WEBVTT - Never Mind the Stasi

0:00:15.170 --> 0:00:31.690
<v Speaker 1>Pushkin. The place is East Berlin, the year nineteen eighty three.

0:00:32.570 --> 0:00:35.410
<v Speaker 1>We're in an interrogation room in the offices of the

0:00:35.490 --> 0:00:42.610
<v Speaker 1>Ministry of State Security known as the Stasi. There's a

0:00:42.610 --> 0:00:46.290
<v Speaker 1>filing cabinet, a dirty neck curtain at the window, a

0:00:46.410 --> 0:00:50.650
<v Speaker 1>view outside of gray concrete blocks. In the middle of

0:00:50.650 --> 0:00:53.450
<v Speaker 1>the room. There's a cheap wood veneered desk. On it

0:00:53.570 --> 0:00:57.130
<v Speaker 1>as a phone, an intercombox with an array of cool buttons,

0:00:57.410 --> 0:01:00.450
<v Speaker 1>and a big old fashioned reel to reel tape recorder.

0:01:02.170 --> 0:01:06.090
<v Speaker 1>Behind the desk is the interrogator. He wears a uniform,

0:01:06.250 --> 0:01:10.130
<v Speaker 1>a gray military jacket, a shirt and tar a peak

0:01:10.210 --> 0:01:14.450
<v Speaker 1>cat placed carefully on the desk beside him. He's a

0:01:14.450 --> 0:01:17.650
<v Speaker 1>committed communist who's sworn an oath to defend the German

0:01:17.690 --> 0:01:22.090
<v Speaker 1>Democratic Republic the GDR, commonly known to the rest of

0:01:22.130 --> 0:01:26.650
<v Speaker 1>the world as East Germany. The interrogator has the authority

0:01:26.730 --> 0:01:28.850
<v Speaker 1>to do more or less whatever he wants, and he

0:01:28.930 --> 0:01:32.490
<v Speaker 1>doesn't have to worry about privacy. He can have people followed,

0:01:32.730 --> 0:01:37.330
<v Speaker 1>listen to their phone calls, break into their apartments, arrest them.

0:01:37.570 --> 0:01:41.210
<v Speaker 1>Usually his interested in dissidence. Political types who meet to

0:01:41.290 --> 0:01:44.690
<v Speaker 1>talk about democracy or the environment will make plans to

0:01:44.810 --> 0:01:48.690
<v Speaker 1>escape to the West, but today he has a different

0:01:48.730 --> 0:01:58.850
<v Speaker 1>kind of problem on his hands. Sitting at the end

0:01:58.890 --> 0:02:01.810
<v Speaker 1>of the desk in front of the microphone is a

0:02:01.890 --> 0:02:06.450
<v Speaker 1>skinny teenage boy. He has bleached spiky hair, a dog

0:02:06.490 --> 0:02:09.370
<v Speaker 1>collar and an old suit jacket with an A for

0:02:09.450 --> 0:02:13.330
<v Speaker 1>anarchy spray painted on the back. The kid is something

0:02:13.410 --> 0:02:18.610
<v Speaker 1>completely new, something never before seen in the GDR. He's

0:02:18.610 --> 0:02:24.970
<v Speaker 1>a pump. Everyone calls him Pancau after the North Berlin

0:02:25.010 --> 0:02:28.450
<v Speaker 1>neighborhood where he comes from. And he's the lead singer

0:02:28.490 --> 0:02:33.130
<v Speaker 1>of a band, East Germany's very first punk band. They're

0:02:33.130 --> 0:02:37.210
<v Speaker 1>called plan Loos, which you could translate as aimless, having

0:02:37.250 --> 0:02:40.970
<v Speaker 1>no plan. By most standards, they're barely a band at all,

0:02:42.090 --> 0:02:46.050
<v Speaker 1>but to the Starzi they're a threat to the very

0:02:46.130 --> 0:03:05.490
<v Speaker 1>foundations of the state. This is Into the Zone, a

0:03:05.610 --> 0:03:09.450
<v Speaker 1>podcast about opposites and how borders are never as clear

0:03:09.490 --> 0:03:14.570
<v Speaker 1>as we think. I'm Harry Kunzru. This episode is about

0:03:14.690 --> 0:03:19.290
<v Speaker 1>government power and individual liberty. It's about how you look

0:03:19.330 --> 0:03:22.890
<v Speaker 1>in public and what you think in private, and what

0:03:23.010 --> 0:03:25.450
<v Speaker 1>it was like to live in a country that wanted

0:03:25.490 --> 0:03:30.970
<v Speaker 1>to abolish privacy altogether. And it's about one of the

0:03:31.010 --> 0:03:35.730
<v Speaker 1>most powerful binary oppositions in modern history, the Cold War

0:03:44.090 --> 0:03:53.370
<v Speaker 1>in Flabbentro, in ostarch Land, Belan Gibson, Punk and plant

0:03:54.570 --> 0:03:57.610
<v Speaker 1>Fu and the Bent. That's what Pankou sounds like. Now.

0:03:58.010 --> 0:04:00.330
<v Speaker 1>His real name is Michael, but everyone still calls him

0:04:00.330 --> 0:04:02.810
<v Speaker 1>by his old nickname, and he still lives in the

0:04:02.810 --> 0:04:06.490
<v Speaker 1>neighborhood of Pankau. He's telling me about the Stasi, how

0:04:06.490 --> 0:04:09.570
<v Speaker 1>they thought in a very top down way. The word

0:04:09.610 --> 0:04:13.810
<v Speaker 1>he uses as patriarchal the stars. He reasoned like this,

0:04:14.850 --> 0:04:18.610
<v Speaker 1>Berlin is the center of East Germany. In Berlin there's

0:04:18.690 --> 0:04:22.090
<v Speaker 1>one punk band, plan Loss. Therefore, they are the leading

0:04:22.130 --> 0:04:24.410
<v Speaker 1>band and the singer as its head. If we can

0:04:24.450 --> 0:04:27.930
<v Speaker 1>get him, then we can neutralize the threat of punks.

0:04:29.210 --> 0:04:33.370
<v Speaker 1>In that interrogation room in nineteen eighty three, the Stasi

0:04:33.450 --> 0:04:37.650
<v Speaker 1>officer has one goal. He wants to turn Pancao into

0:04:37.650 --> 0:04:41.490
<v Speaker 1>an informer for the state. The officer thinks if he

0:04:41.530 --> 0:04:44.050
<v Speaker 1>can get this one kid to work for him, then

0:04:44.090 --> 0:04:48.090
<v Speaker 1>he'll be able to control the whole punk movement. The

0:04:48.130 --> 0:04:51.090
<v Speaker 1>officer will be a hero. They'll probably give him a medal.

0:04:52.490 --> 0:04:55.410
<v Speaker 1>I grew up during the Cold War. If he went

0:04:55.490 --> 0:04:58.570
<v Speaker 1>around at that time, it's hard to imagine the degree

0:04:58.650 --> 0:05:02.770
<v Speaker 1>to which the Cold War organized everything, the whole world

0:05:03.410 --> 0:05:07.890
<v Speaker 1>into one big us versus them. You knew you were

0:05:07.930 --> 0:05:11.490
<v Speaker 1>on one side. On the other, there was a sort

0:05:11.490 --> 0:05:15.210
<v Speaker 1>of mirror world, totally different, and of course the two

0:05:15.250 --> 0:05:20.170
<v Speaker 1>worlds had nuclear weapons pointed at each other. It was madness.

0:05:23.690 --> 0:05:26.610
<v Speaker 1>One summer when I was fifteen, I went on an

0:05:26.690 --> 0:05:31.170
<v Speaker 1>exchange program, staying with the family in West Germany. One

0:05:31.250 --> 0:05:33.370
<v Speaker 1>day we went to the border somewhere out in the

0:05:33.450 --> 0:05:36.410
<v Speaker 1>country to look at the barbed wire fence and the watchtowers.

0:05:37.410 --> 0:05:41.210
<v Speaker 1>It was a weird feeling. We'd read George Orwell's nineteen

0:05:41.210 --> 0:05:44.450
<v Speaker 1>eighty four in school, and I imagined on the other

0:05:44.490 --> 0:05:47.170
<v Speaker 1>side of the wire as a gray world where everyone

0:05:47.170 --> 0:05:50.250
<v Speaker 1>had to be exactly alike but all the same. I

0:05:50.290 --> 0:05:53.090
<v Speaker 1>was curious. If I'd been a bit older, I would

0:05:53.090 --> 0:05:56.770
<v Speaker 1>have wanted to cross over to see for myself, because

0:05:56.810 --> 0:06:03.690
<v Speaker 1>it truly was a different world for the unlucky inhabitants

0:06:03.730 --> 0:06:06.690
<v Speaker 1>of the eastern half of Germany. The horrors of the

0:06:06.810 --> 0:06:10.450
<v Speaker 1>Nazi period were followed by the Soviet patient, then the

0:06:10.530 --> 0:06:15.650
<v Speaker 1>regime of the GDR. The GDR was governed ontotalitarian lines.

0:06:16.010 --> 0:06:19.770
<v Speaker 1>The Communist Party controlled everything including where you worked or

0:06:19.810 --> 0:06:24.490
<v Speaker 1>went to school, how you spent your leisure time. Berlin

0:06:24.730 --> 0:06:28.250
<v Speaker 1>was central to the identity of both East and West Germany.

0:06:29.610 --> 0:06:32.690
<v Speaker 1>Though the city lay deep in East German territory, it

0:06:32.810 --> 0:06:35.810
<v Speaker 1>had been divided just after the war. The city was

0:06:35.850 --> 0:06:39.610
<v Speaker 1>split in two. West Berlin was connected to Western Europe

0:06:39.690 --> 0:06:43.410
<v Speaker 1>only by a long walled off highway. West Berlin was

0:06:43.450 --> 0:06:46.690
<v Speaker 1>an outpost, like a probe stuck into the side of

0:06:46.730 --> 0:06:54.930
<v Speaker 1>the Eastern bloc. In nineteen sixty one, the East German

0:06:54.970 --> 0:06:58.770
<v Speaker 1>government built what it called the anti Fascistictis Schutzva, the

0:06:58.890 --> 0:07:02.730
<v Speaker 1>Anti Fascist Protection Wall, to separate West and East Berlin.

0:07:03.810 --> 0:07:05.890
<v Speaker 1>The government said the war was to keep its citizens

0:07:05.890 --> 0:07:08.810
<v Speaker 1>safe from the fascists in the West, but everyone knew

0:07:09.250 --> 0:07:13.770
<v Speaker 1>really to keep them from leaving. The East. German communist

0:07:13.850 --> 0:07:17.770
<v Speaker 1>leaders had lived almost unimaginably hard and terrifying lives. They'd

0:07:17.810 --> 0:07:21.810
<v Speaker 1>lived through stylinist purges, the Gulag, the Nazi concentration camps.

0:07:22.450 --> 0:07:26.170
<v Speaker 1>Their reality was paranoid and violent, and they were determined

0:07:26.170 --> 0:07:28.450
<v Speaker 1>that their enemies would never get the jump on them,

0:07:29.210 --> 0:07:33.930
<v Speaker 1>so they set up a sprawling domestic intelligence service dedicated

0:07:33.970 --> 0:07:37.290
<v Speaker 1>to watching the citizens for the slightest sign of descent

0:07:38.370 --> 0:07:41.730
<v Speaker 1>the stars. He had informers everywhere. An informer could be

0:07:41.730 --> 0:07:45.210
<v Speaker 1>your colleague at work, one of your roommates, even someone

0:07:45.250 --> 0:07:48.850
<v Speaker 1>in your family. Add to the informers another two point

0:07:48.890 --> 0:07:51.610
<v Speaker 1>two million party members who had a duty to report

0:07:51.690 --> 0:07:55.170
<v Speaker 1>whether other citizens were following orders, and you had one

0:07:55.170 --> 0:07:58.170
<v Speaker 1>of the most pervasive spying machines ever to exist on

0:07:58.290 --> 0:08:03.370
<v Speaker 1>planet Earth. But right in the middle of the GDR

0:08:03.610 --> 0:08:08.090
<v Speaker 1>was an island, a place the spying machine couldn't control,

0:08:08.330 --> 0:08:13.890
<v Speaker 1>a hotbed of dissident culture and radical ideas. West Berlin.

0:08:15.770 --> 0:08:19.810
<v Speaker 1>My name is Mark Reader. I'm a music producer and

0:08:19.970 --> 0:08:24.330
<v Speaker 1>over the record label Cole masterminded for success known as MFS,

0:08:25.330 --> 0:08:29.250
<v Speaker 1>and now I've lived in Berlin for false and Wild.

0:08:32.290 --> 0:08:35.490
<v Speaker 1>In nineteen seventy eight, Mark Reader was living in the

0:08:35.490 --> 0:08:39.410
<v Speaker 1>North of England in Manchester, dreaming of making it in

0:08:39.450 --> 0:08:43.170
<v Speaker 1>the music business. He worked in a record store and

0:08:43.250 --> 0:08:45.850
<v Speaker 1>he'd fallen in love with the sound of West German

0:08:45.890 --> 0:08:50.610
<v Speaker 1>bands who were experimenting with futuristic new sounds, bands like

0:08:50.730 --> 0:08:57.450
<v Speaker 1>Can the Cosmic, Joker's Noise, craft Work and Tangerine Dream.

0:08:57.570 --> 0:09:00.690
<v Speaker 1>Mark was so obsessed with this music that he decided

0:09:00.730 --> 0:09:03.530
<v Speaker 1>to visit the place where it came from. When he

0:09:03.570 --> 0:09:06.890
<v Speaker 1>came to Berlin. What was he able to describe it?

0:09:06.930 --> 0:09:09.330
<v Speaker 1>Just what it looked, what it looked like. It was

0:09:09.370 --> 0:09:12.410
<v Speaker 1>different from from the city that you knew, the fact

0:09:12.410 --> 0:09:14.930
<v Speaker 1>that it was bullet riddled and gray, and rows of

0:09:14.970 --> 0:09:18.770
<v Speaker 1>houses where obviously bombs had fallen and kind of destroyed

0:09:18.810 --> 0:09:20.570
<v Speaker 1>the houses, and so he had a lot of gaps

0:09:21.010 --> 0:09:24.290
<v Speaker 1>in the buildings and stuff. It was like Manchester was

0:09:24.330 --> 0:09:27.890
<v Speaker 1>a bit kind of like a bit decrepit, falling apart,

0:09:28.410 --> 0:09:32.130
<v Speaker 1>but Berlin was the same, but bullet riddled. But first,

0:09:32.490 --> 0:09:37.730
<v Speaker 1>let's put the picture straight. This film tells the time

0:09:37.770 --> 0:09:40.970
<v Speaker 1>when we had all the discovers, girls still had their

0:09:40.970 --> 0:09:45.210
<v Speaker 1>pubic hair, and boys wore perms and makeup. Mark loved

0:09:45.250 --> 0:09:48.610
<v Speaker 1>Berlin so much that he never went home. He's lived

0:09:48.610 --> 0:09:51.610
<v Speaker 1>there for more than forty years now. A few years

0:09:51.610 --> 0:09:54.050
<v Speaker 1>ago he made a documentary about the city's music scene

0:09:54.050 --> 0:09:57.810
<v Speaker 1>in the eighties. It's called b movie Lust and Sound

0:09:57.930 --> 0:10:00.970
<v Speaker 1>in Berlin. If you want to feel jealous of someone

0:10:00.970 --> 0:10:05.130
<v Speaker 1>else's misspent youth, it's well worth watching. It was a

0:10:05.210 --> 0:10:07.770
<v Speaker 1>time when you could smoke him pubs and on TV.

0:10:09.170 --> 0:10:12.850
<v Speaker 1>One had a record player and the wartman. There were

0:10:12.850 --> 0:10:19.650
<v Speaker 1>Scottied Houses, no Hood Band, the Red Armorfraction, packed telephone boxes,

0:10:20.650 --> 0:10:26.250
<v Speaker 1>Polar rode nod Dishwashers, Super eight film, anti gay laws,

0:10:26.410 --> 0:10:31.090
<v Speaker 1>the Deutsch Mark, the German Democratic Republic, the Wall and

0:10:31.290 --> 0:10:40.690
<v Speaker 1>West Berlin. Mark knew everybody. He hung out with the

0:10:40.730 --> 0:10:44.450
<v Speaker 1>pioneers of industrial music, the band Einstead Send any Bouton.

0:10:45.330 --> 0:10:48.090
<v Speaker 1>Mark shared a squat with Nick Cave, the young Gothic

0:10:48.130 --> 0:10:52.570
<v Speaker 1>eminence behind the Birthday Party. He stayed up late, made movies,

0:10:52.930 --> 0:10:56.970
<v Speaker 1>played music and became part of the Berlin underground. But

0:10:57.090 --> 0:10:59.610
<v Speaker 1>you became a sort of connection between the Manchester scene

0:10:59.810 --> 0:11:02.770
<v Speaker 1>and Berlin. And from what I understand, you bought joy

0:11:02.810 --> 0:11:08.410
<v Speaker 1>Division univered to Berlin. Yea a convinced to come to

0:11:08.490 --> 0:11:12.570
<v Speaker 1>Berlin before transit of Annan came from from Manchester and

0:11:12.650 --> 0:11:15.330
<v Speaker 1>drove all the way down to put all the way

0:11:15.330 --> 0:11:17.970
<v Speaker 1>down to Berlin. Really, you know, you know, Berlin had

0:11:17.970 --> 0:11:21.410
<v Speaker 1>a different attitude to what we had in Manchester. You know,

0:11:21.490 --> 0:11:24.850
<v Speaker 1>Manchester we are you're in a punk band or you're

0:11:24.890 --> 0:11:26.690
<v Speaker 1>in a band any for any reason. It was just

0:11:26.770 --> 0:11:28.490
<v Speaker 1>just to get away. You know, if you if you

0:11:28.610 --> 0:11:32.130
<v Speaker 1>made it, you'd be able to escape miserable Manchester. Berlin

0:11:32.250 --> 0:11:35.930
<v Speaker 1>was very different. Everyone had already escaped here. It was

0:11:36.010 --> 0:11:38.890
<v Speaker 1>like the place where if you were a male of

0:11:40.410 --> 0:11:43.970
<v Speaker 1>a certain age, you would obliged to go to the military.

0:11:44.050 --> 0:11:45.850
<v Speaker 1>But if you lived in Berlin, you didn't have to

0:11:45.890 --> 0:11:49.130
<v Speaker 1>go to military. So if you were a pacifist, or

0:11:49.170 --> 0:11:53.210
<v Speaker 1>you were gay, transvestile, or ever anything weird, you know, artist,

0:11:53.330 --> 0:11:55.970
<v Speaker 1>or you'll just didn't want to go the army. You know,

0:11:56.010 --> 0:11:58.610
<v Speaker 1>you came to Berlin, you could live here and escape

0:11:58.610 --> 0:12:02.770
<v Speaker 1>going to the army. Because of all the countercultural refugees,

0:12:03.330 --> 0:12:05.810
<v Speaker 1>the West Berlin punk scene was one of the most

0:12:05.930 --> 0:12:10.210
<v Speaker 1>vibrant in the world. But Mark wasn't satisfied with knowing

0:12:10.330 --> 0:12:13.770
<v Speaker 1>just the western half of his new city. Like me,

0:12:14.210 --> 0:12:17.170
<v Speaker 1>he'd grown up wondering what lay on the other side

0:12:17.210 --> 0:12:21.090
<v Speaker 1>of the Iron curtain. Now he had a chance to

0:12:21.090 --> 0:12:24.370
<v Speaker 1>find out. It was a completely different world on the

0:12:24.370 --> 0:12:26.810
<v Speaker 1>other side of the building wall. Can you describe the

0:12:26.810 --> 0:12:32.290
<v Speaker 1>experience of crossing over, Yeah, it was scary, you know,

0:12:32.370 --> 0:12:34.170
<v Speaker 1>it was. It was scary. It was it was like

0:12:35.170 --> 0:12:37.090
<v Speaker 1>because you didn't know what to expect on the other side.

0:12:37.130 --> 0:12:39.650
<v Speaker 1>It was a completely different kind of regime and everything,

0:12:39.690 --> 0:12:42.730
<v Speaker 1>you know, like everything that we'd taken for granted here

0:12:42.770 --> 0:12:45.850
<v Speaker 1>in the West didn't exist in the East. Incense, you know.

0:12:45.890 --> 0:12:48.330
<v Speaker 1>It was like I didn't know what was letting myself

0:12:48.330 --> 0:12:50.890
<v Speaker 1>in full to be honest, you know, I just started

0:12:50.930 --> 0:12:52.530
<v Speaker 1>just go and see what it was like and where

0:12:52.570 --> 0:12:55.370
<v Speaker 1>did you find there? I thought it was it was

0:12:55.410 --> 0:12:58.690
<v Speaker 1>like stepping back in time. It was like a time machine.

0:13:00.290 --> 0:13:03.810
<v Speaker 1>On his first trip, Mark just walked around, but he

0:13:03.890 --> 0:13:08.330
<v Speaker 1>kept going back. For most of his West Berlin friends,

0:13:08.570 --> 0:13:11.210
<v Speaker 1>it was an administrative hassle to get a visa across

0:13:11.250 --> 0:13:14.530
<v Speaker 1>the border. They had to apply days or weeks in advance.

0:13:15.450 --> 0:13:19.370
<v Speaker 1>But strangely enough, with Mark's British passport, he could come

0:13:19.370 --> 0:13:22.370
<v Speaker 1>and go as he pleased. The fascination of that this place,

0:13:22.450 --> 0:13:24.330
<v Speaker 1>you know, it's like it was like like no other

0:13:24.690 --> 0:13:27.450
<v Speaker 1>place I've been to. It's like I felt there was

0:13:27.490 --> 0:13:33.370
<v Speaker 1>a an ambient stare that was like desperate in a sense,

0:13:33.370 --> 0:13:36.570
<v Speaker 1>and I got quite addicted to that and this feeling

0:13:36.610 --> 0:13:40.730
<v Speaker 1>of like big brothers watching you kind of thing. Despite that,

0:13:41.490 --> 0:13:44.810
<v Speaker 1>Mark got talking to other young people and soon he

0:13:44.890 --> 0:13:48.530
<v Speaker 1>had friends in East Berlin. He began to smuggle in

0:13:48.650 --> 0:13:51.850
<v Speaker 1>cassettes of the music his friends were listening to and

0:13:52.050 --> 0:13:55.370
<v Speaker 1>making in the West I'd record all the records that

0:13:55.370 --> 0:13:57.690
<v Speaker 1>I bought and record all every you know, every omni

0:13:57.770 --> 0:14:02.130
<v Speaker 1>record collection as much as possible. Even later on, you know,

0:14:02.210 --> 0:14:04.050
<v Speaker 1>I didn't want them just to listen to punk rock,

0:14:04.170 --> 0:14:05.730
<v Speaker 1>ordered them to listen to all the kinds of music

0:14:05.730 --> 0:14:08.290
<v Speaker 1>as well. So I'd record, like, you know, underground disco music.

0:14:08.290 --> 0:14:12.690
<v Speaker 1>And it wasn't just about punk rock, It's about everything.

0:14:13.930 --> 0:14:16.890
<v Speaker 1>And how much did young people in East Berlin know

0:14:16.970 --> 0:14:19.610
<v Speaker 1>about what was going on on your side of the wall. Well,

0:14:19.650 --> 0:14:23.370
<v Speaker 1>the only information they really got was from TV or radio,

0:14:25.010 --> 0:14:27.650
<v Speaker 1>most of them not unless they had relatives who came

0:14:27.690 --> 0:14:30.890
<v Speaker 1>to visit them. Then his dead relatives that they get

0:14:30.890 --> 0:14:33.490
<v Speaker 1>a bit more information. Book. You know, if your anti

0:14:33.530 --> 0:14:35.210
<v Speaker 1>Betty comes to visity, you know you're not going to

0:14:35.210 --> 0:14:38.610
<v Speaker 1>talk about the punk rock scene Berlin because you won't

0:14:38.650 --> 0:14:41.610
<v Speaker 1>know anything about that, you know. For Mark, going to

0:14:41.690 --> 0:14:44.250
<v Speaker 1>East Berlin was an adventure like being in a movie.

0:14:45.290 --> 0:14:47.770
<v Speaker 1>For his young friends, those tapes were a thread that

0:14:47.810 --> 0:14:51.570
<v Speaker 1>connected them to another world. In West Berlin, you could

0:14:51.570 --> 0:14:55.090
<v Speaker 1>go and see Joy Division or the birthday party. In

0:14:55.290 --> 0:15:24.890
<v Speaker 1>East Berlin, youth culture was a little different. Recently, I

0:15:24.930 --> 0:15:27.690
<v Speaker 1>was in Berlin and I met up with my old

0:15:27.690 --> 0:15:32.410
<v Speaker 1>friend Anya, a German artist and filmmaker. I first met

0:15:32.410 --> 0:15:34.690
<v Speaker 1>her a while back when she lived in London. I

0:15:34.810 --> 0:15:37.170
<v Speaker 1>helped out on a film she made called Trail of

0:15:37.210 --> 0:15:41.850
<v Speaker 1>the Spider, a spaghetti western about gentrification, with people from

0:15:41.850 --> 0:15:47.290
<v Speaker 1>our eastern neighborhood dressed up like lawman and bandits. Anya

0:15:47.410 --> 0:15:50.010
<v Speaker 1>also played in a band with some other artist friends.

0:15:50.650 --> 0:15:53.290
<v Speaker 1>It was more art rock than punk, but Anya is

0:15:53.330 --> 0:15:56.290
<v Speaker 1>not unpunk right now. She's even got kind of a

0:15:56.330 --> 0:16:00.170
<v Speaker 1>mohawk haircut. I wanted Anya to come with me to

0:16:00.210 --> 0:16:02.810
<v Speaker 1>a place that houses some of the most painful memories

0:16:02.850 --> 0:16:06.690
<v Speaker 1>of the GDR, an office building just off Alexander Platz,

0:16:07.130 --> 0:16:12.610
<v Speaker 1>the old center of Communist East Berlin. Alex As Berliners

0:16:12.690 --> 0:16:15.530
<v Speaker 1>call it as a big open square dominated by the

0:16:15.570 --> 0:16:19.810
<v Speaker 1>fans tourm the TV Tower, still the tallest structure in Germany.

0:16:20.610 --> 0:16:23.130
<v Speaker 1>It's a space age needle with a shiny ball skewered

0:16:23.210 --> 0:16:25.530
<v Speaker 1>through it. It looks like a giant version of a

0:16:25.610 --> 0:16:28.770
<v Speaker 1>lamp put for sale in a mid century modern furniture store,

0:16:29.330 --> 0:16:33.530
<v Speaker 1>A massive symbol of the communist state's futuristic ambitions. And

0:16:33.730 --> 0:16:42.290
<v Speaker 1>we're coming up to the officers of STARSI Archive, and

0:16:42.530 --> 0:16:45.210
<v Speaker 1>I have a thin in that there'll be a little

0:16:45.250 --> 0:16:47.370
<v Speaker 1>nervous if we record on the way. But I don't know.

0:16:47.490 --> 0:16:51.610
<v Speaker 1>Maybe you never the woman after the wall fell the stars.

0:16:51.650 --> 0:16:54.130
<v Speaker 1>You did its best to destroy evidence of its crimes

0:16:54.130 --> 0:16:57.650
<v Speaker 1>and human rights violations, but it couldn't get rid of everything.

0:16:58.370 --> 0:17:02.570
<v Speaker 1>There were millions of documents, tape recordings, piles of shredded paper.

0:17:03.730 --> 0:17:06.970
<v Speaker 1>The new reunified German government set up the Starzi Records

0:17:07.050 --> 0:17:10.690
<v Speaker 1>Archive to administrate what was left behind. Mind people could

0:17:10.690 --> 0:17:13.130
<v Speaker 1>apply to see the files that were kept on them

0:17:13.170 --> 0:17:15.610
<v Speaker 1>and in some cases find out who had been spying

0:17:15.650 --> 0:17:19.970
<v Speaker 1>on them. We come to see Doug Mahovstadt, who's the

0:17:20.010 --> 0:17:23.330
<v Speaker 1>press spokesperson for the archive and knows more than almost

0:17:23.370 --> 0:17:36.850
<v Speaker 1>anyone about the Stasie. I wanted to understand more about

0:17:36.850 --> 0:17:39.370
<v Speaker 1>what life in the GDR was like for young punks

0:17:39.370 --> 0:17:43.170
<v Speaker 1>like Punkau, what was expected of them. Why would the

0:17:43.210 --> 0:17:45.890
<v Speaker 1>government care what music they liked or how they dressed.

0:17:46.450 --> 0:17:50.610
<v Speaker 1>There is this idea that socialism leads to a better society,

0:17:50.730 --> 0:17:55.330
<v Speaker 1>but socialism requires everybody to believe in this idea in

0:17:55.370 --> 0:18:00.650
<v Speaker 1>the way that it was organized, and in this case

0:18:00.730 --> 0:18:04.570
<v Speaker 1>we're talking about Eastern European communist states. Very much modeled

0:18:04.610 --> 0:18:09.850
<v Speaker 1>after the Soviet idea, the Soviets Revolution of ninety in seventeen.

0:18:10.490 --> 0:18:14.250
<v Speaker 1>Who was always afraid that somebody will take away this

0:18:14.690 --> 0:18:18.690
<v Speaker 1>path to the better society. So there was from the

0:18:18.810 --> 0:18:21.850
<v Speaker 1>very beginning an enemy that would squash the revolution, that

0:18:21.890 --> 0:18:25.970
<v Speaker 1>would persecute the idea of a socialist society. And so

0:18:26.930 --> 0:18:29.370
<v Speaker 1>you had to be aware all the time of the

0:18:29.570 --> 0:18:34.730
<v Speaker 1>enemies who are against you. And it very much is

0:18:34.770 --> 0:18:38.410
<v Speaker 1>summed up in this idea that the dissenter is the enemy.

0:18:38.290 --> 0:18:43.770
<v Speaker 1>Then yeah, thoughts as must if Yune and again not

0:18:44.170 --> 0:18:50.490
<v Speaker 1>on an and deadish land, to Laban, on to Campern.

0:18:54.130 --> 0:18:58.010
<v Speaker 1>That's Eric Honecker, the East German leader, addressing a massive

0:18:58.090 --> 0:19:02.450
<v Speaker 1>rally of the Free German Youth, the official East German

0:19:02.490 --> 0:19:06.330
<v Speaker 1>youth organization. If you wanted to get ahead in East Germany,

0:19:06.370 --> 0:19:07.850
<v Speaker 1>it was a good idea to be a member of

0:19:07.850 --> 0:19:11.050
<v Speaker 1>the Free German Youth and wear their distinctive blue shirt

0:19:11.090 --> 0:19:14.370
<v Speaker 1>with the sunrise emblem on the arm. Conker is saying

0:19:14.610 --> 0:19:17.850
<v Speaker 1>that only socialism can give young people a goal and

0:19:17.930 --> 0:19:21.250
<v Speaker 1>the future. So these were state organized youth organizations, and

0:19:21.290 --> 0:19:24.890
<v Speaker 1>to refuse to become part of them already made you

0:19:25.170 --> 0:19:28.410
<v Speaker 1>very suspicious. And you were not part of the mainstream anymore,

0:19:28.410 --> 0:19:31.090
<v Speaker 1>and that would continue. If you wanted to study, certain

0:19:31.530 --> 0:19:33.810
<v Speaker 1>wanted to study at all, as a young man, you

0:19:33.850 --> 0:19:37.330
<v Speaker 1>would have to sign up for military service. That was

0:19:37.370 --> 0:19:40.410
<v Speaker 1>mandatory military service. And as a young woman, if you

0:19:40.530 --> 0:19:44.090
<v Speaker 1>wanted to study, for instance, journalism, it was mandatory that

0:19:44.130 --> 0:19:47.010
<v Speaker 1>you would eventually join the party, so you would become

0:19:47.050 --> 0:19:49.050
<v Speaker 1>a candidate for the party in order to join the

0:19:49.090 --> 0:19:52.610
<v Speaker 1>party in order to study journalism. That's what was on offer.

0:19:52.970 --> 0:19:55.170
<v Speaker 1>To be a good East German young person, you would

0:19:55.290 --> 0:19:59.090
<v Speaker 1>join the FDJ, go camping and hiking and sing jolly

0:19:59.090 --> 0:20:01.530
<v Speaker 1>songs with verses in English and Russian. To show that

0:20:01.610 --> 0:20:04.970
<v Speaker 1>you were a true internationalist. You wore the blue uniform

0:20:05.050 --> 0:20:08.210
<v Speaker 1>shirt and clapped along because if you didn't, you weren't

0:20:08.210 --> 0:20:10.690
<v Speaker 1>going to be able to have a good life. In

0:20:10.770 --> 0:20:13.290
<v Speaker 1>East Germany, you had to have a job. It was

0:20:13.290 --> 0:20:16.050
<v Speaker 1>illegal not to have one. But if you didn't play

0:20:16.090 --> 0:20:19.890
<v Speaker 1>the game, you would just be cleaning toilets or unloading trucks.

0:20:20.370 --> 0:20:24.210
<v Speaker 1>There was a real risk to being a rebel. As

0:20:24.250 --> 0:20:27.970
<v Speaker 1>for music, East Germany had one record company owned and

0:20:28.170 --> 0:20:31.490
<v Speaker 1>operated by the government. To be in a band and

0:20:31.650 --> 0:20:35.290
<v Speaker 1>play live, you needed a license. That's right. You couldn't

0:20:35.290 --> 0:20:37.850
<v Speaker 1>just go out and play a gig in a local bar.

0:20:38.290 --> 0:20:40.490
<v Speaker 1>The cops would break it up and you'd get arrested.

0:20:41.330 --> 0:20:44.250
<v Speaker 1>To get a license, you needed two things. You had

0:20:44.290 --> 0:20:46.450
<v Speaker 1>to have done your military service, and you had to

0:20:46.490 --> 0:20:49.010
<v Speaker 1>pass an audition in front of a panel of judges

0:20:49.050 --> 0:20:56.010
<v Speaker 1>from the Musicians Union. And in the middle of this,

0:20:56.930 --> 0:21:00.610
<v Speaker 1>imagine your Panco, an angry fifteen year old who pissed

0:21:00.650 --> 0:21:05.410
<v Speaker 1>off with your violent dad and needs something, anything, to happen,

0:21:06.170 --> 0:21:11.690
<v Speaker 1>otherwise you're going to go mad. Then one day you

0:21:11.770 --> 0:21:15.850
<v Speaker 1>hear the Stranglers on a bootleg cassette tape, perhaps copied

0:21:15.930 --> 0:21:18.610
<v Speaker 1>from a copy brought over by an English guy called Mark.

0:21:19.530 --> 0:21:21.770
<v Speaker 1>You see a picture of the band and you want

0:21:21.810 --> 0:21:23.970
<v Speaker 1>to look like them, so you tear some holes in

0:21:24.050 --> 0:21:26.210
<v Speaker 1>your t shirt and walk out of your front door

0:21:26.250 --> 0:21:29.450
<v Speaker 1>with your hair spiked up with soap. You go to

0:21:29.530 --> 0:21:32.410
<v Speaker 1>Alexander Platz, where you find some other kids like you

0:21:33.210 --> 0:21:35.650
<v Speaker 1>if you're not doing anything, just hanging around. But the

0:21:35.730 --> 0:21:40.210
<v Speaker 1>cops come and you get arrested. They ask some questions

0:21:40.250 --> 0:21:43.290
<v Speaker 1>and tell you to clean yourself up. The next day

0:21:43.410 --> 0:21:46.410
<v Speaker 1>you go there again and the same thing happens. The

0:21:46.490 --> 0:21:49.570
<v Speaker 1>cops are nervous because this is a tourist spot right

0:21:49.610 --> 0:21:53.770
<v Speaker 1>next to the famous TV tower. The government likes foreigners

0:21:53.770 --> 0:21:58.050
<v Speaker 1>to see the architectural and technological achievements of socialism. It

0:21:58.130 --> 0:22:01.290
<v Speaker 1>doesn't like foreigners to see that East Germany has punks.

0:22:02.330 --> 0:22:05.930
<v Speaker 1>So you end up in an interrogation room facing a

0:22:06.010 --> 0:22:09.330
<v Speaker 1>guy in a uniform who wants to know if you're

0:22:09.330 --> 0:22:20.290
<v Speaker 1>an enemy of the state. This was Pancou's reality as

0:22:20.330 --> 0:22:23.010
<v Speaker 1>a teenager. He ran up against the full might of

0:22:23.090 --> 0:22:33.970
<v Speaker 1>the GDR. I want to go and talk to him,

0:22:34.050 --> 0:22:36.730
<v Speaker 1>but he doesn't speak English and my German isn't good

0:22:36.810 --> 0:22:39.490
<v Speaker 1>enough to do an interview. So I asked my artist

0:22:39.570 --> 0:22:42.610
<v Speaker 1>friend Anya if she'll come along with me. Clearly still

0:22:42.730 --> 0:22:47.490
<v Speaker 1>a little bit impaired, thanks for coming along on this

0:22:48.010 --> 0:22:54.010
<v Speaker 1>small adventure. So we're on a tram traveling out of

0:22:54.050 --> 0:22:58.570
<v Speaker 1>the center of Berlin Northwoods. We're in a district of

0:22:58.570 --> 0:23:02.610
<v Speaker 1>Punka to see somebody who's called Punko. The neighborhood of

0:23:02.610 --> 0:23:05.210
<v Speaker 1>Punko is a little way out of the center, and

0:23:05.290 --> 0:23:08.090
<v Speaker 1>it turns out neither Ana nor Oliver the producer, have

0:23:08.170 --> 0:23:11.210
<v Speaker 1>ever been there before. To me, it looks like a

0:23:11.210 --> 0:23:13.130
<v Speaker 1>lot of places on the East side of the city.

0:23:14.730 --> 0:23:17.170
<v Speaker 1>We get there early and it's starting to rain, so

0:23:17.210 --> 0:23:20.290
<v Speaker 1>we hang around under a bus shelter like board teenage

0:23:20.330 --> 0:23:24.570
<v Speaker 1>punks and yeah, and Oliver smoked cigarettes. People like to

0:23:24.570 --> 0:23:27.410
<v Speaker 1>smoke in Berlin. Smoking is part of the culture, like

0:23:27.650 --> 0:23:32.450
<v Speaker 1>nude sunbathing and techno music. So yeah, this looks like

0:23:33.050 --> 0:23:38.090
<v Speaker 1>not the new Berlin. It's an old, old building cover

0:23:38.170 --> 0:23:41.690
<v Speaker 1>and graffiti him with a sort of messed up wooden

0:23:41.770 --> 0:23:43.530
<v Speaker 1>door and no bell. So I'm going to see if

0:23:43.730 --> 0:23:52.570
<v Speaker 1>actually opens. So it does, comment, I'm hurry. Punko turns

0:23:52.570 --> 0:23:55.210
<v Speaker 1>out to be a wiry guy in his fifties. He's

0:23:55.290 --> 0:23:57.730
<v Speaker 1>dressed in jeans and a hoodie and looks more like

0:23:57.770 --> 0:24:01.250
<v Speaker 1>a rock climber than a rock musician. Has the punk

0:24:02.090 --> 0:24:06.730
<v Speaker 1>one angist piece Dima n front and then tut as

0:24:06.730 --> 0:24:13.050
<v Speaker 1>fast ring Us Normal heros sexpisodevmenton Bollocks on the door,

0:24:13.450 --> 0:24:21.290
<v Speaker 1>Plata fun Damdaman, do you have a little They were

0:24:21.290 --> 0:24:23.930
<v Speaker 1>in names of the records, and they were passed around,

0:24:23.930 --> 0:24:27.090
<v Speaker 1>and he got them from a friend, and then he

0:24:27.170 --> 0:24:31.290
<v Speaker 1>copied them to cassette, and he made a hundred eighty

0:24:31.330 --> 0:24:36.730
<v Speaker 1>copies of and and and passed them on again to

0:24:37.010 --> 0:24:40.490
<v Speaker 1>all his other maids. Punko had never really ventured out

0:24:40.490 --> 0:24:43.810
<v Speaker 1>of his neighborhood, but somehow he found his way to

0:24:43.850 --> 0:24:46.450
<v Speaker 1>the south of the city to a youth club where

0:24:46.490 --> 0:24:49.490
<v Speaker 1>some other punks hung out. I asked him how many

0:24:49.490 --> 0:24:52.890
<v Speaker 1>punks there were in East Berlin at this time, about twenty.

0:24:53.010 --> 0:24:55.490
<v Speaker 1>He says, for which funny flag John Rotten as the

0:24:55.530 --> 0:24:59.170
<v Speaker 1>cutters and polls stuff on his expisode on Johnny Rotten.

0:25:00.010 --> 0:25:03.210
<v Speaker 1>Soon enough, Punkou's idol was Johnny Rotten. He had a

0:25:03.250 --> 0:25:05.410
<v Speaker 1>poster of him, and he had the tape of never

0:25:05.450 --> 0:25:07.890
<v Speaker 1>Mind the Bollocks that he copied from his friend. So

0:25:07.970 --> 0:25:09.970
<v Speaker 1>the first time he went to a youth club at

0:25:10.010 --> 0:25:13.490
<v Speaker 1>that time, He's son who was really punk already, but

0:25:13.970 --> 0:25:16.930
<v Speaker 1>he was a huge fan of Udo Lindenberg. And actually

0:25:16.930 --> 0:25:19.690
<v Speaker 1>he dressed like Udo Lindberg at that point and also

0:25:19.690 --> 0:25:23.410
<v Speaker 1>had this hair club on this Panic belt. So Udo

0:25:23.490 --> 0:25:27.450
<v Speaker 1>Lindenburg is a West German rock star who circa nineteen

0:25:27.490 --> 0:25:30.810
<v Speaker 1>eighty had long hair and wore a big metal belt

0:25:30.810 --> 0:25:35.290
<v Speaker 1>buckle that's spelled out Panic. On YouTube, you can find

0:25:35.370 --> 0:25:39.570
<v Speaker 1>him doing a satirical cover of All Things Chattanooga Chu

0:25:39.690 --> 0:25:45.090
<v Speaker 1>Chu called Special Train to Punkau, where he's singing for

0:25:45.130 --> 0:25:47.770
<v Speaker 1>whatever reason to a dwarf dressed as an East German

0:25:47.890 --> 0:25:58.370
<v Speaker 1>railway conductor about how he wants to go to East

0:25:58.370 --> 0:26:01.530
<v Speaker 1>Berlin to sing if only Eric Honeker and the Communist

0:26:01.530 --> 0:26:04.690
<v Speaker 1>Party would let him. The whole Udo Lindenburg thing is

0:26:04.850 --> 0:26:08.850
<v Speaker 1>kind of weird and very specifically German. For our purposes.

0:26:09.290 --> 0:26:11.810
<v Speaker 1>Really need to know is that sixteen year old Punkau

0:26:12.130 --> 0:26:19.010
<v Speaker 1>thought he was cool, but he really wasn't. Panco dyed

0:26:19.090 --> 0:26:22.050
<v Speaker 1>his hair blonde, which wasn't easy to do in East Berlin,

0:26:22.650 --> 0:26:24.770
<v Speaker 1>but he'd met a hairdresser at a gay bar in

0:26:24.810 --> 0:26:28.250
<v Speaker 1>Prince Lauerberg who helped him. Punko and his friends used

0:26:28.290 --> 0:26:29.970
<v Speaker 1>to hang out at this gay bar because it was

0:26:30.010 --> 0:26:32.330
<v Speaker 1>one of the few places where they wouldn't get kicked out.

0:26:33.970 --> 0:26:37.810
<v Speaker 1>Some of Punkou's experiences sound pretty typical for teen rebels

0:26:37.810 --> 0:26:41.290
<v Speaker 1>anywhere in the world. The neighbors stared at him, his

0:26:41.450 --> 0:26:45.010
<v Speaker 1>dad was angry. He got chased by football hooligans who

0:26:45.010 --> 0:26:48.130
<v Speaker 1>wanted to beat him up. Since most people in East

0:26:48.130 --> 0:26:51.010
<v Speaker 1>Berlin had never seen a punk, people would ask him

0:26:51.090 --> 0:26:57.090
<v Speaker 1>questions on the tram, sometimes hostile, sometimes just curious. Then

0:26:57.290 --> 0:27:07.650
<v Speaker 1>he did something genuinely dangerous. He joined a band. He

0:27:07.850 --> 0:27:10.490
<v Speaker 1>joined a band at best already existed that they didn't

0:27:10.530 --> 0:27:15.690
<v Speaker 1>have a singer, and they were called if like the Wall.

0:27:17.330 --> 0:27:20.410
<v Speaker 1>But at the time they got together, that name in

0:27:20.450 --> 0:27:24.290
<v Speaker 1>itself already seemed too provocative, and so they've found a

0:27:24.330 --> 0:27:29.850
<v Speaker 1>new name, and they called the Plan Laws. As I mentioned,

0:27:30.370 --> 0:27:34.690
<v Speaker 1>plan Laws means aimless, with no direction. Life in the

0:27:34.730 --> 0:27:39.530
<v Speaker 1>GDR was preprogrammed. You studied, got a job, you retired.

0:27:41.450 --> 0:27:44.730
<v Speaker 1>There's a famous English punk slogan spat out by Johnny

0:27:44.810 --> 0:27:48.730
<v Speaker 1>Rotten on the song God Save the Queen. There's no future,

0:27:48.930 --> 0:27:55.290
<v Speaker 1>he snarls in England's Dreaming no future. For East German punks,

0:27:55.330 --> 0:28:00.450
<v Speaker 1>it was the opposite. They had too much future. Everything

0:28:00.610 --> 0:28:10.050
<v Speaker 1>was planned for them. Punkous bandmates, friends from the little

0:28:10.050 --> 0:28:13.610
<v Speaker 1>gang of punks that hung around in Alexander. Platz Kaiser

0:28:13.690 --> 0:28:17.330
<v Speaker 1>played bass, Cobbs, the guitarist, was a pretty good musician,

0:28:17.810 --> 0:28:20.890
<v Speaker 1>but the drummer Ladder couldn't really keep time and wanted

0:28:20.930 --> 0:28:24.170
<v Speaker 1>to be the front man. It didn't really matter. It

0:28:24.330 --> 0:28:32.370
<v Speaker 1>wasn't about getting famous or even being good musicians. Punko

0:28:32.490 --> 0:28:35.930
<v Speaker 1>and his friends wanted the unexpected. They wanted to get

0:28:35.970 --> 0:28:38.530
<v Speaker 1>to a place where they knew nothing when nothing was

0:28:38.610 --> 0:28:43.050
<v Speaker 1>fixed they wanted, as he puts it, alf Nuligan to

0:28:43.170 --> 0:28:51.250
<v Speaker 1>start again from zero plus. Rehearsed in a coal cellar

0:28:51.570 --> 0:28:55.370
<v Speaker 1>with mattresses against the walls for soundproofing. They didn't even

0:28:55.410 --> 0:28:59.050
<v Speaker 1>have proper equipment. They had to plug everything into one amplifier,

0:28:59.290 --> 0:29:02.850
<v Speaker 1>so the drums drowned out everything else. Of course, punk

0:29:02.850 --> 0:29:05.730
<v Speaker 1>I was banned. Didn't have a license to perform. Even

0:29:05.850 --> 0:29:14.530
<v Speaker 1>rehearsing was risky. The varatrich Pezzi Amacrimino Buddish or not,

0:29:17.170 --> 0:29:20.770
<v Speaker 1>it was criminal, he says bluntly. Without a license, you

0:29:20.810 --> 0:29:25.010
<v Speaker 1>could be put in prison. Writing lyrics was particularly dangerous.

0:29:25.370 --> 0:29:28.010
<v Speaker 1>Keeping anything on paper meant the possibility that it could

0:29:28.010 --> 0:29:34.290
<v Speaker 1>be read by the Stasi as it cut. He was

0:29:34.370 --> 0:29:36.410
<v Speaker 1>afraid from the beginning, I mean even to the point

0:29:36.450 --> 0:29:40.090
<v Speaker 1>of being paranoid. And he used to um like, write

0:29:40.130 --> 0:29:43.810
<v Speaker 1>the songs, then immediately memorize them, and then he would

0:29:43.930 --> 0:29:48.770
<v Speaker 1>burn the paper that you've written them on. And actually

0:29:48.850 --> 0:29:51.770
<v Speaker 1>you would even be to paranoid to just hear it aptly.

0:29:51.770 --> 0:29:55.290
<v Speaker 1>He literally burned it so it would be gone. The

0:29:55.370 --> 0:29:59.370
<v Speaker 1>bandmates had to trust each other. Despite the risks. Plan

0:29:59.490 --> 0:30:03.010
<v Speaker 1>Lows did perform live. Their gigs were usually very small,

0:30:03.810 --> 0:30:09.170
<v Speaker 1>twenty to thirty people in sellers or abandoned buildings. They

0:30:09.210 --> 0:30:11.490
<v Speaker 1>managed to get hold of a tape recorder and recorded

0:30:11.530 --> 0:30:16.690
<v Speaker 1>their songs at one of their rehearsals. But Punk says

0:30:16.730 --> 0:30:20.970
<v Speaker 1>he's heard other recordings, live recordings that they themselves didn't make.

0:30:22.010 --> 0:30:24.090
<v Speaker 1>He doesn't know who would have been able to record

0:30:24.130 --> 0:30:27.330
<v Speaker 1>a plant low skig. He thinks it was most likely

0:30:27.450 --> 0:30:44.770
<v Speaker 1>the stars. I'm waiting in line at the Curry Worst

0:30:44.890 --> 0:30:50.410
<v Speaker 1>stand sings Punk lyrics written by the guitarist Cobbs. Curry

0:30:50.450 --> 0:30:52.650
<v Speaker 1>Worst is one of the iconic snack foods of Berlin,

0:30:52.890 --> 0:30:56.370
<v Speaker 1>slices of sausage slathered in a very mild spicy ketchup.

0:30:57.410 --> 0:31:01.290
<v Speaker 1>Calling it curry is Klein of overstating the case. But whatever,

0:31:02.210 --> 0:31:05.010
<v Speaker 1>Punker's in line for a snack, I don't turn around,

0:31:05.170 --> 0:31:08.290
<v Speaker 1>he sings, I've already seen you, you and my shadow

0:31:08.330 --> 0:31:33.570
<v Speaker 1>wherever I go, a dark spot on the sun. He's singing,

0:31:33.690 --> 0:31:51.450
<v Speaker 1>of course, about his starsy tail. Sometimes they'd follow him

0:31:51.890 --> 0:31:55.370
<v Speaker 1>without doing anything. Sometimes they just shove him in the

0:31:55.450 --> 0:31:58.370
<v Speaker 1>back of a car and take him in for interrogation.

0:31:59.770 --> 0:32:04.290
<v Speaker 1>And so here we are with the teenage Punk and

0:32:04.450 --> 0:32:08.570
<v Speaker 1>the secret policeman, staring at each other across the table.

0:32:11.970 --> 0:32:16.730
<v Speaker 1>Punko's interrogator belongs to a unit called Abtailongs Spansish Department twenty,

0:32:17.090 --> 0:32:21.930
<v Speaker 1>whose special remit is political dissent. Punko has begun to

0:32:22.050 --> 0:32:26.410
<v Speaker 1>realize the Stasi are desperate for information. They've been completely

0:32:26.530 --> 0:32:30.330
<v Speaker 1>blindsided by punk. For more than ten years. In East Germany,

0:32:30.410 --> 0:32:33.370
<v Speaker 1>there have been what they call blusers, long haired kids

0:32:33.410 --> 0:32:36.770
<v Speaker 1>who listen to rock music and go hitchhiking, hitchhiking being

0:32:36.930 --> 0:32:39.170
<v Speaker 1>one of the many things that is illegal in this country.

0:32:40.290 --> 0:32:44.170
<v Speaker 1>But punk is different. They're not just hippies. They seem

0:32:44.250 --> 0:32:48.010
<v Speaker 1>to be rejecting every kind of authority. Who or what

0:32:48.290 --> 0:32:52.850
<v Speaker 1>is behind them? Could it be Western intelligence agencies? Are

0:32:52.930 --> 0:32:56.130
<v Speaker 1>Plan Loos and the twenty East Berlin punks all working

0:32:56.290 --> 0:33:00.090
<v Speaker 1>for the CIA. Other punks wouldn't necessarily talk, or they

0:33:00.090 --> 0:33:02.570
<v Speaker 1>would have no interest to have a conversation with the

0:33:02.890 --> 0:33:05.570
<v Speaker 1>guy from the Stasi. But the person from the Stasi

0:33:05.690 --> 0:33:09.050
<v Speaker 1>that was always having the conversations with him or the interrogassion,

0:33:09.570 --> 0:33:13.530
<v Speaker 1>he would literally tell his superiors here is someone that

0:33:13.650 --> 0:33:18.170
<v Speaker 1>actually really wants to engage and also I think ultimately

0:33:18.290 --> 0:33:21.450
<v Speaker 1>we can win him over to work for us as

0:33:21.530 --> 0:33:26.210
<v Speaker 1>an informal midda bser. The phrase is actually in a

0:33:26.290 --> 0:33:31.210
<v Speaker 1>fitzil mita bitter unofficial co worker. This is the Starsi's

0:33:31.330 --> 0:33:36.490
<v Speaker 1>name for informers on the street, they're called spitzland or snitches.

0:33:37.170 --> 0:33:40.210
<v Speaker 1>When they wanted you to work with them, what did

0:33:40.290 --> 0:33:42.930
<v Speaker 1>they suggest? Did they offer you money or is it

0:33:43.210 --> 0:33:45.730
<v Speaker 1>did they threaten you? How did they try and persuade

0:33:45.770 --> 0:33:50.490
<v Speaker 1>you to become an em with stuntn urban vige married

0:33:50.530 --> 0:33:54.370
<v Speaker 1>to target. He would be arrested every two days probably,

0:33:55.050 --> 0:33:58.850
<v Speaker 1>But for him as nobody and then later on as

0:33:58.930 --> 0:34:05.210
<v Speaker 1>a singer of or yeah it's a singer of plans

0:34:05.530 --> 0:34:09.650
<v Speaker 1>was first of all he felt sort of somehow affirmed

0:34:09.690 --> 0:34:13.010
<v Speaker 1>by it. They were taking him serious, they felt threatened

0:34:13.090 --> 0:34:16.490
<v Speaker 1>by him, and for him, the conversations that he had

0:34:16.530 --> 0:34:19.570
<v Speaker 1>with them were also a kind of um, they were

0:34:19.610 --> 0:34:24.010
<v Speaker 1>schooling him in some way and do as uh becauz.

0:34:24.050 --> 0:34:28.930
<v Speaker 1>That's so, that's just that's only had this priligios. This

0:34:29.450 --> 0:34:33.250
<v Speaker 1>is where it gets really strange. The police would just

0:34:33.330 --> 0:34:36.090
<v Speaker 1>come and break heads. They just wanted the punks off

0:34:36.130 --> 0:34:39.530
<v Speaker 1>the street and they didn't care how it happened. But

0:34:39.650 --> 0:34:42.690
<v Speaker 1>the Stasi were more like Sun, you're going down the

0:34:42.770 --> 0:34:48.050
<v Speaker 1>wrong path. And inadvertently they were giving this scrappy kid

0:34:48.570 --> 0:35:01.650
<v Speaker 1>a political education. Intervu mandufound Spider tired as okay, so

0:35:02.090 --> 0:35:05.050
<v Speaker 1>like at first he just he felt more like an

0:35:05.090 --> 0:35:07.490
<v Speaker 1>agitator in that situation. I mean, he knew he had

0:35:07.530 --> 0:35:10.970
<v Speaker 1>to be careful um what to say, because you knew

0:35:11.050 --> 0:35:13.010
<v Speaker 1>that he could go to prison if he said anything

0:35:13.050 --> 0:35:15.130
<v Speaker 1>against the States. So it was Ko that that was

0:35:15.210 --> 0:35:18.570
<v Speaker 1>the fine line. But at the same time he found

0:35:18.650 --> 0:35:20.890
<v Speaker 1>that he was sort of somehow also in the process

0:35:21.010 --> 0:35:23.890
<v Speaker 1>of convincing this Stazzi guy. He may have been fun

0:35:24.050 --> 0:35:28.130
<v Speaker 1>for a while, but the stakes were getting higher. Finally

0:35:28.170 --> 0:35:30.370
<v Speaker 1>they asked him outright whether he was willing to become

0:35:30.370 --> 0:35:35.290
<v Speaker 1>an informer. He refused. After that it was clear that

0:35:35.370 --> 0:35:36.970
<v Speaker 1>the Stasi were going to find a way to get

0:35:37.050 --> 0:35:42.170
<v Speaker 1>him sooner or later, and they did. It all happened

0:35:42.450 --> 0:35:47.490
<v Speaker 1>because of a T shirt. Punko's girlfriend, he went by

0:35:47.530 --> 0:35:50.650
<v Speaker 1>the nickname Nasa or Knows, made him a shirt with

0:35:50.730 --> 0:35:55.330
<v Speaker 1>a political quote on it, when injustice becomes law resistance

0:35:55.370 --> 0:35:59.010
<v Speaker 1>as a duty. That's essentially a massive subtweet of the

0:35:59.010 --> 0:36:02.250
<v Speaker 1>East German government. And in case it wasn't provocative enough,

0:36:02.370 --> 0:36:04.770
<v Speaker 1>the T shirt also had the logo of the terrorist

0:36:04.890 --> 0:36:08.610
<v Speaker 1>group the Red Army Faction. Not only did Punkout go

0:36:08.690 --> 0:36:11.410
<v Speaker 1>out wearing this shirt, he wore it to a big

0:36:11.490 --> 0:36:14.770
<v Speaker 1>meeting where foreign journalists were present, and he got up

0:36:14.810 --> 0:36:18.290
<v Speaker 1>on a chair and gave a speech. He was immediately

0:36:18.410 --> 0:36:22.370
<v Speaker 1>pulled down and arrested. He faced almost three years in prison.

0:36:23.650 --> 0:36:26.050
<v Speaker 1>That was when the Stars He turned up the heat.

0:36:32.930 --> 0:36:39.170
<v Speaker 1>I've done Rutlan done Clars. They got his girlfriend to

0:36:39.250 --> 0:36:42.010
<v Speaker 1>come in and they said, your boyfriend's going into prison

0:36:42.090 --> 0:36:45.770
<v Speaker 1>for three years if you don't work with us. So

0:36:46.050 --> 0:36:50.610
<v Speaker 1>then she agreed to work with them. Um and it

0:36:50.730 --> 0:36:52.490
<v Speaker 1>was quite clear to her that she would not give

0:36:52.570 --> 0:36:56.370
<v Speaker 1>them any information, but that she was trying to save

0:36:56.490 --> 0:36:58.770
<v Speaker 1>him from going to prison for three years. This was

0:36:58.810 --> 0:37:03.090
<v Speaker 1>a dangerous game, but it worked. Thinking they'd recruited NASA

0:37:03.210 --> 0:37:09.970
<v Speaker 1>the Stars he let Pancar go. Clark and his girlfriend

0:37:10.050 --> 0:37:13.850
<v Speaker 1>didn't want to give the STARSI any real information. As

0:37:13.890 --> 0:37:16.250
<v Speaker 1>soon as they got back to their friends, they told

0:37:16.290 --> 0:37:21.090
<v Speaker 1>them about the deal they'd made. Punkou trusted his girlfriend,

0:37:21.850 --> 0:37:24.330
<v Speaker 1>but the other members of Plan Los weren't so sure

0:37:25.410 --> 0:37:31.250
<v Speaker 1>she'd agreed to work for the Starzi. The members of

0:37:31.330 --> 0:37:34.810
<v Speaker 1>Plan Los had good reason to be paranoid. The Stasi

0:37:34.850 --> 0:37:38.650
<v Speaker 1>weren't just watching people and raiding apartments. They were also

0:37:38.850 --> 0:37:43.010
<v Speaker 1>trying to undermine the punks psychologically, trying to get into

0:37:43.090 --> 0:37:50.570
<v Speaker 1>their heads. Information gathering on them is just not enough.

0:37:50.810 --> 0:37:54.810
<v Speaker 1>You want to destroy what they start forming. So the Stasi,

0:37:55.050 --> 0:37:57.290
<v Speaker 1>especially in the seventies and eighties, came up with the

0:37:57.370 --> 0:38:02.890
<v Speaker 1>methodology they called tazetun demolition of personality. This is Doug

0:38:02.970 --> 0:38:07.370
<v Speaker 1>Mahoverstadt again at the STARSI Archives. So all the information

0:38:07.450 --> 0:38:10.770
<v Speaker 1>you gather on a very individual, sometimes intimate level, about

0:38:10.810 --> 0:38:15.450
<v Speaker 1>a person, you would use to debase their sense of

0:38:15.570 --> 0:38:19.170
<v Speaker 1>self and their security and of themselves. And so this

0:38:19.810 --> 0:38:23.810
<v Speaker 1>says that song strategy meant that you would start spreading

0:38:23.930 --> 0:38:28.370
<v Speaker 1>rumors about a person coincidentally, or rather not coincidentally. One

0:38:28.450 --> 0:38:31.570
<v Speaker 1>of a more effective rumor was to say that that

0:38:31.730 --> 0:38:35.970
<v Speaker 1>person was an informant for the Stasi. In more extreme cases,

0:38:36.410 --> 0:38:40.170
<v Speaker 1>the Starzi used to raid the apartments of a person

0:38:40.250 --> 0:38:44.610
<v Speaker 1>and they did little psychological things. They would change around

0:38:45.130 --> 0:38:47.770
<v Speaker 1>the towel that you were certain to have put to

0:38:47.850 --> 0:38:49.570
<v Speaker 1>the right side of the think, and when you came

0:38:49.650 --> 0:38:51.130
<v Speaker 1>home it was on the left side of the sink,

0:38:51.170 --> 0:38:53.650
<v Speaker 1>and you would just think, what happened here? And you would.

0:38:53.770 --> 0:38:56.210
<v Speaker 1>You know, it's so minimal, it's just banal little thing,

0:38:56.490 --> 0:38:59.170
<v Speaker 1>but they start messing with your sense of self, your

0:38:59.210 --> 0:39:02.370
<v Speaker 1>sense of security, who you are the Stasi. We're using

0:39:02.690 --> 0:39:06.170
<v Speaker 1>a zette song strategy on the punk scene and it worked.

0:39:07.010 --> 0:39:12.610
<v Speaker 1>Everyone was paranoid. Thebers of Planlow stopped trusting each other. Finally,

0:39:12.690 --> 0:39:17.170
<v Speaker 1>Punko's friends gave him an ultimatum, drop his girlfriend or

0:39:17.290 --> 0:39:21.410
<v Speaker 1>leave the band. Punkar told them to go fuck themselves.

0:39:22.730 --> 0:39:25.370
<v Speaker 1>Though the stars he never managed to turn punkal, they

0:39:25.490 --> 0:39:28.730
<v Speaker 1>got their way. In the end, the first these Berlin

0:39:28.810 --> 0:39:51.370
<v Speaker 1>punk band was dead. I got interested in the Starzi

0:39:51.490 --> 0:39:54.890
<v Speaker 1>in twenty sixteen when I took my family to live

0:39:54.930 --> 0:39:58.530
<v Speaker 1>in Berlin for six months. I've been offered a fellowship

0:39:58.570 --> 0:40:01.850
<v Speaker 1>at the American Academy, an institution out in the far

0:40:01.970 --> 0:40:05.730
<v Speaker 1>western suburb of Vanze. I was going to spend my

0:40:05.810 --> 0:40:09.370
<v Speaker 1>time researching and writing the book that eventually became read Pill.

0:40:10.250 --> 0:40:12.410
<v Speaker 1>There are all sorts of practical issues when you moved

0:40:12.410 --> 0:40:15.490
<v Speaker 1>to another country. My wife, Katie is also a writer.

0:40:15.930 --> 0:40:18.410
<v Speaker 1>Our son was two. When she was pregnant with our daughter,

0:40:19.290 --> 0:40:21.770
<v Speaker 1>we needed to find a preschool somewhere close to where

0:40:21.770 --> 0:40:25.130
<v Speaker 1>we'd be living. I went online to look, hopeful that

0:40:25.130 --> 0:40:28.730
<v Speaker 1>i'd find something in walking distance. I found a couple

0:40:28.810 --> 0:40:31.530
<v Speaker 1>of possible places, and I went on street View to

0:40:31.610 --> 0:40:35.970
<v Speaker 1>look at them. To my surprise, they were blurred out.

0:40:37.170 --> 0:40:40.450
<v Speaker 1>German law requires Google to blur out street view images

0:40:40.490 --> 0:40:44.530
<v Speaker 1>if people request it. Germany has some of the strongest

0:40:44.610 --> 0:40:48.090
<v Speaker 1>privacy laws in the world. Germans don't like sharing their

0:40:48.130 --> 0:40:53.690
<v Speaker 1>personal information. They don't like being tracked online. Doug Mahoverstad

0:40:53.770 --> 0:40:56.370
<v Speaker 1>of the Stasi Archives says this is the legacy both

0:40:56.410 --> 0:41:00.290
<v Speaker 1>of Communism and the Nazis the idea that a citizen

0:41:00.530 --> 0:41:03.370
<v Speaker 1>is sort of corrupted through the state, and that the

0:41:03.770 --> 0:41:07.010
<v Speaker 1>balance between the individual and the state between who I

0:41:07.130 --> 0:41:09.210
<v Speaker 1>am as a citizen and what the state does, my

0:41:09.330 --> 0:41:12.530
<v Speaker 1>government does to me and how we interact is much

0:41:12.610 --> 0:41:15.170
<v Speaker 1>more fraught from the history, and so there's a larger

0:41:15.250 --> 0:41:21.090
<v Speaker 1>sensitivity of how we balance ideas of security and privacy

0:41:21.250 --> 0:41:24.850
<v Speaker 1>of the individual and the state, and how we come

0:41:24.930 --> 0:41:28.930
<v Speaker 1>to a compromise between our respective spheres. We tend to

0:41:28.970 --> 0:41:31.050
<v Speaker 1>think if privacy is the right not to be watched

0:41:31.170 --> 0:41:34.130
<v Speaker 1>or overheard, and also the ability to keep control of

0:41:34.170 --> 0:41:38.970
<v Speaker 1>our personal information. But it's more than that. Privacy is

0:41:39.010 --> 0:41:42.450
<v Speaker 1>the space where we can experiment the space where we

0:41:42.530 --> 0:41:44.610
<v Speaker 1>work out how to be ourselves before we have to

0:41:44.650 --> 0:41:48.490
<v Speaker 1>step out into the social world. Emily Dickinson called it

0:41:48.650 --> 0:41:52.490
<v Speaker 1>a finite infinity, and it's true. There's something sublime about it,

0:41:53.170 --> 0:41:56.010
<v Speaker 1>something that makes it very disturbing to us when it's violated.

0:41:57.210 --> 0:42:00.970
<v Speaker 1>Sooner or later. In any conversation about privacy, someone will say,

0:42:01.490 --> 0:42:03.370
<v Speaker 1>why do you care? If you've got nothing to hide,

0:42:04.490 --> 0:42:08.930
<v Speaker 1>why should we care. The philosopher and Trappist monk Thomas Merton,

0:42:09.370 --> 0:42:14.290
<v Speaker 1>who thought about privacy very deeply, wrote this, In actual fact,

0:42:14.970 --> 0:42:18.930
<v Speaker 1>society depends for its existence on the inviolable personal solitude

0:42:18.970 --> 0:42:24.010
<v Speaker 1>of its members. Society, to merit its name, must be

0:42:24.090 --> 0:42:28.010
<v Speaker 1>made up not of numbers or mechanical units, but of persons.

0:42:28.850 --> 0:42:33.530
<v Speaker 1>To be a person implies responsibility and freedom, and both

0:42:33.610 --> 0:42:39.090
<v Speaker 1>these imply a certain interior solitude, a sense of personal integrity,

0:42:39.690 --> 0:42:42.970
<v Speaker 1>a sense of one's own reality, and of one's ability

0:42:43.090 --> 0:42:47.170
<v Speaker 1>to give himself to society or to refuse that gift.

0:42:48.810 --> 0:42:51.890
<v Speaker 1>He's saying that without privacy, without the ability to make

0:42:52.010 --> 0:42:56.770
<v Speaker 1>basic decisions for yourself, society couldn't exist unless you have

0:42:57.050 --> 0:43:00.490
<v Speaker 1>freedom to act and can take responsibility for your actions.

0:43:01.090 --> 0:43:04.610
<v Speaker 1>You're not human in society. You're just a function, a

0:43:04.810 --> 0:43:12.450
<v Speaker 1>cog in a totalitarian machine. Perhaps that's why so many

0:43:12.530 --> 0:43:14.770
<v Speaker 1>Germans ask for their homes to be blurred out on

0:43:14.930 --> 0:43:19.290
<v Speaker 1>Google street View. Right now, with eavesdropping home devices and

0:43:19.410 --> 0:43:22.650
<v Speaker 1>a tracker in every phone, privacy is under threat like

0:43:22.810 --> 0:43:28.050
<v Speaker 1>never before. We have an unfocused paranoia about corporations and

0:43:28.170 --> 0:43:31.730
<v Speaker 1>the government, but we're never sure who exactly is listening

0:43:31.850 --> 0:43:35.410
<v Speaker 1>to us, whether they're really paying attention, or what their

0:43:35.450 --> 0:43:39.210
<v Speaker 1>agenda might be. That wasn't true during the Cold War.

0:43:40.250 --> 0:43:43.530
<v Speaker 1>The citizens of East Germany knew who was watching the

0:43:43.650 --> 0:43:48.770
<v Speaker 1>Ministry for State Security, the Stasi. But I also think

0:43:49.050 --> 0:43:51.010
<v Speaker 1>that once you grew up in a system like that

0:43:51.330 --> 0:43:53.970
<v Speaker 1>and you befriend yourself with the father, the state that

0:43:54.050 --> 0:43:56.890
<v Speaker 1>I live in shoots me if I travel west, and

0:43:57.010 --> 0:44:00.730
<v Speaker 1>if I speak my mind completely, I might run into trouble. Okay,

0:44:00.770 --> 0:44:03.650
<v Speaker 1>so I better. I just better give them what they want,

0:44:03.730 --> 0:44:05.370
<v Speaker 1>and so I can be left in peace, and I

0:44:05.490 --> 0:44:07.250
<v Speaker 1>just do my thing, and I have a normal life

0:44:07.290 --> 0:44:12.210
<v Speaker 1>and celebrate my birthday and my Christmases and my little career.

0:44:12.730 --> 0:44:17.930
<v Speaker 1>Everything's fine, But you have voluntarily limited the space you're

0:44:18.090 --> 0:44:21.290
<v Speaker 1>entitled to. And I think that's a long lasting effect.

0:44:27.530 --> 0:44:30.890
<v Speaker 1>After the Stars he broke up Plan Loos. Pankou didn't

0:44:30.930 --> 0:44:34.530
<v Speaker 1>join another band. Reluctantly, he went off to do his

0:44:34.610 --> 0:44:38.530
<v Speaker 1>military service. When he returned to Berlin eighteen months later,

0:44:39.010 --> 0:44:42.730
<v Speaker 1>his friends had scattered, Some were in prison or the army,

0:44:43.490 --> 0:44:46.210
<v Speaker 1>some had gone to the West. He felt out of

0:44:46.330 --> 0:44:49.370
<v Speaker 1>place again. The East German government said tonight they were

0:44:49.410 --> 0:44:51.370
<v Speaker 1>going to make more openings in the wall, at least

0:44:51.370 --> 0:44:54.730
<v Speaker 1>a dozen more put bulldozers right through the wall so

0:44:54.890 --> 0:45:00.330
<v Speaker 1>that more people could cross to the west. When the

0:45:00.410 --> 0:45:05.330
<v Speaker 1>wall came down in nineteen eighty nine, Pankoo had mixed feelings.

0:45:06.290 --> 0:45:09.010
<v Speaker 1>He was excited to see the East German regime falling,

0:45:09.490 --> 0:45:12.690
<v Speaker 1>but he was also worried about the prospect of joining

0:45:12.770 --> 0:45:16.170
<v Speaker 1>the capitalist West. I wanted to know if he was

0:45:16.250 --> 0:45:19.650
<v Speaker 1>still worried, if he was concerned about all the ways

0:45:19.730 --> 0:45:23.730
<v Speaker 1>which we can now be or feel watched. I thought,

0:45:24.410 --> 0:45:29.290
<v Speaker 1>all predominoscence, why perspective another extremely shreatened. I mean, I

0:45:29.370 --> 0:45:32.530
<v Speaker 1>think he says he thinks it's frightening, but at the

0:45:32.570 --> 0:45:35.370
<v Speaker 1>same time it's something that he knows very well. So

0:45:35.610 --> 0:45:38.530
<v Speaker 1>in that sense, he never had a moment where he

0:45:38.690 --> 0:45:42.410
<v Speaker 1>had any kind of illusions about that it would be different.

0:45:44.290 --> 0:45:46.610
<v Speaker 1>Can someone who spent his youth being watched by the

0:45:46.690 --> 0:45:50.250
<v Speaker 1>most paranoid secret police force in history tell me what

0:45:50.370 --> 0:45:55.050
<v Speaker 1>to do about today's pervasive surveillance. I'm expecting Punkau to

0:45:55.130 --> 0:45:58.010
<v Speaker 1>condemn it, to say that we need to fight governments

0:45:58.090 --> 0:46:02.250
<v Speaker 1>and tech companies instead, he says to me. Sure, you

0:46:02.330 --> 0:46:04.490
<v Speaker 1>can spend a lot of time focusing on the idea

0:46:04.530 --> 0:46:10.890
<v Speaker 1>that you're being surveiled, figuring out exactly how much, but

0:46:11.050 --> 0:46:13.490
<v Speaker 1>that always puts you into a sort of negative frame

0:46:13.570 --> 0:46:18.010
<v Speaker 1>of mind. You feel hopeless. He lived for years knowing

0:46:18.090 --> 0:46:21.330
<v Speaker 1>he was being watched night and day. Now, he says,

0:46:21.370 --> 0:46:25.290
<v Speaker 1>it's important to make a clear choice. Do you stay

0:46:25.370 --> 0:46:28.530
<v Speaker 1>inside your fear or do you push through? Do you

0:46:28.650 --> 0:46:32.570
<v Speaker 1>put fear in its place and start making decisions for yourself?

0:46:41.810 --> 0:46:44.490
<v Speaker 1>And this is the thing I go away with as

0:46:44.530 --> 0:46:46.730
<v Speaker 1>I ride the tram back to the center of Berlin,

0:46:48.130 --> 0:46:50.330
<v Speaker 1>that you don't wait to act until you feel you're

0:46:50.370 --> 0:46:53.330
<v Speaker 1>free to do so. It's the action that you take

0:46:53.410 --> 0:46:58.130
<v Speaker 1>in spite of your fear that counts. That's what it

0:46:58.210 --> 0:47:10.210
<v Speaker 1>means to be punk. Turns out, Johnny Rotten was wrong

0:47:11.010 --> 0:47:14.810
<v Speaker 1>for punk musicians like Pancau and surveillors like the STARSI

0:47:15.130 --> 0:47:20.370
<v Speaker 1>there would be a future, specifically in Hanover, where another

0:47:20.490 --> 0:47:24.530
<v Speaker 1>German is about to engineer how the future our present

0:47:24.850 --> 0:47:29.250
<v Speaker 1>will sound. And as a listener, you also recognize the

0:47:29.330 --> 0:47:32.490
<v Speaker 1>conscient between these two things. You recognize that if it

0:47:33.010 --> 0:47:37.290
<v Speaker 1>that it's the patterns that you sounds that make it beautiful,

0:47:37.730 --> 0:47:41.050
<v Speaker 1>and it's also the fact that the patterns do not

0:47:41.250 --> 0:47:46.210
<v Speaker 1>repeat themselves perfectly that make it exquisitely beautiful. Finding the

0:47:46.370 --> 0:47:50.570
<v Speaker 1>needle of a signal in a haystack of noise that's

0:47:50.650 --> 0:47:58.210
<v Speaker 1>next week on Into the Zone. Into the Zone is

0:47:58.290 --> 0:48:02.930
<v Speaker 1>produced by Rider Also and Hunter Braithwaite. Our editor is

0:48:03.010 --> 0:48:07.770
<v Speaker 1>Julia Barton. Mire La Belle is our executive producer. Martin

0:48:07.890 --> 0:48:13.930
<v Speaker 1>Gonzalez is engineer. Music for this episode composed by Izzyokampo,

0:48:14.370 --> 0:48:18.050
<v Speaker 1>also known as Student. Our theme song is composed by

0:48:18.130 --> 0:48:22.690
<v Speaker 1>Sarah k Peedinatti also known as lip Talk. Thanks to

0:48:23.010 --> 0:48:29.050
<v Speaker 1>Jacob Weisberg, Heather Faine, John Schnaz, Maya Kanig, Kylie Migliori,

0:48:29.650 --> 0:48:34.970
<v Speaker 1>Eric Sandler, Emily Rostick and Maggie Taylor. Special thanks to

0:48:35.090 --> 0:48:40.130
<v Speaker 1>our Berlin producers Oliver Martin and Johannes Nikola. And the

0:48:40.290 --> 0:48:44.090
<v Speaker 1>very special thanks to Annie Kirschner for all her help

0:48:44.170 --> 0:48:47.450
<v Speaker 1>for this episode. To hear what Mark Reader is up

0:48:47.490 --> 0:48:53.490
<v Speaker 1>to now, go to www mfs Berlin dot com. An

0:48:53.650 --> 0:48:57.810
<v Speaker 1>archive of Punkau's material can be found at substitute dot net.

0:48:59.250 --> 0:49:03.210
<v Speaker 1>Into the Zone is a production of Pushkin Industries. If

0:49:03.250 --> 0:49:07.130
<v Speaker 1>you enjoyed this episode, please consider letting others know. The

0:49:07.250 --> 0:49:09.570
<v Speaker 1>best way to do this is by rate tist on

0:49:09.690 --> 0:49:14.530
<v Speaker 1>Apple Podcasts. You could even write a review for more

0:49:14.570 --> 0:49:17.890
<v Speaker 1>East German punk head to our Into the Zone playlist

0:49:18.010 --> 0:49:22.090
<v Speaker 1>on Spotify, and you can find me on Twitter at

0:49:22.330 --> 0:49:38.130
<v Speaker 1>Harry Quin's room. See you next time. Pressure. That was

0:49:38.170 --> 0:49:39.570
<v Speaker 1>wrong with that? What was wrong with that? What was

0:49:39.610 --> 0:49:40.970
<v Speaker 1>wrong with that? What was wrong with that? What was

0:49:41.010 --> 0:49:41.410
<v Speaker 1>wrong with that?