WEBVTT - Believe in Yourself (with Brandi Carlile and André De Shields)

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<v Speaker 1>You and Me Both is a production of I Heart Radio.

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<v Speaker 1>I'm Hillary Clinton, and this is You and Me Both.

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<v Speaker 1>Believe in yourself. You know, it's a piece of advice

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<v Speaker 1>we hear a lot, but for many of us, it

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<v Speaker 1>takes years, if not a lifetime, to actually get there.

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<v Speaker 1>And then there are those rare folks, immensely talented and

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<v Speaker 1>hard working, who somehow always knew that they would be somebody. Today,

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<v Speaker 1>I have the pleasure of speaking with two people who

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<v Speaker 1>believed in themselves from the get go. Later we'll hear

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<v Speaker 1>from the incredibly talented actor, director, and choreographer Andre de Shields.

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<v Speaker 1>But first I'm talking to multiple Grammy Award winning singer

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<v Speaker 1>and songwriter Brandy Carlisle. I first discovered Brandy back in

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<v Speaker 1>when she performed her song The Joke at the Grammy Awards.

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<v Speaker 1>That year, she was nominated four six, yes six Grammys

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<v Speaker 1>for her album By the Way I Forgive You. I

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<v Speaker 1>immediately tracked down as much of her music as I could,

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<v Speaker 1>and I've been a fan ever since. Brandy grew up

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<v Speaker 1>in rural Washington State with very young parents who struggled

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<v Speaker 1>to make a living and provide a stable home, but

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<v Speaker 1>she was also surrounded by a lot of love and

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<v Speaker 1>a lot of music. She's drawn on those roots to

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<v Speaker 1>build a beautiful family of her own with her wife

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<v Speaker 1>Catherine and their two daughters, Evangeline and Elijah. Brandy writes

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<v Speaker 1>about all of this in her memoir titled Broken Horses,

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<v Speaker 1>and that's where I wanted to start our conversation by

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<v Speaker 1>asking her what it was like to pull up those memories,

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<v Speaker 1>the good, the bad, the wonderful and right this incredibly open,

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<v Speaker 1>revealing and compelling book. I had always kind of mind

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<v Speaker 1>my past for experience and songwriting and things like that,

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<v Speaker 1>but just in a little random bursts without the detail,

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<v Speaker 1>you know. But when I actually really sat down and

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<v Speaker 1>kind of meditated on it, everything came back smells and

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<v Speaker 1>floral prints on couches and you know, whatever vehicle we

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<v Speaker 1>happened to have at that time, and just my childhood

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<v Speaker 1>became really clear and really vivid, and it poured out

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<v Speaker 1>of me. I didn't hesitate. I didn't worry about what

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<v Speaker 1>I was saying about mom or Dad or you know,

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<v Speaker 1>my brother and sister, or the way that we lived

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<v Speaker 1>or what was going on and our lives at that time.

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<v Speaker 1>I didn't think about embarrassment because I think in the

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<v Speaker 1>back of my mind, I knew I could always go

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<v Speaker 1>and take anything out, I could edit anything, and then

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<v Speaker 1>I just didn't from what I read um not only

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<v Speaker 1>about your parents, but your grandparents aunts uncle's. Yeah, there

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<v Speaker 1>was a lot of love, there was a lot of fun,

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<v Speaker 1>and there was a lot of unpredictability, instability and chaos.

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<v Speaker 1>That's true. How would you describe your mom and your dad?

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<v Speaker 1>You emphasize how young they were. Yeah, they were, and

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<v Speaker 1>in some ways and that I mean, this is a compliment.

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<v Speaker 1>Are very young, and there's an energy about them and

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<v Speaker 1>that endless opportunities for adventure and fun and honestly mostly chaos.

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<v Speaker 1>There was always this kind of undercurrent of like, well,

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<v Speaker 1>we're different and we don't have to do things the

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<v Speaker 1>way other people do them. And it was like a

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<v Speaker 1>little bit like that film, you know, Captain Fantastic. There

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<v Speaker 1>was a lot of late night discussion and I was

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<v Speaker 1>privy to a lot of things that I don't know

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<v Speaker 1>if I needed to be privy to. But I was

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<v Speaker 1>also given great wisdom and insight at a really young age,

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<v Speaker 1>and for some reason, I just feel like I knew

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<v Speaker 1>what to do with it, and that kind of narrative

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<v Speaker 1>of like we're different, it we live different was what

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<v Speaker 1>made not being at the same schools or having a

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<v Speaker 1>lot of different houses, or a little bit of upheaval

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<v Speaker 1>not just okay, but what I thought would be a

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<v Speaker 1>preferable way to grow up. And looking back on it,

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<v Speaker 1>I don't know that. I don't feel that way now.

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<v Speaker 1>I feel a pull all the time to raise my

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<v Speaker 1>kids eccentrically with a little bit of chaos, a little

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<v Speaker 1>bit of spontaneity, a little bit and we don't know

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<v Speaker 1>what's going to happen. And um my wife makes me resistant.

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<v Speaker 1>But I don't want to leave your childhood yet because

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<v Speaker 1>you also describe the very serious illness you had as

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<v Speaker 1>what a four year old? Can you talk about that? Yeah,

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<v Speaker 1>when I was four years old, I contracted meninji kockumaningitis

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<v Speaker 1>and presented as really, really sick. But my mother was

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<v Speaker 1>really young, I want to say, like twenty at the time,

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<v Speaker 1>and I knew right away that something was wrong. But

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<v Speaker 1>she was the kind of mom where she thought something

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<v Speaker 1>was wrong all the time. You know, she had the

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<v Speaker 1>speed dial if they even had that, you know, in

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<v Speaker 1>night what would two four nurse? And she told my

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<v Speaker 1>dad that something was really wrong, and you know, he

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<v Speaker 1>didn't believe her, and my mom was on the phone

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<v Speaker 1>with two four nurse and two foreign nurse asked my

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<v Speaker 1>mom to have me touch my chin to my chest,

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<v Speaker 1>which I guess is like the telltale sign that somebody

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<v Speaker 1>could have meningitis, and it made me pass out and

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<v Speaker 1>I just remember waking up in the backseat of the

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<v Speaker 1>car on my way to the emergency room and wound

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<v Speaker 1>up being in the hospital in a coma for um

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<v Speaker 1>quite some time before I came to and didn't get

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<v Speaker 1>out of there until after my fifth birthday, and um,

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<v Speaker 1>there's still a bit of trauma, I think for both

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<v Speaker 1>my parents, but mostly I think my mother about thinking

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<v Speaker 1>that I wasn't going to pull through that, and it

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<v Speaker 1>gave me a sense of specialness. You know, I was

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<v Speaker 1>the first grandchild on both sides of the family, and

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<v Speaker 1>and everybody had this kind of Brandy's got a mission thing,

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<v Speaker 1>and it gave me a quite inflated sense of selving.

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<v Speaker 1>What was your earliest memory of making or listening to music,

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<v Speaker 1>because the other part of the book, which I love

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<v Speaker 1>is that you had a somewhat musical family, and I

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<v Speaker 1>see pictures in the book of you as a really

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<v Speaker 1>little kid, all dressed up, You're on stage, you're singing.

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<v Speaker 1>What are your earliest memories. There's music on both sides

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<v Speaker 1>of my family, country music and blue grass mostly. My

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<v Speaker 1>dad's father played dobro and followed blue grass bands around

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<v Speaker 1>in his RV, and I didn't get to spend much

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<v Speaker 1>time with him musically. He was a quiet guy that

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<v Speaker 1>you know. But on my mom's side of the family,

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<v Speaker 1>her dad was a cigar salesman and a country music

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<v Speaker 1>singer and yodeler, and he was a very outward personality,

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<v Speaker 1>big influence that I think about in here in my

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<v Speaker 1>head all the time to this day. But he died

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<v Speaker 1>really young, of a l s which is the worst

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<v Speaker 1>season the world. And uh, when he died, kind of

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<v Speaker 1>the last thing he in, whether he knew it or not,

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<v Speaker 1>was light a fire in my mother to continue on

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<v Speaker 1>the music. And she did. She took all that grief

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<v Speaker 1>and that little bit of money and got a p

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<v Speaker 1>a system and put together a band and started singing

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<v Speaker 1>and thought to include me and my brother. And so

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<v Speaker 1>I was like seven or eight years old the first

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<v Speaker 1>time I got on stage and sang a Roseanne Cash song.

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<v Speaker 1>Tennessee flat top box at this place called the Northwest

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<v Speaker 1>grand Ole Opry And I just want to be a cowgirl.

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<v Speaker 1>I love that. Well. I also really love your mother's

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<v Speaker 1>gutsiness that she got that p a system and put

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<v Speaker 1>herself up there. That is really making yourself vulnerable. And

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<v Speaker 1>I think it's another real tribute to her as a

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<v Speaker 1>mom that she knew to include you. Yeah, and she

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<v Speaker 1>was really good. She looked great, huge hair, you know,

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<v Speaker 1>she fixed my hair and put our clothes together and everything,

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<v Speaker 1>and she just yeah, she'd always tell me she'd be

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<v Speaker 1>sit in the front or I just going move, Brandy,

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<v Speaker 1>move your body, stop wrapping them cord around your hand.

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<v Speaker 1>Oh god, we're taking a quick break. Stay with us.

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<v Speaker 1>The other thing about your upbringing is that you know

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<v Speaker 1>you grew up in a religious family and a religious community. Um.

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<v Speaker 1>And I really like the way that faith and spirituality

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<v Speaker 1>run through your story like yours. Yeah, like mine exactly,

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<v Speaker 1>and how it evolves. And it was so touching to

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<v Speaker 1>me and heartbreaking to read your description about a pastor

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<v Speaker 1>refusing to baptize you. I guess because he knew you

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<v Speaker 1>were gay and insisted that you renounce, literally renounce your self.

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<v Speaker 1>In order to be baptized, and you rightly refused to

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<v Speaker 1>do that. Can you tell that story? Yeah, he really

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<v Speaker 1>knew I was gay. Like That's really one of the

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<v Speaker 1>hardest nuances about that stories, that he really knew I

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<v Speaker 1>was gay. Like I was totally unapologetic about it. I

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<v Speaker 1>presented that way. I brought my little girlfriend to church

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<v Speaker 1>for some reason. I don't know why. I didn't expect that. Um,

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<v Speaker 1>it was in the sermons, it was in the subtext.

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<v Speaker 1>You know, I did have a sense of audacity that

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<v Speaker 1>I can't I would love to reconnect with actually, um,

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<v Speaker 1>but yeah he did. And there was like a well,

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<v Speaker 1>the Baptists are very big by the way on public

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<v Speaker 1>declarations converting to possible public humiliation. And I already liked

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<v Speaker 1>being on stage. So you know, I went up to

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<v Speaker 1>the front of the church and on one Sunday and

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<v Speaker 1>said I'd like to be baptized, was applauded and hugged

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<v Speaker 1>and given a schedule of you know, going to lunch

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<v Speaker 1>with the pastor and learning the things I need to

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<v Speaker 1>learn in the scriptures and understanding what going to take place,

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<v Speaker 1>inviting people, and then got to the church that day

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<v Speaker 1>to be baptized. And our talent and our family and

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<v Speaker 1>our friends kind of filled the church. And the pastor

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<v Speaker 1>at the last minute asked me, which was I thought

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<v Speaker 1>was really strange, asked me if I, quote unquote practiced homosexuality,

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<v Speaker 1>and I just remember this furrowed brow looking at him.

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<v Speaker 1>I said, you know, I'm I'm gay. I'm coming to

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<v Speaker 1>church with my girlfriend, you know, and that we go

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<v Speaker 1>we go into pizza Hut yesterday, like you know, you know,

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<v Speaker 1>and chose that moment to tell me that he wasn't

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<v Speaker 1>going to baptize me. And I had to kind of

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<v Speaker 1>run out the church in front of everyone. And it's

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<v Speaker 1>probably one of the biggest humiliations in my life. Without

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<v Speaker 1>trying to wrap it up into a attractive box and

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<v Speaker 1>say that everything's fine now, without that experience, I wouldn't

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<v Speaker 1>have known how much support actually had, how upset the

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<v Speaker 1>people that came to see that happen for me. We're

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<v Speaker 1>help set, my dad was, and I always felt I

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<v Speaker 1>was kind of gay ninety is accepted, you know, kind

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<v Speaker 1>of like we accept this, but don't put it into

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<v Speaker 1>our face kind of thing. Until that day and everybody

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<v Speaker 1>becoming so upset, I felt, you know, more seen in

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<v Speaker 1>that way than I ever had before, also more rejected

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<v Speaker 1>than I ever had before. But um, it pushed me

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<v Speaker 1>into another life that I needed to be pushed into.

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<v Speaker 1>But also from that time forward, you really threw yourself

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<v Speaker 1>into your music. And thinking back to being put on

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<v Speaker 1>the stage as this, you know, little girl, three decades

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<v Speaker 1>of performing and of writing, how has your relationship to

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<v Speaker 1>music evolved over that period of time. Well, I don't know.

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<v Speaker 1>I mean, I think that's the moment that music became

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<v Speaker 1>mine and I just I had to really separate my

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<v Speaker 1>soul from some things, you know, And so I started

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<v Speaker 1>getting interested in getting on airplane. I started getting interested

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<v Speaker 1>in going to a big city, meeting different kinds of people,

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<v Speaker 1>and less and less interested in country music. I remember

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<v Speaker 1>that night of my botched baptism. I call it putting

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<v Speaker 1>my little CD player Jeff Buckley's Grace on repeat on Hallelujah,

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<v Speaker 1>just over and over and over and over again, and

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<v Speaker 1>occurring to me like I want to leave, and I

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<v Speaker 1>want to write. I want to write a song like this.

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<v Speaker 1>I don't care if it's a twelve minute song, a

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<v Speaker 1>longer song for a longer story. But I also love

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<v Speaker 1>the way that you found some extraordinary music icons that

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<v Speaker 1>became mentors. I mean the kind of relationship that you

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<v Speaker 1>describe with Alton John from a far, far distance. There

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<v Speaker 1>you are in Washington State, Alton's you know, in England

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<v Speaker 1>or Atlanta or wherever you might be, and you are

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<v Speaker 1>discovering this extraordinary human being, to say nothing of his

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<v Speaker 1>you know, almost cosmic talent. I fall in love with

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<v Speaker 1>Elton John over a six fifth sixth grade book report

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<v Speaker 1>about Ryan White, never hearing a note. I loved him

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<v Speaker 1>because of his contribution to this boy's life. Who died

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<v Speaker 1>I think it was it's in the nineties. He died

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<v Speaker 1>of AIDS. He had hemophilia. He contracted AIDS through a

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<v Speaker 1>blood transfusion. I did a book report on him in school.

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<v Speaker 1>I chose the book myself. You didn't even know what

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<v Speaker 1>the book was about. I just saw a cute boy

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<v Speaker 1>on the book and I picked it up in the

0:13:32.800 --> 0:13:35.079
<v Speaker 1>school library and I did a book report. And in

0:13:35.120 --> 0:13:38.000
<v Speaker 1>the end of the book, he befriends this British gay

0:13:38.080 --> 0:13:41.520
<v Speaker 1>rock star. He's being politicized, He's being asked to become

0:13:41.520 --> 0:13:45.320
<v Speaker 1>the poster child for the church as a person affected

0:13:45.360 --> 0:13:47.920
<v Speaker 1>by you know, sin in the world created by home

0:13:47.960 --> 0:13:50.959
<v Speaker 1>sexual men. And this was a subtext that I had

0:13:51.000 --> 0:13:53.800
<v Speaker 1>been taught in church, and was was thinking about this

0:13:53.920 --> 0:13:55.720
<v Speaker 1>and talking about this a lot in my own home.

0:13:56.679 --> 0:14:00.679
<v Speaker 1>And here's this new perspective in a book the God.

0:14:00.920 --> 0:14:03.320
<v Speaker 1>And in the end he meets this rock star, and

0:14:03.320 --> 0:14:04.760
<v Speaker 1>this rock star has got a couple of songs that

0:14:04.800 --> 0:14:06.440
<v Speaker 1>are mentioned in the book, and he sings a song

0:14:06.480 --> 0:14:09.800
<v Speaker 1>at this kid's funeral called Skyline Pigeon. And I went

0:14:09.840 --> 0:14:12.840
<v Speaker 1>to the King County Library and checked out the CD

0:14:12.960 --> 0:14:15.200
<v Speaker 1>here and now Elton John c D a couple other

0:14:15.200 --> 0:14:17.280
<v Speaker 1>Elton John c ds in a book by Philip Norman

0:14:17.280 --> 0:14:20.600
<v Speaker 1>Elton John, Elton John, and I dove into this rock star.

0:14:20.640 --> 0:14:22.280
<v Speaker 1>And before I ever heard him saying, I was already

0:14:22.280 --> 0:14:24.960
<v Speaker 1>obsessed with him. And then I heard Skyline Pigeon. And

0:14:25.000 --> 0:14:26.800
<v Speaker 1>then I heard Funeral for a friend and Benny and

0:14:26.840 --> 0:14:30.280
<v Speaker 1>the Jets, and I just I went in to everything

0:14:30.320 --> 0:14:33.160
<v Speaker 1>Elton John. By the time I was like fourteen, there

0:14:33.200 --> 0:14:35.240
<v Speaker 1>wasn't a square inch of my bedroom walls that weren't

0:14:35.240 --> 0:14:40.960
<v Speaker 1>covered with Elton John memorabilia. I made homemade Elton John jewelry,

0:14:41.200 --> 0:14:45.160
<v Speaker 1>and um I began playing piano. My parents got me

0:14:45.200 --> 0:14:49.120
<v Speaker 1>an eighty dollar toys, rus Cassio keyboard and totally changed

0:14:49.120 --> 0:14:51.960
<v Speaker 1>my life. And yeah, now he's like, he's my friend,

0:14:53.040 --> 0:14:56.440
<v Speaker 1>he is your friend. But Ryan White died in nineteen nine,

0:14:56.960 --> 0:15:03.120
<v Speaker 1>and he had such a an amazing effect on so

0:15:03.280 --> 0:15:07.120
<v Speaker 1>many people. You know, there eventually was a piece of legislation,

0:15:07.200 --> 0:15:11.640
<v Speaker 1>the Ryan White Act, to provide more support resources for

0:15:11.720 --> 0:15:17.320
<v Speaker 1>people living with HIV AIDS, and Alton just connected so

0:15:18.360 --> 0:15:22.480
<v Speaker 1>immediately with this, you know, young boy from Indiana. But

0:15:22.640 --> 0:15:27.200
<v Speaker 1>neither Ryan nor his mother ever allowed people if they

0:15:27.200 --> 0:15:31.160
<v Speaker 1>could stop it using them in a negative way. I mean,

0:15:31.920 --> 0:15:37.040
<v Speaker 1>they were bighearted, they were open minded. And I want

0:15:37.040 --> 0:15:40.320
<v Speaker 1>to just make one other point. You got that book

0:15:40.360 --> 0:15:44.840
<v Speaker 1>about Ryan White in your school library. There are people

0:15:45.640 --> 0:15:48.280
<v Speaker 1>right now who want to take a book like that

0:15:48.480 --> 0:15:53.600
<v Speaker 1>out of public school libraries. You know, impressionable children shouldn't

0:15:53.640 --> 0:15:56.920
<v Speaker 1>be learning about Ryan White. You know, it's just another

0:15:57.320 --> 0:16:01.560
<v Speaker 1>perfect example among countless examples of why, you know, we

0:16:01.680 --> 0:16:04.400
<v Speaker 1>have to stand up for the right of kids to

0:16:04.840 --> 0:16:07.840
<v Speaker 1>you know, seek out and find information, and obviously your

0:16:07.840 --> 0:16:10.840
<v Speaker 1>school library is one of the best ways to do that.

0:16:11.280 --> 0:16:13.800
<v Speaker 1>When and how did you finally meet Elton in person?

0:16:14.040 --> 0:16:16.960
<v Speaker 1>First of all, that's a really really good point. And

0:16:17.280 --> 0:16:19.400
<v Speaker 1>books like that that I had access to in my

0:16:19.440 --> 0:16:21.520
<v Speaker 1>school sculpted a lot of things about my life. And

0:16:21.560 --> 0:16:24.000
<v Speaker 1>that's just one of the many that gave me, you know,

0:16:24.160 --> 0:16:27.760
<v Speaker 1>the worldview that propelled me forward in really really big ways.

0:16:28.680 --> 0:16:30.760
<v Speaker 1>I love that you made that point. What was this

0:16:30.800 --> 0:16:33.200
<v Speaker 1>was the second question? So when and where did you

0:16:33.240 --> 0:16:37.040
<v Speaker 1>meet Elton? Okay? So I met Elton, just like you'd

0:16:37.080 --> 0:16:41.120
<v Speaker 1>hope I would, in a Las Vegas casino basement recording studio.

0:16:44.080 --> 0:16:46.080
<v Speaker 1>He called me like ten years prior to that, or

0:16:46.280 --> 0:16:47.920
<v Speaker 1>it gives me five years prior to that when I

0:16:47.920 --> 0:16:50.240
<v Speaker 1>put out put out the story, but I hadn't met

0:16:50.280 --> 0:16:52.000
<v Speaker 1>him yet, and I always wanted to meet him. I

0:16:52.000 --> 0:16:54.000
<v Speaker 1>wrote him a letter when I made my album give

0:16:54.080 --> 0:16:56.400
<v Speaker 1>Up the Ghost and asked him to play piano in

0:16:56.440 --> 0:16:58.880
<v Speaker 1>one of my songs, and he just he called me

0:16:58.960 --> 0:17:01.080
<v Speaker 1>up and said, yeah, can you get to Vegas? So

0:17:01.320 --> 0:17:04.879
<v Speaker 1>I did, and I just never forget it because I

0:17:04.880 --> 0:17:07.040
<v Speaker 1>remember coming down this corridor and I could hear him

0:17:07.040 --> 0:17:11.200
<v Speaker 1>talking and I had all of the every live VHS

0:17:11.280 --> 0:17:14.280
<v Speaker 1>tape that he had ever recorded, every interview, and I'm like,

0:17:14.320 --> 0:17:16.600
<v Speaker 1>oh my god, that's Elton. I'm gonna walk around the

0:17:16.600 --> 0:17:20.080
<v Speaker 1>corner and I'm gonna see Elton John sitting there, And

0:17:20.160 --> 0:17:22.040
<v Speaker 1>I did, and he was sitting there in a track suit,

0:17:22.080 --> 0:17:24.240
<v Speaker 1>and he just gave me an enormous hug and then

0:17:24.280 --> 0:17:26.480
<v Speaker 1>stayed with me all day for four hours, just talk

0:17:26.520 --> 0:17:29.720
<v Speaker 1>to me about music. Just gave me everything that I

0:17:29.720 --> 0:17:33.160
<v Speaker 1>could have ever hoped to be given by meeting my

0:17:33.480 --> 0:17:36.720
<v Speaker 1>very worthy hero. By the time I got home, he'd

0:17:36.720 --> 0:17:43.360
<v Speaker 1>sent me a hundred CDs with sticky notes. Oh, talk

0:17:43.440 --> 0:17:46.639
<v Speaker 1>about the day that you found out you were the

0:17:46.680 --> 0:17:51.280
<v Speaker 1>most nominated woman of the nineteen Grammys. Described that because

0:17:51.400 --> 0:17:54.080
<v Speaker 1>to me, it just blended so much about what your

0:17:54.119 --> 0:17:57.159
<v Speaker 1>life is like right now. I mean it was the

0:17:57.160 --> 0:17:58.959
<v Speaker 1>middle of the night because we're on the West Coast,

0:17:59.359 --> 0:18:03.280
<v Speaker 1>and I just the phone call that from relative obscurity

0:18:03.280 --> 0:18:07.560
<v Speaker 1>in terms of the Grammys, I have been nominated for

0:18:07.680 --> 0:18:10.640
<v Speaker 1>six of them, and I was just in total disbelief.

0:18:10.680 --> 0:18:12.600
<v Speaker 1>I knew it was going to be a watershed moment.

0:18:12.600 --> 0:18:14.800
<v Speaker 1>I knew it was going to change my life, and

0:18:14.880 --> 0:18:18.040
<v Speaker 1>it really did. It was my my publicistant friend, Osha,

0:18:18.119 --> 0:18:20.439
<v Speaker 1>She's just like they just kept saying your name. You know.

0:18:20.920 --> 0:18:22.679
<v Speaker 1>I wasn't even awake. It was pitch dark, and I

0:18:22.680 --> 0:18:25.280
<v Speaker 1>woke up everybody in my house. And but you know,

0:18:25.640 --> 0:18:29.080
<v Speaker 1>I mean, you know because you're a Grammy winner, right, Yeah,

0:18:29.200 --> 0:18:32.280
<v Speaker 1>that's right for the spoken word, that's true. Where's your

0:18:32.280 --> 0:18:34.520
<v Speaker 1>brily I'm looking for in the background. I don't see it.

0:18:35.600 --> 0:18:41.080
<v Speaker 1>I have it in our our library. It's part of history. Okay, Well,

0:18:41.119 --> 0:18:43.679
<v Speaker 1>before we go, I have to ask you. I know

0:18:43.760 --> 0:18:47.560
<v Speaker 1>you love fishing, and you know you you write in

0:18:47.600 --> 0:18:51.840
<v Speaker 1>the book nothing's really ever got ahold of me the

0:18:51.880 --> 0:18:58.680
<v Speaker 1>way fishing and music cab. Okay, what is the biggest

0:18:58.760 --> 0:19:02.240
<v Speaker 1>fish you've ever caught? And was it the same feeling

0:19:02.280 --> 0:19:05.119
<v Speaker 1>you had when you got all those Grammys? It was

0:19:05.160 --> 0:19:10.000
<v Speaker 1>the same feeling, I mean nearly identical, because, as I

0:19:10.040 --> 0:19:13.800
<v Speaker 1>said in the book, fishing is merely an attempt to

0:19:13.840 --> 0:19:15.879
<v Speaker 1>connect to something that you know is there but but

0:19:16.040 --> 0:19:21.000
<v Speaker 1>can't see a perpetual series of occasions for hope. The

0:19:21.000 --> 0:19:25.040
<v Speaker 1>biggest fish I ever caught was in Alaska on the

0:19:25.119 --> 0:19:29.520
<v Speaker 1>Kenai River. It's a forty three pound king salmon. That's

0:19:29.560 --> 0:19:32.840
<v Speaker 1>one big fish. You know. I've actually fished for salmon

0:19:33.480 --> 0:19:38.840
<v Speaker 1>in Alaska and those fish are big. They are big,

0:19:39.800 --> 0:19:42.359
<v Speaker 1>and they're delicious too. Did they pack your fish and

0:19:42.400 --> 0:19:44.520
<v Speaker 1>prepare it so that you could go and eat it later.

0:19:44.640 --> 0:19:49.679
<v Speaker 1>I prepared it. You prepare it, no, girl, But you

0:19:49.720 --> 0:19:53.119
<v Speaker 1>know something about that. Huh. Oh my gosh. But I

0:19:53.160 --> 0:19:55.840
<v Speaker 1>also love I mean your your definition of fishing is

0:19:55.880 --> 0:19:58.720
<v Speaker 1>almost like a perfect definition of faith. I'm gonna I'm

0:19:58.720 --> 0:20:00.960
<v Speaker 1>gonna remember that. I think that that's exactly what I

0:20:01.040 --> 0:20:04.840
<v Speaker 1>parallel it with. Well, Brandy Carlisle, I cannot thank you enough.

0:20:04.880 --> 0:20:08.400
<v Speaker 1>This was such a true delight. Do you have any

0:20:08.480 --> 0:20:12.320
<v Speaker 1>parting words or any yeah I singing words or anything

0:20:12.359 --> 0:20:14.320
<v Speaker 1>you want to leave us with. I cannot tell you

0:20:14.320 --> 0:20:17.919
<v Speaker 1>how much talking to you today has has meant to me.

0:20:18.160 --> 0:20:20.520
<v Speaker 1>And I almost can't do anything else for the rest

0:20:20.560 --> 0:20:22.840
<v Speaker 1>of the day now. I just I think that you

0:20:22.880 --> 0:20:25.359
<v Speaker 1>are such a special person. You're such a gift to

0:20:25.400 --> 0:20:27.600
<v Speaker 1>the world. You've been a gift in my life. You

0:20:27.600 --> 0:20:29.919
<v Speaker 1>know the song we keep skimming over, the joke that

0:20:30.000 --> 0:20:33.200
<v Speaker 1>I sang at the Grammys. I wrote that first line

0:20:33.240 --> 0:20:36.879
<v Speaker 1>in the second verse about you. Oh I'm getting over

0:20:36.960 --> 0:20:41.040
<v Speaker 1>a colt, So I'm gonna do my best. You get discouraged,

0:20:41.240 --> 0:20:46.640
<v Speaker 1>don't you. Girl. It's your brother's world for a little while, longer,

0:20:48.560 --> 0:20:53.680
<v Speaker 1>a little while, just a little while, not too much

0:20:54.080 --> 0:21:05.280
<v Speaker 1>Thank you, Thank You. Randy Carlyle's memoir is Broken Horses.

0:21:07.840 --> 0:21:11.320
<v Speaker 1>One of my favorite shows on Broadway in recent years

0:21:11.640 --> 0:21:16.920
<v Speaker 1>is the Tony Award winning Best Musical Hades Town. In

0:21:16.920 --> 0:21:22.040
<v Speaker 1>this modern retelling of Orpheus and Eriticy, the character of

0:21:22.080 --> 0:21:26.960
<v Speaker 1>Herme's messenger to the gods carries us through the entire show,

0:21:27.600 --> 0:21:30.960
<v Speaker 1>and who better to play a god than the larger

0:21:31.000 --> 0:21:36.560
<v Speaker 1>than life personality Andrea de Shields. Following a shutdown during

0:21:36.560 --> 0:21:41.040
<v Speaker 1>the pandemic, Hades Town is up and running again with

0:21:41.119 --> 0:21:44.880
<v Speaker 1>Andrea at the Helm. But this is just the latest

0:21:44.960 --> 0:21:50.800
<v Speaker 1>chapter in his long and glorious history. At age seventy six,

0:21:51.400 --> 0:21:56.400
<v Speaker 1>Andre has been performing in the theater for over fifty years,

0:21:57.000 --> 0:22:01.560
<v Speaker 1>starting with his professional debut in the hit rock musical

0:22:01.720 --> 0:22:06.240
<v Speaker 1>Hair back in nineteen sixty nine and I hate to

0:22:06.280 --> 0:22:10.200
<v Speaker 1>tell you that I actually saw it way back then.

0:22:11.000 --> 0:22:14.600
<v Speaker 1>But since then he's appeared on film and TV and

0:22:14.640 --> 0:22:19.280
<v Speaker 1>in more musicals like The Whiz and Ain't Misbehavior. Three

0:22:19.320 --> 0:22:24.360
<v Speaker 1>Tony Award nominations and one win later, He's truly a

0:22:24.440 --> 0:22:28.679
<v Speaker 1>living legend of the stage. Andre was born in the

0:22:28.760 --> 0:22:32.840
<v Speaker 1>nineteen forties and grew up in Baltimore as the ninth

0:22:33.119 --> 0:22:37.560
<v Speaker 1>of eleven siblings. His mother was a domestic worker, his

0:22:37.720 --> 0:22:41.640
<v Speaker 1>father was a tailor. The stories he tells of how

0:22:41.680 --> 0:22:47.080
<v Speaker 1>he got from there to hear always believing in himself

0:22:47.160 --> 0:22:52.000
<v Speaker 1>along the way, or an inspiration to anyone with a

0:22:52.119 --> 0:22:56.119
<v Speaker 1>dream of making it, of making something that you really

0:22:56.160 --> 0:22:59.560
<v Speaker 1>can be proud of. I was so delighted to speak

0:22:59.600 --> 0:23:04.920
<v Speaker 1>with him. Good morning, Oh, good morning. I love your

0:23:05.119 --> 0:23:10.240
<v Speaker 1>red background. Wow. We may not know this, it's my aura.

0:23:10.720 --> 0:23:15.639
<v Speaker 1>I can understand that, my friend. You know, I was privileged,

0:23:15.720 --> 0:23:18.399
<v Speaker 1>as you know, to see you in Hades Town for

0:23:18.480 --> 0:23:24.000
<v Speaker 1>which you won a Tony in as you marked your

0:23:24.359 --> 0:23:29.320
<v Speaker 1>fiftieth anniversary of working on the stage. And I want

0:23:29.320 --> 0:23:31.360
<v Speaker 1>to go back to the beginning because I want our

0:23:31.400 --> 0:23:35.080
<v Speaker 1>listeners to have a little idea of where you know

0:23:35.160 --> 0:23:39.560
<v Speaker 1>you come from, what your roots are. I think it's

0:23:39.600 --> 0:23:42.600
<v Speaker 1>really a great American story, but it's more a tribute

0:23:42.640 --> 0:23:46.439
<v Speaker 1>to your energy and your resilience and your determination in

0:23:46.480 --> 0:23:49.080
<v Speaker 1>your aura. So what type of kid were you? Andre?

0:23:49.760 --> 0:23:54.720
<v Speaker 1>Were you shy? Were you somebody who liked attention? I

0:23:54.760 --> 0:23:57.719
<v Speaker 1>know you were one of eleven kids. My roots are

0:23:57.720 --> 0:24:03.080
<v Speaker 1>in Baltimore, Maryland, and I would not describe myself as shy,

0:24:03.480 --> 0:24:10.040
<v Speaker 1>m I would describe myself as secretly ambitious. I come

0:24:10.119 --> 0:24:17.960
<v Speaker 1>from meager beginnings and that was my impetus to achieve.

0:24:19.160 --> 0:24:22.320
<v Speaker 1>There were very few of us who lived in the

0:24:22.359 --> 0:24:27.359
<v Speaker 1>inner most of the inner cities in Baltimore who dared

0:24:27.560 --> 0:24:32.280
<v Speaker 1>to dream. We were not encouraged to dream. We were

0:24:32.320 --> 0:24:36.760
<v Speaker 1>not encouraged to be ambitious. We were not encouraged to

0:24:36.960 --> 0:24:41.359
<v Speaker 1>think that we could have a slice of the vaunted

0:24:41.480 --> 0:24:48.840
<v Speaker 1>American pie. But that was my first conscious thought. I

0:24:49.040 --> 0:24:53.919
<v Speaker 1>want my slice of the American pie. Did anyone in

0:24:53.960 --> 0:24:58.800
<v Speaker 1>your family know about your dream? Encourage your dreams? Everyone

0:24:59.160 --> 0:25:03.680
<v Speaker 1>knew about my dream. I shared it with everyone I

0:25:03.800 --> 0:25:10.120
<v Speaker 1>wanted to be Sammy Davis Jr. Who arguably is the

0:25:10.160 --> 0:25:20.200
<v Speaker 1>greatest entertainer of However, the response was, oh, you must

0:25:20.240 --> 0:25:24.200
<v Speaker 1>be out of your mind. So when I didn't get

0:25:24.320 --> 0:25:29.680
<v Speaker 1>the visceral support, I thought, well, let me put this

0:25:30.080 --> 0:25:34.920
<v Speaker 1>in my vest, close to my heart. Let me keep

0:25:34.960 --> 0:25:39.280
<v Speaker 1>it there so it wouldn't be sullied. So Andrew, tell

0:25:39.400 --> 0:25:43.520
<v Speaker 1>us about your parents. They clearly had some kind of

0:25:43.640 --> 0:25:46.639
<v Speaker 1>influence on you, as all parents do one way or

0:25:46.680 --> 0:25:50.520
<v Speaker 1>the other. And tell us about that. When I was

0:25:50.600 --> 0:25:55.800
<v Speaker 1>old enough to have an adult conversation with my mother

0:25:55.880 --> 0:26:00.600
<v Speaker 1>and father. My mother shared with me that her life's

0:26:00.680 --> 0:26:04.359
<v Speaker 1>dream was to be a chorus girl, and I thought

0:26:04.480 --> 0:26:08.760
<v Speaker 1>what she said, Yes, she didn't use the term dances.

0:26:08.800 --> 0:26:12.399
<v Speaker 1>She said chorus girl, my parents having been born around

0:26:12.400 --> 0:26:16.199
<v Speaker 1>the turn of the twentieth century. And I said, so,

0:26:16.280 --> 0:26:24.320
<v Speaker 1>what happened? Her response was her father said to her,

0:26:25.440 --> 0:26:31.400
<v Speaker 1>no decent colored daughter of mine is going to shuffle

0:26:31.520 --> 0:26:35.800
<v Speaker 1>her way through life. We've hardly shuffled our way off

0:26:35.880 --> 0:26:41.320
<v Speaker 1>the plantation. Now that is very meaningful for me because

0:26:41.840 --> 0:26:49.000
<v Speaker 1>my maternal grandfather was the son of his master. So

0:26:49.920 --> 0:26:55.480
<v Speaker 1>I decided, with that information I should ask my father amazingly,

0:26:56.280 --> 0:27:01.439
<v Speaker 1>but in retrospect, not amazingly at all. His response was,

0:27:02.320 --> 0:27:04.520
<v Speaker 1>his life dream was he wanted to be a singer.

0:27:05.240 --> 0:27:08.240
<v Speaker 1>He had a beautiful tone of voice, and he sang

0:27:08.400 --> 0:27:11.399
<v Speaker 1>in church, and he had a club that he's sang with.

0:27:12.560 --> 0:27:16.840
<v Speaker 1>And I said, well, what happened to that dream? He said,

0:27:18.119 --> 0:27:23.040
<v Speaker 1>his father, my paternal grandfather, said, how do you expect

0:27:23.119 --> 0:27:27.360
<v Speaker 1>to be a responsible husband and father with such an

0:27:27.359 --> 0:27:34.720
<v Speaker 1>irresponsible career. I tell that story because what happened is

0:27:34.760 --> 0:27:42.040
<v Speaker 1>that both my parents deferred their dreams. I believe that

0:27:42.240 --> 0:27:48.760
<v Speaker 1>I am the manifestation of those deferred dreams, because from

0:27:48.800 --> 0:27:53.760
<v Speaker 1>the morning on a cold January day that I was

0:27:53.880 --> 0:27:59.960
<v Speaker 1>evicted from my mother's womb, that was imprinted on my spirit.

0:28:00.760 --> 0:28:06.080
<v Speaker 1>You are the manifestation of the deferred reams of your parents.

0:28:07.280 --> 0:28:11.280
<v Speaker 1>I've never had a question about my path in life.

0:28:11.680 --> 0:28:17.800
<v Speaker 1>That's a great manifestation. I knew that in order to

0:28:17.840 --> 0:28:25.359
<v Speaker 1>overcome these invisible but seemingly insurmountable walls that we build

0:28:25.560 --> 0:28:33.000
<v Speaker 1>around ourselves when we are constantly told that we cannot achieve,

0:28:34.280 --> 0:28:39.960
<v Speaker 1>and that there is a demarcation in the society that

0:28:40.080 --> 0:28:46.160
<v Speaker 1>says you stay where you are. There is no mobility

0:28:46.560 --> 0:28:50.720
<v Speaker 1>right right, And you know, sadly it is as you

0:28:50.960 --> 0:28:54.760
<v Speaker 1>just said, sometimes from the people that you're living with,

0:28:55.120 --> 0:28:58.880
<v Speaker 1>people who love you, who are afraid for you, and

0:28:58.920 --> 0:29:01.680
<v Speaker 1>they want to protect you. They want to protect you,

0:29:01.760 --> 0:29:04.800
<v Speaker 1>and they unfortunately often evidence that in a way that

0:29:05.240 --> 0:29:07.240
<v Speaker 1>you know, kind of tries to pull you down or

0:29:07.240 --> 0:29:09.160
<v Speaker 1>push you back so that you don't get out into

0:29:09.200 --> 0:29:11.840
<v Speaker 1>that world where you will get hurt. And then, of course,

0:29:11.920 --> 0:29:16.080
<v Speaker 1>on the receiving end, you've got people who are you know,

0:29:16.160 --> 0:29:20.680
<v Speaker 1>not expecting much or who are outright, you know, prejudiced,

0:29:20.720 --> 0:29:23.800
<v Speaker 1>and biased against you and your dream. I want to

0:29:23.800 --> 0:29:31.920
<v Speaker 1>say something about protecting people. I know it is meant

0:29:32.200 --> 0:29:38.400
<v Speaker 1>for good, but you cannot protect an individual from himself.

0:29:38.960 --> 0:29:43.000
<v Speaker 1>You cannot protect an individual from his ambition. You cannot

0:29:43.000 --> 0:29:48.960
<v Speaker 1>protect an individual from his destiny. You have to encourage

0:29:49.840 --> 0:29:55.400
<v Speaker 1>an individual, especially when when he's young. You must say

0:29:56.160 --> 0:30:01.440
<v Speaker 1>go forth and being the most authentic individual that you can.

0:30:03.080 --> 0:30:05.320
<v Speaker 1>I want to ask one one last question about this.

0:30:05.400 --> 0:30:08.640
<v Speaker 1>So when was the first time you performed in public

0:30:09.240 --> 0:30:12.360
<v Speaker 1>and you knew that the dream was not just a

0:30:12.440 --> 0:30:14.520
<v Speaker 1>dream you kept close to your heart, it could be

0:30:14.800 --> 0:30:20.440
<v Speaker 1>your reality. After the dream that I was protecting, I

0:30:20.520 --> 0:30:25.520
<v Speaker 1>had the epiphany, and that was seeing the film Cabin

0:30:25.600 --> 0:30:30.320
<v Speaker 1>in the Sky. M John Bubbles so Black. When I

0:30:30.360 --> 0:30:34.200
<v Speaker 1>saw his performance in Cabin in the Sky, the quiet

0:30:34.360 --> 0:30:37.959
<v Speaker 1>voice that lives in the core of our souls and

0:30:38.000 --> 0:30:42.680
<v Speaker 1>speaks to us only the truth, said to me, Andre,

0:30:43.120 --> 0:30:46.280
<v Speaker 1>that's what you're going to do, because all of a

0:30:46.320 --> 0:30:50.320
<v Speaker 1>sudden you had an epiphany, because you know, there's that

0:30:50.400 --> 0:30:53.960
<v Speaker 1>old saying you can't be what you can't see exactly,

0:30:54.480 --> 0:30:58.320
<v Speaker 1>and you saw it. I saw it so as a

0:30:58.400 --> 0:31:04.000
<v Speaker 1>young precaution Negro boy in Bolt. You know about the

0:31:04.080 --> 0:31:09.920
<v Speaker 1>Society of Friends. They came to me through the Central

0:31:09.960 --> 0:31:14.800
<v Speaker 1>Scholarship Bureau and said, you're a young man with potential.

0:31:15.760 --> 0:31:19.400
<v Speaker 1>We would like to offer you a scholarship to go

0:31:19.520 --> 0:31:23.720
<v Speaker 1>to college. The condition is that you must attend the

0:31:23.800 --> 0:31:28.480
<v Speaker 1>college of our choice. I jumped at the opportunity, the

0:31:28.560 --> 0:31:34.480
<v Speaker 1>first child in the family to go to college. Wilmington's

0:31:34.520 --> 0:31:43.440
<v Speaker 1>College in Williamington, Ohio, a pristine, intimate Quaker school. And

0:31:43.520 --> 0:31:45.320
<v Speaker 1>when I was going to college, and I know you

0:31:45.480 --> 0:31:50.160
<v Speaker 1>remember this, it was Derek to do your junior year abroad.

0:31:52.080 --> 0:31:56.719
<v Speaker 1>I did my junior year in Denmark. And when I

0:31:56.840 --> 0:32:02.800
<v Speaker 1>arrived in Denmark, I was received as the very opposite

0:32:03.120 --> 0:32:07.440
<v Speaker 1>to the way I had been treated in Baltimore. In Baltimore,

0:32:07.440 --> 0:32:10.680
<v Speaker 1>in many ways, I was discumming the earth, and I'm

0:32:10.720 --> 0:32:16.440
<v Speaker 1>not exaggerating. In Denmark, I was royalty. Can I touch

0:32:16.520 --> 0:32:19.720
<v Speaker 1>your skin? Can I touch your Can I touch your hair?

0:32:21.000 --> 0:32:27.640
<v Speaker 1>I'm not kidding. There was It blew my mind. It

0:32:27.840 --> 0:32:32.120
<v Speaker 1>opened my eyes to not only the place in which

0:32:32.200 --> 0:32:36.200
<v Speaker 1>I had arrived, but the place from where I had come.

0:32:36.640 --> 0:32:43.040
<v Speaker 1>And at that time, all the major cities were experiencing

0:32:43.080 --> 0:32:47.880
<v Speaker 1>their urban insurrections. And I thought to myself that's where

0:32:47.960 --> 0:32:53.480
<v Speaker 1>I come from. So when I returned, I have to

0:32:53.800 --> 0:33:01.200
<v Speaker 1>leave that pristine Quaker environment and go to where the

0:33:01.400 --> 0:33:06.920
<v Speaker 1>veil was being ripped from the eyes of political America.

0:33:07.880 --> 0:33:10.920
<v Speaker 1>So I ended up at the University of Wisconsin, one

0:33:11.120 --> 0:33:15.120
<v Speaker 1>of the hot ded's a political change. Really did you

0:33:15.240 --> 0:33:21.880
<v Speaker 1>jump right right right the But what an incredible realization

0:33:22.240 --> 0:33:25.560
<v Speaker 1>that you had about yourself and your life as a

0:33:25.600 --> 0:33:29.320
<v Speaker 1>relatively young person. I mean, you're still what years old?

0:33:29.400 --> 0:33:33.320
<v Speaker 1>When you decide exactly I've got to get out into

0:33:33.360 --> 0:33:36.200
<v Speaker 1>this world that's waiting for me. I've got an idea

0:33:36.280 --> 0:33:38.440
<v Speaker 1>now where I came from and where I want to go.

0:33:39.160 --> 0:33:45.320
<v Speaker 1>You graduated from Wisconsin Universe consin Madison, in I think right,

0:33:45.720 --> 0:33:49.720
<v Speaker 1>And the month I graduated, I won a position in

0:33:49.800 --> 0:33:56.560
<v Speaker 1>Tom O'hoggian's Hair's So Great. That was my first professional performance.

0:33:56.800 --> 0:34:01.680
<v Speaker 1>Now that's the equation I want to share with anybody

0:34:01.760 --> 0:34:10.719
<v Speaker 1>who's curious about ambition, accomplishment, destiny, any of those huge ideas.

0:34:11.360 --> 0:34:14.160
<v Speaker 1>First you must have the dream. Second you must have

0:34:14.239 --> 0:34:18.320
<v Speaker 1>the epiphany. The third part of the equation is once

0:34:18.400 --> 0:34:22.960
<v Speaker 1>on that Thursday when someone comes to you and puts

0:34:23.080 --> 0:34:27.279
<v Speaker 1>a check in your hand and pays you for the

0:34:28.080 --> 0:34:32.640
<v Speaker 1>dream that has now become the work. That's the equation.

0:34:33.440 --> 0:34:38.200
<v Speaker 1>From there, your destiny will rise up, shake your hand

0:34:38.239 --> 0:34:41.200
<v Speaker 1>and say welcome. I've been waiting for you all this time.

0:34:42.600 --> 0:34:48.239
<v Speaker 1>But the epiphany and the opportunity also requires work. Once

0:34:48.239 --> 0:34:52.319
<v Speaker 1>you are offered that position, you know in hair, you

0:34:52.360 --> 0:34:54.880
<v Speaker 1>have to put in the work, didn't you? That is correct,

0:34:55.360 --> 0:35:00.640
<v Speaker 1>But the work starts long before the paycheck arrives. You know.

0:35:00.719 --> 0:35:03.600
<v Speaker 1>It strikes me that it was in the Whiz that

0:35:03.719 --> 0:35:09.040
<v Speaker 1>you had your incredible breakout national moment, and how appropriate

0:35:09.080 --> 0:35:12.719
<v Speaker 1>it is that a musical retelling of the Wizard of

0:35:12.760 --> 0:35:16.840
<v Speaker 1>Oz through Black culture and music would be the groundbreaking

0:35:16.960 --> 0:35:22.200
<v Speaker 1>success it was, and also your opportunity to manifest that dream.

0:35:22.239 --> 0:35:26.160
<v Speaker 1>How did you end up in the Whiz? So I've

0:35:26.200 --> 0:35:30.680
<v Speaker 1>gotten my first professional gig in Chicago. We're in the

0:35:30.719 --> 0:35:36.040
<v Speaker 1>early seventies now and we are creating an off Loop

0:35:36.600 --> 0:35:42.960
<v Speaker 1>theatrical experience, which is tantamount to what we call off Broadway.

0:35:44.080 --> 0:35:46.879
<v Speaker 1>And a group of us from the University of Wisconsin

0:35:47.360 --> 0:35:52.440
<v Speaker 1>founded the Organic Theater Company and created a show called

0:35:52.920 --> 0:35:57.840
<v Speaker 1>Warp w A r P. It's the science fiction show.

0:35:58.560 --> 0:36:00.960
<v Speaker 1>Produced a saw it and thought, wow, this would go

0:36:01.040 --> 0:36:04.399
<v Speaker 1>well in New York. He brought us to New York

0:36:04.520 --> 0:36:11.120
<v Speaker 1>in nine We were sumarily dismissed by the New York critics,

0:36:11.719 --> 0:36:16.640
<v Speaker 1>and the consensus was, listen to you dirty foot hippies,

0:36:16.719 --> 0:36:22.880
<v Speaker 1>go back to Chicago now. When the company returned to Chicago,

0:36:23.640 --> 0:36:27.440
<v Speaker 1>I said, guys, I love you all. You've been my

0:36:27.480 --> 0:36:30.800
<v Speaker 1>family for four years. But now that I'm in New York,

0:36:31.400 --> 0:36:35.960
<v Speaker 1>I'm going to take my chances here. And by the

0:36:36.160 --> 0:36:40.120
<v Speaker 1>grace of four women friends of mine who were in

0:36:40.200 --> 0:36:44.799
<v Speaker 1>New York working, and these four women would allow me

0:36:44.920 --> 0:36:48.279
<v Speaker 1>to couch surf, take care of my cat, and you

0:36:48.320 --> 0:36:50.880
<v Speaker 1>can sleep in my couch, wash my dishes and you

0:36:50.920 --> 0:36:52.879
<v Speaker 1>can sleep on my couch, and that sort of thing.

0:36:53.719 --> 0:36:56.439
<v Speaker 1>As my mother would say. I didn't have a pot

0:36:56.520 --> 0:36:58.560
<v Speaker 1>to piston or a window to throw it out of.

0:37:00.520 --> 0:37:04.640
<v Speaker 1>But I was right. But I was in the camelot.

0:37:05.440 --> 0:37:09.200
<v Speaker 1>All I had to do was to discover my coat

0:37:09.239 --> 0:37:12.759
<v Speaker 1>of arms, if you will. Ken Hopper, the producer of

0:37:12.760 --> 0:37:17.960
<v Speaker 1>The Whiz, cast his net. We're looking for the actress

0:37:17.960 --> 0:37:22.920
<v Speaker 1>who would say these roles. I got an audition. I

0:37:23.000 --> 0:37:27.040
<v Speaker 1>was cut for the scarecrow. I was cut for the lion.

0:37:27.400 --> 0:37:30.400
<v Speaker 1>I was cut for the tin man. It didn't matter

0:37:30.480 --> 0:37:35.400
<v Speaker 1>to me because I wanted to be the Wizard, but

0:37:35.480 --> 0:37:40.600
<v Speaker 1>I had to beg for it. And Ken Harper said

0:37:40.640 --> 0:37:42.719
<v Speaker 1>to me, all right, I think he thought he was

0:37:42.760 --> 0:37:46.000
<v Speaker 1>getting rid of me. Will allow you to audition for

0:37:46.080 --> 0:37:51.279
<v Speaker 1>the Whiz. Now. When I got the call back, I

0:37:51.320 --> 0:37:56.280
<v Speaker 1>had pulled my hair out to it's Jimmy Hendricks length.

0:37:57.680 --> 0:38:03.440
<v Speaker 1>I was wearing my five inch silver studied platforms. I

0:38:03.520 --> 0:38:07.120
<v Speaker 1>was wearing my hot pants. I was wearing my halter

0:38:07.239 --> 0:38:10.840
<v Speaker 1>that had love embroidered all over it. I was wearing

0:38:10.880 --> 0:38:19.399
<v Speaker 1>my my Sight earrings. I was glorious. And I went

0:38:19.520 --> 0:38:23.959
<v Speaker 1>in and I sang and I think this is part

0:38:24.000 --> 0:38:29.719
<v Speaker 1>of your growing up to midnight hour. Oh perfect right,

0:38:30.560 --> 0:38:35.160
<v Speaker 1>I'm going away till the midnight hour. So I get

0:38:35.200 --> 0:38:38.280
<v Speaker 1>to the end of the song and Charlie Smalls, who

0:38:38.960 --> 0:38:42.960
<v Speaker 1>was the composer for The Whiz, stands up and shouts,

0:38:43.000 --> 0:38:48.920
<v Speaker 1>that's my Whiz. Hallelujah, hallelujah. That's what I'm talking about.

0:38:49.480 --> 0:38:54.480
<v Speaker 1>When you do the proper preparation, the destiny unfolds in

0:38:54.840 --> 0:38:59.680
<v Speaker 1>one golden step after the next, not immediately. It takes time.

0:39:00.840 --> 0:39:05.799
<v Speaker 1>But if you continue to apply yourself, if you continue

0:39:05.800 --> 0:39:12.560
<v Speaker 1>to cultivate patients. If you continue to know yourself and

0:39:12.680 --> 0:39:19.080
<v Speaker 1>be yourself and understand that authenticity is everything, you will

0:39:19.280 --> 0:39:23.080
<v Speaker 1>receive the blessing that has your name written on it.

0:39:23.600 --> 0:39:26.880
<v Speaker 1>I love that you know. You know so much of

0:39:26.920 --> 0:39:32.000
<v Speaker 1>what happens in live theater is ephemeral. But the Whiz

0:39:32.719 --> 0:39:36.200
<v Speaker 1>was one of those moments where it was just like

0:39:36.280 --> 0:39:42.320
<v Speaker 1>a great earthquake came down from on high and shook

0:39:42.360 --> 0:39:46.080
<v Speaker 1>the foundation of American musical theater. In fact, I think

0:39:46.200 --> 0:39:50.720
<v Speaker 1>your costume is now in the Smithsonian, is correct, National

0:39:50.840 --> 0:39:54.920
<v Speaker 1>Museum of African American History and Culture. Did you know

0:39:55.080 --> 0:39:57.880
<v Speaker 1>when you were in the Whiz it was literally a

0:39:57.880 --> 0:40:01.799
<v Speaker 1>moment of destiny for the culture. Yes, we we all

0:40:01.880 --> 0:40:06.960
<v Speaker 1>knew as a community that we were part of a

0:40:07.200 --> 0:40:14.000
<v Speaker 1>tectonic change in a paradigm because prior to the Whiz,

0:40:14.760 --> 0:40:21.560
<v Speaker 1>the only impact that black culture had on Broadway had

0:40:21.640 --> 0:40:27.840
<v Speaker 1>come many years earlier with Lorraine Handsbury's Raising in the Sun.

0:40:29.360 --> 0:40:35.600
<v Speaker 1>It was time that the traditionally inhospitable terrain of the

0:40:35.719 --> 0:40:42.000
<v Speaker 1>Great White Way underwent the conditioning for what we now

0:40:42.160 --> 0:40:48.160
<v Speaker 1>call diversity, equity, and inclusion. We didn't use those terms

0:40:48.480 --> 0:40:53.880
<v Speaker 1>in the early seventies, but we knew that we were

0:40:54.719 --> 0:41:01.640
<v Speaker 1>setting the stage for a change. And here's the miracle

0:41:02.200 --> 0:41:07.719
<v Speaker 1>of the Whiz. Stephany Mills play the role of Dorothy.

0:41:08.840 --> 0:41:15.040
<v Speaker 1>Once you see Dorothy as a young girl of color,

0:41:15.719 --> 0:41:21.200
<v Speaker 1>that is what universalizes the message of the Whiz, which

0:41:21.360 --> 0:41:26.880
<v Speaker 1>is there's no place like home. That's a great lesson

0:41:26.920 --> 0:41:28.919
<v Speaker 1>to learn. That's one of the greatest lessons to learn.

0:41:28.920 --> 0:41:33.239
<v Speaker 1>And once in someone's life, we go searching for our

0:41:33.400 --> 0:41:39.279
<v Speaker 1>purpose everywhere, and then at some point we learned, oh,

0:41:39.320 --> 0:41:42.640
<v Speaker 1>there's no place like home. As long as that was

0:41:42.760 --> 0:41:48.960
<v Speaker 1>the exclusive domain of a young, although brilliant, white girl,

0:41:49.640 --> 0:41:57.200
<v Speaker 1>it didn't resonate for the majority of young people. Once

0:41:57.800 --> 0:42:03.440
<v Speaker 1>Dorothy has melanine in her skin, then that message of

0:42:04.440 --> 0:42:08.480
<v Speaker 1>there's no place like home becomes universal, becomes a message

0:42:08.520 --> 0:42:24.520
<v Speaker 1>for everybody, everybody. We'll be right back. Well. You know.

0:42:24.600 --> 0:42:28.239
<v Speaker 1>The other thing that, of course I love is in Hadestown,

0:42:28.719 --> 0:42:32.440
<v Speaker 1>where you are again starring, which I also think of

0:42:32.600 --> 0:42:40.360
<v Speaker 1>as a groundbreaking musical. You're playing a Greek god, Hermes,

0:42:40.680 --> 0:42:44.600
<v Speaker 1>and you are omniscient. You are someone who is like

0:42:44.760 --> 0:42:49.520
<v Speaker 1>leading the whole audience and all of us through the story.

0:42:50.040 --> 0:42:53.719
<v Speaker 1>I loved your performance. Thank you, Thank you absolutely just

0:42:53.920 --> 0:42:57.120
<v Speaker 1>was knocked out. When I think about it, though, you

0:42:57.200 --> 0:43:02.000
<v Speaker 1>are now again because after the pande Emmick Hadestown reopened,

0:43:02.000 --> 0:43:06.080
<v Speaker 1>so you're back on the stage. You are, I think,

0:43:06.120 --> 0:43:09.640
<v Speaker 1>still doing eight shows a week. Look, that's not an

0:43:09.640 --> 0:43:14.520
<v Speaker 1>easy schedule at any age. And when you accepted your

0:43:14.520 --> 0:43:19.680
<v Speaker 1>Tony Award, I'll never forget this in you shared with

0:43:19.800 --> 0:43:26.360
<v Speaker 1>the audience your three Carnival rules for sustainability and longevity.

0:43:26.360 --> 0:43:29.000
<v Speaker 1>And although you put it in the context of the arts,

0:43:29.680 --> 0:43:31.880
<v Speaker 1>I would say, I think these are pretty good rules

0:43:32.560 --> 0:43:36.759
<v Speaker 1>for anybody. Could you share them with our listeners on

0:43:36.800 --> 0:43:40.560
<v Speaker 1>this podcast, I'd be happy to The context in which

0:43:40.600 --> 0:43:45.000
<v Speaker 1>I learned it was the arts. Anything you want to do,

0:43:45.800 --> 0:43:51.399
<v Speaker 1>anything that you want to master, will be enhanced if

0:43:51.520 --> 0:43:55.480
<v Speaker 1>the arts are part of your preparation. You don't have

0:43:55.560 --> 0:43:58.600
<v Speaker 1>to become an actor. You don't have to dance, you

0:43:58.640 --> 0:44:02.759
<v Speaker 1>don't have to sing. You just have to bebble the

0:44:02.960 --> 0:44:10.920
<v Speaker 1>hard edges by saying or understanding that you are an artist.

0:44:12.280 --> 0:44:16.359
<v Speaker 1>You are a good mother, you have cultivated the art

0:44:16.440 --> 0:44:21.440
<v Speaker 1>of parenthood. You're a good construction worker, You've mastered the

0:44:21.640 --> 0:44:26.560
<v Speaker 1>art of building things. You are a good street cleaner,

0:44:26.800 --> 0:44:33.080
<v Speaker 1>garbage collector, you've mastered the art of sanitation. Cultivate the

0:44:33.320 --> 0:44:37.040
<v Speaker 1>artistry of whatever it is you do, and then you

0:44:37.080 --> 0:44:42.040
<v Speaker 1>can apply these three cardinal rules. Cardinal rule number one,

0:44:42.600 --> 0:44:47.839
<v Speaker 1>surround yourself with people whose eyes light up when they

0:44:47.960 --> 0:44:54.560
<v Speaker 1>see you coming. Cardinal rule number two. Slowly is the

0:44:54.640 --> 0:44:57.520
<v Speaker 1>fastest way to get to where you want to be.

0:44:59.160 --> 0:45:03.960
<v Speaker 1>Cardonal rule number three. The top of one mountain is

0:45:04.000 --> 0:45:10.440
<v Speaker 1>the bottom of the next, so keep climbing. MMM. I

0:45:10.600 --> 0:45:15.520
<v Speaker 1>really appreciate the way that you took those cardinal rules

0:45:15.920 --> 0:45:18.880
<v Speaker 1>and expanded them to what we do in our everyday lives,

0:45:19.200 --> 0:45:21.719
<v Speaker 1>making it clear everybody can be an artist in his

0:45:21.840 --> 0:45:25.160
<v Speaker 1>or her own way. Do what you can do. It's

0:45:25.160 --> 0:45:33.920
<v Speaker 1>a pot luck supper. Bring your best dish. You literally

0:45:33.920 --> 0:45:36.000
<v Speaker 1>I could. I could talk to you all day, my friend.

0:45:36.239 --> 0:45:40.640
<v Speaker 1>I just wish you all of the blessings of this

0:45:40.840 --> 0:45:47.000
<v Speaker 1>extraordinary life that you're leading. May it continue with joy

0:45:47.040 --> 0:45:50.200
<v Speaker 1>and gratitude and you continue to find ways to share

0:45:50.200 --> 0:45:54.040
<v Speaker 1>it with you. It really means the world to me personally.

0:45:54.400 --> 0:45:59.440
<v Speaker 1>May I have the last word? Yes, you may. Hillary

0:45:59.600 --> 0:46:06.440
<v Speaker 1>Rodham Clinton, Madam President, thank you for allowing me to

0:46:06.480 --> 0:46:12.440
<v Speaker 1>have this conversation with you. I'm taking it to everyone

0:46:13.400 --> 0:46:30.960
<v Speaker 1>whose eyes light up when they see me. Come. You

0:46:31.040 --> 0:46:33.560
<v Speaker 1>and Me Both is brought to you by I Heart Radio.

0:46:34.000 --> 0:46:38.120
<v Speaker 1>We're produced by Julie Subran, Kathleen Russo and Rob Russo,

0:46:38.760 --> 0:46:44.480
<v Speaker 1>with help from Homa Aberdeen, Oscar Flores, Lindsay Hoffman, Brianna Johnson,

0:46:44.680 --> 0:46:50.160
<v Speaker 1>Nick Merrill, Lona Valmorrow and Benita Zuman. Our engineer is

0:46:50.280 --> 0:46:53.960
<v Speaker 1>Zack McNeice and the original music is by Forrest Gray.

0:46:54.680 --> 0:46:57.319
<v Speaker 1>If you like You and Me Both, tell someone else

0:46:57.360 --> 0:47:00.200
<v Speaker 1>about it. And if you're not already a subscriber, what

0:47:00.239 --> 0:47:03.279
<v Speaker 1>are you waiting for? You can subscribe to You and

0:47:03.360 --> 0:47:07.000
<v Speaker 1>Me Both on the I Heart Radio app, Apple Podcasts,

0:47:07.120 --> 0:47:10.920
<v Speaker 1>or wherever you get your podcasts. Thanks for listening, and,

0:47:11.320 --> 0:47:15.040
<v Speaker 1>as Andrea says, keep climbing. I'll see you next week.