WEBVTT - A Honest Conversation About Clown's Online w/ Curtiss King

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<v Speaker 1>Speaks to the planet.

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<v Speaker 2>I go by the name of Charlamagne Tha God and

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<v Speaker 2>guess what, I can't wait to see y'all at the

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<v Speaker 2>third annual Black Effect Podcast Festival. That's right, We're coming

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<v Speaker 2>back to Atlanta, Georgia, Saturday, April twenty six at Poeman

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<v Speaker 2>Yards and it's hosted by none other than Decisions Decisions,

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<v Speaker 2>Mandy B and Weezy. Okay, we got the R and

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<v Speaker 2>B Money podcast. We're taking Jay Valentine. We got the

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<v Speaker 2>Women of All Podcasts with Sarah Jake Roberts, we got

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<v Speaker 2>Good Mom's Bad Choices. Carrie Champion will be there with

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<v Speaker 2>her next sports podcast, and the Trap Nerds podcast with

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<v Speaker 2>more to be announced. And of course it's bigger than podcasts.

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<v Speaker 2>We're bringing the Black Effect marketplace with black owned businesses,

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<v Speaker 2>plus the food truck court to keep you fed while

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<v Speaker 2>you visit us.

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<v Speaker 1>All right, listen, you don't want to miss this.

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<v Speaker 2>Tap in and grab your tickets now at Black Effect

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<v Speaker 2>dot Com Flash Podcast Festival.

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<v Speaker 3>Thanks to Chronic Goals, this is not your average show.

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<v Speaker 2>You're now tuned into the Reil mc ain't Big Stairs,

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<v Speaker 2>the Streets Jam.

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<v Speaker 4>Welcome to the gangst the Chronicles podcast, The production of

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<v Speaker 4>iHeart Radio and Black Effect Podcast Network. Make sure you

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<v Speaker 4>download the iHeart app and subscribe to Against the Chronicles.

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<v Speaker 4>For my Apple users, hit the Purple Michael your front screen,

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<v Speaker 4>subscribe to Against the Chronicles, leave a five star rating

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<v Speaker 4>and comment what's happening, What's happening, What's happening, What's appening?

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<v Speaker 4>What's up? Another episode Against the Chronicles podcast, And I

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<v Speaker 4>got some surprising news. Got the Homeboy Og Dazzy D

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<v Speaker 4>about to be joining me in m C eight on

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<v Speaker 4>the podcast here on out. You know I need that.

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<v Speaker 4>I need that third wheel, man. You feel what I'm saying.

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<v Speaker 4>We need that third wheel, and we needed another og,

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<v Speaker 4>not just anybody. Daddy's cracking with you, ma'am.

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<v Speaker 5>Hey man, you know how we do it. Brother, We're

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<v Speaker 5>trying to keep it moving home. You know what I'm saying.

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<v Speaker 5>I'm glad to be part of the team. Brother.

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<v Speaker 4>We'll show you know the Homeboy Dazzy D man Og producer,

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<v Speaker 4>rapper extraord. Now we got another person man that's real hot.

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<v Speaker 4>And hear the night Man coming on with us to

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<v Speaker 4>talk about state of hip hop. Come on, Curtis King

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<v Speaker 4>of Honored man. You know Curtis is like one of

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<v Speaker 4>those intellectual hip hop tights. Man. So I'm honored man

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<v Speaker 4>to have him coming here man with us, Man, come

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<v Speaker 4>in the ghetto one time, man and shocking up with

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<v Speaker 4>the brothers you know on the corner with the forty ounces.

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<v Speaker 5>I'm with it. I'm with it.

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<v Speaker 3>Especially when when I got the call, I didn't pick

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<v Speaker 3>I didn't get to pick up because I was live streaming,

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<v Speaker 3>but I saw I had the call with you and

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<v Speaker 3>G so I know he only hit up. He only

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<v Speaker 3>hit me up when it's important, important business. So I

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<v Speaker 3>appreciate you having me on for.

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<v Speaker 4>Sure, man, you know, and you know, one of the

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<v Speaker 4>things we'd be talking about offline, especially being daddy don't

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<v Speaker 4>have this conversation a couple of times, is that him

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<v Speaker 4>Pop is in this real weird space right now where

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<v Speaker 4>it's a couple of these guys that are rappers. I

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<v Speaker 4>don't even know they was rappers. I know them more

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<v Speaker 4>from their online antis man than anything else. I don't

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<v Speaker 4>hear no music. I can see antics, right, you know,

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<v Speaker 4>whereas in my you know, in our day and time, Man,

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<v Speaker 4>if he was a rapper, you're wreck. You didn't go

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<v Speaker 4>out and you know beat people up. You didn't go

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<v Speaker 4>out and instigate fights and beat and all this other stuff.

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<v Speaker 4>You know what I'm saying. Just wreck you feel what

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<v Speaker 4>I'm saying. We in this real weird space now, and

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<v Speaker 4>I don't know if we do come out of it

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<v Speaker 4>no time soon.

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<v Speaker 3>M Yeah, I think you make a valid point. Ain't

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<v Speaker 3>no mind you. I was born in eighty five, so

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<v Speaker 3>I got to see what life was like before the Internet.

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<v Speaker 3>I got to see what it was like when you

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<v Speaker 3>were an artist and you couldn't lean on the Internet

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<v Speaker 3>to get the worry out about what you're doing. So

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<v Speaker 3>it's like I came into like I'm right there as

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<v Speaker 3>a bridge between you know, some folks who might have

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<v Speaker 3>missed the boat when it comes to the Internet, and

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<v Speaker 3>then some folks.

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<v Speaker 1>Only know the Internet.

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<v Speaker 3>And because of that, I've been able to see, like,

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<v Speaker 3>if they shut it down today, I'm gonna be all right.

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<v Speaker 3>I know five or six things I can do next,

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<v Speaker 3>because I feel like the most important scale that I

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<v Speaker 3>mastered was how to talk to people, how to sell yourself,

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<v Speaker 3>you know, shout out some merds taking me out on

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<v Speaker 3>tour in twenty thirteen, he ain't put no money in

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<v Speaker 3>our pockets in terms of like to start off with,

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<v Speaker 3>it was like, you got if y'all want to make

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<v Speaker 3>it to every date, you got to figure this out

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<v Speaker 3>and how to sell yourself and talk to people.

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<v Speaker 1>And so I'm talking.

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<v Speaker 3>About a whole generation now that is used to only

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<v Speaker 3>being on the internet and then you put them in

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<v Speaker 3>front of somebody to sell a T shirt.

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<v Speaker 1>That fucking lost, and so I'm not used to that.

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<v Speaker 3>So then what they end up doing is coming to

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<v Speaker 3>folks like me who are able to kind of like

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<v Speaker 3>translate it in a way that says, you just got.

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<v Speaker 1>To do more.

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<v Speaker 3>You can't you can't rely upon just your personality, are

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<v Speaker 3>your online presence to get this going. Like the reason

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<v Speaker 3>I can get access to certain interviews and certain people

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<v Speaker 3>is because I had to get my ass out there

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<v Speaker 3>and put feet to pavement.

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<v Speaker 4>Yes, real talk. And you know, with these kids nowadays, man,

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<v Speaker 4>and I don't even want to call them kids necessarily.

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<v Speaker 4>They're grown men, right, man, they're grown men. I might

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<v Speaker 4>even gonna give them a pass to saying they little kids.

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<v Speaker 4>A child to somebody who's nineteen years old. If you

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<v Speaker 4>don't be twenty, you know what the hell going on?

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<v Speaker 4>If you're eighteen, you really know what's going on right,

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<v Speaker 4>I'm seeing these guys. Not to put out them names.

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<v Speaker 4>I'm not here to blash nobody, because that's not what

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<v Speaker 4>we do over here. But you see a lot of

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<v Speaker 4>these guys, man, they've turned into content creators. I hate

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<v Speaker 4>that word, you know, because I've been podcasting, man since

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<v Speaker 4>I think it's twenty thirteen something like that. Man, since

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<v Speaker 4>twenty thirteen, and we got to deal with Charlemagne maybe

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<v Speaker 4>five years later. So I've been doing this a long time, man.

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<v Speaker 4>And it got to the place man where I don't

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<v Speaker 4>even post episodes on YouTube all the time because our

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<v Speaker 4>online our audio following is so strong, and to be

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<v Speaker 4>honest with you, I don't want to be putting the

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<v Speaker 4>same category as some of these other people, you know,

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<v Speaker 4>because that's the one thing. I meet people and they

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<v Speaker 4>say they have a podcast, and I asked them, you know,

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<v Speaker 4>with's your iTunes, you know, your your Apple podcasts one

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<v Speaker 4>or whatever, And they say, no, it's on YouTube, And

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<v Speaker 4>I tell them, man, all the podcasts the audio thing, man.

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<v Speaker 4>You know, it's both because I respected I respected man,

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<v Speaker 4>but it's like, and I don't want to use this word, man,

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<v Speaker 4>but it's real, like almost some some of these dudes

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<v Speaker 4>that like they learned and disabled. Man. You remember they

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<v Speaker 4>had the LD classes. Yeah, yeah, school man. You know

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<v Speaker 4>with some of the homies and like wild and stuff,

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<v Speaker 4>they'll put them in there. It's like at the LD

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<v Speaker 4>section on the internet.

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<v Speaker 1>Now man, Well, I mean, look, I gotta, I gotta.

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<v Speaker 3>I got one of my subscribers that always reminds me

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<v Speaker 3>every time I get frustrated when I see some of

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<v Speaker 3>this shit, She'll be like, don't forget Curtis before you

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<v Speaker 3>get mad. The average reading level is level three or

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<v Speaker 3>grade three. That's the average score. And it got only

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<v Speaker 3>worse after the pandemic. And what I'm recognizing is like

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<v Speaker 3>there was a point in time where it didn't matter,

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<v Speaker 3>like what's your background. You could be the most gangst

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<v Speaker 3>of gangster when you get in that room in any

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<v Speaker 3>English class. If you struggling with them, with them words

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<v Speaker 3>reading through like any I don't care if they the bully,

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<v Speaker 3>no matter what it is, they finish, they finish clown you, right.

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<v Speaker 3>And I think being in that environment forced us to

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<v Speaker 3>be a different different generation of teens, a different generation

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<v Speaker 3>of eventually.

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<v Speaker 1>Twenty year olds.

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<v Speaker 3>You talk about a lot of a lot of the

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<v Speaker 3>young ones are coming up, and I happened to mentor

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<v Speaker 3>a lot of them. I'm recognizing that even their experience

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<v Speaker 3>with music and their expectation is so low because of

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<v Speaker 3>all the.

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<v Speaker 1>Distractions that got in front of them.

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<v Speaker 3>Like what other time have we had where I could

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<v Speaker 3>have the phone open, here, the iPad open the here,

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<v Speaker 3>I could be gaming in front of the TV, I

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<v Speaker 3>could be having music in the background. It don't It

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<v Speaker 3>don't sound like a fun or at least before last year,

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<v Speaker 3>it doesn't sound like a fun activity for them to

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<v Speaker 3>sit there and decipher lyrics or sit there and listen

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<v Speaker 3>to musicianship.

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<v Speaker 1>All they want is quote unquote vibes.

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<v Speaker 3>When I understood that, and I was like, that's why

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<v Speaker 3>that's why you and I are disconnect talking about them.

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<v Speaker 3>That's why we're disconnected because I look for I look

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<v Speaker 3>for my music to be like medicine at times. I

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<v Speaker 3>look for my music to be the difference between fast

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<v Speaker 3>food and soul food.

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<v Speaker 1>Yeah, it's sometimes where you just need to go grab

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<v Speaker 1>something and.

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<v Speaker 3>That's cool, but I need that that food to stick

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<v Speaker 3>to the bone, Like what do we doing? And there's

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<v Speaker 3>so much stuff that I think, like you said, you

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<v Speaker 3>don't know whether or not they're part time artists and

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<v Speaker 3>full time streamers, and uh, I think they trying to

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<v Speaker 3>figure it out too, because I tell you, even I

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<v Speaker 3>just turned forty this year, there's a part of me

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<v Speaker 3>that's like, Okay, well, what is my voice in the space.

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<v Speaker 3>And when I'm realizing, I'm so glad. I'm so glad

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<v Speaker 3>that I'm so glad that y'all in the space. I'm

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<v Speaker 3>so glad that there's there's outlets of wisdom because let

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<v Speaker 3>the industry tell it many you know, this industry that

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<v Speaker 3>I've always had the theory that they take all the

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<v Speaker 3>energy they can, especially out of black men before they forties.

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<v Speaker 3>They take you for your money, your masters, they take

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<v Speaker 3>you for your your your.

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<v Speaker 1>Drive, and all we got left is to hopefully be.

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<v Speaker 3>Able to tell these stories, you know, on podcasts or

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<v Speaker 3>whatever we're doing. But in terms of the creativity that

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<v Speaker 3>everybody got to know about us, that's the first shit

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<v Speaker 3>they take. And it's crazy enough, that's what colonizers do

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<v Speaker 3>when they take over a country.

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<v Speaker 1>The first thing they do is take dart.

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<v Speaker 4>Yeah for real, So really, you know, speaking of Calvinisers

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<v Speaker 4>to go on, you know, On another note, I like

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<v Speaker 4>to travel a lot, man, especially as I get older,

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<v Speaker 4>it's some that I appreciate, you know, to go see

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<v Speaker 4>the world.

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<v Speaker 5>Man.

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<v Speaker 4>I started going to Europe, like maybe two thousand and four,

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<v Speaker 4>two thousand and three, I started going over to England

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<v Speaker 4>and Germany and different places just to see. I was

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<v Speaker 4>going over there on business, but it really became an

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<v Speaker 4>educational thing for me. So we just came back from Aruba.

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<v Speaker 4>You and my wife was out there last week and

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<v Speaker 4>part of this weekend, and the one thing I noticed, man,

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<v Speaker 4>was the amount of Dutch people over there, right, And

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<v Speaker 4>I said, wow, man, these people really conquered the whole world. Man.

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<v Speaker 4>They went over to Africa, you know, that was what

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<v Speaker 4>slavery kidnapped us out of there. Then they came over

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<v Speaker 4>to my islands like a Aruba in different places and

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<v Speaker 4>took those over. And I was looking at their parliament, man,

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<v Speaker 4>that had all of those you know, Dutch people in

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<v Speaker 4>And I'm not nowhere near racist. I'm just keeping the

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<v Speaker 4>one thousand man. And I looked at the stuff we

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<v Speaker 4>got going on here in America while everybody else in

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<v Speaker 4>the rest of the world is kind of serious mm hmm.

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<v Speaker 4>Like I looked at them little kids over there in

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<v Speaker 4>the room. But man, these young kids man, maybe fifteen sixteen,

0:10:06.320 --> 0:10:08.840
<v Speaker 4>they working jobs. They talked to you when they greet

0:10:08.880 --> 0:10:11.640
<v Speaker 4>with their hello, sir, hello man, And I called Kicky

0:10:11.760 --> 0:10:14.240
<v Speaker 4>was tracking o gine. It wasn't like that these little

0:10:14.320 --> 0:10:16.760
<v Speaker 4>dudentes are here working. And I said, man, we really

0:10:16.760 --> 0:10:20.439
<v Speaker 4>are behind man, because I don't taking this disrespect man,

0:10:20.480 --> 0:10:22.320
<v Speaker 4>but some of these little dudies be looking older than

0:10:22.320 --> 0:10:23.920
<v Speaker 4>me and be hitting me up with what's up? Oc.

0:10:24.600 --> 0:10:26.960
<v Speaker 3>Yeah, no, no, because because because that's what happened when

0:10:27.000 --> 0:10:28.839
<v Speaker 3>you hold on this shit. That's what happened when you

0:10:29.280 --> 0:10:33.400
<v Speaker 3>when you don't have a foundation of lean on. You know,

0:10:33.440 --> 0:10:36.800
<v Speaker 3>I'm grateful, like people always make the joke that my

0:10:36.880 --> 0:10:40.160
<v Speaker 3>pops look like milcaelm X, but he more so furious

0:10:40.160 --> 0:10:43.200
<v Speaker 3>styles like that that Poppa was always in the picture

0:10:43.240 --> 0:10:46.680
<v Speaker 3>for me and he never hid anything from me. So

0:10:47.200 --> 0:10:48.839
<v Speaker 3>you know, just like you said earlier, You're like, I'm

0:10:48.880 --> 0:10:51.320
<v Speaker 3>not racist. I'm not either, but I'm not gonna act

0:10:51.320 --> 0:10:53.560
<v Speaker 3>like I don't got eyes. I'm not gonna act like

0:10:53.559 --> 0:10:55.800
<v Speaker 3>I don't see this teacher who happens to be a

0:10:55.840 --> 0:10:58.480
<v Speaker 3>white lady that is talking differently to her white her.

0:10:58.360 --> 0:11:00.000
<v Speaker 1>White students that she tests to her black student.

0:11:00.559 --> 0:11:02.280
<v Speaker 3>And it's like, these are things that I came up,

0:11:02.320 --> 0:11:05.319
<v Speaker 3>you know, coming up in Carson, California, coming up and

0:11:05.440 --> 0:11:07.040
<v Speaker 3>you know, I stayed in down there for a little bit.

0:11:07.240 --> 0:11:10.360
<v Speaker 3>I stayed in you know, uh Loan Beach for a

0:11:10.360 --> 0:11:12.719
<v Speaker 3>little bit. I've seen a little mix and then I

0:11:12.760 --> 0:11:14.920
<v Speaker 3>went to the ie in two thousand and nine and up.

0:11:15.360 --> 0:11:18.440
<v Speaker 3>But I say that to say that I've seen a mix,

0:11:19.320 --> 0:11:21.480
<v Speaker 3>and I do see the same thing that you're saying,

0:11:21.520 --> 0:11:25.360
<v Speaker 3>and that people are aging so quickly because they taking

0:11:25.400 --> 0:11:28.640
<v Speaker 3>on habits that usually you associate with, like you know,

0:11:28.720 --> 0:11:32.679
<v Speaker 3>eighty year old, eighty year old, you know, the smoke

0:11:32.800 --> 0:11:35.240
<v Speaker 3>of the cigarettes. I'm seeing like twenty year old chain

0:11:35.280 --> 0:11:39.040
<v Speaker 3>smoking cigarettes. And I'm like, bro, what you stressing on?

0:11:40.760 --> 0:11:40.920
<v Speaker 6>Man?

0:11:41.360 --> 0:11:43.320
<v Speaker 1>I go back to this track thing. That's a big

0:11:43.360 --> 0:11:47.440
<v Speaker 1>thing part got to figure.

0:11:47.280 --> 0:11:50.280
<v Speaker 4>Out, you know. The funny part of the curtis it's

0:11:50.360 --> 0:11:54.640
<v Speaker 4>like with these young cats, they're almost trying to talk

0:11:54.679 --> 0:11:56.840
<v Speaker 4>to you, like when they talk about age, like it's

0:11:56.920 --> 0:11:59.480
<v Speaker 4>just like it's like a horrible thing to get older.

0:11:59.720 --> 0:12:01.600
<v Speaker 4>And I had asked one of the little cats one day,

0:12:01.600 --> 0:12:03.680
<v Speaker 4>what you plan on dying at thirty five or something?

0:12:03.679 --> 0:12:06.120
<v Speaker 4>Bro Like, like do you plan on not being here.

0:12:06.400 --> 0:12:08.520
<v Speaker 4>And it's like if you're trying to use my age

0:12:08.600 --> 0:12:10.920
<v Speaker 4>to like hurt me and made me feel bad, man,

0:12:10.960 --> 0:12:13.760
<v Speaker 4>my age is my strength. It's about a wisdom. Man.

0:12:13.800 --> 0:12:15.520
<v Speaker 4>This is you know behind these years come a lot

0:12:15.559 --> 0:12:17.160
<v Speaker 4>of tears. I an't been through a lot of stuff.

0:12:17.200 --> 0:12:17.560
<v Speaker 5>Man.

0:12:17.720 --> 0:12:19.920
<v Speaker 4>That really just made me a better husband, made me

0:12:19.960 --> 0:12:23.280
<v Speaker 4>a better father, made me a better businessman, entrepreneur, and

0:12:23.400 --> 0:12:26.240
<v Speaker 4>just a better all around person. Like I was talking

0:12:26.280 --> 0:12:28.600
<v Speaker 4>to Dashy the other day, man, and me and them

0:12:28.640 --> 0:12:31.680
<v Speaker 4>met when we was both we here was that Dashy

0:12:32.040 --> 0:12:34.480
<v Speaker 4>met with Tony Lane Lane with records?

0:12:34.920 --> 0:12:38.280
<v Speaker 5>Yeah about that was about what ninety six ninety seven?

0:12:39.000 --> 0:12:41.560
<v Speaker 4>Yeah, ninety six ninety seven, man, And it goes back

0:12:41.600 --> 0:12:43.160
<v Speaker 4>there far. Man. You know we was in there with

0:12:43.200 --> 0:12:46.920
<v Speaker 4>Sugar Free and you know Quick and all those cats, man,

0:12:47.120 --> 0:12:49.600
<v Speaker 4>and time just flies, man, And I'm a whole different

0:12:49.600 --> 0:12:51.880
<v Speaker 4>person than I was back then. I'm like, that's like

0:12:52.679 --> 0:12:54.800
<v Speaker 4>to me eons ago. Man. I look at some of

0:12:54.800 --> 0:12:56.920
<v Speaker 4>the stuff I used to do back then and be like, man,

0:12:57.000 --> 0:12:58.559
<v Speaker 4>you know it was our own back then, you know

0:12:58.600 --> 0:12:58.959
<v Speaker 4>what I mean?

0:12:59.280 --> 0:13:03.520
<v Speaker 3>Less And I'm still here for real, you know here,

0:13:03.720 --> 0:13:06.079
<v Speaker 3>And I even look at you know, these cats when

0:13:06.080 --> 0:13:06.440
<v Speaker 3>they come.

0:13:06.360 --> 0:13:09.880
<v Speaker 4>To the music and I talked to them, and I

0:13:09.920 --> 0:13:14.120
<v Speaker 4>tell them, it really hasn't changed too much, man, not

0:13:14.120 --> 0:13:16.240
<v Speaker 4>not to me, Not not to me anyway. I think

0:13:16.280 --> 0:13:20.079
<v Speaker 4>it's I think, if anything, is kind of like regrets

0:13:20.120 --> 0:13:21.000
<v Speaker 4>to just a little bit.

0:13:21.480 --> 0:13:21.720
<v Speaker 5>Sure.

0:13:22.720 --> 0:13:24.240
<v Speaker 4>I think we was a little and I'm not one

0:13:24.280 --> 0:13:25.960
<v Speaker 4>of them dudes to be trying to give them a

0:13:25.960 --> 0:13:28.480
<v Speaker 4>little homies heads man and talk about their music or whatever.

0:13:28.559 --> 0:13:31.959
<v Speaker 4>But they just me getting order. I don't feel a

0:13:32.040 --> 0:13:33.640
<v Speaker 4>connection with some of the stuff they're doing.

0:13:34.360 --> 0:13:36.000
<v Speaker 1>Well, you know, you know, I don't. You know, I

0:13:36.000 --> 0:13:36.880
<v Speaker 1>don't hold that to you.

0:13:37.040 --> 0:13:39.000
<v Speaker 3>Is because I don't think they feel a connection to

0:13:39.040 --> 0:13:41.520
<v Speaker 3>what they're listening and making. I don't think they their

0:13:41.559 --> 0:13:44.160
<v Speaker 3>their their goal is connection. I think their goal is

0:13:46.240 --> 0:13:49.960
<v Speaker 3>some level of relatability to the vibe, some relatability to

0:13:50.679 --> 0:13:52.560
<v Speaker 3>this is what I want to have in the background.

0:13:52.600 --> 0:13:56.040
<v Speaker 3>To me, it's no, it's not a coincidence that in

0:13:56.080 --> 0:13:58.360
<v Speaker 3>the same era that you see a lot of the youth,

0:13:58.600 --> 0:13:59.719
<v Speaker 3>and I want to say all of them, because some

0:13:59.760 --> 0:14:02.680
<v Speaker 3>of them do really seek out the stuff from their uncles,

0:14:02.679 --> 0:14:04.679
<v Speaker 3>and then you know, I would be considered unk it

0:14:04.679 --> 0:14:06.480
<v Speaker 3>come looking for me to give them you know, God

0:14:06.520 --> 0:14:09.679
<v Speaker 3>and some music. But for those who are not like that,

0:14:10.520 --> 0:14:13.280
<v Speaker 3>it started dawning on me. A lot of the schools

0:14:13.280 --> 0:14:16.480
<v Speaker 3>failed them too. And because the schools failed them, is

0:14:16.520 --> 0:14:18.800
<v Speaker 3>a trickle down effect, is there's a there's a domino

0:14:18.880 --> 0:14:22.680
<v Speaker 3>effect of if the schools are not doing their job,

0:14:23.400 --> 0:14:27.120
<v Speaker 3>literary literacy rates are down. I watched the video where As,

0:14:27.120 --> 0:14:30.200
<v Speaker 3>a documentary about why rappers are no longer writing anymore,

0:14:30.640 --> 0:14:34.160
<v Speaker 3>and halfway through that documentary, it dawned on me, I

0:14:34.200 --> 0:14:36.360
<v Speaker 3>don't think some of these some of these kids can

0:14:36.400 --> 0:14:40.520
<v Speaker 3>read like legitimately put these ideas together. So the best

0:14:40.560 --> 0:14:44.640
<v Speaker 3>thing they have is their memory, which stiff over exercised,

0:14:45.200 --> 0:14:47.880
<v Speaker 3>and they just wrap whatever comes to them. It doesn't

0:14:47.920 --> 0:14:50.720
<v Speaker 3>have a connection. You gotta really sit down when you

0:14:50.720 --> 0:14:51.000
<v Speaker 3>want to.

0:14:51.000 --> 0:14:52.440
<v Speaker 1>Write like a cube.

0:14:52.440 --> 0:14:54.280
<v Speaker 3>You want to write you know, like like like like

0:14:54.280 --> 0:14:56.560
<v Speaker 3>like some of the the like Biggie like, you want

0:14:56.560 --> 0:14:59.080
<v Speaker 3>to write like Poc. You gotta have some passion first

0:14:59.080 --> 0:15:01.160
<v Speaker 3>of all behind what you do. But you also got

0:15:01.160 --> 0:15:03.480
<v Speaker 3>to have care. And they're living in a time where

0:15:03.480 --> 0:15:07.280
<v Speaker 3>everything is so desensitized, right like they want to have

0:15:07.360 --> 0:15:10.160
<v Speaker 3>you devoid of emotion and just look for a vibe

0:15:10.240 --> 0:15:13.760
<v Speaker 3>or look for a playlist. I think for the first

0:15:13.760 --> 0:15:16.200
<v Speaker 3>time last year. I feel like that was one of

0:15:16.200 --> 0:15:19.160
<v Speaker 3>those what they call a cannon event that shook people

0:15:19.280 --> 0:15:22.040
<v Speaker 3>up out of a hypnosis and they said, well, damn,

0:15:22.800 --> 0:15:24.720
<v Speaker 3>if I want to have an ounce of success that

0:15:24.760 --> 0:15:27.200
<v Speaker 3>I'm seeing with a Kendrick, I gotta do something different.

0:15:28.120 --> 0:15:29.880
<v Speaker 5>You know. You know what's crazy, homie is.

0:15:31.320 --> 0:15:33.520
<v Speaker 7>I remember about four years ago, right, I was at

0:15:33.520 --> 0:15:35.600
<v Speaker 7>the studio we woul shooting video, but we were shooting

0:15:35.600 --> 0:15:39.120
<v Speaker 7>at a recording studio, and man, the studio was immaculated. Bro,

0:15:39.200 --> 0:15:42.920
<v Speaker 7>I'm talking about full press, right. So I talked to

0:15:42.960 --> 0:15:45.280
<v Speaker 7>the owner. I was like, man, I know, you get

0:15:45.280 --> 0:15:46.880
<v Speaker 7>a lot of traffic, you get a lot of business.

0:15:46.920 --> 0:15:50.120
<v Speaker 5>Is the studio beautiful? He was like, he was like, bru.

0:15:50.440 --> 0:15:52.080
<v Speaker 5>The kind of clients we get these days.

0:15:52.080 --> 0:15:54.440
<v Speaker 7>They be youngsters, and when they don't even come in

0:15:54.520 --> 0:15:57.400
<v Speaker 7>with their own beats or producers, first thing they want

0:15:57.440 --> 0:16:01.640
<v Speaker 7>to do is hop on YouTube and pick them YouTube beats. Now,

0:16:01.680 --> 0:16:04.560
<v Speaker 7>I gotta download that, throw that in the doll and

0:16:04.600 --> 0:16:07.160
<v Speaker 7>then they want to get high and then go in

0:16:07.160 --> 0:16:09.360
<v Speaker 7>there freestyle for two or three hours trying to figure

0:16:09.400 --> 0:16:12.160
<v Speaker 7>out until they got enough to make a rap song.

0:16:12.240 --> 0:16:13.840
<v Speaker 5>I was like that, ain't it?

0:16:14.400 --> 0:16:14.640
<v Speaker 1>You know?

0:16:14.720 --> 0:16:16.560
<v Speaker 3>You know that would have got me laughed at the

0:16:16.560 --> 0:16:18.120
<v Speaker 3>studio like I would have never been able to get

0:16:18.120 --> 0:16:20.920
<v Speaker 3>back in there. And there was a point in time

0:16:20.960 --> 0:16:25.400
<v Speaker 3>where you know, relationships was your ultimate value. You could

0:16:25.400 --> 0:16:26.880
<v Speaker 3>have the best beats in the world, you could have

0:16:26.920 --> 0:16:30.320
<v Speaker 3>the best production people. Gotta really sit there, the ones

0:16:30.360 --> 0:16:32.160
<v Speaker 3>who are in charge of that room, gotta really sit

0:16:32.200 --> 0:16:33.480
<v Speaker 3>there and say, do I feel like dealing with this

0:16:33.520 --> 0:16:34.120
<v Speaker 3>nigga today?

0:16:34.520 --> 0:16:35.120
<v Speaker 5>Real talk?

0:16:35.800 --> 0:16:38.400
<v Speaker 3>I'd rather deal with somebody else that's not as talented.

0:16:38.440 --> 0:16:40.640
<v Speaker 3>And that's how I kept getting invited back into the

0:16:40.680 --> 0:16:45.000
<v Speaker 3>TD studios. I wasn't more talented than sound Way, I

0:16:45.080 --> 0:16:47.880
<v Speaker 3>wasn't more talented than Tabs and and all these other

0:16:47.920 --> 0:16:51.560
<v Speaker 3>other Willie b But one thing I was is if

0:16:51.600 --> 0:16:53.760
<v Speaker 3>ILI call me and say two o'clock in the morning,

0:16:53.800 --> 0:16:56.840
<v Speaker 3>can you get those stems to me, I'm gonna be

0:16:56.960 --> 0:16:59.640
<v Speaker 3>like groaning and be mad and shit, but I'm gonna

0:16:59.640 --> 0:17:02.040
<v Speaker 3>still get up and I'm gonna go email that because

0:17:02.120 --> 0:17:04.800
<v Speaker 3>I understand the way that business is conducted, and I

0:17:04.960 --> 0:17:07.560
<v Speaker 3>know the industry. I chose a lot of a lot

0:17:07.560 --> 0:17:09.840
<v Speaker 3>of folks, a lot of and I hate just put

0:17:09.840 --> 0:17:11.680
<v Speaker 3>it on you because it's it's artist, my age.

0:17:11.720 --> 0:17:12.720
<v Speaker 1>I still ain't got that shit.

0:17:13.440 --> 0:17:15.480
<v Speaker 3>They treat this like it's a hobby, and wonder why

0:17:15.520 --> 0:17:19.960
<v Speaker 3>they got hobby results. We gotta if you want this

0:17:20.040 --> 0:17:22.800
<v Speaker 3>to be a business, you gotta really And that's what

0:17:22.840 --> 0:17:25.359
<v Speaker 3>started getting me to questioning things like why do we

0:17:25.480 --> 0:17:28.359
<v Speaker 3>push so hard on streaming when they don't give us

0:17:28.359 --> 0:17:31.960
<v Speaker 3>our data, no emails, no phone numbers. I'm like, you

0:17:32.040 --> 0:17:34.800
<v Speaker 3>can't run a business this way. No business can be

0:17:34.960 --> 0:17:40.480
<v Speaker 3>run successful without data from their customers. Treat us like,

0:17:40.600 --> 0:17:43.080
<v Speaker 3>you know, like like we're customers, because it really is.

0:17:43.119 --> 0:17:45.480
<v Speaker 3>That's what it is. We buy studio time, not to

0:17:45.600 --> 0:17:47.359
<v Speaker 3>use it, just to put it on the ground.

0:17:47.760 --> 0:17:50.840
<v Speaker 4>Yeah, and that model is slowly playing out. Man. What

0:17:51.000 --> 0:17:54.240
<v Speaker 4>it's going back to? What's going back to? Really independence?

0:17:54.320 --> 0:17:54.520
<v Speaker 5>Man?

0:17:54.720 --> 0:17:57.040
<v Speaker 4>And I'm talking about real independence, not just putting your

0:17:57.080 --> 0:17:59.720
<v Speaker 4>record on the streaming platform. I'm talking about getting your website,

0:17:59.760 --> 0:18:02.240
<v Speaker 4>ship set up, maybe going to go press you five

0:18:02.320 --> 0:18:04.119
<v Speaker 4>hundred copies and you're album up and sell them for

0:18:04.160 --> 0:18:07.280
<v Speaker 4>twenty five thirty dollars and building you up and following

0:18:07.240 --> 0:18:09.320
<v Speaker 4>them like when you talked about I was going over

0:18:09.400 --> 0:18:12.199
<v Speaker 4>to as an independent artist. When I was rapping I

0:18:12.320 --> 0:18:14.760
<v Speaker 4>was going over to England and I was going over

0:18:14.800 --> 0:18:17.200
<v Speaker 4>there doing shows for four or five hundred dollars. But

0:18:17.920 --> 0:18:20.359
<v Speaker 4>I remember people would laugh at that, like, man, you

0:18:20.359 --> 0:18:22.240
<v Speaker 4>ain't making no money. And I had to break it

0:18:22.280 --> 0:18:24.000
<v Speaker 4>down to him one day. I said, so check this out.

0:18:24.040 --> 0:18:26.159
<v Speaker 4>You go to a job, right and that job is

0:18:26.160 --> 0:18:28.080
<v Speaker 4>paying you seven hundred dollars a week. I'm not about.

0:18:28.200 --> 0:18:30.919
<v Speaker 4>I'm out here about to go do fifteen shows and

0:18:31.000 --> 0:18:33.400
<v Speaker 4>here I got some of them maybe five hundred bucks,

0:18:33.440 --> 0:18:36.240
<v Speaker 4>but someone maybe seven hundred. But outside of that little

0:18:36.240 --> 0:18:38.280
<v Speaker 4>money I'm getting, they also paying for my flight, and

0:18:38.280 --> 0:18:41.080
<v Speaker 4>i'ma also sell my T shirts and my CDs over

0:18:41.080 --> 0:18:42.880
<v Speaker 4>there for one hundred dollars a piece because they appreciate

0:18:42.920 --> 0:18:45.280
<v Speaker 4>it over there. So if I sell twenty thirty CDs

0:18:45.320 --> 0:18:47.080
<v Speaker 4>at night, I was you know, I bought my first

0:18:47.080 --> 0:18:47.760
<v Speaker 4>house off.

0:18:47.560 --> 0:18:50.120
<v Speaker 3>Doing that, and I salute you for that because I'm

0:18:50.119 --> 0:18:54.720
<v Speaker 3>like they only I shouldn't say only, but music is

0:18:54.720 --> 0:18:57.840
<v Speaker 3>definitely one of their favorite ones to criticize at as

0:18:57.880 --> 0:19:00.960
<v Speaker 3>if if I had a Mama Pop piece of restaurant

0:19:01.080 --> 0:19:03.920
<v Speaker 3>on the corner and we only made fifteen hundred dollars,

0:19:03.960 --> 0:19:07.280
<v Speaker 3>don't nobody say anything about that? We only made fifteen

0:19:07.320 --> 0:19:10.320
<v Speaker 3>hundred dollars. No, No, it's this is your job. This is

0:19:10.359 --> 0:19:13.119
<v Speaker 3>your business. Some days are better than others. This is

0:19:13.119 --> 0:19:16.159
<v Speaker 3>the entrepreneurial journey that I chose. I think, what's so

0:19:16.720 --> 0:19:19.840
<v Speaker 3>what's so powerful about you being out there? Is one

0:19:20.480 --> 0:19:23.959
<v Speaker 3>once you go overseas, the expectation is that you can

0:19:24.000 --> 0:19:28.000
<v Speaker 3>come back overseas once you sell merchandise and all of that.

0:19:28.040 --> 0:19:29.760
<v Speaker 3>And I'm not saying this as if you're stuff you

0:19:29.760 --> 0:19:31.639
<v Speaker 3>don't already know. I'm just saying, like I think for

0:19:31.680 --> 0:19:35.000
<v Speaker 3>those who are watching who don't know, like getting paid

0:19:35.000 --> 0:19:37.160
<v Speaker 3>five it's artists right now that were beg to get

0:19:37.160 --> 0:19:40.280
<v Speaker 3>paid fifty dollars in a plane ticket to go to

0:19:40.320 --> 0:19:42.520
<v Speaker 3>Germany right now because of how crazy it is and

0:19:42.560 --> 0:19:45.439
<v Speaker 3>how cheap a lot of these venues and promoters have become.

0:19:46.040 --> 0:19:49.040
<v Speaker 3>But can't You can't turn your nose up to something

0:19:49.080 --> 0:19:51.400
<v Speaker 3>that you haven't accomplished. And I think that that's one

0:19:51.440 --> 0:19:54.640
<v Speaker 3>thing I noticed specifically on social media is that there's

0:19:54.640 --> 0:19:56.359
<v Speaker 3>a lot of that going around where they'll look at

0:19:56.359 --> 0:19:58.920
<v Speaker 3>somebody and call them a failed rapper or a failed producer,

0:19:58.960 --> 0:20:04.639
<v Speaker 3>and I'm like, what have you ever succeeded at.

0:20:02.920 --> 0:20:06.119
<v Speaker 4>To be somebody that's got check. Anybody that gets a

0:20:06.240 --> 0:20:08.199
<v Speaker 4>check in this bitness. Anybody that got to check out

0:20:08.200 --> 0:20:10.760
<v Speaker 4>of hip hop man, salute to you. Everybody got to

0:20:10.880 --> 0:20:12.920
<v Speaker 4>check out of the film if that was if they

0:20:12.920 --> 0:20:15.600
<v Speaker 4>are basketball player, football player. I don't care if you

0:20:15.640 --> 0:20:17.600
<v Speaker 4>played in the G League. I don't care if you

0:20:17.680 --> 0:20:20.840
<v Speaker 4>played in the UFL or whatever, cfil or whatever. If

0:20:20.840 --> 0:20:24.160
<v Speaker 4>somebody pays you to do your craft, that means you're

0:20:24.240 --> 0:20:26.840
<v Speaker 4>better than ninety nine point nine percent if everybody else

0:20:26.880 --> 0:20:27.920
<v Speaker 4>in your perspective field.

0:20:28.440 --> 0:20:30.280
<v Speaker 5>You know what's funny, It goes back. It goes back

0:20:30.320 --> 0:20:31.400
<v Speaker 5>to what y'all was saying, though.

0:20:31.440 --> 0:20:35.800
<v Speaker 7>Bro, it's about see here's the difference between our generation

0:20:35.880 --> 0:20:38.920
<v Speaker 7>and the new generation. Right, It's about antics now, right,

0:20:39.320 --> 0:20:41.280
<v Speaker 7>All you got to do is how to correct antics, bro,

0:20:41.400 --> 0:20:44.840
<v Speaker 7>whether it's messy, whether it's trying to be super gangster,

0:20:45.160 --> 0:20:48.800
<v Speaker 7>whether it's trying to be super goofy. The antics attract

0:20:49.800 --> 0:20:55.800
<v Speaker 7>more traffic nowadays than actually good music, right. I could

0:20:55.880 --> 0:21:00.159
<v Speaker 7>I can see somebody doing something off the wall, roll

0:21:00.240 --> 0:21:03.119
<v Speaker 7>for like two or three weeks and don't even know

0:21:03.160 --> 0:21:07.320
<v Speaker 7>they rap, yeah, steell me, and then when I do

0:21:07.480 --> 0:21:09.639
<v Speaker 7>tune in to him to go Damn, I ain't know

0:21:09.680 --> 0:21:11.160
<v Speaker 7>they rap. Let me check him out.

0:21:14.160 --> 0:21:23.400
<v Speaker 5>The trash trash.

0:21:24.760 --> 0:21:26.760
<v Speaker 4>I'm gonna give y'all one even better. So and I

0:21:26.800 --> 0:21:28.679
<v Speaker 4>ain't gonna say this dude's name because I wanted to

0:21:28.680 --> 0:21:31.040
<v Speaker 4>come and blast my house up, you know what I'm saying.

0:21:31.080 --> 0:21:34.800
<v Speaker 4>But so my my attorney caused me one day, man

0:21:34.840 --> 0:21:37.280
<v Speaker 4>shut out today. Man. He hits me up one day

0:21:37.280 --> 0:21:40.560
<v Speaker 4>and says, hey, man, I want to get such and

0:21:40.600 --> 0:21:42.879
<v Speaker 4>such on your show. And I'm kind of like, huh,

0:21:42.920 --> 0:21:44.600
<v Speaker 4>I know who this dude is because I don't see

0:21:44.640 --> 0:21:48.160
<v Speaker 4>him on Adam twenty two's. He's not our type of person, right,

0:21:48.240 --> 0:21:51.040
<v Speaker 4>But it's my attorney, right, you know, shout out today again?

0:21:52.160 --> 0:21:56.600
<v Speaker 4>And I say, why not? So now treat this the

0:21:56.680 --> 0:21:58.680
<v Speaker 4>person I was gonna have come in and like we

0:21:58.680 --> 0:22:00.240
<v Speaker 4>was doing a live taking, so I have, you know,

0:22:00.280 --> 0:22:03.080
<v Speaker 4>go to Hollywood and stuff. The one guy we had

0:22:03.119 --> 0:22:04.760
<v Speaker 4>coming in there that was gonna come in. We had

0:22:04.800 --> 0:22:06.520
<v Speaker 4>already been kind of like he was stilling, kind of

0:22:06.560 --> 0:22:08.400
<v Speaker 4>telling me like I'm coming to night, bro, but next

0:22:08.400 --> 0:22:10.600
<v Speaker 4>week would really be better. So I said, you know what,

0:22:10.800 --> 0:22:13.399
<v Speaker 4>forget it day telling him to be here tonight. So

0:22:14.320 --> 0:22:16.920
<v Speaker 4>I tell my man, hey, just coming next week. Bro,

0:22:17.160 --> 0:22:20.080
<v Speaker 4>Oh thanks, good looking out? So you know, problem solved? Right,

0:22:20.680 --> 0:22:22.880
<v Speaker 4>So I go to the studio, right and I'm waiting

0:22:22.920 --> 0:22:25.040
<v Speaker 4>for this dude to get here. Man, it's like five

0:22:25.040 --> 0:22:28.520
<v Speaker 4>minutes past when you got a guess, I got a roll,

0:22:28.600 --> 0:22:30.280
<v Speaker 4>I got a model, me and eight got a month.

0:22:30.359 --> 0:22:32.240
<v Speaker 4>When you go find us out? Two sacks. If we

0:22:32.359 --> 0:22:33.919
<v Speaker 4>in the studio and we waiting for you to come up,

0:22:33.960 --> 0:22:36.600
<v Speaker 4>you haven't called us and you're running late. When it's

0:22:36.600 --> 0:22:38.960
<v Speaker 4>past at ten minute mark, we gonna start doing the show.

0:22:39.560 --> 0:22:42.880
<v Speaker 1>Yeah, yeah, you start the show. Okay, we're starting the show.

0:22:42.960 --> 0:22:45.159
<v Speaker 4>So if you come in and you happen to make it, well,

0:22:45.240 --> 0:22:47.720
<v Speaker 4>then like you got around a thirty minute marks to

0:22:47.800 --> 0:22:50.040
<v Speaker 4>be allowed to sit down with us. If you coming

0:22:50.080 --> 0:22:51.600
<v Speaker 4>in there thirty minute mark, we're gonna tell you to

0:22:51.600 --> 0:22:54.080
<v Speaker 4>do one of these till you hold up. You gonna

0:22:54.119 --> 0:22:56.280
<v Speaker 4>wait outside that look last, we're gonna finish the show,

0:22:56.480 --> 0:22:58.000
<v Speaker 4>and we're gonna come out there and say what's happening?

0:22:58.040 --> 0:22:58.159
<v Speaker 5>Man?

0:22:58.200 --> 0:22:59.880
<v Speaker 4>Too bad you can't make it? You know why, because

0:22:59.880 --> 0:23:02.800
<v Speaker 4>you didn't do western courtesy of giving us a phone call.

0:23:03.240 --> 0:23:05.639
<v Speaker 1>Yeah, and it takes two seconds to do that. It

0:23:05.720 --> 0:23:07.359
<v Speaker 1>takes I'm.

0:23:07.200 --> 0:23:10.200
<v Speaker 4>Gonna tell you right now, We're not like these other shows.

0:23:10.200 --> 0:23:13.000
<v Speaker 4>We don't pay for guests. You have. Everything we get

0:23:13.040 --> 0:23:15.639
<v Speaker 4>is off the sprink of our relationships. Somebody want to

0:23:15.680 --> 0:23:17.359
<v Speaker 4>come and sit down with us, we don't do. You know,

0:23:17.600 --> 0:23:19.040
<v Speaker 4>if you want some money, you can win to the

0:23:19.040 --> 0:23:20.960
<v Speaker 4>wrong show. We ain't gotten it for you.

0:23:21.359 --> 0:23:23.520
<v Speaker 1>I'm still my mind is still blowing it. That's a thing.

0:23:23.760 --> 0:23:27.320
<v Speaker 3>Like somebody approached me. Somebody came to me though, Like

0:23:27.359 --> 0:23:30.320
<v Speaker 3>I understand if I reached out and you got your price, Okay, cool,

0:23:30.359 --> 0:23:33.360
<v Speaker 3>that's your time, that's your travel. I still think that's

0:23:33.440 --> 0:23:35.719
<v Speaker 3>wild because of how many interviews I did, especially up

0:23:35.720 --> 0:23:38.159
<v Speaker 3>and down the West Coast for free, because I was like.

0:23:38.240 --> 0:23:41.120
<v Speaker 1>It's in exchange. You have a platform, I have a story,

0:23:41.160 --> 0:23:42.080
<v Speaker 1>and this is what it is.

0:23:42.320 --> 0:23:44.600
<v Speaker 4>But I get it right.

0:23:44.600 --> 0:23:46.000
<v Speaker 1>But things evolved, Okay, cool.

0:23:46.440 --> 0:23:48.720
<v Speaker 3>But somebody reached out to me to be on my

0:23:48.840 --> 0:23:53.160
<v Speaker 3>platform and then said I'll come down on my price.

0:23:53.200 --> 0:23:54.760
<v Speaker 1>And I said, it don't matter how low you come

0:23:54.760 --> 0:23:56.639
<v Speaker 1>on on your price, you're not coming on it.

0:23:57.840 --> 0:23:59.760
<v Speaker 4>I had helped to me before. Now I'm gonna put

0:23:59.760 --> 0:24:04.120
<v Speaker 4>this whose name? This white guy hits me up. He's

0:24:04.200 --> 0:24:06.000
<v Speaker 4>on our clips channel, right, cause we got, you know,

0:24:06.000 --> 0:24:07.879
<v Speaker 4>a couple of different YouTube channel. He's on our clips

0:24:07.960 --> 0:24:10.719
<v Speaker 4>channel and he's like, man, y'all need to have me

0:24:10.760 --> 0:24:12.160
<v Speaker 4>on the show. You need to have me on the show.

0:24:12.200 --> 0:24:15.240
<v Speaker 4>So our cameraman shout out to Brian. He hits me

0:24:15.320 --> 0:24:17.760
<v Speaker 4>up and like, hey man, this dude keep asking you

0:24:17.800 --> 0:24:19.879
<v Speaker 4>on the show, so he gonna hit you. So he

0:24:19.960 --> 0:24:24.840
<v Speaker 4>hits me up in the on Instagram or whatever and says,

0:24:24.960 --> 0:24:27.280
<v Speaker 4>what's up. And so I'm kind of like, what's up?

0:24:27.520 --> 0:24:32.320
<v Speaker 4>Like what's having? Yeah, what's up? Y'all need me to

0:24:32.320 --> 0:24:35.639
<v Speaker 4>come let me know what y'all budget is. And I said, bro,

0:24:35.800 --> 0:24:37.280
<v Speaker 4>you hear us something to come over. I ain't reach

0:24:37.320 --> 0:24:39.040
<v Speaker 4>out to you asked me to come on this motherfucker?

0:24:39.400 --> 0:24:43.720
<v Speaker 3>How you volunteering yourself to take me to put my

0:24:43.800 --> 0:24:44.639
<v Speaker 3>money in your pockets?

0:24:45.000 --> 0:24:47.040
<v Speaker 1>How does that work? That's the part I'm saying.

0:24:47.200 --> 0:24:50.080
<v Speaker 4>And what am I paying you for? So let me

0:24:50.119 --> 0:24:52.040
<v Speaker 4>get back to this little dude, right. So I'm sitting

0:24:52.040 --> 0:24:54.639
<v Speaker 4>in the studio waiting, keep in mind, and he was

0:24:54.680 --> 0:24:57.439
<v Speaker 4>sick that night. He was sick, just like you know

0:24:57.880 --> 0:25:00.960
<v Speaker 4>for everybody else that to knowse everybody knows he ighties

0:25:00.960 --> 0:25:02.680
<v Speaker 4>on tour this week. That's why ain't here's gonna ask

0:25:02.720 --> 0:25:06.000
<v Speaker 4>me no more? Get me back here next week. So

0:25:06.240 --> 0:25:08.840
<v Speaker 4>this dude coming, I'm waiting. I'm already steaming. I'm mad

0:25:09.000 --> 0:25:13.680
<v Speaker 4>right the seven twenty. I'm by myself and I could

0:25:13.720 --> 0:25:15.760
<v Speaker 4>pull those episodes up. I've done them before, but I

0:25:15.800 --> 0:25:17.920
<v Speaker 4>don't like doing them. I don't have no I don't

0:25:17.960 --> 0:25:20.960
<v Speaker 4>have no planing. You you know what this seels. You

0:25:21.080 --> 0:25:22.480
<v Speaker 4>do this for a living, bro, So you know what

0:25:22.560 --> 0:25:24.880
<v Speaker 4>it is when you don't have nothing to talk about,

0:25:25.000 --> 0:25:27.720
<v Speaker 4>kind of like you have something said it already and

0:25:27.880 --> 0:25:30.160
<v Speaker 4>I'm like. So I called David and said, man, where

0:25:30.160 --> 0:25:32.800
<v Speaker 4>your boy? And he said, oh man, he pissed me off.

0:25:32.880 --> 0:25:34.960
<v Speaker 4>He said he's not coming. He said that y'all should

0:25:34.960 --> 0:25:36.800
<v Speaker 4>be giving him a few dollars because he hot right now.

0:25:37.920 --> 0:25:40.119
<v Speaker 4>I told Dave, I said, man, first of all, you

0:25:40.200 --> 0:25:43.400
<v Speaker 4>tell that little mother I call him everything. I said, man,

0:25:43.400 --> 0:25:45.040
<v Speaker 4>you tell them go to eat a bag. And you

0:25:45.160 --> 0:25:47.080
<v Speaker 4>know what, you know what I'm saying, cause I was

0:25:47.200 --> 0:25:47.720
<v Speaker 4>mad as.

0:25:47.640 --> 0:25:51.520
<v Speaker 1>Hell, and I was like, here, if you got hot,

0:25:51.600 --> 0:25:54.440
<v Speaker 1>why are you reaching out the platforms? If you got hot,

0:25:55.560 --> 0:25:57.159
<v Speaker 1>not math it if you got it.

0:25:57.400 --> 0:25:58.920
<v Speaker 3>And that's the thing about it, like I always try

0:25:58.960 --> 0:26:01.760
<v Speaker 3>to make sure that whatever I expect anybody else, I

0:26:01.920 --> 0:26:04.359
<v Speaker 3>first take accountability and put them standards on me.

0:26:05.119 --> 0:26:05.280
<v Speaker 1>Right.

0:26:06.000 --> 0:26:08.440
<v Speaker 3>I make sure that that that if I'm not willing

0:26:08.520 --> 0:26:10.679
<v Speaker 3>to show up the way that I'm gonna show up,

0:26:11.040 --> 0:26:12.879
<v Speaker 3>I'm gonna tell somebody no, even if they have a

0:26:13.000 --> 0:26:15.359
<v Speaker 3>large platform, like you know what, No, it's not a

0:26:15.400 --> 0:26:15.800
<v Speaker 3>good time.

0:26:15.840 --> 0:26:17.760
<v Speaker 1>And I won't give you my best, but for you

0:26:17.880 --> 0:26:19.040
<v Speaker 1>to go reach out to somebody.

0:26:19.080 --> 0:26:22.399
<v Speaker 3>I can't even imagine the mindset of reaching out to

0:26:22.480 --> 0:26:25.640
<v Speaker 3>somebody and telling them, okay, yeah, so here's my price.

0:26:25.680 --> 0:26:26.720
<v Speaker 1>You you cold calling?

0:26:26.960 --> 0:26:30.480
<v Speaker 3>If you got a following, talk to your following. We

0:26:30.560 --> 0:26:33.280
<v Speaker 3>in twenty twenty five, you go live stream by yourself.

0:26:33.640 --> 0:26:36.520
<v Speaker 3>But when you got other people and they got cameramen,

0:26:37.000 --> 0:26:40.080
<v Speaker 3>they got staffed, they gotta they gotta go from their

0:26:40.200 --> 0:26:43.639
<v Speaker 3>families to come talk to you, which is really just

0:26:44.840 --> 0:26:47.960
<v Speaker 3>you setting up cameras so they can waffle on about themselves.

0:26:48.840 --> 0:26:50.920
<v Speaker 4>Yeah, and you know what it deos too. I'm gonna

0:26:50.920 --> 0:26:55.760
<v Speaker 4>tell you what these guys pay for and SEO, I

0:26:55.840 --> 0:26:57.680
<v Speaker 4>got a plenty of homeboys out and they got really

0:26:57.720 --> 0:27:00.679
<v Speaker 4>successful platforms, and that's their model and they're doing their

0:27:00.760 --> 0:27:02.879
<v Speaker 4>things shout out to y'all. Y'all know who y'all is, right,

0:27:03.600 --> 0:27:07.080
<v Speaker 4>But the thing is, when you pay somebody for something,

0:27:07.119 --> 0:27:10.000
<v Speaker 4>you have an expectation. Sure, that's almost like if you

0:27:10.080 --> 0:27:11.840
<v Speaker 4>go on a date with a woman and she tells you,

0:27:12.080 --> 0:27:14.719
<v Speaker 4>I need three hundred dollars for the evening you need

0:27:14.760 --> 0:27:16.119
<v Speaker 4>to go tell to get the hell out of your car.

0:27:16.200 --> 0:27:17.679
<v Speaker 4>You're gonna say, you know what, we could skip? Well,

0:27:17.680 --> 0:27:19.480
<v Speaker 4>I can skip these movies in this restaurant. Now we

0:27:19.600 --> 0:27:21.920
<v Speaker 4>going straight to the thumb or tell, because I was

0:27:21.960 --> 0:27:25.040
<v Speaker 4>gonna spend that anyway. You feel what I'm saying right right,

0:27:25.280 --> 0:27:28.840
<v Speaker 4>So it's the same thing with these guys. If somebody's

0:27:28.840 --> 0:27:31.280
<v Speaker 4>gonna pay you to come on their platform, they gonna

0:27:31.320 --> 0:27:33.520
<v Speaker 4>ask you all the goofy stuff for this man. They

0:27:33.560 --> 0:27:36.119
<v Speaker 4>will ask you if you shot somebody before, how was

0:27:36.200 --> 0:27:38.159
<v Speaker 4>it being a crip? How is it being a blood?

0:27:38.600 --> 0:27:40.639
<v Speaker 4>All your business? They donna want to get and they

0:27:40.720 --> 0:27:42.720
<v Speaker 4>have a right to. They have a right to delve

0:27:42.800 --> 0:27:45.760
<v Speaker 4>into your thing because they are paying for that opportunity

0:27:45.800 --> 0:27:47.760
<v Speaker 4>to delve into your personal memoirs.

0:27:48.480 --> 0:27:50.400
<v Speaker 3>Yeah, but see, I'm the type person that say I'd

0:27:50.480 --> 0:27:52.120
<v Speaker 3>rather just do it for free so I can walk

0:27:52.160 --> 0:27:55.360
<v Speaker 3>away when you start asking them questions. I don't want

0:27:55.359 --> 0:27:57.320
<v Speaker 3>to pay for something that's gonna lock me into having

0:27:57.359 --> 0:28:00.240
<v Speaker 3>to answer those questions. If if I'm a I think

0:28:00.280 --> 0:28:01.080
<v Speaker 3>that's something else too.

0:28:01.200 --> 0:28:01.359
<v Speaker 5>Is that.

0:28:03.400 --> 0:28:05.359
<v Speaker 1>A part of that? And I hate to say it

0:28:05.440 --> 0:28:06.720
<v Speaker 1>because I'm I'm I'm I'm.

0:28:06.600 --> 0:28:09.600
<v Speaker 3>Obviously pro artists when I say this, as I know

0:28:09.680 --> 0:28:12.920
<v Speaker 3>that y'all are too, but I'm not pro to bullshit

0:28:13.000 --> 0:28:14.800
<v Speaker 3>like if y'all. If y'all are not gonna do the

0:28:14.880 --> 0:28:19.480
<v Speaker 3>work to make content, you need people who got platforms

0:28:19.560 --> 0:28:22.560
<v Speaker 3>to help you make content. So trying to like get

0:28:22.600 --> 0:28:24.600
<v Speaker 3>around there and say I'm hot, Okay, you so hot,

0:28:25.320 --> 0:28:29.359
<v Speaker 3>Hire somebody and delegate the responsibilities of doing content. Have

0:28:29.520 --> 0:28:31.440
<v Speaker 3>them follow you around in the studio, have a little

0:28:31.680 --> 0:28:34.040
<v Speaker 3>have a young editor who you know, I'm just just

0:28:34.359 --> 0:28:37.399
<v Speaker 3>is just trying to get their resume built. Go do that,

0:28:37.960 --> 0:28:40.680
<v Speaker 3>But don't sit up here and think that you're entitled

0:28:40.720 --> 0:28:44.040
<v Speaker 3>to other people's time. Which is why like even with me,

0:28:44.200 --> 0:28:47.520
<v Speaker 3>like I do interviews from the house, but not everybody

0:28:47.560 --> 0:28:49.360
<v Speaker 3>get to come to the house. Sometimes I do the

0:28:49.400 --> 0:28:53.040
<v Speaker 3>stream yard simply because it's like, but even then, if

0:28:53.080 --> 0:28:54.760
<v Speaker 3>I don't trust you in my house, it's more of

0:28:54.800 --> 0:28:55.400
<v Speaker 3>a convenience.

0:28:55.400 --> 0:28:57.000
<v Speaker 1>I got to ask myself, why am I talking to

0:28:57.120 --> 0:28:57.520
<v Speaker 1>this person?

0:28:58.240 --> 0:29:00.760
<v Speaker 4>Yeah, I don't have homies come to take over my

0:29:00.840 --> 0:29:03.080
<v Speaker 4>house too. I haven't had that a lot, but the

0:29:03.200 --> 0:29:06.920
<v Speaker 4>homies did. Like Glasses, Man, he will come over here, Glasses,

0:29:06.920 --> 0:29:10.040
<v Speaker 4>it's my brother. He you know house, you know millions

0:29:10.080 --> 0:29:12.400
<v Speaker 4>times as I am his is. At one time I

0:29:12.440 --> 0:29:14.560
<v Speaker 4>had a key of Glass's house over in Lakewood because

0:29:14.560 --> 0:29:16.520
<v Speaker 4>when he go out of town he's doing cash money.

0:29:16.920 --> 0:29:19.360
<v Speaker 4>Peo would tell me, hey, man, you know how Glasses

0:29:19.560 --> 0:29:23.240
<v Speaker 4>his glasses to call you eleven o'clock at night because

0:29:23.680 --> 0:29:25.480
<v Speaker 4>I left this thing over here cause you go go

0:29:25.560 --> 0:29:27.640
<v Speaker 4>to my house and I think about it. I lived

0:29:27.760 --> 0:29:30.080
<v Speaker 4>thirty minutes away from them. I'm like, dog, you were

0:29:30.200 --> 0:29:32.400
<v Speaker 4>think of this earlier in the day. I gotta wake

0:29:32.520 --> 0:29:34.240
<v Speaker 4>up and got to explain to my wife why I'm

0:29:34.280 --> 0:29:36.720
<v Speaker 4>going somewhere to go get a piece of paper to

0:29:36.840 --> 0:29:38.240
<v Speaker 4>tell him what to say on there. You know what

0:29:38.280 --> 0:29:39.680
<v Speaker 4>I'm saying, that's Jedo.

0:29:40.640 --> 0:29:42.800
<v Speaker 3>That's Jedo because when I when I moved from Carson

0:29:42.960 --> 0:29:47.040
<v Speaker 3>to to Rancho for a few years back, when I

0:29:47.120 --> 0:29:48.440
<v Speaker 3>was trying to build him, I didn't know him on

0:29:48.520 --> 0:29:50.040
<v Speaker 3>the level that you knew him as a friend. I

0:29:50.160 --> 0:29:52.600
<v Speaker 3>just knew him as I got my first placement because

0:29:52.600 --> 0:29:54.760
<v Speaker 3>I sent them beasts when he was you know, all

0:29:54.800 --> 0:29:58.560
<v Speaker 3>the Blue Division artists were there, and you know Ace

0:29:58.600 --> 0:30:00.760
<v Speaker 3>Pawn was doing all of like the her stuff or

0:30:00.760 --> 0:30:04.200
<v Speaker 3>the A and R stuff, and so he was like,

0:30:04.400 --> 0:30:08.720
<v Speaker 3>he put out an email, Uh, Glasses kneeds beats for

0:30:08.800 --> 0:30:11.680
<v Speaker 3>a project he's doing with mag ten And I sent

0:30:11.760 --> 0:30:13.960
<v Speaker 3>three beats. When the church came back, I had a placement,

0:30:14.160 --> 0:30:16.000
<v Speaker 3>so I was still trying to build on some kind

0:30:16.040 --> 0:30:16.440
<v Speaker 3>of level.

0:30:17.120 --> 0:30:18.000
<v Speaker 1>I tell you this, it was.

0:30:18.080 --> 0:30:19.800
<v Speaker 3>It was times where I was like, dam an, I fine, really,

0:30:20.040 --> 0:30:22.120
<v Speaker 3>I'm about to really go to the studio with Glasses.

0:30:22.240 --> 0:30:25.840
<v Speaker 3>Was like twenty ten and I drove out there, and

0:30:25.960 --> 0:30:28.880
<v Speaker 3>this is when I got to understand, like he's his

0:30:29.160 --> 0:30:31.840
<v Speaker 3>mind works differently, like he operated on his own time.

0:30:31.920 --> 0:30:35.080
<v Speaker 3>And I went out there had my laptop. She was like,

0:30:35.120 --> 0:30:37.600
<v Speaker 3>I'm ready to play some beats, and they was like, oh,

0:30:37.680 --> 0:30:39.080
<v Speaker 3>g left thirty minutes ago.

0:30:40.320 --> 0:30:42.640
<v Speaker 4>That's his dass right there. That's him. I ain't called

0:30:42.680 --> 0:30:44.680
<v Speaker 4>you with nothing, ain't called you with nothing.

0:30:44.800 --> 0:30:47.200
<v Speaker 1>That's him, all right, Okay, so it's good to hear that.

0:30:47.360 --> 0:30:48.640
<v Speaker 3>I'm like, you know, what I'm saying, because you never

0:30:48.720 --> 0:30:50.560
<v Speaker 3>know when you walk into it by now I know,

0:30:50.680 --> 0:30:53.000
<v Speaker 3>but I'm just saying, like, I just think that's just

0:30:53.040 --> 0:30:54.000
<v Speaker 3>the way his mind works.

0:30:54.040 --> 0:30:54.680
<v Speaker 1>I mean, you can't.

0:30:55.040 --> 0:30:57.840
<v Speaker 3>You can't love somebody's genius without understanding that that's part

0:30:57.840 --> 0:30:58.520
<v Speaker 3>of the character too.

0:30:58.920 --> 0:31:01.680
<v Speaker 4>His man, your man, and I remember, you know he

0:31:01.760 --> 0:31:04.320
<v Speaker 4>don't live close to here no more? Right, Yeah, So

0:31:04.840 --> 0:31:07.000
<v Speaker 4>we go out there and I'm gonna give you two

0:31:07.040 --> 0:31:10.160
<v Speaker 4>different times. This is when we started doing the podcast stuff.

0:31:10.200 --> 0:31:12.320
<v Speaker 4>I was trying to get him to do it right right,

0:31:12.440 --> 0:31:14.160
<v Speaker 4>and we had a little self he was recording at

0:31:14.200 --> 0:31:17.719
<v Speaker 4>his loft downtown when he lived downtown. I go down there, man,

0:31:17.800 --> 0:31:20.400
<v Speaker 4>and he hits me all that day. Man, still be bullshiting.

0:31:20.440 --> 0:31:20.560
<v Speaker 1>Man.

0:31:20.600 --> 0:31:22.200
<v Speaker 4>His wife ain't gonna let him work the woking and

0:31:22.240 --> 0:31:25.480
<v Speaker 4>their thing. I'm down there dog waiting getting the building,

0:31:25.600 --> 0:31:29.479
<v Speaker 4>and I'm waiting by his door. Ten minutes go by,

0:31:29.560 --> 0:31:31.760
<v Speaker 4>twenty minutes go by. I finally called him, and keep

0:31:31.800 --> 0:31:35.080
<v Speaker 4>in mind, he ain't got the best signal up there, man,

0:31:35.120 --> 0:31:37.200
<v Speaker 4>so the call keep dropping. So I keep running down

0:31:37.200 --> 0:31:39.240
<v Speaker 4>the stairs man, just in case he called her something.

0:31:40.000 --> 0:31:42.400
<v Speaker 4>And he tell me, oh, man, I'm my bad cousin.

0:31:42.400 --> 0:31:44.080
<v Speaker 4>I ain't gonna do a to make it. I said, man,

0:31:44.120 --> 0:31:45.680
<v Speaker 4>you couldn't call and tell me that. Man, I've been

0:31:45.680 --> 0:31:49.000
<v Speaker 4>waiting out here for a minute. But that's just classes.

0:31:49.080 --> 0:31:52.160
<v Speaker 4>You can't take that, man, because what do you do too?

0:31:53.040 --> 0:31:53.680
<v Speaker 5>He'd call you.

0:31:54.400 --> 0:31:55.840
<v Speaker 4>Man, you know, we gotta do this thing that that

0:31:56.120 --> 0:31:58.200
<v Speaker 4>what you're talking about. We just got this thing in

0:31:58.240 --> 0:32:00.840
<v Speaker 4>the valley, just out just paying around the city. You're

0:32:00.880 --> 0:32:02.800
<v Speaker 4>like kind of around the city mouth and it's five

0:32:02.800 --> 0:32:05.320
<v Speaker 4>o'clock in the afternoon and you talking about this five o'clock.

0:32:05.360 --> 0:32:06.840
<v Speaker 4>Now you talking about need to be there about six.

0:32:06.960 --> 0:32:07.600
<v Speaker 4>It ain't happen me.

0:32:08.160 --> 0:32:08.480
<v Speaker 5>It ain't.

0:32:09.320 --> 0:32:12.080
<v Speaker 3>But you know what, though I say this, especially as

0:32:12.120 --> 0:32:15.600
<v Speaker 3>somebody that you know considers him, uh, one of the

0:32:15.680 --> 0:32:20.560
<v Speaker 3>best mentors I had. It didn't matter. It didn't matter

0:32:20.640 --> 0:32:23.160
<v Speaker 3>that the context of my music, It didn't matter that

0:32:23.280 --> 0:32:27.000
<v Speaker 3>my story is very different from his. He got such

0:32:27.040 --> 0:32:30.200
<v Speaker 3>a he got such a good eye for authenticity. And

0:32:30.280 --> 0:32:32.040
<v Speaker 3>that's one thing he told because I asked him. I said,

0:32:33.120 --> 0:32:34.760
<v Speaker 3>he came out to my album release party I had

0:32:34.800 --> 0:32:36.600
<v Speaker 3>in Pomona when I had moved to la He came

0:32:36.640 --> 0:32:39.400
<v Speaker 3>out there and drove out there, and I'm like, at

0:32:39.440 --> 0:32:41.120
<v Speaker 3>that time, it still was like it wasn't like Big

0:32:41.200 --> 0:32:41.800
<v Speaker 3>Broke Glass.

0:32:41.800 --> 0:32:44.320
<v Speaker 1>I'm like, lasts, just get out to my release party, right,

0:32:44.400 --> 0:32:44.959
<v Speaker 1>he didn't came out.

0:32:45.000 --> 0:32:46.200
<v Speaker 3>When I did a show at the House of Blues,

0:32:46.280 --> 0:32:48.040
<v Speaker 3>he came out as a special guest, and I'm like,

0:32:48.080 --> 0:32:49.400
<v Speaker 3>I asked him on to I said, ge, why you

0:32:49.520 --> 0:32:51.720
<v Speaker 3>rock with me so much? Like you know what I'm saying,

0:32:51.760 --> 0:32:53.200
<v Speaker 3>Like I know I ain't I don't look like most

0:32:53.200 --> 0:32:55.320
<v Speaker 3>of your homies, and like I know, I might even

0:32:55.320 --> 0:32:57.320
<v Speaker 3>be a square in some of these circles, he said,

0:32:57.760 --> 0:33:01.120
<v Speaker 3>But you're not afraid to be you, he said, from

0:33:01.200 --> 0:33:03.880
<v Speaker 3>all your flaws, you don't ever hide that. He says,

0:33:03.920 --> 0:33:06.560
<v Speaker 3>you're authentic and that's all you need to know. And

0:33:06.680 --> 0:33:09.360
<v Speaker 3>it's and it's words like that that that that remind

0:33:09.440 --> 0:33:12.720
<v Speaker 3>me like how grateful I am that. Uh, you know,

0:33:12.840 --> 0:33:15.520
<v Speaker 3>I had an upbringing that said, you don't got nothing

0:33:15.560 --> 0:33:18.160
<v Speaker 3>to prove to nobody, right you you you you, You

0:33:18.600 --> 0:33:21.040
<v Speaker 3>show up as the man that you are, and whoever's

0:33:21.040 --> 0:33:23.520
<v Speaker 3>supposed to be there will remain. Whoever's not supposed to

0:33:23.560 --> 0:33:26.840
<v Speaker 3>be there, they'll voluntarily leave that situation.

0:33:27.040 --> 0:33:27.160
<v Speaker 5>Right.

0:33:27.760 --> 0:33:31.400
<v Speaker 1>So, yeah, I always appreciated about him, even during this

0:33:31.520 --> 0:33:33.560
<v Speaker 1>battle Man. We we talked that.

0:33:33.800 --> 0:33:38.080
<v Speaker 3>We talked at at length about culture. We talked at

0:33:38.160 --> 0:33:41.239
<v Speaker 3>length about what is this, What is this gonna mean

0:33:41.320 --> 0:33:43.320
<v Speaker 3>for you, as Curtis king in this? What do you

0:33:43.360 --> 0:33:44.280
<v Speaker 3>need to reconnect to?

0:33:45.440 --> 0:33:45.560
<v Speaker 5>Right?

0:33:45.720 --> 0:33:48.400
<v Speaker 3>What ar some Carson have you disconnected from just because

0:33:48.440 --> 0:33:50.960
<v Speaker 3>of just how long you've been doing this journey and

0:33:51.040 --> 0:33:54.960
<v Speaker 3>how far away you are, And all those conversations sat

0:33:55.040 --> 0:33:57.280
<v Speaker 3>with me, and as I watched all this stuff unfold,

0:33:57.920 --> 0:34:00.120
<v Speaker 3>I started to really step into this next era of

0:34:00.200 --> 0:34:02.360
<v Speaker 3>Curtis Kinge. But I owe so much of that to

0:34:02.400 --> 0:34:04.760
<v Speaker 3>the conversations I had with Glasses because he didn't have

0:34:04.840 --> 0:34:05.080
<v Speaker 3>to do that.

0:34:06.000 --> 0:34:07.200
<v Speaker 4>Oh, he didn't have to do it. And you know,

0:34:07.360 --> 0:34:10.279
<v Speaker 4>I'm gonna go and I talked about glasses flaws. I'm

0:34:10.280 --> 0:34:12.319
<v Speaker 4>gonna tell you, Glasses is one of the best human

0:34:12.360 --> 0:34:15.040
<v Speaker 4>beings I've ever met. He's his shirt off his back,

0:34:15.719 --> 0:34:18.080
<v Speaker 4>and the thing about him, he's genuine with it. He's

0:34:18.120 --> 0:34:20.520
<v Speaker 4>not whoever lied to you, he's not whoever to cheats you.

0:34:21.080 --> 0:34:22.759
<v Speaker 4>He's not where to see you. He's not gonna do

0:34:22.840 --> 0:34:25.560
<v Speaker 4>none of that stuff you talked about the time he

0:34:25.719 --> 0:34:27.400
<v Speaker 4>was over there at TV Man, you know, I was

0:34:27.440 --> 0:34:29.640
<v Speaker 4>renting with him, for a while too, man or I

0:34:29.640 --> 0:34:32.880
<v Speaker 4>didn't know, but yeah, those are my guys right there. Man,

0:34:32.920 --> 0:34:35.600
<v Speaker 4>I remember that when he was just you know, when

0:34:35.640 --> 0:34:38.480
<v Speaker 4>he was just Kato man, and they was really pushing

0:34:38.560 --> 0:34:40.680
<v Speaker 4>Jay Rock over. The shots of them catch because they

0:34:41.239 --> 0:34:43.320
<v Speaker 4>tested him into what it takes to make it in

0:34:43.400 --> 0:34:45.680
<v Speaker 4>his business. When people ask me about dude, dog shout

0:34:45.719 --> 0:34:48.080
<v Speaker 4>us at my homeboy, Top. I was just holding him

0:34:48.080 --> 0:34:52.400
<v Speaker 4>the other night. He was relentless. Yeah you was, And

0:34:52.520 --> 0:34:55.560
<v Speaker 4>I'll tell you right now, man, if he don't, you know,

0:34:55.640 --> 0:34:58.160
<v Speaker 4>he gets the credit obviously because this guy's you know,

0:34:58.320 --> 0:35:01.239
<v Speaker 4>dotingham stay give him his credit. But I'm now m h.

0:35:02.000 --> 0:35:04.440
<v Speaker 4>If it wasn't the Top Man, it probably wouldn't be

0:35:04.560 --> 0:35:07.000
<v Speaker 4>a lot. I don't know if for to be Kendrick

0:35:07.040 --> 0:35:09.520
<v Speaker 4>as talents is. It's hard to make it in this business,

0:35:09.600 --> 0:35:12.560
<v Speaker 4>dude without a dude like Top behind it, prosbably wouldn't

0:35:12.600 --> 0:35:14.840
<v Speaker 4>be one of the greatest references of this generation because

0:35:14.840 --> 0:35:15.960
<v Speaker 4>he was remmless. Though.

0:35:16.560 --> 0:35:19.279
<v Speaker 3>Just think about the infrastructure he set up, right And

0:35:19.400 --> 0:35:21.200
<v Speaker 3>I didn't you know when I lived in Carson, I

0:35:21.280 --> 0:35:23.640
<v Speaker 3>only lived like ten minutes away from the studio that

0:35:23.680 --> 0:35:23.960
<v Speaker 3>they were.

0:35:24.000 --> 0:35:26.600
<v Speaker 1>There's two studios, right the house that was across the street.

0:35:26.400 --> 0:35:28.480
<v Speaker 4>And the cross street and one of the crosstreet with

0:35:28.520 --> 0:35:29.880
<v Speaker 4>the studio on the back right.

0:35:30.200 --> 0:35:32.279
<v Speaker 3>I'd have been to both of those. And I'm going

0:35:32.880 --> 0:35:37.000
<v Speaker 3>funny story too. And it's funny because I tall it

0:35:37.080 --> 0:35:38.839
<v Speaker 3>to a few people. But the first time I went

0:35:38.920 --> 0:35:42.759
<v Speaker 3>over there, I'm already familiar with Carson. I know it's

0:35:42.760 --> 0:35:44.840
<v Speaker 3>borderline content. Where we at, where that article's at. I'm like,

0:35:44.840 --> 0:35:46.560
<v Speaker 3>all right, cool, I know where I'm at. I know

0:35:46.640 --> 0:35:48.480
<v Speaker 3>it can get tricky depending on what time you at,

0:35:48.640 --> 0:35:50.640
<v Speaker 3>but I'm like, I'm going to a studio. Everything should

0:35:50.680 --> 0:35:53.200
<v Speaker 3>be good. Absol In botted me over because we had

0:35:53.239 --> 0:35:55.000
<v Speaker 3>some records that we were doing and I was supposed

0:35:55.000 --> 0:35:59.960
<v Speaker 3>to be Ali in the back studio. I call at

0:36:00.160 --> 0:36:03.160
<v Speaker 3>so and I'm like, yo, I'm outside. Uh you know

0:36:03.200 --> 0:36:04.200
<v Speaker 3>what do I need to do? They to go to

0:36:04.200 --> 0:36:06.439
<v Speaker 3>the front door. He's like, no, no, no, just open

0:36:06.520 --> 0:36:10.279
<v Speaker 3>the gate and go to the studio. I said, open

0:36:10.360 --> 0:36:12.839
<v Speaker 3>the gate and go to the back. I said, I said,

0:36:12.960 --> 0:36:15.319
<v Speaker 3>he said you good. He said, I gonna recognize you, okay.

0:36:15.360 --> 0:36:18.239
<v Speaker 3>I said, all right, cool. I opened up the gate

0:36:18.280 --> 0:36:20.680
<v Speaker 3>and I could not help but feel like it.

0:36:20.800 --> 0:36:24.080
<v Speaker 1>Was eyes just on me. It's eyes just on me.

0:36:25.000 --> 0:36:25.439
<v Speaker 5>Mm hmm.

0:36:25.920 --> 0:36:30.839
<v Speaker 1>It was top top said Nigga almost blew your blow

0:36:30.880 --> 0:36:31.440
<v Speaker 1>your head off.

0:36:31.560 --> 0:36:32.440
<v Speaker 5>He said, who is you?

0:36:32.719 --> 0:36:36.719
<v Speaker 3>I said, I came here for a soul and I

0:36:36.800 --> 0:36:38.360
<v Speaker 3>came here to work with him tonight. He was like,

0:36:38.840 --> 0:36:40.440
<v Speaker 3>he's like, you need to you need to wait for

0:36:40.560 --> 0:36:42.480
<v Speaker 3>him next time. That was my introduction.

0:36:43.400 --> 0:36:46.680
<v Speaker 4>But I say that to say that's true.

0:36:47.120 --> 0:36:49.560
<v Speaker 3>But I say that to say that's how protective he

0:36:49.920 --> 0:36:52.960
<v Speaker 3>was over that environment and protecting everybody that was in

0:36:53.040 --> 0:36:55.279
<v Speaker 3>that environment. I'll say you this. I've been there during

0:36:55.320 --> 0:36:57.239
<v Speaker 3>those days. And I just talked to Ali on my

0:36:57.320 --> 0:37:00.320
<v Speaker 3>platform about this where they go to that Louisiana Fried

0:37:00.400 --> 0:37:04.360
<v Speaker 3>Chicken over there off Avalon, and they bring the basket

0:37:04.400 --> 0:37:07.440
<v Speaker 3>of fries and they literally are going through studio sessions

0:37:07.560 --> 0:37:08.759
<v Speaker 3>just Sharon fry.

0:37:08.800 --> 0:37:10.400
<v Speaker 1>He like might not not hand in hand, but like

0:37:10.600 --> 0:37:12.160
<v Speaker 1>they eating and going right back in the booth.

0:37:12.440 --> 0:37:14.880
<v Speaker 3>I watched that happen, but I also knew that in

0:37:15.000 --> 0:37:18.520
<v Speaker 3>that space, wasn't nobody concerned about nobody walking up, Nobody

0:37:18.560 --> 0:37:20.560
<v Speaker 3>concerned about none of that. And I think a lot

0:37:20.600 --> 0:37:24.560
<v Speaker 3>of that has to do with protecting your investment and

0:37:24.680 --> 0:37:27.680
<v Speaker 3>not just talking about the artists, but the environment that space.

0:37:27.760 --> 0:37:30.120
<v Speaker 3>I never went in that space feeling like I was

0:37:30.160 --> 0:37:32.359
<v Speaker 3>at any kind of risk because I just knew how

0:37:32.440 --> 0:37:36.520
<v Speaker 3>many folks was around that was taking care of home base.

0:37:36.719 --> 0:37:39.399
<v Speaker 1>That's important. Everybody don't have that dog.

0:37:39.520 --> 0:37:43.320
<v Speaker 4>I'm gonna tell you about tough dude dog Man. He

0:37:43.520 --> 0:37:45.520
<v Speaker 4>was this type of dude. Man. He lets you know

0:37:45.600 --> 0:37:49.080
<v Speaker 4>how he felt. And it wasn't never with no disrespect.

0:37:49.120 --> 0:37:50.759
<v Speaker 4>He did the league with that right, but he was

0:37:50.920 --> 0:37:53.480
<v Speaker 4>very various trait for a person. Like he told you,

0:37:53.640 --> 0:37:56.239
<v Speaker 4>next time went outside, he meant that, you know, next

0:37:56.280 --> 0:37:59.240
<v Speaker 4>time with outside, he ain't gonna put some foot around

0:37:59.280 --> 0:38:01.960
<v Speaker 4>with you. I remember, man, one time we was in

0:38:02.120 --> 0:38:04.480
<v Speaker 4>Vegas at the arm They was out there shooting the

0:38:04.520 --> 0:38:07.360
<v Speaker 4>Lollipop you know Top he had anywhere with some publicity.

0:38:07.719 --> 0:38:09.560
<v Speaker 4>He went thinking about it. He was gonna make sure

0:38:09.640 --> 0:38:11.680
<v Speaker 4>Jay rock and then was gonna get looks in that video.

0:38:12.200 --> 0:38:14.160
<v Speaker 4>You gotta keep in mind at that time, Wayne is

0:38:14.200 --> 0:38:18.040
<v Speaker 4>the biggest artist in the world. Right, He's with Kendrick

0:38:18.080 --> 0:38:21.400
<v Speaker 4>Ills today back then, right, and they shooting that lolly

0:38:21.440 --> 0:38:23.759
<v Speaker 4>Pop video shooting man Top. You know, we gonna go

0:38:23.840 --> 0:38:25.680
<v Speaker 4>out to the Vegas man, we MiB ab out there.

0:38:28.000 --> 0:38:30.200
<v Speaker 4>Top stayed in that room man and made sure that

0:38:30.400 --> 0:38:32.680
<v Speaker 4>Jay Rock got in that video. Like that's what I

0:38:32.760 --> 0:38:35.399
<v Speaker 4>mean about being relentless. Now, he didn't press nobody or nothing,

0:38:35.440 --> 0:38:37.239
<v Speaker 4>but he wasn't playing on games. You know, he was

0:38:37.239 --> 0:38:39.399
<v Speaker 4>gonna make sure he was gonna beat in that video.

0:38:39.480 --> 0:38:42.160
<v Speaker 4>And I think everybody knew the Top wasn't playing no games.

0:38:43.600 --> 0:38:45.920
<v Speaker 4>He wouldn't really. He didn't really talk crazy to nobody

0:38:46.000 --> 0:38:46.279
<v Speaker 4>or nothing.

0:38:46.280 --> 0:38:47.080
<v Speaker 5>It was just presan.

0:38:47.960 --> 0:38:51.160
<v Speaker 1>Look, I'll tell you this. My mama knew who he was.

0:38:52.440 --> 0:38:54.279
<v Speaker 3>I said, I told her the name, and she said,

0:38:55.680 --> 0:38:58.319
<v Speaker 3>but say it again because she went to Carson Hyde

0:38:59.280 --> 0:39:01.200
<v Speaker 3>and and and she and she was like, oh, I've

0:39:01.280 --> 0:39:04.239
<v Speaker 3>known that name for a long time, but never have

0:39:04.360 --> 0:39:06.800
<v Speaker 3>I seen him except for that one situation where I

0:39:06.920 --> 0:39:08.000
<v Speaker 3>was out of I was out of you know, I

0:39:08.120 --> 0:39:09.799
<v Speaker 3>was out of pocket, trying to go. I was listening

0:39:09.840 --> 0:39:12.360
<v Speaker 3>to apps, so you know, I knew better now, But

0:39:12.719 --> 0:39:14.840
<v Speaker 3>I've never seen him have to raise his voice. I

0:39:14.920 --> 0:39:17.040
<v Speaker 3>seen him in situations where he came into that room.

0:39:17.520 --> 0:39:18.080
<v Speaker 1>I never forget.

0:39:18.120 --> 0:39:21.600
<v Speaker 3>It was one time where I was editing a video

0:39:21.719 --> 0:39:24.080
<v Speaker 3>and I think it was for something. They were asking me,

0:39:24.400 --> 0:39:26.280
<v Speaker 3>ay Curtis because I knew I was good with technology.

0:39:26.320 --> 0:39:28.520
<v Speaker 3>It was like, you know, how to convert videos or whatnot.

0:39:29.200 --> 0:39:31.400
<v Speaker 3>And so I just told him what I knew. You know,

0:39:31.480 --> 0:39:33.520
<v Speaker 3>I didn't use Mac. And he was like, you're really

0:39:33.520 --> 0:39:34.520
<v Speaker 3>good with this computer shit.

0:39:34.600 --> 0:39:34.719
<v Speaker 5>Huh.

0:39:34.920 --> 0:39:37.279
<v Speaker 1>I was like, yeah, didn't have many words, but you

0:39:37.400 --> 0:39:38.040
<v Speaker 1>knew damn well.

0:39:38.040 --> 0:39:40.759
<v Speaker 3>Everybody in that room the energy shifted when he came

0:39:40.800 --> 0:39:42.759
<v Speaker 3>in there because you know, like I said, he got

0:39:42.800 --> 0:39:45.200
<v Speaker 3>a very serious demeanor. But at the same time, you

0:39:45.360 --> 0:39:48.480
<v Speaker 3>know that, you know, he had the foresight for what

0:39:48.560 --> 0:39:49.400
<v Speaker 3>he wanted this thing to be.

0:39:49.480 --> 0:39:50.279
<v Speaker 1>And look at it now.

0:39:55.719 --> 0:39:59.200
<v Speaker 4>Again, A dude, man, it's rough, and I don't believe

0:39:59.320 --> 0:40:02.160
<v Speaker 4>say he just mean business. You feel what I'm saying.

0:40:02.160 --> 0:40:03.920
<v Speaker 4>He no play he' you know, fuck guy, you know

0:40:03.960 --> 0:40:06.759
<v Speaker 4>what I'm saying, No play play dude. He gave you

0:40:06.760 --> 0:40:10.399
<v Speaker 4>a shirt off his back. Dog Yeah, Genie went, dude,

0:40:10.400 --> 0:40:11.560
<v Speaker 4>he gave you a shirt off his back.

0:40:11.640 --> 0:40:11.759
<v Speaker 5>Man.

0:40:11.800 --> 0:40:13.680
<v Speaker 4>Now he that don't mean he lets you just you

0:40:13.960 --> 0:40:16.520
<v Speaker 4>get over on his ass either. But he looked out

0:40:16.560 --> 0:40:18.000
<v Speaker 4>for his people, you know what I'm saying. And he

0:40:18.120 --> 0:40:20.200
<v Speaker 4>Genie went about that. He's a Genie went on this dude.

0:40:20.840 --> 0:40:22.719
<v Speaker 1>Yeah that that that that team.

0:40:23.600 --> 0:40:26.640
<v Speaker 3>You know, it's crazy because you know, Glasses got me

0:40:26.760 --> 0:40:29.120
<v Speaker 3>my first paid placement. When I was over there, I

0:40:29.280 --> 0:40:31.400
<v Speaker 3>wasn't looking for a paid placement. I was looking for

0:40:31.520 --> 0:40:35.160
<v Speaker 3>an opportunity to be heard. I was doing stuff locally

0:40:35.239 --> 0:40:37.799
<v Speaker 3>in Carson. I was trying to do like these open mics.

0:40:37.840 --> 0:40:39.239
<v Speaker 3>I even did one of them. You know, I got

0:40:39.280 --> 0:40:42.440
<v Speaker 3>scammed in one of those. Sell these hundred tickets and uh,

0:40:42.960 --> 0:40:44.520
<v Speaker 3>you're gonna be in front of some A and rs

0:40:44.560 --> 0:40:45.800
<v Speaker 3>and all of that kind of situation.

0:40:47.040 --> 0:40:48.600
<v Speaker 1>I never forget. It was at the Key Club. I

0:40:48.680 --> 0:40:50.000
<v Speaker 1>went to the Key Club. I went up there.

0:40:50.000 --> 0:40:52.279
<v Speaker 3>I seen everybody on stage with the bands and the lights.

0:40:52.320 --> 0:40:54.960
<v Speaker 3>I was like, always just gonna go up tonight, and

0:40:55.040 --> 0:40:57.120
<v Speaker 3>they was like you wrap. I was like yeah, they

0:40:57.160 --> 0:41:01.840
<v Speaker 3>said go downstairs. Huh, I go downstairs. It's a stage

0:41:01.880 --> 0:41:03.680
<v Speaker 3>that couldn't be no bigger than this table right here,

0:41:04.440 --> 0:41:07.399
<v Speaker 3>and uh there's people moving dishes from room to room.

0:41:08.640 --> 0:41:12.240
<v Speaker 3>And so it's like, I know what it was before

0:41:12.320 --> 0:41:15.440
<v Speaker 3>I met them, and as they ascended. You know, Luckily

0:41:15.440 --> 0:41:17.320
<v Speaker 3>I have my guy Apps, so I knew Apps sold

0:41:17.360 --> 0:41:19.000
<v Speaker 3>before he was with TD, when he was with a

0:41:19.120 --> 0:41:21.319
<v Speaker 3>label called Street Beat, E and T. He was coming

0:41:21.360 --> 0:41:24.000
<v Speaker 3>to my grandmother's patio to record songs with me because

0:41:24.480 --> 0:41:26.120
<v Speaker 3>I was a producer that just had a lot of

0:41:26.160 --> 0:41:29.080
<v Speaker 3>the same interests sonically as he did. And when I

0:41:29.120 --> 0:41:30.560
<v Speaker 3>listened to him, he see reminded me of a young

0:41:30.680 --> 0:41:32.520
<v Speaker 3>jay Z and I said, if I get a chance

0:41:32.560 --> 0:41:35.040
<v Speaker 3>to work with a young jay Z sounding artist, I

0:41:35.160 --> 0:41:35.680
<v Speaker 3>want to do that.

0:41:36.120 --> 0:41:36.839
<v Speaker 1>And that's what I did.

0:41:36.920 --> 0:41:38.600
<v Speaker 3>And so he was like when he first the first

0:41:38.680 --> 0:41:41.360
<v Speaker 3>day he got signed, he said, Curtis, give me a

0:41:41.440 --> 0:41:45.040
<v Speaker 3>CD full of beats and I'm gonna floated around the studio.

0:41:46.400 --> 0:41:46.920
<v Speaker 1>I gave him a.

0:41:46.920 --> 0:41:50.239
<v Speaker 3>CD full of beats low Ki, hoping that Jay Rock

0:41:50.239 --> 0:41:51.800
<v Speaker 3>wanted one of them because he was the biggest artists

0:41:51.800 --> 0:41:54.640
<v Speaker 3>at that time. He took that CD of beats. Little

0:41:54.719 --> 0:41:58.480
<v Speaker 3>did I know, one of the beasts, the first beats

0:41:58.520 --> 0:42:01.600
<v Speaker 3>that the Schoolboy Q rapped over was over a beat

0:42:01.680 --> 0:42:03.640
<v Speaker 3>that I made on if you ever heard this story,

0:42:03.680 --> 0:42:05.799
<v Speaker 3>but it was a beat that had eight awaits and gunshots.

0:42:07.120 --> 0:42:09.959
<v Speaker 3>I was trying to like eighta waits and gunshots because

0:42:09.960 --> 0:42:11.840
<v Speaker 3>in my mind I was trying to like rekindle the

0:42:13.280 --> 0:42:15.279
<v Speaker 3>Bone Thugs and Tupac song. I was like, I'm gonna

0:42:15.280 --> 0:42:18.239
<v Speaker 3>make a newer version of that. It was terrible punch.

0:42:18.320 --> 0:42:19.680
<v Speaker 3>It tell you to this day, he like, they still

0:42:19.719 --> 0:42:22.120
<v Speaker 3>say it's terrible. But one thing school Boy said is

0:42:22.160 --> 0:42:26.359
<v Speaker 3>that audition, like he was already the homeeie, already around

0:42:26.360 --> 0:42:29.160
<v Speaker 3>the environment. That's when he showed off how he could rap.

0:42:30.040 --> 0:42:32.719
<v Speaker 3>And uh, that's what he rapped over was my beat.

0:42:32.960 --> 0:42:34.640
<v Speaker 3>And so he was on shout out to my God,

0:42:34.719 --> 0:42:37.680
<v Speaker 3>Chuck Dizzle and head on home run radio. He said, man,

0:42:37.760 --> 0:42:39.520
<v Speaker 3>the beat was terrible, but he's like gurt that you

0:42:39.600 --> 0:42:41.960
<v Speaker 3>put me on, bro, Like, if it wasn't for you know,

0:42:42.040 --> 0:42:43.800
<v Speaker 3>if it wasn't for having that there, they wouldn't have

0:42:43.840 --> 0:42:46.400
<v Speaker 3>seen the skill set. I guess, you know, if you

0:42:46.440 --> 0:42:48.759
<v Speaker 3>could make a bad beat sound that good, then he

0:42:48.840 --> 0:42:52.319
<v Speaker 3>must be something special. So I say that to say,

0:42:52.440 --> 0:42:55.320
<v Speaker 3>like them dudes, I didn't need to get paid for

0:42:55.440 --> 0:42:57.920
<v Speaker 3>any placements for that to be a life changing experience,

0:42:58.000 --> 0:43:01.560
<v Speaker 3>because I always knew Curtis King on Curtis Curtis King

0:43:01.880 --> 0:43:03.240
<v Speaker 3>gonna take care of Curtis King.

0:43:04.160 --> 0:43:06.600
<v Speaker 1>And all I needed was an opportunity and they gave that.

0:43:06.640 --> 0:43:07.279
<v Speaker 1>Tell me for sure.

0:43:08.280 --> 0:43:10.919
<v Speaker 6>Yeah, shout out to the homie punch over there, man,

0:43:11.080 --> 0:43:15.439
<v Speaker 6>punks punk Punch was my man. Yeah, that's my guy

0:43:15.560 --> 0:43:19.319
<v Speaker 6>right there, punc your tearans man. But I just think

0:43:19.480 --> 0:43:23.400
<v Speaker 6>right now, I think where things gonna go?

0:43:23.600 --> 0:43:23.759
<v Speaker 5>Man?

0:43:23.880 --> 0:43:26.880
<v Speaker 4>Is everything? Industry seems like it kind of filters itself

0:43:26.920 --> 0:43:30.160
<v Speaker 4>out every few years, like dashy, I want to talk

0:43:30.160 --> 0:43:31.600
<v Speaker 4>about a lot of people don't know. You was with

0:43:31.719 --> 0:43:35.759
<v Speaker 4>Cuban them early on. You was part of Lynch mind right.

0:43:36.400 --> 0:43:37.840
<v Speaker 5>Yes, sir, one of the original members.

0:43:38.400 --> 0:43:41.400
<v Speaker 4>Oh wow, y'a al was over there. You're always doing

0:43:41.400 --> 0:43:42.960
<v Speaker 4>a lot of recording with Jinks, wasn't y'all?

0:43:44.160 --> 0:43:50.719
<v Speaker 5>Yeah? Yeah, over there with Jinks Pool. Yeah, it was us.

0:43:50.880 --> 0:43:51.480
<v Speaker 5>It was a squad.

0:43:52.040 --> 0:43:53.880
<v Speaker 4>How how old is y'all during the time period?

0:43:55.280 --> 0:43:58.839
<v Speaker 7>Well, when when when you first like got cracking cracking? Yeah,

0:43:58.880 --> 0:44:03.399
<v Speaker 7>it was about was about seventeen eighteen left he left

0:44:03.440 --> 0:44:05.280
<v Speaker 7>in w I think when he was around like nineteen.

0:44:06.080 --> 0:44:09.600
<v Speaker 4>Okay, So y'all's loot key is pretty much y'all the

0:44:09.680 --> 0:44:11.319
<v Speaker 4>same age as most of these little cats.

0:44:13.560 --> 0:44:14.960
<v Speaker 3>All right, you know the points you about to make,

0:44:15.200 --> 0:44:16.840
<v Speaker 3>all right to the points you about to Did you

0:44:17.000 --> 0:44:17.880
<v Speaker 3>notice the difference?

0:44:17.920 --> 0:44:18.160
<v Speaker 5>Broom?

0:44:19.120 --> 0:44:21.440
<v Speaker 3>Yeah, because that's because seventeen year olds back then was

0:44:21.480 --> 0:44:24.839
<v Speaker 3>grown in and the truest sense of it, like even

0:44:24.880 --> 0:44:28.239
<v Speaker 3>the folks you consider knuckleheads had a decarm, they had

0:44:28.280 --> 0:44:28.760
<v Speaker 3>a cold.

0:44:30.000 --> 0:44:32.759
<v Speaker 1>Now with the internet, it's like, well I could ben

0:44:32.880 --> 0:44:33.320
<v Speaker 1>that cold.

0:44:33.440 --> 0:44:34.640
<v Speaker 5>What is cold? Really?

0:44:34.680 --> 0:44:37.840
<v Speaker 3>They're questioning things, which is what kids do. Kids question

0:44:38.760 --> 0:44:41.400
<v Speaker 3>the wisdom of their elders every single generation that happens.

0:44:41.800 --> 0:44:43.080
<v Speaker 1>This one is different.

0:44:42.840 --> 0:44:46.600
<v Speaker 3>Because now you're getting justifications even when you're dead wrong

0:44:47.400 --> 0:44:48.800
<v Speaker 3>from other people and strangers.

0:44:48.960 --> 0:44:51.440
<v Speaker 1>That's saying that's not so crazy to do that. No,

0:44:51.600 --> 0:44:54.360
<v Speaker 1>it still is crazy, but you're talking about.

0:44:55.840 --> 0:44:58.440
<v Speaker 7>Man, it was new for us, Like you know, it

0:44:58.560 --> 0:45:00.279
<v Speaker 7>was so new for us. We were still in all

0:45:00.360 --> 0:45:02.279
<v Speaker 7>trying to figure it out. Right, Like, we didn't have

0:45:03.280 --> 0:45:05.719
<v Speaker 7>we didn't have you know, we didn't have a blueprint.

0:45:05.760 --> 0:45:08.120
<v Speaker 7>We was the blueprint for West coast hip hop right,

0:45:08.880 --> 0:45:10.160
<v Speaker 7>we didn't have so we didn't go.

0:45:10.760 --> 0:45:11.200
<v Speaker 5>We didn't go.

0:45:11.400 --> 0:45:13.920
<v Speaker 7>We didn't have a TUPAC, we didn't have a NTA,

0:45:14.200 --> 0:45:15.880
<v Speaker 7>we didn't have a glasses. We didn't you know what

0:45:15.880 --> 0:45:16.239
<v Speaker 7>I'm saying.

0:45:16.280 --> 0:45:19.359
<v Speaker 5>We didn't have. So we had to figure that out

0:45:19.400 --> 0:45:21.360
<v Speaker 5>on our own. And figuring that out we had to,

0:45:21.520 --> 0:45:23.520
<v Speaker 5>like like my man just said, we had to grow up.

0:45:23.600 --> 0:45:26.080
<v Speaker 7>We had to go, Okay, what are we doing, Let's

0:45:26.120 --> 0:45:28.359
<v Speaker 7>make sure we do this right because the money was right,

0:45:28.480 --> 0:45:30.600
<v Speaker 7>everything was looking right, everything felt good.

0:45:30.840 --> 0:45:32.960
<v Speaker 5>So we wanted to keep that going. So that's what

0:45:33.160 --> 0:45:34.560
<v Speaker 5>made us stay on top of our game.

0:45:35.120 --> 0:45:37.040
<v Speaker 1>Look, you know what's so crazy about you saying that?

0:45:37.239 --> 0:45:38.640
<v Speaker 1>And I'm just realizing that right now.

0:45:38.719 --> 0:45:42.680
<v Speaker 3>One of the most genius marketing plans I've ever heard

0:45:42.719 --> 0:45:46.319
<v Speaker 3>of in hip hop was for uh, I forget the song.

0:45:47.080 --> 0:45:49.719
<v Speaker 3>But I was told by some some radio person now

0:45:49.800 --> 0:45:52.759
<v Speaker 3>that he's that cube was sitting around. You can't do

0:45:52.880 --> 0:45:55.279
<v Speaker 3>that now because of the anthrape scares. But it was

0:45:55.320 --> 0:45:56.920
<v Speaker 3>a bag of it, wasn't it like a bag of

0:45:57.000 --> 0:45:59.600
<v Speaker 3>like powder or something. And he had like a set

0:45:59.719 --> 0:46:01.840
<v Speaker 3>and some out of it. Because it's talking about the

0:46:01.840 --> 0:46:04.080
<v Speaker 3>same era where you know they were doing like the

0:46:04.200 --> 0:46:08.239
<v Speaker 3>Craig Mac Big Mac situation, Like that level of ingenuity,

0:46:08.280 --> 0:46:10.640
<v Speaker 3>that level of creativity where you're using the same skill

0:46:10.680 --> 0:46:12.759
<v Speaker 3>set you got to make a beat, that you got

0:46:12.800 --> 0:46:14.920
<v Speaker 3>to make a song, and you're putting that into your marketing.

0:46:15.719 --> 0:46:17.560
<v Speaker 3>It's a lot of kids who never had to like

0:46:17.760 --> 0:46:20.480
<v Speaker 3>build nothing, they never had to create nothing. I'm like,

0:46:20.560 --> 0:46:24.280
<v Speaker 3>that's your cheat cod You literally make a living being creative,

0:46:24.520 --> 0:46:26.640
<v Speaker 3>and then when it comes to your marketing on social media,

0:46:26.920 --> 0:46:27.920
<v Speaker 3>you're the least creative.

0:46:28.560 --> 0:46:31.239
<v Speaker 5>Yes, I mean that's when we talk about that.

0:46:31.440 --> 0:46:34.480
<v Speaker 7>When the creativity ain't there, now, the anti's gotta take

0:46:34.560 --> 0:46:35.640
<v Speaker 7>that place, you feel me.

0:46:36.080 --> 0:46:37.080
<v Speaker 1>Yeah, that's the low hanging through.

0:46:37.120 --> 0:46:39.080
<v Speaker 3>But the crazy thing about it is now an audience's

0:46:39.880 --> 0:46:42.120
<v Speaker 3>uh is turned away from that, and you gotta do

0:46:42.200 --> 0:46:43.000
<v Speaker 3>another magic trick?

0:46:43.040 --> 0:46:43.600
<v Speaker 1>What you're gonna do?

0:46:43.719 --> 0:46:43.879
<v Speaker 7>Yeah?

0:46:44.200 --> 0:46:46.320
<v Speaker 5>Yeah, they getting tired? Brother, I totally agree.

0:46:46.920 --> 0:46:49.880
<v Speaker 4>Yeah, And what happens is more than that, dude, the

0:46:50.040 --> 0:46:52.920
<v Speaker 4>level of insanity kind of goes up. So if you

0:46:53.040 --> 0:46:55.160
<v Speaker 4>got to do this last there is a guy online.

0:46:55.160 --> 0:46:57.720
<v Speaker 4>He's picking the boogets out of his nose and nastally

0:46:57.719 --> 0:47:01.239
<v Speaker 4>he's gonna start eating the motherfuckers right right, and people

0:47:01.320 --> 0:47:03.640
<v Speaker 4>go start tripping over that next thing, you know, when

0:47:03.640 --> 0:47:05.840
<v Speaker 4>they get bored with that. There's no telling him what

0:47:05.920 --> 0:47:08.800
<v Speaker 4>he's gonna be doing next. He might start digging in

0:47:08.880 --> 0:47:11.160
<v Speaker 4>the crack, you know, whatever, man doing that whatever.

0:47:11.320 --> 0:47:13.680
<v Speaker 3>But you know that in a way, right, you know,

0:47:13.840 --> 0:47:15.319
<v Speaker 3>that's a real thing that you just said right now.

0:47:15.400 --> 0:47:16.520
<v Speaker 3>And I know you were making that up, but you

0:47:16.560 --> 0:47:18.560
<v Speaker 3>know that's so real. It's a it's a young dude

0:47:18.600 --> 0:47:20.680
<v Speaker 3>called piss Man. You heard about him.

0:47:21.400 --> 0:47:23.000
<v Speaker 4>I ain't heard about it, but it don't surprise me.

0:47:23.080 --> 0:47:23.200
<v Speaker 5>Bro.

0:47:23.600 --> 0:47:24.960
<v Speaker 1>I don't want to give you too much details. I

0:47:24.960 --> 0:47:26.200
<v Speaker 1>don't even want you to have to look it up

0:47:26.239 --> 0:47:29.360
<v Speaker 1>because it's it's it's it's insane, but it's like that's.

0:47:29.320 --> 0:47:31.160
<v Speaker 3>What you talk what y'are talking about, that is the

0:47:31.280 --> 0:47:34.080
<v Speaker 3>levels of what we're talking about is that he's literally

0:47:34.200 --> 0:47:37.000
<v Speaker 3>got a following about how nasty he is inside his house,

0:47:37.280 --> 0:47:41.920
<v Speaker 3>how junky his house is, how like unlivable his house is,

0:47:42.400 --> 0:47:44.879
<v Speaker 3>and he's doing live streams in his house, and people

0:47:44.920 --> 0:47:46.440
<v Speaker 3>are coming to visit him to see if they can

0:47:46.480 --> 0:47:49.960
<v Speaker 3>spend the night there. I'm like this, like people on

0:47:50.000 --> 0:47:53.160
<v Speaker 3>this platform don't not on his platform, but he got

0:47:53.239 --> 0:47:55.480
<v Speaker 3>somebody who had a million to come on his platform.

0:47:56.000 --> 0:47:57.800
<v Speaker 3>And uh, I don't know if his name is actually

0:47:57.920 --> 0:47:59.719
<v Speaker 3>you know his name is piss Man, but like his

0:47:59.800 --> 0:48:04.880
<v Speaker 3>whole thing is like he does tricks with cartons and piss. Like,

0:48:05.600 --> 0:48:08.480
<v Speaker 3>as I say it out loud, I feel crazy, but

0:48:08.600 --> 0:48:10.480
<v Speaker 3>not as crazy as as it. I'm just saying, we're

0:48:10.480 --> 0:48:12.520
<v Speaker 3>in the time period where even when you're joking about that,

0:48:12.840 --> 0:48:14.120
<v Speaker 3>it's a kid right now, that's.

0:48:14.000 --> 0:48:17.239
<v Speaker 1>Like picking my bug is eating them. That's not a

0:48:17.280 --> 0:48:17.840
<v Speaker 1>bad idea.

0:48:17.920 --> 0:48:21.880
<v Speaker 4>That's how bad it is, man, Because I'm anna tell you,

0:48:21.960 --> 0:48:24.000
<v Speaker 4>and I told I told Jcus g was on this

0:48:24.120 --> 0:48:26.840
<v Speaker 4>internet step early, yeah, when they had the girl with

0:48:27.080 --> 0:48:28.920
<v Speaker 4>It's So Cold and the d and all them different

0:48:28.960 --> 0:48:30.880
<v Speaker 4>people and the riffs and all the different people was

0:48:30.920 --> 0:48:33.120
<v Speaker 4>on the internet. She was on the early And I

0:48:33.239 --> 0:48:35.160
<v Speaker 4>told him, I said, Man, you really sitting in there

0:48:35.160 --> 0:48:37.879
<v Speaker 4>there giving this old silly shit in an audience. It's

0:48:37.960 --> 0:48:40.239
<v Speaker 4>somebody to wind up killing somebody on the internet one day,

0:48:40.360 --> 0:48:42.840
<v Speaker 4>I say, And it happened that dude in Cleveland was

0:48:42.840 --> 0:48:45.040
<v Speaker 4>just going around shooting people on the Internet. You got

0:48:45.080 --> 0:48:47.560
<v Speaker 4>stuff that's so crazy. Now, man, it's like I'm gonna

0:48:47.560 --> 0:48:49.840
<v Speaker 4>tell you, somebody's gonna get wet next to a podcast

0:48:51.120 --> 0:48:55.200
<v Speaker 4>on the podcast. I'm gonna tell you this time it's coming, man,

0:48:55.280 --> 0:48:59.879
<v Speaker 4>because right now this generation, man, see, when you don't

0:49:00.120 --> 0:49:02.400
<v Speaker 4>have no talent, you got to think a little different stuff.

0:49:02.680 --> 0:49:04.239
<v Speaker 4>If me and Sax wanted to come on here and

0:49:04.320 --> 0:49:06.960
<v Speaker 4>make beats and rap, we could do that. Yeah, we

0:49:07.080 --> 0:49:08.920
<v Speaker 4>could all redo that right now. I could be over

0:49:08.960 --> 0:49:11.080
<v Speaker 4>here putting a drum thing together because all of us

0:49:11.120 --> 0:49:12.680
<v Speaker 4>got to put me right in front of us right now.

0:49:13.280 --> 0:49:15.200
<v Speaker 4>I could be putting a drum fad together. We can

0:49:15.280 --> 0:49:18.560
<v Speaker 4>all spit right a hot sixteen. These other cats can't

0:49:18.640 --> 0:49:20.600
<v Speaker 4>do that. Man, they can't edit enohing. They don't have

0:49:20.719 --> 0:49:24.040
<v Speaker 4>the patience and fortitude to think of anything. And people,

0:49:24.160 --> 0:49:26.759
<v Speaker 4>you know this, One cat told me one day, he said, Man,

0:49:27.280 --> 0:49:30.319
<v Speaker 4>don't nobody care. Still, your podcast is boring. I say,

0:49:30.440 --> 0:49:32.480
<v Speaker 4>my podcast for you because you go listen to all

0:49:32.480 --> 0:49:35.080
<v Speaker 4>the other stupida shit, I said, a my podcast is

0:49:35.120 --> 0:49:36.000
<v Speaker 4>too intelligence for you.

0:49:37.000 --> 0:49:37.520
<v Speaker 1>Pretty much.

0:49:37.960 --> 0:49:40.520
<v Speaker 3>Well, and this is what I say, Like right now,

0:49:40.560 --> 0:49:43.320
<v Speaker 3>there's a lot of those those toxic, toxic podcasts, and

0:49:43.400 --> 0:49:44.840
<v Speaker 3>I have a question for y'all too. I want to

0:49:44.880 --> 0:49:48.120
<v Speaker 3>ask specifically, but because I asked you this question last week,

0:49:48.160 --> 0:49:51.320
<v Speaker 3>and I'm curious, but there's a lot of podcasts with

0:49:51.520 --> 0:49:53.960
<v Speaker 3>like really really, all they do is just do stories

0:49:54.000 --> 0:49:57.760
<v Speaker 3>about people's worst days. All they do is stories about

0:49:57.840 --> 0:49:59.919
<v Speaker 3>people on their worst days, and they make an audi

0:50:00.000 --> 0:50:01.520
<v Speaker 3>inside of all of that, and.

0:50:03.280 --> 0:50:04.320
<v Speaker 1>There's no regret for it.

0:50:04.440 --> 0:50:06.600
<v Speaker 3>They find their self doing it, and then when the

0:50:06.640 --> 0:50:09.160
<v Speaker 3>tables turn on them, you know, they get very defensive

0:50:09.200 --> 0:50:11.440
<v Speaker 3>because they can't handle the pressure they give to other people.

0:50:12.040 --> 0:50:14.759
<v Speaker 1>But with that said, the question I got for you

0:50:14.920 --> 0:50:21.400
<v Speaker 1>is this coming up. I came up in many different environments.

0:50:21.480 --> 0:50:23.160
<v Speaker 3>Matter of fact, my mommy we used to live in

0:50:23.200 --> 0:50:26.759
<v Speaker 3>the house off of a fifty fourth in Hoper in

0:50:27.040 --> 0:50:28.920
<v Speaker 3>La by Saint.

0:50:28.760 --> 0:50:35.000
<v Speaker 1>Peter's Rock and my mom's used to play the keys there.

0:50:35.800 --> 0:50:39.000
<v Speaker 1>I was brought up around a lot lot of street culture.

0:50:39.840 --> 0:50:42.600
<v Speaker 3>I got my street smarts even though like I didn't

0:50:42.640 --> 0:50:45.120
<v Speaker 3>you know what I'm saying, I didn't graduate nowhere, but

0:50:45.160 --> 0:50:46.680
<v Speaker 3>I got them for a reason to know how to

0:50:46.719 --> 0:50:50.080
<v Speaker 3>handle myself in environments I got a question coming up.

0:50:50.280 --> 0:50:53.560
<v Speaker 3>There were certain names that would never get brought up

0:50:53.600 --> 0:50:56.160
<v Speaker 3>unless you was in the same circle. Every day I

0:50:56.239 --> 0:50:59.800
<v Speaker 3>get on YouTube, it's another one of them names getting mentioned.

0:51:00.880 --> 0:51:04.960
<v Speaker 3>It's street politics that used to be only internal that's

0:51:05.040 --> 0:51:09.560
<v Speaker 3>now left open to a white dude from Ohio to

0:51:10.480 --> 0:51:15.120
<v Speaker 3>instigate right or a podcast or to comment on. Do

0:51:15.200 --> 0:51:19.359
<v Speaker 3>y'all feel like it was a mistake for because it's

0:51:19.400 --> 0:51:22.440
<v Speaker 3>good to see voices get platform because you given awareness

0:51:22.680 --> 0:51:24.759
<v Speaker 3>to like this is what real, this is what the

0:51:24.840 --> 0:51:26.840
<v Speaker 3>real is is like, stop listening to these rappers, this

0:51:26.920 --> 0:51:29.359
<v Speaker 3>is what's really going on. But at the same time,

0:51:29.560 --> 0:51:32.720
<v Speaker 3>a lot of folks kind of made themselves targets because

0:51:33.239 --> 0:51:35.520
<v Speaker 3>now you broadcasting in front of a lot of people

0:51:36.640 --> 0:51:38.160
<v Speaker 3>politics that TheInk got nothing to do with.

0:51:40.840 --> 0:51:43.520
<v Speaker 4>Yeah, I think that, Like you said, it was a

0:51:43.600 --> 0:51:45.400
<v Speaker 4>time that you didn't speaking on certain stuff, like we

0:51:45.480 --> 0:51:48.680
<v Speaker 4>got a homy right now. Man, it's fighting for his

0:51:48.840 --> 0:51:52.800
<v Speaker 4>life right now. Often because of all the antics, you know,

0:51:52.880 --> 0:51:55.600
<v Speaker 4>because of all the antics z on, you know from

0:51:55.640 --> 0:51:58.560
<v Speaker 4>this whole podcast world right, people just say stuff because

0:51:58.560 --> 0:51:59.680
<v Speaker 4>they ain't no accountability.

0:51:59.719 --> 0:51:59.839
<v Speaker 5>Bro.

0:52:00.400 --> 0:52:02.240
<v Speaker 4>Back in the day when we was in the business,

0:52:03.000 --> 0:52:05.640
<v Speaker 4>you was running somebody. You had to go outside. It

0:52:05.800 --> 0:52:07.920
<v Speaker 4>wasn't no it wasn't no marketing on the internet. You

0:52:08.000 --> 0:52:10.600
<v Speaker 4>had to go to one of the industry parties, you

0:52:10.640 --> 0:52:12.520
<v Speaker 4>had to go do shows, you had to go places.

0:52:12.560 --> 0:52:14.200
<v Speaker 4>You was run into somebody. If you was out here

0:52:14.280 --> 0:52:17.160
<v Speaker 4>talking slick, you was going for sure running somebody. Now

0:52:17.239 --> 0:52:19.719
<v Speaker 4>it ain't that dog. It's people that talk crazy to me.

0:52:19.800 --> 0:52:22.600
<v Speaker 1>I'll never see bro, that's crazy. That's crazy.

0:52:24.120 --> 0:52:26.320
<v Speaker 4>They don't go outside. And I'm gonna tell you this,

0:52:26.480 --> 0:52:29.359
<v Speaker 4>there's no accountability. I'm gonna tell you something. I saw

0:52:29.400 --> 0:52:33.080
<v Speaker 4>a dude man sit online and say he chased me

0:52:33.160 --> 0:52:37.040
<v Speaker 4>around the studio with a studio with a microphone and

0:52:37.719 --> 0:52:39.560
<v Speaker 4>he threw me in the closet and tied me up

0:52:39.600 --> 0:52:40.480
<v Speaker 4>on all kinds of stuff.

0:52:41.840 --> 0:52:43.000
<v Speaker 1>He said a podcast.

0:52:43.320 --> 0:52:48.160
<v Speaker 4>Yeah yeah, dude, around sixty years old, and just people

0:52:48.239 --> 0:52:52.640
<v Speaker 4>would say and do anything, bro, because there's no accountability

0:52:52.719 --> 0:52:54.759
<v Speaker 4>to it. They're not going to see me. I can't

0:52:54.800 --> 0:52:57.279
<v Speaker 4>reach through the screen and grab y'all right now. But

0:52:57.360 --> 0:52:58.840
<v Speaker 4>I sit up there and type all this shit I

0:52:58.920 --> 0:53:01.120
<v Speaker 4>want to. I can go in in and the food. Yeah,

0:53:02.800 --> 0:53:03.080
<v Speaker 4>right now.

0:53:03.600 --> 0:53:06.000
<v Speaker 1>That accountability, this is where I'm like.

0:53:06.040 --> 0:53:07.759
<v Speaker 3>People will be surprised to hear me say this, but

0:53:07.800 --> 0:53:10.200
<v Speaker 3>I'm like that accountability comes from getting punched in the face.

0:53:11.080 --> 0:53:13.800
<v Speaker 3>You gotta fill that pain when you know, like, damn it,

0:53:13.880 --> 0:53:15.759
<v Speaker 3>do I really want to deal with these heavy hands

0:53:15.800 --> 0:53:18.040
<v Speaker 3>coming at me from this person that I think is

0:53:18.120 --> 0:53:21.480
<v Speaker 3>okay to troll. And you remember having the ice down

0:53:21.520 --> 0:53:23.920
<v Speaker 3>the eye, You remember having the like get over the

0:53:24.000 --> 0:53:25.560
<v Speaker 3>aches and pains and all of this stuff, Like you

0:53:25.600 --> 0:53:28.680
<v Speaker 3>gotta remember the embarrassment of getting your ass whatever the case. Like,

0:53:29.120 --> 0:53:32.800
<v Speaker 3>there's folks who've never been touched before, and I have

0:53:32.880 --> 0:53:36.000
<v Speaker 3>to remind myself there are people who will push every

0:53:36.120 --> 0:53:38.840
<v Speaker 3>single button because they know that I'm a man that

0:53:39.040 --> 0:53:42.239
<v Speaker 3>has integrity and has my own cold They'll push every

0:53:42.280 --> 0:53:45.240
<v Speaker 3>button they can, but if I ever press the issue,

0:53:45.840 --> 0:53:46.760
<v Speaker 3>they'll call the police.

0:53:46.840 --> 0:53:48.279
<v Speaker 1>Like a cold doesn't exist.

0:53:48.560 --> 0:53:50.040
<v Speaker 5>Many a heartbeat, brother.

0:53:50.640 --> 0:53:52.600
<v Speaker 1>And that's wowed to me because I'm like, why are

0:53:52.600 --> 0:53:55.200
<v Speaker 1>you woofing it? Why you why are you barking so loud?

0:53:56.160 --> 0:53:59.040
<v Speaker 3>And then the moment that somebody presses you all of

0:53:59.080 --> 0:54:01.799
<v Speaker 3>a sudden, it's is it's I'm a victim. Why are

0:54:01.800 --> 0:54:04.400
<v Speaker 3>you so obsessed with me? And that's just literally the

0:54:04.520 --> 0:54:06.200
<v Speaker 3>nature of the Internet that I'll be telling you. When

0:54:06.239 --> 0:54:09.360
<v Speaker 3>I first came here, I was a lot more confrontational

0:54:09.360 --> 0:54:11.440
<v Speaker 3>because I didn't get that some kids get on here,

0:54:12.080 --> 0:54:13.759
<v Speaker 3>and not even kids, some adults get on here and

0:54:13.840 --> 0:54:16.480
<v Speaker 3>think everything's a game. They can say what they want,

0:54:17.480 --> 0:54:19.719
<v Speaker 3>get a few retweets, and then you move on to

0:54:19.760 --> 0:54:21.840
<v Speaker 3>the next thing. And I'm like, no, that, if I

0:54:21.960 --> 0:54:23.960
<v Speaker 3>see you, we gotta we have to address that. At

0:54:24.000 --> 0:54:26.320
<v Speaker 3>the very least, we gotta talk to you.

0:54:26.400 --> 0:54:28.359
<v Speaker 5>Know What's you know what's funny about that too?

0:54:28.520 --> 0:54:28.680
<v Speaker 3>Man?

0:54:28.880 --> 0:54:33.080
<v Speaker 7>It's like you know that saying if you if you

0:54:33.280 --> 0:54:38.680
<v Speaker 7>love a star, never meet them because you'll always get disappointed.

0:54:38.760 --> 0:54:41.080
<v Speaker 5>Right. It's the same thing with a lot of these

0:54:41.120 --> 0:54:46.759
<v Speaker 5>Internet bangers and gangsters. Man like they they they went

0:54:46.880 --> 0:54:49.040
<v Speaker 5>the business all day. I give a lot of these

0:54:49.120 --> 0:54:52.040
<v Speaker 5>cats that I that I deal with. They with the business.

0:54:52.560 --> 0:54:55.600
<v Speaker 5>But on the other side of that, their sensitive thugs.

0:54:56.400 --> 0:54:59.920
<v Speaker 5>I've seen. I've seen thugs. I've seen so called gangsters.

0:54:59.520 --> 0:55:03.600
<v Speaker 7>On their shows preaching you know, I peace. I'm not

0:55:03.719 --> 0:55:07.440
<v Speaker 7>trying to do no drama. I love everybody. Everybody loved me.

0:55:07.840 --> 0:55:11.640
<v Speaker 7>But soon as somebody hit that trigger for them back,

0:55:11.960 --> 0:55:12.360
<v Speaker 7>they ain't on.

0:55:12.480 --> 0:55:14.440
<v Speaker 1>My must y'all, ain't I.

0:55:15.600 --> 0:55:17.640
<v Speaker 5>I'm like, man, you're telling on yourself right now.

0:55:17.640 --> 0:55:19.760
<v Speaker 7>And what are you doing?

0:55:19.960 --> 0:55:20.200
<v Speaker 5>Brother?

0:55:20.280 --> 0:55:21.880
<v Speaker 1>You crashing out in front of people that.

0:55:23.360 --> 0:55:23.799
<v Speaker 5>Crash out?

0:55:24.040 --> 0:55:26.440
<v Speaker 3>What you internet crashing out, that's a different crash out,

0:55:26.440 --> 0:55:29.440
<v Speaker 3>but in crashing out in front of people.

0:55:29.480 --> 0:55:31.919
<v Speaker 1>Who don't look like us real talk.

0:55:32.280 --> 0:55:34.080
<v Speaker 7>And that's why a lot of the so called people

0:55:34.520 --> 0:55:37.200
<v Speaker 7>caught up in these things they dealing with right now,

0:55:37.320 --> 0:55:38.600
<v Speaker 7>with these week olds right now.

0:55:39.120 --> 0:55:39.759
<v Speaker 1>I hate to see it.

0:55:39.840 --> 0:55:41.239
<v Speaker 3>I hate to see it because, like I said, it's

0:55:41.239 --> 0:55:43.320
<v Speaker 3>certain names that got brought up, and even in the

0:55:43.400 --> 0:55:45.680
<v Speaker 3>rooms that got brought up, it was hush, hush. I

0:55:47.640 --> 0:55:49.359
<v Speaker 3>never think of my life time I would see these

0:55:49.480 --> 0:55:51.840
<v Speaker 3>names be all over the news and all that I'm like,

0:55:51.920 --> 0:55:52.560
<v Speaker 3>it's all.

0:55:52.480 --> 0:55:54.840
<v Speaker 1>Of a podcast and it's still mind blowing me. And

0:55:54.880 --> 0:55:55.560
<v Speaker 1>I'm sorry, go ahead.

0:55:55.920 --> 0:55:57.960
<v Speaker 4>I'm gonna tell you something, man. I knew it was

0:55:57.960 --> 0:56:00.520
<v Speaker 4>gonna be problems as soon as Big You got a podcast. Yes, man,

0:56:03.000 --> 0:56:04.759
<v Speaker 4>I just knew it. Now the man Big You was

0:56:04.840 --> 0:56:08.360
<v Speaker 4>my man. It's my guy right there. But I just

0:56:08.440 --> 0:56:11.360
<v Speaker 4>knew it was gonna be problems because you always have somebody.

0:56:11.440 --> 0:56:14.440
<v Speaker 4>And I'm gonna tell you something, man, It's something about

0:56:14.520 --> 0:56:17.400
<v Speaker 4>the allure of being the top dog in the streets

0:56:18.239 --> 0:56:21.279
<v Speaker 4>that just black men lose their mind. For if you

0:56:21.400 --> 0:56:24.400
<v Speaker 4>ask the average young black dude come up in the community,

0:56:24.440 --> 0:56:28.040
<v Speaker 4>what would he rather have a successful career in medicine

0:56:28.239 --> 0:56:31.520
<v Speaker 4>or long you know mediciners, you know, doing something else?

0:56:31.800 --> 0:56:33.560
<v Speaker 4>Or would you rather be the odes of the hood?

0:56:33.719 --> 0:56:35.560
<v Speaker 4>Just the king of the hood. They'll tell you the

0:56:35.640 --> 0:56:36.279
<v Speaker 4>king of the hood.

0:56:36.800 --> 0:56:38.719
<v Speaker 1>Why do you think that is?

0:56:40.440 --> 0:56:43.000
<v Speaker 4>It's just what they see, and it's a certain It's

0:56:43.080 --> 0:56:45.040
<v Speaker 4>almost like when I was a little kid growing up

0:56:45.080 --> 0:56:48.120
<v Speaker 4>on the East side, right, if I saw a cat

0:56:48.160 --> 0:56:50.520
<v Speaker 4>in the corner with a cadillact man or a deuce

0:56:50.600 --> 0:56:52.759
<v Speaker 4>in the quarter man had a not full of money

0:56:52.840 --> 0:56:55.759
<v Speaker 4>in his pocket and a bad broad man. In my

0:56:55.960 --> 0:56:58.360
<v Speaker 4>young mind, I'm thinking he lived life. I don't know

0:56:58.480 --> 0:57:01.160
<v Speaker 4>what kind of penitentiary chance sound because I don't see

0:57:01.200 --> 0:57:02.920
<v Speaker 4>all that. I don't see the other side of it, right,

0:57:03.480 --> 0:57:05.560
<v Speaker 4>I just see him right there, relation in the truth

0:57:05.600 --> 0:57:08.200
<v Speaker 4>of his labor. Right, and I'm like, damn, man, that

0:57:08.320 --> 0:57:10.120
<v Speaker 4>sounded like fly. I'm gonna tell you something. Man, you

0:57:10.200 --> 0:57:12.200
<v Speaker 4>want to come to California from the East Coats, right,

0:57:13.200 --> 0:57:17.439
<v Speaker 4>Not these coats, but the midwestern Cleveland. Right. I heard

0:57:17.880 --> 0:57:21.400
<v Speaker 4>Ice Tea's album with him Darlene on the cover, you

0:57:21.480 --> 0:57:27.760
<v Speaker 4>know you were in him with the strap, and I said, man,

0:57:27.920 --> 0:57:29.920
<v Speaker 4>I want a suit like that. Man, I want a

0:57:29.960 --> 0:57:32.959
<v Speaker 4>little ouzy chain like that. I want a bad bitch

0:57:33.040 --> 0:57:35.080
<v Speaker 4>by my side. Man. I didn't know what Darlene or

0:57:35.160 --> 0:57:37.320
<v Speaker 4>Tease was, but I was like, I want that.

0:57:37.480 --> 0:57:37.640
<v Speaker 5>Man.

0:57:37.720 --> 0:57:39.960
<v Speaker 4>When I tell you, the tonge steaks life and death.

0:57:40.240 --> 0:57:45.600
<v Speaker 4>When I tell you sometime later, I had me a

0:57:45.720 --> 0:57:51.160
<v Speaker 4>bad bro a bad woman like that's my wife now, right.

0:57:52.680 --> 0:57:55.240
<v Speaker 4>I got my cash ups started, you know, wearing little suits.

0:57:55.240 --> 0:57:57.080
<v Speaker 4>I had a suit like Ice Tea and I just

0:57:57.160 --> 0:57:59.400
<v Speaker 4>got I just found one maybe five years ago. Sex

0:57:59.480 --> 0:58:01.520
<v Speaker 4>When I rest, he was like, now what you're getting there.

0:58:01.560 --> 0:58:01.680
<v Speaker 5>Old.

0:58:01.720 --> 0:58:03.760
<v Speaker 4>I say, hey, man, this personal to me right here.

0:58:04.320 --> 0:58:05.480
<v Speaker 1>I always want one of those.

0:58:05.640 --> 0:58:08.520
<v Speaker 4>Right, But you can speak whatever your existence is to

0:58:08.640 --> 0:58:12.640
<v Speaker 4>exist into reality. Right. I see cats put curses on

0:58:12.680 --> 0:58:14.920
<v Speaker 4>themself every day online. Like you said, talk about the

0:58:14.920 --> 0:58:17.640
<v Speaker 4>homies is crash. Now I'm gonna do this. They just

0:58:17.760 --> 0:58:20.840
<v Speaker 4>drawing all that bad energy to them. Somebody greeting me

0:58:20.960 --> 0:58:22.720
<v Speaker 4>with bad energy. Dog, I don't have nothing to say

0:58:22.760 --> 0:58:24.600
<v Speaker 4>to them. You can say whatever else you want to

0:58:24.680 --> 0:58:25.040
<v Speaker 4>about me.

0:58:27.040 --> 0:58:29.880
<v Speaker 1>Yes, real talk, And I'm telling I try to tell them.

0:58:29.840 --> 0:58:33.120
<v Speaker 4>And I'm gonna tell you this, dog, I don't been

0:58:33.160 --> 0:58:34.720
<v Speaker 4>in the streets out here with the best stuff.

0:58:35.440 --> 0:58:35.560
<v Speaker 5>Right.

0:58:36.160 --> 0:58:38.800
<v Speaker 4>I could do all that and more, but I choose

0:58:38.920 --> 0:58:41.360
<v Speaker 4>not to because it ain't I don't have to prove myself.

0:58:41.920 --> 0:58:42.720
<v Speaker 5>I don't have to.

0:58:44.480 --> 0:58:48.480
<v Speaker 4>I don't have to perform stupid place my masculinity. You

0:58:48.520 --> 0:58:49.200
<v Speaker 4>feel what I'm saying.

0:58:49.640 --> 0:58:49.880
<v Speaker 5>I don't.

0:58:50.600 --> 0:58:52.160
<v Speaker 4>I don't have to crash. I don't do stuff to

0:58:52.240 --> 0:58:54.120
<v Speaker 4>prove stuff to myself because I don't have nothing proved

0:58:54.160 --> 0:58:59.240
<v Speaker 4>to myself. I don't care about all that, dog want

0:58:59.400 --> 0:58:59.920
<v Speaker 4>look out here.

0:59:00.960 --> 0:59:02.840
<v Speaker 3>Yeah, what I was gonna say is that the thing

0:59:02.920 --> 0:59:05.320
<v Speaker 3>that makes is so dangerous and I think even probably

0:59:06.440 --> 0:59:10.480
<v Speaker 3>more Lauren, is that here you got a bunch of

0:59:10.560 --> 0:59:16.560
<v Speaker 3>faceless cheerleaders that are giving you rewards for acting that

0:59:16.680 --> 0:59:21.120
<v Speaker 3>complete ass, like for acting way out of character you getting.

0:59:21.320 --> 0:59:23.600
<v Speaker 1>They're like, oh man, he going crazy right now.

0:59:23.720 --> 0:59:26.280
<v Speaker 3>Oh we gonna not not only are we gonna cheer

0:59:26.360 --> 0:59:29.040
<v Speaker 3>it on, we're gonna clip this podcast and we're gonna

0:59:29.080 --> 0:59:29.920
<v Speaker 3>send it to the other one.

0:59:29.960 --> 0:59:31.760
<v Speaker 1>I had somebody that's it.

0:59:32.040 --> 0:59:34.240
<v Speaker 3>I don't don't my crash outs online to be a

0:59:34.280 --> 0:59:36.880
<v Speaker 3>lot different because I don't be emotionally involved in this situation.

0:59:36.920 --> 0:59:38.840
<v Speaker 3>But people say some crazy shit about me, and every

0:59:38.840 --> 0:59:41.360
<v Speaker 3>once in a while I gotta remind them, like dog,

0:59:41.440 --> 0:59:43.720
<v Speaker 3>don't don't like, don't let the thumbnails fuck you up,

0:59:43.840 --> 0:59:45.720
<v Speaker 3>like I'm not like I'm I'm I have.

0:59:45.920 --> 0:59:48.000
<v Speaker 1>It took me a long time to become this kind.

0:59:49.840 --> 0:59:53.520
<v Speaker 3>I've had my situations, and I realize there are people

0:59:53.560 --> 0:59:57.080
<v Speaker 3>who sit online chronically online that will take what you

0:59:57.200 --> 1:00:01.720
<v Speaker 3>said out of context, run to the next person and say, yo,

1:00:01.760 --> 1:00:03.440
<v Speaker 3>I think he might be talking about you.

1:00:04.720 --> 1:00:04.880
<v Speaker 1>Now.

1:00:05.000 --> 1:00:06.960
<v Speaker 3>All of a sudden, this person is trying to make

1:00:07.000 --> 1:00:09.440
<v Speaker 3>themselves the center of my world, the center of my

1:00:09.520 --> 1:00:13.080
<v Speaker 3>attention because of what this acd this little person said,

1:00:13.360 --> 1:00:17.520
<v Speaker 3>and they get to disappear. So I think the cheerleader,

1:00:17.560 --> 1:00:20.280
<v Speaker 3>I think that the instigating where it's not even sometimes

1:00:20.400 --> 1:00:22.800
<v Speaker 3>just the people. You gotta take accountability for your emotions.

1:00:22.840 --> 1:00:27.160
<v Speaker 3>But we know the internet was made to trigger emotions

1:00:27.240 --> 1:00:29.919
<v Speaker 3>that keep us on the internet longer. That's the less

1:00:29.960 --> 1:00:32.520
<v Speaker 3>the DNA of Instagram, the DNA of Facebook.

1:00:32.560 --> 1:00:32.960
<v Speaker 1>YouTube.

1:00:33.200 --> 1:00:35.080
<v Speaker 3>That's why I don't care what you into. I'm into

1:00:35.520 --> 1:00:38.200
<v Speaker 3>My Lakers is my favorite thing, right. They know how

1:00:38.240 --> 1:00:40.520
<v Speaker 3>to keep me on YouTube, past past, when I want to,

1:00:40.640 --> 1:00:43.600
<v Speaker 3>when I want to stay away, they just keep feeding

1:00:43.640 --> 1:00:46.080
<v Speaker 3>me up shit. So what that said, I think the

1:00:46.160 --> 1:00:48.000
<v Speaker 3>same thing is happening. And I think a lot of

1:00:48.040 --> 1:00:51.680
<v Speaker 3>these brothers don't realize how much of a mental warfare

1:00:52.480 --> 1:00:55.480
<v Speaker 3>it has been put upon them, and how their algorithm

1:00:55.600 --> 1:00:59.880
<v Speaker 3>is literally designed for their destruction. But then some of

1:00:59.920 --> 1:01:02.760
<v Speaker 3>the and that also was them watching destruction and the

1:01:02.840 --> 1:01:04.680
<v Speaker 3>algorithm saying, okay, you want more of that.

1:01:05.160 --> 1:01:05.640
<v Speaker 5>I got you.

1:01:07.000 --> 1:01:09.880
<v Speaker 4>You see what it is now? Man, People really getting

1:01:09.880 --> 1:01:12.600
<v Speaker 4>themselves in a lot of trouble on this computer talking man.

1:01:13.680 --> 1:01:18.160
<v Speaker 4>And that's the thing. When you have through confidence in yourself, man,

1:01:18.240 --> 1:01:21.920
<v Speaker 4>and you have good self esteem, you don't concern yourself

1:01:22.000 --> 1:01:25.040
<v Speaker 4>with the activities of just these peons. It's like, Man,

1:01:25.440 --> 1:01:28.919
<v Speaker 4>my grandfather used to have a saying, man lines, don't

1:01:28.920 --> 1:01:30.200
<v Speaker 4>associate with hyenas.

1:01:31.680 --> 1:01:32.440
<v Speaker 1>I definitely heard that.

1:01:32.600 --> 1:01:34.720
<v Speaker 4>Yeah, you feel what I'm saying. So it's like, man,

1:01:34.760 --> 1:01:37.000
<v Speaker 4>I never felt the need to go back to somebody

1:01:37.400 --> 1:01:39.760
<v Speaker 4>and prove myself all Man, he said this about me

1:01:39.840 --> 1:01:41.800
<v Speaker 4>and my bother man. First of all, I'm not trying

1:01:41.840 --> 1:01:43.960
<v Speaker 4>to go see it for nobody's jail, because see, I'm

1:01:43.960 --> 1:01:46.200
<v Speaker 4>gonna tell you I'm one of them guys that's probably

1:01:46.240 --> 1:01:49.360
<v Speaker 4>willing to take stuff a little bit further than what

1:01:49.480 --> 1:01:51.440
<v Speaker 4>you think is though. Go gos. I don't bother nobody.

1:01:51.520 --> 1:01:53.880
<v Speaker 4>So if you can feed my peace of mind and

1:01:54.000 --> 1:01:56.240
<v Speaker 4>I feel my family is in dangerous something like that,

1:01:56.280 --> 1:01:58.760
<v Speaker 4>I'm gonna take stuff to another fiction level that you

1:01:58.880 --> 1:02:01.080
<v Speaker 4>might not want to. I know that about myself, so

1:02:01.160 --> 1:02:03.480
<v Speaker 4>I don't even engage because it's not worth it.

1:02:04.440 --> 1:02:07.160
<v Speaker 3>You know my new favorite saying, because somebody tried me

1:02:07.320 --> 1:02:10.560
<v Speaker 3>like that recently and he found out. He found out

1:02:10.600 --> 1:02:12.000
<v Speaker 3>how much I know how to use the internet too,

1:02:12.000 --> 1:02:13.440
<v Speaker 3>because he got a bigger platform than me, and he

1:02:13.560 --> 1:02:17.880
<v Speaker 3>tried it, and he he didn't realize how many enemies

1:02:17.920 --> 1:02:20.320
<v Speaker 3>he had made throughout, throughout, throughout, throughout the years. I'm

1:02:20.320 --> 1:02:23.880
<v Speaker 3>not a've gonna bring him up, but I say, leave quiet,

1:02:24.000 --> 1:02:28.200
<v Speaker 3>loud people alone. I'm loud on my platform. It's my platform.

1:02:28.600 --> 1:02:30.840
<v Speaker 3>I talk about a lot of things going on in

1:02:30.960 --> 1:02:33.240
<v Speaker 3>hip hop because I'm passionate about it and because I've

1:02:33.320 --> 1:02:36.240
<v Speaker 3>done it. I'm I'm an independent artist. I call myself

1:02:36.280 --> 1:02:39.440
<v Speaker 3>a di I wire right, I do it yourself. I

1:02:39.480 --> 1:02:43.160
<v Speaker 3>don't go bothering nobody else's platform. But if you bring

1:02:43.280 --> 1:02:45.120
<v Speaker 3>that to me and you think that I'm just gonna

1:02:45.120 --> 1:02:47.080
<v Speaker 3>be docile and look the other way and not say

1:02:47.160 --> 1:02:49.720
<v Speaker 3>nothing about it, First of all, you we gotta be

1:02:49.760 --> 1:02:52.960
<v Speaker 3>equally yoke for me to even say something. But there's

1:02:53.000 --> 1:02:56.000
<v Speaker 3>some people who will who will try you because they

1:02:56.080 --> 1:02:59.360
<v Speaker 3>are under the assumption that you are a easy target.

1:03:00.200 --> 1:03:01.800
<v Speaker 3>And that's when I got to really think about this

1:03:01.920 --> 1:03:04.520
<v Speaker 3>in a holistic way and say, first of all, this

1:03:04.720 --> 1:03:05.560
<v Speaker 3>is worth the energy?

1:03:06.520 --> 1:03:06.640
<v Speaker 5>Is it?

1:03:06.880 --> 1:03:07.040
<v Speaker 4>Is it?

1:03:07.240 --> 1:03:09.439
<v Speaker 1>Is it derailing what I've already been building.

1:03:10.360 --> 1:03:12.360
<v Speaker 3>Or is there an opportunity here to make sure that

1:03:12.480 --> 1:03:14.280
<v Speaker 3>this person serves as an example of why you.

1:03:14.320 --> 1:03:16.240
<v Speaker 1>Don't fuck with certain people just leave them alone?

1:03:21.640 --> 1:03:21.840
<v Speaker 5>Yeah?

1:03:21.880 --> 1:03:23.920
<v Speaker 4>You know what, man, this is what I said about that.

1:03:25.520 --> 1:03:27.680
<v Speaker 4>I don't think that we should ever go looking for

1:03:27.800 --> 1:03:30.840
<v Speaker 4>somebody man, Like that's my thing. I don't look now.

1:03:30.920 --> 1:03:32.840
<v Speaker 4>I do have a list of people on his hand

1:03:33.240 --> 1:03:34.919
<v Speaker 4>that I say, you know what, if I see this dude,

1:03:34.920 --> 1:03:40.120
<v Speaker 4>I'm gonna knock his ass out. But I don't want

1:03:40.160 --> 1:03:41.760
<v Speaker 4>to trust him. I'm not going to go look for

1:03:41.880 --> 1:03:42.240
<v Speaker 4>him either.

1:03:43.920 --> 1:03:46.760
<v Speaker 3>Yeah, and sometimes got to make sure you never cross

1:03:46.800 --> 1:03:48.600
<v Speaker 3>paths with this person because they know how serious it

1:03:48.720 --> 1:03:50.160
<v Speaker 3>is you on.

1:03:50.240 --> 1:03:52.960
<v Speaker 4>This list right here. That means you really disrespected me though,

1:03:53.680 --> 1:03:55.520
<v Speaker 4>And when I see you, I'm gonna make you stand

1:03:55.560 --> 1:03:59.080
<v Speaker 4>on everything you ever said, and it's gonna get ugly, right.

1:03:59.200 --> 1:04:01.560
<v Speaker 4>But I'm not wanting to look for that person. I

1:04:01.600 --> 1:04:01.960
<v Speaker 4>don't think.

1:04:02.040 --> 1:04:02.200
<v Speaker 5>Man.

1:04:02.520 --> 1:04:06.440
<v Speaker 4>Again, lines don't concern themselves with the activities of hyena, man,

1:04:06.520 --> 1:04:08.520
<v Speaker 4>because we don't have time for that.

1:04:08.680 --> 1:04:08.840
<v Speaker 5>Man.

1:04:09.040 --> 1:04:11.480
<v Speaker 4>It's like a lot of these dudes. Man, it's just

1:04:12.080 --> 1:04:13.840
<v Speaker 4>a lot of these people. Man, something wrong with some

1:04:13.920 --> 1:04:17.520
<v Speaker 4>of these people. First of all, some of these problems.

1:04:17.560 --> 1:04:22.040
<v Speaker 3>Man, how often you ask yourself is this person rap

1:04:22.120 --> 1:04:24.560
<v Speaker 3>too How many times do you tell yourself, like, I

1:04:24.600 --> 1:04:26.240
<v Speaker 3>don't think this person is rap too tight?

1:04:26.840 --> 1:04:28.960
<v Speaker 1>And I'm not even people tell us.

1:04:28.880 --> 1:04:30.520
<v Speaker 4>Something that's wrong with them, man, because they don't act

1:04:30.560 --> 1:04:32.320
<v Speaker 4>like that. I'm gonna tell you something. This is the

1:04:32.360 --> 1:04:35.880
<v Speaker 4>truth right right. I love black people. I love my people, man,

1:04:36.200 --> 1:04:38.080
<v Speaker 4>And this is big fact.

1:04:38.160 --> 1:04:38.360
<v Speaker 5>Though.

1:04:39.120 --> 1:04:41.560
<v Speaker 4>Do you see any other race of people doing the

1:04:41.600 --> 1:04:43.520
<v Speaker 4>stuff that are forty and fifty year old men be

1:04:43.600 --> 1:04:50.680
<v Speaker 4>doing wine? Think about it. Brow. Now you have some

1:04:50.880 --> 1:04:53.200
<v Speaker 4>people who you know, like you've got the dude, some

1:04:53.360 --> 1:04:55.400
<v Speaker 4>jackass to get all the little silly, little stunts and

1:04:55.400 --> 1:04:58.000
<v Speaker 4>stuff like that. I'm not talking about that they getting

1:04:58.040 --> 1:05:00.200
<v Speaker 4>paid and making a lot of money doing what they do, right,

1:05:00.760 --> 1:05:04.160
<v Speaker 4>But the just the stuff out here, man, just the

1:05:04.240 --> 1:05:06.360
<v Speaker 4>stuff that used to be quiet. You know, from the

1:05:06.400 --> 1:05:08.320
<v Speaker 4>era I'm from. If you was a gang banger man,

1:05:08.320 --> 1:05:10.160
<v Speaker 4>you didn't believe want nobody to know you banged, if

1:05:10.200 --> 1:05:12.479
<v Speaker 4>you sold dope, you didn't want nobody know you sold dope,

1:05:12.760 --> 1:05:14.680
<v Speaker 4>If you was really into that life, you just kind

1:05:14.720 --> 1:05:17.320
<v Speaker 4>of was just low key. Yeah, you just kind of

1:05:17.360 --> 1:05:19.120
<v Speaker 4>stayed to yourself because you knew what it could be.

1:05:19.280 --> 1:05:23.080
<v Speaker 4>Right these dudes today, man, again, everybody is trying to

1:05:23.200 --> 1:05:27.640
<v Speaker 4>become the ghetto god. Everybody wants to be the ghetto guy.

1:05:27.920 --> 1:05:30.120
<v Speaker 4>And if you notice the ghetto god. Man, they die

1:05:30.200 --> 1:05:32.080
<v Speaker 4>all over the world. They get proven not to be

1:05:32.160 --> 1:05:34.360
<v Speaker 4>gods because they get knocked down all the time and

1:05:34.520 --> 1:05:36.840
<v Speaker 4>be surprised when it happened. Like, man, you saw they

1:05:36.960 --> 1:05:39.680
<v Speaker 4>knocked such and such down. Man, that's the such a

1:05:39.720 --> 1:05:41.360
<v Speaker 4>such as just a man at the end of the day.

1:05:41.680 --> 1:05:42.400
<v Speaker 1>At the end of the day.

1:05:42.520 --> 1:05:46.360
<v Speaker 3>Yeah, yeah, But you know what I am encouraged by

1:05:46.440 --> 1:05:48.000
<v Speaker 3>because I hear what you're saying, and I think that

1:05:48.120 --> 1:05:49.560
<v Speaker 3>that is a very real issue.

1:05:49.640 --> 1:05:53.240
<v Speaker 1>That is a lot of that stuff too. What they

1:05:53.280 --> 1:05:53.560
<v Speaker 1>call that.

1:05:55.720 --> 1:05:58.280
<v Speaker 3>The I forget the law. It's like one of them

1:05:58.360 --> 1:06:01.720
<v Speaker 3>laws of human nature or like that stuff. I don't

1:06:01.760 --> 1:06:04.440
<v Speaker 3>know if it's dar wisdom, but like it finds its

1:06:04.480 --> 1:06:07.280
<v Speaker 3>way to work in itself out as we evolve as people.

1:06:07.760 --> 1:06:11.200
<v Speaker 3>I do think I'm encouraged by the same Internet that

1:06:11.280 --> 1:06:13.280
<v Speaker 3>we can use, as you were saying earlier, to do

1:06:13.360 --> 1:06:17.680
<v Speaker 3>all of this goofy shit and have it be amplified

1:06:17.720 --> 1:06:20.040
<v Speaker 3>all over the world. It's the same Internet that allows

1:06:20.080 --> 1:06:22.520
<v Speaker 3>me to have a conversation with somebody who never came

1:06:22.640 --> 1:06:24.840
<v Speaker 3>up like I came up, and give me a different

1:06:25.280 --> 1:06:27.880
<v Speaker 3>way to think about life, give me a different way

1:06:27.920 --> 1:06:31.120
<v Speaker 3>to address issues on a daily basis. That's why I

1:06:31.200 --> 1:06:34.720
<v Speaker 3>look at my responsibility sometimes in the space, Like when

1:06:34.760 --> 1:06:37.600
<v Speaker 3>I was first just doing producer content on YouTube, I

1:06:37.720 --> 1:06:39.480
<v Speaker 3>made an emphasis to be not just a god that

1:06:39.560 --> 1:06:42.000
<v Speaker 3>did tutorials, but the guy that talked about mental health,

1:06:42.720 --> 1:06:44.840
<v Speaker 3>the one that wasn't afraid to talk about the history

1:06:44.880 --> 1:06:46.760
<v Speaker 3>of my people. And I'm gonna find a way to

1:06:46.760 --> 1:06:49.160
<v Speaker 3>bring it into what I'm doing. And I got a

1:06:49.200 --> 1:06:50.840
<v Speaker 3>lot of hell because it wasn't a lot of black

1:06:50.880 --> 1:06:54.439
<v Speaker 3>concent creators, even though this is a traditionally black art form.

1:06:55.240 --> 1:06:58.800
<v Speaker 1>They were giving me health. I got called things and

1:06:58.880 --> 1:06:59.760
<v Speaker 1>mind you, I didn't been.

1:07:00.120 --> 1:07:02.440
<v Speaker 3>I went to Paramount High where first time I ever

1:07:02.480 --> 1:07:05.040
<v Speaker 3>heard somebody call call me uh the N word with

1:07:05.120 --> 1:07:08.120
<v Speaker 3>the e R was at Paramount High. And it was

1:07:08.200 --> 1:07:09.640
<v Speaker 3>during the it was it was during the midst of

1:07:09.680 --> 1:07:13.320
<v Speaker 3>a race war, and it was like Black folks was

1:07:13.360 --> 1:07:15.960
<v Speaker 3>out numbered probably about ninety five percent to about three.

1:07:19.120 --> 1:07:23.480
<v Speaker 1>Huh you no glasses hit now Glasses.

1:07:23.560 --> 1:07:25.000
<v Speaker 3>Glasses been a little bit older than me, but I

1:07:25.240 --> 1:07:29.440
<v Speaker 3>was going there probably two thousand probably to uh had

1:07:29.480 --> 1:07:31.280
<v Speaker 3>to be like two thousand, two thousand and one.

1:07:31.440 --> 1:07:33.520
<v Speaker 4>But yeah, you definitely Glasses was going already.

1:07:33.960 --> 1:07:38.520
<v Speaker 3>Yes, I say all that to say I had that happen.

1:07:38.600 --> 1:07:40.680
<v Speaker 3>I had a dude tell me one time. He was like, man,

1:07:41.760 --> 1:07:43.640
<v Speaker 3>give me the answer to the to the test. And

1:07:43.680 --> 1:07:45.920
<v Speaker 3>I was saying, give me you ship. He said, all right, well,

1:07:45.920 --> 1:07:47.800
<v Speaker 3>I'm gonna just tell all the Latino as you said,

1:07:47.880 --> 1:07:48.520
<v Speaker 3>f Mexicans.

1:07:49.880 --> 1:07:50.280
<v Speaker 5>M hmm.

1:07:51.000 --> 1:07:54.360
<v Speaker 1>Now you got me fighting thirty forty people. It's see

1:07:54.480 --> 1:07:56.080
<v Speaker 1>the answer is see ship. Let me alone.

1:07:58.680 --> 1:08:00.240
<v Speaker 3>I say all that to say that the n that

1:08:01.560 --> 1:08:03.800
<v Speaker 3>has by far and I've I've been called some crazy

1:08:03.880 --> 1:08:05.600
<v Speaker 3>things to my face and I didn't fought form and

1:08:05.640 --> 1:08:05.920
<v Speaker 3>all of that.

1:08:06.560 --> 1:08:08.960
<v Speaker 1>I've been called more crazy thing. The first somebody's been

1:08:08.960 --> 1:08:11.000
<v Speaker 1>called a porch monkey. And I know, I don't. I don't.

1:08:11.000 --> 1:08:11.280
<v Speaker 1>I don't.

1:08:11.360 --> 1:08:13.720
<v Speaker 3>Look sometimes people think I'm Puerto Rican or whatever, but

1:08:13.800 --> 1:08:15.760
<v Speaker 3>like I'm I'm black. I'm black, and what my my

1:08:15.920 --> 1:08:20.200
<v Speaker 3>name is? D apostrophe w A nd wan. But I

1:08:20.240 --> 1:08:21.920
<v Speaker 3>didn't have people call me all kinds of things. But

1:08:22.040 --> 1:08:23.439
<v Speaker 3>I'm like, damn, I only heard.

1:08:23.320 --> 1:08:23.960
<v Speaker 1>This in the books.

1:08:25.160 --> 1:08:26.760
<v Speaker 3>You don't know the Catcher and the Ride, all these

1:08:26.800 --> 1:08:28.599
<v Speaker 3>kind of shit. I only see this in the movies

1:08:28.920 --> 1:08:31.360
<v Speaker 3>and the slave movies. All that came out of the

1:08:31.439 --> 1:08:33.360
<v Speaker 3>Internet and this is a different type of YouTube.

1:08:33.880 --> 1:08:34.280
<v Speaker 1>I say all.

1:08:34.280 --> 1:08:37.560
<v Speaker 3>I have to say that there's so much of that

1:08:38.600 --> 1:08:42.280
<v Speaker 3>that goes unaccounted for. And I came into this with

1:08:42.560 --> 1:08:44.960
<v Speaker 3>very I thought I had thicker skin to what I had,

1:08:46.560 --> 1:08:48.320
<v Speaker 3>and I had to learn it quickly.

1:08:48.120 --> 1:08:50.600
<v Speaker 1>Because I can't. You can't fight everybody.

1:08:52.439 --> 1:08:55.280
<v Speaker 4>Broke and you can't care man, because you That's the

1:08:55.360 --> 1:08:58.240
<v Speaker 4>thing you gotta remember. Man, Half these people, Man, if

1:08:58.280 --> 1:09:00.360
<v Speaker 4>they saw you in a Walmart somewhere, don't you do,

1:09:00.400 --> 1:09:04.519
<v Speaker 4>They're not gonna say nothing to you. They thrive on animenity. Man.

1:09:04.640 --> 1:09:07.720
<v Speaker 4>So it's like, man, it's like it's like arguing with

1:09:07.840 --> 1:09:10.719
<v Speaker 4>a motherfucker on Instagram who ain't got no profile pictures.

1:09:11.120 --> 1:09:12.680
<v Speaker 1>I don't do it no more. Now you know what

1:09:12.720 --> 1:09:13.080
<v Speaker 1>I'm saying.

1:09:13.120 --> 1:09:15.680
<v Speaker 5>It's like you have and know me.

1:09:15.680 --> 1:09:16.920
<v Speaker 4>I ain't even paying no attention to you.

1:09:17.640 --> 1:09:19.840
<v Speaker 1>And that be the loudest too. I'm like, how you got?

1:09:19.920 --> 1:09:22.479
<v Speaker 3>How are you the loudest about somebody's appearance? And you

1:09:22.560 --> 1:09:25.240
<v Speaker 3>won't even you too scared to upload a photo of yourself.

1:09:26.280 --> 1:09:28.920
<v Speaker 4>That's what I'm saying. Because they thrive on animenity, man,

1:09:30.560 --> 1:09:32.880
<v Speaker 4>I mean you you got cats?

1:09:32.920 --> 1:09:35.639
<v Speaker 5>Hold me that make a page? Just to go through

1:09:35.720 --> 1:09:36.920
<v Speaker 5>hate mm hmm.

1:09:37.360 --> 1:09:39.040
<v Speaker 3>But see what they don't understand is I came up

1:09:39.080 --> 1:09:40.800
<v Speaker 3>in l A U. S. D. And if you didn't

1:09:40.800 --> 1:09:42.679
<v Speaker 3>know how to clown somebody, you're gonna have a hard

1:09:42.760 --> 1:09:45.800
<v Speaker 3>time in them years. And it's been a situation where

1:09:45.800 --> 1:09:47.920
<v Speaker 3>I'm like, I better get some jokes. I better find

1:09:47.960 --> 1:09:50.439
<v Speaker 3>some jokes because if not, I'm finna be lit up

1:09:50.439 --> 1:09:52.760
<v Speaker 3>every single day until somebody saying, no, leave them alone,

1:09:52.840 --> 1:09:53.400
<v Speaker 3>leave them alone.

1:09:53.560 --> 1:09:55.640
<v Speaker 4>You know, you know what I wanted to ask, ask you,

1:09:55.800 --> 1:09:59.320
<v Speaker 4>sex man, But see this crazy brn. I'm the little

1:09:59.360 --> 1:10:01.040
<v Speaker 4>sex then in the twenty years, and no, I never

1:10:01.080 --> 1:10:02.639
<v Speaker 4>asked no this ship when I'm around them.

1:10:03.000 --> 1:10:03.400
<v Speaker 5>Oh wow.

1:10:04.320 --> 1:10:07.600
<v Speaker 4>Do you remember when Q found yo Yo? Whe did

1:10:07.640 --> 1:10:08.400
<v Speaker 4>he always know her?

1:10:09.280 --> 1:10:09.479
<v Speaker 1>Nah?

1:10:09.680 --> 1:10:14.120
<v Speaker 5>He met her through jinks because Yoyo when we all

1:10:14.160 --> 1:10:14.960
<v Speaker 5>went to school together.

1:10:17.040 --> 1:10:18.840
<v Speaker 4>Really, was she wrapping back you when you went to

1:10:18.880 --> 1:10:19.400
<v Speaker 4>school with her?

1:10:20.040 --> 1:10:22.280
<v Speaker 5>Yeah? Yeah she was. She was in this school called

1:10:22.320 --> 1:10:23.000
<v Speaker 5>Depth City.

1:10:22.840 --> 1:10:28.200
<v Speaker 4>Girls, Deaf City Girls. Yeah, so she wrote all her own.

1:10:28.040 --> 1:10:30.519
<v Speaker 5>Shit back in the day she did.

1:10:30.640 --> 1:10:34.439
<v Speaker 4>Yeah, Yoya art Man, Yoya was always one of my

1:10:34.560 --> 1:10:37.320
<v Speaker 4>favorite female mcs. You know, the West Coast. I don't

1:10:37.360 --> 1:10:40.479
<v Speaker 4>know why the West Coast don't have no real female MC's. Like,

1:10:40.560 --> 1:10:42.200
<v Speaker 4>you know, people could say rage, but she went in

1:10:42.320 --> 1:10:44.680
<v Speaker 4>really a West coast. She was from VA, you know.

1:10:45.720 --> 1:10:46.760
<v Speaker 5>Yeah, there's a.

1:10:46.760 --> 1:10:49.280
<v Speaker 3>Lot of transplants though. I think that's what makes it

1:10:49.400 --> 1:10:53.000
<v Speaker 3>so unique, is that one thing is undeniable. I don't

1:10:53.000 --> 1:10:55.880
<v Speaker 3>care where you're from when you touch down here. The

1:10:55.920 --> 1:10:58.160
<v Speaker 3>same thing happened at Dilla too, when Dyla mat Mad

1:10:58.200 --> 1:11:01.679
<v Speaker 3>live out here. Hm, them drums start slumping a little

1:11:01.720 --> 1:11:03.840
<v Speaker 3>bit more. They started swinging a little bit more all

1:11:03.880 --> 1:11:06.439
<v Speaker 3>of a sudden, he using basslines you never really heard

1:11:06.479 --> 1:11:07.000
<v Speaker 3>in his beats.

1:11:07.840 --> 1:11:08.960
<v Speaker 1>When you come over here and you.

1:11:09.080 --> 1:11:11.960
<v Speaker 3>Touch down, it's something about this cooking, It's something about

1:11:12.000 --> 1:11:15.080
<v Speaker 3>this environment. It's something about the speed of life that

1:11:15.280 --> 1:11:17.040
<v Speaker 3>leaves an imprint on you no matter where you're from.

1:11:17.080 --> 1:11:20.800
<v Speaker 3>But I agree with you, was that, Yeah, in terms

1:11:20.800 --> 1:11:25.400
<v Speaker 3>of homegrown talent, you know it. Yeah, it's a list,

1:11:25.560 --> 1:11:27.400
<v Speaker 3>it's a list for sure. But yeah, that's that's one

1:11:27.400 --> 1:11:29.599
<v Speaker 3>of those where it's like I don't even look at

1:11:29.640 --> 1:11:30.599
<v Speaker 3>them as not being from here.

1:11:31.960 --> 1:11:36.680
<v Speaker 4>Yeah, that's crazy, man. You know what, one day we

1:11:36.680 --> 1:11:38.360
<v Speaker 4>would have to have Jinks come up here. Man. I

1:11:38.960 --> 1:11:42.360
<v Speaker 4>talked to Jinks actually on Instagram and me and was

1:11:42.400 --> 1:11:44.240
<v Speaker 4>going back and forth. We need to make that happen. Man,

1:11:44.360 --> 1:11:46.519
<v Speaker 4>Jinks is probably one of the most underrated dudes out

1:11:46.520 --> 1:11:46.720
<v Speaker 4>of here.

1:11:47.240 --> 1:11:49.120
<v Speaker 1>Oh man, we know, we know better.

1:11:49.240 --> 1:11:49.479
<v Speaker 5>We know.

1:11:51.280 --> 1:11:55.320
<v Speaker 4>Jeans don't do everybody. He did in some exhibits biggest records. Huh, Yeah,

1:11:56.520 --> 1:11:58.719
<v Speaker 4>Jeanstone did some big ass hip hop records.

1:11:58.760 --> 1:11:58.880
<v Speaker 5>Man.

1:11:58.880 --> 1:12:00.120
<v Speaker 4>That's the thing about it, man.

1:12:00.439 --> 1:12:05.200
<v Speaker 5>You know, huh that coolie rap album Bujie Wrap.

1:12:05.479 --> 1:12:07.720
<v Speaker 4>I'm saying, man, you know when you think about like

1:12:08.160 --> 1:12:10.479
<v Speaker 4>she probably just thinking about the changster rap side, but

1:12:10.600 --> 1:12:13.200
<v Speaker 4>he made some pivotal hip hop records. Man.

1:12:13.640 --> 1:12:18.400
<v Speaker 7>Yeah, who was twelve hundred Yep, that was a ship

1:12:18.479 --> 1:12:20.840
<v Speaker 7>for a minute a long time. That actually twelve Yeah,

1:12:21.080 --> 1:12:21.439
<v Speaker 7>you can.

1:12:21.479 --> 1:12:23.680
<v Speaker 4>Just tell the way that just bit rate swinging that

1:12:23.800 --> 1:12:27.200
<v Speaker 4>motherfucker dog. Just the way the drum sounded that motherfuger

1:12:27.200 --> 1:12:29.479
<v Speaker 4>you just sampled something that motherfug It sounds way different

1:12:29.640 --> 1:12:32.320
<v Speaker 4>than like in the NPC or something like that.

1:12:32.760 --> 1:12:35.680
<v Speaker 5>Shit, because that was that eight and twelve bit.

1:12:36.920 --> 1:12:38.880
<v Speaker 4>He just gave it a certain ring to a dog.

1:12:39.800 --> 1:12:40.000
<v Speaker 5>Yeah.

1:12:41.439 --> 1:12:43.240
<v Speaker 3>That's how e skill over here with the cheek holes

1:12:43.320 --> 1:12:45.840
<v Speaker 3>right now. Ea, Ski is utilizing a lot of them

1:12:45.880 --> 1:12:48.000
<v Speaker 3>sounds where it's like, why it sounds so much warmer

1:12:48.040 --> 1:12:49.600
<v Speaker 3>than the sounds that's coming out of f L in

1:12:49.680 --> 1:12:50.439
<v Speaker 3>the FL studio.

1:12:50.520 --> 1:12:52.519
<v Speaker 1>It's like, because it's not coming out of FL studio.

1:12:53.160 --> 1:12:56.479
<v Speaker 7>Yeah, he ski got a gang out board gear man,

1:12:56.560 --> 1:12:59.080
<v Speaker 7>all that analog out board gear that should be slumping

1:12:59.400 --> 1:13:00.439
<v Speaker 7>the converter and all that.

1:13:00.680 --> 1:13:01.680
<v Speaker 1>You know. I'm not. I'm not.

1:13:02.120 --> 1:13:04.200
<v Speaker 3>I didn't come up as a hardware hit. I had

1:13:04.240 --> 1:13:07.599
<v Speaker 3>to like learn from those who had hardware. I came

1:13:07.640 --> 1:13:09.720
<v Speaker 3>in at the tail end. Right, my mom's had a

1:13:11.880 --> 1:13:14.040
<v Speaker 3>a rolling Phantom and that was the first time I

1:13:14.080 --> 1:13:16.120
<v Speaker 3>had eating any kind of life physical equipment because I

1:13:16.120 --> 1:13:18.759
<v Speaker 3>just couldn't afford it. Right, I was on a Quiznos.

1:13:18.840 --> 1:13:20.679
<v Speaker 3>I was working at Quiznos. I had a Quizno's budget

1:13:20.680 --> 1:13:24.840
<v Speaker 3>living in Carson, and I never forget that keyboard came

1:13:24.880 --> 1:13:26.560
<v Speaker 3>with the floppy disc, and I just never got the

1:13:26.560 --> 1:13:29.240
<v Speaker 3>floppy disc. So anytime I made a beat, I made

1:13:29.240 --> 1:13:30.680
<v Speaker 3>the beat and I just had to like take it

1:13:30.760 --> 1:13:34.240
<v Speaker 3>and put the sounds right into my computer. But before that,

1:13:34.520 --> 1:13:37.559
<v Speaker 3>I was making beats on the PlayStation uh in TV

1:13:37.720 --> 1:13:39.320
<v Speaker 3>music generator WO.

1:13:39.520 --> 1:13:40.040
<v Speaker 5>I heard that.

1:13:40.160 --> 1:13:42.679
<v Speaker 4>That's when Son Weeds started making beats, said too, Yeah.

1:13:42.600 --> 1:13:44.400
<v Speaker 3>A lot of metro booming, a lot of the artists,

1:13:44.400 --> 1:13:46.160
<v Speaker 3>a lot of producers, because it was like we came

1:13:46.240 --> 1:13:50.000
<v Speaker 3>up where producers before my generation came up to where

1:13:50.000 --> 1:13:51.800
<v Speaker 3>it's like, you're not even a serious producer if you

1:13:51.840 --> 1:13:54.559
<v Speaker 3>don't got no hardware. A lot of us came up

1:13:54.600 --> 1:13:56.880
<v Speaker 3>where it was like, this is when the hardwares were

1:13:56.920 --> 1:13:59.160
<v Speaker 3>self aware of themselves, the companies, and they were like,

1:13:59.439 --> 1:14:02.120
<v Speaker 3>we can start taxing now, especially when you got scratch

1:14:02.200 --> 1:14:04.400
<v Speaker 3>magazines and I'm seeing all the ads and I'm like,

1:14:04.479 --> 1:14:06.719
<v Speaker 3>I want it, but my mom's.

1:14:06.479 --> 1:14:07.920
<v Speaker 1>Ain't fin the shelf. She ain't got the money the

1:14:08.000 --> 1:14:09.480
<v Speaker 1>shelf even working graveyard.

1:14:11.320 --> 1:14:13.320
<v Speaker 4>Then it was gonna be if you want the m

1:14:13.400 --> 1:14:15.679
<v Speaker 4>c PC back then, dog, I remember, it was gonna

1:14:15.680 --> 1:14:21.400
<v Speaker 4>be twenty five hundred dollars every bit, every bit five

1:14:21.520 --> 1:14:23.719
<v Speaker 4>hundred dollars. And that was if they had on sale.

1:14:23.760 --> 1:14:25.720
<v Speaker 4>Other than that, it was gonna be anywhere between three

1:14:25.800 --> 1:14:28.760
<v Speaker 4>thoy thirty twenty dollars. Man. And that was back then,

1:14:29.200 --> 1:14:32.280
<v Speaker 4>and I'm Jenny Man. The first drum machine I ever

1:14:32.360 --> 1:14:35.160
<v Speaker 4>got was because remember they had the little rent on programs, dads.

1:14:35.920 --> 1:14:39.599
<v Speaker 4>I remember you put me the rent turntables. I rented

1:14:39.640 --> 1:14:41.880
<v Speaker 4>a sp twelve hundred. Man, I think that things still

1:14:41.920 --> 1:14:48.400
<v Speaker 4>on my credit man, because I man I made drop off.

1:14:49.920 --> 1:14:52.560
<v Speaker 4>I had that, man, and I had that, and I

1:14:52.600 --> 1:14:54.519
<v Speaker 4>got a pre keyboard in the fore track.

1:14:55.040 --> 1:14:59.400
<v Speaker 3>Yeah see, I had a home in of mine that worked.

1:14:59.640 --> 1:15:01.960
<v Speaker 3>He worked to Lax and he started getting crazy checks

1:15:02.000 --> 1:15:04.720
<v Speaker 3>working at Lax and he was my collaborator. Shout out

1:15:04.720 --> 1:15:06.559
<v Speaker 3>to my guy John. When I was living in Carson,

1:15:06.640 --> 1:15:09.360
<v Speaker 3>he would he want. He was like, man, I'm gonna

1:15:09.360 --> 1:15:09.920
<v Speaker 3>get your MPC.

1:15:10.160 --> 1:15:10.840
<v Speaker 4>I was like, for real.

1:15:11.240 --> 1:15:12.360
<v Speaker 1>I was like, man, I appreciate it.

1:15:13.280 --> 1:15:16.120
<v Speaker 3>I sat there with it and I was like, I

1:15:16.120 --> 1:15:18.240
<v Speaker 3>don't know nobody that used this, and I was trying

1:15:18.280 --> 1:15:20.040
<v Speaker 3>to teach myself and I kind of figured out a

1:15:20.080 --> 1:15:20.559
<v Speaker 3>little bit.

1:15:20.920 --> 1:15:22.280
<v Speaker 1>And I was like, I think I kind of want

1:15:22.320 --> 1:15:23.839
<v Speaker 1>to see what's up with this fl studio.

1:15:24.479 --> 1:15:28.080
<v Speaker 3>I sold it and ended up getting to m Audio

1:15:28.160 --> 1:15:31.400
<v Speaker 3>b X e eighties or EBX eight eight, b X

1:15:31.479 --> 1:15:34.160
<v Speaker 3>eight was eighty whatever was the ones that was the

1:15:34.280 --> 1:15:38.160
<v Speaker 3>tall monitors that had so much base. My neighbor would

1:15:38.200 --> 1:15:40.479
<v Speaker 3>text me and say, Yo, that beat you working on

1:15:40.640 --> 1:15:43.439
<v Speaker 3>is hard. I said, you can hear it. He was like, yeah,

1:15:43.439 --> 1:15:46.360
<v Speaker 3>I'm upstairs. But that's what I ended up investing into

1:15:46.400 --> 1:15:48.120
<v Speaker 3>because I was like, what am I good at? I

1:15:48.240 --> 1:15:51.240
<v Speaker 3>wasn't a musician by trade. I never really had learned

1:15:51.280 --> 1:15:52.720
<v Speaker 3>finger drumm, and I was like, what am I good at?

1:15:52.800 --> 1:15:56.400
<v Speaker 3>I'm good with computers, and for me, FL Studio was like, okay,

1:15:56.680 --> 1:15:58.200
<v Speaker 3>I was on the rolling Fantom. I kind of got

1:15:58.240 --> 1:15:59.960
<v Speaker 3>a little idea how to work the keys from here.

1:16:00.840 --> 1:16:02.439
<v Speaker 3>I did the PlayStation. I kind of know how to

1:16:02.520 --> 1:16:05.960
<v Speaker 3>how to arrange in program. I took all those skills

1:16:06.000 --> 1:16:09.040
<v Speaker 3>that FL eventually our footy Loops whatever was called at

1:16:09.080 --> 1:16:11.280
<v Speaker 3>that time, and it was just a match made it

1:16:11.280 --> 1:16:12.519
<v Speaker 3>because it was like it was almost like going back

1:16:12.560 --> 1:16:13.160
<v Speaker 3>to the video game.

1:16:14.040 --> 1:16:17.680
<v Speaker 7>Not not not to cut you off, Brope, but if

1:16:17.720 --> 1:16:21.360
<v Speaker 7>you can man walk walk us through the process of

1:16:21.439 --> 1:16:23.960
<v Speaker 7>your beat making, like from from start to finish.

1:16:24.640 --> 1:16:24.800
<v Speaker 5>Right.

1:16:25.200 --> 1:16:27.479
<v Speaker 3>So it's crazy because I'm trying to see if I

1:16:27.560 --> 1:16:29.640
<v Speaker 3>got it on me right now, but I usually have

1:16:29.680 --> 1:16:31.599
<v Speaker 3>around me. I got a book called The Prosperous Hip

1:16:31.600 --> 1:16:35.880
<v Speaker 3>Hop Producer, and every single chapter of it is what

1:16:36.040 --> 1:16:36.880
<v Speaker 3>that process is.

1:16:37.560 --> 1:16:39.559
<v Speaker 1>It's just just the titles like the kicks and snares.

1:16:39.920 --> 1:16:40.639
<v Speaker 1>For me, now.

1:16:42.280 --> 1:16:45.720
<v Speaker 3>I've done every single process I can think of, from

1:16:46.479 --> 1:16:48.360
<v Speaker 3>you know, starting with the drum, starting with the method.

1:16:48.400 --> 1:16:51.320
<v Speaker 3>He's starting with all of these different things now because

1:16:51.360 --> 1:16:55.920
<v Speaker 3>of websites like Splice, because of you know, things that

1:16:56.080 --> 1:16:59.400
<v Speaker 3>allowed me to tap into musicians that will usually be

1:16:59.520 --> 1:17:03.400
<v Speaker 3>musicians higher. My process now is I'm a sample based

1:17:03.400 --> 1:17:06.000
<v Speaker 3>producer first, and I've been that. That's what got me

1:17:06.040 --> 1:17:08.599
<v Speaker 3>all of my first placements. I can do a little

1:17:08.600 --> 1:17:10.840
<v Speaker 3>bit of keywork, I'll play my bass and all of

1:17:10.920 --> 1:17:13.360
<v Speaker 3>that stuff, but for the most part, I just love

1:17:13.560 --> 1:17:16.719
<v Speaker 3>sampling and chopping up samples so I get a sample.

1:17:16.800 --> 1:17:18.240
<v Speaker 1>Nowadays, we got royalty free.

1:17:18.040 --> 1:17:20.760
<v Speaker 3>Samples that sound almost as good as the stuff you

1:17:20.840 --> 1:17:23.400
<v Speaker 3>used to get off of vinyl, and so now I'm

1:17:23.479 --> 1:17:25.240
<v Speaker 3>using these and I'm just chopping them up. It's like that,

1:17:25.800 --> 1:17:28.439
<v Speaker 3>not having to worry about sample clearance. I throw some

1:17:28.520 --> 1:17:31.000
<v Speaker 3>drums on it, and I kind of had this thing

1:17:31.040 --> 1:17:34.040
<v Speaker 3>where I need to mix as I go, because what

1:17:34.120 --> 1:17:37.360
<v Speaker 3>I'm trying to achieve is what I call an emotional

1:17:37.400 --> 1:17:38.720
<v Speaker 3>mix before a technical mix.

1:17:39.520 --> 1:17:39.680
<v Speaker 5>Right.

1:17:39.720 --> 1:17:41.280
<v Speaker 3>I had somebody tell me one time, and they said,

1:17:42.400 --> 1:17:48.040
<v Speaker 3>never confuse your responsibilities as the scientists and as the artists.

1:17:48.640 --> 1:17:48.960
<v Speaker 5>He said.

1:17:48.960 --> 1:17:51.680
<v Speaker 3>The problem is sometimes people think that they're being the

1:17:51.840 --> 1:17:55.320
<v Speaker 3>artist and they're actually being a overly technical scientist and

1:17:55.360 --> 1:17:58.600
<v Speaker 3>they're trying to tweak the compression settings and get attacking it.

1:17:58.800 --> 1:18:01.559
<v Speaker 3>So for me, I'm just going on to fly. Everything

1:18:01.680 --> 1:18:03.760
<v Speaker 3>is pure emotion, me just throwing pain at the wall.

1:18:04.640 --> 1:18:06.760
<v Speaker 3>After that, after I'm done being a kid, I'll be

1:18:06.800 --> 1:18:09.880
<v Speaker 3>an adult and I start mixing and organizing these ideas.

1:18:10.400 --> 1:18:12.160
<v Speaker 3>But from B to B, it really just depends on

1:18:12.200 --> 1:18:14.599
<v Speaker 3>who I'm working with. And now because I'm making beats

1:18:14.680 --> 1:18:18.360
<v Speaker 3>live on on on stream, like you know, even that's

1:18:18.439 --> 1:18:20.000
<v Speaker 3>changed my process a little bit because I know I

1:18:20.040 --> 1:18:22.519
<v Speaker 3>could have five hundred, six hundred people who squit in

1:18:22.600 --> 1:18:25.559
<v Speaker 3>AI is trying to figure out what I'm doing. It's

1:18:25.640 --> 1:18:28.400
<v Speaker 3>just it's it's a beautiful period now to to to

1:18:28.680 --> 1:18:30.439
<v Speaker 3>be making music because there's so many things you got

1:18:30.479 --> 1:18:33.160
<v Speaker 3>access to that's in software instead of you know, the

1:18:33.880 --> 1:18:37.040
<v Speaker 3>the heavy hardware sometimes so so you're an fl cap

1:18:37.600 --> 1:18:38.559
<v Speaker 3>FL studio all the way.

1:18:38.720 --> 1:18:38.920
<v Speaker 5>Yeah.

1:18:39.800 --> 1:18:43.000
<v Speaker 4>Okay, see man, I'm just not getting to where I

1:18:43.080 --> 1:18:46.120
<v Speaker 4>got MPC. I told you I want to MPC live Jazzy,

1:18:46.720 --> 1:18:50.519
<v Speaker 4>and I'm just getting to where I do the computer

1:18:50.680 --> 1:18:53.760
<v Speaker 4>based programming. I was always a hardware guy, and I

1:18:53.880 --> 1:18:56.680
<v Speaker 4>even know me even though I still got the like

1:18:56.760 --> 1:18:59.040
<v Speaker 4>the MPK two twenty five got the pass I got

1:18:59.160 --> 1:19:00.200
<v Speaker 4>to steal my trunk.

1:19:00.240 --> 1:19:00.720
<v Speaker 5>Like that, you know.

1:19:01.400 --> 1:19:03.679
<v Speaker 3>But you know what, these kids now, that's what I'm saying,

1:19:03.760 --> 1:19:05.760
<v Speaker 3>Like it ain't all bad with the kids because these

1:19:05.840 --> 1:19:10.479
<v Speaker 3>kids now want a physical experience because all they've known

1:19:10.680 --> 1:19:16.960
<v Speaker 3>is phone, iPad. Now they want something that feels real.

1:19:17.280 --> 1:19:19.439
<v Speaker 3>And I'm watching these kids now, who they're not good.

1:19:19.640 --> 1:19:20.840
<v Speaker 1>A lot of them they're not.

1:19:21.040 --> 1:19:23.200
<v Speaker 3>You know, they're not the best finger drummers, but at

1:19:23.280 --> 1:19:27.280
<v Speaker 3>least they're they're they're challenging themselves to go actually learn

1:19:27.320 --> 1:19:29.840
<v Speaker 3>an instrument, because I don't get a twisted finger drumm.

1:19:29.840 --> 1:19:31.680
<v Speaker 1>And it's learning an instrument, right.

1:19:31.800 --> 1:19:35.479
<v Speaker 3>The pockets, the rhythms, the way that you space your fingers,

1:19:35.520 --> 1:19:37.599
<v Speaker 3>these are all techniques you learn when you learn the keys.

1:19:38.560 --> 1:19:40.760
<v Speaker 3>So same thing with that. I just look at these

1:19:40.800 --> 1:19:43.280
<v Speaker 3>kids now where I'm like, Dug, y'all got a school

1:19:43.320 --> 1:19:47.679
<v Speaker 3>program that'll teach you how to use the NPC. I wish, Yeah,

1:19:48.160 --> 1:19:49.960
<v Speaker 3>we were still writing up whether or not rapp was

1:19:49.960 --> 1:19:50.720
<v Speaker 3>real music to them?

1:19:51.439 --> 1:19:54.080
<v Speaker 4>Yeah, they man. But you know what, though, the thing

1:19:54.360 --> 1:19:56.479
<v Speaker 4>is technology you have made it to where it's a

1:19:56.520 --> 1:19:58.519
<v Speaker 4>lot easier to do a lot of stuff, man, And

1:19:58.640 --> 1:20:00.479
<v Speaker 4>that's why I had to kind of get old and

1:20:00.560 --> 1:20:03.200
<v Speaker 4>get you know cause sometimes when you stuck in your ways,

1:20:03.240 --> 1:20:05.400
<v Speaker 4>you're like, man, ain't you know really making those beats

1:20:05.439 --> 1:20:07.840
<v Speaker 4>and you know whatever like that you sign you get

1:20:07.880 --> 1:20:10.280
<v Speaker 4>it done? Is it's all the same end result, you

1:20:10.320 --> 1:20:12.760
<v Speaker 4>know what I'm saying, man, But I appreciate you coming

1:20:12.800 --> 1:20:13.400
<v Speaker 4>to sit down.

1:20:13.280 --> 1:20:17.040
<v Speaker 1>With It's like, man, anytime an the invitation for real

1:20:17.600 --> 1:20:18.000
<v Speaker 1>for sure.

1:20:18.040 --> 1:20:20.400
<v Speaker 4>And this is one of those intellects for discussions man

1:20:20.400 --> 1:20:23.160
<v Speaker 4>about like halving every once in a while, man, just

1:20:23.360 --> 1:20:25.400
<v Speaker 4>kind of talk about some real stuff, stay kind of

1:20:25.479 --> 1:20:26.320
<v Speaker 4>rooted in reality.

1:20:26.439 --> 1:20:26.960
<v Speaker 5>What's going on?

1:20:27.800 --> 1:20:28.600
<v Speaker 1>Yeah, I mean it.

1:20:30.360 --> 1:20:32.439
<v Speaker 3>It's a beautiful thing that I think that the internet

1:20:32.479 --> 1:20:35.720
<v Speaker 3>does present the opportunity to be connected because I think

1:20:35.800 --> 1:20:40.400
<v Speaker 3>that all all those platforms that that y'all takeysue with,

1:20:40.479 --> 1:20:42.760
<v Speaker 3>I'll take issue with because I look at it and

1:20:42.840 --> 1:20:45.519
<v Speaker 3>I'm like, I know we can have so much more.

1:20:46.200 --> 1:20:49.599
<v Speaker 3>And I know that one day, two hundred years from now,

1:20:50.040 --> 1:20:52.639
<v Speaker 3>it's gonna be somebody who's studying our time and they're

1:20:52.640 --> 1:20:55.920
<v Speaker 3>gonna be trying to figure out like damn the you know,

1:20:56.080 --> 1:21:01.040
<v Speaker 3>these these folks were so talented, but they less society

1:21:01.160 --> 1:21:03.960
<v Speaker 3>stop them from making music at forty because of how

1:21:04.040 --> 1:21:07.479
<v Speaker 3>it looked. So you're trying to tell me God gave

1:21:07.560 --> 1:21:10.360
<v Speaker 3>you a gift to wrap, to write. And when you

1:21:10.479 --> 1:21:12.519
<v Speaker 3>get the most wise in your life in terms of

1:21:12.560 --> 1:21:15.360
<v Speaker 3>how you use your words, the most patient, that's when

1:21:15.400 --> 1:21:19.840
<v Speaker 3>you stop talking to people. Right, That's what I'm looking

1:21:19.840 --> 1:21:23.080
<v Speaker 3>at it. I'm forty, and I'm like, I'm re energized

1:21:23.200 --> 1:21:25.880
<v Speaker 3>knowing that you know, I still got my mornings, you know,

1:21:25.960 --> 1:21:28.679
<v Speaker 3>my my psiatic nerve, my back is kicking my ass.

1:21:28.720 --> 1:21:31.479
<v Speaker 3>But I'm excited that I get to tell stories that

1:21:31.560 --> 1:21:34.000
<v Speaker 3>the twenty year old me would love to hear about.

1:21:34.200 --> 1:21:36.720
<v Speaker 3>He want to know what's up the road, and I

1:21:36.800 --> 1:21:38.720
<v Speaker 3>know if I talk to him, I'm gonna talk to

1:21:38.760 --> 1:21:40.519
<v Speaker 3>some I'm gonna talk to Hawaiian. I'm gonna talk to

1:21:40.600 --> 1:21:43.160
<v Speaker 3>somebody who's like, damn, I never had nobody really say

1:21:43.200 --> 1:21:45.120
<v Speaker 3>it like this. For those who are doing all that

1:21:45.200 --> 1:21:48.000
<v Speaker 3>what you said earlier about shaming about age, you better

1:21:48.080 --> 1:21:51.240
<v Speaker 3>pray with all the things around you, all the stuff

1:21:51.280 --> 1:21:53.840
<v Speaker 3>in your ceilings, all the stuff and your food that

1:21:53.960 --> 1:21:56.360
<v Speaker 3>you able to make it here all in one piece.

1:21:56.400 --> 1:21:58.560
<v Speaker 3>I don't take that for granted, because I've seen a

1:21:58.600 --> 1:22:00.280
<v Speaker 3>lot of people that are supposed to be here ain't

1:22:00.320 --> 1:22:00.639
<v Speaker 3>here today.

1:22:02.240 --> 1:22:04.160
<v Speaker 1>So I salute you. I salute you both, and thank

1:22:04.200 --> 1:22:06.599
<v Speaker 1>you uh for allowing me to you know, sharing, your

1:22:06.800 --> 1:22:08.280
<v Speaker 1>sharing your platform. I appreciate that.

1:22:09.200 --> 1:22:11.400
<v Speaker 4>What show YouTube channels, I know those people that want

1:22:11.400 --> 1:22:12.840
<v Speaker 4>to go check you out, you already got you got

1:22:12.880 --> 1:22:14.240
<v Speaker 4>a big ass fellow on YouTube.

1:22:14.640 --> 1:22:17.400
<v Speaker 3>Yeah yeah, yeah yeah, Curtis King TV, Curtis King TV,

1:22:17.479 --> 1:22:20.240
<v Speaker 3>Curtis King with two s's. Uh And like my audience

1:22:20.240 --> 1:22:23.439
<v Speaker 3>always say hashtag r are. My mom's name is Rochelle.

1:22:23.840 --> 1:22:25.679
<v Speaker 3>I made a goal this shire to retire my mama.

1:22:25.800 --> 1:22:28.760
<v Speaker 3>So I've been putting up content every single day, going

1:22:28.840 --> 1:22:30.320
<v Speaker 3>live almost every single day.

1:22:30.760 --> 1:22:32.600
<v Speaker 1>And uh, just running up interviews.

1:22:33.360 --> 1:22:33.479
<v Speaker 4>Uh.

1:22:33.680 --> 1:22:35.920
<v Speaker 3>Tomorrow I got an interview with Daylight. I know Daylight

1:22:35.960 --> 1:22:38.880
<v Speaker 3>since I used to work at Quiznos back back way

1:22:38.920 --> 1:22:41.400
<v Speaker 3>before he became the the tattoo face Daylight. I remember

1:22:41.479 --> 1:22:44.679
<v Speaker 3>working with him at Quiznos. Uh during the night shift.

1:22:45.160 --> 1:22:47.960
<v Speaker 3>Uh in Homie Thursday's coming up on Friday. So it's

1:22:48.080 --> 1:22:50.200
<v Speaker 3>just it's it's it's a good I don't know when

1:22:50.200 --> 1:22:51.840
<v Speaker 3>it's Aaron, but I'm just saying it's a good time

1:22:51.920 --> 1:22:54.519
<v Speaker 3>right now, because with this window, with this light that's

1:22:54.560 --> 1:22:57.000
<v Speaker 3>being shine right now, because of what Kendrick did on

1:22:57.120 --> 1:22:59.280
<v Speaker 3>the West Coast, I'm not fitna be one of them

1:22:59.280 --> 1:23:02.280
<v Speaker 3>people that's gonna be sitting around and not doing nothing

1:23:02.320 --> 1:23:03.960
<v Speaker 3>about it. I want to make sure that while all

1:23:04.040 --> 1:23:05.760
<v Speaker 3>this attention is coming from the rest of the world

1:23:06.000 --> 1:23:08.960
<v Speaker 3>wanting to know about our history, I'm gonna do everything

1:23:09.040 --> 1:23:11.599
<v Speaker 3>I can to bring them, bring those voices in quiet

1:23:11.680 --> 1:23:13.080
<v Speaker 3>mind so that they can tell their stories.

1:23:13.479 --> 1:23:15.800
<v Speaker 1>So I appreciate y'all for sure.

1:23:15.880 --> 1:23:18.400
<v Speaker 4>For sure, y'all make sure y'all get home me such

1:23:18.439 --> 1:23:19.799
<v Speaker 4>tax what's youw on Instagram?

1:23:20.520 --> 1:23:22.880
<v Speaker 1>Same thing at Curtis King to US's, as long as

1:23:22.920 --> 1:23:23.880
<v Speaker 1>it's to US's.

1:23:24.040 --> 1:23:25.559
<v Speaker 4>At Curtis King, Saxon is yours?

1:23:26.680 --> 1:23:28.720
<v Speaker 5>Uh dazzy D dot O g d A z z

1:23:28.960 --> 1:23:31.040
<v Speaker 5>I E D E E dot og.

1:23:32.200 --> 1:23:35.040
<v Speaker 4>Y'all know, go follow us up Against Chronicles podcast if

1:23:35.040 --> 1:23:38.360
<v Speaker 4>you're not already, And on that note, we are out

1:23:38.400 --> 1:23:38.639
<v Speaker 4>of here.

1:23:40.160 --> 1:23:40.280
<v Speaker 5>Well.

1:23:40.320 --> 1:23:43.120
<v Speaker 4>That concludes another episode of the Gainst the Chronicles podcast.

1:23:43.240 --> 1:23:45.479
<v Speaker 4>Be sure to download the iHeart app and subscribe to

1:23:45.520 --> 1:23:48.760
<v Speaker 4>the Gangst Chronicles podcast for Apple users. Find a Purple

1:23:48.840 --> 1:23:50.840
<v Speaker 4>Michael on the front of your screen, subscribe to the show,

1:23:50.960 --> 1:23:53.800
<v Speaker 4>leave of comment and rating. Executive producers for The Gangst

1:23:53.920 --> 1:23:57.320
<v Speaker 4>Chronicles podcast Norman Stelled, Aaron M c a Tyler. Our

1:23:57.439 --> 1:24:00.280
<v Speaker 4>visual media director is Brian Whatt, and audio edit is

1:24:00.320 --> 1:24:00.560
<v Speaker 4>tell It.

1:24:00.640 --> 1:24:00.880
<v Speaker 5>Hayes.

1:24:01.120 --> 1:24:04.040
<v Speaker 4>Against the Chronicles is a production of iHeartMedia Network and

1:24:04.080 --> 1:24:07.760
<v Speaker 4>The Black Effect Podcast Network. For more podcasts from iHeartRadio,

1:24:07.880 --> 1:24:11.000
<v Speaker 4>visit the iHeart Radio app Apple Podcasts wherever you're listening

1:24:11.000 --> 1:24:11.760
<v Speaker 4>to your podcasts