WEBVTT - Lonnie Bunch

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<v Speaker 1>Very special programming today featuring Lonnie Bunch, he's the fourteenth

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<v Speaker 1>Secretary of the Smithsonian, and David Rubinstein, host of the

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<v Speaker 1>David Rubinstein Show, a peer to peer conversations. Speaks here

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<v Speaker 1>from the Udvar Hazy Center that's part of the Smithsonian

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<v Speaker 1>Museum and it's near Dallas Airport. That's right in. Rubinstein

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<v Speaker 1>begins here by asking Bunch about being the first historian

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<v Speaker 1>and the first black person selected as the head of

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<v Speaker 1>the museum complex. Let's listen in. That's right. And I'm

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<v Speaker 1>very proud and glad to be with you today. And

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<v Speaker 1>I should disclose that I was the chairman of the

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<v Speaker 1>Smithsonian at one point. I'm still on the board of

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<v Speaker 1>the Smithsonian, but I will ask tough questions anyway. I

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<v Speaker 1>appreciate that. So, now that you've been the secretary for

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<v Speaker 1>a while, um, is the job as good as you

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<v Speaker 1>thought it was going to be? And you're happy you haven't.

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<v Speaker 1>I think that no one knew what it was like

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<v Speaker 1>to lead during a pandemic. But what has happened is

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<v Speaker 1>as a result of that, I really learned the wonders

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<v Speaker 1>of the Smithsonian. When it comes together, the Smithsony is

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<v Speaker 1>often a conglaborative, museums and research centers um and that

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<v Speaker 1>doesn't always blend. But because of this pandemic, people have

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<v Speaker 1>come together, cross lines, brought their creativity scientists, historians, educators.

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<v Speaker 1>So for me, I'm really glad because I'm getting to

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<v Speaker 1>see what the Smithsonian does, even in the most difficult

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<v Speaker 1>of times, when it comes together and brings its creativity

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<v Speaker 1>to bear. How did you operate during the COVID nineteen situation?

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<v Speaker 1>What did you do in terms of operating the zoo

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<v Speaker 1>and all the research institutions and your nineteen museums. What

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<v Speaker 1>I realized is that once we shut down the buildings,

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<v Speaker 1>that I needed the Smithsonian to still be operating. So

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<v Speaker 1>we really put went to everything online. We created educational opportunities,

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<v Speaker 1>portals that would allow people to educators to get our science,

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<v Speaker 1>our history, our art. We've made it so that scholars

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<v Speaker 1>could continue to do the research, the scientists could do

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<v Speaker 1>the work they needed to do. But the reality is

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<v Speaker 1>that we recognize that now as a result of this virus,

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<v Speaker 1>we've got to rethink so much about the Smithsonian. We've

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<v Speaker 1>got to rethink about how we tell a work more effectively.

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<v Speaker 1>We've got to think about once people come back. What

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<v Speaker 1>does social distancing meaning a museum? Because, as you know,

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<v Speaker 1>the major thing that happens in a museum is people

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<v Speaker 1>who don't know each other come together around an artifact

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<v Speaker 1>like the Shuttle. UM. And so are people gonna want

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<v Speaker 1>to come together um in a time of pandemic? So

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<v Speaker 1>we're really thinking about how do we create community even

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<v Speaker 1>in with social distancing. So the Smithsonian is not yet open.

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<v Speaker 1>You have two parts of it open. This museum is

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<v Speaker 1>open and the National Zoo is opened, right, Um? Why

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<v Speaker 1>did you open those two? First? I wanted to be

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<v Speaker 1>able to figure out how do we open the rest

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<v Speaker 1>of the Smithsonian. The zoo because it's outdoors, um, and

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<v Speaker 1>that was easier UM. But also this museum because it's

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<v Speaker 1>large and it also has parking, because there were issues

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<v Speaker 1>of transportation. So basically these were the test case which

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<v Speaker 1>will then if the if the virus then begins to

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<v Speaker 1>go down to allow us slowly to open the rest

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<v Speaker 1>of the Smithsonian. Now where did you operate from when

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<v Speaker 1>COVID nineteen was prevalent, Well, be coast there were some

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<v Speaker 1>guards that had to work. I thought I would go

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<v Speaker 1>into the office, but I realized that if I went

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<v Speaker 1>to the office, so many other people would come in.

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<v Speaker 1>So I ended up working from home and I learned

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<v Speaker 1>to master zoom um and sort of other technologies I'm

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<v Speaker 1>still fighting with, but basically work from home every day now.

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<v Speaker 1>Museums have been around for thousands of years, but now

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<v Speaker 1>with zoom and virtual technologies, why don't we really need museums.

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<v Speaker 1>Why can't you just look on the screen and see

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<v Speaker 1>what you need to say? I think there is something

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<v Speaker 1>powerful about the object. I mean, the fact that you

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<v Speaker 1>can see the Space Shuttle um right in front of

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<v Speaker 1>you is really powerful. You feel the connection. I've seen

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<v Speaker 1>throughout my career people stand in front of a copy

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<v Speaker 1>of the Emancipation Proclamation or Chuck Berry's candy Apple red Cadillac,

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<v Speaker 1>and it stimulates conversation. So that, in essence, what we

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<v Speaker 1>should do with the Smithsonian is find the right tension

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<v Speaker 1>between tradition and innovation. We have to recognize that the

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<v Speaker 1>traditional stuff is good and we want people to enjoy it.

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<v Speaker 1>But now we also recognized it as a result of

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<v Speaker 1>the pandemic, more people are comfortable receiving content digitally. So

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<v Speaker 1>it really means that we just need to find the

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<v Speaker 1>right balance between serving the millions that will never get

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<v Speaker 1>to a museum, and the millions that actually come to

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<v Speaker 1>the Smithsonian. Now, during the COVID closing of the museums,

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<v Speaker 1>we had some race riots in Washington and other cities

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<v Speaker 1>around the country, and reaction to the death of a

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<v Speaker 1>number of people uh such as George Floyd. Um, how

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<v Speaker 1>is the Smithsonian reacting to that? I thought it was

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<v Speaker 1>really important to realize that in some ways, the Smithsonian

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<v Speaker 1>is the glue that holds a nation together, and it's

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<v Speaker 1>the kind of place that can bring people of different

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<v Speaker 1>political points of view together. So when when all of

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<v Speaker 1>the sort of angst and the pains happened as a

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<v Speaker 1>result of the murder of George Floyd and others, I

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<v Speaker 1>realized that the Smithsonian had a role to pay, that

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<v Speaker 1>we should be a place that would help the public

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<v Speaker 1>grapple with the things that have divided us. So one

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<v Speaker 1>of the things we did was we got support from

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<v Speaker 1>Bank of American created a program that looks at race,

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<v Speaker 1>community and our shared future to basically say, how do

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<v Speaker 1>we create town halls an opportunity for people to come

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<v Speaker 1>together to talk about what is divided us? How do

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<v Speaker 1>we use the resource of the Smithsonian our expertise on

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<v Speaker 1>African American culture to give people the kind of historical

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<v Speaker 1>guidance to help them live their lives. Now, the Smithsonian itself,

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<v Speaker 1>what about the diversity in the Smithsonian workforce and your

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<v Speaker 1>executives who helped run the museums. I think the Smithsonian,

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<v Speaker 1>like many places, has a lot of work to do. UM.

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<v Speaker 1>I'm very pleased that we've got some diverse leadership. UM,

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<v Speaker 1>we've got strong, diverse, playful, and different parts of the Smithsonian.

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<v Speaker 1>But I think that the Smithsonian needs to do a

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<v Speaker 1>better job because if we're going to help the public

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<v Speaker 1>grap with these issues, we've got to model it. Now.

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<v Speaker 1>There's a story about the secretary of the Smithsonian when

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<v Speaker 1>they had the Lafayette Park riots or whatever you wanna

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<v Speaker 1>call them, that he was wandering around looking for artifacts

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<v Speaker 1>he could pick up and take to the Smithsonian. Any

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<v Speaker 1>truth of that, Old curators can't break their habits. I

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<v Speaker 1>was down um at Lafayette Square talking to people looking

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<v Speaker 1>at some of the materials on the walls, collecting some

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<v Speaker 1>for the Smithsonian, but really directing others, saying here's some

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<v Speaker 1>stuff we should have. Well, you're walking around there and

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<v Speaker 1>you're saying I'm the secretary of the Smithsonian. Can I

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<v Speaker 1>have this? And the police are saying, how sure? I

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<v Speaker 1>had to show my idea? Okay, so you've got you

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<v Speaker 1>didn't get arrested. So what's the biggest challenge you have

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<v Speaker 1>at the Smithsonian right now other than getting ready for

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<v Speaker 1>an opening again after COVID, what's the biggest challenge of fundraising? Gillingly,

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<v Speaker 1>Members of Congress, what is the biggest I think first

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<v Speaker 1>of all the challenges that to make sure that the

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<v Speaker 1>Smithsonian has the stable funding it needs. Because of the pandemic,

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<v Speaker 1>We've lost millions of dollars. People aren't going to the

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<v Speaker 1>restaurants and shops, which has an impact on our research

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<v Speaker 1>and on staff. So really trying to make sure we

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<v Speaker 1>have the strongest financial model, because what it really means

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<v Speaker 1>is we've got to rethink some things. So rather than

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<v Speaker 1>just reopen our shops, we've got to build more e commerce.

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<v Speaker 1>So this is really allowing us to think creatively about

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<v Speaker 1>what the Smithsonian should be. So let's talk about your

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<v Speaker 1>background a moment um. You grew up in New Jersey,

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<v Speaker 1>in the Garden State, Okay, in the Garden State, and

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<v Speaker 1>what did you want to be when you're growing up,

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<v Speaker 1>I assume not the secretary of the Smithsonian, right. I

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<v Speaker 1>didn't want I didn't know what the Smithsonian was, but

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<v Speaker 1>I wanted to do something with history. I've always loved history.

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<v Speaker 1>And the story that is an absolutely true story, is

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<v Speaker 1>that my grandfather died the day before I turned five,

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<v Speaker 1>and he would read to me, and he would read

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<v Speaker 1>books and one day was reading a book and it

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<v Speaker 1>had a picture of school children, um and it was

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<v Speaker 1>probably from the eighteen sixties, and he said to me

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<v Speaker 1>that the picture said unidentified children. And then he said

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<v Speaker 1>something I've never forgotten. He said, isn't it a shame

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<v Speaker 1>people could live, their lives, die, and all that says

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<v Speaker 1>it's unidentified. And that got me trying to figure out

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<v Speaker 1>how do I understand what their lives were like? And

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<v Speaker 1>I began to look at photographs as a little kid

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<v Speaker 1>and try to imagine what were their jobs? Were they happy?

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<v Speaker 1>And it got me interested in history. So that was

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<v Speaker 1>the first step. And the second step was growing up

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<v Speaker 1>in the town I grew up in. There were very

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<v Speaker 1>few African Americans. In fact, I was only African American

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<v Speaker 1>in my elementary school, and there were people that treated

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<v Speaker 1>me horribly and others that treated me wonderfully. And I thought,

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<v Speaker 1>if I understood the history of this town, maybe i'd

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<v Speaker 1>understand me. When you were younger, your father would drive

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<v Speaker 1>you to the South, but you couldn't stop in many

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<v Speaker 1>places except one place that he did take you. So

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<v Speaker 1>we would drive from New Jersey to visit my mother's

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<v Speaker 1>family in North Carolina. And this was in jim Crow Era.

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<v Speaker 1>So we would load the carp with food and blankets

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<v Speaker 1>because he knew we couldn't stop. Um and what he

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<v Speaker 1>was the only driver in those stop because did no

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<v Speaker 1>place they would let black people stop. Um And so

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<v Speaker 1>I remember he was falling asleep, and he pulled off,

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<v Speaker 1>and he pulled into a motor court. Um And and

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<v Speaker 1>he pulled in, and my mother my brother were asleep,

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<v Speaker 1>and I was watching him, and he went out to

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<v Speaker 1>smoke a cigarette and I noticed he was standing under

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<v Speaker 1>a sign that said white only. And I was terrified.

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<v Speaker 1>I thought something's gonna happen, and I was just the wreck.

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<v Speaker 1>He finally comes back in the car. He recognizes that

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<v Speaker 1>I'm really worried, and he said to me something I've

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<v Speaker 1>never forgotten. He said, you know, this is my America too,

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<v Speaker 1>And it reminded me that no matter what happened, this

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<v Speaker 1>is part of my country and I want to do

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<v Speaker 1>whatever I can to make it fairer. And did he

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<v Speaker 1>ever bring it to the Smithsonian? And why did he

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<v Speaker 1>bring you to the the Smithsonian? For me, when we used

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<v Speaker 1>to go south, we would go past the museums, would

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<v Speaker 1>say museums in Richmond and Petersburg. And like many kids,

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<v Speaker 1>I was a Civil War buff and so I wanted

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<v Speaker 1>desperately to stop, and he would always find an excuse

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<v Speaker 1>not to stop um. And on the way back, I

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<v Speaker 1>remember taking out a map and plotting, saying, Okay, they're

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<v Speaker 1>twenty miles before we get to Richmond or Petersburg, and

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<v Speaker 1>I would sort of alert him, but he would always

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<v Speaker 1>keep going. But then instead of driving straight to New Jersey,

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<v Speaker 1>he pulled into Washington, and he pulled in front of

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<v Speaker 1>the Smithsonian, and he said, here is a place where

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<v Speaker 1>you can go learn about yourself in a museum and

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<v Speaker 1>not worry about the color of your skin. So for me,

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<v Speaker 1>the Smithsonian was always a place of fairness that for

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<v Speaker 1>a twelve or thirteen year old kid, this was a

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<v Speaker 1>place that said to me, here you can be who

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<v Speaker 1>you want, You can learn all you want and not

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<v Speaker 1>worry about the color of your skin. So being secretary

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<v Speaker 1>in a way was my way of thanking an institution

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<v Speaker 1>that embraced me when a few places did. So, you

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<v Speaker 1>came to Washington get your undergraduate education at American University,

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<v Speaker 1>and I did my graduate work there. So you're an

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<v Speaker 1>African American mayle. And this was the nine seventies. So

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<v Speaker 1>are there lots of job opportunities? Uh, there are very

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<v Speaker 1>few teaching jobs. Um. And I remember at the end

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<v Speaker 1>of my graduate career. UM, I was broke. I was

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<v Speaker 1>living on a teaching assistant salary. And there was a

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<v Speaker 1>returning student, she was forty years old, um, and she

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<v Speaker 1>said to me, you should go down to the Smithsonian

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<v Speaker 1>because her husband worked there and you can maybe get

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<v Speaker 1>a job. And I remember saying to her, who works

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<v Speaker 1>at the smith selling it's way you take dates because

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<v Speaker 1>it's free. I mean that was my notion of the Smithsonian. Well,

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<v Speaker 1>I went down and the man her husband was the

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<v Speaker 1>head of science, David Challenger, and he introduced me to

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<v Speaker 1>the secretary. As still in ripley, I didn't know the

0:11:11.840 --> 0:11:14.320
<v Speaker 1>secretary was and I'm not going to get a job,

0:11:14.360 --> 0:11:16.880
<v Speaker 1>so I'm in jeans. I've got a big afro, and

0:11:16.920 --> 0:11:18.640
<v Speaker 1>I sit there because I'm not gonna get a job,

0:11:18.960 --> 0:11:22.040
<v Speaker 1>very comfortable. And we talked for two and a half hours.

0:11:22.240 --> 0:11:24.240
<v Speaker 1>Then he says, you know, we might want to hire you,

0:11:24.280 --> 0:11:26.360
<v Speaker 1>and I could really I said, I wouldn't mind working

0:11:26.360 --> 0:11:28.680
<v Speaker 1>at the Museum of History and Technology. And he said

0:11:28.720 --> 0:11:30.520
<v Speaker 1>to me, we don't have any jobs there. We only

0:11:30.559 --> 0:11:32.600
<v Speaker 1>have a job at the Air and Space Museum. And

0:11:32.640 --> 0:11:35.640
<v Speaker 1>I said, I'm a nineteenth century historian, I know nothing

0:11:35.679 --> 0:11:38.080
<v Speaker 1>about air space and I hate airplanes. And then he

0:11:38.160 --> 0:11:40.760
<v Speaker 1>said language that was so instructive to me as a secretary.

0:11:40.800 --> 0:11:43.200
<v Speaker 1>He said, young man, how much money are you making now?

0:11:43.240 --> 0:11:45.280
<v Speaker 1>And I told him. He said, you make four times

0:11:45.280 --> 0:11:47.080
<v Speaker 1>that if you become and work for me at the

0:11:47.120 --> 0:11:49.360
<v Speaker 1>Air and Space Museum. I said, I'll become an Air

0:11:49.400 --> 0:11:52.240
<v Speaker 1>and Space employee. And that's really how my career began.

0:11:52.320 --> 0:11:56.040
<v Speaker 1>By luck. You also met your wife there. Aeron Space

0:11:56.120 --> 0:11:58.400
<v Speaker 1>was everything I met my wife there. I learned about

0:11:58.400 --> 0:12:01.280
<v Speaker 1>how to be a curator there, um I learned about

0:12:01.320 --> 0:12:04.559
<v Speaker 1>the wonders of the Smithsonian. So for me, my whole

0:12:04.600 --> 0:12:07.280
<v Speaker 1>life has been shaped in part by the Smithsonian. So

0:12:07.360 --> 0:12:09.040
<v Speaker 1>you were recruited away for a while to go to

0:12:09.080 --> 0:12:11.760
<v Speaker 1>California and the museum there, and what was that um?

0:12:11.800 --> 0:12:14.040
<v Speaker 1>I went away to run to be the first curator

0:12:14.040 --> 0:12:16.560
<v Speaker 1>of the California African American Museum, was the first state

0:12:16.600 --> 0:12:20.080
<v Speaker 1>funded museum that explored issues of race. And I went

0:12:20.080 --> 0:12:23.480
<v Speaker 1>there before the Olympics of four. So my big job

0:12:23.600 --> 0:12:25.719
<v Speaker 1>was to do a major exhibitional history of blacks in

0:12:25.760 --> 0:12:28.280
<v Speaker 1>the Olympics. You know, the Smithsonian taught me how to

0:12:28.280 --> 0:12:29.640
<v Speaker 1>be a scholar, didn't really teach you how to be

0:12:29.679 --> 0:12:31.840
<v Speaker 1>a curator. You came back, but then you were recruited

0:12:31.840 --> 0:12:34.400
<v Speaker 1>away to run the Chicago Historical Society. So we moved

0:12:34.400 --> 0:12:36.480
<v Speaker 1>to Chicago. Is that right? That's right? I was. I

0:12:36.520 --> 0:12:39.920
<v Speaker 1>was at American History for twelve years and wasn't gonna leave,

0:12:40.320 --> 0:12:44.240
<v Speaker 1>and Chicago recruited me, and I really wasn't planning ongoing.

0:12:44.480 --> 0:12:46.400
<v Speaker 1>But I had a meeting with the mayor and the

0:12:46.440 --> 0:12:50.400
<v Speaker 1>governor of Illinois and they said, this is a city

0:12:50.440 --> 0:12:53.200
<v Speaker 1>that has been tortured by race, and if you could

0:12:53.280 --> 0:12:55.520
<v Speaker 1>come and be the only African American running one of

0:12:55.520 --> 0:12:58.240
<v Speaker 1>our major institutions and do well, what an impact you

0:12:58.280 --> 0:13:01.439
<v Speaker 1>could have. And that appealed to me, so I came back,

0:13:01.520 --> 0:13:03.840
<v Speaker 1>and I came to Chicago and loved it and had

0:13:03.840 --> 0:13:06.439
<v Speaker 1>planned to stay there the rest of my career. Um,

0:13:06.520 --> 0:13:08.840
<v Speaker 1>when I got the call to think about would you

0:13:08.840 --> 0:13:10.400
<v Speaker 1>like to come back and help build the Nashville of

0:13:10.440 --> 0:13:13.800
<v Speaker 1>African American History and Culture. So there was a secretary

0:13:13.840 --> 0:13:16.520
<v Speaker 1>then who called you, and that was Larry S Larry Small,

0:13:16.960 --> 0:13:19.840
<v Speaker 1>and he said, come back and build this museum. And

0:13:19.880 --> 0:13:22.439
<v Speaker 1>you came back and you ultimately took the job. But

0:13:22.640 --> 0:13:24.319
<v Speaker 1>why didn't you take it? Because there was no money,

0:13:24.360 --> 0:13:26.280
<v Speaker 1>there was no land, there was no plan, and did

0:13:26.280 --> 0:13:29.560
<v Speaker 1>you know all that? You know? I wasn't sure how

0:13:29.559 --> 0:13:32.560
<v Speaker 1>many knows there were. Um. I knew that there was

0:13:32.760 --> 0:13:35.520
<v Speaker 1>no plan, and I knew that there was no site,

0:13:35.880 --> 0:13:38.600
<v Speaker 1>but I didn't know there were no staff and um.

0:13:38.640 --> 0:13:42.400
<v Speaker 1>But what I realized is that being an African American

0:13:42.480 --> 0:13:46.040
<v Speaker 1>running a major museum in Chicago nurtured my soul. I

0:13:46.120 --> 0:13:48.840
<v Speaker 1>was really happy, but I realized that if I could

0:13:48.840 --> 0:13:51.920
<v Speaker 1>help build this museum, we could really both nurture the

0:13:51.960 --> 0:13:55.640
<v Speaker 1>souls of my ancestors, but we could help America really

0:13:55.679 --> 0:13:57.920
<v Speaker 1>grap with race. And that's what brought me back. Now.

0:13:57.960 --> 0:14:01.640
<v Speaker 1>The museum opened right the for President Obama left office

0:14:01.720 --> 0:14:06.160
<v Speaker 1>and that was two and a very memorable ceremony. But

0:14:06.240 --> 0:14:09.160
<v Speaker 1>before we got to that ceremony, you had to get

0:14:09.200 --> 0:14:12.000
<v Speaker 1>an architect, to build a building, get a site, raise

0:14:12.080 --> 0:14:15.000
<v Speaker 1>the money, and get the artifacts. So let's go through that. UM.

0:14:15.120 --> 0:14:17.280
<v Speaker 1>Let's take the money. How much the cost to build

0:14:17.280 --> 0:14:21.600
<v Speaker 1>that museum? The museum basically cost five and fifty million

0:14:21.600 --> 0:14:26.880
<v Speaker 1>dollars to build, um, and we raised about six to

0:14:27.000 --> 0:14:29.680
<v Speaker 1>do that. Half of it was paid by the federal government,

0:14:29.680 --> 0:14:33.000
<v Speaker 1>in half um by wonderful philanthropists and donors. Did you

0:14:33.040 --> 0:14:35.200
<v Speaker 1>ever think you could raise that much from the private

0:14:35.200 --> 0:14:38.080
<v Speaker 1>sector when you started? When I told my mother that

0:14:38.200 --> 0:14:40.120
<v Speaker 1>I had to raise that amount of money, she said,

0:14:40.120 --> 0:14:43.880
<v Speaker 1>that's more money than God can count. So I wasn't sure, Um.

0:14:43.920 --> 0:14:45.880
<v Speaker 1>But one of my great strengths is to be able

0:14:45.920 --> 0:14:47.960
<v Speaker 1>to sort of look at the big picture and then

0:14:48.000 --> 0:14:50.200
<v Speaker 1>put my head down and do the work. And so

0:14:50.480 --> 0:14:53.400
<v Speaker 1>slowly but surely it began to work. So when you

0:14:53.520 --> 0:14:55.160
<v Speaker 1>got the money from the Congress, and you got the

0:14:55.200 --> 0:14:57.640
<v Speaker 1>money from the private sector, and then you had to

0:14:57.640 --> 0:14:59.640
<v Speaker 1>figure out where the are you gonna put in the

0:14:59.720 --> 0:15:03.800
<v Speaker 1>museum and artifacts? How many artifacts did you inherit um? Zero? Um?

0:15:03.840 --> 0:15:07.440
<v Speaker 1>We had no artifacts whatsoever, and at some point I thought, well,

0:15:07.440 --> 0:15:10.200
<v Speaker 1>do we just do it without artifacts? But it's the Smithsonian.

0:15:10.440 --> 0:15:13.080
<v Speaker 1>People come to see the rights fly or the Ruby Slipper,

0:15:13.360 --> 0:15:15.920
<v Speaker 1>So we needed to find these objects. And I didn't

0:15:15.920 --> 0:15:18.040
<v Speaker 1>know exactly how to do it. And one day I

0:15:18.080 --> 0:15:20.280
<v Speaker 1>sort of fell asleep in front of television and I

0:15:20.320 --> 0:15:23.040
<v Speaker 1>woke up an antique road show was on. I had

0:15:23.080 --> 0:15:25.560
<v Speaker 1>never heard of it, and so I suddenly said, what

0:15:25.640 --> 0:15:28.200
<v Speaker 1>a great idea. So I sold the idea called it

0:15:28.280 --> 0:15:32.040
<v Speaker 1>Saving African American Treasures, and we took curators and conservatis

0:15:32.040 --> 0:15:34.640
<v Speaker 1>from around the Smithsonian and went around the country and

0:15:34.680 --> 0:15:38.960
<v Speaker 1>help people preserve grandma'sles show or that nineteent century photograph.

0:15:39.200 --> 0:15:41.200
<v Speaker 1>And then people would bring things out and say do

0:15:41.280 --> 0:15:44.920
<v Speaker 1>you want this? And suddenly we found amazing things that

0:15:45.000 --> 0:15:47.680
<v Speaker 1>I wasn't sure we could find. How many artifacts totally

0:15:47.680 --> 0:15:51.120
<v Speaker 1>did you get? We collected over forty artifacts, of which

0:15:51.120 --> 0:15:54.240
<v Speaker 1>about four thousand were on display, and seventy percent of

0:15:54.240 --> 0:15:57.760
<v Speaker 1>them came from people's came from basement's trunks and attics

0:15:57.800 --> 0:16:00.400
<v Speaker 1>of people's homes. Okay, and how many people have visited

0:16:00.480 --> 0:16:03.040
<v Speaker 1>so far? Over seven and a half million people, and

0:16:03.080 --> 0:16:05.360
<v Speaker 1>it's one of the few museums at the Smithsonian up

0:16:05.400 --> 0:16:07.800
<v Speaker 1>to now where you don't you can't just walk in

0:16:07.840 --> 0:16:09.920
<v Speaker 1>because you need tickets because it's demand is so great.

0:16:10.360 --> 0:16:12.600
<v Speaker 1>Um and did you expect the demand be that great?

0:16:13.040 --> 0:16:14.760
<v Speaker 1>I did, and I knew it would be popular. It's

0:16:14.800 --> 0:16:17.800
<v Speaker 1>the Smithsonian, but it really has become a pilgrimage site

0:16:18.000 --> 0:16:21.760
<v Speaker 1>for many people, for African Americans, for non African Americans.

0:16:21.880 --> 0:16:24.440
<v Speaker 1>And we expected four thousand people a day. We were

0:16:24.440 --> 0:16:27.000
<v Speaker 1>getting eight thousand people a day. So we had to

0:16:27.040 --> 0:16:29.040
<v Speaker 1>actually say you have to have tickets to get people

0:16:29.080 --> 0:16:32.520
<v Speaker 1>in because the crowds were so great. So every congressman

0:16:32.520 --> 0:16:34.800
<v Speaker 1>and center is calling it for tickets. Him, I am

0:16:34.880 --> 0:16:39.920
<v Speaker 1>everybody's best friend. Let's go back to the opening day

0:16:40.080 --> 0:16:42.560
<v Speaker 1>A right, so you've worked on this for how many years?

0:16:42.560 --> 0:16:45.800
<v Speaker 1>Eleven years? Eleven years? You started with nothing? It opens

0:16:45.840 --> 0:16:49.960
<v Speaker 1>in September of team and who was there? Who were

0:16:50.000 --> 0:16:53.480
<v Speaker 1>the dignitaries? It became a who's who? I mean? On

0:16:53.520 --> 0:16:58.280
<v Speaker 1>the stage was president and Mrs Bush, president of Mrs Obama. UM.

0:16:58.320 --> 0:17:01.200
<v Speaker 1>I was seated next to John Lewis, UM, the Chief

0:17:01.280 --> 0:17:05.120
<v Speaker 1>Justice was there, other super senior people from the Smithsonian,

0:17:05.560 --> 0:17:09.960
<v Speaker 1>Um and in the audience were who's who who's almost

0:17:10.000 --> 0:17:14.040
<v Speaker 1>every political figure was there, so many people from entertainment

0:17:14.080 --> 0:17:17.000
<v Speaker 1>and sport. And what I was so moved by is

0:17:17.040 --> 0:17:20.160
<v Speaker 1>the people who wanted to participate in the program, Oprah

0:17:20.160 --> 0:17:23.639
<v Speaker 1>Winfrey and Will Smith and Robert de Niro, so that

0:17:23.760 --> 0:17:26.359
<v Speaker 1>it really became more than I could have ever imagined.

0:17:26.600 --> 0:17:29.560
<v Speaker 1>It was less an opening of a museum and more

0:17:29.640 --> 0:17:32.159
<v Speaker 1>a celebration of a culture. So were you worried that

0:17:32.280 --> 0:17:34.879
<v Speaker 1>something would go wrong that day? I was terrified. I

0:17:34.920 --> 0:17:38.520
<v Speaker 1>was terrified that um I would mess up. I was

0:17:38.640 --> 0:17:42.600
<v Speaker 1>terrified that somebody would UM not enjoy themselves. I was

0:17:42.720 --> 0:17:45.000
<v Speaker 1>terrified that we wouldn't get the crowds that I hoped,

0:17:45.280 --> 0:17:47.480
<v Speaker 1>and instead we got tens of thousands of people on

0:17:47.560 --> 0:17:51.280
<v Speaker 1>the mall. Um it became an opportunity where I thought

0:17:51.359 --> 0:17:54.119
<v Speaker 1>some of the best speechmaking I've ever heard. I thought

0:17:54.160 --> 0:17:58.240
<v Speaker 1>President Bush gave a powerful speech about how um a

0:17:58.320 --> 0:18:01.119
<v Speaker 1>great nation confronts it's just three doesn't run from it.

0:18:01.480 --> 0:18:05.760
<v Speaker 1>President Obama talked, oh just beautifully about what this meant

0:18:05.800 --> 0:18:08.640
<v Speaker 1>to him and his family, but clearly the late John

0:18:08.680 --> 0:18:12.560
<v Speaker 1>Lewis stole the show, talked about how this museum was

0:18:12.600 --> 0:18:15.600
<v Speaker 1>the culmination of the civil rights movement for him, and

0:18:15.640 --> 0:18:18.960
<v Speaker 1>that this was really something that he was proudest of.

0:18:19.080 --> 0:18:21.560
<v Speaker 1>And I'll be honest, I was so grateful to be

0:18:21.600 --> 0:18:24.000
<v Speaker 1>able to help fulfill his dream. It was just a

0:18:24.000 --> 0:18:27.399
<v Speaker 1>special day. President Bush forty three had signed the legislation

0:18:27.440 --> 0:18:30.880
<v Speaker 1>with approved the museum, and President Obama was president when

0:18:30.880 --> 0:18:33.320
<v Speaker 1>it was open. I think he had to you make

0:18:33.320 --> 0:18:35.800
<v Speaker 1>sure it's open while I'm in office. He did. He

0:18:35.920 --> 0:18:38.159
<v Speaker 1>would say to me, you've got to let me clip

0:18:38.200 --> 0:18:40.400
<v Speaker 1>cut the ribbon, and so that was great. I would

0:18:40.400 --> 0:18:42.359
<v Speaker 1>go to construction people and say I was talking to

0:18:42.400 --> 0:18:44.359
<v Speaker 1>the President. He says, we got to move a little quicker.

0:18:45.040 --> 0:18:48.399
<v Speaker 1>So okay. So most people don't have a chance to

0:18:48.440 --> 0:18:50.879
<v Speaker 1>do two great things in life. One great thing is

0:18:50.920 --> 0:18:53.880
<v Speaker 1>pretty good for people. You built this museum. You deserve

0:18:54.040 --> 0:18:55.679
<v Speaker 1>the lion's share of the credit, if not all the

0:18:55.680 --> 0:18:58.040
<v Speaker 1>credit taken from nothing to this great museum. It's very

0:18:58.040 --> 0:19:00.600
<v Speaker 1>popular and so forth. Why did you want to be

0:19:00.840 --> 0:19:04.240
<v Speaker 1>Smith's of the Smithsonian secretary? Because, as your mother would

0:19:04.280 --> 0:19:05.560
<v Speaker 1>say to you, what do you need that for? You

0:19:05.600 --> 0:19:07.520
<v Speaker 1>already have a great job. And besides, you have the

0:19:07.560 --> 0:19:10.000
<v Speaker 1>best opposite in Washington. You have a great view of

0:19:10.000 --> 0:19:12.399
<v Speaker 1>the Washington Monument at the top of the African American

0:19:12.400 --> 0:19:14.680
<v Speaker 1>History and Culture Museum. Why did you want this job

0:19:15.200 --> 0:19:18.399
<v Speaker 1>because you told me to what I What I really

0:19:18.440 --> 0:19:21.439
<v Speaker 1>realized is that I loved what I did, and I

0:19:21.560 --> 0:19:24.880
<v Speaker 1>knew that I had the best view. I could see everything. Uh.

0:19:24.960 --> 0:19:27.440
<v Speaker 1>The story is, I took President Obama through the museum

0:19:27.640 --> 0:19:29.280
<v Speaker 1>and he came to my office and he said, you

0:19:29.359 --> 0:19:31.040
<v Speaker 1>got a better view than I do. And I said,

0:19:31.160 --> 0:19:34.359
<v Speaker 1>we only worked eight years. I worked eleven um and

0:19:34.680 --> 0:19:38.880
<v Speaker 1>but I realized that I didn't need to accomplish anything

0:19:39.040 --> 0:19:41.919
<v Speaker 1>so I could give everything to the Smithsonian. This was

0:19:42.000 --> 0:19:45.480
<v Speaker 1>really my opportunity to say, how do I bring, you know,

0:19:45.560 --> 0:19:49.080
<v Speaker 1>more than twenty five years of Smithsonian experience to the

0:19:49.160 --> 0:19:51.480
<v Speaker 1>four How do I give back to the place that

0:19:51.520 --> 0:19:53.679
<v Speaker 1>has meant so much to me? And how do I

0:19:53.800 --> 0:19:57.280
<v Speaker 1>help the Smithsonian really rethink itself as the twenty one

0:19:57.400 --> 0:20:00.400
<v Speaker 1>century institution. Why do you regard this as saw an

0:20:00.400 --> 0:20:03.000
<v Speaker 1>important job for you to do because of you're an

0:20:03.000 --> 0:20:05.480
<v Speaker 1>African American, because you're an American? Why do you care

0:20:05.480 --> 0:20:08.919
<v Speaker 1>about the Smithsonian so much? In part as an American?

0:20:09.200 --> 0:20:12.440
<v Speaker 1>The Smithsonian is this amazing treasure that it really is

0:20:12.480 --> 0:20:15.239
<v Speaker 1>a reservoir that the public can dip into to not

0:20:15.359 --> 0:20:18.160
<v Speaker 1>just understand the past, but to have a better sense

0:20:18.200 --> 0:20:20.879
<v Speaker 1>about who we are now and really point us towards

0:20:20.880 --> 0:20:23.840
<v Speaker 1>a better future. It is a reservoir that says, you

0:20:23.880 --> 0:20:27.080
<v Speaker 1>want to understand about space, We're here to do that.

0:20:27.240 --> 0:20:29.760
<v Speaker 1>You want to understand about our history, We're also able

0:20:29.800 --> 0:20:31.359
<v Speaker 1>to help you do that. You want to see the

0:20:31.440 --> 0:20:34.680
<v Speaker 1>creativity of people artistically, We're here to do that as well.

0:20:34.880 --> 0:20:38.359
<v Speaker 1>So in some ways, the Smithsonian really is a great

0:20:38.600 --> 0:20:42.320
<v Speaker 1>source of information and creativity that I want the public

0:20:42.359 --> 0:20:45.439
<v Speaker 1>to really draw from. And so I feel honored to

0:20:45.480 --> 0:20:47.520
<v Speaker 1>be the secret I feel humble, to be honest to

0:20:47.560 --> 0:20:51.800
<v Speaker 1>be the Secretary because every day I learned something new,

0:20:51.920 --> 0:20:53.760
<v Speaker 1>and I want the public to be able to learn

0:20:54.000 --> 0:20:58.040
<v Speaker 1>from the Smithsonian every day. Lonnie Bunch, Secretary of the Smithsonian,

0:20:58.160 --> 0:21:02.679
<v Speaker 1>on the David Rubinstein Show. A period peer conversations, and

0:21:02.800 --> 0:21:05.080
<v Speaker 1>that's it for this hour of Bloomberg Best. I'm Ed

0:21:05.160 --> 0:21:12.000
<v Speaker 1>Baxter and I'm Denise PELEGRENI. This is Bloomberg. Yeah,