1 00:00:00,160 --> 00:00:02,600 Speaker 1: Kiss FM. It is a floor rider one on two 2 00:00:02,600 --> 00:00:07,320 Speaker 1: point seven Seacrest with you in the morning, and the 3 00:00:07,480 --> 00:00:12,360 Speaker 1: team is here and LSS is with us. Lauren Spencer 4 00:00:12,400 --> 00:00:15,400 Speaker 1: Smith joining us here in the studio. Good to see you, 5 00:00:15,520 --> 00:00:18,680 Speaker 1: Good to see you too. L Squared, what is your nickname? 6 00:00:20,320 --> 00:00:24,239 Speaker 2: It's normally LSS. Yeah, it's normally like LSS is here. 7 00:00:24,360 --> 00:00:27,560 Speaker 1: Yeah, I mean I feel like we could get close 8 00:00:27,640 --> 00:00:30,880 Speaker 1: to calling you Las. Yeah, because do people when they 9 00:00:30,960 --> 00:00:32,760 Speaker 1: run into do they call you about all three names 10 00:00:32,760 --> 00:00:33,320 Speaker 1: all the time? 11 00:00:34,159 --> 00:00:37,120 Speaker 2: Actually a lot of the time. I feel like people 12 00:00:38,040 --> 00:00:39,640 Speaker 2: use all three together a lot. 13 00:00:39,960 --> 00:00:41,120 Speaker 1: Lauren Spencer Smith. 14 00:00:43,240 --> 00:00:45,000 Speaker 2: Yeah, or people will do it just to make fun 15 00:00:45,080 --> 00:00:47,280 Speaker 2: and be funny because they're like Lauren Spencer Smith, like 16 00:00:47,320 --> 00:00:48,239 Speaker 2: people in my hometown. 17 00:00:49,080 --> 00:00:51,519 Speaker 1: Well, and Sistey was telling me that you were, I 18 00:00:51,520 --> 00:00:55,480 Speaker 1: guess this is the verb threading on the new thread. 19 00:00:55,520 --> 00:00:59,320 Speaker 2: Yeah right, yeah, yeah, wedding. Yeah. 20 00:00:59,400 --> 00:01:01,000 Speaker 1: What were you showing us your alarm clock? 21 00:01:01,560 --> 00:01:03,200 Speaker 2: Yeah? I posted the time I had to wake up 22 00:01:03,200 --> 00:01:05,160 Speaker 2: this morning, and I said this should be illegal. 23 00:01:06,959 --> 00:01:09,080 Speaker 1: And the time wise that you posted, I think it. 24 00:01:09,080 --> 00:01:10,039 Speaker 2: Was four thirty. 25 00:01:10,120 --> 00:01:13,080 Speaker 1: Yeah. We can tell you all about it. Yeah, we 26 00:01:13,120 --> 00:01:15,280 Speaker 1: can tell you about four forty six and forty seven. 27 00:01:15,400 --> 00:01:17,200 Speaker 2: I want to let you guys enjoyed. 28 00:01:17,240 --> 00:01:18,080 Speaker 1: That's what I told her. 29 00:01:18,480 --> 00:01:20,119 Speaker 2: I replied to it, and I was like, mine actually 30 00:01:20,120 --> 00:01:22,600 Speaker 2: goes off forty five minutes before that, but I'll see soon. 31 00:01:22,760 --> 00:01:28,520 Speaker 1: Yeah, let's see. We've got the album Mirror coming out 32 00:01:28,560 --> 00:01:34,400 Speaker 1: on Friday, I mean, a debut album week. Wow. What 33 00:01:34,640 --> 00:01:37,360 Speaker 1: in the world is it like to know that? Can 34 00:01:37,400 --> 00:01:39,280 Speaker 1: you sleep at night? I guess it's a question. Yeah, 35 00:01:39,360 --> 00:01:40,240 Speaker 1: well no getting up? 36 00:01:40,319 --> 00:01:44,280 Speaker 2: Yeah, obviously not because I threaded that at midnight. I'm 37 00:01:44,280 --> 00:01:49,880 Speaker 2: just so excited. I'm really nervous, but definitely really really excited. 38 00:01:50,800 --> 00:01:53,480 Speaker 1: I mean from American Idol than to your viral first 39 00:01:53,520 --> 00:01:59,400 Speaker 1: single Fingers Crossed, which was a smash Congratulations. You now 40 00:01:59,480 --> 00:02:02,600 Speaker 1: have this moment coming up, and will you I always 41 00:02:02,600 --> 00:02:06,280 Speaker 1: wonder will you, like instantly look at people's reaction to 42 00:02:06,400 --> 00:02:07,160 Speaker 1: oh yeah album. 43 00:02:07,280 --> 00:02:09,639 Speaker 2: Yeah, I'm going to be like on my artist Spotify, 44 00:02:09,720 --> 00:02:13,079 Speaker 2: like watching how many histories it gets as it comes out. 45 00:02:13,360 --> 00:02:15,000 Speaker 1: Now, I always wanted is that good or bad? 46 00:02:15,040 --> 00:02:17,640 Speaker 2: Like you have to Yeah, I think it depends on 47 00:02:17,960 --> 00:02:20,640 Speaker 2: the relationship you have with it. Like I am very 48 00:02:20,720 --> 00:02:22,840 Speaker 2: competitive with myself and I always want to strive to 49 00:02:22,880 --> 00:02:25,600 Speaker 2: be better. But I never have a mental breakdown when 50 00:02:25,639 --> 00:02:27,920 Speaker 2: it doesn't do well. I just use it to motivate me. 51 00:02:28,240 --> 00:02:30,000 Speaker 2: But if I have mental breakdowns about it, I'm like, 52 00:02:30,040 --> 00:02:32,600 Speaker 2: we have a problem. I need to take a second and. 53 00:02:32,919 --> 00:02:35,760 Speaker 1: Tell me about your calling the mirror. Why why are 54 00:02:35,760 --> 00:02:36,800 Speaker 1: you calling it mirror? 55 00:02:36,880 --> 00:02:37,120 Speaker 3: Yeah? 56 00:02:37,160 --> 00:02:39,160 Speaker 2: There was two reasons I called it mirror. The first 57 00:02:39,240 --> 00:02:42,359 Speaker 2: one was everything that I write is always a reflection 58 00:02:42,600 --> 00:02:46,040 Speaker 2: of something that has happened to me. And the second 59 00:02:46,040 --> 00:02:49,520 Speaker 2: reason was that I felt like my bathroom mirror, my 60 00:02:49,560 --> 00:02:51,400 Speaker 2: bedroom mirror, was the only thing in my life that 61 00:02:51,440 --> 00:02:53,800 Speaker 2: had truly seen all the emotions and different sides of 62 00:02:53,840 --> 00:02:55,320 Speaker 2: me that I had to go through in order to 63 00:02:55,360 --> 00:02:59,360 Speaker 2: write the album, just throughout the album process, and it 64 00:02:59,400 --> 00:03:01,760 Speaker 2: was the only thing that was with me that It's 65 00:03:01,840 --> 00:03:04,280 Speaker 2: kind of like the metaphor of when you walk by 66 00:03:04,280 --> 00:03:06,200 Speaker 2: your mirror, it sees you, but you don't even see it, 67 00:03:06,320 --> 00:03:08,480 Speaker 2: and it's me crying. It's seen me stress, It's seen 68 00:03:08,520 --> 00:03:10,959 Speaker 2: me just through absolutely everything, the happy, the high of 69 00:03:11,040 --> 00:03:13,400 Speaker 2: those and so we called it mirror. 70 00:03:14,080 --> 00:03:15,960 Speaker 1: Well, I can't admit that I talk to mine. 71 00:03:16,320 --> 00:03:19,280 Speaker 2: Yeah, oh same, I'm every morning like an affirmation like 72 00:03:19,560 --> 00:03:22,400 Speaker 2: I'm orf, I'm crying, I'm just like staring at myself 73 00:03:22,440 --> 00:03:24,200 Speaker 2: and my soul, like wondering what's happened to me? 74 00:03:25,400 --> 00:03:27,600 Speaker 1: Sometimes I think I said bad words to my mirror. 75 00:03:27,800 --> 00:03:31,480 Speaker 1: Oh I have right, Yeah, not. 76 00:03:31,320 --> 00:03:33,400 Speaker 2: True when you say that though you look at the mirror. 77 00:03:33,440 --> 00:03:33,639 Speaker 3: Yeah. 78 00:03:33,960 --> 00:03:35,000 Speaker 2: Yeah. 79 00:03:35,320 --> 00:03:37,120 Speaker 1: So here's a I'm gonna play. Let's go back for 80 00:03:37,120 --> 00:03:42,000 Speaker 1: a Second'm gonna pay a little less far all, I'm 81 00:03:42,080 --> 00:03:47,400 Speaker 1: not a crowded all the house like give what do 82 00:03:47,440 --> 00:03:49,640 Speaker 1: you think about? Like for who you were then versus now? 83 00:03:50,240 --> 00:03:53,040 Speaker 2: Yeah, I honestly feel like an entirely different person. It's 84 00:03:53,080 --> 00:03:56,800 Speaker 2: so weird. I feel like when I had written that song, 85 00:03:57,040 --> 00:04:01,360 Speaker 2: I wasn't like fully yet in like a stable relationship. 86 00:04:01,440 --> 00:04:04,480 Speaker 2: I was like still kind of going through the emotions 87 00:04:04,640 --> 00:04:07,200 Speaker 2: of just like a breakup and like not having someone 88 00:04:07,240 --> 00:04:09,720 Speaker 2: in my life anymore and learning how to love again. 89 00:04:10,720 --> 00:04:12,400 Speaker 2: And that is such a different person. 90 00:04:12,080 --> 00:04:15,040 Speaker 1: To what I am now. Lauren Spencer Smith is with 91 00:04:15,160 --> 00:04:17,880 Speaker 1: us and we're going to play that part here in 92 00:04:17,920 --> 00:04:23,960 Speaker 1: the second. But first the lyrics. I you know it's 93 00:04:24,520 --> 00:04:27,960 Speaker 1: I heard I saw sisany reacts and heard from Tanya. 94 00:04:28,240 --> 00:04:31,760 Speaker 2: No, I've never related to a song more so good 95 00:04:31,839 --> 00:04:34,479 Speaker 2: Oh my god. Love that means you're happy? Yes, and 96 00:04:34,520 --> 00:04:39,800 Speaker 2: I'm ready to get to that part. Yeah exactly. Yeah, 97 00:04:39,960 --> 00:04:42,680 Speaker 2: you know, friends and family are there and you just 98 00:04:42,800 --> 00:04:43,799 Speaker 2: kiss and say. 99 00:04:43,640 --> 00:04:46,560 Speaker 1: Your what's referring to when you told me I see 100 00:04:46,600 --> 00:04:47,960 Speaker 1: when you hold me? I see the end of the movie. 101 00:04:47,960 --> 00:04:50,479 Speaker 1: Everyone thinks that we're crazy. Maybe we are. I hate 102 00:04:50,520 --> 00:04:52,480 Speaker 1: the middle. Let's skip to the part when you kiss 103 00:04:52,520 --> 00:04:55,279 Speaker 1: me surrounded my friends and family. So you don't like 104 00:04:55,320 --> 00:04:59,560 Speaker 1: all the other stuff, What do you mean I don't. 105 00:04:59,760 --> 00:05:02,520 Speaker 1: I've find that part that I don't like. You hate 106 00:05:02,560 --> 00:05:05,000 Speaker 1: the middle. I don't like the beginning. Oh real. 107 00:05:05,240 --> 00:05:06,840 Speaker 2: The beginning is like you don't know if you can 108 00:05:06,920 --> 00:05:09,560 Speaker 2: hug them. It's like there's so much awkwardness. Like I'm 109 00:05:09,600 --> 00:05:12,000 Speaker 2: just trying to skip to like we have kids, a dog, 110 00:05:12,200 --> 00:05:15,680 Speaker 2: Like I'm fully stable, if we're never getting divorced, Like 111 00:05:15,760 --> 00:05:18,760 Speaker 2: it's just we are in this fifty years of marriage, 112 00:05:18,880 --> 00:05:20,560 Speaker 2: like till death to us part. 113 00:05:20,800 --> 00:05:22,800 Speaker 1: I mean, I thought it was actually very sweet when 114 00:05:22,839 --> 00:05:25,280 Speaker 1: you say and we'll hear it. How like the worst 115 00:05:25,320 --> 00:05:27,080 Speaker 1: part will be with one of you not there? Right, 116 00:05:27,120 --> 00:05:27,680 Speaker 1: I have the. 117 00:05:27,600 --> 00:05:31,560 Speaker 2: Ward it better not be it better I better die first? 118 00:05:33,320 --> 00:05:34,520 Speaker 3: Yeah your heart? 119 00:05:34,640 --> 00:05:38,200 Speaker 1: Yeah, all right, Well we're gonna get it live. Coming 120 00:05:38,200 --> 00:05:41,039 Speaker 1: to next I see the guitar here, so Laura's gonna 121 00:05:41,040 --> 00:05:43,240 Speaker 1: play it live that part next year one of two 122 00:05:43,279 --> 00:05:47,520 Speaker 1: point seven Kiss FM. Hang on Exelina Rema Calm Down 123 00:05:47,640 --> 00:05:50,120 Speaker 1: one or two point seven Kiss FM. We just gotta 124 00:05:50,160 --> 00:05:52,799 Speaker 1: taste of some sound check during that song for Laurence 125 00:05:52,800 --> 00:05:57,039 Speaker 1: Spencer Smith, who's uh rarely does an artist love to 126 00:05:57,080 --> 00:05:58,800 Speaker 1: perform it this hour in the morning. This is kind 127 00:05:58,800 --> 00:06:02,760 Speaker 1: of like my artist friends ramp up about nine PM. 128 00:06:02,880 --> 00:06:06,440 Speaker 1: That's about time they get revved up. So thanks for 129 00:06:06,520 --> 00:06:09,120 Speaker 1: doing this this morning. Serious, if you have not heard 130 00:06:09,120 --> 00:06:12,839 Speaker 1: this song at that part, listen to the lyrics to 131 00:06:12,880 --> 00:06:15,720 Speaker 1: it and enjoy. Lauren Spencer Smith Mirror is coming out 132 00:06:15,760 --> 00:06:18,440 Speaker 1: on Friday. Take us to a Mirror tour, including her 133 00:06:18,480 --> 00:06:21,160 Speaker 1: show at the Funded Theater on sale now XS dot com. 134 00:06:21,160 --> 00:06:23,400 Speaker 1: We'll come back and talk about that, but anytime take 135 00:06:23,400 --> 00:06:23,720 Speaker 1: it away. 136 00:06:33,520 --> 00:06:38,920 Speaker 3: We've only been dating for you. That I'm gonna take 137 00:06:39,200 --> 00:06:42,839 Speaker 3: risk can sound a little weird. I want the picket 138 00:06:42,920 --> 00:06:47,559 Speaker 3: fences and an arch around the entrance to Ikia, twin 139 00:06:47,640 --> 00:06:50,080 Speaker 3: beds for the key. 140 00:06:50,880 --> 00:06:56,520 Speaker 2: It's no more to be they. I don't want to bet. 141 00:06:56,520 --> 00:07:00,320 Speaker 3: The worlds and plays and dudder, so ask me any 142 00:07:00,440 --> 00:07:05,080 Speaker 3: question I don't really care. The only thing I care 143 00:07:05,200 --> 00:07:08,640 Speaker 3: about is if you meet me there and I want 144 00:07:08,760 --> 00:07:13,480 Speaker 3: to take your room. 145 00:07:12,080 --> 00:07:17,680 Speaker 2: And I know you won't listen when you hold me. 146 00:07:18,840 --> 00:07:25,600 Speaker 4: I see it, and of them moved, everyone except with cry, 147 00:07:27,160 --> 00:07:28,720 Speaker 4: and maybe we are. 148 00:07:29,640 --> 00:07:32,120 Speaker 2: I hate the medal. Let's skip to. 149 00:07:32,400 --> 00:07:37,840 Speaker 4: The part when you caiss surrounded by print it a 150 00:07:38,160 --> 00:07:45,160 Speaker 4: face no way to your jogging back. We knew from 151 00:07:45,240 --> 00:07:49,480 Speaker 4: the start. I'll say, go wait, so can we just 152 00:07:49,680 --> 00:07:51,600 Speaker 4: skip to that par. 153 00:07:53,440 --> 00:07:58,160 Speaker 3: The only way this is gonna hot is if we 154 00:07:58,280 --> 00:08:01,720 Speaker 3: got old and you were the one post so one 155 00:08:01,760 --> 00:08:05,600 Speaker 3: was shot on olevens that we both get up in heaven. 156 00:08:06,160 --> 00:08:09,040 Speaker 3: We fall in love again just like the first time. 157 00:08:10,200 --> 00:08:16,720 Speaker 3: And don't know it all sounds, but I know you feel. 158 00:08:17,040 --> 00:08:27,320 Speaker 4: Listen when you hold man, I see it. Everyone takes 159 00:08:27,440 --> 00:08:33,800 Speaker 4: up with bad and maybe we are. I hate the medle. 160 00:08:34,000 --> 00:08:40,199 Speaker 4: Let's get to the part when you can's surrounded by present, 161 00:08:40,440 --> 00:08:47,680 Speaker 4: a place, nowhere to to get last. We know from 162 00:08:47,840 --> 00:08:49,959 Speaker 4: the start, I'll say. 163 00:08:49,960 --> 00:08:53,280 Speaker 3: Go whaen it? So can we just step to that. 164 00:09:10,040 --> 00:09:10,199 Speaker 2: Man? 165 00:09:12,280 --> 00:09:17,040 Speaker 3: I told my friends that a day to no one 166 00:09:17,320 --> 00:09:23,160 Speaker 3: believed it would come true. Look where we are we 167 00:09:23,559 --> 00:09:27,320 Speaker 3: on away on one day we'll get to that. 168 00:09:31,040 --> 00:09:37,320 Speaker 1: God that part Lawrence Spencer Smith, that is I actually 169 00:09:37,400 --> 00:09:40,680 Speaker 1: I got the little feeling of like the porcupine hairs 170 00:09:40,720 --> 00:09:44,080 Speaker 1: on my side my head when you sing those licks, 171 00:09:44,120 --> 00:09:47,040 Speaker 1: because it's happiness, Like we need happiness. I want to 172 00:09:47,040 --> 00:09:51,560 Speaker 1: hear happiness like I hear everything, but like it's kind 173 00:09:51,559 --> 00:09:52,960 Speaker 1: of nice to hear happiness. 174 00:09:52,840 --> 00:09:55,040 Speaker 2: Right, there's so much sad music, especially from me. 175 00:09:56,280 --> 00:09:58,160 Speaker 1: It's to have like a hopeful song. 176 00:09:58,360 --> 00:10:00,559 Speaker 2: It's wonderful to have a whole full moment. 177 00:10:01,840 --> 00:10:05,720 Speaker 1: I'm literally doing the movie or the pictures of all 178 00:10:05,760 --> 00:10:07,199 Speaker 1: the things you're saying in my head, like I see 179 00:10:07,240 --> 00:10:07,760 Speaker 1: your house. 180 00:10:07,720 --> 00:10:07,800 Speaker 2: I. 181 00:10:10,080 --> 00:10:14,080 Speaker 1: See I see Booga and Villa, I see. Yeah, I'm 182 00:10:14,120 --> 00:10:18,360 Speaker 1: looking at it. And there's nothing quite like watching Tanya 183 00:10:18,840 --> 00:10:22,080 Speaker 1: sing to you your song but not sing out loud, 184 00:10:22,160 --> 00:10:27,480 Speaker 1: just just to have my microphone on. Yeah yeah, is 185 00:10:27,559 --> 00:10:29,160 Speaker 1: all of that real? 186 00:10:30,200 --> 00:10:30,760 Speaker 3: Yeah? Yeah. 187 00:10:30,880 --> 00:10:33,280 Speaker 2: I I love my boyfriend. I'm obsessed with him. I'm like, 188 00:10:33,480 --> 00:10:34,400 Speaker 2: so all that's married. 189 00:10:34,559 --> 00:10:39,439 Speaker 1: Yeah true. Yeah, I'm glad you said that. Yeah, it's 190 00:10:39,440 --> 00:10:41,240 Speaker 1: gonna be so heartbroken if you like, well some of it, 191 00:10:41,480 --> 00:10:44,640 Speaker 1: like everybody says, like to appreciate the moment. 192 00:10:44,720 --> 00:10:46,880 Speaker 2: So it's like, why can't we just appreciate this moment 193 00:10:47,120 --> 00:10:49,760 Speaker 2: of like obsessive love. I also, why do I have 194 00:10:49,920 --> 00:10:50,600 Speaker 2: to go to that park? 195 00:10:50,720 --> 00:10:50,920 Speaker 3: Yeah? 196 00:10:50,960 --> 00:10:54,360 Speaker 2: Like, normally, especially when you're younger and like my age, 197 00:10:54,520 --> 00:10:57,400 Speaker 2: like to say those things to people. Everyone else that's 198 00:10:57,440 --> 00:10:59,600 Speaker 2: older than you is like she's just young in love. 199 00:10:59,679 --> 00:11:04,040 Speaker 1: Let me about that part. It is stressful. Okay, are 200 00:11:04,080 --> 00:11:05,120 Speaker 1: you comfortable saying your age? 201 00:11:05,400 --> 00:11:06,440 Speaker 2: Yeah, yeah, I'm nineteen. 202 00:11:06,640 --> 00:11:10,599 Speaker 1: Oh it's a but it's amazing to hear just to 203 00:11:10,679 --> 00:11:12,439 Speaker 1: talk with you and then also listen to those lyrics. 204 00:11:12,520 --> 00:11:15,679 Speaker 1: Now you can articulate emotions. Thank you, It's great. And 205 00:11:15,800 --> 00:11:18,439 Speaker 1: what did your boyfriend say when he heard this? 206 00:11:18,720 --> 00:11:18,920 Speaker 3: Yeah? 207 00:11:18,960 --> 00:11:21,480 Speaker 2: My boyfriend is like so chill that I just sent 208 00:11:21,559 --> 00:11:25,000 Speaker 2: to him and he's just like, oh, babe, that's so nice, 209 00:11:26,559 --> 00:11:30,160 Speaker 2: great song. And then I'm like, well do you like it? 210 00:11:30,360 --> 00:11:32,120 Speaker 1: Like did you listen to it, like put a ring 211 00:11:32,200 --> 00:11:37,079 Speaker 1: on it? And when did you first play it? I 212 00:11:37,360 --> 00:11:37,640 Speaker 1: love it. 213 00:11:38,000 --> 00:11:40,240 Speaker 2: Right after I wrote it. I literally texted him in 214 00:11:40,280 --> 00:11:42,320 Speaker 2: the session when we had only written the first verse, 215 00:11:42,320 --> 00:11:44,520 Speaker 2: and I was like, Babe, this song's great, Like it's 216 00:11:44,520 --> 00:11:47,400 Speaker 2: about you. I'm finally writing a love song about you. 217 00:11:47,520 --> 00:11:49,240 Speaker 2: This is a big moment in my life. 218 00:11:49,320 --> 00:11:51,880 Speaker 1: Oh my god, so when you wait, so you had 219 00:11:51,920 --> 00:11:53,360 Speaker 1: the first verse, when did you get the chorus? 220 00:11:54,240 --> 00:11:55,760 Speaker 2: I actually think we wrote the chorus first. 221 00:11:55,920 --> 00:12:01,079 Speaker 1: And then it's such a great chorus. You right, congratulations 222 00:12:01,520 --> 00:12:03,120 Speaker 1: that part. All right, let's talk about the show. So 223 00:12:03,840 --> 00:12:06,360 Speaker 1: just so you know, that's out and then the album's 224 00:12:06,400 --> 00:12:09,400 Speaker 1: coming Friday and the show is coming up the fond 225 00:12:09,480 --> 00:12:11,520 Speaker 1: of theater to get through on the sale. So what 226 00:12:11,600 --> 00:12:14,000 Speaker 1: will the would the show be like a. 227 00:12:14,040 --> 00:12:18,600 Speaker 2: Lot of sad, a lot of ballads. The only other 228 00:12:18,720 --> 00:12:20,959 Speaker 2: artist I feel like I could compare my show to 229 00:12:21,600 --> 00:12:23,480 Speaker 2: at this point is Adele because she's the only other 230 00:12:23,559 --> 00:12:27,960 Speaker 2: artist that just stands there and sing and that's mainly 231 00:12:28,080 --> 00:12:28,600 Speaker 2: the vibes. 232 00:12:28,679 --> 00:12:29,480 Speaker 1: But hey, that works. 233 00:12:29,559 --> 00:12:32,240 Speaker 2: Yeah, I have I have some stairs, so I mean 234 00:12:32,320 --> 00:12:34,280 Speaker 2: maybe I'll sit on the stairs instead of standing. 235 00:12:37,040 --> 00:12:38,920 Speaker 1: Have done a pretty good job just singing. 236 00:12:39,160 --> 00:12:42,160 Speaker 2: Yeah, and I love them and that's the inspiration I'm 237 00:12:42,240 --> 00:12:43,560 Speaker 2: taking from good. 238 00:12:44,160 --> 00:12:48,959 Speaker 1: But it's great to capture people's attention and just know 239 00:12:49,080 --> 00:12:53,040 Speaker 1: that they're watching you sing your emotions simply. There's right, 240 00:12:53,080 --> 00:12:56,720 Speaker 1: it's not complicated. Yeah, all right, what's what are you feeling, 241 00:12:56,760 --> 00:12:59,200 Speaker 1: Systey after hearing that song? Because it just makes me smile. 242 00:13:00,160 --> 00:13:02,240 Speaker 1: That song so much, but it's so funny her saying 243 00:13:02,320 --> 00:13:04,120 Speaker 1: she's nineteen and she wants to get to that part, 244 00:13:04,160 --> 00:13:04,600 Speaker 1: and I'm just. 245 00:13:04,679 --> 00:13:07,360 Speaker 3: Like in that part right now with my husband and 246 00:13:07,400 --> 00:13:11,360 Speaker 3: the three kids in the school and stop non stop craziness, and. 247 00:13:11,440 --> 00:13:14,800 Speaker 2: It's just like breathe and enjoy this moment for sure, 248 00:13:14,920 --> 00:13:18,120 Speaker 2: which I mean I'm not getting engaged anytime soon, so 249 00:13:19,559 --> 00:13:21,319 Speaker 2: that you may keep hearing this on the radio and 250 00:13:21,400 --> 00:13:26,880 Speaker 2: be like DM him being like Winter, let her do it. 251 00:13:26,960 --> 00:13:29,800 Speaker 2: He's getting pressure, but. 252 00:13:29,920 --> 00:13:31,559 Speaker 1: You know what, you never know what works for you, 253 00:13:31,800 --> 00:13:35,440 Speaker 1: so to teach their own. I'm so happy to see 254 00:13:35,559 --> 00:13:37,480 Speaker 1: you and have you do that. I know it's a 255 00:13:37,520 --> 00:13:40,480 Speaker 1: lot to do early, So thank you for coming and congratulations. 256 00:13:40,640 --> 00:13:42,920 Speaker 1: Really great great song. Can't wait to hear all the album. 257 00:13:43,200 --> 00:13:44,000 Speaker 2: Thank you so much. 258 00:13:45,000 --> 00:13:46,960 Speaker 1: Lauren Spencer Smith who got very early. 259 00:13:47,200 --> 00:13:49,160 Speaker 3: Thank you for coming in. 260 00:13:49,920 --> 00:13:51,680 Speaker 1: We'll see you soon. We're right back. It's Kiss FM.