1 00:00:01,120 --> 00:00:08,000 Speaker 1: Real people, real celebrity joined the Breakfast Morning. Everybody is 2 00:00:08,080 --> 00:00:10,959 Speaker 1: dj en Vi, Angela Yee, Charlomagne the God. We all 3 00:00:11,039 --> 00:00:13,280 Speaker 1: the Breakfast Club got a special guest in the building, 4 00:00:15,360 --> 00:00:24,959 Speaker 1: d Man the math Man. And I'm surprised you're here 5 00:00:25,000 --> 00:00:26,680 Speaker 1: because I read all. I didn't read it. I saw 6 00:00:26,720 --> 00:00:28,639 Speaker 1: the interview with a Post Live and you said you 7 00:00:28,640 --> 00:00:31,640 Speaker 1: don't like doing interviews with hip hop outlets because they 8 00:00:31,680 --> 00:00:35,159 Speaker 1: take things out of context a lot. Yeah, but this 9 00:00:35,200 --> 00:00:37,960 Speaker 1: ain't your hip hop right, absolutely not. This is the 10 00:00:38,000 --> 00:00:40,000 Speaker 1: right place to do a lot. But it don't matter anyway, 11 00:00:40,000 --> 00:00:42,600 Speaker 1: and stuff I say a lot of things. This is 12 00:00:42,680 --> 00:00:45,839 Speaker 1: very true. So Matthew got a lot going on right now. 13 00:00:45,880 --> 00:00:48,000 Speaker 1: Obviously we know you're here for the movie train Wreck 14 00:00:48,320 --> 00:00:53,040 Speaker 1: and needs a lot of people in the John Cena, Lebron, James, Tilda, 15 00:00:53,640 --> 00:00:57,480 Speaker 1: She's though, Tilda Swinton, she's good in the movie. Colin Quinn, 16 00:00:58,400 --> 00:01:00,800 Speaker 1: how long has it been since y'all heard that name? Man? 17 00:01:00,960 --> 00:01:03,480 Speaker 1: Like Yo, he's dope in the movie too, He's like 18 00:01:03,560 --> 00:01:06,120 Speaker 1: spot on Norman Lloyd. This dude has been around since, 19 00:01:06,160 --> 00:01:10,000 Speaker 1: like Charlie Chaplin and Amy Schuman. She wrote it, Amy 20 00:01:10,040 --> 00:01:12,120 Speaker 1: wrote it, and it comes from a real place, and 21 00:01:12,160 --> 00:01:14,639 Speaker 1: they say that the best comedy comes from the darkest places. 22 00:01:14,680 --> 00:01:18,000 Speaker 1: So what is trainwreck about? Basically? You know what your 23 00:01:18,040 --> 00:01:20,840 Speaker 1: females do? What you wait, huh, what you females do? 24 00:01:20,959 --> 00:01:23,640 Speaker 1: What we do? Train wrecks? Man, you see it on 25 00:01:23,680 --> 00:01:28,240 Speaker 1: reality TV all the time. You guys are in that case. 26 00:01:28,319 --> 00:01:30,319 Speaker 1: Y'all are training Rex as well. So you are not 27 00:01:30,400 --> 00:01:33,800 Speaker 1: all females, but a lot of females and a lot 28 00:01:33,800 --> 00:01:35,840 Speaker 1: of guys too. Yeah, you're right, you're right, yea. They're 29 00:01:35,840 --> 00:01:38,119 Speaker 1: trying to save you from them taking a headline, taking 30 00:01:38,200 --> 00:01:45,360 Speaker 1: somebody contact. Got to be real careful with my words now, man, 31 00:01:45,440 --> 00:01:51,720 Speaker 1: you offend anybody and everybody. Man. Yes, Judd Apatol joint 32 00:01:51,880 --> 00:01:55,680 Speaker 1: um Well, Judd directed it, and he's what can I 33 00:01:55,680 --> 00:01:57,560 Speaker 1: say that? Man, it's like a genius. He could take 34 00:01:57,640 --> 00:02:01,640 Speaker 1: a comedic moment, turn it real serious and then turn 35 00:02:01,680 --> 00:02:03,800 Speaker 1: it back to comedy without missing a beat, you know 36 00:02:03,840 --> 00:02:06,640 Speaker 1: what I'm saying. And then the transitions are good, like 37 00:02:06,720 --> 00:02:09,880 Speaker 1: I mean, for example, with this is forty, when Leslie 38 00:02:09,880 --> 00:02:12,600 Speaker 1: Man's characters talking to Paul Rudd, they're in the bed 39 00:02:12,639 --> 00:02:15,200 Speaker 1: and it's like the serious conversation going on, and she's 40 00:02:15,200 --> 00:02:17,760 Speaker 1: like letting them know, like I'm at this age now 41 00:02:17,760 --> 00:02:20,000 Speaker 1: when I'm having these feelings and you know, and it's 42 00:02:20,200 --> 00:02:22,280 Speaker 1: very serious between the two of them, and then you 43 00:02:22,320 --> 00:02:25,240 Speaker 1: know it's silence and then he just foughts, that's real 44 00:02:25,360 --> 00:02:31,400 Speaker 1: right there. Yeah, yeah, that's I remember Dutch ovens uch Oven. Yeah. 45 00:02:31,960 --> 00:02:34,560 Speaker 1: Now this wasn't the first one you tried out forward Jodavatar. 46 00:02:35,320 --> 00:02:38,800 Speaker 1: Nah I tried out for Funny People with him and 47 00:02:39,120 --> 00:02:41,440 Speaker 1: Richard got that part. Did that piss you off a 48 00:02:41,480 --> 00:02:43,680 Speaker 1: little bit? Nah? I was happy for Risarm. I was like, yeah, 49 00:02:43,720 --> 00:02:45,040 Speaker 1: at least one of us got it, you know what 50 00:02:45,120 --> 00:02:47,400 Speaker 1: I'm saying. And then, um, did y'all tell each other like, Hey, 51 00:02:47,440 --> 00:02:50,160 Speaker 1: I'm going out for to do this try for the No, no, no, 52 00:02:50,240 --> 00:02:52,480 Speaker 1: we had different agencies and agents at that time. Matter 53 00:02:52,480 --> 00:02:54,200 Speaker 1: of fact, he had an agent. I didn't. I was 54 00:02:54,240 --> 00:02:56,320 Speaker 1: just walking in on the auditions like, let me get that. 55 00:02:57,320 --> 00:03:00,160 Speaker 1: But um, I just told myself. I promised myself that 56 00:03:00,160 --> 00:03:02,320 Speaker 1: if I ever got the opportunity to work with jud again, 57 00:03:02,800 --> 00:03:06,040 Speaker 1: I don't care if it's a grip holding the boomstick whatever, 58 00:03:06,320 --> 00:03:08,040 Speaker 1: I'm gonna step up and do what I gotta do. 59 00:03:08,200 --> 00:03:10,040 Speaker 1: And I'm sure that if you reached out to him 60 00:03:10,080 --> 00:03:12,200 Speaker 1: and know him personally, He would love to work would 61 00:03:12,240 --> 00:03:14,040 Speaker 1: have loved to work with you anyway. Well, he did 62 00:03:14,160 --> 00:03:16,280 Speaker 1: say that he wants to His goal is to put 63 00:03:16,480 --> 00:03:19,440 Speaker 1: a Wool Tang member each Woo Tang member and at 64 00:03:19,520 --> 00:03:22,919 Speaker 1: least one of his freaking movies. So wow, did you 65 00:03:22,960 --> 00:03:24,600 Speaker 1: and Rizz ever talk about that when you're always coming 66 00:03:24,639 --> 00:03:26,240 Speaker 1: up like, yeah, we're gonna get into Hollywood and do 67 00:03:26,280 --> 00:03:31,400 Speaker 1: the acting thing, nah Me or Rizzle? Really, well, you 68 00:03:31,440 --> 00:03:34,680 Speaker 1: don't talk to Z talks to you even at this 69 00:03:34,720 --> 00:03:38,240 Speaker 1: stage in the game. Rizz is like he's what can 70 00:03:38,280 --> 00:03:41,360 Speaker 1: I say? Like, he's he's an intriguing person like he 71 00:03:42,120 --> 00:03:44,080 Speaker 1: when he speaks a lot of people listen because he 72 00:03:44,120 --> 00:03:46,840 Speaker 1: makes sense. And uh, I don't know, I can't even 73 00:03:46,920 --> 00:03:50,560 Speaker 1: put a finger on it. He just has that magnetic 74 00:03:51,040 --> 00:03:53,840 Speaker 1: thing that attracts people. Soon. But that doesn't mean you 75 00:03:53,880 --> 00:03:56,440 Speaker 1: always agree, No, that doesn't mean we always agree. But 76 00:03:57,120 --> 00:04:00,960 Speaker 1: I mean he brought nine individuals together for one common 77 00:04:01,000 --> 00:04:04,480 Speaker 1: cause and it worked for a long time, still working. Yeah, yeah, 78 00:04:04,520 --> 00:04:06,440 Speaker 1: did it get difficult moving as the unit with Wu 79 00:04:06,520 --> 00:04:09,160 Speaker 1: Tang as y'all got old then more successful, because you know, 80 00:04:09,200 --> 00:04:13,560 Speaker 1: it's like it was difficult from day one because Richard 81 00:04:13,600 --> 00:04:14,640 Speaker 1: had a lot of When we went out on the 82 00:04:14,680 --> 00:04:16,520 Speaker 1: first tour, Richard still had a lot of obligations to 83 00:04:16,520 --> 00:04:19,479 Speaker 1: finish up solo albums and stuff like that. You know, 84 00:04:19,600 --> 00:04:21,800 Speaker 1: Dirty made the show was that Dirty wanted to make. 85 00:04:21,880 --> 00:04:24,440 Speaker 1: And I mean people got used to it after a while, 86 00:04:24,480 --> 00:04:28,080 Speaker 1: but I mean it gets to a point where, yeah, 87 00:04:28,120 --> 00:04:30,279 Speaker 1: you know, like, um, they said Batman, I think it 88 00:04:30,400 --> 00:04:32,520 Speaker 1: was he said, you lived long enough to see yourself 89 00:04:32,560 --> 00:04:35,800 Speaker 1: become the villain. Yeah, that happens. We've been in the 90 00:04:35,839 --> 00:04:37,400 Speaker 1: game a long time, so you know it's going to 91 00:04:37,480 --> 00:04:40,120 Speaker 1: be flaws and mishaps and mistakes and things said. And 92 00:04:40,560 --> 00:04:43,280 Speaker 1: you know, I'm just grateful that we've been doing it 93 00:04:43,320 --> 00:04:45,200 Speaker 1: this long. I remember early on it used to be 94 00:04:45,200 --> 00:04:48,320 Speaker 1: difficult because it is nine people trying to make flights, 95 00:04:48,720 --> 00:04:51,080 Speaker 1: nine people trying to get places on time, and one 96 00:04:51,120 --> 00:04:53,440 Speaker 1: person would come, whoever was first would say, oh, nobody 97 00:04:53,440 --> 00:04:56,320 Speaker 1: else is here, and then they would leave and yeah, yeah, 98 00:04:56,360 --> 00:04:58,359 Speaker 1: that's but that's only that's a lobby call. That's what 99 00:04:58,440 --> 00:05:00,760 Speaker 1: anybody you know, if you're the first down for lobby 100 00:05:00,800 --> 00:05:02,760 Speaker 1: cole when it's time to go to the show, it's like, well, 101 00:05:02,800 --> 00:05:04,680 Speaker 1: ain't nobody else down there. All right, I'm gonna go 102 00:05:04,720 --> 00:05:07,360 Speaker 1: back up for him minute when everybody else downstairs, because 103 00:05:07,360 --> 00:05:08,560 Speaker 1: you don't want to be the first man because you 104 00:05:08,600 --> 00:05:13,120 Speaker 1: never know, Like the notoriously late dudes is killer ye 105 00:05:13,360 --> 00:05:18,200 Speaker 1: coming downstairs late ghosts. But Ghost has his reasons right medically, 106 00:05:18,440 --> 00:05:21,719 Speaker 1: Yeah like that, and uh, that's it really. The rest 107 00:05:21,720 --> 00:05:23,240 Speaker 1: of the dudes are pretty young. Point. We got to 108 00:05:23,279 --> 00:05:26,080 Speaker 1: find Jissers sometimes right, but he'd be right there soon 109 00:05:26,160 --> 00:05:29,240 Speaker 1: the showtime show up out of nowhere, boom right there, 110 00:05:29,279 --> 00:05:31,279 Speaker 1: and sometimes Dirty would just pop up out of nowhere, 111 00:05:31,279 --> 00:05:33,919 Speaker 1: and Dirty be in the crowd watching the show, chilling 112 00:05:33,960 --> 00:05:35,440 Speaker 1: it first, and then they had come up and do 113 00:05:35,440 --> 00:05:37,479 Speaker 1: the sh There was any pressure because you were the 114 00:05:37,480 --> 00:05:40,440 Speaker 1: first artist to go solo from the war, well at 115 00:05:40,480 --> 00:05:42,440 Speaker 1: first year? At first was there any pressure first because 116 00:05:42,520 --> 00:05:45,840 Speaker 1: everything was riding on how successful your project was. Ignorance 117 00:05:45,920 --> 00:05:48,120 Speaker 1: is bliss. I didn't see it at that level, but 118 00:05:48,160 --> 00:05:49,400 Speaker 1: it was more or less like going out on the 119 00:05:49,480 --> 00:05:51,520 Speaker 1: road by myself because I hadn't done that. I was 120 00:05:51,520 --> 00:05:53,080 Speaker 1: always out with the crew, so that was like my 121 00:05:53,120 --> 00:05:55,240 Speaker 1: little shield and stuff. So it got to a point 122 00:05:55,240 --> 00:05:57,160 Speaker 1: where I was like, well, I'm just gonna bring a 123 00:05:57,240 --> 00:05:59,880 Speaker 1: couple of block dudes with me, and I'm familiar with 124 00:06:00,279 --> 00:06:02,599 Speaker 1: so I can be comfortable. And most of my shows 125 00:06:02,640 --> 00:06:05,400 Speaker 1: was with Big, so you know, I was very comfortable. 126 00:06:05,520 --> 00:06:07,440 Speaker 1: Right after like two or three shows, it was like, 127 00:06:07,440 --> 00:06:10,600 Speaker 1: oh I got this and only had three, so we'll 128 00:06:10,640 --> 00:06:13,839 Speaker 1: bring the pain or to bring the pain method man 129 00:06:14,279 --> 00:06:19,520 Speaker 1: method man, And it was one more. No, not that 130 00:06:19,640 --> 00:06:22,040 Speaker 1: because over the songs that we did. After I did 131 00:06:22,120 --> 00:06:24,440 Speaker 1: my three songs and then we would do Wu Tang 132 00:06:24,480 --> 00:06:26,280 Speaker 1: songs and then I would bring people on stage the 133 00:06:26,320 --> 00:06:29,000 Speaker 1: free Stun and it would get crowded and I would disappear. 134 00:06:30,200 --> 00:06:31,960 Speaker 1: You know, if the truth that they wanted your album 135 00:06:31,960 --> 00:06:35,159 Speaker 1: to come out even before the Wu Tang project, No, no, 136 00:06:35,200 --> 00:06:36,960 Speaker 1: I wasn't even a thought. We all started that goal 137 00:06:37,000 --> 00:06:40,279 Speaker 1: like monopoly. You know, whoever gets boardwalk, whoever gets there first. 138 00:06:41,080 --> 00:06:43,000 Speaker 1: So that's what it was, man. We all start at 139 00:06:43,040 --> 00:06:46,960 Speaker 1: the same point, and just some dudes prospered or seeing 140 00:06:46,960 --> 00:06:49,360 Speaker 1: the the bigger picture a little bit faster than others, 141 00:06:49,480 --> 00:06:53,599 Speaker 1: or maybe the opportunity knocked for this person before knocked 142 00:06:53,600 --> 00:06:55,920 Speaker 1: for that one. But I mean, as far as my crew, 143 00:06:56,200 --> 00:06:58,560 Speaker 1: all of us is dope. Man. I heard once that 144 00:06:58,600 --> 00:07:00,760 Speaker 1: really charged you. One hundred dollars to get on protect 145 00:07:00,800 --> 00:07:03,320 Speaker 1: your next. No, it was no, no, it was you 146 00:07:03,320 --> 00:07:05,000 Speaker 1: know it was real though. You know it was like, Yo, 147 00:07:05,040 --> 00:07:06,720 Speaker 1: bring one hundred dollars to the studio. You know, we 148 00:07:06,760 --> 00:07:09,120 Speaker 1: gotta pay for the studio time and we're talking about 149 00:07:10,280 --> 00:07:14,040 Speaker 1: nine people. Well it was eight eight then you know 150 00:07:14,160 --> 00:07:16,240 Speaker 1: that's eight hundred dollars that paid for a studio session. 151 00:07:16,240 --> 00:07:18,760 Speaker 1: And everybody Ron was ready, I mean were doing that 152 00:07:19,040 --> 00:07:21,680 Speaker 1: for free anyway in his house, seven peroi was good. 153 00:07:22,840 --> 00:07:25,240 Speaker 1: And you're the youngest one right out of everybody. Yeah, 154 00:07:25,280 --> 00:07:31,640 Speaker 1: they ain't a lot a lot. That's like she bar 155 00:07:31,680 --> 00:07:35,360 Speaker 1: Ain't that low real? Now, you was one of the 156 00:07:35,400 --> 00:07:37,800 Speaker 1: few mcs. You might be the only MC to actually 157 00:07:37,880 --> 00:07:41,800 Speaker 1: record with Biggiempop while he was alive. Yeah, yeah, but 158 00:07:41,920 --> 00:07:44,720 Speaker 1: not with Pop though Pop came home out of jail. 159 00:07:44,760 --> 00:07:46,520 Speaker 1: He was in jail when we recorded that song that 160 00:07:46,600 --> 00:07:50,200 Speaker 1: was for the Dog Pound album and uh Rage and 161 00:07:50,480 --> 00:07:53,640 Speaker 1: Deck was on it. So when Pop came home, like 162 00:07:53,680 --> 00:07:56,000 Speaker 1: a family supposed to do, they gave him everything they 163 00:07:56,040 --> 00:07:59,280 Speaker 1: had so he can put some material out. Quit California 164 00:07:59,360 --> 00:08:02,920 Speaker 1: Love was a song they gave it to Pop. That 165 00:08:03,320 --> 00:08:06,600 Speaker 1: song that I'm on I got made up, they gave 166 00:08:06,640 --> 00:08:08,880 Speaker 1: it to pop, and I was, you know, salute by 167 00:08:08,920 --> 00:08:10,640 Speaker 1: all means, because I was still a fan of pop 168 00:08:10,760 --> 00:08:14,320 Speaker 1: regardless of what was going on with him and Big 169 00:08:14,320 --> 00:08:16,080 Speaker 1: and stuff and me and Big was cool, you know 170 00:08:16,080 --> 00:08:18,680 Speaker 1: what I mean. But I don't judge anybody by what 171 00:08:18,760 --> 00:08:20,960 Speaker 1: beast they had because I wasn't there, you know what 172 00:08:21,000 --> 00:08:23,360 Speaker 1: I'm saying. So however they went, however it went down, 173 00:08:23,480 --> 00:08:28,560 Speaker 1: or however you know pop perceived big and Big perceived pop, 174 00:08:28,680 --> 00:08:30,560 Speaker 1: that wasn't none of my business right there. I had 175 00:08:30,600 --> 00:08:32,680 Speaker 1: love for Big and I had love for pop. So 176 00:08:33,040 --> 00:08:34,959 Speaker 1: that why Rebel Lion? That's it, says Rebel Lion. That's 177 00:08:34,960 --> 00:08:36,640 Speaker 1: at the end of that track. Yeah. I couldn't figure 178 00:08:36,640 --> 00:08:37,720 Speaker 1: it out out for a year. I'm like, did he 179 00:08:37,800 --> 00:08:40,520 Speaker 1: produce it? What happened? He was on it? He was, 180 00:08:40,600 --> 00:08:42,439 Speaker 1: he said a four verse, but I don't know what happened. 181 00:08:42,440 --> 00:08:45,000 Speaker 1: You gotta ask Dass Dylan Jo about that one. Oh Dad, 182 00:08:45,000 --> 00:08:48,160 Speaker 1: I gotta hear that, Dass. Yeah, whatever, how did music 183 00:08:48,200 --> 00:08:50,320 Speaker 1: slow down for you? Because at one time you was 184 00:08:50,360 --> 00:08:53,520 Speaker 1: on everything, every movie, every video, every song, and then 185 00:08:53,559 --> 00:08:55,640 Speaker 1: it just slowed down? Was it? The label was? What 186 00:08:55,679 --> 00:08:57,760 Speaker 1: wasn't it was the process. It was like I was 187 00:08:57,800 --> 00:09:00,000 Speaker 1: doing too much. And I tell a lot of artists, 188 00:09:00,000 --> 00:09:03,280 Speaker 1: I mean, last person I told that too was too change, like, y'all, 189 00:09:03,400 --> 00:09:06,120 Speaker 1: keep some of that for yourself, stop giving you away, 190 00:09:06,240 --> 00:09:07,760 Speaker 1: keep some of that for yourself. But I don't know 191 00:09:07,800 --> 00:09:10,400 Speaker 1: if he listened, because he's still on everybody, you know. 192 00:09:10,480 --> 00:09:14,040 Speaker 1: But it gets to a point where people get no, 193 00:09:14,120 --> 00:09:16,240 Speaker 1: I won't say tired, but it's like, damn, it's like 194 00:09:16,640 --> 00:09:18,640 Speaker 1: it's too much, you know, and then you gotta take 195 00:09:18,679 --> 00:09:21,439 Speaker 1: a step back in. And what I didn't get a 196 00:09:21,520 --> 00:09:24,320 Speaker 1: chance to do was step back and home my craft. 197 00:09:24,360 --> 00:09:26,360 Speaker 1: It was just like I was jotting most of those 198 00:09:26,440 --> 00:09:28,840 Speaker 1: years because it was always a new project coming up 199 00:09:28,880 --> 00:09:31,439 Speaker 1: once I finished one project, and then you got dates 200 00:09:31,480 --> 00:09:33,840 Speaker 1: you gotta make and and things of that nature. So 201 00:09:34,360 --> 00:09:38,880 Speaker 1: I mean I was really like Sleep Albums one through three. 202 00:09:39,120 --> 00:09:41,920 Speaker 1: Really yeah, at one point, I mean, at one point 203 00:09:41,920 --> 00:09:44,040 Speaker 1: of you, it seemed like you were the hottest artist 204 00:09:44,080 --> 00:09:46,880 Speaker 1: in the game. This lyrically, I don't know if I 205 00:09:46,880 --> 00:09:50,000 Speaker 1: would call that sleep. No. I mean no, no, no, no, 206 00:09:50,080 --> 00:09:54,040 Speaker 1: don't get me wrong. And I mean like it wasn't 207 00:09:54,320 --> 00:09:56,320 Speaker 1: it wasn't to the caliber that I knew that I 208 00:09:56,320 --> 00:09:58,640 Speaker 1: could get to even my first album, most of the 209 00:09:58,760 --> 00:10:01,320 Speaker 1: material got washed out the flood and Rizzar's basement if 210 00:10:01,360 --> 00:10:04,080 Speaker 1: y'all remember that history right there. So I had to 211 00:10:04,080 --> 00:10:06,480 Speaker 1: record while Wu Tang was on the road, and this 212 00:10:06,559 --> 00:10:09,480 Speaker 1: was our first tour, so we're getting booed every f 213 00:10:09,640 --> 00:10:13,320 Speaker 1: and night, So that emotion was coming out in those records. 214 00:10:13,360 --> 00:10:16,559 Speaker 1: I guess the people felt that second album. I didn't 215 00:10:16,559 --> 00:10:19,080 Speaker 1: even really have Rizzard in the studio with me for 216 00:10:19,160 --> 00:10:22,080 Speaker 1: the second album. It was it was yeah, yeah, no 217 00:10:22,559 --> 00:10:26,000 Speaker 1: Judgment Day, and it was mostly True Master, you know 218 00:10:26,120 --> 00:10:28,520 Speaker 1: Fourth Disciple. I even produced one of the joints on 219 00:10:28,559 --> 00:10:30,280 Speaker 1: the air. And now you still to this day work 220 00:10:30,320 --> 00:10:32,720 Speaker 1: with True Master and Fourth Disciple. No a True Mass 221 00:10:32,760 --> 00:10:35,280 Speaker 1: I'm not no no Fourth Disciple. Yeah, four Fourth, it 222 00:10:35,360 --> 00:10:37,800 Speaker 1: is my man, but True Masses. Um he had camp. 223 00:10:38,400 --> 00:10:41,080 Speaker 1: Oh that's right, you got locked up. Yeah he said it. 224 00:10:41,200 --> 00:10:45,839 Speaker 1: I mean I forgot about that in Bootcare Kendrick. Kendrick 225 00:10:45,840 --> 00:10:47,360 Speaker 1: created a lot of hommedy to do you on SNL 226 00:10:47,440 --> 00:10:50,160 Speaker 1: with the I guess that the anniversary of Judgment Day, 227 00:10:50,160 --> 00:10:52,840 Speaker 1: I'm gonna go real, I'm gonna change my whole in acular. 228 00:10:53,280 --> 00:10:57,280 Speaker 1: I liked it that you did I liked it. No, 229 00:10:57,800 --> 00:11:00,000 Speaker 1: but I met Kendrick before. He's a cool little dude. 230 00:11:00,400 --> 00:11:04,960 Speaker 1: He's um focused smart. I like that. I like that 231 00:11:05,000 --> 00:11:09,040 Speaker 1: a lot. It's like Public Enemy was to us, but 232 00:11:09,240 --> 00:11:12,400 Speaker 1: a little more less than what Public. I mean, nobody 233 00:11:12,400 --> 00:11:15,080 Speaker 1: can do what Chuck did. I mean, Chuck taught me 234 00:11:15,120 --> 00:11:17,880 Speaker 1: who Marcus Garvey was. Even Malcolm Max. You know what 235 00:11:17,960 --> 00:11:19,800 Speaker 1: I'm saying, because up to that point, the schools I 236 00:11:19,960 --> 00:11:24,440 Speaker 1: was in didn't teach us about Malcolm Max. But um, Kendrick, 237 00:11:24,559 --> 00:11:27,480 Speaker 1: he definitely got his thumb on the pulse of a 238 00:11:27,480 --> 00:11:30,600 Speaker 1: black culture. Now. You were also one of the last 239 00:11:30,679 --> 00:11:33,240 Speaker 1: artists to join social media. I remember when you joined Twitter. 240 00:11:33,520 --> 00:11:35,240 Speaker 1: What made you decide to do that? Because you didn't 241 00:11:35,240 --> 00:11:37,400 Speaker 1: know what to do because somebody was on there trying 242 00:11:37,400 --> 00:11:41,360 Speaker 1: to get Coach under my name, so we took it. 243 00:11:45,800 --> 00:11:48,000 Speaker 1: I don't know. I mean, if you got dumb ladies, 244 00:11:48,040 --> 00:11:54,080 Speaker 1: I mean, let me stop. No, ladies, No, it's just 245 00:11:54,160 --> 00:11:56,760 Speaker 1: the line of question and it's going in that direction. 246 00:11:56,880 --> 00:11:59,640 Speaker 1: That's that's all it is. Um. Yeah, I mean some 247 00:11:59,760 --> 00:12:02,440 Speaker 1: dude was on the impersonating the kid try and get Coach, 248 00:12:02,960 --> 00:12:05,079 Speaker 1: and I don't think any women really fell for that. 249 00:12:05,600 --> 00:12:09,320 Speaker 1: There we go there, we go. We're smarter than that. Yeah, absolutely, 250 00:12:09,360 --> 00:12:11,240 Speaker 1: And we were talking about you know you you were 251 00:12:11,240 --> 00:12:13,400 Speaker 1: holding your music, you were doing so much stuff and 252 00:12:13,400 --> 00:12:15,200 Speaker 1: then when did you stop because we just missed you 253 00:12:15,240 --> 00:12:17,360 Speaker 1: for a period of time. I didn't stop, you know 254 00:12:17,360 --> 00:12:19,520 Speaker 1: what it was? My mics was off the radar, guest 255 00:12:19,520 --> 00:12:22,120 Speaker 1: because because I mean, you think about it. After the 256 00:12:22,200 --> 00:12:26,480 Speaker 1: second album came the Blackout album, another Wu Tang album, 257 00:12:26,920 --> 00:12:30,600 Speaker 1: then my next you know what it was, It was 258 00:12:30,640 --> 00:12:33,080 Speaker 1: so much time in between time. I'm on that doctor 259 00:12:33,160 --> 00:12:35,959 Speaker 1: Drake and he adopted Dred to be putting four and 260 00:12:36,120 --> 00:12:40,080 Speaker 1: five years and now how many years has it been? Right? Yeah, 261 00:12:40,160 --> 00:12:43,320 Speaker 1: it's a long time, a long time, and you can't 262 00:12:43,360 --> 00:12:45,120 Speaker 1: you can't do that. I remember Leo Cohen told me 263 00:12:45,160 --> 00:12:47,880 Speaker 1: that he was like, um, I love Onix, but you 264 00:12:47,880 --> 00:12:49,600 Speaker 1: know what's wrong with ONIXT They take too long to 265 00:12:49,640 --> 00:12:52,199 Speaker 1: make albums. And I didn't believe him at that point 266 00:12:52,200 --> 00:12:55,160 Speaker 1: because Onyx was on fire. It took him like four 267 00:12:55,200 --> 00:12:57,080 Speaker 1: years to make that next album, which I thought was 268 00:12:57,120 --> 00:13:01,280 Speaker 1: a dope album. But people weren't like that. That's a 269 00:13:01,280 --> 00:13:04,559 Speaker 1: whole presidential term. You're going from mate graduated high school. 270 00:13:04,559 --> 00:13:06,120 Speaker 1: We don't think about it. Like that because the time 271 00:13:06,280 --> 00:13:08,120 Speaker 1: is constantly moving. I mean you're on the road, you're 272 00:13:08,160 --> 00:13:12,000 Speaker 1: making appearances, you're doing all that crazy doing movies, TV shows, man, 273 00:13:12,040 --> 00:13:14,000 Speaker 1: and it doesn't slow down. And I mean it's all 274 00:13:14,040 --> 00:13:15,720 Speaker 1: fun even when you're not working. You're going an All 275 00:13:15,760 --> 00:13:18,840 Speaker 1: Star weekend, you're going to super Bowls like that. Kevin 276 00:13:18,920 --> 00:13:21,120 Speaker 1: Lyles spoiled me and Red Man shout out to Kevin Lyles, 277 00:13:21,600 --> 00:13:24,240 Speaker 1: And I mean, it doesn't slow down. That's why everything 278 00:13:24,320 --> 00:13:26,360 Speaker 1: was a blur. That's that's what I meant by like, 279 00:13:26,400 --> 00:13:29,240 Speaker 1: I would sleep through most of those albums that I 280 00:13:29,280 --> 00:13:32,080 Speaker 1: was making, with the exception of the first one and 281 00:13:32,200 --> 00:13:35,560 Speaker 1: the last one, Real Tool, Did you enjoy any of 282 00:13:35,559 --> 00:13:38,360 Speaker 1: the moments though? Yeah, all of them. I wouldn't change anything. 283 00:13:38,520 --> 00:13:40,480 Speaker 1: And that's why I can't knock these new artists down 284 00:13:40,559 --> 00:13:43,679 Speaker 1: for what they're doing because we have fun. They having 285 00:13:43,840 --> 00:13:47,120 Speaker 1: fun right now. Y'all have fun, man, that what everybody say. 286 00:13:47,200 --> 00:13:53,439 Speaker 1: Y'all wear yours as tight as y'all fun a little 287 00:13:53,840 --> 00:13:55,880 Speaker 1: for real bad. It's a whole world out there for 288 00:13:56,000 --> 00:13:58,400 Speaker 1: y'all to explore. Man, and you and Red Man made 289 00:13:58,440 --> 00:14:00,520 Speaker 1: a lot of money together with the movies and sitcoms. 290 00:14:00,600 --> 00:14:02,160 Speaker 1: Was there ever a point with other members of Wu 291 00:14:02,200 --> 00:14:04,040 Speaker 1: Tang would probably would get jealous of how y'all were 292 00:14:04,080 --> 00:14:06,440 Speaker 1: moving together. It was never any jealousy and stuff like 293 00:14:06,480 --> 00:14:08,560 Speaker 1: that because one off for one and one for all. 294 00:14:08,559 --> 00:14:10,839 Speaker 1: There was a win for the team and everybody was 295 00:14:10,880 --> 00:14:12,320 Speaker 1: free to do what they want to do as well. 296 00:14:12,800 --> 00:14:15,240 Speaker 1: Now like you couldn't go out. I wasn't jealous about 297 00:14:15,320 --> 00:14:16,880 Speaker 1: the team at all. Bad. It was like we was 298 00:14:16,920 --> 00:14:18,760 Speaker 1: all rooting for each other, the same way we still 299 00:14:18,800 --> 00:14:22,360 Speaker 1: root for Rison now with his directing stuff. You know, 300 00:14:22,440 --> 00:14:24,400 Speaker 1: even Ghost Ghost was in the Iron Man movie. I 301 00:14:24,400 --> 00:14:26,520 Speaker 1: don't know why I didn't make the cut, but Ghost 302 00:14:26,640 --> 00:14:30,280 Speaker 1: is good. So nobody ever got jealous. Knocked the turntables off? 303 00:14:30,320 --> 00:14:33,400 Speaker 1: Are you were about to perform? Or that's Dirty acting craziest? 304 00:14:33,640 --> 00:14:36,040 Speaker 1: You know what that was? Gotta tell that story because 305 00:14:36,040 --> 00:14:37,920 Speaker 1: that's a funny stary because Dirty tried to take the 306 00:14:38,000 --> 00:14:41,080 Speaker 1: mic from somebody earlier that night and they wasn't having it. 307 00:14:41,080 --> 00:14:43,160 Speaker 1: Because this was like the fourth or fifth time Dirty 308 00:14:43,200 --> 00:14:46,160 Speaker 1: had did that. He was notorious, but jumping on stage 309 00:14:46,200 --> 00:14:49,000 Speaker 1: is taking the mics and rocking and show whatever. He 310 00:14:48,960 --> 00:14:51,280 Speaker 1: didn't getting no love this time. People people booed his 311 00:14:51,400 --> 00:14:53,000 Speaker 1: ass and all that he was a little mad at 312 00:14:53,160 --> 00:14:55,440 Speaker 1: He wasn't necessarily mad at me. We was just the 313 00:14:55,480 --> 00:14:57,800 Speaker 1: next act that happened to come on, and you know 314 00:14:57,840 --> 00:15:00,560 Speaker 1: what I'm saying, And it was probably even though I 315 00:15:00,560 --> 00:15:03,160 Speaker 1: was on stage, his ass was so drunk ish and 316 00:15:03,280 --> 00:15:06,920 Speaker 1: just knocked the turntables down. Yeah, turntables over. But thanks Angie. 317 00:15:07,720 --> 00:15:09,720 Speaker 1: I see. He was always an arguments with members of 318 00:15:09,760 --> 00:15:13,040 Speaker 1: the crew. I remember the show. Everybody remembers the show. Yo. 319 00:15:13,160 --> 00:15:16,280 Speaker 1: That's that's healthy. That's healthy healthy. That's why if anybody 320 00:15:16,280 --> 00:15:18,280 Speaker 1: ever try and balk on me, I'm quitting the bark 321 00:15:18,360 --> 00:15:20,520 Speaker 1: on them back. I know how to argue, you know 322 00:15:20,520 --> 00:15:23,880 Speaker 1: what I mean. Remember when I first met meth walking argue. 323 00:15:24,280 --> 00:15:26,080 Speaker 1: I thought he was so mean, but it really is 324 00:15:26,120 --> 00:15:29,320 Speaker 1: just his He's just an argumentative person. He don't mean 325 00:15:29,360 --> 00:15:31,200 Speaker 1: nothing by it. But when I first started record there, 326 00:15:31,200 --> 00:15:33,440 Speaker 1: I was like, why is he so mean? But that's 327 00:15:33,480 --> 00:15:35,400 Speaker 1: just how meth acts. He's not really. You gotta be 328 00:15:35,480 --> 00:15:38,080 Speaker 1: on your guard all the time around people, you know, 329 00:15:38,240 --> 00:15:41,680 Speaker 1: when you're a public figure, so to speak, because you 330 00:15:41,720 --> 00:15:44,280 Speaker 1: know it's a lot. I mean, if the Internet is 331 00:15:44,320 --> 00:15:47,160 Speaker 1: any indication of what it was back then, then you 332 00:15:47,200 --> 00:15:49,440 Speaker 1: know what you know what the troll is right now, 333 00:15:49,480 --> 00:15:54,000 Speaker 1: imagine those more being in the audience or standing outside. Yeah, 334 00:15:54,040 --> 00:15:57,880 Speaker 1: your crib and like that, stealing your mail and things 335 00:15:57,880 --> 00:16:01,280 Speaker 1: of that nature. Crank calling your crib. You know it's 336 00:16:01,120 --> 00:16:03,440 Speaker 1: it's but how do you deal with it? Because you're 337 00:16:03,440 --> 00:16:05,360 Speaker 1: the type that you will come up to somebody's crib, 338 00:16:05,400 --> 00:16:07,240 Speaker 1: come to somebody's job. You've done it before. Never tell 339 00:16:07,240 --> 00:16:08,560 Speaker 1: you that time meth Man. I thought I was gonna 340 00:16:08,560 --> 00:16:11,000 Speaker 1: get beat up by meth Man. Yeah. The story people 341 00:16:11,000 --> 00:16:13,640 Speaker 1: out there listening it was. It was a situation. I 342 00:16:13,680 --> 00:16:15,960 Speaker 1: used to work with Wendy Williams, and I guess Wendy 343 00:16:15,960 --> 00:16:19,360 Speaker 1: had said something about Yeah, I wasn't that joking about it. No, 344 00:16:19,480 --> 00:16:22,560 Speaker 1: I wasn't funny man. I heard laughter. I don't know 345 00:16:22,600 --> 00:16:24,880 Speaker 1: who it was in't there. But you know what, you 346 00:16:24,880 --> 00:16:27,160 Speaker 1: could make good on that because she's sitting right Yeah, 347 00:16:27,200 --> 00:16:29,600 Speaker 1: his wife is right here now to make good. Well, 348 00:16:29,600 --> 00:16:33,600 Speaker 1: that was the whole that was before my time when 349 00:16:33,600 --> 00:16:36,200 Speaker 1: when Wendy made those comments, came out and spoke to 350 00:16:36,280 --> 00:16:38,320 Speaker 1: me though, Yeah I did because I because because I 351 00:16:38,560 --> 00:16:41,520 Speaker 1: made him because I called when they's husband like yo, 352 00:16:41,640 --> 00:16:43,160 Speaker 1: meth Man in the lobby and he was like, we'll 353 00:16:43,160 --> 00:16:45,960 Speaker 1: go talk to him. I'm like, go talk to him. 354 00:16:46,000 --> 00:16:48,480 Speaker 1: So I go out there all at him and Memphis 355 00:16:48,640 --> 00:16:51,400 Speaker 1: like because I made comments about your lyrics, I said, 356 00:16:51,440 --> 00:16:53,280 Speaker 1: you you weren't as how did you used to be? Yeah, 357 00:16:53,360 --> 00:16:55,880 Speaker 1: you're right, And and memmis came from the time. I 358 00:16:55,880 --> 00:16:58,680 Speaker 1: guess Wendy exposed that his wife had cancer at the time, 359 00:16:58,720 --> 00:17:02,240 Speaker 1: and that's what it was. Yeah, And so you know, 360 00:17:02,280 --> 00:17:04,120 Speaker 1: you wonder how I remember when I walked down that lobby, 361 00:17:04,119 --> 00:17:06,160 Speaker 1: Methals out there with two of the craziest looking mother 362 00:17:06,480 --> 00:17:08,480 Speaker 1: we're seeing in my life. It was a driver and 363 00:17:08,680 --> 00:17:16,000 Speaker 1: my cousin is crazy, you know what I mean crazy. 364 00:17:16,800 --> 00:17:19,480 Speaker 1: I'm not one of them dudes that you know. Yo, 365 00:17:19,600 --> 00:17:21,800 Speaker 1: I want you to sit downstairs in the car wait 366 00:17:21,840 --> 00:17:24,480 Speaker 1: for these to come out and get them. Nah, it's 367 00:17:24,760 --> 00:17:27,560 Speaker 1: if you're gonna see me, You're gonna see me. You 368 00:17:27,600 --> 00:17:29,800 Speaker 1: know what I'm saying face to face, and I'm not. 369 00:17:30,160 --> 00:17:32,480 Speaker 1: I mean, as far as the argument stuff and stuff like, 370 00:17:32,480 --> 00:17:34,399 Speaker 1: that's what my brothers. I don't argue with people in 371 00:17:34,440 --> 00:17:37,240 Speaker 1: the street. That's not happening straight up and down. If 372 00:17:37,280 --> 00:17:39,040 Speaker 1: I see you, it's just gonna be me and you. 373 00:17:39,119 --> 00:17:44,520 Speaker 1: We're gonna have a grown discussion or the Ellis fight. Ever, 374 00:17:45,440 --> 00:17:48,159 Speaker 1: that's it. It ain't no in betweens with that. You 375 00:17:48,160 --> 00:17:50,640 Speaker 1: know what I'm saying. As far as as far as 376 00:17:50,640 --> 00:17:53,320 Speaker 1: old girl, I wish her the best. She's very successful, 377 00:17:53,600 --> 00:17:56,960 Speaker 1: she's blessed God, blessed. Do your thing. I don't even 378 00:17:57,040 --> 00:17:59,280 Speaker 1: want to talk about that, because you know, meThe man 379 00:17:59,320 --> 00:18:01,040 Speaker 1: is the reason why we have the tape interviews. Now. 380 00:18:01,160 --> 00:18:04,560 Speaker 1: I don't know, Well, I was doing another show and 381 00:18:04,640 --> 00:18:07,040 Speaker 1: I guess we said something about Meth and Meth was 382 00:18:07,119 --> 00:18:10,000 Speaker 1: quick to call and me would call and he's expressed 383 00:18:10,000 --> 00:18:19,199 Speaker 1: his feelings. Remember you know what it was, no, no, 384 00:18:19,200 --> 00:18:22,680 Speaker 1: no for re remembers, always calm, just like this. Those 385 00:18:22,720 --> 00:18:25,200 Speaker 1: are people I'll be like, oh lord, it's it's it's 386 00:18:25,280 --> 00:18:28,760 Speaker 1: it's the fact. Okay. This was when my Space was 387 00:18:28,760 --> 00:18:30,800 Speaker 1: out and I was hearing a lot of stuff coming 388 00:18:30,840 --> 00:18:33,360 Speaker 1: from the radio station. So I told my fans, you know, well, 389 00:18:33,400 --> 00:18:36,000 Speaker 1: they got their people calling up, and they're they're probably 390 00:18:36,040 --> 00:18:39,280 Speaker 1: screening calls. You know, if you're saying something nice about me, 391 00:18:39,320 --> 00:18:41,560 Speaker 1: you're not getting through. You say something meffed up, they 392 00:18:41,600 --> 00:18:44,760 Speaker 1: put you on. So I had the MySpace people. I 393 00:18:44,800 --> 00:18:47,880 Speaker 1: gave the number out to the station, blew it up, 394 00:18:48,480 --> 00:18:53,840 Speaker 1: blue faxes and phone calls and the website. Yeah, that 395 00:18:53,960 --> 00:18:56,000 Speaker 1: was cool. I don't know if that's the situation you're 396 00:18:56,000 --> 00:18:57,960 Speaker 1: talking about now. You call, you called, and you balked, 397 00:18:58,000 --> 00:18:59,239 Speaker 1: you cursed a couple of times. It was about two 398 00:18:59,280 --> 00:19:02,760 Speaker 1: hundred fifty. What they'll say, I don't remember. Of course, 399 00:19:04,400 --> 00:19:06,399 Speaker 1: this is before dump Muttons and none of that. Damn 400 00:19:08,000 --> 00:19:09,960 Speaker 1: you really you really think I fell off lyrically. I 401 00:19:10,000 --> 00:19:11,639 Speaker 1: looked down as look, man, I'm gonna get beat up. 402 00:19:11,640 --> 00:19:14,160 Speaker 1: I'm just going to be one that's not said beat 403 00:19:14,240 --> 00:19:18,000 Speaker 1: nobody real. It's like, even with the with the Joe 404 00:19:18,000 --> 00:19:20,040 Speaker 1: Buttons thing, people thought that I was mad because he 405 00:19:20,080 --> 00:19:22,239 Speaker 1: said he better than me. No, he's supposed to say that, 406 00:19:22,240 --> 00:19:24,879 Speaker 1: that's what him season supposed to. I'm better than everybody, 407 00:19:25,160 --> 00:19:27,200 Speaker 1: you know what I'm saying. My only problem with with 408 00:19:27,200 --> 00:19:30,800 Speaker 1: with Joe Button was everything he said after that, you know, 409 00:19:31,240 --> 00:19:34,040 Speaker 1: trying to imply had ghost riders and all the other 410 00:19:34,680 --> 00:19:38,080 Speaker 1: that was just getting spulled. We we were good now. 411 00:19:38,480 --> 00:19:41,480 Speaker 1: But it was like, I gotta address like that because 412 00:19:41,480 --> 00:19:43,920 Speaker 1: it's not true. You know what I mean? Right is right? 413 00:19:43,960 --> 00:19:48,280 Speaker 1: Wrong is wrong? And I don't with nobody. I's my 414 00:19:48,520 --> 00:19:54,080 Speaker 1: business asked about me. I just quoted Shimmishima said, Matthew 415 00:19:54,080 --> 00:19:56,240 Speaker 1: went from Simmy SHIMMYA to you, the one like Tracey 416 00:19:56,359 --> 00:19:59,639 Speaker 1: McGrady and Messa, you know what. I respect that, but 417 00:19:59,680 --> 00:20:01,880 Speaker 1: I was asking, how do you deal with everything going 418 00:20:01,920 --> 00:20:03,960 Speaker 1: on now? Because now it's like you said, there's a 419 00:20:04,000 --> 00:20:06,080 Speaker 1: troll so people can talk to you about you. And 420 00:20:09,040 --> 00:20:10,680 Speaker 1: I was like when math Gon on Twitter because you 421 00:20:10,760 --> 00:20:12,399 Speaker 1: actually tweeted me but you didn't really know what you 422 00:20:12,480 --> 00:20:14,520 Speaker 1: was doing. Yeah, And I was like, math is not 423 00:20:14,840 --> 00:20:18,239 Speaker 1: because he really gets like he wants to confront. And 424 00:20:18,280 --> 00:20:21,240 Speaker 1: I was like, yeah, it was I did some Yeah, 425 00:20:21,320 --> 00:20:27,080 Speaker 1: I DESI or Twitter, but Instagram, you know, I get 426 00:20:27,119 --> 00:20:29,520 Speaker 1: into like these roaster sessions with people that try to 427 00:20:29,560 --> 00:20:32,439 Speaker 1: say sideways because a lot of times just look at 428 00:20:32,480 --> 00:20:35,760 Speaker 1: these people's profiles sometimes man, and you can tell what 429 00:20:35,840 --> 00:20:37,800 Speaker 1: it is right, but it's not fair though, because they 430 00:20:37,880 --> 00:20:39,800 Speaker 1: know all your history. You don't know these people that 431 00:20:39,840 --> 00:20:42,480 Speaker 1: don't matter and snapping and snapping, you know, I say 432 00:20:42,480 --> 00:20:44,960 Speaker 1: the most outlandish like you know, like you you got 433 00:20:45,000 --> 00:20:52,199 Speaker 1: hobbit feeting, but you know it's like and then and 434 00:20:52,240 --> 00:20:55,840 Speaker 1: then they get it, they get it and they start 435 00:20:55,920 --> 00:20:58,040 Speaker 1: snapping back, and then at the end of the whole 436 00:20:58,119 --> 00:21:00,520 Speaker 1: roaster session, it's like, I got a friend that affair 437 00:21:00,840 --> 00:21:03,879 Speaker 1: right now. I remember a show you had called Stunk. 438 00:21:04,320 --> 00:21:06,439 Speaker 1: It was you and Red Man on MTV. Yeah, and 439 00:21:06,520 --> 00:21:09,480 Speaker 1: the show aired once. It was funny as hell. Then 440 00:21:09,520 --> 00:21:12,480 Speaker 1: I never saw it again. But then Punk came. Yeah, 441 00:21:12,560 --> 00:21:15,119 Speaker 1: what the hell happened with that? That was MTV's idea, 442 00:21:15,520 --> 00:21:18,000 Speaker 1: and they used me and Red Man to jump started. 443 00:21:18,200 --> 00:21:19,680 Speaker 1: Now we're not to jump start it, but it was 444 00:21:19,720 --> 00:21:22,280 Speaker 1: like an experiment and we were doing how High at 445 00:21:22,320 --> 00:21:24,439 Speaker 1: the time, and it was some free promotion for us, 446 00:21:24,520 --> 00:21:26,920 Speaker 1: So it was just the one episode thing. It wasn't 447 00:21:26,920 --> 00:21:28,760 Speaker 1: never supposed to really go on and on and on. 448 00:21:29,040 --> 00:21:30,560 Speaker 1: So they never came to y'all like, hey, we got 449 00:21:30,640 --> 00:21:32,320 Speaker 1: to We're gonna do a punk show. No, no, no, 450 00:21:32,480 --> 00:21:33,800 Speaker 1: because when I saw it, Pump, I was like, yo, 451 00:21:33,840 --> 00:21:37,119 Speaker 1: that's a red show Ashton. Ashton got that off. Had 452 00:21:37,160 --> 00:21:39,400 Speaker 1: nothing to do with us people trying to say MTV 453 00:21:39,560 --> 00:21:42,080 Speaker 1: stole Red and Math show. No, they didn't. Oh wow, 454 00:21:43,440 --> 00:21:45,320 Speaker 1: what it bothered you the most about hip hop in 455 00:21:45,440 --> 00:21:53,640 Speaker 1: like the past fifteen years. Nothing? Nothing, Oh hip hop? 456 00:21:54,240 --> 00:21:57,920 Speaker 1: You love it? I mean the art form. Yeah, of 457 00:21:58,040 --> 00:22:02,479 Speaker 1: course it's tainted, and you know, certain things could be changed, 458 00:22:02,560 --> 00:22:09,240 Speaker 1: and but the overall culture, I mean, we're in a 459 00:22:09,320 --> 00:22:11,800 Speaker 1: good position, especially if you can get in. You know, 460 00:22:12,200 --> 00:22:15,000 Speaker 1: I'm just looking for that next great one. K Drake 461 00:22:15,160 --> 00:22:16,720 Speaker 1: was one of them, and I'm just looking for that 462 00:22:16,800 --> 00:22:19,320 Speaker 1: next great one that can be grounded enough to tell 463 00:22:19,359 --> 00:22:20,920 Speaker 1: the truth. And you have a lot of artists in 464 00:22:20,960 --> 00:22:23,240 Speaker 1: stann Island that you're putting on right now that we're 465 00:22:23,280 --> 00:22:25,479 Speaker 1: not exactly putting on. I'm gonna start with my nephews. 466 00:22:25,480 --> 00:22:28,480 Speaker 1: They're gonna be my first. Uh, your nephew spit. Yeah, 467 00:22:29,040 --> 00:22:35,679 Speaker 1: what's their names? Easy Cardi and Freaky Freaky Easy and Cardi. 468 00:22:35,920 --> 00:22:39,560 Speaker 1: Yeah yeah, those money right there, shout out too easy. 469 00:22:39,600 --> 00:22:42,680 Speaker 1: He was in a car record, you know, in a 470 00:22:42,760 --> 00:22:46,000 Speaker 1: coma for a minute. But he's recovering right now. I 471 00:22:46,000 --> 00:22:47,720 Speaker 1: always wonder how close you and Big were, because you 472 00:22:47,720 --> 00:22:49,240 Speaker 1: said Big took you out on the road. Of course 473 00:22:49,280 --> 00:22:50,600 Speaker 1: y'all did. After well, Yeah, he would call me, he 474 00:22:50,640 --> 00:22:52,399 Speaker 1: would call me, you know, he flew I remember one 475 00:22:52,400 --> 00:22:54,640 Speaker 1: time he flew me out to North Carolina. I loved 476 00:22:54,640 --> 00:22:57,880 Speaker 1: this story. Here talk to the kat and four people 477 00:22:57,920 --> 00:23:02,040 Speaker 1: got shot that night, not saying Big that day. Yeah, 478 00:23:02,080 --> 00:23:04,480 Speaker 1: it was. It was a situation where flew me and 479 00:23:04,560 --> 00:23:07,000 Speaker 1: my g carton Fish shout out callo. We went down 480 00:23:07,040 --> 00:23:11,200 Speaker 1: to North Carolina, and you know, Big was like him 481 00:23:11,200 --> 00:23:12,960 Speaker 1: to do the show with me. We get to the 482 00:23:13,080 --> 00:23:16,200 Speaker 1: spot up in the spot, so Big up there performing. 483 00:23:16,200 --> 00:23:19,280 Speaker 1: We didn't even get to do the song yet. Some 484 00:23:19,720 --> 00:23:23,200 Speaker 1: screaming and the crowd hating mans saying whatever whatever. I 485 00:23:23,320 --> 00:23:25,359 Speaker 1: hear Big responding on the mic, so I guess he's 486 00:23:25,359 --> 00:23:27,040 Speaker 1: saying he want to battle, because Bigg is like, what 487 00:23:27,359 --> 00:23:29,960 Speaker 1: how much? You got some money to put up? You 488 00:23:30,040 --> 00:23:31,760 Speaker 1: got some money to put up? And then he says 489 00:23:31,840 --> 00:23:34,280 Speaker 1: something like, um, all right, if I win, you gotta 490 00:23:34,320 --> 00:23:38,320 Speaker 1: strip butt neck it. So the nick I go to 491 00:23:38,400 --> 00:23:41,520 Speaker 1: see what's going on, and when I get to the stage, 492 00:23:41,520 --> 00:23:44,480 Speaker 1: I see b I he got his hand behind his 493 00:23:44,600 --> 00:23:47,440 Speaker 1: back like this. Now I'm standing behind him, so I 494 00:23:47,520 --> 00:23:49,800 Speaker 1: see what's in his hand, but he's just holding it 495 00:23:50,000 --> 00:23:52,520 Speaker 1: and he talking to on the mic with the other hand, 496 00:23:53,000 --> 00:23:55,359 Speaker 1: and dude is still like no, no, no, no no. 497 00:23:55,680 --> 00:23:58,239 Speaker 1: He went to get up on that stage. Big. One 498 00:23:58,280 --> 00:24:01,040 Speaker 1: of Big people snatched that from behind Big and just 499 00:24:01,119 --> 00:24:06,080 Speaker 1: went the pummel in his assoop Bob chaos, didn't you 500 00:24:06,160 --> 00:24:10,000 Speaker 1: hear Bob? Hey, Buddy Big was in the back with me, 501 00:24:10,840 --> 00:24:13,560 Speaker 1: so I know, you know, but like four people got 502 00:24:13,680 --> 00:24:17,920 Speaker 1: murdered that night. Man damn yeah, man shot. I don't 503 00:24:17,920 --> 00:24:20,040 Speaker 1: know if they was murdered, but four people got shot 504 00:24:20,119 --> 00:24:23,919 Speaker 1: that more good night. Why didnt y'all record my music together? Um? 505 00:24:24,560 --> 00:24:26,040 Speaker 1: I mean other than him passing. But I'm just saying 506 00:24:26,040 --> 00:24:27,680 Speaker 1: at the time, I don't know. I never got the call. 507 00:24:27,840 --> 00:24:29,840 Speaker 1: You know what I'm saying, I never got the call. 508 00:24:30,280 --> 00:24:33,320 Speaker 1: I would have did it off top. There was one 509 00:24:33,480 --> 00:24:38,480 Speaker 1: joint that we did, but it was posthumous, you know. Um, yeah, 510 00:24:38,880 --> 00:24:41,639 Speaker 1: was it difficult because you know, Ghost and Ray had 511 00:24:41,720 --> 00:24:44,879 Speaker 1: to shock by it. But you know what that was, 512 00:24:44,960 --> 00:24:46,440 Speaker 1: that was a little I ain't gonna even say that 513 00:24:46,480 --> 00:24:48,080 Speaker 1: was a little envy. I ain't gonna even lie. That 514 00:24:48,119 --> 00:24:50,440 Speaker 1: was a little envy right there. And who knows. I 515 00:24:50,520 --> 00:24:52,720 Speaker 1: guess they just love nods that much. And I don't know, 516 00:24:53,040 --> 00:24:58,600 Speaker 1: I don't know. It's just the time. But not for nothing. Um, 517 00:24:59,119 --> 00:25:02,440 Speaker 1: when I did that joint, the biggie, what is it, 518 00:25:02,680 --> 00:25:06,560 Speaker 1: the one that came by? Okay, the body joint right now, 519 00:25:07,440 --> 00:25:09,439 Speaker 1: I'm gonna keep it a hunted. They gave it twenty 520 00:25:09,480 --> 00:25:13,440 Speaker 1: five grand for that was it twenty but I didn't 521 00:25:13,440 --> 00:25:19,760 Speaker 1: take the money, gave it to C. J. Big Son. Absolutely, Yeah, 522 00:25:20,800 --> 00:25:23,920 Speaker 1: it didn't feel right right, you know, you know, like 523 00:25:23,960 --> 00:25:26,200 Speaker 1: that you spoke got about about that album. You like, 524 00:25:26,280 --> 00:25:28,600 Speaker 1: you didn't like the direction of it. I just felt 525 00:25:28,640 --> 00:25:30,280 Speaker 1: like a lot of those people big with another dis 526 00:25:30,359 --> 00:25:34,040 Speaker 1: songs with his people agree. M You've always been a 527 00:25:34,119 --> 00:25:36,040 Speaker 1: very loyal person, though when it came to being in 528 00:25:36,119 --> 00:25:38,440 Speaker 1: the group other people that you've dealt with outside of that, 529 00:25:38,560 --> 00:25:40,560 Speaker 1: you said, it such sucks because there's not a lot 530 00:25:40,600 --> 00:25:43,080 Speaker 1: of loyalty in this business. Nah, That's why I said, 531 00:25:43,080 --> 00:25:45,439 Speaker 1: you gotta keep your circle tight, and you got I mean, 532 00:25:45,480 --> 00:25:47,840 Speaker 1: it's hard. You can't trust anybody, really, you gotta keep 533 00:25:47,880 --> 00:25:50,159 Speaker 1: your guard up, you know what I'm saying for me, 534 00:25:51,400 --> 00:25:57,040 Speaker 1: I guess the way me and red Man have I 535 00:25:57,080 --> 00:25:58,720 Speaker 1: don't know the way we're portrayed, I guess or the 536 00:25:58,800 --> 00:26:02,480 Speaker 1: way we we we had amongst people and like we're 537 00:26:02,520 --> 00:26:05,520 Speaker 1: like knowing from cheers, everybody just loves us. I'll be 538 00:26:05,600 --> 00:26:09,640 Speaker 1: in random spots and people will be showing the kid 539 00:26:09,800 --> 00:26:12,120 Speaker 1: love it where it's like you know where you at, 540 00:26:13,480 --> 00:26:15,840 Speaker 1: you know, places like that. I mean, I get it 541 00:26:16,400 --> 00:26:20,400 Speaker 1: because you know when you when you they just feel 542 00:26:20,400 --> 00:26:22,520 Speaker 1: like we're non threatening. Were not those type of dudes 543 00:26:22,560 --> 00:26:25,320 Speaker 1: that's coming to take anything from them. They when they 544 00:26:25,400 --> 00:26:27,680 Speaker 1: see people like us, they think party or we're gonna 545 00:26:27,680 --> 00:26:31,159 Speaker 1: get high, go party like that, you know, So that 546 00:26:31,280 --> 00:26:33,480 Speaker 1: little laid back or I guess it's the same. Not 547 00:26:33,600 --> 00:26:36,160 Speaker 1: comparing ourselves to Cheaching Chong, but it's that same vibe 548 00:26:36,200 --> 00:26:38,560 Speaker 1: that Cheach and Chong give people. I mean, black people 549 00:26:38,640 --> 00:26:41,680 Speaker 1: love Cheaching Chong. White people agent who ever seen their movies, 550 00:26:41,760 --> 00:26:47,280 Speaker 1: they love them. With the weed culture, yes, ma'am, but 551 00:26:47,440 --> 00:26:51,040 Speaker 1: train record will be in there. This Amy Shooman murdered 552 00:26:51,119 --> 00:26:53,240 Speaker 1: that train records are greater weed too, So that was 553 00:26:53,280 --> 00:26:58,400 Speaker 1: a great you ever had a bad trip on When 554 00:26:58,440 --> 00:27:01,280 Speaker 1: I was younger, some of you employed the program m. 555 00:27:01,880 --> 00:27:03,359 Speaker 1: I didn't have a sum of youth y'all, because I 556 00:27:03,560 --> 00:27:07,119 Speaker 1: never could find my Social Security card. I thought you 557 00:27:07,200 --> 00:27:09,159 Speaker 1: working in the Statue Liberty, Yeah, you didn't need one. 558 00:27:09,200 --> 00:27:13,280 Speaker 1: They paid in cash. So what happened? Okay, So they 559 00:27:13,320 --> 00:27:14,520 Speaker 1: woke me up in the morning. I lived on the 560 00:27:14,520 --> 00:27:15,920 Speaker 1: first floor, so they knocked on the window. I was 561 00:27:15,960 --> 00:27:17,719 Speaker 1: living on the first flour fifty five bow Apartment one 562 00:27:17,760 --> 00:27:20,920 Speaker 1: two three. Knocked on the window. I ain't even washed nothing, 563 00:27:21,680 --> 00:27:24,040 Speaker 1: closed on, jumped out the window. We on the ferry. 564 00:27:24,119 --> 00:27:26,560 Speaker 1: Dudes is smoking on the ferry, were smoking joint after join, 565 00:27:26,600 --> 00:27:29,680 Speaker 1: after join, mind you, I didn't eat anything. We get 566 00:27:29,680 --> 00:27:32,639 Speaker 1: to Canal Street, one of the hottest days of the summer. 567 00:27:32,840 --> 00:27:35,880 Speaker 1: I didn't eat anything. I'm highest, I'm like thirteen years 568 00:27:35,920 --> 00:27:39,120 Speaker 1: old walking and next thing you know, I just blacked 569 00:27:39,119 --> 00:27:45,359 Speaker 1: out and passed the out both damn woke up. Dudes 570 00:27:45,440 --> 00:27:47,040 Speaker 1: was carrying me a little. They picked me up, woke 571 00:27:47,119 --> 00:27:49,400 Speaker 1: me up and went and got me something to eat. 572 00:27:49,400 --> 00:27:50,720 Speaker 1: And I was good after that. And that was the 573 00:27:50,760 --> 00:27:53,320 Speaker 1: worst trip. And then I ate a weed browdy one time. 574 00:27:53,760 --> 00:27:56,160 Speaker 1: Oh that You never know how powerful that is. Yeah, 575 00:27:56,240 --> 00:27:58,679 Speaker 1: but you know what it was. I did the dumbie 576 00:27:58,840 --> 00:28:01,400 Speaker 1: because I was hungry, and I ate the whole thing, right, 577 00:28:01,600 --> 00:28:06,880 Speaker 1: So I say, about fifteen minutes to a half hour later, Yeah, yeah, 578 00:28:07,320 --> 00:28:09,080 Speaker 1: it was going down. I don't know if I want 579 00:28:09,119 --> 00:28:12,880 Speaker 1: to throw up. Home was spinning. I tried to sleep 580 00:28:12,960 --> 00:28:14,879 Speaker 1: the dof I went to sleep. I don't know for 581 00:28:15,000 --> 00:28:17,639 Speaker 1: how long I woke up still spinning. It was it 582 00:28:17,800 --> 00:28:19,840 Speaker 1: was a up trip, and I'm thinking to myself, like 583 00:28:20,600 --> 00:28:22,960 Speaker 1: I might die in this smoke, but I'm not calling 584 00:28:23,040 --> 00:28:25,600 Speaker 1: the hospital because I can imagine what that the headlines 585 00:28:26,359 --> 00:28:29,840 Speaker 1: I met the bad old D's on Brown, I will 586 00:28:30,080 --> 00:28:35,760 Speaker 1: die and I will die in this night before I 587 00:28:35,880 --> 00:28:37,720 Speaker 1: let the La Times get a story like that. You 588 00:28:37,920 --> 00:28:41,280 Speaker 1: wanted the upper echelon weed smoker, you Willie Nelson Snoop Dog. 589 00:28:41,400 --> 00:28:44,000 Speaker 1: Y'all can't die from the weed over night. But you know, 590 00:28:44,120 --> 00:28:46,520 Speaker 1: I put it in the background now more than anything 591 00:28:46,600 --> 00:28:49,680 Speaker 1: else because honestly, yeah, I do smoke. I still smoke. 592 00:28:49,720 --> 00:28:51,160 Speaker 1: I probably smoke for the rest of my life. But 593 00:28:51,160 --> 00:28:53,120 Speaker 1: I don't smoke as much as people perceived me too, 594 00:28:53,640 --> 00:28:55,200 Speaker 1: you know what I mean? Back then, Yes I did. 595 00:28:55,560 --> 00:28:57,480 Speaker 1: Then you have to teach kids about the dangers of weed. 596 00:28:57,520 --> 00:29:04,160 Speaker 1: At one point, back in the day, I didn't actually know. 597 00:29:04,240 --> 00:29:06,479 Speaker 1: I'm being honest, No, I didn't. It was I got 598 00:29:06,520 --> 00:29:10,800 Speaker 1: a DUI and part of my community service was to 599 00:29:10,880 --> 00:29:12,920 Speaker 1: go to high schools and uh but it was me 600 00:29:13,000 --> 00:29:15,880 Speaker 1: and a bunch of other people and talk about my story, 601 00:29:15,960 --> 00:29:18,720 Speaker 1: tell my story of how I got caught, and the 602 00:29:19,920 --> 00:29:22,880 Speaker 1: it was of driving under the influence, you know, all 603 00:29:23,080 --> 00:29:24,640 Speaker 1: but the people that I was sitting there with that 604 00:29:24,720 --> 00:29:29,320 Speaker 1: actually killed people, you know, like one dude, he I mean, 605 00:29:29,440 --> 00:29:31,960 Speaker 1: his community service was already up, but he was still coming. 606 00:29:32,000 --> 00:29:36,080 Speaker 1: A doctor Indian guy, I remember, because he had killed 607 00:29:36,120 --> 00:29:39,720 Speaker 1: somebody or the motorcycle because he was texting on his phone, 608 00:29:40,760 --> 00:29:44,000 Speaker 1: you know. And another lady was drunk and out of 609 00:29:44,120 --> 00:29:47,120 Speaker 1: all the cars she could have hit, she hit a 610 00:29:47,240 --> 00:29:52,560 Speaker 1: DA's car. Yeah. Yeah, a few other people. They killed people. 611 00:29:52,600 --> 00:29:54,240 Speaker 1: And so by the time it got to my story, 612 00:29:54,280 --> 00:29:56,160 Speaker 1: I was like, I ain't really got nothing good to say. 613 00:29:56,200 --> 00:29:57,800 Speaker 1: I got pulled over with some weed in the car, 614 00:29:58,400 --> 00:30:01,800 Speaker 1: you know. That was it? Now, the last the last 615 00:30:01,840 --> 00:30:05,320 Speaker 1: two ten album, the one that was the private one 616 00:30:05,360 --> 00:30:06,920 Speaker 1: that they were selling for so much money, but when 617 00:30:06,920 --> 00:30:08,800 Speaker 1: they were auctioning, that wasn't the probably one. It was 618 00:30:09,960 --> 00:30:13,200 Speaker 1: um A Better than Marrow, right, No, that was the 619 00:30:13,280 --> 00:30:15,800 Speaker 1: one that was free on the part of Time A 620 00:30:15,800 --> 00:30:17,719 Speaker 1: Better Tomorrow came out that these albums coming out. Are 621 00:30:17,720 --> 00:30:18,920 Speaker 1: you guys, are you a part of it? Or is 622 00:30:18,920 --> 00:30:20,800 Speaker 1: it one of those thing where they taking versus No. 623 00:30:20,880 --> 00:30:22,720 Speaker 1: I was there. I was the first one to go 624 00:30:22,800 --> 00:30:25,200 Speaker 1: in because I had touring obligations to do. So I 625 00:30:25,320 --> 00:30:28,200 Speaker 1: went in first and um, not gonna lie. I told 626 00:30:28,280 --> 00:30:31,760 Speaker 1: Riss off Top. I was like, look, um, what what 627 00:30:31,920 --> 00:30:33,240 Speaker 1: kind of feel are you going for us? I want 628 00:30:33,240 --> 00:30:35,320 Speaker 1: to give him a light feelings like okay, I get that, 629 00:30:35,400 --> 00:30:38,040 Speaker 1: but how much light are we giving them right now? 630 00:30:38,120 --> 00:30:41,800 Speaker 1: Because I mean, as far as core fans go, they 631 00:30:41,880 --> 00:30:46,760 Speaker 1: want that first album that gouttish if anything was try 632 00:30:46,840 --> 00:30:51,680 Speaker 1: and do everything off their MP like that. But he 633 00:30:51,880 --> 00:30:54,240 Speaker 1: was focused on what his vision was. And um, he's 634 00:30:54,280 --> 00:30:56,520 Speaker 1: been right before in the past as far as I go, 635 00:30:56,640 --> 00:30:58,440 Speaker 1: because I would have never put all our need out 636 00:30:58,680 --> 00:31:01,480 Speaker 1: that was some personal right, but it was his idea 637 00:31:01,520 --> 00:31:03,440 Speaker 1: and the label and it worked for me, So I'm 638 00:31:03,480 --> 00:31:06,360 Speaker 1: not mad at it. God blessed Mary feel putting our 639 00:31:06,760 --> 00:31:09,280 Speaker 1: stamp on it. Then as time went on, we you know, 640 00:31:10,040 --> 00:31:12,800 Speaker 1: dude spoke to him about certain things that was going 641 00:31:12,880 --> 00:31:15,760 Speaker 1: on and and you know, we're not feeling this beat 642 00:31:15,800 --> 00:31:17,160 Speaker 1: or we're not feeling this beat. And there was a 643 00:31:17,200 --> 00:31:20,240 Speaker 1: time when we went overseas where we were doing joints 644 00:31:20,320 --> 00:31:23,800 Speaker 1: that guys were feeling the beats and all that stuff 645 00:31:23,880 --> 00:31:28,600 Speaker 1: right there. And when he got it back to New 646 00:31:28,720 --> 00:31:33,040 Speaker 1: York or wherever he took it to, it just changed changed. 647 00:31:33,200 --> 00:31:35,920 Speaker 1: And I'm gonna be honest. I didn't like the Dune 648 00:31:35,960 --> 00:31:39,040 Speaker 1: product at all. You know, I didn't like the process 649 00:31:39,120 --> 00:31:42,280 Speaker 1: at all of making it. So I was pretty much 650 00:31:42,360 --> 00:31:44,880 Speaker 1: out of the loop before it was even completed. You know, 651 00:31:45,240 --> 00:31:49,120 Speaker 1: why didn't you like all I need? He said, it 652 00:31:49,160 --> 00:31:51,480 Speaker 1: wasn't his idea to put it out. I mean, it 653 00:31:51,480 --> 00:31:53,120 Speaker 1: wouldn't have been on the album if I didn't like it. 654 00:31:53,720 --> 00:31:56,040 Speaker 1: Pretty much. Of course, I love that song. That song, 655 00:31:56,120 --> 00:31:57,720 Speaker 1: it's done a lot. That's song meant something to me, 656 00:31:57,800 --> 00:32:00,760 Speaker 1: and that video just putting it out out as a 657 00:32:01,000 --> 00:32:04,120 Speaker 1: as a song, you know, I think what they're there, 658 00:32:05,480 --> 00:32:07,560 Speaker 1: what they were going forward, something different than what I 659 00:32:07,640 --> 00:32:09,720 Speaker 1: was going for. I wrote it pure thought, pure mind. 660 00:32:10,360 --> 00:32:13,080 Speaker 1: This is for my woman and that's it, a personal 661 00:32:13,200 --> 00:32:16,160 Speaker 1: letter to her. And what they were going for was, okay, 662 00:32:16,240 --> 00:32:19,480 Speaker 1: let's ride this way. Women like him, so let's throw 663 00:32:19,560 --> 00:32:22,440 Speaker 1: this song out there and get it popping. I mean, 664 00:32:22,560 --> 00:32:25,640 Speaker 1: look at their core artists that went through that. DMX 665 00:32:25,760 --> 00:32:28,960 Speaker 1: had what these bitches want from it? Right? Or no? No? No? 666 00:32:29,160 --> 00:32:31,560 Speaker 1: Was um I was going down? How's it going down? There? 667 00:32:31,600 --> 00:32:34,120 Speaker 1: You go? Jab Rule? I mean, his catalog is what 668 00:32:34,320 --> 00:32:36,280 Speaker 1: it is and stuff. You know, it's it's a pattern 669 00:32:36,400 --> 00:32:38,640 Speaker 1: up there and it's it's a good pattern, especially if 670 00:32:38,680 --> 00:32:40,640 Speaker 1: it works. But when it doesn't work or it fails, 671 00:32:41,600 --> 00:32:43,960 Speaker 1: oh my god, who did the all I needed remix 672 00:32:43,960 --> 00:32:47,760 Speaker 1: because you added some bars and to that one. Puffy okay, Betty, 673 00:32:47,920 --> 00:32:49,880 Speaker 1: a lot of lawful puff. I don't get what nobody 674 00:32:49,960 --> 00:32:52,600 Speaker 1: said about Puffy. Man. Puff is a trail, you know 675 00:32:52,640 --> 00:32:54,800 Speaker 1: what I'm saying, He he, he kept it a hunt 676 00:32:54,800 --> 00:32:56,600 Speaker 1: it with me every time I did wait a long 677 00:32:56,640 --> 00:32:58,600 Speaker 1: time for my twenty five huntred for the what though? 678 00:32:59,040 --> 00:33:06,960 Speaker 1: Wait that? And and um but Puff walked too with 679 00:33:07,120 --> 00:33:12,920 Speaker 1: this woman we know, getting your real cold shoulder, kettle 680 00:33:12,960 --> 00:33:16,120 Speaker 1: bells and everything. He din't touch that man, that man, 681 00:33:17,200 --> 00:33:19,120 Speaker 1: Let's just say that. Let's be clear. None of us 682 00:33:19,240 --> 00:33:20,959 Speaker 1: was in the room, so we don't know what happened. 683 00:33:21,000 --> 00:33:23,560 Speaker 1: But no charges, No charges. Now you're talking about females. 684 00:33:23,600 --> 00:33:25,120 Speaker 1: Was at one point where you purposely was trying to 685 00:33:25,160 --> 00:33:27,120 Speaker 1: make yourself look ugly because you didn't want the sex 686 00:33:27,200 --> 00:33:30,680 Speaker 1: symbol label. I think I did, I can't remember. Probably did, 687 00:33:32,040 --> 00:33:35,360 Speaker 1: and like that. No, but honestly, that's that's watching rock 688 00:33:35,400 --> 00:33:39,200 Speaker 1: and roll like eighties glam rock. You know what I'm saying. 689 00:33:39,240 --> 00:33:40,800 Speaker 1: It's like you couldn't get away from that. I don't 690 00:33:41,520 --> 00:33:43,640 Speaker 1: how hardcore you was with the hip hop because that 691 00:33:43,800 --> 00:33:47,000 Speaker 1: you know that hair I was the kid that sat 692 00:33:47,040 --> 00:33:50,200 Speaker 1: by the radio Friday Saturday to take mister Magic and 693 00:33:50,280 --> 00:33:52,240 Speaker 1: bred A Lerton go back and forth through the radio station. 694 00:33:52,280 --> 00:33:57,240 Speaker 1: When they first played I, um, um it's my thing EPMD. 695 00:33:57,440 --> 00:34:00,600 Speaker 1: I caught it World World Premier Premier on tape. Hit 696 00:34:00,680 --> 00:34:04,640 Speaker 1: that more my record. But when we watched TV, we 697 00:34:04,760 --> 00:34:07,120 Speaker 1: had even on hot tracks they was playing. I mean 698 00:34:07,240 --> 00:34:11,800 Speaker 1: we had Wham, we had Poison, we had Peter Gabriel 699 00:34:12,160 --> 00:34:15,879 Speaker 1: sledge Hammer. Right. I don't know where that motherfucker came from, 700 00:34:15,920 --> 00:34:20,280 Speaker 1: but it was like, this is these I used to us. 701 00:34:20,520 --> 00:34:23,520 Speaker 1: I mean method Man came from references from Hall and 702 00:34:23,600 --> 00:34:26,640 Speaker 1: notes method of monology. I don't want to get sued, 703 00:34:27,040 --> 00:34:31,160 Speaker 1: but yeah, you remember your first time here and method 704 00:34:31,200 --> 00:34:34,400 Speaker 1: Man on the radio. Yeah. But when I first heard it, 705 00:34:35,680 --> 00:34:37,920 Speaker 1: I was like, yeah, that's that's that right there. One 706 00:34:38,160 --> 00:34:41,000 Speaker 1: um Battle of the Beats, like they had to retire 707 00:34:41,040 --> 00:34:42,719 Speaker 1: to it. It was the first time they retired a 708 00:34:42,760 --> 00:34:44,880 Speaker 1: record or a Battle of the beats because everybody was 709 00:34:45,480 --> 00:34:49,759 Speaker 1: picking that Method Man. It was Angie doing it. I 710 00:34:49,840 --> 00:34:54,279 Speaker 1: think Angie was no, no, still it is what it is, 711 00:34:54,920 --> 00:34:58,120 Speaker 1: you know, telling people about what train train rerecords about 712 00:34:58,320 --> 00:35:03,759 Speaker 1: if they don't know train rerecords based about a said 713 00:35:05,120 --> 00:35:09,440 Speaker 1: Amy Schumer rit wrote, Oh god, all right, I got it. 714 00:35:09,920 --> 00:35:13,120 Speaker 1: Train Wrecord is a film about a a woman who 715 00:35:15,280 --> 00:35:19,160 Speaker 1: cannot maintain a monogamous relationship because she believes monogamy is 716 00:35:19,320 --> 00:35:22,600 Speaker 1: isn't real. She basically goes through life with the illusion 717 00:35:22,719 --> 00:35:25,520 Speaker 1: that it's one night stand after one night stand after 718 00:35:25,600 --> 00:35:27,640 Speaker 1: one night stand, and she believes her life is great 719 00:35:27,719 --> 00:35:30,360 Speaker 1: until she's shone a different way when she falls in 720 00:35:30,440 --> 00:35:32,600 Speaker 1: love with a doctor. Amy Schumer was a man in 721 00:35:32,680 --> 00:35:39,640 Speaker 1: train Wreck. That's appreciate you for joining us. Shout out 722 00:35:39,719 --> 00:35:44,000 Speaker 1: Muffin Schumer. Congratulations to you, sweetie. Observe breakfast Club is 723 00:35:44,040 --> 00:35:44,520 Speaker 1: method man.