1 00:00:00,040 --> 00:00:03,440 Speaker 1: First of all, you don't know me. Were all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama, girl drama, girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:14,680 Speaker 1: our comic girl Cheering for the right drama, queens up 5 00:00:14,800 --> 00:00:17,440 Speaker 1: girl fashion, but your tough girl, you could sit with us. 6 00:00:17,520 --> 00:00:22,000 Speaker 1: Girl drama, queens drama, Queen's Drama, Queen's Drama, Drawn, Queen's Drama, 7 00:00:22,079 --> 00:00:32,159 Speaker 1: Queen's Hell. Love. Friends, that we missed you, Hi, I 8 00:00:32,479 --> 00:00:36,840 Speaker 1: missed you guys too bad. You weren't off doing anything important. 9 00:00:39,640 --> 00:00:42,120 Speaker 1: I know. That's how you know your friends have your back, 10 00:00:42,200 --> 00:00:45,880 Speaker 1: and they're like, take some time off for your honeymoon? 11 00:00:46,680 --> 00:00:53,920 Speaker 1: Did you so? Thank you much? You're you look fantastic. 12 00:00:55,520 --> 00:00:57,480 Speaker 1: Did you take a vacation for the first time in 13 00:00:57,480 --> 00:01:02,560 Speaker 1: your adult life? Sophia, I couldn't believe it, I said too. 14 00:01:02,840 --> 00:01:04,399 Speaker 1: I said to Grant. I was like, I feel like 15 00:01:04,440 --> 00:01:07,920 Speaker 1: we've been away for a year. He was like, well, 16 00:01:08,000 --> 00:01:12,759 Speaker 1: it's been two weeks so far, and you might need 17 00:01:12,800 --> 00:01:15,240 Speaker 1: to take more vacations. And I was like, I don't 18 00:01:15,240 --> 00:01:19,840 Speaker 1: know how this works, but it is so good to 19 00:01:19,880 --> 00:01:25,199 Speaker 1: be back with you. Angels. We are here for season three, 20 00:01:25,280 --> 00:01:30,399 Speaker 1: Episode eight, The Worst Day Since Yesterday, which aired originally 21 00:01:30,400 --> 00:01:34,399 Speaker 1: on November two thousand five. It is the first game 22 00:01:34,440 --> 00:01:36,920 Speaker 1: of the season for the Tree Hill Ravens. Brooke is 23 00:01:37,040 --> 00:01:41,600 Speaker 1: reeling from her drunken mistake Let's call it a drunken disaster. 24 00:01:42,200 --> 00:01:48,240 Speaker 1: Dr Lucas choices us making poor choices. After Lucas found 25 00:01:48,240 --> 00:01:51,080 Speaker 1: her in bed with Chris Keller in the most incredible 26 00:01:51,120 --> 00:01:56,240 Speaker 1: camera reveal of all time, she decides to take matters 27 00:01:56,240 --> 00:01:59,559 Speaker 1: into her own hands with her designs Peyton and Hayley 28 00:01:59,640 --> 00:02:02,240 Speaker 1: mint fences to support Brooke in her time of need. 29 00:02:02,640 --> 00:02:05,320 Speaker 1: Ncas is having a hard time focusing on the game, 30 00:02:05,920 --> 00:02:09,040 Speaker 1: and Karen and Dan continue their campaigns on the radio, 31 00:02:09,320 --> 00:02:14,240 Speaker 1: but Karen is presented with some damning video recording by 32 00:02:14,320 --> 00:02:19,320 Speaker 1: Mouth always the hero Don't Don't. I liked this episode. 33 00:02:20,600 --> 00:02:22,440 Speaker 1: We had some doozies that I was not into, but 34 00:02:22,520 --> 00:02:25,880 Speaker 1: this one was like back to happy sad, happy sad. 35 00:02:25,960 --> 00:02:29,200 Speaker 1: That's the balance of the show, you know, Yeah, yeah, 36 00:02:29,240 --> 00:02:31,720 Speaker 1: there's some fun stuff happening. It kept my interest the 37 00:02:31,720 --> 00:02:33,359 Speaker 1: whole time. I was like, what's going to happen, What's 38 00:02:33,360 --> 00:02:35,359 Speaker 1: going to happen. It didn't feel like it was lagging 39 00:02:35,480 --> 00:02:38,000 Speaker 1: or it didn't feel like an episode where the writer's 40 00:02:38,080 --> 00:02:41,120 Speaker 1: room was just desperately trying to patch something together so 41 00:02:41,120 --> 00:02:43,760 Speaker 1: they can keep the episode going. You know, no more 42 00:02:43,840 --> 00:02:48,320 Speaker 1: bottle episodes of weirdness. And so much of the dialogue 43 00:02:48,480 --> 00:02:52,520 Speaker 1: felt real. I felt like, and I don't know if 44 00:02:52,560 --> 00:02:54,680 Speaker 1: people were ad living a little more freely in this 45 00:02:54,720 --> 00:02:57,480 Speaker 1: episode because you know, the director was giving them permission 46 00:02:57,520 --> 00:03:02,240 Speaker 1: to or what. But so many convert stations felt really 47 00:03:02,320 --> 00:03:09,320 Speaker 1: real and snappy and quirky, and it didn't feel like dialogue. Yeah. 48 00:03:09,639 --> 00:03:11,440 Speaker 1: I always love seeing the three of us together too. 49 00:03:11,560 --> 00:03:15,519 Speaker 1: There's something something magical about those scenes. And the boys 50 00:03:15,520 --> 00:03:18,080 Speaker 1: are fine. The boys are fine. We love them. Everyone 51 00:03:18,120 --> 00:03:21,480 Speaker 1: knows that we love them. But the scenes were were together. 52 00:03:21,520 --> 00:03:24,080 Speaker 1: I'm just like, I just love you guys. This show 53 00:03:24,280 --> 00:03:30,360 Speaker 1: is fun. I love it. Step away from the Kike. Yes, 54 00:03:30,440 --> 00:03:33,000 Speaker 1: when you guys walk into the apartment and I just 55 00:03:33,080 --> 00:03:35,280 Speaker 1: have my face in a tropol Okay, good god, I 56 00:03:35,280 --> 00:03:38,120 Speaker 1: think I ate like four cakes that day. It was miserable. 57 00:03:38,880 --> 00:03:42,800 Speaker 1: It just felt good. I was like, I want to 58 00:03:42,840 --> 00:03:50,760 Speaker 1: watch this for an hour. Did he sing to you? Yes? Scene? 59 00:03:51,720 --> 00:03:58,320 Speaker 1: It was so good together and the humor in it, 60 00:03:58,800 --> 00:04:01,480 Speaker 1: everyone trying to help been saying the wrong thing. And 61 00:04:01,560 --> 00:04:05,000 Speaker 1: each of us saying something as advice but then realizing 62 00:04:05,000 --> 00:04:07,120 Speaker 1: it was like a diss to something else someone had done, 63 00:04:07,160 --> 00:04:11,400 Speaker 1: like I'm not gonna leave them a message. I'm sorry. Look. 64 00:04:12,040 --> 00:04:15,120 Speaker 1: Oh my god, Sophia, you're so good at being overwhelmed 65 00:04:15,120 --> 00:04:21,920 Speaker 1: by shames. The amount I literally wrote that, you guys 66 00:04:22,040 --> 00:04:24,560 Speaker 1: in my notes. It's notes notes, Oh my god, I'm 67 00:04:24,560 --> 00:04:30,880 Speaker 1: a groupie, and in all caps the shame. I mean, 68 00:04:30,920 --> 00:04:33,880 Speaker 1: we've all done that. We've all either kissed the person 69 00:04:34,080 --> 00:04:35,839 Speaker 1: or like hooked up with the person that we have 70 00:04:35,960 --> 00:04:40,760 Speaker 1: to explain later. And it is such a miserable feeling, 71 00:04:41,360 --> 00:04:44,080 Speaker 1: like the worst and laughable later. You got to give 72 00:04:44,120 --> 00:04:46,200 Speaker 1: yourself like a grace period. We can laugh at for 73 00:04:46,400 --> 00:04:51,680 Speaker 1: brook now, but oh yeah, in the moment, in the moment, 74 00:04:51,760 --> 00:04:58,839 Speaker 1: it's so awful. I remember even doing that scene where 75 00:05:00,120 --> 00:05:02,880 Speaker 1: Lucas walks in and it looks like Brooks alone in 76 00:05:02,880 --> 00:05:05,440 Speaker 1: the bed and then Chris pops up behind her, and 77 00:05:05,640 --> 00:05:10,599 Speaker 1: even filming the scene felt like a nightmare, like I 78 00:05:10,720 --> 00:05:13,960 Speaker 1: knew I could see even though I was in it. 79 00:05:13,960 --> 00:05:15,719 Speaker 1: It was like I had a bird's eye view. I 80 00:05:15,760 --> 00:05:17,640 Speaker 1: had like left my body and I was up in 81 00:05:17,640 --> 00:05:22,400 Speaker 1: the corner and I was like, this is awful. Were 82 00:05:22,400 --> 00:05:25,279 Speaker 1: you freaked out about like the fans reactions like were 83 00:05:25,320 --> 00:05:27,440 Speaker 1: you at all? Where like they're going to revolt? And 84 00:05:27,480 --> 00:05:29,960 Speaker 1: think you know, because I can watch it now and 85 00:05:30,080 --> 00:05:32,320 Speaker 1: still be team Brooke and be like, but she said 86 00:05:32,360 --> 00:05:35,640 Speaker 1: they weren't exclusive, what do you want? You know? I mean, look, 87 00:05:35,640 --> 00:05:37,920 Speaker 1: I knew people would be upset, But what I will 88 00:05:38,000 --> 00:05:42,920 Speaker 1: say I appreciated is that, you know, sometimes the writers 89 00:05:42,960 --> 00:05:46,040 Speaker 1: would want to wrap up a storyline in an episode 90 00:05:46,160 --> 00:05:49,520 Speaker 1: which doesn't ever let you dig into something. And for 91 00:05:49,600 --> 00:05:54,400 Speaker 1: all of the beginning of season three, you're really seeing 92 00:05:55,040 --> 00:05:59,880 Speaker 1: how Brooke is trying to learn to cope with her 93 00:06:00,000 --> 00:06:03,560 Speaker 1: feelings and she doesn't know how to get over feeling betrayed, 94 00:06:03,680 --> 00:06:06,360 Speaker 1: and she wants to trust him but she just can't 95 00:06:06,360 --> 00:06:10,599 Speaker 1: and she's scared. So I felt like, I mean, I 96 00:06:10,640 --> 00:06:12,800 Speaker 1: felt like it was a step too far. I was like, cod, 97 00:06:12,920 --> 00:06:18,000 Speaker 1: she's gotta like bang this guy. We're teenagers. But I 98 00:06:18,160 --> 00:06:24,680 Speaker 1: also thought so many people look for outlets for their 99 00:06:24,720 --> 00:06:27,880 Speaker 1: pain that are not healthy, and when you're a kid 100 00:06:27,920 --> 00:06:31,960 Speaker 1: and you don't have the language, like I could understand 101 00:06:31,960 --> 00:06:33,960 Speaker 1: it if it had happened in the second episode of 102 00:06:33,960 --> 00:06:36,920 Speaker 1: season two or three. I think it would have been real, 103 00:06:37,040 --> 00:06:41,000 Speaker 1: real bad. Yeah, yeah, I love that about Brooke. Brook 104 00:06:41,120 --> 00:06:43,920 Speaker 1: is so good at living messy, living messy, just big 105 00:06:43,920 --> 00:06:46,839 Speaker 1: and loud and messy, and the same way that Peyton 106 00:06:47,040 --> 00:06:53,000 Speaker 1: is so um aggressively chasing after life. I feel like 107 00:06:53,040 --> 00:06:56,159 Speaker 1: every day ship Peyton is just like there's a fire 108 00:06:56,400 --> 00:06:59,600 Speaker 1: in her belly always and wherever she is, whatever she's doing, 109 00:06:59,680 --> 00:07:06,960 Speaker 1: she's even when she's tender, it's just like her your 110 00:07:07,000 --> 00:07:09,520 Speaker 1: heart on your sleeve all the time. Everything you know 111 00:07:09,840 --> 00:07:11,360 Speaker 1: or it's like it's bottled up, but your heart is 112 00:07:11,360 --> 00:07:12,880 Speaker 1: always under sleep. I don't know how to explain that, 113 00:07:12,920 --> 00:07:14,480 Speaker 1: but that's one of the things I love about Peayton. 114 00:07:14,480 --> 00:07:17,480 Speaker 1: But for Brooke, you're so big and messy. It's just 115 00:07:17,520 --> 00:07:21,440 Speaker 1: a big, giant, messy life. And to be able to 116 00:07:21,520 --> 00:07:25,320 Speaker 1: do that, um, I think it's actually really beautiful. I 117 00:07:26,160 --> 00:07:29,560 Speaker 1: maybe I just envy it because I wasn't able to 118 00:07:29,600 --> 00:07:31,160 Speaker 1: live that way for a long time in my life, 119 00:07:31,160 --> 00:07:33,240 Speaker 1: and I'm just starting to discover the freedom of what 120 00:07:33,280 --> 00:07:39,240 Speaker 1: that feels like. You are living right now, yes, but 121 00:07:39,360 --> 00:07:41,640 Speaker 1: you know it's it's hard to do. And I think 122 00:07:41,640 --> 00:07:43,440 Speaker 1: you can see it in Haley because she's she's a 123 00:07:43,480 --> 00:07:45,560 Speaker 1: lot more bottled up and controlled and just trying to 124 00:07:45,600 --> 00:07:49,520 Speaker 1: do everything the right way. And Brooke certainly has I 125 00:07:49,520 --> 00:07:51,480 Speaker 1: feel like she's got pure motives all the time. But 126 00:07:51,640 --> 00:07:54,720 Speaker 1: it's just that she allows herself to be a mess 127 00:07:54,760 --> 00:07:59,840 Speaker 1: and it's kind of great. She's puppies, like Brooke, Davis 128 00:07:59,880 --> 00:08:02,679 Speaker 1: is fun to look at and really fun to pet 129 00:08:02,760 --> 00:08:04,880 Speaker 1: and fun to play with. But sometimes they shoot on 130 00:08:04,920 --> 00:08:07,920 Speaker 1: the floor and you just have to be okay with 131 00:08:08,120 --> 00:08:12,520 Speaker 1: that if you like puppies. Guys, I had big puppy 132 00:08:12,640 --> 00:08:16,680 Speaker 1: energy for a long time, and it took me a 133 00:08:16,680 --> 00:08:20,520 Speaker 1: while to be like, oh, if I as a person, 134 00:08:20,600 --> 00:08:25,480 Speaker 1: I'm gonna love this big Sometimes that's going to be 135 00:08:25,520 --> 00:08:33,320 Speaker 1: really messy, all right, I'd rather love everybody, man, No, 136 00:08:33,480 --> 00:08:35,640 Speaker 1: we this is a fun episode two because we got 137 00:08:35,640 --> 00:08:39,640 Speaker 1: a real basketball game out of this episode, right. This 138 00:08:40,160 --> 00:08:44,160 Speaker 1: basketball game was shot so well. This is the most 139 00:08:44,200 --> 00:08:46,880 Speaker 1: interesting basketball game we've had on the series. In my opinion, 140 00:08:47,320 --> 00:08:52,439 Speaker 1: it was and it's as much basketball as I can handle, 141 00:08:52,520 --> 00:08:57,199 Speaker 1: let's be honest, like that montage was a solid three 142 00:08:57,200 --> 00:09:02,840 Speaker 1: and a half minutes. Girls and Jack's Mannekins song, Yes 143 00:09:02,880 --> 00:09:04,960 Speaker 1: it was. I wonder if that's how they got their 144 00:09:05,040 --> 00:09:06,839 Speaker 1: rights to the song. Was that they had to agree 145 00:09:06,880 --> 00:09:09,560 Speaker 1: to play the entire the song in its entirety in 146 00:09:09,600 --> 00:09:12,479 Speaker 1: the episode, because you know how they chopped things up sometimes, 147 00:09:13,080 --> 00:09:14,760 Speaker 1: Oh so you can pay less? Is that how? It was? 148 00:09:14,880 --> 00:09:18,360 Speaker 1: Like furgular song? Right? So Jet? Yeah? That that album 149 00:09:18,480 --> 00:09:22,000 Speaker 1: Jack's Mannequin? You know what was it? What was the 150 00:09:22,040 --> 00:09:26,680 Speaker 1: name of that album? Do we know? It was? Like? Yeah, 151 00:09:26,720 --> 00:09:29,719 Speaker 1: it was. It was a really good album. And I 152 00:09:29,760 --> 00:09:33,040 Speaker 1: think they were courting him to come on the show 153 00:09:33,080 --> 00:09:35,720 Speaker 1: because he hasn't come on yet, has he not yet? 154 00:09:35,880 --> 00:09:39,280 Speaker 1: Not yet? He comes on eventually and like shot a 155 00:09:39,360 --> 00:09:43,760 Speaker 1: music video and really became like one of our you know, 156 00:09:43,960 --> 00:09:48,040 Speaker 1: raw ra artists. Um, but this was I think their 157 00:09:48,040 --> 00:09:50,520 Speaker 1: way of kind of like stroking his ego and be like, 158 00:09:50,559 --> 00:09:53,959 Speaker 1: hey man, we want a whole song. We only gave 159 00:09:54,160 --> 00:09:56,840 Speaker 1: really gave these other guys like forty five seconds, but 160 00:09:56,960 --> 00:10:00,720 Speaker 1: we're going to do an entire basketball montage a mixtape 161 00:10:00,800 --> 00:10:04,079 Speaker 1: and it's gonna be freaking radical. Was it? Wait? Our 162 00:10:04,120 --> 00:10:06,640 Speaker 1: producer just dropped a note in the chat? Was it 163 00:10:06,720 --> 00:10:09,000 Speaker 1: everything in transit? I want to google this? Hold on? 164 00:10:09,080 --> 00:10:12,600 Speaker 1: This would make selfun did this? Um? We had as 165 00:10:12,920 --> 00:10:16,040 Speaker 1: John Asher directed this episode? Is that right? Yeah? Yeah? 166 00:10:16,080 --> 00:10:17,960 Speaker 1: He did a really nice job with the sports, I 167 00:10:17,960 --> 00:10:19,920 Speaker 1: have to say, and the comedy too. There was a 168 00:10:19,920 --> 00:10:23,920 Speaker 1: lot of everything in Transit two. Genius. There you go. 169 00:10:24,280 --> 00:10:28,600 Speaker 1: Asher was always really good with movement. He did a 170 00:10:28,640 --> 00:10:31,480 Speaker 1: lot of like really a live movement, and I think 171 00:10:31,520 --> 00:10:35,120 Speaker 1: it especially in an episode like this, like even Hillary, 172 00:10:35,240 --> 00:10:36,839 Speaker 1: when you and I go into the store and we're 173 00:10:36,880 --> 00:10:40,080 Speaker 1: stealing all the clothes back, like we're moving through the 174 00:10:40,120 --> 00:10:44,040 Speaker 1: store the whole time, there's never stillness, and it adds 175 00:10:44,240 --> 00:10:49,120 Speaker 1: an element of excitement. Yeah, it's very cool. Maybe that's 176 00:10:49,160 --> 00:10:51,440 Speaker 1: part of why the episode felt like it was flowing 177 00:10:51,480 --> 00:10:54,720 Speaker 1: so well and moving so quickly from storyline to storyline. Everything, 178 00:10:54,800 --> 00:10:56,920 Speaker 1: all the pieces kind of kept moving. I think it 179 00:10:57,000 --> 00:10:59,000 Speaker 1: helped that he's a really young He was a really 180 00:10:59,000 --> 00:11:01,840 Speaker 1: young director. He was only a few years older than us, 181 00:11:02,120 --> 00:11:06,760 Speaker 1: you know, and having that kind of shorthand. You know, 182 00:11:06,800 --> 00:11:08,199 Speaker 1: he's a guy that grew up in the business. His 183 00:11:08,280 --> 00:11:10,680 Speaker 1: parents were in Hollywood, like has been around in his 184 00:11:10,720 --> 00:11:13,440 Speaker 1: whole life, so he had just as most experience as 185 00:11:13,480 --> 00:11:15,560 Speaker 1: every other director we worked with. But he was just 186 00:11:15,880 --> 00:11:20,000 Speaker 1: a baby um, and we could improvise with him, like 187 00:11:20,040 --> 00:11:22,679 Speaker 1: to your point earlier, Joy, we could add live because 188 00:11:22,760 --> 00:11:25,880 Speaker 1: he was like, yes, let them just say it the 189 00:11:25,920 --> 00:11:30,640 Speaker 1: way they want to say it. And yeah, sometimes older 190 00:11:30,640 --> 00:11:34,600 Speaker 1: school directors aren't as game for that. You know, you're 191 00:11:34,640 --> 00:11:37,960 Speaker 1: bringing the wild kid. I always felt really creative when 192 00:11:38,040 --> 00:11:40,080 Speaker 1: when Asher was around, like we could just play and 193 00:11:40,120 --> 00:11:42,840 Speaker 1: have fun and didn't take it so seriously. You know, 194 00:11:43,040 --> 00:11:45,120 Speaker 1: which it really turns out usually turns out the best 195 00:11:45,120 --> 00:11:47,600 Speaker 1: performance in my opinion. Well, and it's an interesting point 196 00:11:47,640 --> 00:11:54,359 Speaker 1: you make Hill about sometimes with older directors there's a stiffness, 197 00:11:54,880 --> 00:11:58,480 Speaker 1: and I think especially when you know someone who's in 198 00:11:58,520 --> 00:12:00,400 Speaker 1: their fifties is coming in to deal with a bunch 199 00:12:00,440 --> 00:12:03,840 Speaker 1: of kids that are twenty two, they're like listen, kids, 200 00:12:04,040 --> 00:12:06,880 Speaker 1: and you're all You're like, okay, Because you just got 201 00:12:06,920 --> 00:12:09,360 Speaker 1: out of college. You're like used to shutting up when 202 00:12:09,360 --> 00:12:12,680 Speaker 1: your professor tells you to. And it can be intimidating 203 00:12:13,200 --> 00:12:17,199 Speaker 1: to try to play with an authority figure. But to 204 00:12:17,360 --> 00:12:20,840 Speaker 1: like play with someone who kind of reminds you of 205 00:12:20,880 --> 00:12:23,559 Speaker 1: like your cool young uncle who you always called your 206 00:12:23,600 --> 00:12:26,040 Speaker 1: cousin because he doesn't feel old enough to be your uncle. 207 00:12:26,240 --> 00:12:30,720 Speaker 1: Like it's a different energy for sure. Yeah, he's going 208 00:12:30,760 --> 00:12:33,720 Speaker 1: to play dodgeball with us after work, like like drink 209 00:12:33,760 --> 00:12:37,600 Speaker 1: with us when we wrap. You know. Also, God, I 210 00:12:37,640 --> 00:12:39,240 Speaker 1: wish we had him on the episode because I have 211 00:12:39,320 --> 00:12:44,280 Speaker 1: a question to being a movement. When Nathan goes in 212 00:12:44,440 --> 00:12:49,000 Speaker 1: to tell Chris Kelly's that dick, and Chris thinks it's 213 00:12:49,000 --> 00:12:54,400 Speaker 1: about Brooke and then Nathan shoves him, Tyler fell all 214 00:12:54,480 --> 00:12:57,080 Speaker 1: the way over that chair in a way that like 215 00:12:57,480 --> 00:13:02,160 Speaker 1: he felt real. Yeah, that did, because there's no stop, Matt. 216 00:13:02,559 --> 00:13:05,520 Speaker 1: You can see you can see the floor. So only 217 00:13:05,520 --> 00:13:07,600 Speaker 1: when we do a stunt like that, they like frame 218 00:13:07,640 --> 00:13:09,240 Speaker 1: it so that you can't see the floor, so there 219 00:13:09,280 --> 00:13:11,360 Speaker 1: could be something that there's nothing there. I think the 220 00:13:11,360 --> 00:13:14,240 Speaker 1: camera department was just like we called it. We called it. 221 00:13:14,559 --> 00:13:18,880 Speaker 1: I think I bet John told Tyler just fall just 222 00:13:18,920 --> 00:13:21,680 Speaker 1: like let him, don't try and stop yourself, just fall over. 223 00:13:22,480 --> 00:13:26,880 Speaker 1: And he wonders if like he was just standing so 224 00:13:26,960 --> 00:13:29,360 Speaker 1: close to the chair and James bopped him and he 225 00:13:29,600 --> 00:13:32,600 Speaker 1: just went that could have been it too, Like it 226 00:13:32,720 --> 00:13:38,480 Speaker 1: was so genuine and embarrassing. Yeah. I love that Tyler 227 00:13:38,600 --> 00:13:41,280 Speaker 1: was so game for it though, because you know, he 228 00:13:41,320 --> 00:13:43,000 Speaker 1: didn't try and stop and be like oh whoa, I 229 00:13:43,080 --> 00:13:46,319 Speaker 1: didn't give he just he something right along with it. 230 00:13:46,440 --> 00:13:49,320 Speaker 1: You know those memes where It's just like in sports, 231 00:13:49,360 --> 00:13:53,040 Speaker 1: like a basketball you know somebody it pretends like they've 232 00:13:53,080 --> 00:13:55,800 Speaker 1: been fouled and they just throw themselves on the floor 233 00:13:57,960 --> 00:14:00,440 Speaker 1: like it's a little shove. But the next thing you know, 234 00:14:00,559 --> 00:14:03,040 Speaker 1: they're like twenty feet away and they're holding their knee 235 00:14:03,080 --> 00:14:11,560 Speaker 1: and remember, what are you doing? Oh, we kind of 236 00:14:11,600 --> 00:14:14,920 Speaker 1: pounded on Chris Keller in this episode. I love slapping 237 00:14:15,000 --> 00:14:17,000 Speaker 1: him in this episode. And then that's like one of 238 00:14:17,000 --> 00:14:19,240 Speaker 1: those things that fans want to like have Tyler and 239 00:14:19,240 --> 00:14:21,560 Speaker 1: I recreate all the time. They're like, you guys have 240 00:14:21,600 --> 00:14:23,600 Speaker 1: done so many Christmas movies, but we like it better 241 00:14:23,600 --> 00:14:26,640 Speaker 1: when you hit each other. When you guys walked in 242 00:14:26,680 --> 00:14:30,560 Speaker 1: there so pissed, enjoy you started in on him, and 243 00:14:30,560 --> 00:14:32,960 Speaker 1: then Hillary you watched in. I literally, while we were 244 00:14:32,960 --> 00:14:35,520 Speaker 1: watching it, thought hit him and then you did. I 245 00:14:35,560 --> 00:14:48,440 Speaker 1: was like, I really really liked the Haley Peyton stuff 246 00:14:48,440 --> 00:14:52,320 Speaker 1: in this episode because I never understand me. We've talked 247 00:14:52,360 --> 00:14:55,000 Speaker 1: at nauseum about like why Peyton's being a dick to 248 00:14:55,080 --> 00:14:59,880 Speaker 1: Haley Um, But I appreciate that there are there's prob 249 00:15:00,000 --> 00:15:03,920 Speaker 1: progress in this episode, you know, like like Haley and Nathan, 250 00:15:04,080 --> 00:15:07,720 Speaker 1: She's not groveling anymore. Like things are feeling nice and 251 00:15:08,120 --> 00:15:11,200 Speaker 1: Halien Peyton, there's progress there because people are just talking 252 00:15:11,240 --> 00:15:15,520 Speaker 1: about how they feel. It's just feeling so MOPy. Everybody 253 00:15:15,600 --> 00:15:18,440 Speaker 1: was moping for a while, so it's nice. Lucas really 254 00:15:18,440 --> 00:15:20,840 Speaker 1: is the only one moping now well, And even when 255 00:15:20,920 --> 00:15:24,120 Speaker 1: Nathan called it out, Nathan was like, just forgive her man, 256 00:15:24,480 --> 00:15:30,200 Speaker 1: Like God, so good. There's something I was thinking about 257 00:15:30,240 --> 00:15:32,560 Speaker 1: watching that scene with you guys in the car, which 258 00:15:32,640 --> 00:15:39,200 Speaker 1: was so nice. We'll make shot nice, Sophia not it's 259 00:15:39,280 --> 00:15:42,640 Speaker 1: green screen. Well it was a very bad green screen, 260 00:15:42,680 --> 00:15:47,680 Speaker 1: but very good act your parts. I totally like NS 261 00:15:47,680 --> 00:15:49,760 Speaker 1: and I was good, but you guys were so good. 262 00:15:49,880 --> 00:15:53,560 Speaker 1: And you know, we were talking earlier about how Brooke 263 00:15:53,640 --> 00:15:55,960 Speaker 1: doesn't have the language to cope with how she's feeling. 264 00:15:56,960 --> 00:16:03,760 Speaker 1: And there's a shared understanding when Brooke needs help, because 265 00:16:03,800 --> 00:16:07,080 Speaker 1: Hailey and Peyton are two women who have screwed up 266 00:16:08,040 --> 00:16:11,560 Speaker 1: and have worked their way or are working their way 267 00:16:11,760 --> 00:16:16,040 Speaker 1: into forgiveness for their mistakes and and and into forgiving themselves. 268 00:16:16,640 --> 00:16:19,520 Speaker 1: And when they see that Brooke needs that, it kind 269 00:16:19,520 --> 00:16:22,960 Speaker 1: of saws things between them. And then in the car, 270 00:16:24,480 --> 00:16:27,240 Speaker 1: the first young person who seems to really be able 271 00:16:27,280 --> 00:16:29,880 Speaker 1: to admit what she's feeling in this episode is Peyton, 272 00:16:30,440 --> 00:16:33,000 Speaker 1: and she says, well, I think the reason I've been 273 00:16:33,000 --> 00:16:37,360 Speaker 1: being such a bit is because everybody leaves and you're 274 00:16:37,400 --> 00:16:39,800 Speaker 1: the only one who's come back, and I'm taking out 275 00:16:39,840 --> 00:16:45,160 Speaker 1: all that anger on you. And I was like, that's beautiful. 276 00:16:45,880 --> 00:16:48,280 Speaker 1: That's that heart on her sleeve stuff I'm talking about. 277 00:16:48,880 --> 00:16:52,960 Speaker 1: She's so honest and it has nothing if not honest 278 00:16:55,240 --> 00:16:58,840 Speaker 1: and edged sword. Guys in my own life. I'm just like, 279 00:16:59,400 --> 00:17:03,080 Speaker 1: sometimes it's hard to have to not be Payton story 280 00:17:03,200 --> 00:17:05,320 Speaker 1: in real life because I think, you know, these were 281 00:17:05,359 --> 00:17:07,159 Speaker 1: formative years for us, and I was kind of that 282 00:17:07,200 --> 00:17:08,960 Speaker 1: person anyway. That was just like, I'm gonna tell you 283 00:17:09,000 --> 00:17:11,320 Speaker 1: exactly what I think, whether it's good or bad or whatever. 284 00:17:12,000 --> 00:17:14,760 Speaker 1: And there's a good obviously, there's like a good part 285 00:17:14,800 --> 00:17:18,080 Speaker 1: to that too. But sometimes revisiting our sordid youth and 286 00:17:18,119 --> 00:17:20,840 Speaker 1: seeing you know, myself act like Peyton, and I'm like, 287 00:17:21,119 --> 00:17:27,080 Speaker 1: why was I so combative? Who we could temper things 288 00:17:27,160 --> 00:17:30,000 Speaker 1: as an adult. Let's just we don't to tell the 289 00:17:30,040 --> 00:17:34,600 Speaker 1: whole truth, Let's just tell a fraction of fourth. I 290 00:17:34,680 --> 00:17:38,840 Speaker 1: like this with Haley and Peyton too, because I never 291 00:17:38,960 --> 00:17:42,840 Speaker 1: had a sister growing up, always wanted one, but never did, 292 00:17:43,800 --> 00:17:46,560 Speaker 1: and I don't know that. I had a lot of 293 00:17:46,600 --> 00:17:50,919 Speaker 1: friendships where I knew how to fight and that it 294 00:17:50,960 --> 00:17:54,199 Speaker 1: was okay if you fight, like it's actually okay and 295 00:17:54,320 --> 00:17:57,639 Speaker 1: probably healthy, and then you just apologize or you know, 296 00:17:57,760 --> 00:18:01,400 Speaker 1: figure out what happened and then find your way back. Um, 297 00:18:01,440 --> 00:18:04,880 Speaker 1: and you didn't have sisters either, Hillary, Uh, well, neither 298 00:18:04,920 --> 00:18:08,040 Speaker 1: to do so, I mean, but so like I was 299 00:18:08,200 --> 00:18:10,359 Speaker 1: part of like a big pack of chicks though, Like 300 00:18:10,400 --> 00:18:13,439 Speaker 1: I had the same girls from you know, sixth grade 301 00:18:13,480 --> 00:18:17,520 Speaker 1: through graduation and then lived. Oh yeah, my girlfriends from 302 00:18:17,560 --> 00:18:22,240 Speaker 1: home were like sisters, you know, and then I went 303 00:18:22,280 --> 00:18:24,520 Speaker 1: to I went to school and had to live with 304 00:18:24,640 --> 00:18:27,359 Speaker 1: nine women in the dorm. So I had had a 305 00:18:27,400 --> 00:18:31,000 Speaker 1: little bit of practice, but not you know, I wanted 306 00:18:31,000 --> 00:18:34,040 Speaker 1: that's huge. I never got that, and I always wondered, 307 00:18:34,280 --> 00:18:36,240 Speaker 1: how go ahead? So what were you gonna say? No, 308 00:18:36,359 --> 00:18:38,640 Speaker 1: I was going to say, that's amazing. I mean because 309 00:18:38,640 --> 00:18:41,560 Speaker 1: as a kid, we moved a lot. So I had 310 00:18:41,720 --> 00:18:44,920 Speaker 1: two great friends, but every couple of years I'd move 311 00:18:44,960 --> 00:18:48,199 Speaker 1: and then we'd have to sort of start over. And 312 00:18:48,640 --> 00:18:52,960 Speaker 1: my experience when our show started is the friends I 313 00:18:52,960 --> 00:18:57,760 Speaker 1: had made in high school did not like it. What 314 00:18:58,320 --> 00:19:03,360 Speaker 1: they didn't translate, like it really didn't turn and it 315 00:19:03,440 --> 00:19:09,199 Speaker 1: was really ugly and sad, and I have I have 316 00:19:09,320 --> 00:19:12,679 Speaker 1: three girlfriends that I've had since middle school, but like, 317 00:19:12,840 --> 00:19:14,560 Speaker 1: truly I don't talk to anyone else I went to 318 00:19:14,600 --> 00:19:16,720 Speaker 1: high school with like it was. It was like pretty 319 00:19:16,760 --> 00:19:24,399 Speaker 1: cruel and that experience mixed with like, you know, the 320 00:19:24,440 --> 00:19:26,399 Speaker 1: stuff we all carry from when we're kids in our 321 00:19:26,400 --> 00:19:29,480 Speaker 1: little brains don't know how to process things. For me, 322 00:19:30,119 --> 00:19:35,440 Speaker 1: because I didn't have siblings, fights I learned in my family, 323 00:19:36,160 --> 00:19:38,600 Speaker 1: especially with like the dysfunction at the sort of level 324 00:19:38,640 --> 00:19:43,280 Speaker 1: of my grandparents, was that if you fought and people yelled, 325 00:19:44,600 --> 00:19:49,680 Speaker 1: everything was nuclear, like the world was over. So there 326 00:19:49,680 --> 00:19:53,000 Speaker 1: were things in my twenties that I learned to just 327 00:19:53,080 --> 00:19:57,000 Speaker 1: not say and I just internalized like fear, anxiety, sadness, 328 00:19:57,800 --> 00:20:02,280 Speaker 1: feeling like the odd man out kind of vibe. And 329 00:20:03,640 --> 00:20:06,119 Speaker 1: it took me until much later, And it took me 330 00:20:06,200 --> 00:20:10,880 Speaker 1: until like really making like the core best friends that 331 00:20:10,920 --> 00:20:13,000 Speaker 1: you have been in my life for the last fifteen 332 00:20:13,080 --> 00:20:16,720 Speaker 1: years to unlearn some of those things, to have people 333 00:20:16,760 --> 00:20:21,760 Speaker 1: say no, you can tell us stuff and we can 334 00:20:21,800 --> 00:20:24,280 Speaker 1: get in an art like an argument isn't a fight. 335 00:20:25,040 --> 00:20:28,400 Speaker 1: Arguing is okay. Sometimes you have to argue to get 336 00:20:28,440 --> 00:20:30,600 Speaker 1: to the point. Sometimes you sit on the couch and 337 00:20:30,640 --> 00:20:33,199 Speaker 1: cry and bury your soul and someone cries with you 338 00:20:33,240 --> 00:20:36,280 Speaker 1: and then you feel better. But like, arguing is part 339 00:20:36,320 --> 00:20:43,639 Speaker 1: of communicating sometimes, and that has been so powerful. But 340 00:20:43,720 --> 00:20:45,920 Speaker 1: I just I didn't have examples of that as a 341 00:20:46,000 --> 00:20:53,280 Speaker 1: kid at all. That is hard to find, yeah, outside 342 00:20:53,280 --> 00:20:56,000 Speaker 1: of your family, because the thing about family is you're 343 00:20:56,000 --> 00:20:58,520 Speaker 1: stuck with them no matter what. So there's you know 344 00:20:58,520 --> 00:21:00,399 Speaker 1: what I mean, there's a there's a sort of a 345 00:21:00,440 --> 00:21:04,959 Speaker 1: safety net there. Um. Obviously you have to be careful 346 00:21:05,000 --> 00:21:09,440 Speaker 1: not to abuse that privilege, but there is a safety 347 00:21:09,440 --> 00:21:12,240 Speaker 1: net there. And and I also moved around a lot 348 00:21:12,359 --> 00:21:16,160 Speaker 1: as a kid, and yeah, and I think I guess 349 00:21:16,200 --> 00:21:19,119 Speaker 1: living in big cities to New York in l A, 350 00:21:19,359 --> 00:21:23,359 Speaker 1: I've found that that's extra hard because everybody sort of 351 00:21:23,480 --> 00:21:27,760 Speaker 1: keeps everybody at an arms length. And so if someone 352 00:21:27,880 --> 00:21:30,560 Speaker 1: does something that people are like, you know, a friend 353 00:21:30,640 --> 00:21:32,760 Speaker 1: might be like, I can't believe she did that. I 354 00:21:32,840 --> 00:21:38,080 Speaker 1: can't believe uh whatever that that it would they just 355 00:21:38,160 --> 00:21:41,760 Speaker 1: stopped talking, like And I've been I've been guilty of 356 00:21:41,760 --> 00:21:44,080 Speaker 1: it too, and I'll notice behavior and someone that I'm 357 00:21:44,080 --> 00:21:46,879 Speaker 1: like becoming friends with, and then I'm like, hmmm, I'm 358 00:21:46,920 --> 00:21:50,399 Speaker 1: just going to distance myself. And sometimes that's good, but 359 00:21:50,480 --> 00:21:53,800 Speaker 1: not always. Sometimes it's worth being like, hey, do you 360 00:21:53,840 --> 00:21:57,359 Speaker 1: know that, like you actually interrupt me literally every single 361 00:21:57,400 --> 00:21:59,639 Speaker 1: time that I'm talking. And I don't know if you 362 00:21:59,640 --> 00:22:01,080 Speaker 1: know that you do that? Not you, but you know 363 00:22:01,119 --> 00:22:08,399 Speaker 1: what I mean, I have friends like those kinds of 364 00:22:08,440 --> 00:22:10,199 Speaker 1: things that you would never say to people. You're just like, 365 00:22:10,240 --> 00:22:11,760 Speaker 1: you know what, I'm sick of hanging out this person 366 00:22:11,800 --> 00:22:14,760 Speaker 1: because all they do is interrupt me and it doesn't occur. 367 00:22:14,880 --> 00:22:18,280 Speaker 1: You know. Now that, um, I'm getting older and I 368 00:22:18,280 --> 00:22:20,520 Speaker 1: just have more experience, I start realizing like, oh, some 369 00:22:20,560 --> 00:22:22,199 Speaker 1: people just aren't aware that they do. It doesn't mean 370 00:22:22,240 --> 00:22:24,320 Speaker 1: that they're narcissist or they're self centered or they're like 371 00:22:24,359 --> 00:22:27,000 Speaker 1: not worthy of being friends. They just I'm just using 372 00:22:27,000 --> 00:22:30,040 Speaker 1: this as an example. But you know, um, but there's 373 00:22:30,160 --> 00:22:34,639 Speaker 1: things that that instead of working through them, you just 374 00:22:34,760 --> 00:22:38,040 Speaker 1: move on to a new friend until there's friction and 375 00:22:38,080 --> 00:22:41,639 Speaker 1: then just move on to somebody else. And because I 376 00:22:41,680 --> 00:22:44,960 Speaker 1: never had sisters growing up, it's been hard to find 377 00:22:45,920 --> 00:22:49,560 Speaker 1: girl girlfriends. Living in big cities where you know, feel 378 00:22:49,640 --> 00:22:52,920 Speaker 1: safe to just have a big disagreement but still love 379 00:22:52,960 --> 00:22:55,000 Speaker 1: each other and come right back. One of the reasons 380 00:22:55,080 --> 00:22:57,840 Speaker 1: why I'm so grateful for what we have here. I 381 00:22:57,880 --> 00:23:00,760 Speaker 1: just feel terrible. I wish I'd known all this, because 382 00:23:00,800 --> 00:23:03,359 Speaker 1: like when we were kids, we didn't talk about like 383 00:23:03,359 --> 00:23:05,960 Speaker 1: our upbringings or like the difference between being an only 384 00:23:06,040 --> 00:23:08,040 Speaker 1: child or being one of a lot of kids, And 385 00:23:08,080 --> 00:23:11,480 Speaker 1: so I always fight, and so I can only imagine 386 00:23:13,200 --> 00:23:17,200 Speaker 1: how awful I was for you guys to experience, because 387 00:23:17,200 --> 00:23:19,159 Speaker 1: I'd be like, what the are you doing about that? 388 00:23:19,240 --> 00:23:22,639 Speaker 1: You know, like, because for me, I have a feeling 389 00:23:22,680 --> 00:23:25,360 Speaker 1: for five minutes and then it's over and then it's 390 00:23:25,400 --> 00:23:27,919 Speaker 1: just like, okay, what are we singing a karaoke? But 391 00:23:28,000 --> 00:23:30,560 Speaker 1: I can only imagine how traumatizing that was for you too, 392 00:23:30,560 --> 00:23:32,720 Speaker 1: And so I'm just like, I'm really sorry, like I'm 393 00:23:32,720 --> 00:23:36,920 Speaker 1: feeling really emotional about it because you don't you don't 394 00:23:36,960 --> 00:23:39,840 Speaker 1: know like I I do. Come at everything like Peyton 395 00:23:39,960 --> 00:23:44,439 Speaker 1: like splat, this is the feeling. Okay, well I do 396 00:23:44,520 --> 00:23:47,199 Speaker 1: that more now. I'm way more like that now. But 397 00:23:47,320 --> 00:23:50,800 Speaker 1: also what a gift like, because yeah, for sure there 398 00:23:50,800 --> 00:23:55,919 Speaker 1: were there were early times like I totally have a like, 399 00:23:57,160 --> 00:23:59,600 Speaker 1: so you and I gotten a fight about something and 400 00:23:59,640 --> 00:24:05,000 Speaker 1: then everything was different. But isn't it interesting that years 401 00:24:05,080 --> 00:24:08,840 Speaker 1: later we realized that he who shall not be named 402 00:24:09,480 --> 00:24:11,840 Speaker 1: knew we got in a fight about something and then 403 00:24:11,880 --> 00:24:13,960 Speaker 1: got in both of our ears because he didn't want 404 00:24:14,000 --> 00:24:16,840 Speaker 1: us to make up, And it took us a long 405 00:24:16,960 --> 00:24:22,120 Speaker 1: time to get there. I mean long, it's short really 406 00:24:22,119 --> 00:24:26,280 Speaker 1: and now the grand scheme of things, but it's really amazing, 407 00:24:27,240 --> 00:24:30,879 Speaker 1: I think in the way that we all talk about 408 00:24:30,920 --> 00:24:33,639 Speaker 1: how this has been such a gift for us, and 409 00:24:33,680 --> 00:24:36,240 Speaker 1: it's fun for us, and it's ridiculous and it's delicious, 410 00:24:36,240 --> 00:24:39,240 Speaker 1: and it's all these things. But we've each, separately and 411 00:24:39,440 --> 00:24:42,719 Speaker 1: together when asked about this, talked about how healing this is. 412 00:24:43,640 --> 00:24:46,800 Speaker 1: We've been able to sort of re It's like we've 413 00:24:46,880 --> 00:24:52,159 Speaker 1: reparented our younger selves together and not to be like 414 00:24:52,400 --> 00:24:55,920 Speaker 1: so woo woo, but in the sort of generational tradition 415 00:24:55,960 --> 00:24:59,360 Speaker 1: of women like being the ones who collect in the village, 416 00:25:00,040 --> 00:25:04,880 Speaker 1: we've we've healed our little village. And I think, especially 417 00:25:05,000 --> 00:25:06,879 Speaker 1: like Joy and I have talked a lot about this, 418 00:25:07,040 --> 00:25:10,399 Speaker 1: learning things about how our brains have worked that we 419 00:25:10,440 --> 00:25:15,919 Speaker 1: didn't know when we were younger to find safety in 420 00:25:16,000 --> 00:25:20,000 Speaker 1: women when your lack of tools as a young woman 421 00:25:20,080 --> 00:25:22,359 Speaker 1: made you think, Oh, I'm the one who's not safety. 422 00:25:22,600 --> 00:25:25,200 Speaker 1: Everyone else has a thing, but I don't have the thing. 423 00:25:25,280 --> 00:25:27,479 Speaker 1: So I'm just gonna hang out over here. And like, 424 00:25:27,520 --> 00:25:32,040 Speaker 1: I love everybody, but I think everybody's secretly hates Oh 425 00:25:32,080 --> 00:25:36,920 Speaker 1: my gosh, always to unn that, like to scoop that 426 00:25:37,080 --> 00:25:41,880 Speaker 1: out of your innerds and have space for this, like 427 00:25:42,440 --> 00:25:47,959 Speaker 1: I wish this for everyone. Yeah, absolutely, more of the story. Kids, 428 00:25:48,400 --> 00:25:52,200 Speaker 1: Just say it, Just say the thing, to say the thing, 429 00:25:52,280 --> 00:25:54,520 Speaker 1: and then move on say the thing. And in fact, 430 00:25:54,640 --> 00:25:57,479 Speaker 1: it's probably why Peyton and Haley were able to hear 431 00:25:57,520 --> 00:26:01,760 Speaker 1: their heal their relationship because for last five episodes, I 432 00:26:01,760 --> 00:26:04,040 Speaker 1: guess since Peyton has been mad at her, she's been 433 00:26:04,119 --> 00:26:06,760 Speaker 1: very direct, I'll tell you exactly why I'm mad at 434 00:26:06,800 --> 00:26:10,280 Speaker 1: you and her, and then that's it. And and Haley 435 00:26:10,280 --> 00:26:12,359 Speaker 1: has had a couple of things to say about it 436 00:26:12,400 --> 00:26:14,439 Speaker 1: as well. And even though they didn't resolve it, they 437 00:26:14,480 --> 00:26:18,840 Speaker 1: were both being honest. And the honesty is so important. 438 00:26:18,880 --> 00:26:21,600 Speaker 1: So don't be passive aggressive with your friends. Don't be 439 00:26:21,680 --> 00:26:25,200 Speaker 1: you know, everything's fine, it's fine. Whatever you said, it's fine, 440 00:26:25,840 --> 00:26:29,800 Speaker 1: it's not fine. If your friend says it's fine, just 441 00:26:29,840 --> 00:26:34,800 Speaker 1: like pusher, no it's not. And you know what, I 442 00:26:34,840 --> 00:26:37,159 Speaker 1: will say, we didn't have this language when we were 443 00:26:37,160 --> 00:26:39,520 Speaker 1: in high school or twenty year olds pretending to be 444 00:26:39,560 --> 00:26:42,359 Speaker 1: in high school. One of the most helpful tools that 445 00:26:42,400 --> 00:26:46,120 Speaker 1: I've learned in recent years is to say, I don't 446 00:26:46,119 --> 00:26:49,400 Speaker 1: know what your experience is right now, but what I'm 447 00:26:49,480 --> 00:26:54,840 Speaker 1: experiencing is what I'm feeling is not off base or 448 00:26:54,960 --> 00:26:59,160 Speaker 1: is there something like to just make enough room for 449 00:26:59,240 --> 00:27:02,280 Speaker 1: someone to realize that the two of you might be 450 00:27:02,359 --> 00:27:09,600 Speaker 1: having different experiences, your vulnerability, your experience is painful that 451 00:27:09,880 --> 00:27:13,080 Speaker 1: I have found can be such a key to having 452 00:27:13,400 --> 00:27:17,320 Speaker 1: a constructive Oh no, this is what I'm thinking, or yeah, 453 00:27:17,320 --> 00:27:19,240 Speaker 1: that's kind of annoyed me, but I didn't mean to 454 00:27:19,560 --> 00:27:22,399 Speaker 1: hold on to it or whatever, rather than a I 455 00:27:22,440 --> 00:27:26,000 Speaker 1: didn't say that and then it turns in but you know, 456 00:27:26,880 --> 00:27:28,639 Speaker 1: you know what, I started a little bit of space. 457 00:27:28,960 --> 00:27:31,480 Speaker 1: That is such good advice. I heard something kind of 458 00:27:31,520 --> 00:27:33,480 Speaker 1: similar the other day. Not the other day, which is 459 00:27:33,480 --> 00:27:37,040 Speaker 1: probably like two years ago. The other day. Time time 460 00:27:37,119 --> 00:27:40,120 Speaker 1: is a construction. We don't know what time is anymore, 461 00:27:41,280 --> 00:27:45,120 Speaker 1: but it was somebody and I started incorporating this into 462 00:27:45,160 --> 00:27:49,800 Speaker 1: my communication, which somebody said, Um, I I feel like 463 00:27:50,000 --> 00:27:53,399 Speaker 1: this is what's happening. I'm having a desire to commit 464 00:27:53,440 --> 00:27:56,240 Speaker 1: to win emotion and I but I don't. I need 465 00:27:56,280 --> 00:27:59,439 Speaker 1: information from you. You have to tell me before I 466 00:27:59,480 --> 00:28:02,399 Speaker 1: can commit to an emotion in this scenario, so I 467 00:28:03,440 --> 00:28:06,240 Speaker 1: need some info. And it was so great, and I've 468 00:28:06,280 --> 00:28:09,120 Speaker 1: started using that. UM and it's great because it gives 469 00:28:09,119 --> 00:28:11,719 Speaker 1: you a pause. You can just take that. You know. 470 00:28:11,800 --> 00:28:13,720 Speaker 1: I'm dog sitting for a friend of mine, and the 471 00:28:13,760 --> 00:28:16,480 Speaker 1: first three nights I was here, UM, another friend of 472 00:28:16,520 --> 00:28:18,280 Speaker 1: hers came and picked up the dog and took the 473 00:28:18,320 --> 00:28:22,000 Speaker 1: dog to the house and dog sitting and I eventually 474 00:28:22,040 --> 00:28:23,760 Speaker 1: on the third day, I was like because then I heard, 475 00:28:23,800 --> 00:28:25,560 Speaker 1: oh yeah, the dogs are gonna go to somebody else's 476 00:28:25,600 --> 00:28:26,919 Speaker 1: house for a couple of days. And I was like, 477 00:28:27,680 --> 00:28:29,800 Speaker 1: do you. I was like, I feel like you don't 478 00:28:29,800 --> 00:28:32,960 Speaker 1: trust me with your dog, and UM, but you asked me, 479 00:28:33,040 --> 00:28:36,280 Speaker 1: you know, like so before I commit to how I 480 00:28:36,320 --> 00:28:38,920 Speaker 1: feel about that and like making up that whole story 481 00:28:38,920 --> 00:28:40,800 Speaker 1: in my head and what I'm gonna do about it. 482 00:28:41,000 --> 00:28:44,880 Speaker 1: I was really like the information from you, and of 483 00:28:44,880 --> 00:28:47,040 Speaker 1: course it was like, no, it's not about you and 484 00:28:47,120 --> 00:28:48,760 Speaker 1: all the dogs on the other side of town. It's 485 00:28:48,800 --> 00:28:50,440 Speaker 1: the easiest way to get her back here. We didn't 486 00:28:50,440 --> 00:28:51,959 Speaker 1: want to put you out by making you drive all 487 00:28:51,960 --> 00:28:53,360 Speaker 1: the way out there to get her. And you know, 488 00:28:53,640 --> 00:28:56,000 Speaker 1: it's like not about you at all. It's fine. So 489 00:28:56,040 --> 00:28:57,840 Speaker 1: that I could just relax and release it, and I 490 00:28:57,840 --> 00:28:59,600 Speaker 1: didn't carry it around all day like I had been 491 00:28:59,680 --> 00:29:02,800 Speaker 1: all morning, like oh my gosh, am I like people 492 00:29:02,800 --> 00:29:04,840 Speaker 1: don't trust me with their pets. I mean, I know 493 00:29:04,920 --> 00:29:08,200 Speaker 1: I can be get irresponsible, but I raised a child. 494 00:29:08,920 --> 00:29:16,560 Speaker 1: I raised a child. Have you seen my beautiful child? 495 00:29:16,640 --> 00:29:23,280 Speaker 1: I can do It's okay, that's hilarious, joy, but you 496 00:29:23,280 --> 00:29:26,160 Speaker 1: know what I mean, like just being able to say 497 00:29:26,400 --> 00:29:28,680 Speaker 1: I need info before I can commit to an emotion. 498 00:29:28,760 --> 00:29:39,000 Speaker 1: Here I need info and you and Nathan are communicating 499 00:29:39,080 --> 00:29:44,320 Speaker 1: so well as because here's here's the important thing. Your friendships, 500 00:29:44,520 --> 00:29:49,520 Speaker 1: especially when you're younger, our practice for your long term relationships, 501 00:29:49,680 --> 00:29:52,840 Speaker 1: and if you want to get married, your marriages right, 502 00:29:52,880 --> 00:30:04,880 Speaker 1: and so practicing healthy fighting is honey. Come on for 503 00:30:05,000 --> 00:30:11,320 Speaker 1: your engagements whatever you collect I understand the collective marriages 504 00:30:11,360 --> 00:30:15,120 Speaker 1: because um or you know, life is long, you know, 505 00:30:15,560 --> 00:30:18,800 Speaker 1: do whatever you want baby um, but it is you 506 00:30:18,840 --> 00:30:22,040 Speaker 1: have to practice with your friends in order to be 507 00:30:22,760 --> 00:30:28,640 Speaker 1: UM well exercised in that for your like more intense relationships. 508 00:30:28,800 --> 00:30:31,720 Speaker 1: And Haley is doing that. She's practicing it with her 509 00:30:31,760 --> 00:30:37,240 Speaker 1: friends and committing to Nathan. And she's not groveling anymore. 510 00:30:37,400 --> 00:30:41,240 Speaker 1: She's not sad. She's like so acute in that little outfit, 511 00:30:41,480 --> 00:30:48,600 Speaker 1: just that little Cherland outfit. I loved it. That was fun. 512 00:30:49,080 --> 00:30:52,640 Speaker 1: I started to I was happy to be a cheerleader, 513 00:30:52,680 --> 00:30:54,400 Speaker 1: but I was annoyed that I had to be there 514 00:30:54,440 --> 00:30:56,520 Speaker 1: on game days now, because Haley never had to deal 515 00:30:56,560 --> 00:30:59,080 Speaker 1: there on game days except they were like, come between 516 00:30:59,120 --> 00:31:01,360 Speaker 1: like five and eight night and we'll get your shot in, 517 00:31:01,560 --> 00:31:03,160 Speaker 1: you know. Now, it was like I gotta be there 518 00:31:03,200 --> 00:31:06,640 Speaker 1: all day long. But it's just so stupid. Those are 519 00:31:06,680 --> 00:31:09,440 Speaker 1: champagne problems. I mean, they were paying me. I was 520 00:31:09,480 --> 00:31:16,560 Speaker 1: happy to be there. That scene was so sweet, especially 521 00:31:16,600 --> 00:31:24,600 Speaker 1: to counter that awful violent moment between Dan and Nathan. Obviously, 522 00:31:24,720 --> 00:31:28,000 Speaker 1: he's like he's scared, he's heartbroken, and he walks outside 523 00:31:28,000 --> 00:31:31,280 Speaker 1: and there you are. He says, you leave it for me, 524 00:31:33,320 --> 00:31:35,960 Speaker 1: killed me, Like she's a little safe place for him. 525 00:31:36,000 --> 00:31:38,040 Speaker 1: She was right at the right moment she was there. 526 00:31:38,960 --> 00:31:42,200 Speaker 1: Oh that was so good. Yeah. I like seeing them 527 00:31:42,240 --> 00:31:44,600 Speaker 1: come back together. And it was very sweet, the little 528 00:31:44,600 --> 00:31:51,480 Speaker 1: phone call and yeah, it's the immediate phone call. Super 529 00:31:53,360 --> 00:31:56,360 Speaker 1: super cute. Um. Yeah that back to that thing with 530 00:31:56,440 --> 00:32:00,160 Speaker 1: Dan in the locker room. The abuse, that thing up 531 00:32:00,560 --> 00:32:03,680 Speaker 1: intense abuse. And you said it too when we were 532 00:32:03,680 --> 00:32:07,520 Speaker 1: watching it. Can you imagine how embarrassed, not just embarrassing, 533 00:32:07,640 --> 00:32:13,040 Speaker 1: is like too light of a word. How it's humiliating, humiliating, shame, 534 00:32:13,400 --> 00:32:15,680 Speaker 1: the shame that would create to have to have your 535 00:32:15,840 --> 00:32:19,440 Speaker 1: entire team watch you, the star basketball player, get abused 536 00:32:19,440 --> 00:32:22,440 Speaker 1: by your father and Whitey shows up with the bat. 537 00:32:22,600 --> 00:32:26,440 Speaker 1: Whitey came in hot. It was so good, like chariots 538 00:32:26,440 --> 00:32:28,880 Speaker 1: of fire. And you know it was interesting. I had 539 00:32:28,880 --> 00:32:31,880 Speaker 1: a moment when we were watching it go down because 540 00:32:32,040 --> 00:32:34,920 Speaker 1: the team had walked in white He was at the door, 541 00:32:35,000 --> 00:32:37,040 Speaker 1: he was about to talk, and then Dan came in. 542 00:32:37,680 --> 00:32:40,480 Speaker 1: And when Dan had Nathan up against the locker, I'm going, 543 00:32:40,560 --> 00:32:43,840 Speaker 1: where's Whitey? And then you see the door swinging behind 544 00:32:43,920 --> 00:32:46,600 Speaker 1: him and he's got a bat, and I'm like, God, 545 00:32:46,640 --> 00:32:48,760 Speaker 1: he's so cool. He just went right to his office 546 00:32:48,760 --> 00:32:53,560 Speaker 1: to get a baseball bat. I love that man, just 547 00:32:53,720 --> 00:32:59,760 Speaker 1: who lets Dan in all these spaces? This man is everywhere? 548 00:33:00,000 --> 00:33:02,760 Speaker 1: And I wonder sometimes, like with the scripting of our show, 549 00:33:04,120 --> 00:33:06,760 Speaker 1: like at what point they were just like, screw it, 550 00:33:06,840 --> 00:33:08,600 Speaker 1: We're gonna just let him be everywhere, you know, Like 551 00:33:08,800 --> 00:33:11,360 Speaker 1: it doesn't need to make sense. He's at the river Court, 552 00:33:11,680 --> 00:33:14,480 Speaker 1: he's in other people's homes. He just knows how to 553 00:33:14,520 --> 00:33:17,800 Speaker 1: find everyone all the time. He's a stalker. He can 554 00:33:17,840 --> 00:33:20,840 Speaker 1: just show it. And you made a point, I think, Joy, 555 00:33:20,920 --> 00:33:24,120 Speaker 1: you said, you know who lets parents just walk into 556 00:33:24,120 --> 00:33:26,960 Speaker 1: the locker room, And now that we're talking about it, 557 00:33:27,000 --> 00:33:31,800 Speaker 1: I'm realizing, Well, we've established Dan is a complete narcissist. 558 00:33:32,400 --> 00:33:35,840 Speaker 1: He's abusive. I mean, the way he's manipulating deb in 559 00:33:35,840 --> 00:33:40,560 Speaker 1: this episode, making her own script, it's so gross. Of 560 00:33:40,600 --> 00:33:42,600 Speaker 1: course he would walk right into the locker room because 561 00:33:42,600 --> 00:33:45,680 Speaker 1: he thinks it belongs to him. Yeah, of course, he 562 00:33:45,800 --> 00:33:49,080 Speaker 1: thinks everything belongs to him. I still embothered by the 563 00:33:49,120 --> 00:33:51,720 Speaker 1: inconsistency of the fact that, let me tell you something, 564 00:33:51,840 --> 00:33:56,360 Speaker 1: when one of my daughter's friends parents followed me so far. 565 00:33:56,480 --> 00:34:02,560 Speaker 1: When her friend's parents behave badly, Um, you know something, 566 00:34:02,600 --> 00:34:04,600 Speaker 1: if they yell at one of the kids, or if 567 00:34:04,600 --> 00:34:08,160 Speaker 1: they if there's anything that I hear about it, they come, 568 00:34:08,200 --> 00:34:10,759 Speaker 1: I'm sure you do to him. They come home and 569 00:34:10,800 --> 00:34:13,000 Speaker 1: they're like, so and So's mom are so and So's 570 00:34:13,080 --> 00:34:17,080 Speaker 1: dad did blah blah blah, And you know it's word 571 00:34:17,160 --> 00:34:19,759 Speaker 1: travels fast, and in a small town like Tree Hill, 572 00:34:19,920 --> 00:34:24,160 Speaker 1: world travels fast. So Dan walking into a locker room 573 00:34:24,200 --> 00:34:26,200 Speaker 1: this is being one of the you know, this is 574 00:34:26,200 --> 00:34:28,160 Speaker 1: probably like four d and seventy five on the list 575 00:34:28,200 --> 00:34:32,640 Speaker 1: of things that he's publicly done to his family or 576 00:34:32,680 --> 00:34:36,280 Speaker 1: anybody else. How are people? How is he still running 577 00:34:36,320 --> 00:34:38,560 Speaker 1: for mayor and still see me? Like he's talking at 578 00:34:38,560 --> 00:34:40,600 Speaker 1: the PEP rally. He's like a pillar, a beacon in 579 00:34:40,640 --> 00:34:44,680 Speaker 1: the community. I don't understand. You know, these parents know 580 00:34:44,760 --> 00:34:48,120 Speaker 1: what's up. Their kids are coming home like, you know, yeah, 581 00:34:48,239 --> 00:34:51,520 Speaker 1: Dan was rough and up Nathan in the locker room today. 582 00:34:51,560 --> 00:34:55,040 Speaker 1: And you know, I feel like maybe though, that's why 583 00:34:55,080 --> 00:34:58,520 Speaker 1: there's the moment where Mouth has the video, because Dan 584 00:34:58,640 --> 00:35:03,160 Speaker 1: screwed up and he did it front of everybody. Yeah, yeah, 585 00:35:03,200 --> 00:35:06,560 Speaker 1: that's true. So much of the insidious stuff that he 586 00:35:06,640 --> 00:35:09,839 Speaker 1: does is in quiet. It's in an aside. He gets 587 00:35:09,840 --> 00:35:16,760 Speaker 1: in your face here in Narcissists know how to look 588 00:35:16,920 --> 00:35:20,399 Speaker 1: presentable to people who don't know them, but at home 589 00:35:20,520 --> 00:35:24,240 Speaker 1: they're monsters and he did it in front of everyone, 590 00:35:24,280 --> 00:35:28,359 Speaker 1: and now there's a video. M Okay, great point. It's 591 00:35:28,400 --> 00:35:31,880 Speaker 1: also worth noting to, Like, I think, because we were 592 00:35:31,920 --> 00:35:33,839 Speaker 1: young when we shot this show and they were older 593 00:35:33,880 --> 00:35:36,399 Speaker 1: than we were, we just kind of took it for granted, like, yes, 594 00:35:36,440 --> 00:35:40,040 Speaker 1: of course it makes sense for a thirty six not 595 00:35:40,160 --> 00:35:43,640 Speaker 1: even they're playing thirty four year old because they were 596 00:35:43,680 --> 00:35:46,440 Speaker 1: supposed to be eighteen when Lucas is born and Lucas 597 00:35:46,480 --> 00:35:49,279 Speaker 1: is only they're playing. Is it even legal for Dawn 598 00:35:49,360 --> 00:35:50,560 Speaker 1: to run for may or do we have to be 599 00:35:50,560 --> 00:35:53,839 Speaker 1: thirty five or something like? You know what I mean. 600 00:35:54,239 --> 00:35:58,840 Speaker 1: It's like the idea, So this kind of this idea 601 00:35:58,880 --> 00:36:02,400 Speaker 1: of reputation, you know, as local politicians are just like 602 00:36:02,480 --> 00:36:05,680 Speaker 1: local business people get older, you know, scandals come out 603 00:36:05,719 --> 00:36:08,640 Speaker 1: in your in your forties and your fifties and your seventies, 604 00:36:08,680 --> 00:36:13,320 Speaker 1: you know, like whatever, Dan's really really young. Like maybe 605 00:36:14,280 --> 00:36:17,839 Speaker 1: the the word isn't out there with the voter base 606 00:36:17,880 --> 00:36:19,920 Speaker 1: because they're not people that he went to school with. 607 00:36:20,000 --> 00:36:22,880 Speaker 1: It's people who were like decades older than him, and 608 00:36:22,920 --> 00:36:25,279 Speaker 1: they just remember like the golden kid. On the cover 609 00:36:25,360 --> 00:36:29,040 Speaker 1: of the local newspaper. You know, the kids went to 610 00:36:29,040 --> 00:36:33,479 Speaker 1: school with noise and actual But you know, typically voter 611 00:36:33,560 --> 00:36:36,040 Speaker 1: base is a little bit older, and they're like, Oh, 612 00:36:36,080 --> 00:36:38,840 Speaker 1: that's that winner, that's that Scott kid. What a winner. 613 00:36:40,000 --> 00:36:42,560 Speaker 1: Yabout my car from him? I bought my car from 614 00:36:42,560 --> 00:36:48,319 Speaker 1: that boy. What an ambitious young man. Yeah, well, I 615 00:36:48,360 --> 00:36:50,759 Speaker 1: can't wait to see what happens with this video. I 616 00:36:50,840 --> 00:36:53,959 Speaker 1: love it, and I hope that Karen doesn't high horse 617 00:36:54,080 --> 00:36:58,560 Speaker 1: it and be like, I'm above releasing this. She should. 618 00:37:00,480 --> 00:37:02,640 Speaker 1: I was like, she's going to be classy, and I 619 00:37:02,680 --> 00:37:07,080 Speaker 1: wish she wouldn't. No, I love a smear campaign because 620 00:37:07,120 --> 00:37:10,640 Speaker 1: it's the truth. Tell me the truth. Can release it. 621 00:37:10,760 --> 00:37:12,359 Speaker 1: Karen doesn't have to have anything to do with it. 622 00:37:12,400 --> 00:37:14,600 Speaker 1: She can just be like, whatever you do with that 623 00:37:14,719 --> 00:37:18,000 Speaker 1: is none of my business. But I really hope I 624 00:37:18,040 --> 00:37:19,799 Speaker 1: wake up and see it on the news tomorrow. Well, 625 00:37:19,800 --> 00:37:23,439 Speaker 1: and also, it's a wonderful tool for deb who has 626 00:37:23,880 --> 00:37:27,880 Speaker 1: had Dan dangled this idea of freedom over her head. 627 00:37:28,600 --> 00:37:31,280 Speaker 1: If she's got a video, she can show a judge 628 00:37:31,320 --> 00:37:34,319 Speaker 1: and be like, this man hurts my child. She doesn't 629 00:37:34,320 --> 00:37:37,279 Speaker 1: have to play his game anymore. You know, she's got 630 00:37:37,520 --> 00:37:41,760 Speaker 1: physical over proof. This is the bed day all over 631 00:37:41,840 --> 00:37:47,800 Speaker 1: for Dan Scotty. Oh you know what I will say 632 00:37:48,080 --> 00:37:50,880 Speaker 1: on a on a high note, whether she releases the 633 00:37:50,960 --> 00:37:57,719 Speaker 1: video or not. For Karen, Moira played that moment with 634 00:37:57,800 --> 00:38:01,600 Speaker 1: Karen and Lucas so well, which she goes, well, then 635 00:38:01,640 --> 00:38:04,359 Speaker 1: it's her loss. You know, someone once said to me 636 00:38:04,640 --> 00:38:06,560 Speaker 1: the best way to get over the money to get 637 00:38:06,640 --> 00:38:09,960 Speaker 1: under someone else. Oh my god, I just realized what 638 00:38:10,000 --> 00:38:15,560 Speaker 1: that meant, Like it was so so cute, funny, so cute. 639 00:38:16,280 --> 00:38:19,560 Speaker 1: I am philosophical than that. The scenes between Karen and 640 00:38:19,640 --> 00:38:22,719 Speaker 1: Lucas are so I guess I never clocked him before 641 00:38:22,719 --> 00:38:24,400 Speaker 1: because I didn't have a kid, and now I've got 642 00:38:24,480 --> 00:38:26,399 Speaker 1: this twelve year old boy with a mustache, and I'm 643 00:38:26,400 --> 00:38:29,719 Speaker 1: watching these interactions between a mom and a son and 644 00:38:29,760 --> 00:38:32,719 Speaker 1: I'm like, oh my god, these are the conversations that 645 00:38:32,840 --> 00:38:35,200 Speaker 1: I have with Gus. Like we just watched Breakfast Club 646 00:38:35,239 --> 00:38:37,680 Speaker 1: and asked that is this that you guys really talk? 647 00:38:37,719 --> 00:38:39,840 Speaker 1: Because I was watching the episode of like, did boys 648 00:38:39,880 --> 00:38:42,239 Speaker 1: really talk to their mothers that way? Yes, my son, 649 00:38:42,440 --> 00:38:44,440 Speaker 1: we just watched the Breakfast Club and he had so 650 00:38:44,440 --> 00:38:48,480 Speaker 1: many questions and he was so angry with Judd Nelson's 651 00:38:48,600 --> 00:38:51,879 Speaker 1: character because he stuck his face in Molly Ringwald's lap 652 00:38:52,080 --> 00:38:56,960 Speaker 1: under the library table, and Gus was disgusted, and so 653 00:38:57,000 --> 00:38:58,800 Speaker 1: at the end of the movie when they end up together, 654 00:38:58,880 --> 00:39:03,120 Speaker 1: Gus is de gusted and he's like asking me all 655 00:39:03,160 --> 00:39:06,719 Speaker 1: of these questions and like Jeff, for sure Gus would 656 00:39:06,719 --> 00:39:08,799 Speaker 1: be into that character because he's like the edgy one 657 00:39:08,840 --> 00:39:12,800 Speaker 1: with airing and like, yeah, yeah, no part. Gus wanted 658 00:39:13,000 --> 00:39:18,239 Speaker 1: no part of that character. And so having those conversations 659 00:39:18,280 --> 00:39:22,680 Speaker 1: about like sexuality and respect and you know, just kind 660 00:39:22,680 --> 00:39:26,160 Speaker 1: of like ethics with your child, Gus wanted he held 661 00:39:26,200 --> 00:39:28,520 Speaker 1: my hand the whole time we watched the movie. He 662 00:39:28,600 --> 00:39:30,360 Speaker 1: just had his little head on my shoulder so I 663 00:39:30,360 --> 00:39:34,400 Speaker 1: could scratch his hair, like I love seeing it in 664 00:39:34,480 --> 00:39:37,160 Speaker 1: an older boy, you know, like sit down with his 665 00:39:37,200 --> 00:39:39,799 Speaker 1: mommy and be like on the boat of the joke 666 00:39:39,840 --> 00:39:43,920 Speaker 1: of shoulders, mom, and just like cock do it. You know. 667 00:39:44,640 --> 00:39:46,359 Speaker 1: It's not trying to be cool. He's like, mom, all 668 00:39:46,400 --> 00:39:48,800 Speaker 1: the girls are being really mean to me, and nobody 669 00:39:48,840 --> 00:39:51,320 Speaker 1: likes me, and I just wanted to go to homecoming 670 00:39:51,360 --> 00:39:54,200 Speaker 1: with somebody and I'm just going to go pay my 671 00:39:54,280 --> 00:39:59,200 Speaker 1: door black. That was hilarious, So yes, baby, I can 672 00:39:59,200 --> 00:40:00,800 Speaker 1: tell by the black do or other side of the 673 00:40:00,840 --> 00:40:06,600 Speaker 1: house you got jobbed. I love too? Is that in 674 00:40:06,640 --> 00:40:11,919 Speaker 1: a weird way, He also gets mothered by Rachel. Yes, 675 00:40:12,200 --> 00:40:16,400 Speaker 1: she's move on, get over yourself and get out of 676 00:40:16,440 --> 00:40:19,320 Speaker 1: my car. I'm better than this. I was like, yes, girl, 677 00:40:19,840 --> 00:40:23,760 Speaker 1: you go. I loved it the way daniel delivered that line, 678 00:40:24,040 --> 00:40:26,080 Speaker 1: the I'm better than that. You know, she's like you, 679 00:40:26,080 --> 00:40:27,839 Speaker 1: you've been using me to make Brook jealous. That's fine, 680 00:40:27,880 --> 00:40:29,799 Speaker 1: but I'm better than that. And I know that she 681 00:40:29,840 --> 00:40:31,799 Speaker 1: didn't say it in a mean way. She didn't say 682 00:40:31,800 --> 00:40:34,359 Speaker 1: it in a cocky way like Danielle played that so 683 00:40:34,480 --> 00:40:37,239 Speaker 1: totally correct because it was just it was just a 684 00:40:37,280 --> 00:40:40,319 Speaker 1: young woman correcting a young man in a way that 685 00:40:40,400 --> 00:40:44,640 Speaker 1: wasn't malicious that he could hear, and being like, so 686 00:40:44,760 --> 00:40:47,680 Speaker 1: we're done with this. Okay, good, you don't do this 687 00:40:47,760 --> 00:40:52,719 Speaker 1: to me or anybody. Yeah, it would have been if 688 00:40:52,719 --> 00:40:55,120 Speaker 1: we made an arrangement, but you don't get to just 689 00:40:55,520 --> 00:40:57,759 Speaker 1: do this and pretend like we don't know both know 690 00:40:57,800 --> 00:41:01,000 Speaker 1: what's going on. And I liked that she didn't do 691 00:41:01,160 --> 00:41:03,319 Speaker 1: it in a way of like I'm better than this, 692 00:41:04,040 --> 00:41:07,120 Speaker 1: Like she wasn't hurting my feelings. She was just like, 693 00:41:07,239 --> 00:41:10,000 Speaker 1: this is gross. Stop it. I'm not going to tolerate it. 694 00:41:10,640 --> 00:41:15,040 Speaker 1: It was so at I guess that's why it feels 695 00:41:15,040 --> 00:41:18,040 Speaker 1: to me a little bit like Karen and Rachel are 696 00:41:18,160 --> 00:41:23,839 Speaker 1: kind of mirrors for him. They're both looking at him 697 00:41:23,840 --> 00:41:28,160 Speaker 1: in this episode like grow up, stop pouting. Well, and 698 00:41:28,200 --> 00:41:30,319 Speaker 1: it's kind of nice. She's also the one that calls 699 00:41:30,320 --> 00:41:32,680 Speaker 1: out Chris Keller for being a creep coming into the 700 00:41:32,719 --> 00:41:37,759 Speaker 1: high school hitting on teenage. Yes, it's so gross. We've 701 00:41:37,800 --> 00:41:41,200 Speaker 1: talked about it so much. Why boy hanging around? And 702 00:41:41,239 --> 00:41:43,759 Speaker 1: even when he walks in, he goes three cheerleaders. It's 703 00:41:43,880 --> 00:41:49,719 Speaker 1: so right. Then, it's so gross. And she just was like, 704 00:41:50,120 --> 00:41:53,880 Speaker 1: you're disgusting, You're a pervert. And I loved I loved that. 705 00:41:54,080 --> 00:42:00,640 Speaker 1: Somebody said it also, you just said the thing. It's like, Dann, 706 00:42:01,120 --> 00:42:03,640 Speaker 1: is this the episode where the Chris Keller Dan Scott 707 00:42:03,680 --> 00:42:10,879 Speaker 1: theory started? Maybe I know your mother? Oh yeah, that's right. Well, 708 00:42:10,920 --> 00:42:13,200 Speaker 1: apparently this is a fan there's a big fan theory 709 00:42:13,280 --> 00:42:15,799 Speaker 1: that Dan was just dropping a little Easter egg, but 710 00:42:15,880 --> 00:42:19,160 Speaker 1: that Chris Keller is actually Dan's son and Chris is 711 00:42:19,200 --> 00:42:25,480 Speaker 1: the third Scott brother. That's true. I don't think I've 712 00:42:25,520 --> 00:42:28,040 Speaker 1: seen so many fans say that though. They're just like, 713 00:42:28,120 --> 00:42:32,000 Speaker 1: Chris Keller is totally one of Dan's God's kids. He's 714 00:42:32,200 --> 00:42:34,480 Speaker 1: a young Dan. He definitely functions like a young Dan, 715 00:42:34,600 --> 00:42:37,959 Speaker 1: just showing up random places, walking in wherever he thinks 716 00:42:37,960 --> 00:42:42,840 Speaker 1: he belongs, picking up you know, any woman that he 717 00:42:43,120 --> 00:42:45,839 Speaker 1: sees that He's just like, oh you, I'll pick I'll 718 00:42:45,880 --> 00:42:51,239 Speaker 1: pick on you. It's gross. It's super gross. Um, and 719 00:42:51,520 --> 00:42:54,399 Speaker 1: it's Tyler is the only person that I think could 720 00:42:54,400 --> 00:42:56,520 Speaker 1: have made him work in a way that feels lovable, 721 00:42:56,600 --> 00:43:00,440 Speaker 1: because otherwise it just comes off so sleazy. But because 722 00:43:00,440 --> 00:43:04,840 Speaker 1: he is so it's still yeah, he can't help it. 723 00:43:04,920 --> 00:43:09,160 Speaker 1: Even playing a sleazy character, the pure goodness that is 724 00:43:09,239 --> 00:43:13,520 Speaker 1: Tyler seeps through. So you gotta love to hate this guy. 725 00:43:15,360 --> 00:43:18,160 Speaker 1: It's so true. We were we were debating while we 726 00:43:18,200 --> 00:43:20,360 Speaker 1: were watching. We're like, Okay, fans, this is going to 727 00:43:20,440 --> 00:43:24,480 Speaker 1: be our poll for you guys, who does Tyler look 728 00:43:24,560 --> 00:43:30,520 Speaker 1: more like Elvis or Chris Isaac? And I just always 729 00:43:31,040 --> 00:43:34,040 Speaker 1: such a ringer for Chris Isaac. But you're what does 730 00:43:34,160 --> 00:43:37,000 Speaker 1: the Elvis thing is very really I see a lot 731 00:43:37,080 --> 00:43:40,600 Speaker 1: of Elvis to you know what I want somebody to 732 00:43:40,719 --> 00:43:42,840 Speaker 1: do you know how they do those things with couples 733 00:43:42,880 --> 00:43:44,640 Speaker 1: where they put your faces together and tell you what 734 00:43:44,680 --> 00:43:47,320 Speaker 1: your children would look like. I would love for somebody 735 00:43:47,360 --> 00:43:50,640 Speaker 1: to put Elvis and Chris Isaac's together and see if 736 00:43:50,640 --> 00:43:57,279 Speaker 1: it's Tyler home. Okay, somebody's got a project, has that 737 00:43:57,320 --> 00:43:59,400 Speaker 1: app I don't want to download it, I'm lazy, but 738 00:44:00,280 --> 00:44:02,279 Speaker 1: he has it and they could just tweet it to 739 00:44:02,400 --> 00:44:05,320 Speaker 1: us and it would be great. Thank you in advance. 740 00:44:05,360 --> 00:44:16,480 Speaker 1: We appreciate it advance for your help. We're at at 741 00:44:16,520 --> 00:44:18,800 Speaker 1: the point where we should probably take a fan question 742 00:44:19,040 --> 00:44:23,440 Speaker 1: or two if we have any. One of the highlights 743 00:44:23,440 --> 00:44:25,920 Speaker 1: of these bigger episodes is that we have like everybody 744 00:44:25,960 --> 00:44:29,160 Speaker 1: in them, right. You know. We've got Tim being Tim 745 00:44:29,200 --> 00:44:32,600 Speaker 1: with the tramp stamp, which is delicious. We have g 746 00:44:32,840 --> 00:44:36,880 Speaker 1: G being like totally infatuated with all the basketball players, 747 00:44:37,040 --> 00:44:40,719 Speaker 1: which is super a little swoo, she's so cute, and 748 00:44:40,719 --> 00:44:42,319 Speaker 1: we get to see all the boys. And it's nice 749 00:44:42,360 --> 00:44:44,560 Speaker 1: to hear their real names announced at the beginning of 750 00:44:44,600 --> 00:44:47,520 Speaker 1: the game, because our basketball players were a huge part 751 00:44:47,560 --> 00:44:50,719 Speaker 1: of our show and they didn't necessarily have lines, but 752 00:44:50,800 --> 00:44:53,920 Speaker 1: they were important, um and so to hear their real 753 00:44:54,000 --> 00:44:57,160 Speaker 1: names called out over the loud speaker. And then we've 754 00:44:57,160 --> 00:45:00,880 Speaker 1: got our Bevan, who is so funny in this episode 755 00:45:01,400 --> 00:45:07,640 Speaker 1: with her giving Whitey like this is the place, yeah yeah, 756 00:45:07,920 --> 00:45:10,120 Speaker 1: and then like being the one with Chris Keller that's 757 00:45:10,120 --> 00:45:14,239 Speaker 1: like okay bye, you know, and then she looks at 758 00:45:14,320 --> 00:45:19,200 Speaker 1: Rachel and goes sorry, she's so good and you I mean, 759 00:45:19,320 --> 00:45:21,879 Speaker 1: I think most of our fan base knows that Bevan 760 00:45:21,960 --> 00:45:24,200 Speaker 1: recently lost her husband and she was on our show 761 00:45:24,360 --> 00:45:27,759 Speaker 1: like two months ago talking about how wonderful he is 762 00:45:27,880 --> 00:45:32,200 Speaker 1: and their life that they've built here together in Wilmington's. Um. 763 00:45:32,360 --> 00:45:35,040 Speaker 1: You know, I don't people can't see us because it's 764 00:45:35,040 --> 00:45:37,239 Speaker 1: the podcast, but I'm in a hotel room in Wilmington's 765 00:45:37,280 --> 00:45:41,000 Speaker 1: right now, and what I can say is that we've 766 00:45:41,040 --> 00:45:44,800 Speaker 1: had more time together as a unit in the past 767 00:45:44,880 --> 00:45:47,719 Speaker 1: like six months, Like all of us we've seen each 768 00:45:47,719 --> 00:45:51,480 Speaker 1: other at weddings, at these celebrations of life, you know, 769 00:45:51,560 --> 00:45:54,800 Speaker 1: like we're all able to interact. Convention coming up to 770 00:45:55,280 --> 00:45:58,719 Speaker 1: we're going to be back in Wilmington's. It's um. I 771 00:45:58,760 --> 00:46:02,200 Speaker 1: don't know, the universe putting us together, the gift that 772 00:46:02,239 --> 00:46:05,880 Speaker 1: we have that we got to grow up together, and 773 00:46:05,920 --> 00:46:08,239 Speaker 1: we've got kind of this record of it where we 774 00:46:08,280 --> 00:46:12,000 Speaker 1: get to you know, cheer Bevan on, you know, in 775 00:46:12,000 --> 00:46:16,120 Speaker 1: a moment like this and be like that's our girl. Um, 776 00:46:16,160 --> 00:46:20,120 Speaker 1: it's cool. And and being back here with everyone like 777 00:46:20,200 --> 00:46:22,680 Speaker 1: you guys, I told you we saw our director of photography, 778 00:46:22,760 --> 00:46:27,759 Speaker 1: Peter Kowalski, like Leonora's drove down, Daniel's here. You know 779 00:46:28,080 --> 00:46:31,520 Speaker 1: the magic. I think there are a lot of the 780 00:46:31,520 --> 00:46:35,840 Speaker 1: fan base is like, um, it feels like suspension of belief. 781 00:46:35,840 --> 00:46:38,120 Speaker 1: It's like this was a magical group of people. This 782 00:46:38,200 --> 00:46:41,160 Speaker 1: was like a magical experience, a magical show. It feels 783 00:46:41,200 --> 00:46:43,400 Speaker 1: so weird to be back for the first time post 784 00:46:43,440 --> 00:46:48,000 Speaker 1: pandemic and it's like it's real. You know. It's like 785 00:46:48,400 --> 00:46:51,080 Speaker 1: everyone's out walking the loop. Everyone's like going to the 786 00:46:51,160 --> 00:46:54,200 Speaker 1: Brasserie for dinner. You know, like the magic is just 787 00:46:54,320 --> 00:46:58,080 Speaker 1: real and the community is real. And um, for our 788 00:46:58,160 --> 00:47:03,200 Speaker 1: drama Queens fans that have uh gone to Recess Bevan's 789 00:47:03,239 --> 00:47:06,000 Speaker 1: business that she built here with her husband, that has 790 00:47:06,040 --> 00:47:09,359 Speaker 1: been such a gift and it really means a lot 791 00:47:09,400 --> 00:47:11,240 Speaker 1: to her, it means a lot to the other girls 792 00:47:11,360 --> 00:47:14,120 Speaker 1: that work there. And so if you're coming to Willington, 793 00:47:15,440 --> 00:47:17,440 Speaker 1: well if they're coming to Willington's for the summer, or 794 00:47:17,560 --> 00:47:20,080 Speaker 1: for an anniversary, or for any trip at all, Like 795 00:47:20,080 --> 00:47:24,040 Speaker 1: like Recess is part of the drama Queen's Scavenger Hunt. 796 00:47:24,160 --> 00:47:26,960 Speaker 1: So just make a plan of taking a class with 797 00:47:27,080 --> 00:47:30,880 Speaker 1: any of the teachers there and then yeah, be a 798 00:47:30,880 --> 00:47:35,319 Speaker 1: part of this community because we all know what just 799 00:47:35,560 --> 00:47:37,799 Speaker 1: just like it's so special for us when we meet 800 00:47:37,840 --> 00:47:40,839 Speaker 1: y'all and you're wearing like a close over Brose hat 801 00:47:41,000 --> 00:47:43,759 Speaker 1: or a T shirt with Peyton's art on it. Even 802 00:47:43,800 --> 00:47:46,000 Speaker 1: if spinning is not your thing, Listen, not all of 803 00:47:46,080 --> 00:47:49,279 Speaker 1: us love Cardio. Um you can. You can pop by 804 00:47:49,360 --> 00:47:51,239 Speaker 1: Recess and say hi and get a hat, get a 805 00:47:51,280 --> 00:47:55,279 Speaker 1: T shirt. You can support the business and you can 806 00:47:55,320 --> 00:47:59,640 Speaker 1: do that for our girl because it's I mean, you 807 00:47:59,719 --> 00:48:02,960 Speaker 1: said best, Hillary. It's like such a it's been such 808 00:48:03,000 --> 00:48:06,880 Speaker 1: a season of reunion for us, and it's so odd 809 00:48:07,320 --> 00:48:11,480 Speaker 1: to be sort of celebrating the highest of highs and 810 00:48:11,520 --> 00:48:15,680 Speaker 1: also lifting up our community in moments that are the 811 00:48:15,719 --> 00:48:20,200 Speaker 1: lowest of low And I think what is so beautiful 812 00:48:20,280 --> 00:48:24,520 Speaker 1: to watch is that no matter what it is, we're 813 00:48:24,560 --> 00:48:28,960 Speaker 1: all here, Like whether it was Puppy piling in the 814 00:48:29,000 --> 00:48:33,000 Speaker 1: corner with all of you at my wedding or everybody 815 00:48:33,000 --> 00:48:36,120 Speaker 1: who could flying into Wilmington to hold Bevan. It's like, 816 00:48:37,680 --> 00:48:44,960 Speaker 1: after twenty years, no matter what, everybody's there and it's 817 00:48:45,640 --> 00:48:49,080 Speaker 1: you know, it's the family. It is the most meaningful stuff. 818 00:48:49,280 --> 00:48:53,000 Speaker 1: Like I couldn't have predicted it in a million years, 819 00:48:53,000 --> 00:48:55,880 Speaker 1: you guys, like when we were year olds, Like I 820 00:48:55,920 --> 00:48:59,160 Speaker 1: couldn't never ever have predicted we'd all still be in 821 00:48:59,200 --> 00:49:01,160 Speaker 1: love with each other. And way that's just kind of 822 00:49:01,520 --> 00:49:07,680 Speaker 1: it's wholesome, foundational. Yeah. Yeah, So at some point the 823 00:49:07,680 --> 00:49:08,879 Speaker 1: three of us are gonna have to do a spin 824 00:49:08,960 --> 00:49:16,680 Speaker 1: class together. I can't wait for you. I'm the least 825 00:49:16,719 --> 00:49:19,640 Speaker 1: coordinated woman on the planet. You've seen the cheerleading dances. 826 00:49:19,680 --> 00:49:22,520 Speaker 1: I don't know what you guys want, but we're here 827 00:49:22,560 --> 00:49:25,719 Speaker 1: for each other and that's awesome and um, and we 828 00:49:25,760 --> 00:49:29,120 Speaker 1: appreciate the fan base also being here for us. And 829 00:49:29,200 --> 00:49:33,800 Speaker 1: so we'll answer your questions. Now give us the questions, 830 00:49:33,800 --> 00:49:37,560 Speaker 1: your questions, let us give you the love. Hailey wants 831 00:49:37,640 --> 00:49:40,200 Speaker 1: to know, how did you come up with the name 832 00:49:40,520 --> 00:49:42,839 Speaker 1: Drama Queens for the podcast and how did you all 833 00:49:42,880 --> 00:49:46,520 Speaker 1: come together and decide to do it? Um, Hillary, were 834 00:49:46,560 --> 00:49:48,400 Speaker 1: you the ones that said drama quits one of us. 835 00:49:48,440 --> 00:49:50,279 Speaker 1: Just it was like in the pile of names, we 836 00:49:50,280 --> 00:49:52,799 Speaker 1: were throwing names out. I don't. I don't remember who 837 00:49:52,800 --> 00:49:55,480 Speaker 1: said it. I mean some of the other names we 838 00:49:55,480 --> 00:50:01,680 Speaker 1: were thinking. Remember we started with most likely too. That's right, 839 00:50:01,760 --> 00:50:04,880 Speaker 1: it was most likely too, it's the most likely to 840 00:50:05,000 --> 00:50:07,960 Speaker 1: in the yearbook. And then that actually turned into our 841 00:50:08,000 --> 00:50:10,920 Speaker 1: wheel are most likely to use, like our spin the wheel. 842 00:50:11,960 --> 00:50:15,080 Speaker 1: I don't it was one of YouTube drama queens. Is 843 00:50:15,120 --> 00:50:17,759 Speaker 1: definitely not me. I don't remember it was me. It 844 00:50:17,840 --> 00:50:20,080 Speaker 1: was because I was getting made fun of. It's like 845 00:50:20,120 --> 00:50:22,960 Speaker 1: somebody had made funny like drama queens, and I was like, 846 00:50:23,480 --> 00:50:26,840 Speaker 1: you know what, We're going to turn a negative into 847 00:50:26,880 --> 00:50:36,720 Speaker 1: a positive queen teen drama And it just felt so egotistical. 848 00:50:40,000 --> 00:50:42,480 Speaker 1: How many teen dramas are out there, and for us 849 00:50:42,520 --> 00:50:46,920 Speaker 1: to be like, no, no, no, no no. That was 850 00:50:46,960 --> 00:50:54,520 Speaker 1: so bitchy in the funny way, now in the best way, 851 00:50:54,560 --> 00:50:57,200 Speaker 1: and it's tongue in cheek, and you know what, everybody 852 00:50:57,239 --> 00:50:59,560 Speaker 1: made us feel real bad back then we're taking back 853 00:50:59,560 --> 00:51:02,759 Speaker 1: our calm and it's goddamn it all I'm saying. Those 854 00:51:02,800 --> 00:51:05,200 Speaker 1: behind the scenes of the Teen Choice Awards, we were 855 00:51:05,280 --> 00:51:09,400 Speaker 1: not beloved and we got picked on and so that 856 00:51:09,640 --> 00:51:13,279 Speaker 1: is I've got a chick shoulder about it. While we 857 00:51:13,280 --> 00:51:16,600 Speaker 1: were still on zoom, like that's it, that's the name. 858 00:51:16,680 --> 00:51:19,200 Speaker 1: Oh my goad. I like split screen to my computer 859 00:51:19,239 --> 00:51:21,560 Speaker 1: and I got online and started ordering crowns. I was like, no, 860 00:51:21,640 --> 00:51:24,520 Speaker 1: we're doing it on my crown who deserved this? You 861 00:51:24,640 --> 00:51:29,160 Speaker 1: did have tiaras so fast. I ordered so many options, 862 00:51:29,440 --> 00:51:31,440 Speaker 1: but we went through so many names. We were just 863 00:51:31,600 --> 00:51:34,440 Speaker 1: spitballing for like a week or two, and then finally 864 00:51:34,600 --> 00:51:36,160 Speaker 1: you just said that and we all were like, oh, 865 00:51:36,200 --> 00:51:39,840 Speaker 1: that's it. Bango bango that somebody locked down the LLC 866 00:51:40,120 --> 00:51:45,000 Speaker 1: right now. That's but Sophia brought us the idea of 867 00:51:45,040 --> 00:51:47,480 Speaker 1: podcast because you've been doing work in progress and you 868 00:51:47,520 --> 00:51:50,800 Speaker 1: were like, yes, we can actually like work from home 869 00:51:51,239 --> 00:51:55,719 Speaker 1: and provide yeah, and like make things cool. You know, 870 00:51:56,480 --> 00:51:58,760 Speaker 1: there was a lot of unspoken stuff that fans always 871 00:51:58,840 --> 00:52:01,160 Speaker 1: kind of tiptoed around it conventions in the Q and 872 00:52:01,200 --> 00:52:03,640 Speaker 1: A S and we're like, you know what, let's put 873 00:52:03,640 --> 00:52:07,640 Speaker 1: out the laundry. Let's just let's just do it, do it. 874 00:52:07,719 --> 00:52:11,359 Speaker 1: And there's something I think what I learned, you know, 875 00:52:11,480 --> 00:52:15,879 Speaker 1: doing work in progress is we're so used to doing 876 00:52:15,920 --> 00:52:18,400 Speaker 1: an interview, and they use like a sentence on a 877 00:52:18,560 --> 00:52:21,360 Speaker 1: sound bite. Half the time they take out of context 878 00:52:21,440 --> 00:52:25,640 Speaker 1: for a clickbait title like it's all just yucky. And 879 00:52:25,640 --> 00:52:28,560 Speaker 1: and the length of a podcast allows you to be 880 00:52:28,680 --> 00:52:34,600 Speaker 1: curious two debate thoughtfully to ask questions, well, what do 881 00:52:34,640 --> 00:52:37,040 Speaker 1: you think? What do you think that's interesting? Maybe maybe 882 00:52:37,080 --> 00:52:40,640 Speaker 1: this is a reality or an option I've never thought of, 883 00:52:40,760 --> 00:52:45,480 Speaker 1: Like it's it's a real life. It's like a dinner party. 884 00:52:45,840 --> 00:52:48,160 Speaker 1: And and for us to be able to do that 885 00:52:48,200 --> 00:52:52,440 Speaker 1: together and and not have somebody be like the girls, 886 00:52:53,320 --> 00:52:55,799 Speaker 1: it's like, that's actually not what we said. We'll tell 887 00:52:55,840 --> 00:52:59,439 Speaker 1: you what we have to say. It's so empowering when 888 00:52:59,480 --> 00:53:04,520 Speaker 1: it also was so universally like destined um, because everything 889 00:53:04,560 --> 00:53:06,719 Speaker 1: went right on like the first try, you know what 890 00:53:06,760 --> 00:53:08,920 Speaker 1: I mean, Like Shore I sat down to write that 891 00:53:09,000 --> 00:53:11,080 Speaker 1: theme song and send it to us in like a voice. 892 00:53:11,239 --> 00:53:13,080 Speaker 1: It looks like a little tiny thing, and it was 893 00:53:13,120 --> 00:53:15,240 Speaker 1: just like, what do you guys think? This is this okay? 894 00:53:15,320 --> 00:53:21,280 Speaker 1: And we're like, is this okay? What are you talking about? Match? 895 00:53:22,280 --> 00:53:24,720 Speaker 1: Since it's like when God is opening up all the doors, 896 00:53:24,760 --> 00:53:27,279 Speaker 1: there is just something magical that happens and you just 897 00:53:27,320 --> 00:53:29,080 Speaker 1: take your hands off of it and watch it go. 898 00:53:29,280 --> 00:53:31,120 Speaker 1: And that's what we did. I mean, we showed up 899 00:53:31,200 --> 00:53:34,120 Speaker 1: to do the work, but we didn't have to push 900 00:53:34,160 --> 00:53:36,520 Speaker 1: and bang down doors and not that there isn't a 901 00:53:36,560 --> 00:53:39,560 Speaker 1: season for that, but it's so nice when you just 902 00:53:39,640 --> 00:53:42,200 Speaker 1: see all the doors just opening and you know you're 903 00:53:42,239 --> 00:53:44,840 Speaker 1: on the right track and everything's working. It's a relief. 904 00:53:45,600 --> 00:53:50,839 Speaker 1: Being in flow is such an unmistakable feeling, and you 905 00:53:50,960 --> 00:53:55,680 Speaker 1: feel like it's coming through you, and it's such a 906 00:53:55,800 --> 00:54:00,280 Speaker 1: lesson that not everything has to be that brutal climb 907 00:54:00,400 --> 00:54:03,839 Speaker 1: up the hill with the rock. Yeah, you can just 908 00:54:04,120 --> 00:54:06,400 Speaker 1: like like, you don't have to be a mountain. You 909 00:54:06,440 --> 00:54:12,000 Speaker 1: can be water. So nice. I want to be water rich. 910 00:54:12,239 --> 00:54:18,680 Speaker 1: Here this feel we're water. I love it. I'm just 911 00:54:18,760 --> 00:54:21,120 Speaker 1: the river. You just send things right on down to 912 00:54:21,320 --> 00:54:24,759 Speaker 1: send things right to me. I will take you on 913 00:54:24,840 --> 00:54:33,919 Speaker 1: a boat together the river country. We're going to get 914 00:54:33,920 --> 00:54:36,600 Speaker 1: another on. Can love this if you don't take us 915 00:54:36,600 --> 00:54:38,640 Speaker 1: as your date to like the Grammys when you win 916 00:54:38,680 --> 00:54:42,480 Speaker 1: awards for your country, was like to be real, man, 917 00:54:42,520 --> 00:54:47,120 Speaker 1: I agree on dates, dates for life. Teasing my hair, 918 00:54:47,800 --> 00:54:50,600 Speaker 1: You'll be like, excuse me, I need three seeds. Three 919 00:54:51,600 --> 00:54:54,000 Speaker 1: I'll just sit in one of your laps. I was 920 00:54:54,040 --> 00:54:57,120 Speaker 1: going to say, yeah, okay, So Jackie wants to know, 921 00:54:57,239 --> 00:55:00,160 Speaker 1: what is the biggest mistake you think your care after 922 00:55:00,320 --> 00:55:02,279 Speaker 1: made I feel like you're being targeted right now with 923 00:55:02,320 --> 00:55:09,239 Speaker 1: this Chris Keller thing, Sophia I was about in this episode. Personally, Jackie, 924 00:55:10,400 --> 00:55:14,160 Speaker 1: the biggest mistake, It's hard to know because we've only 925 00:55:14,200 --> 00:55:17,319 Speaker 1: seen up to season in season three, So let's just 926 00:55:17,320 --> 00:55:19,920 Speaker 1: say so between like, you know one and three, what's 927 00:55:19,960 --> 00:55:26,960 Speaker 1: our biggest mistake? Webcam's biggest mistake when when Nathan came 928 00:55:27,080 --> 00:55:30,040 Speaker 1: to say hi to her backstage. Her biggest mistake was 929 00:55:30,120 --> 00:55:33,239 Speaker 1: not saying I love you. I'm so happy to see you. 930 00:55:33,280 --> 00:55:36,359 Speaker 1: Don't go anywhere. I'm so confused and freaked out and 931 00:55:36,440 --> 00:55:38,080 Speaker 1: I don't know what's going on, but I love you 932 00:55:38,120 --> 00:55:39,960 Speaker 1: to death and I will die if you leave. Just 933 00:55:40,080 --> 00:55:43,319 Speaker 1: stay stay here. I will be right back and help 934 00:55:43,320 --> 00:55:46,080 Speaker 1: me figure this out. I need your help. That was 935 00:55:46,160 --> 00:55:48,160 Speaker 1: her big If she had said that, I think everything 936 00:55:48,200 --> 00:55:51,080 Speaker 1: would have changed. Say the thing you said that earlier, 937 00:55:51,320 --> 00:55:59,839 Speaker 1: Just the thing man that this episode. Yeah, yeah, mine's 938 00:56:00,200 --> 00:56:05,279 Speaker 1: cam kids. Don't do that, Like, don't just gross beguard 939 00:56:05,360 --> 00:56:08,000 Speaker 1: yourself on the internet. Man, you gotta get one of 940 00:56:08,040 --> 00:56:10,560 Speaker 1: those post it notes and stick it on those little stickers, 941 00:56:10,560 --> 00:56:12,680 Speaker 1: and I know I've got a band aid on my 942 00:56:12,800 --> 00:56:19,640 Speaker 1: laptop and on. All right, yeah, we all watched that 943 00:56:19,760 --> 00:56:26,800 Speaker 1: Edwards Snowden movie. We're all freeking. It's also gross. Um 944 00:56:26,920 --> 00:56:31,600 Speaker 1: oh man, I think, I mean Brooks made a lot 945 00:56:31,640 --> 00:56:43,160 Speaker 1: of mistakes, but just trying to remember his name, Yeah, 946 00:56:43,880 --> 00:56:48,399 Speaker 1: let's un I'd say currently up to season three, episode eight, 947 00:56:48,840 --> 00:56:52,759 Speaker 1: Felix is probably number one and Chris Keller's probably number two, 948 00:56:52,840 --> 00:56:56,879 Speaker 1: only because I like Tyler so much. Yeah yeah, yeah, 949 00:56:56,920 --> 00:56:59,120 Speaker 1: and you only like and brook only slept with him once, 950 00:56:59,239 --> 00:57:03,279 Speaker 1: and Felix is like an ongoing thing. She made that 951 00:57:03,360 --> 00:57:09,960 Speaker 1: choice multiple times. And that's like cutting like it really is. 952 00:57:10,200 --> 00:57:13,480 Speaker 1: That is that's that's the behavior of self harm. We 953 00:57:13,520 --> 00:57:18,280 Speaker 1: don't do anyone, that's right, all right, we're spending a wheel. 954 00:57:18,520 --> 00:57:31,040 Speaker 1: What do we got this week? Most likely to win 955 00:57:31,200 --> 00:57:36,600 Speaker 1: big in Vegas? Who's because it's because it's also based 956 00:57:36,640 --> 00:57:42,280 Speaker 1: on luck. I probably he would lose it at t Yeah, 957 00:57:42,360 --> 00:57:45,040 Speaker 1: Chris Keller for sure. That kid steps in it. You know, 958 00:57:45,440 --> 00:57:48,160 Speaker 1: just you know, he's working on a record store and 959 00:57:48,200 --> 00:57:49,440 Speaker 1: Tree Hill and all of a sudden he's on like 960 00:57:49,440 --> 00:57:55,640 Speaker 1: a big national tour and you know, oh, um, but 961 00:57:55,760 --> 00:57:58,120 Speaker 1: who in real life? I feel like Antoine is always 962 00:57:58,120 --> 00:58:04,160 Speaker 1: in Vegas, like playing dominoes. I feel in Vegas. So 963 00:58:05,560 --> 00:58:10,000 Speaker 1: that Staff, well, friends, we love you. We're so grateful 964 00:58:10,040 --> 00:58:13,200 Speaker 1: that you show up for us every week. Please as 965 00:58:13,200 --> 00:58:17,080 Speaker 1: a reminder, show up for Bevan right now. Go. Um, 966 00:58:17,120 --> 00:58:21,360 Speaker 1: if you're in Wilmington's go visit Recess. If you are online, 967 00:58:21,480 --> 00:58:23,840 Speaker 1: grab go pick up a hat or a T shirt 968 00:58:23,920 --> 00:58:27,200 Speaker 1: or something and um, you know, send her some love. 969 00:58:28,320 --> 00:58:31,200 Speaker 1: And there is also a go fund me that the 970 00:58:31,280 --> 00:58:36,920 Speaker 1: family put together. Her husband was such an incredibly accomplished 971 00:58:37,000 --> 00:58:41,960 Speaker 1: man and had a business brain and a creative brain 972 00:58:42,120 --> 00:58:45,360 Speaker 1: like nobody else, and he did so much amazing work 973 00:58:45,360 --> 00:58:48,800 Speaker 1: in his own right. He helped her put Recess together 974 00:58:49,040 --> 00:58:52,240 Speaker 1: and it was something that they did as this family dream. 975 00:58:52,360 --> 00:58:56,560 Speaker 1: And so the really cool thing about the go fund 976 00:58:56,640 --> 00:58:58,840 Speaker 1: me that so many of us have shared and we'll 977 00:58:58,840 --> 00:59:01,480 Speaker 1: share it again, is that it raises money for a 978 00:59:01,560 --> 00:59:05,640 Speaker 1: cause that Will was deeply passionate about. And um, we'll 979 00:59:05,680 --> 00:59:10,040 Speaker 1: go to continuing to help Recess as a business. Um 980 00:59:10,080 --> 00:59:12,960 Speaker 1: as everyone figures out, you know what it means to 981 00:59:13,800 --> 00:59:17,760 Speaker 1: to hold that up in in his absence. And it's 982 00:59:17,760 --> 00:59:20,200 Speaker 1: in these moments that you know, people really need us 983 00:59:20,240 --> 00:59:22,720 Speaker 1: to kind of be the bridges from from one reality 984 00:59:22,800 --> 00:59:26,800 Speaker 1: to another. And so there's so many ways to to help, 985 00:59:26,920 --> 00:59:30,479 Speaker 1: and if you know, taking a class or donating money 986 00:59:30,520 --> 00:59:33,240 Speaker 1: isn't something you're able to do, even just sending a 987 00:59:33,280 --> 00:59:36,520 Speaker 1: message of support really means a lot. Yeah, we thank 988 00:59:36,560 --> 00:59:38,160 Speaker 1: you guys for being a part of our family. Can't 989 00:59:38,160 --> 00:59:42,040 Speaker 1: wait to see you next week. You love you all. Hey, 990 00:59:42,120 --> 00:59:44,440 Speaker 1: thanks for listening. Don't forget to leave us a review. 991 00:59:44,720 --> 00:59:47,840 Speaker 1: You can also follow us on Instagram at Drama Queens 992 00:59:47,880 --> 00:59:51,360 Speaker 1: O t H. Or email us at Drama Queens at 993 00:59:51,360 --> 00:59:55,840 Speaker 1: I heart radio dot com. See you next time. We 994 00:59:55,880 --> 00:59:59,040 Speaker 1: are all about that high school drama. Girl Drama Girl, 995 00:59:59,120 --> 01:00:02,240 Speaker 1: all about them high school Queens. We'll take you for 996 01:00:02,360 --> 01:00:05,440 Speaker 1: a ride in our comic Girl Cheering for the Right 997 01:00:05,480 --> 01:00:09,040 Speaker 1: Teen Drama Greens Dreewase my girl up Girl Fashion, but 998 01:00:09,160 --> 01:00:12,000 Speaker 1: your tough girl. You could sit with us Girl Drama Queens, 999 01:00:12,040 --> 01:00:16,640 Speaker 1: Drama Queens Drama, Queen's Drama, Drama, Queen's Drama Queens