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Speaker 1: Hey guys, this is Donald Faison and Zach Braff. So

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Speaker 1: this podcast we recorded it the same day after everyone

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Speaker 1: found out George Floyd getting murdered. First of all, I

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Speaker 1: do not necessarily know what to say to everyone out there. Truthfully,

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Speaker 1: I wish everything and everyone could be happy right now,

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Speaker 1: but that's definitely not what's going on in the world.

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Speaker 1: For me. This is a time where I feel like

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Speaker 1: I don't know. I wish that I could sit here

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Speaker 1: and say we're making progress, but we want to make

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Speaker 1: you laugh here. I will say this, I am very,

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Speaker 1: very supportive of the people out there fighting the good

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Speaker 1: fight that are protesting right now, and I stand with you.

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Speaker 2: We also wanted to let you know that the next

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Speaker 2: few podcasts were recorded before all of this has reached

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Speaker 2: such a fever pitch, and we didn't want you to

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Speaker 2: think for a second that we were being callous about

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Speaker 2: that and not dialed into what's happening. So we just

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Speaker 2: wanted to let you you know the next few podcasts

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Speaker 2: were recorded prior to things being as they are currently.

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Speaker 1: That being said, I hope we can distract you from

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Speaker 1: the madness that's going on right now for just an

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Speaker 1: hour and a half just an hour and a half,

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Speaker 1: sit back and enjoy this with us.

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Speaker 2: Here we go. So Donald, you're five six minutes late. Well,

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Speaker 2: well you know this is hot that we.

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Speaker 1: Do, and do it five minutes late. My wife hot

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Speaker 1: boxed medeo. She took a shower right before the podcast,

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Speaker 1: and the shower is connected to the closet, like, not

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Speaker 1: the shower itself, but the bathroom's connected to the closet.

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Speaker 1: So it's like two hundred degrees in here right now.

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Speaker 1: Amazon shirt. It feels like, well, I had this on

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Speaker 1: for the view today, man, which.

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Speaker 2: Looked great on the view. We were on the View today. Yeah,

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Speaker 2: Donald's looked very handsome.

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Speaker 1: And thank you very much. You changed your shirt.

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Speaker 2: I did. I put on a night I didn't. I

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Speaker 2: wanted to look good for for for the ladies, and

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Speaker 2: I put on a night you did.

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Speaker 1: You look very nice anyway, My wife hot box. So

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Speaker 1: it's like it's like an Amazon jungle up in here

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Speaker 1: right now. Man, okay, and I want to show a

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Speaker 1: tank top. I whantn't you switch to a tank top?

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Speaker 1: We could watch it happen live. Listen. Man, she's mad

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Speaker 1: about something right now. I don't know you're mad about

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Speaker 1: I did wrong. I don't know, man, I don't know.

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Speaker 2: Sometimes you don't ever, you never know. Sometimes she's just mad.

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Speaker 1: She's just mad out of know.

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Speaker 2: I bet if you brainstorms, you could figure out what

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Speaker 2: you may have done.

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Speaker 1: In this moment right now. I can't figure it out.

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Speaker 1: In other moments, I've been able to put it all

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Speaker 1: together and be like, oh that was I bet it's

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Speaker 1: because of this.

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Speaker 2: That's the worst. When you can't figure it out, You're like, what.

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Speaker 1: I do, dude, I have no idea. I've been good

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Speaker 1: to the kids. I fed them, you fed, I've done

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Speaker 1: all of that stuff. I just don't know.

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Speaker 2: Well, listen, I think we were really good on the view.

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Speaker 2: It was hard because there was a big delay, yes,

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Speaker 2: and and more so than normal zoom. It was like

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Speaker 2: a few a second or two delays. So it's always

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Speaker 2: tricky to be funny when when you're stepping all over

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Speaker 2: each other.

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Speaker 1: Well, I will say this. My mother, who does not

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Speaker 1: listen to our podcast, watched the view. She watch she

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Speaker 1: said we are great together. She was like, I'm gonna

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Speaker 1: tell you something. She was like, you and Zach interview

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Speaker 1: so well together. It's ridiculous.

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Speaker 2: Oh that's nice.

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Speaker 1: Oh, man, listen.

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Speaker 2: We want to cheer you up. If you're frustrated with

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Speaker 2: the universe and you're frustrated like Donald is, We're here

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Speaker 2: to entertain you. We're here to take your mind off things.

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Speaker 2: You might be on a hike, you might be walking

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Speaker 2: your dog, you might be breastfeeding, you might be doing

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Speaker 2: the dishes, you might be tugging one out. We are

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Speaker 2: here to make you laugh. Donald.

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Speaker 1: If you're tugging, I'm gonna say, I'm gonna say one.

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Speaker 1: Can I just say one thing before say one thing?

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Speaker 1: If you're tugging one out while listening to us, Yes,

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Speaker 1: thank you.

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Speaker 2: He would like you to finish as as Donald counts down,

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Speaker 2: do it.

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Speaker 1: Five, six, seven, eight. I'm not show.

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Speaker 3: We made about a bunch of Nisaea.

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Speaker 2: I'm not sure if the good people at iHeart are

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Speaker 2: going to approve that.

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Speaker 1: But they don't give a shit about that.

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Speaker 2: They're not even listening. They're not even listening.

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Speaker 1: They don't care anymore.

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Speaker 4: You know.

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Speaker 2: They my first sign with iHeart, they were like, you know,

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Speaker 2: you know, you guys can just do whatever you want

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Speaker 2: and we'll give you notes and thoughts and take them

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Speaker 2: or leave them. We haven't heard anything from them. I

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Speaker 2: think we're doing well enough that they just let us

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Speaker 2: do our thing.

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Speaker 1: I love the people over at iHeart I just put

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Speaker 1: it out there. Let's just put it out there now

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Speaker 1: wherever you're listening to your podcast right now. Yeah, I

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Speaker 1: heeart has been so awesome to us.

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Speaker 2: Yes, and Will. We got to give shout out to

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Speaker 2: Will Pearson, who's the guy who we we we first

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Speaker 2: met and and he's really come through with all his

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Speaker 2: He pretty much said, you guys can do whatever you want.

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Speaker 2: And uh, he's he's let us do our thing.

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Speaker 1: Yeah. Well, you know, he didn't promise a lot of

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Speaker 1: at the first meeting we had with him, but he

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Speaker 1: was definitely like, this is a no brainer, guys, And.

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Speaker 2: Well it is. I mean, look at this comic gold here.

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Speaker 2: Plus we got we met, we met Dan and Joel.

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Speaker 1: Yeah, I know it's serendipitous if you really want to

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Speaker 1: look at it. So I want to thank Joel, I

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Speaker 1: want to thank Dan, I want to thank Will. I

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Speaker 1: want to thank all of you out there listening right now.

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Speaker 1: Thank you so much so far there.

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Speaker 2: We're so grateful. We're so grateful for you. Neither one.

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Speaker 2: Donald and I always talk about how we never thought

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Speaker 2: this would be this much fun. We thought, uh, you know,

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Speaker 2: we thought, okay, that'll be something to do, that'll be

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Speaker 2: a little fun side projects. But we are having so

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Speaker 2: much fun, and we we we know that you are.

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Speaker 2: We see that you're that you're listening, and please tell

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Speaker 2: your friends. We want to now we're now, we're invested.

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Speaker 2: Now we're like, let's fucking go for it. We hope,

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Speaker 2: we hope one day when the world opens up, that

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Speaker 2: we can tour the show. We'd love to. We know

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Speaker 2: that some podcasts come to cities all over the world

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Speaker 2: and do it live. We'll do it live and Donald

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Speaker 2: live live. Donald and I would love to do that.

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Speaker 2: We'd love to come to your city and we'll show

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Speaker 2: the episode first and then we'll come out and we'll

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Speaker 2: do this exact show with Q and a's and audience participation.

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Speaker 2: We'll bring Dan and Joel. Of course, maybe we'll have

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Speaker 2: a tour bus Donald. We'll get to finally live that

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Speaker 2: tour bus life we've always dreamed about.

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Speaker 1: I would love to have a tour.

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Speaker 2: With Joel and Dan on the bus.

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Speaker 1: Well, they get to come inside from the bus, but no.

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Speaker 2: I want them to. You know how your band always

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Speaker 2: travels in the bus.

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Speaker 1: We'd be a four person band.

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Speaker 2: Four person band.

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Speaker 1: I come with a couple of groupies though I got

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Speaker 1: a couple.

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Speaker 2: No, you're not rolling with your kids and your wife.

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Speaker 1: I can't tour with my wife and kids after all

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Speaker 1: of this.

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Speaker 2: No you can, but they're in a separate bus. If

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Speaker 2: you're gonna stop, bring a family. Joel and Dan and

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Speaker 2: I are going to be partying in the party bus like that,

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Speaker 2: and you and your family can be in the family bus.

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Speaker 1: I'm gonna be on the party bus.

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Speaker 2: I want to shout out, I'm exciting. Just to remind

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Speaker 2: me of Donald mentioned this. But we have coming up

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Speaker 2: Krista Miller. We have Sarah Chalk coming back on the show.

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Speaker 2: We have Scott Foley coming on the show. Yeah, we're

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Speaker 2: hoping to get Neil Flynn. We're still working his dates

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Speaker 2: out with him. We have a Shay Serrano who is

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Speaker 2: an amazing writer who wrote his own self published book

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Speaker 2: about Scrubs and he's an amazing bestseller. And he's the

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Speaker 2: first he will be the first official Scrubs megafan to

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Speaker 2: be on the show because.

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Speaker 1: We have mega fans call in.

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Speaker 2: So no, I'm saying as a guest. As a guest

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Speaker 2: no doubt, and then we're gonna get Brendan Fraser on

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Speaker 2: episode one twenty three, My Hero. And then we're gonna

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Speaker 2: close out season one with Bill Lawrence and Christa Miller

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Speaker 2: on at the same time. Hopefully they'll bicker and it

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Speaker 2: will be hilarious.

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Speaker 1: I hope they argue.

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Speaker 2: I'm not gonna argue. You know, they always go on

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Speaker 2: Howard Sterting together and they bicker and tell dirty stories

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Speaker 2: from their marriage, and it'll be great.

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Speaker 1: Bill and christ have dirty stories.

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Speaker 2: Oh yeah, I think there was a story where they

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Speaker 2: had sex see in a bathroom at someone else's wedding.

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Speaker 1: Oh my god. Bill and Christa freaks like that.

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Speaker 2: Yeah, And I hope they're not just sharing that naughty

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Speaker 2: stuff for Howard Stern. I hope they're gonna they better

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Speaker 2: not come on here and be two PG. You know,

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Speaker 2: people go on Howard and Myself Included, and you want

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Speaker 2: to be like, oh, I'm gonna tell my most outrageous tales. Well,

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Speaker 2: I hope they come on and talk about banging in

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Speaker 2: a bathroom at someone's wedding.

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Speaker 1: I can't get over that. Oh my gosh.

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Speaker 2: Also, how for.

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Speaker 1: Those who are tugging, you're welcome.

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Speaker 2: You should be done tugging by now. Please, the show

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Speaker 2: has started. You were supposed to be done by five

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Speaker 2: to six s eight.

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Speaker 1: Do you want to get into the show or do

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Speaker 1: you want to talk to somebody?

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Speaker 2: Just kind of I'm having so much fun talking to you,

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Speaker 2: but we can, we can start the show. It's it's

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Speaker 2: an odd show. I'm not gonna say it's one of

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Speaker 2: my favorites. Okay, Okay, I know that's crazy talk, but

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Speaker 2: it's not. It's not one of the best. Okay, There's

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Speaker 2: a couple of cool things in it. The show begins

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Speaker 2: with an epic wonner.

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Speaker 1: This is the one that we talked about a couple

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Speaker 1: of times on the podcast.

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Speaker 2: Now, just to reiterate for those of you who are like,

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Speaker 2: what the fuck's a wanner? I know some of you

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Speaker 2: know the film jargon, but for those of you who don't,

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Speaker 2: wonder is where the camera never cuts? That is to say,

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Speaker 2: there are no edits. The whole thing is filmed and

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Speaker 2: the camera is mounted to Charles Pappard, all balls and no.

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Speaker 1: Shaft and no shaft.

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Speaker 2: Charles Pappard, all balls and no shaft, and Charles Pepperd

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Speaker 2: all balls and no shaft, slid into my dms by

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Speaker 2: the way and said that he should come on the podcast.

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Speaker 1: I'd love that. Oh that would be so awesome.

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Speaker 2: Yeah, I think we should have money as soon as

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Speaker 2: we wanted to come on for well, we're kind of full,

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Speaker 2: as I just told the audience, we got a full plate.

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Speaker 2: But maybe for season two we Yeah.

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Speaker 1: Absolutely, man, he should totally be on the show.

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Speaker 2: It would have been smart for us to have him

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Speaker 2: on this episode because there's this epic steady cam wanner

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Speaker 2: that opens the whole show. But he did.

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Speaker 1: First of all, Charles Peppert isn't a very big man,

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Speaker 1: and he's one of in my opinion, he's a great

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Speaker 1: steady cam operator. He's a great camera operator. But he's

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Speaker 1: a great steady cam operator also. And I remember this

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Speaker 1: being very taxing on his body one because I missed

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Speaker 1: the jump shot so many times. Bill, here's an opportunity

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Speaker 1: for you to clown me. How many times here we go?

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Speaker 1: How many times did I miss that jump shot?

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Speaker 4: Look, I don't want to.

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Speaker 5: Exaggerate it at all, but I would have to say

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Speaker 5: that Donald missed that shot, that jump shot at the

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Speaker 5: beginning of that long Warner take. I want to say

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Speaker 5: he missed it at least seventy times in a row.

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Speaker 4: But to.

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Speaker 5: Donald could play ball. He actually played in my basketball

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Speaker 5: game a bunch. But I do want it now committed

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Speaker 5: to public record. Donald's older brother Dotta is much much

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Speaker 5: much better at basketball than Donald is, and Donald has

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Speaker 5: to live with that. I mean, his older brother can ball.

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Speaker 5: The guy's a rock star in the court.

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Speaker 2: So Joelle is going to put it on our show

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Speaker 2: notes and you can click the link to the video,

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Speaker 2: and I believe it's a it's a behind the scenes

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Speaker 2: of doing this epic wonner, and you can see how

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Speaker 2: many times Donald misses the jump shot.

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Speaker 1: Anyway, so we do that. We finally hit it, and

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Speaker 1: there are a couple of times where Charles h didn't

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Speaker 1: do something right and we had to go back to

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Speaker 1: the beginning again. But anyway, while watching this episode and

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Speaker 1: watching this infamous wonner, Yes, as we get closer to

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Speaker 1: the end, if you notice, our energy just keeps picking up,

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Speaker 1: And yes, if we start getting more and more excited, Yeah,

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Speaker 1: if you look at really the person to watch is Sarah,

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Speaker 1: because Sarah is going nuts inside, like you can see

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Speaker 1: her like.

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Speaker 2: This, Yeah, we're gonna do it.

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Speaker 1: We're gonna do it.

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Speaker 2: You know as you can see, you're right. As you

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Speaker 2: can see when you watch the shot, there's so many

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Speaker 2: moving pieces. There's a lot of background. There's there's us,

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Speaker 2: there's Donald hitting the jump shot. Then we get on there,

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Speaker 2: we go to the hospital, We get on a working elevator.

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Speaker 2: We actually got in the elevator.

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Speaker 1: Do you recall the person that was working the elevator

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Speaker 1: for us?

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Speaker 2: I wrote it down Norm.

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Speaker 1: Norm's right.

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Speaker 4: Yeah.

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Speaker 2: Norm was a sort of an all around utility guy

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Speaker 2: on the scrub set. He would work the air conditioning tubes,

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Speaker 2: move them around, and he and he dressed up because

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Speaker 2: we needed someone to be to actually operate the elevator.

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Speaker 2: So we get in the elevator with Kelso. Then we

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Speaker 2: come out, We strut down the hallway, we go into

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Speaker 2: the ICU. The camera whippands to Johnny c still without

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Speaker 2: having cut. It comes back to us and then we

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Speaker 2: come around the corner and we were joined by Carla,

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Speaker 2: and then it whips around again and we see all

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Speaker 2: the new men students. So that took I think we

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Speaker 2: rehearsed probably a full half day.

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Speaker 1: Maybe, Yeah, it took a while to It took a

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Speaker 1: while just to set the shot up. I remember that, yeah,

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Speaker 1: and then to get I remember we were supposed to

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Speaker 1: get the shot done before lunch, and we did. And

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Speaker 1: then but like by the skin of our teeth, if

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Speaker 1: I'm correct, I'm not exactly sure, but I know that

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Speaker 1: there was so many other than me missing the jump shot.

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Speaker 1: There were so many things that were involved that had

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Speaker 1: to go right for it to work, and sometimes it

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Speaker 1: didn't work. And uh, and what Donald's I agree with you.

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Speaker 2: What you're saying is so by the time we made

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Speaker 2: it to the second floor and we were kind of

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Speaker 2: then the hard part was over. We like did Donald's

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Speaker 2: jump shot, and we did the choreography at the elevator

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Speaker 2: and then we were strutting all all three of us

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Speaker 2: are like, oh shit, we're making it.

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Speaker 1: We're gonna make it, and you can see it. Sarah,

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Speaker 1: Sarah is the most excited you could tell. So when

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Speaker 1: I go give me some hungry chicken and you guys

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Speaker 1: are eating, watch her. She's like, she uses both hands.

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Speaker 1: It was originally supposed to be one hand. She's using

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Speaker 1: both hands and she's pounding my hand. And that's why

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Speaker 1: I said to you, you're not hungry enough.

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Speaker 2: Ah, you were getting cocky too. Made it to the

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Speaker 2: end you started improving.

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Speaker 1: You're like, yeah, that was improv Absolutely.

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Speaker 2: That's cute. Well, I gotta tell you that was It

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Speaker 2: was really cool. And I wanted to say that if

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Speaker 2: you're looking for there's a lot of famous ononers can

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Speaker 2: you can you can google it on online and find

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Speaker 2: some of in some of your favorite movies. But one

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Speaker 2: of my favorites is in Goodfellas. If you remember that

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Speaker 2: iconic shot that goes down into the restaurant when when

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Speaker 2: he's bringing her on it on the first date and

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Speaker 2: through the kitchen and up into the restaurant and I

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Speaker 2: and and they're just really fun. Filmmakers and actors love

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Speaker 2: them because it's it's so challenging to pull it off well.

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Speaker 2: And I think this was the biggest one we did

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Speaker 2: in Olive Scrubs.

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Speaker 1: Yeah.

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Speaker 6: Uh.

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Speaker 1: One of my favorite movies is Swingers, and they talk

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Speaker 1: about you know, slow motion shots and wonners. Uh, and

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Speaker 1: yeah that I think. I think Scorsese's Goodfellas wonner. It's

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Speaker 1: probably one of the best wonders in the history. Yeah.

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Speaker 2: Yeah, And it's just uh, I think it introduced me

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Speaker 2: as a young film student to how how cool they

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Speaker 2: could be. And there's an epic one in Orson Wells's

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Speaker 2: film Touch of Evil that opens the film as well. Uh,

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Speaker 2: you know, there's there's dozens of them, but so this

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Speaker 2: was ho homage.

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Speaker 1: The Nutty Professor has one, and not the one with

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Speaker 1: Eddie Murphy, the one with Jerry Lewis. He's before he

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Speaker 1: walks into the club as Buddy Love. You know, he's

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Speaker 1: walking down the street and people are stopping and looking

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Speaker 1: at him like, you know, and you're not expect you

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Speaker 1: don't know what to expect when you see him. You're

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Speaker 1: thinking that the Nutty Professor is you know, it's a

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Speaker 1: Jequlin Hyde story and his mister Hyde is like this

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Speaker 1: grotesque thing. And when he walks into the bar and

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Speaker 1: finally you get to see what he looks like, the

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Speaker 1: reaction from everybody it makes sense, but it's like, wait,

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Speaker 1: hold up, y'all were acting like this was the scariest

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Speaker 1: dude on the planet, and really it's just Buddy Love walking.

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Speaker 1: Have you ever seen a nutty Professor? No, I've Oh

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Speaker 1: my god, listen, let me tell you right now. Jerry

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Speaker 1: Lewis in that movie. I know he said some questionable

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Speaker 1: things on television and stuff like that, but you want

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Speaker 1: to talk about switching it up when he plays the

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Speaker 1: Nerd and then he plays Buddy Love.

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Speaker 2: I gotta watch it.

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Speaker 1: He says, some of the monologues in that movie are amazing, Like,

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Speaker 1: he says, some of the most amazing, Like he is

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Speaker 1: a true pimp in all sense of the word.

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Speaker 2: In all respect, all respect, all.

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Speaker 1: Respect to.

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Speaker 4: Hetty Love.

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Speaker 2: What's his name, Buddy Love?

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Speaker 1: Buddy Love?

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Speaker 2: Do you have to mention by the Yeah, I'm gonna

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Speaker 2: check it out, not to mention the fame. Now, there's

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Speaker 2: been some famous Wonner movies, including Birdman and what was

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Speaker 2: the one that just came out that everybody loved so much?

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Speaker 2: Nineteen seventeen.

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Speaker 1: But that's CG two though, isn't it that? No?

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Speaker 2: They they well they didn't do a Wonner movie. They

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00:16:36,880 --> 00:16:40,080
Speaker 2: hit a bunch of cuts, but it's but they're still

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Speaker 2: doing like eight minute scenes with five hundred extras and

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Speaker 2: incredible stuff, things exploding. If you are, if you were

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Speaker 2: a film geek like I am, go go watch behind

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Speaker 2: the scenes of nineteen seventeen and you'll see just some

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Speaker 2: extraordinary filmmaking. Anyway, so we just.

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Speaker 1: Wrote that down, dude, nineteen seventeen, need to watch.

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Speaker 2: Yeah, go watch behind. You've never seen the film.

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Speaker 1: I have yet to see the film.

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Speaker 2: Oh, the film's beautiful, but more but I was told

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Speaker 2: I needed to watch it.

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Speaker 1: I was told I needed to see it in a

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Speaker 1: theater because of the scope.

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Speaker 2: Yeah, but now you can't. But I I saw a

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Speaker 2: screener because we got it for Award season, and I love.

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Speaker 2: I thought it was so beautiful. I went to the theater.

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Speaker 2: I said, I got to see this, and I went

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Speaker 2: and saw it at the dome. You know here in

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Speaker 2: Hollywood we have a big dome theater.

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Speaker 4: And it was just.

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Speaker 2: Gorgeous and and and amazing acting by everybody involved, and

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Speaker 2: it's beautiful, great time too. I heard, yes, yes, sir.

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Speaker 2: At one thirty two, we start strutting. I mean we

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Speaker 2: are strutting. Yeah, that's like a George Jefferson strut.

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Speaker 1: It's like, yeah, it's like the straight up well we're

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Speaker 1: moving on.

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Speaker 4: No.

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Speaker 1: Yeah, we were very SIUs. Look I'm trying to tell

396
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Speaker 1: you man, we were so excited with We were excited,

397
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Speaker 1: so excited.

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Speaker 2: And then scrubs wiki. I was pointed out that at

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Speaker 2: one fifty two, you can see my mic cable now

400
00:17:57,840 --> 00:18:01,480
Speaker 2: now now, nowadays, we would just you know, visual effects

401
00:18:01,520 --> 00:18:03,359
Speaker 2: are so much easier. You would just paint something like

402
00:18:03,400 --> 00:18:06,320
Speaker 2: that out. They just go in like like you know,

403
00:18:06,359 --> 00:18:08,760
Speaker 2: like Photoshop but moving video, and just paint a little

404
00:18:08,760 --> 00:18:12,080
Speaker 2: mic cable out. But back in the day, we certainly

405
00:18:12,119 --> 00:18:14,679
Speaker 2: weren't going to scrap finally making it through because he

406
00:18:14,680 --> 00:18:17,240
Speaker 2: saw a little mic cable. But you see, I gently

407
00:18:17,280 --> 00:18:19,720
Speaker 2: lift up my shirt a little bit and you can

408
00:18:19,760 --> 00:18:22,119
Speaker 2: see where the hidden mic cable is on me. So

409
00:18:22,560 --> 00:18:25,240
Speaker 2: there you go, the little Scrubs Wiki guy coming through.

410
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Speaker 2: Is this the first appearance of the Hungry Chicken at

411
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Speaker 2: two fifteen?

412
00:18:28,720 --> 00:18:31,119
Speaker 1: I think this is the only appearance of the Hungry Chicken?

413
00:18:31,440 --> 00:18:32,360
Speaker 2: No?

414
00:18:32,359 --> 00:18:33,920
Speaker 1: No, yeah, when did we do it again?

415
00:18:34,600 --> 00:18:39,159
Speaker 2: I feel like Hungry Chickens has been another episodes. Hey, Joelle,

416
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Speaker 2: have we set it up with our Scrubs Wiki guy

417
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Speaker 2: to answer questions and we ask him if he might

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Speaker 2: be down for that.

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Speaker 1: Yes, he's very down to do anything for the show.

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Speaker 1: We're planning to have him on as our fan caller,

421
00:18:50,560 --> 00:18:52,919
Speaker 1: not this week but next week and then yeah, we

422
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Speaker 1: can ask him questions.

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00:18:53,840 --> 00:18:56,520
Speaker 2: Well, let's audition him. Now, let's audition what's his name?

424
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Speaker 2: By the way, Joel, I just call him Scrubs Wiki.

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Speaker 2: What's his name?

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00:18:59,200 --> 00:19:01,879
Speaker 1: I would have to look. Okay, we're gonna so as

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00:19:01,920 --> 00:19:03,160
Speaker 1: of right now he scrubs Wiki.

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00:19:03,240 --> 00:19:06,240
Speaker 2: Okay, scrubs Wiki. Thank you for all your hard work.

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00:19:06,560 --> 00:19:09,120
Speaker 2: Is this the only time that the Hungry Chicken ever

430
00:19:09,160 --> 00:19:12,960
Speaker 2: appears in nine seasons of Scrubs? And if not, when

431
00:19:13,280 --> 00:19:18,080
Speaker 2: does it appear in other episodes? Yo? Trevor from Scrubs

432
00:19:18,080 --> 00:19:21,520
Speaker 2: Wiki here. According to our records, the episode My Student

433
00:19:21,600 --> 00:19:24,960
Speaker 2: is the only appearance of Hungry Chicken. Donald at three fourteen,

434
00:19:25,040 --> 00:19:27,920
Speaker 2: you say something like, what is this thing we're doing?

435
00:19:27,960 --> 00:19:29,320
Speaker 2: Baby girl?

436
00:19:29,640 --> 00:19:30,119
Speaker 1: So doude?

437
00:19:30,160 --> 00:19:32,439
Speaker 2: Okay, so I know we had a lot of songs,

438
00:19:32,480 --> 00:19:36,800
Speaker 2: but but this has no I do but I don't

439
00:19:36,840 --> 00:19:39,480
Speaker 2: by vaguely, but before you go into the song, what

440
00:19:39,760 --> 00:19:41,720
Speaker 2: there's no context for it in the episode at all?

441
00:19:41,840 --> 00:19:45,800
Speaker 1: No, there isn't. But this was you and I arguing

442
00:19:46,040 --> 00:19:50,119
Speaker 1: about R and B music, right, and you were like, dude,

443
00:19:50,560 --> 00:19:55,600
Speaker 1: all it is is dudes and girl dude saying baby girl,

444
00:19:56,440 --> 00:20:04,800
Speaker 1: sugar dolling baby baby girl, my loving girl meaning girl. Right.

445
00:20:04,920 --> 00:20:07,679
Speaker 1: And so when you said that, I remember laughing so

446
00:20:07,840 --> 00:20:12,240
Speaker 1: hard because they're pretty much every song that's R and B.

447
00:20:12,760 --> 00:20:15,760
Speaker 1: Keep it one hundred y'all. Baby.

448
00:20:16,200 --> 00:20:18,200
Speaker 2: Yeah, they're gonna hear girl. You're gonna hear the word baby.

449
00:20:18,240 --> 00:20:22,879
Speaker 1: Definitely, you're definitely hearing baby. You're mostly if it's a

450
00:20:22,880 --> 00:20:24,960
Speaker 1: male artist, you're most likely hearing girl.

451
00:20:25,280 --> 00:20:28,040
Speaker 2: Yeah, definitely. Well, Donald the time, you were listening to

452
00:20:28,080 --> 00:20:29,880
Speaker 2: a lot of those kind of songs, and.

453
00:20:29,960 --> 00:20:33,080
Speaker 1: I still do. I still do Trey songs. I still

454
00:20:33,080 --> 00:20:35,399
Speaker 1: listen to all of that stuff. I love him to death.

455
00:20:35,760 --> 00:20:38,240
Speaker 2: Listen. We had some great guest casts. We had DJ

456
00:20:38,400 --> 00:20:41,840
Speaker 2: Qualls remember him from uh well, the most famously road Trip.

457
00:20:42,119 --> 00:20:44,360
Speaker 1: Yes, he was from road Trip.

458
00:20:44,440 --> 00:20:46,359
Speaker 2: Yes, that was at the time. That was the most

459
00:20:46,880 --> 00:20:47,920
Speaker 2: famous thing he had done.

460
00:20:48,200 --> 00:20:50,200
Speaker 1: One of my best friends on the planet, Breck and

461
00:20:50,280 --> 00:20:51,800
Speaker 1: Meier and that movie as well.

462
00:20:51,840 --> 00:20:53,960
Speaker 2: I remember DJ Qualls told me a story when we

463
00:20:53,960 --> 00:20:56,760
Speaker 2: were shooting this episode that he had made a bunch

464
00:20:56,760 --> 00:20:59,520
Speaker 2: of money and he was working a lot and he

465
00:20:59,600 --> 00:21:02,840
Speaker 2: walked and he doesn't do credit cards at all, wanted

466
00:21:02,880 --> 00:21:05,359
Speaker 2: to just pay cash, didn't didn't mess with credit cards.

467
00:21:05,560 --> 00:21:08,239
Speaker 2: And he walked into a BMW dealership to buy a

468
00:21:08,280 --> 00:21:12,160
Speaker 2: fancy car. And he couldn't you know, a lanky, young

469
00:21:12,280 --> 00:21:14,840
Speaker 2: kid like him, he couldn't get anyone's attention they just

470
00:21:14,880 --> 00:21:17,919
Speaker 2: totally ignored him, and he was really it was like

471
00:21:17,960 --> 00:21:20,080
Speaker 2: totally the pretty woman moment where he was like, you

472
00:21:20,119 --> 00:21:24,040
Speaker 2: know what the commission Yeah, and he walked across the

473
00:21:24,040 --> 00:21:27,520
Speaker 2: street to the Mercedes dealership where someone finally gave him

474
00:21:27,520 --> 00:21:30,680
Speaker 2: attention and he bought a Mercedes with cash.

475
00:21:30,840 --> 00:21:31,199
Speaker 4: Wow.

476
00:21:32,240 --> 00:21:34,359
Speaker 1: Wow, he had it like that. He got it like that.

477
00:21:34,960 --> 00:21:36,879
Speaker 2: Yeah, he had the money like that, and he was

478
00:21:36,920 --> 00:21:39,280
Speaker 2: like and he just remembered. He was telling me the

479
00:21:39,320 --> 00:21:41,560
Speaker 2: story of his pretty woman moment where like the sale,

480
00:21:41,600 --> 00:21:43,840
Speaker 2: no salesman was even talking to him, and he was like,

481
00:21:43,920 --> 00:21:45,879
Speaker 2: fuck these people, and he walked across the street and

482
00:21:45,880 --> 00:21:49,600
Speaker 2: bought him brought up from the competitive dealership with cash.

483
00:21:49,800 --> 00:21:54,200
Speaker 2: Adriane Winner played Uh, Sarah's med student. He's the Northwestern

484
00:21:54,240 --> 00:21:56,280
Speaker 2: grad so we know that he's a good actor, and

485
00:21:56,320 --> 00:21:57,520
Speaker 2: I thought he did a great job.

486
00:21:57,600 --> 00:21:59,680
Speaker 1: He did such a great job. I remember I looked

487
00:21:59,720 --> 00:22:03,080
Speaker 1: at this. I didn't remember. You know, it's me so

488
00:22:03,119 --> 00:22:05,760
Speaker 1: I didn't remember the episode, but I thought our guest

489
00:22:05,800 --> 00:22:07,920
Speaker 1: stars were so good in this episode.

490
00:22:07,960 --> 00:22:10,480
Speaker 2: In particular, I have to say Kelly Williams, who played

491
00:22:10,520 --> 00:22:13,399
Speaker 2: Johnny Cees love interest and was part of your story.

492
00:22:13,840 --> 00:22:18,399
Speaker 1: Absolutely, she was great. Uh what show was she on

493
00:22:18,600 --> 00:22:20,960
Speaker 1: at the time, Joelle, do you know I.

494
00:22:21,000 --> 00:22:23,399
Speaker 2: Was looking up she's been on all sorts of stuff

495
00:22:23,440 --> 00:22:25,399
Speaker 2: since because I was kind of curious what she's been

496
00:22:25,440 --> 00:22:27,520
Speaker 2: up to, and I was imdbing here. But she's been

497
00:22:27,520 --> 00:22:28,480
Speaker 2: working NonStop.

498
00:22:28,760 --> 00:22:30,680
Speaker 1: Well, yeah she was, but she was on a show

499
00:22:30,720 --> 00:22:32,800
Speaker 1: I think at the time, and it was.

500
00:22:32,800 --> 00:22:35,119
Speaker 2: I don't know, you might be confusing her with a

501
00:22:35,160 --> 00:22:38,000
Speaker 2: different guest star, but in any event, she was very

502
00:22:38,000 --> 00:22:40,879
Speaker 2: good and she and Johnny were good together.

503
00:22:41,240 --> 00:22:44,760
Speaker 1: Can we talk about Turk as a wingman? Yeah, Turk

504
00:22:44,840 --> 00:22:48,840
Speaker 1: is the best wing man ever. Yeah.

505
00:22:49,040 --> 00:22:50,840
Speaker 2: You really didn't want to do it until he was like,

506
00:22:51,000 --> 00:22:55,240
Speaker 2: you idiot, I'm obsessed with your girlfriend. Helped set me

507
00:22:55,359 --> 00:22:56,200
Speaker 2: up with someone else?

508
00:22:56,600 --> 00:22:59,520
Speaker 1: Right, well, right, that was the thing he I think

509
00:22:59,560 --> 00:23:04,800
Speaker 1: Turk enjoyed the fact that, uh, doctor Cox, that Perry

510
00:23:04,840 --> 00:23:08,199
Speaker 1: Cox was in love with Carla and couldn't have Carla,

511
00:23:08,280 --> 00:23:10,199
Speaker 1: you know what I mean. I think he loved the

512
00:23:10,280 --> 00:23:14,240
Speaker 1: fact that I have something on you that you will

513
00:23:14,320 --> 00:23:16,720
Speaker 1: never get. And then when he threatens him and says,

514
00:23:16,760 --> 00:23:19,320
Speaker 1: you know, I'll be sitting here waiting, Turk knows I'm

515
00:23:19,320 --> 00:23:21,520
Speaker 1: gonna fuck up eventually. And when I fuck up, this

516
00:23:21,600 --> 00:23:22,399
Speaker 1: dude's gonna pounce.

517
00:23:22,440 --> 00:23:24,280
Speaker 2: So you don't want this guy in the wings, right,

518
00:23:24,600 --> 00:23:26,280
Speaker 2: you know when you're dating you know when you're dating

519
00:23:26,560 --> 00:23:29,760
Speaker 2: someone and uh, and this is more back in the day.

520
00:23:29,800 --> 00:23:32,800
Speaker 1: It's not really like, oh, dude, I got I got

521
00:23:32,800 --> 00:23:34,040
Speaker 1: a great story for that dude.

522
00:23:34,119 --> 00:23:36,720
Speaker 2: No, but the dude had the friend who's in the wings,

523
00:23:36,800 --> 00:23:39,040
Speaker 2: like always just sitting there, just waiting for you to

524
00:23:39,080 --> 00:23:39,520
Speaker 2: fuck up.

525
00:23:39,800 --> 00:23:43,840
Speaker 1: My dude, my friend, my friend, my friend. I dated

526
00:23:43,920 --> 00:23:47,280
Speaker 1: someone and when we broke up, I remember her calling

527
00:23:47,320 --> 00:23:49,960
Speaker 1: me like, dude, you'd be surprised at all of these

528
00:23:50,840 --> 00:23:56,320
Speaker 1: guys that you know were so tight with us as

529
00:23:56,440 --> 00:23:59,919
Speaker 1: a group, like you'd hang out with them. She's like,

530
00:24:00,040 --> 00:24:02,520
Speaker 1: you'd be surprised of who's hitting me up. I'd be like,

531
00:24:02,560 --> 00:24:04,320
Speaker 1: I don't want to know, man, it's it's you know,

532
00:24:04,640 --> 00:24:07,880
Speaker 1: we're no longer to gather, do you but holy shit?

533
00:24:08,080 --> 00:24:10,159
Speaker 2: Yeah, but you still got mad about it. That's so sketchy.

534
00:24:10,240 --> 00:24:12,560
Speaker 2: The dudes in the wings like, oh, y'all, bro come.

535
00:24:13,920 --> 00:24:15,760
Speaker 1: It's like a better off dead. I heard you broke

536
00:24:15,840 --> 00:24:17,880
Speaker 1: up with Beth If I give her a call.

537
00:24:18,160 --> 00:24:22,200
Speaker 2: Yeah, that's a great movie too.

538
00:24:22,280 --> 00:24:25,280
Speaker 1: That shit is great. When Barney he's watching The Flintstones,

539
00:24:25,320 --> 00:24:28,600
Speaker 1: and Barney's like, hey, Lloyd, I hope you I heard

540
00:24:28,600 --> 00:24:31,040
Speaker 1: you broke up with Beth. Can I ask her out?

541
00:24:32,680 --> 00:24:35,240
Speaker 2: That movie's amazing Better Off Dead? Check it out?

542
00:24:35,640 --> 00:24:37,080
Speaker 1: Better Off Dead, John Cusack?

543
00:24:37,480 --> 00:24:41,119
Speaker 2: What about at five eleven when when when Kelly's character

544
00:24:41,359 --> 00:24:43,920
Speaker 2: says to Todd that he is a lap pinky. I've

545
00:24:43,920 --> 00:24:46,119
Speaker 2: never heard the term lap pinky before.

546
00:24:46,280 --> 00:24:47,399
Speaker 1: What is a lap pinky?

547
00:24:47,680 --> 00:24:48,760
Speaker 2: A tiny penis?

548
00:24:49,160 --> 00:24:49,360
Speaker 1: Oh?

549
00:24:49,480 --> 00:24:49,600
Speaker 4: Right?

550
00:24:49,640 --> 00:24:52,160
Speaker 1: When she calls from that right with all the cheese,

551
00:24:52,280 --> 00:24:54,800
Speaker 1: she uses the word machiesmo. You said you hadn't heard

552
00:24:54,800 --> 00:24:56,520
Speaker 1: that word before. She uses it in the show.

553
00:24:56,800 --> 00:24:57,880
Speaker 2: I've heard my cheesemo.

554
00:24:58,560 --> 00:25:00,159
Speaker 1: I said it in something and you were like like

555
00:25:00,200 --> 00:25:02,080
Speaker 1: what Wow? Donald, with the much.

556
00:25:02,040 --> 00:25:04,679
Speaker 2: Is Kelly was on the practice, you were right about that,

557
00:25:04,760 --> 00:25:08,000
Speaker 2: thank you. Joe told you. Yeah, she's a very good actress,

558
00:25:08,080 --> 00:25:10,720
Speaker 2: and I thought she did a great job. Lap pinky.

559
00:25:10,760 --> 00:25:12,680
Speaker 2: I think we got to put that into our lexicon

560
00:25:12,720 --> 00:25:14,440
Speaker 2: on it because that's a nice term for having a

561
00:25:14,480 --> 00:25:16,240
Speaker 2: small penis.

562
00:25:15,920 --> 00:25:17,000
Speaker 1: A lap pinky?

563
00:25:17,359 --> 00:25:19,080
Speaker 4: Yeah, I just don't.

564
00:25:19,119 --> 00:25:20,679
Speaker 1: I don't. I don't get it.

565
00:25:20,720 --> 00:25:27,000
Speaker 2: But it's a pinky in your lap. Now you get it.

566
00:25:27,320 --> 00:25:28,440
Speaker 1: I totally get it now.

567
00:25:28,520 --> 00:25:29,600
Speaker 2: Oh it took you a second.

568
00:25:29,680 --> 00:25:31,480
Speaker 1: It took me a second. I was off a little bit.

569
00:25:31,920 --> 00:25:35,080
Speaker 1: Maybe it's the Scotch anyway, lap pinky.

570
00:25:34,960 --> 00:25:39,720
Speaker 2: Yeah, don't come around here with that lap pinky. I

571
00:25:39,720 --> 00:25:42,600
Speaker 2: don't we know, we know, we know you have a

572
00:25:42,720 --> 00:25:47,600
Speaker 2: lap baby forearm on that note. We're gonna go to break.

573
00:25:47,880 --> 00:25:56,840
Speaker 1: We'll be right back. All we do is talk about

574
00:25:56,840 --> 00:25:57,920
Speaker 1: wieners on this show.

575
00:25:57,960 --> 00:25:59,840
Speaker 2: I know, I know. I'm getting a lot of notes

576
00:25:59,840 --> 00:26:04,560
Speaker 2: from my girlfriend's mom about our willies. Oh man, she

577
00:26:04,720 --> 00:26:06,960
Speaker 2: calls it the Eel cast the eel.

578
00:26:11,720 --> 00:26:14,160
Speaker 1: All right, dude, you turned into the fucking hawk, yo.

579
00:26:14,720 --> 00:26:15,920
Speaker 1: You turned into the Hulk.

580
00:26:16,000 --> 00:26:17,919
Speaker 2: You know. I was so happy that Joel wrote in

581
00:26:17,960 --> 00:26:21,680
Speaker 2: her notes, was that really you, Zach? When you turn

582
00:26:21,720 --> 00:26:24,600
Speaker 2: to the Hulk, Joel, that is a giant stunt man

583
00:26:24,840 --> 00:26:27,240
Speaker 2: with a lot, with much bigger muscles than I could

584
00:26:27,240 --> 00:26:27,720
Speaker 2: ever grow.

585
00:26:28,080 --> 00:26:29,919
Speaker 1: I just love the fact that this is before like

586
00:26:29,960 --> 00:26:33,880
Speaker 1: all of the like Marbter movies have come out and everything,

587
00:26:33,920 --> 00:26:37,480
Speaker 1: like all the Marble stuff, and you turned into the

588
00:26:37,560 --> 00:26:41,520
Speaker 1: Hulk like back in the old Yeah, like the cheesy,

589
00:26:42,160 --> 00:26:43,159
Speaker 1: incredible cheesy.

590
00:26:43,200 --> 00:26:46,680
Speaker 2: That show is amazing. You didn't watch that show when

591
00:26:46,680 --> 00:26:47,200
Speaker 2: you were a kid.

592
00:26:47,320 --> 00:26:50,200
Speaker 1: Everybody watched the Hawk. But come on, buddy, like when

593
00:26:50,240 --> 00:26:52,240
Speaker 1: you look at the Hawk now compared to the.

594
00:26:52,720 --> 00:26:55,560
Speaker 2: But you're not putting it in the context, dude, when

595
00:26:55,640 --> 00:26:58,240
Speaker 2: we were kids, it seem hunk.

596
00:26:59,119 --> 00:27:00,479
Speaker 1: Yeah, all of those shows.

597
00:27:00,560 --> 00:27:02,480
Speaker 2: Man, No, six million dollar Man, remember that.

598
00:27:03,840 --> 00:27:06,360
Speaker 1: Yeah, but when you look at at least the motherfucker

599
00:27:06,440 --> 00:27:08,760
Speaker 1: jumped over shit in the six million dollar Man and could.

600
00:27:08,800 --> 00:27:10,919
Speaker 2: Remember that noise? Dan, can you put in that that

601
00:27:11,040 --> 00:27:17,440
Speaker 2: noise of when the six would jump. I love that show.

602
00:27:17,720 --> 00:27:20,040
Speaker 1: I did too, The six million dollar Man. We can

603
00:27:20,119 --> 00:27:21,280
Speaker 1: rebuild them, we can fix them.

604
00:27:21,359 --> 00:27:23,199
Speaker 2: We can, by the way, now nowadays it would be

605
00:27:23,200 --> 00:27:25,760
Speaker 2: like the one billion dollar Man. We have the technology,

606
00:27:25,800 --> 00:27:29,240
Speaker 2: we can't happen. Right, Oh man, you only cost six

607
00:27:29,280 --> 00:27:32,480
Speaker 2: million dollars to fucking become become a robot man.

608
00:27:32,440 --> 00:27:33,880
Speaker 1: To become a freaking cyborg.

609
00:27:34,200 --> 00:27:36,600
Speaker 2: How come no one's remade that we should remake the

610
00:27:36,640 --> 00:27:39,320
Speaker 2: six million dollars the six million dollar Man. But as

611
00:27:40,240 --> 00:27:44,119
Speaker 2: as that would be hilarious, let's do it.

612
00:27:44,200 --> 00:27:47,479
Speaker 1: The bionic Man and the bionic Woman. Oh my gosh.

613
00:27:47,560 --> 00:27:49,639
Speaker 2: Now we both get special powers.

614
00:27:49,880 --> 00:27:52,560
Speaker 1: No, no, no one of us get special powers. The

615
00:27:52,560 --> 00:27:54,399
Speaker 1: other one is the freaking dude on the computer.

616
00:27:54,680 --> 00:27:56,560
Speaker 2: Oh but I know which one of us is gonna

617
00:27:56,560 --> 00:27:57,920
Speaker 2: want to be the dude in the computer. I guess

618
00:27:58,040 --> 00:27:59,600
Speaker 2: I'm sure you will mind because you go home to

619
00:27:59,640 --> 00:28:01,240
Speaker 2: your kids out, you'll work like an hour a day,

620
00:28:01,280 --> 00:28:05,359
Speaker 2: like hour, got to do your care to be on

621
00:28:05,359 --> 00:28:07,760
Speaker 2: the set at the computer, being like I'm enhancing the picture,

622
00:28:08,000 --> 00:28:09,960
Speaker 2: I'm moving in. Yeah, he's got a bomb in his

623
00:28:10,119 --> 00:28:11,600
Speaker 2: left pocket. And then you just go.

624
00:28:11,600 --> 00:28:13,920
Speaker 1: Home one day, work day of work, and then I'm.

625
00:28:13,840 --> 00:28:16,520
Speaker 2: Out there fucking sixteen hours a day doing fucking leaps

626
00:28:16,520 --> 00:28:18,160
Speaker 2: over buildings. I love it.

627
00:28:18,760 --> 00:28:20,679
Speaker 1: I think this is a great idea. I think this

628
00:28:20,720 --> 00:28:21,560
Speaker 1: is a show we should make.

629
00:28:21,560 --> 00:28:23,679
Speaker 2: All right, Well, if you're a producer out there in

630
00:28:23,720 --> 00:28:26,320
Speaker 2: Hollywood and you want to make a six million dollars

631
00:28:26,440 --> 00:28:27,679
Speaker 2: NCV show, It's Dollard night.

632
00:28:27,720 --> 00:28:28,160
Speaker 4: We're ready.

633
00:28:28,200 --> 00:28:30,040
Speaker 1: No, not a TV show, a movie, the movie.

634
00:28:30,240 --> 00:28:30,320
Speaker 4: No.

635
00:28:30,440 --> 00:28:32,760
Speaker 2: I think it should be streaming on Netflix.

636
00:28:32,560 --> 00:28:33,320
Speaker 1: Oh my gosh.

637
00:28:33,320 --> 00:28:36,320
Speaker 2: And it should just be like super silly, like like

638
00:28:36,400 --> 00:28:38,720
Speaker 2: my the powers they gave me only work sometimes.

639
00:28:40,520 --> 00:28:42,000
Speaker 1: Do you remember the greatest American hero?

640
00:28:42,240 --> 00:28:44,640
Speaker 2: My powers are faulty? Yeah? I heard they were remaking that.

641
00:28:44,720 --> 00:28:46,400
Speaker 1: Of course I don't know what happened with it, but

642
00:28:46,400 --> 00:28:46,800
Speaker 1: I heard they.

643
00:28:46,760 --> 00:28:49,280
Speaker 2: Were greatest theme song ever, believe it or not.

644
00:28:49,280 --> 00:28:52,800
Speaker 1: Not walking on there. I never thought I could feel

645
00:28:52,920 --> 00:28:58,080
Speaker 1: so free, flying away on a wind and a prayer.

646
00:28:58,680 --> 00:29:00,360
Speaker 2: Who could be.

647
00:29:02,080 --> 00:29:03,800
Speaker 1: Believe it or not, it's just.

648
00:29:05,600 --> 00:29:06,040
Speaker 4: Dud.

649
00:29:09,760 --> 00:29:11,080
Speaker 2: Now you're trying to say you don't. You're trying to

650
00:29:11,080 --> 00:29:13,120
Speaker 2: say that show doesn't hold up anymore. That was magic.

651
00:29:13,360 --> 00:29:15,760
Speaker 1: It really does not hold up anymore. If you watch

652
00:29:15,800 --> 00:29:18,000
Speaker 1: that show, you'll be like, oh my gosh.

653
00:29:17,760 --> 00:29:21,480
Speaker 2: What about eighteen. I mean, no one ever got shot.

654
00:29:21,680 --> 00:29:23,960
Speaker 2: They're all firing ak forty sevens at each other and

655
00:29:24,000 --> 00:29:24,840
Speaker 2: no one ever gets hurt.

656
00:29:25,160 --> 00:29:26,880
Speaker 1: That's one thing we could say about our show. At

657
00:29:26,960 --> 00:29:28,560
Speaker 1: least people died on our show.

658
00:29:30,440 --> 00:29:40,760
Speaker 2: When they would do the and then they do the

659
00:29:40,760 --> 00:29:42,560
Speaker 2: sequence where they built shit, and I would be like, oh,

660
00:29:42,560 --> 00:29:43,240
Speaker 2: what are they building?

661
00:29:45,120 --> 00:29:47,000
Speaker 1: Dun dun dun du.

662
00:29:49,320 --> 00:29:57,400
Speaker 2: Dun d d be a baraka be a barakas. It

663
00:29:57,560 --> 00:29:59,959
Speaker 2: was barakas. Remember he couldn't fly, they'd have to doe.

664
00:30:00,600 --> 00:30:02,920
Speaker 1: Yeah, Hannibal ain't getting on the plane.

665
00:30:04,760 --> 00:30:06,560
Speaker 2: You know what's so funny about that? It's so fucked up.

666
00:30:06,600 --> 00:30:08,640
Speaker 2: They would like they would drug his ass so that

667
00:30:08,680 --> 00:30:09,160
Speaker 2: he would fly.

668
00:30:09,600 --> 00:30:11,840
Speaker 1: Yeah, and he fell for it every time.

669
00:30:11,840 --> 00:30:13,720
Speaker 2: Every time they'd be like, here sip this, mister t.

670
00:30:15,920 --> 00:30:17,480
Speaker 1: What is in this strange concoxing?

671
00:30:17,680 --> 00:30:18,920
Speaker 2: What did you put in my banana?

672
00:30:19,440 --> 00:30:19,600
Speaker 4: Right?

673
00:30:20,000 --> 00:30:23,280
Speaker 1: I'm gonna eat a banana right now. I hate you, Hannibal.

674
00:30:25,560 --> 00:30:29,240
Speaker 2: Damn you, Hannibal. You put that secret flying juice on

675
00:30:29,280 --> 00:30:29,800
Speaker 2: my banana.

676
00:30:36,160 --> 00:30:37,840
Speaker 1: But you turned into the incredible Hulk.

677
00:30:38,840 --> 00:30:41,920
Speaker 2: Oh man, I'm sad to you know, Marvel, you're all

678
00:30:41,960 --> 00:30:44,600
Speaker 2: those Marvel movies you love. They fucked up our childhood classics.

679
00:30:44,640 --> 00:30:46,400
Speaker 2: Like now everyone looks at the Hulk TV show and

680
00:30:46,440 --> 00:30:48,360
Speaker 2: they said that sucks. I thought it was a masterpiece.

681
00:30:49,360 --> 00:30:51,000
Speaker 1: Okay, you should go back and watch it. I know

682
00:30:51,080 --> 00:30:54,960
Speaker 1: I probably should try Aloma Olama very So you turn

683
00:30:55,040 --> 00:30:57,720
Speaker 1: into the Hawk and then Aloma you're like, you say

684
00:30:57,760 --> 00:31:00,280
Speaker 1: to her, you say to her something like he was horrible.

685
00:31:00,360 --> 00:31:02,880
Speaker 1: I I you know, I'm sorry, and she goes, you

686
00:31:02,880 --> 00:31:06,040
Speaker 1: don't got to apologize to me, but you will have

687
00:31:06,160 --> 00:31:07,640
Speaker 1: to apologize to Jesus.

688
00:31:07,960 --> 00:31:12,880
Speaker 2: Yeah, hilarious. Whenever Aloma did her her church going woman

689
00:31:13,360 --> 00:31:15,280
Speaker 2: preachy stuff, she was so funny.

690
00:31:15,680 --> 00:31:18,520
Speaker 1: Always, always, She's one of those.

691
00:31:18,400 --> 00:31:20,360
Speaker 2: People that just could sell the shit out of any

692
00:31:20,480 --> 00:31:21,560
Speaker 2: line that was hilarious.

693
00:31:21,840 --> 00:31:24,280
Speaker 1: You will watch to apologize to Jesus if you watch

694
00:31:24,360 --> 00:31:27,120
Speaker 1: this episode, every one of her lines is a punchline,

695
00:31:27,280 --> 00:31:27,880
Speaker 1: you know what I mean.

696
00:31:28,200 --> 00:31:30,600
Speaker 2: Yeah, and she's always they're always dried by, she's always

697
00:31:30,600 --> 00:31:31,160
Speaker 2: walking by.

698
00:31:31,720 --> 00:31:34,200
Speaker 1: Every one of them. Yeah, she crushes it every time.

699
00:31:35,080 --> 00:31:38,080
Speaker 1: And what about we need to get her on the show.

700
00:31:38,120 --> 00:31:40,560
Speaker 2: Oh we should, Well, we'll bit full up with guests.

701
00:31:40,600 --> 00:31:43,840
Speaker 2: But season two, Aloma, right here we go. Joelle put

702
00:31:43,880 --> 00:31:47,600
Speaker 2: it in the notes, please you pull out your booty

703
00:31:47,680 --> 00:31:48,600
Speaker 2: at twelve forty eight.

704
00:31:49,600 --> 00:31:49,800
Speaker 4: I do.

705
00:31:50,240 --> 00:31:53,040
Speaker 1: And it's to show what what is it to show?

706
00:31:53,400 --> 00:31:56,080
Speaker 1: It's to show you what they love, you know what

707
00:31:56,120 --> 00:31:56,320
Speaker 1: I mean.

708
00:31:56,800 --> 00:31:59,000
Speaker 2: So what you're saying and with Turk and you are

709
00:31:59,040 --> 00:32:02,920
Speaker 2: both saying, is when all else fails, you just do

710
00:32:03,200 --> 00:32:06,280
Speaker 2: the slow sag down and the woman see your juicy

711
00:32:06,840 --> 00:32:10,840
Speaker 2: shelf butt. Yeah, and they're sold. They're sold.

712
00:32:11,040 --> 00:32:14,920
Speaker 1: I'm gonna tell you something right now. Yeah, women aren't

713
00:32:14,960 --> 00:32:17,480
Speaker 1: the only ones that can have a nice booty.

714
00:32:17,800 --> 00:32:19,320
Speaker 2: Okay, right, yeah, go ahead.

715
00:32:19,760 --> 00:32:21,120
Speaker 1: That's for real, for real.

716
00:32:21,400 --> 00:32:23,520
Speaker 2: So are you feeling yourself when it comes to you?

717
00:32:23,600 --> 00:32:25,240
Speaker 2: Like when you're in the mirror and you check yourself out,

718
00:32:25,280 --> 00:32:26,800
Speaker 2: You're like, look at my ass.

719
00:32:27,080 --> 00:32:28,840
Speaker 1: No, it's a different ass. Now, it's got a lot

720
00:32:28,880 --> 00:32:30,600
Speaker 1: of it's got a lot of wrinkles and sell.

721
00:32:30,480 --> 00:32:33,800
Speaker 2: You like, oh, now, maybe you should do some squats.

722
00:32:34,840 --> 00:32:36,760
Speaker 1: Squat a lot. It doesn't look like it did when

723
00:32:36,800 --> 00:32:39,080
Speaker 1: I was twenty six when we made this show list.

724
00:32:39,160 --> 00:32:40,920
Speaker 2: We could do lunges. You could do lunges.

725
00:32:41,320 --> 00:32:42,440
Speaker 1: I do all of that, Zach.

726
00:32:42,520 --> 00:32:44,520
Speaker 2: Though, there's no reason why a forty six year old

727
00:32:44,600 --> 00:32:46,120
Speaker 2: man can't have a tight ass.

728
00:32:46,160 --> 00:32:48,560
Speaker 1: I'm gonna explain something to you right now.

729
00:32:48,840 --> 00:32:51,120
Speaker 2: Don't blame it on your age. Joel's falling off her chair,

730
00:32:51,640 --> 00:32:54,360
Speaker 2: that is. That is not an excuse for you. Man.

731
00:32:54,400 --> 00:32:55,160
Speaker 2: You can do lunges.

732
00:32:55,600 --> 00:32:58,600
Speaker 1: I'm gonna explain something to you right now. With age

733
00:32:58,840 --> 00:33:01,720
Speaker 1: comes sag, and you can work out as much.

734
00:33:01,600 --> 00:33:04,320
Speaker 2: As you look at Johnny C the other day on Zoom.

735
00:33:04,480 --> 00:33:06,240
Speaker 1: You don't think Johnny C got a little bit of

736
00:33:06,280 --> 00:33:06,800
Speaker 1: sag in him?

737
00:33:06,880 --> 00:33:10,440
Speaker 2: No, I bet you he's tight as fucking hell. Mutton,

738
00:33:10,760 --> 00:33:15,240
Speaker 2: it looks like Mutton bounce a quarter off his abs. Yeah, Mutton.

739
00:33:15,320 --> 00:33:16,840
Speaker 1: I think that was a firm like Mutton.

740
00:33:16,920 --> 00:33:19,080
Speaker 4: That was that was That was me.

741
00:33:19,320 --> 00:33:21,400
Speaker 2: I don't even know if Mutton's ferm It just sounded funny.

742
00:33:21,720 --> 00:33:24,320
Speaker 1: I think Mutton is like supposed to be like very tender.

743
00:33:24,720 --> 00:33:25,960
Speaker 2: What is mutton? It's lamb.

744
00:33:26,280 --> 00:33:28,479
Speaker 1: Yeah, it's lamb. I think it's supposed to be very

745
00:33:28,640 --> 00:33:32,560
Speaker 1: very tender when it's tender, but to go it's firm

746
00:33:32,680 --> 00:33:33,360
Speaker 1: like mutton.

747
00:33:33,520 --> 00:33:36,760
Speaker 2: It just sounded funny. I think I stoled it from

748
00:33:37,880 --> 00:33:41,160
Speaker 2: Princess Briding. Is when the mutton is lean, you remember.

749
00:33:40,920 --> 00:33:46,680
Speaker 1: That Crystal Crystal something except for like a mutton lettuce

750
00:33:46,720 --> 00:33:47,560
Speaker 1: and tomato sandwich.

751
00:33:47,680 --> 00:33:48,720
Speaker 2: When the mutton is lean.

752
00:33:50,880 --> 00:33:52,320
Speaker 1: Do you remember meeting Billy Crystal?

753
00:33:53,600 --> 00:33:53,760
Speaker 6: Uh?

754
00:33:54,360 --> 00:33:58,560
Speaker 1: Yeah, where and were on a plane and we were traveling.

755
00:33:58,600 --> 00:34:02,120
Speaker 1: It was me, you can. I don't know where we

756
00:34:02,200 --> 00:34:03,600
Speaker 1: were going, but we were on a plane and we

757
00:34:03,640 --> 00:34:06,720
Speaker 1: sat with Billy Crystal the whole trip. And then we

758
00:34:06,800 --> 00:34:08,200
Speaker 1: saw him at the hotel too.

759
00:34:08,480 --> 00:34:11,320
Speaker 2: Did we bother him? I think it was. It was Hawaii, know,

760
00:34:11,440 --> 00:34:11,880
Speaker 2: it had to.

761
00:34:11,880 --> 00:34:14,400
Speaker 1: Be Hawaii, and we were all. He was just as

762
00:34:14,480 --> 00:34:16,520
Speaker 1: much into us as we were into him. He was

763
00:34:16,640 --> 00:34:19,120
Speaker 1: very much into you and you were very much into him.

764
00:34:19,280 --> 00:34:19,440
Speaker 4: Yeah.

765
00:34:19,480 --> 00:34:22,080
Speaker 2: He was very complimentary of me, and that made me

766
00:34:22,120 --> 00:34:24,719
Speaker 2: feel good because I love him and I grew up

767
00:34:24,880 --> 00:34:28,280
Speaker 2: on him like we all did. And uh yeah, Mutton

768
00:34:28,400 --> 00:34:29,319
Speaker 2: from Princess.

769
00:34:29,000 --> 00:34:30,880
Speaker 1: Brian Mutton from Princess Bride.

770
00:34:30,800 --> 00:34:33,960
Speaker 2: When the mutton is have fun, how fun? Storm the castle?

771
00:34:34,280 --> 00:34:34,720
Speaker 1: The castle?

772
00:34:34,880 --> 00:34:35,640
Speaker 2: You think it'll work?

773
00:34:35,760 --> 00:34:41,440
Speaker 7: It would take a miracle, right, he said, too Blade,

774
00:34:42,719 --> 00:34:46,360
Speaker 7: which we all know is true love liar.

775
00:34:47,239 --> 00:34:47,759
Speaker 1: Great movie.

776
00:34:47,880 --> 00:34:53,279
Speaker 2: Speaking of crushes, Robin Wright in that movie was just

777
00:34:53,360 --> 00:34:55,200
Speaker 2: about the most beautiful woman I've ever seen.

778
00:34:55,680 --> 00:34:58,520
Speaker 1: Yes, I love that movie. That's one of my favorite.

779
00:34:58,640 --> 00:35:00,360
Speaker 1: I used to watch that movie all the time. I

780
00:35:00,400 --> 00:35:04,239
Speaker 1: remember introducing it to my friends in the neighborhood who

781
00:35:04,360 --> 00:35:06,319
Speaker 1: didn't see the movie and being like, you guys, haven't

782
00:35:06,320 --> 00:35:08,960
Speaker 1: seen The Princess Bride. I remember having a movie night

783
00:35:09,120 --> 00:35:12,640
Speaker 1: at my house just so my friends who had never

784
00:35:12,760 --> 00:35:15,240
Speaker 1: been introduced to The Princess Bride could watch The Princess

785
00:35:15,320 --> 00:35:20,680
Speaker 1: Bride and we watched it on VHS, obviously in my room,

786
00:35:20,760 --> 00:35:24,080
Speaker 1: and I remember getting just such joy out of watching

787
00:35:24,160 --> 00:35:27,320
Speaker 1: my friends laugh so hard at something that was like

788
00:35:28,000 --> 00:35:29,919
Speaker 1: it was, It wasn't something that they would have gone

789
00:35:29,960 --> 00:35:31,279
Speaker 1: to see normally, you know, right.

790
00:35:31,680 --> 00:35:33,239
Speaker 2: Did you think you did that more often because you

791
00:35:33,320 --> 00:35:36,080
Speaker 2: were dialed into all the theater world where you were

792
00:35:36,120 --> 00:35:38,239
Speaker 2: there other times where you were introducing your friend group

793
00:35:38,320 --> 00:35:39,680
Speaker 2: to movies they might not have seen.

794
00:35:40,640 --> 00:35:43,520
Speaker 1: Yeah, that happened a lot. Actually, you know some of

795
00:35:43,600 --> 00:35:45,319
Speaker 1: the movie. You know, I grew up with a bunch

796
00:35:45,360 --> 00:35:47,800
Speaker 1: of people who loved movies, though too so some of

797
00:35:47,880 --> 00:35:51,759
Speaker 1: the movies that I was introduced to, you know, at

798
00:35:51,760 --> 00:35:54,400
Speaker 1: a young age, like a lot of the horror movies

799
00:35:54,520 --> 00:35:56,239
Speaker 1: and stuff like. I had a lot of friends who

800
00:35:56,360 --> 00:35:58,480
Speaker 1: loved horror movies growing up, and I have an appreciation

801
00:35:58,640 --> 00:36:00,920
Speaker 1: for them. I don't watch them, but things like A

802
00:36:01,040 --> 00:36:03,920
Speaker 1: Nightmare on elm Street I would have never seen if

803
00:36:03,960 --> 00:36:06,480
Speaker 1: it wasn't for Jessica Mercado, you know what I mean. Like,

804
00:36:06,840 --> 00:36:08,839
Speaker 1: and you know Jessica, you've met her a couple of times.

805
00:36:09,120 --> 00:36:11,280
Speaker 1: If it wasn't for her, a lot of the horror

806
00:36:11,400 --> 00:36:14,839
Speaker 1: movies that I that I watch now when I don't

807
00:36:14,840 --> 00:36:17,080
Speaker 1: watch them, but that I watched as a youth, I

808
00:36:17,120 --> 00:36:18,719
Speaker 1: would have never seen them, and I would have never

809
00:36:18,880 --> 00:36:21,880
Speaker 1: known about that genre like the way I know it now.

810
00:36:23,160 --> 00:36:26,880
Speaker 2: And I was thinking just randomly, my father. Back when

811
00:36:27,040 --> 00:36:30,160
Speaker 2: before I was introduced to the world of independent cinema,

812
00:36:30,200 --> 00:36:33,120
Speaker 2: I didn't know that there were movies that didn't come

813
00:36:33,200 --> 00:36:36,400
Speaker 2: to every theater. And a movie came out called The

814
00:36:36,440 --> 00:36:40,920
Speaker 2: Gods Must Be Crazy, Remember the Masterpiece and this did

815
00:36:41,000 --> 00:36:43,920
Speaker 2: not come to you know, South Orange, New Jersey, and

816
00:36:44,000 --> 00:36:46,160
Speaker 2: my father said, we're gonna go into New York to

817
00:36:46,239 --> 00:36:48,120
Speaker 2: see a movie. And I was like, why are we

818
00:36:48,160 --> 00:36:50,040
Speaker 2: going to New York to see a movie? And he said, well,

819
00:36:50,080 --> 00:36:51,719
Speaker 2: not all movies come to our town, and there's a

820
00:36:51,760 --> 00:36:53,480
Speaker 2: movie that everyone's talking about we're gonna go see. So

821
00:36:53,520 --> 00:36:56,040
Speaker 2: he took me a little independent cinema in Manhattan and

822
00:36:56,200 --> 00:36:59,319
Speaker 2: we saw that movie, which I believe was a South

823
00:36:59,320 --> 00:37:00,160
Speaker 2: African movie.

824
00:37:00,520 --> 00:37:02,919
Speaker 1: Where the coke bottle fall falls from the sky.

825
00:37:03,200 --> 00:37:06,359
Speaker 2: Yeah. Yeah, And it was one of the funniest, most

826
00:37:06,400 --> 00:37:10,560
Speaker 2: brilliant movies I'd ever seen, and it was it'steroally good

827
00:37:10,600 --> 00:37:15,120
Speaker 2: memory of my father introducing me to an early version

828
00:37:15,200 --> 00:37:16,520
Speaker 2: of independent cinema.

829
00:37:16,840 --> 00:37:18,759
Speaker 1: Did you ever see a Brother from Another Planet? The

830
00:37:18,840 --> 00:37:21,560
Speaker 1: Brother from Another Planet? Oh No, if you ever get

831
00:37:21,600 --> 00:37:22,600
Speaker 1: a chance, go see that one.

832
00:37:22,600 --> 00:37:25,080
Speaker 2: That's what we're giving. We're giving our listeners quite a

833
00:37:25,280 --> 00:37:27,800
Speaker 2: good list of movies this this this podcast.

834
00:37:28,000 --> 00:37:30,239
Speaker 1: There's some good ones out there, guys. Listen. If you

835
00:37:30,320 --> 00:37:32,720
Speaker 1: get a chance, go see a Brother from Another Planet.

836
00:37:32,760 --> 00:37:36,400
Speaker 1: It stars Joe Morton, Okay, and he literally is a

837
00:37:36,520 --> 00:37:39,359
Speaker 1: Brother from another planet, The Brother from another Planet.

838
00:37:39,440 --> 00:37:39,920
Speaker 4: And what.

839
00:37:40,040 --> 00:37:42,080
Speaker 1: I remember one scene when I was a kid, so

840
00:37:42,280 --> 00:37:46,279
Speaker 1: before Harlem was gentrified, which is very much now. You know,

841
00:37:46,800 --> 00:37:48,440
Speaker 1: all the white people used to get off at ninety

842
00:37:48,480 --> 00:37:50,920
Speaker 1: sixth Street if you were on the train, right, no

843
00:37:51,040 --> 00:37:52,759
Speaker 1: matter what line you were on, if there was a

844
00:37:52,880 --> 00:37:55,359
Speaker 1: ninety sixth Street stop, all the white people would get

845
00:37:55,360 --> 00:37:56,880
Speaker 1: off because after that you were in Harlem.

846
00:37:57,000 --> 00:37:57,120
Speaker 4: Right.

847
00:37:57,440 --> 00:38:00,560
Speaker 1: So there's this dude it off right, There's this dude

848
00:38:00,640 --> 00:38:03,120
Speaker 1: on the train doing like tricks or something like that,

849
00:38:03,280 --> 00:38:06,160
Speaker 1: doing magic, and the brother from another planet. He doesn't

850
00:38:06,200 --> 00:38:08,719
Speaker 1: speak that much, you know, he doesn't speak English or

851
00:38:08,760 --> 00:38:10,600
Speaker 1: anything like that. You know, when people ask him where

852
00:38:10,600 --> 00:38:13,239
Speaker 1: he came from, he just points to the sky. And

853
00:38:13,360 --> 00:38:15,440
Speaker 1: so the dude's trying to do all these tricks and

854
00:38:15,520 --> 00:38:19,080
Speaker 1: the brother's just not feeling it. And then finally he goes.

855
00:38:19,600 --> 00:38:21,920
Speaker 1: You know, you hear the conductor say next stop, ninety

856
00:38:21,960 --> 00:38:24,439
Speaker 1: sixth street, and the white guy says to the brother,

857
00:38:24,560 --> 00:38:26,279
Speaker 1: he goes, you want to see me make all the

858
00:38:26,320 --> 00:38:31,319
Speaker 1: white people disappear, and everyone gets off at nineties. All

859
00:38:31,320 --> 00:38:33,279
Speaker 1: the white people get off at ninety sixth Street. And

860
00:38:33,360 --> 00:38:35,800
Speaker 1: I remember as a kid, I used to I remember

861
00:38:36,160 --> 00:38:39,080
Speaker 1: getting on the train and getting I was very young

862
00:38:39,120 --> 00:38:41,960
Speaker 1: when the movie came out, and at ninety sixth Street.

863
00:38:42,280 --> 00:38:44,799
Speaker 1: If you were going downtown, all the white people got

864
00:38:44,880 --> 00:38:47,480
Speaker 1: on at ninety sixth Street. If you were going uptown,

865
00:38:47,840 --> 00:38:50,080
Speaker 1: all the white people got off at ninety sixth Street.

866
00:38:50,120 --> 00:38:52,719
Speaker 1: I remember this very much as a youth man. Wow,

867
00:38:53,120 --> 00:38:55,839
Speaker 1: so crazy, Johnny joke.

868
00:38:56,160 --> 00:38:56,800
Speaker 4: I gotta see that.

869
00:38:57,320 --> 00:38:59,239
Speaker 2: You've just sold it to me. Donald, I'm watching it

870
00:38:59,400 --> 00:38:59,840
Speaker 2: if you get it.

871
00:39:00,400 --> 00:39:01,840
Speaker 1: Joe Morton brother from another planet.

872
00:39:02,120 --> 00:39:04,000
Speaker 2: I was laughing at thirteen fifty and then in the

873
00:39:04,040 --> 00:39:07,080
Speaker 2: fantasy where I'm teaching DJ Qualls to ride a bike,

874
00:39:07,600 --> 00:39:12,000
Speaker 2: because I was laughing, going, I'm spoofing me at the

875
00:39:12,120 --> 00:39:16,200
Speaker 2: age I am now right right, that character I'm playing

876
00:39:16,320 --> 00:39:18,279
Speaker 2: is probably like a forty five year old dad, like

877
00:39:18,400 --> 00:39:18,920
Speaker 2: you got.

878
00:39:18,880 --> 00:39:23,120
Speaker 1: This right, pushing his kid along. It's also it also

879
00:39:23,320 --> 00:39:28,040
Speaker 1: goes back to now you're doctor Cox, and it goes

880
00:39:28,080 --> 00:39:30,239
Speaker 1: to the grainy shot of you teaching the kid how

881
00:39:30,280 --> 00:39:32,239
Speaker 1: to ride a bike, where he's teaching you how to

882
00:39:32,320 --> 00:39:34,800
Speaker 1: throw a baseball. Yeah, then we do that one, you

883
00:39:34,840 --> 00:39:38,240
Speaker 1: know what I mean early on, so it's full circle

884
00:39:38,360 --> 00:39:38,560
Speaker 1: we do.

885
00:39:38,760 --> 00:39:41,040
Speaker 2: Yeah, you know, I'm trying to be Cox. I summon

886
00:39:41,160 --> 00:39:43,239
Speaker 2: my inner doctor Cox in this episode so much so

887
00:39:43,360 --> 00:39:46,239
Speaker 2: that we mirror the pilot where I where he fought.

888
00:39:46,320 --> 00:39:49,520
Speaker 2: DJ's character finally has a moment of success and I go,

889
00:39:50,440 --> 00:39:52,319
Speaker 2: I cheer him on, and then he leaves. And then

890
00:39:52,800 --> 00:39:54,600
Speaker 2: and then Judy says, go ahead, and I put my

891
00:39:54,760 --> 00:39:57,160
Speaker 2: arms up in celebration, just like the pilot.

892
00:39:57,280 --> 00:39:58,680
Speaker 1: Right, and then You're like, can you fix that for

893
00:39:58,800 --> 00:39:59,359
Speaker 1: me while I'm gone.

894
00:39:59,560 --> 00:40:01,840
Speaker 2: Yeah, that's funny. I gave him a pep talk and

895
00:40:01,880 --> 00:40:02,880
Speaker 2: then he still fucked it up.

896
00:40:05,040 --> 00:40:07,000
Speaker 1: He never comes back. That's what's crazy. He never came

897
00:40:07,080 --> 00:40:08,200
Speaker 1: back after this episode.

898
00:40:08,520 --> 00:40:11,560
Speaker 2: We none of them do other than other than the

899
00:40:11,640 --> 00:40:15,160
Speaker 2: love interest then Kelly the love interest. None of these

900
00:40:15,440 --> 00:40:18,600
Speaker 2: characters came back. Yeah, I think DJ calls it them.

901
00:40:18,640 --> 00:40:20,919
Speaker 2: At the time, you know, his career was on fire

902
00:40:20,960 --> 00:40:22,880
Speaker 2: and he was just kind of coming by to do

903
00:40:23,280 --> 00:40:24,480
Speaker 2: a quick guest star role.

904
00:40:24,960 --> 00:40:25,160
Speaker 1: Yeah.

905
00:40:26,840 --> 00:40:31,680
Speaker 2: Then you convinced Johnny C to show his ass, right, and.

906
00:40:32,960 --> 00:40:34,799
Speaker 1: John C has a nice ass. I'm not gonna lie,

907
00:40:34,880 --> 00:40:36,640
Speaker 1: but it just didn't fit the character.

908
00:40:37,080 --> 00:40:38,480
Speaker 2: So you like Johnny C's ass.

909
00:40:38,560 --> 00:40:38,719
Speaker 4: Though.

910
00:40:39,040 --> 00:40:40,960
Speaker 1: It's not that I like Johnny C's ass, It's just

911
00:40:41,000 --> 00:40:43,759
Speaker 1: that you know, when you work out that much, right,

912
00:40:44,239 --> 00:40:46,320
Speaker 1: I mean, you could bounce it. You could. John C

913
00:40:46,480 --> 00:40:48,279
Speaker 1: used to say that shit, you could bounce a quarter

914
00:40:48,400 --> 00:40:48,919
Speaker 1: off his ass.

915
00:40:49,200 --> 00:40:51,120
Speaker 2: You know that, you know that Johnny C is not

916
00:40:51,200 --> 00:40:53,600
Speaker 2: the kind of guy who skips leg an ass day.

917
00:40:54,360 --> 00:40:56,560
Speaker 1: Hell no, you know he doesn't. You know for a

918
00:40:56,640 --> 00:40:58,879
Speaker 1: fact he does, right, he got this look.

919
00:40:58,960 --> 00:40:59,120
Speaker 4: Man.

920
00:40:59,440 --> 00:41:01,880
Speaker 1: When I started getting serious about working out, I remember

921
00:41:02,360 --> 00:41:04,680
Speaker 1: getting a text or call from Johnny C. I was

922
00:41:05,080 --> 00:41:08,000
Speaker 1: doing the Santa Monica stairs and I guess he drove

923
00:41:08,080 --> 00:41:13,480
Speaker 1: by because uh Santa Monica and uh Malibu are very

924
00:41:13,520 --> 00:41:17,760
Speaker 1: close to each other. And I remember getting the call, Donald,

925
00:41:18,560 --> 00:41:21,279
Speaker 1: have you taken your workout to the next level? Did

926
00:41:21,360 --> 00:41:24,359
Speaker 1: I just drive by the Santa Monica stairs and see

927
00:41:24,440 --> 00:41:27,759
Speaker 1: you going up the Santa Monica stairs. I'm very proud

928
00:41:27,800 --> 00:41:30,400
Speaker 1: of you, Donald, I'm very very proud of you. You

929
00:41:30,480 --> 00:41:32,880
Speaker 1: gotta work the legs. You gotta work the legs.

930
00:41:33,120 --> 00:41:35,960
Speaker 2: But Johnny C told me that he listens to our

931
00:41:36,080 --> 00:41:39,480
Speaker 2: podcast as he's working out Tuesday and Thursday morning. So Johnny,

932
00:41:39,480 --> 00:41:42,600
Speaker 2: if you're listening to this, don't skip those squads, buddy,

933
00:41:42,719 --> 00:41:45,400
Speaker 2: keep you No, he doesn't keep going as keep that

934
00:41:45,520 --> 00:41:47,680
Speaker 2: ass firm, Johnny, do a couple more reps.

935
00:41:47,880 --> 00:41:49,200
Speaker 1: You could bounce a quarter off of it.

936
00:41:49,400 --> 00:41:51,360
Speaker 2: Yeah, can you still bounce a quarter of Johnny? Or

937
00:41:51,440 --> 00:41:52,520
Speaker 2: is it now just a penny?

938
00:41:54,080 --> 00:41:54,400
Speaker 1: Solely?

939
00:41:54,440 --> 00:41:55,680
Speaker 2: A penny will bounce.

940
00:41:59,440 --> 00:42:02,800
Speaker 1: Alsoss. When I saw the pants drop, I thought clueless

941
00:42:02,840 --> 00:42:03,200
Speaker 1: right away.

942
00:42:04,400 --> 00:42:06,200
Speaker 2: What is it with the pants load thing?

943
00:42:06,840 --> 00:42:09,400
Speaker 1: Okay, so this is where it's a cultural thing. So

944
00:42:10,280 --> 00:42:12,799
Speaker 1: in prison, they don't give you a belt, they don't

945
00:42:12,840 --> 00:42:15,239
Speaker 1: give you shoelaces because they're afraid that people will hang

946
00:42:15,320 --> 00:42:18,440
Speaker 1: themselves in their cells and stuff like that or use

947
00:42:18,480 --> 00:42:21,439
Speaker 1: it as a weapon. Right, So you have a bunch

948
00:42:21,480 --> 00:42:25,320
Speaker 1: of people in prison walking around with their pants sagging

949
00:42:25,680 --> 00:42:29,000
Speaker 1: and their shoes not necessarily you know, flipping flip flopping

950
00:42:29,040 --> 00:42:34,120
Speaker 1: off their feet. So when we did Clueless, this had

951
00:42:34,160 --> 00:42:37,360
Speaker 1: been become a fashion statement in the inner city. So

952
00:42:37,560 --> 00:42:40,719
Speaker 1: like a lot of youth in the inner city were

953
00:42:40,800 --> 00:42:44,560
Speaker 1: wearing their pants sagging, just copying what they saw from

954
00:42:44,600 --> 00:42:45,400
Speaker 1: the ogs, you know.

955
00:42:45,400 --> 00:42:45,759
Speaker 4: What I mean.

956
00:42:46,719 --> 00:42:51,399
Speaker 1: And so this became this became a thing, and uh did.

957
00:42:51,680 --> 00:42:53,640
Speaker 2: Yeah, I think the FAD's gone away, right or no,

958
00:42:53,960 --> 00:42:55,680
Speaker 2: do you still still see people doing it?

959
00:42:55,920 --> 00:42:57,759
Speaker 1: Well, I'm an adult now, I still see it. I'm

960
00:42:57,760 --> 00:42:59,920
Speaker 1: an adult now, I'm a grown man now. So I

961
00:43:00,000 --> 00:43:01,920
Speaker 1: I prefer if you were to pick, I don't want

962
00:43:01,920 --> 00:43:04,520
Speaker 1: to see your underwear. But when I was a youth,

963
00:43:05,040 --> 00:43:06,880
Speaker 1: I was like, oh shit, this you know this is

964
00:43:07,560 --> 00:43:08,880
Speaker 1: I did it all the time.

965
00:43:08,719 --> 00:43:11,160
Speaker 2: So I know from an adult point of view though,

966
00:43:11,520 --> 00:43:13,480
Speaker 2: it's a pretty ridiculous style.

967
00:43:14,440 --> 00:43:16,600
Speaker 1: Absolutely, But you have to be an adult to be like,

968
00:43:16,719 --> 00:43:18,640
Speaker 1: I don't like that style, of course, But a kid,

969
00:43:18,719 --> 00:43:20,560
Speaker 1: you're like, look at all the OG's did it?

970
00:43:20,640 --> 00:43:21,160
Speaker 4: You know what I mean?

971
00:43:23,400 --> 00:43:25,480
Speaker 2: Like you did it, of course, And I'm sure that

972
00:43:25,600 --> 00:43:28,840
Speaker 2: I subscribe to some style that I would think is ridiculous.

973
00:43:28,880 --> 00:43:29,920
Speaker 2: Now very low V.

974
00:43:30,000 --> 00:43:33,479
Speaker 1: Nex dude, I've seen you with your pants sagging low too.

975
00:43:33,760 --> 00:43:36,799
Speaker 2: So you can't not like your character did in this show.

976
00:43:37,080 --> 00:43:37,279
Speaker 4: Dude.

977
00:43:37,400 --> 00:43:39,080
Speaker 1: Well, no, not like that, but I've seen it.

978
00:43:39,120 --> 00:43:43,160
Speaker 2: But I had some embarrassingly low V necks, did you really? Yeah,

979
00:43:43,200 --> 00:43:45,280
Speaker 2: I went through a low V neck phase.

980
00:43:46,600 --> 00:43:47,880
Speaker 1: You like a V neck, dide you?

981
00:43:47,960 --> 00:43:50,120
Speaker 2: Well, now you can't because there's certain things that I

982
00:43:50,200 --> 00:43:52,680
Speaker 2: used to do. A cargo shorts, I guess are done.

983
00:43:52,880 --> 00:43:54,840
Speaker 2: My girlfriend said, no way to you, fucking can I

984
00:43:54,880 --> 00:43:56,000
Speaker 2: wear those cargo shorts?

985
00:43:56,200 --> 00:43:56,360
Speaker 4: You know?

986
00:43:56,400 --> 00:43:58,399
Speaker 1: When I wear cargo shorts when I go to play golf.

987
00:43:58,920 --> 00:43:59,200
Speaker 1: That's it.

988
00:44:00,120 --> 00:44:02,520
Speaker 2: I think most women, and Joelle, if you wouldn't mind

989
00:44:02,560 --> 00:44:06,400
Speaker 2: speaking on behalf of all women in the world are pretty?

990
00:44:06,520 --> 00:44:08,120
Speaker 2: Are pretty over cargo shorts?

991
00:44:08,480 --> 00:44:10,719
Speaker 1: They're not. They're not attractive on anybody.

992
00:44:11,480 --> 00:44:13,200
Speaker 2: So yo, daggy leg.

993
00:44:14,440 --> 00:44:16,680
Speaker 1: This is when you knew cargo shorts was a wrap.

994
00:44:17,239 --> 00:44:20,879
Speaker 1: When Adam Sandler stopped wearing cargo shorts, you knew. Okay,

995
00:44:20,920 --> 00:44:22,239
Speaker 1: I guess cargo shorts is over.

996
00:44:22,760 --> 00:44:24,440
Speaker 2: Well, it's funny, it was for years. It was like,

997
00:44:24,520 --> 00:44:26,600
Speaker 2: I don't know if the Grip and Electric guys are

998
00:44:26,640 --> 00:44:29,040
Speaker 2: still wearing them, but that was the go to uniform,

999
00:44:29,200 --> 00:44:32,400
Speaker 2: was cargo shorts, right, even in freezing weather. Yeah. And

1000
00:44:32,520 --> 00:44:34,600
Speaker 2: I had a bunch of them, and I recently tried

1001
00:44:34,640 --> 00:44:39,200
Speaker 2: to pull out a bunch and h and showed Flow

1002
00:44:39,320 --> 00:44:42,040
Speaker 2: and she said, you have to take those off immediately.

1003
00:44:42,440 --> 00:44:42,600
Speaker 4: Yeah.

1004
00:44:42,640 --> 00:44:44,960
Speaker 2: I agree, So they're done. But I can't get I

1005
00:44:45,040 --> 00:44:47,680
Speaker 2: can't throw them away. I feel, do you have stuff

1006
00:44:47,719 --> 00:44:50,040
Speaker 2: in your closet you cannot wear anymore? But well, obviously

1007
00:44:50,080 --> 00:44:52,160
Speaker 2: we're looking at your closet, but you cannot wear anymore.

1008
00:44:52,160 --> 00:44:53,960
Speaker 2: You're like, I can't wear those anymore, but you just

1009
00:44:53,960 --> 00:44:55,560
Speaker 2: can't throw them away. You have nostalgia for them.

1010
00:44:55,800 --> 00:44:56,759
Speaker 1: They might come back too.

1011
00:44:57,280 --> 00:44:59,040
Speaker 2: Yeah, and I'll be I'll be fucking locked and loaded

1012
00:44:59,040 --> 00:45:01,000
Speaker 2: when cargo shorts come back. All right, do we need

1013
00:45:01,040 --> 00:45:03,520
Speaker 2: to take a break, Joel or what We're gonna take

1014
00:45:03,520 --> 00:45:04,960
Speaker 2: a break, and when we come back, we're gonna have

1015
00:45:04,960 --> 00:45:09,120
Speaker 2: a fan caller. Enjoy these beautiful words.

1016
00:45:16,840 --> 00:45:19,440
Speaker 1: Dude, you can make that.

1017
00:45:20,920 --> 00:45:22,400
Speaker 2: We used to Donald and I used to make this

1018
00:45:22,560 --> 00:45:25,360
Speaker 2: noise whenever Sarah was like it was like late and

1019
00:45:25,440 --> 00:45:29,239
Speaker 2: we were all going stir crazy, we'd go and it

1020
00:45:29,239 --> 00:45:32,279
Speaker 2: would crack. It would crack her up, and no one

1021
00:45:32,440 --> 00:45:34,720
Speaker 2: could hear it, Like the director or the producer of Randall,

1022
00:45:34,840 --> 00:45:36,120
Speaker 2: no one could hear that we were doing it. And

1023
00:45:36,200 --> 00:45:38,160
Speaker 2: she'd be like, stop doing that, and she'd be cracking out.

1024
00:45:38,560 --> 00:45:39,400
Speaker 1: What are you talking about.

1025
00:45:39,600 --> 00:45:41,759
Speaker 2: We'd be like, Sarah, everyone's tired, they want to go home.

1026
00:45:41,800 --> 00:45:44,160
Speaker 2: Stop sucking up. And then she start her line and

1027
00:45:44,200 --> 00:45:51,719
Speaker 2: we go, oh, I missed that crazy girl.

1028
00:45:51,960 --> 00:45:52,399
Speaker 4: She's coming.

1029
00:45:52,920 --> 00:45:57,000
Speaker 2: She's coming on when when Joelle Friday right, Friday's Christa,

1030
00:45:57,800 --> 00:46:00,160
Speaker 2: oh yeah, next week, we got up. We got uh

1031
00:46:00,360 --> 00:46:05,600
Speaker 2: Sarah Chalk the legendary Canadian. All right, BJ Mendelsh Okay.

1032
00:46:05,440 --> 00:46:07,839
Speaker 1: Before we get into BJ Mendelssohn, I'm just gonna say

1033
00:46:07,880 --> 00:46:10,280
Speaker 1: this out loud. A lot of people are getting pissed

1034
00:46:10,320 --> 00:46:14,239
Speaker 1: off at my Oprah ship. Why because some people are

1035
00:46:14,320 --> 00:46:16,600
Speaker 1: mad that I'm saying doing the Oprah stuff now.

1036
00:46:16,680 --> 00:46:18,200
Speaker 2: Funk that you're reading too many comments.

1037
00:46:18,280 --> 00:46:20,520
Speaker 1: Dude, I know I told you in the beginning of

1038
00:46:20,560 --> 00:46:23,280
Speaker 1: a shit you're doing two deep of dives.

1039
00:46:23,600 --> 00:46:26,839
Speaker 2: You're doing two deep dives. I engage with a little,

1040
00:46:27,320 --> 00:46:29,960
Speaker 2: I engage a little, especially with the nice people, and

1041
00:46:30,040 --> 00:46:32,600
Speaker 2: then you just dismount. You're like, you're like getting in

1042
00:46:32,680 --> 00:46:34,680
Speaker 2: your head. Oh, your Oprah voice is one of the

1043
00:46:34,719 --> 00:46:36,160
Speaker 2: reasons I come to work every day.

1044
00:46:36,800 --> 00:46:42,040
Speaker 1: Well, in that case, give it up for Bj Mendelssigny.

1045
00:46:45,280 --> 00:46:47,680
Speaker 4: I didn't know this was gonna be like a video thing,

1046
00:46:47,760 --> 00:46:49,400
Speaker 4: so I'm like wearing my trash your shirt.

1047
00:46:49,800 --> 00:46:55,000
Speaker 2: You look great. We're gonna apologize to our listeners that

1048
00:46:55,120 --> 00:46:59,360
Speaker 2: BJ doesn't have the ideal the ideal setup because he

1049
00:46:59,440 --> 00:47:01,719
Speaker 2: has a microphone that's a little wacky. But we're gonna

1050
00:47:01,719 --> 00:47:03,239
Speaker 2: fix it in post. Are you a dan?

1051
00:47:04,040 --> 00:47:04,279
Speaker 4: I am?

1052
00:47:05,200 --> 00:47:05,880
Speaker 1: That's what that is?

1053
00:47:05,960 --> 00:47:07,359
Speaker 2: What do you play? What do you play?

1054
00:47:07,440 --> 00:47:14,160
Speaker 4: Bad God? I'm embarrassed to say Fortnite and I can

1055
00:47:14,239 --> 00:47:16,239
Speaker 4: tell you it was my nieces and nephew. That that

1056
00:47:16,360 --> 00:47:17,279
Speaker 4: got me into it because I.

1057
00:47:17,640 --> 00:47:20,719
Speaker 1: Ask you a question. Do you default dance?

1058
00:47:21,520 --> 00:47:21,680
Speaker 4: I do?

1059
00:47:22,480 --> 00:47:25,319
Speaker 2: Okay, do you use Donald's sunt dance?

1060
00:47:25,480 --> 00:47:26,359
Speaker 1: That's the default dance?

1061
00:47:26,560 --> 00:47:30,200
Speaker 2: Okay? Sorry? Now, now why are you embarrassed? B I

1062
00:47:30,239 --> 00:47:32,400
Speaker 2: don't really know much about gaming these days. Is this

1063
00:47:32,520 --> 00:47:33,840
Speaker 2: Fortnite just meant for children?

1064
00:47:34,320 --> 00:47:34,360
Speaker 1: No?

1065
00:47:36,560 --> 00:47:37,840
Speaker 2: Then why is he embarrassed about it?

1066
00:47:38,200 --> 00:47:40,320
Speaker 1: Because I've made a big stink about how much I

1067
00:47:40,440 --> 00:47:43,400
Speaker 1: do not like Fortnite because they stole my dance. But

1068
00:47:43,600 --> 00:47:45,080
Speaker 1: I don't give a ship. To be honest with you,

1069
00:47:45,480 --> 00:47:49,319
Speaker 1: I'm very, very very I'm very very happy that they

1070
00:47:49,360 --> 00:47:49,960
Speaker 1: stole my dance.

1071
00:47:50,040 --> 00:47:52,279
Speaker 2: I think you were I think you were misquoted when

1072
00:47:52,360 --> 00:47:54,759
Speaker 2: you caused a little controversy. You were sort of joke.

1073
00:47:54,880 --> 00:47:57,200
Speaker 2: You were sort of joking. And then there were people

1074
00:47:57,239 --> 00:47:59,319
Speaker 2: who were like, if they take off that dance because

1075
00:47:59,360 --> 00:48:00,959
Speaker 2: of you, fuck you dude.

1076
00:48:01,000 --> 00:48:04,080
Speaker 1: They was I I've never had more twelve year old

1077
00:48:04,120 --> 00:48:05,960
Speaker 1: boys mad at me in my life.

1078
00:48:06,040 --> 00:48:08,839
Speaker 2: Yeah, dude, well you threatened to take away their dance.

1079
00:48:09,120 --> 00:48:11,400
Speaker 1: I didn't threaten. All I did was said. All I

1080
00:48:11,480 --> 00:48:13,960
Speaker 1: did was say, you know, they jacked it, and then

1081
00:48:14,040 --> 00:48:16,720
Speaker 1: out of nowhere, like it was a bunch of kids

1082
00:48:16,840 --> 00:48:19,880
Speaker 1: like fuck you. You has been it's because nobody watches

1083
00:48:19,920 --> 00:48:24,479
Speaker 1: your shit anymore. You suck anyway. It's because you didn't

1084
00:48:24,480 --> 00:48:27,760
Speaker 1: get any money making scrubs. You didn't get any money making.

1085
00:48:27,719 --> 00:48:30,080
Speaker 2: They got They got all riled up because you made

1086
00:48:30,120 --> 00:48:31,600
Speaker 2: a joke about the Fortnite dance.

1087
00:48:32,120 --> 00:48:33,719
Speaker 1: And I'm fine with that, you know what I mean.

1088
00:48:33,920 --> 00:48:36,719
Speaker 1: And and I'm fine with it being the default dance.

1089
00:48:36,920 --> 00:48:39,160
Speaker 2: What are the other dances that DJ could use?

1090
00:48:39,440 --> 00:48:42,160
Speaker 1: Well, there's the backpack Kids one where it's like, oh yeah,

1091
00:48:42,239 --> 00:48:44,680
Speaker 1: backpack kid, and then you need to pay more money

1092
00:48:44,920 --> 00:48:45,120
Speaker 1: for that.

1093
00:48:45,560 --> 00:48:47,320
Speaker 4: I don't know. I don't know if that's something you

1094
00:48:47,360 --> 00:48:49,160
Speaker 4: want locking on. I'm still new to it.

1095
00:48:49,280 --> 00:48:52,400
Speaker 1: I am still like, as long as you do the

1096
00:48:52,440 --> 00:48:53,560
Speaker 1: Turk dance, it's all good.

1097
00:48:53,680 --> 00:48:53,879
Speaker 4: Yeah.

1098
00:48:55,400 --> 00:48:59,160
Speaker 2: Do you find yourself djal in Fortnite? Do you talk

1099
00:48:59,239 --> 00:48:59,759
Speaker 2: to other people?

1100
00:49:00,280 --> 00:49:02,880
Speaker 4: No? I try not to. That was my big thing

1101
00:49:03,040 --> 00:49:04,879
Speaker 4: was I'm kind of just you know, I'm an author,

1102
00:49:05,040 --> 00:49:09,680
Speaker 4: so I don't socialize well with others. So playing like

1103
00:49:09,840 --> 00:49:12,600
Speaker 4: these online games where people are talking shit to you

1104
00:49:12,840 --> 00:49:14,799
Speaker 4: is like a new experience for me, especially when you're

1105
00:49:14,920 --> 00:49:17,520
Speaker 4: thirty seven and have never played these things in your life.

1106
00:49:17,600 --> 00:49:19,440
Speaker 2: So do you do you choose to not engage with

1107
00:49:19,520 --> 00:49:22,520
Speaker 2: angry twelve year olds? I try not to. Okay, it's

1108
00:49:22,520 --> 00:49:25,080
Speaker 2: probably good, it's probably good. I think I would get upset,

1109
00:49:25,160 --> 00:49:27,400
Speaker 2: and I think personally if I did, i'd if somebody

1110
00:49:27,560 --> 00:49:29,560
Speaker 2: was like, fuck your mother, and I was like, whoa, whoa, whoa.

1111
00:49:29,640 --> 00:49:31,480
Speaker 2: I'm just trying to fucking save the world here, everybody

1112
00:49:31,520 --> 00:49:32,120
Speaker 2: comment right.

1113
00:49:32,200 --> 00:49:34,200
Speaker 1: Exactly the worst thing in the world to hear a

1114
00:49:34,360 --> 00:49:35,840
Speaker 1: kid yelling at you trash.

1115
00:49:36,440 --> 00:49:38,800
Speaker 2: PEV pe me, peev, pay.

1116
00:49:38,640 --> 00:49:40,480
Speaker 1: Me, payv pay me?

1117
00:49:41,040 --> 00:49:41,680
Speaker 2: What does that mean?

1118
00:49:41,719 --> 00:49:46,800
Speaker 1: PvP me like play me, like versus just on one. Okay,

1119
00:49:47,440 --> 00:49:49,000
Speaker 1: play your first player BJ.

1120
00:49:49,160 --> 00:49:50,880
Speaker 2: Do you play any other games besides Fortninite?

1121
00:49:50,920 --> 00:49:53,080
Speaker 4: Or is this year right now? It's File Fantasy seven?

1122
00:49:54,560 --> 00:49:57,640
Speaker 1: Oh you're a role player? Hold on, I did you

1123
00:49:57,680 --> 00:49:59,120
Speaker 1: play Dungeon and Dragons grown up?

1124
00:50:00,080 --> 00:50:02,520
Speaker 4: No? I was in Magic the Gathering Kids, same shiit,

1125
00:50:02,800 --> 00:50:05,080
Speaker 4: same shit. Yeah, it is it's true.

1126
00:50:06,640 --> 00:50:07,359
Speaker 1: That's cards though.

1127
00:50:07,440 --> 00:50:09,200
Speaker 4: Yeah, yeah, that difference.

1128
00:50:09,719 --> 00:50:13,719
Speaker 2: Got very addicted to the Star Wars role playing game.

1129
00:50:13,800 --> 00:50:14,480
Speaker 2: Donal What was that when you?

1130
00:50:14,880 --> 00:50:15,440
Speaker 4: I remember that?

1131
00:50:15,840 --> 00:50:17,759
Speaker 1: Yeah? When I was it was the Star Wars game.

1132
00:50:17,880 --> 00:50:19,560
Speaker 1: I don't remember what it was called, but there were

1133
00:50:19,600 --> 00:50:22,040
Speaker 1: a bunch of different ones. I even DMD it.

1134
00:50:22,160 --> 00:50:25,360
Speaker 2: Oh my god, Jedi Fallen Order, Donald is no, no, no.

1135
00:50:25,800 --> 00:50:28,400
Speaker 1: Jedi Fallen Order is a video game. We used to

1136
00:50:28,480 --> 00:50:30,800
Speaker 1: play it like it was Dungeons and Dragon.

1137
00:50:31,000 --> 00:50:32,839
Speaker 2: No no, no, no, no, that's not what I mean. Okay,

1138
00:50:32,880 --> 00:50:35,879
Speaker 2: but I'm talking about in our adulthood during the time

1139
00:50:35,920 --> 00:50:37,440
Speaker 2: of Scrubs, you were playing.

1140
00:50:37,360 --> 00:50:42,239
Speaker 1: A Star Wars Galaxies. Yeah, Star Wars Galaxies when that

1141
00:50:42,400 --> 00:50:45,799
Speaker 1: came out. I remember that game. I wish they didn't

1142
00:50:45,880 --> 00:50:48,360
Speaker 1: cancel it because look, it started off just as a

1143
00:50:48,520 --> 00:50:50,880
Speaker 1: role playing game that you would play on different planets,

1144
00:50:51,239 --> 00:50:55,279
Speaker 1: and then they introduced being able to fly in ships, right,

1145
00:50:55,800 --> 00:50:58,640
Speaker 1: And I remember at one point I got to talk

1146
00:50:58,760 --> 00:51:02,080
Speaker 1: to one of the head developers of the game, and

1147
00:51:02,160 --> 00:51:04,000
Speaker 1: I was like, you should make it so that you

1148
00:51:04,080 --> 00:51:07,040
Speaker 1: could jump in ships on the ground and fly in

1149
00:51:07,200 --> 00:51:11,320
Speaker 1: atmosphere and then from atmosphere take it to space. And

1150
00:51:11,400 --> 00:51:13,800
Speaker 1: then the game freaking failed eventually.

1151
00:51:13,960 --> 00:51:16,680
Speaker 2: But how can a Star Wars game fail? It just

1152
00:51:16,680 --> 00:51:17,840
Speaker 2: doesn't seem like it's possible it.

1153
00:51:18,200 --> 00:51:20,200
Speaker 1: You know, you change it enough times and then people

1154
00:51:20,280 --> 00:51:24,120
Speaker 1: lose interest. You know. What happens is is that it

1155
00:51:24,239 --> 00:51:28,080
Speaker 1: starts off and it's pure and then you start adding things.

1156
00:51:28,160 --> 00:51:31,759
Speaker 1: And once you start adding things, you know, people lose

1157
00:51:31,840 --> 00:51:37,160
Speaker 1: interest after a while, you know. Perfect example, George Lucas

1158
00:51:38,480 --> 00:51:43,719
Speaker 1: with the original series, with the original trilogy, it was

1159
00:51:44,160 --> 00:51:47,120
Speaker 1: you know, it was shot a certain way and he

1160
00:51:47,320 --> 00:51:50,200
Speaker 1: wasn't happy with it, so he started adding things, and

1161
00:51:50,280 --> 00:51:53,040
Speaker 1: the more he added, it seemed like the more fans

1162
00:51:53,080 --> 00:51:54,759
Speaker 1: were like, I don't like that. I don't like that.

1163
00:51:54,880 --> 00:51:57,920
Speaker 1: You don't need to add now. For me, I like

1164
00:51:58,040 --> 00:52:00,440
Speaker 1: the adding. I liked that he added things because it

1165
00:52:00,520 --> 00:52:02,840
Speaker 1: made it cleaner, and it made it faster, and it

1166
00:52:02,920 --> 00:52:05,640
Speaker 1: made it you know, if you watch the original or

1167
00:52:05,719 --> 00:52:09,920
Speaker 1: New Hope, it's not as the special effects in it

1168
00:52:10,040 --> 00:52:14,480
Speaker 1: aren't as glorious as they are now when you watch

1169
00:52:14,520 --> 00:52:19,360
Speaker 1: it on Disney. Plus that being said, there are a

1170
00:52:19,400 --> 00:52:21,840
Speaker 1: lot of people that don't like that, do not like

1171
00:52:22,520 --> 00:52:25,840
Speaker 1: him going and retouching. I for one, do like the

1172
00:52:25,880 --> 00:52:29,200
Speaker 1: retouch I think I think there are certain movies that

1173
00:52:29,360 --> 00:52:32,640
Speaker 1: still like. People got mad when they retouched et you

1174
00:52:32,719 --> 00:52:36,640
Speaker 1: know what I mean. I, for one, wasn't that mad

1175
00:52:36,719 --> 00:52:36,920
Speaker 1: at it.

1176
00:52:37,000 --> 00:52:39,360
Speaker 2: I'm gonna be honest, all right, Well, we should probably

1177
00:52:39,360 --> 00:52:40,719
Speaker 2: ask BJ some of his thoughts.

1178
00:52:41,160 --> 00:52:44,440
Speaker 4: This is a rarity. I usually everyone I encounter hates

1179
00:52:45,120 --> 00:52:47,640
Speaker 4: the touch ups to the original trilogy. I don't mind

1180
00:52:47,680 --> 00:52:49,719
Speaker 4: them at all. The only one that I freak out

1181
00:52:49,719 --> 00:52:52,280
Speaker 4: about is the one everyone freaks out about with Grito's

1182
00:52:52,280 --> 00:52:52,839
Speaker 4: shooting first.

1183
00:52:53,480 --> 00:52:55,680
Speaker 2: Right, that's bullshit, come on, yeah right, like that's the

1184
00:52:55,760 --> 00:52:56,440
Speaker 2: old the rest of it.

1185
00:52:56,560 --> 00:52:58,840
Speaker 4: I really I remember getting in line at the theater

1186
00:52:58,920 --> 00:53:01,120
Speaker 4: when they really at least because for me, I wasn't

1187
00:53:01,120 --> 00:53:02,520
Speaker 4: old enough pretty original Star Wars.

1188
00:53:03,239 --> 00:53:05,239
Speaker 1: So when they you're pretty close to it though, right,

1189
00:53:05,320 --> 00:53:07,040
Speaker 1: you said your thirties, I just.

1190
00:53:07,080 --> 00:53:09,359
Speaker 2: Yeah, I just turned thirty seven, so nine years younger

1191
00:53:09,440 --> 00:53:09,960
Speaker 2: than us or so.

1192
00:53:10,440 --> 00:53:12,640
Speaker 4: Yeah. So my like, my first Star Wars is The

1193
00:53:12,680 --> 00:53:16,200
Speaker 4: Phantom Menace, which is I'm ashamed to say that loud.

1194
00:53:16,320 --> 00:53:18,960
Speaker 1: Dude, you shouldn't be because the Phantom Menace has new

1195
00:53:19,600 --> 00:53:21,560
Speaker 1: energy behind it thanks to Dave Filoni.

1196
00:53:21,840 --> 00:53:24,279
Speaker 4: But okay, true, true, and plus it had the great

1197
00:53:24,320 --> 00:53:29,000
Speaker 4: odd Racing End sixty four game, right, which was amazing.

1198
00:53:29,600 --> 00:53:31,520
Speaker 4: But I liked all the touch ups at the ad

1199
00:53:31,600 --> 00:53:33,439
Speaker 4: because to me, it was like, all right, it looks

1200
00:53:33,520 --> 00:53:35,880
Speaker 4: like everything else. Because when I remember watching on VHS,

1201
00:53:36,120 --> 00:53:38,799
Speaker 4: I kind of fell asleep, right because it didn't look

1202
00:53:38,880 --> 00:53:40,480
Speaker 4: you know, when I was little, it didn't look as

1203
00:53:40,560 --> 00:53:42,080
Speaker 4: crisp as some of the other things that I was

1204
00:53:42,160 --> 00:53:43,200
Speaker 4: used to seeing at that age.

1205
00:53:43,680 --> 00:53:46,080
Speaker 2: Right, where do you live, BJ, I'm.

1206
00:53:46,000 --> 00:53:48,960
Speaker 4: Up in Monroe, New York, which is if anyone knows

1207
00:53:48,960 --> 00:53:51,479
Speaker 4: where Woodberry Commons is, it's a large tourist trap.

1208
00:53:51,960 --> 00:53:54,720
Speaker 2: Okay, you're a writer, are you? Are you a novelist?

1209
00:53:55,000 --> 00:53:57,760
Speaker 4: Yeah? So I'm the author of a book called Social

1210
00:53:57,800 --> 00:54:00,480
Speaker 4: Media's Bullshit. Ah, I wrote didn't playing twelve, so I

1211
00:54:00,560 --> 00:54:02,600
Speaker 4: was a little ahead of its time. I'm happy to

1212
00:54:02,640 --> 00:54:05,239
Speaker 4: give it away for free if anyone wants a free copy.

1213
00:54:05,280 --> 00:54:07,160
Speaker 4: All the up, dude is just hit me up on Twitter.

1214
00:54:07,200 --> 00:54:08,319
Speaker 4: It's like I said, it's an older book.

1215
00:54:08,440 --> 00:54:10,719
Speaker 2: Ironically, they're gonna have to hit you up on social media.

1216
00:54:10,840 --> 00:54:12,600
Speaker 4: Right. So that was the thing that was the thing

1217
00:54:12,640 --> 00:54:14,880
Speaker 4: that I got a lot when it came out, was

1218
00:54:15,000 --> 00:54:16,440
Speaker 4: it was like, oh, hey, well, you know you've got

1219
00:54:16,480 --> 00:54:19,520
Speaker 4: this big presence on Twitter, but you social media's bullshit?

1220
00:54:19,520 --> 00:54:21,839
Speaker 4: And when I said, people was it not the tools?

1221
00:54:21,840 --> 00:54:24,440
Speaker 4: That's how you use it, and that's the part that

1222
00:54:24,440 --> 00:54:25,920
Speaker 4: where you run into all this bullshit.

1223
00:54:27,160 --> 00:54:28,800
Speaker 1: Bid Jay, I feel like you'd be a guest that

1224
00:54:28,880 --> 00:54:30,680
Speaker 1: we could just talk to for hours about.

1225
00:54:31,000 --> 00:54:32,400
Speaker 2: Yeah, as long as you guys don't go down the

1226
00:54:32,440 --> 00:54:35,000
Speaker 2: Star Wars read every fucking five minutes. Because I see

1227
00:54:35,200 --> 00:54:38,000
Speaker 2: I see Joelle like nodding again, like she's like as

1228
00:54:38,080 --> 00:54:40,520
Speaker 2: though she's yelling preach when you guys start to talk.

1229
00:54:41,680 --> 00:54:43,279
Speaker 2: So yeah, she's got her hand up in the air

1230
00:54:43,360 --> 00:54:46,480
Speaker 2: like you preach. I gotta tell you, I gotta tell

1231
00:54:46,480 --> 00:54:48,480
Speaker 2: you for they it's scrubgure. Yeah.

1232
00:54:49,040 --> 00:54:53,520
Speaker 4: Please, I have never felt so old and now yo,

1233
00:54:53,680 --> 00:54:55,319
Speaker 4: knowing that you guys older and I am, I can

1234
00:54:55,400 --> 00:54:58,080
Speaker 4: only mention how you get feel. I was pitching this

1235
00:54:58,239 --> 00:55:00,600
Speaker 4: TV show and I can't, you know, can't say too

1236
00:55:00,680 --> 00:55:01,080
Speaker 4: much about it.

1237
00:55:01,160 --> 00:55:02,440
Speaker 2: But what I can't say is that it's about the

1238
00:55:02,440 --> 00:55:04,439
Speaker 2: six million dollars man, because we just pitched it live

1239
00:55:04,600 --> 00:55:06,800
Speaker 2: on this show. So don't steal that, all right, get.

1240
00:55:06,920 --> 00:55:09,120
Speaker 4: It totally should be. It totally should be. That it's

1241
00:55:09,160 --> 00:55:11,759
Speaker 4: due for a remake, although with inflation, I think you

1242
00:55:11,840 --> 00:55:12,759
Speaker 4: might have to adjust it slightly.

1243
00:55:12,840 --> 00:55:15,640
Speaker 2: Yeah, we said that. We said you wouldn't get very

1244
00:55:15,680 --> 00:55:18,680
Speaker 2: farward rebuilding him for six maybe his feet, yeah, you

1245
00:55:18,719 --> 00:55:21,000
Speaker 2: would get the feet maybe like the decaps. He would

1246
00:55:21,000 --> 00:55:21,640
Speaker 2: just fall over a lot.

1247
00:55:22,680 --> 00:55:25,080
Speaker 4: So but this kid, the kid, the kid that would

1248
00:55:25,080 --> 00:55:27,040
Speaker 4: start in the show is only like twenty and twenty one,

1249
00:55:27,680 --> 00:55:29,680
Speaker 4: and so as I was going through it with him

1250
00:55:29,680 --> 00:55:31,600
Speaker 4: and explaining, like the look and it feels like, you know,

1251
00:55:31,640 --> 00:55:34,200
Speaker 4: it's a lot like Scrub season one and Scrub season eight,

1252
00:55:34,239 --> 00:55:36,960
Speaker 4: where it's a little goofy, but it's also got like

1253
00:55:37,160 --> 00:55:40,040
Speaker 4: a little bit of darkness to it. And he was

1254
00:55:40,120 --> 00:55:42,320
Speaker 4: humoring me. He's like, oh, yeah, yeah, I remember Scrubs.

1255
00:55:42,320 --> 00:55:44,960
Speaker 4: And then like got off the phone and producer cls

1256
00:55:45,000 --> 00:55:46,680
Speaker 4: and went back and he's like, he has no idea

1257
00:55:46,719 --> 00:55:49,440
Speaker 4: what the fuck Scrubs it? Like, what's like what Scrubs

1258
00:55:49,520 --> 00:55:49,640
Speaker 4: was on?

1259
00:55:49,920 --> 00:55:54,880
Speaker 1: He was maybe two, And for me, is this kid

1260
00:55:54,920 --> 00:55:55,880
Speaker 1: a successful actor?

1261
00:55:56,440 --> 00:56:00,480
Speaker 4: He is a successful TikTok star? Oh wow, yeah right,

1262
00:56:00,600 --> 00:56:01,520
Speaker 4: Like yeah, so.

1263
00:56:03,040 --> 00:56:05,799
Speaker 2: Way, Donald, if TikTok was out when when you were young,

1264
00:56:05,880 --> 00:56:07,760
Speaker 2: you would have been a TikTok stock because.

1265
00:56:07,600 --> 00:56:08,800
Speaker 1: You would have been TikTok.

1266
00:56:08,960 --> 00:56:12,000
Speaker 2: No, but I can't dance like you can do those moves, dude.

1267
00:56:12,360 --> 00:56:14,880
Speaker 1: No, but you would have figured out a way to

1268
00:56:14,960 --> 00:56:17,360
Speaker 1: freaking look, man, you did Garden State. You would have

1269
00:56:17,360 --> 00:56:19,520
Speaker 1: figured out a way to make a fucking movie on

1270
00:56:19,719 --> 00:56:23,080
Speaker 1: TikTok that everybody loved, even if it was like you know,

1271
00:56:23,239 --> 00:56:26,200
Speaker 1: only however long TikTok allows it, you would have figured

1272
00:56:26,239 --> 00:56:28,719
Speaker 1: out a way. You're a very bright boy, Thank you

1273
00:56:28,960 --> 00:56:29,319
Speaker 1: very bright.

1274
00:56:29,560 --> 00:56:31,239
Speaker 2: You do you ever see that video of the girl

1275
00:56:31,360 --> 00:56:34,440
Speaker 2: on TikTok and was like vent viral. She's sobbing, but

1276
00:56:34,560 --> 00:56:39,719
Speaker 2: she's still doing her TikTok dance in some comedian I forgot.

1277
00:56:39,719 --> 00:56:41,719
Speaker 2: I don't know who it was, but they were like,

1278
00:56:41,800 --> 00:56:44,160
Speaker 2: maybe maybe wait until you're done with your breakdown, until

1279
00:56:44,160 --> 00:56:46,440
Speaker 2: you to do the dance. But she's trying to make

1280
00:56:46,480 --> 00:56:48,840
Speaker 2: a point that like I'm still gonna dance through this

1281
00:56:49,000 --> 00:56:51,880
Speaker 2: sad moment, and she's doing all the choreography, but she's bawling.

1282
00:56:52,400 --> 00:56:53,160
Speaker 1: I've never seen this.

1283
00:56:53,640 --> 00:56:55,480
Speaker 2: Have you got a BJ Have you seen that I have?

1284
00:56:55,640 --> 00:56:58,000
Speaker 4: I gotta tell you I tried like hell to avoid

1285
00:56:58,080 --> 00:57:01,359
Speaker 4: TikTok and snapchat, but it's the nephews. You know, they're

1286
00:57:01,400 --> 00:57:02,800
Speaker 4: that age group where that's all they're on.

1287
00:57:02,960 --> 00:57:03,840
Speaker 2: So I don't even look at that.

1288
00:57:03,960 --> 00:57:07,480
Speaker 1: My daughter, that's all she watches. My daughter, not my

1289
00:57:07,680 --> 00:57:09,759
Speaker 1: not my not my five year old, but my twenty

1290
00:57:09,840 --> 00:57:11,759
Speaker 1: one year old just walks through the house dead. You

1291
00:57:11,840 --> 00:57:15,200
Speaker 1: gotta check this out, and it's nothing but TikTok. Ship

1292
00:57:15,600 --> 00:57:18,120
Speaker 1: like it's so much. I would get my daughter up,

1293
00:57:18,240 --> 00:57:19,840
Speaker 1: my five year old up here right now. But my

1294
00:57:20,000 --> 00:57:23,040
Speaker 1: twenty one year old daughter has corrupted Kanya has corrupted

1295
00:57:23,080 --> 00:57:28,440
Speaker 1: Wilder so much that Wilder is now doing the Savage challenge.

1296
00:57:28,800 --> 00:57:33,560
Speaker 1: I'm a savage, classy bougie ratchet it.

1297
00:57:34,360 --> 00:57:35,800
Speaker 2: Can you get her up here? We got to hear it.

1298
00:57:36,360 --> 00:57:36,840
Speaker 4: Hold up.

1299
00:57:39,480 --> 00:57:45,960
Speaker 2: That Wilder, this is this might be worth it. BJ

1300
00:57:46,040 --> 00:57:47,000
Speaker 2: You're about to get a special.

1301
00:57:47,600 --> 00:57:48,160
Speaker 4: So it's good.

1302
00:57:48,480 --> 00:57:50,480
Speaker 2: She's warming up because she used to she used to know.

1303
00:57:50,760 --> 00:57:54,040
Speaker 2: She used to not perform on cue. But we're we're

1304
00:57:54,080 --> 00:57:55,880
Speaker 2: gonna turn her into a We're gonna turn her into

1305
00:57:55,880 --> 00:57:57,600
Speaker 2: a child actress. If it's the death of us.

1306
00:57:57,840 --> 00:58:01,000
Speaker 4: That's that's fantastic. I have to tell you so, just

1307
00:58:01,080 --> 00:58:04,640
Speaker 4: real quick. The Garden State soundtrack for my college radio

1308
00:58:04,680 --> 00:58:07,760
Speaker 4: station was all that they would play when it came out,

1309
00:58:07,880 --> 00:58:09,919
Speaker 4: so I just I would I feel obligated to share

1310
00:58:10,000 --> 00:58:12,480
Speaker 4: that with you. Oh, thank you, wait for tell to

1311
00:58:12,520 --> 00:58:12,880
Speaker 4: come back.

1312
00:58:13,240 --> 00:58:14,080
Speaker 2: Thank you. Yeah.

1313
00:58:14,920 --> 00:58:15,160
Speaker 4: Yeah.

1314
00:58:15,280 --> 00:58:17,920
Speaker 2: It was Donald jokes that I want to Grammy for

1315
00:58:18,000 --> 00:58:20,480
Speaker 2: a mixtape, but he's right. It was just the music

1316
00:58:20,560 --> 00:58:22,200
Speaker 2: I was, me and my friends were listening to, and

1317
00:58:22,320 --> 00:58:25,560
Speaker 2: it felt really appropriate. For the for the era that

1318
00:58:25,640 --> 00:58:28,720
Speaker 2: the film was about, and then uh, with the help

1319
00:58:28,800 --> 00:58:32,600
Speaker 2: of my editor Myron Kirstein. He really gets all the

1320
00:58:32,640 --> 00:58:35,280
Speaker 2: credit for putting them in the right spots. He I made.

1321
00:58:35,360 --> 00:58:38,280
Speaker 2: I just made a giant playlist, and then I'd let

1322
00:58:38,360 --> 00:58:40,520
Speaker 2: him go attack some scenes and then he'd come back

1323
00:58:40,560 --> 00:58:43,400
Speaker 2: and he'd go, Dude, I've just put the Paul Simon

1324
00:58:43,520 --> 00:58:45,240
Speaker 2: song on this moment, and you got to see it.

1325
00:58:45,280 --> 00:58:47,520
Speaker 2: And I would watch it and get goosebumps uping down

1326
00:58:47,560 --> 00:58:49,480
Speaker 2: my arms, like, yeah, we're never gonna be able to

1327
00:58:49,520 --> 00:58:50,800
Speaker 2: get that song. But that's a keeper.

1328
00:58:52,400 --> 00:58:53,080
Speaker 4: Oh here she is.

1329
00:58:54,480 --> 00:58:57,120
Speaker 2: There's Racoh, there's Roco.

1330
00:58:59,520 --> 00:58:59,800
Speaker 1: Hold on.

1331
00:59:00,040 --> 00:59:04,080
Speaker 2: Come on, all right, all right, Wilder perform.

1332
00:59:04,520 --> 00:59:06,840
Speaker 1: Back up, back up, back up, back up. You don't

1333
00:59:06,880 --> 00:59:08,400
Speaker 1: need the music, you're just doing it without the music.

1334
00:59:08,480 --> 00:59:09,040
Speaker 2: Ready, all right?

1335
00:59:09,360 --> 00:59:12,040
Speaker 1: Go five, six, seven eight.

1336
00:59:12,320 --> 00:59:24,160
Speaker 6: I'm savash, cassy, who's ratchet, sassy, nasty, hackinghan, I'm.

1337
00:59:24,160 --> 00:59:28,320
Speaker 2: Savash thunderous applause, dam.

1338
00:59:30,600 --> 00:59:31,400
Speaker 1: Are you kidding me?

1339
00:59:32,200 --> 00:59:32,520
Speaker 4: All right?

1340
00:59:34,600 --> 00:59:36,320
Speaker 1: Okay, so now I got Look, I'm gonna show you

1341
00:59:36,360 --> 00:59:38,360
Speaker 1: who's all in here. Now. I got the whole family

1342
00:59:38,480 --> 00:59:41,080
Speaker 1: in here, just to see hurt.

1343
00:59:42,080 --> 00:59:49,680
Speaker 2: Everybody's here. I'm okay rock okay, all right, all right,

1344
00:59:49,720 --> 00:59:51,160
Speaker 2: get him out, pull him out.

1345
00:59:54,040 --> 00:59:58,160
Speaker 1: Back to the bouncy you guys wet this whole room up. Huh.

1346
00:59:58,320 --> 00:59:59,480
Speaker 2: Back to the bouncy castle.

1347
01:00:00,400 --> 01:00:01,200
Speaker 1: They're there there.

1348
01:00:01,400 --> 01:00:03,400
Speaker 2: I don't I don't know this song, but it doesn't

1349
01:00:03,400 --> 01:00:06,200
Speaker 2: seem that it's necessarily appropriate for a five year old

1350
01:00:06,240 --> 01:00:06,920
Speaker 2: to sing one of the.

1351
01:00:07,280 --> 01:00:11,840
Speaker 1: Lyrics twenty one year old, who's who's watching TikTok like

1352
01:00:12,000 --> 01:00:14,080
Speaker 1: twenty four to seven and so because.

1353
01:00:13,800 --> 01:00:15,480
Speaker 2: Of that, But can you talk me through the lyrics

1354
01:00:15,520 --> 01:00:16,520
Speaker 2: of this this song?

1355
01:00:17,040 --> 01:00:22,040
Speaker 1: It's it's Meg the Stallion, right, and she now has

1356
01:00:22,080 --> 01:00:27,760
Speaker 1: a remix with her and Beyonce. Okay, baonce as how

1357
01:00:27,920 --> 01:00:28,280
Speaker 1: would say?

1358
01:00:28,800 --> 01:00:29,760
Speaker 2: Rest in peace my father?

1359
01:00:30,760 --> 01:00:40,080
Speaker 1: And uh the chorus is I'm a savage. Uh uh?

1360
01:00:40,480 --> 01:00:46,840
Speaker 1: What is it? I'm a savage? See classy bougie ratchet? Uh?

1361
01:00:47,360 --> 01:00:48,400
Speaker 2: Now what does ratchet mean?

1362
01:00:48,840 --> 01:00:52,760
Speaker 1: Ratchet is like when you're like, that's ratchet, You're ratchet?

1363
01:00:52,840 --> 01:00:53,400
Speaker 1: Isn't necessary?

1364
01:00:53,480 --> 01:00:56,840
Speaker 2: Joelle is typing out the lyrics for you. Donald say naddy.

1365
01:00:56,760 --> 01:01:01,080
Speaker 1: Nasty, moody, nasty, act think stupid?

1366
01:01:01,840 --> 01:01:02,720
Speaker 2: What's happening?

1367
01:01:03,680 --> 01:01:04,400
Speaker 1: What's happening?

1368
01:01:04,560 --> 01:01:06,680
Speaker 2: I don't know how I feel about my little goddaughter

1369
01:01:06,880 --> 01:01:08,720
Speaker 2: saying sassy, maddy.

1370
01:01:08,720 --> 01:01:10,600
Speaker 1: Nasty, moody, moody, moody.

1371
01:01:10,880 --> 01:01:13,439
Speaker 2: Oh sorry, well it's Joelle's typo, not mine. I thought

1372
01:01:13,480 --> 01:01:14,439
Speaker 2: maddy was a new word.

1373
01:01:14,840 --> 01:01:22,280
Speaker 1: No moody, sassy, moody, ratchet, no acting stupid, what's happening.

1374
01:01:22,080 --> 01:01:25,520
Speaker 2: Savage, classy, bougie ratchet.

1375
01:01:27,280 --> 01:01:28,840
Speaker 1: DJ's like, what did I get into?

1376
01:01:29,160 --> 01:01:33,800
Speaker 2: This is like we forgot about question?

1377
01:01:34,400 --> 01:01:36,400
Speaker 4: This is exactly what I'm going through right now. Like,

1378
01:01:36,800 --> 01:01:40,960
Speaker 4: so we hit this song well life Olivia, she's five,

1379
01:01:41,120 --> 01:01:43,360
Speaker 4: is really into it, and you know, the lyrics are

1380
01:01:43,440 --> 01:01:46,040
Speaker 4: probably not terribly appropriate for a five year old, so

1381
01:01:46,880 --> 01:01:48,160
Speaker 4: we had to like immend it and say no, no,

1382
01:01:48,280 --> 01:01:50,360
Speaker 4: this song is called a Little Light. So I know

1383
01:01:50,560 --> 01:01:51,800
Speaker 4: this whole thing very well.

1384
01:01:51,920 --> 01:01:54,280
Speaker 1: Like, BJ, are there any questions you want to J?

1385
01:01:54,400 --> 01:01:55,320
Speaker 2: Do you have any questions?

1386
01:01:55,840 --> 01:01:56,080
Speaker 1: Yeah?

1387
01:01:56,440 --> 01:01:58,960
Speaker 4: So I don't know where to start because just to

1388
01:01:58,960 --> 01:02:01,600
Speaker 4: give people contact, Yeah, it's it's I've got the fan

1389
01:02:01,680 --> 01:02:03,320
Speaker 4: going so hopefully you guys can't hear it too much.

1390
01:02:03,800 --> 01:02:05,520
Speaker 2: I can't feel the fan, PJ. Can you turn it

1391
01:02:05,520 --> 01:02:06,240
Speaker 2: a little towards.

1392
01:02:08,640 --> 01:02:11,760
Speaker 4: So it's just just for context. So going through, Uh

1393
01:02:12,000 --> 01:02:13,760
Speaker 4: so I used to be married and going through we

1394
01:02:13,800 --> 01:02:16,479
Speaker 4: got married, just as the recession started, So we didn't

1395
01:02:16,480 --> 01:02:18,800
Speaker 4: have a lot of stuff, but we did have Scrubs dvidews,

1396
01:02:19,840 --> 01:02:22,320
Speaker 4: so that was pretty much we would watch Did you

1397
01:02:22,400 --> 01:02:23,080
Speaker 4: give him or her?

1398
01:02:23,200 --> 01:02:24,880
Speaker 2: When in the breakup? Did you give him or her?

1399
01:02:24,960 --> 01:02:25,520
Speaker 2: Season nine?

1400
01:02:26,480 --> 01:02:31,480
Speaker 4: Uh? I actually like season nine Donald, you do okay?

1401
01:02:31,680 --> 01:02:36,200
Speaker 4: I can't sell you my attentionent Uh, I think it

1402
01:02:36,280 --> 01:02:39,120
Speaker 4: all okay. Great. So I know this has been said

1403
01:02:39,160 --> 01:02:41,760
Speaker 4: elsewhere by other people, like had it had a different title,

1404
01:02:43,040 --> 01:02:45,360
Speaker 4: it would have been been successful. But I think because

1405
01:02:45,400 --> 01:02:46,720
Speaker 4: it was still could Scrubs.

1406
01:02:47,440 --> 01:02:50,480
Speaker 2: Should have been called Dave Franco. Yeah, there was a

1407
01:02:50,480 --> 01:02:54,040
Speaker 2: little too much Dave Ranco Donald as Screech.

1408
01:02:54,920 --> 01:02:56,880
Speaker 1: Right, But I like it.

1409
01:02:57,880 --> 01:03:00,520
Speaker 4: It's very solid. You know, the show up really well.

1410
01:03:00,640 --> 01:03:03,240
Speaker 4: Season nine holds up. I feel pretty well. Did. There

1411
01:03:03,320 --> 01:03:04,880
Speaker 4: is probably a little too much Dave Franco for me.

1412
01:03:04,960 --> 01:03:07,320
Speaker 4: He was like to me, it's more like annoying character.

1413
01:03:07,840 --> 01:03:12,600
Speaker 4: He was not right right, But so to me, like

1414
01:03:12,760 --> 01:03:14,040
Speaker 4: the big question I feel like is how do you

1415
01:03:14,120 --> 01:03:16,840
Speaker 4: think the show has has held up? Because today the

1416
01:03:16,920 --> 01:03:18,480
Speaker 4: episode that we were going to talk about, there's a

1417
01:03:18,520 --> 01:03:22,600
Speaker 4: whole sequence with doctor Cox and the and the doctor,

1418
01:03:22,720 --> 01:03:24,800
Speaker 4: the young doctor, and I feel like today I don't

1419
01:03:24,800 --> 01:03:26,080
Speaker 4: know if you'd be able to do that story.

1420
01:03:26,800 --> 01:03:28,920
Speaker 1: Well, yeah, you know, there are a lot of things

1421
01:03:28,960 --> 01:03:33,880
Speaker 1: that don't necessarily uh hold up with what's going on

1422
01:03:34,640 --> 01:03:37,280
Speaker 1: today with the show. You know, Cox calling j D

1423
01:03:37,440 --> 01:03:40,760
Speaker 1: a girl's name all the time might be you know,

1424
01:03:41,920 --> 01:03:44,400
Speaker 1: offensive to some Yeah, you could catch offense to that.

1425
01:03:44,720 --> 01:03:44,840
Speaker 3: Uh.

1426
01:03:45,360 --> 01:03:47,400
Speaker 1: Zach and I had a conversation about that. We were like,

1427
01:03:47,480 --> 01:03:51,120
Speaker 1: you know what, we know where the show has its

1428
01:03:51,280 --> 01:03:56,920
Speaker 1: moments where we're like, oh boy, but maybe you know,

1429
01:03:57,200 --> 01:04:00,680
Speaker 1: if we're if everybody's true fans of the show and

1430
01:04:00,960 --> 01:04:03,160
Speaker 1: was watching it back then and doesn't have a problem

1431
01:04:03,400 --> 01:04:05,800
Speaker 1: didn't have a problem with it back then, I don't

1432
01:04:05,840 --> 01:04:10,120
Speaker 1: necessarily think it behooves us to continue to talk about what,

1433
01:04:10,480 --> 01:04:14,360
Speaker 1: you know, the past. You know, it was made at

1434
01:04:14,400 --> 01:04:16,360
Speaker 1: a certain time, you know what I mean. I don't

1435
01:04:16,400 --> 01:04:17,440
Speaker 1: know how to I don't know.

1436
01:04:17,760 --> 01:04:20,560
Speaker 2: But but to your point, I don't know that. Uh again,

1437
01:04:21,040 --> 01:04:24,240
Speaker 2: who knows that someone might find offense to doctor Cox

1438
01:04:24,320 --> 01:04:27,360
Speaker 2: flirting with a coworker, I don't know. I think it

1439
01:04:27,520 --> 01:04:31,280
Speaker 2: was done in a pretty uh clearly consensual way. She

1440
01:04:31,400 --> 01:04:32,760
Speaker 2: was flirting right back with him, and.

1441
01:04:32,960 --> 01:04:36,320
Speaker 1: Well, and Turkey says, Turke even says, you know this

1442
01:04:36,560 --> 01:04:39,360
Speaker 1: is highly inappropriate and you shouldn't be doing this. And

1443
01:04:39,480 --> 01:04:43,000
Speaker 1: you know better than this doctor Cox and it and

1444
01:04:43,160 --> 01:04:45,280
Speaker 1: and to the and to his intern. And if you're

1445
01:04:45,320 --> 01:04:48,440
Speaker 1: supposed to say anything to you're supposed to be uh

1446
01:04:49,120 --> 01:04:53,400
Speaker 1: worshiping me and you know the knowledge I have and

1447
01:04:53,560 --> 01:04:56,640
Speaker 1: not chape being love struck with this, you know, senior

1448
01:04:57,240 --> 01:04:58,200
Speaker 1: resident in the hospital.

1449
01:04:58,280 --> 01:05:00,720
Speaker 2: For what it's worth. He then doesn't have uh courage

1450
01:05:01,160 --> 01:05:04,560
Speaker 2: or or whatever. And he's still obsessed with Judy, I guess.

1451
01:05:04,960 --> 01:05:07,320
Speaker 2: And he walks off and that she that shows up

1452
01:05:07,360 --> 01:05:09,640
Speaker 2: at his door. Do you remember that?

1453
01:05:10,640 --> 01:05:10,680
Speaker 4: No?

1454
01:05:10,800 --> 01:05:13,280
Speaker 1: Yeah, he I think he told I think PJ totally

1455
01:05:13,320 --> 01:05:13,600
Speaker 1: gets it.

1456
01:05:13,680 --> 01:05:16,400
Speaker 2: But now I'm saying it to you. She she's the

1457
01:05:16,600 --> 01:05:18,840
Speaker 2: she becomes the aggressor. And then he gets up and

1458
01:05:18,920 --> 01:05:20,919
Speaker 2: says something no man would ever say to a woman.

1459
01:05:21,000 --> 01:05:24,560
Speaker 2: He says, uh, I'm using you to get past another person.

1460
01:05:25,200 --> 01:05:27,600
Speaker 2: That was fucking nuts that any human being would say

1461
01:05:27,640 --> 01:05:29,480
Speaker 2: that to someone. But then she's like, I don't care,

1462
01:05:30,120 --> 01:05:30,720
Speaker 2: let's hook up.

1463
01:05:32,280 --> 01:05:33,680
Speaker 1: That's not why I'm here, right.

1464
01:05:33,880 --> 01:05:35,680
Speaker 4: Yeah. My whole deal is, you know, you have to

1465
01:05:35,720 --> 01:05:38,520
Speaker 4: look at things with the time that they were produced. Uh,

1466
01:05:38,760 --> 01:05:41,400
Speaker 4: And that doesn't excuse like like really agregious stuff. We

1467
01:05:41,480 --> 01:05:44,880
Speaker 4: had a title come out of Cereal Boxes recently called Knox,

1468
01:05:45,040 --> 01:05:47,520
Speaker 4: which deals with a lot of the HP Lovecraft U

1469
01:05:47,680 --> 01:05:50,600
Speaker 4: you know, like the dark and mysterious tentacles and enemies

1470
01:05:50,640 --> 01:05:53,520
Speaker 4: from other dimensions. And so the way I describe it

1471
01:05:53,560 --> 01:05:55,400
Speaker 4: to people is, you know, it's HP Lovecraft about any

1472
01:05:55,400 --> 01:05:59,160
Speaker 4: of the anti Semitism, like it's taking, it's taking like

1473
01:05:59,200 --> 01:06:01,880
Speaker 4: the best parts of it. And so yo, if you

1474
01:06:01,960 --> 01:06:04,080
Speaker 4: look at his stuff in that context, you can't excuse

1475
01:06:04,920 --> 01:06:06,280
Speaker 4: like the bladant bigotry.

1476
01:06:06,320 --> 01:06:10,920
Speaker 2: That's, well, you're you're you said, you're an LGBTQ activist.

1477
01:06:11,080 --> 01:06:13,919
Speaker 2: So there's plenty of stuff that I imagine some would

1478
01:06:14,000 --> 01:06:16,440
Speaker 2: find offensive. In nine years of this show, the calling

1479
01:06:16,520 --> 01:06:20,400
Speaker 2: of JD this sort of it was considered derogatory to

1480
01:06:20,480 --> 01:06:22,560
Speaker 2: be called a girl's name. I mean, how does how

1481
01:06:22,600 --> 01:06:23,520
Speaker 2: does something like that?

1482
01:06:23,640 --> 01:06:25,760
Speaker 4: I thought that held up to me. I thought that

1483
01:06:25,840 --> 01:06:29,520
Speaker 4: held because it's within the character that it works. That

1484
01:06:29,640 --> 01:06:32,160
Speaker 4: makes sense that he it's just the characters Dead said

1485
01:06:32,200 --> 01:06:34,800
Speaker 4: on belittling JD in any way that he can and.

1486
01:06:35,680 --> 01:06:39,360
Speaker 2: In his mind, in Cox' mind, that was belittling.

1487
01:06:39,480 --> 01:06:42,040
Speaker 4: Exactly, and was it It didn't come off as like

1488
01:06:42,200 --> 01:06:47,280
Speaker 4: malicious in that he meant it as a anti gy sler,

1489
01:06:47,440 --> 01:06:49,360
Speaker 4: like he just meant it as this I'm just gonna

1490
01:06:49,400 --> 01:06:51,200
Speaker 4: chip you down. I'm just gonna keep chipping away too.

1491
01:06:51,400 --> 01:06:53,480
Speaker 4: So I think it really comes from the character. And

1492
01:06:53,600 --> 01:06:57,200
Speaker 4: as long as the character isn't like blatantly racist or something,

1493
01:06:57,240 --> 01:06:59,920
Speaker 4: which is the case at the Coxes, and it's fine.

1494
01:07:00,800 --> 01:07:02,959
Speaker 4: I know that I know that there's there's certainly people

1495
01:07:03,040 --> 01:07:06,480
Speaker 4: that would be offended by it, and I understand that.

1496
01:07:07,520 --> 01:07:09,680
Speaker 4: But to me, as long as it fits with the

1497
01:07:09,760 --> 01:07:12,040
Speaker 4: nature of the character, you think it's okay. All right,

1498
01:07:12,520 --> 01:07:12,800
Speaker 4: all right?

1499
01:07:12,840 --> 01:07:15,400
Speaker 2: Do you have another question for the legendary Donald Faison

1500
01:07:15,640 --> 01:07:21,680
Speaker 2: or Zach braf sassy bougie Ratchet. What's happening Mahdi?

1501
01:07:21,960 --> 01:07:24,280
Speaker 1: You sound like you sound like Rocco. So Rocco doesn't

1502
01:07:24,360 --> 01:07:26,000
Speaker 1: like the song at all because he doesn't like to

1503
01:07:26,120 --> 01:07:29,200
Speaker 1: dance or anything like that. Right, so he'll be like,

1504
01:07:29,560 --> 01:07:34,000
Speaker 1: I'm a savage ratchet acid dookie.

1505
01:07:36,800 --> 01:07:38,560
Speaker 2: Rockets at a stage where if you just want to

1506
01:07:38,560 --> 01:07:41,400
Speaker 2: savage to something, say poopy or coca.

1507
01:07:41,280 --> 01:07:44,760
Speaker 1: Right cock anything. Any He sometimes, look, man, you've you've

1508
01:07:44,840 --> 01:07:47,160
Speaker 1: heard my son. I've taught him some words that I'm

1509
01:07:47,280 --> 01:07:48,480
Speaker 1: I should never have taught him.

1510
01:07:48,560 --> 01:07:50,560
Speaker 2: Man, it's like a parrot. You never want to teach

1511
01:07:50,600 --> 01:07:51,600
Speaker 2: a parrot curse.

1512
01:07:52,560 --> 01:07:54,560
Speaker 1: I taught him some words, and now I'm like, I

1513
01:07:54,600 --> 01:07:56,440
Speaker 1: should have never done it, And when he goes back

1514
01:07:56,440 --> 01:07:57,600
Speaker 1: to school, I'm so worried.

1515
01:07:57,880 --> 01:08:00,680
Speaker 2: Yeah, well, for now it's your problem. Yes, go ahead.

1516
01:08:01,080 --> 01:08:04,320
Speaker 4: Yeah. So you mentioned in the Doors that did they

1517
01:08:04,360 --> 01:08:06,479
Speaker 4: get season nine? I was actually gonna give them season

1518
01:08:06,560 --> 01:08:11,360
Speaker 4: seven for the writer's strike, And I was just always

1519
01:08:11,400 --> 01:08:15,960
Speaker 4: fascinated by the whole thing with you guys having to

1520
01:08:16,000 --> 01:08:18,760
Speaker 4: stop mid season and just trying to adjust that. I

1521
01:08:18,800 --> 01:08:20,800
Speaker 4: don't remember. Maybe you guys can provide the context of that.

1522
01:08:20,920 --> 01:08:24,040
Speaker 4: So the season shut down and then you had to

1523
01:08:24,080 --> 01:08:25,920
Speaker 4: go back and finish the episodes. Was that sort of

1524
01:08:25,960 --> 01:08:26,720
Speaker 4: the deal on that.

1525
01:08:28,160 --> 01:08:29,920
Speaker 2: I don't really remember. I know that I know that

1526
01:08:29,960 --> 01:08:32,880
Speaker 2: Hollywood was shut down for the writer's strike and we

1527
01:08:33,720 --> 01:08:37,040
Speaker 2: didn't work. Then we went back. Why are you saying

1528
01:08:37,080 --> 01:08:39,240
Speaker 2: that you can notice a difference in the in the

1529
01:08:39,320 --> 01:08:40,840
Speaker 2: quality because of that crazy time.

1530
01:08:41,120 --> 01:08:43,800
Speaker 4: Yeah. I think that if those episodes were done in

1531
01:08:43,920 --> 01:08:46,479
Speaker 4: any other context, they would have been great. But there's

1532
01:08:46,560 --> 01:08:49,240
Speaker 4: something that feels off to them as you're watching them

1533
01:08:50,200 --> 01:08:52,160
Speaker 4: that could just be going in with the context of oh,

1534
01:08:52,240 --> 01:08:53,800
Speaker 4: this was done when the writers weren't there, or this

1535
01:08:53,920 --> 01:08:55,200
Speaker 4: was sort of just done under.

1536
01:08:55,160 --> 01:08:57,679
Speaker 2: Well, nothing would be done without the writers being there.

1537
01:08:58,320 --> 01:09:00,320
Speaker 1: You know, this is a this is a really good bill.

1538
01:09:00,560 --> 01:09:03,200
Speaker 2: Oh great, we can do our ask Bill.

1539
01:09:03,720 --> 01:09:04,960
Speaker 1: This is a really good bill. Question.

1540
01:09:05,040 --> 01:09:08,240
Speaker 2: So, BJ why don't you direct it directly to Bill Lawrence,

1541
01:09:08,280 --> 01:09:11,439
Speaker 2: the show's creator. You asked him. It's a good question.

1542
01:09:12,000 --> 01:09:15,080
Speaker 4: Yeah, So Bill, a season seven, if you had to

1543
01:09:15,120 --> 01:09:17,320
Speaker 4: do over, would you feel that it would come out differently?

1544
01:09:17,960 --> 01:09:20,639
Speaker 4: And then the way it did being produceduring the writer strike.

1545
01:09:21,840 --> 01:09:22,880
Speaker 4: I think that's a good way.

1546
01:09:22,920 --> 01:09:25,479
Speaker 2: That that is good and then Bill will will Bill

1547
01:09:25,560 --> 01:09:25,920
Speaker 2: answer it?

1548
01:09:26,040 --> 01:09:26,120
Speaker 4: Now?

1549
01:09:26,240 --> 01:09:29,040
Speaker 2: Knowing Bill, knowing Bill, he'll answer the He'll start with

1550
01:09:29,120 --> 01:09:30,920
Speaker 2: a joke, that's all. It's all. See if he does this,

1551
01:09:31,280 --> 01:09:33,679
Speaker 2: A'll open with a joke. Then he'll give a very heartfelt,

1552
01:09:33,720 --> 01:09:36,720
Speaker 2: serious answer, and then he'll end by yelling five, six, seven, eight,

1553
01:09:38,120 --> 01:09:40,640
Speaker 2: we'll see, we'll see. I hope I do.

1554
01:09:40,720 --> 01:09:42,640
Speaker 5: I think Season seven would have been different without the

1555
01:09:42,720 --> 01:09:45,800
Speaker 5: right Yeah, because you got to remember, not only did

1556
01:09:45,840 --> 01:09:50,000
Speaker 5: the strike muck everything up so much so NBC even

1557
01:09:50,200 --> 01:09:52,679
Speaker 5: rejiggered the order of the episodes. I think they aired

1558
01:09:53,520 --> 01:09:56,879
Speaker 5: that Princess Bride homage like it was this show's finale,

1559
01:09:57,479 --> 01:09:59,360
Speaker 5: just in case it was the show's finale, when it

1560
01:09:59,360 --> 01:10:01,919
Speaker 5: wasn't supposed to. I mean, we were heading the finale

1561
01:10:02,360 --> 01:10:04,519
Speaker 5: was always going to be that end of season eight

1562
01:10:04,680 --> 01:10:07,760
Speaker 5: episode that was already written in my head, and uh,

1563
01:10:08,280 --> 01:10:09,720
Speaker 5: we just never got to do it that year. It

1564
01:10:09,800 --> 01:10:11,800
Speaker 5: was such a drag. Also, you got to remember, man,

1565
01:10:11,920 --> 01:10:14,840
Speaker 5: during that whole lead up to the strike, it was

1566
01:10:14,880 --> 01:10:17,839
Speaker 5: such a weird writer's room because we were all hustling

1567
01:10:17,960 --> 01:10:20,120
Speaker 5: and worried about losing our jobs and worried about not

1568
01:10:20,240 --> 01:10:23,400
Speaker 5: working and all that stuff. So it was definitely screwed

1569
01:10:23,720 --> 01:10:26,639
Speaker 5: up on one of them on record that I didn't

1570
01:10:26,680 --> 01:10:30,439
Speaker 5: do the number Q for the song because it'll get

1571
01:10:30,479 --> 01:10:32,479
Speaker 5: stale if I do it too often. But I'm coming

1572
01:10:32,560 --> 01:10:33,400
Speaker 5: back with a vengeance.

1573
01:10:34,120 --> 01:10:34,280
Speaker 4: See.

1574
01:10:34,320 --> 01:10:36,960
Speaker 1: Yeah, I remember when the writer's strike happened, and I

1575
01:10:37,080 --> 01:10:40,679
Speaker 1: remember the one thing that I remembered the most about

1576
01:10:40,760 --> 01:10:44,680
Speaker 1: the writer's strike was thinking, holy cow, we're not going

1577
01:10:44,760 --> 01:10:49,160
Speaker 1: to work for a while, and does this mean this

1578
01:10:49,320 --> 01:10:51,519
Speaker 1: is the end of the show, because you know, at

1579
01:10:51,560 --> 01:10:56,599
Speaker 1: this point, you know, studios were studios weren't necessarily behind

1580
01:10:57,400 --> 01:10:59,880
Speaker 1: writers striking and everything like that, and I worried at

1581
01:11:00,080 --> 01:11:02,840
Speaker 1: that point, does this mean that Scrubs isn't coming back?

1582
01:11:02,920 --> 01:11:05,400
Speaker 1: Are you know? And I remember I remember marching with

1583
01:11:05,800 --> 01:11:08,440
Speaker 1: Bill all the way to Universal Studios.

1584
01:11:08,600 --> 01:11:11,400
Speaker 2: Now we all went and marched on the line with everybody.

1585
01:11:11,439 --> 01:11:14,880
Speaker 1: And thinking, is this something that the studio is going

1586
01:11:14,920 --> 01:11:16,360
Speaker 1: to look back at and be like, well, We're not

1587
01:11:16,360 --> 01:11:19,240
Speaker 1: going to bring back Scrubs because they were a part

1588
01:11:19,280 --> 01:11:20,880
Speaker 1: of the writer's strike. We're not going to bring back

1589
01:11:20,920 --> 01:11:22,840
Speaker 1: Brooklyn nine to nine because they were a part of

1590
01:11:22,880 --> 01:11:23,800
Speaker 1: the you know what I mean.

1591
01:11:24,280 --> 01:11:27,200
Speaker 2: Like now, by the way, you know, shows are dropping

1592
01:11:27,200 --> 01:11:30,240
Speaker 2: because of this because of COVID, and and Broadway shows

1593
01:11:30,280 --> 01:11:32,280
Speaker 2: are closed because of COVID because they because they know

1594
01:11:32,320 --> 01:11:32,879
Speaker 2: they can't.

1595
01:11:32,760 --> 01:11:35,720
Speaker 1: Right, Frozen is done because of COVID.

1596
01:11:35,680 --> 01:11:39,479
Speaker 2: Yeah, and others and shows are getting canceled. Emergence a

1597
01:11:40,080 --> 01:11:41,519
Speaker 2: amazing show, Emergence starting.

1598
01:11:41,520 --> 01:11:43,439
Speaker 1: Well, I don't know if Emergents got canceled because of

1599
01:11:43,520 --> 01:11:46,280
Speaker 1: COVID or if Emergents got you know, ABC doesn't have

1600
01:11:46,360 --> 01:11:49,160
Speaker 1: to give a reason for why they canceled the show.

1601
01:11:49,880 --> 01:11:50,879
Speaker 2: Have you watched Emergence?

1602
01:11:51,560 --> 01:11:53,400
Speaker 4: I have, I didn't.

1603
01:11:53,560 --> 01:11:58,439
Speaker 2: It didn't take for me a BJ You're done, No,

1604
01:11:58,640 --> 01:11:59,759
Speaker 2: I'm just joking, I'm just doing.

1605
01:12:01,680 --> 01:12:05,120
Speaker 4: It didn't take for me. I love the cast, great actors,

1606
01:12:05,439 --> 01:12:08,920
Speaker 4: great actors. Yeah, I find a lot of TV shows

1607
01:12:08,920 --> 01:12:10,719
Speaker 4: that come out of the broadcast that works that usually

1608
01:12:11,280 --> 01:12:13,840
Speaker 4: the cast is great, but for whatever reason, there's just

1609
01:12:13,920 --> 01:12:14,920
Speaker 4: something that doesn't click for.

1610
01:12:14,960 --> 01:12:16,560
Speaker 2: Me the way that well, I think what happens is

1611
01:12:16,600 --> 01:12:21,360
Speaker 2: that just sort of stereotypically there there's a lot of

1612
01:12:21,520 --> 01:12:24,439
Speaker 2: chefs in the kitchen on broadcast, and now more and

1613
01:12:24,560 --> 01:12:31,800
Speaker 2: more the showrunner and directors are given long leashes on

1614
01:12:31,920 --> 01:12:34,920
Speaker 2: streaming platforms and there's a voice to be had. They

1615
01:12:35,040 --> 01:12:37,360
Speaker 2: want a voice, was the voice behind the show. That's

1616
01:12:37,400 --> 01:12:40,839
Speaker 2: what they're interested in, especially all these sort of comedies

1617
01:12:40,880 --> 01:12:43,160
Speaker 2: we all love on on on things like you know,

1618
01:12:43,640 --> 01:12:46,400
Speaker 2: the perfect example is is Atlanta. For me, it's like

1619
01:12:46,560 --> 01:12:49,240
Speaker 2: so clearly someone's taste and voice.

1620
01:12:49,680 --> 01:12:52,640
Speaker 1: And that's hard to find on broadcast television, of.

1621
01:12:52,600 --> 01:12:54,920
Speaker 2: Course, because there's nine thousand people weighing in and it

1622
01:12:55,040 --> 01:12:57,760
Speaker 2: just becomes a fucking muddy stew Oh.

1623
01:12:57,840 --> 01:12:59,760
Speaker 4: I feel that way about Dave on fx X.

1624
01:13:01,160 --> 01:13:02,240
Speaker 2: You like it or you don't like it.

1625
01:13:02,320 --> 01:13:02,640
Speaker 4: I love it.

1626
01:13:02,960 --> 01:13:05,000
Speaker 2: Oh good good, I get a whole ad for Dave

1627
01:13:05,080 --> 01:13:08,160
Speaker 2: on here it's so good, Davids. I can't get Donald,

1628
01:13:08,160 --> 01:13:09,519
Speaker 2: who would love it more than any of us, to

1629
01:13:09,560 --> 01:13:11,880
Speaker 2: watch it, because he's too busy fucking doing whatever he's doing.

1630
01:13:12,320 --> 01:13:14,400
Speaker 1: I'm raising kids, yo, No, I'm raising kids.

1631
01:13:15,160 --> 01:13:16,759
Speaker 2: Go to sleep? And what time seven thirty?

1632
01:13:17,040 --> 01:13:20,960
Speaker 1: And then I want to go to bed, buddy, seven early?

1633
01:13:21,160 --> 01:13:23,120
Speaker 2: What time you get to bed? What time is lights out?

1634
01:13:23,640 --> 01:13:23,920
Speaker 1: Thirty?

1635
01:13:24,320 --> 01:13:24,360
Speaker 4: No?

1636
01:13:25,160 --> 01:13:28,360
Speaker 2: Yeah, man, you turn out your lights at eight thirty, eight.

1637
01:13:28,360 --> 01:13:31,160
Speaker 1: Thirty nine o'clock. I'm most likely on my way upstairs

1638
01:13:31,200 --> 01:13:34,840
Speaker 1: to go to sleep. Wow, it's crazy, dude. Listen man.

1639
01:13:35,200 --> 01:13:38,439
Speaker 1: As much as as much as I'm as, I'll tell

1640
01:13:38,439 --> 01:13:40,960
Speaker 1: you right now. I love my children. I love everything

1641
01:13:41,040 --> 01:13:43,800
Speaker 1: about being a dad and and all of that stuff.

1642
01:13:44,000 --> 01:13:47,120
Speaker 1: But I said it before. I miss waking up at

1643
01:13:47,240 --> 01:13:51,720
Speaker 1: noon and not having anything to do other than hang

1644
01:13:51,800 --> 01:13:54,840
Speaker 1: out with my wife. You know what I mean. I

1645
01:13:55,040 --> 01:13:56,080
Speaker 1: miss that shit.

1646
01:13:57,520 --> 01:14:01,519
Speaker 2: Every every week. Donald makes having children seem less and

1647
01:14:01,600 --> 01:14:02,240
Speaker 2: less appealing.

1648
01:14:02,479 --> 01:14:05,000
Speaker 1: Now now I don't want to go back to that.

1649
01:14:05,800 --> 01:14:07,479
Speaker 1: I don't want I don't want to. You know, the

1650
01:14:07,520 --> 01:14:10,840
Speaker 1: grass is always greener. I would prefer to wake my

1651
01:14:11,280 --> 01:14:13,439
Speaker 1: my son walking in my room at five thirty in

1652
01:14:13,479 --> 01:14:18,599
Speaker 1: the morning every day, saying can I have cinnamon toast crunch.

1653
01:14:19,040 --> 01:14:21,280
Speaker 1: I prefer that over.

1654
01:14:21,560 --> 01:14:24,000
Speaker 2: Freak being at Orlando Jones's pool till four.

1655
01:14:24,400 --> 01:14:27,120
Speaker 1: Morning, right exactly till four o'clock in the morning. But

1656
01:14:27,760 --> 01:14:32,000
Speaker 1: you know it's it's I do miss that moment in

1657
01:14:32,160 --> 01:14:36,639
Speaker 1: time where it was just I didn't have to worry

1658
01:14:36,680 --> 01:14:38,200
Speaker 1: about a lot of things, you know what I mean,

1659
01:14:38,240 --> 01:14:39,679
Speaker 1: And I worry about everything.

1660
01:14:39,800 --> 01:14:39,960
Speaker 4: Now.

1661
01:14:40,800 --> 01:14:42,760
Speaker 2: Well, you're in a new chapter of your lifetime. This

1662
01:14:42,920 --> 01:14:44,280
Speaker 2: is this is forty six.

1663
01:14:45,880 --> 01:14:47,960
Speaker 1: Yeah, you know, and when I was a young dad,

1664
01:14:48,120 --> 01:14:51,800
Speaker 1: it seemed a lot easier. It seems way more difficult now. Man,

1665
01:14:51,880 --> 01:14:53,360
Speaker 1: I don't know bj you have kids.

1666
01:14:53,240 --> 01:14:54,880
Speaker 4: Right, No, I'm child free.

1667
01:14:56,600 --> 01:14:57,240
Speaker 2: He was talking about it.

1668
01:14:57,360 --> 01:15:00,720
Speaker 4: Yeah, I love kids. I love that is more than

1669
01:15:00,760 --> 01:15:03,599
Speaker 4: anything in the world. I think kids are just the best.

1670
01:15:04,080 --> 01:15:04,200
Speaker 1: Uh.

1671
01:15:05,160 --> 01:15:07,040
Speaker 4: But for me, I decided, you know, I want to

1672
01:15:07,040 --> 01:15:09,160
Speaker 4: be inviting friendly and I know it's cookies, it sounds.

1673
01:15:10,360 --> 01:15:13,400
Speaker 4: So I took that, took that like produce your carbon

1674
01:15:13,439 --> 01:15:17,320
Speaker 4: footprint thing really seriously and just decided you had kids.

1675
01:15:17,840 --> 01:15:19,280
Speaker 4: I don't know what kind of world did would get into,

1676
01:15:19,439 --> 01:15:21,760
Speaker 4: so I signed out to do it. It's a little

1677
01:15:21,800 --> 01:15:22,120
Speaker 4: too deep.

1678
01:15:22,960 --> 01:15:25,800
Speaker 2: As you like fun, go out with one a happy question.

1679
01:15:25,880 --> 01:15:29,040
Speaker 2: Because we're going along, we wrap it up. Yes, you've

1680
01:15:29,040 --> 01:15:31,439
Speaker 2: been a great guest. I gotta say Donald hasn't been

1681
01:15:31,479 --> 01:15:32,000
Speaker 2: a great guest.

1682
01:15:32,200 --> 01:15:35,200
Speaker 1: BJ. I'm gonna be honest with you so far, favorite

1683
01:15:35,240 --> 01:15:35,920
Speaker 1: call in ever.

1684
01:15:36,640 --> 01:15:39,360
Speaker 2: Yeah, I think I'm gonna I'm gonna think for a second. Yeah,

1685
01:15:39,360 --> 01:15:41,559
Speaker 2: I think BJ is definitely top two or three.

1686
01:15:42,160 --> 01:15:42,320
Speaker 4: Two.

1687
01:15:42,560 --> 01:15:43,720
Speaker 1: I'm gonna give the number one.

1688
01:15:43,840 --> 01:15:45,240
Speaker 2: You know what, No, before you give it to him,

1689
01:15:45,360 --> 01:15:47,280
Speaker 2: Before you give it to him, Let's see what the

1690
01:15:47,320 --> 01:15:48,040
Speaker 2: final question is.

1691
01:15:48,160 --> 01:15:50,720
Speaker 4: Yes, yeah, no, I thank you guys, because I, like

1692
01:15:50,800 --> 01:15:53,960
Speaker 4: I said, I spent uh craps on the time with

1693
01:15:54,120 --> 01:15:57,519
Speaker 4: the X watching you. So it was cool just being

1694
01:15:57,560 --> 01:15:59,800
Speaker 4: able to experience a few minutes hanging out. Uh So,

1695
01:16:00,040 --> 01:16:02,880
Speaker 4: my last question for you is the world where even

1696
01:16:03,040 --> 01:16:08,760
Speaker 4: like the most chriscopic shown, remember Get the movie. You've

1697
01:16:08,760 --> 01:16:10,960
Speaker 4: probably gotten this a lot, but do you envision a

1698
01:16:11,400 --> 01:16:13,960
Speaker 4: scenario where there might be more scrubs? And I know

1699
01:16:14,160 --> 01:16:15,920
Speaker 4: that it's such a fam boy question I asked, but

1700
01:16:15,920 --> 01:16:16,519
Speaker 4: I had to ask it.

1701
01:16:16,800 --> 01:16:17,800
Speaker 1: No, it's a great question.

1702
01:16:18,160 --> 01:16:19,040
Speaker 2: I think there's a world.

1703
01:16:19,640 --> 01:16:24,160
Speaker 1: It was we did the view today and Whoopy Goldberg said.

1704
01:16:24,200 --> 01:16:30,519
Speaker 2: You know Oscar nominee. Woopy Goldberg got Oh, he got winner.

1705
01:16:30,840 --> 01:16:34,840
Speaker 1: He got winner. Whoopy gold Sorry, she has the four

1706
01:16:34,920 --> 01:16:35,559
Speaker 1: of them together.

1707
01:16:35,600 --> 01:16:36,679
Speaker 2: I didn't know she was an e gun.

1708
01:16:37,080 --> 01:16:40,240
Speaker 1: Yeah she she she That's the reason she's got the Tony,

1709
01:16:40,720 --> 01:16:44,320
Speaker 1: the Emmy, the Grammy and the Oscar.

1710
01:16:44,760 --> 01:16:45,680
Speaker 2: What does she have an oscar for?

1711
01:16:46,520 --> 01:16:46,800
Speaker 1: Ghost?

1712
01:16:46,880 --> 01:16:48,960
Speaker 2: Color purple? Ghost ghosts?

1713
01:16:51,600 --> 01:16:51,720
Speaker 4: Oh?

1714
01:16:51,760 --> 01:16:53,519
Speaker 2: Wow, don't get us going on color purple.

1715
01:16:53,560 --> 01:16:53,720
Speaker 4: We did.

1716
01:16:54,080 --> 01:16:56,560
Speaker 2: We did a whole episode. Listen, we love us some

1717
01:16:57,520 --> 01:17:00,240
Speaker 2: don't get don't, don't, don't, don't get good Donald doing

1718
01:17:00,479 --> 01:17:03,000
Speaker 2: Oprah's monologue again because she was Gideon for me.

1719
01:17:03,320 --> 01:17:06,439
Speaker 1: Like I grew up with her on the Next Generation. Yes,

1720
01:17:06,520 --> 01:17:08,000
Speaker 1: she was great on that too.

1721
01:17:08,080 --> 01:17:10,200
Speaker 2: Did you ever see her one woman Broadway show that

1722
01:17:10,320 --> 01:17:10,680
Speaker 2: you can know?

1723
01:17:11,200 --> 01:17:12,439
Speaker 1: That's what she won the Tony four?

1724
01:17:13,439 --> 01:17:16,639
Speaker 2: I think it was nineteen eighty five. It was Whoopy

1725
01:17:16,760 --> 01:17:20,759
Speaker 2: Goldberg's one woman Broadway show and she does all these characters,

1726
01:17:21,479 --> 01:17:24,840
Speaker 2: and I'm telling you find it. It is a fucking masterpiece.

1727
01:17:24,840 --> 01:17:26,120
Speaker 4: It's one of the she she is.

1728
01:17:26,439 --> 01:17:29,479
Speaker 1: She is by far like she is, she's better.

1729
01:17:29,840 --> 01:17:32,360
Speaker 2: I don't mean to diss the view, because the view

1730
01:17:32,439 --> 01:17:34,519
Speaker 2: is the view, and it's like the most popular daytime show.

1731
01:17:34,560 --> 01:17:37,080
Speaker 2: But I wish that Whoopy was still acting because she's

1732
01:17:37,400 --> 01:17:38,839
Speaker 2: so incredibly talented.

1733
01:17:39,200 --> 01:17:41,679
Speaker 1: She's one of the She's one in my opinion, she's

1734
01:17:41,760 --> 01:17:42,840
Speaker 1: one of the best ever.

1735
01:17:43,240 --> 01:17:45,080
Speaker 2: Anyway, you made me want to go back and watch

1736
01:17:45,080 --> 01:17:48,040
Speaker 2: Star Trek the Next Generation now because I used to

1737
01:17:48,160 --> 01:17:48,920
Speaker 2: watch that show.

1738
01:17:50,160 --> 01:17:51,960
Speaker 1: Gat watching Donald, I did great.

1739
01:17:52,000 --> 01:17:54,320
Speaker 2: Do you remember the episode where Picard is being tortured

1740
01:17:54,360 --> 01:17:57,160
Speaker 2: and he's like there four lights?

1741
01:17:58,439 --> 01:18:01,040
Speaker 1: Yeah by the borg is he being to the boy again?

1742
01:18:01,160 --> 01:18:01,320
Speaker 4: Yeah?

1743
01:18:02,280 --> 01:18:07,080
Speaker 1: Anyway, she was like Whoopee was like, look, I'm a

1744
01:18:07,160 --> 01:18:08,760
Speaker 1: huge fan. I was a huge fan of the show.

1745
01:18:09,439 --> 01:18:11,160
Speaker 1: I think y'all should make a Scrubs movie.

1746
01:18:11,960 --> 01:18:15,479
Speaker 2: Yeah, So we talk about that, you know, because I

1747
01:18:15,800 --> 01:18:19,120
Speaker 2: point to psych who's now made two successful films, and

1748
01:18:20,040 --> 01:18:21,639
Speaker 2: it would be fun. I think it would be fun

1749
01:18:21,680 --> 01:18:23,400
Speaker 2: for us to all do something like that. We just

1750
01:18:23,520 --> 01:18:25,200
Speaker 2: have to get Disney to be into it and Bill

1751
01:18:25,280 --> 01:18:28,040
Speaker 2: Laurence to be into it, and I think it'll happen.

1752
01:18:28,120 --> 01:18:30,880
Speaker 2: They're the fans. The fans seem to really want it

1753
01:18:30,920 --> 01:18:31,280
Speaker 2: to happen.

1754
01:18:31,600 --> 01:18:34,519
Speaker 1: The fans wanted a rewatch show and they got that.

1755
01:18:34,800 --> 01:18:37,439
Speaker 2: So yes, we're getting the people what they want. DJ

1756
01:18:37,600 --> 01:18:41,000
Speaker 2: You've been an outstanding guest. You're Donald's favorite guest of all.

1757
01:18:41,000 --> 01:18:45,000
Speaker 1: Time favorite, calling Calling guests calling.

1758
01:18:44,880 --> 01:18:48,000
Speaker 2: Favorite Collin BJ. We had to qualify it and better.

1759
01:18:48,040 --> 01:18:48,679
Speaker 4: I have no doubt.

1760
01:18:49,240 --> 01:18:51,679
Speaker 2: Uh No, I think you asked smart questions. You seem

1761
01:18:51,720 --> 01:18:54,840
Speaker 2: like a very intelligent man. You gave a thoughtful discourse.

1762
01:18:55,280 --> 01:18:57,760
Speaker 2: What else Donald and he knew about Star Wars? Yeah,

1763
01:18:57,760 --> 01:18:59,400
Speaker 2: you know about Star Wars. That's why Donald likes you.

1764
01:18:59,520 --> 01:19:01,320
Speaker 2: And you had Well waving her hands like she was

1765
01:19:01,360 --> 01:19:04,920
Speaker 2: Sam preach in the background. Thanks for coming on, man,

1766
01:19:04,960 --> 01:19:06,120
Speaker 2: have a great day, stay safe.

1767
01:19:06,479 --> 01:19:09,320
Speaker 1: Appreciate you today, healthy brother and Donald.

1768
01:19:09,360 --> 01:19:11,680
Speaker 2: I think I successfully cheered you up. You started a

1769
01:19:11,720 --> 01:19:14,439
Speaker 2: little bit sour today, but I think that we really

1770
01:19:14,479 --> 01:19:15,120
Speaker 2: brought you around.

1771
01:19:16,000 --> 01:19:21,960
Speaker 1: You know, I'm gonna tell you something, go ahead. It

1772
01:19:22,080 --> 01:19:24,160
Speaker 1: was a great distraction today, Man, it was a great

1773
01:19:24,200 --> 01:19:26,479
Speaker 1: distraction to sit here and talk with you today. I

1774
01:19:26,560 --> 01:19:26,920
Speaker 1: needed it.

1775
01:19:27,280 --> 01:19:29,360
Speaker 2: Well, that's why we're here for the people. Donald. We

1776
01:19:29,880 --> 01:19:33,720
Speaker 2: didn't think that this would be a quarantine show, but

1777
01:19:33,840 --> 01:19:37,120
Speaker 2: since it is, we hope that we're helping you stop

1778
01:19:37,240 --> 01:19:40,120
Speaker 2: thinking about nonsense in your life for an hour and

1779
01:19:40,240 --> 01:19:40,880
Speaker 2: a half or so.

1780
01:19:41,560 --> 01:19:44,080
Speaker 1: Yeah, but just on a personal level today, I was very,

1781
01:19:44,400 --> 01:19:47,559
Speaker 1: very very you know, and I'm going to go back

1782
01:19:47,600 --> 01:19:50,840
Speaker 1: into it after we after we wrapped the episode. But

1783
01:19:51,400 --> 01:19:54,960
Speaker 1: I was very very I don't know, I wasn't having

1784
01:19:55,000 --> 01:19:59,120
Speaker 1: a great day and melancholic. Yes, I was very melancholic.

1785
01:19:59,640 --> 01:20:03,120
Speaker 1: I the melancholy was if I could play a song,

1786
01:20:03,360 --> 01:20:04,880
Speaker 1: it would be a Josh Raiden song.

1787
01:20:05,000 --> 01:20:05,800
Speaker 4: Right now, I hear you.

1788
01:20:06,160 --> 01:20:08,439
Speaker 2: Well, listen, Now you're gonna now that the episode's over

1789
01:20:08,439 --> 01:20:10,879
Speaker 2: and you've had so much fun, you're gonna.

1790
01:20:10,680 --> 01:20:11,320
Speaker 4: Go on something.

1791
01:20:11,479 --> 01:20:12,840
Speaker 1: I'm gonna go out and play with the kids.

1792
01:20:12,880 --> 01:20:14,560
Speaker 2: You're gonna play with the kids on the water, the

1793
01:20:14,640 --> 01:20:15,639
Speaker 2: water bouncy house.

1794
01:20:15,960 --> 01:20:16,160
Speaker 4: Yeah.

1795
01:20:16,200 --> 01:20:18,920
Speaker 2: And then and you're gonna say, and your daughter's gonna

1796
01:20:18,920 --> 01:20:20,920
Speaker 2: do sessy Maddy Nasty.

1797
01:20:21,920 --> 01:20:23,559
Speaker 1: She's gonna sing a little Meg the Stallion.

1798
01:20:23,840 --> 01:20:26,200
Speaker 2: And now I'm gonna say, this is how we do it.

1799
01:20:29,160 --> 01:20:32,519
Speaker 2: This has been Hi, doctors, real friends. We hope you

1800
01:20:32,600 --> 01:20:36,120
Speaker 2: had a great experience with us today. Follow Donald on Instagram.

1801
01:20:36,200 --> 01:20:38,280
Speaker 2: He's got envy of my followers.

1802
01:20:37,960 --> 01:20:40,599
Speaker 1: And I am an envious of your followers. Men, Listen,

1803
01:20:40,720 --> 01:20:42,720
Speaker 1: you have one point something milk.

1804
01:20:42,520 --> 01:20:45,200
Speaker 2: Well, I can't share them. It's not like monopoly where

1805
01:20:45,200 --> 01:20:46,640
Speaker 2: I can just give you some properties.

1806
01:20:47,000 --> 01:20:49,760
Speaker 1: Dude, you you talk your followers, Listen, just tell.

1807
01:20:49,680 --> 01:20:50,479
Speaker 2: Your come over to.

1808
01:20:52,280 --> 01:20:55,560
Speaker 1: Follow Donald's underscore Ason.

1809
01:20:55,320 --> 01:20:57,479
Speaker 2: That's probably why they can't find you. Got some weird spelling.

1810
01:20:57,880 --> 01:21:00,960
Speaker 1: I was trunk, Okay, the truth behind it. He's drunk.

1811
01:21:01,040 --> 01:21:06,320
Speaker 1: The day I created my inter my my Instra handle, Yeah,

1812
01:21:06,360 --> 01:21:09,439
Speaker 1: my handle, and I thought I was hitting F and

1813
01:21:09,520 --> 01:21:10,640
Speaker 1: I hit underscore.

1814
01:21:12,160 --> 01:21:14,400
Speaker 2: Kids, don't drink, create a handle.

1815
01:21:14,320 --> 01:21:17,519
Speaker 1: Or ason, or drink and create a handle. Who cares.

1816
01:21:17,920 --> 01:21:19,800
Speaker 2: We hope we left you happy. We hope you left

1817
01:21:19,800 --> 01:21:21,759
Speaker 2: you smiling. Thank you to BJ, Thank you to Joel,

1818
01:21:21,880 --> 01:21:24,519
Speaker 2: thank you to Dan, thank you to Will, Thank you

1819
01:21:24,640 --> 01:21:27,920
Speaker 2: to Will Pearson at iHeart and tell you what. Email

1820
01:21:28,000 --> 01:21:31,599
Speaker 2: us at scrubs iHeart gmail dot com. Joel will sift

1821
01:21:31,680 --> 01:21:34,160
Speaker 2: through your questions and see if you're as worthy as

1822
01:21:34,240 --> 01:21:36,519
Speaker 2: BJ was. Donald hit up with the.

1823
01:21:36,560 --> 01:21:40,599
Speaker 1: Numbers, ses I'm not show.

1824
01:21:40,880 --> 01:21:45,080
Speaker 2: We made about a bunch of docs and nurses and.

1825
01:21:47,160 --> 01:21:50,120
Speaker 1: Said here's the stories nets.

1826
01:21:52,280 --> 01:21:55,080
Speaker 3: So yet here yea