1 00:00:08,760 --> 00:00:13,640 Speaker 1: Cancelation Island by John Cameron Mitchell and Michael Kevidias, a 2 00:00:13,760 --> 00:00:17,080 Speaker 1: Topic Studios production, recorded in front of a live audience 3 00:00:17,200 --> 00:00:23,160 Speaker 1: at the Bellhouse, Brooklyn, New York. 4 00:00:23,920 --> 00:00:32,960 Speaker 2: M that's just so good, Kirk, Kirk, you should try something. 5 00:00:34,960 --> 00:00:37,400 Speaker 3: Jesus, Lena, are you eating dirt? 6 00:00:39,040 --> 00:00:39,320 Speaker 4: God? 7 00:00:39,360 --> 00:00:40,159 Speaker 2: I was starving. 8 00:00:40,520 --> 00:00:42,480 Speaker 5: That's gonna make you Sickert. 9 00:00:43,000 --> 00:00:46,840 Speaker 6: It's not dirt. And these black strands under the dirt. 10 00:00:47,440 --> 00:00:51,440 Speaker 6: It tastes like chocolate and peanuts. That doesn't look healthy. 11 00:00:52,520 --> 00:00:56,000 Speaker 5: Hey, look at that, Oh, an albino praying mantis. 12 00:00:56,400 --> 00:00:57,240 Speaker 4: Those are rare. 13 00:00:58,800 --> 00:00:59,800 Speaker 3: What the fuck? 14 00:01:00,400 --> 00:01:02,600 Speaker 2: You're not the only one around here who can do asmr. 15 00:01:05,080 --> 00:01:07,120 Speaker 3: I think that gecko's bite is affecting you. 16 00:01:10,640 --> 00:01:23,640 Speaker 7: Oh god, I'm sweepy, all right, Kiki. I think everything 17 00:01:23,680 --> 00:01:24,600 Speaker 7: is ready for the storm. 18 00:01:24,840 --> 00:01:28,440 Speaker 5: No, you must kill all your pets. It's better than 19 00:01:28,480 --> 00:01:29,240 Speaker 5: seeing them die. 20 00:01:29,319 --> 00:01:31,320 Speaker 3: Observations. We don't have pets. 21 00:01:31,560 --> 00:01:36,240 Speaker 8: I don't have time for your lonely lives. 22 00:01:36,959 --> 00:01:42,119 Speaker 3: Just went down beyonces here quickly into the common woman. 23 00:01:46,520 --> 00:01:47,120 Speaker 3: Did you hear me? 24 00:01:47,520 --> 00:01:50,240 Speaker 9: I am k lower your gun, Claude, I will not 25 00:01:50,600 --> 00:01:51,200 Speaker 9: I am kay. 26 00:01:51,360 --> 00:01:53,320 Speaker 3: Now wait a minute, I could still be kay. 27 00:01:53,320 --> 00:01:56,560 Speaker 9: Casper, I have a boat arriving packed with mercenaries to 28 00:01:56,640 --> 00:01:58,720 Speaker 9: take on the lizards on jan the coms. 29 00:01:58,760 --> 00:02:00,760 Speaker 10: I need to talk to lieutenant immediately. 30 00:02:00,880 --> 00:02:02,600 Speaker 4: Okay, he's never spoken of a lieutenant. 31 00:02:02,920 --> 00:02:07,840 Speaker 9: I would never publicly compromise my subordinates, Lieutenant Casper. Oh, 32 00:02:08,160 --> 00:02:11,800 Speaker 9: the heroes of the resistance will be richly rewarded. Have 33 00:02:11,919 --> 00:02:16,720 Speaker 9: you considered a political career, Lieutenant. 34 00:02:15,440 --> 00:02:17,639 Speaker 11: Casper, I'll make you vice president. 35 00:02:17,680 --> 00:02:19,680 Speaker 5: If i'm king, I'll make you president. 36 00:02:19,760 --> 00:02:21,919 Speaker 10: That's funny coming from a commie terrorist. 37 00:02:22,040 --> 00:02:23,760 Speaker 5: I'm an anarchist, Casper. 38 00:02:24,280 --> 00:02:25,600 Speaker 10: Claude looks guilty to me. 39 00:02:25,800 --> 00:02:26,760 Speaker 4: I'm confused again. 40 00:02:27,080 --> 00:02:30,600 Speaker 5: All righty, goddamn it. 41 00:02:31,919 --> 00:02:34,960 Speaker 10: Okay, look who's got the gun now, Lieutenant keep an 42 00:02:35,000 --> 00:02:35,680 Speaker 10: eye on Claude. 43 00:02:35,720 --> 00:02:37,560 Speaker 4: Okay, yes, sir. 44 00:02:37,680 --> 00:02:40,320 Speaker 10: Now let's take a look at your calms. Okay, here 45 00:02:40,360 --> 00:02:48,400 Speaker 10: we go. Jonas Jonas, all right, this is Jonas. I know. 46 00:02:48,720 --> 00:02:53,320 Speaker 10: Hold on, I'm going into the bathroom. 47 00:02:53,400 --> 00:03:01,160 Speaker 12: Casper, come over here. Okay, I have to tell you. 48 00:03:00,680 --> 00:03:05,440 Speaker 4: I know, I know you're not kay, you're too gentle. 49 00:03:08,440 --> 00:03:10,720 Speaker 12: No one's ever called me that. 50 00:03:11,840 --> 00:03:15,639 Speaker 4: Well, well, it's okay. Your k drop was useful. 51 00:03:16,080 --> 00:03:19,079 Speaker 12: You should know that Carl is truly evil. 52 00:03:19,440 --> 00:03:22,080 Speaker 4: What I think your jealousy is clouding your judgment. 53 00:03:23,680 --> 00:03:24,320 Speaker 12: I have to go. 54 00:03:25,480 --> 00:03:27,399 Speaker 4: I have a feeling you always have to go. 55 00:03:28,080 --> 00:03:32,720 Speaker 12: I have a feeling you always have to stay. Casser. 56 00:03:34,800 --> 00:03:40,400 Speaker 12: I do feel something for you, and it makes me 57 00:03:40,480 --> 00:03:42,200 Speaker 12: feel differently about. 58 00:03:43,880 --> 00:03:44,400 Speaker 4: Everything. 59 00:03:45,240 --> 00:03:53,040 Speaker 12: Yeah, yeah, maybe this world is I don't know worth shaving. 60 00:03:54,880 --> 00:03:59,720 Speaker 12: We'll see. I'm going. Please don't tell Carl. 61 00:04:01,320 --> 00:04:07,480 Speaker 4: Will I see you again? I hope? So? May I 62 00:04:07,520 --> 00:04:09,720 Speaker 4: hook you? Yes? 63 00:04:14,480 --> 00:04:15,120 Speaker 3: I saw that. 64 00:04:20,160 --> 00:04:21,839 Speaker 10: I told you to track this phone. 65 00:04:21,920 --> 00:04:23,680 Speaker 13: Do you have to buying my iPhone? 66 00:04:23,760 --> 00:04:24,000 Speaker 5: What? 67 00:04:24,320 --> 00:04:26,120 Speaker 13: Yes, I'm gonna need your password. 68 00:04:26,320 --> 00:04:31,240 Speaker 10: Oh god, damn it. H try cuttle Bunny one word, lowercase. 69 00:04:31,520 --> 00:04:35,320 Speaker 13: Okay, it works, So who's cuddle bunny? 70 00:04:35,400 --> 00:04:35,840 Speaker 10: Shut up? 71 00:04:36,720 --> 00:04:36,960 Speaker 5: Wait? 72 00:04:37,080 --> 00:04:38,880 Speaker 10: When does Beyonce hit the island? 73 00:04:39,320 --> 00:04:42,200 Speaker 13: Beyonce? I love her new album Renaissance, in which she 74 00:04:42,279 --> 00:04:46,200 Speaker 13: honors the queer history of dance music jonas, Oh, by 75 00:04:46,200 --> 00:04:48,200 Speaker 13: the way, there's a big hurricane coming your way. It 76 00:04:48,279 --> 00:04:50,480 Speaker 13: might delay us. And oh did you hear about the 77 00:04:50,520 --> 00:04:51,159 Speaker 13: Supreme Court? 78 00:04:51,320 --> 00:04:52,200 Speaker 4: They're all dead. 79 00:04:52,520 --> 00:04:56,000 Speaker 13: Everybody's killing each other in DC. The president occurred martial law. 80 00:04:55,800 --> 00:04:57,320 Speaker 10: And it's like, fucking Claude. 81 00:04:57,680 --> 00:04:58,640 Speaker 13: Who's Claude? 82 00:04:58,960 --> 00:04:59,719 Speaker 4: I'm jealous. 83 00:05:00,000 --> 00:05:02,240 Speaker 9: We had a second boat full of food and supplies. 84 00:05:02,279 --> 00:05:03,719 Speaker 10: Oh and a medical staff too. 85 00:05:03,839 --> 00:05:06,039 Speaker 13: Okay, just Beyonce anything. 86 00:05:07,000 --> 00:05:09,120 Speaker 10: Who's there, Carl Kirk? 87 00:05:09,640 --> 00:05:09,919 Speaker 7: Yeah? 88 00:05:10,000 --> 00:05:10,599 Speaker 4: And Klena. 89 00:05:10,839 --> 00:05:13,400 Speaker 10: She got bit by a gecko and she's not doing 90 00:05:13,520 --> 00:05:14,000 Speaker 10: very well. 91 00:05:14,240 --> 00:05:14,920 Speaker 3: My gecko. 92 00:05:15,320 --> 00:05:16,200 Speaker 11: That's not like him. 93 00:05:16,400 --> 00:05:19,360 Speaker 10: Get back in the bunker. CALLI where are we? 94 00:05:19,920 --> 00:05:23,320 Speaker 2: It's okay, Lena, We're safe, so tired? 95 00:05:24,040 --> 00:05:24,800 Speaker 4: Fuck all right? 96 00:05:25,040 --> 00:05:30,240 Speaker 10: Bring her in, Kirk, Calena, Welcome to the party. 97 00:05:30,400 --> 00:05:34,240 Speaker 3: Hey, guys, so Calena's pretty sick tied. 98 00:05:34,320 --> 00:05:36,760 Speaker 5: Offer my bed, but I'm chained to it. 99 00:05:38,200 --> 00:05:40,200 Speaker 11: Take mine. Hey, where's Claude? 100 00:05:40,400 --> 00:05:41,120 Speaker 4: Thank you? Kelly? 101 00:05:41,200 --> 00:05:44,400 Speaker 9: Come on, Lieutenant Casper. How many firearms do we have. 102 00:05:44,440 --> 00:05:46,159 Speaker 4: To assault rifles? Plus your ham gun? 103 00:05:46,240 --> 00:05:48,039 Speaker 11: Wait a minute, so Claude isn't kay anymore? 104 00:05:48,080 --> 00:05:51,039 Speaker 9: Moving on, I've restored the jamming so they can't call 105 00:05:51,080 --> 00:05:51,960 Speaker 9: for help upstairs. 106 00:05:52,040 --> 00:05:55,640 Speaker 3: Hey, maybe you're both King Jesus Christ, I mean, Kelly, 107 00:05:56,000 --> 00:06:00,760 Speaker 3: maybe I'm K two. Maybe we're all ka think about it. 108 00:06:01,680 --> 00:06:05,800 Speaker 11: Maybe whenever we get scared, we all just you know, 109 00:06:06,279 --> 00:06:12,480 Speaker 11: step forward and drop a k. I mean, not every 110 00:06:12,600 --> 00:06:17,400 Speaker 11: story is written by one person. Gilmore Girls was written 111 00:06:17,480 --> 00:06:19,400 Speaker 11: by hundreds of people. 112 00:06:20,520 --> 00:06:21,560 Speaker 3: Over decades. 113 00:06:23,160 --> 00:06:30,599 Speaker 11: Wikipedia was written by millions of people over millennia. Could 114 00:06:30,680 --> 00:06:36,080 Speaker 11: K just be an ongoing, open source, interactive ritual to 115 00:06:36,200 --> 00:06:40,680 Speaker 11: express and amplify our worst fears that we. 116 00:06:40,680 --> 00:06:42,120 Speaker 3: Can deal with them. 117 00:06:42,440 --> 00:06:46,359 Speaker 11: Aren't we just conjuring phantoms to explain the bad things 118 00:06:46,400 --> 00:06:49,800 Speaker 11: that happen to us, some of which are no one's 119 00:06:49,880 --> 00:06:50,800 Speaker 11: fault but our own. 120 00:06:52,080 --> 00:06:53,440 Speaker 3: And where does it end? 121 00:06:54,120 --> 00:06:57,520 Speaker 11: Are we just piling story on top of story, atrocity 122 00:06:57,880 --> 00:07:01,839 Speaker 11: on top of atrocity, and until a leaning tower of 123 00:07:01,960 --> 00:07:05,040 Speaker 11: k stretches to the sky as a monument to the 124 00:07:05,040 --> 00:07:09,680 Speaker 11: failure of our institutions in the horror of our digital solitude. 125 00:07:16,920 --> 00:07:19,040 Speaker 11: Don't let me, please, do not have me. 126 00:07:19,760 --> 00:07:24,240 Speaker 3: Stop up. 127 00:07:24,360 --> 00:07:29,880 Speaker 11: You shut the fuck up, you patronizing ball bags. Oh, Kelly, 128 00:07:30,040 --> 00:07:34,679 Speaker 11: she's so sweet. How can she be so hateful? She's 129 00:07:34,800 --> 00:07:39,320 Speaker 11: just a tiny fucking pee under my huge ass? 130 00:07:39,960 --> 00:07:41,600 Speaker 3: What to you? 131 00:07:41,720 --> 00:07:44,240 Speaker 11: A woman is just bloody chaos and a man is 132 00:07:44,360 --> 00:07:48,400 Speaker 11: pointy purpose. Well you might be a fancy spy guy 133 00:07:48,800 --> 00:07:52,640 Speaker 11: or a Hollywood big shot, but I'm a real American. 134 00:07:53,400 --> 00:07:57,960 Speaker 3: Your job is to protect and entertain me. You are 135 00:07:58,040 --> 00:07:59,280 Speaker 3: nothing without me. 136 00:08:05,560 --> 00:08:09,720 Speaker 5: That was beautiful, Cali, Yes, it was. Yeah, I'm impressed, Kelly. 137 00:08:09,920 --> 00:08:10,720 Speaker 11: Do I get a gun? 138 00:08:10,800 --> 00:08:14,160 Speaker 4: No? So what's the plan, Commander K? 139 00:08:14,840 --> 00:08:17,840 Speaker 9: We need to secure the facility so my boats can land. 140 00:08:17,920 --> 00:08:22,000 Speaker 9: Then we can, you know, prepare for the reptoid invasion 141 00:08:22,240 --> 00:08:25,760 Speaker 9: or whatever. Lieutenant, Yes, sir, take one of the rifles, Kirk, 142 00:08:25,960 --> 00:08:26,480 Speaker 9: take the other. 143 00:08:26,800 --> 00:08:27,040 Speaker 7: Look. 144 00:08:27,480 --> 00:08:30,680 Speaker 10: I don't believe in k or reptoids. I just want 145 00:08:30,720 --> 00:08:32,440 Speaker 10: to gig Callina to a hospital. 146 00:08:32,520 --> 00:08:35,560 Speaker 9: My yacht will have a full medical staff on board. 147 00:08:35,800 --> 00:08:37,760 Speaker 10: You help us, you get access to. 148 00:08:37,760 --> 00:08:41,520 Speaker 9: That, Okay, Chris, you'll take care of her to we're back, right. 149 00:08:41,480 --> 00:08:43,360 Speaker 5: Of course, I will, Kirk. 150 00:08:44,000 --> 00:08:47,920 Speaker 10: Her belly is hugely swollen. I know she was eating 151 00:08:47,960 --> 00:08:48,880 Speaker 10: fungus in the cave. 152 00:08:49,120 --> 00:08:50,640 Speaker 4: The fungus look like. 153 00:08:50,240 --> 00:08:52,160 Speaker 3: Like black strands under the soil. 154 00:08:52,640 --> 00:08:56,040 Speaker 4: She ate Joan, who the fungus in my shake? 155 00:08:56,200 --> 00:08:58,199 Speaker 9: Lieutenant, put a chain on Claude. We don't want a 156 00:08:58,280 --> 00:09:01,880 Speaker 9: trader wandering around. Is Claude Casper? 157 00:09:02,880 --> 00:09:04,959 Speaker 10: You idiot? Check the bathroom? 158 00:09:05,080 --> 00:09:06,520 Speaker 4: Yes, sir, my. 159 00:09:08,120 --> 00:09:09,560 Speaker 3: Baby, I'm your roney. 160 00:09:10,679 --> 00:09:13,839 Speaker 4: No, my baby, Cloude's gone. 161 00:09:14,000 --> 00:09:15,120 Speaker 10: We have to move now. 162 00:09:15,840 --> 00:09:19,280 Speaker 3: Wa shit, just got real. It's all good. Let's do 163 00:09:19,440 --> 00:09:21,080 Speaker 3: this thing. We got this. 164 00:09:21,360 --> 00:09:34,440 Speaker 9: It is one of the Kelly, give me the gun, Karen. 165 00:09:34,480 --> 00:09:36,000 Speaker 4: When is the storm supposed to hit? 166 00:09:36,480 --> 00:09:42,280 Speaker 8: Ohym Beyonce, it comes when she wants, though. She's really 167 00:09:42,440 --> 00:09:48,080 Speaker 8: more of a curator than it creator, isn't she? You 168 00:09:48,160 --> 00:09:52,239 Speaker 8: know that seventy two fucking writers are credited on Lemonade 169 00:09:53,200 --> 00:09:56,960 Speaker 8: by her sister, so Lunge. She writes her own songs. 170 00:09:57,480 --> 00:10:01,400 Speaker 8: She's the real deal. I I'm gonna rename this storm 171 00:10:01,559 --> 00:10:02,880 Speaker 8: Hurricane so lunch. 172 00:10:05,160 --> 00:10:07,679 Speaker 7: Okay, I'm gonna step out and see if the coms 173 00:10:07,679 --> 00:10:08,320 Speaker 7: are still down? 174 00:10:08,520 --> 00:10:13,480 Speaker 10: Hold down the fort Gioco? How much longer? 175 00:10:13,800 --> 00:10:17,200 Speaker 4: Please lower your voices? This tunnel leads to multiple entry 176 00:10:17,240 --> 00:10:22,760 Speaker 4: points beneath the compound. What the fuck is that? 177 00:10:22,880 --> 00:10:24,960 Speaker 10: Shine the light on it. It's one of those big 178 00:10:25,000 --> 00:10:25,680 Speaker 10: I echos. 179 00:10:25,920 --> 00:10:26,560 Speaker 3: Stop on it. 180 00:10:26,640 --> 00:10:28,520 Speaker 10: No, it's cute, it's dangerous. 181 00:10:29,840 --> 00:10:33,439 Speaker 3: Fuck it's gone. Be careful where you walk. How much longer? 182 00:10:33,520 --> 00:10:34,880 Speaker 4: Casper, it's not far, sir. 183 00:10:35,360 --> 00:10:36,760 Speaker 11: Can I be a human shield? 184 00:10:43,040 --> 00:10:47,600 Speaker 3: Who's there? Who's in my quarters? Carl? Come out? 185 00:10:47,720 --> 00:10:51,199 Speaker 5: I have a gun, Karen, It's okay, it's me Claw 186 00:10:51,840 --> 00:10:52,960 Speaker 5: Is that my gun? What? 187 00:10:53,480 --> 00:10:57,360 Speaker 3: Yes? Oh my god, Claude, where have you been? 188 00:10:57,880 --> 00:11:00,320 Speaker 5: I was kidnapped by a rogues. THEIA agent too. Been 189 00:11:00,360 --> 00:11:03,600 Speaker 5: living in a bunker under the rehab. He's got Chris, Kelly, 190 00:11:03,880 --> 00:11:06,319 Speaker 5: Kalina and Kirk. But now Carl is in charge of 191 00:11:06,360 --> 00:11:08,959 Speaker 5: all of them. He's saying he's kay of Kana. 192 00:11:08,720 --> 00:11:09,920 Speaker 3: What I can't understand. 193 00:11:09,960 --> 00:11:12,480 Speaker 5: You're probably lying, but they've got guns and they're planning 194 00:11:12,480 --> 00:11:15,400 Speaker 5: to take over the island tonight. And also, Karen, martial 195 00:11:15,480 --> 00:11:16,920 Speaker 5: law has been declared in the States. 196 00:11:16,960 --> 00:11:18,600 Speaker 3: Oh, Claude, kiss me, Karen. 197 00:11:18,400 --> 00:11:21,720 Speaker 5: Don't associate stay with me. We're all in grave danger, 198 00:11:21,800 --> 00:11:24,480 Speaker 5: not just from Karl, but from Beyonce. So Lange what 199 00:11:24,679 --> 00:11:27,440 Speaker 5: she's the real deal. I've been trying to call for help. 200 00:11:27,480 --> 00:11:32,280 Speaker 5: But hey, Karen, please focus. Where is everyone sheltering? It's 201 00:11:32,320 --> 00:11:35,680 Speaker 5: a common wo that's good. We can barricade ourselves in there, 202 00:11:35,800 --> 00:11:37,960 Speaker 5: and then maybe we can convince Casper to join us. 203 00:11:38,120 --> 00:11:38,880 Speaker 3: Who's Casper? 204 00:11:39,000 --> 00:11:43,080 Speaker 5: He's the CIA agent, but he's he's really a good guy. 205 00:11:44,440 --> 00:11:47,800 Speaker 11: Claude, I'm asking you again, why are you here? 206 00:11:47,920 --> 00:11:49,000 Speaker 5: I wanted to warn you. 207 00:11:49,000 --> 00:11:52,440 Speaker 11: No, you seduced me. You wanted us all dead in 208 00:11:52,520 --> 00:11:53,240 Speaker 11: the storeroom. 209 00:11:53,800 --> 00:11:56,720 Speaker 5: Yeah, I've been having a lot of feelings lately. What 210 00:11:56,760 --> 00:12:01,600 Speaker 5: do you mean feelings for someone? Caught me off guard? 211 00:12:01,640 --> 00:12:02,200 Speaker 4: Is this? 212 00:12:03,800 --> 00:12:04,880 Speaker 5: Can you give me the gun? 213 00:12:05,040 --> 00:12:05,920 Speaker 11: Have I been a fool? 214 00:12:06,000 --> 00:12:06,240 Speaker 4: Claw? 215 00:12:06,400 --> 00:12:09,480 Speaker 5: No? Karen, I like you very much. Just tap your 216 00:12:09,520 --> 00:12:10,360 Speaker 5: ass Turan. 217 00:12:11,160 --> 00:12:14,920 Speaker 11: Oh god, I am not really in love with you. 218 00:12:14,960 --> 00:12:17,600 Speaker 11: I'm just a sad, fucking bitch. 219 00:12:19,720 --> 00:12:22,679 Speaker 5: Take the gun, thank you, Karen. Now let's get over 220 00:12:22,720 --> 00:12:26,719 Speaker 5: to the common womb. Who's that? 221 00:12:29,080 --> 00:12:32,720 Speaker 3: Where did Kiki go? Karen? Hi, don't shoot. 222 00:12:37,120 --> 00:12:40,000 Speaker 5: I'm not shot anybody. Let's get back to the common womb. 223 00:12:40,520 --> 00:12:43,400 Speaker 3: We don't have to go down into the store womb. 224 00:12:43,400 --> 00:12:44,040 Speaker 3: It's closer. 225 00:12:44,160 --> 00:12:48,200 Speaker 5: Good idea, every of us hit are youss? 226 00:12:48,200 --> 00:12:49,760 Speaker 3: Claude, Now come on down the stairs. 227 00:12:49,800 --> 00:12:50,640 Speaker 7: What about everyone else? 228 00:12:50,720 --> 00:12:59,319 Speaker 3: Claude, They'll be safe in the common womb. Colleena, are 229 00:12:59,360 --> 00:13:00,679 Speaker 3: you eating your hair? 230 00:13:01,320 --> 00:13:05,880 Speaker 6: And I'm starving much of this? No, it smells like 231 00:13:05,920 --> 00:13:07,040 Speaker 6: the black strands. 232 00:13:07,440 --> 00:13:10,320 Speaker 2: Don't drink it chocolate and peanuta. 233 00:13:10,840 --> 00:13:12,439 Speaker 3: Your belly is huge. 234 00:13:13,559 --> 00:13:16,480 Speaker 5: Oh my god, are you pregnant. 235 00:13:16,760 --> 00:13:18,960 Speaker 2: Don't be silly. I don't have a uterus. 236 00:13:19,240 --> 00:13:21,360 Speaker 3: Oh what is it? Oh? My stomach? 237 00:13:21,880 --> 00:13:25,440 Speaker 11: Oh goddess, I think you're going into labor. 238 00:13:28,640 --> 00:13:30,760 Speaker 4: We're here. The trap door is at the top of 239 00:13:30,760 --> 00:13:31,320 Speaker 4: this ladder. 240 00:13:31,440 --> 00:13:32,600 Speaker 5: Is this the best entry point? 241 00:13:32,840 --> 00:13:38,040 Speaker 4: Yes, they'll never expect us to emerge here. Okay, I'm 242 00:13:38,080 --> 00:13:39,760 Speaker 4: pushing the trap door open. 243 00:13:42,120 --> 00:13:43,320 Speaker 3: What's coming out of the floor? 244 00:13:43,400 --> 00:13:43,559 Speaker 4: Oh? 245 00:13:43,559 --> 00:13:44,840 Speaker 3: I got blood. What's happening? 246 00:13:44,920 --> 00:13:45,120 Speaker 5: Good? 247 00:13:46,760 --> 00:13:47,080 Speaker 3: Fuck? 248 00:13:47,240 --> 00:13:48,360 Speaker 4: There are people up there. 249 00:13:48,720 --> 00:13:51,000 Speaker 5: God damn it. Get out of my way. 250 00:13:53,200 --> 00:13:58,640 Speaker 10: Nobody move. I don't know, Lena, is it? 251 00:13:58,720 --> 00:14:02,280 Speaker 6: Something is inside and it's not human. 252 00:14:23,400 --> 00:14:29,080 Speaker 1: Cancelation Island a Topic Studios and iHeart Podcasts production written 253 00:14:29,120 --> 00:14:32,960 Speaker 1: by John Cameron Mitchell and Michael Cavadillas, Directed by John 254 00:14:33,000 --> 00:14:38,080 Speaker 1: Cameron Mitchell, Produced by Christy Gressman, starring Holly Hunter as Karen, 255 00:14:38,440 --> 00:14:43,080 Speaker 1: Josh Pice as Carl, Aaron Marky as kai Ka, Todd 256 00:14:43,080 --> 00:14:47,080 Speaker 1: Freeman as Claude Murphy, Taylor Smith as Collina, just As 257 00:14:47,120 --> 00:14:52,600 Speaker 1: Singleton as Kirk, Mary Testa as Chris, Joe Firestone as Callie, 258 00:14:53,240 --> 00:14:58,000 Speaker 1: Mia Pack as Kyoko, Joseph Keckler as Cale, Maria, Mercedes 259 00:14:58,040 --> 00:15:03,600 Speaker 1: Galupo as Carmen, Mica Stock as Casper, Dalmis Garcia as Keky, 260 00:15:03,960 --> 00:15:08,480 Speaker 1: Michael Kevidias as Jonas, and Josh Nate Davila as Peppo, 261 00:15:08,840 --> 00:15:15,240 Speaker 1: Veronica Guadalupe as Pepa. Audio producer Vincent Cascion. Executive producers 262 00:15:15,320 --> 00:15:19,760 Speaker 1: Michael Kevidias, John Cameron Mitchell, and for iHeart Podcasts Noel 263 00:15:19,800 --> 00:15:25,920 Speaker 1: Brown and Nikki Ettore. Composer Lucas Carey. Original song Wait 264 00:15:26,080 --> 00:15:29,520 Speaker 1: written by Brett Every and John Cameron Mitchell. Additional music 265 00:15:29,560 --> 00:15:33,960 Speaker 1: by Vincent Cascion. Executive in charge of production Jenny Badusa. 266 00:15:34,800 --> 00:15:39,480 Speaker 1: Recording produced by Will Stanton, Live production manager Amanda Harris, 267 00:15:39,640 --> 00:15:42,000 Speaker 1: recorded live in front of an audience by Will Stanton 268 00:15:42,040 --> 00:15:47,080 Speaker 1: and Sam Torres. Live sound by Max Kaufman. Script supervisor 269 00:15:47,200 --> 00:15:52,560 Speaker 1: Rachel Cole, Reader Stephen Winter, Production coordinator Nick Boyd, Assistant 270 00:15:52,560 --> 00:15:57,400 Speaker 1: to the director, Guthrie McCarty, Vaschon, Production assistant Brandon Harris, 271 00:15:58,000 --> 00:16:04,040 Speaker 1: artwork Ricardo Dessaigno for Topic Studios Podcasts, Christy Gressman, Adam Cecil, 272 00:16:04,280 --> 00:16:11,600 Speaker 1: Michelle Lance, post production, Ethan Lyte, Communications Genie Keatis, Dan Goldberg, Marketing, 273 00:16:11,880 --> 00:16:16,320 Speaker 1: Jen Robertson, Mark Chan, Business and legal affairs, Alex Jiga, 274 00:16:16,640 --> 00:16:21,680 Speaker 1: Ryan mack, Zach Locke, Trevor Paul Production finance, Vince Gonzales, 275 00:16:22,080 --> 00:16:27,320 Speaker 1: Beatrice Chisholm,