WEBVTT - Bryan Fogel

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<v Speaker 1>Welcome, Welcome, Welcome to this week's edition of the Bob

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<v Speaker 1>Left Sets podcast. My guest is Oscar winning director of

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<v Speaker 1>the movie ch Risk, Ryan Fogel. Ryan, Good to have

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<v Speaker 1>you here, Good to be here now. In this particular case,

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<v Speaker 1>I have a bike riding friend and he's going on

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<v Speaker 1>and on about ch Risk. But he can see Academy

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<v Speaker 1>screeners and he sees everything. But I'm sitting in front

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<v Speaker 1>of Netflix one night and I start to watch and

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<v Speaker 1>I get hooked. This is at the end of the year,

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<v Speaker 1>long before the Oscar run up, and if you haven't

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<v Speaker 1>seen the movie, the movie is really phenomenal. But my

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<v Speaker 1>first question is you won the Oscar four months ago.

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<v Speaker 1>Are you still on a high? March Aapel May. Yeah, got,

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<v Speaker 1>that's as great. What was it mall in March April May? Yeah,

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<v Speaker 1>four months? Um, yeah, I think I think I'm still

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<v Speaker 1>on a high. Overall. Um, it's a it's a surreal

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<v Speaker 1>experience to to go through that, and especially the lead

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<v Speaker 1>up to the Oscars and um, it's exciting and also

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<v Speaker 1>an overwhelming sense of pressure. Um. And so I think

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<v Speaker 1>it took me probably a couple of months just to

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<v Speaker 1>decompress from that and but yeah, it was a spectacular experience.

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<v Speaker 1>It was like being on tour of the rock band.

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<v Speaker 1>I've mentioned a friend of mine used to work with

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<v Speaker 1>you to management and they would go on the road

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<v Speaker 1>for two years and would take her a year to decompress.

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<v Speaker 1>I I I can see that. I mean I was.

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<v Speaker 1>The film came out in August of of last year,

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<v Speaker 1>so almost almost a year ago, and the press started

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<v Speaker 1>in July, and I was essentially on a an eight

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<v Speaker 1>month NonStop press and promotional tour. UM. And so when

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<v Speaker 1>it ended essentially after the Oscars, it was kind of

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<v Speaker 1>like a all right, now what um? And that was?

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<v Speaker 1>That was really a sum ride. And where do you

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<v Speaker 1>keep the oscar? Um? The Oscars? Just sitting in a

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<v Speaker 1>hallway the first the first month, UM, I wouldn't let

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<v Speaker 1>it leave my side. I would I would bring it

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<v Speaker 1>to the kitchen, it would come on the bedside table.

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<v Speaker 1>And then and then when I would leave the house,

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<v Speaker 1>I was so paranoid, UM that I would like put

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<v Speaker 1>it in like a shoe bag in the trunk of

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<v Speaker 1>my car UM, or just carry it kind of like

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<v Speaker 1>inexplicably in a like a shoulder bag. UM. And now

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<v Speaker 1>it seems to kind of have a semi permanent home,

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<v Speaker 1>and I've put in a really great security system with

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<v Speaker 1>all sorts of cameras. Really really, let's say hypothetically it

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<v Speaker 1>did get stolen, can you get a replacement I have?

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<v Speaker 1>I really have no idea because like they number them,

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<v Speaker 1>so I have like Oscar number four thousand, I think

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<v Speaker 1>one thirty six, so I guess that's four thousand, one

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<v Speaker 1>six Oscars in ninety years something like that. And UM,

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<v Speaker 1>you know they they like didn't give Netflix one, so

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<v Speaker 1>it would be Oscar only went to myself and my

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<v Speaker 1>producing UH partner that the Academy recognized, Dan Coogan. So

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<v Speaker 1>I don't really know what what protocol is. UM. I

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<v Speaker 1>do feel like I already need to bring it back

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<v Speaker 1>for a polishing, though it starts to age. So now

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<v Speaker 1>that you've first thing, UH, Kobe Bryant was rejected for

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<v Speaker 1>admission just recently to the Academy. Have you tried to

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<v Speaker 1>get in? UM? While I I haven't heard, I think

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<v Speaker 1>they announced UM and UH, you know each of the

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<v Speaker 1>UH it's all through the various branches that decide. So

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<v Speaker 1>I was automatically eligible and considered because I won the Oscar.

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<v Speaker 1>But apparently it's not it's not given. Um so, UM,

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<v Speaker 1>I guess I'm gonna hear sometime the next couple of

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<v Speaker 1>weeks or something. UM, I hope the branch let me in.

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<v Speaker 1>It's it's by branch. So the so the doc branch,

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<v Speaker 1>these members and I and I've been told there's like

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<v Speaker 1>thirty or forty on the committee basically decide who they

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<v Speaker 1>allow him to the branch. And I think they allow

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<v Speaker 1>him maybe five ten people a year. Um. Well, unlike Kobe,

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<v Speaker 1>you have history in film, so your odds are pretty good,

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<v Speaker 1>but you never really know. So let's go back. You're

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<v Speaker 1>from Denver, grew up in Denver, my family is still there,

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<v Speaker 1>went to school and Boulder. Uh. Let's go back. What

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<v Speaker 1>did your father do for a living? Um? Wow, this

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<v Speaker 1>is great. Nobody has asked me this, uh in an interview.

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<v Speaker 1>My dad uh retired from law about I guess probably

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<v Speaker 1>four years ago. And he was a UH. He started

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<v Speaker 1>as a as a us S or attorneys who was

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<v Speaker 1>one of the uh youngest U S district attorneys ever.

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<v Speaker 1>He got a district attorney right out of law school. Um.

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<v Speaker 1>And this was in Denver. Yeah, and then he was

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<v Speaker 1>a UH. He was a prosecutor Um, he went into

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<v Speaker 1>private practice and most of the at least in the

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<v Speaker 1>first probably two thirds of his career, was mostly criminal law. UM.

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<v Speaker 1>And then on the later part of his practice. My

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<v Speaker 1>dad's seventy five, now, UM, he branched off into all

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<v Speaker 1>sorts of stuff. UM. But uh, yeah, great, great guy.

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<v Speaker 1>I got to see him for Father's Day. And why

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<v Speaker 1>did he retire? UM? I think you know, it was

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<v Speaker 1>a combination of I think he called it, you know,

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<v Speaker 1>I think at about seventy And I think also the

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<v Speaker 1>law practice changed a lot. He was never Um, he

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<v Speaker 1>never had a firm. He was in private practice his

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<v Speaker 1>whole life. He always said, I I didn't want the

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<v Speaker 1>stress of a firm, didn't want the stress of employees.

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<v Speaker 1>I mean he I think he found it stressful enough

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<v Speaker 1>having a paralegal and a secretary and finding good people. UM.

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<v Speaker 1>And I think, you know, I think the the business

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<v Speaker 1>changed a lot. UM. And also I think he just

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<v Speaker 1>uh was was ready to kind of you know, he's

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<v Speaker 1>involved in all sorts of other things, a lot of

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<v Speaker 1>charity stuff. He just I think he has ah, he

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<v Speaker 1>has a lot of other interests. And your mother, did

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<v Speaker 1>you work outside the home? Um? Growing up? No, I

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<v Speaker 1>have an older sister who lives in Denver, married, and

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<v Speaker 1>I have a younger brother who's an artist. You're the

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<v Speaker 1>middle kid in New York and in the middle. Okay,

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<v Speaker 1>so I'm a middle kid too. How much older your

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<v Speaker 1>older sister and how much younger is your younger brother.

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<v Speaker 1>My older sister is uh, almost three years older than me,

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<v Speaker 1>and my younger brother is five years younger than me.

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<v Speaker 1>And I and I guess I was kind of the

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<v Speaker 1>the bully among my family, but not not intentionally. I

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<v Speaker 1>was like getting bullied in school, so I'd come home

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<v Speaker 1>and be a terror. But you're using the term bully.

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<v Speaker 1>How did you bully inside the house? I I don't.

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<v Speaker 1>I'm not quite sure. I mean you would probably have

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<v Speaker 1>to ask my brother. So he said you were the bully. Yeah,

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<v Speaker 1>and there was I remember this was probably fifteen years ago.

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<v Speaker 1>Uh so you're you're you're a guy connection. How old

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<v Speaker 1>are you today? Uh? Okay, so when you're like almost thirty,

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<v Speaker 1>what happens? Um my? Um uh yeah, it's actually no,

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<v Speaker 1>it was now. No, it was more like when I

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<v Speaker 1>was like and uh and I remember I'm home visiting

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<v Speaker 1>and my brother, um uh had he was very very

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<v Speaker 1>upset with me and hurt with me. And he had

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<v Speaker 1>never never actually talked to me about this, um and

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<v Speaker 1>he had had like these recollections from from childhood that

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<v Speaker 1>that essentially that you know that I that I you know,

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<v Speaker 1>was bullied him and um and I think he was

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<v Speaker 1>right because I was having a hard time in school.

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<v Speaker 1>I was always kind of the the little guy getting

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<v Speaker 1>picked on. And so then I would come home from

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<v Speaker 1>school after being picked on and and pick on my

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<v Speaker 1>my younger brother. So do you think playing that role

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<v Speaker 1>in school affected your career path of your success? Absolutely?

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<v Speaker 1>I think uh uh. I had a I had a

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<v Speaker 1>really stable childhood. From a family perspective. My parents are

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<v Speaker 1>still married. There was no drama in the home. There

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<v Speaker 1>was there was none of that stuff that you hear,

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<v Speaker 1>you know where you know people grow up and have

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<v Speaker 1>parents that are alcohol or addicts or has divorce and

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<v Speaker 1>all that stuff. So none of that was um was

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<v Speaker 1>was present in my home. Um. But uh uh, for

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<v Speaker 1>whatever reason, I think is as a kid, I grew

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<v Speaker 1>up always feeling like an outsider. I was always I

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<v Speaker 1>was always kind of like the short kid. Uh And

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<v Speaker 1>um and I think as as I became an adult,

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<v Speaker 1>especially because cycling, which was a lifelong thing for me.

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<v Speaker 1>Just UM, it's it's a massochistic sport, like you really

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<v Speaker 1>have to really like to suffer, and the guys who

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<v Speaker 1>can suffer the most basically do the best. On top

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<v Speaker 1>of that and genetic ability, but a lot of it

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<v Speaker 1>just comes down to how much you're willing to suffer.

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<v Speaker 1>And UM, and I basically done that my whole life,

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<v Speaker 1>writing and I think UM in Icarus and other things

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<v Speaker 1>in my life. UM, I don't know when to UM,

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<v Speaker 1>I don't stop. I just I get something in my

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<v Speaker 1>mind and I'll just okay. Well it worked out with Charus.

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<v Speaker 1>Are there are other times when it didn't work out? UM?

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<v Speaker 1>That's an interesting question. UM. Yeah, there was certainly other

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<v Speaker 1>times when when it didn't work out. UM. Before Charus,

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<v Speaker 1>I UM essentially right when I when I turned thirty.

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<v Speaker 1>UM I. Prior to that, UH, for several years, I

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<v Speaker 1>was in stand up comedy. I was um UH, I

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<v Speaker 1>was acting and writing and and UM I basically wrote

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<v Speaker 1>UH and starred in UH this play called Utopia and

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<v Speaker 1>opened it up. I wrote it with a with a

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<v Speaker 1>friend of mine, Sam Wilson. And there's a whole story

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<v Speaker 1>behind that. How how how that came together and we

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<v Speaker 1>opened it up in l A. And it became a

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<v Speaker 1>pretty substantial hit. So how many years ago was that this? Uh?

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<v Speaker 1>It started in two thousand three, and then we played

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<v Speaker 1>about three shows in l A. I brought it to

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<v Speaker 1>New York and then it played in New York for

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<v Speaker 1>three and a half years. Uh, and it was. It

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<v Speaker 1>was a big hit. We had productions of it running

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<v Speaker 1>in other cities. UM and I did a book, created

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<v Speaker 1>a traveling show, UM another show outside of that, UM

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<v Speaker 1>and you know, and and and I added inadvertently basically

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<v Speaker 1>trapped myself into this world. I was now essentially the

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<v Speaker 1>Utopia guy, which I would like him too, being probably

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<v Speaker 1>like David Swimmer on Friends, Jason Alexander on Seinfeld. I mean, nobody,

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<v Speaker 1>nobody saw me outside of essentially basically I was the

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<v Speaker 1>Gutopia guy. And and and I was. I personally performed

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<v Speaker 1>as the star of this product and probably six hundred shows.

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<v Speaker 1>And it was an interesting kind of be careful what

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<v Speaker 1>you wish for, because um, I was a struggling actor, writer, comedian.

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<v Speaker 1>Suddenly I basically wrote a role for myself, created the show,

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<v Speaker 1>produced the show, and it was now a hit. Now

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<v Speaker 1>I was trapped in the show and UM, and during

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<v Speaker 1>this period of time, I realized that I really didn't

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<v Speaker 1>want to act anymore, and what I wanted to do

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<v Speaker 1>was was direct and produced because that that, to me,

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<v Speaker 1>UM was more akin to my personality, which is being

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<v Speaker 1>able to kind of oversee the bigger picture of it

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<v Speaker 1>and what I found. All of a sudden, as I

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<v Speaker 1>started getting success with the play and I went on

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<v Speaker 1>on auditions auditions for a short amount of time, I

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<v Speaker 1>suddenly would kind of go in and being like, wait,

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<v Speaker 1>I'm the I'm the starring creator of this of this

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<v Speaker 1>really really you know, success full show, and now all

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<v Speaker 1>of a sudden, I'm coming in and and auditioning for

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<v Speaker 1>Dorito's commercial or auditioning for you know, a couple of

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<v Speaker 1>lines on a TV show, and it and and and

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<v Speaker 1>I and I didn't like it. So I decided that

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<v Speaker 1>I wasn't going to do that anymore. I didn't I

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<v Speaker 1>had no interest in auditioning, and that I would and

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<v Speaker 1>that I really wanted to direct because I was directing

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<v Speaker 1>UM the show, you know, inadvertently as well by producing it,

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<v Speaker 1>and I was, um, you know, in charge of all

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<v Speaker 1>the casting, and so when cast members would leave the

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<v Speaker 1>show and then other cities of the show. So UM,

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<v Speaker 1>sitting on the other table watching actors audition made me

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<v Speaker 1>never want to audition again. And so I decided that

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<v Speaker 1>I wanted to adapt the play into a movie. And

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<v Speaker 1>Sam and I basically adapted it into a screenplay, and UM,

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<v Speaker 1>I wanted to direct it. Held on to direct it,

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<v Speaker 1>and it took me about five years to get UM

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<v Speaker 1>what was a million and a half dollars to to

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<v Speaker 1>make the film and and it was. It was one

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<v Speaker 1>of the worst experiences of my life. I was supposed

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<v Speaker 1>to have a twenty six day shoot that turned into

0:14:17.640 --> 0:14:25.040
<v Speaker 1>a nineteen day shoot. A week into the production, UM,

0:14:25.120 --> 0:14:27.400
<v Speaker 1>so we had boarded the entire production. I had found

0:14:27.400 --> 0:14:32.200
<v Speaker 1>all my locations, and the financier had decided that he

0:14:32.240 --> 0:14:34.080
<v Speaker 1>was going to try to make this film Non Union

0:14:34.640 --> 0:14:37.680
<v Speaker 1>in Los Angeles with a cast that included Jennifer love

0:14:37.720 --> 0:14:40.760
<v Speaker 1>Hewitt and Rita Wilson and Tom Arnold and Peter Stormare

0:14:40.800 --> 0:14:43.960
<v Speaker 1>and Jamie Lynn Siegler and all these other John Lovitt,

0:14:44.040 --> 0:14:47.640
<v Speaker 1>there's all these guys in it, and UM and so

0:14:47.680 --> 0:14:50.760
<v Speaker 1>a week into the production, of course, the the Union

0:14:50.800 --> 0:14:53.160
<v Speaker 1>came knocking saying, Hey, what what are you guys doing.

0:14:53.520 --> 0:14:55.640
<v Speaker 1>And instead of ponying up what would have been a

0:14:55.640 --> 0:14:58.920
<v Speaker 1>couple hundred thousand dollars more, they took a week out

0:14:58.960 --> 0:15:03.120
<v Speaker 1>of my shooting schedule. So all of a sudden, I

0:15:03.240 --> 0:15:07.480
<v Speaker 1>had another basically two weeks to do what was supposed

0:15:07.520 --> 0:15:11.960
<v Speaker 1>to be done in three weeks. UM. And I was

0:15:12.000 --> 0:15:16.240
<v Speaker 1>given eight days to do my director's cut. Uh. And

0:15:16.360 --> 0:15:19.680
<v Speaker 1>under the d g A the Director's guild, Um, you're required.

0:15:19.720 --> 0:15:23.120
<v Speaker 1>The director is required I think a minimum of six

0:15:23.200 --> 0:15:26.080
<v Speaker 1>or eight weeks. And the film was non d g A,

0:15:26.440 --> 0:15:28.200
<v Speaker 1>which was the lesson that I learned not to make

0:15:28.240 --> 0:15:30.920
<v Speaker 1>a non union film over again. And I was given

0:15:30.920 --> 0:15:35.320
<v Speaker 1>eight days and um and then uh, they decided not

0:15:35.400 --> 0:15:37.600
<v Speaker 1>to sell the film, and they decided that they would

0:15:37.640 --> 0:15:41.640
<v Speaker 1>release it straight onto on demand. UM. So they put

0:15:41.640 --> 0:15:44.440
<v Speaker 1>it into theaters on a Sunday at two o'clock in

0:15:44.480 --> 0:15:47.240
<v Speaker 1>the morning, at two o'clock in the afternoon, uh, to

0:15:47.440 --> 0:15:50.240
<v Speaker 1>pretend that it was in theaters now. And so of

0:15:50.240 --> 0:15:52.520
<v Speaker 1>course there was no money ever spent to market the film.

0:15:52.600 --> 0:15:55.760
<v Speaker 1>There's no money to promote the film, and the film

0:15:55.960 --> 0:15:59.280
<v Speaker 1>left me in director's jail. I had invested the last

0:15:59.320 --> 0:16:01.880
<v Speaker 1>amount of money that I had into the film, and

0:16:01.920 --> 0:16:05.440
<v Speaker 1>I came out of this experience essentially broke and beaten up,

0:16:06.240 --> 0:16:11.120
<v Speaker 1>a really really depressed and and I went through a

0:16:11.160 --> 0:16:15.440
<v Speaker 1>really really hard time and I didn't know, uh if

0:16:15.480 --> 0:16:19.120
<v Speaker 1>I was going to be able to uh continue to

0:16:19.200 --> 0:16:22.880
<v Speaker 1>find another place within the entertainment industry to continue to create.

0:16:23.720 --> 0:16:28.520
<v Speaker 1>And I started looking at other businesses, and I started

0:16:28.560 --> 0:16:31.640
<v Speaker 1>getting back into cycling, and cycling for me was essentially

0:16:31.640 --> 0:16:35.600
<v Speaker 1>my therapy. And and so I was riding my bike

0:16:35.960 --> 0:16:37.920
<v Speaker 1>a ton, trying to figure out what I was going

0:16:37.960 --> 0:16:40.200
<v Speaker 1>to do with my life and how I was going

0:16:40.240 --> 0:16:43.880
<v Speaker 1>to pay my bills. UM. I was even thinking about

0:16:43.920 --> 0:16:52.080
<v Speaker 1>moving back to Colorado, and Lance confessed and multiple tours

0:16:52.160 --> 0:16:54.760
<v Speaker 1>de France, and it was now basically the beginning of

0:16:56.920 --> 0:17:02.000
<v Speaker 1>and Any confesses. And I'd been really kind of back

0:17:02.040 --> 0:17:06.960
<v Speaker 1>into shape on the bike. And you know, everybody in

0:17:07.000 --> 0:17:11.000
<v Speaker 1>the sport and anybody Rise always a was wondering did

0:17:11.000 --> 0:17:14.199
<v Speaker 1>he dope or not? And be you know, I think

0:17:14.280 --> 0:17:17.840
<v Speaker 1>anybody who's ever been into endurance sports or real a

0:17:17.920 --> 0:17:20.360
<v Speaker 1>real athlete wonders, Hey, what what would these drugs do

0:17:20.600 --> 0:17:23.480
<v Speaker 1>for me? What would these pds do for me? And

0:17:23.560 --> 0:17:26.320
<v Speaker 1>did you believe he was a doper before he confessed,

0:17:28.720 --> 0:17:36.080
<v Speaker 1>I was on the fence, um because he was like

0:17:36.320 --> 0:17:40.320
<v Speaker 1>my hero, like uh As, I think he was way

0:17:40.320 --> 0:17:43.160
<v Speaker 1>beyond cycling. I mean, he was arguably the biggest athlete

0:17:43.200 --> 0:17:45.359
<v Speaker 1>on planet Earth and the most well known athlete on

0:17:45.400 --> 0:17:48.119
<v Speaker 1>planet Earth, much more so than even Lebron James or

0:17:48.240 --> 0:17:53.120
<v Speaker 1>because he was he was so international. Um So there

0:17:53.200 --> 0:17:55.080
<v Speaker 1>was that part of me that always believed, no, he

0:17:55.080 --> 0:17:57.760
<v Speaker 1>couldn't know, he wouldn't. But then as the years went

0:17:57.800 --> 0:18:02.359
<v Speaker 1>by and you and you realize that everybody else you

0:18:02.400 --> 0:18:04.679
<v Speaker 1>know had confessed doping, a big caught for doping. The

0:18:04.680 --> 0:18:07.400
<v Speaker 1>guy got second place, third place, and then you'd read

0:18:07.400 --> 0:18:11.240
<v Speaker 1>all these like journals basically going whatever these numbers and

0:18:11.280 --> 0:18:15.080
<v Speaker 1>his watts per kilo and all this stuff seems unfathomable.

0:18:15.840 --> 0:18:21.920
<v Speaker 1>But um, I wasn't so shocked that he had doped.

0:18:22.119 --> 0:18:25.160
<v Speaker 1>But what really caught me about it was the way

0:18:25.160 --> 0:18:28.639
<v Speaker 1>that they got him, which was they got Lance kind

0:18:28.680 --> 0:18:32.680
<v Speaker 1>of like al Capone on tax evasion. They never caught

0:18:32.760 --> 0:18:35.000
<v Speaker 1>him how the system was supposed to catch him, which is,

0:18:35.680 --> 0:18:40.000
<v Speaker 1>you know, the guy uh had had managed to this

0:18:40.080 --> 0:18:45.200
<v Speaker 1>day to pass every single but there was one where

0:18:45.200 --> 0:18:49.000
<v Speaker 1>he was it was a positive and he explained it away. Yeah,

0:18:49.040 --> 0:18:51.159
<v Speaker 1>that but that was back way way into in the

0:18:51.200 --> 0:18:53.199
<v Speaker 1>early part of his career. If I remember, that was

0:18:53.240 --> 0:18:58.440
<v Speaker 1>like and they didn't kind of really have the true evidence. Um,

0:18:58.440 --> 0:19:00.960
<v Speaker 1>but I mean the way that they get him is

0:19:01.000 --> 0:19:04.200
<v Speaker 1>basically by launching a criminal investigation and all of his

0:19:04.359 --> 0:19:09.959
<v Speaker 1>teammates now under essentially you know, a criminal testimony, admit

0:19:10.040 --> 0:19:15.680
<v Speaker 1>to doping in exchange for essentially immunity, and rat Lands out,

0:19:16.080 --> 0:19:19.240
<v Speaker 1>you know, in the process. And I'm going, wait, wait, wait,

0:19:20.160 --> 0:19:22.600
<v Speaker 1>should we be mad at Lands or should we be

0:19:23.440 --> 0:19:27.000
<v Speaker 1>like like looking at this system and going what sort

0:19:27.040 --> 0:19:28.919
<v Speaker 1>of fraud is this? And the only way that you

0:19:28.960 --> 0:19:32.480
<v Speaker 1>can catch an athlete after five tests through launching a

0:19:32.520 --> 0:19:35.040
<v Speaker 1>criminal investigation and getting all of the teammates who did

0:19:35.119 --> 0:19:37.720
<v Speaker 1>the same thing as he did Rata Mountain is in

0:19:37.840 --> 0:19:41.760
<v Speaker 1>exchange for his own uh you know, uh, in exchange

0:19:41.800 --> 0:19:46.200
<v Speaker 1>for their own immunity. And and so I I started going, wait,

0:19:46.240 --> 0:19:49.360
<v Speaker 1>there there is a bigger story here that people are

0:19:49.359 --> 0:19:52.440
<v Speaker 1>not looking at. And that story to me was that

0:19:52.560 --> 0:19:55.840
<v Speaker 1>the global anti doping system nothing to do with cycling

0:19:55.840 --> 0:19:58.959
<v Speaker 1>really just all of sport. Because if you're going the

0:19:59.000 --> 0:20:04.280
<v Speaker 1>most tested athlete on planet Earth has been managed to

0:20:04.480 --> 0:20:07.960
<v Speaker 1>has managed for ten fifteen years to get around the system. Well,

0:20:07.960 --> 0:20:10.760
<v Speaker 1>what about every other athlete on planet Earth and all

0:20:10.840 --> 0:20:13.119
<v Speaker 1>the sports that they're hardly been doing any testing on.

0:20:13.280 --> 0:20:16.520
<v Speaker 1>So so I got this essentially, this idea that I

0:20:16.560 --> 0:20:18.719
<v Speaker 1>wanted to go on like a super size me journey

0:20:19.400 --> 0:20:22.960
<v Speaker 1>proved that the anti doping system was a fraud, And

0:20:23.000 --> 0:20:26.480
<v Speaker 1>inadvertently I was hoping to kind of redeem my hero

0:20:27.320 --> 0:20:30.359
<v Speaker 1>lance and show that this guy was essentially a needle

0:20:31.160 --> 0:20:35.280
<v Speaker 1>uh in the global haystack. Uh. And of course what

0:20:35.400 --> 0:20:40.960
<v Speaker 1>transpired ended up being, you know, a million times crazier

0:20:40.960 --> 0:20:43.600
<v Speaker 1>and bigger than anything I could have imagined as as

0:20:43.600 --> 0:20:48.119
<v Speaker 1>I set out. Um, but but that was what what

0:20:48.240 --> 0:20:53.160
<v Speaker 1>set me on the journey. And and as I started

0:20:53.160 --> 0:20:54.840
<v Speaker 1>on this journey, it took me about a year to

0:20:55.040 --> 0:20:58.800
<v Speaker 1>raise the first bit of money to get going, which

0:20:58.840 --> 0:21:02.680
<v Speaker 1>was how much ran should your father help you out?

0:21:04.119 --> 0:21:07.959
<v Speaker 1>Why do you think he had helped me? He had

0:21:07.960 --> 0:21:10.840
<v Speaker 1>put a little bit of money into the into the movie,

0:21:11.640 --> 0:21:17.040
<v Speaker 1>and that didn't pay back, and and I didn't. My

0:21:17.119 --> 0:21:20.720
<v Speaker 1>father is not a wealthy guy. You know, he's done fine,

0:21:20.880 --> 0:21:25.640
<v Speaker 1>but he's retiring. Um, you know, my my parents are

0:21:25.680 --> 0:21:28.880
<v Speaker 1>just being they're they're fine, they're not. Well, well, let's

0:21:28.880 --> 0:21:30.679
<v Speaker 1>just go back here a little bit. So you go

0:21:30.800 --> 0:21:33.520
<v Speaker 1>to school, you're the young person of the outcast. What

0:21:33.520 --> 0:21:36.000
<v Speaker 1>what age do you start riding bicycles. I started riding

0:21:36.000 --> 0:21:41.320
<v Speaker 1>bikes when I was thirteen years old. Um And what

0:21:41.640 --> 0:21:43.720
<v Speaker 1>kind of it happened is I had I had been

0:21:43.720 --> 0:21:49.240
<v Speaker 1>playing soccer in baseball, and I wasn't really good. Um baseball,

0:21:49.320 --> 0:21:53.720
<v Speaker 1>I was essentially the Jew on the baseball team. And

0:21:53.840 --> 0:21:56.560
<v Speaker 1>growing up in Denver, uh, there was a lot of

0:21:56.600 --> 0:22:01.360
<v Speaker 1>anti Semitism, and um I was essentially the Jew um

0:22:01.520 --> 0:22:04.040
<v Speaker 1>and Uh I was the Jew on the soccer team.

0:22:04.760 --> 0:22:10.480
<v Speaker 1>And M and cycling for me is a really it's

0:22:10.520 --> 0:22:13.159
<v Speaker 1>a very individual sport. There's a lot of you know,

0:22:13.200 --> 0:22:16.119
<v Speaker 1>there's a lot of team elements and ultimately the guys.

0:22:16.160 --> 0:22:17.840
<v Speaker 1>You know, once you get on a team, it is

0:22:17.840 --> 0:22:20.159
<v Speaker 1>a lot of teamwork. But the sport in and of

0:22:20.200 --> 0:22:23.480
<v Speaker 1>itself is not dependent on this kind of you know,

0:22:23.520 --> 0:22:26.960
<v Speaker 1>like a baseball team or soccer team. And and it

0:22:27.080 --> 0:22:29.800
<v Speaker 1>was right about the time that M. Greg Laman won

0:22:29.920 --> 0:22:34.280
<v Speaker 1>the first tour in and Um I had a friend

0:22:34.280 --> 0:22:38.160
<v Speaker 1>of mine in middle school and his brother essentially got

0:22:38.200 --> 0:22:41.320
<v Speaker 1>into cycling. I was in seventh grade and he got

0:22:41.320 --> 0:22:44.800
<v Speaker 1>a bike, and I was like, oh, this looks kind

0:22:44.800 --> 0:22:48.600
<v Speaker 1>of cool, and so, um, I wanted to buy a bike.

0:22:49.280 --> 0:22:52.159
<v Speaker 1>And I detailed cars all summer. I started up a

0:22:52.160 --> 0:22:56.080
<v Speaker 1>little car detailing business where people would bring their car

0:22:56.160 --> 0:22:58.240
<v Speaker 1>over to my parents house in the morning from around

0:22:58.240 --> 0:23:01.600
<v Speaker 1>the neighborhood. Boar and waxed the car charge him. I

0:23:01.640 --> 0:23:04.440
<v Speaker 1>don't remember thirty five bucks. And I saved up six

0:23:04.520 --> 0:23:07.399
<v Speaker 1>hundred dollars to buy my first bike, which was what

0:23:07.920 --> 0:23:09.840
<v Speaker 1>it was, a track. It was a purple truck with

0:23:09.960 --> 0:23:14.280
<v Speaker 1>yellow tape on the handlebars. How many I think at

0:23:14.280 --> 0:23:18.639
<v Speaker 1>the time, it's probably twelve as twelve speed and and

0:23:18.680 --> 0:23:21.720
<v Speaker 1>I got on this bike, and I was I was

0:23:21.880 --> 0:23:24.840
<v Speaker 1>on my way. I mean I I grew up with

0:23:24.880 --> 0:23:28.240
<v Speaker 1>asthma my whole life, and and the doctor always said, oh,

0:23:28.280 --> 0:23:30.640
<v Speaker 1>you know, you shouldn't ride a bike. You can't ride

0:23:30.640 --> 0:23:35.640
<v Speaker 1>a bike. Um, but I got on that bike and

0:23:35.640 --> 0:23:38.159
<v Speaker 1>and um, it was it was just kind of like

0:23:38.200 --> 0:23:41.080
<v Speaker 1>my freedom. And I and I started riding every day

0:23:41.600 --> 0:23:45.879
<v Speaker 1>after school. I would breaking away. Um yeah, it seemed

0:23:45.920 --> 0:23:50.440
<v Speaker 1>breaking away. So you're now writing independently what you're saying,

0:23:50.480 --> 0:23:53.160
<v Speaker 1>I'm gonna get myself in shape to enter competitions. Yeah,

0:23:53.200 --> 0:23:56.560
<v Speaker 1>it was. I was ski racing in the winters and

0:23:57.800 --> 0:24:01.200
<v Speaker 1>not well. But but you know, I started ski racing

0:24:01.200 --> 0:24:03.639
<v Speaker 1>when I guess I was probably about twelve, and that

0:24:03.760 --> 0:24:08.840
<v Speaker 1>was where in Colorado at Winter Park, which is um

0:24:08.880 --> 0:24:13.760
<v Speaker 1>a mountain about ninety minutes from Denver. And um. I

0:24:13.800 --> 0:24:16.320
<v Speaker 1>started skiing when I was about three years old and

0:24:17.000 --> 0:24:20.320
<v Speaker 1>decided I wanted to race, and that was also part

0:24:20.359 --> 0:24:22.919
<v Speaker 1>of the cycling, which was all the guys who were skiing.

0:24:23.640 --> 0:24:27.199
<v Speaker 1>It was cycling in the summer. It's like both of

0:24:27.200 --> 0:24:29.520
<v Speaker 1>those sports. If you talked to any real skier, they

0:24:29.640 --> 0:24:32.240
<v Speaker 1>ride their cyclists, and if you talked to any real cyclists,

0:24:32.280 --> 0:24:36.439
<v Speaker 1>their skiers generally. Um and uh. So I had started

0:24:36.440 --> 0:24:39.159
<v Speaker 1>ski racing basically a year before that and decided that

0:24:39.440 --> 0:24:43.919
<v Speaker 1>cycling would be a good way to stand shape and

0:24:42.880 --> 0:24:45.920
<v Speaker 1>um and and it also has got a real kind

0:24:45.920 --> 0:24:52.520
<v Speaker 1>of solo element to it. And yeah, so I started riding. Okay,

0:24:52.520 --> 0:24:54.560
<v Speaker 1>So when you you obviously had a bike before that,

0:24:54.800 --> 0:24:56.400
<v Speaker 1>but now you have a bike that you can actually,

0:24:56.760 --> 0:25:00.680
<v Speaker 1>let's say, compete with. At what point did you enter

0:25:00.840 --> 0:25:04.480
<v Speaker 1>after getting the bike the competitive system pretty much right away,

0:25:04.800 --> 0:25:08.280
<v Speaker 1>like within within within like the next year. So the

0:25:08.320 --> 0:25:11.240
<v Speaker 1>first kind of summer I got into it that I

0:25:11.280 --> 0:25:14.399
<v Speaker 1>got really into it. And there was these races in

0:25:14.480 --> 0:25:19.600
<v Speaker 1>Colorado called the red Zinger Mini Classics, um like red

0:25:19.680 --> 0:25:24.040
<v Speaker 1>Zinger t Special Seasons, which are from Colorado exactly. And

0:25:24.040 --> 0:25:28.000
<v Speaker 1>and they were also at the time sponsoring, um the

0:25:28.040 --> 0:25:32.159
<v Speaker 1>Bigger Bike Race which I can't remember, within these the

0:25:32.160 --> 0:25:36.000
<v Speaker 1>Course Classic Colorado, Yeah, and that Tour Colforado was in

0:25:36.080 --> 0:25:39.080
<v Speaker 1>recent years, but it was it was a course Classic,

0:25:39.280 --> 0:25:44.679
<v Speaker 1>and Michael Eisner was developing, was promoting all those races

0:25:44.680 --> 0:25:46.159
<v Speaker 1>and I've got to know him over the last year.

0:25:46.200 --> 0:25:50.000
<v Speaker 1>Awesome guy. And UM, so the Course Classic was going on,

0:25:50.440 --> 0:25:52.720
<v Speaker 1>and the red Zinger Mini Classic was kind of like

0:25:53.200 --> 0:25:55.240
<v Speaker 1>you know what the kids were doing in and during

0:25:55.240 --> 0:25:58.280
<v Speaker 1>the summer, basically I think it was every other week

0:25:58.320 --> 0:26:00.919
<v Speaker 1>there was another red Zinger Mini class They were two

0:26:01.000 --> 0:26:05.159
<v Speaker 1>day races like on Saturday Sunday, three stages, a time trial,

0:26:05.240 --> 0:26:07.680
<v Speaker 1>a road race, and like a criterion or circuit race.

0:26:08.400 --> 0:26:10.880
<v Speaker 1>And I started doing those when I was I think

0:26:10.960 --> 0:26:13.600
<v Speaker 1>I was thirteen when I did my first one, and

0:26:13.680 --> 0:26:17.560
<v Speaker 1>I and then every year, how well did you do

0:26:17.600 --> 0:26:20.520
<v Speaker 1>in that? So I was I was basically the guy

0:26:20.640 --> 0:26:28.440
<v Speaker 1>who was um better than but never uh never one.

0:26:29.040 --> 0:26:33.119
<v Speaker 1>So asthma was a huge thing for me. And what

0:26:33.200 --> 0:26:35.920
<v Speaker 1>would happen is is I would start the race, I'd

0:26:35.920 --> 0:26:38.359
<v Speaker 1>have to have my asthma attack. I'd have an asthma attack,

0:26:38.960 --> 0:26:40.720
<v Speaker 1>and then I would taken in Hailer and this set

0:26:40.720 --> 0:26:43.919
<v Speaker 1>and the other, and then after the asthma attack, I

0:26:43.920 --> 0:26:47.040
<v Speaker 1>would recover and then I'd spend the entire race catching

0:26:47.080 --> 0:26:49.800
<v Speaker 1>back on. And then we was there like a preventive Wait,

0:26:49.880 --> 0:26:53.439
<v Speaker 1>you can't use well, that was the thing at the time.

0:26:53.520 --> 0:26:57.320
<v Speaker 1>What I was using was this nebulizer solution, which is

0:26:57.400 --> 0:27:00.280
<v Speaker 1>like this machine. I mean you look like you know, uh,

0:27:00.640 --> 0:27:03.800
<v Speaker 1>Frankenstein or something and puffing on this machine and there's

0:27:03.920 --> 0:27:06.760
<v Speaker 1>there's never you know, solution coming out of it. And

0:27:06.760 --> 0:27:09.280
<v Speaker 1>so I would so I'd take this nebulizer solution like

0:27:09.320 --> 0:27:11.280
<v Speaker 1>in the parking lot you had. I'd find someplace to

0:27:11.320 --> 0:27:13.240
<v Speaker 1>like plug it in outside the race. I mean, I

0:27:13.280 --> 0:27:16.520
<v Speaker 1>remember this, and that would dilate my lungs and hopefully

0:27:16.560 --> 0:27:19.840
<v Speaker 1>I wouldn't have the asthma attack. But most of the

0:27:19.880 --> 0:27:22.440
<v Speaker 1>time I would have the asthma attack and then I'd

0:27:22.440 --> 0:27:24.359
<v Speaker 1>spend the whole race catching back on. But if it

0:27:24.400 --> 0:27:27.159
<v Speaker 1>was a mountain stage, it was a climbing stage, because

0:27:27.200 --> 0:27:29.240
<v Speaker 1>I was always kind of like the you know, I've

0:27:29.280 --> 0:27:33.240
<v Speaker 1>got a climber's build. Um eventually knock off every almost

0:27:33.240 --> 0:27:37.040
<v Speaker 1>everybody and finish like fifth or six. But I never one. Um.

0:27:37.080 --> 0:27:40.359
<v Speaker 1>But just so I know, if one isn't asthmatic, is

0:27:40.400 --> 0:27:43.040
<v Speaker 1>that a band drug? Well, and that's a whole other

0:27:43.080 --> 0:27:45.160
<v Speaker 1>thing which is which is interesting. So like this whole

0:27:45.160 --> 0:27:48.160
<v Speaker 1>thing with Chris Froom. If the guys won, I think,

0:27:48.200 --> 0:27:50.439
<v Speaker 1>what has he won? Four Tour de Frances Now, uh,

0:27:51.280 --> 0:27:54.119
<v Speaker 1>you know he's under this whole investigation for using uh

0:27:54.680 --> 0:28:00.560
<v Speaker 1>Salm Salma beauty role, which is the drug which totally

0:28:00.640 --> 0:28:03.959
<v Speaker 1>changed my life. So um, I guess probably about when

0:28:04.000 --> 0:28:06.639
<v Speaker 1>I was twenty years ago or something, a drug by

0:28:06.640 --> 0:28:08.919
<v Speaker 1>the name of advert came on the market which is

0:28:09.359 --> 0:28:12.400
<v Speaker 1>Flew Coast, I mean, and sal Salma beautiful. And this

0:28:12.520 --> 0:28:16.280
<v Speaker 1>drug essentially stops you from having asthma, prevents asthma just

0:28:16.280 --> 0:28:19.600
<v Speaker 1>flat out. So you just take I take a puff

0:28:19.640 --> 0:28:23.280
<v Speaker 1>of this every morning, just one like it's like a discus.

0:28:24.000 --> 0:28:27.160
<v Speaker 1>And in my mind right now I don't have asthma.

0:28:27.320 --> 0:28:30.919
<v Speaker 1>I haven't had an asthma attack in twenty years. But

0:28:30.960 --> 0:28:33.560
<v Speaker 1>if I stopped taking this drug in twenty four hours

0:28:33.600 --> 0:28:35.640
<v Speaker 1>from now, I will be reminded that I have asthma.

0:28:35.880 --> 0:28:39.760
<v Speaker 1>So it's crazy. I mean, this drug completely stops asthma,

0:28:40.280 --> 0:28:42.120
<v Speaker 1>but if you take too much of it or whatever

0:28:42.160 --> 0:28:47.320
<v Speaker 1>what they're saying Froom did. Uh, it's it's a band substance. Um.

0:28:47.360 --> 0:28:49.960
<v Speaker 1>But I had this drug been on the market when

0:28:50.000 --> 0:28:52.680
<v Speaker 1>I was growing up and when I was racing, who knows.

0:28:52.680 --> 0:28:55.240
<v Speaker 1>I mean, my life might have been very different. Okay,

0:28:55.240 --> 0:28:57.920
<v Speaker 1>so you're racing an age race all through high school,

0:28:58.040 --> 0:29:01.680
<v Speaker 1>race all through high school, and then, um, my first

0:29:01.760 --> 0:29:05.200
<v Speaker 1>year in college, how did you decide to go to Boulder? Well,

0:29:05.240 --> 0:29:08.680
<v Speaker 1>I went to Boulder. Um, I had gotten into Middlebury.

0:29:08.720 --> 0:29:17.000
<v Speaker 1>Goes you went to Middlebury. So I almost went to Middlebury. Uh, right,

0:29:17.000 --> 0:29:18.760
<v Speaker 1>because I was looking at basically a place that I

0:29:18.760 --> 0:29:22.000
<v Speaker 1>could basically ride my bike and ski and I went

0:29:22.320 --> 0:29:24.560
<v Speaker 1>and like visited, and I was like, Wow, this is

0:29:24.640 --> 0:29:28.480
<v Speaker 1>really cold and and and the mountains are nowhere as

0:29:28.720 --> 0:29:32.640
<v Speaker 1>big and beautiful as Colorado. The cycling doesn't look anywhere

0:29:32.640 --> 0:29:34.680
<v Speaker 1>as good as Boulder. I was like, you know, I

0:29:34.760 --> 0:29:37.120
<v Speaker 1>think I'll I think I'll stay home and I think

0:29:37.160 --> 0:29:39.600
<v Speaker 1>My parents also were kind of going like, wow, Middlebury

0:29:39.680 --> 0:29:41.880
<v Speaker 1>is gonna cost a lot of money, and you got

0:29:41.920 --> 0:29:44.760
<v Speaker 1>Boulder in your backyard. And I loved Boulder, um, and

0:29:44.800 --> 0:29:46.320
<v Speaker 1>it looked like you know, and I had been going

0:29:46.400 --> 0:29:50.080
<v Speaker 1>up there cycling. I wanted to stay you know, close

0:29:50.120 --> 0:29:53.680
<v Speaker 1>to skiing. I loved Vale and all the mountains, and

0:29:54.160 --> 0:29:59.040
<v Speaker 1>so I decided to go to Boulder and and I

0:29:59.200 --> 0:30:03.360
<v Speaker 1>was easing. Uh, and I got sponsored by a team

0:30:03.360 --> 0:30:08.520
<v Speaker 1>in Canada, and um, when I was nineteen at the time, eighteen,

0:30:08.880 --> 0:30:11.640
<v Speaker 1>and I'm in this horrific bike crash and I lose

0:30:11.800 --> 0:30:17.280
<v Speaker 1>uh seven wow yeah, and um and all of these

0:30:17.320 --> 0:30:20.880
<v Speaker 1>are every single one of them are basically um, I

0:30:20.920 --> 0:30:22.320
<v Speaker 1>had to have root canals. So I had to have

0:30:22.480 --> 0:30:26.200
<v Speaker 1>eight eight root canals. Um. You know, they didn't lose.

0:30:26.240 --> 0:30:29.520
<v Speaker 1>The mir shattered and the teeth died, and I basically

0:30:29.600 --> 0:30:32.720
<v Speaker 1>spent like two years with like plastic teeth in my mouth.

0:30:32.880 --> 0:30:35.920
<v Speaker 1>Is they're doing root canals and it's wonders for your

0:30:35.960 --> 0:30:38.200
<v Speaker 1>dating life. Yeah, it was just it was it was

0:30:38.280 --> 0:30:40.720
<v Speaker 1>really bad. And what it and what it did was

0:30:40.800 --> 0:30:42.880
<v Speaker 1>it made me like essentially not want to raise a

0:30:42.880 --> 0:30:46.040
<v Speaker 1>bike anymore, because you have to be fearless. And so

0:30:46.080 --> 0:30:49.440
<v Speaker 1>now I'm basically back on the bike. And and when

0:30:49.440 --> 0:30:51.560
<v Speaker 1>you're racing, you know, you're you're within you know, an

0:30:51.600 --> 0:30:55.560
<v Speaker 1>inch of the other guy's wheel, and I'm going weight.

0:30:55.720 --> 0:30:58.000
<v Speaker 1>I don't want to basically lose all my teeth again.

0:30:58.600 --> 0:31:06.320
<v Speaker 1>So suddenly I'm I'm writing, you know, defensively instead of offensively.

0:31:07.160 --> 0:31:10.360
<v Speaker 1>And and I and I kind of realized that this

0:31:10.480 --> 0:31:13.920
<v Speaker 1>was not essentially the career that I wanted for myself. Um,

0:31:14.080 --> 0:31:17.800
<v Speaker 1>it's just such a brutal sport and very few people

0:31:17.840 --> 0:31:22.880
<v Speaker 1>ever make any a living in it. Unlike the you know, NBA,

0:31:23.040 --> 0:31:26.320
<v Speaker 1>where there's whatever it is, eight players in the NBA

0:31:26.920 --> 0:31:29.400
<v Speaker 1>and the guy who's making the least amount of money

0:31:29.480 --> 0:31:32.280
<v Speaker 1>is still making like seven hundred thousand a million a

0:31:32.360 --> 0:31:36.280
<v Speaker 1>year or something like that. In cycling, basically nobody is

0:31:36.360 --> 0:31:39.720
<v Speaker 1>making any money other than Lance Armstrong, you know, right,

0:31:40.000 --> 0:31:43.480
<v Speaker 1>And uh, and I said, huh, maybe this is not

0:31:43.680 --> 0:31:51.000
<v Speaker 1>the the career path for me. We take a quick

0:31:51.040 --> 0:31:53.320
<v Speaker 1>break and come back with more of my conversation with

0:31:53.360 --> 0:31:57.000
<v Speaker 1>Oscar winning filmmaker Brian Fogel recorded live that the two

0:31:57.120 --> 0:32:03.400
<v Speaker 1>in studios in Venice, California. Most of the time I

0:32:03.440 --> 0:32:06.800
<v Speaker 1>talked to musicians like Shirley Manson of Garbage or industry

0:32:06.880 --> 0:32:11.720
<v Speaker 1>executives like Motown President Ethiopia have to marry him. But

0:32:11.840 --> 0:32:14.120
<v Speaker 1>sometimes we go off the beaten path with our guests

0:32:14.120 --> 0:32:17.400
<v Speaker 1>like Tony Hawk and this week I'm speaking with Brian Fogel,

0:32:17.800 --> 0:32:21.600
<v Speaker 1>the mastermind behind the documentary Icarus. Whether you come for

0:32:21.680 --> 0:32:24.960
<v Speaker 1>the music, the tech business, or otherwise, be the first

0:32:25.080 --> 0:32:28.160
<v Speaker 1>year next week's episode by subscribing to The Mob Left

0:32:28.240 --> 0:32:32.480
<v Speaker 1>That's Podcast. I'm tune in Apple Podcast for your podcast

0:32:32.480 --> 0:32:35.239
<v Speaker 1>player of choice. While you're there, be sure to rate

0:32:35.280 --> 0:32:38.720
<v Speaker 1>and review the podcast. Okay, let's get back to my

0:32:38.800 --> 0:32:43.320
<v Speaker 1>conversation with Brian Foegl. Why don't you stop competing? Do

0:32:43.360 --> 0:32:45.760
<v Speaker 1>you stopped riding your bike? Are you still continuing to

0:32:45.840 --> 0:32:51.120
<v Speaker 1>ride your bike? No, I kept riding and um and

0:32:51.160 --> 0:32:54.120
<v Speaker 1>I took a so I kept riding through through college,

0:32:54.160 --> 0:32:56.520
<v Speaker 1>but it just really became like a hobby. And in

0:32:56.560 --> 0:32:58.000
<v Speaker 1>the back of my mind, I was always going to

0:32:58.120 --> 0:33:01.479
<v Speaker 1>race again, but but I didn't and um, and then

0:33:01.520 --> 0:33:03.800
<v Speaker 1>I moved out to Los Angeles. Before you go, So,

0:33:03.800 --> 0:33:08.920
<v Speaker 1>you're in college, are you studying acting entertainment things? No,

0:33:09.200 --> 0:33:17.360
<v Speaker 1>I was. I was studying sociology and psychology. And the

0:33:17.400 --> 0:33:20.880
<v Speaker 1>reason why is UM basically like the entire football team

0:33:21.160 --> 0:33:28.640
<v Speaker 1>was sociology majors. And I didn't view myself as like

0:33:29.520 --> 0:33:32.400
<v Speaker 1>going into like a graduate program. I didn't see myself

0:33:32.440 --> 0:33:34.960
<v Speaker 1>as being a doctor or a lawyer. I had always

0:33:35.080 --> 0:33:40.680
<v Speaker 1>kind of been entrepreneurial and UM, and I didn't really

0:33:40.680 --> 0:33:42.320
<v Speaker 1>know what I wanted to do, but I knew that

0:33:42.360 --> 0:33:45.160
<v Speaker 1>I wasn't going to be a scientist or or something

0:33:45.200 --> 0:33:49.680
<v Speaker 1>that required like a real graduate degree, so UM, so

0:33:49.720 --> 0:33:53.520
<v Speaker 1>I studied those two things and UM. And after college

0:33:53.520 --> 0:33:56.000
<v Speaker 1>I moved to Aspen. But before you moved to Aspen,

0:33:56.040 --> 0:33:59.240
<v Speaker 1>now you're in college, are you still the runt or

0:33:59.280 --> 0:34:01.880
<v Speaker 1>do you fit and in college? Now I'm starting to

0:34:01.920 --> 0:34:03.840
<v Speaker 1>fit in. And then you moved to ask me to

0:34:03.840 --> 0:34:07.760
<v Speaker 1>be a ski bum Um Yeah. Essentially moved to Aspen

0:34:08.080 --> 0:34:11.520
<v Speaker 1>UM after college with the idea that I would UM

0:34:11.800 --> 0:34:19.000
<v Speaker 1>ski and UM ride my bike and UM and I

0:34:19.080 --> 0:34:23.640
<v Speaker 1>had UH started up a little business with a friend

0:34:23.640 --> 0:34:30.040
<v Speaker 1>of mine where we were essentially UM having computers manufactured

0:34:30.920 --> 0:34:36.080
<v Speaker 1>UM and UH and selling them through through the classified

0:34:36.080 --> 0:34:38.840
<v Speaker 1>ads at the time, where you know, like kind of

0:34:38.880 --> 0:34:40.680
<v Speaker 1>like what Dell was doing, but you know, on a

0:34:40.760 --> 0:34:44.880
<v Speaker 1>micro cause him level where we would advertise essentially, you know,

0:34:45.120 --> 0:34:47.680
<v Speaker 1>build a computer and you know we put ads and

0:34:47.719 --> 0:34:50.640
<v Speaker 1>classified and so I could be anywhere to do that.

0:34:50.920 --> 0:34:53.360
<v Speaker 1>And uh, and I had a company and I was

0:34:53.400 --> 0:34:56.640
<v Speaker 1>like at the time, and I had like a company

0:34:57.480 --> 0:35:02.200
<v Speaker 1>that I was contracting through in Los Angele, US and

0:35:02.200 --> 0:35:04.160
<v Speaker 1>and so I was I was doing that, went to

0:35:04.200 --> 0:35:09.080
<v Speaker 1>Aspen and had come out to l A, Los Angeles

0:35:09.160 --> 0:35:13.120
<v Speaker 1>a few times and loved it. And just like the weather,

0:35:13.520 --> 0:35:16.239
<v Speaker 1>I just um kind of fell in love with the

0:35:16.280 --> 0:35:20.279
<v Speaker 1>city and and decided that I would So how long

0:35:20.320 --> 0:35:23.520
<v Speaker 1>were you ask him? A little bit less than a year. Okay,

0:35:23.560 --> 0:35:25.400
<v Speaker 1>so you come to l A, you like the weather,

0:35:25.719 --> 0:35:28.600
<v Speaker 1>you have the computer business. At what point do you say, hmm,

0:35:28.719 --> 0:35:31.000
<v Speaker 1>I want to go into the entertainment business. So I

0:35:31.000 --> 0:35:37.480
<v Speaker 1>guess I'm probably at the time. And um, this was

0:35:37.520 --> 0:35:46.560
<v Speaker 1>actually nineteen Uh it was and and I'm I'm living

0:35:47.040 --> 0:35:52.560
<v Speaker 1>in Beverly Holes area, uh and and I'm working out

0:35:52.600 --> 0:35:57.200
<v Speaker 1>at this this gym called Crunch on Sunset in West Hollywood.

0:35:57.920 --> 0:36:01.760
<v Speaker 1>And I meet this and I meet this girl. Uh.

0:36:01.800 --> 0:36:05.160
<v Speaker 1>We date for a short amount of time. And my

0:36:05.200 --> 0:36:11.000
<v Speaker 1>whole life, I was always doing um voices accents like

0:36:11.000 --> 0:36:13.160
<v Speaker 1>like when I was a kid, I would leave, um,

0:36:14.000 --> 0:36:16.640
<v Speaker 1>like my parents had a phone, a phone recording device,

0:36:16.680 --> 0:36:19.120
<v Speaker 1>you know, if an answering machine, which nobody uses anymore,

0:36:19.719 --> 0:36:22.399
<v Speaker 1>and I guess I would. I would leave what would

0:36:22.440 --> 0:36:27.840
<v Speaker 1>probably be considered like, you know, unacceptable accents on the machine,

0:36:27.880 --> 0:36:31.360
<v Speaker 1>just pretending to be someone you know, like whatever, you know,

0:36:31.480 --> 0:36:33.600
<v Speaker 1>like hi, you just reached the phogol if I am

0:36:33.680 --> 0:36:37.640
<v Speaker 1>late leaving message, you know that kind of stuff. But um,

0:36:37.680 --> 0:36:40.480
<v Speaker 1>and so I was always doing voices and impressions, and

0:36:40.600 --> 0:36:42.960
<v Speaker 1>this girl was like, you know, you know, have you

0:36:43.000 --> 0:36:45.960
<v Speaker 1>ever thought about doing comedy? You should, you should do comedy.

0:36:45.960 --> 0:36:48.160
<v Speaker 1>You're missing your calling. What what are you doing in

0:36:48.239 --> 0:36:52.200
<v Speaker 1>Los Angeles selling computers? You should be a stand up comedian.

0:36:53.000 --> 0:36:56.480
<v Speaker 1>And I go, huh, maybe I should, And I decided

0:36:56.520 --> 0:36:59.040
<v Speaker 1>to take a stand up comedy class. It was a

0:36:59.080 --> 0:37:02.160
<v Speaker 1>class at the the Prov and the class was like

0:37:02.640 --> 0:37:04.959
<v Speaker 1>a six weeks class or something like that, once a week,

0:37:05.520 --> 0:37:07.840
<v Speaker 1>and at the end of a class, basically you hustle

0:37:07.920 --> 0:37:10.680
<v Speaker 1>all your friends to come to the improv and your

0:37:10.680 --> 0:37:12.959
<v Speaker 1>friends have to buy drinks and everything, but the show

0:37:13.040 --> 0:37:16.600
<v Speaker 1>is free and they get to witness basically the stand

0:37:16.680 --> 0:37:21.320
<v Speaker 1>up comedian class basically performing at like five o'clock on

0:37:21.120 --> 0:37:23.239
<v Speaker 1>a on a on a Tuesday at the improv kind

0:37:23.280 --> 0:37:26.240
<v Speaker 1>of thing. So I do this like six week class.

0:37:26.239 --> 0:37:29.000
<v Speaker 1>I get up there, uh you know, and do my whatever.

0:37:29.040 --> 0:37:33.600
<v Speaker 1>It was five minutes, ten minutes, I don't remember. And

0:37:33.640 --> 0:37:36.279
<v Speaker 1>I thought, Wow, I really like this. I want to

0:37:36.320 --> 0:37:40.040
<v Speaker 1>be a comedian. And how did you go over um

0:37:40.239 --> 0:37:42.200
<v Speaker 1>that evening? I went over really well because it was

0:37:42.400 --> 0:37:44.320
<v Speaker 1>it was a warm room. There were there were a

0:37:44.360 --> 0:37:46.600
<v Speaker 1>lot of friends that I had convinced to come to

0:37:47.400 --> 0:37:52.000
<v Speaker 1>watch me. And I was ah, I was doing like

0:37:53.320 --> 0:37:58.319
<v Speaker 1>like prop comedy where I just like it was really bad.

0:37:58.360 --> 0:38:02.279
<v Speaker 1>It was really bad, and uh, it's like, go, hey,

0:38:02.280 --> 0:38:06.400
<v Speaker 1>I'm gonna go do comedy. And so I started doing

0:38:06.400 --> 0:38:09.719
<v Speaker 1>like open mics at the at the comedy Store and

0:38:09.760 --> 0:38:13.040
<v Speaker 1>the laugh Factory, and you know, in that world is

0:38:13.120 --> 0:38:15.279
<v Speaker 1>kind of dark. You're basically like standing in line all

0:38:15.360 --> 0:38:18.720
<v Speaker 1>day to like go on for like a three minute

0:38:18.719 --> 0:38:23.920
<v Speaker 1>spot um, you know, whenever they do their open mic nights. Um.

0:38:23.960 --> 0:38:27.080
<v Speaker 1>And I did that for probably about a year and

0:38:27.080 --> 0:38:31.719
<v Speaker 1>a half two years, and I and it's like, I

0:38:31.760 --> 0:38:35.000
<v Speaker 1>don't think this is for me because the life is

0:38:35.040 --> 0:38:37.560
<v Speaker 1>too hard or success is too hard. Why do you

0:38:37.560 --> 0:38:40.120
<v Speaker 1>decide to say this isn't for you. You know, I

0:38:40.640 --> 0:38:44.080
<v Speaker 1>was doing a lot of like improv classes too, and

0:38:45.280 --> 0:38:49.840
<v Speaker 1>my personal experience was in the clubs. Um, there's just

0:38:50.040 --> 0:38:54.000
<v Speaker 1>all these like comedians like fighting for a couple of

0:38:54.000 --> 0:38:56.319
<v Speaker 1>minutes on stage, and it was kind of like a

0:38:56.440 --> 0:39:01.239
<v Speaker 1>dark underbelly um behind like you know, you get on

0:39:01.320 --> 0:39:02.719
<v Speaker 1>stage and all of a sudden, your whole job is

0:39:02.719 --> 0:39:06.160
<v Speaker 1>to be funny. But like the the guys who were

0:39:06.160 --> 0:39:07.799
<v Speaker 1>trying to get up, and it was just it was

0:39:07.880 --> 0:39:10.400
<v Speaker 1>it's a it's a really strange world. And anybody who's

0:39:10.719 --> 0:39:13.120
<v Speaker 1>who's went through this, and I'm sure any any comedian

0:39:13.160 --> 0:39:15.640
<v Speaker 1>this went through this would would would say this as well.

0:39:16.320 --> 0:39:19.960
<v Speaker 1>Um and uh, I just found it just kind of

0:39:20.040 --> 0:39:24.040
<v Speaker 1>like dark and depressing. And and here I was basically

0:39:24.080 --> 0:39:27.839
<v Speaker 1>like standing on a sidewalk for for eight hours trying

0:39:27.840 --> 0:39:30.960
<v Speaker 1>to get like a three minute spot, you know, to

0:39:31.160 --> 0:39:33.239
<v Speaker 1>go up at the comedy store. And I'm like this

0:39:33.520 --> 0:39:38.240
<v Speaker 1>just this just isn't isn't great. And so I decided

0:39:38.239 --> 0:39:42.400
<v Speaker 1>that I wanted to you know, get into acting and

0:39:42.400 --> 0:39:46.200
<v Speaker 1>take acting classes and so were continuing to support yourself

0:39:46.200 --> 0:39:50.440
<v Speaker 1>building computers. No, so I had um, I got I

0:39:50.480 --> 0:39:56.000
<v Speaker 1>had gotten out of the computer business, and I'd like

0:39:56.239 --> 0:39:59.759
<v Speaker 1>sold my clients to this, to the company that that

0:40:00.000 --> 0:40:04.840
<v Speaker 1>was building the PCs, and uh and I had a

0:40:04.920 --> 0:40:08.600
<v Speaker 1>little bit of money, like like tucked away, and so

0:40:08.680 --> 0:40:14.520
<v Speaker 1>I decided that while I was essentially acting, that I

0:40:14.560 --> 0:40:18.200
<v Speaker 1>was going to be a day trader in stocks. And uh.

0:40:18.600 --> 0:40:21.399
<v Speaker 1>So I was like, you know, twenty four years old,

0:40:21.480 --> 0:40:25.840
<v Speaker 1>and we're gonna beat and the UH and and tech stocks.

0:40:25.840 --> 0:40:30.640
<v Speaker 1>If you remember, at this time, we're going crazy like Cisco, Microsoft, Oracle.

0:40:30.680 --> 0:40:33.279
<v Speaker 1>I mean you couldn't lose. I mean, you know, and

0:40:33.280 --> 0:40:35.279
<v Speaker 1>and and all these stocks were going through the roof.

0:40:35.360 --> 0:40:38.360
<v Speaker 1>But then there were all these like um tech companies.

0:40:38.360 --> 0:40:41.080
<v Speaker 1>I remember it was like I two I t w

0:40:41.320 --> 0:40:44.680
<v Speaker 1>O and j D s U and broad Calm and

0:40:44.760 --> 0:40:47.840
<v Speaker 1>all these and and they were just you know, going

0:40:47.880 --> 0:40:52.200
<v Speaker 1>through the roof. And so I start going into stocks

0:40:52.239 --> 0:40:54.600
<v Speaker 1>just you know, I'm taking acting classes, I'm doing comedy

0:40:54.600 --> 0:40:57.440
<v Speaker 1>and improvlem. So I'm trying to find a way into

0:40:57.480 --> 0:41:02.080
<v Speaker 1>the business. But I'm basically gonna, you know, make pay

0:41:02.160 --> 0:41:06.240
<v Speaker 1>my bills through day trading. And this was working great

0:41:06.400 --> 0:41:10.960
<v Speaker 1>for about about a year. And uh and so I

0:41:11.000 --> 0:41:13.279
<v Speaker 1>had uh and I had never taken a class in

0:41:13.360 --> 0:41:15.520
<v Speaker 1>it or anything, but I mean, you really couldn't lose.

0:41:15.560 --> 0:41:20.920
<v Speaker 1>I'm just And then I realized that there's option trading,

0:41:21.600 --> 0:41:25.200
<v Speaker 1>which is which is essentially the kiss of death, which

0:41:25.320 --> 0:41:30.120
<v Speaker 1>you know, basically you can just buy, uh own the

0:41:30.200 --> 0:41:33.360
<v Speaker 1>stock for a fraction of a stock price, so you

0:41:33.360 --> 0:41:35.360
<v Speaker 1>can buy like a thousand shares when you could have

0:41:35.360 --> 0:41:38.759
<v Speaker 1>only really afforded to buy, you know, fifty shares. But

0:41:38.880 --> 0:41:42.520
<v Speaker 1>when you lose, you basically lose like you like you

0:41:42.640 --> 0:41:45.120
<v Speaker 1>had a thousand shares. You get wiped out really quick,

0:41:45.320 --> 0:41:48.520
<v Speaker 1>but you can make big gains. So I was trading options.

0:41:48.560 --> 0:41:50.640
<v Speaker 1>I mean it was, it was going really really well.

0:41:51.280 --> 0:41:58.480
<v Speaker 1>And then this was and the whole tech market crashed

0:41:59.000 --> 0:42:02.160
<v Speaker 1>and overnight the stocks went from like I don't know,

0:42:02.160 --> 0:42:05.399
<v Speaker 1>two dollars a share to like two dollars to share,

0:42:05.440 --> 0:42:08.600
<v Speaker 1>and I was in options and I got wiped out

0:42:09.040 --> 0:42:12.399
<v Speaker 1>and it was it was and suddenly I was back

0:42:12.440 --> 0:42:16.200
<v Speaker 1>to Okay, Now, how am I actually gonna gonna support

0:42:16.239 --> 0:42:21.360
<v Speaker 1>myself as as a as an actor? Um? So so

0:42:21.440 --> 0:42:25.239
<v Speaker 1>I start up this, uh this showcase company. Um. And

0:42:25.920 --> 0:42:28.680
<v Speaker 1>the concept was I had been trying to break into

0:42:28.800 --> 0:42:33.480
<v Speaker 1>acting and and and in in Los Angeles, and these

0:42:33.520 --> 0:42:35.360
<v Speaker 1>things are still going on. They have all these like

0:42:35.400 --> 0:42:39.959
<v Speaker 1>cold reading workshops and acting workshops and and and there's

0:42:40.000 --> 0:42:43.239
<v Speaker 1>scam operations. You go in, you pay fifty bucks and

0:42:43.280 --> 0:42:47.560
<v Speaker 1>you read for like some like casting director's assistant or

0:42:47.640 --> 0:42:52.160
<v Speaker 1>some manager's assistant or some agents assistant, and the laboratiz

0:42:52.239 --> 0:42:56.080
<v Speaker 1>that like, you know whatever, some legitimate you know, agency manager.

0:42:56.120 --> 0:42:58.520
<v Speaker 1>But it's not even it's like it's a it's a

0:42:58.520 --> 0:43:01.960
<v Speaker 1>total scam. And so um, so I'm doing these cold

0:43:02.000 --> 0:43:05.480
<v Speaker 1>reading workshops and these agent workshops, trying to get an agent,

0:43:05.560 --> 0:43:08.080
<v Speaker 1>trying to get seen, and I'm realizing that this is

0:43:08.080 --> 0:43:11.240
<v Speaker 1>a scam. And I decided that I'm gonna put together

0:43:11.360 --> 0:43:15.120
<v Speaker 1>essentially this this showcase that's not going to be a scam,

0:43:15.160 --> 0:43:18.880
<v Speaker 1>that I'm going to bring in legitimate industry people and

0:43:18.880 --> 0:43:23.040
<v Speaker 1>I'm going to have the work critiqued, because that was

0:43:23.120 --> 0:43:25.520
<v Speaker 1>essentially what I was missing from all these workshops. You

0:43:25.600 --> 0:43:27.759
<v Speaker 1>do these workshops and you'd go, Okay, well what did

0:43:27.760 --> 0:43:30.000
<v Speaker 1>you think of me? And are you actually gonna call

0:43:30.040 --> 0:43:32.160
<v Speaker 1>me in for a meeting or do you want to

0:43:32.160 --> 0:43:35.080
<v Speaker 1>represent me? And and times out of a hundred, you

0:43:35.120 --> 0:43:37.759
<v Speaker 1>would just do this thing and leave with this big

0:43:37.840 --> 0:43:40.279
<v Speaker 1>question mark in your mind, but you'd be fifty bucks,

0:43:40.400 --> 0:43:43.319
<v Speaker 1>you know, poor. So I just scided I'm gonna put

0:43:43.320 --> 0:43:49.760
<v Speaker 1>together this um this actor's showcase, and I rent a theater.

0:43:50.680 --> 0:43:55.960
<v Speaker 1>I started advertising in backstage West and lo and behold,

0:43:56.160 --> 0:43:59.160
<v Speaker 1>there's a real need in the marketplace for this. So

0:43:59.200 --> 0:44:04.359
<v Speaker 1>I start together these showcases where essentially, you know, uh,

0:44:05.200 --> 0:44:08.120
<v Speaker 1>I put up like twelve five minute scenes and I

0:44:08.160 --> 0:44:11.920
<v Speaker 1>would direct all the scenes. I I team be actors together.

0:44:12.080 --> 0:44:16.320
<v Speaker 1>I'd give them material out of plays or something that

0:44:16.320 --> 0:44:18.600
<v Speaker 1>that I had written, basically just to see how it

0:44:18.600 --> 0:44:21.520
<v Speaker 1>would go over. Uh. And I would and I would

0:44:21.520 --> 0:44:24.120
<v Speaker 1>team everybody up and they would go work on on

0:44:24.160 --> 0:44:27.839
<v Speaker 1>their scenes, come back and rehearse. And then I'd put

0:44:27.880 --> 0:44:30.160
<v Speaker 1>together this showcase and I had four wall a theater.

0:44:30.200 --> 0:44:32.880
<v Speaker 1>I'd bring in a light guy, a sound guy, you know,

0:44:32.920 --> 0:44:35.160
<v Speaker 1>put basic furniture on the stage, and bring in all

0:44:35.200 --> 0:44:38.399
<v Speaker 1>these agents and managers and casting directors. But they would

0:44:38.400 --> 0:44:43.000
<v Speaker 1>actually critique the work. So so the actors myself included,

0:44:43.440 --> 0:44:45.359
<v Speaker 1>would come out of this and go, hey, you like me,

0:44:45.400 --> 0:44:47.280
<v Speaker 1>you didn't like me? Actually want to take a meeting

0:44:47.320 --> 0:44:51.160
<v Speaker 1>with me? You you want to you know whatever. And

0:44:51.239 --> 0:44:55.560
<v Speaker 1>so I started doing this and about two years into it,

0:44:56.600 --> 0:45:00.319
<v Speaker 1>UM and I was holding these showcases probably every other month. Uh,

0:45:00.360 --> 0:45:02.560
<v Speaker 1>I was paying my bills, you know, it was it

0:45:02.680 --> 0:45:05.120
<v Speaker 1>was just it was enough to get by. Plus plus

0:45:05.160 --> 0:45:08.040
<v Speaker 1>I was actually getting on stage and working and getting

0:45:08.080 --> 0:45:12.239
<v Speaker 1>my work critiqued. UM and I meet this guy who

0:45:12.640 --> 0:45:15.239
<v Speaker 1>had come in to do the showcase with me, and

0:45:15.280 --> 0:45:17.720
<v Speaker 1>we decided that we're going to write a ten minutes

0:45:17.760 --> 0:45:21.799
<v Speaker 1>scene for for the showcase. And we come up with

0:45:21.840 --> 0:45:24.840
<v Speaker 1>this concept for the scene then, and the scene is

0:45:24.840 --> 0:45:27.719
<v Speaker 1>basically going to be an a Jewish guy and a

0:45:27.800 --> 0:45:31.640
<v Speaker 1>Christian guy and they're at a Jewish singles mixer, and

0:45:31.680 --> 0:45:34.080
<v Speaker 1>we went, well, why are they each there? And we

0:45:34.160 --> 0:45:38.160
<v Speaker 1>decided that essentially, the Christian guy was at the Jewish

0:45:38.200 --> 0:45:41.120
<v Speaker 1>singles mixer because he wanted to meet and marry a

0:45:41.200 --> 0:45:43.760
<v Speaker 1>Jewish girl so they never have to make another decision

0:45:43.800 --> 0:45:47.719
<v Speaker 1>in his life. And and the Jewish guy was at

0:45:47.719 --> 0:45:50.839
<v Speaker 1>the was at the singles mixer because his mother had

0:45:50.920 --> 0:45:53.320
<v Speaker 1>forced him to be there. But what he really wanted

0:45:53.320 --> 0:45:55.080
<v Speaker 1>to do was, you know, run off with an Asian

0:45:55.600 --> 0:45:58.000
<v Speaker 1>and this was the worst thing in the world. And

0:45:58.080 --> 0:46:01.240
<v Speaker 1>that the Christian guy had been basically convinced the Jewish

0:46:01.239 --> 0:46:03.799
<v Speaker 1>guy to teach him how to pretend to be a

0:46:03.880 --> 0:46:06.759
<v Speaker 1>Jew so that he could basically marry a Jewish goal

0:46:06.800 --> 0:46:08.719
<v Speaker 1>so he never had to make another decision. So we

0:46:08.840 --> 0:46:12.880
<v Speaker 1>put up this this ten minute scene at the showcase

0:46:13.400 --> 0:46:16.239
<v Speaker 1>and it went crazy and people were laughing. And I

0:46:16.239 --> 0:46:18.640
<v Speaker 1>had never heard a reaction to this, and anything that

0:46:18.680 --> 0:46:21.440
<v Speaker 1>I had done, from stand up comedy to all the

0:46:21.480 --> 0:46:26.839
<v Speaker 1>acting classes plays nothing, and and Sam and I go, hey,

0:46:26.920 --> 0:46:32.120
<v Speaker 1>we're we maybe we're onto something. And so we performed

0:46:32.120 --> 0:46:33.759
<v Speaker 1>the scene over the like the next four or five

0:46:33.800 --> 0:46:37.319
<v Speaker 1>months and start thinking, hey, do do we turn this

0:46:37.400 --> 0:46:39.480
<v Speaker 1>into like, try to write this as a TV pilot,

0:46:39.600 --> 0:46:42.560
<v Speaker 1>We try to write this as a movie. And theater

0:46:42.719 --> 0:46:44.879
<v Speaker 1>is what made sense to me because I said, oh, hey,

0:46:44.880 --> 0:46:47.239
<v Speaker 1>this is we could do this. We can put put

0:46:47.280 --> 0:46:50.040
<v Speaker 1>on a play. And so we spend the next year

0:46:50.800 --> 0:46:56.440
<v Speaker 1>writing essentially this ten minute scene into a full length play.

0:46:56.560 --> 0:47:00.839
<v Speaker 1>And and when we're done writing this play, I had

0:47:00.840 --> 0:47:05.080
<v Speaker 1>been introduced to Elliott Gould and um and I had

0:47:05.080 --> 0:47:10.040
<v Speaker 1>been introduced to him through Frankie Blonde's producer Yeah, who

0:47:10.040 --> 0:47:12.120
<v Speaker 1>passed away a few years ago. And Frank had had

0:47:12.200 --> 0:47:15.400
<v Speaker 1>run Paramount and he had run MGM. He was kind

0:47:15.440 --> 0:47:19.920
<v Speaker 1>of like a legend and and Frank read the play

0:47:20.200 --> 0:47:22.400
<v Speaker 1>loved it. He said, I think maybe Elliott would like this.

0:47:22.480 --> 0:47:26.560
<v Speaker 1>He gives it to Elliott, and Elliott likes it, and

0:47:26.640 --> 0:47:29.960
<v Speaker 1>I go and meet with Elliot Gould at like five

0:47:30.000 --> 0:47:33.000
<v Speaker 1>o'clock in the morning at Nate Nows. And this was

0:47:33.040 --> 0:47:37.439
<v Speaker 1>the craziest thing because Elliott, um, I wonder if if

0:47:37.440 --> 0:47:39.680
<v Speaker 1>his day to this day probably still does this. I mean,

0:47:40.120 --> 0:47:41.920
<v Speaker 1>like he would like to go to Nate now so

0:47:42.040 --> 0:47:44.600
<v Speaker 1>like five in the morning because there was nobody there

0:47:44.600 --> 0:47:46.480
<v Speaker 1>and he wouldn't get hassled, but he wanted to be

0:47:46.520 --> 0:47:49.440
<v Speaker 1>at Nate Now's I remember. We go to meet Elliott

0:47:49.480 --> 0:47:52.040
<v Speaker 1>and it's literally like five in the morning, five thirty

0:47:52.040 --> 0:47:55.040
<v Speaker 1>in the morning. And and the day before he had

0:47:55.080 --> 0:47:57.120
<v Speaker 1>like called us and you know, call her. I d

0:47:57.280 --> 0:47:59.279
<v Speaker 1>on the on the phone, it shows up Elliott Gold.

0:47:59.280 --> 0:48:01.160
<v Speaker 1>I'm like, oh my god, like Gold to calling you

0:48:01.160 --> 0:48:03.120
<v Speaker 1>know what? That's a the phone. He's like Hi. He's

0:48:03.120 --> 0:48:06.400
<v Speaker 1>like Hi, this is Elia Gould And I'm like hey Elliott.

0:48:06.680 --> 0:48:09.479
<v Speaker 1>He's like, you want to have breakfast with me? I'm like, yeah,

0:48:09.520 --> 0:48:12.799
<v Speaker 1>what time? He's like, how's five in the morning. Get

0:48:13.440 --> 0:48:16.919
<v Speaker 1>they That was I'm like five in the morning. He goes, yeah,

0:48:16.960 --> 0:48:20.520
<v Speaker 1>they opened it five for five thirty. I'm like, and

0:48:20.520 --> 0:48:24.560
<v Speaker 1>I'm thinking to myself, you know, there's really a part

0:48:24.600 --> 0:48:26.920
<v Speaker 1>of me that's gonna go, you know. And I remember

0:48:26.960 --> 0:48:30.120
<v Speaker 1>I go, you know how It's like, how's like maybe

0:48:30.280 --> 0:48:32.840
<v Speaker 1>seven in the morning. He's like, you know, I really

0:48:32.880 --> 0:48:35.320
<v Speaker 1>like to go like five in the morning. I'm like, okay, fine,

0:48:35.560 --> 0:48:38.040
<v Speaker 1>five in the morning. And when this is gonna be nuts.

0:48:38.520 --> 0:48:42.200
<v Speaker 1>So go and sit down with Elia Gould and m

0:48:42.719 --> 0:48:45.879
<v Speaker 1>and he agrees that the whole basically kind of like

0:48:46.480 --> 0:48:50.880
<v Speaker 1>host this reading workshop of this play like Elia could

0:48:51.040 --> 0:48:55.360
<v Speaker 1>presents um. It turns out that he that he that

0:48:55.640 --> 0:48:59.000
<v Speaker 1>what he had really connected to in the play um

0:48:59.719 --> 0:49:05.279
<v Speaker 1>was basically the play has kind of had like all

0:49:05.320 --> 0:49:10.080
<v Speaker 1>this um uh circumcision elements in it, and and Elliott

0:49:10.400 --> 0:49:14.279
<v Speaker 1>was not in favor of circumcision and uh, and he

0:49:14.440 --> 0:49:16.759
<v Speaker 1>just and he really thought that that was that was

0:49:16.800 --> 0:49:20.600
<v Speaker 1>great in the play. And so he hosts this this uh,

0:49:20.719 --> 0:49:24.000
<v Speaker 1>this reading and we bring out like a couple hundred

0:49:24.000 --> 0:49:26.640
<v Speaker 1>people over a couple of nights to try to back

0:49:27.440 --> 0:49:29.920
<v Speaker 1>this play. We need like eighty dollars to do it,

0:49:30.520 --> 0:49:34.399
<v Speaker 1>and a few hundred people show up and we're trying

0:49:34.440 --> 0:49:37.239
<v Speaker 1>to get everybody whatever, donate a couple of hundred bucks,

0:49:37.320 --> 0:49:41.440
<v Speaker 1>five hundred bucks, whatever, and not no one is willing

0:49:41.480 --> 0:49:47.359
<v Speaker 1>to essentially finance this play. And um, uh, so we

0:49:47.440 --> 0:49:51.760
<v Speaker 1>decided to rack up my credit cards and my parents

0:49:51.800 --> 0:49:53.719
<v Speaker 1>loaned me a little bit of money but not much.

0:49:54.080 --> 0:49:58.239
<v Speaker 1>Is just really just going for it, and uh put

0:49:58.280 --> 0:50:01.640
<v Speaker 1>together a whole production and open opened up the play

0:50:01.680 --> 0:50:08.040
<v Speaker 1>in in Los Angeles and it became a hit theater

0:50:08.080 --> 0:50:11.920
<v Speaker 1>at the Coast Playhouse in West Hollywood on sam Oka Boulevard.

0:50:12.760 --> 0:50:16.759
<v Speaker 1>It opened up in um, I think it was May

0:50:17.160 --> 0:50:20.239
<v Speaker 1>third or something, two thousand thirteen, and the l A

0:50:20.320 --> 0:50:24.680
<v Speaker 1>Times gave us like a rave and suddenly, you know,

0:50:24.760 --> 0:50:27.000
<v Speaker 1>you could not get a ticket to this show for

0:50:27.000 --> 0:50:29.080
<v Speaker 1>for six months. I mean they were just lined up.

0:50:29.400 --> 0:50:32.640
<v Speaker 1>How many performances a week? We were doing five shows

0:50:32.640 --> 0:50:35.040
<v Speaker 1>a week and the theater was ninety nine set. But

0:50:35.440 --> 0:50:37.160
<v Speaker 1>what we had done is we had turned it into

0:50:37.160 --> 0:50:39.319
<v Speaker 1>like a hundred and twenties theater. We had stacked in

0:50:39.360 --> 0:50:43.359
<v Speaker 1>all these chairs into there, totally against fire code, but

0:50:43.400 --> 0:50:47.040
<v Speaker 1>you know, we we were selling the seats and uh

0:50:47.600 --> 0:50:50.439
<v Speaker 1>and within about a month and a half, two months,

0:50:50.520 --> 0:50:53.760
<v Speaker 1>I had recouped the play, and suddenly I was making

0:50:53.800 --> 0:50:58.000
<v Speaker 1>a living essentially as an actor uh in in my

0:50:58.040 --> 0:51:04.120
<v Speaker 1>own play that was producing and um and that went

0:51:04.160 --> 0:51:09.240
<v Speaker 1>on for the next five years before the uh the movie.

0:51:09.600 --> 0:51:11.520
<v Speaker 1>Did you have any money in the bank? Was this

0:51:11.640 --> 0:51:16.920
<v Speaker 1>lucrative in any way? UM, I'd done, I've done okay,

0:51:16.960 --> 0:51:19.200
<v Speaker 1>Like when the show was in New York, I was

0:51:19.280 --> 0:51:23.520
<v Speaker 1>doing pretty well, but New York is very expensive. UM.

0:51:23.560 --> 0:51:27.719
<v Speaker 1>And then I had UM had like this traveling production

0:51:27.760 --> 0:51:32.040
<v Speaker 1>of it were um. Originally it was Sam and I

0:51:32.120 --> 0:51:33.600
<v Speaker 1>the guy that I wrote the show with, and then

0:51:33.600 --> 0:51:36.879
<v Speaker 1>it was just me doing another thing. And that had

0:51:36.880 --> 0:51:39.719
<v Speaker 1>sustained me for a while. That and speaking engagement. So

0:51:39.760 --> 0:51:43.799
<v Speaker 1>I'd get all these um, basically speaking engagements. I'd get

0:51:43.800 --> 0:51:48.280
<v Speaker 1>called into this fundraiser, that fundraiser and Jewish fundraisers. I assume,

0:51:48.480 --> 0:51:51.720
<v Speaker 1>yeah mostly, And how did you get those gigs through

0:51:52.000 --> 0:51:54.040
<v Speaker 1>through an agency, through an agent? And what would they

0:51:54.040 --> 0:52:01.880
<v Speaker 1>be worth? Back then they're pretty good, like okay, and

0:52:01.920 --> 0:52:04.839
<v Speaker 1>then what would you rap be what? What? What would

0:52:04.880 --> 0:52:08.399
<v Speaker 1>they get for their money? UM? You know they'd get me.

0:52:09.440 --> 0:52:11.359
<v Speaker 1>I mean, what would you do? You had this note?

0:52:11.400 --> 0:52:15.920
<v Speaker 1>So I would outside go in and basically UM I had,

0:52:16.520 --> 0:52:18.720
<v Speaker 1>you know, they usually wanted me to do like forty

0:52:18.800 --> 0:52:23.600
<v Speaker 1>five minutes or an hour, and so I I'd go

0:52:23.640 --> 0:52:27.160
<v Speaker 1>in and basically and UM I crafted like a power

0:52:27.239 --> 0:52:32.439
<v Speaker 1>point multimedia kind of comedy UM where I'd include kind

0:52:32.480 --> 0:52:39.319
<v Speaker 1>of bits of material UM from the play UM, but

0:52:39.719 --> 0:52:44.200
<v Speaker 1>I would tell stories and and just you know, crazy

0:52:44.280 --> 0:52:47.560
<v Speaker 1>stories about like my parents, UH took a trip years

0:52:47.600 --> 0:52:51.799
<v Speaker 1>ago to China and UH they went. It was through

0:52:51.840 --> 0:52:54.920
<v Speaker 1>their synagogue and they and the trip was going to

0:52:54.960 --> 0:52:58.640
<v Speaker 1>be a Kosher trip through China, even though even though um,

0:52:58.680 --> 0:53:02.719
<v Speaker 1>even though my parents UH are not super religious, but

0:53:02.880 --> 0:53:05.120
<v Speaker 1>the synagogue was a Kosher trip to China. And my

0:53:05.160 --> 0:53:07.959
<v Speaker 1>parents were telling the story about basically how the rabbi

0:53:08.239 --> 0:53:12.040
<v Speaker 1>had like a torah on like a total long that

0:53:12.080 --> 0:53:15.239
<v Speaker 1>he's totaling through the streets of China because anytime they

0:53:15.280 --> 0:53:18.600
<v Speaker 1>would like encounter like on kosher food, I guess the

0:53:18.719 --> 0:53:21.600
<v Speaker 1>Rabbi would like open up the Torah, read some sort

0:53:21.640 --> 0:53:24.960
<v Speaker 1>of read some sort of prayer, and then and then

0:53:25.040 --> 0:53:28.640
<v Speaker 1>any dish that you know, silverware, flatwear plates, anything that

0:53:28.680 --> 0:53:32.359
<v Speaker 1>they encountered that was like on kosher, the Rabbi could

0:53:32.360 --> 0:53:35.400
<v Speaker 1>immediately like turn it into kosher, you know, by pulling

0:53:35.440 --> 0:53:39.160
<v Speaker 1>my whipping out the torah, and uh so I I

0:53:39.239 --> 0:53:41.560
<v Speaker 1>had photos like this was like, you know, part of

0:53:41.560 --> 0:53:43.600
<v Speaker 1>the what I would do is speaking. I had photos

0:53:43.640 --> 0:53:47.080
<v Speaker 1>of like my parents like basically this roaming pack of

0:53:47.120 --> 0:53:50.719
<v Speaker 1>old Jews through China. And I mean the photos are

0:53:50.800 --> 0:53:54.680
<v Speaker 1>ridiculous because what their entire trip was was basically searching

0:53:54.680 --> 0:53:59.600
<v Speaker 1>for Chinese Jews. When my parents, wherever you go, you

0:53:59.640 --> 0:54:02.799
<v Speaker 1>gotta go the synagogue, right so wherever, and that's my thing.

0:54:02.840 --> 0:54:05.279
<v Speaker 1>But my parents, wherever they go, they basically have to

0:54:05.320 --> 0:54:09.040
<v Speaker 1>find the Jew anywhere anywhere in the world. They basically play,

0:54:09.120 --> 0:54:13.120
<v Speaker 1>you know, find the Jew and and so so here

0:54:13.160 --> 0:54:16.920
<v Speaker 1>they are in China, basically just roaming through China and

0:54:16.920 --> 0:54:19.439
<v Speaker 1>and like one of the things they did they went

0:54:19.480 --> 0:54:22.640
<v Speaker 1>to this this this this town I'm trying to remember

0:54:22.680 --> 0:54:26.680
<v Speaker 1>the name of it, uh Nanking or something like this.

0:54:27.040 --> 0:54:31.400
<v Speaker 1>It's basically a town in China where apparently Jews lived

0:54:32.000 --> 0:54:37.680
<v Speaker 1>and Jews had settled this town and the town essentially prospered.

0:54:38.120 --> 0:54:41.480
<v Speaker 1>And then you know, and there's a Jewish cemetery in China.

0:54:41.760 --> 0:54:44.319
<v Speaker 1>And this was worth and my parents estimation, like a

0:54:44.360 --> 0:54:47.640
<v Speaker 1>twelve hour train trip to China in the middle of

0:54:47.640 --> 0:54:50.640
<v Speaker 1>a winter to go find like a Jewish cemetery in China.

0:54:51.040 --> 0:54:52.920
<v Speaker 1>But to me, this was just comedy. I mean, this

0:54:53.000 --> 0:54:55.640
<v Speaker 1>was just pure insanity. And so, you know, so I

0:54:55.680 --> 0:54:59.040
<v Speaker 1>would go into these, like, you know whatever speaking engagement

0:54:59.080 --> 0:55:03.720
<v Speaker 1>that these fundraisers tell, These tell these funny stories, um,

0:55:03.760 --> 0:55:07.200
<v Speaker 1>you know, my upbringing and growing up and uh, and

0:55:07.280 --> 0:55:15.680
<v Speaker 1>that was essentially sustaining a living for me. You're listening

0:55:15.719 --> 0:55:19.240
<v Speaker 1>to my conversation with Oscar winning documentary and Brian Fogel,

0:55:19.560 --> 0:55:25.400
<v Speaker 1>recorded live at the tune In Studios in Venice, California.

0:55:26.239 --> 0:55:28.560
<v Speaker 1>I hope you're enjoying this episode of the Bob left

0:55:28.600 --> 0:55:31.600
<v Speaker 1>Sex Podcast. If you want to see videos, photos, and

0:55:31.760 --> 0:55:34.080
<v Speaker 1>sound bites from Brian and the rest of my guests

0:55:34.400 --> 0:55:37.280
<v Speaker 1>is they joined me in the studio, visit at tune

0:55:37.280 --> 0:55:40.880
<v Speaker 1>In on Twitter, Facebook, and Instagram. Now more of my

0:55:40.960 --> 0:55:44.520
<v Speaker 1>conversation with Brian Fogel. I'm the Bob left Sets Podcast.

0:55:47.040 --> 0:55:49.400
<v Speaker 1>How many of those gigs, uh speaking engagements do you

0:55:49.400 --> 0:55:57.520
<v Speaker 1>think you did? M hmm? Probably over maybe four years,

0:55:57.560 --> 0:56:01.000
<v Speaker 1>five years. I probably did maybe on ard of them. Okay,

0:56:01.200 --> 0:56:04.280
<v Speaker 1>very good, you know, high number. So then it stopped

0:56:04.320 --> 0:56:06.279
<v Speaker 1>because you no longer want to do it or it

0:56:06.280 --> 0:56:09.719
<v Speaker 1>plays itself out. I can't played itself out, and I

0:56:09.760 --> 0:56:13.320
<v Speaker 1>didn't want to do it. Um. It was really UM.

0:56:13.400 --> 0:56:17.560
<v Speaker 1>I was very focused on getting the film made. And

0:56:17.920 --> 0:56:20.839
<v Speaker 1>so one can still see the film, right, Yeah, are

0:56:20.840 --> 0:56:28.279
<v Speaker 1>you happy with the film? Mixed? Uh? Not? You know

0:56:28.320 --> 0:56:32.480
<v Speaker 1>that I wasn't able to to do what I wanted

0:56:32.520 --> 0:56:38.200
<v Speaker 1>to do creatively. UM. I had come into the production

0:56:38.280 --> 0:56:41.320
<v Speaker 1>with like a hundred and fifteen hundred sixteen page shooting

0:56:41.360 --> 0:56:45.400
<v Speaker 1>script and then I was forced to cut out of

0:56:45.440 --> 0:56:47.520
<v Speaker 1>it a week into the shoot. So we literally shot

0:56:47.600 --> 0:56:52.480
<v Speaker 1>like an eighty five page script. Um. And there is

0:56:52.560 --> 0:56:55.880
<v Speaker 1>nothing in the film that we didn't shoot. There's nothing

0:56:55.880 --> 0:56:58.600
<v Speaker 1>on the cutting room floor, literally nothing. They're not even

0:56:58.600 --> 0:57:02.200
<v Speaker 1>a single scene nothing um and UM. So you know

0:57:02.280 --> 0:57:05.800
<v Speaker 1>it's I think for what it was, there's it's fun,

0:57:06.000 --> 0:57:09.839
<v Speaker 1>there's good laughs, but it's not. Um, it's not the

0:57:09.880 --> 0:57:13.040
<v Speaker 1>film that I wanted to make, not not by long. Okay,

0:57:13.040 --> 0:57:18.440
<v Speaker 1>So that film goes to v O D when um,

0:57:18.720 --> 0:57:23.760
<v Speaker 1>two thousand and I think it was October something like that,

0:57:23.800 --> 0:57:28.040
<v Speaker 1>two thousand twelve. And so at what point do you

0:57:28.800 --> 0:57:33.600
<v Speaker 1>start riding your bike again? I was really starting to ride.

0:57:33.600 --> 0:57:35.320
<v Speaker 1>I mean before it went to v O D. The

0:57:35.320 --> 0:57:37.560
<v Speaker 1>film had already been finished, So it had been had

0:57:37.560 --> 0:57:42.479
<v Speaker 1>been finished for I don't know ten months, eleven months,

0:57:42.520 --> 0:57:44.760
<v Speaker 1>and they were trying to figure out what they were

0:57:44.800 --> 0:57:50.400
<v Speaker 1>going to do with it, um and um. So I

0:57:50.440 --> 0:57:55.959
<v Speaker 1>was already going, um, this was not leading to other work,

0:57:56.320 --> 0:57:59.439
<v Speaker 1>you know, it wasn't It wasn't leading to really any

0:57:59.440 --> 0:58:02.959
<v Speaker 1>opportunity these despite the film having a pretty big cast

0:58:03.000 --> 0:58:06.400
<v Speaker 1>in it, And so I was trying to figure out

0:58:06.400 --> 0:58:08.840
<v Speaker 1>what I was going to do. And and so that

0:58:08.960 --> 0:58:12.160
<v Speaker 1>was you know, two thousand twelve, really all of two

0:58:12.160 --> 0:58:14.680
<v Speaker 1>thousand really all of two thousand thirteen and two thousand

0:58:14.760 --> 0:58:17.440
<v Speaker 1>thirteen is when I probably really started spending a lot

0:58:17.440 --> 0:58:20.720
<v Speaker 1>of time on the bike. Again basically you're lost mentally,

0:58:20.760 --> 0:58:23.920
<v Speaker 1>you don't know where you're going, and you're obviously a

0:58:23.960 --> 0:58:26.680
<v Speaker 1>fan of the scene. The bike scene does a light

0:58:26.800 --> 0:58:31.600
<v Speaker 1>you have a lightbulb moment, Yeah, I mean the the

0:58:31.720 --> 0:58:36.280
<v Speaker 1>I think it was a combination. I was I was

0:58:36.680 --> 0:58:41.000
<v Speaker 1>looking at other businesses, but I didn't want to be

0:58:41.040 --> 0:58:44.880
<v Speaker 1>in another business. I mean, my my my life since

0:58:45.320 --> 0:58:48.760
<v Speaker 1>as you know, I'm twenty four years old, twenty three

0:58:48.800 --> 0:58:51.360
<v Speaker 1>years old, has been in entertainment and I don't. I

0:58:51.360 --> 0:58:54.360
<v Speaker 1>didn't know anything else other than how to basically create

0:58:54.400 --> 0:58:58.000
<v Speaker 1>and make things. And so I really, um, I didn't

0:58:58.080 --> 0:59:00.040
<v Speaker 1>want to go into anything else. I wanted to to

0:59:00.800 --> 0:59:05.480
<v Speaker 1>continue making film. I wanted to continue um in in

0:59:05.480 --> 0:59:10.680
<v Speaker 1>in that world. Um and uh so you know I

0:59:10.800 --> 0:59:15.160
<v Speaker 1>grasped onto this, this idea um of kind of a

0:59:15.200 --> 0:59:18.920
<v Speaker 1>supersize me movie. Did it come to you just that quickly,

0:59:19.000 --> 0:59:20.640
<v Speaker 1>like you're on your bike one day and all of

0:59:20.680 --> 0:59:24.480
<v Speaker 1>a sudden, you go, fuck, it's supersized me on a bike? Um?

0:59:24.720 --> 0:59:27.160
<v Speaker 1>It was? It was. It was a process. I was.

0:59:27.640 --> 0:59:31.080
<v Speaker 1>I was riding bikes a lot with a with a

0:59:31.080 --> 0:59:33.240
<v Speaker 1>guy by the name of Tim Comerford. You might know

0:59:33.640 --> 0:59:37.200
<v Speaker 1>who he is, Timmy c. He's the bass player for

0:59:37.320 --> 0:59:39.160
<v Speaker 1>Rage Against the Machine. It was a bass player, an

0:59:39.160 --> 0:59:42.200
<v Speaker 1>audio slave. Now he's in Profits of Rage. He's had

0:59:42.200 --> 0:59:45.080
<v Speaker 1>an amazing career. And uh, Timmy and I were out

0:59:45.200 --> 0:59:48.480
<v Speaker 1>riding a ton and and we were always, you know,

0:59:48.520 --> 0:59:50.640
<v Speaker 1>I was we were always talking about Lance and he

0:59:50.680 --> 0:59:54.600
<v Speaker 1>knows Lance and and the whole thing that you know,

0:59:54.680 --> 0:59:58.240
<v Speaker 1>Lance had confessed and just philosophically about it. And you know,

0:59:58.320 --> 1:00:00.800
<v Speaker 1>through our conversations, I was, you know, trying to figure

1:00:00.800 --> 1:00:02.560
<v Speaker 1>out what what I wanted to do, and I grasped

1:00:02.600 --> 1:00:06.480
<v Speaker 1>onto this idea of basically showing that the anti doping

1:00:06.520 --> 1:00:08.800
<v Speaker 1>system is a fraud. And I remember one day we're

1:00:08.800 --> 1:00:11.080
<v Speaker 1>out on the bike and I'm thinking like, hey, I'm

1:00:11.080 --> 1:00:14.000
<v Speaker 1>gonna like go hire somebody like an athlete to go

1:00:14.040 --> 1:00:16.920
<v Speaker 1>do this. And Timmy's like, dude, just dope yourself, Man,

1:00:16.960 --> 1:00:21.200
<v Speaker 1>you got dope yourself. I'm like, yeah, you're right. He said, yeah, Man,

1:00:21.280 --> 1:00:23.120
<v Speaker 1>just dope yourself. You do the drugs, you do it,

1:00:23.160 --> 1:00:25.560
<v Speaker 1>you do it. I'm like, yeah, Timmy, you're right. You're right,

1:00:25.600 --> 1:00:28.840
<v Speaker 1>that's what I should do. And UH, and so you know,

1:00:29.560 --> 1:00:32.760
<v Speaker 1>the idea essentially was was was born that I was

1:00:32.800 --> 1:00:36.280
<v Speaker 1>gonna basically ride my bike, take a lot of drugs

1:00:36.680 --> 1:00:39.439
<v Speaker 1>and prove that the system was a fraud. Now when

1:00:39.600 --> 1:00:47.880
<v Speaker 1>was that epiphany? Now was UM probably middle of two

1:00:47.880 --> 1:00:51.800
<v Speaker 1>thousand thirteen. And then it took me another year to

1:00:51.880 --> 1:00:56.640
<v Speaker 1>get the first UM three or fifty thousand to start

1:00:56.640 --> 1:01:01.120
<v Speaker 1>shooting and UM and then that year I had developed

1:01:01.200 --> 1:01:03.600
<v Speaker 1>essentially like a treatment and like a proof of concept,

1:01:04.480 --> 1:01:10.840
<v Speaker 1>and UH went in and started essentially talking to producers

1:01:10.880 --> 1:01:14.600
<v Speaker 1>about you know, like this is the idea and um,

1:01:15.040 --> 1:01:17.120
<v Speaker 1>you know, and everybody kind of loved the idea. Essentially

1:01:17.160 --> 1:01:20.680
<v Speaker 1>it supersized me in the world of sports, um with

1:01:21.200 --> 1:01:23.160
<v Speaker 1>you know, not only for those people who don't know.

1:01:23.560 --> 1:01:28.880
<v Speaker 1>Supersize me is the famous movie where he eats Morgan Spurlock,

1:01:29.160 --> 1:01:31.760
<v Speaker 1>who's now gotten caught up in the me too movement himself.

1:01:32.360 --> 1:01:35.240
<v Speaker 1>He eats McDonald's for a month and he's assessed by

1:01:35.280 --> 1:01:40.920
<v Speaker 1>a doctor and sees the biological effects exactly and essentially

1:01:40.920 --> 1:01:43.720
<v Speaker 1>and supersize me. Basically it's McDonald's for a month, which

1:01:43.720 --> 1:01:46.320
<v Speaker 1>you can imagine that is not healthy for you. But

1:01:46.800 --> 1:01:48.880
<v Speaker 1>you know, he basically just turns into almost like a

1:01:48.960 --> 1:01:52.040
<v Speaker 1>dying man on on camera. Is all that he's eating

1:01:52.160 --> 1:01:56.080
<v Speaker 1>is basically supersize me meals from McDonald's. And the takeaway is,

1:01:56.120 --> 1:01:59.560
<v Speaker 1>you know, just the destroyer of how bad fast food

1:01:59.600 --> 1:02:02.960
<v Speaker 1>is for you and uh and you know, in in

1:02:03.160 --> 1:02:06.600
<v Speaker 1>my version of it, it was really going to be, um,

1:02:06.640 --> 1:02:08.920
<v Speaker 1>A what do these drugs do? B Are they good

1:02:08.960 --> 1:02:11.440
<v Speaker 1>for you? Are they bad for you? But the bigger

1:02:11.480 --> 1:02:14.080
<v Speaker 1>takeaway was a do they make you? Know? Do they

1:02:14.080 --> 1:02:17.440
<v Speaker 1>make you champion? Can you win if you were cheating?

1:02:17.880 --> 1:02:19.600
<v Speaker 1>Which was always kind of an idea in the back

1:02:19.600 --> 1:02:21.600
<v Speaker 1>of my mind, which is all the years I was

1:02:21.720 --> 1:02:23.200
<v Speaker 1>racing and all the years that I was writing Bike,

1:02:23.240 --> 1:02:26.160
<v Speaker 1>I was always wondering had I done this, would have

1:02:26.200 --> 1:02:30.760
<v Speaker 1>I been great? Could have I won? And on the

1:02:30.960 --> 1:02:33.040
<v Speaker 1>and the bigger part of it, which I thought was

1:02:33.080 --> 1:02:36.240
<v Speaker 1>going to be the more compelling narrative, was to show

1:02:36.920 --> 1:02:40.960
<v Speaker 1>that the global anti doping system essentially was a fraud,

1:02:41.120 --> 1:02:44.919
<v Speaker 1>didn't work and that lover hate Lance Armstrong, the guy

1:02:45.040 --> 1:02:49.760
<v Speaker 1>was a needle in the overall haystack of of cheating

1:02:50.000 --> 1:02:53.520
<v Speaker 1>and corruption and sport. And that was what I hope

1:02:53.560 --> 1:02:59.800
<v Speaker 1>to to show. And that and that concept UM was

1:03:00.160 --> 1:03:05.920
<v Speaker 1>essentially what what got kind of this initial investment and

1:03:06.360 --> 1:03:09.360
<v Speaker 1>from where I don't want to say name, but what

1:03:09.440 --> 1:03:11.760
<v Speaker 1>kind of an individual was a company? It was a

1:03:11.760 --> 1:03:16.760
<v Speaker 1>friend and um could that friend afford to lose? Three yes?

1:03:18.000 --> 1:03:24.320
<v Speaker 1>And um and uh it was it was really what

1:03:24.400 --> 1:03:26.640
<v Speaker 1>had happened is I had UM as. I had teamed

1:03:26.720 --> 1:03:31.800
<v Speaker 1>up UM with another producer who I don't want to

1:03:31.840 --> 1:03:35.120
<v Speaker 1>mention on the film and UH and he was going

1:03:35.200 --> 1:03:39.080
<v Speaker 1>to come in and produce and uh. And very early

1:03:39.120 --> 1:03:43.520
<v Speaker 1>on before we actually picked up cameras um UH, we

1:03:43.600 --> 1:03:47.920
<v Speaker 1>got into creative differences he was looking at Icarus in

1:03:47.960 --> 1:03:49.800
<v Speaker 1>the film, and I had named a Icarus from day

1:03:49.800 --> 1:03:52.960
<v Speaker 1>one before I ever picked up a camera. And you're thinking,

1:03:53.160 --> 1:03:57.560
<v Speaker 1>was my thinking was, is that this the story of Icarus.

1:03:57.560 --> 1:03:59.840
<v Speaker 1>A myth of Icarus is basically a Chris is the

1:04:00.040 --> 1:04:03.280
<v Speaker 1>on of of Datalus, and he wants to basically fly,

1:04:04.160 --> 1:04:06.360
<v Speaker 1>and his father says, great, you can fly, and he

1:04:06.400 --> 1:04:08.720
<v Speaker 1>builds the wax wings and he says, hey, you can,

1:04:09.160 --> 1:04:11.360
<v Speaker 1>you can. You can fly. Just don't get too close

1:04:11.400 --> 1:04:13.400
<v Speaker 1>to the sun or your wings are gonna burn and

1:04:13.400 --> 1:04:16.880
<v Speaker 1>you're gonna plummet to your death. And to me, that

1:04:17.040 --> 1:04:21.080
<v Speaker 1>was the story of Lance Armstrong. It was the story

1:04:21.440 --> 1:04:26.240
<v Speaker 1>of of any athlete that had essentially been caught cheating,

1:04:26.240 --> 1:04:31.000
<v Speaker 1>which is them hadn't been actually caught for for taking drugs,

1:04:31.080 --> 1:04:33.160
<v Speaker 1>even though they were they were taking drugs. They had

1:04:33.200 --> 1:04:36.280
<v Speaker 1>been caught because they they of their own egos. They

1:04:36.320 --> 1:04:38.280
<v Speaker 1>had been caught because somebody else had rated him out.

1:04:38.320 --> 1:04:41.520
<v Speaker 1>They had been caught, you know, for for other various reasons.

1:04:41.560 --> 1:04:45.000
<v Speaker 1>But it also was the metaphor for me of of

1:04:45.080 --> 1:04:48.800
<v Speaker 1>anything in life, which is the idea that that you

1:04:48.840 --> 1:04:55.280
<v Speaker 1>can anything that you pushed too far. Um has an

1:04:55.280 --> 1:04:59.080
<v Speaker 1>adversary effect. Hopefully that will be the effect for the

1:04:59.120 --> 1:05:03.200
<v Speaker 1>current US had been rustration. But um, but that is

1:05:03.360 --> 1:05:06.000
<v Speaker 1>essentially the myth of Icarus that you can you can

1:05:06.000 --> 1:05:09.320
<v Speaker 1>fly as long as you're not an asshole. And just

1:05:09.400 --> 1:05:12.680
<v Speaker 1>going back to this point, because all during the victories

1:05:13.000 --> 1:05:17.240
<v Speaker 1>of Lands, Greg Laman is saying it's impossible because it's

1:05:17.240 --> 1:05:21.920
<v Speaker 1>about oxygen processing and he has that process and Lamps doesn't,

1:05:22.560 --> 1:05:24.760
<v Speaker 1>and he, you know, he got in trouble with his

1:05:24.840 --> 1:05:27.720
<v Speaker 1>bike manufacturer, et cetera. What was your view point on

1:05:27.840 --> 1:05:33.720
<v Speaker 1>Laman who turned out to be right? Of course, my

1:05:34.280 --> 1:05:38.400
<v Speaker 1>you know, here's the thing that you know, Laman won

1:05:38.440 --> 1:05:41.000
<v Speaker 1>three tours. He he could have won five tours, but

1:05:41.040 --> 1:05:44.240
<v Speaker 1>he got shot by his I think brother in law

1:05:44.360 --> 1:05:50.520
<v Speaker 1>hunting and then he basically e p O rethropoe eaton,

1:05:50.560 --> 1:05:56.040
<v Speaker 1>which is increases red blood cell mass became started being

1:05:56.080 --> 1:05:58.920
<v Speaker 1>used by essentially the peloton al all the guys who

1:05:58.920 --> 1:06:04.160
<v Speaker 1>are writing, and Gallinda rain Spaniard Uh comes into cycling

1:06:04.160 --> 1:06:07.520
<v Speaker 1>and all of a sudden he is he is a mutant,

1:06:07.720 --> 1:06:10.880
<v Speaker 1>and Lamand is suddenly slow. He goes from being the

1:06:10.920 --> 1:06:12.880
<v Speaker 1>greatest writer in the world to just being a guy

1:06:12.920 --> 1:06:17.640
<v Speaker 1>in the pack and Lamand realizes that essentially that all

1:06:17.720 --> 1:06:21.760
<v Speaker 1>these guys essentially are taking e p O drugs, and

1:06:21.800 --> 1:06:25.120
<v Speaker 1>instead of himself choosing to use e p O, he

1:06:25.240 --> 1:06:29.360
<v Speaker 1>essentially decides to retire from the sport and then you know,

1:06:29.400 --> 1:06:32.920
<v Speaker 1>has a bitter bitter taste in his mouth. Um. I

1:06:32.960 --> 1:06:36.800
<v Speaker 1>don't know the whole relationship obviously between Lance and Lamand.

1:06:36.880 --> 1:06:38.439
<v Speaker 1>But on the other hand, I mean, the guy did

1:06:38.440 --> 1:06:42.440
<v Speaker 1>win three tours, he could have won five. Um, he

1:06:42.520 --> 1:06:45.520
<v Speaker 1>had a decision to make that. You know, hey, either

1:06:45.680 --> 1:06:49.640
<v Speaker 1>either you know, either either go with the flow or

1:06:49.680 --> 1:06:52.080
<v Speaker 1>you know or don't. He decided not to go with

1:06:52.120 --> 1:06:56.520
<v Speaker 1>the flow, which was everybody starts taking the history. But

1:06:56.600 --> 1:06:58.919
<v Speaker 1>as you're getting into the process, is he a hero

1:06:59.160 --> 1:07:03.640
<v Speaker 1>or zero? When a book? Well, as a kid, he

1:07:03.840 --> 1:07:09.400
<v Speaker 1>was my hero. Um, I don't. I don't. I don't

1:07:09.400 --> 1:07:12.240
<v Speaker 1>know him personally, so I don't. I don't know how

1:07:12.280 --> 1:07:15.720
<v Speaker 1>to comment on it. Um. I've gotten to know Lance

1:07:15.760 --> 1:07:19.920
<v Speaker 1>pretty well. Now, Um, what's your at this late date,

1:07:20.240 --> 1:07:25.520
<v Speaker 1>what's you're feeling? Once? Um, I was riding bikes with

1:07:25.600 --> 1:07:30.880
<v Speaker 1>him all last weekend and nasmen and Um, you know,

1:07:31.000 --> 1:07:35.280
<v Speaker 1>he's he's complicated. But I love him or hate him?

1:07:35.280 --> 1:07:38.439
<v Speaker 1>I mean the guy won seven Tour de Frances. He did,

1:07:38.560 --> 1:07:41.920
<v Speaker 1>he won them? And uh. And when you talk to

1:07:42.000 --> 1:07:45.080
<v Speaker 1>all of and this was interesting. When I was making

1:07:45.080 --> 1:07:48.240
<v Speaker 1>the original movie, I was talking to many of the

1:07:48.240 --> 1:07:51.480
<v Speaker 1>guys that they're raced against him, and every single one

1:07:51.480 --> 1:07:54.080
<v Speaker 1>of them, and I spoke to I said, did Lance

1:07:54.080 --> 1:07:57.040
<v Speaker 1>win seven tours? And I said, and they would? Every

1:07:57.040 --> 1:07:59.680
<v Speaker 1>single one of them said yes. I said did he

1:07:59.680 --> 1:08:03.480
<v Speaker 1>win the fairly? And they said yes. I said, could

1:08:03.480 --> 1:08:07.480
<v Speaker 1>have you beaten Lance? And they said no. So when

1:08:07.640 --> 1:08:10.880
<v Speaker 1>his entire peer group of everybody who raced against him

1:08:10.960 --> 1:08:14.080
<v Speaker 1>during those seven Tour de France victories believes that he

1:08:14.240 --> 1:08:18.799
<v Speaker 1>essentially won those tours, you got a question, this idea

1:08:18.920 --> 1:08:22.760
<v Speaker 1>of wiping somebody else as somebody out of the history books,

1:08:22.800 --> 1:08:25.800
<v Speaker 1>because when you do that with Lance, well why don't

1:08:25.840 --> 1:08:29.880
<v Speaker 1>you go back to and wipe out Miguel into Rains victories?

1:08:29.920 --> 1:08:32.320
<v Speaker 1>Why don't you wipe out every single tour victory from

1:08:33.920 --> 1:08:39.479
<v Speaker 1>arguably who knows? When you know? Uh? And so you

1:08:39.479 --> 1:08:42.760
<v Speaker 1>know it was a it was a selective persecution. Yes,

1:08:42.800 --> 1:08:45.200
<v Speaker 1>the guy had lied, Yes the guy had covered up

1:08:45.200 --> 1:08:48.960
<v Speaker 1>the line million times, but it's not like the tours

1:08:49.000 --> 1:08:51.600
<v Speaker 1>before him were one cleanly. And it's not like the

1:08:51.640 --> 1:08:55.880
<v Speaker 1>tours after him were one cleanly. So especially essentially he

1:08:55.960 --> 1:09:00.440
<v Speaker 1>got you know, those seven tours stripped from him, um

1:09:00.479 --> 1:09:05.960
<v Speaker 1>for for for complicated reasons. Uh. More of I think

1:09:06.240 --> 1:09:11.960
<v Speaker 1>kind of a uh a moral efficacy to show that

1:09:12.000 --> 1:09:13.960
<v Speaker 1>this behavior isn't going to be tolerated, You're not going

1:09:14.000 --> 1:09:16.320
<v Speaker 1>to be able to lie and get away with it,

1:09:16.880 --> 1:09:20.080
<v Speaker 1>rather than kind of a scientific reality of whether or

1:09:20.120 --> 1:09:23.960
<v Speaker 1>not whether you know everybody else was doing it. Um. So,

1:09:24.000 --> 1:09:28.160
<v Speaker 1>it's it's it's a very complicated um situation. But I

1:09:28.200 --> 1:09:31.479
<v Speaker 1>do have, you know, a lot of respect for him

1:09:31.479 --> 1:09:34.600
<v Speaker 1>in the sense of the guy was single minded in

1:09:34.800 --> 1:09:40.680
<v Speaker 1>his pursuit of a victory and love them or hate him,

1:09:40.960 --> 1:09:44.599
<v Speaker 1>you know, I think the majority of athletes to get

1:09:44.640 --> 1:09:47.960
<v Speaker 1>to that level, um have to be completely single minded

1:09:47.960 --> 1:09:50.600
<v Speaker 1>in their focus, and he's certainly and he certainly was

1:09:50.800 --> 1:09:54.599
<v Speaker 1>when it all costs and um and that's and that's

1:09:54.640 --> 1:09:57.599
<v Speaker 1>what he did. And Okay, So getting back to your narrative,

1:09:57.960 --> 1:10:00.519
<v Speaker 1>you have this person who's gonna produce the move and

1:10:00.600 --> 1:10:04.479
<v Speaker 1>you have creative differences. Yeah, and so what happens after

1:10:04.520 --> 1:10:08.360
<v Speaker 1>that you part ways? So um So I realized that

1:10:08.360 --> 1:10:11.240
<v Speaker 1>that I'm basically going into what I assessed was another

1:10:11.479 --> 1:10:15.160
<v Speaker 1>Utopia movie situation where I wasn't going to be able

1:10:15.200 --> 1:10:19.320
<v Speaker 1>to uh, to do what I wanted to do. Was

1:10:19.360 --> 1:10:22.160
<v Speaker 1>that guy attached to the money, Well, what had happens.

1:10:22.200 --> 1:10:26.840
<v Speaker 1>He wasn't giving the money, but my investor was attached

1:10:26.880 --> 1:10:30.640
<v Speaker 1>to him being attached. And that was my investor's confidence

1:10:30.640 --> 1:10:33.120
<v Speaker 1>to put in the money because because this guy was

1:10:33.320 --> 1:10:37.320
<v Speaker 1>was involved, and and this guy was seeing the film

1:10:37.360 --> 1:10:40.080
<v Speaker 1>as basically like how you shoot a feature, how many

1:10:40.080 --> 1:10:42.920
<v Speaker 1>shoot days you're gonna do, Who's going to be your crew,

1:10:43.000 --> 1:10:46.280
<v Speaker 1>your insurance or this year that? And I'm thinking to myself, no, no, no,

1:10:46.360 --> 1:10:48.640
<v Speaker 1>this is this is me with a cameraman and another guy,

1:10:48.640 --> 1:10:50.080
<v Speaker 1>and we're just gonna shoot, and we're gonna shoot, and

1:10:50.120 --> 1:10:52.040
<v Speaker 1>we're gonna shoot, and we're gonna shoot and we're gonna shoot.

1:10:52.080 --> 1:10:54.960
<v Speaker 1>And I have no idea where this going. But I

1:10:55.000 --> 1:10:59.160
<v Speaker 1>don't need a crew on sliders and and drones and

1:10:59.160 --> 1:11:01.840
<v Speaker 1>and you know, and twenty people on a set. I'm

1:11:01.920 --> 1:11:05.800
<v Speaker 1>just gonna go shoot every day. And and so I

1:11:05.880 --> 1:11:09.040
<v Speaker 1>realized that this was not how I wanted to make it,

1:11:09.120 --> 1:11:11.639
<v Speaker 1>and it wasn't anywhere what I envisioned in the film.

1:11:11.680 --> 1:11:13.960
<v Speaker 1>And I realized this because I's in a conversation with

1:11:14.000 --> 1:11:15.760
<v Speaker 1>a guy and it goes, so, wait, so you're gonna

1:11:15.800 --> 1:11:17.880
<v Speaker 1>take drugs and you're gonna get super big, and I'll

1:11:17.880 --> 1:11:20.600
<v Speaker 1>buffed out. I'm like, no, no, no, I'm I'm like

1:11:20.640 --> 1:11:22.639
<v Speaker 1>a cyclist. Man, I'm going to turn into a toothpick

1:11:23.040 --> 1:11:25.080
<v Speaker 1>and I'm just gonna go up the mountains faster. And

1:11:25.160 --> 1:11:27.240
<v Speaker 1>so he had like a whole different idea of what

1:11:27.439 --> 1:11:29.879
<v Speaker 1>of what this was gonna be like he he imagined

1:11:29.920 --> 1:11:33.360
<v Speaker 1>me turning into the Hulk, and I basically imagine myself

1:11:33.360 --> 1:11:35.760
<v Speaker 1>turning into a toothpick and flying up the mountains, you know.

1:11:36.400 --> 1:11:40.360
<v Speaker 1>So uh, there were all these things and and um,

1:11:41.160 --> 1:11:43.519
<v Speaker 1>and I realized, and I'm like this, I don't want

1:11:43.560 --> 1:11:47.920
<v Speaker 1>to make the movie under this. Um, under this notion.

1:11:48.760 --> 1:11:53.040
<v Speaker 1>Shall I go back to my friend? And I said, look, um,

1:11:53.160 --> 1:11:55.360
<v Speaker 1>I want to take I want to take your money,

1:11:55.400 --> 1:11:58.040
<v Speaker 1>and I really want to do this, but I can't

1:11:58.040 --> 1:12:01.479
<v Speaker 1>work under under this. I went through I went through

1:12:01.560 --> 1:12:04.479
<v Speaker 1>really bad situations and I just need to be free

1:12:04.520 --> 1:12:07.280
<v Speaker 1>to create. I need to be able to to just

1:12:07.400 --> 1:12:10.760
<v Speaker 1>go do this, to go make this film. And uh,

1:12:12.800 --> 1:12:17.479
<v Speaker 1>and he basically said, go for it. I trust you,

1:12:17.600 --> 1:12:21.000
<v Speaker 1>I believe in you, go go do this. And so

1:12:21.040 --> 1:12:24.880
<v Speaker 1>I set out essentially on on my own with with

1:12:24.960 --> 1:12:29.439
<v Speaker 1>a cameraman UM and then I would hire other people

1:12:30.080 --> 1:12:34.960
<v Speaker 1>for the first year of the production. And at the

1:12:35.080 --> 1:12:37.040
<v Speaker 1>end of the first year, after I had shot a year,

1:12:37.520 --> 1:12:40.479
<v Speaker 1>I put together this h It was like a twenty

1:12:40.479 --> 1:12:44.880
<v Speaker 1>five minute piece with at the time a guy who

1:12:44.920 --> 1:12:49.120
<v Speaker 1>was editing on the film, T J. ROADI and uh

1:12:49.840 --> 1:12:53.679
<v Speaker 1>Uh we put together this twenty five minute piece. And

1:12:53.680 --> 1:12:57.120
<v Speaker 1>and I had brought in an amazing writer to help

1:12:57.160 --> 1:13:00.280
<v Speaker 1>me by the name of Mark Monroe uh and kind

1:13:00.320 --> 1:13:05.120
<v Speaker 1>of a consulting editor Doug Blush. And these two guys

1:13:05.479 --> 1:13:11.440
<v Speaker 1>UM New Dan Cogan, who's Impact Partners and Impact Finances

1:13:11.520 --> 1:13:13.799
<v Speaker 1>doc they're one of the very few companies that actually

1:13:13.840 --> 1:13:19.720
<v Speaker 1>financed documentary truly Finances. UM and Mark Doug see this

1:13:19.760 --> 1:13:22.240
<v Speaker 1>twenty five minute piece that I did, they said, I,

1:13:22.240 --> 1:13:24.439
<v Speaker 1>I think this is great. Let us get this to Dan.

1:13:25.320 --> 1:13:29.920
<v Speaker 1>They get it to Dan, and the next day I

1:13:29.960 --> 1:13:32.439
<v Speaker 1>literally get a call. Dan calls me goes, this is

1:13:32.560 --> 1:13:35.680
<v Speaker 1>this is amazing. What do you need? How do we

1:13:35.720 --> 1:13:37.400
<v Speaker 1>help you? We want to be a part of this,

1:13:38.040 --> 1:13:41.600
<v Speaker 1>And that basically started the next three years of this

1:13:41.720 --> 1:13:44.479
<v Speaker 1>film's journey, and you're living off the money that's part

1:13:44.479 --> 1:13:47.720
<v Speaker 1>of the budget. Yes, during the time that I was

1:13:47.760 --> 1:13:52.000
<v Speaker 1>making the film. Okay, so you decide to dope, when

1:13:52.680 --> 1:13:55.400
<v Speaker 1>how do you actually get the dope? And how long

1:13:55.400 --> 1:13:56.920
<v Speaker 1>do you take it? How do you feel when you're

1:13:56.920 --> 1:14:05.320
<v Speaker 1>taking it? Um, So I decided to tell me again,

1:14:05.360 --> 1:14:07.280
<v Speaker 1>how do I get the drugs? So I get the drugs.

1:14:07.320 --> 1:14:11.759
<v Speaker 1>This this is an interesting thing. So what we consider

1:14:11.840 --> 1:14:15.120
<v Speaker 1>basically as doping is the same thing that's basically being

1:14:15.160 --> 1:14:18.680
<v Speaker 1>sold as anti aging. So in the sport world, this

1:14:18.760 --> 1:14:22.760
<v Speaker 1>is doping. In the in the medical science world, this

1:14:22.840 --> 1:14:25.439
<v Speaker 1>is this is the fountain of you. But there's that

1:14:25.439 --> 1:14:27.840
<v Speaker 1>guy who's like sixty five years old and every magazine

1:14:28.120 --> 1:14:31.120
<v Speaker 1>who's buff who saw cybergenic? Right, Yeah, I mean it's

1:14:31.160 --> 1:14:32.760
<v Speaker 1>basically the same thing. I mean, what they're doing is

1:14:32.760 --> 1:14:37.760
<v Speaker 1>they're selling testosterone, h G H, thyroid d H E,

1:14:37.840 --> 1:14:43.200
<v Speaker 1>A vitamin injections I V you know, vitamins and you know,

1:14:43.280 --> 1:14:46.280
<v Speaker 1>and so so what I realized was almost all of

1:14:46.280 --> 1:14:48.080
<v Speaker 1>this stuff you could get with the prescription if I

1:14:48.120 --> 1:14:53.080
<v Speaker 1>found basically an anti aging doctor. So, um, I find

1:14:53.080 --> 1:14:58.200
<v Speaker 1>this guy in in Veil, Colorado, Scott Brandt's he's in

1:14:58.240 --> 1:15:01.760
<v Speaker 1>the film a little bit, and I tell Scott what

1:15:01.800 --> 1:15:05.599
<v Speaker 1>I want to do, and he's like, sure, great, I'll

1:15:05.640 --> 1:15:08.880
<v Speaker 1>prescribe you. He's not worried about any ethical issues. Well no,

1:15:09.080 --> 1:15:13.080
<v Speaker 1>because I mean he's prescribing me legal you know. Basically, Now,

1:15:13.120 --> 1:15:17.040
<v Speaker 1>I'm a guy who has low testosterone human growth hormone

1:15:17.080 --> 1:15:20.400
<v Speaker 1>deficiency will. I mean, all guys essentially after they're like

1:15:20.439 --> 1:15:24.080
<v Speaker 1>twenty five, have low testosterone. We all have human growth

1:15:24.080 --> 1:15:28.120
<v Speaker 1>hone deficiency because our bodies basically stopped making growth hormone

1:15:28.160 --> 1:15:31.200
<v Speaker 1>after we stop growing. So every human on planet Earth

1:15:31.200 --> 1:15:34.520
<v Speaker 1>once you're about eighteen or nineteen has a growth hormone deficiency.

1:15:34.600 --> 1:15:38.040
<v Speaker 1>So that's what they prescribe under you know, low testosterone

1:15:38.080 --> 1:15:42.599
<v Speaker 1>growth deficiency. Um. Basically, all of our thyroids generally start

1:15:42.640 --> 1:15:45.719
<v Speaker 1>slowing down as our as our ability to process fats,

1:15:45.720 --> 1:15:47.360
<v Speaker 1>which is why as you get older it's harder to

1:15:47.400 --> 1:15:51.320
<v Speaker 1>lose weight. So you have a you know, whatever, a

1:15:51.439 --> 1:15:54.040
<v Speaker 1>slow thyroid or whatever is. You can take thyroid. You

1:15:54.040 --> 1:15:56.519
<v Speaker 1>can take all these things under you know, essentially just

1:15:56.720 --> 1:16:00.720
<v Speaker 1>under the auspices of aging. So he prescribes me all

1:16:00.760 --> 1:16:04.400
<v Speaker 1>this stuff. Um. But the one thing that that is

1:16:04.600 --> 1:16:06.559
<v Speaker 1>that is harder to get is is e p o

1:16:06.840 --> 1:16:11.880
<v Speaker 1>orthropoeten And uh uh, I don't want to say how

1:16:11.920 --> 1:16:14.240
<v Speaker 1>I got that, but I got it. And so just

1:16:14.400 --> 1:16:16.400
<v Speaker 1>in theory, how does someone someone has to get it

1:16:16.439 --> 1:16:18.519
<v Speaker 1>on the black market or it's available and you have

1:16:18.560 --> 1:16:22.640
<v Speaker 1>to get the right kind of prescription. Either either you

1:16:22.680 --> 1:16:25.559
<v Speaker 1>can you can get on the black market. You can

1:16:25.600 --> 1:16:27.880
<v Speaker 1>get it out of China and Taiwan in all these

1:16:27.880 --> 1:16:29.920
<v Speaker 1>places if you know where, if you know where to go,

1:16:30.400 --> 1:16:33.160
<v Speaker 1>and basically what what you know you can do is

1:16:33.240 --> 1:16:35.800
<v Speaker 1>you you order a couple of them and hope that

1:16:35.840 --> 1:16:38.360
<v Speaker 1>one of them makes to you, make it to you. Okay,

1:16:38.640 --> 1:16:40.880
<v Speaker 1>so do you start to say, well, you know I

1:16:40.880 --> 1:16:42.600
<v Speaker 1>got him, it's Wednesday, and start taking all of it,

1:16:42.680 --> 1:16:44.800
<v Speaker 1>or did you start with one and add another one?

1:16:44.880 --> 1:16:47.439
<v Speaker 1>Well I had uh that was the whole thing, so

1:16:47.520 --> 1:16:52.280
<v Speaker 1>you know, um uh Gregory Rachenkov, Um, you know I

1:16:52.320 --> 1:16:55.719
<v Speaker 1>had met him. Okay, let me go back to the movie. Okay,

1:16:55.720 --> 1:16:57.960
<v Speaker 1>you get the doctor in Veil and then you go

1:16:58.000 --> 1:17:00.280
<v Speaker 1>to the doctor U. C. L A who says he's

1:17:00.320 --> 1:17:02.840
<v Speaker 1>in and then he's out. Yeah, I mean then the

1:17:03.120 --> 1:17:07.560
<v Speaker 1>Don Catlin was essentially out before I ever rolled a camera. Uh.

1:17:07.680 --> 1:17:10.080
<v Speaker 1>He had referred me to Gregory, and I had started

1:17:10.120 --> 1:17:14.200
<v Speaker 1>talking to Gregory essentially in February, which was right during

1:17:14.200 --> 1:17:17.839
<v Speaker 1>the Socy Olympics. Lo and Behold. Uh. So Don Catlin

1:17:18.000 --> 1:17:21.400
<v Speaker 1>had decided not to be in the film before I

1:17:21.439 --> 1:17:25.280
<v Speaker 1>ever started shooting. Um, and he had referred me to

1:17:25.280 --> 1:17:28.120
<v Speaker 1>Gregory before I ever had, before I had ever started. Okay,

1:17:28.120 --> 1:17:30.440
<v Speaker 1>so you did not even though you had the prescription,

1:17:30.640 --> 1:17:33.479
<v Speaker 1>you didn't take anything until you spoke with Gregory. That's right,

1:17:33.520 --> 1:17:36.000
<v Speaker 1>I had. I had come up with the plan, and

1:17:36.040 --> 1:17:38.760
<v Speaker 1>the plan was we were starting. I started shooting about April.

1:17:40.040 --> 1:17:42.639
<v Speaker 1>The first race in Europe, this Hote route, which I did,

1:17:43.080 --> 1:17:45.960
<v Speaker 1>was in August. So the plan was I was going

1:17:46.000 --> 1:17:50.000
<v Speaker 1>to train clean, which I documented and shot hundreds of

1:17:50.000 --> 1:17:52.559
<v Speaker 1>hours of footage. It's all basically sitting on hard drives

1:17:52.560 --> 1:17:54.320
<v Speaker 1>because none of it really made it made its way

1:17:54.320 --> 1:17:56.400
<v Speaker 1>into the movie. Very a very little bit of it

1:17:56.439 --> 1:17:58.519
<v Speaker 1>made its way into the film. I was going to

1:17:58.600 --> 1:18:02.800
<v Speaker 1>train clean and then Gregor and I had a plan

1:18:03.080 --> 1:18:09.200
<v Speaker 1>that basically starting in mid December January, the beginning of

1:18:10.920 --> 1:18:13.680
<v Speaker 1>is when I would go on my doping program, and

1:18:13.760 --> 1:18:17.080
<v Speaker 1>that would give me enough time to basically build the protocol,

1:18:17.560 --> 1:18:20.439
<v Speaker 1>figure out my wash out period, which is you know,

1:18:21.439 --> 1:18:27.479
<v Speaker 1>when you'll test clean, when you'll test positive. They're testing. Well,

1:18:27.520 --> 1:18:31.640
<v Speaker 1>that was so that the race basically says they're going

1:18:31.680 --> 1:18:35.599
<v Speaker 1>to test, and to my knowledge, they never tested. And

1:18:35.720 --> 1:18:39.400
<v Speaker 1>so as I as I saw that after the first year,

1:18:40.200 --> 1:18:42.840
<v Speaker 1>I realized that in order to have any sort of

1:18:43.040 --> 1:18:46.960
<v Speaker 1>um legitimacy to this, that I have to basically create

1:18:47.080 --> 1:18:51.439
<v Speaker 1>and document my own process. And so in this and

1:18:51.760 --> 1:18:54.760
<v Speaker 1>as I started doping, I got really religious about it.

1:18:55.120 --> 1:18:58.280
<v Speaker 1>Um you know, like showing on camera, here's here's the newspaper,

1:18:58.320 --> 1:19:02.280
<v Speaker 1>here's today's day, and my entire freezer was basically filled

1:19:02.320 --> 1:19:06.759
<v Speaker 1>with like frozen uh, piss samples, frozen urine samples. Okay,

1:19:06.760 --> 1:19:09.320
<v Speaker 1>but going back, so in terms of it, I'm just

1:19:09.320 --> 1:19:13.439
<v Speaker 1>worrying what physical effect did you feel when you started

1:19:13.439 --> 1:19:18.200
<v Speaker 1>to take this drug? These drugs, it's incredibly subtle. So

1:19:18.240 --> 1:19:20.240
<v Speaker 1>you know, there's this idea of oh my god, you're

1:19:20.240 --> 1:19:24.320
<v Speaker 1>gonna turn into Superman. That's not it at all. Nothing

1:19:24.439 --> 1:19:27.200
<v Speaker 1>takes the place of training, nothing takes the place of

1:19:27.200 --> 1:19:31.600
<v Speaker 1>a hard work. What what these drugs do, or hormones

1:19:31.640 --> 1:19:35.479
<v Speaker 1>do is essentially help your body recover so that you

1:19:35.520 --> 1:19:38.360
<v Speaker 1>can train just as hard the next day and over

1:19:38.520 --> 1:19:41.519
<v Speaker 1>day after day, week after week, month after month. Because

1:19:41.520 --> 1:19:43.519
<v Speaker 1>your body is recovering and you're able to do that

1:19:43.640 --> 1:19:46.960
<v Speaker 1>same effort day in and day out, you become you know,

1:19:47.200 --> 1:19:53.080
<v Speaker 1>fitter and stronger and faster. Uh So that is the

1:19:53.080 --> 1:19:57.160
<v Speaker 1>the overall result. But none of that takes the place

1:19:57.200 --> 1:20:00.559
<v Speaker 1>of the training and all they so, and I didn't

1:20:00.600 --> 1:20:03.360
<v Speaker 1>feel It's not like I started taking all this stuff

1:20:03.360 --> 1:20:06.280
<v Speaker 1>and it suddenly felt like Superman. It was more like

1:20:06.840 --> 1:20:10.400
<v Speaker 1>I was taking all this stuff and and you know,

1:20:10.439 --> 1:20:13.960
<v Speaker 1>on a day and day out basis, I was recovering.

1:20:14.760 --> 1:20:20.240
<v Speaker 1>Um and uh like the growth hormone. Whenever I would um,

1:20:20.240 --> 1:20:24.080
<v Speaker 1>whenever I would take growth hormone, UM, my girlfriend at

1:20:24.120 --> 1:20:27.679
<v Speaker 1>the time should go did you take h g H today?

1:20:27.720 --> 1:20:30.600
<v Speaker 1>And I'd be like, why do you say that? And

1:20:30.600 --> 1:20:34.160
<v Speaker 1>she goes out when you smell like a baby? Um. So,

1:20:34.280 --> 1:20:37.439
<v Speaker 1>and all of a sudden, that makes sense because the

1:20:37.560 --> 1:20:41.600
<v Speaker 1>scent that we're responding to in puppies and babies is

1:20:41.640 --> 1:20:45.320
<v Speaker 1>basically that they're making tons of growth hormone and that's

1:20:45.320 --> 1:20:47.519
<v Speaker 1>what baby scent is, that's what puppy scent is. So

1:20:47.560 --> 1:20:50.160
<v Speaker 1>apparently when I was taking growth hormone, I was. I

1:20:50.200 --> 1:20:54.920
<v Speaker 1>smelled like a baby or a puppy. Very very very

1:20:54.960 --> 1:21:00.080
<v Speaker 1>exciting for all your listeners, but um forgetting you know,

1:21:00.160 --> 1:21:03.400
<v Speaker 1>the training, etcetera, and your everyday life when you were

1:21:03.439 --> 1:21:10.000
<v Speaker 1>taking this this regiment, did you literally feel any different? Well? Um,

1:21:10.040 --> 1:21:14.280
<v Speaker 1>my libido was great? Uh it really it really helps

1:21:14.520 --> 1:21:16.800
<v Speaker 1>you know, I mean, which is an obvious thing which

1:21:16.800 --> 1:21:20.040
<v Speaker 1>in men, your your sex drive and everything is is

1:21:20.240 --> 1:21:22.439
<v Speaker 1>essentially how much does sastro and you have? And that's

1:21:22.479 --> 1:21:26.080
<v Speaker 1>why as you age, you know you're you're you're not

1:21:26.200 --> 1:21:31.400
<v Speaker 1>as fierce. I guess and so so I was, and

1:21:31.560 --> 1:21:35.040
<v Speaker 1>you know, I felt like I generally was like you

1:21:35.080 --> 1:21:41.639
<v Speaker 1>know nineteen twenty again, um where you know, like, yeah,

1:21:41.760 --> 1:21:44.160
<v Speaker 1>I mean that that that that was? That was an

1:21:44.200 --> 1:21:47.559
<v Speaker 1>interesting idea. Um. I also, I guess, was smelling like

1:21:47.600 --> 1:21:50.920
<v Speaker 1>a baby. But did you feel okay or did you

1:21:50.960 --> 1:21:53.639
<v Speaker 1>wake up and go? I felt I felt I felt great.

1:21:54.280 --> 1:21:56.840
<v Speaker 1>I felt great. So what about going other than because

1:21:56.880 --> 1:21:59.639
<v Speaker 1>you mentioned with the derivative of all the where all

1:21:59.640 --> 1:22:03.240
<v Speaker 1>this comes from, are you now a believer in anti

1:22:03.320 --> 1:22:08.080
<v Speaker 1>aging with these drugs? I don't. I don't take uh.

1:22:08.120 --> 1:22:12.760
<v Speaker 1>I stopped taking everything other than other than I've still

1:22:12.800 --> 1:22:17.040
<v Speaker 1>taken like a very small dose of testosterone UM to

1:22:17.040 --> 1:22:20.920
<v Speaker 1>to maintain kind of a like a healthy level, because

1:22:20.960 --> 1:22:26.720
<v Speaker 1>my my testosterone was actually low, legitimate legitimately low. If

1:22:26.760 --> 1:22:29.760
<v Speaker 1>I go off of it, it's like it's legitimately on

1:22:29.800 --> 1:22:33.639
<v Speaker 1>the low side. So I take like a very small,

1:22:33.840 --> 1:22:37.920
<v Speaker 1>a small amount, like you know, like um, once a week,

1:22:37.920 --> 1:22:41.680
<v Speaker 1>I'll take I'll take a small amount um. Other than that,

1:22:41.760 --> 1:22:44.880
<v Speaker 1>I don't take any of this stuff because the h

1:22:44.960 --> 1:22:46.800
<v Speaker 1>G H. The thing is is if you're taking h

1:22:46.920 --> 1:22:49.639
<v Speaker 1>g H long term, what they say is that your

1:22:49.760 --> 1:22:52.640
<v Speaker 1>forehead starts growing, that your actual bones start growing. And

1:22:52.680 --> 1:22:56.040
<v Speaker 1>so like Gregory and and guys um, Gregory was always

1:22:56.080 --> 1:22:58.479
<v Speaker 1>able to like look at guys and go he took

1:22:58.479 --> 1:23:00.800
<v Speaker 1>too much HD eight, which is like if you look

1:23:00.880 --> 1:23:03.120
<v Speaker 1>like a lot of these football players are big wrestlers

1:23:03.160 --> 1:23:06.080
<v Speaker 1>and stuff, you've got these huge heads, well, you know,

1:23:06.360 --> 1:23:08.760
<v Speaker 1>apparently that's kind of a side effect of h g H,

1:23:08.760 --> 1:23:11.439
<v Speaker 1>which is your your jaw on your forehead keep growing.

1:23:11.479 --> 1:23:15.800
<v Speaker 1>So you basically turned to neanderthal um. So I, you know,

1:23:15.840 --> 1:23:19.160
<v Speaker 1>it was like, you know, I I don't want to

1:23:19.240 --> 1:23:21.240
<v Speaker 1>you know, side out. I don't take any h G

1:23:21.400 --> 1:23:25.200
<v Speaker 1>H anymore. UM, the E p O, which is increasing

1:23:25.240 --> 1:23:27.320
<v Speaker 1>your blood red blood cell mass. There's no reason for

1:23:27.360 --> 1:23:29.720
<v Speaker 1>me to take that either, because why do I need

1:23:29.800 --> 1:23:33.040
<v Speaker 1>to you know, I'm not I'm not competing in racing.

1:23:33.040 --> 1:23:39.360
<v Speaker 1>I don't need that oxygen carrying capacity um. UM. So yeah,

1:23:39.400 --> 1:23:43.560
<v Speaker 1>I mean, my my experience with it is that, um,

1:23:43.680 --> 1:23:48.879
<v Speaker 1>the public perception is very different than the reality. Um.

1:23:48.920 --> 1:23:52.040
<v Speaker 1>And the only thing that I've that but I but

1:23:52.120 --> 1:23:54.880
<v Speaker 1>the H G H certainly helped in recovery. That that

1:23:55.040 --> 1:23:59.400
<v Speaker 1>is without questions. Okay, so before you find before Gregory,

1:23:59.640 --> 1:24:02.559
<v Speaker 1>let's all the information of his history. What is the

1:24:02.680 --> 1:24:05.920
<v Speaker 1>end of the movie going to be? When the end

1:24:05.920 --> 1:24:09.479
<v Speaker 1>of the movie was hopefully going to be that I

1:24:09.560 --> 1:24:13.080
<v Speaker 1>had beat the test, you know, the Gregory which you

1:24:13.120 --> 1:24:15.760
<v Speaker 1>know you believe and everything that he goes. You know,

1:24:15.840 --> 1:24:21.120
<v Speaker 1>you beat the test, and and the takeaway was woe

1:24:21.960 --> 1:24:24.360
<v Speaker 1>if you could do this? What does this mean? You

1:24:24.400 --> 1:24:28.120
<v Speaker 1>know clearly clearly the system has got a lot of

1:24:28.160 --> 1:24:32.760
<v Speaker 1>a lot of flaws in it. Um. But at the

1:24:32.800 --> 1:24:35.000
<v Speaker 1>same time I did that race the second year, I

1:24:35.000 --> 1:24:38.000
<v Speaker 1>didn't do as well as I wanted to do, and

1:24:38.040 --> 1:24:42.120
<v Speaker 1>I was and I was really questioning my my thesis

1:24:42.160 --> 1:24:46.800
<v Speaker 1>at the time, and um, but you know, Gregory was

1:24:46.880 --> 1:24:52.280
<v Speaker 1>under investigation, and I had spent that that year while

1:24:52.320 --> 1:24:56.360
<v Speaker 1>I was doping and racing, I was also interviewing all

1:24:56.400 --> 1:25:01.120
<v Speaker 1>of the guys who were investigating Russia and investigating Gregory,

1:25:01.280 --> 1:25:02.960
<v Speaker 1>and none of them had any idea that I was

1:25:03.000 --> 1:25:04.840
<v Speaker 1>working with Gregory. None of them had any idea I

1:25:04.880 --> 1:25:07.680
<v Speaker 1>was doping. And that was how I was able to

1:25:07.720 --> 1:25:12.040
<v Speaker 1>get those interviews where all these guys are essentially talking candidly,

1:25:12.520 --> 1:25:16.479
<v Speaker 1>not realizing that that not only did I know the guy,

1:25:16.680 --> 1:25:21.640
<v Speaker 1>but that I was, you know, working with him and doping.

1:25:21.800 --> 1:25:23.800
<v Speaker 1>So what point does the bell go off in your head?

1:25:24.040 --> 1:25:25.840
<v Speaker 1>Wait a second, I have another story here that I'm

1:25:25.840 --> 1:25:29.320
<v Speaker 1>gonna tell. UM, I would I would consider it more

1:25:29.360 --> 1:25:31.720
<v Speaker 1>like a ping that had been you know, had been

1:25:31.800 --> 1:25:34.800
<v Speaker 1>ping ping, you know, for for about a year, where

1:25:34.800 --> 1:25:38.640
<v Speaker 1>where clearly there was, um, there was an elephant in

1:25:38.640 --> 1:25:42.439
<v Speaker 1>the room, but I didn't know if it was gonna

1:25:42.760 --> 1:25:45.599
<v Speaker 1>turn into a wooly mammoth or whether it would just

1:25:45.720 --> 1:25:48.479
<v Speaker 1>you know, kind of just go away and leave. Because

1:25:48.520 --> 1:25:51.080
<v Speaker 1>I didn't know what this investigation was going to find,

1:25:51.680 --> 1:25:55.800
<v Speaker 1>and I certainly didn't know how deeply into what level

1:25:55.800 --> 1:25:59.120
<v Speaker 1>Gregory was involved because during that year and a half

1:25:59.160 --> 1:26:02.920
<v Speaker 1>I was working with before UM the film takes his turn,

1:26:03.320 --> 1:26:05.800
<v Speaker 1>he hadn't disclosed that to me. I mean, he had

1:26:05.880 --> 1:26:07.800
<v Speaker 1>kind of hinted that he was, you know, but he

1:26:07.800 --> 1:26:13.519
<v Speaker 1>had never disclosed this. UM. So, so I had I

1:26:13.560 --> 1:26:17.840
<v Speaker 1>had believed, um that there was a bigger story, and

1:26:17.920 --> 1:26:21.120
<v Speaker 1>I was working on that, on that on that story,

1:26:21.280 --> 1:26:23.320
<v Speaker 1>I was, you know, I was, I was making sure

1:26:23.360 --> 1:26:26.040
<v Speaker 1>that I had that foot in the door. But I

1:26:26.120 --> 1:26:30.400
<v Speaker 1>also had made a very conscious decision that if I

1:26:30.520 --> 1:26:35.479
<v Speaker 1>became Gregory's like investigator UM or if I became you know,

1:26:35.640 --> 1:26:37.400
<v Speaker 1>basically the guy who was going to go try to

1:26:37.880 --> 1:26:41.880
<v Speaker 1>try to do this, that that I would lose what

1:26:41.920 --> 1:26:44.320
<v Speaker 1>my what my premise was that I wouldn't be able

1:26:44.360 --> 1:26:47.320
<v Speaker 1>to execute my plan. And to me at the time,

1:26:47.960 --> 1:26:52.400
<v Speaker 1>UM my my thesis, and also working with Gregory, this

1:26:52.520 --> 1:26:56.759
<v Speaker 1>incredible character was going to be enough to make for

1:26:57.160 --> 1:27:01.840
<v Speaker 1>an interesting and hopefully entertaining film. UM And and so

1:27:02.000 --> 1:27:06.320
<v Speaker 1>as as that story progressed, UM, the real turning point

1:27:06.360 --> 1:27:10.920
<v Speaker 1>to me was of course November where where WADA, the

1:27:10.920 --> 1:27:14.559
<v Speaker 1>World Anti Doping Agency, releases that its findings of this

1:27:14.720 --> 1:27:19.360
<v Speaker 1>of this investigation and it's a three report, but it

1:27:19.520 --> 1:27:22.920
<v Speaker 1>is focused only on athletics track and field UH. And

1:27:23.000 --> 1:27:26.559
<v Speaker 1>that was because WADA, which is in the pocket of

1:27:26.600 --> 1:27:30.120
<v Speaker 1>the i o C, the Olympics UH, their mandate was

1:27:30.160 --> 1:27:32.679
<v Speaker 1>only that they could investigate track and field. So even

1:27:32.720 --> 1:27:36.519
<v Speaker 1>though Richard McLaren and Dick Pound and Go the Younger

1:27:36.760 --> 1:27:41.360
<v Speaker 1>had uncovered all this other evidence across other sports, the report,

1:27:41.560 --> 1:27:45.680
<v Speaker 1>the three page report, everything else was redacted out of

1:27:45.680 --> 1:27:47.680
<v Speaker 1>that report that didn't have to do with track and

1:27:47.720 --> 1:27:51.519
<v Speaker 1>field because WADA was still trying to essentially sweep this

1:27:51.600 --> 1:27:55.240
<v Speaker 1>under the carpet with with the ioc UM. But this

1:27:55.320 --> 1:27:59.719
<v Speaker 1>report was damning enough that Gregory was forced to resign

1:27:59.720 --> 1:28:04.000
<v Speaker 1>from the lab, the laboratory was suspended, and Russia was

1:28:04.120 --> 1:28:08.320
<v Speaker 1>banned from international competition and all athletics and track and field.

1:28:09.360 --> 1:28:14.680
<v Speaker 1>And and that basically UM followed with with Putin on

1:28:14.760 --> 1:28:17.639
<v Speaker 1>state television because now this was a pretty big scandal,

1:28:18.640 --> 1:28:22.560
<v Speaker 1>UM coming out and essentially saying that not only is

1:28:22.680 --> 1:28:26.280
<v Speaker 1>Russia have nothing to do with this, and we deny

1:28:26.280 --> 1:28:30.639
<v Speaker 1>this entire report and everything in this report. But if

1:28:30.680 --> 1:28:33.920
<v Speaker 1>anything in this report is true, UM, it will be

1:28:33.960 --> 1:28:37.320
<v Speaker 1>the individuals that will be held accountable and punishment will

1:28:37.360 --> 1:28:40.800
<v Speaker 1>be absolute. And that was Gregory's death sentence. That was

1:28:40.880 --> 1:28:44.280
<v Speaker 1>that was it right there. And and so I'm watching

1:28:44.280 --> 1:28:47.160
<v Speaker 1>this unfold in the news media while I'm while I'm

1:28:47.200 --> 1:28:51.800
<v Speaker 1>skyping with Gregory, and um, we're about six days into it,

1:28:52.439 --> 1:28:54.920
<v Speaker 1>and I'm thinking, and I'm trying to convince Gregory to

1:28:55.000 --> 1:28:57.200
<v Speaker 1>let me come to Moscow. I'm like, hey, I want

1:28:57.200 --> 1:28:59.120
<v Speaker 1>to I want to come. You know, this is now unfolding,

1:28:59.160 --> 1:29:02.519
<v Speaker 1>and now I'm going, whoa, this is? This is the story.

1:29:03.000 --> 1:29:04.720
<v Speaker 1>And Gregory's like, no, no, no, no, no, no no,

1:29:04.880 --> 1:29:09.880
<v Speaker 1>do not come to Moscow. And and uh and there

1:29:09.880 --> 1:29:13.280
<v Speaker 1>we are, and just as that is in the film. Uh.

1:29:14.000 --> 1:29:16.360
<v Speaker 1>He reaches a point about six seven days in where

1:29:16.360 --> 1:29:18.920
<v Speaker 1>he realizes that they're going to kill him, that they're

1:29:18.920 --> 1:29:22.000
<v Speaker 1>planning his suicide. And I said, hey, let me I

1:29:22.000 --> 1:29:23.479
<v Speaker 1>want to come to Rush. He's like no, no, no, no

1:29:23.360 --> 1:29:25.639
<v Speaker 1>no no, I need to get out. I need to escape.

1:29:26.280 --> 1:29:27.880
<v Speaker 1>And I'm like when when do you want When do

1:29:27.880 --> 1:29:30.719
<v Speaker 1>you want to go? And he goes tomorrow. I said,

1:29:31.479 --> 1:29:34.519
<v Speaker 1>I said tomorrow. He goes, hees, yeah, I need a ticket,

1:29:34.560 --> 1:29:36.120
<v Speaker 1>buy me a ticket. I need to get a ticket.

1:29:37.000 --> 1:29:40.120
<v Speaker 1>And and the conversation was literally happening. I think probably

1:29:41.240 --> 1:29:44.760
<v Speaker 1>ten o'clock at night, you know, my time, and I

1:29:44.920 --> 1:29:47.120
<v Speaker 1>go online. I find him a ticket. I'm like, okay,

1:29:47.800 --> 1:29:50.280
<v Speaker 1>there's a flight tomorrow with like you know, like literally

1:29:50.320 --> 1:29:53.320
<v Speaker 1>twelve hours after that, I'm like, there's a flight tomorrow.

1:29:53.560 --> 1:29:55.960
<v Speaker 1>This this is like good, okay, book it. And I

1:29:56.000 --> 1:29:58.800
<v Speaker 1>booked the ticket and I go, oh my god, this

1:29:58.840 --> 1:30:03.160
<v Speaker 1>guy is coming. And and we didn't know if he

1:30:03.200 --> 1:30:06.040
<v Speaker 1>was going to get through you know, immigration, if you

1:30:06.240 --> 1:30:09.800
<v Speaker 1>if Russia had put a hold onto visa, but um,

1:30:09.840 --> 1:30:12.439
<v Speaker 1>he had a US visa because he had been lecturing

1:30:12.520 --> 1:30:16.600
<v Speaker 1>in the United States UM on anti doping, and the

1:30:16.680 --> 1:30:20.360
<v Speaker 1>head of the US Anti Doping Agency, Travis Tiger, had

1:30:20.439 --> 1:30:23.120
<v Speaker 1>given Gregory the visa to come lecture in the United

1:30:23.120 --> 1:30:25.120
<v Speaker 1>States on anti doping even though he was the anti

1:30:25.160 --> 1:30:29.519
<v Speaker 1>anti doping Lab director. And Russia, because it was seven

1:30:29.560 --> 1:30:33.120
<v Speaker 1>days after this whole report just hadn't got around it.

1:30:33.160 --> 1:30:34.720
<v Speaker 1>You know, it was so fast that they hadn't put

1:30:34.800 --> 1:30:38.080
<v Speaker 1>a stop on his on his on his visa, They

1:30:38.080 --> 1:30:40.519
<v Speaker 1>hadn't put it into you know, into interpoll to stop

1:30:40.600 --> 1:30:43.640
<v Speaker 1>him from traveling, and so he was miraculously able to

1:30:43.680 --> 1:30:49.120
<v Speaker 1>get out. He arrives in Los Angeles and about a

1:30:49.200 --> 1:30:55.000
<v Speaker 1>month later, right about Christmas, I realized that this is

1:30:55.880 --> 1:31:01.560
<v Speaker 1>essentially this a scandal on a magnet. That's that's unfathomable,

1:31:02.400 --> 1:31:06.240
<v Speaker 1>um and that and that the evidence he has essentially

1:31:06.400 --> 1:31:14.320
<v Speaker 1>changes all of Olympic history. We'll pause here for a

1:31:14.320 --> 1:31:21.240
<v Speaker 1>brief moment and get right back to Brian Fogel. Many

1:31:21.280 --> 1:31:23.559
<v Speaker 1>of you already know that I'm a writer, but for

1:31:23.600 --> 1:31:26.160
<v Speaker 1>those who think I'm just the host of this podcast,

1:31:26.680 --> 1:31:29.760
<v Speaker 1>check out my archived and left sets dot com in

1:31:29.800 --> 1:31:32.200
<v Speaker 1>addition to reading my commentary on music tech in the

1:31:32.200 --> 1:31:34.320
<v Speaker 1>world at large. Will be the first to find out

1:31:34.360 --> 1:31:37.120
<v Speaker 1>where we're publish a new podcast. Go to left sets

1:31:37.160 --> 1:31:40.240
<v Speaker 1>dot com and sign up for the news letter. Now

1:31:40.360 --> 1:31:44.120
<v Speaker 1>more with Academy Award winning filmmaker Brian Fogel, recorded at

1:31:44.120 --> 1:31:49.040
<v Speaker 1>the tune In Studios in Venice, California. Now, do you

1:31:49.240 --> 1:31:52.559
<v Speaker 1>think deep inside when he was working with you, he

1:31:52.600 --> 1:31:55.200
<v Speaker 1>had an urge to get this story heard or it

1:31:55.320 --> 1:31:58.040
<v Speaker 1>just happened by accident. You've been asked that question so

1:31:58.080 --> 1:32:02.080
<v Speaker 1>many times, and I think it was it was a

1:32:02.120 --> 1:32:06.160
<v Speaker 1>combination of things. We we developed a really big trust

1:32:06.360 --> 1:32:10.040
<v Speaker 1>between us and and the trust was was a friendship

1:32:10.240 --> 1:32:13.680
<v Speaker 1>that I think crossed any boundaries of a of a

1:32:14.320 --> 1:32:18.400
<v Speaker 1>of documentary film. And and I think it was because

1:32:18.479 --> 1:32:21.120
<v Speaker 1>at the time I was the subject and he was

1:32:21.160 --> 1:32:25.320
<v Speaker 1>the advisor. And then it flips and he becomes the

1:32:25.400 --> 1:32:29.800
<v Speaker 1>subject and I become his advisor and protector and and

1:32:29.880 --> 1:32:34.080
<v Speaker 1>so we we had this trust and and and he

1:32:34.240 --> 1:32:37.120
<v Speaker 1>liked that it was devious. He saw me as kind

1:32:37.120 --> 1:32:38.760
<v Speaker 1>of devious. He saw me as a guy who was

1:32:38.800 --> 1:32:42.200
<v Speaker 1>out there to kind of buck the system. H Gregory

1:32:42.240 --> 1:32:47.639
<v Speaker 1>loved Armstrong Lance, huge fan, and like the idea that

1:32:47.760 --> 1:32:49.839
<v Speaker 1>I was going to show that you know, that Lance

1:32:49.960 --> 1:32:53.040
<v Speaker 1>was just one of of of you know, of so

1:32:53.160 --> 1:32:56.799
<v Speaker 1>many and and he liked that I as an athlete

1:32:56.800 --> 1:32:59.719
<v Speaker 1>because he is an athlete. And and in his mind

1:33:00.280 --> 1:33:02.360
<v Speaker 1>he had justified which is kind of like maybe like

1:33:02.360 --> 1:33:05.599
<v Speaker 1>a Russian thing. He basically went, oh, Brian's an amateur athlete,

1:33:05.640 --> 1:33:09.040
<v Speaker 1>so it's okay. Even though even though you know, even

1:33:09.040 --> 1:33:12.360
<v Speaker 1>though everything he's doing was against all water code, he

1:33:12.520 --> 1:33:15.000
<v Speaker 1>kind of decided that because I wasn't like basically a

1:33:15.080 --> 1:33:17.960
<v Speaker 1>Russian professional athlete, that this was not going to be

1:33:18.000 --> 1:33:21.880
<v Speaker 1>a big deal, which is kind of insane to think,

1:33:21.920 --> 1:33:25.880
<v Speaker 1>but that is, uh, that's what happened. And and there

1:33:25.920 --> 1:33:29.400
<v Speaker 1>was never a dime of money exchanged ever. H But

1:33:29.520 --> 1:33:32.840
<v Speaker 1>at this late date, he's still in hiding, right, Yeah,

1:33:32.880 --> 1:33:35.320
<v Speaker 1>and his family is still in Russia, that's right. And

1:33:35.360 --> 1:33:41.080
<v Speaker 1>his family safe from what I've heard. Yes, Okay, So

1:33:41.120 --> 1:33:44.080
<v Speaker 1>now this all happens, at what point do you say,

1:33:44.160 --> 1:33:47.200
<v Speaker 1>not only do I have a different film here, but

1:33:47.280 --> 1:33:51.160
<v Speaker 1>this is gonna be a big story and I'm gonna

1:33:51.240 --> 1:33:57.800
<v Speaker 1>I'm gonna make Hay with his film. Well, um, I

1:33:57.880 --> 1:34:02.559
<v Speaker 1>knew that it was a really big story right at

1:34:02.600 --> 1:34:05.080
<v Speaker 1>the end of you know, right as this was happening,

1:34:06.280 --> 1:34:10.880
<v Speaker 1>the question really became between me and my my producing team,

1:34:10.960 --> 1:34:16.840
<v Speaker 1>Dan Cogan, David Fialco, Jim Schwartz, Um was how are

1:34:16.880 --> 1:34:20.800
<v Speaker 1>we going to get this story out? How are we

1:34:20.840 --> 1:34:25.320
<v Speaker 1>going to see to it that this that that his

1:34:25.520 --> 1:34:28.599
<v Speaker 1>evidence could be proven as true? How were we going

1:34:28.680 --> 1:34:32.839
<v Speaker 1>to protect him? And how were we going to manage

1:34:32.840 --> 1:34:36.760
<v Speaker 1>this crisis? And and you know, and I truly had

1:34:36.800 --> 1:34:38.920
<v Speaker 1>his life in my hand. Um, you know, we went

1:34:39.000 --> 1:34:41.760
<v Speaker 1>to using burner phones, We took our edit offline, we

1:34:41.840 --> 1:34:45.480
<v Speaker 1>moved our production offices four times, we moved Gregory's location

1:34:45.600 --> 1:34:48.559
<v Speaker 1>four times. I mean, it became a cat mouse games

1:34:48.680 --> 1:34:54.599
<v Speaker 1>as the stakes were increasing and UM, and we brought

1:34:54.640 --> 1:34:59.639
<v Speaker 1>on a crisis manager, Mike Citric, very very well known guy.

1:34:59.680 --> 1:35:02.160
<v Speaker 1>The New work Times last week had a huge front

1:35:02.320 --> 1:35:05.679
<v Speaker 1>cover Sunday story on him, and and he's considered the fixer.

1:35:06.280 --> 1:35:09.240
<v Speaker 1>He's a guy that like every guy like even Trump.

1:35:09.320 --> 1:35:11.880
<v Speaker 1>Trump went to him in his bankruptcies, Kobe Bryant went

1:35:11.920 --> 1:35:14.240
<v Speaker 1>to him with when he was Michael Jackson went to him.

1:35:14.520 --> 1:35:17.599
<v Speaker 1>Most recently, Harvey Weinstein went to him, and Mike Citric

1:35:18.000 --> 1:35:20.880
<v Speaker 1>basically dismissed him as a client once he realized, you

1:35:20.920 --> 1:35:24.320
<v Speaker 1>know how bad this was. UM. But so we bring

1:35:24.400 --> 1:35:29.719
<v Speaker 1>on Citric and and what we were trying to figure

1:35:29.760 --> 1:35:33.240
<v Speaker 1>out was how we were going to get him, uh

1:35:34.360 --> 1:35:36.760
<v Speaker 1>the right lawyer, and how we were going to bring

1:35:36.800 --> 1:35:42.640
<v Speaker 1>this story public and UM and all these elements, you know,

1:35:42.680 --> 1:35:46.160
<v Speaker 1>between the FBI getting involved, between Nikita Kamaia of his

1:35:46.240 --> 1:35:49.960
<v Speaker 1>friend who was running Russata dying, we realized we were

1:35:49.960 --> 1:35:52.800
<v Speaker 1>out of time, and we made a decision that we

1:35:52.800 --> 1:35:56.240
<v Speaker 1>were going to go to the New York Times and UH,

1:35:56.479 --> 1:36:00.720
<v Speaker 1>Mike and Sally Hoffmeister his his partner, UM basically called

1:36:00.760 --> 1:36:04.680
<v Speaker 1>Dean back and say the editor the editor of the

1:36:04.680 --> 1:36:07.759
<v Speaker 1>New York Times and say, um, we have the Moscow

1:36:07.880 --> 1:36:10.840
<v Speaker 1>Lab director and he'd like to talk. Would you like

1:36:10.960 --> 1:36:14.520
<v Speaker 1>to come out to Los Angeles? And the next day

1:36:15.120 --> 1:36:19.120
<v Speaker 1>Rebecca Ruiz and Michael Sartz come to Los Angeles and myself,

1:36:19.240 --> 1:36:23.240
<v Speaker 1>Dan Cogan and Gregory Rachenkov sit for three days with

1:36:23.280 --> 1:36:26.440
<v Speaker 1>The New York Times and we had prepared this dossier,

1:36:26.600 --> 1:36:31.040
<v Speaker 1>this like three page three uh, you know, three ring

1:36:31.120 --> 1:36:35.360
<v Speaker 1>binder of essentially, you know, one of the greatest gifts

1:36:35.360 --> 1:36:38.160
<v Speaker 1>ever given to the New York Times. It was it

1:36:38.320 --> 1:36:41.679
<v Speaker 1>was here it is, guys, here is the biggest scandal

1:36:41.720 --> 1:36:44.120
<v Speaker 1>in the history of sports, wrapped up in a bow

1:36:44.600 --> 1:36:48.800
<v Speaker 1>in a silver box. You know that we've already engraved

1:36:49.000 --> 1:36:51.920
<v Speaker 1>n y T and uh. And we sat there for

1:36:52.000 --> 1:36:57.720
<v Speaker 1>three days and we presented everything, Gregory presented everything. Um,

1:36:57.760 --> 1:37:01.040
<v Speaker 1>and they ran the story front page the following week,

1:37:01.320 --> 1:37:04.680
<v Speaker 1>huge story, you know, with a whole fold out, and

1:37:04.720 --> 1:37:07.080
<v Speaker 1>then the following day with another front page with a

1:37:07.120 --> 1:37:11.600
<v Speaker 1>fold out and uh. And then the whole chain of

1:37:11.960 --> 1:37:16.839
<v Speaker 1>events continued to to transpire that ultimately lead to Russia

1:37:16.880 --> 1:37:20.400
<v Speaker 1>being banned from the Olympics. So you make the movie

1:37:20.960 --> 1:37:24.479
<v Speaker 1>and the movie premieres at Sundance. Yeah. So it premieres

1:37:24.920 --> 1:37:31.520
<v Speaker 1>uh in January of last year, January at Sundance, and

1:37:31.520 --> 1:37:35.120
<v Speaker 1>and I did not feel like the film was finished.

1:37:36.160 --> 1:37:38.479
<v Speaker 1>My creative team didn't feel like the film was finished.

1:37:38.520 --> 1:37:43.160
<v Speaker 1>We the story was still unfolding. Uh. And yet you know,

1:37:43.160 --> 1:37:46.920
<v Speaker 1>when Sundance calls, you have six weeks to finish your film. UH,

1:37:46.960 --> 1:37:49.040
<v Speaker 1>And anybody who's made a film knows that that is

1:37:49.160 --> 1:37:50.840
<v Speaker 1>not a lot of time. And so all of a

1:37:50.880 --> 1:37:53.360
<v Speaker 1>sudden you're in this crazy race to getting your sound mixed,

1:37:53.400 --> 1:37:57.160
<v Speaker 1>on getting everything. Then, but we went into Sundance with

1:37:58.080 --> 1:38:00.680
<v Speaker 1>with a film. You know, I think everybody saw it,

1:38:00.760 --> 1:38:04.080
<v Speaker 1>Sundance loved it, and uh, but in my mind, it

1:38:04.280 --> 1:38:07.360
<v Speaker 1>was not It was not where it needed to be

1:38:07.360 --> 1:38:12.040
<v Speaker 1>because the story was was was was was still unfolding. UM.

1:38:12.120 --> 1:38:18.040
<v Speaker 1>And Netflix acquires it, and Lisa Nishimura and Adam Deldeo

1:38:19.000 --> 1:38:25.920
<v Speaker 1>incredible partners, and and in essentially the negotiations, the first

1:38:25.960 --> 1:38:31.839
<v Speaker 1>conversation is basically, uh, films not finished. And they agree

1:38:32.479 --> 1:38:36.040
<v Speaker 1>and they allow me and my team basically the next

1:38:36.840 --> 1:38:40.080
<v Speaker 1>five months to continue to work on the film to

1:38:40.520 --> 1:38:44.320
<v Speaker 1>complete it. And we finished the film basically about this

1:38:44.360 --> 1:38:48.599
<v Speaker 1>time last year, and then it aired premiered on Netflix

1:38:48.600 --> 1:38:53.400
<v Speaker 1>in August following like Sundance London and a f I

1:38:53.600 --> 1:38:57.160
<v Speaker 1>Dock and a bunch of festivals that had opened, and

1:38:57.280 --> 1:38:59.800
<v Speaker 1>you're happy with the finished product. There's nothing in that

1:39:00.000 --> 1:39:04.439
<v Speaker 1>film that that that I don't want, and there's nothing

1:39:04.479 --> 1:39:07.599
<v Speaker 1>in that film that I would want to put in. Okay,

1:39:07.680 --> 1:39:11.160
<v Speaker 1>So when it comes out, I mean, maybe it's an

1:39:11.160 --> 1:39:13.960
<v Speaker 1>Olympic year. But it took, like it seemed from the outside,

1:39:13.960 --> 1:39:16.040
<v Speaker 1>it took a while for the story to build in

1:39:16.160 --> 1:39:22.360
<v Speaker 1>public consciousness. Did you feel that it did? Um? It was.

1:39:23.040 --> 1:39:26.479
<v Speaker 1>It was certainly building in the sense that the New

1:39:26.560 --> 1:39:33.040
<v Speaker 1>York Times story, the following stories, the investigation. Um. But

1:39:33.240 --> 1:39:35.800
<v Speaker 1>I think as as kind of as big as the

1:39:35.840 --> 1:39:39.200
<v Speaker 1>story was in the global press and certainly seeing it

1:39:39.280 --> 1:39:48.760
<v Speaker 1>in papers all over the world, um, I think a film, um.

1:39:48.840 --> 1:39:52.400
<v Speaker 1>And certainly, you know, Netflix being a hundred ninety countries,

1:39:52.400 --> 1:39:56.760
<v Speaker 1>a million homes all of a sudden, Watching something on

1:39:56.800 --> 1:40:02.480
<v Speaker 1>a television is very different than reading something in a newspaper.

1:40:03.040 --> 1:40:08.720
<v Speaker 1>So okay, if we're reading about let's say, the immigrants crisis,

1:40:08.760 --> 1:40:11.840
<v Speaker 1>is a separation going on between families right now, we

1:40:11.880 --> 1:40:13.559
<v Speaker 1>can read about that in a paper and go, oh

1:40:13.640 --> 1:40:16.240
<v Speaker 1>my god, that's terrible, or we might see a clip

1:40:16.240 --> 1:40:18.240
<v Speaker 1>of that on CNN and go, oh my god, that

1:40:18.360 --> 1:40:22.439
<v Speaker 1>is that is horrendous, But in the hands of the

1:40:22.560 --> 1:40:27.520
<v Speaker 1>right creative team, and you craft that into into a narrative,

1:40:28.120 --> 1:40:31.639
<v Speaker 1>which what we did with Icarus with music and sound

1:40:31.720 --> 1:40:35.280
<v Speaker 1>and graphics and visual effects and animation and everything that

1:40:35.400 --> 1:40:38.240
<v Speaker 1>is in that film. I think, um, it has the

1:40:39.479 --> 1:40:43.280
<v Speaker 1>power uh to to really resonate. And I think that

1:40:43.360 --> 1:40:49.839
<v Speaker 1>when the film came out, Um Gregory um became somebody

1:40:50.640 --> 1:40:53.040
<v Speaker 1>not you know, a deviant on the pages of the

1:40:53.040 --> 1:40:56.120
<v Speaker 1>New York Times who had orchestrated this doping plot, but

1:40:56.320 --> 1:40:59.920
<v Speaker 1>became human and you see him for who he is

1:41:00.000 --> 1:41:07.800
<v Speaker 1>as this lovable, incredible character that basically is is is complicated,

1:41:07.880 --> 1:41:11.680
<v Speaker 1>but you know, but fully redeemable and and wants to

1:41:11.800 --> 1:41:14.400
<v Speaker 1>come forward with the truth and tell the truth. You

1:41:14.439 --> 1:41:17.800
<v Speaker 1>see that the size and scope of the scandal in

1:41:17.640 --> 1:41:20.559
<v Speaker 1>a in a visual way of what this really was

1:41:20.640 --> 1:41:23.360
<v Speaker 1>in the Denial of Russia. And I think that those

1:41:23.400 --> 1:41:27.880
<v Speaker 1>elements um resonated and set off kind of a whole

1:41:27.880 --> 1:41:32.840
<v Speaker 1>other um cascading um uh you know, domino effect. Because

1:41:34.000 --> 1:41:35.880
<v Speaker 1>in the in the film as it sits right now,

1:41:35.920 --> 1:41:38.880
<v Speaker 1>it says that Russia is going to the Winter Olympics

1:41:39.760 --> 1:41:44.080
<v Speaker 1>and in August, and when we finished the film this

1:41:44.160 --> 1:41:48.120
<v Speaker 1>time last year, that was true. But the film and

1:41:48.280 --> 1:41:52.320
<v Speaker 1>what it's set off in the media, and then the

1:41:52.360 --> 1:41:56.360
<v Speaker 1>work of Gregory's legal team and the work of the

1:41:56.439 --> 1:41:59.840
<v Speaker 1>pr team behind the film was able to keep this

1:42:00.120 --> 1:42:03.759
<v Speaker 1>story in the media, keep showing how big this fraud

1:42:03.880 --> 1:42:07.800
<v Speaker 1>was and forced the Olympics to take action, which they

1:42:07.840 --> 1:42:11.160
<v Speaker 1>didn't want to do. They did not want to write.

1:42:11.360 --> 1:42:14.120
<v Speaker 1>Now from your perspective, though, because we live in a

1:42:14.160 --> 1:42:17.120
<v Speaker 1>world where there are so many media messages, it's hard

1:42:17.160 --> 1:42:20.320
<v Speaker 1>to break through. And you were at the epicenter. But

1:42:20.400 --> 1:42:24.000
<v Speaker 1>did you feel as the months went by from August

1:42:24.040 --> 1:42:27.320
<v Speaker 1>to the Olympics, could you feel the film having a

1:42:27.560 --> 1:42:32.960
<v Speaker 1>greater attention in the world at large? Of course, and um,

1:42:33.000 --> 1:42:36.160
<v Speaker 1>and it was a combination of the film being seen

1:42:36.320 --> 1:42:39.840
<v Speaker 1>and and people like you and everybody you know that

1:42:39.960 --> 1:42:42.479
<v Speaker 1>that the word of mouth And what I've found in

1:42:42.520 --> 1:42:45.639
<v Speaker 1>the last year of this is has everybody's seen the film?

1:42:45.680 --> 1:42:48.800
<v Speaker 1>I mean Lance Armstrong included, you know, they see the

1:42:48.840 --> 1:42:51.040
<v Speaker 1>film and then they go tell every one of their

1:42:51.080 --> 1:42:52.720
<v Speaker 1>friends that, oh my god, you have to see this,

1:42:52.760 --> 1:42:54.679
<v Speaker 1>Oh my god, you have to see this or people

1:42:54.720 --> 1:42:57.000
<v Speaker 1>have seen the film two times, three times, four times.

1:42:57.000 --> 1:43:02.040
<v Speaker 1>I was, I was, um, you know last week, you know,

1:43:02.040 --> 1:43:03.840
<v Speaker 1>and this happens to me all the time I met somebody,

1:43:03.880 --> 1:43:05.840
<v Speaker 1>he goes. So I saw the film because a friend

1:43:05.840 --> 1:43:07.479
<v Speaker 1>of mine told me I had to see it. And

1:43:07.520 --> 1:43:10.880
<v Speaker 1>then um, I made my kids watch it, and then

1:43:10.960 --> 1:43:13.320
<v Speaker 1>we watched again with the entire family. And then we like,

1:43:13.360 --> 1:43:16.760
<v Speaker 1>I mean, and the and we just amazing things in

1:43:16.800 --> 1:43:20.480
<v Speaker 1>the film. You know, when you have Putin's denial, extrapolate

1:43:20.640 --> 1:43:23.040
<v Speaker 1>that to every other thing he says relevant of doping,

1:43:23.280 --> 1:43:26.120
<v Speaker 1>and when you see the scratches in the bottles from

1:43:26.160 --> 1:43:30.200
<v Speaker 1>them previously being open, it's like better than any fiction movie. Yeah,

1:43:30.240 --> 1:43:33.240
<v Speaker 1>and there it is, and and and I think that

1:43:33.360 --> 1:43:35.640
<v Speaker 1>you know what what happened is as you see this

1:43:35.680 --> 1:43:41.679
<v Speaker 1>film and in the edit after Sundance, of course Trump

1:43:41.720 --> 1:43:45.759
<v Speaker 1>had come into office, there was evidence that the election

1:43:45.880 --> 1:43:48.719
<v Speaker 1>was hacked, and of course all the denials of truth

1:43:48.760 --> 1:43:51.759
<v Speaker 1>and fake news and stuff. But we made a very

1:43:51.800 --> 1:43:54.880
<v Speaker 1>conscious decision creatively that we weren't going to go there.

1:43:54.920 --> 1:43:56.880
<v Speaker 1>We weren't going to get into the election. We weren't

1:43:56.880 --> 1:44:00.080
<v Speaker 1>going to but we wanted to leave people with it

1:44:00.560 --> 1:44:04.160
<v Speaker 1>and I think and I think we succeeded in this

1:44:04.280 --> 1:44:08.599
<v Speaker 1>that we wanted to leave people with a Okay, if

1:44:08.800 --> 1:44:12.120
<v Speaker 1>Russia was capable of this, is there any doubt that

1:44:12.360 --> 1:44:17.479
<v Speaker 1>they could do that? And also if Putin lies about this,

1:44:17.640 --> 1:44:20.559
<v Speaker 1>is there any doubt as to what else he's willing

1:44:20.600 --> 1:44:25.160
<v Speaker 1>to lie about? And then and and hopefully mirror what

1:44:25.320 --> 1:44:30.000
<v Speaker 1>has been the continuing effect of of um, you know,

1:44:30.160 --> 1:44:33.120
<v Speaker 1>the the ongoing scandal and what's you know going on

1:44:33.160 --> 1:44:37.680
<v Speaker 1>in the Mueller investigation, etcetera. So we we wanted to

1:44:37.680 --> 1:44:40.320
<v Speaker 1>to have that resonate, which is the themes of of

1:44:40.479 --> 1:44:46.160
<v Speaker 1>orwell and double think and that narrative which is which

1:44:46.280 --> 1:44:51.080
<v Speaker 1>is truly unfolding on a daily basis um in this

1:44:51.240 --> 1:44:56.320
<v Speaker 1>country and and certainly you know has been in Russia. UM.

1:44:56.360 --> 1:44:59.400
<v Speaker 1>So that was kind of a very conscious decision that

1:44:59.439 --> 1:45:03.320
<v Speaker 1>we made in creative process to leave those events out,

1:45:03.880 --> 1:45:07.599
<v Speaker 1>but to hopefully leave the viewer with this feeling of

1:45:07.840 --> 1:45:11.280
<v Speaker 1>angst um and kind of a pit in their stomach

1:45:12.000 --> 1:45:18.519
<v Speaker 1>of how corrupt uh uh it's not only sport is

1:45:18.760 --> 1:45:23.160
<v Speaker 1>but but the geopolitical process behind it. Well, you've certainly

1:45:23.200 --> 1:45:26.360
<v Speaker 1>achieved your goal, and you really truly made a classic film,

1:45:26.400 --> 1:45:29.880
<v Speaker 1>even though it's stated a specific time, the lessons will

1:45:29.920 --> 1:45:33.240
<v Speaker 1>live for many decades beyond that. And the obvious question,

1:45:33.280 --> 1:45:34.960
<v Speaker 1>and I'm surely not the first one to ask you

1:45:35.000 --> 1:45:41.559
<v Speaker 1>this either, is now what UM? You know they up

1:45:41.560 --> 1:45:47.280
<v Speaker 1>into the Oscar Race UM the Academy Awards. You know,

1:45:47.320 --> 1:45:50.800
<v Speaker 1>I didn't have time to to focus on what I

1:45:50.800 --> 1:45:53.160
<v Speaker 1>was going to do next. But but I've had a

1:45:53.160 --> 1:45:58.880
<v Speaker 1>lot of UM things in in the Zeyecheist UM and

1:45:58.960 --> 1:46:03.680
<v Speaker 1>so there's there's a narrative feature that I'm attached to

1:46:03.760 --> 1:46:08.840
<v Speaker 1>that I can't quite discuss yet to direct it, and

1:46:09.479 --> 1:46:12.360
<v Speaker 1>it's an extraordinary script on a on a true story

1:46:13.080 --> 1:46:17.439
<v Speaker 1>that is as as resonant and and politically relevant as

1:46:17.720 --> 1:46:21.600
<v Speaker 1>Hicarus UM. There's a couple of unscripted doc series that

1:46:21.600 --> 1:46:24.880
<v Speaker 1>I'm working on developing that that I hope to be soon,

1:46:25.280 --> 1:46:28.720
<v Speaker 1>you know, going out with UM. And there's a couple

1:46:28.760 --> 1:46:34.320
<v Speaker 1>of doc projects that I'm looking to produce UM. So

1:46:34.400 --> 1:46:36.960
<v Speaker 1>I'm I'm kind of I I have a lot of

1:46:37.479 --> 1:46:39.719
<v Speaker 1>ideas and things that I want to do, and and

1:46:40.080 --> 1:46:42.680
<v Speaker 1>you know, with with all the creative process, it all

1:46:42.720 --> 1:46:45.479
<v Speaker 1>takes time to to come together. So it doesn't it's

1:46:45.479 --> 1:46:48.400
<v Speaker 1>not like a an overnight thing, even if other people

1:46:48.479 --> 1:46:51.760
<v Speaker 1>want to work with you. Um, but I but I

1:46:51.840 --> 1:46:54.920
<v Speaker 1>have um projects right now that I'm passionate about that.

1:46:54.960 --> 1:46:58.320
<v Speaker 1>I'm that I'm working to get off the ground. Now.

1:46:58.439 --> 1:47:01.240
<v Speaker 1>I'm sure it wasn't your goal in making this film.

1:47:01.320 --> 1:47:04.240
<v Speaker 1>Certainly hearing you for the last hour to win an Oscar,

1:47:04.520 --> 1:47:08.040
<v Speaker 1>But in this particular case you did, okay, And on

1:47:08.120 --> 1:47:11.720
<v Speaker 1>some level that's a pinnacle of you know, pure appreciation

1:47:11.840 --> 1:47:14.320
<v Speaker 1>winning the Oscar. But in this particular case, it's for

1:47:14.360 --> 1:47:17.280
<v Speaker 1>a film that's not evanescent. It's not something Oh, it's

1:47:17.280 --> 1:47:23.360
<v Speaker 1>a life trifle. Okay. Does having been to the mountaintop,

1:47:24.200 --> 1:47:26.400
<v Speaker 1>is it easy to then go back and say I'm

1:47:26.400 --> 1:47:30.960
<v Speaker 1>gonna make another film or is there somewhat a feeling

1:47:31.160 --> 1:47:35.280
<v Speaker 1>I've done that I need a new challenge. Well, I

1:47:35.600 --> 1:47:41.280
<v Speaker 1>think that's um it's an interesting question because, uh, this

1:47:41.360 --> 1:47:43.880
<v Speaker 1>is kind of the second time of my life on

1:47:43.960 --> 1:47:46.160
<v Speaker 1>a different level where I've felt like I kind of

1:47:46.479 --> 1:47:49.720
<v Speaker 1>went to the mountaintop and and when I had this

1:47:49.840 --> 1:47:51.719
<v Speaker 1>play and it went to New York and then became

1:47:51.760 --> 1:47:55.760
<v Speaker 1>a big success, and um, I said to myself, well,

1:47:55.800 --> 1:47:57.799
<v Speaker 1>how am I going to top this? How do I

1:47:57.880 --> 1:48:00.200
<v Speaker 1>and I didn't want to go do Gutopia too. I

1:48:00.200 --> 1:48:03.280
<v Speaker 1>didn't want to. Like I, I was like, well, anything

1:48:03.360 --> 1:48:06.719
<v Speaker 1>I do is not going to you know, is not

1:48:06.960 --> 1:48:10.000
<v Speaker 1>going to have this same thing. And I and I

1:48:10.080 --> 1:48:13.639
<v Speaker 1>kind of became trapped in it in a way because

1:48:14.080 --> 1:48:16.560
<v Speaker 1>I think that's that idea of having this whatever is

1:48:16.640 --> 1:48:19.320
<v Speaker 1>as as a musician whatever you have this iconic album

1:48:19.439 --> 1:48:22.360
<v Speaker 1>you know, um, you know, and and how you're going

1:48:22.400 --> 1:48:24.680
<v Speaker 1>to top that? And it's and it's why you know,

1:48:24.880 --> 1:48:28.240
<v Speaker 1>Roger Waters is still playing The Wall after all these

1:48:28.320 --> 1:48:31.160
<v Speaker 1>years and Dark Side of the Moon because it's well, hey,

1:48:31.200 --> 1:48:33.559
<v Speaker 1>you keep putting out new music, but it's not The Wall,

1:48:33.600 --> 1:48:35.680
<v Speaker 1>it's not Dark Side of the Moon, it's not led

1:48:35.720 --> 1:48:38.280
<v Speaker 1>Zeppelin to you know, it's just how you're going to

1:48:38.280 --> 1:48:42.679
<v Speaker 1>top that? UM. And and so then to have this

1:48:43.280 --> 1:48:46.519
<v Speaker 1>UM with Icarus on on a whole other level, on

1:48:46.640 --> 1:48:50.160
<v Speaker 1>a on a global level. But the recognition of the

1:48:50.840 --> 1:48:55.280
<v Speaker 1>of the Oscar which UM was just the most humbling

1:48:55.680 --> 1:48:58.320
<v Speaker 1>of moments in my life. I just I still can't

1:48:58.320 --> 1:49:02.200
<v Speaker 1>believe it. I that that that that we this team

1:49:02.760 --> 1:49:08.320
<v Speaker 1>one one and and going on that journey and going

1:49:08.360 --> 1:49:13.679
<v Speaker 1>on that stage alongside Dan and Jim and David and

1:49:13.720 --> 1:49:15.800
<v Speaker 1>that was that was I don't. I don't know how

1:49:15.840 --> 1:49:18.000
<v Speaker 1>you ever topped that, So I don't. I don't think

1:49:18.040 --> 1:49:21.479
<v Speaker 1>I look at how to essentially top it. I think

1:49:21.520 --> 1:49:25.200
<v Speaker 1>I look at how I can kind of move forward

1:49:25.240 --> 1:49:28.719
<v Speaker 1>like creatively and do things um that I'm passionate about.

1:49:28.760 --> 1:49:34.280
<v Speaker 1>So for me, UM, it's why I'm looking to um

1:49:34.800 --> 1:49:40.360
<v Speaker 1>take a leap back into directing UM scripted feature because

1:49:41.240 --> 1:49:45.960
<v Speaker 1>it won't be compared to Icarus, so it'll be it'll

1:49:46.000 --> 1:49:50.840
<v Speaker 1>be another challenge for me to to use you know,

1:49:50.960 --> 1:49:58.360
<v Speaker 1>those my my creative um uh skills or or mind

1:49:58.960 --> 1:50:04.360
<v Speaker 1>to craft something hopefully of of relevance. And and and

1:50:04.479 --> 1:50:08.479
<v Speaker 1>also if I'm producing in the documentary space, which is

1:50:08.520 --> 1:50:13.799
<v Speaker 1>what I'm which is what I'm looking to start to do, UM,

1:50:13.840 --> 1:50:17.360
<v Speaker 1>the films can live independently and not be judged against Chorus.

1:50:17.920 --> 1:50:20.880
<v Speaker 1>So I know that if I go and immediately go

1:50:21.120 --> 1:50:24.240
<v Speaker 1>direct another doc feature, no matter what it is, it

1:50:24.280 --> 1:50:26.840
<v Speaker 1>will immediately be compared to Icarus, and it'll be like,

1:50:26.840 --> 1:50:29.400
<v Speaker 1>well it's it's not Icarus. Well, well it can't be

1:50:29.400 --> 1:50:32.479
<v Speaker 1>because I'll never be able to replicate that story or

1:50:32.520 --> 1:50:36.120
<v Speaker 1>that journey. So I need to take a step back

1:50:36.200 --> 1:50:42.680
<v Speaker 1>and and go find another creative outlet and and continue,

1:50:43.040 --> 1:50:46.680
<v Speaker 1>you know, in the dock space um in uh in

1:50:46.720 --> 1:50:49.559
<v Speaker 1>a little bit of a little bit of a hands

1:50:49.560 --> 1:50:56.680
<v Speaker 1>off sense. Uh and but I I uh, I'm just

1:50:56.760 --> 1:50:59.160
<v Speaker 1>kind of taking it a day at a time and

1:50:59.200 --> 1:51:02.639
<v Speaker 1>try not to put much pressure on myself, um and

1:51:02.880 --> 1:51:05.840
<v Speaker 1>uh and hopefully that the next journey will be successful

1:51:05.960 --> 1:51:08.400
<v Speaker 1>or if it's not, all I'll go back to director's

1:51:08.520 --> 1:51:11.120
<v Speaker 1>jail and then figure out how to how to start

1:51:11.120 --> 1:51:13.719
<v Speaker 1>a kill. You have a long history of picking yourself up.

1:51:13.760 --> 1:51:16.120
<v Speaker 1>I mean, the process may be painful, but you've always

1:51:16.120 --> 1:51:19.400
<v Speaker 1>seemed to find the next thing, whether it be you know,

1:51:20.240 --> 1:51:24.120
<v Speaker 1>going to become a comedian, doing the showcases, doing the

1:51:24.120 --> 1:51:27.160
<v Speaker 1>one man show, you know, etcetera. So in any event,

1:51:27.400 --> 1:51:30.519
<v Speaker 1>this has been wonderful, very insightful. I think we've gotten

1:51:30.520 --> 1:51:34.080
<v Speaker 1>a three D picture far beyond the movie and far

1:51:34.160 --> 1:51:37.040
<v Speaker 1>beyond other things that I've read, that people get to

1:51:37.120 --> 1:51:39.840
<v Speaker 1>understand who you truly are, where you came from. So

1:51:39.920 --> 1:51:42.439
<v Speaker 1>this has really been great, really edifying and interesting, and

1:51:42.439 --> 1:51:45.639
<v Speaker 1>I really appreciate it. Yeah, thanks Bob as Uh, You're

1:51:45.760 --> 1:51:51.320
<v Speaker 1>a fantastic interviewer, because in all the interviews that that

1:51:51.360 --> 1:51:54.760
<v Speaker 1>I've given around this and there's been a lot. I

1:51:54.840 --> 1:51:59.040
<v Speaker 1>found myself talking about things that I've I've not spoken

1:51:59.080 --> 1:52:02.519
<v Speaker 1>about in in any interview that I've done well. That

1:52:02.680 --> 1:52:05.240
<v Speaker 1>certainly puts a smile on my face. And I was

1:52:05.400 --> 1:52:08.160
<v Speaker 1>also anxious with something that has gotten so much attention.

1:52:08.640 --> 1:52:11.799
<v Speaker 1>So I think we covered the basics and also the pnumbra.

1:52:12.080 --> 1:52:19.200
<v Speaker 1>Thanks again, Thanks Bob. That wraps up this week's episode

1:52:19.200 --> 1:52:21.439
<v Speaker 1>of the Bob Left Sets podcast, recorded live at the

1:52:21.439 --> 1:52:24.920
<v Speaker 1>two In Studios in Venice, California. I hope you enjoyed

1:52:24.920 --> 1:52:29.040
<v Speaker 1>this conversation with Oscar winning filmmaker Ryan Fogel. I certainly did.

1:52:29.160 --> 1:52:31.679
<v Speaker 1>I saw the movie. You should bial it up on Netflix.

1:52:31.960 --> 1:52:34.320
<v Speaker 1>Hanging in There. It takes a wild twist, some of

1:52:34.360 --> 1:52:36.800
<v Speaker 1>which we've covered. Your eyes will bug out and a

1:52:36.920 --> 1:52:39.920
<v Speaker 1>orderately be Abob bike racing. Lit'll be about America and

1:52:40.000 --> 1:52:43.160
<v Speaker 1>Russia and the world it later. It's a riveting story

1:52:43.240 --> 1:52:45.080
<v Speaker 1>and I can't wait to see what he does next.

1:52:46.000 --> 1:52:50.160
<v Speaker 1>Until that time, email me comments questions negative things that

1:52:50.360 --> 1:52:53.400
<v Speaker 1>Bob and left sets dot Com. Until next time, I'm

1:52:53.439 --> 1:53:02.559
<v Speaker 1>Bob left Sets out to do me try