WEBVTT - #Throwback Episode - w/ Tha Dogg Pound, Tony Yayo, & Dru Hill | (Ep. 13)

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<v Speaker 1>Yeah, what's up y'all? Was going on?

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<v Speaker 2>Brother Drink He's a legendary Queen's rapper. Hey, haink Segree

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<v Speaker 2>is your boy in o R. He's a Miami hip

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<v Speaker 2>hop pioneer. What up is dj e f N Together?

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<v Speaker 3>They drink it up with some of the biggest players

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<v Speaker 3>in music and sports.

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<v Speaker 4>You know what I mean, the most professional, unprofessional podcast.

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<v Speaker 2>This is drinks Champing. Every day is New Year's Eve. Hey,

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<v Speaker 2>ain't sagree your soup? Here is your boy n R?

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<v Speaker 2>What is dj e f N? It is drink Chaps?

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<v Speaker 2>Motherfucking podcast? Mab and right now and right now? Yeah, yeah,

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<v Speaker 2>y'all know you.

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<v Speaker 5>Know here, come over here, come over here, come over here.

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<v Speaker 6>Listen, y'all know I'll give a crazy intro. But before

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<v Speaker 6>I give the intro, I want to, you know, give

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<v Speaker 6>respect to the people who've been following us. We got

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<v Speaker 6>three million. I don't know if the unique visits or

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<v Speaker 6>is the unique it's doing it. Listen, you know what

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<v Speaker 6>I'm saying. These motherfuckers that got this job. They went

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<v Speaker 6>to college, they went to journalism school. They used to

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<v Speaker 6>get their finger popped in their butt and and you know, and.

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<v Speaker 2>We don't do that. We straight street dudes, and.

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<v Speaker 6>We motherfucking controlling the area and listen, just makes a

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<v Speaker 6>noise for them.

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<v Speaker 2>Three millions, motherfuck and listen. We know we love record label,

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<v Speaker 2>so listen people.

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<v Speaker 6>We need everybody if you're gonna talk to talk over

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<v Speaker 6>here because we've kissed on the mic. But listen, people,

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<v Speaker 6>we got we know we love record label stories and

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<v Speaker 6>record label and we got two of the most controversial

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<v Speaker 6>record labels in existence right now. We got people that

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<v Speaker 6>was involved with Death Row Records.

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<v Speaker 2>Let's make some noise with death Row Records when they

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<v Speaker 2>was stopping.

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<v Speaker 6>And we also got the story.

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<v Speaker 2>So listen, man, this is crazy.

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<v Speaker 1>Man.

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<v Speaker 2>Dads. I'm gonna start with you, Dad.

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<v Speaker 6>Because I've seen you on the internet the other day

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<v Speaker 6>saying somebody was biting your style? Okay, DJ, is that

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<v Speaker 6>what happened?

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<v Speaker 1>It? You know what I'm saying.

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<v Speaker 7>It's like, oh, man, go ahead, It's like, you know

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<v Speaker 7>what I'm saying. Uh, publishing companies. You know what I'm saying.

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<v Speaker 7>We have the same publishing company, so Sony try to

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<v Speaker 7>ak us out and give all the publishing to them,

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<v Speaker 7>and they didn't give us. Now, when we got fifty

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<v Speaker 7>percentage of song which is who got some gangster ship?

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<v Speaker 7>You old girls song? Which is motown. So I'll just

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<v Speaker 7>say pay me good. Let you know what I mean.

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<v Speaker 2>You never met, Yeah, we've seen each other, you know

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<v Speaker 2>what I'm saying.

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<v Speaker 8>But you know, is he from he from county? If

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<v Speaker 8>you mean would Okay? Okay, okay, okay, that's what's up.

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<v Speaker 8>That's what's up. So now, yeah, yo, I'm gonna take

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<v Speaker 8>it to you. How many people have you shot?

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<v Speaker 6>Yeah?

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<v Speaker 1>Yo?

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<v Speaker 2>Oh no, a lot of people. This makes a noise

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<v Speaker 2>with you and.

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<v Speaker 9>We're all talking about you know, I'm here the rock. Yeah,

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<v Speaker 9>you know, I got it.

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<v Speaker 2>How did you invent this moon rock thing?

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<v Speaker 1>I mean you know it was my partner, you understand me.

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<v Speaker 9>Doctor Zodiac. He came with that with these chemists, Doctor Zodiac.

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<v Speaker 9>He had those chemists. Man, we put them that thing together. Man,

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<v Speaker 9>we came with this miracle magic, you understand me. Intertwine

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<v Speaker 9>this hash with this.

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<v Speaker 2>But why California is better than New York?

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<v Speaker 6>Like when you come, the weather is better to let's

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<v Speaker 6>make some noise in California.

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<v Speaker 2>The weather, I mean everywhere. White hand cookies, white Hand.

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<v Speaker 10>I was at in and out Burger all day smoking

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<v Speaker 10>that ship man, you know now and find the recipe.

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<v Speaker 2>Now.

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<v Speaker 9>Now then I had a moon rock with that gorilla glue.

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<v Speaker 9>So now with the moon rock, what is that created?

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<v Speaker 9>What is that? That's the oil.

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<v Speaker 1>Infused in it?

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<v Speaker 11>O G.

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<v Speaker 1>Cush is my face core? You understand me? With that?

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<v Speaker 2>We batter it like chicken, you.

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<v Speaker 9>Chicken, put it in a bag and wow, understanding batter

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<v Speaker 9>it in.

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<v Speaker 2>That in that and that Keith, Wow, can we smoke

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<v Speaker 2>some moon rock on the show?

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<v Speaker 9>I mean, you know, wanted to bring it out here,

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<v Speaker 9>DA got be I'm in.

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<v Speaker 2>I'm in the business of getting a dazz. Yeah, I

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<v Speaker 2>need a da. I ain't realize how much ship you produced.

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<v Speaker 2>My dude, you it's drading you to me, to me.

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<v Speaker 9>Like I learned from that's that's a beautiful thing.

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<v Speaker 2>That's what you got, some money, your favorite joints you

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<v Speaker 2>produced Dash. I knew you was gonna say that, let's

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<v Speaker 2>make some noise.

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<v Speaker 3>That was.

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<v Speaker 1>That was the first record. That was, you know, the

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<v Speaker 1>first record that Pop did.

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<v Speaker 2>When he came home get the fun out called me,

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<v Speaker 2>I woke up.

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<v Speaker 1>Dance called me. I said, what's up?

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<v Speaker 9>Because He's like, look, I'm here, I'm here, Pock is home.

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<v Speaker 9>I said, boom, what, No, you're not, he said, come

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<v Speaker 9>to the studio. I went to the studio Das and

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<v Speaker 9>super Fly was the one. Boom boom boom boom boom

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<v Speaker 9>boom boom.

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<v Speaker 1>Dad was on the drum.

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<v Speaker 2>Pop came out.

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<v Speaker 1>Man bus had a rider.

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<v Speaker 2>The first Sweet Herman. We need we need to hear

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<v Speaker 2>the story.

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<v Speaker 1>If you listened to Pev Herman.

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<v Speaker 2>Ride that that makes a noise that came cope.

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<v Speaker 1>Yes.

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<v Speaker 2>Now, also in the building we got Compone. He ain't

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<v Speaker 2>got the night. You gotta stay share with Compone? Like

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<v Speaker 2>what up? Just the person the first time seeing the

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<v Speaker 2>dp G. Everybody they don't know.

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<v Speaker 6>We've been here for years, but they haven't seen us

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<v Speaker 6>in the same building at the same time.

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<v Speaker 2>So I had to ask my boy to propone to

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<v Speaker 2>fly out.

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<v Speaker 6>But now when I think of that, I think of

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<v Speaker 6>you because next to him when he came home.

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<v Speaker 2>From jail, he was the flyers nigga that came home

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<v Speaker 2>from jail.

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<v Speaker 12>I was you came home from jail, you get He

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<v Speaker 12>came home from jail with a min coat, a bens,

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<v Speaker 12>a tour bus limo in the top Florida Marriott pocked

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<v Speaker 12>it out.

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<v Speaker 10>Listen hip hop did a lot for me, man, and

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<v Speaker 10>I got a shoutow fifty because.

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<v Speaker 2>That's makes annoyse for fifty cent.

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<v Speaker 13>Got that.

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<v Speaker 2>Hold on. He came left right other day. I gotta

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<v Speaker 2>shout out eminem you got the worst on that.

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<v Speaker 7>I got that the worst.

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<v Speaker 10>Hip hop did a lot for the nigga. You know

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<v Speaker 10>what I'm saying, Like to come home and be embraced

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<v Speaker 10>like that.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 10>That the unit was the biggest thing moving at that time.

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<v Speaker 10>Free Yal movement was crazy. But you know I respect

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<v Speaker 10>dudes like you, Chris, Lidy, Joe. You know what I'm

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<v Speaker 10>saying because I been like for me, I had like

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<v Speaker 10>my biggest moments in hip hop already, Like I love

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<v Speaker 10>hip hop, but I had my big moments. I've been

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<v Speaker 10>in the studio with m I've been in the studio

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<v Speaker 10>with Drake. You understand what I'm saying. So it's like

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<v Speaker 10>I had so many big moments in hip hop that

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<v Speaker 10>I just loved the game, even even y'all nigga like

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<v Speaker 10>being in the War Report, I want to hear another one.

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<v Speaker 9>Man tell me, I'm gonna tell you like I'm gonna

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<v Speaker 9>tell you, I'm gonna tell you like this your first single.

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<v Speaker 2>That was my favorite.

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<v Speaker 1>Dance.

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<v Speaker 2>It was that the dance was that the dance that

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<v Speaker 2>was stop doing that. I stopped doing that banging that.

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<v Speaker 10>Dance that was on the run, like I got I

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<v Speaker 10>got the stories you know from story I got, you

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<v Speaker 10>got them. I ran in the shug stories. We got

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<v Speaker 10>the right Okay, we got the jo U stories. We

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<v Speaker 10>got those. It's just like what y'all want me to

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<v Speaker 10>get into, what y'all want to do about to talk

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<v Speaker 10>about the similar story. We're gonna come right back to unit.

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<v Speaker 10>But Dad's corrupt, y'all was on like this is yo,

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<v Speaker 10>my man. I'm gonna be honest.

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<v Speaker 6>I'm gonna need y'all to be a part of this

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<v Speaker 6>conversation because we can hear it.

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<v Speaker 2>I got the headphones. I can ahead in my headphones.

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<v Speaker 6>So everybody listen, let's all participate over here. Please please

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<v Speaker 6>don't listen. This is the most legendary podcast ever. Please

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<v Speaker 6>let's make this the best. Not that is and corrupt

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<v Speaker 6>that was on the most controversial label ever, death Row.

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<v Speaker 2>How was that every day in death.

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<v Speaker 1>Row somebody was getting the ass.

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<v Speaker 6>It was really beat downs happening like that. Let's get

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<v Speaker 6>into the beat downstass.

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<v Speaker 1>I mean, you know, you know Mary J. Blige was

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<v Speaker 1>on death ro right.

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<v Speaker 2>No, I did not know this.

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<v Speaker 1>She was managed, but I should jos with us every day,

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<v Speaker 1>you know, saying so some fucker came in and said, Hi, Mary,

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<v Speaker 1>whooped the ship out?

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<v Speaker 6>Wait just for saying how to marry Let's make some

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<v Speaker 6>noise from niggas whopping asked?

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<v Speaker 1>It was just something every day.

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<v Speaker 9>You know what I'm saying, boy, I'll tell you as

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<v Speaker 9>much you come in here, gus, you better be ready,

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<v Speaker 9>like get.

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<v Speaker 2>Down and then and then for y'all because y'all Chris's.

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<v Speaker 1>Family, everybody in the event. But if you was like

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<v Speaker 1>coming in outside, he was in trouble. Ye see. They

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<v Speaker 1>loved us because what.

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<v Speaker 9>Y'all say, we were younger than them, rkay. But all

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<v Speaker 9>of us was crept. They loved our heart though. I'm

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<v Speaker 9>gonna be honest. It was like these little niggas is hard,

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<v Speaker 9>my niggas, Oh, my MoMA blood, these niggas is hard,

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<v Speaker 9>right y, I like these little niggas, right, you know

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<v Speaker 9>what I'm saying.

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<v Speaker 6>That was it ever gang tension in there or when

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<v Speaker 6>y'all came there. The only money was great always I mean,

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<v Speaker 6>the only color.

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<v Speaker 2>Was different neighborhoods.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 2>It's from Long Beach, from Long Beat, from LA and

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<v Speaker 2>you from Chris Shaw. I'm sixties sixties.

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<v Speaker 6>Oh that's the hardest noise for the hardest gang in

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<v Speaker 6>l A. And the richest I heard, Yes, the richest too.

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<v Speaker 6>Them niggas got mad money. I mean, I mean you

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<v Speaker 6>can tell you. I can tell you.

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<v Speaker 2>So how how how did y'all conduct business like?

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<v Speaker 7>And there was always business because you know, we master

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<v Speaker 7>minds behind this ship what I'm saying, So you know

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<v Speaker 7>we said you know what I'm saying.

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<v Speaker 1>I'm be honest, man.

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<v Speaker 9>You know, in the beginning it was it was real

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<v Speaker 9>cool man, Sugar he really uh he pushed for us.

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<v Speaker 1>You know what I'm saying. Most of people like our father.

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<v Speaker 1>You know what I'm saying. You know what I'm saying.

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<v Speaker 9>We were every time I went to jail, he got

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<v Speaker 9>me the funk out.

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<v Speaker 1>I know that. Mother.

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<v Speaker 2>Let's make some lloyse for show, get nigga out of jail.

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<v Speaker 10>Yeah yo, yeah, yo, sugar count, Let's let's get to

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<v Speaker 10>thetof Let's go happen. I got a sugar count my

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<v Speaker 10>very first time in l A.

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<v Speaker 2>You know, I wasn't familiar.

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<v Speaker 10>You know, I'm a New York niggas my first time,

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<v Speaker 10>you know, coming to l A. And we was doing

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<v Speaker 10>it in the club video shoot. Oh wow, so shoot

0:11:46.640 --> 0:11:48.280
<v Speaker 10>pull up right.

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<v Speaker 2>Yeah, we gotta close that.

0:11:50.640 --> 0:11:52.880
<v Speaker 5>Door, right, So we're doing in the club.

0:11:53.360 --> 0:11:56.559
<v Speaker 2>In the club, you gotta close that door.

0:11:58.400 --> 0:12:00.959
<v Speaker 10>I gotta close that door and be quiet, mean, come ahead,

0:12:01.200 --> 0:12:05.120
<v Speaker 10>So look, we're doing this is not don't continue.

0:12:05.200 --> 0:12:07.800
<v Speaker 2>We're doing it in the club video shoot.

0:12:07.880 --> 0:12:12.920
<v Speaker 10>And you know Dre's there is there, So Shul just

0:12:12.960 --> 0:12:15.480
<v Speaker 10>come out of nowhere like Whodini type ship.

0:12:16.600 --> 0:12:18.840
<v Speaker 2>He's an intimidating cat, you know what I mean.

0:12:19.800 --> 0:12:23.120
<v Speaker 10>So he had the at the time, I think it

0:12:23.240 --> 0:12:26.080
<v Speaker 10>was the one eighteen Street Crew, Like.

0:12:26.440 --> 0:12:28.480
<v Speaker 2>This is the first time of Mexicans. Yeah, this is

0:12:28.480 --> 0:12:30.320
<v Speaker 2>the first time I see the eighteenth.

0:12:30.840 --> 0:12:32.520
<v Speaker 10>This is the first time I ever seen a nigga

0:12:32.559 --> 0:12:36.000
<v Speaker 10>from l A with a tattoo on his forehead, tattoo

0:12:36.040 --> 0:12:38.040
<v Speaker 10>on his eyes, eighteenth Street killer.

0:12:38.320 --> 0:12:39.960
<v Speaker 2>This this that that he had all.

0:12:39.800 --> 0:12:44.320
<v Speaker 10>These niggas and everybody came outside fifty m and it

0:12:44.440 --> 0:12:46.200
<v Speaker 10>was just I thought it was gonna go down.

0:12:46.280 --> 0:12:47.800
<v Speaker 2>But excuse me, all you gotta be quiet.

0:12:47.800 --> 0:12:50.120
<v Speaker 10>Back then, I thought it was gonna go down, but

0:12:50.200 --> 0:12:51.760
<v Speaker 10>I guess it just didn't go down.

0:12:51.840 --> 0:12:52.600
<v Speaker 5>You know what I'm saying.

0:12:52.640 --> 0:12:57.440
<v Speaker 10>But I got stories, man, I want to talk about

0:12:57.480 --> 0:12:59.920
<v Speaker 10>the the gian Ruth Ship.

0:13:00.160 --> 0:13:05.200
<v Speaker 2>Like Jru was lucky to be alive. And I'm going

0:13:05.280 --> 0:13:08.559
<v Speaker 2>to keep it in a real to tell this subject.

0:13:08.559 --> 0:13:11.960
<v Speaker 2>But bro, all them niggas is lucky to be alive

0:13:12.000 --> 0:13:12.760
<v Speaker 2>because we was in.

0:13:12.720 --> 0:13:15.520
<v Speaker 10>A hit factory. I got stabbed. I got stabbed right

0:13:15.559 --> 0:13:19.040
<v Speaker 10>here in my pinky right here, and I got stabbed

0:13:19.120 --> 0:13:22.400
<v Speaker 10>right here in my hand. So we was in the

0:13:22.440 --> 0:13:26.199
<v Speaker 10>studio hit factory. Now, I'm new to the game. You

0:13:26.280 --> 0:13:28.560
<v Speaker 10>know what I'm saying. I know this is just when

0:13:28.559 --> 0:13:31.640
<v Speaker 10>the rap game was crazy. You had niggas like Jack

0:13:31.720 --> 0:13:33.199
<v Speaker 10>running around school to you know.

0:13:33.240 --> 0:13:34.640
<v Speaker 2>Crazy lad niggas.

0:13:34.679 --> 0:13:38.280
<v Speaker 5>You know what I'm saying. Niggas ran up in a

0:13:38.360 --> 0:13:39.040
<v Speaker 5>hit factory.

0:13:39.080 --> 0:13:42.200
<v Speaker 10>But the only thing that saved yar Ru life is

0:13:42.240 --> 0:13:45.000
<v Speaker 10>that the forty five that me and fifty had with

0:13:45.120 --> 0:13:48.440
<v Speaker 10>no safety was in the other room. Because if me

0:13:48.520 --> 0:13:50.160
<v Speaker 10>and him and would have had that, it would have

0:13:50.200 --> 0:13:50.800
<v Speaker 10>went down.

0:13:50.640 --> 0:13:52.320
<v Speaker 2>In a hit factory. It would have been like a

0:13:52.360 --> 0:13:55.560
<v Speaker 2>Troy Aff situation. My nigga, It would have been crazy.

0:13:58.480 --> 0:14:00.000
<v Speaker 2>It would have got crazy.

0:14:00.240 --> 0:14:01.880
<v Speaker 5>But you know, niggas ran up in there.

0:14:01.920 --> 0:14:04.520
<v Speaker 2>We're getting it on the dogs. You know what I'm saying.

0:14:04.800 --> 0:14:05.600
<v Speaker 2>Niggas ran up there.

0:14:05.640 --> 0:14:07.160
<v Speaker 1>We getting on it. Ain't nothing.

0:14:07.240 --> 0:14:09.720
<v Speaker 2>Ain't nobody pressed no chargers.

0:14:10.480 --> 0:14:10.800
<v Speaker 14>Let me.

0:14:12.720 --> 0:14:16.360
<v Speaker 10>Finished for the point. Ain't nobody pressed no charge. No

0:14:16.440 --> 0:14:19.800
<v Speaker 10>real niggas pressed no charges. Fifty ain't personal charges. Tony

0:14:19.880 --> 0:14:23.280
<v Speaker 10>Yo ain't pressing no charges. You had Clark DJ in

0:14:23.320 --> 0:14:27.840
<v Speaker 10>there right, his name is DJ Giz. You don't understand

0:14:27.880 --> 0:14:30.400
<v Speaker 10>what I'm saying. He pressed charges, got his loss, you

0:14:30.480 --> 0:14:33.400
<v Speaker 10>got his money, deal with either he did. Nobody ever

0:14:33.480 --> 0:14:36.720
<v Speaker 10>pressed no charges against murder. Niggas is real niggas. Niggas

0:14:36.800 --> 0:14:39.280
<v Speaker 10>really in the streets. Like I said, if that gun

0:14:39.320 --> 0:14:42.240
<v Speaker 10>would have been in that room, it would have been

0:14:42.240 --> 0:14:45.000
<v Speaker 10>Tony Ao locked up or fifty cent locked up and

0:14:45.120 --> 0:14:46.840
<v Speaker 10>Ja rue and murderin dad.

0:14:47.840 --> 0:14:51.080
<v Speaker 6>Now now, in fact, Joe had beef with fifty and

0:14:51.120 --> 0:14:51.920
<v Speaker 6>they squashed it.

0:14:52.000 --> 0:14:53.040
<v Speaker 2>How'd you feel about that?

0:14:53.160 --> 0:14:55.080
<v Speaker 10>I felt good because you know what I'm saying, Like

0:14:55.160 --> 0:14:56.840
<v Speaker 10>I know you from Chris Ladys.

0:14:57.040 --> 0:15:05.160
<v Speaker 2>You know what I'm saying, Like, I just feel like

0:15:05.160 --> 0:15:06.800
<v Speaker 2>we're rap. It's a competition thing.

0:15:06.880 --> 0:15:07.480
<v Speaker 1>You know what I'm saying.

0:15:07.480 --> 0:15:09.480
<v Speaker 10>It was never you know what I'm saying, I rocked

0:15:09.480 --> 0:15:11.800
<v Speaker 10>with Fat Joseph's just wants envy.

0:15:11.800 --> 0:15:12.680
<v Speaker 2>Now you're a loyal nigga.

0:15:12.680 --> 0:15:14.480
<v Speaker 10>You know what I'm saying, Lawyer, I'm a feeling of

0:15:14.560 --> 0:15:17.800
<v Speaker 10>hip hop, a nigga that just jumped on the bandwagon,

0:15:18.080 --> 0:15:19.760
<v Speaker 10>listening to all ship you know.

0:15:19.800 --> 0:15:23.880
<v Speaker 5>New York, the hip hop, every genre hip hop.

0:15:24.360 --> 0:15:27.040
<v Speaker 10>So it's like with the Fat Joe situation, I'm kind

0:15:27.040 --> 0:15:28.320
<v Speaker 10>of glad I got squashed.

0:15:28.840 --> 0:15:29.720
<v Speaker 2>It's a beautiful thing.

0:15:29.800 --> 0:15:32.880
<v Speaker 10>You don't want to worry about a million Puerto Rican's.

0:15:35.760 --> 0:15:37.200
<v Speaker 2>I heard the pistol pi.

0:15:39.240 --> 0:15:42.520
<v Speaker 10>Pistol nigga like a couple of niggas north with and

0:15:42.720 --> 0:15:45.119
<v Speaker 10>heard of because I'm in the streets, so I'm in tune.

0:15:44.880 --> 0:15:47.120
<v Speaker 2>To the streets. So he was hetting locked up a

0:15:47.120 --> 0:15:47.400
<v Speaker 2>lot too?

0:15:47.480 --> 0:15:54.040
<v Speaker 6>Yeah, right, make you getting locked up a lot.

0:15:54.440 --> 0:15:55.280
<v Speaker 2>I can't hold on time.

0:15:55.720 --> 0:15:59.280
<v Speaker 6>Stop these people listen all your motherfuckers here and only

0:15:59.360 --> 0:16:00.360
<v Speaker 6>four people lappen.

0:16:00.520 --> 0:16:01.400
<v Speaker 14>I'm gonna keep it rid of.

0:16:01.760 --> 0:16:03.400
<v Speaker 2>If you don't want to clap, you exit.

0:16:03.520 --> 0:16:07.560
<v Speaker 10>Yeah, this is a Crassic episode number one.

0:16:08.280 --> 0:16:09.040
<v Speaker 2>Continue.

0:16:09.320 --> 0:16:12.160
<v Speaker 10>But I just feel like I've been a fan of

0:16:12.200 --> 0:16:13.960
<v Speaker 10>Fat Joe since jealous ones envy.

0:16:14.040 --> 0:16:14.520
<v Speaker 2>That's what's up.

0:16:14.600 --> 0:16:14.720
<v Speaker 3>Man.

0:16:14.720 --> 0:16:17.160
<v Speaker 2>It's good for so it's so good for hip hop.

0:16:17.160 --> 0:16:20.120
<v Speaker 10>But you know hip hop is always competition, you know

0:16:20.120 --> 0:16:22.080
<v Speaker 10>how New York City is. And you know, I'm glad

0:16:22.120 --> 0:16:24.680
<v Speaker 10>that ship is squashed. Rest in peace to Chris Lightdy,

0:16:24.800 --> 0:16:26.760
<v Speaker 10>you know what I'm saying. And you know that was

0:16:26.800 --> 0:16:28.600
<v Speaker 10>the pioneer of this ship. You know what I'm saying,

0:16:28.880 --> 0:16:31.200
<v Speaker 10>doing this ship is the tunnel security. You know what

0:16:31.200 --> 0:16:36.760
<v Speaker 10>I'm saying that it was like it was like righting sound.

0:16:38.440 --> 0:16:42.280
<v Speaker 10>They take your shoes off. It's like Chris Lighty, I've seen,

0:16:42.320 --> 0:16:46.320
<v Speaker 10>you know, deal with y'all Foxy fifty. You know what

0:16:46.360 --> 0:16:47.400
<v Speaker 10>I'm saying, Like, I just.

0:16:47.360 --> 0:16:48.520
<v Speaker 2>Thought it was good for hip hop.

0:16:48.560 --> 0:16:50.400
<v Speaker 8>Man, shout out to fast Let's make let's make some

0:16:50.440 --> 0:16:55.760
<v Speaker 8>noise for Yeah.

0:16:51.040 --> 0:16:51.280
<v Speaker 4>You know.

0:16:55.840 --> 0:16:58.960
<v Speaker 6>I've been saving this question the whole time. You guys

0:16:59.160 --> 0:17:02.440
<v Speaker 6>was a part of that Chronic album. This is this

0:17:02.640 --> 0:17:06.160
<v Speaker 6>hands down one of my top favorite albums of all

0:17:06.400 --> 0:17:08.480
<v Speaker 6>time history, and you guys are a part of that

0:17:08.600 --> 0:17:12.040
<v Speaker 6>chronic album. It's two part question. One how did it

0:17:12.119 --> 0:17:15.000
<v Speaker 6>feel about being a part of that album? And two

0:17:15.400 --> 0:17:18.320
<v Speaker 6>when y'all was making it, I heard stories that y'all saying,

0:17:18.359 --> 0:17:20.240
<v Speaker 6>y'all was all like, didn't have a lot of money.

0:17:20.640 --> 0:17:22.600
<v Speaker 2>But did y'all know y'all was making a classic.

0:17:23.040 --> 0:17:25.000
<v Speaker 6>So you can answer it, which is eight the two

0:17:25.040 --> 0:17:25.960
<v Speaker 6>parts you want?

0:17:26.200 --> 0:17:32.640
<v Speaker 10>Hell No, I didn't know what I made the classics, said, yeah,

0:17:33.040 --> 0:17:33.600
<v Speaker 10>I never know.

0:17:33.640 --> 0:17:35.880
<v Speaker 9>You're making history because you're making it. It's like, Man,

0:17:36.359 --> 0:17:39.560
<v Speaker 9>we were starving. Man, that's how we made the Dog Pound.

0:17:39.920 --> 0:17:42.040
<v Speaker 9>Snoop had the apartment Franklin.

0:17:42.760 --> 0:17:46.919
<v Speaker 1>We were just sitting there. One bedroom. We stole for breakfast.

0:17:47.440 --> 0:17:50.160
<v Speaker 9>We went to the story Dad, he's still local bread

0:17:50.400 --> 0:17:53.400
<v Speaker 9>no style, steal some eggs, all that type of ship

0:17:53.520 --> 0:17:58.119
<v Speaker 9>banking and get the door and come back. And we

0:17:58.200 --> 0:18:00.080
<v Speaker 9>cooked that ship up because and then we go in

0:18:00.119 --> 0:18:03.920
<v Speaker 9>the studio. Then Dad learned how to break into the studio, because.

0:18:03.640 --> 0:18:08.080
<v Speaker 2>That's how we started to work. And later night Elevator,

0:18:08.600 --> 0:18:10.560
<v Speaker 2>what hold on time?

0:18:10.600 --> 0:18:16.679
<v Speaker 9>I've never heard this before in my life, showing solo records, Chris.

0:18:19.320 --> 0:18:21.640
<v Speaker 7>The Lake Show and all that ship. I wanna sneak

0:18:21.680 --> 0:18:24.320
<v Speaker 7>up to the studio, grab one of the reels he

0:18:24.359 --> 0:18:27.640
<v Speaker 7>had the back and tape over that movie and he's

0:18:27.680 --> 0:18:28.080
<v Speaker 7>coming in.

0:18:28.080 --> 0:18:31.520
<v Speaker 9>Like that's how me and Dad, that's how man dad whatever,

0:18:31.640 --> 0:18:34.639
<v Speaker 9>because you know everything was was dog and Dtor Dryce

0:18:35.320 --> 0:18:37.120
<v Speaker 9>were sneaking that motherfucker late at night.

0:18:37.160 --> 0:18:41.240
<v Speaker 2>But now we know he's making history. Is the movie

0:18:41.280 --> 0:18:46.080
<v Speaker 2>coming out? Yeah, yeah, the movie damn.

0:18:46.000 --> 0:18:56.399
<v Speaker 7>Skipping Tupapa movie coming out. You know, let's clean. Your

0:18:56.400 --> 0:18:58.359
<v Speaker 7>son is in that moment playing me in the movie.

0:19:00.440 --> 0:19:05.679
<v Speaker 9>That's some movie you're gonna play. Oh yeah, waiting on

0:19:05.720 --> 0:19:09.320
<v Speaker 9>that one, Daddy. This is our movie, boy, waiting for it.

0:19:10.000 --> 0:19:11.960
<v Speaker 9>I supposed to be playing they dog man. We talked

0:19:12.000 --> 0:19:12.640
<v Speaker 9>about this ship.

0:19:13.480 --> 0:19:15.359
<v Speaker 2>You don't do the dog like they do.

0:19:16.359 --> 0:19:22.119
<v Speaker 6>I don't look like cats like the old lady for

0:19:22.200 --> 0:19:22.760
<v Speaker 6>what's happening?

0:19:24.119 --> 0:19:27.639
<v Speaker 2>Like you check out, back up and back up.

0:19:27.840 --> 0:19:34.560
<v Speaker 15>You heard you heil around somewhere too, Cisco and you

0:19:34.680 --> 0:19:35.480
<v Speaker 15>fuck it's going with.

0:19:35.440 --> 0:19:38.760
<v Speaker 1>The dog taking said listen.

0:19:39.600 --> 0:19:44.880
<v Speaker 6>Bit Cisco, brother, listen, man, go over there, you gonna ship.

0:19:44.920 --> 0:19:46.840
<v Speaker 6>You gonna go in between the two gatesters niggas in

0:19:46.880 --> 0:19:47.520
<v Speaker 6>the West Coast.

0:19:48.920 --> 0:19:52.199
<v Speaker 2>Yeah something you know.

0:19:52.240 --> 0:19:54.760
<v Speaker 9>I don't funk so many bitures the god damn go.

0:19:56.080 --> 0:19:58.560
<v Speaker 6>We gotta tell you what's up?

0:20:00.600 --> 0:20:00.719
<v Speaker 3>Man.

0:20:00.760 --> 0:20:03.800
<v Speaker 2>I'm sorry, man, Just listen. The second of the day,

0:20:03.800 --> 0:20:06.240
<v Speaker 2>you were just doing music. Everybody just do a voice

0:20:07.080 --> 0:20:09.440
<v Speaker 2>dance talking. Dad's talking ahead that, you.

0:20:09.400 --> 0:20:11.199
<v Speaker 7>Know, like we did the chronic and ship like that.

0:20:11.320 --> 0:20:13.119
<v Speaker 7>You know it was an innovative. But when we was

0:20:13.160 --> 0:20:16.000
<v Speaker 7>doing that, everybody just knew our voices. They didn't know

0:20:16.040 --> 0:20:18.119
<v Speaker 7>our face. So motherfucker be bumping the.

0:20:18.119 --> 0:20:22.320
<v Speaker 9>Chronic right, They don't know that Dad did production of

0:20:22.480 --> 0:20:24.720
<v Speaker 9>dadd was the one DJing on right attack tap.

0:20:24.600 --> 0:20:27.199
<v Speaker 2>When it goes kick the game. That was Dad crazy,

0:20:27.920 --> 0:20:29.160
<v Speaker 2>right to tack to know.

0:20:29.080 --> 0:20:29.919
<v Speaker 4>He gave him to.

0:20:31.800 --> 0:20:32.080
<v Speaker 1>Do that.

0:20:32.320 --> 0:20:36.679
<v Speaker 6>But now that I've seen you on fly TV, you

0:20:36.720 --> 0:20:40.720
<v Speaker 6>spoke about michel A. You pointed out the fact that

0:20:41.359 --> 0:20:45.520
<v Speaker 6>Michelle A had a baby in the hood. Hold on, hold,

0:20:46.200 --> 0:20:48.480
<v Speaker 6>you said you pointed out that had a baby by

0:20:48.520 --> 0:20:51.240
<v Speaker 6>doctor Dre and had a baby and.

0:20:51.680 --> 0:20:53.240
<v Speaker 2>Was rubbing on Tupac in the studio.

0:20:53.320 --> 0:20:55.199
<v Speaker 1>What do you call him? What a girl like that?

0:20:55.440 --> 0:20:56.760
<v Speaker 2>I don't know what you call it, la because I

0:20:56.760 --> 0:20:57.600
<v Speaker 2>want to use y'all words.

0:20:58.920 --> 0:21:09.840
<v Speaker 6>What okay, Cisco, Cisco, you gave us beats.

0:21:09.840 --> 0:21:15.680
<v Speaker 2>Baby, let's make some noise and you got let's go.

0:21:15.840 --> 0:21:17.439
<v Speaker 6>I want you to keep it real with us what

0:21:18.720 --> 0:21:20.320
<v Speaker 6>we've seen you. You had to fight the other day,

0:21:20.359 --> 0:21:21.679
<v Speaker 6>right well, Jacket Edge.

0:21:23.640 --> 0:21:24.720
<v Speaker 1>Ain't nobody no hand.

0:21:26.240 --> 0:21:31.480
<v Speaker 2>Okay, how much how much skirmish? Okay, let me just

0:21:31.520 --> 0:21:33.720
<v Speaker 2>ask you one question. Let me ask you one question.

0:21:34.600 --> 0:21:36.600
<v Speaker 2>How much pussy did you get off the thong songs?

0:21:39.119 --> 0:21:42.600
<v Speaker 16>I don't know if you were quantified and actual numbers

0:21:42.840 --> 0:21:46.159
<v Speaker 16>quantified and you ain't a d M back, so they

0:21:46.200 --> 0:21:47.440
<v Speaker 16>were sliding in your d ms.

0:21:47.440 --> 0:21:48.600
<v Speaker 2>They were your face.

0:21:50.800 --> 0:21:57.879
<v Speaker 13>What absolutely, man, they're still playing it is your publishing checks.

0:21:57.880 --> 0:21:58.280
<v Speaker 2>Crazy.

0:21:58.359 --> 0:22:09.920
<v Speaker 17>They're nice you really, man, I got a man.

0:22:10.000 --> 0:22:10.160
<v Speaker 4>Man.

0:22:10.440 --> 0:22:16.120
<v Speaker 6>That song was us like detrimental to you being existence like.

0:22:16.200 --> 0:22:17.359
<v Speaker 2>The solo artists.

0:22:17.720 --> 0:22:20.080
<v Speaker 1>We was already multi platinum before that.

0:22:20.160 --> 0:22:21.320
<v Speaker 2>When you got the bus on that you.

0:22:21.400 --> 0:22:22.480
<v Speaker 1>Was on the album I was on.

0:22:24.200 --> 0:22:26.280
<v Speaker 2>I came and performing. I came out late.

0:22:26.320 --> 0:22:27.800
<v Speaker 1>You remember that day. It came up too late.

0:22:27.840 --> 0:22:29.600
<v Speaker 2>Your niggas was killing. It's so crazy. I was just

0:22:29.600 --> 0:22:31.280
<v Speaker 2>still being there and watched it. You know what I'm

0:22:31.320 --> 0:22:32.320
<v Speaker 2>saying that when you.

0:22:34.080 --> 0:22:36.800
<v Speaker 1>Yeah, well, yeah, that was the That was.

0:22:37.480 --> 0:22:43.440
<v Speaker 6>Baltimore niggas, the your niggas, the niggas.

0:22:45.720 --> 0:22:46.159
<v Speaker 2>I grew up.

0:22:46.200 --> 0:22:49.280
<v Speaker 6>I grew up right in the middle of all cracking,

0:22:49.320 --> 0:22:52.000
<v Speaker 6>all crack selling.

0:22:54.920 --> 0:22:58.080
<v Speaker 9>I'm trying to sell that when we used to be

0:22:58.160 --> 0:22:58.920
<v Speaker 9>HEARDing my house.

0:22:59.240 --> 0:23:01.480
<v Speaker 13>We went off the us come from school and I'd

0:23:01.480 --> 0:23:03.199
<v Speaker 13>be like, yo, y'all just got shut the fun up.

0:23:03.520 --> 0:23:05.880
<v Speaker 2>They're gonna y'all up, y'all, y'all get in the house.

0:23:05.920 --> 0:23:06.120
<v Speaker 1>Listen.

0:23:06.240 --> 0:23:07.879
<v Speaker 6>At one point, New York niggas used to go to

0:23:07.920 --> 0:23:10.960
<v Speaker 6>Baltimore and try to get money, and here was the park,

0:23:11.040 --> 0:23:12.240
<v Speaker 6>but it was not a crack ads of that.

0:23:12.200 --> 0:23:13.880
<v Speaker 2>Park at one point. I don't know if y'all cleaned

0:23:13.960 --> 0:23:15.600
<v Speaker 2>up now, no, no, I mean you.

0:23:15.560 --> 0:23:17.600
<v Speaker 6>Know, so when y'all caught yourself, tell you see that

0:23:18.320 --> 0:23:21.360
<v Speaker 6>these niggas is hood niggas, and the people never heard

0:23:21.400 --> 0:23:21.760
<v Speaker 6>of jewel.

0:23:21.960 --> 0:23:22.680
<v Speaker 1>They don't know that.

0:23:22.760 --> 0:23:25.159
<v Speaker 18>Every every time you see that red that red house

0:23:25.320 --> 0:23:27.960
<v Speaker 18>on the corner that was on the wire, that was

0:23:28.119 --> 0:23:29.520
<v Speaker 18>right next to my grandmother be house.

0:23:29.560 --> 0:23:31.960
<v Speaker 1>So we get residual checks every time.

0:23:32.359 --> 0:23:33.840
<v Speaker 2>Serving drugs and.

0:23:35.520 --> 0:23:35.760
<v Speaker 1>I did.

0:23:35.840 --> 0:23:38.080
<v Speaker 2>I didn't exactly what happen with Jagged Edge. What happened.

0:23:38.119 --> 0:23:42.440
<v Speaker 9>Let's get to the point rankings.

0:23:43.200 --> 0:23:50.399
<v Speaker 2>We just drinking and.

0:23:47.400 --> 0:23:48.159
<v Speaker 1>I don't know that we.

0:23:50.880 --> 0:23:56.600
<v Speaker 6>Your boys, No, no, no, yeah, yo, let's get to

0:23:56.640 --> 0:24:00.760
<v Speaker 6>you so you know what, you know what I'm jack.

0:24:03.560 --> 0:24:14.240
<v Speaker 6>I don't even give them money.

0:24:16.320 --> 0:24:18.320
<v Speaker 1>I walked the way unscathed.

0:24:20.800 --> 0:24:22.080
<v Speaker 2>Because me had a fight.

0:24:26.440 --> 0:24:32.879
<v Speaker 6>I wanted for sure were now now yeah, y'all, now, yeah, y'all.

0:24:33.400 --> 0:24:35.560
<v Speaker 2>He talked about Drew Harris, But how many people will

0:24:35.600 --> 0:24:38.960
<v Speaker 2>y'all beat up at units that got the offices I

0:24:39.000 --> 0:24:43.000
<v Speaker 2>heard about y'all. Yeah, the South side of Man. We

0:24:43.080 --> 0:24:45.119
<v Speaker 2>do got a list. Yeah, yeah, you got a list.

0:24:45.960 --> 0:24:48.240
<v Speaker 2>Being down with fifty is not like being down with

0:24:48.400 --> 0:24:50.040
<v Speaker 2>like like Leo Colmbs.

0:24:51.240 --> 0:24:53.960
<v Speaker 10>Yeah, it's not one of them fifty one to be

0:24:54.160 --> 0:24:59.480
<v Speaker 10>fifty like, I can'tfirm. I can't take nothing away from

0:24:59.480 --> 0:25:02.720
<v Speaker 10>fifty time he put niggas in position. You know what

0:25:02.760 --> 0:25:05.719
<v Speaker 10>I'm saying, Like I mean, like I said, being in

0:25:05.720 --> 0:25:10.320
<v Speaker 10>the studio with doctor Dre, guys like these guys legends, snoop.

0:25:10.480 --> 0:25:11.160
<v Speaker 5>You know what I'm saying.

0:25:11.160 --> 0:25:13.760
<v Speaker 2>It was always a dream to me, Like I reached

0:25:13.760 --> 0:25:15.360
<v Speaker 2>my dream in hip hop.

0:25:15.200 --> 0:25:18.200
<v Speaker 1>Already, you know what I call it. Like I'll be

0:25:18.280 --> 0:25:20.200
<v Speaker 1>telling people, man, I reached the pinnacle rap.

0:25:20.320 --> 0:25:21.360
<v Speaker 2>That's what I'm trying to take.

0:25:21.440 --> 0:25:22.159
<v Speaker 1>That's what I'm telling you.

0:25:22.400 --> 0:25:26.000
<v Speaker 10>So everybody, Yeah, once you in the studio with niggas

0:25:26.040 --> 0:25:28.320
<v Speaker 10>like this and like and Dre, you wopped on a

0:25:28.359 --> 0:25:31.639
<v Speaker 10>drake beat before. Yes, I've been in the studio for

0:25:31.680 --> 0:25:33.919
<v Speaker 10>the whole get Rich Trump, I like sucks right now.

0:25:39.000 --> 0:25:39.359
<v Speaker 13>I get.

0:25:42.800 --> 0:25:45.600
<v Speaker 10>It was crazy for me because I don't know if

0:25:45.640 --> 0:25:47.760
<v Speaker 10>they witnessed this in the studio, but Drake used to

0:25:47.760 --> 0:25:49.440
<v Speaker 10>make fifty cent line.

0:25:49.240 --> 0:25:54.320
<v Speaker 6>Like fifty times fifty times corrupted like this, and it

0:25:54.480 --> 0:25:55.320
<v Speaker 6>was just amazing to.

0:25:56.800 --> 0:26:00.439
<v Speaker 9>Right that you lay the whole rap right, You'll be

0:26:00.520 --> 0:26:03.320
<v Speaker 9>like yeah, doctor, be like yeah, that's banging right there.

0:26:04.000 --> 0:26:07.199
<v Speaker 9>But I want you to say what like yeah, like

0:26:08.560 --> 0:26:14.120
<v Speaker 9>what right? Okay that line doctor Dre, I'm gonna read

0:26:14.160 --> 0:26:15.000
<v Speaker 9>that line, got dry?

0:26:15.280 --> 0:26:22.600
<v Speaker 10>No, just do the whole verse over over the studio again.

0:26:22.720 --> 0:26:25.959
<v Speaker 10>I remember when when fifty was doing Mini Men and

0:26:26.040 --> 0:26:29.960
<v Speaker 10>em Andill, he did the Footsteps and he knew what

0:26:30.119 --> 0:26:32.680
<v Speaker 10>movie the Footsteps came from, and that was just amazing

0:26:32.680 --> 0:26:34.520
<v Speaker 10>for me, Like he knew like.

0:26:34.440 --> 0:26:37.919
<v Speaker 2>The Footsteps like this. It was this amazing ship to

0:26:37.960 --> 0:26:39.760
<v Speaker 2>me to be in the studio with these guys.

0:26:40.280 --> 0:26:44.520
<v Speaker 10>So like I hit my point, Madison Square, Garden, Parish,

0:26:44.760 --> 0:26:48.880
<v Speaker 10>du Bay, Africa. I've been everywhere in the world. I've

0:26:48.920 --> 0:26:51.280
<v Speaker 10>been around all the legends. Like I don't know, man,

0:26:51.359 --> 0:26:51.680
<v Speaker 10>I just.

0:26:51.680 --> 0:26:56.320
<v Speaker 2>I'm gonna be honest guys, like legends, I'm gonna be honest.

0:26:56.040 --> 0:27:00.960
<v Speaker 9>Guys and every crew. There's that one nigga everybody roll with.

0:27:01.080 --> 0:27:02.600
<v Speaker 9>It's just that hood nigga.

0:27:03.200 --> 0:27:05.879
<v Speaker 1>Just roll with him. You love him. The depth Bo Tang,

0:27:06.000 --> 0:27:09.480
<v Speaker 1>you got Ray Kwan and you got Ghost That's right O.

0:27:09.760 --> 0:27:11.640
<v Speaker 1>D B G Unit.

0:27:11.800 --> 0:27:20.320
<v Speaker 6>You had Tony cud Yeah, Tony holding it down.

0:27:22.000 --> 0:27:25.080
<v Speaker 9>Me and my son was doing this all yeah, you

0:27:25.160 --> 0:27:26.639
<v Speaker 9>gonna dance that.

0:27:28.400 --> 0:27:30.720
<v Speaker 2>He was like, you don't seen the bitch of ship.

0:27:30.720 --> 0:27:33.879
<v Speaker 2>You know John seen in the wrestling he does this.

0:27:34.000 --> 0:27:39.280
<v Speaker 2>You know you.

0:27:41.560 --> 0:27:46.480
<v Speaker 10>Want some money, you can keep that gut.

0:27:49.119 --> 0:27:53.120
<v Speaker 2>Kevin the Kevin low Side ya because he from Baltimore.

0:27:53.600 --> 0:27:56.920
<v Speaker 13>Kevin and Kevin Kevin was Kevin came later on and

0:27:57.320 --> 0:28:01.440
<v Speaker 13>like Kevin, like when they when everything's started going corporate.

0:28:01.040 --> 0:28:03.679
<v Speaker 1>And like Island Black music disappeared.

0:28:03.200 --> 0:28:04.679
<v Speaker 2>You know, they came, let'scoop this up.

0:28:05.040 --> 0:28:08.080
<v Speaker 13>Like right after we did the Rush Hour soundtrack, and I.

0:28:08.160 --> 0:28:10.040
<v Speaker 2>Was like it was going to Rush Out soundtrack too.

0:28:10.080 --> 0:28:12.800
<v Speaker 1>I think that first one.

0:28:12.440 --> 0:28:18.720
<v Speaker 2>Jam was cuting checks back. When we get the rush

0:28:18.760 --> 0:28:20.160
<v Speaker 2>Out soundtrack, we.

0:28:20.119 --> 0:28:22.719
<v Speaker 1>Get the rush Our soundtrack. At the time, we had

0:28:22.760 --> 0:28:26.760
<v Speaker 1>gotten paid more than any other artists had ever been

0:28:26.800 --> 0:28:28.560
<v Speaker 1>on soundtrack before.

0:28:29.040 --> 0:28:31.680
<v Speaker 2>They forced the Hong Kong to shoot the video.

0:28:32.720 --> 0:28:32.880
<v Speaker 1>Now.

0:28:32.920 --> 0:28:36.520
<v Speaker 6>Listen, I gotta ask everybody this question. This is gonna

0:28:36.560 --> 0:28:38.320
<v Speaker 6>I'm We're gonna start with you. Yeah, Yo, We're gonna

0:28:38.320 --> 0:28:40.840
<v Speaker 6>go all around. All of us has been independent, all

0:28:40.880 --> 0:28:41.880
<v Speaker 6>of us has been major.

0:28:42.320 --> 0:28:43.240
<v Speaker 2>What do you prefer?

0:28:44.920 --> 0:28:47.000
<v Speaker 10>I mean, I feel like when you're on a major,

0:28:47.080 --> 0:28:48.680
<v Speaker 10>like when we had in the school, we had the

0:28:48.720 --> 0:28:53.440
<v Speaker 10>Red Corfee, we had MTV, a lot of people working

0:28:53.480 --> 0:28:55.600
<v Speaker 10>for you, and I feel like when you're go independent,

0:28:55.640 --> 0:28:58.520
<v Speaker 10>it's just like a lot of more legworks, a lot

0:28:58.600 --> 0:28:59.200
<v Speaker 10>more to do.

0:29:00.000 --> 0:29:01.880
<v Speaker 1>You know what I'm saying, y'all don't like more.

0:29:05.360 --> 0:29:07.680
<v Speaker 10>It's crazy. I like independent money, but I like the

0:29:08.000 --> 0:29:13.080
<v Speaker 10>major promotion. Agreed, Man, I like independent?

0:29:13.120 --> 0:29:14.280
<v Speaker 2>Man, you like independent.

0:29:14.320 --> 0:29:16.040
<v Speaker 1>It's like the game. I mean, you know what I'm saying.

0:29:16.640 --> 0:29:21.800
<v Speaker 7>I go take twenty five dollars, press me up five thousand, CD,

0:29:22.440 --> 0:29:23.600
<v Speaker 7>may me fifty thousand.

0:29:24.160 --> 0:29:24.800
<v Speaker 1>You know what I'm saying.

0:29:24.840 --> 0:29:28.040
<v Speaker 7>So the orders coming in thirty forty thousand, I go

0:29:28.200 --> 0:29:30.240
<v Speaker 7>press that up ninety days later.

0:29:31.160 --> 0:29:32.800
<v Speaker 1>I want the money, man, Fuck the fact.

0:29:33.360 --> 0:29:36.800
<v Speaker 7>I'm right Bentley, you know it's everything, man, It's a

0:29:36.880 --> 0:29:40.200
<v Speaker 7>great experience. Plus I own it all right. You know

0:29:40.360 --> 0:29:43.680
<v Speaker 7>all three thousand records you did albums that I got,

0:29:43.760 --> 0:29:44.400
<v Speaker 7>you know what I'm saying.

0:29:44.440 --> 0:29:47.960
<v Speaker 19>And you're producing it too. So that's but you write

0:29:48.000 --> 0:29:49.640
<v Speaker 19>your own ship. You gotta look at this. You get

0:29:49.640 --> 0:29:52.440
<v Speaker 19>to check for the CD, you get to check for

0:29:52.520 --> 0:29:54.680
<v Speaker 19>the digital. Now this is the other part of the game.

0:29:54.720 --> 0:29:59.320
<v Speaker 19>That dog gotta close registered to song. Now you're getting

0:29:59.720 --> 0:30:02.600
<v Speaker 19>right and publishing four chicks.

0:30:02.800 --> 0:30:06.960
<v Speaker 2>Lookout, smart dads. Now he's he's four.

0:30:06.880 --> 0:30:11.239
<v Speaker 7>Chick Now the fifth check yeah, sound exchange.

0:30:12.160 --> 0:30:16.520
<v Speaker 2>He's a hang with you.

0:30:17.080 --> 0:30:21.160
<v Speaker 6>Don't get a lighting Now. Now I'm ask you all

0:30:21.160 --> 0:30:23.680
<v Speaker 6>as a collective force, what do you like better?

0:30:25.320 --> 0:30:32.000
<v Speaker 13>Well, but I mean, like honestly me, like like I

0:30:32.040 --> 0:30:34.360
<v Speaker 13>got a different opinion about it because you know, I

0:30:34.440 --> 0:30:36.600
<v Speaker 13>went inside for like eight years and like there and

0:30:37.320 --> 0:30:39.280
<v Speaker 13>like work in the monster for real.

0:30:39.360 --> 0:30:41.640
<v Speaker 1>So it's like as an artist, once you get.

0:30:41.520 --> 0:30:43.200
<v Speaker 13>To see that side of it, it kind of like

0:30:43.320 --> 0:30:46.120
<v Speaker 13>taints you for real because you're like sitting there like, yo.

0:30:46.120 --> 0:30:47.920
<v Speaker 1>Y'all are telling me this bullshit the whole time.

0:30:48.080 --> 0:30:49.880
<v Speaker 2>Enough, this what this ship really means for real?

0:30:50.480 --> 0:30:54.280
<v Speaker 13>So you know, I mean, it's a grind, but you know,

0:30:54.400 --> 0:30:56.280
<v Speaker 13>like it was saying, like to know you owned it

0:30:56.320 --> 0:30:59.800
<v Speaker 13>all and especially like for us because we performing every week, so.

0:30:59.680 --> 0:31:01.560
<v Speaker 2>It's like we're out there in front of the people.

0:31:01.880 --> 0:31:04.440
<v Speaker 13>So it's like, you know you want that promotion and

0:31:04.480 --> 0:31:06.240
<v Speaker 13>you kind of you know, you miss it at first,

0:31:06.480 --> 0:31:08.760
<v Speaker 13>but it's like, man, we've been doing it for twenty years,

0:31:08.760 --> 0:31:11.440
<v Speaker 13>so it's like, how fucked up is it that now

0:31:11.480 --> 0:31:12.080
<v Speaker 13>you got.

0:31:11.920 --> 0:31:13.560
<v Speaker 2>A different answer? You look like you want to say something.

0:31:16.440 --> 0:31:17.240
<v Speaker 2>Your face is different.

0:31:18.640 --> 0:31:20.400
<v Speaker 1>I'm new, you know what I'm saying. For real?

0:31:20.480 --> 0:31:22.440
<v Speaker 20>So like when I got in, it was it was

0:31:23.360 --> 0:31:25.200
<v Speaker 20>it's already an independent thing, you know what I mean.

0:31:25.240 --> 0:31:27.680
<v Speaker 20>So I really don't know about the Majors, but you

0:31:27.720 --> 0:31:30.680
<v Speaker 20>know what I'm saying, I'm the new guy Andrew Hill now,

0:31:31.000 --> 0:31:32.720
<v Speaker 20>and like you said, so it's just three of y'all

0:31:32.720 --> 0:31:34.080
<v Speaker 20>knows around here.

0:31:34.520 --> 0:31:34.760
<v Speaker 1>I don't know.

0:31:34.840 --> 0:31:39.160
<v Speaker 2>Okay, corrupt, you're done, corrupt? What are you like more?

0:31:39.640 --> 0:31:44.480
<v Speaker 9>I'm fucking with the majors, man, you know what I'm saying.

0:31:44.480 --> 0:31:47.680
<v Speaker 9>The Majors make you that brand. That brand is the money.

0:31:47.800 --> 0:31:51.520
<v Speaker 9>Fucked the album and fuck the bullshit. The brand is

0:31:51.520 --> 0:31:54.280
<v Speaker 9>the money because even after the Majors, my nigga, I'll

0:31:54.320 --> 0:31:58.240
<v Speaker 9>eat forever off that brand, you understand me. So my

0:31:58.320 --> 0:32:01.440
<v Speaker 9>KEYD is just here because Steve entirely told Dog and

0:32:01.480 --> 0:32:03.480
<v Speaker 9>all of us. You know that's the problem with you

0:32:03.600 --> 0:32:06.720
<v Speaker 9>rap guys. You fucking don't understand. This is fucking rock

0:32:06.760 --> 0:32:10.120
<v Speaker 9>and roll. Jack, you understand me. We get paid a

0:32:10.160 --> 0:32:13.800
<v Speaker 9>million point five a show, So while the majors is

0:32:13.880 --> 0:32:18.360
<v Speaker 9>making their money off our album, we triple that in

0:32:18.520 --> 0:32:21.640
<v Speaker 9>one year what they made off that album. Now they

0:32:21.680 --> 0:32:24.920
<v Speaker 9>do these three sixties. But we gotta deal with no

0:32:25.080 --> 0:32:27.560
<v Speaker 9>three sixty. All our show money is ours, all our

0:32:27.600 --> 0:32:31.360
<v Speaker 9>merchandise is ours. Everything we do is ours away from

0:32:31.440 --> 0:32:34.200
<v Speaker 9>the album. So yeah, when they get that money from

0:32:34.280 --> 0:32:36.760
<v Speaker 9>the album, got it, they gotta.

0:32:36.520 --> 0:32:38.360
<v Speaker 2>Break it down on so many pieces.

0:32:38.960 --> 0:32:41.080
<v Speaker 9>I think they all getting rich like that, but they

0:32:41.080 --> 0:32:43.360
<v Speaker 9>break it down and so many pieces between what that

0:32:43.480 --> 0:32:46.200
<v Speaker 9>company is about. Bro, and you get your little piece.

0:32:46.560 --> 0:32:50.800
<v Speaker 9>But at the end of the day, you toring who

0:32:50.880 --> 0:32:54.000
<v Speaker 9>was it? It was Mick Jacker, he said. Man, the

0:32:54.000 --> 0:32:56.440
<v Speaker 9>record label's be begging us to make an album.

0:32:56.520 --> 0:33:00.400
<v Speaker 1>Nigga, We don't make an album for five years. Nigga fucked, Nigga.

0:33:00.440 --> 0:33:02.320
<v Speaker 2>We torn eight months out the year.

0:33:03.000 --> 0:33:06.160
<v Speaker 9>See, I got eight months at a million point five

0:33:06.480 --> 0:33:10.320
<v Speaker 9>a gig two million a gig money and were torn

0:33:10.480 --> 0:33:12.440
<v Speaker 9>over eight to ten months.

0:33:12.080 --> 0:33:14.560
<v Speaker 2>Out of beef with nobody, no beat.

0:33:14.600 --> 0:33:19.360
<v Speaker 1>Nobody, and and then and then, and then.

0:33:19.320 --> 0:33:22.280
<v Speaker 9>And then that's not mentioning their their their you know,

0:33:22.360 --> 0:33:25.760
<v Speaker 9>the merchandise. That's not mentioning the people that's paying them

0:33:25.760 --> 0:33:26.960
<v Speaker 9>to do these commercials and.

0:33:26.880 --> 0:33:34.160
<v Speaker 2>That all that that's money. A million point five in

0:33:34.280 --> 0:33:34.760
<v Speaker 2>one week.

0:33:35.040 --> 0:33:41.720
<v Speaker 18>Okay, okay, because what because I recorded my album myself

0:33:42.280 --> 0:33:44.720
<v Speaker 18>and sold the bash job, so a lot of people

0:33:44.840 --> 0:33:46.800
<v Speaker 18>know that throng song all that was under my label,

0:33:47.560 --> 0:33:50.040
<v Speaker 18>that was shot, So you know, that was a lot

0:33:50.040 --> 0:33:50.840
<v Speaker 18>of the controversy.

0:33:50.880 --> 0:33:58.360
<v Speaker 2>Eleven million, let's make a lot of money.

0:33:58.520 --> 0:34:01.160
<v Speaker 16>But but yeah, I mean because you know, with with

0:34:01.160 --> 0:34:03.520
<v Speaker 16>with the with the guys, we learned. We came right

0:34:03.560 --> 0:34:05.680
<v Speaker 16>out of high school into the industry, so we learned

0:34:05.720 --> 0:34:10.200
<v Speaker 16>a lot of hard lessons. And you know, I came

0:34:10.440 --> 0:34:13.160
<v Speaker 16>to death Jay basically my whole project with.

0:34:13.200 --> 0:34:16.359
<v Speaker 1>That exception and maybe one one or two songs.

0:34:17.719 --> 0:34:18.879
<v Speaker 2>Components.

0:34:20.080 --> 0:34:23.960
<v Speaker 6>What what do you like more independent or major?

0:34:24.920 --> 0:34:27.960
<v Speaker 2>I mean I came up in the nineties, so you know,

0:34:28.160 --> 0:34:29.759
<v Speaker 2>you gotta realize.

0:34:29.239 --> 0:34:31.680
<v Speaker 13>That in that in that era of music, the label

0:34:31.840 --> 0:34:35.920
<v Speaker 13>was the machine. Right when you're dealing with a machine,

0:34:35.920 --> 0:34:37.719
<v Speaker 13>you're dealing with somebody that you know, that's going.

0:34:37.640 --> 0:34:40.200
<v Speaker 2>To back you, that's going spend three.

0:34:40.480 --> 0:34:43.080
<v Speaker 1>A lot of people ain't never seen a million dollar

0:34:43.200 --> 0:34:44.000
<v Speaker 1>bunch of video.

0:34:44.120 --> 0:34:45.920
<v Speaker 2>You know what I'm saying, Let's keep it real, dance

0:34:46.000 --> 0:34:47.799
<v Speaker 2>you seeing it, Corrupt.

0:34:47.560 --> 0:34:49.640
<v Speaker 1>They don't really cost a million, but they charge.

0:34:49.400 --> 0:34:54.400
<v Speaker 2>You ass a million because he signed mister childs in

0:34:56.520 --> 0:34:58.080
<v Speaker 2>right right, we know what I'm doing.

0:34:58.840 --> 0:35:05.839
<v Speaker 9>But but now you can make that same million dollar

0:35:06.000 --> 0:35:07.640
<v Speaker 9>video for twenty days.

0:35:08.520 --> 0:35:09.080
<v Speaker 1>Less than that.

0:35:11.400 --> 0:35:13.640
<v Speaker 6>Right now, Corrupt, you have one of the most classic

0:35:14.000 --> 0:35:15.520
<v Speaker 6>Vlad interviews ever.

0:35:17.520 --> 0:35:23.839
<v Speaker 2>That was classic. You don't remember what was going on there? Yeah,

0:35:24.040 --> 0:35:26.680
<v Speaker 2>you just you just you just fased out, Corrupt. We

0:35:26.800 --> 0:35:27.120
<v Speaker 2>loved it.

0:35:27.280 --> 0:35:27.800
<v Speaker 1>We loved it.

0:35:28.239 --> 0:35:29.960
<v Speaker 21>You were like you were like, you were like, we

0:35:30.040 --> 0:35:33.200
<v Speaker 21>don't want your blocks cause we got We love that.

0:35:34.080 --> 0:35:34.680
<v Speaker 1>We love that.

0:35:35.000 --> 0:35:37.600
<v Speaker 9>What happened You're saying, guy, you know I love New

0:35:37.680 --> 0:35:40.680
<v Speaker 9>York cause you know, the bullshit gotta stop.

0:35:41.000 --> 0:35:43.759
<v Speaker 1>We gotta stop that. We love New York and knows

0:35:43.800 --> 0:35:45.480
<v Speaker 1>it and New York love. And it was on my

0:35:45.560 --> 0:35:48.080
<v Speaker 1>little nigga's head, man, it was on my little nigga

0:35:48.160 --> 0:35:50.920
<v Speaker 1>Kendrick head because and it's just it's enough enough.

0:35:50.960 --> 0:35:53.719
<v Speaker 2>It was a big misunderstanding and when Blad bought it up.

0:35:54.960 --> 0:35:57.560
<v Speaker 9>You know that kind of pitched me off, cause don't

0:35:57.719 --> 0:36:00.359
<v Speaker 9>ask me that you already know what that is. We loved,

0:36:00.680 --> 0:36:02.680
<v Speaker 9>We hit the button, and I gave him money.

0:36:03.320 --> 0:36:04.600
<v Speaker 2>This makes no noise corrupt.

0:36:26.880 --> 0:36:28.680
<v Speaker 3>I gotta take I gotta take the time out. We

0:36:28.800 --> 0:36:32.080
<v Speaker 3>got CNN and dog Pound here, that's right. I'm about

0:36:32.160 --> 0:36:35.160
<v Speaker 3>fucking DJ here. I gotta ask the question that everybody

0:36:35.239 --> 0:36:38.520
<v Speaker 3>wanted to know back in the day when CNN did

0:36:38.600 --> 0:36:39.719
<v Speaker 3>the l A l A joint?

0:36:41.280 --> 0:36:44.080
<v Speaker 2>What what was going on in your heads when that happened?

0:36:44.880 --> 0:36:47.400
<v Speaker 1>It was all't doing all the kind of ship you

0:36:47.480 --> 0:36:50.480
<v Speaker 1>know what I'm saying. We just knew you know it?

0:36:50.719 --> 0:36:51.399
<v Speaker 1>It was hip hop?

0:36:52.200 --> 0:36:53.600
<v Speaker 2>Did y'all take it personal or not?

0:36:53.800 --> 0:36:53.960
<v Speaker 4>Really?

0:36:54.080 --> 0:36:55.000
<v Speaker 1>It was all bad.

0:37:01.719 --> 0:37:07.759
<v Speaker 2>That I got a story. I got a story, right,

0:37:09.200 --> 0:37:12.040
<v Speaker 2>l A that came out l A l A. I

0:37:12.120 --> 0:37:13.600
<v Speaker 2>came out right, And then you.

0:37:13.640 --> 0:37:16.000
<v Speaker 1>Know, trying to figure out which one is the nigga

0:37:16.080 --> 0:37:17.080
<v Speaker 1>men put in the truck.

0:37:22.760 --> 0:37:25.080
<v Speaker 2>So we go to l A and they're like, yo,

0:37:25.120 --> 0:37:27.160
<v Speaker 2>you gotta go to the radio station. So I'm like cool,

0:37:27.480 --> 0:37:29.960
<v Speaker 2>but they're like, you gotta come by yourself. So like

0:37:30.320 --> 0:37:32.440
<v Speaker 2>a brain nigga in l A, I L A right,

0:37:32.760 --> 0:37:34.120
<v Speaker 2>but this, this is how I know the niggas is

0:37:34.200 --> 0:37:34.720
<v Speaker 2>real niggas.

0:37:34.760 --> 0:37:34.920
<v Speaker 1>Though.

0:37:35.320 --> 0:37:38.839
<v Speaker 2>So I'm in l A's you snoop dance, come up

0:37:38.880 --> 0:37:41.720
<v Speaker 2>all your niggas. I woke in the studio. I'm like, oh, ship,

0:37:45.960 --> 0:37:48.600
<v Speaker 2>I was like oh. I was like the radio station

0:37:48.719 --> 0:37:50.640
<v Speaker 2>told me I had to come up you in jail, nigga.

0:37:50.760 --> 0:37:53.399
<v Speaker 2>He's looking at me like I remember that list.

0:37:54.160 --> 0:37:56.120
<v Speaker 6>But that was the crazy ship. That's I knew they

0:37:56.200 --> 0:37:58.320
<v Speaker 6>was real niggas. They weren't tripping on you know what

0:37:58.320 --> 0:38:00.160
<v Speaker 6>I'm saying, like you know what I mean? Like that

0:38:00.360 --> 0:38:02.040
<v Speaker 6>and another I gotta ask you yea yo, you know

0:38:02.080 --> 0:38:03.799
<v Speaker 6>with all that, and we're talking about the West Coast.

0:38:04.000 --> 0:38:06.040
<v Speaker 6>He's cause y'all had Game on your on your team.

0:38:06.040 --> 0:38:08.360
<v Speaker 6>I thought y'all was the most powerful when Game was

0:38:08.400 --> 0:38:09.080
<v Speaker 6>a part of y'all.

0:38:09.440 --> 0:38:09.680
<v Speaker 1>Y'all.

0:38:11.680 --> 0:38:13.160
<v Speaker 2>I still felt like that with.

0:38:13.280 --> 0:38:14.759
<v Speaker 1>The game situation, like.

0:38:16.320 --> 0:38:19.920
<v Speaker 10>I never really understood it because I came home from

0:38:20.040 --> 0:38:21.600
<v Speaker 10>jail and I just felt blessed, you.

0:38:21.640 --> 0:38:22.200
<v Speaker 1>Know what I'm saying.

0:38:22.280 --> 0:38:26.239
<v Speaker 10>I came home, I had a condo on Battery Park.

0:38:26.360 --> 0:38:27.960
<v Speaker 10>I can see the Statue of Liberty.

0:38:28.120 --> 0:38:28.359
<v Speaker 1>Damn.

0:38:28.760 --> 0:38:30.440
<v Speaker 11>You know what I'm coming from.

0:38:30.520 --> 0:38:33.040
<v Speaker 2>Rancas Allen that it was like.

0:38:35.040 --> 0:38:35.480
<v Speaker 1>My nigga.

0:38:35.640 --> 0:38:38.759
<v Speaker 10>Game, you my nigga, but you my nigga. I never

0:38:38.960 --> 0:38:41.200
<v Speaker 10>I didn't understand the rap game, you know what I'm saying.

0:38:41.280 --> 0:38:45.359
<v Speaker 10>But I felt like Game had Henchman in his ear

0:38:46.719 --> 0:38:49.640
<v Speaker 10>at that time. Since I hear you, glacious, please, I

0:38:49.719 --> 0:38:52.080
<v Speaker 10>feel like he had Henchman in his ear at that time.

0:38:52.520 --> 0:38:55.560
<v Speaker 2>I felt like it was just bad blood from then,

0:38:55.760 --> 0:38:58.160
<v Speaker 2>Like I feel like Henchman was putting ship because Hitchman

0:38:58.320 --> 0:39:00.160
<v Speaker 2>was like a guy that y'all ain't really messing. I

0:39:00.200 --> 0:39:01.320
<v Speaker 2>didn't understand.

0:39:02.920 --> 0:39:02.960
<v Speaker 16>This.

0:39:04.120 --> 0:39:05.320
<v Speaker 1>I'm gonna keep it on hunting with you.

0:39:05.400 --> 0:39:07.880
<v Speaker 2>This is why they understand it. Game was a nigga

0:39:07.920 --> 0:39:08.399
<v Speaker 2>from La.

0:39:08.840 --> 0:39:11.319
<v Speaker 10>Henchman was a nigga that supposedly set a pop from

0:39:11.360 --> 0:39:14.560
<v Speaker 10>New York. I didn't understand it, you know what I'm saying.

0:39:14.719 --> 0:39:17.400
<v Speaker 5>Like I just didn't get it, you know what I mean.

0:39:17.600 --> 0:39:21.200
<v Speaker 10>Fifty was a nigga in position. He gave games some records,

0:39:21.239 --> 0:39:22.719
<v Speaker 10>you know what I'm saying. And I heard this is

0:39:22.800 --> 0:39:25.719
<v Speaker 10>how we do all these records before they came out.

0:39:26.080 --> 0:39:29.600
<v Speaker 10>I'm just a loyal nigger, Like I feel like it's

0:39:29.640 --> 0:39:32.120
<v Speaker 10>a team. Game used to call my phone, you know,

0:39:32.160 --> 0:39:34.160
<v Speaker 10>what I'm saying, like, Yo, I need you on this record.

0:39:34.200 --> 0:39:36.520
<v Speaker 10>If you know this game first album. Who's the only

0:39:36.640 --> 0:39:39.880
<v Speaker 10>nigga from June that's on games album? I'm running toy

0:39:40.000 --> 0:39:43.760
<v Speaker 10>yo indeed, right, So it was never really a problem

0:39:43.880 --> 0:39:44.799
<v Speaker 10>with the game.

0:39:45.560 --> 0:39:45.880
<v Speaker 12>You know what.

0:39:46.000 --> 0:39:48.279
<v Speaker 2>I felt like, niggas kind of probably went wrong with

0:39:48.360 --> 0:39:48.719
<v Speaker 2>the game.

0:39:48.880 --> 0:39:51.800
<v Speaker 10>His man God blessed that his man Billboard got smoked

0:39:52.280 --> 0:39:53.560
<v Speaker 10>and he wanted niggas to come to.

0:39:53.600 --> 0:39:56.719
<v Speaker 2>The funeral when niggas was busy doing all kind of shit.

0:39:56.960 --> 0:39:58.520
<v Speaker 10>I don't know if niggas got in his ear. I

0:39:58.560 --> 0:40:01.520
<v Speaker 10>don't know if it's the Hansman ship. You know what

0:40:01.560 --> 0:40:02.000
<v Speaker 10>I'm saying.

0:40:02.120 --> 0:40:04.360
<v Speaker 2>But I just never understood.

0:40:04.360 --> 0:40:06.080
<v Speaker 6>But in your heart, did you ever want to like,

0:40:06.160 --> 0:40:07.640
<v Speaker 6>you know what I'm saying, Like, try to put that

0:40:07.719 --> 0:40:09.440
<v Speaker 6>together because at the end of the day, you're a

0:40:09.520 --> 0:40:10.080
<v Speaker 6>general g.

0:40:10.520 --> 0:40:11.840
<v Speaker 2>I'm just a loyal nigga.

0:40:11.920 --> 0:40:14.360
<v Speaker 10>You can stand what I'm saying. All the politics in

0:40:14.440 --> 0:40:16.920
<v Speaker 10>the rap game, I never understood. I just was a

0:40:17.000 --> 0:40:19.440
<v Speaker 10>nigga that came home. I used to sell drugs on

0:40:19.480 --> 0:40:21.080
<v Speaker 10>one three, four thirty.

0:40:21.160 --> 0:40:27.120
<v Speaker 2>Nigga, God Bro, I saw drugs in one seven. You

0:40:27.200 --> 0:40:29.480
<v Speaker 2>know what I mean? You know what I'm saying.

0:40:29.680 --> 0:40:33.279
<v Speaker 10>So coming home, like I said, from rikers Allen to

0:40:33.480 --> 0:40:36.360
<v Speaker 10>Battery Park, it was big for me and I always

0:40:36.400 --> 0:40:39.759
<v Speaker 10>respect fifty to fifty bought Bentleys for me. Banks then

0:40:39.840 --> 0:40:41.600
<v Speaker 10>can't seeing me, you know what I'm saying.

0:40:41.440 --> 0:40:47.400
<v Speaker 6>Because on the banks, the Banks, Banks drama, like you

0:40:47.719 --> 0:40:50.000
<v Speaker 6>have something to do with help putting that back together, right.

0:40:50.520 --> 0:40:53.880
<v Speaker 2>I mean, I feel like Banks is always going to

0:40:53.920 --> 0:40:54.400
<v Speaker 2>be my nigga.

0:40:54.640 --> 0:40:54.839
<v Speaker 4>Banks.

0:40:54.880 --> 0:40:57.600
<v Speaker 6>I'm saying Banks, I mean Buck, I mean Bucky, I

0:40:57.680 --> 0:40:59.600
<v Speaker 6>was not Banks. I'm sorry, I'm sorry.

0:40:59.640 --> 0:41:02.160
<v Speaker 10>I mean niggas is man. Niggas gonna always argue. If

0:41:02.280 --> 0:41:04.000
<v Speaker 10>niggas don't argue, that something's wrong.

0:41:04.120 --> 0:41:07.319
<v Speaker 11>Man, you know what I'm saying.

0:41:07.480 --> 0:41:09.280
<v Speaker 2>So it's like niggas gonna all your niggas.

0:41:09.400 --> 0:41:13.239
<v Speaker 10>It's the game. People's watching every move you made. Everybody

0:41:13.320 --> 0:41:16.000
<v Speaker 10>got you know, something to say, you know what I'm saying.

0:41:16.080 --> 0:41:18.560
<v Speaker 10>But like as for them niggas, man, I love anybody. Man,

0:41:18.680 --> 0:41:23.680
<v Speaker 10>Let's make some noise, say yeah you loving it, shill

0:41:23.760 --> 0:41:26.040
<v Speaker 10>about lawyers, about loyalty.

0:41:26.360 --> 0:41:28.359
<v Speaker 2>I came home to a lot.

0:41:28.440 --> 0:41:31.000
<v Speaker 10>That's why I'm always gonna expect fifth no matter what

0:41:31.200 --> 0:41:33.360
<v Speaker 10>we go through or Banks or Funk or anybody.

0:41:33.400 --> 0:41:34.960
<v Speaker 1>I'm always gonna expect real niggas.

0:41:35.000 --> 0:41:37.440
<v Speaker 2>I came up right, I came home to a good situation.

0:41:37.600 --> 0:41:40.080
<v Speaker 10>Like I said, I don't been to Paris. I've been

0:41:40.200 --> 0:41:43.160
<v Speaker 10>to Dubai. I've been in the studio with Trade. I've

0:41:43.200 --> 0:41:46.800
<v Speaker 10>been in the studio with M fifty. Like I'm straight,

0:41:46.920 --> 0:41:49.600
<v Speaker 10>like I for hip hop. I'm good. I could be

0:41:49.680 --> 0:41:50.919
<v Speaker 10>dead and going tomorrow.

0:41:50.600 --> 0:41:51.560
<v Speaker 5>And they just be like, damn.

0:41:52.040 --> 0:41:54.120
<v Speaker 10>You know what I'm saying. I've been through a lot.

0:41:54.320 --> 0:41:56.920
<v Speaker 10>I survived a lot. You know what I'm saying, Like

0:41:57.080 --> 0:41:58.759
<v Speaker 10>rest of Peace of Cheks. You see a nigga like

0:41:58.840 --> 0:42:02.160
<v Speaker 10>Chinks that really didn't even have too many beefs and

0:42:02.560 --> 0:42:03.399
<v Speaker 10>got tooken out.

0:42:04.440 --> 0:42:06.680
<v Speaker 2>Because when you're a rapp up, you a fucking target.

0:42:06.800 --> 0:42:09.600
<v Speaker 2>But you know what I'm saying, right you?

0:42:09.880 --> 0:42:11.160
<v Speaker 1>You you know what I mean.

0:42:11.160 --> 0:42:13.279
<v Speaker 5>You're getting bitches, you're getting money, You're doing your thing.

0:42:13.360 --> 0:42:13.879
<v Speaker 5>You know what I'm saying.

0:42:13.920 --> 0:42:16.040
<v Speaker 10>When you a rap up, you a target. You know

0:42:16.040 --> 0:42:19.640
<v Speaker 10>what I'm saying. I've been the fifty Since he was

0:42:19.680 --> 0:42:21.440
<v Speaker 10>on the tour, A lot of people don't know. Like

0:42:21.960 --> 0:42:24.320
<v Speaker 10>I was on the Nostra Damas tour. I remember that,

0:42:24.719 --> 0:42:29.560
<v Speaker 10>Remember remember that Nas was a nigga like Queen's Bridge,

0:42:29.640 --> 0:42:32.080
<v Speaker 10>the whole y'all niggas like me, Fifty.

0:42:34.320 --> 0:42:34.960
<v Speaker 1>I looked up to that.

0:42:35.080 --> 0:42:37.160
<v Speaker 2>I remember when fifty was in the Columbia system.

0:42:37.680 --> 0:42:40.560
<v Speaker 10>I'm about all the work and I just always respected

0:42:40.640 --> 0:42:42.239
<v Speaker 10>that and respected what niggas did.

0:42:42.520 --> 0:42:44.440
<v Speaker 2>Like, like I said, I was on tour with Nas

0:42:45.080 --> 0:42:46.799
<v Speaker 2>Nostra Damas tour. That's hard.

0:42:49.200 --> 0:42:52.080
<v Speaker 5>Them niggas ain't know who I was. I wasn't nobody nigga.

0:42:52.120 --> 0:43:01.080
<v Speaker 10>I'm just you know, nigga.

0:43:01.320 --> 0:43:02.560
<v Speaker 1>That was just chilling.

0:43:04.680 --> 0:43:04.919
<v Speaker 19>Story.

0:43:05.520 --> 0:43:06.840
<v Speaker 2>Let's get you that story. Let's get.

0:43:08.239 --> 0:43:11.520
<v Speaker 5>I'm on to tour with Nles right, so you know

0:43:11.640 --> 0:43:13.640
<v Speaker 5>how you know Fifty had a bitch whatever.

0:43:14.760 --> 0:43:16.840
<v Speaker 2>I'm the nigga that's left in the lobby, you know,

0:43:16.960 --> 0:43:17.319
<v Speaker 2>I'm just.

0:43:20.360 --> 0:43:24.200
<v Speaker 10>I got the Mavado with the one diamond in the top,

0:43:24.320 --> 0:43:29.000
<v Speaker 10>the Movado that pre and and Liggas gave fifty for

0:43:29.200 --> 0:43:29.960
<v Speaker 10>jo Rue Chain.

0:43:31.560 --> 0:43:34.040
<v Speaker 2>You under you know what I'm saying, Like I'm not

0:43:34.200 --> 0:43:36.600
<v Speaker 2>trying to like like for real, that's what I'm saying.

0:43:36.640 --> 0:43:39.080
<v Speaker 10>Fifty is a real nigga. Like it's a real situation.

0:43:40.000 --> 0:43:42.279
<v Speaker 10>You know what I'm saying. Like that day and it

0:43:42.360 --> 0:43:44.640
<v Speaker 10>hit factor was like I said again them niggas could

0:43:44.680 --> 0:43:48.120
<v Speaker 10>have got smoked because niggas had the forty five a

0:43:48.320 --> 0:43:51.040
<v Speaker 10>CP with no safety nigga, and it was in the

0:43:51.120 --> 0:43:53.759
<v Speaker 10>room with Tony Pope. But they producing niggas, you know

0:43:53.800 --> 0:43:55.200
<v Speaker 10>what I mean. They ain't gonna open the door if

0:43:55.200 --> 0:43:56.080
<v Speaker 10>they hear some drama.

0:43:56.480 --> 0:43:57.120
<v Speaker 11>You know what I'm saying.

0:43:57.200 --> 0:43:59.399
<v Speaker 2>But if that gun was in this in that room,

0:43:59.520 --> 0:44:01.160
<v Speaker 2>it would have been a totally different.

0:44:02.040 --> 0:44:04.719
<v Speaker 6>Hold on because Jack keep whispering in my ear, Drew

0:44:04.800 --> 0:44:07.680
<v Speaker 6>Hall gotta go right, But he also whispered in my

0:44:07.800 --> 0:44:10.520
<v Speaker 6>ear that no kilt your baby.

0:44:10.560 --> 0:44:14.520
<v Speaker 2>Mama's Angie Martinez, how did that happens?

0:44:21.800 --> 0:44:22.080
<v Speaker 4>It's a.

0:44:24.120 --> 0:44:25.240
<v Speaker 2>Jackets, a jack.

0:44:30.760 --> 0:44:31.040
<v Speaker 11>Winter.

0:44:31.280 --> 0:44:32.680
<v Speaker 2>You had the manage your game.

0:44:33.880 --> 0:44:36.040
<v Speaker 1>What he was doing when you heard these.

0:44:36.000 --> 0:44:39.480
<v Speaker 13>Night just niggas staying trying to get me talk about

0:44:39.840 --> 0:44:43.640
<v Speaker 13>that situation, saying this.

0:44:44.880 --> 0:44:47.880
<v Speaker 1>We had a beautiful son. Let's get ready to.

0:44:49.440 --> 0:44:57.120
<v Speaker 2>You know what, teenager teenager this week and that's it. God,

0:44:57.200 --> 0:45:01.640
<v Speaker 2>God bless you. Hold on, well, hold up before Drew

0:45:01.680 --> 0:45:04.680
<v Speaker 2>Hill leave. This is dj E f N.

0:45:04.719 --> 0:45:08.280
<v Speaker 3>We only we we won Mike Short tonight and Cisco,

0:45:08.680 --> 0:45:10.920
<v Speaker 3>I just got you here. I gotta take the opportunity

0:45:10.960 --> 0:45:14.440
<v Speaker 3>to say this. I had a classic I'm a mixtape

0:45:14.480 --> 0:45:18.399
<v Speaker 3>DJ from Miami. Classic freestyle was at the Thong song

0:45:18.440 --> 0:45:20.239
<v Speaker 3>I think Remix, Met the Man and Red Man were

0:45:20.280 --> 0:45:21.480
<v Speaker 3>there South Beach.

0:45:22.040 --> 0:45:23.360
<v Speaker 2>That makes sense alright.

0:45:23.800 --> 0:45:26.040
<v Speaker 3>Red Man gave me the Ellis freestyle ever on one

0:45:26.080 --> 0:45:28.000
<v Speaker 3>of my mixtapes right there because I worked for Death

0:45:28.040 --> 0:45:30.640
<v Speaker 3>Jam at the time. And then on the flip side

0:45:31.120 --> 0:45:35.560
<v Speaker 3>Mike's girlfriend their debut music video gig At Your Ship and.

0:45:37.000 --> 0:46:04.920
<v Speaker 2>The story, I had to say that you you know what, Hey,

0:46:04.960 --> 0:46:05.840
<v Speaker 2>he was a work.

0:46:08.040 --> 0:46:08.799
<v Speaker 19>You know what, man?

0:46:10.320 --> 0:46:12.920
<v Speaker 1>I got to get back to this Antie Martinez.

0:46:18.600 --> 0:46:21.600
<v Speaker 14>Man, I'm like, what tip and I'm cracking Anti Martinez.

0:46:26.719 --> 0:46:29.640
<v Speaker 14>Good job, y'allah?

0:46:32.000 --> 0:46:32.800
<v Speaker 1>You understand what me?

0:46:33.239 --> 0:46:38.040
<v Speaker 6>That's my friend Anie and guess my friends right, that's

0:46:38.080 --> 0:46:38.560
<v Speaker 6>my nigga.

0:46:38.560 --> 0:46:41.800
<v Speaker 15>If you play, I'm doing the questioning. I don't know

0:46:41.840 --> 0:46:44.480
<v Speaker 15>what I got pulled into it, but I got pulled

0:46:44.520 --> 0:46:48.040
<v Speaker 15>into a man play and Anti plays no game. That's

0:46:48.080 --> 0:46:48.840
<v Speaker 15>why I can't.

0:46:50.360 --> 0:46:50.920
<v Speaker 1>Understand this.

0:46:51.520 --> 0:46:54.279
<v Speaker 2>He crashed away and no game.

0:46:54.560 --> 0:47:01.280
<v Speaker 9>Jack Jack, you don't like nobody, Trus have heard everybody?

0:47:03.680 --> 0:47:07.800
<v Speaker 3>Yeah, yeah, yeah, yeah, I love me.

0:47:07.920 --> 0:47:16.880
<v Speaker 6>Why let's say let's listen, let's get it, let's get

0:47:16.960 --> 0:47:19.920
<v Speaker 6>back together. Now what was hold on, hold on, now,

0:47:19.960 --> 0:47:21.640
<v Speaker 6>what was your favorite years of death Row?

0:47:23.480 --> 0:47:25.879
<v Speaker 2>You know what's crazy today? You know what's crazy today.

0:47:25.920 --> 0:47:28.880
<v Speaker 6>I watched You'll perform right, and I heard y'all perform

0:47:28.960 --> 0:47:30.160
<v Speaker 6>a record from ninety four.

0:47:31.440 --> 0:47:34.840
<v Speaker 2>Ninety four. I was in jail, So that means to

0:47:34.960 --> 0:47:37.319
<v Speaker 2>tell me, come on, y'all, it's caught down.

0:47:37.400 --> 0:47:39.480
<v Speaker 6>So that means to tell me that in ninety four,

0:47:39.560 --> 0:47:42.080
<v Speaker 6>when I was in jail, your niggas already had classics.

0:47:42.640 --> 0:47:46.280
<v Speaker 2>So what's your favorite year at death Row? When everything

0:47:46.440 --> 0:47:46.799
<v Speaker 2>was right?

0:47:47.120 --> 0:47:50.920
<v Speaker 1>Every one of them up until ninety six? That's where

0:47:50.960 --> 0:47:51.279
<v Speaker 1>it ended.

0:47:51.440 --> 0:47:52.919
<v Speaker 2>I came out of jail ninety six.

0:47:53.080 --> 0:47:54.600
<v Speaker 1>This is true. Let me get a photo.

0:47:54.680 --> 0:47:56.960
<v Speaker 2>Oh come on, listen. It in the middle of the podcast,

0:47:57.160 --> 0:48:00.160
<v Speaker 2>right in the middle of the all standing up do

0:48:00.320 --> 0:48:02.640
<v Speaker 2>and we edited. I say, my niece is to do it.

0:48:02.800 --> 0:48:03.479
<v Speaker 2>It's my niece.

0:48:03.600 --> 0:48:03.879
<v Speaker 3>Is bad?

0:48:07.440 --> 0:48:08.040
<v Speaker 2>You anything?

0:48:08.200 --> 0:48:15.239
<v Speaker 22>Y'all come and participating show Yet this is a moment

0:48:15.400 --> 0:48:18.239
<v Speaker 22>right now, it's the moment you got me.

0:48:19.120 --> 0:48:23.080
<v Speaker 11>You get out of her, I do.

0:48:23.200 --> 0:48:29.000
<v Speaker 2>That was Jack bros In the Pandora. He look.

0:48:31.239 --> 0:48:36.200
<v Speaker 3>Over this, dr you got the good came drank the

0:48:36.280 --> 0:48:38.320
<v Speaker 3>white less, ain't got the white less?

0:48:38.920 --> 0:48:39.600
<v Speaker 1>You ready.

0:48:43.600 --> 0:48:44.120
<v Speaker 2>That's what's up.

0:48:44.239 --> 0:48:45.120
<v Speaker 1>Did you get in from?

0:48:48.280 --> 0:48:48.440
<v Speaker 3>Yeah?

0:48:51.120 --> 0:48:56.520
<v Speaker 2>Well so now the most popping talk so now Tony, yeah,

0:48:56.560 --> 0:49:00.680
<v Speaker 2>y'all yo, my brother, great saying you my brother, Thank

0:49:00.719 --> 0:49:01.759
<v Speaker 2>y'all for coming to man.

0:49:02.040 --> 0:49:02.479
<v Speaker 1>Thank you'all.

0:49:02.520 --> 0:49:04.520
<v Speaker 2>Really appreciate that, says Cisco.

0:49:04.600 --> 0:49:06.279
<v Speaker 1>I really appreciate. Thank you.

0:49:08.760 --> 0:49:14.839
<v Speaker 21>Yeah yeah that yeah, yeah, we gotta do it. We're

0:49:14.880 --> 0:49:20.480
<v Speaker 21>gonna do another one, another one. So now okay we're

0:49:20.560 --> 0:49:24.160
<v Speaker 21>leaving all this this, this, this, remember one. How you

0:49:24.239 --> 0:49:25.240
<v Speaker 21>relieve all this stuff?

0:49:26.520 --> 0:49:29.800
<v Speaker 6>If you know why the bet I like you your

0:49:29.840 --> 0:49:35.000
<v Speaker 6>horn duty, your horn duty, this horn talk about so.

0:49:35.080 --> 0:49:39.920
<v Speaker 2>Now so now yeah yo, y'all had Olivia on.

0:49:42.080 --> 0:49:42.320
<v Speaker 12>To you.

0:49:43.280 --> 0:49:44.520
<v Speaker 1>How was it working with Olivia?

0:49:44.760 --> 0:49:49.239
<v Speaker 3>Thank you guys, Yeah, Olivia was It was cool corn

0:49:49.360 --> 0:49:51.200
<v Speaker 3>you guys court coming.

0:49:52.320 --> 0:49:52.880
<v Speaker 2>Yeah, let's get it.

0:49:52.960 --> 0:49:53.360
<v Speaker 1>I love this.

0:49:53.480 --> 0:49:53.840
<v Speaker 3>I love you.

0:49:54.440 --> 0:49:56.600
<v Speaker 2>Got the guest helping out, We got the guests helping up.

0:49:56.880 --> 0:50:00.200
<v Speaker 6>You brought up some other ships like yeah, yeah you yeah,

0:50:00.200 --> 0:50:01.080
<v Speaker 6>we're bigging up Olivia.

0:50:01.120 --> 0:50:02.160
<v Speaker 1>You tell me Olivia.

0:50:02.800 --> 0:50:07.560
<v Speaker 2>It was always cool. But they had an option.

0:50:07.800 --> 0:50:08.200
<v Speaker 5>I don't know.

0:50:08.480 --> 0:50:10.840
<v Speaker 2>I heard there was an option between Keisha Cole and

0:50:10.920 --> 0:50:12.560
<v Speaker 2>Olivia's gonna sign.

0:50:12.880 --> 0:50:13.279
<v Speaker 11>I don't know.

0:50:13.600 --> 0:50:16.439
<v Speaker 2>It was locked up. Yeah, fucked up, but I like Keisha,

0:50:17.080 --> 0:50:17.719
<v Speaker 2>Yeah fucked up.

0:50:19.920 --> 0:50:20.520
<v Speaker 11>The option.

0:50:23.160 --> 0:50:25.960
<v Speaker 2>Was Wow, that's great.

0:50:26.040 --> 0:50:26.920
<v Speaker 1>That put me up right there.

0:50:26.960 --> 0:50:28.520
<v Speaker 2>It's a lot of ship and ship I've seen it

0:50:28.560 --> 0:50:30.919
<v Speaker 2>hip hop like I mean, like I remember.

0:50:32.280 --> 0:50:34.279
<v Speaker 10>My first time when he's in Atlanta and all this

0:50:34.280 --> 0:50:36.399
<v Speaker 10>ship happened with yall rule fifty punch ya rule.

0:50:37.000 --> 0:50:46.080
<v Speaker 2>Keep going back to you on that job. I don't

0:50:46.120 --> 0:50:48.760
<v Speaker 2>have to be drown remember Lud Christmas the radio nigga,

0:50:48.840 --> 0:50:51.000
<v Speaker 2>Chris Love Love, he was Chris Love Chris Level, and

0:50:51.040 --> 0:50:52.960
<v Speaker 2>I've seen him blow. So you just like never know

0:50:53.040 --> 0:50:54.160
<v Speaker 2>what you're gonna see in the game.

0:50:54.719 --> 0:50:57.520
<v Speaker 10>Experienced a lot like seeing a lot, like I said,

0:50:57.560 --> 0:51:01.520
<v Speaker 10>being on tour withs fucking the experiences.

0:51:01.040 --> 0:51:02.240
<v Speaker 2>In the studios.

0:51:02.320 --> 0:51:04.279
<v Speaker 6>Because y'all said your favorite years of death Row was

0:51:04.320 --> 0:51:06.520
<v Speaker 6>every year up until ninety six, So what was your

0:51:06.520 --> 0:51:07.600
<v Speaker 6>favorite years at g on it?

0:51:09.160 --> 0:51:11.680
<v Speaker 2>I would say coming home, the free, coming home, you know,

0:51:11.840 --> 0:51:12.279
<v Speaker 2>being on right.

0:51:12.320 --> 0:51:14.880
<v Speaker 6>Because now Capone used, I'm sorry, I want you to

0:51:14.880 --> 0:51:16.279
<v Speaker 6>get in this store because people are telling me I

0:51:16.360 --> 0:51:16.960
<v Speaker 6>cut people off.

0:51:17.400 --> 0:51:19.880
<v Speaker 2>But Capone used, I just came coming home.

0:51:19.760 --> 0:51:22.040
<v Speaker 6>For like four years, right. He was like every time

0:51:22.160 --> 0:51:23.680
<v Speaker 6>somebody said yo, you know, he was like I'm just

0:51:23.800 --> 0:51:24.160
<v Speaker 6>coming home.

0:51:24.239 --> 0:51:25.000
<v Speaker 2>He's like, you gotta do it.

0:51:27.000 --> 0:51:29.520
<v Speaker 10>But when he came home and y'all seeing the report

0:51:30.080 --> 0:51:33.080
<v Speaker 10>and you know, the jail phone calls, that's like the.

0:51:33.120 --> 0:51:35.160
<v Speaker 1>Quwamega with now you know what I mean?

0:51:35.360 --> 0:51:38.880
<v Speaker 10>Like you study, Like who's this nigga? Like I'm a

0:51:38.920 --> 0:51:40.640
<v Speaker 10>nigga that study hip hop? You know what I'm saying,

0:51:40.719 --> 0:51:43.719
<v Speaker 10>Like I'm not just a nigga, regular rat nigga.

0:51:43.719 --> 0:51:44.239
<v Speaker 5>You know what I'm saying.

0:51:44.360 --> 0:51:46.480
<v Speaker 2>I was in the basement recipes for my nigga fet

0:51:46.520 --> 0:51:48.000
<v Speaker 2>shot and listening like.

0:51:48.080 --> 0:51:53.000
<v Speaker 10>This from the guy being the CNN pound to fucking

0:51:54.320 --> 0:51:55.640
<v Speaker 10>you know what I mean, I'm at me.

0:51:56.000 --> 0:52:01.040
<v Speaker 2>Like now now the dog clowns.

0:52:02.840 --> 0:52:05.600
<v Speaker 6>I seen the second song when y'all performed. The second

0:52:05.680 --> 0:52:08.200
<v Speaker 6>song that y'all gave love to is Nate Dogg. Oh yes,

0:52:08.920 --> 0:52:12.200
<v Speaker 6>And for me, I looked at the youngs around the crowd,

0:52:13.040 --> 0:52:15.120
<v Speaker 6>and I noticed a lot of young people didn't know

0:52:15.320 --> 0:52:17.719
<v Speaker 6>this song. But for y'all to come out and that

0:52:17.840 --> 0:52:20.560
<v Speaker 6>was your second song, y'all gave love to Nate Dogg.

0:52:20.800 --> 0:52:23.080
<v Speaker 6>How important is that because Nate dog If it was

0:52:23.120 --> 0:52:26.400
<v Speaker 6>for Nate Dogg, in my my opinion, we wouldn't have

0:52:26.440 --> 0:52:29.760
<v Speaker 6>a future, we wouldn't have a t pain. We wouldn't

0:52:29.800 --> 0:52:35.040
<v Speaker 6>have you name them Jack Dollar signs. No Jack, you

0:52:35.080 --> 0:52:38.640
<v Speaker 6>ain't come in at.

0:52:40.080 --> 0:52:43.640
<v Speaker 2>But how was it? How was it working? Look with

0:52:44.080 --> 0:52:47.400
<v Speaker 2>the original because that's the first, like he's the first rapper.

0:52:47.320 --> 0:52:50.600
<v Speaker 1>Singer we grew up on robbery.

0:52:52.280 --> 0:53:01.239
<v Speaker 2>Nate was doing this Sun Nake Dog, Let's make some

0:53:01.320 --> 0:53:08.920
<v Speaker 2>boys and the sod. He was a good he's a

0:53:09.000 --> 0:53:11.440
<v Speaker 2>long beat to oh Wow Wow.

0:53:13.680 --> 0:53:15.359
<v Speaker 1>Roder. But he had the hooks though.

0:53:15.719 --> 0:53:18.239
<v Speaker 9>We was at death Row right, uh huh, we were

0:53:18.320 --> 0:53:22.440
<v Speaker 9>going to death Row and y'all from with y'all man

0:53:22.480 --> 0:53:26.640
<v Speaker 9>they didn't have He was with Dog okay, with Snoop,

0:53:27.120 --> 0:53:32.640
<v Speaker 9>Nate and g J and uh you know, we didn't

0:53:32.640 --> 0:53:34.799
<v Speaker 9>have to worry about nothing because dadd and Nate they

0:53:34.920 --> 0:53:35.880
<v Speaker 9>always had the heaters.

0:53:36.719 --> 0:53:42.520
<v Speaker 2>You know, we didn't forced us always couldn't get body.

0:53:47.160 --> 0:53:50.879
<v Speaker 1>Don't even think don't even think about singing wow.

0:53:51.239 --> 0:53:54.920
<v Speaker 9>When we was in Oakland and motherfuckers ain't have me

0:53:55.040 --> 0:53:59.760
<v Speaker 9>and Dad's money and ate with us. So d Shot

0:54:00.360 --> 0:54:05.080
<v Speaker 9>picked this up, said come on, we're gonna go. We

0:54:05.200 --> 0:54:10.440
<v Speaker 9>went to the East Mountain Mall and Nate he got

0:54:10.640 --> 0:54:14.840
<v Speaker 9>d shot showing an abandoned mall right, and D Shot

0:54:14.920 --> 0:54:22.120
<v Speaker 9>did like you did. And d Shot Shot did with

0:54:22.440 --> 0:54:24.279
<v Speaker 9>d Shot did with us what you did with me,

0:54:24.320 --> 0:54:26.280
<v Speaker 9>because you know, nor he dropped me off that nickel

0:54:28.000 --> 0:54:31.920
<v Speaker 9>to take care of yourself, myself ship. But that's what

0:54:32.080 --> 0:54:33.800
<v Speaker 9>the shot did. He was like, here, man, take this

0:54:33.960 --> 0:54:35.960
<v Speaker 9>and take this. So dadd and they had to eat it.

0:54:36.239 --> 0:54:38.120
<v Speaker 1>And we had to take the promoter in the back

0:54:38.680 --> 0:54:39.359
<v Speaker 1>count this ship.

0:54:39.760 --> 0:54:41.960
<v Speaker 2>Wow walking down the stairs and the lights went on.

0:54:42.640 --> 0:54:43.279
<v Speaker 1>Turned the light off.

0:54:44.560 --> 0:54:47.440
<v Speaker 9>You know, somebody, we ain't doing that, motherfucker light turned

0:54:48.320 --> 0:54:52.520
<v Speaker 9>Dad was like, so you know every time man Nate

0:54:53.120 --> 0:54:55.400
<v Speaker 9>Nate wasn't just the crooner or single man.

0:54:55.480 --> 0:54:56.279
<v Speaker 1>Nate was man.

0:54:56.400 --> 0:54:57.680
<v Speaker 2>Nate was pulling licks.

0:54:58.120 --> 0:54:59.160
<v Speaker 1>Nate was man.

0:54:59.239 --> 0:55:08.160
<v Speaker 2>They was a b raised the big man. You're not now, Jack,

0:55:08.440 --> 0:55:14.080
<v Speaker 2>I'm sorry you do not look like that time was

0:55:14.120 --> 0:55:15.839
<v Speaker 2>in New York. They do with you at that time

0:55:15.880 --> 0:55:17.560
<v Speaker 2>when I had the barbecue, I moved it to the

0:55:17.600 --> 0:55:19.640
<v Speaker 2>I had it in the hood and then I moved

0:55:19.680 --> 0:55:23.080
<v Speaker 2>into the creer. Was Nate you over RBS and Nate right?

0:55:23.440 --> 0:55:25.160
<v Speaker 2>I believe so, man, you remember that.

0:55:26.960 --> 0:55:28.680
<v Speaker 1>Yeah, we got so many started.

0:55:29.120 --> 0:55:31.960
<v Speaker 2>Yeah, man, you know, man, I love you.

0:55:32.080 --> 0:55:32.239
<v Speaker 3>Man.

0:55:32.320 --> 0:55:36.960
<v Speaker 2>You know what I'm saying, just the great day you listen.

0:55:37.040 --> 0:55:39.560
<v Speaker 6>Man, I love y'all for participating in this crazy ship

0:55:39.680 --> 0:55:43.120
<v Speaker 6>because you can see we're the most unprofessional professional podcast

0:55:43.239 --> 0:55:46.880
<v Speaker 6>because we're unprofessional because it's it's about fifty five motherfuckers

0:55:46.920 --> 0:55:47.960
<v Speaker 6>in here that wasn't invited.

0:55:48.280 --> 0:55:50.680
<v Speaker 2>And then it's professional because we're not kicking them out.

0:55:50.920 --> 0:55:52.719
<v Speaker 2>We're just telling them just not to talk in the side.

0:55:52.800 --> 0:55:53.200
<v Speaker 2>Let's make some.

0:55:56.280 --> 0:55:58.080
<v Speaker 9>But you know what I'm gonna tell you like this,

0:55:58.680 --> 0:56:02.080
<v Speaker 9>it's really crazy, is that it's a lot of people

0:56:02.600 --> 0:56:05.120
<v Speaker 9>who me and Delmar and homies, me and Daddy and

0:56:05.160 --> 0:56:07.080
<v Speaker 9>all of us had issues.

0:56:06.800 --> 0:56:07.280
<v Speaker 1>Like del.

0:56:14.320 --> 0:56:18.600
<v Speaker 2>If that's okay with you know what, I want to

0:56:18.640 --> 0:56:19.200
<v Speaker 2>get to this point.

0:56:19.239 --> 0:56:21.320
<v Speaker 1>I want to get to this point where I want.

0:56:21.200 --> 0:56:26.640
<v Speaker 9>To say, please, you know, it's crazy that through the

0:56:26.880 --> 0:56:30.120
<v Speaker 9>history of hip hop, because we are historic, all of

0:56:30.239 --> 0:56:33.360
<v Speaker 9>us being together right now, and the thing is that

0:56:33.840 --> 0:56:35.440
<v Speaker 9>a lot of the people that me and del Mar

0:56:35.560 --> 0:56:39.040
<v Speaker 9>had issues with and that all of us had had

0:56:39.160 --> 0:56:39.880
<v Speaker 9>issues with us.

0:56:40.480 --> 0:56:43.000
<v Speaker 1>All the people that had issues a lot of them

0:56:43.080 --> 0:56:47.480
<v Speaker 1>is my best friends right now, Like like, you know

0:56:47.520 --> 0:56:48.440
<v Speaker 1>what the crazy shit is.

0:56:48.560 --> 0:56:52.239
<v Speaker 6>Every time anybody ever talk about like the La New York,

0:56:52.280 --> 0:56:54.359
<v Speaker 6>I feel like that is the closest niggas I got

0:56:54.440 --> 0:56:58.120
<v Speaker 6>on the West Coast and that's crazy. That's really right there,

0:56:58.239 --> 0:57:00.279
<v Speaker 6>like all these year but I want you to finish story.

0:57:00.640 --> 0:57:03.960
<v Speaker 2>Tell me people, lazy Bone, you know what I'm saying.

0:57:04.040 --> 0:57:07.000
<v Speaker 1>That's one of my best friends. Yeah, back the records

0:57:07.040 --> 0:57:08.160
<v Speaker 1>of death bro Oh.

0:57:08.200 --> 0:57:14.320
<v Speaker 2>Yeah, I can't forget that. Oh that's round for real.

0:57:14.680 --> 0:57:18.880
<v Speaker 1>Right because that's one of my best friends to this day.

0:57:18.960 --> 0:57:22.360
<v Speaker 2>Wow, easy, I and Dre was you know what I'm saying.

0:57:22.840 --> 0:57:26.000
<v Speaker 1>I attracted with DMX, me and dmxic you know always.

0:57:26.040 --> 0:57:27.920
<v Speaker 2>I heard you see DMX the other day at the airport.

0:57:28.080 --> 0:57:29.720
<v Speaker 2>I was drinking. I got to drop on you.

0:57:29.920 --> 0:57:30.960
<v Speaker 1>Yeah, I smashed everything.

0:57:31.520 --> 0:57:34.800
<v Speaker 2>Yeah, yeah, you want to get into that.

0:57:35.320 --> 0:57:36.760
<v Speaker 1>I want some of that that champagne.

0:57:37.480 --> 0:57:37.640
<v Speaker 16>You know.

0:57:37.840 --> 0:57:41.439
<v Speaker 10>It's it's just because can I be an honorary Crypt today?

0:57:41.640 --> 0:57:44.600
<v Speaker 6>I'm gonna just keep saying the whole episode, I'm going

0:57:44.680 --> 0:57:45.600
<v Speaker 6>to be an honorary Crypt.

0:57:45.640 --> 0:57:46.520
<v Speaker 1>Just dip into the track.

0:57:49.320 --> 0:57:54.760
<v Speaker 9>But you know, it's crazy Prodigy, that's one of my friends,

0:57:55.320 --> 0:57:56.160
<v Speaker 9>you know what I'm saying.

0:57:56.600 --> 0:57:59.040
<v Speaker 1>And Havoc it's just crazy.

0:57:59.600 --> 0:58:02.000
<v Speaker 9>But that in the record though, forget I'm just saying,

0:58:02.080 --> 0:58:05.360
<v Speaker 9>though it's crazy because you know all of these different

0:58:05.440 --> 0:58:07.640
<v Speaker 9>people who the issues with.

0:58:09.680 --> 0:58:13.200
<v Speaker 1>My best friends nowadaymn that good old fashioned.

0:58:12.920 --> 0:58:15.280
<v Speaker 2>Shine, that movie shine, Give me some of that moons that.

0:58:17.000 --> 0:58:17.200
<v Speaker 3>Yeah.

0:58:17.280 --> 0:58:19.800
<v Speaker 9>Man, they're good friends of mine right now to this day. Man,

0:58:19.840 --> 0:58:21.560
<v Speaker 9>you know what I'm saying, and that's just cracking man.

0:58:21.800 --> 0:58:25.160
<v Speaker 9>Best friends actually, you know what I'm saying. And feel

0:58:25.200 --> 0:58:28.120
<v Speaker 9>like hip hop always been competitions.

0:58:30.680 --> 0:58:34.160
<v Speaker 1>Happened, But that's what he is.

0:58:34.440 --> 0:58:37.880
<v Speaker 2>Make some noise for Drew. Hell no, we had three bottles.

0:58:37.960 --> 0:58:43.560
<v Speaker 2>It's only two now I'm about to say, Drew hild

0:58:43.560 --> 0:58:45.080
<v Speaker 2>the tuned out buzz against.

0:58:47.080 --> 0:58:53.080
<v Speaker 10>Always been called Skris one busy for that, you know

0:58:53.120 --> 0:58:53.480
<v Speaker 10>what I mean.

0:58:54.000 --> 0:58:56.680
<v Speaker 2>So it's like, all right, before that, way before that.

0:58:56.760 --> 0:58:58.440
<v Speaker 10>You know, you don't never want to see somebody get

0:58:58.520 --> 0:58:59.880
<v Speaker 10>killed in hip hop, you know what I'm saying. You

0:59:00.040 --> 0:59:02.360
<v Speaker 10>never want to see people get shot or go to balance,

0:59:02.400 --> 0:59:04.600
<v Speaker 10>you know what I'm saying. Right, But but your shot

0:59:04.680 --> 0:59:05.880
<v Speaker 10>niggas I winna staff, This.

0:59:07.520 --> 0:59:07.840
<v Speaker 1>Is true.

0:59:07.960 --> 0:59:08.680
<v Speaker 2>I shot somebody.

0:59:08.840 --> 0:59:21.960
<v Speaker 6>I think you under seven, y'all. Y you know what, nothing,

0:59:22.240 --> 0:59:26.400
<v Speaker 6>just let's make some nice bone bone being dope. Look,

0:59:26.400 --> 0:59:32.680
<v Speaker 6>look that's that's that's that's what you Mike white Browne

0:59:34.560 --> 0:59:36.440
<v Speaker 6>Did I gotta tell that nigga earlier I said, I

0:59:36.480 --> 0:59:37.840
<v Speaker 6>told him, I said, that's my brother.

0:59:38.440 --> 0:59:41.440
<v Speaker 10>Just start drinking white with brown. You never want to

0:59:41.480 --> 0:59:47.040
<v Speaker 10>see artist get You never want to see all to

0:59:47.120 --> 0:59:50.120
<v Speaker 10>get killed. Like recipe of che recipe of stacks. I'm

0:59:50.160 --> 0:59:51.520
<v Speaker 10>a friend, you know what I'm saying.

0:59:52.880 --> 0:59:55.640
<v Speaker 2>They used to talk. Look rest my man, Look, recipe

0:59:55.800 --> 0:59:57.160
<v Speaker 2>of freaky time. Freaky time.

0:59:57.560 --> 0:59:58.600
<v Speaker 1>Niggas big a.

0:59:58.600 --> 0:59:59.880
<v Speaker 2>Lot of niggas that die.

0:59:59.760 --> 1:00:01.280
<v Speaker 1>From un violence. You know what I'm saying.

1:00:01.360 --> 1:00:03.680
<v Speaker 10>Like I said, and being a rapper as a talking

1:00:03.800 --> 1:00:05.840
<v Speaker 10>you know what I'm saying. But at the end of

1:00:05.920 --> 1:00:09.480
<v Speaker 10>the day, like the hip hop I came on came

1:00:09.560 --> 1:00:13.480
<v Speaker 10>up to was like when Tupac did come out with

1:00:13.560 --> 1:00:17.640
<v Speaker 10>the Michael Belly ship and then Biggie came with whose

1:00:17.680 --> 1:00:18.440
<v Speaker 10>shot hip.

1:00:18.360 --> 1:00:20.640
<v Speaker 1>On the radio, It was just like.

1:00:23.240 --> 1:00:25.360
<v Speaker 2>What the you know what I mean?

1:00:25.880 --> 1:00:30.080
<v Speaker 10>Even when like when fifty like I look at fifty

1:00:30.160 --> 1:00:33.520
<v Speaker 10>career like jay Z distant, Okay.

1:00:33.360 --> 1:00:36.880
<v Speaker 2>I'm about a dollar with the fifty C and fifty

1:00:37.040 --> 1:00:43.120
<v Speaker 2>was a crazy nigga like, yeah, that's hard and we

1:00:43.240 --> 1:00:44.240
<v Speaker 2>need to inside story.

1:00:45.160 --> 1:00:50.240
<v Speaker 10>No, it's hippop what about because you know it just corrupt,

1:00:50.720 --> 1:00:57.880
<v Speaker 10>right corrupt fifty this corrupt never never to talk about it.

1:00:58.000 --> 1:00:58.600
<v Speaker 1>Don't know this.

1:01:00.760 --> 1:01:08.439
<v Speaker 10>Swiss how to roll hook. You gotta understand, young said.

1:01:09.600 --> 1:01:17.920
<v Speaker 10>Listen to young both you said, came back and.

1:01:18.000 --> 1:01:19.480
<v Speaker 1>Just see the thing.

1:01:21.040 --> 1:01:25.120
<v Speaker 9>But the thing is, see the West coast. In the West,

1:01:26.040 --> 1:01:28.760
<v Speaker 9>it's just different than New York. Right, we take ship

1:01:28.880 --> 1:01:33.240
<v Speaker 9>the heart, right, you know it's not a hip hop beef.

1:01:34.440 --> 1:01:43.919
<v Speaker 9>It's real, right, take the heart. I mean, but I'm

1:01:43.960 --> 1:01:46.200
<v Speaker 9>just saying, it's like, just like you said, it's a

1:01:46.320 --> 1:01:49.640
<v Speaker 9>competition in New York and certain things I haven't seen, right,

1:01:50.000 --> 1:01:55.640
<v Speaker 9>I've seen uh, motherfucking Ja Jigger and Nas in the

1:01:55.760 --> 1:02:00.520
<v Speaker 9>same club. They just smashed each other. They club kicking

1:02:00.600 --> 1:02:04.920
<v Speaker 9>it like they just came from a baby shower or

1:02:05.000 --> 1:02:05.479
<v Speaker 9>some ship.

1:02:05.680 --> 1:02:06.479
<v Speaker 1>You know what I'm saying.

1:02:06.840 --> 1:02:10.080
<v Speaker 2>But do you think it's you think that is because

1:02:10.120 --> 1:02:13.480
<v Speaker 2>a gang coach, Like, No, it's just it's just the house.

1:02:13.640 --> 1:02:15.640
<v Speaker 9>You know what I'm saying. This is just it's just

1:02:15.840 --> 1:02:18.320
<v Speaker 9>it's for real, you know what I'm saying. And uh,

1:02:18.640 --> 1:02:22.640
<v Speaker 9>you know when you go when you it's just not

1:02:22.960 --> 1:02:25.960
<v Speaker 9>a hip hop battle. When we say fuck you is

1:02:26.040 --> 1:02:28.640
<v Speaker 9>for real, you know what I'm saying. The nigga talking

1:02:28.800 --> 1:02:31.280
<v Speaker 9>ship about you. It's serious because it's like it's going

1:02:31.360 --> 1:02:34.440
<v Speaker 9>to end in a squabble. Bottom line, it's not going

1:02:34.520 --> 1:02:37.560
<v Speaker 9>to end and just rapping. It's like I don't like you.

1:02:38.640 --> 1:02:43.800
<v Speaker 1>I really do not like. This is not rapp when

1:02:43.800 --> 1:02:48.160
<v Speaker 1>I'm talking about fuck, it's very for real cause I

1:02:48.240 --> 1:02:49.000
<v Speaker 1>want to beat you up.

1:02:49.160 --> 1:02:50.720
<v Speaker 2>And we're so glad like that.

1:02:53.920 --> 1:02:57.320
<v Speaker 1>Like I keep telling you and everybody you know, you.

1:03:00.320 --> 1:03:02.960
<v Speaker 23>Just want to competitive spirit though. I look, I tell

1:03:03.040 --> 1:03:08.080
<v Speaker 23>my young it's never the artist, never the artist. I

1:03:08.160 --> 1:03:12.160
<v Speaker 23>tell my tell my youngsters, and I tell all my pupils. Right,

1:03:12.360 --> 1:03:14.800
<v Speaker 23>the nineties is dead, right, okay.

1:03:15.040 --> 1:03:17.320
<v Speaker 2>Right, the nineties is dead. But it's never the artist.

1:03:17.640 --> 1:03:22.040
<v Speaker 2>It's the entourage, the streets, it's the it's.

1:03:28.200 --> 1:03:28.840
<v Speaker 5>You know what I'm saying.

1:03:29.000 --> 1:03:31.800
<v Speaker 10>So it's not really the artist. But it depends on

1:03:31.880 --> 1:03:36.240
<v Speaker 10>what artists. Sometime it depends on who it is.

1:03:36.400 --> 1:03:40.400
<v Speaker 9>Everybody's everybody street, everybody's individual.

1:03:40.520 --> 1:03:42.000
<v Speaker 2>Of course, the artist wants.

1:03:43.360 --> 1:03:44.480
<v Speaker 5>We're all from the streets.

1:03:44.600 --> 1:03:47.560
<v Speaker 10>The artist wants to be the streets, the streets into

1:03:47.600 --> 1:03:50.520
<v Speaker 10>the ship in the street ship, like you're talking to

1:03:50.640 --> 1:03:51.040
<v Speaker 10>a nigga.

1:03:53.320 --> 1:03:56.960
<v Speaker 2>R Mom's crib got shot twenty two times. Niggas had silences.

1:03:57.520 --> 1:04:02.320
<v Speaker 10>Shoot, like, I've been through some real ship in the

1:04:02.400 --> 1:04:06.040
<v Speaker 10>streets in and the rap ship seeing the turn real.

1:04:06.640 --> 1:04:08.640
<v Speaker 10>So you gotta understand, at the end of the day,

1:04:09.040 --> 1:04:11.560
<v Speaker 10>it's a dead line between love and hate. Brother, you

1:04:11.640 --> 1:04:15.000
<v Speaker 10>know what I'm saying. But when you're a rapper, you're

1:04:15.040 --> 1:04:18.880
<v Speaker 10>a fucking target. You're a fucking tar. Every day you

1:04:19.000 --> 1:04:21.360
<v Speaker 10>wake up in the morning, you're a target.

1:04:22.200 --> 1:04:23.120
<v Speaker 2>You can go to your hook.

1:04:23.280 --> 1:04:23.760
<v Speaker 1>What happened?

1:04:23.920 --> 1:04:28.480
<v Speaker 2>What's going on? Die on the target to himself right now,

1:04:34.200 --> 1:04:36.520
<v Speaker 2>that's that's not that's not cuts.

1:04:46.880 --> 1:04:47.640
<v Speaker 11>That sounds like a.

1:04:49.560 --> 1:04:56.480
<v Speaker 3>Yeah, yeah, the mic the mic here ship, Mike is dead.

1:04:56.720 --> 1:05:03.480
<v Speaker 2>What happened? Podcast that? The podcast down? Podcast down? And

1:05:03.600 --> 1:05:04.360
<v Speaker 2>the rioting amount of.

1:05:07.160 --> 1:05:07.320
<v Speaker 1>Mike.

1:05:07.520 --> 1:05:11.000
<v Speaker 2>Mike is not a drunk nigga. Mike is not a

1:05:11.080 --> 1:05:12.280
<v Speaker 2>drunk nig disappointed.

1:05:12.400 --> 1:05:18.400
<v Speaker 4>Still, we still recording, but just to play real quick

1:05:18.480 --> 1:05:22.960
<v Speaker 4>Devil's Advocate right right, all up?

1:05:24.320 --> 1:05:24.640
<v Speaker 14>You hear me.

1:05:24.880 --> 1:05:29.480
<v Speaker 3>I want to hear what you got to say on

1:05:29.680 --> 1:05:34.160
<v Speaker 3>Devil's Advocate ship When does the cycle end? What do

1:05:34.240 --> 1:05:36.640
<v Speaker 3>you mean when it's like the cycle? Like, when when

1:05:37.200 --> 1:05:38.080
<v Speaker 3>does the artistry?

1:05:38.400 --> 1:05:38.600
<v Speaker 11>Again?

1:05:38.640 --> 1:05:42.280
<v Speaker 2>I'm playing Devil's Advocate. Look because mind you you're saying rappers.

1:05:42.520 --> 1:05:43.080
<v Speaker 2>I'm a DJ.

1:05:43.200 --> 1:05:45.160
<v Speaker 3>I'm in the streets too. When you a street nigga,

1:05:45.320 --> 1:05:47.160
<v Speaker 3>I got the same ship. I'm still dealing with the

1:05:47.200 --> 1:05:49.640
<v Speaker 3>same ship too as a DJ to in the streets. Right.

1:05:49.880 --> 1:05:52.440
<v Speaker 2>So what I'm saying to say is when do we

1:05:52.640 --> 1:05:54.760
<v Speaker 2>all and the cycle?

1:05:55.160 --> 1:05:55.200
<v Speaker 12>In?

1:05:55.360 --> 1:05:55.840
<v Speaker 1>What cycle?

1:05:55.960 --> 1:05:56.880
<v Speaker 2>The cycle whatever?

1:05:57.080 --> 1:05:58.800
<v Speaker 3>Like like when the ship, like when the streets is

1:05:58.840 --> 1:06:02.000
<v Speaker 3>connected to the music and back and forth like like

1:06:02.120 --> 1:06:04.920
<v Speaker 3>obviously look like with the Troy a situation like it's

1:06:05.200 --> 1:06:07.880
<v Speaker 3>continuing and maybe it never ends.

1:06:08.040 --> 1:06:11.400
<v Speaker 10>I'm not saying that you talk from an angle when

1:06:11.520 --> 1:06:13.640
<v Speaker 10>the cycle ends, all right, Like you're talking to a

1:06:13.720 --> 1:06:16.560
<v Speaker 10>nigga that hip hop police used to follow on a day.

1:06:17.360 --> 1:06:19.120
<v Speaker 1>You gotta show you're not doing your show.

1:06:20.240 --> 1:06:21.480
<v Speaker 2>Shut down Curly Top.

1:06:21.800 --> 1:06:22.160
<v Speaker 1>I don't know.

1:06:22.240 --> 1:06:24.560
<v Speaker 10>You don't know who Curly Top is. Curly Top is

1:06:24.640 --> 1:06:27.480
<v Speaker 10>the top hip hop police. And you come to New York,

1:06:27.520 --> 1:06:30.000
<v Speaker 10>you see Curly Top, you better run, motherfucker.

1:06:31.000 --> 1:06:34.000
<v Speaker 2>Let me tell you one time I seen Curly Top.

1:06:34.040 --> 1:06:35.520
<v Speaker 2>I tried to touch his ship.

1:06:35.560 --> 1:06:35.880
<v Speaker 1>He's like.

1:06:37.400 --> 1:06:41.120
<v Speaker 2>That girl. He's like, yo, you got to shoot.

1:06:41.960 --> 1:06:42.640
<v Speaker 1>Come in, you come in.

1:06:42.800 --> 1:06:45.920
<v Speaker 2>We we we we the street.

1:06:47.280 --> 1:06:51.680
<v Speaker 10>Right now, you see the Bobby murder situation, right, what

1:06:51.880 --> 1:06:54.680
<v Speaker 10>they doing, the prosecutor and d A in the fact,

1:06:54.800 --> 1:06:57.040
<v Speaker 10>they're gonna make an example out of a nigga because

1:06:57.040 --> 1:06:59.720
<v Speaker 10>he's a young rapper on the coming, right. So they

1:06:59.800 --> 1:07:02.920
<v Speaker 10>get this man ninety eight years and they give himself

1:07:03.000 --> 1:07:04.280
<v Speaker 10>a man fifty three years.

1:07:05.000 --> 1:07:07.760
<v Speaker 2>No niggas see that and be like, well, you're gonna

1:07:07.800 --> 1:07:10.080
<v Speaker 2>make an example out of it. He's a rapper. And

1:07:10.160 --> 1:07:11.280
<v Speaker 2>all the young kids see him.

1:07:11.320 --> 1:07:14.480
<v Speaker 7>And Michael Marlin, we niggas from the street just trying

1:07:14.520 --> 1:07:16.000
<v Speaker 7>to come up with Troy Abb.

1:07:16.480 --> 1:07:20.640
<v Speaker 2>You understand what I'm saying. Even theation, God bless him health,

1:07:20.720 --> 1:07:22.360
<v Speaker 2>he's good. You know what I mean. You got Scotland.

1:07:23.000 --> 1:07:24.479
<v Speaker 2>You know what I mean, Free Troy Abb.

1:07:24.560 --> 1:07:25.800
<v Speaker 5>But you know what I'm saying.

1:07:25.920 --> 1:07:29.160
<v Speaker 2>Situations happen, you know what I'm saying. And it's the streets.

1:07:29.360 --> 1:07:29.520
<v Speaker 4>You know.

1:07:29.680 --> 1:07:31.440
<v Speaker 6>This is this is something I wanted to ask a

1:07:31.480 --> 1:07:34.840
<v Speaker 6>West Coast to forever because right now in New York

1:07:34.960 --> 1:07:38.360
<v Speaker 6>we are really it's really gang banging for real, Like

1:07:38.720 --> 1:07:42.080
<v Speaker 6>I mean, it's never going to be like la, not

1:07:42.560 --> 1:07:45.640
<v Speaker 6>not even good, not even a little bit. But in

1:07:45.800 --> 1:07:49.280
<v Speaker 6>our hood now in New York City, there's actually people

1:07:49.320 --> 1:07:52.120
<v Speaker 6>who come outside, they wear blue, they hang in the

1:07:52.160 --> 1:07:55.040
<v Speaker 6>blue section. And now there's people that we're red. And

1:07:55.120 --> 1:07:57.720
<v Speaker 6>at first, at first I said to them, I said,

1:07:57.760 --> 1:08:01.040
<v Speaker 6>y'all niggas is full gaze, right, But then I thought

1:08:01.080 --> 1:08:04.800
<v Speaker 6>about it. I said, then, you know, hip hop is everybody's.

1:08:05.480 --> 1:08:08.080
<v Speaker 6>So do you feel like gang coaches could be everybody's

1:08:08.160 --> 1:08:11.240
<v Speaker 6>or we will never understand it? Like these people migrate,

1:08:12.240 --> 1:08:16.679
<v Speaker 6>you call it what gret my great, it's a big words.

1:08:16.720 --> 1:08:18.840
<v Speaker 6>I've only got seven great educations.

1:08:20.479 --> 1:08:23.240
<v Speaker 2>Migrating, oh my grading. Okay, all right, that's when you

1:08:23.520 --> 1:08:28.880
<v Speaker 2>all mixes together. Okay to you when you see it,

1:08:29.120 --> 1:08:31.400
<v Speaker 2>because like, because I want the script, right, I got

1:08:31.520 --> 1:08:33.439
<v Speaker 2>a movie. You know, I would like to be in

1:08:33.520 --> 1:08:39.639
<v Speaker 2>this movie respect too, but I call it colors too.

1:08:41.960 --> 1:08:42.559
<v Speaker 1>In New York.

1:08:43.000 --> 1:08:45.040
<v Speaker 6>You need me to put this together, dass. That's why

1:08:45.080 --> 1:08:48.280
<v Speaker 6>we met today. I'm executive.

1:08:49.720 --> 1:08:51.560
<v Speaker 7>If you look at colors and started from l A

1:08:51.760 --> 1:08:54.280
<v Speaker 7>right now, you colors in New York, it's a whole nothing.

1:08:55.280 --> 1:08:59.240
<v Speaker 2>But cut this out of the podcast movie. But this

1:08:59.280 --> 1:09:01.160
<v Speaker 2>is what I can say. Like in New York, you

1:09:01.280 --> 1:09:03.639
<v Speaker 2>got real bloods and real crips.

1:09:03.680 --> 1:09:06.680
<v Speaker 10>You got niggas like Pistol Pete that rode around with

1:09:06.800 --> 1:09:10.840
<v Speaker 10>bodies in the trunk. You got niggas on the train

1:09:11.040 --> 1:09:16.120
<v Speaker 10>on blood ship just for initiation. That's I just feel

1:09:16.160 --> 1:09:18.200
<v Speaker 10>like it's real everywhere you get. But I feel like,

1:09:18.280 --> 1:09:20.920
<v Speaker 10>look a nigga from coming from South Side, Jamaica to

1:09:21.080 --> 1:09:22.839
<v Speaker 10>moving to Long Island in the Burbs.

1:09:22.960 --> 1:09:25.800
<v Speaker 24>You understand what I'm saying. We're gonna make noise moving

1:09:25.840 --> 1:09:29.640
<v Speaker 24>to the burbs. Goddamn it, Come on, come on, come on,

1:09:32.640 --> 1:09:34.879
<v Speaker 24>look man, it's a fucking difference.

1:09:35.600 --> 1:09:37.920
<v Speaker 10>When I'm in South Side, got bro the liquor store

1:09:37.960 --> 1:09:40.080
<v Speaker 10>closed at twelve o'clock, or maybe I can catch the

1:09:40.120 --> 1:09:42.519
<v Speaker 10>boot legger. But I'm in Long Island in the Burbs.

1:09:42.600 --> 1:09:45.439
<v Speaker 10>Liquor store closed at eight nine o'clock. Nigga, what does

1:09:45.520 --> 1:09:45.960
<v Speaker 10>that tell you?

1:09:46.560 --> 1:09:48.920
<v Speaker 2>I can go to Farm Fried Crown Fried for in

1:09:49.000 --> 1:09:51.280
<v Speaker 2>the morning. When I'm in the burbs. None of that

1:09:51.400 --> 1:09:54.000
<v Speaker 2>ship is open for me to catch on attack or something.

1:09:55.720 --> 1:09:58.560
<v Speaker 10>It's a difference. So niggas turn into what the environment is.

1:09:58.840 --> 1:10:01.400
<v Speaker 10>If you got a nigga from Brownsville, you know what

1:10:01.439 --> 1:10:05.600
<v Speaker 10>I'm saying, and everybody in his family is crip, what

1:10:05.720 --> 1:10:07.519
<v Speaker 10>then do you think he gonna turn to you gonna

1:10:08.200 --> 1:10:09.880
<v Speaker 10>that that just because he's from New York and the

1:10:09.920 --> 1:10:12.640
<v Speaker 10>real crip or real blood. Hell no, because we go

1:10:12.720 --> 1:10:18.600
<v Speaker 10>to rikers Hellen niggas wasn't the real ship. That's the

1:10:18.680 --> 1:10:19.200
<v Speaker 10>real ship.

1:10:19.360 --> 1:10:20.040
<v Speaker 2>I ain't seen them.

1:10:23.840 --> 1:10:28.840
<v Speaker 9>Look the first one, the first ones that pushed that

1:10:29.040 --> 1:10:34.080
<v Speaker 9>line was like Little Rock Arkansas. Yeah, the document and

1:10:34.200 --> 1:10:37.720
<v Speaker 9>the whole thing is because no matter where, it ain't

1:10:37.760 --> 1:10:41.600
<v Speaker 9>about where you're from. It's where you're at and you

1:10:41.840 --> 1:10:44.519
<v Speaker 9>can't take nothing from there. I wouldn't tell now one

1:10:44.600 --> 1:10:46.479
<v Speaker 9>of them young niggas, they ain't what they say.

1:10:46.520 --> 1:10:49.960
<v Speaker 2>They are niggas. You know what, because them niggas not

1:10:50.120 --> 1:10:58.599
<v Speaker 2>mad at the New York you know niggas turned into

1:10:58.680 --> 1:11:01.080
<v Speaker 2>what they environment. You know what I'm saying.

1:11:01.120 --> 1:11:02.560
<v Speaker 5>If I was still in the hood, what would I

1:11:02.640 --> 1:11:06.360
<v Speaker 5>be up man in jail direct saying to.

1:11:06.720 --> 1:11:08.560
<v Speaker 2>Like what the funk I be?

1:11:08.920 --> 1:11:12.720
<v Speaker 10>It wasn't checked my rap, I got direct sales, bill

1:11:12.880 --> 1:11:15.800
<v Speaker 10>jump in, I got all kinds of ship. So if

1:11:15.840 --> 1:11:20.280
<v Speaker 10>it wasn't for fifty and Jesus and in niggas, let's

1:11:21.320 --> 1:11:21.920
<v Speaker 10>Jesus got.

1:11:25.720 --> 1:11:28.200
<v Speaker 2>It's also make noise telling you about dying.

1:11:30.040 --> 1:11:35.679
<v Speaker 10>After feeling up after fifty got shot, right after fifty

1:11:35.760 --> 1:11:40.600
<v Speaker 10>got shot, right after he got nine time damn he

1:11:40.800 --> 1:11:44.800
<v Speaker 10>used to drive from Pennsylvania, PA in the Pokonos with

1:11:45.200 --> 1:11:50.000
<v Speaker 10>a Mac ten thirty shot clip every single fucking day.

1:11:50.360 --> 1:11:52.040
<v Speaker 2>That's that's like in the movie we had No A

1:11:52.240 --> 1:11:56.519
<v Speaker 2>C No A C. Women being me and him driving

1:11:56.640 --> 1:11:58.080
<v Speaker 2>from Pennsylvania to.

1:11:58.160 --> 1:12:02.400
<v Speaker 10>New York with the macvery single day. Now there's times

1:12:02.560 --> 1:12:04.360
<v Speaker 10>we had tour bus full of guns. We could have

1:12:04.400 --> 1:12:07.080
<v Speaker 10>caught up Bobby schmurder or in one of these cases.

1:12:07.720 --> 1:12:10.960
<v Speaker 10>But was on niggas side, right, And you know what,

1:12:11.120 --> 1:12:12.799
<v Speaker 10>as you get older, you look at that ship.

1:12:12.720 --> 1:12:17.880
<v Speaker 25>Like damn niggas was lucky, you know, right, lucky less

1:12:18.040 --> 1:12:22.160
<v Speaker 25>niggas was blessed, like niggas went as much niggas woundand

1:12:22.200 --> 1:12:25.200
<v Speaker 25>at that time, very true hip hop was different.

1:12:25.320 --> 1:12:28.840
<v Speaker 2>Like I've been watching like a lot of the gangster documents.

1:12:29.720 --> 1:12:33.439
<v Speaker 2>Queens ship. Yeah, we found niggas and queens. Fact, let's

1:12:33.439 --> 1:12:34.559
<v Speaker 2>make some noise for us being.

1:12:34.400 --> 1:12:38.040
<v Speaker 6>Found, you know what, you know, let me take you

1:12:38.120 --> 1:12:41.559
<v Speaker 6>up Queensmi queens with Mammy of l A a lot

1:12:41.640 --> 1:12:45.720
<v Speaker 6>because as opposed to like you know, like you know,

1:12:45.840 --> 1:12:48.599
<v Speaker 6>they always have beef, y'all in l A All as

1:12:48.640 --> 1:12:51.559
<v Speaker 6>far as artists go, y'all always had And I can't

1:12:51.640 --> 1:12:52.040
<v Speaker 6>tell them.

1:12:51.960 --> 1:12:54.080
<v Speaker 2>Because it was because of you'll cruise, because it was

1:12:54.240 --> 1:12:56.320
<v Speaker 2>Gang's neighborhood neighborhoods.

1:12:56.320 --> 1:12:58.920
<v Speaker 6>You know what I'm saying, because like to me queens

1:12:59.000 --> 1:13:01.439
<v Speaker 6>or Mammia l A, it's just like you know what

1:13:01.439 --> 1:13:06.080
<v Speaker 6>I mean, because like, nigga, don't get on the mommy.

1:13:06.200 --> 1:13:09.200
<v Speaker 2>I think of mommy. No, I'm gonna take your last one.

1:13:09.960 --> 1:13:11.240
<v Speaker 2>Am I gonna take your last movie?

1:13:12.240 --> 1:13:12.400
<v Speaker 16>Next?

1:13:12.400 --> 1:13:13.040
<v Speaker 2>The last movie?

1:13:13.080 --> 1:13:16.600
<v Speaker 10>I think you like talking and ship, grasses, grass and

1:13:16.760 --> 1:13:17.280
<v Speaker 10>houses and.

1:13:17.360 --> 1:13:19.280
<v Speaker 2>Ye right yeah, they killed you right there.

1:13:19.439 --> 1:13:19.920
<v Speaker 1>They killed you.

1:13:24.640 --> 1:13:28.720
<v Speaker 2>Know what you grew up inside. I remember hung out

1:13:28.760 --> 1:13:29.559
<v Speaker 2>with you grew up and I.

1:13:29.840 --> 1:13:32.000
<v Speaker 6>Was going to a Louisiana Fried Chicken every day.

1:13:32.400 --> 1:13:33.920
<v Speaker 2>And then you came and picked me up and I

1:13:33.960 --> 1:13:35.880
<v Speaker 2>went to that. He said, nigga, what the fuck are

1:13:35.920 --> 1:13:37.800
<v Speaker 2>you doing getting out of here? I was like, I

1:13:37.880 --> 1:13:39.920
<v Speaker 2>was coming here every day. He said, the Mexican will

1:13:40.040 --> 1:13:40.320
<v Speaker 2>kill you.

1:13:41.960 --> 1:13:45.200
<v Speaker 6>I did what I was doing Loisa Fried Chicken, and

1:13:45.280 --> 1:13:47.040
<v Speaker 6>you told me, you said you out of line.

1:13:48.400 --> 1:13:49.080
<v Speaker 1>I'm like, come on.

1:13:50.800 --> 1:13:52.479
<v Speaker 2>You, nigga.

1:13:53.880 --> 1:13:55.400
<v Speaker 6>When you brought me to it was a it was

1:13:55.400 --> 1:13:58.360
<v Speaker 6>a quick block, and I believe a Monster Cody block

1:13:58.479 --> 1:13:59.320
<v Speaker 6>was right up the block.

1:14:00.080 --> 1:14:03.519
<v Speaker 2>A trade Ganster my neighborhood, and your neighborhood is right

1:14:03.560 --> 1:14:04.280
<v Speaker 2>down the block from that.

1:14:04.400 --> 1:14:08.439
<v Speaker 9>Right, and the thing eighty third uh huh is where

1:14:08.680 --> 1:14:09.679
<v Speaker 9>the riots started.

1:14:10.240 --> 1:14:12.160
<v Speaker 1>Tra they did that.

1:14:14.200 --> 1:14:16.040
<v Speaker 2>And that's not normandy.

1:14:16.600 --> 1:14:18.200
<v Speaker 1>That's uh, that's what the riot started.

1:14:19.040 --> 1:14:28.320
<v Speaker 2>Yeah, yeah, yeah, yeah for half a yeah. See, let

1:14:28.360 --> 1:14:28.600
<v Speaker 2>me tell you.

1:14:28.760 --> 1:14:30.920
<v Speaker 6>Let me tell you about the reason why I say

1:14:31.000 --> 1:14:36.920
<v Speaker 6>that it reminds us of queens because, like you know,

1:14:37.439 --> 1:14:40.960
<v Speaker 6>their hoods is similar to like South Jamaica. South Jamaica

1:14:41.120 --> 1:14:45.240
<v Speaker 6>has houses. You see how we have houses houses. You

1:14:46.560 --> 1:14:48.000
<v Speaker 6>might be like, oh you, I'm good.

1:14:50.720 --> 1:14:50.880
<v Speaker 4>Yeah.

1:14:51.080 --> 1:14:54.000
<v Speaker 2>The niggas behind the tree like this, what you doing?

1:14:55.000 --> 1:14:56.160
<v Speaker 1>What are you? What are you doing here?

1:14:57.200 --> 1:14:59.000
<v Speaker 2>This is just the same way theod is like you

1:14:59.400 --> 1:15:01.720
<v Speaker 2>drive and you might be like, damn, I don't see

1:15:01.800 --> 1:15:04.920
<v Speaker 2>niggas outside. The niggas outside. Niggas just looking at your

1:15:05.000 --> 1:15:06.679
<v Speaker 2>ass because this is a crazy ship.

1:15:06.920 --> 1:15:09.040
<v Speaker 6>When I hung out, when I bunk corrupt to the Bronx,

1:15:09.120 --> 1:15:11.240
<v Speaker 6>I had them in the Bronx chilling and they will

1:15:11.320 --> 1:15:14.400
<v Speaker 6>watch every car go through, and that she was crazy

1:15:14.520 --> 1:15:17.360
<v Speaker 6>to me because we don't watch no car go through.

1:15:17.840 --> 1:15:20.519
<v Speaker 6>And every car they went through, they was like I'm

1:15:20.600 --> 1:15:23.920
<v Speaker 6>like yo, yah, you can relax, and they're like, na,

1:15:24.040 --> 1:15:27.280
<v Speaker 6>this is this is Yeah, they trained to like, but

1:15:27.400 --> 1:15:29.360
<v Speaker 6>in New York it's the exact opposite. We trained to

1:15:29.360 --> 1:15:32.880
<v Speaker 6>see a nigga walk up. Because you can really you

1:15:33.760 --> 1:15:36.320
<v Speaker 6>can go to the bronx uptwn r.

1:15:36.560 --> 1:15:38.840
<v Speaker 2>Yeah you're right in l A. You can't really you

1:15:38.920 --> 1:15:44.639
<v Speaker 2>can like that. You can't were you can move around.

1:15:45.040 --> 1:15:46.960
<v Speaker 1>We tod was.

1:15:48.840 --> 1:15:48.960
<v Speaker 4>There.

1:15:49.720 --> 1:15:52.760
<v Speaker 9>I'm sitting there with Nori niggas, sitting on a little

1:15:52.840 --> 1:15:55.439
<v Speaker 9>brick thing right there, right and I'm just sitting there

1:15:55.479 --> 1:15:55.840
<v Speaker 9>with Norri.

1:15:56.000 --> 1:16:00.280
<v Speaker 2>Cars just moving so fast. I'm just like, uh now

1:16:00.439 --> 1:16:01.639
<v Speaker 2>u r b X y'all.

1:16:01.680 --> 1:16:04.320
<v Speaker 6>It was only every time a car passed by, y'all

1:16:04.320 --> 1:16:06.840
<v Speaker 6>all look, and I started to realize that thin it

1:16:06.920 --> 1:16:09.240
<v Speaker 6>is nigh.

1:16:09.560 --> 1:16:13.840
<v Speaker 2>Yeah, we didn't have that, you got man, Yeah, things

1:16:13.920 --> 1:16:17.000
<v Speaker 2>come there. They not used to seeing, like to go

1:16:17.080 --> 1:16:17.479
<v Speaker 2>to rocks.

1:16:17.520 --> 1:16:21.800
<v Speaker 6>Now you gotta walk and go through rock the little

1:16:21.840 --> 1:16:25.360
<v Speaker 6>build friend than Yeah, because from New York, projects might

1:16:25.479 --> 1:16:30.240
<v Speaker 6>be left right huge, Yeah, exactly exactly. Come on, let's

1:16:30.240 --> 1:16:30.680
<v Speaker 6>make a noose.

1:16:30.680 --> 1:16:31.960
<v Speaker 1>You know what you're talking about.

1:16:34.840 --> 1:16:37.800
<v Speaker 2>But y'all, y'all projects, y'all project.

1:16:37.520 --> 1:16:39.759
<v Speaker 26>Projects, I mean we got they don't got projects niggas

1:16:39.800 --> 1:16:48.520
<v Speaker 26>and gardens. Niggas and gardens everywhere else, apartment house this, yeah, circle.

1:16:51.840 --> 1:16:54.840
<v Speaker 3>Niggas got what I call I call New York and

1:16:54.960 --> 1:16:59.960
<v Speaker 3>and form when I go crazy like every.

1:16:59.880 --> 1:17:03.639
<v Speaker 2>Day Long Beach.

1:17:03.920 --> 1:17:04.800
<v Speaker 1>I'm not gonna lie to this.

1:17:05.080 --> 1:17:07.280
<v Speaker 2>My first time I went to Long Beach, I never

1:17:07.360 --> 1:17:10.200
<v Speaker 2>saw red. Like the whole time I was for like

1:17:10.280 --> 1:17:13.760
<v Speaker 2>two weeks. I was like, like the innocent people don't

1:17:13.760 --> 1:17:13.960
<v Speaker 2>wear it.

1:17:14.320 --> 1:17:16.600
<v Speaker 10>It's like New York can feel like, oh look the

1:17:16.640 --> 1:17:20.000
<v Speaker 10>word New York can feel like you got more bloods.

1:17:20.000 --> 1:17:22.200
<v Speaker 2>Yeah, crips, and then when you come to l A,

1:17:22.240 --> 1:17:23.759
<v Speaker 2>you feel like more than blood.

1:17:23.840 --> 1:17:26.280
<v Speaker 6>But see, let me tell you why your movie is

1:17:26.520 --> 1:17:29.400
<v Speaker 6>is right and exact, because see I never knew that

1:17:29.680 --> 1:17:32.559
<v Speaker 6>like crips had beep for crips until I actually got

1:17:33.000 --> 1:17:33.479
<v Speaker 6>to l A.

1:17:34.520 --> 1:17:37.080
<v Speaker 2>And now Blood's got people bloods in New York like that,

1:17:37.800 --> 1:17:39.800
<v Speaker 2>and it's like, you know what, that's why your movie is.

1:17:40.080 --> 1:17:43.760
<v Speaker 2>Like you're you're you're very intelligent. Yeah that that that

1:17:43.920 --> 1:17:45.680
<v Speaker 2>that's hard man, that's hard. Man.

1:17:45.760 --> 1:17:48.400
<v Speaker 6>I can't thank your brother's enough man for just coming

1:17:48.479 --> 1:17:49.560
<v Speaker 6>through man sitting.

1:17:49.320 --> 1:18:00.840
<v Speaker 2>Down kicking Number one podcast. Yeah, man, like.

1:18:03.800 --> 1:18:06.559
<v Speaker 1>Let's give it up for you right here, man.

1:18:06.720 --> 1:18:06.800
<v Speaker 3>You.

1:18:15.280 --> 1:18:17.000
<v Speaker 6>So let me ask y'all before we get up out

1:18:17.040 --> 1:18:21.080
<v Speaker 6>of here. Right, y'all been doing it for so long?

1:18:21.200 --> 1:18:24.200
<v Speaker 6>How do you maintain your love for this game? Because

1:18:24.200 --> 1:18:26.000
<v Speaker 6>I ain't gonna lie. When I seen you on Flave TV,

1:18:27.000 --> 1:18:29.280
<v Speaker 6>you would look like you was like you was ready

1:18:29.320 --> 1:18:30.880
<v Speaker 6>to tell every like fuck the game.

1:18:31.520 --> 1:18:31.880
<v Speaker 1>Like I'm not.

1:18:32.000 --> 1:18:33.599
<v Speaker 2>I'm talking. I'm not talking about the artists. I'm talking

1:18:33.600 --> 1:18:38.519
<v Speaker 2>about like the actual game. Like, like, do you still

1:18:38.560 --> 1:18:40.880
<v Speaker 2>have love for the game? Maybe that's a better question.

1:18:40.920 --> 1:18:42.320
<v Speaker 1>I always got love for the game. You know what

1:18:42.320 --> 1:18:44.680
<v Speaker 1>I'm saying. I wake up. You know, it's like that's

1:18:44.680 --> 1:18:47.439
<v Speaker 1>what I live off for. Man, publish you know what

1:18:47.439 --> 1:18:47.840
<v Speaker 1>I'm saying.

1:18:48.880 --> 1:18:50.880
<v Speaker 7>Every you know, I live on publish it every time

1:18:50.920 --> 1:18:53.960
<v Speaker 7>I turn the radio onto something. Hey, hey, did you

1:18:54.000 --> 1:18:56.960
<v Speaker 7>know what I'm saying? And I create music and do that.

1:18:57.120 --> 1:18:59.439
<v Speaker 7>You know what I'm saying. So it's an every day thing.

1:18:59.520 --> 1:19:04.160
<v Speaker 7>My daughter music, We're going to need you to chill,

1:19:04.479 --> 1:19:09.600
<v Speaker 7>you know what. Okay, Okay, it's just about having the

1:19:09.640 --> 1:19:12.720
<v Speaker 7>albums in the camp. I'm a person that will go

1:19:12.880 --> 1:19:14.599
<v Speaker 7>do seven albums.

1:19:14.880 --> 1:19:16.680
<v Speaker 2>Now, do y'all got a new album you're working on?

1:19:17.000 --> 1:19:19.559
<v Speaker 2>It's right, Let's let's talk about that man.

1:19:19.520 --> 1:19:23.479
<v Speaker 1>That correct dash, I mean, we couldn't give him that

1:19:23.560 --> 1:19:24.639
<v Speaker 1>gangster ship mane.

1:19:26.720 --> 1:19:30.839
<v Speaker 2>Her Base to night Raw French Montana.

1:19:31.280 --> 1:19:33.599
<v Speaker 6>Let's announce that on what's the name of that record

1:19:33.880 --> 1:19:37.799
<v Speaker 6>has called damn ain't y'all was about to text y'all.

1:19:37.640 --> 1:19:40.560
<v Speaker 9>On stage, let me do the remix, let me do

1:19:40.880 --> 1:19:45.599
<v Speaker 9>about you all state, but said, let me learn God

1:19:45.800 --> 1:19:48.400
<v Speaker 9>damn that's the name of it. God damn might be

1:19:48.479 --> 1:19:51.559
<v Speaker 9>twisted off from Molly. Never know he chinks on that too.

1:19:52.160 --> 1:19:54.360
<v Speaker 2>God Bless, God, Bless, God bless.

1:19:54.439 --> 1:19:56.240
<v Speaker 6>Let me pick up Jack Thriller because he keep hitting

1:19:56.280 --> 1:19:58.400
<v Speaker 6>me and he he's the guy who put this all

1:19:58.439 --> 1:19:59.840
<v Speaker 6>together Today, Happy birthday.

1:20:05.960 --> 1:20:08.360
<v Speaker 1>Hurt that I have to like book y'all to do

1:20:08.439 --> 1:20:10.840
<v Speaker 1>this ship. Y'all still fuck with me? Right?

1:20:10.960 --> 1:20:17.040
<v Speaker 2>Yeah? I heard that your breakfast my nigga steal my nigger.

1:20:19.840 --> 1:20:21.960
<v Speaker 2>Still got love for the game, Tony, Yeah, y'all.

1:20:22.040 --> 1:20:23.160
<v Speaker 1>Like this game.

1:20:24.000 --> 1:20:27.160
<v Speaker 10>I'm a fan of hip hop like rest the piece

1:20:27.200 --> 1:20:29.920
<v Speaker 10>of my man DJ Ruffians. I remember, you know, when

1:20:29.960 --> 1:20:33.080
<v Speaker 10>to get hot, we go to the backblocks. We listen

1:20:33.160 --> 1:20:36.599
<v Speaker 10>to music. You know, we free style from from the Gap.

1:20:36.479 --> 1:20:40.080
<v Speaker 2>Band to Anita Baker to all Pa right, and then

1:20:40.400 --> 1:20:41.240
<v Speaker 2>to to.

1:20:41.439 --> 1:20:45.519
<v Speaker 5>Fucking Big to pun you know what I'm saying, two

1:20:45.640 --> 1:20:47.200
<v Speaker 5>Fat Joe to all this music.

1:20:47.280 --> 1:20:47.920
<v Speaker 1>You know what I'm saying.

1:20:48.000 --> 1:20:51.280
<v Speaker 2>Like, I'm a nigga. I was around my right hand

1:20:51.360 --> 1:20:52.120
<v Speaker 2>man was a DJ.

1:20:53.000 --> 1:20:55.360
<v Speaker 10>So in the nineties when niggas was going to the ad,

1:20:55.520 --> 1:20:58.439
<v Speaker 10>going to Hot Wax and buying Fat I was a

1:20:58.479 --> 1:21:00.759
<v Speaker 10>nigga that was going to the Avenue New and buying

1:21:00.960 --> 1:21:05.560
<v Speaker 10>d J Coo tapes, buying Grand Master Dog tying. I

1:21:05.680 --> 1:21:07.800
<v Speaker 10>was a nigga that was in the party with Freaky Tye.

1:21:07.840 --> 1:21:11.680
<v Speaker 10>And these niggas started rahming like so hip hop is

1:21:11.840 --> 1:21:14.200
<v Speaker 10>just like I eat sleep, ship and ship like it's

1:21:14.240 --> 1:21:15.080
<v Speaker 10>a part.

1:21:14.960 --> 1:21:16.120
<v Speaker 1>Of my life. Wouldn't be here.

1:21:16.880 --> 1:21:18.680
<v Speaker 2>Yeah, that's right. We all a lot to hip hop.

1:21:18.920 --> 1:21:20.040
<v Speaker 2>This is real, very true.

1:21:20.240 --> 1:21:22.880
<v Speaker 6>Look look how hip hop made the world small. Like,

1:21:23.520 --> 1:21:25.920
<v Speaker 6>let's just think about it. We're from two separate coasts

1:21:26.120 --> 1:21:26.559
<v Speaker 6>and it's.

1:21:26.439 --> 1:21:27.320
<v Speaker 1>Like we know each other.

1:21:27.439 --> 1:21:29.360
<v Speaker 2>You know what I'm saying. That's that's beautiful, you know

1:21:29.360 --> 1:21:32.120
<v Speaker 2>what I mean. That's for real. That's for real, man,

1:21:32.600 --> 1:21:37.080
<v Speaker 2>I mean selling. I want to say, yeah, yo yo,

1:21:37.200 --> 1:21:39.760
<v Speaker 2>so dads that let's talk about it. Let's talk about

1:21:39.760 --> 1:21:41.679
<v Speaker 2>you got a wee company in Seattle.

1:21:41.760 --> 1:21:43.200
<v Speaker 1>Yet how do.

1:21:43.240 --> 1:21:43.600
<v Speaker 2>You do this?

1:21:43.920 --> 1:21:45.880
<v Speaker 1>Man? You know we get to find this buzz and

1:21:47.000 --> 1:21:50.360
<v Speaker 1>you know we stamped that on there because you're a wen.

1:21:50.800 --> 1:21:52.760
<v Speaker 1>You know what I'm saying. You know what I'm saying.

1:21:52.960 --> 1:21:54.800
<v Speaker 1>You know dpg buzz dot com.

1:21:56.200 --> 1:22:04.479
<v Speaker 2>But I like my game. Your where Twinter? That's how

1:22:04.479 --> 1:22:08.240
<v Speaker 2>you're supposed to be blowing the horn, Twinter. You about

1:22:08.240 --> 1:22:11.240
<v Speaker 2>to lose your jo where you fight? You rather be

1:22:11.320 --> 1:22:12.479
<v Speaker 2>fighting before you hired.

1:22:13.920 --> 1:22:16.439
<v Speaker 10>Just a question I want to ask dog Pound, No igga,

1:22:17.040 --> 1:22:18.639
<v Speaker 10>have your niggas been to Amsterdam?

1:22:21.680 --> 1:22:23.439
<v Speaker 6>So when y'all going to Ampstea, when you do, y'all

1:22:23.439 --> 1:22:26.559
<v Speaker 6>go to Greenhouse and Greenhouse. I go to Green Place

1:22:26.640 --> 1:22:29.679
<v Speaker 6>as well. That is my favorite place in Amsterdam. Green Place.

1:22:30.840 --> 1:22:32.519
<v Speaker 6>I don't know if I got a famous picture with

1:22:32.640 --> 1:22:35.439
<v Speaker 6>me with three tons of weed, and that was in

1:22:35.520 --> 1:22:41.479
<v Speaker 6>Green Place. And the Gray Area is also a great place.

1:22:41.520 --> 1:22:44.480
<v Speaker 1>In the Gray Area, were going there and inspect.

1:22:45.200 --> 1:22:48.280
<v Speaker 6>Because y'all West Coast niggas, y'all know your lungs is spoiling.

1:22:48.920 --> 1:22:52.519
<v Speaker 2>Y'all love y'all love spoil. Then we ain't got spoiler

1:22:52.640 --> 1:22:55.559
<v Speaker 2>lungs like that. You got the best.

1:22:55.680 --> 1:22:58.880
<v Speaker 9>I'm gonna be honest because y'all worst weed is y'all

1:22:59.080 --> 1:23:02.160
<v Speaker 9>has some mother ship out there in New York call hydro.

1:23:02.360 --> 1:23:02.680
<v Speaker 1>That was.

1:23:04.800 --> 1:23:08.640
<v Speaker 2>It's called sour Now it's called sour Ship, that's all.

1:23:08.840 --> 1:23:09.040
<v Speaker 3>Yeah.

1:23:13.439 --> 1:23:16.599
<v Speaker 10>Came to l A, smoked your weed and almost said

1:23:16.640 --> 1:23:17.880
<v Speaker 10>that what's that hotel of Beverly.

1:23:17.920 --> 1:23:25.920
<v Speaker 6>I'm gonna shut that bitch on fighting sleeping around with that. No, No,

1:23:27.479 --> 1:23:29.160
<v Speaker 6>I got to ask you this directly. There's a lot

1:23:29.200 --> 1:23:31.880
<v Speaker 6>of fake moon rocks out there. Can you telling people

1:23:31.920 --> 1:23:33.680
<v Speaker 6>how to get the real moon rocks? And how do

1:23:33.760 --> 1:23:35.479
<v Speaker 6>you feel about the fake moon rocks.

1:23:35.280 --> 1:23:35.759
<v Speaker 2>In the building.

1:23:36.000 --> 1:23:38.800
<v Speaker 9>I mean, you know, man, when you number one came

1:23:38.840 --> 1:23:41.519
<v Speaker 9>a fake movie just like Nikes. Man, you know when

1:23:41.560 --> 1:23:48.760
<v Speaker 9>you know, you know, just enjoying hisself melons in his

1:23:48.840 --> 1:23:49.559
<v Speaker 9>own zone.

1:23:50.000 --> 1:23:53.920
<v Speaker 2>Whe's the Jersey niggas fake moon rocks today.

1:23:53.760 --> 1:23:54.520
<v Speaker 11>I smoked.

1:23:56.280 --> 1:23:56.800
<v Speaker 1>Moon rocks.

1:23:56.840 --> 1:23:59.800
<v Speaker 9>That's the real deal, man. That's the because you're coming

1:23:59.840 --> 1:24:02.120
<v Speaker 9>in a right man, you know it comes in the

1:24:02.280 --> 1:24:06.439
<v Speaker 9>jar the joy. Tell me throw that ship in the tracks.

1:24:06.560 --> 1:24:07.919
<v Speaker 2>Nigga headed in the bag because.

1:24:09.720 --> 1:24:12.840
<v Speaker 9>I'm saying, you know what, but we're gonna educate him

1:24:13.040 --> 1:24:16.080
<v Speaker 9>to his game. Call you get direct, I mean get

1:24:16.120 --> 1:24:17.360
<v Speaker 9>it for real? Get it for real?

1:24:17.439 --> 1:24:18.800
<v Speaker 1>I mean, can you dig it?

1:24:19.160 --> 1:24:21.160
<v Speaker 2>Who wants to sell fake code? Come on, come on,

1:24:21.360 --> 1:24:23.720
<v Speaker 2>come on, I mean you can get it. Play out,

1:24:23.880 --> 1:24:24.760
<v Speaker 2>you can get the fight.

1:24:25.160 --> 1:24:27.240
<v Speaker 1>I tell everybody New York League.

1:24:27.840 --> 1:24:28.800
<v Speaker 2>We we were close.

1:24:29.920 --> 1:24:30.680
<v Speaker 1>We're close.

1:24:32.200 --> 1:24:41.799
<v Speaker 10>One yeah, baby, niggas have the liquid like the liquid

1:24:42.960 --> 1:24:46.879
<v Speaker 10>I got. Look look at the liquid did the caabones?

1:24:47.360 --> 1:24:47.840
<v Speaker 1>You don't want that?

1:24:52.600 --> 1:24:58.679
<v Speaker 2>Don't even know what he said? Take your bone. Y'all

1:24:58.680 --> 1:24:59.320
<v Speaker 2>got the best suite.

1:24:59.400 --> 1:24:59.960
<v Speaker 1>All y'all got.

1:25:00.040 --> 1:25:02.000
<v Speaker 2>Yeah, I got the best reserve.

1:25:02.040 --> 1:25:04.120
<v Speaker 10>I mean, we got the best friend you'll come in

1:25:04.160 --> 1:25:06.880
<v Speaker 10>New York, California got the best, the best, we got

1:25:06.960 --> 1:25:07.320
<v Speaker 10>the best.

1:25:07.520 --> 1:25:11.599
<v Speaker 1>Women got California. Even California got the best.

1:25:11.760 --> 1:25:13.720
<v Speaker 9>Niggas come to New York, can be playing. When y'all

1:25:13.760 --> 1:25:18.479
<v Speaker 9>want to buy, I'll be mad. Don't go every place

1:25:18.680 --> 1:25:22.160
<v Speaker 9>every place you weed you be mad every place you.

1:25:22.800 --> 1:25:26.320
<v Speaker 2>Come to l A. Yeah, y'all love it right right,

1:25:26.400 --> 1:25:27.080
<v Speaker 2>that's very true.

1:25:27.160 --> 1:25:27.840
<v Speaker 1>It's very true.

1:25:31.760 --> 1:25:40.080
<v Speaker 2>Coies, you got the wiedt you and you can order

1:25:40.120 --> 1:25:40.920
<v Speaker 2>your window online.

1:25:41.000 --> 1:25:41.360
<v Speaker 15>D BG.

1:25:41.600 --> 1:25:41.880
<v Speaker 3>What is it?

1:25:42.439 --> 1:25:42.879
<v Speaker 2>DG?

1:25:43.560 --> 1:25:45.240
<v Speaker 1>You gotta be overtween when you go to the.

1:25:47.080 --> 1:25:48.080
<v Speaker 2>What's what's the name of the sight?

1:25:48.160 --> 1:25:52.080
<v Speaker 1>Again? W w d P with a Z with a Z.

1:25:53.240 --> 1:25:56.000
<v Speaker 9>And how about the moon Rocks, I mean the Moon Rocks. Man,

1:25:56.800 --> 1:25:58.360
<v Speaker 9>you gotta be a part of the club.

1:25:59.200 --> 1:26:01.960
<v Speaker 1>Got you. Cat's see what we do, guys on the rails.

1:26:02.080 --> 1:26:06.400
<v Speaker 9>We we supply over thirty percent to forty percent of

1:26:06.520 --> 1:26:07.760
<v Speaker 9>all the dispensaries.

1:26:07.880 --> 1:26:10.360
<v Speaker 2>And that's a lot of money.

1:26:10.720 --> 1:26:13.160
<v Speaker 1>You know what I'm saying. So our ship is yeah,

1:26:13.200 --> 1:26:15.839
<v Speaker 1>our ship is straight legalized. It's a real business.

1:26:15.960 --> 1:26:20.640
<v Speaker 6>I calculated that fast. Say in Washington, only in the

1:26:20.680 --> 1:26:22.040
<v Speaker 6>state of Washington, Seattle, Washington.

1:26:22.120 --> 1:26:27.200
<v Speaker 9>Correct, Like we're going next Washington and not going to Oregon,

1:26:27.400 --> 1:26:29.280
<v Speaker 9>and then we're going to Arizona and.

1:26:29.400 --> 1:26:31.680
<v Speaker 2>Colorada d C. D C is legal too. I just

1:26:31.720 --> 1:26:32.840
<v Speaker 2>did a cannabis come out there?

1:26:32.920 --> 1:26:33.080
<v Speaker 3>Yeah?

1:26:33.120 --> 1:26:33.519
<v Speaker 1>Obama?

1:26:34.560 --> 1:26:41.559
<v Speaker 5>Yeah, yeah, jump Obama, show you a question.

1:26:41.680 --> 1:26:42.759
<v Speaker 2>Okay, go ahead.

1:26:42.800 --> 1:26:46.080
<v Speaker 10>So living on us, How can a nigga have a dispensary,

1:26:46.120 --> 1:26:48.680
<v Speaker 10>Because this is what I've been studying. You have a dispensary,

1:26:49.160 --> 1:26:52.160
<v Speaker 10>but the state might clear it, but defense don't clear it.

1:26:52.360 --> 1:26:55.200
<v Speaker 10>So you see motherfuckers with dispensary. They are armguards moving

1:26:55.640 --> 1:26:57.559
<v Speaker 10>five hundred thousand, a million dollars.

1:26:57.680 --> 1:26:57.920
<v Speaker 1>Whatever.

1:26:58.080 --> 1:26:58.759
<v Speaker 2>I don't understand.

1:26:58.760 --> 1:27:08.160
<v Speaker 7>You don't have to worry about business in Washington, in Washington, Colorado, all.

1:27:10.320 --> 1:27:11.719
<v Speaker 2>You pay taxes on this ship.

1:27:11.840 --> 1:27:15.200
<v Speaker 1>Man. The guys have limited them to places guys are

1:27:15.200 --> 1:27:21.559
<v Speaker 1>limited in Washington, Colorado, California, California state. Yeah.

1:27:21.640 --> 1:27:23.360
<v Speaker 9>Well you know they don't work around with them. And

1:27:23.600 --> 1:27:26.120
<v Speaker 9>you know my thing is see this is it. See

1:27:26.320 --> 1:27:29.479
<v Speaker 9>we supply the dispensaries. They on their own after that.

1:27:29.640 --> 1:27:36.640
<v Speaker 2>Jack, Okay, yo, man, this is this is this is

1:27:36.680 --> 1:27:37.240
<v Speaker 2>so awesome.

1:27:37.240 --> 1:27:37.360
<v Speaker 1>Man.

1:27:37.360 --> 1:27:39.920
<v Speaker 6>I'm gonna be honest man, you know, yeah, yo, man,

1:27:40.200 --> 1:27:41.519
<v Speaker 6>I want to thank you for being.

1:27:41.360 --> 1:27:45.640
<v Speaker 2>A part of this. Yea, I went to legends. What's up?

1:27:45.720 --> 1:27:56.639
<v Speaker 2>Component he dies? Rest the piece cabon Vegas, your dad, man,

1:27:57.160 --> 1:27:58.080
<v Speaker 2>you know, I want to thank you.

1:27:58.160 --> 1:28:00.280
<v Speaker 6>You know, one time I have said some then on

1:28:00.320 --> 1:28:02.960
<v Speaker 6>the internet corruptedn't like it, and you was the person

1:28:02.960 --> 1:28:05.160
<v Speaker 6>who called me and you made sure we straighten that

1:28:05.240 --> 1:28:07.439
<v Speaker 6>out like the big brother you are. And I wanted

1:28:07.439 --> 1:28:10.240
<v Speaker 6>to thank you for that because I didn't have corrupt number.

1:28:10.240 --> 1:28:12.439
<v Speaker 6>But you know what, I want to apologize, correctcause I

1:28:12.439 --> 1:28:14.160
<v Speaker 6>didn't mean nothing by it, but if you took it

1:28:14.200 --> 1:28:16.120
<v Speaker 6>as offense, I want to apologize because you're my brother.

1:28:16.240 --> 1:28:17.880
<v Speaker 1>Man, I don't want you to always know that.

1:28:19.600 --> 1:28:20.639
<v Speaker 11>I want to get dad.

1:28:21.320 --> 1:28:24.200
<v Speaker 6>I want to get dads the props for actually hitting

1:28:24.240 --> 1:28:25.880
<v Speaker 6>me and saying, man, come on, come come on, let

1:28:25.920 --> 1:28:27.840
<v Speaker 6>me we get on the phone. And you know what,

1:28:28.280 --> 1:28:30.720
<v Speaker 6>that's what we needed hip hop and for you from

1:28:30.800 --> 1:28:33.840
<v Speaker 6>when you did that for me, because that's my homie.

1:28:33.880 --> 1:28:35.400
<v Speaker 6>And I ain't know how I offended them in no way,

1:28:35.439 --> 1:28:39.200
<v Speaker 6>shape form a fashion. But from that moment on, I

1:28:39.360 --> 1:28:41.560
<v Speaker 6>had got Troy Ave on the phone with styles P

1:28:41.760 --> 1:28:44.120
<v Speaker 6>and made them squash they shit. I got you know,

1:28:44.680 --> 1:28:46.599
<v Speaker 6>jay Z on the phone with Fat Joe and squashed

1:28:46.600 --> 1:28:48.519
<v Speaker 6>they shit. I even got a drink on the phone

1:28:48.560 --> 1:28:51.840
<v Speaker 6>with DMX Squas station Ship. But I was inspired from

1:28:51.880 --> 1:28:53.800
<v Speaker 6>that phone call that you pop my callar thank you.

1:28:54.479 --> 1:28:57.479
<v Speaker 6>I was inspired from that call because you knew I

1:28:57.560 --> 1:29:00.200
<v Speaker 6>loved you and you know how it was, and you

1:29:00.400 --> 1:29:01.800
<v Speaker 6>knew you had that line on me. And I thought

1:29:01.880 --> 1:29:04.639
<v Speaker 6>that was some grown man real, that's real, killing ship

1:29:04.720 --> 1:29:05.240
<v Speaker 6>to me right.

1:29:05.160 --> 1:29:08.200
<v Speaker 1>There, growing up in him. I'm saying, you know right,

1:29:10.120 --> 1:29:11.519
<v Speaker 1>that was dope man, that.

1:29:11.640 --> 1:29:13.479
<v Speaker 2>Was dope man. I can't thank you enough, Dad, I

1:29:13.520 --> 1:29:14.320
<v Speaker 2>can't thank you enough.

1:29:14.360 --> 1:29:15.200
<v Speaker 1>Corrupt you.

1:29:15.320 --> 1:29:18.800
<v Speaker 6>We be friends forever, man, We're done barbecued in my crib.

1:29:19.120 --> 1:29:19.920
<v Speaker 1>We done.

1:29:20.000 --> 1:29:21.680
<v Speaker 6>We I had you on the block. We don't we

1:29:21.720 --> 1:29:24.080
<v Speaker 6>done did everything. I remember you made a disrecord and

1:29:24.400 --> 1:29:25.880
<v Speaker 6>you came to New York and I held you down.

1:29:25.920 --> 1:29:27.160
<v Speaker 6>I said, Nigga, you okay.

1:29:27.880 --> 1:29:32.320
<v Speaker 2>Okay, you said you said because I ain't supposed to

1:29:32.320 --> 1:29:32.680
<v Speaker 2>be out here.

1:29:32.680 --> 1:29:38.479
<v Speaker 6>I said, you wouldn't me. That's you, I said, when

1:29:38.520 --> 1:29:41.639
<v Speaker 6>you gave forty nickels. Yeah, I said, corrupt, you're okay.

1:29:42.400 --> 1:29:44.959
<v Speaker 14>All the time I was with all the time.

1:29:45.000 --> 1:29:47.439
<v Speaker 9>I was with Inger, right, and we was out there,

1:29:47.840 --> 1:29:51.759
<v Speaker 9>Me and Inger Laurie always came through and court Mega.

1:29:52.000 --> 1:29:52.920
<v Speaker 1>That's right, that's right.

1:29:53.000 --> 1:29:55.439
<v Speaker 2>We held you that gave me that forty nickels. That's right,

1:29:55.439 --> 1:29:57.559
<v Speaker 2>that's right, that's right, that's right, that's right, that's right.

1:29:57.560 --> 1:29:59.800
<v Speaker 2>It's over seven years ago. So fast something that all

1:30:00.400 --> 1:30:03.680
<v Speaker 2>so listen, they can't come and get me. Maybe I

1:30:03.680 --> 1:30:07.400
<v Speaker 2>should have said detectives about don't know that.

1:30:09.800 --> 1:30:11.280
<v Speaker 1>I didn't mean that, you know what I mean?

1:30:13.520 --> 1:30:18.760
<v Speaker 10>Nigga straightened up real quick, up man, fast listen, man,

1:30:19.160 --> 1:30:20.240
<v Speaker 10>keeping it real goes.

1:30:20.080 --> 1:30:21.599
<v Speaker 2>Wrong, keeping it real goes well.

1:30:21.920 --> 1:30:25.080
<v Speaker 6>So once again, man, we're in Las Vegas. Man, you

1:30:25.160 --> 1:30:27.720
<v Speaker 6>know we know this other podcast that's coming here.

1:30:27.840 --> 1:30:28.280
<v Speaker 2>Next week.

1:30:28.520 --> 1:30:30.479
<v Speaker 6>We know this other podcast is gonna do and they

1:30:30.600 --> 1:30:32.760
<v Speaker 6>and you know, we don't even know their names, but

1:30:33.479 --> 1:30:35.720
<v Speaker 6>they said because they posted a post and they said,

1:30:35.720 --> 1:30:37.360
<v Speaker 6>it's not about who do it first, about who do

1:30:37.439 --> 1:30:39.760
<v Speaker 6>it better. There's no way they can get better than Tony.

1:30:39.840 --> 1:30:40.000
<v Speaker 19>Yeah.

1:30:40.080 --> 1:30:42.240
<v Speaker 2>Yo, there's no way they can get.

1:30:42.120 --> 1:30:44.200
<v Speaker 1>Better than d p G.

1:30:44.920 --> 1:30:47.200
<v Speaker 6>There's no way they could get better than Drew Hill

1:30:47.439 --> 1:30:57.439
<v Speaker 6>and a dead capone. Let's make somennoyse for that. You

1:30:57.479 --> 1:30:59.200
<v Speaker 6>know we're gonna we're gonna be Listen, Listen.

1:30:59.080 --> 1:31:02.920
<v Speaker 10>We're gonna bury him and wake up Kelly. We're gonna

1:31:02.960 --> 1:31:03.400
<v Speaker 10>marry him.

1:31:03.840 --> 1:31:04.280
<v Speaker 1>Wake him up.

1:31:04.360 --> 1:31:05.160
<v Speaker 2>You don't make him up.

1:31:08.560 --> 1:31:13.160
<v Speaker 6>Listen your dad's time. Dads, can you be my witness?

1:31:13.600 --> 1:31:15.200
<v Speaker 6>You walked in the club. What's the first thing I

1:31:15.280 --> 1:31:16.000
<v Speaker 6>said to Coupon?

1:31:17.360 --> 1:31:20.160
<v Speaker 2>I said, stop what drinking that brown with that white?

1:31:20.320 --> 1:31:25.000
<v Speaker 2>That white? He's listening. He's a buggets yo.

1:31:25.120 --> 1:31:25.360
<v Speaker 11>Listen.

1:31:25.439 --> 1:31:30.800
<v Speaker 2>First off, if you say lit smart, you could get

1:31:30.840 --> 1:31:34.360
<v Speaker 2>a pass. You a Vegas. You need to be Oh boy,

1:31:34.479 --> 1:31:41.680
<v Speaker 2>goddamn it. That's that's the old rumor. That's a whole room.

1:31:42.280 --> 1:31:44.280
<v Speaker 2>That's an old roomer. What happens in Vegas is coming

1:31:44.320 --> 1:31:47.400
<v Speaker 2>to forty first time. Let's come in the first forty.

1:31:48.280 --> 1:31:53.879
<v Speaker 2>That's old forty first burning where.

1:31:53.680 --> 1:31:56.400
<v Speaker 6>It's an old rumor, it's an old woman once again. Man,

1:31:56.400 --> 1:31:58.599
<v Speaker 6>I can't tell you guys enough. Man, this is real

1:31:58.720 --> 1:32:01.280
<v Speaker 6>hip hop. We don't we don't care to. I'm not

1:32:01.320 --> 1:32:03.800
<v Speaker 6>a journalist. I don't google nobody. I don't do that.

1:32:03.840 --> 1:32:06.040
<v Speaker 2>I sit down and have real talk and me and

1:32:06.120 --> 1:32:08.400
<v Speaker 2>my partner e f N. Man, I'm sorry I stole

1:32:08.400 --> 1:32:11.920
<v Speaker 2>your mic. We lost the mic tonight. We lost the mic.

1:32:12.000 --> 1:32:13.880
<v Speaker 2>You know what I'm saying. And guess what this is?

1:32:14.040 --> 1:32:15.800
<v Speaker 2>This is one of my favorite episodes. This has been

1:32:15.840 --> 1:32:16.799
<v Speaker 2>off out of control.

1:32:17.120 --> 1:32:19.720
<v Speaker 6>I'm telling people to shush the whole time, like I

1:32:19.840 --> 1:32:21.519
<v Speaker 6>was in a movie theater because they say black people

1:32:21.600 --> 1:32:22.479
<v Speaker 6>talk in the movie theater.

1:32:22.520 --> 1:32:25.479
<v Speaker 2>And guess what, black people talking the podcast. We just

1:32:25.560 --> 1:32:28.839
<v Speaker 2>realized that. And guess what, Man, we having fun. Little Pamping,

1:32:29.560 --> 1:32:31.320
<v Speaker 2>I just upgraded you to big Pamp.

1:32:36.160 --> 1:32:38.960
<v Speaker 6>And I love West Coast niggas. Man, I'm gonna be honest,

1:32:39.280 --> 1:32:41.760
<v Speaker 6>We're gonna go do a whole West. I also gotta

1:32:41.760 --> 1:32:44.920
<v Speaker 6>shout out Snoop. Snoop was in the studio with Swiss.

1:32:45.000 --> 1:32:47.040
<v Speaker 6>They both hit me up on and said, man, we

1:32:47.200 --> 1:32:49.320
<v Speaker 6>love what you're doing your thing on the podcast because.

1:32:49.160 --> 1:32:50.040
<v Speaker 1>This is for hip hop.

1:32:50.479 --> 1:32:52.960
<v Speaker 10>You know what I'm saying with Snoop. Okay, started feeling

1:32:53.000 --> 1:32:53.960
<v Speaker 10>spiders in my body.

1:33:05.160 --> 1:33:09.400
<v Speaker 2>I'm ending with this. One time Snoop was in New York, right,

1:33:09.800 --> 1:33:10.840
<v Speaker 2>and he came, I filmed it.

1:33:10.920 --> 1:33:14.479
<v Speaker 6>This is for the What War Documentary exhibit, and and

1:33:14.720 --> 1:33:16.800
<v Speaker 6>you know, I brung all my you know, my my

1:33:16.920 --> 1:33:20.920
<v Speaker 6>niggas weir Yankee outfits, which is blue. So they they

1:33:20.960 --> 1:33:22.519
<v Speaker 6>ain't mind. They were crip, you know what I'm saying.

1:33:23.120 --> 1:33:27.320
<v Speaker 6>So so we went to go see Snoop, and Snoop

1:33:27.439 --> 1:33:29.439
<v Speaker 6>just keep passing us bunchs, keep passing us bunk.

1:33:29.560 --> 1:33:32.320
<v Speaker 2>So my caster, the niggas is disappointed in me. They're like,

1:33:32.760 --> 1:33:34.680
<v Speaker 2>why A, you're not smoking as much as stupid and

1:33:34.720 --> 1:33:35.280
<v Speaker 2>I'm smoking.

1:33:35.600 --> 1:33:38.599
<v Speaker 6>So we sitting there like and I'm filming and I'm like, damn,

1:33:38.640 --> 1:33:41.040
<v Speaker 6>I got tired. I felt like I ran a marathon, right,

1:33:41.520 --> 1:33:45.360
<v Speaker 6>So my niggas was disappointed. They was like, y'all, let

1:33:45.520 --> 1:33:48.519
<v Speaker 6>Snoop smoke y'all all in New York. So mind you

1:33:48.720 --> 1:33:51.760
<v Speaker 6>right now, Snoop hit me he's doing the Man Show

1:33:51.840 --> 1:33:54.920
<v Speaker 6>with some bishop. Darn Juan Crib who remember this.

1:33:55.000 --> 1:33:56.639
<v Speaker 2>Somebody said, yeah, right, fuck y'all.

1:33:58.000 --> 1:34:00.599
<v Speaker 6>Well, because it's not too many witnesses when we smoked,

1:34:00.600 --> 1:34:01.280
<v Speaker 6>Snoop bag out.

1:34:01.720 --> 1:34:03.600
<v Speaker 2>So we go to Mischeon don Long Crib and I

1:34:03.720 --> 1:34:06.080
<v Speaker 2>buy a pound just for that, and I just I

1:34:06.200 --> 1:34:08.439
<v Speaker 2>stayed at it and then Snoop said, I'm good. I

1:34:08.520 --> 1:34:15.800
<v Speaker 2>smoked enough, and I was, Snoop, listen, let me this.

1:34:15.960 --> 1:34:17.640
<v Speaker 6>This is one I knew this niggas a o G.

1:34:18.960 --> 1:34:21.880
<v Speaker 6>He was staying on like the seventeenth floor. Right, we

1:34:22.040 --> 1:34:23.920
<v Speaker 6>hit the tenth floor and the smoke along was on

1:34:24.000 --> 1:34:27.439
<v Speaker 6>the tenth floor. You smelled the weed from the tenth floor.

1:34:27.800 --> 1:34:29.680
<v Speaker 2>And we walked in and the hotel was just like

1:34:29.920 --> 1:34:37.719
<v Speaker 2>it's Snoop nigga. I was like, that's so yo. Man. Again,

1:34:37.800 --> 1:34:42.240
<v Speaker 2>I can't thank y'all enough. Capon, rest in peace. We're

1:34:42.240 --> 1:34:44.040
<v Speaker 2>gonna're gonna were gonna bring you back to life.

1:34:44.080 --> 1:34:44.360
<v Speaker 1>Baby.

1:34:45.000 --> 1:34:48.360
<v Speaker 6>But your dog pound gangsters, man, dazz and corrupt man,

1:34:48.720 --> 1:34:50.559
<v Speaker 6>your dad's you know. I went, I look at your

1:34:50.640 --> 1:34:53.280
<v Speaker 6>Discogo discography and it's one thing that I can ask

1:34:53.360 --> 1:34:53.479
<v Speaker 6>for you.

1:34:53.600 --> 1:34:55.080
<v Speaker 2>I need before everything is all over.

1:34:55.080 --> 1:34:57.080
<v Speaker 6>I'm gonna do one more album, man, And then the

1:34:57.240 --> 1:34:58.960
<v Speaker 6>last hour Money, the dazz beat Man.

1:34:59.280 --> 1:34:59.840
<v Speaker 2>You know what I'm saying.

1:35:00.000 --> 1:35:04.960
<v Speaker 6>I understand, and I don't want to do that bullshit

1:35:05.479 --> 1:35:06.439
<v Speaker 6>send me an email.

1:35:06.479 --> 1:35:09.000
<v Speaker 2>I don't want that flying to you. Wherever you're at.

1:35:09.040 --> 1:35:11.000
<v Speaker 2>We're gonna sit down, We're gonna smoke. You know what

1:35:11.000 --> 1:35:11.400
<v Speaker 2>I'm saying.

1:35:11.760 --> 1:35:12.240
<v Speaker 1>You know what I mean?

1:35:12.320 --> 1:35:12.840
<v Speaker 2>Corrupt man.

1:35:12.880 --> 1:35:15.760
<v Speaker 6>You know I love you, man, I love all y'all. Man, Yo, Tony, yeah, Yo, man,

1:35:15.800 --> 1:35:17.439
<v Speaker 6>thank you for participating in this thing.

1:35:17.560 --> 1:35:17.760
<v Speaker 11>Man.

1:35:18.000 --> 1:35:19.080
<v Speaker 2>You know we needed a G unit.

1:35:19.200 --> 1:35:21.840
<v Speaker 6>These people who is starving for G unit death death

1:35:21.960 --> 1:35:25.800
<v Speaker 6>rod stories and never in a million years when I

1:35:25.840 --> 1:35:28.000
<v Speaker 6>think I could get both of them together, you know

1:35:28.040 --> 1:35:28.519
<v Speaker 6>what I'm saying.

1:35:28.640 --> 1:35:30.400
<v Speaker 2>So I'm really appreciative.

1:35:30.800 --> 1:35:33.280
<v Speaker 6>And the thing you know about this is, you know

1:35:33.360 --> 1:35:35.080
<v Speaker 6>these fans they go out and they they they buy

1:35:35.200 --> 1:35:38.200
<v Speaker 6>these albums again and and and they reminisce and and

1:35:38.320 --> 1:35:40.600
<v Speaker 6>and and this is such a beautiful thing because this

1:35:40.680 --> 1:35:42.160
<v Speaker 6>ain't no journalists running this ship.

1:35:42.360 --> 1:35:44.640
<v Speaker 2>This is this is the inmates running the building. You

1:35:44.720 --> 1:35:46.400
<v Speaker 2>know what I mean. This is a dude getting out

1:35:46.439 --> 1:35:48.800
<v Speaker 2>the big and being a warden. You know what I'm

1:35:48.840 --> 1:35:50.800
<v Speaker 2>what I'm saying. So I wanna make some noise for

1:35:50.840 --> 1:35:52.000
<v Speaker 2>me and a Finnish four.

1:35:51.920 --> 1:35:53.200
<v Speaker 1>Forty in the morning.

1:35:55.720 --> 1:36:07.880
<v Speaker 11>And Jack Dayler and Jack Durler.

1:36:08.439 --> 1:36:11.439
<v Speaker 6>Man, Yo, Man, I gotta I gotta thank you Jack Well,

1:36:11.479 --> 1:36:12.639
<v Speaker 6>I've been thinking everybody else.

1:36:12.680 --> 1:36:15.679
<v Speaker 2>I gotta thank you man for participating, being.

1:36:15.600 --> 1:36:18.640
<v Speaker 6>What you gotta do, appreciate and letting me gass you

1:36:18.720 --> 1:36:21.080
<v Speaker 6>to start your own podcast. You know what I'm saying,

1:36:21.120 --> 1:36:22.800
<v Speaker 6>because you're a funny dude, and I think you should

1:36:22.800 --> 1:36:24.960
<v Speaker 6>start your own podcast and do your own podcast.

1:36:25.479 --> 1:36:27.599
<v Speaker 2>And we're just so proud to be here.

1:36:27.640 --> 1:36:32.400
<v Speaker 6>Man, We're gonna keep getting drunk, we keep smoking. I

1:36:32.479 --> 1:36:34.400
<v Speaker 6>ain't saying we gotta go home, but we're gonna get

1:36:34.400 --> 1:36:35.160
<v Speaker 6>the fun up out of here.

1:36:41.439 --> 1:36:44.160
<v Speaker 2>Yo, I ain't gonna fuck it the worst I've taken

1:36:44.240 --> 1:36:45.080
<v Speaker 2>my own life.

1:36:52.840 --> 1:36:56.160
<v Speaker 3>Drink Champs is a Drink Champs ll C production hosts

1:36:56.240 --> 1:36:59.040
<v Speaker 3>and executive producers n O r E and d J

1:36:59.280 --> 1:37:03.040
<v Speaker 3>e f N. Listen to Drink Champs on Apple Podcast,

1:37:03.280 --> 1:37:08.400
<v Speaker 3>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

1:37:08.439 --> 1:37:10.960
<v Speaker 3>for joining us for another episode of Drink Champs hosted

1:37:11.000 --> 1:37:13.640
<v Speaker 3>by Yours truly, dj EFN and n O r E.

1:37:14.120 --> 1:37:16.200
<v Speaker 3>Please make sure to follow us on all our socials

1:37:16.439 --> 1:37:20.240
<v Speaker 3>that's at Drink Champs across all platforms at the Real Noriagon,

1:37:20.360 --> 1:37:24.240
<v Speaker 3>ig at Noriega on Twitter, Mine is at Who's Crazy

1:37:24.400 --> 1:37:27.720
<v Speaker 3>on ig at dj e f N on Twitter, and

1:37:27.800 --> 1:37:30.200
<v Speaker 3>most importantly, stay up to date with the latest releases,

1:37:30.640 --> 1:37:33.800
<v Speaker 3>news and merch by going to drink Champs dot com