WEBVTT - Stephanie Boswell

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<v Speaker 1>When I do live gigs around the country, I'll be

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<v Speaker 1>honest with you. I sell T shirts and swag to

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<v Speaker 1>the folks who are there, and then people always say,

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<v Speaker 1>can we get this swag without sitting through a whole

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<v Speaker 1>evening of you. Well, it's happened. It's finally here. You

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<v Speaker 1>can buy Craig Ferguson Merch on the Craig Ferguson Merch

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<v Speaker 1>website and you can buy it for yourself or someone

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<v Speaker 1>you hate or someone you love. For more information and

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<v Speaker 1>link to the web store, please go to the Craig

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<v Speaker 1>Fergusonshow dot com. That's all lowercase, the Craig Ferguson show

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<v Speaker 1>dot com. My name is Craig Ferguson. The name of

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<v Speaker 1>this podcast is Joy. I talk to interesting people about

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<v Speaker 1>what brings them happiness. Sorry for eating, I'm just finishing

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<v Speaker 1>my Faberja egg because my guest today is Stephanie Boswell,

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<v Speaker 1>who is the creator of one of the most famous

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<v Speaker 1>desserts in the world, the Faberge egg.

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<v Speaker 2>That she's really clear, verty funny, enjoy.

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<v Speaker 1>How have you been you know, kind of okay, just okay, yeah,

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<v Speaker 1>i'd be busy. You basically don't know what happened. I

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<v Speaker 1>started like I didn't work for a while. I don't

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<v Speaker 1>know if you've ever tried this, but like not working, Oh.

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<v Speaker 3>Yeah, I gave it a go. I did not care

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<v Speaker 3>for it. Personally, it sucks.

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<v Speaker 1>It's the worst, Like you don't work and you just

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<v Speaker 1>sit around thinking about things that you're not or scrolling.

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<v Speaker 3>Scrolling.

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<v Speaker 1>Yeah, you a scroller.

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<v Speaker 3>I just recently became a scroller, and I'm going to

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<v Speaker 3>be honest, it's the worst thing that's ever happened to me.

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<v Speaker 1>Or the human race maybe potentially. Yeah, it's awful.

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<v Speaker 3>I've never in my life had trouble sleeping until the

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<v Speaker 3>short format.

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<v Speaker 1>Yeah. Scroll, it's that little magnifying glass on Instagram. People

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<v Speaker 1>listen to this podcast will get get really mad, probably

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<v Speaker 1>because I say this at every episode, and I feel

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<v Speaker 1>like they feel like I'm judging them and I'm not

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<v Speaker 1>judging them, but I don't like it for.

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<v Speaker 3>Myself much judgment.

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<v Speaker 1>I'm a fucking judging man.

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<v Speaker 3>I I and I feel it's sitting here right now.

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<v Speaker 1>You know I'm not judging.

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<v Speaker 3>You're walking looking like a bratstall that might kill you,

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<v Speaker 3>like the chucky version of a brat stall, and the

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<v Speaker 3>judgment no judgment.

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<v Speaker 1>You said you look, I said you look, I said

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<v Speaker 1>you look sensational. You do look like a golf bratstall though.

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<v Speaker 1>I think it's great. It's a fabulous look. You are

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<v Speaker 1>the best pastry chef in the world officially. Is that right?

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<v Speaker 3>Oh my god? No, I am not even close, not

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<v Speaker 3>even close.

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<v Speaker 1>No, it's true because I have I don't know if

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<v Speaker 1>you know this. You know how David Lynch has Best

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<v Speaker 1>Dressed People of the Year. Sure, well, I have my

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<v Speaker 1>own version of that. It's Pastry Chef for the Year.

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<v Speaker 1>And you've won.

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<v Speaker 3>Oh my god, oh my god. Can we cuse some

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<v Speaker 3>kind of music, like a swell of.

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<v Speaker 1>There and then there'll be a prize obviously what.

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<v Speaker 3>Kind of prize? What's the prize? Is there prize money involved?

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<v Speaker 1>Get you get a ham.

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<v Speaker 3>Type of hand?

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<v Speaker 1>Is it?

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<v Speaker 3>Honey baked?

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<v Speaker 1>I don't know. You're the chef? Do you you get

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<v Speaker 1>you get a roll hand?

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<v Speaker 3>You just got to pick. You got pig, you get

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<v Speaker 3>to raise get out.

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<v Speaker 1>You got a pig. You have to raise the peg

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<v Speaker 1>slower the peg, guys, you would name it. Have you

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<v Speaker 1>ever had to do that?

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<v Speaker 3>I have?

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<v Speaker 1>I have see I thought I don't think I could

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<v Speaker 1>be a chef because I think all that like killing

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<v Speaker 1>stuff way you kill stuff.

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<v Speaker 3>I did when I was younger. I used to spend

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<v Speaker 3>time on on a ranch over the summer to build

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<v Speaker 3>a character.

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<v Speaker 1>Right, was it one of these skip straight things and

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<v Speaker 1>you tell something?

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<v Speaker 3>It was? It was Sally Jesse. Raphael actually said me

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<v Speaker 3>there and and yeah, you you kind of you become

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<v Speaker 3>accustomed to the idea of like certain animals you name

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<v Speaker 3>and certain animals you don't. And the ones you name

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<v Speaker 3>like work around the ranch, they have a.

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<v Speaker 1>Job, horses and stuff, horses.

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<v Speaker 3>Dogs, cats, you know, things like that, But thousands of cows.

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<v Speaker 1>No, you don't, don't get named.

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<v Speaker 3>You don't really want to get attached in that iron.

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<v Speaker 1>Well, man, I just I don't think I could do it,

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<v Speaker 1>Like even people who go hunting. I'm like, I don't

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<v Speaker 1>think I could.

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<v Speaker 3>Do it, you know, hunting is I mean, I sort

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<v Speaker 3>of appreciate hunting in that idea of you know, when

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<v Speaker 3>I feel like vegans would sort of appreciate a hunter,

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<v Speaker 3>you know, like I feel like a vegan would go

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<v Speaker 3>you know what depends on the vegan. You took it down, fair,

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<v Speaker 3>fair dudes.

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<v Speaker 1>Well okay, yeah, I mean you took it down with

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<v Speaker 1>what are you an ak forty seven or a knife

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<v Speaker 1>between your teeth?

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<v Speaker 3>You know?

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<v Speaker 1>Is that a fair fight? Or yeah?

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<v Speaker 3>Are you? Are you hunting it with a bow and arrow?

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<v Speaker 3>Or is it is it some sort of like mass.

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<v Speaker 1>Also bone arrow? Like if you have you been all

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<v Speaker 1>bean in Maine and seeing the boat you could the

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<v Speaker 1>bon arrows you can buy, It's like, this is not really,

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<v Speaker 1>this is not Robin Hood we're talking to.

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<v Speaker 3>I haven't, honestly, I've The first time I went to

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<v Speaker 3>Maine was what two years ago? Take and it's absolutely gorgeous.

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<v Speaker 3>I here's here's a fun fact. I am horrible with geography,

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<v Speaker 3>specifically American geography. I didn't realize Maine was part of

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<v Speaker 3>New England.

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<v Speaker 1>What did you think it was?

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<v Speaker 3>I thought it was like kind of up by like

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<v Speaker 3>Canada Canada. Yeah, but I didn't realize that also New

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<v Speaker 3>England was the accent threw me for a bit of

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<v Speaker 3>a loop because it was it was a bit family guy.

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<v Speaker 1>Yeah, and it was definitely a little family guy.

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<v Speaker 4>Yeah.

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<v Speaker 1>That's that said in Rhode Island, doesn't it which is

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<v Speaker 1>near I see where I see the problem. Now I

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<v Speaker 1>see what you're saying. I'm sorry I didn't understand for

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<v Speaker 1>a minute. Now I understand.

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<v Speaker 3>I don't know, but I'm terrible a joke.

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<v Speaker 1>You're the best pasty chef in the world. You won

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<v Speaker 1>the Craig Ferguson Eamed Pastry Chef Challenge.

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<v Speaker 3>And that I am forever great.

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<v Speaker 1>Fu Well you want to that thing you like you

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<v Speaker 1>that made you famous is a pastry cheff? The faberg

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<v Speaker 1>egg thing? Is that made of actual gold?

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<v Speaker 3>Yeah?

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<v Speaker 1>There's real gold in it? Right?

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<v Speaker 3>Yeah?

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<v Speaker 1>How did you make a fact?

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<v Speaker 3>Like?

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<v Speaker 1>Can you give a recipe? O? Can you say this

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<v Speaker 1>is how I do it?

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<v Speaker 5>Or?

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<v Speaker 3>Sure? I mean it's it's more it's more technique than

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<v Speaker 3>anything else. The ingredients would necessarily I.

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<v Speaker 1>Thought, it's like somebody saying, oh, I've got some wheels

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<v Speaker 1>and an engine, go make yourself car. Sure.

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<v Speaker 3>Yeah, it's a little bit like I've got I've got

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<v Speaker 3>metal and rubber. I made a model.

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<v Speaker 1>Tea, right, So but like skill, Yeah, the the.

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<v Speaker 3>Raw ingredients are there for everyone. But yeah, it's basically

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<v Speaker 3>just casting and you know the best ingredients you can find.

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<v Speaker 3>And then at that after that point it becomes sort

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<v Speaker 3>of just how do you manipulate those ingredients to be

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<v Speaker 3>the most beautiful, perfect that you possibly can and.

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<v Speaker 1>They're tasting along the way though. Oh yeah, because I

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<v Speaker 1>mean it's such an an thing to make a fabergy

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<v Speaker 1>egg out of basically, I guess sugar, mostly chocolate, chocolate.

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<v Speaker 1>I just I would just start crying and knee all

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<v Speaker 1>the chocolate. That's that's my technique.

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<v Speaker 3>That's also part of the part of the methodology. Yeah,

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<v Speaker 3>that's a that's a big part of it. Halfway through

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<v Speaker 3>you begin to cry and just eat and just and

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<v Speaker 3>just eat it and then start over.

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<v Speaker 1>And how did you start off being? Like, did you

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<v Speaker 1>like when you were a little girly, like I want

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<v Speaker 1>to be a pastry chef?

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<v Speaker 3>No, no, no, I wanted I mean, well, you know,

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<v Speaker 3>I wanted to be all kinds of things when I

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<v Speaker 3>was really little. I read The Hot Zone when I

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<v Speaker 3>was like twelve. It's a book about ebola, and.

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<v Speaker 1>Oh, you wanted to be a virus.

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<v Speaker 3>I wanted to be. I wanted to grow up to

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<v Speaker 3>be the best virus I could.

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<v Speaker 1>Yeah, we got one.

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<v Speaker 3>I wanted to be an epidemiologist or a virologist.

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<v Speaker 1>That was that was science though it's sciences, it's it's

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<v Speaker 1>sent to it. So you wanted to be Uh, well,

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<v Speaker 1>you into Kate emistry, then you're chemistry, right, so now

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<v Speaker 1>it begins to make sense, it begins to take shit.

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<v Speaker 1>So you're into chemistry because because what you do is

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<v Speaker 1>is really a science. It's a science and an r.

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<v Speaker 3>Yeah, you you definitely have to know, you know, because

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<v Speaker 3>a lot of people say, oh, I'm horrible at baking.

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<v Speaker 3>I'm terrible, I could never get it right, and it

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<v Speaker 3>really does become it's it's sort of it's science, and

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<v Speaker 3>it's also repetition. Right, there's nothing about what chefs do

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<v Speaker 3>that is so spectacular, like as chefs. I feel comfortable

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<v Speaker 3>in saying this. We didn't become chefs because NASA wasn't

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<v Speaker 3>challenging enough. You know, we didn't leave NAS and go,

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<v Speaker 3>you know what, I just want to bake forget rockets, right,

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<v Speaker 3>forget rockets. We need we want to make mattresses, more chocolate,

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<v Speaker 3>more chocolate. So yeah, it's it's really just repetition. It's

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<v Speaker 3>access to ingredients, it's access to different equipment, which nowadays,

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<v Speaker 3>with you know, the Internet, yeah, is extremely accessible to

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<v Speaker 3>almost everyone.

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<v Speaker 1>Are you telling me that it's like practice?

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<v Speaker 3>I think I am.

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<v Speaker 1>It's like a musical instrument or something or like anything analysy,

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<v Speaker 1>you just got to keep doing.

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<v Speaker 3>Right, but do it for a living, and you got it,

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<v Speaker 3>and it's sort of incentive by that to you to

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<v Speaker 3>practice a little bit more.

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<v Speaker 1>Because no one's going to let, you know, a twelve

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<v Speaker 1>year old girl who wants to be a virus coming

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<v Speaker 1>to catch it and make and make desert.

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<v Speaker 3>You'd be surprised.

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<v Speaker 1>There has to be there has to be a journey

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<v Speaker 1>from you know, budding epidemiologist to you know, Fibershire egg

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<v Speaker 1>in Las Vegas. So what so what's the journey from

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<v Speaker 1>there to there?

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<v Speaker 4>Then?

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<v Speaker 1>So you what starts with why did you go off

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<v Speaker 1>your erms?

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<v Speaker 3>Well, it's sort of you know, it's one of those

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<v Speaker 3>uh it's it's the butterfly effect, right, right. So growing

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<v Speaker 3>up I was the youngest in my family. I was

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<v Speaker 3>the only girl, so I got a full attention from

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<v Speaker 3>my mother of you know, like getting the most sort

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<v Speaker 3>of education in the most exposure to different things. So

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<v Speaker 3>every weekend we would go to art museums and it

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<v Speaker 3>was very like it felt sort of like being a

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<v Speaker 3>human project, right, And so I grew up just loving

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<v Speaker 3>science and art and all of that, and then went

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<v Speaker 3>to college.

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<v Speaker 1>And where did you grow up.

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<v Speaker 3>I grew up in the Los Angeles, So.

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<v Speaker 1>So you're going to Mama and you're going to the

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<v Speaker 1>gaddy and going.

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<v Speaker 3>To that me and like one guy named Da Wilson.

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<v Speaker 1>Yeah, you can't read Wilson. The only people I grew

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<v Speaker 1>up here has it.

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<v Speaker 3>Yeah, Mama Lacma was a huge one for me. The

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<v Speaker 3>Librea tar pits. I mean, you want to give a

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<v Speaker 3>kid a great day.

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<v Speaker 1>I have two children I've raised in Los Angeles, and

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<v Speaker 1>I'm familiar with your so called.

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<v Speaker 3>Well no they're not so called.

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<v Speaker 6>They are.

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<v Speaker 3>So cold.

0:10:54.720 --> 0:10:58.080
<v Speaker 1>The Scottish thing just like try and make everything if

0:10:58.080 --> 0:11:02.520
<v Speaker 1>it's and Scotland does tarpets were Yeah.

0:11:03.480 --> 0:11:06.000
<v Speaker 3>But then you go back to Scotland and I'm sure

0:11:06.120 --> 0:11:08.199
<v Speaker 3>people say you sound like Medline Monroe.

0:11:08.480 --> 0:11:11.520
<v Speaker 1>They get very Do people say you said in Scottish

0:11:11.559 --> 0:11:14.720
<v Speaker 1>when you're in Los Angeles? Yes, because you've been to Scotland.

0:11:14.760 --> 0:11:17.440
<v Speaker 1>I saw you there, Yeah, I saw you. You were

0:11:17.480 --> 0:11:19.120
<v Speaker 1>at my house your birthday bush.

0:11:19.600 --> 0:11:19.760
<v Speaker 4>You know.

0:11:20.080 --> 0:11:23.240
<v Speaker 1>By the way, did you get COVID That no, because

0:11:23.280 --> 0:11:24.400
<v Speaker 1>everybody got COVID.

0:11:24.360 --> 0:11:25.120
<v Speaker 3>Now I can't stop.

0:11:27.360 --> 0:11:31.520
<v Speaker 1>Yeah, everybody got like fifty seven people go COVID stood the.

0:11:31.559 --> 0:11:34.400
<v Speaker 3>Most spectacular super spreader I've ever been.

0:11:34.720 --> 0:11:36.280
<v Speaker 1>It was a it was a bit of a super

0:11:36.559 --> 0:11:38.200
<v Speaker 1>It was a banger. It was a banger.

0:11:38.280 --> 0:11:39.000
<v Speaker 4>Yeah, it was.

0:11:39.600 --> 0:11:41.400
<v Speaker 1>It was a lot of COVID.

0:11:41.559 --> 0:11:45.079
<v Speaker 3>I mean, no, I honestly think because we got COVID

0:11:45.320 --> 0:11:48.240
<v Speaker 3>upon returning, and I truly believe it was from the

0:11:48.640 --> 0:11:53.199
<v Speaker 3>because right when we were taking off was when the

0:11:53.280 --> 0:11:56.600
<v Speaker 3>mask mandate lifted. Right, We're sitting in the plane, right,

0:11:57.040 --> 0:12:00.120
<v Speaker 3>and they come over the PA system and say, the

0:12:00.280 --> 0:12:03.719
<v Speaker 3>mask mandate has been lifted. Yeah, if you want to

0:12:03.720 --> 0:12:06.959
<v Speaker 3>take your mask off, take it off, have fun. And

0:12:07.200 --> 0:12:11.480
<v Speaker 3>every literally the plane cheered, clapped and cheered, took their

0:12:11.559 --> 0:12:15.000
<v Speaker 3>masks off. It was a whole whole thing. And then

0:12:15.320 --> 0:12:20.240
<v Speaker 3>we come back and we're standing in line at customs

0:12:20.320 --> 0:12:22.040
<v Speaker 3>to get back into the country, and it is just

0:12:22.200 --> 0:12:22.920
<v Speaker 3>a cattle call.

0:12:23.160 --> 0:12:25.959
<v Speaker 5>Yeah, I mean, just your boxed. I mean, you know

0:12:26.160 --> 0:12:29.320
<v Speaker 5>the global No, you got to get the global area.

0:12:29.360 --> 0:12:31.720
<v Speaker 5>I do now, but at the time I did, that's

0:12:31.760 --> 0:12:34.920
<v Speaker 5>a big difference. Well yeah, I know, well, well you

0:12:34.960 --> 0:12:35.920
<v Speaker 5>were still in al Qaeda.

0:12:37.880 --> 0:12:38.880
<v Speaker 1>You're probably I.

0:12:39.040 --> 0:12:41.400
<v Speaker 3>Was flying the flag, you know. I mean, when you're younger,

0:12:41.480 --> 0:12:44.240
<v Speaker 3>you do things that you regret. You know, you can't

0:12:44.280 --> 0:12:46.719
<v Speaker 3>take them back, you think about it later on and

0:12:46.800 --> 0:12:47.320
<v Speaker 3>you cringe.

0:12:47.480 --> 0:12:49.520
<v Speaker 1>I you know, I have to say I feel for

0:12:49.600 --> 0:12:51.880
<v Speaker 1>the young people right now. All the stupid mistakes that

0:12:51.920 --> 0:12:55.600
<v Speaker 1>they're making, they're all going to be available.

0:12:55.160 --> 0:13:00.599
<v Speaker 3>All documented, all documented. It's crazy, isn't it awful? So bad? Like?

0:13:00.720 --> 0:13:03.640
<v Speaker 3>On one hand, I feel, you know, like I feel

0:13:04.200 --> 0:13:06.240
<v Speaker 3>sort of like, oh, these kids aren't going to have

0:13:06.320 --> 0:13:10.199
<v Speaker 3>any of these embarrassing makeup and hair mistakes that I

0:13:10.360 --> 0:13:12.280
<v Speaker 3>had growing up. Of like, now I look back at

0:13:12.400 --> 0:13:15.320
<v Speaker 3>the way I styled myself when I was a teenager

0:13:15.400 --> 0:13:20.400
<v Speaker 3>in my early twenties and kind of recoil at what

0:13:20.679 --> 0:13:21.520
<v Speaker 3>was happening there.

0:13:21.559 --> 0:13:22.160
<v Speaker 1>Part of life.

0:13:22.400 --> 0:13:24.600
<v Speaker 3>Yeah, they're not going to have that because they've got

0:13:25.080 --> 0:13:27.920
<v Speaker 3>you know, millions of tutorials on how to look beautiful

0:13:28.480 --> 0:13:33.080
<v Speaker 3>at all times. I disagree, Yeah, I disagree. Disagree.

0:13:33.200 --> 0:13:35.240
<v Speaker 1>The only thing I think is because you still, even

0:13:35.360 --> 0:13:37.280
<v Speaker 1>no matter how whale it's applied, you're going to look

0:13:37.320 --> 0:13:40.600
<v Speaker 1>back at it ten years ago. The fuck was I thinking?

0:13:41.240 --> 0:13:43.720
<v Speaker 3>The other thing is it's it's recycling so fast now,

0:13:44.040 --> 0:13:47.000
<v Speaker 3>you know. It's like now now there's there's people on

0:13:47.320 --> 0:13:51.520
<v Speaker 3>you know, there's the YouTubers that do specifically makeup and beauty,

0:13:52.000 --> 0:13:55.800
<v Speaker 3>and they're saying things like twenty sixteen, makeup is back.

0:13:56.640 --> 0:13:57.680
<v Speaker 3>It's like twenty sixteen.

0:13:58.240 --> 0:14:00.599
<v Speaker 1>That's like twenty minutes ago talking about it.

0:14:00.679 --> 0:14:03.160
<v Speaker 3>I just dreamed about Jurassics. What is happening?

0:14:10.840 --> 0:14:15.559
<v Speaker 1>Moms taking you to museums in Los Angeles and you're

0:14:15.600 --> 0:14:18.400
<v Speaker 1>looking at uh, well are you looking at? I guess

0:14:18.800 --> 0:14:22.760
<v Speaker 1>you're looking at everything. It's really eclectic. So from Barbizon,

0:14:22.920 --> 0:14:27.520
<v Speaker 1>French Impressionists all the way up to Warhole, abstract Expressionism,

0:14:27.600 --> 0:14:28.080
<v Speaker 1>all that kind of.

0:14:28.040 --> 0:14:29.520
<v Speaker 3>Suff're looking at all of that everything.

0:14:29.720 --> 0:14:31.840
<v Speaker 1>Can you think cake? And no?

0:14:32.080 --> 0:14:34.920
<v Speaker 3>No, not right away, No, not right away, not right away.

0:14:34.960 --> 0:14:38.120
<v Speaker 3>I thought, I like this, It's fantastic. It's something that,

0:14:38.680 --> 0:14:41.760
<v Speaker 3>you know, I find a lot of joy in spending

0:14:41.800 --> 0:14:45.320
<v Speaker 3>every weekend at a museum or the Huntington or going

0:14:45.360 --> 0:14:47.440
<v Speaker 3>to an opera like it all sort of influenced. And

0:14:47.480 --> 0:14:50.840
<v Speaker 3>then got into college and did you study at college

0:14:51.200 --> 0:14:52.720
<v Speaker 3>art history and chemistry?

0:14:53.240 --> 0:14:55.760
<v Speaker 1>Art history and chemistry? There now it begins to form

0:14:55.800 --> 0:14:57.360
<v Speaker 1>out of the mess right exactly.

0:14:57.960 --> 0:15:00.240
<v Speaker 3>And then I started doing sort of the ment whole

0:15:00.360 --> 0:15:03.680
<v Speaker 3>math of I don't actually want to do any of

0:15:03.800 --> 0:15:07.480
<v Speaker 3>the jobs that a degree in art history or chemistry

0:15:07.560 --> 0:15:10.480
<v Speaker 3>would lead to Okay, you know, I lead to.

0:15:10.520 --> 0:15:12.000
<v Speaker 1>It guys like museum.

0:15:11.680 --> 0:15:16.040
<v Speaker 3>Creator, curator or you know, like lab tech.

0:15:16.160 --> 0:15:21.240
<v Speaker 7>Like I didn't wait, like way down the list, like

0:15:21.520 --> 0:15:26.160
<v Speaker 7>beyond what did you study communications in a way?

0:15:26.440 --> 0:15:29.800
<v Speaker 1>Yeah? I studied in a way. I studied chemistry and communications.

0:15:30.080 --> 0:15:33.680
<v Speaker 1>These were my majors. So you're you're looking at these

0:15:33.720 --> 0:15:36.160
<v Speaker 1>things and none of the things that you're studying leads

0:15:36.160 --> 0:15:38.200
<v Speaker 1>you to the job you want, right And I didn't

0:15:38.240 --> 0:15:38.440
<v Speaker 1>know what.

0:15:38.480 --> 0:15:41.080
<v Speaker 3>I wanted at that point, you know, like I think now,

0:15:41.480 --> 0:15:44.200
<v Speaker 3>you know, as an adult looking back, it's really bizarre

0:15:44.520 --> 0:15:48.280
<v Speaker 3>and almost cruel to say, you're eighteen, what do you

0:15:48.360 --> 0:15:49.160
<v Speaker 3>want to do forever?

0:15:49.400 --> 0:15:50.240
<v Speaker 1>Couldn't agree more?

0:15:50.440 --> 0:15:51.920
<v Speaker 3>What do you want to do for the rest of

0:15:52.000 --> 0:15:55.360
<v Speaker 3>your life? Let me invest one hundred thousand dollars that

0:15:55.480 --> 0:15:58.560
<v Speaker 3>will cripple you financially into something.

0:15:58.640 --> 0:16:01.320
<v Speaker 1>Do you want to think the way while since you've

0:16:01.320 --> 0:16:02.520
<v Speaker 1>been at college, I got kids.

0:16:04.480 --> 0:16:07.080
<v Speaker 3>Now it's s eyewatering.

0:16:07.320 --> 0:16:08.880
<v Speaker 1>Yeah, it's too much like a house.

0:16:09.520 --> 0:16:13.520
<v Speaker 3>But yeah, I basically I was sort of stock and

0:16:13.640 --> 0:16:15.400
<v Speaker 3>I didn't know what I wanted to do with my life.

0:16:15.600 --> 0:16:18.080
<v Speaker 3>And I was talking to my brother about it, and

0:16:18.160 --> 0:16:20.120
<v Speaker 3>I sort of had this I always loved to cook.

0:16:20.160 --> 0:16:23.240
<v Speaker 3>My grandmother taught me to cook. I cooked constantly.

0:16:23.920 --> 0:16:28.320
<v Speaker 1>This is interesting because a lot of pastry chefs that

0:16:28.440 --> 0:16:30.880
<v Speaker 1>I know, and I admittedly you're the only one, but

0:16:31.920 --> 0:16:34.320
<v Speaker 1>a lot of cooks that people I know that work

0:16:34.400 --> 0:16:38.240
<v Speaker 1>in kitchens, and I do know my brother in laws

0:16:38.240 --> 0:16:41.200
<v Speaker 1>a chef and my sistant laws a chef, but they

0:16:41.360 --> 0:16:43.760
<v Speaker 1>kind of fall into people who cook or people who bake.

0:16:44.320 --> 0:16:46.000
<v Speaker 1>Sure is that? Is that a real thing?

0:16:46.200 --> 0:16:46.400
<v Speaker 2>Sure?

0:16:46.440 --> 0:16:50.840
<v Speaker 3>It is so culinary. It the way I generally explained

0:16:50.840 --> 0:16:53.840
<v Speaker 3>it as culinary is just a big imagine it as

0:16:53.880 --> 0:16:57.240
<v Speaker 3>a big graph, like a big pie chart. Right within

0:16:57.360 --> 0:17:01.920
<v Speaker 3>that is specializations. So a specialization is pastry of coolinary.

0:17:01.960 --> 0:17:03.560
<v Speaker 3>You need to know how to cook in order to

0:17:03.720 --> 0:17:08.439
<v Speaker 3>do pastry right. And then from that specialization you can

0:17:08.520 --> 0:17:11.760
<v Speaker 3>specialize even further into all I do is vn waree

0:17:12.320 --> 0:17:17.600
<v Speaker 3>or all I do and ware is it like croissants laminated?

0:17:17.720 --> 0:17:20.240
<v Speaker 1>Does all of that like beautiful?

0:17:20.560 --> 0:17:26.040
<v Speaker 3>Exactly? And there's people who do like the most astounding

0:17:26.280 --> 0:17:28.639
<v Speaker 3>things with it that would I mean, just make your

0:17:28.720 --> 0:17:32.879
<v Speaker 3>nose bleed looking at them, like just incredible work. And

0:17:33.000 --> 0:17:36.000
<v Speaker 3>then from there you can also specialize in wedding cakes

0:17:36.760 --> 0:17:39.159
<v Speaker 3>all you do is wedding cakes. All you do is

0:17:39.160 --> 0:17:41.440
<v Speaker 3>sculptured cakes. All you do is ice cream. All you

0:17:41.520 --> 0:17:44.040
<v Speaker 3>do is sugar sculptures. All you do is chocolate sculptures.

0:17:44.320 --> 0:17:47.399
<v Speaker 3>There's so many different specializations, Like it's it's niche on

0:17:47.560 --> 0:17:48.440
<v Speaker 3>niche on niche.

0:17:48.800 --> 0:17:52.000
<v Speaker 1>I love this. Yeah, it's getting really interesting. Is that

0:17:52.040 --> 0:17:52.600
<v Speaker 1>what happened to you?

0:17:52.840 --> 0:17:54.560
<v Speaker 3>I'm glad, No, but is that what happened to you

0:17:54.760 --> 0:17:54.960
<v Speaker 3>that you.

0:17:55.119 --> 0:17:56.600
<v Speaker 1>You kind of go, I like that, and then you

0:17:56.760 --> 0:17:58.760
<v Speaker 1>start to kind of zero in a little more on

0:17:59.000 --> 0:18:01.280
<v Speaker 1>on Yeah, how it makes you feel? Does make it

0:18:01.320 --> 0:18:01.919
<v Speaker 1>feel different?

0:18:02.040 --> 0:18:04.159
<v Speaker 3>I just sort of fell into it, honestly because I

0:18:04.520 --> 0:18:06.200
<v Speaker 3>was talking to my brother and he said, you know,

0:18:06.320 --> 0:18:08.080
<v Speaker 3>I said, I think I want to go to culinary

0:18:08.119 --> 0:18:10.720
<v Speaker 3>school and my family would you know, at that point

0:18:10.720 --> 0:18:13.920
<v Speaker 3>in time, cooking was not fashionable. Being a chef was

0:18:13.960 --> 0:18:14.560
<v Speaker 3>not fashionable.

0:18:14.640 --> 0:18:17.600
<v Speaker 1>It was not you said, the pre Bordain years.

0:18:17.840 --> 0:18:21.359
<v Speaker 3>Yeah, this was this was pre sort of food network years.

0:18:21.480 --> 0:18:24.680
<v Speaker 3>This was you know, cooking and being a chef was

0:18:24.760 --> 0:18:27.480
<v Speaker 3>sort of seen as a tradecraft. You know, it would

0:18:27.480 --> 0:18:28.200
<v Speaker 3>be the same as.

0:18:28.200 --> 0:18:31.560
<v Speaker 1>Like in America. I mean in France it's been.

0:18:33.320 --> 0:18:36.080
<v Speaker 3>For way back right, Oh, very different culture in France

0:18:36.119 --> 0:18:38.040
<v Speaker 3>about that. I mean, you can start when you're sixteen

0:18:38.640 --> 0:18:40.960
<v Speaker 3>and just go you know what high school was not

0:18:41.080 --> 0:18:44.640
<v Speaker 3>for me. I'd like to bake. And that's generally why

0:18:44.800 --> 0:18:47.280
<v Speaker 3>everyone feels a lot of kind of competitive spirit with

0:18:47.480 --> 0:18:49.960
<v Speaker 3>the French, right, is because they start from such a

0:18:50.080 --> 0:18:52.320
<v Speaker 3>young age and they have I mean, by the time

0:18:52.520 --> 0:18:55.920
<v Speaker 3>an American kid finishes culinary school, they're already six years

0:18:56.000 --> 0:18:58.080
<v Speaker 3>behind a French person.

0:18:57.960 --> 0:19:01.679
<v Speaker 1>French kid, right, So what happened? What culinary school did

0:19:01.720 --> 0:19:01.960
<v Speaker 1>you go to?

0:19:02.480 --> 0:19:04.159
<v Speaker 3>Oh? I just went to a little trade school in

0:19:04.200 --> 0:19:07.639
<v Speaker 3>Orange County because I had already spent enough money and

0:19:07.800 --> 0:19:09.840
<v Speaker 3>I knew and I was old enough at that point

0:19:09.920 --> 0:19:13.840
<v Speaker 3>to know if I go to like a proper Cia

0:19:14.080 --> 0:19:16.160
<v Speaker 3>or one of these schools that costs a lot of money,

0:19:17.200 --> 0:19:19.280
<v Speaker 3>I'm going to still start at the same place.

0:19:19.359 --> 0:19:19.840
<v Speaker 1>In a kitchen.

0:19:20.080 --> 0:19:22.720
<v Speaker 3>I'm going to still start as a prep cooks, even

0:19:22.720 --> 0:19:23.640
<v Speaker 3>a dishwasher.

0:19:24.240 --> 0:19:24.760
<v Speaker 1>I've done that.

0:19:25.240 --> 0:19:27.200
<v Speaker 3>Yeah, yeah, yeah, that's how you start.

0:19:28.840 --> 0:19:32.320
<v Speaker 1>That's the highest rung I got in the culinary world.

0:19:32.960 --> 0:19:35.480
<v Speaker 3>Well, it's a good rung. I mean, everyone's everyone is

0:19:35.600 --> 0:19:37.840
<v Speaker 3>super important in the kitchen, and you know it's a

0:19:37.920 --> 0:19:41.320
<v Speaker 3>pirate ship, right, So it sort of draws these people

0:19:41.400 --> 0:19:44.359
<v Speaker 3>in that that have all sort of universally decided we

0:19:44.400 --> 0:19:45.720
<v Speaker 3>don't want to grow up for a living.

0:19:46.119 --> 0:19:48.879
<v Speaker 1>It's a it's a world to itself. Yeah, it is

0:19:48.960 --> 0:19:53.000
<v Speaker 1>a it's like your hours are different. Is it's collegiate.

0:19:53.160 --> 0:19:55.640
<v Speaker 1>It's a kind of like a pirate ship, really, isn't it. Yeah?

0:19:56.000 --> 0:19:58.360
<v Speaker 1>So what you go to this place? And how long

0:19:58.400 --> 0:19:59.880
<v Speaker 1>are you at the two years?

0:20:00.160 --> 0:20:01.720
<v Speaker 3>And I worked at the same time.

0:20:01.680 --> 0:20:04.640
<v Speaker 1>And you come out, I know you speak fluent French absolutely,

0:20:04.920 --> 0:20:08.399
<v Speaker 1>and well you were working in a kitchen at the

0:20:08.400 --> 0:20:09.600
<v Speaker 1>same time I was.

0:20:09.760 --> 0:20:11.159
<v Speaker 3>I was. I was working in a kitchen at the

0:20:11.160 --> 0:20:13.520
<v Speaker 3>same time and also bartending to keep a roof over

0:20:13.600 --> 0:20:13.840
<v Speaker 3>my head.

0:20:14.000 --> 0:20:16.840
<v Speaker 1>Any fancy places that we would know or just places

0:20:16.920 --> 0:20:18.399
<v Speaker 1>we would know, Yeah, I.

0:20:18.440 --> 0:20:20.560
<v Speaker 3>Mean I worked at Pelican Hill, I worked at the

0:20:21.160 --> 0:20:24.440
<v Speaker 3>uh golf club. It is it's down in it's down

0:20:24.520 --> 0:20:26.560
<v Speaker 3>in a Newport coast. It's very fair.

0:20:26.800 --> 0:20:27.840
<v Speaker 1>That sounds quite fancy.

0:20:28.000 --> 0:20:29.119
<v Speaker 3>Yeah, it's very fairy.

0:20:29.200 --> 0:20:30.840
<v Speaker 1>You're making like turkey clubs.

0:20:32.600 --> 0:20:35.879
<v Speaker 3>Well at the country club I was making. I started

0:20:35.920 --> 0:20:39.239
<v Speaker 3>out on you know, just guarde. Well, I started out

0:20:39.280 --> 0:20:39.760
<v Speaker 3>on prep.

0:20:40.280 --> 0:20:42.119
<v Speaker 1>So I was preps for if you don't know, a

0:20:42.240 --> 0:20:43.119
<v Speaker 1>kitchen was prep.

0:20:43.160 --> 0:20:45.800
<v Speaker 3>Prep is a lot of chopping. You're cutting a lot

0:20:45.840 --> 0:20:49.119
<v Speaker 3>of vegetables, you're making stock. You're making so much stock,

0:20:49.200 --> 0:20:51.800
<v Speaker 3>a lot of soup, so not even soup you're not

0:20:51.960 --> 0:20:55.800
<v Speaker 3>responsible for. Yeah, you're making the basically beginnings of soup.

0:20:55.880 --> 0:20:58.480
<v Speaker 3>You're cutting carrots and onions and celery.

0:20:59.760 --> 0:21:02.199
<v Speaker 1>Because it don't feel soup. It's just suits. And then

0:21:02.240 --> 0:21:03.440
<v Speaker 1>you later.

0:21:05.320 --> 0:21:09.119
<v Speaker 3>Loud and yeah, and I mean there was you know,

0:21:09.280 --> 0:21:12.640
<v Speaker 3>there's steam jackets. There's these enormous kettles. You know, I'm

0:21:12.760 --> 0:21:16.560
<v Speaker 3>five five and the kettle was probably six two. I

0:21:16.640 --> 0:21:20.480
<v Speaker 3>mean enormous, and I would have to like dig in there,

0:21:20.560 --> 0:21:23.959
<v Speaker 3>literally crawl inside a kettle just to clean it out.

0:21:24.680 --> 0:21:28.720
<v Speaker 1>Well, today I could have Oh my god, that's horrifying.

0:21:28.760 --> 0:21:30.000
<v Speaker 3>And yet I survived.

0:21:30.160 --> 0:21:33.119
<v Speaker 1>Has that ever happened? Has anyone ever been you know

0:21:33.200 --> 0:21:34.920
<v Speaker 1>what I've been? It has, so I don't want to.

0:21:35.480 --> 0:21:38.760
<v Speaker 1>I know I talked about it. Probably has. So you're

0:21:38.800 --> 0:21:42.480
<v Speaker 1>working on prep and you're studying. Yeah, and so now

0:21:42.520 --> 0:21:44.720
<v Speaker 1>at this point do you start to go, I know

0:21:44.920 --> 0:21:46.440
<v Speaker 1>what area the kitchen I want to work in.

0:21:46.760 --> 0:21:51.600
<v Speaker 3>No, you still don't know, because at this point I sucked.

0:21:52.320 --> 0:21:55.280
<v Speaker 3>I was terrible. I honestly believe and I don't know

0:21:55.320 --> 0:21:57.840
<v Speaker 3>if it's not my own imposter syndrome or what, but

0:21:57.960 --> 0:21:59.920
<v Speaker 3>I honestly believe there's no such thing as like someone,

0:22:00.000 --> 0:22:02.919
<v Speaker 3>and it's just naturally suited for a kitchen, right. It's

0:22:03.000 --> 0:22:04.640
<v Speaker 3>a different culture, it's a different life.

0:22:04.720 --> 0:22:08.720
<v Speaker 1>Oh yeah, I've been aroundom enough to know, Yeah, you've got.

0:22:08.720 --> 0:22:10.479
<v Speaker 3>To get a little bit of runway there.

0:22:10.800 --> 0:22:11.000
<v Speaker 1>Yeah.

0:22:11.280 --> 0:22:13.919
<v Speaker 3>I think people can be born with a natural inclination

0:22:14.080 --> 0:22:17.040
<v Speaker 3>to understanding flavor and color and balance and texture and

0:22:17.080 --> 0:22:20.040
<v Speaker 3>all these things, but actually working in a kitchen is

0:22:20.119 --> 0:22:20.959
<v Speaker 3>a very different thing.

0:22:21.119 --> 0:22:23.320
<v Speaker 1>It's a rock band mentality as well. It's a little

0:22:23.359 --> 0:22:25.240
<v Speaker 1>bit a lot of drugs as well. A lot of drugs,

0:22:25.240 --> 0:22:26.720
<v Speaker 1>a lot of bad behavior are, a lot of staying

0:22:26.800 --> 0:22:28.640
<v Speaker 1>up too late, a lot of you know, as long

0:22:28.680 --> 0:22:30.159
<v Speaker 1>as you can do the one thing that you do,

0:22:30.240 --> 0:22:32.320
<v Speaker 1>it doesn't matter how you live your life everywhere else.

0:22:32.400 --> 0:22:34.880
<v Speaker 3>All that, a lot of burning the candles at both ends,

0:22:35.000 --> 0:22:37.960
<v Speaker 3>especially in your twenties. But well, you know, then you get,

0:22:38.119 --> 0:22:40.800
<v Speaker 3>you know, for me specifically, I hit the I hit

0:22:40.880 --> 0:22:44.120
<v Speaker 3>my thirtieth year and I thought, wait, you know that's

0:22:44.200 --> 0:22:45.200
<v Speaker 3>not cute anymore.

0:22:45.400 --> 0:22:47.960
<v Speaker 1>I did. I didn't even know you were thirty now

0:22:48.200 --> 0:22:51.840
<v Speaker 1>I did ten years ago. Oh well, muscle tough, thank you. Well,

0:22:52.240 --> 0:22:54.640
<v Speaker 1>you know what, It's all the moisture being inside those

0:22:54.640 --> 0:22:57.399
<v Speaker 1>big steaming thoughts, so.

0:22:57.520 --> 0:23:05.879
<v Speaker 6>Fresh, like a beautiful braized cook I've been pouched. So

0:23:06.000 --> 0:23:08.200
<v Speaker 6>you're thirty No, no, I'm forty.

0:23:08.280 --> 0:23:08.320
<v Speaker 4>No.

0:23:08.440 --> 0:23:10.080
<v Speaker 1>But what I'm saying is we're on your journey.

0:23:10.280 --> 0:23:13.920
<v Speaker 3>Oh no, no, no yet at this point I'm early twenties.

0:23:14.680 --> 0:23:19.200
<v Speaker 3>It's all sort of a glittery haze. I like the hazes, glittering,

0:23:20.720 --> 0:23:23.119
<v Speaker 3>glittery and like, you know, at that point, I was

0:23:23.160 --> 0:23:26.640
<v Speaker 3>smoking and like going outside for breaks and waxing poetic

0:23:26.680 --> 0:23:31.000
<v Speaker 3>on the meaning of life. But I knew enough then

0:23:31.160 --> 0:23:35.040
<v Speaker 3>to know if I can learn every single station, they

0:23:35.080 --> 0:23:38.040
<v Speaker 3>can't fire me, right, So I just need to learn,

0:23:38.880 --> 0:23:40.800
<v Speaker 3>like because right now I'm on prep. If I learn

0:23:40.920 --> 0:23:44.359
<v Speaker 3>how to do you know, the fry station? If I

0:23:44.480 --> 0:23:47.800
<v Speaker 3>learn how to do like every single different stations.

0:23:47.560 --> 0:23:50.240
<v Speaker 1>Many stations, is it like stations of the Cross or

0:23:52.760 --> 0:23:54.200
<v Speaker 1>similar to stations of the Cross?

0:23:54.680 --> 0:23:59.480
<v Speaker 3>More frying, Yeah, more frying, more making of sandwiches. Yeah,

0:23:59.600 --> 0:24:02.520
<v Speaker 3>it's very It depends on the kind of kitchen you

0:24:02.640 --> 0:24:06.200
<v Speaker 3>work in, so extremely traditional French kitchens will have like

0:24:06.600 --> 0:24:10.600
<v Speaker 3>a different person for just making sauces a different person,

0:24:10.720 --> 0:24:16.040
<v Speaker 3>for just doing intermezzo a different person. Intermezzo is a

0:24:16.560 --> 0:24:20.200
<v Speaker 3>course in your dinner wherein you have it's almost like

0:24:20.240 --> 0:24:22.440
<v Speaker 3>a break. So you have like a little bit of

0:24:23.000 --> 0:24:27.480
<v Speaker 3>celery sorbet okay, with a sour cherry, but.

0:24:27.760 --> 0:24:30.320
<v Speaker 1>A musin in the middle exactly right, okay, exactly not

0:24:30.359 --> 0:24:32.359
<v Speaker 1>a moose bush at the beginning, because that's the beginning,

0:24:32.560 --> 0:24:33.520
<v Speaker 1>correct moose.

0:24:33.359 --> 0:24:36.000
<v Speaker 3>Boushes at the midnute is at the beginning, intermetso is

0:24:36.119 --> 0:24:38.360
<v Speaker 3>somewhere in between, right, just to sort.

0:24:38.200 --> 0:24:40.640
<v Speaker 1>Of and then when's Clette that's at the head.

0:24:41.160 --> 0:24:45.800
<v Speaker 3>Yeah, okay, let I love ra klutt. I've got some

0:24:45.920 --> 0:24:48.879
<v Speaker 3>in the fridge right now. And then you've got minyor

0:24:48.960 --> 0:24:52.840
<v Speaker 3>D's for your for the finale. Min your d's is

0:24:52.880 --> 0:24:55.520
<v Speaker 3>the same sort of like tiny little bite, but it's

0:24:55.640 --> 0:24:59.200
<v Speaker 3>usually sweet so and it can also be kind of

0:24:59.280 --> 0:25:00.640
<v Speaker 3>given as like a takeaway.

0:25:01.040 --> 0:25:03.439
<v Speaker 1>So this seems to me like it's all kind of French.

0:25:03.800 --> 0:25:05.400
<v Speaker 1>Is that a French restaurant.

0:25:05.720 --> 0:25:08.960
<v Speaker 3>Most things are sort of based around the French brigade really,

0:25:09.080 --> 0:25:13.040
<v Speaker 3>even like yeah, most most kitchens are structured loosely around that,

0:25:13.200 --> 0:25:14.680
<v Speaker 3>some more stringently.

0:25:14.359 --> 0:25:16.200
<v Speaker 1>Even like in an Italian restaurant and stuff.

0:25:17.160 --> 0:25:21.199
<v Speaker 3>Yeah, I mean I've never worked in an Italian restaurant, ye,

0:25:21.400 --> 0:25:23.840
<v Speaker 3>but yeah, it's all sort of it's all sort of

0:25:23.880 --> 0:25:27.440
<v Speaker 3>based on this similar brigade of of this is like

0:25:27.560 --> 0:25:30.160
<v Speaker 3>the hierarchy and I guess.

0:25:30.000 --> 0:25:32.240
<v Speaker 1>A guitar six strings and how you play it now

0:25:32.280 --> 0:25:35.280
<v Speaker 1>it's done. It's different, but that's what it is. Yeah,

0:25:35.400 --> 0:25:38.080
<v Speaker 1>that's the instrument. Yeah, so you're doing you lay on

0:25:38.119 --> 0:25:41.080
<v Speaker 1>all the different stations in the kitchen for job security.

0:25:40.840 --> 0:25:44.040
<v Speaker 3>Correct, right, because I figure they can't fire me if

0:25:44.080 --> 0:25:45.400
<v Speaker 3>I know everything.

0:25:45.280 --> 0:25:47.720
<v Speaker 1>That's true, you'd be surprised.

0:25:49.359 --> 0:25:52.440
<v Speaker 3>Fortunately they didn't. But and then at one point, I

0:25:52.560 --> 0:25:54.879
<v Speaker 3>don't know what I mean, a lot of the different

0:25:54.920 --> 0:26:00.440
<v Speaker 3>things transpired. So the pastry department suffered losses. There was,

0:26:00.640 --> 0:26:02.640
<v Speaker 3>you know, one girl moved to the Pahamas, one guy

0:26:02.680 --> 0:26:05.760
<v Speaker 3>got fired, one guy just quit. So they basically lost

0:26:05.840 --> 0:26:08.600
<v Speaker 3>the entire department within a week or so. I mean,

0:26:08.640 --> 0:26:09.440
<v Speaker 3>it was dramatic.

0:26:09.720 --> 0:26:13.359
<v Speaker 1>I'm seeing an opportunity for you here, precisely.

0:26:12.680 --> 0:26:15.480
<v Speaker 3>My friend. Right, So the executive chef came to like

0:26:15.680 --> 0:26:19.280
<v Speaker 3>gathered around all the cooks, right, and said, who would

0:26:19.480 --> 0:26:22.320
<v Speaker 3>like to go help out pastry for a bit because

0:26:22.359 --> 0:26:25.240
<v Speaker 3>they're suffering. And my hand shot up and I said,

0:26:25.480 --> 0:26:28.919
<v Speaker 3>I will do it because again job security.

0:26:29.280 --> 0:26:29.399
<v Speaker 1>Right.

0:26:29.680 --> 0:26:33.360
<v Speaker 3>So I go start working in pastry and realize, oh

0:26:33.440 --> 0:26:34.080
<v Speaker 3>my god.

0:26:34.600 --> 0:26:40.240
<v Speaker 8>It's art and chemistry, chemistry, it's our it's science. It's

0:26:40.320 --> 0:26:42.240
<v Speaker 8>all the things in the kitchen, and it's in a

0:26:42.359 --> 0:26:46.160
<v Speaker 8>kitchen and it has all the kind of things. Yeah,

0:26:46.760 --> 0:26:48.399
<v Speaker 8>this is great, and so now you find your thing.

0:26:48.520 --> 0:26:49.399
<v Speaker 3>So now I find my thing.

0:26:49.520 --> 0:26:51.600
<v Speaker 1>And you start burning sugar with little.

0:26:51.920 --> 0:26:55.840
<v Speaker 3>Yeah things Krembrew lit lots of do.

0:26:55.920 --> 0:26:58.520
<v Speaker 1>They start do they start letting you make your own

0:26:58.560 --> 0:26:59.440
<v Speaker 1>deserts at that point?

0:26:59.560 --> 0:27:02.360
<v Speaker 3>No, god, no, no, my god.

0:27:03.000 --> 0:27:06.440
<v Speaker 1>So I feel such a fool. So you make what

0:27:06.520 --> 0:27:08.080
<v Speaker 1>you're told by the executive chef.

0:27:08.160 --> 0:27:09.880
<v Speaker 3>Yeah, well by the executive pastry chef.

0:27:10.600 --> 0:27:14.280
<v Speaker 1>So there's an executive chef and then execative pastry shof correct, okay, correct.

0:27:14.240 --> 0:27:17.320
<v Speaker 3>Yeah, the brigade, the pirate chip, right, so there's there's

0:27:17.480 --> 0:27:19.560
<v Speaker 3>there's a very first mate.

0:27:21.600 --> 0:27:21.800
<v Speaker 4>Yeah.

0:27:25.160 --> 0:27:28.520
<v Speaker 1>So the executive pastry chef says, okay, today you're making

0:27:28.560 --> 0:27:31.200
<v Speaker 1>cranberry and a faberge.

0:27:32.320 --> 0:27:35.680
<v Speaker 3>No, executive pastry chef. I mean it depends on where

0:27:35.680 --> 0:27:38.200
<v Speaker 3>you work. But at a country club, for instance, it's

0:27:38.320 --> 0:27:40.639
<v Speaker 3>usually more along the lines of you're going to be

0:27:40.720 --> 0:27:45.119
<v Speaker 3>making six thousand chocolate chip cookies today, and then after

0:27:45.280 --> 0:27:49.240
<v Speaker 3>that you're going to be making give or take a

0:27:49.440 --> 0:27:53.600
<v Speaker 3>thousand brownies, and then we've got, you know, on the fly,

0:27:54.240 --> 0:27:56.119
<v Speaker 3>someone wants a birthday cake, so we're going to need

0:27:56.160 --> 0:27:59.639
<v Speaker 3>to make that. And it's very it's it's it's very

0:27:59.720 --> 0:28:02.359
<v Speaker 3>kind of I don't want to say grunt work, but

0:28:02.440 --> 0:28:03.720
<v Speaker 3>it's very like repetitive.

0:28:03.760 --> 0:28:04.440
<v Speaker 1>It's repetitive.

0:28:04.520 --> 0:28:06.120
<v Speaker 3>It's it's big, and it's repetitive.

0:28:06.119 --> 0:28:09.440
<v Speaker 1>So when do you start getting to feel like you're

0:28:09.560 --> 0:28:10.439
<v Speaker 1>being creative in.

0:28:10.520 --> 0:28:15.920
<v Speaker 3>This not for quite a few years. You you know,

0:28:16.040 --> 0:28:18.600
<v Speaker 3>you you And that's part of the brilliance and the

0:28:18.640 --> 0:28:21.320
<v Speaker 3>importance of working for a lot of different chefs is

0:28:21.400 --> 0:28:23.800
<v Speaker 3>you want to learn as much as you can from

0:28:23.920 --> 0:28:26.760
<v Speaker 3>each person you work under, right, because each person you

0:28:26.840 --> 0:28:29.959
<v Speaker 3>work under has, you know, a mirror, you know, it's

0:28:30.000 --> 0:28:32.040
<v Speaker 3>the sort of the spider web thing almost like this

0:28:32.359 --> 0:28:36.399
<v Speaker 3>like red red string theory of like everywhere they've learned

0:28:36.440 --> 0:28:38.840
<v Speaker 3>from So they've learned from all of these different chefs

0:28:38.880 --> 0:28:42.200
<v Speaker 3>throughout their careers and they're funneling all of that information

0:28:42.320 --> 0:28:45.680
<v Speaker 3>into you. And then you take all of that information

0:28:45.880 --> 0:28:48.160
<v Speaker 3>go to another chef and you've got you know, another

0:28:48.360 --> 0:28:51.720
<v Speaker 3>let's say, six chefs that your next chef has worked under.

0:28:51.800 --> 0:28:55.760
<v Speaker 3>So you're just collating and constantly trying to sponge in

0:28:56.080 --> 0:28:59.200
<v Speaker 3>as much information and as many recipes as you can

0:28:59.320 --> 0:29:00.440
<v Speaker 3>and different tech niques.

0:29:00.640 --> 0:29:02.920
<v Speaker 1>So this seems to me like a world that's very

0:29:03.040 --> 0:29:06.840
<v Speaker 1>involved and very insular, right, yes, can be right? So

0:29:07.160 --> 0:29:11.560
<v Speaker 1>then how come because you're a Food Network star I

0:29:11.720 --> 0:29:14.320
<v Speaker 1>think I think we can say that the greatest spaceship

0:29:14.400 --> 0:29:16.800
<v Speaker 1>in the world and a start of the Food Network.

0:29:16.960 --> 0:29:19.600
<v Speaker 3>I mean, I am the winner of the Coveted.

0:29:21.560 --> 0:29:24.320
<v Speaker 1>Which is like you can have a Michelin starf what

0:29:25.280 --> 0:29:28.840
<v Speaker 1>but you know that's the one they're all after. It's

0:29:28.840 --> 0:29:31.840
<v Speaker 1>a new award and like about half an hour old.

0:29:32.200 --> 0:29:35.560
<v Speaker 1>But the how do you get into like the more

0:29:35.680 --> 0:29:40.320
<v Speaker 1>kind of show business element, I mean so preduminantly last

0:29:40.320 --> 0:29:42.720
<v Speaker 1>time you're like everybody. I feel like Bordain is like

0:29:42.800 --> 0:29:44.800
<v Speaker 1>Jackie Robinson in a way a little bit. He kind

0:29:44.840 --> 0:29:45.600
<v Speaker 1>of changes it.

0:29:45.760 --> 0:29:49.160
<v Speaker 3>Yeah, is that is that right to say that Bordain?

0:29:49.320 --> 0:29:53.520
<v Speaker 3>I mean, Bordain changed so much of the culture, you know,

0:29:53.760 --> 0:29:57.640
<v Speaker 3>and he he brought the culture of the kitchen into

0:29:59.000 --> 0:30:01.720
<v Speaker 3>into a world that like you know, didn't want to

0:30:01.800 --> 0:30:04.400
<v Speaker 3>necessarily see it and like and he made it cool

0:30:04.440 --> 0:30:06.720
<v Speaker 3>and he made it rock star and like, I mean,

0:30:07.000 --> 0:30:09.920
<v Speaker 3>it's it's him. And then there's Marco Pierre White, who

0:30:10.560 --> 0:30:15.680
<v Speaker 3>I mean, like yeah, who was absolutely the like you know,

0:30:15.840 --> 0:30:23.360
<v Speaker 3>he's got aggy pop one, like you know, growing up

0:30:23.400 --> 0:30:25.560
<v Speaker 3>in the kitchen, hearing stories about how he would walk

0:30:25.600 --> 0:30:28.240
<v Speaker 3>out into the dining room and tell people to you know,

0:30:29.400 --> 0:30:31.200
<v Speaker 3>like like you don't like the food, you can have

0:30:31.320 --> 0:30:35.120
<v Speaker 3>food somewhere else. Like that is like that was revolutionary

0:30:35.240 --> 0:30:37.880
<v Speaker 3>for me because I you know, the kitchens I worked in,

0:30:39.080 --> 0:30:42.800
<v Speaker 3>it was always the culture of the word no doesn't exist, right,

0:30:43.280 --> 0:30:47.600
<v Speaker 3>it simply doesn't. So hearing that like someone was like

0:30:48.040 --> 0:30:52.760
<v Speaker 3>ballsy enough to do that. Yeah, Marco Pierre Oh yeah,

0:30:52.760 --> 0:30:55.360
<v Speaker 3>you can go on Google and see videos of Marco

0:30:55.440 --> 0:30:59.440
<v Speaker 3>Pierre White like in his younger days smoking and Gordon

0:30:59.520 --> 0:31:02.520
<v Speaker 3>Ramsay is like seventeen years old in the background, kind

0:31:02.560 --> 0:31:05.440
<v Speaker 3>of looking like wild eyed and kind of goofy, and

0:31:05.560 --> 0:31:08.560
<v Speaker 3>Marco Pierro ruffles his hair a little bit and it's

0:31:08.640 --> 0:31:13.040
<v Speaker 3>like his big brother. I mean, it's just adorable. So

0:31:13.520 --> 0:31:15.720
<v Speaker 3>but to get to your question, the how do you

0:31:15.800 --> 0:31:17.040
<v Speaker 3>translate that into.

0:31:17.240 --> 0:31:19.840
<v Speaker 1>Yeah, do you end in show business? Really?

0:31:20.160 --> 0:31:20.440
<v Speaker 3>Sure?

0:31:20.680 --> 0:31:21.760
<v Speaker 1>Well you kind of are not.

0:31:22.440 --> 0:31:22.720
<v Speaker 6>You know.

0:31:22.960 --> 0:31:25.040
<v Speaker 3>It's so it's such a bizarre thing for me to

0:31:26.120 --> 0:31:28.200
<v Speaker 3>to say out loud because I still, you know, I

0:31:28.560 --> 0:31:31.400
<v Speaker 3>have trouble sort of wrapping my head around that, around

0:31:31.440 --> 0:31:34.920
<v Speaker 3>that reality, because I still see myself as just a chef,

0:31:35.000 --> 0:31:35.680
<v Speaker 3>and so it's.

0:31:35.600 --> 0:31:38.120
<v Speaker 1>Like, yeah, yeah, but it's a different world.

0:31:38.680 --> 0:31:38.920
<v Speaker 6>It is.

0:31:39.440 --> 0:31:41.760
<v Speaker 1>To be honest, I think everything is show business now,

0:31:42.560 --> 0:31:45.600
<v Speaker 1>Like even if, like if you're a laundromat, you have

0:31:45.760 --> 0:31:50.040
<v Speaker 1>an Instagram account and like, come down today, look at

0:31:50.120 --> 0:31:50.840
<v Speaker 1>these sheets.

0:31:52.280 --> 0:31:55.080
<v Speaker 3>My god, all the blood out this guy.

0:31:55.560 --> 0:31:58.200
<v Speaker 1>Blood Let's play a game of blood.

0:31:58.080 --> 0:31:59.440
<v Speaker 3>Or we may never know.

0:32:00.280 --> 0:32:02.160
<v Speaker 1>So how do you make this transition? Then? What happens?

0:32:02.200 --> 0:32:04.480
<v Speaker 3>I mean, I'm not sure. I've had this question a lot,

0:32:04.720 --> 0:32:07.320
<v Speaker 3>especially from you know, like former colleagues and stuff asking

0:32:07.400 --> 0:32:12.560
<v Speaker 3>me how can they get into it? And and for me,

0:32:12.680 --> 0:32:15.400
<v Speaker 3>it was it was the most bizarre experience. I was at,

0:32:16.800 --> 0:32:19.480
<v Speaker 3>you know, I was at the Peninsula Beverly Hills, and

0:32:21.040 --> 0:32:22.920
<v Speaker 3>and I'd been there for many years.

0:32:22.760 --> 0:32:24.080
<v Speaker 1>And you're working in the kitchen there.

0:32:24.680 --> 0:32:25.920
<v Speaker 3>I was the executive pastry chef.

0:32:26.000 --> 0:32:31.240
<v Speaker 1>Yeah, by this time, this is you're the like you

0:32:31.440 --> 0:32:34.480
<v Speaker 1>decide who's making the kookies, correct, right, and it ain't

0:32:35.000 --> 0:32:35.440
<v Speaker 1>ain't you.

0:32:36.480 --> 0:32:36.800
<v Speaker 6>It was.

0:32:39.240 --> 0:32:40.560
<v Speaker 1>The bus. But I'm also.

0:32:41.880 --> 0:32:44.320
<v Speaker 3>Yeah, I never wanted to be like because I grew

0:32:44.440 --> 0:32:46.479
<v Speaker 3>up with so many chefs that were you know, very

0:32:46.600 --> 0:32:54.000
<v Speaker 3>hands off and very you know, delegatory thank you uh,

0:32:54.360 --> 0:32:56.200
<v Speaker 3>to the to the point where you start sort of

0:32:56.760 --> 0:32:59.520
<v Speaker 3>you know, again the pirate ship analogy. You're not going

0:32:59.560 --> 0:33:01.360
<v Speaker 3>to get a lot of respect from your cooks if

0:33:01.400 --> 0:33:04.320
<v Speaker 3>you don't actually get in there with them and sort

0:33:04.320 --> 0:33:09.240
<v Speaker 3>of and fight side by side. So I was there,

0:33:09.280 --> 0:33:13.440
<v Speaker 3>and we would do these sort of media walkarounds, right,

0:33:13.600 --> 0:33:16.200
<v Speaker 3>So it would be like, you know, a writer from

0:33:16.280 --> 0:33:19.840
<v Speaker 3>Harper's Bazaar and a writer from Forbes, and you know,

0:33:19.880 --> 0:33:23.120
<v Speaker 3>all these different sort of media sorts would come in

0:33:23.200 --> 0:33:26.280
<v Speaker 3>and would show them a lovely time, and we'd teach

0:33:26.360 --> 0:33:28.160
<v Speaker 3>them a cooking class, and then they would get a

0:33:28.280 --> 0:33:31.440
<v Speaker 3>beautiful tour of our brand new kitchen and our brand

0:33:31.480 --> 0:33:32.760
<v Speaker 3>new restaurants and they'd.

0:33:32.600 --> 0:33:34.600
<v Speaker 1>Sit and it's a show business environment because it's the

0:33:34.640 --> 0:33:36.680
<v Speaker 1>Peninsula in Beverly Hills, right, right.

0:33:36.800 --> 0:33:40.880
<v Speaker 3>So the executive chef at that point was supposed to

0:33:40.920 --> 0:33:43.600
<v Speaker 3>be doing their their cooking class for them, and it's

0:33:43.640 --> 0:33:46.520
<v Speaker 3>only like, you know, fifteen thirty minutes long, right, And

0:33:47.160 --> 0:33:50.560
<v Speaker 3>he runs into the pastry shop and says, Steph, I

0:33:50.720 --> 0:33:53.240
<v Speaker 3>can't do it. I'm not feeling well. I need to go.

0:33:53.960 --> 0:33:56.840
<v Speaker 3>There's a media group coming in that needs a cooking

0:33:56.880 --> 0:34:01.720
<v Speaker 3>class and it's in fifteen minutes and it needs to

0:34:01.800 --> 0:34:05.000
<v Speaker 3>be something healthy. So have fun. Good luck.

0:34:05.200 --> 0:34:07.320
<v Speaker 1>You're the past chef. How are you doing the healthy thing?

0:34:07.400 --> 0:34:08.600
<v Speaker 1>You work in sugar?

0:34:08.760 --> 0:34:12.800
<v Speaker 3>Yeah, exactly right, exactly what I thought was like healthy, okay,

0:34:13.880 --> 0:34:15.800
<v Speaker 3>not a fruitball though, Like what am I?

0:34:17.520 --> 0:34:20.280
<v Speaker 1>I don't know, I'm I raised for you. This is terrible.

0:34:20.560 --> 0:34:21.760
<v Speaker 1>This is a terrible idea.

0:34:22.160 --> 0:34:27.399
<v Speaker 3>The audacity, the circus of audacity. Yeah, so I think

0:34:27.440 --> 0:34:30.239
<v Speaker 3>to myself, all right, Pastry Pastry is normally also in

0:34:30.360 --> 0:34:32.640
<v Speaker 3>charge of the cheese program of most restaurants and hotels.

0:34:32.840 --> 0:34:35.480
<v Speaker 1>The cheese Program. It's my favorite show on the BBC.

0:34:35.640 --> 0:34:40.000
<v Speaker 3>Yes, the best one. Welcome to all the contestants are

0:34:40.080 --> 0:34:42.760
<v Speaker 3>so nice, they're so kind today.

0:34:42.840 --> 0:34:44.840
<v Speaker 1>Were looking at still Stilton.

0:34:47.760 --> 0:34:48.680
<v Speaker 3>I don't even notice.

0:34:48.680 --> 0:34:50.000
<v Speaker 1>It's a vainy It's.

0:34:49.880 --> 0:34:57.520
<v Speaker 3>A veiny wooster. Gloucestershire cheese, lovely, lovely cheese from all

0:34:57.719 --> 0:35:00.160
<v Speaker 3>the sheeps in the county.

0:35:00.920 --> 0:35:02.120
<v Speaker 1>Mostly just Margaret.

0:35:02.440 --> 0:35:06.120
<v Speaker 3>All of the sheeps we euthanize with a soft pillow.

0:35:06.239 --> 0:35:16.239
<v Speaker 1>Here in Kent, you've got fifteen minutes to.

0:35:16.239 --> 0:35:19.880
<v Speaker 3>Put team instant and put together a demo and also

0:35:20.320 --> 0:35:22.759
<v Speaker 3>deep clean the kitchen because now we've got people coming

0:35:22.800 --> 0:35:24.920
<v Speaker 3>in and taking photos and they're gonna be regretting about

0:35:24.960 --> 0:35:28.200
<v Speaker 3>it is beautiful magazines and talking all about it. So

0:35:28.320 --> 0:35:30.640
<v Speaker 3>it's it needs to be like everything needs to be

0:35:30.719 --> 0:35:35.160
<v Speaker 3>scrubbed surgically. So I'm thinking, all right, I'll teach them

0:35:35.200 --> 0:35:40.000
<v Speaker 3>how to make ricotta. It's cheese, cheese, all protein. It

0:35:40.280 --> 0:35:43.160
<v Speaker 3>takes no time to make. It takes like two ingredients

0:35:43.600 --> 0:35:46.760
<v Speaker 3>and it's super I mean it's just super clean, super easy.

0:35:46.960 --> 0:35:48.400
<v Speaker 3>And then you can do all these things of like

0:35:48.680 --> 0:35:52.279
<v Speaker 3>and you can put some strawberries with a bit of

0:35:52.360 --> 0:35:53.080
<v Speaker 3>a spring o.

0:35:53.239 --> 0:35:56.759
<v Speaker 1>Samic glaze glaze and perhaps a sprig of something like

0:35:56.920 --> 0:36:00.560
<v Speaker 1>sprig sprague, a sprig of shovel. That's what I was thinking.

0:36:00.719 --> 0:36:07.439
<v Speaker 3>Yeah, so did that. It went great? They came through,

0:36:07.960 --> 0:36:10.319
<v Speaker 3>I you know, showed them the kitchen. I showed them

0:36:10.360 --> 0:36:12.320
<v Speaker 3>my sourdough starter, which at that point in time was

0:36:12.400 --> 0:36:14.120
<v Speaker 3>named Amy Winehouse because I love her.

0:36:15.560 --> 0:36:17.280
<v Speaker 1>I'm just going to stop you for a second because

0:36:17.480 --> 0:36:21.359
<v Speaker 1>I have chefs in my family and I've heard them

0:36:21.440 --> 0:36:25.759
<v Speaker 1>say sourdough starter. Yeah, I don't know what that is.

0:36:26.440 --> 0:36:29.720
<v Speaker 3>So sour dough starter is basically a way of creating

0:36:29.760 --> 0:36:34.080
<v Speaker 3>your own yeast. So you take flour and usually bread flour,

0:36:34.160 --> 0:36:36.719
<v Speaker 3>but you can use any that you like, and water

0:36:37.040 --> 0:36:40.600
<v Speaker 3>and that's it. You combine them and with that hydration,

0:36:41.320 --> 0:36:46.200
<v Speaker 3>the sugars, in the natural sugars starts developing and the

0:36:46.440 --> 0:36:50.640
<v Speaker 3>yeast that exists naturally on all things that are organic

0:36:51.040 --> 0:36:54.640
<v Speaker 3>begin to eat said sugar, and then they grow and

0:36:54.719 --> 0:36:57.600
<v Speaker 3>then you feed them again, and the yeast grows and

0:36:57.719 --> 0:37:00.360
<v Speaker 3>grows and grows and grows and develops a really beautiful

0:37:00.400 --> 0:37:01.680
<v Speaker 3>sort of aged flavor.

0:37:01.960 --> 0:37:05.120
<v Speaker 1>It becomes and it becomes an organic thing. That's why

0:37:05.160 --> 0:37:05.839
<v Speaker 1>you give it a name.

0:37:06.280 --> 0:37:08.160
<v Speaker 3>Yeah, well, it's sort of like having a pet. I mean,

0:37:08.200 --> 0:37:09.040
<v Speaker 3>it'll never die.

0:37:09.360 --> 0:37:13.960
<v Speaker 1>Well. But she comes from a very old Western family.

0:37:14.080 --> 0:37:16.719
<v Speaker 1>They've had the same Sara dou Star from like the

0:37:16.800 --> 0:37:17.839
<v Speaker 1>Civil War or something.

0:37:17.880 --> 0:37:18.600
<v Speaker 3>That's amazing.

0:37:18.680 --> 0:37:19.440
<v Speaker 1>It's crazy.

0:37:19.640 --> 0:37:20.560
<v Speaker 3>What does it smell like?

0:37:21.200 --> 0:37:22.960
<v Speaker 1>I don't know. I'm not allowed to get.

0:37:23.400 --> 0:37:25.480
<v Speaker 3>I want to know. Now, it's just is it like

0:37:25.600 --> 0:37:28.160
<v Speaker 3>locked in a like it's covered some ways.

0:37:28.680 --> 0:37:32.040
<v Speaker 1>I mean, but I think she gives like bits of

0:37:32.120 --> 0:37:33.759
<v Speaker 1>it to people and you can't.

0:37:33.920 --> 0:37:36.840
<v Speaker 3>Yeah, you can. The original sort of yeast of it

0:37:37.160 --> 0:37:42.040
<v Speaker 3>won't die necessarily, so it's you know, it will change

0:37:42.120 --> 0:37:46.360
<v Speaker 3>over time with different saturations. So say like the Civil

0:37:46.440 --> 0:37:49.800
<v Speaker 3>War era yeast, it still exists somewhere in there, but

0:37:49.920 --> 0:37:53.239
<v Speaker 3>it has been significantly diluted over you know, the last

0:37:53.280 --> 0:37:56.600
<v Speaker 3>one hundred and twenty years or so, just with new

0:37:56.719 --> 0:38:00.640
<v Speaker 3>flowers that bring in different types of yeast for wherever

0:38:00.719 --> 0:38:01.560
<v Speaker 3>they are in the country.

0:38:01.680 --> 0:38:05.239
<v Speaker 1>Is a constantly changed and organic thing that lives in

0:38:05.440 --> 0:38:06.719
<v Speaker 1>uh tupperware.

0:38:07.360 --> 0:38:11.359
<v Speaker 3>Sure, some people do like glassware. I have a big

0:38:11.480 --> 0:38:15.120
<v Speaker 3>cambro that is that like it's a chef thing.

0:38:15.160 --> 0:38:17.360
<v Speaker 1>I'm sorry, Yeah, I thought it was like that, Like

0:38:17.440 --> 0:38:18.440
<v Speaker 1>a camaro.

0:38:18.840 --> 0:38:23.280
<v Speaker 3>Does exactly like a camaro. Yes, I keep it inside.

0:38:24.239 --> 0:38:27.680
<v Speaker 1>I keep my drives a camaro. That's how wealthy I've become.

0:38:29.520 --> 0:38:33.399
<v Speaker 3>It's a cambro. Is it's a brand, It's almost it's

0:38:33.520 --> 0:38:35.800
<v Speaker 3>sort of like cleanex at this point, I feel like

0:38:35.840 --> 0:38:38.520
<v Speaker 3>it's a brand name, but it describes like this sort

0:38:38.560 --> 0:38:41.920
<v Speaker 3>of storage unit that kitchens use and they've got different

0:38:42.000 --> 0:38:44.840
<v Speaker 3>colored lids, so like a two quart cambro is just

0:38:44.920 --> 0:38:47.600
<v Speaker 3>a little two quart square container and they stack perfectly

0:38:47.680 --> 0:38:52.760
<v Speaker 3>on each other. Yeah, it's basically it's industrial tupperware.

0:38:52.400 --> 0:38:55.480
<v Speaker 1>Right, yeah. Yeah, So you you show these people around

0:38:55.560 --> 0:38:59.000
<v Speaker 1>your sod star are you introduced them to your You're

0:38:59.080 --> 0:39:00.680
<v Speaker 1>so good at keeping on track.

0:39:01.360 --> 0:39:04.680
<v Speaker 3>I'm so bad I and you are really just helping out.

0:39:05.080 --> 0:39:10.520
<v Speaker 1>I'm the pastry chef, right, So you you do that

0:39:10.760 --> 0:39:13.399
<v Speaker 1>and you show them around, and they say, you're great.

0:39:13.800 --> 0:39:15.759
<v Speaker 1>Do you want to come and work in our show

0:39:15.800 --> 0:39:16.439
<v Speaker 1>business world?

0:39:16.560 --> 0:39:16.880
<v Speaker 3>Literally?

0:39:17.280 --> 0:39:17.560
<v Speaker 1>Really?

0:39:17.760 --> 0:39:17.960
<v Speaker 3>Yeah?

0:39:18.400 --> 0:39:22.080
<v Speaker 1>Yeah, that's actually first Gate. Okay.

0:39:22.239 --> 0:39:26.200
<v Speaker 3>So they're sitting down having lunch. I check in with

0:39:26.280 --> 0:39:27.959
<v Speaker 3>them a few times just to make sure they're happy

0:39:28.040 --> 0:39:29.640
<v Speaker 3>with everything they've had. I send them out a bunch

0:39:29.680 --> 0:39:32.600
<v Speaker 3>of desserts. Check in again, and one of the women

0:39:32.760 --> 0:39:36.000
<v Speaker 3>looks up and says, would you like a TV show.

0:39:37.520 --> 0:39:38.920
<v Speaker 1>Just like that? Like Hollywood?

0:39:39.080 --> 0:39:39.319
<v Speaker 2>Yeah?

0:39:39.920 --> 0:39:44.080
<v Speaker 3>Like crazy, And at that point in time, I said, yeah,

0:39:45.320 --> 0:39:47.200
<v Speaker 3>don't threaten me with a bat, you know, with a

0:39:47.239 --> 0:39:49.440
<v Speaker 3>good time, Like yeah, yeah, I want all of that.

0:39:50.160 --> 0:39:52.480
<v Speaker 3>So she said, great, my partner and I will be

0:39:52.520 --> 0:39:56.040
<v Speaker 3>in contact with you next week. So talk to them

0:39:56.320 --> 0:40:02.920
<v Speaker 3>and we start developing a show about interestingly enough renovating

0:40:03.560 --> 0:40:08.560
<v Speaker 3>like kind of failing bakeries and pastry shops. We do

0:40:08.640 --> 0:40:11.360
<v Speaker 3>a sizzle reel, we shop it to Food Network, we

0:40:11.440 --> 0:40:14.839
<v Speaker 3>shop it to a bunch of different producers, and they

0:40:15.120 --> 0:40:16.960
<v Speaker 3>they take onto it. I think at one point what

0:40:17.400 --> 0:40:20.120
<v Speaker 3>what actually got me noticed was we did a sizzle

0:40:20.200 --> 0:40:23.640
<v Speaker 3>reel for for the show where I was just walking

0:40:23.680 --> 0:40:26.360
<v Speaker 3>around Los Angeles eating at a bunch of different pastry shops,

0:40:26.640 --> 0:40:35.319
<v Speaker 3>right and Commons, Yeah, yeah, and and one of them,

0:40:35.440 --> 0:40:39.840
<v Speaker 3>I said, a very well known pastry shop. I had

0:40:40.000 --> 0:40:41.600
<v Speaker 3>a Claire, and I said, it's like the it's like

0:40:41.640 --> 0:40:45.080
<v Speaker 3>a Honda Civic of a. Claire's like, it's it's not bad.

0:40:45.960 --> 0:40:46.680
<v Speaker 1>It's functional.

0:40:46.840 --> 0:40:49.080
<v Speaker 3>It's it's functional. It will get you from point A

0:40:49.200 --> 0:40:49.600
<v Speaker 3>to point B.

0:40:49.760 --> 0:40:53.040
<v Speaker 1>It Claire needs exactly, Claire exactly.

0:40:53.280 --> 0:40:57.000
<v Speaker 3>But it's not something that costs eighteen dollars. How much

0:40:57.000 --> 0:41:01.240
<v Speaker 3>it was yes, staggering, eye watering, I mean, just ridiculous

0:41:01.360 --> 0:41:05.040
<v Speaker 3>extortionate amounts of money for a little tiny pastry.

0:41:04.760 --> 0:41:06.600
<v Speaker 1>That I'm angry, you should be.

0:41:07.120 --> 0:41:16.279
<v Speaker 3>I was outrage I wrote a congressman, and since then

0:41:16.560 --> 0:41:22.520
<v Speaker 3>the restraining order is actually but yeah, and then from

0:41:22.640 --> 0:41:28.440
<v Speaker 3>there Food Network liked who I was. I suppose, you know,

0:41:28.760 --> 0:41:31.000
<v Speaker 3>like like you are.

0:41:31.040 --> 0:41:36.360
<v Speaker 1>A vivacious, attractive personality that has a very marketable skill

0:41:36.880 --> 0:41:39.600
<v Speaker 1>for a network called the Food Network. It seems to

0:41:39.600 --> 0:41:40.400
<v Speaker 1>make perfect sends.

0:41:41.040 --> 0:41:43.880
<v Speaker 3>It does seem to add up. So we shot a

0:41:43.960 --> 0:41:47.600
<v Speaker 3>show with them which was like this like, uh, pastry

0:41:47.719 --> 0:41:50.560
<v Speaker 3>boot camp kind of show and I loved it and

0:41:50.640 --> 0:41:53.320
<v Speaker 3>I had so much fun doing it, but the focus

0:41:53.520 --> 0:41:56.000
<v Speaker 3>but we didn't have like a really cohesive idea of

0:41:56.040 --> 0:41:58.279
<v Speaker 3>what it was like is it a competition, do they

0:41:58.400 --> 0:42:01.319
<v Speaker 3>win something? Is it just is it just for fun

0:42:01.400 --> 0:42:05.120
<v Speaker 3>and for volity? Because I was always sort of annoyed

0:42:05.239 --> 0:42:08.279
<v Speaker 3>by Nailed It the show because Nailed It always felt

0:42:08.640 --> 0:42:11.560
<v Speaker 3>like it felt kind of mean girlsy. It felt sort

0:42:11.560 --> 0:42:13.960
<v Speaker 3>of like poking fun at the slow kid, and then

0:42:14.320 --> 0:42:17.000
<v Speaker 3>you know like they're not actually learning how to do anything.

0:42:17.120 --> 0:42:19.560
<v Speaker 3>They're just failing, and we are supporting their failing.

0:42:19.640 --> 0:42:20.880
<v Speaker 1>They're failing and we're laughing at it.

0:42:21.120 --> 0:42:23.279
<v Speaker 3>Right, it felt sort of mean spirited to me. So

0:42:23.400 --> 0:42:25.760
<v Speaker 3>I wanted to do a show that was actually like, Okay,

0:42:25.800 --> 0:42:27.919
<v Speaker 3>you're not good at baking. You have raised your hand

0:42:28.200 --> 0:42:30.560
<v Speaker 3>in life and said I'm not good at baking. I

0:42:30.640 --> 0:42:33.239
<v Speaker 3>want to get good. So we take these people and

0:42:33.360 --> 0:42:35.839
<v Speaker 3>literally give them a two day boot camp on how

0:42:35.960 --> 0:42:38.920
<v Speaker 3>to bake and build a cake. And then, you know,

0:42:39.080 --> 0:42:42.279
<v Speaker 3>like congratulate the person that made the most improvement from

0:42:42.360 --> 0:42:45.360
<v Speaker 3>start to finish, and you know, gave them a KitchenAid

0:42:45.440 --> 0:42:46.360
<v Speaker 3>mixer and stuff like that.

0:42:46.520 --> 0:42:49.839
<v Speaker 1>The kitchen Aade mixer is a great thing. I best

0:42:49.880 --> 0:42:53.120
<v Speaker 1>buy with points from my credit card. Yeah. Well when

0:42:53.160 --> 0:42:55.560
<v Speaker 1>I say by, you know, I've never used it, but.

0:42:56.800 --> 0:42:59.440
<v Speaker 3>It exists in your home and if you ever do

0:42:59.600 --> 0:43:00.640
<v Speaker 3>need to Megan's.

0:43:01.040 --> 0:43:04.239
<v Speaker 1>You know, Meghan cooks and stuff she's good at at Yeah,

0:43:04.239 --> 0:43:08.120
<v Speaker 1>I mean, yeah, yeah, yeah, she she does that. But anyway,

0:43:08.560 --> 0:43:10.839
<v Speaker 1>so what's the show you're doing now?

0:43:11.560 --> 0:43:15.880
<v Speaker 3>Now we we're currently in you know, it's airing. Is

0:43:16.000 --> 0:43:18.120
<v Speaker 3>the Next Baking Master Colon?

0:43:18.640 --> 0:43:20.480
<v Speaker 1>Paris? The Next Baking Master Colon?

0:43:20.760 --> 0:43:27.279
<v Speaker 3>Yeah? Yeah, So you punctuations is important, is it? So?

0:43:27.760 --> 0:43:30.520
<v Speaker 1>Can it affect your colon being a bacon master only

0:43:30.560 --> 0:43:32.600
<v Speaker 1>in the best ways? Yeah? I guess it would. So

0:43:32.840 --> 0:43:35.360
<v Speaker 1>you go to Paris and you yeah, and you what

0:43:35.440 --> 0:43:36.040
<v Speaker 1>do you do there?

0:43:36.200 --> 0:43:39.920
<v Speaker 3>Go to Paris and we invite ten American pastry chefs

0:43:40.840 --> 0:43:44.160
<v Speaker 3>to come and compete, and they all live together in

0:43:44.520 --> 0:43:46.800
<v Speaker 3>one condo that they have to do.

0:43:46.960 --> 0:43:49.759
<v Speaker 1>That's the rule of those types of shows. It's amazing.

0:43:50.120 --> 0:43:53.839
<v Speaker 3>It's amazing. I mean the the fact that they all

0:43:53.880 --> 0:43:55.840
<v Speaker 3>live together. Like I didn't get to see any of that,

0:43:56.000 --> 0:43:58.520
<v Speaker 3>so I was really only there for you know, like

0:43:58.680 --> 0:43:59.920
<v Speaker 3>what they produced.

0:43:59.520 --> 0:44:02.680
<v Speaker 1>And like the Heidlu you're the Heidi Clue is like,

0:44:03.320 --> 0:44:06.680
<v Speaker 1>never compare myself to I think that's a great comparison.

0:44:06.680 --> 0:44:09.840
<v Speaker 1>You woke in and go fashion. No, cookery is sometimes

0:44:10.040 --> 0:44:13.560
<v Speaker 1>very off you mas, one day you are bakings, the

0:44:13.600 --> 0:44:19.160
<v Speaker 1>next day you're not baking, so your glum and you go,

0:44:19.360 --> 0:44:22.360
<v Speaker 1>this is not tasty for me, This is tasty for me?

0:44:22.560 --> 0:44:22.960
<v Speaker 3>Correct?

0:44:23.160 --> 0:44:23.319
<v Speaker 4>Right?

0:44:23.360 --> 0:44:24.080
<v Speaker 1>Okay? Correct?

0:44:24.160 --> 0:44:27.439
<v Speaker 3>Do you use a I do use a fake German

0:44:27.520 --> 0:44:29.080
<v Speaker 3>accent actually to go.

0:44:29.400 --> 0:44:29.600
<v Speaker 4>Yeah.

0:44:29.800 --> 0:44:31.520
<v Speaker 3>It was a little confusing at the time, but then

0:44:31.560 --> 0:44:35.600
<v Speaker 3>I explained to people, I imagine Heidi Clue, imagine what

0:44:35.920 --> 0:44:38.040
<v Speaker 3>eight feet of legs saying.

0:44:39.880 --> 0:44:43.239
<v Speaker 1>So, now you are a world champion baker. Now you

0:44:43.440 --> 0:44:45.920
<v Speaker 1>know who you know who wins, but you can't reveal it,

0:44:46.080 --> 0:44:48.960
<v Speaker 1>right of course? Not right? Okay, what fun would that be?

0:44:49.160 --> 0:44:49.880
<v Speaker 3>That's madness.

0:44:50.239 --> 0:44:52.520
<v Speaker 1>Now I want to take you back to the very

0:44:52.600 --> 0:44:56.040
<v Speaker 1>beginning of our conversation. Oh my gosh, because I talked

0:44:56.040 --> 0:45:00.200
<v Speaker 1>to you about the Faberge egg made you famous, And

0:45:00.360 --> 0:45:05.120
<v Speaker 1>I see right there you said WII in the Parisian manner.

0:45:05.880 --> 0:45:09.200
<v Speaker 1>It wasn't just we as in we as way as

0:45:09.280 --> 0:45:13.400
<v Speaker 1>in like some smug French bastard who says you know,

0:45:13.480 --> 0:45:19.880
<v Speaker 1>it's saying we properly. So what what led you to

0:45:20.000 --> 0:45:23.080
<v Speaker 1>the Faberge Because that's kind of that's kind of a

0:45:23.280 --> 0:45:25.480
<v Speaker 1>thing for you, isn't it. That's kind of you like

0:45:26.160 --> 0:45:26.480
<v Speaker 1>it was.

0:45:26.560 --> 0:45:29.399
<v Speaker 3>I mean, what's interesting about, you know, any any form

0:45:29.480 --> 0:45:32.080
<v Speaker 3>of art? And I really do think that that culinarian

0:45:32.160 --> 0:45:35.440
<v Speaker 3>cooking is in is an art form whole to it

0:45:35.520 --> 0:45:38.399
<v Speaker 3>the form of communication. And at that point in time,

0:45:39.320 --> 0:45:41.320
<v Speaker 3>you know, I was in my early thirties and I

0:45:41.440 --> 0:45:43.960
<v Speaker 3>was really not to say I was angry, but I

0:45:44.040 --> 0:45:46.960
<v Speaker 3>was in this in this headspace of like this almost

0:45:47.000 --> 0:45:49.120
<v Speaker 3>fight club sort of headspace. If I want to destroy

0:45:49.239 --> 0:45:52.160
<v Speaker 3>something beautiful, like all of the all of the pieces

0:45:52.200 --> 0:45:54.520
<v Speaker 3>of art I saw growing up, wouldn't it be fun

0:45:54.560 --> 0:45:57.480
<v Speaker 3>to just throw paint? Wouldn't it? Like let that intrusive

0:45:57.600 --> 0:46:01.520
<v Speaker 3>thought sort of I understand the empire, something beautiful in

0:46:01.560 --> 0:46:03.760
<v Speaker 3>front of you, and you just get to smash.

0:46:03.440 --> 0:46:08.680
<v Speaker 1>It in the genre of late night Kick the Living exactly,

0:46:08.800 --> 0:46:09.360
<v Speaker 1>I understand.

0:46:09.560 --> 0:46:12.000
<v Speaker 3>So, and I thought, you know, at that point in time,

0:46:12.120 --> 0:46:14.440
<v Speaker 3>like I want to make something beautiful, takes hours to

0:46:14.520 --> 0:46:18.800
<v Speaker 3>make one, and then give people the opportunity to just

0:46:19.000 --> 0:46:22.400
<v Speaker 3>smash it to pieces and eat it and destroy it,

0:46:22.520 --> 0:46:26.480
<v Speaker 3>and that becomes the art. That's the that is the thing.

0:46:26.600 --> 0:46:28.799
<v Speaker 3>It's not me making it. It's not the hours, it's

0:46:28.840 --> 0:46:30.839
<v Speaker 3>not the gold, it's not the colors, it's not all

0:46:30.880 --> 0:46:33.920
<v Speaker 3>of the filligree work. It's the actual destruction of it

0:46:34.040 --> 0:46:34.719
<v Speaker 3>that is the art.

0:46:38.920 --> 0:46:44.240
<v Speaker 1>So, so you you start to make this egg, these eggs,

0:46:44.640 --> 0:46:47.200
<v Speaker 1>how do you make like the faberc egg based on

0:46:47.360 --> 0:46:53.200
<v Speaker 1>of course the Faberge eggs made for the Czarina was it?

0:46:53.600 --> 0:46:57.440
<v Speaker 3>Yeah? Yeah, it was like you know, Russian, Russian, Russian.

0:46:58.920 --> 0:47:03.160
<v Speaker 4>I think it was something Bob Fiberg was making them, Yeah,

0:47:03.440 --> 0:47:06.680
<v Speaker 4>to please his wife, Yeah, and something. It's God's way

0:47:06.719 --> 0:47:13.480
<v Speaker 4>of saying, you have too much money, yeah one of So, yeah,

0:47:13.600 --> 0:47:16.640
<v Speaker 4>started making them. They're basically just you know, the the

0:47:16.760 --> 0:47:19.240
<v Speaker 4>making of them is quite easy. It's just molded chocolate

0:47:19.400 --> 0:47:22.359
<v Speaker 4>into an egg shape. And then it becomes a little

0:47:22.360 --> 0:47:25.520
<v Speaker 4>bit more challenging because you have to essentially fill it

0:47:25.600 --> 0:47:30.520
<v Speaker 4>with dessert and then hand paint each one in different

0:47:30.560 --> 0:47:32.080
<v Speaker 4>ways because each one was unique.

0:47:32.080 --> 0:47:34.920
<v Speaker 3>There was no two the same, and each.

0:47:35.280 --> 0:47:37.480
<v Speaker 1>Feel it like a syringe full of custard or something.

0:47:37.560 --> 0:47:38.879
<v Speaker 1>You put it insight the egg.

0:47:38.960 --> 0:47:41.520
<v Speaker 3>I'm not going to tell you how often it's got

0:47:41.600 --> 0:47:46.320
<v Speaker 3>to be a well, you know what, maybe we can yeah.

0:47:46.360 --> 0:47:49.960
<v Speaker 1>Maybe it's a hatch. It's a hatch. It's a little hatch.

0:47:50.760 --> 0:47:53.480
<v Speaker 1>Fill it up with custard and then right, okay, so

0:47:55.360 --> 0:47:59.520
<v Speaker 1>you filled your egg with custard with the hatch. With that,

0:48:00.600 --> 0:48:02.840
<v Speaker 1>you've closed the hatch, and then you have to decorate

0:48:02.880 --> 0:48:07.640
<v Speaker 1>the outside. So it's straight up sculpture at this point, right.

0:48:07.760 --> 0:48:10.600
<v Speaker 3>Yeah, it becomes I mean it's it's sculptured. It's also

0:48:10.680 --> 0:48:14.320
<v Speaker 3>hand painting. And and I gave you know, each of

0:48:14.400 --> 0:48:17.280
<v Speaker 3>my cooks was allowed to do as many as they wanted.

0:48:17.320 --> 0:48:19.040
<v Speaker 3>It was sort of like a project of like each

0:48:19.080 --> 0:48:22.120
<v Speaker 3>one of them could use whatever colors they want and decorate.

0:48:21.800 --> 0:48:26.600
<v Speaker 1>The however, sex Chef and the Faber interesting I wanted

0:48:26.680 --> 0:48:30.400
<v Speaker 1>them to. Wanted them with the paintings. It's like, you know,

0:48:30.719 --> 0:48:32.520
<v Speaker 1>you're like, okay, here's what we're going to do. And

0:48:32.600 --> 0:48:34.160
<v Speaker 1>then you start directing people to do it.

0:48:34.239 --> 0:48:36.440
<v Speaker 3>Yeah, yeah, I love this. But at the same time,

0:48:36.560 --> 0:48:38.120
<v Speaker 3>they can do whatever they want.

0:48:38.400 --> 0:48:42.960
<v Speaker 1>So you let your pastry that you're the executive pastry

0:48:43.040 --> 0:48:46.879
<v Speaker 1>chef and you're constructing the idea of the faberg egg.

0:48:47.120 --> 0:48:49.000
<v Speaker 1>You're the one that puts the custards through the hatch

0:48:49.480 --> 0:48:52.400
<v Speaker 1>with a syringe, with a syringe. And then they all

0:48:53.000 --> 0:48:55.320
<v Speaker 1>do you give them drawings and say let's do so No,

0:48:55.600 --> 0:48:56.160
<v Speaker 1>they just do it.

0:48:56.320 --> 0:48:58.360
<v Speaker 3>They can do whatever they want, right, Okay, Yeah, that

0:48:58.560 --> 0:49:00.440
<v Speaker 3>was sort of I wanted each of them.

0:49:00.360 --> 0:49:04.120
<v Speaker 1>To even with colors and stuff, your lie, anything they wanted.

0:49:04.480 --> 0:49:06.400
<v Speaker 1>That's cool for them as well, isn't it.

0:49:06.440 --> 0:49:08.480
<v Speaker 3>Well, I would hope so I always you know, it's

0:49:08.480 --> 0:49:10.640
<v Speaker 3>sort of like raising children. You're not trying to raise kids,

0:49:10.680 --> 0:49:13.560
<v Speaker 3>You're trying to raise adults, right, you know, nice And

0:49:13.680 --> 0:49:16.399
<v Speaker 3>I was never trying to raise cooks. I was trying

0:49:16.400 --> 0:49:17.600
<v Speaker 3>to raise chefs.

0:49:18.120 --> 0:49:18.400
<v Speaker 1>Nice.

0:49:18.520 --> 0:49:21.120
<v Speaker 3>I wanted them to be able to leave working for

0:49:21.280 --> 0:49:24.960
<v Speaker 3>me and and know a lot and and have confidence

0:49:25.200 --> 0:49:28.359
<v Speaker 3>and have a viewpoint and have an artistic thing to say,

0:49:28.440 --> 0:49:29.880
<v Speaker 3>and and yeah it.

0:49:30.000 --> 0:49:30.560
<v Speaker 1>Felt did it?

0:49:30.760 --> 0:49:30.920
<v Speaker 3>You know?

0:49:31.160 --> 0:49:34.080
<v Speaker 1>So the faberc egg now is that in the peninsula

0:49:34.160 --> 0:49:36.439
<v Speaker 1>that you do is they still do it. They still

0:49:36.520 --> 0:49:39.480
<v Speaker 1>do it. So if I had enough money, I could

0:49:39.480 --> 0:49:41.560
<v Speaker 1>go to the Peninsula and have a fabercy egg and.

0:49:41.600 --> 0:49:44.279
<v Speaker 3>A yeah and a speak t Yeah.

0:49:44.360 --> 0:49:45.880
<v Speaker 1>What would you what would you have with it? I

0:49:45.920 --> 0:49:48.279
<v Speaker 1>don't brink alcohol, so I couldn't have a dessert. Way, well,

0:49:48.320 --> 0:49:52.600
<v Speaker 1>I like espresso with express with dessert. I agree, yeah, yeah,

0:49:52.600 --> 0:49:55.759
<v Speaker 1>all right, so it's great, so you you can still

0:49:55.880 --> 0:49:57.560
<v Speaker 1>get And did they name it after you? Is it

0:49:57.640 --> 0:49:59.799
<v Speaker 1>the definitely? Is it the Boswelian?

0:50:00.280 --> 0:50:03.200
<v Speaker 3>No? No, no, because anytime, and this is the same

0:50:03.239 --> 0:50:06.319
<v Speaker 3>for Savory Side, anytime you create something in an establishment,

0:50:06.400 --> 0:50:09.360
<v Speaker 3>it naturally the ip sort of belongs to the establishment.

0:50:09.760 --> 0:50:09.920
<v Speaker 6>You know.

0:50:10.080 --> 0:50:12.439
<v Speaker 1>That's kind of the same like the old Late Night show,

0:50:12.920 --> 0:50:14.840
<v Speaker 1>like all the ship it all belongs to.

0:50:16.160 --> 0:50:18.840
<v Speaker 3>That's that's kind of how it works.

0:50:19.040 --> 0:50:22.000
<v Speaker 1>I guess, I suppose what did I get?

0:50:22.200 --> 0:50:22.279
<v Speaker 6>Oh?

0:50:22.360 --> 0:50:23.120
<v Speaker 1>Yeah, money, I guess.

0:50:23.560 --> 0:50:31.720
<v Speaker 3>Well, yeah, it's totally a castle.

0:50:32.080 --> 0:50:34.480
<v Speaker 1>Well, just because you've been in my eyes, get you

0:50:34.600 --> 0:50:35.840
<v Speaker 1>get to call it a castle.

0:50:36.239 --> 0:50:38.799
<v Speaker 5>It's because I've seen it, but I get to call

0:50:38.880 --> 0:50:42.160
<v Speaker 5>it a castle, COVID castle.

0:50:43.040 --> 0:50:45.920
<v Speaker 3>It's the whole like observation of it that leads me

0:50:46.040 --> 0:50:46.960
<v Speaker 3>to call it a cast.

0:50:47.320 --> 0:50:50.960
<v Speaker 1>Well, you. You're welcome to it again and here again anytime.

0:50:51.000 --> 0:50:52.000
<v Speaker 1>It's been lovely talking to you.

0:50:52.640 --> 0:50:53.480
<v Speaker 3>This has been amazing.

0:50:53.680 --> 0:50:56.080
<v Speaker 1>It's just such fun and I'm so glad you could

0:50:56.120 --> 0:50:59.120
<v Speaker 1>do it. Now get out all right? No, you know

0:50:59.320 --> 0:51:01.520
<v Speaker 1>it's we are at the end, we're done.

0:51:01.760 --> 0:51:04.080
<v Speaker 3>Can you do it in a full Malcolm Tucker for me?

0:51:04.200 --> 0:51:04.359
<v Speaker 4>Though?

0:51:04.640 --> 0:51:07.960
<v Speaker 1>No, I can't do that. Why not you could say

0:51:08.000 --> 0:51:11.520
<v Speaker 1>whatever you want, No, I can't. I don't. Haven't you

0:51:11.680 --> 0:51:16.680
<v Speaker 1>noticed No? No, I never maybe saying the opposite of

0:51:16.719 --> 0:51:18.080
<v Speaker 1>what's true for COVID, The effect