WEBVTT - Vasa, Sunken and Resurrected

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Mankie listener discretion advised. Crowds of nobles, workers,

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<v Speaker 1>families all poured in from the royal Palace and the

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<v Speaker 1>streets of Stockholm, eager to finally see their King's pride

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<v Speaker 1>and joy in all her splendor. She was supposed to

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<v Speaker 1>be beautiful. King Gustavus Adolphus himself was off fighting in Poland,

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<v Speaker 1>but his presence was readily felt in that day's festivities, speeches,

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<v Speaker 1>and down at the waterfront, in the beautiful visage of

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<v Speaker 1>his beloved Vasa. August tenth, sixteen twenty eight was a

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<v Speaker 1>bright day, and the sun's rays illuminated her every feature,

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<v Speaker 1>from her meticulously carved beakhead to her gaudily painted stern castle. Yes,

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<v Speaker 1>the Vasa was in fact a ship, but not just

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<v Speaker 1>any ship. The Vasa was a hulking worship, the pinnacle

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<v Speaker 1>of Swedish naval ambitions, a floating tribute to the country's

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<v Speaker 1>bold ruler. This was the vessel that would make the

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<v Speaker 1>Swedish Empire the masters of the Baltic Sea. But the

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<v Speaker 1>Vasa's departure from harbor was far from majestic. With little

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<v Speaker 1>wind to help the ship move through Stockholm Harbor, Captain

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<v Speaker 1>Sofring Hanson ordered his crew to use ropes posts along

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<v Speaker 1>the shore and their vertical man powered winch known as

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<v Speaker 1>a capstan, to pull themselves along at a sea snail's pace. Nevertheless,

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<v Speaker 1>the crowd cheered on the Vasa. After all, the warship

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<v Speaker 1>was still a grand site with its double decks of

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<v Speaker 1>bronze cannons and all of its carved sculptures and gilded adornments.

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<v Speaker 1>The slow progression through the harbor actually allowed many onlookers

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<v Speaker 1>to keep pace along the key while calling out to

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<v Speaker 1>their friends and relatives on board. At long last, the

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<v Speaker 1>Vasa glided out away from shore. It fired a salute

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<v Speaker 1>and the crew set four of its ten available sails.

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<v Speaker 1>A gust of wind blew, and immediately the ship began

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<v Speaker 1>healing over to its port side. Screams came from the

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<v Speaker 1>watching crowd, as well as from some on board, especially

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<v Speaker 1>the more inexperienced crew members and honorary guests. Captain Hansen

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<v Speaker 1>was worried too, knowing how bad this maiden voyage was

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<v Speaker 1>going and how much worse it could get if his

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<v Speaker 1>nagging fears about the ship's seaworthiness were true, but he

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<v Speaker 1>barked orders and managed to even the Vasa's key. If

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<v Speaker 1>they could just complete their first leg to the alvs

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<v Speaker 1>Nebsen naval base further south in the Swedish Archipelago, and

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<v Speaker 1>thereby appease the impatient orders of the King, they could

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<v Speaker 1>hopefully make further adjustments to the ship. Then came the

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<v Speaker 1>second gust of wind. Spoiler alert. The ship sank on

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<v Speaker 1>its maiden voyage. We wouldn't be talking about it now

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<v Speaker 1>if it hadn't. However, the Vasa story did not end

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<v Speaker 1>with its dramatic and deadly foundering. Far from it. The

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<v Speaker 1>ship may have only sailed about thirteen hundred meters in total,

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<v Speaker 1>but its overarching journey from its rushed construction to its

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<v Speaker 1>epic failure to its unprecedented and incredible resurrection would effectively

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<v Speaker 1>canonize it as one of the most legendary ships to

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<v Speaker 1>even if so very briefly set sail. I'm Danish Schwartz

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<v Speaker 1>and this is noble blood. For nearly four hundred years now,

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<v Speaker 1>the most common question asked about the Vasa by everyone

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<v Speaker 1>from historians to marine archaeologists to casual observers has been

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<v Speaker 1>why did it sick? The answer is complicated since it

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<v Speaker 1>involves physical issues such as buoyancy, building materials, and weight distribution,

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<v Speaker 1>as well as classic human flaws like hubris, fear, and miscommunication.

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<v Speaker 1>Since the human side gives us the more psychologically compelling

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<v Speaker 1>entry point, let's start there with the Vasa's creation. There

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<v Speaker 1>were many fathers and several mothers, but no one figures

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<v Speaker 1>as prominently as King Gustavus Adolphus. The ship was his

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<v Speaker 1>true brainchild. Gustavus became king of Sweden in sixteen eleven

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<v Speaker 1>at age sixteen, and had limited margin for error since

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<v Speaker 1>his country was so frequently at war with three of

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<v Speaker 1>its neighbors, Denmark, Russia, and Poland. Despite some early losses,

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<v Speaker 1>Gustavus gained a reputation as a bold warrior and commander

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<v Speaker 1>who helped usher in an era that Swedish historians would

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<v Speaker 1>later call the Age of Greatness or quote great Power period.

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<v Speaker 1>Beyond out muscling his close rivals, Gustavus strove to push

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<v Speaker 1>Sweden into the top tier of European powerhouses. As a

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<v Speaker 1>devout Lutheran, he even hoped to staunch the influence of

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<v Speaker 1>the robust Catholic empires to the south. Such lofty ambitions

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<v Speaker 1>required enhanced military might. So, eager to boost his name

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<v Speaker 1>these firepower and to assert his control over profitable Baltic

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<v Speaker 1>trade routes, Gustavus sent an order to his Stockholm navy

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<v Speaker 1>yard in sixteen twenty five to build him four new warships.

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<v Speaker 1>Of these, the flagship was slated to be the most

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<v Speaker 1>powerful the world has ever seen. When finished, it would

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<v Speaker 1>have a stunning capacity or seventy two bronze twenty four

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<v Speaker 1>pounders aka cannons that shot twenty four pound balls. But

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<v Speaker 1>what to call this awe inspiring vessel? What name would

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<v Speaker 1>elicit pride from its patriots and strike fear into its foes?

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<v Speaker 1>How about bundle of sticks? That is essentially what Vasa

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<v Speaker 1>originally meant to be. More exact, the name comes from

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<v Speaker 1>the word vase, which was the heraldic symbol embraced by

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<v Speaker 1>the Swedish royal family heading into the seventeenth Sei entry.

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<v Speaker 1>It was increasingly depicted as a sheath of wheat in

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<v Speaker 1>their coat of arms, and the dynasty itself became known

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<v Speaker 1>as the House of Vasa. Starting with Gustavus's grandfather, Gustav

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<v Speaker 1>Eriksson Vasa. Thus, by dubbing his ship Vasa, Gustavus Adolphus

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<v Speaker 1>was in a sense both honoring his family and putting

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<v Speaker 1>their reputation on the line. This looming pressure only increased

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<v Speaker 1>during the Vasa's choppy formative years. Due to the time

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<v Speaker 1>it took for the shipyard to communicate with the king,

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<v Speaker 1>who was frequently off leading his army, multiple versions of

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<v Speaker 1>the contract were circulated. This made mastershipbuilder Henrik Hibertson's job hard.

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<v Speaker 1>To put it mildly, Quickly sourcing enough properly cut oak

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<v Speaker 1>beams would be tricky under normal circumstances, let alone when

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<v Speaker 1>stuck in a contract dispute with a temperamental monarch over

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<v Speaker 1>basic ship dimensions and costs. It's worth noting that although

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<v Speaker 1>a myth lingered for years that Gustavus's continued meddling was

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<v Speaker 1>a crucial factor in Vasa's ultimate failure, documents show that

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<v Speaker 1>that wasn't actually the case, at least not with the

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<v Speaker 1>main design. Once construction began, Gustavus did not keep trying

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<v Speaker 1>to change the specifications of the ship. His impatience simply

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<v Speaker 1>affected the build in other ways. One crucial issue was

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<v Speaker 1>the dissimilarities between the main shipbuilding techniques used throughout Europe

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<v Speaker 1>during this era. Shipbuilder Henrik was trained in the Dutch style,

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<v Speaker 1>in which workers did not rely on detailed designs or

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<v Speaker 1>models like they did in the English style. Instead, they

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<v Speaker 1>derived proportional measurements from basic parts of the ship, like

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<v Speaker 1>the kiel. The Dutch way saved money and time, but

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<v Speaker 1>turned out to be far riskier when utilized in Stockholm.

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<v Speaker 1>Under the King's urgent schedule. For example, carpenters were recruited

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<v Speaker 1>at home and abroad and brought differently sized tools with them.

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<v Speaker 1>Six wood rulers, all supposedly a foot long, were later located,

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<v Speaker 1>and none of them were the same length. The Swedish

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<v Speaker 1>ones were closer to a modern twelve inches, whereas the

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<v Speaker 1>Dutch ones were closer to eleven not exactly a recipe

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<v Speaker 1>for precision. Additionally, separate construction groups worked on the port

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<v Speaker 1>and starboard sides, which may have given the Vasa a

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<v Speaker 1>slightly asymmetric structure. As if all that were not enough,

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<v Speaker 1>it was tricky to judge how the immense weight of

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<v Speaker 1>seventy two cannons would affect the ship, because seventy two

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<v Speaker 1>cannons were not readily available, particularly not in the size

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<v Speaker 1>that King Gustavus wanted. These guns had to be cast

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<v Speaker 1>in bronze at a separate foundry in Stockholm, a task

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<v Speaker 1>so herculean that it was not completed. According to researchers,

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<v Speaker 1>only sixty four cannons ever actually made it onto the Vasa. Then,

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<v Speaker 1>in sixteen twenty seven, Henrik fell ill And died, his wife, Margareta,

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<v Speaker 1>Nil's daughter, took over the stressful job of running the shipyard.

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<v Speaker 1>With departments going far over budget and a king demanding

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<v Speaker 1>to see progress, other shipbuilders stepped in to help oversee things,

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<v Speaker 1>along with the Vasa's future captain, so Friing Hansen. In

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<v Speaker 1>sixteen twenty seven, they launched the Vasa a process where

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<v Speaker 1>they moved the incomplete vessel to the water to finish

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<v Speaker 1>its upper decks, rigging, and other features. During this phase,

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<v Speaker 1>workers noticed the ship's tendency to roll over, but hopefully

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<v Speaker 1>a seasoned captain like Hanson could manage that while sailing.

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<v Speaker 1>As we now know, Hanson could not, and on that

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<v Speaker 1>lightly breezy summer day in sixteen twenty eight, the Vasa

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<v Speaker 1>healed too far to port water rushed in and the

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<v Speaker 1>Vasa sank frighteningly quickly. Most crew members and passengers managed

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<v Speaker 1>to escape, but at least fifteen were trapped and drowned.

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<v Speaker 1>The ship may not have taken on water so quickly

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<v Speaker 1>if the gun ports, especially those on the lower deck,

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<v Speaker 1>had been closed, but they were open because a the

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<v Speaker 1>King wanted the might of his new warship to be

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<v Speaker 1>on full display, and B most of the cannons that

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<v Speaker 1>were ready in time were placed on the lower gun

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<v Speaker 1>deck or stabilities, and they would be difficult to reposition

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<v Speaker 1>on short notice. Gustavus Adolphus, furious upon hearing of the

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<v Speaker 1>Vasa's demise, called for an inquest. Captain Hunson and other

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<v Speaker 1>key figures were interrogated at the palace on September fifth,

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<v Speaker 1>sixteen twenty eight. Almost a month's worth of lead time

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<v Speaker 1>allowed these officers to carefully craft their defenses. According to

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<v Speaker 1>documents from the hearings, the defendants largely scapegoaded the dead

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<v Speaker 1>shipwright Henrik Heibertsen and or implied that they were simply

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<v Speaker 1>following the King's orders, so to punish them would be

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<v Speaker 1>to question the wisdom of fearsome King. Gustavus Adolphus Still,

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<v Speaker 1>it came out that Captain Hanson had been aware of

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<v Speaker 1>the Vasa's flaws to the point that he had had

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<v Speaker 1>his crew do a demonstration for one of the crown's

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<v Speaker 1>vice admirals. But clearly everyone was so fearful of delivering

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<v Speaker 1>bad news to the king that the maiden voyage went

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<v Speaker 1>forward anyway. Ultimately, no one was found guilty of negligence,

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<v Speaker 1>and the involved officers, nobles and craftspeople all tried to

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<v Speaker 1>move on with their careers and lives. King Gustavus Adolphus

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<v Speaker 1>got involved in the Bloody Thirty Years' War and died

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<v Speaker 1>at the Battle of Lutzen in sixteen thirty two. Meanwhile,

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<v Speaker 1>the Vasa rested at the bottom of Stockholm Harbor, seemingly

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<v Speaker 1>doomed to a disastrous legacy and a turbid decomposition. That

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<v Speaker 1>is until the steady evolution of nautical technology and some

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<v Speaker 1>long awaited luck gave the ship a chance to rise again.

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<v Speaker 1>Only three days after the Vasa sank, Sweden's Council of

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<v Speaker 1>the Realm granted an Englishman permission to try to salvage it.

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<v Speaker 1>His method involved using two floating ships as pontoons and

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<v Speaker 1>gradually tightening ropes attached to the wreck to pull it

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<v Speaker 1>up a little, drag it to shallow waters, and then repeat.

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<v Speaker 1>His plan was sound, but unfortunately he lacked enough mechanical force.

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<v Speaker 1>A Dutch expert tried next, as did others. At one point,

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<v Speaker 1>Captain Hansen was even tapped to lead a recovery effort,

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<v Speaker 1>but like his stewardship of the Vasa's first voyage, his

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<v Speaker 1>second go with the ship in its much sagier state,

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<v Speaker 1>also failed. Then, in sixteen sixty three, a diver named

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<v Speaker 1>Albert von Trelbin pitched an exciting new approach. Fortunately, the

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<v Speaker 1>king at this time, Carl the tenth Gustave, was very

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<v Speaker 1>interested in ships, just as Gustavus had been, so he

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<v Speaker 1>recognized the potential when Trailbin showed him an invention called

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<v Speaker 1>the diving bell. It could not enable the lifting of

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<v Speaker 1>the ship, but by trapping air underwater, the metallic chamber

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<v Speaker 1>allowed Trailbin's divers to recover valuable items, Namely thanks to

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<v Speaker 1>Trailbin's German partner's technique of using giant tongs to remove

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<v Speaker 1>large pieces from the gunports, the team was reportedly able

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<v Speaker 1>to recover most of the Vasa's prized bronze cannons. After that,

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<v Speaker 1>the vasa was mostly ignored for centuries, with the general

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<v Speaker 1>consensus being that the ship's materials were likely deteriorating beyond

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<v Speaker 1>sufficient value or usefulness. Fascinatingly, though, that wasn't the case.

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<v Speaker 1>As it turns out, in many ways, the conditions in

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<v Speaker 1>Stockholm Harbor were ideal for preserving a sunken ship. According

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<v Speaker 1>to scientists, the cold, brickish, low oxygen waters of the

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<v Speaker 1>Baltic kept certain organisms that wreak havoc on wood, like

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<v Speaker 1>the mollusk referred to as quote the shipworm, from destroying

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<v Speaker 1>the vasa more off puddingly, we also have the poor

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<v Speaker 1>waste removal practices of the seventeenth century to thank for

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<v Speaker 1>protecting the ship. Raw sewage jumped directly into the harbor

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<v Speaker 1>from the city's privies may have grievously poisoned the marine environment,

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<v Speaker 1>but in doing so it evidently also stymied wood loving bacteria. Additionally,

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<v Speaker 1>the ample sediment and clay of the harbor's seafloor encased

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<v Speaker 1>many structures and portions of the hull. This shielded the

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<v Speaker 1>vasa from erosion, but also made it extremely difficult to lift.

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<v Speaker 1>Because these ships settling into the muddy cushion created massive

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<v Speaker 1>amounts of suction. Fast forward to the nineteen fifties, yes,

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<v Speaker 1>over three hundred years after the sinking of the Vasa,

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<v Speaker 1>and a Swedish man named Anders Franzen becomes fascinated by

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<v Speaker 1>the ship. He had served during World War II studying

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<v Speaker 1>shipwrecks in his spare time, and got the Bronstrom's Shipping

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<v Speaker 1>Company and the Swedish Navy to back a new salvage

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<v Speaker 1>endeavor by winning over King Gustave the sixth Adolf. As

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<v Speaker 1>you may have already guessed, Sweden's recently crowned monarch, was

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<v Speaker 1>a fan of ships. If anything, we're making a strong

0:17:44.200 --> 0:17:47.479
<v Speaker 1>case here that within the last four centuries you couldn't

0:17:47.480 --> 0:17:51.760
<v Speaker 1>descend the Swedish throne and not like ships. Plus this

0:17:51.920 --> 0:17:57.399
<v Speaker 1>Gustave was exceptionally passionate about archaeology in general. For his

0:17:57.720 --> 0:18:01.880
<v Speaker 1>recovery plan, Anders Franz and his team opted to combine

0:18:02.080 --> 0:18:07.240
<v Speaker 1>new and old methods. They first used modern technology to

0:18:07.280 --> 0:18:12.400
<v Speaker 1>shoot jets of pressurized water below the Vasa. This created

0:18:12.560 --> 0:18:16.520
<v Speaker 1>tunnels through which they then threaded cables to make a

0:18:16.560 --> 0:18:20.879
<v Speaker 1>sturdy cradle for the ship. This was dangerous work for

0:18:21.000 --> 0:18:25.639
<v Speaker 1>divers who had to work in claustrophobic conditions, fearing that

0:18:25.720 --> 0:18:30.480
<v Speaker 1>the tunnels beneath the ship might collapse on them. Eventually, though,

0:18:30.520 --> 0:18:34.760
<v Speaker 1>they succeeded, and the recovery team then used an incremental

0:18:34.840 --> 0:18:39.640
<v Speaker 1>system of lifting the ship with pontoons and cable adjustments

0:18:39.920 --> 0:18:43.800
<v Speaker 1>that was remarkably similar to the strategy attempted in the

0:18:43.880 --> 0:18:49.280
<v Speaker 1>sixteen hundreds. The vasa was gradually pulled and towed into

0:18:49.359 --> 0:18:55.320
<v Speaker 1>shallower water until finally, on April twenty fourth, nineteen sixty one,

0:18:55.359 --> 0:19:01.560
<v Speaker 1>it emerged. Raising the vasa on to a special pontoon

0:19:01.760 --> 0:19:05.840
<v Speaker 1>platform was only part of the challenge. However, for those

0:19:05.960 --> 0:19:10.280
<v Speaker 1>first couple decades, a tricky balance had to be reached

0:19:10.320 --> 0:19:15.439
<v Speaker 1>between preservation and in depth study. Initially, workers had to

0:19:15.520 --> 0:19:19.479
<v Speaker 1>keep spraying the ship with water to prevent drying that

0:19:19.560 --> 0:19:23.560
<v Speaker 1>might lead to warping and cracking. A Swedish duo er

0:19:23.640 --> 0:19:28.040
<v Speaker 1>Till Centerval and Rolfe Moren, then devised a clever way

0:19:28.080 --> 0:19:33.560
<v Speaker 1>to preserve the structure, using a substance called polyethylene glycol

0:19:33.640 --> 0:19:39.720
<v Speaker 1>or PEG. When injected, this polymer replaced water while strengthening

0:19:39.840 --> 0:19:44.320
<v Speaker 1>wood fibers. Fun fact, this treatment was so effective that

0:19:44.359 --> 0:19:49.040
<v Speaker 1>It became standard practice with water logged wooden structures, including

0:19:49.119 --> 0:19:53.760
<v Speaker 1>the famous English warship Mary Rose that was later salvaged.

0:19:54.720 --> 0:20:00.920
<v Speaker 1>Preservation with PEG was effective, but also time consuming. Detached

0:20:01.040 --> 0:20:04.760
<v Speaker 1>pieces that could be submerged in this chemical mix, the

0:20:04.840 --> 0:20:09.520
<v Speaker 1>process often took from a year to eighteen months. The

0:20:09.560 --> 0:20:14.040
<v Speaker 1>main body of the vasa took way longer. The whole

0:20:14.080 --> 0:20:18.879
<v Speaker 1>thing couldn't be dunked, so conservators had to sprinkle and

0:20:19.080 --> 0:20:25.000
<v Speaker 1>inject PEG continually. This took from nineteen sixty one to

0:20:25.280 --> 0:20:30.760
<v Speaker 1>nineteen seventy nine. Finally, once the ship had been fortified,

0:20:31.200 --> 0:20:35.800
<v Speaker 1>eager marine archaeologists and historians were able to start fully

0:20:35.960 --> 0:20:41.080
<v Speaker 1>reconstructing and analyzing the ship. The vasa proved to be

0:20:41.280 --> 0:20:46.560
<v Speaker 1>an incredible time capsule of seventeenth century Swedish life at sea.

0:20:47.440 --> 0:20:54.639
<v Speaker 1>At least twenty five thousand objects were reportedly found. Clothing, shoes, games, glassware,

0:20:54.720 --> 0:20:58.919
<v Speaker 1>and coins all provided glimpses at what life was like.

0:20:59.640 --> 0:21:04.600
<v Speaker 1>The ship decorations also tell quite a story. An astonishing

0:21:04.680 --> 0:21:09.400
<v Speaker 1>number of intricate carvings survived, some with traces of their

0:21:09.480 --> 0:21:16.040
<v Speaker 1>original bright paint jobs. These showcased an amalgamation of artistic styles,

0:21:16.520 --> 0:21:22.280
<v Speaker 1>classic mythology, old testament iconography odes to King Gustavus Adolphus,

0:21:22.680 --> 0:21:27.200
<v Speaker 1>and plenty of mir people and mythical creatures. There were

0:21:27.320 --> 0:21:32.600
<v Speaker 1>even carvings that poked fun at rival Polish nobles by

0:21:32.640 --> 0:21:37.680
<v Speaker 1>showing them in compromising positions. Two of these were purportedly placed,

0:21:37.840 --> 0:21:41.400
<v Speaker 1>so they were only clearly visible to a crewman who

0:21:41.520 --> 0:21:47.600
<v Speaker 1>sat on one of the ship's main to toilets. By

0:21:47.800 --> 0:21:52.080
<v Speaker 1>modern standards, the intended living and working conditions on the

0:21:52.160 --> 0:21:57.080
<v Speaker 1>Vasa seemed pretty awful. The officers had larger cabins, but

0:21:57.320 --> 0:22:00.520
<v Speaker 1>most of the crew had the ship, in theory, continued

0:22:00.520 --> 0:22:06.240
<v Speaker 1>its mission, would have slept in dark, cramped conditions between cannons.

0:22:06.880 --> 0:22:10.320
<v Speaker 1>The only daylight that those on the lower decks would

0:22:10.359 --> 0:22:14.520
<v Speaker 1>have regularly seen would have filtered through cracks in the

0:22:14.520 --> 0:22:18.600
<v Speaker 1>beams above. The Vasa was supposed to carry a staggering

0:22:18.920 --> 0:22:22.720
<v Speaker 1>four hundred and fifty people, although it wasn't full when

0:22:22.720 --> 0:22:26.560
<v Speaker 1>it sank because the soldier regiments had not yet boarded,

0:22:27.240 --> 0:22:30.160
<v Speaker 1>so in one way, the fact that the ship failed

0:22:30.320 --> 0:22:35.840
<v Speaker 1>so immediately actually prevented even more people from suffering and dying.

0:22:36.800 --> 0:22:40.600
<v Speaker 1>Even so, as we mentioned, there were individuals who never

0:22:40.720 --> 0:22:45.280
<v Speaker 1>made it off the ship. Fifteen skeletons were recovered from

0:22:45.359 --> 0:22:49.040
<v Speaker 1>the Vasa wreck, it was hard to identify them since

0:22:49.119 --> 0:22:54.320
<v Speaker 1>no exact official crewe lists survived. The remains still offered

0:22:54.359 --> 0:22:58.919
<v Speaker 1>scientists a wealth of information. Though the group included sailors

0:22:59.119 --> 0:23:03.399
<v Speaker 1>likely conscripted from coastal towns or brought on from defecting

0:23:03.600 --> 0:23:07.800
<v Speaker 1>Danish and Norwegian crews. Since the first voyage of the

0:23:07.880 --> 0:23:12.000
<v Speaker 1>Vasa was a festive occasion, a few women and children

0:23:12.160 --> 0:23:16.920
<v Speaker 1>were also reportedly aboard. This was reflected in the skeletons.

0:23:17.400 --> 0:23:21.920
<v Speaker 1>Two of the fifteen were female. Analysis of the bones

0:23:21.960 --> 0:23:27.120
<v Speaker 1>also gave insight into height, age, matrilineal details, and nutrition.

0:23:28.000 --> 0:23:32.040
<v Speaker 1>Somewhat surprisingly, although those who had died had plenty of

0:23:32.080 --> 0:23:36.560
<v Speaker 1>other apparent injuries, none seemed to have been afflicted by scurvy.

0:23:37.200 --> 0:23:41.959
<v Speaker 1>The remains were actually in such good condition that detailed

0:23:42.119 --> 0:23:48.240
<v Speaker 1>facial reconstructions could be done, and eventually one skeleton could

0:23:48.400 --> 0:23:54.040
<v Speaker 1>be identified based on its age and clothing remnants. It

0:23:54.160 --> 0:24:00.119
<v Speaker 1>was Hans Jansen. Jansen was an experienced captain slated to

0:24:00.200 --> 0:24:04.040
<v Speaker 1>lead the Vasa, who was then replaced by Sofring Hudson.

0:24:04.720 --> 0:24:09.280
<v Speaker 1>Johnson still joined the maiden voyage, though, as corroborated by

0:24:09.400 --> 0:24:13.560
<v Speaker 1>officers at the inquest. The fact that even an expert

0:24:13.680 --> 0:24:17.920
<v Speaker 1>captain went down with the ship shows just how terrifyingly

0:24:18.040 --> 0:24:23.320
<v Speaker 1>fast it all happened. Further examination also shed more light

0:24:23.440 --> 0:24:27.680
<v Speaker 1>on why the Vasa sank. A critical problem was that

0:24:27.720 --> 0:24:32.240
<v Speaker 1>there were too many heavy beams, too high up the hull,

0:24:32.640 --> 0:24:37.520
<v Speaker 1>and too much space between decks. This, combined with apparent

0:24:37.640 --> 0:24:41.560
<v Speaker 1>asymmetries and the fact that the ship was actually too

0:24:41.600 --> 0:24:45.479
<v Speaker 1>small to effectively carry so much cargo, made it a

0:24:45.680 --> 0:24:51.600
<v Speaker 1>top heavy catastrophe waiting to happen, a catastrophe that, while

0:24:51.840 --> 0:24:56.280
<v Speaker 1>highly tragic at the time, eventually also led to a

0:24:56.320 --> 0:25:05.199
<v Speaker 1>stunning archaeological find that is inspired millions. The Vasa sinking

0:25:05.440 --> 0:25:09.240
<v Speaker 1>was a costly and embarrassing disaster, but it did not

0:25:09.600 --> 0:25:15.280
<v Speaker 1>seemingly dampen King Gustavus Adolphus's nautical ambitions in his remaining years.

0:25:15.960 --> 0:25:19.239
<v Speaker 1>Since the ship was such a failure, it became a

0:25:19.280 --> 0:25:24.840
<v Speaker 1>cautionary tail and brought sweeping changes. The Swedish Navy improved

0:25:24.920 --> 0:25:29.840
<v Speaker 1>their production process, utilizing more thorough oversight and opting to

0:25:29.960 --> 0:25:35.000
<v Speaker 1>work from detailed designs and models on future builds. Larger,

0:25:35.359 --> 0:25:39.119
<v Speaker 1>sturdier worships eventually made it out of the harbor to

0:25:39.160 --> 0:25:42.679
<v Speaker 1>see action in the long run, though no ship from

0:25:42.760 --> 0:25:47.119
<v Speaker 1>this period would see more action than the Vasa, which

0:25:47.240 --> 0:25:52.680
<v Speaker 1>to this day has not left Stockholm Harbor. While conservators

0:25:52.720 --> 0:25:57.480
<v Speaker 1>were working to preserve the Vasa on its pontoon platform,

0:25:57.680 --> 0:26:03.359
<v Speaker 1>a museum was built around the ship still rests there

0:26:03.680 --> 0:26:08.159
<v Speaker 1>on an island in Stockholm in a temperature and humidity

0:26:08.240 --> 0:26:12.359
<v Speaker 1>controlled environment, one that I actually was lucky enough to visit,

0:26:12.560 --> 0:26:17.120
<v Speaker 1>although every single photo I have is incredibly dark and blurry.

0:26:17.880 --> 0:26:21.160
<v Speaker 1>The Vasa may have struggled at sea, but since its

0:26:21.200 --> 0:26:25.840
<v Speaker 1>recovery and career pivot, it has been a smashing success

0:26:26.320 --> 0:26:30.680
<v Speaker 1>that continues to repay Sweden's investment, at least in terms

0:26:30.760 --> 0:26:36.879
<v Speaker 1>of tourism. The current King of Sweden, Karl the sixteenth Gustav,

0:26:37.280 --> 0:26:40.760
<v Speaker 1>who get this, has demonstrated he's both a fan of

0:26:40.920 --> 0:26:46.600
<v Speaker 1>historical ships and of promoting maritime safety, inaugurated the Vasa

0:26:46.680 --> 0:26:52.280
<v Speaker 1>Museum on June fifteenth, nineteen ninety. According to some sources,

0:26:52.640 --> 0:26:57.159
<v Speaker 1>it is the most visited museum in Scandinavia, attracting a

0:26:57.320 --> 0:27:02.720
<v Speaker 1>reported one point five million visitors a year, books, documentaries,

0:27:02.920 --> 0:27:07.000
<v Speaker 1>countless types of merchandise, and even a video game. Have

0:27:07.119 --> 0:27:12.800
<v Speaker 1>focused on the Vasa's unique history. In addition, the Vasa

0:27:12.960 --> 0:27:17.680
<v Speaker 1>has had a significant effect on popular culture in Sweden,

0:27:18.160 --> 0:27:23.840
<v Speaker 1>according to some archaeologists and historians. Despite the ship's infamous sinking,

0:27:24.359 --> 0:27:28.359
<v Speaker 1>fascination with it in recent decades has helped foster a

0:27:28.480 --> 0:27:33.080
<v Speaker 1>nationalistic view of the age of warrior kings and quests

0:27:33.119 --> 0:27:36.359
<v Speaker 1>for nautical glory that is similar to the sense of

0:27:36.600 --> 0:27:43.600
<v Speaker 1>modern pride at least shared cultural identity regarding the Viking Age.

0:27:43.680 --> 0:27:47.720
<v Speaker 1>In some business and technology circles, the Vasa has also

0:27:47.760 --> 0:27:53.119
<v Speaker 1>become a vivid symbol of project mismanagement. Several authors and

0:27:53.280 --> 0:27:58.160
<v Speaker 1>experts have used the term Vasa syndrome when discussing failed

0:27:58.280 --> 0:28:04.440
<v Speaker 1>ventures that were drastically afif affected by modern organizations, shortened timelines,

0:28:04.720 --> 0:28:10.840
<v Speaker 1>poor communication, and lack of corrective action. Such examples include

0:28:10.960 --> 0:28:15.479
<v Speaker 1>Greyhound trying to shift to a computerized bus reservation system

0:28:15.520 --> 0:28:20.520
<v Speaker 1>in nineteen ninety three and NASA's reportedly flawed process leading

0:28:20.600 --> 0:28:25.400
<v Speaker 1>up to the Challenger space shuttle disaster. Ultimately, it's difficult

0:28:25.480 --> 0:28:29.080
<v Speaker 1>to envision there ever being another ship like the Vasa,

0:28:29.200 --> 0:28:33.479
<v Speaker 1>thanks to its bridging of eras, linking of kings, and

0:28:33.720 --> 0:28:39.040
<v Speaker 1>legacy of mind bettening dichotomies. By sinking, it rose to

0:28:39.160 --> 0:28:46.800
<v Speaker 1>fame by barely traveling. It lured countless travelers. Perhaps most inspiringly,

0:28:47.280 --> 0:28:51.840
<v Speaker 1>after drowning under the weight of discord and royal expectations,

0:28:52.160 --> 0:28:58.080
<v Speaker 1>the Vasa lived on by booying cooperation and scientific innovation.

0:28:58.960 --> 0:29:06.040
<v Speaker 1>Not bad for bundle of sticks. That's the unsinkable history

0:29:06.080 --> 0:29:09.440
<v Speaker 1>of the Vasa. But stick around after a brief sponsor

0:29:09.520 --> 0:29:13.240
<v Speaker 1>break to get one last blast of irony from those

0:29:13.400 --> 0:29:27.000
<v Speaker 1>sought after bronze cannons. Other than firing one ammunition free salute,

0:29:27.320 --> 0:29:31.680
<v Speaker 1>the Vasa's bronze twenty four pounders were never actually put

0:29:31.760 --> 0:29:36.720
<v Speaker 1>to use on the Swedish flagship. In a fateful twist, however,

0:29:37.160 --> 0:29:43.000
<v Speaker 1>the cannons may have seen action decades later. Albert von Trelburn,

0:29:43.320 --> 0:29:47.200
<v Speaker 1>the Swede who if you'll remember, effectively utilized the diving bell,

0:29:47.640 --> 0:29:51.320
<v Speaker 1>salvaged most of the guns and passed them onto his

0:29:51.440 --> 0:29:56.160
<v Speaker 1>business partners. We know this because surviving customs records from

0:29:56.200 --> 0:30:01.000
<v Speaker 1>sixteen sixty five reveal that those men exported fifty three

0:30:01.200 --> 0:30:04.560
<v Speaker 1>of the cannons to Lubec, Germany, where there was quite

0:30:04.560 --> 0:30:08.960
<v Speaker 1>a market for secondhand weapons. Fred Hawker, the head of

0:30:09.000 --> 0:30:12.800
<v Speaker 1>research at the Vasa Museum makes a compelling case in

0:30:12.880 --> 0:30:16.960
<v Speaker 1>his book Vasa that some of those cannons found their

0:30:17.000 --> 0:30:19.960
<v Speaker 1>way to Denmark, since the Danish king at the time,

0:30:20.040 --> 0:30:24.320
<v Speaker 1>Frederick the Third, had sent representatives to Lubek to purchase

0:30:24.400 --> 0:30:29.400
<v Speaker 1>cannons for his own navy. Given that Denmark later battled

0:30:29.520 --> 0:30:34.000
<v Speaker 1>Sweden in the Scanyon War in sixteen seventy, it's therefore

0:30:34.160 --> 0:30:39.360
<v Speaker 1>possible that those same cannons were, as Hawker put it quote,

0:30:39.680 --> 0:30:45.080
<v Speaker 1>eventually fired in anger at the Swedish fleet. In other words,

0:30:45.120 --> 0:30:50.040
<v Speaker 1>after causing no end of trouble for foundry workers, shipbuilders,

0:30:50.120 --> 0:30:55.000
<v Speaker 1>and the Vasa crew, King Gustavus Adolphus's ubristic order of

0:30:55.080 --> 0:31:00.520
<v Speaker 1>cannons could hardly have backfired anymore on their home country's

0:31:00.600 --> 0:31:14.800
<v Speaker 1>hopes for Scandinavian supremacy at sea. Noble Blood is a

0:31:14.840 --> 0:31:19.040
<v Speaker 1>production of iHeartRadio and Grim and Mild from Aaron Mankey.

0:31:19.680 --> 0:31:23.560
<v Speaker 1>Noble Blood is hosted by me Dana Schwartz, with additional

0:31:23.560 --> 0:31:28.280
<v Speaker 1>writing and research by Hannah Johnston, Hannahswick, Courtney Sender, Amy

0:31:28.360 --> 0:31:32.480
<v Speaker 1>Hit and Julia Melaney. The show is edited and produced

0:31:32.560 --> 0:31:37.680
<v Speaker 1>by Jesse Funk, with supervising producer rima il KLi and

0:31:37.840 --> 0:31:42.360
<v Speaker 1>executive producers Aaron Manke, Trevor Young, and Matt Frederick. For

0:31:42.400 --> 0:31:47.840
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:31:48.080 --> 0:31:52.160
<v Speaker 1>or wherever you listen to your favorite shows.