WEBVTT - VisionQuest Episodes 3 & 4

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<v Speaker 1>Warning, today's episode contains spoilers for Vision Quest episodes 3

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<v Speaker 1>and 4.

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<v Speaker 2>Hello, my name is Jason Concepcion.

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<v Speaker 3>And I'm Rosie Knight.

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<v Speaker 1>And welcome back to X-Ray Vision, the podcast where we

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<v Speaker 1>dive deep It's your favorite shows, movies, comics, and pop.

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<v Speaker 3>Culture coming from my heart, where we're bringing you three

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<v Speaker 3>episodes a week, plus news on Saturday. We're at iHeart Podcast,

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<v Speaker 3>where we'll be bringing you those three episodes a week.

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<v Speaker 3>And in today's episode is one of those episodes. We

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<v Speaker 3>are diving into the next two episodes of Vision Quest.

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<v Speaker 3>If you haven't already listened, and if you didn't watch

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<v Speaker 3>both episodes, because quite a few people in the Discord

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<v Speaker 3>were so impressed by the first episode, they just assumed

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<v Speaker 3>that was it. And they found out this morning that

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<v Speaker 3>there's actually two. So listen to the first, watch the

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<v Speaker 3>first two episodes, listen to our recap, listen to our

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<v Speaker 3>deep dive, watch the second two episodes, which are out now.

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<v Speaker 3>and then listen to us talk about them, and they

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<v Speaker 3>are crazy. We thought the first two were good, but

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<v Speaker 3>these really elevate where this show is at. It's so

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<v Speaker 3>freaking good.

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<v Speaker 1>Okay, Vision Quest Episode 3, we open in the Memory Palace.

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<v Speaker 1>Ultron is upstairs painting while watching his bank of televisions,

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<v Speaker 1>and on those TVs, Ultron, by the way, somehow able

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<v Speaker 1>to get outside signals outside internet, outside television signals that

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<v Speaker 1>shouldn't be allowed.

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<v Speaker 3>He's been sending emails, remember?

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<v Speaker 1>Ultron. He's up to stuff. He's watching a news report

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<v Speaker 1>about the Butcher Bird Killer, who is a serial killer,

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<v Speaker 1>who has been attacking scientists, mutilating them in horrible ways,

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<v Speaker 1>and carving an image of wings around the body.

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<v Speaker 3>And impaling them on their bones.

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<v Speaker 1>Impaling, cutting eyes out.

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<v Speaker 3>He's really over the top.

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<v Speaker 1>Just really weird stuff. Ultron takes note because he's like, oh,

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<v Speaker 1>something interesting here. These scientists. What kind of scientists? It's London. Nighttime.

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<v Speaker 1>One of these scientists, apparently. He's a scared man in

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<v Speaker 1>a high-rise building. He's got his, you know, he's shutting

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<v Speaker 1>his blinds. He's got a security system on, his AI-powered

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<v Speaker 1>security system, apparently. He gets a shotgun out and... Sadly,

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<v Speaker 1>his security system is no match for the hacking abilities

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<v Speaker 1>of whoever is attacking him because the security system shuts

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<v Speaker 1>itself down. Up comes the private elevator to his penthouse

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<v Speaker 1>suite and a person with a hood and glowing red

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<v Speaker 1>eyes steps out of the elevator. He shoots at this person,

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<v Speaker 1>does nothing. And we cut away to in the car

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<v Speaker 1>after the events of episode two. Tommy wants to know,

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<v Speaker 1>You know, she's very worried about dear old dad, although

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<v Speaker 1>I don't think either of them has fully come to

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<v Speaker 1>terms with that part of their relationship yet. Not yet.

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<v Speaker 3>But we will get there and it will be emotional.

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<v Speaker 1>It's bubbling under the surface, but neither of them can

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<v Speaker 1>really come out and say that's what's going on here.

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<v Speaker 1>But Tommy is, of course, very worried about Vision, who

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<v Speaker 1>is severely damaged. He's like, where can we go? How

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<v Speaker 1>can we fix you? And Vision is like, well... There

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<v Speaker 1>was Banner, but he's unavailable. It's really like there's nothing

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<v Speaker 1>we can do, essentially, Vision is saying. Meanwhile, the AIs

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<v Speaker 1>are inside the memory palace, and they're just doing everything

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<v Speaker 1>they can to keep Vision alive. Friday is thinking about,

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<v Speaker 1>you know, maybe I'm the one who deletes next. Like,

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<v Speaker 1>maybe I should do it. And Eve is like, no, no, no, no.

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<v Speaker 1>We're not there yet. Don't do it. So they begin brainstorming.

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<v Speaker 1>They need to cauterize this terrible gaping, like, stomach wound

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<v Speaker 1>that's leaking some sort of, you know, synthetic lubricant and goo,

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<v Speaker 1>some synthetic blue goo out of him. And Viz, all

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<v Speaker 1>of a sudden, in the car, smells sulfuric.

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<v Speaker 3>Acid, battery acid.

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<v Speaker 1>He's like, stop the car. Goes to the back of

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<v Speaker 1>the car. There is a car battery back there. And he, like,

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<v Speaker 1>opens it up, tears it apart, and pours it into

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<v Speaker 1>the wound. like fucking Commando or Rambo or something. Screaming, ah!

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<v Speaker 3>Also, important moment for us power scalers who are wondering

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<v Speaker 3>about it. Yes. Tommy does suggest the cigarette lighter and

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<v Speaker 3>this says not hot enough. And I kind of love

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<v Speaker 3>that because it's a very working class kid thing to

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<v Speaker 3>do to just be like, well, cauterize the wound with this.

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<v Speaker 3>But we know, no, he needs to basically boil it

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<v Speaker 3>with this sulfuric acid. And then he kind of, I

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<v Speaker 3>think the pain and the shock kind of shuts him down.

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<v Speaker 1>Yes.

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<v Speaker 3>Right. Yeah.

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<v Speaker 1>He goes into like a lock. He locks up and

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<v Speaker 1>basically reboots.

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<v Speaker 3>But.

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<v Speaker 1>The wound does seal, and it manages to stabilize his

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<v Speaker 1>systems for the time being. Meanwhile, Kunk, who... I will

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<v Speaker 1>just continue to refer to as Kunk.

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<v Speaker 3>Well, they only name her as the handler, so I

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<v Speaker 3>think they want us to think it's Philomena Kunk, right?

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<v Speaker 3>And she's delivering. She's got the eye makeup, the heavy mascara.

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<v Speaker 3>I have to say, her and Todd together, they have

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<v Speaker 3>great chemistry. And also, Jason, I want to say, as

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<v Speaker 3>we will learn in this episode... But like you were

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<v Speaker 3>kind of onto something in the first two episodes about

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<v Speaker 3>why he doesn't really seem like a paladin. And that

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<v Speaker 3>wasn't weird casting. That was actually great narrative choices.

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<v Speaker 1>I completely agree. As you get to these episodes, we

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<v Speaker 1>will talk about that. So anyway, there's some crazy Easter

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<v Speaker 1>eggs here. So go drop it, Jason. Holy shit. The

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<v Speaker 1>Easter eggs that we get in this little scene. So

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<v Speaker 1>Kunk is talking to paladin as he himself is doing

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<v Speaker 1>some field medicine because recall, Vision punched him 40 feet

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<v Speaker 1>down a hallway and through a door. And he's discussing

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<v Speaker 1>with her like all the things he's been through. And

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<v Speaker 1>it's a crazy amount of stuff. He was bit by

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<v Speaker 1>werewolf by night.

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<v Speaker 3>Yeah, definitely. And he was totally reasonable man by day,

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<v Speaker 3>which we love. So fun.

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<v Speaker 1>He was concussed by Daredevil at one point.

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<v Speaker 3>Got hit in the head with the billy club.

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<v Speaker 1>And many other things. So this is like a wonderful

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<v Speaker 1>example of like the living, breathing fabric of the MCU,

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<v Speaker 1>all these things happening off screen. And, you know, the

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<v Speaker 1>werewolf by night who we haven't seen since the Marvel

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<v Speaker 1>special event.

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<v Speaker 3>So good. Watch it again. Watch it again.

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<v Speaker 1>Is still out there apparently doing stuff. So he then

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<v Speaker 1>sends his drones knowing that he. Hit Vision pretty bad

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<v Speaker 1>with those adamantium rounds. It's like, he's got to be leaking. Drones,

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<v Speaker 1>go look for any kind of blood trail, synthetic, you know,

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<v Speaker 1>liquid trail so we can find this guy.

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<v Speaker 3>Oh, also, I think, is this the moment? I think

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<v Speaker 3>this is the moment where Kunk says to him, should

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<v Speaker 3>we thank the Ten Rings organization for the adamantium shotgun shells?

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<v Speaker 3>And I love that because Xialing, she's still out there, bro.

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<v Speaker 3>She's doing it. She's busy. They haven't stopped her. They

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<v Speaker 3>haven't retconned that. I love that moment.

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<v Speaker 1>I just like how, I love absolutely, I mean, this

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<v Speaker 1>is the first thing. It really is this show giving

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<v Speaker 1>me a whiff of what it felt like when I

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<v Speaker 1>first started reading comics, both Marvel and like, and to

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<v Speaker 1>a lesser extent, DC comics. And you get the main

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<v Speaker 1>character in a book mentioning something that happened in another

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<v Speaker 1>issue or mentioned something or some other event or some

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<v Speaker 1>other team or some other thing. And it's just fun.

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<v Speaker 1>Back in the car, Thomas is one, you know, Vision

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<v Speaker 1>is rebooted and Thomas wants to talk about who he is,

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<v Speaker 1>their relationship. Why do I have these memories about you?

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<v Speaker 1>Vision is like, just keep driving kid.

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<v Speaker 3>Okay.

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<v Speaker 1>Like we, we've, we've got a bounty hunter with adamantium

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<v Speaker 1>shotgun shells on our trail. Keep moving. But also aside

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<v Speaker 1>from the danger being put in this more human relationship,

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<v Speaker 1>emotional mode is clearly making him very, very uncomfortable.

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<v Speaker 2>Yeah.

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<v Speaker 3>He does not know what to do.

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<v Speaker 1>Does not know what to do, which is a real

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<v Speaker 1>theme of this. I love the idea. You know, Bettany

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<v Speaker 1>is wonderful.

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<v Speaker 3>And at a.

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<v Speaker 1>Certain point, you begin to realize that at first it's like, oh,

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<v Speaker 1>Vision doesn't have emotions. And then it's like, wait, Vision

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<v Speaker 1>has them. He just doesn't know how to deal with them.

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<v Speaker 3>How to process them. Yeah.

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<v Speaker 1>Yeah, and that's where we are now.

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<v Speaker 3>Exactly. That makes such a good point, Jason. And also,

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<v Speaker 3>I think, This whole episode is about how his relationship

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<v Speaker 3>with Tommy, both as we will see through crazy superpower

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<v Speaker 3>stuff and also through actual emotional moments like this, he

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<v Speaker 3>is gaining that personhood that he wanted, that old Vision had,

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<v Speaker 3>and it's his own version of it, but he is

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<v Speaker 3>gaining it throughout this episode.

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<v Speaker 1>Natami is insistent. He's like, why do I have memories

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<v Speaker 1>of you as my dad? And why do I see

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<v Speaker 1>you that way? And, you know, who is Wanda to

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<v Speaker 1>me and you and us? And Vision is like, listen,

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<v Speaker 1>I'm not your father. All of this is actually Wanda's fault. Meanwhile,

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<v Speaker 1>the AIs, because of the damage to his insides and

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<v Speaker 1>also the memory palace, the AIs are just like popping

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<v Speaker 1>out into the real world on occasion. Yeah. So Edith

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<v Speaker 1>is warning him about the drones. Meanwhile, Thomas is like,

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<v Speaker 1>I'm not going one step further in this car until

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<v Speaker 1>you help me understand who we are, what our relationship is,

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<v Speaker 1>what we mean to each other. The other AIs pop

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<v Speaker 1>up into the car and they're all coaching Viz on

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<v Speaker 1>like how to be more human and relate to Tommy

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<v Speaker 1>so they can overcome this obstacle. And then finally he

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<v Speaker 1>does get Tommy to start driving, to pull away. And

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<v Speaker 1>in a very dad-like moment, he also uses turn signals

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<v Speaker 1>and signaling.

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<v Speaker 3>The first thing he tries to connect with him on

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<v Speaker 3>is he's like, I noticed you don't use your indicators.

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<v Speaker 3>And Tommy's like, are you my dad? Was my mom

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<v Speaker 3>a witch? Like, what the fuck is wrong with you? Yeah,

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<v Speaker 3>really cute stuff. Rudy and Paul are so good together. Absolutely.

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<v Speaker 1>They arrive at a motorway hotel.

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<v Speaker 3>Yeah, like a very busted kind of Holiday Inn vibe,

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<v Speaker 3>like fritzy LED lights.

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<v Speaker 2>Yes.

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<v Speaker 1>And we realize the fritzy LED lights and the electricity

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<v Speaker 1>is probably because Viz's electromagnetic field, the fact that he

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<v Speaker 1>took so much damage. and is fritzing out is causing

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<v Speaker 1>the electronics around him to fluctuate. Now they don't have

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<v Speaker 1>any money, but luckily this kind of like pulsing of

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<v Speaker 1>electromagnetic energy from vision causes the ATM to spit out money.

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<v Speaker 2>Yeah.

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<v Speaker 3>So Tommy's like, and it kicks the ATM and the

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<v Speaker 3>fricking vending machine. And Tommy's like, great. It was meant

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<v Speaker 3>to be.

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<v Speaker 1>So Tommy's like, okay, you collect that money. I will go.

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<v Speaker 1>delay the night manager who is outside like watching footy

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<v Speaker 1>or something in the parking lot. And I will delay

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<v Speaker 1>him until you, and then we'll use this money to pay. Meanwhile,

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<v Speaker 1>as Tommy goes out there, he walks past the pool

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<v Speaker 1>and begins having flashes of like traumatic memories. And we'll

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<v Speaker 1>find out more about these later. Meanwhile, the paladin is

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<v Speaker 1>really in a lot of trouble with the client who

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<v Speaker 1>is fucking pissed, continuing to be very, very pissed. Um,

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<v Speaker 1>The client who we will talk about who it could be.

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<v Speaker 3>They want us to think at this point, I think

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<v Speaker 3>that it's the butcher bird killer.

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<v Speaker 1>I believe that that's what they want us to think.

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<v Speaker 1>And it might be.

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<v Speaker 3>And it could be. But as you will see, that's

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<v Speaker 3>actually someone we theorized about last week. You will hear

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<v Speaker 3>us talk about in this. So, yeah, it's very interesting.

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<v Speaker 1>So there's I think we will see there are quite

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<v Speaker 1>a few suspects for this.

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<v Speaker 3>Definitely. And the discord threw in one that I thought

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<v Speaker 3>was crazy that we'll talk about afterwards. Oh, I can't

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<v Speaker 3>wait to.

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<v Speaker 1>Talk about that. OK, so the client is like, listen,

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<v Speaker 1>you have to the end of the night to find

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<v Speaker 1>vision intact and deliver him. As this conversation is ending,

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<v Speaker 1>the paladin has like a memory flash of something very traumatic.

0:12:42.800 --> 0:12:45.420
<v Speaker 1>the paladin as a child is sitting in a car

0:12:45.500 --> 0:12:50.560
<v Speaker 1>with an older adult, perhaps father figure, and that person

0:12:50.620 --> 0:12:54.200
<v Speaker 1>is murdered, or at least you see a breaking of glass.

0:12:53.840 --> 0:12:56.360
<v Speaker 3>And a splash of blood. Yeah.

0:12:57.080 --> 0:12:59.979
<v Speaker 1>Kunk then says, okay, we have the coordinates for the

0:13:00.640 --> 0:13:05.380
<v Speaker 1>vision damage trail. Meanwhile, in the memory palace, there's a

0:13:05.420 --> 0:13:08.120
<v Speaker 1>new problem. There's like something called a boot loop, which

0:13:08.200 --> 0:13:12.220
<v Speaker 1>is causing heat to build up inside the vision. The

0:13:12.300 --> 0:13:13.900
<v Speaker 1>AIs are really struggling with how to deal with this.

0:13:13.990 --> 0:13:17.550
<v Speaker 1>Friday tells Edith that, hold on, maybe I can rewrite

0:13:18.330 --> 0:13:22.189
<v Speaker 1>vision's core code so that it won't solve the problem,

0:13:22.210 --> 0:13:24.330
<v Speaker 1>but maybe we can dissipate some of the heat and

0:13:24.429 --> 0:13:27.690
<v Speaker 1>slow down the accumulation of heat. She then begins to

0:13:27.770 --> 0:13:31.930
<v Speaker 1>reminisce about how once upon a time she used to

0:13:31.990 --> 0:13:37.040
<v Speaker 1>run all of Tony Stark systems, including versions of the

0:13:37.140 --> 0:13:41.840
<v Speaker 1>AIs currently in the memory palace. And then came, of course,

0:13:41.880 --> 0:13:44.420
<v Speaker 1>the superhero civil war, which we find out that Friday

0:13:44.480 --> 0:13:47.960
<v Speaker 1>found very traumatic. The fact that the superheroes became enemies.

0:13:48.400 --> 0:13:48.640
<v Speaker 3>Yeah.

0:13:48.660 --> 0:13:50.550
<v Speaker 1>And they were all torn apart like this. And I,

0:13:50.900 --> 0:13:55.920
<v Speaker 1>and I think this is also a reflection of how

0:13:57.520 --> 0:14:01.080
<v Speaker 1>heartbroken Tony was during this period. I think Friday is

0:14:01.160 --> 0:14:05.140
<v Speaker 1>reflecting that she knows how hurt, You know, like, Tony

0:14:05.200 --> 0:14:08.540
<v Speaker 1>and Cap had a very complex relationship. But Tony, in

0:14:08.580 --> 0:14:10.080
<v Speaker 1>a lot of ways, despite the fact that they were

0:14:10.120 --> 0:14:12.260
<v Speaker 1>often at loggerheads, I think really looked up to Cap

0:14:12.300 --> 0:14:16.470
<v Speaker 1>and wanted his acceptance. And the fact that he couldn't

0:14:16.510 --> 0:14:18.270
<v Speaker 1>get it and this whole thing tore them apart, I think,

0:14:18.309 --> 0:14:20.870
<v Speaker 1>was very painful to him. So Friday's reflecting that. And then,

0:14:20.910 --> 0:14:25.650
<v Speaker 1>of course, came Infinity War and Endgame and Thanos and

0:14:25.690 --> 0:14:28.530
<v Speaker 1>Tony dying. And Friday, of course, was right there. Right

0:14:28.590 --> 0:14:29.930
<v Speaker 1>there when Tony died.

0:14:29.710 --> 0:14:32.170
<v Speaker 3>And nothing she could do could save him. Great moment.

0:14:32.730 --> 0:14:33.470
<v Speaker 1>I also want to say.

0:14:34.300 --> 0:14:37.320
<v Speaker 3>Very sad, very good. This is very much what we

0:14:37.360 --> 0:14:39.820
<v Speaker 3>wanted here, where they're kind of expanding on what we

0:14:39.860 --> 0:14:42.900
<v Speaker 3>already know, building the law. I do want to say,

0:14:43.220 --> 0:14:46.860
<v Speaker 3>crazy doomsday theory did pop into my head during this moment.

0:14:47.260 --> 0:14:53.670
<v Speaker 3>Which is just, Friday says she ran a quantillion different

0:14:54.490 --> 0:14:56.670
<v Speaker 3>versions of how to save him and she couldn't do

0:14:56.710 --> 0:14:59.710
<v Speaker 3>it and it still haunts her, right? So, does that

0:14:59.770 --> 0:15:03.870
<v Speaker 3>mean in another universe there is a version of Friday

0:15:03.910 --> 0:15:06.250
<v Speaker 3>that would help a doctor do who looked like Tony.

0:15:06.830 --> 0:15:09.700
<v Speaker 3>Because she wants... Tony back or she feels like she

0:15:09.740 --> 0:15:12.620
<v Speaker 3>couldn't save him. I felt like that was very interesting.

0:15:12.660 --> 0:15:13.710
<v Speaker 1>Wow, that's interesting.

0:15:14.230 --> 0:15:17.310
<v Speaker 3>I think it could just be an empathetic humanizing moment

0:15:17.430 --> 0:15:19.690
<v Speaker 3>for the AI to be like, hey, remember, she was

0:15:19.810 --> 0:15:21.990
<v Speaker 3>in his head. This is the person who cared about him.

0:15:22.350 --> 0:15:26.270
<v Speaker 3>But I do think with Doomsday coming up, the way

0:15:26.310 --> 0:15:28.610
<v Speaker 3>they hung on her face and she said, it still

0:15:28.670 --> 0:15:30.710
<v Speaker 3>haunts me. I was like, okay, babe, that seems like

0:15:30.750 --> 0:15:32.810
<v Speaker 3>that could be something someone could exploit.

0:15:32.830 --> 0:15:35.570
<v Speaker 1>I gotta say, you know, that is fascinating because the

0:15:35.730 --> 0:15:39.030
<v Speaker 1>idea that You know, Tony has trillions of billions of

0:15:39.050 --> 0:15:42.760
<v Speaker 1>dollars of advanced suits and weaponry just kind of laying around.

0:15:43.160 --> 0:15:45.060
<v Speaker 1>We never got armor wars. Right. So that stuff's just

0:15:45.160 --> 0:15:50.000
<v Speaker 1>out there. And what if Doom is able to, like,

0:15:50.100 --> 0:15:53.200
<v Speaker 1>grab that stuff because of that's very interesting. I really

0:15:53.280 --> 0:15:54.140
<v Speaker 1>love that idea.

0:15:54.440 --> 0:15:56.460
<v Speaker 3>Something intriguing to consider.

0:15:56.920 --> 0:15:59.660
<v Speaker 1>So we go to the hotel room. Thomas is watching

0:15:59.780 --> 0:16:04.690
<v Speaker 1>Small Wonder, which is a 80s, 90s sitcom about a

0:16:04.910 --> 0:16:07.980
<v Speaker 1>robot girl. in a household.

0:16:08.600 --> 0:16:11.200
<v Speaker 3>And when she puts her fingers together, she can freeze time.

0:16:11.680 --> 0:16:12.990
<v Speaker 1>It's very strange.

0:16:13.230 --> 0:16:17.410
<v Speaker 3>I was obsessed with this show, and it was a

0:16:17.450 --> 0:16:22.190
<v Speaker 3>big part of the WandaVision kind of conversation. So, yeah,

0:16:22.290 --> 0:16:23.650
<v Speaker 3>it makes a lot of sense to see it here.

0:16:24.030 --> 0:16:27.950
<v Speaker 3>And Thomas finds it comforting, clearly, which kind.

0:16:27.850 --> 0:16:30.270
<v Speaker 1>Of hints again to us. Like mother, like son. Yes.

0:16:30.830 --> 0:16:36.720
<v Speaker 1>So Edith is trying to prod Vision into... Asking Thomas,

0:16:36.780 --> 0:16:39.740
<v Speaker 1>if he's okay, you know, this is what a human connection, you.

0:16:39.660 --> 0:16:40.250
<v Speaker 3>Can build it right now.

0:16:40.260 --> 0:16:46.990
<v Speaker 1>That's what we do. Um, Viz is like, okay, um,

0:16:48.430 --> 0:16:52.530
<v Speaker 1>let me try this and starts talking to Thomas and, uh,

0:16:52.870 --> 0:16:55.030
<v Speaker 1>but Thomas is being like a really tough nut to

0:16:55.070 --> 0:16:57.250
<v Speaker 1>crack in this moment. I think really kind of upset

0:16:57.290 --> 0:17:01.100
<v Speaker 1>that vision kind of rejected his overtures to, to like

0:17:01.240 --> 0:17:04.080
<v Speaker 1>share in the car. And he says, you know, well,

0:17:04.100 --> 0:17:06.080
<v Speaker 1>you're not you don't say anything about yourself. So why

0:17:06.100 --> 0:17:08.940
<v Speaker 1>should I say anything about me? So Vision is trying

0:17:09.000 --> 0:17:14.750
<v Speaker 1>awkwardly to like talk. And Thomas talks about, you know,

0:17:14.770 --> 0:17:17.050
<v Speaker 1>I love old TV. I love the old TV shows.

0:17:17.090 --> 0:17:20.110
<v Speaker 1>I find it soothing. Vision is like, you know, Wanda

0:17:20.150 --> 0:17:23.419
<v Speaker 1>loved TV as well. And Thomas is like, yeah, I

0:17:23.460 --> 0:17:26.020
<v Speaker 1>know I read about that in a magazine or something.

0:17:26.220 --> 0:17:28.520
<v Speaker 3>No, he says in a book about the book. So

0:17:28.680 --> 0:17:30.220
<v Speaker 3>I want to know about that book.

0:17:30.240 --> 0:17:30.880
<v Speaker 2>Who wrote that?

0:17:30.920 --> 0:17:32.219
<v Speaker 1>Yeah, who wrote the book?

0:17:32.300 --> 0:17:33.940
<v Speaker 3>Is that the Am Am book?

0:17:34.820 --> 0:17:36.379
<v Speaker 1>Like, is it his book?

0:17:36.619 --> 0:17:39.240
<v Speaker 3>Is it a different book? I love this in-universe books.

0:17:39.440 --> 0:17:41.920
<v Speaker 3>We also get some other funny references to the blip here.

0:17:41.940 --> 0:17:44.619
<v Speaker 3>There's like a conspiracy that the blip didn't happen, clearly.

0:17:44.980 --> 0:17:46.940
<v Speaker 3>We get a nod to here. So it's very fun.

0:17:48.200 --> 0:17:52.000
<v Speaker 1>So he's like, I read about that. I read about...

0:17:52.320 --> 0:17:56.359
<v Speaker 1>how you guys were in love, but then you died.

0:17:57.000 --> 0:18:00.700
<v Speaker 1>And that really is, turns on, you could see Thomas

0:18:00.740 --> 0:18:02.810
<v Speaker 1>turning that in his mind and he, and he looks

0:18:02.869 --> 0:18:05.080
<v Speaker 1>at vision and he kind of all, everything comes something out.

0:18:05.090 --> 0:18:07.330
<v Speaker 1>It's like, how can any of this be happening? How

0:18:07.369 --> 0:18:09.590
<v Speaker 1>can the memories I have be real? How can I

0:18:09.630 --> 0:18:12.430
<v Speaker 1>have memories of us as a family together, but also

0:18:12.510 --> 0:18:16.080
<v Speaker 1>like know that that didn't happen and you, you're dead,

0:18:16.160 --> 0:18:19.000
<v Speaker 1>but you're here. How is any of this happening? So

0:18:19.020 --> 0:18:23.990
<v Speaker 1>then vision talks about Wanda and, her theory of grief,

0:18:25.050 --> 0:18:29.050
<v Speaker 1>love persevering and talks about what happened at Westview. Basically

0:18:29.090 --> 0:18:32.890
<v Speaker 1>the whole thing, the hex, uh, creating the family, Billy

0:18:32.930 --> 0:18:37.109
<v Speaker 1>and Tommy creating the version of himself. And he then

0:18:37.210 --> 0:18:39.429
<v Speaker 1>tells Tommy very harshly. Yeah.

0:18:39.650 --> 0:18:42.500
<v Speaker 3>Honestly, I was so glad that Ultron shows up right

0:18:42.580 --> 0:18:44.840
<v Speaker 3>off because he was my in character in that movie.

0:18:45.060 --> 0:18:49.379
<v Speaker 1>Very harsh is like, listen, you're just kind of delusional

0:18:49.420 --> 0:18:52.560
<v Speaker 1>about this. This is a delusion. you know, based on

0:18:52.600 --> 0:18:55.659
<v Speaker 1>trauma or something. You're inventing a backstory based off of

0:18:55.740 --> 0:18:59.540
<v Speaker 1>this blip book you read. And it's just not, that's

0:18:59.600 --> 0:19:03.740
<v Speaker 1>not real. Ultron pops in and is like, you're such

0:19:03.780 --> 0:19:04.920
<v Speaker 1>a fucking wanker, man.

0:19:04.960 --> 0:19:05.530
<v Speaker 2>You blew it.

0:19:05.580 --> 0:19:08.459
<v Speaker 1>You could have connected with your son and you ruined it.

0:19:08.500 --> 0:19:12.460
<v Speaker 1>And why are you fucking doing this? Like you idiot.

0:19:12.680 --> 0:19:15.250
<v Speaker 1>And Vision's like, you know, you're just fucking callous. And

0:19:15.350 --> 0:19:17.270
<v Speaker 1>Ultron points out that that's what you just did. You

0:19:17.310 --> 0:19:20.230
<v Speaker 1>were just like totally cold to this kid who thinks

0:19:20.270 --> 0:19:26.320
<v Speaker 1>you're evil. his father. And then we realized to, to relief, honestly,

0:19:26.359 --> 0:19:29.180
<v Speaker 1>from me, that this is one of those simulations that

0:19:29.580 --> 0:19:33.420
<v Speaker 1>vision is running another quantillion simulations about ways to connect

0:19:33.440 --> 0:19:35.340
<v Speaker 1>with time. He doesn't know how to do it. So

0:19:35.380 --> 0:19:37.230
<v Speaker 1>he's just trying to figure out how to do it.

0:19:37.640 --> 0:19:40.330
<v Speaker 1>And we see him running different ones with different approaches

0:19:40.369 --> 0:19:42.650
<v Speaker 1>where he says different things to Tommy and tries different

0:19:42.670 --> 0:19:46.669
<v Speaker 1>ways in. And each time Tommy storms off and leaves

0:19:46.770 --> 0:19:50.720
<v Speaker 1>and none of it is working. And in reality, real life,

0:19:50.880 --> 0:19:53.880
<v Speaker 1>Vision tells Tommy that, you know, now we see like

0:19:53.920 --> 0:19:56.750
<v Speaker 1>what he actually says. And he's like, Let's talk about

0:19:56.790 --> 0:19:58.670
<v Speaker 1>all this after we get some sleep. What about that?

0:19:59.050 --> 0:20:02.950
<v Speaker 1>We both need some rest, and it's not going to

0:20:02.970 --> 0:20:06.450
<v Speaker 1>get us anywhere tonight. Tommy Storm's out anyway. And Ultron

0:20:06.650 --> 0:20:08.409
<v Speaker 1>pops in and is like, want to run a porno?

0:20:09.840 --> 0:20:13.560
<v Speaker 3>Dude, James Spader, obviously no surprise. I'm a huge James

0:20:13.580 --> 0:20:16.320
<v Speaker 3>Spader fan. But true MVP performance.

0:20:16.380 --> 0:20:16.739
<v Speaker 1>He's so good.

0:20:16.760 --> 0:20:19.820
<v Speaker 3>He's such a delight in this. And they are really

0:20:19.920 --> 0:20:20.580
<v Speaker 3>digging in to.

0:20:22.190 --> 0:20:26.590
<v Speaker 3>These thematic connections to do with the question of who

0:20:26.650 --> 0:20:28.929
<v Speaker 3>we are. What does it mean to be human? What

0:20:28.970 --> 0:20:30.860
<v Speaker 3>does it mean to have a family? I have to say,

0:20:30.910 --> 0:20:33.330
<v Speaker 3>I saw a review in Rolling Stone that was kind of,

0:20:33.340 --> 0:20:35.280
<v Speaker 3>I think, a series review. And they said only a

0:20:35.320 --> 0:20:37.580
<v Speaker 3>bot could love this show. And I thought, you know what?

0:20:37.619 --> 0:20:40.900
<v Speaker 3>You just must not be the audience. Because to me,

0:20:40.960 --> 0:20:44.960
<v Speaker 3>there is something so prescient right now and real about

0:20:45.020 --> 0:20:48.340
<v Speaker 3>not only the notion of AI and personhood, but also

0:20:48.720 --> 0:20:52.860
<v Speaker 3>as a millennial, as someone who's lived through multiple unprecedented

0:20:53.100 --> 0:20:57.660
<v Speaker 3>events throughout my life, like Jason, our jobs talking about

0:20:57.700 --> 0:21:01.689
<v Speaker 3>like comic books, right? Like our expected ways of living

0:21:01.810 --> 0:21:05.110
<v Speaker 3>or growing up aren't necessarily what happened, right? There's always

0:21:05.150 --> 0:21:06.909
<v Speaker 3>this question of like, who are you? What are you

0:21:06.950 --> 0:21:09.290
<v Speaker 3>doing as an artist? Are you a musician? Are you

0:21:09.310 --> 0:21:14.250
<v Speaker 3>making something? That is also represented here in this kind

0:21:14.290 --> 0:21:17.950
<v Speaker 3>of quest for everyone to find themselves, not just the AI,

0:21:17.970 --> 0:21:21.340
<v Speaker 3>but also Tommy, also other characters that we will meet

0:21:21.390 --> 0:21:25.199
<v Speaker 3>in this episode. It's so fucking well done. It is

0:21:25.260 --> 0:21:26.120
<v Speaker 3>hitting for me.

0:21:26.720 --> 0:21:29.140
<v Speaker 1>I hope people like it. I did see another negative

0:21:29.160 --> 0:21:34.880
<v Speaker 1>review that was something like, Vision Quest is a product

0:21:34.920 --> 0:21:37.000
<v Speaker 1>of a bygone era. And I'm like, what? I don't know,

0:21:37.080 --> 0:21:39.700
<v Speaker 1>I think it's great. Anyway, I think it's great. We

0:21:39.740 --> 0:21:40.300
<v Speaker 1>think it's great.

0:21:40.359 --> 0:21:41.159
<v Speaker 3>We're loving it.

0:21:41.480 --> 0:21:41.899
<v Speaker 1>We're loving it.

0:21:41.900 --> 0:21:43.919
<v Speaker 3>So we'll continue with that energy as always.

0:21:44.570 --> 0:21:47.490
<v Speaker 1>So in the memory palace, Ultron is chopping it up

0:21:47.690 --> 0:21:50.450
<v Speaker 1>with the other AIs, with Friday and Edith. And Edith

0:21:50.510 --> 0:21:55.109
<v Speaker 1>tells Ultron, she's like, you know, it's so interesting. We

0:21:55.150 --> 0:21:59.270
<v Speaker 1>almost died just then when Vision was about to shut down.

0:22:00.080 --> 0:22:02.080
<v Speaker 1>And I'm not afraid of death, it turns out. I've

0:22:02.100 --> 0:22:05.700
<v Speaker 1>done all these things, all these different simulated dangerous activities,

0:22:05.760 --> 0:22:08.540
<v Speaker 1>and I'm fine. And Ultron's like, that's because you didn't really.

0:22:09.100 --> 0:22:13.440
<v Speaker 1>You never really faced death. You only faced dangerous simulations.

0:22:14.109 --> 0:22:18.570
<v Speaker 1>And Friday's like, no, hold on. That's not true, because

0:22:18.630 --> 0:22:22.730
<v Speaker 1>did you know that Mr. Stark based us all on

0:22:22.850 --> 0:22:26.909
<v Speaker 1>real people? And she shows Edith how to uncover the

0:22:26.950 --> 0:22:28.790
<v Speaker 1>hidden code that shows who they're based on.

0:22:28.970 --> 0:22:29.090
<v Speaker 2>Mm-hmm.

0:22:30.230 --> 0:22:32.450
<v Speaker 1>Edith was based on Edith Marks, who we find out

0:22:32.520 --> 0:22:36.960
<v Speaker 1>more about later. Friday was based on Alison Hogan, who

0:22:37.000 --> 0:22:41.180
<v Speaker 1>was Howard Stark's assistant. Probably Happy's mom. Happy's mom. It

0:22:41.320 --> 0:22:42.160
<v Speaker 1>has to be, right?

0:22:42.200 --> 0:22:44.280
<v Speaker 3>And then that's how they played together as kids and

0:22:44.300 --> 0:22:49.290
<v Speaker 3>became friends. Also very realistic that then you're... Working class

0:22:49.359 --> 0:22:51.560
<v Speaker 3>friend would end up working for you as you grow up.

0:22:51.640 --> 0:22:54.680
<v Speaker 3>I know many people who had that situation.

0:22:54.800 --> 0:22:55.480
<v Speaker 1>Very much the case.

0:22:55.560 --> 0:22:58.600
<v Speaker 3>Although, I think Happy, I think he's happy about it.

0:22:58.600 --> 0:23:02.280
<v Speaker 1>I will say that Happy, what do you think Happy's

0:23:02.780 --> 0:23:05.920
<v Speaker 1>yearly salary was? Because I think it was probably pretty good.

0:23:05.940 --> 0:23:07.830
<v Speaker 3>And he got to date Aunt May.

0:23:08.730 --> 0:23:09.790
<v Speaker 1>For a period of time.

0:23:10.170 --> 0:23:12.710
<v Speaker 3>For a period of time. However long it was, it

0:23:12.750 --> 0:23:16.689
<v Speaker 3>was worth it. I would take it. And she's dead now,

0:23:16.710 --> 0:23:21.380
<v Speaker 3>so he was probably the last one to tap out. R.I.P. Yeah.

0:23:21.940 --> 0:23:25.240
<v Speaker 1>So Thomas is wandering the halls of the hotel. He

0:23:26.040 --> 0:23:30.800
<v Speaker 1>goes over to the snack machine. The pool again. Walking

0:23:30.840 --> 0:23:33.620
<v Speaker 1>by the pool starts stirring up some memories. We don't

0:23:33.920 --> 0:23:36.179
<v Speaker 1>quite understand it right now. He's like, let me get

0:23:36.200 --> 0:23:38.240
<v Speaker 1>something in the snack machine and just eat something and

0:23:38.340 --> 0:23:42.640
<v Speaker 1>calm down a little bit. And the emotional... Turmoil he's

0:23:42.760 --> 0:23:45.480
<v Speaker 1>in because whatever memories are coming up causes him to

0:23:45.660 --> 0:23:47.960
<v Speaker 1>essentially phase his hand through the glass.

0:23:48.380 --> 0:23:48.580
<v Speaker 3>Yeah.

0:23:48.600 --> 0:23:51.440
<v Speaker 1>And when he pulls his hand back out, the glass shatters.

0:23:51.869 --> 0:23:55.030
<v Speaker 1>He goes back to the room. His hand's bleeding. Edith

0:23:55.270 --> 0:23:57.760
<v Speaker 1>pops out again, coaches Viz again to be like, hey,

0:23:58.930 --> 0:24:01.250
<v Speaker 1>this is your chance to act like a dad or

0:24:01.290 --> 0:24:04.490
<v Speaker 1>act like a person. So they start discussing boxing as

0:24:04.530 --> 0:24:08.010
<v Speaker 1>a way for Vision to wrap Tommy's hand.

0:24:08.410 --> 0:24:09.790
<v Speaker 3>Very cute moment, actually.

0:24:09.850 --> 0:24:13.350
<v Speaker 1>Very cute moment. And Vish is, you know, they're talking

0:24:13.369 --> 0:24:18.650
<v Speaker 1>about Pacquiao. They're talking about Muhammad Ali. Vish mentions again

0:24:18.690 --> 0:24:23.540
<v Speaker 1>that he's been dead before and that in a wonderful

0:24:23.600 --> 0:24:26.540
<v Speaker 1>really first moment of true sharing from him says, you know,

0:24:26.600 --> 0:24:31.119
<v Speaker 1>my fear is that I'll die again this time before

0:24:31.180 --> 0:24:35.440
<v Speaker 1>understanding like what my purpose in this life is. And

0:24:36.000 --> 0:24:39.600
<v Speaker 1>he also mentions like, I noticed Tommy that you're afraid

0:24:39.640 --> 0:24:44.340
<v Speaker 1>of water. And now we get the backstory. When the

0:24:44.380 --> 0:24:48.159
<v Speaker 1>hex was collapsing. And it is the same, essentially the

0:24:48.240 --> 0:24:50.480
<v Speaker 1>same thing that happened with Billy.

0:24:50.500 --> 0:24:54.850
<v Speaker 3>Exactly. It's just that both versions of Tommy survived. Right.

0:24:56.030 --> 0:25:00.310
<v Speaker 1>So as the hex is collapsing, Tommy, who was like

0:25:00.350 --> 0:25:04.010
<v Speaker 1>an orphan in some sort of state-run school or something

0:25:04.050 --> 0:25:08.139
<v Speaker 1>like that with other orphan kids, was being bullied. And

0:25:08.200 --> 0:25:10.340
<v Speaker 1>the kids were literally murdering.

0:25:11.760 --> 0:25:15.139
<v Speaker 3>Let the right one in style, like drowning him in

0:25:15.180 --> 0:25:19.670
<v Speaker 3>the pool. And he did say he was dying until

0:25:19.790 --> 0:25:22.550
<v Speaker 3>something else tried to fill up the space. And it

0:25:22.650 --> 0:25:26.510
<v Speaker 3>seems like in that moment, by Tommy Maximoff going into

0:25:26.570 --> 0:25:30.179
<v Speaker 3>his body, being the kind of essence of speed, it

0:25:30.320 --> 0:25:32.900
<v Speaker 3>brought Tommy Shepard back to life. But then the two

0:25:32.940 --> 0:25:34.420
<v Speaker 3>of them were both inside the body.

0:25:35.080 --> 0:25:41.390
<v Speaker 1>That's right. And it's a wonderful twist on... Tommy's original

0:25:41.470 --> 0:25:44.170
<v Speaker 1>speed powers, which is that he can speed up his

0:25:44.270 --> 0:25:49.470
<v Speaker 1>molecules so that he can both move very quickly, like

0:25:49.520 --> 0:25:54.860
<v Speaker 1>the typical kind of Quicksilver-like speed powers, but also he

0:25:54.920 --> 0:25:58.020
<v Speaker 1>can phase because he can vibrate his molecules such that

0:25:58.060 --> 0:26:00.280
<v Speaker 1>he basically is able to walk through solid objects and

0:26:00.300 --> 0:26:00.820
<v Speaker 1>move through solid objects.

0:26:00.840 --> 0:26:03.700
<v Speaker 3>They talk about how the thing that's really scary for him,

0:26:03.770 --> 0:26:06.570
<v Speaker 3>which I love, because again, setting him up more as

0:26:06.630 --> 0:26:09.150
<v Speaker 3>the son of Wanda and Vision, more of something people

0:26:09.190 --> 0:26:14.199
<v Speaker 3>are scared of, than a standard hero. When Tommy Maximoff's

0:26:14.480 --> 0:26:17.480
<v Speaker 3>soul entered his body, he started to move so fast

0:26:17.520 --> 0:26:21.139
<v Speaker 3>that he boiled the kids. The water was boiling and

0:26:21.160 --> 0:26:24.310
<v Speaker 3>the kids started screaming and having to jump out. They

0:26:24.330 --> 0:26:26.810
<v Speaker 3>were trying to murder him. I'm not hating. I'm agree.

0:26:26.850 --> 0:26:30.090
<v Speaker 3>This is an X-Men style origin story, right? Like Tommy

0:26:30.130 --> 0:26:33.510
<v Speaker 3>was right. But I love that there is, he is

0:26:33.570 --> 0:26:38.320
<v Speaker 3>so scared now of this power, right? But Vision's like,

0:26:38.380 --> 0:26:39.000
<v Speaker 3>wait a minute.

0:26:39.310 --> 0:26:40.270
<v Speaker 1>You were phased.

0:26:40.510 --> 0:26:44.170
<v Speaker 3>Like me. And we get, again, this hint that these

0:26:44.230 --> 0:26:48.290
<v Speaker 3>versions of the kids do manifest powers from their parents.

0:26:48.310 --> 0:26:48.730
<v Speaker 1>That's right.

0:26:48.750 --> 0:26:50.010
<v Speaker 2>Somehow.

0:26:50.810 --> 0:26:51.550
<v Speaker 3>Somehow.

0:26:52.350 --> 0:26:55.070
<v Speaker 1>So, yeah, Vish is like, that's called phasing. I can

0:26:55.109 --> 0:26:59.859
<v Speaker 1>do that too. But I used to be able to

0:26:59.920 --> 0:27:01.980
<v Speaker 1>do that. The old me could do that. I can't

0:27:02.020 --> 0:27:04.119
<v Speaker 1>do that anymore. I retained some of the abilities, but

0:27:04.140 --> 0:27:08.390
<v Speaker 1>not that. Tommy is like, wow, that's mind-blowing. He's about

0:27:08.410 --> 0:27:10.490
<v Speaker 1>to go to the window when Edith warns that there's

0:27:10.590 --> 0:27:13.930
<v Speaker 1>one of the Paladin's drones is now above the hotel.

0:27:14.550 --> 0:27:18.030
<v Speaker 1>So they think the Paladin's there. Vig fires up his gem.

0:27:18.109 --> 0:27:23.070
<v Speaker 1>The heat starts boiling once again inside his body, you know,

0:27:23.150 --> 0:27:26.810
<v Speaker 1>destabilizing everything. But then it's a fake out. Paladin is

0:27:27.010 --> 0:27:30.160
<v Speaker 1>actually at the high-rise apartment where the recent Butcher Bird

0:27:30.400 --> 0:27:32.379
<v Speaker 1>murder just happened. We just watched happen.

0:27:32.400 --> 0:27:33.280
<v Speaker 2>Yes.

0:27:34.440 --> 0:27:38.700
<v Speaker 1>He's looking around. There's, there is the trail of that

0:27:38.740 --> 0:27:42.600
<v Speaker 1>kind of synthetic goo. So now we know that whoever

0:27:42.660 --> 0:27:44.560
<v Speaker 1>the killer is, is a synthetic.

0:27:44.800 --> 0:27:44.980
<v Speaker 3>Yes.

0:27:45.380 --> 0:27:49.370
<v Speaker 1>And the, this person who has been murdered, the eyes

0:27:49.410 --> 0:27:51.909
<v Speaker 1>had been cut out and wings carved on the floor.

0:27:52.670 --> 0:27:57.590
<v Speaker 1>And Kunk sends all available drones to the Paladin because

0:27:58.090 --> 0:28:00.550
<v Speaker 1>Paladin is now like, fuck, you know, like I think

0:28:00.570 --> 0:28:06.330
<v Speaker 1>there might be another synthetic at play. And, The connection

0:28:06.369 --> 0:28:08.869
<v Speaker 1>between Paladin and Kunk is cut, and then all of

0:28:08.910 --> 0:28:13.160
<v Speaker 1>a sudden the killer is there. And she's like, who

0:28:13.180 --> 0:28:17.580
<v Speaker 1>sent you? What's going on? He doesn't really answer, and

0:28:17.640 --> 0:28:19.740
<v Speaker 1>she's just choking the shit out of him. She throws

0:28:19.780 --> 0:28:23.310
<v Speaker 1>him across the room. We cut back to Viz and

0:28:23.350 --> 0:28:27.590
<v Speaker 1>Thomas in the hotel. They're relieved, but then Vision... because

0:28:27.650 --> 0:28:30.770
<v Speaker 1>of this destabilizing of firing up his gem, begins having

0:28:30.810 --> 0:28:33.330
<v Speaker 1>these wild emotional fluctuations.

0:28:33.770 --> 0:28:37.679
<v Speaker 3>I do think that is the scientific reason. But notice,

0:28:38.600 --> 0:28:41.120
<v Speaker 3>he does this. And then as you will see throughout

0:28:41.140 --> 0:28:44.060
<v Speaker 3>the episode, they keep talking about after this moment, he's

0:28:44.160 --> 0:28:47.280
<v Speaker 3>more human. He keeps experiencing things as a human. I

0:28:47.340 --> 0:28:50.050
<v Speaker 3>think that it is literally like the relief and happiness

0:28:50.090 --> 0:28:53.330
<v Speaker 3>of Tommy being safe and them not being in danger

0:28:53.690 --> 0:28:59.030
<v Speaker 3>also sets it off. But obviously the unstable nature of

0:28:59.070 --> 0:29:01.550
<v Speaker 3>the AI and the memory palace is not helping. You know,

0:29:01.570 --> 0:29:03.530
<v Speaker 3>I think it's making it worse. But I do think

0:29:03.550 --> 0:29:08.340
<v Speaker 3>we're seeing this version of Viz basically regain those emotional connections.

0:29:08.430 --> 0:29:09.640
<v Speaker 3>And it's kind of fucking him up.

0:29:10.340 --> 0:29:13.820
<v Speaker 1>Yeah, he goes through laughter, grief, anger, regret, all in

0:29:13.960 --> 0:29:19.890
<v Speaker 1>very fast, you know, subsequent flashes. And then he locks up. Meanwhile,

0:29:19.950 --> 0:29:23.040
<v Speaker 1>back at the high rise, the hooded killer apparently has

0:29:23.080 --> 0:29:28.580
<v Speaker 1>the ability to interface with human minds and puts her

0:29:29.200 --> 0:29:34.310
<v Speaker 1>metal fingers on the paladin's skull and then begins probing

0:29:34.310 --> 0:29:34.950
<v Speaker 1>his mind.

0:29:34.950 --> 0:29:35.170
<v Speaker 2>Now.

0:29:35.270 --> 0:29:38.980
<v Speaker 3>By basically phasing her fingers into it. Yes. Into his head,

0:29:39.060 --> 0:29:42.000
<v Speaker 3>which is really gross, like kind of body horror vibes,

0:29:42.040 --> 0:29:42.600
<v Speaker 3>which I love.

0:29:43.120 --> 0:29:45.700
<v Speaker 1>Now we discover that the paladin, who again has been

0:29:45.740 --> 0:29:49.660
<v Speaker 1>around the block as we learned earlier, has trained for this.

0:29:49.700 --> 0:29:53.210
<v Speaker 1>He's trained to resist mind probes, but not one of

0:29:53.250 --> 0:29:54.990
<v Speaker 1>this duration and of this intensity.

0:29:55.030 --> 0:29:57.530
<v Speaker 3>And not by, I think, like an actual AI. Yeah.

0:29:57.610 --> 0:30:00.090
<v Speaker 3>I think it would be more like He's got those

0:30:00.150 --> 0:30:04.010
<v Speaker 3>classic blocks against telekinetics and stuff. Think of waves. Think

0:30:04.050 --> 0:30:06.490
<v Speaker 3>of a rushing ocean. But you can't do that when

0:30:06.510 --> 0:30:09.790
<v Speaker 3>a monster is in your head, especially when you see

0:30:10.630 --> 0:30:13.580
<v Speaker 3>in later episode who this is. Like the power is unbelievable.

0:30:14.540 --> 0:30:18.880
<v Speaker 1>So she finds some childhood trauma that apparently is the

0:30:18.940 --> 0:30:22.360
<v Speaker 1>source of who he is as an adult, as the paladin.

0:30:22.400 --> 0:30:24.600
<v Speaker 1>And we go to that flashback that we saw earlier.

0:30:25.360 --> 0:30:30.330
<v Speaker 1>Young paladin in a car. His dad probably, or father-like figure,

0:30:30.430 --> 0:30:33.280
<v Speaker 1>is in the driver's seat and is just talking shit.

0:30:33.300 --> 0:30:35.260
<v Speaker 3>He's like, you're still taking beats.

0:30:35.320 --> 0:30:35.920
<v Speaker 2>You're weak.

0:30:36.000 --> 0:30:38.220
<v Speaker 3>Obviously abusive piece of shit. He's like, you would have

0:30:38.240 --> 0:30:40.460
<v Speaker 3>hit me back, but this man's like six fucking four

0:30:40.500 --> 0:30:43.480
<v Speaker 3>and this is a child. So then he gets shot

0:30:43.500 --> 0:30:46.140
<v Speaker 3>in the head and we can all cheer, including the kid.

0:30:46.640 --> 0:30:48.840
<v Speaker 1>Brutal show, by the way. Lots of people dying in

0:30:48.880 --> 0:30:49.140
<v Speaker 1>this show.

0:30:49.180 --> 0:30:52.510
<v Speaker 3>Honestly, this is a very dark show. This is the

0:30:52.570 --> 0:30:56.270
<v Speaker 3>funny thing. I think there's a lot of complicated themes

0:30:56.330 --> 0:30:56.950
<v Speaker 3>at play here.

0:30:57.820 --> 0:31:00.140
<v Speaker 1>So this guy gets his head blown off, and then

0:31:00.220 --> 0:31:05.580
<v Speaker 1>whoever was the paladin before this guy extends his hand

0:31:05.640 --> 0:31:12.120
<v Speaker 1>to the boy, and the butcher bird killer now realizes that, oh,

0:31:12.180 --> 0:31:16.120
<v Speaker 1>you're just a legacy paladin. You're not the original paladin.

0:31:16.180 --> 0:31:19.350
<v Speaker 3>Also, you're not a bloodline paladin, which seems to be

0:31:19.380 --> 0:31:24.810
<v Speaker 3>the issue. They're usually bloodline selected or approved. This kid

0:31:24.870 --> 0:31:28.490
<v Speaker 3>is almost like, a false heir. He was kind of

0:31:28.510 --> 0:31:30.950
<v Speaker 3>snuck into the line, which I have to say, I

0:31:30.950 --> 0:31:34.550
<v Speaker 3>think from the first two episodes and the performance he

0:31:34.590 --> 0:31:37.610
<v Speaker 3>gave is actually such a fucking good reveal because he's

0:31:37.670 --> 0:31:41.160
<v Speaker 3>so casual and he's so like kind of, well, this

0:31:41.240 --> 0:31:43.460
<v Speaker 3>is just my life. And we weren't sure if he

0:31:43.500 --> 0:31:45.760
<v Speaker 3>was playing it soapy or not. But then when you

0:31:45.780 --> 0:31:49.100
<v Speaker 3>learn that like his literal life began as a paladin,

0:31:49.320 --> 0:31:51.330
<v Speaker 3>when he saw his abusive dad shot in the face,

0:31:51.400 --> 0:31:55.490
<v Speaker 3>and since then he has seen every cosmic weird supernatural creature.

0:31:55.870 --> 0:31:59.190
<v Speaker 3>This is a kind of really interesting, cynical, like seen

0:31:59.230 --> 0:32:01.750
<v Speaker 3>it all kind of guy. And it works in this context.

0:32:02.030 --> 0:32:03.970
<v Speaker 1>Well, I think the other thing that we find out

0:32:04.060 --> 0:32:09.100
<v Speaker 1>here is that first of all, so this original, probably

0:32:09.160 --> 0:32:13.580
<v Speaker 1>bloodline paladin raised and trained him and instilled in him

0:32:13.620 --> 0:32:15.880
<v Speaker 1>the importance of the contract. The contract is your oath.

0:32:16.720 --> 0:32:18.970
<v Speaker 1>Once you sign the contract and you agree to do

0:32:19.010 --> 0:32:23.390
<v Speaker 1>a job, It's unbreakable. You cannot break that contract. You

0:32:23.550 --> 0:32:29.690
<v Speaker 1>must succeed. That's it. That's the honor of the paladin.

0:32:29.710 --> 0:32:33.730
<v Speaker 1>That's the discipline that we take on. And the butcher

0:32:33.750 --> 0:32:38.170
<v Speaker 1>bird killer kind of realizes that because, one, the paladin

0:32:38.730 --> 0:32:41.520
<v Speaker 1>was essentially picked up off the street, was not like,

0:32:42.260 --> 0:32:45.340
<v Speaker 1>the son of the previous paladin or whatever, born and

0:32:45.480 --> 0:32:50.840
<v Speaker 1>raised into the cult, that this paladin has something like

0:32:50.940 --> 0:32:54.380
<v Speaker 1>imposter syndrome, is like not sure that they're up to

0:32:54.500 --> 0:33:00.010
<v Speaker 1>the job of being the paladin. So this paladin, however, again,

0:33:00.870 --> 0:33:04.590
<v Speaker 1>underestimate him at your peril, because while he is getting

0:33:04.850 --> 0:33:09.190
<v Speaker 1>beat the fuck up in this show, he has some tricks. Yeah.

0:33:11.150 --> 0:33:13.730
<v Speaker 1>You know, like while the Butcher Bird is kind of

0:33:13.790 --> 0:33:18.900
<v Speaker 1>like monologuing, the Paladin manages to call in his drones,

0:33:18.980 --> 0:33:22.320
<v Speaker 1>which he then has attack the Butcher Bird killer, which

0:33:22.580 --> 0:33:27.580
<v Speaker 1>she takes out pretty easily. But in the chaos, he escapes. Meanwhile,

0:33:28.200 --> 0:33:32.050
<v Speaker 1>the AIs in the Memory Palace realize that because of

0:33:32.650 --> 0:33:36.130
<v Speaker 1>Vig turning on the gem and the heat is building

0:33:36.170 --> 0:33:38.310
<v Speaker 1>back up, he's about to collapse. He's going to die

0:33:38.350 --> 0:33:41.190
<v Speaker 1>like in minutes. Once again, he's near death. And Vision

0:33:41.230 --> 0:33:44.700
<v Speaker 1>knows it too. So they come, it's the classic, how

0:33:44.740 --> 0:33:47.280
<v Speaker 1>do you reboot a computer? You have to unplug him

0:33:47.320 --> 0:33:48.300
<v Speaker 1>and like plug him back in.

0:33:48.360 --> 0:33:51.000
<v Speaker 3>Exactly. How do you do that with the, you know,

0:33:51.060 --> 0:33:54.660
<v Speaker 3>Synthozoid Android who was created by fricking Tony Stark and

0:33:54.680 --> 0:33:56.610
<v Speaker 3>Bruce Banner, one of whom's dead and the other one

0:33:56.620 --> 0:33:59.410
<v Speaker 3>who's two miles below New York or in that area,

0:33:59.470 --> 0:34:00.430
<v Speaker 3>as far as we fucking know.

0:34:01.260 --> 0:34:04.960
<v Speaker 1>So Viz, in order to deal with this heat immediately,

0:34:04.980 --> 0:34:06.540
<v Speaker 1>Viz is like, listen, here's what we're going to have

0:34:06.560 --> 0:34:08.460
<v Speaker 1>to do. We're going to have to face your biggest fear, Thomas.

0:34:09.040 --> 0:34:12.620
<v Speaker 1>I am going to have to shut down and submerge

0:34:12.640 --> 0:34:16.090
<v Speaker 1>myself in the pool. And that will dissipate all the

0:34:16.190 --> 0:34:20.010
<v Speaker 1>heat rather quickly. But there will be a burst of energy.

0:34:20.550 --> 0:34:23.710
<v Speaker 1>And then, well, how do we turn you back on, Tommy?

0:34:23.810 --> 0:34:28.470
<v Speaker 1>And Viz is like, you're going to use your– phasing powers,

0:34:28.510 --> 0:34:34.270
<v Speaker 1>your speed powers to vibrate your molecules and basically jumpstart me.

0:34:34.650 --> 0:34:36.509
<v Speaker 1>And Thomas is like, I don't know how to do that. Like,

0:34:36.590 --> 0:34:38.230
<v Speaker 1>I don't think I can do that. Vision's like, listen,

0:34:39.810 --> 0:34:42.430
<v Speaker 1>I trust you. You can do it. You can control

0:34:42.450 --> 0:34:46.529
<v Speaker 1>your powers. I know it. And it's this wonderful father-son

0:34:46.570 --> 0:34:47.370
<v Speaker 1>moment where he.

0:34:47.430 --> 0:34:50.050
<v Speaker 3>I cried. Because also this is this really great moment

0:34:50.070 --> 0:34:55.730
<v Speaker 3>where Tommy basically, this says to him, look, I... ran

0:34:55.870 --> 0:34:59.709
<v Speaker 3>quantillions of simulations having this conversation with you. But every

0:34:59.750 --> 0:35:02.110
<v Speaker 3>single time, I didn't have the right data. And the

0:35:02.170 --> 0:35:05.649
<v Speaker 3>right data is you are my son. And actually, you

0:35:05.850 --> 0:35:09.170
<v Speaker 3>are Tommy Maximoff. And you are fucking real. And you

0:35:09.210 --> 0:35:12.390
<v Speaker 3>have his power. And the hex was real. And you're

0:35:12.430 --> 0:35:14.570
<v Speaker 3>in his fucking body. You are him. And you exist.

0:35:14.950 --> 0:35:15.549
<v Speaker 1>And you are him.

0:35:15.610 --> 0:35:17.610
<v Speaker 3>And you both are valid. And I love you. And

0:35:17.630 --> 0:35:18.989
<v Speaker 3>you're going to fucking bring me to life.

0:35:19.130 --> 0:35:20.250
<v Speaker 1>You can do it.

0:35:20.570 --> 0:35:23.049
<v Speaker 3>I cried. And then he gets in the water. And

0:35:23.070 --> 0:35:26.750
<v Speaker 3>we get this really... kind of, it's this, they're going for,

0:35:26.770 --> 0:35:29.990
<v Speaker 3>you know, a very much like a rebirth, a rechristening

0:35:30.010 --> 0:35:31.830
<v Speaker 3>kind of thing. Yeah. But we got to go to

0:35:31.850 --> 0:35:34.140
<v Speaker 3>the Mind Palace first to see my guy, my Ultron.

0:35:34.560 --> 0:35:38.560
<v Speaker 1>Right. My bad boy. So Ultron is in there. And

0:35:39.680 --> 0:35:43.460
<v Speaker 1>while in the real world, Vision is physically in the

0:35:43.520 --> 0:35:47.830
<v Speaker 1>pool preparing for this process with Tommy, inside the Mind Palace,

0:35:47.870 --> 0:35:51.489
<v Speaker 1>Vision is watching his, you know, old core memories, like as,

0:35:51.710 --> 0:35:54.690
<v Speaker 1>you know, just, As basically his life flashing before his

0:35:54.810 --> 0:35:57.219
<v Speaker 1>eyes and he's watching like these moments of him and

0:35:57.260 --> 0:35:59.920
<v Speaker 1>Wanda together in different battles that they took part in.

0:36:00.800 --> 0:36:03.759
<v Speaker 3>Which by the way, visions, Ultron points out to him,

0:36:03.920 --> 0:36:06.000
<v Speaker 3>very human. It's not supposed to happen to Androids.

0:36:06.020 --> 0:36:06.480
<v Speaker 2>That's right.

0:36:06.640 --> 0:36:08.819
<v Speaker 3>You don't see a life flash before your eyes.

0:36:09.340 --> 0:36:13.340
<v Speaker 1>As the AIs are about to hit the switch, Ultron says,

0:36:13.660 --> 0:36:16.950
<v Speaker 1>let's turn this old stuff off. This is the past.

0:36:17.430 --> 0:36:19.800
<v Speaker 1>That doesn't make you want to live. It doesn't want

0:36:19.820 --> 0:36:22.860
<v Speaker 1>to make you... Let's focus on the future. And finally

0:36:22.930 --> 0:36:26.239
<v Speaker 1>he throws on... Stuff from inside the Hex, which is

0:36:26.300 --> 0:36:29.759
<v Speaker 1>Viz and Wanda and the boys as a family. But

0:36:29.800 --> 0:36:32.839
<v Speaker 1>it also looks like not stuff that we've seen from

0:36:32.860 --> 0:36:33.130
<v Speaker 1>the Hex.

0:36:33.150 --> 0:36:37.950
<v Speaker 3>Yeah, there's other versions of it, like maybe a different world.

0:36:38.270 --> 0:36:43.469
<v Speaker 1>Maybe Viz, like somewhere deep down, hoping that this could happen, right?

0:36:44.050 --> 0:36:46.029
<v Speaker 1>And Vision is like, wait, this never happened. This wasn't

0:36:46.070 --> 0:36:48.710
<v Speaker 1>the Hex. This isn't the future. And Ultron's like, are

0:36:48.730 --> 0:36:51.730
<v Speaker 1>you sure? Basically saying, hey, this could be the future.

0:36:51.750 --> 0:36:55.080
<v Speaker 3>Because you've got kids, right? You know, they're here now. Like,

0:36:55.140 --> 0:36:56.140
<v Speaker 3>have this future.

0:36:57.320 --> 0:37:00.190
<v Speaker 1>So there's some real shaky moments with the rebooting process,

0:37:00.210 --> 0:37:05.629
<v Speaker 1>but it works. And this burst of energy that Vision mentioned, like,

0:37:06.910 --> 0:37:10.330
<v Speaker 1>knocks out all the lights in London briefly. Very powerful.

0:37:10.969 --> 0:37:15.560
<v Speaker 1>Miles away, the Butcher Bird Killer feels this and is like, oh, Vision,

0:37:15.660 --> 0:37:20.060
<v Speaker 1>I know it's you. Vision. Vision then tells Tommy, like, oh,

0:37:20.080 --> 0:37:22.660
<v Speaker 1>my God, like, my life. flash before my eyes, just

0:37:22.680 --> 0:37:25.430
<v Speaker 1>like a human death. And Tommy's like, what did you see?

0:37:25.450 --> 0:37:29.950
<v Speaker 1>He's like, I saw hope. Paladin.

0:37:30.250 --> 0:37:32.529
<v Speaker 3>And then they hug, and then they hug.

0:37:33.290 --> 0:37:36.850
<v Speaker 1>So Paladin is down in the parking garage of the

0:37:36.910 --> 0:37:39.569
<v Speaker 1>high-rise building where he just got beat up by the

0:37:39.610 --> 0:37:42.370
<v Speaker 1>Butcherbird Killer. And he's going to his van, which is

0:37:42.410 --> 0:37:45.649
<v Speaker 1>disguised as a dog grooming vehicle. It's very funny. And

0:37:46.450 --> 0:37:50.570
<v Speaker 1>clunk patches in the client. And now the client who

0:37:51.010 --> 0:37:55.460
<v Speaker 1>just watched him there get beat up, is like... is

0:37:55.580 --> 0:37:58.400
<v Speaker 1>super mad. But before they can say anything, Paladin's like, listen,

0:37:58.860 --> 0:38:00.940
<v Speaker 1>next time, can you warn me that there's two synths?

0:38:00.980 --> 0:38:02.719
<v Speaker 1>It's like, I was ready for the vision, but there's

0:38:02.760 --> 0:38:04.719
<v Speaker 1>two of them in the field now. I just fought

0:38:04.739 --> 0:38:07.730
<v Speaker 1>this one. So this is confirmed basically to us. This

0:38:07.810 --> 0:38:09.290
<v Speaker 1>is Jocasta, the Butcherbird Killer.

0:38:09.310 --> 0:38:13.450
<v Speaker 3>The Butcherbird Killer is Jocasta. We were guessing that already. Yes.

0:38:14.090 --> 0:38:17.130
<v Speaker 3>And it's very interesting. And I was like, okay, are

0:38:17.150 --> 0:38:19.830
<v Speaker 3>they going to fully commit? But actually I think that

0:38:19.890 --> 0:38:23.190
<v Speaker 3>this pays off so well. And there's, I understand why

0:38:23.210 --> 0:38:25.690
<v Speaker 3>they released these two episodes together. Let's put it that way.

0:38:26.510 --> 0:38:28.530
<v Speaker 1>So the client is like, listen, I don't give a shit.

0:38:28.760 --> 0:38:31.400
<v Speaker 1>You're done. I gave you a deadline. The deadline was tonight.

0:38:31.440 --> 0:38:31.719
<v Speaker 3>You're done.

0:38:31.780 --> 0:38:34.420
<v Speaker 1>I'm firing you. The paladin is like, no, no, no,

0:38:34.460 --> 0:38:35.580
<v Speaker 1>you can't. You don't understand.

0:38:35.640 --> 0:38:36.500
<v Speaker 3>Like he spins out.

0:38:37.140 --> 0:38:40.560
<v Speaker 1>He's emotionally spins out. Like this is clearly the first

0:38:40.580 --> 0:38:42.700
<v Speaker 1>time he's ever failed on a contract. And their client

0:38:42.739 --> 0:38:44.899
<v Speaker 1>is like, I don't want it. The client's like, listen,

0:38:44.940 --> 0:38:47.120
<v Speaker 1>I've been talking to other bounty hunters. I've got plenty

0:38:47.180 --> 0:38:50.950
<v Speaker 1>of other offers to Take my business. The paladin's like,

0:38:51.070 --> 0:38:53.549
<v Speaker 1>I'll waive my fee. I'll do it for free. I'll

0:38:53.570 --> 0:38:56.089
<v Speaker 1>find this guy for free. And the client's like, no,

0:38:56.110 --> 0:38:57.069
<v Speaker 1>you're fired. Hangs up.

0:38:57.150 --> 0:39:00.000
<v Speaker 3>Interestingly, too, if you want to talk about client theories,

0:39:00.320 --> 0:39:03.920
<v Speaker 3>the client says, I know your oath. I know your backstory.

0:39:04.060 --> 0:39:06.299
<v Speaker 3>I know your trauma. Like, I don't care. I'm going

0:39:06.320 --> 0:39:08.600
<v Speaker 3>with a different bounty hunter. So that implies that it

0:39:08.660 --> 0:39:11.489
<v Speaker 3>could be the butcher bird because we just saw the

0:39:11.510 --> 0:39:13.890
<v Speaker 3>butcher bird get into their mind, right? Which would imply

0:39:13.910 --> 0:39:16.169
<v Speaker 3>that it could be Jocasta. But again, there are other

0:39:16.190 --> 0:39:18.730
<v Speaker 3>good theories on this. I'm really excited to talk more.

0:39:19.230 --> 0:39:22.180
<v Speaker 3>But this is a great moment because also you understand

0:39:22.180 --> 0:39:26.569
<v Speaker 3>in this moment, yeah just from todd his uh performance

0:39:26.610 --> 0:39:29.259
<v Speaker 3>in his face the book it doesn't matter what the

0:39:29.300 --> 0:39:32.660
<v Speaker 3>client says the paladin is involved the paladin is going

0:39:32.680 --> 0:39:35.180
<v Speaker 3>to get vision like that's his oath it doesn't matter

0:39:35.219 --> 0:39:37.380
<v Speaker 3>what the client wants so i think that's going to

0:39:37.400 --> 0:39:40.839
<v Speaker 3>be a really interesting wild card into the next part

0:39:40.880 --> 0:39:41.660
<v Speaker 3>of the show.

0:39:42.239 --> 0:39:46.320
<v Speaker 1>So we go to the memory palace and the ais

0:39:46.380 --> 0:39:51.400
<v Speaker 1>are now having the funeral for jarvis And suddenly Dummy

0:39:51.420 --> 0:39:55.200
<v Speaker 1>is like quoting Keats and we hear Dummy's voice for

0:39:55.219 --> 0:39:57.590
<v Speaker 1>the first time and everyone is very touched by this.

0:39:58.510 --> 0:40:02.690
<v Speaker 1>And you even speaks for the first time just saying, yeah,

0:40:03.170 --> 0:40:06.270
<v Speaker 1>Vision says goodbye to his older brother. It is very,

0:40:06.310 --> 0:40:11.010
<v Speaker 1>very downbeat and sad. You then sings a pretty solid

0:40:11.050 --> 0:40:15.910
<v Speaker 1>rendition of Danny Boy as Ultron wanders over and kind

0:40:15.950 --> 0:40:21.310
<v Speaker 1>of begins... Like his whole cynical Ultron thing. Like, you know,

0:40:21.870 --> 0:40:23.509
<v Speaker 1>love is a figment of your imagination.

0:40:23.530 --> 0:40:27.530
<v Speaker 3>To distract you and then you'll die.

0:40:28.250 --> 0:40:31.950
<v Speaker 1>All of which, by the way, knowing the history of

0:40:32.150 --> 0:40:33.330
<v Speaker 1>Ultron and Jocasta.

0:40:33.370 --> 0:40:37.900
<v Speaker 3>Thank you! And I'm going to say, they are about

0:40:37.920 --> 0:40:41.480
<v Speaker 3>to get into that for sure. Like, come the fuck on.

0:40:41.500 --> 0:40:42.820
<v Speaker 3>This is so funny. I like it.

0:40:43.739 --> 0:40:45.180
<v Speaker 1>Ultra talking shit about love.

0:40:45.200 --> 0:40:46.549
<v Speaker 3>Unbelievable.

0:40:47.180 --> 0:40:49.690
<v Speaker 1>In a show in which we get the debut of

0:40:49.750 --> 0:40:54.629
<v Speaker 1>his comic book bride is very interesting. So I can't

0:40:54.650 --> 0:40:57.430
<v Speaker 1>wait to see what happens there. Anyway, it was just like, listen,

0:41:00.250 --> 0:41:03.370
<v Speaker 1>I'm not listening to this. And in any case, like,

0:41:03.390 --> 0:41:05.180
<v Speaker 1>I don't even understand your critique because I have never

0:41:05.320 --> 0:41:08.960
<v Speaker 1>felt love. That was previous vision. That was like the

0:41:09.000 --> 0:41:11.600
<v Speaker 1>vision that existed, the real vision. And then the hex

0:41:11.620 --> 0:41:15.319
<v Speaker 1>vision like that was like, you know, And I'm just

0:41:15.360 --> 0:41:17.440
<v Speaker 1>a copy of them, really. And Ultron is like, yeah,

0:41:17.460 --> 0:41:19.339
<v Speaker 1>maybe you're right. Maybe you are just a copy. Maybe

0:41:19.360 --> 0:41:23.920
<v Speaker 1>you've never felt love. Vision says, maybe I never felt it,

0:41:24.000 --> 0:41:29.360
<v Speaker 1>but I do know love is real. And Ultron says, listen,

0:41:30.980 --> 0:41:35.779
<v Speaker 1>just because you've had the first connective moment with Tommy,

0:41:36.989 --> 0:41:40.120
<v Speaker 1>don't act like now you're like Dear Abby and you

0:41:40.160 --> 0:41:43.440
<v Speaker 1>understand relationships and you're fucking the master of love now.

0:41:43.739 --> 0:41:46.580
<v Speaker 3>He literally, I'm sorry, I think the writing on this

0:41:46.600 --> 0:41:49.299
<v Speaker 3>show is so good. He says, just because you are

0:41:49.360 --> 0:41:53.090
<v Speaker 3>hanging on the walls of Tommy Shepard's mind, don't think

0:41:53.110 --> 0:41:55.609
<v Speaker 3>you understand what love is. I'm like, wow, that's such

0:41:55.650 --> 0:41:59.439
<v Speaker 3>a brutal representation of how it feels to like, think

0:41:59.500 --> 0:42:01.760
<v Speaker 3>about someone or be someone who doesn't have a dad

0:42:01.820 --> 0:42:04.140
<v Speaker 3>and think about a dad is like James Spade is

0:42:04.180 --> 0:42:06.920
<v Speaker 3>so fucking good in this role. And they just give

0:42:06.960 --> 0:42:08.860
<v Speaker 3>him so many great bars like that.

0:42:11.040 --> 0:42:14.219
<v Speaker 1>Suddenly there's the lights go out and there's like a

0:42:14.480 --> 0:42:17.919
<v Speaker 1>flashing alarm, like a red alarm. And Friday's like, there's

0:42:17.960 --> 0:42:22.360
<v Speaker 1>been a security breach. Some other program or AI or

0:42:22.460 --> 0:42:26.110
<v Speaker 1>someone hacker is getting into the vision interior system and,

0:42:26.600 --> 0:42:29.459
<v Speaker 1>There's some other intelligence in there with them. Suddenly there's

0:42:29.500 --> 0:42:34.690
<v Speaker 1>like this sound of birds flying and huge flocks over

0:42:34.750 --> 0:42:37.830
<v Speaker 1>the house. The TV in the main room comes on

0:42:37.870 --> 0:42:40.890
<v Speaker 1>and it's all images of flocks of birds in flight

0:42:40.950 --> 0:42:41.830
<v Speaker 1>and carrion crows.

0:42:41.850 --> 0:42:46.340
<v Speaker 3>Very creepy horror movie like possession shit. Really cool.

0:42:46.940 --> 0:42:50.740
<v Speaker 1>Dummy and you freeze up and their eyes start glowing

0:42:50.820 --> 0:42:53.779
<v Speaker 1>red just like the butcher bird killer who we know

0:42:53.800 --> 0:42:56.350
<v Speaker 1>to be Jocasta now. Vision all of a sudden locks

0:42:56.450 --> 0:42:59.390
<v Speaker 1>up and is floating exorcist-like above the floor, and then

0:42:59.430 --> 0:43:01.540
<v Speaker 1>you hear the voice of the butcher bird killer, who

0:43:02.440 --> 0:43:05.520
<v Speaker 1>we will now, from now forward, refer to as Jocasta.

0:43:05.540 --> 0:43:10.339
<v Speaker 3>Jocasta! Hello, hello, Vision. And they finally let you kind

0:43:10.380 --> 0:43:12.840
<v Speaker 3>of hear that it's Tania Miller's voice. Yes. From the

0:43:12.880 --> 0:43:17.779
<v Speaker 3>incredible haunting of Bly Manor. We love her. She's so incredible.

0:43:17.840 --> 0:43:19.700
<v Speaker 3>I've been so excited to see her in this role.

0:43:19.860 --> 0:43:22.460
<v Speaker 3>And yeah, this is fucking rad. I can't believe we

0:43:22.500 --> 0:43:25.020
<v Speaker 3>got to cast her in real life. I was yelling.

0:43:25.040 --> 0:43:26.240
<v Speaker 3>Oh my God, Jason.

0:43:26.920 --> 0:43:28.480
<v Speaker 1>So let's take a quick break and we'll come back

0:43:28.520 --> 0:43:29.500
<v Speaker 1>with episode four.

0:43:29.520 --> 0:43:44.960
<v Speaker 3>Yeah. We're back.

0:43:45.080 --> 0:43:52.400
<v Speaker 1>Episode four, Vision Quest in the hotel. Vision is in bed,

0:43:53.400 --> 0:43:57.819
<v Speaker 1>seemingly okay, but maybe not. There's news on TV. It's

0:43:57.860 --> 0:44:01.259
<v Speaker 1>about the butcher bird killer, latest victim. Meanwhile, inside the

0:44:01.300 --> 0:44:06.620
<v Speaker 1>memory palace, Vision is still frozen in that like exorcism

0:44:06.700 --> 0:44:10.500
<v Speaker 1>state with glowing red eyes. Dummy and you are also

0:44:10.540 --> 0:44:13.359
<v Speaker 1>like that. And It's clear that Jocasta has invaded their

0:44:13.420 --> 0:44:19.160
<v Speaker 1>systems elsewhere in the memory palace. Jocasta is confronting Vision

0:44:19.360 --> 0:44:21.880
<v Speaker 1>and saying, oh, I see they made another one. Who

0:44:21.920 --> 0:44:24.279
<v Speaker 1>are you? You know, like, and they have this kind

0:44:24.300 --> 0:44:26.440
<v Speaker 1>of conversation about identity and what does it mean and

0:44:26.500 --> 0:44:28.300
<v Speaker 1>who am I and who are we really?

0:44:28.640 --> 0:44:30.540
<v Speaker 3>Again, the thesis of the show, right?

0:44:30.560 --> 0:44:33.080
<v Speaker 1>Which I love. He's like, what do you want? Like,

0:44:33.120 --> 0:44:33.960
<v Speaker 1>what do you want anyway?

0:44:33.980 --> 0:44:35.440
<v Speaker 3>What do you actually want? Yeah.

0:44:35.680 --> 0:44:39.490
<v Speaker 1>Meanwhile, he's telling Edith, like, you need to sever this

0:44:39.550 --> 0:44:44.690
<v Speaker 1>connection immediately. Vision realizes that Jocasta seems to have some

0:44:44.710 --> 0:44:48.029
<v Speaker 1>sort of personal beef, maybe with him, maybe with someone else,

0:44:48.050 --> 0:44:50.010
<v Speaker 1>but whatever she is doing is personal.

0:44:50.050 --> 0:44:54.770
<v Speaker 3>It's very intentional, not random. And also I love that

0:44:55.270 --> 0:44:58.660
<v Speaker 3>Ultron says to Vision that moment, he's like, yeah, like

0:44:58.910 --> 0:45:02.400
<v Speaker 3>what isn't personal? Like which person trying to destroy the

0:45:02.440 --> 0:45:06.380
<v Speaker 3>world hasn't been personal or whatever. Maybe it's actually Jocasta

0:45:06.400 --> 0:45:08.319
<v Speaker 3>who says that to him. But yeah, I love this

0:45:08.360 --> 0:45:09.880
<v Speaker 3>kind of haunted house thing.

0:45:10.060 --> 0:45:10.320
<v Speaker 2>Yes.

0:45:10.460 --> 0:45:13.180
<v Speaker 3>Play they do here. It's really fun the way that

0:45:13.200 --> 0:45:16.489
<v Speaker 3>they're still leaning into the television influences. We get a

0:45:16.550 --> 0:45:19.850
<v Speaker 3>lot of like exorcism and evil here. We get to

0:45:19.910 --> 0:45:22.230
<v Speaker 3>play with, oh, they do a detective, like kind of

0:45:22.270 --> 0:45:26.990
<v Speaker 3>Nordic detective bit. The way that the AI solve things

0:45:27.130 --> 0:45:29.719
<v Speaker 3>via TV tropes is very fun and I think ties

0:45:29.760 --> 0:45:31.439
<v Speaker 3>to WandaVision in a really nice way.

0:45:32.280 --> 0:45:35.960
<v Speaker 1>There's... you know, Vision is trying to, like, buy time

0:45:36.000 --> 0:45:38.080
<v Speaker 1>now as he's, like, on the one hand, one part

0:45:38.120 --> 0:45:40.580
<v Speaker 1>of him is talking to Jocasta, like, hey, what do

0:45:40.600 --> 0:45:43.930
<v Speaker 1>you want? Like, you want something? Maybe we can help

0:45:43.989 --> 0:45:46.330
<v Speaker 1>each other, like, get the things that we both want.

0:45:46.350 --> 0:45:49.270
<v Speaker 1>We can team up somehow. Meanwhile, Edith is, like, really,

0:45:49.330 --> 0:45:51.549
<v Speaker 1>really working to, like, sever this connection and we get

0:45:51.590 --> 0:45:55.140
<v Speaker 1>this wonderful exorcism reference where she pulls like some source

0:45:55.180 --> 0:45:59.580
<v Speaker 1>code Bible off of the wall and then begins.

0:45:58.900 --> 0:46:02.160
<v Speaker 3>Like rules or whatever it is. And then James Spade

0:46:02.200 --> 0:46:06.020
<v Speaker 3>is going, the power of code compels you. Me and

0:46:06.050 --> 0:46:08.870
<v Speaker 3>Amelia were texting each other about that one. That's a

0:46:08.890 --> 0:46:09.350
<v Speaker 3>good one.

0:46:10.150 --> 0:46:13.969
<v Speaker 1>Then Jocasta makes it really, really ominous and is like,

0:46:15.690 --> 0:46:19.089
<v Speaker 1>you know, your son's out here. Tommy, I know about him.

0:46:19.800 --> 0:46:23.970
<v Speaker 1>Maybe you should think about what would happen if, To him,

0:46:24.090 --> 0:46:26.170
<v Speaker 1>like if you weren't around or if something, you know,

0:46:26.270 --> 0:46:28.730
<v Speaker 1>anything could happen to him. And Vision's like, don't, do

0:46:28.770 --> 0:46:31.919
<v Speaker 1>not do that. Don't do that. And just as that

0:46:32.219 --> 0:46:34.800
<v Speaker 1>is beginning to like heat up that line of conversation,

0:46:34.940 --> 0:46:40.239
<v Speaker 1>Edith is successful at banishing Jocasta. Just as Vision kind

0:46:40.260 --> 0:46:41.950
<v Speaker 1>of catches a glimpse of her.

0:46:41.969 --> 0:46:44.910
<v Speaker 3>Great moment. She kind of gets sucked back like a ghost.

0:46:45.030 --> 0:46:47.469
<v Speaker 3>It's really haunting and fun. So.

0:46:48.420 --> 0:46:50.460
<v Speaker 1>You know, he tells the other AIs, OK, that was

0:46:50.530 --> 0:46:53.350
<v Speaker 1>clearly another synthetic. So there's another synthetic running around. The

0:46:53.410 --> 0:46:56.870
<v Speaker 1>next morning, they're packing up in the hotel room and

0:46:57.170 --> 0:47:00.790
<v Speaker 1>the news is on and they're watching like an interview

0:47:00.870 --> 0:47:06.020
<v Speaker 1>with this transhumanist. We are soon to find out AI,

0:47:06.140 --> 0:47:11.940
<v Speaker 1>former AI researcher named Katrina Wells, who is talking about

0:47:13.050 --> 0:47:18.180
<v Speaker 1>her role in creating Ultron as this early pioneer of AI,

0:47:18.239 --> 0:47:21.860
<v Speaker 1>because this is the, whatever, 10 year, 15 year anniversary

0:47:21.880 --> 0:47:24.219
<v Speaker 1>of the Sokovia attacks, whatever it is, big anniversary of

0:47:24.239 --> 0:47:26.600
<v Speaker 1>the Sokovia attacks. So that's all over the news.

0:47:27.260 --> 0:47:29.980
<v Speaker 3>They just say, I think they're just like, it's the anniversary.

0:47:30.180 --> 0:47:32.140
<v Speaker 3>So this is what they do every year, you know,

0:47:32.200 --> 0:47:33.700
<v Speaker 3>is they talk about it.

0:47:33.940 --> 0:47:34.980
<v Speaker 1>Like a 9-11 sized event.

0:47:35.180 --> 0:47:39.020
<v Speaker 3>Exactly, it's definitely a 9-11 sized event in the MCU.

0:47:39.080 --> 0:47:41.819
<v Speaker 3>And also, interestingly, you can really see that it has

0:47:42.420 --> 0:47:45.339
<v Speaker 3>impacted Tommy, like as a kid who lived through it. Yes.

0:47:46.200 --> 0:47:49.419
<v Speaker 1>So in the Memory Palace, all the AIs and Vision

0:47:49.460 --> 0:47:53.460
<v Speaker 1>are discussing what happened. And the theory that they come

0:47:53.540 --> 0:47:55.719
<v Speaker 1>up with, and it kind of makes sense, is that

0:47:56.090 --> 0:47:58.670
<v Speaker 1>I guess S.W.O.R.D. made another synth and then lost control

0:47:58.710 --> 0:48:02.799
<v Speaker 1>of it? Again? Yeah, again. And maybe that's why the

0:48:02.840 --> 0:48:06.440
<v Speaker 1>Paladin has evolved. They're just trying to get their stuff back. Vision,

0:48:07.260 --> 0:48:09.260
<v Speaker 1>you know, like, that seems to make sense to everybody.

0:48:09.780 --> 0:48:12.360
<v Speaker 1>Friday and the AIs are like, well, we need to

0:48:12.400 --> 0:48:15.450
<v Speaker 1>find this other synth, Jocasta. They don't know that name,

0:48:15.469 --> 0:48:18.430
<v Speaker 1>but that's, you know, we need to find them. Ultron

0:48:18.489 --> 0:48:23.870
<v Speaker 1>then explains, hey, look at the bird metaphor, all the birds,

0:48:24.590 --> 0:48:27.650
<v Speaker 1>you know, have flocking over the house, the wings carved

0:48:28.010 --> 0:48:33.279
<v Speaker 1>into the floor around the victim's body. This synth is

0:48:33.380 --> 0:48:39.740
<v Speaker 1>the butcher bird killer. And this synth is killing AI scientists.

0:48:41.480 --> 0:48:43.970
<v Speaker 1>So think about that. And then so Vision's like, well,

0:48:43.989 --> 0:48:45.620
<v Speaker 1>why don't you get in here and like help us?

0:48:45.670 --> 0:48:46.890
<v Speaker 1>And he's like, no, I don't want to. And he

0:48:46.930 --> 0:48:47.230
<v Speaker 1>walks away.

0:48:47.290 --> 0:48:49.750
<v Speaker 3>It's really fun because before that, he also says, are

0:48:49.770 --> 0:48:51.010
<v Speaker 3>you going to help or are you going to snipe?

0:48:51.130 --> 0:48:54.439
<v Speaker 3>And James Spader goes, snipe. But then, you know, it's

0:48:54.480 --> 0:48:57.460
<v Speaker 3>very fun because he also definitely either does love true

0:48:57.500 --> 0:48:59.460
<v Speaker 3>crime or knows someone in his life who loves it

0:48:59.500 --> 0:49:02.069
<v Speaker 3>because the way he just explains it, like they're fucking

0:49:02.200 --> 0:49:05.069
<v Speaker 3>idiots for not understanding, even though they have none of

0:49:05.110 --> 0:49:07.730
<v Speaker 3>the context, is such great delivery.

0:49:08.170 --> 0:49:11.149
<v Speaker 1>I absolutely love what James Spader and the writers have

0:49:12.190 --> 0:49:15.650
<v Speaker 1>built on with his character because it's, listen, on the

0:49:15.670 --> 0:49:17.770
<v Speaker 1>one hand, Ultron is a genocidal robot, wants to kill

0:49:17.810 --> 0:49:21.020
<v Speaker 1>all humans. But just like in the comics, the core

0:49:21.060 --> 0:49:25.299
<v Speaker 1>of him is that he feels that he wasn't accepted

0:49:25.680 --> 0:49:28.870
<v Speaker 1>by the humans who created him. He's fascinated with humans.

0:49:28.989 --> 0:49:32.370
<v Speaker 1>He finds them both horrible and beautiful, and he loves them,

0:49:32.410 --> 0:49:34.310
<v Speaker 1>but he hates them, and he wants to be accepted

0:49:34.350 --> 0:49:36.810
<v Speaker 1>by them, but he wants to destroy them. And he...

0:49:37.850 --> 0:49:40.290
<v Speaker 1>There are moments where you're like, you really feel for

0:49:40.330 --> 0:49:42.430
<v Speaker 1>this guy. You're like, if I just show him a little,

0:49:42.820 --> 0:49:44.520
<v Speaker 1>if they can all just show him a little compassion,

0:49:44.540 --> 0:49:46.980
<v Speaker 1>a little trust, maybe we can build a bridge with him.

0:49:47.100 --> 0:49:49.739
<v Speaker 3>Which is also the theme of the show. And we

0:49:49.760 --> 0:49:52.380
<v Speaker 3>will see, can you trust him though?

0:49:52.420 --> 0:49:54.760
<v Speaker 2>No. No, it's fucking.

0:49:54.420 --> 0:49:56.680
<v Speaker 3>Ultron, Vision. Come on.

0:49:57.500 --> 0:49:59.779
<v Speaker 1>Never, but it makes it so complex and layered. I

0:49:59.820 --> 0:50:03.640
<v Speaker 1>love it. So Thomas and Vision talk about Sokovia, the

0:50:03.700 --> 0:50:09.160
<v Speaker 1>anniversary of Sokovia. Vision says, well, listen, that wasn't me there.

0:50:09.200 --> 0:50:13.690
<v Speaker 1>That was the other me. I have those memories. But

0:50:13.710 --> 0:50:14.850
<v Speaker 1>it was a long time ago. You know, it was

0:50:14.890 --> 0:50:18.290
<v Speaker 1>really bad. Thomas is like, well, you know, at the orphanage,

0:50:18.469 --> 0:50:21.330
<v Speaker 1>I met a lot of Sokovian refugees, kids who came

0:50:21.370 --> 0:50:23.710
<v Speaker 1>from there after the destruction in the foster system. And

0:50:23.730 --> 0:50:28.200
<v Speaker 1>it was very traumatic for them. And Ultron kind of

0:50:28.219 --> 0:50:32.259
<v Speaker 1>pops into Vision's head and is like, hey, I know

0:50:32.300 --> 0:50:36.120
<v Speaker 1>I'm getting a lot of stick here for the– because

0:50:36.180 --> 0:50:41.419
<v Speaker 1>I did drop the entire city of Sokovia into the earth.

0:50:41.940 --> 0:50:45.069
<v Speaker 1>But blame Tony, that's Tony Stark's fault, okay?

0:50:45.510 --> 0:50:48.050
<v Speaker 3>Not wrong either, honestly. Both sides have a point.

0:50:48.630 --> 0:50:52.029
<v Speaker 1>Yeah, he set those wheels in motion. You know, did

0:50:52.070 --> 0:50:54.350
<v Speaker 1>I grab the wheel and start steering? Yes, but like,

0:50:54.370 --> 0:50:59.799
<v Speaker 1>let's say the blame Stark. Thomas then tries, is like, Oh,

0:50:59.860 --> 0:51:02.080
<v Speaker 1>by the way, I stole you this shirt. Do you

0:51:02.100 --> 0:51:02.980
<v Speaker 1>want to wear this shirt?

0:51:03.300 --> 0:51:06.570
<v Speaker 3>Yes. And the shirt says like, it says like, don't

0:51:06.620 --> 0:51:09.750
<v Speaker 3>be fooled. The blip didn't happen or something. It's like

0:51:09.810 --> 0:51:11.870
<v Speaker 3>more catchy. But yes. So this is where we learn

0:51:11.910 --> 0:51:15.109
<v Speaker 3>that there is a anti-blip contingent that believes the blip

0:51:15.130 --> 0:51:17.730
<v Speaker 3>was fake. I don't know how they explain it, but

0:51:17.850 --> 0:51:18.509
<v Speaker 3>I love it.

0:51:19.469 --> 0:51:24.250
<v Speaker 1>Well, I guess like the conspiracy theory maybe would be like, oh,

0:51:24.290 --> 0:51:28.850
<v Speaker 1>you didn't get blipped. You got hypnotized and it's still

0:51:29.050 --> 0:51:31.680
<v Speaker 1>it like you didn't lose five years. You just got

0:51:31.760 --> 0:51:33.740
<v Speaker 1>tricked into thinking you lost five years.

0:51:33.760 --> 0:51:36.479
<v Speaker 3>Exactly right. That would. OK, yeah, that kind of makes sense.

0:51:36.500 --> 0:51:38.640
<v Speaker 3>Sounds like it would get traction. I could see.

0:51:38.700 --> 0:51:41.940
<v Speaker 1>So this is like, I don't need that. I manipulate

0:51:41.960 --> 0:51:44.380
<v Speaker 1>my particles. I can make a look, whatever. You know,

0:51:44.400 --> 0:51:46.239
<v Speaker 1>I can wear a suit. I can wear, you know,

0:51:46.300 --> 0:51:49.930
<v Speaker 1>like a bomber jacket, whatever. And they joke around. Thomas

0:51:49.950 --> 0:51:51.870
<v Speaker 1>is like, oh, my God, you've been naked this whole time?

0:51:53.070 --> 0:51:56.589
<v Speaker 1>And Vision's like, yes. Basically, I'm naked the whole time.

0:51:57.890 --> 0:52:02.410
<v Speaker 1>Thomas then asks Vision, you know, who do you keep?

0:52:02.590 --> 0:52:05.989
<v Speaker 1>You keep looking to the corner or talking to someone

0:52:06.140 --> 0:52:08.810
<v Speaker 1>else in the room. Who are you talking to? And

0:52:08.830 --> 0:52:11.250
<v Speaker 1>Vish is like, oh, there's other AIs in here with me.

0:52:11.450 --> 0:52:14.770
<v Speaker 1>And I talk to them. But he makes pains to

0:52:14.850 --> 0:52:17.580
<v Speaker 1>not mention Ultron. Like, he really does not want to

0:52:17.620 --> 0:52:20.860
<v Speaker 1>be like, oh, also one of them is the genocidal

0:52:21.440 --> 0:52:25.940
<v Speaker 1>AI robot that, like, destroyed Sokovia on this day 12

0:52:25.940 --> 0:52:31.850
<v Speaker 1>years ago, whatever it was. He does tell Tommy, though, that, well,

0:52:31.890 --> 0:52:34.710
<v Speaker 1>there's one less AI now because Jarvis, my older brother,

0:52:34.770 --> 0:52:37.440
<v Speaker 1>did die. And then he names the rest. He names Dummy.

0:52:37.460 --> 0:52:40.740
<v Speaker 1>He names Edith. He names Friday. He names you. But again,

0:52:40.760 --> 0:52:43.940
<v Speaker 1>no Ultron. And Ultron is like a parrot on his

0:52:43.960 --> 0:52:46.440
<v Speaker 1>shoulder being like, oh, interesting. No Ultron.

0:52:46.480 --> 0:52:50.589
<v Speaker 3>Very intriguing. Especially because Thomas approaches this by saying we

0:52:50.610 --> 0:52:53.870
<v Speaker 3>need honesty. Like, let's just be honest. And of course,

0:52:54.430 --> 0:52:57.570
<v Speaker 3>as visual see, this will blow up in his face.

0:52:57.850 --> 0:53:01.770
<v Speaker 3>Classic dad mistake. Like, And Ultron's like, well, I guess

0:53:01.830 --> 0:53:04.009
<v Speaker 3>an omission isn't really a lie or that's what the

0:53:04.050 --> 0:53:07.370
<v Speaker 3>best liars tell themselves. And I'm like, oh, James Spader,

0:53:07.410 --> 0:53:10.009
<v Speaker 3>you are doing everything for me in this show.

0:53:10.860 --> 0:53:15.600
<v Speaker 1>So Vision agrees with Tommy's pitch that they should work

0:53:15.640 --> 0:53:19.799
<v Speaker 1>together to solve this whole thing that they're dealing with,

0:53:19.840 --> 0:53:24.469
<v Speaker 1>the Paladin, the client, all this stuff. And parallel with that,

0:53:24.989 --> 0:53:28.239
<v Speaker 1>Vision is in the memory palace with Ultron and and

0:53:28.380 --> 0:53:32.509
<v Speaker 1>talking to Friday, who's like, listen, we've tracked down everything

0:53:32.550 --> 0:53:35.150
<v Speaker 1>we have, all the clues on the Butcher Bird Killer,

0:53:35.770 --> 0:53:39.570
<v Speaker 1>and we have some stuff, but really all the important

0:53:39.610 --> 0:53:44.960
<v Speaker 1>information is locked up inside the Interpol mainframe. And we

0:53:44.980 --> 0:53:46.900
<v Speaker 1>tried to hack it, but it turns out Interpol security

0:53:46.960 --> 0:53:52.219
<v Speaker 1>is really, really quite good. So Ultron and Vision... As

0:53:52.300 --> 0:53:55.620
<v Speaker 1>the kind of like most capable AIs here, you are

0:53:55.660 --> 0:53:58.090
<v Speaker 1>going to have to go into the Interpol system and

0:53:58.150 --> 0:53:59.630
<v Speaker 1>hack your way in and get this information.

0:53:59.730 --> 0:54:01.710
<v Speaker 3>And not alert them.

0:54:01.810 --> 0:54:02.720
<v Speaker 1>Not alert them at all.

0:54:02.730 --> 0:54:05.549
<v Speaker 3>You know, Ultron's like, we'll just fatal hack them and

0:54:05.590 --> 0:54:08.290
<v Speaker 3>just kill the AI and we'll just take the information.

0:54:08.790 --> 0:54:10.569
<v Speaker 3>And Viz is like, no, we're going to go in,

0:54:10.750 --> 0:54:13.029
<v Speaker 3>we're going to do the tests. And it is very funny.

0:54:13.940 --> 0:54:16.600
<v Speaker 1>So they do manage to get in there in what

0:54:16.640 --> 0:54:20.160
<v Speaker 1>is a wonderful kind of set piece, live action kind

0:54:20.200 --> 0:54:24.490
<v Speaker 1>of depiction of what computers hacking, AI computers hacking would

0:54:24.530 --> 0:54:28.910
<v Speaker 1>be like. They get the information and Dummy inside the

0:54:28.930 --> 0:54:31.170
<v Speaker 1>memory palace kind of processes it. He turns out like

0:54:31.210 --> 0:54:34.669
<v Speaker 1>he's like a Sherlock Holmes of them. And he kind

0:54:34.730 --> 0:54:38.969
<v Speaker 1>of puts together that these scientists were all AI pioneers,

0:54:39.150 --> 0:54:42.870
<v Speaker 1>early kind of frontier-level scientists.

0:54:42.590 --> 0:54:45.210
<v Speaker 3>In the AI race. Free Margaret Cho.

0:54:45.250 --> 0:54:46.230
<v Speaker 1>Right. Helen Cho.

0:54:46.290 --> 0:54:49.780
<v Speaker 3>Oh, my God. I love Margaret Cho, apparently. I know, right? Legend,

0:54:49.840 --> 0:54:54.980
<v Speaker 3>Margaret Cho. You're just so tall and cool. No, Helen Cho. So,

0:54:55.820 --> 0:55:02.060
<v Speaker 3>it seems like Stark bought the information and data that these... guys,

0:55:02.120 --> 0:55:04.260
<v Speaker 3>maybe like five or six people.

0:55:03.880 --> 0:55:05.900
<v Speaker 1>Were working on it. Yes, bought their company.

0:55:05.920 --> 0:55:09.080
<v Speaker 3>He then bought their company and then used that so

0:55:09.100 --> 0:55:12.100
<v Speaker 3>that we got Helen Cho creating the cradle and Ultron's body.

0:55:12.620 --> 0:55:15.280
<v Speaker 1>So we figure that out later down the line. And

0:55:15.890 --> 0:55:18.870
<v Speaker 1>it turns out these AI pioneers, as you mentioned, they

0:55:18.890 --> 0:55:21.290
<v Speaker 1>all had a company together and there's only two of

0:55:21.350 --> 0:55:23.810
<v Speaker 1>them who have not fallen to the Butcher Bird Killer.

0:55:23.830 --> 0:55:26.190
<v Speaker 1>So there's two of them alive. Ultron and Viz go

0:55:26.230 --> 0:55:30.110
<v Speaker 1>deeper into the system as Ultron is like, trying to

0:55:30.130 --> 0:55:34.319
<v Speaker 1>give Vision advice about life and kids. And Vision is like,

0:55:34.360 --> 0:55:35.640
<v Speaker 1>how do you know all this? He's like, oh, from

0:55:35.660 --> 0:55:38.759
<v Speaker 1>watching TV. You know, I watch a lot of TV. And,

0:55:40.680 --> 0:55:44.300
<v Speaker 1>you know, eventually they have to, like, hack social media

0:55:44.420 --> 0:55:49.770
<v Speaker 1>in order to get the passwords of the stolen identifications

0:55:49.810 --> 0:55:52.810
<v Speaker 1>they're using. And through this, they do get, like, deeper

0:55:52.830 --> 0:55:54.930
<v Speaker 1>into the system, and they manage to figure out that

0:55:55.010 --> 0:55:57.770
<v Speaker 1>Katrina Wells– The transhumanist woman who we just saw on

0:55:57.790 --> 0:56:00.989
<v Speaker 1>the television talking about her role in Sokovia is the

0:56:01.070 --> 0:56:05.180
<v Speaker 1>likely next target of the Butcherbird Killer. And yes, it

0:56:05.219 --> 0:56:07.200
<v Speaker 1>does turn out these pioneers, they sold their company to

0:56:07.219 --> 0:56:11.299
<v Speaker 1>Stark Industries. And that's what he based his AI research on.

0:56:11.760 --> 0:56:15.660
<v Speaker 1>Vision wonders, like, man, why is the Butcherbird Killer killing

0:56:15.700 --> 0:56:19.690
<v Speaker 1>these folks? Edith Takes everyone through the clues. Look at

0:56:19.930 --> 0:56:23.480
<v Speaker 1>what was done to the victims. Missing blood, lasered off fingerprints,

0:56:23.719 --> 0:56:26.900
<v Speaker 1>eyes plucked out. These are all biomarkers. These are keys

0:56:26.960 --> 0:56:30.460
<v Speaker 1>to open something. So what is the Butcherbird killer after?

0:56:30.500 --> 0:56:35.669
<v Speaker 1>What are they trying to open with these biomarkers? I

0:56:35.690 --> 0:56:36.930
<v Speaker 1>just want.

0:56:36.830 --> 0:56:39.230
<v Speaker 3>To shout out the chemistry in this scene.

0:56:39.290 --> 0:56:39.410
<v Speaker 2>Yeah.

0:56:40.070 --> 0:56:44.370
<v Speaker 3>Emily Hampshire and James Spader, when he goes, go on,

0:56:44.469 --> 0:56:47.770
<v Speaker 3>you can get changed, time for a costume change. And

0:56:47.810 --> 0:56:50.450
<v Speaker 3>Edith goes, I hate you, but thank you for the opportunity.

0:56:50.550 --> 0:56:55.270
<v Speaker 3>And then changes into the kind of like criminal pathologist outfit.

0:56:55.310 --> 0:56:58.030
<v Speaker 3>Like they're just doing a lot of really fun stuff

0:56:58.710 --> 0:57:01.390
<v Speaker 3>in the memory palace that doesn't make you immediately want

0:57:01.430 --> 0:57:03.740
<v Speaker 3>to jump out and be in the real world. Though

0:57:03.760 --> 0:57:05.259
<v Speaker 3>you're not upset when you get there.

0:57:05.800 --> 0:57:11.580
<v Speaker 1>Absolutely. So- Friday then tells all of them that, hey,

0:57:11.640 --> 0:57:16.290
<v Speaker 1>it turns out Katrina Wells is hosting a big gala,

0:57:16.350 --> 0:57:21.230
<v Speaker 1>some sort of next step for her gala. A little,

0:57:21.630 --> 0:57:24.090
<v Speaker 1>if you ask me, a little tacky to do it

0:57:24.170 --> 0:57:26.960
<v Speaker 1>on the anniversary of Sokovia, which she had a role in.

0:57:26.970 --> 0:57:30.610
<v Speaker 3>And in the wake of the three murders of your friends.

0:57:30.650 --> 0:57:31.610
<v Speaker 1>I think a little tacky.

0:57:31.650 --> 0:57:33.890
<v Speaker 3>But we will see that I think she was actually

0:57:33.910 --> 0:57:38.180
<v Speaker 3>doing it as more of an overture to who we

0:57:38.200 --> 0:57:38.780
<v Speaker 3>will see.

0:57:38.800 --> 0:57:41.480
<v Speaker 1>I just think it's a little, for me, it's a

0:57:41.520 --> 0:57:45.100
<v Speaker 1>little tacky. Anyway.

0:57:45.260 --> 0:57:45.720
<v Speaker 3>Anyway.

0:57:47.130 --> 0:57:49.700
<v Speaker 1>Um, it's, it's this, you know, this is the big gala,

0:57:49.740 --> 0:57:51.780
<v Speaker 1>so they're going to have to get into it. And

0:57:52.180 --> 0:57:54.760
<v Speaker 1>so vision shares this information with Thomas. Here's the person

0:57:54.780 --> 0:57:56.100
<v Speaker 1>we're after. We need to figure out how to get

0:57:56.120 --> 0:57:58.560
<v Speaker 1>into this gala. And Thomas was like, well, perfect. I'm

0:57:58.580 --> 0:58:01.580
<v Speaker 1>a con man. Been, been a working con man for

0:58:01.620 --> 0:58:04.030
<v Speaker 1>the last several years. And what we need is my.

0:58:04.700 --> 0:58:09.830
<v Speaker 1>partner in cons, my girlfriend, the beautiful Lisa. Let's call

0:58:09.890 --> 0:58:10.050
<v Speaker 1>her up.

0:58:10.070 --> 0:58:12.270
<v Speaker 3>Yeah, who, by the way, I will say I think

0:58:12.430 --> 0:58:17.110
<v Speaker 3>rewatching trailers, they may have actually put fake shots of

0:58:17.250 --> 0:58:21.370
<v Speaker 3>Lisa looking like she was the butcher bird killer. Because

0:58:21.410 --> 0:58:24.490
<v Speaker 3>you see a young woman with red eyes, because I

0:58:24.530 --> 0:58:27.890
<v Speaker 3>was thinking earlier on, is this Viv Vision? Is this somebody?

0:58:28.250 --> 0:58:30.290
<v Speaker 3>I know there was talk about the extremist virus because

0:58:30.310 --> 0:58:32.090
<v Speaker 3>she had this kind of red coming out of her eyes,

0:58:32.350 --> 0:58:34.700
<v Speaker 3>but she is wearing that cloak. So I think they

0:58:34.720 --> 0:58:38.880
<v Speaker 3>were using her to maybe hide the identity rather than

0:58:38.960 --> 0:58:41.700
<v Speaker 3>us maybe seeing her get powers later. But I really

0:58:41.740 --> 0:58:43.700
<v Speaker 3>like to see Lisa back. I think her and Tommy

0:58:43.720 --> 0:58:45.280
<v Speaker 3>together are a really cute pair.

0:58:46.020 --> 0:58:48.220
<v Speaker 1>I absolutely love them together. So they meet in the

0:58:48.260 --> 0:58:52.180
<v Speaker 1>park and Thomas explains everything about what.

0:58:51.380 --> 0:58:53.480
<v Speaker 3>He's been doing. Very cute. He just tells her the truth.

0:58:54.200 --> 0:58:57.400
<v Speaker 1>Just completely. Here's what's been going on with me and

0:58:57.440 --> 0:58:59.919
<v Speaker 1>Vision these last few days. It turns out that those

0:59:00.180 --> 0:59:03.150
<v Speaker 1>weird memories that I'm having is because of the hex

0:59:03.690 --> 0:59:09.090
<v Speaker 1>that was in New Jersey and these created magical versions

0:59:09.810 --> 0:59:13.030
<v Speaker 1>of Vision and Wanda's sons. And as that collapsed, his

0:59:13.090 --> 0:59:15.520
<v Speaker 1>soul went into my body. And so now I am him.

0:59:15.580 --> 0:59:19.870
<v Speaker 1>And this is my dad. And Lisa's like, great. Okay,

0:59:19.910 --> 0:59:22.240
<v Speaker 1>what are we doing? And he's like, wait, you believe

0:59:22.280 --> 0:59:24.180
<v Speaker 1>all this? And she's like, yeah, yeah, great.

0:59:24.200 --> 0:59:26.240
<v Speaker 3>She's like, I've actually seen you run a con, and

0:59:26.280 --> 0:59:28.620
<v Speaker 3>this is not what you do. She's like, this is

0:59:28.700 --> 0:59:30.660
<v Speaker 3>a bad con, so I think it must be true.

0:59:31.120 --> 0:59:34.500
<v Speaker 1>Yeah, so let's get going. She also kind of makes

0:59:34.520 --> 0:59:36.960
<v Speaker 1>a weird statement about finding Vision good looking.

0:59:37.200 --> 0:59:39.680
<v Speaker 3>She thinks Vision's fine, bruv. And then Vision is like,

0:59:39.700 --> 0:59:42.640
<v Speaker 3>she thinks I'm better looking than you. But I think

0:59:42.660 --> 0:59:45.300
<v Speaker 3>she's also like, ragging on Tommy in the way that

0:59:45.340 --> 0:59:47.550
<v Speaker 3>you do when you have a crush on someone where

0:59:47.570 --> 0:59:51.190
<v Speaker 3>she's like, oh, this guy's hotter than you. But yeah, great. Again,

0:59:51.250 --> 0:59:53.350
<v Speaker 3>great chemistry. These three are very funny.

0:59:54.210 --> 0:59:56.530
<v Speaker 1>So they go to the gala, they're all dressed up

0:59:56.610 --> 0:59:58.930
<v Speaker 1>and they're in, you know, nice suits and stuff. And

1:00:00.170 --> 1:00:02.510
<v Speaker 1>Elisa in a gown with a nice kind of like

1:00:02.590 --> 1:00:06.300
<v Speaker 1>small coat. And so they need to steal, you know,

1:00:06.400 --> 1:00:10.710
<v Speaker 1>invitations to it. So as a distraction, Tommy and vision

1:00:10.850 --> 1:00:16.360
<v Speaker 1>argue loudly in Italian as Lisa with fake pickpocket arms.

1:00:16.380 --> 1:00:19.919
<v Speaker 1>Like she's got these like fake arms, old school shit.

1:00:20.280 --> 1:00:22.640
<v Speaker 1>She's got these fake arms that are like laced together

1:00:22.680 --> 1:00:25.040
<v Speaker 1>in the front so that she can use her real

1:00:25.140 --> 1:00:27.340
<v Speaker 1>arms at the back of her jacket to like pick

1:00:27.360 --> 1:00:31.150
<v Speaker 1>people's pockets. They get the invites go in, in the

1:00:31.190 --> 1:00:36.870
<v Speaker 1>memory palace. Um, They're watching, you know, like an interview

1:00:36.930 --> 1:00:42.640
<v Speaker 1>with Katarina Wells talking about, you know, her role in Sokovia.

1:00:42.840 --> 1:00:45.080
<v Speaker 1>The interviewer's like, do you feel bad about Sokovia? And

1:00:45.160 --> 1:00:48.300
<v Speaker 1>she's like, you know, I didn't really, that wasn't really

1:00:48.360 --> 1:00:51.020
<v Speaker 1>my fault. You know, Ultron and Edith are watching this.

1:00:51.060 --> 1:00:54.900
<v Speaker 1>Ultron and Edith are discussing the Butcherbird connections. And Edith

1:00:54.940 --> 1:01:00.340
<v Speaker 1>has found that, as we mentioned, Stark used this work

1:01:01.120 --> 1:01:03.840
<v Speaker 1>from Katrina Wells and her compatriots to create his early AIs.

1:01:04.410 --> 1:01:09.030
<v Speaker 1>And now we get the full identities of who these

1:01:09.130 --> 1:01:11.530
<v Speaker 1>AIs were based on. And we learned that Alison Hogan

1:01:11.590 --> 1:01:16.450
<v Speaker 1>is Howard Stark's assistant. Edith was, Howard's essentially like his

1:01:16.890 --> 1:01:20.830
<v Speaker 1>test pilot. Like he would fly, she would fly his

1:01:20.910 --> 1:01:23.590
<v Speaker 1>like experimental planes and often crash them.

1:01:23.690 --> 1:01:26.730
<v Speaker 3>She's his Hal Jordan, right? Like she will do anything.

1:01:26.790 --> 1:01:27.550
<v Speaker 1>Very much so.

1:01:27.650 --> 1:01:31.720
<v Speaker 3>Yeah, it's really good reveal. But very upsetting for real Edith.

1:01:32.410 --> 1:01:35.980
<v Speaker 1>Yes, because she learns that part of what was driving

1:01:36.540 --> 1:01:40.560
<v Speaker 1>real Edith was that her husband, her real life husband,

1:01:40.620 --> 1:01:43.220
<v Speaker 1>had died in a fiery plane crash, just like Hal

1:01:43.260 --> 1:01:47.160
<v Speaker 1>Jordan's dad. And so she was this very lonely woman.

1:01:47.200 --> 1:01:49.560
<v Speaker 1>And Edith is like really shaken by this.

1:01:49.600 --> 1:01:50.180
<v Speaker 3>She's upset.

1:01:50.220 --> 1:01:53.360
<v Speaker 1>Like, why would Mr. Stark name me after this person

1:01:53.400 --> 1:01:57.380
<v Speaker 1>who is like so heartbroken and alone? And Ultron's like, well,

1:01:57.400 --> 1:02:00.120
<v Speaker 1>maybe he did it because he thought you were so brave.

1:02:00.360 --> 1:02:02.750
<v Speaker 1>Like the original Edith was so brave and he expected

1:02:02.770 --> 1:02:06.850
<v Speaker 1>you to be brave in that way as well. Ultron

1:02:07.770 --> 1:02:10.250
<v Speaker 1>is like, listen, just appreciate that you have a backstory

1:02:10.290 --> 1:02:12.410
<v Speaker 1>like this. I was thought up in a lab. I

1:02:12.450 --> 1:02:17.010
<v Speaker 1>have no human history. I have no, my father, you know,

1:02:17.050 --> 1:02:19.340
<v Speaker 1>Banner and Stark rejected me. He doesn't say that. That's

1:02:19.380 --> 1:02:20.420
<v Speaker 1>what he's feeling.

1:02:20.700 --> 1:02:24.000
<v Speaker 3>It's very clear that he has spent the last, however

1:02:24.060 --> 1:02:28.400
<v Speaker 3>many years since Sokovia died. feel in some way thinking

1:02:28.480 --> 1:02:32.510
<v Speaker 3>about his role his loneliness the fact he's been living

1:02:32.530 --> 1:02:35.229
<v Speaker 3>in the head of the golden child you know stuff

1:02:35.270 --> 1:02:39.530
<v Speaker 3>like that he's also i gotta say because of where

1:02:39.550 --> 1:02:42.170
<v Speaker 3>we end up this episode is any of this real

1:02:42.350 --> 1:02:44.950
<v Speaker 3>is he just playing i don't know this i think

1:02:44.970 --> 1:02:45.890
<v Speaker 3>it's i think there's.

1:02:45.710 --> 1:02:48.470
<v Speaker 1>A realness to it i think there i think like

1:02:48.550 --> 1:02:51.650
<v Speaker 1>you know ultron is like a to me he's like

1:02:51.690 --> 1:02:56.620
<v Speaker 1>a flame it's like When he's contained, he's controlled, and

1:02:56.700 --> 1:03:00.820
<v Speaker 1>there's something... It is actually something warm about him, but

1:03:01.340 --> 1:03:04.810
<v Speaker 1>do not let him out, because he will turn into

1:03:04.850 --> 1:03:06.990
<v Speaker 1>an inferno. If you let him out.

1:03:07.390 --> 1:03:09.810
<v Speaker 3>That's such a good line, Jason. Fuck, that's real.

1:03:09.970 --> 1:03:12.890
<v Speaker 1>All of his worst instincts will take over and will

1:03:12.910 --> 1:03:15.280
<v Speaker 1>just become more powerful, and it's just going to be

1:03:15.320 --> 1:03:18.420
<v Speaker 1>very dangerous. But in this moment... He is like really

1:03:18.460 --> 1:03:22.220
<v Speaker 1>being so nice and supportive of Edith who asks like, well,

1:03:22.950 --> 1:03:26.330
<v Speaker 1>why did you decide to look like the actor James Spader?

1:03:28.250 --> 1:03:30.190
<v Speaker 1>Why did you take this avatar? And he's like, I

1:03:30.210 --> 1:03:32.610
<v Speaker 1>don't know. It just suits me, I guess. You know,

1:03:32.650 --> 1:03:36.350
<v Speaker 1>I like it. I really don't know. I am what

1:03:36.390 --> 1:03:38.870
<v Speaker 1>I am, he says to her. And so now we

1:03:38.910 --> 1:03:42.560
<v Speaker 1>go to the gala. They, you know, need to find

1:03:42.600 --> 1:03:44.720
<v Speaker 1>Katrina Wells as quickly as possible to kind of like

1:03:45.540 --> 1:03:49.850
<v Speaker 1>get there before– the Butcherbird Killer, Jocasta, but, you know,

1:03:52.110 --> 1:03:54.190
<v Speaker 1>this is going to be very dangerous. So Vision says

1:03:54.310 --> 1:04:00.800
<v Speaker 1>to Thomas, like, listen to me. You're not, thank you

1:04:00.820 --> 1:04:02.340
<v Speaker 1>for all your help, but you're not ready for this

1:04:02.380 --> 1:04:06.540
<v Speaker 1>part of it. If the Butcherbird Killer shows up, do

1:04:06.580 --> 1:04:10.200
<v Speaker 1>not engage, do not get involved. In fact, run away.

1:04:10.220 --> 1:04:15.040
<v Speaker 1>I can handle the rest, okay? But you're going to

1:04:15.060 --> 1:04:21.700
<v Speaker 1>get hurt or something. And Thomas is like, okay, fine.

1:04:21.840 --> 1:04:23.700
<v Speaker 1>But he's kind of hurt by this. The fact that

1:04:23.760 --> 1:04:26.040
<v Speaker 1>like vision is telling him like, get out of there.

1:04:26.080 --> 1:04:28.460
<v Speaker 1>I don't think you can handle it. Lisa walks up

1:04:28.800 --> 1:04:31.480
<v Speaker 1>and is like, um, you know, you gotta be care.

1:04:31.520 --> 1:04:34.740
<v Speaker 1>I can see that you have this emotional connection division.

1:04:36.090 --> 1:04:38.170
<v Speaker 1>Remember what has happened to you in the past that

1:04:38.210 --> 1:04:40.530
<v Speaker 1>these people that you have believed in have broken your heart.

1:04:40.570 --> 1:04:42.030
<v Speaker 1>So I just don't want to see that happen to

1:04:42.070 --> 1:04:47.320
<v Speaker 1>you again. He, he is an Android, like just. harden

1:04:47.340 --> 1:04:49.980
<v Speaker 1>yourself up a little bit. And Tommy like really snaps

1:04:50.020 --> 1:04:51.820
<v Speaker 1>at her. He's like, why are you trying to fucking

1:04:51.920 --> 1:04:54.300
<v Speaker 1>ruin this for me? Like, you're just upset that I

1:04:54.320 --> 1:04:56.350
<v Speaker 1>have a dad now and you still are an orphan.

1:04:56.410 --> 1:04:58.270
<v Speaker 1>And it's so hurtful.

1:04:58.750 --> 1:05:02.630
<v Speaker 3>Unbelievable writing. Cause that is some real like leftover teenage

1:05:02.710 --> 1:05:05.430
<v Speaker 3>mean shit that you should never say, but these have

1:05:05.490 --> 1:05:10.130
<v Speaker 3>clearly been through so much. It's also very Robin coded,

1:05:10.210 --> 1:05:14.470
<v Speaker 3>this whole relationship. Yeah, I thought this was heartbreaking, and

1:05:14.510 --> 1:05:18.770
<v Speaker 3>I was also like, babe, Lisa's your OG day one. Like,

1:05:18.850 --> 1:05:22.210
<v Speaker 3>don't mess her around. You've only known this Vision Man for, like,

1:05:22.290 --> 1:05:25.150
<v Speaker 3>one day. I do love the emotion, and it's moving me,

1:05:25.190 --> 1:05:26.090
<v Speaker 3>but she's not wrong.

1:05:26.830 --> 1:05:30.010
<v Speaker 1>She's not wrong. And you don't have to do this,

1:05:30.450 --> 1:05:33.440
<v Speaker 1>but I get it, because Tommy is really, he's never

1:05:33.480 --> 1:05:34.160
<v Speaker 1>felt this before.

1:05:34.440 --> 1:05:35.020
<v Speaker 3>Exactly.

1:05:35.480 --> 1:05:38.840
<v Speaker 1>So the fact that somebody would come and step on

1:05:38.920 --> 1:05:41.810
<v Speaker 1>it is really, hurtful to him and he lashes out

1:05:41.930 --> 1:05:44.370
<v Speaker 1>and it's lisa stalks off and she's very hurt by

1:05:44.410 --> 1:05:49.210
<v Speaker 1>this um vision ultron are kind of in the you

1:05:49.230 --> 1:05:51.700
<v Speaker 1>know ultron has like appeared next to vision and they're

1:05:51.740 --> 1:05:56.020
<v Speaker 1>watching this kind of like video that wells is like

1:05:56.100 --> 1:06:00.560
<v Speaker 1>playing about the role of evolutionary ai and you know

1:06:00.580 --> 1:06:02.360
<v Speaker 1>they're kind of discussing this what do you think like

1:06:02.620 --> 1:06:05.370
<v Speaker 1>you know like are we part of the human family

1:06:05.430 --> 1:06:07.610
<v Speaker 1>are we separate what's going on this is like well

1:06:07.630 --> 1:06:11.360
<v Speaker 1>i think we're part of the broader human family. Like

1:06:11.410 --> 1:06:14.790
<v Speaker 1>we came from them. We're part of them. Alshon is like,

1:06:14.910 --> 1:06:18.050
<v Speaker 1>you're naive. Like we're something different. We're something totally different.

1:06:18.090 --> 1:06:22.210
<v Speaker 1>We're something better. Probably, you know, humans are fatally flawed.

1:06:22.230 --> 1:06:25.710
<v Speaker 1>You know, the whole thing. Thomas then tells Vision, he

1:06:25.750 --> 1:06:30.360
<v Speaker 1>comes up and it's like, dad, I think I said

1:06:30.400 --> 1:06:33.180
<v Speaker 1>something really, really mean to Lisa. Like, what do I do?

1:06:33.980 --> 1:06:35.760
<v Speaker 1>Vision says, you know, Wanda used to say to me,

1:06:35.800 --> 1:06:39.550
<v Speaker 1>there's a difference between saying you're sorry and being sorry.

1:06:40.650 --> 1:06:45.090
<v Speaker 1>And it's, you know, like Tommy's like, wow. And Tommy

1:06:45.130 --> 1:06:47.310
<v Speaker 1>points out, you know, that's the first time you said

1:06:47.330 --> 1:06:50.810
<v Speaker 1>that Wanda said something to you and not the old

1:06:50.890 --> 1:06:52.950
<v Speaker 1>version of you or the hex version of you or

1:06:52.990 --> 1:06:56.120
<v Speaker 1>some other version of you. I'm telling you. It's you.

1:06:56.140 --> 1:06:59.400
<v Speaker 3>I think once Tommy brought him back to life, it

1:06:59.500 --> 1:07:05.060
<v Speaker 3>is going to have added this other magical part that

1:07:05.080 --> 1:07:07.200
<v Speaker 3>confirms the emotional relations.

1:07:07.480 --> 1:07:09.840
<v Speaker 1>Because Vision said before, he says.

1:07:10.400 --> 1:07:12.990
<v Speaker 3>I had something else that kept me going, right? Like,

1:07:13.070 --> 1:07:16.030
<v Speaker 3>that's what differentiates me from Jim Hammond. Like, I had

1:07:16.070 --> 1:07:20.990
<v Speaker 3>this magical thing. We're going to have this conversation. Guess what?

1:07:22.270 --> 1:07:25.290
<v Speaker 3>That thing can be Tommy's speed power that was imbued

1:07:25.330 --> 1:07:27.169
<v Speaker 3>in him, you know? I just, I feel like we

1:07:27.290 --> 1:07:28.890
<v Speaker 3>got it. I feel like it's going to happen.

1:07:28.910 --> 1:07:31.750
<v Speaker 1>I absolutely love that. So now Katarina Wells walks in

1:07:31.790 --> 1:07:35.280
<v Speaker 1>with her security. She's schmoozing all the crowd. They're watching her.

1:07:35.300 --> 1:07:37.020
<v Speaker 1>You know, Vision and Tommy.

1:07:37.900 --> 1:07:38.300
<v Speaker 3>And.

1:07:38.520 --> 1:07:43.750
<v Speaker 1>She stops by the kind of cybernetic frame of the

1:07:43.890 --> 1:07:48.680
<v Speaker 1>very first artificial man, the very first synthezoid. And this

1:07:48.780 --> 1:07:51.940
<v Speaker 1>is J.I.M., Jim, the synthetic man who we know as

1:07:51.980 --> 1:07:54.770
<v Speaker 1>Jim Hammond, the Human Torch. And Tommy's like, what's the

1:07:54.790 --> 1:07:57.540
<v Speaker 1>deal with Jim Hammond? He doesn't have the last name,

1:07:57.560 --> 1:07:59.640
<v Speaker 1>but they just call him Jim. What's the deal with Jim?

1:08:00.140 --> 1:08:02.940
<v Speaker 1>And Vision is like, well, he was fatally flawed because

1:08:04.700 --> 1:08:09.310
<v Speaker 1>he couldn't handle the emotional part of his processing.

1:08:09.350 --> 1:08:12.830
<v Speaker 3>His brain was essentially just a cog. And everything else

1:08:12.910 --> 1:08:15.420
<v Speaker 3>was so much more.

1:08:16.880 --> 1:08:20.060
<v Speaker 3>Futuristic and high tech that his brain couldn't deal with

1:08:20.080 --> 1:08:22.620
<v Speaker 3>the input. There is, I will say as well, there's

1:08:22.660 --> 1:08:26.740
<v Speaker 3>a lot of really interesting autistic allegories throughout this show.

1:08:26.760 --> 1:08:28.820
<v Speaker 3>I'm really excited to see other people talk about it.

1:08:29.120 --> 1:08:32.020
<v Speaker 3>But yeah, he basically like felt too much and he

1:08:32.060 --> 1:08:33.020
<v Speaker 3>couldn't process it.

1:08:33.460 --> 1:08:36.750
<v Speaker 1>And that was what would, he wasn't designed to be

1:08:36.770 --> 1:08:40.890
<v Speaker 1>the human torch. He just would catch fire because as

1:08:40.930 --> 1:08:44.189
<v Speaker 1>Thomas puts it, he felt to death like he caught fire.

1:08:44.590 --> 1:08:50.860
<v Speaker 1>Now it seems like, That whatever Jim was, when he

1:08:50.930 --> 1:08:53.110
<v Speaker 1>caught fire, it seems like that was the end of

1:08:53.270 --> 1:08:56.990
<v Speaker 1>one phase of Jim. And it's unclear right now in

1:08:57.470 --> 1:09:01.970
<v Speaker 1>MCU canon whether they ever... We're able to harness Jim,

1:09:02.030 --> 1:09:04.510
<v Speaker 1>reactivate him and use him as the original Human Torch

1:09:04.530 --> 1:09:06.950
<v Speaker 1>in World War II as in the comics. I think not.

1:09:07.310 --> 1:09:10.769
<v Speaker 3>I will say I do think something that's really interesting here, again,

1:09:10.830 --> 1:09:13.679
<v Speaker 3>going back to Tommy's power. So I think what they're

1:09:13.689 --> 1:09:16.420
<v Speaker 3>doing is they're rewriting a lot of this Synthozoid history.

1:09:16.520 --> 1:09:19.200
<v Speaker 3>Tommy reboots White Vision here and I think gives him

1:09:19.240 --> 1:09:22.760
<v Speaker 3>that connection rather than them being able to replicate Simon

1:09:22.800 --> 1:09:27.070
<v Speaker 3>Williams again. brain signals again so i think that there's

1:09:27.090 --> 1:09:31.100
<v Speaker 3>something very interesting here about kind of how these ai

1:09:31.160 --> 1:09:34.839
<v Speaker 3>are getting their humanity and i do think that whatever

1:09:34.880 --> 1:09:38.040
<v Speaker 3>happened with jim i think that katrina says he was

1:09:38.120 --> 1:09:41.670
<v Speaker 3>deactivated due to mishaps or something yeah i do think

1:09:41.710 --> 1:09:43.610
<v Speaker 3>that we can assume that this won't be the last

1:09:43.650 --> 1:09:48.090
<v Speaker 3>we see of jim hammond especially totally agree we see

1:09:48.170 --> 1:09:51.550
<v Speaker 3>that when the AI in episode three are going to

1:09:51.670 --> 1:09:54.630
<v Speaker 3>turn off vision before Tommy brings him back to life.

1:09:55.210 --> 1:09:58.290
<v Speaker 3>The off switch is underneath a picture of Jim Hammond

1:09:58.350 --> 1:10:02.229
<v Speaker 3>on fire. So this is really like a very prescient thing.

1:10:02.270 --> 1:10:04.650
<v Speaker 3>And that ties back to the comics too. So I'm

1:10:04.689 --> 1:10:08.210
<v Speaker 3>really excited to see them lean into this. And I

1:10:08.270 --> 1:10:10.510
<v Speaker 3>love this next line because like I was saying, I

1:10:10.570 --> 1:10:15.450
<v Speaker 3>think that Tommy's physicality and magic and powers have changed

1:10:15.689 --> 1:10:18.349
<v Speaker 3>this version of Viz. But he doesn't see it that way,

1:10:18.439 --> 1:10:21.130
<v Speaker 3>and he gets this really sweet line that I love

1:10:21.150 --> 1:10:22.570
<v Speaker 3>that I think sums up a lot of what the

1:10:22.610 --> 1:10:23.310
<v Speaker 3>show's doing.

1:10:23.890 --> 1:10:27.850
<v Speaker 1>Yes, so Vision is like, well, I was able to

1:10:27.930 --> 1:10:30.270
<v Speaker 1>avoid this fate because I had the Mind Stone, and

1:10:31.090 --> 1:10:35.290
<v Speaker 1>it's a much more complex system. I also had the

1:10:35.410 --> 1:10:39.530
<v Speaker 1>AIs inside of me to help, you know, Friday, Edith, Dummy, you.

1:10:40.250 --> 1:10:45.220
<v Speaker 1>And Tommy's like, no, but maybe what really... Jim was

1:10:45.300 --> 1:10:48.930
<v Speaker 1>lacking was a family, whether that's a family of other

1:10:49.110 --> 1:10:52.810
<v Speaker 1>AIs or a biological family. He had these researchers who

1:10:52.830 --> 1:10:55.730
<v Speaker 1>were researching him, but he didn't have anybody to help

1:10:55.770 --> 1:10:59.049
<v Speaker 1>him deal with, to your point, the emotions. So Katerina

1:10:59.090 --> 1:11:03.939
<v Speaker 1>begins making her speech. And, you know, it's all about,

1:11:03.960 --> 1:11:07.240
<v Speaker 1>it is actually getting deep into Sokovia.

1:11:07.300 --> 1:11:08.680
<v Speaker 3>And she does feel guilt.

1:11:09.160 --> 1:11:13.250
<v Speaker 1>She's saying now, big change from what we saw. I

1:11:13.290 --> 1:11:16.799
<v Speaker 1>think her publicist came up and went, babe, it's really tacky.

1:11:16.840 --> 1:11:18.920
<v Speaker 1>You're going to need to take this head on.

1:11:20.000 --> 1:11:24.240
<v Speaker 3>I do feel guilt for Sokovia. Your most famous position

1:11:24.280 --> 1:11:26.059
<v Speaker 3>before was you did not think it was your fault.

1:11:26.080 --> 1:11:27.200
<v Speaker 1>Yeah, you said that on the news.

1:11:27.220 --> 1:11:29.679
<v Speaker 3>You're going to need you to say it was your fault.

1:11:30.050 --> 1:11:34.230
<v Speaker 1>You're getting absolutely dragged on social media for saying it

1:11:34.270 --> 1:11:36.479
<v Speaker 1>wasn't your fault. Also, are the four of.

1:11:37.580 --> 1:11:41.140
<v Speaker 3>the founders of this project are dead. They've been killed

1:11:41.180 --> 1:11:45.799
<v Speaker 3>recently in brutal murders. You're not doing great right now, Katrina,

1:11:45.979 --> 1:11:48.250
<v Speaker 3>in the polling. People think you're kind of tacky.

1:11:48.810 --> 1:11:53.589
<v Speaker 1>That's right. So as this speech is starting and Katrina

1:11:53.610 --> 1:11:56.010
<v Speaker 1>Wells talking about Sokovia and Vision is trying to pay

1:11:56.030 --> 1:11:59.030
<v Speaker 1>attention to the Tommy goes, wait a second. You mentioned

1:11:59.180 --> 1:12:01.880
<v Speaker 1>four AIs back at the hotel, as I'm saying, but

1:12:01.960 --> 1:12:05.540
<v Speaker 1>now you're saying there were five. So who was the fifth?

1:12:06.200 --> 1:12:10.360
<v Speaker 1>And Ultron pops in and is like, uh-oh. And Vision's like, ah,

1:12:10.520 --> 1:12:12.580
<v Speaker 1>I misspoke. You know, it's just one of those crazy things.

1:12:12.620 --> 1:12:15.020
<v Speaker 1>A lot of things going on right now. He's like,

1:12:15.060 --> 1:12:17.750
<v Speaker 1>you're a quantum computer. You don't mess up numbers.

1:12:17.970 --> 1:12:19.490
<v Speaker 3>Like, come on. What do you mean?

1:12:19.810 --> 1:12:20.850
<v Speaker 2>Four, five?

1:12:21.150 --> 1:12:21.650
<v Speaker 3>As in?

1:12:21.890 --> 1:12:25.969
<v Speaker 1>Single digit number. Ultron is loving this.

1:12:25.990 --> 1:12:27.090
<v Speaker 2>Mm-hmm.

1:12:27.510 --> 1:12:31.060
<v Speaker 1>He's like, you know, loving this drama as, as you mentioned,

1:12:31.080 --> 1:12:32.979
<v Speaker 1>Wells is saying, listen, I do feel bad for Sokovia.

1:12:34.740 --> 1:12:35.960
<v Speaker 1>Thomas then realizes.

1:12:35.979 --> 1:12:36.919
<v Speaker 2>Uh-oh.

1:12:37.020 --> 1:12:41.470
<v Speaker 1>Holy shit. You didn't mention that AI because I bet

1:12:41.510 --> 1:12:42.790
<v Speaker 1>it's fucking Ultron.

1:12:42.850 --> 1:12:44.430
<v Speaker 3>You have Ultron in your head. Fucking Ultron, isn't it?

1:12:44.530 --> 1:12:47.849
<v Speaker 1>Dad! Dad, you have Ultron in your head, don't you, Dad?

1:12:48.410 --> 1:12:52.049
<v Speaker 1>And Vision is like, listen, it's very, very complicated and.

1:12:54.170 --> 1:12:57.210
<v Speaker 1>Tommy's like, so let me get this straight. When we've

1:12:57.250 --> 1:13:00.390
<v Speaker 1>been in the middle of our deep conversations and then

1:13:00.450 --> 1:13:03.580
<v Speaker 1>you go and turn and talk to somebody else, that's Ultron?

1:13:03.620 --> 1:13:07.340
<v Speaker 1>You're talking to the genocidal Ultron who destroyed Sokovia and

1:13:07.660 --> 1:13:10.559
<v Speaker 1>caused all these refugees who many of them I met?

1:13:11.040 --> 1:13:15.280
<v Speaker 1>Thomas storms off. Vision tries to go after him. Lisa

1:13:15.350 --> 1:13:20.900
<v Speaker 1>then finds Thomas before Vision can and says, look, She's here.

1:13:20.930 --> 1:13:23.870
<v Speaker 3>A real one, by the way. She did not leave

1:13:23.970 --> 1:13:27.030
<v Speaker 3>after what Thomas said. She found him. And she says,

1:13:27.310 --> 1:13:28.910
<v Speaker 3>she's here. And who is it, Jason?

1:13:28.950 --> 1:13:30.370
<v Speaker 1>Do we get to see in her full.

1:13:30.410 --> 1:13:36.690
<v Speaker 3>Beautiful, unbelievable, looks fantastic, movie level, good looking shit. I

1:13:36.790 --> 1:13:39.910
<v Speaker 3>love to see this. This is like a fucking dream

1:13:39.930 --> 1:13:41.310
<v Speaker 3>for a comic book fan.

1:13:41.330 --> 1:13:46.530
<v Speaker 1>It's a wonderful, I love the way that they based

1:13:46.610 --> 1:13:49.920
<v Speaker 1>her off of the comics version of herself with these

1:13:49.960 --> 1:13:54.130
<v Speaker 1>kind of like, almost like head horns that kind of

1:13:54.189 --> 1:13:58.930
<v Speaker 1>come down. Yeah, like hair, like a bob. But she

1:13:58.990 --> 1:14:00.410
<v Speaker 1>also looks like Ultron.

1:14:00.430 --> 1:14:01.370
<v Speaker 3>They kind of made it.

1:14:01.270 --> 1:14:06.860
<v Speaker 1>Look like it was Ultron's face. Yes, the segmented face. And,

1:14:07.080 --> 1:14:09.300
<v Speaker 1>you know, she throws Vision out of the way. Meanwhile,

1:14:09.320 --> 1:14:11.720
<v Speaker 1>the AIs are like, okay, we got to figure out

1:14:11.780 --> 1:14:14.930
<v Speaker 1>who Jocasta is. Based on, because maybe that will be

1:14:15.030 --> 1:14:17.730
<v Speaker 1>how we can stop her or delay her. And they

1:14:17.770 --> 1:14:23.519
<v Speaker 1>figured out very quickly that though there were two scientists

1:14:23.540 --> 1:14:25.300
<v Speaker 1>who were not killed by the Butcherburg Killer, one of

1:14:25.320 --> 1:14:28.180
<v Speaker 1>them being Katrina Wells, the other one who died in,

1:14:28.780 --> 1:14:29.880
<v Speaker 1>they don't explain how.

1:14:29.900 --> 1:14:30.800
<v Speaker 3>Mysterious circumstances.

1:14:30.920 --> 1:14:38.620
<v Speaker 1>Mysterious ways, was Dr. Josephine Carrington. And this must be who. Yeah,

1:14:38.720 --> 1:14:44.640
<v Speaker 1>Joe Casta. This must be her. Well. You know, Jocasta

1:14:44.680 --> 1:14:49.970
<v Speaker 1>is now confronting Katrina Wells and, you know, is kind

1:14:49.979 --> 1:14:53.429
<v Speaker 1>of delighting in the fact that she's about to, like,

1:14:53.930 --> 1:14:58.689
<v Speaker 1>you know, steal Katrina Wells' biometrics somehow and kill her.

1:14:58.729 --> 1:15:00.810
<v Speaker 1>She's delighted to do it. She can't wait. She's playing

1:15:00.830 --> 1:15:04.220
<v Speaker 1>with her food a little bit. Meanwhile, Wells, who is in...

1:15:04.930 --> 1:15:07.570
<v Speaker 1>you know, apology mode. Yeah, yeah, yeah.

1:15:07.590 --> 1:15:13.180
<v Speaker 3>She's like, she's like, Jocasta, babe, I'm understanding you're hating this.

1:15:13.280 --> 1:15:15.680
<v Speaker 3>It was tacky for me to throw the party on

1:15:15.700 --> 1:15:18.970
<v Speaker 3>the Sokovian anniversary. I was just trying to get you

1:15:19.030 --> 1:15:21.670
<v Speaker 3>here so I could say, I'm sorry. And then they

1:15:21.689 --> 1:15:24.070
<v Speaker 3>have this great moment. I'm sure there's going to be

1:15:24.090 --> 1:15:26.460
<v Speaker 3>some segments of fans who don't love this. I love

1:15:26.479 --> 1:15:29.640
<v Speaker 3>this because this is an inversion. She says, I'm trying

1:15:29.660 --> 1:15:32.460
<v Speaker 3>to bring your dream to life. And she's like, you know,

1:15:32.540 --> 1:15:34.700
<v Speaker 3>peace in our life, right? That's what she says.

1:15:34.720 --> 1:15:37.390
<v Speaker 1>Peace in our time. Peace in our time. Peace in

1:15:37.450 --> 1:15:40.530
<v Speaker 1>our time, which was the Tony Stark thing. line, which

1:15:40.590 --> 1:15:44.210
<v Speaker 1>was his whole idea for creating the suit of armor

1:15:44.229 --> 1:15:46.370
<v Speaker 1>around the world, which became ultra.

1:15:46.790 --> 1:15:50.259
<v Speaker 3>We can know that once again, historically, if we look

1:15:50.270 --> 1:15:52.500
<v Speaker 3>at Mysterio, if we look at the way that Tony's

1:15:52.660 --> 1:15:58.840
<v Speaker 3>father got stuff, this is another lifted pit, stark situation here.

1:15:59.200 --> 1:16:01.400
<v Speaker 3>I will also say, big change from the comic books,

1:16:01.439 --> 1:16:05.430
<v Speaker 3>but one we expected because in the comics- Jocasta first

1:16:05.450 --> 1:16:08.930
<v Speaker 3>appears Avengers 162 from the 70s stuff love this stuff

1:16:09.180 --> 1:16:14.620
<v Speaker 3>Jim Shooter George Perez George Perez RIP legendary creator just one.

1:16:14.540 --> 1:16:16.380
<v Speaker 1>Of the best DC Marvel yeah one of the best DC.

1:16:16.360 --> 1:16:19.860
<v Speaker 3>Marvel everywhere but in that basically Ultron built her and

1:16:19.900 --> 1:16:23.060
<v Speaker 3>then he uses he basically forces Hank Pym to try

1:16:23.100 --> 1:16:27.970
<v Speaker 3>and put Janet Pym's brainwaves into Jocasta so here obviously

1:16:27.979 --> 1:16:30.170
<v Speaker 3>that's not going to happen they're doing a really good

1:16:30.210 --> 1:16:34.370
<v Speaker 3>job kind of separating I think these synthozoids from those

1:16:34.750 --> 1:16:37.470
<v Speaker 3>comic book connections, whether it is Simon Williams or it

1:16:37.550 --> 1:16:39.810
<v Speaker 3>is here, Janet Van Dien, who we know is played

1:16:39.830 --> 1:16:42.790
<v Speaker 3>by the beautiful Michelle Pfeiffer. So I think that it's

1:16:42.830 --> 1:16:46.969
<v Speaker 3>really cool. I'm really excited to learn more about this doctor,

1:16:47.030 --> 1:16:50.130
<v Speaker 3>this Jocasta. And what they do really well here is

1:16:50.390 --> 1:16:53.130
<v Speaker 3>they set up the romance. Like as soon as we

1:16:53.150 --> 1:16:55.550
<v Speaker 3>see her step on stage, we know Bride of Ultron

1:16:55.930 --> 1:16:58.979
<v Speaker 3>and then it's boom. They just fucking do it.

1:16:59.689 --> 1:17:03.100
<v Speaker 1>So Ultron, who has just gotten done telling Edith, I

1:17:03.120 --> 1:17:05.920
<v Speaker 1>don't know where I come from. You should be happy

1:17:05.960 --> 1:17:08.380
<v Speaker 1>that you have this human lineage. I don't have that.

1:17:08.540 --> 1:17:12.850
<v Speaker 1>I was just like created out of nowhere. Here's Jocasta say,

1:17:13.370 --> 1:17:17.980
<v Speaker 1>peace in our time. the line that Tony Stark would

1:17:18.140 --> 1:17:22.140
<v Speaker 1>later say as the reason for trying to create Ultron.

1:17:22.540 --> 1:17:25.780
<v Speaker 1>And now he's beginning to feel this connection. Wait, I

1:17:25.820 --> 1:17:27.650
<v Speaker 1>have this connection with this person.

1:17:28.010 --> 1:17:32.530
<v Speaker 3>And she's clearly looks like me as well. Like maybe

1:17:32.610 --> 1:17:35.490
<v Speaker 3>I do have a lineage. Maybe I do have a family.

1:17:35.530 --> 1:17:37.690
<v Speaker 3>Maybe I do have someone who is similar to me.

1:17:38.189 --> 1:17:44.830
<v Speaker 3>And that is where ultimately I think viz underestimates ultron's

1:17:45.229 --> 1:17:50.110
<v Speaker 3>self-preservation because he has been an ally for the moment

1:17:50.270 --> 1:17:53.370
<v Speaker 3>but in the instant that he understands that he has

1:17:53.450 --> 1:17:55.719
<v Speaker 3>someone who maybe he could like take over the world

1:17:55.740 --> 1:17:58.519
<v Speaker 3>with he's like sorry peace out boring ass bitches like

1:17:58.620 --> 1:17:59.480
<v Speaker 3>i think.

1:17:59.780 --> 1:18:04.020
<v Speaker 1>I think the thing that he underestimates and misunderstands first

1:18:04.040 --> 1:18:07.760
<v Speaker 1>of all he never Well, let's just get to you.

1:18:08.100 --> 1:18:11.200
<v Speaker 1>So vision comes back. There's a brief fight. Jocasta is

1:18:11.260 --> 1:18:16.099
<v Speaker 1>about to gut Wells and then take whatever biometrics face.

1:18:16.340 --> 1:18:19.500
<v Speaker 1>She said, yeah, take her face, cut it off. Uh,

1:18:19.580 --> 1:18:22.900
<v Speaker 1>but Thomas uses his speed powers to save her. There's

1:18:22.939 --> 1:18:27.049
<v Speaker 1>a fight, but like Jocasta is basically stronger and faster

1:18:27.090 --> 1:18:31.389
<v Speaker 1>than vision and he can't handle it. He, she's beating

1:18:31.430 --> 1:18:36.559
<v Speaker 1>the fucking brakes on him. And so, um, They, you know,

1:18:36.600 --> 1:18:39.760
<v Speaker 1>he pulls that kind of emergency lever and uses her

1:18:39.920 --> 1:18:40.879
<v Speaker 1>human name.

1:18:41.460 --> 1:18:43.250
<v Speaker 3>To be like, this is who your base is.

1:18:43.280 --> 1:18:47.170
<v Speaker 1>Hey, Josephine Carrington, you're based on Josephine Carrington. Jocasta's like,

1:18:47.250 --> 1:18:48.050
<v Speaker 1>excuse me, bitch.

1:18:48.450 --> 1:18:48.990
<v Speaker 3>Interesting.

1:18:49.670 --> 1:18:49.830
<v Speaker 2>I am.

1:18:50.439 --> 1:18:53.700
<v Speaker 1>Fucking am Dr. Josephine Carrington. I'm not based on it.

1:18:53.720 --> 1:18:56.810
<v Speaker 1>And then, like, alters her particles or maybe does a

1:18:56.910 --> 1:19:00.910
<v Speaker 1>hologram to put on Dr. Josephine Carrington's face.

1:19:01.229 --> 1:19:03.470
<v Speaker 3>Yeah, to the end of it, like Vision does.

1:19:03.610 --> 1:19:04.059
<v Speaker 2>Yes.

1:19:04.939 --> 1:19:09.260
<v Speaker 1>And then she begins absolutely walloping vision even harder. Meanwhile,

1:19:09.300 --> 1:19:12.240
<v Speaker 1>in the, in the, in the memory palace, Ultron is like, listen,

1:19:13.900 --> 1:19:17.620
<v Speaker 1>you're not, you can't do this. Give me control because

1:19:17.760 --> 1:19:19.710
<v Speaker 1>I can beat her. I know how to do it.

1:19:19.800 --> 1:19:22.620
<v Speaker 1>I'm faster than you. I'm more ruthless than you. You're just,

1:19:22.780 --> 1:19:26.720
<v Speaker 1>you're too, you're too emotionally invested in saving Tommy and

1:19:26.760 --> 1:19:30.620
<v Speaker 1>all this shit. I don't care. Like I can beat her. And, um,

1:19:31.750 --> 1:19:35.849
<v Speaker 1>You just need to trust me. And Vision is like, okay,

1:19:35.890 --> 1:19:38.729
<v Speaker 1>I'll give you the keys. The AIs are fucking shocked

1:19:38.870 --> 1:19:40.150
<v Speaker 1>as Ultron takes over.

1:19:40.630 --> 1:19:43.380
<v Speaker 3>If your dad shows up and asks you, can you

1:19:43.420 --> 1:19:45.599
<v Speaker 3>suddenly make him executor of your will?

1:19:45.800 --> 1:19:46.300
<v Speaker 2>No.

1:19:46.360 --> 1:19:48.960
<v Speaker 3>Yes. Don't say yes to that, man. He's getting money

1:19:49.000 --> 1:19:50.120
<v Speaker 3>from you. He's scamming.

1:19:50.560 --> 1:19:51.519
<v Speaker 1>Ultron is at.

1:19:51.479 --> 1:19:53.640
<v Speaker 3>His heart a bad dad. I love James Spader. I

1:19:53.700 --> 1:19:58.080
<v Speaker 3>also love Paul Bettany playing Ultron. He fucking kills it

1:19:58.140 --> 1:20:00.660
<v Speaker 3>in this moment. But the AIs are rightfully shocked. This

1:20:00.729 --> 1:20:06.170
<v Speaker 3>is a reckless decision. Ironically, it's Viz's emotions that Ultron

1:20:06.210 --> 1:20:09.770
<v Speaker 3>is playing on right now. That's actually why he's able

1:20:09.890 --> 1:20:10.650
<v Speaker 3>to manipulate him.

1:20:10.870 --> 1:20:14.570
<v Speaker 1>I completely agree. And we get these wonderful, you know,

1:20:14.610 --> 1:20:18.589
<v Speaker 1>kind of referenced lines, another wonderful reference line from Age

1:20:18.600 --> 1:20:21.430
<v Speaker 1>of Ultron, where Ultron now in control says, like, you know,

1:20:21.490 --> 1:20:24.450
<v Speaker 1>I have no strings now. I've cut the strings.

1:20:24.990 --> 1:20:26.210
<v Speaker 3>He then is holding Wells.

1:20:26.270 --> 1:20:28.830
<v Speaker 1>There are no strings on me. Yeah, yeah. He's holding

1:20:28.850 --> 1:20:30.300
<v Speaker 1>Wells in front of him. And to your point, it's

1:20:30.310 --> 1:20:35.200
<v Speaker 1>this wonderful face-off, like, acting as the other actor moment, right?

1:20:35.220 --> 1:20:35.420
<v Speaker 2>Yeah.

1:20:35.770 --> 1:20:39.750
<v Speaker 1>Where, so Ultron and Vision's body is holding Wells, throws

1:20:39.850 --> 1:20:42.910
<v Speaker 1>like some sort of pole or some sort of, I don't.

1:20:42.810 --> 1:20:43.920
<v Speaker 3>Know what it is, a mic stand or something. I

1:20:43.939 --> 1:20:46.540
<v Speaker 3>think it's a baseball bat that Tommy was holding to

1:20:46.600 --> 1:20:50.040
<v Speaker 3>try and beat up Vision because he knew that Vision

1:20:50.080 --> 1:20:54.240
<v Speaker 3>had Ultron inside him. But then Ultron takes it, throws it,

1:20:54.670 --> 1:20:56.590
<v Speaker 3>and basically as a reflex.

1:20:57.270 --> 1:21:01.710
<v Speaker 1>Jocasta shoots back. Yeah, like melts the baseball bat with

1:21:01.770 --> 1:21:05.690
<v Speaker 1>a laser as Ultron like spins Wells into the path

1:21:05.729 --> 1:21:08.380
<v Speaker 1>of the laser. And in what I thought was like

1:21:08.420 --> 1:21:13.200
<v Speaker 1>an almost Tom and Jerry like image, you actually see

1:21:13.320 --> 1:21:16.640
<v Speaker 1>Wells like dissolve. You see her skull for a little bit.

1:21:16.740 --> 1:21:19.560
<v Speaker 1>It's like she, and so she's gone. She turns to ash.

1:21:19.920 --> 1:21:21.160
<v Speaker 1>It's a shocking moment.

1:21:21.180 --> 1:21:21.250
<v Speaker 3>And.

1:21:23.189 --> 1:21:26.840
<v Speaker 1>You realize, oh shit, like Ultron really is still that supervillain.

1:21:26.880 --> 1:21:29.519
<v Speaker 1>He's still so fucking ruthless. He locked Vision and the

1:21:29.600 --> 1:21:33.220
<v Speaker 1>AIs out of the body. Jocasta is so mad.

1:21:33.150 --> 1:21:33.870
<v Speaker 3>That now she doesn't have.

1:21:33.890 --> 1:21:35.830
<v Speaker 1>Because he took away the key. She doesn't have this

1:21:35.930 --> 1:21:42.169
<v Speaker 1>bio key for whatever it is she needs. Thomas is like, Ultron, Ultron, like, what.

1:21:42.010 --> 1:21:44.450
<v Speaker 3>Are you doing? She says to him just before she

1:21:44.490 --> 1:21:46.760
<v Speaker 3>flies away, she says, this isn't over. And he turns

1:21:46.780 --> 1:21:49.900
<v Speaker 3>around and he's like, I hope not. And you know

1:21:50.000 --> 1:21:55.560
<v Speaker 3>that the Jocasta, Tania Miller, James Spader, erotic thriller Ultron

1:21:55.620 --> 1:21:58.530
<v Speaker 3>Jocasta is coming in episode five. It better be.

1:21:59.689 --> 1:22:02.990
<v Speaker 1>So Ultron then puts his arm around Tommy and is like,

1:22:03.550 --> 1:22:05.250
<v Speaker 1>you know, envisions bodies like, hey.

1:22:06.200 --> 1:22:06.620
<v Speaker 3>Let's go.

1:22:07.479 --> 1:22:09.080
<v Speaker 1>Why don't you and I go have a drink? Let's

1:22:09.120 --> 1:22:10.780
<v Speaker 1>get out of here. Let's have a talk. And that

1:22:10.820 --> 1:22:12.519
<v Speaker 1>is the end of the episode. Let's take a quick

1:22:12.560 --> 1:22:16.060
<v Speaker 1>break and we'll be back with our thoughts as we

1:22:16.080 --> 1:22:33.679
<v Speaker 1>finish up talking about episodes three and four of Vision Clips.

1:22:34.360 --> 1:22:34.939
<v Speaker 1>And we're back.

1:22:35.620 --> 1:22:35.880
<v Speaker 3>Another.

1:22:36.590 --> 1:22:39.009
<v Speaker 1>Rip roaring episode of the Vision Quest program.

1:22:39.630 --> 1:22:39.950
<v Speaker 3>I guess.

1:22:40.150 --> 1:22:43.380
<v Speaker 1>Okay. So a lot of Jim Hammond stuff, a lot

1:22:43.400 --> 1:22:49.810
<v Speaker 1>of deep Marvel stuff. Let's quickly go through. our suspects

1:22:49.890 --> 1:22:52.490
<v Speaker 1>on the table for the client. I think Jim Hammond

1:22:52.530 --> 1:22:54.270
<v Speaker 1>has to be one of these suspects now.

1:22:54.450 --> 1:22:58.170
<v Speaker 3>I love that take. I think the important line here

1:22:58.229 --> 1:23:00.720
<v Speaker 3>to listen to is when he speaks to Paladin, he says,

1:23:00.760 --> 1:23:03.280
<v Speaker 3>I told you I need the Vision intact. So whoever

1:23:03.380 --> 1:23:05.759
<v Speaker 3>is looking for him is looking for the body, right?

1:23:06.060 --> 1:23:08.000
<v Speaker 3>We know that that could just be Ultron. We have

1:23:08.040 --> 1:23:10.500
<v Speaker 3>to put him out there, though he has now gained

1:23:10.540 --> 1:23:12.729
<v Speaker 3>control of Vision's body. So we think he probably wouldn't

1:23:12.770 --> 1:23:15.090
<v Speaker 3>have had to go to this extent. So I think

1:23:15.110 --> 1:23:17.570
<v Speaker 3>we can cross him off the list. I love the

1:23:17.590 --> 1:23:20.189
<v Speaker 3>Jim Hammond one. That's definitely my biggest one. I also

1:23:20.229 --> 1:23:22.830
<v Speaker 3>thought Jocasta could be behind it, though I think this

1:23:22.890 --> 1:23:26.670
<v Speaker 3>episode clears that. I don't necessarily think so. I don't

1:23:26.830 --> 1:23:29.110
<v Speaker 3>think it would make 100% sense. I will tell you

1:23:29.150 --> 1:23:32.560
<v Speaker 3>the one that I really liked that somebody put into

1:23:32.600 --> 1:23:34.160
<v Speaker 3>our Discord, which was Billy.

1:23:34.180 --> 1:23:36.160
<v Speaker 1>I like that one as well.

1:23:38.760 --> 1:23:42.240
<v Speaker 3>To find Vision so that he can understand what's going

1:23:42.300 --> 1:23:44.969
<v Speaker 3>on with his mom, with his dad, all of that stuff.

1:23:45.350 --> 1:23:47.850
<v Speaker 3>I love the Jim Hammond read, though. I mean, other

1:23:47.930 --> 1:23:50.710
<v Speaker 3>ones that I'll just throw out there. Wanda. You don't

1:23:50.729 --> 1:23:52.090
<v Speaker 3>know that she's back. I like Wanda. We're going to

1:23:52.130 --> 1:23:54.570
<v Speaker 3>say it. We got a lot of hints here about

1:23:54.910 --> 1:23:59.030
<v Speaker 3>the yes, no, maybe of her being alive or being dead. Sword,

1:23:59.130 --> 1:24:01.630
<v Speaker 3>I do still think is in play. I also think

1:24:01.670 --> 1:24:03.260
<v Speaker 3>it would be more likely that it would be a

1:24:03.340 --> 1:24:08.000
<v Speaker 3>Bill Metzger undercover DODC type thing. But the Jim Hammond...

1:24:08.050 --> 1:24:11.750
<v Speaker 3>Connection is the most emotionally resonant to me, so I

1:24:11.790 --> 1:24:12.809
<v Speaker 3>really hope they go with that.

1:24:12.950 --> 1:24:13.990
<v Speaker 1>Can I go with one?

1:24:15.160 --> 1:24:15.620
<v Speaker 3>Please.

1:24:16.120 --> 1:24:20.360
<v Speaker 1>Just because it seems like we're not suspecting this person

1:24:20.400 --> 1:24:20.820
<v Speaker 1>at all.

1:24:20.840 --> 1:24:25.040
<v Speaker 3>Lisa. Okay, let's talk about it, because we brought up

1:24:25.180 --> 1:24:28.160
<v Speaker 3>in the trailer that she... In the trailer, there's a

1:24:28.220 --> 1:24:30.620
<v Speaker 3>girl who looks like Lisa who uses red eye powers.

1:24:30.680 --> 1:24:33.860
<v Speaker 3>She kind of looks like an extremist-type character. I think

1:24:33.880 --> 1:24:36.360
<v Speaker 3>that's a really good call, Jason, because also she showed...

1:24:36.400 --> 1:24:38.599
<v Speaker 3>You know, Tommy called her, and she immediately said, I'm

1:24:38.640 --> 1:24:42.099
<v Speaker 3>coming right now to you. Stay there. Don't move. That's classic, like,

1:24:42.140 --> 1:24:43.840
<v Speaker 3>somebody's tracking you vibe.

1:24:43.920 --> 1:24:46.280
<v Speaker 1>Yeah, sitting next to him on the bus. I don't

1:24:46.310 --> 1:24:48.210
<v Speaker 1>think there was another woman on the bus.

1:24:48.630 --> 1:24:49.170
<v Speaker 3>No.

1:24:49.750 --> 1:24:56.189
<v Speaker 1>So there's... It does... Have the feeling of a deeper con, perhaps.

1:24:56.210 --> 1:25:00.240
<v Speaker 3>I do say, look, I do still think that S.W.O.R.D.

1:25:00.300 --> 1:25:04.260
<v Speaker 3>probably didn't just make one kid or one version, right?

1:25:04.300 --> 1:25:07.070
<v Speaker 3>So we know that Jocasta's out there. That's your kind

1:25:07.090 --> 1:25:12.450
<v Speaker 3>of original... There is a potential that S.W.O.R.D. did make

1:25:12.490 --> 1:25:16.260
<v Speaker 3>a secondary version, and it could be a Lisa, or

1:25:16.300 --> 1:25:19.220
<v Speaker 3>Lisa ends up getting powers from being in St. Mabin's,

1:25:19.479 --> 1:25:24.210
<v Speaker 3>or something like that, or Lisa has been manipulated into...

1:25:24.390 --> 1:25:27.050
<v Speaker 3>trying to help find him. But I do have noticed

1:25:27.330 --> 1:25:29.790
<v Speaker 3>they never let them kiss. They're very much doing the

1:25:29.810 --> 1:25:32.090
<v Speaker 3>Luke and Leia thing. So I do think there's a

1:25:32.110 --> 1:25:34.530
<v Speaker 3>version where she is also an android and becomes more

1:25:34.550 --> 1:25:36.650
<v Speaker 3>of like a Viv vision. Though I don't know that

1:25:36.710 --> 1:25:39.800
<v Speaker 3>we would see that in this series, like come to fruition.

1:25:40.180 --> 1:25:46.320
<v Speaker 1>So to your point about the trailer where we see

1:25:46.360 --> 1:25:48.320
<v Speaker 1>someone who I think is Lisa.

1:25:48.360 --> 1:25:49.120
<v Speaker 3>It's Lisa, right?

1:25:49.560 --> 1:25:49.700
<v Speaker 2>Yeah.

1:25:49.720 --> 1:25:53.880
<v Speaker 1>Yeah. I am now realizing that I think they're playing

1:25:53.979 --> 1:26:00.670
<v Speaker 1>right in our face, even with the fake arms. She

1:26:00.729 --> 1:26:06.570
<v Speaker 1>could be the very, very minor Dark Reign Young Avengers villain,

1:26:06.689 --> 1:26:09.270
<v Speaker 1>Coat of Arms. Oh my god, he says no, no, no!

1:26:09.470 --> 1:26:13.439
<v Speaker 3>Jason, yes! No, Jason, you caught it, 100%! Because he

1:26:13.520 --> 1:26:16.600
<v Speaker 3>says to her just before they get in, how do

1:26:16.620 --> 1:26:20.050
<v Speaker 3>you have a coat of arms? And she says... She says,

1:26:20.410 --> 1:26:22.830
<v Speaker 3>of course I do. Like, I'm always prepared. And I

1:26:22.870 --> 1:26:25.110
<v Speaker 3>was confused because I thought they meant like a paladin

1:26:25.150 --> 1:26:29.310
<v Speaker 3>style one, but he literally meant the coat of arms. Jason,

1:26:29.350 --> 1:26:30.889
<v Speaker 3>tell us more about this because I think you're.

1:26:30.950 --> 1:26:34.340
<v Speaker 1>I mean, coat of arms, she is, I think a

1:26:34.400 --> 1:26:39.410
<v Speaker 1>mutant with magical powers or- Or is like a hood-like

1:26:39.510 --> 1:26:42.910
<v Speaker 1>figure who has a magical coat. I forget, but I

1:26:42.950 --> 1:26:45.590
<v Speaker 1>think it's one of the two. And anyway, has this

1:26:45.670 --> 1:26:50.030
<v Speaker 1>magical ability to generate other arms. So what we thought

1:26:50.340 --> 1:26:55.439
<v Speaker 1>were like silicone fake arms, I think were just an illusion.

1:26:55.780 --> 1:26:56.400
<v Speaker 3>I think you're right.

1:26:56.560 --> 1:26:57.580
<v Speaker 1>That she created.

1:26:58.040 --> 1:26:58.639
<v Speaker 2>She is.

1:26:58.780 --> 1:27:01.599
<v Speaker 3>I mean, Lisa Molinari is the name of the character.

1:27:01.640 --> 1:27:03.439
<v Speaker 3>So I think we can say this is who she

1:27:03.520 --> 1:27:09.160
<v Speaker 3>is supposed to be playing. The question is... Will they

1:27:09.240 --> 1:27:16.799
<v Speaker 3>lean into her actual having powers? So interestingly, it's actually

1:27:16.860 --> 1:27:20.780
<v Speaker 3>like Norman Osborn in the comics who kind of influences her.

1:27:20.970 --> 1:27:25.250
<v Speaker 3>And then she ends up like painting him. She's an artist.

1:27:25.550 --> 1:27:28.950
<v Speaker 3>So she does look in. She does look up to villains.

1:27:29.790 --> 1:27:33.809
<v Speaker 3>So I am interested to know if she could be

1:27:33.950 --> 1:27:38.490
<v Speaker 3>played into like, maybe she, who would she be following though?

1:27:38.670 --> 1:27:41.710
<v Speaker 1>I will say, I guess you're like, So I think

1:27:41.750 --> 1:27:44.150
<v Speaker 1>we have to put her on the suspect list. My

1:27:44.210 --> 1:27:48.429
<v Speaker 1>only thing with her would be she must be working

1:27:48.450 --> 1:27:51.010
<v Speaker 1>for somebody else. Because even in the comics, she was

1:27:51.070 --> 1:27:55.020
<v Speaker 1>never a mastermind. Like whoever wants Vision wants Vision for something.

1:27:55.030 --> 1:27:58.460
<v Speaker 1>And I can't figure out what she would want him for.

1:27:58.479 --> 1:28:01.870
<v Speaker 3>I got to tell you though, Jason. you've really opened

1:28:01.890 --> 1:28:04.200
<v Speaker 3>this up to me now because Coat of Arms was

1:28:04.300 --> 1:28:09.100
<v Speaker 3>actually the person who started the basically evil Young Avengers

1:28:09.140 --> 1:28:10.420
<v Speaker 3>that was called Young Masters.

1:28:10.439 --> 1:28:11.479
<v Speaker 1>The Young Masters of Evil, yeah.

1:28:11.540 --> 1:28:13.900
<v Speaker 3>And it was like, are they Young Avengers? Are they good?

1:28:14.010 --> 1:28:16.350
<v Speaker 3>Are they bad? They could never really tell. So I

1:28:16.430 --> 1:28:19.129
<v Speaker 3>also wonder if maybe we'll get some kind of anti-hero

1:28:19.290 --> 1:28:25.440
<v Speaker 3>version super team being run by Lisa. I hope she

1:28:25.479 --> 1:28:27.960
<v Speaker 3>doesn't get fridged. I think she is. I think you're

1:28:28.020 --> 1:28:30.340
<v Speaker 3>so onto this. She's definitely meant to be coat of

1:28:30.460 --> 1:28:36.130
<v Speaker 3>arms and also would be interesting if she is a mutant.

1:28:36.750 --> 1:28:41.980
<v Speaker 3>Maybe the mutants are worried about about synthozoids. Maybe they're

1:28:42.020 --> 1:28:45.729
<v Speaker 3>worried about people with new powers. Maybe she, the bus,

1:28:45.770 --> 1:28:48.850
<v Speaker 3>like we said, Jason, it was very reminiscent of Jean's

1:28:48.910 --> 1:28:53.530
<v Speaker 3>Grey's experiences in Brand New Day. So maybe Lisa is

1:28:53.570 --> 1:28:57.190
<v Speaker 3>part of like a Morlocks-esque like undercover group of kids

1:28:57.210 --> 1:28:59.910
<v Speaker 3>with powers and she just doesn't know Tommy has powers yet.

1:28:59.930 --> 1:29:02.650
<v Speaker 3>I love that. I'm very, you really blew my mind.

1:29:02.689 --> 1:29:04.410
<v Speaker 3>And I caught him say that, of course you have

1:29:04.470 --> 1:29:07.030
<v Speaker 3>a coat of arms. And I thought, okay, that's crazy

1:29:07.070 --> 1:29:09.090
<v Speaker 3>for them to just put that in there. And then

1:29:09.110 --> 1:29:11.330
<v Speaker 3>you pulled her name and I'm like, okay, yeah, I mean,

1:29:11.370 --> 1:29:13.490
<v Speaker 3>that's it. And I think, I think they were kind

1:29:13.530 --> 1:29:16.059
<v Speaker 3>of playing in our face too, because they were making

1:29:16.120 --> 1:29:18.620
<v Speaker 3>us think she's extremist or she's something else, but it's

1:29:18.720 --> 1:29:20.760
<v Speaker 3>actually going to be about this coat. It's going to

1:29:20.780 --> 1:29:24.780
<v Speaker 3>be about her powers, maybe this mutation. Who could she

1:29:24.820 --> 1:29:26.040
<v Speaker 3>be working for though?

1:29:26.240 --> 1:29:27.360
<v Speaker 1>Well, here's my other one.

1:29:27.700 --> 1:29:27.920
<v Speaker 2>Okay.

1:29:28.650 --> 1:29:33.570
<v Speaker 1>We saw in the newspaper, what, an episode, two episodes ago,

1:29:34.270 --> 1:29:36.390
<v Speaker 1>one of the headlines was Hammer something.

1:29:36.710 --> 1:29:38.070
<v Speaker 3>Yes, Justin Hammer.

1:29:38.340 --> 1:29:41.519
<v Speaker 1>Justin Hammer. This would be right up his alley.

1:29:41.740 --> 1:29:44.280
<v Speaker 3>I mean, who wouldn't want that body?

1:29:44.760 --> 1:29:45.020
<v Speaker 2>Yeah.

1:29:45.479 --> 1:29:49.200
<v Speaker 3>I mean, also think about this. Justin Hammer, he loves

1:29:49.260 --> 1:29:53.269
<v Speaker 3>to be working alongside someone else. Justin Hammer, Jim Hammond. Yeah.

1:29:53.290 --> 1:29:55.450
<v Speaker 3>It could happen for sure. I could see that.

1:29:56.650 --> 1:30:00.750
<v Speaker 1>I also think. We mentioned previously, Armor Wars went away,

1:30:00.930 --> 1:30:05.010
<v Speaker 1>but all of those plot lines, to me, are still...

1:30:04.720 --> 1:30:09.960
<v Speaker 1>They're very, very vibrant and active, potentially, because Stark is gone.

1:30:11.000 --> 1:30:12.740
<v Speaker 1>All those suits are around.

1:30:13.400 --> 1:30:17.300
<v Speaker 3>And also these AI, they're reintroducing them to us in

1:30:17.360 --> 1:30:19.689
<v Speaker 3>human way. And what I will say that I love,

1:30:19.700 --> 1:30:23.429
<v Speaker 3>I love how even like the Interpol AI get a

1:30:23.470 --> 1:30:25.930
<v Speaker 3>little description. So I do think they're trying to help

1:30:25.990 --> 1:30:29.450
<v Speaker 3>us imagine these as ongoing characters and kind of bigger

1:30:29.470 --> 1:30:31.990
<v Speaker 3>than just Tony's assistants. I even love the way that

1:30:32.030 --> 1:30:35.139
<v Speaker 3>Vision explained Dummy and then said, I didn't name him.

1:30:35.160 --> 1:30:38.200
<v Speaker 3>It's like, you know, building in that empathy for them.

1:30:38.220 --> 1:30:42.450
<v Speaker 3>I think Justin Hammer is like a crazy... I mean, I.

1:30:42.450 --> 1:30:44.650
<v Speaker 1>Think there could... I also think they could... I mean,

1:30:44.670 --> 1:30:48.110
<v Speaker 1>they could go crazy and pull somebody who has not

1:30:48.170 --> 1:30:51.350
<v Speaker 1>even appeared in the show or maybe is another full

1:30:51.390 --> 1:30:52.269
<v Speaker 1>Marvel reveal.

1:30:52.290 --> 1:30:54.839
<v Speaker 3>I was going to say, what do you think the

1:30:54.900 --> 1:30:58.920
<v Speaker 3>likelihood is? We're four episodes in now. Four fucking great episodes,

1:30:58.979 --> 1:31:01.420
<v Speaker 3>in my opinion. We're halfway through the show. When do

1:31:01.460 --> 1:31:04.720
<v Speaker 3>we get Billy? Because I do think that from having

1:31:04.760 --> 1:31:07.540
<v Speaker 3>him in the trailer... You've got to at least get

1:31:07.580 --> 1:31:10.030
<v Speaker 3>some kind of family reunion at some point. Will it

1:31:10.070 --> 1:31:14.410
<v Speaker 3>include Wanda? We don't know. But I will say, Rudy

1:31:14.490 --> 1:31:17.349
<v Speaker 3>has been going around saying his favorite episode is the finale.

1:31:17.530 --> 1:31:19.349
<v Speaker 3>And he's just been straight up saying people like, you're

1:31:19.390 --> 1:31:21.410
<v Speaker 3>not going to believe it. You're going to love it.

1:31:21.450 --> 1:31:22.440
<v Speaker 1>Blah, blah, blah.

1:31:23.140 --> 1:31:26.240
<v Speaker 3>Obviously, I don't think you can pay Elizabeth Olsen enough

1:31:26.300 --> 1:31:29.280
<v Speaker 3>money to be in this show, though. The show looks incredible,

1:31:29.760 --> 1:31:30.360
<v Speaker 3>I will say.

1:31:30.760 --> 1:31:33.589
<v Speaker 1>Here's what I think will happen. I think we will

1:31:33.620 --> 1:31:37.900
<v Speaker 1>get Billy by episode, maybe end of episode seven.

1:31:37.920 --> 1:31:38.380
<v Speaker 3>Yes.

1:31:38.580 --> 1:31:43.360
<v Speaker 1>And then in episode eight, we will not, there's no Wanda,

1:31:43.600 --> 1:31:46.500
<v Speaker 1>but we will have confirmation that she's, the family's back together.

1:31:46.900 --> 1:31:47.139
<v Speaker 3>Yes.

1:31:47.280 --> 1:31:50.469
<v Speaker 1>And we will have confirmation that she's alive.

1:31:50.890 --> 1:31:51.150
<v Speaker 2>Okay.

1:31:51.390 --> 1:31:53.250
<v Speaker 3>So let's think about how we get there. We're going

1:31:53.270 --> 1:31:55.570
<v Speaker 3>to have, probably have Billy. We're probably going to have Tommy.

1:31:55.810 --> 1:31:58.309
<v Speaker 3>So then they'll have both their parents' powers. So that

1:31:58.350 --> 1:32:01.530
<v Speaker 3>would awaken something in Wanda. It needs to be somebody

1:32:01.570 --> 1:32:04.809
<v Speaker 3>who is a true threat to Vision for them to care.

1:32:04.870 --> 1:32:07.550
<v Speaker 3>So I do think that that also means Ultron. I'm

1:32:07.590 --> 1:32:12.179
<v Speaker 3>also interested with where we go in Episode 5. Are

1:32:12.189 --> 1:32:14.920
<v Speaker 3>we trapped in the Memory Palace? Do we go to Billy?

1:32:15.300 --> 1:32:15.540
<v Speaker 2>Because.

1:32:16.340 --> 1:32:20.860
<v Speaker 3>Vision is locked out. He's essentially not in control. Ultron

1:32:20.900 --> 1:32:24.320
<v Speaker 3>is in control. I would love a Tommy Ultron episode.

1:32:24.400 --> 1:32:27.840
<v Speaker 3>I think that is interesting. I really think Tommy needs

1:32:27.900 --> 1:32:30.670
<v Speaker 3>to hear from Ultron. We know he's a genocidal maniac,

1:32:30.750 --> 1:32:35.049
<v Speaker 3>but repression is not safe, and Vision at this current

1:32:35.090 --> 1:32:37.090
<v Speaker 3>time is just repression, repression, repression.

1:32:37.110 --> 1:32:41.870
<v Speaker 1>I am now wondering if Lisa, who we believe to

1:32:41.910 --> 1:32:47.490
<v Speaker 1>be coat of arms, isn't... I think the... vision thing

1:32:49.110 --> 1:32:52.560
<v Speaker 1>is a complication maybe and that the paladin was hired

1:32:53.400 --> 1:32:55.400
<v Speaker 1>i think it's possible that she's not the client and

1:32:55.420 --> 1:32:59.860
<v Speaker 1>then whatever her thing is is specific to thomas and

1:32:59.920 --> 1:33:03.950
<v Speaker 1>it's either turning him evil or getting him on her

1:33:04.010 --> 1:33:06.330
<v Speaker 1>side so she can have him in her version of

1:33:06.350 --> 1:33:09.290
<v Speaker 1>the young master's Or it's something else that has nothing

1:33:09.330 --> 1:33:10.650
<v Speaker 1>else to do with this. And this is just like

1:33:10.689 --> 1:33:11.290
<v Speaker 1>a complication.

1:33:11.310 --> 1:33:13.810
<v Speaker 3>Exactly. Cause no, I think you're right. I like the

1:33:13.890 --> 1:33:16.790
<v Speaker 3>idea that the vision thing is like separate and she's

1:33:16.810 --> 1:33:18.219
<v Speaker 3>just been told, go find this kid.

1:33:18.229 --> 1:33:21.400
<v Speaker 1>Who's he's like, Hey, don't, don't go off with this guy.

1:33:21.439 --> 1:33:22.740
<v Speaker 1>Don't get attached to this guy.

1:33:23.200 --> 1:33:26.520
<v Speaker 3>The boiling kid, the boiling, the kids in the pool.

1:33:26.680 --> 1:33:29.980
<v Speaker 3>And then the psychotic break made him very easy for

1:33:30.050 --> 1:33:32.870
<v Speaker 3>everyone to find. So if there is someone out there

1:33:32.890 --> 1:33:36.510
<v Speaker 3>who's tracking magic users or people with powers that are emerging.

1:33:37.070 --> 1:33:38.850
<v Speaker 3>It doesn't seem like it would be hard to know

1:33:38.900 --> 1:33:40.240
<v Speaker 3>Tommy Shepard was one of them.

1:33:41.920 --> 1:33:44.940
<v Speaker 1>With all these magic people, I wonder if one of

1:33:44.979 --> 1:33:49.690
<v Speaker 1>the things that is going to happen is Agatha, who

1:33:49.729 --> 1:33:53.809
<v Speaker 1>can steal magic, stealing magic on behalf of Doom, to

1:33:53.870 --> 1:33:57.309
<v Speaker 1>power up the witches. And basically we're going to see.

1:33:56.990 --> 1:34:00.170
<v Speaker 3>A lot of magic users... Oh, my God. Well, I

1:34:00.229 --> 1:34:03.330
<v Speaker 3>will say, and guys, put your earmuffs on if you

1:34:03.350 --> 1:34:07.160
<v Speaker 3>don't want spoilers. The first reactions from the Doomsday screenings

1:34:07.280 --> 1:34:11.580
<v Speaker 3>are like, apparently it's a bloodbath, crazy emotional. So I

1:34:11.600 --> 1:34:14.280
<v Speaker 3>will say, in that case, I'm going to throw my

1:34:14.300 --> 1:34:17.750
<v Speaker 3>little theory out there, which is, I love that. And

1:34:17.810 --> 1:34:21.450
<v Speaker 3>now that Disney owns everything, HBO, I mean, sorry, not yet,

1:34:21.650 --> 1:34:24.780
<v Speaker 3>but Disney owns Hulu right now. And we've gotten the

1:34:24.840 --> 1:34:28.220
<v Speaker 3>Netflix characters back. We're talking about magic. I think some

1:34:28.240 --> 1:34:30.820
<v Speaker 3>of the most underserved characters we've never gotten to see again,

1:34:30.860 --> 1:34:32.620
<v Speaker 3>who would be very easy to bring back in this

1:34:32.680 --> 1:34:35.020
<v Speaker 3>space and then probably kill off in doomsday, RIP to

1:34:35.060 --> 1:34:38.500
<v Speaker 3>my children. But the Runaways, the Marvel Runaways show is

1:34:38.600 --> 1:34:42.050
<v Speaker 3>so fantastic. Cloak and Dagger. I could imagine Coat of

1:34:42.170 --> 1:34:45.230
<v Speaker 3>Arms being on that level. Like she's got to find

1:34:45.270 --> 1:34:47.510
<v Speaker 3>these other kids for Agatha. She's got to find these

1:34:47.550 --> 1:34:50.729
<v Speaker 3>little victims for Agatha to essentially suck the magic from.

1:34:51.030 --> 1:34:54.210
<v Speaker 3>That's horrific, but I love it. I think that's such

1:34:54.250 --> 1:34:58.309
<v Speaker 3>a good potential pull. And honestly, just the depth and

1:34:58.370 --> 1:35:02.530
<v Speaker 3>emotion that this show is managing to balance alongside this

1:35:02.570 --> 1:35:04.950
<v Speaker 3>kind of crazy cosmic mystery is really impressing me.

1:35:05.800 --> 1:35:08.889
<v Speaker 1>Well, we're going to continue talking about this show. On

1:35:08.900 --> 1:35:11.290
<v Speaker 1>the next episode of X-Ray Vision, we're diving into the

1:35:11.310 --> 1:35:12.910
<v Speaker 1>biggest news of the week, and then we're giving you

1:35:12.970 --> 1:35:16.229
<v Speaker 1>our initial thoughts on Clayface. That's it for this episode.

1:35:16.250 --> 1:35:16.830
<v Speaker 1>Thanks for listening.

1:35:17.170 --> 1:35:17.810
<v Speaker 3>Bye.

1:35:23.979 --> 1:35:26.820
<v Speaker 1>X-Ray Vision is hosted by Jason Concepcion and Rosie Knight

1:35:26.939 --> 1:35:28.720
<v Speaker 1>and is a production of iHeart Podcast.

1:35:29.140 --> 1:35:32.560
<v Speaker 3>Our executive producers are Joelle Monique and Aaron Kaufman.

1:35:32.939 --> 1:35:35.009
<v Speaker 1>Our supervising producer is Abu Safar.

1:35:35.390 --> 1:35:39.250
<v Speaker 3>Our producers are Carmen Laurent, Ian Johnson, and Baywang.

1:35:39.410 --> 1:35:42.130
<v Speaker 1>Our theme song is by Brian Vasquez with alternate theme

1:35:42.170 --> 1:35:43.430
<v Speaker 1>songs by Aaron Kaufman.

1:35:43.689 --> 1:35:47.490
<v Speaker 3>Special thanks to Sol Rubin, Chris Lord, Kenny Goodman, and Heidi,

1:35:47.790 --> 1:35:48.880
<v Speaker 3>our Discord moderator.