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Speaker 1: It's the best Bit of the week.

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Speaker 2: With Morgan Part two, she's breaking down the top seven

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Speaker 2: segments from the Bobby Bone Show this week.

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Speaker 3: What's up, everybody, Welcome to the Best Bits this weekend.

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Speaker 3: I hope you are having an awesome Easter weekend, celebrating

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Speaker 3: with family, friends and doing lots of fun Easter egg hunts.

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Speaker 3: I have one planned for my animals tomorrow, very exciting.

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Speaker 3: I put treats in little eggs and send them off

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Speaker 3: into the backyard and it's so fun. And then my

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Speaker 3: cat I put them kind of all randomly on the

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Speaker 3: counter and she just kind of swapped out them.

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Speaker 4: But it's fun nonetheless.

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Speaker 3: So I hope you guys are enjoying this Easter weekend

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Speaker 3: and thank you for being here.

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Speaker 4: We're going to catch up on the Bobby Bone Show.

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Speaker 3: If you want some extra content this weekend and you're

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Speaker 3: not doing Easter stuff, you can check out Part one,

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Speaker 3: Part three This weekend with Mike d Part one, we

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Speaker 3: catch up all on life and get some updates from Mike.

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Speaker 3: If you made a new friend in a run and club,

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Speaker 3: how the braces are going, his wife really wants a dog?

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Speaker 3: All that good stuff. And then Part three we answer

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Speaker 3: listener questions as always that I post on my Instagram page.

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Speaker 3: All right, everybody. The reason you are here, though, is

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Speaker 3: to catch up on the Bobby Bone Show. The top

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Speaker 3: seven segments from the show this week. Let's go wo Cardinals,

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Speaker 3: blue Jays.

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Speaker 4: Oh my.

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Speaker 3: We talked to All Things birds this week after an

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Speaker 3: actor shared an experience they had with a hawk and

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Speaker 3: how they think it was another actor sending them a sign,

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Speaker 3: and Amy kind of clarified her thoughts on birds and

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Speaker 3: how she feels with her mom and her dad and

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Speaker 3: that whole experience that she has, and maybe some people

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Speaker 3: can relate if they also have experience seeing their loved

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Speaker 3: ones in the birds.

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Speaker 5: Number seven, This made me, Thank you, Amy. So, Maggie Wheeler,

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Speaker 5: who played Janis on Friends, can you do the impression?

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Speaker 5: YEAHO fine, I'm getting her in the Nanny.

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Speaker 6: Yeah.

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Speaker 5: So she says she got a sign from Matthew Perry,

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Speaker 5: who played Chandler, and she was talking about it and

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Speaker 5: that sign was a hawk that flew over while she

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Speaker 5: was in a neighbor's pool. Now, I bring this up

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Speaker 5: because neither Amie's parents are alive and she believes they

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Speaker 5: are both birds. Her mom is a cardinal. Her dad

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Speaker 5: is a blue jay, and she got very excited because

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Speaker 5: she saw a cardinal and a blue jay together one

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Speaker 5: day and thought her parents were back together. And you

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Speaker 5: know what, that's exciting.

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Speaker 1: Yeah, yeah, no, they were rarely at the feeder together

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Speaker 1: and I was like, what, this is amazing.

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Speaker 5: So she saw this bird, a massive hawk. She also

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Speaker 5: lost her brother to addiction and says she got a

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Speaker 5: message from both of them recently. So that's quote. After

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Speaker 5: Matthew died Matthew Perry, I was in a neighbor's pool.

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Speaker 5: I was alone, there was nobody else around, and I

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Speaker 5: was on my back thinking, man, I shurely look out

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Speaker 5: for him, meaning Matthew Perry and her brother. And then

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Speaker 5: two hawks flew over her head and flew past her.

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Speaker 5: One circled around and the other one came down near her.

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Speaker 5: She was a beautiful moment.

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Speaker 1: That's legit.

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Speaker 6: That's so cool.

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Speaker 1: That's good for that's special for her.

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Speaker 5: I love that, I especially, Yeah, I guess I needed

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Speaker 5: to find what I think special? What do you think

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Speaker 5: special about that? Do you do you think that was

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Speaker 5: Matthew Perry and her brother.

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Speaker 1: Yeah, in like whatever way they could, she was given

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Speaker 1: that sign of like peace or whatever she needed in

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Speaker 1: that moment, because she was asking for that and she

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Speaker 1: got it.

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Speaker 5: Back to my question, do you think that Matthew Perry

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Speaker 5: was one of the birds.

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Speaker 1: Yeah, so I'm not exactly sure how it works because

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Speaker 1: I don't really think my mom is in the bird.

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Speaker 5: Oh well, the narrative has changed a bit.

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Speaker 1: It doesn't change, you know, I've always felt this way.

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Speaker 1: I don't think that she is physically in the bird

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Speaker 1: like her soul. She's not reincarnated as the bird.

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Speaker 6: That's what you me too.

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Speaker 1: No, no, no, guys, I've always been clear. It's not reincarnation.

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Speaker 6: Guys.

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Speaker 5: Has she been clear?

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Speaker 1: No, I've been like, my mom is sending me a

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Speaker 1: sign through the bird, like my dad because remember my

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Speaker 1: mom's ad Because guys, remember the dead blue jay. My

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Speaker 1: dad was sending me a message through the dead blue jay.

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Speaker 1: So he's not in the blue jay because otherwise than

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Speaker 1: he'd be dead.

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Speaker 5: Again, Okay, I'm confused here. So your mom is not

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Speaker 5: the bird.

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Speaker 1: She it's just easier to say she is the bird.

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Speaker 1: But she's sending me the message through the birds. So

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Speaker 1: she's the bird, but she's not.

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Speaker 5: Your Mom's not the bird. She's just sending out like drones.

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Speaker 1: Can you just imagine it?

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Speaker 5: Like she like, she's like Santa Claus at the North Pole,

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Speaker 5: but he has his other guys go out.

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Speaker 6: Malls to the malls, the other Santas.

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Speaker 5: So the other Santas are birds for you.

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Speaker 1: Yeah, thank you for that analogy. I think that that's

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Speaker 1: a good way to put it. It's like Santa has

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Speaker 1: all his little other Santas.

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Speaker 5: Your mom has mal Santa's.

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Speaker 1: My mom has a She must have a slew of

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Speaker 1: cardinals because at her disposal, because she uses them.

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Speaker 5: Do you think every cardinal and when I'm mad, if

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Speaker 5: like you're up there and all of a sudden, somebody

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Speaker 5: who comes up and has access to all the cardinals

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Speaker 5: and you don't.

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Speaker 1: Right now, other people obviously have access to their own cardinals.

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Speaker 5: What about the ones that you see? Do you think

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Speaker 5: they're all your mom?

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Speaker 1: I don't. Not every cardinal speaks to me. It's sometimes

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Speaker 1: if I've asked for something or I just I can't

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Speaker 1: explain it. I see the cardinal and and I have

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Speaker 1: a sensation and an internal dialogue that starts to happen

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Speaker 1: with the bird, like it's like a connection, like oh hey, Mom,

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Speaker 1: Like telekinesis. Yeah, I don't know a message is coming through.

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Speaker 5: You're talking to the bird without talking with human words.

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Speaker 1: Have you not had this experience with anything ever?

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Speaker 5: It sound like it because he's laughing, so it makes

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Speaker 5: me laugh, and I'm just trying to figure out what

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Speaker 5: your head is.

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Speaker 1: I know, I don't. I don't think that you're making

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Speaker 1: fun of me. And I guess what I'm asking is

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Speaker 1: for a little grace because I don't fully understand how

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Speaker 1: it works. I don't know. I think that it's it's

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Speaker 1: been a special thing for me between me and the

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Speaker 1: birds ever since my parents died. I don't I didn't

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Speaker 1: ever have this experience until my mom died.

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Speaker 5: And what was the cardinal about? Why did the cardinal

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Speaker 5: get assigned to your mom?

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Speaker 1: Because a bird? We were at my sister's house in

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Speaker 1: a hospice situation when my mom died. We'd set up

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Speaker 1: my sister's master bedroom or primary room as the hospice

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Speaker 1: care and we were laying in the bed with my

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Speaker 1: mom when she passed. And as we're laying there with

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Speaker 1: her for like an hour, a cardinal came into the

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Speaker 1: tree outside my sister's window, and it was a beautiful

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Speaker 1: fall morning, and then all of a sudden, in this

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Speaker 1: green tree, there's like a red cardinal. And my sister's like, oh,

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Speaker 1: it's mom. So she was saying like, hey, guys, I've

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Speaker 1: crossed over. I'm here, I'm fine, Like you're gonna be okay.

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Speaker 1: We both felt this sense of peace. So ever since

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Speaker 1: then it was a cardinal. Then fast forward many years later,

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Speaker 1: my dad passes away, and I'm really into birds at

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Speaker 1: this point, and I have a feeder and a blue

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Speaker 1: jay has never visited my feeder. And I know this

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Speaker 1: because I played bird Bingo and I would keep track

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Speaker 1: of my visitors. You nip, And all of a sudden,

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Speaker 1: who flies to my feeter? After my dad dies?

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Speaker 6: You're dad?

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Speaker 5: Well, now the Santa Claus in the mall of your dad.

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Speaker 1: Yeah, I guess my dad got access to blue jays

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Speaker 1: because there he is.

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Speaker 5: And then you think it's regions like sonics, Like you

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Speaker 5: have a region if you get a sonic, like this

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Speaker 5: is your area. Oh, like you have territories for if

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Speaker 5: you're a cardinal or blue jay, and you're like, I

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Speaker 5: am the cardinal keeper of the territory that my daughter lives.

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Speaker 1: You know, like my dad could have come as something else.

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Speaker 1: But in that moment, I had this, like I said,

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Speaker 1: this internal dialogue, this connection. All of a sudden, I'm like, Dad.

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Speaker 5: And you're like talking back and forth without talking.

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Speaker 1: Same thing. When my mom showed up at the feeder

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Speaker 1: as a cardinal and my dad showed up as the

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Speaker 1: blue jay, I'm like, yeah, yeah, Hey, what's up. Y'all

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Speaker 1: are hanging out. I don't know if they're back together,

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Speaker 1: but they're like, look, we've reconciled. We're cool. Like I,

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Speaker 1: I know we got divorced when you were younger, but

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Speaker 1: everything's good now, life is good. But do every time

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Speaker 1: I see a blue jay hair cardinal, is it my

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Speaker 1: mom and dad?

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Speaker 7: No?

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Speaker 5: Oh, the ones that don't talk to you are probably

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Speaker 5: somebody else's.

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Speaker 1: I don't know how to explain it. Like the cardinal

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Speaker 1: when it came to tell me to move that was

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Speaker 1: my mom. I saw the cardinal. Your wife was there

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Speaker 1: a bird told to move houses and she did so.

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Speaker 1: She so she she's in like she could not be

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Speaker 1: anymore a good word. I can't prove you're wrong. You can't.

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Speaker 5: I know, I cannot prove you're wrong.

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Speaker 1: But have you ever had something that just unexplainable? No,

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Speaker 1: but you still have faith in it.

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Speaker 5: No, I think that I wish I had a little

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Speaker 5: more of what you have. I just want a dose

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Speaker 5: of it.

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Speaker 1: I don't Maybe you should ask for it.

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Speaker 5: Can I have a dose of it?

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Speaker 1: No?

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Speaker 6: Here it comes.

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Speaker 1: Ask for a sign, because that's what.

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Speaker 5: A bear opens the door and walks in.

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Speaker 6: That would be more believable. But lion would walk in,

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Speaker 6: like we don't see lions around here.

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Speaker 5: Well, that is a little doominal snowman. No, listen. I

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Speaker 5: saw the story about Janis and Matthew Perry and thought, oh,

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Speaker 5: that reminds me of Amy.

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Speaker 1: I know that I sound like a complete wacko when

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Speaker 1: I talk about this.

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Speaker 5: Everybody that experiences something different sounds like a complete wacko

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Speaker 5: until other people experience the difference. Right, So I was, yeah,

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Speaker 5: I'm giving you that grace. I just wanted to know

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Speaker 5: what your thoughts were. Yeah, and if Janie saw her

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Speaker 5: Matthew Perry and her brother as hawks, because she I.

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Speaker 1: Think she absolutely did. They have access to hawks apparently,

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Speaker 1: and they sent some down because she was like laying

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Speaker 1: there asking for it.

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Speaker 5: Okay, there you have it, guys, very well explained. I

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Speaker 5: can't prove you're lying. I can't prove you're wrong.

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Speaker 1: Now now that Eddie's into birds and he's lost his father, you.

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Speaker 6: Have I haven't said anything this whole segment, but I

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Speaker 6: do think a dove that's been coming around to my

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Speaker 6: dad window.

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Speaker 5: You're just taking of birds because Amy put that in

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Speaker 5: your head.

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Speaker 6: No, he possibly, possibly, but my dad picked a dove.

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Speaker 1: Apparently his dad has access to doves, because.

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Speaker 6: This dove came to my window and looked in my

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Speaker 6: windows like, cos up is it?

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Speaker 1: Let me ask you?

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Speaker 5: Did you have bird feeders on your window?

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Speaker 6: Yeah? For sure?

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Speaker 1: Is it a mourning dove?

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Speaker 6: Okay, it's a mourning dove.

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Speaker 1: Yeah, mourning And it's not mourning m o r. It's

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Speaker 1: mourning m ou are I'm mourning?

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Speaker 5: Yeah? Hey guys, I just want you guys, and I

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Speaker 5: love you guys. And uh, no judgment. I'm glad it

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Speaker 5: gives you guys peace because that's really what it's about.

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Speaker 1: Okay, Eddie, I would I want you to pay attention

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Speaker 1: to this morning. Devin. Also, I hope I.

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Speaker 5: Gotta get lunchbox. Ten seconds he's sitting over there about

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Speaker 5: to explode ten seconds ago.

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Speaker 7: You guys make us sound like the cucko din like,

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Speaker 7: I mean, everybody's listening to this going. These people have

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Speaker 7: lost their freaking mind. Eddie. You put a bird feeder there.

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Speaker 7: He's looking for the food. There was no food in

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Speaker 7: the bird feeder. He's like, hey, dude, you forgot. He's

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Speaker 7: not saying, Hey, what up?

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Speaker 6: I'm my dog?

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Speaker 1: Do that?

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Speaker 7: I mean Amy, And you say, just trust me on this.

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Speaker 7: I talked to it without talking to it. What are

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Speaker 7: you talking? You sound psychotic?

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Speaker 5: I alway psychotic. But it's different and all people that

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Speaker 5: have differences are looked at it a little weird at

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Speaker 5: first until they're proven true. So hey, I'm glad you

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Speaker 5: guys have found some sort of piece.

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Speaker 6: Thank you.

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Speaker 2: All right, it's the best bits of the week with

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Speaker 2: Morgan Number two.

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Speaker 8: You know, we can't always be smart, and for some

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Speaker 8: of us, we had some really dumb moments lately, and

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Speaker 8: it identified with some of you guys out there on

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Speaker 8: our social media because you're like, yeah, say this has

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Speaker 8: also happened.

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Speaker 4: So maybe if you just.

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Speaker 3: Need to hear somebody else share a moment where they

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Speaker 3: were just really not smart aka dumb, then here you go, Bobby, Eddie, myself,

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Speaker 3: We're all going to share some stories.

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Speaker 5: Number six. I struggle with sleep. I get nerves in

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Speaker 5: the bottom of my stomach whenever I'm in the bed.

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Speaker 5: It's the only time that I think I have anxiety,

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Speaker 5: or at least the only time I allow the anxiety

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Speaker 5: to take over. I really struggle with sleep, and I

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Speaker 5: have for a long time. I only now call it anxiety.

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Speaker 5: Forever I was just like, I just can't sleep, but

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Speaker 5: it really it's like a when your foot falls asleep.

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Speaker 5: That's what it feels like in the bottom of my stomach.

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Speaker 5: When I go to bed at night, when I lay

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Speaker 5: there long enough, I fill my heart pounding in my neck,

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Speaker 5: I feel it pound on my shoulders, and my stomach

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Speaker 5: feels like my foot's asleep, but just not in my foot,

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Speaker 5: my stomach.

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Speaker 6: This is a.

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Speaker 5: Weird array of symptoms, but that is a version of anxiety.

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Speaker 5: So it is what it is. I try different things,

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Speaker 5: and I try to read books on anxiety. I tried to,

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Speaker 5: and I read this, and this is gonna be my

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Speaker 5: I cannot believe I'm this stupid story. And if anybody

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Speaker 5: else has one, then I'd like you to share it.

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Speaker 5: But I cannot believe I'm this stupid because as I'm

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Speaker 5: trying to track down why I can't sleep. I'm reading

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Speaker 5: this story about how to wake up less groggy because

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Speaker 5: there are some nights I get three hours, four hours,

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Speaker 5: some nights I get two. I'm wait for two, but

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Speaker 5: I wake up and I'm groggy as crap. And then

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Speaker 5: I read about this beer that actually helps you be

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Speaker 5: less groggy, and I'm blown away and I'm going, there's

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Speaker 5: a beer.

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Speaker 1: What? Okay, go ahead.

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Speaker 5: This It's not what you're thinking.

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Speaker 1: It's not it's not it is it natty light?

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Speaker 5: Well, it's literal natural light, not of the beer natural light.

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Speaker 1: I thought they were talking about the beer.

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Speaker 7: Ny you no natural light.

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Speaker 5: The whole story I'm reading, the whole thing about natural

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Speaker 5: light will help you wake up less groggy. And I'm like,

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Speaker 5: maybe I drink the beer I never drink in my life.

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Speaker 5: And I'm going, maybe I just try the beer in

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Speaker 5: the morning and it helps me with my sleep. Except

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Speaker 5: it's not natural light the beer. It's literal natural Lightian rhythm. Yes'

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Speaker 5: not the beer too. Oh my gosh, welcome to the team.

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Speaker 1: Yeah wow, solid marketing from natural light, because now that's

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Speaker 1: what they didn't do that I understand. But natural light

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Speaker 1: has been around since God created it, and we see

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Speaker 1: that in the headline in an article, and we immediately

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Speaker 1: we think beer instead of like the god given natural light.

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Speaker 5: We've always said, well, I.

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Speaker 6: Too believe God created natty light.

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Speaker 5: Well, I again, as someone who's never had a drink

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Speaker 5: of alcohol, I'm going, maybe maybe this is the reason

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Speaker 5: that I need to drink some alcohol. I'm fine with

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Speaker 5: I'm not morally against alcohol, but I'm like, maybe I

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Speaker 5: need to drink now. And then I'm like, why the

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Speaker 5: cheap beer because I never had it, But that's what.

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Speaker 6: That's cheap, Definitely cheap.

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Speaker 5: It'd be like Red Dog twenty twenty makes you feel

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Speaker 5: better at night. And so then I started reading the

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Speaker 5: story and it's like letting natural light in your bedroom

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Speaker 5: twenty minutes. And I'm like, I'm such an idiot because

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Speaker 5: I'd already gone down though, Am I gonna drink same?

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Speaker 5: That natural light will help you be less groggy? But

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Speaker 5: not the beer that's funny, literal natural light. So yeah,

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Speaker 5: that's that's me. The last time you felt stupid, Eddie,

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Speaker 5: you have one?

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Speaker 6: Well, yeah, this mine's different. Like, I just felt like

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Speaker 6: an idiot because I never do this, and I don't

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Speaker 6: know why I decided to do it. But I had

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Speaker 6: a Dallas Cowboys shirt on, and I saw a guy

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Speaker 6: walking towards me with an Eagle shirt and I was like, okay,

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Speaker 6: big rival. So I flashed him on Dallas Cowboy. I

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Speaker 6: was like Cowboys Nation baby. And he looked at me

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Speaker 6: like what is he? What are you doing? I said

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Speaker 6: Eagles fan and he's like no, this is like Middleton

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Speaker 6: Elementary Eagles. I don't like football.

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Speaker 5: He wasn't a Philadelphia Eagles.

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Speaker 6: I felt like an idiot.

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Speaker 5: Yeah that's fun, Morgan.

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Speaker 1: Yeah.

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Speaker 3: So I had my smoke alarm going off for weeks.

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Speaker 3: I would think i'd fix it the battery and it

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Speaker 3: just keep beeping. I took the whole thing out of

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Speaker 3: the ceiling and this thing kept beating. I was like,

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Speaker 3: this doesn't make any sense in my brain. I call

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Speaker 3: somebody out and he's like, okay, yeah, let me take

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Speaker 3: a look. He's like, no, I mean maybe it just

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Speaker 3: needs new batteries. I was like, I've done that, but

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Speaker 3: we'll do it. It keeps beaping. He's like, do you have

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Speaker 3: any other alarms in here? And I was like no,

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Speaker 3: do you have a carbon monoxide monitor?

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Speaker 4: Happened to be in here?

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Speaker 3: I was like, oh, there is one plugged in behind

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Speaker 3: the mirror, and he goes.

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Speaker 4: He looks.

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Speaker 1: He's like, man, that's what's been beating for.

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Speaker 5: The past several weeks.

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Speaker 1: So do you have a carbon monoxide leak? No it?

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Speaker 5: Yeah? Yeah, would have been.

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Speaker 1: Like, yeah, okay, Well, I'm just thinking, like, what what

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Speaker 1: if that's her vertigo She's slowly.

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Speaker 5: Dying in carbon monoxide. It's also tough to find the

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Speaker 5: one that is beeping if you have multiple smoke bombs

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Speaker 5: in your house, because you're like, okay, and then you

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Speaker 5: like try to count. You stare at one. You just

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Speaker 5: stare at it and you're like, I think it's that one.

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Speaker 5: Bit like oh my god, it's not that one, So

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Speaker 5: you go to another one.

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Speaker 3: And I did that whole thing with every single alarm,

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Speaker 3: Like I shut doors and I.

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Speaker 1: Was focused on each one.

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Speaker 4: I was like, it has to be this alarm.

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Speaker 5: Yeah, that's funny. That sucks there. I remember once out

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Speaker 5: a car problem. I couldn't get my car. I was

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Speaker 5: in a in a in a garage and it would

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Speaker 5: not start. And I don't know much about cars, but

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Speaker 5: I know how to start the car. It would not start,

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Speaker 5: would not start, So I have as part of my

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Speaker 5: like a roadside assistant sight thing with the car. And

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Speaker 5: so they come out and the guy gets in and

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Speaker 5: all of a sudden starts it up, and I'm like,

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Speaker 5: he didn't do anything under the hood. So something happened

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Speaker 5: that I'm I know, I'm about to be embarrassed, and

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Speaker 5: I'm like, what was wrong? He goes, it was in drive.

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Speaker 6: You're it wasn't.

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Speaker 5: It wasn't even in p for me to start. It

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Speaker 5: literally was sitting there in drive so it wouldn't start.

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Speaker 5: I felt pretty stupid there too. I don't know that

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Speaker 5: I fell as stupid as a natural light though, And

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Speaker 5: I'm thinking about giving up all my history of not

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Speaker 5: drinking to have natty light to wait wake up in

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Speaker 5: the morning.

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Speaker 6: That's pretty funny.

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Speaker 5: I show drunk.

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Speaker 6: You're like, I'm just doing the story, guys, the story

401
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Speaker 6: said do it.

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Speaker 5: We'll put this up on social media too. Last time

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Speaker 5: he felt stupid, just go to our Facebook page and

404
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Speaker 5: you can write underneath.

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Speaker 2: It's the best bits of the week with Morgan. Number two.

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Speaker 4: Lunchbox may or may not have yelled at some middle

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Speaker 4: school kids.

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00:17:20,280 --> 00:17:22,720
Speaker 3: No, he definitely did. That's what this segment is all about.

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Speaker 3: And I kind of think he was validated. Some people don't.

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Speaker 3: Some people on the show think he was validated, some don't.

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Speaker 3: It's all across the board of how everybody feels about this.

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Speaker 3: But it happened over his kids in.

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Speaker 5: A swing set number five. So Lunchbox kind of fought

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Speaker 5: with some middle school kids. Have you guys heard this story?

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Speaker 5: Does anybody know about me? Okay, then I'm going to

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Speaker 5: remove myself and let him tell it and let you

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Speaker 5: guys make up your own minds. Okay, okay, okay, I'll

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Speaker 5: recuse myself from the story. Lunchbox, go ahead.

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Speaker 7: So my three year old and five year old were

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Speaker 7: a couple doors down. They have a swing in the

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Speaker 7: front yard, and they were just swinging on the swing,

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Speaker 7: having a good old time, and these three middle school

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Speaker 7: dudes go walking by, and I don't think anything of it,

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Speaker 7: no big deal. And then here come my three year

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Speaker 7: old and five year old running home, and they look

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Speaker 7: upset and they're like, da dada. Those kids told us

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Speaker 7: they were gonna slap us in the face and knock

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Speaker 7: us out of the swing. Why would they say that?

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Speaker 7: And then that's my time. I'm like what do I

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Speaker 7: do here? I'm like I'm sorry they said that to them?

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Speaker 7: Do I go confront these middle schoolers? Or do I

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Speaker 7: just leave them alone? Do I just let it go?

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Speaker 5: I would say, out, leave them alone, and you don't win.

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Speaker 5: You don't win fighting adults versus kids, even if you're right,

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Speaker 5: you don't. That's not a win. So so I.

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Speaker 7: Jumped on my bike.

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Speaker 5: This is where the adult part gets swept out because

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Speaker 5: it go middle.

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Speaker 7: You know, because they're about a block block and half away,

440
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Speaker 7: and I'm like, I'm not going to run after him.

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Speaker 7: I'll just jump on my bike and I ride up

442
00:18:54,119 --> 00:18:57,840
Speaker 7: to him. I said, guys, what are we doing? Does

443
00:18:57,880 --> 00:18:59,680
Speaker 7: it make you feel cool to talk to a three

444
00:18:59,720 --> 00:18:59,960
Speaker 7: and five?

445
00:19:00,040 --> 00:19:00,719
Speaker 6: I like that.

446
00:19:00,800 --> 00:19:02,480
Speaker 7: Let's not be a bunch of dumbasses.

447
00:19:02,640 --> 00:19:04,120
Speaker 5: Oh you that to the kids?

448
00:19:04,240 --> 00:19:04,600
Speaker 1: Yeah?

449
00:19:05,680 --> 00:19:07,480
Speaker 5: Describe the kids you're talking to.

450
00:19:09,720 --> 00:19:13,159
Speaker 7: Maybe thirteen, probably eighth grade, seventh or eighth grade, you

451
00:19:13,200 --> 00:19:14,920
Speaker 7: know what I mean. And they think they're so funny.

452
00:19:15,040 --> 00:19:16,680
Speaker 5: Were they just bratty enough to swing on you though,

453
00:19:16,720 --> 00:19:18,160
Speaker 5: because then you get into a place where you can't

454
00:19:18,200 --> 00:19:19,720
Speaker 5: hit back, and now you're getting beat up at thirteen

455
00:19:19,760 --> 00:19:20,320
Speaker 5: year olds.

456
00:19:21,000 --> 00:19:21,280
Speaker 7: Maybe?

457
00:19:21,640 --> 00:19:23,879
Speaker 6: Were they much smaller than you?

458
00:19:23,920 --> 00:19:25,720
Speaker 7: No, because they were definitely tall.

459
00:19:26,040 --> 00:19:28,480
Speaker 5: I mean did it startle them that an adult man

460
00:19:28,480 --> 00:19:29,240
Speaker 5: comes up on a bike to.

461
00:19:29,320 --> 00:19:33,679
Speaker 7: They were like, oh, uh uh, I mean we're just

462
00:19:33,680 --> 00:19:36,159
Speaker 7: playing and I was like, no, no, you can't. Like

463
00:19:36,480 --> 00:19:37,719
Speaker 7: it's a three and five year old. Does it make

464
00:19:37,720 --> 00:19:39,000
Speaker 7: you feel tough to talk to them that way?

465
00:19:39,000 --> 00:19:42,320
Speaker 5: And they're like, okay, I agree with everything you said,

466
00:19:42,320 --> 00:19:44,959
Speaker 5: and fuel I think it's tough when you don't know

467
00:19:45,000 --> 00:19:46,880
Speaker 5: the kids. And what if their parents were nearby watching

468
00:19:46,880 --> 00:19:49,080
Speaker 5: an adult man come up to them threatning them, then their

469
00:19:49,119 --> 00:19:49,960
Speaker 5: parents jump in and.

470
00:19:50,560 --> 00:19:52,200
Speaker 7: Hold on, there was no there was no threat.

471
00:19:53,040 --> 00:19:55,640
Speaker 5: I said, you did say a curse word, and you did.

472
00:19:55,800 --> 00:19:56,760
Speaker 7: Where was the curseword?

473
00:19:56,840 --> 00:19:57,679
Speaker 6: Dumb dumby?

474
00:19:57,840 --> 00:20:00,440
Speaker 5: Yeah, that's a curse word. And then secondly, you did

475
00:20:00,480 --> 00:20:05,480
Speaker 5: approach them on a bike aggressively. Yeah, with your baseball

476
00:20:05,480 --> 00:20:06,320
Speaker 5: car and your spokes.

477
00:20:06,160 --> 00:20:07,600
Speaker 6: He rang his bell when he pulled down.

478
00:20:08,680 --> 00:20:11,080
Speaker 5: I agree with what you felt. I haven't agree with

479
00:20:11,080 --> 00:20:13,240
Speaker 5: what you said. It's just risky to do that with kids,

480
00:20:13,280 --> 00:20:15,920
Speaker 5: because ain't your kids and you really you're also going

481
00:20:15,960 --> 00:20:18,440
Speaker 5: on your three and five year old's word of exactly

482
00:20:18,720 --> 00:20:19,440
Speaker 5: how it went down.

483
00:20:20,640 --> 00:20:22,320
Speaker 7: Yeah, but I mean my three and five year old

484
00:20:22,400 --> 00:20:25,000
Speaker 7: they don't ever say anything. I mean, you know what

485
00:20:25,040 --> 00:20:26,919
Speaker 7: I mean. I did see the kids walk by, and

486
00:20:27,000 --> 00:20:30,120
Speaker 7: then my kids immediately come running back and they look upset,

487
00:20:30,160 --> 00:20:32,720
Speaker 7: and I'm like, man, these kids are threatening a three

488
00:20:32,720 --> 00:20:34,640
Speaker 7: and five year old, Like how but.

489
00:20:34,640 --> 00:20:36,680
Speaker 5: How threatening were they really? If they're just idiot thirteen

490
00:20:36,760 --> 00:20:38,840
Speaker 5: year olds yelling at kids on a swing and wasn't.

491
00:20:38,680 --> 00:20:40,200
Speaker 1: Lunchdogs an idiot thirteen year old?

492
00:20:40,240 --> 00:20:42,200
Speaker 7: Yeah, but I wouldn't talk trash to a three year old.

493
00:20:42,240 --> 00:20:44,840
Speaker 7: It's like, you know how small a three year old is, Guys,

494
00:20:45,119 --> 00:20:47,520
Speaker 7: a three year old is tiny. You know what a

495
00:20:47,520 --> 00:20:49,360
Speaker 7: three year old looks like when you're thirteen.

496
00:20:49,480 --> 00:20:50,960
Speaker 5: Maybe he was taking it on the five year old

497
00:20:50,960 --> 00:20:53,840
Speaker 5: and three old, which is there could have been. Again,

498
00:20:53,920 --> 00:20:56,240
Speaker 5: I agree with how you felt. I don't agree that

499
00:20:56,240 --> 00:20:59,040
Speaker 5: you should have gone up to the kids and been like.

500
00:20:59,000 --> 00:21:01,320
Speaker 6: Hey, it's definitely risky.

501
00:21:01,400 --> 00:21:03,639
Speaker 5: It's risky because all he needs. Another parent said, I.

502
00:21:03,600 --> 00:21:06,120
Speaker 7: Didn't call him das I said, let's not be DA's

503
00:21:06,240 --> 00:21:06,720
Speaker 7: same thing.

504
00:21:06,800 --> 00:21:08,560
Speaker 5: If you're saying it, it's the same thing that means

505
00:21:08,600 --> 00:21:09,439
Speaker 5: you are, so let's not.

506
00:21:10,720 --> 00:21:11,000
Speaker 6: Okay.

507
00:21:11,040 --> 00:21:12,800
Speaker 7: Maybe it does, but I felt like I handled the

508
00:21:12,800 --> 00:21:14,600
Speaker 7: situation because I was like, man, this is the It

509
00:21:14,640 --> 00:21:16,439
Speaker 7: was my first time i've ever having that moment of

510
00:21:16,480 --> 00:21:19,119
Speaker 7: what do you do like the other kids messing with

511
00:21:19,160 --> 00:21:19,560
Speaker 7: your kids?

512
00:21:19,640 --> 00:21:20,600
Speaker 5: I did it feel good? Did you win?

513
00:21:20,680 --> 00:21:21,239
Speaker 7: I did it feel good?

514
00:21:21,320 --> 00:21:21,480
Speaker 1: Yeah?

515
00:21:21,480 --> 00:21:24,320
Speaker 7: It felt pretty good. I was like, yeah, I mean

516
00:21:24,480 --> 00:21:26,480
Speaker 7: I let those kids know, hey, don't mess with my kids.

517
00:21:26,520 --> 00:21:28,240
Speaker 5: Do you feel like you were telling you though a

518
00:21:28,320 --> 00:21:29,640
Speaker 5: version of you when you were thirteen?

519
00:21:30,320 --> 00:21:32,520
Speaker 7: A little bit? Because I remember my dad telling some

520
00:21:32,840 --> 00:21:35,199
Speaker 7: kids when they had messed with my brother's car. They

521
00:21:35,240 --> 00:21:36,359
Speaker 7: had broken the windshield.

522
00:21:36,480 --> 00:21:37,200
Speaker 6: Oh gosh.

523
00:21:37,240 --> 00:21:39,160
Speaker 7: And he saw him one day and he told them,

524
00:21:39,640 --> 00:21:43,680
Speaker 7: don't f with any cars tonight. They're like, excuse me, goes, Look,

525
00:21:43,760 --> 00:21:45,119
Speaker 7: you guys got to go to bed. You want to

526
00:21:45,119 --> 00:21:46,560
Speaker 7: app with cars? I can have with your car all

527
00:21:46,680 --> 00:21:49,080
Speaker 7: night because I don't have to go to sleep. Never

528
00:21:49,119 --> 00:21:50,320
Speaker 7: mess with my brother's car again.

529
00:21:50,800 --> 00:21:52,800
Speaker 5: But you are also the kid messing with cars. I

530
00:21:52,840 --> 00:21:55,399
Speaker 5: was and throwing tennis balls on the interstate of people.

531
00:21:55,600 --> 00:21:59,440
Speaker 5: I was, yeah, okay, I feel like I give it

532
00:21:59,480 --> 00:22:03,439
Speaker 5: a C. Mind you get to pass because nothing bad happened.

533
00:22:03,440 --> 00:22:05,040
Speaker 5: But if I'm grading this whole thing, I give it

534
00:22:05,080 --> 00:22:06,520
Speaker 5: a C minus. I don't think you should go out

535
00:22:06,600 --> 00:22:09,280
Speaker 5: after other people's kids, though, because they didn't really do

536
00:22:09,280 --> 00:22:11,240
Speaker 5: anything to your kids except yell at them.

537
00:22:11,480 --> 00:22:14,040
Speaker 7: Yeah, they kind of threatened them. Okay, we'll slap you

538
00:22:14,080 --> 00:22:15,160
Speaker 7: out of that swing.

539
00:22:15,560 --> 00:22:17,320
Speaker 5: Amy, what do you if you're what do you give

540
00:22:17,359 --> 00:22:20,119
Speaker 5: his grade for his actions? I give him a bee

541
00:22:21,119 --> 00:22:24,520
Speaker 5: honor roll what for his reaction? But he has to

542
00:22:24,560 --> 00:22:27,240
Speaker 5: stand up for his kids, and like I got to

543
00:22:27,320 --> 00:22:29,600
Speaker 5: other kids to an adult, maybe you go to their parents.

544
00:22:29,680 --> 00:22:31,159
Speaker 5: You find their parents and go to their parents.

545
00:22:31,200 --> 00:22:33,160
Speaker 1: Okay, I know, but you're talking to someone. When those

546
00:22:33,240 --> 00:22:35,199
Speaker 1: kids stole from my kids, I went and confronted them

547
00:22:35,200 --> 00:22:36,199
Speaker 1: and the police told me not to.

548
00:22:36,400 --> 00:22:37,639
Speaker 5: Why do you think the police told you not to?

549
00:22:37,720 --> 00:22:40,760
Speaker 5: My friend? Exactly like the point, exactly.

550
00:22:40,640 --> 00:22:41,760
Speaker 7: Point the cops told you not to.

551
00:22:44,320 --> 00:22:47,000
Speaker 6: Let me tell you something. It takes a village and

552
00:22:47,119 --> 00:22:49,719
Speaker 6: Lunchbox did the right thing by telling them not to

553
00:22:49,760 --> 00:22:53,360
Speaker 6: mess with A plus A plus.

554
00:22:53,160 --> 00:22:54,439
Speaker 1: So he got to see you b in an a.

555
00:22:54,680 --> 00:22:56,240
Speaker 5: I think it's okay to tell kids not to mess

556
00:22:56,320 --> 00:22:57,359
Speaker 5: with them, but to go up to him on a

557
00:22:57,359 --> 00:22:59,119
Speaker 5: bike on the road when you don't know who's around

558
00:22:59,200 --> 00:23:02,760
Speaker 5: their parents, I think that he puts himself in dangerous

559
00:23:02,800 --> 00:23:06,560
Speaker 5: It's the best bits of the week. With Morgan number.

560
00:23:06,320 --> 00:23:12,040
Speaker 3: Two, we all shared some life updates recently. One had

561
00:23:12,040 --> 00:23:15,200
Speaker 3: to do with a grocery store. One was a portable

562
00:23:15,920 --> 00:23:18,760
Speaker 3: device that somebody was gifted for their birthday. I took

563
00:23:18,840 --> 00:23:22,000
Speaker 3: by some therapy and somebody on the show was worried

564
00:23:22,119 --> 00:23:23,200
Speaker 3: about another show member.

565
00:23:23,240 --> 00:23:25,959
Speaker 4: So just lots of things in here, and they're kind

566
00:23:26,000 --> 00:23:28,639
Speaker 4: of updates, kind of just the life moments, all the things.

567
00:23:28,720 --> 00:23:32,240
Speaker 5: If you will number four updates about life around the room.

568
00:23:32,320 --> 00:23:34,720
Speaker 1: Amy Well, I have a little debate in my head

569
00:23:34,800 --> 00:23:38,240
Speaker 1: right now because of the grocery store. Yesterday. I saw

570
00:23:38,359 --> 00:23:40,800
Speaker 1: an interaction between a man and a woman in the line.

571
00:23:40,840 --> 00:23:42,800
Speaker 1: We were checking out, and I was a few behind

572
00:23:42,840 --> 00:23:45,080
Speaker 1: this woman that had a full cart and she was

573
00:23:45,200 --> 00:23:48,120
Speaker 1: up next and the guy behind her only has two items,

574
00:23:48,400 --> 00:23:50,040
Speaker 1: and I guess he was in a hurry, and he

575
00:23:50,119 --> 00:23:52,080
Speaker 1: asked her, do you mind if I just go real

576
00:23:52,160 --> 00:23:57,119
Speaker 1: quick before you, And she said no, sorry, I'm in

577
00:23:57,200 --> 00:24:00,000
Speaker 1: a hurry too, Otherwise I guess I would let you.

578
00:23:59,760 --> 00:24:02,040
Speaker 1: And he just mumbled under his breath, he's like so

579
00:24:02,200 --> 00:24:05,760
Speaker 1: much for common decency, And I was like, what is

580
00:24:05,760 --> 00:24:06,360
Speaker 1: wrong with him?

581
00:24:06,800 --> 00:24:06,960
Speaker 5: Why?

582
00:24:07,359 --> 00:24:10,480
Speaker 1: Why is she now at fault because she was ahead

583
00:24:10,520 --> 00:24:11,960
Speaker 1: of you in line. I get that she has way

584
00:24:12,000 --> 00:24:14,520
Speaker 1: more stuff, but if she's in a hurry too. She's

585
00:24:14,560 --> 00:24:15,920
Speaker 1: going to get the heck out of there as well,

586
00:24:16,040 --> 00:24:18,840
Speaker 1: and she doesn't have to give you that spot in line.

587
00:24:19,320 --> 00:24:22,399
Speaker 5: They both kind of suck, yeah, because she doesn't have to.

588
00:24:22,440 --> 00:24:23,679
Speaker 5: She doesn't have to get up the spot. But it's

589
00:24:23,680 --> 00:24:25,679
Speaker 5: two items. They would take forty five seconds for him

590
00:24:25,680 --> 00:24:27,480
Speaker 5: to get through if they're both in a hurry, and

591
00:24:27,520 --> 00:24:29,919
Speaker 5: he's gonna go so quick. It's like the Dave Ramsey,

592
00:24:29,920 --> 00:24:32,199
Speaker 5: so I'll pay off your lighta's death quick as you

593
00:24:32,200 --> 00:24:35,080
Speaker 5: could actually let him go and almost lose no time.

594
00:24:35,440 --> 00:24:37,080
Speaker 5: Where he is going to lose a lot of time.

595
00:24:37,119 --> 00:24:39,359
Speaker 5: It's his fault. It's his fault, totally his fault. But

596
00:24:39,440 --> 00:24:41,000
Speaker 5: you can roll and be like, hey, do you mind.

597
00:24:41,280 --> 00:24:43,200
Speaker 5: She kind of sucks for not all know what, because

598
00:24:43,200 --> 00:24:44,800
Speaker 5: if she's in such a hurry, she's not gonna have

599
00:24:44,800 --> 00:24:47,360
Speaker 5: a full basket of groceries and get nineteen things. She's

600
00:24:47,359 --> 00:24:48,880
Speaker 5: gonna get her things and get out of there quick.

601
00:24:49,119 --> 00:24:50,880
Speaker 5: You're not in such a hurry if you have full

602
00:24:50,880 --> 00:24:53,760
Speaker 5: grocery day. Okay, she probably was, just like I was

603
00:24:53,760 --> 00:24:56,320
Speaker 5: in line first, which I respect, and you it's your

604
00:24:56,359 --> 00:24:58,320
Speaker 5: spot in line. It's like people on planes who are like, hey,

605
00:24:58,320 --> 00:25:00,560
Speaker 5: will you move so my kid can sit here? It'd

606
00:25:00,560 --> 00:25:02,080
Speaker 5: be nice if they did, but you don't have to.

607
00:25:02,440 --> 00:25:05,080
Speaker 5: And when they shame people who don't move, I'm like, no,

608
00:25:05,320 --> 00:25:07,879
Speaker 5: they're no shame of them. They got that seat, she

609
00:25:08,040 --> 00:25:10,960
Speaker 5: had that spot in line. That's absolutely hers. But also

610
00:25:11,320 --> 00:25:14,720
Speaker 5: it's two items. It take them ten seconds. However, dude,

611
00:25:14,800 --> 00:25:20,520
Speaker 5: you got there late. There's no mumbling comment. How about

612
00:25:20,920 --> 00:25:23,000
Speaker 5: get there and be on time to stuff?

613
00:25:23,000 --> 00:25:24,760
Speaker 1: You know. I was just like so glad I wasn't

614
00:25:24,800 --> 00:25:25,560
Speaker 1: her in that moment.

615
00:25:25,880 --> 00:25:27,600
Speaker 5: I feel like they both kind of suck a little

616
00:25:27,600 --> 00:25:29,879
Speaker 5: bit there and that one Eddie.

617
00:25:29,840 --> 00:25:32,560
Speaker 6: I got the best birthday gift ever from my sister.

618
00:25:32,760 --> 00:25:36,920
Speaker 6: It's called a Ninja Blast blender. And it's a portable blender.

619
00:25:37,000 --> 00:25:39,480
Speaker 6: It's the size of maybe like a tall boy, like

620
00:25:39,520 --> 00:25:42,119
Speaker 6: a beer tall boy, and you charge it.

621
00:25:42,200 --> 00:25:43,480
Speaker 5: That's all. That's all the size it is.

622
00:25:43,680 --> 00:25:46,320
Speaker 6: Yeah, maybe a little bigger, huh. And so you charge

623
00:25:46,359 --> 00:25:48,359
Speaker 6: it like a phone and then it's a blender and

624
00:25:48,400 --> 00:25:50,679
Speaker 6: it works. So basically like if I go to like

625
00:25:50,680 --> 00:25:53,200
Speaker 6: my workouts, I put all my fruit in there, my protein,

626
00:25:53,400 --> 00:25:54,440
Speaker 6: and I don't have to blend it yet.

627
00:25:54,480 --> 00:25:56,159
Speaker 5: What workouts are you going to or you're taking this

628
00:25:56,200 --> 00:25:57,720
Speaker 5: your workout. You've never once brought it over.

629
00:25:57,760 --> 00:25:59,000
Speaker 6: It's in my car. It's SATs in my car.

630
00:25:59,080 --> 00:25:59,760
Speaker 5: When did you get it?

631
00:26:00,000 --> 00:26:03,080
Speaker 1: He's going first birthday, birthday?

632
00:26:03,240 --> 00:26:05,280
Speaker 6: Yeah, yeah, and then it stays in my car. And

633
00:26:05,320 --> 00:26:08,080
Speaker 6: then when I'm done my workout, I just hit and

634
00:26:08,119 --> 00:26:11,480
Speaker 6: it blends while I'm driving and I can drink my smoothie.

635
00:26:11,560 --> 00:26:13,840
Speaker 6: Not only that, dude, I can make I can put

636
00:26:13,840 --> 00:26:16,120
Speaker 6: all this stuff for a margarita head to my kids

637
00:26:16,200 --> 00:26:17,840
Speaker 6: baseball games in the parking lot.

638
00:26:18,680 --> 00:26:20,520
Speaker 5: I think that invention is great, but he's not going

639
00:26:20,600 --> 00:26:22,080
Speaker 5: to use it how he says he's using it in

640
00:26:22,080 --> 00:26:23,800
Speaker 5: a car after a workout.

641
00:26:23,520 --> 00:26:25,280
Speaker 6: Already been using it at home.

642
00:26:25,320 --> 00:26:27,399
Speaker 5: I think it's a great practical thing to travel with,

643
00:26:27,520 --> 00:26:30,040
Speaker 5: but he's not going to take fruit and travel with

644
00:26:30,119 --> 00:26:33,119
Speaker 5: the fruit. And then that he's done that, I've done it.

645
00:26:33,160 --> 00:26:36,120
Speaker 6: I even showed our trainer. He was like, WHOA, that's

646
00:26:36,119 --> 00:26:36,560
Speaker 6: the coolest thing.

647
00:26:36,640 --> 00:26:37,680
Speaker 5: How many times have you done it?

648
00:26:38,119 --> 00:26:38,479
Speaker 6: Twice?

649
00:26:38,760 --> 00:26:40,560
Speaker 5: And how many workouts did you in the morning before

650
00:26:40,600 --> 00:26:42,399
Speaker 5: work twice? And did you quit that?

651
00:26:42,880 --> 00:26:43,080
Speaker 6: Yeah?

652
00:26:43,160 --> 00:26:45,280
Speaker 5: Yeah, I'm just saying I think the inventions great. I'm

653
00:26:45,320 --> 00:26:46,640
Speaker 5: not hitting on the adventtion. I think it's super cool.

654
00:26:46,920 --> 00:26:49,520
Speaker 1: Wait I get I know ninjas make great blenders, but

655
00:26:49,560 --> 00:26:51,040
Speaker 1: what's this one called Ninja.

656
00:26:51,320 --> 00:26:54,400
Speaker 6: Boy and it's called the Ninja Blast blas.

657
00:26:54,320 --> 00:26:55,840
Speaker 1: So it's like gives you, like maybe like a little

658
00:26:55,840 --> 00:26:56,800
Speaker 1: sixteen outs smoothie.

659
00:26:56,800 --> 00:26:58,679
Speaker 5: But it does sound really cool to make a sixteen

660
00:26:58,680 --> 00:27:01,720
Speaker 5: out smoothie at home on the road, man.

661
00:27:03,200 --> 00:27:06,800
Speaker 1: On the road, when you blend it up fresh if

662
00:27:06,840 --> 00:27:09,280
Speaker 1: something about it, I get the idea behind that.

663
00:27:09,480 --> 00:27:10,919
Speaker 5: He's not going to take it with them on the

664
00:27:10,960 --> 00:27:12,200
Speaker 5: road and make it right when he gets.

665
00:27:12,240 --> 00:27:16,000
Speaker 1: Literally it's a cordless portal. I had never heard of

666
00:27:16,040 --> 00:27:16,600
Speaker 1: this before.

667
00:27:17,160 --> 00:27:19,240
Speaker 5: I think the invention is cool. I know you, I

668
00:27:19,280 --> 00:27:22,960
Speaker 5: know me. No way, no way. Why would you just not?

669
00:27:23,280 --> 00:27:25,280
Speaker 5: It doesn't matter because the.

670
00:27:25,200 --> 00:27:27,200
Speaker 1: Little pop tops, you're like drinking.

671
00:27:26,840 --> 00:27:29,359
Speaker 6: It like you drink it like like the whole blender

672
00:27:29,400 --> 00:27:29,920
Speaker 6: is like a cup.

673
00:27:29,960 --> 00:27:34,280
Speaker 5: Man, awesome. I'm not talking about the invention, about your

674
00:27:34,320 --> 00:27:35,240
Speaker 5: relationship to the invention.

675
00:27:35,720 --> 00:27:37,000
Speaker 6: I'll bring it to my next workout.

676
00:27:37,000 --> 00:27:38,520
Speaker 7: How gross is the fruit sitting in there?

677
00:27:40,480 --> 00:27:41,399
Speaker 6: Grows fruit?

678
00:27:41,480 --> 00:27:43,240
Speaker 5: Okay, but you can put it to make the drink

679
00:27:43,240 --> 00:27:44,600
Speaker 5: in the blender and put the blender on a nice

680
00:27:44,680 --> 00:27:45,320
Speaker 5: chest and it's the same.

681
00:27:45,840 --> 00:27:49,800
Speaker 1: Guys, y'all don't understand the swig of a freshly bleach.

682
00:27:50,400 --> 00:27:51,120
Speaker 6: It's bliss.

683
00:27:51,160 --> 00:27:54,119
Speaker 1: Man, get his point and he can put it in

684
00:27:54,160 --> 00:27:56,960
Speaker 1: a cooler and then fresh blood.

685
00:27:58,480 --> 00:27:59,800
Speaker 5: Why would you want to do that in your truck?

686
00:28:01,400 --> 00:28:03,080
Speaker 7: You got to bring it?

687
00:28:03,600 --> 00:28:07,480
Speaker 5: Watch it. Okay, you're out of your mind. Okay, lunchbox

688
00:28:07,520 --> 00:28:07,960
Speaker 5: speaking of it.

689
00:28:08,000 --> 00:28:10,040
Speaker 7: Out of your mind. Amy has lost her mind?

690
00:28:10,200 --> 00:28:10,840
Speaker 1: What did I do?

691
00:28:10,920 --> 00:28:11,840
Speaker 6: This is now?

692
00:28:12,080 --> 00:28:12,280
Speaker 8: Guy?

693
00:28:12,359 --> 00:28:15,360
Speaker 7: She has full blown conversations with herself.

694
00:28:15,520 --> 00:28:17,560
Speaker 1: Yes, I told you all, I've been having those. Sometimes

695
00:28:17,560 --> 00:28:20,000
Speaker 1: I accidentally do it out loud and y'all hear it.

696
00:28:20,160 --> 00:28:22,680
Speaker 7: She was doing a spot the other day, a commercial. Yeah,

697
00:28:22,680 --> 00:28:24,080
Speaker 7: like a commercial, and then all of a sudden she

698
00:28:24,119 --> 00:28:26,520
Speaker 7: messes up and she just starts talking to herself. Listen

699
00:28:26,520 --> 00:28:26,720
Speaker 7: to this.

700
00:28:26,760 --> 00:28:28,320
Speaker 5: You recorded her doing?

701
00:28:28,720 --> 00:28:30,840
Speaker 1: Wait? No, how do y'all get this audio of me

702
00:28:30,920 --> 00:28:34,160
Speaker 1: when I'm doing my own spot? Somebody is selling me out?

703
00:28:34,440 --> 00:28:35,919
Speaker 7: No? No, no, there was no one in here. And I

704
00:28:36,000 --> 00:28:38,280
Speaker 7: walked by the glassroom and it just as you can

705
00:28:38,320 --> 00:28:39,840
Speaker 7: hear it in there over the speaker.

706
00:28:40,160 --> 00:28:41,479
Speaker 5: So you so you recorded it?

707
00:28:41,640 --> 00:28:44,920
Speaker 7: No, because she's recording the commercial and so, so.

708
00:28:44,880 --> 00:28:46,040
Speaker 1: Then how did you get the audio on?

709
00:28:46,120 --> 00:28:47,719
Speaker 7: Was it was? I was like hey whenever, whoever has

710
00:28:47,760 --> 00:28:48,800
Speaker 7: that when they're done said.

711
00:28:48,800 --> 00:28:51,280
Speaker 1: Okay, it's Kevin sold me out because Kevin. That's who

712
00:28:51,320 --> 00:28:53,440
Speaker 1: I's in my audio to. I save it in Kevin's file.

713
00:28:53,840 --> 00:28:56,120
Speaker 5: Okay, she's going crazy right now, Gray, would you hit it?

714
00:28:56,640 --> 00:28:58,480
Speaker 1: I love doing that sort of stuff with my daughter.

715
00:28:58,560 --> 00:29:02,920
Speaker 1: And back to that cozy situation. Did it say cozy fire?

716
00:29:03,720 --> 00:29:06,720
Speaker 1: Did I say cozy fire? Or did I just say

717
00:29:06,760 --> 00:29:09,200
Speaker 1: it in my head? I need to start over because

718
00:29:09,200 --> 00:29:13,080
Speaker 1: I can't breathe. I'm not done, but I gotta work out. Man.

719
00:29:14,040 --> 00:29:17,880
Speaker 1: I'm in doing much cardio. I'm trying to row. Have

720
00:29:17,960 --> 00:29:23,680
Speaker 1: you ever rode? It's hard, like a rowing machine? Up

721
00:29:23,720 --> 00:29:24,440
Speaker 1: my intensity.

722
00:29:25,400 --> 00:29:31,240
Speaker 7: Okay, there's she's just talking to herself. That's weird.

723
00:29:31,360 --> 00:29:31,520
Speaker 1: Man.

724
00:29:32,800 --> 00:29:35,400
Speaker 5: If there's somebody in here, like producing your spots that make.

725
00:29:35,280 --> 00:29:37,200
Speaker 1: They're not they're not in here. But this is what

726
00:29:37,240 --> 00:29:42,960
Speaker 1: I can explain. I figure when Kevin's getting the spots

727
00:29:42,960 --> 00:29:45,120
Speaker 1: and he's putting them all together, I'm talking to him.

728
00:29:45,120 --> 00:29:47,840
Speaker 5: I think he wants to hear you talk editing commercials.

729
00:29:48,200 --> 00:29:51,600
Speaker 1: It's the future Kevin who's listening to those later, That's

730
00:29:51,640 --> 00:29:52,440
Speaker 1: who I'm talking to.

731
00:29:52,640 --> 00:29:54,520
Speaker 5: He's not listening to a podcast. He's doing one hundred

732
00:29:54,520 --> 00:29:55,560
Speaker 5: commercials back there.

733
00:29:56,000 --> 00:29:56,240
Speaker 6: Yeah.

734
00:29:56,680 --> 00:29:58,479
Speaker 5: Yeah, somebody put a wet watch cloth on her head.

735
00:29:58,520 --> 00:30:00,600
Speaker 5: My grandma always it's worked for me when I was

736
00:30:00,640 --> 00:30:01,000
Speaker 5: a kid.

737
00:30:01,600 --> 00:30:04,160
Speaker 1: You row so Kevin. You don't think Kevin likes.

738
00:30:04,040 --> 00:30:06,239
Speaker 5: Slip No, No, I think he has a lot to do,

739
00:30:06,520 --> 00:30:08,000
Speaker 5: and I don't think he wants to listen to like

740
00:30:08,080 --> 00:30:10,680
Speaker 5: commentary while he's doing a hundred spots, you know, because

741
00:30:10,680 --> 00:30:12,000
Speaker 5: he got all commercials from all of us.

742
00:30:12,360 --> 00:30:13,719
Speaker 6: Yeah, that was weird to hear.

743
00:30:13,840 --> 00:30:17,320
Speaker 5: That was weird. A couple more Morgan update.

744
00:30:17,680 --> 00:30:19,120
Speaker 1: Oh I got a bit by a tick.

745
00:30:19,920 --> 00:30:21,120
Speaker 6: Oh no, lime disease.

746
00:30:21,520 --> 00:30:23,640
Speaker 5: Okay, well that's a that's a what where is it?

747
00:30:23,640 --> 00:30:26,440
Speaker 5: It's a hefty jump. It's a hefty jump. Most ticks

748
00:30:26,440 --> 00:30:29,080
Speaker 5: aren't lime disease. You're gonna freak her out cause she's

749
00:30:29,080 --> 00:30:31,280
Speaker 5: been dealing with a lot of health issues. Let's pumped

750
00:30:31,280 --> 00:30:31,560
Speaker 5: the breaks.

751
00:30:31,640 --> 00:30:33,920
Speaker 1: I'm already honestly, I did.

752
00:30:33,920 --> 00:30:35,680
Speaker 3: I took it out with tweezers, and I did put

753
00:30:35,720 --> 00:30:39,719
Speaker 3: it in a baggie and it's currently being frozen in

754
00:30:39,720 --> 00:30:40,520
Speaker 3: my bad off.

755
00:30:40,600 --> 00:30:40,800
Speaker 5: Yeah.

756
00:30:40,920 --> 00:30:42,360
Speaker 1: I know I've done this before, and I'd put it

757
00:30:42,360 --> 00:30:43,720
Speaker 1: in the freezer and then I mailed it off, so

758
00:30:43,720 --> 00:30:45,080
Speaker 1: I can't I tell you where to send it.

759
00:30:45,720 --> 00:30:48,840
Speaker 5: I would say, Morgan, you're fine, but you can send

760
00:30:48,880 --> 00:30:51,520
Speaker 5: it off. As someone who got by a lot of

761
00:30:51,520 --> 00:30:54,800
Speaker 5: ticks growing up in the woods, most tics don't have

762
00:30:54,840 --> 00:30:56,760
Speaker 5: lime disease. Now some do, and it really does mess

763
00:30:56,760 --> 00:30:59,200
Speaker 5: you up. But I would say, the odds of you

764
00:30:59,280 --> 00:31:01,800
Speaker 5: having lime disease from this tick are very, very very low.

765
00:31:02,120 --> 00:31:04,200
Speaker 5: But Amy did this once and sent it off. So

766
00:31:04,200 --> 00:31:05,640
Speaker 5: you send it off and we'll do the thing where

767
00:31:05,640 --> 00:31:06,840
Speaker 5: you don't know the results we did on the air.

768
00:31:07,040 --> 00:31:07,840
Speaker 1: Okay, we can do that.

769
00:31:07,880 --> 00:31:10,280
Speaker 4: But also, guys, the head is still in my body.

770
00:31:10,600 --> 00:31:13,200
Speaker 1: Oh, I get it out. You need to get that out.

771
00:31:13,440 --> 00:31:13,960
Speaker 5: I tried.

772
00:31:14,720 --> 00:31:16,680
Speaker 3: I tried to use a needle and get it out,

773
00:31:16,720 --> 00:31:18,640
Speaker 3: and it was there was a lot happened.

774
00:31:18,360 --> 00:31:20,080
Speaker 5: Like the fangs are still in your body.

775
00:31:21,680 --> 00:31:24,040
Speaker 4: It was on my stomach like just right here, and

776
00:31:24,080 --> 00:31:25,680
Speaker 4: I like looked down. I was like, oh my gosh,

777
00:31:25,680 --> 00:31:26,080
Speaker 4: that's a tick.

778
00:31:26,120 --> 00:31:27,880
Speaker 3: The legs were moving, and I pulled it out with

779
00:31:27,920 --> 00:31:30,360
Speaker 3: tweezers because I tried all the little techniques of like

780
00:31:30,400 --> 00:31:32,800
Speaker 3: getting it out and it wasn't coming out. So I

781
00:31:32,840 --> 00:31:34,680
Speaker 3: pulled it out and then I looked down and I

782
00:31:34,680 --> 00:31:36,920
Speaker 3: still see like a little brown.

783
00:31:36,680 --> 00:31:38,719
Speaker 5: Spot amy and get in there. She got many splinters

784
00:31:38,720 --> 00:31:41,080
Speaker 5: out of my feet over the years. It's not a splinter,

785
00:31:41,160 --> 00:31:41,720
Speaker 5: but she can go in.

786
00:31:41,840 --> 00:31:44,320
Speaker 7: So right now you have it in your stomach. Yeah,

787
00:31:44,400 --> 00:31:45,640
Speaker 7: oh that is you are getting.

788
00:31:46,280 --> 00:31:47,360
Speaker 5: No, No, you don't get.

789
00:31:48,880 --> 00:31:49,080
Speaker 2: Yeah.

790
00:31:49,160 --> 00:31:53,880
Speaker 1: It says, yeah, it's not too it doesn't seem too bad.

791
00:31:53,920 --> 00:31:56,160
Speaker 1: But I just wouldn't feel comfortable with it in there.

792
00:31:56,200 --> 00:31:57,480
Speaker 5: Yeah, maybe you can help her.

793
00:31:57,960 --> 00:32:00,479
Speaker 1: Yeah, yeah, tweezers.

794
00:32:00,040 --> 00:32:01,080
Speaker 5: I'll go, I'll finally go.

795
00:32:01,440 --> 00:32:01,600
Speaker 1: Uh.

796
00:32:01,640 --> 00:32:03,080
Speaker 5: My therapist asked me how many time it's been late

797
00:32:03,120 --> 00:32:04,520
Speaker 5: to work yet? Because my challenge was to be late

798
00:32:04,560 --> 00:32:05,920
Speaker 5: to work. Remember, he was like, hey, you need to

799
00:32:05,960 --> 00:32:07,360
Speaker 5: be late to work a couple of times just to

800
00:32:07,440 --> 00:32:11,080
Speaker 5: like break your your habits, like break your your rigidity.

801
00:32:12,120 --> 00:32:15,240
Speaker 5: And I did tell him none, Yeah you haven't.

802
00:32:14,960 --> 00:32:17,240
Speaker 1: Been, so then what's what's your punishment?

803
00:32:17,800 --> 00:32:21,280
Speaker 5: I have to wear truck from my neck in therapy.

804
00:32:23,440 --> 00:32:25,960
Speaker 5: But that's that. That was the update. He's also given

805
00:32:25,960 --> 00:32:28,280
Speaker 5: me a couple of other challenges too that are very

806
00:32:28,320 --> 00:32:30,680
Speaker 5: very uncomfortable for me because I haven't been late to work.

807
00:32:32,000 --> 00:32:34,520
Speaker 6: Ever. I think you're even getting here earlier now, which is.

808
00:32:34,600 --> 00:32:37,400
Speaker 5: I do I slowly started get, yeah, you're doing this

809
00:32:37,400 --> 00:32:39,520
Speaker 5: opposite of what you're therapy telling you. I know, I know,

810
00:32:39,560 --> 00:32:41,160
Speaker 5: I know, but that that that's the update, is that

811
00:32:41,200 --> 00:32:43,000
Speaker 5: I had to have that conversation. He checked in and goes, okay,

812
00:32:43,200 --> 00:32:44,960
Speaker 5: because I go, we don't talk about every time. You

813
00:32:44,960 --> 00:32:46,479
Speaker 5: say how many times you've been late to work not

814
00:32:46,560 --> 00:32:48,440
Speaker 5: late for air, but late as my normal time, And

815
00:32:48,480 --> 00:32:50,400
Speaker 5: I said zero. And he's like, how do you think

816
00:32:50,400 --> 00:32:52,000
Speaker 5: you're going to get better if you're not actually doing

817
00:32:52,040 --> 00:32:54,920
Speaker 5: things that make you uncomfortable? And I completely agree that part.

818
00:32:55,000 --> 00:32:55,760
Speaker 5: It's really hard.

819
00:32:56,000 --> 00:32:57,440
Speaker 6: I can show you, man, it's really.

820
00:32:59,240 --> 00:33:03,920
Speaker 5: I know. It's the best bits of the week with Morgan.

821
00:33:04,000 --> 00:33:04,400
Speaker 5: Number two.

822
00:33:06,120 --> 00:33:08,400
Speaker 3: I think we all feel like we are always honest

823
00:33:08,440 --> 00:33:11,520
Speaker 3: on the show and share our true thoughts and feelings.

824
00:33:11,640 --> 00:33:13,960
Speaker 4: Well, a show member came to the show.

825
00:33:13,760 --> 00:33:15,719
Speaker 3: And said, no, I really need you guys to be

826
00:33:15,760 --> 00:33:19,960
Speaker 3: honest with me about a particular subject. And it's kind

827
00:33:19,960 --> 00:33:22,760
Speaker 3: of awkward and I feel also a little like I

828
00:33:22,760 --> 00:33:24,000
Speaker 3: got yelled out for no reason.

829
00:33:23,800 --> 00:33:27,719
Speaker 5: In the segment Number three. The segment might get awkward,

830
00:33:27,800 --> 00:33:30,080
Speaker 5: it may not, but someone on the show has asked

831
00:33:30,400 --> 00:33:32,560
Speaker 5: for one hundred percent pure honesty.

832
00:33:33,040 --> 00:33:35,680
Speaker 1: Do not sugarcoated.

833
00:33:35,720 --> 00:33:37,960
Speaker 5: Do not be safe with their feelings. Don't don't be

834
00:33:38,000 --> 00:33:40,520
Speaker 5: precious about feelings. Just be honest. Okay, okay, all right,

835
00:33:40,560 --> 00:33:41,320
Speaker 5: it's not me, it's.

836
00:33:41,240 --> 00:33:43,640
Speaker 6: Eddie, and you're gonna be honest, right, guys.

837
00:33:44,120 --> 00:33:45,320
Speaker 1: Yeah, we just can't look at you.

838
00:33:45,480 --> 00:33:45,960
Speaker 7: Yeah, I won't.

839
00:33:45,960 --> 00:33:46,800
Speaker 6: You don't have to look at me.

840
00:33:46,920 --> 00:33:47,160
Speaker 1: I'm not.

841
00:33:47,600 --> 00:33:50,000
Speaker 5: I think you're gonna need to Nope, No, I think

842
00:33:50,000 --> 00:33:52,600
Speaker 5: you're gonna need Okay, Okay, Eddie, we're gonna be honest.

843
00:33:52,760 --> 00:33:55,800
Speaker 5: Everybody commitment to be honest for y Yeah, okay, go ahead,

844
00:33:55,840 --> 00:33:58,720
Speaker 5: no problem, and don't answer until I come to you. Okay,

845
00:33:58,760 --> 00:34:00,520
Speaker 5: but Eddie, go ahead and talk about scenario.

846
00:34:00,520 --> 00:34:02,320
Speaker 6: Okay, guys, I just want to ask you a question,

847
00:34:04,120 --> 00:34:04,800
Speaker 6: am I fat?

848
00:34:05,600 --> 00:34:06,040
Speaker 1: Stop?

849
00:34:06,200 --> 00:34:07,640
Speaker 5: Okay? Why do you think.

850
00:34:08,040 --> 00:34:11,120
Speaker 6: Because Morgan had to do these AI like, uh, I

851
00:34:11,120 --> 00:34:14,480
Speaker 6: don't know, action figures or something. You take three pictures

852
00:34:14,520 --> 00:34:16,799
Speaker 6: of yourself, You send it to AI. You say, make

853
00:34:16,800 --> 00:34:19,000
Speaker 6: an action figure out of me, and when I got back,

854
00:34:19,040 --> 00:34:20,880
Speaker 6: I'm gonna send it to you guys right now, the

855
00:34:20,920 --> 00:34:22,080
Speaker 6: original one I got back.

856
00:34:22,120 --> 00:34:24,120
Speaker 5: Oh, we didn't see the original no no, no.

857
00:34:24,080 --> 00:34:25,920
Speaker 6: I had to go back and say make me skinnier

858
00:34:25,960 --> 00:34:27,960
Speaker 6: because the original one made me fat?

859
00:34:28,000 --> 00:34:28,719
Speaker 5: Oh I see you?

860
00:34:29,719 --> 00:34:32,840
Speaker 6: Oh and so I'm thinking, like, is it me thinking

861
00:34:33,040 --> 00:34:35,239
Speaker 6: I don't look like that? Because I don't think I

862
00:34:35,280 --> 00:34:38,720
Speaker 6: look like that? Okay, So my question for you guys,

863
00:34:38,800 --> 00:34:39,400
Speaker 6: and just so.

864
00:34:39,560 --> 00:34:41,000
Speaker 5: You told her make you skinnier.

865
00:34:41,160 --> 00:34:43,160
Speaker 6: I told Ai make me skinnier. Please?

866
00:34:43,640 --> 00:34:45,719
Speaker 5: You told Morgan to make a No Ai, you did

867
00:34:45,719 --> 00:34:46,200
Speaker 5: it yourself?

868
00:34:46,360 --> 00:34:49,680
Speaker 6: Yes, okay, and AI made me skinnier. But that's the

869
00:34:49,719 --> 00:34:53,040
Speaker 6: original picture that it's sent it we want to see.

870
00:34:52,920 --> 00:34:55,080
Speaker 5: So I said, it's in that group text. There's a viral,

871
00:34:55,200 --> 00:34:57,120
Speaker 5: it's a meme, a trend where it's like this is

872
00:34:57,160 --> 00:34:59,279
Speaker 5: the action figure and it says producer already on air.

873
00:34:59,320 --> 00:35:01,680
Speaker 5: Personality is picture of Eddie. There's a Dallas cowboy. He

874
00:35:01,680 --> 00:35:03,720
Speaker 5: had about one hundred kids, a grill and a guitar,

875
00:35:03,800 --> 00:35:07,120
Speaker 5: basically his life and what do I look like? So

876
00:35:07,600 --> 00:35:10,400
Speaker 5: he wants to know the question is what do I

877
00:35:10,440 --> 00:35:14,160
Speaker 5: look like? That your question has changed. The question was

878
00:35:14,200 --> 00:35:15,160
Speaker 5: at first am I fat?

879
00:35:15,320 --> 00:35:15,720
Speaker 6: Correct?

880
00:35:15,760 --> 00:35:16,799
Speaker 5: Is that what you want to answer to?

881
00:35:17,120 --> 00:35:20,120
Speaker 6: Well? Yes, the answer is the question is am I fat?

882
00:35:20,160 --> 00:35:21,759
Speaker 6: Because A I think so I'm fat? So I want

883
00:35:21,760 --> 00:35:22,480
Speaker 6: to know my fat.

884
00:35:22,880 --> 00:35:27,759
Speaker 5: Okay, See here's the thing you know different people are

885
00:35:27,760 --> 00:35:29,719
Speaker 5: going to have different read like Amy is going to

886
00:35:29,760 --> 00:35:31,319
Speaker 5: be very sensitive to your feelings, and.

887
00:35:31,760 --> 00:35:35,040
Speaker 1: I can I can answer honestly on this.

888
00:35:36,719 --> 00:35:37,120
Speaker 5: Go ahead.

889
00:35:37,400 --> 00:35:40,480
Speaker 1: I can even look at it heat, I can take it.

890
00:35:40,520 --> 00:35:43,560
Speaker 1: Come on, No, you're not. I don't. I'm I don't

891
00:35:43,600 --> 00:35:44,960
Speaker 1: like commenting on your body anymore?

892
00:35:45,080 --> 00:35:45,520
Speaker 5: Why right?

893
00:35:45,600 --> 00:35:49,040
Speaker 1: But I know? But if he's asking genuinely, no, you're not.

894
00:35:49,280 --> 00:35:51,759
Speaker 6: Yeah, it's offensive when people don't like, well, ask like

895
00:35:51,840 --> 00:35:53,480
Speaker 6: am I fat? But like and you just tell him

896
00:35:53,480 --> 00:35:56,359
Speaker 6: you're fat? It's not offensive when I'm asking you, guys,

897
00:35:56,360 --> 00:35:57,800
Speaker 6: tell me right now, look at me in the face.

898
00:35:57,920 --> 00:35:58,520
Speaker 6: Am I fat?

899
00:35:58,640 --> 00:35:58,799
Speaker 3: Right?

900
00:35:58,840 --> 00:35:59,200
Speaker 1: And you're not?

901
00:35:59,520 --> 00:36:01,600
Speaker 5: Lunchbox Eddie.

902
00:36:01,680 --> 00:36:05,160
Speaker 7: Unfortunately, you are fat in this figurine. And I think

903
00:36:05,160 --> 00:36:08,160
Speaker 7: maybe you uploaded some fat photos because you had to

904
00:36:08,239 --> 00:36:11,800
Speaker 7: upload three photos, so maybe you did old fat photos

905
00:36:11,800 --> 00:36:13,040
Speaker 7: and that's how they thought you were fat.

906
00:36:13,120 --> 00:36:15,640
Speaker 6: No, I took the photos of that moment and just sent.

907
00:36:15,600 --> 00:36:18,840
Speaker 7: Them, Oh, because I don't think you're fat.

908
00:36:19,000 --> 00:36:19,840
Speaker 5: What do you think? He is?

909
00:36:21,760 --> 00:36:23,080
Speaker 7: Plum chubby?

910
00:36:24,800 --> 00:36:27,480
Speaker 5: So you would say fat chubby?

911
00:36:27,560 --> 00:36:27,920
Speaker 7: Yeah?

912
00:36:28,760 --> 00:36:29,960
Speaker 5: How do you feel about being chubby?

913
00:36:30,800 --> 00:36:33,120
Speaker 6: I don't like it chubby. I feel like I don't

914
00:36:33,120 --> 00:36:35,360
Speaker 6: feel like I'm chubby. I feel like I'm I.

915
00:36:35,360 --> 00:36:36,840
Speaker 5: Would say this guy in the picture's chubby.

916
00:36:36,960 --> 00:36:37,920
Speaker 7: No, I gos fat?

917
00:36:38,160 --> 00:36:38,440
Speaker 6: You think?

918
00:36:38,480 --> 00:36:38,520
Speaker 1: So?

919
00:36:38,719 --> 00:36:40,640
Speaker 6: Okay, that's a fat dude.

920
00:36:41,080 --> 00:36:45,160
Speaker 5: A I made me fat, Morgan, No, Eddie.

921
00:36:45,239 --> 00:36:47,319
Speaker 4: I don't think you're fat, but I do think you

922
00:36:47,320 --> 00:36:48,120
Speaker 4: have a dad bought.

923
00:36:48,880 --> 00:36:51,759
Speaker 1: Oh wow, you're a dad.

924
00:36:51,920 --> 00:36:52,439
Speaker 6: That's rude.

925
00:36:52,800 --> 00:36:54,719
Speaker 1: You're a dad. That's a good thing.

926
00:36:54,840 --> 00:36:58,480
Speaker 5: How you strong? How do you see yourself he works out? Yeah, like,

927
00:36:59,000 --> 00:36:59,920
Speaker 5: how do you see yourself?

928
00:37:00,600 --> 00:37:05,319
Speaker 6: Fit? With maybe a little bit of fluff, but overall fit.

929
00:37:05,640 --> 00:37:08,520
Speaker 1: Yes, I would agree with that. He's overall fit.

930
00:37:08,960 --> 00:37:12,280
Speaker 7: We didn't say you were unfit. You can be chubby

931
00:37:12,320 --> 00:37:12,759
Speaker 7: and be fit.

932
00:37:12,840 --> 00:37:15,080
Speaker 5: I would say you look strong. I don't know that

933
00:37:15,120 --> 00:37:19,120
Speaker 5: I would use fit. Yeah, I wouldn't say fit, but

934
00:37:19,120 --> 00:37:21,719
Speaker 5: I would say strong. And yeah, who cares? You got

935
00:37:21,719 --> 00:37:22,279
Speaker 5: a little belly?

936
00:37:23,520 --> 00:37:27,839
Speaker 6: That thing exactly? So does AI exaggerate what it sees like?

937
00:37:28,520 --> 00:37:30,200
Speaker 6: Am I fit with a belly?

938
00:37:31,520 --> 00:37:32,800
Speaker 5: I think you're strong. I don't think you're fit. I

939
00:37:32,800 --> 00:37:35,160
Speaker 5: think you're strong. I think you're strong with I think

940
00:37:35,160 --> 00:37:36,600
Speaker 5: you're strong with a belly.

941
00:37:36,920 --> 00:37:40,480
Speaker 6: Strong with a belly. See, because like you like strong

942
00:37:40,600 --> 00:37:43,200
Speaker 6: like doesn't mean like, I don't know, like you can

943
00:37:43,239 --> 00:37:46,439
Speaker 6: be kind of bigger and look strong like Babe Ruth

944
00:37:46,520 --> 00:37:47,600
Speaker 6: looked kind of strong.

945
00:37:47,360 --> 00:37:55,000
Speaker 5: But it looks so I think our general consensus is

946
00:37:55,320 --> 00:37:58,040
Speaker 5: you're not fat, but you're probably not as skinny as

947
00:37:58,040 --> 00:37:58,600
Speaker 5: you think you are.

948
00:37:59,680 --> 00:38:02,680
Speaker 6: Okay, okay, but.

949
00:38:02,840 --> 00:38:03,480
Speaker 7: That all.

950
00:38:06,360 --> 00:38:06,839
Speaker 5: That was fine?

951
00:38:07,560 --> 00:38:09,200
Speaker 6: And then and then Morgan called me said, I had

952
00:38:09,200 --> 00:38:09,640
Speaker 6: a dad.

953
00:38:09,520 --> 00:38:12,480
Speaker 4: Boss, you have You've referred to yourself as having a dad.

954
00:38:12,520 --> 00:38:14,520
Speaker 5: I think you have a strong dad body.

955
00:38:15,239 --> 00:38:18,120
Speaker 6: What does that mean? What does that mean?

956
00:38:19,800 --> 00:38:22,160
Speaker 5: You're the most sensitive and we appreciate that for you

957
00:38:22,520 --> 00:38:24,520
Speaker 5: and who you are, and you know you're very sensitive

958
00:38:24,560 --> 00:38:25,600
Speaker 5: to people's bodies and stuff.

959
00:38:26,719 --> 00:38:28,919
Speaker 1: Yeah, this whole thing is stupid.

960
00:38:28,640 --> 00:38:30,040
Speaker 5: But this is he. He's the one that brought it.

961
00:38:30,680 --> 00:38:31,120
Speaker 6: I want to know.

962
00:38:31,280 --> 00:38:32,759
Speaker 5: He's the one that was like, can I please get

963
00:38:32,760 --> 00:38:33,760
Speaker 5: full honesty.

964
00:38:33,440 --> 00:38:35,120
Speaker 6: Because I don't want to live my life thinking I

965
00:38:35,160 --> 00:38:37,319
Speaker 6: look like something? And then really I look like that.

966
00:38:37,920 --> 00:38:39,399
Speaker 5: I don't think you look like that, but I don't

967
00:38:39,400 --> 00:38:41,080
Speaker 5: also think you look like what you think you look like.

968
00:38:41,120 --> 00:38:42,320
Speaker 5: I guess somewhere in the middle.

969
00:38:42,120 --> 00:38:44,760
Speaker 1: None of us look like the AI thing, like, nobody

970
00:38:44,840 --> 00:38:48,320
Speaker 1: really looks like. All of our figurines look a little different.

971
00:38:48,400 --> 00:38:50,320
Speaker 5: Why didn't send mine back to be redone?

972
00:38:50,960 --> 00:38:54,640
Speaker 6: Yours didn't come back fat, Yours came back skinny.

973
00:38:54,719 --> 00:38:58,160
Speaker 5: My head looks stupid. I like Stephen Colbert on drugs. Yeah,

974
00:38:58,239 --> 00:38:59,080
Speaker 5: but I didn't send it back.

975
00:38:59,280 --> 00:39:01,600
Speaker 6: I wasn't worried about the face like or the head whatever.

976
00:39:01,680 --> 00:39:03,600
Speaker 6: But when it came back, look maybe me looking like

977
00:39:03,640 --> 00:39:04,799
Speaker 6: a lumpapa.

978
00:39:05,040 --> 00:39:06,920
Speaker 5: So what do you take from this conversation? We're all

979
00:39:06,920 --> 00:39:09,160
Speaker 5: honest with you. What did you learn here?

980
00:39:09,600 --> 00:39:12,759
Speaker 6: I think Amy is being very very nice. She said

981
00:39:12,800 --> 00:39:14,640
Speaker 6: the nicest thing about me. But I think she's being sweet.

982
00:39:14,640 --> 00:39:16,120
Speaker 5: Don't want her my sweet person person?

983
00:39:16,160 --> 00:39:18,279
Speaker 6: Does that? You were pretty honest with me.

984
00:39:18,760 --> 00:39:21,040
Speaker 5: I think you're strong strong, you have back muscles, are strong.

985
00:39:21,120 --> 00:39:21,480
Speaker 6: I like that.

986
00:39:21,560 --> 00:39:23,160
Speaker 5: I think you have you still have a little belly.

987
00:39:23,320 --> 00:39:25,640
Speaker 6: Yeah. And then Lunchbox. I can't really take what he

988
00:39:25,760 --> 00:39:28,120
Speaker 6: says because he's just, you know, saying things that make

989
00:39:28,160 --> 00:39:32,960
Speaker 6: me mad. Morgan and Morgan's hurt. Morgan's hurt me a

990
00:39:33,000 --> 00:39:33,399
Speaker 6: little bit.

991
00:39:33,680 --> 00:39:36,040
Speaker 1: You called yourself that so many times.

992
00:39:36,680 --> 00:39:38,719
Speaker 5: So I don't know, dude, do you feel growth from

993
00:39:38,719 --> 00:39:40,360
Speaker 5: this growth?

994
00:39:40,400 --> 00:39:40,600
Speaker 1: Ware?

995
00:39:40,760 --> 00:39:42,480
Speaker 6: I feel like I need to look at myself more

996
00:39:42,520 --> 00:39:45,719
Speaker 6: of an understanding. I'm fatter than I thought I was.

997
00:39:45,800 --> 00:39:47,680
Speaker 5: You're not fat, you're not fat.

998
00:39:47,800 --> 00:39:50,160
Speaker 6: You're gonna make me cry.

999
00:39:50,239 --> 00:39:54,120
Speaker 1: I'm also worried that Eddie sent his fat figurine to

1000
00:39:54,200 --> 00:39:55,120
Speaker 1: my old number.

1001
00:39:55,640 --> 00:39:55,920
Speaker 6: Did you?

1002
00:39:56,160 --> 00:40:00,920
Speaker 5: Oh no, Amy's old numbers got sent to the and

1003
00:40:00,960 --> 00:40:03,040
Speaker 5: it's gotten all my information on.

1004
00:40:03,120 --> 00:40:05,880
Speaker 1: Whoever has my old phone number is a minor and

1005
00:40:05,920 --> 00:40:08,080
Speaker 1: they have thrown to call the police.

1006
00:40:08,719 --> 00:40:12,319
Speaker 5: Oh my god, they don't know you asked them and

1007
00:40:12,360 --> 00:40:15,880
Speaker 5: I look like that right, So send that number of

1008
00:40:15,920 --> 00:40:25,920
Speaker 5: picture of you shirtless and say.

1009
00:40:23,360 --> 00:40:27,160
Speaker 2: It's the best bits of the week with Morgan number.

1010
00:40:26,920 --> 00:40:34,920
Speaker 3: Two Counting Crow stop by our studio, which, if you've

1011
00:40:34,920 --> 00:40:37,000
Speaker 3: been the listener for a long time, or maybe you haven't,

1012
00:40:37,200 --> 00:40:39,120
Speaker 3: this is one of Bobby's favorite bands, so he totally

1013
00:40:39,120 --> 00:40:42,480
Speaker 3: geeked out. He even had a dedication to them in

1014
00:40:42,520 --> 00:40:45,160
Speaker 3: his first book, So Huge Fans.

1015
00:40:44,960 --> 00:40:45,680
Speaker 4: Is a cool moment.

1016
00:40:45,760 --> 00:40:49,000
Speaker 3: And beyond having a really fun interview and hearing about

1017
00:40:49,000 --> 00:40:51,600
Speaker 3: some of the moments in their career, they also did

1018
00:40:51,600 --> 00:40:53,839
Speaker 3: a performance which you can go check out on our

1019
00:40:53,840 --> 00:40:55,839
Speaker 3: YouTube page at Bobby Bone Show and while you're there,

1020
00:40:56,120 --> 00:41:00,400
Speaker 3: subscribe do it for Eddie myself in Lunchbox. We make

1021
00:41:00,480 --> 00:41:03,680
Speaker 3: some money if we hit five hundred thousand subscribers, which

1022
00:41:03,719 --> 00:41:04,439
Speaker 3: could be really hard.

1023
00:41:04,760 --> 00:41:05,520
Speaker 4: But we're trying it.

1024
00:41:06,080 --> 00:41:09,120
Speaker 5: Number two on the Bobby Bone Show.

1025
00:41:09,200 --> 00:41:11,680
Speaker 1: Now Adam Durrett's of Counting Crows.

1026
00:41:11,840 --> 00:41:14,279
Speaker 9: Adam, good to see you again, buddy. Hey, no, I

1027
00:41:14,280 --> 00:41:16,640
Speaker 9: realized there's things going on in the head that I'm

1028
00:41:16,640 --> 00:41:19,120
Speaker 9: missing out on. It was literally a voice just going

1029
00:41:19,160 --> 00:41:21,600
Speaker 9: and now Adam Durret's counting Crows.

1030
00:41:22,200 --> 00:41:23,680
Speaker 5: I mean, if you really wanted to hear that?

1031
00:41:23,840 --> 00:41:24,640
Speaker 6: Did sound cool?

1032
00:41:24,880 --> 00:41:25,480
Speaker 1: Yeah?

1033
00:41:25,719 --> 00:41:27,239
Speaker 5: Intro seven out of ten?

1034
00:41:27,320 --> 00:41:29,719
Speaker 9: All right, okay, it's cool as long as I got

1035
00:41:29,719 --> 00:41:31,560
Speaker 9: the idea. Now I feel like I've hit the stage.

1036
00:41:31,560 --> 00:41:35,680
Speaker 9: There's been a yeah I'm here here? Do you guys

1037
00:41:35,719 --> 00:41:36,160
Speaker 9: have an intro?

1038
00:41:36,280 --> 00:41:36,400
Speaker 6: Now?

1039
00:41:36,400 --> 00:41:37,000
Speaker 5: When you come out?

1040
00:41:37,040 --> 00:41:37,120
Speaker 1: Like?

1041
00:41:37,160 --> 00:41:39,799
Speaker 9: Why do you guys come out? We usually play this

1042
00:41:39,920 --> 00:41:44,080
Speaker 9: song it lately it's been stand By. It's lying the

1043
00:41:44,080 --> 00:41:46,680
Speaker 9: family stone, lights go down, stand comes on. We come

1044
00:41:46,719 --> 00:41:47,839
Speaker 9: on about midway through the song.

1045
00:41:48,200 --> 00:41:50,880
Speaker 5: So the song is playing like over the top and

1046
00:41:50,920 --> 00:41:52,040
Speaker 5: you guys walk out.

1047
00:41:52,320 --> 00:41:52,799
Speaker 6: On the hall.

1048
00:41:52,880 --> 00:41:55,439
Speaker 5: It comes out when you do a set list? How

1049
00:41:55,480 --> 00:41:56,839
Speaker 5: often does it change during a tour?

1050
00:41:57,080 --> 00:41:57,239
Speaker 3: Oh?

1051
00:41:57,239 --> 00:41:57,680
Speaker 6: Every night?

1052
00:41:58,719 --> 00:42:02,799
Speaker 5: Is that part of your you know, I don't know.

1053
00:42:02,920 --> 00:42:06,080
Speaker 5: Creative nightly task is to recreate the set list?

1054
00:42:06,280 --> 00:42:06,480
Speaker 6: Yeah?

1055
00:42:06,560 --> 00:42:09,000
Speaker 9: Im or who he was here a second ago? He

1056
00:42:09,160 --> 00:42:11,600
Speaker 9: and I do it after dinner sometime. Does that depend

1057
00:42:11,680 --> 00:42:13,600
Speaker 9: on the mood that you're in. Yeah, yeah, just sort

1058
00:42:13,600 --> 00:42:15,120
Speaker 9: of what do you want to play tonight? That way,

1059
00:42:15,160 --> 00:42:17,160
Speaker 9: we're playing stuff we want to play.

1060
00:42:17,560 --> 00:42:20,080
Speaker 5: Do you ever do want of you ever go hey,

1061
00:42:20,320 --> 00:42:22,400
Speaker 5: maybe we haven't played this song in a while, we

1062
00:42:22,520 --> 00:42:24,160
Speaker 5: throw this in. Is there ever like a battle?

1063
00:42:24,760 --> 00:42:27,480
Speaker 9: No, it's usually like that, you know, somebody wants it's

1064
00:42:27,520 --> 00:42:29,120
Speaker 9: I mean, anybody in the band can say, hey, you know,

1065
00:42:29,120 --> 00:42:31,440
Speaker 9: I've been really dying to play this, and if we

1066
00:42:31,960 --> 00:42:33,880
Speaker 9: you know, if it's if we've been playing it, we

1067
00:42:34,000 --> 00:42:36,399
Speaker 9: just stick in the set list. If we haven't been,

1068
00:42:36,680 --> 00:42:38,759
Speaker 9: we'll work at soundcheck and then put it in the

1069
00:42:38,800 --> 00:42:40,640
Speaker 9: set list. Sometimes we need a few days to work

1070
00:42:40,640 --> 00:42:43,000
Speaker 9: on something if we haven't played it for a decade

1071
00:42:43,120 --> 00:42:43,480
Speaker 9: or something.

1072
00:42:43,560 --> 00:42:46,680
Speaker 5: You know, Oh, you'll bring old songs back sometimes, yeah.

1073
00:42:46,480 --> 00:42:48,760
Speaker 9: Because people like you know, we have so many records

1074
00:42:48,800 --> 00:42:50,880
Speaker 9: at this point and so many songs, and people like

1075
00:42:51,880 --> 00:42:53,800
Speaker 9: get to where they're dying to hear something, or someone's

1076
00:42:53,800 --> 00:42:58,439
Speaker 9: girlfriend is pretty insistent about something. My girlfriend really wanted

1077
00:42:58,520 --> 00:43:00,440
Speaker 9: us to play this song Butterfly and Orver for a

1078
00:43:00,440 --> 00:43:02,040
Speaker 9: long time, and it was a song even when it

1079
00:43:02,080 --> 00:43:04,520
Speaker 9: was released, we only played it once or twice. One

1080
00:43:04,560 --> 00:43:08,360
Speaker 9: of my friends checked on the whatever the archive, we

1081
00:43:08,480 --> 00:43:10,920
Speaker 9: only played it once or twice, and we worked on

1082
00:43:10,960 --> 00:43:13,640
Speaker 9: it and put it in the set, and now it's

1083
00:43:13,680 --> 00:43:16,200
Speaker 9: been like every night for a few years. That everybody

1084
00:43:16,200 --> 00:43:18,080
Speaker 9: loved it so much that it's kind of stuck in there.

1085
00:43:18,080 --> 00:43:19,400
Speaker 9: But yeah, you know, there's things you haven't played in

1086
00:43:19,440 --> 00:43:19,879
Speaker 9: a long time.

1087
00:43:19,960 --> 00:43:21,520
Speaker 5: Are there any songs that you feel you have to

1088
00:43:21,520 --> 00:43:23,880
Speaker 5: play every night? Is there one song that stays in

1089
00:43:23,880 --> 00:43:27,640
Speaker 5: the thread the whole time? A long December does nothing else?

1090
00:43:27,640 --> 00:43:29,480
Speaker 5: I mean, I don't feel like there's anything I have

1091
00:43:29,560 --> 00:43:33,719
Speaker 5: to play every night, because sometimes you just get tired

1092
00:43:33,760 --> 00:43:35,759
Speaker 5: of it. There anything there is, you get tired of it,

1093
00:43:35,800 --> 00:43:38,200
Speaker 5: except for some reason, for me, A Long December, I

1094
00:43:38,280 --> 00:43:40,120
Speaker 5: never get tired of it. There's never been a night

1095
00:43:40,120 --> 00:43:41,840
Speaker 5: where I didn't want to play it. I don't know

1096
00:43:41,880 --> 00:43:43,640
Speaker 5: why that is. I have no idea, but I'm always

1097
00:43:43,760 --> 00:43:45,680
Speaker 5: kind of excited to play it. Like an arrangement change

1098
00:43:45,760 --> 00:43:47,200
Speaker 5: up on that song, like playing it by yourself at

1099
00:43:47,200 --> 00:43:49,200
Speaker 5: a piano or the full band. Does that ever change

1100
00:43:49,200 --> 00:43:51,400
Speaker 5: even though the thread as you play that song every night.

1101
00:43:51,600 --> 00:43:54,520
Speaker 9: Yeah, I mean, we'll change little details of it. There's

1102
00:43:54,640 --> 00:43:57,280
Speaker 9: little like breakdowns that go into it. For the last

1103
00:43:57,360 --> 00:44:01,319
Speaker 9: couple year and a half, I started. I just we

1104
00:44:01,400 --> 00:44:03,040
Speaker 9: went to see Taylor Swift and it was really great

1105
00:44:03,040 --> 00:44:05,480
Speaker 9: and I really loved that song the one, and so

1106
00:44:05,600 --> 00:44:09,919
Speaker 9: I started like backstage working on a version of it

1107
00:44:09,960 --> 00:44:12,359
Speaker 9: by myself, and then I just walked down stage one

1108
00:44:12,440 --> 00:44:15,279
Speaker 9: night and played it and let it right into A

1109
00:44:15,280 --> 00:44:18,400
Speaker 9: Long December. So it the end of that song built

1110
00:44:18,520 --> 00:44:20,719
Speaker 9: and became the intro to A Long December. And I've

1111
00:44:20,719 --> 00:44:22,160
Speaker 9: been doing it that way for about a year now

1112
00:44:22,400 --> 00:44:24,680
Speaker 9: and I'm really loving it. I don't know, It's such

1113
00:44:24,719 --> 00:44:28,280
Speaker 9: a great song and it was a real cool surprise

1114
00:44:28,480 --> 00:44:30,720
Speaker 9: to then crash it into a Long December and start

1115
00:44:30,719 --> 00:44:32,959
Speaker 9: that song from there. So I've been doing it that way,

1116
00:44:33,080 --> 00:44:34,960
Speaker 9: but I've done that with different songs. I remember doing

1117
00:44:35,000 --> 00:44:38,080
Speaker 9: it with Live Forever, that Oasis song. We were touring

1118
00:44:38,120 --> 00:44:40,239
Speaker 9: Anyone once and I went, you know, and figured out

1119
00:44:40,280 --> 00:44:43,040
Speaker 9: how to play Love Forever and then just surprised everybody

1120
00:44:43,040 --> 00:44:43,839
Speaker 9: on stages at one.

1121
00:44:43,800 --> 00:44:46,160
Speaker 5: Night with cell phones too. It's got to be different

1122
00:44:46,200 --> 00:44:47,960
Speaker 5: because if you're gonna go do Taylor, the one that's

1123
00:44:47,960 --> 00:44:52,359
Speaker 5: either gonna go super viral or it's not it's gonna

1124
00:44:52,360 --> 00:44:52,919
Speaker 5: be kind of weird.

1125
00:44:53,520 --> 00:44:55,840
Speaker 9: Well, it was kind of cool because at some point

1126
00:44:56,000 --> 00:45:01,040
Speaker 9: midway through the first verse, I alway hear the scream

1127
00:45:01,280 --> 00:45:04,319
Speaker 9: from a bunch of girls like it happens, because it's

1128
00:45:04,320 --> 00:45:07,320
Speaker 9: not immediately recognizable as that song, because I'm playing it

1129
00:45:07,360 --> 00:45:10,840
Speaker 9: pretty differently, kind of inside out. But at some point,

1130
00:45:10,920 --> 00:45:12,959
Speaker 9: like two thirds of the way through the third verse

1131
00:45:13,200 --> 00:45:16,520
Speaker 9: or the first verse, there's just a scream from a

1132
00:45:16,560 --> 00:45:18,839
Speaker 9: bunch of girls who realize what's going on, and then

1133
00:45:19,840 --> 00:45:22,160
Speaker 9: I don't know where they're hitting their mom going no,

1134
00:45:22,200 --> 00:45:23,320
Speaker 9: you don't understand, mom.

1135
00:45:23,880 --> 00:45:27,200
Speaker 5: How has content creation been for you with music? Because

1136
00:45:27,239 --> 00:45:31,160
Speaker 5: that's different for anybody that was, you know, playing the

1137
00:45:31,200 --> 00:45:33,719
Speaker 5: nineties and two thousands. I have friends now that are

1138
00:45:33,760 --> 00:45:36,480
Speaker 5: struggling with man, I have to make content now to

1139
00:45:36,560 --> 00:45:38,200
Speaker 5: go with my music. How has that been for you

1140
00:45:38,239 --> 00:45:42,799
Speaker 5: and you guys, Well, it's kind of a I was

1141
00:45:42,840 --> 00:45:47,080
Speaker 5: really enthusiastic about social media when it first started. I

1142
00:45:47,160 --> 00:45:51,239
Speaker 5: was on the message boards at AOL, you know, in

1143
00:45:51,440 --> 00:45:53,440
Speaker 5: ninety six when I realized, oh, here's a way to

1144
00:45:53,440 --> 00:45:55,239
Speaker 5: talk directly to fans. I don't have to go through

1145
00:45:55,280 --> 00:45:59,000
Speaker 5: the press or something. And then when Twitter came out.

1146
00:45:59,040 --> 00:45:59,799
Speaker 5: I really jumped on that.

1147
00:46:00,000 --> 00:46:02,280
Speaker 9: The problem is you're not always at the forefront of something,

1148
00:46:02,360 --> 00:46:04,920
Speaker 9: Like you're patting yourself on the back for being on

1149
00:46:04,960 --> 00:46:07,680
Speaker 9: the message boards, you know, ten years before social media,

1150
00:46:07,719 --> 00:46:09,520
Speaker 9: and then you're patting yourself on the back for building

1151
00:46:09,600 --> 00:46:13,239
Speaker 9: up Twitter and you don't realize that Instagram is the

1152
00:46:13,320 --> 00:46:15,960
Speaker 9: next thing, or you don't or you finally get on

1153
00:46:16,040 --> 00:46:18,040
Speaker 9: hold of that. And you know, as you're older, you're

1154
00:46:18,040 --> 00:46:20,000
Speaker 9: not in touch with the same stuff that kids are,

1155
00:46:20,000 --> 00:46:23,840
Speaker 9: and so you don't realize that TikTok is really important.

1156
00:46:24,080 --> 00:46:26,360
Speaker 9: You know that it's just inevitable that you fall behind

1157
00:46:26,400 --> 00:46:30,719
Speaker 9: because you're not keyed into the same you know, zeitgeist

1158
00:46:30,719 --> 00:46:33,920
Speaker 9: as kids are. But yeah, you just kind of adjust,

1159
00:46:34,040 --> 00:46:35,799
Speaker 9: you try to. I mean, I think at this point

1160
00:46:35,840 --> 00:46:39,520
Speaker 9: in my life, I'm always a little behind, which is okay.

1161
00:46:39,520 --> 00:46:42,359
Speaker 5: It's you know, it's kind of fun to catch up.

1162
00:46:42,600 --> 00:46:44,719
Speaker 5: Sometimes some of my friends are like, man, I hate

1163
00:46:44,719 --> 00:46:47,240
Speaker 5: singing into a phone like that. They really have struggle

1164
00:46:47,239 --> 00:46:49,680
Speaker 5: with like singing in their songs into a phone to

1165
00:46:49,719 --> 00:46:53,160
Speaker 5: put it on TikTok? Was that? Ever? When you shot content,

1166
00:46:53,200 --> 00:46:55,120
Speaker 5: do you shoot it wider? Because you can shoot a

1167
00:46:55,200 --> 00:46:57,719
Speaker 5: video ish style or where it doesn't feel as ridiculous, because

1168
00:46:57,719 --> 00:46:59,759
Speaker 5: it does feel kind of weird to put your phone

1169
00:46:59,800 --> 00:47:01,279
Speaker 5: up in sing right into it. How are you guys

1170
00:47:01,320 --> 00:47:01,719
Speaker 5: doing that?

1171
00:47:02,120 --> 00:47:02,359
Speaker 6: Well?

1172
00:47:04,320 --> 00:47:06,319
Speaker 9: Early on, I mean, I don't mind singing into my

1173
00:47:06,360 --> 00:47:08,799
Speaker 9: phone because I was doing it for voice memos. It

1174
00:47:08,920 --> 00:47:10,520
Speaker 9: was like, Wow, I got a thing I can record,

1175
00:47:11,239 --> 00:47:12,880
Speaker 9: I work on new songs. I can record and write them.

1176
00:47:12,920 --> 00:47:14,120
Speaker 9: That seemed like the coolest thing in the world to me.

1177
00:47:14,160 --> 00:47:15,960
Speaker 9: I didn't need a recording studio. I have my phone.

1178
00:47:16,640 --> 00:47:18,279
Speaker 9: And then I started doing like it was a little

1179
00:47:18,320 --> 00:47:20,120
Speaker 9: while to learn how to do all the stuff and

1180
00:47:20,239 --> 00:47:21,759
Speaker 9: learn to edit. You know, I had to go learn

1181
00:47:21,800 --> 00:47:24,200
Speaker 9: how to edit stuff, get the editing apps. And I

1182
00:47:24,239 --> 00:47:26,880
Speaker 9: was making cooking videos because I was bored during the pandemic,

1183
00:47:27,600 --> 00:47:29,560
Speaker 9: so I was making I was, you know, teaching kind

1184
00:47:29,560 --> 00:47:31,960
Speaker 9: of cooking lessons on my Instagram.

1185
00:47:32,280 --> 00:47:33,880
Speaker 5: And then you know, I watch a lot of it.

1186
00:47:33,960 --> 00:47:36,920
Speaker 9: I see people doing these clips of songs and how

1187
00:47:36,960 --> 00:47:38,800
Speaker 9: you only have to do a whole song, but clips

1188
00:47:38,800 --> 00:47:40,799
Speaker 9: of songs are really cool and I kind of like

1189
00:47:40,880 --> 00:47:44,839
Speaker 9: watching them. So, you know, I wised up to doing that,

1190
00:47:45,040 --> 00:47:47,000
Speaker 9: but it took me till this record to wise up

1191
00:47:47,040 --> 00:47:49,920
Speaker 9: to doing that. It's not hard to do them though,

1192
00:47:49,960 --> 00:47:52,080
Speaker 9: sometimes doing my phone. Sometimes we have a videographer who

1193
00:47:52,120 --> 00:47:54,040
Speaker 9: works with us. He'll come over and just film me

1194
00:47:54,080 --> 00:47:56,880
Speaker 9: doing stuff, or he filmed when we were making the record.

1195
00:47:56,880 --> 00:48:00,560
Speaker 9: He was there with cameras. So you know, we've been

1196
00:48:00,640 --> 00:48:03,720
Speaker 9: using clips of all of us from in the studio

1197
00:48:03,840 --> 00:48:06,640
Speaker 9: that we filmed. And then I had them come over

1198
00:48:06,640 --> 00:48:09,560
Speaker 9: and shoot a bunch of clips of me just doing

1199
00:48:09,680 --> 00:48:12,120
Speaker 9: the vocals because they were a little bit it wasn't

1200
00:48:12,120 --> 00:48:14,799
Speaker 9: as immediate the clips from the side away from the

1201
00:48:14,840 --> 00:48:17,360
Speaker 9: mic in the studio, so I wanted to cut a

1202
00:48:17,360 --> 00:48:19,480
Speaker 9: bunch of clips of just my face doing stuff. I

1203
00:48:19,480 --> 00:48:20,959
Speaker 9: called them up and said, I want to make videos

1204
00:48:20,960 --> 00:48:22,319
Speaker 9: out of these, but I don't want to just use

1205
00:48:22,320 --> 00:48:24,520
Speaker 9: the studio footage. I want to shoot stuff in front

1206
00:48:24,560 --> 00:48:27,120
Speaker 9: of a screen. And so we did that and we've

1207
00:48:27,120 --> 00:48:29,600
Speaker 9: been putting those up for Spaceman and now for Under

1208
00:48:29,600 --> 00:48:30,120
Speaker 9: the Aurora.

1209
00:48:30,640 --> 00:48:34,440
Speaker 5: You mentioned voice notes, So what were you using before

1210
00:48:34,600 --> 00:48:36,319
Speaker 5: voice notes? Was it just a pad of paper all

1211
00:48:36,320 --> 00:48:38,200
Speaker 5: that was a notebook all the time. Well, I mean

1212
00:48:38,239 --> 00:48:40,399
Speaker 5: I always use these notebooks, but I also had there

1213
00:48:40,440 --> 00:48:45,920
Speaker 5: was an app. It was it was just called like recorder,

1214
00:48:46,400 --> 00:48:47,920
Speaker 5: but it was just an app that had really good

1215
00:48:47,920 --> 00:48:51,440
Speaker 5: compression on it that you just pushed record so I

1216
00:48:51,440 --> 00:48:53,560
Speaker 5: could use it on my computer back then, and it

1217
00:48:53,600 --> 00:48:55,880
Speaker 5: was a really great It was a better app than

1218
00:48:55,880 --> 00:48:58,080
Speaker 5: any I've found since then. It just sort of did

1219
00:48:58,160 --> 00:49:00,160
Speaker 5: all for You had a great compression, a great Q

1220
00:49:00,400 --> 00:49:02,960
Speaker 5: on it, and it was boneheaded. You just pushed record

1221
00:49:03,000 --> 00:49:05,920
Speaker 5: and play and it did great recordings. I did a

1222
00:49:05,920 --> 00:49:08,400
Speaker 5: whole record with that app. At one point just called

1223
00:49:09,239 --> 00:49:11,960
Speaker 5: all my Bloody Valentine's. It was like Valentine's the week

1224
00:49:12,000 --> 00:49:14,920
Speaker 5: before Valentine's Day ten years ago or whenever it was,

1225
00:49:14,960 --> 00:49:17,000
Speaker 5: and I just said, I'm gonna record a song. I'm

1226
00:49:17,000 --> 00:49:19,040
Speaker 5: gonna learn to cover a day and record a song

1227
00:49:19,080 --> 00:49:22,359
Speaker 5: a day for the next week leading up to Valentine's Day.

1228
00:49:22,360 --> 00:49:24,760
Speaker 5: And I just did seven songs and ended up putting

1229
00:49:24,760 --> 00:49:26,280
Speaker 5: it out and giving it away to all our fans.

1230
00:49:26,600 --> 00:49:28,880
Speaker 5: Do you have any of your original handwritten lyrics to

1231
00:49:29,200 --> 00:49:30,800
Speaker 5: any of the old any of the old songs?

1232
00:49:30,800 --> 00:49:30,920
Speaker 7: Oh?

1233
00:49:31,000 --> 00:49:33,120
Speaker 9: Yeah, I've got all these lyric books. Yeah, to just

1234
00:49:33,200 --> 00:49:35,640
Speaker 9: live somewhere in your house. Yeah, there's like piles of them.

1235
00:49:35,680 --> 00:49:38,799
Speaker 9: I've always written in these books, so I have these

1236
00:49:38,800 --> 00:49:40,880
Speaker 9: little ones that they are like spiral binders that are

1237
00:49:40,880 --> 00:49:43,560
Speaker 9: about that big. They're like for school, you know notebooks.

1238
00:49:43,560 --> 00:49:46,160
Speaker 9: I used them when I was in college too. I

1239
00:49:46,239 --> 00:49:48,400
Speaker 9: don't do it as much anymore. I find the notes

1240
00:49:48,440 --> 00:49:50,400
Speaker 9: function in my phone is really great because I just

1241
00:49:50,480 --> 00:49:55,000
Speaker 9: lay around. Also, we've all stopped writing, yeah, so writing's

1242
00:49:55,080 --> 00:49:58,120
Speaker 9: not as like natural as it was. So you know,

1243
00:49:58,360 --> 00:50:00,080
Speaker 9: with my phone, I can walk around when I'm working

1244
00:50:00,120 --> 00:50:01,680
Speaker 9: on a song, can just walk around huming stuff to

1245
00:50:01,719 --> 00:50:03,680
Speaker 9: myself and I just you know, type it into the notes.

1246
00:50:04,280 --> 00:50:06,279
Speaker 9: I have a lot of lyrics in my notes, but

1247
00:50:06,320 --> 00:50:07,879
Speaker 9: I still use the notebook for stuff too.

1248
00:50:10,120 --> 00:50:11,839
Speaker 5: We were talking a little bit ago about how gen

1249
00:50:11,960 --> 00:50:15,640
Speaker 5: Z doesn't know has never written a handwritten letter, and

1250
00:50:15,920 --> 00:50:18,800
Speaker 5: my answer to that was, well, you know, our parents

1251
00:50:18,840 --> 00:50:21,000
Speaker 5: never churned butter, and I'm sure their generation ahead of

1252
00:50:21,000 --> 00:50:22,560
Speaker 5: them was like, I can't believe the kids now. I

1253
00:50:22,560 --> 00:50:25,279
Speaker 5: don't churn butter. So there are certain skills that you

1254
00:50:25,520 --> 00:50:28,399
Speaker 5: don't have to have, you know, as time goes by.

1255
00:50:29,120 --> 00:50:31,400
Speaker 5: I just feel though, if I use a like GPS,

1256
00:50:31,400 --> 00:50:33,680
Speaker 5: I know how to get nowhere because I GPS everywhere.

1257
00:50:33,920 --> 00:50:35,400
Speaker 5: And if I write everything down onto my phone, like

1258
00:50:35,400 --> 00:50:36,640
Speaker 5: I write a bunch of joke Ida and on my

1259
00:50:36,640 --> 00:50:39,239
Speaker 5: phone constantly, but I don't remember stuff as well. If

1260
00:50:39,280 --> 00:50:42,640
Speaker 5: I'm putting it in digitally, does your mind remember the

1261
00:50:42,680 --> 00:50:44,920
Speaker 5: same digitally as it as handwritten?

1262
00:50:45,160 --> 00:50:45,359
Speaker 6: No.

1263
00:50:45,400 --> 00:50:49,120
Speaker 9: I mean I realized last night. I was I can't

1264
00:50:49,160 --> 00:50:51,040
Speaker 9: remember what I was out to dinner last night, and

1265
00:50:51,880 --> 00:50:54,200
Speaker 9: my girlfriend was giving her phone number to somebody, like

1266
00:50:54,320 --> 00:50:58,040
Speaker 9: one of our friends. And I suddenly realized, Oh, that's

1267
00:50:58,080 --> 00:51:00,600
Speaker 9: not cool. You don't know her number. I mean I knew,

1268
00:51:03,880 --> 00:51:05,680
Speaker 9: I don't know. I know, like seven or eight number,

1269
00:51:05,680 --> 00:51:07,200
Speaker 9: I wouldn't she was saying it. I was in my

1270
00:51:07,239 --> 00:51:10,440
Speaker 9: head going, oh, and then the last two numbers I

1271
00:51:10,440 --> 00:51:12,240
Speaker 9: had wrong. I'm like, Wow, you don't know your girlfriend's

1272
00:51:12,239 --> 00:51:12,800
Speaker 9: phone number.

1273
00:51:12,960 --> 00:51:15,120
Speaker 5: I would be in trouble if I were being held hostage.

1274
00:51:15,239 --> 00:51:18,319
Speaker 5: I know nobody's phone number unless it was from Like

1275
00:51:18,360 --> 00:51:20,360
Speaker 5: I know my friend Evan's dad's number from when I

1276
00:51:20,360 --> 00:51:22,279
Speaker 5: was like twelve, Like I can remember that one, but

1277
00:51:22,280 --> 00:51:24,680
Speaker 5: I don't know anybody's phone number. Now. Being held hostage

1278
00:51:24,680 --> 00:51:26,680
Speaker 5: comes with a lot of other problems anyways, But first

1279
00:51:26,719 --> 00:51:28,920
Speaker 5: I need to call somebody. They're like, they're like, we

1280
00:51:29,120 --> 00:51:30,759
Speaker 5: demand ransom, and I'm like, I don't know how to

1281
00:51:30,760 --> 00:51:31,560
Speaker 5: get a hold of anybody.

1282
00:51:31,600 --> 00:51:33,600
Speaker 9: And then that's kind of the cops give you one call.

1283
00:51:33,640 --> 00:51:35,799
Speaker 9: I don't know about hostages. Sometimes they do, but what

1284
00:51:35,840 --> 00:51:37,840
Speaker 9: if they just don't like you.

1285
00:51:38,360 --> 00:51:40,120
Speaker 5: Then they will not want to ransom. And you're not hostage,

1286
00:51:40,120 --> 00:51:42,000
Speaker 5: you're just dead. Yeah, then you're just dead.

1287
00:51:42,280 --> 00:51:44,240
Speaker 9: Yeah, it's there's a lot of problems of the hostage

1288
00:51:44,280 --> 00:51:46,200
Speaker 9: situation above and be on the phones. But I get

1289
00:51:46,239 --> 00:51:46,560
Speaker 9: your point.

1290
00:51:46,640 --> 00:51:47,920
Speaker 5: Did you watch Why Lotus last night?

1291
00:51:47,880 --> 00:51:48,759
Speaker 6: But I did? I did?

1292
00:51:48,800 --> 00:51:49,120
Speaker 5: You did?

1293
00:51:50,640 --> 00:51:50,839
Speaker 6: No?

1294
00:51:51,080 --> 00:51:53,440
Speaker 5: Okay, no, I'm not done yet. Okay, then I was

1295
00:51:53,440 --> 00:51:56,480
Speaker 5: a little disappointed. But we're not giving any answers, not

1296
00:51:56,520 --> 00:51:59,719
Speaker 5: saying anything, but a lot of people so I watched

1297
00:51:59,719 --> 00:52:03,160
Speaker 5: the whole thing, right, My wife had already watched all

1298
00:52:03,239 --> 00:52:04,720
Speaker 5: of it, and I just wanted to watch the finale

1299
00:52:04,800 --> 00:52:08,439
Speaker 5: with her. So I did like seven episodes this past

1300
00:52:08,440 --> 00:52:10,879
Speaker 5: weekend just to totally catch up. And I was told

1301
00:52:10,920 --> 00:52:13,280
Speaker 5: by a lot of people season three was pretty slow.

1302
00:52:14,080 --> 00:52:16,359
Speaker 5: I felt season three, the people in it, and again

1303
00:52:16,360 --> 00:52:18,879
Speaker 5: no spoilers, not to be as gross as seasons one

1304
00:52:18,920 --> 00:52:21,239
Speaker 5: and two, just generally, you know.

1305
00:52:21,200 --> 00:52:21,719
Speaker 6: It's the weird thing.

1306
00:52:21,719 --> 00:52:24,080
Speaker 9: Season one had like six episodes and season two had seven,

1307
00:52:24,080 --> 00:52:26,759
Speaker 9: and season three had eight, and I thought six would

1308
00:52:26,760 --> 00:52:28,000
Speaker 9: have been great for all of them. They'd just be

1309
00:52:28,239 --> 00:52:31,120
Speaker 9: He's a really, really, really good writer, and somehow expanding

1310
00:52:31,160 --> 00:52:34,239
Speaker 9: it just kind of I don't want to. It's such

1311
00:52:34,239 --> 00:52:36,480
Speaker 9: a good show. I had never watched it, and then

1312
00:52:36,560 --> 00:52:39,720
Speaker 9: this year I never. My girlfriend talked me into watching

1313
00:52:39,760 --> 00:52:42,080
Speaker 9: it and we watched the first season like.

1314
00:52:42,080 --> 00:52:45,480
Speaker 5: Binged it, second season binged it. Third season got through

1315
00:52:45,520 --> 00:52:50,080
Speaker 5: two episodes and I was like what, and she said, Oh, no,

1316
00:52:50,160 --> 00:52:53,319
Speaker 5: that's that's where we're up to right now. Why are

1317
00:52:53,360 --> 00:52:54,080
Speaker 5: we watching it?

1318
00:52:54,120 --> 00:52:54,279
Speaker 1: You know?

1319
00:52:54,320 --> 00:52:54,880
Speaker 5: I don't.

1320
00:52:54,920 --> 00:52:56,920
Speaker 9: I like to binge everything, you know, and she so,

1321
00:52:57,040 --> 00:52:59,560
Speaker 9: then I've been doing it every week. I'm not sure

1322
00:52:59,560 --> 00:53:01,920
Speaker 9: whether it's storting how it feels to me because I

1323
00:53:02,000 --> 00:53:03,120
Speaker 9: have to wait for it.

1324
00:53:03,120 --> 00:53:04,440
Speaker 6: It felt really padded.

1325
00:53:04,840 --> 00:53:07,560
Speaker 5: I did all binge all three seasons, and I finally

1326
00:53:07,600 --> 00:53:11,680
Speaker 5: finished right before the finale. So my feeling was my yeah,

1327
00:53:11,719 --> 00:53:14,000
Speaker 5: season three people didn't feel as gross feltretty good about it.

1328
00:53:14,800 --> 00:53:18,520
Speaker 5: That's cool, but there was I never felt the need

1329
00:53:18,560 --> 00:53:20,320
Speaker 5: to get back to it, but I did enjoy it

1330
00:53:20,360 --> 00:53:21,959
Speaker 5: while it was on. It was one of those weird,

1331
00:53:22,080 --> 00:53:23,600
Speaker 5: slow burned shows for me.

1332
00:53:24,040 --> 00:53:25,120
Speaker 6: I love the other seasons.

1333
00:53:25,120 --> 00:53:28,080
Speaker 9: I just like I kind of felt like also, I

1334
00:53:28,080 --> 00:53:30,440
Speaker 9: felt there's a lot of padding this season. But I

1335
00:53:30,440 --> 00:53:32,080
Speaker 9: was also thinking, well, I bet the ending it will

1336
00:53:32,120 --> 00:53:35,080
Speaker 9: be great, you know there, because we're gonna get there finally.

1337
00:53:35,120 --> 00:53:35,319
Speaker 6: Yeah.

1338
00:53:35,360 --> 00:53:37,399
Speaker 5: Well, don't worrybody, We're not gonna saynything about it. We're

1339
00:53:37,440 --> 00:53:39,719
Speaker 5: not gonna say it. No, no, no spoiling there. What

1340
00:53:39,800 --> 00:53:40,720
Speaker 5: else do you guys watch?

1341
00:53:41,719 --> 00:53:41,879
Speaker 6: Right?

1342
00:53:42,040 --> 00:53:45,120
Speaker 9: Like, did you watch Severance? Watch the first season and

1343
00:53:45,239 --> 00:53:46,720
Speaker 9: I thought that was incredible.

1344
00:53:46,280 --> 00:53:48,000
Speaker 5: One of my favorite seasons ever of any show. And

1345
00:53:48,080 --> 00:53:50,160
Speaker 5: we're gonna I think we're gonna watch the second season

1346
00:53:50,160 --> 00:53:50,560
Speaker 5: after this.

1347
00:53:51,520 --> 00:53:53,320
Speaker 6: We just watched is it Black Doves?

1348
00:53:53,320 --> 00:53:53,400
Speaker 1: That?

1349
00:53:53,480 --> 00:53:54,640
Speaker 6: Kieran also that.

1350
00:53:54,680 --> 00:53:56,719
Speaker 5: Was great, freaking awesome. I'd be a Black Dove. I'd

1351
00:53:56,719 --> 00:53:58,520
Speaker 5: be good at that. Yeah you would, Yeah, I mean

1352
00:53:58,800 --> 00:54:01,120
Speaker 5: as long as you're not held hottage. Yeah yeah, well

1353
00:54:01,160 --> 00:54:03,400
Speaker 5: I didn't know a phone number if I'm held hostage.

1354
00:54:03,600 --> 00:54:08,240
Speaker 5: How does writing songs now compare to writing songs twenty

1355
00:54:08,360 --> 00:54:11,000
Speaker 5: years ago? You know, we talked about the difference in

1356
00:54:11,239 --> 00:54:13,319
Speaker 5: digitally or writing it with a hand, But like, do

1357
00:54:13,360 --> 00:54:16,000
Speaker 5: you feel the need and do you schedule writing now

1358
00:54:16,120 --> 00:54:17,800
Speaker 5: or can you only just go when you feel like it?

1359
00:54:18,120 --> 00:54:19,280
Speaker 6: I just write when I feel.

1360
00:54:19,120 --> 00:54:22,160
Speaker 9: I don't write a lot as soon as I started

1361
00:54:22,160 --> 00:54:24,640
Speaker 9: touring and really being in this band, I stopped writing

1362
00:54:24,680 --> 00:54:27,640
Speaker 9: all the time. I wrote every day for you know,

1363
00:54:27,680 --> 00:54:30,600
Speaker 9: ten years before that when I started writing songs, But

1364
00:54:30,640 --> 00:54:33,000
Speaker 9: then I can't really write on tour because I don't

1365
00:54:33,000 --> 00:54:37,359
Speaker 9: play guitar. I played piano and poorly that and then

1366
00:54:37,400 --> 00:54:39,920
Speaker 9: I so I wouldn't write for like a year and

1367
00:54:39,960 --> 00:54:42,279
Speaker 9: a half because we'd be on tour. So I tend

1368
00:54:42,320 --> 00:54:44,440
Speaker 9: to Ever since then, I've tended to just kind of

1369
00:54:45,120 --> 00:54:47,120
Speaker 9: not write for a year or two and then write

1370
00:54:47,840 --> 00:54:50,759
Speaker 9: with ten songs whatever the record is, and sometimes there's

1371
00:54:50,760 --> 00:54:53,319
Speaker 9: an extra song or two, but not many. I don't

1372
00:54:53,360 --> 00:54:56,879
Speaker 9: write a lot of extras. So it was different this

1373
00:54:56,960 --> 00:55:01,880
Speaker 9: time because I I wrote all I just think the

1374
00:55:03,080 --> 00:55:06,040
Speaker 9: I've been sort of changing some of the ways I write,

1375
00:55:06,160 --> 00:55:09,719
Speaker 9: and sort of my the music I was writing was

1376
00:55:09,719 --> 00:55:11,920
Speaker 9: a little more ambitious than my ability to play it,

1377
00:55:12,440 --> 00:55:14,640
Speaker 9: and so I couldn't really tell how the songs were.

1378
00:55:14,719 --> 00:55:16,640
Speaker 9: I finally I sat on them for a couple of

1379
00:55:16,719 --> 00:55:18,719
Speaker 9: years because I hadn't have a lot of confidence in them,

1380
00:55:19,160 --> 00:55:22,040
Speaker 9: and then I called the guys up and said, I wrote,

1381
00:55:22,280 --> 00:55:23,879
Speaker 9: we'd love for me to z from this the first

1382
00:55:23,920 --> 00:55:25,560
Speaker 9: song on the record, and I knew I loved it,

1383
00:55:26,160 --> 00:55:27,600
Speaker 9: and I thought, I got to figure out what I'm

1384
00:55:27,640 --> 00:55:27,920
Speaker 9: doing with.

1385
00:55:27,840 --> 00:55:28,439
Speaker 5: The rest of the songs.

1386
00:55:28,480 --> 00:55:30,239
Speaker 9: And I called, you know, Immer and a couple of

1387
00:55:30,280 --> 00:55:32,680
Speaker 9: other guys are bass player and drummer, and said, just

1388
00:55:32,760 --> 00:55:34,200
Speaker 9: I need everybody to come to my house for a week.

1389
00:55:34,239 --> 00:55:35,600
Speaker 9: I just need to play this stuff with you. I

1390
00:55:35,680 --> 00:55:37,719
Speaker 9: need to hear how it is with the band and

1391
00:55:37,760 --> 00:55:39,520
Speaker 9: then I'll know. And when as soon as we started

1392
00:55:39,560 --> 00:55:40,799
Speaker 9: playing it, I was like, oh, wow, this is I

1393
00:55:40,840 --> 00:55:42,920
Speaker 9: love this stuff, but this is the first time. A

1394
00:55:42,920 --> 00:55:44,760
Speaker 9: lot of it was in my head, like I couldn't

1395
00:55:44,800 --> 00:55:47,080
Speaker 9: really play it, but I knew it. I knew how

1396
00:55:47,120 --> 00:55:50,160
Speaker 9: it was supposed to go, had the chords. I just

1397
00:55:51,360 --> 00:55:54,200
Speaker 9: my ability to play piano. I couldn't do these songs.

1398
00:55:54,560 --> 00:55:57,720
Speaker 9: And so I was carrying around in my head until

1399
00:55:57,760 --> 00:55:59,720
Speaker 9: I heard them play it. I describe what I wanted

1400
00:55:59,719 --> 00:56:03,040
Speaker 9: and it was great, and I was really excited, but

1401
00:56:03,080 --> 00:56:04,520
Speaker 9: that that hadn't really happened.

1402
00:56:04,239 --> 00:56:08,040
Speaker 5: Before the with Love from A to Z Whenever, because

1403
00:56:08,080 --> 00:56:10,080
Speaker 5: I've listened whenever. The first half came out and it

1404
00:56:10,120 --> 00:56:12,200
Speaker 5: was all one track. Loved that thought it was super cool,

1405
00:56:12,200 --> 00:56:14,120
Speaker 5: and then I guess then it split up into songs later,

1406
00:56:14,520 --> 00:56:17,640
Speaker 5: I will shout out the name Bobby uh two references

1407
00:56:17,719 --> 00:56:18,400
Speaker 5: on this record.

1408
00:56:18,480 --> 00:56:20,520
Speaker 9: Yeah, I know it was very inspired by you know,

1409
00:56:20,560 --> 00:56:21,719
Speaker 9: the last time we were hanging out.

1410
00:56:21,719 --> 00:56:23,439
Speaker 5: Thank you very much. Well Bobby and the Right Kings.

1411
00:56:23,480 --> 00:56:25,400
Speaker 5: I think was already exist existent when we hung out

1412
00:56:25,480 --> 00:56:27,160
Speaker 5: last time, but this one. But I knew we were

1413
00:56:27,200 --> 00:56:28,600
Speaker 5: gonna hang out yea, yeah, yeah, I knew it was

1414
00:56:28,600 --> 00:56:30,560
Speaker 5: gonna happen. Spaceman of Tulsa. I get a shout out

1415
00:56:30,560 --> 00:56:32,720
Speaker 5: as well, you're back, Yes, I'm back baby.

1416
00:56:32,840 --> 00:56:33,600
Speaker 6: Yeah.

1417
00:56:33,640 --> 00:56:36,200
Speaker 5: So when you do new records, how how many these

1418
00:56:36,200 --> 00:56:37,560
Speaker 5: songs do you put on a set list tonight? You

1419
00:56:37,560 --> 00:56:39,240
Speaker 5: have so many songs to kind of jump between.

1420
00:56:39,440 --> 00:56:39,880
Speaker 6: I don't know.

1421
00:56:41,400 --> 00:56:43,279
Speaker 9: I mean the Suite. I really only liked playing the

1422
00:56:43,320 --> 00:56:45,239
Speaker 9: Suite altogether. The guys that tried to get me to

1423
00:56:45,239 --> 00:56:47,040
Speaker 9: like just play single songs, but I really like it.

1424
00:56:47,080 --> 00:56:47,640
Speaker 6: All is one.

1425
00:56:48,480 --> 00:56:50,319
Speaker 9: So that's a chunk if you're gonna play that, I mean,

1426
00:56:50,320 --> 00:56:51,799
Speaker 9: that's twenty minutes of the show right there.

1427
00:56:52,440 --> 00:56:52,799
Speaker 5: I don't know.

1428
00:56:52,840 --> 00:56:54,759
Speaker 9: I guess it depends on the night. We'll start doing

1429
00:56:54,800 --> 00:56:57,200
Speaker 9: it and you stick them in. I don't know, it's weird,

1430
00:56:57,239 --> 00:57:00,000
Speaker 9: you know, like we're you want to play your whole

1431
00:57:00,120 --> 00:57:04,839
Speaker 9: new record. But sometimes there was a time we could

1432
00:57:04,840 --> 00:57:07,040
Speaker 9: do that when everyone was buying all the records and

1433
00:57:07,040 --> 00:57:09,880
Speaker 9: everybody knew all the songs. So maybe if Spaceman and

1434
00:57:09,920 --> 00:57:12,279
Speaker 9: Telsa blows up to the roof or under the Aurora does,

1435
00:57:12,600 --> 00:57:13,880
Speaker 9: or one of them does, we can just play the

1436
00:57:13,880 --> 00:57:14,800
Speaker 9: whole record for people.

1437
00:57:15,120 --> 00:57:17,520
Speaker 5: What's the song that you hear out randomly the most

1438
00:57:18,400 --> 00:57:18,880
Speaker 5: of ours?

1439
00:57:19,000 --> 00:57:23,280
Speaker 9: Yeah, I suppose it's probably mister Jones. I hear Long

1440
00:57:23,320 --> 00:57:23,880
Speaker 9: December a lot.

1441
00:57:24,000 --> 00:57:24,440
Speaker 6: Especially.

1442
00:57:24,760 --> 00:57:27,360
Speaker 9: It's become kind of a Christmas standard, Like every like

1443
00:57:27,480 --> 00:57:30,440
Speaker 9: holiday season, it seems like everybody's covering it, and it

1444
00:57:30,480 --> 00:57:34,760
Speaker 9: shows up like on TikTok and on Instagram, you know,

1445
00:57:34,800 --> 00:57:35,640
Speaker 9: people playing it.

1446
00:57:35,680 --> 00:57:37,200
Speaker 6: This year, m J.

1447
00:57:37,360 --> 00:57:40,160
Speaker 9: Linderman was doing a version right around Christmas, and Gracie

1448
00:57:40,160 --> 00:57:43,360
Speaker 9: Abrams sang it. I saw that benefit for the fires.

1449
00:57:43,520 --> 00:57:44,959
Speaker 5: It was awesome. What do you think about that?

1450
00:57:44,960 --> 00:57:45,520
Speaker 6: That was cool?

1451
00:57:45,640 --> 00:57:47,040
Speaker 5: Yeah, I mean I always think it's cool.

1452
00:57:47,240 --> 00:57:47,600
Speaker 6: I don't know.

1453
00:57:47,720 --> 00:57:50,160
Speaker 9: I think our songs are kind of weird sometimes that

1454
00:57:50,280 --> 00:57:52,120
Speaker 9: you know, my phrasing's a little difficult.

1455
00:57:52,280 --> 00:57:52,800
Speaker 5: I don't, I don't.

1456
00:57:53,120 --> 00:57:55,600
Speaker 9: I don't hear a lot of people covering us, except

1457
00:57:55,680 --> 00:57:58,680
Speaker 9: in bars. Sometimes you know where you don't necessarily want

1458
00:57:58,680 --> 00:57:59,320
Speaker 9: to hear it as much.

1459
00:57:59,400 --> 00:58:02,680
Speaker 5: But have you in a bar and heart someone covering you? Yeah?

1460
00:58:02,720 --> 00:58:04,320
Speaker 5: And what someimes? It's really good that I heard a

1461
00:58:04,440 --> 00:58:05,760
Speaker 5: version of a round here a while ago.

1462
00:58:05,800 --> 00:58:09,080
Speaker 9: That was like, wow, that that was really good, actually suppressed.

1463
00:58:09,120 --> 00:58:09,920
Speaker 5: Do you tell them it's you?

1464
00:58:10,800 --> 00:58:12,960
Speaker 9: Oh no, no, well I used to have it used

1465
00:58:12,960 --> 00:58:14,600
Speaker 9: to be obvious it was me before I shaped off

1466
00:58:14,640 --> 00:58:17,080
Speaker 9: the dreads like it was, there was no question it

1467
00:58:17,120 --> 00:58:17,360
Speaker 9: was me.

1468
00:58:17,440 --> 00:58:17,640
Speaker 6: Then.

1469
00:58:18,160 --> 00:58:19,840
Speaker 9: I think I'm a little more anonymous now. I think

1470
00:58:19,840 --> 00:58:21,160
Speaker 9: I'm a lot more anonymous now.

1471
00:58:21,720 --> 00:58:24,240
Speaker 5: Was that a big decision to cut off the dreads?

1472
00:58:24,440 --> 00:58:24,960
Speaker 6: Not really.

1473
00:58:25,040 --> 00:58:28,200
Speaker 9: I felt it wasn't a big decision to me. I

1474
00:58:28,280 --> 00:58:31,400
Speaker 9: just felt like I was excited. I mean, it wasn't

1475
00:58:31,440 --> 00:58:33,800
Speaker 9: really that. I just kind of did it on a whim,

1476
00:58:33,960 --> 00:58:37,160
Speaker 9: you know, like, uh, but I think it was a

1477
00:58:37,200 --> 00:58:39,320
Speaker 9: big decision for a lot of other people somehow.

1478
00:58:40,240 --> 00:58:41,400
Speaker 6: And I get asked about it a lot.

1479
00:58:41,720 --> 00:58:44,440
Speaker 5: One of my neighbors lives a few houses down is

1480
00:58:44,440 --> 00:58:46,800
Speaker 5: Tibow and Burnett. Oh really yeah, and he was that

1481
00:58:47,040 --> 00:58:48,960
Speaker 5: he was over a few weeks ago. We were talking

1482
00:58:48,960 --> 00:58:53,040
Speaker 5: about August and everything after and the wallflowers. Uh what

1483
00:58:53,240 --> 00:58:55,160
Speaker 5: was working with him like as a producer. That's a

1484
00:58:55,200 --> 00:58:55,919
Speaker 5: long time ago.

1485
00:58:56,480 --> 00:58:57,160
Speaker 6: I mean it was cool.

1486
00:58:57,200 --> 00:58:59,120
Speaker 9: He's really good. He's got you know, there's a lot

1487
00:58:59,160 --> 00:59:03,560
Speaker 9: of producers that just have like a sound like they've

1488
00:59:03,560 --> 00:59:05,680
Speaker 9: got a studio trick that they do and that's what

1489
00:59:05,720 --> 00:59:09,360
Speaker 9: they their records sound like, t bones, not really quantifiable

1490
00:59:09,400 --> 00:59:12,840
Speaker 9: like that. He he helps you figure out who you

1491
00:59:12,880 --> 00:59:14,480
Speaker 9: are and who you want to be on a record.

1492
00:59:14,920 --> 00:59:16,400
Speaker 9: I think he's really It's why he's worked with a

1493
00:59:16,400 --> 00:59:17,920
Speaker 9: lot of bands on their first records. It made a

1494
00:59:17,960 --> 00:59:20,160
Speaker 9: lot of really good first records with bands, because I

1495
00:59:20,200 --> 00:59:23,000
Speaker 9: think he really helps you define yourself. He's got a

1496
00:59:23,200 --> 00:59:27,040
Speaker 9: thing that, you know, an understanding of music that not

1497
00:59:27,120 --> 00:59:29,880
Speaker 9: everybody has. He's really really good at that.

1498
00:59:30,280 --> 00:59:32,560
Speaker 5: He brought the coolest friend over, which is Ringo Star.

1499
00:59:32,760 --> 00:59:35,560
Speaker 5: They came over together. That's pretty that's a strong friend

1500
00:59:35,600 --> 00:59:39,040
Speaker 5: or guest. Yeah, that's that's a strong friend. Who was

1501
00:59:39,120 --> 00:59:43,720
Speaker 5: responsible for putting you as background vocals of sixth Avenue Heartache.

1502
00:59:45,880 --> 00:59:49,040
Speaker 9: Well, you know, the Wallflowers had made their first album

1503
00:59:49,080 --> 00:59:50,640
Speaker 9: on Version and it's a really good record, but it

1504
00:59:50,640 --> 00:59:53,200
Speaker 9: didn't really make much of an impression. It's it's it's

1505
00:59:53,240 --> 00:59:56,320
Speaker 9: not it didn't really sum up who they were. And

1506
00:59:56,480 --> 00:59:58,760
Speaker 9: Jake and I were friends. I was bartending at the

1507
00:59:58,840 --> 01:00:00,280
Speaker 9: Viper Room and he was there a lot, and we

1508
01:00:00,320 --> 01:00:03,160
Speaker 9: would talk about, you know, what we were doing. And

1509
01:00:03,560 --> 01:00:05,360
Speaker 9: he asked me at one point, I think if I

1510
01:00:05,360 --> 01:00:06,920
Speaker 9: had any advice about that, and I said, well, you know,

1511
01:00:06,960 --> 01:00:08,760
Speaker 9: t Bone is really good. What I just told you

1512
01:00:08,840 --> 01:00:11,280
Speaker 9: is like helping you define yourself. And I felt like

1513
01:00:11,320 --> 01:00:13,200
Speaker 9: that's kind of what that record needed. That he's a

1514
01:00:13,240 --> 01:00:16,439
Speaker 9: real unique guy and a unique songwriter and singer, and

1515
01:00:16,520 --> 01:00:19,040
Speaker 9: that didn't get brought out as much on that first record,

1516
01:00:19,280 --> 01:00:21,680
Speaker 9: and so I suggested t Bone. And you know, a

1517
01:00:21,800 --> 01:00:24,880
Speaker 9: few months later, I was at home. I lived in

1518
01:00:24,960 --> 01:00:27,400
Speaker 9: Laurel Canyon then, and I got a phone call from

1519
01:00:27,520 --> 01:00:32,000
Speaker 9: either t Bone or Andy Slater, who was Jake's manager,

1520
01:00:33,440 --> 01:00:35,600
Speaker 9: and they're like, we have we're working on this song

1521
01:00:35,680 --> 01:00:38,520
Speaker 9: and it's just not singing yet, you know, do you

1522
01:00:38,520 --> 01:00:39,920
Speaker 9: want to come down and singing? I was like, which song?

1523
01:00:39,960 --> 01:00:41,560
Speaker 9: He said, six ave new Hardech. I said, I don't

1524
01:00:41,600 --> 01:00:43,720
Speaker 9: really know that one, because I knew a lot of

1525
01:00:43,720 --> 01:00:46,280
Speaker 9: the Jake songs that he was working on. And he said, well,

1526
01:00:46,320 --> 01:00:48,560
Speaker 9: will you just come down the hill? And so I

1527
01:00:48,640 --> 01:00:51,040
Speaker 9: went down and had a beer and listened to it,

1528
01:00:51,200 --> 01:00:53,040
Speaker 9: and then had a beer and sang it a couple

1529
01:00:53,120 --> 01:00:56,120
Speaker 9: times and left. I mean it just felt great. I

1530
01:00:56,120 --> 01:01:00,240
Speaker 9: mean it was like that. They just felt like we

1531
01:01:00,280 --> 01:01:03,640
Speaker 9: figured out exactly that that was just what that song needed.

1532
01:01:03,640 --> 01:01:05,200
Speaker 9: It was a great song. It just needed something to

1533
01:01:05,240 --> 01:01:07,960
Speaker 9: pick up the chorus, and it just felt great right away.

1534
01:01:08,000 --> 01:01:09,640
Speaker 9: I think I only sang it once or twice, and

1535
01:01:09,640 --> 01:01:12,080
Speaker 9: then I went back home and it turned out great.

1536
01:01:12,280 --> 01:01:13,640
Speaker 5: How long until you actually hear it.

1537
01:01:15,120 --> 01:01:16,760
Speaker 9: I think they sent me a copy like the next

1538
01:01:16,840 --> 01:01:18,600
Speaker 9: day I got it, but I heard it right then

1539
01:01:18,600 --> 01:01:19,880
Speaker 9: and we went into the controller matter.

1540
01:01:19,920 --> 01:01:21,560
Speaker 5: I sang it.

1541
01:01:21,560 --> 01:01:22,400
Speaker 6: It sounded great.

1542
01:01:22,480 --> 01:01:24,280
Speaker 9: I mean, that's like he's got Mike Campbell from the

1543
01:01:24,320 --> 01:01:26,360
Speaker 9: Heartbreakers playing the guitars on that song. It's a really

1544
01:01:26,360 --> 01:01:29,120
Speaker 9: good band. I think Ben montangees on that one too,

1545
01:01:29,160 --> 01:01:33,680
Speaker 9: from the Heartbreakers. I don't know about that, but yeah,

1546
01:01:33,720 --> 01:01:35,320
Speaker 9: it just felt great. I knew it was great right away.

1547
01:01:35,320 --> 01:01:37,760
Speaker 9: It just felt really like sometimes you just figure out

1548
01:01:37,760 --> 01:01:38,680
Speaker 9: the right thing to sing.

1549
01:01:39,200 --> 01:01:41,160
Speaker 6: It makes it makes it work.

1550
01:01:41,600 --> 01:01:47,320
Speaker 5: SNL just did their fifty years You guys performance on SNL.

1551
01:01:47,480 --> 01:01:47,840
Speaker 6: One of them.

1552
01:01:47,880 --> 01:01:49,520
Speaker 5: I'm not sure how any of you did just popped

1553
01:01:49,560 --> 01:01:51,200
Speaker 5: up on my TikTok the other day. This guy named

1554
01:01:51,240 --> 01:01:55,320
Speaker 5: Huggy posts all the music performances on TikTok. What do

1555
01:01:55,360 --> 01:01:58,880
Speaker 5: you remember from SNL? It was a rough week. It

1556
01:01:58,880 --> 01:02:00,280
Speaker 5: had a really hard time we had.

1557
01:02:01,880 --> 01:02:02,560
Speaker 6: We had.

1558
01:02:04,160 --> 01:02:06,320
Speaker 9: Said no for a long time when they asked us,

1559
01:02:07,200 --> 01:02:09,880
Speaker 9: because we were just sort of like, we wanted to

1560
01:02:09,880 --> 01:02:11,840
Speaker 9: play around here at Mister Jones. We wanted to play

1561
01:02:11,920 --> 01:02:14,120
Speaker 9: round here first. We didn't want to edit the songs

1562
01:02:14,520 --> 01:02:17,600
Speaker 9: we had. Both Lettermen and SNL were asking us to

1563
01:02:17,640 --> 01:02:19,960
Speaker 9: be on, and we just were really determined to do

1564
01:02:20,000 --> 01:02:21,160
Speaker 9: it the right way. It was going to be our

1565
01:02:21,200 --> 01:02:22,640
Speaker 9: first appearance ever on television.

1566
01:02:22,760 --> 01:02:24,040
Speaker 5: They wanted you to edit it for time.

1567
01:02:24,280 --> 01:02:27,000
Speaker 9: Yeah, they wanted both have metited. They wanted Mister Jones first.

1568
01:02:27,040 --> 01:02:29,560
Speaker 9: I really wanted to play round here first. I didn't

1569
01:02:29,600 --> 01:02:32,440
Speaker 9: want to edit the songs, and so we kind of

1570
01:02:32,440 --> 01:02:37,320
Speaker 9: negotiated with both shows for the longest time until SNL agreed, okay, yeah,

1571
01:02:37,360 --> 01:02:39,640
Speaker 9: you can, you can play them the way you want

1572
01:02:39,680 --> 01:02:41,120
Speaker 9: to and you can play around here first. And then

1573
01:02:41,160 --> 01:02:42,440
Speaker 9: we got there that week and they were like, oh,

1574
01:02:42,440 --> 01:02:44,600
Speaker 9: by the way, we changed our mind, and I was

1575
01:02:44,640 --> 01:02:47,200
Speaker 9: like no, and they said, yeah, I know, we're going

1576
01:02:47,240 --> 01:02:49,560
Speaker 9: to have to do it this way, and I said, no,

1577
01:02:50,080 --> 01:02:51,880
Speaker 9: we're doing it this way. And it's okay, we'll leave,

1578
01:02:52,440 --> 01:02:55,640
Speaker 9: but we're not doing that. And it was just a

1579
01:02:55,680 --> 01:02:59,600
Speaker 9: difficult week, fighting with them all week, and then it

1580
01:02:59,640 --> 01:02:59,959
Speaker 9: was great.

1581
01:03:00,360 --> 01:03:01,880
Speaker 6: We played great. It made our career.

1582
01:03:02,000 --> 01:03:04,240
Speaker 9: I'll say that it made our career because we weren't

1583
01:03:04,280 --> 01:03:06,439
Speaker 9: even in the top two hundred and that record jumped

1584
01:03:06,520 --> 01:03:09,360
Speaker 9: forty spots a week for five weeks after we played

1585
01:03:10,280 --> 01:03:13,200
Speaker 9: Saturday Night Live and until we were at number two

1586
01:03:13,240 --> 01:03:16,840
Speaker 9: for the next two years. I mean, it made our career.

1587
01:03:16,920 --> 01:03:18,439
Speaker 5: What'd you play first? Round Here?

1588
01:03:19,240 --> 01:03:21,440
Speaker 9: Yeah, I mean it was great. It was It was

1589
01:03:21,480 --> 01:03:23,680
Speaker 9: perfect because like mister Jones is a great song, it

1590
01:03:23,760 --> 01:03:25,400
Speaker 9: really is. But there's a lot of songs like mister

1591
01:03:25,480 --> 01:03:28,120
Speaker 9: Jones that are just catchy, you know, kind of rock tunes.

1592
01:03:28,280 --> 01:03:30,040
Speaker 9: But round Here is unique, you know, and I think

1593
01:03:30,080 --> 01:03:33,720
Speaker 9: it just like this is who we are. It's not

1594
01:03:33,760 --> 01:03:38,000
Speaker 9: what you've been hearing before. And it completely made our career.

1595
01:03:38,160 --> 01:03:40,080
Speaker 9: We were not even in the top two hundred before

1596
01:03:40,080 --> 01:03:42,680
Speaker 9: we played SNL and you know, a month later we

1597
01:03:42,680 --> 01:03:45,439
Speaker 9: were at number ten and then number two or something

1598
01:03:45,480 --> 01:03:48,080
Speaker 9: like that, and you know, but it was a difficult week.

1599
01:03:48,240 --> 01:03:51,320
Speaker 9: I went there once. My friend was Ian McKellen's agent,

1600
01:03:51,360 --> 01:03:54,160
Speaker 9: and when like all the Lord of the Ring movies

1601
01:03:54,160 --> 01:03:56,640
Speaker 9: are coming out, he hosted and there was this one

1602
01:03:56,680 --> 01:03:58,800
Speaker 9: producer who kept getting sent to do all the talking

1603
01:03:58,840 --> 01:04:00,960
Speaker 9: to us. You know. I was in the green room

1604
01:04:01,000 --> 01:04:02,680
Speaker 9: because they wanted me to come. I had never been

1605
01:04:02,680 --> 01:04:05,360
Speaker 9: back since then, so this is like eight years later.

1606
01:04:06,160 --> 01:04:09,680
Speaker 9: And I saw this guy walk by in the hallway

1607
01:04:09,760 --> 01:04:13,000
Speaker 9: and then he came back and he's like, whoa, I

1608
01:04:13,080 --> 01:04:14,320
Speaker 9: never thought i'd see you again.

1609
01:04:14,720 --> 01:04:15,360
Speaker 5: That's going on.

1610
01:04:15,920 --> 01:04:18,520
Speaker 9: And I was like, uh, nothing, just my friend represents

1611
01:04:18,600 --> 01:04:21,320
Speaker 9: Ian and he's like, oh cool, well, you know, no

1612
01:04:21,400 --> 01:04:24,320
Speaker 9: hard feelings. I was like, no, that's fine, man, all right,

1613
01:04:24,360 --> 01:04:25,800
Speaker 9: do you want to get high? I was like no,

1614
01:04:25,880 --> 01:04:28,880
Speaker 9: that's cool, right, okay, cool, see you later.

1615
01:04:29,480 --> 01:04:30,040
Speaker 6: It was weird.

1616
01:04:30,080 --> 01:04:32,600
Speaker 5: I was like they'd look on his face that he's like, wow, I.

1617
01:04:32,560 --> 01:04:33,680
Speaker 6: Never thought i'd see you again.

1618
01:04:33,760 --> 01:04:39,240
Speaker 5: That's funny. Yeah. The record, so it's the completion of

1619
01:04:41,240 --> 01:04:44,440
Speaker 5: the twenty twenty one right, So that's what it seems

1620
01:04:44,440 --> 01:04:47,919
Speaker 5: like to me. So it's the rest of that. This

1621
01:04:48,080 --> 01:04:51,200
Speaker 5: is all one album. So why was this a whole

1622
01:04:51,200 --> 01:04:53,800
Speaker 5: body of work that you know, had been working on

1623
01:04:53,840 --> 01:04:55,840
Speaker 5: and recording and now you're done with it, or to

1624
01:04:55,920 --> 01:04:58,280
Speaker 5: just keep going after twenty twenty one and keep building

1625
01:04:58,280 --> 01:04:58,560
Speaker 5: on that.

1626
01:04:58,760 --> 01:05:00,680
Speaker 9: No, I just wrote the sweet It was really like

1627
01:05:00,680 --> 01:05:04,680
Speaker 9: a standalone thing. And then we were interrupted by the

1628
01:05:04,720 --> 01:05:08,800
Speaker 9: pandemic anyways, and then when the pandemic was over, I

1629
01:05:08,840 --> 01:05:10,600
Speaker 9: went back to my friends. He's got a farm in

1630
01:05:10,600 --> 01:05:12,000
Speaker 9: the west of England, which is where I wrote the

1631
01:05:12,040 --> 01:05:15,200
Speaker 9: whole suite, and I worked and I wrote a lot

1632
01:05:15,240 --> 01:05:17,880
Speaker 9: of this stuff, and on the way home, I stopped

1633
01:05:17,880 --> 01:05:19,720
Speaker 9: in London and sing on my friend's record. They've got

1634
01:05:19,760 --> 01:05:22,800
Speaker 9: this band, Gang of Youth, Australian band. They live in London, though,

1635
01:05:23,400 --> 01:05:26,280
Speaker 9: And when I got home from that a little while later,

1636
01:05:26,320 --> 01:05:28,920
Speaker 9: they sent me the record and it was so good.

1637
01:05:29,240 --> 01:05:32,960
Speaker 9: It's called Angel in Real Time. And I just had

1638
01:05:32,960 --> 01:05:34,920
Speaker 9: this thought, like, Wow, these songs aren't as good as

1639
01:05:34,960 --> 01:05:37,560
Speaker 9: their songs. I thought this stuff was really great, but

1640
01:05:37,600 --> 01:05:40,400
Speaker 9: I'm seeing it in perspective compared to their stuff. You know,

1641
01:05:40,760 --> 01:05:42,600
Speaker 9: it needs some work. And I actually went back to

1642
01:05:42,640 --> 01:05:45,840
Speaker 9: the drawing board and I rewrote the chorus for under

1643
01:05:45,840 --> 01:05:48,120
Speaker 9: the Aurora, like I rewrote a bunch of the stuff,

1644
01:05:48,320 --> 01:05:50,480
Speaker 9: and I thought it was really good at that point.

1645
01:05:50,480 --> 01:05:51,800
Speaker 9: But that's kind of why I didn't have a lot

1646
01:05:51,840 --> 01:05:53,800
Speaker 9: of confidence in it, and I sort of sat on

1647
01:05:53,840 --> 01:05:56,960
Speaker 9: it for two years before I wrote With Love from

1648
01:05:57,000 --> 01:05:58,400
Speaker 9: Me to Z and then called the guys like I

1649
01:05:58,440 --> 01:06:01,480
Speaker 9: told you, uh, But but it was an experience I've

1650
01:06:01,480 --> 01:06:04,360
Speaker 9: never had before. I've never kind of like finished things

1651
01:06:04,360 --> 01:06:07,800
Speaker 9: and thought, oh wait, they're not that they're not good enough.

1652
01:06:09,160 --> 01:06:11,800
Speaker 9: But that's kind of why it took a little longer.

1653
01:06:12,280 --> 01:06:15,240
Speaker 9: But originally I was just writing the suite, but then

1654
01:06:15,280 --> 01:06:16,920
Speaker 9: I wanted to write this stuff to go along with it.

1655
01:06:17,360 --> 01:06:19,880
Speaker 5: You mentioned you had a Taylor Sweats tour. What did

1656
01:06:19,920 --> 01:06:21,600
Speaker 5: you see there that was inspiring?

1657
01:06:22,400 --> 01:06:22,600
Speaker 6: Wow?

1658
01:06:22,640 --> 01:06:24,439
Speaker 9: It was just really well thought out, you know. I mean,

1659
01:06:26,560 --> 01:06:30,160
Speaker 9: I write songs and sing, and there's a lot that

1660
01:06:30,200 --> 01:06:31,920
Speaker 9: goes into a concert that has to do with like

1661
01:06:31,960 --> 01:06:32,560
Speaker 9: set design.

1662
01:06:33,280 --> 01:06:34,360
Speaker 6: We don't do a ton of that.

1663
01:06:34,920 --> 01:06:37,200
Speaker 9: If you want to do visuals and videos and stuff,

1664
01:06:37,240 --> 01:06:38,919
Speaker 9: there's a lot of thought that has to go into

1665
01:06:38,960 --> 01:06:42,640
Speaker 9: what's the right visual to put behind your song? And

1666
01:06:43,160 --> 01:06:46,920
Speaker 9: I know how complex that thought process can be. And

1667
01:06:47,000 --> 01:06:50,080
Speaker 9: we don't do a lot of video. We're generally set

1668
01:06:50,120 --> 01:06:54,040
Speaker 9: moods with lights. But the thought that had gone into

1669
01:06:55,440 --> 01:06:59,600
Speaker 9: the visual presentations at that tour, like how it was

1670
01:06:59,680 --> 01:07:03,960
Speaker 9: really moving. It was really really good. And this combination

1671
01:07:04,080 --> 01:07:09,720
Speaker 9: of the sets, the incredible video presentation, the movement on stage,

1672
01:07:09,760 --> 01:07:13,160
Speaker 9: the whole thing. There's just a lot of complex creative

1673
01:07:13,200 --> 01:07:16,760
Speaker 9: thought that goes into making a show like that.

1674
01:07:17,000 --> 01:07:17,200
Speaker 6: You know.

1675
01:07:17,240 --> 01:07:20,960
Speaker 9: It's it's practically like making an entire movie, you know.

1676
01:07:21,040 --> 01:07:24,720
Speaker 9: And also it's three plus hours long. That's a lot,

1677
01:07:24,800 --> 01:07:28,040
Speaker 9: you know that. I was really impressed with the amount

1678
01:07:28,120 --> 01:07:31,360
Speaker 9: of creative people from different disciplines that had come together

1679
01:07:31,440 --> 01:07:36,800
Speaker 9: and made that really impressive show that wasn't just like laserium,

1680
01:07:36,840 --> 01:07:39,800
Speaker 9: you know, like lasers like you know, you see it.

1681
01:07:39,800 --> 01:07:43,320
Speaker 9: It was like moving. Each song was really thought out.

1682
01:07:43,800 --> 01:07:45,680
Speaker 9: All the things that went into each song were really

1683
01:07:45,720 --> 01:07:48,520
Speaker 9: thought out, and they really worked. I was just very

1684
01:07:48,560 --> 01:07:50,360
Speaker 9: impressed by it. It's not the kind of show we

1685
01:07:50,440 --> 01:07:52,960
Speaker 9: put on, but I thought it was brilliant.

1686
01:07:53,200 --> 01:07:53,360
Speaker 7: You know.

1687
01:07:54,000 --> 01:07:56,200
Speaker 5: One of the old man things that I say kids

1688
01:07:56,240 --> 01:07:58,560
Speaker 5: miss out on now are the secret tracks. And there's

1689
01:07:58,600 --> 01:08:00,560
Speaker 5: a couple of different secret tracks that I think of

1690
01:08:00,640 --> 01:08:03,040
Speaker 5: with you guys, and one was the uh maybe it

1691
01:08:03,080 --> 01:08:05,680
Speaker 5: was hard Candy you hold down the fast forward and

1692
01:08:06,120 --> 01:08:08,680
Speaker 5: you guys did the Joni Mitchell song before Vanessa Carlton

1693
01:08:08,720 --> 01:08:09,960
Speaker 5: came on, was that Hard Candy. At the end of

1694
01:08:09,960 --> 01:08:11,520
Speaker 5: Hard Candy, Oh.

1695
01:08:11,480 --> 01:08:13,360
Speaker 9: Yeah, okay, yeah, we had to rush out the initial

1696
01:08:13,400 --> 01:08:16,240
Speaker 9: pressings of that record, so we didn't have Vanessa's parts

1697
01:08:16,240 --> 01:08:17,679
Speaker 9: on there yet. I think you had to like hold

1698
01:08:17,680 --> 01:08:19,840
Speaker 9: down the fast forward but just barely to get to

1699
01:08:19,880 --> 01:08:21,639
Speaker 9: it or let it. You fall asleep with it on

1700
01:08:22,240 --> 01:08:24,000
Speaker 9: and then all of a sudden the song startles you.

1701
01:08:24,240 --> 01:08:26,120
Speaker 9: But even before that, when it.

1702
01:08:26,040 --> 01:08:30,000
Speaker 6: Was the what I Want wow in the Desert Life.

1703
01:08:30,080 --> 01:08:34,120
Speaker 5: Yeah, and at the end of that that that that

1704
01:08:34,240 --> 01:08:36,559
Speaker 5: art is no longer because now if there's a track

1705
01:08:36,640 --> 01:08:39,240
Speaker 5: that's seventeen minutes long, you just see that and you're like, well,

1706
01:08:40,240 --> 01:08:42,679
Speaker 5: why would you guys pick those songs to do hidden

1707
01:08:42,840 --> 01:08:44,120
Speaker 5: and who was the one that suggested to do it

1708
01:08:44,200 --> 01:08:44,720
Speaker 5: hidden track?

1709
01:08:45,960 --> 01:08:48,439
Speaker 9: Well, sometimes it's just something I really like that doesn't

1710
01:08:48,479 --> 01:08:50,599
Speaker 9: work in the flow of the record. It just didn't

1711
01:08:50,600 --> 01:08:52,519
Speaker 9: feel like part of the record, like kid Things on

1712
01:08:52,720 --> 01:08:55,760
Speaker 9: a Desert Life. On Desert Life just didn't feel like

1713
01:08:55,800 --> 01:08:57,840
Speaker 9: part of the record. But I really loved it, and

1714
01:08:57,880 --> 01:09:00,000
Speaker 9: thematically it was part of the record, but it was

1715
01:09:00,080 --> 01:09:02,320
Speaker 9: done really low fi and it just it didn't fit

1716
01:09:02,360 --> 01:09:04,680
Speaker 9: in the I tried to fit in the flow and

1717
01:09:04,720 --> 01:09:07,160
Speaker 9: I couldn't sequence it. I mean, I know nobody listens

1718
01:09:07,160 --> 01:09:09,240
Speaker 9: to records anymore, but I really like to make records

1719
01:09:09,640 --> 01:09:10,920
Speaker 9: and I want you to be able to sit down

1720
01:09:10,960 --> 01:09:12,519
Speaker 9: and listen to it all the way through, even if

1721
01:09:12,560 --> 01:09:13,360
Speaker 9: nobody's gonna do it.

1722
01:09:13,840 --> 01:09:15,800
Speaker 5: That's what I really like. I like making that work.

1723
01:09:17,439 --> 01:09:19,360
Speaker 9: And sometimes I just couldn't get a song to fit,

1724
01:09:19,800 --> 01:09:21,599
Speaker 9: which meant I left a couple of songs I love

1725
01:09:21,640 --> 01:09:25,320
Speaker 9: off records and I hit a couple just because that

1726
01:09:25,320 --> 01:09:27,160
Speaker 9: seemed kind of fun. It was like a nice Easter

1727
01:09:27,240 --> 01:09:31,280
Speaker 9: egg for fans. That was the thing with the with

1728
01:09:31,360 --> 01:09:34,559
Speaker 9: the kid things. It just didn't it fits thematically, but

1729
01:09:34,640 --> 01:09:39,840
Speaker 9: it didn't it didn't flow in the record. But uh,

1730
01:09:40,439 --> 01:09:43,160
Speaker 9: Big yell a Taxi was different because we just spent

1731
01:09:43,200 --> 01:09:46,160
Speaker 9: this one weekend doing all these covers for B sides

1732
01:09:46,560 --> 01:09:48,280
Speaker 9: when we were while we were mixing the record, we

1733
01:09:48,280 --> 01:09:50,759
Speaker 9: were like in another little room just cutting cover songs,

1734
01:09:51,400 --> 01:09:56,360
Speaker 9: and uh.

1735
01:09:54,080 --> 01:09:54,640
Speaker 6: That just turned it.

1736
01:09:54,680 --> 01:09:56,760
Speaker 9: We had this kind of acoustic hip hop version of

1737
01:09:56,880 --> 01:10:00,280
Speaker 9: Big Yellow Taxi that we play in concert, but we

1738
01:10:00,320 --> 01:10:03,320
Speaker 9: wanted to try doing a remix with it. We like

1739
01:10:03,360 --> 01:10:07,040
Speaker 9: went out to Farrell back then it was just starting

1740
01:10:07,040 --> 01:10:11,040
Speaker 9: in the Neptunes, then went back to him, Jimmy jamm

1741
01:10:11,040 --> 01:10:14,160
Speaker 9: and Terry Lewis from the time, but we weren't able

1742
01:10:14,200 --> 01:10:15,360
Speaker 9: to sort of get any of it done in time.

1743
01:10:15,360 --> 01:10:16,920
Speaker 9: And Ron Fair came and said, hey, I know you've

1744
01:10:16,960 --> 01:10:18,560
Speaker 9: been doing this with all these other guys, but I

1745
01:10:18,600 --> 01:10:21,280
Speaker 9: actually did a version and I think it works really well.

1746
01:10:21,920 --> 01:10:24,479
Speaker 9: And he sent it to me and I was like, oh,

1747
01:10:24,520 --> 01:10:27,680
Speaker 9: that does work. That's really cool. Thanks, And then he

1748
01:10:27,760 --> 01:10:31,240
Speaker 9: wanted to have someone sing on it. And right before

1749
01:10:31,280 --> 01:10:34,360
Speaker 9: we were mixing Hard Candy, he was in there mixing

1750
01:10:34,520 --> 01:10:37,080
Speaker 9: a record with this with Vanessa Carlton, her first record,

1751
01:10:37,080 --> 01:10:38,519
Speaker 9: you know. And I had heard a bunch of it

1752
01:10:38,600 --> 01:10:42,000
Speaker 9: because he was in there, you know, and Jack Josepegeld

1753
01:10:42,000 --> 01:10:43,360
Speaker 9: played me some of her songs, thought that they were

1754
01:10:43,400 --> 01:10:45,599
Speaker 9: really good, and I knew that I had to leave

1755
01:10:45,640 --> 01:10:47,080
Speaker 9: for tour before we were going to be able to

1756
01:10:47,080 --> 01:10:49,840
Speaker 9: finish it, and I thought it might be intimidating for

1757
01:10:49,880 --> 01:10:51,839
Speaker 9: someone to come in and sing on one of our tracks,

1758
01:10:51,880 --> 01:10:54,439
Speaker 9: but he could get a lot out of a woman

1759
01:10:54,479 --> 01:10:56,559
Speaker 9: he had just worked with. Well, she would be comfortable

1760
01:10:56,640 --> 01:10:59,800
Speaker 9: enough with him to actually like improv on our track,

1761
01:11:00,080 --> 01:11:00,519
Speaker 9: and she did.

1762
01:11:00,600 --> 01:11:01,599
Speaker 6: Yeah, it worked out great.

1763
01:11:01,840 --> 01:11:03,800
Speaker 9: It's funny because she was this total unknown singer and

1764
01:11:03,800 --> 01:11:06,679
Speaker 9: then by the time it came out, she was very popular.

1765
01:11:07,320 --> 01:11:10,120
Speaker 5: The complete Sweet comes up May ninth. Man, you guys

1766
01:11:10,200 --> 01:11:11,880
Speaker 5: doing a lot of shows too. Do you do the

1767
01:11:11,920 --> 01:11:13,360
Speaker 5: touring where you just go away and don't come back

1768
01:11:13,360 --> 01:11:14,160
Speaker 5: for a couple of months.

1769
01:11:14,479 --> 01:11:14,679
Speaker 6: Yeah?

1770
01:11:14,800 --> 01:11:17,599
Speaker 5: Mostly, Yeah, we the weekend this sort of a Nashville thing,

1771
01:11:17,600 --> 01:11:20,880
Speaker 5: I know, yeah, Friday, Saturday, maybe maybe Thursday, maybe Sunday,

1772
01:11:20,880 --> 01:11:25,599
Speaker 5: but back home. Yeah, that sounds very convenient. Yeah it is. Yeah,

1773
01:11:25,760 --> 01:11:27,559
Speaker 5: so you guys just go because you guys are going

1774
01:11:27,600 --> 01:11:28,559
Speaker 5: like Europe too, the whole thing.

1775
01:11:28,760 --> 01:11:30,960
Speaker 9: Yeah, we're doing the whole summer is gone or out

1776
01:11:31,040 --> 01:11:34,040
Speaker 9: on the tour in America. You know, we passed through

1777
01:11:34,080 --> 01:11:36,760
Speaker 9: home wherever your home is, you usually pass through it,

1778
01:11:37,520 --> 01:11:39,120
Speaker 9: and then we'll go to Europe in the fall.

1779
01:11:40,040 --> 01:11:41,840
Speaker 5: That's pretty cool. A lot of days from June and

1780
01:11:41,840 --> 01:11:43,879
Speaker 5: we'll put them up in the notes here on the podcast,

1781
01:11:44,520 --> 01:11:48,920
Speaker 5: but from June, yeah, all the way up until November. Yeah, yeah,

1782
01:11:49,000 --> 01:11:49,960
Speaker 5: until it gets cold.

1783
01:11:50,360 --> 01:11:50,679
Speaker 6: Yeah.

1784
01:11:50,800 --> 01:11:52,800
Speaker 5: Do you do cold weather shows or most of your

1785
01:11:52,800 --> 01:11:57,400
Speaker 5: show's amphitheaters, Well, not during the summer, but other times

1786
01:11:57,400 --> 01:11:59,640
Speaker 5: a year. Do you ever play, you ever play the

1787
01:11:59,640 --> 01:12:02,320
Speaker 5: longest in December and the crowd goes ah, Like just

1788
01:12:02,360 --> 01:12:04,080
Speaker 5: because you yelled December, it's like yelling at city when

1789
01:12:04,120 --> 01:12:04,479
Speaker 5: you're in it.

1790
01:12:04,520 --> 01:12:04,720
Speaker 6: Yeah.

1791
01:12:04,760 --> 01:12:07,160
Speaker 5: Yeah, like he said, our month, he said our month.

1792
01:12:07,200 --> 01:12:07,839
Speaker 6: This is crazy.

1793
01:12:07,840 --> 01:12:09,880
Speaker 9: I should write one for each month because then I

1794
01:12:09,920 --> 01:12:12,760
Speaker 9: would have hits any time of the year.

1795
01:12:12,840 --> 01:12:14,719
Speaker 5: Yeah, that would be good. Uh, we're going to play

1796
01:12:14,760 --> 01:12:16,599
Speaker 5: some music here in this second. Oh, by the way,

1797
01:12:16,600 --> 01:12:18,559
Speaker 5: I should tell you not that it matters. I looked

1798
01:12:20,040 --> 01:12:21,600
Speaker 5: it matters me. It doesn't matter. But this was the

1799
01:12:21,600 --> 01:12:23,240
Speaker 5: first book ever wrote, and it was best seller for

1800
01:12:23,280 --> 01:12:24,720
Speaker 5: a little bit. It's pretty Cool'm pretty proud of it.

1801
01:12:24,720 --> 01:12:26,880
Speaker 5: But I thank you guys in the back of the book. Really,

1802
01:12:26,920 --> 01:12:28,880
Speaker 5: I did, Can I have a copy? Well, you don't

1803
01:12:28,880 --> 01:12:30,800
Speaker 5: want no, No, it's not sure you can have a copy.

1804
01:12:30,840 --> 01:12:33,600
Speaker 5: But it wasn't for that. I just I it was

1805
01:12:33,680 --> 01:12:35,760
Speaker 5: laying here by my foot, and I was like, you know,

1806
01:12:36,520 --> 01:12:38,479
Speaker 5: because you guys are you guys are my favorite band

1807
01:12:38,520 --> 01:12:40,800
Speaker 5: of all time, And so I said, I wonder if

1808
01:12:40,840 --> 01:12:43,680
Speaker 5: I thanked them in the credits like the book, and

1809
01:12:43,760 --> 01:12:46,360
Speaker 5: I did. You're on the back page when it was like, hey,

1810
01:12:46,360 --> 01:12:47,639
Speaker 5: I want to think kund of Cross.

1811
01:12:47,800 --> 01:12:49,360
Speaker 9: I know you came to that show in Nashville few

1812
01:12:49,400 --> 01:12:51,320
Speaker 9: years ago and they told me you were there. Then

1813
01:12:51,320 --> 01:12:52,680
Speaker 9: you didn't come backstage.

1814
01:12:52,320 --> 01:12:54,000
Speaker 5: Yeah, because I don't want to be that guy like

1815
01:12:54,040 --> 01:12:56,120
Speaker 5: I just want to and honestly, and I think you'll

1816
01:12:56,200 --> 01:12:58,960
Speaker 5: understand this, I didn't want to not like you because

1817
01:12:59,040 --> 01:13:04,280
Speaker 5: I love I love my relationship with your music, and

1818
01:13:04,520 --> 01:13:06,400
Speaker 5: I didn't want to not like you. And so I

1819
01:13:06,439 --> 01:13:08,280
Speaker 5: was like, you know what, I'm good because the place

1820
01:13:08,320 --> 01:13:10,719
Speaker 5: I'm in now with Count of Crows, it couldn't be better.

1821
01:13:10,760 --> 01:13:12,919
Speaker 9: I hear you, I hear you. If you come backstage

1822
01:13:12,920 --> 01:13:15,280
Speaker 9: at some point, I promise not to be well.

1823
01:13:15,280 --> 01:13:17,240
Speaker 5: Now I like you, though now I'm feel good about it.

1824
01:13:17,320 --> 01:13:18,840
Speaker 5: But that was really the reason. They were like, you

1825
01:13:18,840 --> 01:13:19,960
Speaker 5: want to go meet at him? And I was like, no,

1826
01:13:20,000 --> 01:13:21,400
Speaker 5: I just enjoyed the show. I was like, I do

1827
01:13:21,520 --> 01:13:24,640
Speaker 5: not because right now I love Adham. He might be

1828
01:13:25,200 --> 01:13:28,280
Speaker 5: well and not even that, but like I intured doing

1829
01:13:28,320 --> 01:13:30,000
Speaker 5: stand up and some days you just don't feel good.

1830
01:13:30,040 --> 01:13:31,640
Speaker 5: Some day that's true, and so I just didn't want

1831
01:13:31,680 --> 01:13:35,200
Speaker 5: it to be there. So next time I probably still won't.

1832
01:13:35,200 --> 01:13:36,680
Speaker 5: But right now, when I say, well, can I have

1833
01:13:36,720 --> 01:13:39,200
Speaker 5: a book or else, now I'll give you a book.

1834
01:13:39,200 --> 01:13:41,760
Speaker 5: I want a book. It's really cool. They were thanking

1835
01:13:41,760 --> 01:13:42,200
Speaker 5: in the back.

1836
01:13:42,080 --> 01:13:42,439
Speaker 6: Of the book.

1837
01:13:42,479 --> 01:13:44,519
Speaker 1: I won't want How did you think him?

1838
01:13:44,640 --> 01:13:47,200
Speaker 5: Like I said, I just thanked him for the music

1839
01:13:47,280 --> 01:13:49,719
Speaker 5: for like all the you know, I mean.

1840
01:13:49,960 --> 01:13:51,559
Speaker 1: You read it, read it.

1841
01:13:51,680 --> 01:13:56,040
Speaker 5: Okay, what if it's like Adam, I'm in love with you.

1842
01:13:57,400 --> 01:14:01,559
Speaker 5: Also a big sad hug to the County Crows for

1843
01:14:01,600 --> 01:14:03,960
Speaker 5: making lots of great music that makes me sad by

1844
01:14:04,040 --> 01:14:09,639
Speaker 5: feeling happy, by feeling sad. Actually that's pretty great. Actually, yeah,

1845
01:14:09,640 --> 01:14:11,559
Speaker 5: it's nice. Yeah, because I mean that's how I felt.

1846
01:14:12,240 --> 01:14:13,920
Speaker 5: So I got a little choked out.

1847
01:14:13,920 --> 01:14:14,800
Speaker 6: That was actually pretty good.

1848
01:14:15,400 --> 01:14:17,880
Speaker 1: Well, thank you well, and I'll clarify some importance behind

1849
01:14:17,880 --> 01:14:20,760
Speaker 1: that and some of Bobby's up bringing. You can have

1850
01:14:20,800 --> 01:14:23,160
Speaker 1: a lot of space to feel, so I think your

1851
01:14:23,240 --> 01:14:26,519
Speaker 1: music gave him that space to feel sad.

1852
01:14:26,560 --> 01:14:29,200
Speaker 9: Hug all around. I'm not making funn of you. That's

1853
01:14:29,240 --> 01:14:31,840
Speaker 9: actually really sweet. I'm kind of touched by that.

1854
01:14:31,880 --> 01:14:35,040
Speaker 5: But any hug at all was happy for me. And

1855
01:14:35,080 --> 01:14:39,120
Speaker 5: now we're going too far. That's right, Okay.

1856
01:14:38,840 --> 01:14:42,839
Speaker 2: It's the best bits of the week with Morgan Number two.

1857
01:14:44,040 --> 01:14:45,599
Speaker 1: Some things get really weird at our work.

1858
01:14:45,640 --> 01:14:46,839
Speaker 4: And this is one of those moments.

1859
01:14:47,240 --> 01:14:48,320
Speaker 5: Ay, he's doing something.

1860
01:14:48,600 --> 01:14:51,400
Speaker 3: Lunchbox witnessed it, and he was like, I cannot believe

1861
01:14:51,439 --> 01:14:52,519
Speaker 3: she was doing this at work.

1862
01:14:53,120 --> 01:14:54,600
Speaker 4: And I know you guys might have went to a

1863
01:14:54,600 --> 01:14:56,000
Speaker 4: dirty place. That's not what this is about.

1864
01:14:56,040 --> 01:14:57,240
Speaker 1: Okay, don't go there.

1865
01:14:57,800 --> 01:15:00,400
Speaker 3: Gode awkward though all the way around, and I'm not

1866
01:15:00,439 --> 01:15:02,960
Speaker 3: sure how I feel about it on multiple levels.

1867
01:15:03,800 --> 01:15:06,160
Speaker 4: But without further ado, here's.

1868
01:15:05,960 --> 01:15:09,639
Speaker 3: Lunchbox witnessing Amy doing something at work.

1869
01:15:10,640 --> 01:15:12,240
Speaker 1: Don't go there. Okay, it's not dirty.

1870
01:15:12,720 --> 01:15:14,840
Speaker 5: Number one, you were doing therapy at work.

1871
01:15:14,920 --> 01:15:17,439
Speaker 1: Well, it had to because it was virtual. But we

1872
01:15:17,479 --> 01:15:20,920
Speaker 1: got done like two minutes after it was supposed to start,

1873
01:15:21,000 --> 01:15:23,040
Speaker 1: so I had to like run to a production room

1874
01:15:23,080 --> 01:15:24,519
Speaker 1: and pull up my computer and.

1875
01:15:24,439 --> 01:15:28,600
Speaker 5: Then I would have never done that. Here microphones and people.

1876
01:15:28,439 --> 01:15:29,800
Speaker 1: I know, But what was I supposed to do?

1877
01:15:30,040 --> 01:15:31,440
Speaker 5: I postponed.

1878
01:15:31,760 --> 01:15:33,519
Speaker 1: No, this was the only slot she had available, and

1879
01:15:33,560 --> 01:15:35,040
Speaker 1: we had a book at last minute, and it was

1880
01:15:35,280 --> 01:15:38,800
Speaker 1: for noon one day, and that's normally when we get

1881
01:15:38,800 --> 01:15:41,639
Speaker 1: done ish, So I was like planning on a production room.

1882
01:15:41,680 --> 01:15:43,719
Speaker 1: But you never know. Sometimes if we got an eleven

1883
01:15:43,760 --> 01:15:47,800
Speaker 1: forty five, it would have just driven somewhere. But it

1884
01:15:47,840 --> 01:15:50,599
Speaker 1: was twelve oh two. So I ran to a production room,

1885
01:15:50,880 --> 01:15:53,160
Speaker 1: got on my computer and loaded up the zoom and

1886
01:15:53,200 --> 01:15:56,760
Speaker 1: I'm totally We're in therapy. My boyfriend is joining me,

1887
01:15:56,920 --> 01:15:58,839
Speaker 1: my therapist is on there, We're all in the computer,

1888
01:15:59,439 --> 01:16:01,760
Speaker 1: and out of the corner of my eye through the

1889
01:16:01,760 --> 01:16:06,599
Speaker 1: production room window, I started seeing Lunchbox and we're having

1890
01:16:06,640 --> 01:16:09,599
Speaker 1: a moment in the session and he is like making

1891
01:16:09,640 --> 01:16:13,599
Speaker 1: faces and noises and I'm like, did.

1892
01:16:13,479 --> 01:16:14,280
Speaker 5: You know what she was doing?

1893
01:16:14,600 --> 01:16:14,640
Speaker 3: No?

1894
01:16:14,760 --> 01:16:16,160
Speaker 7: At first I didn't know what she was doing, but

1895
01:16:16,200 --> 01:16:17,600
Speaker 7: then when I realized it, I was like, Oh, this

1896
01:16:17,640 --> 01:16:19,439
Speaker 7: is kind of funny, and it was kind of interesting

1897
01:16:19,720 --> 01:16:22,920
Speaker 7: to see an animal in their habitat because Amy is

1898
01:16:22,960 --> 01:16:25,200
Speaker 7: like mis therapy and I've never seen her do therapy

1899
01:16:25,200 --> 01:16:27,000
Speaker 7: and she talks about it all the time. I mean,

1900
01:16:27,040 --> 01:16:30,160
Speaker 7: I've never seen Amy so focused. She was dialed in.

1901
01:16:30,720 --> 01:16:31,800
Speaker 5: Did you think you shouldn't watch?

1902
01:16:31,840 --> 01:16:32,000
Speaker 1: Though?

1903
01:16:32,120 --> 01:16:34,519
Speaker 5: Like, that's very private thing. It's a very personal thing.

1904
01:16:34,880 --> 01:16:37,200
Speaker 7: I mean, what is so private about it? There's a window,

1905
01:16:37,200 --> 01:16:39,439
Speaker 7: you're doing something where there's a windows, the doors closed,

1906
01:16:40,120 --> 01:16:42,320
Speaker 7: you have the light on, and you're at work, So

1907
01:16:42,360 --> 01:16:44,040
Speaker 7: I mean, is it really that private?

1908
01:16:45,439 --> 01:16:47,679
Speaker 5: I want to still go you knew what it was, so, Yes,

1909
01:16:48,000 --> 01:16:49,679
Speaker 5: I would have never done.

1910
01:16:49,560 --> 01:16:51,519
Speaker 1: That at work, I know, But what was I supposed

1911
01:16:51,560 --> 01:16:51,800
Speaker 1: to do?

1912
01:16:52,000 --> 01:16:53,280
Speaker 5: Like I said, I would have said, hey, I didn't

1913
01:16:53,280 --> 01:16:54,680
Speaker 5: get out, or i'd have said, hey, I need to

1914
01:16:54,760 --> 01:16:56,080
Speaker 5: leave work a few minutes early because I don't know

1915
01:16:56,160 --> 01:16:57,120
Speaker 5: you needed to do, or.

1916
01:16:57,160 --> 01:16:59,120
Speaker 7: Say give me five minutes, I'll go sit in my car.

1917
01:16:59,400 --> 01:17:01,120
Speaker 5: I mean I have car, Okay, I could do that.

1918
01:17:01,200 --> 01:17:02,519
Speaker 7: Well, I'm just saying.

1919
01:17:02,360 --> 01:17:03,800
Speaker 5: That doesn't give you the right to like, stare and

1920
01:17:03,880 --> 01:17:05,800
Speaker 5: make faces when she's like trying to like, well.

1921
01:17:05,680 --> 01:17:07,120
Speaker 7: I don't know at what point. What if they're just

1922
01:17:07,120 --> 01:17:08,679
Speaker 7: doing introductions, that's still.

1923
01:17:08,520 --> 01:17:10,479
Speaker 5: Not a point to if you know she's doing therapy,

1924
01:17:10,520 --> 01:17:11,519
Speaker 5: then that lunchucks.

1925
01:17:11,560 --> 01:17:13,439
Speaker 1: Did you see I was staring at my computer and

1926
01:17:13,520 --> 01:17:14,360
Speaker 1: I was emotional.

1927
01:17:14,840 --> 01:17:16,880
Speaker 7: I mean you did have an emotional look on your

1928
01:17:16,920 --> 01:17:19,840
Speaker 7: face like oh I'm about to cry maybe or I

1929
01:17:20,080 --> 01:17:22,120
Speaker 7: don't know, but you were really concentrated so I know

1930
01:17:22,200 --> 01:17:23,760
Speaker 7: you can focus, which was pretty cool.

1931
01:17:23,800 --> 01:17:25,479
Speaker 6: So you couldn't hear lunchbox and I couldn't.

1932
01:17:25,760 --> 01:17:27,479
Speaker 5: You're sitting where her face was to the window, so

1933
01:17:27,479 --> 01:17:28,200
Speaker 5: you could see her face.

1934
01:17:28,640 --> 01:17:30,960
Speaker 7: He's gone to sitting sideways like she had the computer.

1935
01:17:31,160 --> 01:17:34,439
Speaker 1: Yeah, then once I saw like this. Once I saw him,

1936
01:17:34,479 --> 01:17:36,479
Speaker 1: I moved the whole thing to where he couldn't see

1937
01:17:36,520 --> 01:17:37,960
Speaker 1: because I was like, oh my gosh, now he's like

1938
01:17:38,080 --> 01:17:39,760
Speaker 1: just buying on us.

1939
01:17:39,800 --> 01:17:43,320
Speaker 5: I'm gonna have to side with Amy, but barely. It's

1940
01:17:43,320 --> 01:17:44,639
Speaker 5: weird to do therapy at work, but.

1941
01:17:44,920 --> 01:17:47,760
Speaker 7: A lot I got a question. Did your therapist or

1942
01:17:47,760 --> 01:17:49,759
Speaker 7: your boyfriend think it was funny when they saw my faces?

1943
01:17:50,280 --> 01:17:52,120
Speaker 1: No, they thankfully couldn't see you.

1944
01:17:52,200 --> 01:17:54,320
Speaker 5: But the only that people can't see her faces of

1945
01:17:54,320 --> 01:17:55,559
Speaker 5: people behind the camera on her computer.

1946
01:17:55,640 --> 01:17:57,439
Speaker 7: Right, like thought, maybe I was in the camera shot.

1947
01:17:57,439 --> 01:17:57,880
Speaker 7: I was doing it.

1948
01:17:57,960 --> 01:18:00,639
Speaker 1: You weren't in the shots. When I started to go

1949
01:18:00,760 --> 01:18:05,240
Speaker 1: from sadness to laughter, like, they were like what's happening?

1950
01:18:05,240 --> 01:18:07,439
Speaker 1: And I was like, and I'm moving and I'm like whatever,

1951
01:18:07,520 --> 01:18:08,320
Speaker 1: it's my coworker.

1952
01:18:08,439 --> 01:18:11,280
Speaker 7: So he killed he killed the vibe VI or did

1953
01:18:11,280 --> 01:18:12,360
Speaker 7: I save you from crying?

1954
01:18:13,560 --> 01:18:17,160
Speaker 1: But crying's good. I had to get it out. But

1955
01:18:17,280 --> 01:18:19,840
Speaker 1: laughter is good too, so you know, I'll take it.

1956
01:18:19,840 --> 01:18:22,320
Speaker 1: It just was, Yes, it's not ideal to do therapy

1957
01:18:22,360 --> 01:18:24,000
Speaker 1: at work, but I guarantee you a lot of people

1958
01:18:24,040 --> 01:18:25,200
Speaker 1: have to do it. And I would go to the

1959
01:18:25,240 --> 01:18:27,880
Speaker 1: car though I didn't think of that. I didn't think

1960
01:18:27,920 --> 01:18:29,960
Speaker 1: of that. I did it way back in the day

1961
01:18:29,960 --> 01:18:31,800
Speaker 1: when I had to do these really intense ones with

1962
01:18:31,840 --> 01:18:34,880
Speaker 1: my ex husband. Sometimes I would have to do them.

1963
01:18:34,920 --> 01:18:36,560
Speaker 1: They were like three hours long, and I would do

1964
01:18:36,600 --> 01:18:37,720
Speaker 1: them from your office back in the.

1965
01:18:37,760 --> 01:18:39,559
Speaker 7: Day, but there was no window there. That's the only

1966
01:18:39,840 --> 01:18:40,799
Speaker 7: there was no window.

1967
01:18:40,800 --> 01:18:43,000
Speaker 5: But like sometimes that I'm lucky to.

1968
01:18:44,640 --> 01:18:46,960
Speaker 1: Walk in. And in one time I yelled the effort

1969
01:18:47,040 --> 01:18:49,200
Speaker 1: really loud and slave my computer and I was like,

1970
01:18:49,680 --> 01:18:52,799
Speaker 1: did anybody hear that? That was? That was from your office?

1971
01:18:54,360 --> 01:18:56,520
Speaker 1: But that was Those were different times.

1972
01:18:56,760 --> 01:18:59,320
Speaker 7: Yeah, I was pretty cool. I y Yeah, No, they.

1973
01:18:59,160 --> 01:19:01,920
Speaker 1: Were very very different. You remember they were different. Those

1974
01:19:01,920 --> 01:19:05,160
Speaker 1: were different different That was probably twenty twenty, twenty twenty two.

1975
01:19:05,439 --> 01:19:06,720
Speaker 5: Okay, so here's a different times.

1976
01:19:06,880 --> 01:19:07,559
Speaker 1: Different times.

1977
01:19:07,600 --> 01:19:10,160
Speaker 5: If she's doing therapy, don't stare in the window. Okay,

1978
01:19:09,520 --> 01:19:12,439
Speaker 5: that's why I wouldn't go out staring. That's a really

1979
01:19:12,439 --> 01:19:15,160
Speaker 5: personal private time. And also just don't do therapy at work.

1980
01:19:16,200 --> 01:19:19,679
Speaker 1: Well that's that's I think you can do therapy at work.

1981
01:19:19,800 --> 01:19:21,599
Speaker 5: You can, but what's gonna happen if you gonta people

1982
01:19:21,600 --> 01:19:22,360
Speaker 5: walking about making faces?

1983
01:19:22,400 --> 01:19:24,040
Speaker 7: Yeah, or put something over the window. If don't want

1984
01:19:24,040 --> 01:19:24,439
Speaker 7: me to see.

1985
01:19:24,640 --> 01:19:26,960
Speaker 1: Yeah, yeah, it's just it's just ridiculous.

1986
01:19:26,960 --> 01:19:28,360
Speaker 5: And there are microphones and there. I'd be afraid and

1987
01:19:28,439 --> 01:19:29,040
Speaker 5: I could hear it.

1988
01:19:29,080 --> 01:19:29,360
Speaker 6: They could.

1989
01:19:29,960 --> 01:19:32,000
Speaker 5: I would turn a microphone on from another room and

1990
01:19:32,040 --> 01:19:32,800
Speaker 5: record the whole thing.

1991
01:19:32,960 --> 01:19:35,599
Speaker 6: Wait really, of course, Oh yeah I do.

1992
01:19:35,520 --> 01:19:38,560
Speaker 1: They I mean you can't know. I looked at the

1993
01:19:38,600 --> 01:19:40,920
Speaker 1: panel and made sure everything was off, but someone else

1994
01:19:40,960 --> 01:19:41,840
Speaker 1: could access the.

1995
01:19:42,320 --> 01:19:45,040
Speaker 5: You don't think people can. It doesn't matter. I would

1996
01:19:45,040 --> 01:19:46,880
Speaker 5: just say I wouldn't do it here. Just be careful,

1997
01:19:47,520 --> 01:19:50,920
Speaker 5: it's not making faces and grow up? All right? Everybody good?

1998
01:19:50,920 --> 01:19:54,080
Speaker 1: That's are good.

1999
01:19:54,439 --> 01:19:58,439
Speaker 2: It's the best Bits of the week with Morgan number two.

2000
01:20:00,040 --> 01:20:01,880
Speaker 3: That's it for me this weekend, everybody. I hope you

2001
01:20:02,080 --> 01:20:04,760
Speaker 3: enjoyed the best bits. Check out Part one Part three

2002
01:20:04,760 --> 01:20:06,879
Speaker 3: this weekend, or you can go check out my podcast

2003
01:20:06,960 --> 01:20:09,519
Speaker 3: Take This Personally, or go subscribe on our YouTube.

2004
01:20:09,520 --> 01:20:09,720
Speaker 1: Bitch.

2005
01:20:09,720 --> 01:20:10,960
Speaker 4: I know there's so many things.

2006
01:20:11,000 --> 01:20:12,880
Speaker 3: That you can go and do, but all of it

2007
01:20:12,920 --> 01:20:15,599
Speaker 3: is super supportive and if you click a few buttons,

2008
01:20:15,680 --> 01:20:17,920
Speaker 3: it'll make all of us super happy. So please do

2009
01:20:18,000 --> 01:20:21,960
Speaker 3: those things and have a safe weekend with your families

2010
01:20:22,160 --> 01:20:24,280
Speaker 3: or friends or chilling by.

2011
01:20:24,200 --> 01:20:26,880
Speaker 4: Yourself, whatever you're doing. I'm just really happy you're here.

2012
01:20:27,320 --> 01:20:28,040
Speaker 1: Bye, everybody.

2013
01:20:28,640 --> 01:20:31,519
Speaker 2: That's the best bits of the week with Morgan. Thanks

2014
01:20:31,560 --> 01:20:33,599
Speaker 2: for listening. Be sure to check out the other two

2015
01:20:33,640 --> 01:20:36,880
Speaker 2: parts this weekend. Go follow the show on all social platforms.

2016
01:20:37,600 --> 01:20:39,599
Speaker 1: Show and follow ed web Girl Morgan

2017
01:20:39,840 --> 01:20:42,480
Speaker 2: To submit your listener questions for next week's episode.