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Speaker 1: So my whole attitude is LA have all you want,

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Speaker 1: general public. I find Lord's attitude to be refreshing. I

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Speaker 1: think she's a breath of fresh air in the music industry.

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Speaker 1: All these people are saying, Oh, consumerism's great, Like we

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Speaker 1: love consumerism. What if it's not so great?

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Speaker 2: Disagree?

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Speaker 1: Hey, what up? What up? It's Hollywood Handbook. I'm Hayes,

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Speaker 1: I'm here with Sean.

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Speaker 2: We come to you with heavy hearts this week we do.

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Speaker 1: This is a difficult podcast to do, not the least

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Speaker 1: of which did we had to get a last second

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Speaker 1: replacement for our guest, which will Uh. This is sort

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Speaker 1: of related.

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Speaker 2: Yeah, we were supposed to be doing an episode called

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Speaker 2: our close Friend Lewis Reid.

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Speaker 1: Uh.

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Speaker 2: Lewis Reid sang with the Velvet Underground Men, and he

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Speaker 2: also did some solo stuff that a lot of people

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Speaker 2: don't know about. He was a musician, musical guy, and

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Speaker 2: a lot of people think.

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Speaker 1: Just to dispel sort of a myth about this city

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Speaker 1: is that it is all movies, all TV. The last

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Speaker 1: five or six years, music has actually been making big

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Speaker 1: inroads in LA I mean, becoming a big part of

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Speaker 1: the culture here. And Sean and I try and keep talking.

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Speaker 2: I was at a party. I was at a party

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Speaker 2: two weeks ago where there was music playing almost the

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Speaker 2: entire time, and I only wish that Lewis could have

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Speaker 2: been here to see it. Some people heard about his

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Speaker 2: passing and put posts on face, Facebook, Twitter, you know, universe,

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Speaker 2: and it kind of pissed me off because they didn't

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Speaker 2: know Lewis like we did.

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Speaker 1: It made it seem like they thought their relationship to

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Speaker 1: Lewis was more important than the people who actually knew him,

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Speaker 1: who actually could be sad about this, who would actually

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Speaker 1: hurt more than anyone else.

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Speaker 2: We're truly grieving, so, you know, like.

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Speaker 1: They're trying to take ownership of lou Reed's death when

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Speaker 1: really it's not theirs, it's ours. M H speak on. Uh,

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Speaker 1: you have some story. We both have stories about what's

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Speaker 1: what's your favorite story about Lewis?

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Speaker 2: Well? I remember, so it's my tenth birthday party disco theme,

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Speaker 2: you know, and most of the people have left, but

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Speaker 2: you know Lewis, he's always late. He comes walking in

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Speaker 2: and I say, well, Lewis, the party is basically over,

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Speaker 2: and he says, is it? And I go, no, not

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Speaker 2: when you're around Bud, we splash around in the pool

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Speaker 2: a little bit, We spin the disco ball, and then

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Speaker 2: took a walk. We drank sangria in the park. We

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Speaker 2: wound up going feeding some animals at the zoo and

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Speaker 2: he turned to me and he was like, Sean, this

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Speaker 2: has just been the most perfect day. And I said,

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Speaker 2: make that a song. And then he picked up a

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Speaker 2: guitar and he just started going, you know, and he

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Speaker 2: was going, uh, hell hell in whom ou hey? And

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Speaker 2: I'm saying that hell in hey, yeah, And I said, Louis,

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Speaker 2: stop it, stop it, Lewis, what are you saying? What

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Speaker 2: are you singing? And he said, I don't know. And

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Speaker 2: I said, well, what do you want to sing about?

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Speaker 2: And he said, well, I guess that I just don't know.

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Speaker 2: And I said, then tell us that, So then tell

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Speaker 2: us about that. Sing to us about that, and then

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Speaker 2: you know, I don't know what he did, but I

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Speaker 2: shut up and I fell asleep.

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Speaker 1: I think my relationship with lewis uh you know, he

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Speaker 1: was a genius and he was so so influent, lentil

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Speaker 1: big genius, uh to my comedy and just sort of

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Speaker 1: and I think that worked both ways in our relationship.

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Speaker 1: We would see what the other one was doing and

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Speaker 1: just kind of feed off it. And I think what

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Speaker 1: he most appreciated about me was I did not really

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Speaker 1: care for his music, uh, and never really thought it

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Speaker 1: was good. And he needed someone like that. He was

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Speaker 1: always surrounded by yes men uh, and so he, you know,

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Speaker 1: he would come to me. I remember one day he

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Speaker 1: came to and said, Hayes, I don't know what to

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Speaker 1: do music about, Like what do I do music about today?

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Speaker 1: And he's like, he's got warhole in his ear, saying

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Speaker 1: to dupe songs about fucking like Burger King and you

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Speaker 1: know Audrey Hepburn or whatever. And I said, Lou, do

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Speaker 1: songs about heroin, sing about heroin. And he's like, well,

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Speaker 1: I've never done hair. It seems really scary.

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Speaker 2: Seems scary to him. Yeah, he refused to do it.

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Speaker 1: I've never done it. And I was like, who fucking cares, Lou.

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Speaker 1: No one who's listening to your songs has done it either.

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Speaker 2: Like, No, his fans were a lot of pussies. They

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Speaker 2: didn't have the balls to do hair.

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Speaker 1: They want to listen to your songs. Yeah, to have

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Speaker 1: like to feel cool and to have like a cool

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Speaker 1: relationship with drugs, like that's the closest they're ever gonna get,

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Speaker 1: So give them that. And he was like, that's great,

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Speaker 1: I will do that. They should be really sad, right,

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Speaker 1: I was like, no, make them like sort of upbeat

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Speaker 1: and happy, like it's about a sad subject, but you're

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Speaker 1: doing a happy song. And he did that. Was I

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Speaker 1: introduced him to Nico and he did that album and

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Speaker 1: I still didn't really care for it, but I think

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Speaker 1: he valued my input a lot, and it was not

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Speaker 1: a commercial success.

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Speaker 2: And you also told him that New York City was

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Speaker 2: a cool city.

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Speaker 1: Right, yeah, I he should probably At the time, he

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Speaker 1: was living in Orlando and he was sort of trying

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Speaker 1: to get the artistic community going there. And I said, Lou,

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Speaker 1: this is probably not a great adventure for you. Go

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Speaker 1: to New York. We talked about this on the forums

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Speaker 1: a little bit recently. New York in some of the

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Speaker 1: movies I've seen, is like a character in itself.

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Speaker 2: It can be a character in some of the movies

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Speaker 2: that it's in.

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Speaker 1: And so I said, Lou, go to New York. Get

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Speaker 1: to know this character. I refer to it as a she,

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Speaker 1: and she's a great town.

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Speaker 2: Yeah, but also she can be a little bit of

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Speaker 2: a beat word, if you know what I mean. And

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Speaker 2: I saw if that offends anyone, but if you've lived there,

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Speaker 2: and I have lived there.

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Speaker 1: Right, And my thing with New York that I always

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Speaker 1: to lose is if you can make it there, you're

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Speaker 1: doing a great job.

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Speaker 2: Yeah.

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Speaker 1: And so he went to New York. He sang some

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Speaker 1: songs about what he imagined Heroin to be like.

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Speaker 2: And I say this about New York. I say, if

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Speaker 2: you can make it there, congratulations. Now go to la.

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Speaker 1: He he always regretted, I think, not having been a

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Speaker 1: bigger commercial success, and that's what is so sad about

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Speaker 1: his death. For me, the thing that I think is

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Speaker 1: most lamentable about his death is that he never did

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Speaker 1: make that much money.

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Speaker 2: Yeah, it's sad that he didn't have that very much

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Speaker 2: money and that he wasn't a literal commercial success because

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Speaker 2: he had written a lot of jingles for products that

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Speaker 2: he was very proud of and that they shot down.

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Speaker 2: He had that great little Caesar's Pizza song that he

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Speaker 2: worked forever on, Yeah, that I thought was some of

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Speaker 2: his best start.

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Speaker 1: Would that go? It went? And cheesy pie?

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Speaker 2: Munch it with him? Garlic nuts insults? And I thought,

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Speaker 2: this is the best fucking thing you've ever written, Lewis,

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Speaker 2: I actually do like this and uh, and maybe I

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Speaker 2: steered him wrong because he basically only played that for

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Speaker 2: the rest of his life.

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Speaker 1: Yeah. I wish I could say rest in peace, but

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Speaker 1: I know he won't.

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Speaker 2: Yeah, I know, I.

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Speaker 1: Know his spirit is restless because because he I know

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Speaker 1: that he's very frustrated. But since Louke couldn't be here today,

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Speaker 1: we did manage. We have sort of a standby. I

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Speaker 1: got a fill in guest, Paul F. Tompkins this year.

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Speaker 1: He has a new show, he has a he's a

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Speaker 1: stand up. We're gonna ask him a few questions about that.

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Speaker 2: Yeah, I've got some questions about stand up I need answered.

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Speaker 1: That's a little later on on Hollywood Handbook. So I

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Speaker 1: haul up and.

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Speaker 2: I punched the one top in the stomach, and I go,

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Speaker 2: that's for Jessica Field. And then I punched the other

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Speaker 2: one right in the neck, and I go, and that's

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Speaker 2: for me. Then Justin Timber started.

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Speaker 1: Crying and Sean, Hey, what up? What up? Welcome back

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Speaker 1: to Hollywood Handbook. It's a feature we really like to do. Uh.

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Speaker 1: And it is really amazing how this phrase has entered

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Speaker 1: the public consciousness. This is something that people did.

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Speaker 2: Not No one had said it, and now everyone's saying

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Speaker 2: it's on everyone, which is a little bit of what

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Speaker 2: we're going to talk about with this teaser.

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Speaker 1: Yes, uh, you know what what it is?

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Speaker 2: What y'all know what it is.

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Speaker 1: It's time for the teaser freezer, let's open it up.

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Speaker 1: This is a very very hot, steaming teaser going around.

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Speaker 1: We had to put it in the freezer for a

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Speaker 1: little while just to.

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Speaker 2: Cool to even be able to handle it, We had

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Speaker 2: to put it in the freezer for a couple of days.

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Speaker 1: It's the teaser for that awkward moment starring Zach Affron,

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Speaker 1: Michael Jordan, Miles Teller.

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Speaker 2: These three studs are gallivanting around the town and having adventures.

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Speaker 2: And I guess do you want to talk about our

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Speaker 2: issue with it first or do you want to play

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Speaker 2: some of it?

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Speaker 1: Sure? I think that's a good way to start a

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Speaker 1: little lesson on life in Hollywood.

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Speaker 2: Yeah, a hard lesson that we had to learn. And

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Speaker 2: this is just it's coming back to haunt us once again.

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Speaker 2: Hayes and I are very funny, fun party guests. People

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Speaker 2: like to talk to us and we like to tell

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Speaker 2: all kinds of stories of our misadventures that we have

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Speaker 2: in this town. We sort of set up shop, usually

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Speaker 2: in one corner of the room. Yeah, and pretty soon

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Speaker 2: you can see the entire party is gathered around that

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Speaker 2: sort of gathered around, and the snack table's empty, and

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Speaker 2: we dish and we spin our tails and yeah, we've

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Speaker 2: got our powder worked out. I'll throw to him and

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Speaker 2: he starts weaving a yarn and then I'll grab the

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Speaker 2: you know, proverbial microphone.

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Speaker 1: And it's fun for us too, because sometimes when this

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Speaker 1: stuff happens to you, you just got to think, like, well,

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Speaker 1: that's a good story.

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Speaker 2: At least it's a story, yeah, And so whatever, we're

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Speaker 2: happy to do it. We're happy to actually make the

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Speaker 2: party fun for people and don't know how to fucking

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Speaker 2: talk to anyone like we do and aren't actually socially cool,

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Speaker 2: and so we do that. But what you find out

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Speaker 2: when you live here is the walls have ears.

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Speaker 1: The walls have ears, and they've also got pens, and

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Speaker 1: they're writing down a lot of the funny stuff that you.

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Speaker 2: See the pens right down with the ears here of

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Speaker 2: the walls, and we mean people, yep.

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Speaker 1: And this is an example of some of these movies

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Speaker 1: that are coming out right now that are stolen from

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Speaker 1: our party stories, which we always say at the beginning

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Speaker 1: of the stories, Hey, these are free. Gather around doesn't

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Speaker 1: cost anything. These stories are free.

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Speaker 2: We shouldn't say it anymore because people are making a

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Speaker 2: buttload of money off them. Almost everything that happens in

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Speaker 2: this teaser happened to me and Hayes.

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Speaker 1: Let's play the teaser for that awkward moment. So it's Ellie,

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Speaker 1: are you serious? And this is a debt of tesosto.

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Speaker 3: You can't in find a girl to a place like

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Speaker 3: these Well, she's.

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Speaker 1: Not gonna talk about Xbox. I'm gonna be sitting here

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Speaker 1: being like, Oh, I.

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Speaker 2: Have to far, but maybe I can't right now.

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Speaker 1: You better have some hot friends open the door. I

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Speaker 1: don't care getting wasted, so just quickly. It's sort of

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Speaker 1: based on our pattern, Like the basic relationship between these

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Speaker 1: guys is sort of based on how you and I interact,

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Speaker 1: busting each other's bees and.

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Speaker 2: Yeah and never really letting each other off the hook.

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Speaker 2: And one time I actually did have a girl come

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Speaker 2: up into our apartment that we shared at the time,

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Speaker 2: beautiful penthouse overlooking the ocean, and she came up and

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Speaker 2: Hayes tried to talk to her about Xbox and then

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Speaker 2: he asked if he could fart, And so they've changed

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Speaker 2: it a little bit.

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Speaker 1: In my defense, I was pretty wasted. I was pretty wasted.

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Speaker 2: Yeah, no news, there is that ice cream new it's.

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Speaker 1: Peter bit of chocolate.

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Speaker 2: I mean your stream, No, I need it. My girl

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Speaker 2: broke up with me. What are you, Bridget Jones?

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Speaker 1: Yes, ice cream. We're going out and we say stuff

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Speaker 1: like that. We say like, what are you like hermione?

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Speaker 1: Like we'll call each other famous girls all the time.

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Speaker 2: Yeah, we do that anytime Hayes is doing when Hayes

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Speaker 2: is Murphy not being a man. Yeah, John will call

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Speaker 2: me a famous girl. Yeah, I'm going, oh geez, what

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Speaker 2: are you, Laura, Lenny?

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Speaker 1: What are you, Susan Sarandon?

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Speaker 2: If you're single, we're staying single with you.

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Speaker 1: Man.

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Speaker 2: Hey, you guys want a mint?

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Speaker 3: Also, we're a mint dukee.

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Speaker 2: It's because it's a boner pill.

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Speaker 1: I got four hours to drink like Keith Richard, still

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Speaker 1: get funky. Okay, okay, Now this is one of our

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Speaker 1: classic party tales. Sean and I once when we made

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Speaker 1: a pack to all be single together with our friend

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Speaker 1: Michael Jordan. This is played by Michael B. Jordan in

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Speaker 1: this movie, but in our version it was Michael.

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Speaker 2: Regular Jordan, Michael Regular Jordan of the Washington Wizards.

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Speaker 1: We all went out together. Michael Regular Jordan offered us

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Speaker 1: a couple of mints.

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Speaker 2: A couple of mints, and I am always ready to

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Speaker 2: have fresh breath. They tasted a little weird, and I

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Speaker 2: said it. I said, it's a weird tasting mint. Michael

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Speaker 2: Jordan Regular Jordan. Because it turned out that they was

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Speaker 2: boner pills. And here's something people might not know is

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Speaker 2: when you take something that was boner pills, you get

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Speaker 2: a major, massive boner.

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Speaker 1: And it will not go away.

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Speaker 2: It doesn't go away. And if you're if you're built

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Speaker 2: like me and Hayes, it's pretty uncomfortable.

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Speaker 1: Yes, yes, if you're built like us. They talk about

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Speaker 1: the double edged sword, well, how about the double edged

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Speaker 1: spiked club?

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Speaker 2: About the double edged pork sword.

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Speaker 1: I'm not going to do that. That's going to make

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Speaker 1: you wait like forty days. I was going to make

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Speaker 1: you wait too then to realize.

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Speaker 2: The dude, that didn't change at all. That's that's my line.

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Speaker 3: We're not supposed to see it more than twice one week,

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Speaker 3: and you're seeing this to you twice in one day?

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Speaker 1: What's to do with you?

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Speaker 2: And Chelsea? See?

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Speaker 1: Now, this is a comedy about the funny problems that

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Speaker 1: a lot of us have, which is not being able

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Speaker 1: to stop fucking.

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Speaker 3: Yeah.

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Speaker 2: You make a promise to all be single with each other,

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Speaker 2: but every girl you see wants to fuck you and

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Speaker 2: then and then wants to be in a relationship.

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Speaker 1: It all the time, Like, and really, you made a

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Speaker 1: promise to your friends to only do it with them

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Speaker 1: a few times, yeah, and then to stop doing it.

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Speaker 2: Yeah, and to certainly. And we had all kinds of rules,

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Speaker 2: and they I feel like they might have stolen the

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Speaker 2: actual notebook we had when we wrote down the rules,

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Speaker 2: because one of them was don't see a girl twice

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Speaker 2: in one week, and Hayes actually saw one twice in

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Speaker 2: one day.

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Speaker 1: We did it twice in one day.

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Speaker 2: Another rule was, what's to deal with Chelsea?

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Speaker 1: What the hey, it doesn't mean what you think it means.

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Speaker 1: It doesn't.

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Speaker 2: Oh, what does our relationship mean to you?

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Speaker 1: Then? Wait, you guys are in a relationships. I will

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Speaker 1: say I like that. Some of my problems with hard

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Speaker 1: comedies in the past have been that came out wrong.

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Speaker 1: Oh no, we'll get that. Some of my problems with

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Speaker 1: straight up comedies in the past, okay, you can't start

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Speaker 1: nowhere safe. Some of my problems with just regular comedies

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Speaker 1: in the past have been that the guys in them

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Speaker 1: are not that hot.

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Speaker 2: It's not realistic because the things that are happening to

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Speaker 2: these guys, and how funny these guys are, yeah, and

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Speaker 2: how cool that doesn't happen to people who look the

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Speaker 2: way a lot of the comedy actors look.

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Speaker 1: Yeah, Like when I watch like mister Bean, He's like

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Speaker 1: doing his whole thing, and I'm being like, I guess

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Speaker 1: this is sort of funny, but like his body is

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Speaker 1: like trash.

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Speaker 2: There's nothing funny about being disgusted. And I'm so disgusted

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Speaker 2: when I see some of the freak weirdos out there,

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Speaker 2: your comedy stars, like Ben Stiller's very ugly Bill Murray old,

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Speaker 2: he's too old, shouldn't be allowed to be on the

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Speaker 2: same screen with a woman. If anything, he could do

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Speaker 2: voiceover maybe, but there's not enough hot sexy studs and

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Speaker 2: the and especially with this movie, the people this is

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Speaker 2: really happening to are built in a particular way.

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Speaker 1: Yes, that they've been graced with. Yeah, it's sort of

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Speaker 1: blessed with a certain feature. I love the way we

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Speaker 1: fit together in bed because of the same height.

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Speaker 2: Our crouches line up. Love that.

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Speaker 1: I love that. Yeah, man, so we're gonna tell you

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Speaker 1: that I'm doing it. You're doing it, dude. And then

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Speaker 1: he got hit by a taxicab, which happened to Michael

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Speaker 1: regular Jordan.

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Speaker 2: And then he and that's why you started playing baseball

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Speaker 2: for Attle while Brett, Brett, do you not get our emails?

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Speaker 2: Do you not get our emails?

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Speaker 1: Tell me? That wasn't what I think that was.

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Speaker 2: Do I have the wrong email for you, Brett? It's

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Speaker 2: just Brett at your Wolf. It was a sneeze. I

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Speaker 2: had a sneeze, okay, because that's what I've been sending

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Speaker 2: it to and you're not behaving as if you've read them.

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Speaker 2: I can't sneeze, That's right, That's what the email said.

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Speaker 2: You can't sneeze.

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Speaker 1: And if you're gonna sneeze, do it when we're sort

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Speaker 1: of like building our rhythm, you know what I mean.

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Speaker 1: Not when like not when we've like actually gotten there,

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Speaker 1: when we're like hitting the crescendo or peaking of a segment.

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Speaker 1: When you sneeze like that, it all it all falls down, Brett,

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Speaker 1: It all falls down, Brett.

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Speaker 2: If you feel a sneeze coming on, text one of

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Speaker 2: the other engineers to come in and sub wait for

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Speaker 2: them to arrive. Get up past the headphones, don't speak obviously,

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Speaker 2: walk outside, go down the hall, go down the elevator,

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Speaker 2: go outside, and sneeze in your car. I mean, I

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Speaker 2: don't think that's too much to ask. And I'm not

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Speaker 2: saying you can't sneeze obviously physically. Sometimes people have to,

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Speaker 2: but show a little bit of self control.

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Speaker 1: And we really do appreciate everything you do, Brett. And

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Speaker 1: it's only because you set such a high standard that

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Speaker 1: when you do something awful like that, it hurts.

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Speaker 2: You did it to yourself, and it hurts the show,

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Speaker 2: and it hurts the show.

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Speaker 1: We're going to be right back. That's the teaser freezer.

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Speaker 1: I don't see any way out of it. We're done.

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Speaker 1: We're done. We're going to be right back on Hollywood Handbook.

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Speaker 2: Hollywood Handbook. Hey guys, So we just fired engineer Brett.

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Speaker 2: You know why. Uh, we were able to get engineer

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Speaker 2: Cody to fill in the last minute to cover our

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Speaker 2: guest segment. So we'll be with engineer Cody for the

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Speaker 2: Paul F. Tompkins interview. Not a huge upgrade, but an

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Speaker 2: upgrade nonetheless, we hope. So we're gonna come back to

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Speaker 2: the show with Cody, not Brett, because Brett doesn't listen

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Speaker 2: so good does he? I just looked him dead and

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Speaker 2: I go s five Owens, you want to go back

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Speaker 2: to doing theater pound be my guest and it's your funerals.

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Speaker 2: And I dropped the flowers and I slammed the door.

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Speaker 1: City could come after you. He was a brave enough

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Speaker 1: and Sean Ho, what up?

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Speaker 2: What Up?

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Speaker 1: What Up? What up? Welcome back to Hollywood Handbook and

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Speaker 1: Insider's Guide to kicking butt and dropping names in the

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Speaker 1: red carpet line back hallways of this industry we call

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Speaker 1: show biz. H We've got a very exciting guest today.

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Speaker 1: As we said earlier, this was going to be an

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Speaker 1: episode with our close friend Lewis Reid, but he was

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Speaker 1: very yeah, unfortunate the show, but we've also been very

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Speaker 1: excited for for this guest as well, Paul F. Tompkins.

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Speaker 2: This year, Hi, Hi guys, Paul, do you want to

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Speaker 2: share any Lewis Reid memories.

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Speaker 3: I'm not I'm not sure I know who Lewis Reid is.

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Speaker 1: I'm sorry that was You probably know him as Lou Reid.

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Speaker 1: Lou was his actually his real name, and among like

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Speaker 1: some of his really close friends.

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Speaker 2: We called him that.

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Speaker 3: Oh well, yeah, I'd never met him, but but I

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Speaker 3: don't really have any memories of him personally. But I

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00:22:43,200 --> 00:22:47,119
Speaker 3: certainly the music obviously was it meant a lot to

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Speaker 3: to to me, I guess, yeah, as it did to

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Speaker 3: most people.

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Speaker 2: Sure, yeah, the people who knew about him.

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Speaker 1: Yeah, well, he's pretty famous. I many people knew. People

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Speaker 1: knew about him, right, Some people knew about him. Some

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00:23:02,640 --> 00:23:08,040
Speaker 1: people knew him. It doesn't matter who knew what and

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00:23:08,280 --> 00:23:12,040
Speaker 1: who heard his music? And one's more important and sort

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00:23:12,080 --> 00:23:14,800
Speaker 1: of thought they knew him. It doesn't matter which one

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Speaker 1: is more important one is, But it doesn't matter at

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Speaker 1: the end of the day, which one which one ours?

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Speaker 1: Are yours? Yes, certainly Lo's gone and we were friends

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Speaker 1: with him, and that's all that matters. Sorry for your

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Speaker 1: lost Thank you very much.

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Speaker 2: Thank you now we love to hear you say that.

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Speaker 2: Go ahead, what's up, Paul?

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Speaker 1: Uh? You and the two of us. We go a long,

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00:23:36,680 --> 00:23:41,160
Speaker 1: long way back. Yeah, starting off, when was it that

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00:23:41,200 --> 00:23:44,720
Speaker 1: we first met Paul will be back on the early

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Speaker 1: day of the show, or.

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Speaker 2: We were all part of that sort of booming Honolulu, Yes,

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00:23:52,200 --> 00:23:55,520
Speaker 2: the Honolulu comedy scene when we were all kind of struggling, and.

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Speaker 3: Which I hear is having a resurgence by the way, Yes,

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Speaker 3: well it makes sense.

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Speaker 2: These things are cyclical, and we always say that about

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Speaker 2: the business.

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00:24:02,560 --> 00:24:04,160
Speaker 3: I hear that the club opened back up.

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Speaker 1: And you see it is amazing, like the whole surf

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Speaker 1: comedy genre that we were there at the beginning of

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00:24:11,359 --> 00:24:13,919
Speaker 1: is so big now and so many, so many of

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00:24:13,960 --> 00:24:17,480
Speaker 1: the sketch people that we were there with have now

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Speaker 1: gone on.

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00:24:18,560 --> 00:24:21,480
Speaker 3: Absolutely to do like who who who was.

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Speaker 1: There in the in our in our sketch what was

435
00:24:23,440 --> 00:24:24,360
Speaker 1: our sketch group's name?

436
00:24:26,240 --> 00:24:30,159
Speaker 2: We uh ours coconuts and uh oh yeah, coconuts and

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00:24:30,240 --> 00:24:33,040
Speaker 2: jokes go nuts, jokes gonuts, coconuts and jokes go nuts,

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Speaker 2: and and we would say, yeah, we would give everyone

439
00:24:36,240 --> 00:24:38,399
Speaker 2: the audience a fresh coconut to drink from, and we

440
00:24:38,480 --> 00:24:41,080
Speaker 2: go and outside for jokes go nuts. Yes, and they'd

441
00:24:41,119 --> 00:24:43,840
Speaker 2: go nuts with laughter. And how many of those sketches

442
00:24:43,840 --> 00:24:47,560
Speaker 2: started interior uh uh.

443
00:24:46,600 --> 00:24:50,000
Speaker 1: Pig roast, Yes, you remember all of them?

444
00:24:50,160 --> 00:24:52,760
Speaker 2: Yeah, one set, every.

445
00:24:52,560 --> 00:24:55,320
Speaker 3: Single one, every single The biggest, the biggest variation I

446
00:24:55,359 --> 00:24:58,240
Speaker 3: remember was that sometimes the pig ross would be indoors,

447
00:24:58,560 --> 00:25:00,560
Speaker 3: maybe set indoors. Then we would just the scene would

448
00:25:00,640 --> 00:25:02,400
Speaker 3: end with everyone dying of association.

449
00:25:02,520 --> 00:25:04,600
Speaker 1: Yes, that was a big part of the joke. Interior

450
00:25:04,640 --> 00:25:08,800
Speaker 1: pig Roast was sometimes the entire sketch. Yes, yeah, just us.

451
00:25:10,520 --> 00:25:13,360
Speaker 3: But that is the Hawaiian style of improv is that

452
00:25:13,520 --> 00:25:17,320
Speaker 3: people yell out their suggestions as if their locations in

453
00:25:17,359 --> 00:25:18,040
Speaker 3: a film script.

454
00:25:18,560 --> 00:25:20,560
Speaker 1: Yes, it's sort of in the same way that Aloha

455
00:25:20,640 --> 00:25:21,800
Speaker 1: means hello and goodbye.

456
00:25:22,200 --> 00:25:25,960
Speaker 3: And it's like people would yell out medium and then

457
00:25:25,960 --> 00:25:28,840
Speaker 3: we would have to move slightly closer on the stage

458
00:25:28,880 --> 00:25:31,560
Speaker 3: to the audience. They would yell out close up, and

459
00:25:31,560 --> 00:25:33,760
Speaker 3: then we would have to get in again, right.

460
00:25:33,760 --> 00:25:37,280
Speaker 2: Right up against them. Yeah. And it's a very savvy audience.

461
00:25:37,080 --> 00:25:41,240
Speaker 3: Yeah, very savvy, very film savvy audience in the Honolulu

462
00:25:41,680 --> 00:25:42,480
Speaker 3: comedy scene.

463
00:25:44,680 --> 00:25:49,119
Speaker 1: I remember dintra Vance was there when we were there.

464
00:25:49,200 --> 00:25:53,760
Speaker 1: David Wayne started out there and that sort of sketch scene.

465
00:25:53,480 --> 00:25:58,040
Speaker 2: He started that. I think Marma McKinney. Taylor Kitch actually

466
00:25:58,080 --> 00:26:02,360
Speaker 2: played a baby a lot of our sketch and we'd go, wait,

467
00:26:02,400 --> 00:26:05,080
Speaker 2: where are we roasting a pig or a baby? And

468
00:26:05,119 --> 00:26:08,040
Speaker 2: we'd switch them back and forth and the and the

469
00:26:08,080 --> 00:26:10,880
Speaker 2: audience would go nuts. They would go jokes.

470
00:26:10,600 --> 00:26:13,520
Speaker 3: Going, the jokes go nuts, and then the yeah but yeah.

471
00:26:13,520 --> 00:26:16,560
Speaker 3: Anytime there there was a scene at a pig roast

472
00:26:16,560 --> 00:26:19,920
Speaker 3: that called for a baby, Tailor would jump in there

473
00:26:19,960 --> 00:26:23,760
Speaker 3: and otherwise kind of a timid, timid performer.

474
00:26:24,040 --> 00:26:26,200
Speaker 2: Quiet yeah, I didn't think he would make it, and no,

475
00:26:26,359 --> 00:26:27,240
Speaker 2: and he sort of didn't.

476
00:26:27,320 --> 00:26:29,680
Speaker 3: But he no, he didn't, he didn't, but but as

477
00:26:29,680 --> 00:26:32,280
Speaker 3: a as a baby on stage he would, he would

478
00:26:32,280 --> 00:26:33,719
Speaker 3: tear it up. It was amazing.

479
00:26:34,160 --> 00:26:37,800
Speaker 1: Nobody a lot of POY being passed around backstage in

480
00:26:37,840 --> 00:26:41,280
Speaker 1: those days. I don't think we really knew at the time. Uh,

481
00:26:41,720 --> 00:26:44,720
Speaker 1: some of the risks we were just trying. We were

482
00:26:44,800 --> 00:26:47,440
Speaker 1: having young and just like partying and having fun.

483
00:26:47,280 --> 00:26:50,200
Speaker 2: And stuff and it's not the same there any POY.

484
00:26:50,359 --> 00:26:54,840
Speaker 2: But uh but anyway, so we you know, we we

485
00:26:54,920 --> 00:26:59,240
Speaker 2: sort of knew you tangentially there and then we wound

486
00:26:59,320 --> 00:27:02,760
Speaker 2: up being involved in an early incarnation of what was

487
00:27:02,800 --> 00:27:06,960
Speaker 2: originally the mister Mister Show where we were gonna just

488
00:27:07,000 --> 00:27:12,400
Speaker 2: play Broken Wings for like forty five minutes every week. Yeah,

489
00:27:12,440 --> 00:27:14,560
Speaker 2: and then that and hold the Line, which at the

490
00:27:14,600 --> 00:27:17,879
Speaker 2: time we thought was a mister Mister song, but then

491
00:27:18,160 --> 00:27:20,160
Speaker 2: the way we got a note, a network note that it.

492
00:27:20,080 --> 00:27:22,040
Speaker 1: Wasn't a mister mister song. Yeah, then we did keep

493
00:27:22,080 --> 00:27:22,440
Speaker 1: doing it.

494
00:27:22,640 --> 00:27:27,480
Speaker 2: Yeah, what was the exec that gave us that note?

495
00:27:28,119 --> 00:27:30,119
Speaker 3: I want to say, was it Warren Littlefield?

496
00:27:30,400 --> 00:27:36,399
Speaker 2: It Littlefield? I was gonna say Lauren Correa? Okay, but

497
00:27:36,440 --> 00:27:41,920
Speaker 2: at any rate, Uh. That incubated for a little while,

498
00:27:41,960 --> 00:27:46,040
Speaker 2: and then it became Mister Show with Bob and Sean

499
00:27:47,160 --> 00:27:51,760
Speaker 2: and Hayes and Paul and David and Dion and Dion.

500
00:27:51,960 --> 00:27:53,959
Speaker 1: That's right, so is mister it was.

501
00:27:54,040 --> 00:27:57,160
Speaker 3: It was shortened to mister Show, but then it Yeah,

502
00:27:57,240 --> 00:28:00,000
Speaker 3: so first was mister Mister Show. Yeah, then was Miss

503
00:28:00,119 --> 00:28:03,720
Speaker 3: Your Show with Bob and Sean and Paul.

504
00:28:03,840 --> 00:28:09,360
Speaker 2: And David and Anders Sanders.

505
00:28:09,440 --> 00:28:14,320
Speaker 1: Yeah, Dion, who is hilarious, triple threat, true triple threat.

506
00:28:15,440 --> 00:28:20,160
Speaker 3: He can do football, baseball, baseball and comedy and deadpan

507
00:28:20,720 --> 00:28:22,680
Speaker 3: sort of sketch comedy.

508
00:28:23,240 --> 00:28:25,879
Speaker 2: And then just through scheduling, we wound up going to

509
00:28:25,920 --> 00:28:29,280
Speaker 2: do our own thing with Dion and that became SNL.

510
00:28:29,560 --> 00:28:30,359
Speaker 1: That became a CNL.

511
00:28:30,480 --> 00:28:34,160
Speaker 3: That's right, and that show was yeah, the show. What

512
00:28:34,200 --> 00:28:35,760
Speaker 3: was the show called before was SNL.

513
00:28:36,480 --> 00:28:39,160
Speaker 1: Well, it was called The Primetime Players because that's what

514
00:28:39,720 --> 00:28:41,800
Speaker 1: that's what that was one of Dion's nicknames.

515
00:28:42,200 --> 00:28:44,320
Speaker 3: He was ready, he was ready for prime the ready

516
00:28:44,360 --> 00:28:46,200
Speaker 3: for time, ready for prime Time.

517
00:28:46,240 --> 00:28:50,240
Speaker 1: They're ready for Primetime Players. Yes, that's right. Uh and Paul,

518
00:28:50,360 --> 00:28:54,240
Speaker 1: you went on to be on frankly the greatest sketch

519
00:28:54,240 --> 00:28:55,000
Speaker 1: show of all time.

520
00:28:56,200 --> 00:28:59,640
Speaker 2: A lot of people, you.

521
00:28:59,560 --> 00:29:05,080
Speaker 3: Guys are saying and uh yeah, I mean like certainly

522
00:29:06,320 --> 00:29:09,240
Speaker 3: people have mixed opinions about it.

523
00:29:09,280 --> 00:29:12,520
Speaker 2: But well, that's how you know you're doing something good.

524
00:29:14,440 --> 00:29:18,040
Speaker 3: I think, so, I mean, uh yeah, I mean I

525
00:29:18,400 --> 00:29:22,520
Speaker 3: uh uh absolutely. I feel like if everybody's on board

526
00:29:22,520 --> 00:29:29,160
Speaker 3: with it, then you're doing something wrong because there's a

527
00:29:29,160 --> 00:29:30,520
Speaker 3: lot of dumb people, you know what I mean, there's

528
00:29:30,520 --> 00:29:31,800
Speaker 3: a lot of dumb people in the world. And so

529
00:29:31,840 --> 00:29:36,160
Speaker 3: if everybody likes a thing for everybody's is in lockstep,

530
00:29:36,280 --> 00:29:39,360
Speaker 3: this is the greatest, then you know. I would even

531
00:29:39,360 --> 00:29:42,720
Speaker 3: go so far as to say, if most people don't

532
00:29:42,920 --> 00:29:44,320
Speaker 3: like it, it's.

533
00:29:44,440 --> 00:29:49,320
Speaker 2: Probably better, then that's probably good, right, yeah. Yeah, and

534
00:29:49,360 --> 00:29:52,400
Speaker 2: that's and and take that one star iTunes reviews.

535
00:29:53,720 --> 00:29:56,959
Speaker 3: Yeah, what are you even doing reviewing Kelsey Grammar represents

536
00:29:56,960 --> 00:29:58,560
Speaker 3: a sketch show. It's not on iTunes.

537
00:30:02,160 --> 00:30:08,280
Speaker 1: Speak on learning from from KG and and what it

538
00:30:08,360 --> 00:30:10,840
Speaker 1: was like kind of drafting in his in his wake.

539
00:30:10,920 --> 00:30:17,520
Speaker 3: Yeah, I'll speak on that. There was something about the

540
00:30:17,560 --> 00:30:23,160
Speaker 3: way Kelsey Grammar approached sketch. I would look at that

541
00:30:23,200 --> 00:30:26,280
Speaker 3: and I would say, Okay, if I were to do

542
00:30:26,360 --> 00:30:30,600
Speaker 3: what he does, what do I do first beyond two

543
00:30:30,800 --> 00:30:34,320
Speaker 3: hit TV shows that have run for a total of

544
00:30:34,400 --> 00:30:44,280
Speaker 3: forty years, be internationally famous and hugely wealthy. And so

545
00:30:44,280 --> 00:30:45,800
Speaker 3: I try to get in that mindset. Try to get

546
00:30:45,800 --> 00:30:49,840
Speaker 3: in that mindset, and then I would do the sketch

547
00:30:51,800 --> 00:30:54,600
Speaker 3: and I would wait for someone to say cut, and

548
00:30:54,640 --> 00:30:56,760
Speaker 3: then I would look up and I would realize no

549
00:30:56,760 --> 00:31:02,640
Speaker 3: one is paying attention. Yeah, and uh, which was which

550
00:31:02,680 --> 00:31:05,400
Speaker 3: was great because I felt, I now I can be creative.

551
00:31:06,800 --> 00:31:07,000
Speaker 1: You know.

552
00:31:07,000 --> 00:31:08,240
Speaker 3: It's like Dan, It's like nobody's watching.

553
00:31:08,280 --> 00:31:09,880
Speaker 2: What a freedom? Yeah, what a freedom?

554
00:31:09,960 --> 00:31:11,120
Speaker 3: It's performed sketch comedy.

555
00:31:11,160 --> 00:31:13,840
Speaker 1: When no one may make a TV show like nobody's watching. Yeah.

556
00:31:13,880 --> 00:31:17,120
Speaker 3: Yeah, And and thankfully for us, no one did watch it.

557
00:31:17,880 --> 00:31:22,560
Speaker 3: So I consider that to be a major success, major

558
00:31:22,600 --> 00:31:25,120
Speaker 3: success for me. And I mean, I know, you guys

559
00:31:25,120 --> 00:31:26,880
Speaker 3: got your thing going on, and that's great, but I

560
00:31:26,880 --> 00:31:30,280
Speaker 3: feel like, yeah, I've done pretty well for myself.

561
00:31:32,200 --> 00:31:34,280
Speaker 2: Yeah, I would say, so we're not getting We.

562
00:31:34,240 --> 00:31:37,400
Speaker 1: Talk about that. We say sometimes, like, you know what,

563
00:31:37,520 --> 00:31:41,320
Speaker 1: Paul actually has done pretty well. We say like that,

564
00:31:41,400 --> 00:31:43,080
Speaker 1: and that's sort of the pitch. That's a whole brunch

565
00:31:43,400 --> 00:31:46,240
Speaker 1: of the pit, you know what, you know.

566
00:31:46,280 --> 00:31:51,240
Speaker 2: What, you know what, matter of fact, pretty well, actually

567
00:31:51,320 --> 00:31:54,680
Speaker 2: did pretty well, she did pretty well. And we'll and yeah,

568
00:31:54,680 --> 00:31:55,560
Speaker 2: and we'll say that.

569
00:31:55,680 --> 00:31:57,959
Speaker 3: I like, well, here's what I like about that. I

570
00:31:58,000 --> 00:32:04,480
Speaker 3: loved your delighted Yeah that, I guess you could read

571
00:32:04,520 --> 00:32:06,880
Speaker 3: it that you didn't expect me to do well, but

572
00:32:07,840 --> 00:32:12,280
Speaker 3: the fact that you seem pleased by how well I've

573
00:32:12,320 --> 00:32:14,640
Speaker 3: done that's nothing but positive.

574
00:32:14,680 --> 00:32:14,840
Speaker 1: Right.

575
00:32:14,920 --> 00:32:16,840
Speaker 2: Oh yeah that's right, Yeah, that's right.

576
00:32:18,000 --> 00:32:22,880
Speaker 1: So, yeah, we had some questions. I guess we're all

577
00:32:22,920 --> 00:32:24,040
Speaker 1: podcasters here.

578
00:32:24,440 --> 00:32:26,160
Speaker 3: Yes, it's true. It's true.

579
00:32:26,320 --> 00:32:28,240
Speaker 1: You're a podcaster. We're podcasters.

580
00:32:28,560 --> 00:32:29,760
Speaker 3: So we're all podcasters here.

581
00:32:31,080 --> 00:32:33,520
Speaker 1: I sometimes find that listeners are trying to break into

582
00:32:33,600 --> 00:32:37,560
Speaker 1: this aspect of entertainment just as much as movies and

583
00:32:38,800 --> 00:32:39,960
Speaker 1: TV sometimes more.

584
00:32:40,240 --> 00:32:42,680
Speaker 3: Do you know why? Because we make it look easy.

585
00:32:42,840 --> 00:32:45,280
Speaker 1: That's right, That's why. I think that's exactly right. They

586
00:32:45,280 --> 00:32:48,280
Speaker 1: say I can do that, when in reality you can

587
00:32:48,320 --> 00:32:49,920
Speaker 1: try that. You're welcome to.

588
00:32:50,040 --> 00:32:51,040
Speaker 3: You're certainly welcome to.

589
00:32:51,680 --> 00:32:52,520
Speaker 1: It's free to try.

590
00:32:53,160 --> 00:32:54,960
Speaker 3: It, ain't no law against it.

591
00:32:55,960 --> 00:32:59,800
Speaker 2: But don't come crying to Papa Bears one, two and

592
00:32:59,840 --> 00:33:02,480
Speaker 2: three when uh you got to run back home with

593
00:33:02,560 --> 00:33:07,000
Speaker 2: your tail between your land right right? But pittle canvas?

594
00:33:07,040 --> 00:33:08,640
Speaker 3: Which which which number?

595
00:33:08,880 --> 00:33:13,440
Speaker 1: Which number? Papa bearent? Uh? In my mind, I think

596
00:33:13,480 --> 00:33:14,160
Speaker 1: you're tied.

597
00:33:14,560 --> 00:33:19,840
Speaker 2: Yeah, I think you're tied for two. Yeah, with with

598
00:33:19,960 --> 00:33:20,720
Speaker 2: engineer Cody.

599
00:33:20,840 --> 00:33:23,200
Speaker 1: Yes, I thought that was obvious.

600
00:33:23,320 --> 00:33:26,600
Speaker 3: Yeah, so soon you guys are Papa Bear number one together?

601
00:33:27,120 --> 00:33:28,720
Speaker 2: Yeah, we're both Papa Bear number one.

602
00:33:28,760 --> 00:33:31,400
Speaker 3: Okay, right, top top two. I'm in the top two

603
00:33:32,080 --> 00:33:34,000
Speaker 3: with the engineer Cody of course.

604
00:33:34,640 --> 00:33:40,840
Speaker 1: Just talking cast business ce B. Yes, who's your who's

605
00:33:40,880 --> 00:33:42,080
Speaker 1: your podcasting agent?

606
00:33:42,960 --> 00:33:43,240
Speaker 2: Oh?

607
00:33:43,480 --> 00:33:47,479
Speaker 3: I'm with Uh, it's who is it now? Since the merger?

608
00:33:48,520 --> 00:33:51,720
Speaker 3: You know how William Morris merged with Endeavor?

609
00:33:51,800 --> 00:33:55,160
Speaker 2: Yeah, w me, Yeah, it's yeah, it's it's.

610
00:33:55,000 --> 00:33:59,040
Speaker 3: The people that weren't told about that that form. They said,

611
00:33:59,040 --> 00:34:02,840
Speaker 3: weren't for my own thing. Oh yeah, VERV, Yeah, I'm

612
00:34:02,880 --> 00:34:03,240
Speaker 3: with VERV.

613
00:34:04,760 --> 00:34:05,560
Speaker 2: That's good.

614
00:34:05,760 --> 00:34:06,760
Speaker 1: That's a good podcast thing.

615
00:34:06,760 --> 00:34:07,440
Speaker 3: What are you guys with?

616
00:34:10,360 --> 00:34:13,080
Speaker 2: Well, this is a bone of contention because Hayes wants

617
00:34:13,080 --> 00:34:16,000
Speaker 2: me to come over to his guys. He wants me

618
00:34:16,080 --> 00:34:17,400
Speaker 2: to be with his ten percentury.

619
00:34:18,239 --> 00:34:23,960
Speaker 1: Yes, I'm currently with CIA sports fellow named Leon Rose

620
00:34:25,320 --> 00:34:32,520
Speaker 1: who reps lbj CB three some of those fellas OLBJ. Yeah,

621
00:34:32,520 --> 00:34:33,840
Speaker 1: that's what we call Lebron James.

622
00:34:33,880 --> 00:34:35,600
Speaker 3: Oh, I'm sorry, I thought.

623
00:34:35,560 --> 00:34:39,520
Speaker 1: Capital L lowercase capitol b LERI c'se Ron capitol j

624
00:34:39,719 --> 00:34:44,000
Speaker 1: LERI kase Ames. That's another thing we call him. Uh

625
00:34:44,040 --> 00:34:48,240
Speaker 1: and the other one shorter where it's starting to become

626
00:34:48,400 --> 00:34:53,120
Speaker 1: clear that this is really a sport like any other.

627
00:34:53,200 --> 00:34:54,800
Speaker 1: It's a competitive show business.

628
00:34:54,880 --> 00:34:57,880
Speaker 3: Yes, yes, absolutely, Yeah, listen, I'm glad you said that

629
00:34:57,880 --> 00:35:01,960
Speaker 3: he's because what I to do with comedy is bring

630
00:35:02,000 --> 00:35:09,880
Speaker 3: to it aggression, aggression, the desire to crush, like to

631
00:35:11,000 --> 00:35:14,520
Speaker 3: win it all costs, and glory. I just want glory.

632
00:35:14,719 --> 00:35:16,120
Speaker 1: I just want to be glorified.

633
00:35:16,320 --> 00:35:17,960
Speaker 2: And that's exactly why I don't want to share an agent.

634
00:35:18,000 --> 00:35:21,279
Speaker 2: That's why I'm sticking with jay Z, because I just

635
00:35:21,320 --> 00:35:25,439
Speaker 2: feel like he has that hunger, you know, and he

636
00:35:25,560 --> 00:35:29,080
Speaker 2: has that that drive in him. He loves to win.

637
00:35:29,480 --> 00:35:31,440
Speaker 2: And comedy is about winning mainly.

638
00:35:33,160 --> 00:35:37,400
Speaker 3: What else is it about? Right, yeah, about it's about winning.

639
00:35:37,440 --> 00:35:39,839
Speaker 2: Surprise, it's also about surprises.

640
00:35:40,200 --> 00:35:42,280
Speaker 3: Oh, I thought you about surprised. It's all about winning.

641
00:35:42,560 --> 00:35:44,280
Speaker 1: No, No, comedy is also about surprise.

642
00:35:44,360 --> 00:35:46,400
Speaker 2: Comedy is about winning. And then the only other element

643
00:35:46,520 --> 00:35:49,640
Speaker 2: is that it is just purely surprises. Yeah, there's nothing

644
00:35:49,680 --> 00:35:52,760
Speaker 2: funny that's not surprising, and there's nothing surprising that's not funny.

645
00:35:52,800 --> 00:35:55,320
Speaker 3: If there's one thing that comedy is about, it's about

646
00:35:55,320 --> 00:35:57,120
Speaker 3: winning and surprise.

647
00:35:58,320 --> 00:36:01,200
Speaker 2: Yeah, and that's the one that the one thing. This

648
00:36:01,400 --> 00:36:04,160
Speaker 2: is so good for our listeners. Now, I had another

649
00:36:04,280 --> 00:36:07,960
Speaker 2: question about comedy for you because you're in the stand

650
00:36:08,040 --> 00:36:08,520
Speaker 2: up game.

651
00:36:08,760 --> 00:36:10,720
Speaker 3: Yeah, that's right, stand up comedy.

652
00:36:10,800 --> 00:36:12,600
Speaker 2: Now, Hayes and I don't do it. We don't know

653
00:36:12,640 --> 00:36:14,000
Speaker 2: it from from Adam.

654
00:36:14,200 --> 00:36:16,640
Speaker 1: We dipped our toes and we did Premium Blend and

655
00:36:16,719 --> 00:36:20,080
Speaker 1: like just sort of the that's basically an open mic

656
00:36:20,160 --> 00:36:21,319
Speaker 1: at this point, a.

657
00:36:21,360 --> 00:36:22,319
Speaker 2: Fucking jerk off.

658
00:36:22,360 --> 00:36:22,880
Speaker 1: We did that.

659
00:36:24,040 --> 00:36:26,080
Speaker 2: We crushed, We totally crushed.

660
00:36:26,120 --> 00:36:28,080
Speaker 1: But we do still have a lot of questions about

661
00:36:28,239 --> 00:36:28,960
Speaker 1: does that air.

662
00:36:30,160 --> 00:36:33,000
Speaker 2: Our premium blend. Yeah, I think you have to buy

663
00:36:33,040 --> 00:36:34,440
Speaker 2: it special.

664
00:36:34,719 --> 00:36:36,600
Speaker 3: Like I think it's for an album only, like you

665
00:36:36,640 --> 00:36:37,320
Speaker 3: buy the season.

666
00:36:37,640 --> 00:36:39,640
Speaker 2: Yeah. I think they just felt like they would sell

667
00:36:39,640 --> 00:36:42,000
Speaker 2: a lot more premium Blend if they held that one back.

668
00:36:43,680 --> 00:36:49,160
Speaker 2: So no, it didn't air. But we had a question

669
00:36:49,880 --> 00:36:54,640
Speaker 2: that I'm sure you have gotten before. What is the

670
00:36:54,719 --> 00:36:58,880
Speaker 2: difference between stand up and just a funny movie?

671
00:37:00,080 --> 00:37:07,720
Speaker 3: Hmmm hm hmm. You know I have gotten that before,

672
00:37:09,280 --> 00:37:11,840
Speaker 3: and I have never really been able to answer it,

673
00:37:12,239 --> 00:37:17,400
Speaker 3: and I usually I will usually just say, let's skip

674
00:37:17,440 --> 00:37:20,719
Speaker 3: that one. But I mean, this is this is being

675
00:37:20,760 --> 00:37:23,200
Speaker 3: recorded in a microphone, so I can't do that in

676
00:37:23,239 --> 00:37:26,160
Speaker 3: this instance, and I'll stre's your Sam in a really

677
00:37:26,160 --> 00:37:26,680
Speaker 3: funny movie.

678
00:37:26,719 --> 00:37:29,879
Speaker 2: Because for me, I do a lot of letter interviews.

679
00:37:29,920 --> 00:37:36,080
Speaker 3: They're all they're all handwritten letters, correspondent snail mail, SMC.

680
00:37:36,920 --> 00:37:40,360
Speaker 3: And because I feel like I want to be thoughtful

681
00:37:40,360 --> 00:37:42,400
Speaker 3: of my answers, and I feel that I will be

682
00:37:42,440 --> 00:37:44,480
Speaker 3: more thoughtful if I have to actually put pen to

683
00:37:44,520 --> 00:37:50,319
Speaker 3: paper and remember how to write in cursive, which, oh,

684
00:37:50,360 --> 00:37:52,960
Speaker 3: I'll be honest, it eludes me ninety nine percent of

685
00:37:52,960 --> 00:37:54,800
Speaker 3: the time, and it's just a mess. And then there's

686
00:37:54,960 --> 00:37:58,000
Speaker 3: a phone call from you know, whatever publication it is

687
00:37:58,040 --> 00:37:59,759
Speaker 3: saying I could make heads or tails out of this

688
00:37:59,840 --> 00:38:02,760
Speaker 3: chick scratch and then I'll have to write it again,

689
00:38:03,080 --> 00:38:09,080
Speaker 3: really really really concentrate, very relatable. Yeah, this is a

690
00:38:09,080 --> 00:38:15,880
Speaker 3: little there's probably a little inside baseball. What what's the

691
00:38:15,880 --> 00:38:19,520
Speaker 3: difference between stand up in a funny movie. I would

692
00:38:19,520 --> 00:38:24,080
Speaker 3: say probably that there's just more funny movies than there

693
00:38:24,120 --> 00:38:27,640
Speaker 3: are funny stand ups. You know, if you look at

694
00:38:27,680 --> 00:38:30,239
Speaker 3: the state of film comedy in the last especially the

695
00:38:30,320 --> 00:38:34,560
Speaker 3: last ten years, can you think of a comedy that's

696
00:38:34,560 --> 00:38:37,120
Speaker 3: coming out that hasn't been hilarious? Can you think of

697
00:38:37,160 --> 00:38:44,239
Speaker 3: a single one? It's a trick question. You can't, because there.

698
00:38:45,360 --> 00:38:48,080
Speaker 2: I don't feel like I got fruit Vale Station. But

699
00:38:48,120 --> 00:38:50,600
Speaker 2: I don't think that means it wasn't funny. I feel

700
00:38:50,600 --> 00:38:52,040
Speaker 2: like I didn't get it.

701
00:38:53,840 --> 00:38:56,040
Speaker 1: Letters from me well Gene, no matter what was actually

702
00:38:56,080 --> 00:38:56,640
Speaker 1: brief funny.

703
00:38:58,080 --> 00:39:00,239
Speaker 2: And now that I'm looking back at Fruitvale Station, I

704
00:39:00,360 --> 00:39:02,759
Speaker 2: was cracking my whole ship up and I and I

705
00:39:02,800 --> 00:39:04,560
Speaker 2: did like and I did laugh my butt off for

706
00:39:04,640 --> 00:39:05,239
Speaker 2: a lot of that.

707
00:39:05,400 --> 00:39:10,800
Speaker 3: It is that movie is choke on your popcorn funny.

708
00:39:11,200 --> 00:39:14,200
Speaker 2: Yeah, And because a lot of surprises happen a lot

709
00:39:14,200 --> 00:39:16,040
Speaker 2: of a lot of surprises.

710
00:39:16,960 --> 00:39:21,200
Speaker 3: What we've already established the rules about comedy. It's about

711
00:39:21,200 --> 00:39:22,319
Speaker 3: winning and surprises.

712
00:39:22,719 --> 00:39:25,839
Speaker 2: One thing that was a trick question then, because that so.

713
00:39:25,840 --> 00:39:29,880
Speaker 1: It's a quantity issue. You're saying, well, quantity of quality.

714
00:39:29,960 --> 00:39:32,840
Speaker 3: I'm just saying that. I think it's very rare that

715
00:39:32,880 --> 00:39:35,680
Speaker 3: a standup comedian is funny, and I think it's all

716
00:39:35,719 --> 00:39:38,240
Speaker 3: too common that a comedy movie is hold.

717
00:39:38,200 --> 00:39:41,000
Speaker 1: Too many movies. And other than that, they are the

718
00:39:41,040 --> 00:39:44,279
Speaker 1: same thing, the same experience. Yeah, you're paying down, you're

719
00:39:44,320 --> 00:39:45,239
Speaker 1: paying money for.

720
00:39:45,239 --> 00:39:46,279
Speaker 3: Someone to make you laugh, right.

721
00:39:46,400 --> 00:39:50,320
Speaker 2: Money, sit down, and you get to sit down.

722
00:39:50,440 --> 00:39:53,479
Speaker 3: There is there is some drink beer, that's right. There's

723
00:39:53,560 --> 00:39:55,440
Speaker 3: some sort of food or beverage being served.

724
00:39:56,200 --> 00:40:01,120
Speaker 2: You are bruce gs and then you get frized into laughing.

725
00:40:01,320 --> 00:40:05,120
Speaker 1: That's right. Yeah. I bring them in my secret backpack.

726
00:40:05,400 --> 00:40:06,680
Speaker 1: It's all the things.

727
00:40:06,960 --> 00:40:09,400
Speaker 3: Now, it's the backpack. That's itself a secret.

728
00:40:09,480 --> 00:40:11,400
Speaker 1: Right. Oh yeah, the beers are no one knows you

729
00:40:11,400 --> 00:40:12,919
Speaker 1: have a back Everyone knows I have the beers.

730
00:40:12,920 --> 00:40:14,400
Speaker 3: They can hear those beers around.

731
00:40:14,600 --> 00:40:14,920
Speaker 1: Yeah.

732
00:40:14,960 --> 00:40:17,640
Speaker 3: Absolutely. And you say I have two beers.

733
00:40:17,719 --> 00:40:20,080
Speaker 1: I drink a boat at once with one hand. Yeah,

734
00:40:20,080 --> 00:40:22,440
Speaker 1: but it makes a lot of clink as they go

735
00:40:22,560 --> 00:40:23,360
Speaker 1: hand to mouth.

736
00:40:23,200 --> 00:40:25,680
Speaker 3: Because it's hard to manage. That's hard to manage. Yes,

737
00:40:25,960 --> 00:40:28,120
Speaker 3: so there's a lot of clinking. But but no one

738
00:40:28,160 --> 00:40:30,000
Speaker 3: knows where that backpack. No one knows where it is.

739
00:40:31,320 --> 00:40:32,520
Speaker 3: They think they're going to get it out of me

740
00:40:32,560 --> 00:40:34,440
Speaker 3: on this trick it out of me on this podcast.

741
00:40:34,440 --> 00:40:35,080
Speaker 1: I got another thing.

742
00:40:35,120 --> 00:40:36,759
Speaker 4: Come, can I tell you? I was kind of trying

743
00:40:36,760 --> 00:40:39,520
Speaker 4: to know you are? I know you are. You're too fast,

744
00:40:39,600 --> 00:40:40,640
Speaker 4: I am.

745
00:40:41,480 --> 00:40:46,920
Speaker 1: How are things casting wise? How's it going Internash?

746
00:40:47,239 --> 00:40:52,120
Speaker 3: You know, I'll be honest, it could be better. I'm

747
00:40:52,120 --> 00:40:55,719
Speaker 3: trying to think of the last I did perform in

748
00:40:56,680 --> 00:40:57,800
Speaker 3: London earlier.

749
00:40:57,840 --> 00:40:59,200
Speaker 1: That's right, you did in Nash cast.

750
00:40:59,440 --> 00:41:04,520
Speaker 3: I didn't cast, and uh it went it went pretty well,

751
00:41:04,840 --> 00:41:08,600
Speaker 3: it went pretty well. I think I could have done better,

752
00:41:09,200 --> 00:41:14,000
Speaker 3: and I think that I think that I could have

753
00:41:14,040 --> 00:41:18,560
Speaker 3: done better. Speak on that well, I didn't do very

754
00:41:18,560 --> 00:41:24,080
Speaker 3: well and what happened, Yeah, I didn't. I I don't

755
00:41:24,080 --> 00:41:26,040
Speaker 3: feel like I surprised the audience as much as.

756
00:41:25,960 --> 00:41:28,280
Speaker 2: I could have should.

757
00:41:29,120 --> 00:41:32,600
Speaker 3: They saw all of it coming, frankly, and it was this.

758
00:41:32,600 --> 00:41:35,480
Speaker 3: This is humiliating, and you guys probably have not experienced this.

759
00:41:38,040 --> 00:41:41,680
Speaker 3: It got to the point where they saw everything coming,

760
00:41:41,800 --> 00:41:45,359
Speaker 3: and I was going to say to where I would

761
00:41:45,400 --> 00:41:49,200
Speaker 3: get to the funny, the funny surprise part, right, Like

762
00:41:49,360 --> 00:41:51,720
Speaker 3: you know how when you you've seen stand up comedy

763
00:41:51,760 --> 00:41:56,800
Speaker 3: and there's the the I have not Oh you should

764
00:41:56,840 --> 00:42:00,200
Speaker 3: see you know what you should I I was going

765
00:42:00,239 --> 00:42:01,319
Speaker 3: to say, you would like it, but you might not

766
00:42:01,480 --> 00:42:05,120
Speaker 3: like it. I can't think of a single person to recommend.

767
00:42:06,440 --> 00:42:10,040
Speaker 3: But for the uninitiated, there's like a part at the

768
00:42:10,080 --> 00:42:14,439
Speaker 3: beginning where you're saying boring things, like just boring things

769
00:42:14,440 --> 00:42:18,280
Speaker 3: that anybody could say, and then that's all in service

770
00:42:18,320 --> 00:42:20,880
Speaker 3: of the surprise part that comes and then tricks the

771
00:42:20,880 --> 00:42:23,719
Speaker 3: audience into laughing. So when I would do I would

772
00:42:23,719 --> 00:42:25,800
Speaker 3: do the boring part, and then when I would open

773
00:42:25,840 --> 00:42:29,240
Speaker 3: my mouth to get to the surprise part, the audience

774
00:42:29,280 --> 00:42:34,600
Speaker 3: would say it in unison with me, word for word.

775
00:42:35,320 --> 00:42:39,439
Speaker 3: Oh and okay, if that happens once, you can shake

776
00:42:39,480 --> 00:42:41,400
Speaker 3: it off and say, all right, you know that's bound

777
00:42:41,400 --> 00:42:46,160
Speaker 3: to happen to everyone sooner or later. Yeah, But for

778
00:42:46,160 --> 00:42:47,400
Speaker 3: forty five minutes.

779
00:42:48,200 --> 00:42:49,920
Speaker 2: Every single punchline.

780
00:42:49,560 --> 00:42:53,560
Speaker 3: Every punchline, yes, thank you, I the term escaped me.

781
00:42:54,120 --> 00:42:58,440
Speaker 3: Every single punchline, they were saying with me in Unison,

782
00:43:00,080 --> 00:43:03,800
Speaker 3: and this was all new material. I'd never done it before.

783
00:43:04,960 --> 00:43:08,720
Speaker 1: Can I tell you something, Paul, that's not you Because

784
00:43:08,719 --> 00:43:13,879
Speaker 1: in London ever since the Blitz, good luck surprising those

785
00:43:13,920 --> 00:43:19,000
Speaker 1: people with your comedy. Oh, they're ready for just about anything.

786
00:43:19,080 --> 00:43:21,799
Speaker 1: You know what I hadn't You hadn't thought about that?

787
00:43:21,960 --> 00:43:22,600
Speaker 3: No, I hadn't.

788
00:43:22,680 --> 00:43:25,920
Speaker 2: Well, And that's why there's no there's no British comedy.

789
00:43:26,360 --> 00:43:30,040
Speaker 1: Yes, they said, never again. Will we be surprised?

790
00:43:30,600 --> 00:43:31,680
Speaker 3: And life's too serious?

791
00:43:32,080 --> 00:43:35,880
Speaker 1: Yes, you know how supper lip and all that in it.

792
00:43:37,640 --> 00:43:39,560
Speaker 3: Keep calm and stop clowning around.

793
00:43:39,840 --> 00:43:41,680
Speaker 2: Yeah, keep keep clowning, quit goofing?

794
00:43:41,719 --> 00:43:42,080
Speaker 1: Would you?

795
00:43:43,320 --> 00:43:46,080
Speaker 2: The Blitz happened to us, and so I and so

796
00:43:46,360 --> 00:43:47,720
Speaker 2: I think that's why.

797
00:43:47,560 --> 00:43:50,880
Speaker 3: I have one of those posters. Everyone, I got a

798
00:43:50,960 --> 00:43:54,319
Speaker 3: money keep clowning, quit goofing. The Blitz happened to us.

799
00:43:54,600 --> 00:43:57,040
Speaker 2: Yeah, and I got one that says keep calm and

800
00:43:57,080 --> 00:44:04,239
Speaker 2: put a bird on it. That's funny because because Portlandia,

801
00:44:04,280 --> 00:44:06,640
Speaker 2: you know, I bought it from the I f C Store.

802
00:44:06,920 --> 00:44:08,880
Speaker 1: I have a baby tea that says keep calm and

803
00:44:08,920 --> 00:44:15,960
Speaker 1: cracked on, like from the website cracked. Let's consult the

804
00:44:16,000 --> 00:44:17,120
Speaker 1: popcorn gallery.

805
00:44:17,320 --> 00:44:22,480
Speaker 2: Yeah, let's dip into the popcorn gallery. Let's dip into

806
00:44:22,520 --> 00:44:23,560
Speaker 2: the popcorn gallery.

807
00:44:23,560 --> 00:44:27,360
Speaker 1: Please, this is a feature we like to do. Where

808
00:44:27,760 --> 00:44:28,160
Speaker 1: to tell me?

809
00:44:28,239 --> 00:44:28,560
Speaker 3: Of course?

810
00:44:28,600 --> 00:44:28,840
Speaker 1: I know.

811
00:44:29,840 --> 00:44:33,080
Speaker 2: Yeah, we explained for Oh I'm.

812
00:44:32,920 --> 00:44:35,680
Speaker 3: Sorry, I'm sorry, Please pray continue.

813
00:44:37,120 --> 00:44:40,680
Speaker 1: Some normal people don't have a direct line of celebrities

814
00:44:40,680 --> 00:44:44,560
Speaker 1: like we do. We provide a liaison to connect fans

815
00:44:44,960 --> 00:44:47,640
Speaker 1: with some of their heroes, and that's what we're doing today.

816
00:44:47,680 --> 00:44:53,520
Speaker 1: We reach into the popcorn bag. Oh no, and we

817
00:44:53,560 --> 00:44:57,080
Speaker 1: pull out a question from our listener, ask Tech, and

818
00:44:57,160 --> 00:44:59,640
Speaker 1: he has a question for Paul F. Tompkins, and it

819
00:44:59,760 --> 00:45:02,879
Speaker 1: is what's it like living with the voices of all

820
00:45:02,880 --> 00:45:04,400
Speaker 1: those characters upstairs?

821
00:45:05,880 --> 00:45:09,759
Speaker 3: This is like London all over again, Because how does

822
00:45:09,800 --> 00:45:16,840
Speaker 3: this guy know that I'm constantly hearing a conversation of

823
00:45:16,880 --> 00:45:19,719
Speaker 3: you know, like almost a dozen characters all talking to

824
00:45:19,760 --> 00:45:20,120
Speaker 3: each other.

825
00:45:20,160 --> 00:45:23,320
Speaker 2: Well, I think he's seen the show Herman's Head And

826
00:45:23,440 --> 00:45:30,520
Speaker 2: if you'll recall, for anyone who's doesn't know, Herman's Head

827
00:45:33,040 --> 00:45:37,400
Speaker 2: was loosely based on Paul F. Tompkins's mind. It was

828
00:45:37,440 --> 00:45:39,520
Speaker 2: a guy. You see him walking around, then they cut

829
00:45:39,560 --> 00:45:41,880
Speaker 2: to inside his head and a bunch of characters are

830
00:45:41,920 --> 00:45:44,240
Speaker 2: sort of fighting, all.

831
00:45:44,040 --> 00:45:45,040
Speaker 3: Talking at the same time.

832
00:45:45,160 --> 00:45:48,239
Speaker 2: One might be a real typical dude and he loves sports.

833
00:45:49,000 --> 00:45:54,279
Speaker 3: In that he represented like the comedy aspect because he

834
00:45:54,360 --> 00:45:57,440
Speaker 3: just wanted to win, yes, and he wanted to surprise people.

835
00:45:57,719 --> 00:45:59,560
Speaker 2: And then one might be an uptight broad.

836
00:46:00,920 --> 00:46:05,240
Speaker 3: She represented what was it greed?

837
00:46:05,960 --> 00:46:08,400
Speaker 2: Yes, she was greed. Each one of them was one

838
00:46:08,400 --> 00:46:16,080
Speaker 2: of the seven deadly sins? Yes, comedy, greed, eating too much, weather, weather,

839
00:46:18,280 --> 00:46:19,120
Speaker 2: and fear.

840
00:46:20,719 --> 00:46:21,719
Speaker 3: All seven.

841
00:46:23,960 --> 00:46:27,280
Speaker 1: What sin it is to be afraid?

842
00:46:28,120 --> 00:46:32,600
Speaker 3: When I see people with fear in their eyes or

843
00:46:32,600 --> 00:46:35,840
Speaker 3: I smell it on them like a dog, how dare you?

844
00:46:37,800 --> 00:46:38,760
Speaker 3: Makes my blood boil?

845
00:46:39,040 --> 00:46:40,239
Speaker 2: They deserve what's coming for them.

846
00:46:40,360 --> 00:46:41,480
Speaker 1: It fills me with wrath.

847
00:46:41,800 --> 00:46:46,040
Speaker 2: Boy, they deserve what's coming for them, and wrath is righteous. Now,

848
00:46:47,200 --> 00:46:52,840
Speaker 2: So that was a good question from the Popcorn Gallery

849
00:46:53,520 --> 00:46:55,839
Speaker 2: and that's why we asked it. But but I have

850
00:46:55,880 --> 00:47:00,239
Speaker 2: another one too, and uh and I'm gonna.

851
00:47:00,560 --> 00:47:03,280
Speaker 3: Oh we're still We're still, We're still touring the popcorn Gallery.

852
00:47:03,440 --> 00:47:04,600
Speaker 1: Oh yeah, yeah, did you need.

853
00:47:05,920 --> 00:47:07,080
Speaker 3: Well, I wouldn't mind hearing it.

854
00:47:09,719 --> 00:47:14,680
Speaker 1: Oh yeah, I have one from from Skiezelow. Yes, okay,

855
00:47:15,640 --> 00:47:20,959
Speaker 1: diesel asks. It's a two part question. Oh, first, part.

856
00:47:21,120 --> 00:47:25,239
Speaker 1: What does the F stand for? Second part? And have

857
00:47:25,320 --> 00:47:27,280
Speaker 1: you considered changing it to fuck machine?

858
00:47:28,560 --> 00:47:30,440
Speaker 2: Have you considered changing it to funk machine?

859
00:47:32,160 --> 00:47:36,640
Speaker 3: Well, it's funny, uh and you're I know Hayes is

860
00:47:36,680 --> 00:47:40,200
Speaker 3: laughing because he knows the answer to both questions the

861
00:47:40,239 --> 00:47:42,560
Speaker 3: second part. No, I haven't considered changing it to fun

862
00:47:42,680 --> 00:47:49,080
Speaker 3: machine because it is fuck machines. It's a family it's

863
00:47:49,120 --> 00:47:49,719
Speaker 3: a family name.

864
00:47:49,760 --> 00:47:51,960
Speaker 1: Me wikipedia that for you, Skizel.

865
00:47:51,880 --> 00:47:55,480
Speaker 3: It's a family name. It's and my grandfather was a

866
00:47:55,480 --> 00:48:01,640
Speaker 3: fuck machinist and he died of fuck lung, which is

867
00:48:01,680 --> 00:48:06,480
Speaker 3: what they call it when a Pinkerton detective.

868
00:48:07,239 --> 00:48:10,759
Speaker 2: Clubs, he clubs you to death, that's fuck lune.

869
00:48:11,040 --> 00:48:14,200
Speaker 3: And then he shoves a piece of rebar through your lung.

870
00:48:14,280 --> 00:48:16,479
Speaker 1: He fucks you're along with a piece of Yeah.

871
00:48:16,840 --> 00:48:19,600
Speaker 2: And so you know, I mean, obviously this podcast is

872
00:48:19,719 --> 00:48:24,560
Speaker 2: educational because it gives you Hollywood insider knowledge. Is so

873
00:48:24,680 --> 00:48:27,520
Speaker 2: a little bit of history, a little bit of Hollywood history.

874
00:48:27,960 --> 00:48:37,160
Speaker 3: So it's infotational, educational and just playing sensation, informational, sensational, confrontational,

875
00:48:38,640 --> 00:48:44,120
Speaker 3: international international. I think it's how that international. I do apologize.

876
00:48:44,520 --> 00:48:44,600
Speaker 2: Uh.

877
00:48:45,680 --> 00:48:50,759
Speaker 1: One more question from from from the Popcorn from the

878
00:48:50,800 --> 00:48:56,080
Speaker 1: Popcorn gall from the Popcorn Gallery. Okay, what's this just

879
00:48:56,120 --> 00:48:59,960
Speaker 1: a colonel? This one's from Octor doctor put.

880
00:49:00,200 --> 00:49:03,920
Speaker 2: This is a great new, a new forum forum commenter.

881
00:49:03,960 --> 00:49:05,879
Speaker 2: And we thought we knew everyone on there, but this

882
00:49:05,920 --> 00:49:09,520
Speaker 2: guy took the forum by storm this week. I love

883
00:49:09,560 --> 00:49:13,399
Speaker 2: his name, I love his avatar. What he's got going on,

884
00:49:13,680 --> 00:49:15,280
Speaker 2: I want more of it.

885
00:49:15,520 --> 00:49:19,040
Speaker 1: He asks Paul F. Tompkins. How did you stay in

886
00:49:19,080 --> 00:49:22,759
Speaker 1: the funny zone when you were acting in scenes with

887
00:49:23,120 --> 00:49:24,160
Speaker 1: Emmanuel D. Lewis.

888
00:49:27,000 --> 00:49:33,680
Speaker 3: When I was working with the Day, it was rough

889
00:49:34,200 --> 00:49:40,920
Speaker 3: because he can make you with a with a cock

890
00:49:41,000 --> 00:49:47,080
Speaker 3: of an eyebrow, make you burst into tears with the

891
00:49:47,120 --> 00:49:50,640
Speaker 3: curl of his lip. He can make you feel fear

892
00:49:51,200 --> 00:49:54,839
Speaker 3: like you have never felt before, unless you've almost unless

893
00:49:54,840 --> 00:49:58,880
Speaker 3: you've almost drowned to death. It's very specific. With a

894
00:49:58,960 --> 00:50:04,000
Speaker 3: wave of his hand, and he can make you believe

895
00:50:04,000 --> 00:50:08,600
Speaker 3: you've never existed, and that you're the dream of a

896
00:50:08,640 --> 00:50:10,320
Speaker 3: weird giant in another dimension.

897
00:50:11,719 --> 00:50:13,840
Speaker 2: And then when the giant wakes up, you fall asleep,

898
00:50:13,880 --> 00:50:15,960
Speaker 2: and then when you fall back asleep, that's right, And

899
00:50:16,000 --> 00:50:17,799
Speaker 2: then when the giant falls back asleep, you wake up.

900
00:50:18,040 --> 00:50:21,240
Speaker 3: Yeah, yeah, yeah, I mean I would try to imitate

901
00:50:21,400 --> 00:50:24,360
Speaker 3: that handwave. But I don't want to do that to you, guys.

902
00:50:24,920 --> 00:50:32,239
Speaker 3: Emmanuel day Lewis is a national not treasure, but a

903
00:50:32,320 --> 00:50:37,040
Speaker 3: jackpot like we won. You know, It's like it's like

904
00:50:37,120 --> 00:50:42,000
Speaker 3: America put a gigantic coin like you'd see in Batman's

905
00:50:42,480 --> 00:50:46,719
Speaker 3: Cave into an even more gigantic slot.

906
00:50:46,480 --> 00:50:50,719
Speaker 2: Machine like you'd see yep casino.

907
00:50:50,880 --> 00:50:55,239
Speaker 3: Yeah, exactly. Then all of America got together, stood on

908
00:50:55,280 --> 00:50:57,759
Speaker 3: each other's shoulders so that somebody could get up there

909
00:50:57,840 --> 00:51:01,520
Speaker 3: pull that lever, and then and jing jing jing. Here's

910
00:51:01,560 --> 00:51:06,160
Speaker 3: what it comes up. Three smiley faces out of that slot.

911
00:51:06,280 --> 00:51:09,200
Speaker 3: Poor as what a bunch of dumb giant coins? No,

912
00:51:10,080 --> 00:51:14,440
Speaker 3: little teeny tiny Emmanuel D. Lewis, our greatest actor and

913
00:51:14,520 --> 00:51:16,280
Speaker 3: the inventor of Webster's Dictionary.

914
00:51:17,680 --> 00:51:19,759
Speaker 1: But how did you stay in the funny zone? Paul?

915
00:51:20,440 --> 00:51:22,040
Speaker 3: I pinched my leg. I pinched my leg.

916
00:51:22,200 --> 00:51:25,120
Speaker 2: Okay, that keeps you there, little trick.

917
00:51:25,880 --> 00:51:27,600
Speaker 3: Camera couldn't see it, but I would pinch my leg.

918
00:51:27,719 --> 00:51:28,280
Speaker 2: Good trick.

919
00:51:28,480 --> 00:51:32,959
Speaker 1: Yeah, Paul, Hey, thank you so much.

920
00:51:33,840 --> 00:51:35,440
Speaker 3: It's I who should be thanking you.

921
00:51:35,960 --> 00:51:39,279
Speaker 1: Okay, do you know a funny story? Were you gonna

922
00:51:39,280 --> 00:51:40,879
Speaker 1: thank me? I? Well?

923
00:51:41,160 --> 00:51:43,239
Speaker 3: I was, and I did well. You know what I have.

924
00:51:43,400 --> 00:51:45,360
Speaker 1: You say you should I should be Yeah.

925
00:51:45,760 --> 00:51:49,120
Speaker 3: Here goes, thank you. But funny story before you guys

926
00:51:49,160 --> 00:51:52,960
Speaker 3: called I was gonna kill myself? Isn't that funny?

927
00:51:53,320 --> 00:51:56,920
Speaker 2: That is funny? Yeah, funny funny. And it's funny because

928
00:51:56,920 --> 00:52:01,799
Speaker 2: I'm surprised to hear it, right, yeah, yes, And that's

929
00:52:02,000 --> 00:52:03,239
Speaker 2: and that really makes me like.

930
00:52:03,239 --> 00:52:07,040
Speaker 1: Because we were just saying the other day, you know what, Paul, Okay,

931
00:52:07,160 --> 00:52:08,920
Speaker 1: I don't think Paul's gonna kill himself.

932
00:52:09,200 --> 00:52:14,160
Speaker 2: He's probably gonna choose to keep going and so and

933
00:52:14,239 --> 00:52:16,440
Speaker 2: so the fact that we were saying that and just

934
00:52:16,560 --> 00:52:18,759
Speaker 2: the exact opposite was happening internally for you.

935
00:52:19,080 --> 00:52:20,879
Speaker 3: Oh yeah, I had I had a length of hose

936
00:52:20,960 --> 00:52:24,360
Speaker 3: running from my exhaust pipe inside my car and I

937
00:52:24,400 --> 00:52:28,759
Speaker 3: was listening to NPR, and uh, I was gonna let

938
00:52:28,760 --> 00:52:30,200
Speaker 3: it happen. I was just gonna let it happen.

939
00:52:30,239 --> 00:52:31,879
Speaker 1: Wait wait, yeah, I was listening.

940
00:52:31,920 --> 00:52:32,759
Speaker 3: Wait wait, don't tell me.

941
00:52:33,560 --> 00:52:34,400
Speaker 2: Yeah, that'll get you.

942
00:52:35,200 --> 00:52:36,600
Speaker 3: And you know what, for once, I was like, oh,

943
00:52:36,640 --> 00:52:38,359
Speaker 3: I don't know to play along this time because I'm

944
00:52:38,360 --> 00:52:43,400
Speaker 3: gonna be dead. And then my phone rang and uh

945
00:52:43,520 --> 00:52:47,560
Speaker 3: it was engineered Cody, and he said, you have been summoned,

946
00:52:47,800 --> 00:52:49,640
Speaker 3: you will be ushered into the presence.

947
00:52:50,600 --> 00:52:50,839
Speaker 2: Good.

948
00:52:50,960 --> 00:52:53,080
Speaker 1: You know, Thanks guys, he knows, Thank.

949
00:52:52,960 --> 00:52:55,840
Speaker 2: You, Cody and just I guess before we sign off,

950
00:52:56,600 --> 00:53:00,320
Speaker 2: you have a new show. Yeah, of course you should

951
00:53:00,520 --> 00:53:02,840
Speaker 2: tell us about shut up and jam. Shut up and

952
00:53:02,920 --> 00:53:04,759
Speaker 2: jam and people just getting jam out.

953
00:53:05,000 --> 00:53:05,399
Speaker 3: That's right.

954
00:53:05,719 --> 00:53:08,080
Speaker 2: Comedy and politics and dancing.

955
00:53:08,280 --> 00:53:13,000
Speaker 3: It's it's any any form of jam right happens on

956
00:53:13,440 --> 00:53:17,360
Speaker 3: my show. And there are people that are people are dunking,

957
00:53:17,400 --> 00:53:22,560
Speaker 3: people are in space. Uh, people are they're putting preserves. Yeah,

958
00:53:23,040 --> 00:53:26,480
Speaker 3: all over the place. There's some canning. I feel like

959
00:53:26,719 --> 00:53:29,880
Speaker 3: I feel like under the under the the the the

960
00:53:30,239 --> 00:53:35,279
Speaker 3: jamming rubric. Uh, some canning is allowed. I don't think

961
00:53:35,360 --> 00:53:37,840
Speaker 3: it's going to fallow us for that. There's no pickling,

962
00:53:37,960 --> 00:53:42,160
Speaker 3: no pickling, no pickling, and as well there should not be.

963
00:53:42,239 --> 00:53:45,719
Speaker 3: But Fish is the house band. Sure, and they just

964
00:53:46,360 --> 00:53:49,279
Speaker 3: we turn the lights on and they play, turn the

965
00:53:49,320 --> 00:53:50,000
Speaker 3: lights off. They stop.

966
00:53:50,000 --> 00:53:52,239
Speaker 4: They're like a big to talk about fish on this.

967
00:53:52,880 --> 00:53:55,359
Speaker 4: On this one, I do apologize.

968
00:53:55,600 --> 00:53:56,760
Speaker 2: I got a whole cast.

969
00:53:56,600 --> 00:53:59,759
Speaker 1: Because the one, oh I forgot about the other We

970
00:53:59,800 --> 00:54:03,479
Speaker 1: do it. Ah got Anchorman will be like, uh, hello,

971
00:54:03,760 --> 00:54:05,520
Speaker 1: I noticed you guys were talking about Fish.

972
00:54:05,560 --> 00:54:08,520
Speaker 2: On your other podcast, got anchor Man's Sense of Pretty Nan.

973
00:54:09,200 --> 00:54:10,880
Speaker 1: I thought I already had a podcast about that.

974
00:54:11,160 --> 00:54:14,719
Speaker 3: Yeah, I'm sorry, this is not rude.

975
00:54:14,719 --> 00:54:18,120
Speaker 2: I think it's actorman Scott actor man, Scot actor man.

976
00:54:18,239 --> 00:54:20,120
Speaker 2: That's right, and we've got we've gotten that.

977
00:54:20,600 --> 00:54:22,360
Speaker 1: Yes, we will remember that.

978
00:54:24,080 --> 00:54:25,920
Speaker 2: Oh great, well, great to hear about that.

979
00:54:26,120 --> 00:54:29,239
Speaker 1: And that's what network that's on.

980
00:54:30,120 --> 00:54:31,440
Speaker 2: Is it like.

981
00:54:33,200 --> 00:54:35,760
Speaker 3: Few fission?

982
00:54:36,200 --> 00:54:36,560
Speaker 1: Fission?

983
00:54:36,680 --> 00:54:38,719
Speaker 2: Fission? That right?

984
00:54:38,800 --> 00:54:39,239
Speaker 1: So check?

985
00:54:39,520 --> 00:54:42,080
Speaker 2: So check the fission, check the fission networ.

986
00:54:41,880 --> 00:54:47,520
Speaker 1: Ask your cable provider if you get fission. Yeah. Uh,

987
00:54:47,719 --> 00:54:50,920
Speaker 1: any other big projects coming up you'd like to speak on.

988
00:54:51,719 --> 00:54:55,480
Speaker 3: Uh? I am very close to closing a deal to

989
00:54:55,640 --> 00:54:56,879
Speaker 3: host the Oscars next year.

990
00:54:57,360 --> 00:55:01,480
Speaker 1: Oh, that's exactly what you should be doing. So good

991
00:55:01,520 --> 00:55:02,960
Speaker 1: for you, really good.

992
00:55:02,800 --> 00:55:06,840
Speaker 2: So good for you. Oh my god, watching what you

993
00:55:06,840 --> 00:55:09,520
Speaker 2: should watch next step, that's so good for you.

994
00:55:10,000 --> 00:55:12,520
Speaker 3: The only thing that's that I'm waiting on is for

995
00:55:12,600 --> 00:55:13,640
Speaker 3: someone to ask me to do it.

996
00:55:14,320 --> 00:55:16,760
Speaker 2: Mm hm, oh my god. So good for you, though,

997
00:55:16,840 --> 00:55:20,400
Speaker 2: Thank you, congratulations, congratulations, that's exactly what you should be.

998
00:55:20,600 --> 00:55:24,200
Speaker 2: Can you believe? Can you believe we all were in Honolulu?

999
00:55:24,239 --> 00:55:26,359
Speaker 2: Would you ever have thought we'd be sitting here?

1000
00:55:27,239 --> 00:55:27,480
Speaker 1: You know?

1001
00:55:27,960 --> 00:55:30,279
Speaker 2: And you're hosting the oscars.

1002
00:55:30,120 --> 00:55:33,280
Speaker 3: Were drinking out of glasses instead of half a coconut.

1003
00:55:34,320 --> 00:55:38,080
Speaker 1: I still hold them from the too, I do too

1004
00:55:38,280 --> 00:55:42,600
Speaker 1: all the time. Yeah. Rate us on iTunes, made us

1005
00:55:42,640 --> 00:55:45,840
Speaker 1: on iTunes. By the pro version.

1006
00:55:46,239 --> 00:55:49,680
Speaker 2: Jump in the forums, follow the well yeah, follow the

1007
00:55:49,680 --> 00:55:52,399
Speaker 2: footsteps of Octor doctor pus this new guy, he's good

1008
00:55:53,200 --> 00:55:57,200
Speaker 2: by the pro version pro version uh perks.

1009
00:55:57,239 --> 00:56:00,400
Speaker 1: This week Gwy Bryant brought the pro version and she

1010
00:56:00,680 --> 00:56:05,400
Speaker 1: won and answering Machine message recorded by Paul F. Tompkins.

1011
00:56:05,480 --> 00:56:09,320
Speaker 1: Congratulations Valerie Bryant, and here's your prize.

1012
00:56:10,400 --> 00:56:14,000
Speaker 3: Go ahead, Hi, Valerie, it's me Paul F.

1013
00:56:14,080 --> 00:56:15,320
Speaker 1: Thompson. Listen.

1014
00:56:15,440 --> 00:56:18,720
Speaker 3: Congratulations to you, and leave a message to the person

1015
00:56:18,760 --> 00:56:19,600
Speaker 3: who's calling you.

1016
00:56:24,000 --> 00:56:26,440
Speaker 2: So she can use that. Nobody else try to use it.

1017
00:56:26,480 --> 00:56:30,719
Speaker 2: Nobody check name or you're or you're not gonna be

1018
00:56:30,719 --> 00:56:33,280
Speaker 2: able to listen to the podcast anymore. And I promise,

1019
00:56:33,640 --> 00:56:36,439
Speaker 2: And and the other gift this week if you buy

1020
00:56:36,480 --> 00:56:38,960
Speaker 2: it is you get a clue to the location of

1021
00:56:39,000 --> 00:56:42,759
Speaker 2: Hayes's secret backpack. And everyone's itching to get their mits

1022
00:56:42,840 --> 00:56:46,920
Speaker 2: on this. And it's a rebus. It's a rebus. And

1023
00:56:46,960 --> 00:56:49,640
Speaker 2: if you can solve it, boy, oh boy, you're gonna

1024
00:56:49,680 --> 00:56:51,719
Speaker 2: really be happy. Two free beers in it for you.

1025
00:56:52,719 --> 00:56:55,800
Speaker 3: Can I give a little tease? The rebus involves itching

1026
00:56:55,960 --> 00:56:56,600
Speaker 3: and myths.

1027
00:56:57,280 --> 00:56:59,600
Speaker 1: Mm hm.

1028
00:56:59,680 --> 00:57:01,000
Speaker 2: So so that's.

1029
00:57:00,880 --> 00:57:03,560
Speaker 1: That pretty much gives it away, fortunately.

1030
00:57:03,200 --> 00:57:04,960
Speaker 2: So we're gonna come up with it something else for

1031
00:57:05,000 --> 00:57:05,319
Speaker 2: the probe.

1032
00:57:05,360 --> 00:57:06,600
Speaker 3: It's in his scratchy mittens.

1033
00:57:08,960 --> 00:57:17,240
Speaker 2: It's in his scratchy mittens. Bye bye, everybody got.

1034
00:57:26,880 --> 00:57:29,840
Speaker 5: This has been an Earwolf Media production executive producers Jeff

1035
00:57:29,880 --> 00:57:42,440
Speaker 5: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1036
00:57:37,600 --> 00:57:48,280
Speaker 1: Ear Warf Radio Boom dot com, The Worlf Dead