WEBVTT - INTERVIEW 3: David J. Halperin

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<v Speaker 1>Strange Arrivals is a production of I Heart three D

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<v Speaker 1>audio for full exposure listen with headphones. In November of

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<v Speaker 1>last year, I spoke to David Halpern, who taught in

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<v Speaker 1>the Religious Studies department at the University of North Carolina

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<v Speaker 1>until he retired in two thousand. We talked about his

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<v Speaker 1>book The Intimate Alien, which pushes aside the believer skeptic

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<v Speaker 1>dichotomy to propose a new framework from which to view

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<v Speaker 1>the UFO question. The question is not what are they

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<v Speaker 1>or where did they come from? The question is what

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<v Speaker 1>do they mean? My name is David J. Halper Right.

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<v Speaker 1>I was a teenage UFO investigator back in the nineties sixties,

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<v Speaker 1>and I grew up to become a professor of religious studies.

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<v Speaker 1>For twenty four years, I taught judaic studies in the

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<v Speaker 1>Department of Religious Studies that the University of North Carolina

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<v Speaker 1>at Chapel Hill. My areas of special interest were religious

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<v Speaker 1>traditions of heavenly ascensions and other worldly journeys, which I

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<v Speaker 1>think I realized even while I was studying them were

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<v Speaker 1>my teenage uphology. In a more respectable guise that, as

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<v Speaker 1>I describe in my book Intimate Alien The Hidden Story

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<v Speaker 1>of the UFO. At the age of twelve going on thirteen,

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<v Speaker 1>I became utterly convinced that UFOs were real and that

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<v Speaker 1>it was my destiny to solve the mystery of what

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<v Speaker 1>they were and what they what they meant for us.

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<v Speaker 1>And gradually, as I went off to college, I let

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<v Speaker 1>go of the belief but the UFO. If I let

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<v Speaker 1>go of the UFOs, they never let go of me,

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<v Speaker 1>and I remained. Really I was quite aware of this,

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<v Speaker 1>captivated by what I would now call the UFO mythology

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<v Speaker 1>and it's intersections with certain more ancient traditional mythologies. And eventually,

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<v Speaker 1>in the course of my academic career, I published lots

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<v Speaker 1>of articles and five books on Jewish Messianism and mysticism,

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<v Speaker 1>and I also published a coming of age novel, Journal

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<v Speaker 1>of a UFO Investigator, and in Intimate Alien, I turn

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<v Speaker 1>around and look at what the UFOs meant to me,

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<v Speaker 1>how they've been a leading thread through my own mental life,

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<v Speaker 1>and it worked out moved out from there to what

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<v Speaker 1>they mean for our culture, for the people who believe

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<v Speaker 1>in them, and for the people who disbelieve in them

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<v Speaker 1>but often seem just as emotionally engaged with them as

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<v Speaker 1>the believers. What's the thesis of your book. You can

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<v Speaker 1>talk about that a little bit. Yeah, let's put let's

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<v Speaker 1>put it in a nutshell. UFOs are a myth. But

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<v Speaker 1>when I say that, I don't mean what many of

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<v Speaker 1>your listeners may think. I mean. Nowadays we use myth

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<v Speaker 1>often to mean bunk or nonsense or something that's not true,

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<v Speaker 1>which is not how I use the word at all.

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<v Speaker 1>I use it in a much more Youngian sense as

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<v Speaker 1>a kind of collective dream of our culture and perhaps

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<v Speaker 1>even of our species that come that that comes bearing

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<v Speaker 1>meanings and a truth for us that needs to be recognized.

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<v Speaker 1>So when I say UFOs are a myth, I'm I'm

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<v Speaker 1>saying the very opposite of calling them bunk. I'm saying

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<v Speaker 1>they're vitally important. Attention must be paid. Can you talk

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<v Speaker 1>a little bit about Young and what his sort of

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<v Speaker 1>take on the UFO phenomenon was. Yes, which is interesting

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<v Speaker 1>because he was never quite clear what his take was.

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<v Speaker 1>He The last book he published before his death, which

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<v Speaker 1>came out in German Inn and then in English in

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<v Speaker 1>nineteen fifty nine, was called in the English translation, Flying Saucers,

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<v Speaker 1>a modern myth of things seen in the skies, and

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<v Speaker 1>I would reiterate that when Young said this is a

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<v Speaker 1>modern myth, it doesn't mean oh, it's nothing, you just

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<v Speaker 1>forget about it. It is Wow, we got to pay attention.

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<v Speaker 1>We've got a myth growing among us, ladies and gentlemen. Now,

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<v Speaker 1>in that book he discussed the meanings that the UFOs

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<v Speaker 1>have for people, so there were chapters on UFOs in art,

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<v Speaker 1>UFOs in dreams. He was actually much more interested in

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<v Speaker 1>that than in nuts and both sightings, because he wanted

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<v Speaker 1>to know what the UFO as a projection of what's

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<v Speaker 1>going on inside us means to us. But he finally

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<v Speaker 1>he had to confront the question is it possible that,

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<v Speaker 1>in addition to being psychic projections, which he said, that's definite,

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<v Speaker 1>that they might be physical realities because it's not too

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<v Speaker 1>clear how psychic projections would appear on radar or how

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<v Speaker 1>there could be photographs taken of them. So in the

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<v Speaker 1>last chapter of his book he waffled back and forth,

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<v Speaker 1>and throughout the late fifties he continued to waffle. Charles Lindbergh,

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<v Speaker 1>the Aviator, told a story of going to visit Young

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<v Speaker 1>in Switzerland and expecting to have all sorts of fascinating

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<v Speaker 1>conversations about the psychological meanings of UFOs. And you just said, no,

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<v Speaker 1>they're really up there. And then Lindbergh said, you know what,

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<v Speaker 1>wait a minute, I I talked to General Spats. He said, Slim,

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<v Speaker 1>don't you think that if there was something flying around

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<v Speaker 1>up there, we know about it by now. And Young said,

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<v Speaker 1>there are many things in heaven and Earth that you,

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<v Speaker 1>in general Spats don't know about. So so I mean,

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<v Speaker 1>I mean, we don't have Young's version of that encounter.

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<v Speaker 1>We just have Lindbergh's. But he came away completely non

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<v Speaker 1>plus that he was he was talking to her a

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<v Speaker 1>real uf HO believer, and yet at other times Young

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<v Speaker 1>seems to have denied it. So we don't really know

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<v Speaker 1>where he stood all that question, but where he stood

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<v Speaker 1>on what UFOs can mean to us that he didn't waffle.

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<v Speaker 1>The circular shape of the UFO, he said, was the

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<v Speaker 1>Mandola an archetype. And I suppose we have to talk

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<v Speaker 1>about what an archetype is that conveys wholeness, the unification

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<v Speaker 1>of opposites, That it appears in all different cultures, all

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<v Speaker 1>different religions, It appears spontaneously in people's dreams. And here's

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<v Speaker 1>something I would say that Young did not say that

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<v Speaker 1>it's not too easy to see why a flying disc

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<v Speaker 1>is an aerodynamically workable kind of craft. So if you

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<v Speaker 1>want to imagine the UFO is a real space vehicle

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<v Speaker 1>that gets a little bit hard, but as a mandola

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<v Speaker 1>that comes from inside us and that we project into

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<v Speaker 1>the sky, it makes perfect sense. Now I use the

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<v Speaker 1>word archetype, and I have to clarify that for Young,

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<v Speaker 1>we are hardwired to organize our thoughts as human beings

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<v Speaker 1>in certain universal patterns, which is what he called archetypes.

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<v Speaker 1>And these will crop up spontaneously in one culture after

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<v Speaker 1>another and go through the whole list I gave before

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<v Speaker 1>one religion after another. People will come to the analysts

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<v Speaker 1>having dreamed of their archetypes and so forth. So that

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<v Speaker 1>that was Young's approach, and I have to tell you

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<v Speaker 1>I first read it what I was twelve years old,

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<v Speaker 1>and of course I didn't have the slightest idea what

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<v Speaker 1>it was about. There were three books on flying saucers

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<v Speaker 1>in our library. One of them was Young's, another one

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<v Speaker 1>was Grave Markers. They knew too much about flying saucers,

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<v Speaker 1>which I hope you will ask me about. The third

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<v Speaker 1>was Frank Scully's Behind the Flying Saucers, which we may

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<v Speaker 1>want to touch on also. And I read all three

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<v Speaker 1>of them and I couldn't make head or tail out

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<v Speaker 1>of out of Young Generally, I don't suppose most twelve

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<v Speaker 1>year olds could, but it would have helped if I'd

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<v Speaker 1>had somebody to plain to me that when Young spoke

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<v Speaker 1>of a modern myth, he wasn't putting UFOs down. So

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<v Speaker 1>why don't you talk about Gray Barker Gray Barker. Okay,

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<v Speaker 1>let us talk not about Gray Barker at first, but

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<v Speaker 1>about Dave Alberin twelve years old. He's working on an

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<v Speaker 1>extra credit science paper which I don't think I ever wrote,

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<v Speaker 1>and it was going to be on life on other Planets,

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<v Speaker 1>and I figured, well, why not talk a bit about

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<v Speaker 1>flying have a chapter on flying saucers. So I went

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<v Speaker 1>to the Public Library of Levittown, Pennsylvania, and I uh looked,

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<v Speaker 1>looked in what some of your listeners will remember, others

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<v Speaker 1>won't know what I'm talking about, a card catalog, and

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<v Speaker 1>found the three books that I've early ever mentioned, uh,

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<v Speaker 1>took them out, went home and started reading Gray Barker,

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<v Speaker 1>and pretty soon I wanted to hide under the bed.

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<v Speaker 1>I was so scared. Barker's book. We'll talk a bit

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<v Speaker 1>more about who Barker was, but his book was published

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<v Speaker 1>in nineteen fifty six. It starts out with the Flatwoods Monster,

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<v Speaker 1>which some of your listeners may recall, is the entity

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<v Speaker 1>seven ft tall with a glowing green face that landed

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<v Speaker 1>on September twelfth, nineteen fifty two, on a hilltop in

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<v Speaker 1>West Virginia, was said to have looked worse than Frankenstein

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<v Speaker 1>as long as I lived, at one of the witnesses,

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<v Speaker 1>I wish I'd never seen it. I mean, I was

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<v Speaker 1>pretty spooked out by That goes on to talk about

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<v Speaker 1>the Shaver mystery, which we might might want to talk about,

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<v Speaker 1>but the the focus of the book is an incident

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<v Speaker 1>in Autumn three in which a Bridgeport, Connecticut UFO researcher

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<v Speaker 1>named Albert K. Bender is visited by three men in

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<v Speaker 1>black suits who terrorized him into stopping his UFO researchers.

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<v Speaker 1>That is the germ of the I don't know whether

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<v Speaker 1>to call it a myth or a legend. I was

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<v Speaker 1>sort of waiver there of the men in black which

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<v Speaker 1>forty years after Barker's book came out, made it to

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<v Speaker 1>Hollywood in the form of the movie Men in Black,

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<v Speaker 1>which we can talk about also. I read this book,

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<v Speaker 1>I was frightened. I was also energized because the book

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<v Speaker 1>challenged the reader to do what Bender did that somehow

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<v Speaker 1>or another, Bender was able two solve the riddle of

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<v Speaker 1>the Flying Saucers on the basis of the data available

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<v Speaker 1>to it. And you or I, says Barker, might do

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<v Speaker 1>that too. Let's work together. Send me your ideas, and

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<v Speaker 1>we'll see if we can discover what the Flying Saucers

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<v Speaker 1>are and who the Men in Black are. Now Here

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<v Speaker 1>I come to, I think a crucial point, because you

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<v Speaker 1>and your listen ners may wonder why, even at the

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<v Speaker 1>age of twelve, did I believe such fantastic stories. And

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<v Speaker 1>the answer is that I knew they were not fantastic.

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<v Speaker 1>I had personal experience with the Men in Black. I

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<v Speaker 1>knew them at firsthand. In my house, there was a

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<v Speaker 1>terrible secret, and that was that my mother was not

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<v Speaker 1>merely a semi invalid with a hard condition, as we

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<v Speaker 1>thought of her, or at least I thought of her.

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<v Speaker 1>I think my father knew better, but that she was

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<v Speaker 1>slowly dying. I didn't know this, but I didn't know.

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<v Speaker 1>I knew it, and it could not be talked about.

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<v Speaker 1>So I had personal acquaintance with a secret too terrible

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<v Speaker 1>to be revealed, and the inhibiting forces that kept it

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<v Speaker 1>from being revealed. Barker spoke in the language of myth.

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<v Speaker 1>He spoke the truth that I knew. It was only

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<v Speaker 1>many years later that I knew that Barker was also

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<v Speaker 1>speaking the truth that he knew. Barker was gay, and

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<v Speaker 1>the life of a gay man in nineteen fifties West

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<v Speaker 1>Virginia would have to have been a continued exercise in concealment,

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<v Speaker 1>in not letting out the secret that could destroy his

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<v Speaker 1>world if it was known. What I am saying is

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<v Speaker 1>that Barker, using the language of myth, using age old

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<v Speaker 1>images like the Man in Black and we can talk

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<v Speaker 1>more about that, conveyed the truth of what was happening

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<v Speaker 1>with him with an authenticity that spoke to what was

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<v Speaker 1>happening in me. The Bible says deep calleth unto deep,

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<v Speaker 1>And as I envision it looking back, Barker's deep unconscious

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<v Speaker 1>called to my deep unconscious, and I could not doubt.

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<v Speaker 1>I therefore believed in the men in black and because

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<v Speaker 1>their existence in terms of the myth would make no

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<v Speaker 1>sense unless the flying saucers were real. I believed in

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<v Speaker 1>flying saucers. He said, maybe we could talk more about

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<v Speaker 1>the men in black and in the movie. Yeah, okay,

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<v Speaker 1>I think let me let me first say who who?

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<v Speaker 1>Who I thought the men in black were, because I

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<v Speaker 1>believe Bender was actually was visited by three men. And

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<v Speaker 1>what's interesting is Bender didn't say or they wore black.

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<v Speaker 1>He said they wore black hats and dark suits. Barker

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<v Speaker 1>changed that ever so slightly, two black suits. And here

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<v Speaker 1>I will say that Barker the curator of the Barker

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<v Speaker 1>Collection in Clarksburg, West Virginia, which is a wonderful place

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<v Speaker 1>to visit. The data's name is David houch In. He

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<v Speaker 1>said at one point that Gray Barker has written one

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<v Speaker 1>of the Gospels. And I think he's absolutely right. And

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<v Speaker 1>because I mean, in my my my studies of the Gospels,

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<v Speaker 1>which I've done as a religious studies professor, I've seen

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<v Speaker 1>how the gospel writers took earlier traditions, reshaped them, slightly

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<v Speaker 1>changed emphasis, interpreted them through juxtaposition with one another, and

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<v Speaker 1>came out with something new. And Barker did precisely that.

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<v Speaker 1>I mean, as a twelve year old, if someone had

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<v Speaker 1>come to me and said, you know, how do you

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<v Speaker 1>know any of this crap is true? How do you

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<v Speaker 1>know Barker didn't make it up? Well, by the time

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<v Speaker 1>I was, I was in my twenties, I knew very

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<v Speaker 1>well that he hadn't made hard to any of it.

0:19:55.119 --> 0:19:58.359
<v Speaker 1>I mean, the Flatwoods Monster, you know that that that

0:19:58.520 --> 0:20:02.960
<v Speaker 1>incident really happened. I mean, I think probably what happened

0:20:03.000 --> 0:20:06.440
<v Speaker 1>was there was a barn owl flying out of the darkness,

0:20:06.480 --> 0:20:10.679
<v Speaker 1>said a group of jittery witnesses were just seen an

0:20:10.720 --> 0:20:14.920
<v Speaker 1>unusually bright meteor which they thought was a was a UFO.

0:20:15.080 --> 0:20:18.600
<v Speaker 1>But but Barker didn't make it up at all. He

0:20:18.600 --> 0:20:21.840
<v Speaker 1>he he gave the results of what even his critics

0:20:21.880 --> 0:20:25.880
<v Speaker 1>have admitted was an excellent investigation of it. And when

0:20:25.920 --> 0:20:29.440
<v Speaker 1>he said that Albert Bender was visited by three men,

0:20:29.560 --> 0:20:33.640
<v Speaker 1>or that he quoted Bender as describing that, I think

0:20:33.680 --> 0:20:37.720
<v Speaker 1>he was absolutely right, and I think we have to

0:20:38.359 --> 0:20:41.720
<v Speaker 1>make sense of it in terms of the historical context.

0:20:42.400 --> 0:20:49.359
<v Speaker 1>This was nineteen fifty three. UH Senator Joseph McCarthy was

0:20:49.400 --> 0:20:53.760
<v Speaker 1>at the height of his power and influence. UH J

0:20:54.000 --> 0:21:00.720
<v Speaker 1>Edgar Hoover's FBI was almost single mindedly devoted of ferreting

0:21:00.720 --> 0:21:05.479
<v Speaker 1>out the communists, those masters of deceit who wore a

0:21:05.520 --> 0:21:09.879
<v Speaker 1>thousand disguises, And they got ahold of a business card.

0:21:09.960 --> 0:21:13.520
<v Speaker 1>I'm not making this up. This is from Barker's book,

0:21:13.760 --> 0:21:17.520
<v Speaker 1>A Business Card for vendors organization which was the I

0:21:17.920 --> 0:21:24.240
<v Speaker 1>F s B, the International Flying Saucer Bureau. And they

0:21:24.280 --> 0:21:29.560
<v Speaker 1>saw the word international, and the alarm bells started ringing

0:21:30.520 --> 0:21:35.680
<v Speaker 1>that this was a communist front organization and they needed

0:21:36.240 --> 0:21:40.679
<v Speaker 1>to shut it down, which they succeeded in doing. But

0:21:40.880 --> 0:21:47.320
<v Speaker 1>in the course of that created or gave a new

0:21:47.400 --> 0:21:54.240
<v Speaker 1>incarnation to an age old myth of sinister figures in black,

0:21:54.880 --> 0:21:59.760
<v Speaker 1>who I think, at bottom our embodiments of death. Barker

0:22:00.280 --> 0:22:05.919
<v Speaker 1>entertained a number of hypotheses about who the men in

0:22:06.040 --> 0:22:09.800
<v Speaker 1>black might be, and our Reiterator's book came out in

0:22:09.920 --> 0:22:18.240
<v Speaker 1>nineteen fifties six, and he considered the possibility that the

0:22:18.280 --> 0:22:22.640
<v Speaker 1>men in black might be government agents, and if that

0:22:22.800 --> 0:22:26.240
<v Speaker 1>was the case, that put him in a somewhat ambiguous

0:22:26.280 --> 0:22:31.520
<v Speaker 1>situation which is hard to envision. Now we have to

0:22:31.560 --> 0:22:37.000
<v Speaker 1>go back to nineteen fifty six, in which, according to polls,

0:22:37.160 --> 0:22:42.560
<v Speaker 1>an overwhelming majority of the American public trusted the government

0:22:43.240 --> 0:22:50.720
<v Speaker 1>two always or usually do what was right. So if

0:22:50.760 --> 0:22:55.320
<v Speaker 1>the men in Black were the villains suppressing the truth

0:22:55.400 --> 0:23:00.639
<v Speaker 1>about the UFOs, and the men in Black were government agents,

0:23:01.680 --> 0:23:05.320
<v Speaker 1>you would expect the next step to be to villainize

0:23:05.359 --> 0:23:09.879
<v Speaker 1>the government. But Barker refused to do that. He said,

0:23:10.040 --> 0:23:15.280
<v Speaker 1>surely the government would know better than a sorcery researchers

0:23:15.440 --> 0:23:19.360
<v Speaker 1>what was the good of the country. And at one

0:23:19.400 --> 0:23:23.960
<v Speaker 1>point Bender reports that he was told by his visitors,

0:23:24.080 --> 0:23:28.080
<v Speaker 1>you're on your honor as an American not to say anything.

0:23:28.520 --> 0:23:33.840
<v Speaker 1>And Barker and everyone else who was concerned, of all

0:23:33.880 --> 0:23:37.040
<v Speaker 1>the other people from the I F. S B who

0:23:37.160 --> 0:23:40.200
<v Speaker 1>desperately wanted to know what had happened with Bender, they

0:23:40.320 --> 0:23:45.440
<v Speaker 1>all took for granted that that is a binding commitment

0:23:45.920 --> 0:23:49.000
<v Speaker 1>that if you're on your oath as an American, you

0:23:49.160 --> 0:23:54.720
<v Speaker 1>better keep what you promised. So that was the situation

0:23:54.880 --> 0:24:00.520
<v Speaker 1>in fifty six. Then came Vietnam, then came to gain

0:24:02.480 --> 0:24:06.600
<v Speaker 1>and now I think it's something like of the public

0:24:07.000 --> 0:24:12.240
<v Speaker 1>trust the government to do what's right, and so the

0:24:12.400 --> 0:24:21.040
<v Speaker 1>men in Black are woven into a nefarious government conspiracy

0:24:21.200 --> 0:24:25.960
<v Speaker 1>to suppress the truth. And then to the movie, which

0:24:26.200 --> 0:24:29.080
<v Speaker 1>I was quite honestly looking forward to it a little

0:24:29.080 --> 0:24:32.960
<v Speaker 1>disappointed when I saw the form that it came out in,

0:24:33.359 --> 0:24:37.200
<v Speaker 1>which how does that fit into all this? The movie

0:24:37.280 --> 0:24:40.800
<v Speaker 1>is very interesting because in a way it's an answer

0:24:41.400 --> 0:24:44.640
<v Speaker 1>to the most popular are one of the most popular

0:24:44.760 --> 0:24:48.400
<v Speaker 1>TV series at the time, which is The X Files.

0:24:48.440 --> 0:24:53.320
<v Speaker 1>In The X Files, Molder and Scully fight and sort

0:24:53.359 --> 0:24:58.720
<v Speaker 1>of an eternal battle, neither side can gain total victory

0:24:58.880 --> 0:25:03.000
<v Speaker 1>against the forces of secrecy and suppression. They don't wear

0:25:03.080 --> 0:25:05.879
<v Speaker 1>black because when you think about it, you know, so

0:25:06.040 --> 0:25:09.040
<v Speaker 1>if you know the motto of the X Files is

0:25:09.080 --> 0:25:13.800
<v Speaker 1>don't trust anybody, And if the sinister suppressors of the

0:25:13.840 --> 0:25:18.040
<v Speaker 1>Truth where uniforms identifying saying hey, we're sinister suppressors of

0:25:18.119 --> 0:25:21.800
<v Speaker 1>the truth, then you know you are. You automatically know

0:25:21.840 --> 0:25:24.880
<v Speaker 1>who you're dealing with. So there's no place for it there.

0:25:25.119 --> 0:25:27.800
<v Speaker 1>But the essential point is that there is there. There

0:25:27.840 --> 0:25:32.679
<v Speaker 1>are these shadowy agencies that fill the role of the

0:25:32.760 --> 0:25:36.280
<v Speaker 1>Men in Black, and they are the villains, the investigators

0:25:36.280 --> 0:25:38.919
<v Speaker 1>of the heroes. Now you go to the Men in

0:25:39.000 --> 0:25:44.880
<v Speaker 1>Black movies and it flips the evaluation around. I've got

0:25:44.920 --> 0:25:50.760
<v Speaker 1>the credit Professor Barnar Donovan, an expert on film and communications,

0:25:50.800 --> 0:25:55.120
<v Speaker 1>for making that point. The men in Black, they may

0:25:55.400 --> 0:26:02.960
<v Speaker 1>use unpleasant tactics, but they're doing it all for our good.

0:26:04.440 --> 0:26:08.359
<v Speaker 1>Where is it We may seem imposing, but believe me,

0:26:08.520 --> 0:26:12.080
<v Speaker 1>if we appear in your section, believe me, it's for

0:26:12.240 --> 0:26:17.320
<v Speaker 1>your protection. And they not only suppress us from knowing

0:26:17.400 --> 0:26:21.920
<v Speaker 1>the truth, but also they prevent us from remembering it.

0:26:22.800 --> 0:26:25.840
<v Speaker 1>What is it? Uh? Well, what was that? What? What's

0:26:25.880 --> 0:26:31.919
<v Speaker 1>their machine called the neuralizer or something like that. Vivid,

0:26:32.800 --> 0:26:39.439
<v Speaker 1>vivid memories become fantasies. And here there's the influence of

0:26:39.520 --> 0:26:46.560
<v Speaker 1>another stream of tradition, the alien abduction tradition, which depends

0:26:46.640 --> 0:26:52.040
<v Speaker 1>on the suppression of memory. So here we've got a

0:26:52.280 --> 0:26:56.760
<v Speaker 1>spinoff from Barker, but looking at it from the point

0:26:56.760 --> 0:27:01.360
<v Speaker 1>of view of what if the men in Black are

0:27:01.480 --> 0:27:05.080
<v Speaker 1>the heroes? I mean, after old Barker himself said the

0:27:05.200 --> 0:27:09.280
<v Speaker 1>government would know better what's for our good? And the

0:27:09.359 --> 0:27:32.440
<v Speaker 1>men in black no better? What's for our good? Can

0:27:32.480 --> 0:27:35.520
<v Speaker 1>you talk about alien abductions? Since you since you brought

0:27:35.520 --> 0:27:38.320
<v Speaker 1>it up. That was the focus of the first season

0:27:38.359 --> 0:27:40.520
<v Speaker 1>of Strange Arrival, starting with Betty and Barney Hill and

0:27:40.800 --> 0:27:44.480
<v Speaker 1>focusing on them, but eventually getting to you know, the whole.

0:27:44.520 --> 0:27:49.600
<v Speaker 1>Bud Hopkins, Dave Jacobs, John mac Weirdness starting with Betty

0:27:49.680 --> 0:27:52.920
<v Speaker 1>and Barney Hill is our watchword, right because that's where

0:27:52.960 --> 0:27:59.520
<v Speaker 1>the abduction tradition begins, or it begins in its modern form.

0:27:59.720 --> 0:28:02.160
<v Speaker 1>Because one of the things I stressed in my book

0:28:03.359 --> 0:28:08.320
<v Speaker 1>is that all these mythic themes have both a history

0:28:08.400 --> 0:28:16.399
<v Speaker 1>and a prehistory. The history of abduction starts in February

0:28:16.920 --> 0:28:21.159
<v Speaker 1>on Bay Street Road in the Bay State Road in Boston,

0:28:22.000 --> 0:28:26.800
<v Speaker 1>in the office of a psychiatrist named Benjamin Simon, where

0:28:26.920 --> 0:28:32.320
<v Speaker 1>an interracial couple Betty and Barney Hill, have come to

0:28:32.560 --> 0:28:40.760
<v Speaker 1>explore what seems to be something that they can't quite

0:28:40.800 --> 0:28:47.480
<v Speaker 1>remember about their encounter with a UFO in the White

0:28:47.520 --> 0:28:51.160
<v Speaker 1>Mountains of New Hampshire about two and a half years

0:28:51.160 --> 0:28:58.520
<v Speaker 1>earlier September. Simon puts them under hypnosis. He is an

0:28:58.520 --> 0:29:05.080
<v Speaker 1>expert in therapeutic hypnosis, and unlike many of his successor

0:29:05.160 --> 0:29:10.640
<v Speaker 1>hypnotist he could not care less about UFOs. He doesn't

0:29:10.680 --> 0:29:14.280
<v Speaker 1>believe in them, he's not interested in them. All he's

0:29:14.320 --> 0:29:20.080
<v Speaker 1>interested in is dealing with what are really some fairly

0:29:20.160 --> 0:29:24.240
<v Speaker 1>dangerous symptoms in Barney Hill, he has high blood pressure,

0:29:24.240 --> 0:29:27.360
<v Speaker 1>he as ulcers. He also has one that's not particularly

0:29:27.520 --> 0:29:31.160
<v Speaker 1>dangerous but is very weird, a ring of warts that

0:29:31.200 --> 0:29:36.160
<v Speaker 1>have appeared in a perfect circle around his groin. And

0:29:37.440 --> 0:29:41.320
<v Speaker 1>from the almost the first time Barney, who has put

0:29:41.440 --> 0:29:48.719
<v Speaker 1>under hypnosis, he remembers being to him and Betty being

0:29:48.920 --> 0:29:55.240
<v Speaker 1>taken aboard this alien ship, laid on tables and subjected

0:29:55.320 --> 0:30:02.720
<v Speaker 1>to all sorts of bizarre examinations and ordeals, which include,

0:30:02.760 --> 0:30:07.480
<v Speaker 1>for Barney, a cup being put over his groin. The

0:30:07.520 --> 0:30:11.880
<v Speaker 1>cup's traces turn out to be the warts. Now, what's

0:30:12.160 --> 0:30:15.720
<v Speaker 1>happened here? One thing? Most of your listeners will probably

0:30:15.800 --> 0:30:18.880
<v Speaker 1>know this, but we are. But Betty and Barney Hill

0:30:19.240 --> 0:30:24.040
<v Speaker 1>were an interracial couple. Betty was white, Barney was black.

0:30:24.840 --> 0:30:28.320
<v Speaker 1>And you know, granted, this is New Hampshire and not

0:30:28.520 --> 0:30:33.840
<v Speaker 1>Mississippi where six years earlier Emmett till Was was lynched

0:30:34.520 --> 0:30:40.560
<v Speaker 1>for supposedly making suggestive remarks to a white woman. They

0:30:40.680 --> 0:30:46.480
<v Speaker 1>are both plenty nervous, particularly Barney, about how they're being

0:30:46.560 --> 0:30:52.720
<v Speaker 1>together is going to be accepted in their travels. Now,

0:30:52.840 --> 0:30:58.080
<v Speaker 1>whatever is coming up in Barney terrifies him beyond measure

0:30:59.040 --> 0:31:03.320
<v Speaker 1>that saw Himan later said that I was afraid he

0:31:03.400 --> 0:31:08.360
<v Speaker 1>was going to throw himself out the window to escape

0:31:08.440 --> 0:31:15.680
<v Speaker 1>whatever he was experiencing. And for me, I am I

0:31:16.280 --> 0:31:20.840
<v Speaker 1>have to deal with what what to me are two

0:31:21.960 --> 0:31:27.280
<v Speaker 1>contradictory facts. One is that they never encountered the UFO.

0:31:28.960 --> 0:31:32.160
<v Speaker 1>The light that supposedly followed them through the mountains has

0:31:32.200 --> 0:31:37.520
<v Speaker 1>been identified, I think convincingly as a light in an

0:31:37.560 --> 0:31:40.600
<v Speaker 1>observation tower on top of one of the mountains, which

0:31:41.000 --> 0:31:44.280
<v Speaker 1>seemed to move as there against the sky as their

0:31:44.320 --> 0:31:49.920
<v Speaker 1>car moved. That's datum number one and datam number two.

0:31:50.600 --> 0:31:56.720
<v Speaker 1>Something authentic and powerful was emerging from within Barney that

0:31:56.800 --> 0:32:02.240
<v Speaker 1>had been triggered by that experience it and this, I

0:32:02.240 --> 0:32:05.720
<v Speaker 1>would have to say, I consider the most controversial part

0:32:05.760 --> 0:32:09.400
<v Speaker 1>of my book. I think that what was emerging was

0:32:09.560 --> 0:32:16.280
<v Speaker 1>a collective memory of being abducted in Africa into slavery,

0:32:17.640 --> 0:32:23.520
<v Speaker 1>being abducted in the middle of the night, taken to

0:32:23.720 --> 0:32:34.720
<v Speaker 1>an alien ship, and subjected two strange examinations. And I

0:32:34.800 --> 0:32:43.360
<v Speaker 1>think this is what shaped the abduction tradition in this country.

0:32:43.400 --> 0:32:48.640
<v Speaker 1>That the story of Betty and Barney Hill, which received

0:32:48.720 --> 0:32:54.600
<v Speaker 1>great circulation in nineteen six six with the publication of

0:32:54.720 --> 0:33:00.520
<v Speaker 1>Two Look magazine articles on it that it planted seed

0:33:02.040 --> 0:33:06.280
<v Speaker 1>in the collective psyche of our nation, and then in

0:33:06.360 --> 0:33:12.680
<v Speaker 1>the late eighties the nineties it bore that seed, bore

0:33:12.880 --> 0:33:19.720
<v Speaker 1>fantastic bloom. And that's when we deal with amateur hypnotists

0:33:19.960 --> 0:33:27.560
<v Speaker 1>like Bud Hopkins, whose goal is not therapeutic but investigative.

0:33:29.320 --> 0:33:33.000
<v Speaker 1>So how do you take a look at that era

0:33:33.640 --> 0:33:40.080
<v Speaker 1>of abduction research, because you know, but but Hopkins, you know,

0:33:40.400 --> 0:33:45.520
<v Speaker 1>he clearly wasn't concerned with this collective memory of of

0:33:45.520 --> 0:33:51.240
<v Speaker 1>of um, of slavery or anything like that. I talk

0:33:51.280 --> 0:33:54.160
<v Speaker 1>a little bit in in season one of the podcasts

0:33:54.160 --> 0:34:00.120
<v Speaker 1>about you know, being a humanist and seeing through the

0:34:00.160 --> 0:34:05.720
<v Speaker 1>technology encroachment and as potentially a threat to a person

0:34:05.760 --> 0:34:08.560
<v Speaker 1>who's a modern artist and and lives a sort of

0:34:08.680 --> 0:34:12.680
<v Speaker 1>bohemian lifestyle. And that what he comes up with in

0:34:12.760 --> 0:34:15.480
<v Speaker 1>his interviews and his writings and stuff is this very

0:34:15.520 --> 0:34:22.200
<v Speaker 1>sort of cold, technocratic invader that doesn't have seemingly any

0:34:22.280 --> 0:34:24.640
<v Speaker 1>kind of culture to them. Right, It's just like this

0:34:24.800 --> 0:34:30.919
<v Speaker 1>very sterile lab doing these sort of inscrutable and sort

0:34:30.960 --> 0:34:34.920
<v Speaker 1>of violating experiments on them where you don't really you

0:34:34.960 --> 0:34:37.480
<v Speaker 1>know that you have no control over it. But I'm

0:34:37.520 --> 0:34:41.680
<v Speaker 1>interested in what in how you kind of take a

0:34:41.680 --> 0:34:44.560
<v Speaker 1>look at this well, I mean, the first thing that

0:34:44.640 --> 0:34:47.120
<v Speaker 1>comes to mind is that must have been how the

0:34:47.200 --> 0:34:54.160
<v Speaker 1>abductees in eighteenth century Africa felt being scrutinized there. And

0:34:54.200 --> 0:34:59.520
<v Speaker 1>by the way, Betty Betty Hill remembers that the space

0:34:59.560 --> 0:35:04.480
<v Speaker 1>ali the UFO beings are very puzzled that her teeth

0:35:04.520 --> 0:35:08.560
<v Speaker 1>don't come out whereas barneys do, which seems rather absurd

0:35:08.600 --> 0:35:12.040
<v Speaker 1>for space aliens. But it is no longer quite as

0:35:12.080 --> 0:35:16.080
<v Speaker 1>absurd when we remember that slave traders were advised listen,

0:35:16.360 --> 0:35:19.520
<v Speaker 1>you have to be sure to check people's their potential

0:35:19.560 --> 0:35:23.920
<v Speaker 1>purchases teeth, that is a that way you can know

0:35:24.200 --> 0:35:27.080
<v Speaker 1>for sure how old they are. Yes, so I think

0:35:27.160 --> 0:35:31.640
<v Speaker 1>that that is part of what was injected by the

0:35:31.760 --> 0:35:34.719
<v Speaker 1>Hills experience. But it seems to me that each of

0:35:34.760 --> 0:35:43.360
<v Speaker 1>the uphologious slash therapists, they's hypnotists, had their own theology

0:35:43.480 --> 0:35:47.200
<v Speaker 1>I would even call call it to defend, which they

0:35:47.719 --> 0:35:53.840
<v Speaker 1>did through I think implanting some ideas, not all of

0:35:53.880 --> 0:35:58.600
<v Speaker 1>them in the people they hypnotized. And I mean, I

0:35:58.600 --> 0:36:01.160
<v Speaker 1>don't know, are you referring to your interview with Carol

0:36:02.040 --> 0:36:05.359
<v Speaker 1>Carol Rainey, Yeah, that that was a lot. I mean,

0:36:05.400 --> 0:36:08.279
<v Speaker 1>I did other research, but I thought it was Did

0:36:08.280 --> 0:36:10.239
<v Speaker 1>you listen to that? Yeah, I listened to that. I

0:36:10.280 --> 0:36:13.160
<v Speaker 1>was quite fascinated because I'd never known that Hopkins was

0:36:13.160 --> 0:36:18.200
<v Speaker 1>an atheist, and here we find it's the same thing

0:36:18.200 --> 0:36:22.040
<v Speaker 1>that I wrote in my book about Richard Shaver, that

0:36:22.160 --> 0:36:27.439
<v Speaker 1>he was an atheist who created this incredible baroque mythology

0:36:27.520 --> 0:36:34.920
<v Speaker 1>of uncanny beings of near infinite powers, as if there's

0:36:35.640 --> 0:36:41.480
<v Speaker 1>a demon god who rules the universe. I would wonder

0:36:42.120 --> 0:36:45.200
<v Speaker 1>what there was in but Bud Hopkins which led him

0:36:45.200 --> 0:36:48.759
<v Speaker 1>in that direction. Now, his colleague John Mac went in

0:36:48.800 --> 0:36:54.080
<v Speaker 1>a very different direction. For Mac, when he could, he

0:36:54.120 --> 0:36:58.759
<v Speaker 1>would say, yes, they It's true the abductors used rather

0:36:59.000 --> 0:37:05.279
<v Speaker 1>rough methods, but their aim is to redeem us. And

0:37:05.360 --> 0:37:09.200
<v Speaker 1>in Mac's case, I think what we are dealing with

0:37:09.280 --> 0:37:16.240
<v Speaker 1>here is a resurgence of his hunger for spirituality after

0:37:16.400 --> 0:37:22.000
<v Speaker 1>having grown up in an aggressively anti religious household, and

0:37:22.520 --> 0:37:26.719
<v Speaker 1>he will see the Ufo beings as leading us two

0:37:27.640 --> 0:37:36.120
<v Speaker 1>a better future in which the mandola Ufo brings together.

0:37:36.280 --> 0:37:41.600
<v Speaker 1>I think of the linemen Beethoven's Ninth Symphony, that your

0:37:41.840 --> 0:37:47.040
<v Speaker 1>magic binds together. What custom has strictly divided, and that's

0:37:47.080 --> 0:37:52.640
<v Speaker 1>what the UFO will do, and that's what his uf

0:37:53.040 --> 0:37:58.680
<v Speaker 1>his UFO of doctors do, So I think that way,

0:37:58.719 --> 0:38:03.880
<v Speaker 1>I think we can see the individual idiosyncrasies of these

0:38:04.000 --> 0:38:07.640
<v Speaker 1>uh ufologists playing it out. And by the way, we've

0:38:07.640 --> 0:38:10.840
<v Speaker 1>not mentioned a key name here, which is Whitley, Strieber

0:38:11.640 --> 0:38:13.520
<v Speaker 1>and we Hana. And perhaps at some point we are

0:38:13.600 --> 0:38:17.560
<v Speaker 1>to talk about Streeber's Communion and what his best seller

0:38:17.680 --> 0:38:22.279
<v Speaker 1>Communion and what that contributed. But I need to say

0:38:22.320 --> 0:38:30.759
<v Speaker 1>here that the spread of the abduction tradition reflects broader

0:38:30.960 --> 0:38:39.360
<v Speaker 1>trends in our culture. That it's a form of uphology

0:38:39.719 --> 0:38:44.360
<v Speaker 1>that was ideal for the culture that came into being

0:38:44.440 --> 0:38:50.319
<v Speaker 1>really in the eighties, in which the therapist's office, which

0:38:50.360 --> 0:38:54.360
<v Speaker 1>had once been regarded as faintly ridiculous, just think of Peanuts,

0:38:54.440 --> 0:39:00.080
<v Speaker 1>Lucy with her psychiatric help five cents lemonades stand the

0:39:00.080 --> 0:39:04.799
<v Speaker 1>the therapist office was a place where you came to

0:39:04.840 --> 0:39:10.040
<v Speaker 1>know the truth, and the truth set you free. You

0:39:10.080 --> 0:39:17.080
<v Speaker 1>can detect, though, somewhat before the riseing wave and then

0:39:17.120 --> 0:39:23.600
<v Speaker 1>it's fall of the alien abduction beliefs, a similar rise

0:39:23.840 --> 0:39:28.239
<v Speaker 1>and fall of another related set of beliefs and that

0:39:28.440 --> 0:39:34.520
<v Speaker 1>is the belief in repressed memories of sexual abuse, which

0:39:34.560 --> 0:39:42.960
<v Speaker 1>are recoverable as UFO abductions are through hypnosis. Now, remember

0:39:43.000 --> 0:39:48.720
<v Speaker 1>Carol Rainey mentioned satanic abuse, which I think is also

0:39:48.960 --> 0:39:53.239
<v Speaker 1>part of this complex. But the idea what I called

0:39:53.280 --> 0:39:59.160
<v Speaker 1>in my book the unremembered, that there is something crucial

0:39:59.719 --> 0:40:04.440
<v Speaker 1>that is forgotten is not a strong enough word for it.

0:40:04.440 --> 0:40:11.560
<v Speaker 1>It is the unremembered, and then retrieving the unremembered is

0:40:11.600 --> 0:40:20.359
<v Speaker 1>the way you recover the essential truth about yourself. Memories

0:40:20.440 --> 0:40:26.879
<v Speaker 1>of sexual abuse had their vogue, then they fell from

0:40:27.000 --> 0:40:32.840
<v Speaker 1>favor very rapidly, and I would say in some measure unjustly,

0:40:34.800 --> 0:40:38.759
<v Speaker 1>because I think there was a lot more truth in

0:40:38.840 --> 0:40:43.400
<v Speaker 1>the belief of repressed memories of abuse then most people

0:40:43.440 --> 0:40:49.720
<v Speaker 1>are willing to credit. Now m and there they're discrediting.

0:40:52.160 --> 0:40:58.880
<v Speaker 1>Helped bring the alien abduction tradition into discredit, which is

0:40:58.960 --> 0:41:02.879
<v Speaker 1>why by the end of the nineteen nineties we hear

0:41:03.080 --> 0:41:08.960
<v Speaker 1>very little about it. Well, let's let's go back just

0:41:09.000 --> 0:41:13.480
<v Speaker 1>a little bit. When you mentioned with Lee strieber Um,

0:41:13.560 --> 0:41:16.120
<v Speaker 1>who is not somebody I know very much about. What's

0:41:16.120 --> 0:41:19.880
<v Speaker 1>interesting about him, Well, he's an extraordinary man. To begin with,

0:41:20.040 --> 0:41:26.120
<v Speaker 1>I mean is extremely creative. I have met him. He

0:41:26.320 --> 0:41:32.480
<v Speaker 1>impressed me as as as deeply sincere and also extremely intelligent.

0:41:33.040 --> 0:41:39.399
<v Speaker 1>Let's start with his book Communion, which was published at

0:41:39.520 --> 0:41:46.640
<v Speaker 1>in January of seven. It's you. You've seen the book,

0:41:47.120 --> 0:41:51.480
<v Speaker 1>or have you? And you know the cover? Yes, the book.

0:41:51.840 --> 0:41:54.080
<v Speaker 1>The book. I often when I read it, I cannot

0:41:54.120 --> 0:41:56.759
<v Speaker 1>remember much from it. After I've read it. The cover

0:41:56.920 --> 0:41:59.880
<v Speaker 1>is unforgettable. This is the face that we all know

0:42:00.040 --> 0:42:04.239
<v Speaker 1>by now, the face of the UFO alien, or, if

0:42:04.239 --> 0:42:09.040
<v Speaker 1>you want to be more strict about it, the gray

0:42:09.040 --> 0:42:13.799
<v Speaker 1>which totally pervades our culture. It's hard to realize that

0:42:14.000 --> 0:42:20.800
<v Speaker 1>before we had no conscious knowledge of that phase. It

0:42:21.200 --> 0:42:25.680
<v Speaker 1>erupted into our awareness with the publication of Streeper's book,

0:42:26.320 --> 0:42:32.480
<v Speaker 1>and with that, Streaber's book erupted into best sellered them.

0:42:32.480 --> 0:42:35.560
<v Speaker 1>It was on the New York Times best seller list

0:42:36.080 --> 0:42:40.720
<v Speaker 1>for some fantastic period of time, I think at least

0:42:40.719 --> 0:42:45.680
<v Speaker 1>six months. The book focuses on an episode in the

0:42:45.760 --> 0:42:52.120
<v Speaker 1>December and which Streaber was abducted from his bedroom by

0:42:53.640 --> 0:42:57.600
<v Speaker 1>a group of strange beings like the one depicted on

0:42:57.680 --> 0:43:03.399
<v Speaker 1>the cover, whom he sees as went essentially feminine. There

0:43:03.480 --> 0:43:09.240
<v Speaker 1>is a very strong erotic overtone in Streber's experiences, which

0:43:09.320 --> 0:43:16.200
<v Speaker 1>comes to characterize the nineties abduction story. At first, Streaber

0:43:16.280 --> 0:43:21.120
<v Speaker 1>couldn't remember what had happened to him, Then spontaneously the

0:43:21.239 --> 0:43:26.319
<v Speaker 1>memories recurred to him. Then he underwent hypnosis by an

0:43:26.400 --> 0:43:35.279
<v Speaker 1>acknowledged psychiatric expert in therapeutic hypnosis, doctor Donald Klein, who

0:43:36.000 --> 0:43:38.719
<v Speaker 1>produced more detail. But I don't, in my opinion, not

0:43:38.800 --> 0:43:43.040
<v Speaker 1>a great deal of clarity. But what is really extraordinary

0:43:43.080 --> 0:43:46.279
<v Speaker 1>about the book was what I call the recognition response.

0:43:46.880 --> 0:43:53.560
<v Speaker 1>That people looked at that cover and they said, I

0:43:53.840 --> 0:44:02.320
<v Speaker 1>recognize this phase. I've seen it before, and I'd forgotten

0:44:02.360 --> 0:44:07.920
<v Speaker 1>I saw it, but now I remember. Streeber claims to

0:44:08.000 --> 0:44:15.480
<v Speaker 1>have received tens of thousands of letters describing such experiences.

0:44:15.520 --> 0:44:20.720
<v Speaker 1>I do not question that assertion. The letters are now

0:44:20.880 --> 0:44:28.239
<v Speaker 1>archived at Rice University. I have not seen them myself. Way,

0:44:28.280 --> 0:44:32.719
<v Speaker 1>if whenever we get beyond COVID, I may decide to

0:44:32.800 --> 0:44:36.480
<v Speaker 1>take a trip out to Houston to take a to

0:44:36.640 --> 0:44:40.680
<v Speaker 1>take a look at them. Because what this suggests to

0:44:40.760 --> 0:44:44.120
<v Speaker 1>me is, and here we're coming back to our old

0:44:44.239 --> 0:44:51.920
<v Speaker 1>friend Dr Jung that that face that was painted by

0:44:51.960 --> 0:44:58.640
<v Speaker 1>an artist named Ted Jacobs at Strieber's direction was something

0:44:59.040 --> 0:45:04.799
<v Speaker 1>archetypal that, as I put it in my book, when

0:45:04.800 --> 0:45:09.319
<v Speaker 1>the human mind looks into the darkness, this is the

0:45:09.440 --> 0:45:14.600
<v Speaker 1>face that sees staring back. And I will tell you

0:45:14.640 --> 0:45:19.160
<v Speaker 1>one more thing, one more story of recognition. I gave

0:45:19.200 --> 0:45:24.279
<v Speaker 1>a lecture at U n C Greensborough, Uh, and I

0:45:24.320 --> 0:45:31.520
<v Speaker 1>think I think it was about UFOs and I showed

0:45:32.120 --> 0:45:36.399
<v Speaker 1>a power point slide of that phase. About two years later,

0:45:36.440 --> 0:45:39.160
<v Speaker 1>a friend of mine, an old friend who teaches at

0:45:39.239 --> 0:45:43.120
<v Speaker 1>U n C gree g wrote to me saying, didn't

0:45:43.120 --> 0:45:46.640
<v Speaker 1>you show an alien face two years ago? Well, I

0:45:46.719 --> 0:45:51.719
<v Speaker 1>came across something very similar in Maria gam Buddhas's book

0:45:52.160 --> 0:45:56.960
<v Speaker 1>on the Gods and Goddesses of Old Europe, and wow,

0:45:58.400 --> 0:46:03.000
<v Speaker 1>he was absolutely right. This is a sculpture of a

0:46:03.560 --> 0:46:08.560
<v Speaker 1>of a masked individual dating back to something like four

0:46:08.640 --> 0:46:16.759
<v Speaker 1>thousand BC, which looks not identical with the cover of Communion,

0:46:17.600 --> 0:46:23.120
<v Speaker 1>but very similar to it. So here's where we get

0:46:23.160 --> 0:46:29.680
<v Speaker 1>into that supplementing of the history of a mythic theme

0:46:30.400 --> 0:46:36.400
<v Speaker 1>with its prehistory, in this case genuine prehistory going back

0:46:36.440 --> 0:46:43.839
<v Speaker 1>to Kossovo, where that sculpture was found in something like

0:46:43.960 --> 0:46:48.960
<v Speaker 1>six thousand years ago. Yeah, the picture in the book

0:46:49.040 --> 0:46:56.040
<v Speaker 1>is striking. Oh yeah, oh yeah. Um So I definitely

0:46:56.120 --> 0:47:02.560
<v Speaker 1>wanted to get to talk about Roswell because that's that's

0:47:02.600 --> 0:47:07.520
<v Speaker 1>how this this season begins. Um. And you that that's

0:47:07.520 --> 0:47:11.799
<v Speaker 1>how you that's sort of the closing section for the

0:47:11.840 --> 0:47:15.120
<v Speaker 1>most part of your book. Um, so maybe you can

0:47:15.160 --> 0:47:21.560
<v Speaker 1>talk about that and your your understanding of that. Okay, welcome.

0:47:21.800 --> 0:47:25.759
<v Speaker 1>First of all, I will state the negative. I do

0:47:25.840 --> 0:47:34.359
<v Speaker 1>not believe a spaceship crashed. I do not believe there

0:47:34.560 --> 0:47:39.400
<v Speaker 1>was any government cover up of the reality of the

0:47:39.480 --> 0:47:47.080
<v Speaker 1>crash spaceship. I do believe the Roswell myth is of

0:47:47.239 --> 0:47:57.080
<v Speaker 1>pivotal importance, precisely because once it began to circulate in Now,

0:47:57.120 --> 0:48:04.160
<v Speaker 1>the event of Roswell was for but until no one

0:48:04.320 --> 0:48:10.160
<v Speaker 1>ever mentioned the bodies of aliens being found in connection

0:48:10.280 --> 0:48:15.719
<v Speaker 1>with it. It was in that got started, and that

0:48:15.840 --> 0:48:21.279
<v Speaker 1>has become the most familiar of all the UFO stories.

0:48:22.320 --> 0:48:26.279
<v Speaker 1>I mean, practically everyone you ask in this culture has

0:48:26.400 --> 0:48:30.440
<v Speaker 1>at least has heard of Roswell. And by the way,

0:48:30.480 --> 0:48:34.960
<v Speaker 1>I thought you used an extremely good criterion for the

0:48:35.000 --> 0:48:40.080
<v Speaker 1>prevalence of something in the culture, which is if are

0:48:40.200 --> 0:48:48.080
<v Speaker 1>jokes about it comprehensible and jokes about Roswell are comprehensible.

0:48:49.280 --> 0:48:51.800
<v Speaker 1>I can give examples if that would take too much time.

0:48:52.400 --> 0:48:58.480
<v Speaker 1>And essence of Roswell to me is death, and that,

0:48:58.719 --> 0:49:06.719
<v Speaker 1>to me is the most essential element of the Ufo myth.

0:49:07.760 --> 0:49:12.839
<v Speaker 1>There's no question the mandola that unifies opposites is important.

0:49:14.040 --> 0:49:21.160
<v Speaker 1>All sorts of unconscious themes, I would say, archetypal themes

0:49:21.680 --> 0:49:28.399
<v Speaker 1>are fused in the image of the UFO. But at bottom,

0:49:28.440 --> 0:49:35.200
<v Speaker 1>I think the UFO is death, which is the most

0:49:35.440 --> 0:49:42.880
<v Speaker 1>alien thing we can conceive. We really can't conceive that,

0:49:42.960 --> 0:49:48.319
<v Speaker 1>the most alien thing we can fail to conceive, and

0:49:48.400 --> 0:49:54.920
<v Speaker 1>also the most intimate born with us, bone of our

0:49:55.040 --> 0:49:58.359
<v Speaker 1>bone and flesh of our flesh all the days of

0:49:58.400 --> 0:50:01.120
<v Speaker 1>our life. And this is of course why I call

0:50:01.239 --> 0:50:07.839
<v Speaker 1>my book intimate Alien. Now I can give details, I

0:50:07.840 --> 0:50:12.840
<v Speaker 1>don't know whether you want them about about Roswell. I

0:50:12.880 --> 0:50:18.080
<v Speaker 1>thought particularly talking about the red haired officer and his

0:50:19.080 --> 0:50:22.520
<v Speaker 1>you know, his black companion, I thought was super interesting.

0:50:23.320 --> 0:50:27.640
<v Speaker 1>This is something that it's really that that that we

0:50:27.719 --> 0:50:31.360
<v Speaker 1>need to recognize about UFOs, that there's the mythology about

0:50:31.400 --> 0:50:33.640
<v Speaker 1>them is not limited to the sky. It's really most

0:50:33.680 --> 0:50:36.640
<v Speaker 1>interesting when it's on earth and there are all sorts

0:50:36.640 --> 0:50:41.200
<v Speaker 1>of features of the Roswell myth which makes sense thematically

0:50:41.840 --> 0:50:45.360
<v Speaker 1>in terms of the myth, and one of them is

0:50:45.840 --> 0:50:54.000
<v Speaker 1>that witnesses to the crashed object and it's dead occupants

0:50:54.800 --> 0:50:59.400
<v Speaker 1>are threatened and harassed by a team consisting of a

0:50:59.480 --> 0:51:04.879
<v Speaker 1>red hair officer and a black sergeant, who I think

0:51:04.960 --> 0:51:10.040
<v Speaker 1>our mythological figures this i'd rather speculatively, I will admit

0:51:10.120 --> 0:51:14.520
<v Speaker 1>I saw the red haired officer is going back to

0:51:14.640 --> 0:51:19.520
<v Speaker 1>the ancient Egyptian demon god Seth. Not that there's a

0:51:19.560 --> 0:51:26.840
<v Speaker 1>living tradition of Sethian belief, but that's Seth and the

0:51:26.920 --> 0:51:35.040
<v Speaker 1>red haired officers spring from the same unconscious sources. And similarly,

0:51:35.040 --> 0:51:38.759
<v Speaker 1>a number of stories about Roswell have a team of

0:51:39.000 --> 0:51:46.000
<v Speaker 1>archaeologists at the sight of the crash, and so the

0:51:46.080 --> 0:51:48.680
<v Speaker 1>witness they remember that they're the They were probably for

0:51:48.800 --> 0:51:53.360
<v Speaker 1>some eastern university, probably the University of Pennsylvania. You know

0:51:53.360 --> 0:51:58.680
<v Speaker 1>it sound which sounds very very very mundane, very verifiable,

0:51:58.640 --> 0:52:02.719
<v Speaker 1>except nobody's ever been able to find any archaeologists from

0:52:03.000 --> 0:52:06.040
<v Speaker 1>University of Pennsylvania anywhere else who had anything to do

0:52:06.200 --> 0:52:09.680
<v Speaker 1>with a UFO crash. But when you ask what does

0:52:09.719 --> 0:52:17.600
<v Speaker 1>an archaeologist do, he or she gives voice to the

0:52:17.840 --> 0:52:24.880
<v Speaker 1>silent dead, and I think that's the symbolic function of

0:52:24.960 --> 0:52:32.160
<v Speaker 1>the archaeologists in the roswell Man read the story as

0:52:32.239 --> 0:52:35.040
<v Speaker 1>a myth, and you really want to put it on

0:52:35.080 --> 0:52:39.759
<v Speaker 1>the shelf beside the great mythologies of the world. Is

0:52:39.800 --> 0:52:41.920
<v Speaker 1>there something that we haven't talked about that you think

0:52:42.040 --> 0:52:47.319
<v Speaker 1>is is especially important for people to know. UFOs are

0:52:47.640 --> 0:52:54.920
<v Speaker 1>such a rich subject and such a powerful subject. But

0:52:55.120 --> 0:52:59.239
<v Speaker 1>I think I don't think there's anything that I would

0:52:59.560 --> 0:53:06.600
<v Speaker 1>give vital that we haven't talked about. What would I

0:53:06.640 --> 0:53:10.440
<v Speaker 1>would What would I end up with? I'll end up

0:53:10.440 --> 0:53:16.040
<v Speaker 1>with two quotations. One is from Thomas E. Bullard M

0:53:17.080 --> 0:53:22.719
<v Speaker 1>Well uphologists referred to regularly as Eddie Bullard, who emailed

0:53:22.760 --> 0:53:30.160
<v Speaker 1>me once that if there are indeed extraterrestrial vehicles flying

0:53:30.280 --> 0:53:35.440
<v Speaker 1>around our skies, they are for the most part innocent

0:53:35.600 --> 0:53:44.640
<v Speaker 1>bystanders to our inner psychic conflicts. So that's one watchword

0:53:44.719 --> 0:53:49.040
<v Speaker 1>I would use for understanding the UFO. And the other

0:53:49.320 --> 0:53:55.520
<v Speaker 1>is the old Master Gray Barker, who died died prematurely

0:53:55.640 --> 0:54:02.840
<v Speaker 1>in Gray Barker told a an audience that if you

0:54:02.960 --> 0:54:07.840
<v Speaker 1>go out into the night and you look at the sky,

0:54:08.160 --> 0:54:13.520
<v Speaker 1>and you do not see a UFO, then look inside yourself.

0:54:14.640 --> 0:54:23.239
<v Speaker 1>You will surely see one that's interesting. That's interesting. Well,

0:54:23.280 --> 0:54:26.520
<v Speaker 1>I I really appreciate you taking the time. It's certainly

0:54:26.560 --> 0:54:29.960
<v Speaker 1>a much different way of looking at it that I

0:54:30.000 --> 0:54:32.880
<v Speaker 1>think people are used to, and I hope it encourages

0:54:32.920 --> 0:54:36.560
<v Speaker 1>them too to pick up your book and explore further.

0:54:37.480 --> 0:54:39.840
<v Speaker 1>It's say it same to you, Toby, I'm very grateful

0:54:39.880 --> 0:54:46.520
<v Speaker 1>to you for the opportunity to talk. Strange Arrivals is

0:54:46.520 --> 0:54:49.240
<v Speaker 1>a production of I Heart three D Audio and Grimm

0:54:49.239 --> 0:54:52.279
<v Speaker 1>and Mild from Aaron Mankey. This episode was written and

0:54:52.320 --> 0:54:55.680
<v Speaker 1>hosted by Toby Ball and produced by Miranda Hawkins and

0:54:55.760 --> 0:55:00.279
<v Speaker 1>Josh Thame, with executive producers Alex Williams, Matt Frederick, and

0:55:00.360 --> 0:55:04.800
<v Speaker 1>Aaron Mankie. Learn more about Strange Rivals over at Grimm

0:55:04.800 --> 0:55:08.360
<v Speaker 1>and Mile dot com, and find more podcasts for my

0:55:08.520 --> 0:55:12.480
<v Speaker 1>heart Radio by visiting the I Heart Radio app, Apple Podcasts,

0:55:12.960 --> 0:55:14.720
<v Speaker 1>or wherever you listen to your favorite shows.