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Speaker 1: Well, it's guys, are you still writing two on your checks?

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Speaker 1: Will be until like November. I uh, last year was

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Speaker 1: the fact, I think, the fastest year of my life,

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Speaker 1: and I already have the feeling of like that with

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Speaker 1: I mean, I know, we talked about how old we

6
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Speaker 1: are all the time. I'm not going to do it again,

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Speaker 1: but it is just truly crazy how you can be

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Speaker 1: aware that time is going by really fast even while

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Speaker 1: it's happening that like when it will be March of

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Speaker 1: this year, we're gonna all look at each other and go,

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Speaker 1: it's already March, and then in June it's already June.

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Speaker 1: It's already summer, September. So the glass half full version

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Speaker 1: of that, which i've also which I've realized is when

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Speaker 1: something that is happening, yeah you're going through a hard period,

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Speaker 1: it also moves fast, do you know what I mean?

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Speaker 1: Like you know, uh, for me, like you know, my

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Speaker 1: wife being gone for three months, like that went by

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Speaker 1: pretty fast actually, Like I was very nervous about that happening,

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Speaker 1: and then when that happened, I'm like, wait, that's already over.

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Speaker 1: Anything that you're scared of or anxious about also goes

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Speaker 1: by fast, and and and as you get older, things

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Speaker 1: get easier too. Yeah, things, you know, just normal adults.

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Speaker 1: Stuff suddenly is not that big of a deal like

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Speaker 1: I remember as a kid, you know, And I see

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Speaker 1: this with Indie all the time, like, yeah, he's the

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Speaker 1: weeks last forever, days last forever. But that the flip

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Speaker 1: side of that is, you know, school last forever. The

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Speaker 1: things he doesn't like also are such a drag. I

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Speaker 1: have to be in piano for thirty minutes. You're like, yeah, dude,

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Speaker 1: that's nothing. I know. So I try to try and

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Speaker 1: be optimistic about it. I wish I got to spend

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Speaker 1: more time with Indie. I think Indie would be like

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Speaker 1: my friend. Yeah he he will, he will be. You

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Speaker 1: guys should spend some more time to you. Got it.

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Speaker 1: Once your kids are like yeah, four plus both of them,

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Speaker 1: it will be really easy, you know what I mean.

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Speaker 1: Right now, it's like they're at the awkward set of

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Speaker 1: ages where they can't all just be kids in a

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Speaker 1: group together. Like you clearly have a seven year old,

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Speaker 1: three year old, one year old. Yes, that is not

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Speaker 1: a good combo. And that's what you have to realize

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Speaker 1: as a parent. Is like negotiating which couple of friends,

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Speaker 1: how old their kids are and whether they you know, boys, girls,

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Speaker 1: what the like calculus of kids group dynamics are going

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Speaker 1: to be. It's complicated, but yeah, I think I think

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Speaker 1: when you're three year old, aren't the Asn't that essentially

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Speaker 1: the age difference between us? So four years yeah, but

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Speaker 1: us at being you know, twelve and sixteen felt like

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Speaker 1: practically nothing. You guys were able to be really good friends.

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Speaker 1: But yeah, now now it is, it is definitely more.

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Speaker 1: You know, we say that, but I don't think Will

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Speaker 1: and I. I looked up to Will, Like I thought

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Speaker 1: Will was the coolest person I've ever met, and I

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Speaker 1: wanted to be share him. I wanted to beat him.

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Speaker 1: But we didn't hang out all that much until the

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Speaker 1: later season, right, like I would say, like we became

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Speaker 1: best best friends in real life the last two years

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Speaker 1: of Boy before I mean before then, you were because

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Speaker 1: you were older, you could go out with like Jason Marsden,

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Speaker 1: driving your cards. And I was still like when we

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Speaker 1: went to Amsterdam, I was sixteen, so there you go.

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Speaker 1: So that's when we like solidified her from yeah, okay,

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Speaker 1: I was sixteen and that was let's go to Amsterdam. Yeah,

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Speaker 1: she's I love thinking of Will is the responsible adult, Like,

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Speaker 1: how scary is that? My god? I was way more

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Speaker 1: of responsible. Responsible was the responsible one on that trip.

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Speaker 1: He went to Amsterdam and didn't come home. He fell

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Speaker 1: into an Amsterdam pole. I helped find him his apartment.

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Speaker 1: I found the apartment for him. My gosh. It was

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Speaker 1: the only thing that he did that was more responsible.

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Speaker 1: He got a hotel room. I was one. He was like,

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Speaker 1: show up at Amy now I'm sixty and I'll find

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Speaker 1: a place to stay. Oh my gosh. I went to

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Speaker 1: a hostel. I like, just I wanted to do like

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Speaker 1: the Europe. It was like totally like you know whatever,

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Speaker 1: and I wanted to meet people. And of course when

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Speaker 1: you're staying in a hostel, you have to sleep in

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Speaker 1: a room with like six other dudes, and people make

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Speaker 1: noises and it was awful and so crashing on your path.

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Speaker 1: I remember I was mocking Will for like, you know,

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Speaker 1: had this nice hotel room. But I remember flying and

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Speaker 1: I was like, why do you hotel room? Like you're

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Speaker 1: so such a yuppie. And then I like two days later,

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Speaker 1: I was like can I can I can I stay

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Speaker 1: in your room? Cool? You got two beds, and he

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Speaker 1: was like, fine, you remember that I totally made fun

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Speaker 1: of you. You weren't phazed by it at all. Like

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Speaker 1: I mocked you to your face, and I remember you

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Speaker 1: just be like, no, no, no, I like my nice

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Speaker 1: hotel room and I want to be comfortable and I'm

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Speaker 1: gonna eat McDonald's and You're not gonna make fun of me.

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Speaker 1: It was great. Oh man, what a wonderful city. That

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Speaker 1: was a fun trip. That was a fun trip all

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Speaker 1: the way around you. I was super heartbroken, but it

95
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Speaker 1: was from you were super You're on the same paper

96
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Speaker 1: that's still there, the phone is still there, on the

97
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Speaker 1: same really want to talk about your heartbreak at all.

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Speaker 1: I had just been dumped over the phone and I

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Speaker 1: was so I had been so in love, you know.

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Speaker 1: It was just a classic writer and so yeah, I

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Speaker 1: was like going to Amsterdam to like be with my

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Speaker 1: guy friend and get over her. And then I was

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Speaker 1: just so sad and I and I just Will is

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Speaker 1: such a good friend that we had. We finally had

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Speaker 1: the moment where we were also playing magic, the gathering

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Speaker 1: all the time, This is great and I'm we're we

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Speaker 1: just were somewhere. I think we had a cafe having

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Speaker 1: a conversation and I was talking about my broken heart

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Speaker 1: and my feelings and you were just like you know what, man,

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Speaker 1: you really like what what's the deal? Like you miss her?

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Speaker 1: You want her back? I was like yeah, I really do.

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Speaker 1: And you're like, well, then go get her. Go get her, dude,

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Speaker 1: go like call her right now, figure it out, like

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Speaker 1: make And I was like you really think you know?

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Speaker 1: You were like yeah, like if you feel this way,

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Speaker 1: you have to like go for it, like stop just wallowing,

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Speaker 1: stop just sitting here crying, like and you know, so

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Speaker 1: I had to figure out the timing with the hours

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Speaker 1: calling from Amsterdam ended up being like eleven o'clock at

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Speaker 1: night or whatever, and I could finally call. I go

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Speaker 1: to this pay phone. I wrote notes like what I

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Speaker 1: was to say, and I made the move. It was

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Speaker 1: like I remember just like on this phone for like

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Speaker 1: you know, long distance call, got her on the phone,

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Speaker 1: pled my case and nope, oh my god work. She

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Speaker 1: was just like no, no, you know I remember her

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Speaker 1: crying and being like I appreciate it, but no, it's

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Speaker 1: definitely over and um and I felt better, like it

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Speaker 1: was the best because I was like right like I

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Speaker 1: had been sort of wallowing and this self pity and

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Speaker 1: like the self loathing and and is it really over?

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Speaker 1: Is it? And then you did I do something? You know?

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Speaker 1: And Will was just like, hey, if you want this,

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Speaker 1: you know, you have to go for it. And and

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Speaker 1: I remember coming back to the hotel room like a

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Speaker 1: cried of course on the street by myself an Amsterdam,

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Speaker 1: and then like coming back to the hotel room and

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Speaker 1: like being kind of proud, you know, it was like, yeah,

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Speaker 1: well I did what you said. I made the move.

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Speaker 1: She doesn't want to be in a relationship. And I

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Speaker 1: was like, and I feel better. I was able to

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Speaker 1: do your can I say there is nothing better for

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Speaker 1: heartbreak than travel, getting yourself out of your physical environment.

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Speaker 1: You have a totally different perception on your life, on

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Speaker 1: the situation, on the relationship. You're out of your comfort zone.

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Speaker 1: You have that like that you give yourself that gift

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Speaker 1: of truly being able to have longer, deeper conversations with

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Speaker 1: people you care about about the and you yeah, you

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Speaker 1: you have you have courage you probably wouldn't have had

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Speaker 1: at home, writer, like, part of what gave you that

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Speaker 1: courage was that you were so far away and is

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Speaker 1: going to be a pay phone, and there was this

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Speaker 1: idea that it could work out in this romantic movie way,

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Speaker 1: and and you were like, I'm doing it, and then,

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Speaker 1: like you said, you felt better. I highly recommend for

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Speaker 1: anybody who's able to, if you have just been, if

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Speaker 1: you've just gone through any sort of heartbreak, get yourself

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Speaker 1: out of your immediate environment, even if it's not terribly far.

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Speaker 1: I'm gonna step further. I just say travel is good

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Speaker 1: for every Like, just travel, like whatever you're going through,

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Speaker 1: Like it's cool. Like I would totally live on the

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Speaker 1: road my entire life if I go to I mean,

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Speaker 1: I try and travel all the time, and I just

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Speaker 1: love moving. I love being in new cities, I love

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Speaker 1: new experiences like I would just totally. I mean, I know,

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Speaker 1: like standup comedians and musicians always complain about being on

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Speaker 1: the road. I'm sure that there's a point of like

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Speaker 1: where it just becomes miserable, but like, I don't know,

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Speaker 1: I miss those being a teenager or like basically from

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Speaker 1: the age of sixteen to twenty five, I traveled the world,

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Speaker 1: Like I never stayed home more than like three weeks

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Speaker 1: at a time, Like I traveled constantly, and I missed

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Speaker 1: those years like I missed that ability to do no

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Speaker 1: travel is travel is very restorative. That the hashbars helped.

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Speaker 1: Those are those are also helpful for although you didn't partake,

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Speaker 1: you didn't partake at all. I did drink alcohol. I

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Speaker 1: remember having beers like Heineken, and and being excited, of

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Speaker 1: course to have a beer in a movie theater like

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Speaker 1: they say that was I think was the trip where

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Speaker 1: I got strip searched. When I came back to L

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Speaker 1: a X. And as I'm sitting there in the airport

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Speaker 1: in my underwear, the guy went, are you on Boy

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Speaker 1: Meets World? And I went, yep, sure am, best time

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Speaker 1: on the glove. That's great, that's what he was doing.

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Speaker 1: And I was like, I didn't bring anything back, so

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Speaker 1: I swear I didn't. But yeah, well, welcome to Pod

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Speaker 1: Meets World. I'm Daniel fishel Or Strong. I'm Wilfredell. So

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Speaker 1: today we are recapping season two, episode two, pairing Off,

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Speaker 1: which originally aired September. And do you guys what, I

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Speaker 1: don't know. Will's already in his head and I'm kind

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Speaker 1: of with him, even though I'm not sure what he's

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Speaker 1: gonna say. It's weird, it feels weird. I'm not ready.

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Speaker 1: It's a completely different television show that this one was

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Speaker 1: all of a sudden, all about sex. It was so weird.

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Speaker 1: It's not it's not that it's bad. It's just I'm

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Speaker 1: watching a completely different television so uncomfortable. It's uncomfortable because

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Speaker 1: of this episode of Boy Meets the World. I don't

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Speaker 1: have to have to talk with my son. You watched

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Speaker 1: it with INDI, Yes, of course, of course. I'm like, Mandy,

200
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Speaker 1: we've got to watch a Boy's World episode for the show.

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Speaker 1: Let's watch it. And then it was like, oh, oh,

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Speaker 1: you know, and we're planning to have the talk soon,

203
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Speaker 1: like we're at the age like this is the time.

204
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Speaker 1: But I was like, oh, I guess, I guess Boy's

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Speaker 1: World just did it for me. And I just realized,

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Speaker 1: like a weird and older show. Like when I had

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Speaker 1: the idea of like sitting down with my seven year

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Speaker 1: old to watch Boy Meets World, that seems like a

209
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Speaker 1: good idea when I was, you know, first season, but

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Speaker 1: like we aged up quick, yeah, and that very quick.

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Speaker 1: I everybody was sitting there going, oh, this whole episode

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Speaker 1: is just about you know, it's called pairing off. It's

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Speaker 1: like just not hooking up. And everyone's making out. It's

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Speaker 1: a lot. It was a lot. I agree, it was

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Speaker 1: a lot. It was just it was uncomfortable too, and

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Speaker 1: also made me very very uncomfortable. I miss the warm

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Speaker 1: blanket of season one. Right. Well, it's you know this

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Speaker 1: is it's so crazy because this is just the difference

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Speaker 1: between ABC and Disney Channel, right like, if this were

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Speaker 1: a Disney Channel show, this episode could not exist. Um,

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Speaker 1: you know, and and and back then in ABC, like

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Speaker 1: this was that gray area. And I guess we stayed

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Speaker 1: this way for the rest of our show. I have

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Speaker 1: a question for you. Do you think, with the way

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Speaker 1: that the world is now, do you think if it

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Speaker 1: was ABC now, you could even do this episode. I

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Speaker 1: don't think so. I don't know. We talked. It feels

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Speaker 1: like we've gotten more conservative in some ways. Like if

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Speaker 1: I think if you're inviting children to the to a

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Speaker 1: television show because of the fragmentation, because we're not in

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Speaker 1: a monoculture like you, you assume that it's just for

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Speaker 1: kids or for kids with and then hopefully their adults

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Speaker 1: would be the parents would somewhat be entertained. But back

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Speaker 1: then you had you had to it was such a

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Speaker 1: big tent. You were trying to get everybody in the

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Speaker 1: family entertained, so you would take more risks and be

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Speaker 1: more sort of adolescent in the middle ground, or like

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Speaker 1: have way more like twenty something jokes or forty something

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Speaker 1: jokes and old people jokes, like you know, we were

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Speaker 1: making fun of you know, Abraham Lincoln assassination jokes. But

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Speaker 1: maybe that was because Grandpa might be there. Right. Our

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Speaker 1: show is trying to appeal to every demographic because that's

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Speaker 1: what network television had to do. Nowadays, you don't have

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Speaker 1: to appeal to you can just appeal to your very

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Speaker 1: very narrow audience. Yeah, so I don't think it would existing.

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Speaker 1: I mean, maybe networks are still trying to do this,

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Speaker 1: but I don't think. I don't know. I also thought,

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Speaker 1: just to your point, too soon with the Abrahama, just

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Speaker 1: too soon to come on inappropriate. Well, the synopsis of

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Speaker 1: this episode is that Corey demands a little tutoring in

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Speaker 1: the subject of love after he catches Eric and his

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Speaker 1: girlfriend together in his parents bedroom, which everybody had already

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Speaker 1: emailed us about. Yeah, so there is an upstairs. I

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Speaker 1: was like, there's an upstairs, there's upstairs. Yeah, Yeah, I

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Speaker 1: have something to talk about with the hallway when we

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Speaker 1: get to it. This episode was directed by David Trainer.

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Speaker 1: It was written by Glenn Merzer, who was a new

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Speaker 1: writer for season two. He came from Blossom. I remember

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Speaker 1: the name, and I think if I saw his face,

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Speaker 1: I would probably remember him. He remember dark haired guy.

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Speaker 1: I'm just saying, like, I remember that we had a

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Speaker 1: writer named Glenn. I think he was there for more

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Speaker 1: than one season. I think so too. I believe so too. Yeah. Well, um.

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Speaker 1: This episode has as guest starring Nancy Valen as Miss Kelly.

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Speaker 1: Played some. She played Samantha on Baywatch starting two years later,

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Speaker 1: but was also in movies like The Heavenly Kid and

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Speaker 1: Lover Boy. We have Jessica Wesson as Wendy Jansen. She

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Speaker 1: did two Boy Meets World episodes, and I who the

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Speaker 1: person who never remember vers anything about the show in

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Speaker 1: the middle of the episode said her character's name is

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Speaker 1: either Wendy or her real name is Wendy. But I

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Speaker 1: knew Wendy the minute I saw her. Well, she comes back.

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Speaker 1: She's in more because she's the reason we have the

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Speaker 1: old Man episode, which I don't know what the old

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Speaker 1: Man episode is. You might not have been but she

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Speaker 1: ends up being Corey's girlfriend for a whole another episode.

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Speaker 1: Plus I worked with her on Home Improvement, I believe.

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Speaker 1: So I already worked with her on my one episode

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Speaker 1: of Home Improvement because she was Zachary type Bryant's girlfriend. Okay,

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Speaker 1: she she was responsible for. She's in one of my

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Speaker 1: favorite Ben moments of the and it's a moment I

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Speaker 1: absolutely remember in around the Table with Alan in an

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Speaker 1: upcoming in her next episode where Ben is just yeah,

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Speaker 1: where Ben is so funny in one of his reads

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Speaker 1: that I still when I think about it, it can

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Speaker 1: make me laugh out loud. He's great, so we'll wait

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Speaker 1: till we get to it, but it's so funny. Yeah.

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Speaker 1: And then there's Marguerite Murrow returning as Rebecca, and Molly

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Speaker 1: Morgan is Jacqueline. Hillary Tuck is Samantha Hillary. For a

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Speaker 1: long time Hillary, I was like, oh, Hillary was in

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Speaker 1: this episode. We did we know her before this or

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Speaker 1: was it after this? I think she must have been

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Speaker 1: part of the Young Actor space and we knew her before.

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Speaker 1: I bet when we from Young Actor. She did the

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Speaker 1: play that my brother and I produced that we remember,

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Speaker 1: we did a play um where we did it was

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Speaker 1: a night of one acts. My brother written a play

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Speaker 1: and then we did a great play called Women and Wallace,

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Speaker 1: so that we did a two act evening and I'm

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Speaker 1: pretty sure Hillary was in it. She stayed in our

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Speaker 1: lives for a while. I've lost touch with her since,

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Speaker 1: but like she was around. Yeah, was that the play

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Speaker 1: about magic? That was the play about magic? The gathering? Yeah,

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Speaker 1: we did gathering on stage, That's right. But I saw

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Speaker 1: her and I was like this Hillary, and I was like, oh,

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Speaker 1: she must have a bigger part. And she never never

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Speaker 1: I heard the same thing. Maybe she comes back to uh.

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Speaker 1: And then Hunter Garner is Peter who I remembered Hunter

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Speaker 1: very well. I also remembered his name. I have a

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Speaker 1: full photo shoot of pictures with Hunter. I don't know

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Speaker 1: if we hung out one day after work or something.

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Speaker 1: We apparently went to dinner together, and my mom took

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Speaker 1: a whole series of photographs of us together. I have

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Speaker 1: as Gartner, no, but we It's possible we had a

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Speaker 1: crush on each other. But we went to dinner and

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Speaker 1: we have a bunch of pictures together. So I have, like,

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Speaker 1: you know, seventeen photos with Hunter. Can you see through

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Speaker 1: the pictures where you had dinner. I'm just curious. Oh man, no,

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Speaker 1: you know what I think it was? Hamburger Hamlet. Oh no,

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Speaker 1: it's a great hamlet. It's one of my favorite hamlets.

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Speaker 1: It's a great hamlet. That's absolutely one of my favorite hamlets. Ever,

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Speaker 1: if I'm honest and shady, Melon Hamlet is a terrible hamlet.

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Speaker 1: It's rotten. Hi, Christy, Hey, well I have some unbelievable news.

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Speaker 1: Oh there's a Kim Possible ron Stoppable reunion in the works. No, no, no,

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Speaker 1: that would be great. But no, I have other big news.

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Speaker 1: We just launched the Super Awesome Contest to become the

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Speaker 1: next Big Voice Actor. That's right. We want to give

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Speaker 1: an at your voice actor and opportunity to win a

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Speaker 1: one year contract with my voice over agency c s D.

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Speaker 1: They are amazing. I've been with them for over twenty

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Speaker 1: years and that's not all. A trip to l A

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Speaker 1: to meet Will and myself and some amazing prizes as well. Yeah. So,

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Speaker 1: how do people enter the Super Awesome Contest to become

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Speaker 1: the next Big Voice Actor? Christie? Send a two minute

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00:17:17,720 --> 00:17:21,919
Speaker 1: or less video or audio file showcasing your best voices. Okay,

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00:17:21,920 --> 00:17:23,760
Speaker 1: well it's time do your announcer voice for the rest

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00:17:24,080 --> 00:17:27,800
Speaker 1: oh yes, no purchase necessary. Submit your entry it I

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Speaker 1: Hear Voices at I heart radio dot com between January

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Speaker 1: nine and February nine. Entries will be judged. The contest

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Speaker 1: is open to legal residents of the United States who

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Speaker 1: are eighteen and older. Official rules can be found by

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Speaker 1: going to our Instagram page and I Hear Voices podcast

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00:17:39,760 --> 00:17:42,960
Speaker 1: for complete details. Listen to I Hear Voices on the

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00:17:43,000 --> 00:17:45,679
Speaker 1: I Heart Radio app or wherever you listen to podcasts

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Speaker 1: to jump into our recap. We are in the school hallway.

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Speaker 1: Corey and Sean are watching two students make out. Are

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Speaker 1: these just background actors? Poor background actors probably had met

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Speaker 1: thirty seconds before, and we're told here's a tic tech.

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Speaker 1: It almost feels illegal to do that. I'm they were

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Speaker 1: over eighteen. They would definitely have been over eighteen. I

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Speaker 1: mean everyone looks older in this episode, but our background extra,

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Speaker 1: like our background actors besides the one in the classrooms

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Speaker 1: would have all been over eighteen. So I know, it's

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Speaker 1: it's bizarre. I'm starting to recognize most of the background

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Speaker 1: actors now again, Like there's several in the background where

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Speaker 1: I'm going like, oh man, I remember, remember, I remember,

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Speaker 1: like conversations are hanging out together. Yeah, they're not just

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Speaker 1: kissing either, They're like going at it, I know, and

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Speaker 1: you two are just watching. Yeah, it goes on for

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Speaker 1: so long. It does, and it's a woo from the audience.

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Speaker 1: Two people's lips touch. Also, writer, I feel like a

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Speaker 1: whole summer passed between season one and season two. Even

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Speaker 1: with the way you look you're used episode one episode, Sorry, yeah,

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Speaker 1: you know. I felt the same way. I was like, oh,

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Speaker 1: I actually look older. I feel more comfortable, alliance. Something

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Speaker 1: about that first episode really threw me for a loop.

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Speaker 1: And watching it now are watching this the second episode, Now,

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Speaker 1: I'm like, Okay, now I feel like stable in some way.

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Speaker 1: Something was off in that first episode, as like, yeah,

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Speaker 1: there's something about you that's so much more mature in

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Speaker 1: this second episode of the season that I was like, wow,

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Speaker 1: what is what is going on? And then I'll say

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Speaker 1: the same thing for myself. When I saw myself, I

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Speaker 1: was like, whoa, I look so much older. So we

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Speaker 1: talked about how uncomfortable we were with that first episode.

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Speaker 1: I think that's maybe all we're feeling. It's just that

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Speaker 1: that first episode was all about our bodies and our looks.

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Speaker 1: And being insecure, and we internalized that and by this

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Speaker 1: episode we felt we did more comfortable. Yeah, I just

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Speaker 1: think we're relaxed. It's cool. So Mr Finie walks up

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Speaker 1: and asks if the boys have classes to attend, but

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Speaker 1: Corey asks if they should break up the couple who's

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Speaker 1: making out, and Phoenie says they're A minus students and

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Speaker 1: had they've been happily struck by Cupid. No need to

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Speaker 1: interrupt them, And Corey says that by the end of

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Speaker 1: the year he plans to have an A plus average

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Speaker 1: and a Hickey, And then we get woos from the audience.

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Speaker 1: Of course, So I let me ask you something I

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Speaker 1: really don't know. If you're in high school, all right, Yeah,

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Speaker 1: I guess it's high school. Do they let you make

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Speaker 1: out in the hallways? Is that something like a teacher?

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Speaker 1: Did the teachers allow kids just make They did in

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Speaker 1: our high school, but it was high school high school,

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Speaker 1: it was ninth through twelve. Because there was always this

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Speaker 1: one couple that it was just always against the was

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Speaker 1: it like a show, always against the lockers, always making out.

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Speaker 1: Just it's weird to me, as an adult responsible for

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Speaker 1: children during the school hours that I would be like, okay,

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Speaker 1: I mean, yeah, I don't know. It just never occurred

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Speaker 1: to me until this scene. I was like, wouldn't Phoenie

401
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Speaker 1: have a responsibility to say, hey, guys, save it for

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Speaker 1: over school but you know, or just I don't know.

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Speaker 1: But then I guess would they care? But then he

404
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Speaker 1: addresses it, I mean, doesn't Corey ask him like is

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Speaker 1: this is this? OK? Mean it Once the question came up,

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Speaker 1: I was like, that is like if I was a

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Speaker 1: teacher in high school, and I guess maybe we'll just

408
00:20:56,119 --> 00:20:58,560
Speaker 1: throw this to our our listeners, send us an email

409
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Speaker 1: like if you're a teacher, do you break up sticking

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Speaker 1: out or do you just let them be teenagers and

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Speaker 1: assume that that's going to happen. So it's not your purview.

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Speaker 1: I'm really curious. I don't understand as a parent of

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Speaker 1: a seven year old, you know, like I'm not in

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Speaker 1: the space yet where I'm dealing with Like I'm assuming

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00:21:12,080 --> 00:21:13,960
Speaker 1: it was a teenager in my own house. It's like, fine,

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Speaker 1: but I don't know. Weird, Yeah, it was very strange.

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00:21:17,160 --> 00:21:20,720
Speaker 1: I'm not sure either. Uh. Corey sees another kissing couple

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Speaker 1: and says he wants a girl who's like a friend,

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Speaker 1: but not a girl friend. He says he wants someone

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Speaker 1: he knows and who knows him. And then two Panga

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Speaker 1: walks down the hall and Corey starts to turn his

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Speaker 1: game on and uh, Corey says that since people are

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Speaker 1: pairing off, they should walk through life together. And I

424
00:21:38,640 --> 00:21:43,439
Speaker 1: had yet another just tragic performance where I am I

425
00:21:43,760 --> 00:21:49,400
Speaker 1: just reading words on a page and maybe I'm nervous.

426
00:21:50,920 --> 00:21:54,240
Speaker 1: I was struck by how confident you were, and I

427
00:21:54,280 --> 00:21:56,800
Speaker 1: liked it. I appreciate it because I guess at this

428
00:21:56,800 --> 00:21:59,840
Speaker 1: point we've we've already lost all to Panga's hippiness that

429
00:22:00,080 --> 00:22:05,000
Speaker 1: what we're making, any jokes about karma, star signs or anything.

430
00:22:05,040 --> 00:22:06,879
Speaker 1: So they've just completely dropped it, which I didn't realize

431
00:22:06,920 --> 00:22:09,920
Speaker 1: happened this quickly. Yeah I didn't. But we've kept to

432
00:22:10,000 --> 00:22:15,320
Speaker 1: Panga's intelligence and strength and self confidence, which is really cool, right,

433
00:22:15,359 --> 00:22:18,159
Speaker 1: But as an actor, it seems a bit like they

434
00:22:18,240 --> 00:22:21,400
Speaker 1: left Danielle twisting in the wind because it's like, oh,

435
00:22:21,440 --> 00:22:23,399
Speaker 1: you know that thing that you are, your character was

436
00:22:23,440 --> 00:22:25,399
Speaker 1: kind of known for, We're going to take that away

437
00:22:25,440 --> 00:22:27,480
Speaker 1: and not really discuss it with you. Now, go be

438
00:22:27,600 --> 00:22:31,560
Speaker 1: to Panga and it's like, Okay, like, so, so it's

439
00:22:31,600 --> 00:22:34,560
Speaker 1: one of those things where I, to me, I didn't

440
00:22:34,960 --> 00:22:36,960
Speaker 1: I didn't think you came off as uncomfortable at all.

441
00:22:37,000 --> 00:22:40,359
Speaker 1: I frankly think you're finding topango because it doesn't seem

442
00:22:40,359 --> 00:22:45,880
Speaker 1: like the writers are. Yeah, certainly because because the topanga

443
00:22:45,920 --> 00:22:48,639
Speaker 1: I had learned to rely on is now gone. But

444
00:22:48,760 --> 00:22:50,960
Speaker 1: the confidence, like to writer's point, because you're right, that

445
00:22:51,040 --> 00:22:52,320
Speaker 1: is a good that is a good point that the

446
00:22:52,359 --> 00:22:55,040
Speaker 1: topanga I had learned to develop over an entire season,

447
00:22:55,280 --> 00:22:57,600
Speaker 1: or that you were going to be fired if you

448
00:22:57,680 --> 00:23:01,360
Speaker 1: did not develop this this character. You're right, like, how

449
00:23:01,480 --> 00:23:03,480
Speaker 1: dare You've got to change how you speak, You've got

450
00:23:03,480 --> 00:23:04,960
Speaker 1: to change how you do and then it's like, we're

451
00:23:05,000 --> 00:23:07,840
Speaker 1: not going to do that anymore. Yeah, And so to me,

452
00:23:07,920 --> 00:23:09,720
Speaker 1: that's kind of I don't know. I saw that as

453
00:23:09,840 --> 00:23:12,159
Speaker 1: you trying to then be like, all right, then I

454
00:23:12,200 --> 00:23:14,280
Speaker 1: gotta take this on my shoulders and I'll create the

455
00:23:14,359 --> 00:23:16,040
Speaker 1: character if you're not going to do that. Yeah. And

456
00:23:16,080 --> 00:23:18,960
Speaker 1: I did love the confidence that she had when he

457
00:23:19,000 --> 00:23:22,280
Speaker 1: says can I call you sweetheart? And she says no. Um,

458
00:23:22,320 --> 00:23:24,840
Speaker 1: But I thought there's such an opportunity and maybe I

459
00:23:25,040 --> 00:23:27,080
Speaker 1: maybe it wasn't. Maybe it wasn't to Penga, But there

460
00:23:27,119 --> 00:23:29,320
Speaker 1: was such an opportunity had I been a better actor,

461
00:23:29,680 --> 00:23:32,000
Speaker 1: for me to have had so much more fun with

462
00:23:32,080 --> 00:23:34,800
Speaker 1: well you see butt head, may I call you butt head?

463
00:23:35,119 --> 00:23:37,560
Speaker 1: There was there was There were those moments that are

464
00:23:37,640 --> 00:23:40,040
Speaker 1: real laughs and are really funny where you get to

465
00:23:40,080 --> 00:23:43,440
Speaker 1: see two panga uh turn it on to play back

466
00:23:43,480 --> 00:23:46,680
Speaker 1: to the person she's talking to like that. That could

467
00:23:46,680 --> 00:23:50,320
Speaker 1: have been so much funnier if I was a better comedian,

468
00:23:50,359 --> 00:23:52,800
Speaker 1: if I was a better actor, if I were we're

469
00:23:52,800 --> 00:23:55,479
Speaker 1: not playing that. We don't, none of us yet, right

470
00:23:55,560 --> 00:23:58,119
Speaker 1: or you're the closest, honestly, and I found that in

471
00:23:58,160 --> 00:24:00,159
Speaker 1: this episode, especially with some of the things you end

472
00:24:00,160 --> 00:24:02,359
Speaker 1: and we'll get to it, but you're the closest at

473
00:24:02,440 --> 00:24:06,480
Speaker 1: this point of hearing the comedy music and playing to it.

474
00:24:06,520 --> 00:24:11,200
Speaker 1: What the D You're already a no, no, I'm find

475
00:24:11,720 --> 00:24:15,080
Speaker 1: you talk about I thank you. I think like especially

476
00:24:15,119 --> 00:24:17,520
Speaker 1: when the next scene where I'm flirting with the older Jos,

477
00:24:19,520 --> 00:24:23,000
Speaker 1: I'm finding rhythms and I'm I'm playing to the rhythm. Yes, definitely,

478
00:24:23,080 --> 00:24:26,280
Speaker 1: but you nailed that in season one, Like that's what

479
00:24:26,680 --> 00:24:28,639
Speaker 1: I think we were still playing what was on what

480
00:24:28,680 --> 00:24:30,560
Speaker 1: I think what Danielle saying is I think we're still

481
00:24:30,600 --> 00:24:34,200
Speaker 1: playing the joke on the page as opposed to seeing

482
00:24:34,240 --> 00:24:36,280
Speaker 1: the joke on the page and making it our own,

483
00:24:36,920 --> 00:24:39,480
Speaker 1: which which we do towards the end, Like all of

484
00:24:39,520 --> 00:24:41,800
Speaker 1: us by the end are oh, I see the way

485
00:24:41,800 --> 00:24:44,159
Speaker 1: that you know, you're playing kind of offbeat as opposed

486
00:24:44,200 --> 00:24:46,719
Speaker 1: to playing just you know, like daniel said, like butt head.

487
00:24:46,760 --> 00:24:48,159
Speaker 1: May I call you butt head because that's how it

488
00:24:48,200 --> 00:24:50,880
Speaker 1: was written. So that's what we're doing, and and we're

489
00:24:50,920 --> 00:24:56,199
Speaker 1: also yes, exactly exactly, but it is so yeah you do.

490
00:24:56,280 --> 00:24:58,520
Speaker 1: And when and when you start to then hear the rhythm,

491
00:24:58,560 --> 00:25:00,479
Speaker 1: you look back at before you could play the instrument

492
00:25:00,480 --> 00:25:01,960
Speaker 1: and you go like, oh man, I was missing so

493
00:25:02,000 --> 00:25:05,600
Speaker 1: many notes because yeah, yeah, so yeah, I know exactly

494
00:25:05,640 --> 00:25:07,199
Speaker 1: what you're talking about. Same I felt the same one

495
00:25:07,280 --> 00:25:11,520
Speaker 1: with me. Uh so uh. Corey says since people are

496
00:25:11,560 --> 00:25:13,600
Speaker 1: pairing off, they should walk through life together, and she

497
00:25:13,600 --> 00:25:16,119
Speaker 1: says she can't walk through life with Corey because well

498
00:25:16,160 --> 00:25:19,960
Speaker 1: there's everybody else. She's very funny. But this is also

499
00:25:20,000 --> 00:25:21,840
Speaker 1: we have to point out in the timeline of Corey

500
00:25:21,840 --> 00:25:25,680
Speaker 1: and t Peanga, he does ask her out. Yeah, he

501
00:25:25,320 --> 00:25:29,800
Speaker 1: asked with her. I mean I thought that was It

502
00:25:29,840 --> 00:25:32,359
Speaker 1: was like, they never referenced this again, It's no, we

503
00:25:32,359 --> 00:25:33,880
Speaker 1: didn't do this, and then they we do a whole

504
00:25:33,880 --> 00:25:36,080
Speaker 1: episode where he can't ask her out first, so Sean

505
00:25:36,119 --> 00:25:37,880
Speaker 1: asked to ask her. It's like he did. He walked

506
00:25:37,920 --> 00:25:40,520
Speaker 1: up and said, hey, let's be together forever. Yeah, And

507
00:25:40,520 --> 00:25:42,960
Speaker 1: I was like, that's where it happened. There was great Yeah.

508
00:25:43,000 --> 00:25:46,479
Speaker 1: Season two, episode two, and then to Benga says that

509
00:25:46,560 --> 00:25:50,080
Speaker 1: the problem is that they could have a lifelong friendship,

510
00:25:50,200 --> 00:25:52,000
Speaker 1: but what people do is they end up throwing it

511
00:25:52,040 --> 00:25:55,200
Speaker 1: away for one week of passion and then they lose

512
00:25:55,240 --> 00:25:57,800
Speaker 1: the lifetime of friendship. So she is sure that there

513
00:25:57,880 --> 00:26:01,600
Speaker 1: is somebody out there for Corey, and Corey demands to

514
00:26:01,640 --> 00:26:04,400
Speaker 1: know who that person is as Topanga walks away, which

515
00:26:04,880 --> 00:26:08,359
Speaker 1: is super interesting that they kept kept a Panga around,

516
00:26:08,480 --> 00:26:11,240
Speaker 1: kept you around, Danielle, but then did not write this

517
00:26:11,320 --> 00:26:14,400
Speaker 1: episode to the relationship. They wrote this episode to the friendship,

518
00:26:14,560 --> 00:26:17,520
Speaker 1: which is really cool, Like you know, it's it's a

519
00:26:17,560 --> 00:26:19,600
Speaker 1: long play, you know what I mean, Like you could

520
00:26:19,600 --> 00:26:23,560
Speaker 1: have easily been the Wendy that you could have easily

521
00:26:23,560 --> 00:26:25,960
Speaker 1: been the Wendy in the storyline, but they were already

522
00:26:26,200 --> 00:26:29,160
Speaker 1: thinking no to Panga is more important than that Topanga

523
00:26:29,359 --> 00:26:31,320
Speaker 1: is going to be a more you know somebody that

524
00:26:31,359 --> 00:26:33,880
Speaker 1: there's going to be an on and off again relationship. Yeah,

525
00:26:33,920 --> 00:26:37,240
Speaker 1: this Sam and Diane, And that's so smart, so smart.

526
00:26:37,320 --> 00:26:40,239
Speaker 1: I think they wanted to Panga and Corey to be

527
00:26:40,280 --> 00:26:43,119
Speaker 1: a will they or won't they already? And I didn't

528
00:26:43,160 --> 00:26:46,080
Speaker 1: remember this episode at all that your storyline, And for

529
00:26:46,119 --> 00:26:48,320
Speaker 1: some reason, I thought to Pango was the one that

530
00:26:48,400 --> 00:26:51,159
Speaker 1: said hi, was the one who finally said hi, Like

531
00:26:51,200 --> 00:26:53,040
Speaker 1: I forgot all about I was like, oh, I think

532
00:26:53,200 --> 00:26:55,080
Speaker 1: I think she's the one. Eventually in the hallway he's

533
00:26:55,080 --> 00:26:56,600
Speaker 1: like hi to Pang and she's like, oh hi, And

534
00:26:56,760 --> 00:26:59,000
Speaker 1: she's the first one. So I had totally forgotten that

535
00:26:59,040 --> 00:27:00,560
Speaker 1: they were. And I think you're right. They are playing

536
00:27:00,560 --> 00:27:03,200
Speaker 1: the long game, which is smart. Yeah, it does make

537
00:27:03,200 --> 00:27:06,760
Speaker 1: it much more interesting. Um. I do remember as a

538
00:27:06,800 --> 00:27:13,120
Speaker 1: kid feeling a little threatened though, like feeling like and

539
00:27:13,119 --> 00:27:16,080
Speaker 1: and feeling like, wait, so are we not gonna because

540
00:27:16,119 --> 00:27:18,840
Speaker 1: the way the season one ended it seemed very much

541
00:27:18,880 --> 00:27:24,119
Speaker 1: like I was going what happened to my job security? Here? Now?

542
00:27:24,600 --> 00:27:26,960
Speaker 1: Now you're going to bear them up with Wendy and

543
00:27:26,960 --> 00:27:29,080
Speaker 1: and what am I so I do remember having that

544
00:27:29,160 --> 00:27:31,560
Speaker 1: feeling of like oh, as opposed to really, what the

545
00:27:31,600 --> 00:27:33,720
Speaker 1: truth is is, oh, I have way more job security

546
00:27:33,800 --> 00:27:35,760
Speaker 1: now because at any point in time, you break up

547
00:27:35,760 --> 00:27:38,480
Speaker 1: with the girlfriend and the girlfriend goes away. But this

548
00:27:38,640 --> 00:27:40,600
Speaker 1: we're going to be friends. But I do remember thinking, like,

549
00:27:40,640 --> 00:27:42,359
Speaker 1: what's going to happen? I thought I thought I was.

550
00:27:42,520 --> 00:27:48,240
Speaker 1: I thought, don't be too comfortable, kid, keep you made

551
00:27:48,240 --> 00:27:50,680
Speaker 1: it this far. Be lucky, be happy. So now we're

552
00:27:50,680 --> 00:27:53,040
Speaker 1: in a classroom we've never seen before, which again was

553
00:27:53,119 --> 00:27:55,840
Speaker 1: very uncomfortable for me. The desks are all split out

554
00:27:55,880 --> 00:27:58,119
Speaker 1: in like a weird half circle. It feels like a

555
00:27:58,160 --> 00:28:01,679
Speaker 1: boiler room. I wasn't sure. I don't remember. You know

556
00:28:01,720 --> 00:28:04,119
Speaker 1: what's funny too, And this is weird thing to talk about.

557
00:28:04,119 --> 00:28:08,280
Speaker 1: But like I think about these sets and I remember

558
00:28:08,320 --> 00:28:10,960
Speaker 1: where they were on the stage, and I don't remember

559
00:28:10,960 --> 00:28:12,760
Speaker 1: where this one was on the stage. So it really

560
00:28:12,840 --> 00:28:15,119
Speaker 1: hurts my brain. It's like it hurts my brain, whereas

561
00:28:15,119 --> 00:28:16,679
Speaker 1: all the other ones, Like I know where the hallway

562
00:28:16,680 --> 00:28:18,720
Speaker 1: set was, I know the living room was in relation

563
00:28:18,840 --> 00:28:21,959
Speaker 1: basically to the audience. I know like where everything was

564
00:28:22,119 --> 00:28:24,000
Speaker 1: laid out, because they're all next to each other, like

565
00:28:24,040 --> 00:28:26,760
Speaker 1: maybe people don't realize that it's the living room is

566
00:28:26,880 --> 00:28:31,600
Speaker 1: right obviously next to the phoenies phoenies back the k

567
00:28:31,880 --> 00:28:34,359
Speaker 1: in the backyard. But then right next to that would

568
00:28:34,359 --> 00:28:37,840
Speaker 1: be the class classroom. And then and then the boys

569
00:28:37,920 --> 00:28:40,600
Speaker 1: know the boys bedroom, Yes, all the way at the

570
00:28:40,640 --> 00:28:44,680
Speaker 1: end the right yes. So where was the hallway? The

571
00:28:44,720 --> 00:28:47,000
Speaker 1: hallway was there on the right hand side, so it

572
00:28:47,040 --> 00:28:51,000
Speaker 1: would go it would go hallway in this in this season,

573
00:28:51,040 --> 00:28:55,720
Speaker 1: it would have been Turner's classroom hallway. Yeah, yeah, yeah, right,

574
00:28:56,200 --> 00:28:58,360
Speaker 1: although even use the wait a minute, was the boy's

575
00:28:58,400 --> 00:29:04,480
Speaker 1: bedroom on the same side as the audience, opposite the hallway,

576
00:29:04,560 --> 00:29:06,400
Speaker 1: and that was probably where this classroom was. That you

577
00:29:06,440 --> 00:29:08,720
Speaker 1: spring a cafeteria for a season, And that's why we

578
00:29:08,720 --> 00:29:11,040
Speaker 1: didn't usually shoot those in front of the audience, because

579
00:29:11,040 --> 00:29:13,280
Speaker 1: it wasn't in front of the audience. I'll draw diagram,

580
00:29:13,320 --> 00:29:17,320
Speaker 1: guys like great, yeah, yeah, I got a PhD and

581
00:29:17,400 --> 00:29:19,480
Speaker 1: CAD so I've learned how to which means I'll just

582
00:29:19,480 --> 00:29:21,080
Speaker 1: say I'll draw a diagram and then one of our

583
00:29:21,080 --> 00:29:28,080
Speaker 1: lovely fans will do it in nice thank you, thank you. Okay,

584
00:29:28,160 --> 00:29:31,280
Speaker 1: So the health teacher is outsick and they get a

585
00:29:31,520 --> 00:29:37,080
Speaker 1: hubba hubba beautiful female substitute teacher Ms Kelly, who comes

586
00:29:37,120 --> 00:29:42,040
Speaker 1: on she has to teach sex, Like the one sex

587
00:29:42,160 --> 00:29:45,120
Speaker 1: educational day is the day where that the substitute is out,

588
00:29:45,120 --> 00:29:47,360
Speaker 1: Like they wouldn't change the syllabus because the actual health

589
00:29:47,360 --> 00:29:49,560
Speaker 1: teacher is not there in the substitute now has to

590
00:29:49,600 --> 00:29:54,240
Speaker 1: give the talk about sex. Really, I get it, but

591
00:29:54,760 --> 00:29:56,760
Speaker 1: come on, come on. I mean Alex was watching with

592
00:29:56,800 --> 00:29:58,360
Speaker 1: me in India or she was kind of going in

593
00:29:58,400 --> 00:29:59,920
Speaker 1: and out while she was cooking, and she walked in.

594
00:30:00,000 --> 00:30:02,360
Speaker 1: She was like, that's weird. Are you getting on the teacher? Like,

595
00:30:02,960 --> 00:30:04,560
Speaker 1: it wasn't that I was hitting the teacher, it was

596
00:30:04,640 --> 00:30:07,960
Speaker 1: that the audience like that the teacher was made into it. Yes,

597
00:30:09,640 --> 00:30:11,920
Speaker 1: right from the moment she walks in. Yeah, And it

598
00:30:12,040 --> 00:30:14,360
Speaker 1: was just like I think once the flirting started, it

599
00:30:14,360 --> 00:30:16,120
Speaker 1: almost felt better because it was like, oh, he's such

600
00:30:16,160 --> 00:30:19,080
Speaker 1: a pathetic boy. But the fact that the camera lingered

601
00:30:19,120 --> 00:30:24,000
Speaker 1: on her, and that's where I think that's what made

602
00:30:24,000 --> 00:30:26,080
Speaker 1: her uncomfortable, and that's what made me like, ah, right,

603
00:30:26,120 --> 00:30:28,320
Speaker 1: Like the show itself, the point of view of the

604
00:30:28,400 --> 00:30:31,960
Speaker 1: show is lingering in a way that made me like, oh,

605
00:30:32,000 --> 00:30:37,520
Speaker 1: we're definitely there's a difference between there's a difference between

606
00:30:37,680 --> 00:30:41,760
Speaker 1: character perspective. This is a female teacher who was attractive,

607
00:30:41,800 --> 00:30:45,320
Speaker 1: and therefore these young boys can't. They're stumbling over themselves

608
00:30:45,360 --> 00:30:48,360
Speaker 1: and becoming idiots, as opposed to well, of course, look

609
00:30:48,360 --> 00:30:50,840
Speaker 1: at the outfit she's wearing, and look how attractive she

610
00:30:51,280 --> 00:30:54,480
Speaker 1: There's a there's a there was a feeling of well,

611
00:30:54,520 --> 00:30:57,520
Speaker 1: anyone would this. It wasn't about you being teen boys.

612
00:30:57,760 --> 00:30:59,920
Speaker 1: It was about well, this is how people would react.

613
00:31:00,040 --> 00:31:02,720
Speaker 1: It's about the show being team boys. Like it's like

614
00:31:02,760 --> 00:31:05,400
Speaker 1: the perspective of the show is a horny eleven year

615
00:31:05,400 --> 00:31:08,600
Speaker 1: old boy. Yeah right, well right, like like boobies. Oh,

616
00:31:08,640 --> 00:31:11,000
Speaker 1: I get to see it, but like the teacher is pretty,

617
00:31:11,360 --> 00:31:13,880
Speaker 1: you know, and it's like, yeah, it's funny. That's exactly

618
00:31:13,880 --> 00:31:15,520
Speaker 1: what I was thinking. I was like, once I started

619
00:31:15,520 --> 00:31:18,320
Speaker 1: talking to her, it felt okay, but this first moment

620
00:31:18,360 --> 00:31:21,120
Speaker 1: felt weird to me. And then well again, they also

621
00:31:21,160 --> 00:31:23,920
Speaker 1: would never have done there's very few people that wouldn't

622
00:31:23,920 --> 00:31:26,440
Speaker 1: say Tony Quinn was a really good looking man. They

623
00:31:26,480 --> 00:31:28,680
Speaker 1: didn't do Tony walks into the classroom and all the

624
00:31:28,680 --> 00:31:30,560
Speaker 1: girls can't stop looking at him, and they focus on

625
00:31:30,560 --> 00:31:36,840
Speaker 1: his but that never the show is exactly just would

626
00:31:37,000 --> 00:31:39,880
Speaker 1: never have had the easily could have done to Panga

627
00:31:39,960 --> 00:31:41,600
Speaker 1: and all the girls in the class, like wow, look

628
00:31:41,640 --> 00:31:45,760
Speaker 1: at our new teacher, but never even thought of that happening.

629
00:31:46,280 --> 00:31:49,360
Speaker 1: So yeah, that whole thing. But on a different note,

630
00:31:49,720 --> 00:31:53,360
Speaker 1: you're flirting with her when you say I'm a cop.

631
00:31:53,560 --> 00:31:57,760
Speaker 1: I lost. It's like, I don't remember this at all,

632
00:31:59,240 --> 00:32:02,400
Speaker 1: all of it, all of it. It's a good thing.

633
00:32:02,520 --> 00:32:05,920
Speaker 1: I like Sean rain like kind of you know, flailing

634
00:32:06,000 --> 00:32:10,880
Speaker 1: in this way. It's fun, but it's fun to see ye.

635
00:32:11,360 --> 00:32:13,960
Speaker 1: So miss Kelly asks what organ stores the eggs, and

636
00:32:13,960 --> 00:32:15,720
Speaker 1: Seawan says he can only remember the name of the

637
00:32:15,760 --> 00:32:17,600
Speaker 1: stuff he has, or at least what he calls them.

638
00:32:19,680 --> 00:32:23,719
Speaker 1: Were very funny, And then Corey answers, it's the gonads,

639
00:32:23,840 --> 00:32:27,080
Speaker 1: but it's really the ovaries, and Corey also messes up

640
00:32:27,080 --> 00:32:29,800
Speaker 1: the way reproduction in the life cycle occurs. Corey then

641
00:32:30,040 --> 00:32:32,880
Speaker 1: calls over the teacher privately and asks how do you

642
00:32:32,920 --> 00:32:35,800
Speaker 1: get a girl to say hi? Which becomes like the

643
00:32:35,800 --> 00:32:38,760
Speaker 1: the entire point of this episode. And then we're in

644
00:32:38,800 --> 00:32:41,160
Speaker 1: the school hallway. Corey sees another couple walking down the

645
00:32:41,200 --> 00:32:43,479
Speaker 1: hall and wonders how these people are connecting, and he

646
00:32:43,480 --> 00:32:47,160
Speaker 1: mentioned that the new couple's names are Lisa Marie and Michael,

647
00:32:47,960 --> 00:32:50,560
Speaker 1: which is a call to what was a very timely

648
00:32:50,560 --> 00:32:54,080
Speaker 1: couple at the time, Lisa Marie Presley and Michael Jackson.

649
00:32:55,120 --> 00:33:00,640
Speaker 1: Now my question, um, Danielle, the first couples it was

650
00:33:00,800 --> 00:33:03,920
Speaker 1: Richard and Cody. Was that anything from the time? Was

651
00:33:04,040 --> 00:33:07,880
Speaker 1: every was every couple supposed to mean something like Lisa

652
00:33:07,920 --> 00:33:09,880
Speaker 1: Marie and Michael was the obvious one. But I couldn't

653
00:33:09,880 --> 00:33:12,920
Speaker 1: remember if there was like a Richard and Cody, that

654
00:33:14,120 --> 00:33:16,280
Speaker 1: Richard and Cindy it was Richard and Cindy. If that

655
00:33:16,360 --> 00:33:20,520
Speaker 1: was something that mattered, Was Richard Gear dating Cindy Crawford.

656
00:33:20,760 --> 00:33:24,400
Speaker 1: I don't know. That's like it popped in my Gear

657
00:33:24,520 --> 00:33:29,360
Speaker 1: and Cindy Crawford. So I think you're right, Yeah, I

658
00:33:29,360 --> 00:33:33,200
Speaker 1: think they all meant something. Yeah, Oh, that's funny. So

659
00:33:33,280 --> 00:33:35,880
Speaker 1: Mr Turner walks down the hall and he's very flirty

660
00:33:35,920 --> 00:33:40,680
Speaker 1: with the substitute, Miss Kelly, and so New York. Oh man, oh,

661
00:33:40,760 --> 00:33:42,440
Speaker 1: you know I helped them down here. When I was

662
00:33:42,480 --> 00:33:48,920
Speaker 1: doing the thing. It was like, oh Tony, oh, Mr

663
00:33:49,800 --> 00:33:52,560
Speaker 1: New York. But it's so and I think Tony would agree.

664
00:33:52,560 --> 00:33:54,760
Speaker 1: It's such a caricature at the beginning, because he's not

665
00:33:54,800 --> 00:33:58,120
Speaker 1: like that, especially when it's when it's I thought season

666
00:33:58,440 --> 00:34:00,400
Speaker 1: episode I don't want to keep saying season I think

667
00:34:00,480 --> 00:34:05,600
Speaker 1: episode two was more subdued and more natural that happens. Yeah,

668
00:34:06,840 --> 00:34:09,120
Speaker 1: it was just so funny though to me. And then

669
00:34:09,200 --> 00:34:11,560
Speaker 1: Mr Feenie walks down the hall with another female teacher

670
00:34:11,600 --> 00:34:14,600
Speaker 1: bragging about his vitality, and Corey, now desperate, says he

671
00:34:14,640 --> 00:34:16,959
Speaker 1: doesn't get how this all works. Sean says he thinks

672
00:34:17,000 --> 00:34:18,759
Speaker 1: he gets it now, and he puts his hands through

673
00:34:18,800 --> 00:34:21,680
Speaker 1: his hair, and then he gets two girls immediate attention

674
00:34:21,680 --> 00:34:23,719
Speaker 1: to flirt with him. You've got a thirty foot range.

675
00:34:26,040 --> 00:34:28,400
Speaker 1: It's so funny. Um, it's cool to see that the

676
00:34:28,400 --> 00:34:31,560
Speaker 1: writers were recognizing the hair through the hands of the

677
00:34:31,560 --> 00:34:33,920
Speaker 1: hair thing from season one, which was clearly a nervous

678
00:34:33,920 --> 00:34:36,920
Speaker 1: tick that then became kind of a thing. Yeah, and

679
00:34:37,080 --> 00:34:40,279
Speaker 1: they wrote to it, which is yeah, yeah, I think.

680
00:34:40,400 --> 00:34:43,839
Speaker 1: I think also, um, when you have hair you can't

681
00:34:43,920 --> 00:34:46,520
Speaker 1: run your fingers through like that, it is a very

682
00:34:46,760 --> 00:34:49,080
Speaker 1: enviable thing to be like, Wow, look at how he

683
00:34:49,160 --> 00:34:51,640
Speaker 1: just tosses his hair back and funny, Like I said

684
00:34:51,719 --> 00:34:53,759
Speaker 1: last time, they already they'd cut my hair, so he

685
00:34:53,800 --> 00:34:55,880
Speaker 1: didn't actually have like at the end of season one

686
00:34:55,880 --> 00:34:58,040
Speaker 1: would have been the better hair. Like the hair it

687
00:34:58,120 --> 00:35:01,280
Speaker 1: was all the way down. No, but still this haircut

688
00:35:01,400 --> 00:35:03,399
Speaker 1: is good. This is better hair than the last. Ben

689
00:35:03,480 --> 00:35:07,880
Speaker 1: was very funny trying to so funny. He tries the

690
00:35:07,880 --> 00:35:10,000
Speaker 1: same thing with his hair. It looks very goofy to.

691
00:35:10,080 --> 00:35:12,400
Speaker 1: Pango runs up and very terribly asks him if he

692
00:35:12,440 --> 00:35:15,400
Speaker 1: has headlights. I can't even watch myself. It is what

693
00:35:17,880 --> 00:35:21,920
Speaker 1: was totally fine, Indie one of his favorite the headlights.

694
00:35:22,040 --> 00:35:23,880
Speaker 1: They were then doing this and then you coming up

695
00:35:23,880 --> 00:35:26,680
Speaker 1: in the headlights. He was just like this episode in general,

696
00:35:26,800 --> 00:35:29,680
Speaker 1: Indie laughed harder than almost any other episode, interestingly, maybe

697
00:35:29,680 --> 00:35:36,080
Speaker 1: because he was so uncomfortable with the talks happened. Uh.

698
00:35:36,120 --> 00:35:38,319
Speaker 1: In turn to Panga touches her hair and a guy

699
00:35:38,840 --> 00:35:41,720
Speaker 1: comes running over to her, and Corey says he needs

700
00:35:41,800 --> 00:35:44,879
Speaker 1: new hair, which is very cute, an old call back

701
00:35:44,960 --> 00:35:46,920
Speaker 1: to to the first time you were in the hallway

702
00:35:46,960 --> 00:35:48,680
Speaker 1: with him. It's all that I was trying to get

703
00:35:48,680 --> 00:35:50,600
Speaker 1: the new hair in that first episode that Tenggo was in.

704
00:35:51,040 --> 00:35:53,920
Speaker 1: That's right, So you're right. Then we're in the Matthews

705
00:35:54,000 --> 00:35:57,520
Speaker 1: kitchen slash living room Eric walks in with Rebecca Marguerite

706
00:35:57,520 --> 00:36:00,600
Speaker 1: Moreau and asks Amy not to embarrass him. Me embarrasses

707
00:36:00,680 --> 00:36:02,560
Speaker 1: him immediately by saying he went the bed till he

708
00:36:02,600 --> 00:36:07,279
Speaker 1: was twelve. That's harsh. Sorry. Did you notice you were

709
00:36:07,320 --> 00:36:13,040
Speaker 1: holding the folder when you slammed it down on the table?

710
00:36:13,120 --> 00:36:15,919
Speaker 1: Was like there it is. The first thing I noticed

711
00:36:15,960 --> 00:36:20,480
Speaker 1: when you walked in is there's the folder the random

712
00:36:20,480 --> 00:36:23,279
Speaker 1: football player on front. And yep, and they have me.

713
00:36:23,400 --> 00:36:25,920
Speaker 1: This is the start because they didn't last episode. This

714
00:36:26,000 --> 00:36:29,120
Speaker 1: is the start of not only too many shirts, but

715
00:36:29,280 --> 00:36:33,560
Speaker 1: too much collars. I have a collared shirt over a

716
00:36:33,719 --> 00:36:37,759
Speaker 1: collared shirt. Yes, I have like a golf shirt with

717
00:36:37,800 --> 00:36:41,200
Speaker 1: a collar and then a button down open with the collards.

718
00:36:41,360 --> 00:36:47,440
Speaker 1: Multiple collared shirts. Now is Eric's look long? Multiple collared shirts? Wow? Okay,

719
00:36:47,560 --> 00:36:51,960
Speaker 1: so very strange. And I remember Marguerite. She was so nice, uh,

720
00:36:52,040 --> 00:36:53,920
Speaker 1: really easy to work with. And when we get into

721
00:36:53,960 --> 00:36:56,600
Speaker 1: the next episode that the next scene we'll talk about

722
00:36:56,640 --> 00:36:58,319
Speaker 1: something because she and I had a bit of an

723
00:36:58,400 --> 00:37:02,680
Speaker 1: uncomfortable we um I mean not I mean not weak,

724
00:37:02,719 --> 00:37:05,120
Speaker 1: but it was an uncomfortable day or so, and we'll

725
00:37:05,120 --> 00:37:06,759
Speaker 1: get into the ring on a bed and making out

726
00:37:06,760 --> 00:37:09,520
Speaker 1: in front of it's actually got worse than that, your

727
00:37:09,560 --> 00:37:11,839
Speaker 1: old man, it actually got worse than that. So we'll

728
00:37:11,840 --> 00:37:13,759
Speaker 1: get into that. But I can't wait to get into it.

729
00:37:13,840 --> 00:37:17,279
Speaker 1: I will comment what absolutely gorgeous hair. She had the

730
00:37:17,400 --> 00:37:22,240
Speaker 1: hair obsession on the show. It was something else, but wow.

731
00:37:22,440 --> 00:37:24,520
Speaker 1: I walked in, I was like, look at her hair.

732
00:37:25,280 --> 00:37:28,200
Speaker 1: I think people were cast mostly for their hair. I

733
00:37:28,360 --> 00:37:30,640
Speaker 1: think you know, when they brought them to producers, there

734
00:37:30,719 --> 00:37:33,359
Speaker 1: was like Carrie Russell, there's some hair. There's some hair,

735
00:37:33,520 --> 00:37:35,839
Speaker 1: don't We have several episodes I can think of one

736
00:37:35,840 --> 00:37:38,400
Speaker 1: where hair is actually in the title. I remember hair Today,

737
00:37:38,440 --> 00:37:41,600
Speaker 1: Goon tomorrow. So I think there's more than one where

738
00:37:41,600 --> 00:37:44,759
Speaker 1: hair is actually in the title. Makes sense. I was

739
00:37:44,840 --> 00:37:47,239
Speaker 1: so sad with Weasel. I know you're getting into this.

740
00:37:47,600 --> 00:37:50,080
Speaker 1: I know it made me so sad. They made her

741
00:37:50,160 --> 00:37:53,279
Speaker 1: angry at the cool nickname that they had together, like

742
00:37:53,440 --> 00:37:57,040
Speaker 1: I know. Well, Also, this scene, more than any other

743
00:37:57,080 --> 00:38:00,520
Speaker 1: scene I've seen, felt like Lily was like checked out

744
00:38:00,560 --> 00:38:07,400
Speaker 1: her bolt, get me out here. Uncomfort season two, she

745
00:38:07,560 --> 00:38:10,239
Speaker 1: was like she saw the wall. Yeah, I don't know

746
00:38:10,280 --> 00:38:12,879
Speaker 1: what this is anymore. I want nothing to do with it.

747
00:38:13,000 --> 00:38:15,759
Speaker 1: Oh man, I've got a Fox pilot on the line. Yeah, no,

748
00:38:15,920 --> 00:38:19,680
Speaker 1: this was she did she? She genuinely looked like she

749
00:38:19,840 --> 00:38:21,959
Speaker 1: just let me say what they told me to say

750
00:38:22,080 --> 00:38:29,080
Speaker 1: and get out of here. Yeah. Hey, I'm Lance Bass,

751
00:38:29,120 --> 00:38:31,759
Speaker 1: host of the new I Heard podcast Frosted Tips with

752
00:38:31,880 --> 00:38:34,279
Speaker 1: Lance Bass. The hardest thing could be knowing who to

753
00:38:34,360 --> 00:38:37,160
Speaker 1: turn to when questions arise, or times get tough, or

754
00:38:37,360 --> 00:38:39,879
Speaker 1: you're at the end of the road. Okay, I see

755
00:38:39,920 --> 00:38:41,640
Speaker 1: what you're doing. Do you ever think to yourself, what

756
00:38:41,800 --> 00:38:44,399
Speaker 1: advice would Lance Bass and my favorite boy bands give

757
00:38:44,480 --> 00:38:47,200
Speaker 1: me in this situation. If you do, you've come to

758
00:38:47,239 --> 00:38:49,680
Speaker 1: the right place, because I'm here to help this. I

759
00:38:49,760 --> 00:38:53,719
Speaker 1: promise you, seriously, I swear, and you won't have to

760
00:38:53,760 --> 00:38:57,040
Speaker 1: send an S O S because I'll be there for you,

761
00:38:57,680 --> 00:39:00,640
Speaker 1: and so will my husband Michael. Hey, that's me. Yeah,

762
00:39:00,680 --> 00:39:03,040
Speaker 1: we know that. Michael and a different hot sexy teen

763
00:39:03,120 --> 00:39:06,320
Speaker 1: crush boybander each week to guide you through life step

764
00:39:06,360 --> 00:39:10,440
Speaker 1: by step, not another one. Kids, relationships, life in general

765
00:39:10,520 --> 00:39:13,080
Speaker 1: can get messy. You may be thinking, this is the

766
00:39:13,160 --> 00:39:17,080
Speaker 1: story of my life. Just stop now. If so, tell everybody, yeah,

767
00:39:17,120 --> 00:39:21,040
Speaker 1: everybody about my new podcast, and make sure to listen

768
00:39:21,120 --> 00:39:24,240
Speaker 1: so we'll never ever have to say bye bye bye.

769
00:39:24,600 --> 00:39:26,640
Speaker 1: Listen to Frosted Tips with a Lance Bass on the

770
00:39:26,680 --> 00:39:29,680
Speaker 1: I Heart Radio app, Apple podcast or wherever you listen

771
00:39:29,719 --> 00:39:38,080
Speaker 1: to podcasts. So Eric asks if they want to take

772
00:39:38,120 --> 00:39:40,719
Speaker 1: a break before they start studying, and Rebecca asks to

773
00:39:40,800 --> 00:39:44,600
Speaker 1: see the house, and immediately the audience knows what that means,

774
00:39:44,640 --> 00:39:48,719
Speaker 1: and we get a and then he takes her to

775
00:39:48,760 --> 00:39:51,080
Speaker 1: the living room area with the couch and she says

776
00:39:51,120 --> 00:39:54,400
Speaker 1: she wants to go upstairs. We get more woos and

777
00:39:54,440 --> 00:39:57,000
Speaker 1: as they make their way upstairs, Corey and Shawn walk

778
00:39:57,080 --> 00:39:59,839
Speaker 1: in and Corey says, no one warned him about this girl.

779
00:40:00,000 --> 00:40:02,360
Speaker 1: Sean says Corey's going to get the hang of it

780
00:40:02,400 --> 00:40:04,879
Speaker 1: and that there are other techniques than hair, and then

781
00:40:05,239 --> 00:40:07,880
Speaker 1: Sean immediately takes off to go talk to a girl,

782
00:40:08,160 --> 00:40:10,400
Speaker 1: and Corey says he's going to study, get good grades

783
00:40:10,400 --> 00:40:12,560
Speaker 1: and become a famous scientist and then he will just

784
00:40:12,640 --> 00:40:15,120
Speaker 1: build himself a wife. I like, I like Sean opening

785
00:40:15,120 --> 00:40:17,200
Speaker 1: the door and doing the hair thing. You're a girl

786
00:40:17,280 --> 00:40:19,600
Speaker 1: go off. Andy was like, that's more like a fifty

787
00:40:19,640 --> 00:40:25,200
Speaker 1: foot range. Okay, okay, yeah, no I like that too,

788
00:40:25,200 --> 00:40:28,200
Speaker 1: where you just hear the random voice is that you

789
00:40:27,000 --> 00:40:32,880
Speaker 1: should um yeah, I thought that was funny. Uh. So Corey,

790
00:40:32,920 --> 00:40:35,399
Speaker 1: here's music coming from upstairs, and he thinks it must

791
00:40:35,400 --> 00:40:37,840
Speaker 1: be his mom and dad. So Corey walks up the

792
00:40:37,920 --> 00:40:42,120
Speaker 1: stairs and then down the hallway we see first time.

793
00:40:42,640 --> 00:40:45,040
Speaker 1: I'm gonna say this again. I'm gonna say this again,

794
00:40:45,239 --> 00:40:47,000
Speaker 1: and I know we're going to get emails again. But

795
00:40:47,200 --> 00:40:49,200
Speaker 1: I don't think we ever see it again. I don't

796
00:40:49,239 --> 00:40:52,000
Speaker 1: think we do. I think, okay, because of us, remember

797
00:40:52,120 --> 00:40:56,520
Speaker 1: any of the upstairs No? No, So he walks toward

798
00:40:56,560 --> 00:40:59,080
Speaker 1: Amy and Allen's room and then he opens the door

799
00:40:59,280 --> 00:41:02,680
Speaker 1: and he sees Eric making out with Rebecca. And this

800
00:41:02,760 --> 00:41:05,480
Speaker 1: is Amy and Allen's bedroom. So this is the thing

801
00:41:05,520 --> 00:41:09,200
Speaker 1: that everyone emailed us about. Eric says they are studying,

802
00:41:09,440 --> 00:41:13,279
Speaker 1: and Corey says, so am I which I remember that

803
00:41:13,360 --> 00:41:15,040
Speaker 1: line the second I saw him holding the door up

804
00:41:15,080 --> 00:41:17,720
Speaker 1: and I was like, I know what's coming. Yeah. So

805
00:41:18,160 --> 00:41:22,080
Speaker 1: Marguerie and I were obviously kissing and doing everything during

806
00:41:22,320 --> 00:41:24,240
Speaker 1: run throughs and rehearsals and all that kind of stuff

807
00:41:24,280 --> 00:41:29,080
Speaker 1: like that. And I believe I could be wrong about that.

808
00:41:29,120 --> 00:41:33,120
Speaker 1: I might be wrong about that, but I remember usually

809
00:41:33,200 --> 00:41:37,920
Speaker 1: did he usually did, and I remember them they wanted

810
00:41:37,960 --> 00:41:42,120
Speaker 1: it to look more sexual and like we were gonna

811
00:41:42,239 --> 00:41:45,880
Speaker 1: go farther than what Corey had seen in the hallways,

812
00:41:46,680 --> 00:41:48,839
Speaker 1: because in the hallways it was other people just making

813
00:41:48,880 --> 00:41:51,840
Speaker 1: out there. But now he's walking in and Eric's on

814
00:41:51,840 --> 00:41:55,239
Speaker 1: the bed. So it was literally, I hope we get

815
00:41:55,239 --> 00:41:58,680
Speaker 1: Margarite on um because she could corroborate this or tell

816
00:41:58,719 --> 00:42:01,200
Speaker 1: me that I've completely for gotten it, but I have

817
00:42:01,239 --> 00:42:04,839
Speaker 1: a pretty good memory. Um. We were lying on the

818
00:42:04,840 --> 00:42:10,480
Speaker 1: bed surrounded by Michael and the other writers and producers,

819
00:42:10,640 --> 00:42:15,080
Speaker 1: and they were choreographing what we should do to make

820
00:42:15,120 --> 00:42:19,520
Speaker 1: it look more sexual. So it was like no, here

821
00:42:20,000 --> 00:42:23,120
Speaker 1: it was the left settled on leg. So what it

822
00:42:23,239 --> 00:42:25,480
Speaker 1: was was it was like, well, we can't. And it

823
00:42:25,520 --> 00:42:27,680
Speaker 1: was a very frank discussion about TV. Well you can't

824
00:42:27,680 --> 00:42:29,840
Speaker 1: move your arm up like this, you can't blah blah blah.

825
00:42:29,880 --> 00:42:32,640
Speaker 1: So Michael, what Michael came up with was, here's what

826
00:42:32,719 --> 00:42:36,160
Speaker 1: we wanted to look like. As Corey opens the door,

827
00:42:36,880 --> 00:42:40,200
Speaker 1: you're making out and your leg is moving over as

828
00:42:40,200 --> 00:42:43,640
Speaker 1: if you're right about to get on top of her.

829
00:42:43,920 --> 00:42:47,680
Speaker 1: And that was a full discussion we were having at

830
00:42:47,719 --> 00:42:50,520
Speaker 1: the time, and I remember Marguerite Deny as actors were

831
00:42:50,600 --> 00:42:53,120
Speaker 1: probably like, okay, so we're gonna work this out, blah blah,

832
00:42:53,239 --> 00:42:56,440
Speaker 1: and looking back at it, I'm just it's was was

833
00:42:56,480 --> 00:42:58,600
Speaker 1: it creeped me out a little bit in retrospective. And

834
00:42:58,640 --> 00:43:00,920
Speaker 1: I know we're not trying to do, you know, dismantle

835
00:43:01,040 --> 00:43:02,760
Speaker 1: everything that we've done and all that kind of stuff,

836
00:43:02,760 --> 00:43:05,040
Speaker 1: but it was a moment of being surrounded by a

837
00:43:05,040 --> 00:43:08,080
Speaker 1: bunch of older people telling us how to make this

838
00:43:08,120 --> 00:43:11,719
Speaker 1: scene look more sexual. Well, and this is exactly why

839
00:43:11,760 --> 00:43:16,440
Speaker 1: intimacy coaches exist. Now, you know, perfect, perfect opportunity for

840
00:43:16,520 --> 00:43:20,719
Speaker 1: an intimacy coach right then and there, especially because you're

841
00:43:20,719 --> 00:43:24,040
Speaker 1: dealing with two teens. Yeah, yeah, And it was it was.

842
00:43:24,120 --> 00:43:26,600
Speaker 1: It was a full discussion of what they could get

843
00:43:26,600 --> 00:43:29,200
Speaker 1: away with, what they could show, how much of the

844
00:43:29,200 --> 00:43:31,799
Speaker 1: body I should throw over? Should my leg go up

845
00:43:31,840 --> 00:43:34,880
Speaker 1: and over? What should she do? It was a full

846
00:43:35,400 --> 00:43:39,040
Speaker 1: discussion of how to make it look sexual without making

847
00:43:39,040 --> 00:43:41,839
Speaker 1: it look too sexual, How far can we go with this?

848
00:43:41,960 --> 00:43:43,719
Speaker 1: How can we roll on it here? It was it was.

849
00:43:44,120 --> 00:43:46,879
Speaker 1: It was a full discussion. It was like, it wasn't like, hey,

850
00:43:46,960 --> 00:43:49,440
Speaker 1: let's do this alright action, It was like a twenty

851
00:43:49,480 --> 00:43:52,760
Speaker 1: minute talk about how to make these two kids making

852
00:43:52,760 --> 00:43:56,239
Speaker 1: out on kids is wrong? Two young adults making out

853
00:43:56,280 --> 00:44:00,800
Speaker 1: on a bed, and I can understand this story pointed to.

854
00:44:01,120 --> 00:44:03,320
Speaker 1: This has to be up in the game from normal

855
00:44:03,360 --> 00:44:07,000
Speaker 1: making out to just super uncomfortable as actors, and it

856
00:44:07,080 --> 00:44:08,879
Speaker 1: is as as a crew to have to deal with

857
00:44:09,080 --> 00:44:11,400
Speaker 1: it is Yeah, the reason, it is the reason why

858
00:44:11,480 --> 00:44:15,680
Speaker 1: intimacy coaches are so um so we're needed now a

859
00:44:15,800 --> 00:44:19,399
Speaker 1: great addition to Hollywood. Yeah, because you know, like you said, writer,

860
00:44:19,480 --> 00:44:21,680
Speaker 1: it is no one's arguing the importance to the to

861
00:44:21,719 --> 00:44:23,920
Speaker 1: the plot. It is. It needed to be elevated from

862
00:44:23,920 --> 00:44:26,279
Speaker 1: what we had seen in the hallway. But it would

863
00:44:26,280 --> 00:44:29,080
Speaker 1: have been a lot more comfortable for Will and Marguerite

864
00:44:29,160 --> 00:44:32,640
Speaker 1: if there had been one person in in a more

865
00:44:32,719 --> 00:44:35,120
Speaker 1: private setting who was able to say, well, we can't

866
00:44:35,160 --> 00:44:38,000
Speaker 1: do that. How would you feel about this? Can we

867
00:44:38,080 --> 00:44:42,440
Speaker 1: try this? Um? Preferably a woman, preferably someone who is

868
00:44:42,680 --> 00:44:45,160
Speaker 1: I mean. The key is also the power dynamics, right

869
00:44:45,200 --> 00:44:47,920
Speaker 1: like that, The the the invisible part of this equation

870
00:44:48,000 --> 00:44:50,280
Speaker 1: is the power dynamics when you're when you're a background

871
00:44:50,320 --> 00:44:54,280
Speaker 1: actor and uh, the executive producer or director is telling

872
00:44:54,320 --> 00:44:56,440
Speaker 1: you do this, just do that, just put your hand here,

873
00:44:56,520 --> 00:44:58,960
Speaker 1: just do that. When you're a guest cast you feel

874
00:44:59,120 --> 00:45:01,160
Speaker 1: more uncomfortable and say, will who would have felt in

875
00:45:01,160 --> 00:45:04,680
Speaker 1: this situation your male versus female. But there's so many

876
00:45:04,719 --> 00:45:07,320
Speaker 1: things going into this equation when you're straight or gay,

877
00:45:07,360 --> 00:45:10,759
Speaker 1: whatever it is like. To have more barriers and to

878
00:45:10,840 --> 00:45:14,759
Speaker 1: have more safety nets, you know, in this situation is

879
00:45:14,800 --> 00:45:17,000
Speaker 1: only better. And and there there was none of that

880
00:45:17,320 --> 00:45:19,520
Speaker 1: back then, and that that's just the way Hollywood had

881
00:45:19,560 --> 00:45:22,560
Speaker 1: been and it was at the time. And Margaret was amazing.

882
00:45:22,600 --> 00:45:24,440
Speaker 1: I mean, Marguerite was amazing with the whole thing and

883
00:45:24,480 --> 00:45:27,279
Speaker 1: an an incredible actress. I mean, you know, everybody recognizes

884
00:45:27,280 --> 00:45:29,040
Speaker 1: for Mighty Ducks and everything else that you did. But

885
00:45:29,320 --> 00:45:31,160
Speaker 1: I just remember it was it was a weird. It

886
00:45:31,239 --> 00:45:33,040
Speaker 1: was one of the weirder kind of moments I had

887
00:45:33,080 --> 00:45:35,200
Speaker 1: on the set where it's like, oh, we're discussing like

888
00:45:35,239 --> 00:45:37,440
Speaker 1: where my hand goes and where my leg goes, and

889
00:45:37,680 --> 00:45:39,399
Speaker 1: how I have to turn this way so it looks

890
00:45:39,440 --> 00:45:42,400
Speaker 1: like something big is going to happen right when Corey

891
00:45:42,440 --> 00:45:44,640
Speaker 1: walks in um and it was just it was very

892
00:45:44,680 --> 00:45:46,640
Speaker 1: It was odd to me, but it was. Yeah. It's

893
00:45:47,080 --> 00:45:51,239
Speaker 1: a perfect example of why an intimacy coast is necessary

894
00:45:51,320 --> 00:45:52,800
Speaker 1: when you do any of this kind of stuff. Especially

895
00:45:52,800 --> 00:45:55,319
Speaker 1: when you're dealing with young people. So it is um,

896
00:45:55,400 --> 00:45:57,040
Speaker 1: and you're right, writer, it is. It is a power

897
00:45:57,080 --> 00:45:59,400
Speaker 1: thing too. I mean I was a you know, I'm

898
00:45:59,400 --> 00:46:02,359
Speaker 1: a guy who was a regular. That's much different than

899
00:46:02,480 --> 00:46:05,759
Speaker 1: being a female guest cast for the weeks UM, so

900
00:46:05,800 --> 00:46:08,560
Speaker 1: it Yeah, it makes a huge difference. But yeah, this scene.

901
00:46:08,600 --> 00:46:11,520
Speaker 1: I always remember the scene, which is ironic because I

902
00:46:11,520 --> 00:46:15,160
Speaker 1: didn't remember it took place in the bedroom. I didn't

903
00:46:15,200 --> 00:46:16,920
Speaker 1: remember that we saw. I was probably so focused on

904
00:46:16,960 --> 00:46:19,160
Speaker 1: everything else that was That's exactly what I was going

905
00:46:19,200 --> 00:46:22,280
Speaker 1: to say, you were. The reason why is because you didn't.

906
00:46:22,280 --> 00:46:24,640
Speaker 1: You were so blinded by everything else that was going on.

907
00:46:24,680 --> 00:46:27,279
Speaker 1: You didn't remember the location. Totally forgot the location in

908
00:46:27,320 --> 00:46:29,480
Speaker 1: the Matthews kitchen, Rebecca, who is now in a hurry

909
00:46:29,480 --> 00:46:31,600
Speaker 1: to leave, comes down, she grabs her stuff. She says

910
00:46:31,719 --> 00:46:34,760
Speaker 1: she's happy they didn't go any further. I'm glad, I'm

911
00:46:34,760 --> 00:46:37,520
Speaker 1: glad they put that line in. Yeah. Eric tries to

912
00:46:37,520 --> 00:46:39,439
Speaker 1: convince her to stay, but she leaves and she won't

913
00:46:39,480 --> 00:46:42,800
Speaker 1: see him again. And Eric says he's going to kill Corey,

914
00:46:42,840 --> 00:46:44,680
Speaker 1: bring him back to life, and then kill him again,

915
00:46:45,120 --> 00:46:47,720
Speaker 1: and Corey says he has all the power now because

916
00:46:47,840 --> 00:46:50,680
Speaker 1: Eric was in mom and Dad's bed and this is

917
00:46:50,760 --> 00:46:53,879
Speaker 1: an absolutely perfect thing to hang over his head. And

918
00:46:53,960 --> 00:46:55,799
Speaker 1: Corey asks, how how do you get a girl to

919
00:46:55,800 --> 00:46:58,399
Speaker 1: say hi? He'll promise to keep quiet, and Eric tells

920
00:46:58,480 --> 00:47:00,600
Speaker 1: him his secret, which is just that you have to

921
00:47:00,640 --> 00:47:05,879
Speaker 1: make really good eye contact and pretend to be interested. Yeah,

922
00:47:06,040 --> 00:47:09,080
Speaker 1: it's awful, but it's funny. I mean, I get why

923
00:47:09,120 --> 00:47:13,400
Speaker 1: an older brother who also doesn't know anything about women

924
00:47:13,440 --> 00:47:17,240
Speaker 1: in any way, shape or form, would give awful advice

925
00:47:17,320 --> 00:47:19,000
Speaker 1: like this. And I like that it comes back that

926
00:47:19,040 --> 00:47:21,880
Speaker 1: it's awful advice. But it's pretty cringe E to sit here.

927
00:47:22,280 --> 00:47:24,080
Speaker 1: I mean, this whole episode is cringe until it is

928
00:47:24,400 --> 00:47:28,200
Speaker 1: until Allen and Amy, until the adults entered the conversation.

929
00:47:28,400 --> 00:47:31,040
Speaker 1: It's it's it was pretty hard, you know. It was

930
00:47:31,160 --> 00:47:33,640
Speaker 1: baffling to me. It was like, what, yeah, could it

931
00:47:33,719 --> 00:47:36,279
Speaker 1: could it be argued? Could it be argued that that's

932
00:47:36,320 --> 00:47:39,400
Speaker 1: exactly what it was supposed to be. It's supposed to

933
00:47:39,480 --> 00:47:42,600
Speaker 1: be horrible and cringe E and everybody fumbling their way

934
00:47:42,640 --> 00:47:45,200
Speaker 1: through this thing called sex that nobody knows what it is,

935
00:47:45,280 --> 00:47:48,680
Speaker 1: nobody is, you know, until you got to the adults,

936
00:47:49,440 --> 00:47:52,560
Speaker 1: nobody had any idea, what the right quote unquote way

937
00:47:52,719 --> 00:47:54,799
Speaker 1: was or respect about it or anything like that. So

938
00:47:55,360 --> 00:47:57,720
Speaker 1: you could argue the point. Just go back for a second.

939
00:47:57,800 --> 00:48:02,399
Speaker 1: What why is she running away? I know? Why? Why

940
00:48:02,400 --> 00:48:04,120
Speaker 1: does it feel like it has been an attack or

941
00:48:04,160 --> 00:48:07,839
Speaker 1: like some sort of flustery weird felt very odd to me.

942
00:48:08,840 --> 00:48:10,920
Speaker 1: I thought it was was it that Corey walked in

943
00:48:11,239 --> 00:48:14,400
Speaker 1: or that's what Eric had been pressuring her? It was

944
00:48:14,440 --> 00:48:16,880
Speaker 1: that Eric. I think she was just embarrassed that someone

945
00:48:17,000 --> 00:48:21,200
Speaker 1: had seen her in this in this precarious situation. But

946
00:48:21,239 --> 00:48:25,040
Speaker 1: why wouldn't she ever see Eric again? I don't know.

947
00:48:25,719 --> 00:48:28,520
Speaker 1: Why would she turn that on Eric and say I'm

948
00:48:28,520 --> 00:48:32,840
Speaker 1: never gonna know and run out like something bad had happened,

949
00:48:33,640 --> 00:48:35,320
Speaker 1: that some mine had been crossed that she was not

950
00:48:35,400 --> 00:48:38,839
Speaker 1: comfortable with. Why was that about Eric? Like I understand like, oh,

951
00:48:38,880 --> 00:48:41,080
Speaker 1: your little brother, you're creepy little brothers saws, and I

952
00:48:41,120 --> 00:48:43,280
Speaker 1: don't want to be making out in front of your brother.

953
00:48:43,680 --> 00:48:46,680
Speaker 1: Totally makes sense, But why was it like I'm not

954
00:48:46,719 --> 00:48:49,480
Speaker 1: going to see you again? I mean, I guess just

955
00:48:49,520 --> 00:48:52,879
Speaker 1: the story point was that that's that has to happen

956
00:48:52,880 --> 00:48:55,239
Speaker 1: in order for Eric to be upset to be angry. Yeah,

957
00:48:55,400 --> 00:48:59,360
Speaker 1: but it felt weird. It felt like date rape. It

958
00:48:59,440 --> 00:49:02,080
Speaker 1: felt like something happened, and I know that that wasn't

959
00:49:02,080 --> 00:49:04,680
Speaker 1: the intention, but it was suddenly like more than just

960
00:49:04,719 --> 00:49:06,640
Speaker 1: a cringe e. It was like, oh, this feels bad,

961
00:49:06,760 --> 00:49:09,560
Speaker 1: Like this feels like something bad haf camera that we're

962
00:49:09,560 --> 00:49:13,520
Speaker 1: not talking about. And they certainly made her They certainly

963
00:49:13,719 --> 00:49:17,120
Speaker 1: tried tried to make her look like the aggressor. Yes,

964
00:49:17,320 --> 00:49:19,840
Speaker 1: there they set it up. They set it up ahead

965
00:49:19,840 --> 00:49:23,080
Speaker 1: of time that she they want. It was almost like, Okay,

966
00:49:23,080 --> 00:49:25,759
Speaker 1: they're definitely doing this because they don't want They want

967
00:49:25,920 --> 00:49:28,200
Speaker 1: no chance for anyone to say there was any sort

968
00:49:28,239 --> 00:49:31,239
Speaker 1: of pressure from Eric to her. So she's going to

969
00:49:31,360 --> 00:49:33,279
Speaker 1: be the one telling him, let's go do this. No,

970
00:49:33,440 --> 00:49:35,480
Speaker 1: you didn't pick up on my signal, let's go do this.

971
00:49:35,920 --> 00:49:37,920
Speaker 1: And then later you even make it more clear that

972
00:49:38,000 --> 00:49:41,480
Speaker 1: it was her. She patted the bed and said come here, um,

973
00:49:41,520 --> 00:49:45,120
Speaker 1: and so yeah, I had I'm glad, and then I

974
00:49:45,160 --> 00:49:49,680
Speaker 1: never wanted around and she pointedly thanks Corey. She she

975
00:49:49,680 --> 00:49:52,640
Speaker 1: she she looks around, she goes, thank you. And so

976
00:49:52,760 --> 00:49:55,879
Speaker 1: it was it was a very and to writer's point,

977
00:49:56,000 --> 00:49:58,879
Speaker 1: we needed it for the reason that if they were

978
00:49:58,880 --> 00:50:01,480
Speaker 1: just going to get together some other day. Eric wouldn't

979
00:50:01,480 --> 00:50:03,960
Speaker 1: need to be that angry because well, this is still

980
00:50:04,000 --> 00:50:05,560
Speaker 1: a person I could be I could end up having

981
00:50:05,600 --> 00:50:09,000
Speaker 1: that kind of relationship with. But it it really didn't

982
00:50:09,040 --> 00:50:11,920
Speaker 1: make me feel good. It felt very much like, oh

983
00:50:12,080 --> 00:50:15,160
Speaker 1: I feel super icky now, as opposed to just oops,

984
00:50:15,239 --> 00:50:18,960
Speaker 1: two teens got caught doing what teens do. See you later, Eric, tomorrow,

985
00:50:18,960 --> 00:50:20,799
Speaker 1: we can pick up where we left off because I

986
00:50:20,840 --> 00:50:22,960
Speaker 1: wanted this. It was presented that I wanted to be

987
00:50:23,040 --> 00:50:25,839
Speaker 1: with you. She walks up the stairs. She she goes,

988
00:50:25,880 --> 00:50:28,040
Speaker 1: you got to show me the upstairs and takes off upstairs.

989
00:50:28,120 --> 00:50:31,880
Speaker 1: Eric's by himself, so it's he. They certainly set it

990
00:50:31,960 --> 00:50:33,759
Speaker 1: up that she was the aggressor, and then they set

991
00:50:33,760 --> 00:50:37,800
Speaker 1: it up that, yeah, it came off as she's leaving,

992
00:50:38,200 --> 00:50:44,719
Speaker 1: she wasn't like something bad happened, and like I was

993
00:50:44,760 --> 00:50:47,120
Speaker 1: ever in that situation with a woman leaving this quickly

994
00:50:47,640 --> 00:50:49,520
Speaker 1: or even at that age, I think I would be like,

995
00:50:49,600 --> 00:50:51,080
Speaker 1: what did I do? Oh my god? How can I

996
00:50:51,120 --> 00:50:53,160
Speaker 1: make this right? I am so sorry? Did did a

997
00:50:53,680 --> 00:50:56,759
Speaker 1: miscommunication happened here? Like? It seems like there needs to

998
00:50:56,760 --> 00:51:00,080
Speaker 1: be something some aftercare, as you might say, like you know,

999
00:51:00,200 --> 00:51:02,080
Speaker 1: like hey, can we work this out, like you should

1000
00:51:02,080 --> 00:51:06,320
Speaker 1: not be leaving this angry. Yeah, and there's something some

1001
00:51:06,320 --> 00:51:08,879
Speaker 1: something like the way I feel like an easy way

1002
00:51:08,920 --> 00:51:11,200
Speaker 1: to get both is for her to have just been like, sorry,

1003
00:51:11,239 --> 00:51:15,560
Speaker 1: the moments passed, sure, yeah, an do it anymore? Yeah, sorry,

1004
00:51:15,760 --> 00:51:18,080
Speaker 1: I'd rather go somewhere where they aren't little brothers creeping around.

1005
00:51:18,239 --> 00:51:21,319
Speaker 1: Whenever my little brothers kill my kill, the vibe gotta go,

1006
00:51:21,840 --> 00:51:25,719
Speaker 1: like they very easily could have kept her empowered, kept

1007
00:51:25,719 --> 00:51:28,600
Speaker 1: her empowered. The fact is that she is disempowered. It

1008
00:51:28,680 --> 00:51:31,640
Speaker 1: feels like she has been disempowered by the situation and

1009
00:51:31,640 --> 00:51:33,680
Speaker 1: and that that she has to escape it in order

1010
00:51:33,719 --> 00:51:36,399
Speaker 1: to reclaim her power and reject Eric reclaimed her power,

1011
00:51:36,560 --> 00:51:38,719
Speaker 1: and that is a weird dynamic. It felt weird to me.

1012
00:51:39,040 --> 00:51:41,000
Speaker 1: I agree. Yeah, I thought so too, And I thought

1013
00:51:41,000 --> 00:51:46,279
Speaker 1: I didn't really feel it until she thanked Corey where

1014
00:51:46,280 --> 00:51:48,919
Speaker 1: it's like you say, it's like thank god you came in,

1015
00:51:49,160 --> 00:51:54,920
Speaker 1: because yeah, I could have gotten implication of that, like, yeah,

1016
00:51:55,200 --> 00:51:57,120
Speaker 1: I know, I thought the same thing. It was and

1017
00:51:57,160 --> 00:51:59,880
Speaker 1: it didn't fit with the rest of the episode. Now,

1018
00:52:00,239 --> 00:52:02,000
Speaker 1: even with the even with the fact that she was

1019
00:52:02,040 --> 00:52:04,000
Speaker 1: the aggressor in the beginning, like none of that fit.

1020
00:52:04,120 --> 00:52:07,560
Speaker 1: It just seemed weird. Yeah. Well, then we're in Mr

1021
00:52:07,600 --> 00:52:12,040
Speaker 1: Turner's classroom. Corey is terrifyingly staring at Wendy we don't

1022
00:52:12,040 --> 00:52:14,279
Speaker 1: know her name yet, but staring at the blonde girl

1023
00:52:14,320 --> 00:52:19,080
Speaker 1: sitting next to him, like Dahmer, He's just like glued.

1024
00:52:20,320 --> 00:52:22,840
Speaker 1: Mr Turner noticed his Corey isn't paying attention to his

1025
00:52:22,920 --> 00:52:25,799
Speaker 1: lecture on Tom Jones and asks Corey a question, and

1026
00:52:25,880 --> 00:52:29,719
Speaker 1: Corey has no idea what he's talking about. Did you

1027
00:52:29,760 --> 00:52:32,799
Speaker 1: guys also have to watch it three times to try

1028
00:52:32,800 --> 00:52:37,880
Speaker 1: and figure out what what are you doing? What are

1029
00:52:37,880 --> 00:52:44,560
Speaker 1: you doing? It was a weird choice. What do you

1030
00:52:44,600 --> 00:52:47,560
Speaker 1: think you're doing? Mouth? I was like, what is going on?

1031
00:52:47,880 --> 00:52:50,560
Speaker 1: Is he flirting? Yeah? I thought it was kind of funny,

1032
00:52:50,600 --> 00:52:53,879
Speaker 1: like he's mocking the like seductive guy. It was great

1033
00:52:54,040 --> 00:52:56,560
Speaker 1: because he could tell that Corey was being like super

1034
00:52:56,600 --> 00:53:00,399
Speaker 1: cool guy, so he can't love. But that's how it was.

1035
00:53:00,560 --> 00:53:03,839
Speaker 1: This is exactly what I'm just a perfect example of

1036
00:53:04,520 --> 00:53:07,560
Speaker 1: seeing something on a page and take and making it

1037
00:53:08,000 --> 00:53:10,640
Speaker 1: another on it. He just he just took it into

1038
00:53:10,880 --> 00:53:12,800
Speaker 1: There's no way it was written like that on the page.

1039
00:53:12,800 --> 00:53:16,080
Speaker 1: You just had the lines and what do you think

1040
00:53:16,080 --> 00:53:19,600
Speaker 1: about Matt, I was dying. It's hysterical. It was great.

1041
00:53:19,960 --> 00:53:22,759
Speaker 1: So then Mr Turner asks Sean to explain, but he

1042
00:53:22,800 --> 00:53:25,239
Speaker 1: also wasn't paying attention. Corey admits he didn't read the

1043
00:53:25,239 --> 00:53:27,160
Speaker 1: assignment and the bell rings. It could have gone farther.

1044
00:53:27,320 --> 00:53:30,319
Speaker 1: My impression, I should have gone, Matt Jews. I have

1045
00:53:30,560 --> 00:53:32,399
Speaker 1: this moment where I do like a little nudge towards

1046
00:53:32,400 --> 00:53:35,600
Speaker 1: a ton Tony impression. And I clearly wasn't comfortable with

1047
00:53:35,640 --> 00:53:38,120
Speaker 1: Tony enough yet to make fun of him. But I

1048
00:53:38,160 --> 00:53:41,360
Speaker 1: should have gone farther. I surprise, nobody pushed you to

1049
00:53:41,360 --> 00:53:44,080
Speaker 1: go far. Probably did. I probably still just held back.

1050
00:53:44,480 --> 00:53:47,080
Speaker 1: I don't know, but yeah, it was really funny. He's

1051
00:53:47,400 --> 00:53:49,399
Speaker 1: Mr Turner has been thrilled that the bell has ring,

1052
00:53:49,560 --> 00:53:52,239
Speaker 1: and he runs out himself. Corey is still staring at

1053
00:53:52,239 --> 00:53:54,799
Speaker 1: the girl, so she says what as they're walking out,

1054
00:53:54,840 --> 00:53:57,560
Speaker 1: and Corey says, he's looking at her amazing hair, and

1055
00:53:57,640 --> 00:54:00,680
Speaker 1: she says why, and she admits that she did rush it. Differently,

1056
00:54:00,719 --> 00:54:07,040
Speaker 1: he says, it's the most hair again, And it was

1057
00:54:07,120 --> 00:54:09,120
Speaker 1: here in this moment, while she was holding her notebook

1058
00:54:09,160 --> 00:54:12,719
Speaker 1: that I realized she's wearing a wedding ring. She just

1059
00:54:16,000 --> 00:54:19,440
Speaker 1: on the wedding finger. So I don't know why he

1060
00:54:19,480 --> 00:54:22,000
Speaker 1: picked the married twelve year old to go out, but

1061
00:54:22,400 --> 00:54:28,719
Speaker 1: so Corey asks her out and she says yes tomorrow

1062
00:54:28,760 --> 00:54:32,439
Speaker 1: after school. Sean and Corey then celebrate as Corey says

1063
00:54:32,520 --> 00:54:37,000
Speaker 1: he's got the boom. I think he said before, why

1064
00:54:37,000 --> 00:54:40,520
Speaker 1: don't you ask your brother? Eric's got the boom? Is?

1065
00:54:40,840 --> 00:54:42,800
Speaker 1: So we had said it before? I missed it before.

1066
00:54:43,239 --> 00:54:46,520
Speaker 1: Is the boom a thing that people know? I wrote

1067
00:54:46,560 --> 00:54:51,240
Speaker 1: that down to ask there's a song, is it Salt

1068
00:54:51,280 --> 00:54:53,600
Speaker 1: and Pepper? There's a song Who's Got the Boom? I

1069
00:54:53,640 --> 00:54:58,880
Speaker 1: got the boom? There's something I oh oh screaming at

1070
00:54:58,920 --> 00:55:02,360
Speaker 1: the right now. It's trying to figure out pop cultures.

1071
00:55:03,560 --> 00:55:06,879
Speaker 1: A line in the late eighties early nineties song it's

1072
00:55:06,920 --> 00:55:11,399
Speaker 1: like we like the cars the boom? Okay, Well, then

1073
00:55:11,480 --> 00:55:14,480
Speaker 1: what was happening was backstage Ben and I were singing

1074
00:55:14,480 --> 00:55:17,080
Speaker 1: that to each other without a doubt, because Ben and

1075
00:55:17,120 --> 00:55:18,680
Speaker 1: I would say lines like this to each other, and

1076
00:55:18,680 --> 00:55:20,200
Speaker 1: I remember him and I looking at each other and go,

1077
00:55:20,400 --> 00:55:22,959
Speaker 1: we like the cars. Because I probably never heard the song,

1078
00:55:23,120 --> 00:55:25,399
Speaker 1: but I learned it from Ben. So for years after

1079
00:55:25,480 --> 00:55:28,520
Speaker 1: probably this line we said that to each other and

1080
00:55:28,560 --> 00:55:30,399
Speaker 1: I've never to this. I never knew what it was from,

1081
00:55:30,440 --> 00:55:33,160
Speaker 1: but I can I can see Ben doing that to me.

1082
00:55:33,280 --> 00:55:36,799
Speaker 1: We like the cars, the cars, So that's so I

1083
00:55:36,880 --> 00:55:39,080
Speaker 1: knew the reference. Are I saw a reference in here,

1084
00:55:39,120 --> 00:55:41,200
Speaker 1: But it's probably because it was written this way and

1085
00:55:41,239 --> 00:55:43,840
Speaker 1: then we kept making Yeah, I know that was It

1086
00:55:43,920 --> 00:55:47,360
Speaker 1: started because Eric, because Corey asked Shawn, how do I

1087
00:55:47,400 --> 00:55:49,200
Speaker 1: find out about this? And Sean says, why don't you

1088
00:55:49,200 --> 00:55:51,640
Speaker 1: ask your brother? He's got the boom? Yeah? I don't.

1089
00:55:51,640 --> 00:55:58,000
Speaker 1: I've just never heard of he's got the boom. Stop

1090
00:55:58,000 --> 00:56:03,560
Speaker 1: trying to make um what is fetch? It's our mean girls,

1091
00:56:04,080 --> 00:56:07,080
Speaker 1: I'm never girls. Oh you're missing out. Okay, I'll give

1092
00:56:07,080 --> 00:56:14,200
Speaker 1: it a watch. Pretty good movie. Hi. I'm Christine Taylor

1093
00:56:14,320 --> 00:56:17,279
Speaker 1: and I'm David Lasher. David and I start in a

1094
00:56:17,440 --> 00:56:20,520
Speaker 1: little show in the nineties called Hey Dude, and now

1095
00:56:20,520 --> 00:56:23,160
Speaker 1: we're teaming up once again as the host of a

1096
00:56:23,200 --> 00:56:26,640
Speaker 1: new I Heart podcast Hey Dude the nineties called do

1097
00:56:26,760 --> 00:56:29,440
Speaker 1: you remember the motor rolla flip phone? Do you remember

1098
00:56:29,520 --> 00:56:32,640
Speaker 1: going to Blockbuster? Do you remember Nintendo sixty four? Do

1099
00:56:32,680 --> 00:56:35,680
Speaker 1: you remember getting frosted tips? Was that a serial? No?

1100
00:56:35,800 --> 00:56:37,920
Speaker 1: It was hair. Do you remember a O L instant

1101
00:56:37,920 --> 00:56:41,160
Speaker 1: messenger and the dial up sound like Poltergeist? Do you

1102
00:56:41,160 --> 00:56:44,000
Speaker 1: remember when we dated? Okay, save that for the podcast.

1103
00:56:44,640 --> 00:56:47,000
Speaker 1: We're going to use Hey Dude as our jumping off point,

1104
00:56:47,040 --> 00:56:49,560
Speaker 1: but we are going to unpack and dive back into

1105
00:56:49,600 --> 00:56:52,399
Speaker 1: the decade of the nineties. We lived it, and now

1106
00:56:52,400 --> 00:56:54,720
Speaker 1: we're calling on all of our friends to come back

1107
00:56:54,880 --> 00:56:58,160
Speaker 1: and relive it. Each episode will rival the feeling of

1108
00:56:58,200 --> 00:57:00,480
Speaker 1: taking out the cartridge from your game boy, lowing on it,

1109
00:57:00,520 --> 00:57:02,799
Speaker 1: and popping it back in as we take you back

1110
00:57:02,840 --> 00:57:06,480
Speaker 1: to the nineties. So listen to Hey Dude, the nineties

1111
00:57:06,520 --> 00:57:09,279
Speaker 1: called on the I Heart radio app, Apple podcasts or

1112
00:57:09,320 --> 00:57:19,480
Speaker 1: wherever you listen to podcasts. Okay, So then we are

1113
00:57:19,520 --> 00:57:21,800
Speaker 1: in Amy and Allen's bedroom. Amy is sitting on the

1114
00:57:21,840 --> 00:57:23,880
Speaker 1: edge of the bed in a long flannel dress and

1115
00:57:23,920 --> 00:57:27,160
Speaker 1: Alan says she's looking very amish, which I think is

1116
00:57:27,280 --> 00:57:30,000
Speaker 1: very funny. Scene was great, And going back to what

1117
00:57:30,040 --> 00:57:31,960
Speaker 1: we've talked about multiple times, or what we did talk

1118
00:57:31,960 --> 00:57:34,439
Speaker 1: about multiple times in season one is just how many

1119
00:57:34,520 --> 00:57:38,280
Speaker 1: conversations they get to have that we're not just about parenting,

1120
00:57:38,320 --> 00:57:41,680
Speaker 1: but full scenes where we get to like peek inside

1121
00:57:41,760 --> 00:57:46,160
Speaker 1: their relationship. Is just cool, Like you don't see that

1122
00:57:46,200 --> 00:57:50,360
Speaker 1: the parents are such side characters in most sitcoms these days.

1123
00:57:50,760 --> 00:57:53,960
Speaker 1: They were really much like talking about their marriage, and

1124
00:57:54,000 --> 00:57:56,160
Speaker 1: you got to see them kind of flirting before bed,

1125
00:57:56,200 --> 00:57:59,880
Speaker 1: and it's very cute. Although Amy is very stressed for work,

1126
00:58:00,440 --> 00:58:06,320
Speaker 1: work that we've never heard about before. She's now the

1127
00:58:06,360 --> 00:58:08,959
Speaker 1: first time she references the gallery because that stuck around

1128
00:58:09,000 --> 00:58:11,320
Speaker 1: for a while if I remember. Now, all of a sudden,

1129
00:58:11,320 --> 00:58:13,320
Speaker 1: she's got a gallery and Alan says that he is

1130
00:58:13,360 --> 00:58:17,240
Speaker 1: there to relieve her stress, and they start kissing as

1131
00:58:17,280 --> 00:58:19,840
Speaker 1: they lay down in bed, and then Amy feels an

1132
00:58:19,880 --> 00:58:23,080
Speaker 1: earring dig into her back. She's very concerned and she

1133
00:58:23,160 --> 00:58:28,280
Speaker 1: asks Alan, who's is this now? I hope you're going

1134
00:58:28,320 --> 00:58:30,600
Speaker 1: to say the same thing. I am the biggest earring

1135
00:58:31,160 --> 00:58:34,840
Speaker 1: that she was in the world she was wearing, but

1136
00:58:35,240 --> 00:58:39,200
Speaker 1: we run out without knowing. You've got a giant well,

1137
00:58:39,200 --> 00:58:41,280
Speaker 1: because she was so flustered when she left, and by

1138
00:58:41,280 --> 00:58:45,800
Speaker 1: the way, she is missing the earring when she leaves. Okay, okay,

1139
00:58:45,960 --> 00:58:49,560
Speaker 1: here's something doesn't make any sense. She was there a

1140
00:58:49,640 --> 00:58:55,880
Speaker 1: full twenty four hours before because Corey saw them and

1141
00:58:55,920 --> 00:58:58,400
Speaker 1: then got the advice from Eric went to school the

1142
00:58:58,480 --> 00:59:00,960
Speaker 1: next day, they didn't sleep in their bed, so they

1143
00:59:01,000 --> 00:59:04,920
Speaker 1: are having an affair. They are sleeping in the car,

1144
00:59:05,320 --> 00:59:08,560
Speaker 1: or I don't know what they're doing, but sometimes they're

1145
00:59:08,560 --> 00:59:12,880
Speaker 1: not sleeping in their bed. Oh man, I never the

1146
00:59:12,880 --> 00:59:14,920
Speaker 1: but is made. So they didn't sleep in their bed

1147
00:59:15,000 --> 00:59:18,800
Speaker 1: last night, or they slept in the bed, moved the earring,

1148
00:59:19,080 --> 00:59:21,760
Speaker 1: remade the bed, and somehow the earring stayed there like

1149
00:59:21,800 --> 00:59:25,600
Speaker 1: it just it is a continuity thing timeline wise, that

1150
00:59:25,720 --> 00:59:28,760
Speaker 1: just oh yeah, where were they sleeping the night before?

1151
00:59:28,760 --> 00:59:31,120
Speaker 1: They should have found it the same day, but it

1152
00:59:31,240 --> 00:59:34,640
Speaker 1: didn't work for story. Amy and Alan aren't open. Couple

1153
00:59:36,240 --> 00:59:38,760
Speaker 1: sleep in the bathtub every now and then. I don't know,

1154
00:59:39,440 --> 00:59:43,480
Speaker 1: you're saying, swing, yes, I guess it must be. And

1155
00:59:43,520 --> 00:59:45,560
Speaker 1: it was, she wouldn't be upset about the earring at all.

1156
00:59:45,600 --> 00:59:51,640
Speaker 1: She'd be like, which one who's is this? Because they agreed,

1157
00:59:52,240 --> 00:59:54,840
Speaker 1: they agreed not to have it happen in the bedroom,

1158
00:59:54,920 --> 01:00:01,520
Speaker 1: so they weren't aim for correct cot So anyway, I

1159
01:00:01,880 --> 01:00:05,200
Speaker 1: don't quite understand that. But it's not him, and she

1160
01:00:05,280 --> 01:00:07,840
Speaker 1: says she knows it's definitely not him. She doesn't think

1161
01:00:07,840 --> 01:00:10,360
Speaker 1: he's having an affair, and then Alan is offended by

1162
01:00:10,400 --> 01:00:12,800
Speaker 1: that because how dare you say that I could not

1163
01:00:12,840 --> 01:00:15,400
Speaker 1: be having an affair. Women still find me very attractive,

1164
01:00:15,720 --> 01:00:17,880
Speaker 1: and Amy says, of course, of course she could lose

1165
01:00:17,960 --> 01:00:23,360
Speaker 1: him at any moment. M it's a little exhausted by this,

1166
01:00:24,360 --> 01:00:29,320
Speaker 1: by this bit in their marriage, the whole it was

1167
01:00:29,400 --> 01:00:34,480
Speaker 1: just such an odd episode all the way around. Danielle

1168
01:00:34,480 --> 01:00:37,440
Speaker 1: just gave up on the podcast. Do we have to

1169
01:00:37,520 --> 01:00:41,720
Speaker 1: keep talking? I was just, I don't know. I you know.

1170
01:00:41,760 --> 01:00:43,600
Speaker 1: It's funny is that Will and I were talking. Will

1171
01:00:43,640 --> 01:00:45,320
Speaker 1: and I were having a conversation on the way home

1172
01:00:45,480 --> 01:00:50,360
Speaker 1: together the other day, and I said, and I immediately

1173
01:00:50,440 --> 01:00:52,720
Speaker 1: thought of Boy Meets World when I said this, But

1174
01:00:52,800 --> 01:00:57,040
Speaker 1: I said that Will and writer have very much a

1175
01:00:57,160 --> 01:01:02,040
Speaker 1: similar energy, which is a safe energy. And I said,

1176
01:01:02,440 --> 01:01:07,080
Speaker 1: right after I said it like no offense. And the

1177
01:01:07,160 --> 01:01:10,200
Speaker 1: only reason I felt like I had to say no

1178
01:01:10,360 --> 01:01:14,479
Speaker 1: offense is because of a lot of this like kind

1179
01:01:14,480 --> 01:01:19,200
Speaker 1: of boy meets World energy and an old timey nineties

1180
01:01:19,280 --> 01:01:23,520
Speaker 1: feeling where like it was somehow offensive to men to

1181
01:01:23,640 --> 01:01:28,600
Speaker 1: be a good guy to my masculinity because you called

1182
01:01:28,640 --> 01:01:35,600
Speaker 1: me dangerous. God exactly, it's a it was a it's

1183
01:01:35,640 --> 01:01:37,840
Speaker 1: a man. I want to I want to be predatory,

1184
01:01:37,880 --> 01:01:39,479
Speaker 1: even though I don't think that's what Alan is saying.

1185
01:01:39,480 --> 01:01:42,040
Speaker 1: Alan is just saying I'm a hot commodity. Other people

1186
01:01:42,040 --> 01:01:44,640
Speaker 1: could want me, so I am not. Please don't send

1187
01:01:44,640 --> 01:01:48,400
Speaker 1: me your emails. And I know what you're saying. I mean, yeah,

1188
01:01:48,960 --> 01:01:52,680
Speaker 1: it feels now a little like, oh, come on, can

1189
01:01:52,720 --> 01:01:57,480
Speaker 1: you just be more confident in yourself? Alan? Incre it's

1190
01:01:57,480 --> 01:02:00,120
Speaker 1: an insecure marriage feeling, which I just don't think it's

1191
01:02:00,200 --> 01:02:02,640
Speaker 1: fun for them. I don't. I don't like them having

1192
01:02:02,720 --> 01:02:06,040
Speaker 1: insecure marriage stuff. I like them wooing each other and

1193
01:02:06,160 --> 01:02:08,720
Speaker 1: dating each other and keeping the spice alive, not a

1194
01:02:09,000 --> 01:02:11,840
Speaker 1: hey you think I couldn't cheat on you. I don't know.

1195
01:02:11,920 --> 01:02:15,360
Speaker 1: I just it felt a little It's not my favorite.

1196
01:02:15,400 --> 01:02:17,280
Speaker 1: It's not my favorite bit for their marriage. And I

1197
01:02:17,400 --> 01:02:20,200
Speaker 1: loved every other one that I've seen. This was the

1198
01:02:20,200 --> 01:02:22,200
Speaker 1: first one that I was a little like, let's let's

1199
01:02:22,240 --> 01:02:23,800
Speaker 1: move past this place. And it was a weird It

1200
01:02:23,880 --> 01:02:26,920
Speaker 1: was a weird uh kind of juxtaposition for me because

1201
01:02:27,040 --> 01:02:28,880
Speaker 1: as much as I didn't like it, and I agree,

1202
01:02:29,600 --> 01:02:33,040
Speaker 1: Rusty's really funny. He's so funny. He's really funny. I mean,

1203
01:02:33,040 --> 01:02:35,000
Speaker 1: he's really trying to pull off for that is this

1204
01:02:35,080 --> 01:02:37,640
Speaker 1: thing welded on like all that stuff. Those are all

1205
01:02:37,720 --> 01:02:40,120
Speaker 1: great funny that I love. That's what I'm saying. That's

1206
01:02:40,120 --> 01:02:42,360
Speaker 1: the part I love. I love. I love their marriage

1207
01:02:42,400 --> 01:02:46,000
Speaker 1: being secure and stable and them hot for each other,

1208
01:02:46,600 --> 01:02:48,920
Speaker 1: uh and fun. But that's why it seems like a

1209
01:02:48,920 --> 01:02:52,800
Speaker 1: different show. It's like every character is getting slightly different

1210
01:02:52,840 --> 01:02:56,360
Speaker 1: than the and again we're we're seeing it through the

1211
01:02:56,400 --> 01:02:58,840
Speaker 1: prism of we're watching them back to back to back

1212
01:02:58,880 --> 01:03:01,479
Speaker 1: to back to back. Um. But at the same time,

1213
01:03:01,520 --> 01:03:03,760
Speaker 1: it is it seems like they're okay, Well, season one

1214
01:03:03,840 --> 01:03:05,520
Speaker 1: was a good show for boy Mean's World. Season two

1215
01:03:05,520 --> 01:03:07,840
Speaker 1: we're going to kind of change everybody a bit, even

1216
01:03:07,840 --> 01:03:11,280
Speaker 1: the parents. And I guess Phoene's really the only one

1217
01:03:11,320 --> 01:03:16,080
Speaker 1: who's completely the same, although also almost non existent, right, Yes,

1218
01:03:16,160 --> 01:03:18,120
Speaker 1: that was the other thing is he's just not really

1219
01:03:18,240 --> 01:03:21,680
Speaker 1: in the show anymore. Really, here it seemed like everyone's

1220
01:03:21,760 --> 01:03:24,680
Speaker 1: just slightly different than they were. It was off. But

1221
01:03:24,840 --> 01:03:27,760
Speaker 1: I let's let's let's see how it settles him. I

1222
01:03:27,760 --> 01:03:31,080
Speaker 1: think we must write because we do. We continue to

1223
01:03:31,120 --> 01:03:33,040
Speaker 1: be a successful show, so I think we must have

1224
01:03:33,040 --> 01:03:35,760
Speaker 1: found our our game. You know, as the season went on,

1225
01:03:35,800 --> 01:03:38,840
Speaker 1: it still feels creaky to me, it's definitely yeah, there's

1226
01:03:38,840 --> 01:03:41,480
Speaker 1: definitely some awkward bits, and like, this is my biggest thing,

1227
01:03:41,560 --> 01:03:44,280
Speaker 1: is just like the adjustment to like horny, horny boy

1228
01:03:44,400 --> 01:03:49,040
Speaker 1: energy that permeates this entire episode for obvious reasons, but

1229
01:03:49,160 --> 01:03:52,280
Speaker 1: I also have a sinking feeling that a premeus the

1230
01:03:52,680 --> 01:03:55,200
Speaker 1: entirety of boy Mean's world, which is just gonna make

1231
01:03:55,240 --> 01:03:58,320
Speaker 1: me a little uncomfortable because you know, I obviously was

1232
01:03:58,360 --> 01:04:00,800
Speaker 1: a teenage boy, so it probably felt totally normal to me,

1233
01:04:01,600 --> 01:04:03,840
Speaker 1: but now it feels a little weird. It's not in

1234
01:04:03,840 --> 01:04:06,040
Speaker 1: the Honeymoon episode. We should just watch the Honeymoon episode

1235
01:04:06,080 --> 01:04:09,120
Speaker 1: over and over. That should be the podcast it how

1236
01:04:09,200 --> 01:04:13,320
Speaker 1: Dare you So? Amy then realizes it's Rebecca's earring, and

1237
01:04:13,400 --> 01:04:15,280
Speaker 1: she wants to go talk to Eric herself because she

1238
01:04:15,320 --> 01:04:17,960
Speaker 1: wants to avoid the atta boy type father son thing

1239
01:04:18,040 --> 01:04:21,200
Speaker 1: that the conversation could become. Alan and Amy decided that

1240
01:04:21,200 --> 01:04:24,360
Speaker 1: they were going to go together, and uh, but Alan

1241
01:04:24,400 --> 01:04:27,200
Speaker 1: makes a little atta boy joke as he walks out

1242
01:04:27,200 --> 01:04:31,640
Speaker 1: of the bedroom and then they turn right, which bothers

1243
01:04:31,680 --> 01:04:34,080
Speaker 1: me because when we saw Corey come up the stairs

1244
01:04:34,160 --> 01:04:37,960
Speaker 1: down the hallway, there weren't bedrooms before. Amy and Allen's bedroom,

1245
01:04:38,280 --> 01:04:40,720
Speaker 1: So it feels as though the boy's bedroom has to

1246
01:04:40,760 --> 01:04:42,640
Speaker 1: be They would have to make a left out of

1247
01:04:42,680 --> 01:04:46,000
Speaker 1: their bedroom, right. Then you take a left to the

1248
01:04:46,000 --> 01:04:49,600
Speaker 1: hallway curves to the left, and then there's probably another

1249
01:04:49,680 --> 01:04:52,600
Speaker 1: hallway that goes straight and the stairs are at the

1250
01:04:52,680 --> 01:04:55,480
Speaker 1: end of that hallway down to the left. I so

1251
01:04:55,560 --> 01:04:58,040
Speaker 1: you think they passed the stairs. They passed the stairs, Okay,

1252
01:04:58,080 --> 01:05:01,520
Speaker 1: I assumed that the stairs dead end there. Basically that

1253
01:05:01,560 --> 01:05:05,400
Speaker 1: the stairs dead end, that's like a curved walkway, and

1254
01:05:05,440 --> 01:05:07,760
Speaker 1: the rest of the house has to go anyway. Whatever,

1255
01:05:07,880 --> 01:05:09,440
Speaker 1: big deal. At first, I was like, wait, they went

1256
01:05:09,560 --> 01:05:11,640
Speaker 1: the same way towards the staircase. But you're right. It

1257
01:05:11,640 --> 01:05:15,240
Speaker 1: could extend. It could extend the lego set, the Matthews

1258
01:05:15,280 --> 01:05:17,800
Speaker 1: family lego set. By the way, not not to bring

1259
01:05:17,840 --> 01:05:19,640
Speaker 1: down the house, but I texted you guys a while

1260
01:05:19,720 --> 01:05:22,200
Speaker 1: ago that I did a recording session and the boy

1261
01:05:22,200 --> 01:05:25,760
Speaker 1: me world house is gone. I know it's gone. It's

1262
01:05:25,760 --> 01:05:29,320
Speaker 1: a little that's so crazy because actually, like people lived

1263
01:05:29,360 --> 01:05:31,959
Speaker 1: in it for a while. Yeah really yeah, yeah, people.

1264
01:05:32,440 --> 01:05:37,040
Speaker 1: A girl I grew up with, um, her husband's family

1265
01:05:37,240 --> 01:05:39,600
Speaker 1: owned it and lived in it for years. Um, So

1266
01:05:39,680 --> 01:05:43,080
Speaker 1: it's such a weird coincidence. It's my town of six

1267
01:05:43,120 --> 01:05:45,200
Speaker 1: thousand people. She her husband ended up living in the

1268
01:05:45,200 --> 01:05:58,520
Speaker 1: boy Beats World house. So we're in Korey and Eric's bedroom.

1269
01:05:58,520 --> 01:06:00,560
Speaker 1: Amy and Allen walk in and ask if he wants

1270
01:06:00,600 --> 01:06:02,840
Speaker 1: to tell them anything. Amy pulls out the earring and

1271
01:06:02,880 --> 01:06:05,520
Speaker 1: he pretends it's a birthday present for his mom. He

1272
01:06:05,600 --> 01:06:10,280
Speaker 1: then quickly admits that nothing happened. Well, you were so

1273
01:06:10,320 --> 01:06:13,280
Speaker 1: good in this scene. I remember having fun with the scene.

1274
01:06:13,280 --> 01:06:15,479
Speaker 1: I do, I remember having I remember this is where

1275
01:06:15,480 --> 01:06:18,000
Speaker 1: I think I'm starting to feel the comedy a little bit.

1276
01:06:18,160 --> 01:06:22,240
Speaker 1: You keep saying that you got the comedy. I don't know.

1277
01:06:22,600 --> 01:06:25,320
Speaker 1: It evolves. It evolves though it's always evolving, and that

1278
01:06:25,520 --> 01:06:27,400
Speaker 1: this is starting to get it. But this is a

1279
01:06:27,800 --> 01:06:29,480
Speaker 1: This is just a well written scene. And it's also

1280
01:06:29,520 --> 01:06:31,600
Speaker 1: not always you. It's like there are going to be

1281
01:06:31,600 --> 01:06:34,240
Speaker 1: scenes that are better written, like the scene with Amy

1282
01:06:34,240 --> 01:06:36,520
Speaker 1: and you at the bathroom door in season one that

1283
01:06:36,640 --> 01:06:38,680
Speaker 1: was funny six episodes in and it was you were

1284
01:06:38,800 --> 01:06:41,440
Speaker 1: nailing it. This is a well written scene in the

1285
01:06:41,480 --> 01:06:44,680
Speaker 1: sense that you're being confronted and you have witty things

1286
01:06:44,720 --> 01:06:46,880
Speaker 1: to say, and you have to keep adjusting in your approach,

1287
01:06:47,080 --> 01:06:49,040
Speaker 1: which is great for you as an actor because you

1288
01:06:49,080 --> 01:06:50,920
Speaker 1: just keep trying this. Now I'm gonna do this. Boy,

1289
01:06:51,520 --> 01:06:53,000
Speaker 1: it was fun and it was a fun I remember.

1290
01:06:53,040 --> 01:06:55,000
Speaker 1: I also remember how funny Rusty was in the scene

1291
01:06:55,000 --> 01:06:58,720
Speaker 1: too good, Yeah, everybody's great, Yeah, and then coming in

1292
01:06:58,720 --> 01:07:01,800
Speaker 1: with just like played food and like way he's so

1293
01:07:01,840 --> 01:07:04,600
Speaker 1: like oh yeah, but I mean, it's just the dynamics

1294
01:07:04,720 --> 01:07:06,600
Speaker 1: is a very well directed scene as well as an

1295
01:07:06,760 --> 01:07:09,840
Speaker 1: acted scene, and that everybody's sort of very clear, everybody's

1296
01:07:09,880 --> 01:07:12,280
Speaker 1: at cross currents. It's just good. It's all well written.

1297
01:07:12,960 --> 01:07:15,240
Speaker 1: This was one of my my most favorite family scenes.

1298
01:07:15,280 --> 01:07:17,800
Speaker 1: I remember that. And this also is finally where the

1299
01:07:17,800 --> 01:07:22,640
Speaker 1: show feels like like all the ickiness is sort of like, oh,

1300
01:07:22,680 --> 01:07:25,800
Speaker 1: the adults are in the room now, okay, Like all

1301
01:07:25,840 --> 01:07:28,040
Speaker 1: the bad advice that Corey has been getting is going

1302
01:07:28,080 --> 01:07:31,880
Speaker 1: to be reaching you know, reality and being called out

1303
01:07:31,920 --> 01:07:33,560
Speaker 1: for what it is, which is just nice to see

1304
01:07:33,560 --> 01:07:36,920
Speaker 1: and it brought the episode full circle. So Corey walks

1305
01:07:36,920 --> 01:07:38,520
Speaker 1: in and he says, take it easy on Eric. He

1306
01:07:38,560 --> 01:07:40,440
Speaker 1: taught him how to finally get a girl to say hi.

1307
01:07:40,800 --> 01:07:42,800
Speaker 1: They asked what her name is and Corey doesn't even

1308
01:07:42,800 --> 01:07:44,520
Speaker 1: know her name. Corey says, but it's all part of

1309
01:07:44,640 --> 01:07:48,280
Speaker 1: Eric's foolproof met fullproof method to get a date. Corey

1310
01:07:48,280 --> 01:07:50,520
Speaker 1: explains Eric's idea of getting any girl to make eye

1311
01:07:50,560 --> 01:07:53,120
Speaker 1: contact with him. Amy says she would rather Corey go

1312
01:07:53,160 --> 01:07:55,760
Speaker 1: to Alan for this kind of advice instead of Eric,

1313
01:07:56,280 --> 01:07:58,840
Speaker 1: and Corey says he walked in on Eric and Rebecca,

1314
01:07:58,960 --> 01:08:02,760
Speaker 1: and Eric starts being amazing Grace, which is so funny,

1315
01:08:03,640 --> 01:08:05,960
Speaker 1: and then Eric reanax Rebecca telling him to sit next

1316
01:08:06,000 --> 01:08:08,120
Speaker 1: to her on the bed, and Alan says that he

1317
01:08:08,160 --> 01:08:10,600
Speaker 1: should not rush into sex, even though when his father

1318
01:08:10,680 --> 01:08:12,520
Speaker 1: told him that he didn't believe it, but now that

1319
01:08:12,560 --> 01:08:14,240
Speaker 1: he is a father and he's here in this very

1320
01:08:14,240 --> 01:08:17,759
Speaker 1: moment um, he's has to say it, and it's very important.

1321
01:08:17,920 --> 01:08:19,360
Speaker 1: I love the joke where he was like, and you'll

1322
01:08:19,400 --> 01:08:23,680
Speaker 1: know someday when you're a father, which is so that

1323
01:08:23,880 --> 01:08:27,400
Speaker 1: it was really cute. And then Alan tells Corey that

1324
01:08:27,439 --> 01:08:30,439
Speaker 1: he's better off not knowing anything about girls than going

1325
01:08:30,479 --> 01:08:34,840
Speaker 1: with Eric's advice, which I thought is a perfect joke

1326
01:08:35,479 --> 01:08:39,120
Speaker 1: to also drive the point home that total ignorance is

1327
01:08:39,200 --> 01:08:41,519
Speaker 1: better than the advice that you don't need to care

1328
01:08:41,560 --> 01:08:43,439
Speaker 1: at all about the person you're trying to get into

1329
01:08:43,439 --> 01:08:46,400
Speaker 1: a relationship with No. It was nice. It was a

1330
01:08:46,479 --> 01:08:49,960
Speaker 1: nice scene with Rusty, nice scene with with Betsy. It

1331
01:08:50,040 --> 01:08:52,960
Speaker 1: was it was, it was And again I think you

1332
01:08:52,960 --> 01:08:55,880
Speaker 1: can argue you're supposed to feel the ickness through most

1333
01:08:55,880 --> 01:08:58,439
Speaker 1: of this episode because it is Ikey. When you're a teenager,

1334
01:08:58,800 --> 01:09:01,160
Speaker 1: nothing you do is right. And so it is the

1335
01:09:01,200 --> 01:09:03,600
Speaker 1: adult coming back in and steering the ship like, Okay, no,

1336
01:09:04,240 --> 01:09:07,920
Speaker 1: he's an idiot and you need to be your age, um,

1337
01:09:07,960 --> 01:09:11,920
Speaker 1: And I thought that was yeah, I agree. So then

1338
01:09:11,920 --> 01:09:14,080
Speaker 1: we are in the school hallway. The girl from class

1339
01:09:14,120 --> 01:09:16,000
Speaker 1: comes up to Corey and asks if he's ready to

1340
01:09:16,000 --> 01:09:18,280
Speaker 1: go on the date. Corey says, do you feel funny

1341
01:09:18,320 --> 01:09:20,840
Speaker 1: about this whole thing, and she says yes, she gets it.

1342
01:09:21,120 --> 01:09:22,880
Speaker 1: Corey says they should still get to know each other

1343
01:09:22,880 --> 01:09:24,640
Speaker 1: in case they ever do want to go out, and

1344
01:09:24,680 --> 01:09:26,639
Speaker 1: he asked because she wants to go somewhere and talk.

1345
01:09:26,800 --> 01:09:30,800
Speaker 1: And he finally finds out her name, Wendy. Corey says

1346
01:09:30,880 --> 01:09:34,719
Speaker 1: hi after learning her name, and she says hi back.

1347
01:09:35,720 --> 01:09:38,439
Speaker 1: She's very nice, she's a very good, good actress, and

1348
01:09:38,479 --> 01:09:40,360
Speaker 1: it's it's a very sweet moment between the two of them.

1349
01:09:40,360 --> 01:09:43,760
Speaker 1: It really was. It's very cute, and then we are

1350
01:09:43,800 --> 01:09:46,160
Speaker 1: in Corey and Eric's room. Corey and Eric are working

1351
01:09:46,200 --> 01:09:48,439
Speaker 1: on their homework. Eric says, even though he has been

1352
01:09:48,479 --> 01:09:51,040
Speaker 1: for he has been forbidden from talking about girls with Corey.

1353
01:09:51,280 --> 01:09:53,400
Speaker 1: He wants to know if Corey wants to update him

1354
01:09:53,439 --> 01:09:56,000
Speaker 1: on anything in his life. Corey says he had a

1355
01:09:56,000 --> 01:09:58,880
Speaker 1: good time on his date. Eric asks asks what his

1356
01:09:58,960 --> 01:10:01,479
Speaker 1: technique was, and Corey says he was just real nervous

1357
01:10:01,520 --> 01:10:05,000
Speaker 1: and nodded a lot. And then Corey says that even

1358
01:10:05,040 --> 01:10:07,200
Speaker 1: though he didn't know, he doesn't know if he did well.

1359
01:10:07,280 --> 01:10:09,880
Speaker 1: Wendy does want to go out again, and then the

1360
01:10:09,920 --> 01:10:14,040
Speaker 1: tables turn and Eric asks Corey how exactly he nodded

1361
01:10:14,240 --> 01:10:17,160
Speaker 1: asking for love advice. I guess the teacher has become

1362
01:10:17,280 --> 01:10:21,360
Speaker 1: the student and will the way you nod is. And

1363
01:10:21,400 --> 01:10:30,160
Speaker 1: then this is pure real bed. That is Ben Savage

1364
01:10:30,280 --> 01:10:32,880
Speaker 1: laughing at Wilford ll And that's why it's such a

1365
01:10:32,920 --> 01:10:37,599
Speaker 1: great moment. I lost it. I jumped off. I can

1366
01:10:37,800 --> 01:10:40,680
Speaker 1: see it. He's yeah, he covers his face with his

1367
01:10:40,760 --> 01:10:44,519
Speaker 1: hand like he's so embarrassed because you just cracked him up.

1368
01:10:44,800 --> 01:10:49,160
Speaker 1: And that wasn't the original, it was an original endure.

1369
01:10:49,280 --> 01:10:51,800
Speaker 1: But he could not get through it because you just

1370
01:10:51,840 --> 01:10:54,400
Speaker 1: made him laugh, and it just was like, oh, it

1371
01:10:54,520 --> 01:10:57,160
Speaker 1: was so fun to see to be like, oh, there,

1372
01:10:57,240 --> 01:11:00,439
Speaker 1: I remember laughing with him in these moments and feeling

1373
01:11:00,560 --> 01:11:04,240
Speaker 1: such real connection. Yes, yes, me too. I did the

1374
01:11:04,280 --> 01:11:06,240
Speaker 1: exact same thing. I watched it happened, and I was like,

1375
01:11:06,280 --> 01:11:07,840
Speaker 1: oh my god, I have to watch it again. I

1376
01:11:07,880 --> 01:11:11,120
Speaker 1: watched it multiple times. It's like the couch you know. Yeah,

1377
01:11:11,320 --> 01:11:13,479
Speaker 1: it's a behind the scenes moment. It is a raw,

1378
01:11:13,920 --> 01:11:16,519
Speaker 1: behind the scenes moment of not being able to keep

1379
01:11:16,520 --> 01:11:19,040
Speaker 1: it together. And well, it's also nice because you know

1380
01:11:19,160 --> 01:11:22,120
Speaker 1: that he still has the burden of carrying the show

1381
01:11:22,160 --> 01:11:25,360
Speaker 1: on his shoulders at twelve or thirteen. By this point,

1382
01:11:25,360 --> 01:11:28,040
Speaker 1: he's still doing that week after week. He's still killing

1383
01:11:28,080 --> 01:11:30,240
Speaker 1: it every week. And so to see a moment where

1384
01:11:30,280 --> 01:11:32,320
Speaker 1: you can tell it's just him having pure fun and

1385
01:11:32,320 --> 01:11:36,160
Speaker 1: he's just down. Yeah, the work falls away, yes, and

1386
01:11:36,200 --> 01:11:38,759
Speaker 1: it's just him as a kid laughing. It was great.

1387
01:11:38,920 --> 01:11:40,840
Speaker 1: Love I love. I loved every time I got to

1388
01:11:40,880 --> 01:11:43,160
Speaker 1: break Ben or you guys broke me or any of that.

1389
01:11:43,200 --> 01:11:50,040
Speaker 1: It was just such a real, real moments. All so

1390
01:11:50,240 --> 01:11:52,200
Speaker 1: much in front of the audience was there was so

1391
01:11:52,280 --> 01:11:55,240
Speaker 1: much of that so much. Yeah, it is. It's funny

1392
01:11:55,280 --> 01:11:57,679
Speaker 1: than to see that moment because it's like so much

1393
01:11:57,680 --> 01:12:01,080
Speaker 1: of our quote unquote home memories, our home videos are

1394
01:12:01,200 --> 01:12:04,640
Speaker 1: the actual show, but but that those aren't really what

1395
01:12:04,680 --> 01:12:06,800
Speaker 1: we were what we were, So this moment was like

1396
01:12:06,920 --> 01:12:11,439
Speaker 1: an actual capture of team. Then. So here's my question.

1397
01:12:12,040 --> 01:12:14,400
Speaker 1: Does the audience know the difference? Can the audience tell

1398
01:12:14,439 --> 01:12:17,280
Speaker 1: the difference? I don't know, let us know. It's interesting,

1399
01:12:17,360 --> 01:12:20,639
Speaker 1: you know if it's a feeling like you just get that,

1400
01:12:20,720 --> 01:12:23,240
Speaker 1: you get that Joy made such a big reaction that

1401
01:12:23,479 --> 01:12:25,720
Speaker 1: Alex and Indy knew, you know, like I didn't give

1402
01:12:25,760 --> 01:12:28,360
Speaker 1: them a chance to like to call it out at all.

1403
01:12:28,600 --> 01:12:30,880
Speaker 1: So I'm very curious if you don't know, Ben, or

1404
01:12:30,920 --> 01:12:32,479
Speaker 1: if you don't know, if you just think that that's

1405
01:12:32,520 --> 01:12:35,760
Speaker 1: Corey being a moment where there's something more raw and

1406
01:12:35,920 --> 01:12:40,240
Speaker 1: like so natural about it that it transcends the structure

1407
01:12:40,280 --> 01:12:42,479
Speaker 1: of the show. I kind of wish I could go

1408
01:12:42,560 --> 01:12:46,640
Speaker 1: back and thank Ben. I know that sounds ridiculous, but

1409
01:12:46,680 --> 01:12:50,240
Speaker 1: for just kind of being the rock that held the

1410
01:12:50,240 --> 01:12:53,840
Speaker 1: show to get I mean, it's what I mean, But

1411
01:12:54,040 --> 01:12:55,840
Speaker 1: did do that to an eleven or twelve year old?

1412
01:12:55,880 --> 01:12:57,599
Speaker 1: But you can easily be the reason the show existed,

1413
01:12:57,680 --> 01:12:59,439
Speaker 1: and then it goes in a whole different direction and

1414
01:12:59,479 --> 01:13:01,759
Speaker 1: they're like, no, we're not going He carried the burden

1415
01:13:01,800 --> 01:13:05,639
Speaker 1: the whole time. Um, and that's really impressive. So yeah,

1416
01:13:05,680 --> 01:13:07,040
Speaker 1: part of me wish just I could go back and

1417
01:13:07,080 --> 01:13:09,200
Speaker 1: talk to twelve year old band and be like, you're killing.

1418
01:13:09,200 --> 01:13:12,840
Speaker 1: It helped somebody's telling you that you're killing all the

1419
01:13:12,880 --> 01:13:15,800
Speaker 1: time and we appreciate that, you know, So that would

1420
01:13:15,840 --> 01:13:19,040
Speaker 1: be yeah, yeah, I don't know. Not to end melancholy,

1421
01:13:19,120 --> 01:13:22,760
Speaker 1: but thank you for joining us for this episode of

1422
01:13:22,760 --> 01:13:24,920
Speaker 1: pod Meats World. You can follow us on Instagram pod

1423
01:13:24,960 --> 01:13:27,200
Speaker 1: meets World Show, and you can send us your emails.

1424
01:13:27,240 --> 01:13:28,960
Speaker 1: Please do send us your emails and let us know

1425
01:13:29,000 --> 01:13:31,679
Speaker 1: whether or not you thought that was just something scripted

1426
01:13:31,680 --> 01:13:33,880
Speaker 1: that Corey laughs at the end, or did you know

1427
01:13:34,000 --> 01:13:35,559
Speaker 1: that it was a total break and it was just

1428
01:13:35,640 --> 01:13:38,040
Speaker 1: real Ben Savage laughing there. You can send us your

1429
01:13:38,040 --> 01:13:40,280
Speaker 1: emails at pod Meats World Show at gmail dot com,

1430
01:13:40,360 --> 01:13:45,080
Speaker 1: and as always, we have merch merch you can get

1431
01:13:45,080 --> 01:13:48,000
Speaker 1: that at pod Meats World show dot com and we

1432
01:13:48,040 --> 01:13:50,320
Speaker 1: will see you next time. We'll send us off. We

1433
01:13:50,439 --> 01:13:54,519
Speaker 1: love you all. Pod dismissed pod Meats World is an

1434
01:13:54,520 --> 01:13:57,679
Speaker 1: iHeart podcast produced and hosted by Daniel Fishel, Will Fernell

1435
01:13:57,760 --> 01:14:00,600
Speaker 1: and Wright or Strong. Executive producers Jen some Carp and

1436
01:14:00,600 --> 01:14:04,520
Speaker 1: Amy Sugarman Executive in charge of production, Danielle Romo, producer

1437
01:14:04,520 --> 01:14:08,439
Speaker 1: and editor, Tara suit Box producer, Jackie Rodriguez, engineer and

1438
01:14:08,479 --> 01:14:11,360
Speaker 1: Boy Meets World super fan Easton Allen. Our theme song

1439
01:14:11,520 --> 01:14:14,080
Speaker 1: is by Kyle Morton of Typhoon. You can follow us

1440
01:14:14,080 --> 01:14:16,880
Speaker 1: on Instagram at pod Meats World Show or send us

1441
01:14:16,880 --> 01:14:21,040
Speaker 1: an email at pod Meats World Show at gmail dot com.