WEBVTT - Laughter Is Medicine with Darrell Hammond

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<v Speaker 1>Hey there, folks, want you to know I just made

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<v Speaker 1>an ass out of myself right before we started recording

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<v Speaker 1>this podcast, because an absolute legend of TV and comedy.

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<v Speaker 1>You believe what I asked him. I tried to explain

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<v Speaker 1>to him how to give us a mic check, and

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<v Speaker 1>I feel like an absolute moron. Welcome to this episode

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<v Speaker 1>of Amy and TJ. Rose.

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<v Speaker 2>That was I thought it was the other thing you

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<v Speaker 2>did before when he caught us getting ready to get

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<v Speaker 2>ready and you turned it on like Daryl Hammond.

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<v Speaker 1>He thought I was faking it. I wasn't faking I'm excited.

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<v Speaker 1>Who can't be excited to talk to Daryl Hammond? Now,

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<v Speaker 1>you gotta be kidding. If you go through and ask

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<v Speaker 1>anybody of a certain age, at least your favorite SNL

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<v Speaker 1>characters of all time or cast members, you cannot go

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<v Speaker 1>too far without his name coming up. Oh my god.

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<v Speaker 2>No. And the likeness he could have of your favorite

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<v Speaker 2>or least favorite politician. He nailed it in a way

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<v Speaker 2>that most people could not even dream of. And so yes,

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<v Speaker 2>if you closed your eyes, it was as if you

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<v Speaker 2>were hearing Bill Clinton. It was as if you were

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<v Speaker 2>hearing Ted Copple. That was one of my favorite ones

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<v Speaker 2>was Sean Connery. Oh, Sean Connery and Jeffardy because you know,

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<v Speaker 2>I'm a huge double O seven fan, and Sean Connery

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<v Speaker 2>is not.

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<v Speaker 1>There's nothing he does in those movies that make you

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<v Speaker 1>feel like he's a dweep, that he's a moron, right,

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<v Speaker 1>He's always in charge, he gets The ladies said, why

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<v Speaker 1>why did I just go into an impression just then?

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<v Speaker 1>But he give that was bold, okay.

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<v Speaker 2>And maybe maybe not smart, but we're so excited and

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<v Speaker 2>I did.

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<v Speaker 1>I made an ass out of myself because I was

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<v Speaker 1>that excited to have him here. So can you please

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<v Speaker 1>pick it up from here so I can make a

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<v Speaker 1>fool O.

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<v Speaker 2>Darryl Hammond is on the podcast today, and yes, you

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<v Speaker 2>can tell we are very excited. I actually was listening

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<v Speaker 2>to Cray this morning and was blown away by the

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<v Speaker 2>full story. I mean, we've you know, I know you

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<v Speaker 2>have been very vocal about your We always love to

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<v Speaker 2>make fun of people who call their lives.

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<v Speaker 1>Journeys, but truly you have been on one and we

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<v Speaker 1>all are on.

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<v Speaker 2>One, and so you've been very vulnerable and very open

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<v Speaker 2>over the last decade or so talking about getting to

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<v Speaker 2>where you are today. So my first question is for you,

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<v Speaker 2>how are you today, Darryl Hammond? How you doing?

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<v Speaker 3>I mean, I'm pretty good. I have to work it,

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<v Speaker 3>be healthy. I have to do cognitive therapy exercises. I

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<v Speaker 3>go to therapy, I go to twelve Step meetings, do

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<v Speaker 3>volunteer work. I do lots, and I do a lot

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<v Speaker 3>of yoga and a lot of meditation. So after all

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<v Speaker 3>that stuff I'm doing, okay.

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<v Speaker 1>Just okay, all that then, just okay.

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<v Speaker 3>I'm telling you, I don't know the days of joy

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<v Speaker 3>jumps and you know, jumping up in the air and

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<v Speaker 3>clicking your heels together and shouting eureka, maybe behind it.

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<v Speaker 2>Wait, but you had those days?

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<v Speaker 3>I did? I did? You know? Back when I was

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<v Speaker 3>in SNL, it was a real up and down thing

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<v Speaker 3>for me because most of the time I left that

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<v Speaker 3>show thinking that that I'm going to say fifty percent

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<v Speaker 3>of the time when I left that show, I thought

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<v Speaker 3>I had disgraced to myself. You know, someone sent me

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<v Speaker 3>a picture recently of me a read through with Tracy Morgan,

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<v Speaker 3>and the memories sort of came flooding back. How dissatisfied

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<v Speaker 3>it was with what it was I was doing in it.

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<v Speaker 3>I think because of the degree of difficulty. I mean,

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<v Speaker 3>you go to see a Vegas tribute app someone doing

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<v Speaker 3>an impression. It's brilliant and we love them, but they've

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<v Speaker 3>worked years on it. Now try doing it on Wednesday

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<v Speaker 3>before Saturday. Never done this before, never done this one before.

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<v Speaker 3>And you think you're gonna have forty eight hours before Saturday,

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<v Speaker 3>you're not. You might have five or six because there's

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<v Speaker 3>a whole bunch of other things you got to do.

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<v Speaker 3>So taking that out there, there are times where my

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<v Speaker 3>nerve would get so nerves would get so bad. Will

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<v Speaker 3>I'd say, why am I doing this? Damn? And I

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<v Speaker 3>know why I'm doing it because I'm addicted to it.

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<v Speaker 3>I'm a junkie for the high wire, right or I

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<v Speaker 3>wasn't you were?

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<v Speaker 1>Would you say? You talk about all the work you've

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<v Speaker 1>you've done and the therapy and are you at the

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<v Speaker 1>healthiest you've ever been in your life right now?

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<v Speaker 3>Oddly enough, so it may be so. I mean, last

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<v Speaker 3>week I was in a two weeks agousin Spokane. There

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<v Speaker 3>was a club that I wanted to play and I

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<v Speaker 3>did five one hour sets and I have to say

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<v Speaker 3>I was pleased. And you tried doing a one hour set.

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<v Speaker 3>It's not just the physicality of walking around. It's you

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<v Speaker 3>got to be on point for an out, do you

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<v Speaker 3>know what I mean? And this as went well, So

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<v Speaker 3>I worked really hard at it. But I don't know

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<v Speaker 3>if it's the healthiest I've ever been. There's probably a

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<v Speaker 3>time when I was, you know, when I was when

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<v Speaker 3>I was a teenager, I was a pretty strong kid,

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<v Speaker 3>a good baseball player, but out of my mum. So

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<v Speaker 3>this is the whole I got the whole package here.

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<v Speaker 3>Now I can't do as many chut ups as I

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<v Speaker 3>used to, but you.

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<v Speaker 2>Know, yeah, physicality is one thing, but mental health mentally mentally,

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<v Speaker 2>are you are you the strongest you've been? I mean,

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<v Speaker 2>you put in so much work, You've put so much

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<v Speaker 2>out there. You've you've you've You've gone from being institutionalized

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<v Speaker 2>to being on I think at one time thirteen different

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<v Speaker 2>medications and all on a path to try and find

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<v Speaker 2>the whys and then figure out the how tos. So

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<v Speaker 2>where are you on your mental health right now? Would

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<v Speaker 2>you say you're the healthiest mentally that you've been?

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<v Speaker 3>I think so absolutely. I mean you were talking about

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<v Speaker 3>for most of my life, certainly the times that I

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<v Speaker 3>described in the play crame it just wasn't a way

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<v Speaker 3>to self suit. You know. You would drink and that

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<v Speaker 3>didn't really do it, you know, and you could smoke

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<v Speaker 3>weed and that didn't really quite do it. You know,

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<v Speaker 3>I needed help. I needed a doctor with doctor K

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<v Speaker 3>in this play, who could come in and break inside

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<v Speaker 3>my head without injuring me and find out what was

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<v Speaker 3>going on in there. You know, trauma therapy is kind

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<v Speaker 3>of in a semptancy, and you know, he could just

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<v Speaker 3>as easy have killed mhm. You know people that trauma

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<v Speaker 3>doctors that don't know what to do when they get

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<v Speaker 3>inside there can really guide that person off off the path.

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<v Speaker 3>And you know, it said, I don't know what it's

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<v Speaker 3>like today, but back then, you know it was said,

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<v Speaker 3>you know, in order to save your life, sometimes have

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<v Speaker 3>to risk it, you know. And I don't know. I

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<v Speaker 3>ended up with this guy who's one hundred years ahead

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<v Speaker 3>of his times. I'm I have stathesia, I color code

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<v Speaker 3>all my characters, and he used that to break into

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<v Speaker 3>my head and figure out what was going on in there.

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<v Speaker 3>He used colors. I mean, talk about a freak shot, right,

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<v Speaker 3>I mean, that's freaky, you know what I mean? So

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<v Speaker 3>I people have said this is the King's speech meets

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<v Speaker 3>one flow of the cucus nests at SNL. Oh, that's

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<v Speaker 3>pretty close.

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<v Speaker 1>That's close. How many times, Daryl, can you list or

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<v Speaker 1>maybe have a number. How many times will you misdiagnosed?

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<v Speaker 1>How many things that they going to doctors and talking

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<v Speaker 1>to folks that they list all these things they thought

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<v Speaker 1>were wrong with you. How long of a list was that.

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<v Speaker 3>Well, let's let me get boring here for a second,

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<v Speaker 3>because in the play we say thirty nine, and that's

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<v Speaker 3>pretty accurate because each time you go to a treatment

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<v Speaker 3>center you have three Okay, so three. I had been

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<v Speaker 3>to six treatment centers or something like that. That's at

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<v Speaker 3>least eighteen. But the figure we use is thirty nine,

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<v Speaker 3>and that's just about right. I mean, people who had

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<v Speaker 3>the faintest idea what was wrong with me, you know,

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<v Speaker 3>could not figure it out. And here we meet this guy,

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<v Speaker 3>doctor K who said, you're this way because of something

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<v Speaker 3>that happened to you. Well, that was the Hall Elijah

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<v Speaker 3>chorus moment of my life because no one knew what

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<v Speaker 3>the hell was wrong with me. And I was like young,

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<v Speaker 3>you know, I had been in SNL for a while.

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<v Speaker 3>It was in my forties. I've been waiting for that

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<v Speaker 3>kind of my whole life. Something happened and then you know,

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<v Speaker 3>of course you got to be a genius like this

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<v Speaker 3>guy and break into this person's brain and pull out

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<v Speaker 3>what's in there, you know, And he did that. I

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<v Speaker 3>don't know how much of the Cray you've listened to,

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<v Speaker 3>but he did that with a series of dramatic exercise.

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<v Speaker 2>Yeah. I mean, it's remarkable to hear the process and

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<v Speaker 2>what you went through. I was also surprised to learn.

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<v Speaker 2>I didn't realize this. You were thirty nine before you

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<v Speaker 2>first even auditioned for SNL.

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<v Speaker 3>Well, I auditioned in my late twenties and early thirties

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<v Speaker 3>and was turned down twice, and then I couldn't get

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<v Speaker 3>another audition until I was thirty nine. Way too old

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<v Speaker 3>for the show by then. But I had started practicing

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<v Speaker 3>for SNL when I was twenty seven years old, so

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<v Speaker 3>that's twelve year period. And I had this whole thing

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<v Speaker 3>that I would do where I'd try to make one

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<v Speaker 3>improvement per week, you know, and those sort of things

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<v Speaker 3>snowball and add up and you become this exponentially better

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<v Speaker 3>player than you were, you know. I mean I would

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<v Speaker 3>work on vowel sounds. I would work on centery, you

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<v Speaker 3>know it, where's the voices at the head, mouthed, chest, stomach.

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<v Speaker 3>I would work on all of those sounds and practice them.

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<v Speaker 3>And by the time I was thirty nine, I walked in.

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<v Speaker 3>It was the perfect time because Phil Hartman had just

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<v Speaker 3>retired and he was the older SNL cast, right, and

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<v Speaker 3>he played clip and they need someone to play clip.

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<v Speaker 3>So based on that they saw me. Marcy Klein saw

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<v Speaker 3>me at Caroline's and brought me into Laura Michaels based

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<v Speaker 3>just because she saw me do Clinton at Carolines and

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<v Speaker 3>it was good enough to bring me in, And her

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<v Speaker 3>hope was that I had additional impression. I ended up

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<v Speaker 3>doing probably I don't know. I want to say twenty

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<v Speaker 3>and three auditions. Well, you know how.

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<v Speaker 1>Much of that for you to hear that you had

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<v Speaker 1>a you practiced for twelve years for an audition at

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<v Speaker 1>SNL sounds wild Like people that are familiar with you,

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<v Speaker 1>we look at you and say, obviously he was he

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<v Speaker 1>has this talent, but we don't understand the work that

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<v Speaker 1>put in that you put into it. How much do

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<v Speaker 1>you think you were just born with something and had

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<v Speaker 1>a natural ability or talent or how much of it

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<v Speaker 1>was you worked your ass off and practiced for years

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<v Speaker 1>to get in certain places.

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<v Speaker 3>I wouldn't dare compare myself to Steph Curry in any way,

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<v Speaker 3>but here it comes no, no, no, no, I didn't

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<v Speaker 3>mean that. But what I meant was his prep is stagnant.

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<v Speaker 3>Other players ain't doing that. That'sure. I mean, you just

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<v Speaker 3>gotta say. I mean, I don't know what the percentage is.

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<v Speaker 3>I had some ability. My mother could talk like other people.

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<v Speaker 3>She talked like the people in the neighborhood. She talked

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<v Speaker 3>like the coaches and did the teachers at school. And

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<v Speaker 3>I inherit some of that from her, you know, and

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<v Speaker 3>then later on, I mean I knew from a pretty

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<v Speaker 3>early age that's what I liked, do you know. I mean,

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<v Speaker 3>it's a weird, nerdy thing to do in the Deep South,

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<v Speaker 3>or the slightest wrinkle of individualism can get you branded.

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<v Speaker 3>You know.

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<v Speaker 2>That is so interesting because it's so changed now with

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<v Speaker 2>kids today. I think it's almost flipped, you know, you

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<v Speaker 2>almost strive to be an individual or to be something

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<v Speaker 2>different or to not fit in, like that's the cool

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<v Speaker 2>thing to do now. But yes, we all remember it

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<v Speaker 2>was quite the opposite coming up. We both went to

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<v Speaker 2>school down south as well, so we totally get what

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<v Speaker 2>you're saying. How do you take a talent like that?

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<v Speaker 2>You said you got addicted to it. It was the

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<v Speaker 2>reaction that you got from being great at it.

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<v Speaker 3>Well, listen, you know, if you're from the age of

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<v Speaker 3>like seven until the age of thirty nine, if you're

0:12:47.360 --> 0:12:50.920
<v Speaker 3>social ail at ease and you can pop out a

0:12:51.000 --> 0:12:54.280
<v Speaker 3>puorky big impression and now you're non ill at ease,

0:12:55.000 --> 0:12:58.040
<v Speaker 3>you've got to get hooked though. Yeah. You know, if

0:12:58.040 --> 0:13:00.880
<v Speaker 3>you know you can use that nothing thing else works,

0:13:01.080 --> 0:13:02.800
<v Speaker 3>you know you're gonna stick with it a little bit,

0:13:03.240 --> 0:13:09.200
<v Speaker 3>you know, And you know down there, I just was

0:13:09.280 --> 0:13:15.600
<v Speaker 3>a kid that just didn't fit in necessarily later on

0:13:15.640 --> 0:13:17.880
<v Speaker 3>when I played baseball as a teenager, but in the beginning,

0:13:17.920 --> 0:13:21.319
<v Speaker 3>when I was really young, for instance, when I tried

0:13:21.360 --> 0:13:23.760
<v Speaker 3>to play football, I remember the coach took me aside

0:13:23.760 --> 0:13:28.880
<v Speaker 3>one day and said, you know this, He said, there

0:13:28.960 --> 0:13:31.480
<v Speaker 3>seemed to be some kind of suitable war going on

0:13:31.720 --> 0:13:36.959
<v Speaker 3>and he and I said, what he said, They're seeing

0:13:37.000 --> 0:13:41.640
<v Speaker 3>to be some kind of suitable war going on. And

0:13:41.679 --> 0:13:45.440
<v Speaker 3>I was like, what was that mean, coach? And he

0:13:45.480 --> 0:13:49.600
<v Speaker 3>looks at me and says something about you just getting right.

0:13:52.480 --> 0:13:53.880
<v Speaker 1>That's what they used to say to us in the

0:13:53.920 --> 0:13:56.320
<v Speaker 1>sound of the kid was a little different. You just

0:13:56.360 --> 0:13:58.520
<v Speaker 1>ain't right. Oh he just a little crazy. So I'm

0:13:58.520 --> 0:14:00.560
<v Speaker 1>wrong with him. And that was it. We're not going

0:14:00.600 --> 0:14:03.400
<v Speaker 1>to a doctor, We're not getting diagnosed. Somebody right with him?

0:14:04.000 --> 0:14:08.760
<v Speaker 3>Yeah, yeah, yeah, he's he's touched. He's touched, he's touched.

0:14:09.400 --> 0:14:13.120
<v Speaker 3>My father used to say, my name's Max Hammon, was

0:14:13.200 --> 0:14:17.319
<v Speaker 3>myself Caroyland. He's extra.

0:14:20.200 --> 0:14:22.360
<v Speaker 2>Just warning everyone you get came with the warning label

0:14:31.200 --> 0:14:35.080
<v Speaker 2>was porky pig. Your first solid impression, would you say?

0:14:35.720 --> 0:14:40.440
<v Speaker 3>I think the first one was Popeye scat singing. You

0:14:40.480 --> 0:14:46.520
<v Speaker 3>can imagine being a child with nothing to do but

0:14:47.040 --> 0:14:49.680
<v Speaker 3>pretend everything that's going on around you is not going

0:14:49.680 --> 0:14:51.720
<v Speaker 3>on around you. And my one way of doing that

0:14:51.920 --> 0:14:54.920
<v Speaker 3>was the way he would scats sing on the way

0:14:54.960 --> 0:14:57.200
<v Speaker 3>to olive oil. You know. That was I was seven

0:14:57.280 --> 0:15:01.360
<v Speaker 3>eight years old, doing a vowel consonant substitute. You know,

0:15:03.800 --> 0:15:07.000
<v Speaker 3>I'm writing all that down. I wrote every single one

0:15:07.000 --> 0:15:11.520
<v Speaker 3>of those silks, you know. Yeah, So that was the

0:15:11.520 --> 0:15:13.760
<v Speaker 3>first one, and then porcupaid was the next one. Of

0:15:15.120 --> 0:15:21.040
<v Speaker 3>the vowel consonant substitutions AB, you know, we'll be, we'll be,

0:15:21.760 --> 0:15:27.320
<v Speaker 3>you know. And then it became doing the coach at school,

0:15:27.680 --> 0:15:32.520
<v Speaker 3>doing some I never really did celebrities back then, but

0:15:32.560 --> 0:15:35.120
<v Speaker 3>I would do the coach and the teachers and stuff

0:15:35.160 --> 0:15:37.600
<v Speaker 3>like that. It's easy to get addicted.

0:15:38.000 --> 0:15:41.080
<v Speaker 1>Do you remember your first celebrity one that you kind

0:15:41.120 --> 0:15:43.280
<v Speaker 1>of nailed and that you got comfortable with and really

0:15:43.280 --> 0:15:44.760
<v Speaker 1>good at.

0:15:45.800 --> 0:15:52.840
<v Speaker 4>Oh boy, no, I I don't. I never really thought

0:15:52.920 --> 0:15:57.760
<v Speaker 4>they were. I didn't really think they were.

0:15:57.800 --> 0:16:02.080
<v Speaker 3>That good, you know. And maybe that's because I knew

0:16:02.120 --> 0:16:06.680
<v Speaker 3>all the nuts and bolts behind it and everything that

0:16:06.760 --> 0:16:09.280
<v Speaker 3>I had to go through to get it. You know.

0:16:11.160 --> 0:16:18.680
<v Speaker 3>I did Jesse Jackson at the Apollo Theater, only white

0:16:18.680 --> 0:16:22.280
<v Speaker 3>person in the theater, and they had said that was

0:16:22.280 --> 0:16:25.120
<v Speaker 3>such a horrible crowd. If they don't like you, they'll

0:16:25.120 --> 0:16:26.840
<v Speaker 3>turn on you, and they really will, let you know.

0:16:26.920 --> 0:16:29.480
<v Speaker 3>And I went out there and I said to myself,

0:16:29.760 --> 0:16:35.480
<v Speaker 3>I have studied him for five years. I know him.

0:16:35.760 --> 0:16:40.240
<v Speaker 3>I don't insult him, and I know him and that's

0:16:40.320 --> 0:16:43.480
<v Speaker 3>my and that's what I'm taking out. And they can see,

0:16:43.600 --> 0:16:50.000
<v Speaker 3>oh wait, he's not around. This is a serious kid

0:16:50.960 --> 0:16:54.920
<v Speaker 3>like And also because you know, the thing is really

0:16:55.000 --> 0:16:58.200
<v Speaker 3>very complimentary. I talked about how powerful he was personally,

0:16:59.080 --> 0:17:01.800
<v Speaker 3>does he ever have actual conversation? So I just did

0:17:01.840 --> 0:17:05.680
<v Speaker 3>Jesse Jackson having casual conversation, and that resonates with everyone

0:17:06.600 --> 0:17:10.439
<v Speaker 3>because it compliments the person before, before the fact, you know,

0:17:11.640 --> 0:17:16.359
<v Speaker 3>which is one reason h there there. There came a

0:17:16.480 --> 0:17:22.600
<v Speaker 3>time in history when that approach to giving politicians the

0:17:22.680 --> 0:17:26.679
<v Speaker 3>benefit of the doubt like that, you know, just didn't

0:17:26.680 --> 0:17:30.480
<v Speaker 3>work anymore. It just didn't play well anymore. You know.

0:17:31.160 --> 0:17:34.359
<v Speaker 3>I got my style from Richard Pryor. Richard Pryor would

0:17:34.359 --> 0:17:39.480
<v Speaker 3>compliment a person beforehand, insaulted it. It's I mean, look,

0:17:39.480 --> 0:17:42.040
<v Speaker 3>he's a genius, and I knew I'd never be as

0:17:42.080 --> 0:17:45.480
<v Speaker 3>good as Richard Pryor, but boy, I want ahead in

0:17:45.480 --> 0:17:50.160
<v Speaker 3>that direction, you see what I mean. That's where I'm

0:17:50.160 --> 0:17:53.720
<v Speaker 3>trying to I'm trying to get there, you.

0:17:53.680 --> 0:17:56.840
<v Speaker 2>Know, And yeah, it does because think about it, like

0:17:57.000 --> 0:18:01.400
<v Speaker 2>you were friendly with Bill Clinton. You we're friendly, well,

0:18:01.440 --> 0:18:03.919
<v Speaker 2>at least Dick Cheney wanted to hear you do, Dick Cheney.

0:18:03.960 --> 0:18:08.720
<v Speaker 2>So regardless of where you fell politically, they appreciated what

0:18:08.760 --> 0:18:11.000
<v Speaker 2>you did and how you portrayed them, even if it

0:18:11.119 --> 0:18:15.160
<v Speaker 2>was for comedic relief, and that speaks volumes to exactly

0:18:15.200 --> 0:18:15.960
<v Speaker 2>what you just pointed to.

0:18:16.240 --> 0:18:18.760
<v Speaker 1>But is that right there? You're you can make you

0:18:18.800 --> 0:18:21.760
<v Speaker 1>can make the audience laugh, but you're not making fun

0:18:21.800 --> 0:18:25.000
<v Speaker 1>of the person you're impersonating. Is that you're doing an impersonation,

0:18:25.080 --> 0:18:27.400
<v Speaker 1>but you're not necessarily trying to take a dig at

0:18:27.560 --> 0:18:28.520
<v Speaker 1>all of these folks.

0:18:29.040 --> 0:18:31.320
<v Speaker 3>Well, I'm trying to do. I'm trying to get both

0:18:31.359 --> 0:18:34.119
<v Speaker 3>sides of the aisle to laugh. So what's the angle?

0:18:34.920 --> 0:18:38.160
<v Speaker 3>You know, you don't want to get too deeply personal,

0:18:38.840 --> 0:18:40.760
<v Speaker 3>you know with Shaney, and we don't want to go

0:18:41.080 --> 0:18:44.400
<v Speaker 3>in certain areas where people are going to take sides.

0:18:45.400 --> 0:18:47.880
<v Speaker 3>So I just came up with a wise, cracking, tough guy,

0:18:48.680 --> 0:18:52.520
<v Speaker 3>you know, and with Clinton charming row they were willing

0:18:52.520 --> 0:18:56.119
<v Speaker 3>to admit to that. Everyone, Yeah, we can play. We

0:18:56.160 --> 0:18:58.280
<v Speaker 3>can work with that. Both sides of the outcome work

0:18:58.320 --> 0:19:01.240
<v Speaker 3>with that. And you know with Trump, you know, the

0:19:03.000 --> 0:19:13.520
<v Speaker 3>the just bullhorned salesman touting his own his own narrative

0:19:15.080 --> 0:19:20.760
<v Speaker 3>and selling it like it ain't never been sold. But

0:19:21.359 --> 0:19:23.720
<v Speaker 3>you know, because you know people want to make fun

0:19:23.720 --> 0:19:25.560
<v Speaker 3>of him all that, but you the guy can.

0:19:25.480 --> 0:19:28.080
<v Speaker 1>Sell, oh god.

0:19:28.160 --> 0:19:32.240
<v Speaker 3>No question. But he's thinking about thinking about I remember,

0:19:32.320 --> 0:19:34.320
<v Speaker 3>you know, years ago, when I was still doing Trump

0:19:34.359 --> 0:19:37.360
<v Speaker 3>on S and L, I went to Politicoon and Pasadena,

0:19:37.520 --> 0:19:39.680
<v Speaker 3>and you know, I said to some people out there,

0:19:39.720 --> 0:19:42.200
<v Speaker 3>I mean, there were the biggest journalists in the world

0:19:42.240 --> 0:19:44.240
<v Speaker 3>out there, and I remember saying to that, you know,

0:19:44.320 --> 0:19:47.640
<v Speaker 3>you should you shouldn't think that because you can get

0:19:47.640 --> 0:19:50.040
<v Speaker 3>a laugh about Trump's hair every time you go to

0:19:50.080 --> 0:19:53.359
<v Speaker 3>a cocktail park, that this is a guy to not

0:19:53.440 --> 0:19:57.679
<v Speaker 3>take serious. I mean, I said, in his office, and

0:19:57.760 --> 0:20:02.679
<v Speaker 3>trust me, that dude can look through I mean, he

0:20:02.760 --> 0:20:07.639
<v Speaker 3>can look right in there and see what's going on. Otherwise,

0:20:07.800 --> 0:20:09.480
<v Speaker 3>you know, how would he know how to take out

0:20:09.600 --> 0:20:13.400
<v Speaker 3>nineteen seas Republican candidates by finding it, by branding each

0:20:13.480 --> 0:20:17.520
<v Speaker 3>one of them in a way that just got them

0:20:17.560 --> 0:20:23.440
<v Speaker 3>a little off balance. Little Marco Rubio, low energy cheb,

0:20:24.240 --> 0:20:27.359
<v Speaker 3>those things, they were just a little off their game

0:20:28.200 --> 0:20:32.080
<v Speaker 3>when he would just swoop in and sell that giant

0:20:32.160 --> 0:20:35.440
<v Speaker 3>version of his narrative and sell it and then it's

0:20:35.480 --> 0:20:39.600
<v Speaker 3>open injure them, cripple them. They're not getting out their

0:20:39.640 --> 0:20:43.560
<v Speaker 3>best message. You put out your best message to the debates.

0:20:44.240 --> 0:20:46.920
<v Speaker 3>That's the way I stuck. Does that make sense?

0:20:47.080 --> 0:20:49.439
<v Speaker 2>Yes, it totally does. What did Trump ever tell you

0:20:49.480 --> 0:20:53.080
<v Speaker 2>what he thought of your impersonation of him?

0:20:53.119 --> 0:20:57.040
<v Speaker 3>He's tweeted about me twice while while president. All right,

0:20:57.119 --> 0:21:00.720
<v Speaker 3>so he seems he likes it. Okay, but I mean

0:21:00.760 --> 0:21:06.120
<v Speaker 3>with me, he seems to like it. But again I'm

0:21:06.119 --> 0:21:09.480
<v Speaker 3>giving him the benefit of the doubt. You know, I'm

0:21:09.600 --> 0:21:12.400
<v Speaker 3>saying up front. You know, he's figured out that it's

0:21:12.440 --> 0:21:15.120
<v Speaker 3>more important to make people feel than to make them think.

0:21:15.200 --> 0:21:19.280
<v Speaker 3>You don't want them thinking too much. Man, They can

0:21:19.440 --> 0:21:24.480
<v Speaker 3>feel feel something, and what matter? What is this making sense?

0:21:25.080 --> 0:21:28.000
<v Speaker 1>It makes We're laughing because it all makes perfect sense

0:21:28.080 --> 0:21:32.040
<v Speaker 1>to us because we I think to your point early on,

0:21:32.560 --> 0:21:34.000
<v Speaker 1>you talking about Trump and we're not trying to get

0:21:34.000 --> 0:21:36.600
<v Speaker 1>into a political discussion, but you are. You make such

0:21:36.640 --> 0:21:43.359
<v Speaker 1>a good point about how we view our politicians, meaning

0:21:43.920 --> 0:21:45.920
<v Speaker 1>we didn't take a lot of people didn't take him

0:21:45.960 --> 0:21:48.960
<v Speaker 1>seriously the first time around. It was joke, joke, joke,

0:21:49.000 --> 0:21:50.880
<v Speaker 1>and this is not serious. And next thing you know, oh,

0:21:50.920 --> 0:21:55.000
<v Speaker 1>he's president. So do you find over the past? I

0:21:55.000 --> 0:21:57.879
<v Speaker 1>guess since twenty sixteen it would have been how have

0:21:58.040 --> 0:22:00.720
<v Speaker 1>you seen us or have we changed changed how we

0:22:00.840 --> 0:22:04.639
<v Speaker 1>view a Donald Trump? Or do you see us just

0:22:04.680 --> 0:22:06.720
<v Speaker 1>doing the same thing as always, And he's doing the

0:22:06.720 --> 0:22:09.680
<v Speaker 1>same thing as always, which is able to counter that,

0:22:10.200 --> 0:22:12.000
<v Speaker 1>and it might propel him back to the White House.

0:22:12.760 --> 0:22:15.640
<v Speaker 3>But he isn't doing the same thing as always. He

0:22:15.760 --> 0:22:19.359
<v Speaker 3>has very I don't know, in a bizarre way. He

0:22:19.440 --> 0:22:24.719
<v Speaker 3>has hopscotched his way through the corridors of power and

0:22:24.840 --> 0:22:28.479
<v Speaker 3>up the wrongs of the ladder of political success to

0:22:28.560 --> 0:22:33.240
<v Speaker 3>the point where there's dopey God. Has the Supreme Court

0:22:33.359 --> 0:22:34.159
<v Speaker 3>doing his bidding?

0:22:35.920 --> 0:22:37.480
<v Speaker 2>Yeah, I mean it's it's.

0:22:37.320 --> 0:22:41.320
<v Speaker 3>Giving him immunity already, they're doing Supreme courts doing that

0:22:41.359 --> 0:22:47.960
<v Speaker 3>stuff him again. Take him seriously, man, I mean, he's

0:22:48.080 --> 0:22:53.040
<v Speaker 3>on he's he's telling you what he's gonna do, and we.

0:22:53.200 --> 0:22:54.960
<v Speaker 1>For some reason, some people don't want to listen.

0:22:57.400 --> 0:22:58.959
<v Speaker 3>I mean, I don't want to be boring about this,

0:22:59.080 --> 0:23:01.560
<v Speaker 3>but I mean he's a fascinating dude.

0:23:01.800 --> 0:23:05.400
<v Speaker 2>Yeah, I'm sure you like the rest of us. I mean, well,

0:23:05.480 --> 0:23:07.959
<v Speaker 2>I should ask you, with as much as you've had

0:23:08.000 --> 0:23:12.600
<v Speaker 2>to study these politicians when you are doing impersonations of them,

0:23:12.880 --> 0:23:15.119
<v Speaker 2>did you watch the last debate? And I noticed that

0:23:15.160 --> 0:23:19.800
<v Speaker 2>you've got a show right on the same date, September

0:23:19.800 --> 0:23:24.200
<v Speaker 2>tenth in la As the next debate between Kamala Harris

0:23:24.200 --> 0:23:26.160
<v Speaker 2>and Donald Trump. I believe you go on at seven

0:23:26.240 --> 0:23:28.480
<v Speaker 2>thirty Pacific time, right when the debate ends.

0:23:28.600 --> 0:23:30.000
<v Speaker 1>Do you still watch these debates?

0:23:30.000 --> 0:23:30.800
<v Speaker 3>Do you still.

0:23:32.359 --> 0:23:32.879
<v Speaker 1>Observe it?

0:23:33.119 --> 0:23:35.959
<v Speaker 3>Study? I'm going to watch this one. And yeah, I watched.

0:23:37.320 --> 0:23:42.679
<v Speaker 3>I watched the Trump Byen debate. But he did the

0:23:42.720 --> 0:23:47.159
<v Speaker 3>same thing in that bit. He realized because he is

0:23:47.200 --> 0:23:57.520
<v Speaker 3>a canny, wary, streaked mentality. God, he understood that. All

0:23:57.560 --> 0:23:59.480
<v Speaker 3>he had to do was I don't know what you're doing.

0:23:59.480 --> 0:24:01.400
<v Speaker 3>I don't know what you're talking and I don't think

0:24:01.440 --> 0:24:02.919
<v Speaker 3>you know what you're talking about. That's all I had

0:24:02.960 --> 0:24:07.679
<v Speaker 3>to saidee and Biden came undone. He didn't want to

0:24:07.680 --> 0:24:11.320
<v Speaker 3>be seen as piling on and and and he didn't

0:24:11.320 --> 0:24:13.800
<v Speaker 3>want to be seeing his elder abuse and pilot on

0:24:13.800 --> 0:24:16.240
<v Speaker 3>the old guy because the man was a pair. And

0:24:16.320 --> 0:24:20.679
<v Speaker 3>now he was suspended. Yeah, by that one line. So

0:24:22.600 --> 0:24:24.760
<v Speaker 3>he's done this every time he's ever done a debate.

0:24:25.040 --> 0:24:27.440
<v Speaker 3>I mean remember when he did told her old company's

0:24:27.440 --> 0:24:28.040
<v Speaker 3>gonna put her.

0:24:27.920 --> 0:24:33.000
<v Speaker 2>In jail yep, and then became the mantra.

0:24:34.359 --> 0:24:37.760
<v Speaker 3>Yeah, I mean he understood that in her entire lifetime,

0:24:38.000 --> 0:24:40.640
<v Speaker 3>no one has ever walked up to her and spoke

0:24:40.760 --> 0:24:45.119
<v Speaker 3>to her like that and just got her a little

0:24:45.119 --> 0:24:47.920
<v Speaker 3>off her game, and then he settled it. I hope

0:24:48.000 --> 0:24:49.800
<v Speaker 3>this is this is all nerd talk, so I hope

0:24:49.800 --> 0:24:50.560
<v Speaker 3>it's not too boring.

0:24:50.600 --> 0:24:53.320
<v Speaker 2>Oh no, I'm actually I was interested to see if

0:24:53.320 --> 0:24:57.040
<v Speaker 2>you're gonna, like, I'm imagining you backstage prepping for your

0:24:57.160 --> 0:24:59.919
<v Speaker 2>show and watching the debate and then will you Are

0:25:00.080 --> 0:25:02.760
<v Speaker 2>you somebody who can watch the debate between those two

0:25:02.800 --> 0:25:05.159
<v Speaker 2>and then bring it into the the live audience just

0:25:05.320 --> 0:25:06.000
<v Speaker 2>moments later?

0:25:06.160 --> 0:25:06.520
<v Speaker 1>Are you?

0:25:07.119 --> 0:25:08.520
<v Speaker 2>Is that even a plan or a thought?

0:25:08.600 --> 0:25:11.720
<v Speaker 3>Yeah, I mean that that happens sometimes, but you know,

0:25:12.600 --> 0:25:16.920
<v Speaker 3>but what we can be sure of is that during

0:25:16.960 --> 0:25:19.600
<v Speaker 3>the evening is that there will be Trumps speak well,

0:25:21.119 --> 0:25:26.000
<v Speaker 3>he would fail or interpretation class in college. He'll be talking.

0:25:26.080 --> 0:25:27.800
<v Speaker 3>He'll be doing stuff that other people don't do, and

0:25:27.840 --> 0:25:30.880
<v Speaker 3>talking about stuff that other people don't talk about right

0:25:30.920 --> 0:25:34.320
<v Speaker 3>in the middle of it, you know, because most politicians

0:25:34.320 --> 0:25:38.440
<v Speaker 3>are like, uh, well those who yeah, I'm in the

0:25:38.480 --> 0:25:46.960
<v Speaker 3>Madisonian right right right, yeah, And Trump's like dougs. A

0:25:47.000 --> 0:25:53.880
<v Speaker 3>lot of people like dogs like dogs. Cats are not nice.

0:25:54.040 --> 0:25:54.880
<v Speaker 3>Cats are not nice.

0:25:56.720 --> 0:25:58.960
<v Speaker 1>And the next thing, you know, I'm feeling like, wow,

0:26:00.480 --> 0:26:03.760
<v Speaker 1>I'm thinking about Yes, I'm thinking about the cats and

0:26:03.880 --> 0:26:06.200
<v Speaker 1>dogs because they make me feel something emotionally.

0:26:06.320 --> 0:26:10.800
<v Speaker 3>And there you go, he's figured it out. And people

0:26:10.880 --> 0:26:13.400
<v Speaker 3>don't want to admit that he figured out something brilliant.

0:26:14.119 --> 0:26:18.080
<v Speaker 3>But honestly, if you look back in history, Clinton knew it,

0:26:19.720 --> 0:26:25.240
<v Speaker 3>Reagan knew it, Winston Churchill knew it. Right, they knew

0:26:25.400 --> 0:26:30.000
<v Speaker 3>this stuff. All Reagan had to say was mister garbighow up,

0:26:30.040 --> 0:26:35.000
<v Speaker 3>tear down that tear boom boom. He made us all

0:26:35.160 --> 0:26:38.879
<v Speaker 3>feel something. He made us feel like we're under threat

0:26:39.440 --> 0:26:43.800
<v Speaker 3>about the whoop ass and he put that wholesome, that

0:26:43.920 --> 0:26:49.600
<v Speaker 3>wholesome you know that that wholesome Nancy and I and

0:26:50.080 --> 0:26:53.200
<v Speaker 3>that that it was. It was brilliant.

0:26:54.119 --> 0:26:56.159
<v Speaker 1>You know, there were two things that we have that

0:26:56.320 --> 0:26:58.320
<v Speaker 1>how many do you have? How many impressions do you

0:26:58.560 --> 0:27:01.520
<v Speaker 1>have that you could just I'm okay, I know you'd

0:27:01.600 --> 0:27:03.680
<v Speaker 1>want to maybe go prepare if you have a little

0:27:03.720 --> 0:27:07.359
<v Speaker 1>time whatever, but just on the spot, how many impressions

0:27:07.440 --> 0:27:08.560
<v Speaker 1>do you have at the ready?

0:27:10.240 --> 0:27:14.720
<v Speaker 3>If you gave me material, you know, I might be

0:27:14.840 --> 0:27:16.800
<v Speaker 3>able to work something out. I mean, sometimes we do

0:27:16.960 --> 0:27:21.120
<v Speaker 3>this show at the improv. We take requests from the audience,

0:27:21.200 --> 0:27:23.320
<v Speaker 3>and people try this's me and Jay Moore, and people

0:27:23.400 --> 0:27:27.359
<v Speaker 3>try to stump us, and yeah, you can come up

0:27:27.400 --> 0:27:29.640
<v Speaker 3>with quite a few. You're a nerd like me. You've

0:27:29.640 --> 0:27:34.119
<v Speaker 3>got a cachet. Stuff people ever thought about, you know

0:27:34.160 --> 0:27:39.320
<v Speaker 3>what I mean? Like, I'm the only person in that

0:27:39.520 --> 0:27:42.480
<v Speaker 3>room that night you sat around thinking about Richard by

0:27:42.880 --> 0:27:47.760
<v Speaker 3>trif to say, mister Vaughan, mister Vaughan, what you're dealing with?

0:27:47.880 --> 0:27:56.040
<v Speaker 3>Your is an eating machine. Right, I'm the only nerd

0:27:56.080 --> 0:27:58.800
<v Speaker 3>in this room to sit around thinking stuff like that.

0:28:01.320 --> 0:28:03.520
<v Speaker 2>Are you a movie buff as well? I mean you study,

0:28:03.600 --> 0:28:07.000
<v Speaker 2>you obviously study these characters, but is that something you do.

0:28:08.400 --> 0:28:11.560
<v Speaker 3>I like Turner classic movies a lot, Wow, a lot.

0:28:12.800 --> 0:28:14.720
<v Speaker 3>I mean some of those I mean, listen, some of

0:28:14.760 --> 0:28:16.760
<v Speaker 3>the old ones are hopey, but some of those old ones,

0:28:16.840 --> 0:28:20.639
<v Speaker 3>particularly the silent films, are just damn good. You know.

0:28:21.960 --> 0:28:27.280
<v Speaker 2>The impression is like silent films. What It's just funny

0:28:27.359 --> 0:28:32.040
<v Speaker 2>someone who who actually is a brilliant savant on sounding

0:28:32.119 --> 0:28:34.720
<v Speaker 2>like other people watching silent films. I find that fascinating.

0:28:35.359 --> 0:28:39.040
<v Speaker 3>Oh well, yeah, I'm on the weird and wonderful spectrum.

0:28:39.320 --> 0:28:44.360
<v Speaker 3>We all, I'm a little weird, but I'm a little

0:28:44.400 --> 0:28:45.920
<v Speaker 3>wonder That's what I used to think about when I

0:28:46.000 --> 0:28:47.840
<v Speaker 3>lived at the French Court of New Orleans, Like it's

0:28:47.920 --> 0:28:48.880
<v Speaker 3>weird and wonderful.

0:28:49.760 --> 0:28:52.600
<v Speaker 1>That's about right for the French Court in New Orleans

0:28:52.760 --> 0:28:53.560
<v Speaker 1>is weird and wonderful.

0:28:53.720 --> 0:28:56.640
<v Speaker 3>Yeah, it's it's wonderful in it. That's weird, man, weirdo.

0:28:57.480 --> 0:28:59.360
<v Speaker 3>You're gonna see some crazy stuff.

0:29:00.880 --> 0:29:02.520
<v Speaker 1>Do people still come up to you on the street

0:29:02.600 --> 0:29:04.800
<v Speaker 1>or whatever it may be and just say, hey, do

0:29:04.960 --> 0:29:07.680
<v Speaker 1>Clinton or do Connery? Or do they just come up

0:29:07.720 --> 0:29:09.560
<v Speaker 1>and do that? And how do you react when people

0:29:09.680 --> 0:29:11.600
<v Speaker 1>say that? Is that annoying at all? Or you welcome it?

0:29:13.240 --> 0:29:19.080
<v Speaker 3>I always say you do it. Chances are really good

0:29:19.160 --> 0:29:21.560
<v Speaker 3>they have an impression that they just want to they

0:29:21.640 --> 0:29:24.360
<v Speaker 3>just want to do it for oh it makes sense.

0:29:26.440 --> 0:29:29.160
<v Speaker 3>How many cities have I been in this country? Or

0:29:29.240 --> 0:29:31.880
<v Speaker 3>someone will come up to me and go, I'm not proposal.

0:29:33.920 --> 0:29:38.800
<v Speaker 3>You know, you don't have to think about it.

0:29:39.080 --> 0:29:51.240
<v Speaker 1>Just no, who is your darl?

0:29:51.280 --> 0:29:51.560
<v Speaker 3>I hate?

0:29:52.200 --> 0:29:55.360
<v Speaker 1>And again, you're not insulting anybody by this, I would say,

0:29:55.440 --> 0:29:57.720
<v Speaker 1>but I don't want anybody take it that way. But

0:29:57.800 --> 0:30:00.520
<v Speaker 1>what is your mount rushmore? For SNL, Like what's the

0:30:00.720 --> 0:30:04.240
<v Speaker 1>cast at SNL, that would be the Mount Rushmore. Again,

0:30:04.280 --> 0:30:06.400
<v Speaker 1>you're not by leaving somebody off of it, You're not

0:30:06.720 --> 0:30:09.720
<v Speaker 1>an insult anybody else there. But just who are the

0:30:09.960 --> 0:30:13.120
<v Speaker 1>all time just can't be touched greats in your mind

0:30:13.560 --> 0:30:14.960
<v Speaker 1>that have been a part of that SNL cast.

0:30:16.160 --> 0:30:19.040
<v Speaker 3>Well, first of all, ask yourself if it's possible to

0:30:19.080 --> 0:30:25.240
<v Speaker 3>even answer that question right for Mount Rushmore before people,

0:30:25.520 --> 0:30:28.840
<v Speaker 3>I mean the people I saw over there were freaky

0:30:28.920 --> 0:30:35.240
<v Speaker 3>man like you think it's someone like Kate McKennon or

0:30:36.120 --> 0:30:42.960
<v Speaker 3>Maya Rudolph. Let's say, Maya can do impressions, great impressions.

0:30:43.880 --> 0:30:48.000
<v Speaker 3>She can act, she's a great actress. She can sing,

0:30:48.320 --> 0:30:52.239
<v Speaker 3>she's a great singer. And she can dance. I mean

0:30:52.320 --> 0:30:55.240
<v Speaker 3>she can really dance. When you look at that sort

0:30:55.280 --> 0:30:57.480
<v Speaker 3>of because I'm Broadway, there's all go about triple threats,

0:30:57.640 --> 0:31:01.120
<v Speaker 3>this is she's the Quinn tuple quintuple threat, you know,

0:31:01.280 --> 0:31:04.960
<v Speaker 3>and you see that in there. It's it's it would

0:31:04.960 --> 0:31:08.240
<v Speaker 3>be hard as hell to write down what you're even

0:31:08.280 --> 0:31:11.360
<v Speaker 3>looking at. Sometimes. You know, there are times when I

0:31:11.360 --> 0:31:15.680
<v Speaker 3>would be out there with Molly Shannon when she would

0:31:15.680 --> 0:31:19.400
<v Speaker 3>get hot. You know, there was the scene we did

0:31:19.440 --> 0:31:21.480
<v Speaker 3>where she played the fifty year old stripper, and I

0:31:21.600 --> 0:31:23.560
<v Speaker 3>was Sony soprano. We were at a lot of ban

0:31:24.400 --> 0:31:27.600
<v Speaker 3>and and how once she got her mark, she got

0:31:27.920 --> 0:31:30.680
<v Speaker 3>remarks where she was gonna be and what the camera's

0:31:31.200 --> 0:31:33.720
<v Speaker 3>urn managed to be funny during dress. But once she

0:31:33.920 --> 0:31:36.880
<v Speaker 3>had all that down, she could really let it all

0:31:36.960 --> 0:31:40.160
<v Speaker 3>out of the gate. And sometimes you sit in there watching.

0:31:41.480 --> 0:31:43.160
<v Speaker 2>Damn, damn.

0:31:44.400 --> 0:31:47.120
<v Speaker 3>You know when they did that sketch cow bell. I

0:31:47.160 --> 0:31:51.120
<v Speaker 3>remember I was standing watching, you know the SNL that

0:31:51.280 --> 0:31:54.520
<v Speaker 3>makes a peculiar sound when everyone laughs at the same time.

0:31:55.560 --> 0:31:58.160
<v Speaker 3>You know it's two hundred and seventy five, three hundred seats,

0:31:58.480 --> 0:32:03.280
<v Speaker 3>it sounds like three hundreds break. I remember watching that sometimes,

0:32:03.320 --> 0:32:05.920
<v Speaker 3>like with Molly Shannon, just looking up there seeing the

0:32:05.960 --> 0:32:10.560
<v Speaker 3>Heads movie. I mean, that's magic. To me, it sounds

0:32:10.560 --> 0:32:11.040
<v Speaker 3>like magic.

0:32:11.200 --> 0:32:13.320
<v Speaker 2>Yeah, oh, I mean SNL has always been such a

0:32:13.360 --> 0:32:15.520
<v Speaker 2>big part of even my family, like we would just

0:32:15.600 --> 0:32:18.680
<v Speaker 2>watch it from this I remember Land Shark with Chevy

0:32:18.760 --> 0:32:20.600
<v Speaker 2>Chase and all of that. But and I've been able

0:32:20.680 --> 0:32:23.000
<v Speaker 2>to actually go and watch a dress rehearsal or two,

0:32:23.040 --> 0:32:26.240
<v Speaker 2>and it is magic and the level of talent is

0:32:26.720 --> 0:32:28.480
<v Speaker 2>mind blowing. But I have to admit one of my

0:32:28.600 --> 0:32:31.800
<v Speaker 2>favorite things to watch is when you all break character,

0:32:31.960 --> 0:32:33.920
<v Speaker 2>when you all are laughing so hard, either at each

0:32:33.920 --> 0:32:36.720
<v Speaker 2>other or at yourselves, that you can't help but join

0:32:36.880 --> 0:32:37.360
<v Speaker 2>in on it.

0:32:37.720 --> 0:32:39.520
<v Speaker 1>Did that ever happen to you? I don't remember you

0:32:39.680 --> 0:32:41.600
<v Speaker 1>doing it that often, But did that ever happen to you?

0:32:42.680 --> 0:32:47.840
<v Speaker 3>Yeah? Amy Koehler with could make me laugh if I

0:32:48.000 --> 0:32:50.960
<v Speaker 3>was sitting next door, if she really wanted to bear down,

0:32:52.360 --> 0:32:57.000
<v Speaker 3>you know, when we did Regis and Kelly, you know,

0:32:57.880 --> 0:33:00.920
<v Speaker 3>and she's sitting right there next to me. She's gonna

0:33:01.000 --> 0:33:03.160
<v Speaker 3>do something on air that she didn't do in terest

0:33:03.200 --> 0:33:06.000
<v Speaker 3>and it's gonna be brilliant. It's gonna take me by surprise,

0:33:06.720 --> 0:33:10.760
<v Speaker 3>and I would laugh. It happened a few times. And

0:33:11.200 --> 0:33:13.600
<v Speaker 3>that's the kind of thing where I mean, I never

0:33:13.680 --> 0:33:16.920
<v Speaker 3>got any flag or anything like that. They say that

0:33:17.000 --> 0:33:19.320
<v Speaker 3>Lauren didn't like you never said anything about them, because

0:33:20.080 --> 0:33:26.640
<v Speaker 3>I mean, the audience loved seeing Amy. I'm proud man, right.

0:33:27.320 --> 0:33:29.520
<v Speaker 3>They love seeing it, love seeing her do that.

0:33:30.160 --> 0:33:32.160
<v Speaker 1>Those moments are cool every once in a while to

0:33:32.320 --> 0:33:34.800
<v Speaker 1>see that you all are cracking each other up. But

0:33:34.840 --> 0:33:37.000
<v Speaker 1>it's good to hear that. You know, they don't get

0:33:37.240 --> 0:33:39.720
<v Speaker 1>flag for it. It happens every once in a while.

0:33:39.760 --> 0:33:43.959
<v Speaker 1>It's not that bad. We were talking we started here

0:33:44.040 --> 0:33:47.040
<v Speaker 1>talking about we were talking about mental health, and I

0:33:47.200 --> 0:33:49.680
<v Speaker 1>think a lot of I mean, you could tell is

0:33:49.720 --> 0:33:52.680
<v Speaker 1>better than anybody else. But so many folks, entertainers in

0:33:52.760 --> 0:33:57.440
<v Speaker 1>particular comedians have a story, have a backstory, have a story.

0:33:57.520 --> 0:34:01.720
<v Speaker 1>Something comes from pain, a mental health health experience or

0:34:01.800 --> 0:34:08.799
<v Speaker 1>mental mental illness, mental health difficulty. Do you do comedians

0:34:09.000 --> 0:34:12.600
<v Speaker 1>end up being comedians because of some trauma or because

0:34:12.719 --> 0:34:15.560
<v Speaker 1>of something which comes first? Is this got like the

0:34:15.640 --> 0:34:18.320
<v Speaker 1>chicken or the egg thing? Do you become these brilliant

0:34:18.360 --> 0:34:20.879
<v Speaker 1>comedians because of what you Oh, go ahead, go ahead.

0:34:21.480 --> 0:34:23.680
<v Speaker 3>Well, if that were true, every trauma patient would be.

0:34:26.520 --> 0:34:29.719
<v Speaker 1>I didn't want to go that far. But what I'm

0:34:29.960 --> 0:34:34.799
<v Speaker 1>saying are the comedians often time? I guess, I guess.

0:34:34.880 --> 0:34:37.040
<v Speaker 1>Neil Brennan, are you probably familiar with it? We listened

0:34:37.040 --> 0:34:38.960
<v Speaker 1>to his stand up not too long ago. He went

0:34:39.000 --> 0:34:42.320
<v Speaker 1>through this whole list like this is why, like the

0:34:42.520 --> 0:34:47.400
<v Speaker 1>does the comedy create in some way the trauma or

0:34:47.560 --> 0:34:51.319
<v Speaker 1>the the the issues that so many the mental health

0:34:51.400 --> 0:34:53.799
<v Speaker 1>issues that so many comedians talk about them having.

0:34:53.920 --> 0:34:54.120
<v Speaker 5>It is?

0:34:54.680 --> 0:34:55.560
<v Speaker 3>What is it is?

0:34:55.600 --> 0:34:58.239
<v Speaker 1>Because you're you went through something early on and then

0:34:58.280 --> 0:35:01.600
<v Speaker 1>you go into comedy or the comedy. Now you want

0:35:01.640 --> 0:35:04.279
<v Speaker 1>to be a comedian and to do that and to

0:35:04.400 --> 0:35:07.600
<v Speaker 1>be great, you suffer in other ways. You get what

0:35:07.640 --> 0:35:10.480
<v Speaker 1>I'm saying, like, which which is you know, in.

0:35:10.920 --> 0:35:13.520
<v Speaker 3>Order for something good to have something bad as to happen,

0:35:14.920 --> 0:35:18.120
<v Speaker 3>that sort of thing. I don't. I don't have the answer.

0:35:18.760 --> 0:35:23.120
<v Speaker 3>I wish I did. It's all. It's all when you

0:35:23.239 --> 0:35:27.600
<v Speaker 3>really think about making a group of people you've never

0:35:27.920 --> 0:35:32.120
<v Speaker 3>met before, You've never met them, but in just a

0:35:32.280 --> 0:35:34.919
<v Speaker 3>few seconds you're going to make them laugh as hard

0:35:34.960 --> 0:35:38.439
<v Speaker 3>as they can. And if you think that not a rush,

0:35:40.040 --> 0:35:43.040
<v Speaker 3>then you're not like me. I feel like that's a rush.

0:35:44.320 --> 0:35:50.160
<v Speaker 3>And I don't know. I will be doing the improv

0:35:50.160 --> 0:35:52.759
<v Speaker 3>of the night of the debated Sexual Lessenal reunion show

0:35:52.880 --> 0:35:57.400
<v Speaker 3>that night, and no, I'll check it out on the

0:35:57.480 --> 0:35:59.960
<v Speaker 3>bar man. I'll go up there and see if anything happened.

0:36:00.040 --> 0:36:04.160
<v Speaker 3>I mean, I don't know. That's a you know what,

0:36:04.400 --> 0:36:06.320
<v Speaker 3>I think, you're in the land of I don't know.

0:36:06.520 --> 0:36:08.799
<v Speaker 3>Just about any day of the week at Saturday Night

0:36:08.880 --> 0:36:12.320
<v Speaker 3>Live m you're in the land I don't know. We

0:36:12.360 --> 0:36:16.320
<v Speaker 3>don't know where this train is going. We don't know

0:36:16.400 --> 0:36:18.520
<v Speaker 3>what's going to be coming down the track on Friday?

0:36:18.560 --> 0:36:20.680
<v Speaker 3>You know what I mean. I mean the first time

0:36:20.719 --> 0:36:23.160
<v Speaker 3>I was sitting on I'm sitting on them. It's like

0:36:23.200 --> 0:36:25.279
<v Speaker 3>a cabinet there. For some reason, I was sitting in

0:36:25.320 --> 0:36:27.840
<v Speaker 3>the hallway because I knew that if I if I

0:36:27.920 --> 0:36:31.040
<v Speaker 3>sat around on Friday night right there in the hub,

0:36:32.160 --> 0:36:34.640
<v Speaker 3>you know, right before you walk in the door at

0:36:34.680 --> 0:36:39.240
<v Speaker 3>Saturday night, left just sat there, that lots of riders

0:36:39.440 --> 0:36:43.320
<v Speaker 3>got to walk by, and they and that might trigger

0:36:43.400 --> 0:36:46.120
<v Speaker 3>a thought, M like I wonder if he can do

0:36:47.440 --> 0:36:48.280
<v Speaker 3>can you do Heraldo?

0:36:48.520 --> 0:36:48.759
<v Speaker 4>Can you?

0:36:49.360 --> 0:36:53.160
<v Speaker 3>Yeah? You know? Oh, granted that they gave me much

0:36:53.239 --> 0:36:56.719
<v Speaker 3>time to learn holdo, but I got gigs that way,

0:36:57.320 --> 0:36:59.799
<v Speaker 3>you know, I got I got parts though, just sitting

0:37:00.960 --> 0:37:01.840
<v Speaker 3>give me some tapes.

0:37:01.880 --> 0:37:04.080
<v Speaker 2>I can stay up all night, well, sitting in the

0:37:04.280 --> 0:37:07.040
<v Speaker 2>right hallway at the right time, just.

0:37:07.120 --> 0:37:12.200
<v Speaker 3>Waiting for folks to come by. Hey everyone, how's that?

0:37:12.560 --> 0:37:14.640
<v Speaker 3>How's that lobster sketch coming good?

0:37:15.920 --> 0:37:17.000
<v Speaker 1>That lobster sketch?

0:37:17.520 --> 0:37:17.640
<v Speaker 3>Dear.

0:37:17.840 --> 0:37:20.080
<v Speaker 2>I know people often say when we ask musicians, like

0:37:20.080 --> 0:37:22.279
<v Speaker 2>what's your favorite song? O White, It's like choosing your

0:37:22.280 --> 0:37:25.440
<v Speaker 2>favorite child, YadA, YadA, YadA. But did you have an

0:37:25.480 --> 0:37:28.480
<v Speaker 2>impression that you enjoyed more than the others.

0:37:29.640 --> 0:37:36.239
<v Speaker 3>No, I don't. I don't really think so. I don't know.

0:37:36.719 --> 0:37:39.360
<v Speaker 3>I think it varies from time to time. But you know,

0:37:39.440 --> 0:37:44.880
<v Speaker 3>by the end, we did Clinton like so many different ways.

0:37:45.040 --> 0:37:47.800
<v Speaker 3>He was almost like we could do drawing, comedy, we

0:37:47.880 --> 0:37:50.680
<v Speaker 3>could do slapstick, we could do oscar while, we could

0:37:50.680 --> 0:37:54.400
<v Speaker 3>do Shakespeare, we could do you know, a road house,

0:37:55.840 --> 0:37:59.720
<v Speaker 3>how old repute. I mean, he was such a multi

0:37:59.800 --> 0:38:02.080
<v Speaker 3>fan to the human being and be able to play

0:38:02.160 --> 0:38:04.640
<v Speaker 3>him that many times. You know, you got to say

0:38:04.760 --> 0:38:07.440
<v Speaker 3>that was the one that did you know where I

0:38:08.080 --> 0:38:10.200
<v Speaker 3>felt pretty good when I was out there most of

0:38:10.239 --> 0:38:12.279
<v Speaker 3>the time. I think the thing that I wanted to

0:38:12.360 --> 0:38:15.480
<v Speaker 3>say that is that the play is that pray is

0:38:15.520 --> 0:38:19.480
<v Speaker 3>about mental health. Uh, mental illness is not an airborne virus.

0:38:19.719 --> 0:38:23.080
<v Speaker 3>That's what I want to impart. That's my That's all

0:38:23.160 --> 0:38:25.279
<v Speaker 3>I got, and that's what this doctor k and the

0:38:25.360 --> 0:38:31.160
<v Speaker 3>play sets. You know, minel Els is not an airborne buvirus.

0:38:31.480 --> 0:38:38.759
<v Speaker 3>Virus as a story, and it has a beginning for

0:38:38.960 --> 0:38:40.920
<v Speaker 3>me that worked. I ain't saying that works for it.

0:38:41.280 --> 0:38:44.120
<v Speaker 3>I'm just telling my story, you know what I'm saying.

0:38:44.920 --> 0:38:46.640
<v Speaker 3>I don't want to be out there acting like I'm

0:38:46.680 --> 0:38:49.400
<v Speaker 3>a doctor. So I'm just telling my story and what

0:38:49.560 --> 0:38:50.759
<v Speaker 3>worked in my world.

0:38:52.440 --> 0:38:55.040
<v Speaker 2>And it came after a lot of discovery and a

0:38:55.080 --> 0:38:58.239
<v Speaker 2>lot of doctors, and a lot of false diagnoses and

0:38:58.320 --> 0:39:00.560
<v Speaker 2>a lot of drugs, and and I think.

0:39:00.480 --> 0:39:04.480
<v Speaker 3>Listen, listen, he can't. He practically brought my my psychicad

0:39:04.719 --> 0:39:08.000
<v Speaker 3>filing on the front low. Yeah. I mean there were

0:39:08.160 --> 0:39:12.440
<v Speaker 3>boxes and boxes and boxes, and he had a synopsis

0:39:12.520 --> 0:39:16.200
<v Speaker 3>in front of him, you know, and he's he's saying,

0:39:16.800 --> 0:39:23.160
<v Speaker 3>let me see your schizophrenic. You are psychotic, you are

0:39:24.520 --> 0:39:30.080
<v Speaker 3>borderline personality you you know, polar you, bipolar you, we

0:39:30.200 --> 0:39:37.080
<v Speaker 3>roll over the pope. Let's face it, use on a knut.

0:39:42.600 --> 0:39:44.359
<v Speaker 1>And how much was he getting an hour per hour

0:39:44.440 --> 0:39:44.640
<v Speaker 1>for that?

0:39:47.160 --> 0:39:49.840
<v Speaker 3>Well, the guy had a way of disarming me. I

0:39:49.880 --> 0:39:52.280
<v Speaker 3>don't know he got he's got that ability.

0:39:52.280 --> 0:39:57.279
<v Speaker 2>And so I was like, yeah, probably, Yeah, Well I

0:39:57.560 --> 0:40:02.600
<v Speaker 2>think it's it's a very digestible way to talk about

0:40:02.680 --> 0:40:05.759
<v Speaker 2>something really really hard that so many people deal with

0:40:06.280 --> 0:40:07.960
<v Speaker 2>and don't know how to deal with it as a whole.

0:40:08.040 --> 0:40:10.640
<v Speaker 2>So to give people at least the idea or the

0:40:10.719 --> 0:40:13.319
<v Speaker 2>option to think about it in a holistic way where

0:40:13.320 --> 0:40:16.960
<v Speaker 2>you're saying it comes from a source, and discovering that

0:40:17.120 --> 0:40:19.399
<v Speaker 2>source is going to help you, you know, figure out

0:40:19.480 --> 0:40:23.560
<v Speaker 2>how to treat yourself and acknowledge the pain and then

0:40:23.680 --> 0:40:27.480
<v Speaker 2>hopefully one day live with it and then and then

0:40:27.560 --> 0:40:31.000
<v Speaker 2>makes with it. And that's Listen.

0:40:31.080 --> 0:40:32.920
<v Speaker 3>Even if you're if a person says I have a

0:40:33.000 --> 0:40:37.800
<v Speaker 3>chemical imbalance, are what Even if if it's a beta

0:40:38.160 --> 0:40:41.120
<v Speaker 3>blocker that's needed. I mean, even if it's just that

0:40:41.920 --> 0:40:46.680
<v Speaker 3>it's there's always an ant se mhm. It comes from somewhere.

0:40:47.360 --> 0:40:48.560
<v Speaker 3>Find out where it comes from.

0:40:49.400 --> 0:40:49.560
<v Speaker 2>You know.

0:40:50.200 --> 0:40:52.719
<v Speaker 3>There used to be a behavior's named John Bradshaw who

0:40:52.840 --> 0:40:54.319
<v Speaker 3>used to say, if you can name it, you can

0:40:54.400 --> 0:40:58.440
<v Speaker 3>tame you know, believe me, it's a lot harder than that.

0:41:01.000 --> 0:41:03.600
<v Speaker 2>Yes, but to do it, you know, laughter is the

0:41:03.640 --> 0:41:05.880
<v Speaker 2>best medicine, they say, So to do it with humor,

0:41:06.280 --> 0:41:08.840
<v Speaker 2>but to impart actual wisdom to the audience is a

0:41:08.880 --> 0:41:11.800
<v Speaker 2>beautiful thing to do. And so we applaud you and

0:41:11.960 --> 0:41:14.880
<v Speaker 2>thank you for doing that and finding a way to mirror.

0:41:15.640 --> 0:41:18.279
<v Speaker 2>Entertaining folks and educating folks at the same time is

0:41:18.320 --> 0:41:19.800
<v Speaker 2>not an easy thing to do, and you've done it,

0:41:19.920 --> 0:41:22.759
<v Speaker 2>Darryl Hammond, So thank you for it, and we will

0:41:22.800 --> 0:41:26.320
<v Speaker 2>be I will be for sure listening to when we

0:41:26.400 --> 0:41:28.879
<v Speaker 2>can when it can be made available your September tenth

0:41:31.400 --> 0:41:34.040
<v Speaker 2>edition of your show, because I have a feeling it

0:41:34.080 --> 0:41:36.720
<v Speaker 2>will be both of those things, entertaining and educating.

0:41:36.800 --> 0:41:39.000
<v Speaker 1>But you have show, and folks can keep finding cray

0:41:39.480 --> 0:41:41.720
<v Speaker 1>right now, yep, as well in audible.

0:41:42.520 --> 0:41:44.280
<v Speaker 3>That's where they find cray on audible.

0:41:44.760 --> 0:41:46.600
<v Speaker 1>That's where I found That's where I found it. This morning.

0:41:48.480 --> 0:41:56.680
<v Speaker 3>I wondered they recorded it off Broadway of five times

0:41:57.040 --> 0:42:01.000
<v Speaker 3>in January, and brother, that was hard. I don't know

0:42:01.080 --> 0:42:03.319
<v Speaker 3>if you've ever had something that you were you were

0:42:03.360 --> 0:42:05.160
<v Speaker 3>doing the work and you're like, this is too hard.

0:42:05.840 --> 0:42:09.279
<v Speaker 1>Have you ever currently we're in the middle of it

0:42:09.400 --> 0:42:09.719
<v Speaker 1>right now.

0:42:10.920 --> 0:42:15.720
<v Speaker 5>Yeah, like this, damn, this is too hard, man, I can't. Okay,

0:42:15.880 --> 0:42:19.839
<v Speaker 5>that's what we're hearsing with a Broadway director's life. He's

0:42:19.920 --> 0:42:24.640
<v Speaker 5>as hard as a football coach, harder and just me,

0:42:24.960 --> 0:42:28.320
<v Speaker 5>and it's just you and it's our it's seven hours

0:42:29.360 --> 0:42:33.319
<v Speaker 5>and you just go back over it, like and this man,

0:42:33.440 --> 0:42:40.879
<v Speaker 5>say the word very nice again again, that word again.

0:42:42.360 --> 0:42:43.040
<v Speaker 2>It's stregering.

0:42:44.520 --> 0:42:46.200
<v Speaker 3>I used to go home, man, I I used to

0:42:46.239 --> 0:42:48.480
<v Speaker 3>like limp home. I'd limp home and get under the

0:42:48.560 --> 0:42:52.360
<v Speaker 3>covers at the hotel and order. I'm service man that cat.

0:42:55.960 --> 0:42:58.600
<v Speaker 1>He Well, we look forward to having you back on

0:42:58.680 --> 0:43:02.600
<v Speaker 1>the podcast again at some point down the road. Really,

0:43:02.880 --> 0:43:06.520
<v Speaker 1>we can't tell you. Look, man, we have followed and

0:43:07.000 --> 0:43:08.799
<v Speaker 1>a lot of people love that show, but you are

0:43:08.880 --> 0:43:11.480
<v Speaker 1>someone for us, at least of a certain age and

0:43:11.560 --> 0:43:14.320
<v Speaker 1>who followed that show for a long time that this

0:43:14.640 --> 0:43:17.080
<v Speaker 1>is a pinch yourself moment. This is something we're giddy

0:43:17.080 --> 0:43:18.799
<v Speaker 1>about to be able to talk to you. We're sorry

0:43:18.840 --> 0:43:22.320
<v Speaker 1>we're able to be in studio with you today, but

0:43:22.719 --> 0:43:23.000
<v Speaker 1>it is.

0:43:23.120 --> 0:43:23.279
<v Speaker 3>Man.

0:43:23.320 --> 0:43:26.479
<v Speaker 1>We can't tell you. You have just been a joy

0:43:26.680 --> 0:43:28.360
<v Speaker 1>to us and you're one of those people. I cannot

0:43:28.360 --> 0:43:30.480
<v Speaker 1>believe we're getting to talk to Darryl Hammond. So I

0:43:30.600 --> 0:43:32.000
<v Speaker 1>mean that sincerely, both of us do.

0:43:32.160 --> 0:43:32.200
<v Speaker 3>So.

0:43:32.320 --> 0:43:33.760
<v Speaker 1>It is an absolute pleasure, brother.

0:43:34.120 --> 0:43:36.720
<v Speaker 3>Thank you. I don't know how I can respond in kind.

0:43:37.120 --> 0:43:40.799
<v Speaker 1>Yeah, you don't have to only heard of you guys

0:43:40.880 --> 0:43:44.320
<v Speaker 1>this morning. Just don't google us whatever you do.

0:43:45.280 --> 0:43:49.160
<v Speaker 3>I was very nervous. I was like, I hope we do. Okay,

0:43:49.360 --> 0:43:51.000
<v Speaker 3>these are some stalwart people.

0:43:51.800 --> 0:43:55.640
<v Speaker 2>You were fantastic and we appreciate it. And I know

0:43:55.760 --> 0:43:58.800
<v Speaker 2>so many people appreciate your message and we will be

0:43:59.040 --> 0:44:01.399
<v Speaker 2>following your continued amazing career.

0:44:01.640 --> 0:44:03.320
<v Speaker 1>So thank you, Daryl, Bless your.

0:44:03.239 --> 0:44:05.920
<v Speaker 3>Heart, have a beautiful day, and I look forward to

0:44:06.040 --> 0:44:07.040
<v Speaker 3>doing this second time.

0:44:07.200 --> 0:44:09.839
<v Speaker 1>We will, brother, Thank you so much. Everybody that's Darryl

0:44:09.960 --> 0:44:12.319
<v Speaker 1>having the court. You can catch Gray on Audible as

0:44:12.360 --> 0:44:14.520
<v Speaker 1>we just mentioned. You can continue to follow us you

0:44:14.560 --> 0:44:17.279
<v Speaker 1>know we are our show page at Amy and TJ

0:44:17.560 --> 0:44:19.520
<v Speaker 1>Podcast on Instagram. Talk to us soon.