1 00:00:00,680 --> 00:00:04,920 Speaker 1: From Hollywood see you. Thank you for listening to US 2 00:00:05,120 --> 00:00:10,720 Speaker 1: air with Ryan seacrest. We're a day out from our 3 00:00:11,080 --> 00:00:14,720 Speaker 1: radio music festival. You Got Halsey, Sam Smith, Leonel Ritchie, 4 00:00:15,760 --> 00:00:20,079 Speaker 1: the black keys, pit pull, megany stallion. Very much looking 5 00:00:20,120 --> 00:00:24,639 Speaker 1: forward to t mobile arena in Las Vegas. All right, so, 6 00:00:24,720 --> 00:00:28,840 Speaker 1: good morning and high good morning morning. Hello, tiny of 7 00:00:28,840 --> 00:00:32,839 Speaker 1: your hair looks different today. What is it? So it's 8 00:00:32,840 --> 00:00:35,199 Speaker 1: funny that you noticed, because I was very frantic when 9 00:00:35,240 --> 00:00:37,599 Speaker 1: I got out of bed this morning and like I 10 00:00:37,640 --> 00:00:39,400 Speaker 1: just kind of run my fingers through my hair and 11 00:00:39,400 --> 00:00:41,680 Speaker 1: I flip it over and then just do all my 12 00:00:41,680 --> 00:00:43,600 Speaker 1: morning routine and I just didn't finish it and so 13 00:00:43,640 --> 00:00:46,440 Speaker 1: I came in like this. You should not finish it. 14 00:00:46,479 --> 00:00:49,400 Speaker 1: Often looks great. Thank you. Sam told me it look 15 00:00:49,520 --> 00:00:51,199 Speaker 1: Nice today too, and I felt like that look like 16 00:00:51,200 --> 00:00:53,520 Speaker 1: a wet song. How well trained we are to notice 17 00:00:53,560 --> 00:00:56,880 Speaker 1: something different about each other. So Nice. Thank you. Not 18 00:00:56,960 --> 00:00:58,680 Speaker 1: to let it slide. I'm on my period of not 19 00:00:58,760 --> 00:01:00,960 Speaker 1: feeling so good, so this is really made me feel better. 20 00:01:01,160 --> 00:01:05,400 Speaker 1: Good for you. So, okay, I woke up and I 21 00:01:05,440 --> 00:01:07,440 Speaker 1: just thought, oh my gosh, the night is already over. 22 00:01:07,480 --> 00:01:08,720 Speaker 1: It was one of those nights to wear that. I 23 00:01:08,720 --> 00:01:10,680 Speaker 1: actually I guess I slept well, because the night went 24 00:01:10,760 --> 00:01:13,759 Speaker 1: fast and then all of a suddenly, alarm, my my 25 00:01:13,800 --> 00:01:18,200 Speaker 1: spot times are going off. You know, my very soothing. 26 00:01:19,160 --> 00:01:21,400 Speaker 1: How do you know? Lucky it's gone off before. I've 27 00:01:21,440 --> 00:01:23,440 Speaker 1: heard it during the show. I know. I feel like 28 00:01:23,440 --> 00:01:27,400 Speaker 1: I'm like seeing you sleep. We don't know that. I 29 00:01:27,440 --> 00:01:31,200 Speaker 1: wouldn't put it past you. Know what, why do we 30 00:01:31,280 --> 00:01:33,000 Speaker 1: think that? Why? I don't know. I feel like she 31 00:01:33,000 --> 00:01:35,080 Speaker 1: could just, you know, show about her house at any moment. 32 00:01:35,680 --> 00:01:39,440 Speaker 1: I've only tried to do that once. See. Yeah, I 33 00:01:40,640 --> 00:01:42,759 Speaker 1: do think it's possible that you stare at your boyfriend's 34 00:01:42,760 --> 00:01:46,040 Speaker 1: sleeping Oh, I do that all the time, but you're 35 00:01:46,040 --> 00:01:53,640 Speaker 1: not my boyfriend. Thank you. I just became more religious. 36 00:01:54,360 --> 00:01:56,600 Speaker 1: It does like he gets soberded out when I stared 37 00:01:56,600 --> 00:01:59,640 Speaker 1: at him. He's like, yeah, but that's I mean, anybody 38 00:01:59,680 --> 00:02:02,280 Speaker 1: would a little bit. Wouldn't you want someone to admire 39 00:02:02,360 --> 00:02:07,559 Speaker 1: your beauty? Yes, but not like that. Yes, you would. 40 00:02:07,600 --> 00:02:09,560 Speaker 1: I think you would know. I'd like for them just 41 00:02:09,560 --> 00:02:11,200 Speaker 1: to say Nice things. They don't need to stay without 42 00:02:11,200 --> 00:02:12,359 Speaker 1: blinking at me in the middle of the night with 43 00:02:12,560 --> 00:02:14,440 Speaker 1: trying to sleep, and I can't sleep. Yeah, I like 44 00:02:14,840 --> 00:02:18,240 Speaker 1: words of affirmation, not eyeballs of affirmation. No, I know, 45 00:02:18,320 --> 00:02:20,280 Speaker 1: but as you're looking you're like wow, I never noticed, 46 00:02:20,320 --> 00:02:22,880 Speaker 1: like how beautiful the shape of your noses and like 47 00:02:23,240 --> 00:02:26,000 Speaker 1: words of affirmation. Yeah, so the words come after you 48 00:02:26,040 --> 00:02:29,919 Speaker 1: look a little. The eyeballs of affirmation that I don't need. 49 00:02:30,560 --> 00:02:33,240 Speaker 1: We're gonna get to see his beautiful face this weekend. 50 00:02:33,240 --> 00:02:36,120 Speaker 1: He's coming bringing out the S is. Michael's not coming, 51 00:02:36,120 --> 00:02:39,239 Speaker 1: but Robbie's coming now. Michael's holding down all of everything 52 00:02:39,280 --> 00:02:41,120 Speaker 1: that needs to be held down at the house. We 53 00:02:41,160 --> 00:02:43,560 Speaker 1: have a lot. We have t ball now and there's 54 00:02:43,600 --> 00:02:46,399 Speaker 1: just too much to do. So I guess I got 55 00:02:46,400 --> 00:02:50,920 Speaker 1: some new pants from the show for you. Did you 56 00:02:50,960 --> 00:02:53,200 Speaker 1: do the next quick where they put them around your neck? 57 00:02:54,800 --> 00:02:59,760 Speaker 1: kind of what kind of pants? So their navy? You know, 58 00:02:59,800 --> 00:03:01,520 Speaker 1: it's funny. I always think of what y'all are going 59 00:03:01,560 --> 00:03:03,440 Speaker 1: to say about him when I'm trying this stuff on. 60 00:03:03,600 --> 00:03:05,440 Speaker 1: It's not even what I'm wearing for the show. It's 61 00:03:05,480 --> 00:03:08,080 Speaker 1: about like what is time you'RE gonna say? What's this 62 00:03:08,200 --> 00:03:11,320 Speaker 1: you gonna say? I always like what you pick. Yeah, 63 00:03:11,360 --> 00:03:13,600 Speaker 1: I'm happy about it. I just I wanted to be 64 00:03:13,639 --> 00:03:17,480 Speaker 1: in a little better fit form shape. But well, what's 65 00:03:17,520 --> 00:03:20,720 Speaker 1: the top? Are they jeans or are they like their 66 00:03:20,800 --> 00:03:24,200 Speaker 1: navy blue trousers with it like a burgundy pin striped 67 00:03:24,200 --> 00:03:29,320 Speaker 1: down the side? Okay, I like that. Yeah, and then 68 00:03:29,320 --> 00:03:32,079 Speaker 1: a jacket, which is an outdoor jacket, which I don't 69 00:03:32,080 --> 00:03:34,560 Speaker 1: know why. I'm a weird inside. No, that's fine, because 70 00:03:34,560 --> 00:03:38,720 Speaker 1: it's cold in there. What's an outdoor jacket? It's like 71 00:03:38,720 --> 00:03:44,080 Speaker 1: a coat. Oh, yeah, yeah, I'm always cool at the festival. 72 00:03:44,880 --> 00:03:46,920 Speaker 1: Did you'll pick out where you're wearing? I think I 73 00:03:47,280 --> 00:03:49,360 Speaker 1: kind of have it. I'm putting piece in it all 74 00:03:49,360 --> 00:03:55,640 Speaker 1: together tonight. All right. Well, that's that's happening in let's what? No, 75 00:03:55,760 --> 00:03:58,480 Speaker 1: in more than twenty four hours, but in two days. 76 00:03:58,600 --> 00:04:01,360 Speaker 1: We're there for the whole weekend. Now, this is a 77 00:04:01,400 --> 00:04:06,760 Speaker 1: public service announcement. There is a culinary thief almost on 78 00:04:06,800 --> 00:04:09,440 Speaker 1: the street. What happened? So, wait, what happens? Isn't he so? 79 00:04:09,560 --> 00:04:13,240 Speaker 1: The other night Michael and I decided to order some 80 00:04:13,280 --> 00:04:16,720 Speaker 1: Taco Bell. It was late, but how did you come 81 00:04:16,760 --> 00:04:20,680 Speaker 1: to this conclusion? WAS LIKE SHOULD WE? Yes, yes, actually, 82 00:04:21,480 --> 00:04:24,479 Speaker 1: I didn't even tell him. This was all me. Did. No, 83 00:04:24,720 --> 00:04:27,160 Speaker 1: I like the way it was. On the way I 84 00:04:27,200 --> 00:04:31,200 Speaker 1: was like I ordered some Um, I got a cheeseyordy 85 00:04:31,240 --> 00:04:34,400 Speaker 1: to crunch some hardshaw tacos. Um, I got him a 86 00:04:34,400 --> 00:04:38,720 Speaker 1: Mexican pizza and I got the nachos with the cheese. 87 00:04:39,040 --> 00:04:42,200 Speaker 1: I would give up relationships for that. That sounds so great, 88 00:04:43,120 --> 00:04:46,000 Speaker 1: like it literally makes my heart melt. And it's prestly late. 89 00:04:46,480 --> 00:04:50,440 Speaker 1: It's better after nine. Yeah, were you drunk? Yes, we 90 00:04:50,440 --> 00:04:54,719 Speaker 1: were drunk. This was Saturday night. Um, and so we 91 00:04:54,920 --> 00:04:56,920 Speaker 1: ordered it and it you know, it came fairly fast 92 00:04:56,920 --> 00:04:58,440 Speaker 1: because when you do the fast food on post me 93 00:04:59,120 --> 00:05:03,400 Speaker 1: became super fast time that comes. Where was it? Literally 94 00:05:03,440 --> 00:05:06,279 Speaker 1: it was like maybausally almost there, like ten minutes. So 95 00:05:06,320 --> 00:05:08,520 Speaker 1: it said delivered and I was like so excited and 96 00:05:08,520 --> 00:05:10,240 Speaker 1: I going over the door and it was not on 97 00:05:10,279 --> 00:05:12,400 Speaker 1: the porch and I was like where is it? So 98 00:05:12,440 --> 00:05:15,839 Speaker 1: we freak out and Michael like runs out berefoot and 99 00:05:15,920 --> 00:05:17,840 Speaker 1: now he's like on the middle of the street like 100 00:05:17,960 --> 00:05:21,240 Speaker 1: looking somewhere else, basically like to see if it was 101 00:05:21,240 --> 00:05:23,919 Speaker 1: on our neighbors like porch, and he looks over and 102 00:05:23,960 --> 00:05:26,120 Speaker 1: it was delivered at her next next door neighbor's house 103 00:05:26,320 --> 00:05:29,279 Speaker 1: and she was like midhand holding it about to bring 104 00:05:29,320 --> 00:05:36,440 Speaker 1: it inside her house was like a blessing from an 105 00:05:36,520 --> 00:05:40,920 Speaker 1: old lady who's like seventy. We caught her in mid 106 00:05:40,960 --> 00:05:44,680 Speaker 1: act and she was what did? She explained herself old 107 00:05:44,680 --> 00:05:46,920 Speaker 1: that she yelled at her husband and she was just like, Oh, 108 00:05:46,920 --> 00:05:51,039 Speaker 1: it's Michael's Taco about, like she was like pretending. I 109 00:05:51,080 --> 00:05:53,640 Speaker 1: don't know, it was basically like she was. Basically I 110 00:05:53,680 --> 00:05:55,279 Speaker 1: don't know if she was going to maybe like text 111 00:05:55,400 --> 00:05:57,240 Speaker 1: us and be like Hey, is this yours? I'm sure 112 00:05:57,279 --> 00:06:01,359 Speaker 1: she would have, but to me it's much more fun 113 00:06:01,600 --> 00:06:03,320 Speaker 1: than even what we did at my house, like the 114 00:06:03,440 --> 00:06:05,599 Speaker 1: two of you barefoot running down the street board and 115 00:06:05,600 --> 00:06:08,240 Speaker 1: Tacos the nine o'clock that's what we should be doing together. 116 00:06:09,440 --> 00:06:11,440 Speaker 1: It is true, like I still can't go over the 117 00:06:11,480 --> 00:06:15,160 Speaker 1: fact that when you crave something guilty, that you can 118 00:06:15,200 --> 00:06:18,360 Speaker 1: just get it. You can get it because it's like 119 00:06:18,440 --> 00:06:22,080 Speaker 1: too dangerous. It's dangerous. I did it with three pizzas 120 00:06:22,080 --> 00:06:25,479 Speaker 1: over the weekend. I ordered three pizzas and I got 121 00:06:25,560 --> 00:06:27,720 Speaker 1: a content pizza, which I never get, which is spicy 122 00:06:27,720 --> 00:06:30,880 Speaker 1: pepperoni and and I kind of was like you know, 123 00:06:30,960 --> 00:06:33,039 Speaker 1: I'm going for and I did it all by myself, 124 00:06:33,360 --> 00:06:35,680 Speaker 1: ordered it and it was there and then it was there, 125 00:06:35,760 --> 00:06:38,120 Speaker 1: it was there by the time. You get so excited, right, 126 00:06:38,120 --> 00:06:40,120 Speaker 1: you started pulling out the paper towels and you start 127 00:06:40,160 --> 00:06:42,960 Speaker 1: cleaning up the watch them on there like on, that 128 00:06:44,800 --> 00:06:46,520 Speaker 1: the best. And if you get a vest, but guy, 129 00:06:46,560 --> 00:06:49,320 Speaker 1: it's like, uh, it's gonna take longer. What is that 130 00:06:49,360 --> 00:06:51,520 Speaker 1: but the vest? But people that like a real thing. Yeah, 131 00:06:52,080 --> 00:06:56,240 Speaker 1: and it shows it like it's not a car. I'm like, wow, 132 00:06:57,520 --> 00:07:02,920 Speaker 1: now tany what do you guilty pleasure order late? Just 133 00:07:03,080 --> 00:07:06,320 Speaker 1: so lame. But like at nighttime I really crave asa 134 00:07:06,440 --> 00:07:14,080 Speaker 1: e bowls. Yeah, you could have more fun than that. Lives. 135 00:07:14,800 --> 00:07:16,440 Speaker 1: I mean I'll do pizza every once in a while, 136 00:07:16,480 --> 00:07:19,320 Speaker 1: but it's more like sweets I want. Yeah, I don't 137 00:07:19,360 --> 00:07:22,240 Speaker 1: ever crave sweets. It's always, like you said, it's tacos. 138 00:07:22,360 --> 00:07:25,360 Speaker 1: It's not you, it's pizza, or it's a soggy burger. 139 00:07:25,920 --> 00:07:29,840 Speaker 1: It's like pinkberry Asa e bowls or ice cream. What 140 00:07:29,920 --> 00:07:34,520 Speaker 1: is your boyfriend crave? You guys are just all healthy 141 00:07:34,520 --> 00:07:39,840 Speaker 1: over there. Gosh, we don't really do like late night eating. 142 00:07:40,400 --> 00:07:42,920 Speaker 1: That's kind of the irreverence of ith. Fun of it 143 00:07:42,960 --> 00:07:45,840 Speaker 1: is when you do do it. He likes chicken tenders 144 00:07:45,880 --> 00:07:49,840 Speaker 1: and pizza. Chicken tenders, Buffalo Wings, see chicken tenders like 145 00:07:49,880 --> 00:07:52,920 Speaker 1: at a hotel like. That'll be me this week in Vegas. Definitely. 146 00:07:53,560 --> 00:07:57,320 Speaker 1: We're gonna be working and working late and you know 147 00:07:57,400 --> 00:07:59,880 Speaker 1: when we get I'm always saying I'm like starving by 148 00:07:59,880 --> 00:08:01,080 Speaker 1: the time we get finished with the end of the 149 00:08:01,160 --> 00:08:04,000 Speaker 1: night and it's thirty and then I go in that 150 00:08:04,560 --> 00:08:08,160 Speaker 1: all night dining menu. Yeah, Saturday night after the festival, 151 00:08:08,160 --> 00:08:10,200 Speaker 1: I'm going back to my room and definitely ordering chicken 152 00:08:10,200 --> 00:08:13,760 Speaker 1: tenders French fries, and I mean not Saturday night, not 153 00:08:13,840 --> 00:08:15,840 Speaker 1: Friday though. Yeah, like, I don't think I'm going out 154 00:08:15,880 --> 00:08:17,680 Speaker 1: Saturday night. I think after the fest I'm gonna be 155 00:08:17,760 --> 00:08:21,640 Speaker 1: so exhausted. I love talking about food somemore. No, it's 156 00:08:21,680 --> 00:08:24,720 Speaker 1: really hummy, so I shouldn't tell you. Know, these hacks 157 00:08:24,880 --> 00:08:27,480 Speaker 1: can seem random to some, but then hit the bull's 158 00:08:27,520 --> 00:08:29,360 Speaker 1: eye for others. And this might be a bull's eye 159 00:08:29,400 --> 00:08:34,240 Speaker 1: for some and random for others. So candles, I love them. 160 00:08:34,320 --> 00:08:39,280 Speaker 1: Sometimes that wax comes in handy, right, and why not? 161 00:08:40,320 --> 00:08:43,960 Speaker 1: Will you a freaky like that? Why not? Wow, you 162 00:08:43,960 --> 00:08:49,120 Speaker 1: can buy specific candles for that. I am learning so 163 00:08:49,200 --> 00:08:54,559 Speaker 1: much by specific wax doesn't burn you for that. UH So. 164 00:08:54,679 --> 00:08:57,360 Speaker 1: It's frustrating, though, when candle wax get stuck on the 165 00:08:57,400 --> 00:08:59,520 Speaker 1: bottom of your glass candle holder and you can't get 166 00:08:59,559 --> 00:09:02,960 Speaker 1: it off. We'll guess who, of all people, our dear 167 00:09:03,000 --> 00:09:06,800 Speaker 1: friend Katie Kuric. She posted this on Tiktok and everybody's 168 00:09:06,840 --> 00:09:09,480 Speaker 1: talking about it. She says to get it off, stick 169 00:09:09,559 --> 00:09:12,320 Speaker 1: the candle in the freezer once it's hard and turn 170 00:09:12,360 --> 00:09:15,000 Speaker 1: it upside down and banging on the counter everything falls off. 171 00:09:16,480 --> 00:09:19,000 Speaker 1: So you gotta freeze it, turn it over and it'll 172 00:09:19,040 --> 00:09:22,600 Speaker 1: just crumb right off. Wax Won't stick to glass when 173 00:09:22,640 --> 00:09:25,840 Speaker 1: it's frozen. It is a scientific fact that love science. 174 00:09:27,040 --> 00:09:29,640 Speaker 1: Today's quote of the day don't wait for everything to 175 00:09:29,679 --> 00:09:35,920 Speaker 1: be perfect before you decide to enjoy your life. Well, why? Why? 176 00:09:36,000 --> 00:09:39,880 Speaker 1: Why the Moan? Because it just hit me. Yeah, you 177 00:09:39,880 --> 00:09:41,920 Speaker 1: always want I would have never been married if that 178 00:09:41,960 --> 00:09:48,520 Speaker 1: was the case. Well, not the greatest news Um. The 179 00:09:48,640 --> 00:09:52,640 Speaker 1: Federal Reserve raised its key interest rate yesterday by a 180 00:09:52,679 --> 00:09:56,360 Speaker 1: substantial three quarters of a point for a third straight 181 00:09:56,400 --> 00:10:00,320 Speaker 1: time and signaled more large rate hikes to come, an 182 00:10:00,320 --> 00:10:03,840 Speaker 1: aggressive pace that will heighten the risk of an eventual recession. 183 00:10:04,240 --> 00:10:07,080 Speaker 1: The fets move a boosted its benchmark short term rate, 184 00:10:07,240 --> 00:10:11,040 Speaker 1: which affects many consumer and business loans, to a range 185 00:10:11,080 --> 00:10:14,880 Speaker 1: about three percent to two points, to three point to five, 186 00:10:15,640 --> 00:10:19,320 Speaker 1: the highest level since two thousand and eight hackers have 187 00:10:19,400 --> 00:10:23,800 Speaker 1: made a ransom demand following a ransomware attack earlier this 188 00:10:23,880 --> 00:10:27,720 Speaker 1: month that targeted the Los Angeles Unified School district. Remember that. 189 00:10:27,840 --> 00:10:31,559 Speaker 1: So details about the ransom demand and what kind of information, 190 00:10:31,600 --> 00:10:34,880 Speaker 1: if if any, the hackers might be holding were, of course, 191 00:10:35,000 --> 00:10:38,800 Speaker 1: not disclosed. The Nation's second largest school district confirmed that 192 00:10:38,880 --> 00:10:42,440 Speaker 1: the ransom demand was made, and they confirmed this to 193 00:10:42,440 --> 00:10:46,760 Speaker 1: the Los Angeles Times and the magic band plus will 194 00:10:46,800 --> 00:10:50,719 Speaker 1: debut at Disneyland this fall, bringing the wearable device to 195 00:10:50,760 --> 00:10:53,960 Speaker 1: the west coast for the first time. Magic Band plus 196 00:10:54,040 --> 00:10:56,800 Speaker 1: is a device that's built in l e ED s Um. 197 00:10:56,840 --> 00:10:58,920 Speaker 1: It has a bunch of other technology that enables guests 198 00:10:58,920 --> 00:11:02,000 Speaker 1: to play exclusive aims in the theme parks and has 199 00:11:02,040 --> 00:11:04,800 Speaker 1: a hands free way to enter the park. The band, 200 00:11:04,840 --> 00:11:08,440 Speaker 1: which is rechargeable and waterproof, can also be paired to 201 00:11:08,480 --> 00:11:12,200 Speaker 1: your phone to enable customization of Van Light Colors and 202 00:11:12,360 --> 00:11:18,600 Speaker 1: other settings. On aired with the Ryan Seagrets, we have 203 00:11:18,720 --> 00:11:24,640 Speaker 1: Ryan's roses minutes away and it's funny. I don't know 204 00:11:24,679 --> 00:11:28,280 Speaker 1: if I'm gonna say sadly or okay, that's summer officially 205 00:11:28,360 --> 00:11:33,360 Speaker 1: ends today, because this was an unusually hot and difficult summer. Uh, 206 00:11:33,520 --> 00:11:36,760 Speaker 1: certainly it comes to the heat in southern California. And 207 00:11:37,000 --> 00:11:39,000 Speaker 1: it's funny how when we get close to summer I'm 208 00:11:39,000 --> 00:11:41,760 Speaker 1: always so excited to think about school being out and 209 00:11:42,120 --> 00:11:44,600 Speaker 1: sun being up later, but then at the end of summer, 210 00:11:44,600 --> 00:11:47,120 Speaker 1: after some of the heat we've experienced, I'm excited about fall. 211 00:11:47,760 --> 00:11:52,120 Speaker 1: So excited or whatever fall will feel like in southern California. 212 00:11:52,280 --> 00:11:55,800 Speaker 1: But some are officially ends today at twelve twenty one. 213 00:11:57,040 --> 00:11:59,920 Speaker 1: So we should be able to name what was the 214 00:12:00,160 --> 00:12:05,160 Speaker 1: song of summer. Every summer has a relationship and a song, right. 215 00:12:05,679 --> 00:12:10,040 Speaker 1: Every summer has that relationship that you got into. Maybe 216 00:12:10,040 --> 00:12:12,839 Speaker 1: it turns into something or maybe it dies down. But, Tony, 217 00:12:12,880 --> 00:12:15,319 Speaker 1: you and I have had plenty of summer relationships. Yeah, 218 00:12:15,320 --> 00:12:18,920 Speaker 1: but I thought you were meeting like celebrity relationship that. No, no, no, 219 00:12:18,960 --> 00:12:22,840 Speaker 1: I'm talking about us, when I married mine us. Yeah, Tanya, 220 00:12:23,240 --> 00:12:25,880 Speaker 1: you've done it, Sissany, you've done it, we've done it. 221 00:12:26,280 --> 00:12:29,120 Speaker 1: But basically, uh, we want to figure out what was 222 00:12:29,160 --> 00:12:31,840 Speaker 1: the song of summer. So we used the same formula 223 00:12:31,880 --> 00:12:34,280 Speaker 1: that we used to put together the American top forty 224 00:12:34,480 --> 00:12:38,120 Speaker 1: each week. There's a secret recipe, it's locked in the 225 00:12:38,200 --> 00:12:41,319 Speaker 1: vault for how to do that Um, but we look 226 00:12:41,360 --> 00:12:44,840 Speaker 1: specifically at the ten weeks from the time L A 227 00:12:45,000 --> 00:12:47,560 Speaker 1: U S D got out of school June tent to 228 00:12:47,800 --> 00:12:51,240 Speaker 1: Labor Day. All right, we used that formula they're doing 229 00:12:51,320 --> 00:12:53,160 Speaker 1: and math is not my strong shoot. So doing all 230 00:12:53,200 --> 00:12:57,120 Speaker 1: this math overnight was like what you got. Well, I 231 00:12:57,120 --> 00:12:59,320 Speaker 1: can't even tell you about the formula. It's been a 232 00:12:59,360 --> 00:13:02,840 Speaker 1: secret act like you did. The math made eastern do it. Yeah, 233 00:13:02,880 --> 00:13:05,280 Speaker 1: I think Easton didn't report about but just me having 234 00:13:05,280 --> 00:13:06,600 Speaker 1: to pick up the phone to call him asking to 235 00:13:06,640 --> 00:13:08,839 Speaker 1: do it was a lot. All right, I don't want 236 00:13:08,840 --> 00:13:11,520 Speaker 1: to make a phone call after seven PM. And Eastern 237 00:13:11,600 --> 00:13:15,880 Speaker 1: is eastern around. He's always around. If he's nearby, he 238 00:13:15,920 --> 00:13:19,520 Speaker 1: should come in here for a second. But first eastern 239 00:13:19,520 --> 00:13:21,880 Speaker 1: works on the American top forty show. He's also an engineer, 240 00:13:22,800 --> 00:13:28,760 Speaker 1: so he's Uh Jack, that unexpected American top forty producer. Alright, 241 00:13:28,800 --> 00:13:31,480 Speaker 1: so number five for songs of summer, after using the 242 00:13:31,600 --> 00:13:46,240 Speaker 1: t forty equation, was this face. Number Four. That's on point. Okay, 243 00:13:46,520 --> 00:13:50,239 Speaker 1: that was five. That was five. We're going to countdown, countdown. 244 00:13:51,000 --> 00:13:53,400 Speaker 1: We always count him down. Yeah, you know he does 245 00:13:53,440 --> 00:13:55,360 Speaker 1: the e t forty coundown on the weekend. I know. 246 00:13:55,400 --> 00:13:57,480 Speaker 1: I used to work for it. That's Ryan seacrest right. 247 00:13:58,280 --> 00:14:00,800 Speaker 1: As an excuse, he should work pretty you just say 248 00:14:00,800 --> 00:14:02,640 Speaker 1: you worked. No, no, I really did. What you do? 249 00:14:02,679 --> 00:14:04,760 Speaker 1: What you do. I was a producer back in the day. 250 00:14:04,840 --> 00:14:11,439 Speaker 1: What would you produce? Um, exactly. Here's number four. This 251 00:14:12,920 --> 00:14:18,160 Speaker 1: terry styles to now. This is nuts because this song 252 00:14:18,240 --> 00:14:21,000 Speaker 1: is like forty years old. But the song that came 253 00:14:21,000 --> 00:14:24,480 Speaker 1: out in the equation as number three was this running 254 00:14:24,520 --> 00:14:31,480 Speaker 1: up the hill. It's kind of true. This song played 255 00:14:31,480 --> 00:14:36,960 Speaker 1: all summer, but that was beyonce. Were you? I was 256 00:14:36,960 --> 00:14:40,640 Speaker 1: born four. So, Tony, you weren't born. I was not born. 257 00:14:40,760 --> 00:14:43,040 Speaker 1: So when that song came out, you weren't born and 258 00:14:43,120 --> 00:14:46,080 Speaker 1: it ranked with the equation as number three for songs 259 00:14:46,080 --> 00:14:49,720 Speaker 1: of summer because of stranger things and Tiktok and all 260 00:14:49,720 --> 00:15:02,240 Speaker 1: the things. Right, number two all night and the two 261 00:15:02,320 --> 00:15:06,200 Speaker 1: official song is summer. After doing the math and looking 262 00:15:06,200 --> 00:15:08,560 Speaker 1: at all the different variables we need to plug into 263 00:15:08,600 --> 00:15:15,920 Speaker 1: the equation the number one song for summer. Two was 264 00:15:14,600 --> 00:15:21,480 Speaker 1: as it was, and still number one, by the way, 265 00:15:22,520 --> 00:15:31,400 Speaker 1: as he should be. Fourteen something weeks did you did 266 00:15:31,440 --> 00:15:33,120 Speaker 1: you know, like think about a year, year and a 267 00:15:33,120 --> 00:15:35,120 Speaker 1: half ago, we didn't have Harry style's music like that. 268 00:15:35,200 --> 00:15:38,800 Speaker 1: It wasn't in the ether and Tany did you ever 269 00:15:38,920 --> 00:15:42,040 Speaker 1: think that there would be a day after your successful 270 00:15:42,080 --> 00:15:45,040 Speaker 1: conversation with him, you would launch him into this superstar? 271 00:15:45,160 --> 00:15:47,600 Speaker 1: Because she had a very big interview, very popular interview, 272 00:15:47,680 --> 00:15:50,480 Speaker 1: with the previous album, the previous album, but I think 273 00:15:50,480 --> 00:15:52,320 Speaker 1: Harry styles was the one to call you after the 274 00:15:52,400 --> 00:15:56,320 Speaker 1: interview to say that was the best interview I've ever 275 00:15:56,400 --> 00:15:59,000 Speaker 1: had in my life, and I think that's part of 276 00:15:59,000 --> 00:16:01,200 Speaker 1: the reason why all this stuff so successful run. Yeah, 277 00:16:01,200 --> 00:16:02,360 Speaker 1: because he was like, I need to make an even 278 00:16:02,400 --> 00:16:07,400 Speaker 1: better album for yeah. That is the only thing. My 279 00:16:07,440 --> 00:16:09,920 Speaker 1: boyfriend is not jealous. He does not get jealous about anything, 280 00:16:10,000 --> 00:16:12,120 Speaker 1: but we witnessed it. The one thing that he's like 281 00:16:12,760 --> 00:16:14,960 Speaker 1: a little touchy. He's a little touchy about her. Didn't 282 00:16:15,000 --> 00:16:16,320 Speaker 1: say like when he was like can we just stop 283 00:16:16,360 --> 00:16:19,320 Speaker 1: talking about Harry style, he's like it's not one that 284 00:16:19,360 --> 00:16:21,080 Speaker 1: he called you, but he also like did an extra 285 00:16:21,160 --> 00:16:23,520 Speaker 1: song that he said he did for you, like he's 286 00:16:23,560 --> 00:16:26,040 Speaker 1: like it. No, he actually said at our dinner at 287 00:16:26,040 --> 00:16:28,080 Speaker 1: my house. Can we not talk about this? What he said? 288 00:16:28,080 --> 00:16:35,680 Speaker 1: He said. Can we change the subject? There's eastern laboratory. 289 00:16:36,480 --> 00:16:39,360 Speaker 1: So we just calculated the songs of summer. Here he 290 00:16:39,400 --> 00:16:48,080 Speaker 1: has a top forty microphone. I love those guys so much. Yeah, yeah, 291 00:16:48,440 --> 00:16:53,160 Speaker 1: it's not on. Trying to turn it on. There we go. 292 00:16:53,240 --> 00:16:56,680 Speaker 1: How about that? It's still bad. Oh No, no, that's 293 00:16:56,720 --> 00:16:59,440 Speaker 1: not on. I think you're using ambient microphone. there. How 294 00:16:59,400 --> 00:17:02,880 Speaker 1: about that? Is that? There we go. I'll get the 295 00:17:02,920 --> 00:17:05,000 Speaker 1: hang of it one day. Aren't you an engineer? Also, 296 00:17:05,080 --> 00:17:09,800 Speaker 1: the fact Ryan knew that is wow, honestly. Uh So 297 00:17:10,080 --> 00:17:11,600 Speaker 1: we just give you that. What can you share about 298 00:17:11,640 --> 00:17:14,520 Speaker 1: how we calculate those songs of summer? We use a 299 00:17:14,560 --> 00:17:16,960 Speaker 1: lot of metrics. We we basically use the same formula 300 00:17:17,000 --> 00:17:20,320 Speaker 1: we used for the American top forty. UH, based on airplay, 301 00:17:20,480 --> 00:17:25,439 Speaker 1: based on social media presence, based on fan reactions. Uh. 302 00:17:25,520 --> 00:17:32,280 Speaker 1: And you know, I hit the bricks, I get out 303 00:17:32,280 --> 00:17:33,640 Speaker 1: on the street and I talked to people. I said, 304 00:17:33,640 --> 00:17:36,000 Speaker 1: what's your favorite song? He reaches the beaches and he 305 00:17:36,040 --> 00:17:40,200 Speaker 1: hits the bricks. That's right, right, rock the Docs. Uh. 306 00:17:40,400 --> 00:17:42,639 Speaker 1: So we look at the ten weeks from the time 307 00:17:42,960 --> 00:17:44,920 Speaker 1: L A U S steal it out to Labor Day. 308 00:17:45,040 --> 00:17:47,679 Speaker 1: That's summer to me. I don't know what the what 309 00:17:47,720 --> 00:17:49,960 Speaker 1: the Gregorian calendar says, but to me that is summer day. 310 00:17:50,960 --> 00:17:56,399 Speaker 1: Here are your top five songs. Yeah, man, I was 311 00:17:56,440 --> 00:17:59,520 Speaker 1: so excited to announce it I cracked differ. We're looking 312 00:17:59,520 --> 00:18:03,760 Speaker 1: for you for to oney minutes. Yeah, no, so we 313 00:18:03,760 --> 00:18:05,639 Speaker 1: we did it and, as you know, Harry styles was 314 00:18:05,760 --> 00:18:08,199 Speaker 1: number one. Yeah, yeah, as it was. I mean, how 315 00:18:08,240 --> 00:18:10,200 Speaker 1: could it not be right? You saw that coming to 316 00:18:10,359 --> 00:18:13,000 Speaker 1: you from a mile way. As soon as I heard 317 00:18:13,000 --> 00:18:15,320 Speaker 1: that song, I was like that's the song summer. Sorry, Nicky, 318 00:18:15,480 --> 00:18:19,159 Speaker 1: or it's Harry styles. You know what time. You know 319 00:18:19,200 --> 00:18:21,680 Speaker 1: what Time Eastern, and I start working on the American 320 00:18:21,680 --> 00:18:24,080 Speaker 1: top four in the morning during the time. What time 321 00:18:24,119 --> 00:18:27,240 Speaker 1: are you in for that? UH, four or thirty in 322 00:18:27,280 --> 00:18:30,520 Speaker 1: the morning? Four in the morning. We start special time. 323 00:18:30,520 --> 00:18:32,919 Speaker 1: I mean the birds are chirping. Honestly, the birds are 324 00:18:32,920 --> 00:18:35,800 Speaker 1: not even awake yet. The two of us have an 325 00:18:35,840 --> 00:18:37,359 Speaker 1: hour and a half before you all even get here. 326 00:18:37,920 --> 00:18:40,199 Speaker 1: We're working on this chart equation. I see it on 327 00:18:40,240 --> 00:18:42,800 Speaker 1: the calendar. I just don't come in for that the 328 00:18:42,840 --> 00:18:45,399 Speaker 1: calendar and I should not come in for it, but 329 00:18:45,480 --> 00:18:48,040 Speaker 1: I do. Um, Eastern. Thank you very much for your 330 00:18:48,040 --> 00:18:50,959 Speaker 1: contribution here. Thank you for having me. It's a blast. 331 00:18:51,040 --> 00:18:52,600 Speaker 1: All right. Now, go out and learn, learn how to 332 00:18:52,640 --> 00:18:56,840 Speaker 1: work the MICA. I mean honestly think he plays Dj 333 00:18:56,960 --> 00:19:00,199 Speaker 1: in that closet when we're not around. Hey, season two 334 00:19:00,200 --> 00:19:04,760 Speaker 1: of the Kardashians on Hulu today. Autumn begins at one 335 00:19:04,800 --> 00:19:09,480 Speaker 1: and friends, friends premiered NBC years ago today. That's a 336 00:19:09,480 --> 00:19:13,960 Speaker 1: beautiful thing and still bringing daily laughter into my brain. 337 00:19:15,520 --> 00:19:21,600 Speaker 1: Humor Jokes Evergreen. All right, so I guess I say 338 00:19:21,760 --> 00:19:24,000 Speaker 1: I first heard about this from you and then I thought, Oh, 339 00:19:24,080 --> 00:19:26,480 Speaker 1: is it just the rumor? But now there's more to 340 00:19:26,520 --> 00:19:29,600 Speaker 1: the story. So this is a question about space in 341 00:19:29,600 --> 00:19:33,520 Speaker 1: a relationship, and the catalyst all this is Tom Brady 342 00:19:33,600 --> 00:19:36,520 Speaker 1: and Jill Bunch. and Go ahead. Yeah, so prepare. I'm 343 00:19:36,520 --> 00:19:39,160 Speaker 1: going to ask you, guys, how you are in relationships, 344 00:19:39,160 --> 00:19:41,120 Speaker 1: if you're like a I need space person, or if 345 00:19:41,160 --> 00:19:43,960 Speaker 1: that makes you anxious. Um, but I'm gonna tell you why. 346 00:19:44,000 --> 00:19:46,119 Speaker 1: I was thinking about it because Tom Brady and Giselle 347 00:19:46,119 --> 00:19:48,480 Speaker 1: bunch and they have been reportedly living apart for the 348 00:19:48,520 --> 00:19:51,760 Speaker 1: past six weeks. And the rumor started swirling for a 349 00:19:51,800 --> 00:19:54,840 Speaker 1: few weeks after reports came out that Giselle was not happy, obviously, 350 00:19:54,880 --> 00:19:58,359 Speaker 1: with Tom's decision to UN retire from the NFL. And 351 00:19:58,440 --> 00:20:01,320 Speaker 1: even though they're living separately right now, out sources are 352 00:20:01,400 --> 00:20:03,480 Speaker 1: saying that this is kind of the norm for them, 353 00:20:03,520 --> 00:20:06,560 Speaker 1: that during the season they live separate lives, and so 354 00:20:07,040 --> 00:20:08,679 Speaker 1: I kind of thought that was interesting, you know, like 355 00:20:08,720 --> 00:20:11,880 Speaker 1: he's so focused on on the game that they kind 356 00:20:11,880 --> 00:20:15,159 Speaker 1: of are living separate lives. Wait a minute, so whoever 357 00:20:15,200 --> 00:20:18,680 Speaker 1: you just said is saying that this is standard operating procedure. 358 00:20:18,760 --> 00:20:20,879 Speaker 1: So there's nothing to read into this. Well, during this 359 00:20:20,960 --> 00:20:23,320 Speaker 1: they said during the season they live separate lives. They 360 00:20:23,320 --> 00:20:26,119 Speaker 1: didn't say separately. And what the reports are saying now 361 00:20:26,200 --> 00:20:29,840 Speaker 1: is they're living separately, like in separate places. Um, but 362 00:20:30,040 --> 00:20:32,360 Speaker 1: they're also are reports are saying that this isn't anything 363 00:20:32,400 --> 00:20:34,359 Speaker 1: formal and that they would like to work things out. 364 00:20:34,440 --> 00:20:36,920 Speaker 1: So hopefully, like I'm thinking, it's just that they need 365 00:20:37,560 --> 00:20:41,640 Speaker 1: space right. But it got me thinking about space, because 366 00:20:41,640 --> 00:20:44,199 Speaker 1: I think some people need space apart to kind of 367 00:20:44,240 --> 00:20:46,640 Speaker 1: figure out their thoughts, figure out a way to how 368 00:20:46,680 --> 00:20:49,359 Speaker 1: can we make this work? How can we come to 369 00:20:49,440 --> 00:20:54,120 Speaker 1: a agreement together, right. But somebody like me, space makes 370 00:20:54,160 --> 00:20:57,280 Speaker 1: me anxious. If somebody asked me for for space, I 371 00:20:57,280 --> 00:21:03,440 Speaker 1: would be like no, I wouldn't like that. That would 372 00:21:03,440 --> 00:21:11,399 Speaker 1: not be my preferred choice of working things out. This specifically, 373 00:21:11,720 --> 00:21:14,320 Speaker 1: if you do the math, six weeks this checks out 374 00:21:14,400 --> 00:21:16,800 Speaker 1: because that was like the beginning of preseason. So it 375 00:21:16,920 --> 00:21:20,800 Speaker 1: makes sense that this space for them is what they 376 00:21:20,840 --> 00:21:23,040 Speaker 1: needed and it also is the time that football season 377 00:21:23,080 --> 00:21:26,280 Speaker 1: kind of started. So but the geography is what's unique. 378 00:21:26,320 --> 00:21:28,520 Speaker 1: It sounds like care usually they're in the same place 379 00:21:28,800 --> 00:21:31,520 Speaker 1: with their space. I don't know. I mean I don't 380 00:21:31,600 --> 00:21:36,840 Speaker 1: love space myself. I think it's riddled with anxiety. I 381 00:21:36,880 --> 00:21:39,760 Speaker 1: think you know, when someone asked for space, it's for 382 00:21:39,800 --> 00:21:43,000 Speaker 1: me it's usually bad news and I get so caught 383 00:21:43,040 --> 00:21:45,560 Speaker 1: up in the anxiety of it that it makes me 384 00:21:45,760 --> 00:21:47,880 Speaker 1: manifest the bad news. But you know what, I think 385 00:21:47,920 --> 00:21:50,879 Speaker 1: it is because we're not married. I think if we 386 00:21:50,880 --> 00:21:53,720 Speaker 1: were married, I think there's a different obviously when you're 387 00:21:53,720 --> 00:21:55,679 Speaker 1: married there's a different level of commitment. So it's like 388 00:21:55,720 --> 00:21:58,600 Speaker 1: you're not in that space of scared because you're committed 389 00:21:58,600 --> 00:22:02,160 Speaker 1: to commitment. Yeah, it's not like, yeah, maybe you don't 390 00:22:02,240 --> 00:22:05,040 Speaker 1: have the fear of like leaving each other, because you 391 00:22:05,080 --> 00:22:07,520 Speaker 1: know that that net is there because the commitment you made. 392 00:22:07,600 --> 00:22:10,600 Speaker 1: But you do have the confidence to say I'm gonna 393 00:22:10,600 --> 00:22:15,440 Speaker 1: take a breather, but just to have your own time, right, correct. 394 00:22:15,880 --> 00:22:18,640 Speaker 1: Just need to look on her face. Is the only 395 00:22:18,640 --> 00:22:20,720 Speaker 1: married person here. So Michael would not it would not 396 00:22:20,720 --> 00:22:23,280 Speaker 1: go over with Michael said, Sisney, I need space for 397 00:22:23,600 --> 00:22:26,280 Speaker 1: from until you get through the heart radio music festival. 398 00:22:27,359 --> 00:22:29,760 Speaker 1: I would be like, tough, look, I needed to watch 399 00:22:29,760 --> 00:22:34,400 Speaker 1: the kids while I go there. So if we, let's say, 400 00:22:34,440 --> 00:22:37,159 Speaker 1: we get in like an argument, okay, I am the 401 00:22:37,200 --> 00:22:40,520 Speaker 1: person that asks for the space first, but space to 402 00:22:40,760 --> 00:22:43,120 Speaker 1: us is like I go into our bedroom, right, that's 403 00:22:43,160 --> 00:22:47,160 Speaker 1: not an extent. That's the extent of our space. I'm yeah, 404 00:22:47,240 --> 00:22:49,720 Speaker 1: we can't. The days of like me picking up and 405 00:22:49,720 --> 00:22:51,720 Speaker 1: going to my sister's house in San Diego are over. 406 00:22:51,880 --> 00:22:54,640 Speaker 1: Like that's we can't do that anymore. We've got kids, 407 00:22:54,640 --> 00:22:56,800 Speaker 1: we've got it. There's no way. So when you would 408 00:22:56,800 --> 00:22:59,040 Speaker 1: go to your sister's house, was that like that happened 409 00:22:59,080 --> 00:23:01,840 Speaker 1: one time. Yeah, that happened one time. It was called 410 00:23:01,880 --> 00:23:05,159 Speaker 1: the standoff and we we we still talk about that. 411 00:23:05,880 --> 00:23:08,040 Speaker 1: I remember someone driving away from me once and it 412 00:23:08,119 --> 00:23:09,600 Speaker 1: was the worst. Turns out they just went down to 413 00:23:09,600 --> 00:23:11,639 Speaker 1: the bottom of the street. No, and I don't. I'm like, 414 00:23:11,680 --> 00:23:13,119 Speaker 1: I couldn't believe that I did that. I drove all 415 00:23:13,119 --> 00:23:14,640 Speaker 1: the way to San Diego and it was the four 416 00:23:14,720 --> 00:23:19,000 Speaker 1: day standoff. We didn't talk four days standoff. That was 417 00:23:19,080 --> 00:23:21,240 Speaker 1: the first St I know, I don't even know what 418 00:23:21,320 --> 00:23:25,720 Speaker 1: you're fighting about, but it was. Yeah, and I always writing. 419 00:23:25,760 --> 00:23:27,679 Speaker 1: I'm like, I'm gonna go to my apartment and then 420 00:23:27,680 --> 00:23:30,359 Speaker 1: I'm like wait, wait, wait, you always threatened him. Yeah, 421 00:23:30,400 --> 00:23:32,680 Speaker 1: like I'm like wait, wait, wait, wait, you always threatened who, 422 00:23:33,000 --> 00:23:36,560 Speaker 1: my boyfriend? See you do it too interesting, but I 423 00:23:36,600 --> 00:23:38,640 Speaker 1: don't do it. Yeah, I'd be like, I'm just gonna 424 00:23:38,640 --> 00:23:41,960 Speaker 1: go to my apartment and then passive aggressive, by the way. Yeah, 425 00:23:42,760 --> 00:23:46,040 Speaker 1: and I got do that because you know, when you're arguing, 426 00:23:46,119 --> 00:23:50,760 Speaker 1: you just say things, right. I don't like to argue. Oh, 427 00:23:50,880 --> 00:23:54,160 Speaker 1: you're right, the worst. Can we can we just talk? 428 00:23:54,640 --> 00:23:57,280 Speaker 1: Can we just talk? No, because that right, there is 429 00:23:57,280 --> 00:24:00,960 Speaker 1: already arguing. No, I just can we just speak and 430 00:24:01,000 --> 00:24:04,560 Speaker 1: listen over a meal? But then what if you've already 431 00:24:04,560 --> 00:24:09,240 Speaker 1: done that and you're not like making progress? I mean, 432 00:24:09,680 --> 00:24:13,000 Speaker 1: you know at some point. All right, look, we have 433 00:24:13,040 --> 00:24:16,280 Speaker 1: a choice. Either we're gonna have a standoff, we're gonna 434 00:24:16,359 --> 00:24:18,440 Speaker 1: give up, like what is it, or we're not. We're 435 00:24:18,480 --> 00:24:21,119 Speaker 1: just gonna I'm just not. I just not. I do 436 00:24:21,200 --> 00:24:23,359 Speaker 1: not like getting into the drama of the argument and 437 00:24:23,400 --> 00:24:26,880 Speaker 1: all the charade of it either. Right, the charade so annoying. 438 00:24:27,359 --> 00:24:30,280 Speaker 1: It's fine, I'll just go to my apartment. Tanya says, yeah, 439 00:24:30,320 --> 00:24:32,880 Speaker 1: and I never go. I think he probably knows that now. 440 00:24:32,920 --> 00:24:36,000 Speaker 1: He said, yeah, you should at this point. Yeah, now 441 00:24:36,000 --> 00:24:38,480 Speaker 1: you should do it one time. Take the dog. I'm 442 00:24:38,600 --> 00:24:42,439 Speaker 1: taking the dog, taking the dog. I'm gonna talk to 443 00:24:42,520 --> 00:24:47,200 Speaker 1: Robbie about that this weekend. One, not two, point seven. 444 00:24:48,280 --> 00:24:51,920 Speaker 1: It's time for Ryan's roses. Janelle and Los Felis is 445 00:24:51,960 --> 00:24:53,640 Speaker 1: on the phone. Jane, thanks for coming on. I want 446 00:24:53,680 --> 00:24:55,159 Speaker 1: to get some facts here and we're gonna get right 447 00:24:55,200 --> 00:24:58,120 Speaker 1: into the call. Um, you found a D M exchange 448 00:24:58,160 --> 00:25:00,760 Speaker 1: between your husband and another woman. What did you see? 449 00:25:02,520 --> 00:25:06,760 Speaker 1: I saw some, you know, flirting back and forth. You know, 450 00:25:06,800 --> 00:25:10,320 Speaker 1: they were talking for a while, some little jokes, and 451 00:25:10,440 --> 00:25:14,240 Speaker 1: he never mentioned, you know, me or that he's married. 452 00:25:15,040 --> 00:25:20,400 Speaker 1: So I was just very suspicious. Um, and also it's 453 00:25:20,400 --> 00:25:22,800 Speaker 1: like he's around the house and he'll he kind of 454 00:25:22,800 --> 00:25:26,960 Speaker 1: really keeps himself a lot more lately. It's it's weird. 455 00:25:27,080 --> 00:25:33,679 Speaker 1: He's like standoffish, big boundaries. Um, yeah, how long have 456 00:25:33,720 --> 00:25:37,800 Speaker 1: you been married to this man? We've been married for 457 00:25:38,040 --> 00:25:41,840 Speaker 1: six years. And you you asked him about or at 458 00:25:41,920 --> 00:25:43,400 Speaker 1: least you tried to see if there are any text 459 00:25:43,480 --> 00:25:46,200 Speaker 1: messages between him and this other woman. What'd you find? 460 00:25:48,520 --> 00:25:52,520 Speaker 1: He well, she gave him her phone number, but Um, 461 00:25:52,560 --> 00:25:55,000 Speaker 1: I didn't see any text. When I went through his phone, 462 00:25:55,040 --> 00:25:57,240 Speaker 1: I didn't see any calls or anything like that. It 463 00:25:57,359 --> 00:26:00,600 Speaker 1: was mainly just like the d M The life found. 464 00:26:01,119 --> 00:26:10,320 Speaker 1: And what is her name? CASSIE, C A S S I. E. Yeah, okay, 465 00:26:10,359 --> 00:26:15,080 Speaker 1: what on one second. You know, wow, interesting. I feel 466 00:26:15,080 --> 00:26:17,560 Speaker 1: like everyone's on edge of these days, just like now, 467 00:26:17,640 --> 00:26:23,240 Speaker 1: checking their man's d M. I mean you're doing that, Tanya, 468 00:26:24,760 --> 00:26:28,000 Speaker 1: you're checking your man's M. I haven't, but I can 469 00:26:28,040 --> 00:26:31,639 Speaker 1: see why people are. All right, if you're just getting 470 00:26:31,640 --> 00:26:33,520 Speaker 1: to US channels on the line in Los Felas, she 471 00:26:33,560 --> 00:26:37,560 Speaker 1: found some flirtatious dms between her husband and a woman 472 00:26:37,640 --> 00:26:40,000 Speaker 1: named Cassie and she wants to know what's up. Six 473 00:26:40,080 --> 00:26:41,880 Speaker 1: years of marriage, she wants to know what's going on. 474 00:26:42,080 --> 00:26:45,840 Speaker 1: Is this other woman someone he's seeing, somebody's flirting with, 475 00:26:45,920 --> 00:26:47,600 Speaker 1: crossing the line with? So do you know? I need 476 00:26:47,680 --> 00:26:51,040 Speaker 1: you to say Ryan, you my permission to call, and 477 00:26:51,080 --> 00:26:57,320 Speaker 1: then your husband's name on Kiss FM. Go ahead, uh, Bryan, 478 00:26:57,560 --> 00:27:03,760 Speaker 1: you have my should have called. Okay, WE'RE gonna call 479 00:27:03,840 --> 00:27:05,440 Speaker 1: him right now. Be Very quiet so we see what 480 00:27:05,520 --> 00:27:06,960 Speaker 1: we can find out and tell him he's on the air, 481 00:27:07,880 --> 00:27:10,480 Speaker 1: whether it's you. He sends the flowers to you, Janelle 482 00:27:11,080 --> 00:27:13,680 Speaker 1: or Cassie or any other name we might here. Here 483 00:27:13,720 --> 00:27:36,080 Speaker 1: we go. Okay, good luck, Channelle. Thank you. Oh, hi, 484 00:27:36,200 --> 00:27:40,200 Speaker 1: is this anthony? Uh, yes, it is. Hi, Anthony, my 485 00:27:40,280 --> 00:27:43,239 Speaker 1: name is eve. I'm calling from Sweet Eve's blooms. How 486 00:27:43,200 --> 00:27:47,800 Speaker 1: are you doing this morning? I'm good. How are you? 487 00:27:48,040 --> 00:27:49,840 Speaker 1: I'm good. Thank you for asking. So we actually service 488 00:27:49,840 --> 00:27:51,879 Speaker 1: a Los Felis in the surrounding l a area and 489 00:27:51,920 --> 00:27:54,680 Speaker 1: offering local residents of promotion. Today it's a free dozen 490 00:27:54,720 --> 00:27:56,600 Speaker 1: red roses that you can send to anybody that you 491 00:27:56,720 --> 00:27:59,879 Speaker 1: like and they're absolutely free. I'm just trying to promote 492 00:27:59,920 --> 00:28:05,200 Speaker 1: my business. You're you're offering free flowers. It's yet it's 493 00:28:05,240 --> 00:28:07,919 Speaker 1: a free dozen, usually red roses, but I do have 494 00:28:07,960 --> 00:28:10,640 Speaker 1: pink and white that you can choose from today, and 495 00:28:10,680 --> 00:28:12,200 Speaker 1: we do this about once a month. It's just a 496 00:28:12,240 --> 00:28:15,280 Speaker 1: promotion that we do for local residents and hopefully, if 497 00:28:15,280 --> 00:28:17,080 Speaker 1: you like, arrangements that you can refers to friends and 498 00:28:17,119 --> 00:28:24,240 Speaker 1: family and we like to spread the word that way locally. MHM, okay, Um, yeah, 499 00:28:24,359 --> 00:28:27,080 Speaker 1: that's that. That sounds okay. Okay, I just need the 500 00:28:27,119 --> 00:28:28,280 Speaker 1: name of the person you want to send them to. 501 00:28:28,320 --> 00:28:32,159 Speaker 1: We can start there. Um, yeah, you can send it 502 00:28:32,200 --> 00:28:35,280 Speaker 1: to my wife, you know. Okay, and what would you 503 00:28:35,320 --> 00:28:40,640 Speaker 1: like to put on the card? Uh, I don't know. 504 00:28:40,680 --> 00:28:42,560 Speaker 1: I guess whatever you would normally put it like Um, 505 00:28:43,120 --> 00:28:47,440 Speaker 1: all my love, like Um, I can put that all 506 00:28:47,480 --> 00:28:54,680 Speaker 1: my love, Anthony. Okay, Anthony, your voice is being broadcast 507 00:28:54,880 --> 00:28:57,640 Speaker 1: on the radio. My name is Ryan. It's nice to 508 00:28:57,640 --> 00:29:00,320 Speaker 1: meet you and have you on the air with us here. Um, 509 00:29:00,360 --> 00:29:03,200 Speaker 1: I've got to tell you, Anthony, that we have your wife, 510 00:29:03,280 --> 00:29:06,200 Speaker 1: Janelle on the phone. You just sent her some roses. 511 00:29:06,400 --> 00:29:07,800 Speaker 1: But if you give me a second, I want to 512 00:29:07,800 --> 00:29:13,240 Speaker 1: explain what's going on. Okay, well, who what? What's what's 513 00:29:13,280 --> 00:29:16,640 Speaker 1: what's who on? What's going on? Is Janelle, your wife, 514 00:29:17,200 --> 00:29:22,480 Speaker 1: has found some exchanges between you and a woman named Cassie, 515 00:29:23,000 --> 00:29:26,959 Speaker 1: that she didn't think we're appropriate. Can you explain to Janelle, 516 00:29:26,960 --> 00:29:29,600 Speaker 1: who's on the phone here, what those d Ms were 517 00:29:29,640 --> 00:29:32,600 Speaker 1: all about? And, Anthony, what's going on with you and 518 00:29:32,600 --> 00:29:39,360 Speaker 1: this other woman? No, nothing, there's nothing. She's just she's 519 00:29:39,360 --> 00:29:42,440 Speaker 1: just a woman I met online and there's nothing. Is 520 00:29:43,200 --> 00:29:46,160 Speaker 1: My wife on on with US right now? Your wife 521 00:29:46,200 --> 00:29:50,080 Speaker 1: is on, Janelle, please hi. Yeah, I'm here, Anthony. I 522 00:29:50,160 --> 00:29:54,440 Speaker 1: want to know what's going on. Um, this is not 523 00:29:54,640 --> 00:29:59,720 Speaker 1: it's not what you think it's. Um, what does she think? Anthony? 524 00:30:00,240 --> 00:30:03,080 Speaker 1: I'm not doing anything. Um, Cassie, cassie as a woman. 525 00:30:03,160 --> 00:30:05,880 Speaker 1: She showed up on my on my search page, and 526 00:30:08,480 --> 00:30:10,160 Speaker 1: it's like, it's a long story. I mean, I can 527 00:30:10,160 --> 00:30:12,080 Speaker 1: tell you the whole thing, but there's nothing's going on. 528 00:30:12,240 --> 00:30:14,720 Speaker 1: If if you think like I'm doing something behind your back, 529 00:30:14,720 --> 00:30:17,400 Speaker 1: I'm not. What are you doing? Why are you exchanging 530 00:30:17,440 --> 00:30:20,280 Speaker 1: messages directly with this woman named Cassie? Anthony name, just 531 00:30:20,320 --> 00:30:23,680 Speaker 1: blocker and delete it. Well, okay, so what happened is 532 00:30:23,800 --> 00:30:26,560 Speaker 1: she responded. I responded to a few of her stories. 533 00:30:26,600 --> 00:30:29,200 Speaker 1: Like you know, I'm just online or whatever, just talking, 534 00:30:29,240 --> 00:30:32,680 Speaker 1: and then she dm me and we started talking and 535 00:30:34,720 --> 00:30:36,239 Speaker 1: I just talked to her for a little bit. That's all. 536 00:30:36,240 --> 00:30:38,000 Speaker 1: I was just like, Bro why did you respond to 537 00:30:38,040 --> 00:30:43,400 Speaker 1: her stories and why did you talk to your offline? 538 00:30:44,400 --> 00:30:46,080 Speaker 1: We just talked for a little bit. It wasn't like 539 00:30:46,200 --> 00:30:47,640 Speaker 1: it wasn't look it was just, you know, just like 540 00:30:47,680 --> 00:30:50,400 Speaker 1: passing the time or whatever. And I mean, but she's 541 00:30:50,400 --> 00:30:53,960 Speaker 1: a strange yeah, I mean it wouldn't matter if it 542 00:30:54,000 --> 00:30:57,160 Speaker 1: was a guy or a girl. Well, I don't know, 543 00:30:57,160 --> 00:30:58,840 Speaker 1: I think your wife might have something else to say. 544 00:30:58,880 --> 00:31:00,719 Speaker 1: Do you know? What do you think about it? I 545 00:31:00,760 --> 00:31:02,760 Speaker 1: think it's I think it's strangely has to me. I 546 00:31:02,800 --> 00:31:04,720 Speaker 1: don't I don't know. You've been like kind of stand 547 00:31:04,720 --> 00:31:07,120 Speaker 1: offish to me and I see in the D M 548 00:31:07,680 --> 00:31:11,080 Speaker 1: that you're flirting, that you're having jokes, you have inside 549 00:31:11,120 --> 00:31:13,120 Speaker 1: jokes with her. I just I want you to tell me, 550 00:31:13,200 --> 00:31:15,320 Speaker 1: like really, what's going on? I read all of them. 551 00:31:15,560 --> 00:31:18,600 Speaker 1: You never mentioned me, you never mentioned that you're married. 552 00:31:18,880 --> 00:31:21,080 Speaker 1: You're just telling her how good she looks and how 553 00:31:21,120 --> 00:31:25,960 Speaker 1: hot she is and all this stuff, just as Anthony 554 00:31:26,360 --> 00:31:28,640 Speaker 1: I was. It was really just casual talk. I mean, 555 00:31:28,680 --> 00:31:33,560 Speaker 1: it sounds worse than it than it really was. Yeah, 556 00:31:33,680 --> 00:31:37,480 Speaker 1: you're having an online relationship with another woman while you're married? No, 557 00:31:37,600 --> 00:31:39,640 Speaker 1: I didn't. I didn't see, I didn't say I didn't 558 00:31:39,640 --> 00:31:41,360 Speaker 1: say hot. I said that she looked good. I didn't 559 00:31:41,400 --> 00:31:43,080 Speaker 1: what she was wearing. It was just like a casual like, 560 00:31:43,600 --> 00:31:46,520 Speaker 1: but hey, what if your wife said that about another man? 561 00:31:51,440 --> 00:31:56,720 Speaker 1: I said I was yeah, I get it, but I 562 00:31:56,720 --> 00:31:58,600 Speaker 1: mean at the same time, that that's where it ended. 563 00:31:58,640 --> 00:32:01,040 Speaker 1: I mean I realized it's she sent me your phone 564 00:32:01,120 --> 00:32:02,840 Speaker 1: number and then I didn't call. I didn't call because 565 00:32:02,840 --> 00:32:05,280 Speaker 1: I realized I was already gone too far. I didn't 566 00:32:05,320 --> 00:32:07,160 Speaker 1: want to cross the line and I never texted her 567 00:32:07,200 --> 00:32:09,560 Speaker 1: after that. I never called her, I didn't do anything, 568 00:32:09,600 --> 00:32:13,080 Speaker 1: and that was the last communication I can I can 569 00:32:13,120 --> 00:32:14,920 Speaker 1: tell you my phone too. I didn't do anything like that. 570 00:32:14,960 --> 00:32:18,480 Speaker 1: I swear I didn't. But now Janelle told us that 571 00:32:18,560 --> 00:32:22,800 Speaker 1: she gave you her phone number. She did, but then 572 00:32:22,840 --> 00:32:25,080 Speaker 1: I didn't call. I didn't call or text her or anything. 573 00:32:25,120 --> 00:32:27,080 Speaker 1: I didn't. Why did? Why did you even open this door? 574 00:32:27,120 --> 00:32:29,440 Speaker 1: Were you feeling lonely? Did you need an EGO boost? 575 00:32:29,480 --> 00:32:32,200 Speaker 1: Are you unhappy in a relationship? Why is the DOOR AJAR? 576 00:32:33,080 --> 00:32:34,920 Speaker 1: It was just bored of him. I was just online. 577 00:32:34,960 --> 00:32:38,520 Speaker 1: It was. It wasn't. I didn't. I'm not trying to 578 00:32:38,560 --> 00:32:41,480 Speaker 1: go out of my relationship. I just I just did 579 00:32:41,520 --> 00:32:45,320 Speaker 1: something stupid. I wasn't trying to, like, you know. Okay, well, 580 00:32:45,520 --> 00:32:47,760 Speaker 1: I see how stupid this is now and I realized. 581 00:32:47,840 --> 00:32:50,239 Speaker 1: I realized how foolish it is and I wasn't. I 582 00:32:50,280 --> 00:32:52,800 Speaker 1: wasn't trying to to go out of my relationship. I 583 00:32:52,840 --> 00:33:06,880 Speaker 1: just did something stupid. I'm mean, I I I do believe. Okay, 584 00:33:06,720 --> 00:33:09,880 Speaker 1: I believe you. I just I just think it's really 585 00:33:10,000 --> 00:33:13,160 Speaker 1: dumb that you did that. You if you need to, 586 00:33:13,760 --> 00:33:16,040 Speaker 1: you know, have a back and forth. You can like 587 00:33:16,280 --> 00:33:19,400 Speaker 1: Dm me, we can talk if that's easier for you 588 00:33:19,520 --> 00:33:22,320 Speaker 1: to like have conversation, but I just feel like we 589 00:33:22,400 --> 00:33:25,560 Speaker 1: need to I need some of that attention that you 590 00:33:25,600 --> 00:33:29,720 Speaker 1: were giving this stranger. It's for me. I'm really sorry. 591 00:33:29,960 --> 00:33:32,160 Speaker 1: And once I realized what was happening, it was like 592 00:33:32,600 --> 00:33:33,880 Speaker 1: I was already in it and then I was like, 593 00:33:33,920 --> 00:33:35,640 Speaker 1: Oh God, what I do, and then I just stopped. 594 00:33:35,640 --> 00:33:37,520 Speaker 1: I just completely stopped. We'll realize where it was going 595 00:33:37,640 --> 00:33:39,680 Speaker 1: and I didn't mean to do that. You need to 596 00:33:39,680 --> 00:33:43,640 Speaker 1: look inward start focusing on each other. Janelle, thank you 597 00:33:43,680 --> 00:33:45,680 Speaker 1: for reaching out. Anthony, thank you for talking with us 598 00:33:45,680 --> 00:33:49,360 Speaker 1: and good luck to both of you. I'm sorry, honey, 599 00:33:49,560 --> 00:33:53,400 Speaker 1: I thank you, Bab I love you. Well, boy, I 600 00:33:53,400 --> 00:33:56,400 Speaker 1: would not have been that quick, but forgive not that 601 00:33:56,520 --> 00:34:03,240 Speaker 1: fast on air with Ryan. All right, let's go back 602 00:34:03,240 --> 00:34:06,920 Speaker 1: to Ryan's roses. If you are in a relationship, if 603 00:34:06,960 --> 00:34:11,400 Speaker 1: you are in a marriage, where is the line and 604 00:34:11,480 --> 00:34:16,239 Speaker 1: what constitutes crossing it? Where is the line and what 605 00:34:16,600 --> 00:34:19,920 Speaker 1: is crossing it? So just to put in perspective, and 606 00:34:19,960 --> 00:34:21,319 Speaker 1: I got Victoria on the line from on the Bella 607 00:34:21,480 --> 00:34:23,239 Speaker 1: or the whole thing go down. But we had a 608 00:34:23,320 --> 00:34:27,160 Speaker 1: Ryan's roses and she reached out to us and said 609 00:34:27,239 --> 00:34:31,759 Speaker 1: my husband has been flirting, connecting, talking, D M Ng 610 00:34:31,800 --> 00:34:36,520 Speaker 1: with another woman. She gave him her number. Turns out, yeah, 611 00:34:36,560 --> 00:34:40,520 Speaker 1: the guy was having conversations with this other woman named Cassie, 612 00:34:41,400 --> 00:34:46,000 Speaker 1: complimenting her, liking our stories, but he was standoff is 613 00:34:46,080 --> 00:34:50,480 Speaker 1: to his wife. So he's putting energy for dialogue into 614 00:34:50,480 --> 00:34:55,239 Speaker 1: a total stranger versus his wife. And he said, yeah, 615 00:34:55,239 --> 00:34:58,320 Speaker 1: I started to do this, I realized it felt wrong. 616 00:34:58,840 --> 00:35:03,680 Speaker 1: I know it's stupid, so I stopped. She says, okay, 617 00:35:03,840 --> 00:35:07,080 Speaker 1: I forgive you, I love you. I wouldn't be able 618 00:35:07,080 --> 00:35:08,799 Speaker 1: to do it so fast because there's like more to 619 00:35:08,920 --> 00:35:12,080 Speaker 1: it than than what we're hearing or seeing. Maybe she 620 00:35:12,160 --> 00:35:14,040 Speaker 1: just said that right now just to get off the radio. 621 00:35:14,239 --> 00:35:16,680 Speaker 1: I don't think that's the end of that conversation. So that. 622 00:35:16,960 --> 00:35:21,000 Speaker 1: So does that cross the line in your marriage, in 623 00:35:21,000 --> 00:35:25,600 Speaker 1: your relationship, or does it say hey, there's a little smoke, 624 00:35:25,680 --> 00:35:29,600 Speaker 1: care we've got a problem, we're not communicating with each other. 625 00:35:30,160 --> 00:35:33,960 Speaker 1: Let's use this as a positive, as a negative to 626 00:35:33,960 --> 00:35:35,960 Speaker 1: be a positive? Why is he responding to other women's 627 00:35:36,000 --> 00:35:38,000 Speaker 1: stories in the first place in a flirtatious way? I 628 00:35:38,000 --> 00:35:41,520 Speaker 1: mean this is just like he's not getting enough attention. 629 00:35:41,640 --> 00:35:45,640 Speaker 1: He's not happy, she's not happy. They're struggling. Clearly, if 630 00:35:45,680 --> 00:35:49,640 Speaker 1: he's communicating with a total stranger, it's not but do 631 00:35:49,719 --> 00:35:55,000 Speaker 1: you is it enough to break up? Maybe it sounded 632 00:35:55,080 --> 00:36:01,839 Speaker 1: like he was enjoying the attention, but like now I 633 00:36:01,840 --> 00:36:04,640 Speaker 1: I listen, just throwing all out to Victoria. You're a mannebella. 634 00:36:04,719 --> 00:36:06,400 Speaker 1: What did you hear? Why did you get out of that? 635 00:36:07,280 --> 00:36:13,040 Speaker 1: Janelle and Anthony, yeah, I just don't understand why men 636 00:36:13,239 --> 00:36:15,960 Speaker 1: have to go into these women's d m like can 637 00:36:16,000 --> 00:36:20,560 Speaker 1: they not stay out of it? Like honestly, this is 638 00:36:20,600 --> 00:36:23,440 Speaker 1: why me and my ex broke up, because he just 639 00:36:23,560 --> 00:36:29,680 Speaker 1: like started flirting. Like I just don't understand why men 640 00:36:30,120 --> 00:36:32,520 Speaker 1: have to like reach out. If you want to see 641 00:36:32,520 --> 00:36:34,799 Speaker 1: other people, if you want to like flirt with someone else, 642 00:36:34,800 --> 00:36:37,040 Speaker 1: then just break up. Like, why do you have to 643 00:36:37,040 --> 00:36:41,040 Speaker 1: be so sneaky? Like an epidemic? Well, I think he 644 00:36:41,320 --> 00:36:44,480 Speaker 1: felt like he could get away with it. It's so accessible, right, 645 00:36:44,520 --> 00:36:47,120 Speaker 1: I mean it's so easy to do and he went 646 00:36:47,200 --> 00:36:49,520 Speaker 1: for it and then he realized, Oh, I I this 647 00:36:49,600 --> 00:36:53,600 Speaker 1: is not okay. So, if you're Janelle, do you forget? 648 00:36:53,640 --> 00:36:56,000 Speaker 1: I mean she seemed to forgive him immediately and it 649 00:36:56,040 --> 00:36:58,400 Speaker 1: sounds like they're moving on. I'm not so sure I 650 00:36:58,400 --> 00:37:01,799 Speaker 1: could do it that fast. Ah, yeah, that's what it's 651 00:37:01,800 --> 00:37:04,360 Speaker 1: going to be. A No, because it's definitely gonna happen again. 652 00:37:04,640 --> 00:37:07,800 Speaker 1: I mean it's just like he has violated her trust. 653 00:37:08,480 --> 00:37:13,160 Speaker 1: I would not go back. Happening every day. Yeah, I 654 00:37:13,200 --> 00:37:15,120 Speaker 1: don't think this is the only woman that he's been 655 00:37:15,239 --> 00:37:20,720 Speaker 1: D M Victoria, thank you for listening Manabella this morning. 656 00:37:22,000 --> 00:37:29,680 Speaker 1: Thank you. Bye Bye. It's an epidemic. It's frustrating, it's 657 00:37:29,719 --> 00:37:31,920 Speaker 1: kind of sad and depressing too. So where we live in, 658 00:37:32,120 --> 00:37:34,279 Speaker 1: the access, the immediate access one can have to a 659 00:37:34,320 --> 00:37:38,200 Speaker 1: total stranger just by a direct message. I wonder on Instagram, 660 00:37:38,239 --> 00:37:42,520 Speaker 1: whoever created all this stuff they thought realized how it 661 00:37:42,560 --> 00:37:44,360 Speaker 1: would be used in this way. Can Imagine if you 662 00:37:44,360 --> 00:37:49,600 Speaker 1: could all go away? I can, I'm thinking about it. 663 00:37:51,880 --> 00:37:55,480 Speaker 1: Put My phone away. Um did the phone, but I'm 664 00:37:55,480 --> 00:37:57,359 Speaker 1: just saying, like we're so attached to all of it 665 00:37:57,480 --> 00:38:00,880 Speaker 1: and I guess when they developed a direct message it 666 00:38:01,000 --> 00:38:03,600 Speaker 1: was I doubt. Who knows if they thought through all that. 667 00:38:05,320 --> 00:38:08,040 Speaker 1: It is crazy. I mean in in some sense it's 668 00:38:08,040 --> 00:38:10,759 Speaker 1: it's great to have that type of access, that we 669 00:38:10,800 --> 00:38:13,799 Speaker 1: can just d m anybody that we want at any 670 00:38:13,840 --> 00:38:16,879 Speaker 1: given moment. Right. But it used to be when you 671 00:38:17,120 --> 00:38:19,120 Speaker 1: felt like someone was cheating on you, it's because you 672 00:38:19,200 --> 00:38:22,640 Speaker 1: ran into him with someone else in a restaurant, physically 673 00:38:22,719 --> 00:38:32,279 Speaker 1: run into them. Um, we have talked about on this 674 00:38:32,320 --> 00:38:36,360 Speaker 1: show many times. Dating. Uh, I kind of ebb and 675 00:38:36,400 --> 00:38:38,880 Speaker 1: flow on dating. I mean dating is at the end 676 00:38:38,920 --> 00:38:43,200 Speaker 1: of the day, it's tiresome and it's kind of a 677 00:38:43,320 --> 00:38:45,560 Speaker 1: drag to go through chapters one and two and three 678 00:38:45,560 --> 00:38:48,120 Speaker 1: to get to the good chapters, but you have to 679 00:38:48,160 --> 00:38:52,880 Speaker 1: do it usually. So I'm bringing in Taylor Morgan McPherson 680 00:38:52,920 --> 00:38:56,960 Speaker 1: of West Hollywood, at Sparkle Queen L A, on TIKTOK 681 00:38:57,000 --> 00:39:01,280 Speaker 1: and instagram. Now Taylor Morgan McPherson is joining us and 682 00:39:01,520 --> 00:39:03,560 Speaker 1: she has gotten a lot of views, racked up a 683 00:39:03,600 --> 00:39:05,920 Speaker 1: lot of views on Tiktok, sharing some fun dating tips 684 00:39:05,960 --> 00:39:08,440 Speaker 1: like where to meet single guys in L A and 685 00:39:08,719 --> 00:39:13,880 Speaker 1: best first date spots. Taylor, how are you? I'm doing great. 686 00:39:14,000 --> 00:39:16,200 Speaker 1: Great to talk to you, Ryan. It's nice to meet you. 687 00:39:16,280 --> 00:39:20,120 Speaker 1: So are you currently looking for someone to date? I mean, 688 00:39:20,120 --> 00:39:24,600 Speaker 1: I'm dating people. How many people are you dating? Um, 689 00:39:24,760 --> 00:39:28,239 Speaker 1: let's say I'm not at liberty to stay for you. 690 00:39:28,840 --> 00:39:31,800 Speaker 1: So this past weekend, Taylor actually hosted a football Sunday 691 00:39:31,920 --> 00:39:35,360 Speaker 1: meet up. Right, yes, I did. So it was a 692 00:39:35,400 --> 00:39:39,520 Speaker 1: singles event at a sports bar. Yes, so many women 693 00:39:39,600 --> 00:39:41,920 Speaker 1: are racking their brains trying to figure out where to 694 00:39:41,960 --> 00:39:44,080 Speaker 1: meet men, but it's like, why not go to where 695 00:39:44,120 --> 00:39:46,280 Speaker 1: the men already are? I mean, yeah, it makes sense. 696 00:39:46,560 --> 00:39:49,920 Speaker 1: So you're saying show up at a place where it's 697 00:39:50,000 --> 00:39:54,480 Speaker 1: high density men because of the sporting event and the 698 00:39:54,600 --> 00:39:56,680 Speaker 1: kind of men that you want to meet might be there. 699 00:39:57,840 --> 00:40:02,040 Speaker 1: Absolutely okay. So I also was reading her Taylor says 700 00:40:02,160 --> 00:40:04,319 Speaker 1: these are the five best neighborhoods in L A to 701 00:40:04,400 --> 00:40:08,880 Speaker 1: meet a single guy. The west side, D T L A, 702 00:40:09,920 --> 00:40:15,319 Speaker 1: culver city, the valley, but Number One, Los Felis. Number One. 703 00:40:16,760 --> 00:40:19,439 Speaker 1: I found that Los Felis is number one because there's 704 00:40:19,480 --> 00:40:21,360 Speaker 1: a good range of men there and you're also going 705 00:40:21,400 --> 00:40:24,719 Speaker 1: to find an older, slightly more mature man that is 706 00:40:24,719 --> 00:40:27,600 Speaker 1: more interested in a relationship there than you would and 707 00:40:27,680 --> 00:40:29,480 Speaker 1: say like the west side, there's a little more like 708 00:40:29,680 --> 00:40:33,520 Speaker 1: scrap boy party. So interesting how, as you move inland, 709 00:40:34,000 --> 00:40:37,920 Speaker 1: the maturity begins to crawl along. As you go west 710 00:40:37,960 --> 00:40:42,760 Speaker 1: towards the sand, the immaturity can come along with there's 711 00:40:42,800 --> 00:40:44,920 Speaker 1: a great there's a great spot in Lost Felis, a 712 00:40:44,920 --> 00:40:50,120 Speaker 1: restaurant called home, such a great date spot. I've actually 713 00:40:50,120 --> 00:40:52,520 Speaker 1: been on a date there. That's how I know it's 714 00:40:52,520 --> 00:40:54,239 Speaker 1: a great states book. It's so easy to get into 715 00:40:54,320 --> 00:40:57,799 Speaker 1: the mind of you, Taylor, from one's perspective. To the 716 00:40:57,840 --> 00:41:02,520 Speaker 1: guys listening, you're saying that to meet a guy, one 717 00:41:02,560 --> 00:41:04,320 Speaker 1: of the great things to do is ask him to 718 00:41:04,360 --> 00:41:08,600 Speaker 1: take a picture of you asking for help, regardless of 719 00:41:09,080 --> 00:41:10,839 Speaker 1: you know what it is that you're asking. Is a 720 00:41:10,880 --> 00:41:13,040 Speaker 1: great way to get a man to lend a hand 721 00:41:13,160 --> 00:41:16,640 Speaker 1: and then you break that conversation barrier. And men always 722 00:41:16,640 --> 00:41:19,239 Speaker 1: want to help and assist and, you know, be that 723 00:41:19,320 --> 00:41:20,840 Speaker 1: man that can save the day. They want to be 724 00:41:20,920 --> 00:41:23,400 Speaker 1: a hero. So it's like, Oh, can you take my picture, 725 00:41:23,520 --> 00:41:25,239 Speaker 1: or Hey, can you tell me what time it is? 726 00:41:25,360 --> 00:41:26,840 Speaker 1: Or Oh, do you know which way to go? Like 727 00:41:26,880 --> 00:41:31,760 Speaker 1: asking for directions and love. That play into us. So true, 728 00:41:33,600 --> 00:41:36,680 Speaker 1: spot on. Yeah, we take so much to being able 729 00:41:36,719 --> 00:41:41,600 Speaker 1: to save the day by telling you the time. Right. Yeah, 730 00:41:41,719 --> 00:41:43,919 Speaker 1: I can't. Hey, I can't unlock this. Can you open 731 00:41:43,920 --> 00:41:46,920 Speaker 1: it any anything? Yeah, I can't open this jar. Can 732 00:41:47,840 --> 00:41:49,759 Speaker 1: I get asked? Can you open the pickles? I'm like, yeah, 733 00:41:49,840 --> 00:41:53,520 Speaker 1: let me come over there. I think I'm also, yeah, exactly. 734 00:41:54,640 --> 00:41:56,600 Speaker 1: Can you read something up on the High Shelf? Like 735 00:41:56,680 --> 00:42:00,600 Speaker 1: they love that. I have to get a lot. What 736 00:42:00,600 --> 00:42:03,520 Speaker 1: about complimenting his drink? Like Oh, that looks good. What's that? 737 00:42:03,640 --> 00:42:06,319 Speaker 1: I want to try that. Yeah, can you tell me 738 00:42:06,320 --> 00:42:09,040 Speaker 1: about it? Why are you drinking that? That seems so interesting. 739 00:42:09,120 --> 00:42:11,560 Speaker 1: Taylor is kind of brilliant. Yeah, you might want to 740 00:42:11,560 --> 00:42:15,640 Speaker 1: follow it at Suparco Queen L A, on TIKTOK and instagram. 741 00:42:15,680 --> 00:42:18,480 Speaker 1: So Taylor just curious. What's a great free date you 742 00:42:18,520 --> 00:42:21,239 Speaker 1: think you could do in l a? Going to the 743 00:42:21,239 --> 00:42:23,520 Speaker 1: getting museum? You do have to pay for parking, but 744 00:42:23,680 --> 00:42:27,120 Speaker 1: it's free to get into the getting museum and beautiful 745 00:42:27,160 --> 00:42:30,879 Speaker 1: views up there on a clear day, honestly. Yeah, all right, 746 00:42:31,239 --> 00:42:33,640 Speaker 1: t mm of West Hollywood, thank you for coming on, 747 00:42:33,800 --> 00:42:35,799 Speaker 1: nice to meet you. Good Luck and have fun out there. 748 00:42:36,120 --> 00:42:39,200 Speaker 1: You so much. Ryan, great to meet you. Nice, all right, 749 00:42:39,200 --> 00:42:42,640 Speaker 1: you take care of she makes dati sound fun. I 750 00:42:42,680 --> 00:42:44,360 Speaker 1: want to go to one of those single dating events 751 00:42:44,400 --> 00:42:47,720 Speaker 1: at the sports bar hold during the sets and ideas 752 00:42:47,760 --> 00:42:50,799 Speaker 1: of all these date spots, just in general. Right, and 753 00:42:50,800 --> 00:42:54,000 Speaker 1: how about a ranking? Lois Felis is number one. Hey, 754 00:42:54,000 --> 00:42:56,759 Speaker 1: the valley was in there. What value in there? Yeah, 755 00:42:56,920 --> 00:43:06,400 Speaker 1: are you representing? Represent on air with Ryan Secrets? You 756 00:43:06,400 --> 00:43:09,360 Speaker 1: said you found a list of fashion no nos, not 757 00:43:09,840 --> 00:43:13,200 Speaker 1: that are actually yes. Is the no fashion no nos 758 00:43:13,360 --> 00:43:16,839 Speaker 1: that are actually fashion? Yes. Yes. How do they become yes? Yes? 759 00:43:17,440 --> 00:43:19,160 Speaker 1: WHO MAKES THEM? No, knows. Like explain a Lott of 760 00:43:19,160 --> 00:43:21,280 Speaker 1: the context. So I think when it comes to fashion, 761 00:43:21,320 --> 00:43:24,480 Speaker 1: these are just old fashion rules that are just not 762 00:43:24,760 --> 00:43:27,640 Speaker 1: they don't stand the test of time anymore, you know. 763 00:43:27,760 --> 00:43:29,120 Speaker 1: So I wanted to kind of break some of these 764 00:43:29,160 --> 00:43:31,600 Speaker 1: down in case you're wondering, because actually this came up 765 00:43:31,600 --> 00:43:34,360 Speaker 1: earlier this week when when Tanya brought this up. So 766 00:43:34,600 --> 00:43:37,279 Speaker 1: I figure it's funny. Is I actually just picked out 767 00:43:37,280 --> 00:43:40,160 Speaker 1: an outfit that's denim on Denim for something, and that 768 00:43:40,280 --> 00:43:43,239 Speaker 1: used to be an old rule, that maybe don't do that, 769 00:43:43,760 --> 00:43:46,640 Speaker 1: and now it's it's totally fine, Para Denim with Devin, 770 00:43:47,120 --> 00:43:50,160 Speaker 1: mid tone, with a dark tone or whatever. That is 771 00:43:50,239 --> 00:43:52,680 Speaker 1: one of the rules. That was an old rule of 772 00:43:52,680 --> 00:43:56,440 Speaker 1: not to do. Are we in a world where old 773 00:43:56,760 --> 00:44:00,120 Speaker 1: rules should never apply? Liked, I just think of it 774 00:44:00,280 --> 00:44:02,239 Speaker 1: that way now. But go ahead, keep going. Well, the 775 00:44:02,239 --> 00:44:04,840 Speaker 1: other day Tanya said you can't wear white after Labor 776 00:44:04,920 --> 00:44:09,120 Speaker 1: Day and we were like, no, you totally can. But 777 00:44:09,440 --> 00:44:12,880 Speaker 1: living in a different period, no, we were winter white, 778 00:44:13,000 --> 00:44:17,120 Speaker 1: but not like white. WHO SAYS EXACTLY? Well, who says? 779 00:44:17,840 --> 00:44:22,839 Speaker 1: Is this? Selena go my song are a good argument. Next, Um, 780 00:44:22,920 --> 00:44:25,920 Speaker 1: an old role was your shoes should match your belt. 781 00:44:26,400 --> 00:44:29,040 Speaker 1: Now you should not match. Yeah, you should play around 782 00:44:29,080 --> 00:44:31,560 Speaker 1: with your belt and your socks, for example. I even 783 00:44:31,560 --> 00:44:34,480 Speaker 1: Tuck my shirt and sometimes without a belt. Good for you. So, 784 00:44:34,800 --> 00:44:36,880 Speaker 1: but if you like the classic matched up look, fine, 785 00:44:36,920 --> 00:44:39,319 Speaker 1: go for it. But otherwise you can do a pop 786 00:44:39,360 --> 00:44:42,279 Speaker 1: of color instead. You're good to go. You guys have 787 00:44:42,400 --> 00:44:44,840 Speaker 1: not commented on my Boring v Neck. I thought this 788 00:44:44,840 --> 00:44:46,560 Speaker 1: would be like selling. You get into like is a 789 00:44:46,600 --> 00:44:50,239 Speaker 1: cool vibe. That seems like a staple, standard, standard trip 790 00:44:50,280 --> 00:44:52,200 Speaker 1: for you. A right, so is it? Now it's cool 791 00:44:52,239 --> 00:44:54,120 Speaker 1: to be standard, isn't it? I don't know. I just 792 00:44:54,239 --> 00:44:55,960 Speaker 1: it seems like a very average shirt that I've seen 793 00:44:55,960 --> 00:44:59,520 Speaker 1: you in all the time. Exactly average, new role. Average 794 00:44:59,560 --> 00:45:01,480 Speaker 1: is cool. No, no, like, I feel like back in 795 00:45:01,480 --> 00:45:03,839 Speaker 1: the day, everybody you had to be like look new 796 00:45:03,920 --> 00:45:05,960 Speaker 1: every day. You had to like be now wearing the 797 00:45:06,000 --> 00:45:09,600 Speaker 1: same shirt every day of the week is so having 798 00:45:09,640 --> 00:45:12,000 Speaker 1: like an aesthetic. Michael has like twenty black shirts. It's 799 00:45:12,000 --> 00:45:14,279 Speaker 1: all he wears. Yeah, right, so he's ahead of the 800 00:45:14,280 --> 00:45:17,799 Speaker 1: tramor all right, an old rule, no socks with sandals. 801 00:45:17,840 --> 00:45:21,400 Speaker 1: Apparently this is very in. I know. I don't know 802 00:45:21,400 --> 00:45:23,239 Speaker 1: if I'm in for this rule, but these days you 803 00:45:23,280 --> 00:45:27,440 Speaker 1: can get away with it. Who Knew? I can't for me, 804 00:45:28,680 --> 00:45:29,960 Speaker 1: I don't know if you're just going to pick up 805 00:45:29,960 --> 00:45:33,480 Speaker 1: a coffee or no, that's not I feel like Tomia 806 00:45:33,520 --> 00:45:35,759 Speaker 1: can rock it and get away with it. Um An 807 00:45:35,760 --> 00:45:39,720 Speaker 1: old rule. Sweats are sloppy. Not the case anymore, especially 808 00:45:39,760 --> 00:45:42,000 Speaker 1: here in l a. You can get away with going 809 00:45:42,040 --> 00:45:45,080 Speaker 1: to dinner and sweats. You can board an airplane with sweats. 810 00:45:45,120 --> 00:45:48,520 Speaker 1: There the sweats is like the new suit. Nowadays. I 811 00:45:48,640 --> 00:45:52,600 Speaker 1: see the most confident people in the sloppiest outfits on 812 00:45:52,600 --> 00:45:55,160 Speaker 1: a Sunday morning getting coffee. I think to myself, good 813 00:45:55,160 --> 00:45:57,680 Speaker 1: for you, yeah, I actually got dressed up to come 814 00:45:57,719 --> 00:46:01,040 Speaker 1: get this coffee. I know, the baggy or the better, right. Yeah, 815 00:46:01,120 --> 00:46:03,080 Speaker 1: like I'm wearing jeans today and I'm like why? No, 816 00:46:03,160 --> 00:46:05,160 Speaker 1: I haven't put jeans on, like it's just not a thing. 817 00:46:05,719 --> 00:46:07,959 Speaker 1: But you know, in Los Angeles, where what you want, 818 00:46:08,000 --> 00:46:09,600 Speaker 1: you can get away with most of it. I think 819 00:46:09,640 --> 00:46:14,200 Speaker 1: so too. Leana, how are you in Pasadena? I'm doing well. 820 00:46:14,280 --> 00:46:16,200 Speaker 1: How are you doing doing well? We're here to try 821 00:46:16,239 --> 00:46:18,640 Speaker 1: and help out. So, as a friend dating a guy 822 00:46:18,719 --> 00:46:22,520 Speaker 1: who sucks, is what it says on my call screen. Yeah, 823 00:46:22,600 --> 00:46:25,000 Speaker 1: that's that pretty much sums it up. He's just the 824 00:46:25,080 --> 00:46:28,200 Speaker 1: absolute word. Wait, but it's wait, your friend is dating 825 00:46:28,200 --> 00:46:31,799 Speaker 1: the guy and you don't like the guy. Yeah, yeah, 826 00:46:31,880 --> 00:46:35,560 Speaker 1: he's just no one wants him around because he's so rude. 827 00:46:36,320 --> 00:46:41,400 Speaker 1: He is obnoxious, and even my other friends, their boyfriends 828 00:46:41,440 --> 00:46:43,799 Speaker 1: don't want them to want him around either because he's 829 00:46:43,840 --> 00:46:47,200 Speaker 1: just so that's interesting. When the guys don't want the 830 00:46:47,200 --> 00:46:49,480 Speaker 1: guy around, that's a big deal, because then it's like 831 00:46:49,480 --> 00:46:51,560 Speaker 1: when you get together with all of your girlfriends and 832 00:46:51,560 --> 00:46:53,880 Speaker 1: like your group of friends, it's like it's the husbands 833 00:46:53,880 --> 00:46:55,799 Speaker 1: and it's the the guys that end up hanging out 834 00:46:55,840 --> 00:46:58,520 Speaker 1: together at the party. I've been in the situation before 835 00:46:58,520 --> 00:47:03,000 Speaker 1: and it is a downer. Yeah, it's annoying and then 836 00:47:03,040 --> 00:47:05,680 Speaker 1: it's also a little stressful because I've been put in 837 00:47:05,680 --> 00:47:09,200 Speaker 1: a place where I don't know when I want to 838 00:47:09,239 --> 00:47:11,520 Speaker 1: hang out with her because I know she wants to 839 00:47:11,560 --> 00:47:16,520 Speaker 1: bring her boyfriend. So it's put me in a bit 840 00:47:16,560 --> 00:47:20,399 Speaker 1: of us. Has she heard this from you, or heard 841 00:47:20,400 --> 00:47:23,520 Speaker 1: this from anybody in your circle? How do you say 842 00:47:23,520 --> 00:47:27,360 Speaker 1: this to your friend, that you don't like her boyfriend? Yeah, 843 00:47:27,400 --> 00:47:31,040 Speaker 1: that's what I've kind of been trying to figure out, 844 00:47:31,840 --> 00:47:34,200 Speaker 1: because I think she can be defensive because then you're 845 00:47:34,280 --> 00:47:38,800 Speaker 1: criticizing her judgment of people, and people take that very personally. 846 00:47:38,960 --> 00:47:43,160 Speaker 1: You know, as time goes on, the more she feels 847 00:47:43,360 --> 00:47:46,000 Speaker 1: like she's not being invited to things, she might start 848 00:47:46,040 --> 00:47:50,319 Speaker 1: reading between the lines to see why. Yeah, and that's 849 00:47:50,320 --> 00:47:52,959 Speaker 1: what I've been kind of nervous too, because I don't 850 00:47:52,960 --> 00:47:55,279 Speaker 1: want it to affect our friendship and I would never 851 00:47:55,360 --> 00:47:58,719 Speaker 1: want her to feel like I'm not inviting her because 852 00:47:58,719 --> 00:48:01,280 Speaker 1: I don't want to hang out with her. Right. Well, listen, 853 00:48:01,320 --> 00:48:04,480 Speaker 1: I think you should just sort of organically let things 854 00:48:04,560 --> 00:48:06,560 Speaker 1: roll out the way that they should roll out from 855 00:48:06,560 --> 00:48:07,920 Speaker 1: your point of view. But the other part of this 856 00:48:08,040 --> 00:48:11,120 Speaker 1: is she's an adult, she makes choices. She's gonna have 857 00:48:11,160 --> 00:48:15,080 Speaker 1: to learn on her own if it's not a good dude. Yeah, 858 00:48:15,120 --> 00:48:17,359 Speaker 1: you can't say anything. I can't say I don't think 859 00:48:17,360 --> 00:48:19,040 Speaker 1: you say anything, and I think if you wanted to 860 00:48:19,080 --> 00:48:20,719 Speaker 1: hang out with your friend, you do girls stuff with her. 861 00:48:20,800 --> 00:48:23,879 Speaker 1: You go get your nails done and massages, spa days, 862 00:48:23,960 --> 00:48:26,799 Speaker 1: but then you just why, why can't that be a guy? 863 00:48:28,840 --> 00:48:31,160 Speaker 1: I just meant to say, like, no group activities with 864 00:48:31,200 --> 00:48:35,680 Speaker 1: the guys and girls getting a just saying so that 865 00:48:35,760 --> 00:48:37,759 Speaker 1: her boyfriend doesn't come. Yeah, you would not want to 866 00:48:37,760 --> 00:48:41,040 Speaker 1: go get to a spa with your like significant other 867 00:48:41,120 --> 00:48:48,320 Speaker 1: and her girlfriends? Exactly. Yeah, thank you for calling. You 868 00:48:48,400 --> 00:48:51,839 Speaker 1: know what happens with this? What happens is you kind 869 00:48:51,840 --> 00:48:54,839 Speaker 1: of like show the nice face to the friend and 870 00:48:54,920 --> 00:48:58,520 Speaker 1: the boyfriend, but behind their back everybody gossips about the boyfriend, 871 00:48:58,960 --> 00:49:01,760 Speaker 1: everybody is about ran the boyfriend. Yeah, it's not great, 872 00:49:01,840 --> 00:49:03,880 Speaker 1: and then eventually it's like they're just not gonna be 873 00:49:03,920 --> 00:49:10,359 Speaker 1: friends with on air on air with Ryan seacrest. Thanks 874 00:49:10,400 --> 00:49:13,120 Speaker 1: for listening to on Air With Ryan seacrest. Make sure 875 00:49:13,160 --> 00:49:15,200 Speaker 1: to subscribe and we'll talk to you again tomorrow.