WEBVTT - #38 - DJ Drama & Generation Now

0:00:03.960 --> 0:00:06.960
<v Speaker 1>Yes, welcome, Welcome to the show, ladies and gentlemen. Man,

0:00:08.440 --> 0:00:13.080
<v Speaker 1>it is about that time, Episode number thirty eight, the

0:00:13.080 --> 0:00:16.520
<v Speaker 1>Blue Leg Heap Podcast is officially here. Flew to everybody

0:00:16.560 --> 0:00:18.760
<v Speaker 1>who's locked in. Man, we got a dope episode today.

0:00:18.800 --> 0:00:20.799
<v Speaker 1>I actually got to hit Atlanta for about a week.

0:00:21.079 --> 0:00:22.520
<v Speaker 1>Had to go out there to shoot a music video

0:00:22.520 --> 0:00:26.599
<v Speaker 1>for my artist Alexis, and while I was there, got

0:00:26.600 --> 0:00:30.120
<v Speaker 1>to record some really dope interviews. This one was definitely

0:00:30.160 --> 0:00:34.440
<v Speaker 1>the dopest. Got to tap in with all the Generation Now,

0:00:34.800 --> 0:00:38.320
<v Speaker 1>which is DJ Drama's label, Don Cannon's label, the Homie

0:00:38.360 --> 0:00:41.320
<v Speaker 1>Lakes label, So got to tap in with some legends

0:00:41.320 --> 0:00:43.840
<v Speaker 1>and really just dive into the whole entire mixtape era.

0:00:46.560 --> 0:00:49.560
<v Speaker 1>You know, just a lot of history with Don Cannon

0:00:49.600 --> 0:00:53.920
<v Speaker 1>and DJ Drama that impacted so much of our culture

0:00:54.400 --> 0:00:57.080
<v Speaker 1>here in hip hop. And I was really excited to

0:00:57.120 --> 0:00:59.680
<v Speaker 1>talk to these guys. Got a shout out to our sponsors,

0:00:59.680 --> 0:01:03.160
<v Speaker 1>man time shot to odd Socks, hit up odd Socksofficial

0:01:03.200 --> 0:01:07.240
<v Speaker 1>dot com, keyword, bootleg keV right now and save twenty percent. Man,

0:01:07.280 --> 0:01:09.720
<v Speaker 1>let me tell you something, odd Socks has been killing it.

0:01:10.040 --> 0:01:12.399
<v Speaker 1>Not only are they doing socks, you know, they just

0:01:12.440 --> 0:01:15.920
<v Speaker 1>introduced their underwear line and by the way, I love

0:01:15.959 --> 0:01:19.600
<v Speaker 1>the undies. They also just introduced slippers. They sent me

0:01:19.640 --> 0:01:23.080
<v Speaker 1>these Hawk Cogan slippers and are crazy. So they got

0:01:23.400 --> 0:01:26.320
<v Speaker 1>so much more than just the most comfortable socks on earth.

0:01:26.520 --> 0:01:28.479
<v Speaker 1>But they also have the most comfortable socks on Earth.

0:01:28.760 --> 0:01:31.200
<v Speaker 1>So go get you some socks. Tapping with all. They

0:01:31.240 --> 0:01:37.200
<v Speaker 1>got crazy licenses, breaking bad scarface, I mean, you name it,

0:01:37.240 --> 0:01:43.679
<v Speaker 1>they got it, oreos, Pepsi, Nickelodeon, man, wwe, et cetera.

0:01:44.120 --> 0:01:46.479
<v Speaker 1>Go get you some odd socks and save twenty percent off.

0:01:46.520 --> 0:01:47.720
<v Speaker 1>And let me tell you, if you're a fan of

0:01:47.760 --> 0:01:52.080
<v Speaker 1>the podcast and you support what we do here, support

0:01:52.080 --> 0:01:56.240
<v Speaker 1>our partners at odd socks. Go to odd Socksofficial dot com.

0:01:56.360 --> 0:02:00.440
<v Speaker 1>Keyword is bootleg keV. Go tap in and get you

0:02:00.480 --> 0:02:04.440
<v Speaker 1>some socks. And you know Thanksgiving, Thanksgiving, Valentine's Day's coming up,

0:02:04.680 --> 0:02:08.200
<v Speaker 1>so get somebody in your life something for Valentine's Day. Also,

0:02:08.240 --> 0:02:12.920
<v Speaker 1>go to VAPINCBD dot com, our other sponsor, vapincbd dot

0:02:12.960 --> 0:02:16.320
<v Speaker 1>com and use the keyword bootleg keV for twenty percent

0:02:16.360 --> 0:02:20.480
<v Speaker 1>off all vapin products. Whatever CBD they got on that thing,

0:02:20.800 --> 0:02:22.799
<v Speaker 1>you can get for twenty percent off by using the

0:02:22.840 --> 0:02:27.240
<v Speaker 1>keyword bootleg keV at checkout. So go do that and

0:02:27.480 --> 0:02:30.760
<v Speaker 1>let's get into episode number thirty eight with Djdrama, Don Cannon,

0:02:30.800 --> 0:02:34.640
<v Speaker 1>and Lake aka Generation Now right here inside the Bootleg

0:02:34.680 --> 0:02:41.400
<v Speaker 1>cap Podcast Yo Bootle cav podcast, Very special episode, all

0:02:41.440 --> 0:02:43.360
<v Speaker 1>three of these guys in the same place doing an interview.

0:02:43.360 --> 0:02:50.000
<v Speaker 1>You guys ever done an interview altogether? No Generation Now Man,

0:02:50.360 --> 0:02:54.560
<v Speaker 1>Don Cannon, DJ Drama, the Homielake. Appreciate you guys for

0:02:54.639 --> 0:02:56.880
<v Speaker 1>pulling up man, well, I pulled up on y'all. Actually

0:02:56.919 --> 0:03:00.360
<v Speaker 1>so appreciate you. Yeah, listen, man, like here, I've been

0:03:00.360 --> 0:03:02.040
<v Speaker 1>obviously wanted to talk to John for a long time,

0:03:03.400 --> 0:03:04.920
<v Speaker 1>but I think it's so dope to have all three

0:03:04.960 --> 0:03:06.760
<v Speaker 1>of you guys here. I heard that this is the

0:03:06.760 --> 0:03:08.280
<v Speaker 1>first time you've been in the studio for a long

0:03:08.320 --> 0:03:15.320
<v Speaker 1>time since March. Damn you feel very special. Yeah, damn special.

0:03:16.440 --> 0:03:18.480
<v Speaker 1>And I had to I had to come out for guests.

0:03:18.800 --> 0:03:21.480
<v Speaker 1>I appreciate that, man, I would get goost most of

0:03:21.520 --> 0:03:23.760
<v Speaker 1>the time so much. I got so much ship. I

0:03:23.800 --> 0:03:25.680
<v Speaker 1>want to like dive in with you guys on because

0:03:25.760 --> 0:03:28.160
<v Speaker 1>I know you've been a lot of people don't know

0:03:29.120 --> 0:03:31.200
<v Speaker 1>you're kind of the man behind the scenes that people

0:03:31.200 --> 0:03:33.600
<v Speaker 1>probably know the least. So kind of break down who

0:03:33.639 --> 0:03:38.480
<v Speaker 1>you are, what you do? Damn to start. They know

0:03:38.560 --> 0:03:40.600
<v Speaker 1>these guys, these guys are you know, Yeah, no, they

0:03:40.640 --> 0:03:42.080
<v Speaker 1>do what they do. I mean, and I like it

0:03:42.080 --> 0:03:45.840
<v Speaker 1>that way. I don't even know how to describe it. Man.

0:03:46.000 --> 0:03:47.640
<v Speaker 1>I feel like I'm just like the third piece of

0:03:47.640 --> 0:03:50.600
<v Speaker 1>the puzzle. You know. It kind of makes the makes

0:03:50.840 --> 0:03:53.800
<v Speaker 1>the wheels turned behind the scenes, you know. M hm.

0:03:54.960 --> 0:03:57.240
<v Speaker 1>We'd like to describe it as like cannons the music

0:03:57.320 --> 0:03:59.560
<v Speaker 1>drums facing on the business. So we'll just put it

0:03:59.600 --> 0:04:02.360
<v Speaker 1>that way. So you handle the business to an extent

0:04:03.480 --> 0:04:06.720
<v Speaker 1>of your history, break down a little bit. You just

0:04:06.720 --> 0:04:10.120
<v Speaker 1>went to a nice, real quick rundown. Started off managing people.

0:04:10.280 --> 0:04:14.440
<v Speaker 1>Uh used to work with Freeway, work with the state

0:04:14.480 --> 0:04:18.200
<v Speaker 1>property guys for many work with Valentino, worked with Druma,

0:04:19.000 --> 0:04:21.359
<v Speaker 1>work with Mace. Actually that's what I started with. Oh

0:04:21.400 --> 0:04:24.960
<v Speaker 1>you started with Mace? What years? This is the Welcome

0:04:25.000 --> 0:04:28.120
<v Speaker 1>Back era? Okay, okay, So that's the first person. Was

0:04:28.120 --> 0:04:30.400
<v Speaker 1>that the Opportunity Waity Welcome So that was was that

0:04:30.480 --> 0:04:33.120
<v Speaker 1>the album where he had the Brewers had on the cover.

0:04:33.160 --> 0:04:38.080
<v Speaker 1>That is the hat the Brewers had cover. Yeah, so

0:04:38.520 --> 0:04:41.599
<v Speaker 1>you know, been around, uh, been working with these guys

0:04:41.600 --> 0:04:43.440
<v Speaker 1>ever since. We actually all went to school together. Where

0:04:43.480 --> 0:04:44.840
<v Speaker 1>they want to Clark, I want the More House, which

0:04:44.880 --> 0:04:47.440
<v Speaker 1>is like right now, right right right, Yeah. And if

0:04:47.480 --> 0:04:50.120
<v Speaker 1>I've ever been to a nightclub, the DJ dramas DJ AT,

0:04:50.279 --> 0:04:59.200
<v Speaker 1>he's there passing out shots two strange women, nonetheless with

0:04:59.200 --> 0:05:01.640
<v Speaker 1>a blunt in his hand. For sure. No, I mean

0:05:01.720 --> 0:05:04.680
<v Speaker 1>you guys have obviously, you know, done something special with

0:05:04.760 --> 0:05:09.560
<v Speaker 1>Generation now. I feel like, you know, Dram, like you

0:05:09.680 --> 0:05:14.320
<v Speaker 1>being who you are and being a DJ, and and

0:05:16.240 --> 0:05:19.960
<v Speaker 1>like successfully and we're not just talking about successfully doing

0:05:19.960 --> 0:05:23.440
<v Speaker 1>the label shit, Like we're talking about like Uzzi's one

0:05:23.480 --> 0:05:26.640
<v Speaker 1>of the biggest fucking artists in the last decade. Jack

0:05:26.680 --> 0:05:29.840
<v Speaker 1>Harlowe's superstar right now. So like, not only are you

0:05:29.880 --> 0:05:32.039
<v Speaker 1>like doing your thing because you know, with your connections,

0:05:32.080 --> 0:05:34.400
<v Speaker 1>you could do your thing with whoever is on your roster,

0:05:34.760 --> 0:05:41.960
<v Speaker 1>but to like really really be like a prominent source

0:05:42.000 --> 0:05:46.640
<v Speaker 1>of new talent in the music industry, it's just impressive, man, Like,

0:05:46.920 --> 0:05:49.520
<v Speaker 1>you guys have built something really special. No, I appreciate that.

0:05:50.200 --> 0:05:54.840
<v Speaker 1>It's very rewarding, Like you know, like just to think

0:05:54.880 --> 0:05:57.960
<v Speaker 1>about my career and the successes I've had as a DJ,

0:05:58.360 --> 0:06:02.000
<v Speaker 1>and you know we've had as a coming up as

0:06:02.000 --> 0:06:04.760
<v Speaker 1>the affiliates and and you know, putting things together and

0:06:04.839 --> 0:06:07.840
<v Speaker 1>projects and and doing it and just really elevating and

0:06:08.279 --> 0:06:12.359
<v Speaker 1>you know, in some senses it feels like reinvention, you know.

0:06:12.400 --> 0:06:14.800
<v Speaker 1>And and just even somebody brought it up today, like,

0:06:14.839 --> 0:06:17.800
<v Speaker 1>you know, like or I put a tweet up that

0:06:17.839 --> 0:06:20.359
<v Speaker 1>I just found on on Twitter and this guy said,

0:06:21.680 --> 0:06:24.360
<v Speaker 1>he said, DJ Drama really went from t I to

0:06:24.480 --> 0:06:27.680
<v Speaker 1>g Z to Uzzi to Jack Carlow. That's crazy, you know,

0:06:27.720 --> 0:06:30.200
<v Speaker 1>And I was like, you know, it was it was

0:06:30.520 --> 0:06:32.720
<v Speaker 1>it was like the highest praise for me. How it felt,

0:06:32.800 --> 0:06:35.560
<v Speaker 1>you know. I mean, ship dude, I tweeted earlier or

0:06:35.640 --> 0:06:39.160
<v Speaker 1>later last year, You're the greatest of all time. Yeah,

0:06:39.279 --> 0:06:41.479
<v Speaker 1>I appreciate that. I forgot about that you did. That

0:06:41.560 --> 0:06:43.640
<v Speaker 1>was that was an interesting conbo. Yeah, I was watching

0:06:43.680 --> 0:06:46.839
<v Speaker 1>that that that versus and I was like, yo, like

0:06:47.640 --> 0:06:50.240
<v Speaker 1>Dramas got his hands all over this entire Like like

0:06:50.520 --> 0:06:54.279
<v Speaker 1>Atlanta is arguably the most important city in like it's

0:06:54.320 --> 0:06:57.640
<v Speaker 1>New York obviously for sure, but like Atlanta is where

0:06:57.680 --> 0:07:02.680
<v Speaker 1>everything is, the culture starts and everyone else follows. Atlanta

0:07:02.680 --> 0:07:05.120
<v Speaker 1>and it's been like that for fifteen years, I'd say

0:07:05.160 --> 0:07:08.240
<v Speaker 1>even maybe twenty maybe twenty, right, I feel like Atlanta's

0:07:08.240 --> 0:07:11.840
<v Speaker 1>had the most dominant run in hip hop over and

0:07:12.400 --> 0:07:14.480
<v Speaker 1>like I just don't feel like anyone has ever had

0:07:14.600 --> 0:07:19.920
<v Speaker 1>more moments and influence and just has been a part

0:07:19.920 --> 0:07:22.600
<v Speaker 1>of more history than you. Good looking and by the way,

0:07:22.880 --> 0:07:26.960
<v Speaker 1>amazing DJ as well. I appreciate that. Yeah, we try

0:07:27.000 --> 0:07:30.040
<v Speaker 1>to cover all grounds, all capacity, and you know, it's

0:07:30.080 --> 0:07:33.920
<v Speaker 1>just like it really is because you know, I love

0:07:33.960 --> 0:07:35.800
<v Speaker 1>this shit, like I've been doing it for so long,

0:07:35.880 --> 0:07:40.600
<v Speaker 1>and you know, just just to I and we try

0:07:40.640 --> 0:07:44.040
<v Speaker 1>not to get comfortable on what we've accomplished already. And

0:07:44.080 --> 0:07:48.000
<v Speaker 1>then you know, just like being able to navigate and

0:07:48.120 --> 0:07:51.640
<v Speaker 1>you know, being a DJ, it's like because we play

0:07:51.760 --> 0:07:54.480
<v Speaker 1>music and we've been able to navigate through hip hop

0:07:54.520 --> 0:07:56.640
<v Speaker 1>through a lot of times. It's like, you know, that

0:07:56.720 --> 0:07:59.120
<v Speaker 1>keeps me on a cusp and keeps me like really

0:07:59.160 --> 0:08:01.040
<v Speaker 1>addicted to new shit like at all times, you know

0:08:01.080 --> 0:08:05.080
<v Speaker 1>what I'm saying. So so yeah, I mean it's my

0:08:05.080 --> 0:08:07.880
<v Speaker 1>my my DJ hat is has been very helpful and

0:08:08.000 --> 0:08:10.920
<v Speaker 1>you know, the career as an executive and you know,

0:08:11.400 --> 0:08:13.920
<v Speaker 1>finding and you know, helping new talent and you know,

0:08:14.160 --> 0:08:16.200
<v Speaker 1>turn it into what we did. And of course you know,

0:08:16.320 --> 0:08:17.920
<v Speaker 1>s litt hit records are in your own right, you

0:08:17.960 --> 0:08:21.960
<v Speaker 1>know for sure. And then you guys, I'm curious too

0:08:21.960 --> 0:08:23.800
<v Speaker 1>because I was when I was just talking with Seddi Hendricks,

0:08:23.800 --> 0:08:26.679
<v Speaker 1>And what I appreciate about Generation now is you guys

0:08:26.720 --> 0:08:31.080
<v Speaker 1>truly like every artist really is getting it out the mud.

0:08:31.440 --> 0:08:34.000
<v Speaker 1>Like it's not like there's not a fucking magic switch

0:08:34.040 --> 0:08:36.640
<v Speaker 1>to hit. Like people really think Jack harl is a

0:08:36.640 --> 0:08:38.959
<v Speaker 1>new artist, but if you've been tapped in, like he's

0:08:39.000 --> 0:08:41.480
<v Speaker 1>been doing his thing with y'all for like three years

0:08:41.520 --> 0:08:43.920
<v Speaker 1>and you know, and the same thing with Seddi. Like

0:08:44.760 --> 0:08:46.840
<v Speaker 1>I think that like the work is what kind of

0:08:47.360 --> 0:08:50.600
<v Speaker 1>you know, I feel like you guys are very conscious

0:08:50.679 --> 0:08:53.720
<v Speaker 1>of the work, like and making sure like, hey, look,

0:08:54.120 --> 0:08:56.959
<v Speaker 1>it's not as much because you guys could probably sign whoever,

0:08:57.920 --> 0:09:00.439
<v Speaker 1>you know what I'm saying, But you guys definitely take

0:09:00.480 --> 0:09:05.200
<v Speaker 1>the long way, like someone like Jack Harlowe, who this

0:09:05.520 --> 0:09:07.600
<v Speaker 1>is not like he had a buzzing single and you

0:09:07.640 --> 0:09:11.040
<v Speaker 1>guys grabbed him up and then just you know, through

0:09:11.040 --> 0:09:13.920
<v Speaker 1>some gasoline on the fire. You guys built the fucking

0:09:13.960 --> 0:09:17.720
<v Speaker 1>fire from the from the jump, So talk about that,

0:09:17.760 --> 0:09:21.440
<v Speaker 1>like just your guys is like talent process, Like what

0:09:21.600 --> 0:09:22.920
<v Speaker 1>is it you got to see in an artist to

0:09:22.960 --> 0:09:25.280
<v Speaker 1>want to bring them over the generation now? And the

0:09:25.280 --> 0:09:27.080
<v Speaker 1>same thing to be said about UZI too. By the way,

0:09:27.600 --> 0:09:33.600
<v Speaker 1>you see an artist conviction? Uh? Inspired artists? A lot

0:09:33.640 --> 0:09:35.400
<v Speaker 1>of artists come to you. They're not inspired, you know

0:09:35.440 --> 0:09:38.400
<v Speaker 1>what I mean, they just don't have a vision. Uh,

0:09:38.559 --> 0:09:40.920
<v Speaker 1>they just want to wrap and I you know I

0:09:41.000 --> 0:09:43.880
<v Speaker 1>personally just you know me and drawn work, and so

0:09:44.000 --> 0:09:46.120
<v Speaker 1>long we've known it. You know what we've known when

0:09:46.120 --> 0:09:48.719
<v Speaker 1>we've seen people with conviction. The people that used to

0:09:48.800 --> 0:09:52.000
<v Speaker 1>be at you know five three two. Glen Iris was

0:09:52.080 --> 0:09:54.599
<v Speaker 1>like his house that was the hub for all this,

0:09:54.840 --> 0:09:57.720
<v Speaker 1>you know what I was at. And we usedtill just

0:09:57.760 --> 0:10:00.120
<v Speaker 1>watch so many people, like we watched David Banner to

0:10:00.160 --> 0:10:01.839
<v Speaker 1>come in a white van and be like, Yo, I'm

0:10:01.840 --> 0:10:03.959
<v Speaker 1>not leaving it so I get against the girls. Or

0:10:04.360 --> 0:10:06.800
<v Speaker 1>you know, Paul Wall came down here and we used

0:10:06.840 --> 0:10:09.240
<v Speaker 1>to do used to LATEX New York parties and he

0:10:09.280 --> 0:10:10.760
<v Speaker 1>used to be like rapping. You know what I'm saying.

0:10:11.040 --> 0:10:13.560
<v Speaker 1>Certain people you just they eyes just tell it all

0:10:13.600 --> 0:10:16.240
<v Speaker 1>for them, you know. And I think that's what happened.

0:10:16.280 --> 0:10:18.360
<v Speaker 1>A lot of artists like Jack came in that was

0:10:18.440 --> 0:10:20.920
<v Speaker 1>the eyes, you know, Uzzi even SETI like a lot

0:10:20.920 --> 0:10:23.920
<v Speaker 1>of the artists you just know, you know, it's that

0:10:24.080 --> 0:10:27.080
<v Speaker 1>feeling like, oh, they're gonna do whatever it takes to

0:10:27.120 --> 0:10:28.439
<v Speaker 1>get there, you know what I mean. Yeah, I think

0:10:28.440 --> 0:10:30.679
<v Speaker 1>there's they all have that in common. Like that's one

0:10:30.720 --> 0:10:34.120
<v Speaker 1>thing I could say about definitely the three of them,

0:10:34.320 --> 0:10:37.160
<v Speaker 1>you know, and when it comes to generation now on

0:10:37.160 --> 0:10:39.800
<v Speaker 1>the label, when I think about Uzzi, Jack and SETI

0:10:39.920 --> 0:10:44.720
<v Speaker 1>like their passion and they're like, I'm I'm gonna get there,

0:10:44.880 --> 0:10:48.280
<v Speaker 1>Like all three of them have have that instinctively and

0:10:48.360 --> 0:10:52.240
<v Speaker 1>like to a thousandth degree. Yeah, I saw something on Twitter.

0:10:52.240 --> 0:10:54.679
<v Speaker 1>It's like you can't want it more than your management

0:10:54.760 --> 0:10:57.959
<v Speaker 1>or your label wants. Just then you're wasting everyone's time.

0:10:57.960 --> 0:10:59.680
<v Speaker 1>And I feel like a lot of artists like you'll

0:10:59.720 --> 0:11:03.680
<v Speaker 1>meet that her fire and you know, sh it just

0:11:03.760 --> 0:11:06.600
<v Speaker 1>doesn't work out. And it's and it's really like they're

0:11:06.600 --> 0:11:08.800
<v Speaker 1>a lyrics lacking in that they're doing music because they

0:11:08.800 --> 0:11:10.640
<v Speaker 1>can not because they like they want to, you know

0:11:10.679 --> 0:11:14.800
<v Speaker 1>what I mean. Absolutely, absolutely take me back to seven Man,

0:11:14.840 --> 0:11:18.200
<v Speaker 1>because listen, I got a drama. I gotta thank you

0:11:18.320 --> 0:11:22.000
<v Speaker 1>and and and you can because I made so much

0:11:22.040 --> 0:11:25.720
<v Speaker 1>money selling gangster grill mixed cases from the time I

0:11:25.800 --> 0:11:29.040
<v Speaker 1>was sixteen. That's where the name mister Thanksgiving came from,

0:11:29.080 --> 0:11:32.000
<v Speaker 1>because I used to go on all the message boards,

0:11:32.480 --> 0:11:35.400
<v Speaker 1>download all the tapes, go on mix unit dot com,

0:11:35.400 --> 0:11:37.880
<v Speaker 1>steal the artwork fire. I had the fucking printer at

0:11:37.920 --> 0:11:41.240
<v Speaker 1>the crib, friend, go to the office, maskt the jewel cases.

0:11:41.520 --> 0:11:43.160
<v Speaker 1>That's a good old day. How much how much you

0:11:43.160 --> 0:11:46.360
<v Speaker 1>think you made, dude? Every weekend? I was at least

0:11:46.559 --> 0:11:48.320
<v Speaker 1>I mean I was like seventeen, man, I got the

0:11:48.320 --> 0:11:50.240
<v Speaker 1>Swap Meet. I had my little space at the swap mean,

0:11:50.280 --> 0:11:52.080
<v Speaker 1>I was probably making like a rack of weekend. So

0:11:52.120 --> 0:11:55.400
<v Speaker 1>that's great. It's five bucks a tape, five for twenty. Yeah,

0:11:55.400 --> 0:11:56.880
<v Speaker 1>it was. It was drama. It was you and the

0:11:56.960 --> 0:12:00.559
<v Speaker 1>Southern Smoke Ship. It is that ship so small. June

0:12:00.559 --> 0:12:03.400
<v Speaker 1>the radio of course as well. But yeah, you know,

0:12:03.760 --> 0:12:06.760
<v Speaker 1>the mixtape era was so special and it was like

0:12:07.559 --> 0:12:10.640
<v Speaker 1>it was just there was just something about it that

0:12:10.640 --> 0:12:14.360
<v Speaker 1>that I don't know if we'll ever get back. But

0:12:14.600 --> 0:12:17.760
<v Speaker 1>you know, you obviously your biggest mixtape PJ of all time.

0:12:18.400 --> 0:12:21.280
<v Speaker 1>But when you got arrested. I remember buying the I

0:12:21.320 --> 0:12:24.560
<v Speaker 1>bought a free drama shirt off of a mixed unit.

0:12:24.760 --> 0:12:26.520
<v Speaker 1>First time I ever met you, I was wearing it actually,

0:12:27.360 --> 0:12:30.200
<v Speaker 1>So when we met, wasn't it like right after the

0:12:30.400 --> 0:12:33.040
<v Speaker 1>It was the same. It was seven, right, I was

0:12:33.160 --> 0:12:34.840
<v Speaker 1>a scrub in Phoenix. Yeah, I was. I was working

0:12:34.880 --> 0:12:36.160
<v Speaker 1>at the radio. So maybe it was a year. It

0:12:36.200 --> 0:12:38.640
<v Speaker 1>might have been my second album, promo run or something.

0:12:38.679 --> 0:12:42.000
<v Speaker 1>I don't remember. It's probably six it was. It was no,

0:12:42.040 --> 0:12:45.679
<v Speaker 1>it was after, Yeah, it was like right after or

0:12:45.679 --> 0:12:47.480
<v Speaker 1>maybe it was like super Bowl was out there or something.

0:12:47.520 --> 0:12:49.320
<v Speaker 1>That's what it was. It was the super Bowl because

0:12:49.360 --> 0:12:51.200
<v Speaker 1>I remember that. It was like a couple of years,

0:12:51.640 --> 0:12:54.920
<v Speaker 1>maybe right after that. But yeah, man, like that moment

0:12:54.960 --> 0:12:57.720
<v Speaker 1>when you got you got raided and you got arrested,

0:12:57.760 --> 0:13:00.320
<v Speaker 1>you got arrested, You didn't get arrested. Were you around it? Nah?

0:13:01.240 --> 0:13:04.120
<v Speaker 1>It was crazy. Though. I was on my way to

0:13:04.160 --> 0:13:06.080
<v Speaker 1>the studio. I was in the car with Freeway. We

0:13:06.080 --> 0:13:07.920
<v Speaker 1>were actually on our way there. And mind you, we

0:13:07.920 --> 0:13:12.240
<v Speaker 1>weren't just like we were. We've been friends since college,

0:13:12.240 --> 0:13:15.120
<v Speaker 1>but it's not like we saw Lake every day. So right,

0:13:15.200 --> 0:13:17.840
<v Speaker 1>put let's put that in perspective, right, so this is

0:13:17.840 --> 0:13:19.680
<v Speaker 1>the day that I was actually about to come over there.

0:13:19.720 --> 0:13:21.199
<v Speaker 1>It so happened to be coming over there. Yeah, we're

0:13:21.200 --> 0:13:22.520
<v Speaker 1>gonna pull up. I don't know if we were working

0:13:22.520 --> 0:13:24.560
<v Speaker 1>on a mixtape or working on something, but we're gonna

0:13:24.559 --> 0:13:27.199
<v Speaker 1>stop over there. And uh, I remember Mace was there

0:13:27.200 --> 0:13:30.199
<v Speaker 1>the night before. I brought Mace over there. The night

0:13:30.200 --> 0:13:33.160
<v Speaker 1>before we had actually took pictures to do a mixtape

0:13:33.160 --> 0:13:39.400
<v Speaker 1>that they were Wow that never came out Mace and Drama. Yeah. Yeah,

0:13:39.480 --> 0:13:42.640
<v Speaker 1>And uh we drove by and we saw that ship.

0:13:42.760 --> 0:13:46.080
<v Speaker 1>We kept going and uh, honestly, we thought it was

0:13:46.080 --> 0:13:49.400
<v Speaker 1>happening to the studio that was next door, because it

0:13:49.440 --> 0:13:52.600
<v Speaker 1>was a studio literally next door to Drum Studio, And uh,

0:13:52.760 --> 0:13:54.560
<v Speaker 1>we thought I was getting ready. We was like, man,

0:13:54.559 --> 0:13:56.640
<v Speaker 1>we're just gonna keep it moving, you know. Wow, we

0:13:56.640 --> 0:13:59.000
<v Speaker 1>were right and too cool at the time either. Yeah.

0:13:59.040 --> 0:14:00.719
<v Speaker 1>I feel like that's one of those historical moments. It

0:14:00.840 --> 0:14:04.080
<v Speaker 1>kind of changed so much in in in you know,

0:14:04.080 --> 0:14:06.320
<v Speaker 1>the hip hop culture, man, and it kind of was

0:14:06.360 --> 0:14:10.520
<v Speaker 1>like the the beginning of the end of the mixtape era. Yeah,

0:14:10.600 --> 0:14:12.839
<v Speaker 1>of the as how we know it for sure, as

0:14:12.880 --> 0:14:14.400
<v Speaker 1>we know it where you could just pull up, I

0:14:14.440 --> 0:14:17.520
<v Speaker 1>mean and obviously you know, things were changing. It's interesting

0:14:17.600 --> 0:14:20.000
<v Speaker 1>looking back on it because, like you know, everything literally

0:14:20.040 --> 0:14:23.000
<v Speaker 1>went digital appt Yeah, after that, it was straight to

0:14:22.520 --> 0:14:26.000
<v Speaker 1>the z share link and you had to download, and

0:14:26.000 --> 0:14:28.520
<v Speaker 1>then that Pith came along and then I also feel

0:14:28.560 --> 0:14:32.480
<v Speaker 1>like after that the change really came and like how

0:14:32.760 --> 0:14:35.680
<v Speaker 1>artists were put in mixtapes out because you know, you

0:14:35.720 --> 0:14:37.640
<v Speaker 1>got to think about right after that, that's when like

0:14:37.960 --> 0:14:41.960
<v Speaker 1>Wiz and Cole and Kendrick and Drake and it was

0:14:42.000 --> 0:14:44.640
<v Speaker 1>all original music, but they were still like mixtape forms.

0:14:44.680 --> 0:14:46.960
<v Speaker 1>So yeah, they were still technically mixtapes and kind against

0:14:46.960 --> 0:14:49.280
<v Speaker 1>their deals. Yeah, like that was like I feel like

0:14:49.360 --> 0:14:51.280
<v Speaker 1>what happened with you guys kind of kicked off that

0:14:51.320 --> 0:14:54.400
<v Speaker 1>whole era of almost like it was the mixtape era

0:14:54.520 --> 0:14:58.160
<v Speaker 1>and then the blog erag the blogs became the new mixtapes. Yeah,

0:14:58.160 --> 0:15:02.600
<v Speaker 1>so when you get arrested, you get raided, Like, what's

0:15:02.680 --> 0:15:05.440
<v Speaker 1>the thought process, man? And did you have any idea

0:15:05.440 --> 0:15:07.840
<v Speaker 1>that that could be that that could happen? Nah? I

0:15:07.960 --> 0:15:10.160
<v Speaker 1>really didn't. Never in a million years would have thought that.

0:15:10.200 --> 0:15:13.440
<v Speaker 1>I mean one, because we were like we felt like

0:15:13.640 --> 0:15:15.440
<v Speaker 1>darlings of the industry in a lot of ways, like

0:15:15.520 --> 0:15:18.640
<v Speaker 1>we were hot, like I was on fire, you know

0:15:18.680 --> 0:15:22.240
<v Speaker 1>what I'm saying, And like, you know, we were also

0:15:23.080 --> 0:15:26.600
<v Speaker 1>in bed with so so much of the music industry

0:15:26.640 --> 0:15:28.920
<v Speaker 1>with all the labels, not only for me in DJs,

0:15:28.960 --> 0:15:32.240
<v Speaker 1>but then you know from labels were paying for gangster

0:15:32.320 --> 0:15:34.360
<v Speaker 1>grills and you know, I had an album deal at

0:15:34.360 --> 0:15:38.640
<v Speaker 1>Atlantic at the time. So when it all went down,

0:15:38.640 --> 0:15:40.960
<v Speaker 1>it was like, yeah, our minds were blown, like I

0:15:41.040 --> 0:15:42.880
<v Speaker 1>in a million years. Never like we said, I thought

0:15:42.880 --> 0:15:45.360
<v Speaker 1>they were coming for the studio next door on some shit.

0:15:45.440 --> 0:15:47.000
<v Speaker 1>I didn't think they was coming to get me. And

0:15:47.040 --> 0:15:49.680
<v Speaker 1>even when it we first like went through the motions,

0:15:50.200 --> 0:15:53.600
<v Speaker 1>I didn't comprehend it, you know. And it's so weird

0:15:53.640 --> 0:15:59.160
<v Speaker 1>because there's so many like different theories or or reasons

0:15:59.200 --> 0:16:00.920
<v Speaker 1>how and why it happened, you know what I mean.

0:16:00.960 --> 0:16:04.280
<v Speaker 1>But it regardless, it changed the whole game, and like

0:16:04.360 --> 0:16:06.840
<v Speaker 1>it literally changed the game overnight, you know what I'm saying.

0:16:06.840 --> 0:16:10.120
<v Speaker 1>And the mixtape game was totally different after that, and

0:16:10.320 --> 0:16:12.160
<v Speaker 1>you know it, you know, it was the top of

0:16:12.160 --> 0:16:14.000
<v Speaker 1>the food change. So a lot of niggas was doing

0:16:14.000 --> 0:16:16.080
<v Speaker 1>what we were doing with like yo, if they go

0:16:16.080 --> 0:16:18.400
<v Speaker 1>get drama and them, like I remember, they got like

0:16:18.440 --> 0:16:22.920
<v Speaker 1>big Mike and they got they got some yeah, but

0:16:22.960 --> 0:16:25.600
<v Speaker 1>not like that, no one. I don't feel like anyone's situation.

0:16:25.680 --> 0:16:28.280
<v Speaker 1>They made an example of you guys because yeah, like

0:16:28.320 --> 0:16:30.800
<v Speaker 1>it was just it was crazy. So but I mean,

0:16:30.880 --> 0:16:35.440
<v Speaker 1>and you know, it also made us more famous than ever,

0:16:35.640 --> 0:16:38.160
<v Speaker 1>you know, so it was like it's it kind of

0:16:38.200 --> 0:16:42.680
<v Speaker 1>set up for the first Gangster Girls album and yeah,

0:16:42.720 --> 0:16:44.720
<v Speaker 1>so I mean, you know, looking back on and it's like,

0:16:44.880 --> 0:16:47.840
<v Speaker 1>who knows how shit would have played out in our

0:16:47.880 --> 0:16:51.240
<v Speaker 1>careers if that may not have happened. But but you know,

0:16:51.320 --> 0:16:54.000
<v Speaker 1>another part of it too, was like I felt a

0:16:54.000 --> 0:16:56.080
<v Speaker 1>lot of guilt at first when that shit happened because

0:16:56.080 --> 0:16:58.640
<v Speaker 1>I felt like, damn this ship, like this here's a

0:16:58.680 --> 0:17:01.600
<v Speaker 1>culture that I like grew up up like loving and

0:17:01.680 --> 0:17:03.920
<v Speaker 1>like you know, you're the guy reason why Yeah, I'm like, damn,

0:17:03.960 --> 0:17:06.440
<v Speaker 1>this shit's gonna die on my shoulders. Like I felt

0:17:06.520 --> 0:17:08.480
<v Speaker 1>terrible for for a minute, you know what I'm saying.

0:17:08.520 --> 0:17:10.679
<v Speaker 1>So I remember even when I like first did Against

0:17:10.720 --> 0:17:12.600
<v Speaker 1>Grills or like when I did the tape when me

0:17:12.640 --> 0:17:15.000
<v Speaker 1>and Wayne did Dedication three, it was like I can't

0:17:15.080 --> 0:17:17.160
<v Speaker 1>let this ship down on you know, on my dime.

0:17:17.280 --> 0:17:19.159
<v Speaker 1>Like you know, I'm letting all the guys who came

0:17:19.200 --> 0:17:22.840
<v Speaker 1>before me down so to see where quote unquote mixtapes

0:17:22.880 --> 0:17:25.320
<v Speaker 1>are now today or just even because I feel like

0:17:25.359 --> 0:17:27.439
<v Speaker 1>they really it was a phoenix that arose from now,

0:17:27.480 --> 0:17:30.240
<v Speaker 1>Like if you look at it now, in whatever form,

0:17:30.280 --> 0:17:32.720
<v Speaker 1>mixtapes are bigger business than they ever were, you know

0:17:32.760 --> 0:17:35.000
<v Speaker 1>what I'm saying. Yeah, now they're they're monit. They're fully

0:17:35.000 --> 0:17:38.760
<v Speaker 1>monitored artist favorite. You feel what I'm saying. So you know,

0:17:39.560 --> 0:17:41.520
<v Speaker 1>I do miss like the energy of like you know,

0:17:41.640 --> 0:17:45.359
<v Speaker 1>it was re mixes in the freestyles and ship yeah,

0:17:45.520 --> 0:17:47.919
<v Speaker 1>and and it was it was just different. And now

0:17:47.960 --> 0:17:50.920
<v Speaker 1>it's like even when people drop mixtapes to a certain degree,

0:17:51.240 --> 0:17:56.159
<v Speaker 1>unless you get all your your everything cleared, like it's just,

0:17:56.280 --> 0:17:58.160
<v Speaker 1>you know, with all due respect to the mixtape sites,

0:17:58.200 --> 0:18:01.639
<v Speaker 1>is everyone wants to on all the DSPs. Like I

0:18:01.680 --> 0:18:04.760
<v Speaker 1>don't even I still haven't even like tapped in with

0:18:04.800 --> 0:18:08.479
<v Speaker 1>the Wayne tape because I'm just I'm not downloading. I'm like,

0:18:08.520 --> 0:18:10.800
<v Speaker 1>you know, like because it's not on the DSP. I

0:18:10.880 --> 0:18:12.240
<v Speaker 1>wanted to be. And at a time when we were

0:18:12.280 --> 0:18:15.960
<v Speaker 1>doing it, it it was like everyone there would there were

0:18:16.000 --> 0:18:18.560
<v Speaker 1>no DSPs, so it was like you everyone had to

0:18:18.640 --> 0:18:21.840
<v Speaker 1>have whatever gangster grills. Yeah, so back then, right, give

0:18:21.880 --> 0:18:23.760
<v Speaker 1>me the process, So you do a gangst the grills.

0:18:24.000 --> 0:18:26.439
<v Speaker 1>And for people who don't kind of understand like how

0:18:26.520 --> 0:18:29.160
<v Speaker 1>tapes circulated back then and kind of what you got,

0:18:29.240 --> 0:18:32.440
<v Speaker 1>like you were actually like were you wholesaling tapes out

0:18:32.520 --> 0:18:35.400
<v Speaker 1>from your headquarters? Yep? Yeah, was whole selling them out

0:18:35.400 --> 0:18:37.960
<v Speaker 1>from the headquarters. And then we was we had a

0:18:37.960 --> 0:18:42.400
<v Speaker 1>whole system shot a man Jason Brown. We would uh

0:18:42.760 --> 0:18:45.280
<v Speaker 1>wholesale them out from the studio. Then you know, also

0:18:46.480 --> 0:18:48.400
<v Speaker 1>the mixtape sites would do what they do, and then

0:18:48.480 --> 0:18:51.159
<v Speaker 1>who knows what the bootleggers was doing, so they you know,

0:18:51.680 --> 0:18:53.600
<v Speaker 1>from canals, so like a mixed unit was like a

0:18:53.600 --> 0:18:56.840
<v Speaker 1>big site, right, would stuff straight from you? Yeah? They would,

0:18:59.320 --> 0:19:03.840
<v Speaker 1>uh huh yep yeah, because I always wondered, like it's

0:19:04.080 --> 0:19:05.800
<v Speaker 1>you know, the whole idea of a mixtape is kind

0:19:05.800 --> 0:19:08.359
<v Speaker 1>of bootleg anyway, right, but then you would kind of

0:19:08.400 --> 0:19:10.680
<v Speaker 1>know when you'd get like the official joint because it'd

0:19:10.720 --> 0:19:12.800
<v Speaker 1>have like the back black riding on it and on

0:19:12.880 --> 0:19:15.440
<v Speaker 1>the CD. Right yeah, or how you kind of know

0:19:15.640 --> 0:19:19.119
<v Speaker 1>you know what I'm saying, right, Yeah, yeah, yeah, yeah, yeah, right,

0:19:19.280 --> 0:19:21.040
<v Speaker 1>yeah for sure. So you guys, would you guys just

0:19:21.119 --> 0:19:23.960
<v Speaker 1>kind of had your own little distribution system. We was

0:19:24.320 --> 0:19:27.840
<v Speaker 1>we was killing shit. That crazy crazy. It was like

0:19:28.600 --> 0:19:30.760
<v Speaker 1>what was your like a like a wholesale Like if

0:19:30.840 --> 0:19:33.040
<v Speaker 1>if if somebody like what were you selling your tapes

0:19:33.080 --> 0:19:36.720
<v Speaker 1>were hold like it was light like two dollars. It

0:19:36.760 --> 0:19:40.240
<v Speaker 1>would vary from like two dollars to four dollars depending

0:19:40.320 --> 0:19:43.000
<v Speaker 1>on where you know, where the market was. That's crazy. Yeah,

0:19:43.640 --> 0:19:45.200
<v Speaker 1>and yeah, I mean that's shit. I know how cheap

0:19:45.240 --> 0:19:47.680
<v Speaker 1>it is, especially you know you guys probably had twenty

0:19:47.720 --> 0:19:50.000
<v Speaker 1>five CD burners going. Yeah, and it'll probably costs us

0:19:50.119 --> 0:19:53.480
<v Speaker 1>like thirty cents of CD or something like that. Trying

0:19:53.480 --> 0:19:55.480
<v Speaker 1>to think of the costs. Man used to go in

0:19:55.600 --> 0:19:58.119
<v Speaker 1>that back room in terms of be back there putting

0:19:58.160 --> 0:20:01.679
<v Speaker 1>the CDs together like New Jackson bro just like Wag

0:20:01.760 --> 0:20:05.520
<v Speaker 1>and enjoyed something many boxes Field oh Man used to

0:20:05.560 --> 0:20:07.040
<v Speaker 1>be able to go back there. I remember I used

0:20:07.080 --> 0:20:08.720
<v Speaker 1>to go back there whenever I needed all of it.

0:20:08.760 --> 0:20:10.360
<v Speaker 1>I just go back there and get the twenty five

0:20:10.440 --> 0:20:12.960
<v Speaker 1>hottest new mixtapes because he was doing they was doing

0:20:13.040 --> 0:20:15.600
<v Speaker 1>one every other week between them three between him since

0:20:15.640 --> 0:20:18.240
<v Speaker 1>and Cannon. Yeah, there was one coming out every week.

0:20:18.320 --> 0:20:20.320
<v Speaker 1>So you go over there you got applies tape and

0:20:20.800 --> 0:20:23.760
<v Speaker 1>every genre from you know, you got a Joe Budden mixtape,

0:20:23.800 --> 0:20:27.080
<v Speaker 1>you got Killing Mike. Would you? Would you guys wholesale

0:20:27.119 --> 0:20:30.480
<v Speaker 1>other people's tapes for them? No, only affiliate. We only

0:20:30.560 --> 0:20:33.920
<v Speaker 1>did a Interestingly enough, I don't know if you know this,

0:20:34.119 --> 0:20:41.280
<v Speaker 1>but so back in the day, we wound up meeting

0:20:41.359 --> 0:20:44.040
<v Speaker 1>Kanye very early on and we wound up getting some

0:20:44.119 --> 0:20:47.719
<v Speaker 1>drops from him. He was on tour with Quality at

0:20:47.720 --> 0:20:50.560
<v Speaker 1>the time. And we also my man Damien Lemmon used

0:20:50.560 --> 0:20:53.320
<v Speaker 1>to work at Vibe magazine, so he had his He

0:20:53.400 --> 0:20:57.600
<v Speaker 1>had Kanye's college drop out super early, super super early.

0:20:58.000 --> 0:21:00.080
<v Speaker 1>So we had a copy of the album and and

0:21:00.880 --> 0:21:04.040
<v Speaker 1>Joe Button was on It was on his promo runs

0:21:04.200 --> 0:21:06.680
<v Speaker 1>when Pumping Up first came out and we had we

0:21:06.800 --> 0:21:08.760
<v Speaker 1>had we got Joe Button to host the tape. So

0:21:08.880 --> 0:21:12.280
<v Speaker 1>at the time and Cannon was like, uh, Kanye and

0:21:12.520 --> 0:21:15.640
<v Speaker 1>Joe Button didn't really feel gangster grills. At the time,

0:21:16.200 --> 0:21:18.600
<v Speaker 1>it was like we need another we need another mixtape series,

0:21:18.760 --> 0:21:21.119
<v Speaker 1>like what should we call it? We called a Generation

0:21:21.280 --> 0:21:25.800
<v Speaker 1>now Wow. Actually I remember burning those CDs and it

0:21:25.880 --> 0:21:27.639
<v Speaker 1>was like almost like a tape that had just a

0:21:27.680 --> 0:21:30.200
<v Speaker 1>bunch of new ship on it generation now yeah, I

0:21:30.320 --> 0:21:32.680
<v Speaker 1>used to burn those. Yeah, that was our side tape.

0:21:33.280 --> 0:21:35.360
<v Speaker 1>Something didn't fit and like I had all y'all's names

0:21:35.400 --> 0:21:39.199
<v Speaker 1>on it, right, Yeah, I remember those. So that's how long.

0:21:39.280 --> 0:21:42.280
<v Speaker 1>That's how long we've had the name. Damn. Yeah. So Cannon,

0:21:42.359 --> 0:21:45.399
<v Speaker 1>talk about how you and Drama initially linked up, like

0:21:46.240 --> 0:21:49.800
<v Speaker 1>your guys's history. We linked up in college. A good

0:21:49.840 --> 0:21:53.320
<v Speaker 1>story because I went to I used to kick it

0:21:53.440 --> 0:21:56.720
<v Speaker 1>with my man Harris, right, and Jabbar is one of

0:21:56.760 --> 0:21:59.240
<v Speaker 1>my closest people in Philly. He wasn't coming to Atlanta

0:21:59.280 --> 0:22:01.679
<v Speaker 1>the school and I was. He was like, yo, when

0:22:01.720 --> 0:22:05.280
<v Speaker 1>you get down there as a kid named Drum, he's dope.

0:22:05.359 --> 0:22:07.359
<v Speaker 1>You need to get with him. He's already with the

0:22:07.480 --> 0:22:13.359
<v Speaker 1>roots and and and bahamadd and just working with Ohama

0:22:13.440 --> 0:22:16.600
<v Speaker 1>did and uh. He was like you make beats, y'all

0:22:16.600 --> 0:22:18.359
<v Speaker 1>should hook up. And my whole thought process like he

0:22:18.480 --> 0:22:21.280
<v Speaker 1>next to the roots, about to get course some beats,

0:22:21.359 --> 0:22:23.280
<v Speaker 1>you know what I'm saying. So I came to school.

0:22:23.680 --> 0:22:25.440
<v Speaker 1>I met him on the pan one time and I

0:22:25.600 --> 0:22:27.280
<v Speaker 1>and I gave him some beats and I think he

0:22:27.400 --> 0:22:29.840
<v Speaker 1>took it home and he came back was like, yo,

0:22:29.960 --> 0:22:31.560
<v Speaker 1>he beats hard. You need to come by the crib,

0:22:31.840 --> 0:22:33.800
<v Speaker 1>you know and work on some ship. And we just

0:22:34.040 --> 0:22:36.080
<v Speaker 1>we went to the crib and worked on some stuff.

0:22:36.119 --> 0:22:38.359
<v Speaker 1>I think he was, you know, rest in peace to

0:22:38.480 --> 0:22:43.159
<v Speaker 1>Jackson and them guys. Beats benk his records, but he

0:22:43.320 --> 0:22:45.480
<v Speaker 1>was just like flooding my beats to people, you know

0:22:45.520 --> 0:22:48.440
<v Speaker 1>what I mean. He was like actually he was the former.

0:22:48.480 --> 0:22:50.119
<v Speaker 1>He was my managers that I remember, like, you know

0:22:50.160 --> 0:22:52.200
<v Speaker 1>what I mean. And at that time he was making beats.

0:22:52.240 --> 0:22:54.520
<v Speaker 1>Also if you could find that thirty two beat CD,

0:22:55.960 --> 0:22:58.240
<v Speaker 1>that's a classic, if you find his thirty two BCD.

0:22:58.760 --> 0:23:01.200
<v Speaker 1>But uh yeah, he was making beats. I was making

0:23:01.280 --> 0:23:03.840
<v Speaker 1>beats and we were just we was just kicking ship. Man.

0:23:04.400 --> 0:23:07.760
<v Speaker 1>It was times where I actually got kicked out of school,

0:23:07.840 --> 0:23:10.000
<v Speaker 1>right and I ain't tell my mom she knows now,

0:23:10.040 --> 0:23:11.879
<v Speaker 1>but I got I got kicked out of school and

0:23:12.040 --> 0:23:13.560
<v Speaker 1>I ain't had no place to live, and he kind

0:23:13.560 --> 0:23:15.600
<v Speaker 1>of took me in like you know for a little bit,

0:23:15.640 --> 0:23:17.280
<v Speaker 1>and I would go back and forth between him and

0:23:18.119 --> 0:23:20.000
<v Speaker 1>Trent Setter had a duplex, and I would go back

0:23:20.040 --> 0:23:21.320
<v Speaker 1>and forth to the crib if I got on his

0:23:21.440 --> 0:23:25.480
<v Speaker 1>nerves vice versa. So until I got my you know,

0:23:25.840 --> 0:23:28.040
<v Speaker 1>my stuff together. So you know, we was we went

0:23:28.080 --> 0:23:30.080
<v Speaker 1>to the club, he was DJing clubs. I started going

0:23:30.080 --> 0:23:32.040
<v Speaker 1>to club with him and you know, taking the craids

0:23:32.040 --> 0:23:35.679
<v Speaker 1>and just filling in doing different things. And also, uh

0:23:36.560 --> 0:23:38.440
<v Speaker 1>you know when we was making the mixtapes, we just

0:23:38.520 --> 0:23:40.640
<v Speaker 1>was you know, putting the stuff together at the crib.

0:23:41.680 --> 0:23:43.760
<v Speaker 1>Oh yeah, I got you know, it was just his

0:23:43.920 --> 0:23:46.480
<v Speaker 1>His crib was the hub. I keep saying, uh five

0:23:46.560 --> 0:23:48.560
<v Speaker 1>through to Glen Iris, like that was the hub. It

0:23:48.680 --> 0:23:50.720
<v Speaker 1>was just the shack where you know, he had a

0:23:50.800 --> 0:23:53.680
<v Speaker 1>nice little room. Any and everybody was in there. T

0:23:53.880 --> 0:23:56.520
<v Speaker 1>I was wrapping in the bathroom. Scrappy came by, a

0:23:56.560 --> 0:24:01.160
<v Speaker 1>little John came by, anybody. You think of two chains, Monica,

0:24:01.760 --> 0:24:03.399
<v Speaker 1>you know what I mean. Wow, It just was in

0:24:03.560 --> 0:24:05.240
<v Speaker 1>this crib and it was just the place to be,

0:24:05.400 --> 0:24:07.439
<v Speaker 1>so I wouldn't want to be nowhere else. He had

0:24:07.480 --> 0:24:10.400
<v Speaker 1>the records. He had like a whole wall of records.

0:24:10.440 --> 0:24:13.320
<v Speaker 1>You know, I was sampled dusty little crib too. Yeah.

0:24:13.320 --> 0:24:15.639
<v Speaker 1>It was the best everything. No, it's not even like

0:24:15.680 --> 0:24:18.560
<v Speaker 1>a nice condo or nothing like. It's Dusty was in

0:24:18.640 --> 0:24:22.080
<v Speaker 1>the hood. It was in the food. You know, good

0:24:22.240 --> 0:24:24.600
<v Speaker 1>go to music until it's time and you know, disperse

0:24:24.640 --> 0:24:28.600
<v Speaker 1>and you know, play our role with those you know

0:24:28.680 --> 0:24:33.000
<v Speaker 1>what I'm saying. Yeah, so you obviously started as a producer.

0:24:33.359 --> 0:24:35.399
<v Speaker 1>You're I always say this, You're like one of the

0:24:35.440 --> 0:24:39.679
<v Speaker 1>most fire producers. Thank you, bro, appreciate it. Yeah, did

0:24:40.359 --> 0:24:43.080
<v Speaker 1>like Drom convince you to start doing the mixtape thing

0:24:43.160 --> 0:24:44.920
<v Speaker 1>as well or was that something that just kind of

0:24:45.000 --> 0:24:48.840
<v Speaker 1>naturally happened. I actually I started DJing when I was

0:24:48.840 --> 0:24:51.159
<v Speaker 1>five years old. Okay, so you were you are already

0:24:51.200 --> 0:24:52.879
<v Speaker 1>djaying as well. Yeah, So I grew up wanting to

0:24:52.920 --> 0:24:54.840
<v Speaker 1>be shot, you know what I mean. When I was eleven,

0:24:54.920 --> 0:24:56.639
<v Speaker 1>I wanted to be in the NBA and make beats.

0:24:56.720 --> 0:24:58.680
<v Speaker 1>While was a rapper first, and then I was making

0:24:58.760 --> 0:25:04.880
<v Speaker 1>beats Shock, Better Point Garden, Chris Ball, no doubt, no doubt. Yeah.

0:25:04.920 --> 0:25:07.320
<v Speaker 1>But uh and then and in high school how I

0:25:07.400 --> 0:25:09.200
<v Speaker 1>used to make my money. I was making mixtapes. My

0:25:09.480 --> 0:25:12.200
<v Speaker 1>first DJ name was the Last Don and I used

0:25:12.200 --> 0:25:15.040
<v Speaker 1>to just you know, make I think they leaked The

0:25:15.160 --> 0:25:19.119
<v Speaker 1>Iron Man and ghost Face early, and I was like

0:25:19.200 --> 0:25:20.800
<v Speaker 1>the first person to put on my mixtapes. So I

0:25:20.880 --> 0:25:24.119
<v Speaker 1>had that some underground dudes like elder Head Toucher and

0:25:24.200 --> 0:25:25.680
<v Speaker 1>all that stuff, and I used to put them on

0:25:25.840 --> 0:25:28.119
<v Speaker 1>tapes and I used to just move them through the

0:25:28.200 --> 0:25:29.639
<v Speaker 1>high school because that's how I made money. I was

0:25:29.680 --> 0:25:32.120
<v Speaker 1>the hustle in high school. So even if people owe

0:25:32.160 --> 0:25:34.560
<v Speaker 1>me money, I would just get like, you know, they

0:25:34.560 --> 0:25:37.040
<v Speaker 1>would bring their khakis. I sell the khakis to somebody.

0:25:37.080 --> 0:25:39.240
<v Speaker 1>There's shoes. But the tapes was the main thing. But

0:25:39.280 --> 0:25:41.520
<v Speaker 1>then when I got to Atlanta, I was like, Yo,

0:25:42.040 --> 0:25:44.000
<v Speaker 1>I need to get on some producing, you know what

0:25:44.000 --> 0:25:46.680
<v Speaker 1>I mean. But DJing came so wild because I was

0:25:46.760 --> 0:25:48.960
<v Speaker 1>DJ on campus. A couple of guys saw me and

0:25:49.080 --> 0:25:50.800
<v Speaker 1>was like, Yo, you need to come do Chili Pepper

0:25:50.920 --> 0:25:53.280
<v Speaker 1>and all these clubs. And when I did those clubs,

0:25:53.280 --> 0:25:55.280
<v Speaker 1>they was like, Yo, you're dope as hell. DJ and

0:25:55.400 --> 0:25:57.800
<v Speaker 1>I just got gigs. So it just started falling place.

0:25:58.240 --> 0:26:01.760
<v Speaker 1>But we started started rocking together, and it was like

0:26:01.880 --> 0:26:03.879
<v Speaker 1>it was sometimes where DRAWN was getting so hot on

0:26:03.920 --> 0:26:06.760
<v Speaker 1>the mixtape game that I was doing a lot of

0:26:06.800 --> 0:26:08.480
<v Speaker 1>the gigs, you know what I'm saying. He was just

0:26:08.600 --> 0:26:10.600
<v Speaker 1>so hot At a point I think he was like

0:26:10.960 --> 0:26:12.359
<v Speaker 1>I didn't even wanna fuck with the clubs like that

0:26:12.520 --> 0:26:14.720
<v Speaker 1>no more. I'm just you know, I'm over here, and

0:26:14.800 --> 0:26:16.320
<v Speaker 1>I just did a lot of the gigs. You know

0:26:16.359 --> 0:26:18.879
<v Speaker 1>what I'm saying. Could somebody was doing tapes and I

0:26:19.000 --> 0:26:21.480
<v Speaker 1>was on tapes too, like in the earlier years, like

0:26:21.760 --> 0:26:23.440
<v Speaker 1>and I'm don't even talk about like I'm talking about

0:26:23.440 --> 0:26:25.480
<v Speaker 1>even when he was in college, because I used to.

0:26:25.800 --> 0:26:28.240
<v Speaker 1>I used to set up on campus. Cana did the

0:26:28.280 --> 0:26:32.840
<v Speaker 1>tape called the After Party. I remember, Yeah, that was

0:26:32.960 --> 0:26:35.399
<v Speaker 1>my college, you know what I mean. So I used

0:26:35.440 --> 0:26:39.160
<v Speaker 1>to like, hustle, our tapes are myself and they are him,

0:26:39.240 --> 0:26:41.000
<v Speaker 1>And Trance said that I give them credit for me

0:26:41.359 --> 0:26:43.400
<v Speaker 1>using my real name. My whole life, I ain't even

0:26:43.520 --> 0:26:45.159
<v Speaker 1>like my name, you know what I'm saying. So they

0:26:45.240 --> 0:26:47.760
<v Speaker 1>was like yo, can and like, oh my god, it's

0:26:47.840 --> 0:26:51.320
<v Speaker 1>just whack. You know, it turned out, you know what

0:26:51.320 --> 0:26:53.080
<v Speaker 1>I'm saying, But I didn't like it for a long time.

0:26:53.160 --> 0:26:55.159
<v Speaker 1>But you know, I credit them for doing that. You know,

0:26:55.200 --> 0:26:57.760
<v Speaker 1>in Philly for some time now, Cannon has been like

0:26:57.840 --> 0:27:01.680
<v Speaker 1>a a name people. What's up Cannon. But even before

0:27:01.760 --> 0:27:04.359
<v Speaker 1>we was telling before that happened, we was telling him

0:27:04.600 --> 0:27:06.720
<v Speaker 1>they would never call me by my name. They was like, Cannon,

0:27:06.960 --> 0:27:10.200
<v Speaker 1>it wouldn't be like Donnie Brasco, this is like what

0:27:10.720 --> 0:27:14.000
<v Speaker 1>fire name like he do you remember the like the

0:27:14.119 --> 0:27:18.280
<v Speaker 1>beat that like kind of changed your uh like kind

0:27:18.320 --> 0:27:23.360
<v Speaker 1>of changed my life as a producer. Man crazy, Yeah,

0:27:23.359 --> 0:27:25.320
<v Speaker 1>I could say, I could say go crazy, But the

0:27:25.440 --> 0:27:29.520
<v Speaker 1>one that I get the most accolades from the most

0:27:30.600 --> 0:27:32.600
<v Speaker 1>people I would never thought i'd ever speak to it

0:27:32.720 --> 0:27:35.520
<v Speaker 1>was Cannon Wayne. Yeah, And that was the reason why.

0:27:35.640 --> 0:27:37.560
<v Speaker 1>Is like I went to when I started traveling, bro,

0:27:37.760 --> 0:27:40.760
<v Speaker 1>I was running into everybody like Premiere and all these people,

0:27:41.080 --> 0:27:42.760
<v Speaker 1>and it was like, Yo, I need to holler at you.

0:27:43.320 --> 0:27:45.600
<v Speaker 1>And I was like, yeah, like when you made when

0:27:45.640 --> 0:27:50.960
<v Speaker 1>you made that beat right, like was your like drop

0:27:51.200 --> 0:27:53.560
<v Speaker 1>like like like did you make that beat like or

0:27:53.600 --> 0:27:56.080
<v Speaker 1>did you add that later? Like what was the process

0:27:56.119 --> 0:27:58.399
<v Speaker 1>of that record with Wayne? I'm gonna tell your story.

0:27:58.480 --> 0:28:02.440
<v Speaker 1>So so this is I came about when I when

0:28:02.480 --> 0:28:06.440
<v Speaker 1>I did go crazy. H N R. From Atlantic I

0:28:06.520 --> 0:28:08.199
<v Speaker 1>forgot his name at the time, but he was like, Yo,

0:28:08.320 --> 0:28:11.800
<v Speaker 1>I want you to go work with Trick Daddy in Florida.

0:28:11.920 --> 0:28:16.359
<v Speaker 1>Now Orlando did it? It was this guy you forget

0:28:16.400 --> 0:28:19.520
<v Speaker 1>his name, but uh. I went to Miami and I

0:28:19.600 --> 0:28:22.480
<v Speaker 1>went to Circle House and I was busting my brain

0:28:22.600 --> 0:28:24.280
<v Speaker 1>or what I can make Trick Daddy that feel like

0:28:24.440 --> 0:28:28.280
<v Speaker 1>me and Miami at the same time. So at that time,

0:28:28.320 --> 0:28:30.399
<v Speaker 1>it was like, come on ride this train. It was like,

0:28:30.760 --> 0:28:34.600
<v Speaker 1>you know, a Southern base record. And I was like, yeah,

0:28:34.600 --> 0:28:36.960
<v Speaker 1>I'm a East Coast to ship out, and how I

0:28:37.000 --> 0:28:40.880
<v Speaker 1>wind up flipping it? Trick Daddy ain't really like it.

0:28:41.440 --> 0:28:43.760
<v Speaker 1>You know, he was working on a Madonna record at

0:28:43.800 --> 0:28:45.800
<v Speaker 1>the time. What the fu. Yeah, it was like Trick

0:28:45.880 --> 0:28:47.680
<v Speaker 1>Daddy was going to strip club every day from like

0:28:47.720 --> 0:28:51.080
<v Speaker 1>eleven in the morning to like six and alfternoon. It

0:28:51.240 --> 0:28:53.200
<v Speaker 1>was I think if Madonna was on a hook or something.

0:28:53.280 --> 0:28:57.960
<v Speaker 1>It was something that's some huge ship. I think. No,

0:28:58.120 --> 0:29:00.400
<v Speaker 1>Trick was crazy. So my whole thing was like I

0:29:00.480 --> 0:29:02.000
<v Speaker 1>love Trick as a rapper. I was like, damn, I

0:29:02.120 --> 0:29:04.600
<v Speaker 1>just wish he could come in the room and be like, Yo,

0:29:05.040 --> 0:29:06.880
<v Speaker 1>I don't like this, but I like that. But it

0:29:07.040 --> 0:29:08.640
<v Speaker 1>just ain't work out that way. But I wind up

0:29:08.840 --> 0:29:11.720
<v Speaker 1>leaven the stuff there. But it was a dude fiend

0:29:11.800 --> 0:29:14.440
<v Speaker 1>that was there. I don't know if you know Fiend. Yes,

0:29:14.920 --> 0:29:18.320
<v Speaker 1>Fien was right today. Yeah, he was. He's a phenomenal writer.

0:29:18.480 --> 0:29:20.680
<v Speaker 1>So he was like coming in the session and loving

0:29:20.720 --> 0:29:22.400
<v Speaker 1>everything I was fucking with. He was like, bro, I

0:29:22.520 --> 0:29:25.480
<v Speaker 1>love that he was the first person to do a

0:29:25.600 --> 0:29:27.720
<v Speaker 1>cannon hook. He went on there and was like, I

0:29:27.800 --> 0:29:30.160
<v Speaker 1>got the a K. I'm with the cannon and that

0:29:30.280 --> 0:29:33.600
<v Speaker 1>was it. You didn't know that he was the first

0:29:33.640 --> 0:29:35.120
<v Speaker 1>person that used the drop. It didn't go all the

0:29:35.160 --> 0:29:36.880
<v Speaker 1>way through like everybody, but he was like, yo, I

0:29:36.920 --> 0:29:39.760
<v Speaker 1>got it a K with a cannon and I was like, oh,

0:29:39.800 --> 0:29:42.680
<v Speaker 1>that's fire. But it never amounted to nothing, so I

0:29:42.720 --> 0:29:45.360
<v Speaker 1>wind up taking a record back home. I think I

0:29:45.480 --> 0:29:48.840
<v Speaker 1>gave it to him first. Now, yeah, you gave it

0:29:48.880 --> 0:29:52.320
<v Speaker 1>the Buster, No, remember, because Orlando gave it to Bohagen.

0:29:53.040 --> 0:29:56.760
<v Speaker 1>Bohagen had it first. Yeah, he remember Behagen, and then

0:29:56.800 --> 0:30:00.760
<v Speaker 1>after that it was Buster and then Busting to Bust.

0:30:00.920 --> 0:30:03.200
<v Speaker 1>I don't think bo Haagen did cannon though. I think

0:30:03.280 --> 0:30:05.360
<v Speaker 1>he wrapped on it, but he didn't do the layout.

0:30:05.520 --> 0:30:09.120
<v Speaker 1>He might not. He didn't beat. Yeah, Busted did the layout. Yeah,

0:30:09.120 --> 0:30:11.400
<v Speaker 1>Busted did it. Bust had it first. Yeah, he went dumb.

0:30:12.120 --> 0:30:13.760
<v Speaker 1>You know what I'm saying. Yeah, because there was different

0:30:13.920 --> 0:30:16.800
<v Speaker 1>iterations of that record. I remember he went dumb and

0:30:16.920 --> 0:30:19.720
<v Speaker 1>then he wound up giving it Dwayne and then Wayne

0:30:19.840 --> 0:30:22.480
<v Speaker 1>just went stupid. The craziest thing is people don't know

0:30:22.640 --> 0:30:25.640
<v Speaker 1>is Wayne wrapped the whole beat three minutes long. We

0:30:25.760 --> 0:30:27.760
<v Speaker 1>had to make the verses because he just wouldn't stop.

0:30:28.400 --> 0:30:30.160
<v Speaker 1>He just he just is in the in the in

0:30:30.280 --> 0:30:32.840
<v Speaker 1>the booth. He wrapped the whole thing straight. I still

0:30:32.880 --> 0:30:36.440
<v Speaker 1>got that version too. Yeah. So I was going to Miami.

0:30:37.080 --> 0:30:39.600
<v Speaker 1>It was when Cali was shooting Holler at Me and

0:30:40.200 --> 0:30:43.280
<v Speaker 1>everybody went to Miami for that video and we were

0:30:43.440 --> 0:30:46.000
<v Speaker 1>just that dedication. I was going to go to Circle

0:30:46.040 --> 0:30:48.720
<v Speaker 1>House to go pick up dedicated. That's crazy because that's

0:30:48.720 --> 0:30:50.560
<v Speaker 1>where the beat was made too. But I was going

0:30:50.600 --> 0:30:52.360
<v Speaker 1>to Circle House to go pick up the music for

0:30:52.480 --> 0:30:57.680
<v Speaker 1>Dedication too, and uh, it was that same night. And

0:30:57.720 --> 0:30:58.880
<v Speaker 1>then I went over there and I was like, yo,

0:30:59.000 --> 0:31:01.240
<v Speaker 1>I got this just beat. My man made, like to

0:31:01.280 --> 0:31:02.560
<v Speaker 1>see if you funk with it for the tape and

0:31:02.600 --> 0:31:04.560
<v Speaker 1>I was the last song he did for dedication to

0:31:04.680 --> 0:31:07.120
<v Speaker 1>and Spaz and like the next day gave it back

0:31:07.160 --> 0:31:09.920
<v Speaker 1>to me. Yeah. That was That was the whole making

0:31:10.000 --> 0:31:12.360
<v Speaker 1>of that. And people don't really know that story, but

0:31:12.440 --> 0:31:14.400
<v Speaker 1>I try to tell that story because that was like

0:31:15.000 --> 0:31:17.720
<v Speaker 1>a magical mistake. You know. When I was making that record,

0:31:17.760 --> 0:31:19.960
<v Speaker 1>it was like, oh, go crazy. Was the same way

0:31:20.000 --> 0:31:22.920
<v Speaker 1>when I made it, go crazy. It was for artists.

0:31:23.120 --> 0:31:26.280
<v Speaker 1>We had named Willy the kid. The kid Yeah, shot

0:31:26.320 --> 0:31:28.600
<v Speaker 1>to Willy, Shot to Willie, And I think I was

0:31:28.840 --> 0:31:33.320
<v Speaker 1>making it watching Dead Presidence first artist, Yeah yeah, And

0:31:33.800 --> 0:31:36.880
<v Speaker 1>I wind up giving it to him and t I

0:31:36.960 --> 0:31:39.640
<v Speaker 1>wrapped on it, but he didn't. I wind up giving

0:31:39.720 --> 0:31:42.280
<v Speaker 1>Willy another beat because we couldn't get it right. Something happened.

0:31:42.280 --> 0:31:43.960
<v Speaker 1>We couldn't get that record right for him, so I

0:31:44.000 --> 0:31:45.920
<v Speaker 1>gave him another beat and then that went to draw

0:31:46.480 --> 0:31:49.760
<v Speaker 1>you know, and that's yeah, go crazy is one of

0:31:49.840 --> 0:31:54.040
<v Speaker 1>those ones. Man, It's like, how crazy was it when

0:31:54.040 --> 0:31:55.680
<v Speaker 1>you heard jay Z's remake was about to say his

0:31:55.760 --> 0:32:00.840
<v Speaker 1>first beat out the gate? It was crazy because I

0:32:00.920 --> 0:32:04.200
<v Speaker 1>remember Coach K like, yo, got something for you, got

0:32:04.240 --> 0:32:07.160
<v Speaker 1>something for you. I'm like, man, whatever whatever you're talking about.

0:32:07.840 --> 0:32:09.240
<v Speaker 1>I thought I didn't know what it was going after.

0:32:09.240 --> 0:32:11.000
<v Speaker 1>It was gonna be like a g Z and a

0:32:11.080 --> 0:32:14.280
<v Speaker 1>couple of people that you know, and and uh when

0:32:14.280 --> 0:32:16.200
<v Speaker 1>he said jay Z, I said, I wait to hear

0:32:16.240 --> 0:32:18.720
<v Speaker 1>it when I believe it. And to this day, I

0:32:18.800 --> 0:32:23.880
<v Speaker 1>think jay Z performed it at birthday birthday bad Ford

0:32:24.120 --> 0:32:26.000
<v Speaker 1>in the come and I had I wouldn't come, but

0:32:26.120 --> 0:32:28.840
<v Speaker 1>I came. I had a loaf of bread in my throat.

0:32:29.000 --> 0:32:31.520
<v Speaker 1>When I heard I seen all them people, I said, oh, ship,

0:32:31.640 --> 0:32:33.680
<v Speaker 1>it's real man, you know what I mean? Because I

0:32:33.720 --> 0:32:35.080
<v Speaker 1>didn't know what I was doing at the time. We

0:32:35.240 --> 0:32:37.240
<v Speaker 1>was just was having fun. Yeah, you know what I mean.

0:32:37.280 --> 0:32:39.320
<v Speaker 1>It was just everything we did was fun, you know

0:32:39.360 --> 0:32:42.320
<v Speaker 1>what I mean. Damn, that's crazy man. Yeah. That record

0:32:42.440 --> 0:32:45.440
<v Speaker 1>is like one of those ones. Is like I remember,

0:32:45.600 --> 0:32:48.160
<v Speaker 1>like first time I pressed played on that CD. That

0:32:48.360 --> 0:32:51.000
<v Speaker 1>was the one record because I'm like like a boombab

0:32:51.040 --> 0:32:53.680
<v Speaker 1>hip hop ad and that record was like it was

0:32:53.720 --> 0:32:55.520
<v Speaker 1>like hearing GZ in a different light, you know. Yeah.

0:32:55.640 --> 0:32:57.959
<v Speaker 1>That was one thing that I did strategize. I was like, yo,

0:32:58.080 --> 0:33:00.760
<v Speaker 1>because go crazy. Original had break be drums on it,

0:33:01.240 --> 0:33:04.320
<v Speaker 1>and I was like, how can I get this sound

0:33:04.360 --> 0:33:06.560
<v Speaker 1>and him together to make it that? And I always

0:33:06.640 --> 0:33:09.040
<v Speaker 1>wanted to sit in front of like him and Jay

0:33:09.080 --> 0:33:11.280
<v Speaker 1>in the conversations like Yo, what did you hear? Jeez?

0:33:11.440 --> 0:33:14.680
<v Speaker 1>Do that made you want to do sixty four bars

0:33:15.000 --> 0:33:19.040
<v Speaker 1>of classic verse? Because I you know, Jay does a verse,

0:33:19.080 --> 0:33:21.920
<v Speaker 1>he does some special verses, but that one just long.

0:33:22.160 --> 0:33:24.040
<v Speaker 1>It was different, you know what I'm saying. I was

0:33:24.080 --> 0:33:26.080
<v Speaker 1>just trying to figure out, like what did jeez, say

0:33:26.120 --> 0:33:28.560
<v Speaker 1>on there that made you like, oh man, I gotta

0:33:28.600 --> 0:33:31.000
<v Speaker 1>go crazy, like you know what I'm saying. So I

0:33:31.160 --> 0:33:34.440
<v Speaker 1>just I just you know, going through that whole prop

0:33:34.600 --> 0:33:38.160
<v Speaker 1>that that whole process was was fun because we were

0:33:38.280 --> 0:33:41.360
<v Speaker 1>just doing us. I don't think we I mean, we

0:33:41.520 --> 0:33:43.800
<v Speaker 1>had objective to make money, but I think at that

0:33:43.920 --> 0:33:46.120
<v Speaker 1>time I was just happy to be a part of sacks.

0:33:46.200 --> 0:33:50.240
<v Speaker 1>You know what I mean? For sure? Back then, like

0:33:50.440 --> 0:33:53.560
<v Speaker 1>when the Gangster Girls the hottest shit, right, could a

0:33:53.640 --> 0:33:55.680
<v Speaker 1>label pay you to do it? Like like let's say

0:33:55.680 --> 0:33:58.040
<v Speaker 1>it was an artist that was you didn't know about,

0:33:58.200 --> 0:34:03.160
<v Speaker 1>could they cut the stimulus check? And he did plenty

0:34:03.160 --> 0:34:07.000
<v Speaker 1>of times? What got a thing too at the time.

0:34:07.160 --> 0:34:09.000
<v Speaker 1>I mean it may be a little different now, but

0:34:09.120 --> 0:34:12.880
<v Speaker 1>even there are artists like Yogatis an example of that,

0:34:13.040 --> 0:34:15.160
<v Speaker 1>Like the first tape we did together, he paid me

0:34:15.239 --> 0:34:16.880
<v Speaker 1>and he was he had just got signed. So these

0:34:16.920 --> 0:34:19.719
<v Speaker 1>are still artists that are like you know, we know

0:34:19.880 --> 0:34:21.920
<v Speaker 1>of today. You know what I'm saying that the labels

0:34:21.920 --> 0:34:24.120
<v Speaker 1>were still cutting checks for so it would it would

0:34:24.520 --> 0:34:26.800
<v Speaker 1>it would vary, like they would come from all avenues.

0:34:26.840 --> 0:34:28.600
<v Speaker 1>What was you about to est though? I was gonna say,

0:34:28.640 --> 0:34:30.640
<v Speaker 1>what what was the biggest, Like what's the like, what

0:34:30.800 --> 0:34:36.880
<v Speaker 1>was the going rate? It got up to? Like twenty

0:34:36.920 --> 0:34:40.760
<v Speaker 1>five thirty thousand? Damn, Like I take you that's crazy.

0:34:41.320 --> 0:34:44.120
<v Speaker 1>And then like so give me like so like so

0:34:44.280 --> 0:34:46.600
<v Speaker 1>something like the Little Brother Gangster Grills, right, which was

0:34:46.640 --> 0:34:49.759
<v Speaker 1>so dope because Little Brothers obviously from the South, right,

0:34:49.920 --> 0:34:53.319
<v Speaker 1>but they kind of you know, it's crazy because back then,

0:34:54.239 --> 0:34:57.759
<v Speaker 1>I feel like we really separated types of hip hop

0:34:59.000 --> 0:35:01.120
<v Speaker 1>so much more than we now. They told me it

0:35:01.200 --> 0:35:02.960
<v Speaker 1>wasn't gonna make sense when I did that. Like now,

0:35:03.160 --> 0:35:06.040
<v Speaker 1>like people can work with each other and people don't

0:35:06.040 --> 0:35:08.360
<v Speaker 1>even bat an eye at it. Back then, I like remember,

0:35:08.480 --> 0:35:11.000
<v Speaker 1>like how how crazy it was like when you heard

0:35:11.040 --> 0:35:13.840
<v Speaker 1>Talip Quality and jay Z on a song together. Absolutely,

0:35:14.480 --> 0:35:16.200
<v Speaker 1>and so you do there's a lot of that. Yeah,

0:35:16.719 --> 0:35:18.200
<v Speaker 1>Kanye had a lot to do, but you doing the

0:35:18.239 --> 0:35:20.680
<v Speaker 1>Gangster Girls a Little Brother? Was that your idea? Was

0:35:20.760 --> 0:35:22.880
<v Speaker 1>that the label coming in? No, that had nothing? That

0:35:23.000 --> 0:35:24.719
<v Speaker 1>was me and Little Brother. I mean I was I

0:35:24.800 --> 0:35:27.319
<v Speaker 1>have been a fan, Like I'm we're hip hop heads too,

0:35:27.440 --> 0:35:29.719
<v Speaker 1>so you know what I'm saying. I've been a Little

0:35:29.719 --> 0:35:32.800
<v Speaker 1>Brother fan. And when I remember we wound up, we

0:35:32.960 --> 0:35:34.400
<v Speaker 1>ran into each other. They had to show a Yan

0:35:34.440 --> 0:35:36.360
<v Speaker 1>Yant cafe here in Atlanta, and I went to go

0:35:36.440 --> 0:35:38.719
<v Speaker 1>see him and we talked about it on the bus.

0:35:38.800 --> 0:35:42.680
<v Speaker 1>And it's looking back on it, like again, little Brother

0:35:42.800 --> 0:35:44.960
<v Speaker 1>tape and the Pharrell tape. Like when I did those

0:35:45.160 --> 0:35:48.520
<v Speaker 1>tape crazy like though at the time, Gangster Girls was

0:35:48.640 --> 0:35:52.600
<v Speaker 1>still known for like t I g Z Wayne Bumbee,

0:35:52.719 --> 0:35:55.360
<v Speaker 1>So it was it had a certain you know style

0:35:55.480 --> 0:35:57.560
<v Speaker 1>to it or it was like street music, you know

0:35:57.560 --> 0:36:00.040
<v Speaker 1>what I'm saying. So I remember people being like, you

0:36:00.160 --> 0:36:03.160
<v Speaker 1>gonna do it Gangsters with who Little Brother Pharrell? And

0:36:03.239 --> 0:36:06.120
<v Speaker 1>I was like watch this and you know, like even

0:36:06.160 --> 0:36:08.080
<v Speaker 1>for me, like that was getting back to my roots

0:36:08.120 --> 0:36:09.400
<v Speaker 1>to be able to do something with them, you know

0:36:09.400 --> 0:36:12.319
<v Speaker 1>what I'm saying. So they they you know, them being

0:36:12.360 --> 0:36:13.759
<v Speaker 1>a fan and me being a fan. It was like

0:36:13.880 --> 0:36:17.320
<v Speaker 1>it was it was perfect. Like I was so excited

0:36:17.560 --> 0:36:19.760
<v Speaker 1>to do those tapes too, to really just start branching

0:36:19.800 --> 0:36:22.560
<v Speaker 1>out and going different directions too with the brand. Yeah,

0:36:22.560 --> 0:36:24.440
<v Speaker 1>and then like how many Like so okay, like you

0:36:24.560 --> 0:36:28.720
<v Speaker 1>mentioned the Pharrell tape, which is fucking so fine. Cannon

0:36:28.800 --> 0:36:31.759
<v Speaker 1>actually goes DJ that hotel. Oh you did, okay, Okay,

0:36:32.440 --> 0:36:36.200
<v Speaker 1>But I'm just curious he was on the road. Questionable

0:36:36.840 --> 0:36:42.440
<v Speaker 1>question questionable. You and Pharrell, like you decided to do

0:36:42.640 --> 0:36:44.800
<v Speaker 1>against the Grills. Does he just handle all the creative

0:36:44.920 --> 0:36:47.279
<v Speaker 1>or are you sending him ideas beats? It was both

0:36:47.360 --> 0:36:51.120
<v Speaker 1>was sending him ideas and beats and he was he

0:36:51.320 --> 0:36:55.600
<v Speaker 1>had a phenomenal uh uh outline of where he wanted

0:36:55.600 --> 0:36:57.719
<v Speaker 1>to go with it. He definitely picked some incredible beats

0:36:57.760 --> 0:37:00.480
<v Speaker 1>and we gave him some. And you know, and I

0:37:00.640 --> 0:37:01.959
<v Speaker 1>what I used to do is I used to write

0:37:01.960 --> 0:37:04.360
<v Speaker 1>out a script. I used to have a script and

0:37:04.400 --> 0:37:07.320
<v Speaker 1>it basically was like literally like me interviewing the artists

0:37:07.680 --> 0:37:09.719
<v Speaker 1>and that would kind of give me a formula for

0:37:09.800 --> 0:37:11.239
<v Speaker 1>the tape. So you know, that's when I used to

0:37:11.280 --> 0:37:13.840
<v Speaker 1>do interludes and talk and chop it up, you know,

0:37:14.080 --> 0:37:16.240
<v Speaker 1>just kind of piece and those stuff that stuff together.

0:37:16.440 --> 0:37:19.719
<v Speaker 1>Like so so yeah, I mean and again, you know

0:37:19.760 --> 0:37:23.360
<v Speaker 1>I met I met Pharrell when Tip was on house arrest,

0:37:24.800 --> 0:37:27.880
<v Speaker 1>like before we did Down with the King, so we

0:37:28.040 --> 0:37:30.840
<v Speaker 1>had we had got acquainted then, you know, so he

0:37:30.960 --> 0:37:33.640
<v Speaker 1>was familiar with me early on in my like in

0:37:33.719 --> 0:37:36.120
<v Speaker 1>that part of my career. So then you know he

0:37:36.320 --> 0:37:38.640
<v Speaker 1>kind of touched back and was like, Yo, I love

0:37:38.719 --> 0:37:40.120
<v Speaker 1>what you're doing like we gotta do on. I mean,

0:37:40.200 --> 0:37:42.359
<v Speaker 1>to this day, it's the only mixtape he's ever done.

0:37:42.440 --> 0:37:44.440
<v Speaker 1>You know, it's just you know, us being fan like

0:37:44.480 --> 0:37:47.600
<v Speaker 1>it was monumental like and no, that's that's the tape too.

0:37:47.719 --> 0:37:50.120
<v Speaker 1>Like you know, I meet a lot of kids today,

0:37:50.280 --> 0:37:52.200
<v Speaker 1>not even kids anymore, but you know they'll be like, yo,

0:37:52.320 --> 0:37:56.160
<v Speaker 1>that pharreal gang like the same way like the Gzy

0:37:56.239 --> 0:37:59.359
<v Speaker 1>and a Wayne tape is to to some That's how

0:37:59.840 --> 0:38:02.960
<v Speaker 1>you know a different cloth is to the to the

0:38:03.000 --> 0:38:05.839
<v Speaker 1>Ferral tape per se, you know what I'm saying. So yeah,

0:38:05.920 --> 0:38:08.200
<v Speaker 1>all classics. We got nothing but fucking classics under our

0:38:10.520 --> 0:38:16.560
<v Speaker 1>your shit talk that shitat No, we're breaking down this video.

0:38:17.040 --> 0:38:18.880
<v Speaker 1>We're not breaking it down. We're taking a break in

0:38:18.920 --> 0:38:21.600
<v Speaker 1>the video to tell you all about our sponsors, odd

0:38:21.719 --> 0:38:25.440
<v Speaker 1>Socks All right, listen man, odd socksofficial dot Com. The

0:38:25.640 --> 0:38:28.400
<v Speaker 1>fuck was that? Bro? Uh? It was like a fucking

0:38:28.480 --> 0:38:32.399
<v Speaker 1>Pomeranian hair floating in the air. Anyway, odd socksoficial dot

0:38:32.480 --> 0:38:36.000
<v Speaker 1>Com keyword bootleg keV go over there, get you some

0:38:36.200 --> 0:38:38.600
<v Speaker 1>socks and you'll save twenty percent off if you use

0:38:38.600 --> 0:38:42.760
<v Speaker 1>that keyword. They got south Park license, they got some Ghostbusters,

0:38:43.080 --> 0:38:46.120
<v Speaker 1>Pimp c Mike Tyson. Really the one that I really

0:38:46.160 --> 0:38:48.359
<v Speaker 1>care about is they got that WWE license. You can

0:38:48.400 --> 0:38:51.120
<v Speaker 1>get these awesome nWo socks. And then they got their

0:38:51.160 --> 0:38:54.000
<v Speaker 1>odd socks basics, you know, for all the basic bitches.

0:38:54.040 --> 0:38:56.920
<v Speaker 1>Get you some basic socks. Even though they are very comfortable,

0:38:57.280 --> 0:39:01.160
<v Speaker 1>they're probably the most comfortable socks actually not probably definitively

0:39:01.280 --> 0:39:04.200
<v Speaker 1>the most comfortable socks I've ever put on my feet. Yes,

0:39:04.520 --> 0:39:07.200
<v Speaker 1>all right, and that goes for all types of socks.

0:39:07.400 --> 0:39:10.680
<v Speaker 1>So go to odd socksofficial dot com. Get some socks.

0:39:10.719 --> 0:39:13.520
<v Speaker 1>By the way, SpongeBob socks. They're they're kind of fly

0:39:13.760 --> 0:39:17.239
<v Speaker 1>right Christmas times on the way. Use the keyword boule

0:39:17.440 --> 0:39:20.719
<v Speaker 1>keV twenty percent off odd Socksofficial dot com. Support us

0:39:20.840 --> 0:39:26.080
<v Speaker 1>by supporting odd socks. Let's go. When was like when

0:39:26.120 --> 0:39:29.319
<v Speaker 1>did you realize or like you guys as a crew

0:39:29.440 --> 0:39:35.680
<v Speaker 1>like that Gangster Grills was like the brand, like well

0:39:36.040 --> 0:39:38.160
<v Speaker 1>I know that like the early tapes, but like what

0:39:38.360 --> 0:39:40.320
<v Speaker 1>was the one like like the one that like like

0:39:40.400 --> 0:39:42.880
<v Speaker 1>do you remember that moment where you're like with levels?

0:39:43.200 --> 0:39:49.319
<v Speaker 1>It was, I mean, yeah, it with levels, because shit,

0:39:49.360 --> 0:39:52.120
<v Speaker 1>I think about like Gangster Grill six. We had like

0:39:53.440 --> 0:39:57.040
<v Speaker 1>Bone Crusher David Benner and Killer Mike Houston. It was

0:39:57.120 --> 0:40:01.000
<v Speaker 1>like we wound up seeing nothing, but like when fifty

0:40:01.239 --> 0:40:03.160
<v Speaker 1>when Give Richard I Trying came out, we wound up

0:40:03.400 --> 0:40:06.719
<v Speaker 1>finding this like bootleg spot in the Tuck in the

0:40:06.760 --> 0:40:10.040
<v Speaker 1>West End, and we literally saw like give rich of

0:40:10.120 --> 0:40:13.359
<v Speaker 1>I Tryan's walls full and then Gangster Grill six walls full.

0:40:13.440 --> 0:40:16.400
<v Speaker 1>So it's almost like flattering one hundred percent, like it

0:40:16.520 --> 0:40:20.680
<v Speaker 1>was the most flattering thing ever. I was ecstatic. So

0:40:20.800 --> 0:40:22.920
<v Speaker 1>then there was that level. Then there was like the

0:40:23.080 --> 0:40:26.240
<v Speaker 1>t I down with No The t I meets Gangster

0:40:26.280 --> 0:40:31.040
<v Speaker 1>Girls Uh in the Streets was literally the first tape

0:40:31.080 --> 0:40:33.000
<v Speaker 1>that was just one artist. You know. Before that it

0:40:33.120 --> 0:40:35.800
<v Speaker 1>was just like compilations. It was a mixtape. Sudden, it

0:40:35.920 --> 0:40:38.200
<v Speaker 1>was that level that we knew, Okay, it's something I remember,

0:40:38.520 --> 0:40:40.759
<v Speaker 1>you know them even tell I remember we went to

0:40:40.840 --> 0:40:43.000
<v Speaker 1>like mix Sure Power Shummitt that year, and I was

0:40:43.080 --> 0:40:46.480
<v Speaker 1>thinking about taking more of my neo soul tape than

0:40:46.520 --> 0:40:50.320
<v Speaker 1>I was the tip tape and Sense and kind of

0:40:50.440 --> 0:40:52.520
<v Speaker 1>like nigg you bugging, like the fuck are you talking about?

0:40:54.000 --> 0:40:56.840
<v Speaker 1>That's just how hype. I was just on the automatic

0:40:56.960 --> 0:40:59.120
<v Speaker 1>like a whole another series I had, but right right

0:40:59.200 --> 0:41:01.880
<v Speaker 1>right right then, and there was I can't even imagine

0:41:01.920 --> 0:41:06.279
<v Speaker 1>you like talking your ship over automatic relaxation. That's what that.

0:41:06.640 --> 0:41:09.480
<v Speaker 1>There's some trivia. What was the first Gangster Girls not

0:41:09.640 --> 0:41:11.520
<v Speaker 1>the first Gangster Girls tape? What was the first name?

0:41:14.000 --> 0:41:17.000
<v Speaker 1>How was it? Jim Crowbos that was one? And then

0:41:17.040 --> 0:41:20.239
<v Speaker 1>how the South was one? So the South was one?

0:41:20.880 --> 0:41:23.960
<v Speaker 1>That was That's when we knew it was like, oh, okay,

0:41:24.600 --> 0:41:26.680
<v Speaker 1>you know what I'm saying from the college day, yeah,

0:41:26.680 --> 0:41:28.719
<v Speaker 1>because it was moving like that was our first South tape.

0:41:29.800 --> 0:41:33.800
<v Speaker 1>And then obviously the Tip Down with the King that

0:41:34.000 --> 0:41:36.480
<v Speaker 1>was that was a big tape that started garding some

0:41:36.600 --> 0:41:39.239
<v Speaker 1>more attention. That was you couldn't go nowhere, especially in

0:41:39.280 --> 0:41:41.600
<v Speaker 1>Atlanta night. That the one that Jack and for Beats

0:41:41.640 --> 0:41:42.960
<v Speaker 1>on it. Yeah, that was one I had Jack and

0:41:43.000 --> 0:41:45.040
<v Speaker 1>for Beats on it. Jack and the Beats. That's that's

0:41:45.239 --> 0:41:48.200
<v Speaker 1>still my favorite. That's like peak t I m cing

0:41:48.320 --> 0:41:52.239
<v Speaker 1>right there. It was going crazy. And then g Z

0:41:54.719 --> 0:41:57.920
<v Speaker 1>what's the first streets is watching the first GEZ tape

0:41:58.480 --> 0:42:02.640
<v Speaker 1>and that was like, you know, g Z before Jez

0:42:02.760 --> 0:42:05.440
<v Speaker 1>was Jeezy, Gangster Girls was Gangster Grills. So you know

0:42:05.520 --> 0:42:07.440
<v Speaker 1>it was that tape was like the first of its

0:42:07.520 --> 0:42:09.000
<v Speaker 1>kind where it was like it was an artist that

0:42:09.480 --> 0:42:12.480
<v Speaker 1>no one was really familiar with compared to like Tip

0:42:12.560 --> 0:42:14.799
<v Speaker 1>tape or Bumbe tape that came before that. And then

0:42:14.800 --> 0:42:18.440
<v Speaker 1>obviously like Trappidized, like the world changed, like everything was different.

0:42:18.480 --> 0:42:20.960
<v Speaker 1>So so yeah, I would say going up to that

0:42:21.239 --> 0:42:23.680
<v Speaker 1>level that was those couple of tapes to figure it

0:42:23.760 --> 0:42:28.120
<v Speaker 1>out initially doing that first tape with Jez, was that like,

0:42:28.560 --> 0:42:30.800
<v Speaker 1>did you guys have an organic relationship or was it

0:42:30.960 --> 0:42:35.240
<v Speaker 1>like was how did that like, how did that initially start?

0:42:35.400 --> 0:42:37.640
<v Speaker 1>So the house, the crib that he's talking about five

0:42:37.760 --> 0:42:42.360
<v Speaker 1>thirty two, Glen Iris in the fourth ward. Our neighbor

0:42:42.600 --> 0:42:45.560
<v Speaker 1>around the corner was Coach k Okay. So we met

0:42:45.719 --> 0:42:50.160
<v Speaker 1>Coach when we moved into the neighborhood and he befriended

0:42:50.239 --> 0:42:52.279
<v Speaker 1>us early and we befriended each other. He had this

0:42:52.360 --> 0:42:55.440
<v Speaker 1>group called Jadis Bobby Creek Quarter was actually in a

0:42:55.440 --> 0:42:59.719
<v Speaker 1>group wound up signing to to Shady Up and then

0:43:00.320 --> 0:43:03.880
<v Speaker 1>you know we were all huh, slick pullo, slick pullo.

0:43:03.960 --> 0:43:07.600
<v Speaker 1>Oh for okay, so Slick was slick. Yeah. He was

0:43:07.640 --> 0:43:12.560
<v Speaker 1>one of the original rappers too. So then we you know,

0:43:12.719 --> 0:43:15.440
<v Speaker 1>Coach was telling us about you know, just this new

0:43:15.520 --> 0:43:18.799
<v Speaker 1>artist he had and Jez's first project was actually called

0:43:18.840 --> 0:43:20.799
<v Speaker 1>Come Shop with Me and he had this van. Yeah,

0:43:20.800 --> 0:43:23.120
<v Speaker 1>I remember seeing that. He's like in New Jersey. I

0:43:23.120 --> 0:43:24.680
<v Speaker 1>remember buying it from when he used to sound like

0:43:24.719 --> 0:43:28.359
<v Speaker 1>trick Daddy Wow. And then so we knew. So yeah,

0:43:28.360 --> 0:43:31.719
<v Speaker 1>it was it was pretty organic. You know, he came,

0:43:32.120 --> 0:43:34.759
<v Speaker 1>he came to me and we like we met at

0:43:34.800 --> 0:43:37.360
<v Speaker 1>this restaurant called Harry and Sons, and you know, we

0:43:38.440 --> 0:43:40.440
<v Speaker 1>he pretty much showed me. It told me his whole

0:43:40.520 --> 0:43:43.439
<v Speaker 1>vision like this, you know, the streets is really fucking

0:43:43.480 --> 0:43:45.719
<v Speaker 1>with your drama, Like you know, I don't even know

0:43:45.840 --> 0:43:48.120
<v Speaker 1>if you realize how much the streets is fucking with you.

0:43:48.600 --> 0:43:50.520
<v Speaker 1>And you know, he told me it's the movement in

0:43:50.600 --> 0:43:53.719
<v Speaker 1>the campaign, and yeah, it was. It was definitely it

0:43:53.760 --> 0:43:55.960
<v Speaker 1>was really organic. I mean even interestingly enough, you know

0:43:55.960 --> 0:43:58.440
<v Speaker 1>it's Atlanta too. So you know, Lake was running in

0:43:58.520 --> 0:44:03.120
<v Speaker 1>the Carbon fifteen around Tom and was telling early in

0:44:03.200 --> 0:44:05.560
<v Speaker 1>the game, Yeah, telling me I got my man Jeezy,

0:44:05.600 --> 0:44:07.960
<v Speaker 1>and I'd be like, huh, like, what are you talking about? Drama?

0:44:08.080 --> 0:44:10.239
<v Speaker 1>Be telling me about I Actually I actually met name too,

0:44:10.400 --> 0:44:12.840
<v Speaker 1>in a different occasion. I was in my dorm and

0:44:12.960 --> 0:44:14.799
<v Speaker 1>I used to have a window in my sit up

0:44:14.920 --> 0:44:18.120
<v Speaker 1>my DJ setup, and producing said up was in the window.

0:44:18.560 --> 0:44:21.200
<v Speaker 1>He used to come in. That's with the shorty that

0:44:21.360 --> 0:44:23.800
<v Speaker 1>was my next door neighbor. He ran by my window

0:44:23.880 --> 0:44:27.160
<v Speaker 1>one time and he was like, you make me fire.

0:44:27.440 --> 0:44:28.719
<v Speaker 1>You know what I'm saying, Get you some beats. But

0:44:28.840 --> 0:44:31.239
<v Speaker 1>it never turned into nothing because I you know, we

0:44:31.320 --> 0:44:33.640
<v Speaker 1>wound up meeting a little later. He always reminds me

0:44:33.719 --> 0:44:35.800
<v Speaker 1>of that. By the way, I knew you sit he

0:44:35.880 --> 0:44:39.080
<v Speaker 1>was making beat to your fucking dorm. Niggas did say

0:44:39.120 --> 0:44:41.760
<v Speaker 1>that not too long ago. I remember that. He reminds

0:44:41.840 --> 0:44:44.279
<v Speaker 1>me remember what he was talking about. I remember seeing him.

0:44:44.280 --> 0:44:46.359
<v Speaker 1>He's always had bread and I was like, well, who

0:44:46.440 --> 0:44:48.279
<v Speaker 1>is this cat bro? And I used to look. I

0:44:48.360 --> 0:44:50.160
<v Speaker 1>used to come out the door and I looked. He

0:44:50.680 --> 0:44:53.279
<v Speaker 1>had like this six forty five some crazy ship and

0:44:53.320 --> 0:44:57.080
<v Speaker 1>I'd be like, okay, that he's something, you know money. Yeah,

0:44:57.160 --> 0:44:59.080
<v Speaker 1>we wound up seeing him a little later and I

0:44:59.160 --> 0:45:02.120
<v Speaker 1>was like, Okay, that's the And he used to come

0:45:02.160 --> 0:45:05.319
<v Speaker 1>to club Envy all the time to his record, play

0:45:05.440 --> 0:45:09.600
<v Speaker 1>that record. Yeah, it used to break bread to get

0:45:09.640 --> 0:45:13.560
<v Speaker 1>that record play time. What's the craziest uh B MF

0:45:13.680 --> 0:45:16.680
<v Speaker 1>party or event you guys, I've heard stories about these

0:45:16.719 --> 0:45:21.839
<v Speaker 1>parties that are legendary, insane. What's the craziest thing his birthday? Yeah,

0:45:21.920 --> 0:45:24.880
<v Speaker 1>me birthday party, nothing, nothing with it to this day.

0:45:25.960 --> 0:45:28.440
<v Speaker 1>There was a Magic City party where I literally saw

0:45:28.719 --> 0:45:31.879
<v Speaker 1>regular women turn into strippers like shot the Hannah Kang.

0:45:32.640 --> 0:45:36.719
<v Speaker 1>That party was crazy. You used to have like animals, Yeah, yeah,

0:45:36.920 --> 0:45:39.839
<v Speaker 1>and I put that together. The invitation. Remember you used

0:45:39.880 --> 0:45:41.560
<v Speaker 1>to open it up and it talked to you. It

0:45:41.680 --> 0:45:44.279
<v Speaker 1>was like that like a diploma, Like it came rapped

0:45:44.360 --> 0:45:46.800
<v Speaker 1>like in a diploma. You opened it up and I

0:45:46.840 --> 0:45:49.120
<v Speaker 1>think it was blue. Eventually, like yeah, come to hang

0:45:49.200 --> 0:45:54.280
<v Speaker 1>with big Meat. To the jungle. I was like tigers,

0:45:55.640 --> 0:45:58.680
<v Speaker 1>it was grafts. It was all types of ship. Yeah.

0:45:58.800 --> 0:46:02.719
<v Speaker 1>They got girafts there that girafs shit everything. Yeah. I

0:46:02.800 --> 0:46:05.000
<v Speaker 1>was a legendary time. I mean just even you know,

0:46:05.520 --> 0:46:08.640
<v Speaker 1>like and we're talking about one of the craziest, but

0:46:08.840 --> 0:46:11.040
<v Speaker 1>like just on a regular night of visions on a

0:46:11.120 --> 0:46:13.319
<v Speaker 1>Tuesday or was it Thursday, whatever the night or oh

0:46:13.400 --> 0:46:15.839
<v Speaker 1>both of them, you know them niggas would literally come

0:46:15.880 --> 0:46:18.160
<v Speaker 1>in and be like fifty one hundred deep and everyone

0:46:18.200 --> 0:46:20.960
<v Speaker 1>would have a bottle like this is like early It

0:46:21.040 --> 0:46:23.560
<v Speaker 1>was just a different time, like nothing was like that era,

0:46:23.960 --> 0:46:26.239
<v Speaker 1>you know. Yeah. I remember one specific time I was

0:46:26.320 --> 0:46:30.719
<v Speaker 1>DJing off night and I think it was what it

0:46:30.840 --> 0:46:34.520
<v Speaker 1>dude Pippin. I think it was uh either gz gz

0:46:34.640 --> 0:46:37.160
<v Speaker 1>and Bumbee, And one night I played it and it

0:46:37.280 --> 0:46:39.239
<v Speaker 1>was like, every time you play that joint, put one

0:46:39.280 --> 0:46:42.040
<v Speaker 1>hundred dollars on the table. Man, I think I left

0:46:42.080 --> 0:46:45.520
<v Speaker 1>for thirty five hundred. I'm not even lying, Oh I'm lying.

0:46:45.600 --> 0:46:48.120
<v Speaker 1>I think in fact, every time they was like this.

0:46:48.280 --> 0:46:50.040
<v Speaker 1>Every time I ran it back, they was just dropping

0:46:50.120 --> 0:46:52.279
<v Speaker 1>it like this, and I was like, oh shit, this

0:46:52.360 --> 0:46:57.040
<v Speaker 1>is real. Yeah what I'm saying making I probably was

0:46:57.080 --> 0:46:59.680
<v Speaker 1>making two hundred and fifty dollars for the whole night.

0:47:00.080 --> 0:47:02.480
<v Speaker 1>First sure, the first time I ever saw any real

0:47:02.520 --> 0:47:07.120
<v Speaker 1>money was because of BMF Like so no. But even

0:47:07.200 --> 0:47:12.919
<v Speaker 1>before the l A trip, Uh, I was doing Gangster Girls.

0:47:13.160 --> 0:47:15.320
<v Speaker 1>I think it's still when it was like regular mixtape

0:47:15.640 --> 0:47:17.319
<v Speaker 1>and I asked Blue DaVinci, like, yo, do you want

0:47:17.320 --> 0:47:18.880
<v Speaker 1>to sponsor a tape? Like you know, I put a

0:47:18.920 --> 0:47:21.040
<v Speaker 1>song line, put your logo on and everything. He was

0:47:21.080 --> 0:47:22.800
<v Speaker 1>like like how much I was like, like, you know,

0:47:22.880 --> 0:47:24.400
<v Speaker 1>like eight you know what I mean something? He was

0:47:24.440 --> 0:47:26.839
<v Speaker 1>like eight. I got this, no problem. I'm thinking eight

0:47:26.920 --> 0:47:29.160
<v Speaker 1>hundred dollars. You know. He literally takes me to a

0:47:29.200 --> 0:47:31.799
<v Speaker 1>crib and gives me eight grand. Like I'd never seen

0:47:31.840 --> 0:47:35.120
<v Speaker 1>that type of money like that ship. I had that

0:47:35.280 --> 0:47:37.680
<v Speaker 1>eight grand for like, I literally had the cash and

0:47:37.719 --> 0:47:39.719
<v Speaker 1>I had it in my closet maybe for about a year.

0:47:40.000 --> 0:47:43.239
<v Speaker 1>You know. I'm still making okay money, but never where

0:47:43.280 --> 0:47:47.000
<v Speaker 1>I had gotten eight grand one one time. It was

0:47:47.120 --> 0:47:50.800
<v Speaker 1>like it blew me away. It was a shot that

0:47:50.840 --> 0:47:53.640
<v Speaker 1>those guys man shot, the blue shutter shot, the me shot,

0:47:53.719 --> 0:47:55.360
<v Speaker 1>the t you know, I mean, it was just a

0:47:55.880 --> 0:47:57.640
<v Speaker 1>it was. It was. It was a special time in

0:47:57.680 --> 0:47:59.880
<v Speaker 1>the lit Correct me if I'm wrong, y'all. But this

0:47:59.920 --> 0:48:02.719
<v Speaker 1>isn't isn't that the eraror where throwing money and the

0:48:02.840 --> 0:48:08.000
<v Speaker 1>eric comes from absolute and rain comes from absolutely from

0:48:08.080 --> 0:48:10.120
<v Speaker 1>that era Like and if it didn't, I'm gonna give

0:48:10.120 --> 0:48:12.279
<v Speaker 1>it to him because I've been in so many like

0:48:12.680 --> 0:48:15.160
<v Speaker 1>DJ and strip clubs where it was piles of money

0:48:15.200 --> 0:48:17.479
<v Speaker 1>this high. Bro, I've never seen nothing like the HM, JD,

0:48:17.680 --> 0:48:20.640
<v Speaker 1>Nelly them, they all it was different. It was different, Bro,

0:48:20.760 --> 0:48:22.600
<v Speaker 1>what which it was different what the people do in

0:48:22.600 --> 0:48:25.279
<v Speaker 1>the strip clubs before we made it rain, Like I

0:48:25.320 --> 0:48:30.960
<v Speaker 1>don't even remember, like how did the transaction dances? Dances?

0:48:31.000 --> 0:48:34.160
<v Speaker 1>I suppose yeah, like it changed the West Coast. We're

0:48:34.200 --> 0:48:36.160
<v Speaker 1>not you know, we come from a culture where it's

0:48:36.200 --> 0:48:38.560
<v Speaker 1>like we're not throwing nothing. You know what I'm saying

0:48:39.080 --> 0:48:42.239
<v Speaker 1>at all, you know, like it's it's amazing a thrown.

0:48:42.320 --> 0:48:44.239
<v Speaker 1>But what they used to do, like the briefcases and

0:48:44.360 --> 0:48:46.480
<v Speaker 1>trash bags, like come on that ship, was that it

0:48:46.680 --> 0:48:55.440
<v Speaker 1>was legendary. Wow, that's legendary. So obviously generation. Now you

0:48:55.520 --> 0:48:59.840
<v Speaker 1>guys a flagship artist UZI, Yeah, it's from your hometown.

0:49:01.080 --> 0:49:04.160
<v Speaker 1>How did you guys meet UZI? I remember the first

0:49:04.200 --> 0:49:06.440
<v Speaker 1>person that put me onto him was was it was

0:49:06.520 --> 0:49:11.320
<v Speaker 1>either Will from Taylor Game or Tie right, Yes, that

0:49:11.480 --> 0:49:14.080
<v Speaker 1>about Yeah, I think it was Tied. I think it

0:49:14.160 --> 0:49:15.560
<v Speaker 1>was in Boston with Tie and we're in his room

0:49:15.600 --> 0:49:17.160
<v Speaker 1>and he was just playing off SoundCloud. I was like,

0:49:17.160 --> 0:49:19.560
<v Speaker 1>what is this that came from us being on tour

0:49:19.680 --> 0:49:21.840
<v Speaker 1>and with those guys. Shout to those guys. So I

0:49:21.960 --> 0:49:24.279
<v Speaker 1>was actually the first one to give it pay show?

0:49:24.760 --> 0:49:26.920
<v Speaker 1>Oh wow, like a real pay show in La his

0:49:27.040 --> 0:49:28.879
<v Speaker 1>first showing up you want to hear some crazy shit.

0:49:29.000 --> 0:49:33.799
<v Speaker 1>In two thousand and fifteen, I had a birthday show

0:49:34.640 --> 0:49:37.120
<v Speaker 1>that Berner was supposed to headline in Phoenix and Burner

0:49:37.160 --> 0:49:40.120
<v Speaker 1>couldn't show up, and Will was like, look, man, do

0:49:40.160 --> 0:49:41.279
<v Speaker 1>you want me to get Zy? Do you want me

0:49:41.320 --> 0:49:43.560
<v Speaker 1>to try to get Uzy to do it? And at

0:49:43.600 --> 0:49:45.799
<v Speaker 1>the time, I was like, I don't know if these

0:49:45.800 --> 0:49:48.080
<v Speaker 1>people will give a fuck who little Uzzy is. Because

0:49:48.080 --> 0:49:49.640
<v Speaker 1>they were there. It was like a real like it

0:49:49.800 --> 0:49:52.759
<v Speaker 1>was like Burner and bos from Dream. It was like

0:49:52.840 --> 0:49:54.640
<v Speaker 1>some rap shit, right. I was like, I was like,

0:49:54.760 --> 0:50:00.520
<v Speaker 1>I'll pass, Like like, don't make the call, you know, idiot?

0:50:00.520 --> 0:50:03.160
<v Speaker 1>I am crazy? But but nah, But like, how did

0:50:03.200 --> 0:50:08.680
<v Speaker 1>you guys? Initially find Uzi ken Uh? I was working

0:50:08.719 --> 0:50:11.040
<v Speaker 1>at death Jam. I was vice president in UH and

0:50:12.320 --> 0:50:14.759
<v Speaker 1>I wind up a lot of people don't notice. When

0:50:14.800 --> 0:50:16.640
<v Speaker 1>I was trying to DJ, I was trying to transfer

0:50:16.760 --> 0:50:20.120
<v Speaker 1>over and doing ed M DJ wise and I got

0:50:20.200 --> 0:50:24.800
<v Speaker 1>connected with this guy named Sudrettist Yes and scam. He

0:50:24.920 --> 0:50:27.040
<v Speaker 1>represented me for about a year and some change and

0:50:27.239 --> 0:50:30.040
<v Speaker 1>he had me and just incredible, you know, I seem

0:50:30.160 --> 0:50:34.160
<v Speaker 1>just incredible fucking Billboard. I was just like, holy shit,

0:50:34.960 --> 0:50:37.279
<v Speaker 1>this is crazy. So I was like, y'all want to

0:50:37.280 --> 0:50:38.759
<v Speaker 1>get in this circuit. He was like, y'all gonna put

0:50:38.760 --> 0:50:41.360
<v Speaker 1>you on that same circuit. So I started doing Houston,

0:50:41.960 --> 0:50:45.279
<v Speaker 1>Vegas and Atlantic City. My first Atlantic City gig, I

0:50:45.360 --> 0:50:48.319
<v Speaker 1>think it was at MGM or something. I had to drive.

0:50:48.360 --> 0:50:51.120
<v Speaker 1>I had to fly into Philly and drive to Atlantic City.

0:50:51.560 --> 0:50:54.480
<v Speaker 1>And when I drove to Atlantic City, turned on the

0:50:54.560 --> 0:50:58.160
<v Speaker 1>radio and I was listening to Diamond Cuts. Diamond Cuts

0:50:58.360 --> 0:51:01.560
<v Speaker 1>is a different story too, because I used to DJ

0:51:01.680 --> 0:51:03.239
<v Speaker 1>for Miss Jade, and when I didn't go on the

0:51:03.320 --> 0:51:06.040
<v Speaker 1>road Miss Jade anymore, I seen Diamond Cuts some time.

0:51:06.040 --> 0:51:08.439
<v Speaker 1>It's like, Yo, you should take over what I'm doing.

0:51:08.640 --> 0:51:10.960
<v Speaker 1>You know what I mean with Miss Jade. And so

0:51:11.160 --> 0:51:13.480
<v Speaker 1>when I'm driving down there, she's playing just in the

0:51:13.560 --> 0:51:15.920
<v Speaker 1>mixshell and I heard the songs called the Real Uzi

0:51:16.640 --> 0:51:19.040
<v Speaker 1>and I was like, Yo, this sounds special. What is this?

0:51:19.520 --> 0:51:21.800
<v Speaker 1>I called her immediately, like YO, who is that? She

0:51:21.920 --> 0:51:23.879
<v Speaker 1>was like, Yo, it's an artist I'm working with named

0:51:23.920 --> 0:51:26.480
<v Speaker 1>luzi Vert. I was like, yo, I come back from Lang,

0:51:26.680 --> 0:51:29.040
<v Speaker 1>don't want to meet him. Time went by, I didn't

0:51:29.040 --> 0:51:32.520
<v Speaker 1>get a chance. But the next time, it's like next

0:51:32.560 --> 0:51:36.680
<v Speaker 1>time you're Philly. Come up, what's another weird situation. I

0:51:36.800 --> 0:51:39.239
<v Speaker 1>lived in, you know, this area called East Falls right

0:51:39.280 --> 0:51:41.879
<v Speaker 1>off for Ridge Avenue. They had a next door kind

0:51:41.920 --> 0:51:46.480
<v Speaker 1>of little city called Manyum And I went home and

0:51:46.560 --> 0:51:47.799
<v Speaker 1>I was like, I want to meet this kid. He's

0:51:47.800 --> 0:51:51.480
<v Speaker 1>probably in North Philly somewhere somebody basement recording some crazy shit. Right.

0:51:51.600 --> 0:51:54.480
<v Speaker 1>He's like, yo, Arren Manyum. So I was like, oh shit,

0:51:54.560 --> 0:51:57.680
<v Speaker 1>that's walking distance from the Crabs. I went to MANYUMK

0:51:58.000 --> 0:52:01.200
<v Speaker 1>went to the studio listen to some songs. He was

0:52:01.239 --> 0:52:03.920
<v Speaker 1>in the studio, just silent as a motherfucker, acting like

0:52:04.000 --> 0:52:06.640
<v Speaker 1>he know, was not just you know, he was just

0:52:06.960 --> 0:52:10.120
<v Speaker 1>being him. This guy uh, I forget the manager name,

0:52:10.320 --> 0:52:14.600
<v Speaker 1>Damn Buzz Okay Buzz was there. He was just you know,

0:52:14.719 --> 0:52:17.280
<v Speaker 1>speaking for him. He just kept playing me crazy records.

0:52:17.280 --> 0:52:19.600
<v Speaker 1>And I was like, yeah, this shit crazy. So I

0:52:19.760 --> 0:52:22.080
<v Speaker 1>go back to Atlanta. I tell them, like, yo, we

0:52:22.160 --> 0:52:24.719
<v Speaker 1>could do this shit again. Because at the time we

0:52:24.920 --> 0:52:27.280
<v Speaker 1>wasn't really doing no record label stuff. Draming was building

0:52:27.360 --> 0:52:29.480
<v Speaker 1>the studio. He's like, y'all want you to see some shit.

0:52:29.920 --> 0:52:32.960
<v Speaker 1>You guys you know went down that road before. Yeah, yeah,

0:52:32.960 --> 0:52:36.480
<v Speaker 1>we did the affiliates and then I went to La

0:52:36.800 --> 0:52:38.680
<v Speaker 1>was trying to figure some things out. Moved there for

0:52:38.800 --> 0:52:41.800
<v Speaker 1>like eighteen months. Then like it came back home. But

0:52:42.040 --> 0:52:44.040
<v Speaker 1>me and John started communicating. He was like, Yo, I

0:52:44.120 --> 0:52:45.720
<v Speaker 1>want to show you something when you get back to Atlanta.

0:52:46.120 --> 0:52:50.040
<v Speaker 1>I came. He was building Mean streets, uh five one,

0:52:50.080 --> 0:52:52.960
<v Speaker 1>which is now the famous Father one Mean Streets, and

0:52:53.080 --> 0:52:55.239
<v Speaker 1>I uh and I seen it and I was just

0:52:55.680 --> 0:52:56.880
<v Speaker 1>I went in to the studio and he was just

0:52:56.920 --> 0:52:58.600
<v Speaker 1>asked me about equipment. I was like, damn, you gotta

0:52:58.600 --> 0:53:00.440
<v Speaker 1>get this right, mic and you know what I mean,

0:53:00.480 --> 0:53:02.120
<v Speaker 1>those speakers, we could do that. And you know, he

0:53:02.200 --> 0:53:04.719
<v Speaker 1>had a radio room and everything was getting built out

0:53:04.760 --> 0:53:06.399
<v Speaker 1>and it was just special. So I was like, damn.

0:53:06.520 --> 0:53:09.200
<v Speaker 1>As we started working and I was, I was coming

0:53:09.239 --> 0:53:11.680
<v Speaker 1>to the studio more regularly when he was doing stuff,

0:53:12.239 --> 0:53:14.359
<v Speaker 1>and I was like, y'all found this kid. We need

0:53:14.440 --> 0:53:16.160
<v Speaker 1>to do this shit. I'm telling you this shit gonna

0:53:16.200 --> 0:53:18.640
<v Speaker 1>work right. And then we was like shit, we all in.

0:53:18.800 --> 0:53:21.239
<v Speaker 1>We never really told each other, knowing nothing, but he

0:53:21.400 --> 0:53:23.160
<v Speaker 1>was like, Yo, this is gonna win. And this is

0:53:23.239 --> 0:53:25.319
<v Speaker 1>like our first time, like as the three of us

0:53:25.360 --> 0:53:29.160
<v Speaker 1>because we're always like make and drums relationship in ours

0:53:29.239 --> 0:53:31.400
<v Speaker 1>was different. Me and Lake would meet up and talk forever.

0:53:31.520 --> 0:53:33.719
<v Speaker 1>He would get me so much money on the mixtape side,

0:53:33.800 --> 0:53:36.400
<v Speaker 1>just hosting and he would bring Freeway over to the

0:53:36.480 --> 0:53:38.520
<v Speaker 1>crib and shit like that. And then they was doing

0:53:38.600 --> 0:53:41.080
<v Speaker 1>some stuff, so we all combineded, you know what I mean.

0:53:41.120 --> 0:53:43.880
<v Speaker 1>And then we finally got Ouzy to Atlanta, and I

0:53:43.960 --> 0:53:47.640
<v Speaker 1>think his first he recorded in January. He never left.

0:53:47.880 --> 0:53:50.640
<v Speaker 1>He just stayed I'm not going back on you know

0:53:50.640 --> 0:53:53.120
<v Speaker 1>what I mean. So that's how the whole play came together,

0:53:53.200 --> 0:53:54.640
<v Speaker 1>and then we just worked on it from there. It

0:53:54.719 --> 0:53:56.800
<v Speaker 1>was just you know what was that the Like was

0:53:56.880 --> 0:54:01.200
<v Speaker 1>the Carnage record, like his first like big look Yeah, yes, yeah,

0:54:01.239 --> 0:54:04.560
<v Speaker 1>because I remember that record, like just going up in

0:54:04.600 --> 0:54:09.000
<v Speaker 1>the club and and and that really being like I

0:54:09.320 --> 0:54:11.359
<v Speaker 1>had heard the name because of like because it will

0:54:11.400 --> 0:54:13.920
<v Speaker 1>but like, oh ship, this ship is yeah, And when

0:54:13.960 --> 0:54:17.040
<v Speaker 1>I speak about conviction, think about it. When I was

0:54:17.160 --> 0:54:19.240
<v Speaker 1>talking to him and trying to get him into the fold,

0:54:20.040 --> 0:54:23.279
<v Speaker 1>he was already talking to as ABMs already he was

0:54:24.000 --> 0:54:26.920
<v Speaker 1>Kanye was interested through this kid named Charlie Heat, and

0:54:27.120 --> 0:54:29.040
<v Speaker 1>Charlie Heat was working with Kanye. He was trying to

0:54:29.040 --> 0:54:35.640
<v Speaker 1>bring him there. He sat loved him, uh Rich the

0:54:35.760 --> 0:54:38.520
<v Speaker 1>kid and him was it was in a little space,

0:54:39.040 --> 0:54:40.520
<v Speaker 1>so it was like, you know, it was a lot

0:54:40.640 --> 0:54:43.320
<v Speaker 1>going on at that time. You know, while we was

0:54:43.360 --> 0:54:44.920
<v Speaker 1>trying to figure out how he was going to do

0:54:45.000 --> 0:54:46.880
<v Speaker 1>the deal, we still had a name. I think we

0:54:46.960 --> 0:54:48.640
<v Speaker 1>waited like six months trying to figure out what the

0:54:48.719 --> 0:54:50.840
<v Speaker 1>name of the company was gonna be. We were just

0:54:50.920 --> 0:54:53.000
<v Speaker 1>like nameing shit anything. Just signed him in this go.

0:54:53.239 --> 0:54:55.759
<v Speaker 1>We didn't. You know, it was just a tough just

0:54:55.840 --> 0:54:57.200
<v Speaker 1>trying to figure it all out because it was so

0:54:57.480 --> 0:54:59.640
<v Speaker 1>it was so sudden, you know what I mean. Even

0:54:59.680 --> 0:55:02.400
<v Speaker 1>at that time, I was trying to even though we

0:55:02.560 --> 0:55:04.400
<v Speaker 1>was doing it, I was gonna take our situation and

0:55:04.440 --> 0:55:06.320
<v Speaker 1>try to do it through Death Jam and that didn't

0:55:06.320 --> 0:55:08.000
<v Speaker 1>work out because it was just so much going on.

0:55:08.360 --> 0:55:10.080
<v Speaker 1>I brought so much talent to death Jam to just

0:55:10.120 --> 0:55:12.839
<v Speaker 1>wind up not getting signed that I was just like, yo,

0:55:13.040 --> 0:55:16.480
<v Speaker 1>it's time I learned some stuff like who I brought

0:55:16.600 --> 0:55:20.040
<v Speaker 1>Rich on me Kwan. I told him about the Migos,

0:55:20.640 --> 0:55:24.120
<v Speaker 1>I told him about Iggy Azelia. Very early. I actually

0:55:24.200 --> 0:55:27.400
<v Speaker 1>tried to sign Asap Rocky in the Asam Mob and

0:55:27.920 --> 0:55:29.960
<v Speaker 1>when I couldn't get them because they was already getting

0:55:29.960 --> 0:55:34.120
<v Speaker 1>ready to get committed. I seen that Iggy Azella was there.

0:55:34.200 --> 0:55:36.280
<v Speaker 1>She had a song called Pussy. It was like twenty eleven.

0:55:36.640 --> 0:55:39.719
<v Speaker 1>I sent the email. It's like, nah, you know what

0:55:39.760 --> 0:55:42.279
<v Speaker 1>I'm saying, wind up getting signed later. It was just

0:55:42.360 --> 0:55:44.880
<v Speaker 1>so much random shit that you know, I was just

0:55:45.000 --> 0:55:47.440
<v Speaker 1>telling them about and it just didn't work out. Uh.

0:55:47.520 --> 0:55:51.360
<v Speaker 1>There was some like Dirk and Reese that there was

0:55:51.440 --> 0:55:56.040
<v Speaker 1>something that we kind of like nurtured logic. These are

0:55:56.080 --> 0:55:59.920
<v Speaker 1>all the things that we no, I got no oppressed.

0:56:00.760 --> 0:56:02.759
<v Speaker 1>But we all were like when we were to Cali

0:56:02.920 --> 0:56:04.680
<v Speaker 1>was meet him, No, I d We're all like a hub.

0:56:04.800 --> 0:56:07.000
<v Speaker 1>So we were just bringing things in trying to work it.

0:56:07.360 --> 0:56:12.040
<v Speaker 1>I think, uh uh, who is it? Jenne Ioki. We

0:56:12.239 --> 0:56:15.360
<v Speaker 1>just had a mean team. We were like administration, so

0:56:15.560 --> 0:56:17.239
<v Speaker 1>you know what I mean. So when we were when

0:56:17.280 --> 0:56:19.000
<v Speaker 1>we were doing all that, I was learning so much.

0:56:19.080 --> 0:56:20.520
<v Speaker 1>I was like, Yo, we can do this because I

0:56:20.600 --> 0:56:22.640
<v Speaker 1>already know how the buildings work. You know what I mean.

0:56:22.760 --> 0:56:25.319
<v Speaker 1>We're in the building. Yeah, yeah, I knew for three years.

0:56:25.360 --> 0:56:27.239
<v Speaker 1>I said, oh man, I learned so much, let's let's

0:56:27.239 --> 0:56:28.920
<v Speaker 1>go do this ship outside, you know what I mean.

0:56:29.600 --> 0:56:32.840
<v Speaker 1>And I was just almost certain, you know, it had

0:56:32.840 --> 0:56:35.759
<v Speaker 1>almost gotten over to Atlantic, he was. It almost took

0:56:35.800 --> 0:56:38.360
<v Speaker 1>like the finding the right artists to like, you know,

0:56:39.000 --> 0:56:40.439
<v Speaker 1>we had tried to sign a couple of other people

0:56:41.080 --> 0:56:43.600
<v Speaker 1>initially when we first got going, Like we took a

0:56:43.680 --> 0:56:45.520
<v Speaker 1>couple of trips, and we had flown to see a

0:56:45.600 --> 0:56:49.080
<v Speaker 1>couple of people, and like we always had them like

0:56:49.200 --> 0:56:51.120
<v Speaker 1>right here, and we would lose them at the last minute.

0:56:51.160 --> 0:56:53.520
<v Speaker 1>And that's why we were so adamant about the uzy thing.

0:56:53.760 --> 0:56:56.200
<v Speaker 1>Did you anybody that we would know that you? Absolutely? Yeah,

0:56:56.360 --> 0:56:59.719
<v Speaker 1>Like I think the first one was Ot Genesis. We

0:57:00.040 --> 0:57:02.640
<v Speaker 1>did playhouse with Ot one night and night Ot from

0:57:02.640 --> 0:57:05.000
<v Speaker 1>a while back, and I ended up dming him and

0:57:05.760 --> 0:57:07.719
<v Speaker 1>I think I overslept and I didn't end up checking

0:57:07.719 --> 0:57:09.759
<v Speaker 1>my responses and when I woke up and checked the

0:57:09.840 --> 0:57:13.359
<v Speaker 1>next day, I think bust Alady So tried to sign

0:57:13.400 --> 0:57:15.840
<v Speaker 1>Tori trying to sign Tory Lanes. Yeah, we met with

0:57:15.920 --> 0:57:21.360
<v Speaker 1>Sasha early in the game, right and steam House Steamhouse

0:57:21.560 --> 0:57:26.640
<v Speaker 1>theme House had met with about Tory lanezgos. Yeahs wow,

0:57:27.400 --> 0:57:33.840
<v Speaker 1>you tried to so because like I heard so, was

0:57:33.920 --> 0:57:38.880
<v Speaker 1>Gucci the first person to like kind of find the migos? Yes, well, yeah,

0:57:38.880 --> 0:57:43.480
<v Speaker 1>because Gucci was already in business with them. I think

0:57:43.680 --> 0:57:45.600
<v Speaker 1>like before you went to John and so you guys

0:57:45.640 --> 0:57:48.000
<v Speaker 1>tried to sign them prior to the QC thing happening.

0:57:48.160 --> 0:57:49.960
<v Speaker 1>It was around the same time. I mean, at the

0:57:50.040 --> 0:57:52.320
<v Speaker 1>same time that I was like we were in talks

0:57:52.360 --> 0:57:54.080
<v Speaker 1>with them, they were also meeting with other people, so

0:57:54.240 --> 0:57:57.040
<v Speaker 1>were other there were other entities in Atlanta, you know,

0:57:57.160 --> 0:57:59.080
<v Speaker 1>that were interested in new of them and everything. But

0:57:59.200 --> 0:58:00.720
<v Speaker 1>you know, I mean we had a great report with

0:58:00.800 --> 0:58:03.520
<v Speaker 1>them early on, Like you know, I you know, Quavo

0:58:03.680 --> 0:58:05.920
<v Speaker 1>tell you like the first time they went he's been

0:58:05.960 --> 0:58:07.840
<v Speaker 1>in New York was you know, I took him up

0:58:07.840 --> 0:58:11.160
<v Speaker 1>there for a meeting. I had brought him out to

0:58:11.280 --> 0:58:13.400
<v Speaker 1>Birthday Bat the first time doing Birthday Bash was on

0:58:13.440 --> 0:58:16.400
<v Speaker 1>my set early on, So you know, I mean definitely,

0:58:17.280 --> 0:58:20.200
<v Speaker 1>you know, see what those guys became, you know what

0:58:20.200 --> 0:58:22.520
<v Speaker 1>I'm saying from those early years. But but yeah, so

0:58:22.600 --> 0:58:24.720
<v Speaker 1>it was because of those situations that we were like

0:58:25.760 --> 0:58:27.880
<v Speaker 1>like yeah, we you know, let's let's we can do this.

0:58:28.000 --> 0:58:30.000
<v Speaker 1>You know what I'm saying. All Right, I just joked

0:58:30.040 --> 0:58:35.520
<v Speaker 1>on a candy. Yeah, we had true Man and then

0:58:36.200 --> 0:58:41.120
<v Speaker 1>and then yeah, so I had been in Atlantic as

0:58:41.200 --> 0:58:43.520
<v Speaker 1>an a and r maybe about it a year and

0:58:43.560 --> 0:58:46.600
<v Speaker 1>a half already, and you know, I was kind of

0:58:46.600 --> 0:58:49.520
<v Speaker 1>trying to like find my way. You know, Canda figured

0:58:49.560 --> 0:58:50.960
<v Speaker 1>it out a lot differently than me, you know what

0:58:51.000 --> 0:58:53.480
<v Speaker 1>I'm saying, just as far as like, you know, how

0:58:53.880 --> 0:58:56.160
<v Speaker 1>how it was going to maneuver because Atlantic was was

0:58:56.360 --> 0:58:58.960
<v Speaker 1>trying to put me in with other artists that were

0:58:59.000 --> 0:59:02.160
<v Speaker 1>already on the label. And you know, it was cool,

0:59:02.280 --> 0:59:03.960
<v Speaker 1>you know what I'm saying. I had a good rapport,

0:59:04.080 --> 0:59:06.480
<v Speaker 1>but it wasn't you know, we finally kind of when

0:59:06.480 --> 0:59:08.880
<v Speaker 1>it was time to renegotiate, you know, they literally was

0:59:08.920 --> 0:59:11.480
<v Speaker 1>like it was kind of you know, a little a

0:59:11.520 --> 0:59:14.480
<v Speaker 1>little shaky, and it was like listen, you know they

0:59:14.600 --> 0:59:17.480
<v Speaker 1>believed in me. You know they knew that, you know,

0:59:17.560 --> 0:59:19.439
<v Speaker 1>because of our rapport. You know, I had been signed

0:59:19.480 --> 0:59:22.760
<v Speaker 1>there as an artist and everything and just our relationships.

0:59:22.800 --> 0:59:24.439
<v Speaker 1>They are like, listen, we want to give you another shot.

0:59:24.480 --> 0:59:26.000
<v Speaker 1>You know what I'm saying, Let's let's figure this out.

0:59:26.440 --> 0:59:29.360
<v Speaker 1>You take me in streets, you guys, you know, take

0:59:29.480 --> 0:59:32.480
<v Speaker 1>Uzzie and was just like, you know, let you guys

0:59:32.520 --> 0:59:34.000
<v Speaker 1>figure out how you want to do it instead of

0:59:34.080 --> 0:59:35.760
<v Speaker 1>us trying to put something on you. And we was

0:59:35.800 --> 0:59:38.080
<v Speaker 1>like bet you know that was a perfect situation for us.

0:59:38.280 --> 0:59:40.640
<v Speaker 1>Off to the races. Yeah. So and then you know

0:59:40.720 --> 0:59:43.920
<v Speaker 1>again like you know, I remember the first time we

0:59:44.080 --> 0:59:47.240
<v Speaker 1>met Uzzie was when we were on tour with Wiz

0:59:48.000 --> 0:59:51.040
<v Speaker 1>and he we had a show and like the Philly, Philly,

0:59:51.120 --> 0:59:54.720
<v Speaker 1>New Jersey area, he came to the show and first

0:59:54.800 --> 0:59:56.160
<v Speaker 1>I remember the first day he got on the bus,

0:59:56.240 --> 1:00:01.040
<v Speaker 1>he cracked on my jeans or some ship like Uzzy fashion,

1:00:01.080 --> 1:00:03.280
<v Speaker 1>you know what I'm saying. So, but you know, he

1:00:03.360 --> 1:00:05.520
<v Speaker 1>always had that energy, and then you know, he always

1:00:05.560 --> 1:00:08.120
<v Speaker 1>knew like you know, he definitely had a vision. So

1:00:08.600 --> 1:00:10.520
<v Speaker 1>it was almost like he paid for some of that ship.

1:00:10.600 --> 1:00:13.040
<v Speaker 1>But he didn't like when I was in Philly, I

1:00:13.160 --> 1:00:15.640
<v Speaker 1>met him the first time, meeting in South Street. He

1:00:15.720 --> 1:00:17.600
<v Speaker 1>pull up in this truck as him and his cousin,

1:00:17.960 --> 1:00:20.080
<v Speaker 1>big buff as cousin. I'm like, what they think They're

1:00:20.080 --> 1:00:21.520
<v Speaker 1>about to beat me up or something. So we were

1:00:21.560 --> 1:00:23.280
<v Speaker 1>on the street and he was like, yo, take a

1:00:23.320 --> 1:00:25.360
<v Speaker 1>walk with me. So we walking were talking and you know,

1:00:25.440 --> 1:00:27.200
<v Speaker 1>I mean, we going to different stores and he'd be like, oh,

1:00:27.280 --> 1:00:29.080
<v Speaker 1>that's the kid Oozy and I'm like, yo, no way,

1:00:29.560 --> 1:00:31.360
<v Speaker 1>I didn't know this kid. It was very early, but

1:00:31.400 --> 1:00:33.760
<v Speaker 1>they was like, yo, fuck with your ship. So it

1:00:33.840 --> 1:00:36.800
<v Speaker 1>made me do a little little investigation and it was

1:00:36.840 --> 1:00:39.000
<v Speaker 1>like he had already been doing like little things like

1:00:39.080 --> 1:00:41.960
<v Speaker 1>beat battles, I mean rat battles and ship everywhere. So

1:00:42.040 --> 1:00:43.520
<v Speaker 1>I'm like, okay, that's how they know because I was

1:00:43.560 --> 1:00:46.800
<v Speaker 1>going to store. They was like slightly starstruck a little bit.

1:00:47.320 --> 1:00:49.600
<v Speaker 1>This is early. I'm like, wait, what's going on? That's

1:00:49.640 --> 1:00:53.640
<v Speaker 1>what I knew. I was like, yo, yeah, it's crazy

1:00:53.760 --> 1:00:57.760
<v Speaker 1>because for a long time, bro, we always tried to

1:00:57.920 --> 1:01:01.040
<v Speaker 1>get a Philly artist, you know what I'm saying, And

1:01:01.280 --> 1:01:03.040
<v Speaker 1>it's just happened to be the time they give a

1:01:03.120 --> 1:01:05.480
<v Speaker 1>Philly artists. Everybody told us, yo, you got to get

1:01:05.480 --> 1:01:06.960
<v Speaker 1>an artist from the South, you gotta get an artist

1:01:06.960 --> 1:01:09.320
<v Speaker 1>fro himself. It was like, yeah, we're open to it,

1:01:09.520 --> 1:01:11.880
<v Speaker 1>and that just fell in our laps and somebody who's

1:01:11.920 --> 1:01:15.320
<v Speaker 1>not like the traditional and that's what's what's even crazier

1:01:15.360 --> 1:01:17.920
<v Speaker 1>about it is, you know, obviously we all know, you

1:01:18.000 --> 1:01:23.800
<v Speaker 1>know what Philly rappers sounded like before that or what

1:01:24.040 --> 1:01:26.200
<v Speaker 1>you know, the perception was, you know what I'm saying.

1:01:26.280 --> 1:01:28.240
<v Speaker 1>So when Uzi came along and he was just like

1:01:28.840 --> 1:01:32.480
<v Speaker 1>he was, there was nobody else like him, especially from Philly,

1:01:32.560 --> 1:01:35.480
<v Speaker 1>Like we want to grab me water in I got.

1:01:36.200 --> 1:01:37.760
<v Speaker 1>I got a half a damn cough drop stuck in

1:01:37.840 --> 1:01:45.720
<v Speaker 1>my fucking throat where those red candies were. Yeah, much

1:01:45.800 --> 1:01:53.240
<v Speaker 1>better Jesus. Anyway, I wanted to ask, like I just myself,

1:01:54.000 --> 1:01:57.040
<v Speaker 1>what is the current relationship with Uzzi, because you know,

1:01:57.360 --> 1:02:00.000
<v Speaker 1>I mean everything's kind of been public that there's obvious

1:02:00.240 --> 1:02:03.120
<v Speaker 1>some disagreements, and you know, what is your guys current

1:02:03.160 --> 1:02:09.640
<v Speaker 1>relationship with him? He signed a generation now he pretty

1:02:09.720 --> 1:02:14.080
<v Speaker 1>much does his thing, you know, and like we support

1:02:14.120 --> 1:02:17.440
<v Speaker 1>it and allow it, and you know, I'm very proud

1:02:17.480 --> 1:02:23.800
<v Speaker 1>of him. Yeah, yeah, I mean it's pretty much like

1:02:24.080 --> 1:02:29.840
<v Speaker 1>the basic you know, like record label artist situation. You know,

1:02:29.960 --> 1:02:33.040
<v Speaker 1>he's at a state where he likes to kind of

1:02:33.080 --> 1:02:35.680
<v Speaker 1>control his own creative thing. He's always you know, been

1:02:35.680 --> 1:02:37.840
<v Speaker 1>a part of other than Cannon being super hands on

1:02:38.560 --> 1:02:41.520
<v Speaker 1>and pretty much he controls the time and the dynamic

1:02:41.680 --> 1:02:45.280
<v Speaker 1>like change between everybody like win like like I mean obviously,

1:02:45.360 --> 1:02:49.320
<v Speaker 1>you know, I feel like you guys kind of brought

1:02:49.360 --> 1:02:51.440
<v Speaker 1>him up in the game, right, and then there's obviously

1:02:51.480 --> 1:02:54.000
<v Speaker 1>a disconnect that happened. Like it's always human nature. You

1:02:54.080 --> 1:02:56.640
<v Speaker 1>know what I mean that that's what happens. You know,

1:02:56.720 --> 1:02:59.680
<v Speaker 1>you've seen him with the best, you know, doctor Joran Snoop,

1:02:59.800 --> 1:03:02.880
<v Speaker 1>Like there was no real problem. You know people put

1:03:02.920 --> 1:03:05.479
<v Speaker 1>out there. But it's just like when you become an artist,

1:03:05.560 --> 1:03:08.360
<v Speaker 1>you can't even me as a part car producer. At

1:03:08.440 --> 1:03:11.560
<v Speaker 1>some point when you have the success, you'd be like, yeah,

1:03:11.560 --> 1:03:13.480
<v Speaker 1>I did this, you know what I mean. I did this,

1:03:13.560 --> 1:03:15.520
<v Speaker 1>so you know what I mean. So I you know,

1:03:15.760 --> 1:03:20.040
<v Speaker 1>I ran into those things where you know, honestly, nobody

1:03:20.120 --> 1:03:22.160
<v Speaker 1>know the story. In two thousand and eight, I was

1:03:22.240 --> 1:03:25.200
<v Speaker 1>feeling myself and I kind of left them out. I

1:03:25.360 --> 1:03:28.160
<v Speaker 1>remember that in the cold, and I was just like,

1:03:28.400 --> 1:03:31.040
<v Speaker 1>you know, obviously it was it was something between us

1:03:31.160 --> 1:03:33.360
<v Speaker 1>that had nothing to do with them, but it was

1:03:33.480 --> 1:03:34.920
<v Speaker 1>just like, man, I do it. I could do it

1:03:34.960 --> 1:03:37.439
<v Speaker 1>on my own. Fucking you guys had your like little

1:03:37.440 --> 1:03:39.840
<v Speaker 1>pause in your relationship, and it was just like it

1:03:40.000 --> 1:03:42.320
<v Speaker 1>was it was weird because this is funny, this is

1:03:42.320 --> 1:03:43.640
<v Speaker 1>why I'm talking about it. But it was like we

1:03:43.720 --> 1:03:45.560
<v Speaker 1>were throwing shots at each other on the tapes and

1:03:46.120 --> 1:03:48.640
<v Speaker 1>we would see each other and everything cool. I saw

1:03:48.680 --> 1:03:51.320
<v Speaker 1>them like multiple times, and I just always thought when

1:03:51.320 --> 1:03:53.640
<v Speaker 1>we see each other, it's gonna be it's gonna be something,

1:03:54.040 --> 1:03:55.560
<v Speaker 1>you know what I mean. I'm just it's me and

1:03:55.680 --> 1:03:58.320
<v Speaker 1>my cousin. It was ten twelve deep, you know what

1:03:58.360 --> 1:04:00.480
<v Speaker 1>I'm saying. And we were always cool each other and

1:04:00.600 --> 1:04:03.760
<v Speaker 1>it would be cordial until you know, me and Drom

1:04:03.960 --> 1:04:06.040
<v Speaker 1>just sat down. I was like, I think it was

1:04:06.080 --> 1:04:09.640
<v Speaker 1>at Jersey Mikes or some yea, And by the time

1:04:09.720 --> 1:04:12.320
<v Speaker 1>we got like what we even talk about? It's just nothing,

1:04:12.480 --> 1:04:14.600
<v Speaker 1>you know what I'm saying. So it always happens with

1:04:14.680 --> 1:04:17.240
<v Speaker 1>this stuff. And you know, as you make music, uh,

1:04:18.040 --> 1:04:21.280
<v Speaker 1>things happen, people want to do things. I think with

1:04:21.720 --> 1:04:26.480
<v Speaker 1>UZI too, with our situation is that obviously on our end,

1:04:27.120 --> 1:04:29.919
<v Speaker 1>we would never have wanted any of it to play

1:04:29.960 --> 1:04:31.800
<v Speaker 1>out in the public. You know, I think a lot

1:04:31.880 --> 1:04:36.560
<v Speaker 1>of artists and record labels go through similar situations. I

1:04:36.600 --> 1:04:38.560
<v Speaker 1>feel like it's just kind of like a generational thing,

1:04:38.680 --> 1:04:42.160
<v Speaker 1>like when people get angry with what it's a generational

1:04:42.200 --> 1:04:44.440
<v Speaker 1>thing because of social media, you know what I'm saying. Yeah,

1:04:44.480 --> 1:04:47.560
<v Speaker 1>of course that's how they expressed themselves. That's how they

1:04:47.560 --> 1:04:50.280
<v Speaker 1>express themselves. And you know, from on our end, like

1:04:50.360 --> 1:04:53.120
<v Speaker 1>you know, we never you know, we never really even

1:04:53.160 --> 1:04:56.160
<v Speaker 1>went on a platform and you know, defended ourselves or

1:04:56.560 --> 1:04:59.280
<v Speaker 1>you know, anything like that, and we just we didn't

1:04:59.320 --> 1:05:00.840
<v Speaker 1>really want that, you know what I'm saying. And this

1:05:01.040 --> 1:05:03.440
<v Speaker 1>I mean obviously wanted to. We didn't want to be

1:05:03.520 --> 1:05:05.560
<v Speaker 1>painted as no bad guys, you know what I'm saying.

1:05:05.600 --> 1:05:07.800
<v Speaker 1>But I mean, I'm sure the fan like his fans

1:05:07.840 --> 1:05:09.760
<v Speaker 1>are crazy. Oh yeah, it was it was killing a

1:05:09.840 --> 1:05:12.880
<v Speaker 1>social media I had to take a pause, you know,

1:05:13.000 --> 1:05:14.920
<v Speaker 1>I think, thank you, it was he like I definitely

1:05:15.360 --> 1:05:17.800
<v Speaker 1>had to like get off for a quick minute. But

1:05:17.920 --> 1:05:21.000
<v Speaker 1>you know, I mean, it's crazy just you know, I

1:05:21.080 --> 1:05:23.600
<v Speaker 1>don't get any of that anymore. But it's like, you know,

1:05:23.680 --> 1:05:26.439
<v Speaker 1>we we wanted to. We've been in this business so long.

1:05:26.600 --> 1:05:29.360
<v Speaker 1>You know, our reputations are everything, of course, so clearly,

1:05:29.920 --> 1:05:32.200
<v Speaker 1>you know, I guess more than anything, you know, we

1:05:32.320 --> 1:05:34.360
<v Speaker 1>let Tom tell you know what I'm saying, and you know,

1:05:34.440 --> 1:05:39.000
<v Speaker 1>more like again, he's he's family, he's our artist, so

1:05:39.720 --> 1:05:42.760
<v Speaker 1>you know, we don't want anything but the best for him,

1:05:42.800 --> 1:05:45.240
<v Speaker 1>you know what I'm saying. I always you feel what

1:05:45.280 --> 1:05:46.800
<v Speaker 1>I'm saying. So it was like for us, we just

1:05:46.880 --> 1:05:48.600
<v Speaker 1>had to allow, you know, we just had to let

1:05:48.640 --> 1:05:50.760
<v Speaker 1>it play out and you know, fans are going to

1:05:50.800 --> 1:05:52.560
<v Speaker 1>say what they're gonna say, or people are gonna have

1:05:52.760 --> 1:05:56.360
<v Speaker 1>their interpretation who don't know us per se, and you

1:05:56.440 --> 1:05:58.680
<v Speaker 1>know it is what it is. Like I think, did

1:05:58.720 --> 1:06:01.120
<v Speaker 1>you guys get like a blunt of the blame from

1:06:01.200 --> 1:06:04.000
<v Speaker 1>fans for Eternal Take taking a blunt all of it?

1:06:06.040 --> 1:06:07.600
<v Speaker 1>What was like the story as to why it took

1:06:07.680 --> 1:06:09.400
<v Speaker 1>so long? Like if you if you don't mind getting

1:06:09.440 --> 1:06:12.200
<v Speaker 1>into it, like what's the story or why did it?

1:06:12.360 --> 1:06:14.120
<v Speaker 1>Like why did it take so long? Was it was it?

1:06:14.200 --> 1:06:16.320
<v Speaker 1>You know? Because I think that they literally put the

1:06:16.320 --> 1:06:18.440
<v Speaker 1>album out when you wanted to. That's the craziest part

1:06:18.480 --> 1:06:21.720
<v Speaker 1>about everything, Like I like, you guys were holding them up.

1:06:21.800 --> 1:06:24.320
<v Speaker 1>And I mean this is the most basic thing that

1:06:24.400 --> 1:06:26.280
<v Speaker 1>I tell everybody, Like we are in the business of

1:06:26.400 --> 1:06:28.240
<v Speaker 1>selling music, you know what I'm saying, So there is

1:06:28.480 --> 1:06:31.280
<v Speaker 1>no benefit to us to hold any of course not

1:06:31.760 --> 1:06:33.840
<v Speaker 1>It's just not even logical, you know what I'm saying,

1:06:34.000 --> 1:06:36.600
<v Speaker 1>Like we don't eat if music doesn't come out, you know,

1:06:36.840 --> 1:06:39.600
<v Speaker 1>So like I don't know what power, struggle or what

1:06:39.760 --> 1:06:42.600
<v Speaker 1>pride like would allow us to even do something like that.

1:06:42.840 --> 1:06:46.080
<v Speaker 1>So ultimately, like for real, these guys put music out

1:06:46.120 --> 1:06:48.520
<v Speaker 1>sometimes they come to us two days before that used

1:06:48.560 --> 1:06:50.560
<v Speaker 1>to be, I mean, and its main plan because remember

1:06:50.640 --> 1:06:53.680
<v Speaker 1>we came at the transition from the physical age to

1:06:53.800 --> 1:06:56.560
<v Speaker 1>the digital and so I remember when Canon would come

1:06:56.600 --> 1:06:57.880
<v Speaker 1>to me and be like, Yo, this kid wants to

1:06:57.920 --> 1:06:59.960
<v Speaker 1>put a project out tomorrow and I have to clear

1:07:00.040 --> 1:07:02.560
<v Speaker 1>your ten beats, you know, and so on and so forth.

1:07:02.680 --> 1:07:05.840
<v Speaker 1>Like it's literally a feeling. And when they have the feeling,

1:07:06.040 --> 1:07:08.160
<v Speaker 1>like they call me and the ship has to come out,

1:07:08.200 --> 1:07:10.280
<v Speaker 1>you know what I'm saying. So we don't really get

1:07:10.360 --> 1:07:15.360
<v Speaker 1>any benefit from like withholding or like saying something can

1:07:15.520 --> 1:07:17.520
<v Speaker 1>or can't come out. You know, when it's ready, We're

1:07:17.560 --> 1:07:20.200
<v Speaker 1>ready for that ship to come out, too, Yeah, I mean,

1:07:20.600 --> 1:07:23.120
<v Speaker 1>like like he dropped pretty much what two albums and

1:07:24.040 --> 1:07:27.800
<v Speaker 1>back to back? Is that? I wonder too, because like

1:07:28.120 --> 1:07:30.920
<v Speaker 1>you know, obviously your guys is kind of situation has

1:07:31.000 --> 1:07:33.600
<v Speaker 1>been public. In my head, I thought, is he trying

1:07:33.600 --> 1:07:35.240
<v Speaker 1>to put out like is he trying to get out

1:07:35.240 --> 1:07:38.440
<v Speaker 1>of his deal as quick as possible? Because you know

1:07:38.520 --> 1:07:40.880
<v Speaker 1>there's like Drake, Like Drake you know did that with

1:07:41.040 --> 1:07:44.120
<v Speaker 1>the you know, like like artists have done that, you

1:07:44.200 --> 1:07:48.840
<v Speaker 1>know in the past, Like when when or is it

1:07:48.960 --> 1:07:50.960
<v Speaker 1>just the deluxe play because he kind of low key

1:07:51.560 --> 1:07:55.280
<v Speaker 1>can deluxe play off? Yeah, just to think it's just

1:07:55.360 --> 1:07:57.400
<v Speaker 1>just a deluxe play. Yeah, I think it's just something

1:07:57.440 --> 1:07:58.600
<v Speaker 1>you want to get off. And I don't think he

1:07:58.680 --> 1:08:01.400
<v Speaker 1>wanted to keep both vibe in that name. So it

1:08:01.520 --> 1:08:03.760
<v Speaker 1>was like one one half of the album was kind

1:08:03.800 --> 1:08:09.000
<v Speaker 1>of like the first we had it was the World,

1:08:09.280 --> 1:08:12.080
<v Speaker 1>So he didn't want to keep everything because I think

1:08:12.160 --> 1:08:14.080
<v Speaker 1>the Eternal Hockey he just wanted to have like this,

1:08:14.280 --> 1:08:16.360
<v Speaker 1>you know what I'm saying. And then right right, right right,

1:08:16.520 --> 1:08:19.120
<v Speaker 1>it's just something you know. And then with Jack, like

1:08:19.360 --> 1:08:21.240
<v Speaker 1>your guys are story finding Jack because you know, if

1:08:21.280 --> 1:08:24.479
<v Speaker 1>you saw Jack Harlowe uh when you guys first signed him,

1:08:25.040 --> 1:08:28.760
<v Speaker 1>you know, he doesn't scream like Superstar, looks like he

1:08:28.800 --> 1:08:30.719
<v Speaker 1>looks like like like someone who works at the geek Squad,

1:08:30.760 --> 1:08:32.160
<v Speaker 1>a best buyer or something, you know what I mean.

1:08:33.240 --> 1:08:35.200
<v Speaker 1>And he's from Louisville, which is like a place that's

1:08:35.280 --> 1:08:38.720
<v Speaker 1>not known as like a talent hub. Yeah, I mean,

1:08:38.840 --> 1:08:43.679
<v Speaker 1>drawn pretty much really kind of steered that in the direction.

1:08:43.880 --> 1:08:47.519
<v Speaker 1>But again when we all met, it's something that the

1:08:47.640 --> 1:08:50.519
<v Speaker 1>guys have and they I and they the way they

1:08:50.600 --> 1:08:53.320
<v Speaker 1>carry itself is like Bro, that's gonna be some work,

1:08:53.360 --> 1:08:55.240
<v Speaker 1>but it's gonna work, you know what I mean. And

1:08:55.360 --> 1:08:57.439
<v Speaker 1>that's we all see it. We're like, man, we gotta

1:08:57.479 --> 1:08:59.280
<v Speaker 1>do that one. We got to it don't matter what

1:08:59.400 --> 1:09:01.240
<v Speaker 1>he looked like. It it's the feeling. It was the

1:09:01.400 --> 1:09:03.880
<v Speaker 1>energy that he had. He already had a squad with him.

1:09:04.120 --> 1:09:07.360
<v Speaker 1>His producer was dope at his producer still as dope

1:09:07.360 --> 1:09:09.680
<v Speaker 1>as hell too. For one. You know, it just was

1:09:09.760 --> 1:09:11.800
<v Speaker 1>like it just was there and it was like, let's

1:09:11.840 --> 1:09:14.200
<v Speaker 1>do it. You know what I'm saying. It didn't take

1:09:14.280 --> 1:09:16.639
<v Speaker 1>too much. And it's hard to get these guys to agree.

1:09:16.760 --> 1:09:18.400
<v Speaker 1>Like so it's three of us, right, and it's supposed

1:09:18.400 --> 1:09:20.080
<v Speaker 1>to be two out of three, But really I'm usually

1:09:20.240 --> 1:09:22.479
<v Speaker 1>just the guy that's waiting to say yes, right. I

1:09:22.600 --> 1:09:24.200
<v Speaker 1>bring a lot of stuff to the table, and it's

1:09:24.280 --> 1:09:27.000
<v Speaker 1>hard as hell to really convince this guy. And it's

1:09:27.040 --> 1:09:28.680
<v Speaker 1>hard as hell to convince him too, you know what

1:09:28.720 --> 1:09:30.600
<v Speaker 1>I mean. So a lot of stuff that comes to

1:09:30.640 --> 1:09:33.000
<v Speaker 1>the table, especially from our n R staff, Like it's

1:09:33.040 --> 1:09:35.280
<v Speaker 1>a lot of stuff that shot down. So when we

1:09:35.360 --> 1:09:37.800
<v Speaker 1>see something that we like, like we really attached, I

1:09:37.840 --> 1:09:42.439
<v Speaker 1>can imagine like the like the success of what's popping

1:09:42.600 --> 1:09:46.960
<v Speaker 1>had to really like, it had to be sweeter than

1:09:47.600 --> 1:09:49.160
<v Speaker 1>a lot of stuff you guys have done before his

1:09:49.240 --> 1:09:53.000
<v Speaker 1>generation now, because I feel like at that time people

1:09:53.040 --> 1:09:55.519
<v Speaker 1>were kind of like, well, you know, with the oozy

1:09:55.560 --> 1:09:59.120
<v Speaker 1>shit being out there, and then you know, Jack Harlow

1:09:59.520 --> 1:10:06.320
<v Speaker 1>comes back, what was it? I mean, is it triple platinum? Yeah?

1:10:06.439 --> 1:10:09.120
<v Speaker 1>Like that. And the craziest part about that record was,

1:10:09.200 --> 1:10:11.599
<v Speaker 1>I remember when we played it in the music meeting

1:10:12.280 --> 1:10:14.160
<v Speaker 1>and I loved I'd already heard it on Spotify and

1:10:14.240 --> 1:10:16.120
<v Speaker 1>I loved the record, But it doesn't it didn't have

1:10:16.200 --> 1:10:19.559
<v Speaker 1>like it wasn't like a traditionally formatted song, like when

1:10:19.600 --> 1:10:21.240
<v Speaker 1>you first heard it, you're like, wait, I gotta figure

1:10:21.240 --> 1:10:23.360
<v Speaker 1>out where the hook is? Type ship? But how like

1:10:23.520 --> 1:10:27.920
<v Speaker 1>sweet was that? Like? It almost was like I felt

1:10:27.960 --> 1:10:30.040
<v Speaker 1>like if I was y'all, I would have been like, yeah, motherfucker,

1:10:30.080 --> 1:10:32.680
<v Speaker 1>we did it again. We did at some point, but

1:10:33.040 --> 1:10:36.200
<v Speaker 1>we also, like us not staying in the public and

1:10:36.360 --> 1:10:39.440
<v Speaker 1>doing too much chedder chatter made it even more sweet. Absolutely,

1:10:39.479 --> 1:10:41.320
<v Speaker 1>you know what I'm saying. That came out and yeah,

1:10:41.320 --> 1:10:43.720
<v Speaker 1>it was just like let's keep working, man, just make

1:10:43.800 --> 1:10:45.920
<v Speaker 1>some ship. Like we still had the fun in it,

1:10:46.640 --> 1:10:49.200
<v Speaker 1>you know, what I mean. And to make it even better,

1:10:49.280 --> 1:10:51.120
<v Speaker 1>we have been working with Jackie. He's been making these

1:10:51.120 --> 1:10:53.519
<v Speaker 1>certain type of songs and we always say to him

1:10:53.720 --> 1:10:56.640
<v Speaker 1>all three of us, yo, you can rap, but he

1:10:56.720 --> 1:10:58.240
<v Speaker 1>always like, yeah, I know, but I want to. I

1:10:58.320 --> 1:11:00.439
<v Speaker 1>got this vibe. I'd be like, you can rap, you

1:11:00.520 --> 1:11:02.280
<v Speaker 1>know what I'm saying. So when that came out, it

1:11:02.400 --> 1:11:05.800
<v Speaker 1>was like, Bro, your first big record rapping. You see

1:11:05.800 --> 1:11:07.720
<v Speaker 1>what I'm saying. And he started out like that Dark

1:11:07.760 --> 1:11:10.840
<v Speaker 1>Knight was a rap record, and we just always stuck

1:11:10.960 --> 1:11:12.720
<v Speaker 1>with that, you know what I mean. So that's what

1:11:12.880 --> 1:11:14.920
<v Speaker 1>makes it sweeter that we just put our head down

1:11:14.960 --> 1:11:17.080
<v Speaker 1>and just kept working and it just popped up. It

1:11:17.200 --> 1:11:18.920
<v Speaker 1>wasn't like, oh, we got to hit y'all, we ready.

1:11:18.960 --> 1:11:21.280
<v Speaker 1>It was just like, man, we walk and rolling again.

1:11:21.560 --> 1:11:24.600
<v Speaker 1>And I don't know, you know, sometimes I feel like,

1:11:25.280 --> 1:11:29.400
<v Speaker 1>you know, we've maneuvered through our careers. I don't necessarily

1:11:29.479 --> 1:11:34.400
<v Speaker 1>want to say underdogs, but feeling like, yo, like this

1:11:34.600 --> 1:11:36.360
<v Speaker 1>is what we do. Like we've been doing this a

1:11:36.400 --> 1:11:38.120
<v Speaker 1>long time. We got to show you again, this is

1:11:38.160 --> 1:11:40.120
<v Speaker 1>what we do. So it's like, you know, even through that,

1:11:40.240 --> 1:11:43.280
<v Speaker 1>it was like again us not really being vocal about

1:11:43.280 --> 1:11:45.920
<v Speaker 1>it and just working and you know, having the results

1:11:46.000 --> 1:11:49.439
<v Speaker 1>we have. It's like, you know, like come on, guys, like, duh,

1:11:49.520 --> 1:11:50.760
<v Speaker 1>We've been telling you this for years. This is what

1:11:50.840 --> 1:11:52.640
<v Speaker 1>we do. We're gonna keep doing it, you know what

1:11:52.640 --> 1:11:55.880
<v Speaker 1>I'm saying. So yeah, I mean obviously it was definitely

1:11:55.960 --> 1:11:58.200
<v Speaker 1>like it was a sweet feeling, you know what I'm

1:11:58.240 --> 1:12:01.200
<v Speaker 1>saying to you know, to come out through the year

1:12:01.200 --> 1:12:04.120
<v Speaker 1>of twenty twenty and you know have such a productive,

1:12:05.040 --> 1:12:08.000
<v Speaker 1>you know moment for generation now. Yeah, Like and I

1:12:08.040 --> 1:12:10.280
<v Speaker 1>feel like too, you know, like you said, you guys

1:12:10.400 --> 1:12:14.400
<v Speaker 1>kind of started this with the transitional period of where

1:12:14.520 --> 1:12:17.240
<v Speaker 1>music was and how it was consumed and especially now right,

1:12:17.400 --> 1:12:21.080
<v Speaker 1>like the playlisting shit is kind of crazy. Yeah, it's

1:12:21.160 --> 1:12:25.880
<v Speaker 1>really like the gatekeepers of people's careers smaller real shit,

1:12:26.200 --> 1:12:27.680
<v Speaker 1>you know what I mean. Like it used to be

1:12:27.880 --> 1:12:30.400
<v Speaker 1>like there was like twenty five blogs that if you

1:12:30.439 --> 1:12:32.360
<v Speaker 1>could get on one, like four of them, like you

1:12:32.439 --> 1:12:35.280
<v Speaker 1>could really you know. Now it's like you gotta there's

1:12:35.360 --> 1:12:40.640
<v Speaker 1>like this many people that choose the like who's the next, right,

1:12:41.040 --> 1:12:42.960
<v Speaker 1>you know what I'm saying. I'm curious what would be

1:12:43.040 --> 1:12:47.200
<v Speaker 1>some advice you guys would give managers who are managing

1:12:47.360 --> 1:12:49.760
<v Speaker 1>artists or just young artists who are up and coming

1:12:50.120 --> 1:12:52.519
<v Speaker 1>trying to navigate their way, who are dope, you know,

1:12:52.600 --> 1:12:54.120
<v Speaker 1>maybe have a little bit of traction, but just trying

1:12:54.120 --> 1:12:57.200
<v Speaker 1>to navigate their way through the current musical climate. Because

1:12:57.200 --> 1:12:59.920
<v Speaker 1>I do feel like the first thing every artist wants

1:13:00.120 --> 1:13:02.200
<v Speaker 1>to do is get on a playlist, and I'm not

1:13:02.240 --> 1:13:07.439
<v Speaker 1>sure how like realistic that is for everybody. Yeah, now

1:13:07.520 --> 1:13:10.000
<v Speaker 1>that's a tough question because even when it comes to

1:13:10.040 --> 1:13:13.080
<v Speaker 1>the playlist, like I'm you know, I can only imagine

1:13:13.120 --> 1:13:16.880
<v Speaker 1>what it's like, you know, coming from trying to make it,

1:13:17.000 --> 1:13:20.120
<v Speaker 1>and you know, it's like, you know, damn, they're impossible

1:13:20.160 --> 1:13:22.479
<v Speaker 1>to get on playlists, you know what I'm saying. So

1:13:23.240 --> 1:13:26.240
<v Speaker 1>to me, I feel like the the DSPs are the

1:13:26.280 --> 1:13:30.560
<v Speaker 1>new radio and in my opinion, and I think the

1:13:30.840 --> 1:13:32.760
<v Speaker 1>first thing I would tell a young manager and a

1:13:32.840 --> 1:13:35.400
<v Speaker 1>young artist is is like, don't short change the process.

1:13:35.680 --> 1:13:37.960
<v Speaker 1>Like I think a lot of these kids everything is

1:13:38.040 --> 1:13:41.240
<v Speaker 1>so microwavable that they want everything so fast, Like I

1:13:41.320 --> 1:13:43.439
<v Speaker 1>get so many d ms every day, Like how can

1:13:43.520 --> 1:13:45.639
<v Speaker 1>you put me in contact with, you know, a digital

1:13:45.720 --> 1:13:47.720
<v Speaker 1>marketer that can get me on rap cavear. They're not

1:13:47.840 --> 1:13:50.439
<v Speaker 1>asking to get on you know, realists down south and

1:13:50.520 --> 1:13:52.320
<v Speaker 1>take the steps up. They want to take the leap

1:13:52.400 --> 1:13:55.400
<v Speaker 1>from the directly to the top. And you know, I

1:13:55.520 --> 1:13:57.519
<v Speaker 1>say this all the time, Like rap, to me, that's

1:13:57.640 --> 1:13:59.760
<v Speaker 1>the only game that really doesn't have a system of checks.

1:13:59.760 --> 1:14:02.200
<v Speaker 1>And like, you know, there is a kid that can

1:14:02.240 --> 1:14:04.320
<v Speaker 1>honestly make a song in his bathroom and get on

1:14:04.479 --> 1:14:07.040
<v Speaker 1>rap caviaar. But there's also a guy that's been rapping

1:14:07.080 --> 1:14:09.640
<v Speaker 1>for fifteen years that can't get breaks, you know. So

1:14:10.800 --> 1:14:13.120
<v Speaker 1>what I would say is, don't short change the process

1:14:13.240 --> 1:14:15.880
<v Speaker 1>for real, if you love it, it's gonna show. Like

1:14:16.320 --> 1:14:18.200
<v Speaker 1>the guys that are the big guys, the guys that

1:14:18.280 --> 1:14:20.439
<v Speaker 1>are the ones like that are consistently the ones that

1:14:20.520 --> 1:14:22.200
<v Speaker 1>we think about. Those are the guys that put time

1:14:22.240 --> 1:14:24.560
<v Speaker 1>and energy into this shit. Like the guys that you

1:14:24.640 --> 1:14:28.120
<v Speaker 1>think play around, they don't as simple as you think.

1:14:28.200 --> 1:14:31.320
<v Speaker 1>Uzzi's music is that kid literally lived in the studio

1:14:31.439 --> 1:14:33.400
<v Speaker 1>all day every day. He works on his melodies. He

1:14:33.439 --> 1:14:36.920
<v Speaker 1>thinks about every concept. Another thing I would tell the

1:14:37.040 --> 1:14:39.640
<v Speaker 1>kids is is uh, you know, and it's something that

1:14:39.720 --> 1:14:42.880
<v Speaker 1>they've actually created. Is you know, I think you need

1:14:42.960 --> 1:14:45.000
<v Speaker 1>to blend the lifestyle with the music. A lot of

1:14:45.000 --> 1:14:47.560
<v Speaker 1>people are attracted to the lifestyle before the music. So

1:14:48.040 --> 1:14:51.000
<v Speaker 1>I think that's something that Uzzi and Cardi Playboy Cardio,

1:14:51.000 --> 1:14:53.040
<v Speaker 1>who does a lot of work in here too, They've

1:14:53.120 --> 1:14:55.800
<v Speaker 1>they've gotten kids attracted to the lifestyle, you know. Yeah,

1:14:55.800 --> 1:14:58.680
<v Speaker 1>they're into Yeah, they're into the personality. The person is

1:14:58.960 --> 1:15:01.439
<v Speaker 1>even more than the absolutely yeah, so that makes them

1:15:01.479 --> 1:15:03.320
<v Speaker 1>fall in love with the music. And I think that's

1:15:03.760 --> 1:15:06.439
<v Speaker 1>that's the attraction that Uzzi's fans have to his music.

1:15:06.520 --> 1:15:09.280
<v Speaker 1>It's almost like an emotional attachment. They feel like they

1:15:09.360 --> 1:15:11.640
<v Speaker 1>are him, you know, they feel like they are that

1:15:11.800 --> 1:15:13.960
<v Speaker 1>kid that's going through the same emotional say, if you

1:15:14.000 --> 1:15:16.160
<v Speaker 1>can make people care about you and make good music,

1:15:16.240 --> 1:15:17.880
<v Speaker 1>then you know, it's just a matter of time. You

1:15:17.960 --> 1:15:20.080
<v Speaker 1>just got to make people give a fuck about you, because,

1:15:20.080 --> 1:15:21.719
<v Speaker 1>like you said, like so many people are making music.

1:15:22.200 --> 1:15:25.479
<v Speaker 1>There's great music we'll never hear because it's hard to

1:15:25.560 --> 1:15:28.800
<v Speaker 1>be relatable to have people give a fuck about you.

1:15:30.640 --> 1:15:32.920
<v Speaker 1>Dram I know, you know, you just did the Black

1:15:32.960 --> 1:15:37.240
<v Speaker 1>Soprano Family Gangster Grills. Yes, shout out to Benny who's

1:15:37.280 --> 1:15:40.960
<v Speaker 1>out here in Atlanta now a lot. How active are

1:15:41.040 --> 1:15:43.559
<v Speaker 1>you trying to be like still with you know, doing

1:15:43.800 --> 1:15:45.680
<v Speaker 1>doing that kind of ship, like, I'm all for it.

1:15:45.760 --> 1:15:48.200
<v Speaker 1>You know, people people come to me all the time

1:15:48.400 --> 1:15:51.360
<v Speaker 1>like either ask if I'm still doing tapes or still

1:15:51.400 --> 1:15:55.439
<v Speaker 1>show interest in doing tapes, you know, So like I

1:15:55.840 --> 1:15:57.439
<v Speaker 1>love that one was on the DSPs. You know I

1:15:57.479 --> 1:15:59.120
<v Speaker 1>was on the DSPs. You know, I just didn't want

1:15:59.120 --> 1:16:03.120
<v Speaker 1>with Tiger. Yeah you did do one with Yeah. I

1:16:03.240 --> 1:16:04.920
<v Speaker 1>was on Yeah, Shut the West Side Got I was

1:16:04.960 --> 1:16:07.559
<v Speaker 1>on his album. So you know, I'm when it comes

1:16:07.600 --> 1:16:10.599
<v Speaker 1>to tapes, like you know, it's I'm not going nowhere,

1:16:10.640 --> 1:16:12.879
<v Speaker 1>you know what I'm saying. This is what I do. Besides,

1:16:13.720 --> 1:16:16.679
<v Speaker 1>you know, I mean as much as I'm an executive CEO,

1:16:17.320 --> 1:16:22.320
<v Speaker 1>you know, label owner, fucking studio owner, I'll still go

1:16:22.680 --> 1:16:24.760
<v Speaker 1>and DJ somewhere, you know what I'm saying, and rock,

1:16:24.840 --> 1:16:28.519
<v Speaker 1>you know what I mean. So I got some I

1:16:28.600 --> 1:16:32.040
<v Speaker 1>got some more projects coming this year. Actually that's gonna

1:16:32.280 --> 1:16:34.920
<v Speaker 1>surprising people when it comes to some tapes. So I'm

1:16:34.960 --> 1:16:37.800
<v Speaker 1>looking forward to to those being humble about that. To

1:16:39.280 --> 1:16:41.960
<v Speaker 1>some ship coming, a new Drake album. I got some

1:16:42.040 --> 1:16:45.320
<v Speaker 1>ship coming, Drake Gangster Girls coming. Yeah, I would definitely

1:16:45.320 --> 1:16:48.519
<v Speaker 1>do that of course for that. Uh got some ship,

1:16:48.760 --> 1:16:55.720
<v Speaker 1>I got some ship. That's it. It's just randomly Like,

1:16:56.600 --> 1:16:59.360
<v Speaker 1>did you ever get annoyed when no DJ versions of

1:16:59.400 --> 1:17:01.320
<v Speaker 1>your tapes would go? Well? Yeah, because I felt like

1:17:01.400 --> 1:17:03.640
<v Speaker 1>that happened because of me. Like I literally feel like

1:17:04.320 --> 1:17:07.439
<v Speaker 1>people got but it was it was it was part

1:17:07.479 --> 1:17:11.960
<v Speaker 1>of annoying, and it was part complimentary, you know, because

1:17:12.280 --> 1:17:14.560
<v Speaker 1>one of the reasons why I think it started to

1:17:14.640 --> 1:17:16.719
<v Speaker 1>happen is because a lot of music off the tapes,

1:17:17.680 --> 1:17:20.800
<v Speaker 1>you know, would have to live in other places with

1:17:20.920 --> 1:17:23.840
<v Speaker 1>the radio, radio and so forth. So you know, they

1:17:23.960 --> 1:17:26.679
<v Speaker 1>literally had to create that, you know what I'm saying.

1:17:26.720 --> 1:17:30.160
<v Speaker 1>And you know I tried to. Once that became a thing,

1:17:30.280 --> 1:17:32.080
<v Speaker 1>I was like, all right, how can I navigate around this?

1:17:32.200 --> 1:17:33.680
<v Speaker 1>So I was like, all right, let me kind of

1:17:34.000 --> 1:17:37.519
<v Speaker 1>you know, uh, you know, come back, fall back a

1:17:37.560 --> 1:17:39.640
<v Speaker 1>little bit as far as how boisterous I am on

1:17:39.720 --> 1:17:41.880
<v Speaker 1>the tapes to try to make people still not do

1:17:41.960 --> 1:17:44.559
<v Speaker 1>it no DJ version. It didn't always work. They still

1:17:44.600 --> 1:17:48.479
<v Speaker 1>did no DJ versions. But you know, I'm one that

1:17:48.680 --> 1:17:50.960
<v Speaker 1>kind of you know, I don't, I don't. I try

1:17:51.040 --> 1:17:54.800
<v Speaker 1>not to get caught in, Like I don't want to

1:17:54.800 --> 1:17:57.040
<v Speaker 1>call it bitterness. Like yo, if that's the way it is,

1:17:57.080 --> 1:17:58.719
<v Speaker 1>all right, let me figure out how to work around

1:17:58.960 --> 1:18:00.800
<v Speaker 1>you know what I'm saying. So, like, you know, I

1:18:00.920 --> 1:18:03.679
<v Speaker 1>do a currency tape and verdict Terris, I can't scream

1:18:03.760 --> 1:18:07.240
<v Speaker 1>on a currency's music the way I do fucking you

1:18:07.320 --> 1:18:11.720
<v Speaker 1>know whoever or little brother exactly, I get it. So yeah,

1:18:11.760 --> 1:18:13.599
<v Speaker 1>I mean you know, I took it as a as

1:18:13.640 --> 1:18:16.559
<v Speaker 1>a former compliment to like we I think we later

1:18:16.680 --> 1:18:18.960
<v Speaker 1>grew into like let them have it. There's so many

1:18:19.000 --> 1:18:20.800
<v Speaker 1>people should call us, be like, yo, can we get

1:18:20.840 --> 1:18:25.040
<v Speaker 1>the jeezy music with no talking on it? No niggy Yeah, well,

1:18:25.080 --> 1:18:27.000
<v Speaker 1>you know you'd be at fucking whatever strip club across

1:18:27.040 --> 1:18:29.559
<v Speaker 1>the America. I've been in and they're playing the drama

1:18:29.640 --> 1:18:33.720
<v Speaker 1>fucking version in the club and it's thanks Vin. I

1:18:33.760 --> 1:18:35.320
<v Speaker 1>think it was a little off fault, but I think

1:18:35.360 --> 1:18:37.840
<v Speaker 1>a little bit of most fifty percent of it. I

1:18:38.040 --> 1:18:41.439
<v Speaker 1>noticed when I meet people for the first time, they say, yo,

1:18:42.200 --> 1:18:45.840
<v Speaker 1>and these these people had great albums, great stri come

1:18:45.920 --> 1:18:48.200
<v Speaker 1>to and be like, Yo, I ain't gonna lie. We

1:18:48.360 --> 1:18:50.120
<v Speaker 1>just thought you'all was gonna turn us down on the tape,

1:18:50.160 --> 1:18:51.600
<v Speaker 1>so we just did it without y'all, you know what

1:18:51.640 --> 1:18:53.880
<v Speaker 1>I mean. Damn, I don't know if I ever told you.

1:18:53.960 --> 1:18:56.400
<v Speaker 1>I just just random people. I ran into like, Bro,

1:18:56.840 --> 1:18:58.439
<v Speaker 1>I just didn't think about it asking. I just thought

1:18:58.479 --> 1:19:00.720
<v Speaker 1>it was shot in the dark. It was on you

1:19:00.880 --> 1:19:03.400
<v Speaker 1>wasn't gonna listen because there's so many people that used

1:19:03.400 --> 1:19:05.400
<v Speaker 1>to hit us on my space, like of course, you

1:19:05.439 --> 1:19:07.400
<v Speaker 1>know I still here to this day about some of

1:19:07.479 --> 1:19:09.280
<v Speaker 1>these producers. They'd be like, Bro, I used to hit

1:19:09.360 --> 1:19:12.880
<v Speaker 1>you on my space. Here you ain't respond. Boy used

1:19:12.920 --> 1:19:15.920
<v Speaker 1>to send me packs every day in one day. You know.

1:19:16.000 --> 1:19:18.760
<v Speaker 1>It's just so many people and I think that's what

1:19:18.920 --> 1:19:21.519
<v Speaker 1>happened a lot of that times, like damn, no DJ version.

1:19:21.600 --> 1:19:24.000
<v Speaker 1>It's like a lot of people just ain't ain't saying ass.

1:19:24.200 --> 1:19:27.280
<v Speaker 1>But you still to this day people will tell you

1:19:27.439 --> 1:19:30.040
<v Speaker 1>that it's just not the same. It's not the same.

1:19:30.439 --> 1:19:35.040
<v Speaker 1>It's not the same, man, for sure. Yeah. Can what

1:19:35.040 --> 1:19:37.720
<v Speaker 1>do you I mean on the production side, what are

1:19:37.760 --> 1:19:39.760
<v Speaker 1>you work like, do you have any shit come like

1:19:39.960 --> 1:19:42.160
<v Speaker 1>coming soon or like I know you're working with everybody,

1:19:42.240 --> 1:19:45.880
<v Speaker 1>so yeah, I mean it's crazy as twenty twenty was. Man,

1:19:46.160 --> 1:19:49.559
<v Speaker 1>I was twenty five placements in just quietly had crazy.

1:19:50.680 --> 1:19:53.120
<v Speaker 1>I really had, you know about thirty. But there's something

1:19:53.160 --> 1:19:56.040
<v Speaker 1>that didn't go across, you know, right right right. It's

1:19:56.160 --> 1:19:59.160
<v Speaker 1>just that's quiet because they say the new producer gets

1:19:59.240 --> 1:20:02.920
<v Speaker 1>three placements year, and I'm forty one still getting twenty

1:20:03.000 --> 1:20:05.880
<v Speaker 1>five to thirty. It's crazy, so I'm happy for that.

1:20:06.080 --> 1:20:08.280
<v Speaker 1>You know, this year is probably gonna be even better

1:20:08.320 --> 1:20:10.080
<v Speaker 1>because last year I set my goal to make five

1:20:10.160 --> 1:20:12.840
<v Speaker 1>hundred beats in one year, and I normally don't work

1:20:12.920 --> 1:20:15.719
<v Speaker 1>that hard, and I did it, so I have tons

1:20:15.720 --> 1:20:18.240
<v Speaker 1>of leftovers. If you're watching this, you're gonna get tapping.

1:20:18.960 --> 1:20:20.920
<v Speaker 1>I send your pack. I mean you just said you

1:20:21.280 --> 1:20:24.240
<v Speaker 1>you are. You've seen Killer Mike. You've been working with

1:20:24.360 --> 1:20:26.880
<v Speaker 1>him on the load, really and I think you heard

1:20:27.439 --> 1:20:30.760
<v Speaker 1>yeah telling me yeah, yeah. So I've been working with him.

1:20:30.800 --> 1:20:33.200
<v Speaker 1>We've been talking on the phone two hours about everything,

1:20:33.240 --> 1:20:37.200
<v Speaker 1>and then the last thirty minutes will be like, yo, music,

1:20:37.600 --> 1:20:39.840
<v Speaker 1>I got bars. I'm gonna show you the pad because

1:20:39.840 --> 1:20:41.760
<v Speaker 1>a lot of times we've been me and Killing Mike

1:20:41.800 --> 1:20:44.040
<v Speaker 1>been trying to work since two thousand and eight and

1:20:44.120 --> 1:20:46.000
<v Speaker 1>it just never worked. But it wasn't like this is

1:20:46.040 --> 1:20:50.000
<v Speaker 1>your first time, get absolutely shit, but he's always Yo's crazy.

1:20:50.200 --> 1:20:52.160
<v Speaker 1>When you sit down for five minutes, sit me some beats,

1:20:52.200 --> 1:20:54.320
<v Speaker 1>and I would send them beats. Even through running jewels.

1:20:54.360 --> 1:20:56.280
<v Speaker 1>It was like he would take. He's like, Yo, I'm

1:20:56.320 --> 1:20:57.880
<v Speaker 1>gonna do to run the Jewels. When I get off

1:20:57.920 --> 1:20:59.880
<v Speaker 1>of my own, I do it. So this is one

1:21:00.040 --> 1:21:03.080
<v Speaker 1>and I'm like pet Peef projects that I'm like, Okay,

1:21:03.520 --> 1:21:05.880
<v Speaker 1>finally about to do something. But the record that he

1:21:06.000 --> 1:21:07.720
<v Speaker 1>just sent me, he didn't tell me. He just sent

1:21:07.760 --> 1:21:09.840
<v Speaker 1>it to me. He didn't say a word. I was like, Oh,

1:21:10.479 --> 1:21:13.519
<v Speaker 1>Okayne's probably the one I heard. Yeah, what was fire about?

1:21:13.560 --> 1:21:15.599
<v Speaker 1>Cannon too? And the production is like the same way

1:21:15.680 --> 1:21:20.720
<v Speaker 1>we navigate, just kind of like errors and genres. He

1:21:20.840 --> 1:21:24.519
<v Speaker 1>does on the production side too, Like he's in with

1:21:24.800 --> 1:21:27.479
<v Speaker 1>you know, generational artists as well as new niggas and

1:21:27.960 --> 1:21:31.640
<v Speaker 1>you know, like young niggas coming ups like Cannon can

1:21:31.960 --> 1:21:34.080
<v Speaker 1>can play in a lot of you know what I mean. Yeah,

1:21:34.120 --> 1:21:38.400
<v Speaker 1>it's true. It's just dropped the mixtape. I'm on that.

1:21:39.600 --> 1:21:43.080
<v Speaker 1>It's just so much, you know, but production is yeah, herbo.

1:21:43.439 --> 1:21:47.080
<v Speaker 1>I'm just trying to really, my my next wave is

1:21:47.160 --> 1:21:50.120
<v Speaker 1>SETI Hendricks really because I want to I know what

1:21:50.280 --> 1:21:53.840
<v Speaker 1>he him, Yeah, I had to. I had to just

1:21:53.960 --> 1:21:56.960
<v Speaker 1>chop myself off. I was. People were saying I was

1:21:57.040 --> 1:21:59.519
<v Speaker 1>using a bad word with him, but I called him

1:21:59.560 --> 1:22:03.120
<v Speaker 1>the trap art Kelly because he has like trap antics,

1:22:03.160 --> 1:22:06.519
<v Speaker 1>not because he's pissing on women. He has bro his

1:22:06.720 --> 1:22:10.360
<v Speaker 1>melodies retarded and he could do so much and it's

1:22:10.439 --> 1:22:13.800
<v Speaker 1>like bro. It reminded me with some like woman's threat,

1:22:13.960 --> 1:22:16.960
<v Speaker 1>like R. Kelly joints and like some of them joints,

1:22:16.960 --> 1:22:19.000
<v Speaker 1>and I was like, yo, he need like pain, but

1:22:19.120 --> 1:22:21.360
<v Speaker 1>on that level pain Like he talking as shit, but

1:22:21.800 --> 1:22:24.840
<v Speaker 1>it's like woman's threat. You know what I'm saying, real shit.

1:22:24.960 --> 1:22:27.800
<v Speaker 1>And I think that once I let him get off

1:22:27.840 --> 1:22:29.360
<v Speaker 1>what he got to get off now just to be

1:22:29.439 --> 1:22:31.559
<v Speaker 1>in the street, I'm just going to jump into like Okay,

1:22:31.840 --> 1:22:33.680
<v Speaker 1>I tried it once we had Hands Down, which was

1:22:33.720 --> 1:22:36.920
<v Speaker 1>a dope ass record and it did well for people.

1:22:36.960 --> 1:22:38.920
<v Speaker 1>But I want to just kind of bring him into

1:22:39.000 --> 1:22:41.920
<v Speaker 1>where he could see like, oh shit, now I'm cooking

1:22:42.000 --> 1:22:46.559
<v Speaker 1>with gas. So that you mentioned Seddy run down before

1:22:46.600 --> 1:22:49.040
<v Speaker 1>we wrap up, Like you guys have a full roster,

1:22:49.280 --> 1:22:51.760
<v Speaker 1>so kind of you know what's what's next, who's next,

1:22:51.840 --> 1:22:54.760
<v Speaker 1>and you know, give everybody kind of a rundown on

1:22:54.880 --> 1:22:58.320
<v Speaker 1>what's next for the label. I mean, jack off to

1:22:58.400 --> 1:23:01.719
<v Speaker 1>a wonderful will start, you know what I mean. Uzzi's

1:23:01.760 --> 1:23:04.240
<v Speaker 1>off to a great start. I'm pretty sure he's ready

1:23:04.280 --> 1:23:08.839
<v Speaker 1>to drop this year SETI is. He's moving through situation

1:23:08.960 --> 1:23:10.880
<v Speaker 1>where we got a new video to new videos. It's

1:23:10.880 --> 1:23:13.400
<v Speaker 1>about to drop. That's gonna be crazy. But still working

1:23:13.439 --> 1:23:17.840
<v Speaker 1>on the projects. And we also got a Calluminati, which

1:23:17.960 --> 1:23:21.320
<v Speaker 1>is a fan favorite on TikTok and all them just

1:23:21.520 --> 1:23:24.960
<v Speaker 1>been a fan favorite. Saprio new success. She's been in

1:23:25.040 --> 1:23:29.080
<v Speaker 1>this space for about four years. Carvina Jones is R

1:23:29.120 --> 1:23:31.880
<v Speaker 1>and B artist. We we tapped into that. I think

1:23:31.960 --> 1:23:35.760
<v Speaker 1>that secretly we've always did a different a lot of music.

1:23:36.000 --> 1:23:38.120
<v Speaker 1>I started off my first mixtape, Drawn with Selling was

1:23:38.120 --> 1:23:40.760
<v Speaker 1>an R and B mixtape. Blake's always been in the

1:23:40.840 --> 1:23:42.479
<v Speaker 1>R and B world. He knows that, like the back

1:23:42.479 --> 1:23:45.480
<v Speaker 1>of his head has always been in. It was relaxation

1:23:46.360 --> 1:23:50.120
<v Speaker 1>tapes and just different things. And I think that we're

1:23:50.160 --> 1:23:53.120
<v Speaker 1>gonna bust open a whole nother space when we get

1:23:53.160 --> 1:23:57.800
<v Speaker 1>her going. She's a special, great talent, and those are

1:23:57.880 --> 1:24:01.320
<v Speaker 1>things I was focus focusing with. But I think mostly

1:24:02.160 --> 1:24:06.160
<v Speaker 1>the SETTI kind of the next Yeah, I just feel it,

1:24:06.240 --> 1:24:08.400
<v Speaker 1>you know how you feel something, I feel I feel

1:24:08.400 --> 1:24:10.400
<v Speaker 1>the energy to feel it. I feel it. It's just

1:24:10.479 --> 1:24:13.439
<v Speaker 1>going one connection and then everybody's gonna be like, yo,

1:24:14.640 --> 1:24:18.160
<v Speaker 1>you know, take that one record, that's it. Yeah. So

1:24:18.880 --> 1:24:20.639
<v Speaker 1>all right, well well look I appreciate y'all sitting down

1:24:20.680 --> 1:24:24.320
<v Speaker 1>with me. Absolutely appreciate you coming out. Man. I love

1:24:24.600 --> 1:24:27.640
<v Speaker 1>the studio and you guys are killing the man so

1:24:27.800 --> 1:24:32.840
<v Speaker 1>fun fact, the room we're in now, What's Popping was

1:24:32.880 --> 1:24:37.000
<v Speaker 1>made in here. It was probably the first record that

1:24:37.200 --> 1:24:41.360
<v Speaker 1>was made in this building, in the New Generation Now building,

1:24:41.760 --> 1:24:46.280
<v Speaker 1>which we built this building because of the success of

1:24:46.320 --> 1:24:50.559
<v Speaker 1>a little Uzian Generation Now from starting in main streets. Wow.

1:24:50.840 --> 1:24:55.400
<v Speaker 1>Well that's how it goes. Special room in here. I

1:24:55.439 --> 1:24:57.519
<v Speaker 1>saw those guys man shout to the whole roster, shot

1:24:57.600 --> 1:24:59.400
<v Speaker 1>to Uzzy, and I just want to shout out Jack

1:24:59.439 --> 1:25:03.840
<v Speaker 1>Harbor for keeping Caucasian humor alive, because he'd be saying,

1:25:03.880 --> 1:25:06.760
<v Speaker 1>ship bro, it's like none other dude. No, but it's

1:25:06.840 --> 1:25:10.080
<v Speaker 1>like it's me white boy humor. Yeah, white boy. I

1:25:10.200 --> 1:25:12.680
<v Speaker 1>always tell him, I'm like, bro, these these motherfuckers don't

1:25:12.680 --> 1:25:15.720
<v Speaker 1>get white boar humor. Just I'm money made. Need like

1:25:15.800 --> 1:25:19.599
<v Speaker 1>an hour board to hear your white boy humor. Yeah,

1:25:21.240 --> 1:25:25.840
<v Speaker 1>it's suspect as fun, it's not yours. Yeah, okay, yeah, yeah,

1:25:26.120 --> 1:25:28.400
<v Speaker 1>guys can get away with murder. Oh yeah, I don't

1:25:28.400 --> 1:25:34.439
<v Speaker 1>even want to ship. Yea, absolutely, it's Will Farrell. You

1:25:34.520 --> 1:25:36.040
<v Speaker 1>know what I mean. Put that in our group chat

1:25:36.120 --> 1:25:39.400
<v Speaker 1>in me, dude. These guys curved the ship out of them.

1:25:39.600 --> 1:25:43.720
<v Speaker 1>These guys hate my guts. Anyway, listen, you guys, I'm

1:25:43.760 --> 1:25:46.400
<v Speaker 1>looking forward to your year on the producer side drama.

1:25:46.760 --> 1:25:48.360
<v Speaker 1>I know, was it last year you put out the

1:25:48.400 --> 1:25:51.880
<v Speaker 1>record West Side Gun? Was it was it? It was

1:25:51.960 --> 1:25:54.400
<v Speaker 1>that year? It was last year we got something more

1:25:54.479 --> 1:25:57.559
<v Speaker 1>drama drama. Yeah, I got I got some ship coming.

1:25:57.760 --> 1:26:01.400
<v Speaker 1>All right, we'll listen. Look and you know like you're

1:26:01.880 --> 1:26:05.040
<v Speaker 1>I don't have anything coming. Yes, he does. Money. Money's

1:26:05.040 --> 1:26:07.360
<v Speaker 1>got all the money. He has all the money, the

1:26:07.439 --> 1:26:11.160
<v Speaker 1>money money. And he's also the founder of the Paul

1:26:11.240 --> 1:26:17.160
<v Speaker 1>George fanclub. O. He loves PG thirteen can ball, Yes

1:26:17.240 --> 1:26:20.360
<v Speaker 1>he can ball. You don't. PG don't hate me, but

1:26:20.520 --> 1:26:23.599
<v Speaker 1>you know what I mean, we have arguments about this ig.

1:26:23.760 --> 1:26:26.760
<v Speaker 1>You can ball, bro all right there it is perfect, man,