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Speaker 1: I got shows coming up, people, and I really want

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Speaker 1: to see you there. So let me give you some

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Speaker 1: specifics so you can get tickets and make plans. From

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Speaker 1: August twelve to August fourteenth, I'll be in Liberty Township,

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Speaker 1: Ohio at the Funny Bone a k a. The Cincinnati

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Speaker 1: Funny Bone, but it's really not in Cincinnati. It's in

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Speaker 1: Liberty Township. And on August I will be in West

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Speaker 1: Palm Beach, Florida at the Improv. And don't forget on August,

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Speaker 1: and don't forget on September seventeen, We're doing a very

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Speaker 1: special performance. And don't forget on September seventeen, I'm doing

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Speaker 1: a very special performance at the New Anti Had Arena

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Speaker 1: and Abu Dhabi. I'm the first artist in there and

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Speaker 1: you need to be there. It is gonna be a

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Speaker 1: historical moment. More shows are always being add it, so

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Speaker 1: just keep checking Russell Peters dot com for updates or

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Speaker 1: my Instagram. Now enjoy the show. So when we talk

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Speaker 1: about hip hop, and we talked about uh comedy right, so,

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Speaker 1: to me, hip hop is not an old man's game

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Speaker 1: if you weren't in it as a young man. To me,

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Speaker 1: you have to be young as a rapper, and if

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Speaker 1: you become old still rapping, that's cool you were doing it,

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Speaker 1: but you can't be like, heyft two, I feel like

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Speaker 1: I want to start rapping now, right, like you know

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Speaker 1: what I mean? Like to me that that's my that's

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Speaker 1: I started. I started rapping in the sixth grade, right

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Speaker 1: I had, I had when I got I had my

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Speaker 1: first record deal in nineteen eight six. I got out

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Speaker 1: of high school in eighty five, right, yeah, I have

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Speaker 1: one job I think in between that and ever since,

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Speaker 1: I haven't worked for anyone else since for the rest

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Speaker 1: of my life, all the way up to now. But

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Speaker 1: because of that first deal in eighty six, because it

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Speaker 1: was that was with your crew, that was yeah, with

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Speaker 1: my boys, that one Nia records on on the Eileen

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Speaker 1: the Eileen Brothers and uh on Nia records I had

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Speaker 1: I was. I think it was Captain Rock was on

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Speaker 1: my label. I think, Wow. But check this out, and

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Speaker 1: I don't know, know you guys all probably noticed, but

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Speaker 1: people listening may not know this. That Bumpy was supposed

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Speaker 1: to be on the way to the studio to go

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Speaker 1: recorded with Eric b Well was that it wasn't on

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Speaker 1: the way to I was it was Eric b was

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Speaker 1: looking for um somebody to put on a project he

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Speaker 1: was doing, and I was introduced to him, and he

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Speaker 1: wanted one rapper, and I was down with a crew

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Speaker 1: of three of us. So I felt like if I

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Speaker 1: leave the group, that would be funked up because we

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Speaker 1: were in the process of trying to make a record.

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Speaker 1: So I just didn't show up because I felt like,

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Speaker 1: if he can't take all of us, then I can't

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Speaker 1: just abandon my team. And then they said, well, there's

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Speaker 1: two guys out here that you got to meet is

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Speaker 1: Freddie and Rock Him. And that's what happened. And I'm glady,

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Speaker 1: I'm I'm actually glad it worked out there way because

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Speaker 1: Eric believed in me. Because he believed in me so

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Speaker 1: much that after I made my record with the crew

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Speaker 1: Supreme Force, he actually said, you know, the record didn't

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Speaker 1: really do ship. You know, it didn't have marketing, it

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Speaker 1: didn't have you know, something they were through to throw

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Speaker 1: the record out, see the buzz. It didn't really rock.

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Speaker 1: But under in the streets it was all right. It

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Speaker 1: was all right. I think actually Rock Him was the

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Speaker 1: one who said, yo, go get He said, go get Fox.

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Speaker 1: He told my brother go get your brother, want to

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Speaker 1: talk to him, and he wanted to put He wanted

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Speaker 1: to put me in the studio to record my own project.

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Speaker 1: But Eric ended up being the one who followed through

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Speaker 1: with it, you know what I mean. So he followed

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Speaker 1: through with it, and Eric really believed in me. Eric

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Speaker 1: to this day still says, yo, man, you can do

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Speaker 1: so much with yourself. He's always pushing me to do

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Speaker 1: more and more and more. So that's all. That's why

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Speaker 1: I said, a lot of cats just want to be believed.

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Speaker 1: And Eric believed in me and still does. It's like

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Speaker 1: always telling me to do more. Eric was the one

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Speaker 1: who really grabbed a hold of and say, yo, you

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Speaker 1: should do your own album. To take me to meetings

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Speaker 1: with him. I'm sitting in meetings with this guy with accountants,

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Speaker 1: with lawyers, with all kind of fucking business people, and

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Speaker 1: I'm peeping this ship, like damn, I'm meeting all these

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Speaker 1: big wig lawyers and Eric is talking to them like

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Speaker 1: they worked for him, and like, you know, like literally,

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Speaker 1: and he was like fox to always handle it. Don't

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Speaker 1: let nobody handle you, dog like you know, he was.

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Speaker 1: He was showing me the way. You know, I think

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Speaker 1: what it is that makes you great is you know

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Speaker 1: what success is to you. You ain't never letting the

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Speaker 1: industry dictate what success is. And I think that goes

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Speaker 1: for any artists. You gotta know what success is for you.

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Speaker 1: It's a hard place to get to, though, bro, when

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Speaker 1: you got all the ship in your face all the

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Speaker 1: time of what you're supposed to do, how are you

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Speaker 1: supposed to do it? I mean, I've given guys a

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Speaker 1: lot of fucking alley, youps bro, a a lot of alley.

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Speaker 1: You just could just think of how far I've coming,

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Speaker 1: what I've went through to get to where I'm at,

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Speaker 1: regardless of the money part. It's just that ship. My

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Speaker 1: life is nothing short of a fucking miracle, you know,

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Speaker 1: to get out the hood, to just be out on

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Speaker 1: your own, being able to take care of yourself. You know,

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Speaker 1: so many people are just distract you with so many

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Speaker 1: things and put some ain't things in your head or

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Speaker 1: you don't have this, you don't have that that you'll

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Speaker 1: really forget how far if you've come in the game

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Speaker 1: to where you at, and the fact that you don't

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Speaker 1: have nobody telling you look man like your attitude punch out.

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Speaker 1: That's fucking blessing alone. You know, because giving up somebody

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Speaker 1: giving up eight hours of your day to go clock

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Speaker 1: in and then punch out and for days off. Just

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Speaker 1: just being able to do not music, whether it's at

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Speaker 1: the highest level or whatever. If you're happy with it

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Speaker 1: and you're making money with it, then that is success.

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Speaker 1: But just doing what you want to do, something you

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Speaker 1: would do, something you would do for free, and if

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Speaker 1: you get paid for it, then it's never gonna feel

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Speaker 1: like That's why I'm That's why I always have indebted

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Speaker 1: to D. I t. C. Because I always remember being

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Speaker 1: on a one way train to blow everybody's fucking head

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Speaker 1: off and Northern nations like yo, come over the crib

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Speaker 1: for a minute, and he said, yea, I'm gonna show

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Speaker 1: you something, and he said, this is how you do

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Speaker 1: and this is independent, right. You don't need record companies,

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Speaker 1: you don't need a record label. You could do this

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Speaker 1: on your own. And I actually was sat down and

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Speaker 1: school on first of all, this is how we're gonna

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Speaker 1: make some beats. I know you know how to rhyme.

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Speaker 1: Let's make the project. Taking me to different people who

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Speaker 1: had these little hole in the wall pressing plants, I

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Speaker 1: was like, oh ship, I didn't know that. I didn't

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Speaker 1: know you could do to sell us out of your

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Speaker 1: trunk and ship. I wasn't hip to that. I'm thinking,

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Speaker 1: we gotta be signed to a major. That's what I

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Speaker 1: was thinking. But once I got then showbiz was telling me. Oh,

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Speaker 1: showbiz was put me onto books. I used to go

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Speaker 1: to show house in the Bronx show. He had books.

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Speaker 1: I mean, this dude had books right, books everywhere everywhere.

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Speaker 1: Man just show reading books and showing me how to

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Speaker 1: use samplers between him and that's and and and Buck

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Speaker 1: coming in the studio, and and and fucking big l

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Speaker 1: getting on my nerves, fucking taunting me all the time.

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Speaker 1: He was just like that bad little brother that always

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Speaker 1: just come around you and then he gives you, lay

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Speaker 1: his head on your shoulder, like, Yo, you ain't mad

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Speaker 1: at me, ah, you you're mad at me, right, But

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Speaker 1: you know L was just he just made you. Yeah,

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Speaker 1: he would make you realize what it was to have

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Speaker 1: a little brother. If fund a bad little brother around

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Speaker 1: you again. So that dig digging into crazy was that

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Speaker 1: was that passing off of the information that I was

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Speaker 1: talking about, Like if a young cat come around y'all

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Speaker 1: that want to be a comic. He could have to

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Speaker 1: fall in line and watch and learn, and then then

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Speaker 1: you can respect his situation more because he's taking information.

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Speaker 1: It's like going back and seeing your teacher from school

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Speaker 1: and they seeing you actually be made something of trigonometry,

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Speaker 1: you know what I'm saying. But what I was getting

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Speaker 1: at was with the young rapper, you know, growing up

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Speaker 1: to become older, Like is it not possible for like,

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Speaker 1: you know, some forty seven year old to be like,

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Speaker 1: you know what I want to be, And it's possible.

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Speaker 1: I didn't start doing stand up till thirty five, which

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Speaker 1: and thirty four and at him, I have a time machine, um,

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Speaker 1: and it that was a little bit harder. It was

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Speaker 1: hard on me, on me mentally only because I kept

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Speaker 1: questioning myself like should I have gotten I didn't get

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Speaker 1: into it younger because I had kids young and my

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Speaker 1: dad was in the entertainment industry and he was gone

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Speaker 1: a lot, and he had told me when I had kids,

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Speaker 1: and he's like, this is what you are now, your father,

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Speaker 1: and you don't want to miss anything like when my

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Speaker 1: dad went on tour for three months the day after

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Speaker 1: I was born, so he missed a ton and I

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Speaker 1: didn't want to miss anything. So I waited till the

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Speaker 1: kids were eleven and fifteen before I started. But I

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Speaker 1: was lucky that I hadn't met him before. I was

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Speaker 1: a comic, met some other comedians and stuff, and so

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Speaker 1: I kind of had a I cheated. I'm gonna I'm

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Speaker 1: gonna be honest. I bullshited my way in to stand up.

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Speaker 1: I had never done the open mic scene. I never

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Speaker 1: did any of that stuff. Well, you knew like headliners already. Yeah,

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Speaker 1: I was friends with headliners. So I went to a

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Speaker 1: comedy club and I dropped their names and I said,

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Speaker 1: my name is Jason Collins, I'm a comedian, and these

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Speaker 1: guys told me that you would put me on stage.

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Speaker 1: I didn't know how it worked. I literally went to

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Speaker 1: the front of the club and asked for the own

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Speaker 1: her when in most cases the owner was a book

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Speaker 1: the shows. I didn't know that. And he came out,

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Speaker 1: He's like, what's up, you know? I was like, yeah,

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Speaker 1: I'm remedian. Um, my friends told me they would come,

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Speaker 1: that I should come here, and that you put me

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Speaker 1: on the show. And he says, they told you that

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Speaker 1: i'd go. Yeah, he goes, how long you've been doing

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Speaker 1: stand up? I said five years. I never done it

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Speaker 1: in my life. Five years. He says, yeah, he come

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Speaker 1: back tomorrow. I'll put you on the eight o'clock show. Nice.

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Speaker 1: That was a weekend eight o'clock show. Well, it's when

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Speaker 1: I tell this story. If any comics are watching, this

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Speaker 1: is not how it works. This is my story. Don't

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Speaker 1: bite my ship. But it's not how it works. Yeah,

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Speaker 1: it went well your first time. Yeah, my first time.

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Speaker 1: They gave me the three spot, you know, the sweet spot.

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Speaker 1: They gave me the third spot fifteen minutes set and

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Speaker 1: they said I'll like you at twelve minutes. I had

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Speaker 1: no idea what he was talking about. When he said that,

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Speaker 1: I go I was like, yeah, yeah, I like me

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Speaker 1: in twelve minutes. I thinking, does that mean? Hold on?

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Speaker 1: So when you had these comic friends before this whole Oh,

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Speaker 1: I hung out in the scene and watched it. I

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Speaker 1: I eat it like when you when you would see

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Speaker 1: me at a comedy club. I wasn't watching the comic.

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Speaker 1: I was watching the audience. I was doing this. What

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Speaker 1: did he say? How did they react? What did you say?

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Speaker 1: And I knew I was funny because everybody you know,

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Speaker 1: you teach with. I taught with humor. When I taught

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Speaker 1: martial arts, and I was I was teaching large groups

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Speaker 1: of people. I was teaching rooms of like sixty five

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Speaker 1: year olds, and to keep their attention for an hour,

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Speaker 1: that's a muscle that you have to really work out.

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Speaker 1: So I had that muscle worked out, commanding a room

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Speaker 1: full of people. Now I have to be funny. But

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Speaker 1: then I thought, oh, I got a right going back

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Speaker 1: to the freestyle thing again, comedians, this is not how

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Speaker 1: it works. I haven't written a joke in fifteen years.

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Speaker 1: Every everything, it worked out, everything, all my whole hours

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Speaker 1: of memorize. So I showed up to the club. They

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Speaker 1: give me the fifteen, they give me the three spot.

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Speaker 1: I do fifteen minutes, I get off stage. Owner says,

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Speaker 1: come back tomorrow. You're on the show tomorrow. And I've

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Speaker 1: been doing ever since. The first guy, remember John Roy,

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Speaker 1: the comedian, John Roy, the alopecia guy. Yep, yeah, powder yeah, powder.

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Speaker 1: He goes, remember how we talked? He comes up and

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Speaker 1: he goes, hey, how long you've been doing comedy? And

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Speaker 1: I and I stay up when he talked, even done

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Speaker 1: a comedy. I can't breathe through my nose, he said,

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Speaker 1: And I can't grow anyway, said the cockiest answer. I said, well,

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Speaker 1: what time is it? And he told me the time

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Speaker 1: I go for about fifteen minutes, not always got I brows,

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Speaker 1: he's not out. At what point can a person and

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Speaker 1: ask you disrusted, because I think, well, either one of

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Speaker 1: you guys gain. At what point can a comedian actually

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Speaker 1: called himself a comedian? I always say after ten years, yeah,

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Speaker 1: that's that's when you've been doing it for a living. Um,

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Speaker 1: But now you could probably call yourself it after a year,

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Speaker 1: because in hip hop is different. I remember, well, listen,

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Speaker 1: after one year of just doing amateur nights, I said

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Speaker 1: I was a comedian. I'm gonna tell you. I knew

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Speaker 1: I wasn't, but I said I was. When I felt

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Speaker 1: like I could finally call myself a comic is when

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Speaker 1: I got the Tonight Show. When I booked the Tonight Show,

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Speaker 1: and I was seven years in at that point, and

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Speaker 1: then when I and I did well, I had a

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Speaker 1: great set. And when I got back home, next thing,

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Speaker 1: you know, all the clubs are like, come on in

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Speaker 1: booking me on all the shows. When before I remember

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Speaker 1: going to the laugh Factory as a comedian and they

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Speaker 1: wouldn't let me in unless I bought a ticket. Yeah.

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Speaker 1: And now after the tonight show, they're like, here, come in.

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Speaker 1: And I overheard a comedian complaining about his spot on

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Speaker 1: the lineup and why is he going on after me?

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Speaker 1: And and the guy said he just did the tonight

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Speaker 1: show and that that right there made me go, Okay,

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Speaker 1: now I'm a I didn't do ship for my career,

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Speaker 1: but it solidified me in the community of comics. I

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Speaker 1: did that when that happened to me. When I'm not

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Speaker 1: going to say this rappers name because I actually like

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Speaker 1: him and I don't want to blow a spot up

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Speaker 1: and wrap a rapper. A rapper did this to me

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Speaker 1: one time. I had to play at a club in

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Speaker 1: New York and he the promoters said, well, I only

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Speaker 1: have a certain amount of money, so I can't pay

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Speaker 1: both of them. So I was like, you know what,

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Speaker 1: everybody knew I was gonna do the show. So I

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Speaker 1: was like, I fuck it, I'll do the show. Just

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Speaker 1: give me the v I P. You could pay him.

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Speaker 1: Just give me the v I P. So I and

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Speaker 1: I and he said, well, I'm not playing it. Before

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Speaker 1: Freddie Fox, I sold more records to him, and I

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Speaker 1: was like, all right. So I said, fuck it. I

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Speaker 1: come to the venue. This motherfucker got all his people

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Speaker 1: in the v I p before I get there. I said, okay,

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Speaker 1: you want to be a dick, So I said, I'll

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Speaker 1: tell you what. I went on stage. I did forty

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Speaker 1: five minutes of Premo songs. I did another forty five

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Speaker 1: minutes of Pete Rock Records, and then I did another

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Speaker 1: fifteen twenty minutes of My Ship and somebody came up

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Speaker 1: with said, yo, man, if you don't get off man,

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Speaker 1: they said they're gonna leave. I said, I'm gonna do

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Speaker 1: one more song, and then I brought Naughty by Nature

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Speaker 1: up and then Ship with them. And then I bounced

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Speaker 1: that that motherfucker rocked for the janitors cleaning up that bitch,

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Speaker 1: I said, I and I said, and I said, it

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Speaker 1: wasn't about me. I said, you know that the stars

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Speaker 1: on the stage. The best part about in my opinion,

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Speaker 1: is you didn't biting wine to anybody. I didn't. I

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Speaker 1: just rocked the mic. The stars on the stage. I

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Speaker 1: learned that from Lloyd Price Man. He said, bumpy the

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Speaker 1: stars on the stage, whether you play first, middle, last, whatever,

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Speaker 1: that's what the stars on the stage. Remember that just

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Speaker 1: be undern Headlining is a rough gig, bro, unless people

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Speaker 1: came there to see you and they're willing to wait

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Speaker 1: all night. I had a crowd when they was fresh

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Speaker 1: Ears and they listened to every word. My shows are

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Speaker 1: like that, people, ain't. I mean, I think, I mean

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Speaker 1: Premier did one show in Canada. Somewhere in Canada. It

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Speaker 1: was so country and hill billy. I couldn't even I

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Speaker 1: don't remember the name of it. I gotta asked Permier.

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Speaker 1: They would actually people were actually dancing too my music.

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Speaker 1: First time I've ever seen it. And the last time

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Speaker 1: I was they would literally would have been in Alberta.

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Speaker 1: I would imagine it might have been. It might have

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Speaker 1: been they were having a ball and Ship. I was like,

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Speaker 1: you played Toronto back in the day and he played

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Speaker 1: comfort Zone. Yeah, I saw you there. Yeah. I played

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Speaker 1: a couple of spots, but that particular place in Canada.

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Speaker 1: I gotta I gotta ask Premiere. But they v d

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Speaker 1: J for you then, No, I don't remember. I don't remember,

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Speaker 1: but I know when that when when I played with

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Speaker 1: for Me in this place, I've seen people actually dancing

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Speaker 1: to Ship, like somebody telling, motherfucker's something here. It's the

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Speaker 1: Militia Ballroom. That's it was different. And I was like,

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Speaker 1: but but but ship like that. I don't believe in

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Speaker 1: all that headline and who goes I'd rather I'd rather

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Speaker 1: play first. I ain't gonna lie because I like the

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Speaker 1: first to tell you their headlining. And I'm like, no, no,

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Speaker 1: you're just going on last. Yeah. I like that. Last night,

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Speaker 1: you and I did a show together and I was

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Speaker 1: and they tell me you're on last, and I was like,

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Speaker 1: I don't really care if I go on last, and

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Speaker 1: they go, oh, don't put you on the middle. I go, fine, perfect,

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Speaker 1: It's perfect. Man, I can't get out of here. Yeah.

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Speaker 1: Catalog means a lot where their faces and is on

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Speaker 1: flyers now or when they My favorite is when, uh,

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Speaker 1: what do you want me to say about your nothing?

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Speaker 1: I don't give a ship just introduced the credits, don't

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Speaker 1: mean ship when before you go on you already did

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Speaker 1: that and now the proof is in the pudding. About

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Speaker 1: when we do those piggyback shows, when you when you,

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Speaker 1: when you when you don't have a host, and each

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Speaker 1: comic brings up that we did last night. That's how

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Speaker 1: we do. I like those, But the comic that gives

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Speaker 1: you a list of there, tell him I was on

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Speaker 1: Conan and tell them that I was a writer on

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Speaker 1: another show that was canceled, and tell them all the

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Speaker 1: ship that nobody gives a shit about. Okay, nobody's paying

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Speaker 1: attention to your intro, nobody. I know when I'm at

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Speaker 1: a show and somebody here's this injury, I just get on.

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Speaker 1: Would you tell what you did? I didn't see it.

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Speaker 1: Just let me see this. You know what I love

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Speaker 1: about your show, bro. I love how you incorporate the

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Speaker 1: DJ into you. Love that set I filled in for

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Speaker 1: for rust is one time DJ in Boston, that ship

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Speaker 1: was Yeah, that was that was That's exactly where I

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Speaker 1: first met you. Yeah, that was that you Nicky pay

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Speaker 1: Nicky will be honest with you, bro, when I when

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Speaker 1: I walked back there, DJ has got a lot of

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Speaker 1: If you're not normally a DJ in front of a

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Speaker 1: you could get the bubble guts fucking around because all

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Speaker 1: you gotta do is funk up. One time, it's like

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Speaker 1: Baho booted ship out of you. But that ship was crazy.

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Speaker 1: You killed it that night too, thank you. That was right. Yeah,

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Speaker 1: that's been bad. Clearly had the bubble guts at night. Boy,

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Speaker 1: I felt bad for the homie ye man, you know,

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Speaker 1: and that was the way you incorporate DJ intr show

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Speaker 1: was always that that ship was it was I don't

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Speaker 1: know if I've ever seen that before. Now you see

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Speaker 1: it all the time. Now you see it all time.

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Speaker 1: Everybody does. And I know people had intros, but I

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Speaker 1: used to, you know, usually just see this quick little

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Speaker 1: ship come on in the DJ like this, but Russ

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Speaker 1: got him up there doing all kinds of it was

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Speaker 1: never done that way before. She was. That's why my

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Speaker 1: favorite show of laugh Factories Chocolate Sunday, because they have

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Speaker 1: a DJ. They bring you up to music. It's just

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Speaker 1: it's a part Reuben show and Rubens doing it too.

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Speaker 1: You know, that ship is fun, man, It's a great

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Speaker 1: It makes the show some more of a show, you

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Speaker 1: know because because you know, it feels eventful, right because

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Speaker 1: even if the host is low energy, at least you

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Speaker 1: got the music to walk up to. Well, you know

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Speaker 1: what was the DJ and you were trying to get

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Speaker 1: me to the reason why I wasn't so frightening for

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Speaker 1: me is because I did a tour one time with

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Speaker 1: some legends. I was a DJ for the Four Kings

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Speaker 1: of Rhythm and Blues Tool with Jerry Butler, Benny King,

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Speaker 1: Gene Channel, and Lloyd Price, and I was the house DJ,

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Speaker 1: and I had to rock the crowd before they actually

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Speaker 1: performed these classics. Yeah years ago, Bro, I No, this

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Speaker 1: wasn't then. This might have been in the two I

390
00:18:38,119 --> 00:18:40,840
Speaker 1: was on the hiatus for you. Was already who you were. Yeah,

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Speaker 1: I was already big, grown and bald headed. I was.

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Speaker 1: But I was standing up there playing the Temptations and

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Speaker 1: all that, and I was I was in a crowd

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Speaker 1: full of sixties and up in that motherfucker you know

395
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Speaker 1: how stuffy they could be. You know what I mean?

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Speaker 1: You know they, you know, broke the record. However, you

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Speaker 1: don't stop? Can we turn down a little bit? Ship?

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Speaker 1: But I didn't. I didn't do all that. I just

399
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Speaker 1: was playing records for them, and it was like a

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Speaker 1: feeling filling the gap between the show the sets. It

401
00:19:18,400 --> 00:19:21,040
Speaker 1: was real sick, and it was a fucking hundred piece

402
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Speaker 1: band behind me and Ship actually was sick, bro, but

403
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Speaker 1: it made me. I was. I was comfortable in that

404
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Speaker 1: space when Russia asked me to do it. But you know,

405
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Speaker 1: a crowd full of people looking to hear jokes is

406
00:19:32,400 --> 00:19:34,719
Speaker 1: different for a crowd full of people listening to here,

407
00:19:35,080 --> 00:19:37,720
Speaker 1: listening to hear the sholights and blue magic and all that.

408
00:19:37,840 --> 00:19:40,640
Speaker 1: But you don't have to worry about rocking the dance floor.

409
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Speaker 1: It's the easiest stuff. Like now DJ's you know, they

410
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Speaker 1: get hired to go play at lounges where people are

411
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Speaker 1: just sitting down drinking, smoking, and you don't really have

412
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Speaker 1: to worry about It's like when you have to, you know,

413
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Speaker 1: make sure that people got up and danced and they

414
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Speaker 1: were enjoying themselves for five six hours and at a time.

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Speaker 1: That stress, that stress that takes It takes talent as

416
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Speaker 1: d Do you like it when they're just watching you?

417
00:20:03,040 --> 00:20:05,240
Speaker 1: Or do you want to be no one likes? And

418
00:20:05,320 --> 00:20:07,240
Speaker 1: then the irony is I did that when I was

419
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Speaker 1: a kid, before I became a DJ too. You get

420
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Speaker 1: you get enamored with it's just something cool to watch.

421
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Speaker 1: Now I've noticed I'm sounding like I sound so fifty.

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Speaker 1: That's a thing now, right, Um I was. I didn't,

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Speaker 1: I just didn't remember. We did uh CB live in Phoenix.

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Speaker 1: I just did it again and the other half of

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Speaker 1: the venuees of a nightclub or something, and the show

426
00:20:27,520 --> 00:20:30,440
Speaker 1: was this girl DJ, but no one was dancing. But

427
00:20:30,520 --> 00:20:33,320
Speaker 1: when she actually DJ because again he was on my

428
00:20:33,480 --> 00:20:35,840
Speaker 1: come up and you watch guys pull records out of

429
00:20:35,880 --> 00:20:38,359
Speaker 1: crate put them down. He saw them. She was doing

430
00:20:38,440 --> 00:20:40,800
Speaker 1: you know, the pitch control and they have headphones on there,

431
00:20:41,119 --> 00:20:45,080
Speaker 1: they're blending, their cutting, they're scratching, but nobody Jeff said that,

432
00:20:45,119 --> 00:20:47,280
Speaker 1: I love like, there's certain DJ that I know personally.

433
00:20:47,320 --> 00:20:50,119
Speaker 1: There's certain DJs that just you want to watch them,

434
00:20:50,240 --> 00:20:53,159
Speaker 1: you know what I mean, because they're doing say, nobody

435
00:20:53,240 --> 00:20:55,320
Speaker 1: gives a funk how you playing the music. Just play

436
00:20:55,400 --> 00:20:57,879
Speaker 1: the music. But when you're but when you're djaying and

437
00:20:57,920 --> 00:21:00,760
Speaker 1: treating it like an instrument, that's someone watch that. Yeah,

438
00:21:01,040 --> 00:21:04,359
Speaker 1: you can watch kid and be like, I don't understand.

439
00:21:04,359 --> 00:21:06,120
Speaker 1: I se where she was pushing stuff on her phone.

440
00:21:06,440 --> 00:21:08,000
Speaker 1: I don't know what she was doing. Did Paris Hill

441
00:21:08,200 --> 00:21:10,080
Speaker 1: do something like that, like it makes a bunch of

442
00:21:10,119 --> 00:21:13,560
Speaker 1: money making money? Yeah, I know DJ be mad as

443
00:21:13,560 --> 00:21:17,760
Speaker 1: ship like hell yeah, then you got the megac It's

444
00:21:17,760 --> 00:21:21,639
Speaker 1: an articuleric cat diplo man decent. All these guys that

445
00:21:21,840 --> 00:21:24,280
Speaker 1: you know the end again, these guys aren't like guys

446
00:21:24,480 --> 00:21:28,280
Speaker 1: who are And then that kid started dead mouse and

447
00:21:28,320 --> 00:21:30,200
Speaker 1: I'm friends of Dead Mouse. The first time I met him,

448
00:21:30,520 --> 00:21:33,920
Speaker 1: we were doing the Joe Rogan podcast and Uh Rogan

449
00:21:34,000 --> 00:21:35,160
Speaker 1: hit me up. He was like, yo, I've got dead

450
00:21:35,200 --> 00:21:37,640
Speaker 1: Mouse on come by. So I drove. I drove out

451
00:21:37,680 --> 00:21:40,159
Speaker 1: there and I was kind of drunk. To the first thing.

452
00:21:40,240 --> 00:21:41,879
Speaker 1: I walked up to Dead Mouse and I said, no,

453
00:21:42,000 --> 00:21:44,640
Speaker 1: somebody else drove and uh and and and I um,

454
00:21:45,160 --> 00:21:46,639
Speaker 1: first thing I walked in through and go, you're not

455
00:21:46,760 --> 00:21:49,399
Speaker 1: a DJ. He goes, no, I'm not, and I go,

456
00:21:49,640 --> 00:21:52,800
Speaker 1: thank you. Okay, now we can talk. Yeah. Like when

457
00:21:52,840 --> 00:21:55,240
Speaker 1: I see that Ilki guy just throwing cake in the audience,

458
00:21:55,280 --> 00:21:58,480
Speaker 1: I'm like, this is something else. Yeah, he owns a bakery.

459
00:21:58,600 --> 00:22:03,040
Speaker 1: That's why the leftovers he's had the fucking heir to

460
00:22:03,160 --> 00:22:07,639
Speaker 1: the Benny Hannah stuff. Wow, his dad created Benny Hannah.

461
00:22:08,080 --> 00:22:12,680
Speaker 1: That's insane. Wow. So he don't give. It's easy to say, listen,

462
00:22:12,760 --> 00:22:14,560
Speaker 1: I know how to DJ, but I'm not a DJ.

463
00:22:14,720 --> 00:22:15,920
Speaker 1: You know what I'm saying. I know how to, I

464
00:22:16,000 --> 00:22:17,680
Speaker 1: know how to, I know how I used to play

465
00:22:17,720 --> 00:22:20,240
Speaker 1: on my getting busy all right, you get much busier

466
00:22:20,320 --> 00:22:22,720
Speaker 1: than people even know. But that doesn't make like I

467
00:22:22,880 --> 00:22:25,560
Speaker 1: know you. So I know how busy. You can get

468
00:22:25,640 --> 00:22:28,520
Speaker 1: with it, but nobody goes, oh yeah, bumpy nuggles good DJ,

469
00:22:29,240 --> 00:22:32,640
Speaker 1: Like that's something people go bumpy nuggles, bumpy nuggles DJ's

470
00:22:33,280 --> 00:22:35,800
Speaker 1: people say that about you too. Yeah, but you know,

471
00:22:35,920 --> 00:22:40,040
Speaker 1: I've been doing it for thirty thirty six years of

472
00:22:40,400 --> 00:22:42,399
Speaker 1: j Right, But there's people in the funnest part of

473
00:22:42,720 --> 00:22:44,159
Speaker 1: equate you to do in comedy, and then all of

474
00:22:44,200 --> 00:22:45,560
Speaker 1: a sudden you go to the after party You're like,

475
00:22:45,760 --> 00:22:48,120
Speaker 1: holy sh it, this guy was crab scratches. That's because

476
00:22:48,160 --> 00:22:50,640
Speaker 1: people put you in a box and they whatever you're

477
00:22:50,720 --> 00:22:52,960
Speaker 1: known for, that's what you want to keep you at you.

478
00:22:53,400 --> 00:22:55,440
Speaker 1: That's the thing you were saying earlier about knowing your lane.

479
00:22:55,480 --> 00:22:57,280
Speaker 1: And the problem is with a lot of the business

480
00:22:57,320 --> 00:22:59,080
Speaker 1: now is people want to put you in the lane, right,

481
00:22:59,280 --> 00:23:02,639
Speaker 1: and they want to put you yeah, yes, you know

482
00:23:03,000 --> 00:23:10,160
Speaker 1: answers right, get you get stuck in in their heads.

483
00:23:10,160 --> 00:23:12,320
Speaker 1: You're one person. That's it. You do one thing, and

484
00:23:12,359 --> 00:23:13,840
Speaker 1: this is what you need to be doing. You need

485
00:23:14,160 --> 00:23:15,600
Speaker 1: a guy in a suit in the time you need

486
00:23:15,680 --> 00:23:17,359
Speaker 1: to be doing this is this is what the kids

487
00:23:17,560 --> 00:23:22,760
Speaker 1: dig it right, for people to see somebody outside of

488
00:23:22,840 --> 00:23:24,920
Speaker 1: that light that they normally do so, you know, you

489
00:23:24,960 --> 00:23:27,600
Speaker 1: get guys who start they start off rapping on then

490
00:23:27,640 --> 00:23:29,240
Speaker 1: they end up DJ and no, you know, like a

491
00:23:29,320 --> 00:23:31,639
Speaker 1: guy like Kicker, pre wraps DJs. He does a lot

492
00:23:31,680 --> 00:23:35,520
Speaker 1: of different things. Premiere Premier is one of the DJs

493
00:23:35,560 --> 00:23:37,840
Speaker 1: that I always love to see live. You can actually

494
00:23:37,920 --> 00:23:40,440
Speaker 1: watch him do ship and it's like Pete Rock is

495
00:23:40,480 --> 00:23:43,560
Speaker 1: another one. Pet is but certain Cash just don't have

496
00:23:43,760 --> 00:23:48,240
Speaker 1: that visibility with just what you want him. But really

497
00:23:48,320 --> 00:23:51,560
Speaker 1: dope cuts for the chorus, that's why, and everyone and

498
00:23:51,720 --> 00:23:54,119
Speaker 1: he and he always did it live. He never just

499
00:23:54,280 --> 00:23:57,080
Speaker 1: let the record play. He would always do those cuts live.

500
00:23:57,119 --> 00:24:00,680
Speaker 1: And the whole fucking table movie because he's heavy handed

501
00:24:02,800 --> 00:24:06,119
Speaker 1: and he goes up and down that he used to

502
00:24:06,160 --> 00:24:08,359
Speaker 1: put two turntables on one side and the mix on

503
00:24:08,440 --> 00:24:11,480
Speaker 1: the end is different. He's very different. The other adult

504
00:24:11,480 --> 00:24:15,320
Speaker 1: thing about seeing Primo is because of his you know,

505
00:24:15,560 --> 00:24:18,840
Speaker 1: his his blueprint on the culture right so he could

506
00:24:18,880 --> 00:24:22,480
Speaker 1: play the first I saw him play a party where

507
00:24:22,480 --> 00:24:25,600
Speaker 1: the first thirty minutes was just all his records and

508
00:24:25,760 --> 00:24:28,600
Speaker 1: you everything was a banger. So, I mean, especially if

509
00:24:28,600 --> 00:24:30,600
Speaker 1: you're a fan or just a fan of those songs,

510
00:24:30,920 --> 00:24:34,679
Speaker 1: it's like, holy shit, he made this He made rappers

511
00:24:34,720 --> 00:24:39,080
Speaker 1: who go to Europe with albums out and will win

512
00:24:39,280 --> 00:24:42,440
Speaker 1: because their whole show is them rhyming over premiere instrumental

513
00:24:44,040 --> 00:24:47,000
Speaker 1: pretty much finished. They go to Europe. And you go

514
00:24:47,119 --> 00:24:48,840
Speaker 1: to Europe, you want to win. I'm telling you you'

515
00:24:48,880 --> 00:24:51,240
Speaker 1: all the secret. Now you go to Europe, wrap over

516
00:24:51,280 --> 00:24:53,320
Speaker 1: premiere instrument, don't do your record, and if you do

517
00:24:53,440 --> 00:25:00,399
Speaker 1: your record, wrapper over premiere instrument to sell. That's how

518
00:25:00,480 --> 00:25:04,440
Speaker 1: you win. You're gonna win. Wow, you do Premier Pete

519
00:25:04,520 --> 00:25:08,320
Speaker 1: Rock records instrumentals, you're good in your good They saw that.

520
00:25:08,440 --> 00:25:11,000
Speaker 1: That's how And we were touring. We were touring the you.

521
00:25:11,560 --> 00:25:13,440
Speaker 1: I was doing Industry shake Down a year before it

522
00:25:13,520 --> 00:25:16,480
Speaker 1: came out. I was touring with Premiere over there doing

523
00:25:16,640 --> 00:25:19,960
Speaker 1: in Japan. We were all over That's when I've seen that,

524
00:25:20,240 --> 00:25:26,000
Speaker 1: Uh you had did something over in Japan and with

525
00:25:26,320 --> 00:25:29,440
Speaker 1: um what was it? What was the cat named Murrow? Yeah,

526
00:25:29,440 --> 00:25:31,399
Speaker 1: I did a record Murro He and he had a

527
00:25:31,440 --> 00:25:34,800
Speaker 1: bunch of Lord Finesse collaborations. I was like, oh, ship,

528
00:25:34,840 --> 00:25:37,240
Speaker 1: and that's already been over here, you know. I mean

529
00:25:37,280 --> 00:25:38,879
Speaker 1: I was walking down the street with a member the

530
00:25:38,920 --> 00:25:41,840
Speaker 1: wrestler mill mask as I had I had this mask.

531
00:25:42,119 --> 00:25:44,080
Speaker 1: I had this mask on walking down the street and

532
00:25:44,080 --> 00:25:46,800
Speaker 1: people running like funk. I was had a tank top on.

533
00:25:46,880 --> 00:25:48,920
Speaker 1: I was a lot bigger at this time, and people

534
00:25:48,920 --> 00:25:54,480
Speaker 1: were like oh oh boom. It was like running like

535
00:25:54,560 --> 00:25:59,600
Speaker 1: oh ship. Then this big motherfucker walking down the street

536
00:25:59,640 --> 00:26:02,920
Speaker 1: with the man. It was crazy. I think traveling definitely

537
00:26:03,280 --> 00:26:06,840
Speaker 1: taught uh. It taught me that the world was bigger

538
00:26:06,880 --> 00:26:10,359
Speaker 1: than New York. Yeah, because when when you're coming up,

539
00:26:10,400 --> 00:26:13,960
Speaker 1: you want to be just known in New York, known

540
00:26:14,960 --> 00:26:17,120
Speaker 1: and then you know, I'm not saying I wasn't known

541
00:26:17,760 --> 00:26:19,600
Speaker 1: well when I went to Europe and when I went

542
00:26:19,640 --> 00:26:24,160
Speaker 1: to Japan and Australia and the reception I got versus

543
00:26:24,240 --> 00:26:26,800
Speaker 1: what I got New York made me go Japan is

544
00:26:26,840 --> 00:26:29,600
Speaker 1: to get down ship. It just felt like you had

545
00:26:29,720 --> 00:26:32,639
Speaker 1: different areas in spots that you could go to and

546
00:26:32,800 --> 00:26:35,000
Speaker 1: still be dominant. And then when you went back to

547
00:26:35,080 --> 00:26:39,399
Speaker 1: do music, you wasn't focused on doing New York records.

548
00:26:39,480 --> 00:26:42,440
Speaker 1: She was just focused on just doing good records. That

549
00:26:42,560 --> 00:26:45,520
Speaker 1: was my lifeline overseas, man touring overseas. When I went

550
00:26:45,560 --> 00:26:48,640
Speaker 1: to Japan, bro, I never experience I never experienced nothing

551
00:26:48,720 --> 00:26:51,359
Speaker 1: like that in my life. That fan base, the fan base,

552
00:26:51,600 --> 00:26:55,080
Speaker 1: anywhere overseas we went. It was amazing, bro, except for

553
00:26:55,119 --> 00:26:56,879
Speaker 1: the time I got stuck in the song in Tokyo.

554
00:26:56,880 --> 00:27:01,280
Speaker 1: Over that was I was too big. I got in

555
00:27:01,320 --> 00:27:03,879
Speaker 1: the sauna and and and and the walls got hot

556
00:27:04,000 --> 00:27:05,720
Speaker 1: and my shoulders was wide, and I tried to get

557
00:27:05,720 --> 00:27:07,840
Speaker 1: out and kept burning. I kept burning myself, and I

558
00:27:07,920 --> 00:27:12,720
Speaker 1: was like, and I had that she was different. I

559
00:27:12,800 --> 00:27:15,760
Speaker 1: got a story. I was in Japan on the on

560
00:27:15,960 --> 00:27:19,399
Speaker 1: doing the show, and uh, you know, I had just

561
00:27:19,480 --> 00:27:22,000
Speaker 1: come from Europe doing big festivals. You're jumping a crowd

562
00:27:22,040 --> 00:27:26,439
Speaker 1: out there, you know, if they catch you, yea happens

563
00:27:26,480 --> 00:27:30,040
Speaker 1: when you staged out right, you know. And so this

564
00:27:30,119 --> 00:27:34,199
Speaker 1: is my first time performing in Japan. And so um

565
00:27:35,119 --> 00:27:38,920
Speaker 1: I saw the crowd was rocking. Everybody, everybody was making

566
00:27:39,560 --> 00:27:44,280
Speaker 1: eye contact. I made the motion I'm about to jump.

567
00:27:44,840 --> 00:27:49,240
Speaker 1: The crowd was massive, it was big, right, so um

568
00:27:49,920 --> 00:27:53,760
Speaker 1: I back up a couple of steps again, acknowledging I'm

569
00:27:53,760 --> 00:27:56,480
Speaker 1: about to jump into the crowd. Guys, here I come.

570
00:27:57,600 --> 00:27:59,880
Speaker 1: I don't know if you're gonna understand me, but I'm

571
00:28:00,000 --> 00:28:04,919
Speaker 1: about to come. Now go hit the motherfucker. Then motherfucker's clear.

572
00:28:05,720 --> 00:28:10,560
Speaker 1: The whole area they read. They read CV I hit

573
00:28:10,640 --> 00:28:18,040
Speaker 1: the ground full on shoulder, because that's how far I

574
00:28:18,200 --> 00:28:20,080
Speaker 1: was in the air before I realized they were getting

575
00:28:20,119 --> 00:28:24,320
Speaker 1: out of the way. So when I when I got up,

576
00:28:25,280 --> 00:28:31,080
Speaker 1: when I got so so, I was trying to get up,

577
00:28:32,119 --> 00:28:35,840
Speaker 1: and they all came right back in and started patting

578
00:28:35,920 --> 00:28:42,920
Speaker 1: me like oh, they were patting me like like like

579
00:28:43,040 --> 00:28:45,320
Speaker 1: it was like a thousand packs and it would be

580
00:28:45,400 --> 00:28:48,040
Speaker 1: a very nice about ship. They weren't like hurting me,

581
00:28:48,160 --> 00:28:50,800
Speaker 1: but it was just like oh and so so once

582
00:28:50,880 --> 00:28:52,720
Speaker 1: I caught up and I actually got to the front

583
00:28:52,760 --> 00:28:56,200
Speaker 1: of the stage, I stopped the show and I was like, hey,

584
00:28:56,680 --> 00:29:06,760
Speaker 1: translator up, what what just happened? How come they didn't

585
00:29:06,800 --> 00:29:10,040
Speaker 1: catch me? They said something to the audience. It was

586
00:29:10,080 --> 00:29:13,600
Speaker 1: like oh, like it did never dawned on them that

587
00:29:13,840 --> 00:29:17,000
Speaker 1: to catch me was an option. They just thought he's

588
00:29:17,040 --> 00:29:20,040
Speaker 1: coming down here with that, he said. They thought of

589
00:29:20,160 --> 00:29:23,400
Speaker 1: some wrestling ship. You know, you want an exhibit to

590
00:29:23,480 --> 00:29:29,720
Speaker 1: exhibit exhibit at the top. So so no to self,

591
00:29:30,120 --> 00:29:33,120
Speaker 1: don't fucking stay starve in Japan. I never thought. I

592
00:29:33,320 --> 00:29:36,480
Speaker 1: never had it. I never would stave that never. Yeah,

593
00:29:37,200 --> 00:29:38,760
Speaker 1: I don't think they were ready for that. It was

594
00:29:38,840 --> 00:29:41,480
Speaker 1: just not not having it. Certain cat, you gotta be

595
00:29:41,560 --> 00:29:43,880
Speaker 1: a certain weight to do that ship dudes like red Man,

596
00:29:43,960 --> 00:29:49,479
Speaker 1: I wasn't. Now I can't funct So you were mid

597
00:29:49,560 --> 00:29:51,400
Speaker 1: air when you realized that they all I wish I

598
00:29:51,440 --> 00:29:54,040
Speaker 1: could have seen because they all knew it, and we

599
00:29:54,200 --> 00:29:56,640
Speaker 1: all we thought we were on the same page until

600
00:29:56,720 --> 00:29:59,400
Speaker 1: the very last moment. I thought they understood what I

601
00:29:59,480 --> 00:30:01,920
Speaker 1: was coming from. Anybody thought they understood there was about

602
00:30:01,920 --> 00:30:05,360
Speaker 1: to catch me. I didn't realize until I was heretod

603
00:30:05,360 --> 00:30:07,600
Speaker 1: and then it was like when it went from this,

604
00:30:10,640 --> 00:30:19,560
Speaker 1: they had flashbacks to Nagasaki. That's what happened Nikasaki. So

605
00:30:20,880 --> 00:30:23,360
Speaker 1: how far was you up in the air? Oh man?

606
00:30:23,680 --> 00:30:27,440
Speaker 1: When you realized they started parting because the stage was

607
00:30:27,680 --> 00:30:30,200
Speaker 1: it was about a foot over maybe a couple of

608
00:30:30,240 --> 00:30:34,000
Speaker 1: inches over where their hands could their hands could Oh

609
00:30:34,160 --> 00:30:37,440
Speaker 1: my god, No, that was that was a different one

610
00:30:37,480 --> 00:30:40,000
Speaker 1: that was at the World something, but that that was

611
00:30:40,040 --> 00:30:43,640
Speaker 1: around the same show that that thing Rains moment, and man,

612
00:30:45,480 --> 00:30:50,120
Speaker 1: man that it was crazy because I was turning. I

613
00:30:50,280 --> 00:30:52,760
Speaker 1: was turning like this like you know, for them to

614
00:30:52,840 --> 00:30:56,200
Speaker 1: catch crazy. So I can't catch myself when I'm motherfucking

615
00:30:56,520 --> 00:30:59,400
Speaker 1: hitting the ground Like I didn't I didn't trust the

616
00:30:59,440 --> 00:31:02,880
Speaker 1: audience to get injured. No, no, it wasn't that. It

617
00:31:02,960 --> 00:31:05,719
Speaker 1: was a wooden floor, Thank god, it wouldn't concrete, right,

618
00:31:05,800 --> 00:31:08,640
Speaker 1: and so boom hit that motherfucking they submerged right back

619
00:31:08,680 --> 00:31:15,440
Speaker 1: on me. Oh that was fucking crazy, Like I couldn't

620
00:31:15,480 --> 00:31:20,080
Speaker 1: get up patting you for I don't know, but it

621
00:31:20,280 --> 00:31:24,040
Speaker 1: was full on. They were they were acknowledging his great dude, dude,

622
00:31:24,920 --> 00:31:28,360
Speaker 1: that was like on the net. Every my whole ship.

623
00:31:28,480 --> 00:31:30,640
Speaker 1: Nobody was helping me up. They were all petting me.

624
00:31:31,720 --> 00:31:35,480
Speaker 1: That's funny and ship. I was like, what the fund

625
00:31:35,520 --> 00:31:37,880
Speaker 1: has happening right there? So I get up and try

626
00:31:37,920 --> 00:31:41,680
Speaker 1: to get up. Absolutely, I just had to clarify that moment.

627
00:31:41,720 --> 00:31:43,640
Speaker 1: I was like, Yo, what the fund does he I'm different.

628
00:31:43,640 --> 00:31:49,680
Speaker 1: I would be like fun Yo, was like they did

629
00:31:49,760 --> 00:31:51,800
Speaker 1: not know they were supposed to catch you straight up.

630
00:31:51,840 --> 00:31:55,080
Speaker 1: I was like word and I was like, okay, let's

631
00:31:55,080 --> 00:31:59,160
Speaker 1: go one show. Show went great. It was. It was

632
00:31:59,240 --> 00:32:00,840
Speaker 1: one of those moments is that you know, you just

633
00:32:01,400 --> 00:32:04,240
Speaker 1: never expect going overseas, you know what I'm saying, Like

634
00:32:04,360 --> 00:32:07,480
Speaker 1: even in Europe, like my first record went gold in Germany,

635
00:32:07,640 --> 00:32:10,080
Speaker 1: which you know, paparazzi was the first record I ever

636
00:32:10,160 --> 00:32:13,360
Speaker 1: put out, and so before I got notoriety in the US,

637
00:32:13,440 --> 00:32:16,760
Speaker 1: which yeah, which was like my my, my, my second

638
00:32:16,840 --> 00:32:20,080
Speaker 1: the third album, you know, the the video for Paparazzi

639
00:32:20,200 --> 00:32:21,920
Speaker 1: was dope. The video for What You See is What

640
00:32:22,080 --> 00:32:25,600
Speaker 1: You Get? Yeah yeah, yeah, where it was one shot.

641
00:32:25,800 --> 00:32:28,960
Speaker 1: You know, like those were all your creative choices, because

642
00:32:28,960 --> 00:32:31,200
Speaker 1: I wanted to be different in the West. But you know,

643
00:32:31,440 --> 00:32:34,600
Speaker 1: even though I was like coming from southern California, um,

644
00:32:35,040 --> 00:32:37,880
Speaker 1: you know, with the music, when I my first breaks

645
00:32:37,920 --> 00:32:40,560
Speaker 1: were in Europe, Like I went out my first tour

646
00:32:40,640 --> 00:32:42,920
Speaker 1: and experience was in Germany. I got a gold record

647
00:32:42,960 --> 00:32:48,920
Speaker 1: out there because apparently yet like ninety six, right, So

648
00:32:49,280 --> 00:32:52,600
Speaker 1: apparently the sample that's used in Paparazzi was like their

649
00:32:52,760 --> 00:32:55,920
Speaker 1: damn near national anthem. It's like their fun this this, this,

650
00:32:56,200 --> 00:32:59,480
Speaker 1: this this thing that's been like in their lives forever,

651
00:32:59,600 --> 00:33:02,320
Speaker 1: and they all loved this one particular song, and so

652
00:33:02,480 --> 00:33:04,720
Speaker 1: when it was sampling the useful paper rosy, they thought

653
00:33:04,800 --> 00:33:06,760
Speaker 1: I did it on purpose, and I was like, no,

654
00:33:06,880 --> 00:33:09,720
Speaker 1: I fucking I had no idea, you know what I'm saying,

655
00:33:09,800 --> 00:33:12,560
Speaker 1: Like what this was. It's just sounded dope, And so

656
00:33:12,800 --> 00:33:14,880
Speaker 1: it just went gold over there. And then you know,

657
00:33:15,120 --> 00:33:17,040
Speaker 1: like I did a lot of tour in my first tour,

658
00:33:17,080 --> 00:33:20,520
Speaker 1: and experiences were in Europe, and so when by the

659
00:33:20,600 --> 00:33:23,560
Speaker 1: time I got here, I had been doing festivals. I

660
00:33:23,640 --> 00:33:26,080
Speaker 1: had been doing like if I would have stayed confined

661
00:33:26,160 --> 00:33:29,640
Speaker 1: to you know, just read you no hip hop? Know

662
00:33:29,920 --> 00:33:32,880
Speaker 1: that that That that whole the whole perspective of how

663
00:33:32,960 --> 00:33:36,280
Speaker 1: to rock a show, how crowd control happens. How when

664
00:33:36,360 --> 00:33:38,920
Speaker 1: when the drop a record, when it shut the funk up?

665
00:33:39,120 --> 00:33:40,719
Speaker 1: You know what I'm saying, When when the when? When

666
00:33:40,800 --> 00:33:42,840
Speaker 1: the when the let the crowd say? Ship? You know,

667
00:33:43,040 --> 00:33:46,200
Speaker 1: it's it's it comes from having that experience. It's seeing

668
00:33:46,240 --> 00:33:49,200
Speaker 1: other people rock massive souls like that. So then you

669
00:33:49,280 --> 00:33:51,320
Speaker 1: get into the idea of, you know, whether it's five

670
00:33:51,400 --> 00:33:54,920
Speaker 1: motherfucker's or five hundred thousand motherfucker's, we're gonna rock the

671
00:33:54,960 --> 00:33:58,440
Speaker 1: same show. And that becomes like the way you're sharp

672
00:33:58,480 --> 00:34:00,640
Speaker 1: in yourself. You know, you learned at the ship about

673
00:34:00,680 --> 00:34:02,640
Speaker 1: turning in you. I did some of the dumbest mistakes.

674
00:34:02,800 --> 00:34:05,000
Speaker 1: I remember we went to Europe and I went over

675
00:34:05,080 --> 00:34:08,279
Speaker 1: that motherfucker with merch and Duffel bags, and then I

676
00:34:08,400 --> 00:34:10,680
Speaker 1: had my own ship I had two Duffel bags full

677
00:34:10,719 --> 00:34:13,800
Speaker 1: of sneakers. And then when you get to that airport

678
00:34:14,000 --> 00:34:17,600
Speaker 1: and they start weighing that ship, all your money goes

679
00:34:17,680 --> 00:34:23,360
Speaker 1: into overweight bags like so you but that's a learning process.

680
00:34:23,520 --> 00:34:25,719
Speaker 1: You start teaching yourself. Yo, I can't now you go

681
00:34:25,800 --> 00:34:27,960
Speaker 1: over there. I got one pair of sneak to pair

682
00:34:27,960 --> 00:34:29,960
Speaker 1: of boots. I'm aware to ship the whole way over there.

683
00:34:30,200 --> 00:34:32,279
Speaker 1: It's a couple of ways and handle that. First of all,

684
00:34:32,800 --> 00:34:36,520
Speaker 1: they get you because the flight's feed cheapest. Fuck you go, oh,

685
00:34:36,640 --> 00:34:40,839
Speaker 1: we're good. Yeah, I could go for a hundred pounds. Great,

686
00:34:41,600 --> 00:34:44,680
Speaker 1: but they ain't telling you. They're charging you from everything

687
00:34:44,840 --> 00:34:49,360
Speaker 1: from seating to luggage check in to way to your clothes.

688
00:34:49,480 --> 00:34:56,040
Speaker 1: And it's definitely a learning experience. Some cities were flying

689
00:34:56,080 --> 00:34:58,799
Speaker 1: an hour away something. I'm saying, you gotta fly something,

690
00:34:58,800 --> 00:35:01,080
Speaker 1: But this is it was an experience. I learned to

691
00:35:01,200 --> 00:35:05,279
Speaker 1: take the train. Love the train. The train put you

692
00:35:05,440 --> 00:35:07,359
Speaker 1: right in the middle of town. You gotta understand if

693
00:35:07,400 --> 00:35:09,240
Speaker 1: you're in the middle of if you're in the city,

694
00:35:09,680 --> 00:35:11,759
Speaker 1: getting to the airport is an hour hour and a

695
00:35:11,840 --> 00:35:15,360
Speaker 1: half sometime two hour drive. You get to the airport,

696
00:35:15,440 --> 00:35:18,120
Speaker 1: you gotta check in check your bags in and then

697
00:35:18,520 --> 00:35:22,240
Speaker 1: you fly off you land, then once again get your bags.

698
00:35:22,320 --> 00:35:24,480
Speaker 1: That's another hour and an hour and a half, two

699
00:35:24,560 --> 00:35:29,080
Speaker 1: hours into town. Train go in the middle of the town.

700
00:35:29,360 --> 00:35:31,879
Speaker 1: Put you in the middle of the town. Your your

701
00:35:31,960 --> 00:35:34,160
Speaker 1: bags could be as heavy as you want them. Ships

702
00:35:34,280 --> 00:35:37,080
Speaker 1: just don't look like they're heavy, and you'll you'll get

703
00:35:37,160 --> 00:35:39,719
Speaker 1: over with that ship. As far as merger loading all

704
00:35:39,800 --> 00:35:42,080
Speaker 1: that ship up and then every sign you look at,

705
00:35:42,320 --> 00:35:46,480
Speaker 1: everything in Germany look like fark to me. I remember,

706
00:35:46,480 --> 00:35:48,839
Speaker 1: I used to laugh every time. That's the only thing

707
00:35:48,880 --> 00:35:51,400
Speaker 1: I remember. I just see it. That's you know, you

708
00:35:51,400 --> 00:35:55,440
Speaker 1: don't know the later I would get the merchmid in

709
00:35:55,800 --> 00:36:00,480
Speaker 1: and what London and get a couple of a bag

710
00:36:00,600 --> 00:36:04,800
Speaker 1: ship to France, another bag ship to Germany and and

711
00:36:05,320 --> 00:36:07,880
Speaker 1: but you did. You didn't start off like that. You

712
00:36:07,960 --> 00:36:10,000
Speaker 1: had to learn telling you how it is. Yeah, no,

713
00:36:10,200 --> 00:36:12,000
Speaker 1: but yeah, we're get now. But dude, I'm talking about

714
00:36:12,000 --> 00:36:14,520
Speaker 1: the learning process. You make them. I make those mistakes

715
00:36:14,640 --> 00:36:17,000
Speaker 1: one time. But the beauty of it they was checking

716
00:36:17,080 --> 00:36:21,040
Speaker 1: your bags. Dude. They asked you if you got to

717
00:36:21,680 --> 00:36:24,440
Speaker 1: sell Yeah, yeah, theyn't want to know. They want to

718
00:36:24,480 --> 00:36:29,200
Speaker 1: know you have many shots? Are you selling shots? And

719
00:36:29,239 --> 00:36:31,320
Speaker 1: then they hit you with the tax. But you know what,

720
00:36:31,440 --> 00:36:33,880
Speaker 1: I'm gonna tell you what you get in that motherfucker

721
00:36:34,000 --> 00:36:36,759
Speaker 1: the love over there. I go through that ship again,

722
00:36:37,160 --> 00:36:39,759
Speaker 1: played Japan once and it was like two three years ago,

723
00:36:40,440 --> 00:36:42,839
Speaker 1: and I got a standing ovation when I walked out,

724
00:36:42,880 --> 00:36:44,560
Speaker 1: and I was like, I never had that ship happened

725
00:36:45,200 --> 00:36:48,960
Speaker 1: was because music is different than stand up because you

726
00:36:49,040 --> 00:36:51,640
Speaker 1: don't need to understand the words and music you could

727
00:36:51,680 --> 00:36:53,719
Speaker 1: just vibe to the beat. But with this when I

728
00:36:53,760 --> 00:36:55,120
Speaker 1: when I walked down to get me a standing on,

729
00:36:55,280 --> 00:36:57,960
Speaker 1: it was like four thousand people in this little fucking

730
00:36:58,239 --> 00:37:01,360
Speaker 1: hotel ballroom. I was like, yeah, it's sucking dope. I

731
00:37:01,400 --> 00:37:04,799
Speaker 1: gotta come back to Japan. Yeah, me into China. They

732
00:37:05,080 --> 00:37:07,759
Speaker 1: just won't let no because of all the pin might

733
00:37:07,840 --> 00:37:10,880
Speaker 1: ride episode. No, not because of that, because of my

734
00:37:11,080 --> 00:37:14,520
Speaker 1: content is not they said something about my content and

735
00:37:15,080 --> 00:37:18,399
Speaker 1: they just don't allow with Chin. Oh yeah, No, China

736
00:37:18,480 --> 00:37:20,360
Speaker 1: is getting different now. They were getting real strict on,

737
00:37:21,400 --> 00:37:24,520
Speaker 1: like the the communist ships really getting more communists now.

738
00:37:24,880 --> 00:37:27,600
Speaker 1: And because I remember going to Hong Kong and Shanghai

739
00:37:27,680 --> 00:37:30,239
Speaker 1: and Beijing and all in places before like in the

740
00:37:30,360 --> 00:37:33,560
Speaker 1: early late nineties, early two thousands, and it was great

741
00:37:33,600 --> 00:37:36,000
Speaker 1: at the best time. And now it's like, no, no,

742
00:37:36,280 --> 00:37:38,320
Speaker 1: you can't get on fucking YouTube, you can't get on

743
00:37:38,840 --> 00:37:41,320
Speaker 1: you can't get on your Instagram. You gotta have a VPN.

744
00:37:41,400 --> 00:37:45,919
Speaker 1: And even then there's been watching you. It's real strict. Now, yeah,

745
00:37:45,920 --> 00:37:47,840
Speaker 1: I got I think that I gotta. I learned a

746
00:37:47,920 --> 00:37:52,040
Speaker 1: valuable lesson. I toured with Prince Paul once, but Paul

747
00:37:52,080 --> 00:37:54,200
Speaker 1: called me said, Yo, Bump, I want you to go

748
00:37:54,280 --> 00:37:57,640
Speaker 1: to Europe with me to host my DJ gigs. Now

749
00:37:57,640 --> 00:38:00,799
Speaker 1: I've never done a hosting thing before. My fan base

750
00:38:00,920 --> 00:38:04,000
Speaker 1: is so solid on what I do. I went there

751
00:38:04,840 --> 00:38:07,880
Speaker 1: and Paul gets out on the stage and he introduces me,

752
00:38:08,160 --> 00:38:09,959
Speaker 1: which it should have been the other way around, because

753
00:38:09,960 --> 00:38:11,600
Speaker 1: if I was the host, I should have brought him out.

754
00:38:11,600 --> 00:38:14,759
Speaker 1: But he brings me out and I came out, you know,

755
00:38:14,880 --> 00:38:17,080
Speaker 1: just my jeans on and the shirt and I came

756
00:38:17,120 --> 00:38:20,040
Speaker 1: out there, Yo, what's up? Everybody? Just DJ Prince Paul.

757
00:38:20,080 --> 00:38:21,359
Speaker 1: On the one and two, I was doing the hip

758
00:38:21,400 --> 00:38:24,080
Speaker 1: hop thing like that, and this one kid in the

759
00:38:24,200 --> 00:38:29,600
Speaker 1: crowd was like, he said, yo, man, he fucking put

760
00:38:29,680 --> 00:38:31,680
Speaker 1: up a sign on the sign. There's a big sign

761
00:38:31,760 --> 00:38:35,680
Speaker 1: that said where's Bumpy? Knuckles on a sign and I'm

762
00:38:35,719 --> 00:38:38,160
Speaker 1: standing right there. So he was like, I was like,

763
00:38:38,239 --> 00:38:40,480
Speaker 1: what the fund is that? So so I finally put

764
00:38:40,560 --> 00:38:41,759
Speaker 1: two and two that. I said, your Paul, you got

765
00:38:41,840 --> 00:38:44,000
Speaker 1: industry shakedown in your set. He's like, yeah, I got it.

766
00:38:44,200 --> 00:38:46,080
Speaker 1: I said, put it on, and he put on. I

767
00:38:46,160 --> 00:38:49,759
Speaker 1: did bumpy knuckles baby, industry shakedown, and that motherfucker looked

768
00:38:49,760 --> 00:38:52,520
Speaker 1: at me like and funk out there and walked out

769
00:38:53,520 --> 00:38:55,520
Speaker 1: because they used to seeing me with the jump suit

770
00:38:55,640 --> 00:39:01,960
Speaker 1: on and steps fucking twity wanted chess fucking chest like

771
00:39:02,080 --> 00:39:04,600
Speaker 1: this and and fucking balking on everybody. And I wasn't

772
00:39:04,640 --> 00:39:06,719
Speaker 1: there for that, you know what I'm saying. But with

773
00:39:06,840 --> 00:39:09,120
Speaker 1: what I what I got out of that was that,

774
00:39:09,400 --> 00:39:15,279
Speaker 1: you know, don't hold fucking shows. I'm not talking. And

775
00:39:15,400 --> 00:39:17,160
Speaker 1: they wanted you to be like, yeah, they wanted they

776
00:39:17,160 --> 00:39:21,359
Speaker 1: wanted me to do. They wanted me to do what malt.

777
00:39:21,480 --> 00:39:23,520
Speaker 1: They wanted me to be militia. They wanted me to

778
00:39:23,640 --> 00:39:26,440
Speaker 1: be you know, bumping knuckles baby. They wanted me to

779
00:39:26,520 --> 00:39:28,640
Speaker 1: be stock in the game. And it's like that's what

780
00:39:28,719 --> 00:39:30,759
Speaker 1: we were talking about earlier, about them putting you in

781
00:39:30,840 --> 00:39:33,440
Speaker 1: their head and and I didn't. I wasn't mad at him,

782
00:39:34,239 --> 00:39:36,520
Speaker 1: you know, because I've had a few experiences. One time

783
00:39:36,560 --> 00:39:39,279
Speaker 1: I lost my voice at a show before show, and

784
00:39:39,360 --> 00:39:41,440
Speaker 1: the second the show that I showed up at, I

785
00:39:41,640 --> 00:39:46,800
Speaker 1: rocked like this the whole show and nobody left, and

786
00:39:46,880 --> 00:39:49,080
Speaker 1: Premier was like, come on, bump pushing and I'm saying

787
00:39:49,120 --> 00:39:50,839
Speaker 1: the back of my mom s the funk up, man,

788
00:39:51,400 --> 00:39:54,320
Speaker 1: you ain't up here rapping. Motherfuck. My ship was gone.

789
00:39:55,719 --> 00:40:01,600
Speaker 1: I was like, yea, it was gone, like literally, but

790
00:40:01,719 --> 00:40:03,879
Speaker 1: the fact that nobody left told me a lot. Man

791
00:40:04,280 --> 00:40:06,359
Speaker 1: and I and I and I learned from that ship.

792
00:40:06,520 --> 00:40:10,560
Speaker 1: So we all have our calamities traveling overseas, but I

793
00:40:10,719 --> 00:40:13,520
Speaker 1: go back there any time because they're so passionate. They're

794
00:40:13,560 --> 00:40:16,759
Speaker 1: so passionate about what we do. And it wasn't like

795
00:40:16,840 --> 00:40:18,880
Speaker 1: they don't they didn't drag you, they didn't drag me

796
00:40:18,960 --> 00:40:21,080
Speaker 1: about it. They just they said, you know that, it's

797
00:40:21,120 --> 00:40:22,920
Speaker 1: just the reality of it. You know, you got a

798
00:40:23,000 --> 00:40:24,560
Speaker 1: fan base that loves what you do. Like when you

799
00:40:24,600 --> 00:40:27,040
Speaker 1: said you gotta standing ovation and that never happened before.

800
00:40:27,440 --> 00:40:29,279
Speaker 1: That's like that tells you a lot right there, Like

801
00:40:29,600 --> 00:40:31,160
Speaker 1: those are the places you want to go play with

802
00:40:31,280 --> 00:40:34,520
Speaker 1: people appreciate what my first experience where it was going

803
00:40:34,600 --> 00:40:37,719
Speaker 1: with Russell. Yeah, and then you just show up loved. Yeah,

804
00:40:37,719 --> 00:40:39,880
Speaker 1: it's a lot of love in Europe and Europe, Japan,

805
00:40:40,719 --> 00:40:43,319
Speaker 1: any all those overseas places where we played. I think

806
00:40:43,400 --> 00:40:45,880
Speaker 1: the first, I think one of the one of the

807
00:40:45,960 --> 00:40:49,840
Speaker 1: first digital sound systems I ever rocked on was in Tokyo, Japan.

808
00:40:50,800 --> 00:40:54,600
Speaker 1: Never rocked on a digital sound system before until they

809
00:40:54,640 --> 00:40:57,000
Speaker 1: had ten years ahead of us in technology, bro I'm

810
00:40:57,040 --> 00:41:00,320
Speaker 1: talking about. It was sick. I was seeing fucking minute

811
00:41:00,320 --> 00:41:02,759
Speaker 1: your cell phones like this in the nineties and yeah,

812
00:41:02,840 --> 00:41:07,840
Speaker 1: homeless motherfucker's was on them. This motherfucker ain't got no

813
00:41:09,520 --> 00:41:12,760
Speaker 1: fucking cab driver with a Rolex song with white gloves

814
00:41:12,800 --> 00:41:14,839
Speaker 1: to get mad if you touch the door that said

815
00:41:14,880 --> 00:41:19,200
Speaker 1: I'm doing I'm supposed to do Paris in October, right,

816
00:41:19,440 --> 00:41:22,920
Speaker 1: check this line out. Wait this year? Yeah, hold on

817
00:41:23,040 --> 00:41:28,920
Speaker 1: a second. HR just called it's supposed to be uh,

818
00:41:30,080 --> 00:41:34,239
Speaker 1: They're supposed to be ep m D Keith Murray, a

819
00:41:34,480 --> 00:41:42,280
Speaker 1: Zy Lost Professor, Coolgi rap Dos, effects Master, a Smalco Polo,

820
00:41:43,280 --> 00:41:49,000
Speaker 1: the beat Nuts, Havoc and NOI. They said more to

821
00:41:49,040 --> 00:41:51,480
Speaker 1: be announced like that ain't sucking enough and the ship

822
00:41:53,680 --> 00:41:58,240
Speaker 1: like half a song each and uh, that's October first

823
00:41:58,280 --> 00:42:01,759
Speaker 1: to third, just like a little who's not getting paid.

824
00:42:03,400 --> 00:42:08,040
Speaker 1: I don't know. I was a money man, I would say, Noyd, Huh,

825
00:42:11,080 --> 00:42:12,719
Speaker 1: I bet you this. I bet you this. I bet

826
00:42:12,800 --> 00:42:14,400
Speaker 1: you that place would be packed. I bet you that.

827
00:42:17,000 --> 00:42:19,160
Speaker 1: I don't know if I've mentioned this before, but Lord Finesse,

828
00:42:19,239 --> 00:42:22,000
Speaker 1: who lives with me, is a very talented chef. He's

829
00:42:22,040 --> 00:42:24,799
Speaker 1: made some amazing meals here at the house, and since

830
00:42:24,880 --> 00:42:27,279
Speaker 1: I'm less of a cook, or probably not at all,

831
00:42:27,680 --> 00:42:29,320
Speaker 1: I just like to make sure the fridge is stocked

832
00:42:29,400 --> 00:42:31,279
Speaker 1: up a top notch ingredients so he can do his

833
00:42:31,400 --> 00:42:34,680
Speaker 1: thing whenever he wants. That's why I've come to rely

834
00:42:34,800 --> 00:42:39,080
Speaker 1: on butcher Box. Butcher Box delivers humanely sourced meat of

835
00:42:39,239 --> 00:42:43,960
Speaker 1: your choosing right to your doorstep, with options like grass

836
00:42:44,000 --> 00:42:48,720
Speaker 1: fed and finished beef, free range organic chicken, humanely raised pork,

837
00:42:49,160 --> 00:42:53,320
Speaker 1: wild caught lobsters, wild cat, Alaskan salmon, and sugar and

838
00:42:53,440 --> 00:42:56,960
Speaker 1: nitrate free bacon. They truly have the best selection of

839
00:42:57,120 --> 00:42:59,960
Speaker 1: every kind of meat that you'd ever want. Butcher Brock,

840
00:43:00,000 --> 00:43:02,640
Speaker 1: this is a no brainer. Each box has nine to

841
00:43:02,800 --> 00:43:06,560
Speaker 1: eleven pounds of meat, which has packed fresh ship frozen

842
00:43:06,640 --> 00:43:09,120
Speaker 1: and vacuum sealed, making it simple to store in the

843
00:43:09,200 --> 00:43:12,720
Speaker 1: freezer and pull a delicious meal together with friends. Especially

844
00:43:12,760 --> 00:43:15,959
Speaker 1: as grilling season is coming to a close. Butcher Box

845
00:43:16,000 --> 00:43:19,440
Speaker 1: will gift you free chicken, burgers and hot dogs in

846
00:43:19,520 --> 00:43:22,360
Speaker 1: your first box. It's a cookout in a box, people,

847
00:43:22,640 --> 00:43:25,120
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848
00:43:25,160 --> 00:43:27,320
Speaker 1: what you need to do. Once you sign up for

849
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Speaker 1: butcher Box, you choose your box and delivery frequency. They

850
00:43:30,800 --> 00:43:34,920
Speaker 1: offer five boxes. Four of them are specially curated box options,

851
00:43:35,440 --> 00:43:38,640
Speaker 1: but there's also the popular custom box that will allow

852
00:43:38,680 --> 00:43:40,719
Speaker 1: you to get exactly what you and your family want

853
00:43:40,800 --> 00:43:44,320
Speaker 1: for dinner. Butcher Box ships your order frozen at the

854
00:43:44,360 --> 00:43:49,440
Speaker 1: peak of freshness and packed in an eco friendly, recyclable box.

855
00:43:50,320 --> 00:43:53,640
Speaker 1: Then you can enjoy great tasting, high quality meat delivered

856
00:43:53,760 --> 00:43:57,000
Speaker 1: right to your door with free shipping. Like I said,

857
00:43:57,040 --> 00:44:00,640
Speaker 1: I keep good company and have some fantastico in my life,

858
00:44:00,960 --> 00:44:02,160
Speaker 1: so I want to make sure they have the best

859
00:44:02,320 --> 00:44:05,560
Speaker 1: ingredients to use, and butcher Box truly does have the

860
00:44:05,640 --> 00:44:09,759
Speaker 1: best quality meat and selection around. I'm never disappointed in

861
00:44:09,800 --> 00:44:11,839
Speaker 1: the way their meat tastes, and I have to say

862
00:44:12,400 --> 00:44:14,719
Speaker 1: butcher Box has actually inspired me to get out and

863
00:44:14,840 --> 00:44:17,560
Speaker 1: use the grill myself a little bit more because high

864
00:44:17,600 --> 00:44:19,719
Speaker 1: quality ingredients tend to make you want to cook more.

865
00:44:20,200 --> 00:44:22,360
Speaker 1: Butcher Box wants you to enjoy the rest of your

866
00:44:22,400 --> 00:44:25,200
Speaker 1: summer with this special deal. Butcher Box is giving our

867
00:44:25,280 --> 00:44:28,520
Speaker 1: listeners a special offer of three pounds of chicken breasts,

868
00:44:28,880 --> 00:44:31,320
Speaker 1: two pounds of burgers, and one pack of hot dogs

869
00:44:31,400 --> 00:44:35,040
Speaker 1: for free right now. New members can get this special

870
00:44:35,080 --> 00:44:37,279
Speaker 1: deal where they sign up at butcher box dot com

871
00:44:37,800 --> 00:44:42,719
Speaker 1: slash canceled. That's butcher box dot com slash canceled for

872
00:44:42,920 --> 00:44:46,240
Speaker 1: free chicken, burgers and hot dogs in your first box.

873
00:44:46,680 --> 00:44:51,160
Speaker 1: I mean it sounds ruder than it is. Who did

874
00:44:51,160 --> 00:44:54,920
Speaker 1: the beef for Los Angeles Times? Mailman and Dr dre

875
00:44:55,120 --> 00:44:57,719
Speaker 1: Oh you knew that. I didn't know that it's your man.

876
00:44:57,840 --> 00:45:04,240
Speaker 1: Mailman is wicked. He'd been nice a long time, like quietly.

877
00:45:04,320 --> 00:45:05,839
Speaker 1: A lot of people didn't know he did a lot

878
00:45:05,920 --> 00:45:12,320
Speaker 1: of bangings, like because I'll be telling him I just

879
00:45:12,480 --> 00:45:17,800
Speaker 1: did some time put stuff out there, and you might like,

880
00:45:18,280 --> 00:45:21,600
Speaker 1: I think artists in general are walking around with a

881
00:45:21,680 --> 00:45:24,880
Speaker 1: lot of money and they don't even know it, especially

882
00:45:25,000 --> 00:45:29,560
Speaker 1: from a publishing point of view, because you know, Mailman

883
00:45:29,719 --> 00:45:34,040
Speaker 1: undid these incredible songs that but you you tracking your

884
00:45:34,080 --> 00:45:38,719
Speaker 1: money here it's mainly the labels, but tracking it overseas

885
00:45:39,040 --> 00:45:42,680
Speaker 1: and Europe and Japan and all these places, that is

886
00:45:42,800 --> 00:45:48,800
Speaker 1: your job. And I just learned that um recently because

887
00:45:48,920 --> 00:45:50,759
Speaker 1: I was tracking down some money that was old to

888
00:45:50,840 --> 00:45:53,640
Speaker 1: me by label and they was telling me, well, we

889
00:45:53,800 --> 00:45:56,440
Speaker 1: only got a certain portion of your money when the

890
00:45:56,520 --> 00:46:00,400
Speaker 1: streaming came into play. You know, it's up to the artists,

891
00:46:00,719 --> 00:46:07,080
Speaker 1: the higher administration, publishing, administration, companies to find your money. Overseas.

892
00:46:08,120 --> 00:46:11,520
Speaker 1: Most artists don't know that ship, so they're walking around

893
00:46:11,800 --> 00:46:14,920
Speaker 1: probably thinking they don't have no money, probably sitting on

894
00:46:15,040 --> 00:46:18,880
Speaker 1: a shipload of money. And what's crazy is that when

895
00:46:18,960 --> 00:46:21,920
Speaker 1: we talk about streaming, that's a whole another issue because

896
00:46:22,000 --> 00:46:25,279
Speaker 1: I think, honestly, the ship is illegal because when we

897
00:46:25,400 --> 00:46:30,480
Speaker 1: signed contracts, we signed for a physical standpoint, cassette, vinyl,

898
00:46:30,680 --> 00:46:34,120
Speaker 1: c D, that was the three physical things. Y'all created

899
00:46:34,160 --> 00:46:38,239
Speaker 1: another platform with streaming once nobody is mad about. But

900
00:46:38,440 --> 00:46:45,279
Speaker 1: what it is is that your your your lawyer, your

901
00:46:45,280 --> 00:46:49,040
Speaker 1: attorney negotiates the three foundations. I mean, at the time

902
00:46:49,120 --> 00:46:54,200
Speaker 1: it was cassette, vinyl, c D, digital didn't exist. So now, okay,

903
00:46:54,320 --> 00:46:57,719
Speaker 1: y'all find a way to sell people more music digitally.

904
00:46:58,280 --> 00:47:00,799
Speaker 1: But shouldn't they call a lawyer. Isn't say, all right,

905
00:47:00,880 --> 00:47:04,320
Speaker 1: we we're gonna put this out on another platform. We

906
00:47:04,440 --> 00:47:08,040
Speaker 1: need to negotiate the terms. Nah. They just put the

907
00:47:08,120 --> 00:47:11,520
Speaker 1: streaming out there and decide to give artists a percentage

908
00:47:11,520 --> 00:47:16,640
Speaker 1: of a penny per stream and then not only come

909
00:47:16,719 --> 00:47:18,440
Speaker 1: up with what they feel they want to give you.

910
00:47:19,080 --> 00:47:21,919
Speaker 1: Don't tell you you need to chase whatever money's out there.

911
00:47:22,040 --> 00:47:24,920
Speaker 1: So about tom artists do get hip to it about

912
00:47:25,120 --> 00:47:29,120
Speaker 1: seven eight years later and the statutes of limitation runs

913
00:47:29,160 --> 00:47:32,040
Speaker 1: out on the money, artists loses the money. I don't

914
00:47:32,080 --> 00:47:35,799
Speaker 1: believe in statutes of limitation. No money. Yeah, I mean

915
00:47:36,840 --> 00:47:40,960
Speaker 1: I understand your stand for you you owe. If you owe,

916
00:47:41,560 --> 00:47:45,439
Speaker 1: you're gonna oh until you die, or you're gonna die

917
00:47:45,600 --> 00:47:49,879
Speaker 1: on or because you make them. Make sure y'all get

918
00:47:49,960 --> 00:47:56,279
Speaker 1: that clear, and it's called shows up. But that's where

919
00:47:56,320 --> 00:47:59,600
Speaker 1: we are with streaming, where a lot of artists got

920
00:47:59,680 --> 00:48:02,160
Speaker 1: money out there that they don't even know because the

921
00:48:02,280 --> 00:48:05,280
Speaker 1: streaming thing is just it's out of hand. I didn't

922
00:48:05,320 --> 00:48:10,040
Speaker 1: see my royalty start the quadruple in the last few

923
00:48:10,160 --> 00:48:14,440
Speaker 1: years because that's why because if you ain't, nobody gonna call,

924
00:48:14,440 --> 00:48:15,960
Speaker 1: you'll say, you know what, we have a check for you.

925
00:48:16,080 --> 00:48:18,360
Speaker 1: And if they do well, I think it's it's the

926
00:48:18,520 --> 00:48:22,120
Speaker 1: artist stand on top of the situation. When the label

927
00:48:22,200 --> 00:48:24,279
Speaker 1: feel they could get away with it, that's when they're

928
00:48:24,280 --> 00:48:25,920
Speaker 1: gonna try to get away with it. I think you

929
00:48:25,960 --> 00:48:27,680
Speaker 1: need a team. I think you need a strong team

930
00:48:27,760 --> 00:48:30,080
Speaker 1: around you, somebody that because you know, one person can't

931
00:48:30,080 --> 00:48:32,920
Speaker 1: do everything. I don't get you gotta have a solid

932
00:48:33,000 --> 00:48:34,880
Speaker 1: crew or some people around you that just know how

933
00:48:34,960 --> 00:48:37,600
Speaker 1: to find that brand and go after the gigs you do.

934
00:48:37,840 --> 00:48:39,600
Speaker 1: I mean you, if you used to have a strong team,

935
00:48:40,120 --> 00:48:41,759
Speaker 1: you'll be I you know a lot of these new

936
00:48:41,800 --> 00:48:44,560
Speaker 1: guys don't. They may not realize that, but I say,

937
00:48:44,600 --> 00:48:47,520
Speaker 1: who better to get money with than your people? Everybody

938
00:48:47,640 --> 00:48:49,279
Speaker 1: with your homeboy. You gotta do it for free, but

939
00:48:49,680 --> 00:48:51,360
Speaker 1: you'll pay somebody else to do it. So if you

940
00:48:51,400 --> 00:48:53,839
Speaker 1: build your team strong and you've got somebody who looks

941
00:48:53,880 --> 00:48:56,359
Speaker 1: after you, gotta you gotta find the right homeboy. That's

942
00:48:56,480 --> 00:48:58,719
Speaker 1: that's what it is. Whoever you know, whoever it is.

943
00:48:58,800 --> 00:49:01,840
Speaker 1: I've had you know people you you know, your homeboys,

944
00:49:01,920 --> 00:49:04,680
Speaker 1: thinking like yeah, I can show up late he's gonna

945
00:49:04,719 --> 00:49:07,759
Speaker 1: be cool. We go back, you know, the strangers be like,

946
00:49:08,040 --> 00:49:11,000
Speaker 1: I ain't sucking this up. I need this. And that's

947
00:49:11,040 --> 00:49:14,560
Speaker 1: what I learned as far as it comes down to

948
00:49:14,680 --> 00:49:18,640
Speaker 1: get what you pay for. Yeah, exactly. So you're right.

949
00:49:18,760 --> 00:49:21,160
Speaker 1: I think you could do anything, but you can't do everything.

950
00:49:21,160 --> 00:49:23,920
Speaker 1: You can't do everything. Yeah, you gotta have a strong crew.

951
00:49:24,040 --> 00:49:25,880
Speaker 1: You got you got a strong You've got people around

952
00:49:25,920 --> 00:49:28,760
Speaker 1: you that make sure you ain't got a It's always

953
00:49:28,880 --> 00:49:31,560
Speaker 1: that people showing up feeling like, you know, let me

954
00:49:31,640 --> 00:49:34,840
Speaker 1: in free, I'm coming to support this is It's a

955
00:49:34,920 --> 00:49:38,080
Speaker 1: whole different ballgame. You gotta figure that out because the

956
00:49:38,200 --> 00:49:42,200
Speaker 1: music business is full of that crony ism, you know

957
00:49:42,239 --> 00:49:44,800
Speaker 1: what I'm saying, and that ship works sometimes and sometimes

958
00:49:44,840 --> 00:49:48,680
Speaker 1: it doesn't. So and then it could throw off your performance.

959
00:49:48,719 --> 00:49:50,440
Speaker 1: They could throw off you as an artist because you

960
00:49:50,480 --> 00:49:52,360
Speaker 1: got a bunch of motherfucker's in the room that didn't

961
00:49:52,400 --> 00:49:55,840
Speaker 1: pay because they all know you, and now you're on

962
00:49:55,960 --> 00:49:59,360
Speaker 1: stage working and and ticket sales is going to determine

963
00:49:59,400 --> 00:50:00,880
Speaker 1: how much you at the end of the night. That

964
00:50:01,360 --> 00:50:06,320
Speaker 1: it's tricky. Oh yeah, oh yeah. They get used to

965
00:50:06,400 --> 00:50:08,239
Speaker 1: that and then they're like, wait, I have to pay

966
00:50:08,520 --> 00:50:10,120
Speaker 1: to pass you, and then you get them in free,

967
00:50:10,120 --> 00:50:11,359
Speaker 1: and then they text you do I have to stand

968
00:50:11,360 --> 00:50:14,959
Speaker 1: in this line? Then they backstage eating up all your ship. Yeah,

969
00:50:15,640 --> 00:50:18,080
Speaker 1: you're not even paying, And I got all that happen,

970
00:50:18,840 --> 00:50:21,520
Speaker 1: eating up all your ship. Maybe you go backstage after

971
00:50:21,600 --> 00:50:26,640
Speaker 1: the show looking for a simple turkey and cheese and

972
00:50:26,680 --> 00:50:35,640
Speaker 1: all your fans work tonight. It's just different, different iff.

973
00:50:35,719 --> 00:50:37,200
Speaker 1: I have it now set up when I do like

974
00:50:37,280 --> 00:50:40,440
Speaker 1: the arena shows that we have my own personal stash

975
00:50:40,480 --> 00:50:43,120
Speaker 1: of stuff and then we have a public table that

976
00:50:43,239 --> 00:50:48,120
Speaker 1: we put out, so motherfucker's don't touch mine. Yeah, what's

977
00:50:48,160 --> 00:50:52,719
Speaker 1: this extra backup? Yeah? I played in Switzerland one time, bro,

978
00:50:52,880 --> 00:50:55,520
Speaker 1: and I think with Switzerland it may may. I think

979
00:50:55,520 --> 00:50:57,920
Speaker 1: with Switzerland. I went in my dressing room, Bro was

980
00:50:58,440 --> 00:51:02,920
Speaker 1: three bitten apples, and I'm bowl motherfucker's rock. They rocked

981
00:51:02,960 --> 00:51:05,680
Speaker 1: the dress before I got in, that bunch of Coca cola.

982
00:51:05,800 --> 00:51:08,200
Speaker 1: Solda's all on the floor, just all fun up and

983
00:51:08,280 --> 00:51:10,360
Speaker 1: it smelled like a ton of weed was puffed up

984
00:51:10,360 --> 00:51:13,120
Speaker 1: in that with blunt payball all over the place. So

985
00:51:13,280 --> 00:51:17,000
Speaker 1: you just get on the rock and then get the Yeah,

986
00:51:17,040 --> 00:51:19,960
Speaker 1: they don't want to eat all that. Sometimes people sometimes meat.

987
00:51:20,080 --> 00:51:22,080
Speaker 1: They feel like they feel like I'm gonna spend all

988
00:51:22,120 --> 00:51:23,600
Speaker 1: my money on this ship and you ain't gonna eat

989
00:51:23,600 --> 00:51:27,680
Speaker 1: it anyways. On the Seminela tour, yeah, they put that

990
00:51:27,719 --> 00:51:29,400
Speaker 1: ship out in the morning. It's like, how long this

991
00:51:29,440 --> 00:51:32,960
Speaker 1: ship been sitting here until since? You don't realize how

992
00:51:33,560 --> 00:51:35,880
Speaker 1: big of a deal that becomes to some artists though,

993
00:51:35,960 --> 00:51:38,879
Speaker 1: you know, you know they'll fight you over per diem

994
00:51:39,080 --> 00:51:41,960
Speaker 1: and and how many What do you want your dress room?

995
00:51:42,000 --> 00:51:45,239
Speaker 1: I want snickers bars, chicken wings. They make all this

996
00:51:45,320 --> 00:51:47,280
Speaker 1: ship up and they don't eat it. So I figured

997
00:51:47,280 --> 00:51:49,160
Speaker 1: I guess they figured why then I look forward to

998
00:51:50,200 --> 00:51:54,720
Speaker 1: from off stage my liquor and my wings. And remember

999
00:51:54,760 --> 00:51:57,560
Speaker 1: I left stage one time and I got there in

1000
00:51:57,640 --> 00:52:02,279
Speaker 1: my dress room was pat Is drinking my Hennessy. So

1001
00:52:02,560 --> 00:52:04,880
Speaker 1: you know, first of all, nobody was supposed to be backstage,

1002
00:52:05,920 --> 00:52:10,040
Speaker 1: so it was the opening acts and ship. So I told, uh,

1003
00:52:10,400 --> 00:52:13,800
Speaker 1: told promoter, so where's my Hennessy at? Oh? Now we

1004
00:52:13,880 --> 00:52:16,800
Speaker 1: put your Hennessey out. I say, I don't have it,

1005
00:52:17,680 --> 00:52:19,680
Speaker 1: and you know I seen them drinking it over there,

1006
00:52:19,760 --> 00:52:24,000
Speaker 1: so that can't possibly be mine. We're not gonna be

1007
00:52:24,080 --> 00:52:29,479
Speaker 1: able to get you. Oh this is not possible. It's gone.

1008
00:52:29,560 --> 00:52:32,160
Speaker 1: This is not possible. This time of night, very hard

1009
00:52:32,200 --> 00:52:36,719
Speaker 1: to beginning. Even you're gonna give me an extra what

1010
00:52:36,880 --> 00:52:40,719
Speaker 1: I think I got them for extra four hundred, just

1011
00:52:40,880 --> 00:52:43,440
Speaker 1: because it was just the principle for me. You know.

1012
00:52:43,880 --> 00:52:48,600
Speaker 1: The reason for the intricate writers was for rock, Like

1013
00:52:48,680 --> 00:52:50,640
Speaker 1: the rock band started that ship. I think it was

1014
00:52:50,719 --> 00:52:54,000
Speaker 1: either Aerosmith or the Rolling Stones or something. They had

1015
00:52:54,000 --> 00:52:56,840
Speaker 1: all these really detailed things on their rider, you know,

1016
00:52:57,000 --> 00:52:59,520
Speaker 1: like down to the blue Eminem's and all this type

1017
00:52:59,560 --> 00:53:02,120
Speaker 1: of ship. And they said they do that to see

1018
00:53:02,239 --> 00:53:06,400
Speaker 1: if the promoter is reading the contract properly. And they

1019
00:53:06,440 --> 00:53:08,200
Speaker 1: said the one time they got in the dressing room

1020
00:53:08,520 --> 00:53:10,560
Speaker 1: and something was a couple of things were missing from

1021
00:53:10,600 --> 00:53:14,759
Speaker 1: the rider that night, the trust on the stage fell off.

1022
00:53:14,840 --> 00:53:17,600
Speaker 1: Means that they weren't paying attention, so they're trying to

1023
00:53:17,640 --> 00:53:20,399
Speaker 1: take short so like they didn't put the stage together

1024
00:53:20,440 --> 00:53:22,560
Speaker 1: the right way because they're not paying attention. So that's

1025
00:53:22,600 --> 00:53:25,160
Speaker 1: the reason they had those in the first place. Big Shig,

1026
00:53:25,480 --> 00:53:27,000
Speaker 1: Big Shig, he used to go in the dress room,

1027
00:53:27,160 --> 00:53:30,560
Speaker 1: did he used to go and go, hey, he would

1028
00:53:30,640 --> 00:53:32,760
Speaker 1: make his plate, and big Ship would make his plate

1029
00:53:33,280 --> 00:53:35,759
Speaker 1: and wrap that ship in illuminum foil and stash it.

1030
00:53:36,840 --> 00:53:39,000
Speaker 1: So he was the only one who was eating. One time,

1031
00:53:39,120 --> 00:53:40,879
Speaker 1: I mean one time he was gonna kill Gurgle because

1032
00:53:40,920 --> 00:53:46,040
Speaker 1: grow found his plate. His plate. He's chasing Google around

1033
00:53:46,080 --> 00:53:49,120
Speaker 1: the dressing room. But Shug was a smart one. Sugar

1034
00:53:49,120 --> 00:53:51,919
Speaker 1: would go make his plate, make his food and put

1035
00:53:52,000 --> 00:53:55,080
Speaker 1: that ship away hot it. You know, could people be

1036
00:53:55,200 --> 00:53:59,879
Speaker 1: in the people create riders. I make you sign off

1037
00:54:00,040 --> 00:54:02,800
Speaker 1: on all the paragraphs so you can't say you ain't no,

1038
00:54:03,080 --> 00:54:07,680
Speaker 1: you ain't see ship. You're gonna initiale all the important ship. Yeah,

1039
00:54:08,040 --> 00:54:10,160
Speaker 1: that's a lot just to get a show on. Just

1040
00:54:10,320 --> 00:54:14,399
Speaker 1: it's got to man, because my thing is men. I'm

1041
00:54:14,440 --> 00:54:18,280
Speaker 1: not the super commercial artist. It just seems they shipped

1042
00:54:18,320 --> 00:54:22,239
Speaker 1: on the underground artists and they take care of the

1043
00:54:22,320 --> 00:54:25,839
Speaker 1: regular artists. You know, so you ask it for simple ship.

1044
00:54:25,920 --> 00:54:28,759
Speaker 1: You ain't even asking for. You wanted to ask for

1045
00:54:28,800 --> 00:54:32,319
Speaker 1: a couple of two leaders, some liquor, some wings, light

1046
00:54:32,440 --> 00:54:39,600
Speaker 1: ship quote on blue and they can't get you. You

1047
00:54:39,680 --> 00:54:42,480
Speaker 1: asked it for simple ship, they can't deliver it. And

1048
00:54:42,640 --> 00:54:45,759
Speaker 1: you know they just hosted some big event with this

1049
00:54:45,880 --> 00:54:49,560
Speaker 1: big artist. You know, they took care of everything. Caress one,

1050
00:54:49,600 --> 00:54:53,200
Speaker 1: you gotta you gotta go show up at showtime rock

1051
00:54:53,920 --> 00:54:56,480
Speaker 1: and get your money and lead, you know, I mean

1052
00:54:57,120 --> 00:55:00,799
Speaker 1: sometimes waiting around the fucking having and smoke his ball

1053
00:55:00,920 --> 00:55:06,439
Speaker 1: after the shows. File ad Unicorn. I swear the guys

1054
00:55:06,440 --> 00:55:08,520
Speaker 1: are better and I'll be bones and that goddamn unicorn.

1055
00:55:09,320 --> 00:55:13,120
Speaker 1: Where's my fucking unicorn? Brent Moore in one time, a

1056
00:55:13,200 --> 00:55:16,160
Speaker 1: comedian front of ours one time, made a joke, joked

1057
00:55:16,160 --> 00:55:20,120
Speaker 1: about what he wanted on his writer and then totally

1058
00:55:20,160 --> 00:55:22,080
Speaker 1: forgot about it. And then we're doing this tour and

1059
00:55:22,280 --> 00:55:24,640
Speaker 1: everywhere we went in the green room was a jersey

1060
00:55:25,120 --> 00:55:29,400
Speaker 1: from that town's college. This is for you, And he's like, finally,

1061
00:55:29,480 --> 00:55:31,600
Speaker 1: like by the fifth one, he's like, he called his agent.

1062
00:55:31,600 --> 00:55:33,480
Speaker 1: He goes, why am I getting jerseys at all these places?

1063
00:55:33,520 --> 00:55:36,080
Speaker 1: He goes, yes for it on that you had said

1064
00:55:36,120 --> 00:55:38,719
Speaker 1: that that's what you wanted, and he's like, man, I'm

1065
00:55:38,719 --> 00:55:43,520
Speaker 1: a comedian. Yeah, I was just kidding. I have room

1066
00:55:43,560 --> 00:55:45,920
Speaker 1: for all these jerkys. You've been on tour with me,

1067
00:55:46,239 --> 00:55:47,799
Speaker 1: you know that. All the ship that's in the green room,

1068
00:55:47,840 --> 00:55:50,680
Speaker 1: I never asked for that ever. We just took somebody

1069
00:55:50,719 --> 00:55:54,040
Speaker 1: else's rider and copied it. And so now every time

1070
00:55:54,080 --> 00:55:56,799
Speaker 1: I show up. There's like a fruit plate, a cold

1071
00:55:56,880 --> 00:56:00,640
Speaker 1: cuts plate and I'm like what, and and a chocolate

1072
00:56:00,680 --> 00:56:03,080
Speaker 1: cake and I'm like, what the fuck? I don't even

1073
00:56:03,160 --> 00:56:06,520
Speaker 1: eat this ship chicken. I do ask for the case

1074
00:56:07,200 --> 00:56:09,239
Speaker 1: because you got all these black friends that come in

1075
00:56:09,320 --> 00:56:11,360
Speaker 1: you want to bring you want to bring in Kentucky.

1076
00:56:11,960 --> 00:56:21,920
Speaker 1: Interesting exhibits drinking fried chicken taste? Damn it? Did you

1077
00:56:22,000 --> 00:56:23,840
Speaker 1: mix it with your white your lady mixed it with

1078
00:56:23,960 --> 00:56:27,000
Speaker 1: the with the watermelon? What how did this become the

1079
00:56:28,200 --> 00:56:35,040
Speaker 1: black jo It was fermenting. Oh my god, this is crazy.

1080
00:56:36,239 --> 00:56:40,400
Speaker 1: No fried chicken and no watermelon should have Tandari chicken.

1081
00:56:40,680 --> 00:56:44,880
Speaker 1: That's the national bird of India. Bos mighty rice. Oh

1082
00:56:45,000 --> 00:56:48,440
Speaker 1: he made some bomb as butter chickens he left. You're

1083
00:56:48,480 --> 00:56:54,640
Speaker 1: gonna try that chicken. The hardest thing to get in

1084
00:56:55,480 --> 00:56:58,840
Speaker 1: Europe seemed like fucking turkey. Know. The hardest thing to

1085
00:56:58,880 --> 00:57:02,799
Speaker 1: gain in Europe is vegetable. The hottest thing to get

1086
00:57:02,840 --> 00:57:08,800
Speaker 1: in Europe is unbubbly water, unbubbly limitated still water. Everything

1087
00:57:08,880 --> 00:57:15,799
Speaker 1: got selza like, it's like bubbles carbonated and warm. Who

1088
00:57:15,920 --> 00:57:20,160
Speaker 1: was carbonated? They serve French fries for every fucking thing.

1089
00:57:20,800 --> 00:57:24,840
Speaker 1: You can't Paul Adam broke it down to the pieces. Paul,

1090
00:57:25,720 --> 00:57:29,280
Speaker 1: pastries and pasta a way to laugh at me and

1091
00:57:29,400 --> 00:57:31,840
Speaker 1: French for asking in French for asking for French fries.

1092
00:57:33,120 --> 00:57:35,640
Speaker 1: Got laughing. They call them chips, I think. And then

1093
00:57:35,680 --> 00:57:41,160
Speaker 1: they put on the French fries. Yeah, manonnaise on the pizza.

1094
00:57:42,880 --> 00:57:48,120
Speaker 1: About that, that's real ship. The lines of manaise mayonnaise

1095
00:57:48,160 --> 00:57:51,480
Speaker 1: fries doesnt work though, as Canadians we can go for that. Yeah,

1096
00:57:52,280 --> 00:57:55,160
Speaker 1: but I like gravy with my fries. I like brown graytines.

1097
00:57:59,320 --> 00:58:01,640
Speaker 1: This summer, at the most out of your travels abroad

1098
00:58:01,680 --> 00:58:04,880
Speaker 1: by learning the language of your destination with Babel, the

1099
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Speaker 1: number one selling language learning app. I've been lucky enough

1100
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Speaker 1: to travel and perform all over the world. Let me

1101
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Speaker 1: tell you, learning how to speak at least a few

1102
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Speaker 1: phrases in a local language can really help you in

1103
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Speaker 1: so many ways. You can order at a restaurant, ask

1104
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Speaker 1: for directions, and get a deeper understanding of the culture. Look.

1105
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Speaker 1: I know it can be scary to start learning a

1106
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Speaker 1: new language, but Babbel makes the whole process fun and

1107
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Speaker 1: easy with bite sized lessons you can actually use in

1108
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Speaker 1: the real world. Babel is a can't miss travel essential.

1109
00:58:32,520 --> 00:58:34,440
Speaker 1: I know a little bit of a lot of languages,

1110
00:58:34,880 --> 00:58:37,520
Speaker 1: but who knows. With Babel, I might just settle down

1111
00:58:37,560 --> 00:58:40,240
Speaker 1: and choose a new language to become fluent in. Probably not,

1112
00:58:40,400 --> 00:58:43,160
Speaker 1: but I mean at least have the opportunity. And if

1113
00:58:43,200 --> 00:58:45,760
Speaker 1: you're worried about finding the time to learn a new language,

1114
00:58:46,000 --> 00:58:49,120
Speaker 1: Babel's fifteen minute lessons will help you fit your studies

1115
00:58:49,160 --> 00:58:52,320
Speaker 1: into your schedule, unlike the infamous language classes you took

1116
00:58:52,360 --> 00:58:55,000
Speaker 1: in high school. Like for me it was French, which

1117
00:58:55,040 --> 00:58:56,920
Speaker 1: was I'm no good at all. I know how to

1118
00:58:56,960 --> 00:58:59,480
Speaker 1: say is where is the library? Ou a li BiblioTech,

1119
00:58:59,560 --> 00:59:01,320
Speaker 1: but I've never or look for a library in my life.

1120
00:59:01,960 --> 00:59:06,320
Speaker 1: Babel designs their courses with practical, real world conversations in mind.

1121
00:59:06,640 --> 00:59:09,640
Speaker 1: In other words, you'll learn phrases and conversational sentence that

1122
00:59:09,680 --> 00:59:13,520
Speaker 1: you can actually use in everyday life. Except for oh

1123
00:59:13,600 --> 00:59:18,120
Speaker 1: a Libibliotech, other language learning apps use AI for their

1124
00:59:18,200 --> 00:59:21,400
Speaker 1: lesson plans, but Babel lessons were created by over one

1125
00:59:21,880 --> 00:59:25,560
Speaker 1: language experts and their teaching method has been scientifically proven

1126
00:59:25,600 --> 00:59:28,560
Speaker 1: to be effective. With Babel, you can choose from fourteen

1127
00:59:28,600 --> 00:59:33,760
Speaker 1: different languages, including Spanish, French, Italian, and German. Plus, Babel

1128
00:59:33,880 --> 00:59:38,600
Speaker 1: speech recognition technology helps you to improve your pronunciation and accent.

1129
00:59:39,080 --> 00:59:41,040
Speaker 1: There are so many ways to learn with Babel. In

1130
00:59:41,120 --> 00:59:45,200
Speaker 1: addition to lessons, you can access podcasts, games, videos, stories,

1131
00:59:45,280 --> 00:59:48,720
Speaker 1: and even live classes right now. When you purchase a

1132
00:59:48,800 --> 00:59:52,040
Speaker 1: three month Babel subscription, you get an additional three months

1133
00:59:52,120 --> 00:59:55,919
Speaker 1: for free. That's six months for the price of three.

1134
00:59:56,360 --> 00:59:59,440
Speaker 1: Just go to babel dot com and use promo code peters.

1135
01:00:00,040 --> 01:00:03,160
Speaker 1: That's b A B B E L dot com code

1136
01:00:03,560 --> 01:00:09,120
Speaker 1: peters for an extra three months free. You know, I've

1137
01:00:09,120 --> 01:00:11,560
Speaker 1: seen the weirdest ship in fucking Europe when it comes

1138
01:00:11,600 --> 01:00:14,640
Speaker 1: to food. They love mayonnaise in a whole different way.

1139
01:00:15,880 --> 01:00:18,080
Speaker 1: But their mayonnaise is like the real mayonnaise. Maybe the

1140
01:00:18,160 --> 01:00:21,720
Speaker 1: eggs and ship like you know that tastes good. You know,

1141
01:00:21,840 --> 01:00:24,920
Speaker 1: we ordered a pizza. I swear a gud. This pizza

1142
01:00:25,000 --> 01:00:28,920
Speaker 1: showed up what we asked for, a fucking pepperoni pizza.

1143
01:00:29,320 --> 01:00:32,480
Speaker 1: Where was this? It's in Europe somewhere. It's gotta be

1144
01:00:32,520 --> 01:00:35,160
Speaker 1: in Germany some of some ship like that. But the

1145
01:00:35,480 --> 01:00:39,120
Speaker 1: pizza showed up with corn on it. I ain't never

1146
01:00:39,200 --> 01:00:44,280
Speaker 1: seen corn pizza. And then there was like lines of

1147
01:00:44,520 --> 01:00:48,800
Speaker 1: like like a grid of mayonnaise across the whole pizza, right,

1148
01:00:49,440 --> 01:00:53,560
Speaker 1: and so I just yeah, that was how the pepperoni

1149
01:00:53,600 --> 01:00:57,800
Speaker 1: pizza came with corn mayonnaise. And ordering pizza in Germany

1150
01:00:57,880 --> 01:01:00,040
Speaker 1: must be like ordering sushi in the Midwest. Yeah, it

1151
01:01:00,680 --> 01:01:03,400
Speaker 1: just came. Trust I don't trust it in Germany. I mean,

1152
01:01:03,400 --> 01:01:10,120
Speaker 1: I don't know what's been in their ovens. The reason

1153
01:01:10,120 --> 01:01:14,800
Speaker 1: the show is called culturally canceled. Yo, have you ever

1154
01:01:14,840 --> 01:01:18,840
Speaker 1: gone to Trinidad. No, In Trinidad, they fucking put catch

1155
01:01:18,960 --> 01:01:22,240
Speaker 1: up and mustard on a pizza like they'll get it

1156
01:01:22,280 --> 01:01:24,800
Speaker 1: in the put catchu mustard, you get fried chicken. They

1157
01:01:24,840 --> 01:01:27,200
Speaker 1: put catch up and mustard and hot sauce on the

1158
01:01:27,320 --> 01:01:31,360
Speaker 1: on the chicken. Like, but it fucking tastes good. I

1159
01:01:31,480 --> 01:01:33,680
Speaker 1: don't get it when I'm there, like what the fun?

1160
01:01:35,160 --> 01:01:37,000
Speaker 1: Yeah listen, even I was like, what the fund did?

1161
01:01:37,040 --> 01:01:39,360
Speaker 1: I tasted? I go, why does this work? And then

1162
01:01:39,400 --> 01:01:40,720
Speaker 1: I tried it when it came home and go, it

1163
01:01:40,800 --> 01:01:44,840
Speaker 1: does not work here. It only works there for some reason. Damn,

1164
01:01:45,200 --> 01:01:46,920
Speaker 1: my stomach had to get when we went to India.

1165
01:01:46,920 --> 01:01:48,880
Speaker 1: I lost ten pounds in India. I wasn't I was

1166
01:01:48,960 --> 01:01:52,920
Speaker 1: eating every day culturally shoot my pants in India. I'm

1167
01:01:52,920 --> 01:01:57,200
Speaker 1: not gonna lie. It was. It was delicious, but it

1168
01:01:57,280 --> 01:01:58,800
Speaker 1: just did not want to stay inside of my body

1169
01:01:59,040 --> 01:02:02,840
Speaker 1: because it's all not processed. So good though everything's not

1170
01:02:02,960 --> 01:02:06,040
Speaker 1: in other countries, it ain't processed because they don't give

1171
01:02:06,040 --> 01:02:08,880
Speaker 1: a funk about the shelf. Just make money. They're just

1172
01:02:08,920 --> 01:02:11,480
Speaker 1: trying to sell your food. And that's the difference. In America,

1173
01:02:11,480 --> 01:02:13,520
Speaker 1: everything is like to last longer so they can make

1174
01:02:13,560 --> 01:02:15,960
Speaker 1: more money. You put it on the shelf, and they

1175
01:02:16,000 --> 01:02:17,800
Speaker 1: don't give a funk about a fly land. I fly

1176
01:02:18,000 --> 01:02:20,160
Speaker 1: land on my handburg I'm throwing that away. Oh yeah,

1177
01:02:20,160 --> 01:02:22,720
Speaker 1: I don't give a ship. I'm eating for fly lands

1178
01:02:22,720 --> 01:02:26,439
Speaker 1: on anything. I'm throwing that sh it away. Motherfucker's chef

1179
01:02:26,600 --> 01:02:28,880
Speaker 1: and I'll be seeing videos and he's mocking cheffing and

1180
01:02:29,280 --> 01:02:31,400
Speaker 1: flies landing our ship. They still cheff and I'm like,

1181
01:02:31,440 --> 01:02:34,280
Speaker 1: who's going to eat this? Some some fly just came

1182
01:02:34,360 --> 01:02:36,680
Speaker 1: halfway around the world with chip chips on his feet

1183
01:02:36,720 --> 01:02:41,160
Speaker 1: and walked all over, landing on your food, and now

1184
01:02:41,240 --> 01:02:44,600
Speaker 1: you eat that ship. I'm not doing. It is bothering me.

1185
01:02:45,480 --> 01:02:47,080
Speaker 1: I eat on the street in India, so I don't

1186
01:02:47,080 --> 01:02:51,360
Speaker 1: you know, sucking, I'm whatever, whatever it is. I couldn't

1187
01:02:51,640 --> 01:02:53,760
Speaker 1: And my dad was a meat inspector, so everything was

1188
01:02:53,800 --> 01:02:55,880
Speaker 1: good to us. It was like my dad. But it's

1189
01:02:55,880 --> 01:03:00,400
Speaker 1: still gonna eat it. It says that it's fired a

1190
01:03:00,440 --> 01:03:04,640
Speaker 1: month ago. It said best before. That means it's still going.

1191
01:03:04,680 --> 01:03:11,880
Speaker 1: They just what if they stied better one month ago? Yeah,

1192
01:03:11,920 --> 01:03:14,800
Speaker 1: I can't. I can't do flies. I don't want know,

1193
01:03:15,720 --> 01:03:20,480
Speaker 1: said fries, not flies. There's a there's a video guy

1194
01:03:20,560 --> 01:03:22,400
Speaker 1: of an Indian dude that cooks in the woods and

1195
01:03:22,440 --> 01:03:26,080
Speaker 1: ship on on on YouTube, always watching. Yeah, he's an

1196
01:03:26,080 --> 01:03:28,760
Speaker 1: Indian dude. He comes out there, wraps himself up in

1197
01:03:28,800 --> 01:03:31,000
Speaker 1: the skirt. He has this big old giant pot and

1198
01:03:31,080 --> 01:03:34,440
Speaker 1: he's cooking flies. So fla everything everything you got got

1199
01:03:34,520 --> 01:03:37,280
Speaker 1: flies landing on it. She did just go on but

1200
01:03:37,360 --> 01:03:40,440
Speaker 1: he just ship looks delicious, but there's flies on it.

1201
01:03:40,920 --> 01:03:43,000
Speaker 1: But here's what you don't understand is that it gives

1202
01:03:43,040 --> 01:03:46,160
Speaker 1: the flies the run so they don't come back. My

1203
01:03:46,280 --> 01:03:48,280
Speaker 1: thing is, you don't see what this little fly is.

1204
01:03:48,320 --> 01:03:50,520
Speaker 1: Just he just jumped off of this big piece of

1205
01:03:50,560 --> 01:03:53,120
Speaker 1: elephant ship and he landed on this fand and now

1206
01:03:53,200 --> 01:03:56,080
Speaker 1: he's marching all these ships all over your burger ship

1207
01:03:56,240 --> 01:04:01,080
Speaker 1: prints I'm not doing I'm not doing in that better

1208
01:04:01,120 --> 01:04:08,440
Speaker 1: than it's Jenny Ship Prince. You know. That's another though.

1209
01:04:08,560 --> 01:04:11,120
Speaker 1: That's like, like all these different places you've been and

1210
01:04:11,200 --> 01:04:14,200
Speaker 1: all the different experiences that you had to me, that's

1211
01:04:14,280 --> 01:04:17,360
Speaker 1: to take away from being able to go everywhere because

1212
01:04:17,400 --> 01:04:20,320
Speaker 1: of your talent. That's yeah. But also I never ever

1213
01:04:20,440 --> 01:04:23,000
Speaker 1: expected to make it in this game, to be honest,

1214
01:04:23,080 --> 01:04:25,280
Speaker 1: I never. There wasn't one day I was like, I'm

1215
01:04:25,320 --> 01:04:28,080
Speaker 1: gonna make it one day. I was like, I'm just

1216
01:04:28,200 --> 01:04:30,360
Speaker 1: hope to get money one day. I just hope to

1217
01:04:30,440 --> 01:04:33,240
Speaker 1: make enough to I'm gonna make it today and then

1218
01:04:33,280 --> 01:04:35,400
Speaker 1: we'll see how tomorrow. Yeah, I'm like I was worried

1219
01:04:35,440 --> 01:04:37,400
Speaker 1: about it. Yeah, I wasn't. I was. It was never

1220
01:04:37,520 --> 01:04:40,400
Speaker 1: like about I'm gonna be I'm gonna do this. I'm like,

1221
01:04:41,000 --> 01:04:42,960
Speaker 1: I'm like, listen, I had nothing to compare it to.

1222
01:04:43,040 --> 01:04:44,600
Speaker 1: I was like, I'm just gonna do this. You ever

1223
01:04:44,680 --> 01:04:46,680
Speaker 1: felt like you don't you just don't want to do it?

1224
01:04:46,720 --> 01:04:49,480
Speaker 1: No more? You ever felt like that? No? Yeah, then

1225
01:04:49,800 --> 01:04:53,080
Speaker 1: I think sometimes I feel like wrapping, like I taught

1226
01:04:53,120 --> 01:04:55,240
Speaker 1: myself how to do multiple things because I know I'll

1227
01:04:55,280 --> 01:04:57,680
Speaker 1: get I don't want to wrap on every record or

1228
01:04:57,760 --> 01:05:00,440
Speaker 1: everybody's song, like sometimes you can. I you got an

1229
01:05:00,440 --> 01:05:02,120
Speaker 1: album coming out of it's just all beats you did.

1230
01:05:02,160 --> 01:05:04,080
Speaker 1: You're not even rapping on. I wrapped on a couple

1231
01:05:04,120 --> 01:05:06,880
Speaker 1: of songs, but nothing like I wanted the other rappers

1232
01:05:06,920 --> 01:05:08,400
Speaker 1: to wrap on it because I would like produce. I

1233
01:05:08,440 --> 01:05:10,880
Speaker 1: wanted to produce, but learning how to do more than

1234
01:05:11,000 --> 01:05:14,400
Speaker 1: just one thing. Owning comedy, you gotta just just jokes.

1235
01:05:14,440 --> 01:05:15,640
Speaker 1: You don't want to you know what I mean? Well,

1236
01:05:15,800 --> 01:05:17,320
Speaker 1: you know, you get the opportunity to get an acting

1237
01:05:17,400 --> 01:05:19,440
Speaker 1: gig if you want to do that, or but you

1238
01:05:19,520 --> 01:05:22,280
Speaker 1: still got to be funny, like like the transition of

1239
01:05:22,400 --> 01:05:25,400
Speaker 1: a comedian doing a serious role. There's not many guys

1240
01:05:25,480 --> 01:05:27,240
Speaker 1: that can do that. Ship. No, Actually it's easier for

1241
01:05:27,320 --> 01:05:30,880
Speaker 1: comics serious because we have dark dark Robin Williams, Jim Carrey,

1242
01:05:30,920 --> 01:05:34,160
Speaker 1: those guys are amazing, dramatic foxes, foxes because it's all,

1243
01:05:34,160 --> 01:05:36,680
Speaker 1: we've got a lot of dark, dark sides. The things

1244
01:05:36,720 --> 01:05:39,400
Speaker 1: that we find funny are dark things that we find

1245
01:05:39,400 --> 01:05:42,880
Speaker 1: funny most people because that's terrible, that's me. Yeah, we're like,

1246
01:05:43,040 --> 01:05:47,640
Speaker 1: you know, it's I was kind of yeah, y'all get away,

1247
01:05:47,760 --> 01:05:51,280
Speaker 1: y'all get away with saying that a regular Now. That's

1248
01:05:51,280 --> 01:05:53,720
Speaker 1: why I think that's why I like Chino and Chino

1249
01:05:53,920 --> 01:05:56,680
Speaker 1: XL so much because he always just said ship. That

1250
01:05:56,720 --> 01:06:01,960
Speaker 1: made me go, oh ship. Gina was always like guy,

1251
01:06:02,080 --> 01:06:04,040
Speaker 1: like goddamn, you know what did you just say that?

1252
01:06:04,960 --> 01:06:08,760
Speaker 1: Like salute that brother. That's a hard position to take,

1253
01:06:08,840 --> 01:06:11,040
Speaker 1: especially when everybody is so critical. You can't say ship

1254
01:06:11,200 --> 01:06:14,360
Speaker 1: no more like nothing everything. You gotta you gotta get

1255
01:06:14,400 --> 01:06:16,640
Speaker 1: that at your head because the people that are already

1256
01:06:16,720 --> 01:06:20,200
Speaker 1: riding with you, they're gonna keep riding, and technically you

1257
01:06:20,360 --> 01:06:22,520
Speaker 1: can't say it. You just have to give a funk

1258
01:06:22,560 --> 01:06:25,400
Speaker 1: about people that say they don't like what you're saying,

1259
01:06:25,840 --> 01:06:29,160
Speaker 1: and that's your choice. You know, people cancel ship and

1260
01:06:29,240 --> 01:06:32,840
Speaker 1: all that other stuff. I mean, if your people is

1261
01:06:32,920 --> 01:06:34,840
Speaker 1: with you and they know your character and who you've

1262
01:06:34,880 --> 01:06:37,240
Speaker 1: been over the last twenty some years in your career,

1263
01:06:37,920 --> 01:06:39,680
Speaker 1: I mean, if you had that, then you're good. You

1264
01:06:39,720 --> 01:06:41,919
Speaker 1: know what I'm saying, like like be able to stay

1265
01:06:42,040 --> 01:06:43,800
Speaker 1: say what you say, what you mean to me, what

1266
01:06:43,880 --> 01:06:45,960
Speaker 1: you say? Yeah, you're know, you're the thing. You're never

1267
01:06:46,000 --> 01:06:48,720
Speaker 1: gonna win over those people. Just focus on the people

1268
01:06:48,720 --> 01:06:51,600
Speaker 1: that are already riding much because the people that are

1269
01:06:51,680 --> 01:06:54,080
Speaker 1: riding with you don't want you to switch. No, many

1270
01:06:54,120 --> 01:06:56,040
Speaker 1: you've been to the people that didn't give a funk

1271
01:06:56,040 --> 01:06:58,240
Speaker 1: about you. Now you lose these people and you're not

1272
01:06:58,280 --> 01:07:00,400
Speaker 1: gonna gain those people. Now you're left with zero. See

1273
01:07:00,440 --> 01:07:03,200
Speaker 1: I should have did the industry shakedown. I didn't shakedown.

1274
01:07:03,240 --> 01:07:05,520
Speaker 1: I went hard on everybody and I didn't give a

1275
01:07:05,560 --> 01:07:07,480
Speaker 1: funk at the time. But it was it was rappers

1276
01:07:07,480 --> 01:07:09,360
Speaker 1: who was like they were like, if you funk with him,

1277
01:07:09,440 --> 01:07:11,760
Speaker 1: we're not working with you, and all like it was

1278
01:07:11,880 --> 01:07:14,360
Speaker 1: like that. It was like personal. It was everything, but

1279
01:07:14,480 --> 01:07:17,560
Speaker 1: everything was personally because I felt like, ain't nobody busting

1280
01:07:17,600 --> 01:07:20,960
Speaker 1: it Mr Charlie and Mr Charlie is the one robbing

1281
01:07:21,040 --> 01:07:23,080
Speaker 1: everybody and doing you know what I mean? And then

1282
01:07:23,360 --> 01:07:25,200
Speaker 1: him and his minions are the ones that are given

1283
01:07:25,240 --> 01:07:28,000
Speaker 1: everybody to business. But you know that it was a

1284
01:07:28,080 --> 01:07:29,360
Speaker 1: lot of that going on. There was a lot of

1285
01:07:29,440 --> 01:07:32,080
Speaker 1: people that were like, I can't put Bumpy on this

1286
01:07:32,160 --> 01:07:35,840
Speaker 1: show because you know, Live Nation is oh yeah, this

1287
01:07:36,000 --> 01:07:38,880
Speaker 1: person is there's that person and that's like, funk all

1288
01:07:38,960 --> 01:07:41,800
Speaker 1: of this ship. Thenn't next gave me the jewel? And

1289
01:07:41,880 --> 01:07:44,800
Speaker 1: I went to that direction. So what did you give

1290
01:07:44,840 --> 01:07:48,920
Speaker 1: you knowledge, the knowledge, the knowledge he gave me the jewel,

1291
01:07:49,000 --> 01:07:50,920
Speaker 1: and him and show gave me the jewel, and that's

1292
01:07:50,960 --> 01:07:53,160
Speaker 1: how that ship switches up. So it's really about just

1293
01:07:53,280 --> 01:07:57,480
Speaker 1: transferring information and finding elane. Back to that, just finding

1294
01:07:57,520 --> 01:07:59,880
Speaker 1: your lane. So I would imagine that being a comedian

1295
01:08:00,160 --> 01:08:02,480
Speaker 1: the same thing, just finding in lane. Because I've seen

1296
01:08:02,560 --> 01:08:05,520
Speaker 1: somebody arguing over like stolen jokes or something like that recently.

1297
01:08:05,560 --> 01:08:09,160
Speaker 1: Somebody says, somebody, how do you how do you deal

1298
01:08:09,200 --> 01:08:12,640
Speaker 1: with somebody taking your joke? Do you catching meet up

1299
01:08:12,680 --> 01:08:16,160
Speaker 1: with him? And you squaw? Yeah, that's how I would

1300
01:08:16,200 --> 01:08:18,360
Speaker 1: do it. You tie your hands together and go back

1301
01:08:18,400 --> 01:08:22,840
Speaker 1: and forth, like maybe maybe like do an elevator fight

1302
01:08:23,320 --> 01:08:25,760
Speaker 1: the elevator and just say you go in the room,

1303
01:08:25,840 --> 01:08:28,719
Speaker 1: if you come out, Yeah, you come out the elevator.

1304
01:08:28,720 --> 01:08:30,160
Speaker 1: And then there's people that think that it's just an

1305
01:08:30,200 --> 01:08:31,960
Speaker 1: old school attitude to have when you forget, we are

1306
01:08:32,160 --> 01:08:34,320
Speaker 1: you know what I mean? You know Dwayne Perkins, Yeah,

1307
01:08:34,400 --> 01:08:35,720
Speaker 1: he said the best thing in the green room at

1308
01:08:35,760 --> 01:08:36,960
Speaker 1: a comedy club one time. He goes, you want a

1309
01:08:36,960 --> 01:08:39,040
Speaker 1: lot of people forget, they forget the fighting is still

1310
01:08:39,080 --> 01:08:40,920
Speaker 1: on the table. Yeah, And I'm like, yeah, it's a

1311
01:08:40,960 --> 01:08:45,080
Speaker 1: good point. Yeah, yeah, it's one of those things. And

1312
01:08:46,680 --> 01:08:48,840
Speaker 1: percent of the time you'll never see that motherfucker that

1313
01:08:48,920 --> 01:08:52,080
Speaker 1: stole your ship in person again. They'll go on to

1314
01:08:52,120 --> 01:08:54,000
Speaker 1: do whatever they're doing. You'll never see them, and you'll

1315
01:08:54,000 --> 01:08:56,400
Speaker 1: be like, if I ever catch that motherfucker. Everybody goes,

1316
01:08:56,680 --> 01:08:59,000
Speaker 1: you're a bully. I'm like, I'm not a fucking bully.

1317
01:08:59,040 --> 01:09:01,040
Speaker 1: I'm just not the guy to play with like and

1318
01:09:01,080 --> 01:09:04,479
Speaker 1: I'm and I'm precious about my art. Yeah right, I

1319
01:09:04,560 --> 01:09:07,120
Speaker 1: mean there's there, there are there are examples of like

1320
01:09:07,360 --> 01:09:09,400
Speaker 1: minded thinking where it's not word for word, but there

1321
01:09:09,439 --> 01:09:11,599
Speaker 1: are those people out there. They're like word for word

1322
01:09:12,439 --> 01:09:13,920
Speaker 1: Jack and you. And then on the other end of it,

1323
01:09:14,080 --> 01:09:16,080
Speaker 1: it's it's really disrespectful to come at somebody and go,

1324
01:09:16,160 --> 01:09:18,040
Speaker 1: hey man, I heard you stole my joke instead of

1325
01:09:18,080 --> 01:09:19,760
Speaker 1: starting with the conversation like, hey, can I talk to you.

1326
01:09:19,800 --> 01:09:21,160
Speaker 1: I do this thing about this and I heard you

1327
01:09:21,240 --> 01:09:22,680
Speaker 1: do the same thing, and let's ever talked about it.

1328
01:09:23,200 --> 01:09:25,240
Speaker 1: And and when somebody comes at me like that, I'm like,

1329
01:09:25,280 --> 01:09:27,080
Speaker 1: all right, let's talk about it. I had one guy

1330
01:09:27,160 --> 01:09:28,599
Speaker 1: one time coming he goes, hey, man, I gotta talk

1331
01:09:28,600 --> 01:09:30,160
Speaker 1: to you. Somebody told me you were stealing my jokes.

1332
01:09:30,160 --> 01:09:31,840
Speaker 1: I don't even know who this guy was. I go,

1333
01:09:31,920 --> 01:09:33,600
Speaker 1: we talked about he goes this this joke or I

1334
01:09:33,640 --> 01:09:35,639
Speaker 1: said this is and that, and I go, all right,

1335
01:09:35,840 --> 01:09:39,280
Speaker 1: and and he said to me, I did that on YouTube.

1336
01:09:39,920 --> 01:09:41,439
Speaker 1: I said, well, I did it on the Tonight show

1337
01:09:44,920 --> 01:09:48,160
Speaker 1: before you Yeah, and you say get on stage and say, yeah,

1338
01:09:48,160 --> 01:09:50,080
Speaker 1: I'm gonna do this joke that this motherfucker stole for me.

1339
01:09:50,160 --> 01:09:52,280
Speaker 1: But I'm really supposed to. But then, but then I

1340
01:09:52,360 --> 01:09:53,840
Speaker 1: went on this YouTube and like it wasn't even the

1341
01:09:53,920 --> 01:09:56,160
Speaker 1: same thing. It had a it had a subject matter

1342
01:09:56,240 --> 01:09:59,560
Speaker 1: that was similar, but that there's the disrespect on that

1343
01:09:59,720 --> 01:10:01,760
Speaker 1: end of it. Were like, just just talk to me

1344
01:10:01,800 --> 01:10:03,640
Speaker 1: about it. I mean, I have this joke that I

1345
01:10:03,720 --> 01:10:05,479
Speaker 1: do that me and two other buddy of mine have

1346
01:10:05,680 --> 01:10:07,519
Speaker 1: very similar and we talked about it. We know we

1347
01:10:07,560 --> 01:10:09,200
Speaker 1: didn't see it from each other, but when we're on

1348
01:10:09,240 --> 01:10:10,760
Speaker 1: the same show, we just how you do it tonight,

1349
01:10:10,800 --> 01:10:12,760
Speaker 1: I'm not gonna do it. Do you get affected? Do

1350
01:10:12,880 --> 01:10:15,240
Speaker 1: you get affected by people that just come there not

1351
01:10:15,439 --> 01:10:17,679
Speaker 1: to laugh? Like, how do you do? I know, Russell

1352
01:10:17,840 --> 01:10:22,120
Speaker 1: hone In on Rip, I stare at them. You ever

1353
01:10:22,160 --> 01:10:25,280
Speaker 1: see that, like people just come there like Yep. It's

1354
01:10:25,400 --> 01:10:28,800
Speaker 1: usually it's just one of the couples. Yep. It's usually

1355
01:10:28,960 --> 01:10:34,360
Speaker 1: the guy with the beautiful girl who's going and he's

1356
01:10:34,400 --> 01:10:36,960
Speaker 1: just like it's funny, and that's my My goal is

1357
01:10:37,000 --> 01:10:39,680
Speaker 1: to make that dude crack yea, yeah, I want to.

1358
01:10:39,840 --> 01:10:41,280
Speaker 1: I want to make him laugh, and if he doesn't,

1359
01:10:41,320 --> 01:10:43,639
Speaker 1: I'm gonna start talking to him and then just riffing

1360
01:10:43,640 --> 01:10:45,439
Speaker 1: on what this problem is. I see that. I've seen

1361
01:10:45,479 --> 01:10:47,839
Speaker 1: that at live shows before, where there's people in the audience.

1362
01:10:47,840 --> 01:10:50,400
Speaker 1: I remember being in uh in France one time and

1363
01:10:50,520 --> 01:10:52,639
Speaker 1: it was a dude front stage. Him and this girl

1364
01:10:52,760 --> 01:10:57,519
Speaker 1: just like, why did you pay for the ticket? And

1365
01:10:57,640 --> 01:10:59,880
Speaker 1: I'm like, so my, you just kind of zone in

1366
01:11:00,000 --> 01:11:02,200
Speaker 1: on him and just you got you gotta. It's it's

1367
01:11:02,200 --> 01:11:04,040
Speaker 1: almost a challenge to win them over. It kind of

1368
01:11:04,160 --> 01:11:07,040
Speaker 1: motivates me a little bit. There's the show. There could

1369
01:11:07,040 --> 01:11:08,800
Speaker 1: be a thousand people clapping and you only hear the

1370
01:11:08,840 --> 01:11:11,680
Speaker 1: one person booing. Especially as comics, that that's what we

1371
01:11:11,760 --> 01:11:14,120
Speaker 1: hone in on. Who did I not when it went over?

1372
01:11:14,600 --> 01:11:16,479
Speaker 1: Where's that one dude that I didn't win over? What's

1373
01:11:16,479 --> 01:11:18,600
Speaker 1: your problem? I misunderstood it? The other night I did

1374
01:11:18,720 --> 01:11:20,519
Speaker 1: chocolate Sunday at the laugh Factory, and this guy was

1375
01:11:20,600 --> 01:11:23,360
Speaker 1: just like this the whole time, and I'm like, oh,

1376
01:11:23,439 --> 01:11:24,800
Speaker 1: this guy is not feeling me. I'm gonna go back

1377
01:11:24,840 --> 01:11:26,080
Speaker 1: at him, and I'm doing my thing. And when I

1378
01:11:26,120 --> 01:11:28,960
Speaker 1: went back at him, he was like this. He was

1379
01:11:29,040 --> 01:11:31,439
Speaker 1: just tired. He just passed out because he had to drink.

1380
01:11:31,800 --> 01:11:33,960
Speaker 1: I'm like, oh, he's not listening because he's wasted. You know.

1381
01:11:34,520 --> 01:11:37,080
Speaker 1: Your your little story about the stealing or the stealing

1382
01:11:37,120 --> 01:11:39,599
Speaker 1: of the jokes reminded me of something as a kid

1383
01:11:39,960 --> 01:11:41,880
Speaker 1: that I was like, when you think about hip hop

1384
01:11:42,200 --> 01:11:45,759
Speaker 1: and you think about samples, right, there's a lot of samples.

1385
01:11:46,160 --> 01:11:49,840
Speaker 1: But when somebody uses a sample a certain way and

1386
01:11:49,960 --> 01:11:54,920
Speaker 1: then somebody else uses as sample almost identically, but it's

1387
01:11:54,960 --> 01:11:57,400
Speaker 1: not It wasn't sad. It's not like a loop or something.

1388
01:11:57,520 --> 01:11:59,800
Speaker 1: You have to be creative with how you sampled it.

1389
01:12:00,400 --> 01:12:03,720
Speaker 1: There was one specific instance that I remember, and I'm

1390
01:12:03,760 --> 01:12:06,919
Speaker 1: almost certain it's your record. So it was you sampled

1391
01:12:07,560 --> 01:12:10,800
Speaker 1: a record and then Pete Rock sampled it on the

1392
01:12:10,880 --> 01:12:13,880
Speaker 1: second on the Caramel No on Um whatever the second

1393
01:12:13,920 --> 01:12:16,840
Speaker 1: album was called, and they looked it the same way,

1394
01:12:17,560 --> 01:12:21,960
Speaker 1: and it was actual facts. I think not actual facts. Um,

1395
01:12:23,360 --> 01:12:25,240
Speaker 1: I can't remember. It was like I think it was

1396
01:12:25,320 --> 01:12:27,960
Speaker 1: like the rising to the top sample or something, and

1397
01:12:28,000 --> 01:12:30,320
Speaker 1: it was just looped a certain you're talking about O C.

1398
01:12:33,800 --> 01:12:38,400
Speaker 1: I'll take you there right, see what you're gonna do.

1399
01:12:38,720 --> 01:12:41,479
Speaker 1: But the loop, right, it wasn't just it, it was

1400
01:12:41,600 --> 01:12:46,280
Speaker 1: the way. It's the way that Buck while chopped, he

1401
01:12:46,439 --> 01:12:49,400
Speaker 1: chopped around the piano part of keep rising at the

1402
01:12:49,479 --> 01:12:53,120
Speaker 1: top where it wasn't money voicing there no more. It

1403
01:12:53,280 --> 01:12:57,200
Speaker 1: was just doom doom, doom doom. But it was a

1404
01:12:57,320 --> 01:13:01,840
Speaker 1: very specific sample. And yeah, so Buck did it first,

1405
01:13:02,439 --> 01:13:05,679
Speaker 1: and well we can always say whoever did it first,

1406
01:13:05,920 --> 01:13:09,400
Speaker 1: but came out with it first, and then cl and

1407
01:13:09,479 --> 01:13:12,400
Speaker 1: them Pete and c L came out with it second.

1408
01:13:13,320 --> 01:13:17,719
Speaker 1: You know, I have to be politically correct because sometimes

1409
01:13:18,640 --> 01:13:22,960
Speaker 1: I learned that you can have something that like I

1410
01:13:23,080 --> 01:13:25,240
Speaker 1: got music right now, and I hear people come out

1411
01:13:25,280 --> 01:13:27,639
Speaker 1: with loops, like damn, I had that ship four years ago.

1412
01:13:28,200 --> 01:13:31,599
Speaker 1: But in my mind, but so I'm not gonna use

1413
01:13:31,680 --> 01:13:34,120
Speaker 1: my ship now because they're coming out with it. Sometimes

1414
01:13:34,120 --> 01:13:37,439
Speaker 1: it's just like sometimes depending on what it is, fucking

1415
01:13:37,520 --> 01:13:39,280
Speaker 1: my ship is better, I'm gonna come out with it.

1416
01:13:39,720 --> 01:13:42,639
Speaker 1: Sometimes it's just like I'm being at mind state where

1417
01:13:43,080 --> 01:13:45,080
Speaker 1: everything on my album I want to be fresh. I

1418
01:13:45,160 --> 01:13:48,720
Speaker 1: don't want it to be with anybody else. Use, So

1419
01:13:49,320 --> 01:13:57,519
Speaker 1: it's just a mind state of how you look at stole.

1420
01:13:57,640 --> 01:14:04,160
Speaker 1: I stole it better than you started. But yeah, I

1421
01:14:04,240 --> 01:14:11,000
Speaker 1: mean that happened and the hip hop especially to anyway.

1422
01:14:11,479 --> 01:14:17,559
Speaker 1: But yeah, I'm gonna leave that alone. Dude, This dude

1423
01:14:17,720 --> 01:14:21,320
Speaker 1: is no longer here. But uh one, I created one

1424
01:14:21,400 --> 01:14:24,400
Speaker 1: and he just took the whole entire instrumental. And it

1425
01:14:24,479 --> 01:14:27,799
Speaker 1: bugs me out when people say he's sampled like you sample.

1426
01:14:27,880 --> 01:14:32,000
Speaker 1: No I didn't. I took two notes and I I

1427
01:14:32,120 --> 01:14:36,120
Speaker 1: created something. He took my whole fucking instrumental from just

1428
01:14:36,320 --> 01:14:39,680
Speaker 1: throwing it on and doing a song. And then you

1429
01:14:39,760 --> 01:14:43,080
Speaker 1: know it's like, nah, he's sampled like you, and you

1430
01:14:43,240 --> 01:14:47,760
Speaker 1: sued him for for something for something he did for free.

1431
01:14:47,840 --> 01:14:53,880
Speaker 1: He gave it away for free. Yeah, we'll just cut that.

1432
01:14:55,640 --> 01:14:59,679
Speaker 1: I feel about that situation. Oh yeah, Fox, Fox, that's

1433
01:14:59,720 --> 01:15:01,240
Speaker 1: all way out on now. I thought a lot of

1434
01:15:01,880 --> 01:15:05,360
Speaker 1: minded they fucking business, shut the funk up, manya business

1435
01:15:05,400 --> 01:15:07,679
Speaker 1: and stop being a dick rider hoping that Mac Miller

1436
01:15:07,720 --> 01:15:10,040
Speaker 1: put you on this album. Shot the funk up. That's

1437
01:15:10,080 --> 01:15:14,400
Speaker 1: how I mean, what what? What? What that did teach me? Um?

1438
01:15:16,280 --> 01:15:19,080
Speaker 1: It taught me a lot about how they can condo

1439
01:15:19,120 --> 01:15:22,160
Speaker 1: taint you. Right, you could have did a lot of

1440
01:15:22,240 --> 01:15:26,439
Speaker 1: great ship for thirty years, and that one instant came

1441
01:15:26,600 --> 01:15:29,479
Speaker 1: up where this dude is saying, well, you know, he's

1442
01:15:29,479 --> 01:15:32,160
Speaker 1: sawing me and this and that and they paint a

1443
01:15:32,240 --> 01:15:36,599
Speaker 1: picture you and what I think the most disappointing part

1444
01:15:37,160 --> 01:15:40,799
Speaker 1: wasn't his fans getting at me, because they his fans,

1445
01:15:41,640 --> 01:15:45,639
Speaker 1: it's my motherfucker's that I've known for over twenty years

1446
01:15:46,760 --> 01:15:49,679
Speaker 1: that didn't even say, oh damn, this ship doesn't sound

1447
01:15:49,760 --> 01:15:52,160
Speaker 1: like NUS. Let me give him a call and see

1448
01:15:52,200 --> 01:15:56,679
Speaker 1: what really happened. It was just people automatically treating speed

1449
01:15:56,800 --> 01:16:01,000
Speaker 1: tweeters that that was up and that's fucked up. That's

1450
01:16:01,080 --> 01:16:02,920
Speaker 1: on some bit ship like that and this and that.

1451
01:16:03,120 --> 01:16:05,120
Speaker 1: You know how many people had to run up and check,

1452
01:16:06,240 --> 01:16:14,960
Speaker 1: like you know, I heard you say, show um show

1453
01:16:15,080 --> 01:16:19,400
Speaker 1: had to actually Um. He actually stopped me from from

1454
01:16:19,720 --> 01:16:23,600
Speaker 1: wilding out because it was just one person that was

1455
01:16:23,640 --> 01:16:26,400
Speaker 1: saying some slick ship and I found that way he

1456
01:16:26,560 --> 01:16:28,720
Speaker 1: was gonna be that night and I was telling my

1457
01:16:28,880 --> 01:16:31,760
Speaker 1: man O G I just want you to be there.

1458
01:16:32,000 --> 01:16:34,680
Speaker 1: I'm gonna slap fire out this motherfucker. Watch and I

1459
01:16:34,800 --> 01:16:38,080
Speaker 1: go get him. I'm gonna slap fire out. So you know,

1460
01:16:40,040 --> 01:16:41,760
Speaker 1: I was telling a show like, yeah, I'm about to

1461
01:16:41,800 --> 01:16:44,920
Speaker 1: go downtown. Check this nigger. So and so I nigga

1462
01:16:44,960 --> 01:16:48,760
Speaker 1: screamed on me so hard. You let somebody take you

1463
01:16:48,840 --> 01:16:53,680
Speaker 1: out your character. He got me so hard. So he

1464
01:16:53,880 --> 01:16:57,439
Speaker 1: stops me from checking the person. And he's drunk one

1465
01:16:57,520 --> 01:17:00,639
Speaker 1: night and sees the person and decide to check them.

1466
01:17:01,360 --> 01:17:04,680
Speaker 1: So you got a problem with my brother. I'm saying, Yo,

1467
01:17:04,960 --> 01:17:08,320
Speaker 1: this this whole incident, blah blah blah. Nah heard the

1468
01:17:08,479 --> 01:17:11,400
Speaker 1: fund does that got to do with you? Though? But

1469
01:17:12,000 --> 01:17:14,560
Speaker 1: but the funk that got to do with you? Do

1470
01:17:14,720 --> 01:17:19,120
Speaker 1: you know what happened? And it was crazy because I've

1471
01:17:19,200 --> 01:17:22,760
Speaker 1: run into the dude after that, but I don't I'm

1472
01:17:22,840 --> 01:17:25,880
Speaker 1: not gonna do nothing, you know, I'm just not gonna

1473
01:17:25,920 --> 01:17:30,040
Speaker 1: acknowledge you. So the dude came in, it was crowded,

1474
01:17:31,040 --> 01:17:35,040
Speaker 1: came in, tried to give me five, and I just

1475
01:17:35,160 --> 01:17:38,760
Speaker 1: looked at him, looked down at his hand, turned my

1476
01:17:38,880 --> 01:17:42,800
Speaker 1: back and continued my conversation with everybody else. And from

1477
01:17:42,840 --> 01:17:46,519
Speaker 1: that point on, he felt the tension, like I think

1478
01:17:46,560 --> 01:17:49,960
Speaker 1: I'm gonna leave, and he tapped somebody who was cool

1479
01:17:50,080 --> 01:17:53,640
Speaker 1: with me, like, yo, you don't know here, I can

1480
01:17:55,680 --> 01:17:59,560
Speaker 1: sid do you know you feel that way? And I

1481
01:18:00,160 --> 01:18:02,759
Speaker 1: explained to him, like, yo, I thought it was cool,

1482
01:18:03,360 --> 01:18:05,400
Speaker 1: and you were saying some sucking shit about me that

1483
01:18:05,560 --> 01:18:07,479
Speaker 1: I thought if you had a problem with me, you

1484
01:18:07,520 --> 01:18:10,519
Speaker 1: could have just called me. So if I heard you

1485
01:18:10,640 --> 01:18:13,120
Speaker 1: was talking ship, when I see you, we ain't gonna

1486
01:18:13,160 --> 01:18:17,000
Speaker 1: be cool. And you know we squashed it. We move on.

1487
01:18:17,240 --> 01:18:20,960
Speaker 1: But the industry. I just learned that the industry can

1488
01:18:21,080 --> 01:18:24,680
Speaker 1: just taint people against you, and then you'll just be

1489
01:18:24,800 --> 01:18:29,439
Speaker 1: fucked up. No, no ship, You'll be You'll be trying

1490
01:18:29,479 --> 01:18:33,880
Speaker 1: to figure out what you did wrong. And I learned

1491
01:18:33,920 --> 01:18:35,559
Speaker 1: how I don't. I just don't give a funk if

1492
01:18:35,600 --> 01:18:38,200
Speaker 1: I know I didn't do it, and I feel I

1493
01:18:38,360 --> 01:18:41,760
Speaker 1: ran with good intentions. Fuck you everybody. I went after

1494
01:18:41,880 --> 01:18:44,200
Speaker 1: my money, and all of a sudden, Fox kicked the

1495
01:18:44,280 --> 01:18:48,320
Speaker 1: door in with two woozies and he shot everybody, and

1496
01:18:48,400 --> 01:18:50,679
Speaker 1: then he grabbed all of the mail because he thought

1497
01:18:50,720 --> 01:18:52,840
Speaker 1: the check was in the bunch mail, and then he

1498
01:18:52,960 --> 01:18:55,639
Speaker 1: ran outside and jumped into a car full of guys

1499
01:18:55,720 --> 01:18:58,800
Speaker 1: with black Vessel, and they just turned us into a whole,

1500
01:18:58,880 --> 01:19:02,080
Speaker 1: big fucking story. So I know exactly what you're talking about.

1501
01:19:02,600 --> 01:19:07,160
Speaker 1: I also know the story you're talking We can add

1502
01:19:07,200 --> 01:19:12,120
Speaker 1: it all this out, but but yeah, I just learned

1503
01:19:12,200 --> 01:19:16,160
Speaker 1: that you have to you have to really stand on

1504
01:19:16,280 --> 01:19:21,280
Speaker 1: what you believe, whether it's you and I tell I

1505
01:19:21,439 --> 01:19:24,840
Speaker 1: tell us the people in the game. Uh, some of

1506
01:19:24,920 --> 01:19:27,240
Speaker 1: the greatest journeys you're gonna have to fight by yourself.

1507
01:19:28,320 --> 01:19:30,519
Speaker 1: If you ain't ready to fight them journeys by yourself,

1508
01:19:30,600 --> 01:19:34,320
Speaker 1: just fucking quit now. If you're waiting on people to

1509
01:19:34,600 --> 01:19:38,320
Speaker 1: acknowledge what you're about to due or give you support

1510
01:19:38,479 --> 01:19:41,960
Speaker 1: or stamp it. If you're waiting on that, just fucking quick,

1511
01:19:42,040 --> 01:19:45,400
Speaker 1: because it's not gonna happen. You're gonna have people that's

1512
01:19:45,400 --> 01:19:48,080
Speaker 1: gonna discourage you. You're gonna have people telling you the

1513
01:19:48,120 --> 01:19:52,120
Speaker 1: ship ain't right because they don't see your vision. Your

1514
01:19:52,240 --> 01:19:54,639
Speaker 1: vision is your vision ain't a fucking coast. That's why.

1515
01:19:54,800 --> 01:19:57,440
Speaker 1: That's why you don't see I think the only collaboration

1516
01:19:57,520 --> 01:20:01,200
Speaker 1: on industry shakedown was m O P. That's it. You

1517
01:20:01,240 --> 01:20:03,479
Speaker 1: don't see that, no, because there wasn't nobody trying to

1518
01:20:03,600 --> 01:20:07,000
Speaker 1: jump up, not that I didn't want collaborations, but everybody

1519
01:20:07,120 --> 01:20:13,400
Speaker 1: was like, um, everybody turned into our Aura, Aura, Aura,

1520
01:20:14,080 --> 01:20:16,160
Speaker 1: because I let them here, I let them hear some

1521
01:20:16,240 --> 01:20:17,760
Speaker 1: of that ship. Like, this is where I'm going with

1522
01:20:17,840 --> 01:20:19,479
Speaker 1: the project. If I bring you something I want you

1523
01:20:19,560 --> 01:20:21,599
Speaker 1: to be on. I want to make sure you're comfortable

1524
01:20:21,640 --> 01:20:23,800
Speaker 1: because I'm saying some ship now that's my you know,

1525
01:20:24,360 --> 01:20:27,040
Speaker 1: but with hopes and dreams of being you sitting behind

1526
01:20:27,120 --> 01:20:29,599
Speaker 1: that desk and signing that paper, it might not work

1527
01:20:29,680 --> 01:20:32,320
Speaker 1: out for you that way. After you know this, it

1528
01:20:32,479 --> 01:20:34,360
Speaker 1: was I was like, I bet I gotta do this

1529
01:20:34,479 --> 01:20:36,479
Speaker 1: and alone so I know exactly what you mean. But

1530
01:20:36,560 --> 01:20:39,720
Speaker 1: when you do it, and you you, you supersede all

1531
01:20:39,760 --> 01:20:43,920
Speaker 1: that bullshit, and you know people are gonna understand after end,

1532
01:20:43,920 --> 01:20:46,840
Speaker 1: because that should only last for so long, and then

1533
01:20:46,880 --> 01:20:48,800
Speaker 1: people want to be cool with you again, and then

1534
01:20:48,840 --> 01:20:51,439
Speaker 1: you don't want to be cool. They don't understand that

1535
01:20:51,600 --> 01:20:55,760
Speaker 1: now you're a problem. Well what's his attitude? And you

1536
01:20:55,880 --> 01:20:58,519
Speaker 1: know because people, I mean my team, they know men,

1537
01:20:58,600 --> 01:21:03,719
Speaker 1: I'm the motherfucking grudge holder because I look at life

1538
01:21:03,800 --> 01:21:07,800
Speaker 1: like this. If I never did anything to you to

1539
01:21:07,960 --> 01:21:11,800
Speaker 1: warrant some fucking trife ship, you did to me. We

1540
01:21:11,960 --> 01:21:16,000
Speaker 1: can't be cool. We can't because at the end of

1541
01:21:16,080 --> 01:21:19,320
Speaker 1: the day, what did I do to warrant what you

1542
01:21:19,439 --> 01:21:23,240
Speaker 1: did to me? And yeah, you know people think after

1543
01:21:23,280 --> 01:21:26,760
Speaker 1: a while that's just supposed to die down. Well that's

1544
01:21:26,840 --> 01:21:29,559
Speaker 1: it was five years ago, so he should be over

1545
01:21:29,680 --> 01:21:31,840
Speaker 1: it now, So I'm gonna be over it. So you

1546
01:21:31,880 --> 01:21:33,960
Speaker 1: could do it all over again. I just feel like,

1547
01:21:34,400 --> 01:21:37,040
Speaker 1: fuck it, I'll just dismiss you, move on with my life.

1548
01:21:37,360 --> 01:21:39,400
Speaker 1: We don't sunk around no more. We ain't cool no more.

1549
01:21:39,439 --> 01:21:42,920
Speaker 1: We're cool with that. Then to keep forgiving, motherfucker's that's

1550
01:21:42,960 --> 01:21:45,280
Speaker 1: gonna still keep doing the same thing over and over.

1551
01:21:45,640 --> 01:21:49,320
Speaker 1: I just never get that point of it where people say, yeah,

1552
01:21:49,479 --> 01:21:52,080
Speaker 1: I could forgive, I ain't gonna forget, and I ain't

1553
01:21:52,080 --> 01:21:55,760
Speaker 1: gonna put you in position to do it again. Accountability, Yeah,

1554
01:21:56,000 --> 01:21:58,560
Speaker 1: and that's how I look at the game and the industry.

1555
01:21:59,200 --> 01:22:02,360
Speaker 1: Industry will chew you up and spit you out if

1556
01:22:02,400 --> 01:22:06,320
Speaker 1: you ain't strong, they'll make you seem like they'll they'll

1557
01:22:06,400 --> 01:22:08,599
Speaker 1: count you out. They spit me out before they start

1558
01:22:08,680 --> 01:22:12,320
Speaker 1: chewing I taste terrible. Yeah, I gave him the most

1559
01:22:12,439 --> 01:22:14,640
Speaker 1: nastiest days in their mouth because I showed up with

1560
01:22:14,760 --> 01:22:18,920
Speaker 1: them like nigga, where's my bread? They will count you out,

1561
01:22:19,080 --> 01:22:22,000
Speaker 1: but you gotta understand most of these motherfuckers can't count,

1562
01:22:22,240 --> 01:22:26,080
Speaker 1: so you know, and you gotta understand what's your vision,

1563
01:22:26,200 --> 01:22:30,520
Speaker 1: what's your aim? If you got your most loyal, genuine

1564
01:22:30,600 --> 01:22:34,000
Speaker 1: people around you to this day, that's all that matters.

1565
01:22:34,080 --> 01:22:38,120
Speaker 1: You worrying about motherfucker's that don't matter, and that that'd

1566
01:22:38,120 --> 01:22:41,200
Speaker 1: be the industry you worry. You keep worrying about motherfucker's

1567
01:22:41,200 --> 01:22:44,400
Speaker 1: that don't matter, Like what are they gonna do for you?

1568
01:22:44,760 --> 01:22:46,800
Speaker 1: Like the motherfucker's that don't funk with you that you

1569
01:22:46,920 --> 01:22:49,439
Speaker 1: never did business before because they heard some ship. Those

1570
01:22:49,439 --> 01:22:51,880
Speaker 1: are people that don't trust their lost in need as

1571
01:22:51,960 --> 01:22:53,560
Speaker 1: motherfucker's who wou look at you and say, well, I

1572
01:22:53,680 --> 01:22:56,040
Speaker 1: heard that, I heard this. I hate those people with

1573
01:22:56,160 --> 01:22:59,400
Speaker 1: the I heard ship. You know you're good ear motherfucker's

1574
01:22:59,439 --> 01:23:03,000
Speaker 1: that here every I heard I heard you know what

1575
01:23:03,000 --> 01:23:05,240
Speaker 1: I mean? But they never you never had an issue

1576
01:23:05,280 --> 01:23:09,160
Speaker 1: with them. You never had. That's the sucker ship right there.

1577
01:23:09,280 --> 01:23:12,160
Speaker 1: Like if you old thing, if somebody could tell you

1578
01:23:12,360 --> 01:23:15,720
Speaker 1: something about me and make you forget who I am

1579
01:23:15,960 --> 01:23:18,920
Speaker 1: as a person, I don't want your fucking friendship. I

1580
01:23:18,960 --> 01:23:24,639
Speaker 1: don't need friendship because nobody should be able to Nobody

1581
01:23:24,720 --> 01:23:29,320
Speaker 1: can't tell me something foul about Fox that make me go, hmm,

1582
01:23:30,200 --> 01:23:33,599
Speaker 1: I'll call Fox or what you undid? Now? How might

1583
01:23:33,680 --> 01:23:37,000
Speaker 1: ask them that? But nobody's gonna turn around and and

1584
01:23:37,160 --> 01:23:40,479
Speaker 1: make me look at Fox any other way known Fox

1585
01:23:40,560 --> 01:23:44,600
Speaker 1: for damn the beginning of my career thirty years. So

1586
01:23:44,880 --> 01:23:48,719
Speaker 1: when you when you have that type of friendship, should

1587
01:23:48,840 --> 01:23:50,920
Speaker 1: nobody be able to get in your ear and taint

1588
01:23:51,000 --> 01:23:54,439
Speaker 1: you about none of your you genuine friends. I think

1589
01:23:54,479 --> 01:23:56,160
Speaker 1: if you don't, if you don't know me, or you

1590
01:23:56,200 --> 01:23:59,160
Speaker 1: don't somebody don't know anybody for you to take a

1591
01:23:59,240 --> 01:24:02,599
Speaker 1: position like especially if you never had any incident. It's

1592
01:24:02,640 --> 01:24:05,000
Speaker 1: different if you slapped the collar green juice side of

1593
01:24:05,080 --> 01:24:09,000
Speaker 1: motherfucker knows and and and then you see them somewhere

1594
01:24:09,000 --> 01:24:12,280
Speaker 1: and they're like, yo, their motherucker slap you. Still you

1595
01:24:12,320 --> 01:24:16,720
Speaker 1: know what I'm saying, But it's different. It's different if

1596
01:24:17,000 --> 01:24:19,160
Speaker 1: it's different if you never had I never had an

1597
01:24:19,160 --> 01:24:21,120
Speaker 1: incident with a person in my life, and then people

1598
01:24:21,360 --> 01:24:23,360
Speaker 1: I've been in places where people have seen me show

1599
01:24:23,439 --> 01:24:26,840
Speaker 1: up and they were like, oh no, I'm out, Nick,

1600
01:24:26,840 --> 01:24:28,880
Speaker 1: what are you leaving for that you come? And he

1601
01:24:29,000 --> 01:24:32,800
Speaker 1: bounced why, like for what? Because he's scared he got

1602
01:24:32,840 --> 01:24:35,960
Speaker 1: he ate collar greens with theinn or something like the

1603
01:24:36,040 --> 01:24:38,519
Speaker 1: fun So they scared you gonna they put it, They

1604
01:24:38,560 --> 01:24:40,920
Speaker 1: put a thing on you. So you know, to me,

1605
01:24:41,120 --> 01:24:44,080
Speaker 1: that's man, the beauty that I always wanted to thank

1606
01:24:44,120 --> 01:24:48,799
Speaker 1: you publicly for helping me to find uh my space,

1607
01:24:49,040 --> 01:24:52,000
Speaker 1: my own space mentally as a as a creator, because

1608
01:24:52,040 --> 01:24:54,080
Speaker 1: I wasn't. I was lost brain gonna lie. Man. I

1609
01:24:54,200 --> 01:24:56,920
Speaker 1: was a fucking I was like a wild dog in

1610
01:24:57,000 --> 01:24:59,360
Speaker 1: the woods and ship just whatever was in front of

1611
01:24:59,400 --> 01:25:01,640
Speaker 1: me was gonna get it eating it was right. I

1612
01:25:01,760 --> 01:25:05,600
Speaker 1: mean for me, it was just I think you you

1613
01:25:05,840 --> 01:25:07,559
Speaker 1: you run into a lot of people in the game

1614
01:25:07,640 --> 01:25:10,680
Speaker 1: that go through a lot of the trials and tribulations

1615
01:25:10,760 --> 01:25:13,880
Speaker 1: you go through, and sometime that talk is just to

1616
01:25:13,960 --> 01:25:17,320
Speaker 1: let people know you ain't the only one. We all

1617
01:25:17,560 --> 01:25:19,680
Speaker 1: we all went through it. And you know, I tell

1618
01:25:19,760 --> 01:25:22,920
Speaker 1: people all the time, it's like, all right, just happened

1619
01:25:22,960 --> 01:25:25,720
Speaker 1: to you. That happened to you, And I'll let you

1620
01:25:25,840 --> 01:25:27,600
Speaker 1: tell me your whole story, and then I'm going to

1621
01:25:27,680 --> 01:25:31,000
Speaker 1: ask you one question. So what you're gonna do about it. Yeah,

1622
01:25:31,680 --> 01:25:33,720
Speaker 1: if you can't tell me what you're gonna do about it,

1623
01:25:34,640 --> 01:25:36,280
Speaker 1: we don't need to talk no more. You told me

1624
01:25:36,360 --> 01:25:38,680
Speaker 1: what happened. I actually what you're gonna do about it?

1625
01:25:38,840 --> 01:25:41,040
Speaker 1: You ain't gonna do ship? All right? Good night, bye bye.

1626
01:25:41,040 --> 01:25:42,840
Speaker 1: I'm go over here and have a drink, you know,

1627
01:25:43,600 --> 01:25:46,240
Speaker 1: because otherwise you're looking for sympathy. I've been looking for

1628
01:25:46,439 --> 01:25:49,599
Speaker 1: some valuable ship, to have a have a person take

1629
01:25:49,640 --> 01:25:51,479
Speaker 1: you and sit you down and say, man, listen, I

1630
01:25:51,600 --> 01:25:54,640
Speaker 1: believe you're better than that. I believe you could. You

1631
01:25:54,800 --> 01:25:57,439
Speaker 1: you got. Don't let this stop you from becoming this.

1632
01:25:57,600 --> 01:25:59,240
Speaker 1: You know what I'm saying, Like that's it is valuable.

1633
01:25:59,240 --> 01:26:02,160
Speaker 1: And then a lot of rappers, because we all wrapped,

1634
01:26:02,760 --> 01:26:05,519
Speaker 1: I think they know each other even if they never met.

1635
01:26:05,600 --> 01:26:08,439
Speaker 1: They think they know each other. And that ain't real,

1636
01:26:09,320 --> 01:26:10,920
Speaker 1: you know what I'm saying. So when you finally get

1637
01:26:10,960 --> 01:26:13,960
Speaker 1: a chance to kick it with somebody said, that's a cool, motherfucker.

1638
01:26:14,080 --> 01:26:16,240
Speaker 1: He said, Oh funk is this? Corny? Asked? Motherfucking You

1639
01:26:16,240 --> 01:26:18,200
Speaker 1: know what I'm saying. But you you just when you

1640
01:26:18,320 --> 01:26:19,840
Speaker 1: find out who you're dealing with, when you get a

1641
01:26:19,920 --> 01:26:22,479
Speaker 1: chance to actually vibe with them and say you know, man,

1642
01:26:22,640 --> 01:26:26,200
Speaker 1: I didn't heard some stories about me, bro I don't

1643
01:26:26,240 --> 01:26:29,600
Speaker 1: like I was there. I was there like really like

1644
01:26:29,720 --> 01:26:31,920
Speaker 1: they put a two on the tent all day long. Bro.

1645
01:26:32,439 --> 01:26:35,120
Speaker 1: See I've learned. Any stories I know about you, you

1646
01:26:35,280 --> 01:26:39,680
Speaker 1: told me personally, and everything I heard about you, I

1647
01:26:39,760 --> 01:26:42,640
Speaker 1: asked you about it. I try to clarify a lot

1648
01:26:42,720 --> 01:26:45,320
Speaker 1: of things because and some ship you can ask me

1649
01:26:45,400 --> 01:26:47,719
Speaker 1: about and get beat up because it ain't your business.

1650
01:26:47,840 --> 01:26:51,800
Speaker 1: Like that's that's see to me. That's the the I

1651
01:26:52,040 --> 01:26:55,479
Speaker 1: wasn't like in the game of music. I was attracted

1652
01:26:55,520 --> 01:27:00,519
Speaker 1: to music, and I've known some incredibly crazy people, but

1653
01:27:00,640 --> 01:27:04,639
Speaker 1: I wasn't fascinated with that lifestyle. I know you're crazy,

1654
01:27:04,680 --> 01:27:06,400
Speaker 1: I know you do this that in the third I'm

1655
01:27:06,640 --> 01:27:09,640
Speaker 1: I'm doing music. I'm the cool motherfucker. So yeah, we

1656
01:27:09,680 --> 01:27:11,599
Speaker 1: can still hang out. But when you're gonna do your

1657
01:27:11,640 --> 01:27:14,519
Speaker 1: crazy ship, I'm gonna go to this club, have a

1658
01:27:14,600 --> 01:27:18,320
Speaker 1: great time. I'll talk to you later. I wasn't fascinated

1659
01:27:18,360 --> 01:27:22,120
Speaker 1: where I felt that I wanted that I want to be.

1660
01:27:22,439 --> 01:27:24,560
Speaker 1: I want people to fear me, and I want to

1661
01:27:24,600 --> 01:27:27,560
Speaker 1: come in with ninety people and people gonna That was

1662
01:27:27,800 --> 01:27:31,800
Speaker 1: never really mind the conversation we're talking about HUT. Music

1663
01:27:31,880 --> 01:27:33,720
Speaker 1: has got to be the conversation. And my thing is,

1664
01:27:33,800 --> 01:27:36,800
Speaker 1: I'm I'm in the music. I know what you're into.

1665
01:27:37,720 --> 01:27:39,920
Speaker 1: You seem cool, we always kick it, we have a

1666
01:27:40,000 --> 01:27:44,080
Speaker 1: great time. Great. It's to me, it's no fear factor

1667
01:27:44,200 --> 01:27:48,000
Speaker 1: because I'm not trying to be you. I'm no threat

1668
01:27:48,040 --> 01:27:51,560
Speaker 1: to you, So why would I feel you? You know,

1669
01:27:52,120 --> 01:27:54,559
Speaker 1: you ain't trying to extort me or nothing. I'm great,

1670
01:27:55,479 --> 01:27:57,599
Speaker 1: you know. But I think with a lot of rappers,

1671
01:27:58,120 --> 01:28:01,600
Speaker 1: they want that credibility and not built for that credibility,

1672
01:28:02,479 --> 01:28:05,120
Speaker 1: you know. And you know, they got their crews and

1673
01:28:05,160 --> 01:28:07,720
Speaker 1: their teams, and it's easy to start beefs, but they

1674
01:28:07,800 --> 01:28:11,680
Speaker 1: don't understand the one word always say, which is casualty.

1675
01:28:11,880 --> 01:28:15,000
Speaker 1: Just gonna be a casualty? And are you willing to

1676
01:28:15,120 --> 01:28:18,879
Speaker 1: take care of that person that lost their life, they family,

1677
01:28:19,040 --> 01:28:22,720
Speaker 1: whatever it is. Are you built enough to take care

1678
01:28:22,760 --> 01:28:25,360
Speaker 1: of that. It's some talented it's some talented cats in

1679
01:28:25,400 --> 01:28:28,759
Speaker 1: this game that just haven't even tapped into that ability

1680
01:28:28,840 --> 01:28:31,240
Speaker 1: to be talented because they're too busy trying to focus

1681
01:28:31,360 --> 01:28:35,639
Speaker 1: on other Yeah, stupid ship, but fucking pigeons and all

1682
01:28:35,680 --> 01:28:39,439
Speaker 1: kinds of stupid ship. But can you rhyme? Can you rhyme?

1683
01:28:40,680 --> 01:28:44,559
Speaker 1: Can you right? That's the name of my next special,

1684
01:28:45,280 --> 01:28:49,439
Speaker 1: but pigeons? Just can you? Can you rhyme? Though? Another

1685
01:28:49,600 --> 01:29:01,960
Speaker 1: humanitarian just say fried unicorn? We got will get in collegrees.

1686
01:29:02,040 --> 01:29:08,639
Speaker 1: You slapped out fried unicorns, and and and we've been

1687
01:29:08,720 --> 01:29:17,000
Speaker 1: coach canceled pitches being sexually assaulted. I think we should

1688
01:29:17,040 --> 01:29:18,800
Speaker 1: wrap it up now. I think you can't get any

1689
01:29:18,880 --> 01:29:22,560
Speaker 1: better than but fucking a pigeon. On that note, On

1690
01:29:22,760 --> 01:29:25,519
Speaker 1: that note, that note, I'd like to thank everybody for

1691
01:29:25,600 --> 01:29:28,880
Speaker 1: tuning into this episode of culturally canceled. Uh. There was

1692
01:29:28,880 --> 01:29:30,960
Speaker 1: a lot of discussions in this one. Some good ship.

1693
01:29:31,560 --> 01:29:35,800
Speaker 1: I want to thank um the CEO of the West Wing,

1694
01:29:36,200 --> 01:29:41,479
Speaker 1: Lord Finesse for being here. Um, Jason Collings for for

1695
01:29:41,720 --> 01:29:44,120
Speaker 1: also being here. Um. This is the first time doing

1696
01:29:44,160 --> 01:29:48,560
Speaker 1: a podcast ever. UM, just kidding. If you want to

1697
01:29:48,560 --> 01:29:52,960
Speaker 1: see Jason Collings perform, uh, he's on Instagram at Jason Collings.

1698
01:29:53,920 --> 01:29:56,880
Speaker 1: UM my old radio co host and my dear friend

1699
01:29:57,479 --> 01:30:00,880
Speaker 1: Mr Paul Mastermind par harror mind. It's on my right.

1700
01:30:01,840 --> 01:30:05,080
Speaker 1: Thanks p Double for being here. Uh. X to the

1701
01:30:05,160 --> 01:30:08,600
Speaker 1: motherfucking z uh, thank you for coming through. You're a

1702
01:30:08,640 --> 01:30:10,600
Speaker 1: man of your word. He only met me once before this,

1703
01:30:10,680 --> 01:30:12,360
Speaker 1: and I said, hey, man, when you do my podcast

1704
01:30:12,400 --> 01:30:14,960
Speaker 1: goes yeah, absolutely, you know it's l a so people

1705
01:30:15,000 --> 01:30:17,920
Speaker 1: say absolutely all the time, and I was if you

1706
01:30:18,040 --> 01:30:19,280
Speaker 1: had flaked on me, I would have been like, well,

1707
01:30:19,320 --> 01:30:22,640
Speaker 1: it's about right, but but uh, but you you're a

1708
01:30:22,680 --> 01:30:25,280
Speaker 1: real one and I appreciate that. And uh and my

1709
01:30:25,439 --> 01:30:32,960
Speaker 1: youngest sibling, Um, Jimmy Knuckles over here, Uh, Freddie, Freddie

1710
01:30:33,000 --> 01:30:36,640
Speaker 1: the Fox, Thank you, bro, Bumpy Knuckles a k a.

1711
01:30:38,280 --> 01:30:41,040
Speaker 1: Jimmy Nick knacks at the click clack when he pulled

1712
01:30:41,080 --> 01:30:43,439
Speaker 1: that hammer back and you go splat, splat. This is

1713
01:30:43,479 --> 01:30:46,960
Speaker 1: what gets me in trouble is these kind of introductions

1714
01:30:47,000 --> 01:30:50,040
Speaker 1: give me in trouble. It's my freestyle. It's my freestyle.

1715
01:30:50,800 --> 01:31:02,800
Speaker 1: I'm Russell Peters. Thanks for tuning in, kids, purs and

1716
01:31:03,120 --> 01:31:08,360
Speaker 1: a long oh