WEBVTT - Subways: HUH! What are they good for?

0:00:01.080 --> 0:00:04.520
<v Speaker 1>Welcome to Stuff you should Know from House stuff Works

0:00:04.559 --> 0:00:13.560
<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark.

0:00:13.640 --> 0:00:20.040
<v Speaker 1>There's Charles W. Chuck Bright. Uh, just sitting there normally right, Yeah,

0:00:20.320 --> 0:00:22.799
<v Speaker 1>I'm not doing anything unusual. I think we should have

0:00:23.040 --> 0:00:25.680
<v Speaker 1>started this with taking the A Train. I think we

0:00:25.720 --> 0:00:29.600
<v Speaker 1>should have changed up our music. Well, let's do that. Okay,

0:00:29.640 --> 0:00:35.640
<v Speaker 1>how about this? All right? Howe? How we are we

0:00:36.360 --> 0:00:45.360
<v Speaker 1>train to find the quickest way to get um? We

0:00:45.400 --> 0:00:49.479
<v Speaker 1>did okay, thanks thanks to the magic of post production,

0:00:49.640 --> 0:00:51.520
<v Speaker 1>we did and said that was taking the A Train.

0:00:51.760 --> 0:00:54.560
<v Speaker 1>Who made that song? Boy, I don't know who originally

0:00:54.600 --> 0:00:57.440
<v Speaker 1>composed it, to be honest, Well, I think I think

0:00:57.480 --> 0:01:00.440
<v Speaker 1>we should find out. Well who who just performed it? Well,

0:01:00.440 --> 0:01:03.560
<v Speaker 1>there's many versions. Well what's the one you selected, like

0:01:03.920 --> 0:01:11.160
<v Speaker 1>a week from now? Uh, I don't know. Did they

0:01:11.200 --> 0:01:15.360
<v Speaker 1>do a train? Now it's a jazz tune? Oh? John Coltrane?

0:01:15.480 --> 0:01:18.160
<v Speaker 1>Did he do it? Let's go with Coltrane? Man, maybe

0:01:18.200 --> 0:01:23.080
<v Speaker 1>I should just do it and that that that then? Oh?

0:01:23.160 --> 0:01:25.280
<v Speaker 1>Is that that song? Yeah? Thinking the A Train? That's

0:01:25.319 --> 0:01:28.240
<v Speaker 1>a good song. Is it instrumental? Because you know a

0:01:28.240 --> 0:01:30.800
<v Speaker 1>lot of those instrumentals actually have lyrics. What the old

0:01:30.840 --> 0:01:36.400
<v Speaker 1>jazz tunes. Yeah. Really they in the train. That's it

0:01:36.840 --> 0:01:39.080
<v Speaker 1>that You're right? Okay, let's go with Duke Ellington's version.

0:01:39.160 --> 0:01:42.160
<v Speaker 1>Duke Ellington did the a train at the beginning of

0:01:42.200 --> 0:01:45.200
<v Speaker 1>this episode. I hoped everyone liked it. The Duke. We

0:01:45.240 --> 0:01:49.280
<v Speaker 1>haven't heard it yet, that's right. Um So, Chuck, I

0:01:49.400 --> 0:01:51.720
<v Speaker 1>know that you know what the subway is because we've

0:01:51.720 --> 0:01:55.760
<v Speaker 1>been on the subway together. Yeah. Do you remember when

0:01:55.840 --> 0:01:58.880
<v Speaker 1>we were in New York. Um, I believe it was

0:01:59.080 --> 0:02:02.880
<v Speaker 1>for ABC Go, our first little opportunity there, and we

0:02:02.880 --> 0:02:06.360
<v Speaker 1>were going to meet you me yea, And I remember

0:02:06.440 --> 0:02:08.520
<v Speaker 1>I met you me Uh that was that where in

0:02:08.520 --> 0:02:10.840
<v Speaker 1>that bar? Afterwards? Well, I mean I worked with her,

0:02:10.880 --> 0:02:11.960
<v Speaker 1>but then I was like, that was the first time

0:02:12.000 --> 0:02:14.799
<v Speaker 1>you ever hung up? Yeah exactly. Um. So we were

0:02:14.919 --> 0:02:17.320
<v Speaker 1>we were going and that was my first time in

0:02:17.440 --> 0:02:20.160
<v Speaker 1>the New York subway, and I remember we were looking

0:02:20.160 --> 0:02:25.400
<v Speaker 1>at the subway and um, the the whole thing just

0:02:25.440 --> 0:02:28.320
<v Speaker 1>turned into like this series of confusing lines to me

0:02:28.360 --> 0:02:31.639
<v Speaker 1>and like suddenly I was blind and like holding your arm,

0:02:31.760 --> 0:02:34.680
<v Speaker 1>and like I had the mind of a child, and

0:02:34.760 --> 0:02:37.400
<v Speaker 1>not even like a really bright child either. It was

0:02:37.440 --> 0:02:40.519
<v Speaker 1>just kind of like what does it say, um, and

0:02:40.600 --> 0:02:43.280
<v Speaker 1>I can report after being back in New York with

0:02:43.400 --> 0:02:45.320
<v Speaker 1>you me several times that I do that to her still,

0:02:47.480 --> 0:02:49.720
<v Speaker 1>that we're enabling you was what's going on? I think

0:02:49.720 --> 0:02:51.800
<v Speaker 1>it is. I think if you guys had thrown me

0:02:51.840 --> 0:02:54.120
<v Speaker 1>in and be like you figure it out, figure it out,

0:02:54.160 --> 0:02:58.000
<v Speaker 1>I could have, but I don't have to. Um and uh.

0:02:58.040 --> 0:03:00.919
<v Speaker 1>It's kind of nice because it's really infusing. So when

0:03:00.919 --> 0:03:02.320
<v Speaker 1>you go to New York, you just kind of like

0:03:02.800 --> 0:03:06.520
<v Speaker 1>just go with Yumi's wind wherever she blows kind of

0:03:06.560 --> 0:03:09.160
<v Speaker 1>but the wind is coming from her heavy size that

0:03:09.240 --> 0:03:14.320
<v Speaker 1>she's the one who has to like read the subway. Yeah. Um.

0:03:14.440 --> 0:03:18.000
<v Speaker 1>But now that I've read this article how subways work,

0:03:18.120 --> 0:03:21.040
<v Speaker 1>I don't understand the New York subway system any more

0:03:21.200 --> 0:03:24.160
<v Speaker 1>than I did before I read this article. But I

0:03:24.200 --> 0:03:27.280
<v Speaker 1>can tell you that the rails are made of thirty

0:03:27.320 --> 0:03:29.799
<v Speaker 1>five ft long pieces of carbon steel that are five

0:03:29.840 --> 0:03:32.320
<v Speaker 1>and a half inches tall and one and a half

0:03:32.320 --> 0:03:36.680
<v Speaker 1>inches wide, And you could run any train, any train

0:03:36.760 --> 0:03:39.520
<v Speaker 1>on the world, in the world on those rails, not

0:03:39.640 --> 0:03:42.440
<v Speaker 1>in the world, but at least in New York, because

0:03:42.480 --> 0:03:46.200
<v Speaker 1>I guess there's different cages, but there the New York

0:03:46.240 --> 0:03:49.400
<v Speaker 1>subway system was designed so that you could just kind

0:03:49.400 --> 0:03:53.920
<v Speaker 1>of if you wanted to, like go to Cleveland on

0:03:53.960 --> 0:03:57.560
<v Speaker 1>a subway train, you could. Yeah, that's I was designed. Yeah,

0:03:57.640 --> 0:03:59.560
<v Speaker 1>they could put it on just a regular railway track,

0:04:00.040 --> 0:04:03.000
<v Speaker 1>then go to Cleveland and then you get to Cleveland. Ego, jeez,

0:04:03.480 --> 0:04:06.160
<v Speaker 1>I want to go back to New York. Cleveland's where

0:04:06.200 --> 0:04:08.680
<v Speaker 1>the first stoplight in the country was. Did you know that? Really?

0:04:09.960 --> 0:04:12.920
<v Speaker 1>I like Cleveland. I'm just kidding. That's where my home

0:04:12.920 --> 0:04:17.200
<v Speaker 1>away from home is now. Oh yeah, so it was.

0:04:17.760 --> 0:04:20.440
<v Speaker 1>Now they're an Acron, but yeah, it's a suburb of Cleveland.

0:04:20.480 --> 0:04:22.599
<v Speaker 1>I never realized that. And I'm from Ohio and I

0:04:22.600 --> 0:04:25.159
<v Speaker 1>didn't realize that it was a suburb. It's like half

0:04:25.200 --> 0:04:31.880
<v Speaker 1>hour or so. I always thought Acron was more towards Dayton. Yeah, alright,

0:04:31.960 --> 0:04:35.280
<v Speaker 1>so Dayton, let's talk about it all right, let's talk

0:04:35.279 --> 0:04:41.480
<v Speaker 1>about subways. The Metro and France. Five hundred forty seven

0:04:42.560 --> 0:04:45.159
<v Speaker 1>yards every five forty seven yards, you're gonna find a

0:04:45.160 --> 0:04:49.880
<v Speaker 1>subway station. Yeah, that's pretty good. No, no, not even there.

0:04:49.920 --> 0:04:55.240
<v Speaker 1>There's no building in Paris that's more than five botch

0:04:55.279 --> 0:04:57.920
<v Speaker 1>that one. No, but it really you helped build up

0:04:57.960 --> 0:05:01.360
<v Speaker 1>the drama okay, Um, the the Tube in London, mind

0:05:01.400 --> 0:05:04.800
<v Speaker 1>the gap everyone, Um, two hundred and seventy five stations,

0:05:05.560 --> 0:05:09.520
<v Speaker 1>and our dear beloved New York Subway system four hundred

0:05:09.640 --> 0:05:12.400
<v Speaker 1>sixty eight as of now, packed into like two hundred

0:05:12.400 --> 0:05:15.680
<v Speaker 1>and sixty square miles. Yeah, which is that's pretty impressive.

0:05:15.720 --> 0:05:17.440
<v Speaker 1>And that's why the New York subway system looks like

0:05:17.440 --> 0:05:20.000
<v Speaker 1>a play of spaghetti man. It's really tough to read.

0:05:20.040 --> 0:05:21.760
<v Speaker 1>It's not just me. It can't just be it's not.

0:05:22.040 --> 0:05:24.440
<v Speaker 1>You just have to zero in on your area and

0:05:24.520 --> 0:05:28.479
<v Speaker 1>then you're like, oh, just you gotta blur your eyes

0:05:28.520 --> 0:05:31.680
<v Speaker 1>and block out everything else. And then everyone behind you

0:05:31.720 --> 0:05:34.480
<v Speaker 1>was looking at you like tourists. Yeah, exactly what's got

0:05:34.480 --> 0:05:36.960
<v Speaker 1>his eyes crossed? And why? Why is does that guy

0:05:37.080 --> 0:05:39.159
<v Speaker 1>next to him look like Ronnie Millsap all of a

0:05:39.160 --> 0:05:41.520
<v Speaker 1>sudden because I saw him walk down here? Just fine.

0:05:42.960 --> 0:05:46.600
<v Speaker 1>The London Underground is the oldest, open in eighteen sixty three.

0:05:47.040 --> 0:05:50.320
<v Speaker 1>The Metro was next in hundred in New York not

0:05:50.400 --> 0:05:53.080
<v Speaker 1>far behind in nineteen o four. And Tracy, who wrote

0:05:53.080 --> 0:05:56.120
<v Speaker 1>a very thorough article this is a Tracy V. Wilson Joy. Yeah,

0:05:56.200 --> 0:05:59.040
<v Speaker 1>you know it's gonna be good. Um. She points out

0:05:59.080 --> 0:06:01.960
<v Speaker 1>that this they all kind of happened within pretty dense

0:06:02.000 --> 0:06:05.360
<v Speaker 1>space of time. Because the Industrial Revolution people were out

0:06:05.360 --> 0:06:09.360
<v Speaker 1>in farming and and they're like, screw this, I need

0:06:09.400 --> 0:06:11.479
<v Speaker 1>a decent egg roll. Yeah, I'm gonna move into the

0:06:11.520 --> 0:06:14.320
<v Speaker 1>city where I can get a job in a factory.

0:06:14.520 --> 0:06:17.000
<v Speaker 1>Well yeah, and before that there weren't jobs and factories

0:06:17.040 --> 0:06:20.240
<v Speaker 1>because there weren't factories. Part of the Industrial Revolution was

0:06:20.279 --> 0:06:24.520
<v Speaker 1>the rise of factories. Everybody threw down their agrarian tools

0:06:24.880 --> 0:06:28.800
<v Speaker 1>like scites, forget this hole, I'm out of here, right right,

0:06:29.360 --> 0:06:32.960
<v Speaker 1>clever word play, thank you, um, and they moved to

0:06:33.000 --> 0:06:34.640
<v Speaker 1>the cities. And when they moved to the cities, all

0:06:34.680 --> 0:06:37.200
<v Speaker 1>of a sudden there was a lot of people who

0:06:37.200 --> 0:06:41.760
<v Speaker 1>needed to move about and they didn't have cars, partially

0:06:41.800 --> 0:06:44.479
<v Speaker 1>because cars hadn't been invented yet, that was one reason,

0:06:44.839 --> 0:06:47.320
<v Speaker 1>but also even beyond that, like not everybody could afford

0:06:47.360 --> 0:06:50.520
<v Speaker 1>a horse, but they still need to get someplace. So

0:06:50.640 --> 0:06:54.560
<v Speaker 1>it's a good point. City fathers in these areas Paris London,

0:06:55.440 --> 0:06:59.080
<v Speaker 1>London first, and then Um because I think it was

0:06:59.120 --> 0:07:02.320
<v Speaker 1>the birthplace of the Industrial Revolution, and then and then

0:07:02.360 --> 0:07:04.880
<v Speaker 1>New York. Um said all right, we need to figure

0:07:04.920 --> 0:07:07.000
<v Speaker 1>out how to move a bunch of these people at once,

0:07:07.600 --> 0:07:09.800
<v Speaker 1>and what they came up with was mass transit, but

0:07:09.920 --> 0:07:13.320
<v Speaker 1>it was all above ground mass transit, and it involved horses.

0:07:13.440 --> 0:07:19.040
<v Speaker 1>Remember the Wing Cries Typhoid Merry episode. One horse produces

0:07:19.240 --> 0:07:22.400
<v Speaker 1>twenty pounds of poop per day, and New York had

0:07:22.440 --> 0:07:26.000
<v Speaker 1>like a hundred thousand horses or something like that walking around. Yeah,

0:07:26.000 --> 0:07:29.360
<v Speaker 1>you know how much poopa subway train produces zero. Yeah,

0:07:29.400 --> 0:07:31.720
<v Speaker 1>there's probably a couple of guys pooping on the trains,

0:07:32.000 --> 0:07:35.080
<v Speaker 1>but attribute that to the guy on the train. That's

0:07:35.120 --> 0:07:38.160
<v Speaker 1>not really the subway. That's true. It is not exhaust

0:07:38.960 --> 0:07:42.280
<v Speaker 1>as you as you would call horses spoop um, they

0:07:42.280 --> 0:07:45.520
<v Speaker 1>wouldn't call it, So you're right. They had horse drawn

0:07:45.520 --> 0:07:48.720
<v Speaker 1>carriages and these cool things called omnibusses, which were longer

0:07:48.920 --> 0:07:52.920
<v Speaker 1>horse drawn carriages. Now they're known by their slang term bus.

0:07:54.120 --> 0:07:57.520
<v Speaker 1>Oh yeah, that's what that's what a bus is. I'm

0:07:57.560 --> 0:08:00.320
<v Speaker 1>glad you brought that up. People in New York. Worst

0:08:00.400 --> 0:08:01.960
<v Speaker 1>in New York. If you're in New York, you got

0:08:02.000 --> 0:08:05.480
<v Speaker 1>it all figured out. But tourist in New York, I

0:08:05.520 --> 0:08:08.520
<v Speaker 1>would recommend that you occasionally take a bus trip. Don't

0:08:08.520 --> 0:08:11.600
<v Speaker 1>be afraid of the bus, like a regular bus or

0:08:11.600 --> 0:08:15.080
<v Speaker 1>a tourist bus, a double dunker bus. Don't take those, No,

0:08:15.160 --> 0:08:17.520
<v Speaker 1>a regular bus, you're you're a little metro card. You

0:08:17.600 --> 0:08:19.120
<v Speaker 1>might even know this if you've just been in New

0:08:19.200 --> 0:08:21.400
<v Speaker 1>York like once. It works on the buses so as

0:08:21.440 --> 0:08:24.560
<v Speaker 1>well as the subways. And a lot of times if

0:08:24.600 --> 0:08:27.200
<v Speaker 1>you're like uptown at the park, you're like, man, I

0:08:27.240 --> 0:08:29.200
<v Speaker 1>can't find a subway stop near me. I need to

0:08:29.200 --> 0:08:31.840
<v Speaker 1>get downtown. Just walk to the edge and chances are

0:08:31.840 --> 0:08:34.000
<v Speaker 1>you going to see a bus with its own little lane.

0:08:34.480 --> 0:08:37.439
<v Speaker 1>It's just going south and you get a nice views

0:08:37.480 --> 0:08:41.480
<v Speaker 1>of everything you're out out and about above ground. And

0:08:42.160 --> 0:08:43.920
<v Speaker 1>that's just my advice of tourist. Don't be afraid of

0:08:43.960 --> 0:08:45.640
<v Speaker 1>the busses in New York. It could be a great

0:08:45.640 --> 0:08:48.679
<v Speaker 1>way to get around. There's also cabs, you know. Yeah,

0:08:48.720 --> 0:08:53.520
<v Speaker 1>but you know those are expensive, man. Yeah yeah, I

0:08:53.520 --> 0:08:57.520
<v Speaker 1>mean not on Discovery channels. But when I'm there on

0:08:57.559 --> 0:08:59.080
<v Speaker 1>my own dime, I take a lot of buses and

0:08:59.120 --> 0:09:02.880
<v Speaker 1>subway yeah sure, and it's subway yeah yeah, But I

0:09:02.880 --> 0:09:05.280
<v Speaker 1>didn't realize you took the bus. Yeah, buses are great.

0:09:05.800 --> 0:09:09.200
<v Speaker 1>I had no idea. So you take the bus and

0:09:09.280 --> 0:09:12.520
<v Speaker 1>you know where your local elector lives. That's right, that's

0:09:12.559 --> 0:09:16.000
<v Speaker 1>pretty impressive, chuck. So what happened with these buses though?

0:09:16.040 --> 0:09:17.760
<v Speaker 1>And with all the horsepoop? As they said, this is

0:09:17.760 --> 0:09:21.120
<v Speaker 1>getting out of hand. Um, we need to go underground

0:09:21.200 --> 0:09:23.679
<v Speaker 1>because there's no more room up here. Yeah. We we'd

0:09:23.720 --> 0:09:26.720
<v Speaker 1>love to build trains, but we can't because there's too

0:09:26.760 --> 0:09:31.360
<v Speaker 1>many people, so too many bagel shops. So London did

0:09:31.360 --> 0:09:35.880
<v Speaker 1>it first, right, eighteen sixty three is when it opened. Yeah,

0:09:35.920 --> 0:09:39.240
<v Speaker 1>god knows when they started construction. Look at someone knows

0:09:40.000 --> 0:09:44.960
<v Speaker 1>God besides God. Um, and uh, then within forty years,

0:09:45.040 --> 0:09:47.640
<v Speaker 1>I guess Paris open. There's because it was such a

0:09:47.840 --> 0:09:51.800
<v Speaker 1>huge success. And I mean it was just brilliant. The

0:09:51.800 --> 0:09:56.120
<v Speaker 1>problem is it was also like planning wise, it was

0:09:56.160 --> 0:10:00.760
<v Speaker 1>a brilliant move, but um, construction wise, it makes almost

0:10:00.800 --> 0:10:04.640
<v Speaker 1>no sense whatsoever. It's like, Hey, where's the hardest place

0:10:04.720 --> 0:10:09.120
<v Speaker 1>we can put this mass transit system. I've got it. Yeah,

0:10:09.160 --> 0:10:13.680
<v Speaker 1>through a river like under bedrock, um, and basically through

0:10:13.679 --> 0:10:19.080
<v Speaker 1>every obstacle that we can create that we've already created. Yeah,

0:10:19.160 --> 0:10:21.839
<v Speaker 1>that's a good point. Talk about this. These days, they

0:10:21.880 --> 0:10:25.120
<v Speaker 1>have this really cool machine called the tunnel boring machine. Yeah,

0:10:25.240 --> 0:10:27.920
<v Speaker 1>did you see these? Yeah, it looks awesome. It's basically

0:10:27.920 --> 0:10:31.360
<v Speaker 1>like a tremor worm, Yeah, but a mechanized one that

0:10:31.360 --> 0:10:35.520
<v Speaker 1>won't turn on you. Um and I hope people caught

0:10:35.559 --> 0:10:40.600
<v Speaker 1>that little reference. Which one. So this TVM tunnel boring

0:10:40.640 --> 0:10:46.040
<v Speaker 1>machine um has disc and scrapers, crushes rock into into

0:10:46.120 --> 0:10:48.680
<v Speaker 1>pebbles and sand. It has like a conveyor belt that

0:10:48.720 --> 0:10:51.680
<v Speaker 1>comes out the back, so it is kind of likeating

0:10:52.280 --> 0:10:54.440
<v Speaker 1>and then dudes get rid of that stuff. And uh,

0:10:54.520 --> 0:10:57.559
<v Speaker 1>it actually supports the tunnel as it digs and does

0:10:57.600 --> 0:11:00.960
<v Speaker 1>a really really great job. But um, we all love

0:11:01.000 --> 0:11:03.160
<v Speaker 1>the TV. They're fairly new though. They didn't have these

0:11:03.200 --> 0:11:06.200
<v Speaker 1>back in the day. Um So back in the day

0:11:06.280 --> 0:11:11.199
<v Speaker 1>they had to do it by hand and picks, shovels,

0:11:11.520 --> 0:11:17.640
<v Speaker 1>dynamite yeah or TNT, depending on where your preferences lie. Um. Yeah.

0:11:17.760 --> 0:11:20.440
<v Speaker 1>So this was kind of a problem in that you

0:11:20.440 --> 0:11:22.760
<v Speaker 1>didn't have a conveyor belt. You had to use pick.

0:11:23.120 --> 0:11:26.200
<v Speaker 1>You frequently ran into rock and sometimes you had to

0:11:26.200 --> 0:11:29.360
<v Speaker 1>dig into the bedrock, which you know, bedrock that's just

0:11:29.440 --> 0:11:32.160
<v Speaker 1>like that's the actual Earth's surface. Everything else like yeah,

0:11:32.200 --> 0:11:36.640
<v Speaker 1>mudd and dirt that's just like runoff. Did you realize that. Yeah,

0:11:37.000 --> 0:11:39.640
<v Speaker 1>I just recently realized that I've done that for years.

0:11:40.559 --> 0:11:44.240
<v Speaker 1>But that bedrock it's kind of tough to get through. Yeah,

0:11:44.600 --> 0:11:48.000
<v Speaker 1>New York City alone, UM had eight thousand laborers to

0:11:48.000 --> 0:11:51.520
<v Speaker 1>work on this project, about sixty of which died. And

0:11:52.880 --> 0:11:54.320
<v Speaker 1>I don't even know if they have account on the

0:11:54.320 --> 0:11:58.560
<v Speaker 1>injury sustained. I'm sure it was like sixty a day injured.

0:11:59.559 --> 0:12:01.880
<v Speaker 1>Do you think I don't know thousands of injuries? Let's

0:12:01.880 --> 0:12:05.640
<v Speaker 1>just say that, UM, did you look up the New

0:12:05.679 --> 0:12:08.760
<v Speaker 1>Austrian tunneling method? I did. I want to know about this.

0:12:08.800 --> 0:12:10.840
<v Speaker 1>I didn't have a chance to. I don't. I can't

0:12:10.880 --> 0:12:14.560
<v Speaker 1>tell you. Please tell me it is. It had like

0:12:14.720 --> 0:12:17.520
<v Speaker 1>eight different tenants, so it's not so much a method

0:12:17.600 --> 0:12:20.480
<v Speaker 1>of digging as it is a, as Tracy points out,

0:12:20.480 --> 0:12:23.360
<v Speaker 1>a collection of techniques for digging and finding out where

0:12:23.360 --> 0:12:26.560
<v Speaker 1>to dig. Yeah, where to dig and how to dig? Um?

0:12:26.640 --> 0:12:32.760
<v Speaker 1>So like, what are they like? No? No, they're not

0:12:32.840 --> 0:12:35.080
<v Speaker 1>random like that. But you know, we should do an

0:12:35.160 --> 0:12:38.320
<v Speaker 1>article on tunneling period because it's pretty amazing. And the

0:12:38.360 --> 0:12:41.200
<v Speaker 1>reason they called it the New Austrian method was to

0:12:41.320 --> 0:12:45.439
<v Speaker 1>distinguish it from the old Austrian methods. I guess that

0:12:45.800 --> 0:12:49.120
<v Speaker 1>they must be the king tunnel ers like Charles Bunsen.

0:12:49.880 --> 0:12:53.040
<v Speaker 1>Is he Austrian? Uh no, but he was the tunneler

0:12:53.040 --> 0:12:59.120
<v Speaker 1>in Great Escape? But didn't he was the tunnel expert. Um,

0:12:59.160 --> 0:13:01.720
<v Speaker 1>so that that's that from Reservoir Dogs. That was a

0:13:01.760 --> 0:13:05.240
<v Speaker 1>line at one point someone says, he's like Charles Bronson

0:13:05.240 --> 0:13:09.720
<v Speaker 1>in Great Escape he was digging tunnels. How did they

0:13:09.840 --> 0:13:12.520
<v Speaker 1>miss that line? I don't know. Well, so you just

0:13:12.600 --> 0:13:17.400
<v Speaker 1>referenced the reference of a movie. The method that they

0:13:17.520 --> 0:13:19.840
<v Speaker 1>use for a long time, um was the cut and

0:13:19.880 --> 0:13:24.200
<v Speaker 1>cover method, which this is crazy. They like literally rip

0:13:24.280 --> 0:13:27.360
<v Speaker 1>up a street, put a subway there, and then build

0:13:27.400 --> 0:13:29.880
<v Speaker 1>the street back on top. It makes uttering complete sense

0:13:30.080 --> 0:13:32.560
<v Speaker 1>for a couple of routes. Number one, subways are meant

0:13:32.559 --> 0:13:36.600
<v Speaker 1>to serve like areas streets, right, It's basically like a

0:13:36.679 --> 0:13:39.240
<v Speaker 1>street that happens to be underground that moves a bunch

0:13:39.280 --> 0:13:42.080
<v Speaker 1>of people at once. Yeah. Okay, so following a street

0:13:42.120 --> 0:13:46.000
<v Speaker 1>makes a lot of sense, especially if you're a planner. Um.

0:13:46.040 --> 0:13:50.200
<v Speaker 1>The problem is you are completely ripping up a street

0:13:50.600 --> 0:13:54.520
<v Speaker 1>temporarily because you're what you're doing is you're digging a

0:13:54.559 --> 0:13:58.480
<v Speaker 1>trench and then rebuilding the earth above it. But the

0:13:58.520 --> 0:14:00.360
<v Speaker 1>good thing is is you can rebuild of the earth

0:14:00.360 --> 0:14:03.040
<v Speaker 1>above it even stronger. It's like Steve Austin or something

0:14:03.080 --> 0:14:06.199
<v Speaker 1>like that, right, Yeah, Like you dig a trench as

0:14:06.240 --> 0:14:09.200
<v Speaker 1>far down as you want your subway to be, and

0:14:09.600 --> 0:14:13.560
<v Speaker 1>you put in pilings, you drive them down, preferably into

0:14:13.559 --> 0:14:16.640
<v Speaker 1>bedrock if you can, and then you put like tresses

0:14:16.679 --> 0:14:19.760
<v Speaker 1>and beams over those nice buttress every now and then. Yeah,

0:14:19.880 --> 0:14:23.280
<v Speaker 1>and then you can rebuild the ground in the road

0:14:23.400 --> 0:14:27.840
<v Speaker 1>up above it. You can also reroute any um sewer lines,

0:14:27.880 --> 0:14:32.000
<v Speaker 1>any power lines, any anything through these tresses and being frankly,

0:14:32.040 --> 0:14:35.800
<v Speaker 1>I'm a cut and cover method guy. Yeah, Well, it

0:14:35.840 --> 0:14:39.120
<v Speaker 1>also makes sense because the streets are probably not gonna

0:14:39.400 --> 0:14:42.760
<v Speaker 1>You're probably not gonna run into as many obstacles, Um,

0:14:42.800 --> 0:14:45.360
<v Speaker 1>like a basement of a major building. Yeah, exactly, because

0:14:45.400 --> 0:14:46.840
<v Speaker 1>there wouldn't be a major building in the middle of

0:14:46.840 --> 0:14:48.960
<v Speaker 1>the street. There was a cool part in The Devil

0:14:49.000 --> 0:14:51.840
<v Speaker 1>in the White City. Did you ever read that man

0:14:51.960 --> 0:14:54.920
<v Speaker 1>that's on the list? You like it a lot um

0:14:54.960 --> 0:14:59.120
<v Speaker 1>where they're talking about how Chicago built the first skyscrapers.

0:15:00.080 --> 0:15:03.440
<v Speaker 1>Oh yeah, yeah, and um, basically they figured out how

0:15:03.560 --> 0:15:08.880
<v Speaker 1>to float the foundations of the building above the bedrock,

0:15:08.920 --> 0:15:10.960
<v Speaker 1>because the bedrock was really far down and there was

0:15:11.000 --> 0:15:15.360
<v Speaker 1>like the sandy shifting soil. I can't remember it specifically,

0:15:15.360 --> 0:15:18.520
<v Speaker 1>but it's like, Wow, I'm I'm riveted by this description

0:15:18.520 --> 0:15:22.600
<v Speaker 1>of an architectural technique, a building technique that they figured

0:15:22.640 --> 0:15:26.160
<v Speaker 1>out so you didn't even need the murders. I found

0:15:26.160 --> 0:15:32.200
<v Speaker 1>them superfluous. Really, it was a good book, and I'm

0:15:32.240 --> 0:15:35.000
<v Speaker 1>not one for like popular fiction like that is popular

0:15:35.400 --> 0:15:40.600
<v Speaker 1>semi fiction, historical fiction. Yeah, it's good. I like it. Um,

0:15:40.720 --> 0:15:43.240
<v Speaker 1>So we're talking about obstacles, and that is a big

0:15:43.280 --> 0:15:45.920
<v Speaker 1>problem when you're when you're digging tunnels, especially under a

0:15:45.920 --> 0:15:50.760
<v Speaker 1>city that's already has an infrastructure in place. Um, you're

0:15:50.800 --> 0:15:54.280
<v Speaker 1>going to run into things that you can move. Sometimes,

0:15:54.600 --> 0:15:57.000
<v Speaker 1>you're gonna run into things that you can't move sometimes

0:15:57.440 --> 0:15:59.840
<v Speaker 1>that you have to move around. So, like you ever

0:16:00.000 --> 0:16:03.800
<v Speaker 1>in in a subway, especially New York that really slows

0:16:03.800 --> 0:16:07.040
<v Speaker 1>down and takes one of those hard turns, It maybe

0:16:07.120 --> 0:16:10.080
<v Speaker 1>because you know that's the direction you need to start

0:16:10.160 --> 0:16:12.480
<v Speaker 1>going now, but more than likely it's because they had

0:16:12.520 --> 0:16:16.320
<v Speaker 1>to reroute it, especially if it's an old section of

0:16:16.360 --> 0:16:18.800
<v Speaker 1>the subway. Yeah, very true, because now you can just

0:16:18.840 --> 0:16:21.280
<v Speaker 1>put the TVM on that thing, and it's like, whatever

0:16:21.320 --> 0:16:23.960
<v Speaker 1>you need, guys, all go get it. Well, yeah, but

0:16:24.040 --> 0:16:26.720
<v Speaker 1>I'm talking more along the lines of man made obstructions

0:16:26.800 --> 0:16:31.240
<v Speaker 1>like gas lines, thematic lines. But with with those like

0:16:31.480 --> 0:16:34.040
<v Speaker 1>water lines are probably very tough, but all of those

0:16:34.120 --> 0:16:38.480
<v Speaker 1>can be rerouted. You can basically reroute the line rather

0:16:38.520 --> 0:16:41.040
<v Speaker 1>than reroute the subway line. It probably depends on which

0:16:41.040 --> 0:16:42.680
<v Speaker 1>one is more cost effective, is what they go with.

0:16:43.160 --> 0:16:45.280
<v Speaker 1>You know. Um you can also, like I said, if

0:16:45.280 --> 0:16:48.480
<v Speaker 1>you're doing a cut and cover method, you can, Um,

0:16:48.520 --> 0:16:52.560
<v Speaker 1>you can basically hang those same lines from these You

0:16:52.560 --> 0:16:55.440
<v Speaker 1>can use the beams and tresses as support for those

0:16:55.440 --> 0:17:27.280
<v Speaker 1>same lines. It's that makes sense. Uh. Sometimes, as Tracy

0:17:27.359 --> 0:17:31.040
<v Speaker 1>pointed out, you see lines that aren't on any blueprints.

0:17:31.080 --> 0:17:33.200
<v Speaker 1>You're like, wait a minute, what's this big pipe doing here?

0:17:33.720 --> 0:17:36.560
<v Speaker 1>It doesn't show up on any registry that we have

0:17:36.680 --> 0:17:40.040
<v Speaker 1>for the city. Uh, we gotta find out what this

0:17:40.119 --> 0:17:42.400
<v Speaker 1>is to see if we can move it. Yeah. Maybe

0:17:42.440 --> 0:17:45.160
<v Speaker 1>it's old and unused and you can throw it away.

0:17:45.200 --> 0:17:49.320
<v Speaker 1>That'd be great. Maybe it's full of dangerous gases which

0:17:49.359 --> 0:17:52.080
<v Speaker 1>is not great, or full of water, or maybe you

0:17:52.200 --> 0:17:54.440
<v Speaker 1>hit an aquifer. Yeah, water is a big one. Yeah,

0:17:54.440 --> 0:17:56.480
<v Speaker 1>if you hit an aquifer, well you know what that is.

0:17:57.080 --> 0:17:59.280
<v Speaker 1>That's just a bunch of water pooled on top of

0:17:59.320 --> 0:18:03.399
<v Speaker 1>the bedrock, which is really the surface of the earth. Um.

0:18:04.680 --> 0:18:07.040
<v Speaker 1>You you can hit an aquifer, you might have to

0:18:07.040 --> 0:18:10.080
<v Speaker 1>say across the river, like the East River. Um. And

0:18:10.119 --> 0:18:13.080
<v Speaker 1>when you do that, you have to generally tunnel under it,

0:18:13.840 --> 0:18:16.960
<v Speaker 1>which is extremely dangerous because then not only you don't

0:18:17.000 --> 0:18:19.040
<v Speaker 1>just have a street that can collapse on top of you,

0:18:19.040 --> 0:18:21.040
<v Speaker 1>you have a river that can collapse on top of you.

0:18:21.080 --> 0:18:23.800
<v Speaker 1>And rivers tend to weigh more than streets. Yeah, and

0:18:23.880 --> 0:18:26.359
<v Speaker 1>you can drown and a river you can't drown in

0:18:26.400 --> 0:18:29.919
<v Speaker 1>a street, right, that's it's full of water. UM. I

0:18:29.920 --> 0:18:32.560
<v Speaker 1>thought this was pretty clever. How they how was it

0:18:32.640 --> 0:18:36.160
<v Speaker 1>Paris in the sin before We're drowning? So they basically

0:18:36.200 --> 0:18:41.280
<v Speaker 1>put down like pods and then sent compressed air into

0:18:41.320 --> 0:18:44.000
<v Speaker 1>the pod and blew all the water out. And then

0:18:44.080 --> 0:18:47.359
<v Speaker 1>men went into these pods and worked. And they use

0:18:47.480 --> 0:18:51.760
<v Speaker 1>the same thing or a similar technique in um building

0:18:51.840 --> 0:18:55.000
<v Speaker 1>the Brooklyn Bridge pylons. But the problem was like people

0:18:55.040 --> 0:18:59.040
<v Speaker 1>would come up and get the bends from working beneath

0:18:59.040 --> 0:19:02.640
<v Speaker 1>the water surface, but in a dry like area, compressed

0:19:02.640 --> 0:19:05.320
<v Speaker 1>air because they were down so far and they just

0:19:05.359 --> 0:19:08.400
<v Speaker 1>come up without thinking about it and get the bends. Well,

0:19:08.440 --> 0:19:10.560
<v Speaker 1>the good news is if you're working under the water

0:19:10.640 --> 0:19:12.640
<v Speaker 1>like that, you're probably gonna get a little pay bump,

0:19:13.280 --> 0:19:16.199
<v Speaker 1>like hazard pay as they call it. UM. And the

0:19:16.200 --> 0:19:18.119
<v Speaker 1>other cool thing they did in Paris too, was they

0:19:18.359 --> 0:19:22.680
<v Speaker 1>they found that um, some of this mud and like

0:19:23.119 --> 0:19:27.359
<v Speaker 1>wet dirt, which is mine, was too hard to deal with,

0:19:27.480 --> 0:19:30.680
<v Speaker 1>so they froze it with calcium chloride and all of

0:19:30.720 --> 0:19:32.320
<v Speaker 1>a sudden they removed it like it was a big

0:19:32.400 --> 0:19:35.119
<v Speaker 1>chunk of clay. Yeah, pretty neat. It was very clever.

0:19:35.400 --> 0:19:38.159
<v Speaker 1>And that was old timing construction too. I was that

0:19:38.240 --> 0:19:40.840
<v Speaker 1>back in the day, I believe, so I didn't realize

0:19:40.880 --> 0:19:44.160
<v Speaker 1>that they were that clever back then. It's pretty smart. Um.

0:19:44.280 --> 0:19:48.000
<v Speaker 1>You can also basically use the cut and cover method

0:19:48.880 --> 0:19:51.440
<v Speaker 1>in Uh your pick on that, and I love that.

0:19:51.480 --> 0:19:53.120
<v Speaker 1>I'm gonna make you a T shirt. This is cut

0:19:53.119 --> 0:19:56.320
<v Speaker 1>and cover, but I wouldn't wear that. It just makes

0:19:56.359 --> 0:19:59.680
<v Speaker 1>sense to me, Yeah, it does. Um. You can use

0:19:59.720 --> 0:20:02.480
<v Speaker 1>the cut and cover method across the river. That's what

0:20:02.520 --> 0:20:06.480
<v Speaker 1>they did in the San Francisco Bay. Um. They basically

0:20:06.560 --> 0:20:11.040
<v Speaker 1>just cut the tunnel they wanted and prefabricated the um

0:20:11.240 --> 0:20:14.280
<v Speaker 1>sections of the subway tunnel and put it in the

0:20:14.320 --> 0:20:17.720
<v Speaker 1>trench and then just cover it back up and I

0:20:17.720 --> 0:20:20.640
<v Speaker 1>guess like waiting for the water to leak out. Over

0:20:20.680 --> 0:20:25.080
<v Speaker 1>the course of several decades UM. In the very old

0:20:25.119 --> 0:20:28.080
<v Speaker 1>cities like Paris, they have also uncovered some pretty interesting things.

0:20:28.800 --> 0:20:35.359
<v Speaker 1>Um like catacombs full of human bones. Yeah, there's a

0:20:35.400 --> 0:20:40.600
<v Speaker 1>whole documentary on that. Cannonballs, quarries, very deep quarries. This

0:20:40.640 --> 0:20:42.200
<v Speaker 1>is kind of cool. I thought this was very cool.

0:20:42.240 --> 0:20:45.399
<v Speaker 1>Some of the quarries in Paris were so deep that

0:20:45.520 --> 0:20:49.359
<v Speaker 1>they had to actually build bridges, underground bridges for the

0:20:49.359 --> 0:20:52.600
<v Speaker 1>subway to get across. It's an elevated train underground. Yeah,

0:20:52.720 --> 0:20:59.040
<v Speaker 1>and nuts across ancient Roman quarries. Man, I mean that's crazy. Yeah. Um,

0:20:59.200 --> 0:21:02.359
<v Speaker 1>there's a lot of cool stuff like that, um like

0:21:02.440 --> 0:21:06.080
<v Speaker 1>abandoned subway stations if you're into that kind of thing,

0:21:06.119 --> 0:21:07.840
<v Speaker 1>and I know a lot of people who listen to

0:21:07.880 --> 0:21:11.880
<v Speaker 1>us are. There's a website called um NYC subway dot

0:21:12.000 --> 0:21:17.200
<v Speaker 1>org and they have like little reports on like stations

0:21:17.240 --> 0:21:20.600
<v Speaker 1>when they were built, when they were decommissioned, why photos

0:21:20.680 --> 0:21:23.280
<v Speaker 1>taken of them after they were abandoned. And there's actually

0:21:23.359 --> 0:21:27.399
<v Speaker 1>a little trick, chuck um where if you were on

0:21:27.520 --> 0:21:30.320
<v Speaker 1>the six train and now you're talking about do you

0:21:30.560 --> 0:21:33.399
<v Speaker 1>I think so the City Hall stop. Yeah. So if

0:21:33.440 --> 0:21:36.080
<v Speaker 1>you're on the six train and you're headed towards the

0:21:36.080 --> 0:21:40.760
<v Speaker 1>Brooklyn Bridge stop and you stay on right, the train

0:21:40.800 --> 0:21:43.199
<v Speaker 1>will actually go around a loop to turn around and

0:21:43.240 --> 0:21:46.240
<v Speaker 1>go the other way. That loop goes through an old

0:21:46.320 --> 0:21:52.360
<v Speaker 1>abandoned um Metro stop or mt A stop, And um,

0:21:52.400 --> 0:21:58.000
<v Speaker 1>it's this incredible stained glass architecture, like preserved turn of

0:21:58.000 --> 0:22:01.520
<v Speaker 1>the century subway station that's just like frozen in time.

0:22:01.560 --> 0:22:03.680
<v Speaker 1>It was in operation from like nineteen o four, and

0:22:05.040 --> 0:22:07.240
<v Speaker 1>they used to make everybody get off at Brooklyn Bridge,

0:22:07.480 --> 0:22:10.080
<v Speaker 1>but now they'll let people stay on. And do they

0:22:10.280 --> 0:22:12.640
<v Speaker 1>Because I couldn't find recent information, I saw an article

0:22:12.640 --> 0:22:14.720
<v Speaker 1>today that said they did that for a while, another

0:22:14.840 --> 0:22:17.480
<v Speaker 1>or not, and then I saw another one that said

0:22:17.880 --> 0:22:21.280
<v Speaker 1>no you can. Um. I wonder if it's just arbitrary,

0:22:21.320 --> 0:22:23.840
<v Speaker 1>like depending on who's I know that they cleaned it

0:22:23.960 --> 0:22:26.000
<v Speaker 1>up in two thousand four and made it like kind

0:22:26.000 --> 0:22:27.760
<v Speaker 1>of I don't think they like put tons of money

0:22:27.760 --> 0:22:30.399
<v Speaker 1>towards restoration, but they cleaned it up really nice and

0:22:30.720 --> 0:22:33.320
<v Speaker 1>allowed like light to come through the stained glass, and

0:22:33.359 --> 0:22:35.120
<v Speaker 1>for a little while they let people stop and get

0:22:35.119 --> 0:22:37.479
<v Speaker 1>off and kind of tour it. But I know they

0:22:37.480 --> 0:22:39.760
<v Speaker 1>shut that down, Yeah, because the whole reason, well one

0:22:39.800 --> 0:22:41.680
<v Speaker 1>of the big reasons they showed it done because there's

0:22:41.680 --> 0:22:45.280
<v Speaker 1>such a tight curve that the um, the modern subway

0:22:45.280 --> 0:22:48.560
<v Speaker 1>cars can't sit flush up against the platform, so there's

0:22:48.560 --> 0:22:50.760
<v Speaker 1>a pretty big gap that people would have to jump

0:22:50.800 --> 0:22:53.120
<v Speaker 1>over to get off. So I can imagine you can't

0:22:53.160 --> 0:22:54.879
<v Speaker 1>get off. But from what I saw it was a

0:22:54.880 --> 0:22:58.800
<v Speaker 1>two thousand article it said you can stay on. Now. Well,

0:22:59.040 --> 0:23:00.840
<v Speaker 1>I've been meaning to check that out and going in November,

0:23:00.880 --> 0:23:03.280
<v Speaker 1>I'll check it out. Yeah, dude, let me know, report back.

0:23:03.440 --> 0:23:08.800
<v Speaker 1>I will report back. Okay. Um, So, rolling stock or

0:23:08.840 --> 0:23:12.080
<v Speaker 1>what these trains are actually called. And in some cities

0:23:12.119 --> 0:23:16.800
<v Speaker 1>the rolling stock is automated, like Denmark. The one they're

0:23:16.800 --> 0:23:19.760
<v Speaker 1>building now doesn't have drivers, which is kind of neat.

0:23:20.600 --> 0:23:24.160
<v Speaker 1>They have like you know, laser beams and uh and

0:23:24.520 --> 0:23:29.159
<v Speaker 1>all these crazy surveillance systems to drive the train. The

0:23:29.440 --> 0:23:36.879
<v Speaker 1>computerized what no what they do? And um, they navigate it.

0:23:36.960 --> 0:23:40.440
<v Speaker 1>They use break heat to generate power. They will even

0:23:40.520 --> 0:23:43.360
<v Speaker 1>let you know, someone stuck in the door. Um, yeah,

0:23:43.400 --> 0:23:46.000
<v Speaker 1>we'll open the door back up and did not drive away,

0:23:46.119 --> 0:23:48.960
<v Speaker 1>not drive away while someone stuck. And New York they're

0:23:48.960 --> 0:23:52.320
<v Speaker 1>actually trying out some of these now too. Actually yeah,

0:23:53.280 --> 0:23:55.840
<v Speaker 1>I didn't see when this article was written, but they

0:23:55.840 --> 0:24:00.439
<v Speaker 1>were the Tracy made mention of the um the the

0:24:00.680 --> 0:24:03.399
<v Speaker 1>addition that's being made to Long Island. Is this going

0:24:03.440 --> 0:24:08.720
<v Speaker 1>on still and like just this revamping that's going on constant, Well,

0:24:08.760 --> 0:24:11.200
<v Speaker 1>the revamping I think it was a seventeen billion dollar

0:24:11.280 --> 0:24:15.560
<v Speaker 1>bid in ninety four and there adding new lines or

0:24:15.560 --> 0:24:17.800
<v Speaker 1>trying to spruce up the trains and like you know,

0:24:17.880 --> 0:24:22.480
<v Speaker 1>replace the old cars. They're improving the air circulation, which

0:24:22.480 --> 0:24:26.439
<v Speaker 1>she points out like just because it's open up top

0:24:26.560 --> 0:24:28.240
<v Speaker 1>and a little bit of air can get in, doesn't

0:24:28.240 --> 0:24:29.760
<v Speaker 1>mean you don't have to have like a massive air

0:24:29.800 --> 0:24:32.960
<v Speaker 1>circulation system. And if you've ever been like deep within

0:24:33.000 --> 0:24:36.080
<v Speaker 1>the bowels of the subway system, then you might be

0:24:36.119 --> 0:24:40.200
<v Speaker 1>wondering if it's working properly, But it is, or you'd

0:24:40.240 --> 0:24:43.800
<v Speaker 1>be dead. Yeah, you'd die. Yeah, Yeah, they're the It

0:24:43.920 --> 0:24:46.560
<v Speaker 1>takes a tremendous amount of air to be recirculated to

0:24:46.600 --> 0:24:50.400
<v Speaker 1>allow humans to live underground. I think she said something

0:24:50.560 --> 0:24:53.040
<v Speaker 1>was it? Ye, six thousand cubic feet of fresh air

0:24:53.080 --> 0:24:55.960
<v Speaker 1>per minute is what is what they're shooting for. I

0:24:55.960 --> 0:25:00.520
<v Speaker 1>don't think it's there now, but that's their goal. Should

0:25:00.520 --> 0:25:05.560
<v Speaker 1>we talk about some of the signals, yeah, train signals. Yeah. So, um,

0:25:05.720 --> 0:25:09.840
<v Speaker 1>before a long long time ago, when a driver reached

0:25:09.840 --> 0:25:12.560
<v Speaker 1>a stoplight and had to come to a stop, they

0:25:12.560 --> 0:25:14.359
<v Speaker 1>had to put a key in and turn it to

0:25:14.480 --> 0:25:17.520
<v Speaker 1>reset the stoplight and be able to drive. And there's

0:25:17.560 --> 0:25:21.040
<v Speaker 1>a term called keying by that they still use. So

0:25:21.040 --> 0:25:25.119
<v Speaker 1>they do still use it. Now it's much more automated, um,

0:25:25.160 --> 0:25:27.920
<v Speaker 1>but there's there's still a set of signals where it's

0:25:27.960 --> 0:25:31.520
<v Speaker 1>like stop, proceed with caution, green light, you know, just

0:25:32.240 --> 0:25:35.280
<v Speaker 1>go as fast as you can. They do a speed limits. Yeah,

0:25:35.480 --> 0:25:39.400
<v Speaker 1>of course. Yeah, they're posted too, aren't they. Uh yeah,

0:25:39.840 --> 0:25:44.040
<v Speaker 1>I mean the driver can see them at least imagine

0:25:44.040 --> 0:25:45.600
<v Speaker 1>if you were looking and you're up front, you could

0:25:45.600 --> 0:25:47.920
<v Speaker 1>probably see him and to have the driver around the

0:25:47.920 --> 0:25:50.840
<v Speaker 1>shoulder and be like, we're going way faster than the Yeah.

0:25:50.840 --> 0:25:52.919
<v Speaker 1>I mean Martha here in Atlanta, which is sort of

0:25:52.920 --> 0:25:55.639
<v Speaker 1>a subway, you can um, I mean you can ride

0:25:55.640 --> 0:25:57.800
<v Speaker 1>it right up front by the the person and I've

0:25:57.840 --> 0:25:59.560
<v Speaker 1>done this many times and just kind of spide in

0:25:59.640 --> 0:26:02.320
<v Speaker 1>on how you drive the Marta train, and every time

0:26:02.359 --> 0:26:04.000
<v Speaker 1>I look, I'm like, I could totally drive this thing

0:26:04.119 --> 0:26:07.200
<v Speaker 1>right now. Oh yeah, yeah, dude. It's just like it's

0:26:07.280 --> 0:26:10.000
<v Speaker 1>got a little forward lever and a neutral and a

0:26:10.080 --> 0:26:14.000
<v Speaker 1>reverse and a break and then that's pretty much it. Yeah,

0:26:14.040 --> 0:26:15.720
<v Speaker 1>I could do it right now. You can drive it

0:26:15.760 --> 0:26:19.679
<v Speaker 1>through arms Crost right mark. Have you seen it's been

0:26:19.680 --> 0:26:22.280
<v Speaker 1>going around Facebook, the Marta map compared to the rest

0:26:22.320 --> 0:26:26.960
<v Speaker 1>of the world's Facebook. Oh, it's like New York, London, Paris,

0:26:27.000 --> 0:26:28.399
<v Speaker 1>and they all look like a play a spaghetti And

0:26:28.400 --> 0:26:31.240
<v Speaker 1>then it's Atlanta with its little plus sign plus sign

0:26:31.680 --> 0:26:35.960
<v Speaker 1>it's got two branches. But I will argue that, I mean,

0:26:36.040 --> 0:26:38.359
<v Speaker 1>it does suck in a way. But I will argue

0:26:38.400 --> 0:26:41.840
<v Speaker 1>that Atlanta didn't build it subway in eighteen sixty three.

0:26:42.080 --> 0:26:46.440
<v Speaker 1>They built it in like nineteen seventies something, and but yeah,

0:26:46.480 --> 0:26:48.560
<v Speaker 1>it stopped. Okay, I was gonna say, this isn't a

0:26:48.560 --> 0:26:51.400
<v Speaker 1>work in progress. No, they've added some stuff since. Yeah,

0:26:51.440 --> 0:26:54.040
<v Speaker 1>a little bit, but really it's pretty bad. It does

0:26:54.080 --> 0:26:56.960
<v Speaker 1>suck in every way. I mean, it's it's great if

0:26:57.000 --> 0:26:58.719
<v Speaker 1>it goes from the one place you need to go

0:26:58.800 --> 0:27:01.119
<v Speaker 1>to the other place you need to go. Sure, and

0:27:01.359 --> 0:27:04.879
<v Speaker 1>chances are that's not the case, and it sometimes it does, though,

0:27:05.040 --> 0:27:07.680
<v Speaker 1>especially if you live near a rail line. But even still,

0:27:07.760 --> 0:27:11.320
<v Speaker 1>you make one big l Yeah, I mean it's great

0:27:11.400 --> 0:27:14.719
<v Speaker 1>for me. I'm like Falcons game day, you know, right

0:27:14.760 --> 0:27:19.119
<v Speaker 1>down the street, Hop on there my brown bag, Hop off.

0:27:19.160 --> 0:27:24.600
<v Speaker 1>I'm right at the stadium. Yeah, it's nice your brown bag, so,

0:27:24.720 --> 0:27:27.920
<v Speaker 1>you know, for hyperventilation, right in case something bad goes down,

0:27:28.000 --> 0:27:31.120
<v Speaker 1>in case the six hundred thousand cubic leaders of error

0:27:31.119 --> 0:27:34.480
<v Speaker 1>isn't moved through now most of Atlanta is above ground subway. Really,

0:27:34.520 --> 0:27:37.200
<v Speaker 1>that's what I'm saying. It sucks in every way. Uh.

0:27:37.240 --> 0:27:39.600
<v Speaker 1>These things run on electricity these days, not like the

0:27:39.640 --> 0:27:43.000
<v Speaker 1>old steam train days. Yeah. I don't even know that

0:27:43.000 --> 0:27:46.359
<v Speaker 1>that was worth mentioning. Well, I think so because you

0:27:46.400 --> 0:27:49.080
<v Speaker 1>have the third rail that everyone knows is very dangerous. Yeah,

0:27:49.240 --> 0:27:52.440
<v Speaker 1>six volts in New York and you have a hundred

0:27:52.480 --> 0:27:55.679
<v Speaker 1>and twenty coming into your house. Really yeah, oh wow,

0:27:55.800 --> 0:28:00.639
<v Speaker 1>So it'll get you. It'll fry rap like they're not kidding. Uh. Uh.

0:28:00.760 --> 0:28:03.080
<v Speaker 1>Sometimes the third rail is between the two tracks. Sometimes

0:28:03.080 --> 0:28:06.200
<v Speaker 1>it's on the outside and then you generally have a

0:28:06.200 --> 0:28:09.679
<v Speaker 1>a brush or a shoe sliding shoe or a wheel

0:28:10.240 --> 0:28:13.080
<v Speaker 1>that connects to that and that supplies power to the train.

0:28:13.920 --> 0:28:17.760
<v Speaker 1>And um, they used to have its own power plant

0:28:18.119 --> 0:28:21.880
<v Speaker 1>to run the subway system in New York. I guess

0:28:21.920 --> 0:28:24.680
<v Speaker 1>these days they just mooch it from everyone. You know,

0:28:25.240 --> 0:28:27.960
<v Speaker 1>if you follow a chord in the subway, it's actually

0:28:28.040 --> 0:28:31.119
<v Speaker 1>going into somebody's living room. It's coming through the window.

0:29:03.360 --> 0:29:05.560
<v Speaker 1>All right, I think the fact of the podcast, I

0:29:05.560 --> 0:29:07.480
<v Speaker 1>will give it to you, but to me, it's the

0:29:07.520 --> 0:29:11.520
<v Speaker 1>geometry train. Yeah. I've seen these before, but um you have.

0:29:11.800 --> 0:29:14.920
<v Speaker 1>I've seen ones that were just there. It looks like

0:29:15.000 --> 0:29:19.840
<v Speaker 1>a little platform or something like that going by. Yeah, well,

0:29:20.440 --> 0:29:24.959
<v Speaker 1>or I dreamt one, uh yeah, this one in the

0:29:25.040 --> 0:29:29.200
<v Speaker 1>diagrams like full of computers and people. I haven't seen that.

0:29:29.520 --> 0:29:33.400
<v Speaker 1>But basically a geometry train, like if you have you know,

0:29:33.640 --> 0:29:37.320
<v Speaker 1>hundreds and thousands and millions of miles of subway track,

0:29:38.080 --> 0:29:41.320
<v Speaker 1>and some of it dates back a hundred years um

0:29:41.400 --> 0:29:49.080
<v Speaker 1>thanks to seismic activity, fire um weather peoples. Yes, all

0:29:49.080 --> 0:29:51.680
<v Speaker 1>this stuff is going to basically pull your checks out

0:29:51.680 --> 0:29:54.480
<v Speaker 1>of alignment. And tracks need to be fairly precise to

0:29:54.600 --> 0:29:58.640
<v Speaker 1>keep trains from like hopping off right so to um

0:29:58.640 --> 0:30:02.360
<v Speaker 1>to basically keep or find I should say, the rails

0:30:02.400 --> 0:30:04.400
<v Speaker 1>that are out of alignment. They have this thing called

0:30:04.400 --> 0:30:07.280
<v Speaker 1>the geometry train, which have your lasers that you're so

0:30:07.320 --> 0:30:10.640
<v Speaker 1>fond of, and uh, it basically just goes down the

0:30:10.680 --> 0:30:12.960
<v Speaker 1>track every track, and these things are running like twenty

0:30:13.000 --> 0:30:15.200
<v Speaker 1>four hours a day, seven days a week. Um. Yeah,

0:30:15.240 --> 0:30:17.520
<v Speaker 1>the one in New York runs at all times. Cool

0:30:17.680 --> 0:30:19.440
<v Speaker 1>and uh, and you would think it would have to.

0:30:20.200 --> 0:30:22.480
<v Speaker 1>I wonder how long it takes for a geometry train

0:30:22.680 --> 0:30:25.840
<v Speaker 1>to hit every track. Yeah. Man, that's a good question.

0:30:25.880 --> 0:30:29.320
<v Speaker 1>It's gotta take years. But anyway, it just rides along

0:30:29.360 --> 0:30:32.840
<v Speaker 1>and takes precise measurements of the alignment of the tracks,

0:30:32.840 --> 0:30:36.400
<v Speaker 1>and anything that's over one point to five inches out

0:30:36.400 --> 0:30:38.920
<v Speaker 1>of alignment, there's a report that's violed and says go

0:30:38.960 --> 0:30:42.480
<v Speaker 1>fix that track. And they also, just as an added bonus,

0:30:42.520 --> 0:30:46.600
<v Speaker 1>the geometry train finds hot spots using heat centers and

0:30:46.600 --> 0:30:50.240
<v Speaker 1>shoots them with fire extinguishers, Like if there's something flammable

0:30:50.240 --> 0:30:53.760
<v Speaker 1>in the other track, they could uh combust, whether it's

0:30:53.760 --> 0:30:58.880
<v Speaker 1>like a Derrito's bag, a cool ranch Derrito's bag, Uh,

0:30:58.960 --> 0:31:02.000
<v Speaker 1>any kind of Derrida goes back, Well, the dudes probably

0:31:02.040 --> 0:31:05.000
<v Speaker 1>already toast anyway, if he's on the third rail, he is,

0:31:05.280 --> 0:31:09.040
<v Speaker 1>And uh, that's a good reference for a spontaneous combustion podcasts.

0:31:10.200 --> 0:31:12.600
<v Speaker 1>In New York City and in many cities, the fair

0:31:12.960 --> 0:31:15.520
<v Speaker 1>does not cover the costs of running this massive system

0:31:16.000 --> 0:31:19.800
<v Speaker 1>about half yeah in New York. So um, if you're

0:31:19.880 --> 0:31:21.960
<v Speaker 1>complaining about the price of a subway New York, just

0:31:22.040 --> 0:31:24.800
<v Speaker 1>remember it could be double yeah if they were to

0:31:24.840 --> 0:31:28.200
<v Speaker 1>cover all the costs. So counter blessings new Yorkers. Yeah,

0:31:28.320 --> 0:31:31.120
<v Speaker 1>don't complain to me, and thank New York for big government.

0:31:32.560 --> 0:31:38.080
<v Speaker 1>Do you like the subway? Uh? Tracy points out that

0:31:38.200 --> 0:31:41.880
<v Speaker 1>the subways and at least the tunnels over the years

0:31:41.960 --> 0:31:47.200
<v Speaker 1>have been the site of refuge and terror. That was

0:31:47.240 --> 0:31:50.560
<v Speaker 1>a great setup, that's true though, Oh yeah it is. Um.

0:31:50.680 --> 0:31:55.120
<v Speaker 1>During World War one and two in London and Paris,

0:31:55.160 --> 0:31:59.840
<v Speaker 1>I believe people saw it cover against air raids. Um. Yeah,

0:32:00.120 --> 0:32:03.480
<v Speaker 1>in the subways. But world War One I was like,

0:32:03.520 --> 0:32:07.000
<v Speaker 1>that's when they were dropping bricks on each other, Like really,

0:32:07.040 --> 0:32:08.920
<v Speaker 1>that's how you would take down a plane. You fly

0:32:09.080 --> 0:32:11.640
<v Speaker 1>over another airplane and drop a brick and just go

0:32:11.800 --> 0:32:15.160
<v Speaker 1>right through a wing. And that was that for the plane. Yeah,

0:32:15.440 --> 0:32:17.800
<v Speaker 1>I thought they at least had the little tube like

0:32:17.840 --> 0:32:21.400
<v Speaker 1>the and it would shoot something like this somewhere mortar,

0:32:21.440 --> 0:32:24.800
<v Speaker 1>but that's ground based. That's those are mortars. Yeah, well yeah,

0:32:24.840 --> 0:32:27.080
<v Speaker 1>I guess you would still need to take refuge against

0:32:27.120 --> 0:32:29.560
<v Speaker 1>the mortar. Doesn't have to be a plane, and a

0:32:29.640 --> 0:32:33.440
<v Speaker 1>mortar comes through an air so yeah, air raid. Do

0:32:33.480 --> 0:32:36.760
<v Speaker 1>you want to get technical? But yes, World War two

0:32:36.800 --> 0:32:41.040
<v Speaker 1>for sure, during the blitz um of London. There are

0:32:41.080 --> 0:32:44.960
<v Speaker 1>a lot of people underground in the tube seeking help

0:32:45.040 --> 0:32:48.040
<v Speaker 1>and shelter. That's right, as are the mold people. Um,

0:32:48.080 --> 0:32:51.200
<v Speaker 1>if you haven't seen the documentary Dark Days Highly recommended,

0:32:51.320 --> 0:32:53.920
<v Speaker 1>is that about the mold people? Or this is like

0:32:54.000 --> 0:32:56.040
<v Speaker 1>the theres a. It's a group of homeless people. They

0:32:56.040 --> 0:32:58.960
<v Speaker 1>don't identify themselves as mold mold people as one of

0:32:59.000 --> 0:33:01.920
<v Speaker 1>those terms. You know, the people above ground made up,

0:33:02.680 --> 0:33:06.240
<v Speaker 1>uh somewhat sensational, But there are people living underground, some

0:33:06.240 --> 0:33:08.560
<v Speaker 1>I haven't been up in a long long time. In

0:33:08.600 --> 0:33:11.080
<v Speaker 1>this dude made the documentary. I think he actually went

0:33:11.160 --> 0:33:12.840
<v Speaker 1>underground and lived there for a couple of years to

0:33:12.840 --> 0:33:15.720
<v Speaker 1>do this. Yeah, yeah, so he wasn't like, you know,

0:33:15.920 --> 0:33:17.840
<v Speaker 1>I'll be down there for a few hours on Wednesday,

0:33:18.440 --> 0:33:20.680
<v Speaker 1>but then I have aybody lost appointment after that, so

0:33:20.720 --> 0:33:25.320
<v Speaker 1>I need to get back above ground. Um. And then

0:33:26.400 --> 0:33:30.440
<v Speaker 1>everyone remembers the Tokyo sarin gas episode killed twelve people.

0:33:30.600 --> 0:33:37.760
<v Speaker 1>Sure that was incredibly frightening. UM London, thousand five seven

0:33:37.840 --> 0:33:43.520
<v Speaker 1>seven it was July seven. Oh yeah, was that significant

0:33:43.560 --> 0:33:45.680
<v Speaker 1>or no? That's just how they referred to it, like

0:33:45.720 --> 0:33:50.160
<v Speaker 1>we referred to nine eleven is nine eleven interesting? And

0:33:50.200 --> 0:33:53.960
<v Speaker 1>then in our own nine eleven UM it destroyed subway

0:33:53.960 --> 0:33:56.600
<v Speaker 1>station and damaged some of the track. I think we

0:33:56.640 --> 0:34:00.320
<v Speaker 1>talked about that in the UM nine eleven memorial. I

0:34:00.320 --> 0:34:03.640
<v Speaker 1>think you're right. Didn't they preserve it somehow? Like they're

0:34:03.760 --> 0:34:06.560
<v Speaker 1>one of the trains is going to be in the museum.

0:34:06.640 --> 0:34:08.680
<v Speaker 1>I think so, because that rang a bell to me.

0:34:08.760 --> 0:34:11.319
<v Speaker 1>I'm gonna hit that up in November as well. Oh man,

0:34:11.360 --> 0:34:13.239
<v Speaker 1>I can't wait to go to that. It's gonna be

0:34:13.320 --> 0:34:18.040
<v Speaker 1>something else. UM. Originally you had tickets, then that became coins.

0:34:18.680 --> 0:34:22.520
<v Speaker 1>These days you might have an R F I D ticket. UM.

0:34:22.560 --> 0:34:24.640
<v Speaker 1>I think that was. I was in Switzerland. It was

0:34:24.680 --> 0:34:28.879
<v Speaker 1>like an honor system thing. Really. Yeah. I remember being

0:34:28.880 --> 0:34:31.520
<v Speaker 1>there and looking around like I don't see like where

0:34:31.560 --> 0:34:34.000
<v Speaker 1>you put the ticket in or anything. I think it's

0:34:34.040 --> 0:34:36.480
<v Speaker 1>just on our system. It was either Switzerland or Sweden.

0:34:37.120 --> 0:34:39.319
<v Speaker 1>I think of Switzerland, and I just remember thinking, these

0:34:39.360 --> 0:34:43.879
<v Speaker 1>people are crazy. So you just didn't pay a cent

0:34:44.440 --> 0:34:46.879
<v Speaker 1>just to teach them a lesson. Yeah, no, I paid

0:34:46.920 --> 0:34:51.719
<v Speaker 1>my fare, so chuck. Train car. If you are a

0:34:51.920 --> 0:34:56.040
<v Speaker 1>train car, how how many axles are you going to

0:34:56.080 --> 0:34:58.040
<v Speaker 1>go through? If you're in New York, if you're part

0:34:58.040 --> 0:35:01.160
<v Speaker 1>of their system in your lifetime, well, you're gonna live

0:35:01.200 --> 0:35:05.520
<v Speaker 1>about forty to fifty years. Um, you will go through

0:35:05.560 --> 0:35:08.920
<v Speaker 1>twenty four axles and twenty four motors over the span,

0:35:09.040 --> 0:35:12.239
<v Speaker 1>so that'll be two years. You're gonna get gussied up

0:35:12.239 --> 0:35:15.719
<v Speaker 1>a little. You're gonna get forty eight wheels over that time. Yeah,

0:35:15.880 --> 0:35:18.279
<v Speaker 1>not bad, not at once. And at the end of

0:35:18.320 --> 0:35:21.200
<v Speaker 1>your lifespan, they will dumpy in the ocean off the

0:35:21.239 --> 0:35:23.959
<v Speaker 1>coast of South Carolina. Have you seen pictures of that? Yeah? Yeah,

0:35:24.760 --> 0:35:27.520
<v Speaker 1>I found a whole little gallery. It's only like ten pictures.

0:35:27.520 --> 0:35:32.160
<v Speaker 1>But um on fast Code design um dot com they

0:35:32.160 --> 0:35:36.040
<v Speaker 1>have it's called surreal photos of subway cars being thrown

0:35:36.040 --> 0:35:38.920
<v Speaker 1>into the ocean. It is surreal it's really because you

0:35:38.960 --> 0:35:41.120
<v Speaker 1>look at that and you're like, no, how could you? Yeah,

0:35:41.320 --> 0:35:44.839
<v Speaker 1>and then oh, it's good for the environment somehow, right,

0:35:45.560 --> 0:35:47.520
<v Speaker 1>as long as they take the gas out first in

0:35:47.560 --> 0:35:49.879
<v Speaker 1>the oil. All right. So I got some more little

0:35:49.920 --> 0:35:53.960
<v Speaker 1>fun things. Uh. The overhaul and repair shop on Coney

0:35:54.000 --> 0:35:57.200
<v Speaker 1>Island is where it all goes down. Um. They have

0:35:57.880 --> 0:36:02.880
<v Speaker 1>over one three over five hundred thousand square feet of

0:36:02.880 --> 0:36:06.279
<v Speaker 1>shop space. We just counted that fast. Yeah, I just

0:36:06.440 --> 0:36:13.680
<v Speaker 1>you know, five thousands wasn't kind of each square foot? Um.

0:36:13.719 --> 0:36:15.640
<v Speaker 1>And this is where everything goes to get worked on

0:36:15.840 --> 0:36:19.799
<v Speaker 1>in New York. Everything they can even work on regular trains. Um.

0:36:19.920 --> 0:36:23.279
<v Speaker 1>They can store eighteen hundred subway cars there. And they

0:36:23.320 --> 0:36:30.480
<v Speaker 1>have a car wash that um subway car wash o business.

0:36:33.960 --> 0:36:37.359
<v Speaker 1>It cleans the exteriors of over one thousand cars once

0:36:37.360 --> 0:36:40.120
<v Speaker 1>a week and that's fifty thousand washes in a year.

0:36:41.120 --> 0:36:43.839
<v Speaker 1>It's a lot of washes. Then they just came out

0:36:43.840 --> 0:36:46.080
<v Speaker 1>with the new UM survey on the New York subway

0:36:46.120 --> 0:36:49.360
<v Speaker 1>system and the Q line was ranked the number one line.

0:36:49.520 --> 0:36:54.600
<v Speaker 1>Which where is that? I'm not sure? So Q runs

0:36:54.600 --> 0:36:57.840
<v Speaker 1>between Coney Island still all Avenue in Brooklyn and Astoria.

0:36:57.960 --> 0:37:01.720
<v Speaker 1>Did mize Boulevard and Queens m So in other words,

0:37:02.360 --> 0:37:05.600
<v Speaker 1>that's the one no one takes. So it's very clean.

0:37:05.840 --> 0:37:07.719
<v Speaker 1>It's very clean. And for the fourth year in a row,

0:37:07.800 --> 0:37:10.719
<v Speaker 1>the Sea train was ranked as the worst UM. It

0:37:10.880 --> 0:37:14.960
<v Speaker 1>failed an all four measures amount of scheduled service delaysed

0:37:15.080 --> 0:37:21.000
<v Speaker 1>caused by mechanical breakdowns, cleanliness, and announcements UM, whether or

0:37:21.040 --> 0:37:24.359
<v Speaker 1>not the announcements like or even something you can hear

0:37:25.040 --> 0:37:27.560
<v Speaker 1>makes sense, or whether it's just garbled mess. Get see

0:37:27.640 --> 0:37:31.560
<v Speaker 1>this is why I can't like, I can't do it

0:37:31.680 --> 0:37:34.000
<v Speaker 1>by myself. Yeah, well, you certainly don't get any help

0:37:34.120 --> 0:37:39.279
<v Speaker 1>most of the time from the the conductor. Yeah, driver,

0:37:40.320 --> 0:37:43.200
<v Speaker 1>Yeah we should we should know this. I would think conductor,

0:37:44.320 --> 0:37:48.160
<v Speaker 1>ticket taker, ticket taker. Uh. And then New York ranks

0:37:48.280 --> 0:37:53.840
<v Speaker 1>number seven and ridership in the world. Uh, Tokyo is first, Moscow, Beijing, Shanghai,

0:37:54.040 --> 0:38:01.279
<v Speaker 1>soul Ah Quangs. How where's that China is it? I

0:38:01.320 --> 0:38:04.680
<v Speaker 1>would imagine, Well, I mean that's a Chinese word. I

0:38:04.840 --> 0:38:08.560
<v Speaker 1>just haven't heard of that. Paris, Mexico City in Hong Kong,

0:38:08.880 --> 0:38:11.040
<v Speaker 1>London is not even in the top ten. And and

0:38:11.160 --> 0:38:15.880
<v Speaker 1>that's the number one UM. But you know why, because

0:38:16.040 --> 0:38:20.040
<v Speaker 1>World War two happened, and everybody got cars afterwards, and

0:38:20.160 --> 0:38:22.640
<v Speaker 1>a lot of subway lines just kind of fell into disrepair,

0:38:22.719 --> 0:38:27.040
<v Speaker 1>and like a whole generation was raised without really using subways. Yeah,

0:38:27.160 --> 0:38:30.080
<v Speaker 1>and black cabs are so roomy and private, but not

0:38:30.239 --> 0:38:33.760
<v Speaker 1>just in London, in UM the in the United States especially.

0:38:33.920 --> 0:38:36.279
<v Speaker 1>That's true. Yeah, because we talked about the l A

0:38:36.719 --> 0:38:39.640
<v Speaker 1>H and why the cars become the predominant form of

0:38:39.680 --> 0:38:44.360
<v Speaker 1>transportation um number of miles traveled by an average subway

0:38:44.400 --> 0:38:48.840
<v Speaker 1>car um in between repairs in New York that was

0:38:48.840 --> 0:38:53.320
<v Speaker 1>seven thousand, two thousand, eleven hundred and seventy two. But

0:38:53.440 --> 0:38:55.879
<v Speaker 1>I think that means they're taking better care of them,

0:38:56.440 --> 0:39:00.560
<v Speaker 1>not that they're just chirking the responsibilities New York in

0:39:00.600 --> 0:39:03.840
<v Speaker 1>two thousand eleven, all the subways combined traveled three hundred

0:39:04.000 --> 0:39:09.680
<v Speaker 1>forty two million miles, and in total, New York's four

0:39:09.719 --> 0:39:13.520
<v Speaker 1>hundred sixty eight stations are only sixty fewer than the

0:39:13.600 --> 0:39:17.120
<v Speaker 1>rest of the subway systems in the United States combined. Wow,

0:39:17.520 --> 0:39:21.279
<v Speaker 1>pretty cool. That's my favorite. And end to end they

0:39:21.360 --> 0:39:23.120
<v Speaker 1>always have these. If you laid the tracks end to

0:39:23.280 --> 0:39:27.040
<v Speaker 1>end New York cities would go from New York to Chicago.

0:39:27.600 --> 0:39:31.560
<v Speaker 1>That's it. I thought for sure something now just New

0:39:31.640 --> 0:39:35.400
<v Speaker 1>York to Chicago. Yeah, I'm a little disappointed in the

0:39:35.520 --> 0:39:37.680
<v Speaker 1>lowest station. If you've ever felt a little weird a

0:39:37.880 --> 0:39:41.480
<v Speaker 1>hundred ninety first Street in Manhattan, that's because you are

0:39:42.120 --> 0:39:46.600
<v Speaker 1>hundred and eighty feet below ground. That crazy probably shift.

0:39:47.280 --> 0:39:50.160
<v Speaker 1>It ran into a shift problem. The lady to go down.

0:39:50.320 --> 0:39:52.239
<v Speaker 1>You should tell people what that is. Well, it's very

0:39:52.280 --> 0:39:56.720
<v Speaker 1>hard rock. It's a metamorphic rocks. The flake rather than break,

0:39:57.360 --> 0:39:59.839
<v Speaker 1>so it's very hard to get through. That's my motto,

0:40:00.040 --> 0:40:02.879
<v Speaker 1>flake don't break. Right. We came up with like three

0:40:03.239 --> 0:40:06.000
<v Speaker 1>mottos and catchphrases in this one cut and cover, flake

0:40:06.040 --> 0:40:09.359
<v Speaker 1>don't break. And I guess don't take the C train?

0:40:10.200 --> 0:40:13.399
<v Speaker 1>Is that maybe? And the C train is like it's

0:40:13.440 --> 0:40:15.520
<v Speaker 1>insult to injury because I think the A, C and

0:40:15.600 --> 0:40:18.480
<v Speaker 1>E or like the blue line, and the A and

0:40:18.560 --> 0:40:20.759
<v Speaker 1>the E are doing pretty well, and the sea is

0:40:20.840 --> 0:40:24.120
<v Speaker 1>like the ugly step child. Where is it? Where? Oh,

0:40:24.200 --> 0:40:25.960
<v Speaker 1>it goes all over like you can get it down

0:40:26.040 --> 0:40:28.399
<v Speaker 1>in the West Village and then I believe it goes

0:40:28.480 --> 0:40:31.120
<v Speaker 1>north and then cuts over somewhere around Midtown, then goes

0:40:31.239 --> 0:40:34.000
<v Speaker 1>up the East side. I think it doesn't go into Brooklyn.

0:40:35.480 --> 0:40:38.480
<v Speaker 1>I don't think so, is it the L train? I

0:40:38.560 --> 0:40:41.640
<v Speaker 1>don't remember. You know more than I do. Man, I

0:40:41.719 --> 0:40:43.319
<v Speaker 1>just I miss the old and I guess they still

0:40:43.360 --> 0:40:45.799
<v Speaker 1>have some, but the old red like the seven train

0:40:45.840 --> 0:40:48.960
<v Speaker 1>I remember had those old red trains that look like trains.

0:40:49.200 --> 0:40:52.239
<v Speaker 1>They didn't look like subways. I don't they look like

0:40:52.360 --> 0:40:55.120
<v Speaker 1>regular locomotives to me. I like my subways to look

0:40:55.160 --> 0:41:00.640
<v Speaker 1>like subways. Trains should look like trains. Smells like poop gum.

0:41:01.120 --> 0:41:02.800
<v Speaker 1>Apparently in New York the gum is so bad and

0:41:02.880 --> 0:41:05.399
<v Speaker 1>some that you can lose your shoe. I can see

0:41:05.440 --> 0:41:09.759
<v Speaker 1>that you can actually get mired in the gum. Um.

0:41:10.160 --> 0:41:12.239
<v Speaker 1>Have you got anything else? Give up your seat for

0:41:12.280 --> 0:41:17.239
<v Speaker 1>the ladies. That's what I gotta say. That's a big one. Um. Yeah,

0:41:17.440 --> 0:41:20.080
<v Speaker 1>good going, Chuck. That's a fine ending. If you want

0:41:20.120 --> 0:41:23.200
<v Speaker 1>to learn more about subway etiquette and the tunnel boring

0:41:23.280 --> 0:41:26.960
<v Speaker 1>machine and the cover method, you can type in subways

0:41:27.160 --> 0:41:29.400
<v Speaker 1>SU beat W A Y S into the search bar

0:41:29.440 --> 0:41:31.520
<v Speaker 1>at how stuff works dot com and it'll bring up

0:41:31.560 --> 0:41:35.080
<v Speaker 1>this fine article by Tracy V. Wilson. Uh. And since

0:41:35.160 --> 0:41:40.120
<v Speaker 1>I said search bar, it's time for listening to now. Uh,

0:41:40.560 --> 0:41:45.520
<v Speaker 1>this one was an anniversary of UM two two young

0:41:45.600 --> 0:41:48.680
<v Speaker 1>people in love. Okay, we had something to do with that. Okay,

0:41:49.880 --> 0:41:51.440
<v Speaker 1>guys have never written in before. I just thought I

0:41:51.440 --> 0:41:53.840
<v Speaker 1>would be appropriate. Uh, seeing as my boyfriend and I

0:41:54.239 --> 0:41:57.879
<v Speaker 1>are celebrating our three year anniversary. Is partly due to you, guys.

0:41:58.440 --> 0:42:01.320
<v Speaker 1>A few years back, Nathan was trying and failing to

0:42:01.400 --> 0:42:04.120
<v Speaker 1>win over my heart, and then he began striking up

0:42:04.160 --> 0:42:07.640
<v Speaker 1>conversations about the weirdest things like abandoned cities, blood pressure,

0:42:07.680 --> 0:42:11.160
<v Speaker 1>and robots. I found this odd at first, but then

0:42:11.280 --> 0:42:14.719
<v Speaker 1>began to love this quirk of his. It's like she's

0:42:14.719 --> 0:42:17.320
<v Speaker 1>been in love with us, let's get real. Yeah, but Nathan,

0:42:17.400 --> 0:42:20.560
<v Speaker 1>he brought up the blood pressure episode. Well that's what

0:42:20.680 --> 0:42:25.759
<v Speaker 1>she says, That's what she said. Uh, long story short,

0:42:25.840 --> 0:42:27.759
<v Speaker 1>he ended up winning me over. Not long ago. I

0:42:27.840 --> 0:42:32.160
<v Speaker 1>was poking around his iTunes library. Oh yeah, that's dangerous, uh,

0:42:32.200 --> 0:42:35.480
<v Speaker 1>and discovered the source of his information YouTube. We both

0:42:35.520 --> 0:42:37.200
<v Speaker 1>love the show now and sometimes sneak out of our

0:42:37.239 --> 0:42:41.040
<v Speaker 1>houses to make spontaneous midnight trips to McDonald's and listen

0:42:41.080 --> 0:42:42.680
<v Speaker 1>to your show while eating Big Max in the car

0:42:43.360 --> 0:42:46.440
<v Speaker 1>and young love so sweet like that sweet and terrible

0:42:46.520 --> 0:42:49.239
<v Speaker 1>for your arteries. Uh. From time to time, I'll make

0:42:49.320 --> 0:42:53.680
<v Speaker 1>him pancakes for dinner. Uh, and we'll listen. I love

0:42:53.760 --> 0:42:57.160
<v Speaker 1>that and we'll listen as we Really, I do all

0:42:57.200 --> 0:42:59.880
<v Speaker 1>the cooking he does. However, get all agitated when I

0:43:00.000 --> 0:43:03.399
<v Speaker 1>where I mentioned that Chuck has a sexy voice. Came

0:43:03.520 --> 0:43:06.160
<v Speaker 1>to see him like throwing his pancakes and stuffing around

0:43:06.200 --> 0:43:12.280
<v Speaker 1>the apartment. Josh is sexy and that is from Monique

0:43:12.320 --> 0:43:18.640
<v Speaker 1>in California. And um, congratulations Monique and Nathan pancakes for dinner.

0:43:18.800 --> 0:43:20.880
<v Speaker 1>It's right. A couple of that listens to s Y

0:43:21.040 --> 0:43:24.480
<v Speaker 1>s K together stays together exactly. UM, let's see if

0:43:24.560 --> 0:43:26.759
<v Speaker 1>we brought you together. I want to hear about that,

0:43:26.920 --> 0:43:29.439
<v Speaker 1>right sure, Um, if we've brought you in a loved

0:43:29.480 --> 0:43:32.160
<v Speaker 1>one together or it's strange to you from your family,

0:43:32.400 --> 0:43:34.600
<v Speaker 1>either way, UM, we want to know about it. You

0:43:34.680 --> 0:43:37.120
<v Speaker 1>can tweet to us at s Y s K Podcast.

0:43:37.640 --> 0:43:40.800
<v Speaker 1>You can join us on Facebook dot com slash stuff.

0:43:40.880 --> 0:43:48.320
<v Speaker 1>You should go for more on this and thousands of

0:43:48.360 --> 0:43:50.600
<v Speaker 1>other topics. Is it how stuff works dot com