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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe admissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for? GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero Zero initiative at GM dot com,

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Speaker 1: GM everybody else, Yo yo yo, welcome to us up

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Speaker 1: their podcasts, no execuly who you're listening to Big Loan

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Speaker 1: Fall videos there behind a paywall Patreon dot com. It's

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Speaker 1: up there podcast. Make sure you get their support The

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Speaker 1: movement YouTube Bearfo Grfo TV. I want to get right

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Speaker 1: into this game on Drake Champ's interview right and again,

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Speaker 1: thank you for whoever's listening. I'm sorry I've been fast

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Speaker 1: tracking into the part because I'm in a discovery mode.

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Speaker 1: It just shows you where I'm at with my understanding.

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Speaker 1: So for those of you that in this fight with

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Speaker 1: me and really know what I'm up against and know

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Speaker 1: what I'm doing, you can see me transition as the

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Speaker 1: fucking yo. This shit is dope, bro, Like, this shit

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Speaker 1: is really dope. You can see me edit the way

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Speaker 1: I approach the pod as this shit is changing in

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Speaker 1: real time. If you remember, go back twenty parts ago,

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Speaker 1: the long drawn out intros. Right, I'm doing I'm doing

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Speaker 1: different things, but now I'm in a discovery. More people

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Speaker 1: are coming. My listeners are up six hundred percent, So

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Speaker 1: thank you guys. Right, but it has me understanding, Yo, long,

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Speaker 1: get right into the meeting. But Tay, let these people

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Speaker 1: see what they here for. Give them something, give them

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Speaker 1: something they come for. Some they may not know who

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Speaker 1: you is, yet a lot of them invested. They'll wait around.

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Speaker 1: They know what you do. A lot of them really

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Speaker 1: want to hear about your dog and shit like you

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Speaker 1: used to talk about. But you now you been jumping

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Speaker 1: right into it because you you serve in a different audience.

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Speaker 1: Well I'm cold with this ship. But anyway, I want

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Speaker 1: to get into the game and drink Chump's interview. Man,

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Speaker 1: when I when I watched it, or as I'm watching

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Speaker 1: it because I haven't finished it, a couple of things

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Speaker 1: stood true, rung true to me, and it brought me

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Speaker 1: back to a unique time in my life. Right in

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Speaker 1: regards to when fifty cent g Uni Game, that whole

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Speaker 1: situation was rocking, right, And you gotta remember, my city

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Speaker 1: has a unique role in that because young buckers from

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Speaker 1: my town. Right. So we saw g Uni, we saw

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Speaker 1: fifty pull up in Nashville. We saw fifty come down

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Speaker 1: through him and make his mark on things, and we

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Speaker 1: saw Game come down through Hill. I met Game one

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Speaker 1: time in Moneil's and chopped it up with him for

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Speaker 1: a little while, so we you know, and it's a

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Speaker 1: history behind mo'neill's I'm gonna have to look into for

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Speaker 1: those of you from Nashville. That's for y'all. Don't know

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Speaker 1: what I'll look into that, but anyway, it reminded me

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Speaker 1: a couple of different things. Number One, I want to

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Speaker 1: speak to drink Chumps. Number one, shout out Drink Champs,

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Speaker 1: shout out Revote Revolts doing a tremendous job with Drink Chumps.

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Speaker 1: This brand is just took in the life of its

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Speaker 1: own right. This brand is now the forefront of what

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Speaker 1: people would like to go to really get their stories

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Speaker 1: out of it. For me, I know it may sound crazy,

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Speaker 1: but you could tell if the guests want to be

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Speaker 1: there by how they dress, if the guests everybody to

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Speaker 1: come up on drink chumps, they have their shit on,

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Speaker 1: they got their pieces on, they got their prettiest clothes on,

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Speaker 1: they got the jury round, they got the right. It's

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Speaker 1: it's respect. And you know me, every time I look

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Speaker 1: at one of our forefathers or one of our moving past,

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Speaker 1: it's in the coach. I always say, all right, learn,

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Speaker 1: how do you what part of your game can coincide

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Speaker 1: with that? Right? Because I got to have a little

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Speaker 1: bit of what everybody got and try to make sure

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Speaker 1: that I also got something that nobody else have, right

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Speaker 1: in regards to stylistic approach, in regards to how you

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Speaker 1: approach part and how you approach your interviews, how you

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Speaker 1: approach what you want to say, how you want to see,

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Speaker 1: what you want to do with it. Right. So I

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Speaker 1: want to make sure and that's why I watch a

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Speaker 1: lot of people and it's interesting. Another thing I found

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Speaker 1: out in my mind is just rolling so y'all bed

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Speaker 1: with me. Another thing that I noticed that a lot

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Speaker 1: of these guys going a lot of platforms and they

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Speaker 1: have they say the same things. I'm the only dumby

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Speaker 1: that keeps saying new shit. I'm the only dumby that

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Speaker 1: got a new phrase for everything and a new way

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Speaker 1: of chopping it up about everything. These dudes they got one, two,

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Speaker 1: they may got ten good phrases, and they're going on

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Speaker 1: each of these platforms doing interviews with people using them

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Speaker 1: same little phrases. And here I am with millions of shit,

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Speaker 1: don't even remember half for it. But I honestly think

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Speaker 1: that you can tell if a guest wants to be

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Speaker 1: at your interview, at your podcast by how they dress.

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Speaker 1: When I look at drink Chumps, and not only how

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Speaker 1: they dress, of course that's a joke, right, but when

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Speaker 1: you look at drink Chumps, it's a respected brand and

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Speaker 1: people come there any want to talk. And that's something

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Speaker 1: I got. For every interview I've did, outside of the

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Speaker 1: parts I do by myself, they've literally been three and

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Speaker 1: four hours long because the conversations get that good. And

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Speaker 1: so when I see that, I say, Okay, this is

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Speaker 1: a unique place for part us because in the structure

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Speaker 1: of things, right, the podcast needs to be forty five

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Speaker 1: minutes to an hour to get your ads in just

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Speaker 1: to maximize the Really, when you go that long, it's

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Speaker 1: really you run into a couple of problems. The business

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Speaker 1: model isn't shape that way, and the reason being is

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Speaker 1: because advertisers believe that halfway through a podcast or anything

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Speaker 1: over an hour would probably lose It's a lot of interest, right,

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Speaker 1: So once somebody gets an hour in thirty minutes in,

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Speaker 1: they no longer are listening to an ad. At that

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Speaker 1: point the ad is ineffective. Therefore, it's kind of like

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Speaker 1: a waste of time and the advertisers mindset. But when

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Speaker 1: you view it from how I look at it and

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Speaker 1: what I know about the game, and again it's consultation

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Speaker 1: fees need to be attached to the kind of game

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Speaker 1: I'm putting down. You know, I'm a big game giver.

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Speaker 1: I need to really be getting consultation fees. But when

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Speaker 1: you view pardon for what it is from an advertising standpoint,

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Speaker 1: they may be right in regards to you can get

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Speaker 1: you four or five good ads in and at forty

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Speaker 1: five minutes to an hour hour fifteen at max, get

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Speaker 1: you four or five good ads in. Maximize on them ads,

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Speaker 1: see some rid share, see what actually is effective. But

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Speaker 1: that takes you out of the brand building conversation because

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Speaker 1: when I have to come in and punch like that,

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Speaker 1: then my audience is not there anymore for my audience,

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Speaker 1: isn't there anymore for me? They're there for the topic, right,

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Speaker 1: And there's a place where you want to get your

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Speaker 1: equity to a point where these people are coming because

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Speaker 1: they want to hear what you gotta say about it.

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Speaker 1: You understand what I'm saying, and it's a dance. But

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Speaker 1: it takes someone like me with the mind set to

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Speaker 1: be able to communicate those kind of things, like, hey,

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Speaker 1: we gotta be aware of both these people, right. We

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Speaker 1: got to consent our advertisers one hundred percent because that's

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Speaker 1: what keep the lights on, but we also gotta we

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Speaker 1: also got to consider our listeners and our view us

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Speaker 1: and our customers and our support us because without the supporters,

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Speaker 1: we don't get advertisers. But without the advertisers, we can

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Speaker 1: still get support us. You see what I'm saying. So

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Speaker 1: it's a it's a it's a hell of a little

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Speaker 1: thing that happens. But when you look at drink Chance,

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Speaker 1: people want to be there. Game was there? I think

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Speaker 1: four hours, but I look at fifty cent, I say,

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Speaker 1: fifty come in the game with the cancer in it.

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Speaker 1: You see, I'm gonna cancer take a certain kind of

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Speaker 1: Nigga to understand the cancer. Cancer niggas get to a

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Speaker 1: point where they'll just figured out on their own. When

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Speaker 1: you look at fifty, he come in the game right.

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Speaker 1: We gotta be clear, come in the game shot up.

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Speaker 1: But you got to think about the mindset to come

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Speaker 1: into game right understanding the number one Nigga come in

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Speaker 1: there with that big boy energy. Fuck you niggas, Fuck

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Speaker 1: with you, niggas, don't fuck with you. Nigga's time about you.

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Speaker 1: Nigga's been doing it wrong, you understand. And this is

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Speaker 1: a time where security wasn't a good thing. He run

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Speaker 1: around with niggas. I'm not protecting me from y'all. I'm

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Speaker 1: protecting y'all from me because you will look funny playing it.

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Speaker 1: And I'll take it our way to the finish line

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Speaker 1: and we'll go platinum about something that you really wanted

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Speaker 1: to talk about. You really wanted to pitch you. And

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Speaker 1: it's interesting, man, when you see grown men, grandstand they

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Speaker 1: the grown mens on the internet act like peacocks for

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Speaker 1: other grown men. I happen to be in Alive the

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Speaker 1: other day and I saw a grown man that I like, y'all. Man,

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Speaker 1: for some of you, niggas to be uber successful. You

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Speaker 1: got a certain bitch about you. You know, you got

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Speaker 1: a certain way you move around. It's like you you

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Speaker 1: you want the attention of other men in a way

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Speaker 1: that's I don't know, bro, it's weird to me. It

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Speaker 1: feels like you masquerading like you, like you Pete cocking

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Speaker 1: for men. Yo, look at me, get me over here.

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Speaker 1: It's like, Yo, i'd be feeling bad for you guys

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Speaker 1: sometime tagging hey yo, yo, yo, yo, yo yo yo.

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Speaker 1: You keep tagging, tagging hey yo. If you know the guy,

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Speaker 1: you know that you don't have to do all man,

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Speaker 1: but basically fifty put it down like, yo, this is

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Speaker 1: what it looked like when you're successful, bulletproof, cause you know.

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Speaker 1: Number one, what they told me is you ain't gonna

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Speaker 1: trick me out of my spot. And fuck what you're

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Speaker 1: talking about about it. I always tell people, yo, I

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Speaker 1: promise you one thing. I don't care no about what

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Speaker 1: they're telling mom. Man, I'm looking for the results. If

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Speaker 1: it ain't no results, we got a problem. But if

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Speaker 1: we're still getting results, let's keep it moving. Because what

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Speaker 1: they're talking about it ain't gonna affect nobody but the

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Speaker 1: people talking because what they're doing wasting time? Them the

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Speaker 1: only people affected by talking to people doing the talking

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Speaker 1: because they're wasting time. I ain't doing no talking. I'm

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Speaker 1: hustling in real life, in real time. You understand me.

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Speaker 1: So I get offended, Bro, I get offended when niggas

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Speaker 1: go to holling. You know, you shouldn't have security. You

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Speaker 1: shouldn't have the right people around you just to secure yourself. Man,

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Speaker 1: I was securing myself when I was illegal. They want

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Speaker 1: me to get legal and not secure the bag. What

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Speaker 1: y'all be asking from us? What y'all What y'all be

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Speaker 1: asking from black men? Dough like in real life? Though?

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Speaker 1: What y'all really be asking? Black men come out to

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Speaker 1: get o'deal with the trauma. Just think about the dope boy.

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Speaker 1: I said this a long time ago, the dope boy

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Speaker 1: and nigga can't he got to hide the money, kill

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Speaker 1: the ops, and beat the fids and can't tell if

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Speaker 1: he gets caught. The dope boys in some very unique circumstances.

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Speaker 1: This nigga gotta hide the money, kill the ops, beat

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Speaker 1: the fizz, better not tell, and better catch every face

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Speaker 1: when they call them out and betting. I had no

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Speaker 1: feelings for his girlfriend. Yeah, any and this is what

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Speaker 1: they doing, the black dude. The white people don't put

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Speaker 1: them kind of boundaries on their people. The white people

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Speaker 1: don't put them kind of bound You betting I protect yourself.

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Speaker 1: You betting I had security? You're a sucker. You better

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Speaker 1: had them same niggas in the hood come protect you.

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Speaker 1: You mean the ones that when I turned my back

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Speaker 1: there take something out of my pack. You mean the

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Speaker 1: ones that my uncle had to teach me how to

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Speaker 1: tipe my pack with the left hand. So if they're untired,

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Speaker 1: I know because they't nobody left handed in here and

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Speaker 1: they don't know how to tie left hand tie. You

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Speaker 1: mean them same niggas. I gotta tie my ship up

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Speaker 1: and hide it in the closet and in the tator

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Speaker 1: chip bag, it stapled so they won't go in it.

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Speaker 1: You mean them same niggas had the protect everything I

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Speaker 1: worked for for the last team year. Then what you're

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Speaker 1: telling me as a black man, and if I don't

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Speaker 1: fall victim forward, I'm a sucker. That why I ignore

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Speaker 1: you niggas. I don't got no problem with them knowing

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Speaker 1: You niggas and nigga out there that know me for real. No,

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Speaker 1: I ignore you niggas. Ignore you niggas. You niggas can't

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Speaker 1: tell me what to do. You know what I'm saying

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Speaker 1: because I don't saw you niggas fail. I don't listen

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Speaker 1: to you niggas. I look at you niggas, and that's

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Speaker 1: what we gotta do in the coach and stop listening

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Speaker 1: to these niggas. Look at these niggas. You know what

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Speaker 1: I'm saying. It's a reason why doll listen. I'm good

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Speaker 1: at talking. I can grab my phone and go live

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Speaker 1: every day like these niggas. Ain't no business in that,

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Speaker 1: ain't no business in doing it like that. That why

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Speaker 1: Loon won't do it like that. Don't listen to me.

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Speaker 1: Look at me, nigga, and I love my hood. I

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Speaker 1: love my dudes from my hood. I love my niggas.

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Speaker 1: I just sain't naive. And I know we come up

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Speaker 1: where you gotta sell saying like it's brown sugar. So

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Speaker 1: what the fuck I'm gonna do with a nigga that's

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Speaker 1: been selling saying like it's brown sugar. Put my life

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Speaker 1: in his hand and I love him and we're gonna

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Speaker 1: go together. Nigga, I don't even trust you to go

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Speaker 1: by yourself, nigga. You know, bro, it's trip across involved

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Speaker 1: one from I come out to slum for real. And

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Speaker 1: that's why I say when I hear a lot of

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Speaker 1: niggas talk and they don't even consider the trip across,

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Speaker 1: I know they couldn't have had no money where they

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Speaker 1: were from. You don't got enough information to keep the money.

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Speaker 1: You know, you're masquerading and running around like you was.

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Speaker 1: You know. So for me, I'm dealing with a wealth

255
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Speaker 1: of information. I'm fucked up because I've been overexposed and

256
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Speaker 1: I'm disappointed in what I saw. I'm disappointed in what

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Speaker 1: I saw. You know. The more I wake up, the

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Speaker 1: more I go further than further than the information, the

259
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Speaker 1: more I know why they had me in the trick

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Speaker 1: bag all that time, and they had me overplaying my power.

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Speaker 1: Old street dude, old nigga, what are you doing? I

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Speaker 1: remember I used to say, Man, I'm layer than them. Man,

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Speaker 1: can't nothing make me go against some of the some

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Speaker 1: of these dudes out here nothing in life. People used

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Speaker 1: to ask me, But I'm in then, I'm in the circle.

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Speaker 1: I'm in that circle. I'm in that cycle. My mind, Nigga,

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Speaker 1: I never crossed these niggas. They're gonna die for me.

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Speaker 1: Nigga asked me, well, you you think they're gonna do

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Speaker 1: the same for you, Niga? And I know they will.

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Speaker 1: See that's the thing. My people then came through. So

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Speaker 1: at that time, I'm saying, yeah, I know for a

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Speaker 1: fact they're gonna do it. But as you get, as

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Speaker 1: you go through things, things start expose themselves and then

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00:14:20,440 --> 00:14:23,680
Speaker 1: you start to wake up and say, oh shit, we

275
00:14:23,800 --> 00:14:26,960
Speaker 1: ain't not home as I've just been overplaying my power.

276
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Speaker 1: And ain't none more disappointing than overplaying your power. Even

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Speaker 1: in relationships when you deal with women, when you in

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Speaker 1: a relationship, or say you meet somebody and you got

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Speaker 1: good intentions, you foot on the gag, yo, what you need?

280
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Speaker 1: I fuck with you. I fuck with you like for me,

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Speaker 1: you know, and I tend to I tend to get

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Speaker 1: caught up sometimes and overplaying my part, and man, it's disappointing,

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Speaker 1: you know. But in relationships, you'll you'll try to step

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Speaker 1: out on faith. I'm gonna provide you're a runway to

285
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Speaker 1: know you know, I'm gonna provide you're a runway to

286
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Speaker 1: make it real. But playing your part is a sweet science.

287
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Speaker 1: It's almost like a wide receiver running a route. You know,

288
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Speaker 1: Nick come about fit and he got to take except

289
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Speaker 1: mayyards and I cut that. If he don't do that

290
00:15:14,280 --> 00:15:18,280
Speaker 1: right in the quarterback, everything gotta be in sync and

291
00:15:18,320 --> 00:15:20,600
Speaker 1: playing your part. If he runs a little too long

292
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Speaker 1: and slant, he's off course for the for the kitch

293
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Speaker 1: you see. So overplaying your part, it's so dangerous. But

294
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Speaker 1: overplaying your part is just disappointment. But on the flip

295
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Speaker 1: side of that, there's nothing more disrespectful than over exaggerating

296
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Speaker 1: your part. And that's the one I fall victim to

297
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Speaker 1: the most when I deal with people who, because I'm

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Speaker 1: doing so much and because I'm doing it in a

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Speaker 1: way that's effective, they want to provide themselves some kind

300
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Speaker 1: of into that. So they run around and they over

301
00:16:00,840 --> 00:16:03,720
Speaker 1: exaggerate what they may have been involved in with me,

302
00:16:03,800 --> 00:16:06,920
Speaker 1: and it's becoming weird. You know, as I look at it,

303
00:16:07,000 --> 00:16:11,080
Speaker 1: I'm saying, Yo, that's disrespectful to me. That's disrespectful to

304
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Speaker 1: what I did in my hustle and all the knights

305
00:16:13,400 --> 00:16:15,440
Speaker 1: and everything I had to go through to be who

306
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Speaker 1: I am. I can't pop it like this because you

307
00:16:18,000 --> 00:16:20,640
Speaker 1: right here ain't nobody, Yo, I ain't. I don't pour

308
00:16:20,800 --> 00:16:26,440
Speaker 1: from nobody. I pour from nobody. There ain't nobody in here.

309
00:16:26,600 --> 00:16:32,080
Speaker 1: It's one person. This, this got to come out of me, right,

310
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Speaker 1: So when you're going you off exaggerate, Yo, you know

311
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Speaker 1: I helped this, this and out here and its and

312
00:16:37,080 --> 00:16:41,160
Speaker 1: it'd be like, Yo, damn it do I really got

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Speaker 1: to explain to you what it looked like next to you.

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00:16:45,760 --> 00:16:48,560
Speaker 1: And then I become disrespectful when I explain what it

315
00:16:48,640 --> 00:16:52,160
Speaker 1: really feel like next to you, what it really looked

316
00:16:52,160 --> 00:16:55,400
Speaker 1: like next to you, what it feel like waking up

317
00:16:55,400 --> 00:16:57,480
Speaker 1: with you there, because if you want to talk about it,

318
00:16:57,520 --> 00:17:01,960
Speaker 1: we can talk about it. But then the man becomes wrong.

319
00:17:02,000 --> 00:17:04,400
Speaker 1: So I always take the high role and I never

320
00:17:04,440 --> 00:17:08,800
Speaker 1: say nothing. But again, there's nothing more disappointing and overplaying

321
00:17:08,840 --> 00:17:14,520
Speaker 1: your part. But there's nothing more disrespectful than over exaggerating

322
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Speaker 1: your part. And before we get into the game thing,

323
00:17:17,119 --> 00:17:21,199
Speaker 1: we'll get into Kanye just because we're talking about, you know,

324
00:17:21,240 --> 00:17:28,119
Speaker 1: overplaying your part or over exaggerating your role with Kim, like,

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00:17:28,200 --> 00:17:31,240
Speaker 1: what do we stand with that? You know, is he

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00:17:31,359 --> 00:17:35,080
Speaker 1: doing both at the same time? Is he overplaying his part?

327
00:17:36,880 --> 00:17:39,520
Speaker 1: I'm not sure if he's over exaggerating his role. Because

328
00:17:39,520 --> 00:17:43,800
Speaker 1: he did, he was effective in getting her to another

329
00:17:43,920 --> 00:17:47,040
Speaker 1: level and actually rebrand, helping rebrand her along with her family.

330
00:17:47,080 --> 00:17:49,760
Speaker 1: We don't take anything from them. And also again we

331
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Speaker 1: deal with him as his family. We deal with our

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00:17:53,240 --> 00:17:56,680
Speaker 1: people as a collective, as a family. We know that

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00:17:56,680 --> 00:17:58,800
Speaker 1: that is not one better than the other. And we

334
00:17:58,840 --> 00:18:01,760
Speaker 1: won't be critical with me and applaud women in a

335
00:18:01,920 --> 00:18:07,200
Speaker 1: circumstantial situation that's affecting both people simultaneously. I think will

336
00:18:07,280 --> 00:18:11,080
Speaker 1: be unwarranted in that approach, and I don't want to

337
00:18:11,119 --> 00:18:15,520
Speaker 1: second any notion to do any such thing. But when

338
00:18:15,560 --> 00:18:20,240
Speaker 1: you look at Kanye and when you talk about the role,

339
00:18:20,320 --> 00:18:24,120
Speaker 1: first you got to identify what your role is. Some

340
00:18:24,240 --> 00:18:26,200
Speaker 1: women want to be next to you and say and

341
00:18:26,840 --> 00:18:29,720
Speaker 1: want to be more, so they don't understand what you need.

342
00:18:30,359 --> 00:18:33,360
Speaker 1: The first thing about having a healthy and good relationship

343
00:18:33,480 --> 00:18:37,560
Speaker 1: is understanding the needs of each other. You can't give

344
00:18:37,560 --> 00:18:39,120
Speaker 1: me the where I need to go. If I ain't

345
00:18:39,160 --> 00:18:43,359
Speaker 1: give you the directions, you can't give me where I

346
00:18:43,400 --> 00:18:45,760
Speaker 1: need to go. If you don't have the directions, maybe

347
00:18:45,760 --> 00:18:47,840
Speaker 1: I didn't give them to you. Maybe you see something

348
00:18:47,880 --> 00:18:50,040
Speaker 1: in me that I don't see. Maybe you see the

349
00:18:50,119 --> 00:18:52,280
Speaker 1: brokenness in me that I don't see. I don't know,

350
00:18:52,359 --> 00:18:55,520
Speaker 1: but we definitely ain't going nowhere when we're both fighting

351
00:18:55,560 --> 00:18:57,840
Speaker 1: for the same spot in the household. A lot of

352
00:18:57,840 --> 00:19:01,119
Speaker 1: women talk about money, and I've never been in a

353
00:19:01,200 --> 00:19:03,600
Speaker 1: situation where a woman's made more money than me, just

354
00:19:03,640 --> 00:19:07,360
Speaker 1: to be clear, But a lot of people talk about money, right,

355
00:19:08,280 --> 00:19:11,200
Speaker 1: and sometimes if that woman makes more money than them,

356
00:19:11,280 --> 00:19:14,280
Speaker 1: they get uncomfortable. I think that that's a childish behavior.

357
00:19:16,320 --> 00:19:18,520
Speaker 1: But I think it's less about the money and it's

358
00:19:18,560 --> 00:19:23,639
Speaker 1: more about the mindset. I think that because money is

359
00:19:23,680 --> 00:19:26,200
Speaker 1: the root of all evil, it does make you walk

360
00:19:26,240 --> 00:19:30,679
Speaker 1: with a certain switch about you. And when the woman

361
00:19:30,720 --> 00:19:34,000
Speaker 1: finds herself in an unfamiliar place where it may seem

362
00:19:34,040 --> 00:19:36,679
Speaker 1: as though she's pulling more weight than the man, she

363
00:19:36,800 --> 00:19:42,640
Speaker 1: may come off as irritable, and then the man has

364
00:19:42,680 --> 00:19:48,240
Speaker 1: to deal with an irritable provider on the other side.

365
00:19:48,280 --> 00:19:50,480
Speaker 1: I don't think the man gets irritable when he's the

366
00:19:50,520 --> 00:19:54,680
Speaker 1: provider as quick as the woman. It's not so unfamiliar

367
00:19:54,760 --> 00:19:57,400
Speaker 1: for us. But one of the first things you gotta do,

368
00:19:58,040 --> 00:20:00,200
Speaker 1: in my opinion, if you get in a relationship ship

369
00:20:00,320 --> 00:20:02,600
Speaker 1: or you lock in with somebody that's identified your role

370
00:20:02,640 --> 00:20:05,520
Speaker 1: in their life. First thing they do when they draft

371
00:20:05,560 --> 00:20:08,159
Speaker 1: you before you draft. Excusing me because you need to

372
00:20:08,160 --> 00:20:12,360
Speaker 1: do this in preproduction. Yeah, you don't need to wait

373
00:20:12,400 --> 00:20:14,800
Speaker 1: till you're on the clock to be making these kind

374
00:20:14,800 --> 00:20:17,520
Speaker 1: of decisions. So you need to look into this individual

375
00:20:17,560 --> 00:20:21,320
Speaker 1: prior to even drafting them, Like, oh shit, she cooked,

376
00:20:21,359 --> 00:20:24,040
Speaker 1: she slicked this, She that she that she got these

377
00:20:24,080 --> 00:20:27,679
Speaker 1: type morals and colds about her. She ain't really misses.

378
00:20:27,720 --> 00:20:31,720
Speaker 1: She don't do too much on that ground. Oh now

379
00:20:31,760 --> 00:20:34,560
Speaker 1: I got to see in real life because that's just

380
00:20:34,640 --> 00:20:38,040
Speaker 1: one of the boxes. All that internet ship following one box.

381
00:20:38,359 --> 00:20:41,920
Speaker 1: It don't even wait much either. Yeah, that internet ship

382
00:20:42,040 --> 00:20:44,280
Speaker 1: don't wait much to the real nigga. So now we

383
00:20:44,400 --> 00:20:47,160
Speaker 1: considered because it does give us a glimpse into who

384
00:20:47,200 --> 00:20:50,959
Speaker 1: you may be. But we understand the game, right, so

385
00:20:51,000 --> 00:20:52,880
Speaker 1: we don't put too much into it, but it check

386
00:20:52,920 --> 00:20:55,160
Speaker 1: off a little something. Now we got to come. Yeah,

387
00:20:55,160 --> 00:20:57,280
Speaker 1: we got to push up in person, right, and now

388
00:20:57,880 --> 00:21:00,800
Speaker 1: this is what we see. What kind of can she

389
00:21:00,960 --> 00:21:05,320
Speaker 1: fulfill the role? And not like it's something weird contests,

390
00:21:05,359 --> 00:21:09,520
Speaker 1: you know, flavor love shit, but it's like everybody lives.

391
00:21:09,560 --> 00:21:13,800
Speaker 1: Everybody lives have voids. Right, And your relationship is supposed

392
00:21:13,800 --> 00:21:18,679
Speaker 1: to compliment you, right, And I'm supposed to confine you

393
00:21:18,720 --> 00:21:20,520
Speaker 1: and have you in a situation to feel like you

394
00:21:20,640 --> 00:21:22,520
Speaker 1: boxed in. And now that I got with you, I

395
00:21:22,560 --> 00:21:25,640
Speaker 1: can't even fly, I can't even exhale, I can't even

396
00:21:25,680 --> 00:21:28,280
Speaker 1: chase the dream you gotta You always find a way

397
00:21:28,280 --> 00:21:29,760
Speaker 1: to get in the way of what I had to

398
00:21:29,800 --> 00:21:32,840
Speaker 1: do next. It's almost like you trying to stop me.

399
00:21:33,400 --> 00:21:37,359
Speaker 1: And because I'm fucking you. I if you listen, a

400
00:21:37,359 --> 00:21:39,520
Speaker 1: lot of niggas right now sleeping with a woman that

401
00:21:39,680 --> 00:21:42,520
Speaker 1: if they wasn't fucking her, based on how she acts,

402
00:21:42,720 --> 00:21:46,159
Speaker 1: they'll call her opposition. But because they fucking her and

403
00:21:46,200 --> 00:21:49,080
Speaker 1: they tend to dick, they can't separate her actions from

404
00:21:49,080 --> 00:21:54,199
Speaker 1: a pussy. You're dick so tender you sleeping with the opposition,

405
00:21:54,240 --> 00:21:57,200
Speaker 1: you don't mean, you can't even distinguish it because you're

406
00:21:57,240 --> 00:22:02,600
Speaker 1: dick tender. And when she get that look and she nasty, Yeah,

407
00:22:02,600 --> 00:22:04,679
Speaker 1: when she get that liquor and she gnashed. So what

408
00:22:04,800 --> 00:22:08,119
Speaker 1: happens is that that hour, two three hours at that

409
00:22:08,200 --> 00:22:11,320
Speaker 1: time right there make you overlook a lot of those things.

410
00:22:11,320 --> 00:22:13,960
Speaker 1: But if you took six out of the equation, and

411
00:22:14,080 --> 00:22:16,639
Speaker 1: just went based on her actions. You're sleeping with the

412
00:22:16,640 --> 00:22:20,600
Speaker 1: opposition and women on the other side. Look at that

413
00:22:20,680 --> 00:22:22,639
Speaker 1: dude you're dealing with. If I'll letting nigga do is

414
00:22:22,680 --> 00:22:25,360
Speaker 1: take your money, got your car, He don't come home.

415
00:22:25,440 --> 00:22:28,399
Speaker 1: Whatever he doing, he listen, if that was your home girl,

416
00:22:28,400 --> 00:22:31,880
Speaker 1: that'd be your home girl. If that was somebody who

417
00:22:31,880 --> 00:22:41,120
Speaker 1: didn't offer you nothing, how long would you consider doing that? Right,

418
00:22:41,359 --> 00:22:43,760
Speaker 1: So let's get back to Kanye and just about the

419
00:22:43,880 --> 00:22:48,080
Speaker 1: roles and if he's over exaggerating his role, the backlash

420
00:22:48,200 --> 00:22:50,879
Speaker 1: is coming. I expect him to stop now because the

421
00:22:50,920 --> 00:22:53,639
Speaker 1: court thing is old. Someone like he was trolling and

422
00:22:53,640 --> 00:22:56,240
Speaker 1: I ain't gonna say, well, it's over, but I think

423
00:22:56,280 --> 00:23:02,440
Speaker 1: the judge did the cloud single right, So I think

424
00:23:02,440 --> 00:23:04,600
Speaker 1: it's some bad I see some backlash people out there,

425
00:23:04,600 --> 00:23:07,000
Speaker 1: like you can't troll online like that. It's not cool.

426
00:23:07,400 --> 00:23:09,959
Speaker 1: And like I always told y'all, you know, for me,

427
00:23:10,040 --> 00:23:14,080
Speaker 1: we always keep it P. That's for show when he

428
00:23:14,200 --> 00:23:16,200
Speaker 1: putting no ten on it, We're gonna always keep it P.

429
00:23:16,440 --> 00:23:19,360
Speaker 1: About this little ship with the women. And that's why

430
00:23:19,400 --> 00:23:21,240
Speaker 1: you don't That's why it's hard for a nigga to

431
00:23:21,280 --> 00:23:24,240
Speaker 1: give marriage because when you give marriage, you take the

432
00:23:24,359 --> 00:23:28,600
Speaker 1: p out of because now I don't slick convince myself

433
00:23:29,680 --> 00:23:32,360
Speaker 1: and you didn't convince me. Most women think they convinced

434
00:23:32,359 --> 00:23:35,960
Speaker 1: their man to marry them. No, the dude usually convinces itself.

435
00:23:37,920 --> 00:23:40,320
Speaker 1: You're a great woman, sweet, and I ain't taking nothing

436
00:23:40,359 --> 00:23:43,439
Speaker 1: from you. A great woman. He really loves you. But

437
00:23:43,560 --> 00:23:45,800
Speaker 1: for him to marry you, nine times out of ten,

438
00:23:45,880 --> 00:23:48,760
Speaker 1: that boy gonna have to convince itself. And you're a

439
00:23:48,760 --> 00:23:51,280
Speaker 1: player role in it, but he gonna convince itself to

440
00:23:51,359 --> 00:23:53,760
Speaker 1: marry you. And so when that starts to fall apart,

441
00:23:54,960 --> 00:23:59,479
Speaker 1: he blames itself and he blames itself, especially if you're

442
00:23:59,480 --> 00:24:02,560
Speaker 1: a nigga one of us. Dick it bro literally turns

443
00:24:02,560 --> 00:24:06,800
Speaker 1: shit into sugar, go from nothing to mota and niggas.

444
00:24:06,800 --> 00:24:10,080
Speaker 1: That's creative and goddamn it. You know, come on, man,

445
00:24:10,160 --> 00:24:13,040
Speaker 1: so you know ain't gonna thing like damn, I ain't

446
00:24:13,080 --> 00:24:16,440
Speaker 1: see that coming. I didn't consider that they didn't pour

447
00:24:16,560 --> 00:24:19,159
Speaker 1: the fast one o. Man. That disappointment gonna lead to

448
00:24:19,320 --> 00:24:24,640
Speaker 1: erratic behavior. Not acceptable, just explainable. I want to talk

449
00:24:24,680 --> 00:24:30,080
Speaker 1: about m I want to talk about Joe Budden, Joel Ortiz,

450
00:24:30,160 --> 00:24:32,680
Speaker 1: the whole slaughterhouse, thing right and getting into some of that.

451
00:24:33,320 --> 00:24:35,400
Speaker 1: But before I do, I want to talk about bell Lell.

452
00:24:36,200 --> 00:24:38,280
Speaker 1: I've been seeing a lot of mixed reviews on bell

453
00:24:38,400 --> 00:24:42,800
Speaker 1: le Yo, bell Lea's the truth. I'm fucking with ball Leer.

454
00:24:44,600 --> 00:24:48,959
Speaker 1: I'm fucking with bad Lee. Like for those of you

455
00:24:49,119 --> 00:24:53,000
Speaker 1: that don't know what I'm talking about, Fresh Prince of

456
00:24:53,080 --> 00:24:56,119
Speaker 1: bell with Will Smith, the iconic Will Smith. If I'm

457
00:24:56,160 --> 00:24:58,000
Speaker 1: not explaining who he is, if you don't know who

458
00:24:58,040 --> 00:25:01,000
Speaker 1: he is, you definitely don't know who I am. Right,

459
00:25:01,240 --> 00:25:09,000
Speaker 1: So Will Smith, great great actor. His starting starring role

460
00:25:09,520 --> 00:25:13,080
Speaker 1: was on Fresh Prince of bel LEA my childhood sitcom.

461
00:25:13,200 --> 00:25:17,120
Speaker 1: I grew up on that. Now we're dealing with a remaking.

462
00:25:17,160 --> 00:25:20,199
Speaker 1: They're making it more of a drama. And when I

463
00:25:20,280 --> 00:25:24,520
Speaker 1: tell you, I can appreciate the storyline, I can appreciate

464
00:25:24,600 --> 00:25:29,120
Speaker 1: the acting. Number one round of applause for that little

465
00:25:29,200 --> 00:25:33,520
Speaker 1: dude that's playing Will Smith. I won't explain to some

466
00:25:33,640 --> 00:25:37,320
Speaker 1: of you as I now get into situations where their

467
00:25:37,359 --> 00:25:41,520
Speaker 1: pressure is on. Money's involved. Lots of money's involved with

468
00:25:41,640 --> 00:25:44,720
Speaker 1: me talking right, so it's pressure involved. I don't taken,

469
00:25:44,800 --> 00:25:47,280
Speaker 1: ain't gonna sweat off my bag. I do this, I

470
00:25:47,359 --> 00:25:49,959
Speaker 1: trust the game. This is what I do say at

471
00:25:50,000 --> 00:25:52,680
Speaker 1: say dollars, I got my life in this. I ain't

472
00:25:52,720 --> 00:25:54,520
Speaker 1: putting no ten on it yet. And we're gonna come

473
00:25:54,640 --> 00:25:57,600
Speaker 1: fishbowling the whole way. You know what I'm saying. So

474
00:25:57,680 --> 00:26:01,840
Speaker 1: this is just how we're rocking. It's it's a lot

475
00:26:01,840 --> 00:26:04,040
Speaker 1: of money involved in me talking now. So when I

476
00:26:04,040 --> 00:26:06,520
Speaker 1: look at Will and I look at this new dude

477
00:26:06,560 --> 00:26:09,840
Speaker 1: that's playing Will, I can't do number. Give it up

478
00:26:09,880 --> 00:26:12,040
Speaker 1: to him. You know what pressure it is coming behind

479
00:26:12,080 --> 00:26:17,959
Speaker 1: Will Smith. You know the trajectory Will Smith has. You

480
00:26:18,040 --> 00:26:21,359
Speaker 1: know where he is right now, how many movies and

481
00:26:21,480 --> 00:26:24,359
Speaker 1: how much he's done, the ground he's covered for him

482
00:26:24,440 --> 00:26:27,000
Speaker 1: to start there, and what that says about you as

483
00:26:27,040 --> 00:26:30,240
Speaker 1: a young man. And that dude is killing it. His

484
00:26:30,359 --> 00:26:34,480
Speaker 1: whole get up, his whole get up, his energies, everything,

485
00:26:34,520 --> 00:26:37,679
Speaker 1: he's killing it. And this is organic me speaking about

486
00:26:37,720 --> 00:26:45,160
Speaker 1: that last episode was a very unique situation. A lot

487
00:26:45,200 --> 00:26:47,159
Speaker 1: of things happen. So for those of you aun know

488
00:26:47,200 --> 00:26:49,760
Speaker 1: where Will Smith and this is a spoiler alert. If

489
00:26:49,800 --> 00:26:52,080
Speaker 1: you haven't saw Bella, you may want to skip about

490
00:26:52,080 --> 00:26:54,760
Speaker 1: ten minutes. I may give ten minutes on this and

491
00:26:54,840 --> 00:26:57,560
Speaker 1: then I'll move on. But I got good game, so

492
00:26:58,520 --> 00:27:03,359
Speaker 1: stick around. But um, for those of you under where

493
00:27:03,359 --> 00:27:06,240
Speaker 1: Will grows up in Philly? In Phillies and so what

494
00:27:06,240 --> 00:27:09,080
Speaker 1: what they're doing here is there? If you remember the

495
00:27:09,119 --> 00:27:12,399
Speaker 1: song back in the day, it says in West Philadelphia.

496
00:27:12,400 --> 00:27:16,000
Speaker 1: In West Philadelphia, born and raised on the playground is

497
00:27:16,000 --> 00:27:19,560
Speaker 1: where I spent most of my days chilling out, man

498
00:27:20,119 --> 00:27:23,240
Speaker 1: cooling or shooting something be ball outside the school. When

499
00:27:23,359 --> 00:27:26,680
Speaker 1: a couple of guys who up to no good started

500
00:27:26,760 --> 00:27:30,040
Speaker 1: making trouble in my neighborhood, I got in one little fight.

501
00:27:30,200 --> 00:27:33,720
Speaker 1: My mom got scared and said, you if you didn't

502
00:27:33,720 --> 00:27:38,320
Speaker 1: finish that, you ain't You ain't gangster. But um, they're

503
00:27:38,359 --> 00:27:42,280
Speaker 1: explaining that fight. That's where it started. And so Will

504
00:27:42,359 --> 00:27:44,720
Speaker 1: Smith and one of his boys gets his name is

505
00:27:44,720 --> 00:27:47,640
Speaker 1: Trey is on his own. According to fight breaks out,

506
00:27:47,800 --> 00:27:51,320
Speaker 1: Guns involved, Boom, Uncle Phield comes from the West Coast.

507
00:27:51,400 --> 00:27:53,879
Speaker 1: Rich Rich Uncle Phield. You know he comes from the

508
00:27:53,880 --> 00:27:58,520
Speaker 1: West Coast. DA make the charges disappear. But he can

509
00:27:58,560 --> 00:28:01,080
Speaker 1: make the charges disappear, but he can't make the niggas

510
00:28:01,080 --> 00:28:04,880
Speaker 1: disappear who the problems is with. And so with that

511
00:28:04,920 --> 00:28:07,199
Speaker 1: being the case, they decided to move well out of

512
00:28:07,200 --> 00:28:09,840
Speaker 1: Philadelphia because he's intol with some people that's out out

513
00:28:09,840 --> 00:28:12,160
Speaker 1: of this league. I remember going through things like that.

514
00:28:12,880 --> 00:28:15,480
Speaker 1: I remember being a young boy in the neighborhood, right

515
00:28:16,160 --> 00:28:18,560
Speaker 1: and as long as it's a fight, as long as

516
00:28:18,560 --> 00:28:20,960
Speaker 1: I maybe can hit you with this or go get

517
00:28:20,960 --> 00:28:24,600
Speaker 1: this bad, I'm ready to go with whoever. And that

518
00:28:24,720 --> 00:28:26,639
Speaker 1: they sent a shot through me one time in the

519
00:28:26,640 --> 00:28:29,440
Speaker 1: neighborhood because as we were out there ready to fight,

520
00:28:29,960 --> 00:28:32,639
Speaker 1: the game had changed, and them niggas pulled up shooting

521
00:28:33,080 --> 00:28:35,560
Speaker 1: and shot one of my homeboards while I was right there,

522
00:28:36,119 --> 00:28:37,399
Speaker 1: you know, and I had a bat in my hand

523
00:28:37,440 --> 00:28:39,600
Speaker 1: because I'm slicking a way for him to get out,

524
00:28:39,640 --> 00:28:43,800
Speaker 1: like it was some shit like that happening. So, you know,

525
00:28:44,040 --> 00:28:47,920
Speaker 1: just navigating through life and understanding when the rules change.

526
00:28:47,920 --> 00:28:50,040
Speaker 1: It's why I tell my children keep your eyes open

527
00:28:50,280 --> 00:28:52,640
Speaker 1: and don't play with these dude. These dudes not playing,

528
00:28:53,280 --> 00:28:55,800
Speaker 1: y'all playing, Not my kids, but some of these little

529
00:28:55,800 --> 00:28:58,480
Speaker 1: boys they playing. They think they just gotta look the

530
00:28:58,520 --> 00:29:01,760
Speaker 1: part and say, I ain't scared, all right, Well, all right,

531
00:29:01,800 --> 00:29:03,400
Speaker 1: I know you ain't scared because you ain't got to

532
00:29:03,440 --> 00:29:07,280
Speaker 1: be scared to die. Yeah, yeah, you ain't got to

533
00:29:07,320 --> 00:29:10,240
Speaker 1: be scared to die. No, matter how scared the crab bears,

534
00:29:10,240 --> 00:29:13,560
Speaker 1: he going in his water. He don't even got to

535
00:29:13,560 --> 00:29:16,080
Speaker 1: be scared. He can really be grabbing for the water.

536
00:29:16,480 --> 00:29:19,720
Speaker 1: It's cool either way, it's gonna be the same result, right, Basically,

537
00:29:19,760 --> 00:29:22,880
Speaker 1: A long story short. But these little dudes were actually

538
00:29:22,880 --> 00:29:24,960
Speaker 1: about it, and so they got well a lot of

539
00:29:24,960 --> 00:29:27,880
Speaker 1: Philadelphia because his life was in dangering his people opinion.

540
00:29:27,880 --> 00:29:29,719
Speaker 1: And you know how they'll do. They're get spooled. How

541
00:29:29,760 --> 00:29:31,720
Speaker 1: you into it with a suddenly such now and you

542
00:29:31,760 --> 00:29:33,760
Speaker 1: know they'll do this, and they'll do that, and so

543
00:29:34,160 --> 00:29:36,200
Speaker 1: you know, maybe you run head up with them niggas

544
00:29:36,200 --> 00:29:39,160
Speaker 1: and they respect the game. But Mama granting them. If

545
00:29:39,200 --> 00:29:41,040
Speaker 1: they got the means to, they get you out of there.

546
00:29:41,040 --> 00:29:42,640
Speaker 1: So they got him out of They got him into

547
00:29:42,680 --> 00:29:46,120
Speaker 1: Cali Bam. He I didn't California, bad lell. I'm talking

548
00:29:46,120 --> 00:29:49,440
Speaker 1: about some of the most lavish living that niggas gets

549
00:29:49,520 --> 00:29:53,480
Speaker 1: ever seen. Man, big boy cribs with the with the

550
00:29:53,640 --> 00:29:57,840
Speaker 1: columns and the marble, and I mean this lavish living.

551
00:29:57,920 --> 00:30:01,800
Speaker 1: So we get out there carts and immediately hate on him.

552
00:30:02,440 --> 00:30:05,280
Speaker 1: See Carton is the rich kid that don't want nobody.

553
00:30:05,320 --> 00:30:08,920
Speaker 1: They don't want to share this atmosphere with nobody house

554
00:30:08,960 --> 00:30:11,600
Speaker 1: threaded thousand square feet and I don't want no nigga

555
00:30:11,640 --> 00:30:16,720
Speaker 1: on the west wing. Carton one of them. I can't

556
00:30:16,760 --> 00:30:19,320
Speaker 1: even him. They can scream right now, lot that they can't.

557
00:30:19,320 --> 00:30:21,520
Speaker 1: I couldn't hear him. Why I'm what my room is.

558
00:30:21,560 --> 00:30:23,120
Speaker 1: And I still don't want him there. The thought of

559
00:30:23,200 --> 00:30:26,080
Speaker 1: him there irks him. He wanted them and you got

560
00:30:26,120 --> 00:30:28,880
Speaker 1: them kind of people in life for real, Like they

561
00:30:28,920 --> 00:30:31,680
Speaker 1: don't want you to have nothing. It just don't matter

562
00:30:31,760 --> 00:30:35,600
Speaker 1: that even if, like I said last week, they can

563
00:30:35,680 --> 00:30:37,480
Speaker 1: make a call to make sure you make some money

564
00:30:37,480 --> 00:30:39,360
Speaker 1: and they won't make the call. And they standing to

565
00:30:39,400 --> 00:30:41,840
Speaker 1: make some money, but because you're gonna make some money,

566
00:30:41,880 --> 00:30:45,080
Speaker 1: they want to make the call. Another story, So he

567
00:30:45,120 --> 00:30:47,800
Speaker 1: gets out there. Carton dislikes the fact of number one.

568
00:30:48,160 --> 00:30:51,760
Speaker 1: You and my dad got this very unique relationship. He

569
00:30:51,880 --> 00:30:55,240
Speaker 1: kicks it with you, the dude. Dad really kicks it

570
00:30:55,320 --> 00:30:58,200
Speaker 1: with Will like Uncle Phil him, and Will is straight

571
00:30:58,800 --> 00:31:01,320
Speaker 1: him and Carton he loved cards and straight too. But

572
00:31:01,360 --> 00:31:03,600
Speaker 1: the vibe ain't the same because, like I say, Will

573
00:31:03,680 --> 00:31:07,560
Speaker 1: got the swag and the charisma. You know, he moving

574
00:31:07,560 --> 00:31:09,680
Speaker 1: through the world with a certain charisma. He Mike and

575
00:31:09,800 --> 00:31:12,040
Speaker 1: dad's play drum. He seemed like one of them, a

576
00:31:12,080 --> 00:31:15,040
Speaker 1: little boy, play ball, play drun this dad and the third,

577
00:31:15,040 --> 00:31:16,520
Speaker 1: you know, and they got them like I was one

578
00:31:16,560 --> 00:31:17,960
Speaker 1: of them, a little boy that can do a lot.

579
00:31:17,960 --> 00:31:20,640
Speaker 1: I suppressed a lot because I come from the hood.

580
00:31:20,800 --> 00:31:23,760
Speaker 1: A lot wasn't cool, you know, even though my mom

581
00:31:23,880 --> 00:31:27,000
Speaker 1: then made sure I was pushing me towards shit. Honey,

582
00:31:27,040 --> 00:31:29,600
Speaker 1: black men were pushing me towards shit. But I was

583
00:31:29,640 --> 00:31:32,160
Speaker 1: trying to suppress some of those things that nan shining

584
00:31:32,240 --> 00:31:35,040
Speaker 1: brighter than evil. I shouldn't never suppressed him, because I

585
00:31:35,040 --> 00:31:37,160
Speaker 1: am who I am, no matter who says I'm not.

586
00:31:38,400 --> 00:31:40,760
Speaker 1: The proof is in the putting, the readings in the book.

587
00:31:41,040 --> 00:31:44,160
Speaker 1: And so Carton, like I said, doesn't like the relationship

588
00:31:44,200 --> 00:31:46,920
Speaker 1: with this far. He thinks it's a little too overbearing

589
00:31:47,120 --> 00:31:51,240
Speaker 1: or almost like that's your son, and so now taking

590
00:31:51,280 --> 00:31:54,160
Speaker 1: man cards and doesn't know that his dad gets rid

591
00:31:54,200 --> 00:31:57,720
Speaker 1: of the charges. And so from day one it's kind

592
00:31:57,720 --> 00:31:59,760
Speaker 1: of like a problem with cards, and they move on,

593
00:32:00,040 --> 00:32:03,719
Speaker 1: move on, you know, Long story short, this last episode,

594
00:32:04,680 --> 00:32:07,360
Speaker 1: and I'm fast tracking. For those of you who saw it,

595
00:32:07,440 --> 00:32:11,040
Speaker 1: you probably know exactly what I'm saying. If you haven't

596
00:32:11,080 --> 00:32:13,160
Speaker 1: saw it, I recommend you see it just because we

597
00:32:13,280 --> 00:32:16,480
Speaker 1: talk about it on the park. So this last episode,

598
00:32:16,800 --> 00:32:18,920
Speaker 1: last two episodes, I'm gonna mad shop and kind of

599
00:32:18,920 --> 00:32:21,040
Speaker 1: speak about So the last two episodes, a couple of

600
00:32:21,040 --> 00:32:24,680
Speaker 1: things happen. The episode before the last one, Tray came

601
00:32:24,680 --> 00:32:27,920
Speaker 1: out from Philly. He flew his homeboy out from Philly.

602
00:32:28,120 --> 00:32:30,120
Speaker 1: Come see how we live, and you can come anytime

603
00:32:30,200 --> 00:32:32,560
Speaker 1: you won't. I mean, the dude room so big you

604
00:32:32,600 --> 00:32:34,800
Speaker 1: can bounce the ball and that can't nobody here like

605
00:32:34,880 --> 00:32:38,440
Speaker 1: his room probably maybe five thousand square feet some shit

606
00:32:38,600 --> 00:32:40,480
Speaker 1: like it. It looked like to me. Maybe i'm mouth,

607
00:32:40,560 --> 00:32:44,000
Speaker 1: but that's what it looks like. M But I mean,

608
00:32:44,080 --> 00:32:47,720
Speaker 1: I'm speaking closets, spout all. That's just a super big spot.

609
00:32:48,120 --> 00:32:50,360
Speaker 1: But he brings Tray out there, and Trey as a

610
00:32:50,440 --> 00:32:52,560
Speaker 1: nigga from the hood. So Tray like, man, we miss

611
00:32:52,640 --> 00:32:55,240
Speaker 1: you out there. The team suck. You know when Philly

612
00:32:55,280 --> 00:32:57,800
Speaker 1: man when got you no more? He tried to talk him,

613
00:32:57,840 --> 00:33:00,760
Speaker 1: you know, come on back out there because they had

614
00:33:00,800 --> 00:33:03,840
Speaker 1: just killed the nigga who he had the problems with

615
00:33:04,320 --> 00:33:06,720
Speaker 1: trade and duel, but he just ended up getting killed.

616
00:33:07,120 --> 00:33:09,520
Speaker 1: So the dude who will had issues with it is

617
00:33:09,560 --> 00:33:11,880
Speaker 1: now killed in Philadelphia, so he can go back home.

618
00:33:11,960 --> 00:33:15,360
Speaker 1: By all means the problems not there no more. When

619
00:33:15,440 --> 00:33:18,320
Speaker 1: Trade conveys that, hey, man, maybe you should come home.

620
00:33:18,400 --> 00:33:21,000
Speaker 1: We miss you. We need you on the team more

621
00:33:21,000 --> 00:33:23,480
Speaker 1: than anything, Man, because he's a great basketball player in

622
00:33:23,760 --> 00:33:26,960
Speaker 1: the show, and he says, Man, I'm thinking about staying. Man,

623
00:33:27,000 --> 00:33:30,520
Speaker 1: this opportunity out here and Man leaving this is like,

624
00:33:31,760 --> 00:33:33,959
Speaker 1: I don't know, Bro, I don't think I'm baited, Like

625
00:33:34,080 --> 00:33:37,600
Speaker 1: I don't know Sun and dude got mad at him.

626
00:33:39,040 --> 00:33:43,960
Speaker 1: And this is an age old thing, right. They don't

627
00:33:44,000 --> 00:33:48,640
Speaker 1: see your vision. They're not gonna see your vision. They're

628
00:33:48,680 --> 00:33:52,240
Speaker 1: not gonna see your vision. They don't have your eyesight.

629
00:33:53,280 --> 00:33:56,440
Speaker 1: They don't have your creativity, they don't have your craftsmanship.

630
00:33:58,240 --> 00:34:02,440
Speaker 1: They don't have your commitment, they don't have your compatibility.

631
00:34:03,400 --> 00:34:06,960
Speaker 1: They don't have your eagerness, they don't have your effort.

632
00:34:07,680 --> 00:34:10,600
Speaker 1: They don't hear yet. They just they're never get it.

633
00:34:11,000 --> 00:34:13,480
Speaker 1: So as you try to explain to him, they're not

634
00:34:13,600 --> 00:34:16,239
Speaker 1: gonna feel it. They're gonna feel like he's the dude

635
00:34:16,320 --> 00:34:17,920
Speaker 1: even told them what I'm supposed to do, go back

636
00:34:17,920 --> 00:34:22,680
Speaker 1: to feeling watch you do all these great things? What

637
00:34:22,840 --> 00:34:26,560
Speaker 1: you mean my brother. You don't want the best for

638
00:34:26,600 --> 00:34:30,360
Speaker 1: your partner, and he's the same people they're telling you

639
00:34:30,400 --> 00:34:32,160
Speaker 1: in the hood to protect you. I want you to

640
00:34:32,200 --> 00:34:35,520
Speaker 1: be clear now, this is ace boone coon, this is guy.

641
00:34:38,560 --> 00:34:40,480
Speaker 1: And then they want you to not have security and

642
00:34:40,560 --> 00:34:42,960
Speaker 1: they want them same niggas, this slick feel that way

643
00:34:43,000 --> 00:34:46,080
Speaker 1: about you to protect you from the niggas that's coming

644
00:34:46,120 --> 00:34:48,640
Speaker 1: to get that necklace off your nick that's coming to

645
00:34:48,640 --> 00:34:51,960
Speaker 1: get that two hundred thousand dollar ap. They say, you

646
00:34:52,080 --> 00:34:56,719
Speaker 1: just gotta paddy. Oh, you're rocketing the Richard Middley. They

647
00:34:56,840 --> 00:34:58,440
Speaker 1: coming to get that. And you got a bunch of

648
00:34:58,520 --> 00:35:01,560
Speaker 1: niggas around you that's thinking that you protect while we're

649
00:35:01,600 --> 00:35:08,960
Speaker 1: protecting bro. I got on this bullshit at Katie. You understand,

650
00:35:09,040 --> 00:35:11,400
Speaker 1: and they wanted so you make your own decisions, but

651
00:35:11,440 --> 00:35:13,480
Speaker 1: I want to make sure to present both sides to you.

652
00:35:13,960 --> 00:35:15,800
Speaker 1: Take it, do with it what you made. But the

653
00:35:15,960 --> 00:35:19,960
Speaker 1: bell lel after that, the dude started to we went

654
00:35:20,040 --> 00:35:21,719
Speaker 1: back home, right, So they get the beef and he

655
00:35:21,800 --> 00:35:24,359
Speaker 1: go back home and embarrassing. So now they slammed him

656
00:35:24,400 --> 00:35:26,360
Speaker 1: on social media. This is what a unique This is

657
00:35:26,400 --> 00:35:28,160
Speaker 1: what I really wanted to talk about because I found

658
00:35:28,239 --> 00:35:31,520
Speaker 1: this to be interesting. They slamming him on social media,

659
00:35:31,960 --> 00:35:34,399
Speaker 1: so he on social media. They giving it to him,

660
00:35:34,400 --> 00:35:36,520
Speaker 1: They telling them in you you're suckering me. You know,

661
00:35:36,719 --> 00:35:38,560
Speaker 1: left the hood, you'll never come back. Son of that.

662
00:35:38,800 --> 00:35:41,400
Speaker 1: They're doing all that to him. They treating him horrible.

663
00:35:44,920 --> 00:35:49,200
Speaker 1: And Viv come in and Viv coming too the his room,

664
00:35:49,360 --> 00:35:51,920
Speaker 1: right and he looking at the phone crying, going crazy

665
00:35:52,000 --> 00:35:54,279
Speaker 1: like because he's getting shitted on by the whole time.

666
00:35:55,480 --> 00:35:57,000
Speaker 1: And she like, hey, we want to talk to you.

667
00:35:57,080 --> 00:35:58,839
Speaker 1: He said, I just want to be left along. Long

668
00:35:58,920 --> 00:36:02,760
Speaker 1: story short, She know what the issue is because somebody

669
00:36:02,800 --> 00:36:04,680
Speaker 1: had told her I think her daughter told her like

670
00:36:05,040 --> 00:36:06,759
Speaker 1: they're sladder in them on the internet. And that's why

671
00:36:06,800 --> 00:36:11,000
Speaker 1: she want to talk to him. So after that, uh,

672
00:36:11,560 --> 00:36:14,040
Speaker 1: and this is what the unique thing was. He goes off. Boom,

673
00:36:14,480 --> 00:36:17,040
Speaker 1: he slams as he walks out the room when she's

674
00:36:17,040 --> 00:36:19,439
Speaker 1: trying to talk to him, he slams the ball, break

675
00:36:19,520 --> 00:36:22,640
Speaker 1: one of her art because Unveil his is a painter

676
00:36:22,760 --> 00:36:25,880
Speaker 1: and she's a creative, so she has art and paintings

677
00:36:25,920 --> 00:36:28,480
Speaker 1: and things like that. Does a great job with him.

678
00:36:28,840 --> 00:36:32,360
Speaker 1: So h he breaks something, and this is what unique.

679
00:36:32,440 --> 00:36:35,680
Speaker 1: When he breaks the thing a couple of things I

680
00:36:35,760 --> 00:36:37,799
Speaker 1: want to point out because right now, man, we deal

681
00:36:37,880 --> 00:36:41,360
Speaker 1: with a unique relationship between our little boys and their mothers,

682
00:36:41,719 --> 00:36:44,520
Speaker 1: our little boys and the and their fathers. And this

683
00:36:44,760 --> 00:36:48,960
Speaker 1: is not his father, this is his uncle by marriage.

684
00:36:49,680 --> 00:36:52,239
Speaker 1: By this dynamic, this is about to get good because

685
00:36:52,520 --> 00:36:54,319
Speaker 1: see this is this is why I'm trying to tell

686
00:36:54,400 --> 00:36:57,520
Speaker 1: you about game and peep in game. Just peep game

687
00:36:57,840 --> 00:37:01,759
Speaker 1: and you're gonna go forever. So this is his this

688
00:37:01,960 --> 00:37:04,760
Speaker 1: is his uncle by marriage. This nigga not married, unveiled,

689
00:37:04,800 --> 00:37:07,279
Speaker 1: so this ain't no blood or none. So his uncle

690
00:37:07,400 --> 00:37:11,239
Speaker 1: tell him, hey, your will in my office. You know

691
00:37:11,320 --> 00:37:13,760
Speaker 1: what will? Did? He respected? That went in the office.

692
00:37:14,560 --> 00:37:16,480
Speaker 1: You know what would have happened to most young boys

693
00:37:16,520 --> 00:37:19,520
Speaker 1: these days. They would have kept with the attitude and

694
00:37:19,640 --> 00:37:21,560
Speaker 1: probably not when I'll first of all that you ain't

695
00:37:21,600 --> 00:37:29,719
Speaker 1: the father. You they mama's sister husband. Right, So that's

696
00:37:29,840 --> 00:37:32,320
Speaker 1: number one. Because I see niggas get a mama back talk.

697
00:37:32,840 --> 00:37:35,760
Speaker 1: I see niggas get a daddy back talk. Now my children,

698
00:37:36,400 --> 00:37:38,520
Speaker 1: you know, I try to do my best with my children.

699
00:37:38,560 --> 00:37:42,239
Speaker 1: But I see niggas, I see people dealing with their

700
00:37:42,320 --> 00:37:44,759
Speaker 1: children giving them a lot of back talking, a lot

701
00:37:44,880 --> 00:37:49,600
Speaker 1: of this and that when they're giving them instruction. Right,

702
00:37:49,960 --> 00:37:52,040
Speaker 1: So this dude tell him going the room right there,

703
00:37:52,280 --> 00:37:54,000
Speaker 1: he went in the room, he told him listen, man,

704
00:37:54,280 --> 00:37:57,120
Speaker 1: he said something real. Tony told him, Hey, yo, bro,

705
00:37:57,520 --> 00:38:00,399
Speaker 1: I know you upset. No, you're going through a lot,

706
00:38:01,440 --> 00:38:04,680
Speaker 1: But you can't walk around this house doing stuff like

707
00:38:04,880 --> 00:38:08,960
Speaker 1: that because this house ain't just about you. You gotta

708
00:38:09,000 --> 00:38:12,680
Speaker 1: consider everybody in this house same way we're gonna always

709
00:38:12,719 --> 00:38:17,160
Speaker 1: consider you. And in that moment, I said, damn, And

710
00:38:17,200 --> 00:38:19,200
Speaker 1: I had gotten into it with somebody telling me like

711
00:38:21,080 --> 00:38:24,040
Speaker 1: you see how he was able to teach that little boy,

712
00:38:26,120 --> 00:38:29,759
Speaker 1: and it urged my soul that dude had a run

713
00:38:29,880 --> 00:38:33,239
Speaker 1: way to teach that boy. A lot of these kids

714
00:38:33,280 --> 00:38:36,000
Speaker 1: won't listen to you, So how they're gonna listen to

715
00:38:36,120 --> 00:38:38,040
Speaker 1: somebody that they you're gonna tell them to listen to.

716
00:38:38,640 --> 00:38:40,600
Speaker 1: They ain't gonna listen to nobody but a rapper and

717
00:38:40,640 --> 00:38:42,239
Speaker 1: a raper ain't gonna tell him nothing but to go

718
00:38:42,400 --> 00:38:45,880
Speaker 1: get itself killed. You see what I'm saying. Most of

719
00:38:46,000 --> 00:38:49,840
Speaker 1: them in their lyrics in a way when they communicate,

720
00:38:49,920 --> 00:38:52,200
Speaker 1: of course, sometimes they give a different standard than And

721
00:38:52,280 --> 00:38:53,800
Speaker 1: of course I'm with him on that, and that's what

722
00:38:53,920 --> 00:38:56,440
Speaker 1: I help them do amplify the other side of the store.

723
00:38:56,840 --> 00:38:59,120
Speaker 1: And as I run around giving game and doing a

724
00:38:59,200 --> 00:39:01,360
Speaker 1: podcast that high level, a lot of people look at

725
00:39:01,680 --> 00:39:05,319
Speaker 1: as in being in a teaching position and they want

726
00:39:05,400 --> 00:39:07,680
Speaker 1: me to teach everybody and take it out your time

727
00:39:07,800 --> 00:39:11,399
Speaker 1: to learn, help people learn about things. And one thing

728
00:39:11,480 --> 00:39:14,560
Speaker 1: about a man. I want to tell women this, two sweethearts,

729
00:39:15,239 --> 00:39:17,520
Speaker 1: but love, it's all across the world. You can't force

730
00:39:17,560 --> 00:39:22,360
Speaker 1: a man to give your child whatever game or whatever

731
00:39:23,080 --> 00:39:27,840
Speaker 1: light that you see in him, right, you can't. That's

732
00:39:27,920 --> 00:39:29,920
Speaker 1: not something that can be forced. That has to be

733
00:39:30,000 --> 00:39:32,680
Speaker 1: an organic thing. Because a man can be in a

734
00:39:32,760 --> 00:39:35,400
Speaker 1: position to be able to help and teach your children,

735
00:39:35,480 --> 00:39:38,879
Speaker 1: but he won't. And a lot of times why he won't,

736
00:39:38,920 --> 00:39:43,080
Speaker 1: it's because men do risk assessment. So a man is

737
00:39:43,080 --> 00:39:45,520
Speaker 1: gonna look at the way that you hunder your children

738
00:39:45,600 --> 00:39:48,680
Speaker 1: about how far down that road they are. Right, So

739
00:39:48,800 --> 00:39:50,440
Speaker 1: if I pull up to your house and let's say

740
00:39:50,480 --> 00:39:52,760
Speaker 1: you got three kids, Let's say you got three boys,

741
00:39:52,840 --> 00:39:56,479
Speaker 1: four boys. Let's say you got four boys at your house.

742
00:39:56,520 --> 00:39:59,279
Speaker 1: You got two little boys and two and two of

743
00:39:59,320 --> 00:40:02,799
Speaker 1: their kids there, say I'm dating you. Say I pull

744
00:40:02,920 --> 00:40:07,680
Speaker 1: up there, Your grass ain't cut it's trash in the yard,

745
00:40:08,640 --> 00:40:11,160
Speaker 1: it's trash in your in your in the inside of

746
00:40:11,239 --> 00:40:13,879
Speaker 1: your house. The kitchen ain't clean, certain things ain't happening

747
00:40:13,880 --> 00:40:16,360
Speaker 1: it because you ain't got no expectations for your boys.

748
00:40:17,440 --> 00:40:21,120
Speaker 1: So now I'm gonna come in with overwhelming expectations because

749
00:40:21,200 --> 00:40:24,920
Speaker 1: the level is so low, right, And what is that?

750
00:40:25,040 --> 00:40:27,400
Speaker 1: What is that considered to me? That in my opinion,

751
00:40:27,400 --> 00:40:29,719
Speaker 1: that's a waste of my time only because time is

752
00:40:29,760 --> 00:40:32,080
Speaker 1: your inventory. I don't have a lot of time to

753
00:40:32,200 --> 00:40:35,479
Speaker 1: just you feel what I'm saying. So if you can't

754
00:40:35,480 --> 00:40:38,160
Speaker 1: even hold them to any kind of standard, how you

755
00:40:38,280 --> 00:40:40,960
Speaker 1: gonna ask a man to come help teach your children.

756
00:40:43,960 --> 00:40:47,279
Speaker 1: If a dude pull up to your house and your children, bro,

757
00:40:47,480 --> 00:40:49,759
Speaker 1: if a woman is taking the trash show. If a

758
00:40:49,880 --> 00:40:53,080
Speaker 1: woman is woman a cob and doing alive and she

759
00:40:53,200 --> 00:40:57,080
Speaker 1: got children boys, that's a problem to me. Hold them

760
00:40:57,120 --> 00:41:00,120
Speaker 1: to a standard, man, let them DoD do something. And

761
00:41:00,239 --> 00:41:03,000
Speaker 1: that's what Will was doing for the father. It was

762
00:41:03,080 --> 00:41:06,400
Speaker 1: always for uncle Phil. He was always making itself valuable

763
00:41:06,480 --> 00:41:09,080
Speaker 1: for him and letting him know he was right there

764
00:41:09,120 --> 00:41:11,600
Speaker 1: on the wing. So guess what that means. I got you,

765
00:41:11,719 --> 00:41:15,919
Speaker 1: I see you, I see you. You feel what I'm saying.

766
00:41:15,960 --> 00:41:18,000
Speaker 1: You ain't wasting your time, and I ain't gonna let

767
00:41:18,040 --> 00:41:20,279
Speaker 1: you wasting no more because I'm gonna help you to

768
00:41:20,400 --> 00:41:23,600
Speaker 1: the Dick's level. Everybody in this industry has helped me.

769
00:41:23,719 --> 00:41:26,239
Speaker 1: As I always said, loan boy, you're going hard over there.

770
00:41:27,360 --> 00:41:29,680
Speaker 1: That's how it works. We're gonna get into the Joe

771
00:41:29,760 --> 00:41:34,040
Speaker 1: Button roster five nine, Joel's or tis slaughter House crooked

772
00:41:34,080 --> 00:41:36,799
Speaker 1: out thing right, I'm gonna take a quick break. We're

773
00:41:36,800 --> 00:41:38,960
Speaker 1: gonna come back with a video and we'll do it

774
00:41:39,080 --> 00:41:41,880
Speaker 1: like that. All right, So we're back. So now we're

775
00:41:41,880 --> 00:41:44,440
Speaker 1: about to talk about the Joe Button and the slaughter

776
00:41:44,520 --> 00:41:48,279
Speaker 1: House situation. Last week, I reported that Joe Button was

777
00:41:48,360 --> 00:41:51,120
Speaker 1: responding to someone I thought he was responding to Mall.

778
00:41:51,600 --> 00:41:54,040
Speaker 1: Come to find out he was responding to slaughter House.

779
00:41:54,960 --> 00:41:59,040
Speaker 1: With me making those statements last week, I still stand

780
00:41:59,120 --> 00:42:03,160
Speaker 1: by what I said. Still stand by he should respond

781
00:42:03,239 --> 00:42:05,680
Speaker 1: to Mom because Mall came out of his house. Still

782
00:42:05,760 --> 00:42:08,359
Speaker 1: stand by my metaphor my analogy that I put down,

783
00:42:08,480 --> 00:42:11,960
Speaker 1: the way that I felt about that situation. Nonetheless, Joe

784
00:42:12,000 --> 00:42:15,320
Speaker 1: Budden is underfired by his friends, more of his friends

785
00:42:15,840 --> 00:42:17,759
Speaker 1: seems to be a common theme. In his life. I

786
00:42:17,880 --> 00:42:20,480
Speaker 1: know it gets exhausted, and I think it's overwhelming when

787
00:42:20,520 --> 00:42:23,400
Speaker 1: you think about all the people that I give an

788
00:42:23,440 --> 00:42:29,000
Speaker 1: attachment to, somewhat out the line has an issue with me.

789
00:42:30,440 --> 00:42:32,319
Speaker 1: And this is what I speak about when I speak

790
00:42:32,360 --> 00:42:36,600
Speaker 1: about being exhausted. So you could take up, you could

791
00:42:36,600 --> 00:42:38,759
Speaker 1: take on the world. You can fight the world like

792
00:42:38,880 --> 00:42:42,279
Speaker 1: the world shit ain't nothing. You got no attachment to them.

793
00:42:42,360 --> 00:42:46,520
Speaker 1: I beat out a little more, out, thank them, outsmart them,

794
00:42:47,880 --> 00:42:51,399
Speaker 1: be more powerful than them. I already think I'm greater

795
00:42:51,520 --> 00:42:56,239
Speaker 1: than them, oh further than them. Outlast them, outthink them

796
00:42:56,680 --> 00:42:59,920
Speaker 1: out with him. But when he comes from the inside,

797
00:43:01,480 --> 00:43:03,359
Speaker 1: and that's what a lot of our black dudes are

798
00:43:03,440 --> 00:43:05,839
Speaker 1: going through. Dog and I'm just getting you know, I'm

799
00:43:05,880 --> 00:43:07,840
Speaker 1: starting to look at it like I'm just so lucky

800
00:43:07,880 --> 00:43:11,799
Speaker 1: to be in this by myself. From that standpoint, right

801
00:43:11,960 --> 00:43:17,759
Speaker 1: from being like I loon. You want to lose on

802
00:43:17,840 --> 00:43:22,200
Speaker 1: your own hand, You want to lose on your own merit,

803
00:43:22,920 --> 00:43:26,319
Speaker 1: You bet on yourself. I come out the street. I'm

804
00:43:26,360 --> 00:43:28,640
Speaker 1: comfortable betting on myself. If I wasn't, I wouldn't have

805
00:43:28,640 --> 00:43:33,240
Speaker 1: made it this far. Let's be clear. Comfortable betting on myself.

806
00:43:33,320 --> 00:43:36,799
Speaker 1: I'm comfortable being in a place and position to where

807
00:43:37,000 --> 00:43:41,200
Speaker 1: I'm expected to be great. And that's what's wrong with

808
00:43:41,360 --> 00:43:43,920
Speaker 1: people like you know, and don't get it wrong. I

809
00:43:44,040 --> 00:43:46,000
Speaker 1: go through a lot. I'm still in situations right now.

810
00:43:46,040 --> 00:43:48,120
Speaker 1: Why I'm explaining to people. Do you hear what I'm

811
00:43:48,160 --> 00:43:51,440
Speaker 1: telling you? I have millions on the table to do this.

812
00:43:51,680 --> 00:43:54,839
Speaker 1: This is serious. I don't want to hang out. I'm

813
00:43:54,880 --> 00:43:57,839
Speaker 1: thinking about podcasting. I don't want to come over there.

814
00:43:57,840 --> 00:44:01,439
Speaker 1: I'm reading fifteen pages at least a day. I don't

815
00:44:01,480 --> 00:44:03,279
Speaker 1: want to do that. I have to run now because

816
00:44:03,320 --> 00:44:05,160
Speaker 1: I'm sure I'll be on tour soon and I'm gonna

817
00:44:05,160 --> 00:44:08,439
Speaker 1: have to entertain these people like you did when I'm

818
00:44:08,520 --> 00:44:10,719
Speaker 1: This is a serious thing for me. This isn't just

819
00:44:10,920 --> 00:44:13,560
Speaker 1: something I sit down on every week and talk. This

820
00:44:13,800 --> 00:44:16,600
Speaker 1: is very serious and people on the outside you can't

821
00:44:16,640 --> 00:44:19,560
Speaker 1: explain it to him. They don't understand it. Even if

822
00:44:19,600 --> 00:44:22,279
Speaker 1: they see the money, they just won't understand it. But

823
00:44:22,400 --> 00:44:24,920
Speaker 1: Joe Button is undertech. What we're about to do right

824
00:44:24,960 --> 00:44:27,120
Speaker 1: here is we're about to run through some of the

825
00:44:27,280 --> 00:44:30,640
Speaker 1: conversations that's been had. When we see fit, will come

826
00:44:30,680 --> 00:44:34,239
Speaker 1: with commentary if not. This is the discovery process of

827
00:44:34,360 --> 00:44:36,560
Speaker 1: what's going on? All right? So for those of you

828
00:44:36,719 --> 00:44:39,200
Speaker 1: under what, Joe Budden was in a group called slaughter House.

829
00:44:39,320 --> 00:44:42,120
Speaker 1: Slaughter House was signed to Shady Records, which is owned

830
00:44:42,120 --> 00:44:46,480
Speaker 1: by Eminem. Slaughter House was Joe Button Royster five nine,

831
00:44:46,600 --> 00:44:51,319
Speaker 1: Joe Well RTI's Crooked Eye. Royster five nine is Eminem's

832
00:44:51,360 --> 00:44:53,959
Speaker 1: one of his best friends one of Joe Button's also

833
00:44:54,080 --> 00:44:56,520
Speaker 1: best friends. Joe Button had to check a pass with

834
00:44:56,640 --> 00:45:00,040
Speaker 1: Shady Records. Some business was bad. He didn't want and

835
00:45:00,239 --> 00:45:02,600
Speaker 1: no longer be a rap on Shady. Not that he

836
00:45:02,640 --> 00:45:04,600
Speaker 1: didn't want to rap. And let me say this, Joe

837
00:45:04,640 --> 00:45:07,560
Speaker 1: Budden a thousand percent of rap again. I want to

838
00:45:07,600 --> 00:45:09,640
Speaker 1: be clear with that he's gonna rap again. That's a

839
00:45:09,719 --> 00:45:13,040
Speaker 1: complete sentence. But he didn't want to do business with Shady.

840
00:45:13,320 --> 00:45:15,719
Speaker 1: They end up getting the most Shady waited by the

841
00:45:15,840 --> 00:45:18,040
Speaker 1: year for him. He still didn't come, and I guess

842
00:45:18,080 --> 00:45:20,320
Speaker 1: they gave up on him, and here we are. I

843
00:45:20,480 --> 00:45:23,040
Speaker 1: hate to see us go through these things, but I

844
00:45:23,160 --> 00:45:27,080
Speaker 1: also know it's opportunity to learn. Pay attention to the information,

845
00:45:28,040 --> 00:45:31,120
Speaker 1: don't be critical of nobody. Don't take just because you

846
00:45:31,280 --> 00:45:34,080
Speaker 1: like this individual on going off what he's say. Pay

847
00:45:34,120 --> 00:45:37,200
Speaker 1: attention to what's being said. Try to get what you

848
00:45:37,360 --> 00:45:40,200
Speaker 1: can from that, learned from it. We're gonna go into

849
00:45:40,280 --> 00:45:42,879
Speaker 1: a conversation that Joe budden Head will rush to five nine,

850
00:45:43,200 --> 00:45:47,000
Speaker 1: in which Joel Rtiz did come into that conversation, let's go,

851
00:45:47,239 --> 00:45:50,759
Speaker 1: let's let's go, let's go rotate. It's based on a

852
00:45:50,880 --> 00:45:57,840
Speaker 1: lot of old grievances, old grievances. See, but this is

853
00:45:57,880 --> 00:46:00,319
Speaker 1: why people say I'll be gassed, Like, I don't see

854
00:46:00,400 --> 00:46:04,560
Speaker 1: what the fucking grievances are, you'all. I don't understand what

855
00:46:04,680 --> 00:46:08,759
Speaker 1: the beat is. I don't I still don't know. I

856
00:46:08,920 --> 00:46:14,640
Speaker 1: heard the records, and I don't know outside of the

857
00:46:14,719 --> 00:46:19,239
Speaker 1: interpretation of you're not wanting to do it, that's what

858
00:46:19,360 --> 00:46:22,239
Speaker 1: did it. Maybe you not wanting to do it. Maybe

859
00:46:22,280 --> 00:46:24,200
Speaker 1: we could find a way to do a three man album,

860
00:46:24,280 --> 00:46:27,520
Speaker 1: but you're signed with him and he on the sign lines. Yeah,

861
00:46:27,560 --> 00:46:30,279
Speaker 1: but that's not true. But that's not true. Like the

862
00:46:30,360 --> 00:46:36,480
Speaker 1: only time, the only time the option of doing a

863
00:46:36,560 --> 00:46:39,560
Speaker 1: three man group was ever presented to me was when

864
00:46:39,600 --> 00:46:42,719
Speaker 1: we were on Shady and we were at that standstill

865
00:46:42,760 --> 00:46:45,800
Speaker 1: with Shady with Shady Records. You actually say you're not

866
00:46:45,920 --> 00:46:51,680
Speaker 1: rapping on Shady records, So Paul hit me and he

867
00:46:51,800 --> 00:46:54,640
Speaker 1: just was like, yo, like the whope, the possibility of

868
00:46:54,719 --> 00:46:56,360
Speaker 1: doing a three man shit. I'm just letting you know

869
00:46:56,480 --> 00:46:58,759
Speaker 1: that I'm I'm open to that possibility if you are.

870
00:46:59,400 --> 00:47:01,759
Speaker 1: And I told I told him no, thank you, but

871
00:47:01,800 --> 00:47:04,560
Speaker 1: I appreciate. I appreciate you know what I'm saying, like

872
00:47:04,680 --> 00:47:08,960
Speaker 1: the offer, and he was like cool, and we were

873
00:47:09,040 --> 00:47:12,240
Speaker 1: we were we basically, you guys, This is uh IG

874
00:47:12,480 --> 00:47:15,200
Speaker 1: Live with Rush to five nine and Joe Budden, in

875
00:47:15,360 --> 00:47:19,799
Speaker 1: which they are responding to Joel Ortiz and Crooked are

876
00:47:19,920 --> 00:47:24,040
Speaker 1: dropping a love and hip hop esque doc series style

877
00:47:25,719 --> 00:47:29,800
Speaker 1: video series on YouTube in conjunction with a rollout to

878
00:47:29,920 --> 00:47:33,160
Speaker 1: an album in which fans and Joe Budding roys to

879
00:47:33,239 --> 00:47:36,719
Speaker 1: five nine feel attacked because they're saying Joe Budding Ross

880
00:47:36,800 --> 00:47:39,000
Speaker 1: to five nine held up some sort of business for

881
00:47:39,120 --> 00:47:42,480
Speaker 1: him because they didn't want to wrap under the current conditions.

882
00:47:42,560 --> 00:47:45,160
Speaker 1: It's what I'm getting. But let's take a look, let's listen,

883
00:47:45,200 --> 00:47:50,160
Speaker 1: and we'll find out together. Conference calls and zoom calls,

884
00:47:51,040 --> 00:47:53,080
Speaker 1: I mean, because nothing about the way that Joe's been

885
00:47:53,120 --> 00:47:54,960
Speaker 1: moving says that he's not gonna wrap. But I was like,

886
00:47:55,719 --> 00:47:58,000
Speaker 1: let me talk to Joe and just see what he's

887
00:47:58,000 --> 00:48:00,320
Speaker 1: talking about. So I went to you and sent you

888
00:48:00,400 --> 00:48:04,840
Speaker 1: with it. I just got a couple questions about the

889
00:48:04,880 --> 00:48:06,520
Speaker 1: way that the business is gonna be done, and I

890
00:48:06,600 --> 00:48:10,080
Speaker 1: took that back to Crooked and he said, you know,

891
00:48:10,239 --> 00:48:13,239
Speaker 1: in all fairness, you know Tony may not want to

892
00:48:13,320 --> 00:48:15,640
Speaker 1: do business with Joe because of business dealers that they

893
00:48:15,719 --> 00:48:19,440
Speaker 1: had in the past. And I said, well, Tony doesn't

894
00:48:19,480 --> 00:48:22,640
Speaker 1: get to determine who's in and who's out in Slaughterhouse.

895
00:48:22,719 --> 00:48:25,680
Speaker 1: That's not his decision to make. And Crooked said, okay.

896
00:48:26,719 --> 00:48:30,839
Speaker 1: So as it stood right there, you get all four

897
00:48:31,000 --> 00:48:36,200
Speaker 1: members totally open to negotiate this deal if it's gonna

898
00:48:36,200 --> 00:48:37,759
Speaker 1: be a real deal. And you and I both know

899
00:48:37,920 --> 00:48:40,839
Speaker 1: that it's not officially offer until it's on paper. It's

900
00:48:40,880 --> 00:48:43,840
Speaker 1: called a deal memo. Nobody ever sent any of us

901
00:48:43,880 --> 00:48:46,600
Speaker 1: a deal memo. I never received one. And this guy

902
00:48:46,719 --> 00:48:48,640
Speaker 1: Tony who we're talking about, who put the deal on

903
00:48:48,719 --> 00:48:52,520
Speaker 1: the table. I introduced him to them. They met him

904
00:48:52,600 --> 00:48:58,680
Speaker 1: through me. He went and did business with every single

905
00:48:58,840 --> 00:49:02,360
Speaker 1: person around me did he met and did bad business

906
00:49:02,440 --> 00:49:06,759
Speaker 1: with them. There's still people that I'm cool with who's like, yo,

907
00:49:06,840 --> 00:49:09,280
Speaker 1: what's up with your boy Tony. He owes me ABC,

908
00:49:10,000 --> 00:49:12,680
Speaker 1: you know what I'm saying. So it's like for him

909
00:49:12,760 --> 00:49:14,840
Speaker 1: to say, Yo, I don't like the way Joe did business,

910
00:49:15,200 --> 00:49:16,800
Speaker 1: but I can put this deal on the table just

911
00:49:16,920 --> 00:49:19,960
Speaker 1: for three of the members, Yo, Man number one. That's wrong.

912
00:49:20,160 --> 00:49:22,680
Speaker 1: But I think that's why Crooked felt like he couldn't

913
00:49:22,719 --> 00:49:27,239
Speaker 1: be transparent with me and just say that. So when

914
00:49:27,280 --> 00:49:30,480
Speaker 1: he seen that I wasn't with the three man seen

915
00:49:30,560 --> 00:49:34,319
Speaker 1: that I wasn't with the three man group idea. Well,

916
00:49:34,440 --> 00:49:37,600
Speaker 1: I'm not with the three man group idea because that's

917
00:49:37,640 --> 00:49:39,840
Speaker 1: not what Slaughterhouse is based on. But I'm also not

918
00:49:40,000 --> 00:49:44,160
Speaker 1: with anybody coming and telling me all four of y'all

919
00:49:44,200 --> 00:49:45,960
Speaker 1: want to rap but one of y'all, one of y'all.

920
00:49:45,960 --> 00:49:47,880
Speaker 1: I'm not gonna let y'all wrap with this deal. I

921
00:49:47,920 --> 00:49:49,440
Speaker 1: don't want him to be a part of it because

922
00:49:49,440 --> 00:49:52,600
Speaker 1: of previous dealings that we had. Would y'all who would

923
00:49:52,640 --> 00:49:58,759
Speaker 1: go for that flaming pig emojis flaming pig logu? I

924
00:49:58,960 --> 00:50:00,880
Speaker 1: hit Joe all that first morning. I told you I

925
00:50:01,080 --> 00:50:03,600
Speaker 1: was for those of you are aware, because some people

926
00:50:03,640 --> 00:50:06,680
Speaker 1: don't know. The pig was the slaughter House logo. Slaughter

927
00:50:06,760 --> 00:50:08,719
Speaker 1: house being the group they were in. So now it's

928
00:50:08,760 --> 00:50:10,879
Speaker 1: on fire. I guess they're saying the end of an error.

929
00:50:11,239 --> 00:50:13,040
Speaker 1: I think it's whack. The niggas got to talk on

930
00:50:13,120 --> 00:50:17,040
Speaker 1: the phone or do this half to a phone online

931
00:50:17,200 --> 00:50:19,520
Speaker 1: or do this group where I think all of it

932
00:50:19,600 --> 00:50:20,919
Speaker 1: it's going out and do you know that's not where

933
00:50:20,920 --> 00:50:23,800
Speaker 1: I'm at, That's not where I'm at. Ments with it

934
00:50:24,000 --> 00:50:27,480
Speaker 1: is really whack. It's whacked and grown man, especially in

935
00:50:27,560 --> 00:50:31,680
Speaker 1: hip hop, just have a hard time expressing themselves like

936
00:50:32,200 --> 00:50:34,080
Speaker 1: we're the best, we're the best in the world that

937
00:50:34,160 --> 00:50:39,600
Speaker 1: are expressing ourselves, but we don't unless it's in song format.

938
00:50:40,920 --> 00:50:43,200
Speaker 1: Like I wish there was a way that they could

939
00:50:43,320 --> 00:50:46,680
Speaker 1: explained to me all the hurt that I caused them apparently,

940
00:50:47,160 --> 00:50:50,319
Speaker 1: and it's a lot of hurt. That's why I didn't

941
00:50:50,320 --> 00:50:53,120
Speaker 1: really want to talk about this, because they're looking to

942
00:50:53,200 --> 00:50:58,719
Speaker 1: misconstrue words like they're looking to take you out of context,

943
00:50:59,239 --> 00:51:01,799
Speaker 1: like Joel's and the Twitter ship. What did you joke

944
00:51:01,840 --> 00:51:05,440
Speaker 1: out one more time? Is that where your brain is,

945
00:51:06,120 --> 00:51:08,600
Speaker 1: Like we don't even we don't even talk to each

946
00:51:08,600 --> 00:51:10,680
Speaker 1: other like that. You don't think I'm calling you, you know,

947
00:51:11,360 --> 00:51:12,880
Speaker 1: like we don't even do. We don't even do that.

948
00:51:13,040 --> 00:51:15,560
Speaker 1: That's like, that's misleading as hill. We don't talk to

949
00:51:15,640 --> 00:51:18,359
Speaker 1: each other like that. We don't even have we don't

950
00:51:18,360 --> 00:51:20,520
Speaker 1: even have those kinds of disagreements where we got to

951
00:51:20,560 --> 00:51:22,600
Speaker 1: speak to each other that way. But that says that

952
00:51:22,760 --> 00:51:25,480
Speaker 1: something's going on. Man, That says that something's going on.

953
00:51:25,920 --> 00:51:30,080
Speaker 1: And I just wish that it was handled differently. I'm

954
00:51:30,120 --> 00:51:34,160
Speaker 1: not even talking about the album, like, go ahead, express yourself,

955
00:51:34,600 --> 00:51:37,520
Speaker 1: but do it. Do it on both fronts. Have to

956
00:51:37,600 --> 00:51:39,920
Speaker 1: talk with me and you that's uncomfortable, like hand it

957
00:51:40,719 --> 00:51:44,000
Speaker 1: and then do whatever you gotta do musically, Like, but

958
00:51:44,200 --> 00:51:50,279
Speaker 1: do both this ship that this ship yo to take

959
00:51:50,400 --> 00:51:52,360
Speaker 1: to take the brand off of Shady and own it

960
00:51:53,000 --> 00:51:56,120
Speaker 1: outright one hundred percent. There's a lot more to that,

961
00:51:57,640 --> 00:52:00,920
Speaker 1: that brand building than just what what music that we're

962
00:52:00,960 --> 00:52:04,520
Speaker 1: gonna do together moving forward. There's a lot of stuff

963
00:52:04,600 --> 00:52:10,120
Speaker 1: that we recorded previously that we have full ownership of.

964
00:52:11,719 --> 00:52:14,880
Speaker 1: There's there's merchandise that hasn't been available to the fans

965
00:52:15,520 --> 00:52:19,480
Speaker 1: that we can read, distribute, represent to the fans. There's

966
00:52:19,520 --> 00:52:21,480
Speaker 1: so much that we could do with the brand other

967
00:52:21,560 --> 00:52:24,960
Speaker 1: than just music. That's why I was stripping so much

968
00:52:25,040 --> 00:52:28,719
Speaker 1: about burning the pig and all of that stuff. It's like,

969
00:52:28,840 --> 00:52:31,040
Speaker 1: when you go to that extent to let the world

970
00:52:31,160 --> 00:52:34,839
Speaker 1: know that you are finished with this brand, how can

971
00:52:35,000 --> 00:52:38,279
Speaker 1: we come behind that and sell somebody a T shirt?

972
00:52:38,880 --> 00:52:42,640
Speaker 1: You see what I'm saying. That's why. That's why it's like,

973
00:52:43,840 --> 00:52:46,520
Speaker 1: this is something you're not doing it. You're not doing

974
00:52:46,560 --> 00:52:50,520
Speaker 1: that and burning down something and getting at me. You're

975
00:52:50,560 --> 00:52:53,880
Speaker 1: getting at yourself too, like you're burning down something that

976
00:52:54,000 --> 00:52:57,800
Speaker 1: you yourself on twenty five percent? Why do you have

977
00:52:57,960 --> 00:53:01,880
Speaker 1: to do that just to put out an album. You

978
00:53:01,960 --> 00:53:03,880
Speaker 1: can put out an album and air out all your

979
00:53:03,920 --> 00:53:06,520
Speaker 1: grievances that you want to, you know what I'm saying,

980
00:53:06,680 --> 00:53:08,839
Speaker 1: But to do it in a way that says, Yo,

981
00:53:08,960 --> 00:53:11,640
Speaker 1: we're totally burning this shit down. We're done with it.

982
00:53:11,800 --> 00:53:14,640
Speaker 1: We want y'all to be done with it. These niggas

983
00:53:14,680 --> 00:53:16,919
Speaker 1: had us waiting, tell all the lots you want to tell,

984
00:53:17,400 --> 00:53:20,600
Speaker 1: and then now just to do an album that you

985
00:53:20,719 --> 00:53:26,160
Speaker 1: took in advance to do, did somebody else owns? You

986
00:53:26,320 --> 00:53:29,680
Speaker 1: just took all the black ownership out of the paint,

987
00:53:30,520 --> 00:53:32,279
Speaker 1: I know, and you got the nervous sit there and

988
00:53:32,360 --> 00:53:34,960
Speaker 1: do this fucking loving hip hop confession. And when they here. Yeah,

989
00:53:35,000 --> 00:53:37,319
Speaker 1: and then you got the nerve to talk about integrity.

990
00:53:37,480 --> 00:53:40,920
Speaker 1: You know what I'm saying, Like, bro, everybody was in

991
00:53:41,040 --> 00:53:44,800
Speaker 1: full support of Joel Ortiz when he did the Jello record.

992
00:53:46,920 --> 00:53:54,600
Speaker 1: You remember the Jello record? Stop, yo, I'm trying to

993
00:53:54,680 --> 00:53:58,920
Speaker 1: keep a straight face. Go ahead, man, yes, like nobody

994
00:53:59,000 --> 00:54:02,080
Speaker 1: ever calls anybody out on these things. It's like, yo,

995
00:54:02,920 --> 00:54:05,120
Speaker 1: you never done anything for a check? Then what is

996
00:54:05,160 --> 00:54:17,719
Speaker 1: the Jello record? I'm serious, yo, Go to YouTube right now,

997
00:54:18,239 --> 00:54:24,000
Speaker 1: hold up, type in Joel Ortiz Jello All right. I'm

998
00:54:24,040 --> 00:54:27,919
Speaker 1: just I'm just saying, to each his own, to each

999
00:54:27,920 --> 00:54:29,880
Speaker 1: his own. But when you do things like that and

1000
00:54:30,000 --> 00:54:33,080
Speaker 1: they don't work, it's not anybody's fault. It's not my fault.

1001
00:54:35,280 --> 00:54:38,080
Speaker 1: Niggas keep insulting me with compliments and shit, talking about

1002
00:54:38,120 --> 00:54:39,799
Speaker 1: I wanted to grab me, and they're following it up

1003
00:54:39,800 --> 00:54:42,719
Speaker 1: with it inso I wanted to grab me because I went.

1004
00:54:42,920 --> 00:54:44,920
Speaker 1: I mean, I got nominated for a Grammy because I

1005
00:54:44,960 --> 00:54:46,920
Speaker 1: went and did what was on my heart. If I

1006
00:54:47,000 --> 00:54:49,759
Speaker 1: had went and done Jello, then I might have been

1007
00:54:49,800 --> 00:54:53,920
Speaker 1: in the same predicament as you. To each his own, man,

1008
00:54:54,280 --> 00:55:02,000
Speaker 1: you know what I mean. The jail Oh shock race

1009
00:55:02,760 --> 00:55:07,000
Speaker 1: all right, I'm jumping about. I'm gonna do that right, man, see,

1010
00:55:07,040 --> 00:55:10,279
Speaker 1: because that's the thing that needs to be right everybody,

1011
00:55:10,840 --> 00:55:12,640
Speaker 1: because I'm aware of how I come off when I

1012
00:55:12,680 --> 00:55:18,040
Speaker 1: say that. But everybody at some point has done something transactional,

1013
00:55:18,160 --> 00:55:20,600
Speaker 1: like done something for a check. When I say do

1014
00:55:20,719 --> 00:55:23,280
Speaker 1: something for a check, I don't. I'm not talking about

1015
00:55:23,600 --> 00:55:25,839
Speaker 1: doing something just to use your family. I'm talking about

1016
00:55:26,160 --> 00:55:29,319
Speaker 1: he knows what you're talking about, Yeah, yeah, but fans don't.

1017
00:55:29,360 --> 00:55:31,880
Speaker 1: I'm talking about doing something that it's your moral compass,

1018
00:55:33,320 --> 00:55:36,200
Speaker 1: like something that you know better than and wouldn't do

1019
00:55:36,400 --> 00:55:40,200
Speaker 1: under normal circumstances, and you're doing it. And that's why

1020
00:55:40,239 --> 00:55:43,120
Speaker 1: I don't respect Crook being the nigga to say, Yo,

1021
00:55:43,239 --> 00:55:45,560
Speaker 1: this is done. I swear to God. Well, you can't

1022
00:55:45,600 --> 00:55:47,839
Speaker 1: say that because you shake your ass for a check.

1023
00:55:49,400 --> 00:55:50,920
Speaker 1: So if the right check is in front of you,

1024
00:55:51,360 --> 00:55:54,239
Speaker 1: we'll nigga you right back to lapping. What the fuck

1025
00:55:54,280 --> 00:56:07,000
Speaker 1: are we? I'm chilling, man, I support anybody. Hey, somebody

1026
00:56:07,080 --> 00:56:09,200
Speaker 1: yesterday gave me a different perspective. They was like, hey,

1027
00:56:09,640 --> 00:56:12,120
Speaker 1: these niggas might have raised the property value of Solt House.

1028
00:56:12,200 --> 00:56:14,440
Speaker 1: Because now we get back together a new an album.

1029
00:56:14,800 --> 00:56:21,879
Speaker 1: It's and I was like, that's one way to look

1030
00:56:21,920 --> 00:56:28,640
Speaker 1: at First of all, Tony Tony Buker. For the people

1031
00:56:28,680 --> 00:56:33,399
Speaker 1: who don't know Tony Buker, Tony Buker does playlisting. That's

1032
00:56:33,440 --> 00:56:36,720
Speaker 1: what he does, so it's one of his SPECIALTIESUS padding numbers.

1033
00:56:37,400 --> 00:56:40,399
Speaker 1: Tony Buker got that second video from thirty thousand views

1034
00:56:40,480 --> 00:56:42,839
Speaker 1: to seven hundred and forty nine thousand views. And those

1035
00:56:42,920 --> 00:56:47,360
Speaker 1: views are not real, bro, they are They are destroying

1036
00:56:47,560 --> 00:56:53,799
Speaker 1: the brand, destroying it because the brand is built on authenticity. Man,

1037
00:56:53,880 --> 00:56:57,120
Speaker 1: it's not built on all of these antics and semantics,

1038
00:56:57,760 --> 00:57:00,720
Speaker 1: and it's certainly not built on two of the members

1039
00:57:00,760 --> 00:57:02,960
Speaker 1: in the group going against two of the other members

1040
00:57:03,000 --> 00:57:06,359
Speaker 1: in the group. I ain't gonna lie of th Ros

1041
00:57:06,480 --> 00:57:10,799
Speaker 1: as a fan. And that's might it might be hard

1042
00:57:11,680 --> 00:57:14,560
Speaker 1: Like we've never seen that in hip hop. I've never

1043
00:57:14,640 --> 00:57:18,760
Speaker 1: seen it. What's that we are group to start beep

1044
00:57:19,640 --> 00:57:22,360
Speaker 1: like with each other publicly, I've never seen that. I

1045
00:57:22,520 --> 00:57:26,560
Speaker 1: know about all the group deeps privately, but to publicly

1046
00:57:26,720 --> 00:57:29,280
Speaker 1: be if I was active, this could get fun, But

1047
00:57:30,600 --> 00:57:36,400
Speaker 1: but no, because who does that? Will we will? When

1048
00:57:36,520 --> 00:57:40,600
Speaker 1: was the last time like ice cu Ice cue version easy? Yes,

1049
00:57:40,960 --> 00:57:44,680
Speaker 1: look how far you would have to go back. Yes,

1050
00:57:45,680 --> 00:57:49,520
Speaker 1: in their twenties. Oh man, this is foolishness in your forties. Yo,

1051
00:57:49,600 --> 00:57:52,360
Speaker 1: I'm not doing it. I'm not participating. I ain't. I've

1052
00:57:52,400 --> 00:57:54,960
Speaker 1: done enough stupid shit in my career. I'm chilling. See

1053
00:57:55,000 --> 00:57:57,000
Speaker 1: what I look at, Joe, I'm chilling. I've learned that

1054
00:57:57,080 --> 00:58:01,720
Speaker 1: there's a value, and that's where everybody else, everybody else,

1055
00:58:01,840 --> 00:58:05,360
Speaker 1: maybe don't this dude. Man, they don't broke the boy down. Man.

1056
00:58:05,480 --> 00:58:10,120
Speaker 1: Look this last week it was mom. Now this week

1057
00:58:10,280 --> 00:58:13,760
Speaker 1: is them. We got to that as somebody else. You

1058
00:58:13,840 --> 00:58:16,600
Speaker 1: know what I'm saying. It's like and it's all about business.

1059
00:58:17,400 --> 00:58:21,160
Speaker 1: And simultaneously he's still trying to portray itself as like,

1060
00:58:22,080 --> 00:58:24,840
Speaker 1: you know, my business is together a big boss man,

1061
00:58:25,000 --> 00:58:26,720
Speaker 1: Like I know that ship is chipping away. It is

1062
00:58:26,840 --> 00:58:32,080
Speaker 1: mental health man too. There's a value in silence, Like,

1063
00:58:32,240 --> 00:58:35,840
Speaker 1: there's a value in it. I had may back outside,

1064
00:58:35,880 --> 00:58:38,760
Speaker 1: don't drive it, maybe nine one miles on that ship.

1065
00:58:39,960 --> 00:58:42,600
Speaker 1: And the longer it's it just like that, it's the

1066
00:58:42,760 --> 00:58:45,160
Speaker 1: longer the value stay the same. I ain't gonna go

1067
00:58:45,200 --> 00:58:47,320
Speaker 1: outside and start beating shit up with a fucking back,

1068
00:58:49,960 --> 00:58:52,360
Speaker 1: just start breaking the windows and sucking shit up like,

1069
00:58:52,600 --> 00:58:54,760
Speaker 1: why would I do that? It just don't mix. So

1070
00:58:54,920 --> 00:58:57,280
Speaker 1: that's an analogy for you, for those of you that

1071
00:58:57,360 --> 00:58:59,680
Speaker 1: may not be paying attention, that's an analogy he's using

1072
00:59:00,080 --> 00:59:02,280
Speaker 1: in regards to slaughter House. So he said, we just

1073
00:59:02,440 --> 00:59:05,280
Speaker 1: now started owning the brand, so we now have the

1074
00:59:05,400 --> 00:59:10,040
Speaker 1: ability to not only control the narrative but also reap

1075
00:59:10,160 --> 00:59:15,600
Speaker 1: the benefits. And he's saying that if nothing else, just

1076
00:59:15,760 --> 00:59:17,640
Speaker 1: let it sit for a minute until we figure out

1077
00:59:17,680 --> 00:59:22,000
Speaker 1: how to approach it. And then he used the mayback.

1078
00:59:22,840 --> 00:59:24,760
Speaker 1: The more miles you put on the mayback, the more

1079
00:59:24,840 --> 00:59:28,840
Speaker 1: you put uses on the mayback usage. The more you

1080
00:59:28,960 --> 00:59:33,240
Speaker 1: put usage on the mayback, the more the value depreciates.

1081
00:59:33,360 --> 00:59:35,560
Speaker 1: But if it sits there in this same condition, with

1082
00:59:35,720 --> 00:59:38,560
Speaker 1: that same miledge, it speaks to the value. And that's

1083
00:59:38,600 --> 00:59:40,840
Speaker 1: basically what he's saying they should have done. I do

1084
00:59:41,000 --> 00:59:43,400
Speaker 1: find it unique that they did that within a year,

1085
00:59:44,600 --> 00:59:47,200
Speaker 1: Like me being in the entertainment business and seeing how

1086
00:59:47,320 --> 00:59:49,880
Speaker 1: quick a year is. It's like, bro I don't know

1087
00:59:49,920 --> 00:59:52,600
Speaker 1: if a year was quick enough. But niggas may be broke, son,

1088
00:59:53,160 --> 00:59:56,600
Speaker 1: Niggas need to check, niggas need to move Roys and Joe.

1089
00:59:56,720 --> 00:59:59,600
Speaker 1: They seem to be financially. Okay, the mother too might

1090
00:59:59,640 --> 01:00:02,560
Speaker 1: say yeah, but we can't stand another two three, four

1091
01:00:02,680 --> 01:00:06,480
Speaker 1: hundred thousand, right quick, let's bust that move. And y'all

1092
01:00:06,680 --> 01:00:08,600
Speaker 1: maybe don't want to bust the move. So I'll tell you, well,

1093
01:00:08,680 --> 01:00:11,520
Speaker 1: y'all give us the advance. Maybe Joe and them should

1094
01:00:11,520 --> 01:00:13,400
Speaker 1: have gave the homies advance, but they probably wouldn't took

1095
01:00:13,400 --> 01:00:15,800
Speaker 1: the advance from their homies. That's another thing with us.

1096
01:00:15,840 --> 01:00:19,960
Speaker 1: We feel dumb. That's another thing with us. Right, we'll

1097
01:00:20,040 --> 01:00:22,240
Speaker 1: take an advance from the white people or from the

1098
01:00:22,280 --> 01:00:26,000
Speaker 1: record label, but won't take that same advance from this

1099
01:00:26,320 --> 01:00:29,240
Speaker 1: artists over here or this black company over here. That's

1100
01:00:29,280 --> 01:00:30,800
Speaker 1: weird to me as well. But let's listen to a

1101
01:00:30,840 --> 01:00:35,120
Speaker 1: little more. Tell you what to do with your portion

1102
01:00:35,200 --> 01:00:38,400
Speaker 1: of the house. If we roommates. If we roommates and

1103
01:00:38,480 --> 01:00:40,440
Speaker 1: you feel like fucking some shit up thing, goddamn, but

1104
01:00:40,520 --> 01:00:45,480
Speaker 1: fuck it up, have a blast. I don't necessarily think

1105
01:00:45,480 --> 01:00:49,920
Speaker 1: it's right, but if that's what you do, and that's

1106
01:00:49,960 --> 01:00:56,720
Speaker 1: what you do, I could really get narcissistic in this tike,

1107
01:00:56,840 --> 01:00:59,800
Speaker 1: but I won't because you know who beat the niggas

1108
01:00:59,840 --> 01:01:02,720
Speaker 1: that you that the niggas that just gotta come in

1109
01:01:03,800 --> 01:01:06,600
Speaker 1: and wrap Well, the niggas that just gotta come in

1110
01:01:07,440 --> 01:01:11,880
Speaker 1: and do a fucking job, Not the niggas that fucking

1111
01:01:11,960 --> 01:01:16,040
Speaker 1: had to fucking trying to spend twenty four to seven

1112
01:01:16,160 --> 01:01:17,920
Speaker 1: thinking they had to get this ship off of the

1113
01:01:18,000 --> 01:01:21,000
Speaker 1: fucking ground like, Not the niggas that just lost sleep

1114
01:01:21,480 --> 01:01:23,840
Speaker 1: like with this on the mind constantly. You tell about

1115
01:01:23,840 --> 01:01:26,880
Speaker 1: the fucking tattoo, nigga, don't get me fucking started, and

1116
01:01:26,880 --> 01:01:37,440
Speaker 1: I'm doing this online. Oh man, we're gonna have to

1117
01:01:37,480 --> 01:01:41,520
Speaker 1: do another one of these one albums dropping du really me,

1118
01:01:41,920 --> 01:01:47,120
Speaker 1: it ain't even do you know? Tear me up next week?

1119
01:01:47,360 --> 01:01:51,240
Speaker 1: You tol that best buy up. Yeah, you're right. I

1120
01:01:51,280 --> 01:01:57,320
Speaker 1: don't care. I don't care. I think it's nasty talking

1121
01:01:57,360 --> 01:01:58,920
Speaker 1: to him a week before you put this album on,

1122
01:01:59,240 --> 01:02:03,240
Speaker 1: but I don't care. You see that marketing ship, Yo,

1123
01:02:03,400 --> 01:02:06,480
Speaker 1: computing in his head? What's up, Joel? What's up? Fellas?

1124
01:02:08,240 --> 01:02:10,960
Speaker 1: All right, Joel Ortiz is now into the chet. For

1125
01:02:11,080 --> 01:02:18,240
Speaker 1: those of you listening, dogs, I'm just saying, man, a

1126
01:02:18,360 --> 01:02:20,600
Speaker 1: bunch of people hitting me, saying that y'all in here

1127
01:02:20,680 --> 01:02:25,120
Speaker 1: saying basically calling us liars. Dog, we are y'all aling

1128
01:02:25,640 --> 01:02:29,600
Speaker 1: about m I mean it's a laundry list of things.

1129
01:02:29,840 --> 01:02:34,200
Speaker 1: But I mean you want to now there's no laundry list. Dog,

1130
01:02:34,240 --> 01:02:37,640
Speaker 1: ain't nobody lying dog, y'all. Y'all, y'all, y'all are the

1131
01:02:37,720 --> 01:02:40,800
Speaker 1: ones with the issue. So what's what's Oh? Yeah, no issue,

1132
01:02:41,760 --> 01:02:44,480
Speaker 1: the issue, the issue, but lying is not happening, Like,

1133
01:02:44,600 --> 01:02:47,120
Speaker 1: let's keep it a buck. All we have said is

1134
01:02:47,200 --> 01:02:51,680
Speaker 1: that Joel Ortiz, ask your question. Let me speak first, Joe,

1135
01:02:51,760 --> 01:02:53,600
Speaker 1: and then you you can ask whatever you want to

1136
01:02:53,600 --> 01:02:57,480
Speaker 1: ask my friend. Um, so are you are you willing

1137
01:02:57,560 --> 01:02:59,680
Speaker 1: to say that, uh, there wasn't a deal on the

1138
01:02:59,720 --> 01:03:03,560
Speaker 1: table that um, y'all y'all turned down. Y'all, y'all willing

1139
01:03:03,560 --> 01:03:06,000
Speaker 1: to say that there's a there was a deal, there

1140
01:03:06,120 --> 01:03:08,160
Speaker 1: was a there was a talks about a deal being

1141
01:03:08,240 --> 01:03:10,680
Speaker 1: on the table that we did not turn down. Of

1142
01:03:10,840 --> 01:03:13,920
Speaker 1: course you turned it down. Of course you turned it down.

1143
01:03:14,000 --> 01:03:16,800
Speaker 1: And y'all spending the narrative that me and crookshit is

1144
01:03:16,840 --> 01:03:20,360
Speaker 1: a result of y'all turning that down, which is completely false.

1145
01:03:22,280 --> 01:03:25,680
Speaker 1: Why are y'all doing that? Wait, holda holda hold on, Bryce,

1146
01:03:25,680 --> 01:03:27,880
Speaker 1: Why are you doing that? You know for a second,

1147
01:03:28,480 --> 01:03:30,680
Speaker 1: you know how long we've been trying to fight to

1148
01:03:30,840 --> 01:03:36,280
Speaker 1: get some sort of slaughter house music out. Correct. Correct, Yes, okay,

1149
01:03:36,680 --> 01:03:40,560
Speaker 1: thank you for being honest once. Now Joe has been retired,

1150
01:03:40,600 --> 01:03:43,160
Speaker 1: he's taking that stance. So I haven't been. I haven't

1151
01:03:43,160 --> 01:03:47,360
Speaker 1: been honest. You've been not, not completely and that surprises

1152
01:03:47,440 --> 01:03:50,560
Speaker 1: me because you're a very very honest person, my friend,

1153
01:03:50,800 --> 01:03:52,560
Speaker 1: and I and I and I now all of a sudden,

1154
01:03:52,560 --> 01:03:55,000
Speaker 1: I'm not honest. After y'all, y'all got no, no, no, no.

1155
01:03:55,080 --> 01:03:59,000
Speaker 1: I didn't say. I didn't say, y'all didn't I said,

1156
01:03:59,040 --> 01:04:02,080
Speaker 1: I said, you haven't been and being honest. I started

1157
01:04:02,160 --> 01:04:04,960
Speaker 1: by saying, you're very honest, but you haven't been being

1158
01:04:05,120 --> 01:04:08,640
Speaker 1: honest at the moment for whatever reason. And I understand

1159
01:04:09,000 --> 01:04:12,320
Speaker 1: that's fine. All I'm saying is Joe has been retired

1160
01:04:12,840 --> 01:04:15,880
Speaker 1: for a while, my friend. Right, we know that Joe

1161
01:04:16,000 --> 01:04:19,560
Speaker 1: has said that publicly. Joe has you know, he hasn't

1162
01:04:19,560 --> 01:04:22,200
Speaker 1: beat around that bush. You know, I'm chilling right now, Yo.

1163
01:04:22,560 --> 01:04:24,840
Speaker 1: He always entertained the idea because it was special when

1164
01:04:24,920 --> 01:04:26,960
Speaker 1: Joe was part of the creation of it. So he's

1165
01:04:26,960 --> 01:04:29,240
Speaker 1: always gonna entertain it and get excited when we all

1166
01:04:29,280 --> 01:04:33,640
Speaker 1: on the phone. Granted, right, but Joe's retired. He doing

1167
01:04:33,720 --> 01:04:36,760
Speaker 1: what you do. Let me ask you a question, quick, goad,

1168
01:04:37,920 --> 01:04:41,880
Speaker 1: you put this on everything you love? Okay, No, he's

1169
01:04:41,920 --> 01:04:44,920
Speaker 1: asked you did you did me? And you have a

1170
01:04:45,040 --> 01:04:48,440
Speaker 1: conversation where I told you no, I don't want to

1171
01:04:48,480 --> 01:04:51,080
Speaker 1: do that deal that Tony put on the table. All right,

1172
01:04:51,120 --> 01:04:54,160
Speaker 1: so let me clarify this part of the conversation. So

1173
01:04:54,320 --> 01:04:58,720
Speaker 1: apparently there's a deal. Apparently a deal is in place.

1174
01:04:58,840 --> 01:05:03,200
Speaker 1: Apparently Joe Budden gave a sentiment. This is according to

1175
01:05:03,240 --> 01:05:05,960
Speaker 1: Crooked Eye and Joe l Ortiz, Joe Budden gave a

1176
01:05:06,080 --> 01:05:09,680
Speaker 1: sentiment that he'll, you know, he doesn't mind rapping again.

1177
01:05:09,760 --> 01:05:11,840
Speaker 1: It won't be on shady, so they got it off shady.

1178
01:05:12,320 --> 01:05:14,640
Speaker 1: Cricket Eye then says, hey, look, I come to Joe

1179
01:05:14,720 --> 01:05:19,040
Speaker 1: Budden with an extremely favorable deal, and Joe Budden didn't

1180
01:05:19,040 --> 01:05:22,400
Speaker 1: take the deal. Slaughter House died that day. They're saying

1181
01:05:22,440 --> 01:05:25,400
Speaker 1: that Joe Budden didn't take the deal, which made Royce

1182
01:05:25,720 --> 01:05:28,400
Speaker 1: not take the deal. So Joe Budden not taking the deal,

1183
01:05:28,800 --> 01:05:31,560
Speaker 1: they still would have went with Royce because Royce does

1184
01:05:31,640 --> 01:05:33,440
Speaker 1: have a certain amount of star power as well, so

1185
01:05:33,520 --> 01:05:35,840
Speaker 1: they would have went with Royce, but Royce said, Yo,

1186
01:05:35,880 --> 01:05:37,920
Speaker 1: I can't do it without Joe. Just don't feel right.

1187
01:05:38,880 --> 01:05:42,280
Speaker 1: And that's what they're saying. Turning down, said deal live

1188
01:05:44,920 --> 01:05:50,480
Speaker 1: me and you know, so, how how did I turn

1189
01:05:50,520 --> 01:05:53,240
Speaker 1: it down? Because all three of us was on the phone, me,

1190
01:05:53,360 --> 01:05:55,880
Speaker 1: you and Crook, and you said you're not doing that

1191
01:05:56,040 --> 01:06:00,880
Speaker 1: deal if it doesn't involve Joe rapping. Okay, Now, did

1192
01:06:01,040 --> 01:06:03,360
Speaker 1: Joe say that he was he didn't want to be

1193
01:06:03,440 --> 01:06:08,160
Speaker 1: involved in that deal. Yes, And I'm I'm gonna tell

1194
01:06:08,160 --> 01:06:11,760
Speaker 1: you we say that too. I'm gonna tell you exactly

1195
01:06:11,800 --> 01:06:14,000
Speaker 1: how he said that. I'm gonna tell you exactly how

1196
01:06:14,000 --> 01:06:17,000
Speaker 1: I said that. Joe, Right, you got you got Joe.

1197
01:06:17,040 --> 01:06:19,280
Speaker 1: You're gonna speak a promise. Y'all've been on a live, right,

1198
01:06:19,320 --> 01:06:22,200
Speaker 1: I'm in a live with y'all. I'm here quick, right.

1199
01:06:22,520 --> 01:06:25,120
Speaker 1: So when we all was on the phone, right, this

1200
01:06:25,240 --> 01:06:29,040
Speaker 1: was the thing. Crook said. I spoke to Royce, I

1201
01:06:29,120 --> 01:06:33,200
Speaker 1: spoke to Joe. Well, Joe called me. You feel me.

1202
01:06:33,320 --> 01:06:35,600
Speaker 1: Joe called me and said, listen, um quick, what you

1203
01:06:35,680 --> 01:06:37,240
Speaker 1: think about this ship? I said, this shit is solid.

1204
01:06:37,280 --> 01:06:39,720
Speaker 1: This is a crook bringing in something. This is solid,

1205
01:06:39,960 --> 01:06:41,680
Speaker 1: Like he said, I bet soon as I get off

1206
01:06:41,720 --> 01:06:44,080
Speaker 1: the phone with you. I'm calling Crook. We're gonna talk

1207
01:06:44,120 --> 01:06:49,160
Speaker 1: about this ship that never ever, ever ever happened ever.

1208
01:06:50,000 --> 01:06:51,560
Speaker 1: So I'm still waiting on you to tell me when

1209
01:06:51,600 --> 01:06:54,000
Speaker 1: we turned it down. Me too. No, all right, well

1210
01:06:54,000 --> 01:06:55,439
Speaker 1: I'm gonna tell you when you turned it down. Because

1211
01:06:55,440 --> 01:06:59,600
Speaker 1: you said you're not doing it without Joe Royce. That's

1212
01:06:59,640 --> 01:07:03,520
Speaker 1: a turn down. That's a turndown me And I'm not

1213
01:07:03,600 --> 01:07:05,360
Speaker 1: doing it without Joe. But Joe said, I'm not doing

1214
01:07:05,400 --> 01:07:07,640
Speaker 1: you said, I'm not doing no slaughterhouse music. I'm not

1215
01:07:07,760 --> 01:07:10,360
Speaker 1: doing no three man. It's not the same without Joe. Butten,

1216
01:07:10,400 --> 01:07:15,240
Speaker 1: I'm not doing it. That's a turndown. Oh shit, Joe,

1217
01:07:17,160 --> 01:07:18,840
Speaker 1: did you ever tell any of these dudes that you

1218
01:07:19,000 --> 01:07:21,000
Speaker 1: wasn't that you wasn't with doing this deal with Tony?

1219
01:07:22,600 --> 01:07:26,600
Speaker 1: I want so what we're talking about with y'all in here,

1220
01:07:26,680 --> 01:07:31,160
Speaker 1: Cap and Dog tell us here y'are Joe. I just

1221
01:07:31,240 --> 01:07:33,120
Speaker 1: want to know. I just want to know, like, because

1222
01:07:34,240 --> 01:07:36,439
Speaker 1: if that was the case, I would be well within

1223
01:07:36,600 --> 01:07:39,640
Speaker 1: my right to take that position. I have no reason

1224
01:07:39,720 --> 01:07:42,640
Speaker 1: to lie about taking that position. I'm not incentivized in

1225
01:07:42,720 --> 01:07:44,920
Speaker 1: any way, my brother. I'm not being paid by anybody.

1226
01:07:45,280 --> 01:07:47,760
Speaker 1: I'm not here speaking on behalf of anybody but myself.

1227
01:07:48,080 --> 01:07:51,760
Speaker 1: I'm not taking aside. I never have taken aside. I

1228
01:07:51,920 --> 01:07:54,439
Speaker 1: know that there's been issues. I've always been the one

1229
01:07:55,080 --> 01:07:58,280
Speaker 1: that has been in the middle. Brother Joe never said

1230
01:07:58,360 --> 01:08:00,640
Speaker 1: that he wasn't didn't want to do that deal. He

1231
01:08:00,760 --> 01:08:04,200
Speaker 1: only had questions about the way that the business would

1232
01:08:04,240 --> 01:08:08,160
Speaker 1: be as it pertains to that deal. Nobody never said

1233
01:08:08,280 --> 01:08:10,960
Speaker 1: we're not doing the deal. So for me, when I

1234
01:08:11,080 --> 01:08:14,919
Speaker 1: hear things like this, it tends to mean somebody's lying

1235
01:08:15,120 --> 01:08:20,759
Speaker 1: because I don't see how you can get They turned

1236
01:08:20,800 --> 01:08:23,800
Speaker 1: it down by them saying let us see the deal,

1237
01:08:23,920 --> 01:08:27,880
Speaker 1: so somewhat communication is off. Then I start thinking about damn,

1238
01:08:27,920 --> 01:08:32,040
Speaker 1: almost every hip hop group ever them broke up. Outcasts

1239
01:08:32,120 --> 01:08:33,840
Speaker 1: may be the only one, and they went through a

1240
01:08:33,920 --> 01:08:36,200
Speaker 1: little something. But let me see, have any hip hop

1241
01:08:36,280 --> 01:08:39,840
Speaker 1: groups not broken up like this? Hip hop got a

1242
01:08:39,880 --> 01:08:42,200
Speaker 1: group that did not break up at some point. I

1243
01:08:42,200 --> 01:08:46,400
Speaker 1: ain't talking about and reform. I'm talking about never have

1244
01:08:46,600 --> 01:08:50,479
Speaker 1: broken up. Let me think, Let me think, Let me think,

1245
01:08:50,600 --> 01:09:02,920
Speaker 1: let me think, Let me think. Pmcumb went through some

1246
01:09:05,439 --> 01:09:12,280
Speaker 1: me goals, Wow, me goals. Megos might be the only

1247
01:09:12,360 --> 01:09:14,000
Speaker 1: group I can think of off the top of my

1248
01:09:14,080 --> 01:09:16,160
Speaker 1: head that has not went through some kind of and

1249
01:09:16,240 --> 01:09:19,120
Speaker 1: they're still in their prime, so the money ain't funny yet.

1250
01:09:19,960 --> 01:09:21,880
Speaker 1: You know, it's a little bit easier to operate when

1251
01:09:21,960 --> 01:09:25,320
Speaker 1: everybody on superstar status, you know. But see these niggas

1252
01:09:25,360 --> 01:09:28,000
Speaker 1: at the bottom of the toting pole fighting for the cromes,

1253
01:09:28,040 --> 01:09:31,640
Speaker 1: at the bottom of the ocean. In regards to the industry.

1254
01:09:32,520 --> 01:09:35,240
Speaker 1: You see what I'm saying that they might be financially

1255
01:09:35,320 --> 01:09:37,720
Speaker 1: cool now, but we're talking about when they first came in.

1256
01:09:37,840 --> 01:09:40,360
Speaker 1: You hear what they said. Niggas went on tour with

1257
01:09:40,479 --> 01:09:45,120
Speaker 1: Take nine for no money. We know what Take nine generating,

1258
01:09:45,840 --> 01:09:47,920
Speaker 1: but they went on tour with Take nine for no money,

1259
01:09:48,040 --> 01:09:50,519
Speaker 1: just trying to get the brand building process out of

1260
01:09:50,520 --> 01:09:54,200
Speaker 1: the way, you understand. So they was at the bottom

1261
01:09:54,240 --> 01:09:56,800
Speaker 1: of the barrel in regards to brand and all of that.

1262
01:09:57,000 --> 01:09:59,759
Speaker 1: Now it's in an okay place. I wouldn't I wouldn't

1263
01:09:59,760 --> 01:10:03,719
Speaker 1: say that it's world renowned or even even world known,

1264
01:10:04,560 --> 01:10:06,960
Speaker 1: you know, I would say that they have a a

1265
01:10:07,080 --> 01:10:10,559
Speaker 1: small coat following and Joe it's a big podcaster. Royce

1266
01:10:10,680 --> 01:10:13,679
Speaker 1: is a big personality as well. And you know Crooked

1267
01:10:13,720 --> 01:10:16,000
Speaker 1: and Joe Well are great rapper so, I mean it

1268
01:10:16,200 --> 01:10:19,200
Speaker 1: has something there, but it's I wouldn't say that it's

1269
01:10:19,240 --> 01:10:21,479
Speaker 1: like a g unit or a dip set. Like I said,

1270
01:10:21,560 --> 01:10:23,800
Speaker 1: every group I almost went through it outside of me

1271
01:10:23,920 --> 01:10:27,519
Speaker 1: goes um. But this is interesting. I mean, how can

1272
01:10:27,600 --> 01:10:31,000
Speaker 1: we be both present in the same conversations and leave

1273
01:10:31,080 --> 01:10:34,720
Speaker 1: with two totally different things like that sounds crazy to me.

1274
01:10:37,360 --> 01:10:39,920
Speaker 1: I said, y'all, wasn't doing the deal. That's one second

1275
01:10:39,920 --> 01:10:43,599
Speaker 1: thing to tell us when this is first of all, right, listen,

1276
01:10:43,680 --> 01:10:47,120
Speaker 1: First of all, this is the most dialogue Slaughterhouse has

1277
01:10:47,200 --> 01:10:52,720
Speaker 1: had one. Let's not let's not be all over the

1278
01:10:52,760 --> 01:10:55,400
Speaker 1: place there. Let's just stick to Let's just stick the specifics.

1279
01:10:56,080 --> 01:10:59,600
Speaker 1: When When did Joe turn down the deal? When on

1280
01:10:59,720 --> 01:11:03,800
Speaker 1: the conversation on the phone, When on the phone, who

1281
01:11:03,920 --> 01:11:06,559
Speaker 1: was on who? Who was on this? Car on? Man,

1282
01:11:07,040 --> 01:11:10,960
Speaker 1: come on, man, come on here, stop that. Nigga said, Yo, yeah,

1283
01:11:10,960 --> 01:11:14,000
Speaker 1: I can't believe asking the question, my brother, I really,

1284
01:11:14,080 --> 01:11:16,000
Speaker 1: I really can't believe you're in here doing all this,

1285
01:11:16,240 --> 01:11:18,320
Speaker 1: Like where was all of this energy? When Niggas was

1286
01:11:18,400 --> 01:11:22,880
Speaker 1: trying to say energy when bring up back Joel, Just

1287
01:11:23,000 --> 01:11:28,160
Speaker 1: answer the question. What's the question? When did Joe turn

1288
01:11:28,320 --> 01:11:31,000
Speaker 1: down the deal? What was the car? Who was on

1289
01:11:31,080 --> 01:11:35,560
Speaker 1: the car? Okay, Joe turned down the deal numerous occasions,

1290
01:11:35,640 --> 01:11:40,000
Speaker 1: my friend, numerous occasions, Yeah, numerous numerous occasions. He has

1291
01:11:40,040 --> 01:11:42,439
Speaker 1: said he's not rocking with the group. I don't understand

1292
01:11:42,439 --> 01:11:45,120
Speaker 1: why this is new information. We're talking about it, we're

1293
01:11:45,120 --> 01:11:49,360
Speaker 1: talking about we're talking about the Tony. Tony, you are

1294
01:11:49,400 --> 01:11:53,240
Speaker 1: a fucking liar, yo. Get the fact there and listening

1295
01:11:53,280 --> 01:11:57,000
Speaker 1: to your fucking ass lie you are a fucking liar.

1296
01:11:57,120 --> 01:11:58,840
Speaker 1: And for you to do that to me and him,

1297
01:12:00,479 --> 01:12:03,760
Speaker 1: to you and him, what, y'all you're not serious, dog,

1298
01:12:04,320 --> 01:12:07,000
Speaker 1: You're not serious. Dog. Y'all out here running around with

1299
01:12:07,040 --> 01:12:09,400
Speaker 1: a wild ass narrative, lyne about me a crook, like

1300
01:12:09,479 --> 01:12:11,679
Speaker 1: we went and took a bag. Y'all got people saying

1301
01:12:11,720 --> 01:12:13,479
Speaker 1: we out here doing things for a bag. I've never

1302
01:12:13,600 --> 01:12:18,000
Speaker 1: done nothing for a bag. Y'all know me better than that. Listen,

1303
01:12:18,280 --> 01:12:22,080
Speaker 1: if anybody's spinning a narrative, it's y'all, two gentlemen, what narrative?

1304
01:12:22,200 --> 01:12:24,679
Speaker 1: Especially you Royce. You're out here talking about the twenty

1305
01:12:24,720 --> 01:12:26,479
Speaker 1: five percent. If you had twenty five percent in there

1306
01:12:26,680 --> 01:12:28,600
Speaker 1: and you burned it down, you're doing all types of

1307
01:12:29,360 --> 01:12:33,640
Speaker 1: mathematical equations about fucking housing ownership and shit like that.

1308
01:12:33,760 --> 01:12:37,040
Speaker 1: The bottom line is this crooked bringing back to the

1309
01:12:37,160 --> 01:12:39,120
Speaker 1: table for something that y'all ain't been sucking with for

1310
01:12:39,160 --> 01:12:42,360
Speaker 1: a long time, right, Yeah, but you can't but you

1311
01:12:42,439 --> 01:12:44,639
Speaker 1: can't say that. You can't say I haven't been fucking

1312
01:12:44,680 --> 01:12:46,680
Speaker 1: with it for a long time. Sorry. So what Joe

1313
01:12:46,800 --> 01:12:49,000
Speaker 1: is saying is and Yo, it wasn't eligible to be

1314
01:12:49,200 --> 01:12:52,639
Speaker 1: fucked with before then. It's only been eligible for a year,

1315
01:12:54,040 --> 01:12:57,160
Speaker 1: and we haven't ironed out business for the amount of

1316
01:12:57,200 --> 01:12:59,040
Speaker 1: business I think we would do. I think it's the

1317
01:12:59,160 --> 01:13:02,000
Speaker 1: thing to do well. This is how I view it now, Joel,

1318
01:13:02,120 --> 01:13:03,479
Speaker 1: if one of you guys want to have or let's

1319
01:13:03,520 --> 01:13:07,320
Speaker 1: had a conversation. But when I hear this, it seems

1320
01:13:07,400 --> 01:13:11,759
Speaker 1: like Joe Welle Joe Welle Ortiz and crooked eye position

1321
01:13:11,880 --> 01:13:13,720
Speaker 1: is Yo, this thing should have we we could have

1322
01:13:13,800 --> 01:13:17,600
Speaker 1: been fucking with this for the last five years. But

1323
01:13:17,760 --> 01:13:20,040
Speaker 1: you got Joe saying, Yo, the business wasn't right. It's

1324
01:13:20,120 --> 01:13:23,960
Speaker 1: only been eligible for Yeah. It's almost like somebody saying, yo,

1325
01:13:24,040 --> 01:13:26,040
Speaker 1: that players ready for the NBA. Yeah, but he got

1326
01:13:26,160 --> 01:13:27,560
Speaker 1: to be a certain age, he got to go to

1327
01:13:27,640 --> 01:13:30,160
Speaker 1: college a year. It's certain things got to happen before

1328
01:13:30,240 --> 01:13:34,519
Speaker 1: he's eligible, even if he's ready. And so that's what

1329
01:13:34,640 --> 01:13:37,519
Speaker 1: I think Joe is basically saying. It seems like the

1330
01:13:37,640 --> 01:13:41,840
Speaker 1: confusion is, YO, you ain't You ain't been fucking with this.

1331
01:13:42,000 --> 01:13:44,519
Speaker 1: I couldn't fuck with it then, based on the business,

1332
01:13:45,840 --> 01:13:49,519
Speaker 1: it's what I'm hearing. Let's listen to some more that

1333
01:13:49,600 --> 01:13:52,080
Speaker 1: ain't even the part I got a issue? What you

1334
01:13:52,120 --> 01:13:54,120
Speaker 1: got issue with? It gives you the right to tell

1335
01:13:54,200 --> 01:13:59,479
Speaker 1: me what I'm what you gotta issue what you listen?

1336
01:13:59,560 --> 01:14:01,640
Speaker 1: How about how about this? Y'all tell me what ya

1337
01:14:01,680 --> 01:14:03,360
Speaker 1: gotta issue with, and I'll addressed it. What you gotta

1338
01:14:03,360 --> 01:14:09,479
Speaker 1: issue with? Y'all? All of it, all of what, all

1339
01:14:09,560 --> 01:14:12,240
Speaker 1: of what Joe No, I don't no, don't do that,

1340
01:14:12,479 --> 01:14:20,320
Speaker 1: all of what? All of what? Hey, quick, what was

1341
01:14:20,360 --> 01:14:22,360
Speaker 1: the what was the purpose of us, of us going

1342
01:14:22,439 --> 01:14:24,880
Speaker 1: through that lengthy process of taking the group off of Katy,

1343
01:14:27,240 --> 01:14:29,320
Speaker 1: What was the purpose of doing that? We all did that, man,

1344
01:14:29,360 --> 01:14:32,160
Speaker 1: we together, We got together. We did that together, and

1345
01:14:32,439 --> 01:14:33,880
Speaker 1: and it was a big old y'all. Once we get

1346
01:14:33,920 --> 01:14:35,640
Speaker 1: off Shady, we're gonna rocket roll and do all this.

1347
01:14:36,120 --> 01:14:38,960
Speaker 1: There's a lot of address on the album. I know,

1348
01:14:39,479 --> 01:14:42,160
Speaker 1: I know and that that's what this is about. That's

1349
01:14:42,200 --> 01:14:44,280
Speaker 1: what this is about, and that's what what my issue is.

1350
01:14:45,160 --> 01:14:47,920
Speaker 1: This is about driving traffic to y'all album, and I'm

1351
01:14:47,920 --> 01:14:49,960
Speaker 1: trying to figure out why, why does it have to

1352
01:14:50,000 --> 01:14:52,479
Speaker 1: be at the brand's expense? Why couldn't y'all just make

1353
01:14:52,479 --> 01:14:54,760
Speaker 1: another album like y'all did the last one, the Harder Joint,

1354
01:14:55,400 --> 01:14:58,320
Speaker 1: the one that y'all supported. I supported it. I didn't

1355
01:14:59,280 --> 01:15:02,280
Speaker 1: did you. I support everything you do? Joel? What are

1356
01:15:02,280 --> 01:15:04,360
Speaker 1: you talking about? What are you talking about? I didn't

1357
01:15:04,360 --> 01:15:06,680
Speaker 1: get a listen. It's not even about that. I'm not

1358
01:15:06,840 --> 01:15:09,400
Speaker 1: gonna do that, obviously, it is. No, it's no, it's

1359
01:15:09,439 --> 01:15:11,640
Speaker 1: not about that. It's not about that. It's just what

1360
01:15:12,000 --> 01:15:15,439
Speaker 1: surprises me is how me and Crook are telling the

1361
01:15:15,520 --> 01:15:17,760
Speaker 1: truth about what happened with the group, and now all

1362
01:15:17,800 --> 01:15:20,160
Speaker 1: of a sudden we get all the smoke and all

1363
01:15:20,240 --> 01:15:23,840
Speaker 1: the support from y'all that has never been there. Y'all exploiting.

1364
01:15:23,920 --> 01:15:25,920
Speaker 1: It's what you're doing, and it's biding. What do you

1365
01:15:25,960 --> 01:15:28,519
Speaker 1: mean exploring? Joe? You? What if? What if? I said?

1366
01:15:28,600 --> 01:15:34,120
Speaker 1: That hasn't been one hundred We release two tracks Vacancy

1367
01:15:34,240 --> 01:15:41,720
Speaker 1: and backstage points at anything I said that hasn't been true. Joe, Yeah,

1368
01:15:41,720 --> 01:15:45,280
Speaker 1: how all of this is nasty? For real? Davis also,

1369
01:15:45,720 --> 01:15:49,760
Speaker 1: Joe Button is also I don't see how any of

1370
01:15:49,800 --> 01:15:53,559
Speaker 1: this is nasty. I mean for for for for whoever

1371
01:15:53,600 --> 01:15:56,920
Speaker 1: and keeping it funky here. I'm not mad at anything.

1372
01:15:57,000 --> 01:15:58,599
Speaker 1: That's the crazy part is I jumped in this ship

1373
01:15:58,680 --> 01:16:00,920
Speaker 1: because niggas is calling me a liar. You're not gonna

1374
01:16:00,960 --> 01:16:03,200
Speaker 1: sit there and do that. Man, y'all know what it is,

1375
01:16:03,280 --> 01:16:05,240
Speaker 1: and y'all know I don't even do none of this

1376
01:16:05,360 --> 01:16:07,559
Speaker 1: social media shit like that. I don't be on live,

1377
01:16:08,240 --> 01:16:10,960
Speaker 1: I don't do none of this stuff. This is I'm

1378
01:16:11,000 --> 01:16:14,000
Speaker 1: in a different space right now. Ya got a phone number?

1379
01:16:14,040 --> 01:16:15,400
Speaker 1: We could do We could have did all of this

1380
01:16:15,479 --> 01:16:18,759
Speaker 1: ship way behind the scenes. Man, I text you, Joel,

1381
01:16:19,600 --> 01:16:21,760
Speaker 1: have you ever you texted me? Joe? Text me a

1382
01:16:21,840 --> 01:16:23,559
Speaker 1: set of me? Actually, let me ask you a question. Brother,

1383
01:16:23,680 --> 01:16:25,559
Speaker 1: hold on, roy have you ever have you ever hold

1384
01:16:25,560 --> 01:16:27,240
Speaker 1: on right? Hold on? Hold on one second? Royce? I

1385
01:16:27,280 --> 01:16:29,960
Speaker 1: got you, Bro, Joe, you text me a set of eyes? Bro,

1386
01:16:30,520 --> 01:16:33,760
Speaker 1: After we after, after me and Krook put put the

1387
01:16:34,120 --> 01:16:36,120
Speaker 1: our logo up, you text me a set of eyes?

1388
01:16:36,200 --> 01:16:39,559
Speaker 1: What the fuck is that? Well? See that's just the thing.

1389
01:16:41,400 --> 01:16:43,880
Speaker 1: You didn't put your logo. You don't have a logo, Joel?

1390
01:16:47,080 --> 01:16:48,960
Speaker 1: Do you know that you and Krook don't have a logo?

1391
01:16:49,439 --> 01:16:52,840
Speaker 1: I have a logo, bro the pig on fires? Now

1392
01:16:52,920 --> 01:16:55,920
Speaker 1: you and Krook's logo? Joel Wood? Who whose logo is it?

1393
01:16:59,120 --> 01:17:01,840
Speaker 1: Whose logo is that? I'm not gonna do this on

1394
01:17:01,960 --> 01:17:05,760
Speaker 1: the line? Show on their ts? Joe, Who's lot? Who's

1395
01:17:05,800 --> 01:17:11,519
Speaker 1: whose logo was that? Homie? Who's whose whose logo was that?

1396
01:17:11,840 --> 01:17:13,280
Speaker 1: What are you talking about to pick on fire? We

1397
01:17:13,320 --> 01:17:17,040
Speaker 1: haven't do anything with a pick on fire? What were doing?

1398
01:17:17,120 --> 01:17:20,599
Speaker 1: His worst? Like? Come on with the fucking the bullshit.

1399
01:17:21,000 --> 01:17:23,880
Speaker 1: The bottom line is this. It was a deal on

1400
01:17:23,960 --> 01:17:27,000
Speaker 1: the table, Joe Royce, you ain't one of three men

1401
01:17:27,080 --> 01:17:30,559
Speaker 1: weeks with us every reason I want the deal, Yo?

1402
01:17:30,960 --> 01:17:32,519
Speaker 1: When did the deal get turned When did the deal

1403
01:17:32,560 --> 01:17:34,360
Speaker 1: get turned down? You still haven't answered that. I want

1404
01:17:34,400 --> 01:17:37,000
Speaker 1: to give more about this. Playing words the mantis, man,

1405
01:17:37,280 --> 01:17:44,080
Speaker 1: I don't know no real clear now, y'all playing words

1406
01:17:44,120 --> 01:17:46,640
Speaker 1: the mantics, like when when did the the deal get

1407
01:17:46,680 --> 01:17:48,800
Speaker 1: turned out? What are you talking about? Man? You still

1408
01:17:48,880 --> 01:17:50,760
Speaker 1: haven't answered it? And I want to know what the

1409
01:17:50,840 --> 01:17:56,920
Speaker 1: deal was Royce telling what the deal was. Yeall came

1410
01:17:56,960 --> 01:18:00,160
Speaker 1: to Krook came to the table and said, Tony only

1411
01:18:00,280 --> 01:18:03,080
Speaker 1: was putting a situation on the table through a major

1412
01:18:03,600 --> 01:18:06,000
Speaker 1: where we would get we were all. He talked about

1413
01:18:06,000 --> 01:18:08,040
Speaker 1: the amount that the advances would be, and that was

1414
01:18:08,040 --> 01:18:11,920
Speaker 1: as far as we got right right, Joe wanted to

1415
01:18:12,000 --> 01:18:14,439
Speaker 1: know more. Joe wanted to know about more than just

1416
01:18:14,560 --> 01:18:16,800
Speaker 1: the advances. But what would the terms of the deal be?

1417
01:18:17,479 --> 01:18:19,280
Speaker 1: The terms of the deal never even made it to

1418
01:18:19,360 --> 01:18:21,880
Speaker 1: a piece of paper, to a deal memo, And all

1419
01:18:21,960 --> 01:18:24,160
Speaker 1: Joe did was asked questions. But never did either one

1420
01:18:24,200 --> 01:18:27,599
Speaker 1: of us say no, we're not doing it? Really, yeah,

1421
01:18:27,680 --> 01:18:35,360
Speaker 1: absolutely really yes, y'are both lying, man, y'are both lying? Man, well, dude,

1422
01:18:35,800 --> 01:18:38,920
Speaker 1: this is insane to me. Y'all both Why y'all both lying? Man?

1423
01:18:39,960 --> 01:18:42,120
Speaker 1: I get nothing out of lying about this show of

1424
01:18:42,280 --> 01:18:44,800
Speaker 1: course you do. You wouldn't even be talking about this

1425
01:18:44,880 --> 01:18:47,000
Speaker 1: if you ain't feel you had to bro It's on

1426
01:18:47,160 --> 01:18:51,280
Speaker 1: your it's on your right. Let me make myself clear. Yeah,

1427
01:18:51,320 --> 01:18:55,799
Speaker 1: go ahead. I'm bigger than whatever y'all doing. Oh according

1428
01:18:55,840 --> 01:18:58,519
Speaker 1: to who me? All right, that's cool, so am I

1429
01:18:58,560 --> 01:19:03,760
Speaker 1: I'm bigger than everything y'all doing. I'm not responding to

1430
01:19:03,880 --> 01:19:09,120
Speaker 1: this because I feel pressured by your fake boosted fucking numbers, niggas.

1431
01:19:09,120 --> 01:19:11,400
Speaker 1: But you can get numbers. Get the fuck out of here.

1432
01:19:11,960 --> 01:19:16,679
Speaker 1: You're mad. You see, niggas is in that inbox. Niggas

1433
01:19:16,760 --> 01:19:19,600
Speaker 1: is in that inbox bothering you. I promise you didn't not.

1434
01:19:19,800 --> 01:19:22,560
Speaker 1: You know it's carb and that's the problem. Like we

1435
01:19:23,080 --> 01:19:26,000
Speaker 1: we're not looking at things the same. You know, Joel,

1436
01:19:26,160 --> 01:19:28,320
Speaker 1: you're wrong about some of the stuff you're saying. You

1437
01:19:28,360 --> 01:19:32,120
Speaker 1: know you're wrong about what you're saying. And I understand you.

1438
01:19:32,280 --> 01:19:34,840
Speaker 1: Niggas is doing whatever y'all gotta do. But to do

1439
01:19:35,000 --> 01:19:37,679
Speaker 1: it at the expense of people that you have spent

1440
01:19:37,840 --> 01:19:40,920
Speaker 1: that much time with it just it just looks away.

1441
01:19:40,960 --> 01:19:43,360
Speaker 1: It does. And I don't know, Joe, you can realize

1442
01:19:43,400 --> 01:19:45,400
Speaker 1: how you make it about you. Let me finish, Let

1443
01:19:45,439 --> 01:19:47,479
Speaker 1: me finish something. Are you making this about you? This

1444
01:19:47,640 --> 01:19:49,400
Speaker 1: is how much you feel yourself that you're making this

1445
01:19:49,479 --> 01:19:55,760
Speaker 1: about you. I'm listen you yourself right the story as

1446
01:19:55,800 --> 01:19:58,920
Speaker 1: this Roy story, me crook telling what it is on

1447
01:19:59,080 --> 01:20:01,880
Speaker 1: our side. This is not about you. You're involved because

1448
01:20:01,880 --> 01:20:04,320
Speaker 1: you part of the brand, just like Roy says this

1449
01:20:04,560 --> 01:20:07,960
Speaker 1: is not about you. If you want to defend yourself, listen, listen,

1450
01:20:08,040 --> 01:20:09,880
Speaker 1: hold on if you want to If you want to

1451
01:20:09,920 --> 01:20:12,759
Speaker 1: defend yourself, if you want to defend yourself or speak

1452
01:20:12,840 --> 01:20:15,360
Speaker 1: your truth, you know how to get to it. You've

1453
01:20:15,400 --> 01:20:18,200
Speaker 1: been doing it time. It's not on the hbody that

1454
01:20:18,280 --> 01:20:21,920
Speaker 1: I care about. Huh. I'm involved because y'all hurt some

1455
01:20:22,160 --> 01:20:24,439
Speaker 1: y'all hurt. I was hurt, and y'all hurt somebody that

1456
01:20:24,520 --> 01:20:26,880
Speaker 1: I care about, and y'all was silly enough to name

1457
01:20:26,960 --> 01:20:29,320
Speaker 1: your ship something to wear. Hey, twenty five percent of

1458
01:20:29,400 --> 01:20:31,280
Speaker 1: at his mind. If I feel like pursuing it, that's

1459
01:20:31,280 --> 01:20:33,840
Speaker 1: why I'm involved. I'm not involved in this fucking clown

1460
01:20:33,880 --> 01:20:35,920
Speaker 1: show because I want to be a fucking shitting me.

1461
01:20:36,240 --> 01:20:39,120
Speaker 1: I got a girl to callback right now. It's eleven fifteen,

1462
01:20:39,120 --> 01:20:40,920
Speaker 1: I'm in a strip club in a minute. You think

1463
01:20:40,960 --> 01:20:43,400
Speaker 1: I'm trying to be involved in this nasty ass ship

1464
01:20:43,520 --> 01:20:49,799
Speaker 1: that you and this niggas doing. Y'all look disgusting. Ya Yah,

1465
01:20:49,960 --> 01:20:53,160
Speaker 1: y'all want to hide. I know why happen you, Why

1466
01:20:53,280 --> 01:20:55,560
Speaker 1: y'all wanna live, Why you're going to live? Let me

1467
01:20:55,680 --> 01:20:58,759
Speaker 1: see what I'm saying. I love you so much. Nigga,

1468
01:20:59,160 --> 01:21:02,360
Speaker 1: I don't even what this nasty fuck hit for you

1469
01:21:04,280 --> 01:21:09,479
Speaker 1: for being looking off. Oh no, regardless of the navrative,

1470
01:21:09,560 --> 01:21:12,200
Speaker 1: y'all still that we needed a bad and we did it.

1471
01:21:12,280 --> 01:21:16,880
Speaker 1: But you're not good man. You're talking about not good? Right,

1472
01:21:17,080 --> 01:21:19,439
Speaker 1: So I am if you're good, and this is only

1473
01:21:19,479 --> 01:21:21,599
Speaker 1: an opinion. If you're good, you probably wouldn't have took

1474
01:21:21,600 --> 01:21:24,040
Speaker 1: the advance, you know what I mean? You may not

1475
01:21:24,120 --> 01:21:26,799
Speaker 1: would have took the advance, especially seeing that your homeboys

1476
01:21:26,840 --> 01:21:29,120
Speaker 1: are rich. Maybe they could have funded eat, you could

1477
01:21:29,160 --> 01:21:31,280
Speaker 1: have got more money on the back end, something like that.

1478
01:21:31,479 --> 01:21:34,960
Speaker 1: You know, very good, my friend. You're not good. I

1479
01:21:35,080 --> 01:21:38,519
Speaker 1: am very good, my friend. What are you talking about?

1480
01:21:38,720 --> 01:21:42,040
Speaker 1: Not good? I'm very good man. You're making it nasty

1481
01:21:42,160 --> 01:21:44,240
Speaker 1: than it needs to be because y'all afraid to just

1482
01:21:44,400 --> 01:21:47,719
Speaker 1: be like I wasn't fucking with it, right, You wasn't

1483
01:21:47,760 --> 01:21:50,719
Speaker 1: fucking with it, Joe, that's fine, it's all good. And Royce,

1484
01:21:51,040 --> 01:21:54,639
Speaker 1: you wasn't fucking with it if Joe wasn't involved, whatever reason,

1485
01:21:54,960 --> 01:21:57,840
Speaker 1: And that's fine, my god. Let us tell it what

1486
01:21:57,920 --> 01:22:00,240
Speaker 1: it Lets tell what it is, yo. Let me tell

1487
01:22:00,240 --> 01:22:01,760
Speaker 1: you what it is. You know what, because I got

1488
01:22:01,840 --> 01:22:03,360
Speaker 1: you to do to night and it's a fucking Friday.

1489
01:22:03,680 --> 01:22:09,719
Speaker 1: Let me tell you Fliterhouse had bad fucking business. You agree,

1490
01:22:11,040 --> 01:22:15,920
Speaker 1: Floriterhouse had horrible business at some point that had to

1491
01:22:16,040 --> 01:22:20,639
Speaker 1: change something for somebody. We were actively in a group,

1492
01:22:21,560 --> 01:22:24,880
Speaker 1: and I was saying, hey, while I was there, Hey,

1493
01:22:25,240 --> 01:22:28,240
Speaker 1: let's get this right. The business sing right. It's your managers,

1494
01:22:28,320 --> 01:22:31,120
Speaker 1: his managers, this manager, it's my manager. Fucking this. It's

1495
01:22:31,160 --> 01:22:35,000
Speaker 1: a fucking mess. Hey. This person ain't allowed up there. Hey, emm,

1496
01:22:35,000 --> 01:22:36,519
Speaker 1: and it was doing this. They picked up something like

1497
01:22:36,640 --> 01:22:38,760
Speaker 1: it was a fucking mess. Joe didn't want no part

1498
01:22:38,760 --> 01:22:41,120
Speaker 1: of it. Joe didn't want no part of a mess.

1499
01:22:41,320 --> 01:22:47,439
Speaker 1: At some point. You know better, You do better what

1500
01:22:47,600 --> 01:22:52,920
Speaker 1: I hold now you're speaking truths. Continue, go ahead. What

1501
01:22:53,160 --> 01:22:58,760
Speaker 1: I said to y'all was very simple, Yo, I'm not

1502
01:22:58,920 --> 01:23:03,040
Speaker 1: doing nothing while we're over there. Hey, and over there

1503
01:23:03,160 --> 01:23:05,600
Speaker 1: made themselves clear too, Yo, we don't want nothing to

1504
01:23:05,680 --> 01:23:09,640
Speaker 1: do with Joe. That was ages ago, quick, that was

1505
01:23:09,720 --> 01:23:14,439
Speaker 1: two thousand and whatever year that was. So it took

1506
01:23:14,479 --> 01:23:18,600
Speaker 1: a lot of steps in conversations, through tension, hurdles and turmoil,

1507
01:23:19,240 --> 01:23:23,160
Speaker 1: fust even being agreeance to get this thing off for there,

1508
01:23:23,560 --> 01:23:26,000
Speaker 1: y'all skip that and your little cute see fucking songs.

1509
01:23:27,560 --> 01:23:30,760
Speaker 1: You was feeling that you was knowing that truth. You

1510
01:23:30,880 --> 01:23:33,759
Speaker 1: niggas as liars. I don't hear that part, and you're lying.

1511
01:23:34,000 --> 01:23:36,560
Speaker 1: You're lying. You're lying that we liars. Don't call me

1512
01:23:36,640 --> 01:23:39,320
Speaker 1: a liar on air when you know nothing but the facts.

1513
01:23:39,400 --> 01:23:42,840
Speaker 1: My brother, this isn't this isn't going anywhere. But this

1514
01:23:42,880 --> 01:23:45,960
Speaker 1: is what the lady use this. I'm just saying this, Joe,

1515
01:23:46,600 --> 01:23:50,679
Speaker 1: you do with this whatever you want, something that you own.

1516
01:23:50,960 --> 01:23:52,840
Speaker 1: You had it in your possession for less than a

1517
01:23:52,920 --> 01:23:55,960
Speaker 1: year and decided to try to destroy it. Dog, I

1518
01:23:56,040 --> 01:23:57,920
Speaker 1: had this shit in my possession for the last ten

1519
01:23:57,960 --> 01:24:00,640
Speaker 1: eleven years. Were you talking about You're talking about the

1520
01:24:00,680 --> 01:24:02,200
Speaker 1: state it was in and the last year. That's a

1521
01:24:02,280 --> 01:24:04,599
Speaker 1: lot different than what you're talking about. D Joel, don't

1522
01:24:04,600 --> 01:24:06,360
Speaker 1: even understand that. And I said, so it was tough

1523
01:24:06,400 --> 01:24:09,360
Speaker 1: to you. I understand everything you say. Man, do you

1524
01:24:09,439 --> 01:24:12,519
Speaker 1: speak listen? Listen for less than a year is what

1525
01:24:12,600 --> 01:24:14,400
Speaker 1: I'm saying. I'm not talking about what it's been a

1526
01:24:14,439 --> 01:24:17,840
Speaker 1: little Okay, it's it's been a little overtable for less

1527
01:24:17,880 --> 01:24:21,160
Speaker 1: than a year. And no, but you just the fuck

1528
01:24:21,320 --> 01:24:24,120
Speaker 1: what listen to me? What the fuck was gonna happen

1529
01:24:24,240 --> 01:24:26,759
Speaker 1: that didn't happen? What that? What was? What was about

1530
01:24:26,840 --> 01:24:30,120
Speaker 1: to happen? That we fucked up in this year? Honestly

1531
01:24:30,479 --> 01:24:32,600
Speaker 1: we've been off the label four year? What did what

1532
01:24:32,720 --> 01:24:36,240
Speaker 1: did me and Crook speaking our truth fuck up in

1533
01:24:36,280 --> 01:24:41,640
Speaker 1: this last year? Wrong doing what he was doing? What

1534
01:24:41,800 --> 01:24:44,800
Speaker 1: the like? What did I miss? What was the big

1535
01:24:44,880 --> 01:24:48,280
Speaker 1: fuck up? I want to know how this got twisted up? Yo? Well,

1536
01:24:48,360 --> 01:24:50,200
Speaker 1: I love you and I want nothing but the best

1537
01:24:50,240 --> 01:24:54,200
Speaker 1: of you. So then nigga, listen to the album. Then

1538
01:24:55,479 --> 01:24:58,880
Speaker 1: wow this fuck with the album. Brouck with the fun

1539
01:24:58,960 --> 01:25:00,960
Speaker 1: with the album, bro funk with the album. If you

1540
01:25:01,000 --> 01:25:03,360
Speaker 1: want nothing but funk with the album, man, tell people

1541
01:25:03,360 --> 01:25:06,120
Speaker 1: to listen to the album. Tell hold that the album

1542
01:25:06,160 --> 01:25:09,280
Speaker 1: because suck my dick? Are you kidding me? Nigga, suck

1543
01:25:09,400 --> 01:25:12,240
Speaker 1: my dick? Don't go there, don't do that? Do you

1544
01:25:12,400 --> 01:25:16,880
Speaker 1: want me? All right? I'm out, man, all right? One

1545
01:25:17,880 --> 01:25:22,160
Speaker 1: the fuck out of here with that man, So Yo, Joe,

1546
01:25:22,720 --> 01:25:25,519
Speaker 1: little comment, that little comment, that little comment right there,

1547
01:25:26,600 --> 01:25:29,600
Speaker 1: you're gonna wish you retracted that one. I'm out one, goodbye?

1548
01:25:30,000 --> 01:25:33,759
Speaker 1: Dam Is that a thread? They don't want to threadning

1549
01:25:33,880 --> 01:25:37,560
Speaker 1: each other huh damn, that was a thread. Hold on,

1550
01:25:38,040 --> 01:25:40,200
Speaker 1: I can't want the best man. If I'm want the

1551
01:25:40,240 --> 01:25:47,000
Speaker 1: best band, I have to support it. Nigga. Hello, Yeah,

1552
01:25:47,040 --> 01:26:03,920
Speaker 1: I'm here. Yeah, all right, So you you you hit

1553
01:26:03,960 --> 01:26:07,960
Speaker 1: that conversation a little lengthy conversation. But for most people,

1554
01:26:08,000 --> 01:26:10,160
Speaker 1: they don't have context, and I want to introduce you

1555
01:26:10,240 --> 01:26:14,040
Speaker 1: with enough context that you could have clarity on exactly

1556
01:26:14,240 --> 01:26:18,640
Speaker 1: or snapshot of kind of what's happening there. And I

1557
01:26:18,760 --> 01:26:22,280
Speaker 1: hear people say people that are slaughter house fans. I

1558
01:26:22,360 --> 01:26:24,320
Speaker 1: hear people say, Yo, they had good times. Man, you

1559
01:26:24,360 --> 01:26:25,840
Speaker 1: ought to seen them when they was on the road,

1560
01:26:25,880 --> 01:26:27,439
Speaker 1: when they was in the Yo, when they were together

1561
01:26:27,560 --> 01:26:30,200
Speaker 1: back then. Yo, they had good times. And man, they

1562
01:26:30,280 --> 01:26:33,000
Speaker 1: always laughed and smiled and man, you couldn't tell them

1563
01:26:33,080 --> 01:26:35,839
Speaker 1: dudes apart. They bagged each other up. And I always

1564
01:26:35,880 --> 01:26:40,320
Speaker 1: tell people, the same teeth that laugh bite, Yeah, the

1565
01:26:40,439 --> 01:26:43,000
Speaker 1: same teeth that laugh bite. So you gotta be careful

1566
01:26:43,040 --> 01:26:46,479
Speaker 1: when you see sometimes. That's why, that's why I'm very weary.

1567
01:26:46,600 --> 01:26:49,320
Speaker 1: And I know that's trauma. I know that's trauma. I

1568
01:26:49,360 --> 01:26:54,600
Speaker 1: don't let nobody close enough to hurt me. Nobody, girlfriend, nobody.

1569
01:26:55,439 --> 01:27:00,280
Speaker 1: I could be with you for years. You probably know

1570
01:27:00,360 --> 01:27:02,960
Speaker 1: how close I am to you, right, You probably know

1571
01:27:03,080 --> 01:27:05,720
Speaker 1: I love you, but I can't. It's something about me

1572
01:27:05,880 --> 01:27:09,559
Speaker 1: being vulnerable and I'm uncomfortable with because I see these

1573
01:27:09,680 --> 01:27:13,320
Speaker 1: type of things time and time and time and time again,

1574
01:27:13,720 --> 01:27:17,719
Speaker 1: and I understand that it's all good, into it ain't

1575
01:27:17,760 --> 01:27:22,680
Speaker 1: all good. I know one day, you know, shit can

1576
01:27:22,800 --> 01:27:24,720
Speaker 1: just change for people. You can wake up one day

1577
01:27:24,720 --> 01:27:26,680
Speaker 1: and like y'all want to wrap no more? Now you

1578
01:27:26,800 --> 01:27:28,800
Speaker 1: on twenty five percent? And then what do we do?

1579
01:27:30,400 --> 01:27:33,200
Speaker 1: But clearly, in my opinion, for dealing with this particular

1580
01:27:33,320 --> 01:27:39,880
Speaker 1: Joe Button slaughter House Royster five nine situation, seems like

1581
01:27:40,000 --> 01:27:42,280
Speaker 1: those guys are like, yo, let's get to check, and

1582
01:27:42,439 --> 01:27:44,960
Speaker 1: Joe and was like, hey, let's wait up a little minute.

1583
01:27:45,479 --> 01:27:48,000
Speaker 1: And then we have we have these guys falling out

1584
01:27:48,080 --> 01:27:50,439
Speaker 1: as they do. These guys have dropped records, they got

1585
01:27:50,439 --> 01:27:53,599
Speaker 1: an album dropping and wish they're gonna dress Joe Budden

1586
01:27:53,640 --> 01:27:57,000
Speaker 1: in a way where I think not only Joe be

1587
01:27:57,080 --> 01:28:00,840
Speaker 1: offendable Royce as well. Royce's I'm one and said let's

1588
01:28:00,880 --> 01:28:03,000
Speaker 1: not do it without Joe, and just by that he

1589
01:28:03,120 --> 01:28:04,960
Speaker 1: got through in the crossfire. So it's almost like a

1590
01:28:05,000 --> 01:28:07,720
Speaker 1: two on two match. But in my opinion, like I said,

1591
01:28:07,720 --> 01:28:12,040
Speaker 1: I haven't seen I don't know how far this goes, Right,

1592
01:28:13,320 --> 01:28:15,880
Speaker 1: We're still on the lookout. Let's find another topic. We'll

1593
01:28:15,960 --> 01:28:19,679
Speaker 1: move on. We'll talk about the Kanye West doc nick.

1594
01:28:19,760 --> 01:28:21,439
Speaker 1: So we're gonna take a quick break and we'll come

1595
01:28:21,479 --> 01:28:25,760
Speaker 1: back about Kanye. All right. So we're back, all right,

1596
01:28:25,840 --> 01:28:30,280
Speaker 1: So we're back, back, back from break, let's talk about

1597
01:28:30,920 --> 01:28:32,760
Speaker 1: And I never thought I would have to come out

1598
01:28:32,760 --> 01:28:34,800
Speaker 1: and speak about this, but I see again, it just

1599
01:28:35,400 --> 01:28:39,639
Speaker 1: helps me understand and I'm feeling a void for the culture. Right.

1600
01:28:40,000 --> 01:28:44,360
Speaker 1: My perspective is needed. I'll say that. You know, I

1601
01:28:44,479 --> 01:28:47,880
Speaker 1: think the more and more I think about it, right,

1602
01:28:47,920 --> 01:28:50,400
Speaker 1: the more and more I look at what people stances are,

1603
01:28:51,120 --> 01:28:54,679
Speaker 1: how people prepare to do an interview, how they handle

1604
01:28:54,720 --> 01:28:57,920
Speaker 1: an interview, how niggas go back and forth, how they

1605
01:28:58,080 --> 01:29:00,719
Speaker 1: dance with each other when they communicate, all these things.

1606
01:29:00,760 --> 01:29:04,439
Speaker 1: I just I'm rarely impressed. And that's what I all

1607
01:29:04,479 --> 01:29:08,679
Speaker 1: due respect. But I want to address this. The Nipsey

1608
01:29:08,760 --> 01:29:13,840
Speaker 1: Hustle thing, Whack one hundred. As I told you guys

1609
01:29:14,920 --> 01:29:20,520
Speaker 1: months ago, he's in. He's spawned every day on clubhouse

1610
01:29:20,600 --> 01:29:23,880
Speaker 1: with his idea. So he's getting sharper and sharp or

1611
01:29:23,920 --> 01:29:27,960
Speaker 1: with his narratives. But that kind of stuff don't work

1612
01:29:28,000 --> 01:29:32,839
Speaker 1: on people like me, right, because I'm smothering in information,

1613
01:29:32,960 --> 01:29:35,240
Speaker 1: So I picked through. I never worked. See, you can't

1614
01:29:35,280 --> 01:29:37,920
Speaker 1: give me with what you're saying, and I don't need

1615
01:29:38,000 --> 01:29:40,920
Speaker 1: to get again. I got to start another show behind

1616
01:29:40,960 --> 01:29:46,600
Speaker 1: a paywall called consultation fees, bro, because when I go

1617
01:29:46,680 --> 01:29:48,800
Speaker 1: to giving this kind of game, this shit really poled

1618
01:29:48,840 --> 01:29:50,880
Speaker 1: me for sale, bro, And I ain't saying that. I'm

1619
01:29:51,280 --> 01:29:56,200
Speaker 1: being dead serious about that, but I don't. I don't

1620
01:29:56,200 --> 01:29:58,040
Speaker 1: pay attention to what the nigga say when the nigga

1621
01:29:58,080 --> 01:30:01,080
Speaker 1: go to talking, right, because we all know how to talk.

1622
01:30:01,120 --> 01:30:03,080
Speaker 1: I come from the projects, I come from the hood.

1623
01:30:03,160 --> 01:30:05,720
Speaker 1: We all know how to We come from what We

1624
01:30:05,760 --> 01:30:08,320
Speaker 1: didn't have nothing right, so we had to figure out

1625
01:30:08,400 --> 01:30:11,800
Speaker 1: and have for ness and charisma to even figure things out.

1626
01:30:11,920 --> 01:30:14,280
Speaker 1: That was just part of who we were. So everybody

1627
01:30:14,400 --> 01:30:17,559
Speaker 1: where I'm from got this kind of makeup. It may

1628
01:30:17,680 --> 01:30:20,479
Speaker 1: shine through in different ways, but in regards to the

1629
01:30:20,560 --> 01:30:25,040
Speaker 1: ability to persuade or the ability to you know, explain

1630
01:30:25,160 --> 01:30:27,600
Speaker 1: a circumstance or something like that, we all got that.

1631
01:30:27,760 --> 01:30:30,439
Speaker 1: So I ignore that only get up off the rip

1632
01:30:30,600 --> 01:30:33,600
Speaker 1: unless I come with a certain amount of respect for

1633
01:30:33,720 --> 01:30:35,960
Speaker 1: the work I know you put in right, So if

1634
01:30:36,000 --> 01:30:39,280
Speaker 1: I sit across from a Neil de grass Tyson, I

1635
01:30:39,400 --> 01:30:42,240
Speaker 1: take those blinders off. Now I know I'm dealing with information.

1636
01:30:43,640 --> 01:30:48,200
Speaker 1: You understand. I'm just giving you a viewpoint. I always

1637
01:30:48,280 --> 01:30:50,559
Speaker 1: focus on the technique, why are you doing? What are

1638
01:30:50,600 --> 01:30:52,479
Speaker 1: you doing? What are you trying to do? When you're

1639
01:30:52,479 --> 01:30:55,720
Speaker 1: doing these things? Right, because when people talk there, you

1640
01:30:56,160 --> 01:30:58,040
Speaker 1: can kind of see what's happening if you got one

1641
01:30:58,080 --> 01:31:02,439
Speaker 1: of those kind of mindsets. But Wax says, and so

1642
01:31:02,680 --> 01:31:05,840
Speaker 1: far he's running up against people who can't answer the question,

1643
01:31:05,920 --> 01:31:09,320
Speaker 1: and I find it amusing, but again it just helps

1644
01:31:09,360 --> 01:31:13,439
Speaker 1: me understand my place in the market. Right. He goes

1645
01:31:13,520 --> 01:31:17,719
Speaker 1: up and he says, Nipsey Hustle wasn't a musical legend,

1646
01:31:18,640 --> 01:31:22,599
Speaker 1: number one, R Peter nip Right, Nippy is a legend,

1647
01:31:22,760 --> 01:31:25,080
Speaker 1: is a musical legend. Right. We want to make sure

1648
01:31:25,160 --> 01:31:28,800
Speaker 1: that our position is clear, right, and we had those conversations.

1649
01:31:28,920 --> 01:31:31,760
Speaker 1: That's what this coach is about. It's about sitting down

1650
01:31:31,800 --> 01:31:36,360
Speaker 1: and having those conversations. Right. So you tell me what

1651
01:31:36,479 --> 01:31:38,640
Speaker 1: you're saying and let me peek through that and let

1652
01:31:38,720 --> 01:31:40,679
Speaker 1: me tell you what I'm saying, and peek through mine

1653
01:31:40,680 --> 01:31:44,599
Speaker 1: and see who got glass in their narratives. You see

1654
01:31:44,640 --> 01:31:47,599
Speaker 1: what I'm saying. Some people got glass in their narratives.

1655
01:31:47,640 --> 01:31:50,000
Speaker 1: You just got to pay attention to know what glass

1656
01:31:50,120 --> 01:31:55,439
Speaker 1: looked like. But he says Nipsey Hustle wasn't a musical legend, right,

1657
01:31:55,479 --> 01:31:58,519
Speaker 1: And when he says that, he has an unconventional stance,

1658
01:31:58,680 --> 01:32:03,599
Speaker 1: but he has merit in his approach, right because when

1659
01:32:03,640 --> 01:32:05,960
Speaker 1: he go to talking, he starts talking about albums towards

1660
01:32:06,080 --> 01:32:07,960
Speaker 1: things that and then he get this is where he

1661
01:32:08,040 --> 01:32:10,280
Speaker 1: gets most people. And it amazes me because a lot

1662
01:32:10,320 --> 01:32:12,400
Speaker 1: of people are making a lot of money in the culture.

1663
01:32:12,800 --> 01:32:15,640
Speaker 1: And then long got to explain this. And I'm not

1664
01:32:15,760 --> 01:32:18,560
Speaker 1: saying that to offend anybody, because everybody's legends and I

1665
01:32:18,680 --> 01:32:21,400
Speaker 1: look at him as such. I'm doing that for the audience.

1666
01:32:21,479 --> 01:32:24,400
Speaker 1: I need the audience to understand what I'm doing. This

1667
01:32:24,600 --> 01:32:27,639
Speaker 1: is less about my brothers in the game, and it's

1668
01:32:27,680 --> 01:32:30,760
Speaker 1: more about a your audience. Pay attention to who really

1669
01:32:30,840 --> 01:32:34,280
Speaker 1: cooking this meal right here, right? And then when this

1670
01:32:34,479 --> 01:32:38,200
Speaker 1: narrative goes out, right, because I got forty five, let

1671
01:32:38,240 --> 01:32:41,559
Speaker 1: me calm down. I got forty five different narratives out

1672
01:32:41,600 --> 01:32:46,120
Speaker 1: there right now that people have tooking and remixed, right,

1673
01:32:46,920 --> 01:32:48,960
Speaker 1: and so this will probably be another one, and I'm

1674
01:32:49,000 --> 01:32:51,040
Speaker 1: gonna go ahead and get to it. But Wack has

1675
01:32:51,080 --> 01:32:55,920
Speaker 1: an uncon unconventional stance. But again his argument has merrit

1676
01:32:56,000 --> 01:32:59,400
Speaker 1: because he talks about towards and things. So what he'll

1677
01:32:59,439 --> 01:33:02,360
Speaker 1: say is you call Snoop Dogg a legend, and you

1678
01:33:02,400 --> 01:33:04,559
Speaker 1: would say yeah, He'll say, well, why would you call

1679
01:33:04,680 --> 01:33:08,720
Speaker 1: him a legend? And then they'll say, well, because put

1680
01:33:08,760 --> 01:33:11,000
Speaker 1: the West Coast on last thirty years in hip hop,

1681
01:33:11,080 --> 01:33:16,240
Speaker 1: biggest name ever, most famous rapper ever, platinum plaques, hits billboards,

1682
01:33:16,520 --> 01:33:19,400
Speaker 1: touring right. Then he'll point the nips and say, well,

1683
01:33:19,439 --> 01:33:22,120
Speaker 1: that wasn't done at the time that that statement was

1684
01:33:22,200 --> 01:33:26,160
Speaker 1: made in musically, And although that may be true, I

1685
01:33:26,280 --> 01:33:30,560
Speaker 1: find it interesting that we're either misrepresenting or we misinformed

1686
01:33:30,600 --> 01:33:33,320
Speaker 1: about what happens when one of our artists dies or

1687
01:33:34,240 --> 01:33:37,640
Speaker 1: one of our artists transitions. Again, RP to all the

1688
01:33:37,760 --> 01:33:42,720
Speaker 1: greats that had untimely demise in such a volatile game.

1689
01:33:42,800 --> 01:33:45,559
Speaker 1: It meant so much to us, and we weren't able

1690
01:33:45,600 --> 01:33:49,320
Speaker 1: to communicate those things by the time we were left

1691
01:33:49,400 --> 01:33:56,200
Speaker 1: to say goodbye. You know, I sympathize with people who

1692
01:33:56,240 --> 01:34:03,000
Speaker 1: don't understand impact. One thing you can't let me one thing.

1693
01:34:03,120 --> 01:34:05,720
Speaker 1: God never let them buildings do to me, and I'm

1694
01:34:05,720 --> 01:34:09,080
Speaker 1: meending them buildings. Let's be clear that without a coach sign,

1695
01:34:09,160 --> 01:34:12,800
Speaker 1: I'm meend them buildings. One thing I won't never let

1696
01:34:12,880 --> 01:34:17,160
Speaker 1: them do to me is turned me into a pure

1697
01:34:17,280 --> 01:34:19,679
Speaker 1: D number crunching. Now I got the crunch numbers because

1698
01:34:19,720 --> 01:34:22,640
Speaker 1: when you crunch numbers, that's how you get numbers. You

1699
01:34:22,680 --> 01:34:25,200
Speaker 1: see what I'm saying, and that's how you understand your

1700
01:34:25,240 --> 01:34:27,920
Speaker 1: position in the marketplace. But they'll never turned me into that.

1701
01:34:28,040 --> 01:34:31,200
Speaker 1: So I understand impacting. That's what takes me and makes

1702
01:34:31,280 --> 01:34:34,360
Speaker 1: me part of the culture and not doing business in

1703
01:34:34,439 --> 01:34:38,479
Speaker 1: the coach see a lot of task perspective is off

1704
01:34:38,520 --> 01:34:40,840
Speaker 1: a lot of people doing business in the culture, but

1705
01:34:40,960 --> 01:34:43,919
Speaker 1: they're not part of the culture, so they don't understand impact.

1706
01:34:44,120 --> 01:34:46,560
Speaker 1: When you're on the front end or something you explaining

1707
01:34:46,600 --> 01:34:49,040
Speaker 1: to them. When you see Kanye running through the building,

1708
01:34:50,120 --> 01:34:53,760
Speaker 1: that's part of the culture that can understand that. That's

1709
01:34:53,840 --> 01:34:56,280
Speaker 1: part of the coaching that can understand Jay Z coming

1710
01:34:56,320 --> 01:35:00,519
Speaker 1: into the Rockefeller Building with his money up front that's

1711
01:35:00,600 --> 01:35:03,000
Speaker 1: part of the culture that can understand did it stepping

1712
01:35:03,040 --> 01:35:06,080
Speaker 1: out on faith only getting three percent or whatever, that

1713
01:35:06,200 --> 01:35:10,320
Speaker 1: small percentage of AD dollars being spent to black media

1714
01:35:10,640 --> 01:35:13,560
Speaker 1: and still pressing forward. That's part of the culture that

1715
01:35:13,640 --> 01:35:16,479
Speaker 1: can understand that those that's doing business in the culture,

1716
01:35:16,680 --> 01:35:23,679
Speaker 1: they can never relate. So we gotta deal with impact,

1717
01:35:23,760 --> 01:35:26,400
Speaker 1: because when I hear dudes say numbers and tours and

1718
01:35:26,520 --> 01:35:29,920
Speaker 1: how much, I say, let's sum that up, because I

1719
01:35:30,000 --> 01:35:33,720
Speaker 1: don't want to compartmentalize every little detail of someone that's

1720
01:35:33,800 --> 01:35:36,120
Speaker 1: greatest some of the people that we have to mention

1721
01:35:36,240 --> 01:35:39,960
Speaker 1: in such a horrifying conversation. So let's sum that up,

1722
01:35:40,000 --> 01:35:42,600
Speaker 1: if you won't mind, and just say, let's deal with

1723
01:35:42,720 --> 01:35:48,519
Speaker 1: the impact. If we can agree that impact is what

1724
01:35:48,680 --> 01:35:51,040
Speaker 1: we're talking about when we say, oh, jay Z had

1725
01:35:51,560 --> 01:35:53,920
Speaker 1: this many records, and did he put this many people

1726
01:35:54,000 --> 01:35:57,000
Speaker 1: on it? Master p did this, and Baby and Drake

1727
01:35:57,080 --> 01:36:00,479
Speaker 1: and Wayne and if we can agree that pack is

1728
01:36:00,520 --> 01:36:02,840
Speaker 1: a part of the conversation. And I think we've so

1729
01:36:03,120 --> 01:36:08,760
Speaker 1: far were playing in the same ballpark, right, So when

1730
01:36:08,800 --> 01:36:11,280
Speaker 1: you deal with impacting, you deal with the death. Because

1731
01:36:11,320 --> 01:36:15,160
Speaker 1: again they liked the pigeonhole Nipsey to right before he died.

1732
01:36:16,240 --> 01:36:19,360
Speaker 1: It didn't happen before he died. And I like having

1733
01:36:19,439 --> 01:36:22,160
Speaker 1: these conversations because I'm smothered in information and I'm not.

1734
01:36:24,320 --> 01:36:26,360
Speaker 1: I don't waiver, and I'm not you know, I'm not,

1735
01:36:26,560 --> 01:36:28,960
Speaker 1: I'm not you know. I just this is what I do,

1736
01:36:30,000 --> 01:36:35,160
Speaker 1: you understand, And I'm independent and I'm rich. You see

1737
01:36:35,320 --> 01:36:38,479
Speaker 1: in the podcast thing for me, I gotta lord forward.

1738
01:36:38,680 --> 01:36:41,679
Speaker 1: And I'm critical giving this information out to the youngest

1739
01:36:41,800 --> 01:36:45,320
Speaker 1: because guess what, I know, it's affecting people I never touch,

1740
01:36:45,680 --> 01:36:48,120
Speaker 1: I never get a chance to sit next to. But

1741
01:36:48,200 --> 01:36:50,080
Speaker 1: they can say, yo, I got that video, bro. You

1742
01:36:50,200 --> 01:36:53,280
Speaker 1: taught me something in that boy. You were putting that

1743
01:36:53,400 --> 01:36:56,320
Speaker 1: game down about such as such, impacking it was, and

1744
01:36:56,400 --> 01:36:59,160
Speaker 1: that's all I'm doing it for. And that's all I

1745
01:36:59,280 --> 01:37:06,000
Speaker 1: need from it, right so um and not to be exploited.

1746
01:37:07,920 --> 01:37:10,559
Speaker 1: Make sure that's on the record. But when we deal

1747
01:37:10,640 --> 01:37:12,759
Speaker 1: with when we deal with a death, the thing about

1748
01:37:12,920 --> 01:37:17,080
Speaker 1: music is and again it's just unfortunate that none of

1749
01:37:17,120 --> 01:37:19,439
Speaker 1: our pioneers were able to explain this. But again it

1750
01:37:19,560 --> 01:37:22,439
Speaker 1: just shows what while I stand in the market, man,

1751
01:37:22,520 --> 01:37:25,360
Speaker 1: and I I just I'm grateful to have the ability

1752
01:37:25,400 --> 01:37:30,080
Speaker 1: to do so. But the thing about the music business.

1753
01:37:30,520 --> 01:37:34,600
Speaker 1: Let's let's focus on that for a second and examine

1754
01:37:34,680 --> 01:37:37,800
Speaker 1: why it may not have happened for Nipsey just yet.

1755
01:37:39,040 --> 01:37:42,240
Speaker 1: Everybody in the music business know the music business don't

1756
01:37:42,320 --> 01:37:45,400
Speaker 1: work on a See, you guys are viewing this like, up,

1757
01:37:45,479 --> 01:37:47,840
Speaker 1: he didn't get to get up tomorrow and go to work,

1758
01:37:47,920 --> 01:37:51,880
Speaker 1: so job not done, he's out of there. But when

1759
01:37:51,920 --> 01:37:54,560
Speaker 1: someone dies in music, it's it's much different from a

1760
01:37:54,640 --> 01:37:58,840
Speaker 1: conventional death. It's much different from and your job as

1761
01:37:58,880 --> 01:38:01,760
Speaker 1: a rapper or your work therefore as a rapper, it's

1762
01:38:01,840 --> 01:38:06,919
Speaker 1: much different than your work therefore as a regular American

1763
01:38:07,000 --> 01:38:09,080
Speaker 1: citizen that may get up and go to work tomorrow,

1764
01:38:09,120 --> 01:38:11,760
Speaker 1: and hey, you didn't get a chance to get that

1765
01:38:11,840 --> 01:38:19,120
Speaker 1: promotion because you passed away. Right, that's a and that's

1766
01:38:19,280 --> 01:38:21,320
Speaker 1: kind of the that's kind of the brush that there

1767
01:38:21,360 --> 01:38:23,759
Speaker 1: paintings with. But to do that would be to ignore

1768
01:38:23,840 --> 01:38:27,680
Speaker 1: what music is. Because when we deal with music, we

1769
01:38:27,800 --> 01:38:30,599
Speaker 1: know if it's done right, it's almost like you it's

1770
01:38:30,600 --> 01:38:32,840
Speaker 1: almost like if you're dealing with like almost like a

1771
01:38:32,920 --> 01:38:38,640
Speaker 1: suicide bomber. It's like, even if he died in the process,

1772
01:38:40,720 --> 01:38:43,160
Speaker 1: if the work he come to put out, if the

1773
01:38:43,280 --> 01:38:48,479
Speaker 1: work he come to do is done. That's a successful mission.

1774
01:38:49,840 --> 01:38:51,519
Speaker 1: That's what we got to deal with. When we deal

1775
01:38:51,600 --> 01:38:56,599
Speaker 1: with Nipsey, the work got done. Yeah, So even if

1776
01:38:56,680 --> 01:39:00,559
Speaker 1: they got me, I got my man. Even if they

1777
01:39:00,640 --> 01:39:03,800
Speaker 1: got me, my message got out. You ever hear Farah

1778
01:39:03,880 --> 01:39:07,880
Speaker 1: Kahn say, Yeah, if they killed me today, i'dn't done it.

1779
01:39:08,160 --> 01:39:10,920
Speaker 1: Everything I needed to do, It's already been done. It's

1780
01:39:10,960 --> 01:39:15,720
Speaker 1: out there, it's over with. Most people understand that I

1781
01:39:15,800 --> 01:39:18,679
Speaker 1: don't have to be here for the job to get done.

1782
01:39:20,360 --> 01:39:22,519
Speaker 1: And when you're putting that high level work in like

1783
01:39:22,600 --> 01:39:29,200
Speaker 1: a Nipsey hustle, the work got done. The job got done.

1784
01:39:31,040 --> 01:39:34,439
Speaker 1: See when you deal with whacking him explaining his argument,

1785
01:39:34,560 --> 01:39:37,200
Speaker 1: proud to me putting my argument out there, when you

1786
01:39:37,320 --> 01:39:41,679
Speaker 1: deal with whacking him explaining that he's judging the person

1787
01:39:41,760 --> 01:39:45,639
Speaker 1: and not the job. And when we deal with when

1788
01:39:45,680 --> 01:39:48,200
Speaker 1: we deal with rap and when we deal with legends,

1789
01:39:48,280 --> 01:39:50,759
Speaker 1: we gotta judge by what did we agree on? Impact?

1790
01:39:50,840 --> 01:39:53,240
Speaker 1: So we gotta judge by impact, which is the job,

1791
01:39:53,439 --> 01:39:56,360
Speaker 1: not the person. So we're judging by the job. Did

1792
01:39:56,479 --> 01:40:00,400
Speaker 1: the job get done? When Nipsey whatever, some people, because

1793
01:40:00,479 --> 01:40:07,519
Speaker 1: they die, become a legend, unfortunately, unfortunately, and I don't

1794
01:40:07,560 --> 01:40:09,400
Speaker 1: want to chop it up to what I wasn't saying.

1795
01:40:10,120 --> 01:40:13,360
Speaker 1: He's a legend. He's a legend. Let's have that conversation.

1796
01:40:13,479 --> 01:40:15,759
Speaker 1: He's a legend, you know. But when I found myself

1797
01:40:15,840 --> 01:40:18,160
Speaker 1: thinking about it, I'm like, yo, why you know? For me,

1798
01:40:18,360 --> 01:40:20,479
Speaker 1: I don't look at it the same way as everybody else.

1799
01:40:20,520 --> 01:40:22,559
Speaker 1: I look at it like, Yo, what's the job done?

1800
01:40:24,360 --> 01:40:27,400
Speaker 1: What's the job done? Like if you paid me to

1801
01:40:27,479 --> 01:40:30,639
Speaker 1: come in, if you paid me to come and paint

1802
01:40:30,680 --> 01:40:34,640
Speaker 1: your house, right, if I paint your house in the

1803
01:40:34,760 --> 01:40:38,080
Speaker 1: day that I had to come collect my chick I

1804
01:40:38,240 --> 01:40:44,120
Speaker 1: so you know I so happened to transition, you still

1805
01:40:44,160 --> 01:40:49,160
Speaker 1: owe that the job was done. The job got done.

1806
01:40:49,240 --> 01:40:51,519
Speaker 1: In my opinion, when I deal with Nimsey hustle bro,

1807
01:40:51,640 --> 01:40:54,080
Speaker 1: the job got done. And that's how I view it.

1808
01:40:54,240 --> 01:40:58,679
Speaker 1: Like unfortunate for us, his runway was cut short prior

1809
01:40:58,760 --> 01:41:05,120
Speaker 1: to him being able to fully blossom. Right, we can

1810
01:41:05,280 --> 01:41:08,759
Speaker 1: argue there was some arrested development because the music industry

1811
01:41:08,840 --> 01:41:14,640
Speaker 1: moves slow. But when we judging by the impact, when

1812
01:41:14,680 --> 01:41:19,439
Speaker 1: we judging by the job done, job well done, Job

1813
01:41:19,520 --> 01:41:22,240
Speaker 1: well done, and I put him up there, and then

1814
01:41:22,720 --> 01:41:25,320
Speaker 1: for me, for the people that's even the people that's

1815
01:41:25,400 --> 01:41:30,120
Speaker 1: legends in the game say he's a legend, right, and

1816
01:41:30,240 --> 01:41:34,400
Speaker 1: then ain't no sympathy card they're giving him. Nipsy don't

1817
01:41:34,400 --> 01:41:37,200
Speaker 1: get the sympathy card. Niggas giving Nipsy the hustle card,

1818
01:41:38,800 --> 01:41:42,280
Speaker 1: you understand. So that's my opinion on the Nipsey hustle

1819
01:41:42,760 --> 01:41:45,000
Speaker 1: arguing that's kind of been out a long time and

1820
01:41:45,600 --> 01:41:47,760
Speaker 1: I never have spoke on it. I've just been waiting

1821
01:41:47,800 --> 01:41:50,800
Speaker 1: on somebody to kind of view a different way, man,

1822
01:41:50,880 --> 01:41:52,439
Speaker 1: and it just made me want to go ahead and

1823
01:41:52,479 --> 01:41:55,240
Speaker 1: speak on it for the first time. So there you go.

1824
01:41:55,439 --> 01:42:01,080
Speaker 1: So now we'll talk about Delicious Delicious and her husband

1825
01:42:02,120 --> 01:42:09,400
Speaker 1: filing for divorce and it's it's became a very tumultuous situation.

1826
01:42:12,320 --> 01:42:15,120
Speaker 1: Some of the most nastiest words are being thrown around,

1827
01:42:15,280 --> 01:42:20,080
Speaker 1: you know, narcissists and certain things. Now, I want to

1828
01:42:20,080 --> 01:42:23,559
Speaker 1: say this and be clear, I never speak about the people.

1829
01:42:23,680 --> 01:42:26,200
Speaker 1: My whole thing is this, Let's speak about the information.

1830
01:42:26,960 --> 01:42:29,920
Speaker 1: Let's talk about how we can learn, how we can

1831
01:42:30,000 --> 01:42:32,960
Speaker 1: move forward, how to identify these issues, what and where

1832
01:42:33,000 --> 01:42:36,040
Speaker 1: to be, how to be for our people, and what

1833
01:42:36,240 --> 01:42:38,680
Speaker 1: we can get from it. That's basically my outlook when

1834
01:42:38,720 --> 01:42:41,639
Speaker 1: you see me examine some of these and then honestly,

1835
01:42:41,680 --> 01:42:43,599
Speaker 1: I'm a part of some of these things are triggers

1836
01:42:43,680 --> 01:42:46,439
Speaker 1: from me when I deal with people, because I've been

1837
01:42:46,520 --> 01:42:49,439
Speaker 1: called a narcissist before, I've been called some of these things.

1838
01:42:49,520 --> 01:42:54,040
Speaker 1: I found out that when people think you smart, or

1839
01:42:54,120 --> 01:42:56,920
Speaker 1: when people think you I say this because maybe they

1840
01:42:56,960 --> 01:43:00,439
Speaker 1: don't think I'm smart. Who cares? When people think that

1841
01:43:00,600 --> 01:43:05,679
Speaker 1: you think you're smart, they tend to want to attack

1842
01:43:05,760 --> 01:43:10,120
Speaker 1: your mind state right, or or attack the way that

1843
01:43:10,240 --> 01:43:13,600
Speaker 1: you are, like like try to act like yo, you

1844
01:43:13,720 --> 01:43:17,080
Speaker 1: can't help it, you're narcissists or you're you know, and

1845
01:43:17,160 --> 01:43:19,639
Speaker 1: it's like yo, you know and that. So it makes

1846
01:43:19,680 --> 01:43:21,439
Speaker 1: me want to kind of dive in and talk about

1847
01:43:21,479 --> 01:43:24,120
Speaker 1: some of these things. Sometimes I don't necessarily know this

1848
01:43:24,280 --> 01:43:27,880
Speaker 1: couple's information, right, so we want to deal with kind

1849
01:43:27,920 --> 01:43:29,479
Speaker 1: of what's on the surface and kind of just have

1850
01:43:29,680 --> 01:43:33,680
Speaker 1: a conventional conversation about the information involved. Let's let's just

1851
01:43:33,800 --> 01:43:39,120
Speaker 1: talk about relationships. These people were married. For those you

1852
01:43:39,200 --> 01:43:41,800
Speaker 1: don't understand, For those of you that don't know, Delicious

1853
01:43:41,880 --> 01:43:45,800
Speaker 1: is Love and hip hop reality STARF or Flavoring Love

1854
01:43:45,920 --> 01:43:51,800
Speaker 1: Reality STARFU. She was known for being super thick back

1855
01:43:51,840 --> 01:43:56,240
Speaker 1: in the day, and her husband was the guy that

1856
01:43:56,360 --> 01:43:59,200
Speaker 1: was in Central Park five that got arrested wrongfully and

1857
01:43:59,320 --> 01:44:04,360
Speaker 1: then sued. So that that's the two people's profile social profile. Now.

1858
01:44:04,680 --> 01:44:09,519
Speaker 1: I do want to say this because when I hadn't

1859
01:44:09,560 --> 01:44:12,200
Speaker 1: seen Delicious in years, because you know, I had stopped

1860
01:44:12,240 --> 01:44:15,800
Speaker 1: following her and things like that, when I seen her

1861
01:44:15,840 --> 01:44:19,160
Speaker 1: and I've seen how skinny she was, I was worried, bro.

1862
01:44:20,000 --> 01:44:22,840
Speaker 1: And I don't know if, like I'm getting to a

1863
01:44:22,920 --> 01:44:26,479
Speaker 1: point where because you know, everybody know, I like thick women.

1864
01:44:26,680 --> 01:44:30,800
Speaker 1: That's just that's a complete sentence. Not fat, but you know,

1865
01:44:30,960 --> 01:44:36,560
Speaker 1: the fat ass and those things, right, those are some

1866
01:44:36,680 --> 01:44:40,719
Speaker 1: of the qualities that I can appreciate from the opposite sex.

1867
01:44:42,960 --> 01:44:45,679
Speaker 1: And so when I seen her so skinny, I said,

1868
01:44:45,800 --> 01:44:49,519
Speaker 1: is that stress? Like? How do you go from being

1869
01:44:49,640 --> 01:44:52,960
Speaker 1: that thick known for being thick to skinny? Now? Girls

1870
01:44:53,040 --> 01:44:55,760
Speaker 1: were saying that she looked so good and she's just

1871
01:44:55,920 --> 01:44:59,479
Speaker 1: so happy and glowing, and I'm I viewed that totally different.

1872
01:45:00,000 --> 01:45:03,560
Speaker 1: I'm like, Yo, she's stressed out, bro. But when I

1873
01:45:03,680 --> 01:45:06,200
Speaker 1: hear a girl say that, I had to be quiet, like, oh,

1874
01:45:06,280 --> 01:45:08,680
Speaker 1: maybe they know more than me. Maybe maybe that is

1875
01:45:08,760 --> 01:45:10,920
Speaker 1: the size that girls want to be. Now you know

1876
01:45:10,960 --> 01:45:16,599
Speaker 1: what I'm saying. But nonetheless, she says in this tweet

1877
01:45:16,640 --> 01:45:20,200
Speaker 1: out put on the screen. All right, so I am

1878
01:45:20,280 --> 01:45:23,960
Speaker 1: so Delicious on Instagram says I married a narcissist who

1879
01:45:24,040 --> 01:45:26,800
Speaker 1: is a complete liar and a cheat. I'm finally ready

1880
01:45:26,840 --> 01:45:30,080
Speaker 1: to speak my truth. Stay tuned hash tag gloves off.

1881
01:45:31,120 --> 01:45:34,639
Speaker 1: And then he responded shortly after that he didn't play

1882
01:45:34,680 --> 01:45:37,519
Speaker 1: the social media game back, he did, They've been posted

1883
01:45:37,560 --> 01:45:40,040
Speaker 1: a lot not I don't want to necessarily stay on

1884
01:45:40,160 --> 01:45:42,240
Speaker 1: that because that's kind of their business. And then we

1885
01:45:42,360 --> 01:45:44,479
Speaker 1: want to kind of learn from the situation, so we

1886
01:45:44,560 --> 01:45:47,320
Speaker 1: want to view it, deal with the shale of it,

1887
01:45:47,960 --> 01:45:50,519
Speaker 1: and then try to deal with the specifics from a

1888
01:45:50,640 --> 01:45:57,439
Speaker 1: holistic standpoint. Right. So after that, Raymond Santana file for

1889
01:45:57,560 --> 01:46:04,439
Speaker 1: divorce from Delicious, right, and then she says, today I

1890
01:46:04,479 --> 01:46:07,519
Speaker 1: appeared by myself, but I'm not alone. Hashtag in God's

1891
01:46:07,600 --> 01:46:12,679
Speaker 1: timing hashtag Jess London. And she's been getting a slew

1892
01:46:12,800 --> 01:46:16,240
Speaker 1: of other If you're looking at the video this fog

1893
01:46:16,360 --> 01:46:19,800
Speaker 1: Folk TV on YouTube, Patreon dot com, it's up there podcast,

1894
01:46:20,800 --> 01:46:24,720
Speaker 1: you will see she's getting a prep. She's getting a

1895
01:46:24,800 --> 01:46:28,160
Speaker 1: lot of support just from you know how fans, random

1896
01:46:28,200 --> 01:46:31,120
Speaker 1: fans and things like that, trying to be on her side.

1897
01:46:31,280 --> 01:46:35,200
Speaker 1: So um, and then of course comedians get involved. It

1898
01:46:35,320 --> 01:46:38,599
Speaker 1: just gets stupid. So let's let's talk about relationships. Let's

1899
01:46:38,640 --> 01:46:40,720
Speaker 1: talk about love. It's one of the hardest things that

1900
01:46:40,800 --> 01:46:45,840
Speaker 1: a human has to do. Fall in love. Necessity love vials, necessity,

1901
01:46:46,760 --> 01:46:51,840
Speaker 1: necessity love vials. But dangerous, dangerous. You know, it's a

1902
01:46:51,920 --> 01:46:54,720
Speaker 1: beautiful thing. If it's a beautiful thing, right, he can

1903
01:46:54,760 --> 01:46:57,240
Speaker 1: be a disaster as well. You know, a lot of

1904
01:46:57,280 --> 01:46:59,280
Speaker 1: people like each other. A lot of people thank you

1905
01:46:59,439 --> 01:47:02,400
Speaker 1: thick and got money, and you're cute and six and

1906
01:47:02,640 --> 01:47:04,560
Speaker 1: this in and that, and they like the bids to

1907
01:47:04,680 --> 01:47:09,760
Speaker 1: bid live the house. But you gotta be compatible. Yeah,

1908
01:47:09,800 --> 01:47:13,640
Speaker 1: you gotta be compatible. For too many people is faking it.

1909
01:47:13,880 --> 01:47:20,080
Speaker 1: They're falling under false pretensing, becoming false families. You understand,

1910
01:47:20,160 --> 01:47:23,160
Speaker 1: you gotta be really compatible to be with somebody for

1911
01:47:23,320 --> 01:47:26,600
Speaker 1: the long haul. I can't be uncomfortable around you, and

1912
01:47:26,720 --> 01:47:29,200
Speaker 1: it don't make me insecure. And that don't make me

1913
01:47:29,360 --> 01:47:34,400
Speaker 1: insecure because everything you are I'm trying to avoid. Listen,

1914
01:47:34,439 --> 01:47:40,519
Speaker 1: I'm trying to avoid mistakes, hard break losses, lies like

1915
01:47:40,680 --> 01:47:43,000
Speaker 1: I'm trying to avoid certain things, and that don't make

1916
01:47:43,040 --> 01:47:46,320
Speaker 1: me insecure. It's almost like the lion over there saying

1917
01:47:46,360 --> 01:47:48,880
Speaker 1: I'm not gonna bite you. Come on over here. It's like, yo,

1918
01:47:48,960 --> 01:47:53,160
Speaker 1: I've saw what you've done, and I can't ignore the obvious.

1919
01:47:53,280 --> 01:47:55,720
Speaker 1: I'll be a fool. I do risk assessment. I'm a man.

1920
01:47:55,840 --> 01:47:58,719
Speaker 1: I do that on everything, every aspect of my life.

1921
01:47:58,840 --> 01:48:01,599
Speaker 1: I measure twice, so I cut once. That's just who

1922
01:48:01,680 --> 01:48:05,200
Speaker 1: I am as an individual. Can't turn that off. The

1923
01:48:05,280 --> 01:48:07,240
Speaker 1: only way I could turn that off if I let

1924
01:48:07,320 --> 01:48:10,080
Speaker 1: you start freaking me. And that's what I said earlier.

1925
01:48:10,600 --> 01:48:12,800
Speaker 1: Dudes to turn they all their senses off. If the

1926
01:48:12,920 --> 01:48:17,080
Speaker 1: pussy good, all other senses go out to doing. I'm

1927
01:48:17,200 --> 01:48:21,280
Speaker 1: learning about myself. I'm wanting them bullshit niggas. I'm wanting

1928
01:48:21,320 --> 01:48:24,120
Speaker 1: them niggas. You know I'm I don't want no head

1929
01:48:24,280 --> 01:48:27,840
Speaker 1: home like baby girl, bag up with all. Let fall back.

1930
01:48:27,880 --> 01:48:32,040
Speaker 1: I don't won't you touching me? You understand number one.

1931
01:48:32,120 --> 01:48:34,560
Speaker 1: I'm all about energy, my energy, and be off with

1932
01:48:34,720 --> 01:48:37,920
Speaker 1: some of y'all people. Man't it be bad energy and

1933
01:48:38,080 --> 01:48:40,960
Speaker 1: you sucking my dick. Don't change the energy in the room.

1934
01:48:43,600 --> 01:48:45,800
Speaker 1: You know what I mean, I'm talking about you know,

1935
01:48:45,920 --> 01:48:48,960
Speaker 1: and I'm having real emotion. So we talk him back

1936
01:48:49,600 --> 01:48:53,680
Speaker 1: a service that could be provided whenever I'm willing to

1937
01:48:53,800 --> 01:48:57,400
Speaker 1: let it be provided. You understand so down, but you

1938
01:48:57,520 --> 01:49:00,679
Speaker 1: gotta be compatible, man, you know, I hate to see

1939
01:49:00,800 --> 01:49:04,040
Speaker 1: like in relationships, man, when we're getting there and we

1940
01:49:04,200 --> 01:49:06,840
Speaker 1: just we don't know what we're doing. We're just living.

1941
01:49:08,520 --> 01:49:10,240
Speaker 1: And you can get caught in that cycle of just

1942
01:49:10,400 --> 01:49:12,320
Speaker 1: living and be with somebody the teen years and they

1943
01:49:12,360 --> 01:49:15,640
Speaker 1: don't know nothing about none you like or none. And

1944
01:49:15,760 --> 01:49:18,160
Speaker 1: then number two, what else I think you gotta do

1945
01:49:19,439 --> 01:49:24,200
Speaker 1: is you gotta understand your value. But with that being said, right,

1946
01:49:24,320 --> 01:49:28,400
Speaker 1: with understanding that your value, you gotta overstand your role.

1947
01:49:29,840 --> 01:49:33,360
Speaker 1: Some people got their value mixed with their roll. You

1948
01:49:33,520 --> 01:49:36,400
Speaker 1: focused on your value and you got your role wrong. Right,

1949
01:49:36,479 --> 01:49:39,200
Speaker 1: So when when when the team called in or when

1950
01:49:39,240 --> 01:49:42,680
Speaker 1: the job is hiring, they're hiring for a very specific position,

1951
01:49:43,160 --> 01:49:45,320
Speaker 1: and we're done with a corporation. What you think I'm

1952
01:49:45,360 --> 01:49:48,280
Speaker 1: gonna do about my family, my love? I'm very specific

1953
01:49:48,360 --> 01:49:50,799
Speaker 1: in what I would like to see in that position

1954
01:49:50,880 --> 01:49:54,200
Speaker 1: that I call WIFEI I called next to me. Right,

1955
01:49:54,760 --> 01:49:59,520
Speaker 1: I'm being a powerful dude on a daily basis making milestones.

1956
01:49:59,640 --> 01:50:02,720
Speaker 1: Didn't know one else it's done right, and I'm I

1957
01:50:02,880 --> 01:50:04,599
Speaker 1: need to be next to something that makes me feel

1958
01:50:04,640 --> 01:50:07,000
Speaker 1: like I'm next to some and what I'm gonna do

1959
01:50:07,080 --> 01:50:09,200
Speaker 1: with you? You don't understand your role. You don't even

1960
01:50:09,240 --> 01:50:12,360
Speaker 1: know what role to playing in. Somebody like one of

1961
01:50:12,400 --> 01:50:14,000
Speaker 1: them people to say, what do you get the man

1962
01:50:14,120 --> 01:50:17,519
Speaker 1: that has everything? I got everything that I need. I

1963
01:50:17,640 --> 01:50:19,840
Speaker 1: got everything that I need, So what do you give me?

1964
01:50:19,960 --> 01:50:22,600
Speaker 1: What you do is you understand who I am, what

1965
01:50:22,800 --> 01:50:25,439
Speaker 1: I do, and what fits in what you did. Because

1966
01:50:25,439 --> 01:50:28,519
Speaker 1: it's I'm getting way in town things every day, whether

1967
01:50:28,600 --> 01:50:32,040
Speaker 1: that's I'm always flying, he need new luggage, you know things,

1968
01:50:32,840 --> 01:50:35,840
Speaker 1: you know things like that. But people are too find

1969
01:50:35,920 --> 01:50:42,479
Speaker 1: these relationships without any expectations, only love ones. And for me,

1970
01:50:42,720 --> 01:50:48,840
Speaker 1: that's what makes all my relationships uncomfortable, whether that be friends, family, relationships,

1971
01:50:49,400 --> 01:50:52,840
Speaker 1: nigga one night or whatever it be. I got the

1972
01:50:52,920 --> 01:50:57,640
Speaker 1: expectations for my encounters. Yeah, you don't just push up

1973
01:50:57,720 --> 01:51:00,519
Speaker 1: on me with whatever you got going on. That ain't

1974
01:51:00,520 --> 01:51:03,519
Speaker 1: how this cake get baked over here? You feel what

1975
01:51:03,600 --> 01:51:07,240
Speaker 1: I'm saying. So if you mind Homie and and and

1976
01:51:07,680 --> 01:51:10,000
Speaker 1: they say they've been talking about me and you ain't

1977
01:51:10,040 --> 01:51:13,720
Speaker 1: saying nothing. I got the issue with you too, if

1978
01:51:13,760 --> 01:51:15,560
Speaker 1: you ain't standing up for my name when you know

1979
01:51:15,680 --> 01:51:17,519
Speaker 1: it was no smug on my jacket. I got an

1980
01:51:17,560 --> 01:51:20,720
Speaker 1: issue with you too. If you saw me go from

1981
01:51:20,760 --> 01:51:23,719
Speaker 1: nothing to summon. You ain't even champion in that. Knowing

1982
01:51:23,800 --> 01:51:25,960
Speaker 1: that boy come out he come, he'd come out that

1983
01:51:26,080 --> 01:51:28,840
Speaker 1: for real, And you ain't said, yo, keep going. You

1984
01:51:28,920 --> 01:51:32,080
Speaker 1: ain't posted. You ain't. Man. I feel a way about that.

1985
01:51:34,120 --> 01:51:38,840
Speaker 1: I'm talking about personally, because everybody got the expectations on

1986
01:51:38,960 --> 01:51:40,880
Speaker 1: me though now and one of these people deal would

1987
01:51:40,920 --> 01:51:45,160
Speaker 1: be for nothing. Sept my children and they on me.

1988
01:51:45,320 --> 01:51:47,559
Speaker 1: They be on me too, But they got the right

1989
01:51:47,600 --> 01:51:49,120
Speaker 1: to be on me, Mama and them, they got the

1990
01:51:49,240 --> 01:51:51,760
Speaker 1: right to be on me. Everybody else. Man, come home. Man,

1991
01:51:51,800 --> 01:51:56,800
Speaker 1: We transactional and that's factual. You know we don't got

1992
01:51:56,840 --> 01:51:59,800
Speaker 1: the lot of each other. You understand a lot of

1993
01:51:59,840 --> 01:52:03,600
Speaker 1: this shit be transactional. So for me, thal in relationships,

1994
01:52:03,840 --> 01:52:05,880
Speaker 1: I gotta be with someone that makes me feel like

1995
01:52:05,960 --> 01:52:09,200
Speaker 1: I'm I'm with someone. They showed a whole, They showed

1996
01:52:09,240 --> 01:52:11,960
Speaker 1: a clip right from Delicious, and then I'll move on.

1997
01:52:12,160 --> 01:52:15,280
Speaker 1: And again, this isn't specifically about Delicious. If she wants

1998
01:52:15,320 --> 01:52:19,360
Speaker 1: to have a conversation, I'm open to speaking on behalf

1999
01:52:19,479 --> 01:52:23,639
Speaker 1: of what I understand, or if if people like them,

2000
01:52:23,760 --> 01:52:26,840
Speaker 1: like I would always let women pick my brain if

2001
01:52:26,920 --> 01:52:30,439
Speaker 1: they would like to, you know, because you know, under

2002
01:52:30,479 --> 01:52:33,320
Speaker 1: the right circumstances anyway, because I'm you know, I just

2003
01:52:33,360 --> 01:52:35,720
Speaker 1: can't do that all day, but you know, under the

2004
01:52:35,840 --> 01:52:39,160
Speaker 1: right circumstances. Simply because I like for us to understand

2005
01:52:39,240 --> 01:52:40,920
Speaker 1: each other. I like for us to be in a

2006
01:52:41,000 --> 01:52:46,000
Speaker 1: position where no one is in the blind about expectations, right,

2007
01:52:46,160 --> 01:52:49,720
Speaker 1: And hey man, one of my biggest traits being able

2008
01:52:49,760 --> 01:52:52,840
Speaker 1: to create an understanding, right, That's that's what got me

2009
01:52:52,960 --> 01:52:55,800
Speaker 1: so far in life so far. You know what I'm saying,

2010
01:52:55,880 --> 01:53:00,479
Speaker 1: And I'm always open to that. Now, there was a

2011
01:53:00,640 --> 01:53:03,720
Speaker 1: video that came out because you know how the Internet does,

2012
01:53:03,840 --> 01:53:06,559
Speaker 1: the Internet is gonna internet in regards to the Internet.

2013
01:53:06,680 --> 01:53:10,240
Speaker 1: So when they filed for divorce, the Internet comes out right,

2014
01:53:10,360 --> 01:53:13,800
Speaker 1: and they showed how it seemed that he was always

2015
01:53:14,000 --> 01:53:19,439
Speaker 1: way more sexually interested than she was. I mean it was.

2016
01:53:19,680 --> 01:53:21,439
Speaker 1: And you guys can go find a video. I don't

2017
01:53:21,479 --> 01:53:23,240
Speaker 1: want to find it. We've been here for a while,

2018
01:53:23,280 --> 01:53:26,240
Speaker 1: so we're gonna get out of here soon. But there

2019
01:53:26,360 --> 01:53:29,080
Speaker 1: was a video in which she was saying stuff like

2020
01:53:30,320 --> 01:53:32,840
Speaker 1: he always putting it on my back no matter where

2021
01:53:32,840 --> 01:53:34,880
Speaker 1: I'm at. If I'm in the laundry room, I feel

2022
01:53:34,960 --> 01:53:36,559
Speaker 1: him and he come up. He put it on my bag.

2023
01:53:36,640 --> 01:53:38,800
Speaker 1: If I'm on my period, he still want it like

2024
01:53:39,200 --> 01:53:40,920
Speaker 1: he be on it. He be on it, he be

2025
01:53:41,080 --> 01:53:43,720
Speaker 1: on it. He always on me. And he's sitting there like, yeah,

2026
01:53:43,800 --> 01:53:46,600
Speaker 1: you know, I want you. I'm always wanting you. And

2027
01:53:48,080 --> 01:53:52,560
Speaker 1: the Internet took that and said, yo, do you not

2028
01:53:52,720 --> 01:53:57,320
Speaker 1: want him though? Like do you not want him? Like

2029
01:53:57,560 --> 01:53:59,800
Speaker 1: is it all? Is it all him on you? Because

2030
01:53:59,800 --> 01:54:02,880
Speaker 1: we never heard you mentioned or I get hot sometimes

2031
01:54:02,960 --> 01:54:05,240
Speaker 1: and boy when I'm hot, eye come in now. We

2032
01:54:05,320 --> 01:54:07,120
Speaker 1: didn't hear none of that. We just heard how he

2033
01:54:07,280 --> 01:54:09,719
Speaker 1: always on you? Is this a stroke or your ego

2034
01:54:09,920 --> 01:54:15,240
Speaker 1: using your husband's vulnerability? And that's what happens a lot

2035
01:54:15,280 --> 01:54:19,160
Speaker 1: of times with people that we do give our vulnerable

2036
01:54:19,240 --> 01:54:21,800
Speaker 1: side too in regards to our intimate you know, we

2037
01:54:21,920 --> 01:54:25,240
Speaker 1: go to having six you know, unprotected for a long

2038
01:54:25,439 --> 01:54:27,800
Speaker 1: time with them and you know we want to and

2039
01:54:28,320 --> 01:54:32,920
Speaker 1: they're take that and use that to other people to

2040
01:54:33,040 --> 01:54:35,640
Speaker 1: try to show weakness of us of some sort and

2041
01:54:35,800 --> 01:54:38,160
Speaker 1: for us, we're thinking like, oh shit, I thought we

2042
01:54:38,400 --> 01:54:41,480
Speaker 1: was on that. I thought it was mutual. You know.

2043
01:54:41,600 --> 01:54:43,520
Speaker 1: I hear a lot of dudes like, I'm telling you, bro,

2044
01:54:44,080 --> 01:54:46,760
Speaker 1: to this day, I'll be here. Dude say, man, my

2045
01:54:46,840 --> 01:54:51,040
Speaker 1: old late only get down on my birthday or something

2046
01:54:51,120 --> 01:54:53,480
Speaker 1: like that. You know, it gotta be my birthday. You know,

2047
01:54:53,600 --> 01:54:56,760
Speaker 1: she ain't really just gonna, you know, take care of it.

2048
01:54:56,920 --> 01:55:00,600
Speaker 1: I'm just like, yo, y'all bugged out? Ye how y'all

2049
01:55:00,640 --> 01:55:04,720
Speaker 1: lit it slipped there. Even if it slipped there, it's

2050
01:55:04,720 --> 01:55:06,920
Speaker 1: an understanding, you know. I'm just waiting for the exit.

2051
01:55:07,080 --> 01:55:11,400
Speaker 1: Huh yeah, yeah, yeah, you don't put me into yeah yeah, yeah,

2052
01:55:11,560 --> 01:55:16,560
Speaker 1: I'm out of here soon. Nah. I mean, and I

2053
01:55:16,640 --> 01:55:19,880
Speaker 1: don't know, but I think it's an uncomfortable thing for

2054
01:55:20,000 --> 01:55:22,400
Speaker 1: a man. And this is for women. I think it's

2055
01:55:22,440 --> 01:55:26,800
Speaker 1: an uncomfortable thing for a man to be sexually attracted

2056
01:55:26,840 --> 01:55:32,280
Speaker 1: to you and constantly showing that right, trying to display

2057
01:55:32,400 --> 01:55:35,720
Speaker 1: that and be under you and hug you and kiss

2058
01:55:35,760 --> 01:55:39,080
Speaker 1: you and rub on you. It's like sometimes women are

2059
01:55:39,160 --> 01:55:43,520
Speaker 1: take that and use that. It's unfortunate man that people

2060
01:55:43,520 --> 01:55:51,240
Speaker 1: are used the time and where you're married, Say you're married, bro,

2061
01:55:51,400 --> 01:55:53,800
Speaker 1: say you. You know, you're like, you're like fucking your wife.

2062
01:55:53,920 --> 01:55:56,960
Speaker 1: That's your wife. I like fucking my wife. How did

2063
01:55:57,000 --> 01:56:00,680
Speaker 1: it end up on social media? Oh? He liked fucking

2064
01:56:00,760 --> 01:56:04,640
Speaker 1: me so much? And why the ain't never as soon

2065
01:56:04,720 --> 01:56:06,800
Speaker 1: as I feel it on her? Why you don't see?

2066
01:56:07,200 --> 01:56:09,600
Speaker 1: And I think that they thank us us as men

2067
01:56:09,720 --> 01:56:12,680
Speaker 1: don't need that. And I think we gotta be clear

2068
01:56:12,760 --> 01:56:15,040
Speaker 1: that we yo, no, don't do us like that, because

2069
01:56:15,120 --> 01:56:17,480
Speaker 1: what's happening there is the people who we are intimate

2070
01:56:17,600 --> 01:56:19,720
Speaker 1: with like that. They don't give it to us. But

2071
01:56:19,800 --> 01:56:22,360
Speaker 1: when they when they when they head his turn and

2072
01:56:22,440 --> 01:56:25,440
Speaker 1: we had we down there the store or somewhere, them

2073
01:56:25,560 --> 01:56:28,240
Speaker 1: girls is saying some things and and then and they're

2074
01:56:28,280 --> 01:56:33,400
Speaker 1: offering some things that, Yeah, so it gets weird. Then

2075
01:56:33,480 --> 01:56:36,200
Speaker 1: you're asking me not to want anything for myself right

2076
01:56:36,920 --> 01:56:39,760
Speaker 1: just to be there to show you how six you are,

2077
01:56:39,960 --> 01:56:43,080
Speaker 1: how much? And so that led to them saying that

2078
01:56:43,160 --> 01:56:44,920
Speaker 1: she may have been gold digging, and it, I mean,

2079
01:56:45,000 --> 01:56:48,920
Speaker 1: shit got crazy on them. Man, she got crazy on there.

2080
01:56:48,960 --> 01:56:51,160
Speaker 1: But I wanted to take some time and just speak

2081
01:56:51,240 --> 01:56:54,400
Speaker 1: on a little bit of that, you know what I'm saying,

2082
01:56:54,440 --> 01:56:57,240
Speaker 1: because I feel as though it's a good time to

2083
01:56:57,560 --> 01:57:02,080
Speaker 1: be um of what your role is. And it's also

2084
01:57:02,120 --> 01:57:05,520
Speaker 1: about priorities and principles. You gotta keep that shit in place,

2085
01:57:06,160 --> 01:57:09,560
Speaker 1: you know what I'm saying, Yo, baby girl. I got

2086
01:57:09,640 --> 01:57:13,200
Speaker 1: my priorities and principles in place, but I also prioritize

2087
01:57:13,240 --> 01:57:19,840
Speaker 1: my principles. See see, you thought I was gonna keep

2088
01:57:19,880 --> 01:57:22,960
Speaker 1: them separate. Now I got to prioritize my principles too, Right,

2089
01:57:23,080 --> 01:57:26,440
Speaker 1: Because I was listening to Cam Newton and Britain and

2090
01:57:26,640 --> 01:57:31,840
Speaker 1: Runner talk and then we're kind of talking about what's

2091
01:57:31,880 --> 01:57:35,120
Speaker 1: on the list for you, Like if a dude had

2092
01:57:35,400 --> 01:57:37,440
Speaker 1: all these things but he was a cheater, would you

2093
01:57:37,520 --> 01:57:39,480
Speaker 1: keep him? Right now, I'm just thinking, then you gotta

2094
01:57:41,000 --> 01:57:45,200
Speaker 1: because humans are not perfect, and you're never gonna be

2095
01:57:45,280 --> 01:57:47,560
Speaker 1: with a perfect human, then you got to prioritize what

2096
01:57:47,720 --> 01:57:50,240
Speaker 1: it is that's acceptable and not. And that's why I'll

2097
01:57:50,280 --> 01:57:52,400
Speaker 1: be telling people and that's where you hit Kevin Samuels.

2098
01:57:52,440 --> 01:57:54,280
Speaker 1: Go hard on people. Yo. You want them six one,

2099
01:57:54,320 --> 01:57:56,800
Speaker 1: you want him, you want them athletic, you want them rich,

2100
01:57:56,880 --> 01:57:58,960
Speaker 1: you want him all right, so now what about you?

2101
01:58:00,640 --> 01:58:04,120
Speaker 1: And then that's what things start to get uncomfortable, you know, um,

2102
01:58:05,760 --> 01:58:08,040
Speaker 1: But we'll get off the lists all right. So last

2103
01:58:08,080 --> 01:58:10,879
Speaker 1: week I reported on NBA young boy this and everybody.

2104
01:58:11,320 --> 01:58:13,320
Speaker 1: He just you know this and the whole rap game.

2105
01:58:13,920 --> 01:58:16,040
Speaker 1: This week he got some of the forefathers to come

2106
01:58:16,080 --> 01:58:18,839
Speaker 1: out and respond to him. He got boots, he got Gucci,

2107
01:58:19,360 --> 01:58:21,160
Speaker 1: got a lot of people to come out and respond

2108
01:58:21,280 --> 01:58:23,280
Speaker 1: back to him and take little shots at him and

2109
01:58:23,400 --> 01:58:25,400
Speaker 1: let him know. Man, you know, stay out of that.

2110
01:58:25,560 --> 01:58:29,840
Speaker 1: And interesting to see the street crib thing right there

2111
01:58:29,920 --> 01:58:33,440
Speaker 1: because you got boosting Gucci and NBA. Yeah, that's that's

2112
01:58:33,440 --> 01:58:37,120
Speaker 1: a whole bunch of street crib in the al. That's

2113
01:58:37,160 --> 01:58:40,840
Speaker 1: a whole bunch of so called internet street crib in

2114
01:58:40,920 --> 01:58:43,480
Speaker 1: the OL. Now we know everybody in the head they

2115
01:58:43,600 --> 01:58:46,280
Speaker 1: run ins. But I'm talking about what it's doing on

2116
01:58:46,360 --> 01:58:49,720
Speaker 1: the internet is what's surprising me. It's gonna do what

2117
01:58:49,840 --> 01:58:51,680
Speaker 1: he're doing the street, but what it's doing on the

2118
01:58:51,760 --> 01:58:55,480
Speaker 1: Internet is what's surprising me. The Internet thing is well,

2119
01:58:55,520 --> 01:58:57,760
Speaker 1: I'm saying, I'm I'm I'm looking at it like Yo,

2120
01:58:57,880 --> 01:59:02,360
Speaker 1: they're divided on the internet, like they really gang banging

2121
01:59:02,440 --> 01:59:05,520
Speaker 1: on the internet about this stuff. Man, if you listen

2122
01:59:05,600 --> 01:59:08,040
Speaker 1: to them, you can't listen to them, which they know

2123
01:59:08,120 --> 01:59:10,160
Speaker 1: they both line because they're listening to both for them,

2124
01:59:10,360 --> 01:59:13,680
Speaker 1: but they're gonna post then, So now, how do you

2125
01:59:13,800 --> 01:59:16,720
Speaker 1: control the narrative when that kind of stuff is happening

2126
01:59:16,800 --> 01:59:19,480
Speaker 1: because we blamed it on magazines with East Coast and

2127
01:59:19,520 --> 01:59:25,400
Speaker 1: West Coast. Can't blame the magazines this time around, Right,

2128
01:59:26,080 --> 01:59:29,880
Speaker 1: it's social media. But what the fuck is going on?

2129
01:59:30,040 --> 01:59:35,680
Speaker 1: Why everybody's really picking size like that? I don't understand it.

2130
01:59:35,760 --> 01:59:38,600
Speaker 1: I know NBA Young Boys shooting kind of making dudes

2131
01:59:38,720 --> 01:59:44,600
Speaker 1: pick size, but I'm talking about the fans. Boost is

2132
01:59:44,640 --> 01:59:48,160
Speaker 1: in a unique situation fucking with Young Boy because he

2133
01:59:48,280 --> 01:59:51,320
Speaker 1: went against Freido. They post that it's a long history

2134
01:59:51,400 --> 01:59:54,520
Speaker 1: down there with this whole TBG all this stuff, so

2135
01:59:54,720 --> 01:59:57,360
Speaker 1: that's a that's something. Then he really had love for

2136
01:59:57,520 --> 02:00:01,000
Speaker 1: Young Boy and that's why you him go so much

2137
02:00:01,040 --> 02:00:02,960
Speaker 1: in the song. Right, you can hear kind of how

2138
02:00:03,080 --> 02:00:05,320
Speaker 1: he heard or how he disappointed or may feel in

2139
02:00:05,400 --> 02:00:08,480
Speaker 1: the song because he really he really got out with

2140
02:00:08,480 --> 02:00:10,560
Speaker 1: a little dude, you know what I mean. So I

2141
02:00:10,640 --> 02:00:12,920
Speaker 1: don't know, man interested to see all of that shit.

2142
02:00:13,240 --> 02:00:16,760
Speaker 1: Little Dirk is saying that NBA Young Boys getting fake numbers.

2143
02:00:17,000 --> 02:00:19,600
Speaker 1: I don't think he getting fake numbers. I've already explained

2144
02:00:19,640 --> 02:00:22,080
Speaker 1: to people why I think his YouTube numbers are so high.

2145
02:00:22,400 --> 02:00:24,520
Speaker 1: I think his YouTube numbers are so high because his

2146
02:00:24,680 --> 02:00:26,920
Speaker 1: fan base is so young. And YouTube is a free

2147
02:00:27,000 --> 02:00:30,600
Speaker 1: app on an iPhone or any phone that you get, right,

2148
02:00:30,880 --> 02:00:33,320
Speaker 1: and you have to pay for Apple Music and Spotify,

2149
02:00:33,400 --> 02:00:34,840
Speaker 1: And you don't have to pay for Spotify, but you

2150
02:00:34,880 --> 02:00:37,240
Speaker 1: gotta pay for Apple Music and some of these other things.

2151
02:00:37,640 --> 02:00:40,160
Speaker 1: These children can literally get their mother phone and listen

2152
02:00:40,160 --> 02:00:42,880
Speaker 1: to NBA, Young Boy or that somebody else's phone, right

2153
02:00:42,960 --> 02:00:46,360
Speaker 1: ridout creating an the counter any of these things. Right,

2154
02:00:46,560 --> 02:00:49,600
Speaker 1: YouTube is on every phone. That's another hack? Right, Why

2155
02:00:49,680 --> 02:00:54,080
Speaker 1: we can't do that? Hey, yo, Jay did in all y'all,

2156
02:00:54,360 --> 02:00:56,600
Speaker 1: let's figure something out why I can get in on

2157
02:00:56,720 --> 02:01:00,360
Speaker 1: this too. But let's create an app and just make

2158
02:01:00,400 --> 02:01:03,640
Speaker 1: them downloaded on every phone it's being sold. Why? Why? Why?

2159
02:01:03,680 --> 02:01:06,320
Speaker 1: That's only certain apps can do that, like Facebook and you.

2160
02:01:06,600 --> 02:01:09,840
Speaker 1: That's the cheat code to the app game. Get it

2161
02:01:09,960 --> 02:01:13,440
Speaker 1: downloaded pre installed on every phone. That's the cheat code,

2162
02:01:14,360 --> 02:01:17,640
Speaker 1: you know what I'm saying. So, in a way, I

2163
02:01:17,760 --> 02:01:20,000
Speaker 1: think that's the reason why he's able to have so

2164
02:01:20,280 --> 02:01:24,280
Speaker 1: much traction on YouTube is because the platform number one

2165
02:01:24,480 --> 02:01:27,520
Speaker 1: is super duper Probably I think it is the biggest

2166
02:01:27,560 --> 02:01:31,200
Speaker 1: video platform, the biggest platform out there if I'm not mistaken,

2167
02:01:31,240 --> 02:01:35,680
Speaker 1: outside of Google, but it may be whatever, it's one

2168
02:01:35,720 --> 02:01:39,440
Speaker 1: of the biggest platforms out there. So I think with

2169
02:01:39,640 --> 02:01:42,080
Speaker 1: that being the case and being pre installed on phones,

2170
02:01:42,160 --> 02:01:44,440
Speaker 1: that kind of speaks to why the traffic is what

2171
02:01:44,560 --> 02:01:46,960
Speaker 1: it is. But but Dirk is saying, Yo, you're doing

2172
02:01:47,000 --> 02:01:49,560
Speaker 1: them kind of numbers on YouTube and then your should

2173
02:01:49,560 --> 02:01:52,200
Speaker 1: have come out and says sixty five thousand and eighty thousand,

2174
02:01:52,320 --> 02:01:56,200
Speaker 1: hundred thousand, you know, and you're doing better numbers than

2175
02:01:56,280 --> 02:01:59,160
Speaker 1: Drake on YouTube sometime, you know what I mean. So

2176
02:01:59,680 --> 02:02:02,120
Speaker 1: you know, they wondering why is he not translating And

2177
02:02:02,200 --> 02:02:05,200
Speaker 1: I just explained to you my feelings and people can

2178
02:02:05,440 --> 02:02:08,640
Speaker 1: can think whatever they think, but um, that's just my

2179
02:02:08,840 --> 02:02:10,720
Speaker 1: thoughts on it. And let me say this to Joe

2180
02:02:10,800 --> 02:02:14,560
Speaker 1: Budden and Ishing and Ice the Joe Budden podcast. Y'all

2181
02:02:14,600 --> 02:02:17,320
Speaker 1: spoke on and I always gotta do this because I'm

2182
02:02:17,360 --> 02:02:19,960
Speaker 1: from I'm from this area, so I gotta make sure

2183
02:02:20,000 --> 02:02:22,120
Speaker 1: the information is out there in the right way, right.

2184
02:02:22,520 --> 02:02:25,200
Speaker 1: So y'all spoke on that the labels got NBA Young

2185
02:02:25,320 --> 02:02:28,280
Speaker 1: Boy out and that's a false statement. Birdman got NBA

2186
02:02:28,400 --> 02:02:35,080
Speaker 1: young Boy out the labels, Uh, resources were not needed.

2187
02:02:35,800 --> 02:02:38,760
Speaker 1: Birdman is handling whatever with the NBA. Young Boy, He's

2188
02:02:38,760 --> 02:02:41,080
Speaker 1: gonna probably come to cash money. He's probably gonna come

2189
02:02:41,120 --> 02:02:43,880
Speaker 1: to cash money. Nick. So I just want to put

2190
02:02:43,960 --> 02:02:45,840
Speaker 1: that out there as well and kind of clear up that.

2191
02:02:45,960 --> 02:02:49,720
Speaker 1: Now the label didn't uh Atlantic Records because they said,

2192
02:02:49,720 --> 02:02:51,800
Speaker 1: well if the if Atlantic Records did all let to

2193
02:02:51,840 --> 02:02:53,920
Speaker 1: get him out, why would he then go back and

2194
02:02:54,080 --> 02:02:56,640
Speaker 1: diss them. They didn't do that to get him out?

2195
02:02:56,680 --> 02:02:59,680
Speaker 1: Bird Man did that? Just FYI. You gotta know Birdman

2196
02:02:59,800 --> 02:03:02,400
Speaker 1: got the same He's in that Universal building so he

2197
02:03:02,520 --> 02:03:04,280
Speaker 1: can make some of the same calls. Just to be

2198
02:03:04,400 --> 02:03:08,160
Speaker 1: clear on that. Yeah. Man. So another episode of the

2199
02:03:08,600 --> 02:03:14,360
Speaker 1: fastest growing podcasts in the world. Thank you so much

2200
02:03:14,400 --> 02:03:16,880
Speaker 1: for being a part of the journey. Thank you so

2201
02:03:17,040 --> 02:03:19,880
Speaker 1: much for listening up until this point. Biggest one, it's

2202
02:03:19,920 --> 02:03:20,800
Speaker 1: up the podcast