WEBVTT - Best Bits of the Week

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<v Speaker 1>It's the best Bit of the week.

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<v Speaker 2>With Morgan Part two, she's breaking down the top seven

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<v Speaker 2>segments from the Bobby Bone Show this week.

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<v Speaker 3>What's up, everybody, Welcome to the Best Bits this weekend.

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<v Speaker 3>I hope you are having an awesome Easter weekend, celebrating

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<v Speaker 3>with family, friends and doing lots of fun Easter egg hunts.

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<v Speaker 3>I have one planned for my animals tomorrow, very exciting.

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<v Speaker 3>I put treats in little eggs and send them off

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<v Speaker 3>into the backyard and it's so fun. And then my

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<v Speaker 3>cat I put them kind of all randomly on the

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<v Speaker 3>counter and she just kind of swapped out them.

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<v Speaker 4>But it's fun nonetheless.

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<v Speaker 3>So I hope you guys are enjoying this Easter weekend

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<v Speaker 3>and thank you for being here.

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<v Speaker 4>We're going to catch up on the Bobby Bone Show.

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<v Speaker 3>If you want some extra content this weekend and you're

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<v Speaker 3>not doing Easter stuff, you can check out Part one,

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<v Speaker 3>Part three This weekend with Mike d Part one, we

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<v Speaker 3>catch up all on life and get some updates from Mike.

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<v Speaker 3>If you made a new friend in a run and club,

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<v Speaker 3>how the braces are going, his wife really wants a dog?

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<v Speaker 3>All that good stuff. And then Part three we answer

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<v Speaker 3>listener questions as always that I post on my Instagram page.

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<v Speaker 3>All right, everybody. The reason you are here, though, is

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<v Speaker 3>to catch up on the Bobby Bone Show. The top

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<v Speaker 3>seven segments from the show this week. Let's go wo Cardinals,

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<v Speaker 3>blue Jays.

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<v Speaker 4>Oh my.

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<v Speaker 3>We talked to All Things birds this week after an

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<v Speaker 3>actor shared an experience they had with a hawk and

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<v Speaker 3>how they think it was another actor sending them a sign,

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<v Speaker 3>and Amy kind of clarified her thoughts on birds and

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<v Speaker 3>how she feels with her mom and her dad and

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<v Speaker 3>that whole experience that she has, and maybe some people

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<v Speaker 3>can relate if they also have experience seeing their loved

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<v Speaker 3>ones in the birds.

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<v Speaker 5>Number seven, This made me, Thank you, Amy. So, Maggie Wheeler,

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<v Speaker 5>who played Janis on Friends, can you do the impression?

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<v Speaker 5>YEAHO fine, I'm getting her in the Nanny.

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<v Speaker 6>Yeah.

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<v Speaker 5>So she says she got a sign from Matthew Perry,

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<v Speaker 5>who played Chandler, and she was talking about it and

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<v Speaker 5>that sign was a hawk that flew over while she

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<v Speaker 5>was in a neighbor's pool. Now, I bring this up

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<v Speaker 5>because neither Amie's parents are alive and she believes they

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<v Speaker 5>are both birds. Her mom is a cardinal. Her dad

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<v Speaker 5>is a blue jay, and she got very excited because

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<v Speaker 5>she saw a cardinal and a blue jay together one

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<v Speaker 5>day and thought her parents were back together. And you

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<v Speaker 5>know what, that's exciting.

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<v Speaker 1>Yeah, yeah, no, they were rarely at the feeder together

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<v Speaker 1>and I was like, what, this is amazing.

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<v Speaker 5>So she saw this bird, a massive hawk. She also

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<v Speaker 5>lost her brother to addiction and says she got a

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<v Speaker 5>message from both of them recently. So that's quote. After

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<v Speaker 5>Matthew died Matthew Perry, I was in a neighbor's pool.

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<v Speaker 5>I was alone, there was nobody else around, and I

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<v Speaker 5>was on my back thinking, man, I shurely look out

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<v Speaker 5>for him, meaning Matthew Perry and her brother. And then

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<v Speaker 5>two hawks flew over her head and flew past her.

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<v Speaker 5>One circled around and the other one came down near her.

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<v Speaker 5>She was a beautiful moment.

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<v Speaker 1>That's legit.

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<v Speaker 6>That's so cool.

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<v Speaker 1>That's good for that's special for her.

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<v Speaker 5>I love that, I especially, Yeah, I guess I needed

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<v Speaker 5>to find what I think special? What do you think

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<v Speaker 5>special about that? Do you do you think that was

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<v Speaker 5>Matthew Perry and her brother.

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<v Speaker 1>Yeah, in like whatever way they could, she was given

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<v Speaker 1>that sign of like peace or whatever she needed in

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<v Speaker 1>that moment, because she was asking for that and she

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<v Speaker 1>got it.

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<v Speaker 5>Back to my question, do you think that Matthew Perry

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<v Speaker 5>was one of the birds.

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<v Speaker 1>Yeah, so I'm not exactly sure how it works because

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<v Speaker 1>I don't really think my mom is in the bird.

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<v Speaker 5>Oh well, the narrative has changed a bit.

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<v Speaker 1>It doesn't change, you know, I've always felt this way.

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<v Speaker 1>I don't think that she is physically in the bird

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<v Speaker 1>like her soul. She's not reincarnated as the bird.

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<v Speaker 6>That's what you me too.

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<v Speaker 1>No, no, no, guys, I've always been clear. It's not reincarnation.

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<v Speaker 6>Guys.

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<v Speaker 5>Has she been clear?

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<v Speaker 1>No, I've been like, my mom is sending me a

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<v Speaker 1>sign through the bird, like my dad because remember my

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<v Speaker 1>mom's ad Because guys, remember the dead blue jay. My

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<v Speaker 1>dad was sending me a message through the dead blue jay.

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<v Speaker 1>So he's not in the blue jay because otherwise than

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<v Speaker 1>he'd be dead.

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<v Speaker 5>Again, Okay, I'm confused here. So your mom is not

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<v Speaker 5>the bird.

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<v Speaker 1>She it's just easier to say she is the bird.

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<v Speaker 1>But she's sending me the message through the birds. So

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<v Speaker 1>she's the bird, but she's not.

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<v Speaker 5>Your Mom's not the bird. She's just sending out like drones.

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<v Speaker 1>Can you just imagine it?

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<v Speaker 5>Like she like, she's like Santa Claus at the North Pole,

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<v Speaker 5>but he has his other guys go out.

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<v Speaker 6>Malls to the malls, the other Santas.

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<v Speaker 5>So the other Santas are birds for you.

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<v Speaker 1>Yeah, thank you for that analogy. I think that that's

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<v Speaker 1>a good way to put it. It's like Santa has

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<v Speaker 1>all his little other Santas.

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<v Speaker 5>Your mom has mal Santa's.

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<v Speaker 1>My mom has a She must have a slew of

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<v Speaker 1>cardinals because at her disposal, because she uses them.

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<v Speaker 5>Do you think every cardinal and when I'm mad, if

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<v Speaker 5>like you're up there and all of a sudden, somebody

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<v Speaker 5>who comes up and has access to all the cardinals

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<v Speaker 5>and you don't.

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<v Speaker 1>Right now, other people obviously have access to their own cardinals.

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<v Speaker 5>What about the ones that you see? Do you think

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<v Speaker 5>they're all your mom?

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<v Speaker 1>I don't. Not every cardinal speaks to me. It's sometimes

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<v Speaker 1>if I've asked for something or I just I can't

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<v Speaker 1>explain it. I see the cardinal and and I have

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<v Speaker 1>a sensation and an internal dialogue that starts to happen

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<v Speaker 1>with the bird, like it's like a connection, like oh hey, Mom,

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<v Speaker 1>Like telekinesis. Yeah, I don't know a message is coming through.

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<v Speaker 5>You're talking to the bird without talking with human words.

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<v Speaker 1>Have you not had this experience with anything ever?

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<v Speaker 5>It sound like it because he's laughing, so it makes

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<v Speaker 5>me laugh, and I'm just trying to figure out what

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<v Speaker 5>your head is.

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<v Speaker 1>I know, I don't. I don't think that you're making

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<v Speaker 1>fun of me. And I guess what I'm asking is

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<v Speaker 1>for a little grace because I don't fully understand how

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<v Speaker 1>it works. I don't know. I think that it's it's

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<v Speaker 1>been a special thing for me between me and the

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<v Speaker 1>birds ever since my parents died. I don't I didn't

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<v Speaker 1>ever have this experience until my mom died.

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<v Speaker 5>And what was the cardinal about? Why did the cardinal

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<v Speaker 5>get assigned to your mom?

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<v Speaker 1>Because a bird? We were at my sister's house in

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<v Speaker 1>a hospice situation when my mom died. We'd set up

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<v Speaker 1>my sister's master bedroom or primary room as the hospice

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<v Speaker 1>care and we were laying in the bed with my

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<v Speaker 1>mom when she passed. And as we're laying there with

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<v Speaker 1>her for like an hour, a cardinal came into the

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<v Speaker 1>tree outside my sister's window, and it was a beautiful

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<v Speaker 1>fall morning, and then all of a sudden, in this

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<v Speaker 1>green tree, there's like a red cardinal. And my sister's like, oh,

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<v Speaker 1>it's mom. So she was saying like, hey, guys, I've

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<v Speaker 1>crossed over. I'm here, I'm fine, Like you're gonna be okay.

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<v Speaker 1>We both felt this sense of peace. So ever since

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<v Speaker 1>then it was a cardinal. Then fast forward many years later,

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<v Speaker 1>my dad passes away, and I'm really into birds at

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<v Speaker 1>this point, and I have a feeder and a blue

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<v Speaker 1>jay has never visited my feeder. And I know this

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<v Speaker 1>because I played bird Bingo and I would keep track

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<v Speaker 1>of my visitors. You nip, And all of a sudden,

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<v Speaker 1>who flies to my feeter? After my dad dies?

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<v Speaker 6>You're dad?

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<v Speaker 5>Well, now the Santa Claus in the mall of your dad.

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<v Speaker 1>Yeah, I guess my dad got access to blue jays

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<v Speaker 1>because there he is.

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<v Speaker 5>And then you think it's regions like sonics, Like you

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<v Speaker 5>have a region if you get a sonic, like this

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<v Speaker 5>is your area. Oh, like you have territories for if

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<v Speaker 5>you're a cardinal or blue jay, and you're like, I

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<v Speaker 5>am the cardinal keeper of the territory that my daughter lives.

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<v Speaker 1>You know, like my dad could have come as something else.

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<v Speaker 1>But in that moment, I had this, like I said,

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<v Speaker 1>this internal dialogue, this connection. All of a sudden, I'm like, Dad.

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<v Speaker 5>And you're like talking back and forth without talking.

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<v Speaker 1>Same thing. When my mom showed up at the feeder

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<v Speaker 1>as a cardinal and my dad showed up as the

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<v Speaker 1>blue jay, I'm like, yeah, yeah, Hey, what's up. Y'all

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<v Speaker 1>are hanging out. I don't know if they're back together,

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<v Speaker 1>but they're like, look, we've reconciled. We're cool. Like I,

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<v Speaker 1>I know we got divorced when you were younger, but

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<v Speaker 1>everything's good now, life is good. But do every time

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<v Speaker 1>I see a blue jay hair cardinal, is it my

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<v Speaker 1>mom and dad?

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<v Speaker 7>No?

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<v Speaker 5>Oh, the ones that don't talk to you are probably

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<v Speaker 5>somebody else's.

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<v Speaker 1>I don't know how to explain it. Like the cardinal

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<v Speaker 1>when it came to tell me to move that was

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<v Speaker 1>my mom. I saw the cardinal. Your wife was there

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<v Speaker 1>a bird told to move houses and she did so.

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<v Speaker 1>She so she she's in like she could not be

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<v Speaker 1>anymore a good word. I can't prove you're wrong. You can't.

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<v Speaker 5>I know, I cannot prove you're wrong.

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<v Speaker 1>But have you ever had something that just unexplainable? No,

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<v Speaker 1>but you still have faith in it.

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<v Speaker 5>No, I think that I wish I had a little

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<v Speaker 5>more of what you have. I just want a dose

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<v Speaker 5>of it.

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<v Speaker 1>I don't Maybe you should ask for it.

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<v Speaker 5>Can I have a dose of it?

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<v Speaker 1>No?

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<v Speaker 6>Here it comes.

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<v Speaker 1>Ask for a sign, because that's what.

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<v Speaker 5>A bear opens the door and walks in.

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<v Speaker 6>That would be more believable. But lion would walk in,

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<v Speaker 6>like we don't see lions around here.

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<v Speaker 5>Well, that is a little doominal snowman. No, listen. I

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<v Speaker 5>saw the story about Janis and Matthew Perry and thought, oh,

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<v Speaker 5>that reminds me of Amy.

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<v Speaker 1>I know that I sound like a complete wacko when

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<v Speaker 1>I talk about this.

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<v Speaker 5>Everybody that experiences something different sounds like a complete wacko

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<v Speaker 5>until other people experience the difference. Right, So I was, yeah,

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<v Speaker 5>I'm giving you that grace. I just wanted to know

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<v Speaker 5>what your thoughts were. Yeah, and if Janie saw her

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<v Speaker 5>Matthew Perry and her brother as hawks, because she I.

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<v Speaker 1>Think she absolutely did. They have access to hawks apparently,

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<v Speaker 1>and they sent some down because she was like laying

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<v Speaker 1>there asking for it.

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<v Speaker 5>Okay, there you have it, guys, very well explained. I

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<v Speaker 5>can't prove you're lying. I can't prove you're wrong.

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<v Speaker 1>Now now that Eddie's into birds and he's lost his father, you.

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<v Speaker 6>Have I haven't said anything this whole segment, but I

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<v Speaker 6>do think a dove that's been coming around to my

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<v Speaker 6>dad window.

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<v Speaker 5>You're just taking of birds because Amy put that in

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<v Speaker 5>your head.

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<v Speaker 6>No, he possibly, possibly, but my dad picked a dove.

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<v Speaker 1>Apparently his dad has access to doves, because.

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<v Speaker 6>This dove came to my window and looked in my

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<v Speaker 6>windows like, cos up is it?

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<v Speaker 1>Let me ask you?

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<v Speaker 5>Did you have bird feeders on your window?

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<v Speaker 6>Yeah? For sure?

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<v Speaker 1>Is it a mourning dove?

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<v Speaker 6>Okay, it's a mourning dove.

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<v Speaker 1>Yeah, mourning And it's not mourning m o r. It's

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<v Speaker 1>mourning m ou are I'm mourning?

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<v Speaker 5>Yeah? Hey guys, I just want you guys, and I

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<v Speaker 5>love you guys. And uh, no judgment. I'm glad it

0:10:00.840 --> 0:10:03.199
<v Speaker 5>gives you guys peace because that's really what it's about.

0:10:03.800 --> 0:10:07.080
<v Speaker 1>Okay, Eddie, I would I want you to pay attention

0:10:07.120 --> 0:10:09.800
<v Speaker 1>to this morning. Devin. Also, I hope I.

0:10:09.720 --> 0:10:11.800
<v Speaker 5>Gotta get lunchbox. Ten seconds he's sitting over there about

0:10:11.800 --> 0:10:12.960
<v Speaker 5>to explode ten seconds ago.

0:10:13.120 --> 0:10:15.240
<v Speaker 7>You guys make us sound like the cucko din like,

0:10:15.240 --> 0:10:17.400
<v Speaker 7>I mean, everybody's listening to this going. These people have

0:10:17.480 --> 0:10:19.960
<v Speaker 7>lost their freaking mind. Eddie. You put a bird feeder there.

0:10:20.160 --> 0:10:22.120
<v Speaker 7>He's looking for the food. There was no food in

0:10:22.160 --> 0:10:24.760
<v Speaker 7>the bird feeder. He's like, hey, dude, you forgot. He's

0:10:24.800 --> 0:10:25.800
<v Speaker 7>not saying, Hey, what up?

0:10:25.840 --> 0:10:26.360
<v Speaker 6>I'm my dog?

0:10:26.480 --> 0:10:26.800
<v Speaker 1>Do that?

0:10:26.840 --> 0:10:29.679
<v Speaker 7>I mean Amy, And you say, just trust me on this.

0:10:29.760 --> 0:10:31.880
<v Speaker 7>I talked to it without talking to it. What are

0:10:31.960 --> 0:10:34.359
<v Speaker 7>you talking? You sound psychotic?

0:10:34.920 --> 0:10:37.320
<v Speaker 5>I alway psychotic. But it's different and all people that

0:10:37.440 --> 0:10:39.600
<v Speaker 5>have differences are looked at it a little weird at

0:10:39.640 --> 0:10:42.319
<v Speaker 5>first until they're proven true. So hey, I'm glad you

0:10:42.360 --> 0:10:43.440
<v Speaker 5>guys have found some sort of piece.

0:10:43.480 --> 0:10:44.000
<v Speaker 6>Thank you.

0:10:46.320 --> 0:10:51.079
<v Speaker 2>All right, it's the best bits of the week with

0:10:51.200 --> 0:10:52.319
<v Speaker 2>Morgan Number two.

0:10:54.760 --> 0:10:57.360
<v Speaker 8>You know, we can't always be smart, and for some

0:10:57.440 --> 0:10:59.839
<v Speaker 8>of us, we had some really dumb moments lately, and

0:11:00.720 --> 0:11:02.880
<v Speaker 8>it identified with some of you guys out there on

0:11:02.920 --> 0:11:05.320
<v Speaker 8>our social media because you're like, yeah, say this has

0:11:05.360 --> 0:11:06.040
<v Speaker 8>also happened.

0:11:06.040 --> 0:11:07.559
<v Speaker 4>So maybe if you just.

0:11:07.600 --> 0:11:10.440
<v Speaker 3>Need to hear somebody else share a moment where they

0:11:10.440 --> 0:11:16.679
<v Speaker 3>were just really not smart aka dumb, then here you go, Bobby, Eddie, myself,

0:11:16.679 --> 0:11:17.880
<v Speaker 3>We're all going to share some stories.

0:11:18.400 --> 0:11:22.360
<v Speaker 5>Number six. I struggle with sleep. I get nerves in

0:11:22.400 --> 0:11:24.440
<v Speaker 5>the bottom of my stomach whenever I'm in the bed.

0:11:24.480 --> 0:11:26.720
<v Speaker 5>It's the only time that I think I have anxiety,

0:11:26.800 --> 0:11:28.800
<v Speaker 5>or at least the only time I allow the anxiety

0:11:28.840 --> 0:11:31.000
<v Speaker 5>to take over. I really struggle with sleep, and I

0:11:31.040 --> 0:11:33.640
<v Speaker 5>have for a long time. I only now call it anxiety.

0:11:33.679 --> 0:11:36.640
<v Speaker 5>Forever I was just like, I just can't sleep, but

0:11:36.760 --> 0:11:40.520
<v Speaker 5>it really it's like a when your foot falls asleep.

0:11:41.200 --> 0:11:42.840
<v Speaker 5>That's what it feels like in the bottom of my stomach.

0:11:42.840 --> 0:11:44.520
<v Speaker 5>When I go to bed at night, when I lay

0:11:44.559 --> 0:11:46.640
<v Speaker 5>there long enough, I fill my heart pounding in my neck,

0:11:47.240 --> 0:11:49.400
<v Speaker 5>I feel it pound on my shoulders, and my stomach

0:11:49.440 --> 0:11:51.960
<v Speaker 5>feels like my foot's asleep, but just not in my foot,

0:11:52.000 --> 0:11:52.480
<v Speaker 5>my stomach.

0:11:53.360 --> 0:11:53.880
<v Speaker 6>This is a.

0:11:53.840 --> 0:11:58.840
<v Speaker 5>Weird array of symptoms, but that is a version of anxiety.

0:11:58.920 --> 0:12:01.280
<v Speaker 5>So it is what it is. I try different things,

0:12:02.160 --> 0:12:05.920
<v Speaker 5>and I try to read books on anxiety. I tried to,

0:12:06.920 --> 0:12:08.560
<v Speaker 5>and I read this, and this is gonna be my

0:12:08.640 --> 0:12:11.880
<v Speaker 5>I cannot believe I'm this stupid story. And if anybody

0:12:11.920 --> 0:12:13.320
<v Speaker 5>else has one, then I'd like you to share it.

0:12:13.360 --> 0:12:15.600
<v Speaker 5>But I cannot believe I'm this stupid because as I'm

0:12:15.640 --> 0:12:17.880
<v Speaker 5>trying to track down why I can't sleep. I'm reading

0:12:17.880 --> 0:12:20.960
<v Speaker 5>this story about how to wake up less groggy because

0:12:20.960 --> 0:12:23.120
<v Speaker 5>there are some nights I get three hours, four hours,

0:12:23.400 --> 0:12:26.040
<v Speaker 5>some nights I get two. I'm wait for two, but

0:12:26.120 --> 0:12:28.920
<v Speaker 5>I wake up and I'm groggy as crap. And then

0:12:28.920 --> 0:12:31.959
<v Speaker 5>I read about this beer that actually helps you be

0:12:32.120 --> 0:12:34.160
<v Speaker 5>less groggy, and I'm blown away and I'm going, there's

0:12:34.160 --> 0:12:34.600
<v Speaker 5>a beer.

0:12:35.080 --> 0:12:37.400
<v Speaker 1>What? Okay, go ahead.

0:12:39.960 --> 0:12:42.000
<v Speaker 5>This It's not what you're thinking.

0:12:42.600 --> 0:12:44.600
<v Speaker 1>It's not it's not it is it natty light?

0:12:44.800 --> 0:12:48.760
<v Speaker 5>Well, it's literal natural light, not of the beer natural light.

0:12:49.600 --> 0:12:51.199
<v Speaker 1>I thought they were talking about the beer.

0:12:51.320 --> 0:12:53.079
<v Speaker 7>Ny you no natural light.

0:12:53.240 --> 0:12:55.000
<v Speaker 5>The whole story I'm reading, the whole thing about natural

0:12:55.080 --> 0:12:57.640
<v Speaker 5>light will help you wake up less groggy. And I'm like,

0:12:58.160 --> 0:13:01.959
<v Speaker 5>maybe I drink the beer I never drink in my life.

0:13:01.960 --> 0:13:04.120
<v Speaker 5>And I'm going, maybe I just try the beer in

0:13:04.160 --> 0:13:07.160
<v Speaker 5>the morning and it helps me with my sleep. Except

0:13:07.160 --> 0:13:11.640
<v Speaker 5>it's not natural light the beer. It's literal natural Lightian rhythm. Yes'

0:13:11.800 --> 0:13:16.760
<v Speaker 5>not the beer too. Oh my gosh, welcome to the team.

0:13:16.960 --> 0:13:20.840
<v Speaker 1>Yeah wow, solid marketing from natural light, because now that's

0:13:20.880 --> 0:13:27.360
<v Speaker 1>what they didn't do that I understand. But natural light

0:13:27.480 --> 0:13:31.280
<v Speaker 1>has been around since God created it, and we see

0:13:31.280 --> 0:13:33.719
<v Speaker 1>that in the headline in an article, and we immediately

0:13:34.400 --> 0:13:37.920
<v Speaker 1>we think beer instead of like the god given natural light.

0:13:37.960 --> 0:13:39.000
<v Speaker 5>We've always said, well, I.

0:13:38.960 --> 0:13:40.560
<v Speaker 6>Too believe God created natty light.

0:13:40.720 --> 0:13:44.839
<v Speaker 5>Well, I again, as someone who's never had a drink

0:13:44.880 --> 0:13:47.040
<v Speaker 5>of alcohol, I'm going, maybe maybe this is the reason

0:13:47.040 --> 0:13:49.319
<v Speaker 5>that I need to drink some alcohol. I'm fine with

0:13:49.400 --> 0:13:52.600
<v Speaker 5>I'm not morally against alcohol, but I'm like, maybe I

0:13:52.600 --> 0:13:53.960
<v Speaker 5>need to drink now. And then I'm like, why the

0:13:54.080 --> 0:13:56.240
<v Speaker 5>cheap beer because I never had it, But that's what.

0:13:56.200 --> 0:13:57.800
<v Speaker 6>That's cheap, Definitely cheap.

0:13:57.800 --> 0:13:59.960
<v Speaker 5>It'd be like Red Dog twenty twenty makes you feel

0:14:00.040 --> 0:14:02.199
<v Speaker 5>better at night. And so then I started reading the

0:14:02.200 --> 0:14:04.040
<v Speaker 5>story and it's like letting natural light in your bedroom

0:14:04.080 --> 0:14:07.040
<v Speaker 5>twenty minutes. And I'm like, I'm such an idiot because

0:14:07.040 --> 0:14:09.640
<v Speaker 5>I'd already gone down though, Am I gonna drink same?

0:14:09.960 --> 0:14:12.600
<v Speaker 5>That natural light will help you be less groggy? But

0:14:12.679 --> 0:14:16.079
<v Speaker 5>not the beer that's funny, literal natural light. So yeah,

0:14:16.240 --> 0:14:19.120
<v Speaker 5>that's that's me. The last time you felt stupid, Eddie,

0:14:19.120 --> 0:14:19.520
<v Speaker 5>you have one?

0:14:19.600 --> 0:14:21.680
<v Speaker 6>Well, yeah, this mine's different. Like, I just felt like

0:14:21.720 --> 0:14:24.120
<v Speaker 6>an idiot because I never do this, and I don't

0:14:24.160 --> 0:14:26.160
<v Speaker 6>know why I decided to do it. But I had

0:14:26.160 --> 0:14:28.280
<v Speaker 6>a Dallas Cowboys shirt on, and I saw a guy

0:14:28.320 --> 0:14:31.120
<v Speaker 6>walking towards me with an Eagle shirt and I was like, okay,

0:14:31.200 --> 0:14:34.320
<v Speaker 6>big rival. So I flashed him on Dallas Cowboy. I

0:14:34.400 --> 0:14:36.480
<v Speaker 6>was like Cowboys Nation baby. And he looked at me

0:14:36.560 --> 0:14:38.600
<v Speaker 6>like what is he? What are you doing? I said

0:14:38.640 --> 0:14:41.160
<v Speaker 6>Eagles fan and he's like no, this is like Middleton

0:14:41.200 --> 0:14:45.680
<v Speaker 6>Elementary Eagles. I don't like football.

0:14:45.960 --> 0:14:47.560
<v Speaker 5>He wasn't a Philadelphia Eagles.

0:14:49.040 --> 0:14:50.440
<v Speaker 6>I felt like an idiot.

0:14:50.720 --> 0:14:52.760
<v Speaker 5>Yeah that's fun, Morgan.

0:14:53.200 --> 0:14:53.480
<v Speaker 1>Yeah.

0:14:53.480 --> 0:14:56.640
<v Speaker 3>So I had my smoke alarm going off for weeks.

0:14:56.800 --> 0:14:59.480
<v Speaker 3>I would think i'd fix it the battery and it

0:14:59.640 --> 0:15:01.560
<v Speaker 3>just keep beeping. I took the whole thing out of

0:15:01.560 --> 0:15:04.000
<v Speaker 3>the ceiling and this thing kept beating. I was like,

0:15:04.040 --> 0:15:06.360
<v Speaker 3>this doesn't make any sense in my brain. I call

0:15:06.440 --> 0:15:08.760
<v Speaker 3>somebody out and he's like, okay, yeah, let me take

0:15:08.760 --> 0:15:10.360
<v Speaker 3>a look. He's like, no, I mean maybe it just

0:15:10.400 --> 0:15:12.000
<v Speaker 3>needs new batteries. I was like, I've done that, but

0:15:12.080 --> 0:15:15.760
<v Speaker 3>we'll do it. It keeps beaping. He's like, do you have

0:15:15.800 --> 0:15:17.560
<v Speaker 3>any other alarms in here? And I was like no,

0:15:19.400 --> 0:15:21.360
<v Speaker 3>do you have a carbon monoxide monitor?

0:15:21.400 --> 0:15:22.080
<v Speaker 4>Happened to be in here?

0:15:22.120 --> 0:15:25.600
<v Speaker 3>I was like, oh, there is one plugged in behind

0:15:25.680 --> 0:15:27.200
<v Speaker 3>the mirror, and he goes.

0:15:27.240 --> 0:15:27.680
<v Speaker 4>He looks.

0:15:27.680 --> 0:15:30.120
<v Speaker 1>He's like, man, that's what's been beating for.

0:15:30.040 --> 0:15:31.000
<v Speaker 5>The past several weeks.

0:15:31.440 --> 0:15:33.880
<v Speaker 1>So do you have a carbon monoxide leak? No it?

0:15:35.640 --> 0:15:37.680
<v Speaker 5>Yeah? Yeah, would have been.

0:15:37.600 --> 0:15:41.000
<v Speaker 1>Like, yeah, okay, Well, I'm just thinking, like, what what

0:15:41.080 --> 0:15:43.120
<v Speaker 1>if that's her vertigo She's slowly.

0:15:43.240 --> 0:15:47.720
<v Speaker 5>Dying in carbon monoxide. It's also tough to find the

0:15:47.760 --> 0:15:49.840
<v Speaker 5>one that is beeping if you have multiple smoke bombs

0:15:49.880 --> 0:15:52.600
<v Speaker 5>in your house, because you're like, okay, and then you

0:15:52.680 --> 0:15:54.680
<v Speaker 5>like try to count. You stare at one. You just

0:15:54.680 --> 0:15:56.640
<v Speaker 5>stare at it and you're like, I think it's that one.

0:15:56.920 --> 0:15:59.240
<v Speaker 5>Bit like oh my god, it's not that one, So

0:15:59.280 --> 0:16:00.440
<v Speaker 5>you go to another one.

0:16:01.000 --> 0:16:03.360
<v Speaker 3>And I did that whole thing with every single alarm,

0:16:03.400 --> 0:16:04.440
<v Speaker 3>Like I shut doors and I.

0:16:04.400 --> 0:16:05.240
<v Speaker 1>Was focused on each one.

0:16:05.280 --> 0:16:06.920
<v Speaker 4>I was like, it has to be this alarm.

0:16:07.120 --> 0:16:09.760
<v Speaker 5>Yeah, that's funny. That sucks there. I remember once out

0:16:09.800 --> 0:16:11.720
<v Speaker 5>a car problem. I couldn't get my car. I was

0:16:11.760 --> 0:16:14.440
<v Speaker 5>in a in a in a garage and it would

0:16:14.520 --> 0:16:17.480
<v Speaker 5>not start. And I don't know much about cars, but

0:16:17.480 --> 0:16:19.520
<v Speaker 5>I know how to start the car. It would not start,

0:16:19.560 --> 0:16:22.200
<v Speaker 5>would not start, So I have as part of my

0:16:23.040 --> 0:16:25.120
<v Speaker 5>like a roadside assistant sight thing with the car. And

0:16:25.160 --> 0:16:27.720
<v Speaker 5>so they come out and the guy gets in and

0:16:27.720 --> 0:16:30.280
<v Speaker 5>all of a sudden starts it up, and I'm like,

0:16:30.720 --> 0:16:34.040
<v Speaker 5>he didn't do anything under the hood. So something happened

0:16:34.160 --> 0:16:36.520
<v Speaker 5>that I'm I know, I'm about to be embarrassed, and

0:16:36.560 --> 0:16:39.120
<v Speaker 5>I'm like, what was wrong? He goes, it was in drive.

0:16:43.160 --> 0:16:44.560
<v Speaker 6>You're it wasn't.

0:16:45.040 --> 0:16:46.680
<v Speaker 5>It wasn't even in p for me to start. It

0:16:46.760 --> 0:16:49.840
<v Speaker 5>literally was sitting there in drive so it wouldn't start.

0:16:50.800 --> 0:16:52.920
<v Speaker 5>I felt pretty stupid there too. I don't know that

0:16:52.960 --> 0:16:54.320
<v Speaker 5>I fell as stupid as a natural light though, And

0:16:54.320 --> 0:16:56.120
<v Speaker 5>I'm thinking about giving up all my history of not

0:16:56.200 --> 0:16:58.720
<v Speaker 5>drinking to have natty light to wait wake up in

0:16:58.720 --> 0:16:59.040
<v Speaker 5>the morning.

0:16:59.040 --> 0:16:59.680
<v Speaker 6>That's pretty funny.

0:16:59.720 --> 0:17:00.600
<v Speaker 5>I show drunk.

0:17:01.240 --> 0:17:03.680
<v Speaker 6>You're like, I'm just doing the story, guys, the story

0:17:03.840 --> 0:17:04.920
<v Speaker 6>said do it.

0:17:05.400 --> 0:17:07.280
<v Speaker 5>We'll put this up on social media too. Last time

0:17:07.280 --> 0:17:09.639
<v Speaker 5>he felt stupid, just go to our Facebook page and

0:17:09.640 --> 0:17:10.840
<v Speaker 5>you can write underneath.

0:17:10.440 --> 0:17:16.520
<v Speaker 2>It's the best bits of the week with Morgan. Number two.

0:17:17.040 --> 0:17:19.720
<v Speaker 4>Lunchbox may or may not have yelled at some middle

0:17:19.760 --> 0:17:20.240
<v Speaker 4>school kids.

0:17:20.280 --> 0:17:22.720
<v Speaker 3>No, he definitely did. That's what this segment is all about.

0:17:23.440 --> 0:17:26.760
<v Speaker 3>And I kind of think he was validated. Some people don't.

0:17:27.080 --> 0:17:29.480
<v Speaker 3>Some people on the show think he was validated, some don't.

0:17:29.800 --> 0:17:32.320
<v Speaker 3>It's all across the board of how everybody feels about this.

0:17:32.440 --> 0:17:35.080
<v Speaker 3>But it happened over his kids in.

0:17:35.160 --> 0:17:39.040
<v Speaker 5>A swing set number five. So Lunchbox kind of fought

0:17:39.080 --> 0:17:41.520
<v Speaker 5>with some middle school kids. Have you guys heard this story?

0:17:41.760 --> 0:17:44.159
<v Speaker 5>Does anybody know about me? Okay, then I'm going to

0:17:44.200 --> 0:17:45.879
<v Speaker 5>remove myself and let him tell it and let you

0:17:45.920 --> 0:17:48.399
<v Speaker 5>guys make up your own minds. Okay, okay, okay, I'll

0:17:48.440 --> 0:17:50.560
<v Speaker 5>recuse myself from the story. Lunchbox, go ahead.

0:17:50.800 --> 0:17:53.280
<v Speaker 7>So my three year old and five year old were

0:17:53.280 --> 0:17:55.280
<v Speaker 7>a couple doors down. They have a swing in the

0:17:55.280 --> 0:17:57.600
<v Speaker 7>front yard, and they were just swinging on the swing,

0:17:58.080 --> 0:18:01.160
<v Speaker 7>having a good old time, and these three middle school

0:18:01.280 --> 0:18:05.280
<v Speaker 7>dudes go walking by, and I don't think anything of it,

0:18:05.400 --> 0:18:08.359
<v Speaker 7>no big deal. And then here come my three year

0:18:08.400 --> 0:18:10.360
<v Speaker 7>old and five year old running home, and they look

0:18:10.440 --> 0:18:14.119
<v Speaker 7>upset and they're like, da dada. Those kids told us

0:18:14.119 --> 0:18:16.240
<v Speaker 7>they were gonna slap us in the face and knock

0:18:16.320 --> 0:18:19.440
<v Speaker 7>us out of the swing. Why would they say that?

0:18:20.680 --> 0:18:22.399
<v Speaker 7>And then that's my time. I'm like what do I

0:18:22.480 --> 0:18:24.920
<v Speaker 7>do here? I'm like I'm sorry they said that to them?

0:18:24.920 --> 0:18:26.960
<v Speaker 7>Do I go confront these middle schoolers? Or do I

0:18:27.040 --> 0:18:28.560
<v Speaker 7>just leave them alone? Do I just let it go?

0:18:28.880 --> 0:18:33.720
<v Speaker 5>I would say, out, leave them alone, and you don't win.

0:18:34.040 --> 0:18:39.000
<v Speaker 5>You don't win fighting adults versus kids, even if you're right,

0:18:39.080 --> 0:18:42.480
<v Speaker 5>you don't. That's not a win. So so I.

0:18:42.480 --> 0:18:45.000
<v Speaker 7>Jumped on my bike.

0:18:45.080 --> 0:18:47.359
<v Speaker 5>This is where the adult part gets swept out because

0:18:47.400 --> 0:18:48.480
<v Speaker 5>it go middle.

0:18:48.680 --> 0:18:50.760
<v Speaker 7>You know, because they're about a block block and half away,

0:18:50.800 --> 0:18:52.480
<v Speaker 7>and I'm like, I'm not going to run after him.

0:18:52.480 --> 0:18:54.080
<v Speaker 7>I'll just jump on my bike and I ride up

0:18:54.119 --> 0:18:57.840
<v Speaker 7>to him. I said, guys, what are we doing? Does

0:18:57.880 --> 0:18:59.680
<v Speaker 7>it make you feel cool to talk to a three

0:18:59.720 --> 0:18:59.960
<v Speaker 7>and five?

0:19:00.040 --> 0:19:00.719
<v Speaker 6>I like that.

0:19:00.800 --> 0:19:02.480
<v Speaker 7>Let's not be a bunch of dumbasses.

0:19:02.640 --> 0:19:04.120
<v Speaker 5>Oh you that to the kids?

0:19:04.240 --> 0:19:04.600
<v Speaker 1>Yeah?

0:19:05.680 --> 0:19:07.480
<v Speaker 5>Describe the kids you're talking to.

0:19:09.720 --> 0:19:13.159
<v Speaker 7>Maybe thirteen, probably eighth grade, seventh or eighth grade, you

0:19:13.200 --> 0:19:14.920
<v Speaker 7>know what I mean. And they think they're so funny.

0:19:15.040 --> 0:19:16.680
<v Speaker 5>Were they just bratty enough to swing on you though,

0:19:16.720 --> 0:19:18.160
<v Speaker 5>because then you get into a place where you can't

0:19:18.200 --> 0:19:19.720
<v Speaker 5>hit back, and now you're getting beat up at thirteen

0:19:19.760 --> 0:19:20.320
<v Speaker 5>year olds.

0:19:21.000 --> 0:19:21.280
<v Speaker 7>Maybe?

0:19:21.640 --> 0:19:23.879
<v Speaker 6>Were they much smaller than you?

0:19:23.920 --> 0:19:25.720
<v Speaker 7>No, because they were definitely tall.

0:19:26.040 --> 0:19:28.480
<v Speaker 5>I mean did it startle them that an adult man

0:19:28.480 --> 0:19:29.240
<v Speaker 5>comes up on a bike to.

0:19:29.320 --> 0:19:33.679
<v Speaker 7>They were like, oh, uh uh, I mean we're just

0:19:33.680 --> 0:19:36.159
<v Speaker 7>playing and I was like, no, no, you can't. Like

0:19:36.480 --> 0:19:37.719
<v Speaker 7>it's a three and five year old. Does it make

0:19:37.720 --> 0:19:39.000
<v Speaker 7>you feel tough to talk to them that way?

0:19:39.000 --> 0:19:42.320
<v Speaker 5>And they're like, okay, I agree with everything you said,

0:19:42.320 --> 0:19:44.959
<v Speaker 5>and fuel I think it's tough when you don't know

0:19:45.000 --> 0:19:46.880
<v Speaker 5>the kids. And what if their parents were nearby watching

0:19:46.880 --> 0:19:49.080
<v Speaker 5>an adult man come up to them threatning them, then their

0:19:49.119 --> 0:19:49.960
<v Speaker 5>parents jump in and.

0:19:50.560 --> 0:19:52.200
<v Speaker 7>Hold on, there was no there was no threat.

0:19:53.040 --> 0:19:55.640
<v Speaker 5>I said, you did say a curse word, and you did.

0:19:55.800 --> 0:19:56.760
<v Speaker 7>Where was the curseword?

0:19:56.840 --> 0:19:57.679
<v Speaker 6>Dumb dumby?

0:19:57.840 --> 0:20:00.440
<v Speaker 5>Yeah, that's a curse word. And then secondly, you did

0:20:00.480 --> 0:20:05.480
<v Speaker 5>approach them on a bike aggressively. Yeah, with your baseball

0:20:05.480 --> 0:20:06.320
<v Speaker 5>car and your spokes.

0:20:06.160 --> 0:20:07.600
<v Speaker 6>He rang his bell when he pulled down.

0:20:08.680 --> 0:20:11.080
<v Speaker 5>I agree with what you felt. I haven't agree with

0:20:11.080 --> 0:20:13.240
<v Speaker 5>what you said. It's just risky to do that with kids,

0:20:13.280 --> 0:20:15.920
<v Speaker 5>because ain't your kids and you really you're also going

0:20:15.960 --> 0:20:18.440
<v Speaker 5>on your three and five year old's word of exactly

0:20:18.720 --> 0:20:19.440
<v Speaker 5>how it went down.

0:20:20.640 --> 0:20:22.320
<v Speaker 7>Yeah, but I mean my three and five year old

0:20:22.400 --> 0:20:25.000
<v Speaker 7>they don't ever say anything. I mean, you know what

0:20:25.040 --> 0:20:26.919
<v Speaker 7>I mean. I did see the kids walk by, and

0:20:27.000 --> 0:20:30.120
<v Speaker 7>then my kids immediately come running back and they look upset,

0:20:30.160 --> 0:20:32.720
<v Speaker 7>and I'm like, man, these kids are threatening a three

0:20:32.720 --> 0:20:34.640
<v Speaker 7>and five year old, Like how but.

0:20:34.640 --> 0:20:36.680
<v Speaker 5>How threatening were they really? If they're just idiot thirteen

0:20:36.760 --> 0:20:38.840
<v Speaker 5>year olds yelling at kids on a swing and wasn't.

0:20:38.680 --> 0:20:40.200
<v Speaker 1>Lunchdogs an idiot thirteen year old?

0:20:40.240 --> 0:20:42.200
<v Speaker 7>Yeah, but I wouldn't talk trash to a three year old.

0:20:42.240 --> 0:20:44.840
<v Speaker 7>It's like, you know how small a three year old is, Guys,

0:20:45.119 --> 0:20:47.520
<v Speaker 7>a three year old is tiny. You know what a

0:20:47.520 --> 0:20:49.360
<v Speaker 7>three year old looks like when you're thirteen.

0:20:49.480 --> 0:20:50.960
<v Speaker 5>Maybe he was taking it on the five year old

0:20:50.960 --> 0:20:53.840
<v Speaker 5>and three old, which is there could have been. Again,

0:20:53.920 --> 0:20:56.240
<v Speaker 5>I agree with how you felt. I don't agree that

0:20:56.240 --> 0:20:59.040
<v Speaker 5>you should have gone up to the kids and been like.

0:20:59.000 --> 0:21:01.320
<v Speaker 6>Hey, it's definitely risky.

0:21:01.400 --> 0:21:03.639
<v Speaker 5>It's risky because all he needs. Another parent said, I.

0:21:03.600 --> 0:21:06.120
<v Speaker 7>Didn't call him das I said, let's not be DA's

0:21:06.240 --> 0:21:06.720
<v Speaker 7>same thing.

0:21:06.800 --> 0:21:08.560
<v Speaker 5>If you're saying it, it's the same thing that means

0:21:08.600 --> 0:21:09.439
<v Speaker 5>you are, so let's not.

0:21:10.720 --> 0:21:11.000
<v Speaker 6>Okay.

0:21:11.040 --> 0:21:12.800
<v Speaker 7>Maybe it does, but I felt like I handled the

0:21:12.800 --> 0:21:14.600
<v Speaker 7>situation because I was like, man, this is the It

0:21:14.640 --> 0:21:16.439
<v Speaker 7>was my first time i've ever having that moment of

0:21:16.480 --> 0:21:19.119
<v Speaker 7>what do you do like the other kids messing with

0:21:19.160 --> 0:21:19.560
<v Speaker 7>your kids?

0:21:19.640 --> 0:21:20.600
<v Speaker 5>I did it feel good? Did you win?

0:21:20.680 --> 0:21:21.239
<v Speaker 7>I did it feel good?

0:21:21.320 --> 0:21:21.480
<v Speaker 1>Yeah?

0:21:21.480 --> 0:21:24.320
<v Speaker 7>It felt pretty good. I was like, yeah, I mean

0:21:24.480 --> 0:21:26.480
<v Speaker 7>I let those kids know, hey, don't mess with my kids.

0:21:26.520 --> 0:21:28.240
<v Speaker 5>Do you feel like you were telling you though a

0:21:28.320 --> 0:21:29.640
<v Speaker 5>version of you when you were thirteen?

0:21:30.320 --> 0:21:32.520
<v Speaker 7>A little bit? Because I remember my dad telling some

0:21:32.840 --> 0:21:35.199
<v Speaker 7>kids when they had messed with my brother's car. They

0:21:35.240 --> 0:21:36.359
<v Speaker 7>had broken the windshield.

0:21:36.480 --> 0:21:37.200
<v Speaker 6>Oh gosh.

0:21:37.240 --> 0:21:39.160
<v Speaker 7>And he saw him one day and he told them,

0:21:39.640 --> 0:21:43.680
<v Speaker 7>don't f with any cars tonight. They're like, excuse me, goes, Look,

0:21:43.760 --> 0:21:45.119
<v Speaker 7>you guys got to go to bed. You want to

0:21:45.119 --> 0:21:46.560
<v Speaker 7>app with cars? I can have with your car all

0:21:46.680 --> 0:21:49.080
<v Speaker 7>night because I don't have to go to sleep. Never

0:21:49.119 --> 0:21:50.320
<v Speaker 7>mess with my brother's car again.

0:21:50.800 --> 0:21:52.800
<v Speaker 5>But you are also the kid messing with cars. I

0:21:52.840 --> 0:21:55.399
<v Speaker 5>was and throwing tennis balls on the interstate of people.

0:21:55.600 --> 0:21:59.440
<v Speaker 5>I was, yeah, okay, I feel like I give it

0:21:59.480 --> 0:22:03.439
<v Speaker 5>a C. Mind you get to pass because nothing bad happened.

0:22:03.440 --> 0:22:05.040
<v Speaker 5>But if I'm grading this whole thing, I give it

0:22:05.080 --> 0:22:06.520
<v Speaker 5>a C minus. I don't think you should go out

0:22:06.600 --> 0:22:09.280
<v Speaker 5>after other people's kids, though, because they didn't really do

0:22:09.280 --> 0:22:11.240
<v Speaker 5>anything to your kids except yell at them.

0:22:11.480 --> 0:22:14.040
<v Speaker 7>Yeah, they kind of threatened them. Okay, we'll slap you

0:22:14.080 --> 0:22:15.160
<v Speaker 7>out of that swing.

0:22:15.560 --> 0:22:17.320
<v Speaker 5>Amy, what do you if you're what do you give

0:22:17.359 --> 0:22:20.119
<v Speaker 5>his grade for his actions? I give him a bee

0:22:21.119 --> 0:22:24.520
<v Speaker 5>honor roll what for his reaction? But he has to

0:22:24.560 --> 0:22:27.240
<v Speaker 5>stand up for his kids, and like I got to

0:22:27.320 --> 0:22:29.600
<v Speaker 5>other kids to an adult, maybe you go to their parents.

0:22:29.680 --> 0:22:31.159
<v Speaker 5>You find their parents and go to their parents.

0:22:31.200 --> 0:22:33.160
<v Speaker 1>Okay, I know, but you're talking to someone. When those

0:22:33.240 --> 0:22:35.199
<v Speaker 1>kids stole from my kids, I went and confronted them

0:22:35.200 --> 0:22:36.199
<v Speaker 1>and the police told me not to.

0:22:36.400 --> 0:22:37.639
<v Speaker 5>Why do you think the police told you not to?

0:22:37.720 --> 0:22:40.760
<v Speaker 5>My friend? Exactly like the point, exactly.

0:22:40.640 --> 0:22:41.760
<v Speaker 7>Point the cops told you not to.

0:22:44.320 --> 0:22:47.000
<v Speaker 6>Let me tell you something. It takes a village and

0:22:47.119 --> 0:22:49.719
<v Speaker 6>Lunchbox did the right thing by telling them not to

0:22:49.760 --> 0:22:53.360
<v Speaker 6>mess with A plus A plus.

0:22:53.160 --> 0:22:54.439
<v Speaker 1>So he got to see you b in an a.

0:22:54.680 --> 0:22:56.240
<v Speaker 5>I think it's okay to tell kids not to mess

0:22:56.320 --> 0:22:57.359
<v Speaker 5>with them, but to go up to him on a

0:22:57.359 --> 0:22:59.119
<v Speaker 5>bike on the road when you don't know who's around

0:22:59.200 --> 0:23:02.760
<v Speaker 5>their parents, I think that he puts himself in dangerous

0:23:02.800 --> 0:23:06.560
<v Speaker 5>It's the best bits of the week. With Morgan number.

0:23:06.320 --> 0:23:12.040
<v Speaker 3>Two, we all shared some life updates recently. One had

0:23:12.040 --> 0:23:15.200
<v Speaker 3>to do with a grocery store. One was a portable

0:23:15.920 --> 0:23:18.760
<v Speaker 3>device that somebody was gifted for their birthday. I took

0:23:18.840 --> 0:23:22.000
<v Speaker 3>by some therapy and somebody on the show was worried

0:23:22.119 --> 0:23:23.200
<v Speaker 3>about another show member.

0:23:23.240 --> 0:23:25.959
<v Speaker 4>So just lots of things in here, and they're kind

0:23:26.000 --> 0:23:28.639
<v Speaker 4>of updates, kind of just the life moments, all the things.

0:23:28.720 --> 0:23:32.240
<v Speaker 5>If you will number four updates about life around the room.

0:23:32.320 --> 0:23:34.720
<v Speaker 1>Amy Well, I have a little debate in my head

0:23:34.800 --> 0:23:38.240
<v Speaker 1>right now because of the grocery store. Yesterday. I saw

0:23:38.359 --> 0:23:40.800
<v Speaker 1>an interaction between a man and a woman in the line.

0:23:40.840 --> 0:23:42.800
<v Speaker 1>We were checking out, and I was a few behind

0:23:42.840 --> 0:23:45.080
<v Speaker 1>this woman that had a full cart and she was

0:23:45.200 --> 0:23:48.120
<v Speaker 1>up next and the guy behind her only has two items,

0:23:48.400 --> 0:23:50.040
<v Speaker 1>and I guess he was in a hurry, and he

0:23:50.119 --> 0:23:52.080
<v Speaker 1>asked her, do you mind if I just go real

0:23:52.160 --> 0:23:57.119
<v Speaker 1>quick before you, And she said no, sorry, I'm in

0:23:57.200 --> 0:24:00.000
<v Speaker 1>a hurry too, Otherwise I guess I would let you.

0:23:59.760 --> 0:24:02.040
<v Speaker 1>And he just mumbled under his breath, he's like so

0:24:02.200 --> 0:24:05.760
<v Speaker 1>much for common decency, And I was like, what is

0:24:05.760 --> 0:24:06.360
<v Speaker 1>wrong with him?

0:24:06.800 --> 0:24:06.960
<v Speaker 5>Why?

0:24:07.359 --> 0:24:10.480
<v Speaker 1>Why is she now at fault because she was ahead

0:24:10.520 --> 0:24:11.960
<v Speaker 1>of you in line. I get that she has way

0:24:12.000 --> 0:24:14.520
<v Speaker 1>more stuff, but if she's in a hurry too. She's

0:24:14.560 --> 0:24:15.920
<v Speaker 1>going to get the heck out of there as well,

0:24:16.040 --> 0:24:18.840
<v Speaker 1>and she doesn't have to give you that spot in line.

0:24:19.320 --> 0:24:22.399
<v Speaker 5>They both kind of suck, yeah, because she doesn't have to.

0:24:22.440 --> 0:24:23.679
<v Speaker 5>She doesn't have to get up the spot. But it's

0:24:23.680 --> 0:24:25.679
<v Speaker 5>two items. They would take forty five seconds for him

0:24:25.680 --> 0:24:27.480
<v Speaker 5>to get through if they're both in a hurry, and

0:24:27.520 --> 0:24:29.919
<v Speaker 5>he's gonna go so quick. It's like the Dave Ramsey,

0:24:29.920 --> 0:24:32.199
<v Speaker 5>so I'll pay off your lighta's death quick as you

0:24:32.200 --> 0:24:35.080
<v Speaker 5>could actually let him go and almost lose no time.

0:24:35.440 --> 0:24:37.080
<v Speaker 5>Where he is going to lose a lot of time.

0:24:37.119 --> 0:24:39.359
<v Speaker 5>It's his fault. It's his fault, totally his fault. But

0:24:39.440 --> 0:24:41.000
<v Speaker 5>you can roll and be like, hey, do you mind.

0:24:41.280 --> 0:24:43.200
<v Speaker 5>She kind of sucks for not all know what, because

0:24:43.200 --> 0:24:44.800
<v Speaker 5>if she's in such a hurry, she's not gonna have

0:24:44.800 --> 0:24:47.360
<v Speaker 5>a full basket of groceries and get nineteen things. She's

0:24:47.359 --> 0:24:48.880
<v Speaker 5>gonna get her things and get out of there quick.

0:24:49.119 --> 0:24:50.880
<v Speaker 5>You're not in such a hurry if you have full

0:24:50.880 --> 0:24:53.760
<v Speaker 5>grocery day. Okay, she probably was, just like I was

0:24:53.760 --> 0:24:56.320
<v Speaker 5>in line first, which I respect, and you it's your

0:24:56.359 --> 0:24:58.320
<v Speaker 5>spot in line. It's like people on planes who are like, hey,

0:24:58.320 --> 0:25:00.560
<v Speaker 5>will you move so my kid can sit here? It'd

0:25:00.560 --> 0:25:02.080
<v Speaker 5>be nice if they did, but you don't have to.

0:25:02.440 --> 0:25:05.080
<v Speaker 5>And when they shame people who don't move, I'm like, no,

0:25:05.320 --> 0:25:07.879
<v Speaker 5>they're no shame of them. They got that seat, she

0:25:08.040 --> 0:25:10.960
<v Speaker 5>had that spot in line. That's absolutely hers. But also

0:25:11.320 --> 0:25:14.720
<v Speaker 5>it's two items. It take them ten seconds. However, dude,

0:25:14.800 --> 0:25:20.520
<v Speaker 5>you got there late. There's no mumbling comment. How about

0:25:20.920 --> 0:25:23.000
<v Speaker 5>get there and be on time to stuff?

0:25:23.000 --> 0:25:24.760
<v Speaker 1>You know. I was just like so glad I wasn't

0:25:24.800 --> 0:25:25.560
<v Speaker 1>her in that moment.

0:25:25.880 --> 0:25:27.600
<v Speaker 5>I feel like they both kind of suck a little

0:25:27.600 --> 0:25:29.879
<v Speaker 5>bit there and that one Eddie.

0:25:29.840 --> 0:25:32.560
<v Speaker 6>I got the best birthday gift ever from my sister.

0:25:32.760 --> 0:25:36.920
<v Speaker 6>It's called a Ninja Blast blender. And it's a portable blender.

0:25:37.000 --> 0:25:39.480
<v Speaker 6>It's the size of maybe like a tall boy, like

0:25:39.520 --> 0:25:42.119
<v Speaker 6>a beer tall boy, and you charge it.

0:25:42.200 --> 0:25:43.480
<v Speaker 5>That's all. That's all the size it is.

0:25:43.680 --> 0:25:46.320
<v Speaker 6>Yeah, maybe a little bigger, huh. And so you charge

0:25:46.359 --> 0:25:48.359
<v Speaker 6>it like a phone and then it's a blender and

0:25:48.400 --> 0:25:50.679
<v Speaker 6>it works. So basically like if I go to like

0:25:50.680 --> 0:25:53.200
<v Speaker 6>my workouts, I put all my fruit in there, my protein,

0:25:53.400 --> 0:25:54.440
<v Speaker 6>and I don't have to blend it yet.

0:25:54.480 --> 0:25:56.159
<v Speaker 5>What workouts are you going to or you're taking this

0:25:56.200 --> 0:25:57.720
<v Speaker 5>your workout. You've never once brought it over.

0:25:57.760 --> 0:25:59.000
<v Speaker 6>It's in my car. It's SATs in my car.

0:25:59.080 --> 0:25:59.760
<v Speaker 5>When did you get it?

0:26:00.000 --> 0:26:03.080
<v Speaker 1>He's going first birthday, birthday?

0:26:03.240 --> 0:26:05.280
<v Speaker 6>Yeah, yeah, and then it stays in my car. And

0:26:05.320 --> 0:26:08.080
<v Speaker 6>then when I'm done my workout, I just hit and

0:26:08.119 --> 0:26:11.480
<v Speaker 6>it blends while I'm driving and I can drink my smoothie.

0:26:11.560 --> 0:26:13.840
<v Speaker 6>Not only that, dude, I can make I can put

0:26:13.840 --> 0:26:16.120
<v Speaker 6>all this stuff for a margarita head to my kids

0:26:16.200 --> 0:26:17.840
<v Speaker 6>baseball games in the parking lot.

0:26:18.680 --> 0:26:20.520
<v Speaker 5>I think that invention is great, but he's not going

0:26:20.600 --> 0:26:22.080
<v Speaker 5>to use it how he says he's using it in

0:26:22.080 --> 0:26:23.800
<v Speaker 5>a car after a workout.

0:26:23.520 --> 0:26:25.280
<v Speaker 6>Already been using it at home.

0:26:25.320 --> 0:26:27.399
<v Speaker 5>I think it's a great practical thing to travel with,

0:26:27.520 --> 0:26:30.040
<v Speaker 5>but he's not going to take fruit and travel with

0:26:30.119 --> 0:26:33.119
<v Speaker 5>the fruit. And then that he's done that, I've done it.

0:26:33.160 --> 0:26:36.120
<v Speaker 6>I even showed our trainer. He was like, WHOA, that's

0:26:36.119 --> 0:26:36.560
<v Speaker 6>the coolest thing.

0:26:36.640 --> 0:26:37.680
<v Speaker 5>How many times have you done it?

0:26:38.119 --> 0:26:38.479
<v Speaker 6>Twice?

0:26:38.760 --> 0:26:40.560
<v Speaker 5>And how many workouts did you in the morning before

0:26:40.600 --> 0:26:42.399
<v Speaker 5>work twice? And did you quit that?

0:26:42.880 --> 0:26:43.080
<v Speaker 6>Yeah?

0:26:43.160 --> 0:26:45.280
<v Speaker 5>Yeah, I'm just saying I think the inventions great. I'm

0:26:45.320 --> 0:26:46.640
<v Speaker 5>not hitting on the adventtion. I think it's super cool.

0:26:46.920 --> 0:26:49.520
<v Speaker 1>Wait I get I know ninjas make great blenders, but

0:26:49.560 --> 0:26:51.040
<v Speaker 1>what's this one called Ninja.

0:26:51.320 --> 0:26:54.400
<v Speaker 6>Boy and it's called the Ninja Blast blas.

0:26:54.320 --> 0:26:55.840
<v Speaker 1>So it's like gives you, like maybe like a little

0:26:55.840 --> 0:26:56.800
<v Speaker 1>sixteen outs smoothie.

0:26:56.800 --> 0:26:58.679
<v Speaker 5>But it does sound really cool to make a sixteen

0:26:58.680 --> 0:27:01.720
<v Speaker 5>out smoothie at home on the road, man.

0:27:03.200 --> 0:27:06.800
<v Speaker 1>On the road, when you blend it up fresh if

0:27:06.840 --> 0:27:09.280
<v Speaker 1>something about it, I get the idea behind that.

0:27:09.480 --> 0:27:10.919
<v Speaker 5>He's not going to take it with them on the

0:27:10.960 --> 0:27:12.200
<v Speaker 5>road and make it right when he gets.

0:27:12.240 --> 0:27:16.000
<v Speaker 1>Literally it's a cordless portal. I had never heard of

0:27:16.040 --> 0:27:16.600
<v Speaker 1>this before.

0:27:17.160 --> 0:27:19.240
<v Speaker 5>I think the invention is cool. I know you, I

0:27:19.280 --> 0:27:22.960
<v Speaker 5>know me. No way, no way. Why would you just not?

0:27:23.280 --> 0:27:25.280
<v Speaker 5>It doesn't matter because the.

0:27:25.200 --> 0:27:27.200
<v Speaker 1>Little pop tops, you're like drinking.

0:27:26.840 --> 0:27:29.359
<v Speaker 6>It like you drink it like like the whole blender

0:27:29.400 --> 0:27:29.920
<v Speaker 6>is like a cup.

0:27:29.960 --> 0:27:34.280
<v Speaker 5>Man, awesome. I'm not talking about the invention, about your

0:27:34.320 --> 0:27:35.240
<v Speaker 5>relationship to the invention.

0:27:35.720 --> 0:27:37.000
<v Speaker 6>I'll bring it to my next workout.

0:27:37.000 --> 0:27:38.520
<v Speaker 7>How gross is the fruit sitting in there?

0:27:40.480 --> 0:27:41.399
<v Speaker 6>Grows fruit?

0:27:41.480 --> 0:27:43.240
<v Speaker 5>Okay, but you can put it to make the drink

0:27:43.240 --> 0:27:44.600
<v Speaker 5>in the blender and put the blender on a nice

0:27:44.680 --> 0:27:45.320
<v Speaker 5>chest and it's the same.

0:27:45.840 --> 0:27:49.800
<v Speaker 1>Guys, y'all don't understand the swig of a freshly bleach.

0:27:50.400 --> 0:27:51.120
<v Speaker 6>It's bliss.

0:27:51.160 --> 0:27:54.119
<v Speaker 1>Man, get his point and he can put it in

0:27:54.160 --> 0:27:56.960
<v Speaker 1>a cooler and then fresh blood.

0:27:58.480 --> 0:27:59.800
<v Speaker 5>Why would you want to do that in your truck?

0:28:01.400 --> 0:28:03.080
<v Speaker 7>You got to bring it?

0:28:03.600 --> 0:28:07.480
<v Speaker 5>Watch it. Okay, you're out of your mind. Okay, lunchbox

0:28:07.520 --> 0:28:07.960
<v Speaker 5>speaking of it.

0:28:08.000 --> 0:28:10.040
<v Speaker 7>Out of your mind. Amy has lost her mind?

0:28:10.200 --> 0:28:10.840
<v Speaker 1>What did I do?

0:28:10.920 --> 0:28:11.840
<v Speaker 6>This is now?

0:28:12.080 --> 0:28:12.280
<v Speaker 8>Guy?

0:28:12.359 --> 0:28:15.360
<v Speaker 7>She has full blown conversations with herself.

0:28:15.520 --> 0:28:17.560
<v Speaker 1>Yes, I told you all, I've been having those. Sometimes

0:28:17.560 --> 0:28:20.000
<v Speaker 1>I accidentally do it out loud and y'all hear it.

0:28:20.160 --> 0:28:22.680
<v Speaker 7>She was doing a spot the other day, a commercial. Yeah,

0:28:22.680 --> 0:28:24.080
<v Speaker 7>like a commercial, and then all of a sudden she

0:28:24.119 --> 0:28:26.520
<v Speaker 7>messes up and she just starts talking to herself. Listen

0:28:26.520 --> 0:28:26.720
<v Speaker 7>to this.

0:28:26.760 --> 0:28:28.320
<v Speaker 5>You recorded her doing?

0:28:28.720 --> 0:28:30.840
<v Speaker 1>Wait? No, how do y'all get this audio of me

0:28:30.920 --> 0:28:34.160
<v Speaker 1>when I'm doing my own spot? Somebody is selling me out?

0:28:34.440 --> 0:28:35.919
<v Speaker 7>No? No, no, there was no one in here. And I

0:28:36.000 --> 0:28:38.280
<v Speaker 7>walked by the glassroom and it just as you can

0:28:38.320 --> 0:28:39.840
<v Speaker 7>hear it in there over the speaker.

0:28:40.160 --> 0:28:41.479
<v Speaker 5>So you so you recorded it?

0:28:41.640 --> 0:28:44.920
<v Speaker 7>No, because she's recording the commercial and so, so.

0:28:44.880 --> 0:28:46.040
<v Speaker 1>Then how did you get the audio on?

0:28:46.120 --> 0:28:47.719
<v Speaker 7>Was it was? I was like hey whenever, whoever has

0:28:47.760 --> 0:28:48.800
<v Speaker 7>that when they're done said.

0:28:48.800 --> 0:28:51.280
<v Speaker 1>Okay, it's Kevin sold me out because Kevin. That's who

0:28:51.320 --> 0:28:53.440
<v Speaker 1>I's in my audio to. I save it in Kevin's file.

0:28:53.840 --> 0:28:56.120
<v Speaker 5>Okay, she's going crazy right now, Gray, would you hit it?

0:28:56.640 --> 0:28:58.480
<v Speaker 1>I love doing that sort of stuff with my daughter.

0:28:58.560 --> 0:29:02.920
<v Speaker 1>And back to that cozy situation. Did it say cozy fire?

0:29:03.720 --> 0:29:06.720
<v Speaker 1>Did I say cozy fire? Or did I just say

0:29:06.760 --> 0:29:09.200
<v Speaker 1>it in my head? I need to start over because

0:29:09.200 --> 0:29:13.080
<v Speaker 1>I can't breathe. I'm not done, but I gotta work out. Man.

0:29:14.040 --> 0:29:17.880
<v Speaker 1>I'm in doing much cardio. I'm trying to row. Have

0:29:17.960 --> 0:29:23.680
<v Speaker 1>you ever rode? It's hard, like a rowing machine? Up

0:29:23.720 --> 0:29:24.440
<v Speaker 1>my intensity.

0:29:25.400 --> 0:29:31.240
<v Speaker 7>Okay, there's she's just talking to herself. That's weird.

0:29:31.360 --> 0:29:31.520
<v Speaker 1>Man.

0:29:32.800 --> 0:29:35.400
<v Speaker 5>If there's somebody in here, like producing your spots that make.

0:29:35.280 --> 0:29:37.200
<v Speaker 1>They're not they're not in here. But this is what

0:29:37.240 --> 0:29:42.960
<v Speaker 1>I can explain. I figure when Kevin's getting the spots

0:29:42.960 --> 0:29:45.120
<v Speaker 1>and he's putting them all together, I'm talking to him.

0:29:45.120 --> 0:29:47.840
<v Speaker 5>I think he wants to hear you talk editing commercials.

0:29:48.200 --> 0:29:51.600
<v Speaker 1>It's the future Kevin who's listening to those later, That's

0:29:51.640 --> 0:29:52.440
<v Speaker 1>who I'm talking to.

0:29:52.640 --> 0:29:54.520
<v Speaker 5>He's not listening to a podcast. He's doing one hundred

0:29:54.520 --> 0:29:55.560
<v Speaker 5>commercials back there.

0:29:56.000 --> 0:29:56.240
<v Speaker 6>Yeah.

0:29:56.680 --> 0:29:58.479
<v Speaker 5>Yeah, somebody put a wet watch cloth on her head.

0:29:58.520 --> 0:30:00.600
<v Speaker 5>My grandma always it's worked for me when I was

0:30:00.640 --> 0:30:01.000
<v Speaker 5>a kid.

0:30:01.600 --> 0:30:04.160
<v Speaker 1>You row so Kevin. You don't think Kevin likes.

0:30:04.040 --> 0:30:06.239
<v Speaker 5>Slip No, No, I think he has a lot to do,

0:30:06.520 --> 0:30:08.000
<v Speaker 5>and I don't think he wants to listen to like

0:30:08.080 --> 0:30:10.680
<v Speaker 5>commentary while he's doing a hundred spots, you know, because

0:30:10.680 --> 0:30:12.000
<v Speaker 5>he got all commercials from all of us.

0:30:12.360 --> 0:30:13.719
<v Speaker 6>Yeah, that was weird to hear.

0:30:13.840 --> 0:30:17.320
<v Speaker 5>That was weird. A couple more Morgan update.

0:30:17.680 --> 0:30:19.120
<v Speaker 1>Oh I got a bit by a tick.

0:30:19.920 --> 0:30:21.120
<v Speaker 6>Oh no, lime disease.

0:30:21.520 --> 0:30:23.640
<v Speaker 5>Okay, well that's a that's a what where is it?

0:30:23.640 --> 0:30:26.440
<v Speaker 5>It's a hefty jump. It's a hefty jump. Most ticks

0:30:26.440 --> 0:30:29.080
<v Speaker 5>aren't lime disease. You're gonna freak her out cause she's

0:30:29.080 --> 0:30:31.280
<v Speaker 5>been dealing with a lot of health issues. Let's pumped

0:30:31.280 --> 0:30:31.560
<v Speaker 5>the breaks.

0:30:31.640 --> 0:30:33.920
<v Speaker 1>I'm already honestly, I did.

0:30:33.920 --> 0:30:35.680
<v Speaker 3>I took it out with tweezers, and I did put

0:30:35.720 --> 0:30:39.719
<v Speaker 3>it in a baggie and it's currently being frozen in

0:30:39.720 --> 0:30:40.520
<v Speaker 3>my bad off.

0:30:40.600 --> 0:30:40.800
<v Speaker 5>Yeah.

0:30:40.920 --> 0:30:42.360
<v Speaker 1>I know I've done this before, and I'd put it

0:30:42.360 --> 0:30:43.720
<v Speaker 1>in the freezer and then I mailed it off, so

0:30:43.720 --> 0:30:45.080
<v Speaker 1>I can't I tell you where to send it.

0:30:45.720 --> 0:30:48.840
<v Speaker 5>I would say, Morgan, you're fine, but you can send

0:30:48.880 --> 0:30:51.520
<v Speaker 5>it off. As someone who got by a lot of

0:30:51.520 --> 0:30:54.800
<v Speaker 5>ticks growing up in the woods, most tics don't have

0:30:54.840 --> 0:30:56.760
<v Speaker 5>lime disease. Now some do, and it really does mess

0:30:56.760 --> 0:30:59.200
<v Speaker 5>you up. But I would say, the odds of you

0:30:59.280 --> 0:31:01.800
<v Speaker 5>having lime disease from this tick are very, very very low.

0:31:02.120 --> 0:31:04.200
<v Speaker 5>But Amy did this once and sent it off. So

0:31:04.200 --> 0:31:05.640
<v Speaker 5>you send it off and we'll do the thing where

0:31:05.640 --> 0:31:06.840
<v Speaker 5>you don't know the results we did on the air.

0:31:07.040 --> 0:31:07.840
<v Speaker 1>Okay, we can do that.

0:31:07.880 --> 0:31:10.280
<v Speaker 4>But also, guys, the head is still in my body.

0:31:10.600 --> 0:31:13.200
<v Speaker 1>Oh, I get it out. You need to get that out.

0:31:13.440 --> 0:31:13.960
<v Speaker 5>I tried.

0:31:14.720 --> 0:31:16.680
<v Speaker 3>I tried to use a needle and get it out,

0:31:16.720 --> 0:31:18.640
<v Speaker 3>and it was there was a lot happened.

0:31:18.360 --> 0:31:20.080
<v Speaker 5>Like the fangs are still in your body.

0:31:21.680 --> 0:31:24.040
<v Speaker 4>It was on my stomach like just right here, and

0:31:24.080 --> 0:31:25.680
<v Speaker 4>I like looked down. I was like, oh my gosh,

0:31:25.680 --> 0:31:26.080
<v Speaker 4>that's a tick.

0:31:26.120 --> 0:31:27.880
<v Speaker 3>The legs were moving, and I pulled it out with

0:31:27.920 --> 0:31:30.360
<v Speaker 3>tweezers because I tried all the little techniques of like

0:31:30.400 --> 0:31:32.800
<v Speaker 3>getting it out and it wasn't coming out. So I

0:31:32.840 --> 0:31:34.680
<v Speaker 3>pulled it out and then I looked down and I

0:31:34.680 --> 0:31:36.920
<v Speaker 3>still see like a little brown.

0:31:36.680 --> 0:31:38.719
<v Speaker 5>Spot amy and get in there. She got many splinters

0:31:38.720 --> 0:31:41.080
<v Speaker 5>out of my feet over the years. It's not a splinter,

0:31:41.160 --> 0:31:41.720
<v Speaker 5>but she can go in.

0:31:41.840 --> 0:31:44.320
<v Speaker 7>So right now you have it in your stomach. Yeah,

0:31:44.400 --> 0:31:45.640
<v Speaker 7>oh that is you are getting.

0:31:46.280 --> 0:31:47.360
<v Speaker 5>No, No, you don't get.

0:31:48.880 --> 0:31:49.080
<v Speaker 2>Yeah.

0:31:49.160 --> 0:31:53.880
<v Speaker 1>It says, yeah, it's not too it doesn't seem too bad.

0:31:53.920 --> 0:31:56.160
<v Speaker 1>But I just wouldn't feel comfortable with it in there.

0:31:56.200 --> 0:31:57.480
<v Speaker 5>Yeah, maybe you can help her.

0:31:57.960 --> 0:32:00.479
<v Speaker 1>Yeah, yeah, tweezers.

0:32:00.040 --> 0:32:01.080
<v Speaker 5>I'll go, I'll finally go.

0:32:01.440 --> 0:32:01.600
<v Speaker 1>Uh.

0:32:01.640 --> 0:32:03.080
<v Speaker 5>My therapist asked me how many time it's been late

0:32:03.120 --> 0:32:04.520
<v Speaker 5>to work yet? Because my challenge was to be late

0:32:04.560 --> 0:32:05.920
<v Speaker 5>to work. Remember, he was like, hey, you need to

0:32:05.960 --> 0:32:07.360
<v Speaker 5>be late to work a couple of times just to

0:32:07.440 --> 0:32:11.080
<v Speaker 5>like break your your habits, like break your your rigidity.

0:32:12.120 --> 0:32:15.240
<v Speaker 5>And I did tell him none, Yeah you haven't.

0:32:14.960 --> 0:32:17.240
<v Speaker 1>Been, so then what's what's your punishment?

0:32:17.800 --> 0:32:21.280
<v Speaker 5>I have to wear truck from my neck in therapy.

0:32:23.440 --> 0:32:25.960
<v Speaker 5>But that's that. That was the update. He's also given

0:32:25.960 --> 0:32:28.280
<v Speaker 5>me a couple of other challenges too that are very

0:32:28.320 --> 0:32:30.680
<v Speaker 5>very uncomfortable for me because I haven't been late to work.

0:32:32.000 --> 0:32:34.520
<v Speaker 6>Ever. I think you're even getting here earlier now, which is.

0:32:34.600 --> 0:32:37.400
<v Speaker 5>I do I slowly started get, yeah, you're doing this

0:32:37.400 --> 0:32:39.520
<v Speaker 5>opposite of what you're therapy telling you. I know, I know,

0:32:39.560 --> 0:32:41.160
<v Speaker 5>I know, but that that that's the update, is that

0:32:41.200 --> 0:32:43.000
<v Speaker 5>I had to have that conversation. He checked in and goes, okay,

0:32:43.200 --> 0:32:44.960
<v Speaker 5>because I go, we don't talk about every time. You

0:32:44.960 --> 0:32:46.479
<v Speaker 5>say how many times you've been late to work not

0:32:46.560 --> 0:32:48.440
<v Speaker 5>late for air, but late as my normal time, And

0:32:48.480 --> 0:32:50.400
<v Speaker 5>I said zero. And he's like, how do you think

0:32:50.400 --> 0:32:52.000
<v Speaker 5>you're going to get better if you're not actually doing

0:32:52.040 --> 0:32:54.920
<v Speaker 5>things that make you uncomfortable? And I completely agree that part.

0:32:55.000 --> 0:32:55.760
<v Speaker 5>It's really hard.

0:32:56.000 --> 0:32:57.440
<v Speaker 6>I can show you, man, it's really.

0:32:59.240 --> 0:33:03.920
<v Speaker 5>I know. It's the best bits of the week with Morgan.

0:33:04.000 --> 0:33:04.400
<v Speaker 5>Number two.

0:33:06.120 --> 0:33:08.400
<v Speaker 3>I think we all feel like we are always honest

0:33:08.440 --> 0:33:11.520
<v Speaker 3>on the show and share our true thoughts and feelings.

0:33:11.640 --> 0:33:13.960
<v Speaker 4>Well, a show member came to the show.

0:33:13.760 --> 0:33:15.719
<v Speaker 3>And said, no, I really need you guys to be

0:33:15.760 --> 0:33:19.960
<v Speaker 3>honest with me about a particular subject. And it's kind

0:33:19.960 --> 0:33:22.760
<v Speaker 3>of awkward and I feel also a little like I

0:33:22.760 --> 0:33:24.000
<v Speaker 3>got yelled out for no reason.

0:33:23.800 --> 0:33:27.719
<v Speaker 5>In the segment Number three. The segment might get awkward,

0:33:27.800 --> 0:33:30.080
<v Speaker 5>it may not, but someone on the show has asked

0:33:30.400 --> 0:33:32.560
<v Speaker 5>for one hundred percent pure honesty.

0:33:33.040 --> 0:33:35.680
<v Speaker 1>Do not sugarcoated.

0:33:35.720 --> 0:33:37.960
<v Speaker 5>Do not be safe with their feelings. Don't don't be

0:33:38.000 --> 0:33:40.520
<v Speaker 5>precious about feelings. Just be honest. Okay, okay, all right,

0:33:40.560 --> 0:33:41.320
<v Speaker 5>it's not me, it's.

0:33:41.240 --> 0:33:43.640
<v Speaker 6>Eddie, and you're gonna be honest, right, guys.

0:33:44.120 --> 0:33:45.320
<v Speaker 1>Yeah, we just can't look at you.

0:33:45.480 --> 0:33:45.960
<v Speaker 7>Yeah, I won't.

0:33:45.960 --> 0:33:46.800
<v Speaker 6>You don't have to look at me.

0:33:46.920 --> 0:33:47.160
<v Speaker 1>I'm not.

0:33:47.600 --> 0:33:50.000
<v Speaker 5>I think you're gonna need to Nope, No, I think

0:33:50.000 --> 0:33:52.600
<v Speaker 5>you're gonna need Okay, Okay, Eddie, we're gonna be honest.

0:33:52.760 --> 0:33:55.800
<v Speaker 5>Everybody commitment to be honest for y Yeah, okay, go ahead,

0:33:55.840 --> 0:33:58.720
<v Speaker 5>no problem, and don't answer until I come to you. Okay,

0:33:58.760 --> 0:34:00.520
<v Speaker 5>but Eddie, go ahead and talk about scenario.

0:34:00.520 --> 0:34:02.320
<v Speaker 6>Okay, guys, I just want to ask you a question,

0:34:04.120 --> 0:34:04.800
<v Speaker 6>am I fat?

0:34:05.600 --> 0:34:06.040
<v Speaker 1>Stop?

0:34:06.200 --> 0:34:07.640
<v Speaker 5>Okay? Why do you think.

0:34:08.040 --> 0:34:11.120
<v Speaker 6>Because Morgan had to do these AI like, uh, I

0:34:11.120 --> 0:34:14.480
<v Speaker 6>don't know, action figures or something. You take three pictures

0:34:14.520 --> 0:34:16.799
<v Speaker 6>of yourself, You send it to AI. You say, make

0:34:16.800 --> 0:34:19.000
<v Speaker 6>an action figure out of me, and when I got back,

0:34:19.040 --> 0:34:20.880
<v Speaker 6>I'm gonna send it to you guys right now, the

0:34:20.920 --> 0:34:22.080
<v Speaker 6>original one I got back.

0:34:22.120 --> 0:34:24.120
<v Speaker 5>Oh, we didn't see the original no no, no.

0:34:24.080 --> 0:34:25.920
<v Speaker 6>I had to go back and say make me skinnier

0:34:25.960 --> 0:34:27.960
<v Speaker 6>because the original one made me fat?

0:34:28.000 --> 0:34:28.719
<v Speaker 5>Oh I see you?

0:34:29.719 --> 0:34:32.840
<v Speaker 6>Oh and so I'm thinking, like, is it me thinking

0:34:33.040 --> 0:34:35.239
<v Speaker 6>I don't look like that? Because I don't think I

0:34:35.280 --> 0:34:38.720
<v Speaker 6>look like that? Okay, So my question for you guys,

0:34:38.800 --> 0:34:39.400
<v Speaker 6>and just so.

0:34:39.560 --> 0:34:41.000
<v Speaker 5>You told her make you skinnier.

0:34:41.160 --> 0:34:43.160
<v Speaker 6>I told Ai make me skinnier. Please?

0:34:43.640 --> 0:34:45.719
<v Speaker 5>You told Morgan to make a No Ai, you did

0:34:45.719 --> 0:34:46.200
<v Speaker 5>it yourself?

0:34:46.360 --> 0:34:49.680
<v Speaker 6>Yes, okay, and AI made me skinnier. But that's the

0:34:49.719 --> 0:34:53.040
<v Speaker 6>original picture that it's sent it we want to see.

0:34:52.920 --> 0:34:55.080
<v Speaker 5>So I said, it's in that group text. There's a viral,

0:34:55.200 --> 0:34:57.120
<v Speaker 5>it's a meme, a trend where it's like this is

0:34:57.160 --> 0:34:59.279
<v Speaker 5>the action figure and it says producer already on air.

0:34:59.320 --> 0:35:01.680
<v Speaker 5>Personality is picture of Eddie. There's a Dallas cowboy. He

0:35:01.680 --> 0:35:03.720
<v Speaker 5>had about one hundred kids, a grill and a guitar,

0:35:03.800 --> 0:35:07.120
<v Speaker 5>basically his life and what do I look like? So

0:35:07.600 --> 0:35:10.400
<v Speaker 5>he wants to know the question is what do I

0:35:10.440 --> 0:35:14.160
<v Speaker 5>look like? That your question has changed. The question was

0:35:14.200 --> 0:35:15.160
<v Speaker 5>at first am I fat?

0:35:15.320 --> 0:35:15.720
<v Speaker 6>Correct?

0:35:15.760 --> 0:35:16.799
<v Speaker 5>Is that what you want to answer to?

0:35:17.120 --> 0:35:20.120
<v Speaker 6>Well? Yes, the answer is the question is am I fat?

0:35:20.160 --> 0:35:21.759
<v Speaker 6>Because A I think so I'm fat? So I want

0:35:21.760 --> 0:35:22.480
<v Speaker 6>to know my fat.

0:35:22.880 --> 0:35:27.759
<v Speaker 5>Okay, See here's the thing you know different people are

0:35:27.760 --> 0:35:29.719
<v Speaker 5>going to have different read like Amy is going to

0:35:29.760 --> 0:35:31.319
<v Speaker 5>be very sensitive to your feelings, and.

0:35:31.760 --> 0:35:35.040
<v Speaker 1>I can I can answer honestly on this.

0:35:36.719 --> 0:35:37.120
<v Speaker 5>Go ahead.

0:35:37.400 --> 0:35:40.480
<v Speaker 1>I can even look at it heat, I can take it.

0:35:40.520 --> 0:35:43.560
<v Speaker 1>Come on, No, you're not. I don't. I'm I don't

0:35:43.600 --> 0:35:44.960
<v Speaker 1>like commenting on your body anymore?

0:35:45.080 --> 0:35:45.520
<v Speaker 5>Why right?

0:35:45.600 --> 0:35:49.040
<v Speaker 1>But I know? But if he's asking genuinely, no, you're not.

0:35:49.280 --> 0:35:51.759
<v Speaker 6>Yeah, it's offensive when people don't like, well, ask like

0:35:51.840 --> 0:35:53.480
<v Speaker 6>am I fat? But like and you just tell him

0:35:53.480 --> 0:35:56.359
<v Speaker 6>you're fat? It's not offensive when I'm asking you, guys,

0:35:56.360 --> 0:35:57.800
<v Speaker 6>tell me right now, look at me in the face.

0:35:57.920 --> 0:35:58.520
<v Speaker 6>Am I fat?

0:35:58.640 --> 0:35:58.799
<v Speaker 3>Right?

0:35:58.840 --> 0:35:59.200
<v Speaker 1>And you're not?

0:35:59.520 --> 0:36:01.600
<v Speaker 5>Lunchbox Eddie.

0:36:01.680 --> 0:36:05.160
<v Speaker 7>Unfortunately, you are fat in this figurine. And I think

0:36:05.160 --> 0:36:08.160
<v Speaker 7>maybe you uploaded some fat photos because you had to

0:36:08.239 --> 0:36:11.800
<v Speaker 7>upload three photos, so maybe you did old fat photos

0:36:11.800 --> 0:36:13.040
<v Speaker 7>and that's how they thought you were fat.

0:36:13.120 --> 0:36:15.640
<v Speaker 6>No, I took the photos of that moment and just sent.

0:36:15.600 --> 0:36:18.840
<v Speaker 7>Them, Oh, because I don't think you're fat.

0:36:19.000 --> 0:36:19.840
<v Speaker 5>What do you think? He is?

0:36:21.760 --> 0:36:23.080
<v Speaker 7>Plum chubby?

0:36:24.800 --> 0:36:27.480
<v Speaker 5>So you would say fat chubby?

0:36:27.560 --> 0:36:27.920
<v Speaker 7>Yeah?

0:36:28.760 --> 0:36:29.960
<v Speaker 5>How do you feel about being chubby?

0:36:30.800 --> 0:36:33.120
<v Speaker 6>I don't like it chubby. I feel like I don't

0:36:33.120 --> 0:36:35.360
<v Speaker 6>feel like I'm chubby. I feel like I'm I.

0:36:35.360 --> 0:36:36.840
<v Speaker 5>Would say this guy in the picture's chubby.

0:36:36.960 --> 0:36:37.920
<v Speaker 7>No, I gos fat?

0:36:38.160 --> 0:36:38.440
<v Speaker 6>You think?

0:36:38.480 --> 0:36:38.520
<v Speaker 1>So?

0:36:38.719 --> 0:36:40.640
<v Speaker 6>Okay, that's a fat dude.

0:36:41.080 --> 0:36:45.160
<v Speaker 5>A I made me fat, Morgan, No, Eddie.

0:36:45.239 --> 0:36:47.319
<v Speaker 4>I don't think you're fat, but I do think you

0:36:47.320 --> 0:36:48.120
<v Speaker 4>have a dad bought.

0:36:48.880 --> 0:36:51.759
<v Speaker 1>Oh wow, you're a dad.

0:36:51.920 --> 0:36:52.439
<v Speaker 6>That's rude.

0:36:52.800 --> 0:36:54.719
<v Speaker 1>You're a dad. That's a good thing.

0:36:54.840 --> 0:36:58.480
<v Speaker 5>How you strong? How do you see yourself he works out? Yeah, like,

0:36:59.000 --> 0:36:59.920
<v Speaker 5>how do you see yourself?

0:37:00.600 --> 0:37:05.319
<v Speaker 6>Fit? With maybe a little bit of fluff, but overall fit.

0:37:05.640 --> 0:37:08.520
<v Speaker 1>Yes, I would agree with that. He's overall fit.

0:37:08.960 --> 0:37:12.280
<v Speaker 7>We didn't say you were unfit. You can be chubby

0:37:12.320 --> 0:37:12.759
<v Speaker 7>and be fit.

0:37:12.840 --> 0:37:15.080
<v Speaker 5>I would say you look strong. I don't know that

0:37:15.120 --> 0:37:19.120
<v Speaker 5>I would use fit. Yeah, I wouldn't say fit, but

0:37:19.120 --> 0:37:21.719
<v Speaker 5>I would say strong. And yeah, who cares? You got

0:37:21.719 --> 0:37:22.279
<v Speaker 5>a little belly?

0:37:23.520 --> 0:37:27.839
<v Speaker 6>That thing exactly? So does AI exaggerate what it sees like?

0:37:28.520 --> 0:37:30.200
<v Speaker 6>Am I fit with a belly?

0:37:31.520 --> 0:37:32.800
<v Speaker 5>I think you're strong. I don't think you're fit. I

0:37:32.800 --> 0:37:35.160
<v Speaker 5>think you're strong. I think you're strong with I think

0:37:35.160 --> 0:37:36.600
<v Speaker 5>you're strong with a belly.

0:37:36.920 --> 0:37:40.480
<v Speaker 6>Strong with a belly. See, because like you like strong

0:37:40.600 --> 0:37:43.200
<v Speaker 6>like doesn't mean like, I don't know, like you can

0:37:43.239 --> 0:37:46.439
<v Speaker 6>be kind of bigger and look strong like Babe Ruth

0:37:46.520 --> 0:37:47.600
<v Speaker 6>looked kind of strong.

0:37:47.360 --> 0:37:55.000
<v Speaker 5>But it looks so I think our general consensus is

0:37:55.320 --> 0:37:58.040
<v Speaker 5>you're not fat, but you're probably not as skinny as

0:37:58.040 --> 0:37:58.600
<v Speaker 5>you think you are.

0:37:59.680 --> 0:38:02.680
<v Speaker 6>Okay, okay, but.

0:38:02.840 --> 0:38:03.480
<v Speaker 7>That all.

0:38:06.360 --> 0:38:06.839
<v Speaker 5>That was fine?

0:38:07.560 --> 0:38:09.200
<v Speaker 6>And then and then Morgan called me said, I had

0:38:09.200 --> 0:38:09.640
<v Speaker 6>a dad.

0:38:09.520 --> 0:38:12.480
<v Speaker 4>Boss, you have You've referred to yourself as having a dad.

0:38:12.520 --> 0:38:14.520
<v Speaker 5>I think you have a strong dad body.

0:38:15.239 --> 0:38:18.120
<v Speaker 6>What does that mean? What does that mean?

0:38:19.800 --> 0:38:22.160
<v Speaker 5>You're the most sensitive and we appreciate that for you

0:38:22.520 --> 0:38:24.520
<v Speaker 5>and who you are, and you know you're very sensitive

0:38:24.560 --> 0:38:25.600
<v Speaker 5>to people's bodies and stuff.

0:38:26.719 --> 0:38:28.919
<v Speaker 1>Yeah, this whole thing is stupid.

0:38:28.640 --> 0:38:30.040
<v Speaker 5>But this is he. He's the one that brought it.

0:38:30.680 --> 0:38:31.120
<v Speaker 6>I want to know.

0:38:31.280 --> 0:38:32.759
<v Speaker 5>He's the one that was like, can I please get

0:38:32.760 --> 0:38:33.760
<v Speaker 5>full honesty.

0:38:33.440 --> 0:38:35.120
<v Speaker 6>Because I don't want to live my life thinking I

0:38:35.160 --> 0:38:37.319
<v Speaker 6>look like something? And then really I look like that.

0:38:37.920 --> 0:38:39.399
<v Speaker 5>I don't think you look like that, but I don't

0:38:39.400 --> 0:38:41.080
<v Speaker 5>also think you look like what you think you look like.

0:38:41.120 --> 0:38:42.320
<v Speaker 5>I guess somewhere in the middle.

0:38:42.120 --> 0:38:44.760
<v Speaker 1>None of us look like the AI thing, like, nobody

0:38:44.840 --> 0:38:48.320
<v Speaker 1>really looks like. All of our figurines look a little different.

0:38:48.400 --> 0:38:50.320
<v Speaker 5>Why didn't send mine back to be redone?

0:38:50.960 --> 0:38:54.640
<v Speaker 6>Yours didn't come back fat, Yours came back skinny.

0:38:54.719 --> 0:38:58.160
<v Speaker 5>My head looks stupid. I like Stephen Colbert on drugs. Yeah,

0:38:58.239 --> 0:38:59.080
<v Speaker 5>but I didn't send it back.

0:38:59.280 --> 0:39:01.600
<v Speaker 6>I wasn't worried about the face like or the head whatever.

0:39:01.680 --> 0:39:03.600
<v Speaker 6>But when it came back, look maybe me looking like

0:39:03.640 --> 0:39:04.799
<v Speaker 6>a lumpapa.

0:39:05.040 --> 0:39:06.920
<v Speaker 5>So what do you take from this conversation? We're all

0:39:06.920 --> 0:39:09.160
<v Speaker 5>honest with you. What did you learn here?

0:39:09.600 --> 0:39:12.759
<v Speaker 6>I think Amy is being very very nice. She said

0:39:12.800 --> 0:39:14.640
<v Speaker 6>the nicest thing about me. But I think she's being sweet.

0:39:14.640 --> 0:39:16.120
<v Speaker 5>Don't want her my sweet person person?

0:39:16.160 --> 0:39:18.279
<v Speaker 6>Does that? You were pretty honest with me.

0:39:18.760 --> 0:39:21.040
<v Speaker 5>I think you're strong strong, you have back muscles, are strong.

0:39:21.120 --> 0:39:21.480
<v Speaker 6>I like that.

0:39:21.560 --> 0:39:23.160
<v Speaker 5>I think you have you still have a little belly.

0:39:23.320 --> 0:39:25.640
<v Speaker 6>Yeah. And then Lunchbox. I can't really take what he

0:39:25.760 --> 0:39:28.120
<v Speaker 6>says because he's just, you know, saying things that make

0:39:28.160 --> 0:39:32.960
<v Speaker 6>me mad. Morgan and Morgan's hurt. Morgan's hurt me a

0:39:33.000 --> 0:39:33.399
<v Speaker 6>little bit.

0:39:33.680 --> 0:39:36.040
<v Speaker 1>You called yourself that so many times.

0:39:36.680 --> 0:39:38.719
<v Speaker 5>So I don't know, dude, do you feel growth from

0:39:38.719 --> 0:39:40.360
<v Speaker 5>this growth?

0:39:40.400 --> 0:39:40.600
<v Speaker 1>Ware?

0:39:40.760 --> 0:39:42.480
<v Speaker 6>I feel like I need to look at myself more

0:39:42.520 --> 0:39:45.719
<v Speaker 6>of an understanding. I'm fatter than I thought I was.

0:39:45.800 --> 0:39:47.680
<v Speaker 5>You're not fat, you're not fat.

0:39:47.800 --> 0:39:50.160
<v Speaker 6>You're gonna make me cry.

0:39:50.239 --> 0:39:54.120
<v Speaker 1>I'm also worried that Eddie sent his fat figurine to

0:39:54.200 --> 0:39:55.120
<v Speaker 1>my old number.

0:39:55.640 --> 0:39:55.920
<v Speaker 6>Did you?

0:39:56.160 --> 0:40:00.920
<v Speaker 5>Oh no, Amy's old numbers got sent to the and

0:40:00.960 --> 0:40:03.040
<v Speaker 5>it's gotten all my information on.

0:40:03.120 --> 0:40:05.880
<v Speaker 1>Whoever has my old phone number is a minor and

0:40:05.920 --> 0:40:08.080
<v Speaker 1>they have thrown to call the police.

0:40:08.719 --> 0:40:12.319
<v Speaker 5>Oh my god, they don't know you asked them and

0:40:12.360 --> 0:40:15.880
<v Speaker 5>I look like that right, So send that number of

0:40:15.920 --> 0:40:25.920
<v Speaker 5>picture of you shirtless and say.

0:40:23.360 --> 0:40:27.160
<v Speaker 2>It's the best bits of the week with Morgan number.

0:40:26.920 --> 0:40:34.920
<v Speaker 3>Two Counting Crow stop by our studio, which, if you've

0:40:34.920 --> 0:40:37.000
<v Speaker 3>been the listener for a long time, or maybe you haven't,

0:40:37.200 --> 0:40:39.120
<v Speaker 3>this is one of Bobby's favorite bands, so he totally

0:40:39.120 --> 0:40:42.480
<v Speaker 3>geeked out. He even had a dedication to them in

0:40:42.520 --> 0:40:45.160
<v Speaker 3>his first book, So Huge Fans.

0:40:44.960 --> 0:40:45.680
<v Speaker 4>Is a cool moment.

0:40:45.760 --> 0:40:49.000
<v Speaker 3>And beyond having a really fun interview and hearing about

0:40:49.000 --> 0:40:51.600
<v Speaker 3>some of the moments in their career, they also did

0:40:51.600 --> 0:40:53.839
<v Speaker 3>a performance which you can go check out on our

0:40:53.840 --> 0:40:55.839
<v Speaker 3>YouTube page at Bobby Bone Show and while you're there,

0:40:56.120 --> 0:41:00.400
<v Speaker 3>subscribe do it for Eddie myself in Lunchbox. We make

0:41:00.480 --> 0:41:03.680
<v Speaker 3>some money if we hit five hundred thousand subscribers, which

0:41:03.719 --> 0:41:04.439
<v Speaker 3>could be really hard.

0:41:04.760 --> 0:41:05.520
<v Speaker 4>But we're trying it.

0:41:06.080 --> 0:41:09.120
<v Speaker 5>Number two on the Bobby Bone Show.

0:41:09.200 --> 0:41:11.680
<v Speaker 1>Now Adam Durrett's of Counting Crows.

0:41:11.840 --> 0:41:14.279
<v Speaker 9>Adam, good to see you again, buddy. Hey, no, I

0:41:14.280 --> 0:41:16.640
<v Speaker 9>realized there's things going on in the head that I'm

0:41:16.640 --> 0:41:19.120
<v Speaker 9>missing out on. It was literally a voice just going

0:41:19.160 --> 0:41:21.600
<v Speaker 9>and now Adam Durret's counting Crows.

0:41:22.200 --> 0:41:23.680
<v Speaker 5>I mean, if you really wanted to hear that?

0:41:23.840 --> 0:41:24.640
<v Speaker 6>Did sound cool?

0:41:24.880 --> 0:41:25.480
<v Speaker 1>Yeah?

0:41:25.719 --> 0:41:27.239
<v Speaker 5>Intro seven out of ten?

0:41:27.320 --> 0:41:29.719
<v Speaker 9>All right, okay, it's cool as long as I got

0:41:29.719 --> 0:41:31.560
<v Speaker 9>the idea. Now I feel like I've hit the stage.

0:41:31.560 --> 0:41:35.680
<v Speaker 9>There's been a yeah I'm here here? Do you guys

0:41:35.719 --> 0:41:36.160
<v Speaker 9>have an intro?

0:41:36.280 --> 0:41:36.400
<v Speaker 6>Now?

0:41:36.400 --> 0:41:37.000
<v Speaker 5>When you come out?

0:41:37.040 --> 0:41:37.120
<v Speaker 1>Like?

0:41:37.160 --> 0:41:39.799
<v Speaker 9>Why do you guys come out? We usually play this

0:41:39.920 --> 0:41:44.080
<v Speaker 9>song it lately it's been stand By. It's lying the

0:41:44.080 --> 0:41:46.680
<v Speaker 9>family stone, lights go down, stand comes on. We come

0:41:46.719 --> 0:41:47.839
<v Speaker 9>on about midway through the song.

0:41:48.200 --> 0:41:50.880
<v Speaker 5>So the song is playing like over the top and

0:41:50.920 --> 0:41:52.040
<v Speaker 5>you guys walk out.

0:41:52.320 --> 0:41:52.799
<v Speaker 6>On the hall.

0:41:52.880 --> 0:41:55.439
<v Speaker 5>It comes out when you do a set list? How

0:41:55.480 --> 0:41:56.839
<v Speaker 5>often does it change during a tour?

0:41:57.080 --> 0:41:57.239
<v Speaker 3>Oh?

0:41:57.239 --> 0:41:57.680
<v Speaker 6>Every night?

0:41:58.719 --> 0:42:02.799
<v Speaker 5>Is that part of your you know, I don't know.

0:42:02.920 --> 0:42:06.080
<v Speaker 5>Creative nightly task is to recreate the set list?

0:42:06.280 --> 0:42:06.480
<v Speaker 6>Yeah?

0:42:06.560 --> 0:42:09.000
<v Speaker 9>Im or who he was here a second ago? He

0:42:09.160 --> 0:42:11.600
<v Speaker 9>and I do it after dinner sometime. Does that depend

0:42:11.680 --> 0:42:13.600
<v Speaker 9>on the mood that you're in. Yeah, yeah, just sort

0:42:13.600 --> 0:42:15.120
<v Speaker 9>of what do you want to play tonight? That way,

0:42:15.160 --> 0:42:17.160
<v Speaker 9>we're playing stuff we want to play.

0:42:17.560 --> 0:42:20.080
<v Speaker 5>Do you ever do want of you ever go hey,

0:42:20.320 --> 0:42:22.400
<v Speaker 5>maybe we haven't played this song in a while, we

0:42:22.520 --> 0:42:24.160
<v Speaker 5>throw this in. Is there ever like a battle?

0:42:24.760 --> 0:42:27.480
<v Speaker 9>No, it's usually like that, you know, somebody wants it's

0:42:27.520 --> 0:42:29.120
<v Speaker 9>I mean, anybody in the band can say, hey, you know,

0:42:29.120 --> 0:42:31.440
<v Speaker 9>I've been really dying to play this, and if we

0:42:31.960 --> 0:42:33.880
<v Speaker 9>you know, if it's if we've been playing it, we

0:42:34.000 --> 0:42:36.399
<v Speaker 9>just stick in the set list. If we haven't been,

0:42:36.680 --> 0:42:38.759
<v Speaker 9>we'll work at soundcheck and then put it in the

0:42:38.800 --> 0:42:40.640
<v Speaker 9>set list. Sometimes we need a few days to work

0:42:40.640 --> 0:42:43.000
<v Speaker 9>on something if we haven't played it for a decade

0:42:43.120 --> 0:42:43.480
<v Speaker 9>or something.

0:42:43.560 --> 0:42:46.680
<v Speaker 5>You know, Oh, you'll bring old songs back sometimes, yeah.

0:42:46.480 --> 0:42:48.760
<v Speaker 9>Because people like you know, we have so many records

0:42:48.800 --> 0:42:50.880
<v Speaker 9>at this point and so many songs, and people like

0:42:51.880 --> 0:42:53.800
<v Speaker 9>get to where they're dying to hear something, or someone's

0:42:53.800 --> 0:42:58.439
<v Speaker 9>girlfriend is pretty insistent about something. My girlfriend really wanted

0:42:58.520 --> 0:43:00.440
<v Speaker 9>us to play this song Butterfly and Orver for a

0:43:00.440 --> 0:43:02.040
<v Speaker 9>long time, and it was a song even when it

0:43:02.080 --> 0:43:04.520
<v Speaker 9>was released, we only played it once or twice. One

0:43:04.560 --> 0:43:08.360
<v Speaker 9>of my friends checked on the whatever the archive, we

0:43:08.480 --> 0:43:10.920
<v Speaker 9>only played it once or twice, and we worked on

0:43:10.960 --> 0:43:13.640
<v Speaker 9>it and put it in the set, and now it's

0:43:13.680 --> 0:43:16.200
<v Speaker 9>been like every night for a few years. That everybody

0:43:16.200 --> 0:43:18.080
<v Speaker 9>loved it so much that it's kind of stuck in there.

0:43:18.080 --> 0:43:19.400
<v Speaker 9>But yeah, you know, there's things you haven't played in

0:43:19.440 --> 0:43:19.879
<v Speaker 9>a long time.

0:43:19.960 --> 0:43:21.520
<v Speaker 5>Are there any songs that you feel you have to

0:43:21.520 --> 0:43:23.880
<v Speaker 5>play every night? Is there one song that stays in

0:43:23.880 --> 0:43:27.640
<v Speaker 5>the thread the whole time? A long December does nothing else?

0:43:27.640 --> 0:43:29.480
<v Speaker 5>I mean, I don't feel like there's anything I have

0:43:29.560 --> 0:43:33.719
<v Speaker 5>to play every night, because sometimes you just get tired

0:43:33.760 --> 0:43:35.759
<v Speaker 5>of it. There anything there is, you get tired of it,

0:43:35.800 --> 0:43:38.200
<v Speaker 5>except for some reason, for me, A Long December, I

0:43:38.280 --> 0:43:40.120
<v Speaker 5>never get tired of it. There's never been a night

0:43:40.120 --> 0:43:41.840
<v Speaker 5>where I didn't want to play it. I don't know

0:43:41.880 --> 0:43:43.640
<v Speaker 5>why that is. I have no idea, but I'm always

0:43:43.760 --> 0:43:45.680
<v Speaker 5>kind of excited to play it. Like an arrangement change

0:43:45.760 --> 0:43:47.200
<v Speaker 5>up on that song, like playing it by yourself at

0:43:47.200 --> 0:43:49.200
<v Speaker 5>a piano or the full band. Does that ever change

0:43:49.200 --> 0:43:51.400
<v Speaker 5>even though the thread as you play that song every night.

0:43:51.600 --> 0:43:54.520
<v Speaker 9>Yeah, I mean, we'll change little details of it. There's

0:43:54.640 --> 0:43:57.280
<v Speaker 9>little like breakdowns that go into it. For the last

0:43:57.360 --> 0:44:01.319
<v Speaker 9>couple year and a half, I started. I just we

0:44:01.400 --> 0:44:03.040
<v Speaker 9>went to see Taylor Swift and it was really great

0:44:03.040 --> 0:44:05.480
<v Speaker 9>and I really loved that song the one, and so

0:44:05.600 --> 0:44:09.919
<v Speaker 9>I started like backstage working on a version of it

0:44:09.960 --> 0:44:12.359
<v Speaker 9>by myself, and then I just walked down stage one

0:44:12.440 --> 0:44:15.279
<v Speaker 9>night and played it and let it right into A

0:44:15.280 --> 0:44:18.400
<v Speaker 9>Long December. So it the end of that song built

0:44:18.520 --> 0:44:20.719
<v Speaker 9>and became the intro to A Long December. And I've

0:44:20.719 --> 0:44:22.160
<v Speaker 9>been doing it that way for about a year now

0:44:22.400 --> 0:44:24.680
<v Speaker 9>and I'm really loving it. I don't know, It's such

0:44:24.719 --> 0:44:28.280
<v Speaker 9>a great song and it was a real cool surprise

0:44:28.480 --> 0:44:30.720
<v Speaker 9>to then crash it into a Long December and start

0:44:30.719 --> 0:44:32.959
<v Speaker 9>that song from there. So I've been doing it that way,

0:44:33.080 --> 0:44:34.960
<v Speaker 9>but I've done that with different songs. I remember doing

0:44:35.000 --> 0:44:38.080
<v Speaker 9>it with Live Forever, that Oasis song. We were touring

0:44:38.120 --> 0:44:40.239
<v Speaker 9>Anyone once and I went, you know, and figured out

0:44:40.280 --> 0:44:43.040
<v Speaker 9>how to play Love Forever and then just surprised everybody

0:44:43.040 --> 0:44:43.839
<v Speaker 9>on stages at one.

0:44:43.800 --> 0:44:46.160
<v Speaker 5>Night with cell phones too. It's got to be different

0:44:46.200 --> 0:44:47.960
<v Speaker 5>because if you're gonna go do Taylor, the one that's

0:44:47.960 --> 0:44:52.359
<v Speaker 5>either gonna go super viral or it's not it's gonna

0:44:52.360 --> 0:44:52.919
<v Speaker 5>be kind of weird.

0:44:53.520 --> 0:44:55.840
<v Speaker 9>Well, it was kind of cool because at some point

0:44:56.000 --> 0:45:01.040
<v Speaker 9>midway through the first verse, I alway hear the scream

0:45:01.280 --> 0:45:04.319
<v Speaker 9>from a bunch of girls like it happens, because it's

0:45:04.320 --> 0:45:07.320
<v Speaker 9>not immediately recognizable as that song, because I'm playing it

0:45:07.360 --> 0:45:10.840
<v Speaker 9>pretty differently, kind of inside out. But at some point,

0:45:10.920 --> 0:45:12.959
<v Speaker 9>like two thirds of the way through the third verse

0:45:13.200 --> 0:45:16.520
<v Speaker 9>or the first verse, there's just a scream from a

0:45:16.560 --> 0:45:18.839
<v Speaker 9>bunch of girls who realize what's going on, and then

0:45:19.840 --> 0:45:22.160
<v Speaker 9>I don't know where they're hitting their mom going no,

0:45:22.200 --> 0:45:23.320
<v Speaker 9>you don't understand, mom.

0:45:23.880 --> 0:45:27.200
<v Speaker 5>How has content creation been for you with music? Because

0:45:27.239 --> 0:45:31.160
<v Speaker 5>that's different for anybody that was, you know, playing the

0:45:31.200 --> 0:45:33.719
<v Speaker 5>nineties and two thousands. I have friends now that are

0:45:33.760 --> 0:45:36.480
<v Speaker 5>struggling with man, I have to make content now to

0:45:36.560 --> 0:45:38.200
<v Speaker 5>go with my music. How has that been for you

0:45:38.239 --> 0:45:42.799
<v Speaker 5>and you guys, Well, it's kind of a I was

0:45:42.840 --> 0:45:47.080
<v Speaker 5>really enthusiastic about social media when it first started. I

0:45:47.160 --> 0:45:51.239
<v Speaker 5>was on the message boards at AOL, you know, in

0:45:51.440 --> 0:45:53.440
<v Speaker 5>ninety six when I realized, oh, here's a way to

0:45:53.440 --> 0:45:55.239
<v Speaker 5>talk directly to fans. I don't have to go through

0:45:55.280 --> 0:45:59.000
<v Speaker 5>the press or something. And then when Twitter came out.

0:45:59.040 --> 0:45:59.799
<v Speaker 5>I really jumped on that.

0:46:00.000 --> 0:46:02.280
<v Speaker 9>The problem is you're not always at the forefront of something,

0:46:02.360 --> 0:46:04.920
<v Speaker 9>Like you're patting yourself on the back for being on

0:46:04.960 --> 0:46:07.680
<v Speaker 9>the message boards, you know, ten years before social media,

0:46:07.719 --> 0:46:09.520
<v Speaker 9>and then you're patting yourself on the back for building

0:46:09.600 --> 0:46:13.239
<v Speaker 9>up Twitter and you don't realize that Instagram is the

0:46:13.320 --> 0:46:15.960
<v Speaker 9>next thing, or you don't or you finally get on

0:46:16.040 --> 0:46:18.040
<v Speaker 9>hold of that. And you know, as you're older, you're

0:46:18.040 --> 0:46:20.000
<v Speaker 9>not in touch with the same stuff that kids are,

0:46:20.000 --> 0:46:23.840
<v Speaker 9>and so you don't realize that TikTok is really important.

0:46:24.080 --> 0:46:26.360
<v Speaker 9>You know that it's just inevitable that you fall behind

0:46:26.400 --> 0:46:30.719
<v Speaker 9>because you're not keyed into the same you know, zeitgeist

0:46:30.719 --> 0:46:33.920
<v Speaker 9>as kids are. But yeah, you just kind of adjust,

0:46:34.040 --> 0:46:35.799
<v Speaker 9>you try to. I mean, I think at this point

0:46:35.840 --> 0:46:39.520
<v Speaker 9>in my life, I'm always a little behind, which is okay.

0:46:39.520 --> 0:46:42.359
<v Speaker 5>It's you know, it's kind of fun to catch up.

0:46:42.600 --> 0:46:44.719
<v Speaker 5>Sometimes some of my friends are like, man, I hate

0:46:44.719 --> 0:46:47.240
<v Speaker 5>singing into a phone like that. They really have struggle

0:46:47.239 --> 0:46:49.680
<v Speaker 5>with like singing in their songs into a phone to

0:46:49.719 --> 0:46:53.160
<v Speaker 5>put it on TikTok? Was that? Ever? When you shot content,

0:46:53.200 --> 0:46:55.120
<v Speaker 5>do you shoot it wider? Because you can shoot a

0:46:55.200 --> 0:46:57.719
<v Speaker 5>video ish style or where it doesn't feel as ridiculous, because

0:46:57.719 --> 0:46:59.759
<v Speaker 5>it does feel kind of weird to put your phone

0:46:59.800 --> 0:47:01.279
<v Speaker 5>up in sing right into it. How are you guys

0:47:01.320 --> 0:47:01.719
<v Speaker 5>doing that?

0:47:02.120 --> 0:47:02.359
<v Speaker 6>Well?

0:47:04.320 --> 0:47:06.319
<v Speaker 9>Early on, I mean, I don't mind singing into my

0:47:06.360 --> 0:47:08.799
<v Speaker 9>phone because I was doing it for voice memos. It

0:47:08.920 --> 0:47:10.520
<v Speaker 9>was like, Wow, I got a thing I can record,

0:47:11.239 --> 0:47:12.880
<v Speaker 9>I work on new songs. I can record and write them.

0:47:12.920 --> 0:47:14.120
<v Speaker 9>That seemed like the coolest thing in the world to me.

0:47:14.160 --> 0:47:15.960
<v Speaker 9>I didn't need a recording studio. I have my phone.

0:47:16.640 --> 0:47:18.279
<v Speaker 9>And then I started doing like it was a little

0:47:18.320 --> 0:47:20.120
<v Speaker 9>while to learn how to do all the stuff and

0:47:20.239 --> 0:47:21.759
<v Speaker 9>learn to edit. You know, I had to go learn

0:47:21.800 --> 0:47:24.200
<v Speaker 9>how to edit stuff, get the editing apps. And I

0:47:24.239 --> 0:47:26.880
<v Speaker 9>was making cooking videos because I was bored during the pandemic,

0:47:27.600 --> 0:47:29.560
<v Speaker 9>so I was making I was, you know, teaching kind

0:47:29.560 --> 0:47:31.960
<v Speaker 9>of cooking lessons on my Instagram.

0:47:32.280 --> 0:47:33.880
<v Speaker 5>And then you know, I watch a lot of it.

0:47:33.960 --> 0:47:36.920
<v Speaker 9>I see people doing these clips of songs and how

0:47:36.960 --> 0:47:38.800
<v Speaker 9>you only have to do a whole song, but clips

0:47:38.800 --> 0:47:40.799
<v Speaker 9>of songs are really cool and I kind of like

0:47:40.880 --> 0:47:44.839
<v Speaker 9>watching them. So, you know, I wised up to doing that,

0:47:45.040 --> 0:47:47.000
<v Speaker 9>but it took me till this record to wise up

0:47:47.040 --> 0:47:49.920
<v Speaker 9>to doing that. It's not hard to do them though,

0:47:49.960 --> 0:47:52.080
<v Speaker 9>sometimes doing my phone. Sometimes we have a videographer who

0:47:52.120 --> 0:47:54.040
<v Speaker 9>works with us. He'll come over and just film me

0:47:54.080 --> 0:47:56.880
<v Speaker 9>doing stuff, or he filmed when we were making the record.

0:47:56.880 --> 0:48:00.560
<v Speaker 9>He was there with cameras. So you know, we've been

0:48:00.640 --> 0:48:03.720
<v Speaker 9>using clips of all of us from in the studio

0:48:03.840 --> 0:48:06.640
<v Speaker 9>that we filmed. And then I had them come over

0:48:06.640 --> 0:48:09.560
<v Speaker 9>and shoot a bunch of clips of me just doing

0:48:09.680 --> 0:48:12.120
<v Speaker 9>the vocals because they were a little bit it wasn't

0:48:12.120 --> 0:48:14.799
<v Speaker 9>as immediate the clips from the side away from the

0:48:14.840 --> 0:48:17.360
<v Speaker 9>mic in the studio, so I wanted to cut a

0:48:17.360 --> 0:48:19.480
<v Speaker 9>bunch of clips of just my face doing stuff. I

0:48:19.480 --> 0:48:20.959
<v Speaker 9>called them up and said, I want to make videos

0:48:20.960 --> 0:48:22.319
<v Speaker 9>out of these, but I don't want to just use

0:48:22.320 --> 0:48:24.520
<v Speaker 9>the studio footage. I want to shoot stuff in front

0:48:24.560 --> 0:48:27.120
<v Speaker 9>of a screen. And so we did that and we've

0:48:27.120 --> 0:48:29.600
<v Speaker 9>been putting those up for Spaceman and now for Under

0:48:29.600 --> 0:48:30.120
<v Speaker 9>the Aurora.

0:48:30.640 --> 0:48:34.440
<v Speaker 5>You mentioned voice notes, So what were you using before

0:48:34.600 --> 0:48:36.319
<v Speaker 5>voice notes? Was it just a pad of paper all

0:48:36.320 --> 0:48:38.200
<v Speaker 5>that was a notebook all the time. Well, I mean

0:48:38.239 --> 0:48:40.399
<v Speaker 5>I always use these notebooks, but I also had there

0:48:40.440 --> 0:48:45.920
<v Speaker 5>was an app. It was it was just called like recorder,

0:48:46.400 --> 0:48:47.920
<v Speaker 5>but it was just an app that had really good

0:48:47.920 --> 0:48:51.440
<v Speaker 5>compression on it that you just pushed record so I

0:48:51.440 --> 0:48:53.560
<v Speaker 5>could use it on my computer back then, and it

0:48:53.600 --> 0:48:55.880
<v Speaker 5>was a really great It was a better app than

0:48:55.880 --> 0:48:58.080
<v Speaker 5>any I've found since then. It just sort of did

0:48:58.160 --> 0:49:00.160
<v Speaker 5>all for You had a great compression, a great Q

0:49:00.400 --> 0:49:02.960
<v Speaker 5>on it, and it was boneheaded. You just pushed record

0:49:03.000 --> 0:49:05.920
<v Speaker 5>and play and it did great recordings. I did a

0:49:05.920 --> 0:49:08.400
<v Speaker 5>whole record with that app. At one point just called

0:49:09.239 --> 0:49:11.960
<v Speaker 5>all my Bloody Valentine's. It was like Valentine's the week

0:49:12.000 --> 0:49:14.920
<v Speaker 5>before Valentine's Day ten years ago or whenever it was,

0:49:14.960 --> 0:49:17.000
<v Speaker 5>and I just said, I'm gonna record a song. I'm

0:49:17.000 --> 0:49:19.040
<v Speaker 5>gonna learn to cover a day and record a song

0:49:19.080 --> 0:49:22.359
<v Speaker 5>a day for the next week leading up to Valentine's Day.

0:49:22.360 --> 0:49:24.760
<v Speaker 5>And I just did seven songs and ended up putting

0:49:24.760 --> 0:49:26.280
<v Speaker 5>it out and giving it away to all our fans.

0:49:26.600 --> 0:49:28.880
<v Speaker 5>Do you have any of your original handwritten lyrics to

0:49:29.200 --> 0:49:30.800
<v Speaker 5>any of the old any of the old songs?

0:49:30.800 --> 0:49:30.920
<v Speaker 7>Oh?

0:49:31.000 --> 0:49:33.120
<v Speaker 9>Yeah, I've got all these lyric books. Yeah, to just

0:49:33.200 --> 0:49:35.640
<v Speaker 9>live somewhere in your house. Yeah, there's like piles of them.

0:49:35.680 --> 0:49:38.799
<v Speaker 9>I've always written in these books, so I have these

0:49:38.800 --> 0:49:40.880
<v Speaker 9>little ones that they are like spiral binders that are

0:49:40.880 --> 0:49:43.560
<v Speaker 9>about that big. They're like for school, you know notebooks.

0:49:43.560 --> 0:49:46.160
<v Speaker 9>I used them when I was in college too. I

0:49:46.239 --> 0:49:48.400
<v Speaker 9>don't do it as much anymore. I find the notes

0:49:48.440 --> 0:49:50.400
<v Speaker 9>function in my phone is really great because I just

0:49:50.480 --> 0:49:55.000
<v Speaker 9>lay around. Also, we've all stopped writing, yeah, so writing's

0:49:55.080 --> 0:49:58.120
<v Speaker 9>not as like natural as it was. So you know,

0:49:58.360 --> 0:50:00.080
<v Speaker 9>with my phone, I can walk around when I'm working

0:50:00.120 --> 0:50:01.680
<v Speaker 9>on a song, can just walk around huming stuff to

0:50:01.719 --> 0:50:03.680
<v Speaker 9>myself and I just you know, type it into the notes.

0:50:04.280 --> 0:50:06.279
<v Speaker 9>I have a lot of lyrics in my notes, but

0:50:06.320 --> 0:50:07.879
<v Speaker 9>I still use the notebook for stuff too.

0:50:10.120 --> 0:50:11.839
<v Speaker 5>We were talking a little bit ago about how gen

0:50:11.960 --> 0:50:15.640
<v Speaker 5>Z doesn't know has never written a handwritten letter, and

0:50:15.920 --> 0:50:18.800
<v Speaker 5>my answer to that was, well, you know, our parents

0:50:18.840 --> 0:50:21.000
<v Speaker 5>never churned butter, and I'm sure their generation ahead of

0:50:21.000 --> 0:50:22.560
<v Speaker 5>them was like, I can't believe the kids now. I

0:50:22.560 --> 0:50:25.279
<v Speaker 5>don't churn butter. So there are certain skills that you

0:50:25.520 --> 0:50:28.399
<v Speaker 5>don't have to have, you know, as time goes by.

0:50:29.120 --> 0:50:31.400
<v Speaker 5>I just feel though, if I use a like GPS,

0:50:31.400 --> 0:50:33.680
<v Speaker 5>I know how to get nowhere because I GPS everywhere.

0:50:33.920 --> 0:50:35.400
<v Speaker 5>And if I write everything down onto my phone, like

0:50:35.400 --> 0:50:36.640
<v Speaker 5>I write a bunch of joke Ida and on my

0:50:36.640 --> 0:50:39.239
<v Speaker 5>phone constantly, but I don't remember stuff as well. If

0:50:39.280 --> 0:50:42.640
<v Speaker 5>I'm putting it in digitally, does your mind remember the

0:50:42.680 --> 0:50:44.920
<v Speaker 5>same digitally as it as handwritten?

0:50:45.160 --> 0:50:45.359
<v Speaker 6>No.

0:50:45.400 --> 0:50:49.120
<v Speaker 9>I mean I realized last night. I was I can't

0:50:49.160 --> 0:50:51.040
<v Speaker 9>remember what I was out to dinner last night, and

0:50:51.880 --> 0:50:54.200
<v Speaker 9>my girlfriend was giving her phone number to somebody, like

0:50:54.320 --> 0:50:58.040
<v Speaker 9>one of our friends. And I suddenly realized, Oh, that's

0:50:58.080 --> 0:51:00.600
<v Speaker 9>not cool. You don't know her number. I mean I knew,

0:51:03.880 --> 0:51:05.680
<v Speaker 9>I don't know. I know, like seven or eight number,

0:51:05.680 --> 0:51:07.200
<v Speaker 9>I wouldn't she was saying it. I was in my

0:51:07.239 --> 0:51:10.440
<v Speaker 9>head going, oh, and then the last two numbers I

0:51:10.440 --> 0:51:12.240
<v Speaker 9>had wrong. I'm like, Wow, you don't know your girlfriend's

0:51:12.239 --> 0:51:12.800
<v Speaker 9>phone number.

0:51:12.960 --> 0:51:15.120
<v Speaker 5>I would be in trouble if I were being held hostage.

0:51:15.239 --> 0:51:18.319
<v Speaker 5>I know nobody's phone number unless it was from Like

0:51:18.360 --> 0:51:20.360
<v Speaker 5>I know my friend Evan's dad's number from when I

0:51:20.360 --> 0:51:22.279
<v Speaker 5>was like twelve, Like I can remember that one, but

0:51:22.280 --> 0:51:24.680
<v Speaker 5>I don't know anybody's phone number. Now. Being held hostage

0:51:24.680 --> 0:51:26.680
<v Speaker 5>comes with a lot of other problems anyways, But first

0:51:26.719 --> 0:51:28.920
<v Speaker 5>I need to call somebody. They're like, they're like, we

0:51:29.120 --> 0:51:30.759
<v Speaker 5>demand ransom, and I'm like, I don't know how to

0:51:30.760 --> 0:51:31.560
<v Speaker 5>get a hold of anybody.

0:51:31.600 --> 0:51:33.600
<v Speaker 9>And then that's kind of the cops give you one call.

0:51:33.640 --> 0:51:35.799
<v Speaker 9>I don't know about hostages. Sometimes they do, but what

0:51:35.840 --> 0:51:37.840
<v Speaker 9>if they just don't like you.

0:51:38.360 --> 0:51:40.120
<v Speaker 5>Then they will not want to ransom. And you're not hostage,

0:51:40.120 --> 0:51:42.000
<v Speaker 5>you're just dead. Yeah, then you're just dead.

0:51:42.280 --> 0:51:44.240
<v Speaker 9>Yeah, it's there's a lot of problems of the hostage

0:51:44.280 --> 0:51:46.200
<v Speaker 9>situation above and be on the phones. But I get

0:51:46.239 --> 0:51:46.560
<v Speaker 9>your point.

0:51:46.640 --> 0:51:47.920
<v Speaker 5>Did you watch Why Lotus last night?

0:51:47.880 --> 0:51:48.759
<v Speaker 6>But I did? I did?

0:51:48.800 --> 0:51:49.120
<v Speaker 5>You did?

0:51:50.640 --> 0:51:50.839
<v Speaker 6>No?

0:51:51.080 --> 0:51:53.440
<v Speaker 5>Okay, no, I'm not done yet. Okay, then I was

0:51:53.440 --> 0:51:56.480
<v Speaker 5>a little disappointed. But we're not giving any answers, not

0:51:56.520 --> 0:51:59.719
<v Speaker 5>saying anything, but a lot of people so I watched

0:51:59.719 --> 0:52:03.160
<v Speaker 5>the whole thing, right, My wife had already watched all

0:52:03.239 --> 0:52:04.720
<v Speaker 5>of it, and I just wanted to watch the finale

0:52:04.800 --> 0:52:08.439
<v Speaker 5>with her. So I did like seven episodes this past

0:52:08.440 --> 0:52:10.879
<v Speaker 5>weekend just to totally catch up. And I was told

0:52:10.920 --> 0:52:13.280
<v Speaker 5>by a lot of people season three was pretty slow.

0:52:14.080 --> 0:52:16.359
<v Speaker 5>I felt season three, the people in it, and again

0:52:16.360 --> 0:52:18.879
<v Speaker 5>no spoilers, not to be as gross as seasons one

0:52:18.920 --> 0:52:21.239
<v Speaker 5>and two, just generally, you know.

0:52:21.200 --> 0:52:21.719
<v Speaker 6>It's the weird thing.

0:52:21.719 --> 0:52:24.080
<v Speaker 9>Season one had like six episodes and season two had seven,

0:52:24.080 --> 0:52:26.759
<v Speaker 9>and season three had eight, and I thought six would

0:52:26.760 --> 0:52:28.000
<v Speaker 9>have been great for all of them. They'd just be

0:52:28.239 --> 0:52:31.120
<v Speaker 9>He's a really, really, really good writer, and somehow expanding

0:52:31.160 --> 0:52:34.239
<v Speaker 9>it just kind of I don't want to. It's such

0:52:34.239 --> 0:52:36.480
<v Speaker 9>a good show. I had never watched it, and then

0:52:36.560 --> 0:52:39.720
<v Speaker 9>this year I never. My girlfriend talked me into watching

0:52:39.760 --> 0:52:42.080
<v Speaker 9>it and we watched the first season like.

0:52:42.080 --> 0:52:45.480
<v Speaker 5>Binged it, second season binged it. Third season got through

0:52:45.520 --> 0:52:50.080
<v Speaker 5>two episodes and I was like what, and she said, Oh, no,

0:52:50.160 --> 0:52:53.319
<v Speaker 5>that's that's where we're up to right now. Why are

0:52:53.360 --> 0:52:54.080
<v Speaker 5>we watching it?

0:52:54.120 --> 0:52:54.279
<v Speaker 1>You know?

0:52:54.320 --> 0:52:54.880
<v Speaker 5>I don't.

0:52:54.920 --> 0:52:56.920
<v Speaker 9>I like to binge everything, you know, and she so,

0:52:57.040 --> 0:52:59.560
<v Speaker 9>then I've been doing it every week. I'm not sure

0:52:59.560 --> 0:53:01.920
<v Speaker 9>whether it's storting how it feels to me because I

0:53:02.000 --> 0:53:03.120
<v Speaker 9>have to wait for it.

0:53:03.120 --> 0:53:04.440
<v Speaker 6>It felt really padded.

0:53:04.840 --> 0:53:07.560
<v Speaker 5>I did all binge all three seasons, and I finally

0:53:07.600 --> 0:53:11.680
<v Speaker 5>finished right before the finale. So my feeling was my yeah,

0:53:11.719 --> 0:53:14.000
<v Speaker 5>season three people didn't feel as gross feltretty good about it.

0:53:14.800 --> 0:53:18.520
<v Speaker 5>That's cool, but there was I never felt the need

0:53:18.560 --> 0:53:20.320
<v Speaker 5>to get back to it, but I did enjoy it

0:53:20.360 --> 0:53:21.959
<v Speaker 5>while it was on. It was one of those weird,

0:53:22.080 --> 0:53:23.600
<v Speaker 5>slow burned shows for me.

0:53:24.040 --> 0:53:25.120
<v Speaker 6>I love the other seasons.

0:53:25.120 --> 0:53:28.080
<v Speaker 9>I just like I kind of felt like also, I

0:53:28.080 --> 0:53:30.440
<v Speaker 9>felt there's a lot of padding this season. But I

0:53:30.440 --> 0:53:32.080
<v Speaker 9>was also thinking, well, I bet the ending it will

0:53:32.120 --> 0:53:35.080
<v Speaker 9>be great, you know there, because we're gonna get there finally.

0:53:35.120 --> 0:53:35.319
<v Speaker 6>Yeah.

0:53:35.360 --> 0:53:37.399
<v Speaker 5>Well, don't worrybody, We're not gonna saynything about it. We're

0:53:37.440 --> 0:53:39.719
<v Speaker 5>not gonna say it. No, no, no spoiling there. What

0:53:39.800 --> 0:53:40.720
<v Speaker 5>else do you guys watch?

0:53:41.719 --> 0:53:41.879
<v Speaker 6>Right?

0:53:42.040 --> 0:53:45.120
<v Speaker 9>Like, did you watch Severance? Watch the first season and

0:53:45.239 --> 0:53:46.720
<v Speaker 9>I thought that was incredible.

0:53:46.280 --> 0:53:48.000
<v Speaker 5>One of my favorite seasons ever of any show. And

0:53:48.080 --> 0:53:50.160
<v Speaker 5>we're gonna I think we're gonna watch the second season

0:53:50.160 --> 0:53:50.560
<v Speaker 5>after this.

0:53:51.520 --> 0:53:53.320
<v Speaker 6>We just watched is it Black Doves?

0:53:53.320 --> 0:53:53.400
<v Speaker 1>That?

0:53:53.480 --> 0:53:54.640
<v Speaker 6>Kieran also that.

0:53:54.680 --> 0:53:56.719
<v Speaker 5>Was great, freaking awesome. I'd be a Black Dove. I'd

0:53:56.719 --> 0:53:58.520
<v Speaker 5>be good at that. Yeah you would, Yeah, I mean

0:53:58.800 --> 0:54:01.120
<v Speaker 5>as long as you're not held hottage. Yeah yeah, well

0:54:01.160 --> 0:54:03.400
<v Speaker 5>I didn't know a phone number if I'm held hostage.

0:54:03.600 --> 0:54:08.240
<v Speaker 5>How does writing songs now compare to writing songs twenty

0:54:08.360 --> 0:54:11.000
<v Speaker 5>years ago? You know, we talked about the difference in

0:54:11.239 --> 0:54:13.319
<v Speaker 5>digitally or writing it with a hand, But like, do

0:54:13.360 --> 0:54:16.000
<v Speaker 5>you feel the need and do you schedule writing now

0:54:16.120 --> 0:54:17.800
<v Speaker 5>or can you only just go when you feel like it?

0:54:18.120 --> 0:54:19.280
<v Speaker 6>I just write when I feel.

0:54:19.120 --> 0:54:22.160
<v Speaker 9>I don't write a lot as soon as I started

0:54:22.160 --> 0:54:24.640
<v Speaker 9>touring and really being in this band, I stopped writing

0:54:24.680 --> 0:54:27.640
<v Speaker 9>all the time. I wrote every day for you know,

0:54:27.680 --> 0:54:30.600
<v Speaker 9>ten years before that when I started writing songs, But

0:54:30.640 --> 0:54:33.000
<v Speaker 9>then I can't really write on tour because I don't

0:54:33.000 --> 0:54:37.359
<v Speaker 9>play guitar. I played piano and poorly that and then

0:54:37.400 --> 0:54:39.920
<v Speaker 9>I so I wouldn't write for like a year and

0:54:39.960 --> 0:54:42.279
<v Speaker 9>a half because we'd be on tour. So I tend

0:54:42.320 --> 0:54:44.440
<v Speaker 9>to Ever since then, I've tended to just kind of

0:54:45.120 --> 0:54:47.120
<v Speaker 9>not write for a year or two and then write

0:54:47.840 --> 0:54:50.759
<v Speaker 9>with ten songs whatever the record is, and sometimes there's

0:54:50.760 --> 0:54:53.319
<v Speaker 9>an extra song or two, but not many. I don't

0:54:53.360 --> 0:54:56.879
<v Speaker 9>write a lot of extras. So it was different this

0:54:56.960 --> 0:55:01.880
<v Speaker 9>time because I I wrote all I just think the

0:55:03.080 --> 0:55:06.040
<v Speaker 9>I've been sort of changing some of the ways I write,

0:55:06.160 --> 0:55:09.719
<v Speaker 9>and sort of my the music I was writing was

0:55:09.719 --> 0:55:11.920
<v Speaker 9>a little more ambitious than my ability to play it,

0:55:12.440 --> 0:55:14.640
<v Speaker 9>and so I couldn't really tell how the songs were.

0:55:14.719 --> 0:55:16.640
<v Speaker 9>I finally I sat on them for a couple of

0:55:16.719 --> 0:55:18.719
<v Speaker 9>years because I hadn't have a lot of confidence in them,

0:55:19.160 --> 0:55:22.040
<v Speaker 9>and then I called the guys up and said, I wrote,

0:55:22.280 --> 0:55:23.879
<v Speaker 9>we'd love for me to z from this the first

0:55:23.920 --> 0:55:25.560
<v Speaker 9>song on the record, and I knew I loved it,

0:55:26.160 --> 0:55:27.600
<v Speaker 9>and I thought, I got to figure out what I'm

0:55:27.640 --> 0:55:27.920
<v Speaker 9>doing with.

0:55:27.840 --> 0:55:28.439
<v Speaker 5>The rest of the songs.

0:55:28.480 --> 0:55:30.239
<v Speaker 9>And I called, you know, Immer and a couple of

0:55:30.280 --> 0:55:32.680
<v Speaker 9>other guys are bass player and drummer, and said, just

0:55:32.760 --> 0:55:34.200
<v Speaker 9>I need everybody to come to my house for a week.

0:55:34.239 --> 0:55:35.600
<v Speaker 9>I just need to play this stuff with you. I

0:55:35.680 --> 0:55:37.719
<v Speaker 9>need to hear how it is with the band and

0:55:37.760 --> 0:55:39.520
<v Speaker 9>then I'll know. And when as soon as we started

0:55:39.560 --> 0:55:40.799
<v Speaker 9>playing it, I was like, oh, wow, this is I

0:55:40.840 --> 0:55:42.920
<v Speaker 9>love this stuff, but this is the first time. A

0:55:42.920 --> 0:55:44.760
<v Speaker 9>lot of it was in my head, like I couldn't

0:55:44.800 --> 0:55:47.080
<v Speaker 9>really play it, but I knew it. I knew how

0:55:47.120 --> 0:55:50.160
<v Speaker 9>it was supposed to go, had the chords. I just

0:55:51.360 --> 0:55:54.200
<v Speaker 9>my ability to play piano. I couldn't do these songs.

0:55:54.560 --> 0:55:57.720
<v Speaker 9>And so I was carrying around in my head until

0:55:57.760 --> 0:55:59.720
<v Speaker 9>I heard them play it. I describe what I wanted

0:55:59.719 --> 0:56:03.040
<v Speaker 9>and it was great, and I was really excited, but

0:56:03.080 --> 0:56:04.520
<v Speaker 9>that that hadn't really happened.

0:56:04.239 --> 0:56:08.040
<v Speaker 5>Before the with Love from A to Z Whenever, because

0:56:08.080 --> 0:56:10.080
<v Speaker 5>I've listened whenever. The first half came out and it

0:56:10.120 --> 0:56:12.200
<v Speaker 5>was all one track. Loved that thought it was super cool,

0:56:12.200 --> 0:56:14.120
<v Speaker 5>and then I guess then it split up into songs later,

0:56:14.520 --> 0:56:17.640
<v Speaker 5>I will shout out the name Bobby uh two references

0:56:17.719 --> 0:56:18.400
<v Speaker 5>on this record.

0:56:18.480 --> 0:56:20.520
<v Speaker 9>Yeah, I know it was very inspired by you know,

0:56:20.560 --> 0:56:21.719
<v Speaker 9>the last time we were hanging out.

0:56:21.719 --> 0:56:23.439
<v Speaker 5>Thank you very much. Well Bobby and the Right Kings.

0:56:23.480 --> 0:56:25.400
<v Speaker 5>I think was already exist existent when we hung out

0:56:25.480 --> 0:56:27.160
<v Speaker 5>last time, but this one. But I knew we were

0:56:27.200 --> 0:56:28.600
<v Speaker 5>gonna hang out yea, yeah, yeah, I knew it was

0:56:28.600 --> 0:56:30.560
<v Speaker 5>gonna happen. Spaceman of Tulsa. I get a shout out

0:56:30.560 --> 0:56:32.720
<v Speaker 5>as well, you're back, Yes, I'm back baby.

0:56:32.840 --> 0:56:33.600
<v Speaker 6>Yeah.

0:56:33.640 --> 0:56:36.200
<v Speaker 5>So when you do new records, how how many these

0:56:36.200 --> 0:56:37.560
<v Speaker 5>songs do you put on a set list tonight? You

0:56:37.560 --> 0:56:39.240
<v Speaker 5>have so many songs to kind of jump between.

0:56:39.440 --> 0:56:39.880
<v Speaker 6>I don't know.

0:56:41.400 --> 0:56:43.279
<v Speaker 9>I mean the Suite. I really only liked playing the

0:56:43.320 --> 0:56:45.239
<v Speaker 9>Suite altogether. The guys that tried to get me to

0:56:45.239 --> 0:56:47.040
<v Speaker 9>like just play single songs, but I really like it.

0:56:47.080 --> 0:56:47.640
<v Speaker 6>All is one.

0:56:48.480 --> 0:56:50.319
<v Speaker 9>So that's a chunk if you're gonna play that, I mean,

0:56:50.320 --> 0:56:51.799
<v Speaker 9>that's twenty minutes of the show right there.

0:56:52.440 --> 0:56:52.799
<v Speaker 5>I don't know.

0:56:52.840 --> 0:56:54.759
<v Speaker 9>I guess it depends on the night. We'll start doing

0:56:54.800 --> 0:56:57.200
<v Speaker 9>it and you stick them in. I don't know, it's weird,

0:56:57.239 --> 0:57:00.000
<v Speaker 9>you know, like we're you want to play your whole

0:57:00.120 --> 0:57:04.839
<v Speaker 9>new record. But sometimes there was a time we could

0:57:04.840 --> 0:57:07.040
<v Speaker 9>do that when everyone was buying all the records and

0:57:07.040 --> 0:57:09.880
<v Speaker 9>everybody knew all the songs. So maybe if Spaceman and

0:57:09.920 --> 0:57:12.279
<v Speaker 9>Telsa blows up to the roof or under the Aurora does,

0:57:12.600 --> 0:57:13.880
<v Speaker 9>or one of them does, we can just play the

0:57:13.880 --> 0:57:14.800
<v Speaker 9>whole record for people.

0:57:15.120 --> 0:57:17.520
<v Speaker 5>What's the song that you hear out randomly the most

0:57:18.400 --> 0:57:18.880
<v Speaker 5>of ours?

0:57:19.000 --> 0:57:23.280
<v Speaker 9>Yeah, I suppose it's probably mister Jones. I hear Long

0:57:23.320 --> 0:57:23.880
<v Speaker 9>December a lot.

0:57:24.000 --> 0:57:24.440
<v Speaker 6>Especially.

0:57:24.760 --> 0:57:27.360
<v Speaker 9>It's become kind of a Christmas standard, Like every like

0:57:27.480 --> 0:57:30.440
<v Speaker 9>holiday season, it seems like everybody's covering it, and it

0:57:30.480 --> 0:57:34.760
<v Speaker 9>shows up like on TikTok and on Instagram, you know,

0:57:34.800 --> 0:57:35.640
<v Speaker 9>people playing it.

0:57:35.680 --> 0:57:37.200
<v Speaker 6>This year, m J.

0:57:37.360 --> 0:57:40.160
<v Speaker 9>Linderman was doing a version right around Christmas, and Gracie

0:57:40.160 --> 0:57:43.360
<v Speaker 9>Abrams sang it. I saw that benefit for the fires.

0:57:43.520 --> 0:57:44.959
<v Speaker 5>It was awesome. What do you think about that?

0:57:44.960 --> 0:57:45.520
<v Speaker 6>That was cool?

0:57:45.640 --> 0:57:47.040
<v Speaker 5>Yeah, I mean I always think it's cool.

0:57:47.240 --> 0:57:47.600
<v Speaker 6>I don't know.

0:57:47.720 --> 0:57:50.160
<v Speaker 9>I think our songs are kind of weird sometimes that

0:57:50.280 --> 0:57:52.120
<v Speaker 9>you know, my phrasing's a little difficult.

0:57:52.280 --> 0:57:52.800
<v Speaker 5>I don't, I don't.

0:57:53.120 --> 0:57:55.600
<v Speaker 9>I don't hear a lot of people covering us, except

0:57:55.680 --> 0:57:58.680
<v Speaker 9>in bars. Sometimes you know where you don't necessarily want

0:57:58.680 --> 0:57:59.320
<v Speaker 9>to hear it as much.

0:57:59.400 --> 0:58:02.680
<v Speaker 5>But have you in a bar and heart someone covering you? Yeah?

0:58:02.720 --> 0:58:04.320
<v Speaker 5>And what someimes? It's really good that I heard a

0:58:04.440 --> 0:58:05.760
<v Speaker 5>version of a round here a while ago.

0:58:05.800 --> 0:58:09.080
<v Speaker 9>That was like, wow, that that was really good, actually suppressed.

0:58:09.120 --> 0:58:09.920
<v Speaker 5>Do you tell them it's you?

0:58:10.800 --> 0:58:12.960
<v Speaker 9>Oh no, no, well I used to have it used

0:58:12.960 --> 0:58:14.600
<v Speaker 9>to be obvious it was me before I shaped off

0:58:14.640 --> 0:58:17.080
<v Speaker 9>the dreads like it was, there was no question it

0:58:17.120 --> 0:58:17.360
<v Speaker 9>was me.

0:58:17.440 --> 0:58:17.640
<v Speaker 6>Then.

0:58:18.160 --> 0:58:19.840
<v Speaker 9>I think I'm a little more anonymous now. I think

0:58:19.840 --> 0:58:21.160
<v Speaker 9>I'm a lot more anonymous now.

0:58:21.720 --> 0:58:24.240
<v Speaker 5>Was that a big decision to cut off the dreads?

0:58:24.440 --> 0:58:24.960
<v Speaker 6>Not really.

0:58:25.040 --> 0:58:28.200
<v Speaker 9>I felt it wasn't a big decision to me. I

0:58:28.280 --> 0:58:31.400
<v Speaker 9>just felt like I was excited. I mean, it wasn't

0:58:31.440 --> 0:58:33.800
<v Speaker 9>really that. I just kind of did it on a whim,

0:58:33.960 --> 0:58:37.160
<v Speaker 9>you know, like, uh, but I think it was a

0:58:37.200 --> 0:58:39.320
<v Speaker 9>big decision for a lot of other people somehow.

0:58:40.240 --> 0:58:41.400
<v Speaker 6>And I get asked about it a lot.

0:58:41.720 --> 0:58:44.440
<v Speaker 5>One of my neighbors lives a few houses down is

0:58:44.440 --> 0:58:46.800
<v Speaker 5>Tibow and Burnett. Oh really yeah, and he was that

0:58:47.040 --> 0:58:48.960
<v Speaker 5>he was over a few weeks ago. We were talking

0:58:48.960 --> 0:58:53.040
<v Speaker 5>about August and everything after and the wallflowers. Uh what

0:58:53.240 --> 0:58:55.160
<v Speaker 5>was working with him like as a producer. That's a

0:58:55.200 --> 0:58:55.919
<v Speaker 5>long time ago.

0:58:56.480 --> 0:58:57.160
<v Speaker 6>I mean it was cool.

0:58:57.200 --> 0:58:59.120
<v Speaker 9>He's really good. He's got you know, there's a lot

0:58:59.160 --> 0:59:03.560
<v Speaker 9>of producers that just have like a sound like they've

0:59:03.560 --> 0:59:05.680
<v Speaker 9>got a studio trick that they do and that's what

0:59:05.720 --> 0:59:09.360
<v Speaker 9>they their records sound like, t bones, not really quantifiable

0:59:09.400 --> 0:59:12.840
<v Speaker 9>like that. He he helps you figure out who you

0:59:12.880 --> 0:59:14.480
<v Speaker 9>are and who you want to be on a record.

0:59:14.920 --> 0:59:16.400
<v Speaker 9>I think he's really It's why he's worked with a

0:59:16.400 --> 0:59:17.920
<v Speaker 9>lot of bands on their first records. It made a

0:59:17.960 --> 0:59:20.160
<v Speaker 9>lot of really good first records with bands, because I

0:59:20.200 --> 0:59:23.000
<v Speaker 9>think he really helps you define yourself. He's got a

0:59:23.200 --> 0:59:27.040
<v Speaker 9>thing that, you know, an understanding of music that not

0:59:27.120 --> 0:59:29.880
<v Speaker 9>everybody has. He's really really good at that.

0:59:30.280 --> 0:59:32.560
<v Speaker 5>He brought the coolest friend over, which is Ringo Star.

0:59:32.760 --> 0:59:35.560
<v Speaker 5>They came over together. That's pretty that's a strong friend

0:59:35.600 --> 0:59:39.040
<v Speaker 5>or guest. Yeah, that's that's a strong friend. Who was

0:59:39.120 --> 0:59:43.720
<v Speaker 5>responsible for putting you as background vocals of sixth Avenue Heartache.

0:59:45.880 --> 0:59:49.040
<v Speaker 9>Well, you know, the Wallflowers had made their first album

0:59:49.080 --> 0:59:50.640
<v Speaker 9>on Version and it's a really good record, but it

0:59:50.640 --> 0:59:53.200
<v Speaker 9>didn't really make much of an impression. It's it's it's

0:59:53.240 --> 0:59:56.320
<v Speaker 9>not it didn't really sum up who they were. And

0:59:56.480 --> 0:59:58.760
<v Speaker 9>Jake and I were friends. I was bartending at the

0:59:58.840 --> 1:00:00.280
<v Speaker 9>Viper Room and he was there a lot, and we

1:00:00.320 --> 1:00:03.160
<v Speaker 9>would talk about, you know, what we were doing. And

1:00:03.560 --> 1:00:05.360
<v Speaker 9>he asked me at one point, I think if I

1:00:05.360 --> 1:00:06.920
<v Speaker 9>had any advice about that, and I said, well, you know,

1:00:06.960 --> 1:00:08.760
<v Speaker 9>t Bone is really good. What I just told you

1:00:08.840 --> 1:00:11.280
<v Speaker 9>is like helping you define yourself. And I felt like

1:00:11.320 --> 1:00:13.200
<v Speaker 9>that's kind of what that record needed. That he's a

1:00:13.240 --> 1:00:16.439
<v Speaker 9>real unique guy and a unique songwriter and singer, and

1:00:16.520 --> 1:00:19.040
<v Speaker 9>that didn't get brought out as much on that first record,

1:00:19.280 --> 1:00:21.680
<v Speaker 9>and so I suggested t Bone. And you know, a

1:00:21.800 --> 1:00:24.880
<v Speaker 9>few months later, I was at home. I lived in

1:00:24.960 --> 1:00:27.400
<v Speaker 9>Laurel Canyon then, and I got a phone call from

1:00:27.520 --> 1:00:32.000
<v Speaker 9>either t Bone or Andy Slater, who was Jake's manager,

1:00:33.440 --> 1:00:35.600
<v Speaker 9>and they're like, we have we're working on this song

1:00:35.680 --> 1:00:38.520
<v Speaker 9>and it's just not singing yet, you know, do you

1:00:38.520 --> 1:00:39.920
<v Speaker 9>want to come down and singing? I was like, which song?

1:00:39.960 --> 1:00:41.560
<v Speaker 9>He said, six ave new Hardech. I said, I don't

1:00:41.600 --> 1:00:43.720
<v Speaker 9>really know that one, because I knew a lot of

1:00:43.720 --> 1:00:46.280
<v Speaker 9>the Jake songs that he was working on. And he said, well,

1:00:46.320 --> 1:00:48.560
<v Speaker 9>will you just come down the hill? And so I

1:00:48.640 --> 1:00:51.040
<v Speaker 9>went down and had a beer and listened to it,

1:00:51.200 --> 1:00:53.040
<v Speaker 9>and then had a beer and sang it a couple

1:00:53.120 --> 1:00:56.120
<v Speaker 9>times and left. I mean it just felt great. I

1:00:56.120 --> 1:01:00.240
<v Speaker 9>mean it was like that. They just felt like we

1:01:00.280 --> 1:01:03.640
<v Speaker 9>figured out exactly that that was just what that song needed.

1:01:03.640 --> 1:01:05.200
<v Speaker 9>It was a great song. It just needed something to

1:01:05.240 --> 1:01:07.960
<v Speaker 9>pick up the chorus, and it just felt great right away.

1:01:08.000 --> 1:01:09.640
<v Speaker 9>I think I only sang it once or twice, and

1:01:09.640 --> 1:01:12.080
<v Speaker 9>then I went back home and it turned out great.

1:01:12.280 --> 1:01:13.640
<v Speaker 5>How long until you actually hear it.

1:01:15.120 --> 1:01:16.760
<v Speaker 9>I think they sent me a copy like the next

1:01:16.840 --> 1:01:18.600
<v Speaker 9>day I got it, but I heard it right then

1:01:18.600 --> 1:01:19.880
<v Speaker 9>and we went into the controller matter.

1:01:19.920 --> 1:01:21.560
<v Speaker 5>I sang it.

1:01:21.560 --> 1:01:22.400
<v Speaker 6>It sounded great.

1:01:22.480 --> 1:01:24.280
<v Speaker 9>I mean, that's like he's got Mike Campbell from the

1:01:24.320 --> 1:01:26.360
<v Speaker 9>Heartbreakers playing the guitars on that song. It's a really

1:01:26.360 --> 1:01:29.120
<v Speaker 9>good band. I think Ben montangees on that one too,

1:01:29.160 --> 1:01:33.680
<v Speaker 9>from the Heartbreakers. I don't know about that, but yeah,

1:01:33.720 --> 1:01:35.320
<v Speaker 9>it just felt great. I knew it was great right away.

1:01:35.320 --> 1:01:37.760
<v Speaker 9>It just felt really like sometimes you just figure out

1:01:37.760 --> 1:01:38.680
<v Speaker 9>the right thing to sing.

1:01:39.200 --> 1:01:41.160
<v Speaker 6>It makes it makes it work.

1:01:41.600 --> 1:01:47.320
<v Speaker 5>SNL just did their fifty years You guys performance on SNL.

1:01:47.480 --> 1:01:47.840
<v Speaker 6>One of them.

1:01:47.880 --> 1:01:49.520
<v Speaker 5>I'm not sure how any of you did just popped

1:01:49.560 --> 1:01:51.200
<v Speaker 5>up on my TikTok the other day. This guy named

1:01:51.240 --> 1:01:55.320
<v Speaker 5>Huggy posts all the music performances on TikTok. What do

1:01:55.360 --> 1:01:58.880
<v Speaker 5>you remember from SNL? It was a rough week. It

1:01:58.880 --> 1:02:00.280
<v Speaker 5>had a really hard time we had.

1:02:01.880 --> 1:02:02.560
<v Speaker 6>We had.

1:02:04.160 --> 1:02:06.320
<v Speaker 9>Said no for a long time when they asked us,

1:02:07.200 --> 1:02:09.880
<v Speaker 9>because we were just sort of like, we wanted to

1:02:09.880 --> 1:02:11.840
<v Speaker 9>play around here at Mister Jones. We wanted to play

1:02:11.920 --> 1:02:14.120
<v Speaker 9>round here first. We didn't want to edit the songs

1:02:14.520 --> 1:02:17.600
<v Speaker 9>we had. Both Lettermen and SNL were asking us to

1:02:17.640 --> 1:02:19.960
<v Speaker 9>be on, and we just were really determined to do

1:02:20.000 --> 1:02:21.160
<v Speaker 9>it the right way. It was going to be our

1:02:21.200 --> 1:02:22.640
<v Speaker 9>first appearance ever on television.

1:02:22.760 --> 1:02:24.040
<v Speaker 5>They wanted you to edit it for time.

1:02:24.280 --> 1:02:27.000
<v Speaker 9>Yeah, they wanted both have metited. They wanted Mister Jones first.

1:02:27.040 --> 1:02:29.560
<v Speaker 9>I really wanted to play round here first. I didn't

1:02:29.600 --> 1:02:32.440
<v Speaker 9>want to edit the songs, and so we kind of

1:02:32.440 --> 1:02:37.320
<v Speaker 9>negotiated with both shows for the longest time until SNL agreed, okay, yeah,

1:02:37.360 --> 1:02:39.640
<v Speaker 9>you can, you can play them the way you want

1:02:39.680 --> 1:02:41.120
<v Speaker 9>to and you can play around here first. And then

1:02:41.160 --> 1:02:42.440
<v Speaker 9>we got there that week and they were like, oh,

1:02:42.440 --> 1:02:44.600
<v Speaker 9>by the way, we changed our mind, and I was

1:02:44.640 --> 1:02:47.200
<v Speaker 9>like no, and they said, yeah, I know, we're going

1:02:47.240 --> 1:02:49.560
<v Speaker 9>to have to do it this way, and I said, no,

1:02:50.080 --> 1:02:51.880
<v Speaker 9>we're doing it this way. And it's okay, we'll leave,

1:02:52.440 --> 1:02:55.640
<v Speaker 9>but we're not doing that. And it was just a

1:02:55.680 --> 1:02:59.600
<v Speaker 9>difficult week, fighting with them all week, and then it

1:02:59.640 --> 1:02:59.959
<v Speaker 9>was great.

1:03:00.360 --> 1:03:01.880
<v Speaker 6>We played great. It made our career.

1:03:02.000 --> 1:03:04.240
<v Speaker 9>I'll say that it made our career because we weren't

1:03:04.280 --> 1:03:06.439
<v Speaker 9>even in the top two hundred and that record jumped

1:03:06.520 --> 1:03:09.360
<v Speaker 9>forty spots a week for five weeks after we played

1:03:10.280 --> 1:03:13.200
<v Speaker 9>Saturday Night Live and until we were at number two

1:03:13.240 --> 1:03:16.840
<v Speaker 9>for the next two years. I mean, it made our career.

1:03:16.920 --> 1:03:18.439
<v Speaker 5>What'd you play first? Round Here?

1:03:19.240 --> 1:03:21.440
<v Speaker 9>Yeah, I mean it was great. It was It was

1:03:21.480 --> 1:03:23.680
<v Speaker 9>perfect because like mister Jones is a great song, it

1:03:23.760 --> 1:03:25.400
<v Speaker 9>really is. But there's a lot of songs like mister

1:03:25.480 --> 1:03:28.120
<v Speaker 9>Jones that are just catchy, you know, kind of rock tunes.

1:03:28.280 --> 1:03:30.040
<v Speaker 9>But round Here is unique, you know, and I think

1:03:30.080 --> 1:03:33.720
<v Speaker 9>it just like this is who we are. It's not

1:03:33.760 --> 1:03:38.000
<v Speaker 9>what you've been hearing before. And it completely made our career.

1:03:38.160 --> 1:03:40.080
<v Speaker 9>We were not even in the top two hundred before

1:03:40.080 --> 1:03:42.680
<v Speaker 9>we played SNL and you know, a month later we

1:03:42.680 --> 1:03:45.439
<v Speaker 9>were at number ten and then number two or something

1:03:45.480 --> 1:03:48.080
<v Speaker 9>like that, and you know, but it was a difficult week.

1:03:48.240 --> 1:03:51.320
<v Speaker 9>I went there once. My friend was Ian McKellen's agent,

1:03:51.360 --> 1:03:54.160
<v Speaker 9>and when like all the Lord of the Ring movies

1:03:54.160 --> 1:03:56.640
<v Speaker 9>are coming out, he hosted and there was this one

1:03:56.680 --> 1:03:58.800
<v Speaker 9>producer who kept getting sent to do all the talking

1:03:58.840 --> 1:04:00.960
<v Speaker 9>to us. You know. I was in the green room

1:04:01.000 --> 1:04:02.680
<v Speaker 9>because they wanted me to come. I had never been

1:04:02.680 --> 1:04:05.360
<v Speaker 9>back since then, so this is like eight years later.

1:04:06.160 --> 1:04:09.680
<v Speaker 9>And I saw this guy walk by in the hallway

1:04:09.760 --> 1:04:13.000
<v Speaker 9>and then he came back and he's like, whoa, I

1:04:13.080 --> 1:04:14.320
<v Speaker 9>never thought i'd see you again.

1:04:14.720 --> 1:04:15.360
<v Speaker 5>That's going on.

1:04:15.920 --> 1:04:18.520
<v Speaker 9>And I was like, uh, nothing, just my friend represents

1:04:18.600 --> 1:04:21.320
<v Speaker 9>Ian and he's like, oh cool, well, you know, no

1:04:21.400 --> 1:04:24.320
<v Speaker 9>hard feelings. I was like, no, that's fine, man, all right,

1:04:24.360 --> 1:04:25.800
<v Speaker 9>do you want to get high? I was like no,

1:04:25.880 --> 1:04:28.880
<v Speaker 9>that's cool, right, okay, cool, see you later.

1:04:29.480 --> 1:04:30.040
<v Speaker 6>It was weird.

1:04:30.080 --> 1:04:32.600
<v Speaker 5>I was like they'd look on his face that he's like, wow, I.

1:04:32.560 --> 1:04:33.680
<v Speaker 6>Never thought i'd see you again.

1:04:33.760 --> 1:04:39.240
<v Speaker 5>That's funny. Yeah. The record, so it's the completion of

1:04:41.240 --> 1:04:44.440
<v Speaker 5>the twenty twenty one right, So that's what it seems

1:04:44.440 --> 1:04:47.919
<v Speaker 5>like to me. So it's the rest of that. This

1:04:48.080 --> 1:04:51.200
<v Speaker 5>is all one album. So why was this a whole

1:04:51.200 --> 1:04:53.800
<v Speaker 5>body of work that you know, had been working on

1:04:53.840 --> 1:04:55.840
<v Speaker 5>and recording and now you're done with it, or to

1:04:55.920 --> 1:04:58.280
<v Speaker 5>just keep going after twenty twenty one and keep building

1:04:58.280 --> 1:04:58.560
<v Speaker 5>on that.

1:04:58.760 --> 1:05:00.680
<v Speaker 9>No, I just wrote the sweet It was really like

1:05:00.680 --> 1:05:04.680
<v Speaker 9>a standalone thing. And then we were interrupted by the

1:05:04.720 --> 1:05:08.800
<v Speaker 9>pandemic anyways, and then when the pandemic was over, I

1:05:08.840 --> 1:05:10.600
<v Speaker 9>went back to my friends. He's got a farm in

1:05:10.600 --> 1:05:12.000
<v Speaker 9>the west of England, which is where I wrote the

1:05:12.040 --> 1:05:15.200
<v Speaker 9>whole suite, and I worked and I wrote a lot

1:05:15.240 --> 1:05:17.880
<v Speaker 9>of this stuff, and on the way home, I stopped

1:05:17.880 --> 1:05:19.720
<v Speaker 9>in London and sing on my friend's record. They've got

1:05:19.760 --> 1:05:22.800
<v Speaker 9>this band, Gang of Youth, Australian band. They live in London, though,

1:05:23.400 --> 1:05:26.280
<v Speaker 9>And when I got home from that a little while later,

1:05:26.320 --> 1:05:28.920
<v Speaker 9>they sent me the record and it was so good.

1:05:29.240 --> 1:05:32.960
<v Speaker 9>It's called Angel in Real Time. And I just had

1:05:32.960 --> 1:05:34.920
<v Speaker 9>this thought, like, Wow, these songs aren't as good as

1:05:34.960 --> 1:05:37.560
<v Speaker 9>their songs. I thought this stuff was really great, but

1:05:37.600 --> 1:05:40.400
<v Speaker 9>I'm seeing it in perspective compared to their stuff. You know,

1:05:40.760 --> 1:05:42.600
<v Speaker 9>it needs some work. And I actually went back to

1:05:42.640 --> 1:05:45.840
<v Speaker 9>the drawing board and I rewrote the chorus for under

1:05:45.840 --> 1:05:48.120
<v Speaker 9>the Aurora, like I rewrote a bunch of the stuff,

1:05:48.320 --> 1:05:50.480
<v Speaker 9>and I thought it was really good at that point.

1:05:50.480 --> 1:05:51.800
<v Speaker 9>But that's kind of why I didn't have a lot

1:05:51.840 --> 1:05:53.800
<v Speaker 9>of confidence in it, and I sort of sat on

1:05:53.840 --> 1:05:56.960
<v Speaker 9>it for two years before I wrote With Love from

1:05:57.000 --> 1:05:58.400
<v Speaker 9>Me to Z and then called the guys like I

1:05:58.440 --> 1:06:01.480
<v Speaker 9>told you, uh, But but it was an experience I've

1:06:01.480 --> 1:06:04.360
<v Speaker 9>never had before. I've never kind of like finished things

1:06:04.360 --> 1:06:07.800
<v Speaker 9>and thought, oh wait, they're not that they're not good enough.

1:06:09.160 --> 1:06:11.800
<v Speaker 9>But that's kind of why it took a little longer.

1:06:12.280 --> 1:06:15.240
<v Speaker 9>But originally I was just writing the suite, but then

1:06:15.280 --> 1:06:16.920
<v Speaker 9>I wanted to write this stuff to go along with it.

1:06:17.360 --> 1:06:19.880
<v Speaker 5>You mentioned you had a Taylor Sweats tour. What did

1:06:19.920 --> 1:06:21.600
<v Speaker 5>you see there that was inspiring?

1:06:22.400 --> 1:06:22.600
<v Speaker 6>Wow?

1:06:22.640 --> 1:06:24.439
<v Speaker 9>It was just really well thought out, you know. I mean,

1:06:26.560 --> 1:06:30.160
<v Speaker 9>I write songs and sing, and there's a lot that

1:06:30.200 --> 1:06:31.920
<v Speaker 9>goes into a concert that has to do with like

1:06:31.960 --> 1:06:32.560
<v Speaker 9>set design.

1:06:33.280 --> 1:06:34.360
<v Speaker 6>We don't do a ton of that.

1:06:34.920 --> 1:06:37.200
<v Speaker 9>If you want to do visuals and videos and stuff,

1:06:37.240 --> 1:06:38.919
<v Speaker 9>there's a lot of thought that has to go into

1:06:38.960 --> 1:06:42.640
<v Speaker 9>what's the right visual to put behind your song? And

1:06:43.160 --> 1:06:46.920
<v Speaker 9>I know how complex that thought process can be. And

1:06:47.000 --> 1:06:50.080
<v Speaker 9>we don't do a lot of video. We're generally set

1:06:50.120 --> 1:06:54.040
<v Speaker 9>moods with lights. But the thought that had gone into

1:06:55.440 --> 1:06:59.600
<v Speaker 9>the visual presentations at that tour, like how it was

1:06:59.680 --> 1:07:03.960
<v Speaker 9>really moving. It was really really good. And this combination

1:07:04.080 --> 1:07:09.720
<v Speaker 9>of the sets, the incredible video presentation, the movement on stage,

1:07:09.760 --> 1:07:13.160
<v Speaker 9>the whole thing. There's just a lot of complex creative

1:07:13.200 --> 1:07:16.760
<v Speaker 9>thought that goes into making a show like that.

1:07:17.000 --> 1:07:17.200
<v Speaker 6>You know.

1:07:17.240 --> 1:07:20.960
<v Speaker 9>It's it's practically like making an entire movie, you know.

1:07:21.040 --> 1:07:24.720
<v Speaker 9>And also it's three plus hours long. That's a lot,

1:07:24.800 --> 1:07:28.040
<v Speaker 9>you know that. I was really impressed with the amount

1:07:28.120 --> 1:07:31.360
<v Speaker 9>of creative people from different disciplines that had come together

1:07:31.440 --> 1:07:36.800
<v Speaker 9>and made that really impressive show that wasn't just like laserium,

1:07:36.840 --> 1:07:39.800
<v Speaker 9>you know, like lasers like you know, you see it.

1:07:39.800 --> 1:07:43.320
<v Speaker 9>It was like moving. Each song was really thought out.

1:07:43.800 --> 1:07:45.680
<v Speaker 9>All the things that went into each song were really

1:07:45.720 --> 1:07:48.520
<v Speaker 9>thought out, and they really worked. I was just very

1:07:48.560 --> 1:07:50.360
<v Speaker 9>impressed by it. It's not the kind of show we

1:07:50.440 --> 1:07:52.960
<v Speaker 9>put on, but I thought it was brilliant.

1:07:53.200 --> 1:07:53.360
<v Speaker 7>You know.

1:07:54.000 --> 1:07:56.200
<v Speaker 5>One of the old man things that I say kids

1:07:56.240 --> 1:07:58.560
<v Speaker 5>miss out on now are the secret tracks. And there's

1:07:58.600 --> 1:08:00.560
<v Speaker 5>a couple of different secret tracks that I think of

1:08:00.640 --> 1:08:03.040
<v Speaker 5>with you guys, and one was the uh maybe it

1:08:03.080 --> 1:08:05.680
<v Speaker 5>was hard Candy you hold down the fast forward and

1:08:06.120 --> 1:08:08.680
<v Speaker 5>you guys did the Joni Mitchell song before Vanessa Carlton

1:08:08.720 --> 1:08:09.960
<v Speaker 5>came on, was that Hard Candy. At the end of

1:08:09.960 --> 1:08:11.520
<v Speaker 5>Hard Candy, Oh.

1:08:11.480 --> 1:08:13.360
<v Speaker 9>Yeah, okay, yeah, we had to rush out the initial

1:08:13.400 --> 1:08:16.240
<v Speaker 9>pressings of that record, so we didn't have Vanessa's parts

1:08:16.240 --> 1:08:17.679
<v Speaker 9>on there yet. I think you had to like hold

1:08:17.680 --> 1:08:19.840
<v Speaker 9>down the fast forward but just barely to get to

1:08:19.880 --> 1:08:21.639
<v Speaker 9>it or let it. You fall asleep with it on

1:08:22.240 --> 1:08:24.000
<v Speaker 9>and then all of a sudden the song startles you.

1:08:24.240 --> 1:08:26.120
<v Speaker 9>But even before that, when it.

1:08:26.040 --> 1:08:30.000
<v Speaker 6>Was the what I Want wow in the Desert Life.

1:08:30.080 --> 1:08:34.120
<v Speaker 5>Yeah, and at the end of that that that that

1:08:34.240 --> 1:08:36.559
<v Speaker 5>art is no longer because now if there's a track

1:08:36.640 --> 1:08:39.240
<v Speaker 5>that's seventeen minutes long, you just see that and you're like, well,

1:08:40.240 --> 1:08:42.679
<v Speaker 5>why would you guys pick those songs to do hidden

1:08:42.840 --> 1:08:44.120
<v Speaker 5>and who was the one that suggested to do it

1:08:44.200 --> 1:08:44.720
<v Speaker 5>hidden track?

1:08:45.960 --> 1:08:48.439
<v Speaker 9>Well, sometimes it's just something I really like that doesn't

1:08:48.479 --> 1:08:50.599
<v Speaker 9>work in the flow of the record. It just didn't

1:08:50.600 --> 1:08:52.519
<v Speaker 9>feel like part of the record, like kid Things on

1:08:52.720 --> 1:08:55.760
<v Speaker 9>a Desert Life. On Desert Life just didn't feel like

1:08:55.800 --> 1:08:57.840
<v Speaker 9>part of the record. But I really loved it, and

1:08:57.880 --> 1:09:00.000
<v Speaker 9>thematically it was part of the record, but it was

1:09:00.080 --> 1:09:02.320
<v Speaker 9>done really low fi and it just it didn't fit

1:09:02.360 --> 1:09:04.680
<v Speaker 9>in the I tried to fit in the flow and

1:09:04.720 --> 1:09:07.160
<v Speaker 9>I couldn't sequence it. I mean, I know nobody listens

1:09:07.160 --> 1:09:09.240
<v Speaker 9>to records anymore, but I really like to make records

1:09:09.640 --> 1:09:10.920
<v Speaker 9>and I want you to be able to sit down

1:09:10.960 --> 1:09:12.519
<v Speaker 9>and listen to it all the way through, even if

1:09:12.560 --> 1:09:13.360
<v Speaker 9>nobody's gonna do it.

1:09:13.840 --> 1:09:15.800
<v Speaker 5>That's what I really like. I like making that work.

1:09:17.439 --> 1:09:19.360
<v Speaker 9>And sometimes I just couldn't get a song to fit,

1:09:19.800 --> 1:09:21.599
<v Speaker 9>which meant I left a couple of songs I love

1:09:21.640 --> 1:09:25.320
<v Speaker 9>off records and I hit a couple just because that

1:09:25.320 --> 1:09:27.160
<v Speaker 9>seemed kind of fun. It was like a nice Easter

1:09:27.240 --> 1:09:31.280
<v Speaker 9>egg for fans. That was the thing with the with

1:09:31.360 --> 1:09:34.559
<v Speaker 9>the kid things. It just didn't it fits thematically, but

1:09:34.640 --> 1:09:39.840
<v Speaker 9>it didn't it didn't flow in the record. But uh,

1:09:40.439 --> 1:09:43.160
<v Speaker 9>Big yell a Taxi was different because we just spent

1:09:43.200 --> 1:09:46.160
<v Speaker 9>this one weekend doing all these covers for B sides

1:09:46.560 --> 1:09:48.280
<v Speaker 9>when we were while we were mixing the record, we

1:09:48.280 --> 1:09:50.759
<v Speaker 9>were like in another little room just cutting cover songs,

1:09:51.400 --> 1:09:56.360
<v Speaker 9>and uh.

1:09:54.080 --> 1:09:54.640
<v Speaker 6>That just turned it.

1:09:54.680 --> 1:09:56.760
<v Speaker 9>We had this kind of acoustic hip hop version of

1:09:56.880 --> 1:10:00.280
<v Speaker 9>Big Yellow Taxi that we play in concert, but we

1:10:00.320 --> 1:10:03.320
<v Speaker 9>wanted to try doing a remix with it. We like

1:10:03.360 --> 1:10:07.040
<v Speaker 9>went out to Farrell back then it was just starting

1:10:07.040 --> 1:10:11.040
<v Speaker 9>in the Neptunes, then went back to him, Jimmy jamm

1:10:11.040 --> 1:10:14.160
<v Speaker 9>and Terry Lewis from the time, but we weren't able

1:10:14.200 --> 1:10:15.360
<v Speaker 9>to sort of get any of it done in time.

1:10:15.360 --> 1:10:16.920
<v Speaker 9>And Ron Fair came and said, hey, I know you've

1:10:16.960 --> 1:10:18.560
<v Speaker 9>been doing this with all these other guys, but I

1:10:18.600 --> 1:10:21.280
<v Speaker 9>actually did a version and I think it works really well.

1:10:21.920 --> 1:10:24.479
<v Speaker 9>And he sent it to me and I was like, oh,

1:10:24.520 --> 1:10:27.680
<v Speaker 9>that does work. That's really cool. Thanks, And then he

1:10:27.760 --> 1:10:31.240
<v Speaker 9>wanted to have someone sing on it. And right before

1:10:31.280 --> 1:10:34.360
<v Speaker 9>we were mixing Hard Candy, he was in there mixing

1:10:34.520 --> 1:10:37.080
<v Speaker 9>a record with this with Vanessa Carlton, her first record,

1:10:37.080 --> 1:10:38.519
<v Speaker 9>you know. And I had heard a bunch of it

1:10:38.600 --> 1:10:42.000
<v Speaker 9>because he was in there, you know, and Jack Josepegeld

1:10:42.000 --> 1:10:43.360
<v Speaker 9>played me some of her songs, thought that they were

1:10:43.400 --> 1:10:45.599
<v Speaker 9>really good, and I knew that I had to leave

1:10:45.640 --> 1:10:47.080
<v Speaker 9>for tour before we were going to be able to

1:10:47.080 --> 1:10:49.840
<v Speaker 9>finish it, and I thought it might be intimidating for

1:10:49.880 --> 1:10:51.839
<v Speaker 9>someone to come in and sing on one of our tracks,

1:10:51.880 --> 1:10:54.439
<v Speaker 9>but he could get a lot out of a woman

1:10:54.479 --> 1:10:56.559
<v Speaker 9>he had just worked with. Well, she would be comfortable

1:10:56.640 --> 1:10:59.800
<v Speaker 9>enough with him to actually like improv on our track,

1:11:00.080 --> 1:11:00.519
<v Speaker 9>and she did.

1:11:00.600 --> 1:11:01.599
<v Speaker 6>Yeah, it worked out great.

1:11:01.840 --> 1:11:03.800
<v Speaker 9>It's funny because she was this total unknown singer and

1:11:03.800 --> 1:11:06.679
<v Speaker 9>then by the time it came out, she was very popular.

1:11:07.320 --> 1:11:10.120
<v Speaker 5>The complete Sweet comes up May ninth. Man, you guys

1:11:10.200 --> 1:11:11.880
<v Speaker 5>doing a lot of shows too. Do you do the

1:11:11.920 --> 1:11:13.360
<v Speaker 5>touring where you just go away and don't come back

1:11:13.360 --> 1:11:14.160
<v Speaker 5>for a couple of months.

1:11:14.479 --> 1:11:14.679
<v Speaker 6>Yeah?

1:11:14.800 --> 1:11:17.599
<v Speaker 5>Mostly, Yeah, we the weekend this sort of a Nashville thing,

1:11:17.600 --> 1:11:20.880
<v Speaker 5>I know, yeah, Friday, Saturday, maybe maybe Thursday, maybe Sunday,

1:11:20.880 --> 1:11:25.599
<v Speaker 5>but back home. Yeah, that sounds very convenient. Yeah it is. Yeah,

1:11:25.760 --> 1:11:27.559
<v Speaker 5>so you guys just go because you guys are going

1:11:27.600 --> 1:11:28.559
<v Speaker 5>like Europe too, the whole thing.

1:11:28.760 --> 1:11:30.960
<v Speaker 9>Yeah, we're doing the whole summer is gone or out

1:11:31.040 --> 1:11:34.040
<v Speaker 9>on the tour in America. You know, we passed through

1:11:34.080 --> 1:11:36.760
<v Speaker 9>home wherever your home is, you usually pass through it,

1:11:37.520 --> 1:11:39.120
<v Speaker 9>and then we'll go to Europe in the fall.

1:11:40.040 --> 1:11:41.840
<v Speaker 5>That's pretty cool. A lot of days from June and

1:11:41.840 --> 1:11:43.879
<v Speaker 5>we'll put them up in the notes here on the podcast,

1:11:44.520 --> 1:11:48.920
<v Speaker 5>but from June, yeah, all the way up until November. Yeah, yeah,

1:11:49.000 --> 1:11:49.960
<v Speaker 5>until it gets cold.

1:11:50.360 --> 1:11:50.679
<v Speaker 6>Yeah.

1:11:50.800 --> 1:11:52.800
<v Speaker 5>Do you do cold weather shows or most of your

1:11:52.800 --> 1:11:57.400
<v Speaker 5>show's amphitheaters, Well, not during the summer, but other times

1:11:57.400 --> 1:11:59.640
<v Speaker 5>a year. Do you ever play, you ever play the

1:11:59.640 --> 1:12:02.320
<v Speaker 5>longest in December and the crowd goes ah, Like just

1:12:02.360 --> 1:12:04.080
<v Speaker 5>because you yelled December, it's like yelling at city when

1:12:04.120 --> 1:12:04.479
<v Speaker 5>you're in it.

1:12:04.520 --> 1:12:04.720
<v Speaker 6>Yeah.

1:12:04.760 --> 1:12:07.160
<v Speaker 5>Yeah, like he said, our month, he said our month.

1:12:07.200 --> 1:12:07.839
<v Speaker 6>This is crazy.

1:12:07.840 --> 1:12:09.880
<v Speaker 9>I should write one for each month because then I

1:12:09.920 --> 1:12:12.760
<v Speaker 9>would have hits any time of the year.

1:12:12.840 --> 1:12:14.719
<v Speaker 5>Yeah, that would be good. Uh, we're going to play

1:12:14.760 --> 1:12:16.599
<v Speaker 5>some music here in this second. Oh, by the way,

1:12:16.600 --> 1:12:18.559
<v Speaker 5>I should tell you not that it matters. I looked

1:12:20.040 --> 1:12:21.600
<v Speaker 5>it matters me. It doesn't matter. But this was the

1:12:21.600 --> 1:12:23.240
<v Speaker 5>first book ever wrote, and it was best seller for

1:12:23.280 --> 1:12:24.720
<v Speaker 5>a little bit. It's pretty Cool'm pretty proud of it.

1:12:24.720 --> 1:12:26.880
<v Speaker 5>But I thank you guys in the back of the book. Really,

1:12:26.920 --> 1:12:28.880
<v Speaker 5>I did, Can I have a copy? Well, you don't

1:12:28.880 --> 1:12:30.800
<v Speaker 5>want no, No, it's not sure you can have a copy.

1:12:30.840 --> 1:12:33.600
<v Speaker 5>But it wasn't for that. I just I it was

1:12:33.680 --> 1:12:35.760
<v Speaker 5>laying here by my foot, and I was like, you know,

1:12:36.520 --> 1:12:38.479
<v Speaker 5>because you guys are you guys are my favorite band

1:12:38.520 --> 1:12:40.800
<v Speaker 5>of all time, And so I said, I wonder if

1:12:40.840 --> 1:12:43.680
<v Speaker 5>I thanked them in the credits like the book, and

1:12:43.760 --> 1:12:46.360
<v Speaker 5>I did. You're on the back page when it was like, hey,

1:12:46.360 --> 1:12:47.639
<v Speaker 5>I want to think kund of Cross.

1:12:47.800 --> 1:12:49.360
<v Speaker 9>I know you came to that show in Nashville few

1:12:49.400 --> 1:12:51.320
<v Speaker 9>years ago and they told me you were there. Then

1:12:51.320 --> 1:12:52.680
<v Speaker 9>you didn't come backstage.

1:12:52.320 --> 1:12:54.000
<v Speaker 5>Yeah, because I don't want to be that guy like

1:12:54.040 --> 1:12:56.120
<v Speaker 5>I just want to and honestly, and I think you'll

1:12:56.200 --> 1:12:58.960
<v Speaker 5>understand this, I didn't want to not like you because

1:12:59.040 --> 1:13:04.280
<v Speaker 5>I love I love my relationship with your music, and

1:13:04.520 --> 1:13:06.400
<v Speaker 5>I didn't want to not like you. And so I

1:13:06.439 --> 1:13:08.280
<v Speaker 5>was like, you know what, I'm good because the place

1:13:08.320 --> 1:13:10.719
<v Speaker 5>I'm in now with Count of Crows, it couldn't be better.

1:13:10.760 --> 1:13:12.919
<v Speaker 9>I hear you, I hear you. If you come backstage

1:13:12.920 --> 1:13:15.280
<v Speaker 9>at some point, I promise not to be well.

1:13:15.280 --> 1:13:17.240
<v Speaker 5>Now I like you, though now I'm feel good about it.

1:13:17.320 --> 1:13:18.840
<v Speaker 5>But that was really the reason. They were like, you

1:13:18.840 --> 1:13:19.960
<v Speaker 5>want to go meet at him? And I was like, no,

1:13:20.000 --> 1:13:21.400
<v Speaker 5>I just enjoyed the show. I was like, I do

1:13:21.520 --> 1:13:24.640
<v Speaker 5>not because right now I love Adham. He might be

1:13:25.200 --> 1:13:28.280
<v Speaker 5>well and not even that, but like I intured doing

1:13:28.320 --> 1:13:30.000
<v Speaker 5>stand up and some days you just don't feel good.

1:13:30.040 --> 1:13:31.640
<v Speaker 5>Some day that's true, and so I just didn't want

1:13:31.680 --> 1:13:35.200
<v Speaker 5>it to be there. So next time I probably still won't.

1:13:35.200 --> 1:13:36.680
<v Speaker 5>But right now, when I say, well, can I have

1:13:36.720 --> 1:13:39.200
<v Speaker 5>a book or else, now I'll give you a book.

1:13:39.200 --> 1:13:41.760
<v Speaker 5>I want a book. It's really cool. They were thanking

1:13:41.760 --> 1:13:42.200
<v Speaker 5>in the back.

1:13:42.080 --> 1:13:42.439
<v Speaker 6>Of the book.

1:13:42.479 --> 1:13:44.519
<v Speaker 1>I won't want How did you think him?

1:13:44.640 --> 1:13:47.200
<v Speaker 5>Like I said, I just thanked him for the music

1:13:47.280 --> 1:13:49.719
<v Speaker 5>for like all the you know, I mean.

1:13:49.960 --> 1:13:51.559
<v Speaker 1>You read it, read it.

1:13:51.680 --> 1:13:56.040
<v Speaker 5>Okay, what if it's like Adam, I'm in love with you.

1:13:57.400 --> 1:14:01.559
<v Speaker 5>Also a big sad hug to the County Crows for

1:14:01.600 --> 1:14:03.960
<v Speaker 5>making lots of great music that makes me sad by

1:14:04.040 --> 1:14:09.639
<v Speaker 5>feeling happy, by feeling sad. Actually that's pretty great. Actually, yeah,

1:14:09.640 --> 1:14:11.559
<v Speaker 5>it's nice. Yeah, because I mean that's how I felt.

1:14:12.240 --> 1:14:13.920
<v Speaker 5>So I got a little choked out.

1:14:13.920 --> 1:14:14.800
<v Speaker 6>That was actually pretty good.

1:14:15.400 --> 1:14:17.880
<v Speaker 1>Well, thank you well, and I'll clarify some importance behind

1:14:17.880 --> 1:14:20.760
<v Speaker 1>that and some of Bobby's up bringing. You can have

1:14:20.800 --> 1:14:23.160
<v Speaker 1>a lot of space to feel, so I think your

1:14:23.240 --> 1:14:26.519
<v Speaker 1>music gave him that space to feel sad.

1:14:26.560 --> 1:14:29.200
<v Speaker 9>Hug all around. I'm not making funn of you. That's

1:14:29.240 --> 1:14:31.840
<v Speaker 9>actually really sweet. I'm kind of touched by that.

1:14:31.880 --> 1:14:35.040
<v Speaker 5>But any hug at all was happy for me. And

1:14:35.080 --> 1:14:39.120
<v Speaker 5>now we're going too far. That's right, Okay.

1:14:38.840 --> 1:14:42.839
<v Speaker 2>It's the best bits of the week with Morgan Number two.

1:14:44.040 --> 1:14:45.599
<v Speaker 1>Some things get really weird at our work.

1:14:45.640 --> 1:14:46.839
<v Speaker 4>And this is one of those moments.

1:14:47.240 --> 1:14:48.320
<v Speaker 5>Ay, he's doing something.

1:14:48.600 --> 1:14:51.400
<v Speaker 3>Lunchbox witnessed it, and he was like, I cannot believe

1:14:51.439 --> 1:14:52.519
<v Speaker 3>she was doing this at work.

1:14:53.120 --> 1:14:54.600
<v Speaker 4>And I know you guys might have went to a

1:14:54.600 --> 1:14:56.000
<v Speaker 4>dirty place. That's not what this is about.

1:14:56.040 --> 1:14:57.240
<v Speaker 1>Okay, don't go there.

1:14:57.800 --> 1:15:00.400
<v Speaker 3>Gode awkward though all the way around, and I'm not

1:15:00.439 --> 1:15:02.960
<v Speaker 3>sure how I feel about it on multiple levels.

1:15:03.800 --> 1:15:06.160
<v Speaker 4>But without further ado, here's.

1:15:05.960 --> 1:15:09.639
<v Speaker 3>Lunchbox witnessing Amy doing something at work.

1:15:10.640 --> 1:15:12.240
<v Speaker 1>Don't go there. Okay, it's not dirty.

1:15:12.720 --> 1:15:14.840
<v Speaker 5>Number one, you were doing therapy at work.

1:15:14.920 --> 1:15:17.439
<v Speaker 1>Well, it had to because it was virtual. But we

1:15:17.479 --> 1:15:20.920
<v Speaker 1>got done like two minutes after it was supposed to start,

1:15:21.000 --> 1:15:23.040
<v Speaker 1>so I had to like run to a production room

1:15:23.080 --> 1:15:24.519
<v Speaker 1>and pull up my computer and.

1:15:24.439 --> 1:15:28.600
<v Speaker 5>Then I would have never done that. Here microphones and people.

1:15:28.439 --> 1:15:29.800
<v Speaker 1>I know, But what was I supposed to do?

1:15:30.040 --> 1:15:31.440
<v Speaker 5>I postponed.

1:15:31.760 --> 1:15:33.519
<v Speaker 1>No, this was the only slot she had available, and

1:15:33.560 --> 1:15:35.040
<v Speaker 1>we had a book at last minute, and it was

1:15:35.280 --> 1:15:38.800
<v Speaker 1>for noon one day, and that's normally when we get

1:15:38.800 --> 1:15:41.639
<v Speaker 1>done ish, So I was like planning on a production room.

1:15:41.680 --> 1:15:43.719
<v Speaker 1>But you never know. Sometimes if we got an eleven

1:15:43.760 --> 1:15:47.800
<v Speaker 1>forty five, it would have just driven somewhere. But it

1:15:47.840 --> 1:15:50.599
<v Speaker 1>was twelve oh two. So I ran to a production room,

1:15:50.880 --> 1:15:53.160
<v Speaker 1>got on my computer and loaded up the zoom and

1:15:53.200 --> 1:15:56.760
<v Speaker 1>I'm totally We're in therapy. My boyfriend is joining me,

1:15:56.920 --> 1:15:58.839
<v Speaker 1>my therapist is on there, We're all in the computer,

1:15:59.439 --> 1:16:01.760
<v Speaker 1>and out of the corner of my eye through the

1:16:01.760 --> 1:16:06.599
<v Speaker 1>production room window, I started seeing Lunchbox and we're having

1:16:06.640 --> 1:16:09.599
<v Speaker 1>a moment in the session and he is like making

1:16:09.640 --> 1:16:13.599
<v Speaker 1>faces and noises and I'm like, did.

1:16:13.479 --> 1:16:14.280
<v Speaker 5>You know what she was doing?

1:16:14.600 --> 1:16:14.640
<v Speaker 3>No?

1:16:14.760 --> 1:16:16.160
<v Speaker 7>At first I didn't know what she was doing, but

1:16:16.200 --> 1:16:17.600
<v Speaker 7>then when I realized it, I was like, Oh, this

1:16:17.640 --> 1:16:19.439
<v Speaker 7>is kind of funny, and it was kind of interesting

1:16:19.720 --> 1:16:22.920
<v Speaker 7>to see an animal in their habitat because Amy is

1:16:22.960 --> 1:16:25.200
<v Speaker 7>like mis therapy and I've never seen her do therapy

1:16:25.200 --> 1:16:27.000
<v Speaker 7>and she talks about it all the time. I mean,

1:16:27.040 --> 1:16:30.160
<v Speaker 7>I've never seen Amy so focused. She was dialed in.

1:16:30.720 --> 1:16:31.800
<v Speaker 5>Did you think you shouldn't watch?

1:16:31.840 --> 1:16:32.000
<v Speaker 1>Though?

1:16:32.120 --> 1:16:34.519
<v Speaker 5>Like, that's very private thing. It's a very personal thing.

1:16:34.880 --> 1:16:37.200
<v Speaker 7>I mean, what is so private about it? There's a window,

1:16:37.200 --> 1:16:39.439
<v Speaker 7>you're doing something where there's a windows, the doors closed,

1:16:40.120 --> 1:16:42.320
<v Speaker 7>you have the light on, and you're at work, So

1:16:42.360 --> 1:16:44.040
<v Speaker 7>I mean, is it really that private?

1:16:45.439 --> 1:16:47.679
<v Speaker 5>I want to still go you knew what it was, so, Yes,

1:16:48.000 --> 1:16:49.679
<v Speaker 5>I would have never done.

1:16:49.560 --> 1:16:51.519
<v Speaker 1>That at work, I know, But what was I supposed

1:16:51.560 --> 1:16:51.800
<v Speaker 1>to do?

1:16:52.000 --> 1:16:53.280
<v Speaker 5>Like I said, I would have said, hey, I didn't

1:16:53.280 --> 1:16:54.680
<v Speaker 5>get out, or i'd have said, hey, I need to

1:16:54.760 --> 1:16:56.080
<v Speaker 5>leave work a few minutes early because I don't know

1:16:56.160 --> 1:16:57.120
<v Speaker 5>you needed to do, or.

1:16:57.160 --> 1:16:59.120
<v Speaker 7>Say give me five minutes, I'll go sit in my car.

1:16:59.400 --> 1:17:01.120
<v Speaker 5>I mean I have car, Okay, I could do that.

1:17:01.200 --> 1:17:02.519
<v Speaker 7>Well, I'm just saying.

1:17:02.360 --> 1:17:03.800
<v Speaker 5>That doesn't give you the right to like, stare and

1:17:03.880 --> 1:17:05.800
<v Speaker 5>make faces when she's like trying to like, well.

1:17:05.680 --> 1:17:07.120
<v Speaker 7>I don't know at what point. What if they're just

1:17:07.120 --> 1:17:08.679
<v Speaker 7>doing introductions, that's still.

1:17:08.520 --> 1:17:10.479
<v Speaker 5>Not a point to if you know she's doing therapy,

1:17:10.520 --> 1:17:11.519
<v Speaker 5>then that lunchucks.

1:17:11.560 --> 1:17:13.439
<v Speaker 1>Did you see I was staring at my computer and

1:17:13.520 --> 1:17:14.360
<v Speaker 1>I was emotional.

1:17:14.840 --> 1:17:16.880
<v Speaker 7>I mean you did have an emotional look on your

1:17:16.920 --> 1:17:19.840
<v Speaker 7>face like oh I'm about to cry maybe or I

1:17:20.080 --> 1:17:22.120
<v Speaker 7>don't know, but you were really concentrated so I know

1:17:22.200 --> 1:17:23.760
<v Speaker 7>you can focus, which was pretty cool.

1:17:23.800 --> 1:17:25.479
<v Speaker 6>So you couldn't hear lunchbox and I couldn't.

1:17:25.760 --> 1:17:27.479
<v Speaker 5>You're sitting where her face was to the window, so

1:17:27.479 --> 1:17:28.200
<v Speaker 5>you could see her face.

1:17:28.640 --> 1:17:30.960
<v Speaker 7>He's gone to sitting sideways like she had the computer.

1:17:31.160 --> 1:17:34.439
<v Speaker 1>Yeah, then once I saw like this. Once I saw him,

1:17:34.479 --> 1:17:36.479
<v Speaker 1>I moved the whole thing to where he couldn't see

1:17:36.520 --> 1:17:37.960
<v Speaker 1>because I was like, oh my gosh, now he's like

1:17:38.080 --> 1:17:39.760
<v Speaker 1>just buying on us.

1:17:39.800 --> 1:17:43.320
<v Speaker 5>I'm gonna have to side with Amy, but barely. It's

1:17:43.320 --> 1:17:44.639
<v Speaker 5>weird to do therapy at work, but.

1:17:44.920 --> 1:17:47.760
<v Speaker 7>A lot I got a question. Did your therapist or

1:17:47.760 --> 1:17:49.759
<v Speaker 7>your boyfriend think it was funny when they saw my faces?

1:17:50.280 --> 1:17:52.120
<v Speaker 1>No, they thankfully couldn't see you.

1:17:52.200 --> 1:17:54.320
<v Speaker 5>But the only that people can't see her faces of

1:17:54.320 --> 1:17:55.559
<v Speaker 5>people behind the camera on her computer.

1:17:55.640 --> 1:17:57.439
<v Speaker 7>Right, like thought, maybe I was in the camera shot.

1:17:57.439 --> 1:17:57.880
<v Speaker 7>I was doing it.

1:17:57.960 --> 1:18:00.639
<v Speaker 1>You weren't in the shots. When I started to go

1:18:00.760 --> 1:18:05.240
<v Speaker 1>from sadness to laughter, like, they were like what's happening?

1:18:05.240 --> 1:18:07.439
<v Speaker 1>And I was like, and I'm moving and I'm like whatever,

1:18:07.520 --> 1:18:08.320
<v Speaker 1>it's my coworker.

1:18:08.439 --> 1:18:11.280
<v Speaker 7>So he killed he killed the vibe VI or did

1:18:11.280 --> 1:18:12.360
<v Speaker 7>I save you from crying?

1:18:13.560 --> 1:18:17.160
<v Speaker 1>But crying's good. I had to get it out. But

1:18:17.280 --> 1:18:19.840
<v Speaker 1>laughter is good too, so you know, I'll take it.

1:18:19.840 --> 1:18:22.320
<v Speaker 1>It just was, Yes, it's not ideal to do therapy

1:18:22.360 --> 1:18:24.000
<v Speaker 1>at work, but I guarantee you a lot of people

1:18:24.040 --> 1:18:25.200
<v Speaker 1>have to do it. And I would go to the

1:18:25.240 --> 1:18:27.880
<v Speaker 1>car though I didn't think of that. I didn't think

1:18:27.920 --> 1:18:29.960
<v Speaker 1>of that. I did it way back in the day

1:18:29.960 --> 1:18:31.800
<v Speaker 1>when I had to do these really intense ones with

1:18:31.840 --> 1:18:34.880
<v Speaker 1>my ex husband. Sometimes I would have to do them.

1:18:34.920 --> 1:18:36.560
<v Speaker 1>They were like three hours long, and I would do

1:18:36.600 --> 1:18:37.720
<v Speaker 1>them from your office back in the.

1:18:37.760 --> 1:18:39.559
<v Speaker 7>Day, but there was no window there. That's the only

1:18:39.840 --> 1:18:40.799
<v Speaker 7>there was no window.

1:18:40.800 --> 1:18:43.000
<v Speaker 5>But like sometimes that I'm lucky to.

1:18:44.640 --> 1:18:46.960
<v Speaker 1>Walk in. And in one time I yelled the effort

1:18:47.040 --> 1:18:49.200
<v Speaker 1>really loud and slave my computer and I was like,

1:18:49.680 --> 1:18:52.799
<v Speaker 1>did anybody hear that? That was? That was from your office?

1:18:54.360 --> 1:18:56.520
<v Speaker 1>But that was Those were different times.

1:18:56.760 --> 1:18:59.320
<v Speaker 7>Yeah, I was pretty cool. I y Yeah, No, they.

1:18:59.160 --> 1:19:01.920
<v Speaker 1>Were very very different. You remember they were different. Those

1:19:01.920 --> 1:19:05.160
<v Speaker 1>were different different That was probably twenty twenty, twenty twenty two.

1:19:05.439 --> 1:19:06.720
<v Speaker 5>Okay, so here's a different times.

1:19:06.880 --> 1:19:07.559
<v Speaker 1>Different times.

1:19:07.600 --> 1:19:10.160
<v Speaker 5>If she's doing therapy, don't stare in the window. Okay,

1:19:09.520 --> 1:19:12.439
<v Speaker 5>that's why I wouldn't go out staring. That's a really

1:19:12.439 --> 1:19:15.160
<v Speaker 5>personal private time. And also just don't do therapy at work.

1:19:16.200 --> 1:19:19.679
<v Speaker 1>Well that's that's I think you can do therapy at work.

1:19:19.800 --> 1:19:21.599
<v Speaker 5>You can, but what's gonna happen if you gonta people

1:19:21.600 --> 1:19:22.360
<v Speaker 5>walking about making faces?

1:19:22.400 --> 1:19:24.040
<v Speaker 7>Yeah, or put something over the window. If don't want

1:19:24.040 --> 1:19:24.439
<v Speaker 7>me to see.

1:19:24.640 --> 1:19:26.960
<v Speaker 1>Yeah, yeah, it's just it's just ridiculous.

1:19:26.960 --> 1:19:28.360
<v Speaker 5>And there are microphones and there. I'd be afraid and

1:19:28.439 --> 1:19:29.040
<v Speaker 5>I could hear it.

1:19:29.080 --> 1:19:29.360
<v Speaker 6>They could.

1:19:29.960 --> 1:19:32.000
<v Speaker 5>I would turn a microphone on from another room and

1:19:32.040 --> 1:19:32.800
<v Speaker 5>record the whole thing.

1:19:32.960 --> 1:19:35.599
<v Speaker 6>Wait really, of course, Oh yeah I do.

1:19:35.520 --> 1:19:38.560
<v Speaker 1>They I mean you can't know. I looked at the

1:19:38.600 --> 1:19:40.920
<v Speaker 1>panel and made sure everything was off, but someone else

1:19:40.960 --> 1:19:41.840
<v Speaker 1>could access the.

1:19:42.320 --> 1:19:45.040
<v Speaker 5>You don't think people can. It doesn't matter. I would

1:19:45.040 --> 1:19:46.880
<v Speaker 5>just say I wouldn't do it here. Just be careful,

1:19:47.520 --> 1:19:50.920
<v Speaker 5>it's not making faces and grow up? All right? Everybody good?

1:19:50.920 --> 1:19:54.080
<v Speaker 1>That's are good.

1:19:54.439 --> 1:19:58.439
<v Speaker 2>It's the best Bits of the week with Morgan number two.

1:20:00.040 --> 1:20:01.880
<v Speaker 3>That's it for me this weekend, everybody. I hope you

1:20:02.080 --> 1:20:04.760
<v Speaker 3>enjoyed the best bits. Check out Part one Part three

1:20:04.760 --> 1:20:06.879
<v Speaker 3>this weekend, or you can go check out my podcast

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<v Speaker 3>Take This Personally, or go subscribe on our YouTube.

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<v Speaker 4>I know there's so many things.

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<v Speaker 4>Yourself, whatever you're doing. I'm just really happy you're here.

1:20:27.320 --> 1:20:28.040
<v Speaker 1>Bye, everybody.

1:20:28.640 --> 1:20:31.519
<v Speaker 2>That's the best bits of the week with Morgan. Thanks

1:20:31.560 --> 1:20:33.599
<v Speaker 2>for listening. Be sure to check out the other two

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<v Speaker 2>To submit your listener questions for next week's episode.