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Speaker 1: Thangco. Welcome to It's Up There podcast, your number one

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Speaker 1: place for business in podcasting rank number through these six

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Speaker 1: in little motherfucking world. Sit back, tron, up the volume

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Speaker 1: on your phone and enjoy the show with your homie

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Speaker 1: ana hosts. Big Loon Welcome to another episode of It

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Speaker 1: Up There Podcast. I am your active and attractive hosts

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Speaker 1: for another episode of the fastest growing podcasts on the

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Speaker 1: market right now. We currently sit at number thirty six

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Speaker 1: in the world. It's definitely a pleasure to be in

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Speaker 1: front of people and let people engage with what we

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Speaker 1: think is the current state of the culture. Right So,

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Speaker 1: if you are listening to the audio version of this podcasting,

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Speaker 1: you need to figure out where to find the video version.

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Speaker 1: You head over the fojilfo TV on YouTube. We have

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Speaker 1: a playlist with all of the four Leaf podcasts there. Um.

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Speaker 1: If you happen to click this from somewhere and you

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Speaker 1: need to figure out what this is you're listening to

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Speaker 1: when you in the podcast, you need to head to

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Speaker 1: wherever you get your podcasts and typing this up there

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Speaker 1: podcast with Luna and we should pop up um again.

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Speaker 1: Go to Patreon. Subscribe to Patreon for the vibrations. We

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Speaker 1: got brand new merch out it's up there podcast merch.

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Speaker 1: I got to see folks in the man. It's just

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Speaker 1: important that I'm able to look in the crowd and

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Speaker 1: what I call the crowd is on their net. See

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Speaker 1: for the new content creators, that's the crowd. That's who

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Speaker 1: were in front of putting our little game down. Whatever

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Speaker 1: we bring to the coach or whether that's commedy, whether

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Speaker 1: that's wrapped, whether that's poetry, whether that's painting, whether that's

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Speaker 1: a fashion, whether it's you know, hairstyle, and whether that's

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Speaker 1: you know, whatever that may be. Whatever that is though, right,

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Speaker 1: our crowd now is on the Internet, and so I

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Speaker 1: need to be to look in the crowd and see

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Speaker 1: you understand me that people is engaged and got it's

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Speaker 1: up their podcast legs, it's up their podcast shirt, sweaters,

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Speaker 1: hood is you understand me? To boggains, you know, all

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Speaker 1: kinds of stuff. So yeah, man, go tap in with that,

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Speaker 1: get you some of that and just stay in tune

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Speaker 1: and um. On top of what it is we got

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Speaker 1: going on now, a whole lot going on in the game.

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Speaker 1: This has been one of the most busiest weeks in

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Speaker 1: rap entertainment in regards to just our genre, right, that

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Speaker 1: niche that really controls the rest of the stuff. It's

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Speaker 1: been a real real heavy week on on that man.

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Speaker 1: I mean there's been a lot going on, very eventful.

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Speaker 1: So you know we're gonna have a really really really

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Speaker 1: really a really good part today. You know, it's just

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Speaker 1: it's just gonna be easy because it's too much to

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Speaker 1: talk go back, right, Um, what do we want to start?

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Speaker 1: What do? What do I want to start? Let's see,

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Speaker 1: because I don't want to jump right into the whack

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Speaker 1: one hundred of the Kanye because I need if you

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Speaker 1: know me, you know, I warm up so I get

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Speaker 1: you know, get into something a little softer because when

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Speaker 1: I get into that stuff, that stuff usually is a

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Speaker 1: it hits pretty good. Um, let's see what what do

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Speaker 1: we want to start at today? Um? I was thinking,

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Speaker 1: man when I was riding today. Man, you know I

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Speaker 1: went to my son game man speaking of that. Dudes

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Speaker 1: gotta be Carol for that day with these hats, you know,

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Speaker 1: like last week, I gotta have my hat on and

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Speaker 1: I don't have one of them messed up like dudes

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Speaker 1: has had fishing. Y'all didn't know that until today, man um,

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Speaker 1: I have had my first encounter with with such a

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Speaker 1: peculiar situation, you understand. So I'm you know, cheering my

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Speaker 1: son on. My son out there playing football. So I'm

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Speaker 1: moving with the with the with the ball as the

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Speaker 1: as they either go forward with the backwards. You know,

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Speaker 1: I'm moving. So I'm right here on the line because

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Speaker 1: my son played in the trenches right there, you understand me.

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Speaker 1: So for me, you know, I'm tapped in to my son.

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Speaker 1: I got it. And you know, dude next to me,

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Speaker 1: he got a hat on, you know, he got the

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Speaker 1: little police glasses on. I figure it's a lot of

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Speaker 1: military dads and things like that that be engaged with

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Speaker 1: these kind of things. They happen to see me, you know. Yeah.

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Speaker 1: So you know, I mean as far as where I

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Speaker 1: met seeing the hood, all the dad is, you know,

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Speaker 1: the real street dudes, they out there with their kids, right,

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Speaker 1: So I just happened to be out here. What is

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Speaker 1: this kind of people at? Right? So it's all good.

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Speaker 1: So now I'm im messing with my son. Me and

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Speaker 1: this dude having a conversation. Dude telling me he see

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Speaker 1: he embarrassing his son. And for me, you know, he's

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Speaker 1: like I'm like, man, because I'm seeing I'm stuck. I

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Speaker 1: can't get hard on my son, like I need to

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Speaker 1: about things that I don't see as being essential, right,

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Speaker 1: like football or sports. You know, I need you to

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Speaker 1: play sports for the for the mentality, for to understand camaraderie,

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Speaker 1: to understand team work, to understand leadership, understand failing, understand

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Speaker 1: doing something that's hard. I need you to go through

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Speaker 1: that so you're not always trying to put yourself in

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Speaker 1: places to do easy stuff because that makes you a

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Speaker 1: weak man. Um, So I got you know, I don't

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Speaker 1: necessarily say say I see him out there and say

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Speaker 1: he take a playoff. I'm not necessarily like some fathers are,

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Speaker 1: because you got some fathers. Little Rona, you took a

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Speaker 1: play I told you go get the ball. Shut you know,

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Speaker 1: they really really in it for me. You know, I

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Speaker 1: might tell him what's up? You tell what you doing? Man?

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Speaker 1: You gotta turn up man, stay out there, you know,

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Speaker 1: because I don't put too much into that. But uh,

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Speaker 1: this dude here, son, you know, got run over other

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Speaker 1: dude on another team and take him. Man, they young

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Speaker 1: boy boom run him over. He go to crying right now.

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Speaker 1: Of course I'm gonna tell my son, stopped crying, right,

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Speaker 1: stop crying. Let's stop crying. Let's try to figure out

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Speaker 1: you know, I know that's your emotion. This happened out.

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Speaker 1: I was telling him. They just don't know how to

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Speaker 1: control disappointment. They don't know what to do with it, right.

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Speaker 1: They ain't got enough experience with disappointment on the high level,

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Speaker 1: so when it happened, they don't know how to compartmentalize it. Right.

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Speaker 1: So any way, the little dude son get run over.

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Speaker 1: Boom and his son come out. He said, man, you

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Speaker 1: need to stop crying. Man, you're gonna get run over again. Man.

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Speaker 1: Go oh man, you man, you man, you tripping. Man,

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Speaker 1: you acting like a girl. Man, you need it. And

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Speaker 1: I'm sitting right there like, man, it's cutting deep. There's

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Speaker 1: plenty of people out here, right. So then in one end,

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Speaker 1: I get it right. You're talking him up, you're letting

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Speaker 1: him know, hold him to a standard. But you can

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Speaker 1: cut two with that. You gotta really know your son.

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Speaker 1: And so for me, as being a father active father,

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Speaker 1: I just assume I guess you know your son, and

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Speaker 1: that don't cut him. But then um, I look I

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Speaker 1: look over at him and he telling me said, well,

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Speaker 1: he'd be talking because I'm like, what's up, bro, why

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Speaker 1: are you Why are you getting on him like that?

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Speaker 1: He like, But he'd be talking crazy to me in

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Speaker 1: the house. I was like, I'll said, they must have

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Speaker 1: that kind of relationship. Um, and the little boy kept

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Speaker 1: crying and kept crying and you know what I'm saying,

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Speaker 1: and like, and he was just being hard on him.

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Speaker 1: And then he pulled him on. But now he was

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Speaker 1: I ain't gonna say being hard on him. He was

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Speaker 1: telling him, man, you're gonna get him back, you know.

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Speaker 1: After I would started talking to him like brother, they

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Speaker 1: don't just know what to do. They'd be disappointed. I'd

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Speaker 1: be telling him, don't cry, and you can't cry with

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Speaker 1: you crying about, Like, bro, you gotta figure out what

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Speaker 1: to do with the disappointment, you know what I mean.

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Speaker 1: Funnel that out, bring it back, and then take it

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Speaker 1: out on somebody out there, right at least try to

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Speaker 1: redirect it however that be. But again, they don't know

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Speaker 1: what to do with such an intense feeling disappointments, such

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Speaker 1: an intense feeling disappointments. It's the same way that the

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Speaker 1: young women, they don't know what to do with love

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Speaker 1: is such an intense feeling. It's so intense that when

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Speaker 1: you first fall in love for the first time, you

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Speaker 1: tend to think, man, this is it for me. You

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Speaker 1: would tell yourself that, but you seventeen twenty twenty two

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Speaker 1: like you, But when you thirty two, you'll be a

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Speaker 1: totally different than But you don't get that right. Um. Anyway,

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Speaker 1: So after that happened, right, me and dude talking down.

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Speaker 1: He kicking his game. I'm trying to I'm looking at

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Speaker 1: the game. I'm still listening to him, kind of talking

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Speaker 1: to him. A good play getting made on a field. Boom.

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Speaker 1: I look over at him. We talked. He said, yeah, yeah, yeah,

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Speaker 1: they're doing their thing. I said, yeah, they're killing it. Boy,

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Speaker 1: they're going hard today. I look off and look back,

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Speaker 1: and then somebody else right there. I asked him, Then what, dude,

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Speaker 1: go it? Son just made a playing He looked around

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Speaker 1: like what he'd undone was, took his hat off, look

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Speaker 1: like a totally different individual. Fires just you know, because

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Speaker 1: I'm not looking at him like you know, I'm glimpsing,

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Speaker 1: just because we're looking at the game. But we're talking though,

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Speaker 1: you understand what I'm saying. We love him, Like, damn,

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Speaker 1: what dude, go man son just thinking someone number some

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Speaker 1: twelve or eighteen. It was something and I was like, man,

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Speaker 1: your son, his dude son just the He was like, yeah,

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Speaker 1: yeah he did. Man. I'm like, oh, man, that's the due.

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Speaker 1: But I say that to say, man, that halt fished

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Speaker 1: thing is a real thing. I don't know what y'all

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Speaker 1: woman gonna do with that, because that's that's almost worse

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Speaker 1: than We've because at least with We've, you can still

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Speaker 1: have that on, you know, when you get out the

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Speaker 1: shower and everything that when that that hat gat. Don't

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Speaker 1: sleep in the hat, fam, Bro, get out the shower

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Speaker 1: with the hat on. Bro. You know what I'm saying.

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Speaker 1: You got pajamas and a hat on. Bro, Like you

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Speaker 1: feel me? So it gets weird, man, But yeah, y'all

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Speaker 1: got to look out for that. Man. That's a real thing.

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Speaker 1: I want to I want to reiterate and I want

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Speaker 1: to kind of clarify something I said because a lot

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Speaker 1: of people listen to me and then they kind of

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Speaker 1: use some of the game that I put down and

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Speaker 1: sometimes I got to revisit it just to clarify. But

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Speaker 1: I told people that I never lose, and I think

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Speaker 1: they may have misconscrewed that it took that in a

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Speaker 1: way is me saying that I never face defeat. But

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Speaker 1: losing and facing defeat is two different things. And I

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Speaker 1: got to reiterate that because I know the baby is watching.

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Speaker 1: And sometimes the words they take them for exactly what

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Speaker 1: they say. They don't put context around it, right, So

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Speaker 1: sometimes when I want, it burns my spirit. After I

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Speaker 1: say something, it's being effective out there and I'm riding

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Speaker 1: and I think I need to go clarify there, for

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Speaker 1: they think that a loss mean that you ain't doing

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Speaker 1: no good. That defeat me and you ain't doing no good. Right,

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Speaker 1: So I said, I'm gonna come clarify that. But but

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Speaker 1: but what I'm saying is I'm you're gonna face defeat.

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Speaker 1: Now the problem comes in and I said, loing, Well,

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Speaker 1: you say you don't lose, bro, because you you learn.

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Speaker 1: Even if you face defeat, you walk away with a lesson.

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Speaker 1: So it ain't a loss, it's a lesson. It ain't

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Speaker 1: a loss. It's a lesson. Now what happens is what

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Speaker 1: we once be careful love is that we don't want

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Speaker 1: to be in a situation where once you learn from

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Speaker 1: that thing at one time that you got to learn

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Speaker 1: from it again and again. And because now you're no

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Speaker 1: longer learning from it, this is now a loss. This

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Speaker 1: ain't facing defeat where you can walk away with a

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Speaker 1: lesson and still be a winner. This is now a

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Speaker 1: loss because you're indulging in what you know. It's detrimental

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Speaker 1: in regards to the outcome. Right, So it places you

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Speaker 1: in a situation and where now you become a loser

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Speaker 1: when you indulge with things that you continue to lose in.

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Speaker 1: Once you get the lesson and move away from it,

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Speaker 1: you become a winner. You can't you can't tell down

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Speaker 1: what you can't touch. You see what I'm saying. You can't.

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Speaker 1: You can't you can't destroy what you didn't build. But see,

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Speaker 1: people tend to think that means that you can't bomb

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Speaker 1: on what you didn't build. You can bomb on it,

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Speaker 1: you ma can knock a little bit of it down,

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Speaker 1: but you can't destroy it. Words have meanings, Meanings have

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Speaker 1: wait attach to him. You gotta always consider what somebody's saying. Man.

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Speaker 1: That's what makes some of the scriptures and things so

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Speaker 1: powerful is because of the choice of words. Some of

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Speaker 1: it is left for interpretation all these years later because

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Speaker 1: of the choice of words. So you gotta be engaged

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Speaker 1: even be able to follow somebody like me on this

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Speaker 1: journey that I'm on. Right, I will say this, a

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Speaker 1: lot of people coming at me. They're saying, what you're doing,

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Speaker 1: my brother. It's something that the coaching needs, and I

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Speaker 1: want to say things. Thank you everybody that's doing that.

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Speaker 1: After this break, we'll be back breaking a game down

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Speaker 1: with each of their podcast stay tune. So, um, we

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Speaker 1: got we got a whole lot to talk about the day,

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Speaker 1: you know, for those of you that don't know. Um again,

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Speaker 1: it's been a very eventful week in the culture. Man.

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Speaker 1: We got Kanye West living in stadiums. We got Drake

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Speaker 1: with the subtle reminder that the boys is home. Um,

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Speaker 1: we got Takashi in Whack one hundred. We got my

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Speaker 1: song like, it's so much stuff going on. Then we

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Speaker 1: got Um the skater, first kind of black skater guy

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Speaker 1: throwing up crib he's died. It's it's so much going on.

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Speaker 1: So I think I'm gonna go ahead and get into

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Speaker 1: the Whack one hundred situation, just because I know a

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Speaker 1: lot of people come here to hear, you know, what

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Speaker 1: my thoughts are in regards to things like this, especially

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Speaker 1: seeing that I understand both sides of the game from

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Speaker 1: a very high level. So let me just lay the

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Speaker 1: framework down for for those of you that don't know.

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Speaker 1: DJ Academics has a podcast now that's out on Spotify.

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Speaker 1: His first episode, as I called eight months ago, would

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Speaker 1: be with Takashi six nine. He added whack one hundred

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Speaker 1: to that situation, and then the interview ensued following that.

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Speaker 1: Whack one hundred took a lot of backlash when Pitchers

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Speaker 1: would just revealed prior to the interview being dropped. Now

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Speaker 1: that the interview has actually dropped, we kind of get

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Speaker 1: to get a glimpse into what the conversation was, the environment,

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Speaker 1: the atmosphere, and there was a lot. It was a

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Speaker 1: lot going on that you probably got to be cut

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Speaker 1: from a certain cloth to understand. See what Takashi don't

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Speaker 1: know is in the streets. See this is why I say,

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Speaker 1: and I'm gonna get to it in a real, real way.

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Speaker 1: But Takashi don't know. He don't know about the Triple Cross.

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Speaker 1: He can't know about the Triple Cross. He has a boss.

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Speaker 1: As a boss, it's my job to understand the position

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Speaker 1: that the team is in. It's my job, right. So

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Speaker 1: when you got a dude sitting across from you and say, Yo,

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Speaker 1: tell your team to come on camera, it's my job

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Speaker 1: to say, my team won't come on No, my team

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Speaker 1: ain't coming on camera. We don't need my team to

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Speaker 1: come on camera. This ain't about my team, right, But

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Speaker 1: you play in too it because you don't have any boundaries. See,

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Speaker 1: street dudes got firm boundaries because we understand deaf is

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Speaker 1: on the other side of certain mistakes. So we got

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Speaker 1: strong boundaries. We're not gonna just hey, tell your your

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Speaker 1: team to come on camera. Man, I wish they would

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Speaker 1: come on camera. Oh, but I let my team come

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Speaker 1: on camera. What that's you? I've that you like to

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Speaker 1: eat a whole bunch of carbs. I don't like the

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Speaker 1: many carbs, right, were different home? How you surviving? What

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Speaker 1: you do? Don't got nothing to do with me. But

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Speaker 1: Takasha ain't him. He don't he don't he don't have

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Speaker 1: no foundation. He looking for a way. So if you

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Speaker 1: say this one, I'm trying to tell another classic case

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Speaker 1: of being tricked out your spot. If you tell Takasha man,

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Speaker 1: you ain't no real street dude. If you don't show

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Speaker 1: your team, he'll show his team. Man, he ain't no

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Speaker 1: real street dude. If you don't come on that with

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Speaker 1: no security here, come on right. So the man don't

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Speaker 1: understand what's really going on. And somewhere along the lines,

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Speaker 1: he's lost his way. He's lost his way what he

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Speaker 1: think he is and what he actually is. The circumstances

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Speaker 1: he think is surrounding his actions and the events and

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Speaker 1: the reality of the situation is different. And the only

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Speaker 1: reason I say Takasha six nine is nine in touch

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Speaker 1: real reality. It's because when you sit there and say, Hey,

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Speaker 1: your Chicago dudes not like that, yo. We're looking at

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Speaker 1: the numbers, a slim We're looking at these they like that,

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Speaker 1: they do this, yo, These rapper dudes not like that. Well,

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Speaker 1: you know, I think it's almost like you ever seen

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Speaker 1: a dude get cheated on by a girl and then

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Speaker 1: he gotta keep telling itself. Now, she didn't cheat on me.

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Speaker 1: Then she wouldn't do that to me. She wouldn't do

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Speaker 1: you be like, bro, you caught her in the bed. Bro. Nah, Man,

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Speaker 1: that wasn't like kad, It wasn't really like ka. He

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Speaker 1: gotta he gotta do that for him to be comfortable

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Speaker 1: with being able to maneuver around, because if he actually

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Speaker 1: took these things serious, it was scammed the death. You

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Speaker 1: gotta nigga to try to trick themselves. I ain't scared

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Speaker 1: of you, motherfucker. I ain't scared of you, motherfucker the

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Speaker 1: whole time. I'm just trying to get close to you. Yeah, okay, Yeah, no, No,

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Speaker 1: I don't be scared. I don't need nobotter Frey, I

317
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Speaker 1: don't need no better afraid. I need you to walk

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Speaker 1: right into this bad trap. Do not be afraid, and

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Speaker 1: he will be somebody that will do that. Now, well,

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Speaker 1: I'm gonna tell you something about this Whack one hundred

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Speaker 1: and ta Kascia six nine the DJ Academics podcast interview.

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Speaker 1: In my opinion, this interview could lead to the DELF

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Speaker 1: for Takashia six nine. Right. See, you gotta always remember

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Speaker 1: what's going on. Part of the reason people ain't moved

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Speaker 1: on the guy, it's because they don't have any intail

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Speaker 1: on the dude in the streets. You don't. It's very

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Speaker 1: resaldom that they approach what they don't know. It's either

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Speaker 1: one or two things people been telling them, and he

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Speaker 1: he ain't gonna do nothing. He ain't gonna do nothing.

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Speaker 1: They're running into that and possibly get killed or there.

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Speaker 1: But they're at the ad to get him the strength

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Speaker 1: to go on with they move. You see what I'm saying.

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Speaker 1: So if if somebody is thinking he got police, he

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Speaker 1: got now this may lead to his death because you

335
00:20:04,160 --> 00:20:06,480
Speaker 1: just showed your team, then you gotta do who Some

336
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Speaker 1: people don't respect some people in the game don't. They

337
00:20:10,160 --> 00:20:13,280
Speaker 1: don't look at Whack like that. You know, I like

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Speaker 1: what Wax say. You know, I gotta have a conversation

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Speaker 1: myself with him. I don't know him, but he I

340
00:20:19,040 --> 00:20:23,040
Speaker 1: received him as as a as an honorable guy. When

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Speaker 1: he does something like this, this is what confuses me. Right,

342
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Speaker 1: But some people don't hold Whack to oh, let my

343
00:20:31,600 --> 00:20:34,960
Speaker 1: team gonna do this and not. They don't. They don't

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Speaker 1: buy into that. So when they see him sitting next

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Speaker 1: to you saying your team ain't ready, they like, oh,

346
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Speaker 1: and then you try to go off camera kind of

347
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Speaker 1: insinuate that you know you might gotta file him. That's

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Speaker 1: the lease of your words, beloved. I just think the

349
00:20:56,640 --> 00:21:01,960
Speaker 1: intail that was never there. It's what caused people not

350
00:21:02,080 --> 00:21:04,639
Speaker 1: to move on the guy ain't during this interview, and

351
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Speaker 1: Whack one hunter got you bringing your team on camera.

352
00:21:07,440 --> 00:21:09,720
Speaker 1: You got saying your team ain't ready. You got one

353
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Speaker 1: dude with it is about something you didn't disrespect the

354
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Speaker 1: twenty five fifty people that may got teams that all

355
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Speaker 1: move or got the money to make something move. So

356
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Speaker 1: one guy too, guy, five guys they worried about as

357
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Speaker 1: the police within him. So keep campaigning that the police

358
00:21:31,920 --> 00:21:33,760
Speaker 1: ain't with your man, and then I think it's gonna

359
00:21:33,760 --> 00:21:37,440
Speaker 1: be an attempt at some point. You see what I'm saying.

360
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Speaker 1: But you gotta be careful with these guys. Man, These

361
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Speaker 1: street guys, they trip across they you know, and not

362
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Speaker 1: saying Whack could do that, But I'm saying where I

363
00:21:46,000 --> 00:21:48,720
Speaker 1: come from. You know what I'm saying. You don't you know,

364
00:21:49,000 --> 00:21:51,480
Speaker 1: hey man? And then if I would have showed up,

365
00:21:51,480 --> 00:21:53,399
Speaker 1: I would have either showed up by myself where he

366
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Speaker 1: knew nothing, or I'd have showed up with so much

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00:21:56,320 --> 00:21:58,120
Speaker 1: going on that he'd be like, nah, they can't get

368
00:21:58,160 --> 00:22:01,280
Speaker 1: to do you don't show up like this. It didn't

369
00:22:01,320 --> 00:22:04,240
Speaker 1: play into the narrative, not for Whack. This ain't for Whack.

370
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Speaker 1: You know what this is? He reporting line from the trap.

371
00:22:09,400 --> 00:22:11,920
Speaker 1: If you think ain't nobody reached out to Whack or

372
00:22:11,960 --> 00:22:15,080
Speaker 1: they ain't got people picking information from Whack to try

373
00:22:15,119 --> 00:22:19,040
Speaker 1: to figure out, Hey, what is he? And Whack ain't

374
00:22:19,080 --> 00:22:21,440
Speaker 1: got no task too? How we know that the call

375
00:22:21,560 --> 00:22:23,879
Speaker 1: can't come down to make Whack obligated to give some

376
00:22:24,080 --> 00:22:28,360
Speaker 1: information up Whack what what? Whack fall up under something too?

377
00:22:30,440 --> 00:22:33,080
Speaker 1: But the little dude think this is all entertainment. What

378
00:22:33,200 --> 00:22:35,480
Speaker 1: happens is they let he got away with stuff for

379
00:22:35,560 --> 00:22:38,280
Speaker 1: too long. He almost like a child that you let

380
00:22:38,440 --> 00:22:42,560
Speaker 1: run off and right on the walls and break the

381
00:22:42,760 --> 00:22:46,600
Speaker 1: dishes and got fooled under their bed now and you

382
00:22:46,640 --> 00:22:51,200
Speaker 1: ain't doing nothing about it, you know. So they they man,

383
00:22:51,440 --> 00:22:55,680
Speaker 1: there's nothing wrong with this behavior now, even if it

384
00:22:55,960 --> 00:22:59,880
Speaker 1: is something that could possibly if there's some consequences possibly

385
00:23:00,000 --> 00:23:04,560
Speaker 1: on the other side of this. They're not as extreme

386
00:23:04,640 --> 00:23:07,439
Speaker 1: as y'all want me to believe, because they's never happened

387
00:23:07,480 --> 00:23:10,080
Speaker 1: to me, And I'm not really from the hood, so

388
00:23:10,160 --> 00:23:12,960
Speaker 1: I haven't seen it happened to none of my comrades.

389
00:23:13,000 --> 00:23:16,480
Speaker 1: I come from, baring my friends, a young gages, my

390
00:23:16,640 --> 00:23:20,440
Speaker 1: family and young ages sometimes for things they didn't do,

391
00:23:20,640 --> 00:23:25,240
Speaker 1: but situations that occurred, right, so you know that, Hey man, people,

392
00:23:26,320 --> 00:23:28,960
Speaker 1: So for me, we don't play like that. But you

393
00:23:29,119 --> 00:23:31,720
Speaker 1: must be in a situation to understand the games of

394
00:23:31,840 --> 00:23:37,919
Speaker 1: the streets. The games are the streets dog and then

395
00:23:38,000 --> 00:23:42,320
Speaker 1: it's always boys, some undercover game going on that you know.

396
00:23:42,480 --> 00:23:44,960
Speaker 1: I don't want to necessarily say it's the case, but

397
00:23:45,080 --> 00:23:48,000
Speaker 1: it's important that you make sure you in tune with

398
00:23:48,040 --> 00:23:51,040
Speaker 1: what's going on. Another thing I noticed about the little

399
00:23:51,119 --> 00:23:56,440
Speaker 1: dude is he don't have enough game to understand what's happening. Right.

400
00:23:56,800 --> 00:23:59,040
Speaker 1: It's the same way if you don't talk route. If

401
00:23:59,359 --> 00:24:01,000
Speaker 1: you if you're a studio with me and I go

402
00:24:01,080 --> 00:24:03,280
Speaker 1: to saying yo poor, the equ could press the vocal

403
00:24:03,359 --> 00:24:05,080
Speaker 1: a little bit, put a quarter to lay on that

404
00:24:05,240 --> 00:24:09,879
Speaker 1: and make sure the reverb is cut the reverb down something,

405
00:24:11,040 --> 00:24:12,639
Speaker 1: you know what I mean? Looking around, like, what was

406
00:24:12,720 --> 00:24:20,280
Speaker 1: he talking about? And Takashi don't understand street lingo? Sneak

407
00:24:20,359 --> 00:24:27,159
Speaker 1: is street lingo? Right, So let's be clear about something.

408
00:24:28,320 --> 00:24:32,960
Speaker 1: If you tell me that you a gangster and I

409
00:24:33,119 --> 00:24:37,399
Speaker 1: call you a sivilian, I'm calling you a bitch. And

410
00:24:37,520 --> 00:24:42,600
Speaker 1: I try not to cuss because I'm running as at

411
00:24:42,600 --> 00:24:46,720
Speaker 1: a very high level. But if if you think you

412
00:24:46,840 --> 00:24:50,840
Speaker 1: a gangster and I call you a civilian. I'm calling

413
00:24:50,880 --> 00:24:54,639
Speaker 1: you a bit because I'm basically telling you that you

414
00:24:54,800 --> 00:24:59,120
Speaker 1: confuse little nigga. I'm telling you that you don't got

415
00:24:59,200 --> 00:25:00,960
Speaker 1: what it takes to be what it is you think

416
00:25:01,040 --> 00:25:05,240
Speaker 1: you wis. You don't even possess the skill set. And

417
00:25:05,400 --> 00:25:10,200
Speaker 1: then compounded with that, I tell you, yo, never little

418
00:25:10,280 --> 00:25:16,040
Speaker 1: dude got gangster thoats. Now do you know what I'm

419
00:25:16,119 --> 00:25:20,080
Speaker 1: telling you about you? If I tell you that you

420
00:25:20,200 --> 00:25:26,160
Speaker 1: got gangster thoughts, do that that don't even like See

421
00:25:27,560 --> 00:25:31,040
Speaker 1: if you didn't come up under this, you don't know

422
00:25:31,119 --> 00:25:35,520
Speaker 1: how to get around this. These little dudes are coming

423
00:25:35,640 --> 00:25:41,359
Speaker 1: from spots where it's easy to blend in. It's easy

424
00:25:41,440 --> 00:25:48,639
Speaker 1: to fake it, it's easy to talk like this. Nobody's

425
00:25:48,720 --> 00:25:51,359
Speaker 1: never done not until you. You've never seen it happened

426
00:25:51,440 --> 00:25:54,520
Speaker 1: next to you. I've been standing right here and somebody's

427
00:25:54,600 --> 00:25:58,600
Speaker 1: died right there, not a drive by, a walk up.

428
00:26:01,000 --> 00:26:04,760
Speaker 1: So my mentality is way different than something. Dude, they

429
00:26:04,840 --> 00:26:07,159
Speaker 1: think they ain't like that. I think they liked that.

430
00:26:08,200 --> 00:26:13,959
Speaker 1: I'm handling them like they liked that. I'm I'm because

431
00:26:14,359 --> 00:26:16,960
Speaker 1: I've seen it happen. And the interview kept going on.

432
00:26:17,119 --> 00:26:22,120
Speaker 1: The interview was two to three hours long, and then

433
00:26:22,480 --> 00:26:27,119
Speaker 1: a part came up the well, they got into this

434
00:26:27,240 --> 00:26:32,080
Speaker 1: space where they were talking about who snitched on who? Right,

435
00:26:32,920 --> 00:26:34,960
Speaker 1: and I'm gonna play a little clip from it, But

436
00:26:35,040 --> 00:26:36,840
Speaker 1: they got to this place where they talked about who

437
00:26:36,920 --> 00:26:39,520
Speaker 1: snitched on who and why you know, wat kind of

438
00:26:39,560 --> 00:26:42,119
Speaker 1: gave him out and was like, Yo, this New York business,

439
00:26:42,160 --> 00:26:44,920
Speaker 1: we don't worry about that. And not to say we

440
00:26:45,080 --> 00:26:49,359
Speaker 1: do worry about that, right, but when when you don't

441
00:26:49,400 --> 00:26:52,960
Speaker 1: worry about something, that means you don't engage with it,

442
00:26:54,240 --> 00:26:57,240
Speaker 1: meaning we don't necessarily co saying it. Oh we don't

443
00:26:57,359 --> 00:26:59,920
Speaker 1: it just y'all need to deal with y'all back, y'all,

444
00:27:00,160 --> 00:27:04,159
Speaker 1: h But we definitely don't poke no gasoline. Don't it

445
00:27:04,240 --> 00:27:06,840
Speaker 1: either way, because that's a co sign. We know where

446
00:27:06,880 --> 00:27:11,240
Speaker 1: we're from. We know when when when when they dude

447
00:27:11,400 --> 00:27:13,639
Speaker 1: kill my cousin, and then and you standing next to

448
00:27:13,680 --> 00:27:15,600
Speaker 1: the dude to kill my cousin, we know how I

449
00:27:15,640 --> 00:27:20,919
Speaker 1: feel about you. We see why fifty done done at

450
00:27:20,960 --> 00:27:24,280
Speaker 1: the buck when he was running around and standing next

451
00:27:24,280 --> 00:27:26,640
Speaker 1: to some of these guys that had some real issues

452
00:27:26,720 --> 00:27:28,600
Speaker 1: with him. We know what they mean when you standing

453
00:27:28,640 --> 00:27:30,760
Speaker 1: next to the guy that's standing next to the people.

454
00:27:33,560 --> 00:27:37,280
Speaker 1: If I was in the street selling whatever I was

455
00:27:37,359 --> 00:27:42,880
Speaker 1: selling and now you ain't the police, but you hang

456
00:27:43,080 --> 00:27:45,920
Speaker 1: with the police, then I gotta treat you like what

457
00:27:47,920 --> 00:27:54,520
Speaker 1: where we come from? Or should I ignore that? I'm

458
00:27:54,600 --> 00:27:56,920
Speaker 1: not gonna ignore that. I don't have that luxury. My

459
00:27:57,040 --> 00:28:00,920
Speaker 1: family depend on me to make sound decision when my

460
00:28:01,040 --> 00:28:05,520
Speaker 1: freedom is at the forefront. So you can't ask me

461
00:28:05,640 --> 00:28:09,159
Speaker 1: to be naive enough to say, yo, you see me,

462
00:28:09,640 --> 00:28:12,160
Speaker 1: you know. But but see, this is why they're getting

463
00:28:12,200 --> 00:28:16,080
Speaker 1: getting you at. They saying that it's entertainment, and they

464
00:28:16,160 --> 00:28:19,360
Speaker 1: and they they switching it over to the entertainment and saying, nah,

465
00:28:19,400 --> 00:28:27,879
Speaker 1: this is entertainment. It ain't entertainment. When well, let me

466
00:28:28,000 --> 00:28:30,480
Speaker 1: let me go back, because I gotta speak about this.

467
00:28:31,040 --> 00:28:32,960
Speaker 1: They got to this point, and I'm gonna play a

468
00:28:33,040 --> 00:28:36,240
Speaker 1: clip of it where they got to this point where

469
00:28:36,240 --> 00:28:39,160
Speaker 1: they kind of started talking about, you know, why do

470
00:28:39,320 --> 00:28:41,720
Speaker 1: people care that out snitch. I didn't snitch on them.

471
00:28:41,840 --> 00:28:43,960
Speaker 1: I didn't do this and I didn't do that. Let's

472
00:28:44,000 --> 00:28:45,960
Speaker 1: hear a little bit from the CLIPM and the world

473
00:28:46,000 --> 00:28:49,800
Speaker 1: come back. Why don't running to him? Before I got

474
00:28:49,920 --> 00:28:51,880
Speaker 1: to go running to him. He gotta run into all

475
00:28:51,960 --> 00:28:54,120
Speaker 1: of all the fucking dead friends he got the people

476
00:28:54,240 --> 00:28:57,480
Speaker 1: killed them, they still walking. I don't know about situation. Listen,

477
00:28:57,680 --> 00:28:59,800
Speaker 1: let's get back to twenty one Savage. This is what

478
00:28:59,880 --> 00:29:04,440
Speaker 1: I mean about this. I said this five minutes ago,

479
00:29:04,680 --> 00:29:06,480
Speaker 1: and now we're getting to the point because he wanted

480
00:29:06,720 --> 00:29:12,360
Speaker 1: were you in the club or where you acause I

481
00:29:12,520 --> 00:29:14,360
Speaker 1: want to figure out the point, all right, both in

482
00:29:14,400 --> 00:29:17,680
Speaker 1: the same club. Everybody. Everybody's clear on that the club.

483
00:29:18,480 --> 00:29:21,760
Speaker 1: That mean, So we gotta get to the point. You

484
00:29:21,880 --> 00:29:24,160
Speaker 1: know where he talked about twenty one Savage. A lot

485
00:29:24,240 --> 00:29:26,800
Speaker 1: going on with that situation, y'all hold on him trying

486
00:29:26,840 --> 00:29:30,280
Speaker 1: to unpack this will definitely get to the twenty one Savage.

487
00:29:30,320 --> 00:29:32,600
Speaker 1: So we're in the part of this interview where he's

488
00:29:32,640 --> 00:29:35,680
Speaker 1: talking about seeing twenty one Savage in the club, and

489
00:29:35,800 --> 00:29:39,240
Speaker 1: they're gonna kind of get into uh Snoop Dogg and

490
00:29:39,320 --> 00:29:42,760
Speaker 1: some different things about why so many people is worried

491
00:29:42,760 --> 00:29:46,080
Speaker 1: about him telling what I'm saying. I think you was

492
00:29:46,280 --> 00:29:49,440
Speaker 1: in the same club as twenty one Savage, but you

493
00:29:49,760 --> 00:29:56,560
Speaker 1: was not, yea. He trying to confuse you walk over

494
00:29:56,720 --> 00:29:59,280
Speaker 1: him like you walking the fields on him. No, I

495
00:29:59,320 --> 00:30:02,400
Speaker 1: don't have to go. Also, twenty one at statically watch this.

496
00:30:03,960 --> 00:30:05,920
Speaker 1: You send me that video problem, you send me that

497
00:30:06,320 --> 00:30:10,560
Speaker 1: I never mentioned twenty one show me no video you

498
00:30:10,640 --> 00:30:12,960
Speaker 1: and your section? No, no, no alms. No, I'm not going.

499
00:30:13,120 --> 00:30:15,960
Speaker 1: I'm not doing that. I was on I was. I

500
00:30:16,040 --> 00:30:18,240
Speaker 1: don't you know. I never met twenty one Savage. I

501
00:30:18,360 --> 00:30:20,440
Speaker 1: heard that he not even from America, he from England.

502
00:30:20,760 --> 00:30:23,240
Speaker 1: I was spoke to twenty one personally. Yes, no issues,

503
00:30:23,600 --> 00:30:26,000
Speaker 1: So I'm gonna be I know who got an issue? Though?

504
00:30:26,040 --> 00:30:28,160
Speaker 1: Why say? Why say I know who got Let me

505
00:30:28,240 --> 00:30:34,760
Speaker 1: finish after you don't have enough money for that. I

506
00:30:34,840 --> 00:30:36,440
Speaker 1: walk around with me and I was cash every day.

507
00:30:36,720 --> 00:30:41,360
Speaker 1: Listen how much money? Let me get back to wait

508
00:30:41,400 --> 00:30:44,320
Speaker 1: for the same way for the writing right down the

509
00:30:44,360 --> 00:30:49,400
Speaker 1: money Listen, yo, who I was gonna sign for the

510
00:30:49,440 --> 00:30:51,840
Speaker 1: eight and roll ship twenty million? Okay? So you telling

511
00:30:51,880 --> 00:30:54,800
Speaker 1: me right now? Much? See this is what I'm saying

512
00:30:54,840 --> 00:31:03,440
Speaker 1: about in tail and tell now after twenty million dollar

513
00:31:03,520 --> 00:31:06,560
Speaker 1: move go go through, it ain't worth for me giving

514
00:31:06,600 --> 00:31:10,720
Speaker 1: the intail love because I stand to make that percent

515
00:31:10,840 --> 00:31:14,320
Speaker 1: of that for just doing this and being involved with it.

516
00:31:14,400 --> 00:31:25,520
Speaker 1: Of the twenty ms now right, But the intail, ask

517
00:31:25,600 --> 00:31:30,600
Speaker 1: yourself why blue Face manager. It's a line with Takashi.

518
00:31:31,680 --> 00:31:34,040
Speaker 1: I've seen this happening in the streets so much. Dog,

519
00:31:34,160 --> 00:31:36,680
Speaker 1: I'm telling man, man, dudes get close to dudes. It's

520
00:31:36,760 --> 00:31:41,479
Speaker 1: close to dudes. They just need a little information. They

521
00:31:41,560 --> 00:31:46,000
Speaker 1: just need a little information. You know. Now, what what

522
00:31:46,120 --> 00:31:48,560
Speaker 1: could happen is because we are human is you can

523
00:31:48,640 --> 00:31:53,160
Speaker 1: fall victim to now by default. And then you're in

524
00:31:53,200 --> 00:31:56,400
Speaker 1: a situation where you ran with the little dude, but

525
00:31:56,560 --> 00:31:59,800
Speaker 1: you started with the trying to just peep what's going on?

526
00:32:00,160 --> 00:32:03,680
Speaker 1: He posted. Man, y'all ain't got enough game in this game. Man.

527
00:32:03,920 --> 00:32:05,880
Speaker 1: That's why I know it's it's gotta be a hundred

528
00:32:05,960 --> 00:32:08,320
Speaker 1: million waiting on me, man, because y'all ain't got enough.

529
00:32:08,800 --> 00:32:12,239
Speaker 1: Y'all don't know enough. See, somebody got to sit down

530
00:32:12,320 --> 00:32:16,680
Speaker 1: with wag like me and just pick that shit apart

531
00:32:16,800 --> 00:32:21,680
Speaker 1: that he's talking about, Right, and when when you're a

532
00:32:21,760 --> 00:32:25,720
Speaker 1: real nigga and y'all pick shit apart, you posted, take

533
00:32:25,800 --> 00:32:29,080
Speaker 1: that and say yeah, yeah, na, na, that that's true.

534
00:32:29,160 --> 00:32:34,360
Speaker 1: That's true because I gotta accept truth is truth. The

535
00:32:34,480 --> 00:32:39,520
Speaker 1: truth is bigger than anything ego, love money. The truth

536
00:32:39,600 --> 00:32:42,560
Speaker 1: feels so for me, I got to accept the truth

537
00:32:42,640 --> 00:32:46,680
Speaker 1: for exactly what it is. So I can't ask yourself.

538
00:32:46,800 --> 00:32:53,240
Speaker 1: Don't I manage Blue Face? I'm a blood from the land.

539
00:32:53,400 --> 00:32:58,200
Speaker 1: He sent some bloods down. He then told me suck

540
00:32:58,360 --> 00:33:07,320
Speaker 1: is you know it's m D. Everything that could cause

541
00:33:07,480 --> 00:33:10,920
Speaker 1: me to have a problem with him. I'm deflecting. Yeah,

542
00:33:10,960 --> 00:33:13,160
Speaker 1: you might have told me s MD when you was running,

543
00:33:13,200 --> 00:33:16,120
Speaker 1: but now you came over to the West coast disrespecting us.

544
00:33:16,160 --> 00:33:18,320
Speaker 1: But that was really such as a yeah, you post

545
00:33:18,360 --> 00:33:21,760
Speaker 1: a game, but that was really I think it's about

546
00:33:21,800 --> 00:33:28,960
Speaker 1: some intail. I think it's about some intail. You understand me.

547
00:33:29,040 --> 00:33:38,960
Speaker 1: But let's keep going. Twenty million there podcast, you telling

548
00:33:39,040 --> 00:33:43,600
Speaker 1: me so we gotta be twenty million ain't enough to

549
00:33:43,760 --> 00:33:45,640
Speaker 1: run a favor with the nigga that y'all that y'all

550
00:33:45,680 --> 00:33:49,680
Speaker 1: gout of issue, that we ain't got another do it?

551
00:33:49,720 --> 00:33:52,040
Speaker 1: That were talking about extra Team? Are you talking about

552
00:33:52,040 --> 00:33:55,160
Speaker 1: the actually take back Blue Faces? Nobody? I'm asking you, listen,

553
00:33:55,240 --> 00:34:04,360
Speaker 1: I'm asking so Yo did not say yo? What was

554
00:34:04,440 --> 00:34:08,799
Speaker 1: the company called Social Gloves? Social Clubs? They say, Yo,

555
00:34:08,880 --> 00:34:10,880
Speaker 1: we got fifteen millions. I said, Yo, listen, make it

556
00:34:10,960 --> 00:34:13,040
Speaker 1: twenty they can make it happen. That white boy has

557
00:34:13,080 --> 00:34:16,520
Speaker 1: that demographic, right, you have that demographic that Jake Paul got.

558
00:34:16,760 --> 00:34:20,680
Speaker 1: I would do it with him. Blueface don't million, Yeah,

559
00:34:20,800 --> 00:34:23,800
Speaker 1: you would take the squad. Take million happen with anybody,

560
00:34:23,800 --> 00:34:25,759
Speaker 1: all right? You happen to Meek as well? Yeah, I'll

561
00:34:25,800 --> 00:34:29,640
Speaker 1: do that shit for free. Look look look, look, wait wait,

562
00:34:29,640 --> 00:34:32,279
Speaker 1: remember you told me that. Yeah, but listen, listen, Yeah,

563
00:34:32,840 --> 00:34:35,640
Speaker 1: not hit me up because I'm gonna put the motherfucking contract.

564
00:34:36,080 --> 00:34:39,160
Speaker 1: Hold on black you're trying to avoid twenty one. I

565
00:34:39,200 --> 00:34:41,160
Speaker 1: don't know if they're cool. I don't know if they

566
00:34:41,560 --> 00:34:47,319
Speaker 1: any one gott know that? What's Look? The fits play

567
00:34:47,360 --> 00:34:50,080
Speaker 1: like nigga gets to the point twenty one Saven was

568
00:34:50,080 --> 00:34:51,400
Speaker 1: in the club together. I don't know this thing of

569
00:34:51,440 --> 00:34:53,600
Speaker 1: this nigga from the UK. He not from America. He

570
00:34:53,840 --> 00:34:56,640
Speaker 1: want to be from here so bad? You mean you

571
00:34:56,719 --> 00:34:59,040
Speaker 1: want to be so bad? Let me get the twenty

572
00:34:59,080 --> 00:35:02,080
Speaker 1: one before it was a six? Nah, wasn't it? What's that?

573
00:35:02,280 --> 00:35:09,400
Speaker 1: What's that? I don't care down praying the nigga like

574
00:35:09,480 --> 00:35:13,000
Speaker 1: he wasn't here first, yo, So let's just lay the

575
00:35:13,080 --> 00:35:16,600
Speaker 1: framework or what's happening? So uh, Whack one hundred has

576
00:35:16,640 --> 00:35:19,839
Speaker 1: decided to go on DJA academics new podcast called Off

577
00:35:19,880 --> 00:35:23,239
Speaker 1: the Record with DJA Academics and UH sit down with

578
00:35:23,320 --> 00:35:26,600
Speaker 1: Takashi six nine for three hours. He says he don't

579
00:35:26,719 --> 00:35:29,440
Speaker 1: view Takashi six nine as a snitch. He views him

580
00:35:29,480 --> 00:35:33,160
Speaker 1: as a civilian. Um, which is why he's he's uh,

581
00:35:33,640 --> 00:35:36,200
Speaker 1: he's going to sit down with him. So they went

582
00:35:36,320 --> 00:35:38,239
Speaker 1: on and on then with to the point where he's

583
00:35:38,280 --> 00:35:42,560
Speaker 1: kind of talking about his running with twenty one savage. Um,

584
00:35:44,440 --> 00:35:47,239
Speaker 1: let me just say something about this whole civilian thing.

585
00:35:47,560 --> 00:35:50,879
Speaker 1: I don't agree with this whole See, that's what I'm saying.

586
00:35:50,960 --> 00:35:53,960
Speaker 1: People people like in situations where they just allow people

587
00:35:54,000 --> 00:35:57,719
Speaker 1: to talk because they're scared. Um, you understand. I don't

588
00:35:57,760 --> 00:36:02,279
Speaker 1: agree with the whole civilian and tell thing. I think

589
00:36:02,360 --> 00:36:08,239
Speaker 1: that it's even I think that there's that there's morals

590
00:36:08,360 --> 00:36:14,239
Speaker 1: that supersede gangster, civilian, street dude, civilian criminal, sevie. I

591
00:36:14,400 --> 00:36:19,319
Speaker 1: think that there's morals that exceed those that that supersede those,

592
00:36:19,480 --> 00:36:23,680
Speaker 1: which is moming them, granting them all of them. Told

593
00:36:23,760 --> 00:36:28,479
Speaker 1: you to man your business. Now, if somebody's doing something

594
00:36:28,560 --> 00:36:31,120
Speaker 1: that's in your neighborhood maybe can affect you. I don't

595
00:36:31,160 --> 00:36:34,480
Speaker 1: know how to feel about that. But I also, as

596
00:36:34,560 --> 00:36:37,440
Speaker 1: a street dude, had an issue with the people who

597
00:36:38,160 --> 00:36:40,160
Speaker 1: when I just pull on this street to meet one

598
00:36:40,200 --> 00:36:43,239
Speaker 1: of my people, they're getting my licensed tag and calling, hey,

599
00:36:43,320 --> 00:36:45,400
Speaker 1: I think it's a drug dealing in in the area

600
00:36:45,640 --> 00:36:48,840
Speaker 1: he's driving it. I ain't bother that, nobody ain't hurt nobody.

601
00:36:49,320 --> 00:36:52,359
Speaker 1: Matter of fact, I don't pay threefold people like being

602
00:36:52,440 --> 00:36:56,319
Speaker 1: on this block that this person don't know reguless civilian,

603
00:36:57,440 --> 00:37:01,000
Speaker 1: reguless civilian right and this see, it's my neighborhood the

604
00:37:01,040 --> 00:37:06,160
Speaker 1: same way as your neighborhood, right. So I don't agree

605
00:37:06,200 --> 00:37:09,320
Speaker 1: with that individual looking out the wonder writing down my

606
00:37:09,440 --> 00:37:13,120
Speaker 1: tag and calling police either. I'm not calling harm to anybody.

607
00:37:13,160 --> 00:37:16,640
Speaker 1: I'm not. So there's it's levels to this whole thing.

608
00:37:17,760 --> 00:37:20,520
Speaker 1: But I don't agree with the civilian just just can

609
00:37:20,600 --> 00:37:23,680
Speaker 1: call and tell on anybody and it's cool. I don't

610
00:37:23,719 --> 00:37:26,879
Speaker 1: agree with that. You know, somebody might say we'll stay

611
00:37:26,920 --> 00:37:31,799
Speaker 1: away from civilians. What a civilians are in my neighborhood

612
00:37:31,800 --> 00:37:35,200
Speaker 1: as well, Like my mother is a civilian, my cousins

613
00:37:35,280 --> 00:37:38,600
Speaker 1: are civilians. I got family that civilians, and I shouldn't

614
00:37:38,600 --> 00:37:41,440
Speaker 1: have to leave my neighborhood if I'm not bothered in

615
00:37:41,480 --> 00:37:46,520
Speaker 1: a hurting nobody. You understand d boy lives matter, you

616
00:37:46,680 --> 00:37:51,520
Speaker 1: understand me. But uh, you know, let's get back into

617
00:37:51,640 --> 00:37:54,279
Speaker 1: his encounter with twenty one Savage, and I'm gonna show

618
00:37:54,360 --> 00:37:59,200
Speaker 1: you some Jedi mind tricks, some Jedi mind tricks. Takashi

619
00:37:59,360 --> 00:38:02,040
Speaker 1: left this ind of you're a loser, but Whack one

620
00:38:02,200 --> 00:38:05,840
Speaker 1: hundred wanted to keep it going. So Na's turning a

621
00:38:05,960 --> 00:38:11,200
Speaker 1: little bit to look like Takashia Baby gaining favor with

622
00:38:11,800 --> 00:38:15,520
Speaker 1: somebody in the industry that some people regard the big blood,

623
00:38:16,200 --> 00:38:18,640
Speaker 1: you know. So let's see so it almost feel like

624
00:38:18,719 --> 00:38:21,640
Speaker 1: a round two, not that he'll ever get close enough,

625
00:38:21,719 --> 00:38:26,760
Speaker 1: but it's a situation where it feels like it's being received.

626
00:38:26,920 --> 00:38:31,839
Speaker 1: Like you back in this thing, and see when people

627
00:38:31,920 --> 00:38:34,680
Speaker 1: look at you, they look they look at certified gentlemen

628
00:38:34,760 --> 00:38:38,160
Speaker 1: on the other side, and you're an extension of that.

629
00:38:38,280 --> 00:38:41,480
Speaker 1: And to navigate, I know, you navigate knowing that it

630
00:38:41,560 --> 00:38:47,400
Speaker 1: ain't nowhere around it. Listen, all right, all right, twenty

631
00:38:47,400 --> 00:38:49,520
Speaker 1: one Savage, I don't know the nigga. I never mentioned

632
00:38:49,560 --> 00:38:52,480
Speaker 1: the nigga. Nigga mentioned me first member. We released the

633
00:38:52,520 --> 00:38:55,359
Speaker 1: album with Morgan Freeman. Yeah, he had a song called

634
00:38:55,400 --> 00:38:58,360
Speaker 1: Snitches and Roots and he had Morgan Freeman narrate the

635
00:38:58,480 --> 00:39:01,040
Speaker 1: song and he said, all rights, Muther stop. What I'm

636
00:39:01,040 --> 00:39:05,279
Speaker 1: saying was that talking about you? Though? Okay, everybody here

637
00:39:05,360 --> 00:39:08,120
Speaker 1: seen my video Goober, right, everybody had seen my video

638
00:39:08,200 --> 00:39:12,279
Speaker 1: Goober when I got released from jail. At twenty one

639
00:39:12,400 --> 00:39:20,800
Speaker 1: Savages release album party in Atlanta. Watch this, No, watch this.

640
00:39:21,560 --> 00:39:25,080
Speaker 1: His album release party is right here. Twenty one Savage

641
00:39:25,200 --> 00:39:28,239
Speaker 1: put a mouse with rainbow him and he used a

642
00:39:28,320 --> 00:39:32,320
Speaker 1: part of my video on a shirt with bullet holes

643
00:39:32,440 --> 00:39:36,080
Speaker 1: going through it. So the idea is to cash it

644
00:39:36,680 --> 00:39:40,120
Speaker 1: in a couple of other people in the industry. The

645
00:39:40,360 --> 00:39:45,359
Speaker 1: idea is that they think that because people call him

646
00:39:45,400 --> 00:39:47,480
Speaker 1: a rat or say that he told that, when they

647
00:39:47,600 --> 00:39:52,600
Speaker 1: see him, they should react in a way that that

648
00:39:52,719 --> 00:39:55,400
Speaker 1: could cause them to go to prison or you know,

649
00:39:55,520 --> 00:40:01,160
Speaker 1: crash on that. Well, I think if if if us

650
00:40:01,239 --> 00:40:04,600
Speaker 1: as street guys or us as people that's involved with

651
00:40:04,719 --> 00:40:08,279
Speaker 1: a certain level of move around, with a certain level

652
00:40:08,320 --> 00:40:10,719
Speaker 1: of understanding, I think if we engaged with that, that

653
00:40:10,840 --> 00:40:13,160
Speaker 1: that's a loss from the get goal. Well, what Loran,

654
00:40:13,200 --> 00:40:15,320
Speaker 1: why would you say that wak one hunter saying that

655
00:40:15,600 --> 00:40:17,600
Speaker 1: you know you should you should go right at them.

656
00:40:18,600 --> 00:40:20,919
Speaker 1: One hunter can say that long gonna put some game

657
00:40:21,040 --> 00:40:24,040
Speaker 1: down that you can operate winning how to in how

658
00:40:24,120 --> 00:40:28,040
Speaker 1: to Survive, I'm putting game down. That's gonna help the

659
00:40:28,160 --> 00:40:31,200
Speaker 1: young dude survive. I ain't putting no game down that's

660
00:40:31,200 --> 00:40:35,640
Speaker 1: gonna put them in a situation the crash shot. Now,

661
00:40:36,040 --> 00:40:39,960
Speaker 1: certain things ain't even crashing out. Its handling is handling responsibilities.

662
00:40:40,000 --> 00:40:42,920
Speaker 1: But we got to look at the current current circumstances.

663
00:40:43,640 --> 00:40:45,759
Speaker 1: When we look at Takashious six nine, we see he

664
00:40:45,800 --> 00:40:48,480
Speaker 1: don't play by the same rule. So you're asking me

665
00:40:48,600 --> 00:40:51,839
Speaker 1: to commit what could be a murder with someone that's

666
00:40:51,880 --> 00:40:56,000
Speaker 1: already showed me they don't play by the rules. Right now,

667
00:40:56,160 --> 00:40:58,000
Speaker 1: Whether I play by the rules or not, and you

668
00:40:58,080 --> 00:41:01,920
Speaker 1: don't believe me, whatever is up for debate. That's up

669
00:41:02,000 --> 00:41:03,880
Speaker 1: for you to come and find that when you when

670
00:41:03,920 --> 00:41:07,400
Speaker 1: you push up on me. But we know for a

671
00:41:07,520 --> 00:41:09,400
Speaker 1: fact that who you telling me to run up on

672
00:41:09,600 --> 00:41:11,520
Speaker 1: don't play by the rules. How am I gonna put

673
00:41:11,600 --> 00:41:14,239
Speaker 1: myself in a situation to say, I ain't go run

674
00:41:14,360 --> 00:41:19,680
Speaker 1: up on somebody and just lose. I love my hitters

675
00:41:19,719 --> 00:41:21,960
Speaker 1: more than that. We want to be on defense. We

676
00:41:22,080 --> 00:41:24,840
Speaker 1: want to we want to go in court from a

677
00:41:25,040 --> 00:41:28,279
Speaker 1: from a defense standpoint. That defense can can come off

678
00:41:28,360 --> 00:41:32,840
Speaker 1: and be received as offense. Like you can see me

679
00:41:33,000 --> 00:41:36,120
Speaker 1: on defense and it can look like I was on offense.

680
00:41:36,800 --> 00:41:40,920
Speaker 1: But that's how poling the defense is. You see what

681
00:41:40,960 --> 00:41:42,919
Speaker 1: I'm saying. But we don't never want to do nothing

682
00:41:42,960 --> 00:41:47,399
Speaker 1: for nothing that we don't consider harming people. Um that's

683
00:41:47,560 --> 00:41:50,880
Speaker 1: that's done nothing to harm us in any kind of

684
00:41:50,960 --> 00:41:54,480
Speaker 1: way or even made us feel like that. There's a

685
00:41:54,560 --> 00:41:57,279
Speaker 1: situation to where we may be in a situation where

686
00:41:57,320 --> 00:41:59,320
Speaker 1: we won't make it home. So I want to just

687
00:41:59,440 --> 00:42:03,279
Speaker 1: set the days there right that the idea that they're

688
00:42:04,280 --> 00:42:07,640
Speaker 1: going after. And what got twenty one savage in this

689
00:42:07,800 --> 00:42:11,120
Speaker 1: situation right here, what Takashi and WAG one hundred is

690
00:42:11,360 --> 00:42:14,040
Speaker 1: twenty one should have pushed up on him, Meek Mill

691
00:42:14,080 --> 00:42:16,239
Speaker 1: should have pushed up on him. When y'all see him

692
00:42:16,280 --> 00:42:20,120
Speaker 1: push up on him, hand to your business kill me. Basically,

693
00:42:23,360 --> 00:42:26,920
Speaker 1: I think Takashi has been wrong about a couple of things,

694
00:42:28,120 --> 00:42:32,560
Speaker 1: and I think he's wrong about that that they won't

695
00:42:32,600 --> 00:42:36,480
Speaker 1: do this. I think he's wrong even about the reaction

696
00:42:36,520 --> 00:42:39,680
Speaker 1: of the federal government if this was to happen. I

697
00:42:39,800 --> 00:42:43,239
Speaker 1: think the federal government won't even care. They've got what

698
00:42:43,320 --> 00:42:51,120
Speaker 1: they've got from you. You were antagonizing people. This happened.

699
00:42:51,800 --> 00:42:54,640
Speaker 1: I don't even think that how he sees it playing

700
00:42:54,719 --> 00:42:56,600
Speaker 1: out is how we're to play out. But he had.

701
00:42:56,840 --> 00:43:02,600
Speaker 1: He's operating with a high level of being delusional, a very,

702
00:43:02,800 --> 00:43:06,600
Speaker 1: very very high level. When you say, Chicago dudes not

703
00:43:06,760 --> 00:43:09,360
Speaker 1: like that, and they're killing every day, what are you

704
00:43:09,480 --> 00:43:17,200
Speaker 1: talking about? Man? What are you talking about? Can't nobody see?

705
00:43:17,239 --> 00:43:19,760
Speaker 1: This is the thing about somebody that don't know better.

706
00:43:20,440 --> 00:43:24,600
Speaker 1: They're gonna keep playing the same game, keep playing the

707
00:43:24,719 --> 00:43:28,360
Speaker 1: same game, keep playing the same game. This is the

708
00:43:28,440 --> 00:43:32,239
Speaker 1: same game he playing. Couldn't nobody touch me? Remember Test

709
00:43:32,360 --> 00:43:34,359
Speaker 1: my Gangster when he was with the Bloods. They can't

710
00:43:34,400 --> 00:43:38,800
Speaker 1: do these rappers ain't like that Test my Gangster. Then boom,

711
00:43:38,840 --> 00:43:41,719
Speaker 1: they grabbed him. They touch him. He never even knew.

712
00:43:42,280 --> 00:43:45,000
Speaker 1: He never even thought a said coming because he wasn't

713
00:43:45,040 --> 00:43:49,080
Speaker 1: operating with the information. He never considered one time that

714
00:43:49,560 --> 00:43:53,239
Speaker 1: Test my Gangster, they can't touch me would be right

715
00:43:53,400 --> 00:43:56,800
Speaker 1: next to him and they would definitely touch him. He

716
00:43:56,920 --> 00:43:58,960
Speaker 1: didn't consider that part of the game. That's why he

717
00:43:59,080 --> 00:44:02,680
Speaker 1: downplayed it. They can't do this to me. He didn't know.

718
00:44:02,920 --> 00:44:05,080
Speaker 1: He didn't even know about that side of the game.

719
00:44:05,360 --> 00:44:08,239
Speaker 1: The same way with this what he plenty rappers ain't

720
00:44:08,320 --> 00:44:13,160
Speaker 1: like that. Man, I got money as a rapper down.

721
00:44:14,600 --> 00:44:16,920
Speaker 1: There's people around me that to do something to you

722
00:44:17,440 --> 00:44:20,520
Speaker 1: to get in my good graces. Man, I don't even

723
00:44:20,560 --> 00:44:24,120
Speaker 1: got to say nothing. They know if you ever see him,

724
00:44:24,239 --> 00:44:27,720
Speaker 1: is up though he ain't nothing to talk about baptizing

725
00:44:29,200 --> 00:44:31,040
Speaker 1: and they know what that is. They know when they

726
00:44:31,120 --> 00:44:34,279
Speaker 1: get out or whatever. The situation is that the big

727
00:44:34,400 --> 00:44:37,080
Speaker 1: homie going, yeah, man, you took care of that. And

728
00:44:37,239 --> 00:44:39,200
Speaker 1: I didn't send a hit and Nigga never talked to

729
00:44:39,320 --> 00:44:42,880
Speaker 1: him about that. It was sizzling in this spirit. He

730
00:44:42,920 --> 00:44:48,399
Speaker 1: couldn't wait to see him. So those people that want

731
00:44:48,440 --> 00:44:50,680
Speaker 1: to be in my good graces maybe a gangsters. Let's

732
00:44:50,719 --> 00:44:55,080
Speaker 1: just let's just entertain the idea that you're saying. Let's

733
00:44:55,239 --> 00:45:04,000
Speaker 1: entertain that I ain't against him. Let's say that. Let's

734
00:45:04,040 --> 00:45:06,000
Speaker 1: say that you think I come from a place where

735
00:45:06,000 --> 00:45:09,200
Speaker 1: ain't no gangsters around me. You think people that love

736
00:45:09,320 --> 00:45:11,640
Speaker 1: me they ain't gangster. You think I ain't tied in

737
00:45:11,840 --> 00:45:15,040
Speaker 1: with some You don't think that that ain't possible. It

738
00:45:15,239 --> 00:45:18,640
Speaker 1: is all this money I got. Ain't nobody gonna do nothing?

739
00:45:18,760 --> 00:45:22,480
Speaker 1: Is there. I don't understand what deed people be saying.

740
00:45:24,040 --> 00:45:27,120
Speaker 1: Even with whack like bro we know, bro like, people

741
00:45:27,239 --> 00:45:30,440
Speaker 1: get killed. People pay for information, pay to man I

742
00:45:30,520 --> 00:45:32,960
Speaker 1: can have. I can hire. You don't got to hire

743
00:45:33,440 --> 00:45:36,239
Speaker 1: the bloods of the crips to get a hit place. Man.

744
00:45:37,280 --> 00:45:40,160
Speaker 1: You don't gotta hire no particular gang. I can go

745
00:45:40,360 --> 00:45:48,959
Speaker 1: rushing with the head. I can go u uh Nigerian

746
00:45:49,080 --> 00:45:52,279
Speaker 1: with the head. I can go totally left field with

747
00:45:52,400 --> 00:45:55,520
Speaker 1: the hidden man. I can go Mexican with the head.

748
00:45:56,400 --> 00:45:59,560
Speaker 1: I can you know, yo, broda, they don't even they

749
00:45:59,600 --> 00:46:03,040
Speaker 1: ain't even the well whatever times you talking about. So

750
00:46:03,200 --> 00:46:05,560
Speaker 1: that when I'm saying the game is bigger than where

751
00:46:05,560 --> 00:46:08,439
Speaker 1: they they didn't carve the game down and so little.

752
00:46:08,600 --> 00:46:11,400
Speaker 1: This thing is a this is a big Hey, this

753
00:46:11,560 --> 00:46:17,080
Speaker 1: ain't that, respectfully, but let's see a little more. Did

754
00:46:17,160 --> 00:46:18,960
Speaker 1: you go address twenty one when you saw him in

755
00:46:19,040 --> 00:46:23,759
Speaker 1: the club. Why did you have the problem with the nigga? Well, yo,

756
00:46:24,000 --> 00:46:29,640
Speaker 1: why yo? You're shifting it? Yo? You act like I

757
00:46:29,800 --> 00:46:32,359
Speaker 1: came at him, He came at me. Did you let

758
00:46:32,440 --> 00:46:34,600
Speaker 1: him know that you was there? He seeing me? You?

759
00:46:34,880 --> 00:46:38,920
Speaker 1: I sent you the video because I'm gonna be honest

760
00:46:38,920 --> 00:46:42,239
Speaker 1: with you. I've I've talked to twenty one personally and

761
00:46:42,360 --> 00:46:45,319
Speaker 1: he told me repeatedly he got no issue with you, yo.

762
00:46:45,840 --> 00:46:49,399
Speaker 1: Like Yo, I gotta do this, Yo. Put the camber

763
00:46:49,440 --> 00:46:52,120
Speaker 1: here so I can see it. I never addressed twenty

764
00:46:52,160 --> 00:46:54,759
Speaker 1: one seven. I don't know a nigga. Then nigga put

765
00:46:55,120 --> 00:46:57,600
Speaker 1: a pitch of a mouse for rainbow hare and bullet

766
00:46:57,640 --> 00:47:00,640
Speaker 1: holes to the shirt. They I'll try. I don't avoid it,

767
00:47:00,760 --> 00:47:05,879
Speaker 1: and like you senior rainbow here? So what's what's list

768
00:47:05,960 --> 00:47:07,479
Speaker 1: what I'm trying to know? You trying to say? Twenty

769
00:47:07,520 --> 00:47:09,560
Speaker 1: one started with him, that's what's wrong with the mouse

770
00:47:09,640 --> 00:47:12,480
Speaker 1: of rainbow here? Who was? What? What? What? Whack? It was? Somebody?

771
00:47:12,560 --> 00:47:15,520
Speaker 1: But it's somebody. Put your head on some shit with bullholes.

772
00:47:15,520 --> 00:47:16,960
Speaker 1: You were supposed to wave about it. Who is the

773
00:47:17,120 --> 00:47:21,880
Speaker 1: mouse with the rainbow here? It? Come on? Who is

774
00:47:21,880 --> 00:47:24,440
Speaker 1: the maux of rainbow here? I'm asking you. Hold on,

775
00:47:24,560 --> 00:47:29,200
Speaker 1: I'm asking you you now, let hold on six nine six,

776
00:47:29,560 --> 00:47:34,520
Speaker 1: hold on, bro hold on, hold on yo, man, oh man,

777
00:47:34,600 --> 00:47:37,239
Speaker 1: you should get rid of that nigga. Man, because that

778
00:47:37,400 --> 00:47:44,240
Speaker 1: nigga said us the rapping rainbow here, man, see calculation. First,

779
00:47:44,280 --> 00:47:49,359
Speaker 1: Whacking one hundred said, hey, yo, yo man said John

780
00:47:49,480 --> 00:47:52,319
Speaker 1: Gottia mess with you. You need to cut him off.

781
00:47:52,800 --> 00:47:57,440
Speaker 1: He agreed with you and right here, hey yo man,

782
00:47:57,640 --> 00:48:00,160
Speaker 1: yo man. Can't be real, it said you the at

783
00:48:00,200 --> 00:48:02,480
Speaker 1: with the rainbow hair. You should cut like that one.

784
00:48:02,520 --> 00:48:07,759
Speaker 1: I'm telling you something is off about this encounter. Sums off,

785
00:48:09,600 --> 00:48:15,879
Speaker 1: sums off. This ain't just a situation that I think

786
00:48:16,520 --> 00:48:21,000
Speaker 1: just happens to be a hell of an interview. Whack

787
00:48:21,120 --> 00:48:26,160
Speaker 1: one hundred might be operating to the highest building. What

788
00:48:26,360 --> 00:48:35,560
Speaker 1: you need to know that? Well, why are you saying?

789
00:48:35,600 --> 00:48:43,319
Speaker 1: That's hill? That's what nigga? You look? How did you see?

790
00:48:43,480 --> 00:48:46,080
Speaker 1: He see me? Right? He ain't got nothing lonely in

791
00:48:46,160 --> 00:48:49,200
Speaker 1: this house? What do you do with study fucking video?

792
00:48:50,120 --> 00:48:52,320
Speaker 1: And we see me? Instead of I don't go, I

793
00:48:52,320 --> 00:48:54,359
Speaker 1: don't gotta approach you want to go? I don't care

794
00:48:54,440 --> 00:48:57,600
Speaker 1: for you, for me. So the fact that you can

795
00:48:57,719 --> 00:49:02,000
Speaker 1: walk to my section all rats, mus dog? Was that

796
00:49:02,239 --> 00:49:06,520
Speaker 1: Cuba security yesterday? No? But hold on, even if he

797
00:49:06,600 --> 00:49:08,000
Speaker 1: thinks you are right, does he have to approach you?

798
00:49:09,600 --> 00:49:11,160
Speaker 1: Does you gotta do something? You hold on? Hold on?

799
00:49:11,440 --> 00:49:13,719
Speaker 1: I will say this. Wait, Wait, my wife, I'm asking

800
00:49:14,280 --> 00:49:18,239
Speaker 1: hold on, I will say that anybody that has a

801
00:49:18,400 --> 00:49:22,640
Speaker 1: dress somebody in a disrespectful manner, like they got a

802
00:49:22,719 --> 00:49:26,239
Speaker 1: problem with that person, and they see that person, E

803
00:49:26,280 --> 00:49:28,440
Speaker 1: supposed to get at him. So if you call somebody

804
00:49:28,480 --> 00:49:30,440
Speaker 1: around when you see that person, you supposed to prepare

805
00:49:30,480 --> 00:49:32,320
Speaker 1: to move on it. I agree with him on that.

806
00:49:32,800 --> 00:49:34,799
Speaker 1: That's why I looked at me weird and I had

807
00:49:34,880 --> 00:49:37,719
Speaker 1: no security in the club last night. He was dead

808
00:49:37,840 --> 00:49:40,759
Speaker 1: and say I never came back twenty one savage. He

809
00:49:40,880 --> 00:49:43,120
Speaker 1: made a whole song he seen me. I don't know.

810
00:49:43,440 --> 00:49:46,319
Speaker 1: I don't know what he's saying about twenty one nigga.

811
00:49:46,400 --> 00:49:48,200
Speaker 1: They like that nigga. I don't go back to the

812
00:49:48,320 --> 00:49:50,520
Speaker 1: UK with that ship. Na person want to slow down?

813
00:49:51,560 --> 00:49:53,800
Speaker 1: Or you were six nine? Wait wait, wait wait, before

814
00:49:53,840 --> 00:49:57,719
Speaker 1: you were six nine, I think everybody went wait, everybody ago,

815
00:49:57,960 --> 00:49:59,840
Speaker 1: hold on, I ain't gonna let you sick. Got a

816
00:50:00,040 --> 00:50:02,359
Speaker 1: can too. Can't get that off because before you were

817
00:50:02,400 --> 00:50:06,319
Speaker 1: six nine, when the water was running around Atlanta doing

818
00:50:06,400 --> 00:50:09,759
Speaker 1: this thing right as twenty one savage, So don't put

819
00:50:09,840 --> 00:50:13,560
Speaker 1: him back into the UK. Maybe I don't know, but

820
00:50:13,680 --> 00:50:16,040
Speaker 1: his roots is in the in the He earned that. Yo.

821
00:50:16,360 --> 00:50:18,359
Speaker 1: You gotta give him that supposed he was just making

822
00:50:18,400 --> 00:50:21,359
Speaker 1: a period. A lot of people was using that type

823
00:50:21,400 --> 00:50:24,719
Speaker 1: of you don't play with you so so so what

824
00:50:24,719 --> 00:50:27,560
Speaker 1: do you mean you play with so? When I listen, yo,

825
00:50:28,920 --> 00:50:31,719
Speaker 1: how many years and your states? I laid down on

826
00:50:31,760 --> 00:50:33,520
Speaker 1: the floor. I can't go on the way he died.

827
00:50:33,719 --> 00:50:38,399
Speaker 1: Don't get mad. I was just joking. So yo, yo, listen, listen, listen,

828
00:50:38,480 --> 00:50:40,719
Speaker 1: and that's cool. Just be ready to you know, it's

829
00:50:40,760 --> 00:50:44,480
Speaker 1: com up the podcast. I'm ready for all of that though, Yeah,

830
00:50:44,520 --> 00:50:46,640
Speaker 1: but I don't. I don't think your team ready. I

831
00:50:46,680 --> 00:50:50,319
Speaker 1: don't think your team ready for that. Yo. Yo. See

832
00:50:53,000 --> 00:50:56,279
Speaker 1: that's a message right there. I don't think your team ready.

833
00:50:56,320 --> 00:50:59,080
Speaker 1: I'm looking at him. That lets you know what what

834
00:50:59,280 --> 00:51:02,080
Speaker 1: pair of eyes I come in here with? Not only

835
00:51:02,239 --> 00:51:04,279
Speaker 1: is this who I am as a person, And I'm like, yo,

836
00:51:04,400 --> 00:51:06,439
Speaker 1: you're talking like this and this is what you got.

837
00:51:08,120 --> 00:51:12,040
Speaker 1: But again, you can say whack may not know, but

838
00:51:12,239 --> 00:51:14,080
Speaker 1: that could lead to the death for the boy, or

839
00:51:14,120 --> 00:51:18,480
Speaker 1: at least an attempt that piece of information right there. Again,

840
00:51:18,680 --> 00:51:21,520
Speaker 1: the reason people ain't moved on you, it's because they

841
00:51:21,560 --> 00:51:24,759
Speaker 1: don't know who's around you. What's going on? Is it

842
00:51:24,880 --> 00:51:28,400
Speaker 1: the police? Is it the fist. It was security? Is it? Security?

843
00:51:28,560 --> 00:51:31,640
Speaker 1: Is that cameras? Last time something happened to you end

844
00:51:31,760 --> 00:51:34,719
Speaker 1: up being a camera in the backseat record? Nobody even knew.

845
00:51:35,600 --> 00:51:37,719
Speaker 1: Dudes in there trying to grab you say in their name,

846
00:51:37,880 --> 00:51:40,120
Speaker 1: Oh come on, hard man, come on, come on right,

847
00:51:40,239 --> 00:51:45,200
Speaker 1: So we don't they don't know, they don't know what

848
00:51:45,360 --> 00:51:47,680
Speaker 1: could be surrounding them. But with Whack saying things like

849
00:51:47,800 --> 00:51:57,879
Speaker 1: this very important thing. Listen, I don't think I ain't

850
00:51:57,880 --> 00:52:01,640
Speaker 1: getting at it, because y'all, it's a lot of picking

851
00:52:01,680 --> 00:52:05,920
Speaker 1: the choosing in this shit. Not one thing I'll call

852
00:52:05,960 --> 00:52:10,160
Speaker 1: a spade to space twenty one I supposed to move

853
00:52:10,200 --> 00:52:11,879
Speaker 1: on me in the club after addressing me a rat.

854
00:52:12,080 --> 00:52:13,960
Speaker 1: How do we know twenty one even seen you in

855
00:52:14,040 --> 00:52:17,319
Speaker 1: the club? All right? Let me you wasn't even there,

856
00:52:18,000 --> 00:52:21,239
Speaker 1: You wasn't there, so you cheer lead You wasn't there,

857
00:52:22,200 --> 00:52:26,600
Speaker 1: but you wasn't there. Wasn't you there? Then? Don't speak

858
00:52:26,680 --> 00:52:31,360
Speaker 1: on it. Don't speak on it. Hold on, don't speak

859
00:52:31,400 --> 00:52:38,920
Speaker 1: on it. So we're twenty one at why where you zoom?

860
00:52:39,000 --> 00:52:42,880
Speaker 1: Did where you at? He's on stage, he's performing. You

861
00:52:43,000 --> 00:52:46,120
Speaker 1: know you did you think too much of yourself? No,

862
00:52:46,160 --> 00:52:52,040
Speaker 1: I'm gonna be think too much of your Listen, if

863
00:52:52,719 --> 00:52:59,800
Speaker 1: you see anyway this man, hold on, hold on, hold on,

864
00:53:00,000 --> 00:53:04,200
Speaker 1: hold on, hold on, hold on, hold on, and see that,

865
00:53:04,680 --> 00:53:07,880
Speaker 1: then what's that about? But these are dudes is getting

866
00:53:07,920 --> 00:53:11,560
Speaker 1: tricked in the war. That's the thing with Whack one Hunter.

867
00:53:12,840 --> 00:53:14,920
Speaker 1: Don't get tricked into a war. They got him And

868
00:53:15,000 --> 00:53:18,480
Speaker 1: male Matrix said it right now, I'm gonna play that video.

869
00:53:18,600 --> 00:53:21,799
Speaker 1: What Male Matrix made a phone call back out like yo,

870
00:53:22,920 --> 00:53:26,759
Speaker 1: your blood sitting with like what we're doing, but it

871
00:53:26,880 --> 00:53:30,680
Speaker 1: could be an intel play you see what I'm saying.

872
00:53:30,760 --> 00:53:32,680
Speaker 1: But at the end of the day, it's like this hill.

873
00:53:36,200 --> 00:53:38,160
Speaker 1: You don't want to get tricked in the war. Dog,

874
00:53:38,200 --> 00:53:41,200
Speaker 1: You didn't even have nothing to do with this, But

875
00:53:41,360 --> 00:53:43,800
Speaker 1: you're standing next to a dude and then he's saying

876
00:53:43,920 --> 00:53:47,560
Speaker 1: certain things. How much is this worth to you? Don

877
00:53:48,040 --> 00:53:50,680
Speaker 1: because now do that? Do that mess you? And Dirk up?

878
00:53:50,800 --> 00:53:53,279
Speaker 1: Do they miss you? And Roddy rich Up? Do they

879
00:53:53,360 --> 00:53:55,680
Speaker 1: miss you? In twenty one? Up? Do that mess? Like?

880
00:53:55,920 --> 00:53:58,319
Speaker 1: How much are we losing for this whack? What we're

881
00:53:58,360 --> 00:54:03,320
Speaker 1: doing twenty years worth building to go sit next to

882
00:54:03,440 --> 00:54:07,160
Speaker 1: somebody to ruin the relationships you had the nephew, the

883
00:54:07,360 --> 00:54:10,680
Speaker 1: unc that you talk about that were ruining that for this,

884
00:54:12,520 --> 00:54:15,440
Speaker 1: Like what we're doing, we got at some point involve

885
00:54:15,560 --> 00:54:21,040
Speaker 1: ourselves with with with with excelling. You understand me, and

886
00:54:21,160 --> 00:54:23,520
Speaker 1: definitely not taying down for the sake of a moment.

887
00:54:23,600 --> 00:54:27,840
Speaker 1: A moment's cool, but we've built something that took several moments.

888
00:54:29,560 --> 00:54:32,480
Speaker 1: You understand me, And um, you can't get tricked into

889
00:54:32,560 --> 00:54:36,160
Speaker 1: going the wars the dumbest, it's too dumb. Don't never

890
00:54:36,360 --> 00:54:38,879
Speaker 1: ever nobody out there get tricked into going the war.

891
00:54:39,200 --> 00:54:42,400
Speaker 1: Make sure wars about the principles that was the mishandle.

892
00:54:43,400 --> 00:54:46,279
Speaker 1: Make sure wars about the principles that was mishandle. Don't

893
00:54:46,280 --> 00:54:49,120
Speaker 1: get tricked in the now me and these people fighting

894
00:54:49,160 --> 00:54:51,840
Speaker 1: the battle because of him and him and him, and

895
00:54:52,000 --> 00:54:54,680
Speaker 1: you got these civilians that we call him in the

896
00:54:54,719 --> 00:55:01,800
Speaker 1: back saying yeah, whack, don't do that. But then because

897
00:55:01,880 --> 00:55:06,360
Speaker 1: when they disrespect like this, now what because if I

898
00:55:06,480 --> 00:55:09,319
Speaker 1: find him and he's with you, I don't care who

899
00:55:09,400 --> 00:55:12,600
Speaker 1: he's with. You know, if if it was a situation

900
00:55:12,680 --> 00:55:14,960
Speaker 1: where I had an issue with somebody, no matter who

901
00:55:15,040 --> 00:55:17,759
Speaker 1: you with, it don't matter who you with, It don't

902
00:55:17,800 --> 00:55:20,880
Speaker 1: matter who you with. Ain't no big guys, ain't no

903
00:55:21,040 --> 00:55:26,360
Speaker 1: little use. Ain't no matter who you with this and

904
00:55:26,480 --> 00:55:30,960
Speaker 1: on the dead people or doing certain things, certain responses

905
00:55:31,080 --> 00:55:36,960
Speaker 1: is inevitable. Wait wait, wait, wait your wife, do you

906
00:55:37,080 --> 00:55:49,800
Speaker 1: think you gang up on? You don't understand the politics

907
00:55:49,880 --> 00:55:52,520
Speaker 1: that you're taking it way serious than a lot of

908
00:55:52,560 --> 00:56:01,279
Speaker 1: these other rappers do. So you should you not feel

909
00:56:01,360 --> 00:56:06,040
Speaker 1: ganged up on? Yo? What I just told you? Cast

910
00:56:06,120 --> 00:56:08,279
Speaker 1: snitched and you said that's not your problem? Why is

911
00:56:08,320 --> 00:56:10,680
Speaker 1: the why these rappers kid work? But you consider to

912
00:56:10,800 --> 00:56:15,440
Speaker 1: me to ask you get it to me? What do

913
00:56:15,520 --> 00:56:18,080
Speaker 1: you expect? I don't want to see it. I don't

914
00:56:18,080 --> 00:56:22,759
Speaker 1: want even I'm thinking he was doing what you mean

915
00:56:22,960 --> 00:56:25,759
Speaker 1: hand with not doing anything to you? What's your name again,

916
00:56:25,960 --> 00:56:29,279
Speaker 1: Kim Kim? Did I tell him twenty one savage? No?

917
00:56:29,560 --> 00:56:32,320
Speaker 1: This is what I'm water. He kid told exactly. But

918
00:56:32,400 --> 00:56:34,160
Speaker 1: that's what I'm saying. It's not saying he's not saying

919
00:56:34,160 --> 00:56:36,920
Speaker 1: that it's right. But you expect him to go do

920
00:56:37,080 --> 00:56:39,359
Speaker 1: something with Cast because of that. That's what I'm saying.

921
00:56:39,840 --> 00:56:41,399
Speaker 1: He's not doing that to the year. All these rapper

922
00:56:41,480 --> 00:56:43,239
Speaker 1: snoop Dog that came at me for telling did I

923
00:56:43,320 --> 00:56:46,880
Speaker 1: tell him am No? So why so? Why y'all picking

924
00:56:46,920 --> 00:56:50,120
Speaker 1: the tubing because who you are, who you are, who

925
00:56:50,200 --> 00:56:53,120
Speaker 1: you are? And let me tell you something I ain't no, no, no, no,

926
00:56:53,320 --> 00:56:55,960
Speaker 1: no you that comes with the game. If I go

927
00:56:56,080 --> 00:56:57,800
Speaker 1: to the Fountain Blue right now, right, do you know

928
00:56:57,840 --> 00:57:02,279
Speaker 1: how many people right now right and get drunk and

929
00:57:02,400 --> 00:57:04,759
Speaker 1: start throwing up in the lobby or the Fountain Blue,

930
00:57:05,280 --> 00:57:09,560
Speaker 1: somebody's gonna record me. And because I'm whack one hunting. Okay,

931
00:57:09,920 --> 00:57:12,040
Speaker 1: this is some shit motherfuckers do every day. Though they

932
00:57:12,080 --> 00:57:14,160
Speaker 1: get drunk in that lobby throw up, you don't hear

933
00:57:14,239 --> 00:57:16,360
Speaker 1: nothing about it. If you go over there and slip

934
00:57:16,480 --> 00:57:19,120
Speaker 1: and fall into a pool in the Fountain Blue, they're

935
00:57:19,120 --> 00:57:22,000
Speaker 1: gonna talk about it because you out motherfucker? Do you not?

936
00:57:22,200 --> 00:57:24,880
Speaker 1: You don't know who you are? Well, I guess you're

937
00:57:24,880 --> 00:57:29,960
Speaker 1: thinking other. Listen, that's completely wrong. This completely wrong. When

938
00:57:30,000 --> 00:57:32,640
Speaker 1: you hear somebody to say, hey, Takasha, they're doing this

939
00:57:32,800 --> 00:57:36,919
Speaker 1: because of who you are, that's completely false. They ain't

940
00:57:37,000 --> 00:57:39,400
Speaker 1: doing this because who you are. People ain't saying you're

941
00:57:39,400 --> 00:57:41,160
Speaker 1: a rat. You turned out to be a rat because

942
00:57:41,160 --> 00:57:44,360
Speaker 1: of who you are. It's about what you did. You

943
00:57:44,480 --> 00:57:46,520
Speaker 1: never heard Mama and them say hey, it ain't about

944
00:57:46,960 --> 00:57:50,360
Speaker 1: what you do is how you do it. Look at

945
00:57:50,400 --> 00:57:52,840
Speaker 1: how you came in the game. Look how you antagonize

946
00:57:52,880 --> 00:57:56,360
Speaker 1: the whole game. You you you you went in front

947
00:57:56,400 --> 00:57:59,040
Speaker 1: the game, Nan nanny boo boo. I'm agagster. Y'all dudes,

948
00:57:59,080 --> 00:58:01,760
Speaker 1: ain't like that, get people hurt, getting people beat up,

949
00:58:01,880 --> 00:58:06,080
Speaker 1: fights this that disrespected some of the people, the people

950
00:58:06,160 --> 00:58:10,520
Speaker 1: in the game that people hold in high regard. Let's

951
00:58:10,560 --> 00:58:13,040
Speaker 1: not forget, my dude, what we're talking about. Why they're

952
00:58:13,080 --> 00:58:17,880
Speaker 1: worried you came in the game. Especially if anybody should

953
00:58:17,880 --> 00:58:21,560
Speaker 1: be worried, I would think it's the La guys. You

954
00:58:21,720 --> 00:58:24,720
Speaker 1: came in on the game bang couture, the New York guys.

955
00:58:25,320 --> 00:58:31,440
Speaker 1: You came in screaming New York. You're saying why they're worried.

956
00:58:31,480 --> 00:58:35,760
Speaker 1: It ain't about what you've done, my boy. It's about

957
00:58:35,840 --> 00:58:39,320
Speaker 1: how you done it. And I ain't talking about snitching.

958
00:58:39,320 --> 00:58:41,680
Speaker 1: I'm talking about how you came in the game. It

959
00:58:41,760 --> 00:58:44,680
Speaker 1: ain't about who you is. Look when you got out,

960
00:58:45,240 --> 00:58:48,880
Speaker 1: it was what three four hundred thousand people on your Instagram.

961
00:58:48,960 --> 00:58:52,160
Speaker 1: You came out to bad boys music with girls and

962
00:58:52,320 --> 00:58:58,400
Speaker 1: you saying why did they do this? You antagonize the

963
00:58:58,480 --> 00:59:02,040
Speaker 1: whole game. Well, that's my case, dog. You came into

964
00:59:02,120 --> 00:59:05,640
Speaker 1: the rap game with that. You came into the rap

965
00:59:05,800 --> 00:59:09,920
Speaker 1: game with that home and then our coach is based

966
00:59:09,960 --> 00:59:11,960
Speaker 1: on that. I remember back in the day because I'm

967
00:59:12,000 --> 00:59:14,880
Speaker 1: an artist. I remember back in the day when ice

968
00:59:14,960 --> 00:59:17,880
Speaker 1: Q was on fire with the next Friday and the

969
00:59:17,960 --> 00:59:20,640
Speaker 1: Friday after nixt and I said, you know, in my balls,

970
00:59:20,960 --> 00:59:23,800
Speaker 1: this is known in the culture. People. Do you know

971
00:59:23,960 --> 00:59:26,680
Speaker 1: he you this in the gang and he won't make

972
00:59:26,720 --> 00:59:30,240
Speaker 1: it the nixt Friday like Chris Tucker, or Friday after

973
00:59:30,360 --> 00:59:33,560
Speaker 1: Knixt like Chris Tucker. You know, whichever, whatever's happening in

974
00:59:33,680 --> 00:59:38,040
Speaker 1: the culture comes up in the balls. And the whole

975
00:59:38,120 --> 00:59:40,520
Speaker 1: colture saw you run through the culture rampant with the

976
00:59:40,560 --> 00:59:43,880
Speaker 1: whole gangster test. My gangster, real gangster, I'm gangster. They

977
00:59:43,880 --> 00:59:47,320
Speaker 1: ain't like that, and now they just showing the people.

978
00:59:47,920 --> 00:59:51,200
Speaker 1: I right, the votes are in. It went the other way.

979
00:59:54,000 --> 01:00:00,040
Speaker 1: It went the other way the rappers, though not like

980
01:00:00,200 --> 01:00:04,720
Speaker 1: the fans. Rappers as blogs, you're something to talk about.

981
01:00:05,200 --> 01:00:09,280
Speaker 1: You're fucking subject, your subject matter. They're gonna talk about you.

982
01:00:11,240 --> 01:00:15,560
Speaker 1: I've seen listen, I've seen shit, hold on, hold on,

983
01:00:15,800 --> 01:00:19,000
Speaker 1: I've seen ship watch it I'm gonna suck you up

984
01:00:19,040 --> 01:00:23,080
Speaker 1: with this. I watched you going to a hospital or

985
01:00:23,160 --> 01:00:27,760
Speaker 1: home with a patient, look kid at cancer something because

986
01:00:27,800 --> 01:00:30,480
Speaker 1: they wish was to meet you. I did it three times.

987
01:00:30,720 --> 01:00:32,480
Speaker 1: They talked about it. That's how I know about it.

988
01:00:32,560 --> 01:00:38,080
Speaker 1: I wasn't there, good, bad, ugly. They're gonna talk about it.

989
01:00:38,600 --> 01:00:41,440
Speaker 1: What you expect. If people didn't talk about you, you

990
01:00:41,480 --> 01:00:43,280
Speaker 1: wouldn't be as big as you are. That's a lie.

991
01:00:44,360 --> 01:00:46,280
Speaker 1: I'll tell you why I don't. I always tell you

992
01:00:47,040 --> 01:00:50,040
Speaker 1: the positive. They never post, they always post negative. Don't

993
01:00:50,480 --> 01:00:52,960
Speaker 1: say that because I know about this story from a post.

994
01:00:54,720 --> 01:01:01,200
Speaker 1: That's what everybody posted. Picture of me and my family

995
01:01:04,320 --> 01:01:07,280
Speaker 1: is a picture of a fight. Ten Milla. It's a

996
01:01:07,400 --> 01:01:09,520
Speaker 1: nature to meeting with everybody. Watch this. You might think

997
01:01:09,560 --> 01:01:12,400
Speaker 1: you get it worst, but everybody watch this, Watch this,

998
01:01:12,520 --> 01:01:19,840
Speaker 1: watch this, watch this. My biological father abandoned me at

999
01:01:19,880 --> 01:01:23,960
Speaker 1: birth right. He was a crack correction officer. That's a cop.

1000
01:01:24,400 --> 01:01:26,840
Speaker 1: You are fling, not all right. So when you say

1001
01:01:27,160 --> 01:01:33,480
Speaker 1: you've been a job, you're saying that you still like Hey, Chicago, Baltimore,

1002
01:01:34,200 --> 01:01:38,360
Speaker 1: New Orleans is murder rate is the highest in the America. Bro,

1003
01:01:38,840 --> 01:01:43,400
Speaker 1: So for you to say what Chicago, ain't crazy my eyes?

1004
01:01:43,680 --> 01:01:46,080
Speaker 1: Do you think Dirk is a killer? Look at me

1005
01:01:46,200 --> 01:01:48,160
Speaker 1: my eyes and tell me is he a killer? The

1006
01:01:48,320 --> 01:01:51,240
Speaker 1: Dirk I know? Yeah, tell me it's here, the Dirk

1007
01:01:51,360 --> 01:01:58,120
Speaker 1: I know, right, the Dirk I know. Let's listen, listen, listen.

1008
01:01:58,680 --> 01:02:01,280
Speaker 1: I'm gonna tell you, hey, if you let me be cleared,

1009
01:02:01,400 --> 01:02:04,480
Speaker 1: even that you're here, Takashi ass whack one hunter. Do

1010
01:02:04,600 --> 01:02:07,320
Speaker 1: you think Dirk's a killer? You're taking too long. You

1011
01:02:07,360 --> 01:02:11,280
Speaker 1: would have say yeah, he's he's a killer. If if,

1012
01:02:11,600 --> 01:02:14,240
Speaker 1: if people are running around saying yeah, I'm a killer,

1013
01:02:14,440 --> 01:02:22,600
Speaker 1: I failed, I'll be in jail soon. After a win

1014
01:02:22,840 --> 01:02:25,480
Speaker 1: right there for me is for somebody to say, no,

1015
01:02:25,760 --> 01:02:30,280
Speaker 1: I don't think he's a killer. That's a win. Let

1016
01:02:30,360 --> 01:02:33,600
Speaker 1: me be clear to the babies just listening. You don't

1017
01:02:33,640 --> 01:02:37,000
Speaker 1: want somebody to be able to identify you as a

1018
01:02:37,160 --> 01:02:44,800
Speaker 1: killer based on looking at you. That's the that's the

1019
01:02:44,920 --> 01:02:48,920
Speaker 1: banana and the tailpipe. I need you to welcome yourself

1020
01:02:48,960 --> 01:02:51,560
Speaker 1: to come this way to make it easier for the

1021
01:02:51,720 --> 01:02:56,680
Speaker 1: cherry picking. You know you heard it all the time

1022
01:02:56,760 --> 01:02:59,280
Speaker 1: the kitchen come before the hang and you heard it before.

1023
01:03:01,560 --> 01:03:03,760
Speaker 1: You see what I'm saying, So it ain't you gotta

1024
01:03:03,840 --> 01:03:06,880
Speaker 1: play a food to catch a food. So if if

1025
01:03:07,200 --> 01:03:09,600
Speaker 1: if a dude they told the police is running around

1026
01:03:09,640 --> 01:03:13,720
Speaker 1: saying I'm not a killer, that's a win for me. Hey,

1027
01:03:13,800 --> 01:03:17,080
Speaker 1: what Dirk is? Let me tell what Dirk is? For

1028
01:03:17,240 --> 01:03:19,440
Speaker 1: me to let me tell you what Dirk is. I

1029
01:03:19,600 --> 01:03:25,960
Speaker 1: tell you you, Dirk. You know I'm saying, make the

1030
01:03:26,000 --> 01:03:27,800
Speaker 1: call right now. Let me tell you what Dirk is.

1031
01:03:28,240 --> 01:03:30,400
Speaker 1: Can I tell you what Dirk? Say when you do

1032
01:03:30,640 --> 01:03:33,480
Speaker 1: talking up and tell you what Dirk is. Dirk is

1033
01:03:33,600 --> 01:03:41,400
Speaker 1: from Chicago. Listen, Chicago. He's from where he's from. Listen,

1034
01:03:41,520 --> 01:03:45,600
Speaker 1: He's from where he's from. He's from where he's from. Right,

1035
01:03:46,400 --> 01:03:49,600
Speaker 1: He's authentically who he is from where he's from. He

1036
01:03:49,960 --> 01:03:52,600
Speaker 1: was not placed over there because he was a rapper

1037
01:03:52,960 --> 01:03:55,280
Speaker 1: and he could do this because we watched Dirt start

1038
01:03:55,760 --> 01:03:59,000
Speaker 1: and fiddle the fuck out and go away four five years.

1039
01:03:59,080 --> 01:04:00,919
Speaker 1: He moved to New York at one point in time,

1040
01:04:01,120 --> 01:04:03,280
Speaker 1: trying to get back on. Then he came back right,

1041
01:04:03,600 --> 01:04:05,800
Speaker 1: So Dirk is definitely entertained, but he is from where

1042
01:04:05,840 --> 01:04:07,960
Speaker 1: he's Fuck, you were Dirk or not the same? Why

1043
01:04:08,160 --> 01:04:10,320
Speaker 1: you were Dirk or not the same? Why don't what

1044
01:04:10,560 --> 01:04:13,600
Speaker 1: Dork doing? Are you saying he he's at balidated because

1045
01:04:13,640 --> 01:04:18,080
Speaker 1: you don't feel he was looking it from thee what

1046
01:04:18,240 --> 01:04:21,800
Speaker 1: we I said, it's Dirk a killer, look me a

1047
01:04:21,960 --> 01:04:24,280
Speaker 1: mean personal I don't know when we personalized in the dirt.

1048
01:04:24,280 --> 01:04:26,240
Speaker 1: But but we could get to the point before, I think,

1049
01:04:26,320 --> 01:04:31,680
Speaker 1: the point where you don't talk who's we don't talk

1050
01:04:31,760 --> 01:04:35,400
Speaker 1: about wh wh wh Why white don't bro no whit?

1051
01:04:36,080 --> 01:04:38,680
Speaker 1: What do you gotta understand this? You can't drag me

1052
01:04:38,840 --> 01:04:41,960
Speaker 1: into your definition of being gangster? Why those things you're

1053
01:04:42,000 --> 01:04:44,479
Speaker 1: talking about? A real gangst is not gonna talk about

1054
01:04:45,560 --> 01:04:47,960
Speaker 1: real ship. I want to rephrase what he's saying. I'm wrong,

1055
01:04:48,480 --> 01:04:50,440
Speaker 1: you're why. I don't know. I'm telling you on my

1056
01:04:50,560 --> 01:04:54,600
Speaker 1: mind so I don't know pay why and see you

1057
01:04:54,760 --> 01:04:58,000
Speaker 1: hit to Kash talk about I don't politic. We don't politic.

1058
01:04:58,480 --> 01:05:00,600
Speaker 1: I think he should be honest with it self and

1059
01:05:00,720 --> 01:05:04,280
Speaker 1: the people and say he's afraid the politic. You know,

1060
01:05:04,360 --> 01:05:08,640
Speaker 1: on politic because you understand the consequences surrounding harm and

1061
01:05:08,800 --> 01:05:12,720
Speaker 1: you have to be handled by law enforcement. Our politic

1062
01:05:12,920 --> 01:05:18,240
Speaker 1: because the circumstances around harm and me initiates war and

1063
01:05:18,360 --> 01:05:21,320
Speaker 1: I stand on that. So the politic it is like

1064
01:05:21,480 --> 01:05:24,960
Speaker 1: you you'll see our president gonna meet with Iraq president

1065
01:05:26,520 --> 01:05:29,040
Speaker 1: or one of these other countries president in the in

1066
01:05:29,160 --> 01:05:31,000
Speaker 1: the heat of the it could be the heat of

1067
01:05:31,080 --> 01:05:33,280
Speaker 1: the moment, it could be things going on. You know.

1068
01:05:33,360 --> 01:05:35,560
Speaker 1: If you harm this, you know you know what's going on.

1069
01:05:35,760 --> 01:05:39,000
Speaker 1: We're trying to figure this out right, I'm coming to

1070
01:05:39,080 --> 01:05:41,840
Speaker 1: your side of the world. How are we gonna do this?

1071
01:05:44,360 --> 01:05:47,040
Speaker 1: You understand what I'm saying, So I think he should

1072
01:05:47,080 --> 01:05:51,600
Speaker 1: be honest and just say I'm scared the politic But

1073
01:05:51,760 --> 01:05:55,080
Speaker 1: you this, Dirk, you this, these rappers you know, hey man,

1074
01:05:55,480 --> 01:05:57,600
Speaker 1: you know they went on and on and on and

1075
01:05:57,720 --> 01:05:59,800
Speaker 1: on and on and later we'll get into the twenty

1076
01:05:59,840 --> 01:06:03,840
Speaker 1: one Savage and what's fun inn too because twenty one

1077
01:06:03,920 --> 01:06:07,000
Speaker 1: Savage and Whack one hundred on Ninion too, because of

1078
01:06:07,120 --> 01:06:10,840
Speaker 1: this situation and Takashi, see, an enemy of my enemy

1079
01:06:11,000 --> 01:06:13,720
Speaker 1: is my friend. These are some of the oldest game.

1080
01:06:14,000 --> 01:06:16,680
Speaker 1: This is old game, this is old laws, this is

1081
01:06:16,800 --> 01:06:20,480
Speaker 1: old supposed to know this, operating with this information, it's

1082
01:06:20,480 --> 01:06:23,800
Speaker 1: supposed to be just yeah, you did what I'm saying,

1083
01:06:23,880 --> 01:06:27,800
Speaker 1: so understand that. But um, we'll get to the twenty

1084
01:06:27,840 --> 01:06:30,520
Speaker 1: one Savage a little later. We're gonna get off of

1085
01:06:30,560 --> 01:06:34,000
Speaker 1: Takashi for a second, so meant much to talk about.

1086
01:06:34,080 --> 01:06:35,880
Speaker 1: We got the locks and Dip said, we want to

1087
01:06:36,000 --> 01:06:38,600
Speaker 1: visit that. Man, such a great versus I would say,

1088
01:06:38,680 --> 01:06:41,280
Speaker 1: one of the best verses thus far. We're gonna take

1089
01:06:41,280 --> 01:06:43,880
Speaker 1: a very very quick break, come back with the locks,

1090
01:06:44,320 --> 01:06:47,080
Speaker 1: Dip said, and we're gonna get into what we get into. Man,

1091
01:06:47,120 --> 01:06:50,480
Speaker 1: we appreciate everybody. This tune then tapped in It's up there.

1092
01:06:50,600 --> 01:06:53,240
Speaker 1: Podcast will be right back after this break. We'll be

1093
01:06:53,360 --> 01:06:56,840
Speaker 1: back breaking the game down with each of their podcast

1094
01:06:57,120 --> 01:07:03,280
Speaker 1: Stay tune. Let's talk about the Locks versus dip Set

1095
01:07:04,400 --> 01:07:06,360
Speaker 1: versus battle. For those of you that don't know the

1096
01:07:06,480 --> 01:07:11,200
Speaker 1: Locks and dip Set just brought in the best versus

1097
01:07:11,280 --> 01:07:15,240
Speaker 1: battle that I've ever seen thus far. Um it was

1098
01:07:15,320 --> 01:07:17,360
Speaker 1: in Madison Square Garden. First, I want to give a

1099
01:07:17,440 --> 01:07:24,720
Speaker 1: shout out to Swiss, Sirock, Re, Vote, Apple, Thriller, Um,

1100
01:07:25,280 --> 01:07:29,400
Speaker 1: everybody that really has been involved in this battle rap

1101
01:07:29,600 --> 01:07:36,919
Speaker 1: Ish style event for the culture that's been so so electrifying,

1102
01:07:37,040 --> 01:07:39,320
Speaker 1: through the through the through the through the houses of

1103
01:07:40,200 --> 01:07:44,440
Speaker 1: our people, and UM looks to help drive numbers to

1104
01:07:44,560 --> 01:07:46,920
Speaker 1: streams and different things. So man, it's it's it's been

1105
01:07:46,960 --> 01:07:50,600
Speaker 1: a beautiful thing. This one though, this one was by far,

1106
01:07:50,680 --> 01:07:54,439
Speaker 1: in my opinion, um at the top tier, top level

1107
01:07:54,600 --> 01:07:59,960
Speaker 1: of what versus is. It it by default has chained,

1108
01:08:01,280 --> 01:08:04,760
Speaker 1: has risen the bar of what versus is, especially for rappers.

1109
01:08:04,800 --> 01:08:06,960
Speaker 1: I don't for R and B guys, somebody got to

1110
01:08:07,000 --> 01:08:08,720
Speaker 1: do it in that genre in some kind of way.

1111
01:08:09,480 --> 01:08:12,760
Speaker 1: But for Rapp, they've now showed you how versus is

1112
01:08:12,840 --> 01:08:15,280
Speaker 1: supposed to look. So we want to shout out to

1113
01:08:15,360 --> 01:08:19,839
Speaker 1: them dudes. But as far as Rapp, they've now showed

1114
01:08:19,880 --> 01:08:26,560
Speaker 1: you how versus it is supposed to look. It's not

1115
01:08:26,680 --> 01:08:30,720
Speaker 1: a coincidence. Now, some of the people who don't know

1116
01:08:30,840 --> 01:08:33,840
Speaker 1: who the Locks is or don't know who Deep Set is,

1117
01:08:34,960 --> 01:08:37,520
Speaker 1: you gotta do your googles, You gotta do your research.

1118
01:08:38,520 --> 01:08:41,799
Speaker 1: A couple of things I noticed about this versus battle

1119
01:08:43,600 --> 01:08:48,479
Speaker 1: number one, New York one. And we're gonna play a

1120
01:08:48,560 --> 01:08:51,320
Speaker 1: couple of clips and look at some clips of and

1121
01:08:51,479 --> 01:08:54,040
Speaker 1: see what's going on. And we'll run through a couple

1122
01:08:54,080 --> 01:08:56,519
Speaker 1: of clips just because it was just that dope. It

1123
01:08:56,720 --> 01:08:59,360
Speaker 1: was that big, you know what I'm saying. So let's

1124
01:08:59,400 --> 01:09:02,280
Speaker 1: look at a few clips together and then um, and

1125
01:09:02,400 --> 01:09:05,240
Speaker 1: then we'll get into my analogies and my breakdown of

1126
01:09:05,760 --> 01:09:09,560
Speaker 1: this whole scenario and how I feel about it. We

1127
01:09:09,800 --> 01:09:13,599
Speaker 1: created this, bro, this is something that we did. Bro.

1128
01:09:13,840 --> 01:09:17,760
Speaker 1: You know we're given out kingsday flowers. But you know

1129
01:09:17,840 --> 01:09:20,479
Speaker 1: who really won tonight? Tell me who really won the night?

1130
01:09:21,160 --> 01:09:25,720
Speaker 1: New York, Nah, not New York. New York got got

1131
01:09:25,800 --> 01:09:30,080
Speaker 1: a victory. They got him. Really want the people, the

1132
01:09:30,240 --> 01:09:34,320
Speaker 1: culture one tonight, the culture one, but the colt want

1133
01:09:34,920 --> 01:09:37,880
Speaker 1: the culture one. But if I swish you from to York,

1134
01:09:38,040 --> 01:09:43,320
Speaker 1: I never felt as anyway. That's why I say crazy Swiss.

1135
01:09:43,920 --> 01:09:49,360
Speaker 1: It was crazy up a brick, but they don't care

1136
01:09:49,360 --> 01:09:54,679
Speaker 1: because Christy White hucks to come back. That truck dump

1137
01:09:54,760 --> 01:10:03,240
Speaker 1: stop Fila. They bad before Jimmy even ya heard them,

1138
01:10:03,520 --> 01:10:21,439
Speaker 1: even the rider crazy. The energy was crazy. Play ready

1139
01:10:21,600 --> 01:10:28,240
Speaker 1: if you're not the funny, He told y'all this fighting

1140
01:10:28,880 --> 01:10:41,719
Speaker 1: Jay just needed the money else. See, they got cameroon

1141
01:10:42,120 --> 01:10:46,519
Speaker 1: by this time, they made cameroon look alive and first

1142
01:10:46,600 --> 01:10:49,040
Speaker 1: cameraon was gonna come come out with the two crew

1143
01:10:49,240 --> 01:10:52,760
Speaker 1: for school. Yeah, first camera was gonna come out with

1144
01:10:52,920 --> 01:10:56,200
Speaker 1: the Yeah nine nine ain't doing now, y'all, little boys,

1145
01:10:56,280 --> 01:11:00,240
Speaker 1: I'm rich, but they had they drunk in my see

1146
01:11:00,280 --> 01:11:02,639
Speaker 1: to me, when I looked at the locks versus Dip said,

1147
01:11:03,200 --> 01:11:08,160
Speaker 1: I looked at Star for star. I don't care what

1148
01:11:08,280 --> 01:11:11,599
Speaker 1: they say in New York. I love Jimmy like everybody

1149
01:11:11,640 --> 01:11:15,720
Speaker 1: else loved Jimmy. I love Jus like everybody else loved Jews.

1150
01:11:16,120 --> 01:11:20,400
Speaker 1: Dip said. It was a beautiful thing, but this hill,

1151
01:11:21,320 --> 01:11:23,639
Speaker 1: somebody had to take front, and it was it needed

1152
01:11:23,680 --> 01:11:31,200
Speaker 1: to be camera on versus Jada, But Jada Kiss came

1153
01:11:31,280 --> 01:11:37,640
Speaker 1: there on v d's Versus Enhancement Drugs. Yeah, Jada was

1154
01:11:37,720 --> 01:11:43,120
Speaker 1: on adderall. Jada was way too witty look alive see.

1155
01:11:43,360 --> 01:11:46,160
Speaker 1: And people tried to say, oh, he gave mercy of

1156
01:11:46,160 --> 01:11:49,280
Speaker 1: the fabulous. Nah, you know what he's like when when

1157
01:11:49,320 --> 01:11:52,360
Speaker 1: the little homie go get his brothers. Yeah, Na, Nana

1158
01:11:52,479 --> 01:11:55,000
Speaker 1: la Hoomie look alive. He got his yea, he got

1159
01:11:55,080 --> 01:12:00,519
Speaker 1: his people with him. He look alive. They formed voice Trump.

1160
01:12:01,200 --> 01:12:05,200
Speaker 1: They gave him even more of his power. You know

1161
01:12:05,240 --> 01:12:08,560
Speaker 1: what I'm saying. That wasn't about mercy on Fabulous. That

1162
01:12:08,760 --> 01:12:11,560
Speaker 1: was about my brothers with me. We had was a

1163
01:12:11,680 --> 01:12:16,520
Speaker 1: different mandset. It wasn't about mercy. It was about mindset.

1164
01:12:16,840 --> 01:12:18,479
Speaker 1: But when I looked at it, I said, this is

1165
01:12:18,560 --> 01:12:23,160
Speaker 1: Jada verse Cam, but Cam come out. He didn't get me.

1166
01:12:23,320 --> 01:12:26,000
Speaker 1: Then he wasn't. He wasn't as witty as as I

1167
01:12:26,040 --> 01:12:29,200
Speaker 1: would like for Cam to be. He wasn't checked in.

1168
01:12:29,439 --> 01:12:42,240
Speaker 1: Jada was rolling because you know them vds. But respectfully,

1169
01:12:42,320 --> 01:12:47,120
Speaker 1: Jada killed him himself. Shout out the styles and cheek.

1170
01:12:47,200 --> 01:12:52,560
Speaker 1: They killed it too, But Jada killed them boys hisself.

1171
01:12:53,479 --> 01:12:57,000
Speaker 1: Stop power that what I tell dudes? Why they you

1172
01:12:57,080 --> 01:12:59,200
Speaker 1: don't want to stand next to me with this? Man?

1173
01:12:59,320 --> 01:13:02,880
Speaker 1: I do this too easy. I do this too easy. Brother.

1174
01:13:03,720 --> 01:13:06,439
Speaker 1: You don't want to stand next to this. It's all

1175
01:13:06,560 --> 01:13:08,880
Speaker 1: good when it's you know, when when you're thinking, you know,

1176
01:13:09,240 --> 01:13:10,880
Speaker 1: when you're over there with a bunch of people that

1177
01:13:11,120 --> 01:13:13,840
Speaker 1: you help out, they're gonna gash you up. But you

1178
01:13:13,880 --> 01:13:16,840
Speaker 1: don't want to stand next to this because I you know,

1179
01:13:17,680 --> 01:13:21,439
Speaker 1: it's just a it's a certain feel, it's a certain energy,

1180
01:13:22,360 --> 01:13:25,200
Speaker 1: you know what I'm saying. And I think the lawn

1181
01:13:25,320 --> 01:13:28,639
Speaker 1: chat didn't come off right, you know for Camp Camdon

1182
01:13:28,680 --> 01:13:30,840
Speaker 1: brought the lawn chat. I don't think that hit right.

1183
01:13:31,280 --> 01:13:34,200
Speaker 1: If anything, Man, you should have had them carry me

1184
01:13:34,360 --> 01:13:38,599
Speaker 1: something out there with the key. Yeah, make the homies

1185
01:13:38,680 --> 01:13:41,240
Speaker 1: carry something real out there, not something they can fold

1186
01:13:41,360 --> 01:13:44,120
Speaker 1: up like it just it was a couple of misses.

1187
01:13:44,479 --> 01:13:48,680
Speaker 1: But something about the audio, the dip set stuff were

1188
01:13:48,720 --> 01:13:52,200
Speaker 1: coming on and it wasn't. I couldn't. I was like,

1189
01:13:52,320 --> 01:13:56,400
Speaker 1: I know this hit hard like, but it wasn't. It didn't.

1190
01:13:56,479 --> 01:13:59,960
Speaker 1: For some reason, it didn't give me something was missing.

1191
01:14:00,560 --> 01:14:02,960
Speaker 1: Let's let's watch a few more clips. Hopefully they got

1192
01:14:03,000 --> 01:14:06,519
Speaker 1: a couple of the times when they was just chilling

1193
01:14:06,600 --> 01:14:08,760
Speaker 1: and kind of talking and going back and forth. Let's

1194
01:14:08,760 --> 01:14:18,760
Speaker 1: see something thro hot for hot for I always like

1195
01:14:19,400 --> 01:14:23,960
Speaker 1: coming up. I don't want your boss, hold on tech,

1196
01:14:24,800 --> 01:14:28,679
Speaker 1: holda let me talk to them the world plan. Don't

1197
01:14:28,760 --> 01:14:31,240
Speaker 1: stand on that beach here for a little while longer.

1198
01:14:36,120 --> 01:14:51,680
Speaker 1: I'm figg day the body is finished. Maybe they can

1199
01:14:51,760 --> 01:14:58,840
Speaker 1: say the two for me, kiss for me the black baby. Bro.

1200
01:15:00,240 --> 01:15:20,120
Speaker 1: See when I look at the dip set, right, I say,

1201
01:15:20,280 --> 01:15:26,080
Speaker 1: you know what I was expecting versus what I got.

1202
01:15:26,160 --> 01:15:29,320
Speaker 1: It's like that little mean going around about to when

1203
01:15:29,400 --> 01:15:33,040
Speaker 1: your order from Wish. You feel what I'm saying. It's

1204
01:15:33,080 --> 01:15:36,120
Speaker 1: like this like here was the Wish package. It was

1205
01:15:36,160 --> 01:15:38,800
Speaker 1: still you know, I got what I thought, but I

1206
01:15:38,960 --> 01:15:41,160
Speaker 1: thought this was you know, I thought I was gonna

1207
01:15:41,200 --> 01:15:46,320
Speaker 1: see red Bandannas in Pink Minks and Yeah, I thought

1208
01:15:46,320 --> 01:15:49,720
Speaker 1: I was gonna see Red Bandannas and Pink Minks. I

1209
01:15:49,840 --> 01:15:52,040
Speaker 1: thought I was gonna see some of that kind of vibe.

1210
01:15:52,360 --> 01:15:55,320
Speaker 1: Santana tried to figure it out with this vibration, but

1211
01:15:56,960 --> 01:15:59,840
Speaker 1: it was cool. But for Cam and Jimmy, I thought,

1212
01:15:59,840 --> 01:16:04,080
Speaker 1: I we're gonna see Red Bandanna's big boy pink minks.

1213
01:16:04,720 --> 01:16:08,840
Speaker 1: You understand me. I stopped looking like Yeah, never would

1214
01:16:08,840 --> 01:16:12,599
Speaker 1: have came out totally different. If Cam would have came out,

1215
01:16:12,720 --> 01:16:16,040
Speaker 1: you did what I'm saying. I think they didn't because

1216
01:16:16,160 --> 01:16:19,760
Speaker 1: locks come to come like they just coming. But y'all

1217
01:16:19,840 --> 01:16:22,639
Speaker 1: gotta understand that, y'all. Brand spoke a little bit more

1218
01:16:23,240 --> 01:16:26,040
Speaker 1: to culture. See, they brand spoke a little bit more

1219
01:16:26,120 --> 01:16:29,840
Speaker 1: of culture. So they had to come the represent their

1220
01:16:29,920 --> 01:16:33,200
Speaker 1: whole brand. They tried to go song for song with

1221
01:16:33,320 --> 01:16:36,120
Speaker 1: the locks. That was a mistake. We gotta go brand

1222
01:16:36,200 --> 01:16:38,599
Speaker 1: for bro. We gotta turn this into brand for brand

1223
01:16:38,680 --> 01:16:43,600
Speaker 1: against the locks, you understand me. And then boom and

1224
01:16:43,680 --> 01:16:45,960
Speaker 1: didn't get around y'all with a lot of that, and

1225
01:16:46,080 --> 01:16:48,160
Speaker 1: then that what's the name would have hit different specially

1226
01:16:48,160 --> 01:16:49,880
Speaker 1: here to try to hit you with the Meal Matrix

1227
01:16:49,880 --> 01:16:53,639
Speaker 1: side leaving that certified gangster. And they also he should

1228
01:16:53,640 --> 01:16:56,000
Speaker 1: have started it and let Jimmy gone been talking to

1229
01:16:56,120 --> 01:16:58,400
Speaker 1: where the beat would have hit soon as he got done.

1230
01:17:00,160 --> 01:17:04,719
Speaker 1: But that's the power of the DJ. The most important

1231
01:17:04,760 --> 01:17:10,560
Speaker 1: thing that you saw right here was the DJ. You

1232
01:17:10,760 --> 01:17:14,639
Speaker 1: can't understand how influential the DJ is in this culture

1233
01:17:15,080 --> 01:17:20,439
Speaker 1: without understanding what just happened on this versus stage. That

1234
01:17:20,680 --> 01:17:26,760
Speaker 1: dude DJ technician was in a totally different bag than

1235
01:17:26,920 --> 01:17:30,479
Speaker 1: most DJs that I've witnessed go up on that stage.

1236
01:17:31,760 --> 01:17:36,439
Speaker 1: That dude had sets on sets on sets of sit

1237
01:17:36,960 --> 01:17:39,600
Speaker 1: and he had go into this when they go into that,

1238
01:17:40,000 --> 01:17:42,680
Speaker 1: go into that, when they go into this. Oh, he

1239
01:17:42,800 --> 01:17:45,880
Speaker 1: said that, go into here. It ain't no way. Jada

1240
01:17:46,000 --> 01:17:51,200
Speaker 1: was talking to him. It's no way when you are

1241
01:17:51,280 --> 01:17:53,879
Speaker 1: say something like, oh, they don't got no girl records.

1242
01:17:55,320 --> 01:17:57,360
Speaker 1: Now I know the New York moment they had that

1243
01:17:57,560 --> 01:17:59,720
Speaker 1: prior to when they played his King of New York

1244
01:17:59,760 --> 01:18:05,160
Speaker 1: with they come back without New York unless that was

1245
01:18:05,240 --> 01:18:09,560
Speaker 1: the last song and calm them went lass you feel me.

1246
01:18:09,960 --> 01:18:11,800
Speaker 1: I might would have done that, knowing they got a

1247
01:18:11,880 --> 01:18:13,760
Speaker 1: New York on their side. I'd have tried to make

1248
01:18:13,800 --> 01:18:16,120
Speaker 1: sure I'm last and that was. That's how we closed

1249
01:18:16,120 --> 01:18:18,840
Speaker 1: the night out with the New York You feel what

1250
01:18:18,920 --> 01:18:21,200
Speaker 1: I'm saying, because and he would have played here some

1251
01:18:21,360 --> 01:18:23,120
Speaker 1: other time. He got a big look, of course, but

1252
01:18:23,200 --> 01:18:26,040
Speaker 1: he wouldn't have been that. See that's the thing about

1253
01:18:27,200 --> 01:18:31,800
Speaker 1: that energy. It's never lost, it's transferred. And the DJ

1254
01:18:32,080 --> 01:18:35,479
Speaker 1: helped them every single time transferred to energy. When Dip

1255
01:18:35,560 --> 01:18:38,040
Speaker 1: sid looked like they had a moment, they switched it

1256
01:18:38,200 --> 01:18:41,080
Speaker 1: right back to them because the DJ was back there

1257
01:18:41,200 --> 01:18:43,960
Speaker 1: so in tune with the moment, so in tune with

1258
01:18:44,160 --> 01:18:46,920
Speaker 1: the shout out technician, that bull was so in tune

1259
01:18:47,000 --> 01:18:50,400
Speaker 1: with it, you think neoself. Oh, he just said they

1260
01:18:50,400 --> 01:18:53,280
Speaker 1: didn't had no girl records. They went five straight girl records.

1261
01:18:54,760 --> 01:18:57,160
Speaker 1: They brought out some with morales something with this that

1262
01:18:57,360 --> 01:19:01,040
Speaker 1: they went straight right and so it's just then they said, oh,

1263
01:19:01,160 --> 01:19:03,519
Speaker 1: she ain't got nothing. They went right to chic records.

1264
01:19:03,840 --> 01:19:09,479
Speaker 1: This was not that DJ man. Y'all can't understand what

1265
01:19:09,640 --> 01:19:13,200
Speaker 1: I'm saying. I keep telling y'all, verses is much more

1266
01:19:13,280 --> 01:19:16,080
Speaker 1: than just you coming with your lyric. Dip Set should

1267
01:19:16,080 --> 01:19:19,679
Speaker 1: have came as the brand, DIP said, not dip Set

1268
01:19:19,760 --> 01:19:23,080
Speaker 1: the rappers. They came as the rappers they posed to

1269
01:19:23,120 --> 01:19:26,639
Speaker 1: come as the brand camposter came out with the pink meat,

1270
01:19:27,120 --> 01:19:29,559
Speaker 1: with the with the with the with all the chains

1271
01:19:29,600 --> 01:19:31,800
Speaker 1: and shit on with the he might have had a

1272
01:19:31,880 --> 01:19:37,160
Speaker 1: sell phone or some nigga U jimmy post been blooded up.

1273
01:19:37,240 --> 01:19:39,120
Speaker 1: But I know it might be a little too rough

1274
01:19:39,320 --> 01:19:42,280
Speaker 1: right now. They might be still on my you know

1275
01:19:42,280 --> 01:19:44,080
Speaker 1: what I mean. I might be on the radar of

1276
01:19:44,240 --> 01:19:47,160
Speaker 1: a couple of the Hadars, you understand me. So I

1277
01:19:47,240 --> 01:19:51,680
Speaker 1: don't need to you know, uh be you know, engaging

1278
01:19:51,760 --> 01:19:56,200
Speaker 1: and indulging in that, because maybe that lends itself, uh

1279
01:19:56,400 --> 01:20:00,320
Speaker 1: to to to some truth, right, and I have a

1280
01:20:00,400 --> 01:20:03,000
Speaker 1: cutoff mark, then I'm trying to stick to in regards

1281
01:20:03,040 --> 01:20:06,240
Speaker 1: to what me and my lawyers have have spoke about.

1282
01:20:06,600 --> 01:20:08,680
Speaker 1: There was a cutoff mark because I can't say I

1283
01:20:08,840 --> 01:20:11,960
Speaker 1: was never there, but I can say I left before

1284
01:20:12,680 --> 01:20:16,920
Speaker 1: things got went awry. You understand me. So I get it.

1285
01:20:17,000 --> 01:20:21,360
Speaker 1: But it's like they missed a moment with that. They

1286
01:20:21,439 --> 01:20:23,360
Speaker 1: missed a moment with that. But let's look at a

1287
01:20:23,400 --> 01:20:25,639
Speaker 1: few more clips. These dudes was dope, man, Like I said,

1288
01:20:25,680 --> 01:20:29,040
Speaker 1: the best versus in the since since they came out

1289
01:20:29,120 --> 01:20:42,960
Speaker 1: with versus good, hold on, hold On, New York. What

1290
01:20:43,120 --> 01:20:49,120
Speaker 1: suck New York? We're in New York, right, Why these

1291
01:20:49,200 --> 01:20:52,719
Speaker 1: niggas keep rhyming over the words? Y'all could have stayed

1292
01:20:52,760 --> 01:20:59,920
Speaker 1: in the car. Listen to Apple music cheap everybody, everybody

1293
01:21:00,240 --> 01:21:16,679
Speaker 1: hold on. They talk, talk talk, they talk. We didn't

1294
01:21:16,720 --> 01:21:23,519
Speaker 1: fin ate you. You New York, they catch you. We're

1295
01:21:23,560 --> 01:21:27,840
Speaker 1: in the mecca, New York. People don't know the words.

1296
01:21:28,120 --> 01:21:32,879
Speaker 1: Let's make something happen. Niggas does us, All raises, all burness,

1297
01:21:32,920 --> 01:21:38,720
Speaker 1: all raises and see that's performance. That's performance. Although it

1298
01:21:38,840 --> 01:21:41,800
Speaker 1: maybe what you feel, but he's still I want the IV.

1299
01:21:42,000 --> 01:21:44,280
Speaker 1: I want you, I want you to know what you're

1300
01:21:44,320 --> 01:21:46,559
Speaker 1: looking man. I want to help you make your mind

1301
01:21:46,680 --> 01:21:50,600
Speaker 1: up about what's going on right here. But again, what

1302
01:21:50,880 --> 01:21:55,679
Speaker 1: I tell you something? These dudes right here gotta understand

1303
01:21:55,760 --> 01:21:58,960
Speaker 1: what's happening. Man, This is a legendary moment. Cam got

1304
01:21:59,080 --> 01:22:01,000
Speaker 1: up and start trying to handle it's being. It seemed

1305
01:22:01,040 --> 01:22:03,120
Speaker 1: like as Mike was more muffled, it was a whole

1306
01:22:03,160 --> 01:22:05,600
Speaker 1: bus going on. I don't know, man, it was a

1307
01:22:05,640 --> 01:22:08,040
Speaker 1: lot going on. But they wouldn't be jading them with

1308
01:22:08,160 --> 01:22:11,600
Speaker 1: that level of intensity and without coming out with the

1309
01:22:11,720 --> 01:22:14,600
Speaker 1: mink coats and the and the Blood Bandannas and the

1310
01:22:14,760 --> 01:22:17,200
Speaker 1: pink and the big chains, and they had to come

1311
01:22:17,360 --> 01:22:21,280
Speaker 1: like that for the vibration to be said. Right. What

1312
01:22:21,479 --> 01:22:24,120
Speaker 1: they did was fumbled the whole brand part of it

1313
01:22:24,160 --> 01:22:27,080
Speaker 1: and came out rapper Verse rapper and then that that's

1314
01:22:27,120 --> 01:22:29,360
Speaker 1: the worst thing they could have done. But shout out

1315
01:22:29,439 --> 01:22:31,479
Speaker 1: Dip said, we love them. I know they're going on tour.

1316
01:22:31,520 --> 01:22:33,599
Speaker 1: I got to be at one of them. If COVID

1317
01:22:34,000 --> 01:22:38,599
Speaker 1: is under control, be responsible. Damn thigging the game. It's

1318
01:22:38,640 --> 01:22:45,439
Speaker 1: all shadess just what the want. We ain't playing with

1319
01:22:45,680 --> 01:22:56,040
Speaker 1: this Twitter. That's what I do. Jas all shades somehi

1320
01:22:56,160 --> 01:22:59,760
Speaker 1: troppy popping bill Jack on the track. But I can't

1321
01:22:59,800 --> 01:23:04,880
Speaker 1: go that's it, Blue, I promise you. Hell the forty chicks.

1322
01:23:09,360 --> 01:23:12,920
Speaker 1: These dudes man's next level. Man, Like I say, it's

1323
01:23:12,960 --> 01:23:15,240
Speaker 1: a lot of people in this game that really really

1324
01:23:15,320 --> 01:23:19,320
Speaker 1: don't understand the level that Jada and then brings to it. Man,

1325
01:23:24,760 --> 01:23:40,880
Speaker 1: I shot that got chumped back south off. They're still

1326
01:23:40,960 --> 01:23:43,800
Speaker 1: doing the world hold on this is him or not?

1327
01:23:46,840 --> 01:23:49,240
Speaker 1: You would think it was going to that's right after

1328
01:23:49,320 --> 01:23:51,760
Speaker 1: they say she ain't got nothing. They went right to it.

1329
01:23:52,240 --> 01:23:56,759
Speaker 1: Jus laid down right you see that on the screens,

1330
01:23:56,840 --> 01:24:02,000
Speaker 1: laid down, not shift that hit right, I means don't

1331
01:24:02,000 --> 01:24:06,960
Speaker 1: get it, I said, niggas squid. So he did a clock,

1332
01:24:07,320 --> 01:24:10,200
Speaker 1: my name, ring bells, my sun he at twelve o'clock.

1333
01:24:10,320 --> 01:24:13,200
Speaker 1: I'll care about your block and whoever you shot? Are

1334
01:24:13,240 --> 01:24:16,240
Speaker 1: you drunk head? About your album? And whenever it dropped,

1335
01:24:19,160 --> 01:24:21,559
Speaker 1: when you're thinking they're the best thing, you thinking a lot,

1336
01:24:22,400 --> 01:24:28,320
Speaker 1: y'all one and who they need because none of them niggas.

1337
01:24:30,160 --> 01:24:34,080
Speaker 1: I saw, Mama, Lord, you talked you right, You're right

1338
01:24:35,040 --> 01:24:42,720
Speaker 1: city shop. I ain't gonna lie. When I watched it over,

1339
01:24:43,560 --> 01:24:45,759
Speaker 1: it was a little different, but in the moment locks

1340
01:24:45,840 --> 01:24:47,800
Speaker 1: was whooping them. But when I watched it over, I

1341
01:24:47,960 --> 01:24:50,680
Speaker 1: was like, you ain't. It's a little closer than than

1342
01:24:50,840 --> 01:24:56,240
Speaker 1: what it was. That night. Got the preak for me.

1343
01:24:56,400 --> 01:25:01,000
Speaker 1: I got two ruck I was. I was just about

1344
01:25:01,040 --> 01:25:09,400
Speaker 1: the niggas got to get the roll in his head.

1345
01:25:10,880 --> 01:25:13,040
Speaker 1: Ni Ya, hold on, hold on, hold on. I don't

1346
01:25:13,080 --> 01:25:17,479
Speaker 1: care what he talk about. You can still right. You

1347
01:25:17,600 --> 01:25:23,439
Speaker 1: don't the words, y'all know. Everybody told y'all the piece

1348
01:25:23,520 --> 01:25:28,680
Speaker 1: of grape. Y'all ever seen this nigga. He caught him

1349
01:25:28,720 --> 01:25:32,160
Speaker 1: side dishes, but they were winning at that point. But

1350
01:25:32,280 --> 01:25:35,320
Speaker 1: this is Cam fighting back. You didn't got I gotta,

1351
01:25:35,320 --> 01:25:37,720
Speaker 1: I gotta, y'all, but he po. If you'd had the

1352
01:25:37,800 --> 01:25:40,000
Speaker 1: mink and now that on, it came off different, but

1353
01:25:40,080 --> 01:25:45,479
Speaker 1: it Hey, nigga runs showing the You know he wasn't

1354
01:25:46,080 --> 01:25:55,640
Speaker 1: nigga you mother side, I can't yu side. No, we

1355
01:25:55,920 --> 01:26:01,679
Speaker 1: got the ballot. The Burger City Burger, just some purple

1356
01:26:01,760 --> 01:26:06,559
Speaker 1: say burgers our turn. You gotta do, sir. I don't

1357
01:26:06,560 --> 01:26:09,080
Speaker 1: know that I'm gott letting New York know, but because

1358
01:26:09,080 --> 01:26:11,439
Speaker 1: they jimp in New York, the niggas is jipping, y'all,

1359
01:26:11,680 --> 01:26:13,920
Speaker 1: we give in. We came to see. Let y'all see

1360
01:26:13,960 --> 01:26:16,479
Speaker 1: a sweat. This is New York, the Meca hip hop.

1361
01:26:16,600 --> 01:26:19,559
Speaker 1: We're throwing real hip hop. The niggas his lip sinking.

1362
01:26:20,080 --> 01:26:24,639
Speaker 1: Let us show you started, hurd. This is shaming the round.

1363
01:26:24,840 --> 01:26:28,040
Speaker 1: Nigga love crowd and be late ninty outside with the

1364
01:26:28,200 --> 01:26:30,719
Speaker 1: night and my mom screaming, Jake, don't waste your life.

1365
01:26:30,880 --> 01:26:33,639
Speaker 1: But me and my acting type for the basic down jail.

1366
01:26:33,840 --> 01:26:37,840
Speaker 1: You gotta your bazil from the smoky get into the round, like, oh,

1367
01:26:38,600 --> 01:26:46,479
Speaker 1: let's take say kids sleep. Oh I got her hold

1368
01:26:46,960 --> 01:26:50,879
Speaker 1: up me back baby to wake the baby doing wincause

1369
01:26:50,920 --> 01:26:54,080
Speaker 1: that wasn't good at them. But you beginning the round

1370
01:26:54,479 --> 01:26:58,200
Speaker 1: you need to go. They pulled Max Be out of jail.

1371
01:26:58,360 --> 01:27:01,599
Speaker 1: Master be from New Orleans. We don't need nobody nigga,

1372
01:27:01,680 --> 01:27:14,240
Speaker 1: We got New York. All I mean, a whole lot

1373
01:27:14,280 --> 01:27:22,599
Speaker 1: of talk growing one outside. No matter, say it don't

1374
01:27:22,680 --> 01:27:25,640
Speaker 1: matter if you're pretty figured out. So I'll tell you

1375
01:27:25,840 --> 01:27:27,920
Speaker 1: this part right here that we're playing. This is when

1376
01:27:28,000 --> 01:27:29,680
Speaker 1: the hold on. Let's see if I can get a

1377
01:27:29,760 --> 01:27:31,439
Speaker 1: different clip of that. All right, so this is the

1378
01:27:31,520 --> 01:27:33,240
Speaker 1: last part. I'm gonna look at. Man, We're gonna look

1379
01:27:33,240 --> 01:27:36,840
Speaker 1: at this part. What the exchange happening with Cameron dip

1380
01:27:36,960 --> 01:27:39,120
Speaker 1: set and the locks and Jada kiss what the New

1381
01:27:39,240 --> 01:27:42,439
Speaker 1: York record was was was the moment. This is probably

1382
01:27:42,479 --> 01:27:46,000
Speaker 1: the biggest moment in my opinion of the versus battle.

1383
01:27:46,280 --> 01:27:49,519
Speaker 1: I put this on everything I love. It's always This

1384
01:27:49,760 --> 01:27:52,760
Speaker 1: is a perfect example of energy. It's never lost, It's

1385
01:27:52,840 --> 01:27:56,519
Speaker 1: only transferred if you are able to counter the person

1386
01:27:56,640 --> 01:27:59,759
Speaker 1: that is swung and hits you. This is the ultimate

1387
01:28:00,040 --> 01:28:02,920
Speaker 1: reaction that you will get and how you would handle it.

1388
01:28:03,160 --> 01:28:06,040
Speaker 1: It is never about to hit. It is about the response.

1389
01:28:06,280 --> 01:28:08,640
Speaker 1: It is never about to fall, it is about to

1390
01:28:08,720 --> 01:28:11,280
Speaker 1: get up. It is never about to risk, It isn't

1391
01:28:11,280 --> 01:28:14,840
Speaker 1: about to reward. Y'all gotta understand the game I'm putting down.

1392
01:28:14,920 --> 01:28:16,880
Speaker 1: Let's take a look at it. So you see this,

1393
01:28:18,439 --> 01:28:21,200
Speaker 1: This is what Cam drops the New York record. This

1394
01:28:21,439 --> 01:28:23,800
Speaker 1: is supposed to shift the energy. See this is them,

1395
01:28:23,920 --> 01:28:26,519
Speaker 1: This is thirty minutes in. This is them trying to

1396
01:28:26,600 --> 01:28:29,360
Speaker 1: be like, all right, the fight is kind of it's

1397
01:28:29,400 --> 01:28:31,800
Speaker 1: wabbling out of control. I'm gonna drop this jay Z.

1398
01:28:31,960 --> 01:28:34,360
Speaker 1: I'm gonna drop this harm I'm gonna drop this New

1399
01:28:34,520 --> 01:28:40,600
Speaker 1: York in the Mecca. But again, all things consider, we

1400
01:28:40,720 --> 01:28:43,800
Speaker 1: just dropped the ball and not knowing that he got

1401
01:28:43,880 --> 01:28:47,000
Speaker 1: one of these. But let's just watch energy. Let's just

1402
01:28:47,200 --> 01:28:51,439
Speaker 1: watch energy not be lost and only be transferred. Let's

1403
01:28:51,520 --> 01:28:57,000
Speaker 1: just watch somebody get hit and then they response transfers

1404
01:28:57,080 --> 01:28:59,479
Speaker 1: that energy back and they make what seems to be

1405
01:28:59,560 --> 01:29:01,640
Speaker 1: a loss said at the beginning, turned out to be

1406
01:29:01,720 --> 01:29:03,920
Speaker 1: a win. Their crowd looks at that as a win

1407
01:29:04,160 --> 01:29:07,439
Speaker 1: right here for Cameron dropping their jay Z. Let's bag

1408
01:29:07,520 --> 01:29:13,760
Speaker 1: it up. Oh, let's go. They trying to cut a short. No, no,

1409
01:29:13,960 --> 01:29:16,320
Speaker 1: we're gonna go with they turned the box on. All right,

1410
01:29:18,200 --> 01:29:22,240
Speaker 1: it's a figure anyway, you're talking about New York that

1411
01:29:22,840 --> 01:29:26,880
Speaker 1: short I was waiting for this. You know, this is

1412
01:29:26,960 --> 01:29:42,439
Speaker 1: a talking about don't pick three, I show you welcome

1413
01:29:42,479 --> 01:29:47,719
Speaker 1: to New York City. You can hit the crowd going crazy,

1414
01:29:47,960 --> 01:29:51,200
Speaker 1: and I think freaking Zeki his vibration. Man, we know,

1415
01:29:51,439 --> 01:29:53,880
Speaker 1: we know they real dudes, but it should have been

1416
01:29:53,960 --> 01:29:57,479
Speaker 1: a serious momount of some of that little playing lovey though.

1417
01:29:57,600 --> 01:29:59,800
Speaker 1: I don't let that was it came, didn't didn't get

1418
01:30:00,080 --> 01:30:03,639
Speaker 1: see right, not to say that anybody, you know, don't

1419
01:30:03,680 --> 01:30:06,400
Speaker 1: know that they're aggressive or they they gonna bang it out.

1420
01:30:06,760 --> 01:30:09,320
Speaker 1: But I'm saying just the optics of it. You gotta

1421
01:30:09,360 --> 01:30:13,120
Speaker 1: always remember you gotta play to the camera too, especially

1422
01:30:13,160 --> 01:30:15,800
Speaker 1: in these kind of situation. Way more people watching than

1423
01:30:15,880 --> 01:30:23,320
Speaker 1: it is in the building. They dropped the New York record.

1424
01:30:23,360 --> 01:30:26,439
Speaker 1: The energy in that building, it's unmashed, unheard of. Let's

1425
01:30:26,479 --> 01:30:32,000
Speaker 1: go a walk going on outside, no matter say it

1426
01:30:32,160 --> 01:30:36,759
Speaker 1: don't matter if you're pretty figured out, you ain't straight.

1427
01:30:37,360 --> 01:30:40,720
Speaker 1: Let's all that will tell you what I count. The

1428
01:30:40,760 --> 01:30:43,080
Speaker 1: eight guns. Two of the way, two of the way,

1429
01:30:43,320 --> 01:30:46,439
Speaker 1: two of the ankle to the thank you, chill with

1430
01:30:46,520 --> 01:30:50,639
Speaker 1: the chillers, play with the up. They're going crazy enough

1431
01:30:51,080 --> 01:30:55,479
Speaker 1: you think they go on the boat the cycle bringing

1432
01:30:55,520 --> 01:30:58,360
Speaker 1: the so much life. They're going crazy in there. Bro

1433
01:30:59,080 --> 01:31:02,360
Speaker 1: the fun body cock, a long block, a white watch,

1434
01:31:02,479 --> 01:31:05,639
Speaker 1: fu got he ain't goo. It's like coaster the dose

1435
01:31:05,720 --> 01:31:12,200
Speaker 1: for someone close to show forth up the shore, please

1436
01:31:12,240 --> 01:31:28,840
Speaker 1: looking for I don't watch the boy watch you st cop.

1437
01:31:30,640 --> 01:31:32,800
Speaker 1: They go drew us see he held it down. He

1438
01:31:32,920 --> 01:31:35,800
Speaker 1: ice stopped, he ice stopped, he got it. He trying

1439
01:31:35,840 --> 01:31:38,200
Speaker 1: to give you that look. But everybody had to do

1440
01:31:38,360 --> 01:31:40,320
Speaker 1: that for that to hit right. Jimmy had to be

1441
01:31:40,479 --> 01:31:44,240
Speaker 1: blooded down. Cam had to be pink minked up. It

1442
01:31:44,400 --> 01:31:47,080
Speaker 1: had the vibe like that. They really needed some Instagram

1443
01:31:47,200 --> 01:31:50,519
Speaker 1: post pulling up in the pink rain like just for

1444
01:31:50,600 --> 01:31:54,400
Speaker 1: the optics of. And that's what this is turning into.

1445
01:31:54,560 --> 01:31:56,960
Speaker 1: Great job by Timberlin. The Schwitz called me, I hit

1446
01:31:57,040 --> 01:32:12,679
Speaker 1: you figure figure some more this out where respectful forgetting

1447
01:32:12,680 --> 01:32:18,040
Speaker 1: this word that's a fumble and looking freaking that ain't cool.

1448
01:32:18,960 --> 01:32:21,439
Speaker 1: I wouldn't be doing that right now. That's one of

1449
01:32:21,520 --> 01:32:27,719
Speaker 1: my ships. Glad you did it after you already stuff

1450
01:32:27,760 --> 01:32:37,160
Speaker 1: at defeat the New York New York just switched everything

1451
01:32:37,320 --> 01:32:39,880
Speaker 1: you know about the game right there. It just took

1452
01:32:39,960 --> 01:32:42,680
Speaker 1: the energy from the end of me. And this is

1453
01:32:42,720 --> 01:32:45,880
Speaker 1: a prime example of what happens when you hit and

1454
01:32:46,040 --> 01:32:49,360
Speaker 1: you don't fall. I knew it was coming. I knew

1455
01:32:49,360 --> 01:32:53,320
Speaker 1: it was coming. Now watch this. This is preparation you're

1456
01:32:53,360 --> 01:32:56,400
Speaker 1: dealing with when you deal with me and you see

1457
01:32:56,479 --> 01:32:59,040
Speaker 1: me what I'm doing. This is preparation you're dealing with.

1458
01:32:59,360 --> 01:33:03,519
Speaker 1: Don't food yourself, don't pay yourself. I take your best

1459
01:33:03,600 --> 01:33:06,120
Speaker 1: shot and it won't do much to me. I turn

1460
01:33:06,200 --> 01:33:10,760
Speaker 1: it around, and I welcome to New York's. Feel the

1461
01:33:10,880 --> 01:33:13,800
Speaker 1: lone nigga. Feel the vibration. You gotta know when you're

1462
01:33:13,800 --> 01:33:21,760
Speaker 1: dealing with preparation. That building has erupted. This is this

1463
01:33:26,800 --> 01:33:44,679
Speaker 1: I I gotta but it's up there. Cast sh shout

1464
01:33:44,720 --> 01:33:51,960
Speaker 1: out to the DJ. I sweat see. I want you

1465
01:33:52,120 --> 01:33:55,840
Speaker 1: to know what I'm talking about. This thing is deeper

1466
01:33:55,880 --> 01:33:58,600
Speaker 1: than just rapping. You gotta understand what you're dealing with.

1467
01:33:59,560 --> 01:34:03,479
Speaker 1: So many people misunderstand that, hey man, you gonna get hit.

1468
01:34:04,080 --> 01:34:06,559
Speaker 1: It's gonna look like they winning. They don't even think

1469
01:34:06,640 --> 01:34:09,160
Speaker 1: they winning. The only lookers don't even think they winning.

1470
01:34:09,439 --> 01:34:12,280
Speaker 1: But you're dealing with preparation. You're dealing with a man.

1471
01:34:12,360 --> 01:34:15,880
Speaker 1: It took the time out to consider all things. You're

1472
01:34:15,920 --> 01:34:18,040
Speaker 1: dealing with a man. It took the time out to

1473
01:34:18,200 --> 01:34:21,880
Speaker 1: evaluate all things. And that's what you gotta deal with.

1474
01:34:25,320 --> 01:34:37,400
Speaker 1: This is greatness when from a whole holistic standpoint from

1475
01:34:37,439 --> 01:34:52,760
Speaker 1: New y'all, I like that. You gotta understand. You gotta understand, though,

1476
01:34:53,320 --> 01:34:56,920
Speaker 1: but one of the greatest, one of the greatest verses

1477
01:34:56,920 --> 01:34:58,960
Speaker 1: we ever seen. Man shout out to the lock, shout

1478
01:34:59,000 --> 01:35:04,479
Speaker 1: out the deep, said, we big fans, oh collectively them

1479
01:35:04,560 --> 01:35:10,560
Speaker 1: guys has did something that we never seen before. But

1480
01:35:10,760 --> 01:35:15,840
Speaker 1: but but coming in with this is crazy. That's one

1481
01:35:15,880 --> 01:35:20,599
Speaker 1: of my ships. We don't. We're glad you did glad

1482
01:35:20,680 --> 01:35:28,280
Speaker 1: you did it after you already stuff at defeat New York,

1483
01:35:28,400 --> 01:35:32,679
Speaker 1: the New York. I'm outside, I don't. I don't even

1484
01:35:32,800 --> 01:35:41,320
Speaker 1: Colorado see that building is going crazy. This is you know,

1485
01:35:41,479 --> 01:35:45,040
Speaker 1: Depth says, should be thinking, Jada. What Jada has effectively

1486
01:35:45,160 --> 01:35:47,559
Speaker 1: did right there has made the commercial for their tour.

1487
01:35:48,439 --> 01:35:50,479
Speaker 1: He's made it the one. Now they you sell out

1488
01:35:50,600 --> 01:35:52,920
Speaker 1: there now being in front of us a whole bunch

1489
01:35:52,960 --> 01:35:56,320
Speaker 1: of more people now because it is this ain't by coincidence.

1490
01:35:56,439 --> 01:36:00,439
Speaker 1: This has now effectively sold tickets for the upset and

1491
01:36:00,520 --> 01:36:02,880
Speaker 1: the locks chore. They should be thinking Jay thea Kiss.

1492
01:36:03,040 --> 01:36:06,400
Speaker 1: They should be thinking technician, they should be thinking Dip said,

1493
01:36:06,600 --> 01:36:10,080
Speaker 1: they should be thinking the locks all everybody that's involved

1494
01:36:10,120 --> 01:36:11,559
Speaker 1: in this, how to get a pad on the back.

1495
01:36:11,920 --> 01:36:18,320
Speaker 1: This could not be a better situation for the you

1496
01:36:18,439 --> 01:36:27,320
Speaker 1: a long time. But like I said, man, great verses. Uh,

1497
01:36:28,400 --> 01:36:32,240
Speaker 1: we love it. We love it all right. So let's

1498
01:36:32,280 --> 01:36:37,720
Speaker 1: talk about Kanye West selling out another event for the

1499
01:36:37,840 --> 01:36:44,439
Speaker 1: Donda album release or listening event um in Atlanta, Georgia

1500
01:36:44,439 --> 01:36:49,120
Speaker 1: and Mercedes Being Stadium where he's been currently living working

1501
01:36:49,280 --> 01:36:55,320
Speaker 1: on the project. Um, we're watching something this monumental. When

1502
01:36:55,360 --> 01:36:57,360
Speaker 1: I watched it, I told I told him old later

1503
01:36:57,479 --> 01:37:01,200
Speaker 1: you know, I'm like, Yo, this is a this is

1504
01:37:01,280 --> 01:37:04,280
Speaker 1: a crazy space that we're in in regards to what

1505
01:37:04,400 --> 01:37:08,639
Speaker 1: we're watching with this dude, Kanye West. When we're watching

1506
01:37:08,720 --> 01:37:12,280
Speaker 1: Kanye West, because he's doing these things from a perspective

1507
01:37:12,400 --> 01:37:17,000
Speaker 1: that a lot of people don't understand in this game

1508
01:37:17,120 --> 01:37:20,679
Speaker 1: right here, because I hear, I hear, I hear rumblings

1509
01:37:20,720 --> 01:37:23,160
Speaker 1: about people saying, yo, man, he got thirty forty fifty

1510
01:37:23,200 --> 01:37:26,439
Speaker 1: people working on one song that's cheating. That's cheating. You know,

1511
01:37:26,520 --> 01:37:28,920
Speaker 1: they criticized Drake forward and they let Kanye do it.

1512
01:37:29,040 --> 01:37:33,439
Speaker 1: That ain't cool. Like that ain't cool. Um, And I

1513
01:37:33,560 --> 01:37:36,160
Speaker 1: do say Drake and forty I told y'all last week

1514
01:37:38,280 --> 01:37:40,080
Speaker 1: they don't have a whole bunch of people coming in

1515
01:37:40,400 --> 01:37:43,160
Speaker 1: and out. Dude, them dudes is going hard over that.

1516
01:37:43,240 --> 01:37:45,080
Speaker 1: That's so what I'm saying. It's a different thing going

1517
01:37:45,120 --> 01:37:48,240
Speaker 1: on with Drake respectfully to Yeah, I love ya, I

1518
01:37:48,400 --> 01:37:52,519
Speaker 1: love Yake, but that dude, that dude, Drake got a

1519
01:37:52,560 --> 01:37:57,880
Speaker 1: whole It's a different thing going on. Um. But the

1520
01:37:58,080 --> 01:38:00,880
Speaker 1: music Yame makes it so powerful and it's so good

1521
01:38:01,080 --> 01:38:04,320
Speaker 1: and it's so deep and it's so dope. Um. When

1522
01:38:04,360 --> 01:38:07,920
Speaker 1: I saw when I saw him come out and how

1523
01:38:08,000 --> 01:38:09,920
Speaker 1: it was handled and some of the songs, even with

1524
01:38:10,040 --> 01:38:12,040
Speaker 1: the Locks and them on the new song, shout out

1525
01:38:12,040 --> 01:38:18,439
Speaker 1: to Jada and Chic and styles. Um. Some just told me, though,

1526
01:38:20,280 --> 01:38:22,880
Speaker 1: when you get that big to still be able to

1527
01:38:22,960 --> 01:38:26,679
Speaker 1: make good music, it's a different different test than somebody,

1528
01:38:26,800 --> 01:38:28,960
Speaker 1: Let's say that goes to the studio that they ran

1529
01:38:29,000 --> 01:38:33,280
Speaker 1: out and pay for, Like, it's a totally different thing

1530
01:38:33,760 --> 01:38:36,120
Speaker 1: you're gonna for you to be effective in the same

1531
01:38:36,280 --> 01:38:40,560
Speaker 1: genre for that long. You gotta know when you just

1532
01:38:40,760 --> 01:38:43,160
Speaker 1: being told it's dope or when it's really dope. And

1533
01:38:43,280 --> 01:38:45,639
Speaker 1: so you gotta kind of try to find that sweet spot.

1534
01:38:45,760 --> 01:38:48,120
Speaker 1: And it's crazy because no matter what you put out,

1535
01:38:48,280 --> 01:38:52,320
Speaker 1: when you when you become extremely profitable in the music business,

1536
01:38:52,840 --> 01:38:54,880
Speaker 1: no matter what you put out, there's gonna be some

1537
01:38:55,080 --> 01:38:57,760
Speaker 1: people saying that it's dope and it's just over your head.

1538
01:38:59,200 --> 01:39:02,920
Speaker 1: So as the creator, it's always a rough place to

1539
01:39:03,040 --> 01:39:05,599
Speaker 1: be in because one thing about us, we really can't

1540
01:39:05,920 --> 01:39:10,200
Speaker 1: communicate our standards. It's hard to communicate the standard. Right.

1541
01:39:10,280 --> 01:39:12,240
Speaker 1: I can't tell you how I want it, but I

1542
01:39:12,360 --> 01:39:14,479
Speaker 1: know when I hear it, that'll be it. Right. It's

1543
01:39:14,479 --> 01:39:16,560
Speaker 1: a I know you don't get it, but that's the

1544
01:39:16,640 --> 01:39:18,519
Speaker 1: way it is. I can't tell you what it is,

1545
01:39:18,640 --> 01:39:21,160
Speaker 1: but when I see it, it'll it'll it'll do it

1546
01:39:21,320 --> 01:39:25,320
Speaker 1: fubby out instantly, no, right. And so when you can't

1547
01:39:25,360 --> 01:39:28,240
Speaker 1: communicate your standard and you're trying to always find the

1548
01:39:28,360 --> 01:39:31,680
Speaker 1: better you, it's rough because they're gonna say that's it.

1549
01:39:31,840 --> 01:39:35,080
Speaker 1: Put it out and you're gonna say, nah, it didn't

1550
01:39:35,120 --> 01:39:38,599
Speaker 1: give me what I I was looking for. Something Now

1551
01:39:38,640 --> 01:39:41,760
Speaker 1: that I didn't get You're not gonna you know what

1552
01:39:41,880 --> 01:39:44,680
Speaker 1: I'm saying, And so it makes it, It makes it

1553
01:39:44,800 --> 01:39:47,880
Speaker 1: that much more rough, you see, because it's a it's

1554
01:39:47,920 --> 01:39:51,439
Speaker 1: a weird dance. It's a weird, weird little dance. And

1555
01:39:51,479 --> 01:39:53,840
Speaker 1: when I was listening to the music, because I've seen

1556
01:39:53,920 --> 01:39:57,080
Speaker 1: Justin Little Boy come out and say, um yo, Kanye West,

1557
01:39:57,160 --> 01:39:59,000
Speaker 1: Got a Little Baby and Weekend on the same song

1558
01:39:59,080 --> 01:40:05,280
Speaker 1: album Money Is. And then I said to myself, these

1559
01:40:05,360 --> 01:40:09,479
Speaker 1: songs are great. I mean, dude, top notch, top level.

1560
01:40:10,680 --> 01:40:13,360
Speaker 1: But for some reason, it didn't give me enough to

1561
01:40:13,400 --> 01:40:16,280
Speaker 1: say it's gonna smother the boy though. It didn't give

1562
01:40:16,320 --> 01:40:18,280
Speaker 1: me enough to say it's gonna smother this said like

1563
01:40:18,560 --> 01:40:21,680
Speaker 1: Drake ain't got a chance. I didn't feel like that.

1564
01:40:22,520 --> 01:40:25,680
Speaker 1: I know this dude got some this dude is right.

1565
01:40:25,800 --> 01:40:28,760
Speaker 1: So it's just weird, right, It's just a weird thing

1566
01:40:28,800 --> 01:40:32,240
Speaker 1: because I'm like, don't scream album of the Ill, bro,

1567
01:40:32,360 --> 01:40:35,760
Speaker 1: you got Drake around the corner man. But again they're

1568
01:40:35,800 --> 01:40:39,040
Speaker 1: not doing the same thing. You can't put the week End,

1569
01:40:39,160 --> 01:40:42,519
Speaker 1: Kanye and a Little Baby against a Drake song. It's like, Yo,

1570
01:40:43,600 --> 01:40:46,000
Speaker 1: how you gonna say that? That makes it? What about?

1571
01:40:46,200 --> 01:40:47,920
Speaker 1: You know what I'm saying, so you gotta you gotta

1572
01:40:47,960 --> 01:40:49,880
Speaker 1: see what's going and I know, just a little boys

1573
01:40:49,920 --> 01:40:52,960
Speaker 1: doing what he's supposed to be doing. Um, but but

1574
01:40:53,120 --> 01:40:55,439
Speaker 1: the Drake guy, man, he's coming, and he's coming in

1575
01:40:55,520 --> 01:40:57,920
Speaker 1: a way that you're gonna respect. Some just telling me

1576
01:40:58,080 --> 01:41:02,840
Speaker 1: that the album ain't he know you try, um, he

1577
01:41:03,000 --> 01:41:07,280
Speaker 1: know you trying to slick, you know, interrupt what I

1578
01:41:07,400 --> 01:41:11,000
Speaker 1: got going on. Then let's be clear. Kanye Rollout, It's crazy.

1579
01:41:11,640 --> 01:41:15,519
Speaker 1: It looked like Kanye doesn't overshadow. Drake. Rollout just instantly

1580
01:41:15,600 --> 01:41:19,320
Speaker 1: came out and took over music, roll just everything. Music

1581
01:41:19,520 --> 01:41:22,160
Speaker 1: is just kind of Kanye. Kanye. It is Kanye that

1582
01:41:22,280 --> 01:41:25,519
Speaker 1: Kanye it is. You understand what I'm saying. So old

1583
01:41:26,080 --> 01:41:30,439
Speaker 1: in regards to roll Out, Drake got some catching up

1584
01:41:30,520 --> 01:41:33,280
Speaker 1: to do in regards to just the optics of it.

1585
01:41:33,479 --> 01:41:36,120
Speaker 1: This dude that's sold out arena twice for music that

1586
01:41:36,240 --> 01:41:39,400
Speaker 1: hasn't came out. Now, I'm not sure if the arena

1587
01:41:39,479 --> 01:41:41,720
Speaker 1: is fully sold out. I know how this works, right,

1588
01:41:41,800 --> 01:41:47,720
Speaker 1: But I'm just saying the optics of this is very crazy. Yeah,

1589
01:41:47,800 --> 01:41:51,920
Speaker 1: but I asked myself that, man, did did Drake's Rollout

1590
01:41:51,960 --> 01:41:55,519
Speaker 1: get stepped on by Kanye, because Kanye West rollout. It's crazy.

1591
01:41:55,560 --> 01:41:58,840
Speaker 1: It's like a whole other level. Um, and it's deep.

1592
01:41:59,080 --> 01:42:01,559
Speaker 1: It's some deep you know. It's like, Yo, this dude,

1593
01:42:01,600 --> 01:42:05,160
Speaker 1: it's on another level. Right, And so that's a question

1594
01:42:05,240 --> 01:42:07,760
Speaker 1: that we got to ask ourselves. All right. So for

1595
01:42:07,920 --> 01:42:09,800
Speaker 1: those of you that don't know, I want to speak

1596
01:42:09,800 --> 01:42:13,040
Speaker 1: about the baby's current situation. He just came back out

1597
01:42:13,160 --> 01:42:17,599
Speaker 1: and issued another apology to the LGBT community. Malad Cirus

1598
01:42:18,400 --> 01:42:23,479
Speaker 1: also came out and extended arm to him and said, hey,

1599
01:42:23,560 --> 01:42:25,680
Speaker 1: let just reach out to me. Let's sit down and

1600
01:42:25,960 --> 01:42:29,360
Speaker 1: we welcome you instead of trying to reject you, because

1601
01:42:29,400 --> 01:42:31,760
Speaker 1: I think they want to kind of show people that

1602
01:42:31,880 --> 01:42:38,400
Speaker 1: it probably it is coming from somewhere else, right, So

1603
01:42:39,280 --> 01:42:42,640
Speaker 1: she let him know, hey, reach out and he issued apology.

1604
01:42:42,760 --> 01:42:44,639
Speaker 1: Let me learn from it that some of the people

1605
01:42:44,680 --> 01:42:46,680
Speaker 1: took the apology said, now, we ain't going for that.

1606
01:42:46,920 --> 01:42:49,200
Speaker 1: You try to be sleep when we believe X, Y

1607
01:42:49,240 --> 01:42:52,120
Speaker 1: and Z. So we're also dealing with that. So um,

1608
01:42:52,720 --> 01:42:55,840
Speaker 1: we're gonna listen to following that. Of course, when it

1609
01:42:55,920 --> 01:42:58,320
Speaker 1: first happened, Ti came out and said some things. He

1610
01:42:58,800 --> 01:43:03,400
Speaker 1: now recently was on a was Zoe about the current situation.

1611
01:43:03,840 --> 01:43:06,479
Speaker 1: So let's let's listen to a little bit about what

1612
01:43:06,640 --> 01:43:09,800
Speaker 1: they spoke about and kind of analyze what we got

1613
01:43:09,880 --> 01:43:16,000
Speaker 1: from it. It was no, it was people. People are

1614
01:43:16,120 --> 01:43:20,200
Speaker 1: standing in defense of it, trying to say what was

1615
01:43:20,240 --> 01:43:23,880
Speaker 1: said was right, when at that moment it was not right.

1616
01:43:24,800 --> 01:43:27,320
Speaker 1: It was just not right. Period. The reason it wasn't right,

1617
01:43:27,479 --> 01:43:30,000
Speaker 1: The reason it wasn't the reason it wasn't right or

1618
01:43:30,080 --> 01:43:35,000
Speaker 1: appropriate is because if somebody gay, straight, because everybody can

1619
01:43:35,040 --> 01:43:37,720
Speaker 1: get AIDS, don't matter who you are. If they were

1620
01:43:37,880 --> 01:43:41,480
Speaker 1: in that if they were if they were in that audience,

1621
01:43:41,640 --> 01:43:44,960
Speaker 1: and this person says, if you don't, if you don't

1622
01:43:45,000 --> 01:43:48,479
Speaker 1: have that death disease AIDS, raise your light up. You know,

1623
01:43:48,640 --> 01:43:50,400
Speaker 1: Like I was telling my people, you don't know if

1624
01:43:50,439 --> 01:43:52,280
Speaker 1: somebody just found out they had it, and they were

1625
01:43:52,320 --> 01:43:53,840
Speaker 1: just like, you know what, I just want to get away,

1626
01:43:54,000 --> 01:43:56,920
Speaker 1: go to this concert, whatever, whatever, or they're dealing with

1627
01:43:57,040 --> 01:43:59,360
Speaker 1: a friend who passed away from it or whatever, and

1628
01:43:59,520 --> 01:44:03,519
Speaker 1: you say this, it's just insensitive to people. And I mean,

1629
01:44:03,560 --> 01:44:05,200
Speaker 1: I understand you said they said it in the hip

1630
01:44:05,280 --> 01:44:07,600
Speaker 1: hop pub back in the day or whatever, whatever, but

1631
01:44:07,880 --> 01:44:13,320
Speaker 1: it's the present. It's disrespectful. If I may say okay,

1632
01:44:13,479 --> 01:44:17,559
Speaker 1: um and everybody, I'm sorry. People are saying freedom of speech.

1633
01:44:17,640 --> 01:44:19,479
Speaker 1: It's okay to have freedom of speech. And it's a

1634
01:44:19,520 --> 01:44:23,120
Speaker 1: difference from having an opinion and freedom of speech and

1635
01:44:23,280 --> 01:44:28,280
Speaker 1: being insensitive and disrespectful. Those are two different things. Okay, Now, listen,

1636
01:44:28,320 --> 01:44:31,040
Speaker 1: when you said the word disrespect, one must intend to

1637
01:44:31,200 --> 01:44:34,639
Speaker 1: be disrespectful. If he said something that someone took as

1638
01:44:34,720 --> 01:44:37,720
Speaker 1: disrespect but he didn't intend it to be taken that way,

1639
01:44:38,640 --> 01:44:43,800
Speaker 1: that's that's to you. No, I mean, yes, yes, him,

1640
01:44:43,880 --> 01:44:48,080
Speaker 1: it wasn't disrespecting to him. You can't tell somebody gonna

1641
01:44:48,160 --> 01:44:51,919
Speaker 1: tell nobody you're right, you're right. I can't tell anybody

1642
01:44:52,000 --> 01:44:54,800
Speaker 1: that they were or were not disrespecting. No, I can't

1643
01:44:58,960 --> 01:45:01,640
Speaker 1: which he said it that he didn't intend to be disrespectful.

1644
01:45:01,840 --> 01:45:05,080
Speaker 1: He was saying, uh, it was ah. I guess you

1645
01:45:05,160 --> 01:45:08,920
Speaker 1: could counted call and response sort of like if you're

1646
01:45:08,920 --> 01:45:12,120
Speaker 1: from California, Yeah, if you And it's a part of

1647
01:45:12,400 --> 01:45:16,479
Speaker 1: certain people's shows. It's a part of DJ show. I

1648
01:45:16,720 --> 01:45:20,200
Speaker 1: just compared it to if you ain't got no STDs

1649
01:45:20,200 --> 01:45:21,800
Speaker 1: and you push it clean. Let me he is free.

1650
01:45:21,880 --> 01:45:25,000
Speaker 1: I haven't heard that several times. This ain't the first time,

1651
01:45:25,560 --> 01:45:27,680
Speaker 1: so That's what I'm telling you. So in knowing that

1652
01:45:27,960 --> 01:45:31,880
Speaker 1: I know he did yeah, okay, intending to be disrespectful.

1653
01:45:33,040 --> 01:45:36,240
Speaker 1: So if he didn't intend to be disrespectful, why are

1654
01:45:36,280 --> 01:45:38,960
Speaker 1: we treating him as though he went into something and

1655
01:45:39,160 --> 01:45:42,599
Speaker 1: did something. And I'm not saying canceling him, but I'm

1656
01:45:42,600 --> 01:45:46,240
Speaker 1: just saying, once he saw that people were offended, all

1657
01:45:46,320 --> 01:45:48,960
Speaker 1: you had to do was to say, if I offended anyone,

1658
01:45:50,000 --> 01:45:53,200
Speaker 1: I apologize, but then to turnaround and say, my gay

1659
01:45:53,240 --> 01:45:55,760
Speaker 1: ass supporters know this, and y'all know I didn't mean that.

1660
01:45:56,040 --> 01:45:59,040
Speaker 1: But it's just like you. It was like you apologize,

1661
01:45:59,080 --> 01:46:01,840
Speaker 1: but you still didn't up to the mistake you made.

1662
01:46:02,040 --> 01:46:04,799
Speaker 1: And when you're a celebrity or you're in a different

1663
01:46:05,439 --> 01:46:08,040
Speaker 1: status of other people, I'm not saying just because you're

1664
01:46:08,040 --> 01:46:10,120
Speaker 1: a clebrity, you're better than anybody, but when you're at

1665
01:46:10,160 --> 01:46:13,840
Speaker 1: a people look at you different. So you have to

1666
01:46:13,960 --> 01:46:15,800
Speaker 1: be mindful of some of the things you say. You

1667
01:46:15,840 --> 01:46:18,160
Speaker 1: know what I'm saying. It's just it's just that saunderstanding

1668
01:46:19,360 --> 01:46:21,719
Speaker 1: these perfect and people make they do, they make mistakes,

1669
01:46:22,120 --> 01:46:24,080
Speaker 1: but just be mindful because then that you have put

1670
01:46:24,120 --> 01:46:26,560
Speaker 1: yourself in this position to be a celebrity. Now it's like,

1671
01:46:26,840 --> 01:46:30,559
Speaker 1: you know, hey, I understand what I say. I can

1672
01:46:30,680 --> 01:46:34,519
Speaker 1: understand that to a degree. I do believe that if

1673
01:46:34,600 --> 01:46:37,840
Speaker 1: you're own stage, kind of like I'm doing what I'm

1674
01:46:37,880 --> 01:46:40,120
Speaker 1: doing for the purpose of the party, just like if

1675
01:46:40,120 --> 01:46:42,720
Speaker 1: a comedian is own stage, they're doing what they're doing

1676
01:46:42,800 --> 01:46:45,439
Speaker 1: for the purpose of a lad. That's just me, though,

1677
01:46:45,479 --> 01:46:47,400
Speaker 1: and I can't make nobody else feel like that, But

1678
01:46:47,520 --> 01:46:50,360
Speaker 1: that's your how feel because we look away when white

1679
01:46:50,400 --> 01:46:52,320
Speaker 1: people be in the crowd saying nigga, and if they

1680
01:46:52,400 --> 01:46:53,960
Speaker 1: catch your and if we catch them in the wal

1681
01:46:54,040 --> 01:46:56,160
Speaker 1: Mart doing it, it ain't gonna pass. It ain't gonna

1682
01:46:56,160 --> 01:47:00,200
Speaker 1: flat like that. So the stage is off limits. Now,

1683
01:47:00,320 --> 01:47:03,400
Speaker 1: that's a good point. So you got to understand the

1684
01:47:03,479 --> 01:47:08,280
Speaker 1: view from the stage. Now, I do understand that the

1685
01:47:08,400 --> 01:47:14,040
Speaker 1: stage does need to be um view a certain way. Right.

1686
01:47:14,160 --> 01:47:17,000
Speaker 1: The stage is a place where there's a lot of

1687
01:47:17,120 --> 01:47:22,800
Speaker 1: things being said on stages under the guise of entertainment.

1688
01:47:22,920 --> 01:47:25,479
Speaker 1: There's a lot of things being done on cameras under

1689
01:47:25,520 --> 01:47:31,200
Speaker 1: the guise of entertainment, right that we view and receive

1690
01:47:31,320 --> 01:47:34,160
Speaker 1: as such. I think when we deal with rappers, we

1691
01:47:34,280 --> 01:47:37,040
Speaker 1: tend to we tend to take them out of the

1692
01:47:37,160 --> 01:47:42,880
Speaker 1: entertainment atmosphere and make them real life characters. Right. So

1693
01:47:43,080 --> 01:47:46,519
Speaker 1: what what he says on that stage, it's who he

1694
01:47:46,880 --> 01:47:50,439
Speaker 1: is as you know, a regular individual, just him and

1695
01:47:50,720 --> 01:47:54,439
Speaker 1: at its core. Um. Part of the part of that

1696
01:47:54,600 --> 01:47:56,920
Speaker 1: is because rappers are always say I ain't faking now,

1697
01:47:56,920 --> 01:47:59,320
Speaker 1: I'm the real deal, you know, So some of that

1698
01:47:59,479 --> 01:48:02,639
Speaker 1: lends it to that. UM. But they had a good conversation. Man,

1699
01:48:02,920 --> 01:48:05,040
Speaker 1: I kind of I'm on the ropes with this the

1700
01:48:05,120 --> 01:48:08,240
Speaker 1: baby thing. I know he's happy Tokasha and acting savage

1701
01:48:08,280 --> 01:48:10,200
Speaker 1: and a lim took the news off of him so

1702
01:48:10,320 --> 01:48:12,280
Speaker 1: he can get out the news and go chill for

1703
01:48:12,400 --> 01:48:15,519
Speaker 1: a second and try to uh plan for twenty twenty two.

1704
01:48:16,800 --> 01:48:18,240
Speaker 1: So I know he didn't chalk the rest of this

1705
01:48:18,400 --> 01:48:22,800
Speaker 1: year up, um and continue to put our music and

1706
01:48:22,920 --> 01:48:26,400
Speaker 1: be great. I'm pretty sure the album won't drop that

1707
01:48:26,560 --> 01:48:29,760
Speaker 1: he was about to drop and going too. If he does,

1708
01:48:29,840 --> 01:48:32,760
Speaker 1: it says a lot about the label really really standing down,

1709
01:48:33,120 --> 01:48:35,719
Speaker 1: you know. UM, And so we'll be on the lookout

1710
01:48:35,760 --> 01:48:37,719
Speaker 1: for that to see what else we got to speak

1711
01:48:37,760 --> 01:48:45,040
Speaker 1: about today. Y'all. You somebody you're gonna slop a nigga

1712
01:48:45,120 --> 01:48:47,960
Speaker 1: running the game. They ain't on that, Bro, I'm telling

1713
01:48:47,960 --> 01:48:49,920
Speaker 1: you you later any type of hand on my brother,

1714
01:48:50,200 --> 01:48:52,880
Speaker 1: I shot you on camera. I won't give a fuck

1715
01:48:52,920 --> 01:48:56,320
Speaker 1: about nothing about nothing. Help ye to bush your line

1716
01:48:56,360 --> 01:49:01,280
Speaker 1: that I would say, O ship out that fake ass.

1717
01:49:01,880 --> 01:49:04,840
Speaker 1: You're big home and you don't care about all this shit. Bro.

1718
01:49:05,800 --> 01:49:09,479
Speaker 1: They respect all that shit, but all that out that

1719
01:49:09,600 --> 01:49:11,800
Speaker 1: tha og ship right, They ain't gonna know how that bro?

1720
01:49:12,400 --> 01:49:15,200
Speaker 1: Why what you gonna stop around there? You stop lying

1721
01:49:15,280 --> 01:49:17,320
Speaker 1: without it? This shit kind of barked me. I wouldn't

1722
01:49:17,400 --> 01:49:21,600
Speaker 1: gonna do this type of ship. I swar one. I

1723
01:49:21,640 --> 01:49:24,200
Speaker 1: ain't gonna lie, bro. I don't I swan when you're gonna.

1724
01:49:24,360 --> 01:49:26,240
Speaker 1: But I just my head because nigga don't. We don't

1725
01:49:26,280 --> 01:49:28,439
Speaker 1: do the type of shit I ain't never seen, but

1726
01:49:28,640 --> 01:49:31,320
Speaker 1: it might have been wrapped teen years ten, eight nine

1727
01:49:31,400 --> 01:49:34,559
Speaker 1: years now. One time I ever seen this man get

1728
01:49:34,640 --> 01:49:37,120
Speaker 1: on the internet argue with them, Nigga on the phone,

1729
01:49:37,479 --> 01:49:39,519
Speaker 1: argue when't he gonna live? I ain't gonna see him

1730
01:49:39,560 --> 01:49:43,120
Speaker 1: do none of that ship but this big grown ass

1731
01:49:43,240 --> 01:49:48,519
Speaker 1: fake ass ojis niggers argue with him. This is twenty

1732
01:49:48,600 --> 01:49:53,559
Speaker 1: one savage brother, because he instigated. He just wentn't smelling

1733
01:49:53,600 --> 01:49:55,400
Speaker 1: that ship. Nigga you just telling you how he felt.

1734
01:49:55,479 --> 01:49:58,519
Speaker 1: Nigga the ship lying Nick, you agree with the nigga

1735
01:49:58,560 --> 01:50:00,840
Speaker 1: you and you do anything the right. Don't make you

1736
01:50:01,280 --> 01:50:05,000
Speaker 1: like that. You you fucking fake cut up me on

1737
01:50:05,160 --> 01:50:08,120
Speaker 1: some real shit. You just what you got, what you're

1738
01:50:08,160 --> 01:50:11,600
Speaker 1: gaining out of heaven? Like what you you want some

1739
01:50:11,720 --> 01:50:13,880
Speaker 1: clouds out being with like tone to the right. Ain't

1740
01:50:13,880 --> 01:50:16,000
Speaker 1: gonna say being with the rat because you turned to

1741
01:50:16,080 --> 01:50:17,920
Speaker 1: a rat that you you think you can have got that,

1742
01:50:18,040 --> 01:50:20,560
Speaker 1: Get some cloud all that shit or some ship. I

1743
01:50:20,680 --> 01:50:22,160
Speaker 1: really want to know there you got it, what you're

1744
01:50:22,160 --> 01:50:24,320
Speaker 1: getting out of it? What you got out of that?

1745
01:50:27,120 --> 01:50:29,000
Speaker 1: I don't like. I don't. I don't get it. Bro.

1746
01:50:29,680 --> 01:50:31,680
Speaker 1: In my eyes, you ain't up. You ain't na be

1747
01:50:31,680 --> 01:50:34,479
Speaker 1: at home. In my eye, I ain't even capit. That

1748
01:50:34,600 --> 01:50:38,479
Speaker 1: was a fucking ass ship. Bro kind of you ain'tnna

1749
01:50:38,479 --> 01:50:40,080
Speaker 1: low you kind of move funny. I ain't me bro

1750
01:50:40,560 --> 01:50:45,160
Speaker 1: on some real ship. Twenty one severage. Brother, For those

1751
01:50:45,160 --> 01:50:46,880
Speaker 1: of you don't know, we're about to talk about the

1752
01:50:47,000 --> 01:50:50,519
Speaker 1: twenty one severage and Whack one hundred running on Clubhouse again.

1753
01:50:50,600 --> 01:50:53,519
Speaker 1: Whack one hundred got off the interview with Takashi Donna.

1754
01:50:53,880 --> 01:50:59,559
Speaker 1: The interview then dropped. Um after that, uh whack one

1755
01:50:59,680 --> 01:51:02,240
Speaker 1: hundred frequents Clubhouse and they want they had a bunch

1756
01:51:02,280 --> 01:51:05,160
Speaker 1: of you know, remarks and slander for him. So he

1757
01:51:05,200 --> 01:51:07,519
Speaker 1: said I'm gonna brain six nine to y'all and got

1758
01:51:07,600 --> 01:51:10,800
Speaker 1: six nine on Clubhouse and then that that's when all

1759
01:51:10,880 --> 01:51:13,800
Speaker 1: of these other things transpired. Now, I also want to

1760
01:51:13,840 --> 01:51:20,080
Speaker 1: say this Academics podcast is exclusively on Spotify. I'll tell

1761
01:51:20,120 --> 01:51:24,080
Speaker 1: you how that's important next episode because I'm pretty sure

1762
01:51:24,160 --> 01:51:27,160
Speaker 1: we we we we we We've been going to pretty

1763
01:51:27,200 --> 01:51:29,360
Speaker 1: good minute right now, and I need y'all to really

1764
01:51:29,439 --> 01:51:33,200
Speaker 1: dissect that game. Um. And also i'll tell you about

1765
01:51:33,200 --> 01:51:36,439
Speaker 1: to move about Royal rim Madi's about to happen. Also, uh,

1766
01:51:36,640 --> 01:51:40,679
Speaker 1: that's very important, um. And also will dissect how those

1767
01:51:40,760 --> 01:51:43,800
Speaker 1: two things coincide with the Joe Buddon podcasts and how

1768
01:51:43,840 --> 01:51:47,000
Speaker 1: the game is being dissected. Will go into big facts

1769
01:51:47,040 --> 01:51:49,200
Speaker 1: and how they're selling out, how I just sold out,

1770
01:51:49,280 --> 01:51:53,120
Speaker 1: how million dollars or wortha game sold out the event. Well,

1771
01:51:53,240 --> 01:51:55,920
Speaker 1: we're gonna we're gonna get into mover the podcasting game

1772
01:51:56,040 --> 01:51:58,640
Speaker 1: next episode at the at the front of it. So

1773
01:51:58,840 --> 01:52:00,400
Speaker 1: for those of y'all to come to me for that

1774
01:52:00,479 --> 01:52:02,679
Speaker 1: you would get that. Now, let's let's get into countera

1775
01:52:02,760 --> 01:52:07,120
Speaker 1: whack one hundred and um twenty months savage running after that?

1776
01:52:07,840 --> 01:52:10,639
Speaker 1: Um and and how work one hundred handled that line

1777
01:52:10,640 --> 01:52:15,120
Speaker 1: of communication there? Yeah? What's up? What up? What they

1778
01:52:15,200 --> 01:52:17,040
Speaker 1: told me? You was upset at me? Money? They can

1779
01:52:17,120 --> 01:52:20,960
Speaker 1: talk to me, I said, I share you lying for

1780
01:52:21,840 --> 01:52:26,679
Speaker 1: a grant or anything? Okay, Now listen when you say

1781
01:52:26,840 --> 01:52:30,479
Speaker 1: lane right, because y'all y'all lick y'all lingual, look different?

1782
01:52:30,840 --> 01:52:33,760
Speaker 1: What you mean by im lane? Like? What you mean? Like?

1783
01:52:33,880 --> 01:52:36,880
Speaker 1: I don't agree with it? I don't agree. What is

1784
01:52:36,880 --> 01:52:41,320
Speaker 1: it that you don't agree? But I just felt like

1785
01:52:41,479 --> 01:52:44,160
Speaker 1: a gangster in a rat can't agree on nothing in life.

1786
01:52:44,240 --> 01:52:47,000
Speaker 1: I don't give it right and name, so you shouldn't.

1787
01:52:47,000 --> 01:52:50,840
Speaker 1: You shouldn't communicate against in the rat. Should never communicate right,

1788
01:52:53,200 --> 01:52:55,640
Speaker 1: not really because of the industry that we am. I

1789
01:52:55,800 --> 01:52:59,519
Speaker 1: say like, I wouldn't really say that, but I say

1790
01:53:00,000 --> 01:53:02,960
Speaker 1: what I agree with what no Nigga said about No

1791
01:53:03,120 --> 01:53:06,320
Speaker 1: utter nigga. Like how you said that you agree with

1792
01:53:06,479 --> 01:53:10,320
Speaker 1: him that I was bust about my kids? Wait wait

1793
01:53:10,360 --> 01:53:12,880
Speaker 1: wait wait wait wait wait wait, slow down, slow down,

1794
01:53:14,600 --> 01:53:17,120
Speaker 1: because me and academics was on your side with this.

1795
01:53:17,880 --> 01:53:21,080
Speaker 1: I said that nigga just because you was in the

1796
01:53:21,240 --> 01:53:26,120
Speaker 1: same club as the Yeah, so I'm saying that he

1797
01:53:26,280 --> 01:53:29,400
Speaker 1: asked you. He asked you. He said, if a nigga

1798
01:53:29,479 --> 01:53:32,160
Speaker 1: car you a rat? Do you when when the nigga

1799
01:53:32,200 --> 01:53:34,519
Speaker 1: who called you a rat see you, ain't he puposed

1800
01:53:34,520 --> 01:53:36,000
Speaker 1: to push up on here? Are you supposed to get

1801
01:53:36,000 --> 01:53:41,439
Speaker 1: out that that? Let me know you pump faking? Didn't

1802
01:53:41,640 --> 01:53:48,479
Speaker 1: you pup? How did that equate to pump faking? Because listen, listen,

1803
01:53:48,600 --> 01:53:53,320
Speaker 1: listen the nigga Meek Mill just said somebody like right,

1804
01:53:53,360 --> 01:53:55,479
Speaker 1: I didn't call the nigga use a bitch hole ass

1805
01:53:55,640 --> 01:53:57,760
Speaker 1: nigga when I see you was on my wife in

1806
01:53:57,880 --> 01:53:59,920
Speaker 1: his room, and shit tell you, I don't give a fuck.

1807
01:54:00,120 --> 01:54:02,880
Speaker 1: We had the Grammy's Emmy, she's soon as they she

1808
01:54:03,040 --> 01:54:10,160
Speaker 1: see that nigga, she's gonna head to the car. I'm

1809
01:54:10,200 --> 01:54:12,600
Speaker 1: getting off right. So when I'm telling you, if you

1810
01:54:12,760 --> 01:54:16,120
Speaker 1: got the energy to say that nigga's a bitch, that

1811
01:54:16,360 --> 01:54:20,360
Speaker 1: niggas did that nigga's that and you shit, you ask shit, no,

1812
01:54:20,520 --> 01:54:23,680
Speaker 1: no you see him? Which I don't think. Yeah, but

1813
01:54:23,760 --> 01:54:26,360
Speaker 1: I never I never said bitch and I don't even

1814
01:54:26,439 --> 01:54:28,920
Speaker 1: talk like that. Well, what you don't know six nine

1815
01:54:28,960 --> 01:54:31,200
Speaker 1: had a videos you No, I don't even know what

1816
01:54:31,600 --> 01:54:34,720
Speaker 1: that nigga time out talk? What if you had a video? Yo?

1817
01:54:34,960 --> 01:54:37,440
Speaker 1: Yo yo whack? You ain't me that video you have?

1818
01:54:37,600 --> 01:54:41,760
Speaker 1: He got a video? Listen look no no no, no,

1819
01:54:41,800 --> 01:54:44,360
Speaker 1: no no no you stalk twenty one no no no

1820
01:54:44,440 --> 01:54:53,200
Speaker 1: no no no no twenty one no no favor. I'm

1821
01:54:53,240 --> 01:54:56,880
Speaker 1: not yelling. You just asked me a question. He didn't

1822
01:54:56,880 --> 01:54:59,480
Speaker 1: ask you a question. What does video shit you was showing?

1823
01:54:59,640 --> 01:55:02,800
Speaker 1: Is that you city yo? On the video? I'll post

1824
01:55:02,840 --> 01:55:05,600
Speaker 1: it off on my Instagram right now. I put it

1825
01:55:05,720 --> 01:55:07,560
Speaker 1: up on my Stagram right now, just for ten minutes.

1826
01:55:07,720 --> 01:55:10,440
Speaker 1: I don't want to do yo. When I'm there, I

1827
01:55:10,680 --> 01:55:14,320
Speaker 1: gets you where I'm in the club. Your manager, write

1828
01:55:14,320 --> 01:55:16,120
Speaker 1: a room and put this on your kids. Your manager

1829
01:55:16,200 --> 01:55:18,400
Speaker 1: didn't go off to you your sat Yo six higns

1830
01:55:18,400 --> 01:55:20,720
Speaker 1: in the club with us right now. Put that on

1831
01:55:20,800 --> 01:55:22,560
Speaker 1: your kids. Your manager didn't tell you that, nigga. I

1832
01:55:22,680 --> 01:55:24,720
Speaker 1: told you that last night a lot of fight. But

1833
01:55:24,840 --> 01:55:32,120
Speaker 1: that's why you act like you're dropping a bombsh No

1834
01:55:32,240 --> 01:55:34,120
Speaker 1: one told you my manager to told me that nigga

1835
01:55:34,360 --> 01:55:37,080
Speaker 1: that I mean not so much waiting four record, six

1836
01:55:37,280 --> 01:55:40,520
Speaker 1: nine and twenty one Savage is lame ass wack talking,

1837
01:55:40,880 --> 01:55:43,040
Speaker 1: been on the phone talking for access to thirty to

1838
01:55:43,120 --> 01:55:47,520
Speaker 1: thirty minutes yesterday, right, yes, sir? What okay? All right?

1839
01:55:47,520 --> 01:55:51,520
Speaker 1: I have just put it out there. But who's chat?

1840
01:55:52,200 --> 01:55:54,600
Speaker 1: You said White was lame for interview with me? But

1841
01:55:54,680 --> 01:55:56,400
Speaker 1: she was on the phone with me yesterday for thirty

1842
01:55:56,480 --> 01:55:59,800
Speaker 1: I said, lame for a grin with anything you say, nigga.

1843
01:56:00,080 --> 01:56:02,080
Speaker 1: Everybody in this fucking room just heard what I said.

1844
01:56:02,960 --> 01:56:04,480
Speaker 1: So who was you on the phone with him for

1845
01:56:04,640 --> 01:56:07,920
Speaker 1: thirty minutes about nigga? Asking him why he talking the

1846
01:56:08,000 --> 01:56:11,840
Speaker 1: way he talking? What dicket his own his own right, Man,

1847
01:56:11,960 --> 01:56:14,360
Speaker 1: I'm not gonna do all this fake gansw shit on clubhouse.

1848
01:56:14,600 --> 01:56:17,280
Speaker 1: What do you mean fake? I just told you how

1849
01:56:17,360 --> 01:56:21,840
Speaker 1: I felt. I ain't got nothing to say. Man fights shit?

1850
01:56:22,880 --> 01:56:26,760
Speaker 1: What in the fight twenty one Savage water fight too?

1851
01:56:26,800 --> 01:56:30,000
Speaker 1: Because he asked six nine for the fight, right, yeah,

1852
01:56:30,040 --> 01:56:31,880
Speaker 1: he asked me. He set it up, right, I told

1853
01:56:32,480 --> 01:56:35,320
Speaker 1: I told the nigga le crick is more, don't come

1854
01:56:35,360 --> 01:56:36,960
Speaker 1: from and fuck it with me and your shit ain't

1855
01:56:37,000 --> 01:56:38,760
Speaker 1: right Because I'm gonna put it on. I don't mind

1856
01:56:38,800 --> 01:56:40,960
Speaker 1: I'm putting mine on the table. I ain't hide nothing

1857
01:56:41,240 --> 01:56:44,320
Speaker 1: but coming in. Say twenty one, you talked to six

1858
01:56:44,520 --> 01:56:48,840
Speaker 1: nine willingly for thirty forty minutes. You asked him to

1859
01:56:48,960 --> 01:56:52,080
Speaker 1: give you the fight. Come on, my nigga, you aren't

1860
01:56:52,080 --> 01:56:56,360
Speaker 1: on they're talking about rank. Getch ass, nigga. That ain't

1861
01:56:56,360 --> 01:56:59,920
Speaker 1: what I said on the call. Put that on your kids.

1862
01:57:00,000 --> 01:57:02,440
Speaker 1: I didn't call you a red on the phone. You did,

1863
01:57:02,560 --> 01:57:05,560
Speaker 1: but after I already dilated you and I look, look,

1864
01:57:05,600 --> 01:57:07,360
Speaker 1: this is what I'm asking to do. This what I'm

1865
01:57:07,400 --> 01:57:11,200
Speaker 1: not going twenty one? That ship I ain't got wanting

1866
01:57:12,520 --> 01:57:15,200
Speaker 1: twenty one. I'm not hitting down. Let you. I ain't

1867
01:57:15,240 --> 01:57:20,920
Speaker 1: sitting down with a rat here yow. You want to

1868
01:57:20,960 --> 01:57:23,520
Speaker 1: ask you why you on an interview telling out sucking dick.

1869
01:57:23,600 --> 01:57:26,680
Speaker 1: That's what I said, Yo, I want to let's try.

1870
01:57:26,840 --> 01:57:29,120
Speaker 1: Let's hit down then one. Come right, y'all with you

1871
01:57:29,520 --> 01:57:32,280
Speaker 1: about that. I'm not play one. I'm gonna fuck y'all.

1872
01:57:33,240 --> 01:57:35,880
Speaker 1: Wait hey, wait, wait, wait wait wait, look hey, why

1873
01:57:35,920 --> 01:57:40,080
Speaker 1: by twenty one? Respectfully, nephew, I know you. We always

1874
01:57:40,120 --> 01:57:42,520
Speaker 1: been solid. I'm gonna keep it. You just saying a

1875
01:57:42,600 --> 01:57:47,000
Speaker 1: whole bunch of that. Ain't look look twenty one. I

1876
01:57:47,040 --> 01:57:49,280
Speaker 1: get what you want. Look, you don't enough tying friends.

1877
01:57:49,360 --> 01:57:52,000
Speaker 1: Now that's the true put on the stumary, bro. And

1878
01:57:52,080 --> 01:57:55,640
Speaker 1: if you've been real humble me and you both know,

1879
01:57:55,880 --> 01:57:58,240
Speaker 1: niggas you were standing in front of me right now,

1880
01:57:58,640 --> 01:58:20,160
Speaker 1: you wouldn't have that energy. Yea motherfucking little boy. Anybody.

1881
01:58:20,600 --> 01:58:26,880
Speaker 1: And let's see, it's almost like it's almost like he

1882
01:58:27,040 --> 01:58:30,320
Speaker 1: don't he don't be believing these dudes. It's almost like

1883
01:58:30,440 --> 01:58:33,960
Speaker 1: he shared the same man cities to cash in regards

1884
01:58:34,000 --> 01:58:38,680
Speaker 1: to that. The rappers ain't like that, but you gotta

1885
01:58:38,760 --> 01:58:42,280
Speaker 1: know the young boys like that. Man. The young dudes

1886
01:58:42,320 --> 01:58:45,160
Speaker 1: got some dudes on their team that want to gain favor. Man.

1887
01:58:46,680 --> 01:58:48,840
Speaker 1: And then you can't say you're gonna harm me, man,

1888
01:58:49,000 --> 01:58:53,840
Speaker 1: they gonna for anybody. Don't go around you can't see

1889
01:58:53,920 --> 01:58:57,520
Speaker 1: where I'm from. We just to say, and then what

1890
01:58:59,640 --> 01:59:03,760
Speaker 1: then where you're gonna live at? Then where you're gonna

1891
01:59:03,760 --> 01:59:07,200
Speaker 1: be at? Because you ain't gonna be around here. You

1892
01:59:07,320 --> 01:59:10,160
Speaker 1: can't come around here after you nothing done, now you know.

1893
01:59:10,320 --> 01:59:12,400
Speaker 1: And I hope that's understood, and I really hope you

1894
01:59:12,520 --> 01:59:16,320
Speaker 1: do come back around here thinking that you he is

1895
01:59:16,400 --> 01:59:19,880
Speaker 1: big home on the block. Go ahead, because we're gonna

1896
01:59:19,880 --> 01:59:21,880
Speaker 1: put you. We're gonna put you down. And that's what

1897
01:59:21,960 --> 01:59:28,080
Speaker 1: I'm saying. But now what's more important right here is man,

1898
01:59:28,200 --> 01:59:32,720
Speaker 1: they've been tricked in the beefing with each other. They've

1899
01:59:32,760 --> 01:59:34,680
Speaker 1: been tricked in the beefing with each other. This ain't

1900
01:59:34,720 --> 01:59:37,040
Speaker 1: even a situation. Now they into it with each other.

1901
01:59:37,160 --> 01:59:39,920
Speaker 1: Now male matrix into it with whack these kind of

1902
01:59:40,000 --> 01:59:43,440
Speaker 1: things is happening. Oh that you don't agree what I'm sair,

1903
01:59:43,720 --> 01:59:46,200
Speaker 1: But nigga, I'm not doing it. And how you think

1904
01:59:46,240 --> 01:59:48,240
Speaker 1: I'm posed to take you say you're gonna knock me

1905
01:59:48,400 --> 01:59:51,240
Speaker 1: out and I ain't saying nothing about violence to you,

1906
01:59:51,640 --> 01:59:57,480
Speaker 1: and you're gonna knock me out? Huh yeah you up? Nigga. Yeah,

1907
02:00:00,280 --> 02:00:05,360
Speaker 1: motherfucker asked nigga. Blood. I'll come now, let me be coming.

1908
02:00:06,160 --> 02:00:07,960
Speaker 1: We can get out wherever you want to get out.

1909
02:00:08,200 --> 02:00:16,680
Speaker 1: I will beat your ass. You don't go play beautiful

1910
02:00:16,800 --> 02:00:23,720
Speaker 1: who ain't look say less, say less? Niggah. We through

1911
02:00:23,840 --> 02:00:27,960
Speaker 1: say less, whore we throwing my nigga? You coming out here,

1912
02:00:28,000 --> 02:00:30,440
Speaker 1: I'm coming out there and we can get out nigga.

1913
02:00:32,040 --> 02:00:34,640
Speaker 1: Who we threw with Nigga, I will suck through the

1914
02:00:34,720 --> 02:00:39,400
Speaker 1: fuck out you are outfro league. You ain't from the

1915
02:00:39,440 --> 02:00:44,560
Speaker 1: cup listen to cause yeah whack after you're just a rapper, nigga,

1916
02:00:44,720 --> 02:00:47,120
Speaker 1: that's all you is. Nigga. You ain't got the right

1917
02:00:47,200 --> 02:00:51,520
Speaker 1: wagger to respect the fuck with me, nigga, use a

1918
02:00:51,640 --> 02:00:55,480
Speaker 1: fake ass blood too. Nigga from California, Nigga ain't no blood.

1919
02:00:56,480 --> 02:00:58,640
Speaker 1: See that. And what I'm trying to tell people about

1920
02:00:58,640 --> 02:01:02,560
Speaker 1: the gang Bang come from it is there's that's there's

1921
02:01:03,600 --> 02:01:06,000
Speaker 1: you know what I'm saying. So when y'all they want

1922
02:01:06,040 --> 02:01:08,200
Speaker 1: to see what they want to look at that, you

1923
02:01:08,280 --> 02:01:10,160
Speaker 1: know what I'm saying. That what I'm saying, Dog, I

1924
02:01:10,200 --> 02:01:12,960
Speaker 1: don't know what'll be going on, y'all gotta go get

1925
02:01:13,040 --> 02:01:16,080
Speaker 1: you get your politics right or whatever they call it,

1926
02:01:16,200 --> 02:01:18,840
Speaker 1: if you because a lot of y'all wouldn't have die

1927
02:01:18,920 --> 02:01:21,960
Speaker 1: for something that they ain't even recognizing because it ain't

1928
02:01:22,040 --> 02:01:24,960
Speaker 1: rooted in the right cause of the right place. I

1929
02:01:25,000 --> 02:01:27,600
Speaker 1: don't know what you were, nigga, But when you're coming out,

1930
02:01:28,480 --> 02:01:35,560
Speaker 1: listen to my nigga. We we're talking about listening. We're

1931
02:01:35,600 --> 02:01:48,120
Speaker 1: talking about nouse yobout. When you want to go to

1932
02:01:48,200 --> 02:01:51,120
Speaker 1: get in the room by y'all. When when you want

1933
02:01:51,120 --> 02:01:53,280
Speaker 1: to get out because you sound like because you called

1934
02:01:53,320 --> 02:01:55,480
Speaker 1: me all my name, I let it go. But when

1935
02:01:55,520 --> 02:02:00,400
Speaker 1: you want to get out, my nigga, I can think, right, Okay,

1936
02:02:00,440 --> 02:02:03,200
Speaker 1: when you coming to Atlanta, I'm in Atlanta. When you

1937
02:02:03,320 --> 02:02:06,320
Speaker 1: coming to La, I mean Atlanta, when you coming down,

1938
02:02:06,520 --> 02:02:08,640
Speaker 1: we can do that too. Then I look at the

1939
02:02:08,720 --> 02:02:11,600
Speaker 1: cooty won't notice. I noticed I was booming that I

1940
02:02:11,760 --> 02:02:14,400
Speaker 1: was booming the A. You don't gotta do it. I'm

1941
02:02:14,400 --> 02:02:16,280
Speaker 1: scared already, but I'm scared you don't gotta do it.

1942
02:02:16,760 --> 02:02:21,960
Speaker 1: You you work. I'm already scared. Bro, I'm scaredy what

1943
02:02:22,280 --> 02:02:24,840
Speaker 1: I'm gonna even bought my fists up. I'm gonna slap

1944
02:02:24,920 --> 02:02:33,400
Speaker 1: you up now to do the work. Work. You ain't

1945
02:02:33,440 --> 02:02:39,960
Speaker 1: yourn bro, hold on, hold on, Mike Ya called me

1946
02:02:40,000 --> 02:02:47,160
Speaker 1: on my favorite nigga. I'm gonna put problem Atlanta. You

1947
02:02:47,200 --> 02:02:54,680
Speaker 1: aren't gonead No, let's go down. You don't know, bro,

1948
02:02:55,320 --> 02:02:59,560
Speaker 1: let's go down, fron I ain't got nohing to do

1949
02:02:59,680 --> 02:03:01,520
Speaker 1: what you. I ain't got nothing to do with you.

1950
02:03:02,000 --> 02:03:05,200
Speaker 1: Six Nah, the nigga come in the room. I respected

1951
02:03:05,280 --> 02:03:07,840
Speaker 1: the nigga. You said, subflic shit, you know, bringing my

1952
02:03:08,000 --> 02:03:09,800
Speaker 1: thank Cooper nigga. You were just on the phone with

1953
02:03:09,880 --> 02:03:12,760
Speaker 1: the man forty five minutes. Nigga, don't know nigga be

1954
02:03:12,920 --> 02:03:14,560
Speaker 1: on the phone with no nigga. They hate like that

1955
02:03:14,880 --> 02:03:19,480
Speaker 1: for forty five minute. Just chill out, man, Just chill out, bro, Nigga.

1956
02:03:22,360 --> 02:03:24,480
Speaker 1: My wife would tell you, I haven't seen that nigga.

1957
02:03:24,680 --> 02:03:27,200
Speaker 1: That nigga uped me too, But next time I seen,

1958
02:03:27,560 --> 02:03:31,360
Speaker 1: I'm gonna suck him out. All you little rapper niggas

1959
02:03:31,400 --> 02:03:34,920
Speaker 1: know this, Nigga, I am not a rapper. Don't compare

1960
02:03:35,000 --> 02:03:37,400
Speaker 1: with me. Nigga. You too light in the ass. If

1961
02:03:37,440 --> 02:03:40,560
Speaker 1: you ain't skilled enough, been around long enough, nigga, you

1962
02:03:40,680 --> 02:03:42,760
Speaker 1: might want to be a little hesitant box that mouth.

1963
02:03:42,840 --> 02:03:47,120
Speaker 1: I'm because I'm gonna ball it straight up all right,

1964
02:03:47,320 --> 02:03:55,000
Speaker 1: I'm gonna listen. So I don't think that was warranted. Respectfully,

1965
02:03:56,240 --> 02:03:59,120
Speaker 1: You and the dude just had a conversation about me,

1966
02:03:59,280 --> 02:04:05,440
Speaker 1: the what dude invite me to today private areas? And

1967
02:04:05,680 --> 02:04:07,840
Speaker 1: I come at you about it. I ain't cuss you,

1968
02:04:07,920 --> 02:04:10,160
Speaker 1: ain't say nothing crazy to you. I ain't really do

1969
02:04:10,360 --> 02:04:12,240
Speaker 1: much to you. I just said I don't agree with

1970
02:04:12,320 --> 02:04:15,800
Speaker 1: what hw gangstand a red gonna talk like. And then

1971
02:04:15,880 --> 02:04:19,760
Speaker 1: next thing. You know, I'm being told you're gonna harm me,

1972
02:04:20,720 --> 02:04:26,240
Speaker 1: sock me out, violate me. You will come to my

1973
02:04:26,520 --> 02:04:30,200
Speaker 1: hood and do it what I'm being told like, I can't. Like,

1974
02:04:30,320 --> 02:04:32,000
Speaker 1: I don't even got That's why I'm trying to tell

1975
02:04:32,040 --> 02:04:35,760
Speaker 1: you be so little respect for the rap guys. Don't

1976
02:04:35,800 --> 02:04:41,080
Speaker 1: handle me as no rapper. Don't handle me as a rapper. Please,

1977
02:04:41,520 --> 02:04:44,160
Speaker 1: that ain't gonna it ain't gonna inwhere for none of us,

1978
02:04:45,240 --> 02:04:48,760
Speaker 1: you see, because I'm coming at you about you and

1979
02:04:48,840 --> 02:04:51,800
Speaker 1: a guy bringing my name up in a conversation like, yo, man,

1980
02:04:51,880 --> 02:04:53,520
Speaker 1: then how are you gonna talk to him when we

1981
02:04:54,000 --> 02:04:57,880
Speaker 1: look at you like a gangster? And then next thing,

1982
02:04:58,000 --> 02:04:59,920
Speaker 1: you know, you're gonna whoop me and beat me up?

1983
02:05:00,040 --> 02:05:02,160
Speaker 1: Been this and there, I'm not sure I can now, Bro,

1984
02:05:02,360 --> 02:05:05,120
Speaker 1: you know that ain't like come on fam like and

1985
02:05:05,200 --> 02:05:09,200
Speaker 1: then I'm done talking about it. But for me, see,

1986
02:05:09,280 --> 02:05:12,280
Speaker 1: I'm a little bit mold. You know that why I'm

1987
02:05:12,360 --> 02:05:14,880
Speaker 1: taking the e Wild my name and I'm gonna start

1988
02:05:15,000 --> 02:05:18,360
Speaker 1: just going by a loom because the e Wild, now

1989
02:05:19,760 --> 02:05:24,160
Speaker 1: he that's a different individual. He had triple the money

1990
02:05:24,240 --> 02:05:26,920
Speaker 1: for it to happen now today twenty four out, like

1991
02:05:28,400 --> 02:05:32,920
Speaker 1: make it happen crazy, Just do it now today? Right?

1992
02:05:34,040 --> 02:05:36,760
Speaker 1: So man, it's it's rough. So I don't know how

1993
02:05:38,880 --> 02:05:40,800
Speaker 1: you can't say you're gonna harm I ain't even saying

1994
02:05:40,800 --> 02:05:42,560
Speaker 1: I'm a harm you. I ain't even say I won't

1995
02:05:42,600 --> 02:05:46,080
Speaker 1: smoke with you. I'm just saying y'all sit up and

1996
02:05:46,160 --> 02:05:48,240
Speaker 1: talked about me, and you said I should approach him.

1997
02:05:48,240 --> 02:05:57,720
Speaker 1: I ain't approaching him. Nigga. You just caught you have

1998
02:05:57,880 --> 02:06:00,600
Speaker 1: that energy? Yo. I sweat to my mother twenty one. Yes,

1999
02:06:01,520 --> 02:06:05,560
Speaker 1: all right, little ron stop because I'm gonna reset the room.

2000
02:06:05,880 --> 02:06:08,720
Speaker 1: So I need to quiet while I'm resetting the room.

2001
02:06:09,200 --> 02:06:11,720
Speaker 1: That's what I need to happen. And all that shit.

2002
02:06:12,160 --> 02:06:18,000
Speaker 1: We're gonna have conversations like me, yeah, let me get this,

2003
02:06:18,400 --> 02:06:21,440
Speaker 1: let me get this all. Let me say not. I

2004
02:06:21,480 --> 02:06:27,280
Speaker 1: don't even that kind of smoke. He was on the phone,

2005
02:06:27,360 --> 02:06:29,600
Speaker 1: was hold on sixty nine? That nigga was on your

2006
02:06:29,640 --> 02:06:34,720
Speaker 1: phone for forty five minutes, for forty minutes, and I've

2007
02:06:34,760 --> 02:06:37,720
Speaker 1: kept your act. You on the phone, yo, act act

2008
02:06:37,800 --> 02:06:40,000
Speaker 1: you could talk or not? Yeah, you can talk. He

2009
02:06:40,120 --> 02:06:44,840
Speaker 1: just over there yourself at at the bottom of what

2010
02:06:45,640 --> 02:06:49,960
Speaker 1: hip hop drama? Just want your act answered the question

2011
02:06:50,000 --> 02:06:53,360
Speaker 1: if I'm lying. When the first ship started and twenty

2012
02:06:53,400 --> 02:06:56,000
Speaker 1: one said, Yo, I want to fight. You set it

2013
02:06:56,120 --> 02:06:58,840
Speaker 1: up and I said, I said for how much? Right

2014
02:07:00,080 --> 02:07:04,440
Speaker 1: right a room? Yeah? And he sat for whatever amount

2015
02:07:04,520 --> 02:07:08,240
Speaker 1: of money And then I started getting that I hold

2016
02:07:08,280 --> 02:07:10,720
Speaker 1: on and I said, Yo, what happened? You're going broke.

2017
02:07:10,920 --> 02:07:21,840
Speaker 1: I'm a taxpaying citizen. We was in the club. I'm

2018
02:07:21,840 --> 02:07:25,080
Speaker 1: in Mexico. The fu me, what do you mean with me?

2019
02:07:27,840 --> 02:07:31,920
Speaker 1: Because y'all niggas is crazy, bro, y'all talking real crazy

2020
02:07:32,040 --> 02:07:35,720
Speaker 1: on this app. Bro, Yo, what you mean nigga? This

2021
02:07:35,880 --> 02:07:38,520
Speaker 1: dirty bro? Then y'all could check. Y'all can check through

2022
02:07:38,560 --> 02:07:43,880
Speaker 1: my shok at what you're saying. Nigga, be quiet, real quick,

2023
02:07:43,920 --> 02:07:49,839
Speaker 1: dirty with bronn PAP with no nigga niggas your mama niggas.

2024
02:07:52,160 --> 02:07:57,160
Speaker 1: I'm PAP with no nigga nigazy. Yeah, nigga, I don't

2025
02:07:57,200 --> 02:08:04,840
Speaker 1: pap with no nigga. Fuck out of here, nigga, dirty.

2026
02:08:04,920 --> 02:08:07,360
Speaker 1: Look look yo, dirty, you know just the League clubhouse

2027
02:08:07,400 --> 02:08:11,920
Speaker 1: for a quick second. Look yesterday Yo, yesterday twenty one

2028
02:08:11,960 --> 02:08:13,680
Speaker 1: Savage got on the phone talking about, Yo, you want

2029
02:08:13,720 --> 02:08:15,960
Speaker 1: to fight for money? I said, Yo, you're going broke?

2030
02:08:16,320 --> 02:08:19,640
Speaker 1: If yo act am I lying if you want to

2031
02:08:19,720 --> 02:08:28,120
Speaker 1: fight with me? Who is this nigga man? Yep? So

2032
02:08:28,320 --> 02:08:30,320
Speaker 1: that was That was twenty one seven and Work one

2033
02:08:30,400 --> 02:08:34,240
Speaker 1: Hunters Encounter on Clubhouse. It's been another great episode of

2034
02:08:34,320 --> 02:08:36,840
Speaker 1: the fashion going podcasts out there in the world. It's

2035
02:08:36,920 --> 02:08:39,120
Speaker 1: up that podcast. If you made it to this point,

2036
02:08:39,480 --> 02:08:41,879
Speaker 1: you need to go buy some merch. It's up that podcast.

2037
02:08:42,000 --> 02:08:45,400
Speaker 1: Merchant is out right now. We will be going live Sunday.

2038
02:08:45,800 --> 02:08:48,120
Speaker 1: We will be in tune with y'all next week. We

2039
02:08:48,280 --> 02:08:50,800
Speaker 1: love everybody to support us, and thank y'all for being

2040
02:08:50,880 --> 02:08:53,880
Speaker 1: on this journey with us. It's up that podcast is

2041
02:08:54,120 --> 02:08:56,800
Speaker 1: gonna be here. It's here to stay. Um and you're

2042
02:08:56,840 --> 02:08:59,760
Speaker 1: dealing with the biggest one. I really really appreciate this

2043
02:09:00,080 --> 02:09:03,080
Speaker 1: poor Continue to support, continue to share, continue to like,

2044
02:09:03,320 --> 02:09:06,200
Speaker 1: continue to engage. We're gonna try to build this thing

2045
02:09:06,360 --> 02:09:08,840
Speaker 1: up to be the biggest platform in the world. It's

2046
02:09:08,880 --> 02:09:12,120
Speaker 1: to black Joe Rogan. I appreciate y'all. This is not

2047
02:09:12,360 --> 02:09:16,360
Speaker 1: the Joe Burden podcast. This is not million dollars worth

2048
02:09:16,400 --> 02:09:20,120
Speaker 1: a game. This is not the Brilliant Idiots. This is

2049
02:09:20,280 --> 02:09:22,680
Speaker 1: Eat Up their podcast with Looney