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Speaker 1: Transmitting. Hello, welcome to Monday Show Morris Studio. Morning. All right,

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Speaker 1: on the phone right now is Sarah in South Dakota. Sarah,

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Speaker 1: good morning. How are you Hey? How are you? Bobby?

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Speaker 1: Doing pretty good? What can I do for you? Hey? Well,

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Speaker 1: you know, I just wondered, have you ever been to

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Speaker 1: Mount Rushmore, South Dakota? I have not? Why? No, Well,

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Speaker 1: you know I have to tell you. In the past

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Speaker 1: two years, this place is booming. People are discovering it.

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Speaker 1: We moved here and it's honestly the coolest place ever

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Speaker 1: and people are just like, Wow, I never been to

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Speaker 1: North Dakota, and no, it's South Dakota. So I wondered

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Speaker 1: if you've ever been seeing Aunt Rushmore. Ben in North Dakota,

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Speaker 1: been in South Dakota, but never seen Mount Rushmore. Had

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Speaker 1: a friend who they were near there, so they drove

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Speaker 1: over to see it. And they got there and it

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Speaker 1: was roal foggy, and they stood by and never saw it. Oh,

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Speaker 1: because it was so so foggy, they drove like three hours.

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Speaker 1: They were like, we had a day off touring, so

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Speaker 1: we drove over to look at it, and as we

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Speaker 1: got closer, it got fogg here. When we got there.

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Speaker 1: It was foggy, and we stood and took a picture

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Speaker 1: with the fog and never actually saw the heads. That's

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Speaker 1: pretty crazy that people got up there and carved faces

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Speaker 1: from rock and they look real from the pictures. X

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Speaker 1: see you mean, I mean don't. I don't look up

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Speaker 1: there and go look at those humans up there. No,

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Speaker 1: like live heads. But I mean that's impressive. It's okay

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Speaker 1: they did and they carved their faces that looked just

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Speaker 1: like they did a good job. Yes, they did a

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Speaker 1: good job. Whomever it is they did it. It's crazy

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Speaker 1: that you that you could even do that, like get

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Speaker 1: up and chisel out or even a machine out of rock.

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Speaker 1: Amazing those faces. But no, I've never been Are the

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Speaker 1: heads big? What's that? What's that like? Yeah, they're super big,

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Speaker 1: but you know it's not just is like driving to

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Speaker 1: a safari and I don't think people know that. Like

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Speaker 1: you drive, you literally can see five types of wildlife

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Speaker 1: in front of you. I feel like she works for

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Speaker 1: like the Vacation Commission for South Dakota and yeah, free

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Speaker 1: commercial and you know what we're here for it. We

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Speaker 1: love it. People in South Dakota are awesome. I loved

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Speaker 1: it in North Dakota. I went and I did a

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Speaker 1: couple of shows in North Dakota, which was a little

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Speaker 1: colder than South Dakota, makes sense, you know, farther from

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Speaker 1: the snort. Yeah, And I remember the people being so kind.

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Speaker 1: And I did a stand up show and I did

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Speaker 1: some kind It was a pretty good show. And the

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Speaker 1: hotel was right across from the theater. And I don't

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Speaker 1: say that. I don't say I'm at the hotel right

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Speaker 1: across from the theater. But I finished my show, went

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Speaker 1: to the hotel and I heard, I don't know, two

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Speaker 1: o'clock in the morning, hey, and I'm in bed a man.

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Speaker 1: And I was very grateful to the crowd. I mean,

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Speaker 1: they were so nice, and so I can hear somebody

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Speaker 1: yelling for me, and obviously I love our listeners. And

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Speaker 1: so again it is getting closer in my hotel room.

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Speaker 1: I'm like, all right. So I woke up and I

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Speaker 1: walked to the door, locked that door, like crazy. I

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Speaker 1: was not put a chair up against that door. I

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Speaker 1: was like, I ain't get stabed in North Dakota. I

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Speaker 1: want to find out. I loved them. They were nice.

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Speaker 1: I just was not interested at that moment and making

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Speaker 1: a new friend who I am in a hotel in

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Speaker 1: North Dakota alone. But Sarah, I appreciate that. The Tourism

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Speaker 1: Bureau thanks you from South Dakota, and I hope you

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Speaker 1: have an awesome day. All right, bye, that's a I'm

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Speaker 1: curious about her inspiration or motivation from calling, or maybe

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Speaker 1: she's just just drove through there. It was like, needs

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Speaker 1: a share with the world. Massive fan of those heads, maybe,

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Speaker 1: but we always want to hear from you. That's where

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Speaker 1: the segment came from. Let's reach into and open up

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Speaker 1: the mail bag. Something we call hello, Bobby Bones. I've

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Speaker 1: been dating a new woman for about three months. A

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Speaker 1: few weeks into the relationship, I noticed that whenever we

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Speaker 1: watched TV together, she always chooses cartoons. It's always an

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Speaker 1: animated show. I didn't think much of it. If last

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Speaker 1: month I wanted to go see Top Gun Maverick. I

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Speaker 1: invited her. She came to the theater, but at the

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Speaker 1: last minute decided to go see light Year instead, so

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Speaker 1: we can meet for dinner after. I thought, that's strange.

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Speaker 1: She'd never said that was her plan. Right later, I

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Speaker 1: asked her why she bailed on Top Gun at the

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Speaker 1: last minute and why she only ever wants to watch cartoons. Eventually,

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Speaker 1: she admitted she can't really connect or identify with actors.

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Speaker 1: She finds them one dimensional, which seems weird because I

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Speaker 1: think animation is more one dimensional than actual people. Now,

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Speaker 1: I'm wondering if she has a problem connecting with real

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Speaker 1: people on screen while she have a problem connecting with

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Speaker 1: me in real life. We keep seeing each other. How

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Speaker 1: can I address this before things go any further? Thanks? Ian,

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Speaker 1: you don't have to address this, Ian, This is not

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Speaker 1: a real problem. It's weird. You have little ideo secrecies.

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Speaker 1: Do you have a little quirks And yeah, I've never

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Speaker 1: met anybody with this, But I don't think her liking

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Speaker 1: to watch cartoons means that she's going to kill you

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Speaker 1: in your sleep or can't relate to another human being.

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Speaker 1: And there are some good cartoons it shows. Yes, I

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Speaker 1: will say again it's weird, slightly bizarre even, but I

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Speaker 1: don't think that unless you already want to break up

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Speaker 1: with her, this is a reason to do that. I

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Speaker 1: don't think there's a conversation here. I think because you've

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Speaker 1: only been dating three months, just let it play out.

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Speaker 1: Just and if your wedding she wants to be all Simpsons,

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Speaker 1: you know. Yeah, you know, with some people you take

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Speaker 1: their quirks, and some of the quirks are quirkier than others.

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Speaker 1: I think if you really like her, this is not

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Speaker 1: a reason to create an issue. I'm gonna say it

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Speaker 1: again though. It's weird, but I have, I'm sure a

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Speaker 1: lot of weird stuff about me, some that I don't

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Speaker 1: even know. Amy, What do you think about this? I

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Speaker 1: think it's fine for now, but it could become a

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Speaker 1: problem when you're wanting to like actually have her with

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Speaker 1: you at the movies as a date, and like like

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Speaker 1: her just bailing like last minute. There's gonna have to

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Speaker 1: be some compromise where you go do the cartoon thing

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Speaker 1: with her and she does the normal non cartoon thing

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Speaker 1: with you. And isn't that what a relationship is? Yeah? Yeah,

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Speaker 1: on some things you never thought you'd compromise on. That's right.

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Speaker 1: I stay at past nine o'clock a lot of nights.

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Speaker 1: Ye crazy. I never thought I would do that schedule ever.

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Speaker 1: But you know what compromise weird? Yes, a reason to

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Speaker 1: have a whole sit down town hall meeting. No go

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Speaker 1: another three months hit us back? If she's all cartoon

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Speaker 1: all the time, all right, but you're cool, You're okay.

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Speaker 1: If she's awesome, let her be awesome. Ian, thank you

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Speaker 1: for the email. Again, weird, but not so weird. You

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Speaker 1: need to have a little sit down quite yet. All right,

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Speaker 1: thank you for emailing us. Close it up. We've got

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Speaker 1: your moments away from Dan and Shape performing in studio.

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Speaker 1: They're gonna come in, we'll play their new single and

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Speaker 1: then they're gonna perform a couple of old school songs.

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Speaker 1: But I mean, we've been friends with these guys for

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Speaker 1: a long time. Like when I moved to town, they

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Speaker 1: had kind of moved down. We became buddies. Then I

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Speaker 1: briefly knew them when they were just Dan and Shay,

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Speaker 1: not Dan and Shay, And so it's been pretty cool

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Speaker 1: to watch them become full superstars. And over our times here,

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Speaker 1: I've been like, hey, we you guys do this. They've

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Speaker 1: always done it. It's been so cool. But one of

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Speaker 1: the things that's real funny is that once Eddie and

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Speaker 1: I did a parody of their song Tequila and Tequila's

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Speaker 1: Tastequila and so, I guess we wrote this just for

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Speaker 1: them to sing it. When I taste what do we

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Speaker 1: see Chipotle? So before they We're not gonna ask them

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Speaker 1: to play this. They're gonna play some good old school

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Speaker 1: stuff in a second. But for those that have never

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Speaker 1: heard it, we asked Dan and Shay to do a

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Speaker 1: parody that we wrote and they said sure. So here

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Speaker 1: is Dan and Shay and this thing would viral for

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Speaker 1: a minute. Was pretty cool. This is a Dan and

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Speaker 1: Jay song written by the Raging Idiots. This is called Chipotle.

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Speaker 1: When I can't do they wages, it's my bad. I felt, Yeah,

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Speaker 1: I see a long line, I'm homely, I is funky

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Speaker 1: somethings and now I'm fine. I'm fine. But when I

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Speaker 1: tasted poor thing, Hello quicker morning, I can't even feed

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Speaker 1: in my favorite season. I eat some Mercanda hurts fine

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Speaker 1: fair Son avocado with that ham piece of line trust

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Speaker 1: Win on a bibble baby, I was still. I remember

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Speaker 1: how myself when I see spol when when I when

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Speaker 1: I taste sporting, when I when out, when I see

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Speaker 1: the poll lane, when I see support lane, It's a

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Speaker 1: good day. Come on the latest from Nashville. In Tullywood

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Speaker 1: and Morgan Number two thirty second, Skinny Zach Brown Band

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Speaker 1: shared a new version of their song Wild Palomino with

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Speaker 1: Cody Johnson. The song will be on the deluxe edition

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Speaker 1: of their album The Comeback, coming out on September thirtieth.

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Speaker 1: Here's a clip you won't make Stone Church shirts. Scotty

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Speaker 1: McCreary shared an update on his wife's due date. At

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Speaker 1: the latest ultrasound, the doctor told them their baby is

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Speaker 1: measuring ahead of schedule and should arrive on Halloween. Maren

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Speaker 1: Morris talked about the clothes she likes to wear on stage.

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Speaker 1: I like to be comfortable but also sort of amped

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Speaker 1: up a little where like leather pants, but also put

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Speaker 1: like a comfy boot on because I move around a lot,

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Speaker 1: so I'm not like stationary with a guitar the whole time.

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Speaker 1: I really like to dance and move, so I can't

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Speaker 1: wear like eight inch heels on stage. I'm Morgan. That's

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Speaker 1: your skinny. It's time for the good news. Mario Castro

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Speaker 1: and his fourteen year old dog Zoe were aheaded to

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Speaker 1: visit his mom in El Paso, and they were nearly

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Speaker 1: the destination when his truck hit a rock, got stuck

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Speaker 1: on a dirt road and so he had to get

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Speaker 1: out of the vehicle. There was nobody driving around, so

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Speaker 1: he had to go walk and look for help. So

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Speaker 1: he started walking with the dog by the dogs fourteen

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Speaker 1: years old, and he just walked and walked, and it

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Speaker 1: was one hundred degrees and then he started to go, oh,

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Speaker 1: I'm not in good shape. So he said they were

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Speaker 1: on the verge of death. He was thirsty. They were

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Speaker 1: trying to find some water. Helped finally arrive. They guy

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Speaker 1: named Frank Martinez showed up. The guy was just exploring

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Speaker 1: off road trails when he saw Mario and Zoe and

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Speaker 1: he's like, guys, I got you. He took them game,

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Speaker 1: some food, games, some water, took him to a hotel

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Speaker 1: he then paid for that night, and then returned the

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Speaker 1: next day and took him back to their abandoned car,

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Speaker 1: which is pretty good. I think i'd have been, but

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Speaker 1: I think I've just been starting like, no, just save

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Speaker 1: me to the car. But he was like, the guy

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Speaker 1: was obviously hurting, and so he put him in the hotel,

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Speaker 1: took him back and he's like, if I hadn't stumbled

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Speaker 1: across Frank, I would probably be dead. And so my dog.

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Speaker 1: And the crazy part of the story is they try

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Speaker 1: to find this Frank Martinez. There was a guy named

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Speaker 1: Frank Martinez that live in the twenties that looked exactly

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Speaker 1: like the one he described. Stop it, stop it? Are

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Speaker 1: you serious? No? I made that part of Frank Martine

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Speaker 1: is a real guy. But wouldn't that be crazy if

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Speaker 1: it was like a ghost like Frank Martinez he died,

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Speaker 1: he died on this exact road. I see, that'd have

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Speaker 1: been cool though, right good. But Frank Martinez is a

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Speaker 1: real guy who saved him and Zoe, And that's a

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Speaker 1: cool story. That's a guy looking out for somebody else,

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Speaker 1: didn't have to what the extra mile? That is what

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Speaker 1: it's all about. That was tell me something good on

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Speaker 1: the Bobby Bones Show. Now, Dan, I'll start with you.

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Speaker 1: I was looking at your Instagram and maybe maybe your

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Speaker 1: wife's Instagram both, and do you guys just celebrate a

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Speaker 1: five years? Yeah? Man, that's awesome, Thank you dude, Yeah,

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Speaker 1: it's great. What's been you guys's secret of success? Just

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Speaker 1: I would say, I don't know. Open communication, you know, like,

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Speaker 1: if if there's something, if there's an issue, talk about

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Speaker 1: it in real time. Don't let things fester up. I

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Speaker 1: feel like you need to talk every day about things,

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Speaker 1: you know, don't go to bed. Matt if there's if

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Speaker 1: there's an issue, there's something, just talk about it, you know,

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Speaker 1: say I love you as much as possible. But uh,

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Speaker 1: you know, I feel like that's a that's a big

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Speaker 1: part of it because if you just harbor things and

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Speaker 1: let things build up instead of talking and being open

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Speaker 1: about things. I feel like that's a that's with any relationship,

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Speaker 1: you know, with Shay and I are with friends or

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Speaker 1: whatever it may be. It's like something's going on, talk

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Speaker 1: about it, be open about it, rather than like, you know,

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Speaker 1: letting things build up, build it up, and then it's

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Speaker 1: just a disaster. So yeah, it's been it's been awesome.

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Speaker 1: We've got such a great relationship, Babbie and I, Shay

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Speaker 1: and I have great relationship. It's all good man. Yea.

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Speaker 1: So two things. One, let's write that down. I think

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Speaker 1: that's a song and we'll just sing it. Oh perfect, Yeah, yeah, communication.

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Speaker 1: Do we give him credit? Though you could call it fester.

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Speaker 1: Don't let things fester, you know what I mean, make

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Speaker 1: it a little weird, you know, but we could do

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Speaker 1: don't let things fester. But it's also a sore, like

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Speaker 1: we go to different ways and then it's uncle fester

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Speaker 1: at the end. You got three ways to do that's Nashville.

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Speaker 1: But you know the twist at the end. You play

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Speaker 1: that at the Bluebird and people give you the standing

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Speaker 1: and then all of a sudden the actor from the

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Speaker 1: Adam's family, Uncle Fester, comes out. I was like, hey, everybody,

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Speaker 1: so I think that guy's still around. I don't. Yeah. Yeah,

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Speaker 1: in shape with you and your wife. Obviously having children

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Speaker 1: as a whole new dynamic in a marriage, like how

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Speaker 1: how do you keep a relationship um solid between the

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Speaker 1: two when you have two other younger ones. Yeah. I mean,

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Speaker 1: it's definitely an interesting dance because it's at the beginning

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Speaker 1: you're just kind of holding on hoping that every you know,

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Speaker 1: nothing goes too chaotic. But uh, and it's it creates

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Speaker 1: this kind of special bond where you have these two

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Speaker 1: amazing lives that you're trying to just keep alive. And

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Speaker 1: for a while it was just kind of like, all right,

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Speaker 1: we gotta kind of hold on. But like Dan said,

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Speaker 1: I think open communication and making sure that I think

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Speaker 1: the biggest thing for us is setting aside, you know,

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Speaker 1: time for ourselves. Because as much as you want to

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Speaker 1: every living, waking second spend with your kids, you do

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Speaker 1: need to have those moments where you go away as parents,

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Speaker 1: so when you do come back, you're in a healthier

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Speaker 1: place because I think you can run yourself into the ground,

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Speaker 1: you know, trying to be a great parent, but then

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Speaker 1: you're exhausted and you're not really spending any quality time

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Speaker 1: with your with your kids. So Hannah and I try

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Speaker 1: to do like a once a week date night. And

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Speaker 1: not that we always get to do that, but we

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Speaker 1: try to do that. I think it's important to set

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Speaker 1: aside a little bit of time and that usually kind

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Speaker 1: of helps alleviate a lot of the stress, you know,

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Speaker 1: throughout the week. I think for any relationship, I bet

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Speaker 1: because on this show we have breaks where just we

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Speaker 1: have to get away from each other. We're together all

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Speaker 1: the time. I assume with you guys, there are probably

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Speaker 1: after you tour, when you're on the road and or

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Speaker 1: you're recording, you're like, hey, we're just gonna take some

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Speaker 1: time away to make sure we're healthy. You guys do

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Speaker 1: that too, absolutely for sure. I feel like the national

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Speaker 1: touring system is such a healthy way to do it.

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Speaker 1: It's like, you know, you do three or four shows

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Speaker 1: a weekend versus being gone for six months when you

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Speaker 1: go to Europe. When you go overseas, it is a

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Speaker 1: little different. It's like we go out on a Thursday night,

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Speaker 1: come back Sunday, spend a little time with the family.

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Speaker 1: I'm out there mowing the grass, you know, doing the thing,

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Speaker 1: and then it's like, before you know it, you're back

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Speaker 1: on the road. I feel like those intermittent breaks like that,

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Speaker 1: keep it, keep it healthy. Um. But yeah it COVID

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Speaker 1: was crazy where we didn't see each other for the

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Speaker 1: longest time and it was like start going a little

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Speaker 1: stir crazy. Are we still a band? Are we still

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Speaker 1: doing this? And then we got back together and we

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Speaker 1: the first time we got back together, we wrote, I

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Speaker 1: should probably go to bed. So maybe that little break

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Speaker 1: there was healthy. It's healthy. But we're enjoying the momentum

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Speaker 1: right now. It's great. Dan and Shayer here, they have

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Speaker 1: a new song that it's been on the record, but

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Speaker 1: it's the new single, and Scoop was like their new

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Speaker 1: song you and I'm like, already know that song, ain't that?

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Speaker 1: It ain't that. It's like, well it's new because there

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Speaker 1: it's now they're single, and I was like, okay, and

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Speaker 1: so we're gonna call it new because a lot of

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Speaker 1: our audience probably hasn't heard it yet. Yeah, probably cause

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Speaker 1: they don't invest in Dannie like I do and listen

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Speaker 1: to every song on the album Every Guy Yeah before

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Speaker 1: the album comes out. So, uh, this song you, Daniel

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Speaker 1: wrote it with a couple of people that I really like,

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Speaker 1: Who's Day Barnes love them and George Reynolds. You've worked

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Speaker 1: with a lot in the past. So when you go

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Speaker 1: into a room and you're you're writing this song, you

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Speaker 1: like what who spits out? Because you itself as a word,

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Speaker 1: you know, not that new. There's a lot of songs

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Speaker 1: called you. Yeah, right, search engine, you know, kind of

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Speaker 1: how this song started. I think the original hook was

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Speaker 1: you and only You, which I think is cool. Like,

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Speaker 1: you know, something right down on the phone was like, hey,

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Speaker 1: what about that title? And we threw that out and

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Speaker 1: it was like, you know, we didn't reinvent the wheels.

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Speaker 1: Dan and Jay. We do love songs. That's kind of

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Speaker 1: all we do, you know, And uh, we've been fortunate

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Speaker 1: enough to have a bunch of songs that have become

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Speaker 1: people's wedding songs. Speechless from the ground up, that kind

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Speaker 1: of thing, and that's just what works for us. That's

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Speaker 1: kind of our lane. That's what we do and that

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Speaker 1: hook you and only you is you know how it

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Speaker 1: started and it was like, that's cool, and that became

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Speaker 1: like a you know, the post chorus, you know, right

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Speaker 1: after the chorus, and it was a it was a

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Speaker 1: big part of the song, and it was like, we

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Speaker 1: want to make this song about a moment and the

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Speaker 1: whole song. I feel like it's just that moment. You're

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Speaker 1: standing there with somebody, you're dancing, it's just the two

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Speaker 1: of you. And I feel like this song has kind

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Speaker 1: of been that for us, and we're seeing that on

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Speaker 1: social media. That's kind of why we decided to make

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Speaker 1: this as single. You know, we put this song out

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Speaker 1: and it's been fan favorite since day one, and we

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Speaker 1: decided to listen to our fans for once, you know,

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Speaker 1: and here we are one. It's all you guys listens. Yeah,

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Speaker 1: I love you guys on the Bobby Bones Show. Now. Well,

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Speaker 1: my favorite two guys are here, and so Dana Shay

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Speaker 1: is also with Ddie Lunchbox as well. Yeah, yeah, you

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Speaker 1: guys are also here, which is pretty cool. Um. So,

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Speaker 1: you know, I just love so many of your songs,

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Speaker 1: but I think they are a song from people when

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Speaker 1: they go, oh, Dann Shay, I love Tequila or I

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Speaker 1: love but I was thinking about it. Someone said, what

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Speaker 1: are your favorite Dan and Shay songs? You know, from

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Speaker 1: the ground up was like the first time that I

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Speaker 1: felt like you guys weren't just going to be a success,

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Speaker 1: but you guys were going to be a monster that

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Speaker 1: people had to look out for. I don't know if

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Speaker 1: you guys felt like that. Did you feel like that

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Speaker 1: song was your first massive momentum song instead of just

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Speaker 1: like a big song. I feel like that one was

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Speaker 1: very special and it was also very you know, close

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Speaker 1: to our hearts. It was very personal song, and I

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Speaker 1: think just watching the reaction when we first kind of

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Speaker 1: started playing that song, it was like, Okay, I think

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Speaker 1: this is there's some real substance to this song. And

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Speaker 1: it was the first one that I feel like we

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Speaker 1: really started kind of seeing people, you know, drawn to

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Speaker 1: not that you know, people didn't like songs like Nothing

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Speaker 1: like You or nineteen m made that love those songs,

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Speaker 1: but from the ground up was definitely a moment and

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Speaker 1: it was like, Okay, I think that we're here to

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Speaker 1: stay for a little while. Yeah, I feel like it

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Speaker 1: was a tear changer for you guys. Yeah, because as

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Speaker 1: with the first album, you really can only achieve so

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Speaker 1: much for people are like, let's see if they can

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Speaker 1: do it again. Yeah, And then you guys did it again.

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Speaker 1: And I don't know, I'm just trying to remember. It

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Speaker 1: was there like a video on a church or video

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Speaker 1: on like an old building when you guys were releasing

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Speaker 1: this song and it was like we're listening to the acup.

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Speaker 1: I don't know, but I just remember. Maybe I made

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Speaker 1: it up on my I think it was when we

385
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Speaker 1: were recording it at Oceanway. We did that, we cut

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Speaker 1: strings there and as a whole deal. Maybe that's what

387
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Speaker 1: it was. John Esposito that had our record label, Weren't

388
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Speaker 1: of Music Nashville, he did a whole thing. He flew

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Speaker 1: everybody in. Everybody at the label felt like this song

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Speaker 1: was so special, even though the demo is like the

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Speaker 1: worst demo ever, so bad. But I don't know, people

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Speaker 1: saw through it. I think it was just the words,

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Speaker 1: the feeling of the song, and he flew everybody in,

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Speaker 1: and you guys know Spo. He of the whole speech

395
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Speaker 1: and set it up and it was amazing and everybody

396
00:19:02,960 --> 00:19:04,840
Speaker 1: was inspired and we all knew it was a special song,

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Speaker 1: and you guys played that out of it, so it's crazy.

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Speaker 1: It's still a big one in our show from our

399
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Speaker 1: group here, would you mind playing just a verse in

400
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Speaker 1: a chorus of from the ground Up, Grandma Grandpa painted

401
00:19:22,680 --> 00:19:29,800
Speaker 1: a picture sixty five years one little house, more than

402
00:19:30,000 --> 00:19:35,920
Speaker 1: a memory, more listening. I do kiss you good nights,

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Speaker 1: and I love us mean baby, We'll walk in a

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00:19:42,680 --> 00:19:48,119
Speaker 1: footstepsh build our own family. One day, had a time,

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Speaker 1: dear little tooths, A painted pink groom, A beautiful baby

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Speaker 1: looks just like you and Buby in this look from

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Speaker 1: the crown. Now it's here forever. It's all of me,

408
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Speaker 1: all of you. Just take my hand and dive beating

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Speaker 1: man your dad hope bad. I'd be in bubing this

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Speaker 1: look from the crown, the worst off a bit better hand.

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Speaker 1: I will be all you need beside you, out stand

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Speaker 1: through the good and the bad, give all that we

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Speaker 1: have in a will do this love from the ground

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Speaker 1: the MEA. Hey, here's a real question. I need like

415
00:20:54,160 --> 00:20:57,160
Speaker 1: an honest answer. Do you guys still like to be told? Hey,

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Speaker 1: are you really good? Because you are and obviously you

417
00:20:59,840 --> 00:21:01,119
Speaker 1: know that, or you wouldn't be to the stage and

418
00:21:01,160 --> 00:21:03,680
Speaker 1: you have so much success. But if we're like, wow,

419
00:21:03,680 --> 00:21:06,159
Speaker 1: that was really good, do you like duh or like

420
00:21:06,200 --> 00:21:09,480
Speaker 1: the absolute human you know feeling just to be never

421
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Speaker 1: take it for granted, because I feel like there's you know,

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Speaker 1: you do especially the more you get into it, you know,

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Speaker 1: the less and less we get to do things like

424
00:21:14,840 --> 00:21:17,800
Speaker 1: this acoustic which first on, like when we first started,

425
00:21:17,840 --> 00:21:20,320
Speaker 1: that was really what got people like, oh, these guys

426
00:21:20,320 --> 00:21:22,199
Speaker 1: are like they can sit down and do this with

427
00:21:22,200 --> 00:21:24,879
Speaker 1: an acoustic guitar, and anyone can kind of not anyone

428
00:21:24,920 --> 00:21:27,040
Speaker 1: can go into the studio and sound amazing, but I

429
00:21:27,040 --> 00:21:28,960
Speaker 1: mean there's a lot of people. If the song is amazing,

430
00:21:29,119 --> 00:21:31,280
Speaker 1: you know, it doesn't mean that you're very good live.

431
00:21:31,520 --> 00:21:33,600
Speaker 1: And so that was we always really prided ourselves on,

432
00:21:33,800 --> 00:21:35,520
Speaker 1: you know, trying to put together a good live show,

433
00:21:35,680 --> 00:21:38,000
Speaker 1: and especially when it's like this, like to have someone say,

434
00:21:38,040 --> 00:21:39,919
Speaker 1: you guys sound really good, that means a lot to

435
00:21:40,000 --> 00:21:42,119
Speaker 1: us because that's there's no you know, there's nothing covering

436
00:21:42,200 --> 00:21:44,520
Speaker 1: us up right now. You're so good that it's intimidating

437
00:21:44,560 --> 00:21:46,280
Speaker 1: to tell you that you're good, because it almost feels

438
00:21:46,280 --> 00:21:48,320
Speaker 1: like we're insulting you by going, hey, you guys are

439
00:21:48,320 --> 00:21:51,440
Speaker 1: really good. It's a weird thing because you've crossed that

440
00:21:51,480 --> 00:21:54,800
Speaker 1: line of it's just so elite that if I tell

441
00:21:54,840 --> 00:21:57,800
Speaker 1: you you're good, you're like, yeah, I don't know. It's

442
00:21:57,880 --> 00:22:00,440
Speaker 1: we don't feel that way. I feel like it's you'd

443
00:22:00,440 --> 00:22:02,800
Speaker 1: be surprised. I mean, it's we're so grateful that we're

444
00:22:02,840 --> 00:22:05,120
Speaker 1: getting we're opening for Kenny Chesney right now and stadiums,

445
00:22:05,119 --> 00:22:07,280
Speaker 1: which is dream come true. We grew up going to

446
00:22:07,320 --> 00:22:09,199
Speaker 1: that show for you know, ten years, Like we know

447
00:22:09,280 --> 00:22:11,680
Speaker 1: every single word. We're fanboying in the crowd a minute

448
00:22:11,720 --> 00:22:13,880
Speaker 1: we get off stage. It's a whole thing. But when

449
00:22:13,880 --> 00:22:16,080
Speaker 1: you're on that level, when you're playing in a stadium, yes,

450
00:22:16,119 --> 00:22:19,160
Speaker 1: it's incredible. You know, we played in my hometown Pittsburgh.

451
00:22:19,200 --> 00:22:21,800
Speaker 1: We played at Hinesfield. Dream come true. You're playing a

452
00:22:21,880 --> 00:22:24,640
Speaker 1: sixty five thousand people, which is amazing hearing them sing

453
00:22:25,119 --> 00:22:27,240
Speaker 1: the words back. But it's not as much of that

454
00:22:27,320 --> 00:22:30,160
Speaker 1: personal connection is when you're maybe going out on radio

455
00:22:30,200 --> 00:22:32,760
Speaker 1: tour or doing clubs or doing theaters where you can

456
00:22:32,800 --> 00:22:35,760
Speaker 1: talk to every fan. You're literally right there in a stadium.

457
00:22:35,760 --> 00:22:38,080
Speaker 1: It's it's incredible, but it's a little bit different, you know,

458
00:22:38,080 --> 00:22:40,000
Speaker 1: there's so many people you don't have as much of

459
00:22:40,040 --> 00:22:43,280
Speaker 1: that personal connection where you're not as often hearing people

460
00:22:43,320 --> 00:22:45,919
Speaker 1: say like that was really good, that was incredible. You're

461
00:22:45,960 --> 00:22:47,840
Speaker 1: feeling it on a on a massive scale, but it's

462
00:22:47,880 --> 00:22:50,080
Speaker 1: not that personal thing. So when we can come in here,

463
00:22:50,560 --> 00:22:52,479
Speaker 1: you guys see so many people come through here. When

464
00:22:52,480 --> 00:22:54,679
Speaker 1: you guys say that or when you compliment us, it

465
00:22:54,680 --> 00:22:56,479
Speaker 1: means a lot. It really does. Well, clap for everybody.

466
00:22:56,480 --> 00:22:59,760
Speaker 1: We're going so good, they should be nice, but you

467
00:22:59,800 --> 00:23:02,359
Speaker 1: have a clapform like what's the vibe? We'll talk about

468
00:23:02,359 --> 00:23:04,320
Speaker 1: it off the air. Well. The honest answer to that

469
00:23:04,520 --> 00:23:09,359
Speaker 1: is you can basically tell by what I say after

470
00:23:09,400 --> 00:23:17,240
Speaker 1: a performance. Sometimes I'm like how about that? Or or man,

471
00:23:17,440 --> 00:23:18,840
Speaker 1: that's great because I know it's hard to get up

472
00:23:18,840 --> 00:23:20,800
Speaker 1: early in the morning and come in here perform. That's

473
00:23:20,880 --> 00:23:23,800
Speaker 1: me trying to give like a paddy because sometimes it

474
00:23:23,920 --> 00:23:28,000
Speaker 1: is sometimes people so there are different responses. But the

475
00:23:28,040 --> 00:23:30,119
Speaker 1: only other person I felt kind of dumb at going

476
00:23:30,160 --> 00:23:32,080
Speaker 1: while that was really good was Carry because we were

477
00:23:32,080 --> 00:23:33,520
Speaker 1: doing anything together at the operation. She came out in

478
00:23:33,520 --> 00:23:34,760
Speaker 1: your cussed and I was like, dang, that was so good.

479
00:23:34,760 --> 00:23:37,439
Speaker 1: And then I'm like she knows she's so good that

480
00:23:37,520 --> 00:23:40,399
Speaker 1: maybe it's insulting for someone to act like it was

481
00:23:40,440 --> 00:23:43,240
Speaker 1: so good they were surprising going So anyway, that's my question.

482
00:23:43,240 --> 00:23:44,720
Speaker 1: You're so good that I feel bad about telling you

483
00:23:44,760 --> 00:23:47,560
Speaker 1: we're good. That's very kind. But even carry anyone who

484
00:23:47,600 --> 00:23:51,040
Speaker 1: does anything professionally, having someone that you care about their opinion,

485
00:23:51,160 --> 00:23:54,120
Speaker 1: or even a random person having them say like, hey man,

486
00:23:54,160 --> 00:23:56,120
Speaker 1: that was really really good. I think till the day

487
00:23:56,160 --> 00:23:58,320
Speaker 1: that you die, I think that still feels good. It's

488
00:23:58,359 --> 00:24:00,760
Speaker 1: just a human thing because I think the more successfully become,

489
00:24:00,800 --> 00:24:02,520
Speaker 1: the less you hear it. And I think, I mean,

490
00:24:02,560 --> 00:24:04,480
Speaker 1: you look at these very successful people will start to

491
00:24:04,520 --> 00:24:06,840
Speaker 1: get kind of insecure, and you know they have all

492
00:24:06,880 --> 00:24:09,280
Speaker 1: these these kind of problems that happens because it's like

493
00:24:09,480 --> 00:24:12,000
Speaker 1: probably because people stop telling them that they were good.

494
00:24:12,080 --> 00:24:13,720
Speaker 1: You know, there's a point where you can you think

495
00:24:13,760 --> 00:24:15,960
Speaker 1: that you're you know, your craft out stink at some point.

496
00:24:16,000 --> 00:24:19,439
Speaker 1: But I feel like, still as far along in your

497
00:24:19,440 --> 00:24:22,399
Speaker 1: career as you are, hearing that still is like thank you.

498
00:24:22,440 --> 00:24:24,000
Speaker 1: I need to I needed to hear that. That's a

499
00:24:24,040 --> 00:24:25,879
Speaker 1: real thing. I bet listen, what do I know? But

500
00:24:25,920 --> 00:24:28,639
Speaker 1: I bet Garth people don't tell him, hey, man, that

501
00:24:28,680 --> 00:24:30,960
Speaker 1: was really good, because yeah, he's a legend and he

502
00:24:31,040 --> 00:24:32,920
Speaker 1: know and everybody knows, and he's always been really good.

503
00:24:33,080 --> 00:24:35,280
Speaker 1: But a guy like Garth probably needs to be told, hey, man,

504
00:24:35,320 --> 00:24:38,800
Speaker 1: that was really good. We would get Yeah, yeah, I

505
00:24:38,800 --> 00:24:41,439
Speaker 1: just want to say it back in nineteen once your

506
00:24:41,440 --> 00:24:43,760
Speaker 1: showing ho seven, I use it amazing and I've been

507
00:24:43,800 --> 00:24:45,800
Speaker 1: holding that for all this time. I want to go

508
00:24:45,880 --> 00:24:48,320
Speaker 1: back again. I want to go back to the first record.

509
00:24:48,320 --> 00:24:49,760
Speaker 1: Nothing on was in the nothing like he was on

510
00:24:49,760 --> 00:24:52,280
Speaker 1: the first record? Right, yeah, short short haired Dan. I

511
00:24:52,359 --> 00:24:55,359
Speaker 1: see if I remember this, right, short haired Dan standing

512
00:24:55,480 --> 00:25:00,159
Speaker 1: up in slightly ahead of a sitting down shay. Is

513
00:25:00,160 --> 00:25:02,280
Speaker 1: that right on the front row? Yeah, ye oh yeah,

514
00:25:02,320 --> 00:25:04,640
Speaker 1: that's kind of how it usually goes right, Yeah, yeah,

515
00:25:04,680 --> 00:25:06,359
Speaker 1: I had brown boots. I'm still wearing the kind of

516
00:25:06,359 --> 00:25:07,560
Speaker 1: the same clothes I got, Like we got a bunch

517
00:25:07,560 --> 00:25:09,160
Speaker 1: of clothes at the beginning. I've been wearing a mouth

518
00:25:09,160 --> 00:25:11,400
Speaker 1: for sure. This is the first week, Yeah, the first

519
00:25:11,400 --> 00:25:14,280
Speaker 1: week I have underwear from high school maybe college. High

520
00:25:14,320 --> 00:25:16,560
Speaker 1: schools has finally gone away. Yeah, would you guys mind

521
00:25:16,600 --> 00:25:18,320
Speaker 1: going back and playing nothing like you? Yeah? For sure,

522
00:25:18,359 --> 00:25:35,280
Speaker 1: absolutely no, we have not I remember when the first

523
00:25:35,359 --> 00:25:40,399
Speaker 1: Matthew stipping coffee in a corner booth. He was swooing

524
00:25:40,480 --> 00:25:43,480
Speaker 1: your hair, and I just had a stiff for a minute.

525
00:25:44,160 --> 00:25:47,800
Speaker 1: But two I was laughing that just stack of books.

526
00:25:48,720 --> 00:25:53,400
Speaker 1: Then you shot me that smile. He beautiful girl in

527
00:25:53,440 --> 00:26:00,960
Speaker 1: your own little world. You got on my senses and

528
00:26:01,160 --> 00:26:06,040
Speaker 1: you ain't even try. Yeah, my kind of difference. You

529
00:26:06,080 --> 00:26:11,280
Speaker 1: ain't ever seen nothing like you. Shade's all spinning in

530
00:26:11,320 --> 00:26:16,159
Speaker 1: the store, ray dancing there ain't nor mumusic, just the

531
00:26:16,359 --> 00:26:22,800
Speaker 1: right kind of crazy baby, something bound you rocking, arcing

532
00:26:22,960 --> 00:26:28,080
Speaker 1: rule T shirt, whole party, jes bank, you just doing

533
00:26:28,200 --> 00:26:41,080
Speaker 1: your thing. Ha. Nobody ever seen nohing like you. I've

534
00:26:41,119 --> 00:26:48,840
Speaker 1: never seen, ever seen nothing like you. Han't ever seen

535
00:26:49,000 --> 00:27:05,040
Speaker 1: nothing like you, baby, I never seen how about that?

536
00:27:06,760 --> 00:27:12,400
Speaker 1: Those guys about that that? I just I'm still blown away.

537
00:27:12,480 --> 00:27:14,560
Speaker 1: Listen to this guy. Like the first time I heard

538
00:27:14,600 --> 00:27:16,760
Speaker 1: you saying, I was completely It's still the same thing

539
00:27:16,840 --> 00:27:19,000
Speaker 1: every time I'm sitting there like looking at you, geeking out.

540
00:27:19,160 --> 00:27:21,280
Speaker 1: This guy is good. What would you tell those two

541
00:27:21,359 --> 00:27:23,159
Speaker 1: guys like right now if you I brought them in

542
00:27:23,240 --> 00:27:25,920
Speaker 1: Because I could be wrong on this, but nineteen you

543
00:27:26,040 --> 00:27:27,560
Speaker 1: and me, I think it was a he it wasn't

544
00:27:27,560 --> 00:27:29,560
Speaker 1: a number one song? Right? Did it hit the number eleven?

545
00:27:30,040 --> 00:27:34,320
Speaker 1: Is that top ten? Okay? Keep crazy card kind of

546
00:27:34,440 --> 00:27:36,280
Speaker 1: stiff farmed us out of there that that was your

547
00:27:36,359 --> 00:27:38,439
Speaker 1: number first number one, right, yeah, nothing like you Yep.

548
00:27:38,600 --> 00:27:40,280
Speaker 1: What would you tell those two guys if I were

549
00:27:40,320 --> 00:27:42,480
Speaker 1: able to sit you too with those other two? Like,

550
00:27:42,640 --> 00:27:45,199
Speaker 1: what what if would you tell them? After where they

551
00:27:45,240 --> 00:27:47,520
Speaker 1: are there and where you are now? I like, first

552
00:27:47,520 --> 00:27:49,240
Speaker 1: of all, what are you wearing? And you've been wearing

553
00:27:49,280 --> 00:27:52,520
Speaker 1: that jacket for months now? I was disgusting. I don't know, man,

554
00:27:52,560 --> 00:27:55,000
Speaker 1: I would just say it's so hard to be like,

555
00:27:55,040 --> 00:27:57,320
Speaker 1: all right, what would I tell myself? Because I feel

556
00:27:57,320 --> 00:27:59,600
Speaker 1: like the biggest thing and the biggest growth for us

557
00:27:59,760 --> 00:28:02,200
Speaker 1: is like going through the trials that we went through.

558
00:28:02,520 --> 00:28:04,440
Speaker 1: And I don't know that i'd tell myself anything because

559
00:28:04,480 --> 00:28:06,160
Speaker 1: I made a lot of stupid mistakes. But where I'm

560
00:28:06,200 --> 00:28:09,320
Speaker 1: at right now, I'm very thankful for those mistakes. Obviously

561
00:28:09,400 --> 00:28:11,359
Speaker 1: you don't want to have to go through some of

562
00:28:11,440 --> 00:28:13,560
Speaker 1: those things. But I don't know what i'd tell myself.

563
00:28:13,560 --> 00:28:15,280
Speaker 1: I'm so grateful for where we're at and the fact

564
00:28:15,320 --> 00:28:17,199
Speaker 1: that we're still doing it, and I would just tell

565
00:28:17,240 --> 00:28:19,320
Speaker 1: myself to just hold on. You just did the Genie

566
00:28:19,400 --> 00:28:21,240
Speaker 1: more wishes thing, and I don't I don't love it,

567
00:28:21,320 --> 00:28:23,239
Speaker 1: but I'm gonna accept it. Yeah, Like if I got

568
00:28:23,280 --> 00:28:25,879
Speaker 1: your three wishes, I would like more wishes, Gene wishes. Yes,

569
00:28:26,400 --> 00:28:28,520
Speaker 1: I do understand it. I was looking for something a

570
00:28:28,560 --> 00:28:32,600
Speaker 1: little more silacious and controversial. But okay, say what about

571
00:28:32,640 --> 00:28:34,320
Speaker 1: all Dan, what about you, buddy? I would say, just

572
00:28:34,520 --> 00:28:36,600
Speaker 1: enjoy it, Enjoy every minute of it. I mean, when

573
00:28:36,640 --> 00:28:38,400
Speaker 1: we were first starting to get some hits, I remember

574
00:28:38,480 --> 00:28:40,480
Speaker 1: Charles Kelly told us He's like, because they had just

575
00:28:40,600 --> 00:28:42,840
Speaker 1: had needs you now and like just the biggest songs ever.

576
00:28:42,920 --> 00:28:45,080
Speaker 1: And he was like, Dude, it goes by fast. When

577
00:28:45,120 --> 00:28:46,880
Speaker 1: you're in it, you don't realize you're in it. So

578
00:28:47,080 --> 00:28:49,400
Speaker 1: just enjoy it. Appreciate those moments, you know, whether you're

579
00:28:49,400 --> 00:28:51,760
Speaker 1: winning or losing it an awards show, Just enjoy the

580
00:28:51,800 --> 00:28:53,240
Speaker 1: fact that you got invited to be there, to be

581
00:28:53,280 --> 00:28:54,960
Speaker 1: sitting in those seats, because there was one point in

582
00:28:55,040 --> 00:28:57,080
Speaker 1: your life where you would have given up everything to

583
00:28:57,160 --> 00:28:59,520
Speaker 1: be in those seats. And we had that kind of

584
00:28:59,560 --> 00:29:02,240
Speaker 1: stretch Tequilo, the speech, those ten thousand hours, all those songs,

585
00:29:02,320 --> 00:29:05,240
Speaker 1: and we did enjoy it. That's beautiful thing about our

586
00:29:05,280 --> 00:29:06,880
Speaker 1: friendship and us being in a duo. We're able to

587
00:29:06,960 --> 00:29:09,360
Speaker 1: keep each other in check and be like, this is crazy, dude,

588
00:29:09,400 --> 00:29:11,120
Speaker 1: we just want to grammy, or like we're performing. Oh

589
00:29:11,160 --> 00:29:13,840
Speaker 1: my gosh, Beyonce's right, this is insane. But it does

590
00:29:13,920 --> 00:29:15,960
Speaker 1: go by fast. And when it's happening and you're having

591
00:29:16,360 --> 00:29:19,640
Speaker 1: unprecedented success or whatever, you don't realize that's happening when

592
00:29:19,640 --> 00:29:20,960
Speaker 1: you're in it and you look back on it and

593
00:29:21,080 --> 00:29:23,000
Speaker 1: it's like, wow, that's insane. What we did. You know,

594
00:29:23,040 --> 00:29:25,280
Speaker 1: when you get to feel that COVID was tough because

595
00:29:25,280 --> 00:29:26,560
Speaker 1: you didn't get to feel it in real time, but

596
00:29:26,600 --> 00:29:27,720
Speaker 1: you get to feel that when you go out on

597
00:29:27,720 --> 00:29:29,320
Speaker 1: the road and hear people sing the words back to you.

598
00:29:29,440 --> 00:29:32,200
Speaker 1: That's a tangible proof that those songs connected with people.

599
00:29:32,240 --> 00:29:34,400
Speaker 1: But when it's happening, I feel like it passes you

600
00:29:34,480 --> 00:29:37,160
Speaker 1: by pretty quickly because we're all competitive. We wouldn't be

601
00:29:37,240 --> 00:29:39,120
Speaker 1: where we are if we weren't. And you're looking towards

602
00:29:39,200 --> 00:29:41,160
Speaker 1: the next thing, you're hustling, your grinding your head down,

603
00:29:41,200 --> 00:29:43,240
Speaker 1: you're staying focused, which you should, but I think that

604
00:29:43,560 --> 00:29:45,040
Speaker 1: causes you to miss some of the good moments, and

605
00:29:45,120 --> 00:29:47,320
Speaker 1: I would say, you know, all things considered, if I

606
00:29:47,360 --> 00:29:49,840
Speaker 1: could guarantee that we would end up where we are today,

607
00:29:49,880 --> 00:29:51,480
Speaker 1: I'd say, just you know, enjoy every bit of it,

608
00:29:51,560 --> 00:29:54,080
Speaker 1: look around, take it all in, and yeah, it goes

609
00:29:54,120 --> 00:29:56,440
Speaker 1: by fast, so got to appreciate it. There they already

610
00:29:56,440 --> 00:29:58,840
Speaker 1: in shade. The new song for radio, The new single

611
00:29:59,120 --> 00:30:01,480
Speaker 1: is you. We played it earlier, we'll play it again

612
00:30:01,560 --> 00:30:04,320
Speaker 1: later on. The album is called Good Things. It's been

613
00:30:04,680 --> 00:30:07,960
Speaker 1: almost a year since that record came out, so I'm

614
00:30:07,960 --> 00:30:10,600
Speaker 1: not even at I'm just assuming you don't working on stuff.

615
00:30:10,840 --> 00:30:13,760
Speaker 1: You can just nod or something. All right, good, all right,

616
00:30:16,320 --> 00:30:17,960
Speaker 1: And I will say this. I will. I will say

617
00:30:18,000 --> 00:30:22,080
Speaker 1: thank you to YouTube, because thank you to your loyalty

618
00:30:22,200 --> 00:30:26,560
Speaker 1: to this format, because you've had such unprecedented success that you,

619
00:30:27,080 --> 00:30:31,120
Speaker 1: you guys, easily could have have been offered. You could

620
00:30:31,120 --> 00:30:34,000
Speaker 1: have easily said, you know what, we can actually go

621
00:30:34,280 --> 00:30:36,480
Speaker 1: and just stay in the pop world and make more

622
00:30:36,640 --> 00:30:39,680
Speaker 1: money make but you didn't. Like, you're loyal to country music,

623
00:30:39,760 --> 00:30:42,480
Speaker 1: and I don't think you get the credit for kind

624
00:30:42,520 --> 00:30:43,959
Speaker 1: of digging in and going, this is who we are

625
00:30:43,960 --> 00:30:46,480
Speaker 1: and what we're doing. And songs may cross over because

626
00:30:46,480 --> 00:30:49,000
Speaker 1: they're so successful you can't really help that. But you

627
00:30:49,080 --> 00:30:52,360
Speaker 1: guys chose to stay in this because they you were

628
00:30:52,960 --> 00:30:55,520
Speaker 1: dragged out. People were like, come on, move over, here,

629
00:30:55,800 --> 00:30:58,120
Speaker 1: go more, but you didn't. And so I would just

630
00:30:58,240 --> 00:31:00,280
Speaker 1: like to say thanks from the entire form at to

631
00:31:00,320 --> 00:31:03,280
Speaker 1: you guys, because I appreciate the effort and what you

632
00:31:03,360 --> 00:31:05,640
Speaker 1: guys do for country music. Thank you for saying that.

633
00:31:05,840 --> 00:31:08,080
Speaker 1: That means a lot, seriously, because that is, Uh, We're

634
00:31:08,200 --> 00:31:10,320
Speaker 1: loyal to this format because they've been loyal to us,

635
00:31:10,320 --> 00:31:12,440
Speaker 1: and we have so many incredible fans that I mean,

636
00:31:12,480 --> 00:31:16,080
Speaker 1: we're here right now because of country music, and you know,

637
00:31:16,120 --> 00:31:19,120
Speaker 1: we'll we'll always be appreciative of that, and we'll stay

638
00:31:19,160 --> 00:31:21,400
Speaker 1: as long as as long as people keep listening to

639
00:31:21,480 --> 00:31:23,600
Speaker 1: our music, we'll be We'll be here and be very

640
00:31:23,920 --> 00:31:25,920
Speaker 1: grateful guys, So thank you for saying that. Man. All right,

641
00:31:25,920 --> 00:31:27,959
Speaker 1: there they are, Dan and Shay, thank you guys. All right.

642
00:31:29,720 --> 00:31:31,800
Speaker 1: A couple of months ago, we got an email and

643
00:31:31,840 --> 00:31:34,680
Speaker 1: then we turned it into calls. But there's this woman saying, Hey,

644
00:31:34,680 --> 00:31:36,800
Speaker 1: I'm going on a date with this guy. We've never

645
00:31:36,880 --> 00:31:38,760
Speaker 1: been on a date before. I was like, that's cool

646
00:31:38,840 --> 00:31:43,240
Speaker 1: because we're both flying to Nashville separately, and we're gonna

647
00:31:43,280 --> 00:31:46,280
Speaker 1: go watch a show, my comedically inspirational shows. But it's

648
00:31:46,280 --> 00:31:47,320
Speaker 1: gonna be our first date. And I was like, you

649
00:31:47,360 --> 00:31:50,160
Speaker 1: stay in the same hotel room. Yeah, but you never know.

650
00:31:50,320 --> 00:31:53,280
Speaker 1: We never and so I was worried, and so we

651
00:31:53,360 --> 00:31:55,200
Speaker 1: had him on and it seemed to us like he

652
00:31:55,320 --> 00:31:58,040
Speaker 1: might be married, because that would be a way to

653
00:31:58,080 --> 00:32:00,000
Speaker 1: get away from the wife. Yeah, and he promised us

654
00:32:00,120 --> 00:32:01,400
Speaker 1: he was, and he came on the air. When he

655
00:32:01,440 --> 00:32:03,360
Speaker 1: came on the air, I said, Okay, he's not because

656
00:32:03,360 --> 00:32:05,320
Speaker 1: he wouldn't want his wife to hear that. You don't

657
00:32:05,320 --> 00:32:07,000
Speaker 1: want to hear your husband that's cheating on you on

658
00:32:07,160 --> 00:32:10,160
Speaker 1: a national show going No, no, man, I'm married at all.

659
00:32:11,040 --> 00:32:13,760
Speaker 1: So they came and I brought him back to the

660
00:32:13,880 --> 00:32:16,800
Speaker 1: dressing room like backstage, met him before a show, and

661
00:32:17,160 --> 00:32:19,640
Speaker 1: they were They were great, and I wouldn't I didn't

662
00:32:19,640 --> 00:32:21,840
Speaker 1: think anything weird about it. Here's just a little clip.

663
00:32:21,880 --> 00:32:24,400
Speaker 1: I took my phone out and I recorded myself with them.

664
00:32:24,720 --> 00:32:28,600
Speaker 1: This is them, And she did not she's not in danger.

665
00:32:28,920 --> 00:32:31,560
Speaker 1: I'm not. Yeah, we're having a great time. Blank wants

666
00:32:31,560 --> 00:32:34,880
Speaker 1: if you're in danger, plice. So it's going to the

667
00:32:34,960 --> 00:32:38,600
Speaker 1: day's going pretty good. So they're here and we're about

668
00:32:38,600 --> 00:32:40,240
Speaker 1: to do the show. But brought it back. Wanted to

669
00:32:40,280 --> 00:32:43,320
Speaker 1: meet him, and I'm protecting her and he looks a

670
00:32:43,320 --> 00:32:45,440
Speaker 1: little stuff. Somebody honest with you. He didn't. I was

671
00:32:45,440 --> 00:32:47,400
Speaker 1: just kidding it. He says he's not married. It was

672
00:32:47,440 --> 00:32:49,200
Speaker 1: great they live. I don't know if they're still together

673
00:32:49,320 --> 00:32:51,200
Speaker 1: or not. They sound happy in the clip, and we

674
00:32:51,240 --> 00:32:54,400
Speaker 1: can always look back at that time. So the update

675
00:32:54,600 --> 00:32:56,959
Speaker 1: is she came, she was fine, They had a good date.

676
00:32:56,960 --> 00:32:58,600
Speaker 1: Don't know if they're still together. If you got either

677
00:32:58,640 --> 00:33:01,120
Speaker 1: one of your listening, send a little note up here

678
00:33:01,240 --> 00:33:03,040
Speaker 1: and let us know if you're still together. Tickets are

679
00:33:03,120 --> 00:33:06,320
Speaker 1: on sale now from my next two shows in Nashville.

680
00:33:06,400 --> 00:33:08,760
Speaker 1: Make the trip to Nashville. Just go to Bobbybones dot

681
00:33:08,800 --> 00:33:11,640
Speaker 1: com and get your tickets to my comedically inspirational show.

682
00:33:11,920 --> 00:33:14,560
Speaker 1: It's it's a comedy show. There's motivation, Eddie and I

683
00:33:14,560 --> 00:33:16,880
Speaker 1: are playlttle ranging idiots set there's always a surprise or

684
00:33:16,920 --> 00:33:18,520
Speaker 1: so it'll be a lot of fun and I hope

685
00:33:18,520 --> 00:33:25,320
Speaker 1: you guys get tickets. He's Amy's pile of stories, so

686
00:33:25,480 --> 00:33:28,040
Speaker 1: there's a lot of different chime sounds. Sometimes when you're

687
00:33:28,080 --> 00:33:31,120
Speaker 1: on a flight and a flight attendant broke down what

688
00:33:31,400 --> 00:33:34,640
Speaker 1: each chime means, so bing or bong, But there's a

689
00:33:34,720 --> 00:33:37,680
Speaker 1: chime huh, I guess I was gonna wing chimes like bing. Okay,

690
00:33:37,680 --> 00:33:39,760
Speaker 1: go ahead, I've ever heard this sound on a plane before.

691
00:33:41,760 --> 00:33:43,880
Speaker 1: You ever wonder what that means? A high low time

692
00:33:43,960 --> 00:33:45,960
Speaker 1: like that means that one flatter tenant is trying to

693
00:33:45,960 --> 00:33:47,880
Speaker 1: call the other flatter tenant, or the flight deck is

694
00:33:47,880 --> 00:33:50,000
Speaker 1: trying to call us. If you hear three of those,

695
00:33:50,160 --> 00:33:52,880
Speaker 1: that means it's an emergency. But you never will have

696
00:33:52,960 --> 00:33:54,720
Speaker 1: to hear that. And if you hear just one tone

697
00:33:55,520 --> 00:33:58,440
Speaker 1: like that, that means that a passenger is calling one

698
00:33:58,480 --> 00:34:00,560
Speaker 1: of the flatter tenants from our seat, or they could

699
00:34:00,560 --> 00:34:03,280
Speaker 1: be calling us from the laboratory over here, either one.

700
00:34:03,480 --> 00:34:06,080
Speaker 1: I'm always feeling so guilty when I have to push that,

701
00:34:07,000 --> 00:34:09,439
Speaker 1: and I will basically die of dehydration before I ask

702
00:34:09,440 --> 00:34:12,040
Speaker 1: for a water. Yeah, I will be on that Southwest flight.

703
00:34:12,120 --> 00:34:14,560
Speaker 1: I'm up against the wall, somebody's sleeping next to me.

704
00:34:14,880 --> 00:34:17,399
Speaker 1: I won't pee, I'll explode from the inside and I'll

705
00:34:17,440 --> 00:34:19,480
Speaker 1: just dehydrate before I will push the button or try

706
00:34:19,520 --> 00:34:22,000
Speaker 1: to get up. So but I didn't one as a drink.

707
00:34:22,680 --> 00:34:25,320
Speaker 1: Two is them trying to call each other. Three is

708
00:34:25,360 --> 00:34:27,200
Speaker 1: we're all gonna die? Yeah, all right, I got it, now,

709
00:34:27,280 --> 00:34:29,800
Speaker 1: are you good? Amy? What else? So? I pulled this

710
00:34:29,960 --> 00:34:33,080
Speaker 1: story because I lost my Aggie ring and I have

711
00:34:33,360 --> 00:34:35,600
Speaker 1: hopes to find it. And that's what happened to this

712
00:34:35,760 --> 00:34:39,040
Speaker 1: one woman who lost her ring in nineteen sixty nine

713
00:34:39,120 --> 00:34:41,080
Speaker 1: when she was in the lake. But a couple was

714
00:34:41,200 --> 00:34:44,680
Speaker 1: recently fishing and they found the ring her initials around

715
00:34:44,680 --> 00:34:47,160
Speaker 1: the inside. They were able to track her down. Boom,

716
00:34:47,239 --> 00:34:48,560
Speaker 1: she has a ring. Back when you went back to

717
00:34:48,640 --> 00:34:51,200
Speaker 1: North Carolina and you were looking for your ring, there

718
00:34:51,280 --> 00:34:52,799
Speaker 1: was a police officer that's going to help you there

719
00:34:52,920 --> 00:34:55,640
Speaker 1: and no luck there. I guess, huh yeah, no luck,

720
00:34:55,880 --> 00:34:58,600
Speaker 1: no luck there. So I don't know what's going to happen.

721
00:34:58,719 --> 00:35:00,640
Speaker 1: I just wanted to happen like this. Someone finds it

722
00:35:00,680 --> 00:35:02,799
Speaker 1: while they're fishing. Yeah, but probably it's been melted down

723
00:35:02,840 --> 00:35:04,759
Speaker 1: for gold and we'll never see it again. All right?

724
00:35:04,880 --> 00:35:07,800
Speaker 1: What else? And lastly, Taste of Country put together a

725
00:35:07,880 --> 00:35:10,560
Speaker 1: list of the best summer country songs of all time.

726
00:35:11,520 --> 00:35:14,920
Speaker 1: Chattahoochie's probably on there. Oh yeah, let me think of

727
00:35:15,000 --> 00:35:17,720
Speaker 1: all time summer. I'm just gonna see the word summer.

728
00:35:17,719 --> 00:35:20,680
Speaker 1: If it's there, ain't no cure for the summertime blues.

729
00:35:20,840 --> 00:35:25,160
Speaker 1: That's an Allen that's two Allen Jackson song. How about summer?

730
00:35:26,200 --> 00:35:28,360
Speaker 1: What's that not a song? How about that summer by

731
00:35:28,440 --> 00:35:31,400
Speaker 1: Garth Oh I used to work for her. That's summer.

732
00:35:31,640 --> 00:35:34,560
Speaker 1: That's not about summer. It's not even though it's called

733
00:35:34,600 --> 00:35:36,040
Speaker 1: that summer. It's about a heck of a summer. It's

734
00:35:36,040 --> 00:35:38,720
Speaker 1: about it. Yeah, you know what creepy? It was about

735
00:35:38,719 --> 00:35:40,560
Speaker 1: heck of summer? Amy, what do you have there? And

736
00:35:40,680 --> 00:35:46,160
Speaker 1: a number five buy me about christ Jansen? Okay, doesn't

737
00:35:46,160 --> 00:35:47,719
Speaker 1: have the word summer in the title, but I'll caste

738
00:35:47,800 --> 00:35:51,480
Speaker 1: where we're going now, all right? Number four Summertime Kenney

739
00:35:51,560 --> 00:35:59,560
Speaker 1: Chesnie not slow enough for me? Is that the you?

740
00:35:59,719 --> 00:36:02,759
Speaker 1: Who you? Yeah? They slowed it down a little bit.

741
00:36:02,760 --> 00:36:04,719
Speaker 1: I like it a little more. I like slogan. I'm like,

742
00:36:04,880 --> 00:36:07,839
Speaker 1: all right, what else? Sam Hunt's Body like a back Road?

743
00:36:10,239 --> 00:36:12,160
Speaker 1: Just because it came out in the summer, I mean,

744
00:36:12,239 --> 00:36:16,360
Speaker 1: great song of all time. If it came out in

745
00:36:16,400 --> 00:36:20,600
Speaker 1: the summer, that's this song makes me like, I don't know,

746
00:36:20,800 --> 00:36:23,759
Speaker 1: I don't know that It's a good song though, all right. Next,

747
00:36:24,560 --> 00:36:30,439
Speaker 1: kid Rock all summer long, and you know I'm gonna

748
00:36:30,480 --> 00:36:32,680
Speaker 1: go no to this one only because there are two

749
00:36:32,719 --> 00:36:34,520
Speaker 1: better songs I can already think of that should be

750
00:36:34,520 --> 00:36:37,239
Speaker 1: on the list. In both are Alan Jackson songs Chattahoochie

751
00:36:37,440 --> 00:36:40,680
Speaker 1: and Summertime Blues. So let's see what's number one. Yeah, well,

752
00:36:40,719 --> 00:36:45,279
Speaker 1: the number one song is Chat Hoochie Chat. You never

753
00:36:45,400 --> 00:36:47,840
Speaker 1: knew how much did y water? I mean, Summertime Blues

754
00:36:47,880 --> 00:36:51,080
Speaker 1: has to go in there, probably in place of Sam

755
00:36:51,200 --> 00:36:54,000
Speaker 1: Hunt or kid Rock, right, yeah, missing the other ones

756
00:36:54,040 --> 00:36:57,640
Speaker 1: though some I loving had me a black head from Greece.

757
00:36:58,600 --> 00:37:00,600
Speaker 1: I mean, I'm just saying the words and seeing my

758
00:37:00,640 --> 00:37:02,759
Speaker 1: cousin of mine. All right, Amy, thank you very much.

759
00:37:03,680 --> 00:37:07,040
Speaker 1: That was Amy's pile of stories. It's time for the

760
00:37:07,160 --> 00:37:15,600
Speaker 1: good news. Good Hayley Strong was driving in Fairfield, Ohio.

761
00:37:15,719 --> 00:37:18,680
Speaker 1: It's early morning. She's like, oh, is that a sunrise

762
00:37:18,840 --> 00:37:21,800
Speaker 1: over there? Oh? No, that garage is on fire. So

763
00:37:21,960 --> 00:37:24,880
Speaker 1: she drives to the house and she starts banging on

764
00:37:24,960 --> 00:37:30,160
Speaker 1: the door. Boom, your house is on fire. The garage

765
00:37:30,320 --> 00:37:34,440
Speaker 1: is on fire, and the husband wife come out and

766
00:37:34,560 --> 00:37:36,840
Speaker 1: get all nine of their kids out of the house. Safe.

767
00:37:37,040 --> 00:37:40,239
Speaker 1: Nine kids. Nine kids must have been pretty bright. You

768
00:37:40,280 --> 00:37:42,239
Speaker 1: think the sun's coming up. Big ball. It's a real

769
00:37:42,360 --> 00:37:45,200
Speaker 1: big ball of fire on earth. A good story, that

770
00:37:45,520 --> 00:37:48,640
Speaker 1: is what it's all about. That was tell me something good.

771
00:37:50,239 --> 00:37:51,759
Speaker 1: Thank you for hanging out with us. You can be

772
00:37:51,840 --> 00:37:53,480
Speaker 1: listening to all kinds of stuff, but the fact that

773
00:37:53,520 --> 00:37:55,239
Speaker 1: you're hanging with us, we appreciate it. We hope we

774
00:37:55,360 --> 00:37:57,600
Speaker 1: feel like your friends that you can listen to and

775
00:37:58,480 --> 00:38:00,840
Speaker 1: whatever you do through the day like, we're happy to

776
00:38:00,840 --> 00:38:02,800
Speaker 1: be there with you. So thank you. Over to Amy,

777
00:38:02,880 --> 00:38:10,000
Speaker 1: Now with the morning Corny, Morning Corny. How does the

778
00:38:10,040 --> 00:38:13,200
Speaker 1: computer get drunk? How does a computer get drunk? It

779
00:38:13,400 --> 00:38:21,800
Speaker 1: takes screenshots. That's fine, pretty good. That was the Morning Corny.

780
00:38:23,719 --> 00:38:27,040
Speaker 1: So there's an article about signature songs for very famous

781
00:38:27,080 --> 00:38:29,120
Speaker 1: country artists, and so what we're gonna do is I'm

782
00:38:29,160 --> 00:38:31,600
Speaker 1: gonna play that very famous song and see if Lunchbox

783
00:38:31,680 --> 00:38:34,400
Speaker 1: can just get the artist I'm talking about so famous. Okay,

784
00:38:34,640 --> 00:38:44,080
Speaker 1: So for example, this song right here, he's wildly famous

785
00:38:44,160 --> 00:38:47,200
Speaker 1: song from nineteen eighty This is the example. But he

786
00:38:47,280 --> 00:38:51,000
Speaker 1: stopped loving her today. Go ahead, William Nelson, that's not right.

787
00:38:51,120 --> 00:38:54,120
Speaker 1: Oh my god, Oh you would have missed that it

788
00:38:54,239 --> 00:38:57,040
Speaker 1: had been. That doesn't even sound like Willie. That's real Willie?

789
00:38:57,160 --> 00:38:59,440
Speaker 1: Can you stop loving her today? That had been a

790
00:38:59,480 --> 00:39:01,920
Speaker 1: will you got the trick? That's Willis? That is actually

791
00:39:01,960 --> 00:39:05,320
Speaker 1: George Jones. So what we're gonna do? Hey, Nicole, she

792
00:39:05,560 --> 00:39:09,000
Speaker 1: is calling us from Virginia. We're gonna give you a

793
00:39:09,120 --> 00:39:12,040
Speaker 1: chance to win a fifty dollars sign, a gift card,

794
00:39:12,120 --> 00:39:14,680
Speaker 1: and a signed a book for me Stanley the Dog

795
00:39:14,760 --> 00:39:16,640
Speaker 1: the first day at school. Perfect for kids as they're

796
00:39:16,640 --> 00:39:19,600
Speaker 1: going back to school. All you have to do is

797
00:39:19,719 --> 00:39:23,160
Speaker 1: trust in Lunchbox, do you think that he will get

798
00:39:23,719 --> 00:39:28,080
Speaker 1: two of five classic country music artists with their most

799
00:39:28,160 --> 00:39:30,160
Speaker 1: classic song. He's only got to get two out of

800
00:39:30,200 --> 00:39:34,319
Speaker 1: five to win. So do you think he wins? Yes? Um,

801
00:39:34,480 --> 00:39:36,760
Speaker 1: I'm gonna say yes because I'm gonna you know, manifest

802
00:39:36,840 --> 00:39:39,120
Speaker 1: that like Amy would do. So I'm gonna say yes, Lunchbox.

803
00:39:39,160 --> 00:39:40,759
Speaker 1: If you get two out of five, she wins. If

804
00:39:40,840 --> 00:39:43,640
Speaker 1: she picked no and I didn't get it, what you win? Yes? Okay,

805
00:39:43,719 --> 00:39:46,319
Speaker 1: so she has confidence she can pick either way. Okay,

806
00:39:46,400 --> 00:39:48,200
Speaker 1: good like it. So if you get two out of five,

807
00:39:48,600 --> 00:39:50,480
Speaker 1: she is a winner. Here we go. Let's start with

808
00:39:50,719 --> 00:39:54,040
Speaker 1: number one. From nineteen seventy eight. You got to do

809
00:39:54,600 --> 00:40:00,440
Speaker 1: with the whole, No win the fold, No win the

810
00:40:00,600 --> 00:40:06,960
Speaker 1: written by Don Schlitz back in August of nineteen seventy six.

811
00:40:07,080 --> 00:40:10,479
Speaker 1: But this artist made a wildly famous we're talking about

812
00:40:10,680 --> 00:40:15,000
Speaker 1: television movies, we're talking about merch. Lunchbox, can you name

813
00:40:15,040 --> 00:40:17,760
Speaker 1: that artist? I mean, Don Schlitz wrote that for Kenny Rodgers.

814
00:40:17,880 --> 00:40:23,440
Speaker 1: Kenny Rodgers is correct. Come on, guys, Wow, you got

815
00:40:23,520 --> 00:40:26,760
Speaker 1: no respect for me. You are one away from a victory.

816
00:40:26,800 --> 00:40:28,480
Speaker 1: How do you feel right now? I feel really good.

817
00:40:28,560 --> 00:40:30,920
Speaker 1: I feel confident that she's gonna be eating a cheeseburger

818
00:40:31,120 --> 00:40:33,839
Speaker 1: and a strawberry milkshake and maybe a cherry lime maid

819
00:40:33,960 --> 00:40:37,600
Speaker 1: who two drinks? Like? Yeah, very good? Next up number

820
00:40:37,640 --> 00:40:44,840
Speaker 1: two from nineteen seventy one. She's a winner. You already

821
00:40:44,920 --> 00:40:48,719
Speaker 1: know this one. We'll make the game too easy. Maybe,

822
00:40:49,000 --> 00:40:53,319
Speaker 1: Oh okay, lunchbox, can you name the singer of Take

823
00:40:53,400 --> 00:40:55,520
Speaker 1: Me Home? Country Roads? And they named the city onto

824
00:40:55,600 --> 00:40:57,799
Speaker 1: this guy, John Denver. They didn't name a city after

825
00:40:58,800 --> 00:41:02,480
Speaker 1: the answer is right, they didn't name Denver after John Denver.

826
00:41:03,680 --> 00:41:06,600
Speaker 1: They didn't. But just like that, lunch is a win.

827
00:41:08,520 --> 00:41:10,279
Speaker 1: I'm good a music. Hey, I thought he was gonna

828
00:41:10,320 --> 00:41:12,680
Speaker 1: embarrass us, but he did. He didn't pretty good. Hey, Nicole,

829
00:41:12,880 --> 00:41:16,120
Speaker 1: you're you're the winner. So first of all, congratulations, yes,

830
00:41:16,280 --> 00:41:18,440
Speaker 1: thank you, thank you. We don't have a sonic around here,

831
00:41:18,480 --> 00:41:20,160
Speaker 1: but my husband and I are coming to your show

832
00:41:20,640 --> 00:41:22,600
Speaker 1: in Nashville, so we'll use it when we're there. I

833
00:41:22,719 --> 00:41:26,719
Speaker 1: love that. That's awesome. So we can keep her on

834
00:41:26,800 --> 00:41:28,279
Speaker 1: the phone. But I'd like to play with the other

835
00:41:28,400 --> 00:41:30,759
Speaker 1: three anyway with him to see if he can get

836
00:41:30,760 --> 00:41:33,279
Speaker 1: these right. If I go five for five, I'm gonna move.

837
00:41:33,360 --> 00:41:36,080
Speaker 1: If you go five for five, lambo, If you go

838
00:41:36,200 --> 00:41:38,399
Speaker 1: five for five, I'll benmo you one hundred dollars. Who

839
00:41:39,600 --> 00:41:41,319
Speaker 1: that means he's not gonna get it? No, but let's see,

840
00:41:41,320 --> 00:41:45,759
Speaker 1: I didn't think you get those two. Okay, one hundred dollars. Yeah,

841
00:41:45,800 --> 00:41:48,799
Speaker 1: My NMO is open and ready for business. Okay, Yeah,

842
00:41:49,200 --> 00:41:50,640
Speaker 1: we're just gonna do the three. They're on this page.

843
00:41:50,719 --> 00:41:52,920
Speaker 1: Let's go all right, I'll play the next one, right,

844
00:41:53,360 --> 00:42:04,560
Speaker 1: baby from nineteen eighty seven, forever and ever. Amen. That's

845
00:42:04,640 --> 00:42:15,640
Speaker 1: the old man, Old man, can you name that artist?

846
00:42:15,719 --> 00:42:18,239
Speaker 1: To keep your one hundred dollars alive? Man, we're in

847
00:42:18,320 --> 00:42:21,239
Speaker 1: trouble here. Guys already. Yeah, I don't know. This was one.

848
00:42:21,520 --> 00:42:25,440
Speaker 1: Uh smell that money, yeah, I smell the money, but

849
00:42:25,520 --> 00:42:30,400
Speaker 1: I don't know. Alan Jackson. Oh you know how you

850
00:42:30,440 --> 00:42:32,799
Speaker 1: said he had an embarrassment. Yeah, he just did a little.

851
00:42:33,880 --> 00:42:37,160
Speaker 1: That was actually Randy Travis. You can't win a hundred.

852
00:42:37,239 --> 00:42:38,600
Speaker 1: You can't win a hundred, but if you get the

853
00:42:38,640 --> 00:42:40,799
Speaker 1: next two, I'll give you twenty dollars and twenty dollars,

854
00:42:40,880 --> 00:42:46,879
Speaker 1: make you do that's right? All right? Name from night Roger? Sorry, Kenny, No, no, sorry,

855
00:42:47,000 --> 00:42:50,759
Speaker 1: Randy Travis, Sorry, Randy. Oh my gosh. From nineteen From

856
00:42:50,920 --> 00:42:59,080
Speaker 1: nineteen eighty two, Okay, go ahead, some music like grandma, Grandma,

857
00:43:04,800 --> 00:43:07,720
Speaker 1: I got this? You do yea? Are you confident? Confident?

858
00:43:07,800 --> 00:43:12,480
Speaker 1: Go ahead? Name the state after these people? Alabama? Oh

859
00:43:12,560 --> 00:43:15,560
Speaker 1: that one's true, that one is, yeah, I got it right,

860
00:43:15,600 --> 00:43:20,920
Speaker 1: you got right? All right? If you get this one right,

861
00:43:20,920 --> 00:43:23,879
Speaker 1: you went twenty dollars, all right, And what a twenty

862
00:43:23,880 --> 00:43:28,320
Speaker 1: dollars to make you do? All right? From nineteen seventy five.

863
00:43:28,960 --> 00:43:41,480
Speaker 1: Here you go back right, and not only that, like

864
00:43:41,520 --> 00:43:45,719
Speaker 1: I'll give you three guesses, got it? We just had

865
00:43:45,880 --> 00:43:50,200
Speaker 1: Craig Campbell in here. He has a coffee shop. Called

866
00:43:50,320 --> 00:43:56,080
Speaker 1: Grindstone Cowboy, and this guy got mad at him, Glenn Campbell. Well,

867
00:43:56,160 --> 00:43:59,279
Speaker 1: first of all, the guy didn't get mad at the guy,

868
00:43:59,680 --> 00:44:02,279
Speaker 1: the guy that wrote it. I think Larry Wise. I'm like,

869
00:44:02,400 --> 00:44:04,680
Speaker 1: maybe you got mad, Adam, But you think it's Glenn Campbell,

870
00:44:04,800 --> 00:44:07,760
Speaker 1: first name podded in my head. I have no idea

871
00:44:07,760 --> 00:44:10,759
Speaker 1: if that's even a singer. I don't know why that

872
00:44:10,880 --> 00:44:14,000
Speaker 1: name's in my head. You want to keep it? I'm

873
00:44:14,080 --> 00:44:16,200
Speaker 1: keeven Glenn Campbell, because I mean, that's the only name

874
00:44:16,280 --> 00:44:20,759
Speaker 1: I got for twenty dollars. He says, it's Glenn Campbell. No,

875
00:44:21,320 --> 00:44:23,600
Speaker 1: that came here a real person though, the answer is

876
00:44:24,560 --> 00:44:35,440
Speaker 1: Glenn Campbell. Now, wow, I was crazy. You get a

877
00:44:35,480 --> 00:44:36,879
Speaker 1: chance to double your money. If you want to risk

878
00:44:36,920 --> 00:44:40,640
Speaker 1: it one more, do it. Absolutely do it. I am

879
00:44:40,719 --> 00:44:44,200
Speaker 1: absolutely ready to do it. Oh my goodness, for how

880
00:44:44,239 --> 00:44:46,000
Speaker 1: did I get that? You're a good job. So it's

881
00:44:46,040 --> 00:44:48,239
Speaker 1: double or nothing. Let's do it. Are you sure? Because

882
00:44:48,400 --> 00:44:52,440
Speaker 1: they're all super classic? I'm super classic. I'll tell you

883
00:44:52,520 --> 00:44:54,399
Speaker 1: what I have, six, seven, eight, nineteen. You can pick

884
00:44:54,400 --> 00:44:55,799
Speaker 1: a number and I'll play any of them you want.

885
00:44:58,239 --> 00:45:02,880
Speaker 1: You know what I mean? They say, give me that seven? Okay,

886
00:45:03,040 --> 00:45:06,440
Speaker 1: here we go lunch box for forty dollars. Name this

887
00:45:06,640 --> 00:45:13,400
Speaker 1: classic country song. Then we was a swinging, yes, swing,

888
00:45:17,280 --> 00:45:24,120
Speaker 1: little swing. I can't believe I'm out here on a

889
00:45:24,320 --> 00:45:32,000
Speaker 1: rod swing swinging. Man, we've already had John denver Um

890
00:45:32,760 --> 00:45:38,200
Speaker 1: and Larry Myyes wrote that last song now twice twice man,

891
00:45:38,640 --> 00:45:42,560
Speaker 1: um Man, what here's that one from nineteen eighty three?

892
00:45:43,800 --> 00:45:46,040
Speaker 1: Times you've heard the song before? Yeah, I've heard the

893
00:45:46,120 --> 00:45:52,080
Speaker 1: swinging song. MM. That has to sh come on lunch,

894
00:45:52,280 --> 00:45:58,600
Speaker 1: have been a tard? Sang? What have been a tard?

895
00:45:59,719 --> 00:46:01,480
Speaker 1: That's It's all quiet a second. I'd like to hear

896
00:46:01,520 --> 00:46:03,080
Speaker 1: exactly what you're saying, just to make sure I'm hearing

897
00:46:03,120 --> 00:46:10,240
Speaker 1: this right. Pat Benatard say wrong, I don't say anything. Um, okay,

898
00:46:10,360 --> 00:46:13,759
Speaker 1: so are you what you're laughing because you're shocked I

899
00:46:13,840 --> 00:46:16,040
Speaker 1: got it. We're shocked that you got it. With the

900
00:46:16,120 --> 00:46:23,120
Speaker 1: answer of Pat Benatard, I don't know how that just

901
00:46:23,200 --> 00:46:25,160
Speaker 1: came to me. I know, I don't know that person.

902
00:46:25,760 --> 00:46:28,920
Speaker 1: I know a Pat Benatar Oh yeah, I don't know.

903
00:46:30,719 --> 00:46:34,359
Speaker 1: I don't know where. That's just not right anyway. It's

904
00:46:34,480 --> 00:46:39,000
Speaker 1: John Andrews, John Anderson so close with Pat Benattard. Yeah,

905
00:46:39,600 --> 00:46:41,160
Speaker 1: so close, so I gotta tell you what. I tell

906
00:46:41,160 --> 00:46:43,840
Speaker 1: you what. You don't want any money there, okay, But

907
00:46:43,960 --> 00:46:46,439
Speaker 1: I liked your spunk and we can play it again

908
00:46:46,640 --> 00:46:48,759
Speaker 1: later or tomorrow and well and we can go all

909
00:46:48,840 --> 00:46:50,359
Speaker 1: money for you if you want. I love it, okay

910
00:46:50,760 --> 00:46:52,400
Speaker 1: at the well, no, when you get them on to

911
00:46:52,760 --> 00:46:55,399
Speaker 1: go money from the beginning, all right, he wanted no money,

912
00:46:55,400 --> 00:46:58,640
Speaker 1: but he want all right there he is lunch box everybody.

913
00:47:00,880 --> 00:47:04,279
Speaker 1: There's a voicemail from Megan and Wisconsin. I am calling

914
00:47:04,360 --> 00:47:07,759
Speaker 1: to wish Bobbie and Caitlin a happy first anniversary. My

915
00:47:07,960 --> 00:47:11,200
Speaker 1: anniversary is also today. Um we got married on the

916
00:47:11,280 --> 00:47:14,279
Speaker 1: exact same day last year's spice Well, happy anniversary to you.

917
00:47:14,880 --> 00:47:17,360
Speaker 1: We spent the weekend kind of an anniversary mode. That

918
00:47:17,600 --> 00:47:22,279
Speaker 1: number one's a big one. We watched the wedding video

919
00:47:22,360 --> 00:47:24,600
Speaker 1: again last night and we saw Eddie crying in the background,

920
00:47:24,640 --> 00:47:27,279
Speaker 1: so we took a picture. We took a video of

921
00:47:27,440 --> 00:47:29,080
Speaker 1: Eddie crying and texted it to him, with Caitlin in

922
00:47:29,120 --> 00:47:31,080
Speaker 1: the background yelling, why are you trying to hide crying?

923
00:47:32,520 --> 00:47:35,719
Speaker 1: My eyebrows were sweaty, man, and there were times where

924
00:47:35,719 --> 00:47:37,880
Speaker 1: your eyebrows were sweating, and we saw you wipe your eyebrow.

925
00:47:37,920 --> 00:47:39,400
Speaker 1: But there were times you were crying. I think we

926
00:47:39,480 --> 00:47:41,719
Speaker 1: sweat made it down to my actual eyes. I appreciate

927
00:47:41,840 --> 00:47:44,200
Speaker 1: that I was crying. She was like, hey, you want

928
00:47:44,200 --> 00:47:46,280
Speaker 1: to watch our wedding video and we have watched it before,

929
00:47:47,160 --> 00:47:50,440
Speaker 1: and I said, I'm I was like, I don't think so,

930
00:47:50,920 --> 00:47:53,920
Speaker 1: not because I don't like it, but because I just

931
00:47:54,360 --> 00:47:56,560
Speaker 1: am so emotional in it. And oh yeah, and I'm

932
00:47:56,600 --> 00:47:59,440
Speaker 1: embarrassed and I shouldn't be because I think if you

933
00:47:59,520 --> 00:48:03,759
Speaker 1: have emotion and live them, wear them, show them. But man,

934
00:48:03,880 --> 00:48:06,320
Speaker 1: I can just barely talk during the vowel part of it,

935
00:48:06,400 --> 00:48:11,480
Speaker 1: and I'm just I'm just embarrassed. And so we watched

936
00:48:11,520 --> 00:48:12,920
Speaker 1: it and it was good. Is it a really good?

937
00:48:12,920 --> 00:48:14,800
Speaker 1: It was a nice, nice wedding. Again. I you know,

938
00:48:15,239 --> 00:48:18,759
Speaker 1: when you're really close to something time wise, you can't

939
00:48:19,280 --> 00:48:22,400
Speaker 1: it's hard to like step back and look at it

940
00:48:22,719 --> 00:48:25,480
Speaker 1: and go man, that was fun. But it was a

941
00:48:25,560 --> 00:48:29,040
Speaker 1: really fun wedding. It was a really great anniversary. Yesterday

942
00:48:29,800 --> 00:48:31,480
Speaker 1: I went, I had a couple of dinners. It was

943
00:48:31,520 --> 00:48:33,399
Speaker 1: on a Sunday, so we had dinner on Saturday night

944
00:48:33,680 --> 00:48:35,279
Speaker 1: and then we were like, let's just go eat again.

945
00:48:35,440 --> 00:48:40,839
Speaker 1: Sunday night. So that's it, I mean, exchange gifts, talked

946
00:48:40,840 --> 00:48:42,719
Speaker 1: about wet. We made a list at dinner. We did

947
00:48:42,719 --> 00:48:45,200
Speaker 1: a little exercise of like, what are our favorite three

948
00:48:45,280 --> 00:48:47,520
Speaker 1: things about being married for a year? Oh, that's cool.

949
00:48:48,719 --> 00:48:52,799
Speaker 1: One of mine was that she she's always big spoon.

950
00:48:52,840 --> 00:48:54,600
Speaker 1: I'm a little spoon at least most nights, at least

951
00:48:54,640 --> 00:48:57,480
Speaker 1: to start the night. But I don't we don't call

952
00:48:57,520 --> 00:49:00,400
Speaker 1: it that anymore because again that is also embarrassing. So

953
00:49:00,840 --> 00:49:03,200
Speaker 1: when I want to be a little spoon, I just go,

954
00:49:03,280 --> 00:49:05,239
Speaker 1: will you hug me? So then she gets behind me

955
00:49:05,280 --> 00:49:07,719
Speaker 1: and puts her arm over and hug me. But I

956
00:49:07,880 --> 00:49:09,920
Speaker 1: twitch when I'm falling asleep, and there have been a

957
00:49:09,920 --> 00:49:12,200
Speaker 1: couple of times where I've just boomed nailed her, like

958
00:49:12,280 --> 00:49:14,359
Speaker 1: in her face. And so now she kind of has

959
00:49:14,400 --> 00:49:17,160
Speaker 1: a protective shield. She wears a helmet, well, she puts

960
00:49:17,200 --> 00:49:19,200
Speaker 1: the kind of she has a pillow she puts on

961
00:49:19,239 --> 00:49:21,839
Speaker 1: the back of me, and then she's not there all night,

962
00:49:22,520 --> 00:49:24,480
Speaker 1: but it's enough for me to go to sleep. She

963
00:49:24,680 --> 00:49:27,840
Speaker 1: thinks it's because I think she thinks it's because I

964
00:49:28,000 --> 00:49:30,200
Speaker 1: was never really hugged as a kid, and she thinks

965
00:49:30,200 --> 00:49:32,719
Speaker 1: I'm trying to get all that now, and so she

966
00:49:32,920 --> 00:49:34,560
Speaker 1: I go, will you hug me? And man I go

967
00:49:34,640 --> 00:49:37,320
Speaker 1: to sleep, I go like, will you hug me? I

968
00:49:37,440 --> 00:49:40,919
Speaker 1: as soon as she puts her arm around my chest. Yeah,

969
00:49:41,080 --> 00:49:43,200
Speaker 1: you guys, do you? It is sweet? Yeah? It is?

970
00:49:44,000 --> 00:49:46,400
Speaker 1: But is a is a good anniversary? You know. I

971
00:49:46,520 --> 00:49:49,640
Speaker 1: was thinking back and we're watching the wedding last night,

972
00:49:49,760 --> 00:49:54,120
Speaker 1: and again we're lucky to have some cool friends that

973
00:49:54,239 --> 00:49:57,839
Speaker 1: are good singers. That I was able to go, hey,

974
00:49:57,840 --> 00:50:00,239
Speaker 1: will you guys sing a song while you're here? And

975
00:50:00,520 --> 00:50:03,120
Speaker 1: Ronnie Dunne from Brooks and Dunne, we watched him singing

976
00:50:03,120 --> 00:50:05,000
Speaker 1: at the wedding, which was so cool. And never thought

977
00:50:05,160 --> 00:50:06,800
Speaker 1: the kid version of me growing up on rockets, I

978
00:50:06,880 --> 00:50:09,919
Speaker 1: never thought he'd see that. Gary Lavox, they singer Rascal

979
00:50:09,960 --> 00:50:14,319
Speaker 1: Flats is amazing. But Dan and Jay played like our

980
00:50:14,640 --> 00:50:17,879
Speaker 1: first dance song and then as a gift they gave

981
00:50:17,960 --> 00:50:19,759
Speaker 1: it to us. They recorded a special version and gave

982
00:50:19,800 --> 00:50:22,279
Speaker 1: it to us. But it's pretty cool. And so I

983
00:50:22,400 --> 00:50:24,600
Speaker 1: was like, what advice do you give after being married?

984
00:50:24,600 --> 00:50:26,000
Speaker 1: I was like, I don't give it. My advice has

985
00:50:26,080 --> 00:50:28,440
Speaker 1: listening to other people who married a lot longer year,

986
00:50:28,560 --> 00:50:31,160
Speaker 1: I dare not give any advice about how to be

987
00:50:31,320 --> 00:50:34,480
Speaker 1: married for a year. Still figuring it out, man, So

988
00:50:35,200 --> 00:50:36,880
Speaker 1: it's pretty cool. It's pretty cool to be married for

989
00:50:36,920 --> 00:50:38,840
Speaker 1: a year. I was surprised that Caitlyn put some of

990
00:50:38,880 --> 00:50:41,279
Speaker 1: our wedding video up on her Instagram. Oh yeah, that's

991
00:50:41,280 --> 00:50:43,440
Speaker 1: pretty cool of her. You know, we're just kind of

992
00:50:43,520 --> 00:50:45,759
Speaker 1: keeping a lot of that stuff private, and she put

993
00:50:45,840 --> 00:50:48,000
Speaker 1: it up on her Instagram. It's on my story if

994
00:50:48,040 --> 00:50:50,719
Speaker 1: you want to see it at mister Bobby Bones on Instagram,

995
00:50:51,160 --> 00:50:53,040
Speaker 1: but it's up there. It's a pretty cool day. And

996
00:50:53,280 --> 00:50:55,200
Speaker 1: I got a video clip of Eddie crying. It's not

997
00:50:55,360 --> 00:51:01,480
Speaker 1: on I was not listen. I was weeping here, my

998
00:51:01,560 --> 00:51:04,600
Speaker 1: best man. It's okay. If you cry. Everybody was crying.

999
00:51:04,680 --> 00:51:07,239
Speaker 1: It's because you were crying, you know what I mean,

1000
00:51:07,600 --> 00:51:10,479
Speaker 1: because it was getting you so much. Maybe I was crime,

1001
00:51:10,560 --> 00:51:12,319
Speaker 1: but I really wasn't crime though. All right. Coming up

1002
00:51:12,360 --> 00:51:16,240
Speaker 1: in a few minutes, Lunchboxes planned to get rich before

1003
00:51:16,320 --> 00:51:20,920
Speaker 1: tomorrow morning, so that happens, and the news and we're

1004
00:51:20,920 --> 00:51:22,720
Speaker 1: gonna do tell me something good in just a second.

1005
00:51:23,600 --> 00:51:26,960
Speaker 1: You guys can call us eight seven seven seventy seven,

1006
00:51:27,080 --> 00:51:29,200
Speaker 1: Bobby if you'd like to talk to us A question

1007
00:51:29,239 --> 00:51:34,560
Speaker 1: of comment eight seven seven seventy seven. Bobbies, it's time

1008
00:51:34,680 --> 00:51:42,040
Speaker 1: for your big stories. Bobbies, be sty Thieves are drilling

1009
00:51:42,160 --> 00:51:46,000
Speaker 1: holes in cars to steal gas. Now, man, it's how

1010
00:51:46,080 --> 00:51:49,120
Speaker 1: valuable gases. Although it is going down significantly, saw that. Yeah,

1011
00:51:49,160 --> 00:51:51,320
Speaker 1: it continues to go down and it's gonna be a

1012
00:51:51,320 --> 00:51:54,719
Speaker 1: little bit before we catch up, obviously, but gas continues

1013
00:51:54,760 --> 00:51:57,920
Speaker 1: to fall, which is good. Saturday morning, a Dutton Fire

1014
00:51:57,960 --> 00:52:00,360
Speaker 1: department responded to an incident at a local business. This

1015
00:52:00,600 --> 00:52:03,840
Speaker 1: is one of many. Upon arriving at the scene, firefighters

1016
00:52:03,880 --> 00:52:05,919
Speaker 1: found to a vehicle's fuel tank have been drilled into

1017
00:52:06,360 --> 00:52:09,399
Speaker 1: and was leaking fuel onto the ground. They have heard

1018
00:52:09,719 --> 00:52:12,080
Speaker 1: other incidents where people are drilling holes into vehicles and

1019
00:52:12,239 --> 00:52:17,120
Speaker 1: stealing gasoline. Back in the day before you could push

1020
00:52:17,280 --> 00:52:19,759
Speaker 1: and have the gas tank lock, what you would do

1021
00:52:19,840 --> 00:52:21,680
Speaker 1: is you would just open it up and you would

1022
00:52:21,719 --> 00:52:24,239
Speaker 1: cut a water hose and you would siphon it from

1023
00:52:24,520 --> 00:52:28,680
Speaker 1: the tank into a jug. When you put as much

1024
00:52:28,680 --> 00:52:30,839
Speaker 1: pressure sucking the hose as possible, When you pull your

1025
00:52:30,880 --> 00:52:32,759
Speaker 1: mouth mouth off a real quick and it goes into

1026
00:52:32,760 --> 00:52:34,319
Speaker 1: the jug, but you're always gonna get a little gas

1027
00:52:34,360 --> 00:52:37,360
Speaker 1: in your mouth. We would have to do it. I

1028
00:52:37,480 --> 00:52:40,040
Speaker 1: never take it took up from somebody else's car. But

1029
00:52:40,560 --> 00:52:41,960
Speaker 1: we don't have a lot of money growing up, so

1030
00:52:42,400 --> 00:52:44,160
Speaker 1: if one car had gas and the other one didn't,

1031
00:52:44,200 --> 00:52:46,360
Speaker 1: sometimes we'd have to sciphen some from one to the

1032
00:52:46,520 --> 00:52:49,480
Speaker 1: next so that that car could go. I got pretty

1033
00:52:49,480 --> 00:52:51,160
Speaker 1: good at it. I could probably make a pretty good living.

1034
00:52:53,320 --> 00:52:55,279
Speaker 1: But now they're just straight up drilling because they can't

1035
00:52:55,280 --> 00:52:59,759
Speaker 1: get into them. According to a paranormal investigator, bigfoot come

1036
00:52:59,800 --> 00:53:02,360
Speaker 1: on is an elusive phenomenon which can slip in and

1037
00:53:02,400 --> 00:53:04,320
Speaker 1: out of our reality, and that's why we don't have

1038
00:53:04,520 --> 00:53:07,920
Speaker 1: proof physical proof. This is from the Daily Star. A

1039
00:53:08,040 --> 00:53:11,080
Speaker 1: paranormal investigator thinks he knows why no one's ever found Bigfoot.

1040
00:53:11,320 --> 00:53:14,759
Speaker 1: He thinks it's because bigfoots and interdimensional being that can

1041
00:53:14,880 --> 00:53:17,359
Speaker 1: disappear at will. What would be just like a really

1042
00:53:17,400 --> 00:53:19,200
Speaker 1: hairy guy from like eighty years in the future or

1043
00:53:19,200 --> 00:53:20,960
Speaker 1: two hundred years in the future and just as a

1044
00:53:21,040 --> 00:53:23,719
Speaker 1: time machine, like it's just big fat, hairy guy and

1045
00:53:23,880 --> 00:53:26,520
Speaker 1: we're like, they're big foots in the woods. No, that's Clark,

1046
00:53:26,719 --> 00:53:29,560
Speaker 1: He's you know, from two thy four hundred and nineteen.

1047
00:53:29,719 --> 00:53:33,800
Speaker 1: Both theories are pretty whacky, but yours in this scientist.

1048
00:53:33,840 --> 00:53:39,600
Speaker 1: But well, that's true, there's no but the source for

1049
00:53:39,680 --> 00:53:42,120
Speaker 1: this is Indy five hundred. Excuse me, Indie one hundred.

1050
00:53:42,239 --> 00:53:44,720
Speaker 1: A woman who took about one hundred and fifty drivers

1051
00:53:44,800 --> 00:53:47,200
Speaker 1: test for other drivers has been jailed for eight months.

1052
00:53:48,120 --> 00:53:50,440
Speaker 1: A twenty nine year old woman has been jailed for

1053
00:53:50,480 --> 00:53:53,160
Speaker 1: eight months for taking driving tests for one hundred and

1054
00:53:53,239 --> 00:53:56,399
Speaker 1: fifty different people. Now we may laugh at this, it's

1055
00:53:56,440 --> 00:54:00,680
Speaker 1: pretty funny, but the probability there some idiots on the

1056
00:54:00,760 --> 00:54:02,799
Speaker 1: road that shouldn't be on the road that can't pass

1057
00:54:02,840 --> 00:54:06,160
Speaker 1: the test high. Yeah. That's crazy. Yeah, because she took

1058
00:54:06,239 --> 00:54:09,439
Speaker 1: the test for them. But now she is in jail

1059
00:54:09,520 --> 00:54:11,840
Speaker 1: for a little bit. Although it's weird they'd put her

1060
00:54:11,880 --> 00:54:13,400
Speaker 1: in jail for eight months by somebody who doing real

1061
00:54:13,440 --> 00:54:15,600
Speaker 1: crimes won't have to serve that last time. Crazy. That's

1062
00:54:15,600 --> 00:54:18,520
Speaker 1: a whole, a whole issue there. From the Daily Mail,

1063
00:54:18,840 --> 00:54:21,719
Speaker 1: a Georgia Southern graduate twenty eight years old was left

1064
00:54:21,760 --> 00:54:24,840
Speaker 1: paralyzed and can only communicate with her eyes after a

1065
00:54:24,880 --> 00:54:28,560
Speaker 1: Savannah chiropractor snapped four arteries during a routine visit for

1066
00:54:28,680 --> 00:54:33,080
Speaker 1: neck pain. That is so tragic. Oh my god. A

1067
00:54:33,320 --> 00:54:38,359
Speaker 1: Georgia Southern University graduate was paralyzed Caitlyn Jensen, twenty eight,

1068
00:54:38,400 --> 00:54:40,279
Speaker 1: can only communicate, as I mentioned, with her eyes and

1069
00:54:40,320 --> 00:54:43,719
Speaker 1: then wiggling her toes. The twenty eight year old is

1070
00:54:43,760 --> 00:54:46,680
Speaker 1: said to have visited the unnamed practice for a simple

1071
00:54:46,760 --> 00:54:51,120
Speaker 1: adjustment on her neck. She quickly became ill. They used

1072
00:54:51,400 --> 00:54:53,560
Speaker 1: rushed her to the hospital. It was revealed she had

1073
00:54:53,600 --> 00:54:57,520
Speaker 1: four arteries in her neck and they had been dissected

1074
00:54:57,600 --> 00:55:01,359
Speaker 1: like cut, Yeah, who the popping her whatever? She wanted

1075
00:55:01,360 --> 00:55:03,520
Speaker 1: to cardiac arrest, had a stroke and lost her pulse

1076
00:55:03,560 --> 00:55:06,279
Speaker 1: for over ten minutes. She was revived. Her family has

1077
00:55:06,320 --> 00:55:09,080
Speaker 1: slammed the chiropractor, who they hold responsible, and said they're

1078
00:55:09,120 --> 00:55:11,560
Speaker 1: working on getting the recent graduate out of hospital into

1079
00:55:11,640 --> 00:55:15,280
Speaker 1: rehab in Atlanta. That's from Daily Mail. That is that's awful.

1080
00:55:16,520 --> 00:55:21,359
Speaker 1: You wonder what happened there, and if the chiropractor messed up,

1081
00:55:22,000 --> 00:55:24,960
Speaker 1: if the chiropractor was just a really bad chiropractor with

1082
00:55:25,040 --> 00:55:27,880
Speaker 1: other incidents, if maybe her body I don't yeah, so

1083
00:55:28,000 --> 00:55:31,359
Speaker 1: many different variables. I don't have anything more than that story.

1084
00:55:31,440 --> 00:55:34,440
Speaker 1: But that is really sad. From the Daily Mail. The

1085
00:55:34,520 --> 00:55:37,120
Speaker 1: only thing we're on Earth Force to reproduce, says Elon

1086
00:55:37,239 --> 00:55:39,879
Speaker 1: Musk's father seventy six which, by the way, Elon Musk

1087
00:55:40,040 --> 00:55:42,200
Speaker 1: is the same thing. He said nine kids, I think really,

1088
00:55:42,239 --> 00:55:44,200
Speaker 1: and he's like, what's there's gonna be under a population,

1089
00:55:44,360 --> 00:55:46,440
Speaker 1: Let's let's have a bunch of kids. But here's the

1090
00:55:46,440 --> 00:55:49,600
Speaker 1: thing about Elon's dad. He just had his second child

1091
00:55:49,719 --> 00:55:53,839
Speaker 1: with his thirty five year old stepdaughter. But he doesn't

1092
00:55:53,880 --> 00:55:56,600
Speaker 1: live with his kids because quote, the kids start to

1093
00:55:56,640 --> 00:55:59,760
Speaker 1: get on his nerves. Right, all right, that sounds normal.

1094
00:56:00,200 --> 00:56:03,440
Speaker 1: But again the headline eline has eight kids. The headline

1095
00:56:03,520 --> 00:56:06,520
Speaker 1: here is he's seventy six. He just had his second

1096
00:56:06,680 --> 00:56:10,239
Speaker 1: child with his thirty five year old and just there

1097
00:56:10,280 --> 00:56:12,080
Speaker 1: you're like, wow, look at seventies to heaven kids with

1098
00:56:12,120 --> 00:56:19,400
Speaker 1: a step daughter. Is he famous now step daughter? I

1099
00:56:19,440 --> 00:56:22,120
Speaker 1: think it's called infamous more than it is famous. Golli

1100
00:56:22,480 --> 00:56:25,560
Speaker 1: from Metro News. A man survives eighteen hours at sea

1101
00:56:25,640 --> 00:56:29,279
Speaker 1: by clinging onto a football lost by boys who were

1102
00:56:29,280 --> 00:56:32,600
Speaker 1: playing with it on the beach. Ivan thirty became caught

1103
00:56:32,640 --> 00:56:37,120
Speaker 1: up in powerful currents off the coast and friends are like, hey,

1104
00:56:37,360 --> 00:56:39,720
Speaker 1: where did he go? So they alerted the coast guard

1105
00:56:40,400 --> 00:56:42,680
Speaker 1: and after a while they just declared him lost at sea.

1106
00:56:42,719 --> 00:56:44,560
Speaker 1: I mean they kept looking, but I guess there's an

1107
00:56:44,600 --> 00:56:47,880
Speaker 1: official declaration of lost at sea. His life was saved

1108
00:56:47,920 --> 00:56:50,120
Speaker 1: when a child's ball floated towards him in the ocean.

1109
00:56:50,400 --> 00:56:54,040
Speaker 1: What He clung onto the ball until rescuer spotted him

1110
00:56:54,120 --> 00:56:56,440
Speaker 1: almost twenty four hours later. He was pulled out of

1111
00:56:56,440 --> 00:56:59,120
Speaker 1: the water. Has since recovered. A mom recognized the ball

1112
00:56:59,280 --> 00:57:00,759
Speaker 1: when she saw it on TV as a toy or

1113
00:57:00,800 --> 00:57:02,960
Speaker 1: suns had lost ten days before the tourist was rescued.

1114
00:57:03,360 --> 00:57:06,640
Speaker 1: So anyway, they're having a parade for the ball. Wilson. Yeah, no,

1115
00:57:06,719 --> 00:57:09,239
Speaker 1: it was awesome, But I mean even holding on to

1116
00:57:09,360 --> 00:57:12,320
Speaker 1: like a football, that's that's he would have it. But

1117
00:57:12,400 --> 00:57:14,440
Speaker 1: that's a tough one because it's not full. It's always

1118
00:57:14,480 --> 00:57:19,760
Speaker 1: it goes under at that point. It's anything, I agree,

1119
00:57:19,800 --> 00:57:22,320
Speaker 1: but it's not a booi. There's a lot more struggling

1120
00:57:22,360 --> 00:57:24,120
Speaker 1: with a football, and there would be if you're just

1121
00:57:24,160 --> 00:57:26,360
Speaker 1: holding onto a buoy. Do you think he did the

1122
00:57:26,400 --> 00:57:29,000
Speaker 1: whole Wilson situation with that one too, I don't, definitely,

1123
00:57:29,920 --> 00:57:32,640
Speaker 1: not even twenty four hours. A new miracle drug can

1124
00:57:32,680 --> 00:57:34,680
Speaker 1: increase the human lifespan by up to two hundred years.

1125
00:57:35,200 --> 00:57:38,880
Speaker 1: This is from bgr dot com, which I said, I

1126
00:57:39,000 --> 00:57:44,000
Speaker 1: think we are on the sad end of being able

1127
00:57:44,040 --> 00:57:45,840
Speaker 1: to live a lot longer. I think we're just gonna

1128
00:57:45,880 --> 00:57:49,520
Speaker 1: miss our generation. Yeah, we're just anybody that's alive now

1129
00:57:49,680 --> 00:57:52,160
Speaker 1: and you're like sixteen or older, I think you're just

1130
00:57:52,520 --> 00:57:57,160
Speaker 1: gonna miss the technology or the medical advancement to live

1131
00:57:57,200 --> 00:57:59,760
Speaker 1: another fifty seventy five one hundred years. We're right on

1132
00:57:59,800 --> 00:58:01,640
Speaker 1: the edge of it, and then we're all there's just

1133
00:58:01,720 --> 00:58:04,000
Speaker 1: gonna be overpopulation. All the musk's gonna be so many

1134
00:58:04,040 --> 00:58:07,480
Speaker 1: kids were gonna live two hundred. A new miracle drug

1135
00:58:07,560 --> 00:58:09,480
Speaker 1: could do that. In the book, the doctor argues it's

1136
00:58:09,480 --> 00:58:12,360
Speaker 1: completely feasible for humans to live beyond our standard one

1137
00:58:12,480 --> 00:58:15,640
Speaker 1: hundred year lifespan thanks to this new drug. Doctor still

1138
00:58:16,000 --> 00:58:18,960
Speaker 1: says that a newer filled research known as synalytics, it

1139
00:58:19,000 --> 00:58:21,280
Speaker 1: could give birth to a miracle drug capable of increasing

1140
00:58:21,280 --> 00:58:24,760
Speaker 1: the human lifespan because it eliminates cells that degrade tissue function.

1141
00:58:25,400 --> 00:58:27,480
Speaker 1: They stopped dividing over the course of our lives. When

1142
00:58:27,480 --> 00:58:31,160
Speaker 1: that happens, zombie cells begin to accumulate. That's what releases

1143
00:58:31,200 --> 00:58:33,960
Speaker 1: the compounds. It speeds up the aging process. That sounds scary.

1144
00:58:34,200 --> 00:58:37,439
Speaker 1: That sounds like he lost me at like zombie third

1145
00:58:37,640 --> 00:58:41,560
Speaker 1: word ya Synalytics, Jennifer Lopes and been Affle. I got

1146
00:58:41,640 --> 00:58:43,680
Speaker 1: married in Las Vegas. I just I guess I thought

1147
00:58:43,680 --> 00:58:45,200
Speaker 1: they were married, and I don't care. It's a double

1148
00:58:45,240 --> 00:58:47,440
Speaker 1: I thought they were married too. That's from CNN. And

1149
00:58:47,800 --> 00:58:50,280
Speaker 1: the lottery is happening. The Mega millions is top to

1150
00:58:50,360 --> 00:58:53,320
Speaker 1: five hundred million. Now we've been talking about the lottery

1151
00:58:53,640 --> 00:58:56,800
Speaker 1: for what is this? The same thing, same thing, guys.

1152
00:58:57,400 --> 00:58:59,280
Speaker 1: No one has won an over a month. So we've

1153
00:58:59,320 --> 00:59:02,080
Speaker 1: played this inst Yes, we've played this and lost. And listen,

1154
00:59:02,560 --> 00:59:07,000
Speaker 1: this is the lottery. People saying be persistent, stay the course,

1155
00:59:07,040 --> 00:59:09,560
Speaker 1: and you guys are been deviating, and they have given

1156
00:59:09,640 --> 00:59:14,360
Speaker 1: us another opportunity tomorrow night, five hundred thirty million dollars.

1157
00:59:14,680 --> 00:59:19,320
Speaker 1: Say it with me, we could be five hundred thirty millionaires.

1158
00:59:19,520 --> 00:59:21,680
Speaker 1: Bones you didn't say it with them, no, because it's supidum.

1159
00:59:21,920 --> 00:59:25,880
Speaker 1: So it's it's not tonight, No, no powerballs tonight. That

1160
00:59:26,000 --> 00:59:28,800
Speaker 1: one's only like fifty million. We don't want that. We

1161
00:59:29,000 --> 00:59:33,760
Speaker 1: want five hundred and thirty million dollars tomorrow night. And listen,

1162
00:59:33,920 --> 00:59:36,280
Speaker 1: we take the cash option. We're talking like three hundred

1163
00:59:36,280 --> 00:59:38,880
Speaker 1: and five millions, yes, three hundred seven point four Yeah, dang,

1164
00:59:39,720 --> 00:59:41,720
Speaker 1: that's pretty I mean, how much have you spent on

1165
00:59:41,840 --> 00:59:46,040
Speaker 1: this this specific mega millions? I'll probably about six hundred

1166
00:59:46,520 --> 00:59:49,120
Speaker 1: since the beginning. But think of what you could have

1167
00:59:49,160 --> 00:59:52,600
Speaker 1: bought with that. Guess what what when I win tomorrow night?

1168
00:59:52,640 --> 00:59:53,840
Speaker 1: That has nothing to do? You can have not played

1169
00:59:53,840 --> 00:59:55,560
Speaker 1: any of those and only played this one. I understand,

1170
00:59:55,760 --> 00:59:57,120
Speaker 1: but you can't think of it that way. You got

1171
00:59:57,240 --> 00:59:59,440
Speaker 1: to think about, Oh my gosh, I'm a how much

1172
00:59:59,520 --> 01:00:02,120
Speaker 1: are you playing for? I was going, I was talking,

1173
01:00:02,240 --> 01:00:03,480
Speaker 1: I was talking it over my head. What do you

1174
01:00:03,520 --> 01:00:05,480
Speaker 1: guys think about? There? Talking it over in your head?

1175
01:00:05,520 --> 01:00:08,440
Speaker 1: And just yeah, like you're thinking. Basically, I'm thinking, what

1176
01:00:08,640 --> 01:00:11,120
Speaker 1: level are these guys gonna be okay with getting in at?

1177
01:00:11,520 --> 01:00:13,560
Speaker 1: And so I don't know who all wants to get in,

1178
01:00:13,640 --> 01:00:15,479
Speaker 1: but I'll give you twenty bucks. Yeah, I have cash.

1179
01:00:15,520 --> 01:00:17,840
Speaker 1: I'll give you twenty bucks. I'm not doing more than that.

1180
01:00:17,920 --> 01:00:20,320
Speaker 1: That's stupid. I am, what about three hundred? I am?

1181
01:00:20,400 --> 01:00:23,360
Speaker 1: What do you mean from me? Yeah? No, I'm entertained

1182
01:00:23,400 --> 01:00:25,760
Speaker 1: to the level of twenty dollars with this bit. So

1183
01:00:25,840 --> 01:00:29,480
Speaker 1: I will give you twenty bucks. I'll take it. No, no, no,

1184
01:00:29,560 --> 01:00:30,640
Speaker 1: I'll take it. But you have to go on. I

1185
01:00:30,680 --> 01:00:32,560
Speaker 1: mean that's only ten tickets. Okay, how many are you

1186
01:00:32,560 --> 01:00:34,320
Speaker 1: going in for? Well, I mean, if you're going twenty,

1187
01:00:34,360 --> 01:00:35,840
Speaker 1: I have to go twenty. I can't. I can't do

1188
01:00:35,920 --> 01:00:38,120
Speaker 1: a different amount. You're going twenty. I'm gonna go twenty.

1189
01:00:38,120 --> 01:00:40,160
Speaker 1: Who else wants ever? Twenty? Right your hand now or forever? Old?

1190
01:00:40,200 --> 01:00:45,160
Speaker 1: Your piece scuba is in for Abby? Okay two Mike,

1191
01:00:45,200 --> 01:00:46,960
Speaker 1: we're going eighty bucks in. There's my money at lease.

1192
01:00:46,960 --> 01:00:49,200
Speaker 1: People are gonna feel so stupid. No, They're probably gonna

1193
01:00:49,200 --> 01:00:50,520
Speaker 1: be like, thank god it and put that money in there,

1194
01:00:50,880 --> 01:00:58,120
Speaker 1: or they're gonna feel stupid now that that is drawn

1195
01:00:58,200 --> 01:01:00,480
Speaker 1: tomorrow night the top prize against five one hundred and

1196
01:01:00,520 --> 01:01:02,480
Speaker 1: thirty million dollars. Those are your big stories. Those were

1197
01:01:02,720 --> 01:01:07,240
Speaker 1: Bobby's story. I will say this. I put up tickets

1198
01:01:07,320 --> 01:01:11,240
Speaker 1: on Friday to my comedically inspirational shows. They're happening in

1199
01:01:11,520 --> 01:01:14,120
Speaker 1: Nashville on the twelfth and thirteenth of August. They are

1200
01:01:14,160 --> 01:01:16,480
Speaker 1: both almost completely sold out. We just put up some

1201
01:01:16,680 --> 01:01:20,040
Speaker 1: final balcony seats yesterday. If you would like to come,

1202
01:01:20,120 --> 01:01:22,280
Speaker 1: there are almost no tickets left, but we'd love to

1203
01:01:22,360 --> 01:01:25,680
Speaker 1: have you. Just go over to CMA Theater Dot com

1204
01:01:26,080 --> 01:01:28,800
Speaker 1: or Bobby Bones dot com and you can grab tickets.

1205
01:01:28,880 --> 01:01:32,200
Speaker 1: It is a funny show that is also inspirational CMA

1206
01:01:32,360 --> 01:01:34,880
Speaker 1: Theater dot com or Bobby Bones dot com. And then

1207
01:01:34,880 --> 01:01:36,439
Speaker 1: thank you everybody who's coming to the show. It's gonna

1208
01:01:36,440 --> 01:01:40,320
Speaker 1: be a lot of fun. By bow Down, Sorry up Today.

1209
01:01:40,840 --> 01:01:44,160
Speaker 1: This story comes us from Rock Rapids, South Dakota. A

1210
01:01:44,400 --> 01:01:46,720
Speaker 1: forty one year old woman drove to the jail to

1211
01:01:46,800 --> 01:01:49,760
Speaker 1: bail her boyfriend out of jail. Two am. They're like, oh,

1212
01:01:49,840 --> 01:01:51,360
Speaker 1: we need to see your ID and they check your

1213
01:01:51,400 --> 01:01:54,280
Speaker 1: idea like, oh, your license is suspended. We saw you

1214
01:01:54,440 --> 01:01:57,000
Speaker 1: driving a vehicle. Now they go out and check the vehicle.

1215
01:01:57,160 --> 01:02:01,800
Speaker 1: There's something in there. Vehicle stolen. Oh worset. Wow. She

1216
01:02:01,920 --> 01:02:05,320
Speaker 1: went to a prison with a stolen car, which she

1217
01:02:05,320 --> 01:02:07,120
Speaker 1: shouldn't have been driving because it was stolen. And heck,

1218
01:02:07,160 --> 01:02:09,560
Speaker 1: you shouldn't have been driving even if it wasn't stolen. Correct,

1219
01:02:09,960 --> 01:02:12,640
Speaker 1: big mistake. They deserve each other. Yeah, yeah, they're perfect.

1220
01:02:12,720 --> 01:02:15,520
Speaker 1: That's love. Yeah, they both swiped because they saw a

1221
01:02:15,600 --> 01:02:17,880
Speaker 1: lot in comment. All right, I'm lunchbox. That's your bone

1222
01:02:17,920 --> 01:02:21,360
Speaker 1: head story of the day. All right, it is time

1223
01:02:21,760 --> 01:02:26,200
Speaker 1: for the good News countdown. It's the good news Countdown,

1224
01:02:26,720 --> 01:02:30,560
Speaker 1: counting down the biggest good news stories. A crust the left.

1225
01:02:30,960 --> 01:02:32,800
Speaker 1: All right, it's quick and it makes you feel good.

1226
01:02:32,960 --> 01:02:36,920
Speaker 1: Here we go. Number. A small bookstore in Detroit recently

1227
01:02:36,960 --> 01:02:39,280
Speaker 1: got scammed at a thirty five thousand bucks by someone

1228
01:02:39,480 --> 01:02:42,520
Speaker 1: using fraudulent credit cards, and it almost put them out

1229
01:02:42,560 --> 01:02:45,160
Speaker 1: of business. But then the community stepped in. The owners

1230
01:02:45,200 --> 01:02:47,400
Speaker 1: started to go fund me and said, hey, anything, anything,

1231
01:02:47,480 --> 01:02:50,240
Speaker 1: will help. They raised thirty five ninety eight dollars and

1232
01:02:50,280 --> 01:02:53,360
Speaker 1: then they stopped taking donations because they were like, we're good,

1233
01:02:53,840 --> 01:02:56,240
Speaker 1: and they're like, well, we don't need anymore, and you

1234
01:02:56,320 --> 01:02:59,240
Speaker 1: guys are awesome. So the community is awesome. They probably

1235
01:02:59,280 --> 01:03:01,200
Speaker 1: could have made even more weren't money and they were like, no,

1236
01:03:01,280 --> 01:03:04,040
Speaker 1: we're good. We're back to even and we appreciate you guys.

1237
01:03:04,240 --> 01:03:08,840
Speaker 1: So I love that one. A World War two vetting Queens,

1238
01:03:08,960 --> 01:03:12,680
Speaker 1: New York just celebrated his one hundred and third birthday.

1239
01:03:13,320 --> 01:03:17,200
Speaker 1: Holy Moly, his retirement home through him a party. He's

1240
01:03:17,280 --> 01:03:19,920
Speaker 1: quite the character. A reporter asked what his secret is

1241
01:03:20,040 --> 01:03:22,760
Speaker 1: to longevity, and this is what Jack Stolac had to say.

1242
01:03:22,960 --> 01:03:29,600
Speaker 1: They stay away from fish, women, slow horses, but good luck. Unfortunately,

1243
01:03:29,680 --> 01:03:33,400
Speaker 1: I'm aging gracefully. I think fast women and slow horses. Yeah,

1244
01:03:34,120 --> 01:03:36,920
Speaker 1: stay away from for a long live all right, all right,

1245
01:03:37,000 --> 01:03:41,120
Speaker 1: let's go to number one. Why firefighters in Arkansas saved

1246
01:03:41,120 --> 01:03:43,919
Speaker 1: the kitten they got stuck inside an ATM last week.

1247
01:03:44,280 --> 01:03:45,800
Speaker 1: They don't know how he got in there, but they

1248
01:03:45,920 --> 01:03:51,000
Speaker 1: named him Money Cash Cash the cat, Cash the kitten.

1249
01:03:51,240 --> 01:03:54,200
Speaker 1: He was dehydrated, weighed less than a pound. Once they

1250
01:03:54,280 --> 01:03:56,520
Speaker 1: put some weight on him, he will go up for adoption.

1251
01:03:57,360 --> 01:04:01,640
Speaker 1: That the good news countdown. This is what I will

1252
01:04:01,720 --> 01:04:04,640
Speaker 1: say that if you go over and Bobby Bones dot

1253
01:04:04,720 --> 01:04:07,320
Speaker 1: com or CMA Theater dot com, there are almost no

1254
01:04:07,520 --> 01:04:10,680
Speaker 1: seats left to either one of the shows. August twelfth

1255
01:04:10,720 --> 01:04:14,280
Speaker 1: and thirteenth, I'm doing two more comedically inspirational shows. There

1256
01:04:14,400 --> 01:04:17,240
Speaker 1: are a few balcony tickets for both shows. And that

1257
01:04:17,480 --> 01:04:20,439
Speaker 1: is it. And that is great for me, but bad

1258
01:04:20,480 --> 01:04:22,680
Speaker 1: for you. Unless you don't want to come, then who cares.

1259
01:04:23,040 --> 01:04:25,360
Speaker 1: But they're up there and I'd love for me to come.

1260
01:04:25,440 --> 01:04:28,000
Speaker 1: It's a really cool theater, but not a lot left.

1261
01:04:28,080 --> 01:04:30,840
Speaker 1: Go to Cmatheater dot com or we can put it

1262
01:04:30,880 --> 01:04:33,480
Speaker 1: back up at Bobby Bones dot com. Thank you, We'll

1263
01:04:33,480 --> 01:04:37,440
Speaker 1: see you tomorrow. I'm on Instagram mister Bobby Bones, Bye everybody,

1264
01:04:38,720 --> 01:04:40,000
Speaker 1: mister Bobby Booners