that if you get 490 00:22:50,280 --> 00:22:52,359 Speaker 1: on Einstein, you never rode a horse before. Einstein's gonna go. 491 00:22:52,440 --> 00:22:54,480 Speaker 1: I don't have to do anything today, and you're not 492 00:22:54,480 --> 00:22:56,320 Speaker 1: going to make me do anything today, you know kind 493 00:22:56,320 --> 00:22:59,000 Speaker 1: of thing. Thought, they're just cool and they're rad. And 494 00:22:59,000 --> 00:23:01,000 Speaker 1: I sing to my horses a lot, and I think 495 00:23:01,000 --> 00:23:02,520 Speaker 1: it's really I don't know if they care about it, 496 00:23:02,560 --> 00:23:05,159 Speaker 1: but I like it. So once I was riding a 497 00:23:05,160 --> 00:23:08,080 Speaker 1: horse and it got a little experienced myself and the 498 00:23:08,119 --> 00:23:12,240 Speaker 1: horse big cowboy, huh huge, Actually, thanks for asking. You 499 00:23:12,280 --> 00:23:14,080 Speaker 1: may not recognize me without my belt buckle, but here 500 00:23:14,080 --> 00:23:17,000 Speaker 1: I am today doing this and the horse took me 501 00:23:17,080 --> 00:23:20,520 Speaker 1: under a clothesline and clothesline and the horse kept going 502 00:23:20,520 --> 00:23:23,199 Speaker 1: and I didn't because I closeline. Anything like that ever 503 00:23:23,240 --> 00:23:24,960 Speaker 1: happened to you? And if it hasn't, well you're not 504 00:23:25,000 --> 00:23:26,880 Speaker 1: a cowboy like me. But go ahead, I think since 505 00:23:26,920 --> 00:23:28,800 Speaker 1: it hasn't happened to me, I am a Cow's quite 506 00:23:28,840 --> 00:23:31,919 Speaker 1: true too. Okay, there we have it. Yeah, um, listen, Ali, 507 00:23:32,000 --> 00:23:35,280 Speaker 1: You're great and you're you're just such a Your vocals 508 00:23:35,280 --> 00:23:38,399 Speaker 1: are so good, it's so cool. Will you say because 509 00:23:38,400 --> 00:23:41,400 Speaker 1: I call you Ali Colleen, but I hear you, hear 510 00:23:41,440 --> 00:23:43,959 Speaker 1: people talking about you, and I hear your name pronounced 511 00:23:43,960 --> 00:23:46,199 Speaker 1: all these different ways. So would you say it for 512 00:23:46,240 --> 00:23:48,960 Speaker 1: everyone again? Exactly how to say your name? So we 513 00:23:48,960 --> 00:23:51,720 Speaker 1: have these rad tank tops and it's Ali Colean Colleen 514 00:23:51,760 --> 00:23:54,640 Speaker 1: Coolean Colleen and on the back it's like Joe Lane 515 00:23:54,640 --> 00:23:57,000 Speaker 1: but with a sea got it so you can't forget it. 516 00:23:57,000 --> 00:24:00,000 Speaker 1: It's just Colin And you can follow Ali on Instagram. 517 00:24:00,040 --> 00:24:05,119 Speaker 1: Am al l I E co Oh, never mind, we'll 518 00:24:05,200 --> 00:24:08,359 Speaker 1: just link it. I start spelling it out. I know 519 00:24:08,400 --> 00:24:12,280 Speaker 1: it doesn't long. So you're on the road, You're playing 520 00:24:12,320 --> 00:24:16,080 Speaker 1: a bunch of shows, a bunch of festivals. What are 521 00:24:16,080 --> 00:24:17,679 Speaker 1: you doing? Yeah, We've got kind of the fair festival 522 00:24:17,680 --> 00:24:19,959 Speaker 1: line up this summer for opening acts and stuff like that. 523 00:24:20,040 --> 00:24:22,320 Speaker 1: We get to go to Denmark in September to do 524 00:24:22,320 --> 00:24:25,440 Speaker 1: the Nashville Nights Songwriter Festival, which is super super rad 525 00:24:25,680 --> 00:24:27,919 Speaker 1: um that we're excited about. It'll be our first time 526 00:24:27,960 --> 00:24:32,120 Speaker 1: taking music over to the UK opposed to um at Belmont. 527 00:24:32,119 --> 00:24:33,600 Speaker 1: You know, we did study abroad times. But just a 528 00:24:33,600 --> 00:24:35,239 Speaker 1: lot of really cool shows that you know they can 529 00:24:35,240 --> 00:24:37,000 Speaker 1: follow at Ali Coleen music dot com. We've got a 530 00:24:37,000 --> 00:24:39,640 Speaker 1: full tour schedule on there. We're just really really excited 531 00:24:39,640 --> 00:24:41,439 Speaker 1: about it. New shows are added every day. You know, 532 00:24:41,480 --> 00:24:43,960 Speaker 1: after COVID all the venue things are wonky, so more 533 00:24:44,000 --> 00:24:45,800 Speaker 1: stuff is just continues to be added, which we're very 534 00:24:45,840 --> 00:24:48,200 Speaker 1: lucky for and very thankful for. All Right, you guys 535 00:24:48,240 --> 00:24:50,439 Speaker 1: follow Ali Ray. Is there anything you would like to 536 00:24:50,440 --> 00:24:53,560 Speaker 1: say to Ali your your dear friend. She can't hear you, 537 00:24:53,600 --> 00:24:56,920 Speaker 1: but I will translate it to you. Go ahead, what up, girls, girl, 538 00:24:57,080 --> 00:24:59,560 Speaker 1: Get brunch pretty soon. Get a brunch pretty soon. Okay, 539 00:24:59,560 --> 00:25:05,560 Speaker 1: that's okay, all right, great to see you. I think 540 00:25:05,600 --> 00:25:07,760 Speaker 1: what we're gonna do, that's all is so good. Um. 541 00:25:08,480 --> 00:25:10,840 Speaker 1: I'm gonna feature you as a national artist in our 542 00:25:10,960 --> 00:25:12,720 Speaker 1: countdown in the next couple weeks with this song that's 543 00:25:12,720 --> 00:25:14,360 Speaker 1: so right, we're gonna put you in the country top 544 00:25:14,440 --> 00:25:17,120 Speaker 1: thirty as Yeah, I think that'd be awesome. I think 545 00:25:17,119 --> 00:25:20,439 Speaker 1: our audience will like it. And from that go have 546 00:25:20,560 --> 00:25:23,040 Speaker 1: a day. Wait there you go, she's cheering right now, 547 00:25:23,040 --> 00:25:25,399 Speaker 1: you nap and then go to a club later. I 548 00:25:25,400 --> 00:25:29,119 Speaker 1: think it's actually Ali Colane. You guys, check out halos 549 00:25:29,119 --> 00:25:31,080 Speaker 1: and horns. Ali, great job, we'll see so thank you, 550 00:25:31,119 --> 00:25:34,560 Speaker 1: all right, by bye. It's the best bits of the 551 00:25:34,600 --> 00:25:40,600 Speaker 1: week with Morgan. Number two. Finally, pick a Bit has 552 00:25:40,600 --> 00:25:42,840 Speaker 1: paid off for one member of the show, Eddie. He 553 00:25:42,880 --> 00:25:45,879 Speaker 1: got to reveal who has been stealing money from his 554 00:25:46,040 --> 00:25:49,399 Speaker 1: kid's wallets. So it is no longer on the docket 555 00:25:49,440 --> 00:25:51,840 Speaker 1: for a pick a bit, But you know lunchboxes have 556 00:25:51,920 --> 00:25:55,040 Speaker 1: you seen me on the news? Still is? So check 557 00:25:55,119 --> 00:25:57,840 Speaker 1: this one out right here. Number five, I bet that 558 00:25:57,840 --> 00:25:59,119 Speaker 1: we haven't done in a long time. And I get 559 00:25:59,080 --> 00:26:01,080 Speaker 1: a lot of calls about it is why don't we 560 00:26:01,119 --> 00:26:04,360 Speaker 1: do pick a bit? And mostly this is something we're 561 00:26:04,359 --> 00:26:06,399 Speaker 1: doing it for months. Or I give you three options 562 00:26:06,400 --> 00:26:08,080 Speaker 1: for a bit we're going to do, and we choose 563 00:26:08,160 --> 00:26:10,679 Speaker 1: and then I do it, but we never hear from 564 00:26:10,720 --> 00:26:13,520 Speaker 1: the other bits. Right now, the pickabit has three options. 565 00:26:13,640 --> 00:26:18,560 Speaker 1: Number one, lunchbox has a bit? Has anyone seen me 566 00:26:18,600 --> 00:26:22,800 Speaker 1: on the news? Oh? That's still there with an audio ray? 567 00:26:22,840 --> 00:26:25,480 Speaker 1: Do you still have this audio? You do? Yeah? Okay, 568 00:26:26,119 --> 00:26:28,880 Speaker 1: better not lose that audio. It's key to the story. Okay. 569 00:26:29,000 --> 00:26:35,480 Speaker 1: Number two Eddie, someone's been stealing money from my kid's wallets. Man, 570 00:26:35,520 --> 00:26:39,600 Speaker 1: I don't even know what Number three don't even know 571 00:26:39,640 --> 00:26:43,120 Speaker 1: the bit anymore. Here, it's been a long time. Law 572 00:26:43,240 --> 00:26:45,439 Speaker 1: enforcement has stepped in to help aim you with something. 573 00:26:46,280 --> 00:26:49,000 Speaker 1: Oh I like that, Stop Eddie, why would you help? 574 00:26:49,040 --> 00:26:51,880 Speaker 1: You're right? Sorry, So since you three have bits up 575 00:26:52,000 --> 00:26:55,080 Speaker 1: for grabs, you can't be in. Our judging panel will 576 00:26:55,080 --> 00:26:58,119 Speaker 1: be Raimundo, Morgan and myself. So we're gonna vote Morgan. 577 00:26:58,160 --> 00:27:00,639 Speaker 1: We can pick lunchboxes. Has anyone seen on the news 578 00:27:00,640 --> 00:27:05,159 Speaker 1: with audio? Eddie? Someone has stealing money from his kid's wallets? 579 00:27:05,600 --> 00:27:08,479 Speaker 1: Or amy law enforcement has come in to help her 580 00:27:08,520 --> 00:27:11,040 Speaker 1: with something. I mean, like, I really want lunchboxes and 581 00:27:11,119 --> 00:27:13,560 Speaker 1: Eddie's to go away, but they just don't sound interesting. 582 00:27:13,680 --> 00:27:16,120 Speaker 1: So what do you mean? Do you not lunch the news? 583 00:27:16,160 --> 00:27:21,280 Speaker 1: Do you not read? You say? Amy, Okay, Raymond, Uh, 584 00:27:21,920 --> 00:27:25,760 Speaker 1: Eddie's is intriguing or somebody getting money stolen lunchboxes has 585 00:27:25,840 --> 00:27:28,280 Speaker 1: audio which tells me it's weak. So he needs supporting 586 00:27:29,119 --> 00:27:32,440 Speaker 1: help and it's probably just not good. Amy's with law enforcement. 587 00:27:32,480 --> 00:27:35,399 Speaker 1: That's such a buzzword. But I'm still gonna go with Eddie. 588 00:27:35,760 --> 00:27:37,560 Speaker 1: I want to once and for all figure out who's 589 00:27:37,560 --> 00:27:40,399 Speaker 1: stealing the money from the kids. Okay, if Eddie even remember, 590 00:27:41,000 --> 00:27:43,240 Speaker 1: I remember, now, Yeah, I'm gonna go with It's my 591 00:27:43,240 --> 00:27:46,120 Speaker 1: final vote. I'm gonna go with Eddie. Two really yeah, wow, 592 00:27:46,320 --> 00:27:48,639 Speaker 1: So we're gonna pull it off to give up that 593 00:27:48,720 --> 00:27:51,639 Speaker 1: you're never gonna don't ever give up. What's the difference 594 00:27:51,680 --> 00:27:53,080 Speaker 1: you give up or not. We're still doing it. I 595 00:27:53,080 --> 00:27:56,640 Speaker 1: mean we're never gonna pick it, so it doesn't matter. Eddie. Yeah, 596 00:27:56,800 --> 00:28:00,680 Speaker 1: you have one pick a bit. You're bit has been picked, 597 00:28:00,680 --> 00:28:02,600 Speaker 1: telling me someone's been stealing money from your kids wallets. 598 00:28:02,640 --> 00:28:04,320 Speaker 1: We're setting it up like a segment. Ray hit the 599 00:28:04,359 --> 00:28:08,800 Speaker 1: segment intro like we do, and here we go. So 600 00:28:08,920 --> 00:28:11,120 Speaker 1: Eddie's had an issue with his kids. What happened? Well, 601 00:28:11,119 --> 00:28:13,080 Speaker 1: they all have wallets, right, and this is money that 602 00:28:13,119 --> 00:28:15,760 Speaker 1: they've earned from chores and just stuff they do and 603 00:28:16,040 --> 00:28:18,760 Speaker 1: how they've collected money, and all of a sudden, one 604 00:28:18,840 --> 00:28:21,320 Speaker 1: kid says, hey, I had five dollars here and it's 605 00:28:21,359 --> 00:28:23,080 Speaker 1: not there anymore. And then other kids like, oh my gosh, 606 00:28:23,080 --> 00:28:25,040 Speaker 1: I realized that too. I had a bunch of ones. 607 00:28:25,119 --> 00:28:28,760 Speaker 1: They're not here anymore. So four wallets, four boys, Yes, 608 00:28:28,880 --> 00:28:30,960 Speaker 1: three wallets. Oh the baby no wallet? No baby doesn't 609 00:28:31,000 --> 00:28:33,560 Speaker 1: have walt three wallets, three boys. But money is starting 610 00:28:33,600 --> 00:28:37,000 Speaker 1: to be missing? Yes, is it? Are you? It's not me? 611 00:28:37,080 --> 00:28:39,200 Speaker 1: I've done it before, where like we've ordered pizza, I 612 00:28:39,200 --> 00:28:43,040 Speaker 1: don't have cash, I borrow, but this time it's not me. Okay, 613 00:28:43,240 --> 00:28:45,920 Speaker 1: so do you want us try to guess? Sure? Why 614 00:28:46,080 --> 00:28:49,240 Speaker 1: is money missing from Eddie's kids wallets? I don't know 615 00:28:49,280 --> 00:28:51,600 Speaker 1: the answer to this. Amy Eddie takes it. Well, that's 616 00:28:51,600 --> 00:28:53,680 Speaker 1: what I think is Eddie had a couple too may drinks. 617 00:28:53,800 --> 00:28:56,880 Speaker 1: Oh that's a good guess. Daddy's been drinking a little bit, 618 00:28:57,040 --> 00:29:01,960 Speaker 1: ordered pizza or something. Little babies figured it out. Maybe 619 00:29:01,960 --> 00:29:05,800 Speaker 1: he doesn't have a wallet. But it's like, yeah, okay, 620 00:29:05,920 --> 00:29:09,880 Speaker 1: what is the answer. So the baby has a little 621 00:29:10,000 --> 00:29:13,480 Speaker 1: vending cart and it comes with like fake sodas and 622 00:29:13,520 --> 00:29:16,160 Speaker 1: it comes with like, you know, fake sandwiches and hot 623 00:29:16,160 --> 00:29:20,040 Speaker 1: dogs and he pushes it around the house and I finally, 624 00:29:20,080 --> 00:29:21,520 Speaker 1: I mean this has been going on. I mean it 625 00:29:21,560 --> 00:29:23,360 Speaker 1: was it was months ago, because we've had this bit 626 00:29:23,360 --> 00:29:26,000 Speaker 1: for a while, but it was like about a three 627 00:29:26,040 --> 00:29:29,440 Speaker 1: week period where he was like, you know, charging us 628 00:29:29,440 --> 00:29:31,480 Speaker 1: for hot dogs and I would give him like play money, 629 00:29:31,600 --> 00:29:33,240 Speaker 1: and he would give me real cash back. And I 630 00:29:33,320 --> 00:29:34,960 Speaker 1: was like, Okay, maybe I don't know my wife gave 631 00:29:35,040 --> 00:29:36,880 Speaker 1: him cash. He was giving you real change, and you 632 00:29:36,880 --> 00:29:39,080 Speaker 1: didn't question that. Maybe I thought maybe my wife gave 633 00:29:39,120 --> 00:29:41,680 Speaker 1: him a couple of dollars to just make it seem real. Well, 634 00:29:41,720 --> 00:29:44,480 Speaker 1: that's what this fool's been doing. He's been taking money 635 00:29:44,480 --> 00:29:47,080 Speaker 1: out of their wallets, using it for his little cart 636 00:29:47,120 --> 00:29:49,360 Speaker 1: that he pushes around the house. I mean, dude, you're 637 00:29:49,360 --> 00:29:52,880 Speaker 1: talking like almost twenty five dollars in cash that he stole. 638 00:29:53,000 --> 00:29:57,800 Speaker 1: That's good stuff, all right, that's pick it. I can't 639 00:29:57,480 --> 00:30:00,320 Speaker 1: remember that. Yeah, it's been so longer, talk abo months 640 00:30:00,880 --> 00:30:02,720 Speaker 1: all right, So two bits remained on the list. We 641 00:30:02,920 --> 00:30:05,880 Speaker 1: ever get back to it. Lunch boxes. Has anyone seen 642 00:30:05,960 --> 00:30:10,320 Speaker 1: me on the news with audio and Amy? Law enforcement 643 00:30:10,320 --> 00:30:12,080 Speaker 1: has come to help her. Amy. That's a good one. 644 00:30:12,720 --> 00:30:16,120 Speaker 1: I might as well just delete mine. No, it'll never 645 00:30:16,200 --> 00:30:19,360 Speaker 1: get picked. You know. It's great lives if lunch Box, 646 00:30:19,400 --> 00:30:20,959 Speaker 1: if I could vote, I would have known you one. 647 00:30:21,000 --> 00:30:23,080 Speaker 1: You've never voted for it. That's true because you always 648 00:30:23,120 --> 00:30:24,720 Speaker 1: say that, and you never vote for it. Never vote 649 00:30:24,720 --> 00:30:27,080 Speaker 1: for it. Don't always say that, you always always like 650 00:30:27,200 --> 00:30:28,600 Speaker 1: gay was like, I wish I could pick lunches, but 651 00:30:28,600 --> 00:30:30,960 Speaker 1: I don't want to pick lunch this. Yeah, okay, so 652 00:30:31,000 --> 00:30:35,080 Speaker 1: here we are, Thank you man. That was cool. It's 653 00:30:35,120 --> 00:30:38,640 Speaker 1: the best bits of the week with Morgan number two. 654 00:30:39,880 --> 00:30:42,440 Speaker 1: This is also another epic interview on the show. This 655 00:30:42,520 --> 00:30:45,360 Speaker 1: week Cadillac three. They came on and performed some of 656 00:30:45,400 --> 00:30:47,560 Speaker 1: their songs. They also talked about what it was like 657 00:30:48,000 --> 00:30:50,200 Speaker 1: or what it is like toriy with Miranda Lambert and 658 00:30:50,320 --> 00:30:53,120 Speaker 1: Little Big Town Right Now, and they also shared fun 659 00:30:53,120 --> 00:30:56,280 Speaker 1: stories about them all drinking together, which so cool. I 660 00:30:56,360 --> 00:30:59,600 Speaker 1: have fomo. And they also told us why they took 661 00:30:59,600 --> 00:31:02,720 Speaker 1: a break from music. So here it is number four 662 00:31:03,800 --> 00:31:07,160 Speaker 1: on the Bobby Bones Show. Now the Catillac three. Hey, 663 00:31:07,200 --> 00:31:08,800 Speaker 1: Jona saw a picture of you and you were in 664 00:31:08,840 --> 00:31:11,800 Speaker 1: a pool. It was you and I think it was 665 00:31:12,360 --> 00:31:15,240 Speaker 1: maybe one A Little Big Town shirtless Jimmy, I think 666 00:31:15,360 --> 00:31:18,640 Speaker 1: to be fair, Yeah, maybe, I don't know. It's like 667 00:31:18,680 --> 00:31:20,120 Speaker 1: a bunch of you guys were in the pool together. 668 00:31:20,120 --> 00:31:23,360 Speaker 1: Who was in that picture? It was me, Jimmy, Karen, 669 00:31:23,960 --> 00:31:26,719 Speaker 1: Miranda and her husband Brendan. How did you guys all 670 00:31:26,800 --> 00:31:29,120 Speaker 1: end up in the pool? We like to party together. 671 00:31:30,560 --> 00:31:32,440 Speaker 1: We're on the road with Miranda in a little big 672 00:31:32,480 --> 00:31:35,840 Speaker 1: town right now on the Bandwagon, Bandwagon, Bandwagon, off the 673 00:31:35,840 --> 00:31:39,760 Speaker 1: Bandwagon tour, and yeah, it's definitely off right now. But 674 00:31:40,600 --> 00:31:42,440 Speaker 1: we were down in West Palm Beach and they had 675 00:31:42,480 --> 00:31:45,120 Speaker 1: this pool at the venue and we decided it was 676 00:31:45,440 --> 00:31:47,920 Speaker 1: you know, bluddy Mary Margarite a time about I don't know, 677 00:31:48,040 --> 00:31:51,240 Speaker 1: nine thirty ten in the am and in the morning. Yeah, yeah, 678 00:31:51,320 --> 00:31:52,720 Speaker 1: that was good. It was good, Bobby, you would have 679 00:31:52,760 --> 00:31:56,480 Speaker 1: loved it. So you drank a couple of Margharita's. Yeah, 680 00:31:56,520 --> 00:31:58,560 Speaker 1: and you got in the pool at nine ten am. 681 00:31:58,640 --> 00:32:00,280 Speaker 1: Then do you have to go on reset yourself before 682 00:32:00,320 --> 00:32:05,640 Speaker 1: the show? Well, in theory, Bobby, that night we could, 683 00:32:05,680 --> 00:32:08,120 Speaker 1: you know, we kind of all picked our battles there. 684 00:32:08,120 --> 00:32:10,560 Speaker 1: We were like, I mean, for Cadilak, we only have 685 00:32:10,560 --> 00:32:12,880 Speaker 1: to play thirty five minutes on that show, so I'm like, yeah, 686 00:32:12,920 --> 00:32:15,440 Speaker 1: I pretty much do anything for thirty well not everything, 687 00:32:15,560 --> 00:32:18,560 Speaker 1: but you know what I mean. But so they have 688 00:32:18,600 --> 00:32:20,960 Speaker 1: to play a little longer, so I just kept it going. 689 00:32:21,400 --> 00:32:23,120 Speaker 1: The tough part was the encore at the end, when 690 00:32:23,120 --> 00:32:24,719 Speaker 1: I go back out with them and saying let it 691 00:32:24,760 --> 00:32:27,680 Speaker 1: be by the Beatles. You know, I gotta go up. 692 00:32:27,680 --> 00:32:30,920 Speaker 1: And when I find myself in times of trouble, mother 693 00:32:31,160 --> 00:32:33,600 Speaker 1: Mary comes from me. So I go in, I find 694 00:32:33,640 --> 00:32:39,680 Speaker 1: myself and hay, I'm heeling off time I see and 695 00:32:39,720 --> 00:32:41,640 Speaker 1: then everybody laughs and it's great, and then I'll leave. 696 00:32:41,800 --> 00:32:44,640 Speaker 1: You're drinking something in a can now, and it's that's 697 00:32:44,640 --> 00:32:46,720 Speaker 1: just soda water Okay, Well I didn't know, you say. 698 00:32:47,000 --> 00:32:49,720 Speaker 1: I usually start with waterloo and then we edge into 699 00:32:49,760 --> 00:32:53,120 Speaker 1: the you know whatever. But yeah, so creatively as far 700 00:32:53,160 --> 00:32:55,200 Speaker 1: as the group goes here, like what's happening with you guys? 701 00:32:55,760 --> 00:32:58,000 Speaker 1: Last two years for crazy for everybody obviously, and that's 702 00:32:58,080 --> 00:33:00,960 Speaker 1: feel like, that's the way everybody always preface prefaces with, 703 00:33:01,240 --> 00:33:05,360 Speaker 1: you know, what's going on. But we you know, we've 704 00:33:05,360 --> 00:33:08,200 Speaker 1: been hit real hard by the whole thing. My dad 705 00:33:08,280 --> 00:33:11,000 Speaker 1: died and all this stuff, and we kind of had 706 00:33:11,040 --> 00:33:14,040 Speaker 1: to regroup. We took six months off again after the pandemic, 707 00:33:14,520 --> 00:33:17,000 Speaker 1: and now we're back and we're we just actually started 708 00:33:17,000 --> 00:33:21,000 Speaker 1: the new record yesterday and it's going good. We're actually 709 00:33:21,000 --> 00:33:23,240 Speaker 1: in the studio all this week, right down the streets here, 710 00:33:23,280 --> 00:33:26,440 Speaker 1: so feeling very creative. It's a lot of fun, better 711 00:33:26,480 --> 00:33:28,520 Speaker 1: spirits now and we're on the road with Miranda a 712 00:33:28,520 --> 00:33:30,600 Speaker 1: little bittown, so it's it's pretty cool, man, when you 713 00:33:30,640 --> 00:33:34,560 Speaker 1: take a break and you take six months to you know, 714 00:33:34,640 --> 00:33:38,280 Speaker 1: kind of just re examined, see where you are creative, 715 00:33:38,360 --> 00:33:40,640 Speaker 1: Like it's your personal lives lined up. Do you feel 716 00:33:40,640 --> 00:33:43,480 Speaker 1: like you come back with a different creative spirit than 717 00:33:43,560 --> 00:33:46,320 Speaker 1: you would have otherwise? You hope to, you know, I 718 00:33:46,360 --> 00:33:49,840 Speaker 1: mean that's that's one thing that the beginning of the 719 00:33:49,880 --> 00:33:52,600 Speaker 1: COVID thing had for at least me in particular, the 720 00:33:52,640 --> 00:33:55,440 Speaker 1: Tabasco and Sweet Tea record. You know, it gave us 721 00:33:55,440 --> 00:33:57,920 Speaker 1: a time to just sit and really concentrate on that 722 00:33:58,000 --> 00:34:00,920 Speaker 1: and do something different completely on ex affected. And I 723 00:34:00,960 --> 00:34:02,840 Speaker 1: think with our band, that's kind of where we always 724 00:34:02,920 --> 00:34:04,360 Speaker 1: kind of want to keep people. You know, we don't 725 00:34:04,360 --> 00:34:06,560 Speaker 1: want Bobby Bone sitting there going, oh, well, I know 726 00:34:06,600 --> 00:34:08,839 Speaker 1: what those it's not you know, it's not a little 727 00:34:08,880 --> 00:34:11,680 Speaker 1: Big Town or Dirks or you know whoever, all these 728 00:34:11,719 --> 00:34:15,560 Speaker 1: people that do do things that are very expected actually 729 00:34:15,560 --> 00:34:17,720 Speaker 1: a little bit down, that's wrong. They do different things. 730 00:34:17,800 --> 00:34:20,440 Speaker 1: But and Dirks could be on a mountain or he 731 00:34:20,480 --> 00:34:25,080 Speaker 1: could be on a beach. So those were two bad examples. 732 00:34:25,120 --> 00:34:28,200 Speaker 1: But Eli young Ben No, the Catalac three is here. 733 00:34:28,680 --> 00:34:30,200 Speaker 1: We're set up. We're gonna do a couple of songs 734 00:34:30,200 --> 00:34:31,719 Speaker 1: to talk a little more. What would you guys like 735 00:34:31,760 --> 00:34:34,480 Speaker 1: to play first? I think we're gonna do Tabasca and Sweetie, 736 00:34:34,600 --> 00:34:37,000 Speaker 1: just because I like it. And that's a good enough 737 00:34:37,000 --> 00:34:38,600 Speaker 1: reason for me. If you like it, thank you. We're 738 00:34:38,600 --> 00:34:40,040 Speaker 1: good to go. All right, Catalac three, Here we go, 739 00:34:40,040 --> 00:35:07,200 Speaker 1: Bobby Bone Show. If the kids a hundred downs the knees, 740 00:35:07,520 --> 00:35:10,320 Speaker 1: I burn you up, burning up weekend the knees. That 741 00:35:10,640 --> 00:35:19,480 Speaker 1: good sheet mmmmm if it touch, I screamed, I talk 742 00:35:19,560 --> 00:35:23,560 Speaker 1: a blue bear hot fudging? Do I mean that good? 743 00:35:23,680 --> 00:35:31,880 Speaker 1: Sweet m I said, if she's hot on that bastle, 744 00:35:33,840 --> 00:35:37,000 Speaker 1: I talk a barefoot black top down and dead torner, 745 00:35:37,239 --> 00:35:40,000 Speaker 1: A sudden little sizzle you could fry their on it. 746 00:35:40,400 --> 00:35:47,760 Speaker 1: She sweet on that sweet tea the man Mommy Street 747 00:35:48,160 --> 00:35:51,719 Speaker 1: sugar water may be gonna lay a down sugar on 748 00:35:51,800 --> 00:35:56,360 Speaker 1: a wind, God made my baby well and Musco being 749 00:35:56,480 --> 00:36:01,800 Speaker 1: a rocking that Barton Europe, stay here, man on, Hello, 750 00:36:02,040 --> 00:36:20,480 Speaker 1: fucking cocks here for me. She sweet teep. Yeah, come on, 751 00:36:24,080 --> 00:36:27,680 Speaker 1: holy crap, that's awesome. Guy's a great job. Okay, thank you, man. 752 00:36:27,880 --> 00:36:29,879 Speaker 1: Indulge me for a second. Jared, I'm just gonna list 753 00:36:29,880 --> 00:36:31,640 Speaker 1: off some of the song because you've you've written as 754 00:36:31,640 --> 00:36:33,600 Speaker 1: a songwriter. You call it that. Yeah, I'm gonna get 755 00:36:33,640 --> 00:36:36,239 Speaker 1: arrass ornything because success just make me make me a 756 00:36:36,280 --> 00:36:39,640 Speaker 1: look bigger than I am. Byby come on, Jaren wrote 757 00:36:40,000 --> 00:36:41,799 Speaker 1: and no need for clips right there. These are such 758 00:36:41,840 --> 00:36:43,960 Speaker 1: big songs. People will know them just by me saying them. 759 00:36:44,320 --> 00:36:46,840 Speaker 1: Keith Urban and Eric Church, Raise them up, Keith Urban, 760 00:36:46,920 --> 00:36:49,760 Speaker 1: You're Gonna fly, Jaco in American Country Love Song, Jaco 761 00:36:49,840 --> 00:36:53,080 Speaker 1: and Beach and Billy Currington, Donut, Tim mcgrawl, Meanwhile Back 762 00:36:53,080 --> 00:36:56,920 Speaker 1: at MoMA's Tim mcgrawl, Southern Girl, Frankie Ballard, Sunshine and Whiskey. 763 00:36:57,080 --> 00:37:00,480 Speaker 1: Do songs just come to you when you're leaping, when 764 00:37:00,480 --> 00:37:03,960 Speaker 1: you're in the shower, what's the deal? I mean? Not 765 00:37:04,000 --> 00:37:06,839 Speaker 1: when we're doing a Cadillac three record, obviously, because those 766 00:37:06,920 --> 00:37:10,200 Speaker 1: have not done as well as the other songs. I 767 00:37:10,280 --> 00:37:13,759 Speaker 1: think it's different every time, Like whenever, you know, I 768 00:37:13,800 --> 00:37:17,000 Speaker 1: remember Jonathan Singleton, who's another successful songer in town, tell 769 00:37:17,080 --> 00:37:19,560 Speaker 1: me he hears him in the shower. I don't hear 770 00:37:19,560 --> 00:37:21,120 Speaker 1: anything in the shower. I Usually you get in there 771 00:37:21,120 --> 00:37:23,080 Speaker 1: and somebody says something cool, or you write something down 772 00:37:23,080 --> 00:37:24,920 Speaker 1: when you're drinking beer at the end of the night 773 00:37:24,960 --> 00:37:26,959 Speaker 1: and you're like, oh, how would that fit to music? 774 00:37:27,000 --> 00:37:28,960 Speaker 1: And then it kind of just happens, you know, Ashley Gore. 775 00:37:29,000 --> 00:37:31,200 Speaker 1: They just walks in and says, I got this title 776 00:37:31,239 --> 00:37:34,160 Speaker 1: American country love song. Like that's great, how do you 777 00:37:34,200 --> 00:37:36,560 Speaker 1: not write that? And so we did and it was good. 778 00:37:36,800 --> 00:37:39,560 Speaker 1: So you talk about the Catalact three and writing these songs, 779 00:37:39,560 --> 00:37:41,320 Speaker 1: and you're I was going to ask, but you mentioned 780 00:37:41,360 --> 00:37:43,640 Speaker 1: it last segment. You guys are doing it now, like 781 00:37:43,680 --> 00:37:46,160 Speaker 1: you're doing the record now. So what is that? What's 782 00:37:46,200 --> 00:37:49,399 Speaker 1: that timetable from when that new single or that new 783 00:37:49,640 --> 00:37:53,560 Speaker 1: music we get comes out. It's you know, probably sooner 784 00:37:53,560 --> 00:37:57,120 Speaker 1: than later now because it's everything seems like it moves 785 00:37:57,120 --> 00:37:59,160 Speaker 1: a lot quicker these days. You know, you used to 786 00:37:59,200 --> 00:38:00,880 Speaker 1: spend a lot of time on records. I think right 787 00:38:00,880 --> 00:38:02,920 Speaker 1: now we're actually trying to take our time, but we're 788 00:38:02,960 --> 00:38:05,480 Speaker 1: gonna get We're gonna start putting out songs pretty quickly, 789 00:38:05,560 --> 00:38:08,160 Speaker 1: like we're we recorded one yesterday, We're probably gonna put 790 00:38:08,200 --> 00:38:10,360 Speaker 1: it out next week. Just hear it, you know what 791 00:38:10,400 --> 00:38:12,560 Speaker 1: I mean. That's that kind of world we live in now, 792 00:38:13,120 --> 00:38:15,520 Speaker 1: and I think the fans really appreciate that and love 793 00:38:15,600 --> 00:38:18,640 Speaker 1: to get in the contact or contact or the content 794 00:38:18,920 --> 00:38:20,960 Speaker 1: as soon as they can. So one of my favorite 795 00:38:20,960 --> 00:38:23,480 Speaker 1: songs from you guys was White Lightning. Man. That was 796 00:38:23,520 --> 00:38:27,040 Speaker 1: just I don't know why that song didn't crush love. 797 00:38:27,239 --> 00:38:29,839 Speaker 1: Go ahead. He's like, he's like, he knows exactly where 798 00:38:29,840 --> 00:38:31,759 Speaker 1: I'm gonna go with that. I played it. I know 799 00:38:31,840 --> 00:38:33,800 Speaker 1: you played it. Nobody else I couldn't get people to 800 00:38:33,880 --> 00:38:35,600 Speaker 1: jump on. I see you a text on that dude, 801 00:38:35,600 --> 00:38:37,160 Speaker 1: thank you for playing white Lightning and he goes, who 802 00:38:37,200 --> 00:38:45,080 Speaker 1: did new phone? Okay, enough of that, but it was 803 00:38:45,600 --> 00:38:47,520 Speaker 1: you mentioned it. So I'm only gonna follow your lead here. 804 00:38:47,560 --> 00:38:50,840 Speaker 1: You say you can't get the catalac three in that 805 00:38:50,960 --> 00:38:54,960 Speaker 1: same spot with these number one songs, what's the disconnect? 806 00:38:55,239 --> 00:38:58,759 Speaker 1: It's not you guys, super talented, great all three of 807 00:38:58,760 --> 00:39:01,000 Speaker 1: you together. I have love all of you. Where where 808 00:39:01,080 --> 00:39:04,040 Speaker 1: is that? Is? It kind of like a just I 809 00:39:04,160 --> 00:39:07,000 Speaker 1: like to dumb it down for myself. Another group that 810 00:39:07,040 --> 00:39:09,239 Speaker 1: struggles with this a bit, and I'm not comparing you 811 00:39:09,239 --> 00:39:11,160 Speaker 1: to at all, but it's Brothers Osborne has a struggle 812 00:39:11,160 --> 00:39:12,600 Speaker 1: of they can't get some people to commit to their 813 00:39:12,600 --> 00:39:15,239 Speaker 1: sound because that's slightly different and they're slightly different. Is 814 00:39:15,280 --> 00:39:17,920 Speaker 1: that you think where it is? I think you know, 815 00:39:18,040 --> 00:39:20,480 Speaker 1: and t J and John obviously dear friends of ours. 816 00:39:20,520 --> 00:39:22,960 Speaker 1: I think we all kind of have the mindset of 817 00:39:23,120 --> 00:39:25,560 Speaker 1: do what you do and hopefully it gets to the 818 00:39:25,560 --> 00:39:27,719 Speaker 1: point where people don't have a choice but not to 819 00:39:27,760 --> 00:39:30,719 Speaker 1: play it because it's so it's become a sound that's 820 00:39:30,719 --> 00:39:33,960 Speaker 1: in demand, and chasing something seems out of the realm 821 00:39:33,960 --> 00:39:37,200 Speaker 1: of what we would do, or Brothers Osborne would do. 822 00:39:37,239 --> 00:39:39,800 Speaker 1: You know, we'd much rather just go sell a thousand 823 00:39:39,840 --> 00:39:43,839 Speaker 1: tickets everywhere we go, and you do that and live 824 00:39:43,880 --> 00:39:45,360 Speaker 1: that kind of thing and not have to be like 825 00:39:47,320 --> 00:39:49,080 Speaker 1: you know or whatever we can and we give those 826 00:39:49,080 --> 00:39:52,960 Speaker 1: songs or whoever wants to go, you know what I mean, 827 00:39:53,400 --> 00:39:55,200 Speaker 1: and you still get to check, say, come to the 828 00:39:55,200 --> 00:39:58,200 Speaker 1: mailbox right there. So it's kind of a win win, 829 00:39:58,360 --> 00:40:03,000 Speaker 1: you know. So on the next record, have you changed 830 00:40:03,160 --> 00:40:06,359 Speaker 1: creatively in that since too? I mean that last working 831 00:40:06,400 --> 00:40:08,080 Speaker 1: about in twenty twenty, right am I right on that? 832 00:40:08,480 --> 00:40:11,600 Speaker 1: So it's been a bit of time like as long 833 00:40:11,640 --> 00:40:14,200 Speaker 1: as we've ever taken. Yeah, are you guys in a 834 00:40:14,200 --> 00:40:16,279 Speaker 1: different place creatively where there could be a little more? 835 00:40:20,000 --> 00:40:21,600 Speaker 1: I think, you know, I think it's gonna be a 836 00:40:21,600 --> 00:40:23,040 Speaker 1: little bit of both. I think we kind of really 837 00:40:23,080 --> 00:40:25,000 Speaker 1: want to go heavy on this next record because we 838 00:40:25,120 --> 00:40:27,880 Speaker 1: eat it's interesting and t J and John and all 839 00:40:27,880 --> 00:40:29,839 Speaker 1: of us had this conversation all the time about how 840 00:40:29,840 --> 00:40:31,800 Speaker 1: it's like so great to go out and play shows 841 00:40:32,120 --> 00:40:35,799 Speaker 1: and play these things that are just aggressive that would 842 00:40:35,880 --> 00:40:37,279 Speaker 1: never be on the radio, but you see the way 843 00:40:37,280 --> 00:40:39,799 Speaker 1: that the fan reacts to them. And so it's like, 844 00:40:39,840 --> 00:40:42,239 Speaker 1: in our perfect world, we do these things and record 845 00:40:42,280 --> 00:40:44,800 Speaker 1: them right to where they work both worlds. So so 846 00:40:45,040 --> 00:40:49,680 Speaker 1: you'll record both both songs that fit all spectrums. Look 847 00:40:49,719 --> 00:40:52,680 Speaker 1: at Eric Church, right, he could drink a little drink, 848 00:40:52,719 --> 00:40:55,840 Speaker 1: smoke a little smoke, or he'll cut what is the 849 00:40:55,920 --> 00:40:57,879 Speaker 1: what was the big the heavier one, but he's got 850 00:40:57,880 --> 00:41:01,319 Speaker 1: a high tenor country voice. Right, I'm down here and 851 00:41:01,360 --> 00:41:03,239 Speaker 1: then t J and Jonah you know what I mean. 852 00:41:03,320 --> 00:41:06,160 Speaker 1: So it's like it's a little easier selling Eric does it. 853 00:41:06,200 --> 00:41:08,000 Speaker 1: But I think we'd like to record things that in 854 00:41:08,040 --> 00:41:10,799 Speaker 1: our own way that would still work at radio. But 855 00:41:10,840 --> 00:41:13,319 Speaker 1: it's gonna take people putting up the pirate flags and 856 00:41:13,360 --> 00:41:16,000 Speaker 1: getting weird, you know. I mean, it's just realistic, you know. Well, 857 00:41:16,080 --> 00:41:18,719 Speaker 1: I admire that. Love your music, big fans, off you guys. 858 00:41:18,840 --> 00:41:20,439 Speaker 1: I like to I like it during a show when 859 00:41:21,080 --> 00:41:23,560 Speaker 1: like these eighties shows, like all right, we'll go around 860 00:41:24,360 --> 00:41:26,200 Speaker 1: on the drums, Neil and then you do your drum. 861 00:41:26,880 --> 00:41:28,040 Speaker 1: I like it. Get a lot of that now, if 862 00:41:28,040 --> 00:41:29,359 Speaker 1: you guys don't mind, I'd like to do it, though 863 00:41:29,360 --> 00:41:33,440 Speaker 1: they're cool different. Alright, alright, ladies and gentlemen, you've been 864 00:41:33,480 --> 00:41:37,520 Speaker 1: here all night. You're exhausted, your sweating. Let me introduce 865 00:41:37,560 --> 00:41:46,240 Speaker 1: the band on the drums and back up vocals. Nil, okay, 866 00:41:46,239 --> 00:41:51,960 Speaker 1: pretty sure? You know what? Fine? Okay, alright, alright, alright, 867 00:41:53,239 --> 00:41:55,880 Speaker 1: a lot of strings right now, he's gotta does lap. 868 00:41:57,120 --> 00:42:01,760 Speaker 1: I'm not done, calbe Waite, I said, way it's Kobe. 869 00:42:05,920 --> 00:42:09,200 Speaker 1: I think I just had a seizure from that. Okay, Hey, finally, 870 00:42:09,200 --> 00:42:13,879 Speaker 1: I leave vocals and guitar. Jared hey Man, all right, 871 00:42:13,920 --> 00:42:19,160 Speaker 1: there we have it, the acoustic version. Let me get 872 00:42:19,239 --> 00:42:21,239 Speaker 1: some if you got to court it you play white lining. 873 00:42:21,360 --> 00:42:24,880 Speaker 1: Yeah yeah, I would love to Bobby, thank you for asking. 874 00:42:28,000 --> 00:42:35,680 Speaker 1: She stole my heart faster than a heat seeking miss alone, 875 00:42:35,680 --> 00:42:38,879 Speaker 1: a mission faster than a bass to the hook, when 876 00:42:38,960 --> 00:42:42,759 Speaker 1: did it fish? Faster than on wool knuckle rules off 877 00:42:42,800 --> 00:42:47,360 Speaker 1: a house faster than a whist gits shot down, down, shout. 878 00:42:49,800 --> 00:43:02,800 Speaker 1: I stole I light, I saw fassled in a queen 879 00:43:03,239 --> 00:43:07,120 Speaker 1: running You d al bassooed in a tu board dumping 880 00:43:07,239 --> 00:43:11,399 Speaker 1: that you bassood and the others could shiver A long 881 00:43:12,040 --> 00:43:18,719 Speaker 1: bassled in disturbed flying rule, I see, I saw I 882 00:43:19,040 --> 00:43:34,320 Speaker 1: light down last I led down Alabama moon shining, Dota 883 00:43:34,400 --> 00:43:46,399 Speaker 1: game n through hard when a storm started here. That's 884 00:43:46,480 --> 00:44:40,320 Speaker 1: what loves feel like, That's what lives. So let's come on. 885 00:44:41,000 --> 00:44:44,719 Speaker 1: Cadillac three. That's awesome, guy, it's gonna shop man, that's them, 886 00:44:45,080 --> 00:44:47,279 Speaker 1: that's the Cadillac three. You guys go follow them on 887 00:44:47,480 --> 00:44:50,319 Speaker 1: Instagram and Twitter at the Cadillac and the number three. 888 00:44:50,800 --> 00:44:54,279 Speaker 1: When you get the new record or song done, if 889 00:44:54,360 --> 00:44:56,480 Speaker 1: it's the one you guys feel like is the single. 890 00:44:57,000 --> 00:44:58,600 Speaker 1: Let me know. I will put it on the National 891 00:44:58,600 --> 00:45:00,920 Speaker 1: AC Countdown show, so that'll be a couple hundred stations. 892 00:45:01,520 --> 00:45:03,279 Speaker 1: We'll do a little premiere here on this show as well. 893 00:45:03,280 --> 00:45:04,520 Speaker 1: I won't be little, but I'd like to say that 894 00:45:04,520 --> 00:45:06,480 Speaker 1: so I make self seem humble, which is hard. And 895 00:45:06,680 --> 00:45:10,680 Speaker 1: then from there, well, at least give it a little 896 00:45:10,719 --> 00:45:12,840 Speaker 1: kick in the pants to start. So just if you 897 00:45:12,880 --> 00:45:14,239 Speaker 1: put something out that you're like, this is just our 898 00:45:14,280 --> 00:45:16,160 Speaker 1: first taste. It's not really what we're aiming for. For 899 00:45:16,280 --> 00:45:19,520 Speaker 1: like when you get that one Jared text, men, I'll 900 00:45:19,520 --> 00:45:21,759 Speaker 1: be like, who do this? But then I'll go, you 901 00:45:21,880 --> 00:45:24,160 Speaker 1: got it, and then we'll do it all right. I 902 00:45:24,239 --> 00:45:26,239 Speaker 1: think you guys are so good and thanks buddy, you know, 903 00:45:26,320 --> 00:45:28,280 Speaker 1: just to hear you guys perform live again. It doesn't 904 00:45:28,320 --> 00:45:30,960 Speaker 1: remind me because I already knew, but it just reminds 905 00:45:31,040 --> 00:45:33,040 Speaker 1: me that I need to be out front kind of 906 00:45:33,080 --> 00:45:35,960 Speaker 1: waving that pirate flag. Although I'm not that crazy, I 907 00:45:36,000 --> 00:45:37,520 Speaker 1: can still hold a flag up, you know. Yeah, man, 908 00:45:37,600 --> 00:45:39,279 Speaker 1: of course, man, Well, we appreciate you having this. Man, 909 00:45:39,320 --> 00:45:41,759 Speaker 1: Thank you, Bobby always there. They are the Cadillac. To 910 00:45:41,920 --> 00:45:43,759 Speaker 1: appreciate you guys. We'll be back in a minute. Nice 911 00:45:43,760 --> 00:45:50,640 Speaker 1: shout guests, it's the best bits of the week with Morgan. 912 00:45:50,760 --> 00:45:53,680 Speaker 1: Number two. It's always weird when I include one of 913 00:45:53,800 --> 00:45:55,960 Speaker 1: those segments that's about me, but this was a pretty 914 00:45:56,000 --> 00:45:59,160 Speaker 1: interesting one. We did a blindfolded smell test to see 915 00:45:59,600 --> 00:46:02,799 Speaker 1: where my smell currently sits. After I got COVID back 916 00:46:02,840 --> 00:46:05,759 Speaker 1: in August. It's been like nine months and I still 917 00:46:05,840 --> 00:46:08,040 Speaker 1: do not have my smell. So we decided to test 918 00:46:08,080 --> 00:46:10,120 Speaker 1: it out see what I actually do smell. And I'm 919 00:46:10,160 --> 00:46:12,440 Speaker 1: just gonna tell y'all, I did not do good. I 920 00:46:12,520 --> 00:46:15,000 Speaker 1: thought something was cookies and it was definitely not cookies. 921 00:46:15,120 --> 00:46:18,440 Speaker 1: So you know, listen for yourself, but then also go 922 00:46:18,600 --> 00:46:20,880 Speaker 1: watch it Bobby Bones dot com or on my Instagram 923 00:46:20,960 --> 00:46:23,520 Speaker 1: at web girl Morgan because the video it's pretty funny. 924 00:46:24,000 --> 00:46:26,960 Speaker 1: Number three, Morgan, how long ago did you have COVID? 925 00:46:27,680 --> 00:46:31,520 Speaker 1: I was in August of twenty one, so several months ago. Wow, 926 00:46:31,840 --> 00:46:34,000 Speaker 1: nine months, and so she didn't have her smell forever. 927 00:46:34,160 --> 00:46:36,120 Speaker 1: But you feel like now you're getting your smell back. 928 00:46:36,320 --> 00:46:38,759 Speaker 1: I think I am. I'll get whips of things. I'm like, oh, 929 00:46:38,800 --> 00:46:41,239 Speaker 1: it's there, and then it leaves, So I'm not entirely sure. 930 00:46:41,239 --> 00:46:43,280 Speaker 1: If it's one hundred percent back or not. So Morgan 931 00:46:43,360 --> 00:46:45,719 Speaker 1: does not have headphones. Yeah, I can't see anything right, 932 00:46:45,760 --> 00:46:47,600 Speaker 1: and she can't see anything because she got a blindfold on. 933 00:46:47,920 --> 00:46:49,680 Speaker 1: We have six things. Now, what I'm gonna do is 934 00:46:49,760 --> 00:46:51,719 Speaker 1: tell the audience what it is, and then she's going 935 00:46:51,800 --> 00:46:55,480 Speaker 1: to smell it and we'll see if she can identify it. Now, 936 00:46:55,600 --> 00:46:59,640 Speaker 1: some of the stuff is really strong meaning and I 937 00:47:00,920 --> 00:47:04,120 Speaker 1: just it's like food things, right, So when I say it, 938 00:47:04,200 --> 00:47:06,480 Speaker 1: you guys don't react like oh you got it or 939 00:47:07,239 --> 00:47:10,200 Speaker 1: like that would be hard to smell. Just don't react. Okay, Okay. 940 00:47:10,680 --> 00:47:13,160 Speaker 1: The first thing I'm gonna say what it is? You 941 00:47:13,239 --> 00:47:15,040 Speaker 1: can't hear me? Right? Hold on, Morgan, can you hear 942 00:47:15,160 --> 00:47:18,920 Speaker 1: me a little bit? Okay, can hear me now? Yes? Okay, 943 00:47:21,880 --> 00:47:23,719 Speaker 1: what are you gonna do? Hold your ears? I'm gonna 944 00:47:23,760 --> 00:47:25,320 Speaker 1: take a round with No, just hold her ears, Just 945 00:47:25,360 --> 00:47:28,279 Speaker 1: hold her put o ears? Oh ear mousing? No, I 946 00:47:28,360 --> 00:47:31,080 Speaker 1: can't squeezing. Okay, Well, Morgan, stop talking so I can 947 00:47:31,120 --> 00:47:34,240 Speaker 1: say it. Hold on. First thing is a lit candle? 948 00:47:34,680 --> 00:47:37,719 Speaker 1: A candle? Cool? All right, here's she go? If she 949 00:47:37,760 --> 00:47:40,200 Speaker 1: has her smell back? Is there something an undermine nose? 950 00:47:40,719 --> 00:47:44,920 Speaker 1: There's something. Can you smell? I'm nervous. The problem is 951 00:47:44,960 --> 00:47:48,560 Speaker 1: you're gonna catch her face on fire. Guys. Oh, yes, 952 00:47:48,880 --> 00:47:52,759 Speaker 1: that's what I was saying, the heat. Okay, her hair 953 00:47:53,040 --> 00:47:55,600 Speaker 1: is singing fire. Okay, cut No, it's not fire. It 954 00:47:55,719 --> 00:47:59,800 Speaker 1: was a little candle, but we kick fire. Did you 955 00:47:59,840 --> 00:48:02,600 Speaker 1: smell that at all? Morgan? I didn't smell it until 956 00:48:02,600 --> 00:48:04,279 Speaker 1: it started to get really close to my face. That's 957 00:48:04,320 --> 00:48:06,040 Speaker 1: why I was like, it's something there. We're not going 958 00:48:06,080 --> 00:48:08,080 Speaker 1: to count that one. They almost cut her face on fire. Okay, 959 00:48:08,320 --> 00:48:12,359 Speaker 1: lunchbox number two. If you're covered up my sharp bee, 960 00:48:13,040 --> 00:48:16,239 Speaker 1: my sharp be all right, here we go. Now we're 961 00:48:16,239 --> 00:48:17,960 Speaker 1: gonna put it under your nose. Morgan, don't move your head, 962 00:48:18,000 --> 00:48:23,320 Speaker 1: but smell, big, big breath. Oh chlorox. Oh that smells 963 00:48:23,320 --> 00:48:26,360 Speaker 1: like chlorox. Oh what is that? Yep, don't like that. 964 00:48:26,480 --> 00:48:30,360 Speaker 1: That's that's cleaning clean. No, it's maybe your smell is 965 00:48:30,400 --> 00:48:34,480 Speaker 1: messed up. It's a it's my sharpie. Oh yeah, no 966 00:48:34,640 --> 00:48:37,680 Speaker 1: that okay, Morgan, Now that you know, Mike put the 967 00:48:37,680 --> 00:48:39,480 Speaker 1: sharp under her nose again. Now that you know it's 968 00:48:39,520 --> 00:48:42,879 Speaker 1: the sharpie smell, No, it still it smells like nail 969 00:48:42,920 --> 00:48:47,440 Speaker 1: polish remover, like some acid tone like clean spie. Okay, 970 00:48:47,520 --> 00:48:50,640 Speaker 1: this is sad over two we started crying. Oh my gosh. 971 00:48:50,760 --> 00:48:54,120 Speaker 1: All right, next up, lunchbox, I feel cover ears a 972 00:48:54,400 --> 00:49:03,840 Speaker 1: freshly good onion. Oh no responses, Oh rush, good onion. Okay, 973 00:49:03,960 --> 00:49:09,560 Speaker 1: here we go. Smell, Morgan, what is Oh my god, 974 00:49:09,880 --> 00:49:12,200 Speaker 1: I can smell something. I have no idea what it is? Big, 975 00:49:12,280 --> 00:49:17,840 Speaker 1: big whiff meat? Is it some kind of So you 976 00:49:17,960 --> 00:49:20,279 Speaker 1: do have some sort of smell. You just can't really 977 00:49:20,280 --> 00:49:22,200 Speaker 1: tell what it is. No, I mean it sells awful 978 00:49:22,280 --> 00:49:25,480 Speaker 1: whatever it is. Okay, we're gonna try after we tell 979 00:49:25,520 --> 00:49:28,120 Speaker 1: her it's an onion. Oh yeah, no, I smell again. 980 00:49:28,280 --> 00:49:29,920 Speaker 1: And now that you know it's an onion. No that 981 00:49:30,160 --> 00:49:33,080 Speaker 1: that doesn't smell like an onion at all? Okay at all? 982 00:49:33,440 --> 00:49:35,440 Speaker 1: Is that a meat smell? An onion? I mean I 983 00:49:35,560 --> 00:49:39,800 Speaker 1: smelled the onion from across too. Okay, let's now this 984 00:49:39,920 --> 00:49:42,640 Speaker 1: next one is strong. It's a very strong smell. Okay, 985 00:49:42,680 --> 00:49:48,560 Speaker 1: so cover. Here's here we go. Curry powder, curry powder, 986 00:49:48,680 --> 00:49:51,880 Speaker 1: so it's gonna be very very strong. All right, all right, 987 00:49:52,160 --> 00:49:56,480 Speaker 1: don't don't don't do it, Mike, you can, but Morgan ready, one, two, three? 988 00:49:57,520 --> 00:50:01,160 Speaker 1: Some kind of spice idea. What that one's kind of 989 00:50:01,200 --> 00:50:05,600 Speaker 1: close though, right, Mike. Okay, so it's curry powder. Oh 990 00:50:06,600 --> 00:50:09,279 Speaker 1: oh yeah, that's strong. Okay, but can you can you 991 00:50:09,320 --> 00:50:12,600 Speaker 1: actually smell the curry now? No, it's it just smells 992 00:50:12,640 --> 00:50:15,879 Speaker 1: like a mix of spices, like I'm getting salt pepper though. Yeah. 993 00:50:15,920 --> 00:50:18,720 Speaker 1: At least she's in the ballpark, right. Morgan's head covid 994 00:50:18,880 --> 00:50:20,760 Speaker 1: or she did about a year ago, and she's trying 995 00:50:20,800 --> 00:50:22,640 Speaker 1: to see if she can smell things. She hasn't really 996 00:50:22,760 --> 00:50:24,840 Speaker 1: nailed one yet. No, Now, this one will be a 997 00:50:24,920 --> 00:50:30,040 Speaker 1: very familiar smell. Okay, and good Mike, Okay, I'm gonna 998 00:50:30,040 --> 00:50:31,680 Speaker 1: say what it is. Here we go a good lunch? Ye, 999 00:50:32,600 --> 00:50:38,839 Speaker 1: Raymondos cologne, right, so hard, hold on, hold on, don't 1000 00:50:38,840 --> 00:50:42,359 Speaker 1: talk Raymondos cologne. All right, go ahead and Morgan? One 1001 00:50:42,520 --> 00:50:48,560 Speaker 1: two three? Go oh, cookies is happening? Okay, one more time? 1002 00:50:49,200 --> 00:50:54,399 Speaker 1: One more time? Cookie? No? Still cookie? So well, it's 1003 00:50:54,480 --> 00:50:58,239 Speaker 1: raised cologne. That's a good cologne, right, what is it? 1004 00:50:59,000 --> 00:51:03,439 Speaker 1: Spokey Monster after dark Bob. Yeah, it's a very distinct smell. 1005 00:51:03,520 --> 00:51:05,560 Speaker 1: Everybody smells like cookies at all. Smells like a bomb 1006 00:51:05,600 --> 00:51:07,920 Speaker 1: that's on spite that that spices on it no, okay, 1007 00:51:09,080 --> 00:51:10,839 Speaker 1: well there's only one more. But she I would say, 1008 00:51:10,880 --> 00:51:14,600 Speaker 1: she's kind of over five. The COVID has messed her 1009 00:51:14,640 --> 00:51:17,160 Speaker 1: smell up. Yeah, right now, our studio smells like a 1010 00:51:17,280 --> 00:51:23,120 Speaker 1: sandwich shop. Last one. These are lunchboxes soccer shin guards 1011 00:51:23,640 --> 00:51:30,000 Speaker 1: that are so sweaty. Lunchboxes shin guards. Okay, and under 1012 00:51:30,080 --> 00:51:35,080 Speaker 1: the nose oh bo of some kind kind of that 1013 00:51:35,160 --> 00:51:39,080 Speaker 1: smells like bo kind of that's hold on go again. 1014 00:51:39,400 --> 00:51:42,600 Speaker 1: Oh yeah, like somebody just sweat in the gym. Yeah, 1015 00:51:43,360 --> 00:51:53,400 Speaker 1: that lunch boxes sweaty. She can smell. That's so gross. 1016 00:51:53,480 --> 00:51:57,200 Speaker 1: That's funny that that is so strong. It defeated her 1017 00:51:57,320 --> 00:52:00,520 Speaker 1: nose issues. Yeah like, okay, well, Morgan, I say, you 1018 00:52:00,560 --> 00:52:06,239 Speaker 1: are almost I don't know, trouble. I feel bad. I don't. 1019 00:52:06,280 --> 00:52:08,360 Speaker 1: I don't feel good about that at all. I mean, 1020 00:52:08,400 --> 00:52:10,919 Speaker 1: you only got one really and it was lunchboxes. Bo. 1021 00:52:11,000 --> 00:52:16,600 Speaker 1: You're right, she went bo. It's the best bits of 1022 00:52:16,719 --> 00:52:22,920 Speaker 1: the week with Morgan. Number two. Such a huge moment 1023 00:52:23,200 --> 00:52:27,440 Speaker 1: for Bobby. This past weekend, he received an honorary doctorate 1024 00:52:27,520 --> 00:52:30,239 Speaker 1: from the University of Arkansas, which was one of his 1025 00:52:30,400 --> 00:52:33,120 Speaker 1: top three coolest moments in life that he dubbed in 1026 00:52:33,280 --> 00:52:36,359 Speaker 1: his speech. So that's pretty awesome. But he also talked 1027 00:52:36,360 --> 00:52:38,640 Speaker 1: about on the show how it all happened, what happened 1028 00:52:38,760 --> 00:52:41,920 Speaker 1: during his speech at the ceremony, and something even happened 1029 00:52:42,160 --> 00:52:44,080 Speaker 1: last minute that kind of had him a little nervous. 1030 00:52:44,760 --> 00:52:47,480 Speaker 1: Number two. I was in Faville, Arkansas over the weekend. 1031 00:52:47,600 --> 00:52:50,600 Speaker 1: Pretty awesome. They gave me an honorary doctorate and it's 1032 00:52:50,640 --> 00:52:53,879 Speaker 1: an amazing time that went. And this is a little 1033 00:52:53,960 --> 00:52:56,399 Speaker 1: nervous about going up there because a bunch of smart people, 1034 00:52:56,440 --> 00:52:59,040 Speaker 1: a bunch of fancy people, a bunch of chancellors, and 1035 00:53:00,000 --> 00:53:01,480 Speaker 1: you know what a chancellor was. I'll be honest with you. 1036 00:53:01,600 --> 00:53:04,320 Speaker 1: I learned, do you know, because I spent time with 1037 00:53:04,320 --> 00:53:09,600 Speaker 1: the Arkansas chancellor and he's awesome, and it's mister, then doctor, 1038 00:53:09,800 --> 00:53:12,160 Speaker 1: then chancellor in that order. Chancellor is bigger than doctor. 1039 00:53:13,239 --> 00:53:15,080 Speaker 1: I was like, I was talking to him doctor Robinson. 1040 00:53:15,120 --> 00:53:17,839 Speaker 1: It was like he's chancellor and I was like, wait, 1041 00:53:17,960 --> 00:53:21,440 Speaker 1: that's bigger than doctor, and they're like yeah, and so 1042 00:53:21,520 --> 00:53:23,759 Speaker 1: I thought it's pretty cool. But we had a dinner 1043 00:53:23,800 --> 00:53:25,360 Speaker 1: the night before it was great, and I got up 1044 00:53:25,400 --> 00:53:28,239 Speaker 1: and gave my speech and the whole speech was basically 1045 00:53:28,360 --> 00:53:31,799 Speaker 1: about how if you have big dreams. If you want 1046 00:53:31,880 --> 00:53:36,280 Speaker 1: big success, you have to really invest in very small goals. 1047 00:53:36,680 --> 00:53:38,560 Speaker 1: And I compared it to when I was training to 1048 00:53:38,640 --> 00:53:40,960 Speaker 1: do triathlons and I hated it and I hate running, 1049 00:53:42,160 --> 00:53:43,440 Speaker 1: and I have to go out and run ten to 1050 00:53:43,520 --> 00:53:45,799 Speaker 1: twelve miles on a long run. But I knew if 1051 00:53:45,840 --> 00:53:47,759 Speaker 1: I looked at it as a ten mile run, I 1052 00:53:47,800 --> 00:53:49,279 Speaker 1: would never be able to do it because I hated 1053 00:53:49,320 --> 00:53:50,759 Speaker 1: it so much. And that was such a big goal 1054 00:53:50,840 --> 00:53:52,640 Speaker 1: that it was like, how do I even do this? 1055 00:53:52,719 --> 00:53:54,960 Speaker 1: Where do I start? But once I got out there 1056 00:53:55,000 --> 00:53:57,360 Speaker 1: and I went, okay, I can run to that tree, Okay, 1057 00:53:57,480 --> 00:53:59,640 Speaker 1: I can run to that tree, I can run to 1058 00:53:59,680 --> 00:54:03,320 Speaker 1: that melos. That all those little goals allowed me to 1059 00:54:03,360 --> 00:54:06,279 Speaker 1: actually finish the ten or twelve mile run. Then I 1060 00:54:06,320 --> 00:54:07,960 Speaker 1: compared that with things in my career and I felt 1061 00:54:07,960 --> 00:54:10,160 Speaker 1: like it pretty well. I told some jokes, and it 1062 00:54:10,320 --> 00:54:12,360 Speaker 1: wasn't terribly long, about eight minutes or so. But what 1063 00:54:12,520 --> 00:54:15,759 Speaker 1: had happened was and I did feel really good about it. 1064 00:54:15,760 --> 00:54:19,200 Speaker 1: I give myself an as. What had happened was we 1065 00:54:19,360 --> 00:54:22,200 Speaker 1: get into Bud Walton Arena, which is where Arkansas plays basketball. 1066 00:54:22,200 --> 00:54:25,320 Speaker 1: It's massive arena, and everyone's down in the chairs and like, 1067 00:54:25,400 --> 00:54:28,680 Speaker 1: this is the big one, the general graduation. They're like, 1068 00:54:28,760 --> 00:54:34,880 Speaker 1: but it's mostly masters and doctoral graduations. So I had 1069 00:54:34,920 --> 00:54:38,440 Speaker 1: a whole thing about four years and four year, but 1070 00:54:38,560 --> 00:54:42,879 Speaker 1: that was none of the graduates. Tho. Yeah, so I'm 1071 00:54:42,920 --> 00:54:45,080 Speaker 1: talking about it's two minutes before I'm going on, and 1072 00:54:45,160 --> 00:54:47,520 Speaker 1: I got a whole situation. These guys have already been 1073 00:54:47,560 --> 00:54:50,200 Speaker 1: in the ring, They've already done that. They're doing it 1074 00:54:50,239 --> 00:54:53,120 Speaker 1: already like that. They're the ones that have dealt like 1075 00:54:53,200 --> 00:54:55,399 Speaker 1: lunch drugs is saying that have done all the work 1076 00:54:55,480 --> 00:54:58,080 Speaker 1: to get there, and they're going to listen to this guy. 1077 00:54:58,440 --> 00:55:00,120 Speaker 1: But I think what they were listening to and what 1078 00:55:00,160 --> 00:55:01,600 Speaker 1: I was hoping they would listen to. I'm a little 1079 00:55:01,600 --> 00:55:06,080 Speaker 1: offended by that. Was that like chasing big dreams. Because 1080 00:55:06,080 --> 00:55:09,120 Speaker 1: I've been able to do some things. I'm older than 1081 00:55:09,200 --> 00:55:12,240 Speaker 1: most of them by far. I'm a little over twenty 1082 00:55:12,280 --> 00:55:17,520 Speaker 1: five point ye a little bit. So it was about 1083 00:55:17,640 --> 00:55:21,320 Speaker 1: having really big goals for you know, whatever did you 1084 00:55:21,360 --> 00:55:22,920 Speaker 1: want to do in your career. And I talked to 1085 00:55:22,960 --> 00:55:24,240 Speaker 1: some of them. Some of them want to be doctors. 1086 00:55:24,320 --> 00:55:26,440 Speaker 1: Some of them we're getting there. And there's a difference 1087 00:55:26,440 --> 00:55:29,879 Speaker 1: in a PhD in an m D. Mds a medical doctors, right, 1088 00:55:30,040 --> 00:55:34,600 Speaker 1: PhD is the one that is doing it based on 1089 00:55:35,000 --> 00:55:39,000 Speaker 1: academia the doctorates. Yeah, something like that. But it was 1090 00:55:39,080 --> 00:55:42,840 Speaker 1: great and left and I felt like there were some 1091 00:55:42,880 --> 00:55:44,640 Speaker 1: spots had to edit on the fly, but it was good. 1092 00:55:44,880 --> 00:55:46,640 Speaker 1: I did a couple of jokes. I started off with 1093 00:55:46,640 --> 00:55:49,520 Speaker 1: a little joke where coach Pittman's the head football coach 1094 00:55:49,520 --> 00:55:51,960 Speaker 1: at Arkansas. That way you'll understand what this joke is. 1095 00:55:52,239 --> 00:55:54,120 Speaker 1: But here you go. Here's the first clip. This is 1096 00:55:54,360 --> 00:55:56,640 Speaker 1: really one of the coolest three days of my life. 1097 00:55:56,920 --> 00:55:58,759 Speaker 1: If I were to list them out, number one would 1098 00:55:58,760 --> 00:56:01,200 Speaker 1: be when I got married, Number two would be this, 1099 00:56:01,560 --> 00:56:03,880 Speaker 1: and number three would be actually in the same building. 1100 00:56:03,880 --> 00:56:08,160 Speaker 1: I ran into Coach Pitman at a jurnal and we 1101 00:56:08,280 --> 00:56:12,120 Speaker 1: were both there at the urinal, and I just wanted 1102 00:56:12,160 --> 00:56:14,279 Speaker 1: to talk to them, but there are rules, and it 1103 00:56:14,320 --> 00:56:19,840 Speaker 1: was I kept my eyes forward and I waited, and 1104 00:56:19,960 --> 00:56:21,920 Speaker 1: then he washed his hands and I said, a woo pig. 1105 00:56:21,960 --> 00:56:23,239 Speaker 1: But that's a big moment for me, so I just 1106 00:56:23,320 --> 00:56:27,560 Speaker 1: wanted to so got him laughing at the beginning, and 1107 00:56:27,680 --> 00:56:30,279 Speaker 1: then did the deal and walked off and got an 1108 00:56:30,280 --> 00:56:33,440 Speaker 1: applause and got my degree, and there I was, and 1109 00:56:33,560 --> 00:56:35,280 Speaker 1: I asked. I was like, hey, what's a situation. Because 1110 00:56:35,280 --> 00:56:37,200 Speaker 1: I'm not a real doctor. Obviously I can't do that 1111 00:56:37,280 --> 00:56:39,279 Speaker 1: many surgeries. Just I don't him really a couple that 1112 00:56:39,360 --> 00:56:42,040 Speaker 1: I studied for, And I said, what's the deal? I 1113 00:56:42,080 --> 00:56:45,440 Speaker 1: as well, people cannot call you doctor. They were like, 1114 00:56:45,560 --> 00:56:48,680 Speaker 1: it's frowned up on to sign your name doctor. But 1115 00:56:48,840 --> 00:56:51,120 Speaker 1: I guess if you really wanted to, you could. And 1116 00:56:51,160 --> 00:56:52,360 Speaker 1: I was like, I don't think I'm gonna do that 1117 00:56:52,600 --> 00:56:54,759 Speaker 1: because listen, I understand they gave it to me based 1118 00:56:54,760 --> 00:56:56,719 Speaker 1: on life achievements, not because of me studying what the 1119 00:56:56,760 --> 00:57:01,040 Speaker 1: real doctor studied. But it is a little too I 1120 00:57:01,160 --> 00:57:06,600 Speaker 1: say you should. I'm never gonna sign maybe as a joke. 1121 00:57:06,840 --> 00:57:09,680 Speaker 1: But it was a really great weekend. It was, and 1122 00:57:09,880 --> 00:57:14,759 Speaker 1: so we went came back, crushed it and met a 1123 00:57:14,800 --> 00:57:16,840 Speaker 1: lot of really cool people and just thankful that everybody 1124 00:57:16,880 --> 00:57:18,880 Speaker 1: was so nice. I got a little emotional to end, 1125 00:57:19,120 --> 00:57:22,680 Speaker 1: and I wasn't really emotional the whole time, but when 1126 00:57:22,720 --> 00:57:24,640 Speaker 1: I was, I had written this thing at the end 1127 00:57:24,720 --> 00:57:27,960 Speaker 1: and it was like, I thinked Caitlin and wishing my mom, 1128 00:57:28,080 --> 00:57:29,680 Speaker 1: my grandma could be there, and I started choking up 1129 00:57:29,680 --> 00:57:30,960 Speaker 1: and I was talking about my mom and my grandma. 1130 00:57:31,920 --> 00:57:33,920 Speaker 1: It just did not think that would happen to me, 1131 00:57:34,040 --> 00:57:37,360 Speaker 1: but I guess anytime I really talked about them publicly. 1132 00:57:37,520 --> 00:57:41,400 Speaker 1: And listen, I don't really have a lot of family, 1133 00:57:41,600 --> 00:57:43,920 Speaker 1: you know. I have a sister back home, and then 1134 00:57:44,040 --> 00:57:46,440 Speaker 1: have Arkansas Keith, who I'm not really related to anymore, 1135 00:57:46,440 --> 00:57:48,919 Speaker 1: and my stepdad for a few years, so I didn't 1136 00:57:48,960 --> 00:57:52,040 Speaker 1: have any family that was there. Caitlin's parents came, which 1137 00:57:52,760 --> 00:57:55,520 Speaker 1: that is now family. That's a new family, but it 1138 00:57:55,760 --> 00:57:59,680 Speaker 1: is a kind of a weird situation that I kind 1139 00:57:59,680 --> 00:58:01,760 Speaker 1: of wish I had a head folks there. But it 1140 00:58:01,880 --> 00:58:03,760 Speaker 1: was nice that Caitlin's mom and dad came, because they 1141 00:58:03,800 --> 00:58:05,400 Speaker 1: definitely didn't I didn't even ask them. They were like, 1142 00:58:05,440 --> 00:58:07,640 Speaker 1: you better believe we're gonna be there, and Caitlin was there. 1143 00:58:07,720 --> 00:58:10,280 Speaker 1: But I'll play that clip for you and you can 1144 00:58:10,320 --> 00:58:13,440 Speaker 1: hear me get a little choked up. And then I 1145 00:58:13,560 --> 00:58:16,360 Speaker 1: think our PlayStation league as well, here you go. I 1146 00:58:16,480 --> 00:58:18,680 Speaker 1: didn't want to do something special for everybody here today 1147 00:58:19,280 --> 00:58:21,360 Speaker 1: up around here. So now that I'm a doctor, if 1148 00:58:21,360 --> 00:58:24,040 Speaker 1: you keep your ticket half off a surgery for me, 1149 00:58:24,160 --> 00:58:28,680 Speaker 1: anybody part big. Thanks to a few people, my wife Caitlin, 1150 00:58:28,760 --> 00:58:31,040 Speaker 1: who I love, who's here, who has the masters, and 1151 00:58:31,080 --> 00:58:33,480 Speaker 1: I know what drives are crazy that I have honorary 1152 00:58:33,560 --> 00:58:37,120 Speaker 1: leapfrogged her and that's right, my grandmam, my mom, who 1153 00:58:37,200 --> 00:58:39,080 Speaker 1: aren't with us anymore. But they would have crapped their 1154 00:58:39,080 --> 00:58:43,120 Speaker 1: pants and see this, all the bullies that beat me up. 1155 00:58:43,160 --> 00:58:46,040 Speaker 1: It made me funny. And my entire NBA two K 1156 00:58:46,200 --> 00:58:48,560 Speaker 1: League on PS five for are watching right now from 1157 00:58:48,560 --> 00:58:52,000 Speaker 1: their PlayStations. We nerds can do this together, and as 1158 00:58:52,080 --> 00:58:55,439 Speaker 1: Kevin Durant said, all of you, you're the real MVP. 1159 00:58:56,280 --> 00:58:59,720 Speaker 1: Thank you boo big. So there you go. And some 1160 00:58:59,760 --> 00:59:01,640 Speaker 1: of them were watching from their PlayStations, which is pretty cool, 1161 00:59:01,840 --> 00:59:04,240 Speaker 1: and logged in and we watched it up. So it 1162 00:59:04,360 --> 00:59:06,120 Speaker 1: was a really good weekend. And now how I thought 1163 00:59:06,160 --> 00:59:08,480 Speaker 1: I was gonna die was we were flying over and 1164 00:59:08,600 --> 00:59:11,520 Speaker 1: we were we went through the worst turbulence I've ever 1165 00:59:11,600 --> 00:59:15,080 Speaker 1: experienced in my life, and I thought, isn't it ironic? 1166 00:59:15,400 --> 00:59:18,200 Speaker 1: We go, I'm finally graduating from the college I've always 1167 00:59:18,200 --> 00:59:20,080 Speaker 1: wanted to go to and graduate from, even though it's 1168 00:59:20,440 --> 00:59:24,400 Speaker 1: honorary and fake. Um, I'm gonna die. And it was 1169 00:59:24,520 --> 00:59:28,080 Speaker 1: so bad that I noticed other people on the plane 1170 00:59:28,120 --> 00:59:30,280 Speaker 1: they were working, they started to freak out a little bit. 1171 00:59:31,000 --> 00:59:32,240 Speaker 1: And when they get on and go here, we're gonna 1172 00:59:32,240 --> 00:59:35,120 Speaker 1: go around the storm, You're like, oh no, because you 1173 00:59:35,200 --> 00:59:37,200 Speaker 1: know they're not gonna go so far around it. There's 1174 00:59:37,240 --> 00:59:40,000 Speaker 1: no bumps. They're just gonna like walk the edge. And 1175 00:59:40,080 --> 00:59:42,040 Speaker 1: we went around a storm and we were going through 1176 00:59:42,240 --> 00:59:46,680 Speaker 1: some crazy bumps and I look over and there's this 1177 00:59:46,720 --> 00:59:48,800 Speaker 1: guy who's playing a video game next to me on 1178 00:59:48,880 --> 00:59:50,480 Speaker 1: his phone. He's like, can't he plays video game? It's 1179 00:59:50,520 --> 00:59:53,000 Speaker 1: getting so bad, like just chill as could be. I 1180 00:59:53,200 --> 00:59:57,040 Speaker 1: was convinced we were going to die. Lucky spoiler, we 1181 00:59:57,080 --> 01:00:00,000 Speaker 1: didn't die good and we landed and I was very thankful, 1182 01:00:00,440 --> 01:00:02,480 Speaker 1: and then we came back home and so, um, it 1183 01:00:02,600 --> 01:00:05,080 Speaker 1: was great. I really don't have anything else to say 1184 01:00:05,120 --> 01:00:08,480 Speaker 1: about it. Um, Eddie, you can ask a question if 1185 01:00:08,520 --> 01:00:11,800 Speaker 1: you'd like, Yeah, no, you have a couple all. This 1186 01:00:11,840 --> 01:00:17,560 Speaker 1: is a press conference now, Eddie, go ahead. So a 1187 01:00:17,600 --> 01:00:19,200 Speaker 1: bunch of people have always asked you, like, oh, would 1188 01:00:19,200 --> 01:00:20,640 Speaker 1: you go to Arkansas? You're a big fan and you're away. 1189 01:00:20,640 --> 01:00:22,440 Speaker 1: Was like, no, I didn't go to actually didn't go 1190 01:00:22,480 --> 01:00:25,360 Speaker 1: to Arkansas. But yeah, I've been a lifelong Arkansas fan, 1191 01:00:25,720 --> 01:00:29,120 Speaker 1: Now that you're have an honorary doctorate, can you say now, like, yeah, 1192 01:00:29,280 --> 01:00:30,960 Speaker 1: I mean I went to Arkansas. It's interesting. I even 1193 01:00:31,000 --> 01:00:32,400 Speaker 1: talked about that in my speech, was like, I couldn't 1194 01:00:32,400 --> 01:00:34,760 Speaker 1: afford to go here, so this is super exciting for 1195 01:00:34,840 --> 01:00:37,080 Speaker 1: me to be able to come and get this, and 1196 01:00:37,200 --> 01:00:39,680 Speaker 1: they get your an official alumni and then my name 1197 01:00:39,800 --> 01:00:43,360 Speaker 1: is sketched on the sidewalk as a graduate, because everybody 1198 01:00:43,360 --> 01:00:46,040 Speaker 1: who graduates from the university gets their name sketched into 1199 01:00:46,080 --> 01:00:49,880 Speaker 1: the sidewalk. And so I mean, I'll probably just say 1200 01:00:49,960 --> 01:00:53,040 Speaker 1: yeah and just kind of lie, yeah, sure did. Are 1201 01:00:53,120 --> 01:00:55,040 Speaker 1: just got to dance around it. But I mean, I guess. 1202 01:00:55,080 --> 01:00:57,840 Speaker 1: So they gave me a bumper sticker instead alumni they did, 1203 01:00:58,480 --> 01:01:02,440 Speaker 1: Oh my gosh, please put it on the bronco. Soy, 1204 01:01:03,080 --> 01:01:09,480 Speaker 1: So okay, let's go another question. Are the monitor? Yes? Um? 1205 01:01:09,920 --> 01:01:11,560 Speaker 1: So what are you gonna do with your diploma? You're 1206 01:01:11,600 --> 01:01:13,320 Speaker 1: gonna hang it up in the office, You're gonna put 1207 01:01:13,320 --> 01:01:15,480 Speaker 1: it here in the studio. I don't know. I'll probably 1208 01:01:15,560 --> 01:01:17,240 Speaker 1: keep it at home. Did you get a real one? Yeah? 1209 01:01:17,520 --> 01:01:19,720 Speaker 1: I have a picture of it. It's awesome. It's a 1210 01:01:19,800 --> 01:01:21,480 Speaker 1: real diploma. I didn't say honory on it. It's a 1211 01:01:21,520 --> 01:01:23,320 Speaker 1: crazy thing. I think they messed up and now I'm 1212 01:01:23,400 --> 01:01:26,920 Speaker 1: rolled out there left the word on. Um. Okay, you know, 1213 01:01:27,160 --> 01:01:30,400 Speaker 1: let's do a couple. Yeah. I got a question. Did 1214 01:01:30,480 --> 01:01:33,080 Speaker 1: you go around campus and take pictures in front of 1215 01:01:33,160 --> 01:01:34,960 Speaker 1: like dorms and stuff to like kind of relive like 1216 01:01:35,000 --> 01:01:37,560 Speaker 1: you were in college, like, oh, you know you're this 1217 01:01:37,680 --> 01:01:41,800 Speaker 1: where it started. No, we did go around campus a 1218 01:01:41,840 --> 01:01:43,280 Speaker 1: little bit because we had a couple events that we 1219 01:01:43,320 --> 01:01:45,000 Speaker 1: had to go to. We had a dinner the night 1220 01:01:45,080 --> 01:01:48,880 Speaker 1: before and we stayed at a dorm that is now 1221 01:01:48,920 --> 01:01:51,920 Speaker 1: a hotel, so stuff. You got to stay at a 1222 01:01:51,960 --> 01:01:54,400 Speaker 1: dorm that would have been hilarious because you didn't ever 1223 01:01:54,520 --> 01:01:56,040 Speaker 1: go there, so you got to go stay in the dorm. 1224 01:01:56,480 --> 01:01:59,080 Speaker 1: They made me. It's like it's like Billy Madison had 1225 01:01:59,080 --> 01:02:02,080 Speaker 1: to live out all of it a week. Um, okay, anymore? 1226 01:02:03,600 --> 01:02:07,160 Speaker 1: All right? Yes, did you have any students boo you 1227 01:02:07,360 --> 01:02:10,280 Speaker 1: because you didn't actually go to school there? I did 1228 01:02:10,360 --> 01:02:14,120 Speaker 1: anybody say you're a fake? I did not get heckled 1229 01:02:14,200 --> 01:02:19,360 Speaker 1: from the crowd. I did not know. Okay, okay, well 1230 01:02:19,440 --> 01:02:22,360 Speaker 1: I got two more. Pick one of the two. One 1231 01:02:22,920 --> 01:02:24,880 Speaker 1: was a bigger moment. This weekend, and I'll asked a 1232 01:02:25,000 --> 01:02:27,720 Speaker 1: serious one, this time your show being announced or getting 1233 01:02:27,720 --> 01:02:31,040 Speaker 1: your honorary doctorate. Oh easily the second one. Yeah, easily, No, 1234 01:02:31,360 --> 01:02:34,120 Speaker 1: not even close. The doctorate was by far the bigger 1235 01:02:34,520 --> 01:02:37,280 Speaker 1: what I've been. I've been working my whole life to 1236 01:02:37,440 --> 01:02:40,840 Speaker 1: get a TV show. I've had like four, yes, but 1237 01:02:40,960 --> 01:02:42,800 Speaker 1: an honorary doctor. You don't work your whole life of that. 1238 01:02:42,840 --> 01:02:44,360 Speaker 1: They just show it to you. But I had to 1239 01:02:44,480 --> 01:02:48,720 Speaker 1: work to have enough of a cloud, no, of enough 1240 01:02:48,760 --> 01:02:52,240 Speaker 1: of a resume for not only giving back to the 1241 01:02:52,320 --> 01:02:54,560 Speaker 1: state but also in career for them to go this. 1242 01:02:55,160 --> 01:02:56,400 Speaker 1: I think one of the last ones I gave was 1243 01:02:56,400 --> 01:02:58,960 Speaker 1: the Dali Lama. Yeah, he didn't go to school there either, 1244 01:02:59,720 --> 01:03:01,120 Speaker 1: And my joke was, man, you guys have fall in 1245 01:03:01,120 --> 01:03:02,640 Speaker 1: a long way. I feel from the Dolly Lamitate. Oh 1246 01:03:02,680 --> 01:03:05,400 Speaker 1: he didn't go to Arkansas. He did not interesting? No, no, 1247 01:03:05,800 --> 01:03:07,760 Speaker 1: so yeah, by far the saco on shows come and go. 1248 01:03:08,000 --> 01:03:11,800 Speaker 1: I'll always be a doctor. Oh my goodness. All right, 1249 01:03:11,880 --> 01:03:15,280 Speaker 1: go ahead, feel bad that you were at the dinner 1250 01:03:15,360 --> 01:03:17,640 Speaker 1: with like the highest of high ups and normal students 1251 01:03:17,840 --> 01:03:22,360 Speaker 1: didn't get invited to that. I feel bad. No, No, 1252 01:03:22,480 --> 01:03:24,440 Speaker 1: why would I feel bad. I'm just making sure I 1253 01:03:24,520 --> 01:03:27,080 Speaker 1: got invited. They were only like forty people there, right, 1254 01:03:27,200 --> 01:03:29,080 Speaker 1: I know, And you didn't do anything to get invited. 1255 01:03:29,080 --> 01:03:31,720 Speaker 1: You got an honorary doctorate. Those people studied, they would 1256 01:03:31,920 --> 01:03:33,320 Speaker 1: did you ever? Do you know where the library is 1257 01:03:33,320 --> 01:03:39,960 Speaker 1: on campus? By chance? I didn't need it, all right? 1258 01:03:40,000 --> 01:03:44,200 Speaker 1: And their name really goes in the sidewalk. Yeah, graduate. 1259 01:03:45,400 --> 01:03:47,040 Speaker 1: If I'm the person next with you, I'd be like, 1260 01:03:47,120 --> 01:03:49,400 Speaker 1: this guy did nothing and he's in the sidewalk next 1261 01:03:49,400 --> 01:03:52,680 Speaker 1: to me. I studied, blood, sweat and tears, crammed, probably 1262 01:03:52,720 --> 01:03:54,840 Speaker 1: took adderall to stay up and cramp with these tests. 1263 01:03:55,360 --> 01:04:00,600 Speaker 1: And then kish Man, hilarious. I hope you're proud. I 1264 01:04:00,720 --> 01:04:04,200 Speaker 1: am proud of at the coolest thing I think in 1265 01:04:04,280 --> 01:04:05,880 Speaker 1: the history of my career. I think this is it. 1266 01:04:06,520 --> 01:04:08,760 Speaker 1: It's cooler than the Radio Hall of Fame when I 1267 01:04:08,800 --> 01:04:12,120 Speaker 1: was put into that. Really, oh yeah, by far. This 1268 01:04:12,280 --> 01:04:15,640 Speaker 1: is a based on achievement sort of thing. Um achievement 1269 01:04:15,760 --> 01:04:17,960 Speaker 1: and giving back, you know, it's a mix of those 1270 01:04:17,960 --> 01:04:20,160 Speaker 1: two things. So yeah, it's the coolest thing. It's cooler 1271 01:04:20,160 --> 01:04:22,640 Speaker 1: than Dance with Stars. I know you don't want to 1272 01:04:22,680 --> 01:04:24,600 Speaker 1: abuse the whole title doctor, but I think you should 1273 01:04:24,600 --> 01:04:27,280 Speaker 1: make Lunchbox call you doctor Bones from now on every 1274 01:04:27,360 --> 01:04:28,920 Speaker 1: day if he does and I call him squirrel, we 1275 01:04:28,960 --> 01:04:32,720 Speaker 1: all called squirrel. Yes, all right, well anyway, thank you. 1276 01:04:33,480 --> 01:04:36,600 Speaker 1: M appreciate all the calls and messages. Thank you, Lunchbox. 1277 01:04:36,760 --> 01:04:40,040 Speaker 1: The single class. I'm gonna be the only one that 1278 01:04:40,080 --> 01:04:42,400 Speaker 1: class for him. I mean, guys, he just had clapped 1279 01:04:42,440 --> 01:04:45,080 Speaker 1: in text or Eddie sent a real super nice message. 1280 01:04:45,080 --> 01:04:48,200 Speaker 1: Everybody like did something nice. Well, So I didn't know 1281 01:04:48,280 --> 01:04:50,280 Speaker 1: your ceremonies gonna be that early. I was worried. I 1282 01:04:50,360 --> 01:04:52,160 Speaker 1: was texting while you were doing it. Once I saw 1283 01:04:52,240 --> 01:04:54,840 Speaker 1: your stream and I'm like, oh, all right, that's it. 1284 01:04:55,320 --> 01:05:00,520 Speaker 1: Thank you all. It's the best bits of the week, Morgan. 1285 01:05:00,680 --> 01:05:04,240 Speaker 1: Number two and then y' all cannot get enough of 1286 01:05:04,320 --> 01:05:08,080 Speaker 1: this number one spot on the list. The show read 1287 01:05:08,240 --> 01:05:11,240 Speaker 1: sleep stories that you got to hear what they're calming 1288 01:05:11,280 --> 01:05:14,960 Speaker 1: and soothing voices sounded like, and it was a riot. 1289 01:05:15,160 --> 01:05:17,400 Speaker 1: I was laughing in the studio, y'all were laughing online. 1290 01:05:17,440 --> 01:05:19,919 Speaker 1: There was so much engagement on this one. You guys 1291 01:05:20,000 --> 01:05:22,840 Speaker 1: just couldn't get enough. So I'm just gonna stop talking 1292 01:05:22,920 --> 01:05:26,840 Speaker 1: and let you try to fall asleep. Number one. Okay. 1293 01:05:26,840 --> 01:05:29,040 Speaker 1: In the latest dumb competition that we have created here. 1294 01:05:29,080 --> 01:05:33,280 Speaker 1: We're gonna see who is better at being a soothing, 1295 01:05:33,360 --> 01:05:36,880 Speaker 1: calming voice. Now startup. Because of calm, that app said, Okay, 1296 01:05:37,520 --> 01:05:39,680 Speaker 1: five thousand bucks to the winner. All you have to 1297 01:05:39,720 --> 01:05:42,160 Speaker 1: do is make a real soothing little collection here and 1298 01:05:42,840 --> 01:05:44,360 Speaker 1: we'll give you all this money. If you win, you'll 1299 01:05:44,440 --> 01:05:47,120 Speaker 1: narrate a story for us. Now, they're not a sponsor 1300 01:05:47,160 --> 01:05:48,800 Speaker 1: of ours, but we're gonna have a competition to see 1301 01:05:49,640 --> 01:05:51,840 Speaker 1: who would read a sleep story the best in this room, 1302 01:05:52,960 --> 01:05:55,120 Speaker 1: and we'll judge each person based on their ability to 1303 01:05:55,160 --> 01:05:58,120 Speaker 1: be calm and relaxing. There are four people in the 1304 01:05:58,160 --> 01:06:02,600 Speaker 1: mix here, Raymundo, Eddie Amy, and Lunchbox. I start. I'm 1305 01:06:02,600 --> 01:06:04,040 Speaker 1: starting to do it now. I can't stop this music. 1306 01:06:04,440 --> 01:06:07,720 Speaker 1: You're starting to sound really soon this music song. I 1307 01:06:07,880 --> 01:06:11,840 Speaker 1: just thought i'd get into the segment. So take a 1308 01:06:11,880 --> 01:06:15,280 Speaker 1: deep breath and get ready to hear some sounds that 1309 01:06:15,480 --> 01:06:19,440 Speaker 1: well make you go to sleep. You have to go, 1310 01:06:20,520 --> 01:06:22,200 Speaker 1: all right. So we'll judge him, and the winner gets 1311 01:06:22,240 --> 01:06:24,040 Speaker 1: fifty bucks from the room and we'll send it off 1312 01:06:24,400 --> 01:06:27,600 Speaker 1: as our official spokesperson for this cond Yes, okay, ready 1313 01:06:28,480 --> 01:06:34,040 Speaker 1: up first, Eddie, guys, I might win this whole thing. Dude. 1314 01:06:34,240 --> 01:06:36,320 Speaker 1: When I did it, I felt really good about how 1315 01:06:36,400 --> 01:06:38,320 Speaker 1: he came out. Now, you guys had to make it 1316 01:06:38,440 --> 01:06:40,880 Speaker 1: yourself with no help from any production team here at 1317 01:06:40,880 --> 01:06:43,919 Speaker 1: the show. Correct. So thirty seconds, what do you call yours? 1318 01:06:43,960 --> 01:06:45,680 Speaker 1: Give us just a little bit of insight here, and 1319 01:06:45,760 --> 01:06:48,720 Speaker 1: this one's called the Journey into the Clouds. That's a 1320 01:06:48,720 --> 01:06:51,760 Speaker 1: good name. That's a good name. Thank you. All right, 1321 01:06:51,800 --> 01:06:57,200 Speaker 1: here's thirty seconds. Here's Eddie submission. Welcome to the world 1322 01:06:57,320 --> 01:07:03,480 Speaker 1: of clouds. This let's journey of you and me up 1323 01:07:03,640 --> 01:07:09,640 Speaker 1: way high in the sky, balancing from cloud to cloud. 1324 01:07:10,840 --> 01:07:15,440 Speaker 1: Don't go too high, you might not come down. Doesn't 1325 01:07:15,480 --> 01:07:20,200 Speaker 1: that cloud look like kill? Close your eyes, take a 1326 01:07:20,320 --> 01:07:25,800 Speaker 1: deep breath, and let's go to sleep. That's pretty good. 1327 01:07:25,920 --> 01:07:31,160 Speaker 1: Thank you. Yeah, made myself laugh a little bit again. Ray, 1328 01:07:31,200 --> 01:07:34,520 Speaker 1: How long was that? It was? Thirty seconds? Wow? That 1329 01:07:34,680 --> 01:07:37,080 Speaker 1: was so quick. I felt like five seconds feels like 1330 01:07:37,080 --> 01:07:38,600 Speaker 1: when you got a sleep and you wake up. Was 1331 01:07:38,600 --> 01:07:40,840 Speaker 1: I even asleep? That's good, that's what I'm talking about. 1332 01:07:40,840 --> 01:07:42,480 Speaker 1: I'd like to cloud in the pillow reference. Thank you, 1333 01:07:42,600 --> 01:07:44,760 Speaker 1: thank you. That's pretty solid. Okay, the judging me, me, 1334 01:07:44,840 --> 01:07:47,480 Speaker 1: Morgan and Mike. We're gonna listen to all of them. First, okay, 1335 01:07:47,600 --> 01:07:54,000 Speaker 1: here is Raymondo. What is your titled? Uh, less stress, 1336 01:07:54,120 --> 01:07:59,960 Speaker 1: more life? Which is your mantra? Yeah, okay, here is Raymundo, 1337 01:08:00,000 --> 01:08:05,120 Speaker 1: our audio producer. Go ahead, what's up? It's sison more 1338 01:08:05,200 --> 01:08:12,040 Speaker 1: specifically sleep Sisson. Are you ready to sleep? You you are? 1339 01:08:13,440 --> 01:08:17,960 Speaker 1: My motto is less stress, more life, less zooms, more z's, 1340 01:08:19,280 --> 01:08:25,160 Speaker 1: less power point, more power, naps, less bitcoin, investa, more siesta. 1341 01:08:26,560 --> 01:08:36,719 Speaker 1: It's officially sleep sizzon. That's good. I like the problem. 1342 01:08:37,360 --> 01:08:38,840 Speaker 1: That was really good. I thought the play on words 1343 01:08:38,920 --> 01:08:40,880 Speaker 1: was great. You get a bonus point for that. But 1344 01:08:41,040 --> 01:08:42,960 Speaker 1: where to me the bonus points taken away? Is I 1345 01:08:42,960 --> 01:08:45,160 Speaker 1: have to p at the beginning, Like I'm already I'm 1346 01:08:45,160 --> 01:08:47,320 Speaker 1: already teetering on the edge of peing all the time. Anyway, 1347 01:08:47,320 --> 01:08:49,919 Speaker 1: when I'm sleeping and I went, I went in hard waterfall. 1348 01:08:50,000 --> 01:08:51,599 Speaker 1: That might have been a bad call. In my barton, 1349 01:08:52,280 --> 01:08:54,120 Speaker 1: I thought he was peen at the beginning. Oh, he 1350 01:08:54,240 --> 01:09:01,040 Speaker 1: was just doing it wrapping. Okay, next up, lunch of block. Well, 1351 01:09:01,080 --> 01:09:04,880 Speaker 1: I'm in trouble. I don't get the talk right. You're 1352 01:09:04,880 --> 01:09:07,080 Speaker 1: just gonna You're gonna just play it. I mean, geez, 1353 01:09:07,160 --> 01:09:10,000 Speaker 1: trying to knock me out of the competition. After Bobby 1354 01:09:10,000 --> 01:09:12,120 Speaker 1: complain about the water. I'm worried about this because mine's 1355 01:09:12,120 --> 01:09:16,360 Speaker 1: called walking to the waterfall. Ocause no, no, when you listen, 1356 01:09:16,479 --> 01:09:18,880 Speaker 1: when you go to those noise machines, they always have 1357 01:09:19,120 --> 01:09:21,599 Speaker 1: waterfalls as one of the options. And I thought, man, 1358 01:09:21,960 --> 01:09:24,560 Speaker 1: that is so calming. Everyone wants to walk to a 1359 01:09:24,600 --> 01:09:27,479 Speaker 1: beautiful waterfall. I also agree with you, and I think 1360 01:09:27,520 --> 01:09:29,280 Speaker 1: there's only one kind of stream that makes me want 1361 01:09:29,280 --> 01:09:31,479 Speaker 1: to pee. So if this is a calming stream, all gay, 1362 01:09:31,520 --> 01:09:34,599 Speaker 1: Because okay, waterfalls are very right, just making sure. Here's 1363 01:09:34,600 --> 01:09:38,960 Speaker 1: the lunchbox. It's called walking to the waterfall. It is 1364 01:09:39,040 --> 01:09:42,360 Speaker 1: now time to become one with the bed and the 1365 01:09:42,560 --> 01:09:46,320 Speaker 1: sheets and the darkness around you. As we close our eyes, 1366 01:09:47,040 --> 01:09:50,080 Speaker 1: we are walking to the most beautiful waterfall you've ever seen. 1367 01:09:51,040 --> 01:09:56,120 Speaker 1: A green forest with flots of big, luscious green trees. 1368 01:09:56,720 --> 01:09:59,560 Speaker 1: There's two tier on your right, there's a rabbit on 1369 01:09:59,640 --> 01:10:07,240 Speaker 1: your laugh, and you can hear the waterfall. Walk there. 1370 01:10:07,320 --> 01:10:15,360 Speaker 1: It is nothing but beauty. Never relax, and then there 1371 01:10:15,439 --> 01:10:19,479 Speaker 1: it is the most beautiful waterfall, And now it's time 1372 01:10:19,560 --> 01:10:26,920 Speaker 1: to go to sleep. That would startled me a few times. 1373 01:10:27,640 --> 01:10:29,680 Speaker 1: A couple of things one lunch. Did you perposely put 1374 01:10:29,680 --> 01:10:31,680 Speaker 1: it in one ear at a time? Yeah, what do 1375 01:10:31,720 --> 01:10:33,479 Speaker 1: you mean one ear? It would go in like a 1376 01:10:33,560 --> 01:10:36,840 Speaker 1: left ear, Yeah, and then right. It wasn't stereo, so 1377 01:10:37,000 --> 01:10:39,000 Speaker 1: if you had, you would hear a waterfall only in 1378 01:10:39,080 --> 01:10:42,640 Speaker 1: one ear? Really? Yeah, I don't even notice. I was 1379 01:10:42,680 --> 01:10:44,800 Speaker 1: just trying to do like it sound effects. But in 1380 01:10:44,960 --> 01:10:47,880 Speaker 1: your headphones? Did you hear like one ear waterfall? One ear? 1381 01:10:47,960 --> 01:10:50,040 Speaker 1: You talking a man? I didn't even notice, Like I 1382 01:10:50,160 --> 01:10:51,600 Speaker 1: really thought it was in both ears. Maybe I just 1383 01:10:51,680 --> 01:10:53,759 Speaker 1: should have taken the one headphone. All of a sudden 1384 01:10:53,840 --> 01:10:56,080 Speaker 1: it was like in my left ear and scared the 1385 01:10:56,080 --> 01:10:58,680 Speaker 1: crap out of me, like someone turned the pall my 1386 01:10:58,800 --> 01:11:04,240 Speaker 1: headphone out, Like I thought that was coming through. There's 1387 01:11:04,240 --> 01:11:06,479 Speaker 1: a rabbit running, Yeah, you got it. You gotta a 1388 01:11:06,560 --> 01:11:09,360 Speaker 1: peaceful rabbit hopping through the forest, a couple of deer 1389 01:11:09,520 --> 01:11:12,320 Speaker 1: grazing on some grass, and then you walk out and 1390 01:11:12,760 --> 01:11:15,200 Speaker 1: there's the beautiful Yeah we already did that. Yeah yeah, 1391 01:11:15,280 --> 01:11:16,960 Speaker 1: and by beautiful waterf I made a bucket dumped to 1392 01:11:16,960 --> 01:11:19,800 Speaker 1: my head. I couldn't find a good waterfall sound. That 1393 01:11:19,880 --> 01:11:22,240 Speaker 1: was the best I could find. Amy, You're you're last out, 1394 01:11:22,840 --> 01:11:25,519 Speaker 1: So tell us little bit about yours. Mine is free 1395 01:11:25,600 --> 01:11:28,800 Speaker 1: flow into sleep, because that's what I just went into 1396 01:11:28,880 --> 01:11:31,360 Speaker 1: my car and turned on the air conditioner to create 1397 01:11:31,439 --> 01:11:34,200 Speaker 1: some white noise in the background, and I free flowed. 1398 01:11:35,920 --> 01:11:39,080 Speaker 1: So you just recorded this that well. I originally have 1399 01:11:39,160 --> 01:11:41,560 Speaker 1: recorded something with sound, but it was more of like 1400 01:11:41,640 --> 01:11:43,320 Speaker 1: a song, and then I was like, oh shoot, I 1401 01:11:43,360 --> 01:11:46,000 Speaker 1: think we're just to narrate. So I just went and 1402 01:11:46,160 --> 01:11:51,040 Speaker 1: free flowed and the air conditioner is my background. I'll 1403 01:11:51,080 --> 01:11:53,360 Speaker 1: listen to it first before I say anything. Here we go, 1404 01:11:53,880 --> 01:11:57,759 Speaker 1: who are falling asleep? It's so beautiful in your dreams? 1405 01:11:58,640 --> 01:12:02,200 Speaker 1: Then right, stop this this it sounds like somebody like 1406 01:12:02,320 --> 01:12:04,080 Speaker 1: recording a song for one of our competitions. For doing 1407 01:12:04,120 --> 01:12:07,439 Speaker 1: it from their phone. It sounds like there's that you're 1408 01:12:07,439 --> 01:12:12,000 Speaker 1: a laundromat, So what this is? You didn't have it done? 1409 01:12:12,040 --> 01:12:13,680 Speaker 1: And you just know I did have it done? You did? 1410 01:12:14,200 --> 01:12:16,880 Speaker 1: I have a produced song? You do? I do? Okay, 1411 01:12:17,400 --> 01:12:19,640 Speaker 1: but I'd like to hear that too. Okay, Mike d 1412 01:12:19,800 --> 01:12:22,160 Speaker 1: has it, you can put it in. Okay, this I'll 1413 01:12:22,200 --> 01:12:26,400 Speaker 1: like it. She doing on an airplane, I know. It 1414 01:12:26,439 --> 01:12:29,800 Speaker 1: feels like she had play pause, record and let go 1415 01:12:29,880 --> 01:12:34,280 Speaker 1: a pose from or tape player. I'm feeling better about mine. Yeah. Okay, hey, rude, 1416 01:12:34,439 --> 01:12:36,920 Speaker 1: here's Amy's a gam Sorry, it's called a phone. Okay. 1417 01:12:37,040 --> 01:12:40,559 Speaker 1: Let's flow into sleep. Reflow it into sleep. You are 1418 01:12:40,640 --> 01:12:45,840 Speaker 1: falling asleep. It's so beautiful in your dreams. You can't 1419 01:12:45,880 --> 01:12:49,960 Speaker 1: wait for you to get there. Picture the ocean, the 1420 01:12:50,080 --> 01:12:54,760 Speaker 1: waves crashing. You are falling asleep. You are going to 1421 01:12:54,920 --> 01:12:58,800 Speaker 1: wake up so rested and refreshed. You are going to 1422 01:12:58,960 --> 01:13:03,439 Speaker 1: get sleep. Don't think about that. Don't think about things 1423 01:13:03,479 --> 01:13:06,240 Speaker 1: that are going to keep you up. Stop you are 1424 01:13:06,320 --> 01:13:11,320 Speaker 1: falling asleep. It's time for your dreams. I got scolded 1425 01:13:11,360 --> 01:13:15,080 Speaker 1: and all that. Stop it. And then secondly, it does 1426 01:13:15,120 --> 01:13:17,160 Speaker 1: sound like she's walking around the mall or something. Or 1427 01:13:17,280 --> 01:13:18,800 Speaker 1: she's sitting in a red line. There's a truck nic 1428 01:13:18,840 --> 01:13:21,840 Speaker 1: store with a big muffler, that too, Yeah, just in 1429 01:13:22,000 --> 01:13:26,040 Speaker 1: my car parked idols with the air on. Dude, does 1430 01:13:26,120 --> 01:13:27,840 Speaker 1: Ray have the other one? Mike? I could play it 1431 01:13:27,840 --> 01:13:29,679 Speaker 1: straight from the internet. Yeah, play it straight from the internet. 1432 01:13:29,720 --> 01:13:32,040 Speaker 1: Let's just let's just go rogue. Are yeah? Yeah? Are 1433 01:13:32,080 --> 01:13:42,600 Speaker 1: you picture ocean waves crashing, crushing, otions crashing, crashing. You 1434 01:13:42,800 --> 01:13:48,800 Speaker 1: are falling asleep. It is so pretty in your dreams. 1435 01:13:50,479 --> 01:13:56,519 Speaker 1: You are falling, you are falling asleep, you are so 1436 01:13:57,760 --> 01:14:06,559 Speaker 1: so sleep. Oh boy, we're I think I'm more aware. 1437 01:14:08,080 --> 01:14:12,640 Speaker 1: That was a clock that sounds like what like a 1438 01:14:12,760 --> 01:14:22,599 Speaker 1: serial killer? Max I. I didn't think that was scary. 1439 01:14:22,760 --> 01:14:26,679 Speaker 1: And then the winchell wiper sound was a clock counting 1440 01:14:26,800 --> 01:14:30,600 Speaker 1: you down. I had counted, but then that made it 1441 01:14:30,680 --> 01:14:34,639 Speaker 1: longer than thirty seconds. Well, I think probably, I don't 1442 01:14:34,640 --> 01:14:36,400 Speaker 1: know if you guys are agreeing with you, Mike and Morgan. 1443 01:14:36,560 --> 01:14:38,880 Speaker 1: We could probably live to Amy from this altogether. Right 1444 01:14:40,000 --> 01:14:44,680 Speaker 1: we get Mike, Okay, Amy, that's okay. Thank you for 1445 01:14:45,120 --> 01:14:48,200 Speaker 1: having me. She felt really hard to get in the competition. 1446 01:14:48,720 --> 01:14:54,000 Speaker 1: She did it. Three left, lunch box? Can you play 1447 01:14:54,080 --> 01:14:56,000 Speaker 1: lunches again for me? One more time? Please? Let's now 1448 01:14:56,080 --> 01:14:58,160 Speaker 1: guess what we're gonna do is we're gonna score these three. 1449 01:14:58,520 --> 01:15:03,000 Speaker 1: Thank you, so a one through a ten for these 1450 01:15:03,160 --> 01:15:06,200 Speaker 1: three right here, and we'll add up our scores. All right, raimundo, 1451 01:15:06,200 --> 01:15:08,960 Speaker 1: will you play lunchboxes? It is now time to become 1452 01:15:09,080 --> 01:15:12,799 Speaker 1: one with the pad and the sheets and the darkness 1453 01:15:12,880 --> 01:15:16,719 Speaker 1: around you. As we close our eyes, we are walking 1454 01:15:16,800 --> 01:15:20,080 Speaker 1: to the most beautiful waterfall you've ever seen. To a 1455 01:15:20,280 --> 01:15:26,040 Speaker 1: green forest with lots of big, luscious green trees. There's 1456 01:15:26,080 --> 01:15:29,360 Speaker 1: two tier on your right, there's a rabbit on your left, 1457 01:15:29,680 --> 01:15:35,240 Speaker 1: and you can hear the waterfall you walk through the mopan. 1458 01:15:36,120 --> 01:15:44,160 Speaker 1: There it is nothing but beauty. Now relax, and then 1459 01:15:44,240 --> 01:15:48,240 Speaker 1: there it is the most beautiful waterfall. And now it's 1460 01:15:48,320 --> 01:15:55,240 Speaker 1: time to go to sleep. I definitely need to hear 1461 01:15:55,240 --> 01:15:57,080 Speaker 1: it twice so I can appreciate it fully. I got 1462 01:15:57,160 --> 01:15:59,600 Speaker 1: three leftier waterfalls and one right. I don't know if 1463 01:15:59,600 --> 01:16:02,200 Speaker 1: you guys are that And he keeps saying there it 1464 01:16:02,320 --> 01:16:05,479 Speaker 1: is over and over again. Okay, judges, what do you 1465 01:16:05,520 --> 01:16:08,000 Speaker 1: write that? One out of ten? You have your scores 1466 01:16:08,040 --> 01:16:10,639 Speaker 1: written down. I'll be rude, Mike. I give it a three. 1467 01:16:10,920 --> 01:16:13,360 Speaker 1: More I can give it a four. I give it 1468 01:16:13,439 --> 01:16:17,760 Speaker 1: a two. Wow, So four, three and two so we're 1469 01:16:17,880 --> 01:16:22,040 Speaker 1: no no time the best. Amy's not bad. It's lunch bins. 1470 01:16:22,080 --> 01:16:26,720 Speaker 1: Total score of nine. Yeah total, we didn't even make 1471 01:16:26,760 --> 01:16:28,759 Speaker 1: the final make it. So let's calling down over there missing. 1472 01:16:28,920 --> 01:16:31,040 Speaker 1: You have two chances here, you have two different miss 1473 01:16:31,920 --> 01:16:36,800 Speaker 1: to sleep. I let go all right. Next up, we're 1474 01:16:36,840 --> 01:16:39,160 Speaker 1: going back. I'll get to write no, no, no, you're 1475 01:16:39,160 --> 01:16:42,559 Speaker 1: get to write you're out of this, Raymundo, you're next 1476 01:16:42,680 --> 01:16:45,840 Speaker 1: up if you'll play it one final time. What's up? 1477 01:16:46,320 --> 01:16:52,080 Speaker 1: It's Sison more specifically sleep Sison. Are you ready to sleep? 1478 01:16:53,040 --> 01:16:58,240 Speaker 1: You you are? My motto is less stressed, more life, 1479 01:16:59,160 --> 01:17:04,320 Speaker 1: less zoom more z's, less power, point, more power, naps, 1480 01:17:05,680 --> 01:17:15,760 Speaker 1: less bitcoin, investa more siesta. It's officially sleep Cizon. That's good. 1481 01:17:15,880 --> 01:17:19,040 Speaker 1: Ray Under the second time too, really good. Appreciate it. 1482 01:17:20,080 --> 01:17:22,680 Speaker 1: Morgan kind of made me want a party even though 1483 01:17:22,720 --> 01:17:28,679 Speaker 1: I'm also asleep. So I'm giving in a five. Okay, Wow, 1484 01:17:28,680 --> 01:17:31,679 Speaker 1: I'm gonna give it a nine. I thought it was great. Mike, 1485 01:17:31,840 --> 01:17:35,040 Speaker 1: I give it a seven. Okay, So a nine and 1486 01:17:35,120 --> 01:17:37,080 Speaker 1: a seven and a five. I believe that's twenty one. 1487 01:17:37,120 --> 01:17:41,479 Speaker 1: A quick math, guys, Is that right? Mike? Nine? S okay? Cool? 1488 01:17:42,360 --> 01:17:44,479 Speaker 1: All right? Next up is Eddie. It's final time, so 1489 01:17:44,600 --> 01:17:48,559 Speaker 1: lunchbox with nine. I'm shocked that that killed me by 1490 01:17:48,640 --> 01:17:51,760 Speaker 1: that much. Raymundo at twenty one, and here is Eddie. 1491 01:17:54,360 --> 01:17:59,800 Speaker 1: Welcome to the world of clouds. This witless journey. You 1492 01:18:00,720 --> 01:18:07,120 Speaker 1: and me up way high in the sky, balancing from 1493 01:18:07,240 --> 01:18:12,200 Speaker 1: cloud to cloud. Don't go too high you might not 1494 01:18:12,479 --> 01:18:17,400 Speaker 1: come down. Doesn't that clouds look like a pillow, close 1495 01:18:17,520 --> 01:18:24,920 Speaker 1: your eyes, take a deep breath, and let's go to sleep. Good, 1496 01:18:25,520 --> 01:18:27,000 Speaker 1: real good. I don't know if I can beat Gray. 1497 01:18:27,760 --> 01:18:30,640 Speaker 1: His rhymes were too strong. Yeah, but yours has that. 1498 01:18:30,760 --> 01:18:33,240 Speaker 1: I'm sitting on the toilet and fel like he's trying 1499 01:18:33,280 --> 01:18:35,559 Speaker 1: to he's trying to do that play pot. Oh. Yeah, 1500 01:18:35,560 --> 01:18:36,840 Speaker 1: I don't know if I can beat him. He's going 1501 01:18:36,880 --> 01:18:39,040 Speaker 1: for sympathy right now. When I call Eddie, he answers 1502 01:18:39,040 --> 01:18:40,479 Speaker 1: his face time on the toilet. That's what he sounds like. 1503 01:18:40,600 --> 01:18:43,760 Speaker 1: He's talking to me. All right, Mike, do you go first? 1504 01:18:43,800 --> 01:18:45,479 Speaker 1: What do you write Eddie's I give it a nine. 1505 01:18:45,640 --> 01:18:52,320 Speaker 1: Oh yeah, let's go nine. He felt it the same. 1506 01:18:52,680 --> 01:18:54,280 Speaker 1: If the little giggle wasn't in there, it would have 1507 01:18:54,280 --> 01:18:58,479 Speaker 1: got a ten. But an eight? What an eight? Yeah? Okay? 1508 01:18:58,560 --> 01:19:01,640 Speaker 1: What's that nine? Eighth? Okay, that's seven one. So you 1509 01:19:01,720 --> 01:19:03,680 Speaker 1: need a four a time, you need a four? Come on, 1510 01:19:03,840 --> 01:19:08,000 Speaker 1: both five to win. I wrote my score down before 1511 01:19:08,000 --> 01:19:10,080 Speaker 1: all this happened, so it doesn't matter. I gave you 1512 01:19:10,120 --> 01:19:18,679 Speaker 1: a seven. Then now I do get to a part 1513 01:19:18,800 --> 01:19:20,799 Speaker 1: for this out. Yeah, I set it on. This is amazing. 1514 01:19:22,120 --> 01:19:25,200 Speaker 1: Even had the production team wrap it up, do it 1515 01:19:25,280 --> 01:19:27,679 Speaker 1: big and will officially come from us as the show. 1516 01:19:27,960 --> 01:19:30,960 Speaker 1: This representing all the listeners. Wow, okay, thank you. Do 1517 01:19:31,040 --> 01:19:32,680 Speaker 1: you like the whole cloud theme or show? Yeah, the 1518 01:19:32,680 --> 01:19:34,679 Speaker 1: clouds is really good. Good. I like that said cloud 1519 01:19:34,720 --> 01:19:37,320 Speaker 1: that's not a pillow. That's good. Cloud, that's really good. 1520 01:19:37,360 --> 01:19:42,439 Speaker 1: Heads are winning job. It's the best Bits of the 1521 01:19:42,520 --> 01:19:47,519 Speaker 1: week with Morgan number two. That's it for the best bits, 1522 01:19:47,720 --> 01:19:50,400 Speaker 1: just the bits, y'all. Thank you so much for spending 1523 01:19:50,479 --> 01:19:52,720 Speaker 1: your weekend or your week or your road trip or 1524 01:19:52,800 --> 01:19:56,320 Speaker 1: whatever you're doing with me and with some of these segments. 1525 01:19:56,680 --> 01:19:59,040 Speaker 1: Make sure you check out Part one with Amy. It's 1526 01:19:59,040 --> 01:20:01,439 Speaker 1: an interview. Don't get to hear stuff like that on 1527 01:20:01,520 --> 01:20:03,240 Speaker 1: the show when we really talk and we just sit 1528 01:20:03,320 --> 01:20:05,599 Speaker 1: down for an hour and a half and talk about 1529 01:20:05,640 --> 01:20:08,960 Speaker 1: life in what's happening with us lately. So it's always 1530 01:20:08,960 --> 01:20:11,120 Speaker 1: a super fun one. To make sure you check that out, y'all. 1531 01:20:11,360 --> 01:20:14,519 Speaker 1: I hope you have a fabulous day. I love y'all. 1532 01:20:15,200 --> 01:20:17,280 Speaker 1: The Bobby Bones Share Bobby Bones