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Speaker 1: Gets your ball bowl.

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Speaker 2: We were won on one on our bets last night, Amy,

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Speaker 2: So the Thunder did win, they did cover, but chet

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Speaker 2: holmwred and I have a double double, so we're back

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Speaker 2: to even. So just heads up.

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Speaker 3: I love even, I love winning.

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Speaker 4: I love even. I just don't like losing, but it

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Speaker 4: comes with it sometimes.

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Speaker 2: So yeah, he just talked me all around. Yeah, I

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Speaker 2: would say love winning, be fine with even. Don't like losing,

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Speaker 2: but yes you have you do lose some. But we're

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Speaker 2: back to even. Correct, Okay, good, Just making sure did

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Speaker 2: you watch Amy?

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Speaker 5: No? Okay?

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Speaker 2: I So the weather is bad in Arkansas and the

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Speaker 2: Arkansas Awtfall game is supposed to be tonight at seven pm,

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Speaker 2: so we're gonna leave it like one or two today

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Speaker 2: to get over there. The game is now at eleven

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Speaker 2: o'clock am, So we're finishing the show and I have

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Speaker 2: to go right now to go get to the game

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Speaker 2: in time. So that's where what I'm about to do.

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Speaker 2: But we're gonna play a full timergrawl interview. But what

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Speaker 2: happened on the show was we just ad Tim. But

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Speaker 2: there were a lot of these great rodeo like current

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Speaker 2: ranked high rodeo athletes, right what do you call them athletes? Rodents?

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Speaker 5: No, No, it's definitely not.

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Speaker 2: Okay, I don't know what you call them, like rodeo

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Speaker 2: rodeo or rodeo stars. But they came in too, and

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Speaker 2: we did a big talk with them as well, So

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Speaker 2: we're gonna play that as part of this. So you're

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Speaker 2: gonna hear Tim McGraw and you can hear all the cowboys,

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Speaker 2: all the rodeos, sure, past and president and enjoy and

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Speaker 2: we will see you guys. We will have a new

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Speaker 2: show on Monday, So be back. We will have a

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Speaker 2: new show on Monday. All right, buy everybody on the

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Speaker 2: Bobby Bones Show now, Tim, good to see you, buddy,

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Speaker 2: You too, man, Before we talk about the real stuff

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Speaker 2: I want to talk about, like the live stuff.

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Speaker 5: Are you Are you okay getting there? Yeah?

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Speaker 2: I know you had all the surgeries.

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Speaker 5: I had a gosh three back surgeries, oh wow, double

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Speaker 5: knee replacements. So why all it was the last six

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Speaker 5: six eight months?

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Speaker 2: Well, you put it all off and you did all

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Speaker 2: at once, like a wholesale like you go to Yeah,

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Speaker 2: you know.

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Speaker 5: Yeah, I had had a back before tour last year

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Speaker 5: and that sort of went south on me at the

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Speaker 5: beginning of the tour and so sort of compensating for that.

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Speaker 5: My knees went out like three weeks into the tour,

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Speaker 5: so I had to finish the tour with my knees

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Speaker 5: completely gone and my back gone. And then as soon

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Speaker 5: as I got off tour, I went in and had

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Speaker 5: the surgeries done, and then I had my knee surgeries done.

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Speaker 5: And then in the process of recovering from my knee surgeries,

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Speaker 5: my back when went out again, I had to have

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Speaker 5: another back surgery. So some mornings are better than others.

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Speaker 2: But yeah, I saw you on slowly getting better a

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Speaker 2: billboard and it was like Tim Agree playing the Big

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Speaker 2: the Rodeo here. Yeah, yeah, the Big Rodeo and three nights,

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Speaker 2: but your nights May thirty first. And I saw you

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Speaker 2: up there and I thought, damn, because I know you

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Speaker 2: have the surgeries. So are you in performance? Are you

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Speaker 2: having to get back and performance shape?

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Speaker 5: And yeah, I'm having to That's where I'm at now.

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Speaker 5: It's slowly trying. You know, the lot of rehab, a

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Speaker 5: lot of PT Now I'm slowly getting back into some

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Speaker 5: sort of routine. It's very light, but uh, working my

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Speaker 5: way up to it.

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Speaker 2: Wow. Yeah, that sucks I'm sorry that I hope that

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Speaker 2: you feel good like it can get back? What can

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Speaker 2: you get back? Ceiling? Like, can you get back to

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Speaker 2: one hundred percent?

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Speaker 5: I'll get close, hopefully one hundred percent.

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Speaker 2: But we'll see the song that you got Parker McCall

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Speaker 2: him to do your paper umbrellas. Park was perfect for it.

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Speaker 5: That's what we thought. You know, that song is on

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Speaker 5: the Standing Room Only album. It's one of my favorite

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Speaker 5: cuts on the album, and I always wanted it to

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Speaker 5: see the light of day. And when it came time

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Speaker 5: to pick another single, I wanted something off of that album,

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Speaker 5: and there were about three songs and that was the

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Speaker 5: first choice, and then I wanted, you know, a new

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Speaker 5: artist on it sort of freshen it up because you know,

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Speaker 5: it had been on the album for so long and

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Speaker 5: people had heard it. And Parker was our first choice

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Speaker 5: because I like the music. I thought his voice and

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Speaker 5: the type of music he does fit that song perfectly.

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Speaker 5: And you know, the biggest fear you have is when

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Speaker 5: you ask somebody to sing on a song that they're

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Speaker 5: not going to like the song when you send it

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Speaker 5: to him, and he loved it and put his vocal

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Speaker 5: on it and did a great job on it, so

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Speaker 5: we decided to go with it.

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Speaker 2: Yeah, and I do, and I know Parker, and I

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Speaker 2: do know he loved the song. I think I would

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Speaker 2: worry because I am so anxious and neurotic about everything

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Speaker 2: that if I asked and they were like, oh, I

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Speaker 2: feel like I should do this song by Tim McGraw

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Speaker 2: and I want to do it, and he doesn't say no,

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Speaker 2: but he still does it, but still doesn't like it.

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Speaker 2: I don't like the song, Yeah, like I would go

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Speaker 2: through that. I'd spin in circles. I'd have such neurosis.

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Speaker 2: Do you have neurosis at all about what songs you cut?

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Speaker 2: Do you have a second guess them after you're done,

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Speaker 2: or do you just feel like this is it and

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Speaker 2: I'm gonna go.

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Speaker 5: No, I'm pretty you know. I listen to so many songs,

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Speaker 5: you know, And I write for every album. I always

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Speaker 5: write stuff, and I have an idea of the songs

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Speaker 5: that I want to do, and so I write for it,

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Speaker 5: and then I think I've got five or six really

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Speaker 5: good ones that are gonna work, and then all of

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Speaker 5: a sudden, you know, the Warm Boys or Tom Douglas

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Speaker 5: or Laurie McKenna send me a song that's sort of

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Speaker 5: the same subject matter that I'd written about, and I go, well, damn,

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Speaker 5: that's way better than minds of mine goes down the list.

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Speaker 5: But every now and then one or two of my

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Speaker 5: make it. But I always have, you know, fifteen or

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Speaker 5: twenty songs to go to the studio with, wuld cut them.

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Speaker 5: And you know, some of your favorites you think are

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Speaker 5: going to be great when you finish them out, they

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Speaker 5: don't turn out as good as you wanted. And some

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Speaker 5: of the ones you thought were sort of the lower

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Speaker 5: ones on the totem pole rise up and become better

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Speaker 5: after you record them.

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Speaker 2: What about in the middle of the creative process? It

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Speaker 2: could be songwriting, it could be acting. But do you

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Speaker 2: ever get so far in the middle you can't even

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Speaker 2: judge your own work anymore because you're so in it.

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Speaker 5: No, well, well, actings is a different story, because I

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Speaker 5: never like what I do doing that.

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Speaker 2: You know, it's hard to watch yourself.

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Speaker 5: It's hard to watch yourself because all I see is

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Speaker 5: me pretending to be someone else. You know, because you

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Speaker 5: know yourself so well. That's the toughest music. Not so

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Speaker 5: much music is you know, you go in I'm pretty

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Speaker 5: solid and sure about what I like and what I

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Speaker 5: want to do, and when it's all said and done

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Speaker 5: and when we finish it and mix it all out,

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Speaker 5: you know, I know instantly which ones are going to

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Speaker 5: for me, You're going to work or not.

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Speaker 2: If you're doing a live show and you see a

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Speaker 2: couple and you could tell that probably maybe the guy

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Speaker 2: got dragged by his wife or she got dragged by

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Speaker 2: the husband, and one of them is like it singing everyone,

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Speaker 2: and the other one's like.

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Speaker 5: Oh, I've had that.

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Speaker 2: Yeah, what how do you?

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Speaker 5: What do you do well? To me, it's odd because

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Speaker 5: you know there could be you know, twenty five thousand

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Speaker 5: people are having a great time, and I can spot

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Speaker 5: one person who just wishes they weren't there, and it's

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Speaker 5: like a challenge to me to win them over.

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Speaker 2: So you take it and you try to win them.

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Speaker 5: I try to win that one person over that's not

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Speaker 5: getting into and it's usually a husband probably that doesn't

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Speaker 5: want to be there.

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Speaker 1: Here.

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Speaker 2: I had to look at foreheads because when I looked

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Speaker 2: at faces, I started thinking that whatever I felt about

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Speaker 2: their face or how I would do that face meant

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Speaker 2: that's how they were feeling, like projecting. And once I

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Speaker 2: was doing a stand up show and this guy was

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Speaker 2: he's hating it. I knew he didn't want to be there. Yeah,

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Speaker 2: And at the end he came back like a meet

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Speaker 2: and greet after the show, and he was like, I

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Speaker 2: loved it. And that was kind of where it's like, Oh,

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Speaker 2: just because he had a face that I would have

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Speaker 2: had if I wasn't doesn't mean that's his not enjoying it.

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Speaker 2: Nice right, because I started serting my feelings into people

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Speaker 2: in the crowd.

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Speaker 5: Yeah, you started projecting with how you would react as

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Speaker 5: opposed to how somebody else reacts. I had that before

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Speaker 5: I had this tour. I had. There's one guy and

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Speaker 5: during the middle of the show he just kept flipping

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Speaker 5: me off no way, and his wife was having a

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Speaker 5: great time, she was enjoying it. And every time I'd

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Speaker 5: look over, he'd be going flipping me off and saying

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Speaker 5: you suck, you suck, and all this kind of stuff.

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Speaker 4: So, oh my god.

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Speaker 5: So I kept like, I'm gonna work this guy. I'm

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Speaker 5: gonna work this guy. So about halfway through it, he walks.

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Speaker 5: He starts walking to the front of stage, making his

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Speaker 5: way front stage, and I'm thinking, all right, this is

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Speaker 5: gonna go one or two ways here and he walks

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Speaker 5: up and he's a military guy, and he hands me

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Speaker 5: and does the coin thing, shakes my hand and gives

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Speaker 5: me a thumbs up, and I'm like, all right, I

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Speaker 5: want him over.

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Speaker 2: Weird communication way early communication was it's a little odd,

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Speaker 2: the middle finger on the whole early part.

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Speaker 5: I know I did switched halfway through.

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Speaker 2: It was Stone call Steve Austin. Did know that was Stone?

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Speaker 2: Culs I love you.

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Speaker 5: If it was stonecalls Steve Austin And he was walking

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Speaker 5: towards the stage and been flipping me off a bail.

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Speaker 5: That's it.

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Speaker 2: Hey, your daughter off Broadway? The babe, Okay, that's pretty awesome.

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Speaker 2: The last time I talked to you were in New York.

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Speaker 5: Yeah.

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Speaker 2: How do you feel watching somebody you love do something

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Speaker 2: that you love? Oh?

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Speaker 5: It makes me more nervous than anything that I do.

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Speaker 5: Same when Faith was like when we were torn together,

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Speaker 5: I'm more nervous for her than I am for me.

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Speaker 5: And then you watch your daughter on Broadway. And then

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Speaker 5: just a couple of weeks ago we went up and

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Speaker 5: she did a performance at Carnegie Hall that's going to

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Speaker 5: be on PBS on Veterans today, So you get way

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Speaker 5: more nervous to the point of shaking when your kids

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Speaker 5: are doing it.

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Speaker 2: Did you try to talk her out of pursuing being

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Speaker 2: creative for a career or.

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Speaker 5: No, I mean to me, it's with my girls. It's

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Speaker 5: always been, you know, chase your passion. Whatever your passion is,

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Speaker 5: chase it, no matter. Don't worry about money, don't worry

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Speaker 5: about you know what kind of job it is. If

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Speaker 5: you have a passion for something, chase it, because that's

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Speaker 5: going to be where your enjoyment and life comes out of.

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Speaker 2: What do you think the key to your longevity is?

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Speaker 2: And I'm going to ask that and then also give

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Speaker 2: a little of context here. At times we'll be talking about,

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Speaker 2: you know, biggest artists of the eighties, nineties, two thousands,

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Speaker 2: and there's like three decades including right this second, where

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Speaker 2: you have extreme relevance. That's very rare. There's like two

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Speaker 2: people that we go nineties artists but really aren't considered

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Speaker 2: nineties artists even though they were crushing it into the nineties.

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Speaker 2: And you and Chesney are kind of those guys who

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Speaker 2: are still relevant today as much as you were twenty

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Speaker 2: five years ago. Why.

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Speaker 5: I don't know I'd like to think it's the music

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Speaker 5: as much as anything. Songs I think for me the

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Speaker 5: bottom line, because you know, everybody in this town can sing.

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Speaker 5: Everybody in this town sings great. Every artist is an

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Speaker 5: artist for a reason. But the songs at the end

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Speaker 5: of the day, the songs are the thing that make

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Speaker 5: the mark. It's not necessarily the artist. To me, it's

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Speaker 5: the songs. And if you have good songs, I think

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Speaker 5: that's the key to longevity.

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Speaker 2: Is there anybody that you're close with that's part of

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Speaker 2: your immediate team that has walked alongside you and as

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Speaker 2: country music has changed even sonically instrumentally that I said, hey,

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Speaker 2: why don't we shift it a bit? And that has

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Speaker 2: kept your sound relevant.

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Speaker 5: Yeah. I mean, I don't know if there's anybody around

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Speaker 5: me that's done that. It's more, you know, I know

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Speaker 5: what I do, and I know what I do well.

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Speaker 5: But also here stuff that I like, and I hear

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Speaker 5: newer stuff that I like, older stuff that like, pop stuff,

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Speaker 5: rock stuff that I like, and I'll hear different sounds

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Speaker 5: or different mixing techniques or you know, different instrumentation that

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Speaker 5: I haven't used.

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Speaker 2: Before, so you'll chase that.

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Speaker 5: So I don't knows, Sarah, I don't know if i'd

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Speaker 5: call it chasing, but I will steal stuff sometimes and

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Speaker 5: then sort of change it in the way that sounds

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Speaker 5: more like me, if that makes any sense.

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Speaker 2: The appropriate way.

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Speaker 5: And I've done and I'm experimented with different things, you know,

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Speaker 5: different progressive sort of things, and I'm always experimenting with music,

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Speaker 5: trying different things. I don't think that there's a particular

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Speaker 5: style that I consistently do. I mean, there's probably a

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Speaker 5: consistent thread and the sound of my music, but style wise,

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Speaker 5: I think every album's got a lot of different styles

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Speaker 5: on it. But you know, I've done stuff like Looking

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Speaker 5: for That Girl and stuff like that. They're sort of

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Speaker 5: way left of center of what I usually do, just

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Speaker 5: to experiment a little bit.

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Speaker 2: The appropriate way for me to ask that question would

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Speaker 2: have been chasing. But you're not opposed to trying something

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Speaker 2: similar to what you've heard and liked, even if it's

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Speaker 2: a bit different.

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Speaker 5: Yeah, I'm not opposed to that. I mean, you incorporating

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Speaker 5: into what I do, not I wouldn't call it copying.

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Speaker 5: Influenced by it, yeah, influenced by it exactly? What's that

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Speaker 5: old saying that something something borrows genius steals something like that.

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Speaker 5: I forget the exact phrase what it is.

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Speaker 2: Yeah, I think it's for me once. Shame on you

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Speaker 2: for me never get fooled again.

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Speaker 5: Well back to your while your career has been going along,

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Speaker 5: I'm pretty good at fooling people.

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Speaker 2: Like yeah, me too, same good artists borrow great artist steel.

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Speaker 5: Yeah that's it.

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Speaker 2: Yeah, yeah, yeah. Another thing that you do. And I'm

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Speaker 2: just gonna glaze a little bit. Is you still singing

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Speaker 2: the same key? How? Like you said you're fifty eight?

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Speaker 2: Almost I was, They're going to go chase the round

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Speaker 2: number fifty. You sing really high.

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Speaker 5: I you know what it's It's odd because I think

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Speaker 5: people don't realize I sing as high as I do

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Speaker 5: because my voice is kind of thick. So when sometimes

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Speaker 5: an artists come out and sing a song with me,

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Speaker 5: like I like it, I love it, or something, I've

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Speaker 5: come on stage and they think, oh I know that song,

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Speaker 5: I'll go out and start singing it. Go whoa. This

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Speaker 5: is way higher than I realized it was.

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Speaker 2: Have you had to even consider any sort of key

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Speaker 2: change anyally?

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Speaker 5: Not yet. There's there's a few songs that are pushed

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Speaker 5: in the envelope right now.

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Speaker 2: What's the hardest one to sing?

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Speaker 5: Oh gosh, well, standing room only that that single was

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Speaker 5: one that's tough to sings. There's some really high spots

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Speaker 5: in it.

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Speaker 2: You have a record one to go, I have to

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Speaker 2: sing this the whole time, not because you don't love

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Speaker 2: the song, because it's you have to record it so high,

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Speaker 2: or you recorded in a way that it's going to

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Speaker 2: be difficult to perform every night.

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Speaker 5: There's been a few of those, Yeah, a few of those,

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Speaker 5: and you find ways to adjust to it.

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Speaker 2: That's why I don't record albums. I don't have to

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Speaker 2: sing them because I can't sing them.

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Speaker 5: Luckily, there's been a few songs that that that I've

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Speaker 5: really loved, that that I could probably only pull off

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Speaker 5: like once a month. That is so high, you know, do.

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Speaker 2: You because you can't do all your number ones because

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Speaker 2: you have forty six. I look, before you came in,

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Speaker 2: you have forty six number ones, almost one for every

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Speaker 2: state in the Union. Forty nine he has forty nine. Wow,

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Speaker 2: you have win.

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Speaker 5: You won more then one more and I'll be I'll

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Speaker 5: have the states covered. Yeah, except Canada, which you know

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Speaker 5: that will be fifty one if it we have to

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Speaker 5: fit to a first state.

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Speaker 2: Yeah, that's a that's a big one though. Uh okay,

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Speaker 2: So we have a little we have some guests who

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Speaker 2: that Tim brought with him. And by the way, I'm

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Speaker 2: going to say this again, Tim, we have paper umbrellas

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Speaker 2: with Parker McCollum, which we played. And then secondly, the

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Speaker 2: three nights of the rodeo in Nashville are happening, and

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Speaker 2: Tim does May thirty first, and so Reeb is doing it,

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Speaker 2: Jelly Rolls doing it, you're doing I saw the three

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Speaker 2: pictures on the yeah, on the and is this the

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Speaker 2: first time that it's been here? Don't I'm not familiar with.

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Speaker 5: This is the very first time there's been a PRCA

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Speaker 5: rodeo in Nashville, full, full on rodeo.

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Speaker 2: And who's here with you?

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Speaker 5: Gosh, Patrick Humes, Tim O'Connell, Cole.

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Speaker 2: Gosh, I just saw a bunch of cowboy Yeah, and Ropes.

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Speaker 5: Wrote. We got a Cody Custer, who's a world champion

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Speaker 5: bull rider, a Hall of Famer retired now, but he's here.

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Speaker 5: Tim O'Connell's three time world champion bare back rider, Cole's

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Speaker 5: bare back rider working on a championship. We joke about

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Speaker 5: it all the time. That he's he's the one who

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Speaker 5: hadn't won a championship yet, but he's he's headed that direction.

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Speaker 5: Will they come in, they'll come in and then, and

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Speaker 5: we also have Patrick Humes, who is our partner in

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Speaker 5: bringing this rodeo to town. He's the one that brought

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Speaker 5: the idea to us with my company down home, and

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Speaker 5: we co produced it together and bring it to town.

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Speaker 2: Well, let's let's bring them in break cowboys.

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Speaker 5: We'll come in with the real cowboys, the drugstore cowboys.

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Speaker 2: All right. Tim McGraw's here, we'll bring in the other

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Speaker 2: Cowboys'll be back in a second.

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Speaker 1: On the Bobby Bones Show now.

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Speaker 2: And I would like to introduce you by name because

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Speaker 2: Tim McGraw's here, but he brought in a bunch of friends.

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Speaker 2: I've never felt less masking in my life. There have

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Speaker 2: been times I'm often less massive.

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Speaker 5: With the sweater helps the car.

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Speaker 2: In my peak undershirt.

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Speaker 1: Thank you.

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Speaker 2: That's probably a part of it too, Uh, Pat, tell

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Speaker 2: me tell me about yourself. Who are you?

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Speaker 6: I moved here like three and a half years ago

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Speaker 6: from Colorado. I grew up in Northern Nevada and rodeo family,

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Speaker 6: and I rodeoed in high school, and I tried to

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Speaker 6: get it and pro and was good enough. So I

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Speaker 6: decided to go into architecture and real estate development. And

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Speaker 6: we moved down here and there wasn't rodeo in Nashville,

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Speaker 6: so we decided.

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Speaker 2: To fix it, brought one here. You and Tim partnered up. Yeah,

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Speaker 2: so how do you get Tim to be involved? How

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Speaker 2: does that conversation happen?

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Speaker 5: You know?

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Speaker 6: Honestly, it was when we were coming down here and

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Speaker 6: figuring out who we needed a partner with. He was

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Speaker 6: top of our list and we were just hoping and

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Speaker 6: praying that we could reach out get in contact with

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Speaker 6: him and he'd be interested in doing it, and luckily

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Speaker 6: he did.

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Speaker 5: No brainer for me.

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Speaker 2: Also, Coal Cole Reiner. Yeah, Cole, you're number twenty in

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Speaker 2: the world right now. Bare back riding.

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Speaker 7: That's embarrassing.

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Speaker 2: Yeah, oh you mean it a bad way. You want

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Speaker 2: to be number one? That's a joke. I have a

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Speaker 2: lot of time so bareback, and that is so Monco

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Speaker 2: had horses and I would ride bareback because I did

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Speaker 2: not to put the saddle on. Yeah, that's but that's

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Speaker 2: just what you do. You just do it competitively and

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Speaker 2: like really good.

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Speaker 7: So you're the bareback riding you're talking about was without

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Speaker 7: a saddle. We actually have what's called a rigging. It's

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Speaker 7: like a little bit so it started with a rope

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Speaker 7: because someone didn't have a saddle and they want to

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Speaker 7: ride a horse. But now it's turned into like a

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Speaker 7: hard piece of raw hide basically, and we stick our

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Speaker 7: hand in there and you can't really get it out.

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Speaker 2: Wait what Yeah, so you can't get it out? So

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Speaker 2: what if you fall?

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Speaker 7: You're in trouble, you boy? Yeah, Tim and I are

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Speaker 7: in the same of it. So he's a world champion.

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Speaker 2: Yeah, I see Tim O'Connor, world champion sixteen, seventeen, and eighteen.

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Speaker 2: So I'm assuming Tim that when you fall, you don't

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Speaker 2: fall much? Is that true?

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Speaker 1: Not often?

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Speaker 2: Yeah, we've seen it a couple of times.

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Speaker 1: Mean, we've seen it a couple of times.

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Speaker 2: They drag you, they'll drag you if.

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Speaker 8: You go like so, I'm left, I ride with my

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Speaker 8: left hand if you and we have these gloves that

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Speaker 8: are kind of bigger than the handle itself, and they

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Speaker 8: have wedges in them, and if I fall to the

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Speaker 8: right side, the wedge is tightened up and you have

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Speaker 8: to have the two guys that are designated in the

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Speaker 8: arena as pickup man. The guys that get us off

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Speaker 8: the horse safely, they have to then get ropes on

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Speaker 8: that horse and get them stopped because you have to

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Speaker 8: get back over the horse and at.

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Speaker 1: That point the horse.

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Speaker 5: Yeah, if you fallow, if you if you fall off

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Speaker 5: against your hand, Yeah, because what happens if these guys

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Speaker 5: can correct me if I'm wrong. I rode some high

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Speaker 5: school rodeo, which is like Little League Baseball compared to

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Speaker 5: these guys. But once you get your hand in the

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Speaker 5: rig and then you twist it around, it forms a

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Speaker 5: bubble that that sort of blocks keeps it from sliding out.

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Speaker 5: So if you release your hand you go this way,

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Speaker 5: it'll slide out easier. But if you come over this

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Speaker 5: way and it's sort of locked in.

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Speaker 2: It, you know you don't want it to be locked in. Yeah,

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Speaker 2: it's literally where it came from. Because you're depending on

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Speaker 2: people to stop the horse.

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Speaker 8: Then at that point, yeah, I mean the horse, because

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Speaker 8: at that point, like that horse is still doing its thing.

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Speaker 8: It doesn't just stop because you went off the runt.

440
00:17:38,880 --> 00:17:41,119
Speaker 8: So more more than likely you get stepped on, you

441
00:17:41,119 --> 00:17:44,120
Speaker 8: get kicked, you're getting drug by the animal as well,

442
00:17:44,600 --> 00:17:48,439
Speaker 8: and uh, there's been some pretty crazy x from you know,

443
00:17:48,520 --> 00:17:51,439
Speaker 8: guys just they get purely exhausted and then they're just

444
00:17:51,520 --> 00:17:52,160
Speaker 8: underneath them.

445
00:17:52,200 --> 00:17:54,680
Speaker 3: And most of the time, most of time when that happens,

446
00:17:54,720 --> 00:17:56,760
Speaker 3: in that event, the horse kind of quits bucking and

447
00:17:56,800 --> 00:17:58,800
Speaker 3: he's scared and trying to get away from the guy.

448
00:17:58,880 --> 00:18:02,400
Speaker 3: So it doesn't help the horse is covering a lot

449
00:18:02,440 --> 00:18:02,879
Speaker 3: of ground.

450
00:18:03,600 --> 00:18:04,800
Speaker 2: That's why I don't ride horses anymore.

451
00:18:05,080 --> 00:18:05,440
Speaker 5: That's it.

452
00:18:05,800 --> 00:18:11,719
Speaker 7: We feel less intelligent every time we tell someone about.

453
00:18:11,400 --> 00:18:13,520
Speaker 2: So Tim the first time you want a championship, where

454
00:18:13,560 --> 00:18:17,000
Speaker 2: did you win the championship? What did that feel like? Uh,

455
00:18:17,119 --> 00:18:20,800
Speaker 2: it's a it's a like twenty sixteen. Was there an event?

456
00:18:20,840 --> 00:18:22,680
Speaker 2: Is there like the super Bowl? Or is it like

457
00:18:22,720 --> 00:18:24,160
Speaker 2: an all season long point thing?

458
00:18:24,320 --> 00:18:25,440
Speaker 1: So it was both.

459
00:18:25,560 --> 00:18:28,080
Speaker 8: So I went into our World finals, which is in

460
00:18:28,160 --> 00:18:30,840
Speaker 8: Vegas at the NFR, as the world leader, and then

461
00:18:31,760 --> 00:18:33,120
Speaker 8: I never relinquished that lead.

462
00:18:33,200 --> 00:18:33,439
Speaker 2: That's all.

463
00:18:33,640 --> 00:18:35,320
Speaker 8: I had no plan on doing it either. I'm talking

464
00:18:35,320 --> 00:18:38,320
Speaker 8: about it, you know, like I always say, like there's

465
00:18:38,400 --> 00:18:42,600
Speaker 8: a when they hand you a gold buckle, like when

466
00:18:42,640 --> 00:18:44,720
Speaker 8: you when you start rodeo as a little kid, when

467
00:18:45,320 --> 00:18:47,199
Speaker 8: you never say I want to make the NFR. You

468
00:18:47,240 --> 00:18:48,639
Speaker 8: never say really what you want to do, but you

469
00:18:48,680 --> 00:18:50,439
Speaker 8: say I want to be a world champion as a

470
00:18:50,480 --> 00:18:52,520
Speaker 8: little baby. When you when you realize that you want

471
00:18:52,520 --> 00:18:53,760
Speaker 8: to be a rodeo cowboys, I want to be a

472
00:18:53,760 --> 00:18:57,359
Speaker 8: world champion. So imagine your entire life. There's a moment

473
00:18:57,400 --> 00:18:59,720
Speaker 8: that they hand you a gold buckle and you're a

474
00:18:59,760 --> 00:19:01,840
Speaker 8: world champion. It's a it's a flood of you don't

475
00:19:01,880 --> 00:19:03,800
Speaker 8: know if you want to jump up and down, you

476
00:19:03,800 --> 00:19:04,800
Speaker 8: don't know if you want to cry.

477
00:19:05,119 --> 00:19:08,320
Speaker 1: You feel a flood of emotions. I really can't explain.

478
00:19:08,359 --> 00:19:09,919
Speaker 8: The only people that know it are the ones that

479
00:19:10,040 --> 00:19:12,320
Speaker 8: get handed this cold buckle, and you'll do anything to

480
00:19:12,320 --> 00:19:13,040
Speaker 8: get another one.

481
00:19:13,200 --> 00:19:13,959
Speaker 2: Do you have one on now?

482
00:19:14,119 --> 00:19:14,359
Speaker 5: I do.

483
00:19:15,000 --> 00:19:18,359
Speaker 2: I don't want touch it. I'll be weird about Oh

484
00:19:18,440 --> 00:19:19,600
Speaker 2: that's is that real gold?

485
00:19:19,680 --> 00:19:19,840
Speaker 5: Oh?

486
00:19:19,880 --> 00:19:21,960
Speaker 7: They oh yeah, Ah, he's taking it off of You

487
00:19:22,800 --> 00:19:25,280
Speaker 7: have to pay Texas on that.

488
00:19:25,760 --> 00:19:29,879
Speaker 2: This is the twenty eighteen world champion bare back rider,

489
00:19:29,960 --> 00:19:32,600
Speaker 2: the Tim O'Connell. This is so legit. Do you worry

490
00:19:32,640 --> 00:19:34,800
Speaker 2: that if you leave your pants somewhere, someone's gonna steal it?

491
00:19:35,000 --> 00:19:36,879
Speaker 2: Like we jump on the creek and you leave your

492
00:19:36,880 --> 00:19:40,000
Speaker 2: bell this some one you ever jumped like, I'll be

493
00:19:40,080 --> 00:19:41,800
Speaker 2: watching out. That's that's really cool.

494
00:19:42,720 --> 00:19:43,959
Speaker 5: Those things are really one.

495
00:19:44,080 --> 00:19:47,840
Speaker 2: Yeah, Cody won, you got yours. Well, Cody's Hall of

496
00:19:47,880 --> 00:19:50,719
Speaker 2: Famer though, yeah, Cody's probably got so Cody, what you're

497
00:19:50,800 --> 00:19:51,480
Speaker 2: doing on the Hall of Fame?

498
00:19:52,000 --> 00:19:54,400
Speaker 3: Do you remember I went into I went into PRCA

499
00:19:54,520 --> 00:19:57,359
Speaker 3: Hall of Fame in twenty seventeen, which was a pretty

500
00:19:57,400 --> 00:19:59,520
Speaker 3: awesome deal because my dad got to be there and

501
00:19:59,560 --> 00:20:01,399
Speaker 3: he passed away the next year, so it was a

502
00:20:02,040 --> 00:20:03,520
Speaker 3: It's kind of one of those deals I think when

503
00:20:03,560 --> 00:20:06,480
Speaker 3: you when you start that.

504
00:20:05,680 --> 00:20:06,240
Speaker 1: That was more.

505
00:20:06,720 --> 00:20:11,159
Speaker 3: That was the The world title was expected. Hall of

506
00:20:11,200 --> 00:20:13,600
Speaker 3: Fame wasn't really expected. It was kind of it caught

507
00:20:13,640 --> 00:20:15,160
Speaker 3: me off guard.

508
00:20:14,760 --> 00:20:16,000
Speaker 2: How do they tell you?

509
00:20:17,280 --> 00:20:20,760
Speaker 3: My friend Clint Corey was a world champion bareback rider

510
00:20:20,760 --> 00:20:23,639
Speaker 3: in the day, my era, and he was working with

511
00:20:23,680 --> 00:20:25,080
Speaker 3: the p r c A at the time, and when

512
00:20:25,080 --> 00:20:27,120
Speaker 3: they voted me in, he he made the phone call.

513
00:20:27,240 --> 00:20:29,800
Speaker 3: So it was I was driving home and it was

514
00:20:29,840 --> 00:20:31,520
Speaker 3: a really emotional thing.

515
00:20:31,600 --> 00:20:32,879
Speaker 2: And your dad got to see that.

516
00:20:33,200 --> 00:20:34,480
Speaker 1: My dad was my dad was.

517
00:20:34,480 --> 00:20:37,320
Speaker 3: There and uh, I wouldn't have I wouldn't have been

518
00:20:37,320 --> 00:20:40,200
Speaker 3: there without my dad, you know, being behind me. So

519
00:20:40,359 --> 00:20:42,120
Speaker 3: it was it was a great deal that he got

520
00:20:42,119 --> 00:20:45,200
Speaker 3: to come see passed the next year and a pretty

521
00:20:45,359 --> 00:20:46,560
Speaker 3: pretty cool deal.

522
00:20:46,600 --> 00:20:48,480
Speaker 2: That's awesome. And Cody was one of your heroes going

523
00:20:48,560 --> 00:20:48,960
Speaker 2: up right town.

524
00:20:49,080 --> 00:20:51,560
Speaker 5: Yeah, I love Cody growing up Yeah, well growing up

525
00:20:51,560 --> 00:20:55,199
Speaker 5: with college, you know my college years. Yeah, I'm not

526
00:20:55,240 --> 00:20:56,239
Speaker 5: that much older than him.

527
00:20:59,760 --> 00:21:02,560
Speaker 2: For Hey, Tim, let me ask you a question, Tim O'Connell,

528
00:21:02,800 --> 00:21:04,439
Speaker 2: h you have your shirt on with all your sponsors,

529
00:21:04,480 --> 00:21:08,480
Speaker 2: like I see Justin, I see tree Top Ranches. Whenever

530
00:21:08,520 --> 00:21:10,400
Speaker 2: a new sponsor comes on, do you get a whole

531
00:21:10,440 --> 00:21:12,040
Speaker 2: new shirt with all new patches or do you just

532
00:21:12,080 --> 00:21:13,480
Speaker 2: put a new patch on the shirt?

533
00:21:15,000 --> 00:21:18,080
Speaker 1: That's a great question. It just depends on the lengths

534
00:21:18,119 --> 00:21:19,520
Speaker 1: of the deals, you know, Like.

535
00:21:19,560 --> 00:21:21,359
Speaker 2: Let's say I want to Let's say I wanted Bobby

536
00:21:21,400 --> 00:21:23,639
Speaker 2: Bones right on right on your blow your nipple on

537
00:21:23,640 --> 00:21:27,040
Speaker 2: your left side forever, well now for one year for

538
00:21:27,160 --> 00:21:33,800
Speaker 2: one year? Is that pretty expensively? Got one justin rules

539
00:21:33,840 --> 00:21:35,520
Speaker 2: that side. But like right under, let's say.

540
00:21:35,359 --> 00:21:37,200
Speaker 4: I want to pocket for pocket patch.

541
00:21:37,320 --> 00:21:39,000
Speaker 2: Yeah, I say I wanted Bobby Bones on there. Would

542
00:21:39,000 --> 00:21:40,400
Speaker 2: would you get a new shirt or would.

543
00:21:40,160 --> 00:21:44,080
Speaker 8: You just I mean, it depends if you want, you know,

544
00:21:44,119 --> 00:21:45,840
Speaker 8: an exclusive deal or you want the whole shirt.

545
00:21:45,880 --> 00:21:46,800
Speaker 1: Then it's gonna get realized.

546
00:21:46,800 --> 00:21:48,840
Speaker 2: I don't want the whole shirt. I want to patch

547
00:21:49,560 --> 00:21:50,120
Speaker 2: you make it work.

548
00:21:50,320 --> 00:21:52,080
Speaker 8: Yeah, yeah, you guys are cut I mean we got

549
00:21:52,200 --> 00:21:54,040
Speaker 8: like here's the thing with our event, Like we wear

550
00:21:54,080 --> 00:21:56,760
Speaker 8: these braces, so a lot of times like we it

551
00:21:57,640 --> 00:21:59,960
Speaker 8: covers up, someone will cut us up, little little tear

552
00:22:00,640 --> 00:22:03,840
Speaker 8: and like they these horses, like they destroy your clothes.

553
00:22:04,320 --> 00:22:07,000
Speaker 8: So like I got about fifteen of these shirts all

554
00:22:07,000 --> 00:22:07,600
Speaker 8: look the same.

555
00:22:07,720 --> 00:22:11,560
Speaker 2: Are you guys always a little bit injured? Yeah, Like

556
00:22:11,640 --> 00:22:14,639
Speaker 2: it's like your professional athletes, Like so any of my

557
00:22:14,680 --> 00:22:17,280
Speaker 2: other friends of professional athletes to play in the NFL

558
00:22:17,440 --> 00:22:19,359
Speaker 2: or play major they're always a little bit hurt, even

559
00:22:19,400 --> 00:22:22,200
Speaker 2: when they're not because their bodies constantly being put through it.

560
00:22:22,440 --> 00:22:23,800
Speaker 2: Are you always a little bit hurt?

561
00:22:24,320 --> 00:22:26,760
Speaker 8: Yeah, because like our event, like they've broke it down.

562
00:22:26,800 --> 00:22:29,239
Speaker 8: It's like even on the very best days, on what

563
00:22:29,280 --> 00:22:31,600
Speaker 8: we call a really easy horse, it's the equivalent and

564
00:22:31,640 --> 00:22:34,439
Speaker 8: get into a small car wreck. That's what our bodies

565
00:22:34,440 --> 00:22:36,040
Speaker 8: go through. The g force that we go through is

566
00:22:36,040 --> 00:22:38,480
Speaker 8: like getting into a small car wreck. So like you're

567
00:22:38,520 --> 00:22:41,800
Speaker 8: always just a little bit banged up. But the cool

568
00:22:41,800 --> 00:22:44,240
Speaker 8: thing about what we do and what the human body

569
00:22:44,280 --> 00:22:47,080
Speaker 8: can do. Is like our bodies will adjust to getting

570
00:22:47,080 --> 00:22:50,119
Speaker 8: in that violent wreck. Like they've done, they've done X

571
00:22:50,200 --> 00:22:54,479
Speaker 8: rays on us, Like our riding arm forearm bones have changed,

572
00:22:54,640 --> 00:22:57,760
Speaker 8: like they calacify up and like so our forearms on

573
00:22:57,800 --> 00:23:00,320
Speaker 8: our riding side are bigger than our other side.

574
00:23:00,440 --> 00:23:03,159
Speaker 1: And like it's weird, but our bodies will adjust to

575
00:23:03,200 --> 00:23:03,680
Speaker 1: the abuse.

576
00:23:04,400 --> 00:23:06,960
Speaker 3: That very thing right there is why I chose bull riding.

577
00:23:07,359 --> 00:23:08,960
Speaker 1: Bare Back riding is way dangerous.

578
00:23:10,280 --> 00:23:12,000
Speaker 2: Now I talk about that for a second, So what

579
00:23:12,000 --> 00:23:13,760
Speaker 2: what what's the difference? I know that too.

580
00:23:13,880 --> 00:23:16,919
Speaker 3: It's it's similar. It's it's pretty much similar. I just

581
00:23:18,160 --> 00:23:22,040
Speaker 3: it's very much like it's I mean, it's similar in

582
00:23:22,080 --> 00:23:24,480
Speaker 3: the in the danger area, you know what I'm saying.

583
00:23:24,560 --> 00:23:25,639
Speaker 1: Just they're they're.

584
00:23:27,200 --> 00:23:30,320
Speaker 3: I mean, these guys take more abuse than than most

585
00:23:30,320 --> 00:23:33,600
Speaker 3: bull riders. And on their on their good day, you know,

586
00:23:33,720 --> 00:23:34,800
Speaker 3: on a on a good day.

587
00:23:34,600 --> 00:23:37,560
Speaker 5: Well you know, the bare back riders are back like

588
00:23:37,680 --> 00:23:40,960
Speaker 5: this and they're getting slapped in the back constantly. A

589
00:23:41,480 --> 00:23:43,720
Speaker 5: bull riders trying to be up with their chest out

590
00:23:43,720 --> 00:23:44,080
Speaker 5: the front.

591
00:23:44,200 --> 00:23:46,760
Speaker 2: Are they drawn for you? Like the bulls are where

592
00:23:46,760 --> 00:23:48,119
Speaker 2: you don't really know what, boy you're gonna get And

593
00:23:48,119 --> 00:23:49,720
Speaker 2: you hope you get a B or C.

594
00:23:49,920 --> 00:23:50,080
Speaker 5: Yeah.

595
00:23:50,119 --> 00:23:53,080
Speaker 7: Yeah, we basically we know most of the horses and

596
00:23:53,200 --> 00:23:56,080
Speaker 7: bulls going up and down like all year rodeoing. We

597
00:23:56,160 --> 00:23:57,800
Speaker 7: know all the good ones and all the bad ones,

598
00:23:57,800 --> 00:23:59,440
Speaker 7: and you'll pick to go get on the good ones

599
00:23:59,520 --> 00:24:01,960
Speaker 7: or the battle one. But I would say the biggest

600
00:24:01,960 --> 00:24:04,800
Speaker 7: difference in injury wise is the bareback riding is like

601
00:24:04,920 --> 00:24:07,879
Speaker 7: a constant reoccurring injury. And then these guys get like

602
00:24:07,880 --> 00:24:11,960
Speaker 7: these traumatic injuries, Like they'll be healthy for a month,

603
00:24:12,080 --> 00:24:14,800
Speaker 7: six months, two years and then get a big injury

604
00:24:14,800 --> 00:24:16,239
Speaker 7: and we're just always beat up.

605
00:24:16,560 --> 00:24:16,800
Speaker 5: Yeah.

606
00:24:16,880 --> 00:24:19,240
Speaker 3: The thing about the thing about anything in the rough stock,

607
00:24:19,280 --> 00:24:22,159
Speaker 3: you're gonna get hurt at some point, and so you

608
00:24:22,200 --> 00:24:26,120
Speaker 3: know physically physically, our bodies get used to the trauma

609
00:24:26,400 --> 00:24:28,560
Speaker 3: and and like they said, we just get used to.

610
00:24:29,080 --> 00:24:31,679
Speaker 3: We get used to, like forearms get bigger. And you

611
00:24:31,680 --> 00:24:33,760
Speaker 3: know I always had my left arm was always bigger

612
00:24:33,800 --> 00:24:35,840
Speaker 3: than my right arm because I rode to my left arm.

613
00:24:36,240 --> 00:24:38,440
Speaker 1: And so it's, uh.

614
00:24:37,960 --> 00:24:40,120
Speaker 3: You guess you just got to be prepared that there's

615
00:24:40,160 --> 00:24:43,760
Speaker 3: gonna be some injuries and have a plan set to come.

616
00:24:43,640 --> 00:24:45,920
Speaker 5: Back and the bone density increasing.

617
00:24:46,440 --> 00:24:51,359
Speaker 7: This dude, Tim O'Connell had a bullfrog neck, like.

618
00:24:51,320 --> 00:24:53,120
Speaker 8: If my neck was small, but like you get used

619
00:24:53,119 --> 00:24:56,240
Speaker 8: to this whiplash and like your body adjust Like I

620
00:24:56,280 --> 00:24:59,120
Speaker 8: think like all of us, we we do schools and

621
00:24:59,160 --> 00:25:01,359
Speaker 8: like teach the youth not when they want to start this,

622
00:25:01,480 --> 00:25:03,399
Speaker 8: and you know I always start our schools off with this.

623
00:25:03,480 --> 00:25:05,720
Speaker 8: There's there's two things I can guarantee you in rodeo.

624
00:25:05,720 --> 00:25:08,400
Speaker 8: If you're going to try anything in rough stock. There

625
00:25:08,440 --> 00:25:10,159
Speaker 8: is one hundred percent chance you are going to get

626
00:25:10,200 --> 00:25:12,600
Speaker 8: hurt doing this. There's a very small chance you're gonna

627
00:25:12,640 --> 00:25:15,160
Speaker 8: die doing this. Every time you nod your head.

628
00:25:15,160 --> 00:25:18,760
Speaker 2: And it was the first one. That's all I heard.

629
00:25:18,880 --> 00:25:21,000
Speaker 2: You don't hear the diet, I don't get there. I'm like,

630
00:25:21,000 --> 00:25:22,639
Speaker 2: I'm out. All I heard was the first one. I

631
00:25:23,560 --> 00:25:24,600
Speaker 2: didn't even need the second one.

632
00:25:24,680 --> 00:25:27,760
Speaker 4: I'm thinking like if I was y'all's mom or something like,

633
00:25:27,760 --> 00:25:29,760
Speaker 4: I would be a nervous wreck every time you went

634
00:25:29,760 --> 00:25:31,600
Speaker 4: out there, And I mean I would be like, yeah,

635
00:25:31,600 --> 00:25:34,040
Speaker 4: you're goeting to do what you love. But like every

636
00:25:34,080 --> 00:25:36,760
Speaker 4: time you it seems like every time you saddle up

637
00:25:36,840 --> 00:25:39,159
Speaker 4: or not saddle up, you get on like it's this

638
00:25:39,200 --> 00:25:41,080
Speaker 4: could be it Like every time I fly. I'm like,

639
00:25:41,119 --> 00:25:42,720
Speaker 4: this is gonna be a but like, this.

640
00:25:42,600 --> 00:25:45,280
Speaker 3: Is y'all's job. That's the reality of it, and it

641
00:25:45,320 --> 00:25:47,160
Speaker 3: can't be at the forefront of your mind. We all

642
00:25:47,200 --> 00:25:50,200
Speaker 3: know it. But you got, you know, competition wise.

643
00:25:50,240 --> 00:25:51,160
Speaker 2: You you know.

644
00:25:51,200 --> 00:25:53,120
Speaker 3: For me, I had a routine that I got in

645
00:25:53,200 --> 00:25:54,240
Speaker 3: and there's some days.

646
00:25:54,040 --> 00:25:54,640
Speaker 1: You show up.

647
00:25:55,359 --> 00:25:59,119
Speaker 3: It's easy to get there because everything plays out. But

648
00:25:59,160 --> 00:26:01,080
Speaker 3: there's other days you got to find it, which there's

649
00:26:01,080 --> 00:26:03,000
Speaker 3: more of those days. You got to find what it

650
00:26:03,080 --> 00:26:06,679
Speaker 3: takes to do the job. And so I think, you know,

651
00:26:06,720 --> 00:26:09,239
Speaker 3: I think mental mental toughness is the guys that are

652
00:26:09,280 --> 00:26:12,440
Speaker 3: the mental, the mentally toughest are the ones that make it.

653
00:26:13,560 --> 00:26:14,440
Speaker 1: Yeah, I understand.

654
00:26:14,520 --> 00:26:17,800
Speaker 2: I'm only mentally tough. I'm not physically tough. So, yeah,

655
00:26:17,840 --> 00:26:19,680
Speaker 2: what state are all you guys from. I'm curious what

656
00:26:20,119 --> 00:26:21,600
Speaker 2: where'd you grow up? We'd say color Where you say,

657
00:26:21,640 --> 00:26:22,440
Speaker 2: I group Nepada?

658
00:26:22,480 --> 00:26:25,879
Speaker 3: Okay, you Iowa, Wyoming grew up in Arizona.

659
00:26:26,480 --> 00:26:27,840
Speaker 2: I know I was in the Arkansas here, I guess

660
00:26:27,920 --> 00:26:31,960
Speaker 2: not just me. It's a lot of cowboys out Arkansas, Okay.

661
00:26:32,000 --> 00:26:34,760
Speaker 2: So I'm gonna say this. So the three Nights of

662
00:26:34,800 --> 00:26:36,600
Speaker 2: the Rodeo and this is the first and I only

663
00:26:36,920 --> 00:26:41,120
Speaker 2: PRC Proroteo held a bridge down arena. So Music City

664
00:26:41,240 --> 00:26:43,600
Speaker 2: Rodeo is the nighttime event, with the rodeo starting at

665
00:26:43,640 --> 00:26:46,680
Speaker 2: six thirty pm, followed by the concerts at nine pm.

666
00:26:46,840 --> 00:26:48,920
Speaker 2: So come out. Are all you guys competing? Are you

667
00:26:48,920 --> 00:26:49,879
Speaker 2: guys competing? You too competing?

668
00:26:49,920 --> 00:26:50,560
Speaker 7: I'm the only one.

669
00:26:51,480 --> 00:26:51,960
Speaker 5: You're to me?

670
00:26:52,040 --> 00:26:52,960
Speaker 2: Belt buckle to me gold?

671
00:26:54,280 --> 00:26:57,720
Speaker 8: I actually, uh, six weeks ago, I tore my right

672
00:26:57,760 --> 00:26:59,320
Speaker 8: side of my core off my pelvic floor.

673
00:26:59,359 --> 00:27:01,879
Speaker 2: Do you say that to the kids? Chance you're going

674
00:27:01,920 --> 00:27:03,840
Speaker 2: to tell your your core off your pelvic floor?

675
00:27:05,000 --> 00:27:07,640
Speaker 1: Like, well, I mean doing my job.

676
00:27:07,760 --> 00:27:10,200
Speaker 8: I mean it just sounds I had just a weird

677
00:27:10,200 --> 00:27:12,600
Speaker 8: deal and the whole right side of my core detached.

678
00:27:12,640 --> 00:27:13,400
Speaker 2: You look great for it?

679
00:27:14,040 --> 00:27:16,040
Speaker 4: Yeah, you know, so are you having to see a

680
00:27:16,119 --> 00:27:18,440
Speaker 4: pelvit core specialist?

681
00:27:18,480 --> 00:27:23,680
Speaker 2: That felt dirty? But it did feel a little over

682
00:27:23,720 --> 00:27:25,080
Speaker 2: the line, like what you call hr.

683
00:27:26,720 --> 00:27:27,919
Speaker 1: I just had to call on myself.

684
00:27:27,920 --> 00:27:29,119
Speaker 4: That's why I'm ask you.

685
00:27:29,200 --> 00:27:29,640
Speaker 1: Yeah.

686
00:27:29,920 --> 00:27:32,679
Speaker 8: I had to go to Philadelphia and they reattached me.

687
00:27:32,920 --> 00:27:33,840
Speaker 5: Oh my god, when.

688
00:27:33,680 --> 00:27:34,600
Speaker 2: Do you get When are you back?

689
00:27:34,640 --> 00:27:34,760
Speaker 1: How?

690
00:27:34,920 --> 00:27:37,399
Speaker 2: What's the rehab out? In the rehab?

691
00:27:37,920 --> 00:27:38,160
Speaker 1: Well?

692
00:27:38,320 --> 00:27:41,560
Speaker 8: Six weeks out as of yesterday they said, uh, twelve

693
00:27:41,600 --> 00:27:42,919
Speaker 8: weeks and I'll be back on their own.

694
00:27:43,160 --> 00:27:44,760
Speaker 7: He's going to get a phone call today and like

695
00:27:45,359 --> 00:27:46,520
Speaker 7: not very long about.

696
00:27:46,680 --> 00:27:49,679
Speaker 8: Yeah, like later on today, let the surgeon's gonna call

697
00:27:49,720 --> 00:27:50,920
Speaker 8: me and he's going to let me know what I'm

698
00:27:50,960 --> 00:27:53,879
Speaker 8: released to do at this point moving forward, So like

699
00:27:55,000 --> 00:27:59,000
Speaker 8: ramping up, I have about six weeks, but unfortunately that

700
00:27:59,119 --> 00:28:01,359
Speaker 8: two weeks and what you do, like for how violent

701
00:28:01,440 --> 00:28:04,440
Speaker 8: it is, like two weeks is a long time because

702
00:28:04,480 --> 00:28:06,360
Speaker 8: as soon as I go back, we're gonna we're gonna

703
00:28:06,359 --> 00:28:08,280
Speaker 8: tear stuff apart again. And the first one back is

704
00:28:08,320 --> 00:28:10,120
Speaker 8: gonna tear all that healed stuff apart, and it's gonna

705
00:28:10,119 --> 00:28:15,960
Speaker 8: get back and and your body has to. You know,

706
00:28:16,000 --> 00:28:18,119
Speaker 8: there's no shape like rodeo shape. You can be in

707
00:28:18,160 --> 00:28:21,840
Speaker 8: the best gym shape, best athletic form, but there's nothing

708
00:28:22,400 --> 00:28:24,320
Speaker 8: that can get you in shape for the violence that

709
00:28:24,359 --> 00:28:25,919
Speaker 8: you go through on the back of an animal.

710
00:28:26,200 --> 00:28:29,240
Speaker 2: Can you like the bulls? I'm gonna give you an example.

711
00:28:29,240 --> 00:28:31,199
Speaker 2: I'm thinking about it. My brother in law is a

712
00:28:31,200 --> 00:28:34,520
Speaker 2: colleative softball coach, and so now they have machines that

713
00:28:34,720 --> 00:28:38,080
Speaker 2: can mimic the pictures that are going against throw the

714
00:28:38,120 --> 00:28:41,400
Speaker 2: same the exact same balls at the same rate, same spins,

715
00:28:41,840 --> 00:28:43,800
Speaker 2: and so the batters can get used to it, and

716
00:28:43,840 --> 00:28:45,560
Speaker 2: so they can go up and they can hit against

717
00:28:45,560 --> 00:28:49,720
Speaker 2: basically and it's not AI but a technologically advanced computer

718
00:28:49,840 --> 00:28:51,800
Speaker 2: version of that picture. Can you do that in any

719
00:28:51,840 --> 00:28:53,640
Speaker 2: way with the whore? Have they created something like that?

720
00:28:55,320 --> 00:28:59,320
Speaker 1: I mean yes and no. We have. We have two

721
00:28:59,400 --> 00:29:00,680
Speaker 1: main sources for practice.

722
00:29:00,680 --> 00:29:02,800
Speaker 8: We have what we call the spur board, which is

723
00:29:02,800 --> 00:29:05,840
Speaker 8: basically a plywood set up that we put some mats

724
00:29:05,840 --> 00:29:08,440
Speaker 8: on and we you angle it down so you're sitting

725
00:29:08,480 --> 00:29:10,239
Speaker 8: down and you're you're having to push your hips up

726
00:29:10,240 --> 00:29:14,280
Speaker 8: and it's stationary and it mimics the big side of

727
00:29:14,320 --> 00:29:16,920
Speaker 8: it with the padding on it mimics the horse's neck.

728
00:29:17,400 --> 00:29:20,200
Speaker 8: So to make it in a perfect form, you would

729
00:29:20,200 --> 00:29:22,120
Speaker 8: spur it and the front of it's going to lift

730
00:29:22,160 --> 00:29:24,200
Speaker 8: off from all the power that you generate through this

731
00:29:24,520 --> 00:29:26,440
Speaker 8: through this board, and then you'll snap your feet down

732
00:29:26,480 --> 00:29:29,720
Speaker 8: and it makes your body practice perfect form and that

733
00:29:29,800 --> 00:29:31,520
Speaker 8: kind of tells you. And then there's a there is

734
00:29:31,560 --> 00:29:35,080
Speaker 8: a bucket machine that really mimics bare back riding and

735
00:29:35,120 --> 00:29:38,160
Speaker 8: the way a horse bucks. But uh, you don't want

736
00:29:38,200 --> 00:29:41,160
Speaker 8: to get on that too much either because it's like

737
00:29:41,320 --> 00:29:43,560
Speaker 8: you know the ones you see at you know the

738
00:29:43,600 --> 00:29:44,160
Speaker 8: bars or whatever.

739
00:29:45,320 --> 00:29:47,240
Speaker 1: Yeah, it's it's the same jump.

740
00:29:47,120 --> 00:29:50,400
Speaker 3: A sense of what's really going on because there one

741
00:29:50,440 --> 00:29:54,160
Speaker 3: footle hit first. Sometimes in the shoulders move, so it

742
00:29:54,400 --> 00:29:59,160
Speaker 3: there's nothing been created that really mimics the horse's movement

743
00:29:59,200 --> 00:30:02,360
Speaker 3: because it's not a consistent movement. It's not the machine

744
00:30:02,400 --> 00:30:07,680
Speaker 3: is a consistent movement, so it doesn't mimic what's actually happening.

745
00:30:08,120 --> 00:30:09,840
Speaker 2: Yeah, that makes sense.

746
00:30:09,720 --> 00:30:13,160
Speaker 3: Yes, Or a slip like if a horse slips in

747
00:30:13,200 --> 00:30:15,720
Speaker 3: the back end with a foot slips or or he

748
00:30:15,800 --> 00:30:18,440
Speaker 3: stumbles a little bit, it doesn't nothing could be mimicked.

749
00:30:18,960 --> 00:30:20,160
Speaker 1: So really, in.

750
00:30:20,080 --> 00:30:23,800
Speaker 3: Reality, the spur board, it's a stationary causes you to

751
00:30:23,840 --> 00:30:27,480
Speaker 3: do the things in perfection in a controlled atmosphere, so

752
00:30:27,520 --> 00:30:30,520
Speaker 3: that when you know, there's no perfection in the arena,

753
00:30:30,560 --> 00:30:34,200
Speaker 3: but you can practice perfection on a spur board, and

754
00:30:34,240 --> 00:30:36,840
Speaker 3: then it relates over to the real thing.

755
00:30:37,480 --> 00:30:41,680
Speaker 2: All six PRC events plus the wpr A women's barrel

756
00:30:41,760 --> 00:30:46,560
Speaker 2: racing all happening. There's bare back riding, steer wrestling, mutton busting,

757
00:30:46,600 --> 00:30:48,320
Speaker 2: all you want to hear, a funny mounta bussy story.

758
00:30:48,320 --> 00:30:49,480
Speaker 2: So I grew up in Arkansas. I went to a

759
00:30:49,520 --> 00:30:52,160
Speaker 2: lot of rodeo slash crash up derbies, right, that's all.

760
00:30:52,320 --> 00:30:55,880
Speaker 2: Usually it was the same, right you go. And once

761
00:30:56,120 --> 00:30:58,600
Speaker 2: I was too old and I went muttain busting. I

762
00:30:58,600 --> 00:31:00,360
Speaker 2: didn't know there was you should be little and I

763
00:31:00,520 --> 00:31:02,840
Speaker 2: was a little older than I should have been, and

764
00:31:02,880 --> 00:31:04,280
Speaker 2: I was by like seven years. I was the oldest

765
00:31:04,280 --> 00:31:04,960
Speaker 2: buttton bust out there.

766
00:31:05,680 --> 00:31:06,040
Speaker 5: And so.

767
00:31:07,640 --> 00:31:09,760
Speaker 2: Yeah, I was like seven, I was like thirteen. So anyway,

768
00:31:09,800 --> 00:31:11,440
Speaker 2: that's my button. That's why I don't do what you do.

769
00:31:11,560 --> 00:31:14,920
Speaker 2: I tore my pelvic floor, so I stopped after one thing.

770
00:31:15,280 --> 00:31:18,040
Speaker 2: Team roping, saddle bronck riding, tie down roping, barrel racing,

771
00:31:18,280 --> 00:31:21,920
Speaker 2: and bull riding roughstock events. We'll put the details to

772
00:31:22,120 --> 00:31:25,480
Speaker 2: up on our page. Tim McGraw, thank you for coming

773
00:31:25,480 --> 00:31:28,760
Speaker 2: by and bringing all your friends. Pat congratulations. This event's

774
00:31:28,760 --> 00:31:31,400
Speaker 2: gonna be awesome. You picked some great performers, I mean, Reba,

775
00:31:31,480 --> 00:31:33,920
Speaker 2: Tim Jelly Roll and you know people should come for

776
00:31:34,000 --> 00:31:37,640
Speaker 2: the rodeo as well. Tim O'Connell bell buckle. That's cool,

777
00:31:37,680 --> 00:31:40,480
Speaker 2: man like that, that's very cool. Cole Ryner number twenty

778
00:31:40,480 --> 00:31:41,800
Speaker 2: in the world. Hey, if he's out though, do you

779
00:31:41,800 --> 00:31:43,200
Speaker 2: move up a spot. He's out for weeks.

780
00:31:43,240 --> 00:31:45,360
Speaker 7: Well yeah, he's the way behind me already.

781
00:31:45,560 --> 00:31:47,280
Speaker 2: Yeah yeah, okay, good enough.

782
00:31:47,480 --> 00:31:49,120
Speaker 1: See he keeps saying he is the one without it.

783
00:31:49,160 --> 00:31:51,200
Speaker 8: I said, you know, his best shot to win the

784
00:31:51,240 --> 00:31:52,720
Speaker 8: world title is when I'm not in there.

785
00:31:54,000 --> 00:31:54,960
Speaker 5: Do you got no competition?

786
00:31:55,640 --> 00:31:56,920
Speaker 2: Let's just fight it out right now, Let's just have

787
00:31:56,960 --> 00:32:01,040
Speaker 2: it right and Cody Custer, hey, honor to spend some time.

788
00:32:01,200 --> 00:32:02,920
Speaker 2: Thank you very much for being here. I really hate

789
00:32:02,920 --> 00:32:04,720
Speaker 2: Today's the day I wore a pink shirt and this sweater.

790
00:32:04,760 --> 00:32:06,520
Speaker 2: I'll be honest with you, have all the days. This

791
00:32:06,720 --> 00:32:09,040
Speaker 2: was the worst day to do it. Thank you guys

792
00:32:09,080 --> 00:32:10,760
Speaker 2: so much. And hope everybody goes and checks it out.

793
00:32:10,800 --> 00:32:13,479
Speaker 2: Tim thanks for coming by, and everybody clip Pants part

794
00:32:13,560 --> 00:32:13,880
Speaker 2: new friends.

795
00:32:14,080 --> 00:32:14,560
Speaker 5: Good y'all.

796
00:32:14,920 --> 00:32:17,040
Speaker 1: Mister Bobby Bones,