WEBVTT - Let the Games Begin!

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<v Speaker 1>Hey, Christy, Hey, what's going on? Will? How are you? Oh?

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<v Speaker 1>But can I can I be real? Can I be real?

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<v Speaker 1>It has been a while of me just being um

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<v Speaker 1>inundated with entries. Ye yep, we've got which is which?

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<v Speaker 1>Which is a great transition to what our episode is

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<v Speaker 1>about today. We are we're doing a smaller, shorter episode

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<v Speaker 1>because this is all contests we want to talk about.

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<v Speaker 1>You know, people like when we talk together, so it

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<v Speaker 1>makes its weird a longer episode. I'm like, we talk

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<v Speaker 1>each other in time, and I don't like talking to

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<v Speaker 1>you at all, so it like getting like people loving

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<v Speaker 1>us talking is strange considering we hate talking to each other.

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<v Speaker 1>We like talking about love. It's uh, it's time, people,

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<v Speaker 1>It's time. Next week we are starting the contest what's

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<v Speaker 1>it called, Christie? Really, after all the entries you've had,

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<v Speaker 1>some contest become the next big voice actor. Yeay, yay,

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<v Speaker 1>I did it. And that was from looking at all

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<v Speaker 1>of the amazing subject lines that you guys put in

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<v Speaker 1>your audition tapes or your reels. Yeah, and in your videos,

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<v Speaker 1>and my god, can we just can we please talk

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<v Speaker 1>about it? Like? Can we just talk about it? Okay?

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<v Speaker 1>So now we can actually talk about Okay, who there

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<v Speaker 1>are so many talented people out there first, a ton,

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<v Speaker 1>a ton. Yeah, let's start it to beginning. Yeah, I

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<v Speaker 1>was gonna say, so, here's what I would start with.

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<v Speaker 1>I would start with a thanking everybody who who entered

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<v Speaker 1>the contest, but be thousands of submissions, thousands, thousands of submissions,

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<v Speaker 1>which is awesome. Um, we are thousands. So there are,

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<v Speaker 1>just like you said, some incredibly talented people out there.

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<v Speaker 1>We set out with one goal, which is finding somebody

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<v Speaker 1>who could be our colleague. Day one, put you in

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<v Speaker 1>a booth, here you go, go and from I think

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<v Speaker 1>we're gonna be able to do it. I honestly think

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<v Speaker 1>we're gonna be able to find exactly that there are

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<v Speaker 1>some super talented people out there. I know, I know.

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<v Speaker 1>I mean my expectations were were It wasn't that they

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<v Speaker 1>were low. I just didn't have any expectations. I just

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<v Speaker 1>I went in with a completely clean slate, saying to myself,

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<v Speaker 1>you know, uh, there are a lot of amateurs and

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<v Speaker 1>like and talking about your first experience of putting yourself

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<v Speaker 1>in front of an you know, a new environment. You're

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<v Speaker 1>putting yourself in front of a microphone or a recording device,

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<v Speaker 1>or you're putting yourself on a video that you're not

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<v Speaker 1>normally doing that right, and you're and you're putting yourself

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<v Speaker 1>out there. I felt so proud of all of you guys.

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<v Speaker 1>I felt so inspired, honestly, like, I want to redo

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<v Speaker 1>my animation reel. Like I'm not even kidding you seriously,

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<v Speaker 1>because you know, I've been really shy for a really

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<v Speaker 1>long time about using my voice. We've talked about it

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<v Speaker 1>a little bit, but yeah, I just want to I

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<v Speaker 1>just want to stop you right there, very quickly, because

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<v Speaker 1>I always found that odd. I mean, I don't find

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<v Speaker 1>it odd because you're an actor and actors were insecure people.

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<v Speaker 1>But when, especially when we would do the live shows,

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<v Speaker 1>when I would occasionally turn to you with one of

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<v Speaker 1>Joe Woe's pictures and I was like, now you go,

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<v Speaker 1>and you're like, I don't want to, but then you

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<v Speaker 1>do it. You're always great. So it was just it

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<v Speaker 1>had nothing to do with talent for you. It was

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<v Speaker 1>just you were nervous about kind of stepping up and

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<v Speaker 1>doing it, which is similar to the people that are

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<v Speaker 1>entering the contest. I completely empathized with that feeling that

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<v Speaker 1>they were having as they were probably likely pushing send.

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<v Speaker 1>A lot of people would say, Hey, this is me,

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<v Speaker 1>and I hope that you like what I do hear,

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<v Speaker 1>you know, and I was just like, yes, like let's

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<v Speaker 1>give you a shot, let's give you a listen. And

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<v Speaker 1>there was just it was just amazing. It was a

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<v Speaker 1>really beautiful experience. Yeah, I think it was. I think

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<v Speaker 1>exactly exactly what you said is I agree with you

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<v Speaker 1>one hundred percent. It was. It inspired me, It truly

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<v Speaker 1>inspired me to It also made me think about my

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<v Speaker 1>first ever voiceover audition. Do you remember the first time

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<v Speaker 1>you audition for anything? Vio actually curious about yours because

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<v Speaker 1>I started doing audiobooks when I was very very young,

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<v Speaker 1>and so I kind of remember just being in the booth,

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<v Speaker 1>so to speak, at a very young age kind of

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<v Speaker 1>thing where that to me was where I was learning

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<v Speaker 1>like the techniqus of oh my gosh, I'm in a booth.

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<v Speaker 1>It's so quiet, you know, you're this little kid, and

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<v Speaker 1>then like you have this like microphone, which is very

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<v Speaker 1>like strange, you know. And I still to this day

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<v Speaker 1>I have a love or hate relationship with the presence

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<v Speaker 1>of a microphone and a camera. Really, but I have

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<v Speaker 1>a love part of me of the camera of the

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<v Speaker 1>not the camera of the microphone, because the microphone can

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<v Speaker 1>truly bring out even the type of microphone that you use,

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<v Speaker 1>which we should get into in reviewing some of these

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<v Speaker 1>um the type and quality of microphone that you're using

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<v Speaker 1>can change. It can pick up certain parts of your voice,

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<v Speaker 1>right like some microphones that engineers use. I don't know

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<v Speaker 1>if you guys know this pick up like tenier sounds

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<v Speaker 1>tinier means like, I don't know the more nasal parts

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<v Speaker 1>right of your of the voice. So if you're singing

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<v Speaker 1>recording music, it'll sound tinier, or if you're in an

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<v Speaker 1>animation focused character, it might just sound a little different

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<v Speaker 1>if you're if the quality of just your voice is

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<v Speaker 1>being amplified. And then there's other ones I think that

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<v Speaker 1>are more basy and some of the more older vintage

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<v Speaker 1>microphones have more grit to them. It's yeah, it also

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<v Speaker 1>depends on how they record them. Some of them are

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<v Speaker 1>ribbon microphones, some of them are I mean sophone. It's

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<v Speaker 1>like it's I wish I knew. I don't know enough

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<v Speaker 1>about microphones, but I'm sure Brian or somebody would know this.

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<v Speaker 1>But it's it's it's the actual ribbon is inside. I

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<v Speaker 1>think that vibrates that picks up your voice. So there's

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<v Speaker 1>different ways that different types of microphones that pick up

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<v Speaker 1>different things. And so Corey Burton, who is a legendary

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<v Speaker 1>voice over actor, is a microphone nerd, like to the

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<v Speaker 1>point where I mean he literally has the pictures on

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<v Speaker 1>his phone like most people a pictures. Pictures are their kids. Literally,

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<v Speaker 1>And he said to me one time, you know, he's like, oh,

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<v Speaker 1>I bought this one. This is from the nineteen thirties

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<v Speaker 1>and this gives me this kind of resonance and this

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<v Speaker 1>one does this. And he said to me one time.

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<v Speaker 1>So I said to him, what should I get? And

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<v Speaker 1>he said, always just find the microphone that loves your voice.

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<v Speaker 1>He said, you won't know, you might not know what

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<v Speaker 1>it is, but if you're so the microphone I'm working

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<v Speaker 1>on right now, for instance, is everyone's saying, oh my god,

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<v Speaker 1>it's so expensive. It's not. It's the X. It's an

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<v Speaker 1>MXL nine thousand. It's an older microphone, is probably twenty

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<v Speaker 1>years old, twenty five years old. Jason Marsden bought this

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<v Speaker 1>for me as a gift. I think it was one

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<v Speaker 1>hundred and fifty bucks. One hundred and sixty bucks back

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<v Speaker 1>in the day. And I've all he's used it because

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<v Speaker 1>it just it works for my voice. It loves my voe.

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<v Speaker 1>Really is a factual representation of your voice, like when

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<v Speaker 1>I'm with you. Yeah, I think that. I think that's right.

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<v Speaker 1>I think it really does. It just this microphone loves

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<v Speaker 1>my voice and so and I will say that like

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<v Speaker 1>in reviewing these, we had to not play casting agents

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<v Speaker 1>because casting agents are so critical that if something isn't like,

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<v Speaker 1>you know, professional grade, they're immediately clicking off and so us.

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<v Speaker 1>But we didn't do that. And I know because you

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<v Speaker 1>know and I know that Will was extremely extremely thorough

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<v Speaker 1>even the way that you documented um all the different

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<v Speaker 1>um qualifying people. You know what I'm saying. But like

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<v Speaker 1>it's it's and it's also really beautiful because not only

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<v Speaker 1>did we kind of even the playing field through keeping

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<v Speaker 1>an open mind and listening to all of your auditions,

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<v Speaker 1>but we also kind of read your backstory. There are

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<v Speaker 1>some fantastic people out there that are really taking a risk,

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<v Speaker 1>and I mean, we couldn't be happier with all the

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<v Speaker 1>talent that we were exposed to. Yeah, No, it's very

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<v Speaker 1>very very exciting and we're getting into it. We are

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<v Speaker 1>getting into it. It is starting next week. Before we

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<v Speaker 1>get there, though, I do want to give a big

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<v Speaker 1>shout out. We've been making sure we do this because

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<v Speaker 1>a lot of the people that entered the contest came

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<v Speaker 1>because of Critical Role, because our friends a Critical Role,

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<v Speaker 1>and there are some some incredible GMS, DMS, RPG players,

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<v Speaker 1>tabletop players that have been doing voices for their parties

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<v Speaker 1>and their friends, and so we want to give a

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<v Speaker 1>huge shout out to our friends a Critical Role who

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<v Speaker 1>really helped us get the word out there and remind

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<v Speaker 1>everybody that season two of the Legend of Oxmachina is

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<v Speaker 1>on Prime Video. If you haven't seen it yet, if

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<v Speaker 1>you're a fan of animation and you're like I just

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<v Speaker 1>haven't gotten into this one yet, go start at the

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<v Speaker 1>beginning started season one. It will suck you in instantly.

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<v Speaker 1>It is a wonderfully written, acted, animated show. It hits

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<v Speaker 1>on all cylinders, and you know, it makes it so

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<v Speaker 1>much better because it's done by some incredibly beautiful people.

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<v Speaker 1>They really are wonderful. So thank you to everyone at

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<v Speaker 1>Critical Role and everyone at Prime Video two who helped us.

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<v Speaker 1>And you know, again, everybody at iHeart who you know,

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<v Speaker 1>they really helped us make this possible. This was a

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<v Speaker 1>dream Christy and I had from the beginning and we

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<v Speaker 1>certainly could not do it by ourselves. And so yes,

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<v Speaker 1>a definite shout out to everyone at iHeart Prime Video

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<v Speaker 1>and Critical Role, So thank you so much. We are

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<v Speaker 1>starting the contest next week officially, and I wanted to

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<v Speaker 1>give you a quick breakdown because people are like, well,

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<v Speaker 1>what is the contest And we're not going to get

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<v Speaker 1>too specific, but here's what it basically is. We've talked

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<v Speaker 1>about this. We are going down from our thousands of

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<v Speaker 1>entries of submissions to sixteen those sixteen It's gonna be

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<v Speaker 1>crazy and it's going to be Here's how it's gonna happen.

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<v Speaker 1>Here's how we're gonna try to do it anyway I'll

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<v Speaker 1>say so, we are going to go head to head

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<v Speaker 1>two contestants an episode. We are going to have one

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<v Speaker 1>of our friends come on, one of our voiceover friends

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<v Speaker 1>who has been in the industry for a long time.

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<v Speaker 1>That is going to help us judge. We are then

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<v Speaker 1>going to go again one on one for an episode.

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<v Speaker 1>So say you know, episode one is going to be

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<v Speaker 1>contestant A against contestant B, and we are going to

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<v Speaker 1>play some games. We are going to make up some characters.

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<v Speaker 1>We are going to maybe read some ad copy. We're

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<v Speaker 1>gonna throw some stuff at our contestants. They're going to

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<v Speaker 1>go back, Oh I am too, and they're gonna go

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<v Speaker 1>back and forth, and then we are going to very

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<v Speaker 1>nicely ask them into our waiting room where they're going

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<v Speaker 1>to sit, and then the three of us, you and I,

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<v Speaker 1>Christie and our guests are going to discuss who moves

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<v Speaker 1>forward and that person then to the next round. So

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<v Speaker 1>we you know, are gonna go head to head until

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<v Speaker 1>we are down to the final two. The competition is stiff,

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<v Speaker 1>it really is, and to have to go from thousands

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<v Speaker 1>of entries to picking sixteen is a very difficult thing

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<v Speaker 1>to do. And there are gonna be let's be honest,

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<v Speaker 1>there are going to be some very good, very talented

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<v Speaker 1>people who didn't get picked, and we are going to

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<v Speaker 1>discuss who moves forward until we get down to our

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<v Speaker 1>final winner, who again we've talked about our prizes, is

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<v Speaker 1>going to get flown out to Los Angeles. You get

0:11:33.640 --> 0:11:35.720
<v Speaker 1>a thousand dollars spending money, You get to record some

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<v Speaker 1>promos for I hear voices. You are then going to

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<v Speaker 1>come to lunch where you're gonna meet Christy and I

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<v Speaker 1>and your new agent from cees D, as well as

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<v Speaker 1>having a session with Sam Regal or Mary McGlenn from

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<v Speaker 1>Voxmachina and Critical Role. It is gonna change somebody's life,

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<v Speaker 1>and we're very exciting. That's the aim. And I and

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<v Speaker 1>say that based on the talent that we have to

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<v Speaker 1>pick from, that's definitely gonna happen for someone. I think,

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<v Speaker 1>So I really do. I think, you know, again, we're

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<v Speaker 1>gonna pick somebody talented to where they're going to meet

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<v Speaker 1>their agent. They're gonna start, you know, nowadays it's after

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<v Speaker 1>the pandemic. You do all of your auditions and everything

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<v Speaker 1>from home, so it's not like you got to move

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<v Speaker 1>to Los Angeles. It's not like you got to do

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<v Speaker 1>any of this kind of stuff. And so they're gonna,

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<v Speaker 1>you know, I imagine, I'm not not trying to make

0:12:25.440 --> 0:12:27.679
<v Speaker 1>this up, but you're now signed with an agent. You're

0:12:27.679 --> 0:12:29.680
<v Speaker 1>gonna start getting copy that you're gonna have to start

0:12:29.720 --> 0:12:32.360
<v Speaker 1>auditioning and reading, and then it's up to you. Then

0:12:32.360 --> 0:12:33.959
<v Speaker 1>it's up to you and your talent. Nobody's going to

0:12:34.040 --> 0:12:45.960
<v Speaker 1>hand you anything after that. Once again, I want to

0:12:45.960 --> 0:12:48.720
<v Speaker 1>just run down the list of thank you's, because we

0:12:48.800 --> 0:12:50.920
<v Speaker 1>have a bunch. Thank you so much to iHeart for

0:12:50.960 --> 0:12:55.000
<v Speaker 1>helping us. Obviously, we also of course want to thank

0:12:55.760 --> 0:12:59.760
<v Speaker 1>Prime Video who has helped bring critical role on board,

0:12:59.840 --> 0:13:02.520
<v Speaker 1>and thank every all my friends over their critical role

0:13:02.559 --> 0:13:05.320
<v Speaker 1>for being responsible. And all the actors that have come

0:13:05.360 --> 0:13:08.360
<v Speaker 1>on our show as guests, all the actors that are

0:13:08.360 --> 0:13:11.720
<v Speaker 1>going to come on our show as as guest judges. Um,

0:13:11.920 --> 0:13:14.800
<v Speaker 1>we this is it really takes a village. Sam and

0:13:14.840 --> 0:13:17.240
<v Speaker 1>Mary who have you know, Sam, Sam Regal and Mary

0:13:17.320 --> 0:13:20.920
<v Speaker 1>McGlynn who have volunteered their time to the winner, ces

0:13:21.040 --> 0:13:25.120
<v Speaker 1>D who has uh stepped up and said heck yeah,

0:13:25.160 --> 0:13:28.000
<v Speaker 1>well we'll sign the winner. You got it. Um, Just

0:13:28.240 --> 0:13:32.120
<v Speaker 1>one person after another that has really come on board

0:13:32.200 --> 0:13:36.120
<v Speaker 1>to help make this contest possible. We're so excited and

0:13:37.000 --> 0:13:40.320
<v Speaker 1>again we are as excited, if not more excited than

0:13:40.360 --> 0:13:43.560
<v Speaker 1>the person that's gonna win. We really are because I

0:13:43.600 --> 0:13:46.440
<v Speaker 1>can't wait. It's gonna be so much fun. It's a

0:13:46.440 --> 0:13:48.640
<v Speaker 1>ton of work on our end, It is a ton

0:13:48.760 --> 0:13:50.640
<v Speaker 1>a ton a ton of work, but it is so

0:13:51.120 --> 0:13:55.440
<v Speaker 1>worth it. Thanks everybody. Remember we're we're getting there, and

0:13:55.559 --> 0:13:58.840
<v Speaker 1>tune in because it is going to be a wild

0:13:58.960 --> 0:14:01.600
<v Speaker 1>ride to see who is going to take the title

0:14:02.520 --> 0:14:07.120
<v Speaker 1>of the next Big Voice actor for one last time,

0:14:07.440 --> 0:14:10.640
<v Speaker 1>at least in this version of I Hear Voices, because

0:14:10.640 --> 0:14:13.800
<v Speaker 1>the contest is starting. And man, do I now mean

0:14:13.880 --> 0:14:16.480
<v Speaker 1>this more than ever. If you think you got what

0:14:16.520 --> 0:14:18.440
<v Speaker 1>it takes to be one of us, step up to

0:14:18.440 --> 0:14:21.240
<v Speaker 1>the microphone and put your voices where your mouth is. Yes,

0:14:21.840 --> 0:14:25.240
<v Speaker 1>thanks everybody. I Hear Voices as hosted by Wilfordell and

0:14:25.320 --> 0:14:29.080
<v Speaker 1>Christy Carlson Romano. Executive produced by Wilfredell, Brendan Rooney, Amy Sugarman.

0:14:29.200 --> 0:14:32.120
<v Speaker 1>Our executive in Charger Production is Danielle Romo, Our producer

0:14:32.160 --> 0:14:35.280
<v Speaker 1>is Lorraine Verawez, and our editor slash engineer is Brian Burton.

0:14:35.520 --> 0:14:39.040
<v Speaker 1>And that was my announcer voice. Some side effects of

0:14:39.040 --> 0:14:41.360
<v Speaker 1>listening to I Hear Voices are sore abs from hilarity,

0:14:41.480 --> 0:14:44.000
<v Speaker 1>falling down the Coco melon rabbit hole, sneezing due to

0:14:44.040 --> 0:14:46.880
<v Speaker 1>mass nostalgia, and hugs. Follow I Hear Voices wherever you

0:14:46.920 --> 0:14:48.560
<v Speaker 1>listen to podcasts so you don't miss any of the

0:14:48.560 --> 0:14:51.160
<v Speaker 1>amazing voices. Be sure to follow us on Instagram. And

0:14:51.160 --> 0:14:53.760
<v Speaker 1>TikTok at I Hear Voices podcast. You can also check

0:14:53.800 --> 0:14:56.680
<v Speaker 1>us out on my Space, omigl Vine, LimeWire, Hey I'm

0:14:56.680 --> 0:14:59.040
<v Speaker 1>a napster. Okay, well let's teach you about the Internet,

0:14:59.040 --> 0:14:59.800
<v Speaker 1>the who