WEBVTT - TGI - Episode 202 (“Pairing Off”)

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<v Speaker 1>Well, it's guys, are you still writing two on your checks?

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<v Speaker 1>Will be until like November. I uh, last year was

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<v Speaker 1>the fact, I think, the fastest year of my life,

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<v Speaker 1>and I already have the feeling of like that with

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<v Speaker 1>I mean, I know, we talked about how old we

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<v Speaker 1>are all the time. I'm not going to do it again,

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<v Speaker 1>but it is just truly crazy how you can be

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<v Speaker 1>aware that time is going by really fast even while

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<v Speaker 1>it's happening that like when it will be March of

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<v Speaker 1>this year, we're gonna all look at each other and go,

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<v Speaker 1>it's already March, and then in June it's already June.

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<v Speaker 1>It's already summer, September. So the glass half full version

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<v Speaker 1>of that, which i've also which I've realized is when

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<v Speaker 1>something that is happening, yeah you're going through a hard period,

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<v Speaker 1>it also moves fast, do you know what I mean?

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<v Speaker 1>Like you know, uh, for me, like you know, my

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<v Speaker 1>wife being gone for three months, like that went by

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<v Speaker 1>pretty fast actually, Like I was very nervous about that happening,

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<v Speaker 1>and then when that happened, I'm like, wait, that's already over.

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<v Speaker 1>Anything that you're scared of or anxious about also goes

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<v Speaker 1>by fast, and and and as you get older, things

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<v Speaker 1>get easier too. Yeah, things, you know, just normal adults.

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<v Speaker 1>Stuff suddenly is not that big of a deal like

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<v Speaker 1>I remember as a kid, you know, And I see

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<v Speaker 1>this with Indie all the time, like, yeah, he's the

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<v Speaker 1>weeks last forever, days last forever. But that the flip

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<v Speaker 1>side of that is, you know, school last forever. The

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<v Speaker 1>things he doesn't like also are such a drag. I

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<v Speaker 1>have to be in piano for thirty minutes. You're like, yeah, dude,

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<v Speaker 1>that's nothing. I know. So I try to try and

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<v Speaker 1>be optimistic about it. I wish I got to spend

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<v Speaker 1>more time with Indie. I think Indie would be like

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<v Speaker 1>my friend. Yeah he he will, he will be. You

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<v Speaker 1>guys should spend some more time to you. Got it.

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<v Speaker 1>Once your kids are like yeah, four plus both of them,

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<v Speaker 1>it will be really easy, you know what I mean.

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<v Speaker 1>Right now, it's like they're at the awkward set of

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<v Speaker 1>ages where they can't all just be kids in a

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<v Speaker 1>group together. Like you clearly have a seven year old,

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<v Speaker 1>three year old, one year old. Yes, that is not

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<v Speaker 1>a good combo. And that's what you have to realize

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<v Speaker 1>as a parent. Is like negotiating which couple of friends,

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<v Speaker 1>how old their kids are and whether they you know, boys, girls,

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<v Speaker 1>what the like calculus of kids group dynamics are going

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<v Speaker 1>to be. It's complicated, but yeah, I think I think

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<v Speaker 1>when you're three year old, aren't the Asn't that essentially

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<v Speaker 1>the age difference between us? So four years yeah, but

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<v Speaker 1>us at being you know, twelve and sixteen felt like

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<v Speaker 1>practically nothing. You guys were able to be really good friends.

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<v Speaker 1>But yeah, now now it is, it is definitely more.

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<v Speaker 1>You know, we say that, but I don't think Will

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<v Speaker 1>and I. I looked up to Will, Like I thought

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<v Speaker 1>Will was the coolest person I've ever met, and I

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<v Speaker 1>wanted to be share him. I wanted to beat him.

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<v Speaker 1>But we didn't hang out all that much until the

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<v Speaker 1>later season, right, like I would say, like we became

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<v Speaker 1>best best friends in real life the last two years

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<v Speaker 1>of Boy before I mean before then, you were because

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<v Speaker 1>you were older, you could go out with like Jason Marsden,

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<v Speaker 1>driving your cards. And I was still like when we

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<v Speaker 1>went to Amsterdam, I was sixteen, so there you go.

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<v Speaker 1>So that's when we like solidified her from yeah, okay,

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<v Speaker 1>I was sixteen and that was let's go to Amsterdam. Yeah,

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<v Speaker 1>she's I love thinking of Will is the responsible adult, Like,

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<v Speaker 1>how scary is that? My god? I was way more

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<v Speaker 1>of responsible. Responsible was the responsible one on that trip.

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<v Speaker 1>He went to Amsterdam and didn't come home. He fell

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<v Speaker 1>into an Amsterdam pole. I helped find him his apartment.

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<v Speaker 1>I found the apartment for him. My gosh. It was

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<v Speaker 1>the only thing that he did that was more responsible.

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<v Speaker 1>He got a hotel room. I was one. He was like,

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<v Speaker 1>show up at Amy now I'm sixty and I'll find

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<v Speaker 1>a place to stay. Oh my gosh. I went to

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<v Speaker 1>a hostel. I like, just I wanted to do like

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<v Speaker 1>the Europe. It was like totally like you know whatever,

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<v Speaker 1>and I wanted to meet people. And of course when

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<v Speaker 1>you're staying in a hostel, you have to sleep in

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<v Speaker 1>a room with like six other dudes, and people make

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<v Speaker 1>noises and it was awful and so crashing on your path.

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<v Speaker 1>I remember I was mocking Will for like, you know,

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<v Speaker 1>had this nice hotel room. But I remember flying and

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<v Speaker 1>I was like, why do you hotel room? Like you're

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<v Speaker 1>so such a yuppie. And then I like two days later,

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<v Speaker 1>I was like can I can I can I stay

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<v Speaker 1>in your room? Cool? You got two beds, and he

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<v Speaker 1>was like, fine, you remember that I totally made fun

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<v Speaker 1>of you. You weren't phazed by it at all. Like

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<v Speaker 1>I mocked you to your face, and I remember you

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<v Speaker 1>just be like, no, no, no, I like my nice

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<v Speaker 1>hotel room and I want to be comfortable and I'm

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<v Speaker 1>gonna eat McDonald's and You're not gonna make fun of me.

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<v Speaker 1>It was great. Oh man, what a wonderful city. That

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<v Speaker 1>was a fun trip. That was a fun trip all

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<v Speaker 1>the way around you. I was super heartbroken, but it

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<v Speaker 1>was from you were super You're on the same paper

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<v Speaker 1>that's still there, the phone is still there, on the

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<v Speaker 1>same really want to talk about your heartbreak at all.

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<v Speaker 1>I had just been dumped over the phone and I

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<v Speaker 1>was so I had been so in love, you know.

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<v Speaker 1>It was just a classic writer and so yeah, I

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<v Speaker 1>was like going to Amsterdam to like be with my

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<v Speaker 1>guy friend and get over her. And then I was

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<v Speaker 1>just so sad and I and I just Will is

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<v Speaker 1>such a good friend that we had. We finally had

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<v Speaker 1>the moment where we were also playing magic, the gathering

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<v Speaker 1>all the time, This is great and I'm we're we

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<v Speaker 1>just were somewhere. I think we had a cafe having

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<v Speaker 1>a conversation and I was talking about my broken heart

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<v Speaker 1>and my feelings and you were just like you know what, man,

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<v Speaker 1>you really like what what's the deal? Like you miss her?

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<v Speaker 1>You want her back? I was like yeah, I really do.

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<v Speaker 1>And you're like, well, then go get her. Go get her, dude,

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<v Speaker 1>go like call her right now, figure it out, like

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<v Speaker 1>make And I was like you really think you know?

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<v Speaker 1>You were like yeah, like if you feel this way,

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<v Speaker 1>you have to like go for it, like stop just wallowing,

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<v Speaker 1>stop just sitting here crying, like and you know, so

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<v Speaker 1>I had to figure out the timing with the hours

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<v Speaker 1>calling from Amsterdam ended up being like eleven o'clock at

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<v Speaker 1>night or whatever, and I could finally call. I go

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<v Speaker 1>to this pay phone. I wrote notes like what I

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<v Speaker 1>was to say, and I made the move. It was

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<v Speaker 1>like I remember just like on this phone for like

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<v Speaker 1>you know, long distance call, got her on the phone,

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<v Speaker 1>pled my case and nope, oh my god work. She

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<v Speaker 1>was just like no, no, you know I remember her

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<v Speaker 1>crying and being like I appreciate it, but no, it's

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<v Speaker 1>definitely over and um and I felt better, like it

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<v Speaker 1>was the best because I was like right like I

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<v Speaker 1>had been sort of wallowing and this self pity and

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<v Speaker 1>like the self loathing and and is it really over?

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<v Speaker 1>Is it? And then you did I do something? You know?

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<v Speaker 1>And Will was just like, hey, if you want this,

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<v Speaker 1>you know, you have to go for it. And and

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<v Speaker 1>I remember coming back to the hotel room like a

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<v Speaker 1>cried of course on the street by myself an Amsterdam,

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<v Speaker 1>and then like coming back to the hotel room and

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<v Speaker 1>like being kind of proud, you know, it was like, yeah,

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<v Speaker 1>well I did what you said. I made the move.

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<v Speaker 1>She doesn't want to be in a relationship. And I

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<v Speaker 1>was like, and I feel better. I was able to

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<v Speaker 1>do your can I say there is nothing better for

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<v Speaker 1>heartbreak than travel, getting yourself out of your physical environment.

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<v Speaker 1>You have a totally different perception on your life, on

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<v Speaker 1>the situation, on the relationship. You're out of your comfort zone.

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<v Speaker 1>You have that like that you give yourself that gift

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<v Speaker 1>of truly being able to have longer, deeper conversations with

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<v Speaker 1>people you care about about the and you yeah, you

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<v Speaker 1>you have you have courage you probably wouldn't have had

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<v Speaker 1>at home, writer, like, part of what gave you that

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<v Speaker 1>courage was that you were so far away and is

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<v Speaker 1>going to be a pay phone, and there was this

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<v Speaker 1>idea that it could work out in this romantic movie way,

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<v Speaker 1>and and you were like, I'm doing it, and then,

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<v Speaker 1>like you said, you felt better. I highly recommend for

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<v Speaker 1>anybody who's able to, if you have just been, if

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<v Speaker 1>you've just gone through any sort of heartbreak, get yourself

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<v Speaker 1>out of your immediate environment, even if it's not terribly far.

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<v Speaker 1>I'm gonna step further. I just say travel is good

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<v Speaker 1>for every Like, just travel, like whatever you're going through,

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<v Speaker 1>Like it's cool. Like I would totally live on the

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<v Speaker 1>road my entire life if I go to I mean,

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<v Speaker 1>I try and travel all the time, and I just

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<v Speaker 1>love moving. I love being in new cities, I love

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<v Speaker 1>new experiences like I would just totally. I mean, I know,

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<v Speaker 1>like standup comedians and musicians always complain about being on

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<v Speaker 1>the road. I'm sure that there's a point of like

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<v Speaker 1>where it just becomes miserable, but like, I don't know,

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<v Speaker 1>I miss those being a teenager or like basically from

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<v Speaker 1>the age of sixteen to twenty five, I traveled the world,

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<v Speaker 1>Like I never stayed home more than like three weeks

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<v Speaker 1>at a time, Like I traveled constantly, and I missed

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<v Speaker 1>those years like I missed that ability to do no

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<v Speaker 1>travel is travel is very restorative. That the hashbars helped.

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<v Speaker 1>Those are those are also helpful for although you didn't partake,

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<v Speaker 1>you didn't partake at all. I did drink alcohol. I

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<v Speaker 1>remember having beers like Heineken, and and being excited, of

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<v Speaker 1>course to have a beer in a movie theater like

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<v Speaker 1>they say that was I think was the trip where

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<v Speaker 1>I got strip searched. When I came back to L

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<v Speaker 1>a X. And as I'm sitting there in the airport

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<v Speaker 1>in my underwear, the guy went, are you on Boy

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<v Speaker 1>Meets World? And I went, yep, sure am, best time

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<v Speaker 1>on the glove. That's great, that's what he was doing.

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<v Speaker 1>And I was like, I didn't bring anything back, so

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<v Speaker 1>I swear I didn't. But yeah, well, welcome to Pod

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<v Speaker 1>Meets World. I'm Daniel fishel Or Strong. I'm Wilfredell. So

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<v Speaker 1>today we are recapping season two, episode two, pairing Off,

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<v Speaker 1>which originally aired September. And do you guys what, I

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<v Speaker 1>don't know. Will's already in his head and I'm kind

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<v Speaker 1>of with him, even though I'm not sure what he's

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<v Speaker 1>gonna say. It's weird, it feels weird. I'm not ready.

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<v Speaker 1>It's a completely different television show that this one was

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<v Speaker 1>all of a sudden, all about sex. It was so weird.

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<v Speaker 1>It's not it's not that it's bad. It's just I'm

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<v Speaker 1>watching a completely different television so uncomfortable. It's uncomfortable because

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<v Speaker 1>of this episode of Boy Meets the World. I don't

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<v Speaker 1>have to have to talk with my son. You watched

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<v Speaker 1>it with INDI, Yes, of course, of course. I'm like, Mandy,

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<v Speaker 1>we've got to watch a Boy's World episode for the show.

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<v Speaker 1>Let's watch it. And then it was like, oh, oh,

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<v Speaker 1>you know, and we're planning to have the talk soon,

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<v Speaker 1>like we're at the age like this is the time.

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<v Speaker 1>But I was like, oh, I guess, I guess Boy's

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<v Speaker 1>World just did it for me. And I just realized,

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<v Speaker 1>like a weird and older show. Like when I had

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<v Speaker 1>the idea of like sitting down with my seven year

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<v Speaker 1>old to watch Boy Meets World, that seems like a

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<v Speaker 1>good idea when I was, you know, first season, but

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<v Speaker 1>like we aged up quick, yeah, and that very quick.

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<v Speaker 1>I everybody was sitting there going, oh, this whole episode

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<v Speaker 1>is just about you know, it's called pairing off. It's

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<v Speaker 1>like just not hooking up. And everyone's making out. It's

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<v Speaker 1>a lot. It was a lot. I agree, it was

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<v Speaker 1>a lot. It was just it was uncomfortable too, and

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<v Speaker 1>also made me very very uncomfortable. I miss the warm

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<v Speaker 1>blanket of season one. Right. Well, it's you know this

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<v Speaker 1>is it's so crazy because this is just the difference

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<v Speaker 1>between ABC and Disney Channel, right like, if this were

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<v Speaker 1>a Disney Channel show, this episode could not exist. Um,

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<v Speaker 1>you know, and and and back then in ABC, like

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<v Speaker 1>this was that gray area. And I guess we stayed

0:11:34.880 --> 0:11:36.680
<v Speaker 1>this way for the rest of our show. I have

0:11:36.720 --> 0:11:39.760
<v Speaker 1>a question for you. Do you think, with the way

0:11:39.920 --> 0:11:42.280
<v Speaker 1>that the world is now, do you think if it

0:11:42.320 --> 0:11:45.000
<v Speaker 1>was ABC now, you could even do this episode. I

0:11:45.000 --> 0:11:48.040
<v Speaker 1>don't think so. I don't know. We talked. It feels

0:11:48.040 --> 0:11:51.400
<v Speaker 1>like we've gotten more conservative in some ways. Like if

0:11:51.480 --> 0:11:54.200
<v Speaker 1>I think if you're inviting children to the to a

0:11:54.280 --> 0:11:57.439
<v Speaker 1>television show because of the fragmentation, because we're not in

0:11:57.480 --> 0:12:01.760
<v Speaker 1>a monoculture like you, you assume that it's just for

0:12:01.880 --> 0:12:04.240
<v Speaker 1>kids or for kids with and then hopefully their adults

0:12:04.280 --> 0:12:06.920
<v Speaker 1>would be the parents would somewhat be entertained. But back

0:12:06.960 --> 0:12:08.920
<v Speaker 1>then you had you had to it was such a

0:12:08.920 --> 0:12:11.960
<v Speaker 1>big tent. You were trying to get everybody in the

0:12:12.000 --> 0:12:14.800
<v Speaker 1>family entertained, so you would take more risks and be

0:12:14.920 --> 0:12:17.480
<v Speaker 1>more sort of adolescent in the middle ground, or like

0:12:17.840 --> 0:12:20.680
<v Speaker 1>have way more like twenty something jokes or forty something

0:12:20.760 --> 0:12:23.199
<v Speaker 1>jokes and old people jokes, like you know, we were

0:12:23.200 --> 0:12:26.400
<v Speaker 1>making fun of you know, Abraham Lincoln assassination jokes. But

0:12:26.600 --> 0:12:29.959
<v Speaker 1>maybe that was because Grandpa might be there. Right. Our

0:12:30.000 --> 0:12:34.040
<v Speaker 1>show is trying to appeal to every demographic because that's

0:12:34.080 --> 0:12:37.360
<v Speaker 1>what network television had to do. Nowadays, you don't have

0:12:37.400 --> 0:12:40.120
<v Speaker 1>to appeal to you can just appeal to your very

0:12:40.240 --> 0:12:43.040
<v Speaker 1>very narrow audience. Yeah, so I don't think it would existing.

0:12:43.080 --> 0:12:44.959
<v Speaker 1>I mean, maybe networks are still trying to do this,

0:12:45.040 --> 0:12:48.280
<v Speaker 1>but I don't think. I don't know. I also thought,

0:12:48.360 --> 0:12:52.640
<v Speaker 1>just to your point, too soon with the Abrahama, just

0:12:52.720 --> 0:12:58.160
<v Speaker 1>too soon to come on inappropriate. Well, the synopsis of

0:12:58.160 --> 0:13:00.800
<v Speaker 1>this episode is that Corey demands a little tutoring in

0:13:00.840 --> 0:13:03.600
<v Speaker 1>the subject of love after he catches Eric and his

0:13:03.720 --> 0:13:07.240
<v Speaker 1>girlfriend together in his parents bedroom, which everybody had already

0:13:07.240 --> 0:13:10.079
<v Speaker 1>emailed us about. Yeah, so there is an upstairs. I

0:13:10.160 --> 0:13:15.320
<v Speaker 1>was like, there's an upstairs, there's upstairs. Yeah, Yeah, I

0:13:15.360 --> 0:13:17.080
<v Speaker 1>have something to talk about with the hallway when we

0:13:17.080 --> 0:13:19.800
<v Speaker 1>get to it. This episode was directed by David Trainer.

0:13:19.880 --> 0:13:22.640
<v Speaker 1>It was written by Glenn Merzer, who was a new

0:13:22.679 --> 0:13:25.480
<v Speaker 1>writer for season two. He came from Blossom. I remember

0:13:25.480 --> 0:13:27.160
<v Speaker 1>the name, and I think if I saw his face,

0:13:27.160 --> 0:13:31.160
<v Speaker 1>I would probably remember him. He remember dark haired guy.

0:13:31.880 --> 0:13:34.040
<v Speaker 1>I'm just saying, like, I remember that we had a

0:13:34.080 --> 0:13:35.560
<v Speaker 1>writer named Glenn. I think he was there for more

0:13:35.600 --> 0:13:40.119
<v Speaker 1>than one season. I think so too. I believe so too. Yeah. Well, um.

0:13:40.160 --> 0:13:43.839
<v Speaker 1>This episode has as guest starring Nancy Valen as Miss Kelly.

0:13:43.920 --> 0:13:46.920
<v Speaker 1>Played some. She played Samantha on Baywatch starting two years later,

0:13:46.960 --> 0:13:49.160
<v Speaker 1>but was also in movies like The Heavenly Kid and

0:13:49.320 --> 0:13:54.280
<v Speaker 1>Lover Boy. We have Jessica Wesson as Wendy Jansen. She

0:13:54.400 --> 0:13:58.800
<v Speaker 1>did two Boy Meets World episodes, and I who the

0:13:58.840 --> 0:14:01.720
<v Speaker 1>person who never remember vers anything about the show in

0:14:01.800 --> 0:14:04.520
<v Speaker 1>the middle of the episode said her character's name is

0:14:04.520 --> 0:14:07.320
<v Speaker 1>either Wendy or her real name is Wendy. But I

0:14:07.400 --> 0:14:09.760
<v Speaker 1>knew Wendy the minute I saw her. Well, she comes back.

0:14:09.880 --> 0:14:11.680
<v Speaker 1>She's in more because she's the reason we have the

0:14:11.679 --> 0:14:14.400
<v Speaker 1>old Man episode, which I don't know what the old

0:14:14.400 --> 0:14:19.240
<v Speaker 1>Man episode is. You might not have been but she

0:14:19.320 --> 0:14:21.840
<v Speaker 1>ends up being Corey's girlfriend for a whole another episode.

0:14:22.400 --> 0:14:25.480
<v Speaker 1>Plus I worked with her on Home Improvement, I believe.

0:14:25.560 --> 0:14:27.560
<v Speaker 1>So I already worked with her on my one episode

0:14:27.560 --> 0:14:31.479
<v Speaker 1>of Home Improvement because she was Zachary type Bryant's girlfriend. Okay,

0:14:31.760 --> 0:14:36.480
<v Speaker 1>she she was responsible for. She's in one of my

0:14:36.600 --> 0:14:39.240
<v Speaker 1>favorite Ben moments of the and it's a moment I

0:14:39.280 --> 0:14:42.640
<v Speaker 1>absolutely remember in around the Table with Alan in an

0:14:42.680 --> 0:14:46.360
<v Speaker 1>upcoming in her next episode where Ben is just yeah,

0:14:46.360 --> 0:14:49.360
<v Speaker 1>where Ben is so funny in one of his reads

0:14:49.360 --> 0:14:51.120
<v Speaker 1>that I still when I think about it, it can

0:14:51.120 --> 0:14:53.440
<v Speaker 1>make me laugh out loud. He's great, so we'll wait

0:14:53.440 --> 0:14:55.040
<v Speaker 1>till we get to it, but it's so funny. Yeah.

0:14:55.120 --> 0:15:00.600
<v Speaker 1>And then there's Marguerite Murrow returning as Rebecca, and Molly

0:15:00.680 --> 0:15:04.560
<v Speaker 1>Morgan is Jacqueline. Hillary Tuck is Samantha Hillary. For a

0:15:04.600 --> 0:15:07.920
<v Speaker 1>long time Hillary, I was like, oh, Hillary was in

0:15:07.920 --> 0:15:10.640
<v Speaker 1>this episode. We did we know her before this or

0:15:10.680 --> 0:15:12.880
<v Speaker 1>was it after this? I think she must have been

0:15:12.920 --> 0:15:14.960
<v Speaker 1>part of the Young Actor space and we knew her before.

0:15:15.040 --> 0:15:17.160
<v Speaker 1>I bet when we from Young Actor. She did the

0:15:17.200 --> 0:15:19.440
<v Speaker 1>play that my brother and I produced that we remember,

0:15:19.440 --> 0:15:21.880
<v Speaker 1>we did a play um where we did it was

0:15:21.920 --> 0:15:23.960
<v Speaker 1>a night of one acts. My brother written a play

0:15:24.120 --> 0:15:26.880
<v Speaker 1>and then we did a great play called Women and Wallace,

0:15:27.040 --> 0:15:28.520
<v Speaker 1>so that we did a two act evening and I'm

0:15:28.520 --> 0:15:30.480
<v Speaker 1>pretty sure Hillary was in it. She stayed in our

0:15:30.480 --> 0:15:32.800
<v Speaker 1>lives for a while. I've lost touch with her since,

0:15:32.800 --> 0:15:34.920
<v Speaker 1>but like she was around. Yeah, was that the play

0:15:34.960 --> 0:15:37.560
<v Speaker 1>about magic? That was the play about magic? The gathering? Yeah,

0:15:37.560 --> 0:15:41.120
<v Speaker 1>we did gathering on stage, That's right. But I saw

0:15:41.120 --> 0:15:42.800
<v Speaker 1>her and I was like this Hillary, and I was like, oh,

0:15:42.960 --> 0:15:45.280
<v Speaker 1>she must have a bigger part. And she never never

0:15:45.520 --> 0:15:48.760
<v Speaker 1>I heard the same thing. Maybe she comes back to uh.

0:15:48.800 --> 0:15:52.400
<v Speaker 1>And then Hunter Garner is Peter who I remembered Hunter

0:15:52.560 --> 0:15:54.440
<v Speaker 1>very well. I also remembered his name. I have a

0:15:54.480 --> 0:15:57.160
<v Speaker 1>full photo shoot of pictures with Hunter. I don't know

0:15:57.200 --> 0:15:59.680
<v Speaker 1>if we hung out one day after work or something.

0:15:59.720 --> 0:16:02.000
<v Speaker 1>We apparently went to dinner together, and my mom took

0:16:02.320 --> 0:16:05.440
<v Speaker 1>a whole series of photographs of us together. I have

0:16:05.480 --> 0:16:11.320
<v Speaker 1>as Gartner, no, but we It's possible we had a

0:16:11.320 --> 0:16:14.080
<v Speaker 1>crush on each other. But we went to dinner and

0:16:14.120 --> 0:16:16.080
<v Speaker 1>we have a bunch of pictures together. So I have, like,

0:16:16.200 --> 0:16:19.120
<v Speaker 1>you know, seventeen photos with Hunter. Can you see through

0:16:19.160 --> 0:16:25.440
<v Speaker 1>the pictures where you had dinner. I'm just curious. Oh man, no,

0:16:25.680 --> 0:16:27.800
<v Speaker 1>you know what I think it was? Hamburger Hamlet. Oh no,

0:16:27.880 --> 0:16:29.640
<v Speaker 1>it's a great hamlet. It's one of my favorite hamlets.

0:16:29.640 --> 0:16:33.280
<v Speaker 1>It's a great hamlet. That's absolutely one of my favorite hamlets. Ever,

0:16:33.280 --> 0:16:39.480
<v Speaker 1>if I'm honest and shady, Melon Hamlet is a terrible hamlet.

0:16:40.760 --> 0:16:48.800
<v Speaker 1>It's rotten. Hi, Christy, Hey, well I have some unbelievable news.

0:16:48.920 --> 0:16:52.760
<v Speaker 1>Oh there's a Kim Possible ron Stoppable reunion in the works. No, no, no,

0:16:52.880 --> 0:16:54.880
<v Speaker 1>that would be great. But no, I have other big news.

0:16:55.000 --> 0:16:57.360
<v Speaker 1>We just launched the Super Awesome Contest to become the

0:16:57.440 --> 0:16:59.720
<v Speaker 1>next Big Voice Actor. That's right. We want to give

0:16:59.720 --> 0:17:01.880
<v Speaker 1>an at your voice actor and opportunity to win a

0:17:01.920 --> 0:17:04.879
<v Speaker 1>one year contract with my voice over agency c s D.

0:17:05.359 --> 0:17:07.280
<v Speaker 1>They are amazing. I've been with them for over twenty

0:17:07.400 --> 0:17:09.119
<v Speaker 1>years and that's not all. A trip to l A

0:17:09.200 --> 0:17:13.159
<v Speaker 1>to meet Will and myself and some amazing prizes as well. Yeah. So,

0:17:13.200 --> 0:17:15.240
<v Speaker 1>how do people enter the Super Awesome Contest to become

0:17:15.280 --> 0:17:17.639
<v Speaker 1>the next Big Voice Actor? Christie? Send a two minute

0:17:17.720 --> 0:17:21.919
<v Speaker 1>or less video or audio file showcasing your best voices. Okay,

0:17:21.920 --> 0:17:23.760
<v Speaker 1>well it's time do your announcer voice for the rest

0:17:24.080 --> 0:17:27.800
<v Speaker 1>oh yes, no purchase necessary. Submit your entry it I

0:17:27.840 --> 0:17:30.199
<v Speaker 1>Hear Voices at I heart radio dot com between January

0:17:30.280 --> 0:17:33.080
<v Speaker 1>nine and February nine. Entries will be judged. The contest

0:17:33.200 --> 0:17:35.040
<v Speaker 1>is open to legal residents of the United States who

0:17:35.040 --> 0:17:37.159
<v Speaker 1>are eighteen and older. Official rules can be found by

0:17:37.160 --> 0:17:39.720
<v Speaker 1>going to our Instagram page and I Hear Voices podcast

0:17:39.760 --> 0:17:42.960
<v Speaker 1>for complete details. Listen to I Hear Voices on the

0:17:43.000 --> 0:17:45.679
<v Speaker 1>I Heart Radio app or wherever you listen to podcasts

0:17:50.960 --> 0:17:53.280
<v Speaker 1>to jump into our recap. We are in the school hallway.

0:17:53.440 --> 0:17:58.240
<v Speaker 1>Corey and Sean are watching two students make out. Are

0:17:58.280 --> 0:18:01.960
<v Speaker 1>these just background actors? Poor background actors probably had met

0:18:01.960 --> 0:18:04.240
<v Speaker 1>thirty seconds before, and we're told here's a tic tech.

0:18:05.720 --> 0:18:10.639
<v Speaker 1>It almost feels illegal to do that. I'm they were

0:18:10.640 --> 0:18:12.960
<v Speaker 1>over eighteen. They would definitely have been over eighteen. I

0:18:12.960 --> 0:18:15.680
<v Speaker 1>mean everyone looks older in this episode, but our background extra,

0:18:15.960 --> 0:18:18.119
<v Speaker 1>like our background actors besides the one in the classrooms

0:18:18.119 --> 0:18:20.720
<v Speaker 1>would have all been over eighteen. So I know, it's

0:18:20.760 --> 0:18:25.160
<v Speaker 1>it's bizarre. I'm starting to recognize most of the background

0:18:25.160 --> 0:18:28.360
<v Speaker 1>actors now again, Like there's several in the background where

0:18:28.400 --> 0:18:31.320
<v Speaker 1>I'm going like, oh man, I remember, remember, I remember,

0:18:31.640 --> 0:18:34.639
<v Speaker 1>like conversations are hanging out together. Yeah, they're not just

0:18:34.760 --> 0:18:38.400
<v Speaker 1>kissing either, They're like going at it, I know, and

0:18:38.440 --> 0:18:42.600
<v Speaker 1>you two are just watching. Yeah, it goes on for

0:18:42.640 --> 0:18:45.240
<v Speaker 1>so long. It does, and it's a woo from the audience.

0:18:46.240 --> 0:18:49.960
<v Speaker 1>Two people's lips touch. Also, writer, I feel like a

0:18:50.000 --> 0:18:53.240
<v Speaker 1>whole summer passed between season one and season two. Even

0:18:53.359 --> 0:18:57.080
<v Speaker 1>with the way you look you're used episode one episode, Sorry, yeah,

0:18:57.080 --> 0:18:59.080
<v Speaker 1>you know. I felt the same way. I was like, oh,

0:18:59.160 --> 0:19:02.240
<v Speaker 1>I actually look older. I feel more comfortable, alliance. Something

0:19:02.280 --> 0:19:04.680
<v Speaker 1>about that first episode really threw me for a loop.

0:19:05.000 --> 0:19:08.080
<v Speaker 1>And watching it now are watching this the second episode, Now,

0:19:08.080 --> 0:19:11.400
<v Speaker 1>I'm like, Okay, now I feel like stable in some way.

0:19:11.480 --> 0:19:14.840
<v Speaker 1>Something was off in that first episode, as like, yeah,

0:19:14.840 --> 0:19:17.280
<v Speaker 1>there's something about you that's so much more mature in

0:19:17.320 --> 0:19:19.919
<v Speaker 1>this second episode of the season that I was like, wow,

0:19:20.080 --> 0:19:22.080
<v Speaker 1>what is what is going on? And then I'll say

0:19:22.119 --> 0:19:24.040
<v Speaker 1>the same thing for myself. When I saw myself, I

0:19:24.080 --> 0:19:26.800
<v Speaker 1>was like, whoa, I look so much older. So we

0:19:26.800 --> 0:19:29.480
<v Speaker 1>talked about how uncomfortable we were with that first episode.

0:19:29.560 --> 0:19:31.480
<v Speaker 1>I think that's maybe all we're feeling. It's just that

0:19:31.480 --> 0:19:34.160
<v Speaker 1>that first episode was all about our bodies and our looks.

0:19:34.200 --> 0:19:37.479
<v Speaker 1>And being insecure, and we internalized that and by this

0:19:37.520 --> 0:19:40.959
<v Speaker 1>episode we felt we did more comfortable. Yeah, I just

0:19:41.080 --> 0:19:44.399
<v Speaker 1>think we're relaxed. It's cool. So Mr Finie walks up

0:19:44.400 --> 0:19:46.520
<v Speaker 1>and asks if the boys have classes to attend, but

0:19:46.600 --> 0:19:49.119
<v Speaker 1>Corey asks if they should break up the couple who's

0:19:49.200 --> 0:19:52.119
<v Speaker 1>making out, and Phoenie says they're A minus students and

0:19:52.359 --> 0:19:54.760
<v Speaker 1>had they've been happily struck by Cupid. No need to

0:19:54.800 --> 0:19:56.919
<v Speaker 1>interrupt them, And Corey says that by the end of

0:19:56.920 --> 0:19:59.080
<v Speaker 1>the year he plans to have an A plus average

0:19:59.119 --> 0:20:02.440
<v Speaker 1>and a Hickey, And then we get woos from the audience.

0:20:02.560 --> 0:20:04.399
<v Speaker 1>Of course, So I let me ask you something I

0:20:04.480 --> 0:20:06.960
<v Speaker 1>really don't know. If you're in high school, all right, Yeah,

0:20:07.000 --> 0:20:10.080
<v Speaker 1>I guess it's high school. Do they let you make

0:20:10.080 --> 0:20:12.320
<v Speaker 1>out in the hallways? Is that something like a teacher?

0:20:13.119 --> 0:20:16.000
<v Speaker 1>Did the teachers allow kids just make They did in

0:20:16.040 --> 0:20:17.960
<v Speaker 1>our high school, but it was high school high school,

0:20:17.960 --> 0:20:19.760
<v Speaker 1>it was ninth through twelve. Because there was always this

0:20:19.800 --> 0:20:22.040
<v Speaker 1>one couple that it was just always against the was

0:20:22.080 --> 0:20:25.360
<v Speaker 1>it like a show, always against the lockers, always making out.

0:20:25.480 --> 0:20:28.639
<v Speaker 1>Just it's weird to me, as an adult responsible for

0:20:28.720 --> 0:20:32.240
<v Speaker 1>children during the school hours that I would be like, okay,

0:20:32.280 --> 0:20:35.000
<v Speaker 1>I mean, yeah, I don't know. It just never occurred

0:20:35.000 --> 0:20:36.840
<v Speaker 1>to me until this scene. I was like, wouldn't Phoenie

0:20:37.040 --> 0:20:39.439
<v Speaker 1>have a responsibility to say, hey, guys, save it for

0:20:39.480 --> 0:20:43.399
<v Speaker 1>over school but you know, or just I don't know.

0:20:43.480 --> 0:20:45.639
<v Speaker 1>But then I guess would they care? But then he

0:20:45.640 --> 0:20:47.879
<v Speaker 1>addresses it, I mean, doesn't Corey ask him like is

0:20:47.920 --> 0:20:51.520
<v Speaker 1>this is this? OK? Mean it Once the question came up,

0:20:51.560 --> 0:20:53.320
<v Speaker 1>I was like, that is like if I was a

0:20:53.359 --> 0:20:56.119
<v Speaker 1>teacher in high school, and I guess maybe we'll just

0:20:56.119 --> 0:20:58.560
<v Speaker 1>throw this to our our listeners, send us an email

0:20:58.600 --> 0:21:00.480
<v Speaker 1>like if you're a teacher, do you break up sticking

0:21:00.520 --> 0:21:02.480
<v Speaker 1>out or do you just let them be teenagers and

0:21:02.520 --> 0:21:05.240
<v Speaker 1>assume that that's going to happen. So it's not your purview.

0:21:05.359 --> 0:21:07.960
<v Speaker 1>I'm really curious. I don't understand as a parent of

0:21:07.960 --> 0:21:09.600
<v Speaker 1>a seven year old, you know, like I'm not in

0:21:09.640 --> 0:21:12.040
<v Speaker 1>the space yet where I'm dealing with Like I'm assuming

0:21:12.080 --> 0:21:13.960
<v Speaker 1>it was a teenager in my own house. It's like, fine,

0:21:13.960 --> 0:21:16.919
<v Speaker 1>but I don't know. Weird, Yeah, it was very strange.

0:21:17.160 --> 0:21:20.720
<v Speaker 1>I'm not sure either. Uh. Corey sees another kissing couple

0:21:20.760 --> 0:21:22.960
<v Speaker 1>and says he wants a girl who's like a friend,

0:21:23.080 --> 0:21:25.639
<v Speaker 1>but not a girl friend. He says he wants someone

0:21:25.680 --> 0:21:28.560
<v Speaker 1>he knows and who knows him. And then two Panga

0:21:28.600 --> 0:21:30.919
<v Speaker 1>walks down the hall and Corey starts to turn his

0:21:31.000 --> 0:21:35.320
<v Speaker 1>game on and uh, Corey says that since people are

0:21:35.359 --> 0:21:38.560
<v Speaker 1>pairing off, they should walk through life together. And I

0:21:38.640 --> 0:21:43.439
<v Speaker 1>had yet another just tragic performance where I am I

0:21:43.760 --> 0:21:49.400
<v Speaker 1>just reading words on a page and maybe I'm nervous.

0:21:50.920 --> 0:21:54.240
<v Speaker 1>I was struck by how confident you were, and I

0:21:54.280 --> 0:21:56.800
<v Speaker 1>liked it. I appreciate it because I guess at this

0:21:56.800 --> 0:21:59.840
<v Speaker 1>point we've we've already lost all to Panga's hippiness that

0:22:00.080 --> 0:22:05.000
<v Speaker 1>what we're making, any jokes about karma, star signs or anything.

0:22:05.040 --> 0:22:06.879
<v Speaker 1>So they've just completely dropped it, which I didn't realize

0:22:06.920 --> 0:22:09.920
<v Speaker 1>happened this quickly. Yeah I didn't. But we've kept to

0:22:10.000 --> 0:22:15.320
<v Speaker 1>Panga's intelligence and strength and self confidence, which is really cool, right,

0:22:15.359 --> 0:22:18.159
<v Speaker 1>But as an actor, it seems a bit like they

0:22:18.240 --> 0:22:21.400
<v Speaker 1>left Danielle twisting in the wind because it's like, oh,

0:22:21.440 --> 0:22:23.399
<v Speaker 1>you know that thing that you are, your character was

0:22:23.440 --> 0:22:25.399
<v Speaker 1>kind of known for, We're going to take that away

0:22:25.440 --> 0:22:27.480
<v Speaker 1>and not really discuss it with you. Now, go be

0:22:27.600 --> 0:22:31.560
<v Speaker 1>to Panga and it's like, Okay, like, so, so it's

0:22:31.600 --> 0:22:34.560
<v Speaker 1>one of those things where I, to me, I didn't

0:22:34.960 --> 0:22:36.960
<v Speaker 1>I didn't think you came off as uncomfortable at all.

0:22:37.000 --> 0:22:40.359
<v Speaker 1>I frankly think you're finding topango because it doesn't seem

0:22:40.359 --> 0:22:45.880
<v Speaker 1>like the writers are. Yeah, certainly because because the topanga

0:22:45.920 --> 0:22:48.639
<v Speaker 1>I had learned to rely on is now gone. But

0:22:48.760 --> 0:22:50.960
<v Speaker 1>the confidence, like to writer's point, because you're right, that

0:22:51.040 --> 0:22:52.320
<v Speaker 1>is a good that is a good point that the

0:22:52.359 --> 0:22:55.040
<v Speaker 1>topanga I had learned to develop over an entire season,

0:22:55.280 --> 0:22:57.600
<v Speaker 1>or that you were going to be fired if you

0:22:57.680 --> 0:23:01.360
<v Speaker 1>did not develop this this character. You're right, like, how

0:23:01.480 --> 0:23:03.480
<v Speaker 1>dare You've got to change how you speak, You've got

0:23:03.480 --> 0:23:04.960
<v Speaker 1>to change how you do and then it's like, we're

0:23:05.000 --> 0:23:07.840
<v Speaker 1>not going to do that anymore. Yeah, And so to me,

0:23:07.920 --> 0:23:09.720
<v Speaker 1>that's kind of I don't know. I saw that as

0:23:09.840 --> 0:23:12.159
<v Speaker 1>you trying to then be like, all right, then I

0:23:12.200 --> 0:23:14.280
<v Speaker 1>gotta take this on my shoulders and I'll create the

0:23:14.359 --> 0:23:16.040
<v Speaker 1>character if you're not going to do that. Yeah. And

0:23:16.080 --> 0:23:18.960
<v Speaker 1>I did love the confidence that she had when he

0:23:19.000 --> 0:23:22.280
<v Speaker 1>says can I call you sweetheart? And she says no. Um,

0:23:22.320 --> 0:23:24.840
<v Speaker 1>But I thought there's such an opportunity and maybe I

0:23:25.040 --> 0:23:27.080
<v Speaker 1>maybe it wasn't. Maybe it wasn't to Penga, But there

0:23:27.119 --> 0:23:29.320
<v Speaker 1>was such an opportunity had I been a better actor,

0:23:29.680 --> 0:23:32.000
<v Speaker 1>for me to have had so much more fun with

0:23:32.080 --> 0:23:34.800
<v Speaker 1>well you see butt head, may I call you butt head?

0:23:35.119 --> 0:23:37.560
<v Speaker 1>There was there was There were those moments that are

0:23:37.640 --> 0:23:40.040
<v Speaker 1>real laughs and are really funny where you get to

0:23:40.080 --> 0:23:43.440
<v Speaker 1>see two panga uh turn it on to play back

0:23:43.480 --> 0:23:46.680
<v Speaker 1>to the person she's talking to like that. That could

0:23:46.680 --> 0:23:50.320
<v Speaker 1>have been so much funnier if I was a better comedian,

0:23:50.359 --> 0:23:52.800
<v Speaker 1>if I was a better actor, if I were we're

0:23:52.800 --> 0:23:55.479
<v Speaker 1>not playing that. We don't, none of us yet, right

0:23:55.560 --> 0:23:58.119
<v Speaker 1>or you're the closest, honestly, and I found that in

0:23:58.160 --> 0:24:00.159
<v Speaker 1>this episode, especially with some of the things you end

0:24:00.160 --> 0:24:02.359
<v Speaker 1>and we'll get to it, but you're the closest at

0:24:02.440 --> 0:24:06.480
<v Speaker 1>this point of hearing the comedy music and playing to it.

0:24:06.520 --> 0:24:11.200
<v Speaker 1>What the D You're already a no, no, I'm find

0:24:11.720 --> 0:24:15.080
<v Speaker 1>you talk about I thank you. I think like especially

0:24:15.119 --> 0:24:17.520
<v Speaker 1>when the next scene where I'm flirting with the older Jos,

0:24:19.520 --> 0:24:23.000
<v Speaker 1>I'm finding rhythms and I'm I'm playing to the rhythm. Yes, definitely,

0:24:23.080 --> 0:24:26.280
<v Speaker 1>but you nailed that in season one, Like that's what

0:24:26.680 --> 0:24:28.639
<v Speaker 1>I think we were still playing what was on what

0:24:28.680 --> 0:24:30.560
<v Speaker 1>I think what Danielle saying is I think we're still

0:24:30.600 --> 0:24:34.200
<v Speaker 1>playing the joke on the page as opposed to seeing

0:24:34.240 --> 0:24:36.280
<v Speaker 1>the joke on the page and making it our own,

0:24:36.920 --> 0:24:39.480
<v Speaker 1>which which we do towards the end, Like all of

0:24:39.520 --> 0:24:41.800
<v Speaker 1>us by the end are oh, I see the way

0:24:41.800 --> 0:24:44.159
<v Speaker 1>that you know, you're playing kind of offbeat as opposed

0:24:44.200 --> 0:24:46.719
<v Speaker 1>to playing just you know, like daniel said, like butt head.

0:24:46.760 --> 0:24:48.159
<v Speaker 1>May I call you butt head because that's how it

0:24:48.200 --> 0:24:50.880
<v Speaker 1>was written. So that's what we're doing, and and we're

0:24:50.920 --> 0:24:56.199
<v Speaker 1>also yes, exactly exactly, but it is so yeah you do.

0:24:56.280 --> 0:24:58.520
<v Speaker 1>And when and when you start to then hear the rhythm,

0:24:58.560 --> 0:25:00.479
<v Speaker 1>you look back at before you could play the instrument

0:25:00.480 --> 0:25:01.960
<v Speaker 1>and you go like, oh man, I was missing so

0:25:02.000 --> 0:25:05.600
<v Speaker 1>many notes because yeah, yeah, so yeah, I know exactly

0:25:05.640 --> 0:25:07.199
<v Speaker 1>what you're talking about. Same I felt the same one

0:25:07.280 --> 0:25:11.520
<v Speaker 1>with me. Uh so uh. Corey says since people are

0:25:11.560 --> 0:25:13.600
<v Speaker 1>pairing off, they should walk through life together, and she

0:25:13.600 --> 0:25:16.119
<v Speaker 1>says she can't walk through life with Corey because well

0:25:16.160 --> 0:25:19.960
<v Speaker 1>there's everybody else. She's very funny. But this is also

0:25:20.000 --> 0:25:21.840
<v Speaker 1>we have to point out in the timeline of Corey

0:25:21.840 --> 0:25:25.680
<v Speaker 1>and t Peanga, he does ask her out. Yeah, he

0:25:25.320 --> 0:25:29.800
<v Speaker 1>asked with her. I mean I thought that was It

0:25:29.840 --> 0:25:32.359
<v Speaker 1>was like, they never referenced this again, It's no, we

0:25:32.359 --> 0:25:33.880
<v Speaker 1>didn't do this, and then they we do a whole

0:25:33.880 --> 0:25:36.080
<v Speaker 1>episode where he can't ask her out first, so Sean

0:25:36.119 --> 0:25:37.880
<v Speaker 1>asked to ask her. It's like he did. He walked

0:25:37.920 --> 0:25:40.520
<v Speaker 1>up and said, hey, let's be together forever. Yeah, And

0:25:40.520 --> 0:25:42.960
<v Speaker 1>I was like, that's where it happened. There was great Yeah.

0:25:43.000 --> 0:25:46.479
<v Speaker 1>Season two, episode two, and then to Benga says that

0:25:46.560 --> 0:25:50.080
<v Speaker 1>the problem is that they could have a lifelong friendship,

0:25:50.200 --> 0:25:52.000
<v Speaker 1>but what people do is they end up throwing it

0:25:52.040 --> 0:25:55.200
<v Speaker 1>away for one week of passion and then they lose

0:25:55.240 --> 0:25:57.800
<v Speaker 1>the lifetime of friendship. So she is sure that there

0:25:57.880 --> 0:26:01.600
<v Speaker 1>is somebody out there for Corey, and Corey demands to

0:26:01.640 --> 0:26:04.400
<v Speaker 1>know who that person is as Topanga walks away, which

0:26:04.880 --> 0:26:08.359
<v Speaker 1>is super interesting that they kept kept a Panga around,

0:26:08.480 --> 0:26:11.240
<v Speaker 1>kept you around, Danielle, but then did not write this

0:26:11.320 --> 0:26:14.400
<v Speaker 1>episode to the relationship. They wrote this episode to the friendship,

0:26:14.560 --> 0:26:17.520
<v Speaker 1>which is really cool, Like you know, it's it's a

0:26:17.560 --> 0:26:19.600
<v Speaker 1>long play, you know what I mean, Like you could

0:26:19.600 --> 0:26:23.560
<v Speaker 1>have easily been the Wendy that you could have easily

0:26:23.560 --> 0:26:25.960
<v Speaker 1>been the Wendy in the storyline, but they were already

0:26:26.200 --> 0:26:29.160
<v Speaker 1>thinking no to Panga is more important than that Topanga

0:26:29.359 --> 0:26:31.320
<v Speaker 1>is going to be a more you know somebody that

0:26:31.359 --> 0:26:33.880
<v Speaker 1>there's going to be an on and off again relationship. Yeah,

0:26:33.920 --> 0:26:37.240
<v Speaker 1>this Sam and Diane, And that's so smart, so smart.

0:26:37.320 --> 0:26:40.239
<v Speaker 1>I think they wanted to Panga and Corey to be

0:26:40.280 --> 0:26:43.119
<v Speaker 1>a will they or won't they already? And I didn't

0:26:43.160 --> 0:26:46.080
<v Speaker 1>remember this episode at all that your storyline, And for

0:26:46.119 --> 0:26:48.320
<v Speaker 1>some reason, I thought to Pango was the one that

0:26:48.400 --> 0:26:51.159
<v Speaker 1>said hi, was the one who finally said hi, Like

0:26:51.200 --> 0:26:53.040
<v Speaker 1>I forgot all about I was like, oh, I think

0:26:53.200 --> 0:26:55.080
<v Speaker 1>I think she's the one. Eventually in the hallway he's

0:26:55.080 --> 0:26:56.600
<v Speaker 1>like hi to Pang and she's like, oh hi, And

0:26:56.760 --> 0:26:59.000
<v Speaker 1>she's the first one. So I had totally forgotten that

0:26:59.040 --> 0:27:00.560
<v Speaker 1>they were. And I think you're right. They are playing

0:27:00.560 --> 0:27:03.200
<v Speaker 1>the long game, which is smart. Yeah, it does make

0:27:03.200 --> 0:27:06.760
<v Speaker 1>it much more interesting. Um. I do remember as a

0:27:06.800 --> 0:27:13.120
<v Speaker 1>kid feeling a little threatened though, like feeling like and

0:27:13.119 --> 0:27:16.080
<v Speaker 1>and feeling like, wait, so are we not gonna because

0:27:16.119 --> 0:27:18.840
<v Speaker 1>the way the season one ended it seemed very much

0:27:18.880 --> 0:27:24.119
<v Speaker 1>like I was going what happened to my job security? Here? Now?

0:27:24.600 --> 0:27:26.960
<v Speaker 1>Now you're going to bear them up with Wendy and

0:27:26.960 --> 0:27:29.080
<v Speaker 1>and what am I so I do remember having that

0:27:29.160 --> 0:27:31.560
<v Speaker 1>feeling of like oh, as opposed to really, what the

0:27:31.600 --> 0:27:33.720
<v Speaker 1>truth is is, oh, I have way more job security

0:27:33.800 --> 0:27:35.760
<v Speaker 1>now because at any point in time, you break up

0:27:35.760 --> 0:27:38.480
<v Speaker 1>with the girlfriend and the girlfriend goes away. But this

0:27:38.640 --> 0:27:40.600
<v Speaker 1>we're going to be friends. But I do remember thinking, like,

0:27:40.640 --> 0:27:42.359
<v Speaker 1>what's going to happen? I thought I thought I was.

0:27:42.520 --> 0:27:48.240
<v Speaker 1>I thought, don't be too comfortable, kid, keep you made

0:27:48.240 --> 0:27:50.680
<v Speaker 1>it this far. Be lucky, be happy. So now we're

0:27:50.680 --> 0:27:53.040
<v Speaker 1>in a classroom we've never seen before, which again was

0:27:53.119 --> 0:27:55.840
<v Speaker 1>very uncomfortable for me. The desks are all split out

0:27:55.880 --> 0:27:58.119
<v Speaker 1>in like a weird half circle. It feels like a

0:27:58.160 --> 0:28:01.679
<v Speaker 1>boiler room. I wasn't sure. I don't remember. You know

0:28:01.720 --> 0:28:04.119
<v Speaker 1>what's funny too, And this is weird thing to talk about.

0:28:04.119 --> 0:28:08.280
<v Speaker 1>But like I think about these sets and I remember

0:28:08.320 --> 0:28:10.960
<v Speaker 1>where they were on the stage, and I don't remember

0:28:10.960 --> 0:28:12.760
<v Speaker 1>where this one was on the stage. So it really

0:28:12.840 --> 0:28:15.119
<v Speaker 1>hurts my brain. It's like it hurts my brain, whereas

0:28:15.119 --> 0:28:16.679
<v Speaker 1>all the other ones, Like I know where the hallway

0:28:16.680 --> 0:28:18.720
<v Speaker 1>set was, I know the living room was in relation

0:28:18.840 --> 0:28:21.959
<v Speaker 1>basically to the audience. I know like where everything was

0:28:22.119 --> 0:28:24.000
<v Speaker 1>laid out, because they're all next to each other, like

0:28:24.040 --> 0:28:26.760
<v Speaker 1>maybe people don't realize that it's the living room is

0:28:26.880 --> 0:28:31.600
<v Speaker 1>right obviously next to the phoenies phoenies back the k

0:28:31.880 --> 0:28:34.359
<v Speaker 1>in the backyard. But then right next to that would

0:28:34.359 --> 0:28:37.840
<v Speaker 1>be the class classroom. And then and then the boys

0:28:37.920 --> 0:28:40.600
<v Speaker 1>know the boys bedroom, Yes, all the way at the

0:28:40.640 --> 0:28:44.680
<v Speaker 1>end the right yes. So where was the hallway? The

0:28:44.720 --> 0:28:47.000
<v Speaker 1>hallway was there on the right hand side, so it

0:28:47.040 --> 0:28:51.000
<v Speaker 1>would go it would go hallway in this in this season,

0:28:51.040 --> 0:28:55.720
<v Speaker 1>it would have been Turner's classroom hallway. Yeah, yeah, yeah, right,

0:28:56.200 --> 0:28:58.360
<v Speaker 1>although even use the wait a minute, was the boy's

0:28:58.400 --> 0:29:04.480
<v Speaker 1>bedroom on the same side as the audience, opposite the hallway,

0:29:04.560 --> 0:29:06.400
<v Speaker 1>and that was probably where this classroom was. That you

0:29:06.440 --> 0:29:08.720
<v Speaker 1>spring a cafeteria for a season, And that's why we

0:29:08.720 --> 0:29:11.040
<v Speaker 1>didn't usually shoot those in front of the audience, because

0:29:11.040 --> 0:29:13.280
<v Speaker 1>it wasn't in front of the audience. I'll draw diagram,

0:29:13.320 --> 0:29:17.320
<v Speaker 1>guys like great, yeah, yeah, I got a PhD and

0:29:17.400 --> 0:29:19.480
<v Speaker 1>CAD so I've learned how to which means I'll just

0:29:19.480 --> 0:29:21.080
<v Speaker 1>say I'll draw a diagram and then one of our

0:29:21.080 --> 0:29:28.080
<v Speaker 1>lovely fans will do it in nice thank you, thank you. Okay,

0:29:28.160 --> 0:29:31.280
<v Speaker 1>So the health teacher is outsick and they get a

0:29:31.520 --> 0:29:37.080
<v Speaker 1>hubba hubba beautiful female substitute teacher Ms Kelly, who comes

0:29:37.120 --> 0:29:42.040
<v Speaker 1>on she has to teach sex, Like the one sex

0:29:42.160 --> 0:29:45.120
<v Speaker 1>educational day is the day where that the substitute is out,

0:29:45.120 --> 0:29:47.360
<v Speaker 1>Like they wouldn't change the syllabus because the actual health

0:29:47.360 --> 0:29:49.560
<v Speaker 1>teacher is not there in the substitute now has to

0:29:49.600 --> 0:29:54.240
<v Speaker 1>give the talk about sex. Really, I get it, but

0:29:54.760 --> 0:29:56.760
<v Speaker 1>come on, come on. I mean Alex was watching with

0:29:56.800 --> 0:29:58.360
<v Speaker 1>me in India or she was kind of going in

0:29:58.400 --> 0:29:59.920
<v Speaker 1>and out while she was cooking, and she walked in.

0:30:00.000 --> 0:30:02.360
<v Speaker 1>She was like, that's weird. Are you getting on the teacher? Like,

0:30:02.960 --> 0:30:04.560
<v Speaker 1>it wasn't that I was hitting the teacher, it was

0:30:04.640 --> 0:30:07.960
<v Speaker 1>that the audience like that the teacher was made into it. Yes,

0:30:09.640 --> 0:30:11.920
<v Speaker 1>right from the moment she walks in. Yeah, And it

0:30:12.040 --> 0:30:14.360
<v Speaker 1>was just like I think once the flirting started, it

0:30:14.360 --> 0:30:16.120
<v Speaker 1>almost felt better because it was like, oh, he's such

0:30:16.160 --> 0:30:19.080
<v Speaker 1>a pathetic boy. But the fact that the camera lingered

0:30:19.120 --> 0:30:24.000
<v Speaker 1>on her, and that's where I think that's what made

0:30:24.000 --> 0:30:26.080
<v Speaker 1>her uncomfortable, and that's what made me like, ah, right,

0:30:26.120 --> 0:30:28.320
<v Speaker 1>Like the show itself, the point of view of the

0:30:28.400 --> 0:30:31.960
<v Speaker 1>show is lingering in a way that made me like, oh,

0:30:32.000 --> 0:30:37.520
<v Speaker 1>we're definitely there's a difference between there's a difference between

0:30:37.680 --> 0:30:41.760
<v Speaker 1>character perspective. This is a female teacher who was attractive,

0:30:41.800 --> 0:30:45.320
<v Speaker 1>and therefore these young boys can't. They're stumbling over themselves

0:30:45.360 --> 0:30:48.360
<v Speaker 1>and becoming idiots, as opposed to well, of course, look

0:30:48.360 --> 0:30:50.840
<v Speaker 1>at the outfit she's wearing, and look how attractive she

0:30:51.280 --> 0:30:54.480
<v Speaker 1>There's a there's a there was a feeling of well,

0:30:54.520 --> 0:30:57.520
<v Speaker 1>anyone would this. It wasn't about you being teen boys.

0:30:57.760 --> 0:30:59.920
<v Speaker 1>It was about well, this is how people would react.

0:31:00.040 --> 0:31:02.720
<v Speaker 1>It's about the show being team boys. Like it's like

0:31:02.760 --> 0:31:05.400
<v Speaker 1>the perspective of the show is a horny eleven year

0:31:05.400 --> 0:31:08.600
<v Speaker 1>old boy. Yeah right, well right, like like boobies. Oh,

0:31:08.640 --> 0:31:11.000
<v Speaker 1>I get to see it, but like the teacher is pretty,

0:31:11.360 --> 0:31:13.880
<v Speaker 1>you know, and it's like, yeah, it's funny. That's exactly

0:31:13.880 --> 0:31:15.520
<v Speaker 1>what I was thinking. I was like, once I started

0:31:15.520 --> 0:31:18.320
<v Speaker 1>talking to her, it felt okay, but this first moment

0:31:18.360 --> 0:31:21.120
<v Speaker 1>felt weird to me. And then well again, they also

0:31:21.160 --> 0:31:23.920
<v Speaker 1>would never have done there's very few people that wouldn't

0:31:23.920 --> 0:31:26.440
<v Speaker 1>say Tony Quinn was a really good looking man. They

0:31:26.480 --> 0:31:28.680
<v Speaker 1>didn't do Tony walks into the classroom and all the

0:31:28.680 --> 0:31:30.560
<v Speaker 1>girls can't stop looking at him, and they focus on

0:31:30.560 --> 0:31:36.840
<v Speaker 1>his but that never the show is exactly just would

0:31:37.000 --> 0:31:39.880
<v Speaker 1>never have had the easily could have done to Panga

0:31:39.960 --> 0:31:41.600
<v Speaker 1>and all the girls in the class, like wow, look

0:31:41.640 --> 0:31:45.760
<v Speaker 1>at our new teacher, but never even thought of that happening.

0:31:46.280 --> 0:31:49.360
<v Speaker 1>So yeah, that whole thing. But on a different note,

0:31:49.720 --> 0:31:53.360
<v Speaker 1>you're flirting with her when you say I'm a cop.

0:31:53.560 --> 0:31:57.760
<v Speaker 1>I lost. It's like, I don't remember this at all,

0:31:59.240 --> 0:32:02.400
<v Speaker 1>all of it, all of it. It's a good thing.

0:32:02.520 --> 0:32:05.920
<v Speaker 1>I like Sean rain like kind of you know, flailing

0:32:06.000 --> 0:32:10.880
<v Speaker 1>in this way. It's fun, but it's fun to see ye.

0:32:11.360 --> 0:32:13.960
<v Speaker 1>So miss Kelly asks what organ stores the eggs, and

0:32:13.960 --> 0:32:15.720
<v Speaker 1>Seawan says he can only remember the name of the

0:32:15.760 --> 0:32:17.600
<v Speaker 1>stuff he has, or at least what he calls them.

0:32:19.680 --> 0:32:23.719
<v Speaker 1>Were very funny, And then Corey answers, it's the gonads,

0:32:23.840 --> 0:32:27.080
<v Speaker 1>but it's really the ovaries, and Corey also messes up

0:32:27.080 --> 0:32:29.800
<v Speaker 1>the way reproduction in the life cycle occurs. Corey then

0:32:30.040 --> 0:32:32.880
<v Speaker 1>calls over the teacher privately and asks how do you

0:32:32.920 --> 0:32:35.800
<v Speaker 1>get a girl to say hi? Which becomes like the

0:32:35.800 --> 0:32:38.760
<v Speaker 1>the entire point of this episode. And then we're in

0:32:38.800 --> 0:32:41.160
<v Speaker 1>the school hallway. Corey sees another couple walking down the

0:32:41.200 --> 0:32:43.479
<v Speaker 1>hall and wonders how these people are connecting, and he

0:32:43.480 --> 0:32:47.160
<v Speaker 1>mentioned that the new couple's names are Lisa Marie and Michael,

0:32:47.960 --> 0:32:50.560
<v Speaker 1>which is a call to what was a very timely

0:32:50.560 --> 0:32:54.080
<v Speaker 1>couple at the time, Lisa Marie Presley and Michael Jackson.

0:32:55.120 --> 0:33:00.640
<v Speaker 1>Now my question, um, Danielle, the first couples it was

0:33:00.800 --> 0:33:03.920
<v Speaker 1>Richard and Cody. Was that anything from the time? Was

0:33:04.040 --> 0:33:07.880
<v Speaker 1>every was every couple supposed to mean something like Lisa

0:33:07.920 --> 0:33:09.880
<v Speaker 1>Marie and Michael was the obvious one. But I couldn't

0:33:09.880 --> 0:33:12.920
<v Speaker 1>remember if there was like a Richard and Cody, that

0:33:14.120 --> 0:33:16.280
<v Speaker 1>Richard and Cindy it was Richard and Cindy. If that

0:33:16.360 --> 0:33:20.520
<v Speaker 1>was something that mattered, Was Richard Gear dating Cindy Crawford.

0:33:20.760 --> 0:33:24.400
<v Speaker 1>I don't know. That's like it popped in my Gear

0:33:24.520 --> 0:33:29.360
<v Speaker 1>and Cindy Crawford. So I think you're right, Yeah, I

0:33:29.360 --> 0:33:33.200
<v Speaker 1>think they all meant something. Yeah, Oh, that's funny. So

0:33:33.280 --> 0:33:35.880
<v Speaker 1>Mr Turner walks down the hall and he's very flirty

0:33:35.920 --> 0:33:40.680
<v Speaker 1>with the substitute, Miss Kelly, and so New York. Oh man, oh,

0:33:40.760 --> 0:33:42.440
<v Speaker 1>you know I helped them down here. When I was

0:33:42.480 --> 0:33:48.920
<v Speaker 1>doing the thing. It was like, oh Tony, oh, Mr

0:33:49.800 --> 0:33:52.560
<v Speaker 1>New York. But it's so and I think Tony would agree.

0:33:52.560 --> 0:33:54.760
<v Speaker 1>It's such a caricature at the beginning, because he's not

0:33:54.800 --> 0:33:58.120
<v Speaker 1>like that, especially when it's when it's I thought season

0:33:58.440 --> 0:34:00.400
<v Speaker 1>episode I don't want to keep saying season I think

0:34:00.480 --> 0:34:05.600
<v Speaker 1>episode two was more subdued and more natural that happens. Yeah,

0:34:06.840 --> 0:34:09.120
<v Speaker 1>it was just so funny though to me. And then

0:34:09.200 --> 0:34:11.560
<v Speaker 1>Mr Feenie walks down the hall with another female teacher

0:34:11.600 --> 0:34:14.600
<v Speaker 1>bragging about his vitality, and Corey, now desperate, says he

0:34:14.640 --> 0:34:16.959
<v Speaker 1>doesn't get how this all works. Sean says he thinks

0:34:17.000 --> 0:34:18.759
<v Speaker 1>he gets it now, and he puts his hands through

0:34:18.800 --> 0:34:21.680
<v Speaker 1>his hair, and then he gets two girls immediate attention

0:34:21.680 --> 0:34:23.719
<v Speaker 1>to flirt with him. You've got a thirty foot range.

0:34:26.040 --> 0:34:28.400
<v Speaker 1>It's so funny. Um, it's cool to see that the

0:34:28.400 --> 0:34:31.560
<v Speaker 1>writers were recognizing the hair through the hands of the

0:34:31.560 --> 0:34:33.920
<v Speaker 1>hair thing from season one, which was clearly a nervous

0:34:33.920 --> 0:34:36.920
<v Speaker 1>tick that then became kind of a thing. Yeah, and

0:34:37.080 --> 0:34:40.279
<v Speaker 1>they wrote to it, which is yeah, yeah, I think.

0:34:40.400 --> 0:34:43.839
<v Speaker 1>I think also, um, when you have hair you can't

0:34:43.920 --> 0:34:46.520
<v Speaker 1>run your fingers through like that, it is a very

0:34:46.760 --> 0:34:49.080
<v Speaker 1>enviable thing to be like, Wow, look at how he

0:34:49.160 --> 0:34:51.640
<v Speaker 1>just tosses his hair back and funny, Like I said

0:34:51.719 --> 0:34:53.759
<v Speaker 1>last time, they already they'd cut my hair, so he

0:34:53.800 --> 0:34:55.880
<v Speaker 1>didn't actually have like at the end of season one

0:34:55.880 --> 0:34:58.040
<v Speaker 1>would have been the better hair. Like the hair it

0:34:58.120 --> 0:35:01.280
<v Speaker 1>was all the way down. No, but still this haircut

0:35:01.400 --> 0:35:03.399
<v Speaker 1>is good. This is better hair than the last. Ben

0:35:03.480 --> 0:35:07.880
<v Speaker 1>was very funny trying to so funny. He tries the

0:35:07.880 --> 0:35:10.000
<v Speaker 1>same thing with his hair. It looks very goofy to.

0:35:10.080 --> 0:35:12.400
<v Speaker 1>Pango runs up and very terribly asks him if he

0:35:12.440 --> 0:35:15.400
<v Speaker 1>has headlights. I can't even watch myself. It is what

0:35:17.880 --> 0:35:21.920
<v Speaker 1>was totally fine, Indie one of his favorite the headlights.

0:35:22.040 --> 0:35:23.880
<v Speaker 1>They were then doing this and then you coming up

0:35:23.880 --> 0:35:26.680
<v Speaker 1>in the headlights. He was just like this episode in general,

0:35:26.800 --> 0:35:29.680
<v Speaker 1>Indie laughed harder than almost any other episode, interestingly, maybe

0:35:29.680 --> 0:35:36.080
<v Speaker 1>because he was so uncomfortable with the talks happened. Uh.

0:35:36.120 --> 0:35:38.319
<v Speaker 1>In turn to Panga touches her hair and a guy

0:35:38.840 --> 0:35:41.720
<v Speaker 1>comes running over to her, and Corey says he needs

0:35:41.800 --> 0:35:44.879
<v Speaker 1>new hair, which is very cute, an old call back

0:35:44.960 --> 0:35:46.920
<v Speaker 1>to to the first time you were in the hallway

0:35:46.960 --> 0:35:48.680
<v Speaker 1>with him. It's all that I was trying to get

0:35:48.680 --> 0:35:50.600
<v Speaker 1>the new hair in that first episode that Tenggo was in.

0:35:51.040 --> 0:35:53.920
<v Speaker 1>That's right, So you're right. Then we're in the Matthews

0:35:54.000 --> 0:35:57.520
<v Speaker 1>kitchen slash living room Eric walks in with Rebecca Marguerite

0:35:57.520 --> 0:36:00.600
<v Speaker 1>Moreau and asks Amy not to embarrass him. Me embarrasses

0:36:00.680 --> 0:36:02.560
<v Speaker 1>him immediately by saying he went the bed till he

0:36:02.600 --> 0:36:07.279
<v Speaker 1>was twelve. That's harsh. Sorry. Did you notice you were

0:36:07.320 --> 0:36:13.040
<v Speaker 1>holding the folder when you slammed it down on the table?

0:36:13.120 --> 0:36:15.919
<v Speaker 1>Was like there it is. The first thing I noticed

0:36:15.960 --> 0:36:20.480
<v Speaker 1>when you walked in is there's the folder the random

0:36:20.480 --> 0:36:23.279
<v Speaker 1>football player on front. And yep, and they have me.

0:36:23.400 --> 0:36:25.920
<v Speaker 1>This is the start because they didn't last episode. This

0:36:26.000 --> 0:36:29.120
<v Speaker 1>is the start of not only too many shirts, but

0:36:29.280 --> 0:36:33.560
<v Speaker 1>too much collars. I have a collared shirt over a

0:36:33.719 --> 0:36:37.759
<v Speaker 1>collared shirt. Yes, I have like a golf shirt with

0:36:37.800 --> 0:36:41.200
<v Speaker 1>a collar and then a button down open with the collards.

0:36:41.360 --> 0:36:47.440
<v Speaker 1>Multiple collared shirts. Now is Eric's look long? Multiple collared shirts? Wow? Okay,

0:36:47.560 --> 0:36:51.960
<v Speaker 1>so very strange. And I remember Marguerite. She was so nice, uh,

0:36:52.040 --> 0:36:53.920
<v Speaker 1>really easy to work with. And when we get into

0:36:53.960 --> 0:36:56.600
<v Speaker 1>the next episode that the next scene we'll talk about

0:36:56.640 --> 0:36:58.319
<v Speaker 1>something because she and I had a bit of an

0:36:58.400 --> 0:37:02.680
<v Speaker 1>uncomfortable we um I mean not I mean not weak,

0:37:02.719 --> 0:37:05.120
<v Speaker 1>but it was an uncomfortable day or so, and we'll

0:37:05.120 --> 0:37:06.759
<v Speaker 1>get into the ring on a bed and making out

0:37:06.760 --> 0:37:09.520
<v Speaker 1>in front of it's actually got worse than that, your

0:37:09.560 --> 0:37:11.839
<v Speaker 1>old man, it actually got worse than that. So we'll

0:37:11.840 --> 0:37:13.759
<v Speaker 1>get into that. But I can't wait to get into it.

0:37:13.840 --> 0:37:17.279
<v Speaker 1>I will comment what absolutely gorgeous hair. She had the

0:37:17.400 --> 0:37:22.240
<v Speaker 1>hair obsession on the show. It was something else, but wow.

0:37:22.440 --> 0:37:24.520
<v Speaker 1>I walked in, I was like, look at her hair.

0:37:25.280 --> 0:37:28.200
<v Speaker 1>I think people were cast mostly for their hair. I

0:37:28.360 --> 0:37:30.640
<v Speaker 1>think you know, when they brought them to producers, there

0:37:30.719 --> 0:37:33.359
<v Speaker 1>was like Carrie Russell, there's some hair. There's some hair,

0:37:33.520 --> 0:37:35.839
<v Speaker 1>don't We have several episodes I can think of one

0:37:35.840 --> 0:37:38.400
<v Speaker 1>where hair is actually in the title. I remember hair Today,

0:37:38.440 --> 0:37:41.600
<v Speaker 1>Goon tomorrow. So I think there's more than one where

0:37:41.600 --> 0:37:44.759
<v Speaker 1>hair is actually in the title. Makes sense. I was

0:37:44.840 --> 0:37:47.239
<v Speaker 1>so sad with Weasel. I know you're getting into this.

0:37:47.600 --> 0:37:50.080
<v Speaker 1>I know it made me so sad. They made her

0:37:50.160 --> 0:37:53.279
<v Speaker 1>angry at the cool nickname that they had together, like

0:37:53.440 --> 0:37:57.040
<v Speaker 1>I know. Well, Also, this scene, more than any other

0:37:57.080 --> 0:38:00.520
<v Speaker 1>scene I've seen, felt like Lily was like checked out

0:38:00.560 --> 0:38:07.400
<v Speaker 1>her bolt, get me out here. Uncomfort season two, she

0:38:07.560 --> 0:38:10.239
<v Speaker 1>was like she saw the wall. Yeah, I don't know

0:38:10.280 --> 0:38:12.879
<v Speaker 1>what this is anymore. I want nothing to do with it.

0:38:13.000 --> 0:38:15.759
<v Speaker 1>Oh man, I've got a Fox pilot on the line. Yeah, no,

0:38:15.920 --> 0:38:19.680
<v Speaker 1>this was she did she? She genuinely looked like she

0:38:19.840 --> 0:38:21.959
<v Speaker 1>just let me say what they told me to say

0:38:22.080 --> 0:38:29.080
<v Speaker 1>and get out of here. Yeah. Hey, I'm Lance Bass,

0:38:29.120 --> 0:38:31.759
<v Speaker 1>host of the new I Heard podcast Frosted Tips with

0:38:31.880 --> 0:38:34.279
<v Speaker 1>Lance Bass. The hardest thing could be knowing who to

0:38:34.360 --> 0:38:37.160
<v Speaker 1>turn to when questions arise, or times get tough, or

0:38:37.360 --> 0:38:39.879
<v Speaker 1>you're at the end of the road. Okay, I see

0:38:39.920 --> 0:38:41.640
<v Speaker 1>what you're doing. Do you ever think to yourself, what

0:38:41.800 --> 0:38:44.399
<v Speaker 1>advice would Lance Bass and my favorite boy bands give

0:38:44.480 --> 0:38:47.200
<v Speaker 1>me in this situation. If you do, you've come to

0:38:47.239 --> 0:38:49.680
<v Speaker 1>the right place, because I'm here to help this. I

0:38:49.760 --> 0:38:53.719
<v Speaker 1>promise you, seriously, I swear, and you won't have to

0:38:53.760 --> 0:38:57.040
<v Speaker 1>send an S O S because I'll be there for you,

0:38:57.680 --> 0:39:00.640
<v Speaker 1>and so will my husband Michael. Hey, that's me. Yeah,

0:39:00.680 --> 0:39:03.040
<v Speaker 1>we know that. Michael and a different hot sexy teen

0:39:03.120 --> 0:39:06.320
<v Speaker 1>crush boybander each week to guide you through life step

0:39:06.360 --> 0:39:10.440
<v Speaker 1>by step, not another one. Kids, relationships, life in general

0:39:10.520 --> 0:39:13.080
<v Speaker 1>can get messy. You may be thinking, this is the

0:39:13.160 --> 0:39:17.080
<v Speaker 1>story of my life. Just stop now. If so, tell everybody, yeah,

0:39:17.120 --> 0:39:21.040
<v Speaker 1>everybody about my new podcast, and make sure to listen

0:39:21.120 --> 0:39:24.240
<v Speaker 1>so we'll never ever have to say bye bye bye.

0:39:24.600 --> 0:39:26.640
<v Speaker 1>Listen to Frosted Tips with a Lance Bass on the

0:39:26.680 --> 0:39:29.680
<v Speaker 1>I Heart Radio app, Apple podcast or wherever you listen

0:39:29.719 --> 0:39:38.080
<v Speaker 1>to podcasts. So Eric asks if they want to take

0:39:38.120 --> 0:39:40.719
<v Speaker 1>a break before they start studying, and Rebecca asks to

0:39:40.800 --> 0:39:44.600
<v Speaker 1>see the house, and immediately the audience knows what that means,

0:39:44.640 --> 0:39:48.719
<v Speaker 1>and we get a and then he takes her to

0:39:48.760 --> 0:39:51.080
<v Speaker 1>the living room area with the couch and she says

0:39:51.120 --> 0:39:54.400
<v Speaker 1>she wants to go upstairs. We get more woos and

0:39:54.440 --> 0:39:57.000
<v Speaker 1>as they make their way upstairs, Corey and Shawn walk

0:39:57.080 --> 0:39:59.839
<v Speaker 1>in and Corey says, no one warned him about this girl.

0:40:00.000 --> 0:40:02.360
<v Speaker 1>Sean says Corey's going to get the hang of it

0:40:02.400 --> 0:40:04.879
<v Speaker 1>and that there are other techniques than hair, and then

0:40:05.239 --> 0:40:07.880
<v Speaker 1>Sean immediately takes off to go talk to a girl,

0:40:08.160 --> 0:40:10.400
<v Speaker 1>and Corey says he's going to study, get good grades

0:40:10.400 --> 0:40:12.560
<v Speaker 1>and become a famous scientist and then he will just

0:40:12.640 --> 0:40:15.120
<v Speaker 1>build himself a wife. I like, I like Sean opening

0:40:15.120 --> 0:40:17.200
<v Speaker 1>the door and doing the hair thing. You're a girl

0:40:17.280 --> 0:40:19.600
<v Speaker 1>go off. Andy was like, that's more like a fifty

0:40:19.640 --> 0:40:25.200
<v Speaker 1>foot range. Okay, okay, yeah, no I like that too,

0:40:25.200 --> 0:40:28.200
<v Speaker 1>where you just hear the random voice is that you

0:40:27.000 --> 0:40:32.880
<v Speaker 1>should um yeah, I thought that was funny. Uh. So Corey,

0:40:32.920 --> 0:40:35.399
<v Speaker 1>here's music coming from upstairs, and he thinks it must

0:40:35.400 --> 0:40:37.840
<v Speaker 1>be his mom and dad. So Corey walks up the

0:40:37.920 --> 0:40:42.120
<v Speaker 1>stairs and then down the hallway we see first time.

0:40:42.640 --> 0:40:45.040
<v Speaker 1>I'm gonna say this again. I'm gonna say this again,

0:40:45.239 --> 0:40:47.000
<v Speaker 1>and I know we're going to get emails again. But

0:40:47.200 --> 0:40:49.200
<v Speaker 1>I don't think we ever see it again. I don't

0:40:49.239 --> 0:40:52.000
<v Speaker 1>think we do. I think, okay, because of us, remember

0:40:52.120 --> 0:40:56.520
<v Speaker 1>any of the upstairs No? No, So he walks toward

0:40:56.560 --> 0:40:59.080
<v Speaker 1>Amy and Allen's room and then he opens the door

0:40:59.280 --> 0:41:02.680
<v Speaker 1>and he sees Eric making out with Rebecca. And this

0:41:02.760 --> 0:41:05.480
<v Speaker 1>is Amy and Allen's bedroom. So this is the thing

0:41:05.520 --> 0:41:09.200
<v Speaker 1>that everyone emailed us about. Eric says they are studying,

0:41:09.440 --> 0:41:13.279
<v Speaker 1>and Corey says, so am I which I remember that

0:41:13.360 --> 0:41:15.040
<v Speaker 1>line the second I saw him holding the door up

0:41:15.080 --> 0:41:17.720
<v Speaker 1>and I was like, I know what's coming. Yeah. So

0:41:18.160 --> 0:41:22.080
<v Speaker 1>Marguerie and I were obviously kissing and doing everything during

0:41:22.320 --> 0:41:24.240
<v Speaker 1>run throughs and rehearsals and all that kind of stuff

0:41:24.280 --> 0:41:29.080
<v Speaker 1>like that. And I believe I could be wrong about that.

0:41:29.120 --> 0:41:33.120
<v Speaker 1>I might be wrong about that, but I remember usually

0:41:33.200 --> 0:41:37.920
<v Speaker 1>did he usually did, and I remember them they wanted

0:41:37.960 --> 0:41:42.120
<v Speaker 1>it to look more sexual and like we were gonna

0:41:42.239 --> 0:41:45.880
<v Speaker 1>go farther than what Corey had seen in the hallways,

0:41:46.680 --> 0:41:48.839
<v Speaker 1>because in the hallways it was other people just making

0:41:48.880 --> 0:41:51.840
<v Speaker 1>out there. But now he's walking in and Eric's on

0:41:51.840 --> 0:41:55.239
<v Speaker 1>the bed. So it was literally, I hope we get

0:41:55.239 --> 0:41:58.680
<v Speaker 1>Margarite on um because she could corroborate this or tell

0:41:58.719 --> 0:42:01.200
<v Speaker 1>me that I've completely for gotten it, but I have

0:42:01.239 --> 0:42:04.839
<v Speaker 1>a pretty good memory. Um. We were lying on the

0:42:04.840 --> 0:42:10.480
<v Speaker 1>bed surrounded by Michael and the other writers and producers,

0:42:10.640 --> 0:42:15.080
<v Speaker 1>and they were choreographing what we should do to make

0:42:15.120 --> 0:42:19.520
<v Speaker 1>it look more sexual. So it was like no, here

0:42:20.000 --> 0:42:23.120
<v Speaker 1>it was the left settled on leg. So what it

0:42:23.239 --> 0:42:25.480
<v Speaker 1>was was it was like, well, we can't. And it

0:42:25.520 --> 0:42:27.680
<v Speaker 1>was a very frank discussion about TV. Well you can't

0:42:27.680 --> 0:42:29.840
<v Speaker 1>move your arm up like this, you can't blah blah blah.

0:42:29.880 --> 0:42:32.640
<v Speaker 1>So Michael, what Michael came up with was, here's what

0:42:32.719 --> 0:42:36.160
<v Speaker 1>we wanted to look like. As Corey opens the door,

0:42:36.880 --> 0:42:40.200
<v Speaker 1>you're making out and your leg is moving over as

0:42:40.200 --> 0:42:43.640
<v Speaker 1>if you're right about to get on top of her.

0:42:43.920 --> 0:42:47.680
<v Speaker 1>And that was a full discussion we were having at

0:42:47.719 --> 0:42:50.520
<v Speaker 1>the time, and I remember Marguerite Deny as actors were

0:42:50.600 --> 0:42:53.120
<v Speaker 1>probably like, okay, so we're gonna work this out, blah blah,

0:42:53.239 --> 0:42:56.440
<v Speaker 1>and looking back at it, I'm just it's was was

0:42:56.480 --> 0:42:58.600
<v Speaker 1>it creeped me out a little bit in retrospective. And

0:42:58.640 --> 0:43:00.920
<v Speaker 1>I know we're not trying to do, you know, dismantle

0:43:01.040 --> 0:43:02.760
<v Speaker 1>everything that we've done and all that kind of stuff,

0:43:02.760 --> 0:43:05.040
<v Speaker 1>but it was a moment of being surrounded by a

0:43:05.040 --> 0:43:08.080
<v Speaker 1>bunch of older people telling us how to make this

0:43:08.120 --> 0:43:11.719
<v Speaker 1>scene look more sexual. Well, and this is exactly why

0:43:11.760 --> 0:43:16.440
<v Speaker 1>intimacy coaches exist. Now, you know, perfect, perfect opportunity for

0:43:16.520 --> 0:43:20.719
<v Speaker 1>an intimacy coach right then and there, especially because you're

0:43:20.719 --> 0:43:24.040
<v Speaker 1>dealing with two teens. Yeah, yeah, And it was it was.

0:43:24.120 --> 0:43:26.600
<v Speaker 1>It was a full discussion of what they could get

0:43:26.600 --> 0:43:29.200
<v Speaker 1>away with, what they could show, how much of the

0:43:29.200 --> 0:43:31.799
<v Speaker 1>body I should throw over? Should my leg go up

0:43:31.840 --> 0:43:34.880
<v Speaker 1>and over? What should she do? It was a full

0:43:35.400 --> 0:43:39.040
<v Speaker 1>discussion of how to make it look sexual without making

0:43:39.040 --> 0:43:41.839
<v Speaker 1>it look too sexual, How far can we go with this?

0:43:41.960 --> 0:43:43.719
<v Speaker 1>How can we roll on it here? It was it was.

0:43:44.120 --> 0:43:46.879
<v Speaker 1>It was a full discussion. It was like, it wasn't like, hey,

0:43:46.960 --> 0:43:49.440
<v Speaker 1>let's do this alright action, It was like a twenty

0:43:49.480 --> 0:43:52.760
<v Speaker 1>minute talk about how to make these two kids making

0:43:52.760 --> 0:43:56.239
<v Speaker 1>out on kids is wrong? Two young adults making out

0:43:56.280 --> 0:44:00.800
<v Speaker 1>on a bed, and I can understand this story pointed to.

0:44:01.120 --> 0:44:03.320
<v Speaker 1>This has to be up in the game from normal

0:44:03.360 --> 0:44:07.000
<v Speaker 1>making out to just super uncomfortable as actors, and it

0:44:07.080 --> 0:44:08.879
<v Speaker 1>is as as a crew to have to deal with

0:44:09.080 --> 0:44:11.400
<v Speaker 1>it is Yeah, the reason, it is the reason why

0:44:11.480 --> 0:44:15.680
<v Speaker 1>intimacy coaches are so um so we're needed now a

0:44:15.800 --> 0:44:19.399
<v Speaker 1>great addition to Hollywood. Yeah, because you know, like you said, writer,

0:44:19.480 --> 0:44:21.680
<v Speaker 1>it is no one's arguing the importance to the to

0:44:21.719 --> 0:44:23.920
<v Speaker 1>the plot. It is. It needed to be elevated from

0:44:23.920 --> 0:44:26.279
<v Speaker 1>what we had seen in the hallway. But it would

0:44:26.280 --> 0:44:29.080
<v Speaker 1>have been a lot more comfortable for Will and Marguerite

0:44:29.160 --> 0:44:32.640
<v Speaker 1>if there had been one person in in a more

0:44:32.719 --> 0:44:35.120
<v Speaker 1>private setting who was able to say, well, we can't

0:44:35.160 --> 0:44:38.000
<v Speaker 1>do that. How would you feel about this? Can we

0:44:38.080 --> 0:44:42.440
<v Speaker 1>try this? Um? Preferably a woman, preferably someone who is

0:44:42.680 --> 0:44:45.160
<v Speaker 1>I mean. The key is also the power dynamics, right

0:44:45.200 --> 0:44:47.920
<v Speaker 1>like that, The the the invisible part of this equation

0:44:48.000 --> 0:44:50.280
<v Speaker 1>is the power dynamics when you're when you're a background

0:44:50.320 --> 0:44:54.280
<v Speaker 1>actor and uh, the executive producer or director is telling

0:44:54.320 --> 0:44:56.440
<v Speaker 1>you do this, just do that, just put your hand here,

0:44:56.520 --> 0:44:58.960
<v Speaker 1>just do that. When you're a guest cast you feel

0:44:59.120 --> 0:45:01.160
<v Speaker 1>more uncomfortable and say, will who would have felt in

0:45:01.160 --> 0:45:04.680
<v Speaker 1>this situation your male versus female. But there's so many

0:45:04.719 --> 0:45:07.320
<v Speaker 1>things going into this equation when you're straight or gay,

0:45:07.360 --> 0:45:10.759
<v Speaker 1>whatever it is like. To have more barriers and to

0:45:10.840 --> 0:45:14.759
<v Speaker 1>have more safety nets, you know, in this situation is

0:45:14.800 --> 0:45:17.000
<v Speaker 1>only better. And and there there was none of that

0:45:17.320 --> 0:45:19.520
<v Speaker 1>back then, and that that's just the way Hollywood had

0:45:19.560 --> 0:45:22.560
<v Speaker 1>been and it was at the time. And Margaret was amazing.

0:45:22.600 --> 0:45:24.440
<v Speaker 1>I mean, Marguerite was amazing with the whole thing and

0:45:24.480 --> 0:45:27.279
<v Speaker 1>an an incredible actress. I mean, you know, everybody recognizes

0:45:27.280 --> 0:45:29.040
<v Speaker 1>for Mighty Ducks and everything else that you did. But

0:45:29.320 --> 0:45:31.160
<v Speaker 1>I just remember it was it was a weird. It

0:45:31.239 --> 0:45:33.040
<v Speaker 1>was one of the weirder kind of moments I had

0:45:33.080 --> 0:45:35.200
<v Speaker 1>on the set where it's like, oh, we're discussing like

0:45:35.239 --> 0:45:37.440
<v Speaker 1>where my hand goes and where my leg goes, and

0:45:37.680 --> 0:45:39.399
<v Speaker 1>how I have to turn this way so it looks

0:45:39.440 --> 0:45:42.400
<v Speaker 1>like something big is going to happen right when Corey

0:45:42.440 --> 0:45:44.640
<v Speaker 1>walks in um and it was just it was very

0:45:44.680 --> 0:45:46.640
<v Speaker 1>It was odd to me, but it was. Yeah. It's

0:45:47.080 --> 0:45:51.239
<v Speaker 1>a perfect example of why an intimacy coast is necessary

0:45:51.320 --> 0:45:52.800
<v Speaker 1>when you do any of this kind of stuff. Especially

0:45:52.800 --> 0:45:55.319
<v Speaker 1>when you're dealing with young people. So it is um,

0:45:55.400 --> 0:45:57.040
<v Speaker 1>and you're right, writer, it is. It is a power

0:45:57.080 --> 0:45:59.400
<v Speaker 1>thing too. I mean I was a you know, I'm

0:45:59.400 --> 0:46:02.359
<v Speaker 1>a guy who was a regular. That's much different than

0:46:02.480 --> 0:46:05.759
<v Speaker 1>being a female guest cast for the weeks UM, so

0:46:05.800 --> 0:46:08.560
<v Speaker 1>it Yeah, it makes a huge difference. But yeah, this scene.

0:46:08.600 --> 0:46:11.520
<v Speaker 1>I always remember the scene, which is ironic because I

0:46:11.520 --> 0:46:15.160
<v Speaker 1>didn't remember it took place in the bedroom. I didn't

0:46:15.200 --> 0:46:16.920
<v Speaker 1>remember that we saw. I was probably so focused on

0:46:16.960 --> 0:46:19.160
<v Speaker 1>everything else that was That's exactly what I was going

0:46:19.200 --> 0:46:22.280
<v Speaker 1>to say, you were. The reason why is because you didn't.

0:46:22.280 --> 0:46:24.640
<v Speaker 1>You were so blinded by everything else that was going on.

0:46:24.680 --> 0:46:27.279
<v Speaker 1>You didn't remember the location. Totally forgot the location in

0:46:27.320 --> 0:46:29.480
<v Speaker 1>the Matthews kitchen, Rebecca, who is now in a hurry

0:46:29.480 --> 0:46:31.600
<v Speaker 1>to leave, comes down, she grabs her stuff. She says

0:46:31.719 --> 0:46:34.760
<v Speaker 1>she's happy they didn't go any further. I'm glad, I'm

0:46:34.760 --> 0:46:37.520
<v Speaker 1>glad they put that line in. Yeah. Eric tries to

0:46:37.520 --> 0:46:39.439
<v Speaker 1>convince her to stay, but she leaves and she won't

0:46:39.480 --> 0:46:42.800
<v Speaker 1>see him again. And Eric says he's going to kill Corey,

0:46:42.840 --> 0:46:44.680
<v Speaker 1>bring him back to life, and then kill him again,

0:46:45.120 --> 0:46:47.720
<v Speaker 1>and Corey says he has all the power now because

0:46:47.840 --> 0:46:50.680
<v Speaker 1>Eric was in mom and Dad's bed and this is

0:46:50.760 --> 0:46:53.879
<v Speaker 1>an absolutely perfect thing to hang over his head. And

0:46:53.960 --> 0:46:55.799
<v Speaker 1>Corey asks, how how do you get a girl to

0:46:55.800 --> 0:46:58.399
<v Speaker 1>say hi? He'll promise to keep quiet, and Eric tells

0:46:58.480 --> 0:47:00.600
<v Speaker 1>him his secret, which is just that you have to

0:47:00.640 --> 0:47:05.879
<v Speaker 1>make really good eye contact and pretend to be interested. Yeah,

0:47:06.040 --> 0:47:09.080
<v Speaker 1>it's awful, but it's funny. I mean, I get why

0:47:09.120 --> 0:47:13.400
<v Speaker 1>an older brother who also doesn't know anything about women

0:47:13.440 --> 0:47:17.240
<v Speaker 1>in any way, shape or form, would give awful advice

0:47:17.320 --> 0:47:19.000
<v Speaker 1>like this. And I like that it comes back that

0:47:19.040 --> 0:47:21.880
<v Speaker 1>it's awful advice. But it's pretty cringe E to sit here.

0:47:22.280 --> 0:47:24.080
<v Speaker 1>I mean, this whole episode is cringe until it is

0:47:24.400 --> 0:47:28.200
<v Speaker 1>until Allen and Amy, until the adults entered the conversation.

0:47:28.400 --> 0:47:31.040
<v Speaker 1>It's it's it was pretty hard, you know. It was

0:47:31.160 --> 0:47:33.640
<v Speaker 1>baffling to me. It was like, what, yeah, could it

0:47:33.719 --> 0:47:36.279
<v Speaker 1>could it be argued? Could it be argued that that's

0:47:36.320 --> 0:47:39.400
<v Speaker 1>exactly what it was supposed to be. It's supposed to

0:47:39.480 --> 0:47:42.600
<v Speaker 1>be horrible and cringe E and everybody fumbling their way

0:47:42.640 --> 0:47:45.200
<v Speaker 1>through this thing called sex that nobody knows what it is,

0:47:45.280 --> 0:47:48.680
<v Speaker 1>nobody is, you know, until you got to the adults,

0:47:49.440 --> 0:47:52.560
<v Speaker 1>nobody had any idea, what the right quote unquote way

0:47:52.719 --> 0:47:54.799
<v Speaker 1>was or respect about it or anything like that. So

0:47:55.360 --> 0:47:57.720
<v Speaker 1>you could argue the point. Just go back for a second.

0:47:57.800 --> 0:48:02.399
<v Speaker 1>What why is she running away? I know? Why? Why

0:48:02.400 --> 0:48:04.120
<v Speaker 1>does it feel like it has been an attack or

0:48:04.160 --> 0:48:07.839
<v Speaker 1>like some sort of flustery weird felt very odd to me.

0:48:08.840 --> 0:48:10.920
<v Speaker 1>I thought it was was it that Corey walked in

0:48:11.239 --> 0:48:14.400
<v Speaker 1>or that's what Eric had been pressuring her? It was

0:48:14.440 --> 0:48:16.880
<v Speaker 1>that Eric. I think she was just embarrassed that someone

0:48:17.000 --> 0:48:21.200
<v Speaker 1>had seen her in this in this precarious situation. But

0:48:21.239 --> 0:48:25.040
<v Speaker 1>why wouldn't she ever see Eric again? I don't know.

0:48:25.719 --> 0:48:28.520
<v Speaker 1>Why would she turn that on Eric and say I'm

0:48:28.520 --> 0:48:32.840
<v Speaker 1>never gonna know and run out like something bad had happened,

0:48:33.640 --> 0:48:35.320
<v Speaker 1>that some mine had been crossed that she was not

0:48:35.400 --> 0:48:38.839
<v Speaker 1>comfortable with. Why was that about Eric? Like I understand like, oh,

0:48:38.880 --> 0:48:41.080
<v Speaker 1>your little brother, you're creepy little brothers saws, and I

0:48:41.120 --> 0:48:43.280
<v Speaker 1>don't want to be making out in front of your brother.

0:48:43.680 --> 0:48:46.680
<v Speaker 1>Totally makes sense, But why was it like I'm not

0:48:46.719 --> 0:48:49.480
<v Speaker 1>going to see you again? I mean, I guess just

0:48:49.520 --> 0:48:52.879
<v Speaker 1>the story point was that that's that has to happen

0:48:52.880 --> 0:48:55.239
<v Speaker 1>in order for Eric to be upset to be angry. Yeah,

0:48:55.400 --> 0:48:59.360
<v Speaker 1>but it felt weird. It felt like date rape. It

0:48:59.440 --> 0:49:02.080
<v Speaker 1>felt like something happened, and I know that that wasn't

0:49:02.080 --> 0:49:04.680
<v Speaker 1>the intention, but it was suddenly like more than just

0:49:04.719 --> 0:49:06.640
<v Speaker 1>a cringe e. It was like, oh, this feels bad,

0:49:06.760 --> 0:49:09.560
<v Speaker 1>Like this feels like something bad haf camera that we're

0:49:09.560 --> 0:49:13.520
<v Speaker 1>not talking about. And they certainly made her They certainly

0:49:13.719 --> 0:49:17.120
<v Speaker 1>tried tried to make her look like the aggressor. Yes,

0:49:17.320 --> 0:49:19.840
<v Speaker 1>there they set it up. They set it up ahead

0:49:19.840 --> 0:49:23.080
<v Speaker 1>of time that she they want. It was almost like, Okay,

0:49:23.080 --> 0:49:25.759
<v Speaker 1>they're definitely doing this because they don't want They want

0:49:25.920 --> 0:49:28.200
<v Speaker 1>no chance for anyone to say there was any sort

0:49:28.239 --> 0:49:31.239
<v Speaker 1>of pressure from Eric to her. So she's going to

0:49:31.360 --> 0:49:33.279
<v Speaker 1>be the one telling him, let's go do this. No,

0:49:33.440 --> 0:49:35.480
<v Speaker 1>you didn't pick up on my signal, let's go do this.

0:49:35.920 --> 0:49:37.920
<v Speaker 1>And then later you even make it more clear that

0:49:38.000 --> 0:49:41.480
<v Speaker 1>it was her. She patted the bed and said come here, um,

0:49:41.520 --> 0:49:45.120
<v Speaker 1>and so yeah, I had I'm glad, and then I

0:49:45.160 --> 0:49:49.680
<v Speaker 1>never wanted around and she pointedly thanks Corey. She she

0:49:49.680 --> 0:49:52.640
<v Speaker 1>she she looks around, she goes, thank you. And so

0:49:52.760 --> 0:49:55.879
<v Speaker 1>it was it was a very and to writer's point,

0:49:56.000 --> 0:49:58.879
<v Speaker 1>we needed it for the reason that if they were

0:49:58.880 --> 0:50:01.480
<v Speaker 1>just going to get together some other day. Eric wouldn't

0:50:01.480 --> 0:50:03.960
<v Speaker 1>need to be that angry because well, this is still

0:50:04.000 --> 0:50:05.560
<v Speaker 1>a person I could be I could end up having

0:50:05.600 --> 0:50:09.000
<v Speaker 1>that kind of relationship with. But it it really didn't

0:50:09.040 --> 0:50:11.920
<v Speaker 1>make me feel good. It felt very much like, oh

0:50:12.080 --> 0:50:15.160
<v Speaker 1>I feel super icky now, as opposed to just oops,

0:50:15.239 --> 0:50:18.960
<v Speaker 1>two teens got caught doing what teens do. See you later, Eric, tomorrow,

0:50:18.960 --> 0:50:20.799
<v Speaker 1>we can pick up where we left off because I

0:50:20.840 --> 0:50:22.960
<v Speaker 1>wanted this. It was presented that I wanted to be

0:50:23.040 --> 0:50:25.839
<v Speaker 1>with you. She walks up the stairs. She she goes,

0:50:25.880 --> 0:50:28.040
<v Speaker 1>you got to show me the upstairs and takes off upstairs.

0:50:28.120 --> 0:50:31.880
<v Speaker 1>Eric's by himself, so it's he. They certainly set it

0:50:31.960 --> 0:50:33.759
<v Speaker 1>up that she was the aggressor, and then they set

0:50:33.760 --> 0:50:37.800
<v Speaker 1>it up that, yeah, it came off as she's leaving,

0:50:38.200 --> 0:50:44.719
<v Speaker 1>she wasn't like something bad happened, and like I was

0:50:44.760 --> 0:50:47.120
<v Speaker 1>ever in that situation with a woman leaving this quickly

0:50:47.640 --> 0:50:49.520
<v Speaker 1>or even at that age, I think I would be like,

0:50:49.600 --> 0:50:51.080
<v Speaker 1>what did I do? Oh my god? How can I

0:50:51.120 --> 0:50:53.160
<v Speaker 1>make this right? I am so sorry? Did did a

0:50:53.680 --> 0:50:56.759
<v Speaker 1>miscommunication happened here? Like? It seems like there needs to

0:50:56.760 --> 0:51:00.080
<v Speaker 1>be something some aftercare, as you might say, like you know,

0:51:00.200 --> 0:51:02.080
<v Speaker 1>like hey, can we work this out, like you should

0:51:02.080 --> 0:51:06.320
<v Speaker 1>not be leaving this angry. Yeah, and there's something some

0:51:06.320 --> 0:51:08.879
<v Speaker 1>something like the way I feel like an easy way

0:51:08.920 --> 0:51:11.200
<v Speaker 1>to get both is for her to have just been like, sorry,

0:51:11.239 --> 0:51:15.560
<v Speaker 1>the moments passed, sure, yeah, an do it anymore? Yeah, sorry,

0:51:15.760 --> 0:51:18.080
<v Speaker 1>I'd rather go somewhere where they aren't little brothers creeping around.

0:51:18.239 --> 0:51:21.319
<v Speaker 1>Whenever my little brothers kill my kill, the vibe gotta go,

0:51:21.840 --> 0:51:25.719
<v Speaker 1>like they very easily could have kept her empowered, kept

0:51:25.719 --> 0:51:28.600
<v Speaker 1>her empowered. The fact is that she is disempowered. It

0:51:28.680 --> 0:51:31.640
<v Speaker 1>feels like she has been disempowered by the situation and

0:51:31.640 --> 0:51:33.680
<v Speaker 1>and that that she has to escape it in order

0:51:33.719 --> 0:51:36.399
<v Speaker 1>to reclaim her power and reject Eric reclaimed her power,

0:51:36.560 --> 0:51:38.719
<v Speaker 1>and that is a weird dynamic. It felt weird to me.

0:51:39.040 --> 0:51:41.000
<v Speaker 1>I agree. Yeah, I thought so too, And I thought

0:51:41.000 --> 0:51:46.279
<v Speaker 1>I didn't really feel it until she thanked Corey where

0:51:46.280 --> 0:51:48.919
<v Speaker 1>it's like you say, it's like thank god you came in,

0:51:49.160 --> 0:51:54.920
<v Speaker 1>because yeah, I could have gotten implication of that, like, yeah,

0:51:55.200 --> 0:51:57.120
<v Speaker 1>I know, I thought the same thing. It was and

0:51:57.160 --> 0:51:59.880
<v Speaker 1>it didn't fit with the rest of the episode. Now,

0:52:00.239 --> 0:52:02.000
<v Speaker 1>even with the even with the fact that she was

0:52:02.040 --> 0:52:04.000
<v Speaker 1>the aggressor in the beginning, like none of that fit.

0:52:04.120 --> 0:52:07.560
<v Speaker 1>It just seemed weird. Yeah. Well, then we're in Mr

0:52:07.600 --> 0:52:12.040
<v Speaker 1>Turner's classroom. Corey is terrifyingly staring at Wendy we don't

0:52:12.040 --> 0:52:14.279
<v Speaker 1>know her name yet, but staring at the blonde girl

0:52:14.320 --> 0:52:19.080
<v Speaker 1>sitting next to him, like Dahmer, He's just like glued.

0:52:20.320 --> 0:52:22.840
<v Speaker 1>Mr Turner noticed his Corey isn't paying attention to his

0:52:22.920 --> 0:52:25.799
<v Speaker 1>lecture on Tom Jones and asks Corey a question, and

0:52:25.880 --> 0:52:29.719
<v Speaker 1>Corey has no idea what he's talking about. Did you

0:52:29.760 --> 0:52:32.799
<v Speaker 1>guys also have to watch it three times to try

0:52:32.800 --> 0:52:37.880
<v Speaker 1>and figure out what what are you doing? What are

0:52:37.880 --> 0:52:44.560
<v Speaker 1>you doing? It was a weird choice. What do you

0:52:44.600 --> 0:52:47.560
<v Speaker 1>think you're doing? Mouth? I was like, what is going on?

0:52:47.880 --> 0:52:50.560
<v Speaker 1>Is he flirting? Yeah? I thought it was kind of funny,

0:52:50.600 --> 0:52:53.879
<v Speaker 1>like he's mocking the like seductive guy. It was great

0:52:54.040 --> 0:52:56.560
<v Speaker 1>because he could tell that Corey was being like super

0:52:56.600 --> 0:53:00.399
<v Speaker 1>cool guy, so he can't love. But that's how it was.

0:53:00.560 --> 0:53:03.839
<v Speaker 1>This is exactly what I'm just a perfect example of

0:53:04.520 --> 0:53:07.560
<v Speaker 1>seeing something on a page and take and making it

0:53:08.000 --> 0:53:10.640
<v Speaker 1>another on it. He just he just took it into

0:53:10.880 --> 0:53:12.800
<v Speaker 1>There's no way it was written like that on the page.

0:53:12.800 --> 0:53:16.080
<v Speaker 1>You just had the lines and what do you think

0:53:16.080 --> 0:53:19.600
<v Speaker 1>about Matt, I was dying. It's hysterical. It was great.

0:53:19.960 --> 0:53:22.759
<v Speaker 1>So then Mr Turner asks Sean to explain, but he

0:53:22.800 --> 0:53:25.239
<v Speaker 1>also wasn't paying attention. Corey admits he didn't read the

0:53:25.239 --> 0:53:27.160
<v Speaker 1>assignment and the bell rings. It could have gone farther.

0:53:27.320 --> 0:53:30.319
<v Speaker 1>My impression, I should have gone, Matt Jews. I have

0:53:30.560 --> 0:53:32.399
<v Speaker 1>this moment where I do like a little nudge towards

0:53:32.400 --> 0:53:35.600
<v Speaker 1>a ton Tony impression. And I clearly wasn't comfortable with

0:53:35.640 --> 0:53:38.120
<v Speaker 1>Tony enough yet to make fun of him. But I

0:53:38.160 --> 0:53:41.360
<v Speaker 1>should have gone farther. I surprise, nobody pushed you to

0:53:41.360 --> 0:53:44.080
<v Speaker 1>go far. Probably did. I probably still just held back.

0:53:44.480 --> 0:53:47.080
<v Speaker 1>I don't know, but yeah, it was really funny. He's

0:53:47.400 --> 0:53:49.399
<v Speaker 1>Mr Turner has been thrilled that the bell has ring,

0:53:49.560 --> 0:53:52.239
<v Speaker 1>and he runs out himself. Corey is still staring at

0:53:52.239 --> 0:53:54.799
<v Speaker 1>the girl, so she says what as they're walking out,

0:53:54.840 --> 0:53:57.560
<v Speaker 1>and Corey says, he's looking at her amazing hair, and

0:53:57.640 --> 0:54:00.680
<v Speaker 1>she says why, and she admits that she did rush it. Differently,

0:54:00.719 --> 0:54:07.040
<v Speaker 1>he says, it's the most hair again, And it was

0:54:07.120 --> 0:54:09.120
<v Speaker 1>here in this moment, while she was holding her notebook

0:54:09.160 --> 0:54:12.719
<v Speaker 1>that I realized she's wearing a wedding ring. She just

0:54:16.000 --> 0:54:19.440
<v Speaker 1>on the wedding finger. So I don't know why he

0:54:19.480 --> 0:54:22.000
<v Speaker 1>picked the married twelve year old to go out, but

0:54:22.400 --> 0:54:28.719
<v Speaker 1>so Corey asks her out and she says yes tomorrow

0:54:28.760 --> 0:54:32.439
<v Speaker 1>after school. Sean and Corey then celebrate as Corey says

0:54:32.520 --> 0:54:37.000
<v Speaker 1>he's got the boom. I think he said before, why

0:54:37.000 --> 0:54:40.520
<v Speaker 1>don't you ask your brother? Eric's got the boom? Is?

0:54:40.840 --> 0:54:42.800
<v Speaker 1>So we had said it before? I missed it before.

0:54:43.239 --> 0:54:46.520
<v Speaker 1>Is the boom a thing that people know? I wrote

0:54:46.560 --> 0:54:51.240
<v Speaker 1>that down to ask there's a song, is it Salt

0:54:51.280 --> 0:54:53.600
<v Speaker 1>and Pepper? There's a song Who's Got the Boom? I

0:54:53.640 --> 0:54:58.880
<v Speaker 1>got the boom? There's something I oh oh screaming at

0:54:58.920 --> 0:55:02.360
<v Speaker 1>the right now. It's trying to figure out pop cultures.

0:55:03.560 --> 0:55:06.879
<v Speaker 1>A line in the late eighties early nineties song it's

0:55:06.920 --> 0:55:11.399
<v Speaker 1>like we like the cars the boom? Okay, Well, then

0:55:11.480 --> 0:55:14.480
<v Speaker 1>what was happening was backstage Ben and I were singing

0:55:14.480 --> 0:55:17.080
<v Speaker 1>that to each other without a doubt, because Ben and

0:55:17.120 --> 0:55:18.680
<v Speaker 1>I would say lines like this to each other, and

0:55:18.680 --> 0:55:20.200
<v Speaker 1>I remember him and I looking at each other and go,

0:55:20.400 --> 0:55:22.959
<v Speaker 1>we like the cars. Because I probably never heard the song,

0:55:23.120 --> 0:55:25.399
<v Speaker 1>but I learned it from Ben. So for years after

0:55:25.480 --> 0:55:28.520
<v Speaker 1>probably this line we said that to each other and

0:55:28.560 --> 0:55:30.399
<v Speaker 1>I've never to this. I never knew what it was from,

0:55:30.440 --> 0:55:33.160
<v Speaker 1>but I can I can see Ben doing that to me.

0:55:33.280 --> 0:55:36.799
<v Speaker 1>We like the cars, the cars, So that's so I

0:55:36.880 --> 0:55:39.080
<v Speaker 1>knew the reference. Are I saw a reference in here,

0:55:39.120 --> 0:55:41.200
<v Speaker 1>But it's probably because it was written this way and

0:55:41.239 --> 0:55:43.840
<v Speaker 1>then we kept making Yeah, I know that was It

0:55:43.920 --> 0:55:47.360
<v Speaker 1>started because Eric, because Corey asked Shawn, how do I

0:55:47.400 --> 0:55:49.200
<v Speaker 1>find out about this? And Sean says, why don't you

0:55:49.200 --> 0:55:51.640
<v Speaker 1>ask your brother? He's got the boom? Yeah? I don't.

0:55:51.640 --> 0:55:58.000
<v Speaker 1>I've just never heard of he's got the boom. Stop

0:55:58.000 --> 0:56:03.560
<v Speaker 1>trying to make um what is fetch? It's our mean girls,

0:56:04.080 --> 0:56:07.080
<v Speaker 1>I'm never girls. Oh you're missing out. Okay, I'll give

0:56:07.080 --> 0:56:14.200
<v Speaker 1>it a watch. Pretty good movie. Hi. I'm Christine Taylor

0:56:14.320 --> 0:56:17.279
<v Speaker 1>and I'm David Lasher. David and I start in a

0:56:17.440 --> 0:56:20.520
<v Speaker 1>little show in the nineties called Hey Dude, and now

0:56:20.520 --> 0:56:23.160
<v Speaker 1>we're teaming up once again as the host of a

0:56:23.200 --> 0:56:26.640
<v Speaker 1>new I Heart podcast Hey Dude the nineties called do

0:56:26.760 --> 0:56:29.440
<v Speaker 1>you remember the motor rolla flip phone? Do you remember

0:56:29.520 --> 0:56:32.640
<v Speaker 1>going to Blockbuster? Do you remember Nintendo sixty four? Do

0:56:32.680 --> 0:56:35.680
<v Speaker 1>you remember getting frosted tips? Was that a serial? No?

0:56:35.800 --> 0:56:37.920
<v Speaker 1>It was hair. Do you remember a O L instant

0:56:37.920 --> 0:56:41.160
<v Speaker 1>messenger and the dial up sound like Poltergeist? Do you

0:56:41.160 --> 0:56:44.000
<v Speaker 1>remember when we dated? Okay, save that for the podcast.

0:56:44.640 --> 0:56:47.000
<v Speaker 1>We're going to use Hey Dude as our jumping off point,

0:56:47.040 --> 0:56:49.560
<v Speaker 1>but we are going to unpack and dive back into

0:56:49.600 --> 0:56:52.399
<v Speaker 1>the decade of the nineties. We lived it, and now

0:56:52.400 --> 0:56:54.720
<v Speaker 1>we're calling on all of our friends to come back

0:56:54.880 --> 0:56:58.160
<v Speaker 1>and relive it. Each episode will rival the feeling of

0:56:58.200 --> 0:57:00.480
<v Speaker 1>taking out the cartridge from your game boy, lowing on it,

0:57:00.520 --> 0:57:02.799
<v Speaker 1>and popping it back in as we take you back

0:57:02.840 --> 0:57:06.480
<v Speaker 1>to the nineties. So listen to Hey Dude, the nineties

0:57:06.520 --> 0:57:09.279
<v Speaker 1>called on the I Heart radio app, Apple podcasts or

0:57:09.320 --> 0:57:19.480
<v Speaker 1>wherever you listen to podcasts. Okay, So then we are

0:57:19.520 --> 0:57:21.800
<v Speaker 1>in Amy and Allen's bedroom. Amy is sitting on the

0:57:21.840 --> 0:57:23.880
<v Speaker 1>edge of the bed in a long flannel dress and

0:57:23.920 --> 0:57:27.160
<v Speaker 1>Alan says she's looking very amish, which I think is

0:57:27.280 --> 0:57:30.000
<v Speaker 1>very funny. Scene was great, And going back to what

0:57:30.040 --> 0:57:31.960
<v Speaker 1>we've talked about multiple times, or what we did talk

0:57:31.960 --> 0:57:34.439
<v Speaker 1>about multiple times in season one is just how many

0:57:34.520 --> 0:57:38.280
<v Speaker 1>conversations they get to have that we're not just about parenting,

0:57:38.320 --> 0:57:41.680
<v Speaker 1>but full scenes where we get to like peek inside

0:57:41.760 --> 0:57:46.160
<v Speaker 1>their relationship. Is just cool, Like you don't see that

0:57:46.200 --> 0:57:50.360
<v Speaker 1>the parents are such side characters in most sitcoms these days.

0:57:50.760 --> 0:57:53.960
<v Speaker 1>They were really much like talking about their marriage, and

0:57:54.000 --> 0:57:56.160
<v Speaker 1>you got to see them kind of flirting before bed,

0:57:56.200 --> 0:57:59.880
<v Speaker 1>and it's very cute. Although Amy is very stressed for work,

0:58:00.440 --> 0:58:06.320
<v Speaker 1>work that we've never heard about before. She's now the

0:58:06.360 --> 0:58:08.959
<v Speaker 1>first time she references the gallery because that stuck around

0:58:09.000 --> 0:58:11.320
<v Speaker 1>for a while if I remember. Now, all of a sudden,

0:58:11.320 --> 0:58:13.320
<v Speaker 1>she's got a gallery and Alan says that he is

0:58:13.360 --> 0:58:17.240
<v Speaker 1>there to relieve her stress, and they start kissing as

0:58:17.280 --> 0:58:19.840
<v Speaker 1>they lay down in bed, and then Amy feels an

0:58:19.880 --> 0:58:23.080
<v Speaker 1>earring dig into her back. She's very concerned and she

0:58:23.160 --> 0:58:28.280
<v Speaker 1>asks Alan, who's is this now? I hope you're going

0:58:28.320 --> 0:58:30.600
<v Speaker 1>to say the same thing. I am the biggest earring

0:58:31.160 --> 0:58:34.840
<v Speaker 1>that she was in the world she was wearing, but

0:58:35.240 --> 0:58:39.200
<v Speaker 1>we run out without knowing. You've got a giant well,

0:58:39.200 --> 0:58:41.280
<v Speaker 1>because she was so flustered when she left, and by

0:58:41.280 --> 0:58:45.800
<v Speaker 1>the way, she is missing the earring when she leaves. Okay, okay,

0:58:45.960 --> 0:58:49.560
<v Speaker 1>here's something doesn't make any sense. She was there a

0:58:49.640 --> 0:58:55.880
<v Speaker 1>full twenty four hours before because Corey saw them and

0:58:55.920 --> 0:58:58.400
<v Speaker 1>then got the advice from Eric went to school the

0:58:58.480 --> 0:59:00.960
<v Speaker 1>next day, they didn't sleep in their bed, so they

0:59:01.000 --> 0:59:04.920
<v Speaker 1>are having an affair. They are sleeping in the car,

0:59:05.320 --> 0:59:08.560
<v Speaker 1>or I don't know what they're doing, but sometimes they're

0:59:08.560 --> 0:59:12.880
<v Speaker 1>not sleeping in their bed. Oh man, I never the

0:59:12.880 --> 0:59:14.920
<v Speaker 1>but is made. So they didn't sleep in their bed

0:59:15.000 --> 0:59:18.800
<v Speaker 1>last night, or they slept in the bed, moved the earring,

0:59:19.080 --> 0:59:21.760
<v Speaker 1>remade the bed, and somehow the earring stayed there like

0:59:21.800 --> 0:59:25.600
<v Speaker 1>it just it is a continuity thing timeline wise, that

0:59:25.720 --> 0:59:28.760
<v Speaker 1>just oh yeah, where were they sleeping the night before?

0:59:28.760 --> 0:59:31.120
<v Speaker 1>They should have found it the same day, but it

0:59:31.240 --> 0:59:34.640
<v Speaker 1>didn't work for story. Amy and Alan aren't open. Couple

0:59:36.240 --> 0:59:38.760
<v Speaker 1>sleep in the bathtub every now and then. I don't know,

0:59:39.440 --> 0:59:43.480
<v Speaker 1>you're saying, swing, yes, I guess it must be. And

0:59:43.520 --> 0:59:45.560
<v Speaker 1>it was, she wouldn't be upset about the earring at all.

0:59:45.600 --> 0:59:51.640
<v Speaker 1>She'd be like, which one who's is this? Because they agreed,

0:59:52.240 --> 0:59:54.840
<v Speaker 1>they agreed not to have it happen in the bedroom,

0:59:54.920 --> 1:00:01.520
<v Speaker 1>so they weren't aim for correct cot So anyway, I

1:00:01.880 --> 1:00:05.200
<v Speaker 1>don't quite understand that. But it's not him, and she

1:00:05.280 --> 1:00:07.840
<v Speaker 1>says she knows it's definitely not him. She doesn't think

1:00:07.840 --> 1:00:10.360
<v Speaker 1>he's having an affair, and then Alan is offended by

1:00:10.400 --> 1:00:12.800
<v Speaker 1>that because how dare you say that I could not

1:00:12.840 --> 1:00:15.400
<v Speaker 1>be having an affair. Women still find me very attractive,

1:00:15.720 --> 1:00:17.880
<v Speaker 1>and Amy says, of course, of course she could lose

1:00:17.960 --> 1:00:23.360
<v Speaker 1>him at any moment. M it's a little exhausted by this,

1:00:24.360 --> 1:00:29.320
<v Speaker 1>by this bit in their marriage, the whole it was

1:00:29.400 --> 1:00:34.480
<v Speaker 1>just such an odd episode all the way around. Danielle

1:00:34.480 --> 1:00:37.440
<v Speaker 1>just gave up on the podcast. Do we have to

1:00:37.520 --> 1:00:41.720
<v Speaker 1>keep talking? I was just, I don't know. I you know.

1:00:41.760 --> 1:00:43.600
<v Speaker 1>It's funny is that Will and I were talking. Will

1:00:43.640 --> 1:00:45.320
<v Speaker 1>and I were having a conversation on the way home

1:00:45.480 --> 1:00:50.360
<v Speaker 1>together the other day, and I said, and I immediately

1:00:50.440 --> 1:00:52.720
<v Speaker 1>thought of Boy Meets World when I said this, But

1:00:52.800 --> 1:00:57.040
<v Speaker 1>I said that Will and writer have very much a

1:00:57.160 --> 1:01:02.040
<v Speaker 1>similar energy, which is a safe energy. And I said,

1:01:02.440 --> 1:01:07.080
<v Speaker 1>right after I said it like no offense. And the

1:01:07.160 --> 1:01:10.200
<v Speaker 1>only reason I felt like I had to say no

1:01:10.360 --> 1:01:14.479
<v Speaker 1>offense is because of a lot of this like kind

1:01:14.480 --> 1:01:19.200
<v Speaker 1>of boy meets World energy and an old timey nineties

1:01:19.280 --> 1:01:23.520
<v Speaker 1>feeling where like it was somehow offensive to men to

1:01:23.640 --> 1:01:28.600
<v Speaker 1>be a good guy to my masculinity because you called

1:01:28.640 --> 1:01:35.600
<v Speaker 1>me dangerous. God exactly, it's a it was a it's

1:01:35.640 --> 1:01:37.840
<v Speaker 1>a man. I want to I want to be predatory,

1:01:37.880 --> 1:01:39.479
<v Speaker 1>even though I don't think that's what Alan is saying.

1:01:39.480 --> 1:01:42.040
<v Speaker 1>Alan is just saying I'm a hot commodity. Other people

1:01:42.040 --> 1:01:44.640
<v Speaker 1>could want me, so I am not. Please don't send

1:01:44.640 --> 1:01:48.400
<v Speaker 1>me your emails. And I know what you're saying. I mean, yeah,

1:01:48.960 --> 1:01:52.680
<v Speaker 1>it feels now a little like, oh, come on, can

1:01:52.720 --> 1:01:57.480
<v Speaker 1>you just be more confident in yourself? Alan? Incre it's

1:01:57.480 --> 1:02:00.120
<v Speaker 1>an insecure marriage feeling, which I just don't think it's

1:02:00.200 --> 1:02:02.640
<v Speaker 1>fun for them. I don't. I don't like them having

1:02:02.720 --> 1:02:06.040
<v Speaker 1>insecure marriage stuff. I like them wooing each other and

1:02:06.160 --> 1:02:08.720
<v Speaker 1>dating each other and keeping the spice alive, not a

1:02:09.000 --> 1:02:11.840
<v Speaker 1>hey you think I couldn't cheat on you. I don't know.

1:02:11.920 --> 1:02:15.360
<v Speaker 1>I just it felt a little It's not my favorite.

1:02:15.400 --> 1:02:17.280
<v Speaker 1>It's not my favorite bit for their marriage. And I

1:02:17.400 --> 1:02:20.200
<v Speaker 1>loved every other one that I've seen. This was the

1:02:20.200 --> 1:02:22.200
<v Speaker 1>first one that I was a little like, let's let's

1:02:22.240 --> 1:02:23.800
<v Speaker 1>move past this place. And it was a weird It

1:02:23.880 --> 1:02:26.920
<v Speaker 1>was a weird uh kind of juxtaposition for me because

1:02:27.040 --> 1:02:28.880
<v Speaker 1>as much as I didn't like it, and I agree,

1:02:29.600 --> 1:02:33.040
<v Speaker 1>Rusty's really funny. He's so funny. He's really funny. I mean,

1:02:33.040 --> 1:02:35.000
<v Speaker 1>he's really trying to pull off for that is this

1:02:35.080 --> 1:02:37.640
<v Speaker 1>thing welded on like all that stuff. Those are all

1:02:37.720 --> 1:02:40.120
<v Speaker 1>great funny that I love. That's what I'm saying. That's

1:02:40.120 --> 1:02:42.360
<v Speaker 1>the part I love. I love. I love their marriage

1:02:42.400 --> 1:02:46.000
<v Speaker 1>being secure and stable and them hot for each other,

1:02:46.600 --> 1:02:48.920
<v Speaker 1>uh and fun. But that's why it seems like a

1:02:48.920 --> 1:02:52.800
<v Speaker 1>different show. It's like every character is getting slightly different

1:02:52.840 --> 1:02:56.360
<v Speaker 1>than the and again we're we're seeing it through the

1:02:56.400 --> 1:02:58.840
<v Speaker 1>prism of we're watching them back to back to back

1:02:58.880 --> 1:03:01.479
<v Speaker 1>to back to back. Um. But at the same time,

1:03:01.520 --> 1:03:03.760
<v Speaker 1>it is it seems like they're okay, Well, season one

1:03:03.840 --> 1:03:05.520
<v Speaker 1>was a good show for boy Mean's World. Season two

1:03:05.520 --> 1:03:07.840
<v Speaker 1>we're going to kind of change everybody a bit, even

1:03:07.840 --> 1:03:11.280
<v Speaker 1>the parents. And I guess Phoene's really the only one

1:03:11.320 --> 1:03:16.080
<v Speaker 1>who's completely the same, although also almost non existent, right, Yes,

1:03:16.160 --> 1:03:18.120
<v Speaker 1>that was the other thing is he's just not really

1:03:18.240 --> 1:03:21.680
<v Speaker 1>in the show anymore. Really, here it seemed like everyone's

1:03:21.760 --> 1:03:24.680
<v Speaker 1>just slightly different than they were. It was off. But

1:03:24.840 --> 1:03:27.760
<v Speaker 1>I let's let's let's see how it settles him. I

1:03:27.760 --> 1:03:31.080
<v Speaker 1>think we must write because we do. We continue to

1:03:31.120 --> 1:03:33.040
<v Speaker 1>be a successful show, so I think we must have

1:03:33.040 --> 1:03:35.760
<v Speaker 1>found our our game. You know, as the season went on,

1:03:35.800 --> 1:03:38.840
<v Speaker 1>it still feels creaky to me, it's definitely yeah, there's

1:03:38.840 --> 1:03:41.480
<v Speaker 1>definitely some awkward bits, and like, this is my biggest thing,

1:03:41.560 --> 1:03:44.280
<v Speaker 1>is just like the adjustment to like horny, horny boy

1:03:44.400 --> 1:03:49.040
<v Speaker 1>energy that permeates this entire episode for obvious reasons, but

1:03:49.160 --> 1:03:52.280
<v Speaker 1>I also have a sinking feeling that a premeus the

1:03:52.680 --> 1:03:55.200
<v Speaker 1>entirety of boy Mean's world, which is just gonna make

1:03:55.240 --> 1:03:58.320
<v Speaker 1>me a little uncomfortable because you know, I obviously was

1:03:58.360 --> 1:04:00.800
<v Speaker 1>a teenage boy, so it probably felt totally normal to me,

1:04:01.600 --> 1:04:03.840
<v Speaker 1>but now it feels a little weird. It's not in

1:04:03.840 --> 1:04:06.040
<v Speaker 1>the Honeymoon episode. We should just watch the Honeymoon episode

1:04:06.080 --> 1:04:09.120
<v Speaker 1>over and over. That should be the podcast it how

1:04:09.200 --> 1:04:13.320
<v Speaker 1>Dare you So? Amy then realizes it's Rebecca's earring, and

1:04:13.400 --> 1:04:15.280
<v Speaker 1>she wants to go talk to Eric herself because she

1:04:15.320 --> 1:04:17.960
<v Speaker 1>wants to avoid the atta boy type father son thing

1:04:18.040 --> 1:04:21.200
<v Speaker 1>that the conversation could become. Alan and Amy decided that

1:04:21.200 --> 1:04:24.360
<v Speaker 1>they were going to go together, and uh, but Alan

1:04:24.400 --> 1:04:27.200
<v Speaker 1>makes a little atta boy joke as he walks out

1:04:27.200 --> 1:04:31.640
<v Speaker 1>of the bedroom and then they turn right, which bothers

1:04:31.680 --> 1:04:34.080
<v Speaker 1>me because when we saw Corey come up the stairs

1:04:34.160 --> 1:04:37.960
<v Speaker 1>down the hallway, there weren't bedrooms before. Amy and Allen's bedroom,

1:04:38.280 --> 1:04:40.720
<v Speaker 1>So it feels as though the boy's bedroom has to

1:04:40.760 --> 1:04:42.640
<v Speaker 1>be They would have to make a left out of

1:04:42.680 --> 1:04:46.000
<v Speaker 1>their bedroom, right. Then you take a left to the

1:04:46.000 --> 1:04:49.600
<v Speaker 1>hallway curves to the left, and then there's probably another

1:04:49.680 --> 1:04:52.600
<v Speaker 1>hallway that goes straight and the stairs are at the

1:04:52.680 --> 1:04:55.480
<v Speaker 1>end of that hallway down to the left. I so

1:04:55.560 --> 1:04:58.040
<v Speaker 1>you think they passed the stairs. They passed the stairs, Okay,

1:04:58.080 --> 1:05:01.520
<v Speaker 1>I assumed that the stairs dead end there. Basically that

1:05:01.560 --> 1:05:05.400
<v Speaker 1>the stairs dead end, that's like a curved walkway, and

1:05:05.440 --> 1:05:07.760
<v Speaker 1>the rest of the house has to go anyway. Whatever,

1:05:07.880 --> 1:05:09.440
<v Speaker 1>big deal. At first, I was like, wait, they went

1:05:09.560 --> 1:05:11.640
<v Speaker 1>the same way towards the staircase. But you're right. It

1:05:11.640 --> 1:05:15.240
<v Speaker 1>could extend. It could extend the lego set, the Matthews

1:05:15.280 --> 1:05:17.800
<v Speaker 1>family lego set. By the way, not not to bring

1:05:17.840 --> 1:05:19.640
<v Speaker 1>down the house, but I texted you guys a while

1:05:19.720 --> 1:05:22.200
<v Speaker 1>ago that I did a recording session and the boy

1:05:22.200 --> 1:05:25.760
<v Speaker 1>me world house is gone. I know it's gone. It's

1:05:25.760 --> 1:05:29.320
<v Speaker 1>a little that's so crazy because actually, like people lived

1:05:29.360 --> 1:05:31.959
<v Speaker 1>in it for a while. Yeah really yeah, yeah, people.

1:05:32.440 --> 1:05:37.040
<v Speaker 1>A girl I grew up with, um, her husband's family

1:05:37.240 --> 1:05:39.600
<v Speaker 1>owned it and lived in it for years. Um, So

1:05:39.680 --> 1:05:43.080
<v Speaker 1>it's such a weird coincidence. It's my town of six

1:05:43.120 --> 1:05:45.200
<v Speaker 1>thousand people. She her husband ended up living in the

1:05:45.200 --> 1:05:58.520
<v Speaker 1>boy Beats World house. So we're in Korey and Eric's bedroom.

1:05:58.520 --> 1:06:00.560
<v Speaker 1>Amy and Allen walk in and ask if he wants

1:06:00.600 --> 1:06:02.840
<v Speaker 1>to tell them anything. Amy pulls out the earring and

1:06:02.880 --> 1:06:05.520
<v Speaker 1>he pretends it's a birthday present for his mom. He

1:06:05.600 --> 1:06:10.280
<v Speaker 1>then quickly admits that nothing happened. Well, you were so

1:06:10.320 --> 1:06:13.280
<v Speaker 1>good in this scene. I remember having fun with the scene.

1:06:13.280 --> 1:06:15.479
<v Speaker 1>I do, I remember having I remember this is where

1:06:15.480 --> 1:06:18.000
<v Speaker 1>I think I'm starting to feel the comedy a little bit.

1:06:18.160 --> 1:06:22.240
<v Speaker 1>You keep saying that you got the comedy. I don't know.

1:06:22.600 --> 1:06:25.320
<v Speaker 1>It evolves. It evolves though it's always evolving, and that

1:06:25.520 --> 1:06:27.400
<v Speaker 1>this is starting to get it. But this is a

1:06:27.800 --> 1:06:29.480
<v Speaker 1>This is just a well written scene. And it's also

1:06:29.520 --> 1:06:31.600
<v Speaker 1>not always you. It's like there are going to be

1:06:31.600 --> 1:06:34.240
<v Speaker 1>scenes that are better written, like the scene with Amy

1:06:34.240 --> 1:06:36.520
<v Speaker 1>and you at the bathroom door in season one that

1:06:36.640 --> 1:06:38.680
<v Speaker 1>was funny six episodes in and it was you were

1:06:38.800 --> 1:06:41.440
<v Speaker 1>nailing it. This is a well written scene in the

1:06:41.480 --> 1:06:44.680
<v Speaker 1>sense that you're being confronted and you have witty things

1:06:44.720 --> 1:06:46.880
<v Speaker 1>to say, and you have to keep adjusting in your approach,

1:06:47.080 --> 1:06:49.040
<v Speaker 1>which is great for you as an actor because you

1:06:49.080 --> 1:06:50.920
<v Speaker 1>just keep trying this. Now I'm gonna do this. Boy,

1:06:51.520 --> 1:06:53.000
<v Speaker 1>it was fun and it was a fun I remember.

1:06:53.040 --> 1:06:55.000
<v Speaker 1>I also remember how funny Rusty was in the scene

1:06:55.000 --> 1:06:58.720
<v Speaker 1>too good, Yeah, everybody's great, Yeah, and then coming in

1:06:58.720 --> 1:07:01.800
<v Speaker 1>with just like played food and like way he's so

1:07:01.840 --> 1:07:04.600
<v Speaker 1>like oh yeah, but I mean, it's just the dynamics

1:07:04.720 --> 1:07:06.600
<v Speaker 1>is a very well directed scene as well as an

1:07:06.760 --> 1:07:09.840
<v Speaker 1>acted scene, and that everybody's sort of very clear, everybody's

1:07:09.880 --> 1:07:12.280
<v Speaker 1>at cross currents. It's just good. It's all well written.

1:07:12.960 --> 1:07:15.240
<v Speaker 1>This was one of my my most favorite family scenes.

1:07:15.280 --> 1:07:17.800
<v Speaker 1>I remember that. And this also is finally where the

1:07:17.800 --> 1:07:22.640
<v Speaker 1>show feels like like all the ickiness is sort of like, oh,

1:07:22.680 --> 1:07:25.800
<v Speaker 1>the adults are in the room now, okay, Like all

1:07:25.840 --> 1:07:28.040
<v Speaker 1>the bad advice that Corey has been getting is going

1:07:28.080 --> 1:07:31.880
<v Speaker 1>to be reaching you know, reality and being called out

1:07:31.920 --> 1:07:33.560
<v Speaker 1>for what it is, which is just nice to see

1:07:33.560 --> 1:07:36.920
<v Speaker 1>and it brought the episode full circle. So Corey walks

1:07:36.920 --> 1:07:38.520
<v Speaker 1>in and he says, take it easy on Eric. He

1:07:38.560 --> 1:07:40.440
<v Speaker 1>taught him how to finally get a girl to say hi.

1:07:40.800 --> 1:07:42.800
<v Speaker 1>They asked what her name is and Corey doesn't even

1:07:42.800 --> 1:07:44.520
<v Speaker 1>know her name. Corey says, but it's all part of

1:07:44.640 --> 1:07:48.280
<v Speaker 1>Eric's foolproof met fullproof method to get a date. Corey

1:07:48.280 --> 1:07:50.520
<v Speaker 1>explains Eric's idea of getting any girl to make eye

1:07:50.560 --> 1:07:53.120
<v Speaker 1>contact with him. Amy says she would rather Corey go

1:07:53.160 --> 1:07:55.760
<v Speaker 1>to Alan for this kind of advice instead of Eric,

1:07:56.280 --> 1:07:58.840
<v Speaker 1>and Corey says he walked in on Eric and Rebecca,

1:07:58.960 --> 1:08:02.760
<v Speaker 1>and Eric starts being amazing Grace, which is so funny,

1:08:03.640 --> 1:08:05.960
<v Speaker 1>and then Eric reanax Rebecca telling him to sit next

1:08:06.000 --> 1:08:08.120
<v Speaker 1>to her on the bed, and Alan says that he

1:08:08.160 --> 1:08:10.600
<v Speaker 1>should not rush into sex, even though when his father

1:08:10.680 --> 1:08:12.520
<v Speaker 1>told him that he didn't believe it, but now that

1:08:12.560 --> 1:08:14.240
<v Speaker 1>he is a father and he's here in this very

1:08:14.240 --> 1:08:17.759
<v Speaker 1>moment um, he's has to say it, and it's very important.

1:08:17.920 --> 1:08:19.360
<v Speaker 1>I love the joke where he was like, and you'll

1:08:19.400 --> 1:08:23.680
<v Speaker 1>know someday when you're a father, which is so that

1:08:23.880 --> 1:08:27.400
<v Speaker 1>it was really cute. And then Alan tells Corey that

1:08:27.439 --> 1:08:30.439
<v Speaker 1>he's better off not knowing anything about girls than going

1:08:30.479 --> 1:08:34.840
<v Speaker 1>with Eric's advice, which I thought is a perfect joke

1:08:35.479 --> 1:08:39.120
<v Speaker 1>to also drive the point home that total ignorance is

1:08:39.200 --> 1:08:41.519
<v Speaker 1>better than the advice that you don't need to care

1:08:41.560 --> 1:08:43.439
<v Speaker 1>at all about the person you're trying to get into

1:08:43.439 --> 1:08:46.400
<v Speaker 1>a relationship with No. It was nice. It was a

1:08:46.479 --> 1:08:49.960
<v Speaker 1>nice scene with Rusty, nice scene with with Betsy. It

1:08:50.040 --> 1:08:52.960
<v Speaker 1>was it was, it was And again I think you

1:08:52.960 --> 1:08:55.880
<v Speaker 1>can argue you're supposed to feel the ickness through most

1:08:55.880 --> 1:08:58.439
<v Speaker 1>of this episode because it is Ikey. When you're a teenager,

1:08:58.800 --> 1:09:01.160
<v Speaker 1>nothing you do is right. And so it is the

1:09:01.200 --> 1:09:03.600
<v Speaker 1>adult coming back in and steering the ship like, Okay, no,

1:09:04.240 --> 1:09:07.920
<v Speaker 1>he's an idiot and you need to be your age, um,

1:09:07.960 --> 1:09:11.920
<v Speaker 1>And I thought that was yeah, I agree. So then

1:09:11.920 --> 1:09:14.080
<v Speaker 1>we are in the school hallway. The girl from class

1:09:14.120 --> 1:09:16.000
<v Speaker 1>comes up to Corey and asks if he's ready to

1:09:16.000 --> 1:09:18.280
<v Speaker 1>go on the date. Corey says, do you feel funny

1:09:18.320 --> 1:09:20.840
<v Speaker 1>about this whole thing, and she says yes, she gets it.

1:09:21.120 --> 1:09:22.880
<v Speaker 1>Corey says they should still get to know each other

1:09:22.880 --> 1:09:24.640
<v Speaker 1>in case they ever do want to go out, and

1:09:24.680 --> 1:09:26.639
<v Speaker 1>he asked because she wants to go somewhere and talk.

1:09:26.800 --> 1:09:30.800
<v Speaker 1>And he finally finds out her name, Wendy. Corey says

1:09:30.880 --> 1:09:34.719
<v Speaker 1>hi after learning her name, and she says hi back.

1:09:35.720 --> 1:09:38.439
<v Speaker 1>She's very nice, she's a very good, good actress, and

1:09:38.479 --> 1:09:40.360
<v Speaker 1>it's it's a very sweet moment between the two of them.

1:09:40.360 --> 1:09:43.760
<v Speaker 1>It really was. It's very cute, and then we are

1:09:43.800 --> 1:09:46.160
<v Speaker 1>in Corey and Eric's room. Corey and Eric are working

1:09:46.200 --> 1:09:48.439
<v Speaker 1>on their homework. Eric says, even though he has been

1:09:48.479 --> 1:09:51.040
<v Speaker 1>for he has been forbidden from talking about girls with Corey.

1:09:51.280 --> 1:09:53.400
<v Speaker 1>He wants to know if Corey wants to update him

1:09:53.439 --> 1:09:56.000
<v Speaker 1>on anything in his life. Corey says he had a

1:09:56.000 --> 1:09:58.880
<v Speaker 1>good time on his date. Eric asks asks what his

1:09:58.960 --> 1:10:01.479
<v Speaker 1>technique was, and Corey says he was just real nervous

1:10:01.520 --> 1:10:05.000
<v Speaker 1>and nodded a lot. And then Corey says that even

1:10:05.040 --> 1:10:07.200
<v Speaker 1>though he didn't know, he doesn't know if he did well.

1:10:07.280 --> 1:10:09.880
<v Speaker 1>Wendy does want to go out again, and then the

1:10:09.920 --> 1:10:14.040
<v Speaker 1>tables turn and Eric asks Corey how exactly he nodded

1:10:14.240 --> 1:10:17.160
<v Speaker 1>asking for love advice. I guess the teacher has become

1:10:17.280 --> 1:10:21.360
<v Speaker 1>the student and will the way you nod is. And

1:10:21.400 --> 1:10:30.160
<v Speaker 1>then this is pure real bed. That is Ben Savage

1:10:30.280 --> 1:10:32.880
<v Speaker 1>laughing at Wilford ll And that's why it's such a

1:10:32.920 --> 1:10:37.599
<v Speaker 1>great moment. I lost it. I jumped off. I can

1:10:37.800 --> 1:10:40.680
<v Speaker 1>see it. He's yeah, he covers his face with his

1:10:40.760 --> 1:10:44.519
<v Speaker 1>hand like he's so embarrassed because you just cracked him up.

1:10:44.800 --> 1:10:49.160
<v Speaker 1>And that wasn't the original, it was an original endure.

1:10:49.280 --> 1:10:51.800
<v Speaker 1>But he could not get through it because you just

1:10:51.840 --> 1:10:54.400
<v Speaker 1>made him laugh, and it just was like, oh, it

1:10:54.520 --> 1:10:57.160
<v Speaker 1>was so fun to see to be like, oh, there,

1:10:57.240 --> 1:11:00.439
<v Speaker 1>I remember laughing with him in these moments and feeling

1:11:00.560 --> 1:11:04.240
<v Speaker 1>such real connection. Yes, yes, me too. I did the

1:11:04.280 --> 1:11:06.240
<v Speaker 1>exact same thing. I watched it happened, and I was like,

1:11:06.280 --> 1:11:07.840
<v Speaker 1>oh my god, I have to watch it again. I

1:11:07.880 --> 1:11:11.120
<v Speaker 1>watched it multiple times. It's like the couch you know. Yeah,

1:11:11.320 --> 1:11:13.479
<v Speaker 1>it's a behind the scenes moment. It is a raw,

1:11:13.920 --> 1:11:16.519
<v Speaker 1>behind the scenes moment of not being able to keep

1:11:16.520 --> 1:11:19.040
<v Speaker 1>it together. And well, it's also nice because you know

1:11:19.160 --> 1:11:22.120
<v Speaker 1>that he still has the burden of carrying the show

1:11:22.160 --> 1:11:25.360
<v Speaker 1>on his shoulders at twelve or thirteen. By this point,

1:11:25.360 --> 1:11:28.040
<v Speaker 1>he's still doing that week after week. He's still killing

1:11:28.080 --> 1:11:30.240
<v Speaker 1>it every week. And so to see a moment where

1:11:30.280 --> 1:11:32.320
<v Speaker 1>you can tell it's just him having pure fun and

1:11:32.320 --> 1:11:36.160
<v Speaker 1>he's just down. Yeah, the work falls away, yes, and

1:11:36.200 --> 1:11:38.759
<v Speaker 1>it's just him as a kid laughing. It was great.

1:11:38.920 --> 1:11:40.840
<v Speaker 1>Love I love. I loved every time I got to

1:11:40.880 --> 1:11:43.160
<v Speaker 1>break Ben or you guys broke me or any of that.

1:11:43.200 --> 1:11:50.040
<v Speaker 1>It was just such a real, real moments. All so

1:11:50.240 --> 1:11:52.200
<v Speaker 1>much in front of the audience was there was so

1:11:52.280 --> 1:11:55.240
<v Speaker 1>much of that so much. Yeah, it is. It's funny

1:11:55.280 --> 1:11:57.679
<v Speaker 1>than to see that moment because it's like so much

1:11:57.680 --> 1:12:01.080
<v Speaker 1>of our quote unquote home memories, our home videos are

1:12:01.200 --> 1:12:04.640
<v Speaker 1>the actual show, but but that those aren't really what

1:12:04.680 --> 1:12:06.800
<v Speaker 1>we were what we were, So this moment was like

1:12:06.920 --> 1:12:11.439
<v Speaker 1>an actual capture of team. Then. So here's my question.

1:12:12.040 --> 1:12:14.400
<v Speaker 1>Does the audience know the difference? Can the audience tell

1:12:14.439 --> 1:12:17.280
<v Speaker 1>the difference? I don't know, let us know. It's interesting,

1:12:17.360 --> 1:12:20.639
<v Speaker 1>you know if it's a feeling like you just get that,

1:12:20.720 --> 1:12:23.240
<v Speaker 1>you get that Joy made such a big reaction that

1:12:23.479 --> 1:12:25.720
<v Speaker 1>Alex and Indy knew, you know, like I didn't give

1:12:25.760 --> 1:12:28.360
<v Speaker 1>them a chance to like to call it out at all.

1:12:28.600 --> 1:12:30.880
<v Speaker 1>So I'm very curious if you don't know, Ben, or

1:12:30.920 --> 1:12:32.479
<v Speaker 1>if you don't know, if you just think that that's

1:12:32.520 --> 1:12:35.760
<v Speaker 1>Corey being a moment where there's something more raw and

1:12:35.920 --> 1:12:40.240
<v Speaker 1>like so natural about it that it transcends the structure

1:12:40.280 --> 1:12:42.479
<v Speaker 1>of the show. I kind of wish I could go

1:12:42.560 --> 1:12:46.640
<v Speaker 1>back and thank Ben. I know that sounds ridiculous, but

1:12:46.680 --> 1:12:50.240
<v Speaker 1>for just kind of being the rock that held the

1:12:50.240 --> 1:12:53.840
<v Speaker 1>show to get I mean, it's what I mean, But

1:12:54.040 --> 1:12:55.840
<v Speaker 1>did do that to an eleven or twelve year old?

1:12:55.880 --> 1:12:57.599
<v Speaker 1>But you can easily be the reason the show existed,

1:12:57.680 --> 1:12:59.439
<v Speaker 1>and then it goes in a whole different direction and

1:12:59.479 --> 1:13:01.759
<v Speaker 1>they're like, no, we're not going He carried the burden

1:13:01.800 --> 1:13:05.639
<v Speaker 1>the whole time. Um, and that's really impressive. So yeah,

1:13:05.680 --> 1:13:07.040
<v Speaker 1>part of me wish just I could go back and

1:13:07.080 --> 1:13:09.200
<v Speaker 1>talk to twelve year old band and be like, you're killing.

1:13:09.200 --> 1:13:12.840
<v Speaker 1>It helped somebody's telling you that you're killing all the

1:13:12.880 --> 1:13:15.800
<v Speaker 1>time and we appreciate that, you know, So that would

1:13:15.840 --> 1:13:19.040
<v Speaker 1>be yeah, yeah, I don't know. Not to end melancholy,

1:13:19.120 --> 1:13:22.760
<v Speaker 1>but thank you for joining us for this episode of

1:13:22.760 --> 1:13:24.920
<v Speaker 1>pod Meats World. You can follow us on Instagram pod

1:13:24.960 --> 1:13:27.200
<v Speaker 1>meets World Show, and you can send us your emails.

1:13:27.240 --> 1:13:28.960
<v Speaker 1>Please do send us your emails and let us know

1:13:29.000 --> 1:13:31.679
<v Speaker 1>whether or not you thought that was just something scripted

1:13:31.680 --> 1:13:33.880
<v Speaker 1>that Corey laughs at the end, or did you know

1:13:34.000 --> 1:13:35.559
<v Speaker 1>that it was a total break and it was just

1:13:35.640 --> 1:13:38.040
<v Speaker 1>real Ben Savage laughing there. You can send us your

1:13:38.040 --> 1:13:40.280
<v Speaker 1>emails at pod Meats World Show at gmail dot com,

1:13:40.360 --> 1:13:45.080
<v Speaker 1>and as always, we have merch merch you can get

1:13:45.080 --> 1:13:48.000
<v Speaker 1>that at pod Meats World show dot com and we

1:13:48.040 --> 1:13:50.320
<v Speaker 1>will see you next time. We'll send us off. We

1:13:50.439 --> 1:13:54.519
<v Speaker 1>love you all. Pod dismissed pod Meats World is an

1:13:54.520 --> 1:13:57.679
<v Speaker 1>iHeart podcast produced and hosted by Daniel Fishel, Will Fernell

1:13:57.760 --> 1:14:00.600
<v Speaker 1>and Wright or Strong. Executive producers Jen some Carp and

1:14:00.600 --> 1:14:04.520
<v Speaker 1>Amy Sugarman Executive in charge of production, Danielle Romo, producer

1:14:04.520 --> 1:14:08.439
<v Speaker 1>and editor, Tara suit Box producer, Jackie Rodriguez, engineer and

1:14:08.479 --> 1:14:11.360
<v Speaker 1>Boy Meets World super fan Easton Allen. Our theme song

1:14:11.520 --> 1:14:14.080
<v Speaker 1>is by Kyle Morton of Typhoon. You can follow us

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<v Speaker 1>on Instagram at pod Meats World Show or send us

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<v Speaker 1>an email at pod Meats World Show at gmail dot com.