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Speaker 1: Elvin Duran in the morning show.

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Speaker 2: He's here, Gloria Stefan, Right.

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Speaker 1: Yeah, so happy to be here again.

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Speaker 2: I'm happy to be anywhere exactly.

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Speaker 1: Listen, you're not kidding.

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Speaker 2: Thank you for coming in to talk about your project

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Speaker 2: coming up May twenty ninth. Risis. Yes, of course, it

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Speaker 2: all came from the song.

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Speaker 1: It all came from that one song.

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Speaker 2: Now, talk about that song and how it made you go,

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Speaker 2: why there's something more than just a song here?

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Speaker 1: Absolutely.

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Speaker 3: You know. A couple of years ago, Emileo he works

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Speaker 3: with a million artists, and he comes to me and

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Speaker 3: he says, Babe, I wrote this song. I would love

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Speaker 3: for you to be the one to sing it. And

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Speaker 3: I go, Babe, I'm writing this musical with Emily. We've

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Speaker 3: been working three years. I go, I can't divert because

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Speaker 3: my brain is in that mode.

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Speaker 1: I have to do eighteen new songs. And he goes,

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Speaker 1: you trust me. I go absolutely.

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Speaker 3: He goes, will you let me write more songs so

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Speaker 3: that if you like them, you could do this album?

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Speaker 1: Like I go.

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Speaker 3: If I do an album, I want it to be

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Speaker 3: tropical Spanish. So he's played me the demo for na

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Speaker 3: he says, and I go, oh, my gosh, this is

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Speaker 3: just so special, so positive. We need positive vibes out

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Speaker 3: in the world. No, it's our job as musicians, that

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Speaker 3: is our mandate to you know, entertain or make you

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Speaker 3: forget or give you something positive to think about it.

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Speaker 3: And then he brought me spectacular songs. I only wrote

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Speaker 3: one from my grandson Sasha, and.

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Speaker 2: Gloria hasn't done an all Spanish album I think in

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Speaker 2: almost twenty years. Fifteen years. Yeah, but let's talk about

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Speaker 2: the spirit of this album because it really I don't know.

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Speaker 2: I get the feeling from people I've talked to about

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Speaker 2: this project is it's sort of a celebration of fifty

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Speaker 2: years of all you the bands.

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Speaker 3: And forty nine years of love because it's a it's

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Speaker 3: a kind of autobiographical love story.

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Speaker 1: In fact, the Melia comes to me and he says,

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Speaker 1: I wrote you a love song.

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Speaker 3: I go, oh, babe, that's so sweet. Are you going

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Speaker 3: to see He goes, no, you're going to sing it

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Speaker 3: to me.

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Speaker 1: He wrote his own love song.

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Speaker 2: I go, that's so you.

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Speaker 1: But I do mean every word in it. Here my mind.

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Speaker 2: I think back to add years ago and it was

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Speaker 2: all very well told him story for him in your

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Speaker 2: musical on your Feet, Yes, which was on Broadway for

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Speaker 2: a couple of years, and I thought that was just

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Speaker 2: a beautiful way to tell the story of you, Miami

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Speaker 2: Sound Machine. I use the kind of person who thinks

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Speaker 2: that you know, once you stop adding to the house,

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Speaker 2: then you cease to exist. I mean if you if

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Speaker 2: you stop, then I.

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Speaker 1: Never get bored.

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Speaker 3: So I can perfectly be happy doing nothing because my

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Speaker 3: brain is always going and there's always something that I'm

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Speaker 3: going to do. Emilia can't stop like he He's one

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Speaker 3: of those people that he's going to be working until

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Speaker 3: the day he moves on because he loves every minute

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Speaker 3: of it.

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Speaker 1: And he has a d D.

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Speaker 3: So even when he's home for a couple of hours,

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Speaker 3: you see him hosing everything.

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Speaker 1: What is it with men and hoses? I have a theory.

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Speaker 2: I have a theory about that hose. Oh yeah, me too, heymen,

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Speaker 2: let's hear for the hose everyone. Oh I got hose

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Speaker 2: in different area. Coach also has all right.

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Speaker 4: So you said that you wanted to do this one

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Speaker 4: in Spanish and Tropical. Why after twenty years is that

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Speaker 4: important to you at this moment?

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Speaker 1: Full circle?

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Speaker 3: You know, the first music that I ever listened to

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Speaker 3: was my mom's record collection that got smuggled slowly by

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Speaker 3: my grandma out of Cuba, mango babyfood boxes that she

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Speaker 3: would saddle the pilots of with. We'd get a knock

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Speaker 3: on her apartment and it be a pilot holding a

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Speaker 3: box of baby food and records in there. And it's

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Speaker 3: my heart language, you know, Spanish is my heart language.

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Speaker 3: English is my cerebral head language, but Spanish is something

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Speaker 3: very special for me.

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Speaker 4: Well, speaking of that, so I did some growing up

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Speaker 4: in Miami and you're obviously royalty, a legend and icon

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Speaker 4: specifically there.

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Speaker 1: It's true about it.

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Speaker 4: Can you go anywhere without getting mob down there?

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Speaker 3: Another era? No, you know, everybody feels like I'm their own.

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Speaker 3: So what I do get a lot of is just

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Speaker 3: give me a hug. I love that I get that

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Speaker 3: here in New York and people want to hug me

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Speaker 3: and they're so they thank me for things and then

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Speaker 3: for you know, being Latina and for representing. It's just

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Speaker 3: a blessing to me. But I go out my grandson

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Speaker 3: and I go to escape rooms alone all the time.

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Speaker 1: We love that. I love doing.

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Speaker 2: It's kind of creepy escape.

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Speaker 1: They're great, they're great and we still be there if

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Speaker 1: it wasn't for him.

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Speaker 2: No. Escaping absolutely another glory thing. I'm love it. Of course.

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Speaker 2: Misund Machine is Guardians the Galaxy at Epcot. Yeah, okay,

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Speaker 2: you don't get to choose the music when you ride.

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Speaker 2: It's the world's best ride. Love I love it, and

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Speaker 2: you don't get to choose music. But when when the

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Speaker 2: conger comes on, you're like, ah, I made it.

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Speaker 1: I got Tears for Fears my favorite. Everybody wants to

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Speaker 1: the world.

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Speaker 5: Wait, how do you get on that ride? Like, do

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Speaker 5: they call you and say we want to use your song?

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Speaker 1: Yeah?

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Speaker 3: Well that was before you know they prepared that, and

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Speaker 3: I was honored to be one of six songs that

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Speaker 3: gets played on that thing. I joke because my assistant

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Speaker 3: has a friend that every time she gets on there,

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Speaker 3: they play Gonga and she thinks, I'm I'm the one

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Speaker 3: orchestrating this.

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Speaker 1: Everywhere she goes, Conga gets played.

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Speaker 3: No, no, was it Beigun or I mean, first of all,

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Speaker 3: you know, Disney, come on, it's fantastic.

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Speaker 2: Miami is its own being without doubt. You can go

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Speaker 2: anywhere in America or almost anywhere in the world, and

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Speaker 2: you just don't get the same feeling you get.

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Speaker 1: Yeah, we have our own foreign policy and everything.

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Speaker 2: Absolutely country, the city and so from there, staying there,

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Speaker 2: roots there, businesses, their career, their family there. Yes. I

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Speaker 2: mean if anyone ever say hey, if you thought about

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Speaker 2: moving living somewhere else, and you would say what hell no.

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Speaker 1: No, that's my home. I don't want to go anywhere else.

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Speaker 2: So this album out twenty nine is really gonna be

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Speaker 2: It's gonna be like the Miami Soundtrack.

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Speaker 3: Absolutely, I mean absolutely, and you know what it's done.

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Speaker 3: I want to thank all the fans because I think

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Speaker 3: today or this week it's number one across three different charts,

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Speaker 3: the Tropical, the the Latin pop, airplay, whatever. And to

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Speaker 3: be back there like you always hope that people like it.

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Speaker 3: But that's it's great. It's really a humbling and beautiful experience.

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Speaker 2: Let's talk about Basua. Yes, now, it's interesting as we do.

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Speaker 2: Let's spill it. It's based in a landfill, yes, okay, okay,

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Speaker 2: So whose idea was this?

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Speaker 3: Well, Michael Schulman, the producer, came Frank was still around

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Speaker 3: and Frank go's you free to have this meeting. It's like,

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Speaker 3: in the one of the most difficult situations you can

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Speaker 3: be because these people ended up next to a landfill,

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Speaker 3: not by their choice. The landfill wasn't there before, and

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Speaker 3: it used to be a beautiful lake that little by little,

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Speaker 3: you know, the government started turning into a dump, a landfill,

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Speaker 3: and now it's one of the largest in South America,

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Speaker 3: with toxic ways coming down sits over the world's largest

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Speaker 3: fresh water reserve. Could give the world two hundred years

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Speaker 3: of water for every human and it's everything is so precarious.

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Speaker 3: So this environmental engineer guy went there trying to help,

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Speaker 3: and you know, it's very difficult to help in landfill.

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Speaker 1: So he did the next best thing.

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Speaker 3: He started music classes for the kids that live there,

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Speaker 3: and they started an orchestra. And they started because the

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Speaker 3: instrument they didn't have. Instruments they couldn't survive, you know,

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Speaker 3: really good instruments, so they started making them out of

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Speaker 3: the trash. This one kid that lived outside and slept

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Speaker 3: outside all his life, and he had this idea and

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Speaker 3: they started making the instruments and now there are three

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Speaker 3: hundred students strong. They built the school out of the trash,

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Speaker 3: and it's just such hope.

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Speaker 1: And we fought hard for that title.

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Speaker 3: Because you know, Basuda it is what it is, and

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Speaker 3: it's the true inspirational story of finding music and unlikely

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Speaker 3: places and music can be born anywhere.

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Speaker 2: A brilliant plot. Right, So you worked with your daughter

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Speaker 2: on this, Yes, we did for three years.

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Speaker 3: It was a secret ploy to have her spend more

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Speaker 3: time with me. It worked the other way, it worked.

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Speaker 1: So we just have.

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Speaker 3: Such a special team and it's so exciting. That's my

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Speaker 3: favorite thing, creating stuff.

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Speaker 2: Okay, So you're listening to Gloria Steffan talk about from

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Speaker 2: the fifty years ago to now and you look like

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Speaker 2: you're already bored with ready to move on to something now. No, no,

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Speaker 2: you're ready to start something new.

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Speaker 1: I'm excited.

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Speaker 3: Well, I have a movie coming out in September. I

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Speaker 3: already shot it though they shot it. I'm so excited

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Speaker 3: that Gabby's Dollhouse. It's a big kids series and this

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Speaker 3: is the theatrical big movie DreamWorks release, and I play

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Speaker 3: Gabby's grandma who created this magical thing for her. So

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Speaker 3: it was a blast. And Kristin Wigg is in it.

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Speaker 3: That alone was a draw for me.

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Speaker 2: She's kind of fun.

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Speaker 5: I mean, is there an artist that I can't even imagine?

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Speaker 5: You can probably call anybody and say hey, I want

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Speaker 5: to work with you, and they'd say yes, but is

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Speaker 5: there an artist you'd love to work with.

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Speaker 3: I've worked with so many artists and well with Sheila either.

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Speaker 3: We just want to Grammy for the Celia Cruz song

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Speaker 3: ben Baca, and when we released the track listing, all

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Speaker 3: these incredible artists said yes, and they literally held up

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Speaker 3: one of my tracks from We had a Shakita, Camilla,

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Speaker 3: Carol King who is friend Dresher, my grandson, Emilio, Sam Smith,

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Speaker 3: and I Pardoner, Cindy Lauper, Cindy Lauper, Cindy also just

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Speaker 3: these amazing the name Wow, wait.

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Speaker 2: Friend dresser by smell every now and then, okay, friend Dresser.

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Speaker 3: We've worked together and I love her. I'm a huge

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Speaker 3: fan of hers as well. So I've sang with all

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Speaker 3: three of the tenors. I've sung with huge artists in

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Speaker 3: the Latin world.

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Speaker 5: It's just so basically you're saying, yah, nobody left.

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Speaker 1: And by the way, I never it all happened by accident.

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Speaker 3: It's not that I said, oh, let me call this person,

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Speaker 3: but I've it's been a few years, so I've had

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Speaker 3: the opportunity to Saint I'll tra Tony Bennett. So everything

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Speaker 3: I look at as a gift, and the baby's always

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Speaker 3: a different thing than I would have done or that

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Speaker 3: they would have done.

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Speaker 1: So it's always exciting, it's fun.

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Speaker 2: Congratulations on everything.

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Speaker 1: Thank you say.

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Speaker 2: To have your in your spirit in this room with

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Speaker 2: us right now is just more than fabulous. It's very fabulous, Gloria,

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Speaker 2: stefan Rasis comes out May twenty ninth, and of course

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Speaker 2: when does us Goanna hit the stage.

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Speaker 3: May thirtieth in the Alliance Theater in Atlanta, of twenty

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Speaker 3: six and then hopefully in twenty seven for Broadway. We

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Speaker 3: shall see. But we're so so excited.

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Speaker 2: Well, you have reason to be excited. We're excited to

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Speaker 2: hear it and see it all.

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Speaker 1: Thank you, Gloria, thanks for giving me the time. Thank

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Speaker 1: you all absoluly by the way. I love what you do.

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Speaker 1: I would I would love to be a DJ.

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Speaker 2: I would have loved Well, okay, is that next on

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Speaker 2: the list.

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Speaker 3: I'm not going to take your job, Elvis, you might

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Speaker 3: give it to you. You got a hard call time

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Speaker 3: every day, Yes, it is. That part might be tough.

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Speaker 3: Thank you so much, thank you so much, thank you,